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stammered unhappy Matthew, seizing the rake and making for the door. At the threshold he recollected that he had not paid for it and he turned miserably back. While Miss Harris was counting out his change he rallied his powers for a final desperate attempt. | No speaker | "Oh, certainly--certainly--just as you say,"<|quote|>stammered unhappy Matthew, seizing the rake and making for the door. At the threshold he recollected that he had not paid for it and he turned miserably back. While Miss Harris was counting out his change he rallied his powers for a final desperate attempt.</|quote|>"Well now--if it isn't too | none on hand just now." "Oh, certainly--certainly--just as you say,"<|quote|>stammered unhappy Matthew, seizing the rake and making for the door. At the threshold he recollected that he had not paid for it and he turned miserably back. While Miss Harris was counting out his change he rallied his powers for a final desperate attempt.</|quote|>"Well now--if it isn't too much trouble--I might as well--that | now, since you suggest it, I might as well--take--that is--look at--buy some--some hayseed." Miss Harris had heard Matthew Cuthbert called odd. She now concluded that he was entirely crazy. "We only keep hayseed in the spring," she explained loftily. "We've none on hand just now." "Oh, certainly--certainly--just as you say,"<|quote|>stammered unhappy Matthew, seizing the rake and making for the door. At the threshold he recollected that he had not paid for it and he turned miserably back. While Miss Harris was counting out his change he rallied his powers for a final desperate attempt.</|quote|>"Well now--if it isn't too much trouble--I might as well--that is--I'd like to look at--at--some sugar." "White or brown?" queried Miss Harris patiently. "Oh--well now--brown," said Matthew feebly. "There's a barrel of it over there," said Miss Harris, shaking her bangles at it. "It's the only kind we have." "I'll--I'll | over," she said, "but they're upstairs in the lumber room. I'll go and see." During her absence Matthew collected his scattered senses for another effort. When Miss Harris returned with the rake and cheerfully inquired: "Anything else tonight, Mr. Cuthbert?" Matthew took his courage in both hands and replied: "Well now, since you suggest it, I might as well--take--that is--look at--buy some--some hayseed." Miss Harris had heard Matthew Cuthbert called odd. She now concluded that he was entirely crazy. "We only keep hayseed in the spring," she explained loftily. "We've none on hand just now." "Oh, certainly--certainly--just as you say,"<|quote|>stammered unhappy Matthew, seizing the rake and making for the door. At the threshold he recollected that he had not paid for it and he turned miserably back. While Miss Harris was counting out his change he rallied his powers for a final desperate attempt.</|quote|>"Well now--if it isn't too much trouble--I might as well--that is--I'd like to look at--at--some sugar." "White or brown?" queried Miss Harris patiently. "Oh--well now--brown," said Matthew feebly. "There's a barrel of it over there," said Miss Harris, shaking her bangles at it. "It's the only kind we have." "I'll--I'll take twenty pounds of it," said Matthew, with beads of perspiration standing on his forehead. Matthew had driven halfway home before he was his own man again. It had been a gruesome experience, but it served him right, he thought, for committing the heresy of going to a strange store. | several bangle bracelets that glittered and rattled and tinkled with every movement of her hands. Matthew was covered with confusion at finding her there at all; and those bangles completely wrecked his wits at one fell swoop. "What can I do for you this evening, Mr. Cuthbert?" Miss Lucilla Harris inquired, briskly and ingratiatingly, tapping the counter with both hands. "Have you any--any--any--well now, say any garden rakes?" stammered Matthew. Miss Harris looked somewhat surprised, as well she might, to hear a man inquiring for garden rakes in the middle of December. "I believe we have one or two left over," she said, "but they're upstairs in the lumber room. I'll go and see." During her absence Matthew collected his scattered senses for another effort. When Miss Harris returned with the rake and cheerfully inquired: "Anything else tonight, Mr. Cuthbert?" Matthew took his courage in both hands and replied: "Well now, since you suggest it, I might as well--take--that is--look at--buy some--some hayseed." Miss Harris had heard Matthew Cuthbert called odd. She now concluded that he was entirely crazy. "We only keep hayseed in the spring," she explained loftily. "We've none on hand just now." "Oh, certainly--certainly--just as you say,"<|quote|>stammered unhappy Matthew, seizing the rake and making for the door. At the threshold he recollected that he had not paid for it and he turned miserably back. While Miss Harris was counting out his change he rallied his powers for a final desperate attempt.</|quote|>"Well now--if it isn't too much trouble--I might as well--that is--I'd like to look at--at--some sugar." "White or brown?" queried Miss Harris patiently. "Oh--well now--brown," said Matthew feebly. "There's a barrel of it over there," said Miss Harris, shaking her bangles at it. "It's the only kind we have." "I'll--I'll take twenty pounds of it," said Matthew, with beads of perspiration standing on his forehead. Matthew had driven halfway home before he was his own man again. It had been a gruesome experience, but it served him right, he thought, for committing the heresy of going to a strange store. When he reached home he hid the rake in the tool house, but the sugar he carried in to Marilla. "Brown sugar!" exclaimed Marilla. "Whatever possessed you to get so much? You know I never use it except for the hired man's porridge or black fruit cake. Jerry's gone and I've made my cake long ago. It's not good sugar, either--it's coarse and dark--William Blair doesn't usually keep sugar like that." "I--I thought it might come in handy sometime," said Matthew, making good his escape. When Matthew came to think the matter over he decided that a woman was required | bargainer; but he knew he would be at the mercy of shopkeepers when it came to buying a girl's dress. After much cogitation Matthew resolved to go to Samuel Lawson's store instead of William Blair's. To be sure, the Cuthberts always had gone to William Blair's; it was almost as much a matter of conscience with them as to attend the Presbyterian church and vote Conservative. But William Blair's two daughters frequently waited on customers there and Matthew held them in absolute dread. He could contrive to deal with them when he knew exactly what he wanted and could point it out; but in such a matter as this, requiring explanation and consultation, Matthew felt that he must be sure of a man behind the counter. So he would go to Lawson's, where Samuel or his son would wait on him. Alas! Matthew did not know that Samuel, in the recent expansion of his business, had set up a lady clerk also; she was a niece of his wife's and a very dashing young person indeed, with a huge, drooping pompadour, big, rolling brown eyes, and a most extensive and bewildering smile. She was dressed with exceeding smartness and wore several bangle bracelets that glittered and rattled and tinkled with every movement of her hands. Matthew was covered with confusion at finding her there at all; and those bangles completely wrecked his wits at one fell swoop. "What can I do for you this evening, Mr. Cuthbert?" Miss Lucilla Harris inquired, briskly and ingratiatingly, tapping the counter with both hands. "Have you any--any--any--well now, say any garden rakes?" stammered Matthew. Miss Harris looked somewhat surprised, as well she might, to hear a man inquiring for garden rakes in the middle of December. "I believe we have one or two left over," she said, "but they're upstairs in the lumber room. I'll go and see." During her absence Matthew collected his scattered senses for another effort. When Miss Harris returned with the rake and cheerfully inquired: "Anything else tonight, Mr. Cuthbert?" Matthew took his courage in both hands and replied: "Well now, since you suggest it, I might as well--take--that is--look at--buy some--some hayseed." Miss Harris had heard Matthew Cuthbert called odd. She now concluded that he was entirely crazy. "We only keep hayseed in the spring," she explained loftily. "We've none on hand just now." "Oh, certainly--certainly--just as you say,"<|quote|>stammered unhappy Matthew, seizing the rake and making for the door. At the threshold he recollected that he had not paid for it and he turned miserably back. While Miss Harris was counting out his change he rallied his powers for a final desperate attempt.</|quote|>"Well now--if it isn't too much trouble--I might as well--that is--I'd like to look at--at--some sugar." "White or brown?" queried Miss Harris patiently. "Oh--well now--brown," said Matthew feebly. "There's a barrel of it over there," said Miss Harris, shaking her bangles at it. "It's the only kind we have." "I'll--I'll take twenty pounds of it," said Matthew, with beads of perspiration standing on his forehead. Matthew had driven halfway home before he was his own man again. It had been a gruesome experience, but it served him right, he thought, for committing the heresy of going to a strange store. When he reached home he hid the rake in the tool house, but the sugar he carried in to Marilla. "Brown sugar!" exclaimed Marilla. "Whatever possessed you to get so much? You know I never use it except for the hired man's porridge or black fruit cake. Jerry's gone and I've made my cake long ago. It's not good sugar, either--it's coarse and dark--William Blair doesn't usually keep sugar like that." "I--I thought it might come in handy sometime," said Matthew, making good his escape. When Matthew came to think the matter over he decided that a woman was required to cope with the situation. Marilla was out of the question. Matthew felt sure she would throw cold water on his project at once. Remained only Mrs. Lynde; for of no other woman in Avonlea would Matthew have dared to ask advice. To Mrs. Lynde he went accordingly, and that good lady promptly took the matter out of the harassed man's hands. "Pick out a dress for you to give Anne? To be sure I will. I'm going to Carmody tomorrow and I'll attend to it. Have you something particular in mind? No? Well, I'll just go by my own judgment then. I believe a nice rich brown would just suit Anne, and William Blair has some new gloria in that's real pretty. Perhaps you'd like me to make it up for her, too, seeing that if Marilla was to make it Anne would probably get wind of it before the time and spoil the surprise? Well, I'll do it. No, it isn't a mite of trouble. I like sewing. I'll make it to fit my niece, Jenny Gillis, for she and Anne are as like as two peas as far as figure goes." "Well now, I'm much obliged," said | did it consist? Matthew was haunted by this question long after the girls had gone, arm in arm, down the long, hard-frozen lane and Anne had betaken herself to her books. He could not refer it to Marilla, who, he felt, would be quite sure to sniff scornfully and remark that the only difference she saw between Anne and the other girls was that they sometimes kept their tongues quiet while Anne never did. This, Matthew felt, would be no great help. He had recourse to his pipe that evening to help him study it out, much to Marilla's disgust. After two hours of smoking and hard reflection Matthew arrived at a solution of his problem. Anne was not dressed like the other girls! The more Matthew thought about the matter the more he was convinced that Anne never had been dressed like the other girls--never since she had come to Green Gables. Marilla kept her clothed in plain, dark dresses, all made after the same unvarying pattern. If Matthew knew there was such a thing as fashion in dress it was as much as he did; but he was quite sure that Anne's sleeves did not look at all like the sleeves the other girls wore. He recalled the cluster of little girls he had seen around her that evening--all gay in waists of red and blue and pink and white--and he wondered why Marilla always kept her so plainly and soberly gowned. Of course, it must be all right. Marilla knew best and Marilla was bringing her up. Probably some wise, inscrutable motive was to be served thereby. But surely it would do no harm to let the child have one pretty dress--something like Diana Barry always wore. Matthew decided that he would give her one; that surely could not be objected to as an unwarranted putting in of his oar. Christmas was only a fortnight off. A nice new dress would be the very thing for a present. Matthew, with a sigh of satisfaction, put away his pipe and went to bed, while Marilla opened all the doors and aired the house. The very next evening Matthew betook himself to Carmody to buy the dress, determined to get the worst over and have done with it. It would be, he felt assured, no trifling ordeal. There were some things Matthew could buy and prove himself no mean bargainer; but he knew he would be at the mercy of shopkeepers when it came to buying a girl's dress. After much cogitation Matthew resolved to go to Samuel Lawson's store instead of William Blair's. To be sure, the Cuthberts always had gone to William Blair's; it was almost as much a matter of conscience with them as to attend the Presbyterian church and vote Conservative. But William Blair's two daughters frequently waited on customers there and Matthew held them in absolute dread. He could contrive to deal with them when he knew exactly what he wanted and could point it out; but in such a matter as this, requiring explanation and consultation, Matthew felt that he must be sure of a man behind the counter. So he would go to Lawson's, where Samuel or his son would wait on him. Alas! Matthew did not know that Samuel, in the recent expansion of his business, had set up a lady clerk also; she was a niece of his wife's and a very dashing young person indeed, with a huge, drooping pompadour, big, rolling brown eyes, and a most extensive and bewildering smile. She was dressed with exceeding smartness and wore several bangle bracelets that glittered and rattled and tinkled with every movement of her hands. Matthew was covered with confusion at finding her there at all; and those bangles completely wrecked his wits at one fell swoop. "What can I do for you this evening, Mr. Cuthbert?" Miss Lucilla Harris inquired, briskly and ingratiatingly, tapping the counter with both hands. "Have you any--any--any--well now, say any garden rakes?" stammered Matthew. Miss Harris looked somewhat surprised, as well she might, to hear a man inquiring for garden rakes in the middle of December. "I believe we have one or two left over," she said, "but they're upstairs in the lumber room. I'll go and see." During her absence Matthew collected his scattered senses for another effort. When Miss Harris returned with the rake and cheerfully inquired: "Anything else tonight, Mr. Cuthbert?" Matthew took his courage in both hands and replied: "Well now, since you suggest it, I might as well--take--that is--look at--buy some--some hayseed." Miss Harris had heard Matthew Cuthbert called odd. She now concluded that he was entirely crazy. "We only keep hayseed in the spring," she explained loftily. "We've none on hand just now." "Oh, certainly--certainly--just as you say,"<|quote|>stammered unhappy Matthew, seizing the rake and making for the door. At the threshold he recollected that he had not paid for it and he turned miserably back. While Miss Harris was counting out his change he rallied his powers for a final desperate attempt.</|quote|>"Well now--if it isn't too much trouble--I might as well--that is--I'd like to look at--at--some sugar." "White or brown?" queried Miss Harris patiently. "Oh--well now--brown," said Matthew feebly. "There's a barrel of it over there," said Miss Harris, shaking her bangles at it. "It's the only kind we have." "I'll--I'll take twenty pounds of it," said Matthew, with beads of perspiration standing on his forehead. Matthew had driven halfway home before he was his own man again. It had been a gruesome experience, but it served him right, he thought, for committing the heresy of going to a strange store. When he reached home he hid the rake in the tool house, but the sugar he carried in to Marilla. "Brown sugar!" exclaimed Marilla. "Whatever possessed you to get so much? You know I never use it except for the hired man's porridge or black fruit cake. Jerry's gone and I've made my cake long ago. It's not good sugar, either--it's coarse and dark--William Blair doesn't usually keep sugar like that." "I--I thought it might come in handy sometime," said Matthew, making good his escape. When Matthew came to think the matter over he decided that a woman was required to cope with the situation. Marilla was out of the question. Matthew felt sure she would throw cold water on his project at once. Remained only Mrs. Lynde; for of no other woman in Avonlea would Matthew have dared to ask advice. To Mrs. Lynde he went accordingly, and that good lady promptly took the matter out of the harassed man's hands. "Pick out a dress for you to give Anne? To be sure I will. I'm going to Carmody tomorrow and I'll attend to it. Have you something particular in mind? No? Well, I'll just go by my own judgment then. I believe a nice rich brown would just suit Anne, and William Blair has some new gloria in that's real pretty. Perhaps you'd like me to make it up for her, too, seeing that if Marilla was to make it Anne would probably get wind of it before the time and spoil the surprise? Well, I'll do it. No, it isn't a mite of trouble. I like sewing. I'll make it to fit my niece, Jenny Gillis, for she and Anne are as like as two peas as far as figure goes." "Well now, I'm much obliged," said Matthew, "and--and--I dunno--but I'd like--I think they make the sleeves different nowadays to what they used to be. If it wouldn't be asking too much I--I'd like them made in the new way." "Puffs? Of course. You needn't worry a speck more about it, Matthew. I'll make it up in the very latest fashion," said Mrs. Lynde. To herself she added when Matthew had gone: "It'll be a real satisfaction to see that poor child wearing something decent for once. The way Marilla dresses her is positively ridiculous, that's what, and I've ached to tell her so plainly a dozen times. I've held my tongue though, for I can see Marilla doesn't want advice and she thinks she knows more about bringing children up than I do for all she's an old maid. But that's always the way. Folks that has brought up children know that there's no hard and fast method in the world that'll suit every child. But them as never have think it's all as plain and easy as Rule of Three--just set your three terms down so fashion, and the sum ?ll work out correct. But flesh and blood don't come under the head of arithmetic and that's where Marilla Cuthbert makes her mistake. I suppose she's trying to cultivate a spirit of humility in Anne by dressing her as she does; but it's more likely to cultivate envy and discontent. I'm sure the child must feel the difference between her clothes and the other girls'. But to think of Matthew taking notice of it! That man is waking up after being asleep for over sixty years." Marilla knew all the following fortnight that Matthew had something on his mind, but what it was she could not guess, until Christmas Eve, when Mrs. Lynde brought up the new dress. Marilla behaved pretty well on the whole, although it is very likely she distrusted Mrs. Lynde's diplomatic explanation that she had made the dress because Matthew was afraid Anne would find out about it too soon if Marilla made it. "So this is what Matthew has been looking so mysterious over and grinning about to himself for two weeks, is it?" she said a little stiffly but tolerantly. "I knew he was up to some foolishness. Well, I must say I don't think Anne needed any more dresses. I made her three good, warm, serviceable ones this | the sleeves the other girls wore. He recalled the cluster of little girls he had seen around her that evening--all gay in waists of red and blue and pink and white--and he wondered why Marilla always kept her so plainly and soberly gowned. Of course, it must be all right. Marilla knew best and Marilla was bringing her up. Probably some wise, inscrutable motive was to be served thereby. But surely it would do no harm to let the child have one pretty dress--something like Diana Barry always wore. Matthew decided that he would give her one; that surely could not be objected to as an unwarranted putting in of his oar. Christmas was only a fortnight off. A nice new dress would be the very thing for a present. Matthew, with a sigh of satisfaction, put away his pipe and went to bed, while Marilla opened all the doors and aired the house. The very next evening Matthew betook himself to Carmody to buy the dress, determined to get the worst over and have done with it. It would be, he felt assured, no trifling ordeal. There were some things Matthew could buy and prove himself no mean bargainer; but he knew he would be at the mercy of shopkeepers when it came to buying a girl's dress. After much cogitation Matthew resolved to go to Samuel Lawson's store instead of William Blair's. To be sure, the Cuthberts always had gone to William Blair's; it was almost as much a matter of conscience with them as to attend the Presbyterian church and vote Conservative. But William Blair's two daughters frequently waited on customers there and Matthew held them in absolute dread. He could contrive to deal with them when he knew exactly what he wanted and could point it out; but in such a matter as this, requiring explanation and consultation, Matthew felt that he must be sure of a man behind the counter. So he would go to Lawson's, where Samuel or his son would wait on him. Alas! Matthew did not know that Samuel, in the recent expansion of his business, had set up a lady clerk also; she was a niece of his wife's and a very dashing young person indeed, with a huge, drooping pompadour, big, rolling brown eyes, and a most extensive and bewildering smile. She was dressed with exceeding smartness and wore several bangle bracelets that glittered and rattled and tinkled with every movement of her hands. Matthew was covered with confusion at finding her there at all; and those bangles completely wrecked his wits at one fell swoop. "What can I do for you this evening, Mr. Cuthbert?" Miss Lucilla Harris inquired, briskly and ingratiatingly, tapping the counter with both hands. "Have you any--any--any--well now, say any garden rakes?" stammered Matthew. Miss Harris looked somewhat surprised, as well she might, to hear a man inquiring for garden rakes in the middle of December. "I believe we have one or two left over," she said, "but they're upstairs in the lumber room. I'll go and see." During her absence Matthew collected his scattered senses for another effort. When Miss Harris returned with the rake and cheerfully inquired: "Anything else tonight, Mr. Cuthbert?" Matthew took his courage in both hands and replied: "Well now, since you suggest it, I might as well--take--that is--look at--buy some--some hayseed." Miss Harris had heard Matthew Cuthbert called odd. She now concluded that he was entirely crazy. "We only keep hayseed in the spring," she explained loftily. "We've none on hand just now." "Oh, certainly--certainly--just as you say,"<|quote|>stammered unhappy Matthew, seizing the rake and making for the door. At the threshold he recollected that he had not paid for it and he turned miserably back. While Miss Harris was counting out his change he rallied his powers for a final desperate attempt.</|quote|>"Well now--if it isn't too much trouble--I might as well--that is--I'd like to look at--at--some sugar." "White or brown?" queried Miss Harris patiently. "Oh--well now--brown," said Matthew feebly. "There's a barrel of it over there," said Miss Harris, shaking her bangles at it. "It's the only kind we have." "I'll--I'll take twenty pounds of it," said Matthew, with beads of perspiration standing on his forehead. Matthew had driven halfway home before he was his own man again. It had been a gruesome experience, but it served him right, he thought, for committing the heresy of going to a strange store. When he reached home he hid the rake in the tool house, but the sugar he carried in to Marilla. "Brown sugar!" exclaimed Marilla. "Whatever possessed you to get so much? You know I never use it except for the hired man's porridge or black fruit cake. Jerry's gone and I've made my cake long ago. It's not good sugar, either--it's coarse and dark--William Blair doesn't usually keep sugar like that." "I--I thought it might come in handy sometime," said Matthew, making good his escape. When Matthew came to think the matter over he decided that a woman was required to cope with the situation. Marilla was out of the question. Matthew felt sure she would throw cold water on his project at once. Remained only Mrs. Lynde; for of no other woman in Avonlea would Matthew have dared to ask advice. To Mrs. Lynde he went accordingly, and that good lady promptly took the matter out of the harassed man's hands. "Pick out a dress for you to give Anne? To be sure I will. I'm going to Carmody tomorrow and I'll attend to it. Have you something particular in mind? No? Well, I'll just go by my own judgment then. I believe a nice rich brown would just suit Anne, and William Blair has some new gloria in that's real pretty. Perhaps you'd like me to make it up for her, too, seeing that if Marilla was to make it Anne would probably get wind of it before the time and spoil the surprise? Well, I'll do it. No, it isn't a mite of trouble. I like sewing. I'll make it to fit my niece, Jenny Gillis, for she and Anne are as like as two peas as far as figure goes." "Well now, I'm much obliged," said Matthew, "and--and--I dunno--but I'd like--I think they make the sleeves different nowadays to what they used to be. If it wouldn't be asking too much I--I'd like them made in the new way." "Puffs? Of course. You needn't worry a speck more about it, Matthew. I'll make it up in the very latest fashion," said Mrs. Lynde. To herself she added when Matthew had gone: "It'll be a real satisfaction to | Anne Of Green Gables | now, since you suggest it, I might as well--take--that is--look at--buy some--some hayseed." Miss Harris had heard Matthew Cuthbert called odd. She now concluded that he was entirely crazy. "We only keep hayseed in the spring," she explained loftily. "We've none on hand just now." "Oh, certainly--certainly--just as you say,"<|quote|>stammered unhappy Matthew, seizing the rake and making for the door. At the threshold he recollected that he had not paid for it and he turned miserably back. While Miss Harris was counting out his change he rallied his powers for a final desperate attempt.</|quote|>"Well now--if it isn't too much trouble--I might as well--that is--I'd like to look at--at--some sugar." "White or brown?" queried Miss Harris patiently. "Oh--well now--brown," said Matthew feebly. "There's a barrel of it over there," said Miss Harris, shaking her bangles at it. "It's the only kind we have." "I'll--I'll | {
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"content": "now, since you suggest it, I might as well--take--that is--look at--buy some--some hayseed.\" Miss Harris had heard Matthew Cuthbert called odd. She now concluded that he was entirely crazy. \"We only keep hayseed in the spring,\" she explained loftily. \"We've none on hand just now.\" \"Oh, certainly--certainly--just as you say,\"<|quote|>stammered unhappy Matthew, seizing the rake and making for the door. At the threshold he recollected that he had not paid for it and he turned miserably back. While Miss Harris was counting out his change he rallied his powers for a final desperate attempt.</|quote|>\"Well now--if it isn't too much trouble--I might as well--that is--I'd like to look at--at--some sugar.\" \"White or brown?\" queried Miss Harris patiently. \"Oh--well now--brown,\" said Matthew feebly. \"There's a barrel of it over there,\" said Miss Harris, shaking her bangles at it. \"It's the only kind we have.\" \"I'll--I'll",
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"Anyway, this lets _you_ out. You've done far more than most wives would to cheer the old boy up." | Polly Cockpurse | hadn't got his name wrong."<|quote|>"Anyway, this lets _you_ out. You've done far more than most wives would to cheer the old boy up."</|quote|>"Yes, that's certainly true," said | been all right, if she hadn't got his name wrong."<|quote|>"Anyway, this lets _you_ out. You've done far more than most wives would to cheer the old boy up."</|quote|>"Yes, that's certainly true," said Brenda. [IV] Another five days; | tea. You look all funny--have you been asleep?" * * * * * "We must write it down a failure, definitely." "What _does_ the old boy expect? It isn't as though he was everybody's money." "I daresay it would have been all right, if she hadn't got his name wrong."<|quote|>"Anyway, this lets _you_ out. You've done far more than most wives would to cheer the old boy up."</|quote|>"Yes, that's certainly true," said Brenda. [IV] Another five days; then Brenda came to Hetton again. "I shan't be here next week-end," she said, "I'm going to stay with Veronica." "Am I asked?" "Well, you _were_, of course, but I refused for you. You know you always hate staying away." | Brenda found him there two hours later. "_Tony_, here all alone? We thought you were with Jenny. What have you done with her?" "John took her off... just in time before I said something rude." "Oh dear... well there's only me and Polly in the smoking-room. Come and have some tea. You look all funny--have you been asleep?" * * * * * "We must write it down a failure, definitely." "What _does_ the old boy expect? It isn't as though he was everybody's money." "I daresay it would have been all right, if she hadn't got his name wrong."<|quote|>"Anyway, this lets _you_ out. You've done far more than most wives would to cheer the old boy up."</|quote|>"Yes, that's certainly true," said Brenda. [IV] Another five days; then Brenda came to Hetton again. "I shan't be here next week-end," she said, "I'm going to stay with Veronica." "Am I asked?" "Well, you _were_, of course, but I refused for you. You know you always hate staying away." "I wouldn't mind coming." "Oh, darling, I wish I'd known. Veronica would have loved it so... but I'm afraid it will be too late now. She's only got a tiny house... to tell you the truth I didn't think you liked her much." "I hated her like hell." "Well, then...?" | talking about yourself, aren't you, Teddy? It's a mistake, you know, to keep things bottled up. I've been very unhappy too." Tony looked about him desperately in search of help; and help came. "Oh, there you are," said a firm, child's voice. "Come on. We're going down to the woods now. We must hurry, otherwise it will be dark." "Oh, Johnny-boy, must I really? I was just talking to daddy." "_Come on._ It's all arranged. And afterwards you're to be allowed to have tea with me upstairs." Tony crept into the library, habitable to-day, since the workmen were at rest. Brenda found him there two hours later. "_Tony_, here all alone? We thought you were with Jenny. What have you done with her?" "John took her off... just in time before I said something rude." "Oh dear... well there's only me and Polly in the smoking-room. Come and have some tea. You look all funny--have you been asleep?" * * * * * "We must write it down a failure, definitely." "What _does_ the old boy expect? It isn't as though he was everybody's money." "I daresay it would have been all right, if she hadn't got his name wrong."<|quote|>"Anyway, this lets _you_ out. You've done far more than most wives would to cheer the old boy up."</|quote|>"Yes, that's certainly true," said Brenda. [IV] Another five days; then Brenda came to Hetton again. "I shan't be here next week-end," she said, "I'm going to stay with Veronica." "Am I asked?" "Well, you _were_, of course, but I refused for you. You know you always hate staying away." "I wouldn't mind coming." "Oh, darling, I wish I'd known. Veronica would have loved it so... but I'm afraid it will be too late now. She's only got a tiny house... to tell you the truth I didn't think you liked her much." "I hated her like hell." "Well, then...?" "Oh, it doesn't matter. I suppose you must go back on Monday? The hounds are meeting on Wednesday, you know." "Are we giving them a lawner?" "Yes, darling, you know we do every year." "So we do." "You couldn't stay down till then?" "Not possibly, darling. You see if I miss one lecture I get right behind and can't follow the next. Besides, I am not mad keen to see the hounds." "Ben was asking if we'd let John go out." "Oh, he's far too young." "Not to hunt. But I thought he might bring his pony to the meet | him." "I'm afraid you don't understand the old boy altogether. He's much odder than you'd think." * * * * * "I could see from your sermon that you knew the East, Rector." "Yes, yes, most of my life." "It has an uncanny fascination, hasn't it?" "Oh, come on," said John, pulling at her coat. "We must go and see Thunderclap." So Tony returned alone with the buttonholes. After luncheon Brenda said, "Why don't you show Jenny the house?" "Oh yes, _do_." When they reached the morning-room he said, "Brenda's having it done up." There were planks and ladders and heaps of plaster about. "Oh, Teddy, what a shame. I do hate seeing things modernized." "It isn't a room we used very much." "No, but still..." She stirred the mouldings of fleur-de-lis that littered the floor, fragments of tarnished gilding and dusty stencil-work. "You know, Brenda's been a wonderful friend to me. I wouldn't say anything against her... but ever since I came here I've been wondering whether she really understands this beautiful place and all it means to you." "Tell me more about your terrible life," said Tony, leading her back to the central hall. "You _are_ shy of talking about yourself, aren't you, Teddy? It's a mistake, you know, to keep things bottled up. I've been very unhappy too." Tony looked about him desperately in search of help; and help came. "Oh, there you are," said a firm, child's voice. "Come on. We're going down to the woods now. We must hurry, otherwise it will be dark." "Oh, Johnny-boy, must I really? I was just talking to daddy." "_Come on._ It's all arranged. And afterwards you're to be allowed to have tea with me upstairs." Tony crept into the library, habitable to-day, since the workmen were at rest. Brenda found him there two hours later. "_Tony_, here all alone? We thought you were with Jenny. What have you done with her?" "John took her off... just in time before I said something rude." "Oh dear... well there's only me and Polly in the smoking-room. Come and have some tea. You look all funny--have you been asleep?" * * * * * "We must write it down a failure, definitely." "What _does_ the old boy expect? It isn't as though he was everybody's money." "I daresay it would have been all right, if she hadn't got his name wrong."<|quote|>"Anyway, this lets _you_ out. You've done far more than most wives would to cheer the old boy up."</|quote|>"Yes, that's certainly true," said Brenda. [IV] Another five days; then Brenda came to Hetton again. "I shan't be here next week-end," she said, "I'm going to stay with Veronica." "Am I asked?" "Well, you _were_, of course, but I refused for you. You know you always hate staying away." "I wouldn't mind coming." "Oh, darling, I wish I'd known. Veronica would have loved it so... but I'm afraid it will be too late now. She's only got a tiny house... to tell you the truth I didn't think you liked her much." "I hated her like hell." "Well, then...?" "Oh, it doesn't matter. I suppose you must go back on Monday? The hounds are meeting on Wednesday, you know." "Are we giving them a lawner?" "Yes, darling, you know we do every year." "So we do." "You couldn't stay down till then?" "Not possibly, darling. You see if I miss one lecture I get right behind and can't follow the next. Besides, I am not mad keen to see the hounds." "Ben was asking if we'd let John go out." "Oh, he's far too young." "Not to hunt. But I thought he might bring his pony to the meet and ride with them to the first covert. He'd love it so." "Is it quite safe?" "Oh, yes, surely?" "Bless his heart, I wish I could be here to see him." "Do change your mind." "Oh no, that's quite out of the question. Don't make a thing about it, Tony." That was when she first arrived; later everything got better. Jock was there that week-end, also Allan and Marjorie and another married couple whom Tony had known all his life. Brenda had arranged the party for him and he enjoyed it. He and Allan went out with rook rifles and shot rabbits in the twilight; after dinner the four men played billiard fives while one wife watched. "The old boy's happy as a lark," said Brenda to Marjorie. "He's settling down wonderfully to the new r?gime." They came in breathless and rather flushed for whisky and soda. "Tony nearly had one through the window," said Jock. That night Tony slept in Guinevere. "Everything _is_ all right, isn't it?" he said once. "Yes, of course, darling." "I get depressed down here all alone and imagine things." "You aren't to _brood_, Tony. You know that's one of the things that aren't allowed." | "Galahad, my lady," said Grimshawe, who was putting out her clothes. "Oh dear, why was she put there?" "It was Mr Last's orders, my lady." "Well, she's probably awake, then." John slipped out of the room and trotted down the passage to Galahad. "May I come in?" "Hullo, Johnny-boy. Come in." He swung on the handles of the door, half in, half out of the room. "Have you had breakfast? Mummy said you wouldn't be awake." "I've been awake a long time. You see I was once very badly hurt, and now I don't always sleep well. Even the softest beds are too hard for me now." "Ooh. What did you do? Was it a motor-car accident?" "Not an accident, Johnny-boy, not an accident... but come in. It's cold with the door open. Look, there are some grapes here. Would you like to eat them?" Johnny climbed on to the bed. "What are you going to do to-day?" "I don't know yet. I haven't been told." "Well, I'll tell you. We'll go to church in the morning because I have to and then we'll go and look at Thunderclap and I'll show you the place we jump and then you can come with me while I have dinner because I have it early and afterwards we can go down to Bruton Wood and we needn't take nanny because it makes her so muddy and you can see where they dug out a fox in the drain just outside the wood, he nearly got away, and then you can come and have tea in the nursery and I've got a little gramophone Uncle Reggie gave me for Christmas and it plays "When Father Papered the Parlour", do you know that song? Ben can sing it and I've got some books to show you and a picture I did of the battle of Marston Moor." "I think that sounds a lovely day. But don't you think I ought to spend some time with daddy and mummy and Lady Cockpurse?" "Oh, _them_... besides, it's all my foot about Lady Cockpurse having a tail. Please, you _will_ spend the day with me?" "Well, we'll see." * * * * * "She's gone to church with him. That's a good sign, isn't it?" "Well, not really, Polly. He likes going alone, or with me. It's the time he gossips to the village." "She won't stop him." "I'm afraid you don't understand the old boy altogether. He's much odder than you'd think." * * * * * "I could see from your sermon that you knew the East, Rector." "Yes, yes, most of my life." "It has an uncanny fascination, hasn't it?" "Oh, come on," said John, pulling at her coat. "We must go and see Thunderclap." So Tony returned alone with the buttonholes. After luncheon Brenda said, "Why don't you show Jenny the house?" "Oh yes, _do_." When they reached the morning-room he said, "Brenda's having it done up." There were planks and ladders and heaps of plaster about. "Oh, Teddy, what a shame. I do hate seeing things modernized." "It isn't a room we used very much." "No, but still..." She stirred the mouldings of fleur-de-lis that littered the floor, fragments of tarnished gilding and dusty stencil-work. "You know, Brenda's been a wonderful friend to me. I wouldn't say anything against her... but ever since I came here I've been wondering whether she really understands this beautiful place and all it means to you." "Tell me more about your terrible life," said Tony, leading her back to the central hall. "You _are_ shy of talking about yourself, aren't you, Teddy? It's a mistake, you know, to keep things bottled up. I've been very unhappy too." Tony looked about him desperately in search of help; and help came. "Oh, there you are," said a firm, child's voice. "Come on. We're going down to the woods now. We must hurry, otherwise it will be dark." "Oh, Johnny-boy, must I really? I was just talking to daddy." "_Come on._ It's all arranged. And afterwards you're to be allowed to have tea with me upstairs." Tony crept into the library, habitable to-day, since the workmen were at rest. Brenda found him there two hours later. "_Tony_, here all alone? We thought you were with Jenny. What have you done with her?" "John took her off... just in time before I said something rude." "Oh dear... well there's only me and Polly in the smoking-room. Come and have some tea. You look all funny--have you been asleep?" * * * * * "We must write it down a failure, definitely." "What _does_ the old boy expect? It isn't as though he was everybody's money." "I daresay it would have been all right, if she hadn't got his name wrong."<|quote|>"Anyway, this lets _you_ out. You've done far more than most wives would to cheer the old boy up."</|quote|>"Yes, that's certainly true," said Brenda. [IV] Another five days; then Brenda came to Hetton again. "I shan't be here next week-end," she said, "I'm going to stay with Veronica." "Am I asked?" "Well, you _were_, of course, but I refused for you. You know you always hate staying away." "I wouldn't mind coming." "Oh, darling, I wish I'd known. Veronica would have loved it so... but I'm afraid it will be too late now. She's only got a tiny house... to tell you the truth I didn't think you liked her much." "I hated her like hell." "Well, then...?" "Oh, it doesn't matter. I suppose you must go back on Monday? The hounds are meeting on Wednesday, you know." "Are we giving them a lawner?" "Yes, darling, you know we do every year." "So we do." "You couldn't stay down till then?" "Not possibly, darling. You see if I miss one lecture I get right behind and can't follow the next. Besides, I am not mad keen to see the hounds." "Ben was asking if we'd let John go out." "Oh, he's far too young." "Not to hunt. But I thought he might bring his pony to the meet and ride with them to the first covert. He'd love it so." "Is it quite safe?" "Oh, yes, surely?" "Bless his heart, I wish I could be here to see him." "Do change your mind." "Oh no, that's quite out of the question. Don't make a thing about it, Tony." That was when she first arrived; later everything got better. Jock was there that week-end, also Allan and Marjorie and another married couple whom Tony had known all his life. Brenda had arranged the party for him and he enjoyed it. He and Allan went out with rook rifles and shot rabbits in the twilight; after dinner the four men played billiard fives while one wife watched. "The old boy's happy as a lark," said Brenda to Marjorie. "He's settling down wonderfully to the new r?gime." They came in breathless and rather flushed for whisky and soda. "Tony nearly had one through the window," said Jock. That night Tony slept in Guinevere. "Everything _is_ all right, isn't it?" he said once. "Yes, of course, darling." "I get depressed down here all alone and imagine things." "You aren't to _brood_, Tony. You know that's one of the things that aren't allowed." "I won't brood any more," said Tony. Next day Brenda came to church with him. She had decided to devote the week-end wholly to him; it would be the last for some time. "And how are the abstruse sciences, Lady Brenda?" "Absorbing." "We shall all be coming to you for advice about our overdrafts." "Ha, ha." "And how's Thunderclap?" asked Miss Tendril. "I'm taking her out hunting on Wednesday," said John. He had forgotten Princess Abdul Akbar in the excitement of the coming meet. "Please God make there be a good scent. Please God make me see the kill. Please God don't let me do anything wrong. God bless Ben and Thunderclap. Please God make me jump an enormous great oxer," he had kept repeating throughout the service. Brenda did the round with Tony of cottages and hothouses; she helped him choose his buttonhole. Tony was in high spirits at luncheon. Brenda had begun to forget how amusing he could be. Afterwards he changed into other clothes and went with Jock to play golf. They stayed some time at the clubhouse. Tony said, "We've got the hounds meeting at Hetton on Wednesday. Couldn't you stay down till then?" "Must be back. There's going to be a debate on the Pig Scheme." "I wish you'd stay. Look here, why don't you ask that girl down? Everyone goes to-morrow. You could ring her up, couldn't you?" "I _could_." "Would she hate it? She could have Lyonesse--Polly slept there two week-ends running, so it can't be too uncomfortable." "She'd probably love it. I'll ring up and ask her." "Why don't you hunt too? There's a chap called Brinkwell who's got some quite decent hirelings, I believe." "Yes, I might." * * * * * "Jock's staying on. He's having the Shameless Blonde down. You don't mind?" "Me? Of course not." "This _has_ been a jolly week-end." "I thought you were enjoying it." "Just like old times--before the economics began." * * * * * Marjorie said to Jock, "D'you think Tony knows about Mr Beaver?" "Not a thing." "I haven't mentioned it to Allan. D'you suppose he knows?" "I doubt it." "Oh, Jock, how d'you think it'll end?" "She'll get bored with Beaver soon enough." "The trouble is that he doesn't care for her in the least. If he did, it would soon be over... What an ass she is being." "I should | with me?" "Well, we'll see." * * * * * "She's gone to church with him. That's a good sign, isn't it?" "Well, not really, Polly. He likes going alone, or with me. It's the time he gossips to the village." "She won't stop him." "I'm afraid you don't understand the old boy altogether. He's much odder than you'd think." * * * * * "I could see from your sermon that you knew the East, Rector." "Yes, yes, most of my life." "It has an uncanny fascination, hasn't it?" "Oh, come on," said John, pulling at her coat. "We must go and see Thunderclap." So Tony returned alone with the buttonholes. After luncheon Brenda said, "Why don't you show Jenny the house?" "Oh yes, _do_." When they reached the morning-room he said, "Brenda's having it done up." There were planks and ladders and heaps of plaster about. "Oh, Teddy, what a shame. I do hate seeing things modernized." "It isn't a room we used very much." "No, but still..." She stirred the mouldings of fleur-de-lis that littered the floor, fragments of tarnished gilding and dusty stencil-work. "You know, Brenda's been a wonderful friend to me. I wouldn't say anything against her... but ever since I came here I've been wondering whether she really understands this beautiful place and all it means to you." "Tell me more about your terrible life," said Tony, leading her back to the central hall. "You _are_ shy of talking about yourself, aren't you, Teddy? It's a mistake, you know, to keep things bottled up. I've been very unhappy too." Tony looked about him desperately in search of help; and help came. "Oh, there you are," said a firm, child's voice. "Come on. We're going down to the woods now. We must hurry, otherwise it will be dark." "Oh, Johnny-boy, must I really? I was just talking to daddy." "_Come on._ It's all arranged. And afterwards you're to be allowed to have tea with me upstairs." Tony crept into the library, habitable to-day, since the workmen were at rest. Brenda found him there two hours later. "_Tony_, here all alone? We thought you were with Jenny. What have you done with her?" "John took her off... just in time before I said something rude." "Oh dear... well there's only me and Polly in the smoking-room. Come and have some tea. You look all funny--have you been asleep?" * * * * * "We must write it down a failure, definitely." "What _does_ the old boy expect? It isn't as though he was everybody's money." "I daresay it would have been all right, if she hadn't got his name wrong."<|quote|>"Anyway, this lets _you_ out. You've done far more than most wives would to cheer the old boy up."</|quote|>"Yes, that's certainly true," said Brenda. [IV] Another five days; then Brenda came to Hetton again. "I shan't be here next week-end," she said, "I'm going to stay with Veronica." "Am I asked?" "Well, you _were_, of course, but I refused for you. You know you always hate staying away." "I wouldn't mind coming." "Oh, darling, I wish I'd known. Veronica would have loved it so... but I'm afraid it will be too late now. She's only got a tiny house... to tell you the truth I didn't think you liked her much." "I hated her like hell." "Well, then...?" "Oh, it doesn't matter. I suppose you must go back on Monday? The hounds are meeting on Wednesday, you know." "Are we giving them a lawner?" "Yes, darling, you know we do every year." "So we do." "You couldn't stay down till then?" "Not possibly, darling. You see if I miss one lecture I get right behind and can't follow the next. Besides, I am not mad keen to see the hounds." "Ben was asking if we'd let John go out." "Oh, he's far too young." "Not to hunt. But I thought he might bring his pony to the meet | A Handful Of Dust | tea. You look all funny--have you been asleep?" * * * * * "We must write it down a failure, definitely." "What _does_ the old boy expect? It isn't as though he was everybody's money." "I daresay it would have been all right, if she hadn't got his name wrong."<|quote|>"Anyway, this lets _you_ out. You've done far more than most wives would to cheer the old boy up."</|quote|>"Yes, that's certainly true," said Brenda. [IV] Another five days; then Brenda came to Hetton again. "I shan't be here next week-end," she said, "I'm going to stay with Veronica." "Am I asked?" "Well, you _were_, of course, but I refused for you. You know you always hate staying away." | {
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"content": "tea. You look all funny--have you been asleep?\" * * * * * \"We must write it down a failure, definitely.\" \"What _does_ the old boy expect? It isn't as though he was everybody's money.\" \"I daresay it would have been all right, if she hadn't got his name wrong.\"<|quote|>\"Anyway, this lets _you_ out. You've done far more than most wives would to cheer the old boy up.\"</|quote|>\"Yes, that's certainly true,\" said Brenda. [IV] Another five days; then Brenda came to Hetton again. \"I shan't be here next week-end,\" she said, \"I'm going to stay with Veronica.\" \"Am I asked?\" \"Well, you _were_, of course, but I refused for you. You know you always hate staying away.\"",
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} | Polly Cockpurse |
"I'll take you down after milking." | Marilla Cuthbert | Anne did not give in.<|quote|>"I'll take you down after milking."</|quote|>Accordingly, after milking, behold Marilla | canopy she should do if Anne did not give in.<|quote|>"I'll take you down after milking."</|quote|>Accordingly, after milking, behold Marilla and Anne walking down the | into the hall. "I'm sorry I lost my temper and said rude things, and I'm willing to go and tell Mrs. Lynde so." "Very well." Marilla's crispness gave no sign of her relief. She had been wondering what under the canopy she should do if Anne did not give in.<|quote|>"I'll take you down after milking."</|quote|>Accordingly, after milking, behold Marilla and Anne walking down the lane, the former erect and triumphant, the latter drooping and dejected. But halfway down Anne's dejection vanished as if by enchantment. She lifted her head and stepped lightly along, her eyes fixed on the sunset sky and an air of | at his own success. He fled hastily to the remotest corner of the horse pasture lest Marilla should suspect what he had been up to. Marilla herself, upon her return to the house, was agreeably surprised to hear a plaintive voice calling, "Marilla" over the banisters. "Well?" she said, going into the hall. "I'm sorry I lost my temper and said rude things, and I'm willing to go and tell Mrs. Lynde so." "Very well." Marilla's crispness gave no sign of her relief. She had been wondering what under the canopy she should do if Anne did not give in.<|quote|>"I'll take you down after milking."</|quote|>Accordingly, after milking, behold Marilla and Anne walking down the lane, the former erect and triumphant, the latter drooping and dejected. But halfway down Anne's dejection vanished as if by enchantment. She lifted her head and stepped lightly along, her eyes fixed on the sunset sky and an air of subdued exhilaration about her. Marilla beheld the change disapprovingly. This was no meek penitent such as it behooved her to take into the presence of the offended Mrs. Lynde. "What are you thinking of, Anne?" she asked sharply. "I'm imagining out what I must say to Mrs. Lynde," answered Anne | for you--if you really want me to--" "Well now, of course I do. It's terrible lonesome downstairs without you. Just go and smooth things over--that's a good girl." "Very well," said Anne resignedly. "I'll tell Marilla as soon as she comes in I've repented." "That's right--that's right, Anne. But don't tell Marilla I said anything about it. She might think I was putting my oar in and I promised not to do that." "Wild horses won't drag the secret from me," promised Anne solemnly. "How would wild horses drag a secret from a person anyhow?" But Matthew was gone, scared at his own success. He fled hastily to the remotest corner of the horse pasture lest Marilla should suspect what he had been up to. Marilla herself, upon her return to the house, was agreeably surprised to hear a plaintive voice calling, "Marilla" over the banisters. "Well?" she said, going into the hall. "I'm sorry I lost my temper and said rude things, and I'm willing to go and tell Mrs. Lynde so." "Very well." Marilla's crispness gave no sign of her relief. She had been wondering what under the canopy she should do if Anne did not give in.<|quote|>"I'll take you down after milking."</|quote|>Accordingly, after milking, behold Marilla and Anne walking down the lane, the former erect and triumphant, the latter drooping and dejected. But halfway down Anne's dejection vanished as if by enchantment. She lifted her head and stepped lightly along, her eyes fixed on the sunset sky and an air of subdued exhilaration about her. Marilla beheld the change disapprovingly. This was no meek penitent such as it behooved her to take into the presence of the offended Mrs. Lynde. "What are you thinking of, Anne?" she asked sharply. "I'm imagining out what I must say to Mrs. Lynde," answered Anne dreamily. This was satisfactory--or should have been so. But Marilla could not rid herself of the notion that something in her scheme of punishment was going askew. Anne had no business to look so rapt and radiant. Rapt and radiant Anne continued until they were in the very presence of Mrs. Lynde, who was sitting knitting by her kitchen window. Then the radiance vanished. Mournful penitence appeared on every feature. Before a word was spoken Anne suddenly went down on her knees before the astonished Mrs. Rachel and held out her hands beseechingly. "Oh, Mrs. Lynde, I am so extremely | return prematurely. "Well now, Anne, don't you think you'd better do it and have it over with?" he whispered. "It'll have to be done sooner or later, you know, for Marilla's a dreadful deter-mined woman--dreadful determined, Anne. Do it right off, I say, and have it over." "Do you mean apologize to Mrs. Lynde?" "Yes--apologize--that's the very word," said Matthew eagerly. "Just smooth it over so to speak. That's what I was trying to get at." "I suppose I could do it to oblige you," said Anne thoughtfully. "It would be true enough to say I am sorry, because I _am_ sorry now. I wasn't a bit sorry last night. I was mad clear through, and I stayed mad all night. I know I did because I woke up three times and I was just furious every time. But this morning it was over. I wasn't in a temper anymore--and it left a dreadful sort of goneness, too. I felt so ashamed of myself. But I just couldn't think of going and telling Mrs. Lynde so. It would be so humiliating. I made up my mind I'd stay shut up here forever rather than do that. But still--I'd do anything for you--if you really want me to--" "Well now, of course I do. It's terrible lonesome downstairs without you. Just go and smooth things over--that's a good girl." "Very well," said Anne resignedly. "I'll tell Marilla as soon as she comes in I've repented." "That's right--that's right, Anne. But don't tell Marilla I said anything about it. She might think I was putting my oar in and I promised not to do that." "Wild horses won't drag the secret from me," promised Anne solemnly. "How would wild horses drag a secret from a person anyhow?" But Matthew was gone, scared at his own success. He fled hastily to the remotest corner of the horse pasture lest Marilla should suspect what he had been up to. Marilla herself, upon her return to the house, was agreeably surprised to hear a plaintive voice calling, "Marilla" over the banisters. "Well?" she said, going into the hall. "I'm sorry I lost my temper and said rude things, and I'm willing to go and tell Mrs. Lynde so." "Very well." Marilla's crispness gave no sign of her relief. She had been wondering what under the canopy she should do if Anne did not give in.<|quote|>"I'll take you down after milking."</|quote|>Accordingly, after milking, behold Marilla and Anne walking down the lane, the former erect and triumphant, the latter drooping and dejected. But halfway down Anne's dejection vanished as if by enchantment. She lifted her head and stepped lightly along, her eyes fixed on the sunset sky and an air of subdued exhilaration about her. Marilla beheld the change disapprovingly. This was no meek penitent such as it behooved her to take into the presence of the offended Mrs. Lynde. "What are you thinking of, Anne?" she asked sharply. "I'm imagining out what I must say to Mrs. Lynde," answered Anne dreamily. This was satisfactory--or should have been so. But Marilla could not rid herself of the notion that something in her scheme of punishment was going askew. Anne had no business to look so rapt and radiant. Rapt and radiant Anne continued until they were in the very presence of Mrs. Lynde, who was sitting knitting by her kitchen window. Then the radiance vanished. Mournful penitence appeared on every feature. Before a word was spoken Anne suddenly went down on her knees before the astonished Mrs. Rachel and held out her hands beseechingly. "Oh, Mrs. Lynde, I am so extremely sorry," she said with a quiver in her voice. "I could never express all my sorrow, no, not if I used up a whole dictionary. You must just imagine it. I behaved terribly to you--and I've disgraced the dear friends, Matthew and Marilla, who have let me stay at Green Gables although I'm not a boy. I'm a dreadfully wicked and ungrateful girl, and I deserve to be punished and cast out by respectable people forever. It was very wicked of me to fly into a temper because you told me the truth. It _was_ the truth; every word you said was true. My hair is red and I'm freckled and skinny and ugly. What I said to you was true, too, but I shouldn't have said it. Oh, Mrs. Lynde, please, please, forgive me. If you refuse it will be a lifelong sorrow on a poor little orphan girl, would you, even if she had a dreadful temper? Oh, I am sure you wouldn't. Please say you forgive me, Mrs. Lynde." Anne clasped her hands together, bowed her head, and waited for the word of judgment. There was no mistaking her sincerity--it breathed in every tone of her voice. | be saying next thing that she oughtn't to be punished at all!" "Well now--no--not exactly," said Matthew uneasily. "I reckon she ought to be punished a little. But don't be too hard on her, Marilla. Recollect she hasn't ever had anyone to teach her right. You're--you're going to give her something to eat, aren't you?" "When did you ever hear of me starving people into good behavior?" demanded Marilla indignantly. "She'll have her meals regular, and I'll carry them up to her myself. But she'll stay up there until she's willing to apologize to Mrs. Lynde, and that's final, Matthew." Breakfast, dinner, and supper were very silent meals--for Anne still remained obdurate. After each meal Marilla carried a well-filled tray to the east gable and brought it down later on not noticeably depleted. Matthew eyed its last descent with a troubled eye. Had Anne eaten anything at all? When Marilla went out that evening to bring the cows from the back pasture, Matthew, who had been hanging about the barns and watching, slipped into the house with the air of a burglar and crept upstairs. As a general thing Matthew gravitated between the kitchen and the little bedroom off the hall where he slept; once in a while he ventured uncomfortably into the parlor or sitting room when the minister came to tea. But he had never been upstairs in his own house since the spring he helped Marilla paper the spare bedroom, and that was four years ago. He tiptoed along the hall and stood for several minutes outside the door of the east gable before he summoned courage to tap on it with his fingers and then open the door to peep in. Anne was sitting on the yellow chair by the window gazing mournfully out into the garden. Very small and unhappy she looked, and Matthew's heart smote him. He softly closed the door and tiptoed over to her. "Anne," he whispered, as if afraid of being overheard, "how are you making it, Anne?" Anne smiled wanly. "Pretty well. I imagine a good deal, and that helps to pass the time. Of course, it's rather lonesome. But then, I may as well get used to that." Anne smiled again, bravely facing the long years of solitary imprisonment before her. Matthew recollected that he must say what he had come to say without loss of time, lest Marilla return prematurely. "Well now, Anne, don't you think you'd better do it and have it over with?" he whispered. "It'll have to be done sooner or later, you know, for Marilla's a dreadful deter-mined woman--dreadful determined, Anne. Do it right off, I say, and have it over." "Do you mean apologize to Mrs. Lynde?" "Yes--apologize--that's the very word," said Matthew eagerly. "Just smooth it over so to speak. That's what I was trying to get at." "I suppose I could do it to oblige you," said Anne thoughtfully. "It would be true enough to say I am sorry, because I _am_ sorry now. I wasn't a bit sorry last night. I was mad clear through, and I stayed mad all night. I know I did because I woke up three times and I was just furious every time. But this morning it was over. I wasn't in a temper anymore--and it left a dreadful sort of goneness, too. I felt so ashamed of myself. But I just couldn't think of going and telling Mrs. Lynde so. It would be so humiliating. I made up my mind I'd stay shut up here forever rather than do that. But still--I'd do anything for you--if you really want me to--" "Well now, of course I do. It's terrible lonesome downstairs without you. Just go and smooth things over--that's a good girl." "Very well," said Anne resignedly. "I'll tell Marilla as soon as she comes in I've repented." "That's right--that's right, Anne. But don't tell Marilla I said anything about it. She might think I was putting my oar in and I promised not to do that." "Wild horses won't drag the secret from me," promised Anne solemnly. "How would wild horses drag a secret from a person anyhow?" But Matthew was gone, scared at his own success. He fled hastily to the remotest corner of the horse pasture lest Marilla should suspect what he had been up to. Marilla herself, upon her return to the house, was agreeably surprised to hear a plaintive voice calling, "Marilla" over the banisters. "Well?" she said, going into the hall. "I'm sorry I lost my temper and said rude things, and I'm willing to go and tell Mrs. Lynde so." "Very well." Marilla's crispness gave no sign of her relief. She had been wondering what under the canopy she should do if Anne did not give in.<|quote|>"I'll take you down after milking."</|quote|>Accordingly, after milking, behold Marilla and Anne walking down the lane, the former erect and triumphant, the latter drooping and dejected. But halfway down Anne's dejection vanished as if by enchantment. She lifted her head and stepped lightly along, her eyes fixed on the sunset sky and an air of subdued exhilaration about her. Marilla beheld the change disapprovingly. This was no meek penitent such as it behooved her to take into the presence of the offended Mrs. Lynde. "What are you thinking of, Anne?" she asked sharply. "I'm imagining out what I must say to Mrs. Lynde," answered Anne dreamily. This was satisfactory--or should have been so. But Marilla could not rid herself of the notion that something in her scheme of punishment was going askew. Anne had no business to look so rapt and radiant. Rapt and radiant Anne continued until they were in the very presence of Mrs. Lynde, who was sitting knitting by her kitchen window. Then the radiance vanished. Mournful penitence appeared on every feature. Before a word was spoken Anne suddenly went down on her knees before the astonished Mrs. Rachel and held out her hands beseechingly. "Oh, Mrs. Lynde, I am so extremely sorry," she said with a quiver in her voice. "I could never express all my sorrow, no, not if I used up a whole dictionary. You must just imagine it. I behaved terribly to you--and I've disgraced the dear friends, Matthew and Marilla, who have let me stay at Green Gables although I'm not a boy. I'm a dreadfully wicked and ungrateful girl, and I deserve to be punished and cast out by respectable people forever. It was very wicked of me to fly into a temper because you told me the truth. It _was_ the truth; every word you said was true. My hair is red and I'm freckled and skinny and ugly. What I said to you was true, too, but I shouldn't have said it. Oh, Mrs. Lynde, please, please, forgive me. If you refuse it will be a lifelong sorrow on a poor little orphan girl, would you, even if she had a dreadful temper? Oh, I am sure you wouldn't. Please say you forgive me, Mrs. Lynde." Anne clasped her hands together, bowed her head, and waited for the word of judgment. There was no mistaking her sincerity--it breathed in every tone of her voice. Both Marilla and Mrs. Lynde recognized its unmistakable ring. But the former under-stood in dismay that Anne was actually enjoying her valley of humiliation--was reveling in the thoroughness of her abasement. Where was the wholesome punishment upon which she, Marilla, had plumed herself? Anne had turned it into a species of positive pleasure. Good Mrs. Lynde, not being overburdened with perception, did not see this. She only perceived that Anne had made a very thorough apology and all resentment vanished from her kindly, if somewhat officious, heart. "There, there, get up, child," she said heartily. "Of course I forgive you. I guess I was a little too hard on you, anyway. But I'm such an outspoken person. You just mustn't mind me, that's what. It can't be denied your hair is terrible red; but I knew a girl once--went to school with her, in fact--whose hair was every mite as red as yours when she was young, but when she grew up it darkened to a real handsome auburn. I wouldn't be a mite surprised if yours did, too--not a mite." "Oh, Mrs. Lynde!" Anne drew a long breath as she rose to her feet. "You have given me a hope. I shall always feel that you are a benefactor. Oh, I could endure anything if I only thought my hair would be a handsome auburn when I grew up. It would be so much easier to be good if one's hair was a handsome auburn, don't you think? And now may I go out into your garden and sit on that bench under the apple-trees while you and Marilla are talking? There is so much more scope for imagination out there." "Laws, yes, run along, child. And you can pick a bouquet of them white June lilies over in the corner if you like." As the door closed behind Anne Mrs. Lynde got briskly up to light a lamp. "She's a real odd little thing. Take this chair, Marilla; it's easier than the one you've got; I just keep that for the hired boy to sit on. Yes, she certainly is an odd child, but there is something kind of taking about her after all. I don't feel so surprised at you and Matthew keeping her as I did--nor so sorry for you, either. She may turn out all right. Of course, she has a queer way of expressing | just couldn't think of going and telling Mrs. Lynde so. It would be so humiliating. I made up my mind I'd stay shut up here forever rather than do that. But still--I'd do anything for you--if you really want me to--" "Well now, of course I do. It's terrible lonesome downstairs without you. Just go and smooth things over--that's a good girl." "Very well," said Anne resignedly. "I'll tell Marilla as soon as she comes in I've repented." "That's right--that's right, Anne. But don't tell Marilla I said anything about it. She might think I was putting my oar in and I promised not to do that." "Wild horses won't drag the secret from me," promised Anne solemnly. "How would wild horses drag a secret from a person anyhow?" But Matthew was gone, scared at his own success. He fled hastily to the remotest corner of the horse pasture lest Marilla should suspect what he had been up to. Marilla herself, upon her return to the house, was agreeably surprised to hear a plaintive voice calling, "Marilla" over the banisters. "Well?" she said, going into the hall. "I'm sorry I lost my temper and said rude things, and I'm willing to go and tell Mrs. Lynde so." "Very well." Marilla's crispness gave no sign of her relief. She had been wondering what under the canopy she should do if Anne did not give in.<|quote|>"I'll take you down after milking."</|quote|>Accordingly, after milking, behold Marilla and Anne walking down the lane, the former erect and triumphant, the latter drooping and dejected. But halfway down Anne's dejection vanished as if by enchantment. She lifted her head and stepped lightly along, her eyes fixed on the sunset sky and an air of subdued exhilaration about her. Marilla beheld the change disapprovingly. This was no meek penitent such as it behooved her to take into the presence of the offended Mrs. Lynde. "What are you thinking of, Anne?" she asked sharply. "I'm imagining out what I must say to Mrs. Lynde," answered Anne dreamily. This was satisfactory--or should have been so. But Marilla could not rid herself of the notion that something in her scheme of punishment was going askew. Anne had no business to look so rapt and radiant. Rapt and radiant Anne continued until they were in the very presence of Mrs. Lynde, who was sitting knitting by her kitchen window. Then the radiance vanished. Mournful penitence appeared on every feature. Before a word was spoken Anne suddenly went down on her knees before the astonished Mrs. Rachel and held out her hands beseechingly. "Oh, Mrs. Lynde, I am so extremely sorry," she said with a quiver in her voice. "I could never express all my sorrow, no, not if I used up a whole dictionary. You must just imagine it. I behaved terribly to you--and I've disgraced the dear friends, Matthew and Marilla, who have let me stay at Green Gables although I'm not a boy. I'm a dreadfully wicked and ungrateful girl, and I deserve to be punished and cast out by respectable people forever. It was very wicked of me to fly into a temper because you told me the truth. It _was_ the truth; every word you said was true. My hair is red and I'm freckled and skinny and ugly. What I said to you was true, too, but I shouldn't have said it. Oh, Mrs. Lynde, please, please, forgive me. If you refuse it will be a lifelong sorrow on a poor little orphan girl, would you, even if she had a dreadful temper? Oh, I am sure you wouldn't. Please say you forgive me, Mrs. Lynde." Anne clasped her hands together, bowed her head, and waited for the word of judgment. There was no mistaking her sincerity--it breathed in every tone of her voice. Both Marilla and Mrs. Lynde recognized its unmistakable ring. But the former under-stood in dismay that Anne was actually enjoying her valley of humiliation--was reveling in the thoroughness of her abasement. Where was the wholesome punishment upon which she, Marilla, had plumed herself? Anne had turned it into a species of positive pleasure. Good Mrs. Lynde, not being overburdened with perception, did | Anne Of Green Gables | into the hall. "I'm sorry I lost my temper and said rude things, and I'm willing to go and tell Mrs. Lynde so." "Very well." Marilla's crispness gave no sign of her relief. She had been wondering what under the canopy she should do if Anne did not give in.<|quote|>"I'll take you down after milking."</|quote|>Accordingly, after milking, behold Marilla and Anne walking down the lane, the former erect and triumphant, the latter drooping and dejected. But halfway down Anne's dejection vanished as if by enchantment. She lifted her head and stepped lightly along, her eyes fixed on the sunset sky and an air of | {
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"She sends her love to us all and to Hetton." | Unknowable | come without him," said Molly.<|quote|>"She sends her love to us all and to Hetton."</|quote|>There was another pause. "Well, | afternoon." "Oh." "She could have come without him," said Molly.<|quote|>"She sends her love to us all and to Hetton."</|quote|>There was another pause. "Well, I think it's a jolly | Cousin Tony died in Afghanistan." "There's a letter here from Cousin Brenda. She's very sorry but she can't get down here for the dedication." "Oh." There was a general silence. "She says that Jock has a three-line whip for this afternoon." "Oh." "She could have come without him," said Molly.<|quote|>"She sends her love to us all and to Hetton."</|quote|>There was another pause. "Well, I think it's a jolly good thing," said Molly. "She couldn't show much widowly grief. It didn't take her long to get hitched up again." "_Molly!_" "And you know you think the same." "I will not allow you to talk like that about Cousin Brenda, | more rabbits for the foxes. Chivers says he's got about fifty waiting for me. We can't shoot enough here. Greedy little beggars." "It will be all over by half-past eleven. Mr Tendril isn't going to preach a sermon. It's just as well really. He's got it into his head that Cousin Tony died in Afghanistan." "There's a letter here from Cousin Brenda. She's very sorry but she can't get down here for the dedication." "Oh." There was a general silence. "She says that Jock has a three-line whip for this afternoon." "Oh." "She could have come without him," said Molly.<|quote|>"She sends her love to us all and to Hetton."</|quote|>There was another pause. "Well, I think it's a jolly good thing," said Molly. "She couldn't show much widowly grief. It didn't take her long to get hitched up again." "_Molly!_" "And you know you think the same." "I will not allow you to talk like that about Cousin Brenda, whatever we think. She had a perfect right to marry again and I hope she and Mr Grant-Menzies are very happy." "She was always jolly decent to us when she used to live here," said Agnes. "Well, I should hope so," said Teddy. "After all, it's our place." * * | nothing sacred to you children?" Teddy said, "Another casualty at the stinkeries. That little vixen we bought from the people at Okehampton got her brush bitten off during the night. Must have got it through the wire into the next cage. Tricky birds, foxes." Agnes came next; she was a neat, circumspect child of twelve, with large grave eyes behind her goggles. She kissed her father and mother and said, "I'm sorry if I'm late." "_If_ you're late..." said Mr Last tolerantly. "How long will the show last?" asked Teddy. "I've got to run over to Bayton and get some more rabbits for the foxes. Chivers says he's got about fifty waiting for me. We can't shoot enough here. Greedy little beggars." "It will be all over by half-past eleven. Mr Tendril isn't going to preach a sermon. It's just as well really. He's got it into his head that Cousin Tony died in Afghanistan." "There's a letter here from Cousin Brenda. She's very sorry but she can't get down here for the dedication." "Oh." There was a general silence. "She says that Jock has a three-line whip for this afternoon." "Oh." "She could have come without him," said Molly.<|quote|>"She sends her love to us all and to Hetton."</|quote|>There was another pause. "Well, I think it's a jolly good thing," said Molly. "She couldn't show much widowly grief. It didn't take her long to get hitched up again." "_Molly!_" "And you know you think the same." "I will not allow you to talk like that about Cousin Brenda, whatever we think. She had a perfect right to marry again and I hope she and Mr Grant-Menzies are very happy." "She was always jolly decent to us when she used to live here," said Agnes. "Well, I should hope so," said Teddy. "After all, it's our place." * * * * * The day was still fine at eleven o'clock, though the wind had got up, fluttering the papers on which the order of the service was printed and once threatening to unveil the memorial prematurely. Several relatives were present, Lady St Cloud, Aunt Frances and the family of impoverished Lasts who had not profited by Tony's disappearance. All the household and estate servants were there, several tenants and most of the village; there were also a dozen or so neighbours, among them Colonel Inch--Richard Last and Teddy had hunted regularly that season with the Pigstanton. Mr Tendril conducted | and four women servants did the work of the house. Richard Last called them his "skeleton staff". When things were easier he would extend the household; meanwhile the dining-hall and the library were added to the state apartments which were kept locked and shuttered; the family lived in the morning-room, the smoking-room and what had been Tony's study. Most of the kitchen quarters, too, were out of use; an up-to-date and economical range had been installed in one of the pantries. The family all appeared downstairs by half-past eight, except Agnes, who took longer to dress and was usually some minutes late; Teddy and Molly had been out for an hour, she among the rabbits, he to the silver foxes. Teddy was twenty-two and lived at home. Peter was still at Oxford. They breakfasted together in the morning-room. Mrs Last sat at one end of the table, her husband at the other; there was a constant traffic from hand to hand to and fro between them of cups, plates, honey-jars and correspondence. Mrs Last said, "Molly, you have rabbit-feed on your head again." "Oh well, I shall have to tidy up anyway before the jamboree." Mr Last said, "_Jamboree?_ Is nothing sacred to you children?" Teddy said, "Another casualty at the stinkeries. That little vixen we bought from the people at Okehampton got her brush bitten off during the night. Must have got it through the wire into the next cage. Tricky birds, foxes." Agnes came next; she was a neat, circumspect child of twelve, with large grave eyes behind her goggles. She kissed her father and mother and said, "I'm sorry if I'm late." "_If_ you're late..." said Mr Last tolerantly. "How long will the show last?" asked Teddy. "I've got to run over to Bayton and get some more rabbits for the foxes. Chivers says he's got about fifty waiting for me. We can't shoot enough here. Greedy little beggars." "It will be all over by half-past eleven. Mr Tendril isn't going to preach a sermon. It's just as well really. He's got it into his head that Cousin Tony died in Afghanistan." "There's a letter here from Cousin Brenda. She's very sorry but she can't get down here for the dedication." "Oh." There was a general silence. "She says that Jock has a three-line whip for this afternoon." "Oh." "She could have come without him," said Molly.<|quote|>"She sends her love to us all and to Hetton."</|quote|>There was another pause. "Well, I think it's a jolly good thing," said Molly. "She couldn't show much widowly grief. It didn't take her long to get hitched up again." "_Molly!_" "And you know you think the same." "I will not allow you to talk like that about Cousin Brenda, whatever we think. She had a perfect right to marry again and I hope she and Mr Grant-Menzies are very happy." "She was always jolly decent to us when she used to live here," said Agnes. "Well, I should hope so," said Teddy. "After all, it's our place." * * * * * The day was still fine at eleven o'clock, though the wind had got up, fluttering the papers on which the order of the service was printed and once threatening to unveil the memorial prematurely. Several relatives were present, Lady St Cloud, Aunt Frances and the family of impoverished Lasts who had not profited by Tony's disappearance. All the household and estate servants were there, several tenants and most of the village; there were also a dozen or so neighbours, among them Colonel Inch--Richard Last and Teddy had hunted regularly that season with the Pigstanton. Mr Tendril conducted the brief service in resonant tones that were clearly audible above the blustering wind. When he pulled the cord the flag fell away from the memorial without mishap. It was a plain monolith of local stone, inscribed: ANTHONY LAST OF HETTON EXPLORER Born at Hetton, 1902 Died in Brazil, 1934 When the local visitors had left and the relatives had gone into the house to be shown the new labour-saving arrangements, Richard Last and Lady St Cloud remained for a short time on the gravel. "I'm glad we put that up," he said. "You know, I should never have thought of it, if it had not been for a Mrs Beaver. She wrote to me as soon as the news of Tony's death was published. I didn't know her at the time. Of course we knew very few of Tony's friends." "It was her suggestion?" "Yes, she said that as one of Tony's closest friends she knew he would wish to have some monument at Hetton. She was most considerate--even offering to arrange with the contractors for it. Her own plans were more ambitious. She proposed that we should have the chapel redecorated as a chantry. But I think this | time. It is a pity because you missed our guests." "Guests?" "Why, yes. I have been quite gay while you were asleep. Three men from outside. Englishmen. It is a pity you missed them. A pity for them, too, as they particularly wished to see you. But what could I do? You were so sound asleep. They had come all the way to find you, so--I thought you would not mind--as you could not greet them yourself, I gave them a little souvenir, your watch. They wanted something to take back to England where a reward is being offered for news of you. They were very pleased with it. And they took some photographs of the little cross I put up to commemorate your coming. They were pleased with that, too. They were very easily pleased. But I do not suppose they will visit us again, our life here is so retired... no pleasures except reading... I do not suppose we shall ever have visitors again... well, well, I will get you some medicine to make you feel better. Your head aches, does it not?... We will not have any Dickens to-day... but to-morrow, and the day after that, and the day after that. Let us read _Little Dorrit_ again. There are passages in that book I can never hear without the temptation to weep." CHAPTER VII ENGLISH GOTHIC--III A light breeze in the dewy orchards; brilliant, cool sunshine over meadows and copses; the elms were all in bud in the avenue; everything was early that year, for it had been a mild winter. High overhead among its gargoyles and crockets the clock chimed for the hour and solemnly struck fourteen. It was half-past eight. The clock has been irregular lately. It was one of the things that Richard Last intended to see to, when death duties were paid and silver foxes began to show a profit. Molly Last bowled up the drive on her two-stroke motor-cycle; there was bran mash on her breeches and in her hair. She had been feeding the Angora rabbits. On the gravel in front of the house the new memorial stood, shrouded in a flag. Molly propped the motor-cycle against the wall of the drawbridge and ran in to breakfast. Life at Hetton was busier but simpler since Richard Last's succession. Ambrose remained, but there were no longer any footmen; he and a boy and four women servants did the work of the house. Richard Last called them his "skeleton staff". When things were easier he would extend the household; meanwhile the dining-hall and the library were added to the state apartments which were kept locked and shuttered; the family lived in the morning-room, the smoking-room and what had been Tony's study. Most of the kitchen quarters, too, were out of use; an up-to-date and economical range had been installed in one of the pantries. The family all appeared downstairs by half-past eight, except Agnes, who took longer to dress and was usually some minutes late; Teddy and Molly had been out for an hour, she among the rabbits, he to the silver foxes. Teddy was twenty-two and lived at home. Peter was still at Oxford. They breakfasted together in the morning-room. Mrs Last sat at one end of the table, her husband at the other; there was a constant traffic from hand to hand to and fro between them of cups, plates, honey-jars and correspondence. Mrs Last said, "Molly, you have rabbit-feed on your head again." "Oh well, I shall have to tidy up anyway before the jamboree." Mr Last said, "_Jamboree?_ Is nothing sacred to you children?" Teddy said, "Another casualty at the stinkeries. That little vixen we bought from the people at Okehampton got her brush bitten off during the night. Must have got it through the wire into the next cage. Tricky birds, foxes." Agnes came next; she was a neat, circumspect child of twelve, with large grave eyes behind her goggles. She kissed her father and mother and said, "I'm sorry if I'm late." "_If_ you're late..." said Mr Last tolerantly. "How long will the show last?" asked Teddy. "I've got to run over to Bayton and get some more rabbits for the foxes. Chivers says he's got about fifty waiting for me. We can't shoot enough here. Greedy little beggars." "It will be all over by half-past eleven. Mr Tendril isn't going to preach a sermon. It's just as well really. He's got it into his head that Cousin Tony died in Afghanistan." "There's a letter here from Cousin Brenda. She's very sorry but she can't get down here for the dedication." "Oh." There was a general silence. "She says that Jock has a three-line whip for this afternoon." "Oh." "She could have come without him," said Molly.<|quote|>"She sends her love to us all and to Hetton."</|quote|>There was another pause. "Well, I think it's a jolly good thing," said Molly. "She couldn't show much widowly grief. It didn't take her long to get hitched up again." "_Molly!_" "And you know you think the same." "I will not allow you to talk like that about Cousin Brenda, whatever we think. She had a perfect right to marry again and I hope she and Mr Grant-Menzies are very happy." "She was always jolly decent to us when she used to live here," said Agnes. "Well, I should hope so," said Teddy. "After all, it's our place." * * * * * The day was still fine at eleven o'clock, though the wind had got up, fluttering the papers on which the order of the service was printed and once threatening to unveil the memorial prematurely. Several relatives were present, Lady St Cloud, Aunt Frances and the family of impoverished Lasts who had not profited by Tony's disappearance. All the household and estate servants were there, several tenants and most of the village; there were also a dozen or so neighbours, among them Colonel Inch--Richard Last and Teddy had hunted regularly that season with the Pigstanton. Mr Tendril conducted the brief service in resonant tones that were clearly audible above the blustering wind. When he pulled the cord the flag fell away from the memorial without mishap. It was a plain monolith of local stone, inscribed: ANTHONY LAST OF HETTON EXPLORER Born at Hetton, 1902 Died in Brazil, 1934 When the local visitors had left and the relatives had gone into the house to be shown the new labour-saving arrangements, Richard Last and Lady St Cloud remained for a short time on the gravel. "I'm glad we put that up," he said. "You know, I should never have thought of it, if it had not been for a Mrs Beaver. She wrote to me as soon as the news of Tony's death was published. I didn't know her at the time. Of course we knew very few of Tony's friends." "It was her suggestion?" "Yes, she said that as one of Tony's closest friends she knew he would wish to have some monument at Hetton. She was most considerate--even offering to arrange with the contractors for it. Her own plans were more ambitious. She proposed that we should have the chapel redecorated as a chantry. But I think this is what he would have preferred. The stone comes from one of our own quarries and was cut by the estate workmen." "Yes, I think he would have preferred this," said Lady St Cloud. * * * * * Teddy had chosen Galahad for his bedroom. He disengaged himself from the family and hurried up to change out of his dark clothes. Within ten minutes he was in his car driving to Chivers' farm. Before luncheon he was back with the rabbits. They were skinned and tied round the feet into bundles of four. "Coming to the stinkeries?" he asked Agnes. "No, I'm looking after Cousin Frances. She got rather on mother's nerves through crabbing the new boiler." The silver-fox farm was behind the stables; a long double row of wire cages; they had wire floors covered with earth and cinders to prevent the animals digging their way out. They lived in pairs; some were moderately tame but it was unwise to rely upon them. Teddy and Ben Hacket--who helped with them--had been badly bitten more than once that winter. They ran up to the doors when they saw Teddy come with the rabbits. The vixen who had lost her brush seemed little the worse for her accident. Teddy surveyed his charges with pride and affection. It was by means of them that he hoped one day to restore Hetton to the glory that it had enjoyed in the days of his Cousin Tony. | it had been a mild winter. High overhead among its gargoyles and crockets the clock chimed for the hour and solemnly struck fourteen. It was half-past eight. The clock has been irregular lately. It was one of the things that Richard Last intended to see to, when death duties were paid and silver foxes began to show a profit. Molly Last bowled up the drive on her two-stroke motor-cycle; there was bran mash on her breeches and in her hair. She had been feeding the Angora rabbits. On the gravel in front of the house the new memorial stood, shrouded in a flag. Molly propped the motor-cycle against the wall of the drawbridge and ran in to breakfast. Life at Hetton was busier but simpler since Richard Last's succession. Ambrose remained, but there were no longer any footmen; he and a boy and four women servants did the work of the house. Richard Last called them his "skeleton staff". When things were easier he would extend the household; meanwhile the dining-hall and the library were added to the state apartments which were kept locked and shuttered; the family lived in the morning-room, the smoking-room and what had been Tony's study. Most of the kitchen quarters, too, were out of use; an up-to-date and economical range had been installed in one of the pantries. The family all appeared downstairs by half-past eight, except Agnes, who took longer to dress and was usually some minutes late; Teddy and Molly had been out for an hour, she among the rabbits, he to the silver foxes. Teddy was twenty-two and lived at home. Peter was still at Oxford. They breakfasted together in the morning-room. Mrs Last sat at one end of the table, her husband at the other; there was a constant traffic from hand to hand to and fro between them of cups, plates, honey-jars and correspondence. Mrs Last said, "Molly, you have rabbit-feed on your head again." "Oh well, I shall have to tidy up anyway before the jamboree." Mr Last said, "_Jamboree?_ Is nothing sacred to you children?" Teddy said, "Another casualty at the stinkeries. That little vixen we bought from the people at Okehampton got her brush bitten off during the night. Must have got it through the wire into the next cage. Tricky birds, foxes." Agnes came next; she was a neat, circumspect child of twelve, with large grave eyes behind her goggles. She kissed her father and mother and said, "I'm sorry if I'm late." "_If_ you're late..." said Mr Last tolerantly. "How long will the show last?" asked Teddy. "I've got to run over to Bayton and get some more rabbits for the foxes. Chivers says he's got about fifty waiting for me. We can't shoot enough here. Greedy little beggars." "It will be all over by half-past eleven. Mr Tendril isn't going to preach a sermon. It's just as well really. He's got it into his head that Cousin Tony died in Afghanistan." "There's a letter here from Cousin Brenda. She's very sorry but she can't get down here for the dedication." "Oh." There was a general silence. "She says that Jock has a three-line whip for this afternoon." "Oh." "She could have come without him," said Molly.<|quote|>"She sends her love to us all and to Hetton."</|quote|>There was another pause. "Well, I think it's a jolly good thing," said Molly. "She couldn't show much widowly grief. It didn't take her long to get hitched up again." "_Molly!_" "And you know you think the same." "I will not allow you to talk like that about Cousin Brenda, whatever we think. She had a perfect right to marry again and I hope she and Mr Grant-Menzies are very happy." "She was always jolly decent to us when she used to live here," said Agnes. "Well, I should hope so," said Teddy. "After all, it's our place." * * * * * The day was still fine at eleven o'clock, though the wind had got up, fluttering the papers on which the order of the service was printed and once threatening to unveil the memorial prematurely. Several relatives were present, Lady St Cloud, Aunt Frances and the family of impoverished Lasts who had not profited by Tony's disappearance. All the household and estate servants were there, several tenants and most of the village; there were also a dozen or so neighbours, among them Colonel Inch--Richard Last and Teddy had hunted regularly that season with the Pigstanton. Mr Tendril conducted the brief service in resonant tones that were clearly audible above the blustering wind. When he pulled the cord the flag fell away from the memorial without mishap. It was a plain monolith of local stone, inscribed: ANTHONY LAST OF HETTON EXPLORER Born at Hetton, 1902 Died in Brazil, 1934 When the local visitors had left and the relatives had gone into the house to be shown the new labour-saving arrangements, Richard Last and Lady St Cloud remained for a short time on the gravel. "I'm glad we put that up," he said. "You know, I should never have thought of it, if it had not been for a Mrs Beaver. She wrote to me as soon as the news of Tony's death was published. I didn't know her at the time. Of course we knew very few of Tony's friends." "It was her suggestion?" "Yes, she said that as one of Tony's closest friends she knew he would wish to have some monument at Hetton. She was most considerate--even offering to arrange with the contractors for it. Her own plans were more ambitious. She proposed that we should have the chapel redecorated as a chantry. But I think this is what he would have preferred. The stone comes from one of our own quarries and was cut by the estate workmen." "Yes, I think he would have preferred this," said Lady St Cloud. * * * * * Teddy had chosen Galahad for his bedroom. He disengaged himself from the family and hurried up to change out of his dark clothes. Within ten minutes he was in his car driving to Chivers' farm. Before luncheon he was back with the rabbits. They were skinned and tied round the feet into bundles of four. "Coming to the stinkeries?" he asked Agnes. "No, I'm looking after Cousin Frances. She got rather on mother's nerves through crabbing the new boiler." The silver-fox farm was behind the stables; a long double row of wire cages; they had wire floors covered with earth and cinders to prevent the animals digging their way out. They lived in pairs; some were moderately tame but it was | A Handful Of Dust | Cousin Tony died in Afghanistan." "There's a letter here from Cousin Brenda. She's very sorry but she can't get down here for the dedication." "Oh." There was a general silence. "She says that Jock has a three-line whip for this afternoon." "Oh." "She could have come without him," said Molly.<|quote|>"She sends her love to us all and to Hetton."</|quote|>There was another pause. "Well, I think it's a jolly good thing," said Molly. "She couldn't show much widowly grief. It didn't take her long to get hitched up again." "_Molly!_" "And you know you think the same." "I will not allow you to talk like that about Cousin Brenda, | {
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"content": "Cousin Tony died in Afghanistan.\" \"There's a letter here from Cousin Brenda. She's very sorry but she can't get down here for the dedication.\" \"Oh.\" There was a general silence. \"She says that Jock has a three-line whip for this afternoon.\" \"Oh.\" \"She could have come without him,\" said Molly.<|quote|>\"She sends her love to us all and to Hetton.\"</|quote|>There was another pause. \"Well, I think it's a jolly good thing,\" said Molly. \"She couldn't show much widowly grief. It didn't take her long to get hitched up again.\" \"_Molly!_\" \"And you know you think the same.\" \"I will not allow you to talk like that about Cousin Brenda,",
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He grins. | No speaker | It wasn't you at all!"<|quote|>He grins.</|quote|>"That doesn't matter. I have | you say you did it? It wasn't you at all!"<|quote|>He grins.</|quote|>"That doesn't matter. I have a shooting licence." Then, of | were waked up unnecessarily and lost my senses so that I did not know what I was doing." He talks like a book. "What is your name?" "Reinforcement-Reservist Josef Hamacher." The inspector departs. We are all curious. "But why did you say you did it? It wasn't you at all!"<|quote|>He grins.</|quote|>"That doesn't matter. I have a shooting licence." Then, of course, we all understand. Whoever has a shooting licence can do just whatever he pleases. "Yes," he explains, "I got a crack in the head and they presented me with a certificate to say that I was periodically not responsible | talk. What can they do to us, anyway---- "Who threw the bottle?" he asks. Before I can think whether I should report myself, someone says: "I did." A man with a bristling beard sits up. Everyone is excited; why should he report himself? "You?" "Yes. I was annoyed because we were waked up unnecessarily and lost my senses so that I did not know what I was doing." He talks like a book. "What is your name?" "Reinforcement-Reservist Josef Hamacher." The inspector departs. We are all curious. "But why did you say you did it? It wasn't you at all!"<|quote|>He grins.</|quote|>"That doesn't matter. I have a shooting licence." Then, of course, we all understand. Whoever has a shooting licence can do just whatever he pleases. "Yes," he explains, "I got a crack in the head and they presented me with a certificate to say that I was periodically not responsible for my actions. Ever since then I've had a grand time. No one dares to annoy me. And nobody does anything to me." "I reported myself because the shot amused me. If they open the door again to-morrow we will pitch another." We are overjoyed. With Josef Hamacher in our | in concert. "Shut the door!" we yell. They withdraw. The little one who came first is the last to go. "Heathen," she chirps, but shuts the door all the same. We have won. * * At noon the hospital inspector arrives and abuses us. He threatens us with clink and all the rest of it. But a hospital inspector is just the same as a commissariat inspector, or any one else who wears a long dagger and shoulder straps, but is really a clerk, and is never considered even by a recruit as a real officer. So we let him talk. What can they do to us, anyway---- "Who threw the bottle?" he asks. Before I can think whether I should report myself, someone says: "I did." A man with a bristling beard sits up. Everyone is excited; why should he report himself? "You?" "Yes. I was annoyed because we were waked up unnecessarily and lost my senses so that I did not know what I was doing." He talks like a book. "What is your name?" "Reinforcement-Reservist Josef Hamacher." The inspector departs. We are all curious. "But why did you say you did it? It wasn't you at all!"<|quote|>He grins.</|quote|>"That doesn't matter. I have a shooting licence." Then, of course, we all understand. Whoever has a shooting licence can do just whatever he pleases. "Yes," he explains, "I got a crack in the head and they presented me with a certificate to say that I was periodically not responsible for my actions. Ever since then I've had a grand time. No one dares to annoy me. And nobody does anything to me." "I reported myself because the shot amused me. If they open the door again to-morrow we will pitch another." We are overjoyed. With Josef Hamacher in our midst we can now risk anything. Then come the soundless, flat trollies to take us away. The bandages are stuck fast. We bellow like steers. * * There are eight men in our room. Peter, a curly black-haired fellow, has the worst injury;--a severe lung wound. Franz Wächter, alongside him, has a shot in the arm which didn't look too bad at first. But the third night he calls out to us, telling us to ring, he thinks he has a hæmorrhage. I ring loudly. The night sister does not come. We have been making rather heavy demands on her | man dropped off to sleep." "All the light cases are up here, that's why they do it here," he replies. Albert groans. I get furious and call out: "Be quiet out there!" A minute later a sister appears. In her black and white dress she looks like a beautiful tea-cosy. "Shut the door, will you, sister?" says someone. "We are saying prayers, that is why the door is open," she responds. "But we want to go on sleeping----" "Prayer is better than sleep," she stands there and smiles innocently. "And it is seven o'clock already." Albert groans again. "Shut the door," I snort. She is quite disconcerted. Apparently she cannot understand. "But we are saying prayers for you too." "Shut the door, anyway." She disappears leaving the door open. The intoning of the Litany proceeds. I feel savage, and say: "I'm going to count up to three. If it doesn't stop before then I'll let something fly." "Me, too," says another. I count up to five. Then I take hold of a bottle, aim, and heave it through the door into the corridor. It smashes into a thousand pieces. The praying stops. A swarm of sisters appear and reproach us in concert. "Shut the door!" we yell. They withdraw. The little one who came first is the last to go. "Heathen," she chirps, but shuts the door all the same. We have won. * * At noon the hospital inspector arrives and abuses us. He threatens us with clink and all the rest of it. But a hospital inspector is just the same as a commissariat inspector, or any one else who wears a long dagger and shoulder straps, but is really a clerk, and is never considered even by a recruit as a real officer. So we let him talk. What can they do to us, anyway---- "Who threw the bottle?" he asks. Before I can think whether I should report myself, someone says: "I did." A man with a bristling beard sits up. Everyone is excited; why should he report himself? "You?" "Yes. I was annoyed because we were waked up unnecessarily and lost my senses so that I did not know what I was doing." He talks like a book. "What is your name?" "Reinforcement-Reservist Josef Hamacher." The inspector departs. We are all curious. "But why did you say you did it? It wasn't you at all!"<|quote|>He grins.</|quote|>"That doesn't matter. I have a shooting licence." Then, of course, we all understand. Whoever has a shooting licence can do just whatever he pleases. "Yes," he explains, "I got a crack in the head and they presented me with a certificate to say that I was periodically not responsible for my actions. Ever since then I've had a grand time. No one dares to annoy me. And nobody does anything to me." "I reported myself because the shot amused me. If they open the door again to-morrow we will pitch another." We are overjoyed. With Josef Hamacher in our midst we can now risk anything. Then come the soundless, flat trollies to take us away. The bandages are stuck fast. We bellow like steers. * * There are eight men in our room. Peter, a curly black-haired fellow, has the worst injury;--a severe lung wound. Franz Wächter, alongside him, has a shot in the arm which didn't look too bad at first. But the third night he calls out to us, telling us to ring, he thinks he has a hæmorrhage. I ring loudly. The night sister does not come. We have been making rather heavy demands on her during the night, because we have all been freshly bandaged, and so have a good deal of pain. One wants his leg placed so, another so, a third wants water, a fourth wants her to shake up his pillow;--in the end the buxom old body grumbled bad temperedly and slammed the doors. Now no doubt she thinks it is something of the same sort and so she is not coming. We wait. Then Franz says: "Ring again." I do so. Still she does not put in an appearance. In our wing there is only one night sister, perhaps she has something to do in one of the other rooms. "Franz, are you quite sure you are bleeding?" I ask. "Otherwise we shall be getting cursed again." "The bandage is wet. Can't anybody make a light?" That cannot be done either. The switch is by the door and none of us can stand up. I hold my thumb against the button of the bell till it becomes numb. Perhaps the sister has fallen asleep. They certainly have a great deal to do and are all overworked day after day. And added to that is the everlasting praying. "Should we smash a | breath and press it up into my head. My face swells and turns red. She stops. "Are you in pain?" "Yes," I groan, "all of a sudden." She gives me a thermometer and goes on. I would not have been under Kat's tuition if I did not know what to do now. These army thermometers are not made for old soldiers. All one has to do is to drive the quicksilver up and then it stays there without falling again. I stick the thermometer under my arm at a slant, and flip it steadily with my forefinger. Then I give it a shake. I send it up to 100.2°. But that is not enough. A match held cautiously near to it brings it up to 101.6°. As the sister comes back, I blow myself out, breathe in short gasps, goggle at her with vacant eyes, toss about restlessly, and mutter in a whisper: "I can't bear it any longer----" She notes me down on a slip of paper. I know perfectly well my plaster bandage will not be re-opened if it can be avoided. Albert and I are put off together. * * We are in the same room in a Catholic Hospital. That is a piece of luck, the Catholic infirmaries are noted for their good treatment and good food. The hospital has been filled up from our train, there are a great many bad cases amongst them. We do not get examined to-day because there are too few surgeons. The flat trolleys with the rubber wheels pass continually along the corridor, and always with someone stretched at full length upon them. A damnable position, stretched out at full length like that;--the only time it is good is when one is asleep. The night is very disturbed. No one can sleep. Toward morning we doze a little. I wake up just as it grows light. The door stands open and I hear voices from the corridor. The others wake up too. One fellow, who has been there a couple of days already explains it to us: "Up here in the corridor every morning the sisters say prayers. They call it Morning Devotion. And so that you can get your share, they leave the door open." No doubt it is well meant, but it gives us aches in our head and bones. "Such an absurdity!" I say, "just when a man dropped off to sleep." "All the light cases are up here, that's why they do it here," he replies. Albert groans. I get furious and call out: "Be quiet out there!" A minute later a sister appears. In her black and white dress she looks like a beautiful tea-cosy. "Shut the door, will you, sister?" says someone. "We are saying prayers, that is why the door is open," she responds. "But we want to go on sleeping----" "Prayer is better than sleep," she stands there and smiles innocently. "And it is seven o'clock already." Albert groans again. "Shut the door," I snort. She is quite disconcerted. Apparently she cannot understand. "But we are saying prayers for you too." "Shut the door, anyway." She disappears leaving the door open. The intoning of the Litany proceeds. I feel savage, and say: "I'm going to count up to three. If it doesn't stop before then I'll let something fly." "Me, too," says another. I count up to five. Then I take hold of a bottle, aim, and heave it through the door into the corridor. It smashes into a thousand pieces. The praying stops. A swarm of sisters appear and reproach us in concert. "Shut the door!" we yell. They withdraw. The little one who came first is the last to go. "Heathen," she chirps, but shuts the door all the same. We have won. * * At noon the hospital inspector arrives and abuses us. He threatens us with clink and all the rest of it. But a hospital inspector is just the same as a commissariat inspector, or any one else who wears a long dagger and shoulder straps, but is really a clerk, and is never considered even by a recruit as a real officer. So we let him talk. What can they do to us, anyway---- "Who threw the bottle?" he asks. Before I can think whether I should report myself, someone says: "I did." A man with a bristling beard sits up. Everyone is excited; why should he report himself? "You?" "Yes. I was annoyed because we were waked up unnecessarily and lost my senses so that I did not know what I was doing." He talks like a book. "What is your name?" "Reinforcement-Reservist Josef Hamacher." The inspector departs. We are all curious. "But why did you say you did it? It wasn't you at all!"<|quote|>He grins.</|quote|>"That doesn't matter. I have a shooting licence." Then, of course, we all understand. Whoever has a shooting licence can do just whatever he pleases. "Yes," he explains, "I got a crack in the head and they presented me with a certificate to say that I was periodically not responsible for my actions. Ever since then I've had a grand time. No one dares to annoy me. And nobody does anything to me." "I reported myself because the shot amused me. If they open the door again to-morrow we will pitch another." We are overjoyed. With Josef Hamacher in our midst we can now risk anything. Then come the soundless, flat trollies to take us away. The bandages are stuck fast. We bellow like steers. * * There are eight men in our room. Peter, a curly black-haired fellow, has the worst injury;--a severe lung wound. Franz Wächter, alongside him, has a shot in the arm which didn't look too bad at first. But the third night he calls out to us, telling us to ring, he thinks he has a hæmorrhage. I ring loudly. The night sister does not come. We have been making rather heavy demands on her during the night, because we have all been freshly bandaged, and so have a good deal of pain. One wants his leg placed so, another so, a third wants water, a fourth wants her to shake up his pillow;--in the end the buxom old body grumbled bad temperedly and slammed the doors. Now no doubt she thinks it is something of the same sort and so she is not coming. We wait. Then Franz says: "Ring again." I do so. Still she does not put in an appearance. In our wing there is only one night sister, perhaps she has something to do in one of the other rooms. "Franz, are you quite sure you are bleeding?" I ask. "Otherwise we shall be getting cursed again." "The bandage is wet. Can't anybody make a light?" That cannot be done either. The switch is by the door and none of us can stand up. I hold my thumb against the button of the bell till it becomes numb. Perhaps the sister has fallen asleep. They certainly have a great deal to do and are all overworked day after day. And added to that is the everlasting praying. "Should we smash a bottle?" asks Josef Hamacher of the shooting licence. "She wouldn't hear that any more than the bell." At last the door opens. The old lady appears, mumbling. When she perceives Franz's trouble she begins to bustle, and says: "Why did not someone say I was wanted?" "We did ring. And none of us here can walk." He has been bleeding badly and she binds him up. In the morning we look at his face, it has become sharp and yellow, whereas the evening before he looked almost healthy. Now a sister comes oftener. * * Sometimes there are red-cross voluntary aid sisters. They are pleasant, but often rather unskilled. They frequently give us pain when re-making our beds, and then are so frightened that they hurt us still more. The nuns are more reliable. They know how they must take hold of us, but we would be more pleased if they were somewhat more cheerful. A few of them have real spirit, they are superb. There is no one who would not do anything for Sister Libertine, this marvellous sister, who spreads good cheer through the whole wing even when she can only be seen in the distance. And there are others like her. We would go through fire for her. A man cannot really complain, here he is treated by the nuns exactly like a civilian. On the other hand, just to think of a garrison hospital gives a man the creeps. Franz Wachter does not regain his strength. One day he is taken away and does not come back. Josef Hamacher knows all about it: "We shan't see him again. They have put him in the dead room." "What do you mean, Dead Room?" asks Kropp. "Well, Dying Room----" "What is that, then?" "A little room at the corner of the building. Whoever is about to kick the bucket is put in there. There are two beds in it. It is generally called the Dying Room." "But what do they do that for?" "They don't have so much work to do afterwards. It is more convenient, too, because it lies right beside the lift to the mortuary. Perhaps also they do it for the sake of the others, so that no one in the ward dies in sympathy. And they can look after him better, too, if he is by himself." "But what about him?" Josef shrugs his | the door into the corridor. It smashes into a thousand pieces. The praying stops. A swarm of sisters appear and reproach us in concert. "Shut the door!" we yell. They withdraw. The little one who came first is the last to go. "Heathen," she chirps, but shuts the door all the same. We have won. * * At noon the hospital inspector arrives and abuses us. He threatens us with clink and all the rest of it. But a hospital inspector is just the same as a commissariat inspector, or any one else who wears a long dagger and shoulder straps, but is really a clerk, and is never considered even by a recruit as a real officer. So we let him talk. What can they do to us, anyway---- "Who threw the bottle?" he asks. Before I can think whether I should report myself, someone says: "I did." A man with a bristling beard sits up. Everyone is excited; why should he report himself? "You?" "Yes. I was annoyed because we were waked up unnecessarily and lost my senses so that I did not know what I was doing." He talks like a book. "What is your name?" "Reinforcement-Reservist Josef Hamacher." The inspector departs. We are all curious. "But why did you say you did it? It wasn't you at all!"<|quote|>He grins.</|quote|>"That doesn't matter. I have a shooting licence." Then, of course, we all understand. Whoever has a shooting licence can do just whatever he pleases. "Yes," he explains, "I got a crack in the head and they presented me with a certificate to say that I was periodically not responsible for my actions. Ever since then I've had a grand time. No one dares to annoy me. And nobody does anything to me." "I reported myself because the shot amused me. If they open the door again to-morrow we will pitch another." We are overjoyed. With Josef Hamacher in our midst we can now risk anything. Then come the soundless, flat trollies to take us away. The bandages are stuck fast. We bellow like steers. * * There are eight men in our room. Peter, a curly black-haired fellow, has the worst injury;--a severe lung wound. Franz Wächter, alongside him, has a shot in the arm which didn't look too bad at first. But the third night he calls out to us, telling us to ring, he thinks he has a hæmorrhage. I ring loudly. The night sister does not come. We have been making rather heavy demands on her during the night, because we have all been freshly bandaged, and so have a good deal of pain. One wants his leg placed so, another so, a third wants water, a fourth wants her to shake up his pillow;--in the end the buxom old body grumbled bad temperedly and slammed the doors. Now no doubt she thinks it is something of the same sort and so she is not coming. We wait. Then Franz says: "Ring again." I do so. Still she does not put in an appearance. In our wing there is only one night sister, perhaps she has something to do in one of the other rooms. "Franz, are you quite sure you are bleeding?" I ask. "Otherwise we shall be getting cursed again." "The bandage is wet. Can't anybody make a light?" That cannot be done either. The switch is by the door and none of us can stand up. I hold my thumb against the button of the bell till it becomes numb. Perhaps the sister has fallen asleep. They certainly have a great deal to do and are all overworked day after day. And added to that is the everlasting praying. "Should we smash a bottle?" asks Josef Hamacher of the | All Quiet on the Western Front | were waked up unnecessarily and lost my senses so that I did not know what I was doing." He talks like a book. "What is your name?" "Reinforcement-Reservist Josef Hamacher." The inspector departs. We are all curious. "But why did you say you did it? It wasn't you at all!"<|quote|>He grins.</|quote|>"That doesn't matter. I have a shooting licence." Then, of course, we all understand. Whoever has a shooting licence can do just whatever he pleases. "Yes," he explains, "I got a crack in the head and they presented me with a certificate to say that I was periodically not responsible | {
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"content": "were waked up unnecessarily and lost my senses so that I did not know what I was doing.\" He talks like a book. \"What is your name?\" \"Reinforcement-Reservist Josef Hamacher.\" The inspector departs. We are all curious. \"But why did you say you did it? It wasn't you at all!\"<|quote|>He grins.</|quote|>\"That doesn't matter. I have a shooting licence.\" Then, of course, we all understand. Whoever has a shooting licence can do just whatever he pleases. \"Yes,\" he explains, \"I got a crack in the head and they presented me with a certificate to say that I was periodically not responsible",
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"Each man can choose three things from this box if he comes in the boats." | Dr Messinger | her hands and inhaling deeply.<|quote|>"Each man can choose three things from this box if he comes in the boats."</|quote|>But Rosa replied monotonously, "Macushi | scent into the palm of her hands and inhaling deeply.<|quote|>"Each man can choose three things from this box if he comes in the boats."</|quote|>But Rosa replied monotonously, "Macushi peoples dig cassava field just | heads, brass cartridge cases and flat, red flasks of gunpowder. "You give me this," said Rosa picking out a pale blue rosette, that had been made as a boat race favour. "Give me this," she repeated, rubbing some drops of scent into the palm of her hands and inhaling deeply.<|quote|>"Each man can choose three things from this box if he comes in the boats."</|quote|>But Rosa replied monotonously, "Macushi peoples dig cassava field just now." "It's no good," said Dr Messinger after half an hour's fruitless negotiation. "We shall have to try with the mice. I wanted to keep them till we reached the Pie-wies. It's a pity. But they'll fall for the mice, | at a cheap store in Oxford Street. The Indians watched the display in unbroken silence. There were bottles of scent and pills, bright celluloid combs set with glass jewels, mirrors, pocket knives with embossed aluminium handles, ribbons and necklaces and barter of more solid worth in the form of axe heads, brass cartridge cases and flat, red flasks of gunpowder. "You give me this," said Rosa picking out a pale blue rosette, that had been made as a boat race favour. "Give me this," she repeated, rubbing some drops of scent into the palm of her hands and inhaling deeply.<|quote|>"Each man can choose three things from this box if he comes in the boats."</|quote|>But Rosa replied monotonously, "Macushi peoples dig cassava field just now." "It's no good," said Dr Messinger after half an hour's fruitless negotiation. "We shall have to try with the mice. I wanted to keep them till we reached the Pie-wies. It's a pity. But they'll fall for the mice, you see. I _know_ the Indian mind." These mice were comparatively expensive articles; they had cost three and sixpence each, and Tony remembered vividly the embarrassment with which he had witnessed their demonstration on the floor of the toy department. They were of German manufacture; the size of large rats, | people." "It is the cassava field," said Rosa. "We must go back to dig the cassava. Otherwise it will be bad." "Listen. I want the men for one, two weeks. No more. After that, all finish. They can go home." "It is the time to dig the cassava. Macushi people dig cassava before the big rains. All people go home just now." "It's pure blackmail," said Dr Messinger. "Let's get out some trade goods." He and Tony together prised open one of the cases and began to spread out the contents on a blanket. They had chosen these things together at a cheap store in Oxford Street. The Indians watched the display in unbroken silence. There were bottles of scent and pills, bright celluloid combs set with glass jewels, mirrors, pocket knives with embossed aluminium handles, ribbons and necklaces and barter of more solid worth in the form of axe heads, brass cartridge cases and flat, red flasks of gunpowder. "You give me this," said Rosa picking out a pale blue rosette, that had been made as a boat race favour. "Give me this," she repeated, rubbing some drops of scent into the palm of her hands and inhaling deeply.<|quote|>"Each man can choose three things from this box if he comes in the boats."</|quote|>But Rosa replied monotonously, "Macushi peoples dig cassava field just now." "It's no good," said Dr Messinger after half an hour's fruitless negotiation. "We shall have to try with the mice. I wanted to keep them till we reached the Pie-wies. It's a pity. But they'll fall for the mice, you see. I _know_ the Indian mind." These mice were comparatively expensive articles; they had cost three and sixpence each, and Tony remembered vividly the embarrassment with which he had witnessed their demonstration on the floor of the toy department. They were of German manufacture; the size of large rats, but conspicuously painted in spots of green and white; they had large glass eyes, stiff whiskers and green-and-white-ringed tails; they ran on hidden wheels, and inside them were little bells that jingled as they moved. Dr Messinger took one out of their box, unwrapped the tissue-paper and held it up to general scrutiny. There was no doubt that he had captured his audience's interest. Then he wound it up. The Indians stirred apprehensively at the sound. The ground where they were camping was hard mud, inundated at flood time. Dr Messinger put the toy down at his feet and set | tell the men to come here" .... "It's no use threatening them," he remarked to Tony when Rosa had waddled back to the fireside. "They are a queer, timid lot. If you threaten them they take fright and disappear, leaving you stranded. Don't worry, I shall be able to persuade them." They could see Rosa talking at the fireside but none of the group moved. Presently, having delivered her message, she was silent and squatted down among them with the head of one of the women between her knees. She had been searching it for lice when Dr Messinger's summons had interrupted her. "We'd better go across and talk to them." Some of the Indians were in hammocks. The others were squatting on their heels; they had scraped earth over the fire and extinguished it. They gazed at Tony and Dr Messinger with slit, pig eyes. Only Rosa seemed incurious; her head was averted; all her attention went to her busy fingers as she picked and crunched the lice from her friend's hair. "What's the matter?" asked Dr Messinger. "I told you to bring the men here." Rosa said nothing. "So Macushi people are cowards. They are afraid of Pie-wie people." "It is the cassava field," said Rosa. "We must go back to dig the cassava. Otherwise it will be bad." "Listen. I want the men for one, two weeks. No more. After that, all finish. They can go home." "It is the time to dig the cassava. Macushi people dig cassava before the big rains. All people go home just now." "It's pure blackmail," said Dr Messinger. "Let's get out some trade goods." He and Tony together prised open one of the cases and began to spread out the contents on a blanket. They had chosen these things together at a cheap store in Oxford Street. The Indians watched the display in unbroken silence. There were bottles of scent and pills, bright celluloid combs set with glass jewels, mirrors, pocket knives with embossed aluminium handles, ribbons and necklaces and barter of more solid worth in the form of axe heads, brass cartridge cases and flat, red flasks of gunpowder. "You give me this," said Rosa picking out a pale blue rosette, that had been made as a boat race favour. "Give me this," she repeated, rubbing some drops of scent into the palm of her hands and inhaling deeply.<|quote|>"Each man can choose three things from this box if he comes in the boats."</|quote|>But Rosa replied monotonously, "Macushi peoples dig cassava field just now." "It's no good," said Dr Messinger after half an hour's fruitless negotiation. "We shall have to try with the mice. I wanted to keep them till we reached the Pie-wies. It's a pity. But they'll fall for the mice, you see. I _know_ the Indian mind." These mice were comparatively expensive articles; they had cost three and sixpence each, and Tony remembered vividly the embarrassment with which he had witnessed their demonstration on the floor of the toy department. They were of German manufacture; the size of large rats, but conspicuously painted in spots of green and white; they had large glass eyes, stiff whiskers and green-and-white-ringed tails; they ran on hidden wheels, and inside them were little bells that jingled as they moved. Dr Messinger took one out of their box, unwrapped the tissue-paper and held it up to general scrutiny. There was no doubt that he had captured his audience's interest. Then he wound it up. The Indians stirred apprehensively at the sound. The ground where they were camping was hard mud, inundated at flood time. Dr Messinger put the toy down at his feet and set it going; tinkling merrily it ran towards the group of Indians. For a moment, Tony was afraid that it would turn over or become stuck against a root, but the mechanism was unimpaired and by good chance there was a clear course. The effect exceeded anything that he had expected. There was a loud intake of breath, a series of horrified, small grunts, a high wail of terror from the women, and a sudden stampede; a faint patter of bare brown feet among the fallen leaves, bare limbs, quiet as bats, pushed through the undergrowth, ragged cotton gowns caught and tore in the thorn bushes. Before the toy had run down, before it had jingled its way to the place where the nearest Indian had been squatting, the camp was empty. "Well, I'm damned," said Dr Messinger, "that's better than I expected." "More than you expected, anyway." "Oh, it's all right. They'll come back. I know them." But by sundown there was still no sign. Throughout the hot afternoon Tony and Dr Messinger, shrouded from cabouri fly, sprawled in their hammocks. The empty canoes lay in the river; the mechanical mouse had been put away. At sundown Dr Messinger said, | hidden country. "Pie-wie peoples there," she said. "Macushi peoples no go with Pie-wie peoples." "Now listen, Rosa. You are sensible, civilized woman. You lived two years with black gentleman, Mr Forbes. You like cigarettes--" "Yes, give me cigarettes." "You come with men in boats, I give you plenty, plenty cigarettes." Rosa looked stolidly ahead of her and said nothing. "Listen. You will have your man and seven others to protect you. How can we talk with men without you?" "Men no go," said Rosa. "Of course the men will go. The only question is, will you come too?" "Macushi peoples no go with Pie-wie peoples," said Rosa. "Oh God," said Dr Messinger wearily. "All right, we'll talk about it in the morning." "You give me cigarette...." "It's going to be awkward if that woman doesn't come." "It's going to be much more awkward if none of them come," said Tony. * * * * * Next day the boats were ready. By noon they were launched and tied in to the bank. The Indians went silently about the business of preparing their dinner. Tony and Dr Messinger ate tongue, boiled rice and some tinned peaches. "We're all right for stores," said Dr Messinger. "There's enough for three weeks at the shortest and we are bound to come across the Pie-wies in a day or two. We will start to-morrow." The Indians' wages, in rifles, fish hooks and rolls of cotton, had been left behind for them at their village. There were still half a dozen boxes of "trade" for use during the later stages of the journey. A leg of bush-pig was worth a handful of shot or twenty gun caps in that currency; a fat game-bird cost a necklace. When dinner was over, at about one o'clock, Dr Messinger called Rosa over to them. "We start to-morrow," he said. "Yes, just now." "Tell the men what I told you last night. Eight men to come in boats, others wait here. You come in boats. All these stores stay here. All these stores go in boats. You tell men that." Rosa said nothing. "Understand?" "No peoples go in boats," she said. "All peoples go this way," and she extended her arm towards the trail that they had lately followed. "To-morrow or next day all people go back to village." There was a long pause; at last Dr Messinger said, "You tell the men to come here" .... "It's no use threatening them," he remarked to Tony when Rosa had waddled back to the fireside. "They are a queer, timid lot. If you threaten them they take fright and disappear, leaving you stranded. Don't worry, I shall be able to persuade them." They could see Rosa talking at the fireside but none of the group moved. Presently, having delivered her message, she was silent and squatted down among them with the head of one of the women between her knees. She had been searching it for lice when Dr Messinger's summons had interrupted her. "We'd better go across and talk to them." Some of the Indians were in hammocks. The others were squatting on their heels; they had scraped earth over the fire and extinguished it. They gazed at Tony and Dr Messinger with slit, pig eyes. Only Rosa seemed incurious; her head was averted; all her attention went to her busy fingers as she picked and crunched the lice from her friend's hair. "What's the matter?" asked Dr Messinger. "I told you to bring the men here." Rosa said nothing. "So Macushi people are cowards. They are afraid of Pie-wie people." "It is the cassava field," said Rosa. "We must go back to dig the cassava. Otherwise it will be bad." "Listen. I want the men for one, two weeks. No more. After that, all finish. They can go home." "It is the time to dig the cassava. Macushi people dig cassava before the big rains. All people go home just now." "It's pure blackmail," said Dr Messinger. "Let's get out some trade goods." He and Tony together prised open one of the cases and began to spread out the contents on a blanket. They had chosen these things together at a cheap store in Oxford Street. The Indians watched the display in unbroken silence. There were bottles of scent and pills, bright celluloid combs set with glass jewels, mirrors, pocket knives with embossed aluminium handles, ribbons and necklaces and barter of more solid worth in the form of axe heads, brass cartridge cases and flat, red flasks of gunpowder. "You give me this," said Rosa picking out a pale blue rosette, that had been made as a boat race favour. "Give me this," she repeated, rubbing some drops of scent into the palm of her hands and inhaling deeply.<|quote|>"Each man can choose three things from this box if he comes in the boats."</|quote|>But Rosa replied monotonously, "Macushi peoples dig cassava field just now." "It's no good," said Dr Messinger after half an hour's fruitless negotiation. "We shall have to try with the mice. I wanted to keep them till we reached the Pie-wies. It's a pity. But they'll fall for the mice, you see. I _know_ the Indian mind." These mice were comparatively expensive articles; they had cost three and sixpence each, and Tony remembered vividly the embarrassment with which he had witnessed their demonstration on the floor of the toy department. They were of German manufacture; the size of large rats, but conspicuously painted in spots of green and white; they had large glass eyes, stiff whiskers and green-and-white-ringed tails; they ran on hidden wheels, and inside them were little bells that jingled as they moved. Dr Messinger took one out of their box, unwrapped the tissue-paper and held it up to general scrutiny. There was no doubt that he had captured his audience's interest. Then he wound it up. The Indians stirred apprehensively at the sound. The ground where they were camping was hard mud, inundated at flood time. Dr Messinger put the toy down at his feet and set it going; tinkling merrily it ran towards the group of Indians. For a moment, Tony was afraid that it would turn over or become stuck against a root, but the mechanism was unimpaired and by good chance there was a clear course. The effect exceeded anything that he had expected. There was a loud intake of breath, a series of horrified, small grunts, a high wail of terror from the women, and a sudden stampede; a faint patter of bare brown feet among the fallen leaves, bare limbs, quiet as bats, pushed through the undergrowth, ragged cotton gowns caught and tore in the thorn bushes. Before the toy had run down, before it had jingled its way to the place where the nearest Indian had been squatting, the camp was empty. "Well, I'm damned," said Dr Messinger, "that's better than I expected." "More than you expected, anyway." "Oh, it's all right. They'll come back. I know them." But by sundown there was still no sign. Throughout the hot afternoon Tony and Dr Messinger, shrouded from cabouri fly, sprawled in their hammocks. The empty canoes lay in the river; the mechanical mouse had been put away. At sundown Dr Messinger said, "We'd better make a fire. They'll come back when it is dark." They brushed the earth away from the old embers, brought new wood and made a fire; they lit the storm lantern. "We'd better get some supper," said Tony. They boiled water and made some cocoa, opened a tin of salmon and finished the peaches that were left over from mid-day. They lit their pipes and drew the sheaths of mosquito netting across their hammocks. Most of this time they were silent. Presently they decided to go to sleep. "We shall find them all here in the morning," said Dr Messinger. "They're an odd bunch." All round them the voices of the bush whistled and croaked, changing with the hours as the night wore on to morning. * * * * * Dawn broke in London, clear and sweet, dove grey and honey, with promise of good weather; the lamps in the streets paled and disappeared; the empty streets ran with water, and the rising sun caught it as it bubbled round the hydrants; the men in overalls swung the nozzles of their hoses from side to side and the water jetted and cascaded in a sparkle of light. "Let's have the window open," said Brenda. "It's stuffy in here." The waiter drew back the curtains, opened the windows. "It's quite light," she added. "After five. Oughtn't we to go to bed?" "Yes." "Only another week and then all the parties will be over," said Beaver. "Yes." "Well, let's go." "All right. Can you pay? I just haven't any money." They had come on after the party, for breakfast at a club Daisy had opened. Beaver paid for the kippers and tea. "Eight shillings," he said. "How does Daisy expect to make a success of the place when she charges prices like that?" "It does seem a lot.... So you really _are_ going to America?" "I must. Mother has taken the tickets." "Nothing I've said to-night makes any difference?" "Darling, don't go on. We've been through all that. You know it's the only thing that _can_ happen. Why spoil the last week?" "You _have_ enjoyed the summer, haven't you?" "Of course... well, shall we go?" "Yes. You needn't bother to see me home." "Sure you don't mind? It _is_ miles out of the way and it's late." "There's no knowing what I mind." "Brenda, darling, for heaven's sake... It | had scraped earth over the fire and extinguished it. They gazed at Tony and Dr Messinger with slit, pig eyes. Only Rosa seemed incurious; her head was averted; all her attention went to her busy fingers as she picked and crunched the lice from her friend's hair. "What's the matter?" asked Dr Messinger. "I told you to bring the men here." Rosa said nothing. "So Macushi people are cowards. They are afraid of Pie-wie people." "It is the cassava field," said Rosa. "We must go back to dig the cassava. Otherwise it will be bad." "Listen. I want the men for one, two weeks. No more. After that, all finish. They can go home." "It is the time to dig the cassava. Macushi people dig cassava before the big rains. All people go home just now." "It's pure blackmail," said Dr Messinger. "Let's get out some trade goods." He and Tony together prised open one of the cases and began to spread out the contents on a blanket. They had chosen these things together at a cheap store in Oxford Street. The Indians watched the display in unbroken silence. There were bottles of scent and pills, bright celluloid combs set with glass jewels, mirrors, pocket knives with embossed aluminium handles, ribbons and necklaces and barter of more solid worth in the form of axe heads, brass cartridge cases and flat, red flasks of gunpowder. "You give me this," said Rosa picking out a pale blue rosette, that had been made as a boat race favour. "Give me this," she repeated, rubbing some drops of scent into the palm of her hands and inhaling deeply.<|quote|>"Each man can choose three things from this box if he comes in the boats."</|quote|>But Rosa replied monotonously, "Macushi peoples dig cassava field just now." "It's no good," said Dr Messinger after half an hour's fruitless negotiation. "We shall have to try with the mice. I wanted to keep them till we reached the Pie-wies. It's a pity. But they'll fall for the mice, you see. I _know_ the Indian mind." These mice were comparatively expensive articles; they had cost three and sixpence each, and Tony remembered vividly the embarrassment with which he had witnessed their demonstration on the floor of the toy department. They were of German manufacture; the size of large rats, but conspicuously painted in spots of green and white; they had large glass eyes, stiff whiskers and green-and-white-ringed tails; they ran on hidden wheels, and inside them were little bells that jingled as they moved. Dr Messinger took one out of their box, unwrapped the tissue-paper and held it up to general scrutiny. There was no doubt that he had captured his audience's interest. Then he wound it up. The Indians stirred apprehensively at the sound. The ground where they were camping was hard mud, inundated at flood time. Dr Messinger put the toy down at his feet and set it going; tinkling merrily it ran towards the group of Indians. For | A Handful Of Dust | heads, brass cartridge cases and flat, red flasks of gunpowder. "You give me this," said Rosa picking out a pale blue rosette, that had been made as a boat race favour. "Give me this," she repeated, rubbing some drops of scent into the palm of her hands and inhaling deeply.<|quote|>"Each man can choose three things from this box if he comes in the boats."</|quote|>But Rosa replied monotonously, "Macushi peoples dig cassava field just now." "It's no good," said Dr Messinger after half an hour's fruitless negotiation. "We shall have to try with the mice. I wanted to keep them till we reached the Pie-wies. It's a pity. But they'll fall for the mice, | {
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"content": "heads, brass cartridge cases and flat, red flasks of gunpowder. \"You give me this,\" said Rosa picking out a pale blue rosette, that had been made as a boat race favour. \"Give me this,\" she repeated, rubbing some drops of scent into the palm of her hands and inhaling deeply.<|quote|>\"Each man can choose three things from this box if he comes in the boats.\"</|quote|>But Rosa replied monotonously, \"Macushi peoples dig cassava field just now.\" \"It's no good,\" said Dr Messinger after half an hour's fruitless negotiation. \"We shall have to try with the mice. I wanted to keep them till we reached the Pie-wies. It's a pity. But they'll fall for the mice,",
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"Well, we could exchange," | Müller | are his most prized possessions.<|quote|>"Well, we could exchange,"</|quote|>suggests Müller again. "Out here | Kemmerich doesn't want to. They are his most prized possessions.<|quote|>"Well, we could exchange,"</|quote|>suggests Müller again. "Out here one can make some use | are no use to him. But as things are now it is a pity that they should stay here; the orderlies will of course grab them as soon as he is dead. "Won't you leave them with us?" Müller repeats. Kemmerich doesn't want to. They are his most prized possessions.<|quote|>"Well, we could exchange,"</|quote|>suggests Müller again. "Out here one can make some use of them." Still Kemmerich is not to be moved. I tread on Müller's foot; reluctantly he puts the fine boots back again under the bed. We talk a little more and then take our leave. "Cheerio, Franz." I promise him | coveted. Müller is delighted at the sight of them. He matches their soles against his own clumsy boots and says: "Will you be taking them with you then, Franz?" We all three have the same thought; even if he should get better, he would be able to use only one--they are no use to him. But as things are now it is a pity that they should stay here; the orderlies will of course grab them as soon as he is dead. "Won't you leave them with us?" Müller repeats. Kemmerich doesn't want to. They are his most prized possessions.<|quote|>"Well, we could exchange,"</|quote|>suggests Müller again. "Out here one can make some use of them." Still Kemmerich is not to be moved. I tread on Müller's foot; reluctantly he puts the fine boots back again under the bed. We talk a little more and then take our leave. "Cheerio, Franz." I promise him to come back in the morning. Müller talks of doing so too. He is thinking of the lace-up boots and means to be on the spot. Kemmerich groans. He is feverish. We get hold of an orderly outside and ask him to give Kemmerich a dose of morphia. He refuses. | themselves into corkscrews and grow and grow, and with them the hair on the decayed skull, just like grass in a good soil, just like grass, how can it be possible---- Müller leans over. "We have brought your things, Franz." Kemmerich signs with his hand. "Put them under the bed." Müller does so. Kemmerich starts on again about the watch. How can one calm him without making him suspicious? Müller reappears with a pair of airman's boots. They are fine English boots of soft, yellow leather which reach to the knee and lace all the way--they are things to be coveted. Müller is delighted at the sight of them. He matches their soles against his own clumsy boots and says: "Will you be taking them with you then, Franz?" We all three have the same thought; even if he should get better, he would be able to use only one--they are no use to him. But as things are now it is a pity that they should stay here; the orderlies will of course grab them as soon as he is dead. "Won't you leave them with us?" Müller repeats. Kemmerich doesn't want to. They are his most prized possessions.<|quote|>"Well, we could exchange,"</|quote|>suggests Müller again. "Out here one can make some use of them." Still Kemmerich is not to be moved. I tread on Müller's foot; reluctantly he puts the fine boots back again under the bed. We talk a little more and then take our leave. "Cheerio, Franz." I promise him to come back in the morning. Müller talks of doing so too. He is thinking of the lace-up boots and means to be on the spot. Kemmerich groans. He is feverish. We get hold of an orderly outside and ask him to give Kemmerich a dose of morphia. He refuses. "If we were to give morphia to everyone we would have to have tubs full----" "You only attend to officers properly," says Kropp viciously. I hastily intervene and give him a cigarette. He takes it. "Are you usually allowed to give it, then?" I ask him. He is annoyed. "If you don't think so, then why do you ask?" I press a couple more cigarettes into his hand. "Do us the favour----" "Well, all right," he says. Kropp goes in with him. He doesn't trust him and wants to see. We wait outside. Müller returns to the subject of the | plate on which two pictures have been taken. Even his voice sounds like ashes. I think of the time when we went away. His mother, a good plump matron, brought him to the station. She wept continually, her face was bloated and swollen. Kemmerich felt embarrassed, for she was the least composed of all; she simply dissolved into fat and water. Then she caught sight of me and took hold of my arm again and again, and implored me to look after Franz out there. Indeed he did have a face like a child, and such frail bones that after four weeks pack-carrying he already had flat feet. But how can a man look after anyone in the field! "Now you will soon be going home," says Kropp. "You would have had to wait at least three or four months for your leave." Kemmerich nods. I cannot bear to look at his hands, they are like wax. Under the nails is the dirt of the trenches, it shows through blue-black like poison. It strikes me that these nails will continue to grow like long fantastic cellar-plants long after Kemmerich breathes no more. I see the picture before me. They twist themselves into corkscrews and grow and grow, and with them the hair on the decayed skull, just like grass in a good soil, just like grass, how can it be possible---- Müller leans over. "We have brought your things, Franz." Kemmerich signs with his hand. "Put them under the bed." Müller does so. Kemmerich starts on again about the watch. How can one calm him without making him suspicious? Müller reappears with a pair of airman's boots. They are fine English boots of soft, yellow leather which reach to the knee and lace all the way--they are things to be coveted. Müller is delighted at the sight of them. He matches their soles against his own clumsy boots and says: "Will you be taking them with you then, Franz?" We all three have the same thought; even if he should get better, he would be able to use only one--they are no use to him. But as things are now it is a pity that they should stay here; the orderlies will of course grab them as soon as he is dead. "Won't you leave them with us?" Müller repeats. Kemmerich doesn't want to. They are his most prized possessions.<|quote|>"Well, we could exchange,"</|quote|>suggests Müller again. "Out here one can make some use of them." Still Kemmerich is not to be moved. I tread on Müller's foot; reluctantly he puts the fine boots back again under the bed. We talk a little more and then take our leave. "Cheerio, Franz." I promise him to come back in the morning. Müller talks of doing so too. He is thinking of the lace-up boots and means to be on the spot. Kemmerich groans. He is feverish. We get hold of an orderly outside and ask him to give Kemmerich a dose of morphia. He refuses. "If we were to give morphia to everyone we would have to have tubs full----" "You only attend to officers properly," says Kropp viciously. I hastily intervene and give him a cigarette. He takes it. "Are you usually allowed to give it, then?" I ask him. He is annoyed. "If you don't think so, then why do you ask?" I press a couple more cigarettes into his hand. "Do us the favour----" "Well, all right," he says. Kropp goes in with him. He doesn't trust him and wants to see. We wait outside. Müller returns to the subject of the boots. "They would fit me perfectly. In these boots I get blister after blister. Do you think he will last till to-morrow after drill? If he passes out in the night, we know where the boots----" Kropp returns. "Do you think----?" he asks. "Done for," says Müller emphatically. We go back to the huts. I think of the letter that I must write to-morrow to Kemmerich's mother. I am freezing. I could do with a tot of rum. Müller pulls up some grass and chews it. Suddenly little Kropp throws his cigarette away, stamps on it savagely, and looking round him with a broken and distracted face, stammers: "Damned shit, the damned shit!" We walk on for a long time. Kropp has calmed himself; we understand: he sees red, out here every man gets like that sometime. "What has Kantorek written to you?" Müller asks him. He laughs. "We are the Iron Youth." We all three smile bitterly. Kropp rails: he is glad that he can speak. Yes, that's the way they think, these hundred thousand Kantoreks! Iron Youth. Youth! We are none of us more than twenty years old. But young? Youth? That is long ago. We are old | deserters, no cowards--they were very free with all these expressions. We loved our country as much as they, we went courageously into every action; but also we distinguished the false from the true, we had suddenly learned to see. And we saw that there was nothing of their world left. We were all at once terribly alone; and alone we must see it through. * * Before going over to see Kemmerich we pack up his things: he will need them on the way back. In the dressing station there is great activity; it reeks as ever of carbolic, ether, and sweat. Most of us are accustomed to this in the billets, but here it makes one feel faint. We ask for Kemmerich. He lies in a large room and receives us with feeble expressions of joy and helpless agitation. While he was unconscious someone had stolen his watch. Müller shakes his head: "I always told you that nobody should carry as good a watch as that." Müller is rather crude and tactless, otherwise he would hold his tongue, for anybody can see that Kemmerich will never come out of this place again. Whether he finds his watch or not will make no difference. At the most one will only be able to send it to his people. "How goes it, Franz?" asks Kropp. Kemmerich's head sinks. "Not so bad ... but I have such a damned pain in my foot." We look at his bed covering. His leg lies under a wire basket. The bed covering arches over it. I kick Müller on the shin, for he is just about to tell Kemmerich what the orderlies told us outside: that Kemmerich has lost his foot. The leg is amputated. He looks ghastly, yellow, and wan. In his face there are already the strained lines that we know so well, we have seen them now hundreds of times. They are not so much lines as marks. Under the skin the life no longer pulses, it has already pressed out to the boundaries of the body. Death is working through from within. It already has command in the eyes. Here lies our comrade, Kemmerich, who a little while ago was roasting horse-flesh with us and squatting in the shell-holes. He it is still and yet it is not he any longer. His features have become uncertain and faint, like a photographic plate on which two pictures have been taken. Even his voice sounds like ashes. I think of the time when we went away. His mother, a good plump matron, brought him to the station. She wept continually, her face was bloated and swollen. Kemmerich felt embarrassed, for she was the least composed of all; she simply dissolved into fat and water. Then she caught sight of me and took hold of my arm again and again, and implored me to look after Franz out there. Indeed he did have a face like a child, and such frail bones that after four weeks pack-carrying he already had flat feet. But how can a man look after anyone in the field! "Now you will soon be going home," says Kropp. "You would have had to wait at least three or four months for your leave." Kemmerich nods. I cannot bear to look at his hands, they are like wax. Under the nails is the dirt of the trenches, it shows through blue-black like poison. It strikes me that these nails will continue to grow like long fantastic cellar-plants long after Kemmerich breathes no more. I see the picture before me. They twist themselves into corkscrews and grow and grow, and with them the hair on the decayed skull, just like grass in a good soil, just like grass, how can it be possible---- Müller leans over. "We have brought your things, Franz." Kemmerich signs with his hand. "Put them under the bed." Müller does so. Kemmerich starts on again about the watch. How can one calm him without making him suspicious? Müller reappears with a pair of airman's boots. They are fine English boots of soft, yellow leather which reach to the knee and lace all the way--they are things to be coveted. Müller is delighted at the sight of them. He matches their soles against his own clumsy boots and says: "Will you be taking them with you then, Franz?" We all three have the same thought; even if he should get better, he would be able to use only one--they are no use to him. But as things are now it is a pity that they should stay here; the orderlies will of course grab them as soon as he is dead. "Won't you leave them with us?" Müller repeats. Kemmerich doesn't want to. They are his most prized possessions.<|quote|>"Well, we could exchange,"</|quote|>suggests Müller again. "Out here one can make some use of them." Still Kemmerich is not to be moved. I tread on Müller's foot; reluctantly he puts the fine boots back again under the bed. We talk a little more and then take our leave. "Cheerio, Franz." I promise him to come back in the morning. Müller talks of doing so too. He is thinking of the lace-up boots and means to be on the spot. Kemmerich groans. He is feverish. We get hold of an orderly outside and ask him to give Kemmerich a dose of morphia. He refuses. "If we were to give morphia to everyone we would have to have tubs full----" "You only attend to officers properly," says Kropp viciously. I hastily intervene and give him a cigarette. He takes it. "Are you usually allowed to give it, then?" I ask him. He is annoyed. "If you don't think so, then why do you ask?" I press a couple more cigarettes into his hand. "Do us the favour----" "Well, all right," he says. Kropp goes in with him. He doesn't trust him and wants to see. We wait outside. Müller returns to the subject of the boots. "They would fit me perfectly. In these boots I get blister after blister. Do you think he will last till to-morrow after drill? If he passes out in the night, we know where the boots----" Kropp returns. "Do you think----?" he asks. "Done for," says Müller emphatically. We go back to the huts. I think of the letter that I must write to-morrow to Kemmerich's mother. I am freezing. I could do with a tot of rum. Müller pulls up some grass and chews it. Suddenly little Kropp throws his cigarette away, stamps on it savagely, and looking round him with a broken and distracted face, stammers: "Damned shit, the damned shit!" We walk on for a long time. Kropp has calmed himself; we understand: he sees red, out here every man gets like that sometime. "What has Kantorek written to you?" Müller asks him. He laughs. "We are the Iron Youth." We all three smile bitterly. Kropp rails: he is glad that he can speak. Yes, that's the way they think, these hundred thousand Kantoreks! Iron Youth. Youth! We are none of us more than twenty years old. But young? Youth? That is long ago. We are old folk. CHAPTER II It is strange to think that at home in the drawer of my writing table there lies the beginning of a play called "Saul" and a bundle of poems. Many an evening I have worked over them--we all did something of the kind--but that has become so unreal to me that I cannot comprehend it any more. Our early life is cut off from the moment we came here, and that without our lifting a hand. We often try to look back on it and to find an explanation, but never quite succeed. For us young men of twenty everything is extraordinarily vague, for Kropp, Müller, Leer, and me, for all of us whom Kantorek calls the "Iron Youth." All the older men are linked up with their previous life. They have wives, children, occupations, and interests, they have a background which is so strong that the war cannot obliterate it. We young men of twenty, however, have only our parents, and some, perhaps, a girl--that is not much, for at our age the influence of parents is at its weakest and girls have not yet got a hold over us. Besides this there was little else--some enthusiasm, a few hobbies, and our school. Beyond this our life did not extend. And of this nothing remains. Kantorek would say that we stood on the threshold of life. And so it would seem. We had as yet taken no root. The war swept us away. For the others, the older men, it is but an interruption. They are able to think beyond it. We, however, have been gripped by it and do not know what the end may be. We know only that in some strange and melancholy way we have become a waste land. All the same, we are not often sad. * * Though Müller would be delighted to have Kemmerich's boots, he is really quite as sympathetic as another who could not bear to think of such a thing for grief. He merely sees things clearly. Were Kemmerich able to make any use of the boots, then Müller would rather go barefoot over barbed wire than scheme how to get hold of them. But as it is the boots are quite inappropriate to Kemmerich's circumstances, whereas Müller can make good use of them. Kemmerich will die; it is immaterial who gets them. Why, then, should | voice sounds like ashes. I think of the time when we went away. His mother, a good plump matron, brought him to the station. She wept continually, her face was bloated and swollen. Kemmerich felt embarrassed, for she was the least composed of all; she simply dissolved into fat and water. Then she caught sight of me and took hold of my arm again and again, and implored me to look after Franz out there. Indeed he did have a face like a child, and such frail bones that after four weeks pack-carrying he already had flat feet. But how can a man look after anyone in the field! "Now you will soon be going home," says Kropp. "You would have had to wait at least three or four months for your leave." Kemmerich nods. I cannot bear to look at his hands, they are like wax. Under the nails is the dirt of the trenches, it shows through blue-black like poison. It strikes me that these nails will continue to grow like long fantastic cellar-plants long after Kemmerich breathes no more. I see the picture before me. They twist themselves into corkscrews and grow and grow, and with them the hair on the decayed skull, just like grass in a good soil, just like grass, how can it be possible---- Müller leans over. "We have brought your things, Franz." Kemmerich signs with his hand. "Put them under the bed." Müller does so. Kemmerich starts on again about the watch. How can one calm him without making him suspicious? Müller reappears with a pair of airman's boots. They are fine English boots of soft, yellow leather which reach to the knee and lace all the way--they are things to be coveted. Müller is delighted at the sight of them. He matches their soles against his own clumsy boots and says: "Will you be taking them with you then, Franz?" We all three have the same thought; even if he should get better, he would be able to use only one--they are no use to him. But as things are now it is a pity that they should stay here; the orderlies will of course grab them as soon as he is dead. "Won't you leave them with us?" Müller repeats. Kemmerich doesn't want to. They are his most prized possessions.<|quote|>"Well, we could exchange,"</|quote|>suggests Müller again. "Out here one can make some use of them." Still Kemmerich is not to be moved. I tread on Müller's foot; reluctantly he puts the fine boots back again under the bed. We talk a little more and then take our leave. "Cheerio, Franz." I promise him to come back in the morning. Müller talks of doing so too. He is thinking of the lace-up boots and means to be on the spot. Kemmerich groans. He is feverish. We get hold of an orderly outside and ask him to give Kemmerich a dose of morphia. He refuses. "If we were to give morphia to everyone we would have to have tubs full----" "You only attend to officers properly," says Kropp viciously. I hastily intervene and give him a cigarette. He takes it. "Are you usually allowed to give it, then?" I ask him. He is annoyed. "If you don't think so, then why do you ask?" I press a couple more cigarettes into his hand. "Do us the favour----" "Well, all right," he says. Kropp goes in with him. He doesn't trust him and wants to see. We wait outside. Müller returns to the subject of the boots. "They would fit me perfectly. In these boots I get blister after blister. Do you think he will last till to-morrow after drill? If he passes out in the night, we know where the boots----" Kropp returns. "Do you think----?" he asks. "Done for," says Müller emphatically. We go back to the huts. I think of the letter that I must write to-morrow to Kemmerich's mother. I am freezing. I could do with a tot of rum. Müller pulls up some grass and chews it. Suddenly little Kropp throws his cigarette away, stamps on it savagely, and looking round him with a broken and distracted face, stammers: "Damned shit, the damned shit!" We walk on for a long time. Kropp has calmed himself; we understand: he sees red, out here every man gets like that sometime. "What has Kantorek written to you?" Müller asks him. He laughs. "We are the Iron Youth." We all three smile bitterly. Kropp rails: he is | All Quiet on the Western Front | are no use to him. But as things are now it is a pity that they should stay here; the orderlies will of course grab them as soon as he is dead. "Won't you leave them with us?" Müller repeats. Kemmerich doesn't want to. They are his most prized possessions.<|quote|>"Well, we could exchange,"</|quote|>suggests Müller again. "Out here one can make some use of them." Still Kemmerich is not to be moved. I tread on Müller's foot; reluctantly he puts the fine boots back again under the bed. We talk a little more and then take our leave. "Cheerio, Franz." I promise him | {
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"content": "are no use to him. But as things are now it is a pity that they should stay here; the orderlies will of course grab them as soon as he is dead. \"Won't you leave them with us?\" Müller repeats. Kemmerich doesn't want to. They are his most prized possessions.<|quote|>\"Well, we could exchange,\"</|quote|>suggests Müller again. \"Out here one can make some use of them.\" Still Kemmerich is not to be moved. I tread on Müller's foot; reluctantly he puts the fine boots back again under the bed. We talk a little more and then take our leave. \"Cheerio, Franz.\" I promise him",
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"Oh, Marilla, I've had a most _fascinating_ time. I feel that I have not lived in vain and I shall always feel like that even if I should never be invited to tea at a manse again. When I got there Mrs. Allan met me at the door. She was dressed in the sweetest dress of pale-pink organdy, with dozens of frills and elbow sleeves, and she looked just like a seraph. I really think I'd like to be a minister's wife when I grow up, Marilla. A minister mightn't mind my red hair because he wouldn't be thinking of such worldly things. But then of course one would have to be naturally good and I'll never be that, so I suppose there's no use in thinking about it. Some people are naturally good, you know, and others are not. I'm one of the others. Mrs. Lynde says I'm full of original sin. No matter how hard I try to be good I can never make such a success of it as those who are naturally good. It's a good deal like geometry, I expect. But don't you think the trying so hard ought to count for something? Mrs. Allan is one of the naturally good people. I love her passionately. You know there are some people, like Matthew and Mrs. Allan that you can love right off without any trouble. And there are others, like Mrs. Lynde, that you have to try very hard to love. You know you _ought_ to love them because they know so much and are such active workers in the church, but you have to keep reminding yourself of it all the time or else you forget. There was another little girl at the manse to tea, from the White Sands Sunday school. Her name was Laurette Bradley, and she was a very nice little girl. Not exactly a kindred spirit, you know, but still very nice. We had an elegant tea, and I think I kept all the rules of etiquette pretty well. After tea Mrs. Allan played and sang and she got Lauretta and me to sing too. Mrs. Allan says I have a good voice and she says I must sing in the Sunday-school choir after this. You can't think how I was thrilled at the mere thought. I've longed so to sing in the Sunday-school choir, as Diana does, but I feared it was an honor I could never aspire to. Lauretta had to go home early because there is a big concert in the White Sands Hotel tonight and her sister is to recite at it. Lauretta says that the Americans at the hotel give a concert every fortnight in aid of the Charlottetown hospital, and they ask lots of the White Sands people to recite. Lauretta said she expected to be asked herself someday. I just gazed at her in awe. After she had gone Mrs. Allan and I had a heart-to-heart talk. I told her everything--about Mrs. Thomas and the twins and Katie Maurice and Violetta and coming to Green Gables and my troubles over geometry. And would you believe it, Marilla? Mrs. Allan told me she was a dunce at geometry too. You don't know how that encouraged me. Mrs. Lynde came to the manse just before I left, and what do you think, Marilla? The trustees have hired a new teacher and it's a lady. Her name is Miss Muriel Stacy. Isn't that a romantic name? Mrs. Lynde says they've never had a female teacher in Avonlea before and she thinks it is a dangerous innovation. But I think it will be splendid to have a lady teacher, and I really don't see how I'm going to live through the two weeks before school begins. I'm so impatient to see her." | Anne Shirley | something unutterably sweet and enchanting.<|quote|>"Oh, Marilla, I've had a most _fascinating_ time. I feel that I have not lived in vain and I shall always feel like that even if I should never be invited to tea at a manse again. When I got there Mrs. Allan met me at the door. She was dressed in the sweetest dress of pale-pink organdy, with dozens of frills and elbow sleeves, and she looked just like a seraph. I really think I'd like to be a minister's wife when I grow up, Marilla. A minister mightn't mind my red hair because he wouldn't be thinking of such worldly things. But then of course one would have to be naturally good and I'll never be that, so I suppose there's no use in thinking about it. Some people are naturally good, you know, and others are not. I'm one of the others. Mrs. Lynde says I'm full of original sin. No matter how hard I try to be good I can never make such a success of it as those who are naturally good. It's a good deal like geometry, I expect. But don't you think the trying so hard ought to count for something? Mrs. Allan is one of the naturally good people. I love her passionately. You know there are some people, like Matthew and Mrs. Allan that you can love right off without any trouble. And there are others, like Mrs. Lynde, that you have to try very hard to love. You know you _ought_ to love them because they know so much and are such active workers in the church, but you have to keep reminding yourself of it all the time or else you forget. There was another little girl at the manse to tea, from the White Sands Sunday school. Her name was Laurette Bradley, and she was a very nice little girl. Not exactly a kindred spirit, you know, but still very nice. We had an elegant tea, and I think I kept all the rules of etiquette pretty well. After tea Mrs. Allan played and sang and she got Lauretta and me to sing too. Mrs. Allan says I have a good voice and she says I must sing in the Sunday-school choir after this. You can't think how I was thrilled at the mere thought. I've longed so to sing in the Sunday-school choir, as Diana does, but I feared it was an honor I could never aspire to. Lauretta had to go home early because there is a big concert in the White Sands Hotel tonight and her sister is to recite at it. Lauretta says that the Americans at the hotel give a concert every fortnight in aid of the Charlottetown hospital, and they ask lots of the White Sands people to recite. Lauretta said she expected to be asked herself someday. I just gazed at her in awe. After she had gone Mrs. Allan and I had a heart-to-heart talk. I told her everything--about Mrs. Thomas and the twins and Katie Maurice and Violetta and coming to Green Gables and my troubles over geometry. And would you believe it, Marilla? Mrs. Allan told me she was a dunce at geometry too. You don't know how that encouraged me. Mrs. Lynde came to the manse just before I left, and what do you think, Marilla? The trustees have hired a new teacher and it's a lady. Her name is Miss Muriel Stacy. Isn't that a romantic name? Mrs. Lynde says they've never had a female teacher in Avonlea before and she thinks it is a dangerous innovation. But I think it will be splendid to have a lady teacher, and I really don't see how I'm going to live through the two weeks before school begins. I'm so impatient to see her."</|quote|>CHAPTER XXIII. Anne Comes to | all tangled up together into something unutterably sweet and enchanting.<|quote|>"Oh, Marilla, I've had a most _fascinating_ time. I feel that I have not lived in vain and I shall always feel like that even if I should never be invited to tea at a manse again. When I got there Mrs. Allan met me at the door. She was dressed in the sweetest dress of pale-pink organdy, with dozens of frills and elbow sleeves, and she looked just like a seraph. I really think I'd like to be a minister's wife when I grow up, Marilla. A minister mightn't mind my red hair because he wouldn't be thinking of such worldly things. But then of course one would have to be naturally good and I'll never be that, so I suppose there's no use in thinking about it. Some people are naturally good, you know, and others are not. I'm one of the others. Mrs. Lynde says I'm full of original sin. No matter how hard I try to be good I can never make such a success of it as those who are naturally good. It's a good deal like geometry, I expect. But don't you think the trying so hard ought to count for something? Mrs. Allan is one of the naturally good people. I love her passionately. You know there are some people, like Matthew and Mrs. Allan that you can love right off without any trouble. And there are others, like Mrs. Lynde, that you have to try very hard to love. You know you _ought_ to love them because they know so much and are such active workers in the church, but you have to keep reminding yourself of it all the time or else you forget. There was another little girl at the manse to tea, from the White Sands Sunday school. Her name was Laurette Bradley, and she was a very nice little girl. Not exactly a kindred spirit, you know, but still very nice. We had an elegant tea, and I think I kept all the rules of etiquette pretty well. After tea Mrs. Allan played and sang and she got Lauretta and me to sing too. Mrs. Allan says I have a good voice and she says I must sing in the Sunday-school choir after this. You can't think how I was thrilled at the mere thought. I've longed so to sing in the Sunday-school choir, as Diana does, but I feared it was an honor I could never aspire to. Lauretta had to go home early because there is a big concert in the White Sands Hotel tonight and her sister is to recite at it. Lauretta says that the Americans at the hotel give a concert every fortnight in aid of the Charlottetown hospital, and they ask lots of the White Sands people to recite. Lauretta said she expected to be asked herself someday. I just gazed at her in awe. After she had gone Mrs. Allan and I had a heart-to-heart talk. I told her everything--about Mrs. Thomas and the twins and Katie Maurice and Violetta and coming to Green Gables and my troubles over geometry. And would you believe it, Marilla? Mrs. Allan told me she was a dunce at geometry too. You don't know how that encouraged me. Mrs. Lynde came to the manse just before I left, and what do you think, Marilla? The trustees have hired a new teacher and it's a lady. Her name is Miss Muriel Stacy. Isn't that a romantic name? Mrs. Lynde says they've never had a female teacher in Avonlea before and she thinks it is a dangerous innovation. But I think it will be splendid to have a lady teacher, and I really don't see how I'm going to live through the two weeks before school begins. I'm so impatient to see her."</|quote|>CHAPTER XXIII. Anne Comes to Grief in an Affair of | clear star hung over the orchard and the fireflies were flitting over in Lover's Lane, in and out among the ferns and rustling boughs. Anne watched them as she talked and somehow felt that wind and stars and fireflies were all tangled up together into something unutterably sweet and enchanting.<|quote|>"Oh, Marilla, I've had a most _fascinating_ time. I feel that I have not lived in vain and I shall always feel like that even if I should never be invited to tea at a manse again. When I got there Mrs. Allan met me at the door. She was dressed in the sweetest dress of pale-pink organdy, with dozens of frills and elbow sleeves, and she looked just like a seraph. I really think I'd like to be a minister's wife when I grow up, Marilla. A minister mightn't mind my red hair because he wouldn't be thinking of such worldly things. But then of course one would have to be naturally good and I'll never be that, so I suppose there's no use in thinking about it. Some people are naturally good, you know, and others are not. I'm one of the others. Mrs. Lynde says I'm full of original sin. No matter how hard I try to be good I can never make such a success of it as those who are naturally good. It's a good deal like geometry, I expect. But don't you think the trying so hard ought to count for something? Mrs. Allan is one of the naturally good people. I love her passionately. You know there are some people, like Matthew and Mrs. Allan that you can love right off without any trouble. And there are others, like Mrs. Lynde, that you have to try very hard to love. You know you _ought_ to love them because they know so much and are such active workers in the church, but you have to keep reminding yourself of it all the time or else you forget. There was another little girl at the manse to tea, from the White Sands Sunday school. Her name was Laurette Bradley, and she was a very nice little girl. Not exactly a kindred spirit, you know, but still very nice. We had an elegant tea, and I think I kept all the rules of etiquette pretty well. After tea Mrs. Allan played and sang and she got Lauretta and me to sing too. Mrs. Allan says I have a good voice and she says I must sing in the Sunday-school choir after this. You can't think how I was thrilled at the mere thought. I've longed so to sing in the Sunday-school choir, as Diana does, but I feared it was an honor I could never aspire to. Lauretta had to go home early because there is a big concert in the White Sands Hotel tonight and her sister is to recite at it. Lauretta says that the Americans at the hotel give a concert every fortnight in aid of the Charlottetown hospital, and they ask lots of the White Sands people to recite. Lauretta said she expected to be asked herself someday. I just gazed at her in awe. After she had gone Mrs. Allan and I had a heart-to-heart talk. I told her everything--about Mrs. Thomas and the twins and Katie Maurice and Violetta and coming to Green Gables and my troubles over geometry. And would you believe it, Marilla? Mrs. Allan told me she was a dunce at geometry too. You don't know how that encouraged me. Mrs. Lynde came to the manse just before I left, and what do you think, Marilla? The trustees have hired a new teacher and it's a lady. Her name is Miss Muriel Stacy. Isn't that a romantic name? Mrs. Lynde says they've never had a female teacher in Avonlea before and she thinks it is a dangerous innovation. But I think it will be splendid to have a lady teacher, and I really don't see how I'm going to live through the two weeks before school begins. I'm so impatient to see her."</|quote|>CHAPTER XXIII. Anne Comes to Grief in an Affair of Honor ANNE had to live through more than two weeks, as it happened. Almost a month having elapsed since the liniment cake episode, it was high time for her to get into fresh trouble of some sort, little mistakes, such | and told Marilla all about it happily, sitting on the big red-sandstone slab at the kitchen door with her tired curly head in Marilla's gingham lap. A cool wind was blowing down over the long harvest fields from the rims of firry western hills and whistling through the poplars. One clear star hung over the orchard and the fireflies were flitting over in Lover's Lane, in and out among the ferns and rustling boughs. Anne watched them as she talked and somehow felt that wind and stars and fireflies were all tangled up together into something unutterably sweet and enchanting.<|quote|>"Oh, Marilla, I've had a most _fascinating_ time. I feel that I have not lived in vain and I shall always feel like that even if I should never be invited to tea at a manse again. When I got there Mrs. Allan met me at the door. She was dressed in the sweetest dress of pale-pink organdy, with dozens of frills and elbow sleeves, and she looked just like a seraph. I really think I'd like to be a minister's wife when I grow up, Marilla. A minister mightn't mind my red hair because he wouldn't be thinking of such worldly things. But then of course one would have to be naturally good and I'll never be that, so I suppose there's no use in thinking about it. Some people are naturally good, you know, and others are not. I'm one of the others. Mrs. Lynde says I'm full of original sin. No matter how hard I try to be good I can never make such a success of it as those who are naturally good. It's a good deal like geometry, I expect. But don't you think the trying so hard ought to count for something? Mrs. Allan is one of the naturally good people. I love her passionately. You know there are some people, like Matthew and Mrs. Allan that you can love right off without any trouble. And there are others, like Mrs. Lynde, that you have to try very hard to love. You know you _ought_ to love them because they know so much and are such active workers in the church, but you have to keep reminding yourself of it all the time or else you forget. There was another little girl at the manse to tea, from the White Sands Sunday school. Her name was Laurette Bradley, and she was a very nice little girl. Not exactly a kindred spirit, you know, but still very nice. We had an elegant tea, and I think I kept all the rules of etiquette pretty well. After tea Mrs. Allan played and sang and she got Lauretta and me to sing too. Mrs. Allan says I have a good voice and she says I must sing in the Sunday-school choir after this. You can't think how I was thrilled at the mere thought. I've longed so to sing in the Sunday-school choir, as Diana does, but I feared it was an honor I could never aspire to. Lauretta had to go home early because there is a big concert in the White Sands Hotel tonight and her sister is to recite at it. Lauretta says that the Americans at the hotel give a concert every fortnight in aid of the Charlottetown hospital, and they ask lots of the White Sands people to recite. Lauretta said she expected to be asked herself someday. I just gazed at her in awe. After she had gone Mrs. Allan and I had a heart-to-heart talk. I told her everything--about Mrs. Thomas and the twins and Katie Maurice and Violetta and coming to Green Gables and my troubles over geometry. And would you believe it, Marilla? Mrs. Allan told me she was a dunce at geometry too. You don't know how that encouraged me. Mrs. Lynde came to the manse just before I left, and what do you think, Marilla? The trustees have hired a new teacher and it's a lady. Her name is Miss Muriel Stacy. Isn't that a romantic name? Mrs. Lynde says they've never had a female teacher in Avonlea before and she thinks it is a dangerous innovation. But I think it will be splendid to have a lady teacher, and I really don't see how I'm going to live through the two weeks before school begins. I'm so impatient to see her."</|quote|>CHAPTER XXIII. Anne Comes to Grief in an Affair of Honor ANNE had to live through more than two weeks, as it happened. Almost a month having elapsed since the liniment cake episode, it was high time for her to get into fresh trouble of some sort, little mistakes, such as absentmindedly emptying a pan of skim milk into a basket of yarn balls in the pantry instead of into the pigs' bucket, and walking clean over the edge of the log bridge into the brook while wrapped in imaginative reverie, not really being worth counting. A week after the | you, Anne, is that you're thinking too much about yourself. You should just think of Mrs. Allan and what would be nicest and most agreeable to her," said Marilla, hitting for once in her life on a very sound and pithy piece of advice. Anne instantly realized this. "You are right, Marilla. I'll try not to think about myself at all." Anne evidently got through her visit without any serious breach of "etiquette," for she came home through the twilight, under a great, high-sprung sky gloried over with trails of saffron and rosy cloud, in a beatified state of mind and told Marilla all about it happily, sitting on the big red-sandstone slab at the kitchen door with her tired curly head in Marilla's gingham lap. A cool wind was blowing down over the long harvest fields from the rims of firry western hills and whistling through the poplars. One clear star hung over the orchard and the fireflies were flitting over in Lover's Lane, in and out among the ferns and rustling boughs. Anne watched them as she talked and somehow felt that wind and stars and fireflies were all tangled up together into something unutterably sweet and enchanting.<|quote|>"Oh, Marilla, I've had a most _fascinating_ time. I feel that I have not lived in vain and I shall always feel like that even if I should never be invited to tea at a manse again. When I got there Mrs. Allan met me at the door. She was dressed in the sweetest dress of pale-pink organdy, with dozens of frills and elbow sleeves, and she looked just like a seraph. I really think I'd like to be a minister's wife when I grow up, Marilla. A minister mightn't mind my red hair because he wouldn't be thinking of such worldly things. But then of course one would have to be naturally good and I'll never be that, so I suppose there's no use in thinking about it. Some people are naturally good, you know, and others are not. I'm one of the others. Mrs. Lynde says I'm full of original sin. No matter how hard I try to be good I can never make such a success of it as those who are naturally good. It's a good deal like geometry, I expect. But don't you think the trying so hard ought to count for something? Mrs. Allan is one of the naturally good people. I love her passionately. You know there are some people, like Matthew and Mrs. Allan that you can love right off without any trouble. And there are others, like Mrs. Lynde, that you have to try very hard to love. You know you _ought_ to love them because they know so much and are such active workers in the church, but you have to keep reminding yourself of it all the time or else you forget. There was another little girl at the manse to tea, from the White Sands Sunday school. Her name was Laurette Bradley, and she was a very nice little girl. Not exactly a kindred spirit, you know, but still very nice. We had an elegant tea, and I think I kept all the rules of etiquette pretty well. After tea Mrs. Allan played and sang and she got Lauretta and me to sing too. Mrs. Allan says I have a good voice and she says I must sing in the Sunday-school choir after this. You can't think how I was thrilled at the mere thought. I've longed so to sing in the Sunday-school choir, as Diana does, but I feared it was an honor I could never aspire to. Lauretta had to go home early because there is a big concert in the White Sands Hotel tonight and her sister is to recite at it. Lauretta says that the Americans at the hotel give a concert every fortnight in aid of the Charlottetown hospital, and they ask lots of the White Sands people to recite. Lauretta said she expected to be asked herself someday. I just gazed at her in awe. After she had gone Mrs. Allan and I had a heart-to-heart talk. I told her everything--about Mrs. Thomas and the twins and Katie Maurice and Violetta and coming to Green Gables and my troubles over geometry. And would you believe it, Marilla? Mrs. Allan told me she was a dunce at geometry too. You don't know how that encouraged me. Mrs. Lynde came to the manse just before I left, and what do you think, Marilla? The trustees have hired a new teacher and it's a lady. Her name is Miss Muriel Stacy. Isn't that a romantic name? Mrs. Lynde says they've never had a female teacher in Avonlea before and she thinks it is a dangerous innovation. But I think it will be splendid to have a lady teacher, and I really don't see how I'm going to live through the two weeks before school begins. I'm so impatient to see her."</|quote|>CHAPTER XXIII. Anne Comes to Grief in an Affair of Honor ANNE had to live through more than two weeks, as it happened. Almost a month having elapsed since the liniment cake episode, it was high time for her to get into fresh trouble of some sort, little mistakes, such as absentmindedly emptying a pan of skim milk into a basket of yarn balls in the pantry instead of into the pigs' bucket, and walking clean over the edge of the log bridge into the brook while wrapped in imaginative reverie, not really being worth counting. A week after the tea at the manse Diana Barry gave a party. "Small and select," Anne assured Marilla. "Just the girls in our class." They had a very good time and nothing untoward happened until after tea, when they found themselves in the Barry garden, a little tired of all their games and ripe for any enticing form of mischief which might present itself. This presently took the form of "daring." Daring was the fashionable amusement among the Avonlea small fry just then. It had begun among the boys, but soon spread to the girls, and all the silly things that were done | day. Anne thought that the morning would never come. But all things have an end, even nights before the day on which you are invited to take tea at the manse. The morning, in spite of Matthew's predictions, was fine and Anne's spirits soared to their highest. "Oh, Marilla, there is something in me today that makes me just love everybody I see," she exclaimed as she washed the breakfast dishes. "You don't know how good I feel! Wouldn't it be nice if it could last? I believe I could be a model child if I were just invited out to tea every day. But oh, Marilla, it's a solemn occasion too. I feel so anxious. What if I shouldn't behave properly? You know I never had tea at a manse before, and I'm not sure that I know all the rules of etiquette, although I've been studying the rules given in the Etiquette Department of the Family Herald ever since I came here. I'm so afraid I'll do something silly or forget to do something I should do. Would it be good manners to take a second helping of anything if you wanted to _very_ much?" "The trouble with you, Anne, is that you're thinking too much about yourself. You should just think of Mrs. Allan and what would be nicest and most agreeable to her," said Marilla, hitting for once in her life on a very sound and pithy piece of advice. Anne instantly realized this. "You are right, Marilla. I'll try not to think about myself at all." Anne evidently got through her visit without any serious breach of "etiquette," for she came home through the twilight, under a great, high-sprung sky gloried over with trails of saffron and rosy cloud, in a beatified state of mind and told Marilla all about it happily, sitting on the big red-sandstone slab at the kitchen door with her tired curly head in Marilla's gingham lap. A cool wind was blowing down over the long harvest fields from the rims of firry western hills and whistling through the poplars. One clear star hung over the orchard and the fireflies were flitting over in Lover's Lane, in and out among the ferns and rustling boughs. Anne watched them as she talked and somehow felt that wind and stars and fireflies were all tangled up together into something unutterably sweet and enchanting.<|quote|>"Oh, Marilla, I've had a most _fascinating_ time. I feel that I have not lived in vain and I shall always feel like that even if I should never be invited to tea at a manse again. When I got there Mrs. Allan met me at the door. She was dressed in the sweetest dress of pale-pink organdy, with dozens of frills and elbow sleeves, and she looked just like a seraph. I really think I'd like to be a minister's wife when I grow up, Marilla. A minister mightn't mind my red hair because he wouldn't be thinking of such worldly things. But then of course one would have to be naturally good and I'll never be that, so I suppose there's no use in thinking about it. Some people are naturally good, you know, and others are not. I'm one of the others. Mrs. Lynde says I'm full of original sin. No matter how hard I try to be good I can never make such a success of it as those who are naturally good. It's a good deal like geometry, I expect. But don't you think the trying so hard ought to count for something? Mrs. Allan is one of the naturally good people. I love her passionately. You know there are some people, like Matthew and Mrs. Allan that you can love right off without any trouble. And there are others, like Mrs. Lynde, that you have to try very hard to love. You know you _ought_ to love them because they know so much and are such active workers in the church, but you have to keep reminding yourself of it all the time or else you forget. There was another little girl at the manse to tea, from the White Sands Sunday school. Her name was Laurette Bradley, and she was a very nice little girl. Not exactly a kindred spirit, you know, but still very nice. We had an elegant tea, and I think I kept all the rules of etiquette pretty well. After tea Mrs. Allan played and sang and she got Lauretta and me to sing too. Mrs. Allan says I have a good voice and she says I must sing in the Sunday-school choir after this. You can't think how I was thrilled at the mere thought. I've longed so to sing in the Sunday-school choir, as Diana does, but I feared it was an honor I could never aspire to. Lauretta had to go home early because there is a big concert in the White Sands Hotel tonight and her sister is to recite at it. Lauretta says that the Americans at the hotel give a concert every fortnight in aid of the Charlottetown hospital, and they ask lots of the White Sands people to recite. Lauretta said she expected to be asked herself someday. I just gazed at her in awe. After she had gone Mrs. Allan and I had a heart-to-heart talk. I told her everything--about Mrs. Thomas and the twins and Katie Maurice and Violetta and coming to Green Gables and my troubles over geometry. And would you believe it, Marilla? Mrs. Allan told me she was a dunce at geometry too. You don't know how that encouraged me. Mrs. Lynde came to the manse just before I left, and what do you think, Marilla? The trustees have hired a new teacher and it's a lady. Her name is Miss Muriel Stacy. Isn't that a romantic name? Mrs. Lynde says they've never had a female teacher in Avonlea before and she thinks it is a dangerous innovation. But I think it will be splendid to have a lady teacher, and I really don't see how I'm going to live through the two weeks before school begins. I'm so impatient to see her."</|quote|>CHAPTER XXIII. Anne Comes to Grief in an Affair of Honor ANNE had to live through more than two weeks, as it happened. Almost a month having elapsed since the liniment cake episode, it was high time for her to get into fresh trouble of some sort, little mistakes, such as absentmindedly emptying a pan of skim milk into a basket of yarn balls in the pantry instead of into the pigs' bucket, and walking clean over the edge of the log bridge into the brook while wrapped in imaginative reverie, not really being worth counting. A week after the tea at the manse Diana Barry gave a party. "Small and select," Anne assured Marilla. "Just the girls in our class." They had a very good time and nothing untoward happened until after tea, when they found themselves in the Barry garden, a little tired of all their games and ripe for any enticing form of mischief which might present itself. This presently took the form of "daring." Daring was the fashionable amusement among the Avonlea small fry just then. It had begun among the boys, but soon spread to the girls, and all the silly things that were done in Avonlea that summer because the doers thereof were "dared" to do them would fill a book by themselves. First of all Carrie Sloane dared Ruby Gillis to climb to a certain point in the huge old willow tree before the front door; which Ruby Gillis, albeit in mortal dread of the fat green caterpillars with which said tree was infested and with the fear of her mother before her eyes if she should tear her new muslin dress, nimbly did, to the discomfiture of the aforesaid Carrie Sloane. Then Josie Pye dared Jane Andrews to hop on her left leg around the garden without stopping once or putting her right foot to the ground; which Jane Andrews gamely tried to do, but gave out at the third corner and had to confess herself defeated. Josie's triumph being rather more pronounced than good taste permitted, Anne Shirley dared her to walk along the top of the board fence which bounded the garden to the east. Now, to "walk" board fences requires more skill and steadiness of head and heel than one might suppose who has never tried it. But Josie Pye, if deficient in some qualities that make for popularity, | feature. She had come dancing up the lane, like a wind-blown sprite, through the mellow sunshine and lazy shadows of the August evening. "No, Marilla, but oh, what do you think? I am invited to tea at the manse tomorrow afternoon! Mrs. Allan left the letter for me at the post office. Just look at it, Marilla. ?Miss Anne Shirley, Green Gables.' That is the first time I was ever called ?Miss.' Such a thrill as it gave me! I shall cherish it forever among my choicest treasures." "Mrs. Allan told me she meant to have all the members of her Sunday-school class to tea in turn," said Marilla, regarding the wonderful event very coolly. "You needn't get in such a fever over it. Do learn to take things calmly, child." For Anne to take things calmly would have been to change her nature. All "spirit and fire and dew," as she was, the pleasures and pains of life came to her with trebled intensity. Marilla felt this and was vaguely troubled over it, realizing that the ups and downs of existence would probably bear hardly on this impulsive soul and not sufficiently understanding that the equally great capacity for delight might more than compensate. Therefore Marilla conceived it to be her duty to drill Anne into a tranquil uniformity of disposition as impossible and alien to her as to a dancing sunbeam in one of the brook shallows. She did not make much headway, as she sorrowfully admitted to herself. The downfall of some dear hope or plan plunged Anne into "deeps of affliction." The fulfillment thereof exalted her to dizzy realms of delight. Marilla had almost begun to despair of ever fashioning this waif of the world into her model little girl of demure manners and prim deportment. Neither would she have believed that she really liked Anne much better as she was. Anne went to bed that night speechless with misery because Matthew had said the wind was round northeast and he feared it would be a rainy day tomorrow. The rustle of the poplar leaves about the house worried her, it sounded so like pattering raindrops, and the full, faraway roar of the gulf, to which she listened delightedly at other times, loving its strange, sonorous, haunting rhythm, now seemed like a prophecy of storm and disaster to a small maiden who particularly wanted a fine day. Anne thought that the morning would never come. But all things have an end, even nights before the day on which you are invited to take tea at the manse. The morning, in spite of Matthew's predictions, was fine and Anne's spirits soared to their highest. "Oh, Marilla, there is something in me today that makes me just love everybody I see," she exclaimed as she washed the breakfast dishes. "You don't know how good I feel! Wouldn't it be nice if it could last? I believe I could be a model child if I were just invited out to tea every day. But oh, Marilla, it's a solemn occasion too. I feel so anxious. What if I shouldn't behave properly? You know I never had tea at a manse before, and I'm not sure that I know all the rules of etiquette, although I've been studying the rules given in the Etiquette Department of the Family Herald ever since I came here. I'm so afraid I'll do something silly or forget to do something I should do. Would it be good manners to take a second helping of anything if you wanted to _very_ much?" "The trouble with you, Anne, is that you're thinking too much about yourself. You should just think of Mrs. Allan and what would be nicest and most agreeable to her," said Marilla, hitting for once in her life on a very sound and pithy piece of advice. Anne instantly realized this. "You are right, Marilla. I'll try not to think about myself at all." Anne evidently got through her visit without any serious breach of "etiquette," for she came home through the twilight, under a great, high-sprung sky gloried over with trails of saffron and rosy cloud, in a beatified state of mind and told Marilla all about it happily, sitting on the big red-sandstone slab at the kitchen door with her tired curly head in Marilla's gingham lap. A cool wind was blowing down over the long harvest fields from the rims of firry western hills and whistling through the poplars. One clear star hung over the orchard and the fireflies were flitting over in Lover's Lane, in and out among the ferns and rustling boughs. Anne watched them as she talked and somehow felt that wind and stars and fireflies were all tangled up together into something unutterably sweet and enchanting.<|quote|>"Oh, Marilla, I've had a most _fascinating_ time. I feel that I have not lived in vain and I shall always feel like that even if I should never be invited to tea at a manse again. When I got there Mrs. Allan met me at the door. She was dressed in the sweetest dress of pale-pink organdy, with dozens of frills and elbow sleeves, and she looked just like a seraph. I really think I'd like to be a minister's wife when I grow up, Marilla. A minister mightn't mind my red hair because he wouldn't be thinking of such worldly things. But then of course one would have to be naturally good and I'll never be that, so I suppose there's no use in thinking about it. Some people are naturally good, you know, and others are not. I'm one of the others. Mrs. Lynde says I'm full of original sin. No matter how hard I try to be good I can never make such a success of it as those who are naturally good. It's a good deal like geometry, I expect. But don't you think the trying so hard ought to count for something? Mrs. Allan is one of the naturally good people. I love her passionately. You know there are some people, like Matthew and Mrs. Allan that you can love right off without any trouble. And there are others, like Mrs. Lynde, that you have to try very hard to love. You know you _ought_ to love them because they know so much and are such active workers in the church, but you have to keep reminding yourself of it all the time or else you forget. There was another little girl at the manse to tea, from the White Sands Sunday school. Her name was Laurette Bradley, and she was a very nice little girl. Not exactly a kindred spirit, you know, but still very nice. We had an elegant tea, and I think I kept all the rules of etiquette pretty well. After tea Mrs. Allan played and sang and she got Lauretta and me to sing too. Mrs. Allan says I have a good voice and she says I must sing in the Sunday-school choir after this. You can't think how I was thrilled at the mere thought. I've longed so to sing in the Sunday-school choir, as Diana does, but I feared it was an honor I could never aspire to. Lauretta had to go home early because there is a big concert in the White Sands Hotel tonight and her sister is to recite at it. Lauretta says that the Americans at the hotel give a concert every fortnight in aid of the Charlottetown hospital, and they ask lots of the White Sands people to recite. Lauretta said she expected to be asked herself someday. I just gazed at her in awe. After she had gone Mrs. Allan and I had a heart-to-heart talk. I told her everything--about Mrs. Thomas and the twins and Katie Maurice and Violetta and coming to Green Gables and my troubles over geometry. And would you believe it, Marilla? Mrs. Allan told me she was a dunce at geometry too. You don't know how that encouraged me. Mrs. Lynde came to the manse just before I left, and what do you think, Marilla? The trustees have hired a new teacher and it's a lady. Her name is Miss Muriel Stacy. Isn't that a romantic name? Mrs. Lynde says they've never had a female teacher in Avonlea before and she thinks it is a dangerous innovation. But I think it will be splendid to have a lady teacher, and I really don't see how I'm going to live through the two weeks before school begins. I'm so impatient to see her."</|quote|>CHAPTER XXIII. Anne Comes to Grief in an Affair of Honor ANNE had to live through more than two weeks, as it happened. Almost a month having elapsed since the liniment cake episode, it was high time for her to get into fresh trouble of some sort, little mistakes, such as absentmindedly emptying a pan of skim milk into a basket of yarn balls in the pantry instead of into the pigs' bucket, and walking clean over the edge of the log bridge into the brook while wrapped in imaginative reverie, not really being worth counting. A week after the tea at the manse Diana Barry gave a party. "Small and select," Anne assured Marilla. "Just the girls in our class." They had a very good time and nothing untoward happened until after tea, when they found themselves in the Barry garden, a little tired of all their games and ripe for any enticing form of mischief which might present itself. This presently took the form of "daring." Daring was the fashionable amusement among the Avonlea small fry just then. It had begun among the boys, but soon spread to the girls, and all the silly things that were done in Avonlea that summer because the doers thereof were "dared" to do them would fill a book by themselves. First of all Carrie Sloane dared Ruby Gillis to climb to a certain point in the huge old willow tree before the front door; which Ruby Gillis, albeit in mortal dread of the fat green caterpillars with which said tree was infested and with the fear of her mother before her eyes if she should tear her new muslin dress, nimbly did, to the discomfiture of the aforesaid Carrie Sloane. Then Josie Pye dared Jane Andrews to hop on her left leg around the garden without stopping once or putting her right foot to the ground; which Jane Andrews gamely tried to do, but gave out at the third corner and had to confess herself defeated. Josie's triumph being rather more pronounced than good taste permitted, Anne Shirley dared her to walk along the top of the board fence which bounded the garden to the east. Now, to "walk" board fences requires more skill and steadiness of head and heel than one might suppose who has never tried it. But Josie Pye, if deficient in some qualities that make for popularity, had at least a natural and inborn gift, duly cultivated, for walking board fences. Josie walked the Barry fence with an airy unconcern which seemed to imply that a little thing like that wasn't worth a "dare." Reluctant admiration greeted her exploit, for most of the other girls could appreciate it, having suffered many things themselves in their efforts to walk fences. Josie descended from her perch, flushed with victory, and darted a defiant glance at Anne. Anne tossed her red braids. "I don't think it's such a very wonderful thing to walk a little, low, board fence," she said. "I knew a girl in Marysville who could walk the ridgepole of a roof." "I don't believe it," said Josie flatly. "I don't believe anybody could walk a ridgepole. _You_ couldn't, anyhow." "Couldn't I?" cried Anne rashly. "Then I dare you to do it," said Josie defiantly. "I dare you to climb up there and walk the ridgepole of Mr. Barry's kitchen roof." Anne turned pale, but there was clearly only one thing to be done. She walked toward the house, where a ladder was leaning against the kitchen roof. All the fifth-class girls said, "Oh!" partly in excitement, partly in dismay. "Don't you do it, Anne," entreated Diana. "You'll fall off and be killed. Never mind Josie Pye. It isn't fair to dare anybody to do anything so dangerous." "I must do it. My honor is at stake," said Anne solemnly. "I shall walk that ridgepole, Diana, or perish in the attempt. If I am killed you are to have my pearl bead ring." Anne climbed the ladder amid breathless silence, gained the ridgepole, balanced herself uprightly on that precarious footing, and started to walk along it, dizzily conscious that she was uncomfortably high up in the world and that walking ridgepoles was not a thing in which your imagination helped you out much. Nevertheless, she managed to take several steps before the catastrophe came. Then she swayed, lost her balance, stumbled, staggered, and fell, sliding down over the sun-baked roof and crashing off it through the tangle of Virginia creeper beneath--all before the dismayed circle below could give a simultaneous, terrified shriek. If Anne had tumbled off the roof on the side up which she had ascended Diana would probably have fallen heir to the pearl bead ring then and there. Fortunately she fell on the other side, | into her model little girl of demure manners and prim deportment. Neither would she have believed that she really liked Anne much better as she was. Anne went to bed that night speechless with misery because Matthew had said the wind was round northeast and he feared it would be a rainy day tomorrow. The rustle of the poplar leaves about the house worried her, it sounded so like pattering raindrops, and the full, faraway roar of the gulf, to which she listened delightedly at other times, loving its strange, sonorous, haunting rhythm, now seemed like a prophecy of storm and disaster to a small maiden who particularly wanted a fine day. Anne thought that the morning would never come. But all things have an end, even nights before the day on which you are invited to take tea at the manse. The morning, in spite of Matthew's predictions, was fine and Anne's spirits soared to their highest. "Oh, Marilla, there is something in me today that makes me just love everybody I see," she exclaimed as she washed the breakfast dishes. "You don't know how good I feel! Wouldn't it be nice if it could last? I believe I could be a model child if I were just invited out to tea every day. But oh, Marilla, it's a solemn occasion too. I feel so anxious. What if I shouldn't behave properly? You know I never had tea at a manse before, and I'm not sure that I know all the rules of etiquette, although I've been studying the rules given in the Etiquette Department of the Family Herald ever since I came here. I'm so afraid I'll do something silly or forget to do something I should do. Would it be good manners to take a second helping of anything if you wanted to _very_ much?" "The trouble with you, Anne, is that you're thinking too much about yourself. You should just think of Mrs. Allan and what would be nicest and most agreeable to her," said Marilla, hitting for once in her life on a very sound and pithy piece of advice. Anne instantly realized this. "You are right, Marilla. I'll try not to think about myself at all." Anne evidently got through her visit without any serious breach of "etiquette," for she came home through the twilight, under a great, high-sprung sky gloried over with trails of saffron and rosy cloud, in a beatified state of mind and told Marilla all about it happily, sitting on the big red-sandstone slab at the kitchen door with her tired curly head in Marilla's gingham lap. A cool wind was blowing down over the long harvest fields from the rims of firry western hills and whistling through the poplars. One clear star hung over the orchard and the fireflies were flitting over in Lover's Lane, in and out among the ferns and rustling boughs. Anne watched them as she talked and somehow felt that wind and stars and fireflies were all tangled up together into something unutterably sweet and enchanting.<|quote|>"Oh, Marilla, I've had a most _fascinating_ time. I feel that I have not lived in vain and I shall always feel like that even if I should never be invited to tea at a manse again. When I got there Mrs. Allan met me at the door. She was dressed in the sweetest dress of pale-pink organdy, with dozens of frills and elbow sleeves, and she looked just like a seraph. I really think I'd like to be a minister's wife when I grow up, Marilla. A minister mightn't mind my red hair because he wouldn't be thinking of such worldly things. But then of course one would have to be naturally good and I'll never be that, so I suppose there's no use in thinking about it. Some people are naturally good, you know, and others are not. I'm one of the others. Mrs. Lynde says I'm full of original sin. No matter how hard I try to be good I can never make such a success of it as those who are naturally good. It's a good deal like geometry, I expect. But don't you think the trying so hard ought to count for something? Mrs. Allan is one of the naturally good people. I love her passionately. You know there are some people, like Matthew and Mrs. Allan that you can love right off without any trouble. And there are others, like Mrs. Lynde, that you have to try very hard to love. You know you _ought_ to love them because they know so much and are such active workers in the church, but you have to keep reminding yourself of it all the time or else you forget. There was another little girl at the manse to tea, from the White Sands Sunday school. Her name was Laurette Bradley, and she was a very nice little girl. Not exactly a kindred spirit, you know, but still very nice. We had an elegant tea, and I think I kept all the rules of etiquette pretty well. After tea Mrs. Allan played and sang and she got Lauretta and me to sing too. Mrs. Allan says I have a good voice and she says I must sing in the Sunday-school choir after this. You can't think how I was thrilled at the mere thought. I've longed so to sing in the Sunday-school choir, as Diana does, but I feared it was an honor I could never aspire to. Lauretta had to go home early because there is a big concert in the White Sands Hotel tonight and her sister is to recite at it. Lauretta says that the Americans at the hotel give a concert every fortnight in aid of the Charlottetown hospital, and they ask lots of the White Sands people to recite. Lauretta said she expected to be asked herself someday. I just gazed at her in awe. After she had gone Mrs. Allan and I had a heart-to-heart talk. I told her everything--about Mrs. Thomas and the twins and Katie Maurice and Violetta and coming to Green Gables and my troubles over geometry. And would you believe it, Marilla? Mrs. Allan told me she was a dunce at geometry too. You don't know how that encouraged me. Mrs. Lynde came to the manse just before I left, and what do you think, Marilla? The trustees have hired a new teacher and it's a lady. Her name is Miss Muriel Stacy. Isn't that a romantic name? Mrs. Lynde says they've never had a female teacher in Avonlea before and she thinks it is a dangerous innovation. But I think it will be splendid to have a lady teacher, and I really don't see how I'm going to live through the two weeks before school begins. I'm so impatient to see her."</|quote|>CHAPTER XXIII. Anne Comes to Grief in an Affair of Honor ANNE had to live through more than two weeks, as it happened. Almost a month having elapsed since the liniment cake episode, it was high time for her to get into fresh trouble of some sort, little mistakes, such as absentmindedly emptying a pan of skim milk into a basket of yarn balls in the pantry instead of into the pigs' bucket, and walking clean over the edge of the log bridge into the brook while wrapped in imaginative reverie, not really being worth counting. A week after the tea at the manse Diana Barry gave a party. "Small and select," Anne assured Marilla. "Just the girls in our class." They had a very good time and nothing untoward happened until after tea, when they found themselves in the Barry garden, a little tired of all their games and ripe for any enticing form of mischief which might present itself. This presently took the form of "daring." Daring was the fashionable amusement among the Avonlea small fry just then. It had begun among the boys, but soon spread to the girls, and all the silly things that were done in Avonlea that summer because the doers thereof were "dared" to do them would fill a book by themselves. First of all Carrie Sloane dared Ruby Gillis to climb to a certain point in the huge old willow tree before the front door; which Ruby Gillis, albeit in mortal dread of the fat green caterpillars with which said tree was infested and with the fear of her mother before her eyes if she should tear her new muslin dress, nimbly did, to the discomfiture of the aforesaid Carrie Sloane. Then Josie Pye dared Jane Andrews to hop on her left leg around the garden without stopping once or putting her right foot to the ground; which Jane Andrews gamely tried to do, but gave out at the third corner and had to confess herself defeated. Josie's triumph being rather more pronounced than good taste permitted, Anne Shirley dared her to walk along the top of the board fence which bounded the garden to the east. Now, to "walk" board fences requires more skill and steadiness of head and heel than one might suppose who has never tried it. But Josie Pye, if deficient in some qualities that make for popularity, had at least a natural and inborn gift, duly cultivated, for walking board fences. Josie walked the Barry fence with an airy unconcern which seemed to imply that a little thing like that wasn't worth a "dare." Reluctant admiration greeted her exploit, for most of the other girls could appreciate it, having suffered many things themselves in their | Anne Of Green Gables | clear star hung over the orchard and the fireflies were flitting over in Lover's Lane, in and out among the ferns and rustling boughs. Anne watched them as she talked and somehow felt that wind and stars and fireflies were all tangled up together into something unutterably sweet and enchanting.<|quote|>"Oh, Marilla, I've had a most _fascinating_ time. I feel that I have not lived in vain and I shall always feel like that even if I should never be invited to tea at a manse again. When I got there Mrs. Allan met me at the door. She was dressed in the sweetest dress of pale-pink organdy, with dozens of frills and elbow sleeves, and she looked just like a seraph. I really think I'd like to be a minister's wife when I grow up, Marilla. A minister mightn't mind my red hair because he wouldn't be thinking of such worldly things. But then of course one would have to be naturally good and I'll never be that, so I suppose there's no use in thinking about it. Some people are naturally good, you know, and others are not. I'm one of the others. Mrs. Lynde says I'm full of original sin. No matter how hard I try to be good I can never make such a success of it as those who are naturally good. It's a good deal like geometry, I expect. But don't you think the trying so hard ought to count for something? Mrs. Allan is one of the naturally good people. I love her passionately. You know there are some people, like Matthew and Mrs. Allan that you can love right off without any trouble. And there are others, like Mrs. Lynde, that you have to try very hard to love. You know you _ought_ to love them because they know so much and are such active workers in the church, but you have to keep reminding yourself of it all the time or else you forget. There was another little girl at the manse to tea, from the White Sands Sunday school. Her name was Laurette Bradley, and she was a very nice little girl. Not exactly a kindred spirit, you know, but still very nice. We had an elegant tea, and I think I kept all the rules of etiquette pretty well. After tea Mrs. Allan played and sang and she got Lauretta and me to sing too. Mrs. Allan says I have a good voice and she says I must sing in the Sunday-school choir after this. You can't think how I was thrilled at the mere thought. I've longed so to sing in the Sunday-school choir, as Diana does, but I feared it was an honor I could never aspire to. Lauretta had to go home early because there is a big concert in the White Sands Hotel tonight and her sister is to recite at it. Lauretta says that the Americans at the hotel give a concert every fortnight in aid of the Charlottetown hospital, and they ask lots of the White Sands people to recite. Lauretta said she expected to be asked herself someday. I just gazed at her in awe. After she had gone Mrs. Allan and I had a heart-to-heart talk. I told her everything--about Mrs. Thomas and the twins and Katie Maurice and Violetta and coming to Green Gables and my troubles over geometry. And would you believe it, Marilla? Mrs. Allan told me she was a dunce at geometry too. You don't know how that encouraged me. Mrs. Lynde came to the manse just before I left, and what do you think, Marilla? The trustees have hired a new teacher and it's a lady. Her name is Miss Muriel Stacy. Isn't that a romantic name? Mrs. Lynde says they've never had a female teacher in Avonlea before and she thinks it is a dangerous innovation. But I think it will be splendid to have a lady teacher, and I really don't see how I'm going to live through the two weeks before school begins. I'm so impatient to see her."</|quote|>CHAPTER XXIII. Anne Comes to Grief in an Affair of Honor ANNE had to live through more than two weeks, as it happened. Almost a month having elapsed since the liniment cake episode, it was high time for her to get into fresh trouble of some sort, little mistakes, such | {
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"content": "clear star hung over the orchard and the fireflies were flitting over in Lover's Lane, in and out among the ferns and rustling boughs. Anne watched them as she talked and somehow felt that wind and stars and fireflies were all tangled up together into something unutterably sweet and enchanting.<|quote|>\"Oh, Marilla, I've had a most _fascinating_ time. I feel that I have not lived in vain and I shall always feel like that even if I should never be invited to tea at a manse again. When I got there Mrs. Allan met me at the door. She was dressed in the sweetest dress of pale-pink organdy, with dozens of frills and elbow sleeves, and she looked just like a seraph. I really think I'd like to be a minister's wife when I grow up, Marilla. A minister mightn't mind my red hair because he wouldn't be thinking of such worldly things. But then of course one would have to be naturally good and I'll never be that, so I suppose there's no use in thinking about it. Some people are naturally good, you know, and others are not. I'm one of the others. Mrs. Lynde says I'm full of original sin. No matter how hard I try to be good I can never make such a success of it as those who are naturally good. It's a good deal like geometry, I expect. But don't you think the trying so hard ought to count for something? Mrs. Allan is one of the naturally good people. I love her passionately. You know there are some people, like Matthew and Mrs. Allan that you can love right off without any trouble. And there are others, like Mrs. Lynde, that you have to try very hard to love. You know you _ought_ to love them because they know so much and are such active workers in the church, but you have to keep reminding yourself of it all the time or else you forget. There was another little girl at the manse to tea, from the White Sands Sunday school. Her name was Laurette Bradley, and she was a very nice little girl. Not exactly a kindred spirit, you know, but still very nice. We had an elegant tea, and I think I kept all the rules of etiquette pretty well. After tea Mrs. Allan played and sang and she got Lauretta and me to sing too. Mrs. Allan says I have a good voice and she says I must sing in the Sunday-school choir after this. You can't think how I was thrilled at the mere thought. I've longed so to sing in the Sunday-school choir, as Diana does, but I feared it was an honor I could never aspire to. Lauretta had to go home early because there is a big concert in the White Sands Hotel tonight and her sister is to recite at it. Lauretta says that the Americans at the hotel give a concert every fortnight in aid of the Charlottetown hospital, and they ask lots of the White Sands people to recite. Lauretta said she expected to be asked herself someday. I just gazed at her in awe. After she had gone Mrs. Allan and I had a heart-to-heart talk. I told her everything--about Mrs. Thomas and the twins and Katie Maurice and Violetta and coming to Green Gables and my troubles over geometry. And would you believe it, Marilla? Mrs. Allan told me she was a dunce at geometry too. You don't know how that encouraged me. Mrs. Lynde came to the manse just before I left, and what do you think, Marilla? The trustees have hired a new teacher and it's a lady. Her name is Miss Muriel Stacy. Isn't that a romantic name? Mrs. Lynde says they've never had a female teacher in Avonlea before and she thinks it is a dangerous innovation. But I think it will be splendid to have a lady teacher, and I really don't see how I'm going to live through the two weeks before school begins. I'm so impatient to see her.\"</|quote|>CHAPTER XXIII. Anne Comes to Grief in an Affair of Honor ANNE had to live through more than two weeks, as it happened. Almost a month having elapsed since the liniment cake episode, it was high time for her to get into fresh trouble of some sort, little mistakes, such",
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"let us remember our Gracious Queen Empress in whose service we are here, and pray that she may long be spared to send us at her bidding to do our duty in the uttermost parts of the earth; and let us think of our dear ones far away and the homes we have left in her name, and remember that though miles of barren continent and leagues of ocean divide us, we are never so near to them as on these Sunday mornings, united with them across dune and mountain in our loyalty to our sovereign and thanksgiving for her welfare; one with them as proud subjects of her sceptre and crown." | The Vicar | voice swelling up for peroration,<|quote|>"let us remember our Gracious Queen Empress in whose service we are here, and pray that she may long be spared to send us at her bidding to do our duty in the uttermost parts of the earth; and let us think of our dear ones far away and the homes we have left in her name, and remember that though miles of barren continent and leagues of ocean divide us, we are never so near to them as on these Sunday mornings, united with them across dune and mountain in our loyalty to our sovereign and thanksgiving for her welfare; one with them as proud subjects of her sceptre and crown."</|quote|>(" "The Reverend Tendril "e | he read, his powerful old voice swelling up for peroration,<|quote|>"let us remember our Gracious Queen Empress in whose service we are here, and pray that she may long be spared to send us at her bidding to do our duty in the uttermost parts of the earth; and let us think of our dear ones far away and the homes we have left in her name, and remember that though miles of barren continent and leagues of ocean divide us, we are never so near to them as on these Sunday mornings, united with them across dune and mountain in our loyalty to our sovereign and thanksgiving for her welfare; one with them as proud subjects of her sceptre and crown."</|quote|>(" "The Reverend Tendril "e do speak uncommon "igh of | very much and they knew that when he began about their distant homes, it was time to be dusting their knees and feeling for their umbrellas. "...And so as we stand here bareheaded at this solemn hour of the week," he read, his powerful old voice swelling up for peroration,<|quote|>"let us remember our Gracious Queen Empress in whose service we are here, and pray that she may long be spared to send us at her bidding to do our duty in the uttermost parts of the earth; and let us think of our dear ones far away and the homes we have left in her name, and remember that though miles of barren continent and leagues of ocean divide us, we are never so near to them as on these Sunday mornings, united with them across dune and mountain in our loyalty to our sovereign and thanksgiving for her welfare; one with them as proud subjects of her sceptre and crown."</|quote|>(" "The Reverend Tendril "e do speak uncommon "igh of the Queen," a gardener's wife had once remarked to Tony.) After the choir had filed out, during the last hymn, the congregation crouched silently for a few seconds and then made for the door. There was no sign of recognition | the changed conditions of his ministry and they mostly concluded with some reference to homes and dear ones far away. The villagers did not find this in any way surprising. Few of the things said in church seemed to have any particular reference to themselves. They enjoyed their vicar's sermons very much and they knew that when he began about their distant homes, it was time to be dusting their knees and feeling for their umbrellas. "...And so as we stand here bareheaded at this solemn hour of the week," he read, his powerful old voice swelling up for peroration,<|quote|>"let us remember our Gracious Queen Empress in whose service we are here, and pray that she may long be spared to send us at her bidding to do our duty in the uttermost parts of the earth; and let us think of our dear ones far away and the homes we have left in her name, and remember that though miles of barren continent and leagues of ocean divide us, we are never so near to them as on these Sunday mornings, united with them across dune and mountain in our loyalty to our sovereign and thanksgiving for her welfare; one with them as proud subjects of her sceptre and crown."</|quote|>(" "The Reverend Tendril "e do speak uncommon "igh of the Queen," a gardener's wife had once remarked to Tony.) After the choir had filed out, during the last hymn, the congregation crouched silently for a few seconds and then made for the door. There was no sign of recognition until they were outside among the graves; then there was an exchange of greetings, solicitous, cordial, garrulous. Tony spoke to the vet's wife and Mr Partridge from the shop; then he was joined by the vicar. "Lady Brenda is not ill, I hope?" "No, nothing serious." This was the invariable | the character of his house. The village postmaster took round the collecting bag. Tony put in his half-crown; John and nanny their pennies. The vicar climbed, with some effort, into the pulpit. He was an elderly man who had served in India most of his life. Tony's father had given him the living at the instance of his dentist. He had a noble and sonorous voice and was reckoned the best preacher for many miles around. His sermons had been composed in his more active days for delivery at the garrison chapel; he had done nothing to adapt them to the changed conditions of his ministry and they mostly concluded with some reference to homes and dear ones far away. The villagers did not find this in any way surprising. Few of the things said in church seemed to have any particular reference to themselves. They enjoyed their vicar's sermons very much and they knew that when he began about their distant homes, it was time to be dusting their knees and feeling for their umbrellas. "...And so as we stand here bareheaded at this solemn hour of the week," he read, his powerful old voice swelling up for peroration,<|quote|>"let us remember our Gracious Queen Empress in whose service we are here, and pray that she may long be spared to send us at her bidding to do our duty in the uttermost parts of the earth; and let us think of our dear ones far away and the homes we have left in her name, and remember that though miles of barren continent and leagues of ocean divide us, we are never so near to them as on these Sunday mornings, united with them across dune and mountain in our loyalty to our sovereign and thanksgiving for her welfare; one with them as proud subjects of her sceptre and crown."</|quote|>(" "The Reverend Tendril "e do speak uncommon "igh of the Queen," a gardener's wife had once remarked to Tony.) After the choir had filed out, during the last hymn, the congregation crouched silently for a few seconds and then made for the door. There was no sign of recognition until they were outside among the graves; then there was an exchange of greetings, solicitous, cordial, garrulous. Tony spoke to the vet's wife and Mr Partridge from the shop; then he was joined by the vicar. "Lady Brenda is not ill, I hope?" "No, nothing serious." This was the invariable formula when he appeared at church without her. "A most interesting sermon, Vicar." "My dear boy, I'm delighted to hear you say so. It is one of my favourites. But have you never heard it before?" "No, I assure you." "I haven't used it here lately. When I am asked to supply elsewhere it is the one I invariably choose. Let me see now, I always make a note of the times I use it." The old clergyman opened the manuscript book he was carrying. It had a limp black cover and the pages were yellow with age. "Ah yes, | to keep pace with his father. At the end, Tony said, "How very sad." "Well, _I_ thought it was sad too, but it isn't. Ben said it made him laugh fit to bust his pants." The bell had stopped and the organist was watching from behind his curtain for Tony's arrival. He walked ahead up the aisle, nanny and John following. In the pew he occupied one of the armchairs; they sat on the bench at his back. He leant forward for half a minute with his forehead on his hand, and as he sat back, the organist played the first bars of the hymn, "Enter not into judgment with Thy servant, O Lord..." The service followed its course. As Tony inhaled the agreeable, slightly musty atmosphere and performed the familiar motions of sitting, standing and leaning forward, his thoughts drifted from subject to subject, among the events of the past week and his plans for the future. Occasionally some arresting phrase in the liturgy would recall him to his surroundings, but for the most part that morning he occupied himself with the question of bathrooms and lavatories, and of how more of them could best be introduced without disturbing the character of his house. The village postmaster took round the collecting bag. Tony put in his half-crown; John and nanny their pennies. The vicar climbed, with some effort, into the pulpit. He was an elderly man who had served in India most of his life. Tony's father had given him the living at the instance of his dentist. He had a noble and sonorous voice and was reckoned the best preacher for many miles around. His sermons had been composed in his more active days for delivery at the garrison chapel; he had done nothing to adapt them to the changed conditions of his ministry and they mostly concluded with some reference to homes and dear ones far away. The villagers did not find this in any way surprising. Few of the things said in church seemed to have any particular reference to themselves. They enjoyed their vicar's sermons very much and they knew that when he began about their distant homes, it was time to be dusting their knees and feeling for their umbrellas. "...And so as we stand here bareheaded at this solemn hour of the week," he read, his powerful old voice swelling up for peroration,<|quote|>"let us remember our Gracious Queen Empress in whose service we are here, and pray that she may long be spared to send us at her bidding to do our duty in the uttermost parts of the earth; and let us think of our dear ones far away and the homes we have left in her name, and remember that though miles of barren continent and leagues of ocean divide us, we are never so near to them as on these Sunday mornings, united with them across dune and mountain in our loyalty to our sovereign and thanksgiving for her welfare; one with them as proud subjects of her sceptre and crown."</|quote|>(" "The Reverend Tendril "e do speak uncommon "igh of the Queen," a gardener's wife had once remarked to Tony.) After the choir had filed out, during the last hymn, the congregation crouched silently for a few seconds and then made for the door. There was no sign of recognition until they were outside among the graves; then there was an exchange of greetings, solicitous, cordial, garrulous. Tony spoke to the vet's wife and Mr Partridge from the shop; then he was joined by the vicar. "Lady Brenda is not ill, I hope?" "No, nothing serious." This was the invariable formula when he appeared at church without her. "A most interesting sermon, Vicar." "My dear boy, I'm delighted to hear you say so. It is one of my favourites. But have you never heard it before?" "No, I assure you." "I haven't used it here lately. When I am asked to supply elsewhere it is the one I invariably choose. Let me see now, I always make a note of the times I use it." The old clergyman opened the manuscript book he was carrying. It had a limp black cover and the pages were yellow with age. "Ah yes, here we are. I preached it first in Jellalabad when the Coldstream Guards were there; then I used it in the Red Sea coming home from my fourth leave; then at Sidmouth... Mentone... Winchester... to the Girl Guides at their summer rally in 1921... the Church Stage Guild at Leicester... twice at Bournemouth during the winter of 1926 when poor Ada was so ill... No, I don't seem to have used it here since 1911, when you would have been too young to enjoy it..." The vicar's sister had engaged John in conversation. He was telling her the story of Peppermint: "...he'd have been all right, Ben says, if he had been able to cat the rum up, but mules can't cat, neither can horses..." Nanny grasped him firmly and hurried him towards home. "How many times have I told you not to go repeating whatever Ben Hacket tells you? Miss Tendril didn't want to hear about Peppermint. And don't ever use that rude word "cat" again." "It only means to be sick." "Well, Miss Tendril isn't interested in being sick..." As the gathering between porch and lychgate began to disperse, Tony set off towards the gardens. There was a | of guests suspended it. For this reason his heart sank when, emerging from his study into the great hall at a quarter to eleven, he met Beaver already dressed and prepared to be entertained; it was only a momentary vexation, however, for while he wished him good morning he noticed that his guest had an _A.B.C._ in his hands and was clearly looking out a train. "I hope you slept all right?" "Beautifully," said Beaver, though his wan expression did not confirm the word. "I'm so glad. I always sleep well here myself. I say, I don't like the look of that train guide. I hope you weren't thinking of leaving us yet?" "Alas, I've got to get up to-night, I'm afraid." "Too bad. I've hardly seen you. The trains aren't very good on Sundays. The best leaves at five-forty-five and gets up about nine. It stops a lot and there's no restaurant car." "That'll do fine." "Sure you can't stay until to-morrow?" "Quite sure." The church bells were ringing across the park. "Well, I'm just off to church. I don't suppose you'd care to come." Beaver always did what was expected of him when he was staying away, even on a visit as unsatisfactory as the present one. "Oh yes, I should like to very much." "No, really, I shouldn't if I were you. You wouldn't enjoy it. I only go because I more or less have to. You stay here. Brenda will be down directly. Ring for a drink when you feel like it." "Oh, all right." "See you later then." Tony took his hat and stick from the lobby and let himself out. "Now I've behaved inhospitably to that young man again," he reflected. The bells were clear and clamorous in the drive and Tony walked briskly towards them. Presently they ceased and gave place to a single note, warning the village that there was only five minutes to go before the organist started the first hymn. He caught up nanny and John, also on their way to church. John was in one of his rare, confidential moods; he put his small gloved hand into Tony's and, without introduction, embarked upon a story which lasted them all the way to the church door; it dealt with the mule Peppermint who had drunk the company's rum ration, near Wipers in 1917; it was told breathlessly, as John trotted to keep pace with his father. At the end, Tony said, "How very sad." "Well, _I_ thought it was sad too, but it isn't. Ben said it made him laugh fit to bust his pants." The bell had stopped and the organist was watching from behind his curtain for Tony's arrival. He walked ahead up the aisle, nanny and John following. In the pew he occupied one of the armchairs; they sat on the bench at his back. He leant forward for half a minute with his forehead on his hand, and as he sat back, the organist played the first bars of the hymn, "Enter not into judgment with Thy servant, O Lord..." The service followed its course. As Tony inhaled the agreeable, slightly musty atmosphere and performed the familiar motions of sitting, standing and leaning forward, his thoughts drifted from subject to subject, among the events of the past week and his plans for the future. Occasionally some arresting phrase in the liturgy would recall him to his surroundings, but for the most part that morning he occupied himself with the question of bathrooms and lavatories, and of how more of them could best be introduced without disturbing the character of his house. The village postmaster took round the collecting bag. Tony put in his half-crown; John and nanny their pennies. The vicar climbed, with some effort, into the pulpit. He was an elderly man who had served in India most of his life. Tony's father had given him the living at the instance of his dentist. He had a noble and sonorous voice and was reckoned the best preacher for many miles around. His sermons had been composed in his more active days for delivery at the garrison chapel; he had done nothing to adapt them to the changed conditions of his ministry and they mostly concluded with some reference to homes and dear ones far away. The villagers did not find this in any way surprising. Few of the things said in church seemed to have any particular reference to themselves. They enjoyed their vicar's sermons very much and they knew that when he began about their distant homes, it was time to be dusting their knees and feeling for their umbrellas. "...And so as we stand here bareheaded at this solemn hour of the week," he read, his powerful old voice swelling up for peroration,<|quote|>"let us remember our Gracious Queen Empress in whose service we are here, and pray that she may long be spared to send us at her bidding to do our duty in the uttermost parts of the earth; and let us think of our dear ones far away and the homes we have left in her name, and remember that though miles of barren continent and leagues of ocean divide us, we are never so near to them as on these Sunday mornings, united with them across dune and mountain in our loyalty to our sovereign and thanksgiving for her welfare; one with them as proud subjects of her sceptre and crown."</|quote|>(" "The Reverend Tendril "e do speak uncommon "igh of the Queen," a gardener's wife had once remarked to Tony.) After the choir had filed out, during the last hymn, the congregation crouched silently for a few seconds and then made for the door. There was no sign of recognition until they were outside among the graves; then there was an exchange of greetings, solicitous, cordial, garrulous. Tony spoke to the vet's wife and Mr Partridge from the shop; then he was joined by the vicar. "Lady Brenda is not ill, I hope?" "No, nothing serious." This was the invariable formula when he appeared at church without her. "A most interesting sermon, Vicar." "My dear boy, I'm delighted to hear you say so. It is one of my favourites. But have you never heard it before?" "No, I assure you." "I haven't used it here lately. When I am asked to supply elsewhere it is the one I invariably choose. Let me see now, I always make a note of the times I use it." The old clergyman opened the manuscript book he was carrying. It had a limp black cover and the pages were yellow with age. "Ah yes, here we are. I preached it first in Jellalabad when the Coldstream Guards were there; then I used it in the Red Sea coming home from my fourth leave; then at Sidmouth... Mentone... Winchester... to the Girl Guides at their summer rally in 1921... the Church Stage Guild at Leicester... twice at Bournemouth during the winter of 1926 when poor Ada was so ill... No, I don't seem to have used it here since 1911, when you would have been too young to enjoy it..." The vicar's sister had engaged John in conversation. He was telling her the story of Peppermint: "...he'd have been all right, Ben says, if he had been able to cat the rum up, but mules can't cat, neither can horses..." Nanny grasped him firmly and hurried him towards home. "How many times have I told you not to go repeating whatever Ben Hacket tells you? Miss Tendril didn't want to hear about Peppermint. And don't ever use that rude word "cat" again." "It only means to be sick." "Well, Miss Tendril isn't interested in being sick..." As the gathering between porch and lychgate began to disperse, Tony set off towards the gardens. There was a good choice of buttonholes in the hothouses; he picked lemon carnations with crinkled, crimson edges for himself and Beaver and a camellia for his wife. Shafts of November sunshine streamed down from lancet and oriel, tinctured in green and gold, gules and azure by the emblazoned coats, broken by the leaded devices into countless points and patches of coloured light. Brenda descended the great staircase step by step through alternations of dusk and rainbow. Both hands were occupied, holding to her breast a bag, a small hat, a half-finished panel of petit-point embroidery and a vast, disordered sheaf of Sunday newspapers, above which only her eyes and forehead appeared as though over a yashmak. Beaver emerged from the shadows below and stood at the foot of the stairs looking up at her. "I say, can't I carry something?" "No thanks, I've got everything safe. How did you sleep?" "Beautifully." "I bet you didn't." "Well, I'm not a very good sleeper." "Next time you come you shall have a different room. But I daresay you won't ever come again. People so seldom do. It is very sad because it's such fun for us having them and we never make any new friends living down here." "Tony's gone to church." "Yes, he likes that. He'll be back soon. Let's go out for a minute or two, it looks lovely." When Tony came back they were sitting in the library. Beaver was telling Brenda's fortune with cards. "... Now cut to me again," he was saying, "and I'll see if it's any clearer... Oh yes... there is going to be a sudden death which will cause you great pleasure and profit. In fact you are going to kill someone. I can't tell if it's a man or a woman... yes, a woman... then you are going to go on a long journey across the sea, marry six dark men and have eleven children, grow a beard and die." "Beast. And all this time I've been thinking it was serious. Hullo, Tony. Jolly church?" "Most enjoyable; how about some sherry?" When they were alone together, just before luncheon, he said, "Darling, you're being heroic with Beaver." "Oh, I quite enjoy coping--in fact I'm bitching him rather." "So I saw. Well, I'll look after him this afternoon and he's going this evening." "Is he? I'll be quite sorry. You know that's a difference between us, | sat back, the organist played the first bars of the hymn, "Enter not into judgment with Thy servant, O Lord..." The service followed its course. As Tony inhaled the agreeable, slightly musty atmosphere and performed the familiar motions of sitting, standing and leaning forward, his thoughts drifted from subject to subject, among the events of the past week and his plans for the future. Occasionally some arresting phrase in the liturgy would recall him to his surroundings, but for the most part that morning he occupied himself with the question of bathrooms and lavatories, and of how more of them could best be introduced without disturbing the character of his house. The village postmaster took round the collecting bag. Tony put in his half-crown; John and nanny their pennies. The vicar climbed, with some effort, into the pulpit. He was an elderly man who had served in India most of his life. Tony's father had given him the living at the instance of his dentist. He had a noble and sonorous voice and was reckoned the best preacher for many miles around. His sermons had been composed in his more active days for delivery at the garrison chapel; he had done nothing to adapt them to the changed conditions of his ministry and they mostly concluded with some reference to homes and dear ones far away. The villagers did not find this in any way surprising. Few of the things said in church seemed to have any particular reference to themselves. They enjoyed their vicar's sermons very much and they knew that when he began about their distant homes, it was time to be dusting their knees and feeling for their umbrellas. "...And so as we stand here bareheaded at this solemn hour of the week," he read, his powerful old voice swelling up for peroration,<|quote|>"let us remember our Gracious Queen Empress in whose service we are here, and pray that she may long be spared to send us at her bidding to do our duty in the uttermost parts of the earth; and let us think of our dear ones far away and the homes we have left in her name, and remember that though miles of barren continent and leagues of ocean divide us, we are never so near to them as on these Sunday mornings, united with them across dune and mountain in our loyalty to our sovereign and thanksgiving for her welfare; one with them as proud subjects of her sceptre and crown."</|quote|>(" "The Reverend Tendril "e do speak uncommon "igh of the Queen," a gardener's wife had once remarked to Tony.) After the choir had filed out, during the last hymn, the congregation crouched silently for a few seconds and then made for the door. There was no sign of recognition until they were outside among the graves; then there was an exchange of greetings, solicitous, cordial, garrulous. Tony spoke to the vet's wife and Mr Partridge from the shop; then he was joined by the vicar. "Lady Brenda is not ill, I hope?" "No, nothing serious." This was the invariable formula when he appeared at church without her. "A most interesting sermon, Vicar." "My dear boy, I'm delighted to hear you say so. It is one of my favourites. But have you never heard it before?" "No, I assure you." "I haven't used it here lately. When I am asked to supply elsewhere it is the one I invariably choose. Let me see now, I always make a note of the times I use it." The old clergyman opened the manuscript book he was carrying. It had a limp black cover and the pages were yellow with age. "Ah yes, here we are. I preached it first in Jellalabad when the Coldstream Guards were there; then I used it in the Red Sea coming home from my fourth leave; then at Sidmouth... Mentone... Winchester... to the Girl Guides at their summer rally in 1921... the Church Stage Guild at Leicester... twice at Bournemouth during the winter of 1926 when poor Ada was so ill... No, I don't seem to have used it here since 1911, when you would have been too young to enjoy it..." The vicar's sister had engaged John in conversation. He was telling her the story of Peppermint: "...he'd have been all right, Ben says, if he had been able to cat the rum up, but mules can't cat, neither can horses..." Nanny grasped him firmly and hurried him towards home. "How many times have I told you not to go repeating whatever Ben Hacket tells you? Miss Tendril didn't want to hear about Peppermint. And don't ever use that rude word "cat" again." "It only means to be sick." "Well, Miss Tendril isn't interested in being sick..." As the gathering between porch and lychgate began to disperse, Tony set off towards the gardens. There was a good choice of buttonholes in the hothouses; he picked lemon carnations with crinkled, crimson edges for himself and Beaver and a camellia for his wife. Shafts of November sunshine streamed down from lancet and oriel, tinctured in green and gold, gules and azure by the emblazoned coats, broken by the leaded devices into countless points and patches of coloured light. Brenda descended the great staircase step by step through alternations of dusk and rainbow. Both hands were occupied, holding to her breast a bag, a small hat, a half-finished panel | A Handful Of Dust | very much and they knew that when he began about their distant homes, it was time to be dusting their knees and feeling for their umbrellas. "...And so as we stand here bareheaded at this solemn hour of the week," he read, his powerful old voice swelling up for peroration,<|quote|>"let us remember our Gracious Queen Empress in whose service we are here, and pray that she may long be spared to send us at her bidding to do our duty in the uttermost parts of the earth; and let us think of our dear ones far away and the homes we have left in her name, and remember that though miles of barren continent and leagues of ocean divide us, we are never so near to them as on these Sunday mornings, united with them across dune and mountain in our loyalty to our sovereign and thanksgiving for her welfare; one with them as proud subjects of her sceptre and crown."</|quote|>(" "The Reverend Tendril "e do speak uncommon "igh of the Queen," a gardener's wife had once remarked to Tony.) After the choir had filed out, during the last hymn, the congregation crouched silently for a few seconds and then made for the door. There was no sign of recognition | {
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"content": "very much and they knew that when he began about their distant homes, it was time to be dusting their knees and feeling for their umbrellas. \"...And so as we stand here bareheaded at this solemn hour of the week,\" he read, his powerful old voice swelling up for peroration,<|quote|>\"let us remember our Gracious Queen Empress in whose service we are here, and pray that she may long be spared to send us at her bidding to do our duty in the uttermost parts of the earth; and let us think of our dear ones far away and the homes we have left in her name, and remember that though miles of barren continent and leagues of ocean divide us, we are never so near to them as on these Sunday mornings, united with them across dune and mountain in our loyalty to our sovereign and thanksgiving for her welfare; one with them as proud subjects of her sceptre and crown.\"</|quote|>(\" \"The Reverend Tendril \"e do speak uncommon \"igh of the Queen,\" a gardener's wife had once remarked to Tony.) After the choir had filed out, during the last hymn, the congregation crouched silently for a few seconds and then made for the door. There was no sign of recognition",
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} | The Vicar |
"Look at my hair, Marilla," | Anne Shirley | the floor in despairing obedience.<|quote|>"Look at my hair, Marilla,"</|quote|>she whispered. Accordingly, Marilla lifted | it?" Anne had slid to the floor in despairing obedience.<|quote|>"Look at my hair, Marilla,"</|quote|>she whispered. Accordingly, Marilla lifted her candle and looked scrutinizingly | "Did anyone ever hear the like?" the mystified Marilla wanted to know. "Anne Shirley, whatever is the matter with you? What have you done? Get right up this minute and tell me. This minute, I say. There now, what is it?" Anne had slid to the floor in despairing obedience.<|quote|>"Look at my hair, Marilla,"</|quote|>she whispered. Accordingly, Marilla lifted her candle and looked scrutinizingly at Anne's hair, flowing in heavy masses down her back. It certainly had a very strange appearance. "Anne Shirley, what have you done to your hair? Why, it's _green!_" Green it might be called, if it were any earthly color--a | head in class or writes the best composition or sings in the Sunday-school choir any more. Little things like that are of no importance now because I don't suppose I'll ever be able to go anywhere again. My career is closed. Please, Marilla, go away and don't look at me." "Did anyone ever hear the like?" the mystified Marilla wanted to know. "Anne Shirley, whatever is the matter with you? What have you done? Get right up this minute and tell me. This minute, I say. There now, what is it?" Anne had slid to the floor in despairing obedience.<|quote|>"Look at my hair, Marilla,"</|quote|>she whispered. Accordingly, Marilla lifted her candle and looked scrutinizingly at Anne's hair, flowing in heavy masses down her back. It certainly had a very strange appearance. "Anne Shirley, what have you done to your hair? Why, it's _green!_" Green it might be called, if it were any earthly color--a queer, dull, bronzy green, with streaks here and there of the original red to heighten the ghastly effect. Never in all her life had Marilla seen anything so grotesque as Anne's hair at that moment. "Yes, it's green," moaned Anne. "I thought nothing could be as bad as red hair. | went up to the east gable for the one that generally stood on Anne's table. Lighting it, she turned around to see Anne herself lying on the bed, face downward among the pillows. "Mercy on us," said astonished Marilla, "have you been asleep, Anne?" "No," was the muffled reply. "Are you sick then?" demanded Marilla anxiously, going over to the bed. Anne cowered deeper into her pillows as if desirous of hiding herself forever from mortal eyes. "No. But please, Marilla, go away and don't look at me. I'm in the depths of despair and I don't care who gets head in class or writes the best composition or sings in the Sunday-school choir any more. Little things like that are of no importance now because I don't suppose I'll ever be able to go anywhere again. My career is closed. Please, Marilla, go away and don't look at me." "Did anyone ever hear the like?" the mystified Marilla wanted to know. "Anne Shirley, whatever is the matter with you? What have you done? Get right up this minute and tell me. This minute, I say. There now, what is it?" Anne had slid to the floor in despairing obedience.<|quote|>"Look at my hair, Marilla,"</|quote|>she whispered. Accordingly, Marilla lifted her candle and looked scrutinizingly at Anne's hair, flowing in heavy masses down her back. It certainly had a very strange appearance. "Anne Shirley, what have you done to your hair? Why, it's _green!_" Green it might be called, if it were any earthly color--a queer, dull, bronzy green, with streaks here and there of the original red to heighten the ghastly effect. Never in all her life had Marilla seen anything so grotesque as Anne's hair at that moment. "Yes, it's green," moaned Anne. "I thought nothing could be as bad as red hair. But now I know it's ten times worse to have green hair. Oh, Marilla, you little know how utterly wretched I am." "I little know how you got into this fix, but I mean to find out," said Marilla. "Come right down to the kitchen--it's too cold up here--and tell me just what you've done. I've been expecting something queer for some time. You haven't got into any scrape for over two months, and I was sure another one was due. Now, then, what did you do to your hair?" "I dyed it." "Dyed it! Dyed your hair! Anne Shirley, | home this afternoon and look after things. I must say, with all her faults, I never found her disobedient or untrustworthy before and I'm real sorry to find her so now." "Well now, I dunno," said Matthew, who, being patient and wise and, above all, hungry, had deemed it best to let Marilla talk her wrath out unhindered, having learned by experience that she got through with whatever work was on hand much quicker if not delayed by untimely argument. "Perhaps you're judging her too hasty, Marilla. Don't call her untrustworthy until you're sure she has disobeyed you. Mebbe it can all be explained--Anne's a great hand at explaining." "She's not here when I told her to stay," retorted Marilla. "I reckon she'll find it hard to explain _that_ to my satisfaction. Of course I knew you'd take her part, Matthew. But I'm bringing her up, not you." It was dark when supper was ready, and still no sign of Anne, coming hurriedly over the log bridge or up Lover's Lane, breathless and repentant with a sense of neglected duties. Marilla washed and put away the dishes grimly. Then, wanting a candle to light her way down the cellar, she went up to the east gable for the one that generally stood on Anne's table. Lighting it, she turned around to see Anne herself lying on the bed, face downward among the pillows. "Mercy on us," said astonished Marilla, "have you been asleep, Anne?" "No," was the muffled reply. "Are you sick then?" demanded Marilla anxiously, going over to the bed. Anne cowered deeper into her pillows as if desirous of hiding herself forever from mortal eyes. "No. But please, Marilla, go away and don't look at me. I'm in the depths of despair and I don't care who gets head in class or writes the best composition or sings in the Sunday-school choir any more. Little things like that are of no importance now because I don't suppose I'll ever be able to go anywhere again. My career is closed. Please, Marilla, go away and don't look at me." "Did anyone ever hear the like?" the mystified Marilla wanted to know. "Anne Shirley, whatever is the matter with you? What have you done? Get right up this minute and tell me. This minute, I say. There now, what is it?" Anne had slid to the floor in despairing obedience.<|quote|>"Look at my hair, Marilla,"</|quote|>she whispered. Accordingly, Marilla lifted her candle and looked scrutinizingly at Anne's hair, flowing in heavy masses down her back. It certainly had a very strange appearance. "Anne Shirley, what have you done to your hair? Why, it's _green!_" Green it might be called, if it were any earthly color--a queer, dull, bronzy green, with streaks here and there of the original red to heighten the ghastly effect. Never in all her life had Marilla seen anything so grotesque as Anne's hair at that moment. "Yes, it's green," moaned Anne. "I thought nothing could be as bad as red hair. But now I know it's ten times worse to have green hair. Oh, Marilla, you little know how utterly wretched I am." "I little know how you got into this fix, but I mean to find out," said Marilla. "Come right down to the kitchen--it's too cold up here--and tell me just what you've done. I've been expecting something queer for some time. You haven't got into any scrape for over two months, and I was sure another one was due. Now, then, what did you do to your hair?" "I dyed it." "Dyed it! Dyed your hair! Anne Shirley, didn't you know it was a wicked thing to do?" "Yes, I knew it was a little wicked," admitted Anne. "But I thought it was worth while to be a little wicked to get rid of red hair. I counted the cost, Marilla. Besides, I meant to be extra good in other ways to make up for it." "Well," said Marilla sarcastically, "if I'd decided it was worth while to dye my hair I'd have dyed it a decent color at least. I wouldn't have dyed it green." "But I didn't mean to dye it green, Marilla," protested Anne dejectedly. "If I was wicked I meant to be wicked to some purpose. He said it would turn my hair a beautiful raven black--he positively assured me that it would. How could I doubt his word, Marilla? I know what it feels like to have your word doubted. And Mrs. Allan says we should never suspect anyone of not telling us the truth unless we have proof that they're not. I have proof now--green hair is proof enough for anybody. But I hadn't then and I believed every word he said _implicitly_." "Who said? Who are you talking about?" "The peddler | step was lighter and swifter because of its deep, primal gladness. Her eyes dwelt affectionately on Green Gables, peering through its network of trees and reflecting the sunlight back from its windows in several little coruscations of glory. Marilla, as she picked her steps along the damp lane, thought that it was really a satisfaction to know that she was going home to a briskly snapping wood fire and a table nicely spread for tea, instead of to the cold comfort of old Aid meeting evenings before Anne had come to Green Gables. Consequently, when Marilla entered her kitchen and found the fire black out, with no sign of Anne anywhere, she felt justly disappointed and irritated. She had told Anne to be sure and have tea ready at five o'clock, but now she must hurry to take off her second-best dress and prepare the meal herself against Matthew's return from plowing. "I'll settle Miss Anne when she comes home," said Marilla grimly, as she shaved up kindlings with a carving knife and with more vim than was strictly necessary. Matthew had come in and was waiting patiently for his tea in his corner. "She's gadding off somewhere with Diana, writing stories or practicing dialogues or some such tomfoolery, and never thinking once about the time or her duties. She's just got to be pulled up short and sudden on this sort of thing. I don't care if Mrs. Allan does say she's the brightest and sweetest child she ever knew. She may be bright and sweet enough, but her head is full of nonsense and there's never any knowing what shape it'll break out in next. Just as soon as she grows out of one freak she takes up with another. But there! Here I am saying the very thing I was so riled with Rachel Lynde for saying at the Aid today. I was real glad when Mrs. Allan spoke up for Anne, for if she hadn't I know I'd have said something too sharp to Rachel before everybody. Anne's got plenty of faults, goodness knows, and far be it from me to deny it. But I'm bringing her up and not Rachel Lynde, who'd pick faults in the Angel Gabriel himself if he lived in Avonlea. Just the same, Anne has no business to leave the house like this when I told her she was to stay home this afternoon and look after things. I must say, with all her faults, I never found her disobedient or untrustworthy before and I'm real sorry to find her so now." "Well now, I dunno," said Matthew, who, being patient and wise and, above all, hungry, had deemed it best to let Marilla talk her wrath out unhindered, having learned by experience that she got through with whatever work was on hand much quicker if not delayed by untimely argument. "Perhaps you're judging her too hasty, Marilla. Don't call her untrustworthy until you're sure she has disobeyed you. Mebbe it can all be explained--Anne's a great hand at explaining." "She's not here when I told her to stay," retorted Marilla. "I reckon she'll find it hard to explain _that_ to my satisfaction. Of course I knew you'd take her part, Matthew. But I'm bringing her up, not you." It was dark when supper was ready, and still no sign of Anne, coming hurriedly over the log bridge or up Lover's Lane, breathless and repentant with a sense of neglected duties. Marilla washed and put away the dishes grimly. Then, wanting a candle to light her way down the cellar, she went up to the east gable for the one that generally stood on Anne's table. Lighting it, she turned around to see Anne herself lying on the bed, face downward among the pillows. "Mercy on us," said astonished Marilla, "have you been asleep, Anne?" "No," was the muffled reply. "Are you sick then?" demanded Marilla anxiously, going over to the bed. Anne cowered deeper into her pillows as if desirous of hiding herself forever from mortal eyes. "No. But please, Marilla, go away and don't look at me. I'm in the depths of despair and I don't care who gets head in class or writes the best composition or sings in the Sunday-school choir any more. Little things like that are of no importance now because I don't suppose I'll ever be able to go anywhere again. My career is closed. Please, Marilla, go away and don't look at me." "Did anyone ever hear the like?" the mystified Marilla wanted to know. "Anne Shirley, whatever is the matter with you? What have you done? Get right up this minute and tell me. This minute, I say. There now, what is it?" Anne had slid to the floor in despairing obedience.<|quote|>"Look at my hair, Marilla,"</|quote|>she whispered. Accordingly, Marilla lifted her candle and looked scrutinizingly at Anne's hair, flowing in heavy masses down her back. It certainly had a very strange appearance. "Anne Shirley, what have you done to your hair? Why, it's _green!_" Green it might be called, if it were any earthly color--a queer, dull, bronzy green, with streaks here and there of the original red to heighten the ghastly effect. Never in all her life had Marilla seen anything so grotesque as Anne's hair at that moment. "Yes, it's green," moaned Anne. "I thought nothing could be as bad as red hair. But now I know it's ten times worse to have green hair. Oh, Marilla, you little know how utterly wretched I am." "I little know how you got into this fix, but I mean to find out," said Marilla. "Come right down to the kitchen--it's too cold up here--and tell me just what you've done. I've been expecting something queer for some time. You haven't got into any scrape for over two months, and I was sure another one was due. Now, then, what did you do to your hair?" "I dyed it." "Dyed it! Dyed your hair! Anne Shirley, didn't you know it was a wicked thing to do?" "Yes, I knew it was a little wicked," admitted Anne. "But I thought it was worth while to be a little wicked to get rid of red hair. I counted the cost, Marilla. Besides, I meant to be extra good in other ways to make up for it." "Well," said Marilla sarcastically, "if I'd decided it was worth while to dye my hair I'd have dyed it a decent color at least. I wouldn't have dyed it green." "But I didn't mean to dye it green, Marilla," protested Anne dejectedly. "If I was wicked I meant to be wicked to some purpose. He said it would turn my hair a beautiful raven black--he positively assured me that it would. How could I doubt his word, Marilla? I know what it feels like to have your word doubted. And Mrs. Allan says we should never suspect anyone of not telling us the truth unless we have proof that they're not. I have proof now--green hair is proof enough for anybody. But I hadn't then and I believed every word he said _implicitly_." "Who said? Who are you talking about?" "The peddler that was here this afternoon. I bought the dye from him." "Anne Shirley, how often have I told you never to let one of those Italians in the house! I don't believe in encouraging them to come around at all." "Oh, I didn't let him in the house. I remembered what you told me, and I went out, carefully shut the door, and looked at his things on the step. Besides, he wasn't an Italian--he was a German Jew. He had a big box full of very interesting things and he told me he was working hard to make enough money to bring his wife and children out from Germany. He spoke so feelingly about them that it touched my heart. I wanted to buy something from him to help him in such a worthy object. Then all at once I saw the bottle of hair dye. The peddler said it was warranted to dye any hair a beautiful raven black and wouldn't wash off. In a trice I saw myself with beautiful raven-black hair and the temptation was irresistible. But the price of the bottle was seventy-five cents and I had only fifty cents left out of my chicken money. I think the peddler had a very kind heart, for he said that, seeing it was me, he'd sell it for fifty cents and that was just giving it away. So I bought it, and as soon as he had gone I came up here and applied it with an old hairbrush as the directions said. I used up the whole bottle, and oh, Marilla, when I saw the dreadful color it turned my hair I repented of being wicked, I can tell you. And I've been repenting ever since." "Well, I hope you'll repent to good purpose," said Marilla severely, "and that you've got your eyes opened to where your vanity has led you, Anne. Goodness knows what's to be done. I suppose the first thing is to give your hair a good washing and see if that will do any good." Accordingly, Anne washed her hair, scrubbing it vigorously with soap and water, but for all the difference it made she might as well have been scouring its original red. The peddler had certainly spoken the truth when he declared that the dye wouldn't wash off, however his veracity might be impeached in other respects. "Oh, Marilla, | talk her wrath out unhindered, having learned by experience that she got through with whatever work was on hand much quicker if not delayed by untimely argument. "Perhaps you're judging her too hasty, Marilla. Don't call her untrustworthy until you're sure she has disobeyed you. Mebbe it can all be explained--Anne's a great hand at explaining." "She's not here when I told her to stay," retorted Marilla. "I reckon she'll find it hard to explain _that_ to my satisfaction. Of course I knew you'd take her part, Matthew. But I'm bringing her up, not you." It was dark when supper was ready, and still no sign of Anne, coming hurriedly over the log bridge or up Lover's Lane, breathless and repentant with a sense of neglected duties. Marilla washed and put away the dishes grimly. Then, wanting a candle to light her way down the cellar, she went up to the east gable for the one that generally stood on Anne's table. Lighting it, she turned around to see Anne herself lying on the bed, face downward among the pillows. "Mercy on us," said astonished Marilla, "have you been asleep, Anne?" "No," was the muffled reply. "Are you sick then?" demanded Marilla anxiously, going over to the bed. Anne cowered deeper into her pillows as if desirous of hiding herself forever from mortal eyes. "No. But please, Marilla, go away and don't look at me. I'm in the depths of despair and I don't care who gets head in class or writes the best composition or sings in the Sunday-school choir any more. Little things like that are of no importance now because I don't suppose I'll ever be able to go anywhere again. My career is closed. Please, Marilla, go away and don't look at me." "Did anyone ever hear the like?" the mystified Marilla wanted to know. "Anne Shirley, whatever is the matter with you? What have you done? Get right up this minute and tell me. This minute, I say. There now, what is it?" Anne had slid to the floor in despairing obedience.<|quote|>"Look at my hair, Marilla,"</|quote|>she whispered. Accordingly, Marilla lifted her candle and looked scrutinizingly at Anne's hair, flowing in heavy masses down her back. It certainly had a very strange appearance. "Anne Shirley, what have you done to your hair? Why, it's _green!_" Green it might be called, if it were any earthly color--a queer, dull, bronzy green, with streaks here and there of the original red to heighten the ghastly effect. Never in all her life had Marilla seen anything so grotesque as Anne's hair at that moment. "Yes, it's green," moaned Anne. "I thought nothing could be as bad as red hair. But now I know it's ten times worse to have green hair. Oh, Marilla, you little know how utterly wretched I am." "I little know how you got into this fix, but I mean to find out," said Marilla. "Come right down to the kitchen--it's too cold up here--and tell me just what you've done. I've been expecting something queer for some time. You haven't got into any scrape for over two months, and I was sure another one was due. Now, then, what did you do to your hair?" "I dyed it." "Dyed it! Dyed your hair! Anne Shirley, didn't you know it was a wicked thing to do?" "Yes, I knew it was a little wicked," admitted Anne. "But I thought it was worth while to be a little wicked to get rid of red hair. I counted the cost, Marilla. Besides, I meant to be extra good in other ways to make up for it." "Well," said Marilla sarcastically, "if I'd decided it was worth while to dye my hair I'd have dyed it a decent color at least. I wouldn't have dyed it green." "But I didn't mean to dye it green, Marilla," protested Anne dejectedly. "If I was wicked I meant to be wicked to some purpose. He said it would turn my hair a beautiful raven black--he positively assured me that it would. How could I doubt his word, Marilla? I know what it feels like to have your word doubted. And Mrs. Allan says we should never suspect anyone of not telling us the truth unless we have proof that they're not. I have proof now--green hair is proof enough for anybody. But I hadn't then and I believed every word he said _implicitly_." "Who said? Who are you talking about?" "The peddler that was here this afternoon. I bought the dye from him." "Anne Shirley, how often have I told you never to let one of those Italians in the house! I don't believe in encouraging them to come around at all." "Oh, I didn't let him in the house. I remembered what you told me, and I went out, carefully shut the door, and looked at his things on the step. Besides, he wasn't an Italian--he was a German Jew. He had a big box full of very interesting things and he told me he was working hard to make enough money to bring his wife and children out from Germany. He spoke so feelingly about them that it touched my heart. I wanted to buy something from him to help him in such a worthy object. Then all at once I saw the bottle of hair dye. The peddler said it was warranted to dye any hair a beautiful raven black and wouldn't wash off. In a trice I saw myself with beautiful raven-black | Anne Of Green Gables | "Did anyone ever hear the like?" the mystified Marilla wanted to know. "Anne Shirley, whatever is the matter with you? What have you done? Get right up this minute and tell me. This minute, I say. There now, what is it?" Anne had slid to the floor in despairing obedience.<|quote|>"Look at my hair, Marilla,"</|quote|>she whispered. Accordingly, Marilla lifted her candle and looked scrutinizingly at Anne's hair, flowing in heavy masses down her back. It certainly had a very strange appearance. "Anne Shirley, what have you done to your hair? Why, it's _green!_" Green it might be called, if it were any earthly color--a | {
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"content": "\"Did anyone ever hear the like?\" the mystified Marilla wanted to know. \"Anne Shirley, whatever is the matter with you? What have you done? Get right up this minute and tell me. This minute, I say. There now, what is it?\" Anne had slid to the floor in despairing obedience.<|quote|>\"Look at my hair, Marilla,\"</|quote|>she whispered. Accordingly, Marilla lifted her candle and looked scrutinizingly at Anne's hair, flowing in heavy masses down her back. It certainly had a very strange appearance. \"Anne Shirley, what have you done to your hair? Why, it's _green!_\" Green it might be called, if it were any earthly color--a",
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"It won't be a bit the same. Miss Stacy won't be there, nor you nor Jane nor Ruby probably. I shall have to sit all alone, for I couldn't bear to have another deskmate after you. Oh, we have had jolly times, haven't we, Anne? It's dreadful to think they're all over." | Diana Barry | have good luck, that is."<|quote|>"It won't be a bit the same. Miss Stacy won't be there, nor you nor Jane nor Ruby probably. I shall have to sit all alone, for I couldn't bear to have another deskmate after you. Oh, we have had jolly times, haven't we, Anne? It's dreadful to think they're all over."</|quote|>Two big tears rolled down | dear old school forever--if I have good luck, that is."<|quote|>"It won't be a bit the same. Miss Stacy won't be there, nor you nor Jane nor Ruby probably. I shall have to sit all alone, for I couldn't bear to have another deskmate after you. Oh, we have had jolly times, haven't we, Anne? It's dreadful to think they're all over."</|quote|>Two big tears rolled down by Diana's nose. "If you | of everything, doesn't it?" she said dismally. "You oughtn't to feel half as badly as I do," said Anne, hunting vainly for a dry spot on her handkerchief. "You'll be back again next winter, but I suppose I've left the dear old school forever--if I have good luck, that is."<|quote|>"It won't be a bit the same. Miss Stacy won't be there, nor you nor Jane nor Ruby probably. I shall have to sit all alone, for I couldn't bear to have another deskmate after you. Oh, we have had jolly times, haven't we, Anne? It's dreadful to think they're all over."</|quote|>Two big tears rolled down by Diana's nose. "If you would stop crying I could," said Anne imploringly. ""Just as soon as I put away my hanky I see you brimming up and that starts me off again. As Mrs. Lynde says," ?If you can't be cheerful, be as cheerful | to the fact that Miss Stacy's farewell words must have been quite as touching as Mr. Phillips's had been under similar circumstances three years before. Diana looked back at the schoolhouse from the foot of the spruce hill and sighed deeply. "It does seem as if it was the end of everything, doesn't it?" she said dismally. "You oughtn't to feel half as badly as I do," said Anne, hunting vainly for a dry spot on her handkerchief. "You'll be back again next winter, but I suppose I've left the dear old school forever--if I have good luck, that is."<|quote|>"It won't be a bit the same. Miss Stacy won't be there, nor you nor Jane nor Ruby probably. I shall have to sit all alone, for I couldn't bear to have another deskmate after you. Oh, we have had jolly times, haven't we, Anne? It's dreadful to think they're all over."</|quote|>Two big tears rolled down by Diana's nose. "If you would stop crying I could," said Anne imploringly. ""Just as soon as I put away my hanky I see you brimming up and that starts me off again. As Mrs. Lynde says," ?If you can't be cheerful, be as cheerful as you can.' "After all, I dare say I'll be back next year. This is one of the times I _know_ I'm not going to pass. They're getting alarmingly frequent." "Why, you came out splendidly in the exams Miss Stacy gave." "Yes, but those exams didn't make me nervous. When | witcheries of the spring world, the beckoning day of breeze and blue, and the green things upspringing in the garden, buried herself resolutely in her book. There would be other springs, but if she did not succeed in passing the Entrance, Anne felt convinced that she would never recover sufficiently to enjoy them. CHAPTER XXXII. The Pass List Is Out |WITH the end of June came the close of the term and the close of Miss Stacy's rule in Avonlea school. Anne and Diana walked home that evening feeling very sober indeed. Red eyes and damp handkerchiefs bore convincing testimony to the fact that Miss Stacy's farewell words must have been quite as touching as Mr. Phillips's had been under similar circumstances three years before. Diana looked back at the schoolhouse from the foot of the spruce hill and sighed deeply. "It does seem as if it was the end of everything, doesn't it?" she said dismally. "You oughtn't to feel half as badly as I do," said Anne, hunting vainly for a dry spot on her handkerchief. "You'll be back again next winter, but I suppose I've left the dear old school forever--if I have good luck, that is."<|quote|>"It won't be a bit the same. Miss Stacy won't be there, nor you nor Jane nor Ruby probably. I shall have to sit all alone, for I couldn't bear to have another deskmate after you. Oh, we have had jolly times, haven't we, Anne? It's dreadful to think they're all over."</|quote|>Two big tears rolled down by Diana's nose. "If you would stop crying I could," said Anne imploringly. ""Just as soon as I put away my hanky I see you brimming up and that starts me off again. As Mrs. Lynde says," ?If you can't be cheerful, be as cheerful as you can.' "After all, I dare say I'll be back next year. This is one of the times I _know_ I'm not going to pass. They're getting alarmingly frequent." "Why, you came out splendidly in the exams Miss Stacy gave." "Yes, but those exams didn't make me nervous. When I think of the real thing you can't imagine what a horrid cold fluttery feeling comes round my heart. And then my number is thirteen and Josie Pye says it's so unlucky. I am _not_ superstitious and I know it can make no difference. But still I wish it wasn't thirteen." "I do wish I was going in with you," said Diana. "Wouldn't we have a perfectly elegant time? But I suppose you'll have to cram in the evenings." "No; Miss Stacy has made us promise not to open a book at all. She says it would only tire and | I think I'll be all right--and then I get horribly afraid. We've studied hard and Miss Stacy has drilled us thoroughly, but we mayn't get through for all that. We've each got a stumbling block. Mine is geometry of course, and Jane's is Latin, and Ruby and Charlie's is algebra, and Josie's is arithmetic. Moody Spurgeon says he feels it in his bones that he is going to fail in English history. Miss Stacy is going to give us examinations in June just as hard as we'll have at the Entrance and mark us just as strictly, so we'll have some idea. I wish it was all over, Marilla. It haunts me. Sometimes I wake up in the night and wonder what I'll do if I don't pass." "Why, go to school next year and try again," said Marilla unconcernedly. "Oh, I don't believe I'd have the heart for it. It would be such a disgrace to fail, especially if Gil--if the others passed. And I get so nervous in an examination that I'm likely to make a mess of it. I wish I had nerves like Jane Andrews. Nothing rattles her." Anne sighed and, dragging her eyes from the witcheries of the spring world, the beckoning day of breeze and blue, and the green things upspringing in the garden, buried herself resolutely in her book. There would be other springs, but if she did not succeed in passing the Entrance, Anne felt convinced that she would never recover sufficiently to enjoy them. CHAPTER XXXII. The Pass List Is Out |WITH the end of June came the close of the term and the close of Miss Stacy's rule in Avonlea school. Anne and Diana walked home that evening feeling very sober indeed. Red eyes and damp handkerchiefs bore convincing testimony to the fact that Miss Stacy's farewell words must have been quite as touching as Mr. Phillips's had been under similar circumstances three years before. Diana looked back at the schoolhouse from the foot of the spruce hill and sighed deeply. "It does seem as if it was the end of everything, doesn't it?" she said dismally. "You oughtn't to feel half as badly as I do," said Anne, hunting vainly for a dry spot on her handkerchief. "You'll be back again next winter, but I suppose I've left the dear old school forever--if I have good luck, that is."<|quote|>"It won't be a bit the same. Miss Stacy won't be there, nor you nor Jane nor Ruby probably. I shall have to sit all alone, for I couldn't bear to have another deskmate after you. Oh, we have had jolly times, haven't we, Anne? It's dreadful to think they're all over."</|quote|>Two big tears rolled down by Diana's nose. "If you would stop crying I could," said Anne imploringly. ""Just as soon as I put away my hanky I see you brimming up and that starts me off again. As Mrs. Lynde says," ?If you can't be cheerful, be as cheerful as you can.' "After all, I dare say I'll be back next year. This is one of the times I _know_ I'm not going to pass. They're getting alarmingly frequent." "Why, you came out splendidly in the exams Miss Stacy gave." "Yes, but those exams didn't make me nervous. When I think of the real thing you can't imagine what a horrid cold fluttery feeling comes round my heart. And then my number is thirteen and Josie Pye says it's so unlucky. I am _not_ superstitious and I know it can make no difference. But still I wish it wasn't thirteen." "I do wish I was going in with you," said Diana. "Wouldn't we have a perfectly elegant time? But I suppose you'll have to cram in the evenings." "No; Miss Stacy has made us promise not to open a book at all. She says it would only tire and confuse us and we are to go out walking and not think about the exams at all and go to bed early. It's good advice, but I expect it will be hard to follow; good advice is apt to be, I think. Prissy Andrews told me that she sat up half the night every night of her Entrance week and crammed for dear life; and I had determined to sit up _at least_ as long as she did. It was so kind of your Aunt Josephine to ask me to stay at Beechwood while I'm in town." "You'll write to me while you're in, won't you?" "I'll write Tuesday night and tell you how the first day goes," promised Anne. "I'll be haunting the post office Wednesday," vowed Diana. Anne went to town the following Monday and on Wednesday Diana haunted the post office, as agreed, and got her letter. "Dearest Diana" [wrote Anne], "Here it is Tuesday night and I'm writing this in the library at Beechwood. Last night I was horribly lonesome all alone in my room and wished so much you were with me. I couldn't ?cram' because I'd promised Miss Stacy not to, but it was | half as many big words. What has come over you?" Anne colored and laughed a little, as she dropped her book and looked dreamily out of the window, where big fat red buds were bursting out on the creeper in response to the lure of the spring sunshine. "I don't know--I don't want to talk as much," she said, denting her chin thoughtfully with her forefinger. "It's nicer to think dear, pretty thoughts and keep them in one's heart, like treasures. I don't like to have them laughed at or wondered over. And somehow I don't want to use big words any more. It's almost a pity, isn't it, now that I'm really growing big enough to say them if I did want to. It's fun to be almost grown up in some ways, but it's not the kind of fun I expected, Marilla. There's so much to learn and do and think that there isn't time for big words. Besides, Miss Stacy says the short ones are much stronger and better. She makes us write all our essays as simply as possible. It was hard at first. I was so used to crowding in all the fine big words I could think of--and I thought of any number of them. But I've got used to it now and I see it's so much better." "What has become of your story club? I haven't heard you speak of it for a long time." "The story club isn't in existence any longer. We hadn't time for it--and anyhow I think we had got tired of it. It was silly to be writing about love and murder and elopements and mysteries. Miss Stacy sometimes has us write a story for training in composition, but she won't let us write anything but what might happen in Avonlea in our own lives, and she criticizes it very sharply and makes us criticize our own too. I never thought my compositions had so many faults until I began to look for them myself. I felt so ashamed I wanted to give up altogether, but Miss Stacy said I could learn to write well if I only trained myself to be my own severest critic. And so I am trying to." "You've only two more months before the Entrance," said Marilla. "Do you think you'll be able to get through?" Anne shivered. "I don't know. Sometimes I think I'll be all right--and then I get horribly afraid. We've studied hard and Miss Stacy has drilled us thoroughly, but we mayn't get through for all that. We've each got a stumbling block. Mine is geometry of course, and Jane's is Latin, and Ruby and Charlie's is algebra, and Josie's is arithmetic. Moody Spurgeon says he feels it in his bones that he is going to fail in English history. Miss Stacy is going to give us examinations in June just as hard as we'll have at the Entrance and mark us just as strictly, so we'll have some idea. I wish it was all over, Marilla. It haunts me. Sometimes I wake up in the night and wonder what I'll do if I don't pass." "Why, go to school next year and try again," said Marilla unconcernedly. "Oh, I don't believe I'd have the heart for it. It would be such a disgrace to fail, especially if Gil--if the others passed. And I get so nervous in an examination that I'm likely to make a mess of it. I wish I had nerves like Jane Andrews. Nothing rattles her." Anne sighed and, dragging her eyes from the witcheries of the spring world, the beckoning day of breeze and blue, and the green things upspringing in the garden, buried herself resolutely in her book. There would be other springs, but if she did not succeed in passing the Entrance, Anne felt convinced that she would never recover sufficiently to enjoy them. CHAPTER XXXII. The Pass List Is Out |WITH the end of June came the close of the term and the close of Miss Stacy's rule in Avonlea school. Anne and Diana walked home that evening feeling very sober indeed. Red eyes and damp handkerchiefs bore convincing testimony to the fact that Miss Stacy's farewell words must have been quite as touching as Mr. Phillips's had been under similar circumstances three years before. Diana looked back at the schoolhouse from the foot of the spruce hill and sighed deeply. "It does seem as if it was the end of everything, doesn't it?" she said dismally. "You oughtn't to feel half as badly as I do," said Anne, hunting vainly for a dry spot on her handkerchief. "You'll be back again next winter, but I suppose I've left the dear old school forever--if I have good luck, that is."<|quote|>"It won't be a bit the same. Miss Stacy won't be there, nor you nor Jane nor Ruby probably. I shall have to sit all alone, for I couldn't bear to have another deskmate after you. Oh, we have had jolly times, haven't we, Anne? It's dreadful to think they're all over."</|quote|>Two big tears rolled down by Diana's nose. "If you would stop crying I could," said Anne imploringly. ""Just as soon as I put away my hanky I see you brimming up and that starts me off again. As Mrs. Lynde says," ?If you can't be cheerful, be as cheerful as you can.' "After all, I dare say I'll be back next year. This is one of the times I _know_ I'm not going to pass. They're getting alarmingly frequent." "Why, you came out splendidly in the exams Miss Stacy gave." "Yes, but those exams didn't make me nervous. When I think of the real thing you can't imagine what a horrid cold fluttery feeling comes round my heart. And then my number is thirteen and Josie Pye says it's so unlucky. I am _not_ superstitious and I know it can make no difference. But still I wish it wasn't thirteen." "I do wish I was going in with you," said Diana. "Wouldn't we have a perfectly elegant time? But I suppose you'll have to cram in the evenings." "No; Miss Stacy has made us promise not to open a book at all. She says it would only tire and confuse us and we are to go out walking and not think about the exams at all and go to bed early. It's good advice, but I expect it will be hard to follow; good advice is apt to be, I think. Prissy Andrews told me that she sat up half the night every night of her Entrance week and crammed for dear life; and I had determined to sit up _at least_ as long as she did. It was so kind of your Aunt Josephine to ask me to stay at Beechwood while I'm in town." "You'll write to me while you're in, won't you?" "I'll write Tuesday night and tell you how the first day goes," promised Anne. "I'll be haunting the post office Wednesday," vowed Diana. Anne went to town the following Monday and on Wednesday Diana haunted the post office, as agreed, and got her letter. "Dearest Diana" [wrote Anne], "Here it is Tuesday night and I'm writing this in the library at Beechwood. Last night I was horribly lonesome all alone in my room and wished so much you were with me. I couldn't ?cram' because I'd promised Miss Stacy not to, but it was as hard to keep from opening my history as it used to be to keep from reading a story before my lessons were learned." "This morning Miss Stacy came for me and we went to the Academy, calling for Jane and Ruby and Josie on our way. Ruby asked me to feel her hands and they were as cold as ice. Josie said I looked as if I hadn't slept a wink and she didn't believe I was strong enough to stand the grind of the teacher's course even if I did get through. There are times and seasons even yet when I don't feel that I've made any great headway in learning to like Josie Pye!" "When we reached the Academy there were scores of students there from all over the Island. The first person we saw was Moody Spurgeon sitting on the steps and muttering away to himself. Jane asked him what on earth he was doing and he said he was repeating the multiplication table over and over to steady his nerves and for pity's sake not to interrupt him, because if he stopped for a moment he got frightened and forgot everything he ever knew, but the multiplication table kept all his facts firmly in their proper place!" "When we were assigned to our rooms Miss Stacy had to leave us. Jane and I sat together and Jane was so composed that I envied her. No need of the multiplication table for good, steady, sensible Jane! I wondered if I looked as I felt and if they could hear my heart thumping clear across the room. Then a man came in and began distributing the English examination sheets. My hands grew cold then and my head fairly whirled around as I picked it up. Just one awful moment--Diana, I felt exactly as I did four years ago when I asked Marilla if I might stay at Green Gables--and then everything cleared up in my mind and my heart began beating again--I forgot to say that it had stopped altogether!--for I knew I could do something with _that_ paper anyhow." "At noon we went home for dinner and then back again for history in the afternoon. The history was a pretty hard paper and I got dreadfully mixed up in the dates. Still, I think I did fairly well today. But oh, Diana, tomorrow the geometry exam | It was silly to be writing about love and murder and elopements and mysteries. Miss Stacy sometimes has us write a story for training in composition, but she won't let us write anything but what might happen in Avonlea in our own lives, and she criticizes it very sharply and makes us criticize our own too. I never thought my compositions had so many faults until I began to look for them myself. I felt so ashamed I wanted to give up altogether, but Miss Stacy said I could learn to write well if I only trained myself to be my own severest critic. And so I am trying to." "You've only two more months before the Entrance," said Marilla. "Do you think you'll be able to get through?" Anne shivered. "I don't know. Sometimes I think I'll be all right--and then I get horribly afraid. We've studied hard and Miss Stacy has drilled us thoroughly, but we mayn't get through for all that. We've each got a stumbling block. Mine is geometry of course, and Jane's is Latin, and Ruby and Charlie's is algebra, and Josie's is arithmetic. Moody Spurgeon says he feels it in his bones that he is going to fail in English history. Miss Stacy is going to give us examinations in June just as hard as we'll have at the Entrance and mark us just as strictly, so we'll have some idea. I wish it was all over, Marilla. It haunts me. Sometimes I wake up in the night and wonder what I'll do if I don't pass." "Why, go to school next year and try again," said Marilla unconcernedly. "Oh, I don't believe I'd have the heart for it. It would be such a disgrace to fail, especially if Gil--if the others passed. And I get so nervous in an examination that I'm likely to make a mess of it. I wish I had nerves like Jane Andrews. Nothing rattles her." Anne sighed and, dragging her eyes from the witcheries of the spring world, the beckoning day of breeze and blue, and the green things upspringing in the garden, buried herself resolutely in her book. There would be other springs, but if she did not succeed in passing the Entrance, Anne felt convinced that she would never recover sufficiently to enjoy them. CHAPTER XXXII. The Pass List Is Out |WITH the end of June came the close of the term and the close of Miss Stacy's rule in Avonlea school. Anne and Diana walked home that evening feeling very sober indeed. Red eyes and damp handkerchiefs bore convincing testimony to the fact that Miss Stacy's farewell words must have been quite as touching as Mr. Phillips's had been under similar circumstances three years before. Diana looked back at the schoolhouse from the foot of the spruce hill and sighed deeply. "It does seem as if it was the end of everything, doesn't it?" she said dismally. "You oughtn't to feel half as badly as I do," said Anne, hunting vainly for a dry spot on her handkerchief. "You'll be back again next winter, but I suppose I've left the dear old school forever--if I have good luck, that is."<|quote|>"It won't be a bit the same. Miss Stacy won't be there, nor you nor Jane nor Ruby probably. I shall have to sit all alone, for I couldn't bear to have another deskmate after you. Oh, we have had jolly times, haven't we, Anne? It's dreadful to think they're all over."</|quote|>Two big tears rolled down by Diana's nose. "If you would stop crying I could," said Anne imploringly. ""Just as soon as I put away my hanky I see you brimming up and that starts me off again. As Mrs. Lynde says," ?If you can't be cheerful, be as cheerful as you can.' "After all, I dare say I'll be back next year. This is one of the times I _know_ I'm not going to pass. They're getting alarmingly frequent." "Why, you came out splendidly in the exams Miss Stacy gave." "Yes, but those exams didn't make me nervous. When I think of the real thing you can't imagine what a horrid cold fluttery feeling comes round my heart. And then my number is thirteen and Josie Pye says it's so unlucky. I am _not_ superstitious and I know it can make no difference. But still I wish it wasn't thirteen." "I do wish I was going in with you," said Diana. "Wouldn't we have a perfectly elegant time? But I suppose you'll have to cram in the evenings." "No; Miss Stacy has made us promise not to open a book at all. She says it would only tire and confuse us and we are to go out walking and not think about the exams at all and go to bed early. It's good advice, but I expect it will be hard to follow; good advice is apt to be, I think. Prissy Andrews told me that she sat up half the night every night of her Entrance week and crammed for dear life; and I had determined to sit up _at least_ as | Anne Of Green Gables | of everything, doesn't it?" she said dismally. "You oughtn't to feel half as badly as I do," said Anne, hunting vainly for a dry spot on her handkerchief. "You'll be back again next winter, but I suppose I've left the dear old school forever--if I have good luck, that is."<|quote|>"It won't be a bit the same. Miss Stacy won't be there, nor you nor Jane nor Ruby probably. I shall have to sit all alone, for I couldn't bear to have another deskmate after you. Oh, we have had jolly times, haven't we, Anne? It's dreadful to think they're all over."</|quote|>Two big tears rolled down by Diana's nose. "If you would stop crying I could," said Anne imploringly. ""Just as soon as I put away my hanky I see you brimming up and that starts me off again. As Mrs. Lynde says," ?If you can't be cheerful, be as cheerful | {
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"content": "of everything, doesn't it?\" she said dismally. \"You oughtn't to feel half as badly as I do,\" said Anne, hunting vainly for a dry spot on her handkerchief. \"You'll be back again next winter, but I suppose I've left the dear old school forever--if I have good luck, that is.\"<|quote|>\"It won't be a bit the same. Miss Stacy won't be there, nor you nor Jane nor Ruby probably. I shall have to sit all alone, for I couldn't bear to have another deskmate after you. Oh, we have had jolly times, haven't we, Anne? It's dreadful to think they're all over.\"</|quote|>Two big tears rolled down by Diana's nose. \"If you would stop crying I could,\" said Anne imploringly. \"\"Just as soon as I put away my hanky I see you brimming up and that starts me off again. As Mrs. Lynde says,\" ?If you can't be cheerful, be as cheerful",
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"She's actually delighted when anyone writes her name up in a take-notice for all she pretends to be so mad. But I'm afraid that is an uncharitable speech. Mrs. Allan says we should never make uncharitable speeches; but they do slip out so often before you think, don't they? I simply can't talk about Josie Pye without making an uncharitable speech, so I never mention her at all. You may have noticed that. I'm trying to be as much like Mrs. Allan as I possibly can, for I think she's perfect. Mr. Allan thinks so too. Mrs. Lynde says he just worships the ground she treads on and she doesn't really think it right for a minister to set his affections so much on a mortal being. But then, Diana, even ministers are human and have their besetting sins just like everybody else. I had such an interesting talk with Mrs. Allan about besetting sins last Sunday afternoon. There are just a few things it's proper to talk about on Sundays and that is one of them. My besetting sin is imagining too much and forgetting my duties. I'm striving very hard to overcome it and now that I'm really thirteen perhaps I'll get on better." | Anne Shirley | but beaus," said Anne disdainfully.<|quote|>"She's actually delighted when anyone writes her name up in a take-notice for all she pretends to be so mad. But I'm afraid that is an uncharitable speech. Mrs. Allan says we should never make uncharitable speeches; but they do slip out so often before you think, don't they? I simply can't talk about Josie Pye without making an uncharitable speech, so I never mention her at all. You may have noticed that. I'm trying to be as much like Mrs. Allan as I possibly can, for I think she's perfect. Mr. Allan thinks so too. Mrs. Lynde says he just worships the ground she treads on and she doesn't really think it right for a minister to set his affections so much on a mortal being. But then, Diana, even ministers are human and have their besetting sins just like everybody else. I had such an interesting talk with Mrs. Allan about besetting sins last Sunday afternoon. There are just a few things it's proper to talk about on Sundays and that is one of them. My besetting sin is imagining too much and forgetting my duties. I'm striving very hard to overcome it and now that I'm really thirteen perhaps I'll get on better."</|quote|>"In four more years we'll | "Ruby Gillis thinks of nothing but beaus," said Anne disdainfully.<|quote|>"She's actually delighted when anyone writes her name up in a take-notice for all she pretends to be so mad. But I'm afraid that is an uncharitable speech. Mrs. Allan says we should never make uncharitable speeches; but they do slip out so often before you think, don't they? I simply can't talk about Josie Pye without making an uncharitable speech, so I never mention her at all. You may have noticed that. I'm trying to be as much like Mrs. Allan as I possibly can, for I think she's perfect. Mr. Allan thinks so too. Mrs. Lynde says he just worships the ground she treads on and she doesn't really think it right for a minister to set his affections so much on a mortal being. But then, Diana, even ministers are human and have their besetting sins just like everybody else. I had such an interesting talk with Mrs. Allan about besetting sins last Sunday afternoon. There are just a few things it's proper to talk about on Sundays and that is one of them. My besetting sin is imagining too much and forgetting my duties. I'm striving very hard to overcome it and now that I'm really thirteen perhaps I'll get on better."</|quote|>"In four more years we'll be able to put our | I'll be really grown up. It's a great comfort to think that I'll be able to use big words then without being laughed at." "Ruby Gillis says she means to have a beau as soon as she's fifteen," said Diana. "Ruby Gillis thinks of nothing but beaus," said Anne disdainfully.<|quote|>"She's actually delighted when anyone writes her name up in a take-notice for all she pretends to be so mad. But I'm afraid that is an uncharitable speech. Mrs. Allan says we should never make uncharitable speeches; but they do slip out so often before you think, don't they? I simply can't talk about Josie Pye without making an uncharitable speech, so I never mention her at all. You may have noticed that. I'm trying to be as much like Mrs. Allan as I possibly can, for I think she's perfect. Mr. Allan thinks so too. Mrs. Lynde says he just worships the ground she treads on and she doesn't really think it right for a minister to set his affections so much on a mortal being. But then, Diana, even ministers are human and have their besetting sins just like everybody else. I had such an interesting talk with Mrs. Allan about besetting sins last Sunday afternoon. There are just a few things it's proper to talk about on Sundays and that is one of them. My besetting sin is imagining too much and forgetting my duties. I'm striving very hard to overcome it and now that I'm really thirteen perhaps I'll get on better."</|quote|>"In four more years we'll be able to put our hair up," said Diana. "Alice Bell is only sixteen and she is wearing hers up, but I think that's ridiculous. I shall wait until I'm seventeen." "If I had Alice Bell's crooked nose," said Anne decidedly, "I wouldn't--but there! I | my teens. When I woke this morning it seemed to me that everything must be different. You've been thirteen for a month, so I suppose it doesn't seem such a novelty to you as it does to me. It makes life seem so much more interesting. In two more years I'll be really grown up. It's a great comfort to think that I'll be able to use big words then without being laughed at." "Ruby Gillis says she means to have a beau as soon as she's fifteen," said Diana. "Ruby Gillis thinks of nothing but beaus," said Anne disdainfully.<|quote|>"She's actually delighted when anyone writes her name up in a take-notice for all she pretends to be so mad. But I'm afraid that is an uncharitable speech. Mrs. Allan says we should never make uncharitable speeches; but they do slip out so often before you think, don't they? I simply can't talk about Josie Pye without making an uncharitable speech, so I never mention her at all. You may have noticed that. I'm trying to be as much like Mrs. Allan as I possibly can, for I think she's perfect. Mr. Allan thinks so too. Mrs. Lynde says he just worships the ground she treads on and she doesn't really think it right for a minister to set his affections so much on a mortal being. But then, Diana, even ministers are human and have their besetting sins just like everybody else. I had such an interesting talk with Mrs. Allan about besetting sins last Sunday afternoon. There are just a few things it's proper to talk about on Sundays and that is one of them. My besetting sin is imagining too much and forgetting my duties. I'm striving very hard to overcome it and now that I'm really thirteen perhaps I'll get on better."</|quote|>"In four more years we'll be able to put our hair up," said Diana. "Alice Bell is only sixteen and she is wearing hers up, but I think that's ridiculous. I shall wait until I'm seventeen." "If I had Alice Bell's crooked nose," said Anne decidedly, "I wouldn't--but there! I won't say what I was going to because it was extremely uncharitable. Besides, I was comparing it with my own nose and that's vanity. I'm afraid I think too much about my nose ever since I heard that compliment about it long ago. It really is a great comfort to | and smoothness. The winter weeks slipped by. It was an unusually mild winter, with so little snow that Anne and Diana could go to school nearly every day by way of the Birch Path. On Anne's birthday they were tripping lightly down it, keeping eyes and ears alert amid all their chatter, for Miss Stacy had told them that they must soon write a composition on "A Winter's Walk in the Woods," and it behooved them to be observant. "Just think, Diana, I'm thirteen years old today," remarked Anne in an awed voice. "I can scarcely realize that I'm in my teens. When I woke this morning it seemed to me that everything must be different. You've been thirteen for a month, so I suppose it doesn't seem such a novelty to you as it does to me. It makes life seem so much more interesting. In two more years I'll be really grown up. It's a great comfort to think that I'll be able to use big words then without being laughed at." "Ruby Gillis says she means to have a beau as soon as she's fifteen," said Diana. "Ruby Gillis thinks of nothing but beaus," said Anne disdainfully.<|quote|>"She's actually delighted when anyone writes her name up in a take-notice for all she pretends to be so mad. But I'm afraid that is an uncharitable speech. Mrs. Allan says we should never make uncharitable speeches; but they do slip out so often before you think, don't they? I simply can't talk about Josie Pye without making an uncharitable speech, so I never mention her at all. You may have noticed that. I'm trying to be as much like Mrs. Allan as I possibly can, for I think she's perfect. Mr. Allan thinks so too. Mrs. Lynde says he just worships the ground she treads on and she doesn't really think it right for a minister to set his affections so much on a mortal being. But then, Diana, even ministers are human and have their besetting sins just like everybody else. I had such an interesting talk with Mrs. Allan about besetting sins last Sunday afternoon. There are just a few things it's proper to talk about on Sundays and that is one of them. My besetting sin is imagining too much and forgetting my duties. I'm striving very hard to overcome it and now that I'm really thirteen perhaps I'll get on better."</|quote|>"In four more years we'll be able to put our hair up," said Diana. "Alice Bell is only sixteen and she is wearing hers up, but I think that's ridiculous. I shall wait until I'm seventeen." "If I had Alice Bell's crooked nose," said Anne decidedly, "I wouldn't--but there! I won't say what I was going to because it was extremely uncharitable. Besides, I was comparing it with my own nose and that's vanity. I'm afraid I think too much about my nose ever since I heard that compliment about it long ago. It really is a great comfort to me. Oh, Diana, look, there's a rabbit. That's something to remember for our woods composition. I really think the woods are just as lovely in winter as in summer. They're so white and still, as if they were asleep and dreaming pretty dreams." "I won't mind writing that composition when its time comes," sighed Diana. "I can manage to write about the woods, but the one we're to hand in Monday is terrible. The idea of Miss Stacy telling us to write a story out of our own heads!" "Why, it's as easy as wink," said Anne. "It's easy for | into its old groove and took up its old interests. To be sure, the concert left traces. Ruby Gillis and Emma White, who had quarreled over a point of precedence in their platform seats, no longer sat at the same desk, and a promising friendship of three years was broken up. Josie Pye and Julia Bell did not "speak" for three months, because Josie Pye had told Bessie Wright that Julia Bell's bow when she got up to recite made her think of a chicken jerking its head, and Bessie told Julia. None of the Sloanes would have any dealings with the Bells, because the Bells had declared that the Sloanes had too much to do in the program, and the Sloanes had retorted that the Bells were not capable of doing the little they had to do properly. Finally, Charlie Sloane fought Moody Spurgeon MacPherson, because Moody Spurgeon had said that Anne Shirley put on airs about her recitations, and Moody Spurgeon was "licked"; consequently Moody Spurgeon's sister, Ella May, would not "speak" to Anne Shirley all the rest of the winter. With the exception of these trifling frictions, work in Miss Stacy's little kingdom went on with regularity and smoothness. The winter weeks slipped by. It was an unusually mild winter, with so little snow that Anne and Diana could go to school nearly every day by way of the Birch Path. On Anne's birthday they were tripping lightly down it, keeping eyes and ears alert amid all their chatter, for Miss Stacy had told them that they must soon write a composition on "A Winter's Walk in the Woods," and it behooved them to be observant. "Just think, Diana, I'm thirteen years old today," remarked Anne in an awed voice. "I can scarcely realize that I'm in my teens. When I woke this morning it seemed to me that everything must be different. You've been thirteen for a month, so I suppose it doesn't seem such a novelty to you as it does to me. It makes life seem so much more interesting. In two more years I'll be really grown up. It's a great comfort to think that I'll be able to use big words then without being laughed at." "Ruby Gillis says she means to have a beau as soon as she's fifteen," said Diana. "Ruby Gillis thinks of nothing but beaus," said Anne disdainfully.<|quote|>"She's actually delighted when anyone writes her name up in a take-notice for all she pretends to be so mad. But I'm afraid that is an uncharitable speech. Mrs. Allan says we should never make uncharitable speeches; but they do slip out so often before you think, don't they? I simply can't talk about Josie Pye without making an uncharitable speech, so I never mention her at all. You may have noticed that. I'm trying to be as much like Mrs. Allan as I possibly can, for I think she's perfect. Mr. Allan thinks so too. Mrs. Lynde says he just worships the ground she treads on and she doesn't really think it right for a minister to set his affections so much on a mortal being. But then, Diana, even ministers are human and have their besetting sins just like everybody else. I had such an interesting talk with Mrs. Allan about besetting sins last Sunday afternoon. There are just a few things it's proper to talk about on Sundays and that is one of them. My besetting sin is imagining too much and forgetting my duties. I'm striving very hard to overcome it and now that I'm really thirteen perhaps I'll get on better."</|quote|>"In four more years we'll be able to put our hair up," said Diana. "Alice Bell is only sixteen and she is wearing hers up, but I think that's ridiculous. I shall wait until I'm seventeen." "If I had Alice Bell's crooked nose," said Anne decidedly, "I wouldn't--but there! I won't say what I was going to because it was extremely uncharitable. Besides, I was comparing it with my own nose and that's vanity. I'm afraid I think too much about my nose ever since I heard that compliment about it long ago. It really is a great comfort to me. Oh, Diana, look, there's a rabbit. That's something to remember for our woods composition. I really think the woods are just as lovely in winter as in summer. They're so white and still, as if they were asleep and dreaming pretty dreams." "I won't mind writing that composition when its time comes," sighed Diana. "I can manage to write about the woods, but the one we're to hand in Monday is terrible. The idea of Miss Stacy telling us to write a story out of our own heads!" "Why, it's as easy as wink," said Anne. "It's easy for you because you have an imagination," retorted Diana, "but what would you do if you had been born without one? I suppose you have your composition all done?" Anne nodded, trying hard not to look virtuously complacent and failing miserably. "I wrote it last Monday evening. It's called ?The Jealous Rival; or In Death Not Divided.' I read it to Marilla and she said it was stuff and nonsense. Then I read it to Matthew and he said it was fine. That is the kind of critic I like. It's a sad, sweet story. I just cried like a child while I was writing it. It's about two beautiful maidens called Cordelia Montmorency and Geraldine Seymour who lived in the same village and were devotedly attached to each other. Cordelia was a regal brunette with a coronet of midnight hair and duskly flashing eyes. Geraldine was a queenly blonde with hair like spun gold and velvety purple eyes." "I never saw anybody with purple eyes," said Diana dubiously. "Neither did I. I just imagined them. I wanted something out of the common. Geraldine had an alabaster brow too. I've found out what an alabaster brow is. That is one of | so." "Well now, I was proud of her and I did tell her so ?fore she went upstairs," said Matthew. "We must see what we can do for her some of these days, Marilla. I guess she'll need something more than Avonlea school by and by." "There's time enough to think of that," said Marilla. "She's only thirteen in March. Though tonight it struck me she was growing quite a big girl. Mrs. Lynde made that dress a mite too long, and it makes Anne look so tall. She's quick to learn and I guess the best thing we can do for her will be to send her to Queen's after a spell. But nothing need be said about that for a year or two yet." "Well now, it'll do no harm to be thinking it over off and on," said Matthew. "Things like that are all the better for lots of thinking over." CHAPTER XXVI. The Story Club Is Formed |JUNIOR Avonlea found it hard to settle down to humdrum existence again. To Anne in particular things seemed fearfully flat, stale, and unprofitable after the goblet of excitement she had been sipping for weeks. Could she go back to the former quiet pleasures of those faraway days before the concert? At first, as she told Diana, she did not really think she could. "I'm positively certain, Diana, that life can never be quite the same again as it was in those olden days," she said mournfully, as if referring to a period of at least fifty years back. "Perhaps after a while I'll get used to it, but I'm afraid concerts spoil people for everyday life. I suppose that is why Marilla disapproves of them. Marilla is such a sensible woman. It must be a great deal better to be sensible; but still, I don't believe I'd really want to be a sensible person, because they are so unromantic. Mrs. Lynde says there is no danger of my ever being one, but you can never tell. I feel just now that I may grow up to be sensible yet. But perhaps that is only because I'm tired. I simply couldn't sleep last night for ever so long. I just lay awake and imagined the concert over and over again. That's one splendid thing about such affairs--it's so lovely to look back to them." Eventually, however, Avonlea school slipped back into its old groove and took up its old interests. To be sure, the concert left traces. Ruby Gillis and Emma White, who had quarreled over a point of precedence in their platform seats, no longer sat at the same desk, and a promising friendship of three years was broken up. Josie Pye and Julia Bell did not "speak" for three months, because Josie Pye had told Bessie Wright that Julia Bell's bow when she got up to recite made her think of a chicken jerking its head, and Bessie told Julia. None of the Sloanes would have any dealings with the Bells, because the Bells had declared that the Sloanes had too much to do in the program, and the Sloanes had retorted that the Bells were not capable of doing the little they had to do properly. Finally, Charlie Sloane fought Moody Spurgeon MacPherson, because Moody Spurgeon had said that Anne Shirley put on airs about her recitations, and Moody Spurgeon was "licked"; consequently Moody Spurgeon's sister, Ella May, would not "speak" to Anne Shirley all the rest of the winter. With the exception of these trifling frictions, work in Miss Stacy's little kingdom went on with regularity and smoothness. The winter weeks slipped by. It was an unusually mild winter, with so little snow that Anne and Diana could go to school nearly every day by way of the Birch Path. On Anne's birthday they were tripping lightly down it, keeping eyes and ears alert amid all their chatter, for Miss Stacy had told them that they must soon write a composition on "A Winter's Walk in the Woods," and it behooved them to be observant. "Just think, Diana, I'm thirteen years old today," remarked Anne in an awed voice. "I can scarcely realize that I'm in my teens. When I woke this morning it seemed to me that everything must be different. You've been thirteen for a month, so I suppose it doesn't seem such a novelty to you as it does to me. It makes life seem so much more interesting. In two more years I'll be really grown up. It's a great comfort to think that I'll be able to use big words then without being laughed at." "Ruby Gillis says she means to have a beau as soon as she's fifteen," said Diana. "Ruby Gillis thinks of nothing but beaus," said Anne disdainfully.<|quote|>"She's actually delighted when anyone writes her name up in a take-notice for all she pretends to be so mad. But I'm afraid that is an uncharitable speech. Mrs. Allan says we should never make uncharitable speeches; but they do slip out so often before you think, don't they? I simply can't talk about Josie Pye without making an uncharitable speech, so I never mention her at all. You may have noticed that. I'm trying to be as much like Mrs. Allan as I possibly can, for I think she's perfect. Mr. Allan thinks so too. Mrs. Lynde says he just worships the ground she treads on and she doesn't really think it right for a minister to set his affections so much on a mortal being. But then, Diana, even ministers are human and have their besetting sins just like everybody else. I had such an interesting talk with Mrs. Allan about besetting sins last Sunday afternoon. There are just a few things it's proper to talk about on Sundays and that is one of them. My besetting sin is imagining too much and forgetting my duties. I'm striving very hard to overcome it and now that I'm really thirteen perhaps I'll get on better."</|quote|>"In four more years we'll be able to put our hair up," said Diana. "Alice Bell is only sixteen and she is wearing hers up, but I think that's ridiculous. I shall wait until I'm seventeen." "If I had Alice Bell's crooked nose," said Anne decidedly, "I wouldn't--but there! I won't say what I was going to because it was extremely uncharitable. Besides, I was comparing it with my own nose and that's vanity. I'm afraid I think too much about my nose ever since I heard that compliment about it long ago. It really is a great comfort to me. Oh, Diana, look, there's a rabbit. That's something to remember for our woods composition. I really think the woods are just as lovely in winter as in summer. They're so white and still, as if they were asleep and dreaming pretty dreams." "I won't mind writing that composition when its time comes," sighed Diana. "I can manage to write about the woods, but the one we're to hand in Monday is terrible. The idea of Miss Stacy telling us to write a story out of our own heads!" "Why, it's as easy as wink," said Anne. "It's easy for you because you have an imagination," retorted Diana, "but what would you do if you had been born without one? I suppose you have your composition all done?" Anne nodded, trying hard not to look virtuously complacent and failing miserably. "I wrote it last Monday evening. It's called ?The Jealous Rival; or In Death Not Divided.' I read it to Marilla and she said it was stuff and nonsense. Then I read it to Matthew and he said it was fine. That is the kind of critic I like. It's a sad, sweet story. I just cried like a child while I was writing it. It's about two beautiful maidens called Cordelia Montmorency and Geraldine Seymour who lived in the same village and were devotedly attached to each other. Cordelia was a regal brunette with a coronet of midnight hair and duskly flashing eyes. Geraldine was a queenly blonde with hair like spun gold and velvety purple eyes." "I never saw anybody with purple eyes," said Diana dubiously. "Neither did I. I just imagined them. I wanted something out of the common. Geraldine had an alabaster brow too. I've found out what an alabaster brow is. That is one of the advantages of being thirteen. You know so much more than you did when you were only twelve." "Well, what became of Cordelia and Geraldine?" asked Diana, who was beginning to feel rather interested in their fate. "They grew in beauty side by side until they were sixteen. Then Bertram DeVere came to their native village and fell in love with the fair Geraldine. He saved her life when her horse ran away with her in a carriage, and she fainted in his arms and he carried her home three miles; because, you understand, the carriage was all smashed up. I found it rather hard to imagine the proposal because I had no experience to go by. I asked Ruby Gillis if she knew anything about how men proposed because I thought she'd likely be an authority on the subject, having so many sisters married. Ruby told me she was hid in the hall pantry when Malcolm Andres proposed to her sister Susan. She said Malcolm told Susan that his dad had given him the farm in his own name and then said," ?What do you say, darling pet, if we get hitched this fall?' "And Susan said," ?Yes--no--I don't know--let me see' "--and there they were, engaged as quick as that. But I didn't think that sort of a proposal was a very romantic one, so in the end I had to imagine it out as well as I could. I made it very flowery and poetical and Bertram went on his knees, although Ruby Gillis says it isn't done nowadays. Geraldine accepted him in a speech a page long. I can tell you I took a lot of trouble with that speech. I rewrote it five times and I look upon it as my masterpiece. Bertram gave her a diamond ring and a ruby necklace and told her they would go to Europe for a wedding tour, for he was immensely wealthy. But then, alas, shadows began to darken over their path. Cordelia was secretly in love with Bertram herself and when Geraldine told her about the engagement she was simply furious, especially when she saw the necklace and the diamond ring. All her affection for Geraldine turned to bitter hate and she vowed that she should never marry Bertram. But she pretended to be Geraldine's friend the same as ever. One evening they were standing on the | Moody Spurgeon MacPherson, because Moody Spurgeon had said that Anne Shirley put on airs about her recitations, and Moody Spurgeon was "licked"; consequently Moody Spurgeon's sister, Ella May, would not "speak" to Anne Shirley all the rest of the winter. With the exception of these trifling frictions, work in Miss Stacy's little kingdom went on with regularity and smoothness. The winter weeks slipped by. It was an unusually mild winter, with so little snow that Anne and Diana could go to school nearly every day by way of the Birch Path. On Anne's birthday they were tripping lightly down it, keeping eyes and ears alert amid all their chatter, for Miss Stacy had told them that they must soon write a composition on "A Winter's Walk in the Woods," and it behooved them to be observant. "Just think, Diana, I'm thirteen years old today," remarked Anne in an awed voice. "I can scarcely realize that I'm in my teens. When I woke this morning it seemed to me that everything must be different. You've been thirteen for a month, so I suppose it doesn't seem such a novelty to you as it does to me. It makes life seem so much more interesting. In two more years I'll be really grown up. It's a great comfort to think that I'll be able to use big words then without being laughed at." "Ruby Gillis says she means to have a beau as soon as she's fifteen," said Diana. "Ruby Gillis thinks of nothing but beaus," said Anne disdainfully.<|quote|>"She's actually delighted when anyone writes her name up in a take-notice for all she pretends to be so mad. But I'm afraid that is an uncharitable speech. Mrs. Allan says we should never make uncharitable speeches; but they do slip out so often before you think, don't they? I simply can't talk about Josie Pye without making an uncharitable speech, so I never mention her at all. You may have noticed that. I'm trying to be as much like Mrs. Allan as I possibly can, for I think she's perfect. Mr. Allan thinks so too. Mrs. Lynde says he just worships the ground she treads on and she doesn't really think it right for a minister to set his affections so much on a mortal being. But then, Diana, even ministers are human and have their besetting sins just like everybody else. I had such an interesting talk with Mrs. Allan about besetting sins last Sunday afternoon. There are just a few things it's proper to talk about on Sundays and that is one of them. My besetting sin is imagining too much and forgetting my duties. I'm striving very hard to overcome it and now that I'm really thirteen perhaps I'll get on better."</|quote|>"In four more years we'll be able to put our hair up," said Diana. "Alice Bell is only sixteen and she is wearing hers up, but I think that's ridiculous. I shall wait until I'm seventeen." "If I had Alice Bell's crooked nose," said Anne decidedly, "I wouldn't--but there! I won't say what I was going to because it was extremely uncharitable. Besides, I was comparing it with my own nose and that's vanity. I'm afraid I think too much about my nose ever since I heard that compliment about it long ago. It really is a great comfort to me. Oh, Diana, look, there's a rabbit. That's something to remember for our woods composition. I really think the woods are just as lovely in winter as in summer. They're so white and still, as if they were asleep and dreaming pretty dreams." "I won't mind writing that composition when its time comes," sighed Diana. "I can manage to write about the woods, but the one we're to hand in Monday is terrible. The idea of Miss Stacy telling us to write a story out of our own heads!" "Why, it's as easy as wink," said Anne. "It's easy for you because you have an imagination," retorted Diana, "but what would you do if you had been born without one? I suppose you have your composition all done?" Anne nodded, trying hard not to look virtuously complacent and failing miserably. "I wrote it last Monday evening. It's called ?The Jealous | Anne Of Green Gables | I'll be really grown up. It's a great comfort to think that I'll be able to use big words then without being laughed at." "Ruby Gillis says she means to have a beau as soon as she's fifteen," said Diana. "Ruby Gillis thinks of nothing but beaus," said Anne disdainfully.<|quote|>"She's actually delighted when anyone writes her name up in a take-notice for all she pretends to be so mad. But I'm afraid that is an uncharitable speech. Mrs. Allan says we should never make uncharitable speeches; but they do slip out so often before you think, don't they? I simply can't talk about Josie Pye without making an uncharitable speech, so I never mention her at all. You may have noticed that. I'm trying to be as much like Mrs. Allan as I possibly can, for I think she's perfect. Mr. Allan thinks so too. Mrs. Lynde says he just worships the ground she treads on and she doesn't really think it right for a minister to set his affections so much on a mortal being. But then, Diana, even ministers are human and have their besetting sins just like everybody else. I had such an interesting talk with Mrs. Allan about besetting sins last Sunday afternoon. There are just a few things it's proper to talk about on Sundays and that is one of them. My besetting sin is imagining too much and forgetting my duties. I'm striving very hard to overcome it and now that I'm really thirteen perhaps I'll get on better."</|quote|>"In four more years we'll be able to put our hair up," said Diana. "Alice Bell is only sixteen and she is wearing hers up, but I think that's ridiculous. I shall wait until I'm seventeen." "If I had Alice Bell's crooked nose," said Anne decidedly, "I wouldn't--but there! I | {
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} | Anne Shirley |
"Well, there are a good many smells at present and the bath makes odd sounds and when you turn on the hot tap there's just a rush of air and that's all, and the cold tap keeps dripping and the water is rather brown and the cupboard doors are jammed and the curtains won't pull right across so that the street lamp shines in all night... but it's _lovely_." | Brenda | for me." "What's it like?"<|quote|>"Well, there are a good many smells at present and the bath makes odd sounds and when you turn on the hot tap there's just a rush of air and that's all, and the cold tap keeps dripping and the water is rather brown and the cupboard doors are jammed and the curtains won't pull right across so that the street lamp shines in all night... but it's _lovely_."</|quote|>"You don't say so." "Tony, | sound interested. It's very exciting for me." "What's it like?"<|quote|>"Well, there are a good many smells at present and the bath makes odd sounds and when you turn on the hot tap there's just a rush of air and that's all, and the cold tap keeps dripping and the water is rather brown and the cupboard doors are jammed and the curtains won't pull right across so that the street lamp shines in all night... but it's _lovely_."</|quote|>"You don't say so." "Tony, you must be nice about | perfect working order; everything smelt very new--walls, sheets, curtains--and the new radiators gave off a less agreeable reek of hot iron. That evening as usual she telephoned to Hetton. "I'm talking from the flat." "Oh, ah." "_Darling_, do try to sound interested. It's very exciting for me." "What's it like?"<|quote|>"Well, there are a good many smells at present and the bath makes odd sounds and when you turn on the hot tap there's just a rush of air and that's all, and the cold tap keeps dripping and the water is rather brown and the cupboard doors are jammed and the curtains won't pull right across so that the street lamp shines in all night... but it's _lovely_."</|quote|>"You don't say so." "Tony, you must be nice about it. It's all so exciting--front door and a latch-key and all... And someone sent me a lot of flowers to-day--so many that there's hardly room for them and I've had to put them in the basin on account of having | evening. Sometimes John Andrew spoke to her, too, as shrill as Polly Cockpurse; quite unable to hear her replies. She went to Hetton for the week-end, and then back to London, this time to the flat where the paint was already dry, though the hot water was not yet in perfect working order; everything smelt very new--walls, sheets, curtains--and the new radiators gave off a less agreeable reek of hot iron. That evening as usual she telephoned to Hetton. "I'm talking from the flat." "Oh, ah." "_Darling_, do try to sound interested. It's very exciting for me." "What's it like?"<|quote|>"Well, there are a good many smells at present and the bath makes odd sounds and when you turn on the hot tap there's just a rush of air and that's all, and the cold tap keeps dripping and the water is rather brown and the cupboard doors are jammed and the curtains won't pull right across so that the street lamp shines in all night... but it's _lovely_."</|quote|>"You don't say so." "Tony, you must be nice about it. It's all so exciting--front door and a latch-key and all... And someone sent me a lot of flowers to-day--so many that there's hardly room for them and I've had to put them in the basin on account of having no pots. It wasn't you, was it?" "Yes... as a matter of fact." "Darling, I did so hope it was... how like you." "Three minutes, please." "Must stop now." "When are you coming back?" "Almost at once. Good night, my sweet." "What a lot of talk," said Beaver. All the | this afternoon. Thank you so much." And Beaver, for the first time in his life, found himself a person of interest and, almost, of consequence. Women studied him with a new scrutiny, wondering what they had missed in him; men treated him as an equal, even as a successful fellow competitor. "How on earth has _he_ got away with it?" they may have asked themselves, but now, when he came into Bratt's, they made room for him at the bar and said, "Well, old boy, how about one?" * * * * * Brenda rang up Tony every morning and evening. Sometimes John Andrew spoke to her, too, as shrill as Polly Cockpurse; quite unable to hear her replies. She went to Hetton for the week-end, and then back to London, this time to the flat where the paint was already dry, though the hot water was not yet in perfect working order; everything smelt very new--walls, sheets, curtains--and the new radiators gave off a less agreeable reek of hot iron. That evening as usual she telephoned to Hetton. "I'm talking from the flat." "Oh, ah." "_Darling_, do try to sound interested. It's very exciting for me." "What's it like?"<|quote|>"Well, there are a good many smells at present and the bath makes odd sounds and when you turn on the hot tap there's just a rush of air and that's all, and the cold tap keeps dripping and the water is rather brown and the cupboard doors are jammed and the curtains won't pull right across so that the street lamp shines in all night... but it's _lovely_."</|quote|>"You don't say so." "Tony, you must be nice about it. It's all so exciting--front door and a latch-key and all... And someone sent me a lot of flowers to-day--so many that there's hardly room for them and I've had to put them in the basin on account of having no pots. It wasn't you, was it?" "Yes... as a matter of fact." "Darling, I did so hope it was... how like you." "Three minutes, please." "Must stop now." "When are you coming back?" "Almost at once. Good night, my sweet." "What a lot of talk," said Beaver. All the time that she was speaking, she had been kept busy with one hand warding him off the telephone, which he threatened playfully to disconnect. "Wasn't it sweet of Tony to send those flowers?" "I'm not awfully fond of Tony." "Don't let that worry you, my beauty, he doesn't like you _at all_." "_Doesn't_ he? Why not?" "No one does except me. You must get that clear... it's very odd that _I_ should." * * * * * Beaver and his mother were going to Ireland for Christmas, to stay with cousins. Tony and Brenda had a family party at Hetton: | thrilling no doubt, but straightforward, drawing-room comedy. The choice of Beaver raised the whole escapade into a realm of poetry for Polly and Daisy and Angela and all the gang of gossips. Mrs Beaver made no bones about her delight. "Of course the subject has not been mentioned between John and myself, but if what I hear is true, I think it will do the boy a world of good. Of course he's always been very much in demand and had a great number of friends, but _that isn't the same thing_. I've felt for a long time a Lack of Something in him, and I think that a charming and experienced woman like Brenda Last is just the person to help him. He's got a _very_ affectionate nature, but he's so sensitive that he hardly ever lets it appear... to tell you the truth I felt something of the kind was in the air last week, so I made an excuse to go away for a few days. If I had been there things might never have come to anything. He's very shy and reserved even to me. I'll have the chess-men done up and sent round to you this afternoon. Thank you so much." And Beaver, for the first time in his life, found himself a person of interest and, almost, of consequence. Women studied him with a new scrutiny, wondering what they had missed in him; men treated him as an equal, even as a successful fellow competitor. "How on earth has _he_ got away with it?" they may have asked themselves, but now, when he came into Bratt's, they made room for him at the bar and said, "Well, old boy, how about one?" * * * * * Brenda rang up Tony every morning and evening. Sometimes John Andrew spoke to her, too, as shrill as Polly Cockpurse; quite unable to hear her replies. She went to Hetton for the week-end, and then back to London, this time to the flat where the paint was already dry, though the hot water was not yet in perfect working order; everything smelt very new--walls, sheets, curtains--and the new radiators gave off a less agreeable reek of hot iron. That evening as usual she telephoned to Hetton. "I'm talking from the flat." "Oh, ah." "_Darling_, do try to sound interested. It's very exciting for me." "What's it like?"<|quote|>"Well, there are a good many smells at present and the bath makes odd sounds and when you turn on the hot tap there's just a rush of air and that's all, and the cold tap keeps dripping and the water is rather brown and the cupboard doors are jammed and the curtains won't pull right across so that the street lamp shines in all night... but it's _lovely_."</|quote|>"You don't say so." "Tony, you must be nice about it. It's all so exciting--front door and a latch-key and all... And someone sent me a lot of flowers to-day--so many that there's hardly room for them and I've had to put them in the basin on account of having no pots. It wasn't you, was it?" "Yes... as a matter of fact." "Darling, I did so hope it was... how like you." "Three minutes, please." "Must stop now." "When are you coming back?" "Almost at once. Good night, my sweet." "What a lot of talk," said Beaver. All the time that she was speaking, she had been kept busy with one hand warding him off the telephone, which he threatened playfully to disconnect. "Wasn't it sweet of Tony to send those flowers?" "I'm not awfully fond of Tony." "Don't let that worry you, my beauty, he doesn't like you _at all_." "_Doesn't_ he? Why not?" "No one does except me. You must get that clear... it's very odd that _I_ should." * * * * * Beaver and his mother were going to Ireland for Christmas, to stay with cousins. Tony and Brenda had a family party at Hetton: Marjorie and Allan, Brenda's mother, Tony's Aunt Frances and two families of impoverished Lasts, humble and uncomplaining victims of primogeniture, to whom Hetton meant as much as it did to Tony. There was a little Christmas-tree in the nursery for John Andrew and a big one downstairs in the central hall which was decorated by the impoverished Lasts and lit up for half an hour after tea (two footmen standing by with wet sponges on the end of poles, to extinguish the candles which turned turtle and threatened to start a fire). There were presents for all the servants, of value strictly graded according to their rank, and for all the guests (cheques for the impoverished Lasts). Allan always brought a large cro?te of foie gras, a delicacy of which he was particularly fond. Everyone ate a great deal and became slightly torpid towards Boxing-day evening; silver ladles of burning brandy went round the table, crackers were pulled and opened; paper hats, indoor fireworks, mottoes. This year, everything happened in its accustomed way; nothing seemed to menace the peace and stability of the house. The choir came up and sang carols in the pitch-pine gallery, and later devoured hot punch | had been grouped in the shop for her as a "suggestion". Mrs Beaver bore Brenda no ill will for the modesty of her requirements; she was doing very well on the floor above with a Canadian lady who was having her walls covered with chromium plating at immense expense. Meanwhile Brenda stayed with Marjorie, on terms which gradually became acrimonious. "I'm sorry to be pompous," she said one morning, "but I just don't want your Mr Beaver hanging about the house all day and calling me Marjorie." "Oh well, the flat won't be long now." "And I shall go on saying that I think you're making a ridiculous mistake." "It's just that you don't like Mr Beaver." "It isn't only that. I think it's hard cheese on Tony." "Oh, Tony's all right." "And if there's a row--" "There won't be a row." "You never know. If there is, I don't want Allan to think I've been helping to arrange things." "I wasn't so disagreeable to you about Robin Beaseley." "There was never much in that," said Marjorie. But with the exception of her sister's, opinion was greatly in favour of Brenda's adventure. The morning telephone buzzed with news of her; even people with whom she had the barest acquaintance were delighted to relate that they had seen her and Beaver the evening before at a restaurant or cinema. It had been an autumn of very sparse and meagre romance; only the most obvious people had parted or come together, and Brenda was filling a want long felt by those whose simple, vicarious pleasure it was to discuss the subject in bed over the telephone. For them her circumstances shed peculiar glamour; for five years she had been a legendary, almost ghostly name, the imprisoned princess of fairy story, and now that she had emerged there was more enchantment in the occurrence than in the mere change of habit of any other circumspect wife. Her very choice of partner gave the affair an appropriate touch of fantasy; Beaver, the joke figure they had all known and despised, suddenly caught up to her among the luminous clouds of deity. If, after seven years looking neither to right or left, she had at last broken away with Jock Grant-Menzies or Robin Beaseley or any other young buck with whom nearly everyone had had a crack one time or another, it would have been thrilling no doubt, but straightforward, drawing-room comedy. The choice of Beaver raised the whole escapade into a realm of poetry for Polly and Daisy and Angela and all the gang of gossips. Mrs Beaver made no bones about her delight. "Of course the subject has not been mentioned between John and myself, but if what I hear is true, I think it will do the boy a world of good. Of course he's always been very much in demand and had a great number of friends, but _that isn't the same thing_. I've felt for a long time a Lack of Something in him, and I think that a charming and experienced woman like Brenda Last is just the person to help him. He's got a _very_ affectionate nature, but he's so sensitive that he hardly ever lets it appear... to tell you the truth I felt something of the kind was in the air last week, so I made an excuse to go away for a few days. If I had been there things might never have come to anything. He's very shy and reserved even to me. I'll have the chess-men done up and sent round to you this afternoon. Thank you so much." And Beaver, for the first time in his life, found himself a person of interest and, almost, of consequence. Women studied him with a new scrutiny, wondering what they had missed in him; men treated him as an equal, even as a successful fellow competitor. "How on earth has _he_ got away with it?" they may have asked themselves, but now, when he came into Bratt's, they made room for him at the bar and said, "Well, old boy, how about one?" * * * * * Brenda rang up Tony every morning and evening. Sometimes John Andrew spoke to her, too, as shrill as Polly Cockpurse; quite unable to hear her replies. She went to Hetton for the week-end, and then back to London, this time to the flat where the paint was already dry, though the hot water was not yet in perfect working order; everything smelt very new--walls, sheets, curtains--and the new radiators gave off a less agreeable reek of hot iron. That evening as usual she telephoned to Hetton. "I'm talking from the flat." "Oh, ah." "_Darling_, do try to sound interested. It's very exciting for me." "What's it like?"<|quote|>"Well, there are a good many smells at present and the bath makes odd sounds and when you turn on the hot tap there's just a rush of air and that's all, and the cold tap keeps dripping and the water is rather brown and the cupboard doors are jammed and the curtains won't pull right across so that the street lamp shines in all night... but it's _lovely_."</|quote|>"You don't say so." "Tony, you must be nice about it. It's all so exciting--front door and a latch-key and all... And someone sent me a lot of flowers to-day--so many that there's hardly room for them and I've had to put them in the basin on account of having no pots. It wasn't you, was it?" "Yes... as a matter of fact." "Darling, I did so hope it was... how like you." "Three minutes, please." "Must stop now." "When are you coming back?" "Almost at once. Good night, my sweet." "What a lot of talk," said Beaver. All the time that she was speaking, she had been kept busy with one hand warding him off the telephone, which he threatened playfully to disconnect. "Wasn't it sweet of Tony to send those flowers?" "I'm not awfully fond of Tony." "Don't let that worry you, my beauty, he doesn't like you _at all_." "_Doesn't_ he? Why not?" "No one does except me. You must get that clear... it's very odd that _I_ should." * * * * * Beaver and his mother were going to Ireland for Christmas, to stay with cousins. Tony and Brenda had a family party at Hetton: Marjorie and Allan, Brenda's mother, Tony's Aunt Frances and two families of impoverished Lasts, humble and uncomplaining victims of primogeniture, to whom Hetton meant as much as it did to Tony. There was a little Christmas-tree in the nursery for John Andrew and a big one downstairs in the central hall which was decorated by the impoverished Lasts and lit up for half an hour after tea (two footmen standing by with wet sponges on the end of poles, to extinguish the candles which turned turtle and threatened to start a fire). There were presents for all the servants, of value strictly graded according to their rank, and for all the guests (cheques for the impoverished Lasts). Allan always brought a large cro?te of foie gras, a delicacy of which he was particularly fond. Everyone ate a great deal and became slightly torpid towards Boxing-day evening; silver ladles of burning brandy went round the table, crackers were pulled and opened; paper hats, indoor fireworks, mottoes. This year, everything happened in its accustomed way; nothing seemed to menace the peace and stability of the house. The choir came up and sang carols in the pitch-pine gallery, and later devoured hot punch and sweet biscuits. The vicar preached his usual Christmas sermon. It was one to which his parishioners were greatly attached. "How difficult it is for us," he began, blandly surveying his congregation, who coughed into their mufflers and chafed their chilblains under their woollen gloves, "to realize that this is indeed Christmas. Instead of the glowing log fire and windows tight shuttered against the drifting snow, we have only the harsh glare of an alien sun; instead of the happy circle of loved faces, of home and family, we have the uncomprehending stares of the subjugated, though no doubt grateful, heathen. Instead of the placid ox and ass of Bethlehem," said the vicar, slightly losing the thread of his comparisons, "we have for companions the ravening tiger and the exotic camel, the furtive jackal and the ponderous elephant..." And so on, through the pages of faded manuscript. The words had temporarily touched the heart of many an obdurate trooper, and hearing them again, as he had heard them year after year since Mr Tendril had come to the parish, Tony and most of Tony's guests felt that it was an integral part of their Christmas festivities; one with which they would find it very hard to dispense. "The ravening tiger and exotic camel" had long been bywords in the family, of frequent recurrence in all their games. These games were the hardest part for Brenda. They did not amuse her and she still could not see Tony dressed up for charades without a feeling of shyness. Moreover, she was tortured by the fear that any lack of gusto on her part might be construed by the poor Lasts as superiority. These scruples, had she known it, were quite superfluous, for it never occurred to her husband's relatives to look on her with anything but cousinly cordiality and a certain tolerance, for, as Lasts, they considered they had far more right in Hetton than herself. Aunt Frances, with acid mind, quickly discerned the trouble and attempted to reassure her, saying, "Dear child, all these feelings of delicacy are valueless; only the rich realize the gulf that separates them from the poor," but the uneasiness persisted, and night after night she found herself being sent out of the room, asking or answering questions, performing actions in uncouth manners, paying forfeits, drawing pictures, writing verses, dressing herself up and even being chased about | people had parted or come together, and Brenda was filling a want long felt by those whose simple, vicarious pleasure it was to discuss the subject in bed over the telephone. For them her circumstances shed peculiar glamour; for five years she had been a legendary, almost ghostly name, the imprisoned princess of fairy story, and now that she had emerged there was more enchantment in the occurrence than in the mere change of habit of any other circumspect wife. Her very choice of partner gave the affair an appropriate touch of fantasy; Beaver, the joke figure they had all known and despised, suddenly caught up to her among the luminous clouds of deity. If, after seven years looking neither to right or left, she had at last broken away with Jock Grant-Menzies or Robin Beaseley or any other young buck with whom nearly everyone had had a crack one time or another, it would have been thrilling no doubt, but straightforward, drawing-room comedy. The choice of Beaver raised the whole escapade into a realm of poetry for Polly and Daisy and Angela and all the gang of gossips. Mrs Beaver made no bones about her delight. "Of course the subject has not been mentioned between John and myself, but if what I hear is true, I think it will do the boy a world of good. Of course he's always been very much in demand and had a great number of friends, but _that isn't the same thing_. I've felt for a long time a Lack of Something in him, and I think that a charming and experienced woman like Brenda Last is just the person to help him. He's got a _very_ affectionate nature, but he's so sensitive that he hardly ever lets it appear... to tell you the truth I felt something of the kind was in the air last week, so I made an excuse to go away for a few days. If I had been there things might never have come to anything. He's very shy and reserved even to me. I'll have the chess-men done up and sent round to you this afternoon. Thank you so much." And Beaver, for the first time in his life, found himself a person of interest and, almost, of consequence. Women studied him with a new scrutiny, wondering what they had missed in him; men treated him as an equal, even as a successful fellow competitor. "How on earth has _he_ got away with it?" they may have asked themselves, but now, when he came into Bratt's, they made room for him at the bar and said, "Well, old boy, how about one?" * * * * * Brenda rang up Tony every morning and evening. Sometimes John Andrew spoke to her, too, as shrill as Polly Cockpurse; quite unable to hear her replies. She went to Hetton for the week-end, and then back to London, this time to the flat where the paint was already dry, though the hot water was not yet in perfect working order; everything smelt very new--walls, sheets, curtains--and the new radiators gave off a less agreeable reek of hot iron. That evening as usual she telephoned to Hetton. "I'm talking from the flat." "Oh, ah." "_Darling_, do try to sound interested. It's very exciting for me." "What's it like?"<|quote|>"Well, there are a good many smells at present and the bath makes odd sounds and when you turn on the hot tap there's just a rush of air and that's all, and the cold tap keeps dripping and the water is rather brown and the cupboard doors are jammed and the curtains won't pull right across so that the street lamp shines in all night... but it's _lovely_."</|quote|>"You don't say so." "Tony, you must be nice about it. It's all so exciting--front door and a latch-key and all... And someone sent me a lot of flowers to-day--so many that there's hardly room for them and I've had to put them in the basin on account of having no pots. It wasn't you, was it?" "Yes... as a matter of fact." "Darling, I did so hope it was... how like you." "Three minutes, please." "Must stop now." "When are you coming back?" "Almost at once. Good night, my sweet." "What a lot of talk," said Beaver. All the time that she was speaking, she had been kept busy with one hand warding him off the telephone, which he threatened playfully to disconnect. "Wasn't it sweet of Tony to send those flowers?" "I'm not awfully fond of Tony." "Don't let that worry you, my beauty, he doesn't like you _at all_." "_Doesn't_ he? Why not?" "No one does except me. You must get that clear... it's very odd that _I_ should." * * * * * Beaver and his mother were going to Ireland for Christmas, to stay with cousins. Tony and Brenda had a family party at Hetton: Marjorie and Allan, Brenda's mother, Tony's Aunt Frances and two families of impoverished Lasts, humble and uncomplaining victims of primogeniture, to whom Hetton meant as much as it did to Tony. There was a little Christmas-tree in the nursery for John Andrew and a big one downstairs in the central hall which was decorated by the impoverished Lasts and lit up for half an hour after tea (two footmen standing by with wet sponges on the end of poles, to extinguish the candles which turned turtle and threatened to start a fire). There were presents for all the servants, of value strictly graded according to their rank, and for all the guests (cheques for the impoverished Lasts). Allan always brought a large cro?te of foie gras, a delicacy of which he was particularly fond. Everyone ate a great deal and became slightly torpid towards Boxing-day evening; silver ladles of burning brandy went round the table, crackers were pulled and opened; paper hats, indoor fireworks, mottoes. This year, everything happened in its accustomed way; nothing seemed to menace the peace and stability of the house. The choir came up and sang carols in the pitch-pine gallery, and later devoured hot punch and sweet biscuits. The vicar preached his usual Christmas sermon. It was one to which his parishioners were greatly attached. "How difficult it is for us," he began, blandly surveying his congregation, who coughed into their mufflers and chafed their chilblains under their woollen gloves, "to realize that this is indeed Christmas. Instead of the glowing log fire and windows tight shuttered against the drifting snow, we have only the harsh glare of an alien sun; instead of the happy circle of loved faces, of home and family, we have the uncomprehending stares of the subjugated, though no doubt grateful, heathen. Instead of the placid ox | A Handful Of Dust | perfect working order; everything smelt very new--walls, sheets, curtains--and the new radiators gave off a less agreeable reek of hot iron. That evening as usual she telephoned to Hetton. "I'm talking from the flat." "Oh, ah." "_Darling_, do try to sound interested. It's very exciting for me." "What's it like?"<|quote|>"Well, there are a good many smells at present and the bath makes odd sounds and when you turn on the hot tap there's just a rush of air and that's all, and the cold tap keeps dripping and the water is rather brown and the cupboard doors are jammed and the curtains won't pull right across so that the street lamp shines in all night... but it's _lovely_."</|quote|>"You don't say so." "Tony, you must be nice about it. It's all so exciting--front door and a latch-key and all... And someone sent me a lot of flowers to-day--so many that there's hardly room for them and I've had to put them in the basin on account of having | {
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"content": "perfect working order; everything smelt very new--walls, sheets, curtains--and the new radiators gave off a less agreeable reek of hot iron. That evening as usual she telephoned to Hetton. \"I'm talking from the flat.\" \"Oh, ah.\" \"_Darling_, do try to sound interested. It's very exciting for me.\" \"What's it like?\"<|quote|>\"Well, there are a good many smells at present and the bath makes odd sounds and when you turn on the hot tap there's just a rush of air and that's all, and the cold tap keeps dripping and the water is rather brown and the cupboard doors are jammed and the curtains won't pull right across so that the street lamp shines in all night... but it's _lovely_.\"</|quote|>\"You don't say so.\" \"Tony, you must be nice about it. It's all so exciting--front door and a latch-key and all... And someone sent me a lot of flowers to-day--so many that there's hardly room for them and I've had to put them in the basin on account of having",
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"Of course," | The Mock Turtle | a partner!" cried the Gryphon.<|quote|>"Of course,"</|quote|>the Mock Turtle said: "advance | "Each with a lobster as a partner!" cried the Gryphon.<|quote|>"Of course,"</|quote|>the Mock Turtle said: "advance twice, set to partners--" "--change | into a line along the sea-shore--" "Two lines!" cried the Mock Turtle. "Seals, turtles, salmon, and so on; then, when you've cleared all the jelly-fish out of the way--" "_That_ generally takes some time," interrupted the Gryphon. "--you advance twice--" "Each with a lobster as a partner!" cried the Gryphon.<|quote|>"Of course,"</|quote|>the Mock Turtle said: "advance twice, set to partners--" "--change lobsters, and retire in same order," continued the Gryphon. "Then, you know," the Mock Turtle went on, "you throw the--" "The lobsters!" shouted the Gryphon, with a bound into the air. "--as far out to sea as you can--" "Swim | a lobster--" (Alice began to say "I once tasted--" but checked herself hastily, and said "No, never" ") "--so you can have no idea what a delightful thing a Lobster Quadrille is!" "No, indeed," said Alice. "What sort of a dance is it?" "Why," said the Gryphon, "you first form into a line along the sea-shore--" "Two lines!" cried the Mock Turtle. "Seals, turtles, salmon, and so on; then, when you've cleared all the jelly-fish out of the way--" "_That_ generally takes some time," interrupted the Gryphon. "--you advance twice--" "Each with a lobster as a partner!" cried the Gryphon.<|quote|>"Of course,"</|quote|>the Mock Turtle said: "advance twice, set to partners--" "--change lobsters, and retire in same order," continued the Gryphon. "Then, you know," the Mock Turtle went on, "you throw the--" "The lobsters!" shouted the Gryphon, with a bound into the air. "--as far out to sea as you can--" "Swim after them!" screamed the Gryphon. "Turn a somersault in the sea!" cried the Mock Turtle, capering wildly about. "Change lobsters again!" yelled the Gryphon at the top of its voice. "Back to land again, and that's all the first figure," said the Mock Turtle, suddenly dropping his voice; and the | The Mock Turtle sighed deeply, and drew the back of one flapper across his eyes. He looked at Alice, and tried to speak, but for a minute or two sobs choked his voice. "Same as if he had a bone in his throat," said the Gryphon: and it set to work shaking him and punching him in the back. At last the Mock Turtle recovered his voice, and, with tears running down his cheeks, he went on again:-- "You may not have lived much under the sea--" (" "I haven't," said Alice)--" "and perhaps you were never even introduced to a lobster--" (Alice began to say "I once tasted--" but checked herself hastily, and said "No, never" ") "--so you can have no idea what a delightful thing a Lobster Quadrille is!" "No, indeed," said Alice. "What sort of a dance is it?" "Why," said the Gryphon, "you first form into a line along the sea-shore--" "Two lines!" cried the Mock Turtle. "Seals, turtles, salmon, and so on; then, when you've cleared all the jelly-fish out of the way--" "_That_ generally takes some time," interrupted the Gryphon. "--you advance twice--" "Each with a lobster as a partner!" cried the Gryphon.<|quote|>"Of course,"</|quote|>the Mock Turtle said: "advance twice, set to partners--" "--change lobsters, and retire in same order," continued the Gryphon. "Then, you know," the Mock Turtle went on, "you throw the--" "The lobsters!" shouted the Gryphon, with a bound into the air. "--as far out to sea as you can--" "Swim after them!" screamed the Gryphon. "Turn a somersault in the sea!" cried the Mock Turtle, capering wildly about. "Change lobsters again!" yelled the Gryphon at the top of its voice. "Back to land again, and that's all the first figure," said the Mock Turtle, suddenly dropping his voice; and the two creatures, who had been jumping about like mad things all this time, sat down again very sadly and quietly, and looked at Alice. "It must be a very pretty dance," said Alice timidly. "Would you like to see a little of it?" said the Mock Turtle. "Very much indeed," said Alice. "Come, let's try the first figure!" said the Mock Turtle to the Gryphon. "We can do without lobsters, you know. Which shall sing?" "Oh, _you_ sing," said the Gryphon. "I've forgotten the words." So they began solemnly dancing round and round Alice, every now and then treading on | too stiff. And the Gryphon never learnt it." "Hadn't time," said the Gryphon: "I went to the Classics master, though. He was an old crab, _he_ was." "I never went to him," the Mock Turtle said with a sigh: "he taught Laughing and Grief, they used to say." "So he did, so he did," said the Gryphon, sighing in his turn; and both creatures hid their faces in their paws. "And how many hours a day did you do lessons?" said Alice, in a hurry to change the subject. "Ten hours the first day," said the Mock Turtle: "nine the next, and so on." "What a curious plan!" exclaimed Alice. "That's the reason they're called lessons," the Gryphon remarked: "because they lessen from day to day." This was quite a new idea to Alice, and she thought it over a little before she made her next remark. "Then the eleventh day must have been a holiday?" "Of course it was," said the Mock Turtle. "And how did you manage on the twelfth?" Alice went on eagerly. "That's enough about lessons," the Gryphon interrupted in a very decided tone: "tell her something about the games now." CHAPTER X. The Lobster Quadrille The Mock Turtle sighed deeply, and drew the back of one flapper across his eyes. He looked at Alice, and tried to speak, but for a minute or two sobs choked his voice. "Same as if he had a bone in his throat," said the Gryphon: and it set to work shaking him and punching him in the back. At last the Mock Turtle recovered his voice, and, with tears running down his cheeks, he went on again:-- "You may not have lived much under the sea--" (" "I haven't," said Alice)--" "and perhaps you were never even introduced to a lobster--" (Alice began to say "I once tasted--" but checked herself hastily, and said "No, never" ") "--so you can have no idea what a delightful thing a Lobster Quadrille is!" "No, indeed," said Alice. "What sort of a dance is it?" "Why," said the Gryphon, "you first form into a line along the sea-shore--" "Two lines!" cried the Mock Turtle. "Seals, turtles, salmon, and so on; then, when you've cleared all the jelly-fish out of the way--" "_That_ generally takes some time," interrupted the Gryphon. "--you advance twice--" "Each with a lobster as a partner!" cried the Gryphon.<|quote|>"Of course,"</|quote|>the Mock Turtle said: "advance twice, set to partners--" "--change lobsters, and retire in same order," continued the Gryphon. "Then, you know," the Mock Turtle went on, "you throw the--" "The lobsters!" shouted the Gryphon, with a bound into the air. "--as far out to sea as you can--" "Swim after them!" screamed the Gryphon. "Turn a somersault in the sea!" cried the Mock Turtle, capering wildly about. "Change lobsters again!" yelled the Gryphon at the top of its voice. "Back to land again, and that's all the first figure," said the Mock Turtle, suddenly dropping his voice; and the two creatures, who had been jumping about like mad things all this time, sat down again very sadly and quietly, and looked at Alice. "It must be a very pretty dance," said Alice timidly. "Would you like to see a little of it?" said the Mock Turtle. "Very much indeed," said Alice. "Come, let's try the first figure!" said the Mock Turtle to the Gryphon. "We can do without lobsters, you know. Which shall sing?" "Oh, _you_ sing," said the Gryphon. "I've forgotten the words." So they began solemnly dancing round and round Alice, every now and then treading on her toes when they passed too close, and waving their forepaws to mark the time, while the Mock Turtle sang this, very slowly and sadly:-- "Will you walk a little faster?" said a whiting to a snail. "There's a porpoise close behind us, and he's treading on my tail. See how eagerly the lobsters and the turtles all advance! They are waiting on the shingle--will you come and join the dance? Will you, won't you, will you, won't you, will you join the dance? Will you, won't you, will you, won't you, won't you join the dance?" "You can really have no notion how delightful it will be When they take us up and throw us, with the lobsters, out to sea!" "But the snail replied "Too far, too far!" and gave a look askance-- Said he thanked the whiting kindly, but he would not join the dance. Would not, could not, would not, could not, would not join the dance. Would not, could not, would not, could not, could not join the dance." "What matters it how far we go?" his scaly friend replied. "There is another shore, you know, upon the other side. The further off from England | ashamed of yourself for asking such a simple question," added the Gryphon; and then they both sat silent and looked at poor Alice, who felt ready to sink into the earth. At last the Gryphon said to the Mock Turtle, "Drive on, old fellow! Don't be all day about it!" and he went on in these words: "Yes, we went to school in the sea, though you mayn't believe it--" "I never said I didn't!" interrupted Alice. "You did," said the Mock Turtle. "Hold your tongue!" added the Gryphon, before Alice could speak again. The Mock Turtle went on. "We had the best of educations--in fact, we went to school every day--" "_I've_ been to a day-school, too," said Alice; "you needn't be so proud as all that." "With extras?" asked the Mock Turtle a little anxiously. "Yes," said Alice, "we learned French and music." "And washing?" said the Mock Turtle. "Certainly not!" said Alice indignantly. "Ah! then yours wasn't a really good school," said the Mock Turtle in a tone of great relief. "Now at _ours_ they had at the end of the bill, 'French, music, _and washing_--extra.'" "You couldn't have wanted it much," said Alice; "living at the bottom of the sea." "I couldn't afford to learn it." said the Mock Turtle with a sigh. "I only took the regular course." "What was that?" inquired Alice. "Reeling and Writhing, of course, to begin with," the Mock Turtle replied; "and then the different branches of Arithmetic--Ambition, Distraction, Uglification, and Derision." "I never heard of 'Uglification,'" Alice ventured to say. "What is it?" The Gryphon lifted up both its paws in surprise. "What! Never heard of uglifying!" it exclaimed. "You know what to beautify is, I suppose?" "Yes," said Alice doubtfully: "it means--to--make--anything--prettier." "Well, then," the Gryphon went on, "if you don't know what to uglify is, you _are_ a simpleton." Alice did not feel encouraged to ask any more questions about it, so she turned to the Mock Turtle, and said "What else had you to learn?" "Well, there was Mystery," the Mock Turtle replied, counting off the subjects on his flappers, "--Mystery, ancient and modern, with Seaography: then Drawling--the Drawling-master was an old conger-eel, that used to come once a week: _he_ taught us Drawling, Stretching, and Fainting in Coils." "What was _that_ like?" said Alice. "Well, I can't show it you myself," the Mock Turtle said: "I'm too stiff. And the Gryphon never learnt it." "Hadn't time," said the Gryphon: "I went to the Classics master, though. He was an old crab, _he_ was." "I never went to him," the Mock Turtle said with a sigh: "he taught Laughing and Grief, they used to say." "So he did, so he did," said the Gryphon, sighing in his turn; and both creatures hid their faces in their paws. "And how many hours a day did you do lessons?" said Alice, in a hurry to change the subject. "Ten hours the first day," said the Mock Turtle: "nine the next, and so on." "What a curious plan!" exclaimed Alice. "That's the reason they're called lessons," the Gryphon remarked: "because they lessen from day to day." This was quite a new idea to Alice, and she thought it over a little before she made her next remark. "Then the eleventh day must have been a holiday?" "Of course it was," said the Mock Turtle. "And how did you manage on the twelfth?" Alice went on eagerly. "That's enough about lessons," the Gryphon interrupted in a very decided tone: "tell her something about the games now." CHAPTER X. The Lobster Quadrille The Mock Turtle sighed deeply, and drew the back of one flapper across his eyes. He looked at Alice, and tried to speak, but for a minute or two sobs choked his voice. "Same as if he had a bone in his throat," said the Gryphon: and it set to work shaking him and punching him in the back. At last the Mock Turtle recovered his voice, and, with tears running down his cheeks, he went on again:-- "You may not have lived much under the sea--" (" "I haven't," said Alice)--" "and perhaps you were never even introduced to a lobster--" (Alice began to say "I once tasted--" but checked herself hastily, and said "No, never" ") "--so you can have no idea what a delightful thing a Lobster Quadrille is!" "No, indeed," said Alice. "What sort of a dance is it?" "Why," said the Gryphon, "you first form into a line along the sea-shore--" "Two lines!" cried the Mock Turtle. "Seals, turtles, salmon, and so on; then, when you've cleared all the jelly-fish out of the way--" "_That_ generally takes some time," interrupted the Gryphon. "--you advance twice--" "Each with a lobster as a partner!" cried the Gryphon.<|quote|>"Of course,"</|quote|>the Mock Turtle said: "advance twice, set to partners--" "--change lobsters, and retire in same order," continued the Gryphon. "Then, you know," the Mock Turtle went on, "you throw the--" "The lobsters!" shouted the Gryphon, with a bound into the air. "--as far out to sea as you can--" "Swim after them!" screamed the Gryphon. "Turn a somersault in the sea!" cried the Mock Turtle, capering wildly about. "Change lobsters again!" yelled the Gryphon at the top of its voice. "Back to land again, and that's all the first figure," said the Mock Turtle, suddenly dropping his voice; and the two creatures, who had been jumping about like mad things all this time, sat down again very sadly and quietly, and looked at Alice. "It must be a very pretty dance," said Alice timidly. "Would you like to see a little of it?" said the Mock Turtle. "Very much indeed," said Alice. "Come, let's try the first figure!" said the Mock Turtle to the Gryphon. "We can do without lobsters, you know. Which shall sing?" "Oh, _you_ sing," said the Gryphon. "I've forgotten the words." So they began solemnly dancing round and round Alice, every now and then treading on her toes when they passed too close, and waving their forepaws to mark the time, while the Mock Turtle sang this, very slowly and sadly:-- "Will you walk a little faster?" said a whiting to a snail. "There's a porpoise close behind us, and he's treading on my tail. See how eagerly the lobsters and the turtles all advance! They are waiting on the shingle--will you come and join the dance? Will you, won't you, will you, won't you, will you join the dance? Will you, won't you, will you, won't you, won't you join the dance?" "You can really have no notion how delightful it will be When they take us up and throw us, with the lobsters, out to sea!" "But the snail replied "Too far, too far!" and gave a look askance-- Said he thanked the whiting kindly, but he would not join the dance. Would not, could not, would not, could not, would not join the dance. Would not, could not, would not, could not, could not join the dance." "What matters it how far we go?" his scaly friend replied. "There is another shore, you know, upon the other side. The further off from England the nearer is to France-- Then turn not pale, beloved snail, but come and join the dance. Will you, won't you, will you, won't you, will you join the dance? Will you, won't you, will you, won't you, won't you join the dance?" "Thank you, it's a very interesting dance to watch," said Alice, feeling very glad that it was over at last: "and I do so like that curious song about the whiting!" "Oh, as to the whiting," said the Mock Turtle, "they--you've seen them, of course?" "Yes," said Alice, "I've often seen them at dinn--" she checked herself hastily. "I don't know where Dinn may be," said the Mock Turtle, "but if you've seen them so often, of course you know what they're like." "I believe so," Alice replied thoughtfully. "They have their tails in their mouths--and they're all over crumbs." "You're wrong about the crumbs," said the Mock Turtle: "crumbs would all wash off in the sea. But they _have_ their tails in their mouths; and the reason is--" here the Mock Turtle yawned and shut his eyes.--" "Tell her about the reason and all that," he said to the Gryphon. "The reason is," said the Gryphon, "that they _would_ go with the lobsters to the dance. So they got thrown out to sea. So they had to fall a long way. So they got their tails fast in their mouths. So they couldn't get them out again. That's all." "Thank you," said Alice, "it's very interesting. I never knew so much about a whiting before." "I can tell you more than that, if you like," said the Gryphon. "Do you know why it's called a whiting?" "I never thought about it," said Alice. "Why?" "_It does the boots and shoes_," the Gryphon replied very solemnly. Alice was thoroughly puzzled. "Does the boots and shoes!" she repeated in a wondering tone. "Why, what are _your_ shoes done with?" said the Gryphon. "I mean, what makes them so shiny?" Alice looked down at them, and considered a little before she gave her answer. "They're done with blacking, I believe." "Boots and shoes under the sea," the Gryphon went on in a deep voice, "are done with a whiting. Now you know." "And what are they made of?" Alice asked in a tone of great curiosity. "Soles and eels, of course," the Gryphon replied rather impatiently: "any shrimp could | I can't show it you myself," the Mock Turtle said: "I'm too stiff. And the Gryphon never learnt it." "Hadn't time," said the Gryphon: "I went to the Classics master, though. He was an old crab, _he_ was." "I never went to him," the Mock Turtle said with a sigh: "he taught Laughing and Grief, they used to say." "So he did, so he did," said the Gryphon, sighing in his turn; and both creatures hid their faces in their paws. "And how many hours a day did you do lessons?" said Alice, in a hurry to change the subject. "Ten hours the first day," said the Mock Turtle: "nine the next, and so on." "What a curious plan!" exclaimed Alice. "That's the reason they're called lessons," the Gryphon remarked: "because they lessen from day to day." This was quite a new idea to Alice, and she thought it over a little before she made her next remark. "Then the eleventh day must have been a holiday?" "Of course it was," said the Mock Turtle. "And how did you manage on the twelfth?" Alice went on eagerly. "That's enough about lessons," the Gryphon interrupted in a very decided tone: "tell her something about the games now." CHAPTER X. The Lobster Quadrille The Mock Turtle sighed deeply, and drew the back of one flapper across his eyes. He looked at Alice, and tried to speak, but for a minute or two sobs choked his voice. "Same as if he had a bone in his throat," said the Gryphon: and it set to work shaking him and punching him in the back. At last the Mock Turtle recovered his voice, and, with tears running down his cheeks, he went on again:-- "You may not have lived much under the sea--" (" "I haven't," said Alice)--" "and perhaps you were never even introduced to a lobster--" (Alice began to say "I once tasted--" but checked herself hastily, and said "No, never" ") "--so you can have no idea what a delightful thing a Lobster Quadrille is!" "No, indeed," said Alice. "What sort of a dance is it?" "Why," said the Gryphon, "you first form into a line along the sea-shore--" "Two lines!" cried the Mock Turtle. "Seals, turtles, salmon, and so on; then, when you've cleared all the jelly-fish out of the way--" "_That_ generally takes some time," interrupted the Gryphon. "--you advance twice--" "Each with a lobster as a partner!" cried the Gryphon.<|quote|>"Of course,"</|quote|>the Mock Turtle said: "advance twice, set to partners--" "--change lobsters, and retire in same order," continued the Gryphon. "Then, you know," the Mock Turtle went on, "you throw the--" "The lobsters!" shouted the Gryphon, with a bound into the air. "--as far out to sea as you can--" "Swim after them!" screamed the Gryphon. "Turn a somersault in the sea!" cried the Mock Turtle, capering wildly about. "Change lobsters again!" yelled the Gryphon at the top of its voice. "Back to land again, and that's all the first figure," said the Mock Turtle, suddenly dropping his voice; and the two creatures, who had been jumping about like mad things all this time, sat down again very sadly and quietly, and looked at Alice. "It must be a very pretty dance," said Alice timidly. "Would you like to see a little of it?" said the Mock Turtle. "Very much indeed," said Alice. "Come, let's try the first figure!" said the Mock Turtle to the Gryphon. "We can do without lobsters, you know. Which shall sing?" "Oh, _you_ sing," said the Gryphon. "I've forgotten the words." So they began solemnly dancing round and round Alice, every now and then treading on her toes when they passed too close, and waving their forepaws to mark the time, while the Mock Turtle sang this, very slowly and sadly:-- "Will you walk a little faster?" said a whiting to a snail. "There's a porpoise close behind us, and he's treading on my tail. See how eagerly the lobsters and the turtles all advance! They are waiting on the shingle--will you come and join the dance? Will you, won't you, will you, won't you, will you join the dance? Will you, won't you, will you, won't you, won't you join the dance?" "You can really have no notion how delightful it will be When they take us up and throw us, with the lobsters, out to sea!" "But the snail replied "Too far, too far!" and gave a look askance-- Said he thanked the whiting kindly, but he would not join the dance. Would not, could not, would not, could not, would not join the dance. Would not, could not, would not, could not, could not join the dance." "What matters it how far we go?" his scaly friend replied. "There is another shore, you know, upon the other side. The further off from England the nearer is to France-- Then turn not pale, beloved snail, but come and join the dance. Will you, won't you, will you, won't you, will you join the dance? Will you, won't you, will you, won't you, won't you join the dance?" "Thank you, it's a very interesting dance to watch," said Alice, feeling very glad that it was over at last: "and I do so like that curious song about the whiting!" "Oh, as to the whiting," said the Mock Turtle, "they--you've seen them, of course?" "Yes," said Alice, "I've often seen them at dinn--" she checked herself hastily. "I don't know where Dinn may be," said the Mock Turtle, "but if you've seen them so often, of course you know what they're like." "I believe so," Alice replied thoughtfully. "They have their tails in their mouths--and they're all over crumbs." "You're wrong about the crumbs," said the Mock Turtle: "crumbs would all wash off in the sea. But they _have_ their tails in their mouths; | Alices Adventures In Wonderland | into a line along the sea-shore--" "Two lines!" cried the Mock Turtle. "Seals, turtles, salmon, and so on; then, when you've cleared all the jelly-fish out of the way--" "_That_ generally takes some time," interrupted the Gryphon. "--you advance twice--" "Each with a lobster as a partner!" cried the Gryphon.<|quote|>"Of course,"</|quote|>the Mock Turtle said: "advance twice, set to partners--" "--change lobsters, and retire in same order," continued the Gryphon. "Then, you know," the Mock Turtle went on, "you throw the--" "The lobsters!" shouted the Gryphon, with a bound into the air. "--as far out to sea as you can--" "Swim | {
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"I can't bear it any longer----" | Paul | and mutter in a whisper:<|quote|>"I can't bear it any longer----"</|quote|>She notes me down on | vacant eyes, toss about restlessly, and mutter in a whisper:<|quote|>"I can't bear it any longer----"</|quote|>She notes me down on a slip of paper. I | I send it up to 100.2°. But that is not enough. A match held cautiously near to it brings it up to 101.6°. As the sister comes back, I blow myself out, breathe in short gasps, goggle at her with vacant eyes, toss about restlessly, and mutter in a whisper:<|quote|>"I can't bear it any longer----"</|quote|>She notes me down on a slip of paper. I know perfectly well my plaster bandage will not be re-opened if it can be avoided. Albert and I are put off together. * * We are in the same room in a Catholic Hospital. That is a piece of luck, | army thermometers are not made for old soldiers. All one has to do is to drive the quicksilver up and then it stays there without falling again. I stick the thermometer under my arm at a slant, and flip it steadily with my forefinger. Then I give it a shake. I send it up to 100.2°. But that is not enough. A match held cautiously near to it brings it up to 101.6°. As the sister comes back, I blow myself out, breathe in short gasps, goggle at her with vacant eyes, toss about restlessly, and mutter in a whisper:<|quote|>"I can't bear it any longer----"</|quote|>She notes me down on a slip of paper. I know perfectly well my plaster bandage will not be re-opened if it can be avoided. Albert and I are put off together. * * We are in the same room in a Catholic Hospital. That is a piece of luck, the Catholic infirmaries are noted for their good treatment and good food. The hospital has been filled up from our train, there are a great many bad cases amongst them. We do not get examined to-day because there are too few surgeons. The flat trolleys with the rubber wheels pass | Herbstal. I hear from the sister that Albert is to be put off at the next station because of his fever. "How far does the train go?" I ask. "To Cologne." "Albert," I say, "we stick together; you see." On the sister's next round I hold my breath and press it up into my head. My face swells and turns red. She stops. "Are you in pain?" "Yes," I groan, "all of a sudden." She gives me a thermometer and goes on. I would not have been under Kat's tuition if I did not know what to do now. These army thermometers are not made for old soldiers. All one has to do is to drive the quicksilver up and then it stays there without falling again. I stick the thermometer under my arm at a slant, and flip it steadily with my forefinger. Then I give it a shake. I send it up to 100.2°. But that is not enough. A match held cautiously near to it brings it up to 101.6°. As the sister comes back, I blow myself out, breathe in short gasps, goggle at her with vacant eyes, toss about restlessly, and mutter in a whisper:<|quote|>"I can't bear it any longer----"</|quote|>She notes me down on a slip of paper. I know perfectly well my plaster bandage will not be re-opened if it can be avoided. Albert and I are put off together. * * We are in the same room in a Catholic Hospital. That is a piece of luck, the Catholic infirmaries are noted for their good treatment and good food. The hospital has been filled up from our train, there are a great many bad cases amongst them. We do not get examined to-day because there are too few surgeons. The flat trolleys with the rubber wheels pass continually along the corridor, and always with someone stretched at full length upon them. A damnable position, stretched out at full length like that;--the only time it is good is when one is asleep. The night is very disturbed. No one can sleep. Toward morning we doze a little. I wake up just as it grows light. The door stands open and I hear voices from the corridor. The others wake up too. One fellow, who has been there a couple of days already explains it to us: "Up here in the corridor every morning the sisters say prayers. They | lady---- All at once he remembers his school days and finishes hastily: "He wants to leave the room, sister." "Ah!" says the sister, "but he shouldn't climb out of his bed with his plaster bandage. What do you want then?" she says, turning to me. I am in mortal terror at this new turn, for I haven't any idea what the things are called professionally. She comes to my help. "Little or big?" This shocking business! I sweat like a pig and say shyly: "Well, only quite a little one----" At any rate, it produces the effect. I get a bottle. After a few hours I am no longer the only one, and by morning we are quite accustomed to it and ask for what we want without any false modesty. The train travels slowly. Sometimes it halts and the dead are unloaded. It halts often. Albert is feverish. I feel miserable and have a good deal of pain, but the worst of it is that apparently there are still lice under the plaster bandage. They itch terribly, and I cannot scratch myself. We sleep through the days. The country glides quietly past the window. The third night we reach Herbstal. I hear from the sister that Albert is to be put off at the next station because of his fever. "How far does the train go?" I ask. "To Cologne." "Albert," I say, "we stick together; you see." On the sister's next round I hold my breath and press it up into my head. My face swells and turns red. She stops. "Are you in pain?" "Yes," I groan, "all of a sudden." She gives me a thermometer and goes on. I would not have been under Kat's tuition if I did not know what to do now. These army thermometers are not made for old soldiers. All one has to do is to drive the quicksilver up and then it stays there without falling again. I stick the thermometer under my arm at a slant, and flip it steadily with my forefinger. Then I give it a shake. I send it up to 100.2°. But that is not enough. A match held cautiously near to it brings it up to 101.6°. As the sister comes back, I blow myself out, breathe in short gasps, goggle at her with vacant eyes, toss about restlessly, and mutter in a whisper:<|quote|>"I can't bear it any longer----"</|quote|>She notes me down on a slip of paper. I know perfectly well my plaster bandage will not be re-opened if it can be avoided. Albert and I are put off together. * * We are in the same room in a Catholic Hospital. That is a piece of luck, the Catholic infirmaries are noted for their good treatment and good food. The hospital has been filled up from our train, there are a great many bad cases amongst them. We do not get examined to-day because there are too few surgeons. The flat trolleys with the rubber wheels pass continually along the corridor, and always with someone stretched at full length upon them. A damnable position, stretched out at full length like that;--the only time it is good is when one is asleep. The night is very disturbed. No one can sleep. Toward morning we doze a little. I wake up just as it grows light. The door stands open and I hear voices from the corridor. The others wake up too. One fellow, who has been there a couple of days already explains it to us: "Up here in the corridor every morning the sisters say prayers. They call it Morning Devotion. And so that you can get your share, they leave the door open." No doubt it is well meant, but it gives us aches in our head and bones. "Such an absurdity!" I say, "just when a man dropped off to sleep." "All the light cases are up here, that's why they do it here," he replies. Albert groans. I get furious and call out: "Be quiet out there!" A minute later a sister appears. In her black and white dress she looks like a beautiful tea-cosy. "Shut the door, will you, sister?" says someone. "We are saying prayers, that is why the door is open," she responds. "But we want to go on sleeping----" "Prayer is better than sleep," she stands there and smiles innocently. "And it is seven o'clock already." Albert groans again. "Shut the door," I snort. She is quite disconcerted. Apparently she cannot understand. "But we are saying prayers for you too." "Shut the door, anyway." She disappears leaving the door open. The intoning of the Litany proceeds. I feel savage, and say: "I'm going to count up to three. If it doesn't stop before then I'll let something fly." "Me, too," | tormentor, she is going to force me to say it. "It is only----" I try again, surely she must know what I mean. "What is it then?" "Because of the lice," I bawl out at last. She laughs. "Well, they must have a good day for once, too." Now I don't care any more. I scramble into bed and pull up the covers. A hand gropes over the bed-cover. The sergeant-major. He goes off with the cigars. An hour later we notice that we are moving. At night I cannot sleep. Kropp is restless too. The train rides easily over the rails. I cannot realize it all yet; a bed, a train, home. "Albert!" I whisper. "Yes----" "Do you know where the latrine is?" "Over to the right of the door, I think." "I'm going to have a look." It is dark, I grope for the edge of the bed and cautiously try to slide down. But my foot finds no support, I begin to slip, the plaster leg is no help, and with a crash I lie on the floor. "Damn!" I say. "Have you bumped yourself?" asks Kropp. "You could hear that well enough for yourself," I growl, "my head----" A door opens in the rear of the car. The sister comes with a light and looks at me. "He has fallen out of bed----" She feels my pulse and smooths my forehead. "You haven't any fever, though." "No." I agree. "Have you been dreaming then?" she asks. "Perhaps----" I evade. The interrogation starts again. She looks at me with her clear eyes, and the more wonderful and sweet she is the less am I able to tell her what I want. I am lifted up into bed again. That will be all right. As soon as she goes I must try to climb down again. If she were an old woman, it might be easier to say what a man wants, but she is so very young, at the most twenty-five, it can't be done, I cannot possibly tell her. Then Albert comes to my rescue, he is not bashful, it makes no difference to him who is upset. He calls to the sister. She turns round. "Sister, he wants----" but no more does Albert know how to express it modestly and decently. Out there we say it in a single word, but here, to such a lady---- All at once he remembers his school days and finishes hastily: "He wants to leave the room, sister." "Ah!" says the sister, "but he shouldn't climb out of his bed with his plaster bandage. What do you want then?" she says, turning to me. I am in mortal terror at this new turn, for I haven't any idea what the things are called professionally. She comes to my help. "Little or big?" This shocking business! I sweat like a pig and say shyly: "Well, only quite a little one----" At any rate, it produces the effect. I get a bottle. After a few hours I am no longer the only one, and by morning we are quite accustomed to it and ask for what we want without any false modesty. The train travels slowly. Sometimes it halts and the dead are unloaded. It halts often. Albert is feverish. I feel miserable and have a good deal of pain, but the worst of it is that apparently there are still lice under the plaster bandage. They itch terribly, and I cannot scratch myself. We sleep through the days. The country glides quietly past the window. The third night we reach Herbstal. I hear from the sister that Albert is to be put off at the next station because of his fever. "How far does the train go?" I ask. "To Cologne." "Albert," I say, "we stick together; you see." On the sister's next round I hold my breath and press it up into my head. My face swells and turns red. She stops. "Are you in pain?" "Yes," I groan, "all of a sudden." She gives me a thermometer and goes on. I would not have been under Kat's tuition if I did not know what to do now. These army thermometers are not made for old soldiers. All one has to do is to drive the quicksilver up and then it stays there without falling again. I stick the thermometer under my arm at a slant, and flip it steadily with my forefinger. Then I give it a shake. I send it up to 100.2°. But that is not enough. A match held cautiously near to it brings it up to 101.6°. As the sister comes back, I blow myself out, breathe in short gasps, goggle at her with vacant eyes, toss about restlessly, and mutter in a whisper:<|quote|>"I can't bear it any longer----"</|quote|>She notes me down on a slip of paper. I know perfectly well my plaster bandage will not be re-opened if it can be avoided. Albert and I are put off together. * * We are in the same room in a Catholic Hospital. That is a piece of luck, the Catholic infirmaries are noted for their good treatment and good food. The hospital has been filled up from our train, there are a great many bad cases amongst them. We do not get examined to-day because there are too few surgeons. The flat trolleys with the rubber wheels pass continually along the corridor, and always with someone stretched at full length upon them. A damnable position, stretched out at full length like that;--the only time it is good is when one is asleep. The night is very disturbed. No one can sleep. Toward morning we doze a little. I wake up just as it grows light. The door stands open and I hear voices from the corridor. The others wake up too. One fellow, who has been there a couple of days already explains it to us: "Up here in the corridor every morning the sisters say prayers. They call it Morning Devotion. And so that you can get your share, they leave the door open." No doubt it is well meant, but it gives us aches in our head and bones. "Such an absurdity!" I say, "just when a man dropped off to sleep." "All the light cases are up here, that's why they do it here," he replies. Albert groans. I get furious and call out: "Be quiet out there!" A minute later a sister appears. In her black and white dress she looks like a beautiful tea-cosy. "Shut the door, will you, sister?" says someone. "We are saying prayers, that is why the door is open," she responds. "But we want to go on sleeping----" "Prayer is better than sleep," she stands there and smiles innocently. "And it is seven o'clock already." Albert groans again. "Shut the door," I snort. She is quite disconcerted. Apparently she cannot understand. "But we are saying prayers for you too." "Shut the door, anyway." She disappears leaving the door open. The intoning of the Litany proceeds. I feel savage, and say: "I'm going to count up to three. If it doesn't stop before then I'll let something fly." "Me, too," says another. I count up to five. Then I take hold of a bottle, aim, and heave it through the door into the corridor. It smashes into a thousand pieces. The praying stops. A swarm of sisters appear and reproach us in concert. "Shut the door!" we yell. They withdraw. The little one who came first is the last to go. "Heathen," she chirps, but shuts the door all the same. We have won. * * At noon the hospital inspector arrives and abuses us. He threatens us with clink and all the rest of it. But a hospital inspector is just the same as a commissariat inspector, or any one else who wears a long dagger and shoulder straps, but is really a clerk, and is never considered even by a recruit as a real officer. So we let him talk. What can they do to us, anyway---- "Who threw the bottle?" he asks. Before I can think whether I should report myself, someone says: "I did." A man with a bristling beard sits up. Everyone is excited; why should he report himself? "You?" "Yes. I was annoyed because we were waked up unnecessarily and lost my senses so that I did not know what I was doing." He talks like a book. "What is your name?" "Reinforcement-Reservist Josef Hamacher." The inspector departs. We are all curious. "But why did you say you did it? It wasn't you at all!" He grins. "That doesn't matter. I have a shooting licence." Then, of course, we all understand. Whoever has a shooting licence can do just whatever he pleases. "Yes," he explains, "I got a crack in the head and they presented me with a certificate to say that I was periodically not responsible for my actions. Ever since then I've had a grand time. No one dares to annoy me. And nobody does anything to me." "I reported myself because the shot amused me. If they open the door again to-morrow we will pitch another." We are overjoyed. With Josef Hamacher in our midst we can now risk anything. Then come the soundless, flat trollies to take us away. The bandages are stuck fast. We bellow like steers. * * There are eight men in our room. Peter, a curly black-haired fellow, has the worst injury;--a severe lung wound. Franz Wächter, alongside him, has a shot in the arm which | the days. The country glides quietly past the window. The third night we reach Herbstal. I hear from the sister that Albert is to be put off at the next station because of his fever. "How far does the train go?" I ask. "To Cologne." "Albert," I say, "we stick together; you see." On the sister's next round I hold my breath and press it up into my head. My face swells and turns red. She stops. "Are you in pain?" "Yes," I groan, "all of a sudden." She gives me a thermometer and goes on. I would not have been under Kat's tuition if I did not know what to do now. These army thermometers are not made for old soldiers. All one has to do is to drive the quicksilver up and then it stays there without falling again. I stick the thermometer under my arm at a slant, and flip it steadily with my forefinger. Then I give it a shake. I send it up to 100.2°. But that is not enough. A match held cautiously near to it brings it up to 101.6°. As the sister comes back, I blow myself out, breathe in short gasps, goggle at her with vacant eyes, toss about restlessly, and mutter in a whisper:<|quote|>"I can't bear it any longer----"</|quote|>She notes me down on a slip of paper. I know perfectly well my plaster bandage will not be re-opened if it can be avoided. Albert and I are put off together. * * We are in the same room in a Catholic Hospital. That is a piece of luck, the Catholic infirmaries are noted for their good treatment and good food. The hospital has been filled up from our train, there are a great many bad cases amongst them. We do not get examined to-day because there are too few surgeons. The flat trolleys with the rubber wheels pass continually along the corridor, and always with someone stretched at full length upon them. A damnable position, stretched out at full length like that;--the only time it is good is when one is asleep. The night is very disturbed. No one can sleep. Toward morning we doze a little. I wake up just as it grows light. The door stands open and I hear voices from the corridor. The others wake up too. One fellow, who has been there a couple of days already explains it to us: "Up here in the corridor every morning the sisters say prayers. They call it Morning Devotion. And so that you can get your share, they leave the door open." No doubt it is well meant, but it gives us aches in our head and bones. "Such an absurdity!" I say, "just when a man dropped off to sleep." "All the light cases are up here, that's why they do it here," he replies. Albert groans. I get furious and call out: "Be quiet out there!" A minute later a sister appears. In her black and white dress she looks like a beautiful tea-cosy. "Shut the door, will you, sister?" says someone. "We are saying prayers, that is why the door is open," she responds. "But we want to go on sleeping----" "Prayer is better than sleep," she stands there and smiles innocently. "And it is seven o'clock already." Albert groans again. "Shut the door," I snort. She is quite disconcerted. Apparently she cannot understand. "But we are saying prayers for you too." "Shut the door, anyway." She disappears leaving the door open. The intoning of the Litany proceeds. I feel savage, and say: "I'm going to count up to three. If it doesn't stop before then I'll let something fly." "Me, too," says another. I count up to five. Then I take hold of a bottle, aim, and heave it through the door into the corridor. It smashes into a thousand pieces. The praying stops. A swarm of sisters appear and reproach us in concert. "Shut the door!" we yell. They withdraw. The little one | All Quiet on the Western Front | I send it up to 100.2°. But that is not enough. A match held cautiously near to it brings it up to 101.6°. As the sister comes back, I blow myself out, breathe in short gasps, goggle at her with vacant eyes, toss about restlessly, and mutter in a whisper:<|quote|>"I can't bear it any longer----"</|quote|>She notes me down on a slip of paper. I know perfectly well my plaster bandage will not be re-opened if it can be avoided. Albert and I are put off together. * * We are in the same room in a Catholic Hospital. That is a piece of luck, | {
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"content": "I send it up to 100.2°. But that is not enough. A match held cautiously near to it brings it up to 101.6°. As the sister comes back, I blow myself out, breathe in short gasps, goggle at her with vacant eyes, toss about restlessly, and mutter in a whisper:<|quote|>\"I can't bear it any longer----\"</|quote|>She notes me down on a slip of paper. I know perfectly well my plaster bandage will not be re-opened if it can be avoided. Albert and I are put off together. * * We are in the same room in a Catholic Hospital. That is a piece of luck,",
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He is a farmer and very fond of horses. It gets under his skin. Then as if deliberately the fire dies down again. The screaming of the beasts becomes louder. One can no longer distinguish whence in this now quiet, silvery landscape it comes; ghostly, invisible, it is everywhere, between heaven and earth it rolls on immeasurably. Detering raves and yells out: | No speaker | For God's sake! Shoot them!"<|quote|>He is a farmer and very fond of horses. It gets under his skin. Then as if deliberately the fire dies down again. The screaming of the beasts becomes louder. One can no longer distinguish whence in this now quiet, silvery landscape it comes; ghostly, invisible, it is everywhere, between heaven and earth it rolls on immeasurably. Detering raves and yells out:</|quote|>"Shoot them! Shoot them, can't | pale. Detering stands up. "God! For God's sake! Shoot them!"<|quote|>He is a farmer and very fond of horses. It gets under his skin. Then as if deliberately the fire dies down again. The screaming of the beasts becomes louder. One can no longer distinguish whence in this now quiet, silvery landscape it comes; ghostly, invisible, it is everywhere, between heaven and earth it rolls on immeasurably. Detering raves and yells out:</|quote|>"Shoot them! Shoot them, can't you? damn you again!" "They | cries continue. It is not men, they could not cry so terribly. "Wounded horses," says Kat. It's unendurable. It is the moaning of the world, it is the martyred creation, wild with anguish, filled with terror, and groaning. We are pale. Detering stands up. "God! For God's sake! Shoot them!"<|quote|>He is a farmer and very fond of horses. It gets under his skin. Then as if deliberately the fire dies down again. The screaming of the beasts becomes louder. One can no longer distinguish whence in this now quiet, silvery landscape it comes; ghostly, invisible, it is everywhere, between heaven and earth it rolls on immeasurably. Detering raves and yells out:</|quote|>"Shoot them! Shoot them, can't you? damn you again!" "They must look after the men first," says Kat quietly. We stand up and try to see where it is. If we could only see the animals we should be able to endure it better. Müller has a pair of glasses. | pants full after the first bombardment. Go behind that bush there and throw your underpants away. Get along----" * * He goes off. Things become quieter, but the cries do not cease. "What's up, Albert?" I ask. "A couple of columns over there have got it in the neck." The cries continue. It is not men, they could not cry so terribly. "Wounded horses," says Kat. It's unendurable. It is the moaning of the world, it is the martyred creation, wild with anguish, filled with terror, and groaning. We are pale. Detering stands up. "God! For God's sake! Shoot them!"<|quote|>He is a farmer and very fond of horses. It gets under his skin. Then as if deliberately the fire dies down again. The screaming of the beasts becomes louder. One can no longer distinguish whence in this now quiet, silvery landscape it comes; ghostly, invisible, it is everywhere, between heaven and earth it rolls on immeasurably. Detering raves and yells out:</|quote|>"Shoot them! Shoot them, can't you? damn you again!" "They must look after the men first," says Kat quietly. We stand up and try to see where it is. If we could only see the animals we should be able to endure it better. Müller has a pair of glasses. We see a dark group, bearers with stretchers, and larger black clumps moving about. Those are the wounded horses. But not all of them. Some gallop away in the distance, fall down, and then run on farther. The belly of one is ripped open, the guts trail out. He becomes | it is still quiet. I sit up and shake the recruit by the shoulder. "All over, kid! It's all right this time." He looks round him dazedly. "You'll get used to it soon," I tell him. He sees his helmet and puts it on. Gradually he comes to. Then suddenly he turns fiery red and looks confused. Cautiously he reaches his hand to his behind and looks at me dismally. I understand at once: Gun-shy. That wasn't the reason I had stuck his helmet over it. "That's no disgrace," I reassure him: "Many's the man before you has had his pants full after the first bombardment. Go behind that bush there and throw your underpants away. Get along----" * * He goes off. Things become quieter, but the cries do not cease. "What's up, Albert?" I ask. "A couple of columns over there have got it in the neck." The cries continue. It is not men, they could not cry so terribly. "Wounded horses," says Kat. It's unendurable. It is the moaning of the world, it is the martyred creation, wild with anguish, filled with terror, and groaning. We are pale. Detering stands up. "God! For God's sake! Shoot them!"<|quote|>He is a farmer and very fond of horses. It gets under his skin. Then as if deliberately the fire dies down again. The screaming of the beasts becomes louder. One can no longer distinguish whence in this now quiet, silvery landscape it comes; ghostly, invisible, it is everywhere, between heaven and earth it rolls on immeasurably. Detering raves and yells out:</|quote|>"Shoot them! Shoot them, can't you? damn you again!" "They must look after the men first," says Kat quietly. We stand up and try to see where it is. If we could only see the animals we should be able to endure it better. Müller has a pair of glasses. We see a dark group, bearers with stretchers, and larger black clumps moving about. Those are the wounded horses. But not all of them. Some gallop away in the distance, fall down, and then run on farther. The belly of one is ripped open, the guts trail out. He becomes tangled in them and falls, then he stands up again. Detering raises his gun and aims. Kat hits it up in the air. "Are you mad----?" Detering trembles and throws his rifle on the ground. We sit down and hold our ears. But this appalling noise, these groans and screams penetrate, they penetrate everywhere. We can bear almost anything. But now the sweat breaks out on us. We must get up and run, no matter where, but where these cries can no longer be heard. And it is not men, only horses. From the dark group stretchers move off again. | crack of the guns is heard long after the roar of the explosions. Beside us lies a fair-headed recruit in utter terror. He has buried his face in his hands, his helmet has fallen off. I fish hold of it and try to put it back on his head. He looks up, pushes the helmet off and like a child creeps under my arm, his head close to my breast. The little shoulders heave. Shoulders just like Kemmerich's. I let him be. So that the helmet should be of some use I stick it on his behind;--not for a jest, but out of consideration, since that is his highest part. And though there is plenty of meat there, a shot in it can be damned painful. Besides, a man has to lie a whole month on his belly in the hospital, and afterwards he would be almost sure to have a limp. It's got someone pretty badly. Cries are heard between the explosions. At last it grows quiet. The fire has lifted over us and is now dropping on the reserves. We risk a look. Red rockets shoot up to the sky. Apparently there's an attack coming. Where we are it is still quiet. I sit up and shake the recruit by the shoulder. "All over, kid! It's all right this time." He looks round him dazedly. "You'll get used to it soon," I tell him. He sees his helmet and puts it on. Gradually he comes to. Then suddenly he turns fiery red and looks confused. Cautiously he reaches his hand to his behind and looks at me dismally. I understand at once: Gun-shy. That wasn't the reason I had stuck his helmet over it. "That's no disgrace," I reassure him: "Many's the man before you has had his pants full after the first bombardment. Go behind that bush there and throw your underpants away. Get along----" * * He goes off. Things become quieter, but the cries do not cease. "What's up, Albert?" I ask. "A couple of columns over there have got it in the neck." The cries continue. It is not men, they could not cry so terribly. "Wounded horses," says Kat. It's unendurable. It is the moaning of the world, it is the martyred creation, wild with anguish, filled with terror, and groaning. We are pale. Detering stands up. "God! For God's sake! Shoot them!"<|quote|>He is a farmer and very fond of horses. It gets under his skin. Then as if deliberately the fire dies down again. The screaming of the beasts becomes louder. One can no longer distinguish whence in this now quiet, silvery landscape it comes; ghostly, invisible, it is everywhere, between heaven and earth it rolls on immeasurably. Detering raves and yells out:</|quote|>"Shoot them! Shoot them, can't you? damn you again!" "They must look after the men first," says Kat quietly. We stand up and try to see where it is. If we could only see the animals we should be able to endure it better. Müller has a pair of glasses. We see a dark group, bearers with stretchers, and larger black clumps moving about. Those are the wounded horses. But not all of them. Some gallop away in the distance, fall down, and then run on farther. The belly of one is ripped open, the guts trail out. He becomes tangled in them and falls, then he stands up again. Detering raises his gun and aims. Kat hits it up in the air. "Are you mad----?" Detering trembles and throws his rifle on the ground. We sit down and hold our ears. But this appalling noise, these groans and screams penetrate, they penetrate everywhere. We can bear almost anything. But now the sweat breaks out on us. We must get up and run, no matter where, but where these cries can no longer be heard. And it is not men, only horses. From the dark group stretchers move off again. Then single shots crack out. The black heap is convulsed and becomes thinner. At last! But still it is not the end. The men cannot overtake the wounded beasts which fly in their pain, their wide open mouths full of anguish. One of the men goes down on his knee, a shot--one horse drops--another. The last one props himself on his forelegs and drags himself round in a circle like a merry-go-round; squatting, it drags round in circles on its stiffened forelegs, apparently its back is broken. The soldier runs up and shoots it. Slowly, humbly it sinks to the ground. We take our hands from our ears. The cries are silenced. Only a long-drawn, dying sigh still hangs on the air. Then again only the rockets, the singing of the shells, and the stars--and they shine out wonderfully. Detering walks up and down cursing: "Like to know what harm they've done." He returns to it once again. His voice is agitated, it sounds almost dignified as he says: "I tell you it is the vilest baseness to use horses in the war." * * We go back. It is time we returned to the lorries. The sky is become | of flocks of wild geese when I hear them. Last autumn the wild geese flew day after day across the path of the shells. The searchlights begin to sweep the dark sky. They slide along it like gigantic tapering rulers. One of them pauses, and quivers a little. Immediately a second is beside him, a black insect is caught between them and tries to escape--the airman. He hesitates, is blinded and falls. * * At regular intervals we ram in the iron stakes. Two men hold a roll and the others spool off the barbed wire. It is that awful stuff with close-set, long spikes. I am not used to unrolling it and tear my hand. After a few hours it is done. But there is still some time before the lorries come. Most of us lie down and sleep. I try also, but it has turned too chilly. Near to the sea one is constantly waked by the cold. Once I fall fast asleep. Then waking suddenly with a start I do not know where I am. I see the stars, I see the rockets, and for a moment have the impression that I have fallen asleep at a garden fête. I don't know whether it is morning or evening, I lie in the pale cradle of the twilight, and listen for soft words which will come, soft and near--am I crying? I put my hand to my eyes, it is so fantastic, am I a child? Smooth skin:--it lasts only a second, then I recognize the silhouette of Katczinsky. The old veteran, he sits quietly and smokes his pipe--a covered pipe of course. When he sees I am awake, he says: "That gave you a fright. It was only a nose-cap, it landed in the bushes over there." I sit up, I feel myself strangely alone. It's good Kat is there. He gazes thoughtfully at the front and says: "Mighty fine fire-works if they weren't so dangerous." One lands behind us. Two recruits jump up terrified. A couple of minutes later another comes over, nearer this time. Kat knocks out his pipe. "It makes a glow." Then it begins in earnest. We crawl away as well as we can in our haste. The next lands fair among us. Two fellows cry out. Green rockets shoot up on the sky-line. Barrage. The mud flies high, fragments whizz past. The crack of the guns is heard long after the roar of the explosions. Beside us lies a fair-headed recruit in utter terror. He has buried his face in his hands, his helmet has fallen off. I fish hold of it and try to put it back on his head. He looks up, pushes the helmet off and like a child creeps under my arm, his head close to my breast. The little shoulders heave. Shoulders just like Kemmerich's. I let him be. So that the helmet should be of some use I stick it on his behind;--not for a jest, but out of consideration, since that is his highest part. And though there is plenty of meat there, a shot in it can be damned painful. Besides, a man has to lie a whole month on his belly in the hospital, and afterwards he would be almost sure to have a limp. It's got someone pretty badly. Cries are heard between the explosions. At last it grows quiet. The fire has lifted over us and is now dropping on the reserves. We risk a look. Red rockets shoot up to the sky. Apparently there's an attack coming. Where we are it is still quiet. I sit up and shake the recruit by the shoulder. "All over, kid! It's all right this time." He looks round him dazedly. "You'll get used to it soon," I tell him. He sees his helmet and puts it on. Gradually he comes to. Then suddenly he turns fiery red and looks confused. Cautiously he reaches his hand to his behind and looks at me dismally. I understand at once: Gun-shy. That wasn't the reason I had stuck his helmet over it. "That's no disgrace," I reassure him: "Many's the man before you has had his pants full after the first bombardment. Go behind that bush there and throw your underpants away. Get along----" * * He goes off. Things become quieter, but the cries do not cease. "What's up, Albert?" I ask. "A couple of columns over there have got it in the neck." The cries continue. It is not men, they could not cry so terribly. "Wounded horses," says Kat. It's unendurable. It is the moaning of the world, it is the martyred creation, wild with anguish, filled with terror, and groaning. We are pale. Detering stands up. "God! For God's sake! Shoot them!"<|quote|>He is a farmer and very fond of horses. It gets under his skin. Then as if deliberately the fire dies down again. The screaming of the beasts becomes louder. One can no longer distinguish whence in this now quiet, silvery landscape it comes; ghostly, invisible, it is everywhere, between heaven and earth it rolls on immeasurably. Detering raves and yells out:</|quote|>"Shoot them! Shoot them, can't you? damn you again!" "They must look after the men first," says Kat quietly. We stand up and try to see where it is. If we could only see the animals we should be able to endure it better. Müller has a pair of glasses. We see a dark group, bearers with stretchers, and larger black clumps moving about. Those are the wounded horses. But not all of them. Some gallop away in the distance, fall down, and then run on farther. The belly of one is ripped open, the guts trail out. He becomes tangled in them and falls, then he stands up again. Detering raises his gun and aims. Kat hits it up in the air. "Are you mad----?" Detering trembles and throws his rifle on the ground. We sit down and hold our ears. But this appalling noise, these groans and screams penetrate, they penetrate everywhere. We can bear almost anything. But now the sweat breaks out on us. We must get up and run, no matter where, but where these cries can no longer be heard. And it is not men, only horses. From the dark group stretchers move off again. Then single shots crack out. The black heap is convulsed and becomes thinner. At last! But still it is not the end. The men cannot overtake the wounded beasts which fly in their pain, their wide open mouths full of anguish. One of the men goes down on his knee, a shot--one horse drops--another. The last one props himself on his forelegs and drags himself round in a circle like a merry-go-round; squatting, it drags round in circles on its stiffened forelegs, apparently its back is broken. The soldier runs up and shoots it. Slowly, humbly it sinks to the ground. We take our hands from our ears. The cries are silenced. Only a long-drawn, dying sigh still hangs on the air. Then again only the rockets, the singing of the shells, and the stars--and they shine out wonderfully. Detering walks up and down cursing: "Like to know what harm they've done." He returns to it once again. His voice is agitated, it sounds almost dignified as he says: "I tell you it is the vilest baseness to use horses in the war." * * We go back. It is time we returned to the lorries. The sky is become a bit brighter. Three o'clock in the morning. The breeze is fresh and cool, the pale hour makes our faces look grey. We trudge onward in single file through the trenches and shell-holes and come again to the zone of mist. Katczinsky is restive, that's a bad sign. "What's up, Kat?" says Kropp. "I wish I were back home." Home--he means the huts. "It won't last much longer, Kat." He is nervous. "I don't know, I don't know----" We come to the communication-trench and then to the open fields. The little wood reappears; we know every foot of ground here. There's the cemetery with the mounds and the black crosses. That moment it breaks out behind us, swells, roars, and thunders. We duck down--a cloud of flame shoots up a hundred yards ahead of us. The next minute under a second explosion part of the wood rises slowly in the air, three or four trees sail up and then crash to pieces. The shells begin to hiss like safety-valves--heavy fire---- "Take cover!" yells somebody-- "Cover!" The fields are flat, the wood is too distant and dangerous--the only cover is the graveyard and the mounds. We stumble across in the dark and as though spirited away every man lies glued behind a mound. Not a moment too soon. The dark goes mad. It heaves and raves. Darknesses blacker than the night rush on us with giant strides, over us and away. The flames of the explosions light up the graveyard. There is no escape anywhere. By the light of the shells I try to get a view of the fields. They are a surging sea, daggers of flame from the explosions leap up like fountains. It is impossible for anyone to break through it. The wood vanishes, it is pounded, crushed, torn to pieces. We must stay here in the grave-yard. The earth bursts before us. It rains clods. I feel a smack. My sleeve is torn away by a splinter. I shut my fist. No pain. Still that does not reassure me: wounds don't hurt till afterwards. I feel the arm all over. It is grazed but sound. Now a crack on the skull, I begin to lose consciousness. Like lightning the thought comes to me: Don't faint, sink down in the black broth and immediately come up to the top again. A splinter slashes into my helmet, but has | lie a whole month on his belly in the hospital, and afterwards he would be almost sure to have a limp. It's got someone pretty badly. Cries are heard between the explosions. At last it grows quiet. The fire has lifted over us and is now dropping on the reserves. We risk a look. Red rockets shoot up to the sky. Apparently there's an attack coming. Where we are it is still quiet. I sit up and shake the recruit by the shoulder. "All over, kid! It's all right this time." He looks round him dazedly. "You'll get used to it soon," I tell him. He sees his helmet and puts it on. Gradually he comes to. Then suddenly he turns fiery red and looks confused. Cautiously he reaches his hand to his behind and looks at me dismally. I understand at once: Gun-shy. That wasn't the reason I had stuck his helmet over it. "That's no disgrace," I reassure him: "Many's the man before you has had his pants full after the first bombardment. Go behind that bush there and throw your underpants away. Get along----" * * He goes off. Things become quieter, but the cries do not cease. "What's up, Albert?" I ask. "A couple of columns over there have got it in the neck." The cries continue. It is not men, they could not cry so terribly. "Wounded horses," says Kat. It's unendurable. It is the moaning of the world, it is the martyred creation, wild with anguish, filled with terror, and groaning. We are pale. Detering stands up. "God! For God's sake! Shoot them!"<|quote|>He is a farmer and very fond of horses. It gets under his skin. Then as if deliberately the fire dies down again. The screaming of the beasts becomes louder. One can no longer distinguish whence in this now quiet, silvery landscape it comes; ghostly, invisible, it is everywhere, between heaven and earth it rolls on immeasurably. Detering raves and yells out:</|quote|>"Shoot them! Shoot them, can't you? damn you again!" "They must look after the men first," says Kat quietly. We stand up and try to see where it is. If we could only see the animals we should be able to endure it better. Müller has a pair of glasses. We see a dark group, bearers with stretchers, and larger black clumps moving about. Those are the wounded horses. But not all of them. Some gallop away in the distance, fall down, and then run on farther. The belly of one is ripped open, the guts trail out. He becomes tangled in them and falls, then he stands up again. Detering raises his gun and aims. Kat hits it up in the air. "Are you mad----?" Detering trembles and throws his rifle on the ground. We sit down and hold our ears. But this appalling noise, these groans and screams penetrate, they penetrate everywhere. We can bear almost anything. But now the sweat breaks out on us. We must get up and run, no matter where, but where these cries can no longer be heard. And it is not men, only horses. From the dark group stretchers move off again. Then single shots crack out. The black heap is convulsed and becomes thinner. At last! | All Quiet on the Western Front | cries continue. It is not men, they could not cry so terribly. "Wounded horses," says Kat. It's unendurable. It is the moaning of the world, it is the martyred creation, wild with anguish, filled with terror, and groaning. We are pale. Detering stands up. "God! For God's sake! Shoot them!"<|quote|>He is a farmer and very fond of horses. It gets under his skin. Then as if deliberately the fire dies down again. The screaming of the beasts becomes louder. One can no longer distinguish whence in this now quiet, silvery landscape it comes; ghostly, invisible, it is everywhere, between heaven and earth it rolls on immeasurably. Detering raves and yells out:</|quote|>"Shoot them! Shoot them, can't you? damn you again!" "They must look after the men first," says Kat quietly. We stand up and try to see where it is. If we could only see the animals we should be able to endure it better. Müller has a pair of glasses. | {
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"content": "cries continue. It is not men, they could not cry so terribly. \"Wounded horses,\" says Kat. It's unendurable. It is the moaning of the world, it is the martyred creation, wild with anguish, filled with terror, and groaning. We are pale. Detering stands up. \"God! For God's sake! Shoot them!\"<|quote|>He is a farmer and very fond of horses. It gets under his skin. Then as if deliberately the fire dies down again. The screaming of the beasts becomes louder. One can no longer distinguish whence in this now quiet, silvery landscape it comes; ghostly, invisible, it is everywhere, between heaven and earth it rolls on immeasurably. Detering raves and yells out:</|quote|>\"Shoot them! Shoot them, can't you? damn you again!\" \"They must look after the men first,\" says Kat quietly. We stand up and try to see where it is. If we could only see the animals we should be able to endure it better. Müller has a pair of glasses.",
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"I know you are. There now, don't say anything more unless you are prepared to tell the whole truth. Go to your room and stay there until you are ready to confess." | Marilla Cuthbert | falsehood, Anne," she said sharply.<|quote|>"I know you are. There now, don't say anything more unless you are prepared to tell the whole truth. Go to your room and stay there until you are ready to confess."</|quote|>"Will I take the peas | you are telling me a falsehood, Anne," she said sharply.<|quote|>"I know you are. There now, don't say anything more unless you are prepared to tell the whole truth. Go to your room and stay there until you are ready to confess."</|quote|>"Will I take the peas with me?" said Anne meekly. | to be led to the block for it--although I'm not very certain what a block is. So there, Marilla." Anne's "so there" was only intended to emphasize her assertion, but Marilla took it as a display of defiance. "I believe you are telling me a falsehood, Anne," she said sharply.<|quote|>"I know you are. There now, don't say anything more unless you are prepared to tell the whole truth. Go to your room and stay there until you are ready to confess."</|quote|>"Will I take the peas with me?" said Anne meekly. "No, I'll finish shelling them myself. Do as I bid you." When Anne had gone Marilla went about her evening tasks in a very disturbed state of mind. She was worried about her valuable brooch. What if Anne had lost | it. Now, what have you done with it? Tell me the truth at once. Did you take it out and lose it?" "No, I didn't," said Anne solemnly, meeting Marilla's angry gaze squarely. "I never took the brooch out of your room and that is the truth, if I was to be led to the block for it--although I'm not very certain what a block is. So there, Marilla." Anne's "so there" was only intended to emphasize her assertion, but Marilla took it as a display of defiance. "I believe you are telling me a falsehood, Anne," she said sharply.<|quote|>"I know you are. There now, don't say anything more unless you are prepared to tell the whole truth. Go to your room and stay there until you are ready to confess."</|quote|>"Will I take the peas with me?" said Anne meekly. "No, I'll finish shelling them myself. Do as I bid you." When Anne had gone Marilla went about her evening tasks in a very disturbed state of mind. She was worried about her valuable brooch. What if Anne had lost it? And how wicked of the child to deny having taken it, when anybody could see she must have! With such an innocent face, too! "I don't know what I wouldn't sooner have had happen," thought Marilla, as she nervously shelled the peas. "Of course, I don't suppose she meant | or laid it in the china tray. But I'm perfectly certain I put it back." "I'll go and have another look," said Marilla, determining to be just. "If you put that brooch back it's there still. If it isn't I'll know you didn't, that's all!" Marilla went to her room and made a thorough search, not only over the bureau but in every other place she thought the brooch might possibly be. It was not to be found and she returned to the kitchen. "Anne, the brooch is gone. By your own admission you were the last person to handle it. Now, what have you done with it? Tell me the truth at once. Did you take it out and lose it?" "No, I didn't," said Anne solemnly, meeting Marilla's angry gaze squarely. "I never took the brooch out of your room and that is the truth, if I was to be led to the block for it--although I'm not very certain what a block is. So there, Marilla." Anne's "so there" was only intended to emphasize her assertion, but Marilla took it as a display of defiance. "I believe you are telling me a falsehood, Anne," she said sharply.<|quote|>"I know you are. There now, don't say anything more unless you are prepared to tell the whole truth. Go to your room and stay there until you are ready to confess."</|quote|>"Will I take the peas with me?" said Anne meekly. "No, I'll finish shelling them myself. Do as I bid you." When Anne had gone Marilla went about her evening tasks in a very disturbed state of mind. She was worried about her valuable brooch. What if Anne had lost it? And how wicked of the child to deny having taken it, when anybody could see she must have! With such an innocent face, too! "I don't know what I wouldn't sooner have had happen," thought Marilla, as she nervously shelled the peas. "Of course, I don't suppose she meant to steal it or anything like that. She's just taken it to play with or help along that imagination of hers. She must have taken it, that's clear, for there hasn't been a soul in that room since she was in it, by her own story, until I went up tonight. And the brooch is gone, there's nothing surer. I suppose she has lost it and is afraid to own up for fear she'll be punished. It's a dreadful thing to think she tells falsehoods. It's a far worse thing than her fit of temper. It's a fearful responsibility to | your door when I saw it on the cushion, so I went in to look at it." "Did you touch it?" said Marilla sternly. "Y-e-e-s," admitted Anne, "I took it up and I pinned it on my breast just to see how it would look." "You had no business to do anything of the sort. It's very wrong in a little girl to meddle. You shouldn't have gone into my room in the first place and you shouldn't have touched a brooch that didn't belong to you in the second. Where did you put it?" "Oh, I put it back on the bureau. I hadn't it on a minute. Truly, I didn't mean to meddle, Marilla. I didn't think about its being wrong to go in and try on the brooch; but I see now that it was and I'll never do it again. That's one good thing about me. I never do the same naughty thing twice." "You didn't put it back," said Marilla. "That brooch isn't anywhere on the bureau. You've taken it out or something, Anne." "I did put it back," said Anne quickly--pertly, Marilla thought. "I don't just remember whether I stuck it on the pincushion or laid it in the china tray. But I'm perfectly certain I put it back." "I'll go and have another look," said Marilla, determining to be just. "If you put that brooch back it's there still. If it isn't I'll know you didn't, that's all!" Marilla went to her room and made a thorough search, not only over the bureau but in every other place she thought the brooch might possibly be. It was not to be found and she returned to the kitchen. "Anne, the brooch is gone. By your own admission you were the last person to handle it. Now, what have you done with it? Tell me the truth at once. Did you take it out and lose it?" "No, I didn't," said Anne solemnly, meeting Marilla's angry gaze squarely. "I never took the brooch out of your room and that is the truth, if I was to be led to the block for it--although I'm not very certain what a block is. So there, Marilla." Anne's "so there" was only intended to emphasize her assertion, but Marilla took it as a display of defiance. "I believe you are telling me a falsehood, Anne," she said sharply.<|quote|>"I know you are. There now, don't say anything more unless you are prepared to tell the whole truth. Go to your room and stay there until you are ready to confess."</|quote|>"Will I take the peas with me?" said Anne meekly. "No, I'll finish shelling them myself. Do as I bid you." When Anne had gone Marilla went about her evening tasks in a very disturbed state of mind. She was worried about her valuable brooch. What if Anne had lost it? And how wicked of the child to deny having taken it, when anybody could see she must have! With such an innocent face, too! "I don't know what I wouldn't sooner have had happen," thought Marilla, as she nervously shelled the peas. "Of course, I don't suppose she meant to steal it or anything like that. She's just taken it to play with or help along that imagination of hers. She must have taken it, that's clear, for there hasn't been a soul in that room since she was in it, by her own story, until I went up tonight. And the brooch is gone, there's nothing surer. I suppose she has lost it and is afraid to own up for fear she'll be punished. It's a dreadful thing to think she tells falsehoods. It's a far worse thing than her fit of temper. It's a fearful responsibility to have a child in your house you can't trust. Slyness and untruthfulness--that's what she has displayed. I declare I feel worse about that than about the brooch. If she'd only have told the truth about it I wouldn't mind so much." Marilla went to her room at intervals all through the evening and searched for the brooch, without finding it. A bedtime visit to the east gable produced no result. Anne persisted in denying that she knew anything about the brooch but Marilla was only the more firmly convinced that she did. She told Matthew the story the next morning. Matthew was confounded and puzzled; he could not so quickly lose faith in Anne but he had to admit that circumstances were against her. "You're sure it hasn't fell down behind the bureau?" was the only suggestion he could offer. "I've moved the bureau and I've taken out the drawers and I've looked in every crack and cranny" was Marilla's positive answer. "The brooch is gone and that child has taken it and lied about it. That's the plain, ugly truth, Matthew Cuthbert, and we might as well look it in the face." "Well now, what are you going to | for they shall not be disappointed.' "But I think it would be worse to expect nothing than to be disappointed." Marilla wore her amethyst brooch to church that day as usual. Marilla always wore her amethyst brooch to church. She would have thought it rather sacrilegious to leave it off--as bad as forgetting her Bible or her collection dime. That amethyst brooch was Marilla's most treasured possession. A seafaring uncle had given it to her mother who in turn had bequeathed it to Marilla. It was an old-fashioned oval, containing a braid of her mother's hair, surrounded by a border of very fine amethysts. Marilla knew too little about precious stones to realize how fine the amethysts actually were; but she thought them very beautiful and was always pleasantly conscious of their violet shimmer at her throat, above her good brown satin dress, even although she could not see it. Anne had been smitten with delighted admiration when she first saw that brooch. "Oh, Marilla, it's a perfectly elegant brooch. I don't know how you can pay attention to the sermon or the prayers when you have it on. I couldn't, I know. I think amethysts are just sweet. They are what I used to think diamonds were like. Long ago, before I had ever seen a diamond, I read about them and I tried to imagine what they would be like. I thought they would be lovely glimmering purple stones. When I saw a real diamond in a lady's ring one day I was so disappointed I cried. Of course, it was very lovely but it wasn't my idea of a diamond. Will you let me hold the brooch for one minute, Marilla? Do you think amethysts can be the souls of good violets?" CHAPTER XIV. Anne's Confession |ON the Monday evening before the picnic Marilla came down from her room with a troubled face. "Anne," she said to that small personage, who was shelling peas by the spotless table and singing, "Nelly of the Hazel Dell" with a vigor and expression that did credit to Diana's teaching, "did you see anything of my amethyst brooch? I thought I stuck it in my pincushion when I came home from church yesterday evening, but I can't find it anywhere." "I--I saw it this afternoon when you were away at the Aid Society," said Anne, a little slowly. "I was passing your door when I saw it on the cushion, so I went in to look at it." "Did you touch it?" said Marilla sternly. "Y-e-e-s," admitted Anne, "I took it up and I pinned it on my breast just to see how it would look." "You had no business to do anything of the sort. It's very wrong in a little girl to meddle. You shouldn't have gone into my room in the first place and you shouldn't have touched a brooch that didn't belong to you in the second. Where did you put it?" "Oh, I put it back on the bureau. I hadn't it on a minute. Truly, I didn't mean to meddle, Marilla. I didn't think about its being wrong to go in and try on the brooch; but I see now that it was and I'll never do it again. That's one good thing about me. I never do the same naughty thing twice." "You didn't put it back," said Marilla. "That brooch isn't anywhere on the bureau. You've taken it out or something, Anne." "I did put it back," said Anne quickly--pertly, Marilla thought. "I don't just remember whether I stuck it on the pincushion or laid it in the china tray. But I'm perfectly certain I put it back." "I'll go and have another look," said Marilla, determining to be just. "If you put that brooch back it's there still. If it isn't I'll know you didn't, that's all!" Marilla went to her room and made a thorough search, not only over the bureau but in every other place she thought the brooch might possibly be. It was not to be found and she returned to the kitchen. "Anne, the brooch is gone. By your own admission you were the last person to handle it. Now, what have you done with it? Tell me the truth at once. Did you take it out and lose it?" "No, I didn't," said Anne solemnly, meeting Marilla's angry gaze squarely. "I never took the brooch out of your room and that is the truth, if I was to be led to the block for it--although I'm not very certain what a block is. So there, Marilla." Anne's "so there" was only intended to emphasize her assertion, but Marilla took it as a display of defiance. "I believe you are telling me a falsehood, Anne," she said sharply.<|quote|>"I know you are. There now, don't say anything more unless you are prepared to tell the whole truth. Go to your room and stay there until you are ready to confess."</|quote|>"Will I take the peas with me?" said Anne meekly. "No, I'll finish shelling them myself. Do as I bid you." When Anne had gone Marilla went about her evening tasks in a very disturbed state of mind. She was worried about her valuable brooch. What if Anne had lost it? And how wicked of the child to deny having taken it, when anybody could see she must have! With such an innocent face, too! "I don't know what I wouldn't sooner have had happen," thought Marilla, as she nervously shelled the peas. "Of course, I don't suppose she meant to steal it or anything like that. She's just taken it to play with or help along that imagination of hers. She must have taken it, that's clear, for there hasn't been a soul in that room since she was in it, by her own story, until I went up tonight. And the brooch is gone, there's nothing surer. I suppose she has lost it and is afraid to own up for fear she'll be punished. It's a dreadful thing to think she tells falsehoods. It's a far worse thing than her fit of temper. It's a fearful responsibility to have a child in your house you can't trust. Slyness and untruthfulness--that's what she has displayed. I declare I feel worse about that than about the brooch. If she'd only have told the truth about it I wouldn't mind so much." Marilla went to her room at intervals all through the evening and searched for the brooch, without finding it. A bedtime visit to the east gable produced no result. Anne persisted in denying that she knew anything about the brooch but Marilla was only the more firmly convinced that she did. She told Matthew the story the next morning. Matthew was confounded and puzzled; he could not so quickly lose faith in Anne but he had to admit that circumstances were against her. "You're sure it hasn't fell down behind the bureau?" was the only suggestion he could offer. "I've moved the bureau and I've taken out the drawers and I've looked in every crack and cranny" was Marilla's positive answer. "The brooch is gone and that child has taken it and lied about it. That's the plain, ugly truth, Matthew Cuthbert, and we might as well look it in the face." "Well now, what are you going to do about it?" Matthew asked forlornly, feeling secretly thankful that Marilla and not he had to deal with the situation. He felt no desire to put his oar in this time. "She'll stay in her room until she confesses," said Marilla grimly, remembering the success of this method in the former case. "Then we'll see. Perhaps we'll be able to find the brooch if she'll only tell where she took it; but in any case she'll have to be severely punished, Matthew." "Well now, you'll have to punish her," said Matthew, reaching for his hat. "I've nothing to do with it, remember. You warned me off yourself." Marilla felt deserted by everyone. She could not even go to Mrs. Lynde for advice. She went up to the east gable with a very serious face and left it with a face more serious still. Anne steadfastly refused to confess. She persisted in asserting that she had not taken the brooch. The child had evidently been crying and Marilla felt a pang of pity which she sternly repressed. By night she was, as she expressed it, "beat out." "You'll stay in this room until you confess, Anne. You can make up your mind to that," she said firmly. "But the picnic is tomorrow, Marilla," cried Anne. "You won't keep me from going to that, will you? You'll just let me out for the afternoon, won't you? Then I'll stay here as long as you like _afterwards_ cheerfully. But I _must_ go to the picnic." "You'll not go to picnics nor anywhere else until you've confessed, Anne." "Oh, Marilla," gasped Anne. But Marilla had gone out and shut the door. Wednesday morning dawned as bright and fair as if expressly made to order for the picnic. Birds sang around Green Gables; the Madonna lilies in the garden sent out whiffs of perfume that entered in on viewless winds at every door and window, and wandered through halls and rooms like spirits of benediction. The birches in the hollow waved joyful hands as if watching for Anne's usual morning greeting from the east gable. But Anne was not at her window. When Marilla took her breakfast up to her she found the child sitting primly on her bed, pale and resolute, with tight-shut lips and gleaming eyes. "Marilla, I'm ready to confess." "Ah!" Marilla laid down her tray. Once again her method had succeeded; | I cried. Of course, it was very lovely but it wasn't my idea of a diamond. Will you let me hold the brooch for one minute, Marilla? Do you think amethysts can be the souls of good violets?" CHAPTER XIV. Anne's Confession |ON the Monday evening before the picnic Marilla came down from her room with a troubled face. "Anne," she said to that small personage, who was shelling peas by the spotless table and singing, "Nelly of the Hazel Dell" with a vigor and expression that did credit to Diana's teaching, "did you see anything of my amethyst brooch? I thought I stuck it in my pincushion when I came home from church yesterday evening, but I can't find it anywhere." "I--I saw it this afternoon when you were away at the Aid Society," said Anne, a little slowly. "I was passing your door when I saw it on the cushion, so I went in to look at it." "Did you touch it?" said Marilla sternly. "Y-e-e-s," admitted Anne, "I took it up and I pinned it on my breast just to see how it would look." "You had no business to do anything of the sort. It's very wrong in a little girl to meddle. You shouldn't have gone into my room in the first place and you shouldn't have touched a brooch that didn't belong to you in the second. Where did you put it?" "Oh, I put it back on the bureau. I hadn't it on a minute. Truly, I didn't mean to meddle, Marilla. I didn't think about its being wrong to go in and try on the brooch; but I see now that it was and I'll never do it again. That's one good thing about me. I never do the same naughty thing twice." "You didn't put it back," said Marilla. "That brooch isn't anywhere on the bureau. You've taken it out or something, Anne." "I did put it back," said Anne quickly--pertly, Marilla thought. "I don't just remember whether I stuck it on the pincushion or laid it in the china tray. But I'm perfectly certain I put it back." "I'll go and have another look," said Marilla, determining to be just. "If you put that brooch back it's there still. If it isn't I'll know you didn't, that's all!" Marilla went to her room and made a thorough search, not only over the bureau but in every other place she thought the brooch might possibly be. It was not to be found and she returned to the kitchen. "Anne, the brooch is gone. By your own admission you were the last person to handle it. Now, what have you done with it? Tell me the truth at once. Did you take it out and lose it?" "No, I didn't," said Anne solemnly, meeting Marilla's angry gaze squarely. "I never took the brooch out of your room and that is the truth, if I was to be led to the block for it--although I'm not very certain what a block is. So there, Marilla." Anne's "so there" was only intended to emphasize her assertion, but Marilla took it as a display of defiance. "I believe you are telling me a falsehood, Anne," she said sharply.<|quote|>"I know you are. There now, don't say anything more unless you are prepared to tell the whole truth. Go to your room and stay there until you are ready to confess."</|quote|>"Will I take the peas with me?" said Anne meekly. "No, I'll finish shelling them myself. Do as I bid you." When Anne had gone Marilla went about her evening tasks in a very disturbed state of mind. She was worried about her valuable brooch. What if Anne had lost it? And how wicked of the child to deny having taken it, when anybody could see she must have! With such an innocent face, too! "I don't know what I wouldn't sooner have had happen," thought Marilla, as she nervously shelled the peas. "Of course, I don't suppose she meant to steal it or anything like that. She's just taken it to play with or help along that imagination of hers. She must have taken it, that's clear, for there hasn't been a soul in that room since she was in it, by her own story, until I went up tonight. And the brooch is gone, there's nothing surer. I suppose she has lost it and is afraid to own up for fear she'll be punished. It's a dreadful thing to think she tells falsehoods. It's a far worse thing than her fit of temper. It's a fearful responsibility to have a child in your house you can't trust. Slyness and untruthfulness--that's what she has displayed. I declare I feel worse about that than about the brooch. If she'd only have told the truth about it I wouldn't mind so much." Marilla went to her room at intervals all through the evening and searched for the brooch, without finding it. A bedtime visit to the east gable produced no result. Anne persisted in denying that she knew anything about the brooch but Marilla was only the more firmly convinced that she did. She told Matthew the story the next morning. Matthew was confounded and puzzled; he could not so quickly lose faith in Anne but he had to admit that circumstances were against her. "You're sure it hasn't fell down behind the bureau?" was the only suggestion he could offer. "I've moved the bureau and I've taken out the drawers and I've looked in every crack and cranny" was Marilla's positive answer. "The brooch is gone and that child has taken it and lied about it. That's the plain, ugly truth, Matthew Cuthbert, | Anne Of Green Gables | to be led to the block for it--although I'm not very certain what a block is. So there, Marilla." Anne's "so there" was only intended to emphasize her assertion, but Marilla took it as a display of defiance. "I believe you are telling me a falsehood, Anne," she said sharply.<|quote|>"I know you are. There now, don't say anything more unless you are prepared to tell the whole truth. Go to your room and stay there until you are ready to confess."</|quote|>"Will I take the peas with me?" said Anne meekly. "No, I'll finish shelling them myself. Do as I bid you." When Anne had gone Marilla went about her evening tasks in a very disturbed state of mind. She was worried about her valuable brooch. What if Anne had lost | {
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"content": "to be led to the block for it--although I'm not very certain what a block is. So there, Marilla.\" Anne's \"so there\" was only intended to emphasize her assertion, but Marilla took it as a display of defiance. \"I believe you are telling me a falsehood, Anne,\" she said sharply.<|quote|>\"I know you are. There now, don't say anything more unless you are prepared to tell the whole truth. Go to your room and stay there until you are ready to confess.\"</|quote|>\"Will I take the peas with me?\" said Anne meekly. \"No, I'll finish shelling them myself. Do as I bid you.\" When Anne had gone Marilla went about her evening tasks in a very disturbed state of mind. She was worried about her valuable brooch. What if Anne had lost",
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"Your hair wants cutting," | The Hatter | great many more than three."<|quote|>"Your hair wants cutting,"</|quote|>said the Hatter. He had | Alice; "it's laid for a great many more than three."<|quote|>"Your hair wants cutting,"</|quote|>said the Hatter. He had been looking at Alice for | the March Hare. "Then it wasn't very civil of you to offer it," said Alice angrily. "It wasn't very civil of you to sit down without being invited," said the March Hare. "I didn't know it was _your_ table," said Alice; "it's laid for a great many more than three."<|quote|>"Your hair wants cutting,"</|quote|>said the Hatter. He had been looking at Alice for some time with great curiosity, and this was his first speech. "You should learn not to make personal remarks," Alice said with some severity; "it's very rude." The Hatter opened his eyes very wide on hearing this; but all he | and she sat down in a large arm-chair at one end of the table. "Have some wine," the March Hare said in an encouraging tone. Alice looked all round the table, but there was nothing on it but tea. "I don't see any wine," she remarked. "There isn't any," said the March Hare. "Then it wasn't very civil of you to offer it," said Alice angrily. "It wasn't very civil of you to sit down without being invited," said the March Hare. "I didn't know it was _your_ table," said Alice; "it's laid for a great many more than three."<|quote|>"Your hair wants cutting,"</|quote|>said the Hatter. He had been looking at Alice for some time with great curiosity, and this was his first speech. "You should learn not to make personal remarks," Alice said with some severity; "it's very rude." The Hatter opened his eyes very wide on hearing this; but all he _said_ was, "Why is a raven like a writing-desk?" "Come, we shall have some fun now!" thought Alice. "I'm glad they've begun asking riddles." "--I believe I can guess that" ," she added aloud. "Do you mean that you think you can find out the answer to it?" said the | a tree in front of the house, and the March Hare and the Hatter were having tea at it: a Dormouse was sitting between them, fast asleep, and the other two were using it as a cushion, resting their elbows on it, and talking over its head. "Very uncomfortable for the Dormouse," thought Alice; "only, as it's asleep, I suppose it doesn't mind." The table was a large one, but the three were all crowded together at one corner of it: "No room! No room!" they cried out when they saw Alice coming. "There's _plenty_ of room!" said Alice indignantly, and she sat down in a large arm-chair at one end of the table. "Have some wine," the March Hare said in an encouraging tone. Alice looked all round the table, but there was nothing on it but tea. "I don't see any wine," she remarked. "There isn't any," said the March Hare. "Then it wasn't very civil of you to offer it," said Alice angrily. "It wasn't very civil of you to sit down without being invited," said the March Hare. "I didn't know it was _your_ table," said Alice; "it's laid for a great many more than three."<|quote|>"Your hair wants cutting,"</|quote|>said the Hatter. He had been looking at Alice for some time with great curiosity, and this was his first speech. "You should learn not to make personal remarks," Alice said with some severity; "it's very rude." The Hatter opened his eyes very wide on hearing this; but all he _said_ was, "Why is a raven like a writing-desk?" "Come, we shall have some fun now!" thought Alice. "I'm glad they've begun asking riddles." "--I believe I can guess that" ," she added aloud. "Do you mean that you think you can find out the answer to it?" said the March Hare. "Exactly so," said Alice. "Then you should say what you mean," the March Hare went on. "I do," Alice hastily replied; "at least--at least I mean what I say--that's the same thing, you know." "Not the same thing a bit!" said the Hatter. "You might just as well say that 'I see what I eat' is the same thing as 'I eat what I see'!" "You might just as well say," added the March Hare, "that 'I like what I get' is the same thing as 'I get what I like'!" "You might just as well say," added | "I said pig," replied Alice; "and I wish you wouldn't keep appearing and vanishing so suddenly: you make one quite giddy." "All right," said the Cat; and this time it vanished quite slowly, beginning with the end of the tail, and ending with the grin, which remained some time after the rest of it had gone. "Well! I've often seen a cat without a grin," thought Alice; "but a grin without a cat! It's the most curious thing I ever saw in my life!" She had not gone much farther before she came in sight of the house of the March Hare: she thought it must be the right house, because the chimneys were shaped like ears and the roof was thatched with fur. It was so large a house, that she did not like to go nearer till she had nibbled some more of the lefthand bit of mushroom, and raised herself to about two feet high: even then she walked up towards it rather timidly, saying to herself "Suppose it should be raving mad after all! I almost wish I'd gone to see the Hatter instead!" CHAPTER VII. A Mad Tea-Party There was a table set out under a tree in front of the house, and the March Hare and the Hatter were having tea at it: a Dormouse was sitting between them, fast asleep, and the other two were using it as a cushion, resting their elbows on it, and talking over its head. "Very uncomfortable for the Dormouse," thought Alice; "only, as it's asleep, I suppose it doesn't mind." The table was a large one, but the three were all crowded together at one corner of it: "No room! No room!" they cried out when they saw Alice coming. "There's _plenty_ of room!" said Alice indignantly, and she sat down in a large arm-chair at one end of the table. "Have some wine," the March Hare said in an encouraging tone. Alice looked all round the table, but there was nothing on it but tea. "I don't see any wine," she remarked. "There isn't any," said the March Hare. "Then it wasn't very civil of you to offer it," said Alice angrily. "It wasn't very civil of you to sit down without being invited," said the March Hare. "I didn't know it was _your_ table," said Alice; "it's laid for a great many more than three."<|quote|>"Your hair wants cutting,"</|quote|>said the Hatter. He had been looking at Alice for some time with great curiosity, and this was his first speech. "You should learn not to make personal remarks," Alice said with some severity; "it's very rude." The Hatter opened his eyes very wide on hearing this; but all he _said_ was, "Why is a raven like a writing-desk?" "Come, we shall have some fun now!" thought Alice. "I'm glad they've begun asking riddles." "--I believe I can guess that" ," she added aloud. "Do you mean that you think you can find out the answer to it?" said the March Hare. "Exactly so," said Alice. "Then you should say what you mean," the March Hare went on. "I do," Alice hastily replied; "at least--at least I mean what I say--that's the same thing, you know." "Not the same thing a bit!" said the Hatter. "You might just as well say that 'I see what I eat' is the same thing as 'I eat what I see'!" "You might just as well say," added the March Hare, "that 'I like what I get' is the same thing as 'I get what I like'!" "You might just as well say," added the Dormouse, who seemed to be talking in his sleep, "that 'I breathe when I sleep' is the same thing as 'I sleep when I breathe'!" "It _is_ the same thing with you," said the Hatter, and here the conversation dropped, and the party sat silent for a minute, while Alice thought over all she could remember about ravens and writing-desks, which wasn't much. The Hatter was the first to break the silence. "What day of the month is it?" he said, turning to Alice: he had taken his watch out of his pocket, and was looking at it uneasily, shaking it every now and then, and holding it to his ear. Alice considered a little, and then said "The fourth." "Two days wrong!" sighed the Hatter. "I told you butter wouldn't suit the works!" he added looking angrily at the March Hare. "It was the _best_ butter," the March Hare meekly replied. "Yes, but some crumbs must have got in as well," the Hatter grumbled: "you shouldn't have put it in with the bread-knife." The March Hare took the watch and looked at it gloomily: then he dipped it into his cup of tea, and looked at it again: | long enough." Alice felt that this could not be denied, so she tried another question. "What sort of people live about here?" "In _that_ direction," the Cat said, waving its right paw round, "lives a Hatter: and in _that_ direction," waving the other paw, "lives a March Hare. Visit either you like: they're both mad." "But I don't want to go among mad people," Alice remarked. "Oh, you can't help that," said the Cat: "we're all mad here. I'm mad. You're mad." "How do you know I'm mad?" said Alice. "You must be," said the Cat, "or you wouldn't have come here." Alice didn't think that proved it at all; however, she went on "And how do you know that you're mad?" "To begin with," said the Cat, "a dog's not mad. You grant that?" "I suppose so," said Alice. "Well, then," the Cat went on, "you see, a dog growls when it's angry, and wags its tail when it's pleased. Now _I_ growl when I'm pleased, and wag my tail when I'm angry. Therefore I'm mad." "_I_ call it purring, not growling," said Alice. "Call it what you like," said the Cat. "Do you play croquet with the Queen to-day?" "I should like it very much," said Alice, "but I haven't been invited yet." "You'll see me there," said the Cat, and vanished. Alice was not much surprised at this, she was getting so used to queer things happening. While she was looking at the place where it had been, it suddenly appeared again. "By-the-bye, what became of the baby?" said the Cat. "I'd nearly forgotten to ask." "It turned into a pig," Alice quietly said, just as if it had come back in a natural way. "I thought it would," said the Cat, and vanished again. Alice waited a little, half expecting to see it again, but it did not appear, and after a minute or two she walked on in the direction in which the March Hare was said to live. "I've seen hatters before," she said to herself; "the March Hare will be much the most interesting, and perhaps as this is May it won't be raving mad--at least not so mad as it was in March." As she said this, she looked up, and there was the Cat again, sitting on a branch of a tree. "Did you say pig, or fig?" said the Cat. "I said pig," replied Alice; "and I wish you wouldn't keep appearing and vanishing so suddenly: you make one quite giddy." "All right," said the Cat; and this time it vanished quite slowly, beginning with the end of the tail, and ending with the grin, which remained some time after the rest of it had gone. "Well! I've often seen a cat without a grin," thought Alice; "but a grin without a cat! It's the most curious thing I ever saw in my life!" She had not gone much farther before she came in sight of the house of the March Hare: she thought it must be the right house, because the chimneys were shaped like ears and the roof was thatched with fur. It was so large a house, that she did not like to go nearer till she had nibbled some more of the lefthand bit of mushroom, and raised herself to about two feet high: even then she walked up towards it rather timidly, saying to herself "Suppose it should be raving mad after all! I almost wish I'd gone to see the Hatter instead!" CHAPTER VII. A Mad Tea-Party There was a table set out under a tree in front of the house, and the March Hare and the Hatter were having tea at it: a Dormouse was sitting between them, fast asleep, and the other two were using it as a cushion, resting their elbows on it, and talking over its head. "Very uncomfortable for the Dormouse," thought Alice; "only, as it's asleep, I suppose it doesn't mind." The table was a large one, but the three were all crowded together at one corner of it: "No room! No room!" they cried out when they saw Alice coming. "There's _plenty_ of room!" said Alice indignantly, and she sat down in a large arm-chair at one end of the table. "Have some wine," the March Hare said in an encouraging tone. Alice looked all round the table, but there was nothing on it but tea. "I don't see any wine," she remarked. "There isn't any," said the March Hare. "Then it wasn't very civil of you to offer it," said Alice angrily. "It wasn't very civil of you to sit down without being invited," said the March Hare. "I didn't know it was _your_ table," said Alice; "it's laid for a great many more than three."<|quote|>"Your hair wants cutting,"</|quote|>said the Hatter. He had been looking at Alice for some time with great curiosity, and this was his first speech. "You should learn not to make personal remarks," Alice said with some severity; "it's very rude." The Hatter opened his eyes very wide on hearing this; but all he _said_ was, "Why is a raven like a writing-desk?" "Come, we shall have some fun now!" thought Alice. "I'm glad they've begun asking riddles." "--I believe I can guess that" ," she added aloud. "Do you mean that you think you can find out the answer to it?" said the March Hare. "Exactly so," said Alice. "Then you should say what you mean," the March Hare went on. "I do," Alice hastily replied; "at least--at least I mean what I say--that's the same thing, you know." "Not the same thing a bit!" said the Hatter. "You might just as well say that 'I see what I eat' is the same thing as 'I eat what I see'!" "You might just as well say," added the March Hare, "that 'I like what I get' is the same thing as 'I get what I like'!" "You might just as well say," added the Dormouse, who seemed to be talking in his sleep, "that 'I breathe when I sleep' is the same thing as 'I sleep when I breathe'!" "It _is_ the same thing with you," said the Hatter, and here the conversation dropped, and the party sat silent for a minute, while Alice thought over all she could remember about ravens and writing-desks, which wasn't much. The Hatter was the first to break the silence. "What day of the month is it?" he said, turning to Alice: he had taken his watch out of his pocket, and was looking at it uneasily, shaking it every now and then, and holding it to his ear. Alice considered a little, and then said "The fourth." "Two days wrong!" sighed the Hatter. "I told you butter wouldn't suit the works!" he added looking angrily at the March Hare. "It was the _best_ butter," the March Hare meekly replied. "Yes, but some crumbs must have got in as well," the Hatter grumbled: "you shouldn't have put it in with the bread-knife." The March Hare took the watch and looked at it gloomily: then he dipped it into his cup of tea, and looked at it again: but he could think of nothing better to say than his first remark, "It was the _best_ butter, you know." Alice had been looking over his shoulder with some curiosity. "What a funny watch!" she remarked. "It tells the day of the month, and doesn't tell what o'clock it is!" "Why should it?" muttered the Hatter. "Does _your_ watch tell you what year it is?" "Of course not," Alice replied very readily: "but that's because it stays the same year for such a long time together." "Which is just the case with _mine_," said the Hatter. Alice felt dreadfully puzzled. The Hatter's remark seemed to have no sort of meaning in it, and yet it was certainly English. "I don't quite understand you," she said, as politely as she could. "The Dormouse is asleep again," said the Hatter, and he poured a little hot tea upon its nose. The Dormouse shook its head impatiently, and said, without opening its eyes, "Of course, of course; just what I was going to remark myself." "Have you guessed the riddle yet?" the Hatter said, turning to Alice again. "No, I give it up," Alice replied: "what's the answer?" "I haven't the slightest idea," said the Hatter. "Nor I," said the March Hare. Alice sighed wearily. "I think you might do something better with the time," she said, "than waste it in asking riddles that have no answers." "If you knew Time as well as I do," said the Hatter, "you wouldn't talk about wasting _it_. It's _him_." "I don't know what you mean," said Alice. "Of course you don't!" the Hatter said, tossing his head contemptuously. "I dare say you never even spoke to Time!" "Perhaps not," Alice cautiously replied: "but I know I have to beat time when I learn music." "Ah! that accounts for it," said the Hatter. "He won't stand beating. Now, if you only kept on good terms with him, he'd do almost anything you liked with the clock. For instance, suppose it were nine o'clock in the morning, just time to begin lessons: you'd only have to whisper a hint to Time, and round goes the clock in a twinkling! Half-past one, time for dinner!" (" "I only wish it was," the March Hare said to itself in a whisper.) "That would be grand, certainly," said Alice thoughtfully: "but then--I shouldn't be hungry for it, you know." "Not | with the grin, which remained some time after the rest of it had gone. "Well! I've often seen a cat without a grin," thought Alice; "but a grin without a cat! It's the most curious thing I ever saw in my life!" She had not gone much farther before she came in sight of the house of the March Hare: she thought it must be the right house, because the chimneys were shaped like ears and the roof was thatched with fur. It was so large a house, that she did not like to go nearer till she had nibbled some more of the lefthand bit of mushroom, and raised herself to about two feet high: even then she walked up towards it rather timidly, saying to herself "Suppose it should be raving mad after all! I almost wish I'd gone to see the Hatter instead!" CHAPTER VII. A Mad Tea-Party There was a table set out under a tree in front of the house, and the March Hare and the Hatter were having tea at it: a Dormouse was sitting between them, fast asleep, and the other two were using it as a cushion, resting their elbows on it, and talking over its head. "Very uncomfortable for the Dormouse," thought Alice; "only, as it's asleep, I suppose it doesn't mind." The table was a large one, but the three were all crowded together at one corner of it: "No room! No room!" they cried out when they saw Alice coming. "There's _plenty_ of room!" said Alice indignantly, and she sat down in a large arm-chair at one end of the table. "Have some wine," the March Hare said in an encouraging tone. Alice looked all round the table, but there was nothing on it but tea. "I don't see any wine," she remarked. "There isn't any," said the March Hare. "Then it wasn't very civil of you to offer it," said Alice angrily. "It wasn't very civil of you to sit down without being invited," said the March Hare. "I didn't know it was _your_ table," said Alice; "it's laid for a great many more than three."<|quote|>"Your hair wants cutting,"</|quote|>said the Hatter. He had been looking at Alice for some time with great curiosity, and this was his first speech. "You should learn not to make personal remarks," Alice said with some severity; "it's very rude." The Hatter opened his eyes very wide on hearing this; but all he _said_ was, "Why is a raven like a writing-desk?" "Come, we shall have some fun now!" thought Alice. "I'm glad they've begun asking riddles." "--I believe I can guess that" ," she added aloud. "Do you mean that you think you can find out the answer to it?" said the March Hare. "Exactly so," said Alice. "Then you should say what you mean," the March Hare went on. "I do," Alice hastily replied; "at least--at least I mean what I say--that's the same thing, you know." "Not the same thing a bit!" said the Hatter. "You might just as well say that 'I see what I eat' is the same thing as 'I eat what I see'!" "You might just as well say," added the March Hare, "that 'I like what I get' is the same thing as 'I get what I like'!" "You might just as well say," added the Dormouse, who seemed to be talking in his sleep, "that 'I breathe when I sleep' is the same thing as 'I sleep when I breathe'!" "It _is_ the same thing with you," said the Hatter, and here the conversation dropped, and the party sat silent for a minute, while Alice thought over all she could remember about ravens and writing-desks, which wasn't much. The Hatter was the first to break the silence. "What day of the month is it?" he said, turning to Alice: he had taken his watch out | Alices Adventures In Wonderland | the March Hare. "Then it wasn't very civil of you to offer it," said Alice angrily. "It wasn't very civil of you to sit down without being invited," said the March Hare. "I didn't know it was _your_ table," said Alice; "it's laid for a great many more than three."<|quote|>"Your hair wants cutting,"</|quote|>said the Hatter. He had been looking at Alice for some time with great curiosity, and this was his first speech. "You should learn not to make personal remarks," Alice said with some severity; "it's very rude." The Hatter opened his eyes very wide on hearing this; but all he | {
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"That I can't remember," | The Hatter | one of the jury asked.<|quote|>"That I can't remember,"</|quote|>said the Hatter. "You _must_ | what did the Dormouse say?" one of the jury asked.<|quote|>"That I can't remember,"</|quote|>said the Hatter. "You _must_ remember," remarked the King, "or | at any rate, the Dormouse said--" the Hatter went on, looking anxiously round to see if he would deny it too: but the Dormouse denied nothing, being fast asleep. "After that," continued the Hatter, "I cut some more bread-and-butter--" "But what did the Dormouse say?" one of the jury asked.<|quote|>"That I can't remember,"</|quote|>said the Hatter. "You _must_ remember," remarked the King, "or I'll have you executed." The miserable Hatter dropped his teacup and bread-and-butter, and went down on one knee. "I'm a poor man, your Majesty," he began. "You're a _very_ poor _speaker_," said the King. Here one of the guinea-pigs cheered, | a poor man," the Hatter went on, "and most things twinkled after that--only the March Hare said--" "I didn't!" the March Hare interrupted in a great hurry. "You did!" said the Hatter. "I deny it!" said the March Hare. "He denies it," said the King: "leave out that part." "Well, at any rate, the Dormouse said--" the Hatter went on, looking anxiously round to see if he would deny it too: but the Dormouse denied nothing, being fast asleep. "After that," continued the Hatter, "I cut some more bread-and-butter--" "But what did the Dormouse say?" one of the jury asked.<|quote|>"That I can't remember,"</|quote|>said the Hatter. "You _must_ remember," remarked the King, "or I'll have you executed." The miserable Hatter dropped his teacup and bread-and-butter, and went down on one knee. "I'm a poor man, your Majesty," he began. "You're a _very_ poor _speaker_," said the King. Here one of the guinea-pigs cheered, and was immediately suppressed by the officers of the court. (As that is rather a hard word, I will just explain to you how it was done. They had a large canvas bag, which tied up at the mouth with strings: into this they slipped the guinea-pig, head first, and | Hatter trembled so, that he shook both his shoes off. "Give your evidence," the King repeated angrily, "or I'll have you executed, whether you're nervous or not." "I'm a poor man, your Majesty," the Hatter began, in a trembling voice, "--and I hadn't begun my tea--not above a week or so--and what with the bread-and-butter getting so thin--and the twinkling of the tea--" "The twinkling of the _what?_" said the King. "It _began_ with the tea," the Hatter replied. "Of course twinkling begins with a T!" said the King sharply. "Do you take me for a dunce? Go on!" "I'm a poor man," the Hatter went on, "and most things twinkled after that--only the March Hare said--" "I didn't!" the March Hare interrupted in a great hurry. "You did!" said the Hatter. "I deny it!" said the March Hare. "He denies it," said the King: "leave out that part." "Well, at any rate, the Dormouse said--" the Hatter went on, looking anxiously round to see if he would deny it too: but the Dormouse denied nothing, being fast asleep. "After that," continued the Hatter, "I cut some more bread-and-butter--" "But what did the Dormouse say?" one of the jury asked.<|quote|>"That I can't remember,"</|quote|>said the Hatter. "You _must_ remember," remarked the King, "or I'll have you executed." The miserable Hatter dropped his teacup and bread-and-butter, and went down on one knee. "I'm a poor man, your Majesty," he began. "You're a _very_ poor _speaker_," said the King. Here one of the guinea-pigs cheered, and was immediately suppressed by the officers of the court. (As that is rather a hard word, I will just explain to you how it was done. They had a large canvas bag, which tied up at the mouth with strings: into this they slipped the guinea-pig, head first, and then sat upon it.) "I'm glad I've seen that done," thought Alice. "I've so often read in the newspapers, at the end of trials," "There was some attempts at applause, which was immediately suppressed by the officers of the court," "and I never understood what it meant till now." "If that's all you know about it, you may stand down," continued the King. "I can't go no lower," said the Hatter: "I'm on the floor, as it is." "Then you may _sit_ down," the King replied. Here the other guinea-pig cheered, and was suppressed. "Come, that finished the guinea-pigs!" thought | large piece out of his teacup instead of the bread-and-butter. Just at this moment Alice felt a very curious sensation, which puzzled her a good deal until she made out what it was: she was beginning to grow larger again, and she thought at first she would get up and leave the court; but on second thoughts she decided to remain where she was as long as there was room for her. "I wish you wouldn't squeeze so." said the Dormouse, who was sitting next to her. "I can hardly breathe." "I can't help it," said Alice very meekly: "I'm growing." "You've no right to grow _here_," said the Dormouse. "Don't talk nonsense," said Alice more boldly: "you know you're growing too." "Yes, but _I_ grow at a reasonable pace," said the Dormouse: "not in that ridiculous fashion." And he got up very sulkily and crossed over to the other side of the court. All this time the Queen had never left off staring at the Hatter, and, just as the Dormouse crossed the court, she said to one of the officers of the court, "Bring me the list of the singers in the last concert!" on which the wretched Hatter trembled so, that he shook both his shoes off. "Give your evidence," the King repeated angrily, "or I'll have you executed, whether you're nervous or not." "I'm a poor man, your Majesty," the Hatter began, in a trembling voice, "--and I hadn't begun my tea--not above a week or so--and what with the bread-and-butter getting so thin--and the twinkling of the tea--" "The twinkling of the _what?_" said the King. "It _began_ with the tea," the Hatter replied. "Of course twinkling begins with a T!" said the King sharply. "Do you take me for a dunce? Go on!" "I'm a poor man," the Hatter went on, "and most things twinkled after that--only the March Hare said--" "I didn't!" the March Hare interrupted in a great hurry. "You did!" said the Hatter. "I deny it!" said the March Hare. "He denies it," said the King: "leave out that part." "Well, at any rate, the Dormouse said--" the Hatter went on, looking anxiously round to see if he would deny it too: but the Dormouse denied nothing, being fast asleep. "After that," continued the Hatter, "I cut some more bread-and-butter--" "But what did the Dormouse say?" one of the jury asked.<|quote|>"That I can't remember,"</|quote|>said the Hatter. "You _must_ remember," remarked the King, "or I'll have you executed." The miserable Hatter dropped his teacup and bread-and-butter, and went down on one knee. "I'm a poor man, your Majesty," he began. "You're a _very_ poor _speaker_," said the King. Here one of the guinea-pigs cheered, and was immediately suppressed by the officers of the court. (As that is rather a hard word, I will just explain to you how it was done. They had a large canvas bag, which tied up at the mouth with strings: into this they slipped the guinea-pig, head first, and then sat upon it.) "I'm glad I've seen that done," thought Alice. "I've so often read in the newspapers, at the end of trials," "There was some attempts at applause, which was immediately suppressed by the officers of the court," "and I never understood what it meant till now." "If that's all you know about it, you may stand down," continued the King. "I can't go no lower," said the Hatter: "I'm on the floor, as it is." "Then you may _sit_ down," the King replied. Here the other guinea-pig cheered, and was suppressed. "Come, that finished the guinea-pigs!" thought Alice. "Now we shall get on better." "I'd rather finish my tea," said the Hatter, with an anxious look at the Queen, who was reading the list of singers. "You may go," said the King, and the Hatter hurriedly left the court, without even waiting to put his shoes on. "--and just take his head off outside," the Queen added to one of the officers: but the Hatter was out of sight before the officer could get to the door. "Call the next witness!" said the King. The next witness was the Duchess's cook. She carried the pepper-box in her hand, and Alice guessed who it was, even before she got into the court, by the way the people near the door began sneezing all at once. "Give your evidence," said the King. "Shan't," said the cook. The King looked anxiously at the White Rabbit, who said in a low voice, "Your Majesty must cross-examine _this_ witness." "Well, if I must, I must," the King said, with a melancholy air, and, after folding his arms and frowning at the cook till his eyes were nearly out of sight, he said in a deep voice, "What are tarts made of?" "Pepper, | juror (it was Bill, the Lizard) could not make out at all what had become of it; so, after hunting all about for it, he was obliged to write with one finger for the rest of the day; and this was of very little use, as it left no mark on the slate. "Herald, read the accusation!" said the King. On this the White Rabbit blew three blasts on the trumpet, and then unrolled the parchment scroll, and read as follows:-- "The Queen of Hearts, she made some tarts, All on a summer day: The Knave of Hearts, he stole those tarts, And took them quite away!" "Consider your verdict," the King said to the jury. "Not yet, not yet!" the Rabbit hastily interrupted. "There's a great deal to come before that!" "Call the first witness," said the King; and the White Rabbit blew three blasts on the trumpet, and called out, "First witness!" The first witness was the Hatter. He came in with a teacup in one hand and a piece of bread-and-butter in the other. "I beg pardon, your Majesty," he began, "for bringing these in: but I hadn't quite finished my tea when I was sent for." "You ought to have finished," said the King. "When did you begin?" The Hatter looked at the March Hare, who had followed him into the court, arm-in-arm with the Dormouse. "Fourteenth of March, I _think_ it was," he said. "Fifteenth," said the March Hare. "Sixteenth," added the Dormouse. "Write that down," the King said to the jury, and the jury eagerly wrote down all three dates on their slates, and then added them up, and reduced the answer to shillings and pence. "Take off your hat," the King said to the Hatter. "It isn't mine," said the Hatter. "_Stolen!_" the King exclaimed, turning to the jury, who instantly made a memorandum of the fact. "I keep them to sell," the Hatter added as an explanation; "I've none of my own. I'm a hatter." Here the Queen put on her spectacles, and began staring at the Hatter, who turned pale and fidgeted. "Give your evidence," said the King; "and don't be nervous, or I'll have you executed on the spot." This did not seem to encourage the witness at all: he kept shifting from one foot to the other, looking uneasily at the Queen, and in his confusion he bit a large piece out of his teacup instead of the bread-and-butter. Just at this moment Alice felt a very curious sensation, which puzzled her a good deal until she made out what it was: she was beginning to grow larger again, and she thought at first she would get up and leave the court; but on second thoughts she decided to remain where she was as long as there was room for her. "I wish you wouldn't squeeze so." said the Dormouse, who was sitting next to her. "I can hardly breathe." "I can't help it," said Alice very meekly: "I'm growing." "You've no right to grow _here_," said the Dormouse. "Don't talk nonsense," said Alice more boldly: "you know you're growing too." "Yes, but _I_ grow at a reasonable pace," said the Dormouse: "not in that ridiculous fashion." And he got up very sulkily and crossed over to the other side of the court. All this time the Queen had never left off staring at the Hatter, and, just as the Dormouse crossed the court, she said to one of the officers of the court, "Bring me the list of the singers in the last concert!" on which the wretched Hatter trembled so, that he shook both his shoes off. "Give your evidence," the King repeated angrily, "or I'll have you executed, whether you're nervous or not." "I'm a poor man, your Majesty," the Hatter began, in a trembling voice, "--and I hadn't begun my tea--not above a week or so--and what with the bread-and-butter getting so thin--and the twinkling of the tea--" "The twinkling of the _what?_" said the King. "It _began_ with the tea," the Hatter replied. "Of course twinkling begins with a T!" said the King sharply. "Do you take me for a dunce? Go on!" "I'm a poor man," the Hatter went on, "and most things twinkled after that--only the March Hare said--" "I didn't!" the March Hare interrupted in a great hurry. "You did!" said the Hatter. "I deny it!" said the March Hare. "He denies it," said the King: "leave out that part." "Well, at any rate, the Dormouse said--" the Hatter went on, looking anxiously round to see if he would deny it too: but the Dormouse denied nothing, being fast asleep. "After that," continued the Hatter, "I cut some more bread-and-butter--" "But what did the Dormouse say?" one of the jury asked.<|quote|>"That I can't remember,"</|quote|>said the Hatter. "You _must_ remember," remarked the King, "or I'll have you executed." The miserable Hatter dropped his teacup and bread-and-butter, and went down on one knee. "I'm a poor man, your Majesty," he began. "You're a _very_ poor _speaker_," said the King. Here one of the guinea-pigs cheered, and was immediately suppressed by the officers of the court. (As that is rather a hard word, I will just explain to you how it was done. They had a large canvas bag, which tied up at the mouth with strings: into this they slipped the guinea-pig, head first, and then sat upon it.) "I'm glad I've seen that done," thought Alice. "I've so often read in the newspapers, at the end of trials," "There was some attempts at applause, which was immediately suppressed by the officers of the court," "and I never understood what it meant till now." "If that's all you know about it, you may stand down," continued the King. "I can't go no lower," said the Hatter: "I'm on the floor, as it is." "Then you may _sit_ down," the King replied. Here the other guinea-pig cheered, and was suppressed. "Come, that finished the guinea-pigs!" thought Alice. "Now we shall get on better." "I'd rather finish my tea," said the Hatter, with an anxious look at the Queen, who was reading the list of singers. "You may go," said the King, and the Hatter hurriedly left the court, without even waiting to put his shoes on. "--and just take his head off outside," the Queen added to one of the officers: but the Hatter was out of sight before the officer could get to the door. "Call the next witness!" said the King. The next witness was the Duchess's cook. She carried the pepper-box in her hand, and Alice guessed who it was, even before she got into the court, by the way the people near the door began sneezing all at once. "Give your evidence," said the King. "Shan't," said the cook. The King looked anxiously at the White Rabbit, who said in a low voice, "Your Majesty must cross-examine _this_ witness." "Well, if I must, I must," the King said, with a melancholy air, and, after folding his arms and frowning at the cook till his eyes were nearly out of sight, he said in a deep voice, "What are tarts made of?" "Pepper, mostly," said the cook. "Treacle," said a sleepy voice behind her. "Collar that Dormouse," the Queen shrieked out. "Behead that Dormouse! Turn that Dormouse out of court! Suppress him! Pinch him! Off with his whiskers!" For some minutes the whole court was in confusion, getting the Dormouse turned out, and, by the time they had settled down again, the cook had disappeared. "Never mind!" said the King, with an air of great relief. "Call the next witness." And he added in an undertone to the Queen, "Really, my dear, _you_ must cross-examine the next witness. It quite makes my forehead ache!" Alice watched the White Rabbit as he fumbled over the list, feeling very curious to see what the next witness would be like, "--for they haven't got much evidence _yet_," she said to herself. Imagine her surprise, when the White Rabbit read out, at the top of his shrill little voice, the name "Alice!" CHAPTER XII. Alice's Evidence "Here!" cried Alice, quite forgetting in the flurry of the moment how large she had grown in the last few minutes, and she jumped up in such a hurry that she tipped over the jury-box with the edge of her skirt, upsetting all the jurymen on to the heads of the crowd below, and there they lay sprawling about, reminding her very much of a globe of goldfish she had accidentally upset the week before. "Oh, I _beg_ your pardon!" she exclaimed in a tone of great dismay, and began picking them up again as quickly as she could, for the accident of the goldfish kept running in her head, and she had a vague sort of idea that they must be collected at once and put back into the jury-box, or they would die. "The trial cannot proceed," said the King in a very grave voice, "until all the jurymen are back in their proper places--_all_," he repeated with great emphasis, looking hard at Alice as he said so. Alice looked at the jury-box, and saw that, in her haste, she had put the Lizard in head downwards, and the poor little thing was waving its tail about in a melancholy way, being quite unable to move. She soon got it out again, and put it right; "not that it signifies much," she said to herself; "I should think it would be _quite_ as much use in the trial one | or I'll have you executed on the spot." This did not seem to encourage the witness at all: he kept shifting from one foot to the other, looking uneasily at the Queen, and in his confusion he bit a large piece out of his teacup instead of the bread-and-butter. Just at this moment Alice felt a very curious sensation, which puzzled her a good deal until she made out what it was: she was beginning to grow larger again, and she thought at first she would get up and leave the court; but on second thoughts she decided to remain where she was as long as there was room for her. "I wish you wouldn't squeeze so." said the Dormouse, who was sitting next to her. "I can hardly breathe." "I can't help it," said Alice very meekly: "I'm growing." "You've no right to grow _here_," said the Dormouse. "Don't talk nonsense," said Alice more boldly: "you know you're growing too." "Yes, but _I_ grow at a reasonable pace," said the Dormouse: "not in that ridiculous fashion." And he got up very sulkily and crossed over to the other side of the court. All this time the Queen had never left off staring at the Hatter, and, just as the Dormouse crossed the court, she said to one of the officers of the court, "Bring me the list of the singers in the last concert!" on which the wretched Hatter trembled so, that he shook both his shoes off. "Give your evidence," the King repeated angrily, "or I'll have you executed, whether you're nervous or not." "I'm a poor man, your Majesty," the Hatter began, in a trembling voice, "--and I hadn't begun my tea--not above a week or so--and what with the bread-and-butter getting so thin--and the twinkling of the tea--" "The twinkling of the _what?_" said the King. "It _began_ with the tea," the Hatter replied. "Of course twinkling begins with a T!" said the King sharply. "Do you take me for a dunce? Go on!" "I'm a poor man," the Hatter went on, "and most things twinkled after that--only the March Hare said--" "I didn't!" the March Hare interrupted in a great hurry. "You did!" said the Hatter. "I deny it!" said the March Hare. "He denies it," said the King: "leave out that part." "Well, at any rate, the Dormouse said--" the Hatter went on, looking anxiously round to see if he would deny it too: but the Dormouse denied nothing, being fast asleep. "After that," continued the Hatter, "I cut some more bread-and-butter--" "But what did the Dormouse say?" one of the jury asked.<|quote|>"That I can't remember,"</|quote|>said the Hatter. "You _must_ remember," remarked the King, "or I'll have you executed." The miserable Hatter dropped his teacup and bread-and-butter, and went down on one knee. "I'm a poor man, your Majesty," he began. "You're a _very_ poor _speaker_," said the King. Here one of the guinea-pigs cheered, and was immediately suppressed by the officers of the court. (As that is rather a hard word, I will just explain to you how it was done. They had a large canvas bag, which tied up at the mouth with strings: into this they slipped the guinea-pig, head first, and then sat upon it.) "I'm glad I've seen that done," thought Alice. "I've so often read in the newspapers, at the end of trials," "There was some attempts at applause, which was immediately suppressed by the officers of the court," "and I never understood what it meant till now." "If that's all you know about it, you may stand down," continued the King. "I can't go no lower," said the Hatter: "I'm on the floor, as it is." "Then you may _sit_ down," the King replied. Here the other guinea-pig cheered, and was suppressed. "Come, that finished the guinea-pigs!" thought Alice. "Now we shall get on better." "I'd rather finish my tea," said the Hatter, with an anxious look at the Queen, who was reading the list of singers. "You may go," said the King, and the Hatter hurriedly left the court, without even waiting to put his shoes on. "--and just take his head off outside," the Queen added to one of the officers: but the Hatter was out of sight before the officer could get to the door. "Call the next witness!" said the King. The next witness was the Duchess's cook. She carried the pepper-box in her hand, and Alice guessed who it was, even before she got into the court, by the way the people near the door began sneezing all at once. "Give your evidence," said the King. "Shan't," said the cook. The King looked anxiously at the White Rabbit, who said in a low voice, "Your Majesty must cross-examine _this_ witness." "Well, if I must, I must," the | Alices Adventures In Wonderland | at any rate, the Dormouse said--" the Hatter went on, looking anxiously round to see if he would deny it too: but the Dormouse denied nothing, being fast asleep. "After that," continued the Hatter, "I cut some more bread-and-butter--" "But what did the Dormouse say?" one of the jury asked.<|quote|>"That I can't remember,"</|quote|>said the Hatter. "You _must_ remember," remarked the King, "or I'll have you executed." The miserable Hatter dropped his teacup and bread-and-butter, and went down on one knee. "I'm a poor man, your Majesty," he began. "You're a _very_ poor _speaker_," said the King. Here one of the guinea-pigs cheered, | {
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Tony returned to the bar. | No speaker | have an ice up here."<|quote|>Tony returned to the bar.</|quote|>"Mr James," he said. "Did | dear, not late dinner. You have an ice up here."<|quote|>Tony returned to the bar.</|quote|>"Mr James," he said. "Did I understand you to say | They're mostly glad when Monday comes." * * * * * Milly and her child were in the sitting-room when Tony came up. "I've ordered an ice," said Milly. "Quite right." "I want late dinner. I want late dinner." "No, dear, not late dinner. You have an ice up here."<|quote|>Tony returned to the bar.</|quote|>"Mr James," he said. "Did I understand you to say you were fond of children." "Yes, in their right place." "You wouldn't, I suppose, consider dining to-night with the little girl who has accompanied me? I should take it as a great kindness." "Oh no, sir, hardly that." "You would | couples in your time, qualifying for a divorce; tell me, how do they get through their day?" "It's easier in the summer," said Blenkinsop, "the young ladies usually bathe and the gentlemen read the papers on the esplanade; some goes for motor drives and some just hangs around the bar. They're mostly glad when Monday comes." * * * * * Milly and her child were in the sitting-room when Tony came up. "I've ordered an ice," said Milly. "Quite right." "I want late dinner. I want late dinner." "No, dear, not late dinner. You have an ice up here."<|quote|>Tony returned to the bar.</|quote|>"Mr James," he said. "Did I understand you to say you were fond of children." "Yes, in their right place." "You wouldn't, I suppose, consider dining to-night with the little girl who has accompanied me? I should take it as a great kindness." "Oh no, sir, hardly that." "You would not find me ungrateful." "Well, sir, I don't want to appear unobliging, but it's not part of my duties." He seemed to be wavering but Blenkinsop interposed. "Quite out of the question, sir." When Tony left them Blenkinsop spoke from the depth of his experience; it was the first job | is O.K. There won't be a word about it in our evidence. But you can't trust the servants. You might very likely happen to strike one who was new to the courts, who'd blurt it out, and then where would we be. I don't like it, Mr Last, and that's the truth." "You can't feel more strongly about it than I do." "Fond of kids myself," said James, who was new to this kind of work. "How about one with us?" "Tell me," said Tony, when they had been at their table some little time. "You must have observed numerous couples in your time, qualifying for a divorce; tell me, how do they get through their day?" "It's easier in the summer," said Blenkinsop, "the young ladies usually bathe and the gentlemen read the papers on the esplanade; some goes for motor drives and some just hangs around the bar. They're mostly glad when Monday comes." * * * * * Milly and her child were in the sitting-room when Tony came up. "I've ordered an ice," said Milly. "Quite right." "I want late dinner. I want late dinner." "No, dear, not late dinner. You have an ice up here."<|quote|>Tony returned to the bar.</|quote|>"Mr James," he said. "Did I understand you to say you were fond of children." "Yes, in their right place." "You wouldn't, I suppose, consider dining to-night with the little girl who has accompanied me? I should take it as a great kindness." "Oh no, sir, hardly that." "You would not find me ungrateful." "Well, sir, I don't want to appear unobliging, but it's not part of my duties." He seemed to be wavering but Blenkinsop interposed. "Quite out of the question, sir." When Tony left them Blenkinsop spoke from the depth of his experience; it was the first job that he and James had been on together, and he felt under some obligation to put his junior wise. "Our trouble is always the same--to make the clients realize that divorce is a serious matter." Eventually extravagant promises for the morrow, two or three ices, and the slight depression induced by them persuaded Winnie to go to bed. "How are we going to sleep?" asked Milly. "Oh, just as you like." "Just as _you_ like." "Well, perhaps Winnie would be happier with you... she'll have to go into the other room to-morrow morning when they bring in breakfast, of course." | evening." "Have a drink." Since Tony was paying their expenses in any case, the offer seemed superfluous, but the junior detective brightened instinctively and said, "Don't mind if I do." "Come and sit down. I feel rather lonely." They took their drinks to a table out of hearing of the barman. "Mr Last, sir, this is all _wrong_," said the senior detective. "You haven't no business to recognize us at all. I don't know what they'd say at the office." "Best respects," said the junior detective. "This is Mr James, my colleague," said the senior detective. "My name is Blenkinsop. James is new to this kind of work." "So am I," said Tony. "A pity we've such a nasty week-end for the job," said Blenkinsop, "very damp and blowy. Gets me in the joints." "Tell me," said Tony. "Is it usual to bring children on an expedition of this kind?" "It is _not_." "I thought it couldn't be." "Since you ask me, Mr Last, I regard it as most irregular and injudicious. It looks wrong, and cases of this kind depend very much on making the right impression. Of course as far as James and me are concerned, the matter is O.K. There won't be a word about it in our evidence. But you can't trust the servants. You might very likely happen to strike one who was new to the courts, who'd blurt it out, and then where would we be. I don't like it, Mr Last, and that's the truth." "You can't feel more strongly about it than I do." "Fond of kids myself," said James, who was new to this kind of work. "How about one with us?" "Tell me," said Tony, when they had been at their table some little time. "You must have observed numerous couples in your time, qualifying for a divorce; tell me, how do they get through their day?" "It's easier in the summer," said Blenkinsop, "the young ladies usually bathe and the gentlemen read the papers on the esplanade; some goes for motor drives and some just hangs around the bar. They're mostly glad when Monday comes." * * * * * Milly and her child were in the sitting-room when Tony came up. "I've ordered an ice," said Milly. "Quite right." "I want late dinner. I want late dinner." "No, dear, not late dinner. You have an ice up here."<|quote|>Tony returned to the bar.</|quote|>"Mr James," he said. "Did I understand you to say you were fond of children." "Yes, in their right place." "You wouldn't, I suppose, consider dining to-night with the little girl who has accompanied me? I should take it as a great kindness." "Oh no, sir, hardly that." "You would not find me ungrateful." "Well, sir, I don't want to appear unobliging, but it's not part of my duties." He seemed to be wavering but Blenkinsop interposed. "Quite out of the question, sir." When Tony left them Blenkinsop spoke from the depth of his experience; it was the first job that he and James had been on together, and he felt under some obligation to put his junior wise. "Our trouble is always the same--to make the clients realize that divorce is a serious matter." Eventually extravagant promises for the morrow, two or three ices, and the slight depression induced by them persuaded Winnie to go to bed. "How are we going to sleep?" asked Milly. "Oh, just as you like." "Just as _you_ like." "Well, perhaps Winnie would be happier with you... she'll have to go into the other room to-morrow morning when they bring in breakfast, of course." So she was tucked up in a corner of the double bed and to Tony's surprise was asleep before they went down to dinner. A change of clothes brought to both Tony and Milly a change of temper. She, in her best evening frock, backless and vermilion, her face newly done and her bleached curls brushed out, her feet in high red shoes, some bracelets on her wrist, a dab of scent behind the large sham pearls in her ears, shook off the cares of domesticity and was once more in uniform, reporting for duty, a legionary ordered for active service after the enervating restraints of a winter in barracks; and Tony, filling his cigar case before the mirror, and slipping it into the pocket of his dinner jacket, reminded himself that phantasmagoric, and even gruesome as the situation might seem to him, he was nevertheless a host, so that he knocked at the communicating door and passed with a calm manner into his guest's room; for a month now he had lived in a world suddenly bereft of order; it was as though the whole reasonable and decent constitution of things, the sum of all he had experienced or | got an ice. But you can have some nice tea." "But I want an ice." "You shall have an ice when you get to Brighton. Now be a good girl and play with your puzzle or mother won't take you to the seaside again." "The Awful Child of popular fiction," said Jock as he left Tony. Winnie sustained the part throughout the journey to Brighton. She was not inventive but she knew the classic routine thoroughly, even to such commonplace but alarming devices as breathing heavily, grunting and complaining of nausea. * * * * * Rooms at the hotel had been engaged for Tony by the solicitors. It was therefore a surprise to the reception clerk when Winnie arrived. "We have reserved in your name double and single communicating rooms, bathroom and sitting-room," he said. "We did not understand you were bringing your daughter. Will you require a further room?" "Oh, Winnie can come in with me," said Milly. The two detectives who were standing nearby at the counter exchanged glances of disapproval. Tony wrote _Mr and Mrs Last_ in the Visitors' Book. "And daughter," said the clerk with his finger on the place. Tony hesitated. "She is my niece," he said, and inscribed her name on another line, as _Miss Smith_. The detective, registering below, remarked to his colleague, "He got out of that all right. Quite smart. But I don't like the look of this case. Most irregular. Sets a nasty, respectable note bringing a kid into it. We've got the firm to consider. It doesn't do them any good to get mixed up with the King's Proctor." "How about a quick one?" said his colleague indifferently. Upstairs, Winnie said, "Where's the sea?" "Just there across the street." "I want to go and see it." "But it's dark now, pet. You shall see it to-morrow." "I want to see it to-night." "You take her to see it now," said Tony. "Sure you won't be lonely?" "Quite sure." "We won't be long." "That's all right. You let her see it properly." Tony went down to the bar where he was pleased to find the two detectives. He felt the need of male company. "Good evening," he said. They looked at him askance. Everything in this case seemed to be happening as though with deliberate design to shock their professional feelings. "Good evening," said the senior detective. "Nasty, raw evening." "Have a drink." Since Tony was paying their expenses in any case, the offer seemed superfluous, but the junior detective brightened instinctively and said, "Don't mind if I do." "Come and sit down. I feel rather lonely." They took their drinks to a table out of hearing of the barman. "Mr Last, sir, this is all _wrong_," said the senior detective. "You haven't no business to recognize us at all. I don't know what they'd say at the office." "Best respects," said the junior detective. "This is Mr James, my colleague," said the senior detective. "My name is Blenkinsop. James is new to this kind of work." "So am I," said Tony. "A pity we've such a nasty week-end for the job," said Blenkinsop, "very damp and blowy. Gets me in the joints." "Tell me," said Tony. "Is it usual to bring children on an expedition of this kind?" "It is _not_." "I thought it couldn't be." "Since you ask me, Mr Last, I regard it as most irregular and injudicious. It looks wrong, and cases of this kind depend very much on making the right impression. Of course as far as James and me are concerned, the matter is O.K. There won't be a word about it in our evidence. But you can't trust the servants. You might very likely happen to strike one who was new to the courts, who'd blurt it out, and then where would we be. I don't like it, Mr Last, and that's the truth." "You can't feel more strongly about it than I do." "Fond of kids myself," said James, who was new to this kind of work. "How about one with us?" "Tell me," said Tony, when they had been at their table some little time. "You must have observed numerous couples in your time, qualifying for a divorce; tell me, how do they get through their day?" "It's easier in the summer," said Blenkinsop, "the young ladies usually bathe and the gentlemen read the papers on the esplanade; some goes for motor drives and some just hangs around the bar. They're mostly glad when Monday comes." * * * * * Milly and her child were in the sitting-room when Tony came up. "I've ordered an ice," said Milly. "Quite right." "I want late dinner. I want late dinner." "No, dear, not late dinner. You have an ice up here."<|quote|>Tony returned to the bar.</|quote|>"Mr James," he said. "Did I understand you to say you were fond of children." "Yes, in their right place." "You wouldn't, I suppose, consider dining to-night with the little girl who has accompanied me? I should take it as a great kindness." "Oh no, sir, hardly that." "You would not find me ungrateful." "Well, sir, I don't want to appear unobliging, but it's not part of my duties." He seemed to be wavering but Blenkinsop interposed. "Quite out of the question, sir." When Tony left them Blenkinsop spoke from the depth of his experience; it was the first job that he and James had been on together, and he felt under some obligation to put his junior wise. "Our trouble is always the same--to make the clients realize that divorce is a serious matter." Eventually extravagant promises for the morrow, two or three ices, and the slight depression induced by them persuaded Winnie to go to bed. "How are we going to sleep?" asked Milly. "Oh, just as you like." "Just as _you_ like." "Well, perhaps Winnie would be happier with you... she'll have to go into the other room to-morrow morning when they bring in breakfast, of course." So she was tucked up in a corner of the double bed and to Tony's surprise was asleep before they went down to dinner. A change of clothes brought to both Tony and Milly a change of temper. She, in her best evening frock, backless and vermilion, her face newly done and her bleached curls brushed out, her feet in high red shoes, some bracelets on her wrist, a dab of scent behind the large sham pearls in her ears, shook off the cares of domesticity and was once more in uniform, reporting for duty, a legionary ordered for active service after the enervating restraints of a winter in barracks; and Tony, filling his cigar case before the mirror, and slipping it into the pocket of his dinner jacket, reminded himself that phantasmagoric, and even gruesome as the situation might seem to him, he was nevertheless a host, so that he knocked at the communicating door and passed with a calm manner into his guest's room; for a month now he had lived in a world suddenly bereft of order; it was as though the whole reasonable and decent constitution of things, the sum of all he had experienced or learned to expect, were an inconspicuous, inconsiderable object mislaid somewhere on the dressing table; no outrageous circumstance in which he found himself, no new, mad thing brought to his notice, could add a jot to the all-encompassing chaos that shrieked about his ears. He smiled at Milly from the doorway. "Charming," he said, "perfectly charming. Shall we go down to dinner?" Their rooms were on the first floor. Step by step, with her hand on his arm, they descended the staircase into the bright hall below. "Cheer up," said Milly. "You have a tongue sandwich. That'll make you talk." "Sorry, am I being a bore?" "I was only joking. You are a serious boy, aren't you?" In spite of the savage weather the hotel seemed full of week-end visitors. More were arriving through the swing doors, their eyes moist and their cheeks rigid from the icy cold outside. "Yids," explained Milly superfluously. "Still, it's nice to get a change from the club once in a while." One of the new arrivals was a friend of Milly's. He was supervising the collection of his luggage. Anywhere else he would have been a noticeable figure, for he wore a large fur coat and a beret; under the coat appeared tartan stockings and black and white shoes. "Take "em up and get "em unpacked and quick about it," he said. He was a stout little young man. His companion, also in furs, was staring resentfully at one of the showcases that embellished the hall. "Oh, for Christ's sake," she said. Milly and the young man greeted each other. "This is Dan," she said. "Well, well, well," said Dan, "what next?" "Do I get a drink?" said Dan's girl. "Baby, you do, if I have to get it myself. Won't you two join us, or are we _de trop_?" They went together into the glittering lounge. "I'm cold like hell," said Baby. Dan had taken off his greatcoat and revealed a suit of smooth, purplish plus-fours and a silk shirt of a pattern Tony might have chosen for pyjamas. "We'll soon warm you up," he said. "This place stinks of Yids," said Baby. "I always think that's the sign of a good hotel, don't you?" said Tony. "Like hell," said Baby. "You mustn't mind Baby, she's cold," Dan explained. "Who wouldn't be, in your lousy car?" They had some cocktails. Then Dan and Baby | said the senior detective. "Nasty, raw evening." "Have a drink." Since Tony was paying their expenses in any case, the offer seemed superfluous, but the junior detective brightened instinctively and said, "Don't mind if I do." "Come and sit down. I feel rather lonely." They took their drinks to a table out of hearing of the barman. "Mr Last, sir, this is all _wrong_," said the senior detective. "You haven't no business to recognize us at all. I don't know what they'd say at the office." "Best respects," said the junior detective. "This is Mr James, my colleague," said the senior detective. "My name is Blenkinsop. James is new to this kind of work." "So am I," said Tony. "A pity we've such a nasty week-end for the job," said Blenkinsop, "very damp and blowy. Gets me in the joints." "Tell me," said Tony. "Is it usual to bring children on an expedition of this kind?" "It is _not_." "I thought it couldn't be." "Since you ask me, Mr Last, I regard it as most irregular and injudicious. It looks wrong, and cases of this kind depend very much on making the right impression. Of course as far as James and me are concerned, the matter is O.K. There won't be a word about it in our evidence. But you can't trust the servants. You might very likely happen to strike one who was new to the courts, who'd blurt it out, and then where would we be. I don't like it, Mr Last, and that's the truth." "You can't feel more strongly about it than I do." "Fond of kids myself," said James, who was new to this kind of work. "How about one with us?" "Tell me," said Tony, when they had been at their table some little time. "You must have observed numerous couples in your time, qualifying for a divorce; tell me, how do they get through their day?" "It's easier in the summer," said Blenkinsop, "the young ladies usually bathe and the gentlemen read the papers on the esplanade; some goes for motor drives and some just hangs around the bar. They're mostly glad when Monday comes." * * * * * Milly and her child were in the sitting-room when Tony came up. "I've ordered an ice," said Milly. "Quite right." "I want late dinner. I want late dinner." "No, dear, not late dinner. You have an ice up here."<|quote|>Tony returned to the bar.</|quote|>"Mr James," he said. "Did I understand you to say you were fond of children." "Yes, in their right place." "You wouldn't, I suppose, consider dining to-night with the little girl who has accompanied me? I should take it as a great kindness." "Oh no, sir, hardly that." "You would not find me ungrateful." "Well, sir, I don't want to appear unobliging, but it's not part of my duties." He seemed to be wavering but Blenkinsop interposed. "Quite out of the question, sir." When Tony left them Blenkinsop spoke from the depth of his experience; it was the first job that he and James had been on together, and he felt under some obligation to put his junior wise. "Our trouble is always the same--to make the clients realize that divorce is a serious matter." Eventually extravagant promises for the morrow, two or three ices, and the slight depression induced by them persuaded Winnie to go to bed. "How are we going to sleep?" asked Milly. "Oh, just as you like." "Just as _you_ like." "Well, perhaps Winnie would be happier with you... she'll have to go into the other room to-morrow morning when they bring in breakfast, of course." So she was tucked up in a corner of the double bed and to Tony's surprise was asleep before they went down to dinner. A change of clothes brought to both Tony and Milly a change of temper. She, in her best evening frock, backless and vermilion, her face newly done and her bleached curls brushed out, her feet in high red shoes, some bracelets on her wrist, a dab of scent behind the large sham pearls in her ears, shook off the cares of domesticity and was once more in uniform, reporting for duty, a legionary ordered for active service after the enervating restraints of a winter in barracks; and Tony, filling his cigar case before the mirror, and slipping it into the pocket of his dinner jacket, reminded himself that phantasmagoric, and even gruesome as the situation might seem to him, he was nevertheless a host, so that he knocked at the communicating door and passed with a calm manner into his guest's room; for a month now he had lived in a world suddenly bereft of order; it was as though the whole reasonable and decent constitution of things, the sum of all he had experienced or learned to expect, were an inconspicuous, inconsiderable object mislaid somewhere on the dressing table; no outrageous circumstance in which he found himself, no new, mad thing brought to his notice, could add a jot to the all-encompassing chaos that shrieked about his ears. He smiled at Milly from the doorway. "Charming," he said, "perfectly charming. Shall we go down to dinner?" Their rooms were on the first floor. Step by step, with her hand on his arm, they descended the staircase into the bright hall below. "Cheer up," said Milly. "You have a tongue sandwich. That'll make you talk." "Sorry, am I being a bore?" "I was only joking. You are a serious boy, aren't you?" In spite of the savage weather the hotel seemed full of week-end visitors. More | A Handful Of Dust | They're mostly glad when Monday comes." * * * * * Milly and her child were in the sitting-room when Tony came up. "I've ordered an ice," said Milly. "Quite right." "I want late dinner. I want late dinner." "No, dear, not late dinner. You have an ice up here."<|quote|>Tony returned to the bar.</|quote|>"Mr James," he said. "Did I understand you to say you were fond of children." "Yes, in their right place." "You wouldn't, I suppose, consider dining to-night with the little girl who has accompanied me? I should take it as a great kindness." "Oh no, sir, hardly that." "You would | {
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"content": "They're mostly glad when Monday comes.\" * * * * * Milly and her child were in the sitting-room when Tony came up. \"I've ordered an ice,\" said Milly. \"Quite right.\" \"I want late dinner. I want late dinner.\" \"No, dear, not late dinner. You have an ice up here.\"<|quote|>Tony returned to the bar.</|quote|>\"Mr James,\" he said. \"Did I understand you to say you were fond of children.\" \"Yes, in their right place.\" \"You wouldn't, I suppose, consider dining to-night with the little girl who has accompanied me? I should take it as a great kindness.\" \"Oh no, sir, hardly that.\" \"You would",
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"Anne, are you killed?" | Diana Barry | ruin of the Virginia creeper.<|quote|>"Anne, are you killed?"</|quote|>shrieked Diana, throwing herself on | limp among the wreck and ruin of the Virginia creeper.<|quote|>"Anne, are you killed?"</|quote|>shrieked Diana, throwing herself on her knees beside her friend. | therefrom was a much less serious thing. Nevertheless, when Diana and the other girls had rushed frantically around the house--except Ruby Gillis, who remained as if rooted to the ground and went into hysterics--they found Anne lying all white and limp among the wreck and ruin of the Virginia creeper.<|quote|>"Anne, are you killed?"</|quote|>shrieked Diana, throwing herself on her knees beside her friend. "Oh, Anne, dear Anne, speak just one word to me and tell me if you're killed." To the immense relief of all the girls, and especially of Josie Pye, who, in spite of lack of imagination, had been seized with | had tumbled off the roof on the side up which she had ascended Diana would probably have fallen heir to the pearl bead ring then and there. Fortunately she fell on the other side, where the roof extended down over the porch so nearly to the ground that a fall therefrom was a much less serious thing. Nevertheless, when Diana and the other girls had rushed frantically around the house--except Ruby Gillis, who remained as if rooted to the ground and went into hysterics--they found Anne lying all white and limp among the wreck and ruin of the Virginia creeper.<|quote|>"Anne, are you killed?"</|quote|>shrieked Diana, throwing herself on her knees beside her friend. "Oh, Anne, dear Anne, speak just one word to me and tell me if you're killed." To the immense relief of all the girls, and especially of Josie Pye, who, in spite of lack of imagination, had been seized with horrible visions of a future branded as the girl who was the cause of Anne Shirley's early and tragic death, Anne sat dizzily up and answered uncertainly: "No, Diana, I am not killed, but I think I am rendered unconscious." "Where?" sobbed Carrie Sloane. "Oh, where, Anne?" Before Anne could | climbed the ladder amid breathless silence, gained the ridgepole, balanced herself uprightly on that precarious footing, and started to walk along it, dizzily conscious that she was uncomfortably high up in the world and that walking ridgepoles was not a thing in which your imagination helped you out much. Nevertheless, she managed to take several steps before the catastrophe came. Then she swayed, lost her balance, stumbled, staggered, and fell, sliding down over the sun-baked roof and crashing off it through the tangle of Virginia creeper beneath--all before the dismayed circle below could give a simultaneous, terrified shriek. If Anne had tumbled off the roof on the side up which she had ascended Diana would probably have fallen heir to the pearl bead ring then and there. Fortunately she fell on the other side, where the roof extended down over the porch so nearly to the ground that a fall therefrom was a much less serious thing. Nevertheless, when Diana and the other girls had rushed frantically around the house--except Ruby Gillis, who remained as if rooted to the ground and went into hysterics--they found Anne lying all white and limp among the wreck and ruin of the Virginia creeper.<|quote|>"Anne, are you killed?"</|quote|>shrieked Diana, throwing herself on her knees beside her friend. "Oh, Anne, dear Anne, speak just one word to me and tell me if you're killed." To the immense relief of all the girls, and especially of Josie Pye, who, in spite of lack of imagination, had been seized with horrible visions of a future branded as the girl who was the cause of Anne Shirley's early and tragic death, Anne sat dizzily up and answered uncertainly: "No, Diana, I am not killed, but I think I am rendered unconscious." "Where?" sobbed Carrie Sloane. "Oh, where, Anne?" Before Anne could answer Mrs. Barry appeared on the scene. At sight of her Anne tried to scramble to her feet, but sank back again with a sharp little cry of pain. "What's the matter? Where have you hurt yourself?" demanded Mrs. Barry. "My ankle," gasped Anne. "Oh, Diana, please find your father and ask him to take me home. I know I can never walk there. And I'm sure I couldn't hop so far on one foot when Jane couldn't even hop around the garden." Marilla was out in the orchard picking a panful of summer apples when she saw Mr. Barry | perch, flushed with victory, and darted a defiant glance at Anne. Anne tossed her red braids. "I don't think it's such a very wonderful thing to walk a little, low, board fence," she said. "I knew a girl in Marysville who could walk the ridgepole of a roof." "I don't believe it," said Josie flatly. "I don't believe anybody could walk a ridgepole. _You_ couldn't, anyhow." "Couldn't I?" cried Anne rashly. "Then I dare you to do it," said Josie defiantly. "I dare you to climb up there and walk the ridgepole of Mr. Barry's kitchen roof." Anne turned pale, but there was clearly only one thing to be done. She walked toward the house, where a ladder was leaning against the kitchen roof. All the fifth-class girls said, "Oh!" partly in excitement, partly in dismay. "Don't you do it, Anne," entreated Diana. "You'll fall off and be killed. Never mind Josie Pye. It isn't fair to dare anybody to do anything so dangerous." "I must do it. My honor is at stake," said Anne solemnly. "I shall walk that ridgepole, Diana, or perish in the attempt. If I am killed you are to have my pearl bead ring." Anne climbed the ladder amid breathless silence, gained the ridgepole, balanced herself uprightly on that precarious footing, and started to walk along it, dizzily conscious that she was uncomfortably high up in the world and that walking ridgepoles was not a thing in which your imagination helped you out much. Nevertheless, she managed to take several steps before the catastrophe came. Then she swayed, lost her balance, stumbled, staggered, and fell, sliding down over the sun-baked roof and crashing off it through the tangle of Virginia creeper beneath--all before the dismayed circle below could give a simultaneous, terrified shriek. If Anne had tumbled off the roof on the side up which she had ascended Diana would probably have fallen heir to the pearl bead ring then and there. Fortunately she fell on the other side, where the roof extended down over the porch so nearly to the ground that a fall therefrom was a much less serious thing. Nevertheless, when Diana and the other girls had rushed frantically around the house--except Ruby Gillis, who remained as if rooted to the ground and went into hysterics--they found Anne lying all white and limp among the wreck and ruin of the Virginia creeper.<|quote|>"Anne, are you killed?"</|quote|>shrieked Diana, throwing herself on her knees beside her friend. "Oh, Anne, dear Anne, speak just one word to me and tell me if you're killed." To the immense relief of all the girls, and especially of Josie Pye, who, in spite of lack of imagination, had been seized with horrible visions of a future branded as the girl who was the cause of Anne Shirley's early and tragic death, Anne sat dizzily up and answered uncertainly: "No, Diana, I am not killed, but I think I am rendered unconscious." "Where?" sobbed Carrie Sloane. "Oh, where, Anne?" Before Anne could answer Mrs. Barry appeared on the scene. At sight of her Anne tried to scramble to her feet, but sank back again with a sharp little cry of pain. "What's the matter? Where have you hurt yourself?" demanded Mrs. Barry. "My ankle," gasped Anne. "Oh, Diana, please find your father and ask him to take me home. I know I can never walk there. And I'm sure I couldn't hop so far on one foot when Jane couldn't even hop around the garden." Marilla was out in the orchard picking a panful of summer apples when she saw Mr. Barry coming over the log bridge and up the slope, with Mrs. Barry beside him and a whole procession of little girls trailing after him. In his arms he carried Anne, whose head lay limply against his shoulder. At that moment Marilla had a revelation. In the sudden stab of fear that pierced her very heart she realized what Anne had come to mean to her. She would have admitted that she liked Anne--nay, that she was very fond of Anne. But now she knew as she hurried wildly down the slope that Anne was dearer to her than anything else on earth. "Mr. Barry, what has happened to her?" she gasped, more white and shaken than the self-contained, sensible Marilla had been for many years. Anne herself answered, lifting her head. "Don't be very frightened, Marilla. I was walking the ridgepole and I fell off. I expect I have sprained my ankle. But, Marilla, I might have broken my neck. Let us look on the bright side of things." "I might have known you'd go and do something of the sort when I let you go to that party," said Marilla, sharp and shrewish in her very relief. "Bring her | pantry instead of into the pigs' bucket, and walking clean over the edge of the log bridge into the brook while wrapped in imaginative reverie, not really being worth counting. A week after the tea at the manse Diana Barry gave a party. "Small and select," Anne assured Marilla. "Just the girls in our class." They had a very good time and nothing untoward happened until after tea, when they found themselves in the Barry garden, a little tired of all their games and ripe for any enticing form of mischief which might present itself. This presently took the form of "daring." Daring was the fashionable amusement among the Avonlea small fry just then. It had begun among the boys, but soon spread to the girls, and all the silly things that were done in Avonlea that summer because the doers thereof were "dared" to do them would fill a book by themselves. First of all Carrie Sloane dared Ruby Gillis to climb to a certain point in the huge old willow tree before the front door; which Ruby Gillis, albeit in mortal dread of the fat green caterpillars with which said tree was infested and with the fear of her mother before her eyes if she should tear her new muslin dress, nimbly did, to the discomfiture of the aforesaid Carrie Sloane. Then Josie Pye dared Jane Andrews to hop on her left leg around the garden without stopping once or putting her right foot to the ground; which Jane Andrews gamely tried to do, but gave out at the third corner and had to confess herself defeated. Josie's triumph being rather more pronounced than good taste permitted, Anne Shirley dared her to walk along the top of the board fence which bounded the garden to the east. Now, to "walk" board fences requires more skill and steadiness of head and heel than one might suppose who has never tried it. But Josie Pye, if deficient in some qualities that make for popularity, had at least a natural and inborn gift, duly cultivated, for walking board fences. Josie walked the Barry fence with an airy unconcern which seemed to imply that a little thing like that wasn't worth a "dare." Reluctant admiration greeted her exploit, for most of the other girls could appreciate it, having suffered many things themselves in their efforts to walk fences. Josie descended from her perch, flushed with victory, and darted a defiant glance at Anne. Anne tossed her red braids. "I don't think it's such a very wonderful thing to walk a little, low, board fence," she said. "I knew a girl in Marysville who could walk the ridgepole of a roof." "I don't believe it," said Josie flatly. "I don't believe anybody could walk a ridgepole. _You_ couldn't, anyhow." "Couldn't I?" cried Anne rashly. "Then I dare you to do it," said Josie defiantly. "I dare you to climb up there and walk the ridgepole of Mr. Barry's kitchen roof." Anne turned pale, but there was clearly only one thing to be done. She walked toward the house, where a ladder was leaning against the kitchen roof. All the fifth-class girls said, "Oh!" partly in excitement, partly in dismay. "Don't you do it, Anne," entreated Diana. "You'll fall off and be killed. Never mind Josie Pye. It isn't fair to dare anybody to do anything so dangerous." "I must do it. My honor is at stake," said Anne solemnly. "I shall walk that ridgepole, Diana, or perish in the attempt. If I am killed you are to have my pearl bead ring." Anne climbed the ladder amid breathless silence, gained the ridgepole, balanced herself uprightly on that precarious footing, and started to walk along it, dizzily conscious that she was uncomfortably high up in the world and that walking ridgepoles was not a thing in which your imagination helped you out much. Nevertheless, she managed to take several steps before the catastrophe came. Then she swayed, lost her balance, stumbled, staggered, and fell, sliding down over the sun-baked roof and crashing off it through the tangle of Virginia creeper beneath--all before the dismayed circle below could give a simultaneous, terrified shriek. If Anne had tumbled off the roof on the side up which she had ascended Diana would probably have fallen heir to the pearl bead ring then and there. Fortunately she fell on the other side, where the roof extended down over the porch so nearly to the ground that a fall therefrom was a much less serious thing. Nevertheless, when Diana and the other girls had rushed frantically around the house--except Ruby Gillis, who remained as if rooted to the ground and went into hysterics--they found Anne lying all white and limp among the wreck and ruin of the Virginia creeper.<|quote|>"Anne, are you killed?"</|quote|>shrieked Diana, throwing herself on her knees beside her friend. "Oh, Anne, dear Anne, speak just one word to me and tell me if you're killed." To the immense relief of all the girls, and especially of Josie Pye, who, in spite of lack of imagination, had been seized with horrible visions of a future branded as the girl who was the cause of Anne Shirley's early and tragic death, Anne sat dizzily up and answered uncertainly: "No, Diana, I am not killed, but I think I am rendered unconscious." "Where?" sobbed Carrie Sloane. "Oh, where, Anne?" Before Anne could answer Mrs. Barry appeared on the scene. At sight of her Anne tried to scramble to her feet, but sank back again with a sharp little cry of pain. "What's the matter? Where have you hurt yourself?" demanded Mrs. Barry. "My ankle," gasped Anne. "Oh, Diana, please find your father and ask him to take me home. I know I can never walk there. And I'm sure I couldn't hop so far on one foot when Jane couldn't even hop around the garden." Marilla was out in the orchard picking a panful of summer apples when she saw Mr. Barry coming over the log bridge and up the slope, with Mrs. Barry beside him and a whole procession of little girls trailing after him. In his arms he carried Anne, whose head lay limply against his shoulder. At that moment Marilla had a revelation. In the sudden stab of fear that pierced her very heart she realized what Anne had come to mean to her. She would have admitted that she liked Anne--nay, that she was very fond of Anne. But now she knew as she hurried wildly down the slope that Anne was dearer to her than anything else on earth. "Mr. Barry, what has happened to her?" she gasped, more white and shaken than the self-contained, sensible Marilla had been for many years. Anne herself answered, lifting her head. "Don't be very frightened, Marilla. I was walking the ridgepole and I fell off. I expect I have sprained my ankle. But, Marilla, I might have broken my neck. Let us look on the bright side of things." "I might have known you'd go and do something of the sort when I let you go to that party," said Marilla, sharp and shrewish in her very relief. "Bring her in here, Mr. Barry, and lay her on the sofa. Mercy me, the child has gone and fainted!" It was quite true. Overcome by the pain of her injury, Anne had one more of her wishes granted to her. She had fainted dead away. Matthew, hastily summoned from the harvest field, was straightway dispatched for the doctor, who in due time came, to discover that the injury was more serious than they had supposed. Anne's ankle was broken. That night, when Marilla went up to the east gable, where a white-faced girl was lying, a plaintive voice greeted her from the bed. "Aren't you very sorry for me, Marilla?" "It was your own fault," said Marilla, twitching down the blind and lighting a lamp. "And that is just why you should be sorry for me," said Anne, "because the thought that it is all my own fault is what makes it so hard. If I could blame it on anybody I would feel so much better. But what would you have done, Marilla, if you had been dared to walk a ridgepole?" "I'd have stayed on good firm ground and let them dare away. Such absurdity!" said Marilla. Anne sighed. "But you have such strength of mind, Marilla. I haven't. I just felt that I couldn't bear Josie Pye's scorn. She would have crowed over me all my life. And I think I have been punished so much that you needn't be very cross with me, Marilla. It's not a bit nice to faint, after all. And the doctor hurt me dreadfully when he was setting my ankle. I won't be able to go around for six or seven weeks and I'll miss the new lady teacher. She won't be new any more by the time I'm able to go to school. And Gil--everybody will get ahead of me in class. Oh, I am an afflicted mortal. But I'll try to bear it all bravely if only you won't be cross with me, Marilla." "There, there, I'm not cross," said Marilla. "You're an unlucky child, there's no doubt about that; but as you say, you'll have the suffering of it. Here now, try and eat some supper." "Isn't it fortunate I've got such an imagination?" said Anne. "It will help me through splendidly, I expect. What do people who haven't any imagination do when they break their bones, do you | leaning against the kitchen roof. All the fifth-class girls said, "Oh!" partly in excitement, partly in dismay. "Don't you do it, Anne," entreated Diana. "You'll fall off and be killed. Never mind Josie Pye. It isn't fair to dare anybody to do anything so dangerous." "I must do it. My honor is at stake," said Anne solemnly. "I shall walk that ridgepole, Diana, or perish in the attempt. If I am killed you are to have my pearl bead ring." Anne climbed the ladder amid breathless silence, gained the ridgepole, balanced herself uprightly on that precarious footing, and started to walk along it, dizzily conscious that she was uncomfortably high up in the world and that walking ridgepoles was not a thing in which your imagination helped you out much. Nevertheless, she managed to take several steps before the catastrophe came. Then she swayed, lost her balance, stumbled, staggered, and fell, sliding down over the sun-baked roof and crashing off it through the tangle of Virginia creeper beneath--all before the dismayed circle below could give a simultaneous, terrified shriek. If Anne had tumbled off the roof on the side up which she had ascended Diana would probably have fallen heir to the pearl bead ring then and there. Fortunately she fell on the other side, where the roof extended down over the porch so nearly to the ground that a fall therefrom was a much less serious thing. Nevertheless, when Diana and the other girls had rushed frantically around the house--except Ruby Gillis, who remained as if rooted to the ground and went into hysterics--they found Anne lying all white and limp among the wreck and ruin of the Virginia creeper.<|quote|>"Anne, are you killed?"</|quote|>shrieked Diana, throwing herself on her knees beside her friend. "Oh, Anne, dear Anne, speak just one word to me and tell me if you're killed." To the immense relief of all the girls, and especially of Josie Pye, who, in spite of lack of imagination, had been seized with horrible visions of a future branded as the girl who was the cause of Anne Shirley's early and tragic death, Anne sat dizzily up and answered uncertainly: "No, Diana, I am not killed, but I think I am rendered unconscious." "Where?" sobbed Carrie Sloane. "Oh, where, Anne?" Before Anne could answer Mrs. Barry appeared on the scene. At sight of her Anne tried to scramble to her feet, but sank back again with a sharp little cry of pain. "What's the matter? Where have you hurt yourself?" demanded Mrs. Barry. "My ankle," gasped Anne. "Oh, Diana, please find your father and ask him to take me home. I know I can never walk there. And I'm sure I couldn't hop so far on one foot when Jane couldn't even hop around the garden." Marilla was out in the orchard picking a panful of summer apples when she saw Mr. Barry coming over the log bridge and up the slope, with Mrs. Barry beside him and a whole procession of little girls trailing after him. In his arms he carried Anne, whose head lay limply against his shoulder. At that moment Marilla had a revelation. In the sudden stab of fear that pierced her very heart she realized what Anne had come to mean to her. She would have admitted that she liked Anne--nay, that she was very fond of Anne. But now she knew as she hurried wildly down the slope that Anne was dearer to her than anything else on earth. "Mr. Barry, what has happened to her?" she gasped, more white and shaken than the self-contained, sensible Marilla | Anne Of Green Gables | therefrom was a much less serious thing. Nevertheless, when Diana and the other girls had rushed frantically around the house--except Ruby Gillis, who remained as if rooted to the ground and went into hysterics--they found Anne lying all white and limp among the wreck and ruin of the Virginia creeper.<|quote|>"Anne, are you killed?"</|quote|>shrieked Diana, throwing herself on her knees beside her friend. "Oh, Anne, dear Anne, speak just one word to me and tell me if you're killed." To the immense relief of all the girls, and especially of Josie Pye, who, in spite of lack of imagination, had been seized with | {
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"content": "therefrom was a much less serious thing. Nevertheless, when Diana and the other girls had rushed frantically around the house--except Ruby Gillis, who remained as if rooted to the ground and went into hysterics--they found Anne lying all white and limp among the wreck and ruin of the Virginia creeper.<|quote|>\"Anne, are you killed?\"</|quote|>shrieked Diana, throwing herself on her knees beside her friend. \"Oh, Anne, dear Anne, speak just one word to me and tell me if you're killed.\" To the immense relief of all the girls, and especially of Josie Pye, who, in spite of lack of imagination, had been seized with",
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he said. | No speaker | in the lobby outside. "Darling,"<|quote|>he said.</|quote|>"Is that Mr Last? I've | He went to the telephone in the lobby outside. "Darling,"<|quote|>he said.</|quote|>"Is that Mr Last? I've got a message here, from | cheer up. Presently a page came to their table to say, "A message from Lady Brenda, sir." "Good, I'll go and speak to her." "It's not her ladyship speaking. Someone was sending a message." "I'll come and speak to her." He went to the telephone in the lobby outside. "Darling,"<|quote|>he said.</|quote|>"Is that Mr Last? I've got a message here, from Lady Brenda." "Right, put me through to her." "She can't speak herself, but she asked me to give you this message, that she's very sorry but she cannot join you to-night. She's very tired and has gone home to bed." | feel low because mine won't chuck." "Yes, that's funny." "But you know I've felt low for weeks now... bloody low... how about some brandy?" "Yes, why not? After all, there are other things in life besides women and pigs." They had some brandy and after a time Jock began to cheer up. Presently a page came to their table to say, "A message from Lady Brenda, sir." "Good, I'll go and speak to her." "It's not her ladyship speaking. Someone was sending a message." "I'll come and speak to her." He went to the telephone in the lobby outside. "Darling,"<|quote|>he said.</|quote|>"Is that Mr Last? I've got a message here, from Lady Brenda." "Right, put me through to her." "She can't speak herself, but she asked me to give you this message, that she's very sorry but she cannot join you to-night. She's very tired and has gone home to bed." "Tell her I want to speak to her." "I can't, I'm afraid, she's gone to bed. She's very tired." "She's very tired and she's gone to bed?" "That's right." "Well, I want to speak to her." "Good night," said the voice. "The old boy's plastered," said Beaver as he rang | Brenda wanted the flat so I had to postpone them as an economy... I say, that's funny. We had to economize because of Brenda's economics." "Yes, that's funny. Let's have some port." Tony said, "You seem pretty low to-night." "I am rather. Worried about the Pig Scheme. Constituents keep writing." "_I_ felt low, _bloody_ low, but I'm all right again now. The best thing is to get tight. That's what I did and I don't feel low any more... discouraging to come to London and find you're not wanted. Funny thing, _you_ feel low because your girl's chucked, and _I_ feel low because mine won't chuck." "Yes, that's funny." "But you know I've felt low for weeks now... bloody low... how about some brandy?" "Yes, why not? After all, there are other things in life besides women and pigs." They had some brandy and after a time Jock began to cheer up. Presently a page came to their table to say, "A message from Lady Brenda, sir." "Good, I'll go and speak to her." "It's not her ladyship speaking. Someone was sending a message." "I'll come and speak to her." He went to the telephone in the lobby outside. "Darling,"<|quote|>he said.</|quote|>"Is that Mr Last? I've got a message here, from Lady Brenda." "Right, put me through to her." "She can't speak herself, but she asked me to give you this message, that she's very sorry but she cannot join you to-night. She's very tired and has gone home to bed." "Tell her I want to speak to her." "I can't, I'm afraid, she's gone to bed. She's very tired." "She's very tired and she's gone to bed?" "That's right." "Well, I want to speak to her." "Good night," said the voice. "The old boy's plastered," said Beaver as he rang off. "Oh dear. I feel rather awful about him. But what _can_ he expect, coming up suddenly like this? He's got to be taught not to make surprise visits." "Is he often like that?" "No, it's quite new." The telephone bell rang. "D'you suppose that's him again? I'd better answer it." "I want to speak to Lady Brenda Last." "Tony, darling, this _is_ me, Brenda." "Some damn fool said I couldn't speak to you." "I left a message from where I was dining. Are you having a lovely evening?" "Hellish. I'm with Jock. He's worried about the Pig Scheme. Shall | parties every week-end lately... I wish you'd come down sometimes, Jock. I don't seem to get on with Brenda's new friends." "People from the school of economics?" "No, but ones I don't know. I believe I bore them. Thinking it over, that's the conclusion I've come to. I bore them. They talk about me as" "the old boy". "John heard them." "Well, that's friendly enough." "Yes, that's friendly." They finished the Burgundy and drank some port. Presently Tony said, "I say, come next week-end, will you?" "I think I'd love to." "Wish you would. I don't see many old friends... Sure to be lots of people in the house, but you won't mind that, will you?... sociable chap, Jock... doesn't mind people about. _I_ mind it like hell." They drank some more port. Tony said, "Not enough bathrooms, you know... but of course you know. You've been there before, often. Not like the new friends who think me a bore. You don't think I'm a bore, do you?" "No, old boy." "Not even when I'm tight, like this?... There would have been bathrooms. I had the plans out. Four new ones. A chap down there made the plans... but then Brenda wanted the flat so I had to postpone them as an economy... I say, that's funny. We had to economize because of Brenda's economics." "Yes, that's funny. Let's have some port." Tony said, "You seem pretty low to-night." "I am rather. Worried about the Pig Scheme. Constituents keep writing." "_I_ felt low, _bloody_ low, but I'm all right again now. The best thing is to get tight. That's what I did and I don't feel low any more... discouraging to come to London and find you're not wanted. Funny thing, _you_ feel low because your girl's chucked, and _I_ feel low because mine won't chuck." "Yes, that's funny." "But you know I've felt low for weeks now... bloody low... how about some brandy?" "Yes, why not? After all, there are other things in life besides women and pigs." They had some brandy and after a time Jock began to cheer up. Presently a page came to their table to say, "A message from Lady Brenda, sir." "Good, I'll go and speak to her." "It's not her ladyship speaking. Someone was sending a message." "I'll come and speak to her." He went to the telephone in the lobby outside. "Darling,"<|quote|>he said.</|quote|>"Is that Mr Last? I've got a message here, from Lady Brenda." "Right, put me through to her." "She can't speak herself, but she asked me to give you this message, that she's very sorry but she cannot join you to-night. She's very tired and has gone home to bed." "Tell her I want to speak to her." "I can't, I'm afraid, she's gone to bed. She's very tired." "She's very tired and she's gone to bed?" "That's right." "Well, I want to speak to her." "Good night," said the voice. "The old boy's plastered," said Beaver as he rang off. "Oh dear. I feel rather awful about him. But what _can_ he expect, coming up suddenly like this? He's got to be taught not to make surprise visits." "Is he often like that?" "No, it's quite new." The telephone bell rang. "D'you suppose that's him again? I'd better answer it." "I want to speak to Lady Brenda Last." "Tony, darling, this _is_ me, Brenda." "Some damn fool said I couldn't speak to you." "I left a message from where I was dining. Are you having a lovely evening?" "Hellish. I'm with Jock. He's worried about the Pig Scheme. Shall we come round and see you?" "No, not now, darling, I'm terribly tired and just going to bed." "We'll come and see you." "Tony, are you a tiny bit tight?" "Stinking. Jock and I'll come and see you." "_Tony_, you're _not_ to. D'you hear? I can't have you making a brawl. The flats are getting a bad name anyhow." "Their name'll be mud when Jock and I come." "Tony, listen, will you please not come, not to-night. Be a good boy and stay at the club. Will you _please_ not?" "Shan't be long." He rang off. "Oh God," said Brenda. "This isn't the least like Tony. Ring up Bratt's and get on to Jock. He'll have more sense." * * * * * "That was Brenda." "So I gathered." "She's at the flat. I said that we'd go round." "Splendid. Haven't seen her for weeks. Very fond of Brenda." "So am I. Grand girl." "Grand girl." "A lady on the telephone for you, Mr Grant-Menzies." "Who?" "She didn't give a name." "All right. I'll come." Brenda said to him, "Jock, what _have_ you been doing to my husband?" "He's a bit tight, that's all." "He's roaring. Look here, he threatens | heavily. It was in this mood and for this reason that, one evening towards the middle of February, Jock Grant-Menzies arrived at the club. "Anyone here?" "Very quiet to-night, sir. Mr Last is in the dining-room." Jock found him seated in a corner; he was in day clothes; the table and the chair at his side were littered with papers and magazines; one was propped up in front of him. He was half-way through dinner and three-quarters of the way through a bottle of Burgundy. "Hullo," he said. "Chucked? Come and join me." It was some time since Jock had seen Tony; the meeting embarrassed him slightly, for like all his friends, he was wondering how Tony felt and how much he knew about Brenda and John Beaver. However, he sat down at Tony's table. "Been chucked?" asked Tony again. "Yes, it's the last time I ask that bitch out." "Better have a drink. I've been drinking a whole lot. Much the best thing." They took what was left of the Burgundy and ordered another bottle. "Just come up for the night," said Tony. "Staying here." "You've got a flat now, haven't you?" "Well, Brenda has. There isn't really room for two... we tried it once and it wasn't a success." "What's she doing to-night?" "Out somewhere. I didn't let her know I was coming... silly not to, but you see I got fed up with being alone at Hetton and thought I'd like to see Brenda, so I came up suddenly on the spur of the moment, just like that. Damned silly thing to do. Might have known she'd be going out somewhere... she's very high-principled about chucking... so there it is. She's going to ring me up here later, if she can get away." They drank a lot. Tony did most of the talking. "Extraordinary idea of hers, taking up economics," he said. "I never thought it would last, but she seems really keen on it... I suppose it's a good plan. You know there wasn't really much for her to do all the time at Hetton. Of course she'd rather die than admit it, but I believe she got a bit bored there sometimes. I've been thinking it over and that's the conclusion I came to. Brenda must have been bored... Daresay she'll get bored with economics some time... Anyway, she seems cheerful enough now. We've had parties every week-end lately... I wish you'd come down sometimes, Jock. I don't seem to get on with Brenda's new friends." "People from the school of economics?" "No, but ones I don't know. I believe I bore them. Thinking it over, that's the conclusion I've come to. I bore them. They talk about me as" "the old boy". "John heard them." "Well, that's friendly enough." "Yes, that's friendly." They finished the Burgundy and drank some port. Presently Tony said, "I say, come next week-end, will you?" "I think I'd love to." "Wish you would. I don't see many old friends... Sure to be lots of people in the house, but you won't mind that, will you?... sociable chap, Jock... doesn't mind people about. _I_ mind it like hell." They drank some more port. Tony said, "Not enough bathrooms, you know... but of course you know. You've been there before, often. Not like the new friends who think me a bore. You don't think I'm a bore, do you?" "No, old boy." "Not even when I'm tight, like this?... There would have been bathrooms. I had the plans out. Four new ones. A chap down there made the plans... but then Brenda wanted the flat so I had to postpone them as an economy... I say, that's funny. We had to economize because of Brenda's economics." "Yes, that's funny. Let's have some port." Tony said, "You seem pretty low to-night." "I am rather. Worried about the Pig Scheme. Constituents keep writing." "_I_ felt low, _bloody_ low, but I'm all right again now. The best thing is to get tight. That's what I did and I don't feel low any more... discouraging to come to London and find you're not wanted. Funny thing, _you_ feel low because your girl's chucked, and _I_ feel low because mine won't chuck." "Yes, that's funny." "But you know I've felt low for weeks now... bloody low... how about some brandy?" "Yes, why not? After all, there are other things in life besides women and pigs." They had some brandy and after a time Jock began to cheer up. Presently a page came to their table to say, "A message from Lady Brenda, sir." "Good, I'll go and speak to her." "It's not her ladyship speaking. Someone was sending a message." "I'll come and speak to her." He went to the telephone in the lobby outside. "Darling,"<|quote|>he said.</|quote|>"Is that Mr Last? I've got a message here, from Lady Brenda." "Right, put me through to her." "She can't speak herself, but she asked me to give you this message, that she's very sorry but she cannot join you to-night. She's very tired and has gone home to bed." "Tell her I want to speak to her." "I can't, I'm afraid, she's gone to bed. She's very tired." "She's very tired and she's gone to bed?" "That's right." "Well, I want to speak to her." "Good night," said the voice. "The old boy's plastered," said Beaver as he rang off. "Oh dear. I feel rather awful about him. But what _can_ he expect, coming up suddenly like this? He's got to be taught not to make surprise visits." "Is he often like that?" "No, it's quite new." The telephone bell rang. "D'you suppose that's him again? I'd better answer it." "I want to speak to Lady Brenda Last." "Tony, darling, this _is_ me, Brenda." "Some damn fool said I couldn't speak to you." "I left a message from where I was dining. Are you having a lovely evening?" "Hellish. I'm with Jock. He's worried about the Pig Scheme. Shall we come round and see you?" "No, not now, darling, I'm terribly tired and just going to bed." "We'll come and see you." "Tony, are you a tiny bit tight?" "Stinking. Jock and I'll come and see you." "_Tony_, you're _not_ to. D'you hear? I can't have you making a brawl. The flats are getting a bad name anyhow." "Their name'll be mud when Jock and I come." "Tony, listen, will you please not come, not to-night. Be a good boy and stay at the club. Will you _please_ not?" "Shan't be long." He rang off. "Oh God," said Brenda. "This isn't the least like Tony. Ring up Bratt's and get on to Jock. He'll have more sense." * * * * * "That was Brenda." "So I gathered." "She's at the flat. I said that we'd go round." "Splendid. Haven't seen her for weeks. Very fond of Brenda." "So am I. Grand girl." "Grand girl." "A lady on the telephone for you, Mr Grant-Menzies." "Who?" "She didn't give a name." "All right. I'll come." Brenda said to him, "Jock, what _have_ you been doing to my husband?" "He's a bit tight, that's all." "He's roaring. Look here, he threatens to come round. I simply can't face him to-night in that mood, I'm tired out. You understand, don't you?" "Yes, I understand." "So will you, _please_, keep him away? Are you tight too?" "A little bit." "Oh dear, can I trust you?" "I'll try." "Well, it doesn't sound too good. Good-bye" ... "John, you've got to go. Those hooligans may turn up at any moment. Have you got your taxi fare? You'll find some change in my bag." * * * * * "Was that your girl?" "Yes." "Made it up?" "Not exactly." "Far better to make it up. Shall we have some more brandy or go round to Brenda straight away?" "Let's have some more brandy." "Jock, you aren't still feeling low, are you? Doesn't do to feel low. _I'm_ not feeling low. I _was_, but I'm not any more." "No, I'm not feeling low." "Then we'll have some brandy and then go to Brenda's." "All right." Half an hour later they got into Jock's car. "Tell you what, I shouldn't drive if I were you." "Not drive?" "No, I shouldn't drive. They'd say you were drunk." "Who would?" "Anyone you ran over. They'd say you were drunk." "Well, so I am." "Then I shouldn't drive." "Too far to walk." "We'll take a taxi." "Oh, hell, I can drive." "Or let's not go to Brenda's at all." "We'd better go to Brenda's," said Jock. "She's expecting us." "Well, I can't walk all that way. Besides, I don't think she really wanted us to come." "She'll be pleased when she sees us." "Yes, but it's a long way. Let's go some other place." "I'd like to see Brenda," said Jock. "I'm very fond of Brenda." "She's a grand girl." "She's a grand girl." "Well, let's take a taxi to Brenda's." But half-way Jock said, "Don't let's go there. Let's go some other place. Let's go to some low joint." "All the same to me. Tell him to go to some lousy joint." "Go to some lousy joint," said Jock, putting his head through the window. The cab wheeled round and made towards Regent Street. "We can always ring Brenda from the lousy joint." "Yes, I think we ought to do that. She's a grand girl." "Grand girl." The cab turned into Golden Square and then down Sink Street, a dingy little place inhabited for the most part by Asiatics. "D'you | course she'd rather die than admit it, but I believe she got a bit bored there sometimes. I've been thinking it over and that's the conclusion I came to. Brenda must have been bored... Daresay she'll get bored with economics some time... Anyway, she seems cheerful enough now. We've had parties every week-end lately... I wish you'd come down sometimes, Jock. I don't seem to get on with Brenda's new friends." "People from the school of economics?" "No, but ones I don't know. I believe I bore them. Thinking it over, that's the conclusion I've come to. I bore them. They talk about me as" "the old boy". "John heard them." "Well, that's friendly enough." "Yes, that's friendly." They finished the Burgundy and drank some port. Presently Tony said, "I say, come next week-end, will you?" "I think I'd love to." "Wish you would. I don't see many old friends... Sure to be lots of people in the house, but you won't mind that, will you?... sociable chap, Jock... doesn't mind people about. _I_ mind it like hell." They drank some more port. Tony said, "Not enough bathrooms, you know... but of course you know. You've been there before, often. Not like the new friends who think me a bore. You don't think I'm a bore, do you?" "No, old boy." "Not even when I'm tight, like this?... There would have been bathrooms. I had the plans out. Four new ones. A chap down there made the plans... but then Brenda wanted the flat so I had to postpone them as an economy... I say, that's funny. We had to economize because of Brenda's economics." "Yes, that's funny. Let's have some port." Tony said, "You seem pretty low to-night." "I am rather. Worried about the Pig Scheme. Constituents keep writing." "_I_ felt low, _bloody_ low, but I'm all right again now. The best thing is to get tight. That's what I did and I don't feel low any more... discouraging to come to London and find you're not wanted. Funny thing, _you_ feel low because your girl's chucked, and _I_ feel low because mine won't chuck." "Yes, that's funny." "But you know I've felt low for weeks now... bloody low... how about some brandy?" "Yes, why not? After all, there are other things in life besides women and pigs." They had some brandy and after a time Jock began to cheer up. Presently a page came to their table to say, "A message from Lady Brenda, sir." "Good, I'll go and speak to her." "It's not her ladyship speaking. Someone was sending a message." "I'll come and speak to her." He went to the telephone in the lobby outside. "Darling,"<|quote|>he said.</|quote|>"Is that Mr Last? I've got a message here, from Lady Brenda." "Right, put me through to her." "She can't speak herself, but she asked me to give you this message, that she's very sorry but she cannot join you to-night. She's very tired and has gone home to bed." "Tell her I want to speak to her." "I can't, I'm afraid, she's gone to bed. She's very tired." "She's very tired and she's gone to bed?" "That's right." "Well, I want to speak to her." "Good night," said the voice. "The old boy's plastered," said Beaver as he rang off. "Oh dear. I feel rather awful about him. But what _can_ he expect, coming up suddenly like this? He's got to be taught not to make surprise visits." "Is he often like that?" "No, it's quite new." The telephone bell rang. "D'you suppose that's him again? I'd better answer it." "I want to speak to Lady Brenda Last." "Tony, darling, this _is_ me, Brenda." "Some damn fool said I couldn't speak to you." "I left a message from where I was dining. Are you having a lovely evening?" "Hellish. I'm with Jock. He's worried about the Pig Scheme. Shall we come round and see you?" "No, not now, darling, I'm terribly tired and just going to bed." "We'll come and see you." "Tony, are you a tiny bit tight?" "Stinking. Jock and I'll come and see you." "_Tony_, you're _not_ to. D'you hear? I can't have you making a brawl. The flats are getting a bad name anyhow." "Their name'll be mud when Jock and I come." "Tony, listen, will you please not come, not to-night. Be a good boy and stay at the club. Will you _please_ not?" "Shan't be long." He rang off. "Oh God," said Brenda. "This isn't the least like Tony. Ring up Bratt's and get on to Jock. He'll have more sense." * * * * * "That was Brenda." "So I gathered." "She's at the flat. I said that we'd go round." "Splendid. Haven't seen her for weeks. Very fond of Brenda." "So am I. Grand girl." "Grand girl." "A lady on the telephone for you, Mr Grant-Menzies." "Who?" "She didn't give a name." "All right. I'll come." Brenda said to him, "Jock, what _have_ you been doing to my husband?" "He's a bit tight, that's all." "He's roaring. Look here, he threatens to come round. I simply can't face him to-night in that mood, I'm tired out. You understand, don't you?" "Yes, I understand." "So will you, _please_, keep him away? Are you tight too?" "A little bit." "Oh dear, can I trust you?" "I'll try." "Well, it doesn't sound too good. Good-bye" | A Handful Of Dust | cheer up. Presently a page came to their table to say, "A message from Lady Brenda, sir." "Good, I'll go and speak to her." "It's not her ladyship speaking. Someone was sending a message." "I'll come and speak to her." He went to the telephone in the lobby outside. "Darling,"<|quote|>he said.</|quote|>"Is that Mr Last? I've got a message here, from Lady Brenda." "Right, put me through to her." "She can't speak herself, but she asked me to give you this message, that she's very sorry but she cannot join you to-night. She's very tired and has gone home to bed." | {
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"content": "cheer up. Presently a page came to their table to say, \"A message from Lady Brenda, sir.\" \"Good, I'll go and speak to her.\" \"It's not her ladyship speaking. Someone was sending a message.\" \"I'll come and speak to her.\" He went to the telephone in the lobby outside. \"Darling,\"<|quote|>he said.</|quote|>\"Is that Mr Last? I've got a message here, from Lady Brenda.\" \"Right, put me through to her.\" \"She can't speak herself, but she asked me to give you this message, that she's very sorry but she cannot join you to-night. She's very tired and has gone home to bed.\"",
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We all listen. The front is restless. | No speaker | "There'll be a bombardment to-night."<|quote|>We all listen. The front is restless.</|quote|>"The Tommies are firing already," | of the front. Kat listens: "There'll be a bombardment to-night."<|quote|>We all listen. The front is restless.</|quote|>"The Tommies are firing already," says Kropp. The shelling can | Kat explains to them: "That was a twelve-inch. You hear the explosion first and afterwards comes the sound of the gun." But the hollow sound of the firing does not reach us. It is swallowed up in the general murmur of the front. Kat listens: "There'll be a bombardment to-night."<|quote|>We all listen. The front is restless.</|quote|>"The Tommies are firing already," says Kropp. The shelling can be heard distinctly. It is the English batteries to the right of our section. They are beginning an hour too soon. According to us they start punctually at ten o'clock. "What's got them?" says Müller, "their clocks must be fast." | not, indeed, in the front-line, but only in the reserves, yet in every face can be read: This is the Front, now we are within its embrace. It is not fear. Men who have been up as often as we have become thick skinned. Only the young recruits are agitated. Kat explains to them: "That was a twelve-inch. You hear the explosion first and afterwards comes the sound of the gun." But the hollow sound of the firing does not reach us. It is swallowed up in the general murmur of the front. Kat listens: "There'll be a bombardment to-night."<|quote|>We all listen. The front is restless.</|quote|>"The Tommies are firing already," says Kropp. The shelling can be heard distinctly. It is the English batteries to the right of our section. They are beginning an hour too soon. According to us they start punctually at ten o'clock. "What's got them?" says Müller, "their clocks must be fast." "There'll be a bombardment, I tell you, I can feel it in my bones." Kat shrugs his shoulders. Three shells land beside us. The burst of flame shoots across the fog, the fragments howl and drone. We shiver and are glad to think that we shall be back in the | He knows all about every leg of goose within a radius of fifteen miles. The lorries arrive at the artillery lines. The gun-emplacements are camouflaged with bushes against aerial observation, and look like a kind of military Feast of the Tabernacles. These branches might seem gay and cheerful were not cannon embowered there. The air becomes acrid with the smoke of the guns and the fog. The fumes of powder taste bitter on the tongue. The roar of the guns makes our lorry stagger, the reverberation rolls raging away to the rear, everything quakes. Our faces change imperceptibly. We are not, indeed, in the front-line, but only in the reserves, yet in every face can be read: This is the Front, now we are within its embrace. It is not fear. Men who have been up as often as we have become thick skinned. Only the young recruits are agitated. Kat explains to them: "That was a twelve-inch. You hear the explosion first and afterwards comes the sound of the gun." But the hollow sound of the firing does not reach us. It is swallowed up in the general murmur of the front. Kat listens: "There'll be a bombardment to-night."<|quote|>We all listen. The front is restless.</|quote|>"The Tommies are firing already," says Kropp. The shelling can be heard distinctly. It is the English batteries to the right of our section. They are beginning an hour too soon. According to us they start punctually at ten o'clock. "What's got them?" says Müller, "their clocks must be fast." "There'll be a bombardment, I tell you, I can feel it in my bones." Kat shrugs his shoulders. Three shells land beside us. The burst of flame shoots across the fog, the fragments howl and drone. We shiver and are glad to think that we shall be back in the huts early in the morning. Our faces are neither paler nor more flushed than usual; they are not more tense nor more flabby--and yet they are changed. We feel that in our blood a contact has shot home. That is no figure of speech; it is fact. It is the front, the consciousness of the front, that makes this contact. The moment that the first shells whistle over and the air is rent with the explosions there is suddenly in our veins, in our hands, in our eyes a tense waiting, a watching, a heightened alertness, a strange sharpening of | room to sit. But we do not expect that. Müller is in a good mood for once; he is wearing his new boots. The engines drone, the lorries bump and rattle. The roads are worn and full of holes. We dare not show a light so we lurch along and are often almost pitched out. That does not worry us, however. It can happen if it likes; a broken arm is better than a hole in the guts, and many a man would be thankful enough for such a chance of finding his way home again. Beside us stream the munition-columns in long files. They are making the pace, they overtake us going forward. We joke with them and they answer back. A wall becomes visible, it belongs to a house which lies on the side of the road. I suddenly prick up my ears. Am I deceived? Again I hear distinctly the cackle of geese. A glance at Katczinsky--a glance from him to me; we understand one another. "Kat, I hear some aspirants for the frying-pan over there." He nods. "It will be attended to when we come back. I have their number." Of course Kat has their number. He knows all about every leg of goose within a radius of fifteen miles. The lorries arrive at the artillery lines. The gun-emplacements are camouflaged with bushes against aerial observation, and look like a kind of military Feast of the Tabernacles. These branches might seem gay and cheerful were not cannon embowered there. The air becomes acrid with the smoke of the guns and the fog. The fumes of powder taste bitter on the tongue. The roar of the guns makes our lorry stagger, the reverberation rolls raging away to the rear, everything quakes. Our faces change imperceptibly. We are not, indeed, in the front-line, but only in the reserves, yet in every face can be read: This is the Front, now we are within its embrace. It is not fear. Men who have been up as often as we have become thick skinned. Only the young recruits are agitated. Kat explains to them: "That was a twelve-inch. You hear the explosion first and afterwards comes the sound of the gun." But the hollow sound of the firing does not reach us. It is swallowed up in the general murmur of the front. Kat listens: "There'll be a bombardment to-night."<|quote|>We all listen. The front is restless.</|quote|>"The Tommies are firing already," says Kropp. The shelling can be heard distinctly. It is the English batteries to the right of our section. They are beginning an hour too soon. According to us they start punctually at ten o'clock. "What's got them?" says Müller, "their clocks must be fast." "There'll be a bombardment, I tell you, I can feel it in my bones." Kat shrugs his shoulders. Three shells land beside us. The burst of flame shoots across the fog, the fragments howl and drone. We shiver and are glad to think that we shall be back in the huts early in the morning. Our faces are neither paler nor more flushed than usual; they are not more tense nor more flabby--and yet they are changed. We feel that in our blood a contact has shot home. That is no figure of speech; it is fact. It is the front, the consciousness of the front, that makes this contact. The moment that the first shells whistle over and the air is rent with the explosions there is suddenly in our veins, in our hands, in our eyes a tense waiting, a watching, a heightened alertness, a strange sharpening of the senses. The body with one bound is in full readiness. It often seems to me as though it were the vibrating, shuddering air that with a noiseless leap springs upon us; or as though the front itself emitted an electric current which awakened unknown nerve-centres. Every time it is the same. We start out for the front plain soldiers, either cheerful or gloomy: then come the first gun-emplacements and every word of our speech has a new ring. When Kat stands in front of the hut and says: "There'll be a bombardment," that is merely his own opinion; but if he says it here, then the sentence has the sharpness of a bayonet in the moonlight, it cuts clean through the thought, it thrusts nearer and speaks to this unknown thing that is awakened in us, a dark meaning-- "There'll be a bombardment." Perhaps it is our inner and most secret life that shivers and falls on guard. * * To me the front is a mysterious whirlpool. Though I am in still water far away from its centre, I feel the whirl of the vortex sucking me slowly, irresistibly, inescapably into itself. From the earth, from the air, | had brought a cushion. Haie squatted down, laid the cushion on his knees, felt where Himmelstoss's head was and pressed it down on the pillow. Immediately his voice was muffled. Haie let him get a gasp of air every so often, when he would give a mighty yell that was immediately hushed. Tjaden unbuttoned Himmelstoss's braces and pulled down his trousers, holding the whip meantime in his teeth. Then he stood up and set to work. It was a wonderful picture: Himmelstoss on the ground; Haie bending over him with a fiendish grin and his mouth open with blood-lust, Himmelstoss's head on his knees; then the convulsed, striped drawers, the knock knees, executing at every blow most original movements in the lowered breeches, and towering over them like a woodcutter the indefatigable Tjaden. In the end we had to drag him away to get our turn. Finally Haie stood Himmelstoss on his feet again and gave one last personal remonstrance. As he stretched out his right arm preparatory to giving him a box on the ear he looked as if he were going to reach down a star. Himmelstoss staggered. Haie stood him up again, made ready and fetched him a second, well-aimed beauty with the left hand. Himmelstoss yelled and fell down on all fours cursing. His striped postman's backside gleamed in the moonlight. We disappeared at full speed. Haie looked round once again and said wrathfully, satisfied and rather mysteriously: "Revenge is black-pudding." Himmelstoss ought to have been pleased; his saying that we should each educate one another had borne fruit for himself. We had become successful students of his method. He never discovered whom he had to thank for the business. At any rate he scored a bed-cover out of it; for when we returned a few hours later to look for it, it was no longer to be found. That evening's work made us more or less content to leave next morning. And an old buffer was pleased to describe us as "young heroes." CHAPTER IV We have to go up on wiring fatigue. The motor lorries roll up after dark. We climb in. It is a warm evening and the twilight seems like a canopy under whose shelter we feel drawn together. Even the stingy Tjaden gives me a cigarette and then a light. We stand jammed in together, shoulder to shoulder, there is no room to sit. But we do not expect that. Müller is in a good mood for once; he is wearing his new boots. The engines drone, the lorries bump and rattle. The roads are worn and full of holes. We dare not show a light so we lurch along and are often almost pitched out. That does not worry us, however. It can happen if it likes; a broken arm is better than a hole in the guts, and many a man would be thankful enough for such a chance of finding his way home again. Beside us stream the munition-columns in long files. They are making the pace, they overtake us going forward. We joke with them and they answer back. A wall becomes visible, it belongs to a house which lies on the side of the road. I suddenly prick up my ears. Am I deceived? Again I hear distinctly the cackle of geese. A glance at Katczinsky--a glance from him to me; we understand one another. "Kat, I hear some aspirants for the frying-pan over there." He nods. "It will be attended to when we come back. I have their number." Of course Kat has their number. He knows all about every leg of goose within a radius of fifteen miles. The lorries arrive at the artillery lines. The gun-emplacements are camouflaged with bushes against aerial observation, and look like a kind of military Feast of the Tabernacles. These branches might seem gay and cheerful were not cannon embowered there. The air becomes acrid with the smoke of the guns and the fog. The fumes of powder taste bitter on the tongue. The roar of the guns makes our lorry stagger, the reverberation rolls raging away to the rear, everything quakes. Our faces change imperceptibly. We are not, indeed, in the front-line, but only in the reserves, yet in every face can be read: This is the Front, now we are within its embrace. It is not fear. Men who have been up as often as we have become thick skinned. Only the young recruits are agitated. Kat explains to them: "That was a twelve-inch. You hear the explosion first and afterwards comes the sound of the gun." But the hollow sound of the firing does not reach us. It is swallowed up in the general murmur of the front. Kat listens: "There'll be a bombardment to-night."<|quote|>We all listen. The front is restless.</|quote|>"The Tommies are firing already," says Kropp. The shelling can be heard distinctly. It is the English batteries to the right of our section. They are beginning an hour too soon. According to us they start punctually at ten o'clock. "What's got them?" says Müller, "their clocks must be fast." "There'll be a bombardment, I tell you, I can feel it in my bones." Kat shrugs his shoulders. Three shells land beside us. The burst of flame shoots across the fog, the fragments howl and drone. We shiver and are glad to think that we shall be back in the huts early in the morning. Our faces are neither paler nor more flushed than usual; they are not more tense nor more flabby--and yet they are changed. We feel that in our blood a contact has shot home. That is no figure of speech; it is fact. It is the front, the consciousness of the front, that makes this contact. The moment that the first shells whistle over and the air is rent with the explosions there is suddenly in our veins, in our hands, in our eyes a tense waiting, a watching, a heightened alertness, a strange sharpening of the senses. The body with one bound is in full readiness. It often seems to me as though it were the vibrating, shuddering air that with a noiseless leap springs upon us; or as though the front itself emitted an electric current which awakened unknown nerve-centres. Every time it is the same. We start out for the front plain soldiers, either cheerful or gloomy: then come the first gun-emplacements and every word of our speech has a new ring. When Kat stands in front of the hut and says: "There'll be a bombardment," that is merely his own opinion; but if he says it here, then the sentence has the sharpness of a bayonet in the moonlight, it cuts clean through the thought, it thrusts nearer and speaks to this unknown thing that is awakened in us, a dark meaning-- "There'll be a bombardment." Perhaps it is our inner and most secret life that shivers and falls on guard. * * To me the front is a mysterious whirlpool. Though I am in still water far away from its centre, I feel the whirl of the vortex sucking me slowly, irresistibly, inescapably into itself. From the earth, from the air, sustaining forces pour into us--mostly from the earth. To no man does the earth mean so much as to the soldier. When he presses himself down upon her long and powerfully, when he buries his face and his limbs deep in her from the fear of death by shell-fire, then she is his only friend, his brother, his mother; he stifles his terror and his cries in her silence and her security; she shelters him and gives him a new lease of ten seconds of life, receives him again and often for ever. Earth!--Earth!--Earth! Earth with thy folds, and hollows and holes, into which a man may fling himself and crouch down! In the spasm of terror, under the hailing of annihilation, in the bellowing death of the explosions, O Earth, thou grantest us the great resisting surge of new-won life. Our being, almost utterly carried away by the fury of the storm, streams back through our hands from thee, and we, thy redeemed ones, bury ourselves in thee, and through the long minutes in a mute agony of hope bite into thee with our lips! At the sound of the first droning of the shells we rush back, in one part of our being, a thousand years. By the animal instinct that is awakened in us we are led and protected. It is not conscious; it is far quicker, much more sure, less fallible, than consciousness. One cannot explain it. A man is walking along without thought or heed;--suddenly he throws himself down on the ground and a storm of fragments flies harmlessly over him;--yet he cannot remember either to have heard the shell coming or to have thought of flinging himself down. But had he not abandoned himself to the impulse he would now be a heap of mangled flesh. It is this other, this second sight in us, that has thrown us to the ground and saved us, without our knowing how. If it were not so, there would not be one man alive from Flanders to the Vosges. We march up, moody or good-tempered soldiers--we reach the zone where the front begins and become on the instant human animals. * * An indigent looking wood receives us. We pass by the soup-kitchens. Under cover of the wood we climb out. The lorries turn back. They are to collect us again in the morning, before dawn. Mist | room to sit. But we do not expect that. Müller is in a good mood for once; he is wearing his new boots. The engines drone, the lorries bump and rattle. The roads are worn and full of holes. We dare not show a light so we lurch along and are often almost pitched out. That does not worry us, however. It can happen if it likes; a broken arm is better than a hole in the guts, and many a man would be thankful enough for such a chance of finding his way home again. Beside us stream the munition-columns in long files. They are making the pace, they overtake us going forward. We joke with them and they answer back. A wall becomes visible, it belongs to a house which lies on the side of the road. I suddenly prick up my ears. Am I deceived? Again I hear distinctly the cackle of geese. A glance at Katczinsky--a glance from him to me; we understand one another. "Kat, I hear some aspirants for the frying-pan over there." He nods. "It will be attended to when we come back. I have their number." Of course Kat has their number. He knows all about every leg of goose within a radius of fifteen miles. The lorries arrive at the artillery lines. The gun-emplacements are camouflaged with bushes against aerial observation, and look like a kind of military Feast of the Tabernacles. These branches might seem gay and cheerful were not cannon embowered there. The air becomes acrid with the smoke of the guns and the fog. The fumes of powder taste bitter on the tongue. The roar of the guns makes our lorry stagger, the reverberation rolls raging away to the rear, everything quakes. Our faces change imperceptibly. We are not, indeed, in the front-line, but only in the reserves, yet in every face can be read: This is the Front, now we are within its embrace. It is not fear. Men who have been up as often as we have become thick skinned. Only the young recruits are agitated. Kat explains to them: "That was a twelve-inch. You hear the explosion first and afterwards comes the sound of the gun." But the hollow sound of the firing does not reach us. It is swallowed up in the general murmur of the front. Kat listens: "There'll be a bombardment to-night."<|quote|>We all listen. The front is restless.</|quote|>"The Tommies are firing already," says Kropp. The shelling can be heard distinctly. It is the English batteries to the right of our section. They are beginning an hour too soon. According to us they start punctually at ten o'clock. "What's got them?" says Müller, "their clocks must be fast." "There'll be a bombardment, I tell you, I can feel it in my bones." Kat shrugs his shoulders. Three shells land beside us. The burst of flame shoots across the fog, the fragments howl and drone. We shiver and are glad to think that we shall be back in the huts early in the morning. Our faces are neither paler nor more flushed than usual; they are not more tense nor more flabby--and yet they are changed. We feel that in our blood a contact has shot home. That is no figure of speech; it is fact. It is the front, the consciousness of the front, that makes this contact. The moment that the first shells whistle over and the air is rent with the explosions there is suddenly in our veins, in our hands, in our eyes a tense waiting, a watching, a heightened alertness, a strange sharpening of the senses. The body with one bound is in full readiness. It often seems to me as though it were the vibrating, shuddering air that with a noiseless leap springs upon us; | All Quiet on the Western Front | Kat explains to them: "That was a twelve-inch. You hear the explosion first and afterwards comes the sound of the gun." But the hollow sound of the firing does not reach us. It is swallowed up in the general murmur of the front. Kat listens: "There'll be a bombardment to-night."<|quote|>We all listen. The front is restless.</|quote|>"The Tommies are firing already," says Kropp. The shelling can be heard distinctly. It is the English batteries to the right of our section. They are beginning an hour too soon. According to us they start punctually at ten o'clock. "What's got them?" says Müller, "their clocks must be fast." | {
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"content": "Kat explains to them: \"That was a twelve-inch. You hear the explosion first and afterwards comes the sound of the gun.\" But the hollow sound of the firing does not reach us. It is swallowed up in the general murmur of the front. Kat listens: \"There'll be a bombardment to-night.\"<|quote|>We all listen. The front is restless.</|quote|>\"The Tommies are firing already,\" says Kropp. The shelling can be heard distinctly. It is the English batteries to the right of our section. They are beginning an hour too soon. According to us they start punctually at ten o'clock. \"What's got them?\" says Müller, \"their clocks must be fast.\"",
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said Tony. | No speaker | again." "Nothing much has happened,"<|quote|>said Tony.</|quote|>"We've missed you. What did | had worms is quite well again." "Nothing much has happened,"<|quote|>said Tony.</|quote|>"We've missed you. What did you find to do in | as anything and he sat quite still and then went away into the wood and I began drawing a picture of a battle only I couldn't finish it because the paints weren't right and the grey carthorse the one that had worms is quite well again." "Nothing much has happened,"<|quote|>said Tony.</|quote|>"We've missed you. What did you find to do in London all this time?" "Me? Oh, I've been behaving rather badly to tell you the truth." "Buying things?" "Worse. I've been carrying on madly with young men and I've spent heaps of money and I've enjoyed it very much indeed. | and Thunderclap and I jumped it six times yesterday and six times again to-day and two more of the fish in the little pond are dead, floating upside down all swollen and nanny burnt her finger on the kettle yesterday and daddy and I saw a fox just as near as anything and he sat quite still and then went away into the wood and I began drawing a picture of a battle only I couldn't finish it because the paints weren't right and the grey carthorse the one that had worms is quite well again." "Nothing much has happened,"<|quote|>said Tony.</|quote|>"We've missed you. What did you find to do in London all this time?" "Me? Oh, I've been behaving rather badly to tell you the truth." "Buying things?" "Worse. I've been carrying on madly with young men and I've spent heaps of money and I've enjoyed it very much indeed. But there's one awful thing." "What's that?" "No, I think it had better keep. It's something you won't like at all." "You've bought a Pekingese." "Worse, far worse. Only I haven't done it yet. But I _want_ to dreadfully." "Go on." "Tony, I've found a flat." "Well, you'd better lose | she give him a hiding." Presently the train came in and Brenda emerged exquisitely from her third-class carriage. "You've _both_ come. What angels you are. I don't at all deserve it." "Oh, mummy, have you brought the monkey-lady?" "What _does_ the child mean?" "He's got it into his head that your chum Polly has a tail." "Come to think of it, I shouldn't be surprised if she had." Two little cases held all her luggage. The chauffeur strapped them on behind the car, and they drove to Hetton. "What's all the news?" "Ben's put the rail up ever so high and Thunderclap and I jumped it six times yesterday and six times again to-day and two more of the fish in the little pond are dead, floating upside down all swollen and nanny burnt her finger on the kettle yesterday and daddy and I saw a fox just as near as anything and he sat quite still and then went away into the wood and I began drawing a picture of a battle only I couldn't finish it because the paints weren't right and the grey carthorse the one that had worms is quite well again." "Nothing much has happened,"<|quote|>said Tony.</|quote|>"We've missed you. What did you find to do in London all this time?" "Me? Oh, I've been behaving rather badly to tell you the truth." "Buying things?" "Worse. I've been carrying on madly with young men and I've spent heaps of money and I've enjoyed it very much indeed. But there's one awful thing." "What's that?" "No, I think it had better keep. It's something you won't like at all." "You've bought a Pekingese." "Worse, far worse. Only I haven't done it yet. But I _want_ to dreadfully." "Go on." "Tony, I've found a flat." "Well, you'd better lose it again, quick." "All right. I'll attack you about it again later. Meanwhile, try not to brood about it." "I shan't give it another thought." "What's a flat, daddy?" * * * * * Brenda wore pyjamas at dinner, and afterwards sat close to Tony on the sofa and ate some sugar out of his coffee cup. "I suppose all this means that you're going to start again about your flat?" "Mmmm." "You haven't signed any papers yet, have you?" "Oh no." Brenda shook her head emphatically. "Then no great harm's done." Tony began to fill his pipe. Brenda knelt | sitting some way from her and they did not speak to each other until everyone was going. "I kept trying to get through to you this morning," he said, "but the line was always engaged." "Oh, come on," said Brenda, "I'll sock you a movie." Later she wired to Tony: _Staying with Marjorie another day or two all love to you both_. [IV] "Is mummy coming back to-day?" "I hope so." "That monkey-woman's party has lasted a long time. Can I come in to the station and meet her?" "Yes, we'll both go." "She hasn't seen Thunderclap for four days. She hasn't seen me jump the new post and rail, has she, daddy?" She was coming by the 3.18. Tony and John Andrew were there early. They wandered about the station looking at things, and bought some chocolate from a slot machine. The stationmaster came out to talk to them. "Her ladyship coming back to-day?" He was an old friend of Tony's. "I've been expecting her every day. You know what it is when ladies get to London." "Sam Brace's wife went to London and he couldn't get her back. Had to go up and fetch her himself. And then she give him a hiding." Presently the train came in and Brenda emerged exquisitely from her third-class carriage. "You've _both_ come. What angels you are. I don't at all deserve it." "Oh, mummy, have you brought the monkey-lady?" "What _does_ the child mean?" "He's got it into his head that your chum Polly has a tail." "Come to think of it, I shouldn't be surprised if she had." Two little cases held all her luggage. The chauffeur strapped them on behind the car, and they drove to Hetton. "What's all the news?" "Ben's put the rail up ever so high and Thunderclap and I jumped it six times yesterday and six times again to-day and two more of the fish in the little pond are dead, floating upside down all swollen and nanny burnt her finger on the kettle yesterday and daddy and I saw a fox just as near as anything and he sat quite still and then went away into the wood and I began drawing a picture of a battle only I couldn't finish it because the paints weren't right and the grey carthorse the one that had worms is quite well again." "Nothing much has happened,"<|quote|>said Tony.</|quote|>"We've missed you. What did you find to do in London all this time?" "Me? Oh, I've been behaving rather badly to tell you the truth." "Buying things?" "Worse. I've been carrying on madly with young men and I've spent heaps of money and I've enjoyed it very much indeed. But there's one awful thing." "What's that?" "No, I think it had better keep. It's something you won't like at all." "You've bought a Pekingese." "Worse, far worse. Only I haven't done it yet. But I _want_ to dreadfully." "Go on." "Tony, I've found a flat." "Well, you'd better lose it again, quick." "All right. I'll attack you about it again later. Meanwhile, try not to brood about it." "I shan't give it another thought." "What's a flat, daddy?" * * * * * Brenda wore pyjamas at dinner, and afterwards sat close to Tony on the sofa and ate some sugar out of his coffee cup. "I suppose all this means that you're going to start again about your flat?" "Mmmm." "You haven't signed any papers yet, have you?" "Oh no." Brenda shook her head emphatically. "Then no great harm's done." Tony began to fill his pipe. Brenda knelt on the sofa, sitting back on her heels. "Listen, you haven't been brooding?" "No." "Because, you see, when you say 'flat' you're thinking of something quite different to me. _You_ mean by a flat, a lift and a man in uniform, and a big front door with knobs, and an entrance hall and doors opening in all directions, with kitchens and sculleries and dining-rooms and drawing-rooms and servants' bedrooms... don't you, Tony?" "More or less." "_Exactly._ Now _I_ mean just a bedroom and a bath and a telephone. You see the difference? Now a woman I know--" "Who?" "Just a woman--has fixed up a whole house like that off Belgrave Square and they are three pounds a week, no rates and taxes, constant hot water and central heating, woman comes in to make the bed when required, what d'you think of that?" "I see." "Now this is how I look at it. What's three pounds a week? Less than nine bob a night. Where could one stay for less than nine bob a night with all those advantages? You're always going to the club, and that costs more, and I can't stay often with Marjorie because it's hell for her | Conservative Central Office, to say how sorry he had been not to get to the party the night before. "I hear Brenda disgraced herself," he said. "Goodness," said Brenda. "People do think that young men are easily come by." * * * * * "I scarcely saw you at Polly's last night," said Mrs Beaver. "What became of you?" "We went early. Brenda Last was tired." "She was looking lovely. I am so glad you've made friends with her. When are you going to see her again?" "I said I'd ring up." "Well, why don't you?" "Oh, mumsy, what's the use? I can't afford to start taking about women like Brenda Last. If I ring up she'll say, what are you doing, and I shall have to ask her to something, and it will be the same thing every day. I simply haven't the money." "I know, my son. It's very difficult for you... and you're wonderful about money. I ought to be grateful that I haven't a son always coming to me with debts. Still, it doesn't do to deny yourself _everything_, you know. You're getting to be an old bachelor already at twenty-five. I could see Brenda liked you, that evening she came here." "Oh, she likes me all right." "I hope she makes up her mind about that flat. They're going like hot cakes. I shall have to look about for another suitable house to split up. You'd be surprised who've been taking them--quite a number of people with houses in London already... Well, I must be getting back to work. I'm away for two nights by the way. See that Chambers looks after you properly. There are some Australians Sylvia Newport discovered who want to take a house in the country, so I'm driving them round to one or two that might do for them. Where are you lunching?" "Margot's." By one o'clock, when they came back from taking Djinn to the park, Beaver had not rung up. "So that's that," said Brenda, "I daresay I'm glad really." She sent a telegram to Tony to expect her by the afternoon train and, in a small voice, ordered her things to be packed. "I don't seem to have anywhere to lunch," she said. "Why don't you come to Margot's? I know she'd love it." "Well, ring up and ask her." So she met Beaver again. He was sitting some way from her and they did not speak to each other until everyone was going. "I kept trying to get through to you this morning," he said, "but the line was always engaged." "Oh, come on," said Brenda, "I'll sock you a movie." Later she wired to Tony: _Staying with Marjorie another day or two all love to you both_. [IV] "Is mummy coming back to-day?" "I hope so." "That monkey-woman's party has lasted a long time. Can I come in to the station and meet her?" "Yes, we'll both go." "She hasn't seen Thunderclap for four days. She hasn't seen me jump the new post and rail, has she, daddy?" She was coming by the 3.18. Tony and John Andrew were there early. They wandered about the station looking at things, and bought some chocolate from a slot machine. The stationmaster came out to talk to them. "Her ladyship coming back to-day?" He was an old friend of Tony's. "I've been expecting her every day. You know what it is when ladies get to London." "Sam Brace's wife went to London and he couldn't get her back. Had to go up and fetch her himself. And then she give him a hiding." Presently the train came in and Brenda emerged exquisitely from her third-class carriage. "You've _both_ come. What angels you are. I don't at all deserve it." "Oh, mummy, have you brought the monkey-lady?" "What _does_ the child mean?" "He's got it into his head that your chum Polly has a tail." "Come to think of it, I shouldn't be surprised if she had." Two little cases held all her luggage. The chauffeur strapped them on behind the car, and they drove to Hetton. "What's all the news?" "Ben's put the rail up ever so high and Thunderclap and I jumped it six times yesterday and six times again to-day and two more of the fish in the little pond are dead, floating upside down all swollen and nanny burnt her finger on the kettle yesterday and daddy and I saw a fox just as near as anything and he sat quite still and then went away into the wood and I began drawing a picture of a battle only I couldn't finish it because the paints weren't right and the grey carthorse the one that had worms is quite well again." "Nothing much has happened,"<|quote|>said Tony.</|quote|>"We've missed you. What did you find to do in London all this time?" "Me? Oh, I've been behaving rather badly to tell you the truth." "Buying things?" "Worse. I've been carrying on madly with young men and I've spent heaps of money and I've enjoyed it very much indeed. But there's one awful thing." "What's that?" "No, I think it had better keep. It's something you won't like at all." "You've bought a Pekingese." "Worse, far worse. Only I haven't done it yet. But I _want_ to dreadfully." "Go on." "Tony, I've found a flat." "Well, you'd better lose it again, quick." "All right. I'll attack you about it again later. Meanwhile, try not to brood about it." "I shan't give it another thought." "What's a flat, daddy?" * * * * * Brenda wore pyjamas at dinner, and afterwards sat close to Tony on the sofa and ate some sugar out of his coffee cup. "I suppose all this means that you're going to start again about your flat?" "Mmmm." "You haven't signed any papers yet, have you?" "Oh no." Brenda shook her head emphatically. "Then no great harm's done." Tony began to fill his pipe. Brenda knelt on the sofa, sitting back on her heels. "Listen, you haven't been brooding?" "No." "Because, you see, when you say 'flat' you're thinking of something quite different to me. _You_ mean by a flat, a lift and a man in uniform, and a big front door with knobs, and an entrance hall and doors opening in all directions, with kitchens and sculleries and dining-rooms and drawing-rooms and servants' bedrooms... don't you, Tony?" "More or less." "_Exactly._ Now _I_ mean just a bedroom and a bath and a telephone. You see the difference? Now a woman I know--" "Who?" "Just a woman--has fixed up a whole house like that off Belgrave Square and they are three pounds a week, no rates and taxes, constant hot water and central heating, woman comes in to make the bed when required, what d'you think of that?" "I see." "Now this is how I look at it. What's three pounds a week? Less than nine bob a night. Where could one stay for less than nine bob a night with all those advantages? You're always going to the club, and that costs more, and I can't stay often with Marjorie because it's hell for her having me, and anyway she's got that dog, and you're always saying when I come back in the evenings after shopping," "Why didn't you stay the night," "you say," "instead of killing yourself?" "Time and again you say it. I'm sure we spend much more than three pounds a week through not having a flat. Tell you what, I'll give up Mr Cruttwell. How's that?" "D'you really want this thing?" "Mmm." "Well, I'll have to see. We _might_ manage it, but it'll mean putting off the improvements down here." "I don't really deserve it," she said, clinching the matter. "I've been carrying on _anyhow_ this week." * * * * * Brenda's stay at Hetton lasted only for three nights. Then she returned to London, saying that she had to see about the flat. It did not, however, require very great attention. There was only the colour of the paint to choose and some few articles of furniture. Mrs Beaver had them ready for her inspection, a bed, a carpet, a dressing table and chair--there was not room for more. Mrs Beaver tried to sell her a set of needlework pictures for the walls, but these she refused, also an electric bed-warmer, a miniature weighing machine for the bathroom, a Frigidaire, an antique grandfather clock, a backgammon set of looking-glass and synthetic ivory, a set of prettily bound French eighteenth-century poets, a massage apparatus, and a wireless set fitted in a case of Regency lacquer, all of which had been grouped in the shop for her as a "suggestion". Mrs Beaver bore Brenda no ill will for the modesty of her requirements; she was doing very well on the floor above with a Canadian lady who was having her walls covered with chromium plating at immense expense. Meanwhile Brenda stayed with Marjorie, on terms which gradually became acrimonious. "I'm sorry to be pompous," she said one morning, "but I just don't want your Mr Beaver hanging about the house all day and calling me Marjorie." "Oh well, the flat won't be long now." "And I shall go on saying that I think you're making a ridiculous mistake." "It's just that you don't like Mr Beaver." "It isn't only that. I think it's hard cheese on Tony." "Oh, Tony's all right." "And if there's a row--" "There won't be a row." "You never know. If there is, I don't want Allan | to expect her by the afternoon train and, in a small voice, ordered her things to be packed. "I don't seem to have anywhere to lunch," she said. "Why don't you come to Margot's? I know she'd love it." "Well, ring up and ask her." So she met Beaver again. He was sitting some way from her and they did not speak to each other until everyone was going. "I kept trying to get through to you this morning," he said, "but the line was always engaged." "Oh, come on," said Brenda, "I'll sock you a movie." Later she wired to Tony: _Staying with Marjorie another day or two all love to you both_. [IV] "Is mummy coming back to-day?" "I hope so." "That monkey-woman's party has lasted a long time. Can I come in to the station and meet her?" "Yes, we'll both go." "She hasn't seen Thunderclap for four days. She hasn't seen me jump the new post and rail, has she, daddy?" She was coming by the 3.18. Tony and John Andrew were there early. They wandered about the station looking at things, and bought some chocolate from a slot machine. The stationmaster came out to talk to them. "Her ladyship coming back to-day?" He was an old friend of Tony's. "I've been expecting her every day. You know what it is when ladies get to London." "Sam Brace's wife went to London and he couldn't get her back. Had to go up and fetch her himself. And then she give him a hiding." Presently the train came in and Brenda emerged exquisitely from her third-class carriage. "You've _both_ come. What angels you are. I don't at all deserve it." "Oh, mummy, have you brought the monkey-lady?" "What _does_ the child mean?" "He's got it into his head that your chum Polly has a tail." "Come to think of it, I shouldn't be surprised if she had." Two little cases held all her luggage. The chauffeur strapped them on behind the car, and they drove to Hetton. "What's all the news?" "Ben's put the rail up ever so high and Thunderclap and I jumped it six times yesterday and six times again to-day and two more of the fish in the little pond are dead, floating upside down all swollen and nanny burnt her finger on the kettle yesterday and daddy and I saw a fox just as near as anything and he sat quite still and then went away into the wood and I began drawing a picture of a battle only I couldn't finish it because the paints weren't right and the grey carthorse the one that had worms is quite well again." "Nothing much has happened,"<|quote|>said Tony.</|quote|>"We've missed you. What did you find to do in London all this time?" "Me? Oh, I've been behaving rather badly to tell you the truth." "Buying things?" "Worse. I've been carrying on madly with young men and I've spent heaps of money and I've enjoyed it very much indeed. But there's one awful thing." "What's that?" "No, I think it had better keep. It's something you won't like at all." "You've bought a Pekingese." "Worse, far worse. Only I haven't done it yet. But I _want_ to dreadfully." "Go on." "Tony, I've found a flat." "Well, you'd better lose it again, quick." "All right. I'll attack you about it again later. Meanwhile, try not to brood about it." "I shan't give it another thought." "What's a flat, daddy?" * * * * * Brenda wore pyjamas at dinner, and afterwards sat close to Tony on the sofa and ate some sugar out of his coffee cup. "I suppose all this means that you're going to start again about your flat?" "Mmmm." "You haven't signed any papers yet, have you?" "Oh no." Brenda shook her head emphatically. "Then no great harm's done." Tony began to fill his pipe. Brenda knelt on the sofa, sitting back on her heels. "Listen, you haven't been brooding?" "No." "Because, you see, when you say 'flat' you're thinking of something quite different to me. _You_ mean by a flat, a lift and a man in uniform, and a big front door with knobs, and an entrance hall and doors opening in all directions, with kitchens and sculleries and dining-rooms and drawing-rooms and servants' bedrooms... don't you, Tony?" "More or less." "_Exactly._ Now _I_ mean just a bedroom and a bath and a telephone. You see the difference? Now a woman I know--" "Who?" "Just a woman--has fixed up a whole house like that off Belgrave Square and they are three pounds a week, no rates and taxes, constant hot water and central heating, woman comes | A Handful Of Dust | as anything and he sat quite still and then went away into the wood and I began drawing a picture of a battle only I couldn't finish it because the paints weren't right and the grey carthorse the one that had worms is quite well again." "Nothing much has happened,"<|quote|>said Tony.</|quote|>"We've missed you. What did you find to do in London all this time?" "Me? Oh, I've been behaving rather badly to tell you the truth." "Buying things?" "Worse. I've been carrying on madly with young men and I've spent heaps of money and I've enjoyed it very much indeed. | {
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"Tired?" | Tony Last | * * * * *<|quote|>"Tired?"</|quote|>"Mmm. Little bit." "You gave | It's rather a sudden change." * * * * *<|quote|>"Tired?"</|quote|>"Mmm. Little bit." "You gave me a pretty long bout | the poor old boy's got _some_ taste you know, and a sense of humour." "She didn't show up too well at dinner, did she?" "She will _go on_ so... and, after all, Tony's been used to me for seven years. It's rather a sudden change." * * * * *<|quote|>"Tired?"</|quote|>"Mmm. Little bit." "You gave me a pretty long bout of Abdul Akbar." "I know. I'm sorry, darling, but Polly takes so long to get to bed... Was it awful? I wish you liked her more." "She's awful." "One has to make allowances... she's got the most terrible scars." "So | Jewess?" "I don't know. I never thought. Perhaps she is." Soon after dinner Polly said she was tired and asked Brenda to come with her while she undressed, "Leave the young couple to it," she whispered outside the door. "My dear, I don't believe it's going to be any good... the poor old boy's got _some_ taste you know, and a sense of humour." "She didn't show up too well at dinner, did she?" "She will _go on_ so... and, after all, Tony's been used to me for seven years. It's rather a sudden change." * * * * *<|quote|>"Tired?"</|quote|>"Mmm. Little bit." "You gave me a pretty long bout of Abdul Akbar." "I know. I'm sorry, darling, but Polly takes so long to get to bed... Was it awful? I wish you liked her more." "She's awful." "One has to make allowances... she's got the most terrible scars." "So she told me." "I've seen them." "Besides, I hoped to see something of you." "Oh." "Brenda, you aren't angry still about my getting tight that night and waking you up?" "No, sweet, do I seem angry?" "...I don't know. You do rather... Has it been an amusing week?" "Not amusing, | quite embarrassing." "I should say Tony was a slow starter. It's a pity she's got his name wrong. Ought we to tell her?" "No, let's leave it." When they were dressing, Tony said, "Brenda, who _is_ this joke-woman?" "Darling, don't you like her?" The disappointment and distress in her tone were so clear that Tony was touched. "I don't know about not liking her exactly. She's just a joke, isn't she?" "Is she... oh dear... She's had a terrible life, you know." "So I gathered." "Be nice to her, Tony, please." "Oh, I'll be nice to her. Is she a Jewess?" "I don't know. I never thought. Perhaps she is." Soon after dinner Polly said she was tired and asked Brenda to come with her while she undressed, "Leave the young couple to it," she whispered outside the door. "My dear, I don't believe it's going to be any good... the poor old boy's got _some_ taste you know, and a sense of humour." "She didn't show up too well at dinner, did she?" "She will _go on_ so... and, after all, Tony's been used to me for seven years. It's rather a sudden change." * * * * *<|quote|>"Tired?"</|quote|>"Mmm. Little bit." "You gave me a pretty long bout of Abdul Akbar." "I know. I'm sorry, darling, but Polly takes so long to get to bed... Was it awful? I wish you liked her more." "She's awful." "One has to make allowances... she's got the most terrible scars." "So she told me." "I've seen them." "Besides, I hoped to see something of you." "Oh." "Brenda, you aren't angry still about my getting tight that night and waking you up?" "No, sweet, do I seem angry?" "...I don't know. You do rather... Has it been an amusing week?" "Not amusing, very hard work. Bimetallism, you know." "Oh, yes... well, I suppose you want to go to sleep." "Mm... so tired. Good night, darling." "Good night." * * * * * "Can I go and say good morning to the Princess, mummy?" "I don't expect she's awake yet." "Please, mummy, may I go and see? I'll just peep and, if she's asleep, go away." "I don't know what room she's in." "Galahad, my lady," said Grimshawe, who was putting out her clothes. "Oh dear, why was she put there?" "It was Mr Last's orders, my lady." "Well, she's probably awake, then." | the smoking-room. "You've made a wild success with John Andrew. He won't go to sleep until he's seen you again." They went up together, and Jenny said, "They're both such dears." "Did you and Tony get on? I was so sorry not to be here when you arrived." "He was _so_ sympathetic and gentle... and so wistful." They sat on John's small bed in the night-nursery. He threw the clothes back and crawled out, nestling against Jenny. "Back to bed," she said, "or I shall spank you." "Would you do it hard? I shouldn't mind." "Oh dear," said Brenda, "what a terrible effect you seem to have. He's never like this as a rule." When they had gone nanny threw open another window. "Poof!" she said, "making the whole place stink." "Don't you like it? _I_ think it's lovely." Brenda took Polly up to Lyonesse. It was a large suite, fitted up with satinwood for King Edward when, as Prince of Wales, he was once expected at a shooting party; he never came. "How's it going?" she asked anxiously. "Too soon to tell. I'm sure it will be all right." "She's got the wrong chap. John Andrew's mad about her... quite embarrassing." "I should say Tony was a slow starter. It's a pity she's got his name wrong. Ought we to tell her?" "No, let's leave it." When they were dressing, Tony said, "Brenda, who _is_ this joke-woman?" "Darling, don't you like her?" The disappointment and distress in her tone were so clear that Tony was touched. "I don't know about not liking her exactly. She's just a joke, isn't she?" "Is she... oh dear... She's had a terrible life, you know." "So I gathered." "Be nice to her, Tony, please." "Oh, I'll be nice to her. Is she a Jewess?" "I don't know. I never thought. Perhaps she is." Soon after dinner Polly said she was tired and asked Brenda to come with her while she undressed, "Leave the young couple to it," she whispered outside the door. "My dear, I don't believe it's going to be any good... the poor old boy's got _some_ taste you know, and a sense of humour." "She didn't show up too well at dinner, did she?" "She will _go on_ so... and, after all, Tony's been used to me for seven years. It's rather a sudden change." * * * * *<|quote|>"Tired?"</|quote|>"Mmm. Little bit." "You gave me a pretty long bout of Abdul Akbar." "I know. I'm sorry, darling, but Polly takes so long to get to bed... Was it awful? I wish you liked her more." "She's awful." "One has to make allowances... she's got the most terrible scars." "So she told me." "I've seen them." "Besides, I hoped to see something of you." "Oh." "Brenda, you aren't angry still about my getting tight that night and waking you up?" "No, sweet, do I seem angry?" "...I don't know. You do rather... Has it been an amusing week?" "Not amusing, very hard work. Bimetallism, you know." "Oh, yes... well, I suppose you want to go to sleep." "Mm... so tired. Good night, darling." "Good night." * * * * * "Can I go and say good morning to the Princess, mummy?" "I don't expect she's awake yet." "Please, mummy, may I go and see? I'll just peep and, if she's asleep, go away." "I don't know what room she's in." "Galahad, my lady," said Grimshawe, who was putting out her clothes. "Oh dear, why was she put there?" "It was Mr Last's orders, my lady." "Well, she's probably awake, then." John slipped out of the room and trotted down the passage to Galahad. "May I come in?" "Hullo, Johnny-boy. Come in." He swung on the handles of the door, half in, half out of the room. "Have you had breakfast? Mummy said you wouldn't be awake." "I've been awake a long time. You see I was once very badly hurt, and now I don't always sleep well. Even the softest beds are too hard for me now." "Ooh. What did you do? Was it a motor-car accident?" "Not an accident, Johnny-boy, not an accident... but come in. It's cold with the door open. Look, there are some grapes here. Would you like to eat them?" Johnny climbed on to the bed. "What are you going to do to-day?" "I don't know yet. I haven't been told." "Well, I'll tell you. We'll go to church in the morning because I have to and then we'll go and look at Thunderclap and I'll show you the place we jump and then you can come with me while I have dinner because I have it early and afterwards we can go down to Bruton Wood and we needn't take nanny because it makes | to their hind legs and salute--" "Oh, but they _shouldn't_," said John. "It's _very_ bad horsemanship indeed. Ben says so." "They're the most wonderful horsemen in the world. Everyone knows that." "Oh, no, they can't be, if they do _that_. It's one of the _worst_ things. Were they natives?" "Yes, of course." "Ben says natives aren't humans at all really." "Ah, but he's thinking of Negroes, I expect. These are pure Semitic type." "What's that?" "The same as Jews." "Ben says Jews are worse than natives." "Oh dear, what a very severe boy you are. I was like that once. Life teaches one to be tolerant." "It hasn't taught Ben," said John. "When's mummy coming? I thought she'd be here, otherwise I wouldn't have stopped painting my picture." But when nanny came to fetch him, John, without invitation, went over and kissed Jenny good night. "Good night, Johnny-boy," she said. "What did you call me?" "Johnny-boy." "You are funny with names." Upstairs, meditatively splashing his spoon in the bread and milk, he said, "Nanny, I do think that Princess is beautiful, don't you?" Nanny sniffed. "It would be a dull world if we all thought alike," she said. "She's more beautiful than Miss Tendril, even. I think she's the most beautiful lady I've ever seen... D'you think she'd like to watch me have my bath?" Downstairs, Jenny said, "What a heavenly child... I love children. That has been my great tragedy. It was when he found I couldn't have children that the Moulay first showed the Other Side of his Nature. It wasn't my fault... you see my womb is out of place... I don't know why I'm telling you all this, but I feel you'll understand. It's such a _waste of time_, isn't it, when one knows one is going to like someone and one goes on _pretending_... I know at once if someone is going to be a real friend..." Polly and Brenda arrived just before seven. Brenda went straight up to the nursery. "Oh, mummy," said John, "there's such a beautiful lady downstairs. Do ask her to come and say good night. Nanny doesn't think she'd want to." "Did daddy seem to like her?" "He didn't talk much... She doesn't know anything about horses or natives but she _is_ beautiful. Please tell her to come up." Brenda went downstairs and found Jenny with Polly and Tony in the smoking-room. "You've made a wild success with John Andrew. He won't go to sleep until he's seen you again." They went up together, and Jenny said, "They're both such dears." "Did you and Tony get on? I was so sorry not to be here when you arrived." "He was _so_ sympathetic and gentle... and so wistful." They sat on John's small bed in the night-nursery. He threw the clothes back and crawled out, nestling against Jenny. "Back to bed," she said, "or I shall spank you." "Would you do it hard? I shouldn't mind." "Oh dear," said Brenda, "what a terrible effect you seem to have. He's never like this as a rule." When they had gone nanny threw open another window. "Poof!" she said, "making the whole place stink." "Don't you like it? _I_ think it's lovely." Brenda took Polly up to Lyonesse. It was a large suite, fitted up with satinwood for King Edward when, as Prince of Wales, he was once expected at a shooting party; he never came. "How's it going?" she asked anxiously. "Too soon to tell. I'm sure it will be all right." "She's got the wrong chap. John Andrew's mad about her... quite embarrassing." "I should say Tony was a slow starter. It's a pity she's got his name wrong. Ought we to tell her?" "No, let's leave it." When they were dressing, Tony said, "Brenda, who _is_ this joke-woman?" "Darling, don't you like her?" The disappointment and distress in her tone were so clear that Tony was touched. "I don't know about not liking her exactly. She's just a joke, isn't she?" "Is she... oh dear... She's had a terrible life, you know." "So I gathered." "Be nice to her, Tony, please." "Oh, I'll be nice to her. Is she a Jewess?" "I don't know. I never thought. Perhaps she is." Soon after dinner Polly said she was tired and asked Brenda to come with her while she undressed, "Leave the young couple to it," she whispered outside the door. "My dear, I don't believe it's going to be any good... the poor old boy's got _some_ taste you know, and a sense of humour." "She didn't show up too well at dinner, did she?" "She will _go on_ so... and, after all, Tony's been used to me for seven years. It's rather a sudden change." * * * * *<|quote|>"Tired?"</|quote|>"Mmm. Little bit." "You gave me a pretty long bout of Abdul Akbar." "I know. I'm sorry, darling, but Polly takes so long to get to bed... Was it awful? I wish you liked her more." "She's awful." "One has to make allowances... she's got the most terrible scars." "So she told me." "I've seen them." "Besides, I hoped to see something of you." "Oh." "Brenda, you aren't angry still about my getting tight that night and waking you up?" "No, sweet, do I seem angry?" "...I don't know. You do rather... Has it been an amusing week?" "Not amusing, very hard work. Bimetallism, you know." "Oh, yes... well, I suppose you want to go to sleep." "Mm... so tired. Good night, darling." "Good night." * * * * * "Can I go and say good morning to the Princess, mummy?" "I don't expect she's awake yet." "Please, mummy, may I go and see? I'll just peep and, if she's asleep, go away." "I don't know what room she's in." "Galahad, my lady," said Grimshawe, who was putting out her clothes. "Oh dear, why was she put there?" "It was Mr Last's orders, my lady." "Well, she's probably awake, then." John slipped out of the room and trotted down the passage to Galahad. "May I come in?" "Hullo, Johnny-boy. Come in." He swung on the handles of the door, half in, half out of the room. "Have you had breakfast? Mummy said you wouldn't be awake." "I've been awake a long time. You see I was once very badly hurt, and now I don't always sleep well. Even the softest beds are too hard for me now." "Ooh. What did you do? Was it a motor-car accident?" "Not an accident, Johnny-boy, not an accident... but come in. It's cold with the door open. Look, there are some grapes here. Would you like to eat them?" Johnny climbed on to the bed. "What are you going to do to-day?" "I don't know yet. I haven't been told." "Well, I'll tell you. We'll go to church in the morning because I have to and then we'll go and look at Thunderclap and I'll show you the place we jump and then you can come with me while I have dinner because I have it early and afterwards we can go down to Bruton Wood and we needn't take nanny because it makes her so muddy and you can see where they dug out a fox in the drain just outside the wood, he nearly got away, and then you can come and have tea in the nursery and I've got a little gramophone Uncle Reggie gave me for Christmas and it plays "When Father Papered the Parlour", do you know that song? Ben can sing it and I've got some books to show you and a picture I did of the battle of Marston Moor." "I think that sounds a lovely day. But don't you think I ought to spend some time with daddy and mummy and Lady Cockpurse?" "Oh, _them_... besides, it's all my foot about Lady Cockpurse having a tail. Please, you _will_ spend the day with me?" "Well, we'll see." * * * * * "She's gone to church with him. That's a good sign, isn't it?" "Well, not really, Polly. He likes going alone, or with me. It's the time he gossips to the village." "She won't stop him." "I'm afraid you don't understand the old boy altogether. He's much odder than you'd think." * * * * * "I could see from your sermon that you knew the East, Rector." "Yes, yes, most of my life." "It has an uncanny fascination, hasn't it?" "Oh, come on," said John, pulling at her coat. "We must go and see Thunderclap." So Tony returned alone with the buttonholes. After luncheon Brenda said, "Why don't you show Jenny the house?" "Oh yes, _do_." When they reached the morning-room he said, "Brenda's having it done up." There were planks and ladders and heaps of plaster about. "Oh, Teddy, what a shame. I do hate seeing things modernized." "It isn't a room we used very much." "No, but still..." She stirred the mouldings of fleur-de-lis that littered the floor, fragments of tarnished gilding and dusty stencil-work. "You know, Brenda's been a wonderful friend to me. I wouldn't say anything against her... but ever since I came here I've been wondering whether she really understands this beautiful place and all it means to you." "Tell me more about your terrible life," said Tony, leading her back to the central hall. "You _are_ shy of talking about yourself, aren't you, Teddy? It's a mistake, you know, to keep things bottled up. I've been very unhappy too." Tony looked about him desperately in search of help; | Nature. It wasn't my fault... you see my womb is out of place... I don't know why I'm telling you all this, but I feel you'll understand. It's such a _waste of time_, isn't it, when one knows one is going to like someone and one goes on _pretending_... I know at once if someone is going to be a real friend..." Polly and Brenda arrived just before seven. Brenda went straight up to the nursery. "Oh, mummy," said John, "there's such a beautiful lady downstairs. Do ask her to come and say good night. Nanny doesn't think she'd want to." "Did daddy seem to like her?" "He didn't talk much... She doesn't know anything about horses or natives but she _is_ beautiful. Please tell her to come up." Brenda went downstairs and found Jenny with Polly and Tony in the smoking-room. "You've made a wild success with John Andrew. He won't go to sleep until he's seen you again." They went up together, and Jenny said, "They're both such dears." "Did you and Tony get on? I was so sorry not to be here when you arrived." "He was _so_ sympathetic and gentle... and so wistful." They sat on John's small bed in the night-nursery. He threw the clothes back and crawled out, nestling against Jenny. "Back to bed," she said, "or I shall spank you." "Would you do it hard? I shouldn't mind." "Oh dear," said Brenda, "what a terrible effect you seem to have. He's never like this as a rule." When they had gone nanny threw open another window. "Poof!" she said, "making the whole place stink." "Don't you like it? _I_ think it's lovely." Brenda took Polly up to Lyonesse. It was a large suite, fitted up with satinwood for King Edward when, as Prince of Wales, he was once expected at a shooting party; he never came. "How's it going?" she asked anxiously. "Too soon to tell. I'm sure it will be all right." "She's got the wrong chap. John Andrew's mad about her... quite embarrassing." "I should say Tony was a slow starter. It's a pity she's got his name wrong. Ought we to tell her?" "No, let's leave it." When they were dressing, Tony said, "Brenda, who _is_ this joke-woman?" "Darling, don't you like her?" The disappointment and distress in her tone were so clear that Tony was touched. "I don't know about not liking her exactly. She's just a joke, isn't she?" "Is she... oh dear... She's had a terrible life, you know." "So I gathered." "Be nice to her, Tony, please." "Oh, I'll be nice to her. Is she a Jewess?" "I don't know. I never thought. Perhaps she is." Soon after dinner Polly said she was tired and asked Brenda to come with her while she undressed, "Leave the young couple to it," she whispered outside the door. "My dear, I don't believe it's going to be any good... the poor old boy's got _some_ taste you know, and a sense of humour." "She didn't show up too well at dinner, did she?" "She will _go on_ so... and, after all, Tony's been used to me for seven years. It's rather a sudden change." * * * * *<|quote|>"Tired?"</|quote|>"Mmm. Little bit." "You gave me a pretty long bout of Abdul Akbar." "I know. I'm sorry, darling, but Polly takes so long to get to bed... Was it awful? I wish you liked her more." "She's awful." "One has to make allowances... she's got the most terrible scars." "So she told me." "I've seen them." "Besides, I hoped to see something of you." "Oh." "Brenda, you aren't angry still about my getting tight that night and waking you up?" "No, sweet, do I seem angry?" "...I don't know. You do rather... Has it been an amusing week?" "Not amusing, very hard work. Bimetallism, you know." "Oh, yes... well, I suppose you want to go to sleep." "Mm... so tired. Good night, darling." "Good night." * * * * * "Can I go and say good morning to the Princess, mummy?" "I don't expect she's awake yet." "Please, mummy, may I go and see? I'll just peep and, if she's asleep, go away." "I don't know what room she's in." "Galahad, my lady," said Grimshawe, who was putting out her clothes. "Oh dear, why was she put there?" "It was Mr Last's orders, my lady." "Well, she's probably awake, then." John slipped out of the room and trotted down the passage to Galahad. "May I come in?" "Hullo, Johnny-boy. Come in." He swung | A Handful Of Dust | the poor old boy's got _some_ taste you know, and a sense of humour." "She didn't show up too well at dinner, did she?" "She will _go on_ so... and, after all, Tony's been used to me for seven years. It's rather a sudden change." * * * * *<|quote|>"Tired?"</|quote|>"Mmm. Little bit." "You gave me a pretty long bout of Abdul Akbar." "I know. I'm sorry, darling, but Polly takes so long to get to bed... Was it awful? I wish you liked her more." "She's awful." "One has to make allowances... she's got the most terrible scars." "So | {
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"content": "the poor old boy's got _some_ taste you know, and a sense of humour.\" \"She didn't show up too well at dinner, did she?\" \"She will _go on_ so... and, after all, Tony's been used to me for seven years. It's rather a sudden change.\" * * * * *<|quote|>\"Tired?\"</|quote|>\"Mmm. Little bit.\" \"You gave me a pretty long bout of Abdul Akbar.\" \"I know. I'm sorry, darling, but Polly takes so long to get to bed... Was it awful? I wish you liked her more.\" \"She's awful.\" \"One has to make allowances... she's got the most terrible scars.\" \"So",
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Müller is insatiable and gives himself no peace. He wakes Haie Westhus out of his dream. | No speaker | you'd scrounge it from somewhere."<|quote|>Müller is insatiable and gives himself no peace. He wakes Haie Westhus out of his dream.</|quote|>"Haie, what would you do | won't lack for that, Kat, you'd scrounge it from somewhere."<|quote|>Müller is insatiable and gives himself no peace. He wakes Haie Westhus out of his dream.</|quote|>"Haie, what would you do if it was peace time?" | back and swears: "Damned lousy war----" "It's all very well for you to talk," I tell him. "You've a wife and children." "True," he nods, "and I have to see to it that they've something to eat." We laugh. "They won't lack for that, Kat, you'd scrounge it from somewhere."<|quote|>Müller is insatiable and gives himself no peace. He wakes Haie Westhus out of his dream.</|quote|>"Haie, what would you do if it was peace time?" "Give you a kick in the backside for the way you talk," I say. "How does it come about exactly?" "How does the cow-shit come on the roof?" retorts Müller laconically, and turns to Haie Westhus again. It is too | then considers for a while and says: "You might get drunk first, of course, but then you'd take the next train for home and mother. Peace-time, man, Albert----" He fumbles in his oil-cloth pocket-book for a photograph and suddenly shows it all round. "My old people!" Then he puts it back and swears: "Damned lousy war----" "It's all very well for you to talk," I tell him. "You've a wife and children." "True," he nods, "and I have to see to it that they've something to eat." We laugh. "They won't lack for that, Kat, you'd scrounge it from somewhere."<|quote|>Müller is insatiable and gives himself no peace. He wakes Haie Westhus out of his dream.</|quote|>"Haie, what would you do if it was peace time?" "Give you a kick in the backside for the way you talk," I say. "How does it come about exactly?" "How does the cow-shit come on the roof?" retorts Müller laconically, and turns to Haie Westhus again. It is too much for Haie. He shakes his freckled head: "You mean when the war's over?" "Exactly. You've said it." "Well, there'd be women of course, eh?" --Haie licks his lips. "Sure." "By Jove yes," says Haie, his face melting, "then I'd grab some good buxom dame, some real kitchen wench with | somewhere or other, probably the pioneer-cook-house, Kropp has bagged for himself a mess-tin full of beans. Müller squints hungrily into it but checks himself and says: "Albert, what would you do if it were suddenly peace-time again?" "There won't be any civil life," says Albert bluntly. "Well, but if--" persists Müller, "what would you do?" "Clear out of this!" growls Kropp. "Of course. And then what?" "Get drunk," says Albert. "Don't talk rot, I mean seriously----" "So do I," says Kropp, "what else should a man do?" Kat becomes interested. He levies tribute on Kropp's tin of beans, swallows some, then considers for a while and says: "You might get drunk first, of course, but then you'd take the next train for home and mother. Peace-time, man, Albert----" He fumbles in his oil-cloth pocket-book for a photograph and suddenly shows it all round. "My old people!" Then he puts it back and swears: "Damned lousy war----" "It's all very well for you to talk," I tell him. "You've a wife and children." "True," he nods, "and I have to see to it that they've something to eat." We laugh. "They won't lack for that, Kat, you'd scrounge it from somewhere."<|quote|>Müller is insatiable and gives himself no peace. He wakes Haie Westhus out of his dream.</|quote|>"Haie, what would you do if it was peace time?" "Give you a kick in the backside for the way you talk," I say. "How does it come about exactly?" "How does the cow-shit come on the roof?" retorts Müller laconically, and turns to Haie Westhus again. It is too much for Haie. He shakes his freckled head: "You mean when the war's over?" "Exactly. You've said it." "Well, there'd be women of course, eh?" --Haie licks his lips. "Sure." "By Jove yes," says Haie, his face melting, "then I'd grab some good buxom dame, some real kitchen wench with plenty to get hold of, you know, and jump straight into bed. Just you think, boys, a real feather-bed with a spring mattress; I wouldn't put trousers on again for a week." Everyone is silent. The picture is too good. Our flesh creeps. At last Müller pulls himself together and says: "And then what?" A pause. Then Haie explains rather awkwardly: "If I were a non-com. I'd stay with the Prussians and serve out my time." "Haie, you've got a screw loose, surely!" I say. "Have you ever dug peat?" he retorts good-naturedly. "You try it." Then he pulls a | our shirts on our knees, our bodies naked to the warm air and our hands at work. Haie has a particularly fine brand of louse: they have a red cross on their heads. He suggests that he brought them back with him from the hospital at Thourhout, where they attended personally on a surgeon-general. He says he means to use the fat that slowly accumulates in the tin-lid for polishing his boots, and roars with laughter for half an hour at his own joke. But he hasn't much success to-day; we are too preoccupied with another affair. The rumour has materialized. Himmelstoss has come. He appeared yesterday; we've already heard the well-known voice. He seems to have overdone it with a couple of young recruits on the ploughed field at home, and unknown to him the son of the local magistrate was watching. That cooked his goose. He will meet some surprises here. Tjaden has been meditating for hours what to say to him. Haie gazes thoughtfully at his great paws and winks at me. The thrashing was the high water mark of his life. He tells me he often dreams of it. Kropp and Müller are amusing themselves. From somewhere or other, probably the pioneer-cook-house, Kropp has bagged for himself a mess-tin full of beans. Müller squints hungrily into it but checks himself and says: "Albert, what would you do if it were suddenly peace-time again?" "There won't be any civil life," says Albert bluntly. "Well, but if--" persists Müller, "what would you do?" "Clear out of this!" growls Kropp. "Of course. And then what?" "Get drunk," says Albert. "Don't talk rot, I mean seriously----" "So do I," says Kropp, "what else should a man do?" Kat becomes interested. He levies tribute on Kropp's tin of beans, swallows some, then considers for a while and says: "You might get drunk first, of course, but then you'd take the next train for home and mother. Peace-time, man, Albert----" He fumbles in his oil-cloth pocket-book for a photograph and suddenly shows it all round. "My old people!" Then he puts it back and swears: "Damned lousy war----" "It's all very well for you to talk," I tell him. "You've a wife and children." "True," he nods, "and I have to see to it that they've something to eat." We laugh. "They won't lack for that, Kat, you'd scrounge it from somewhere."<|quote|>Müller is insatiable and gives himself no peace. He wakes Haie Westhus out of his dream.</|quote|>"Haie, what would you do if it was peace time?" "Give you a kick in the backside for the way you talk," I say. "How does it come about exactly?" "How does the cow-shit come on the roof?" retorts Müller laconically, and turns to Haie Westhus again. It is too much for Haie. He shakes his freckled head: "You mean when the war's over?" "Exactly. You've said it." "Well, there'd be women of course, eh?" --Haie licks his lips. "Sure." "By Jove yes," says Haie, his face melting, "then I'd grab some good buxom dame, some real kitchen wench with plenty to get hold of, you know, and jump straight into bed. Just you think, boys, a real feather-bed with a spring mattress; I wouldn't put trousers on again for a week." Everyone is silent. The picture is too good. Our flesh creeps. At last Müller pulls himself together and says: "And then what?" A pause. Then Haie explains rather awkwardly: "If I were a non-com. I'd stay with the Prussians and serve out my time." "Haie, you've got a screw loose, surely!" I say. "Have you ever dug peat?" he retorts good-naturedly. "You try it." Then he pulls a spoon out of the top of his boot and reaches over into Kropp's mess-tin. "It can't be worse than digging trenches," I venture. Haie chews and grins: "It lasts longer though. And there's no getting out of it either." "But, man, surely it's better at home." "Some ways," says he, and with open mouth sinks into a day-dream. You can see what he is thinking. There is the mean little hut on the moors, the hard work on the heath from morning till night in the heat, the miserable pay, the dirty labourer's clothes. "In the army in peace time you've nothing to trouble about," he goes on, "your food's found every day, or else you kick up a row; you've a bed, every week clean under-wear like a perfect gent, you do your non-com.'s duty, you have a good suit of clothes; in the evening you're a free man and go off to the pub." Haie is extraordinarily set on his idea. He's in love with it. "And when your twelve years are up you get your pension and become a village bobby, and you can walk about the whole day." He's already sweating on it. "And just you | trenches appear heads. We get a stretcher. Kat shakes his head. "Such a kid----" He repeats it: "Young innocents----" * * Our losses are less than was to be expected--five killed and eight wounded. It was in fact quite a short bombardment. Two of our dead lie in the upturned graves. We had merely to throw the earth in on them. We go back. We trot off silently in single file one behind the other. The wounded are taken to the dressing-station. The morning is cloudy. The bearers make a fuss about numbers and tickets, the wounded whimper. It begins to rain. An hour later we reach our lorries and climb in. There is more room now than there was. The rain becomes heavier. We take out waterproof sheets and spread them over our heads. The rain rattles down, and flows off at the sides in streams. The lorries bump through the holes, and we rock to and fro in a half-sleep. Two men in the front of the lorry have long forked poles. They watch for telephone wires which hang crosswise over the road so densely that they might easily pull our heads off. The two fellows take them at the right moment on their poles and lift them over behind us. We hear their call "Mind--wire--," dip the knee in a half-sleep and straighten up again. Monotonously the lorries sway, monotonously come the calls, monotonously falls the rain. It falls on our heads and on the heads of the dead up in the line, on the body of the little recruit with the wound that is so much too big for his hip; it falls on Kemmerich's grave; it falls in our hearts. An explosion sounds somewhere. We wince, our eyes become tense, our hands are ready to vault over the side of the lorry into the ditch by the road. It goes no farther--only the monotonous cry: "Mind--wire," --our knees bend--we are again half asleep. CHAPTER V Killing each separate louse is a tedious business when a man has hundreds. The little beasts are hard and the everlasting cracking with one's fingernails very soon becomes wearisome. So Tjaden has rigged up the lid of a boot-polish tin with a piece of wire over the lighted stump of a candle. The lice are simply thrown into this little pan. Crack! and they're done for. We sit around with our shirts on our knees, our bodies naked to the warm air and our hands at work. Haie has a particularly fine brand of louse: they have a red cross on their heads. He suggests that he brought them back with him from the hospital at Thourhout, where they attended personally on a surgeon-general. He says he means to use the fat that slowly accumulates in the tin-lid for polishing his boots, and roars with laughter for half an hour at his own joke. But he hasn't much success to-day; we are too preoccupied with another affair. The rumour has materialized. Himmelstoss has come. He appeared yesterday; we've already heard the well-known voice. He seems to have overdone it with a couple of young recruits on the ploughed field at home, and unknown to him the son of the local magistrate was watching. That cooked his goose. He will meet some surprises here. Tjaden has been meditating for hours what to say to him. Haie gazes thoughtfully at his great paws and winks at me. The thrashing was the high water mark of his life. He tells me he often dreams of it. Kropp and Müller are amusing themselves. From somewhere or other, probably the pioneer-cook-house, Kropp has bagged for himself a mess-tin full of beans. Müller squints hungrily into it but checks himself and says: "Albert, what would you do if it were suddenly peace-time again?" "There won't be any civil life," says Albert bluntly. "Well, but if--" persists Müller, "what would you do?" "Clear out of this!" growls Kropp. "Of course. And then what?" "Get drunk," says Albert. "Don't talk rot, I mean seriously----" "So do I," says Kropp, "what else should a man do?" Kat becomes interested. He levies tribute on Kropp's tin of beans, swallows some, then considers for a while and says: "You might get drunk first, of course, but then you'd take the next train for home and mother. Peace-time, man, Albert----" He fumbles in his oil-cloth pocket-book for a photograph and suddenly shows it all round. "My old people!" Then he puts it back and swears: "Damned lousy war----" "It's all very well for you to talk," I tell him. "You've a wife and children." "True," he nods, "and I have to see to it that they've something to eat." We laugh. "They won't lack for that, Kat, you'd scrounge it from somewhere."<|quote|>Müller is insatiable and gives himself no peace. He wakes Haie Westhus out of his dream.</|quote|>"Haie, what would you do if it was peace time?" "Give you a kick in the backside for the way you talk," I say. "How does it come about exactly?" "How does the cow-shit come on the roof?" retorts Müller laconically, and turns to Haie Westhus again. It is too much for Haie. He shakes his freckled head: "You mean when the war's over?" "Exactly. You've said it." "Well, there'd be women of course, eh?" --Haie licks his lips. "Sure." "By Jove yes," says Haie, his face melting, "then I'd grab some good buxom dame, some real kitchen wench with plenty to get hold of, you know, and jump straight into bed. Just you think, boys, a real feather-bed with a spring mattress; I wouldn't put trousers on again for a week." Everyone is silent. The picture is too good. Our flesh creeps. At last Müller pulls himself together and says: "And then what?" A pause. Then Haie explains rather awkwardly: "If I were a non-com. I'd stay with the Prussians and serve out my time." "Haie, you've got a screw loose, surely!" I say. "Have you ever dug peat?" he retorts good-naturedly. "You try it." Then he pulls a spoon out of the top of his boot and reaches over into Kropp's mess-tin. "It can't be worse than digging trenches," I venture. Haie chews and grins: "It lasts longer though. And there's no getting out of it either." "But, man, surely it's better at home." "Some ways," says he, and with open mouth sinks into a day-dream. You can see what he is thinking. There is the mean little hut on the moors, the hard work on the heath from morning till night in the heat, the miserable pay, the dirty labourer's clothes. "In the army in peace time you've nothing to trouble about," he goes on, "your food's found every day, or else you kick up a row; you've a bed, every week clean under-wear like a perfect gent, you do your non-com.'s duty, you have a good suit of clothes; in the evening you're a free man and go off to the pub." Haie is extraordinarily set on his idea. He's in love with it. "And when your twelve years are up you get your pension and become a village bobby, and you can walk about the whole day." He's already sweating on it. "And just you think how you'd be treated. Here a dram, there a pint. Everybody wants to be well in with a bobby." "You'll never be a non-com. though, Haie," interrupts Kat. Haie looks at him sadly and is silent. His thoughts still linger over the clear evenings in autumn, the Sundays in the heather, the village bells, the afternoons and evenings with the servant girls, the fried bacon and barley, the care-free evening hours in the ale-house---- He can't part with all these dreams so abruptly; he merely growls: "What silly questions you do ask." He pulls his shirt over his head and buttons up his tunic. "What would you do, Tjaden?" asks Kropp. Tjaden thinks only of one thing. "See to it that Himmelstoss doesn't get past me." Apparently he would like most to have him in a cage and sail into him with a club every morning. To Kropp he says warmly: "If I were in your place I'd see to it that I became a lieutenant. Then you could grind him till the water in his backside boils." "And you, Detering?" asks Müller like an inquisitor. He's a born schoolmaster with all his questions. Detering is sparing with his words. But on this subject he speaks. He looks at the sky and says only the one sentence: "I would go straight on with the harvesting." Then he gets up and walks off. He is worried. His wife has to look after the farm. They've already taken away two of his horses. Every day he reads the papers that come, to see whether it is raining in his little corner of Oldenburg. They haven't brought the hay in yet. At this moment Himmelstoss appears. He comes straight up to our group. Tjaden's face turns red. He stretches his length on the grass and shuts his eyes in embarrassment. Himmelstoss is a little hesitant, his gait becomes slower. Then he marches up to us. No one makes any motion to stand up. Kropp looks up at him with interest. He continues to stand in front of us and wait. As no one says anything he launches a "Well?" A couple of seconds go by. Apparently Himmelstoss doesn't quite know what to do. He would like most to set us all on the run again. But he seems to have learned already that the front line isn't a parade ground. He tries | a couple of young recruits on the ploughed field at home, and unknown to him the son of the local magistrate was watching. That cooked his goose. He will meet some surprises here. Tjaden has been meditating for hours what to say to him. Haie gazes thoughtfully at his great paws and winks at me. The thrashing was the high water mark of his life. He tells me he often dreams of it. Kropp and Müller are amusing themselves. From somewhere or other, probably the pioneer-cook-house, Kropp has bagged for himself a mess-tin full of beans. Müller squints hungrily into it but checks himself and says: "Albert, what would you do if it were suddenly peace-time again?" "There won't be any civil life," says Albert bluntly. "Well, but if--" persists Müller, "what would you do?" "Clear out of this!" growls Kropp. "Of course. And then what?" "Get drunk," says Albert. "Don't talk rot, I mean seriously----" "So do I," says Kropp, "what else should a man do?" Kat becomes interested. He levies tribute on Kropp's tin of beans, swallows some, then considers for a while and says: "You might get drunk first, of course, but then you'd take the next train for home and mother. Peace-time, man, Albert----" He fumbles in his oil-cloth pocket-book for a photograph and suddenly shows it all round. "My old people!" Then he puts it back and swears: "Damned lousy war----" "It's all very well for you to talk," I tell him. "You've a wife and children." "True," he nods, "and I have to see to it that they've something to eat." We laugh. "They won't lack for that, Kat, you'd scrounge it from somewhere."<|quote|>Müller is insatiable and gives himself no peace. He wakes Haie Westhus out of his dream.</|quote|>"Haie, what would you do if it was peace time?" "Give you a kick in the backside for the way you talk," I say. "How does it come about exactly?" "How does the cow-shit come on the roof?" retorts Müller laconically, and turns to Haie Westhus again. It is too much for Haie. He shakes his freckled head: "You mean when the war's over?" "Exactly. You've said it." "Well, there'd be women of course, eh?" --Haie licks his lips. "Sure." "By Jove yes," says Haie, his face melting, "then I'd grab some good buxom dame, some real kitchen wench with plenty to get hold of, you know, and jump straight into bed. Just you think, boys, a real feather-bed with a spring mattress; I wouldn't put trousers on again for a week." Everyone is silent. The picture is too good. Our flesh creeps. At last Müller pulls himself together and says: "And then what?" A pause. Then Haie explains rather awkwardly: "If I were a non-com. I'd stay with the Prussians and serve out my time." "Haie, you've got a screw loose, surely!" I say. "Have you ever dug peat?" he retorts good-naturedly. "You try it." Then he pulls a spoon out of | All Quiet on the Western Front | back and swears: "Damned lousy war----" "It's all very well for you to talk," I tell him. "You've a wife and children." "True," he nods, "and I have to see to it that they've something to eat." We laugh. "They won't lack for that, Kat, you'd scrounge it from somewhere."<|quote|>Müller is insatiable and gives himself no peace. He wakes Haie Westhus out of his dream.</|quote|>"Haie, what would you do if it was peace time?" "Give you a kick in the backside for the way you talk," I say. "How does it come about exactly?" "How does the cow-shit come on the roof?" retorts Müller laconically, and turns to Haie Westhus again. It is too | {
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"content": "back and swears: \"Damned lousy war----\" \"It's all very well for you to talk,\" I tell him. \"You've a wife and children.\" \"True,\" he nods, \"and I have to see to it that they've something to eat.\" We laugh. \"They won't lack for that, Kat, you'd scrounge it from somewhere.\"<|quote|>Müller is insatiable and gives himself no peace. He wakes Haie Westhus out of his dream.</|quote|>\"Haie, what would you do if it was peace time?\" \"Give you a kick in the backside for the way you talk,\" I say. \"How does it come about exactly?\" \"How does the cow-shit come on the roof?\" retorts Müller laconically, and turns to Haie Westhus again. It is too",
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"Of course," | Tony Last | like it," said Mrs Rattery.<|quote|>"Of course,"</|quote|>Tony began, after a pause, | like this is religion." "Some like it," said Mrs Rattery.<|quote|>"Of course,"</|quote|>Tony began, after a pause, "when you haven't got children | some more. "Bring me one too, will you?" Tony said, "I only wanted to see him about arrangements. He tried to be comforting. It was very painful... after all the last thing one wants to talk about at a time like this is religion." "Some like it," said Mrs Rattery.<|quote|>"Of course,"</|quote|>Tony began, after a pause, "when you haven't got children yourself--" "I've got two sons," said Mrs Rattery. "Have you? I'm so sorry. I didn't realize... we know each other so little. How very impertinent of me." "That's all right. People are always surprised. I don't see them often. They're | hour. When he returned he went to the tray, which, on Mrs Rattery's instructions, had been left in the library, and poured himself out whisky and ginger ale. Mrs Rattery had resumed her patience. "Bad interview?" she asked, without looking up. "Awful." He drank the whisky quickly and poured out some more. "Bring me one too, will you?" Tony said, "I only wanted to see him about arrangements. He tried to be comforting. It was very painful... after all the last thing one wants to talk about at a time like this is religion." "Some like it," said Mrs Rattery.<|quote|>"Of course,"</|quote|>Tony began, after a pause, "when you haven't got children yourself--" "I've got two sons," said Mrs Rattery. "Have you? I'm so sorry. I didn't realize... we know each other so little. How very impertinent of me." "That's all right. People are always surprised. I don't see them often. They're at school somewhere. I took them to the cinema last summer. They're getting quite big. One's going to be good-looking, I think. His father is." "Quarter-past six," said Tony. "He's bound to have told her by now." * * * * * There was a little party at Lady Cockpurse's, | anywhere, I am hunted down... without remorse. O God," said Jenny Abdul Akbar. "What have I done to deserve it?" She rose to leave him; there was nowhere she could go except the bathroom. Jock said, through the door, "Well, I must go along to Polly's and see Brenda." "Wait a minute and I'll come too." She had brightened a little when she emerged. "Have you got a car here," she asked, "or shall I ring up a taxi?" * * * * * After tea Mr Tendril called. Tony saw him in his study and was away half an hour. When he returned he went to the tray, which, on Mrs Rattery's instructions, had been left in the library, and poured himself out whisky and ginger ale. Mrs Rattery had resumed her patience. "Bad interview?" she asked, without looking up. "Awful." He drank the whisky quickly and poured out some more. "Bring me one too, will you?" Tony said, "I only wanted to see him about arrangements. He tried to be comforting. It was very painful... after all the last thing one wants to talk about at a time like this is religion." "Some like it," said Mrs Rattery.<|quote|>"Of course,"</|quote|>Tony began, after a pause, "when you haven't got children yourself--" "I've got two sons," said Mrs Rattery. "Have you? I'm so sorry. I didn't realize... we know each other so little. How very impertinent of me." "That's all right. People are always surprised. I don't see them often. They're at school somewhere. I took them to the cinema last summer. They're getting quite big. One's going to be good-looking, I think. His father is." "Quarter-past six," said Tony. "He's bound to have told her by now." * * * * * There was a little party at Lady Cockpurse's, Veronica and Daisy and Sybil, Souki de Foucald-Esterhazy, and four or five others, all women. They were there to consult a new fortune-teller called Mrs Northcote. Mrs Beaver had discovered her and for every five guineas that she earned at her introduction Mrs Beaver took a commission of two pounds twelve and sixpence. She told fortunes in a new way, by reading the soles of the feet. They waited their turn impatiently. "What a time she is taking over Daisy." "She is very thorough," said Polly, "and it tickles rather." Presently Daisy emerged. "What was she like?" they asked. "I | oak, Tudor style. In so small a room the effect was distracting. The Princess sat at the looking-glass, Jock behind her on the divan. "What's your name?" she asked over her shoulder. He told her. "Oh yes, I've heard them mention you. I was at Hetton the week-end before last... such a quaint old place." "I'd better tell you. There's been a frightful accident there this morning." Jenny Abdul Akbar spun round on the leather stool; her eyes were wide with alarm, her hand pressed to her heart. "Quick," she whispered, "_tell me_. I can't bear it. Is it _death_?" Jock nodded. "Their little boy... kicked by a horse." "_Little Jimmy._" "John." "John... _dead_. It's _too_ horrible." "It wasn't anybody's fault." "Oh yes," said Jenny. "It was. It was _my_ fault. I ought never to have gone there... a terrible curse hangs over me. Wherever I go I bring nothing but sorrow... if only it was _I_ that was dead... I shall never be able to face them again. I feel like a murderess... that brave little life snuffed out." "I say, you know, really, I shouldn't take that line about it." "It isn't the first time it's happened... always, anywhere, I am hunted down... without remorse. O God," said Jenny Abdul Akbar. "What have I done to deserve it?" She rose to leave him; there was nowhere she could go except the bathroom. Jock said, through the door, "Well, I must go along to Polly's and see Brenda." "Wait a minute and I'll come too." She had brightened a little when she emerged. "Have you got a car here," she asked, "or shall I ring up a taxi?" * * * * * After tea Mr Tendril called. Tony saw him in his study and was away half an hour. When he returned he went to the tray, which, on Mrs Rattery's instructions, had been left in the library, and poured himself out whisky and ginger ale. Mrs Rattery had resumed her patience. "Bad interview?" she asked, without looking up. "Awful." He drank the whisky quickly and poured out some more. "Bring me one too, will you?" Tony said, "I only wanted to see him about arrangements. He tried to be comforting. It was very painful... after all the last thing one wants to talk about at a time like this is religion." "Some like it," said Mrs Rattery.<|quote|>"Of course,"</|quote|>Tony began, after a pause, "when you haven't got children yourself--" "I've got two sons," said Mrs Rattery. "Have you? I'm so sorry. I didn't realize... we know each other so little. How very impertinent of me." "That's all right. People are always surprised. I don't see them often. They're at school somewhere. I took them to the cinema last summer. They're getting quite big. One's going to be good-looking, I think. His father is." "Quarter-past six," said Tony. "He's bound to have told her by now." * * * * * There was a little party at Lady Cockpurse's, Veronica and Daisy and Sybil, Souki de Foucald-Esterhazy, and four or five others, all women. They were there to consult a new fortune-teller called Mrs Northcote. Mrs Beaver had discovered her and for every five guineas that she earned at her introduction Mrs Beaver took a commission of two pounds twelve and sixpence. She told fortunes in a new way, by reading the soles of the feet. They waited their turn impatiently. "What a time she is taking over Daisy." "She is very thorough," said Polly, "and it tickles rather." Presently Daisy emerged. "What was she like?" they asked. "I mustn't tell or it spoils it all," said Daisy. They had dealt cards for precedence. It was Brenda's turn now. She went next door to Mrs Northcote, who was sitting at a stool beside an armchair. She was a dowdy, middle-aged woman with a slightly genteel accent. Brenda sat down and took off her shoe and stocking. Mrs Northcote laid the foot on her knee and gazed at it with great solemnity; then she picked it up and began tracing the small creases of the sole with the point of a silver pencil case. Brenda wriggled her toes luxuriously and settled down to listen. Next door they said, "Where's Mr Beaver to-day?" "He's flown over to France with his mother to see some new wallpapers. She's been worrying all day thinking he's had an accident." "It's all very touching, isn't it? Though I can't see his point myself..." "You must never do anything on Thursdays," said Mrs Northcote. "Nothing?" "Nothing important. You are intellectual, imaginative, sympathetic, easily led by others, impulsive, affectionate. You are highly artistic and are not giving full scope to your capabilities." "Isn't there anything about love?" "I am coming to love. All these lines from the | Brenda was not one to remember, as she came in and out, to change the indicator. He found her front door on the second floor. After the first flight the staircase changed from marble to a faded carpet that had been there before Mrs Beaver undertook the reconstruction. Jock pressed the bell and heard it ringing just inside the door. Nobody came to open it. It was past five, and he had not expected to find Brenda at home. He had decided on the road up that after trying the flat, he would go to his club and ring up various friends of Brenda's who might know where she was. He rang again, from habit, and waited a little; then turned to go. But at that moment the door next to Brenda's opened and a dark lady in a dress of crimson velvet looked out at him; she wore very large earrings of oriental filigree, set with bosses of opaque, valueless stone. "Are you looking for Lady Brenda Last?" "I am. Is she a friend of yours?" "Oh, _such_ a friend," said Princess Abdul Akbar. "Then perhaps you can tell me where I can find her?" "I think she's bound to be at Lady Cockpurse's. I'm just going there myself. Can I give her any message?" "I had better come and see her." "Well, wait five minutes and you can go with me. Come inside." The Princess's single room was furnished promiscuously and with truly Eastern disregard of the right properties of things; swords meant to adorn the state robes of a Moorish caid were swung from the picture rail; mats made for prayer were strewn on the divan; the carpet on the floor had been made in Bokhara as a wall covering; while over the dressing table was draped a shawl made in Yokohama for sale to cruise-passengers; an octagonal table from Port Said held a Tibetan Buddha of pale soapstone; six ivory elephants from Bombay stood along the top of the radiator. Other cultures, too, were represented by a set of Lalique bottles and powder boxes, a phallic fetish from Senegal, a Dutch copper bowl, a waste-paper basket made of varnished aquatint, a golliwog presented at the gala dinner of a seaside hotel, a dozen or so framed photographs of the Princess, a garden scene ingeniously constructed in pieces of coloured wood, and a radio set in fumed oak, Tudor style. In so small a room the effect was distracting. The Princess sat at the looking-glass, Jock behind her on the divan. "What's your name?" she asked over her shoulder. He told her. "Oh yes, I've heard them mention you. I was at Hetton the week-end before last... such a quaint old place." "I'd better tell you. There's been a frightful accident there this morning." Jenny Abdul Akbar spun round on the leather stool; her eyes were wide with alarm, her hand pressed to her heart. "Quick," she whispered, "_tell me_. I can't bear it. Is it _death_?" Jock nodded. "Their little boy... kicked by a horse." "_Little Jimmy._" "John." "John... _dead_. It's _too_ horrible." "It wasn't anybody's fault." "Oh yes," said Jenny. "It was. It was _my_ fault. I ought never to have gone there... a terrible curse hangs over me. Wherever I go I bring nothing but sorrow... if only it was _I_ that was dead... I shall never be able to face them again. I feel like a murderess... that brave little life snuffed out." "I say, you know, really, I shouldn't take that line about it." "It isn't the first time it's happened... always, anywhere, I am hunted down... without remorse. O God," said Jenny Abdul Akbar. "What have I done to deserve it?" She rose to leave him; there was nowhere she could go except the bathroom. Jock said, through the door, "Well, I must go along to Polly's and see Brenda." "Wait a minute and I'll come too." She had brightened a little when she emerged. "Have you got a car here," she asked, "or shall I ring up a taxi?" * * * * * After tea Mr Tendril called. Tony saw him in his study and was away half an hour. When he returned he went to the tray, which, on Mrs Rattery's instructions, had been left in the library, and poured himself out whisky and ginger ale. Mrs Rattery had resumed her patience. "Bad interview?" she asked, without looking up. "Awful." He drank the whisky quickly and poured out some more. "Bring me one too, will you?" Tony said, "I only wanted to see him about arrangements. He tried to be comforting. It was very painful... after all the last thing one wants to talk about at a time like this is religion." "Some like it," said Mrs Rattery.<|quote|>"Of course,"</|quote|>Tony began, after a pause, "when you haven't got children yourself--" "I've got two sons," said Mrs Rattery. "Have you? I'm so sorry. I didn't realize... we know each other so little. How very impertinent of me." "That's all right. People are always surprised. I don't see them often. They're at school somewhere. I took them to the cinema last summer. They're getting quite big. One's going to be good-looking, I think. His father is." "Quarter-past six," said Tony. "He's bound to have told her by now." * * * * * There was a little party at Lady Cockpurse's, Veronica and Daisy and Sybil, Souki de Foucald-Esterhazy, and four or five others, all women. They were there to consult a new fortune-teller called Mrs Northcote. Mrs Beaver had discovered her and for every five guineas that she earned at her introduction Mrs Beaver took a commission of two pounds twelve and sixpence. She told fortunes in a new way, by reading the soles of the feet. They waited their turn impatiently. "What a time she is taking over Daisy." "She is very thorough," said Polly, "and it tickles rather." Presently Daisy emerged. "What was she like?" they asked. "I mustn't tell or it spoils it all," said Daisy. They had dealt cards for precedence. It was Brenda's turn now. She went next door to Mrs Northcote, who was sitting at a stool beside an armchair. She was a dowdy, middle-aged woman with a slightly genteel accent. Brenda sat down and took off her shoe and stocking. Mrs Northcote laid the foot on her knee and gazed at it with great solemnity; then she picked it up and began tracing the small creases of the sole with the point of a silver pencil case. Brenda wriggled her toes luxuriously and settled down to listen. Next door they said, "Where's Mr Beaver to-day?" "He's flown over to France with his mother to see some new wallpapers. She's been worrying all day thinking he's had an accident." "It's all very touching, isn't it? Though I can't see his point myself..." "You must never do anything on Thursdays," said Mrs Northcote. "Nothing?" "Nothing important. You are intellectual, imaginative, sympathetic, easily led by others, impulsive, affectionate. You are highly artistic and are not giving full scope to your capabilities." "Isn't there anything about love?" "I am coming to love. All these lines from the great toe to the instep represent lovers." "Yes, go on some more about that..." Princess Abdul Akbar was announced. "Where's Brenda?" she said. "I thought she'd be here." "Mrs Northcote's doing her now." "Jock Menzies wants to see her. He's downstairs." "Darling Jock... Why on earth didn't you bring him up?" "No, it's something terribly important. He's got to see Brenda alone." "My dear, how mysterious. Well, she won't be long now. We can't disturb them. It would upset Mrs Northcote." Jenny told them the news. On the other side of the door, Brenda's leg was beginning to feel slightly chilly. "Four men dominate your fate," Mrs Northcote was saying, "one is loyal and tender but he has not yet disclosed his love, one is passionate and overpowering, you are a little afraid of him." "Dear me," said Brenda. "How very exciting. Who _can_ they be?" "One you must avoid; he bodes no good for you, he is steely hearted and rapacious." "I bet that's my Mr Beaver, bless him." Downstairs Jock was waiting in the small front room where Polly's guests usually assembled before luncheon. It was five past six. Soon Brenda pulled on her stocking, stepped into her shoe and joined the ladies. "_Most_ enjoyable," she pronounced. "Why, how odd you all look." "Jock Grant-Menzies wants to see you downstairs." "Jock? How very extraordinary. It isn't anything awful, is it?" "You'd better go and see him." Suddenly Brenda became frightened by the strange air of the room and the unfamiliar expression in her friends' faces. She ran downstairs to the room where Jock was waiting. "What is it, Jock? Tell me quickly, I'm scared. It's nothing awful, is it?" "I'm afraid it is. There's been a very serious accident." "John?" "Yes." "Dead?" He nodded. She sat down on a hard little Empire chair against the wall, perfectly still with her hands folded in her lap, like a small well-brought-up child introduced into a room full of grown-ups. She said, "Tell me what happened. Why do you know about it first?" "I've been down at Hetton since the week-end." "Hetton?" "Don't you remember? John was going hunting to-day." She frowned, not at once taking in what he was saying. "John... John Andrew... I... oh, thank God..." Then she burst into tears. She wept helplessly, turning round in the chair and pressing her forehead against its gilt back. Upstairs Mrs | from Senegal, a Dutch copper bowl, a waste-paper basket made of varnished aquatint, a golliwog presented at the gala dinner of a seaside hotel, a dozen or so framed photographs of the Princess, a garden scene ingeniously constructed in pieces of coloured wood, and a radio set in fumed oak, Tudor style. In so small a room the effect was distracting. The Princess sat at the looking-glass, Jock behind her on the divan. "What's your name?" she asked over her shoulder. He told her. "Oh yes, I've heard them mention you. I was at Hetton the week-end before last... such a quaint old place." "I'd better tell you. There's been a frightful accident there this morning." Jenny Abdul Akbar spun round on the leather stool; her eyes were wide with alarm, her hand pressed to her heart. "Quick," she whispered, "_tell me_. I can't bear it. Is it _death_?" Jock nodded. "Their little boy... kicked by a horse." "_Little Jimmy._" "John." "John... _dead_. It's _too_ horrible." "It wasn't anybody's fault." "Oh yes," said Jenny. "It was. It was _my_ fault. I ought never to have gone there... a terrible curse hangs over me. Wherever I go I bring nothing but sorrow... if only it was _I_ that was dead... I shall never be able to face them again. I feel like a murderess... that brave little life snuffed out." "I say, you know, really, I shouldn't take that line about it." "It isn't the first time it's happened... always, anywhere, I am hunted down... without remorse. O God," said Jenny Abdul Akbar. "What have I done to deserve it?" She rose to leave him; there was nowhere she could go except the bathroom. Jock said, through the door, "Well, I must go along to Polly's and see Brenda." "Wait a minute and I'll come too." She had brightened a little when she emerged. "Have you got a car here," she asked, "or shall I ring up a taxi?" * * * * * After tea Mr Tendril called. Tony saw him in his study and was away half an hour. When he returned he went to the tray, which, on Mrs Rattery's instructions, had been left in the library, and poured himself out whisky and ginger ale. Mrs Rattery had resumed her patience. "Bad interview?" she asked, without looking up. "Awful." He drank the whisky quickly and poured out some more. "Bring me one too, will you?" Tony said, "I only wanted to see him about arrangements. He tried to be comforting. It was very painful... after all the last thing one wants to talk about at a time like this is religion." "Some like it," said Mrs Rattery.<|quote|>"Of course,"</|quote|>Tony began, after a pause, "when you haven't got children yourself--" "I've got two sons," said Mrs Rattery. "Have you? I'm so sorry. I didn't realize... we know each other so little. How very impertinent of me." "That's all right. People are always surprised. I don't see them often. They're at school somewhere. I took them to the cinema last summer. They're getting quite big. One's going to be good-looking, I think. His father is." "Quarter-past six," said Tony. "He's bound to have told her by now." * * * * * There was a little party at Lady Cockpurse's, Veronica and Daisy and Sybil, Souki de Foucald-Esterhazy, and four or five others, all women. They were there to consult a new fortune-teller called Mrs Northcote. Mrs Beaver had discovered her and for every five guineas that she earned at her introduction Mrs Beaver took a commission of two pounds twelve and sixpence. She told fortunes in a new way, by reading the soles of the feet. They waited their turn impatiently. "What a time she is taking over Daisy." "She is very thorough," said Polly, "and it tickles rather." Presently Daisy emerged. "What was she like?" they asked. "I mustn't tell or it spoils it all," said Daisy. They had dealt cards for precedence. It was Brenda's turn now. She went next door to Mrs Northcote, who was sitting at a stool beside an armchair. She was a dowdy, middle-aged woman with a slightly genteel accent. Brenda sat down and took off her shoe and stocking. Mrs Northcote laid the foot on her knee and gazed at it with great solemnity; then she picked it up and began tracing the small creases of the sole with the point of a silver pencil case. Brenda wriggled her toes luxuriously and settled down to listen. Next door they said, "Where's Mr Beaver to-day?" "He's flown over to France with his mother to see some new wallpapers. She's been worrying all day thinking he's had an accident." "It's all very touching, isn't it? Though I can't see his point myself..." "You must never do anything on Thursdays," said Mrs Northcote. "Nothing?" "Nothing important. You are intellectual, imaginative, sympathetic, easily led by others, impulsive, affectionate. You are highly artistic and are not giving full scope to your capabilities." "Isn't there anything about love?" "I am coming to love. All these lines from the great toe to the instep represent lovers." "Yes, go on some more about that..." Princess Abdul Akbar was announced. "Where's Brenda?" she said. "I thought she'd be here." "Mrs Northcote's doing her now." "Jock Menzies wants to see her. He's downstairs." "Darling Jock... Why on earth didn't you bring him up?" "No, it's | A Handful Of Dust | some more. "Bring me one too, will you?" Tony said, "I only wanted to see him about arrangements. He tried to be comforting. It was very painful... after all the last thing one wants to talk about at a time like this is religion." "Some like it," said Mrs Rattery.<|quote|>"Of course,"</|quote|>Tony began, after a pause, "when you haven't got children yourself--" "I've got two sons," said Mrs Rattery. "Have you? I'm so sorry. I didn't realize... we know each other so little. How very impertinent of me." "That's all right. People are always surprised. I don't see them often. They're | {
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"content": "some more. \"Bring me one too, will you?\" Tony said, \"I only wanted to see him about arrangements. He tried to be comforting. It was very painful... after all the last thing one wants to talk about at a time like this is religion.\" \"Some like it,\" said Mrs Rattery.<|quote|>\"Of course,\"</|quote|>Tony began, after a pause, \"when you haven't got children yourself--\" \"I've got two sons,\" said Mrs Rattery. \"Have you? I'm so sorry. I didn't realize... we know each other so little. How very impertinent of me.\" \"That's all right. People are always surprised. I don't see them often. They're",
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} | Tony Last |
"Of course, I don't suppose she meant to steal it or anything like that. She's just taken it to play with or help along that imagination of hers. She must have taken it, that's clear, for there hasn't been a soul in that room since she was in it, by her own story, until I went up tonight. And the brooch is gone, there's nothing surer. I suppose she has lost it and is afraid to own up for fear she'll be punished. It's a dreadful thing to think she tells falsehoods. It's a far worse thing than her fit of temper. It's a fearful responsibility to have a child in your house you can't trust. Slyness and untruthfulness--that's what she has displayed. I declare I feel worse about that than about the brooch. If she'd only have told the truth about it I wouldn't mind so much." | Marilla Cuthbert | she nervously shelled the peas.<|quote|>"Of course, I don't suppose she meant to steal it or anything like that. She's just taken it to play with or help along that imagination of hers. She must have taken it, that's clear, for there hasn't been a soul in that room since she was in it, by her own story, until I went up tonight. And the brooch is gone, there's nothing surer. I suppose she has lost it and is afraid to own up for fear she'll be punished. It's a dreadful thing to think she tells falsehoods. It's a far worse thing than her fit of temper. It's a fearful responsibility to have a child in your house you can't trust. Slyness and untruthfulness--that's what she has displayed. I declare I feel worse about that than about the brooch. If she'd only have told the truth about it I wouldn't mind so much."</|quote|>Marilla went to her room | had happen," thought Marilla, as she nervously shelled the peas.<|quote|>"Of course, I don't suppose she meant to steal it or anything like that. She's just taken it to play with or help along that imagination of hers. She must have taken it, that's clear, for there hasn't been a soul in that room since she was in it, by her own story, until I went up tonight. And the brooch is gone, there's nothing surer. I suppose she has lost it and is afraid to own up for fear she'll be punished. It's a dreadful thing to think she tells falsehoods. It's a far worse thing than her fit of temper. It's a fearful responsibility to have a child in your house you can't trust. Slyness and untruthfulness--that's what she has displayed. I declare I feel worse about that than about the brooch. If she'd only have told the truth about it I wouldn't mind so much."</|quote|>Marilla went to her room at intervals all through the | valuable brooch. What if Anne had lost it? And how wicked of the child to deny having taken it, when anybody could see she must have! With such an innocent face, too! "I don't know what I wouldn't sooner have had happen," thought Marilla, as she nervously shelled the peas.<|quote|>"Of course, I don't suppose she meant to steal it or anything like that. She's just taken it to play with or help along that imagination of hers. She must have taken it, that's clear, for there hasn't been a soul in that room since she was in it, by her own story, until I went up tonight. And the brooch is gone, there's nothing surer. I suppose she has lost it and is afraid to own up for fear she'll be punished. It's a dreadful thing to think she tells falsehoods. It's a far worse thing than her fit of temper. It's a fearful responsibility to have a child in your house you can't trust. Slyness and untruthfulness--that's what she has displayed. I declare I feel worse about that than about the brooch. If she'd only have told the truth about it I wouldn't mind so much."</|quote|>Marilla went to her room at intervals all through the evening and searched for the brooch, without finding it. A bedtime visit to the east gable produced no result. Anne persisted in denying that she knew anything about the brooch but Marilla was only the more firmly convinced that she | there until you are ready to confess." "Will I take the peas with me?" said Anne meekly. "No, I'll finish shelling them myself. Do as I bid you." When Anne had gone Marilla went about her evening tasks in a very disturbed state of mind. She was worried about her valuable brooch. What if Anne had lost it? And how wicked of the child to deny having taken it, when anybody could see she must have! With such an innocent face, too! "I don't know what I wouldn't sooner have had happen," thought Marilla, as she nervously shelled the peas.<|quote|>"Of course, I don't suppose she meant to steal it or anything like that. She's just taken it to play with or help along that imagination of hers. She must have taken it, that's clear, for there hasn't been a soul in that room since she was in it, by her own story, until I went up tonight. And the brooch is gone, there's nothing surer. I suppose she has lost it and is afraid to own up for fear she'll be punished. It's a dreadful thing to think she tells falsehoods. It's a far worse thing than her fit of temper. It's a fearful responsibility to have a child in your house you can't trust. Slyness and untruthfulness--that's what she has displayed. I declare I feel worse about that than about the brooch. If she'd only have told the truth about it I wouldn't mind so much."</|quote|>Marilla went to her room at intervals all through the evening and searched for the brooch, without finding it. A bedtime visit to the east gable produced no result. Anne persisted in denying that she knew anything about the brooch but Marilla was only the more firmly convinced that she did. She told Matthew the story the next morning. Matthew was confounded and puzzled; he could not so quickly lose faith in Anne but he had to admit that circumstances were against her. "You're sure it hasn't fell down behind the bureau?" was the only suggestion he could offer. "I've | said Anne solemnly, meeting Marilla's angry gaze squarely. "I never took the brooch out of your room and that is the truth, if I was to be led to the block for it--although I'm not very certain what a block is. So there, Marilla." Anne's "so there" was only intended to emphasize her assertion, but Marilla took it as a display of defiance. "I believe you are telling me a falsehood, Anne," she said sharply. "I know you are. There now, don't say anything more unless you are prepared to tell the whole truth. Go to your room and stay there until you are ready to confess." "Will I take the peas with me?" said Anne meekly. "No, I'll finish shelling them myself. Do as I bid you." When Anne had gone Marilla went about her evening tasks in a very disturbed state of mind. She was worried about her valuable brooch. What if Anne had lost it? And how wicked of the child to deny having taken it, when anybody could see she must have! With such an innocent face, too! "I don't know what I wouldn't sooner have had happen," thought Marilla, as she nervously shelled the peas.<|quote|>"Of course, I don't suppose she meant to steal it or anything like that. She's just taken it to play with or help along that imagination of hers. She must have taken it, that's clear, for there hasn't been a soul in that room since she was in it, by her own story, until I went up tonight. And the brooch is gone, there's nothing surer. I suppose she has lost it and is afraid to own up for fear she'll be punished. It's a dreadful thing to think she tells falsehoods. It's a far worse thing than her fit of temper. It's a fearful responsibility to have a child in your house you can't trust. Slyness and untruthfulness--that's what she has displayed. I declare I feel worse about that than about the brooch. If she'd only have told the truth about it I wouldn't mind so much."</|quote|>Marilla went to her room at intervals all through the evening and searched for the brooch, without finding it. A bedtime visit to the east gable produced no result. Anne persisted in denying that she knew anything about the brooch but Marilla was only the more firmly convinced that she did. She told Matthew the story the next morning. Matthew was confounded and puzzled; he could not so quickly lose faith in Anne but he had to admit that circumstances were against her. "You're sure it hasn't fell down behind the bureau?" was the only suggestion he could offer. "I've moved the bureau and I've taken out the drawers and I've looked in every crack and cranny" was Marilla's positive answer. "The brooch is gone and that child has taken it and lied about it. That's the plain, ugly truth, Matthew Cuthbert, and we might as well look it in the face." "Well now, what are you going to do about it?" Matthew asked forlornly, feeling secretly thankful that Marilla and not he had to deal with the situation. He felt no desire to put his oar in this time. "She'll stay in her room until she confesses," said Marilla | in and try on the brooch; but I see now that it was and I'll never do it again. That's one good thing about me. I never do the same naughty thing twice." "You didn't put it back," said Marilla. "That brooch isn't anywhere on the bureau. You've taken it out or something, Anne." "I did put it back," said Anne quickly--pertly, Marilla thought. "I don't just remember whether I stuck it on the pincushion or laid it in the china tray. But I'm perfectly certain I put it back." "I'll go and have another look," said Marilla, determining to be just. "If you put that brooch back it's there still. If it isn't I'll know you didn't, that's all!" Marilla went to her room and made a thorough search, not only over the bureau but in every other place she thought the brooch might possibly be. It was not to be found and she returned to the kitchen. "Anne, the brooch is gone. By your own admission you were the last person to handle it. Now, what have you done with it? Tell me the truth at once. Did you take it out and lose it?" "No, I didn't," said Anne solemnly, meeting Marilla's angry gaze squarely. "I never took the brooch out of your room and that is the truth, if I was to be led to the block for it--although I'm not very certain what a block is. So there, Marilla." Anne's "so there" was only intended to emphasize her assertion, but Marilla took it as a display of defiance. "I believe you are telling me a falsehood, Anne," she said sharply. "I know you are. There now, don't say anything more unless you are prepared to tell the whole truth. Go to your room and stay there until you are ready to confess." "Will I take the peas with me?" said Anne meekly. "No, I'll finish shelling them myself. Do as I bid you." When Anne had gone Marilla went about her evening tasks in a very disturbed state of mind. She was worried about her valuable brooch. What if Anne had lost it? And how wicked of the child to deny having taken it, when anybody could see she must have! With such an innocent face, too! "I don't know what I wouldn't sooner have had happen," thought Marilla, as she nervously shelled the peas.<|quote|>"Of course, I don't suppose she meant to steal it or anything like that. She's just taken it to play with or help along that imagination of hers. She must have taken it, that's clear, for there hasn't been a soul in that room since she was in it, by her own story, until I went up tonight. And the brooch is gone, there's nothing surer. I suppose she has lost it and is afraid to own up for fear she'll be punished. It's a dreadful thing to think she tells falsehoods. It's a far worse thing than her fit of temper. It's a fearful responsibility to have a child in your house you can't trust. Slyness and untruthfulness--that's what she has displayed. I declare I feel worse about that than about the brooch. If she'd only have told the truth about it I wouldn't mind so much."</|quote|>Marilla went to her room at intervals all through the evening and searched for the brooch, without finding it. A bedtime visit to the east gable produced no result. Anne persisted in denying that she knew anything about the brooch but Marilla was only the more firmly convinced that she did. She told Matthew the story the next morning. Matthew was confounded and puzzled; he could not so quickly lose faith in Anne but he had to admit that circumstances were against her. "You're sure it hasn't fell down behind the bureau?" was the only suggestion he could offer. "I've moved the bureau and I've taken out the drawers and I've looked in every crack and cranny" was Marilla's positive answer. "The brooch is gone and that child has taken it and lied about it. That's the plain, ugly truth, Matthew Cuthbert, and we might as well look it in the face." "Well now, what are you going to do about it?" Matthew asked forlornly, feeling secretly thankful that Marilla and not he had to deal with the situation. He felt no desire to put his oar in this time. "She'll stay in her room until she confesses," said Marilla grimly, remembering the success of this method in the former case. "Then we'll see. Perhaps we'll be able to find the brooch if she'll only tell where she took it; but in any case she'll have to be severely punished, Matthew." "Well now, you'll have to punish her," said Matthew, reaching for his hat. "I've nothing to do with it, remember. You warned me off yourself." Marilla felt deserted by everyone. She could not even go to Mrs. Lynde for advice. She went up to the east gable with a very serious face and left it with a face more serious still. Anne steadfastly refused to confess. She persisted in asserting that she had not taken the brooch. The child had evidently been crying and Marilla felt a pang of pity which she sternly repressed. By night she was, as she expressed it, "beat out." "You'll stay in this room until you confess, Anne. You can make up your mind to that," she said firmly. "But the picnic is tomorrow, Marilla," cried Anne. "You won't keep me from going to that, will you? You'll just let me out for the afternoon, won't you? Then I'll stay here as long as | and was always pleasantly conscious of their violet shimmer at her throat, above her good brown satin dress, even although she could not see it. Anne had been smitten with delighted admiration when she first saw that brooch. "Oh, Marilla, it's a perfectly elegant brooch. I don't know how you can pay attention to the sermon or the prayers when you have it on. I couldn't, I know. I think amethysts are just sweet. They are what I used to think diamonds were like. Long ago, before I had ever seen a diamond, I read about them and I tried to imagine what they would be like. I thought they would be lovely glimmering purple stones. When I saw a real diamond in a lady's ring one day I was so disappointed I cried. Of course, it was very lovely but it wasn't my idea of a diamond. Will you let me hold the brooch for one minute, Marilla? Do you think amethysts can be the souls of good violets?" CHAPTER XIV. Anne's Confession |ON the Monday evening before the picnic Marilla came down from her room with a troubled face. "Anne," she said to that small personage, who was shelling peas by the spotless table and singing, "Nelly of the Hazel Dell" with a vigor and expression that did credit to Diana's teaching, "did you see anything of my amethyst brooch? I thought I stuck it in my pincushion when I came home from church yesterday evening, but I can't find it anywhere." "I--I saw it this afternoon when you were away at the Aid Society," said Anne, a little slowly. "I was passing your door when I saw it on the cushion, so I went in to look at it." "Did you touch it?" said Marilla sternly. "Y-e-e-s," admitted Anne, "I took it up and I pinned it on my breast just to see how it would look." "You had no business to do anything of the sort. It's very wrong in a little girl to meddle. You shouldn't have gone into my room in the first place and you shouldn't have touched a brooch that didn't belong to you in the second. Where did you put it?" "Oh, I put it back on the bureau. I hadn't it on a minute. Truly, I didn't mean to meddle, Marilla. I didn't think about its being wrong to go in and try on the brooch; but I see now that it was and I'll never do it again. That's one good thing about me. I never do the same naughty thing twice." "You didn't put it back," said Marilla. "That brooch isn't anywhere on the bureau. You've taken it out or something, Anne." "I did put it back," said Anne quickly--pertly, Marilla thought. "I don't just remember whether I stuck it on the pincushion or laid it in the china tray. But I'm perfectly certain I put it back." "I'll go and have another look," said Marilla, determining to be just. "If you put that brooch back it's there still. If it isn't I'll know you didn't, that's all!" Marilla went to her room and made a thorough search, not only over the bureau but in every other place she thought the brooch might possibly be. It was not to be found and she returned to the kitchen. "Anne, the brooch is gone. By your own admission you were the last person to handle it. Now, what have you done with it? Tell me the truth at once. Did you take it out and lose it?" "No, I didn't," said Anne solemnly, meeting Marilla's angry gaze squarely. "I never took the brooch out of your room and that is the truth, if I was to be led to the block for it--although I'm not very certain what a block is. So there, Marilla." Anne's "so there" was only intended to emphasize her assertion, but Marilla took it as a display of defiance. "I believe you are telling me a falsehood, Anne," she said sharply. "I know you are. There now, don't say anything more unless you are prepared to tell the whole truth. Go to your room and stay there until you are ready to confess." "Will I take the peas with me?" said Anne meekly. "No, I'll finish shelling them myself. Do as I bid you." When Anne had gone Marilla went about her evening tasks in a very disturbed state of mind. She was worried about her valuable brooch. What if Anne had lost it? And how wicked of the child to deny having taken it, when anybody could see she must have! With such an innocent face, too! "I don't know what I wouldn't sooner have had happen," thought Marilla, as she nervously shelled the peas.<|quote|>"Of course, I don't suppose she meant to steal it or anything like that. She's just taken it to play with or help along that imagination of hers. She must have taken it, that's clear, for there hasn't been a soul in that room since she was in it, by her own story, until I went up tonight. And the brooch is gone, there's nothing surer. I suppose she has lost it and is afraid to own up for fear she'll be punished. It's a dreadful thing to think she tells falsehoods. It's a far worse thing than her fit of temper. It's a fearful responsibility to have a child in your house you can't trust. Slyness and untruthfulness--that's what she has displayed. I declare I feel worse about that than about the brooch. If she'd only have told the truth about it I wouldn't mind so much."</|quote|>Marilla went to her room at intervals all through the evening and searched for the brooch, without finding it. A bedtime visit to the east gable produced no result. Anne persisted in denying that she knew anything about the brooch but Marilla was only the more firmly convinced that she did. She told Matthew the story the next morning. Matthew was confounded and puzzled; he could not so quickly lose faith in Anne but he had to admit that circumstances were against her. "You're sure it hasn't fell down behind the bureau?" was the only suggestion he could offer. "I've moved the bureau and I've taken out the drawers and I've looked in every crack and cranny" was Marilla's positive answer. "The brooch is gone and that child has taken it and lied about it. That's the plain, ugly truth, Matthew Cuthbert, and we might as well look it in the face." "Well now, what are you going to do about it?" Matthew asked forlornly, feeling secretly thankful that Marilla and not he had to deal with the situation. He felt no desire to put his oar in this time. "She'll stay in her room until she confesses," said Marilla grimly, remembering the success of this method in the former case. "Then we'll see. Perhaps we'll be able to find the brooch if she'll only tell where she took it; but in any case she'll have to be severely punished, Matthew." "Well now, you'll have to punish her," said Matthew, reaching for his hat. "I've nothing to do with it, remember. You warned me off yourself." Marilla felt deserted by everyone. She could not even go to Mrs. Lynde for advice. She went up to the east gable with a very serious face and left it with a face more serious still. Anne steadfastly refused to confess. She persisted in asserting that she had not taken the brooch. The child had evidently been crying and Marilla felt a pang of pity which she sternly repressed. By night she was, as she expressed it, "beat out." "You'll stay in this room until you confess, Anne. You can make up your mind to that," she said firmly. "But the picnic is tomorrow, Marilla," cried Anne. "You won't keep me from going to that, will you? You'll just let me out for the afternoon, won't you? Then I'll stay here as long as you like _afterwards_ cheerfully. But I _must_ go to the picnic." "You'll not go to picnics nor anywhere else until you've confessed, Anne." "Oh, Marilla," gasped Anne. But Marilla had gone out and shut the door. Wednesday morning dawned as bright and fair as if expressly made to order for the picnic. Birds sang around Green Gables; the Madonna lilies in the garden sent out whiffs of perfume that entered in on viewless winds at every door and window, and wandered through halls and rooms like spirits of benediction. The birches in the hollow waved joyful hands as if watching for Anne's usual morning greeting from the east gable. But Anne was not at her window. When Marilla took her breakfast up to her she found the child sitting primly on her bed, pale and resolute, with tight-shut lips and gleaming eyes. "Marilla, I'm ready to confess." "Ah!" Marilla laid down her tray. Once again her method had succeeded; but her success was very bitter to her. "Let me hear what you have to say then, Anne." "I took the amethyst brooch," said Anne, as if repeating a lesson she had learned. "I took it just as you said. I didn't mean to take it when I went in. But it did look so beautiful, Marilla, when I pinned it on my breast that I was overcome by an irresistible temptation. I imagined how perfectly thrilling it would be to take it to Idlewild and play I was the Lady Cordelia Fitzgerald. It would be so much easier to imagine I was the Lady Cordelia if I had a real amethyst brooch on. Diana and I make necklaces of roseberries but what are roseberries compared to amethysts? So I took the brooch. I thought I could put it back before you came home. I went all the way around by the road to lengthen out the time. When I was going over the bridge across the Lake of Shining Waters I took the brooch off to have another look at it. Oh, how it did shine in the sunlight! And then, when I was leaning over the bridge, it just slipped through my fingers--so--and went down--down--down, all purply-sparkling, and sank forevermore beneath the Lake of Shining Waters. And that's the best I can do at confessing, Marilla." Marilla felt hot anger surge up into her heart again. This child had | Marilla sternly. "Y-e-e-s," admitted Anne, "I took it up and I pinned it on my breast just to see how it would look." "You had no business to do anything of the sort. It's very wrong in a little girl to meddle. You shouldn't have gone into my room in the first place and you shouldn't have touched a brooch that didn't belong to you in the second. Where did you put it?" "Oh, I put it back on the bureau. I hadn't it on a minute. Truly, I didn't mean to meddle, Marilla. I didn't think about its being wrong to go in and try on the brooch; but I see now that it was and I'll never do it again. That's one good thing about me. I never do the same naughty thing twice." "You didn't put it back," said Marilla. "That brooch isn't anywhere on the bureau. You've taken it out or something, Anne." "I did put it back," said Anne quickly--pertly, Marilla thought. "I don't just remember whether I stuck it on the pincushion or laid it in the china tray. But I'm perfectly certain I put it back." "I'll go and have another look," said Marilla, determining to be just. "If you put that brooch back it's there still. If it isn't I'll know you didn't, that's all!" Marilla went to her room and made a thorough search, not only over the bureau but in every other place she thought the brooch might possibly be. It was not to be found and she returned to the kitchen. "Anne, the brooch is gone. By your own admission you were the last person to handle it. Now, what have you done with it? Tell me the truth at once. Did you take it out and lose it?" "No, I didn't," said Anne solemnly, meeting Marilla's angry gaze squarely. "I never took the brooch out of your room and that is the truth, if I was to be led to the block for it--although I'm not very certain what a block is. So there, Marilla." Anne's "so there" was only intended to emphasize her assertion, but Marilla took it as a display of defiance. "I believe you are telling me a falsehood, Anne," she said sharply. "I know you are. There now, don't say anything more unless you are prepared to tell the whole truth. Go to your room and stay there until you are ready to confess." "Will I take the peas with me?" said Anne meekly. "No, I'll finish shelling them myself. Do as I bid you." When Anne had gone Marilla went about her evening tasks in a very disturbed state of mind. She was worried about her valuable brooch. What if Anne had lost it? And how wicked of the child to deny having taken it, when anybody could see she must have! With such an innocent face, too! "I don't know what I wouldn't sooner have had happen," thought Marilla, as she nervously shelled the peas.<|quote|>"Of course, I don't suppose she meant to steal it or anything like that. She's just taken it to play with or help along that imagination of hers. She must have taken it, that's clear, for there hasn't been a soul in that room since she was in it, by her own story, until I went up tonight. And the brooch is gone, there's nothing surer. I suppose she has lost it and is afraid to own up for fear she'll be punished. It's a dreadful thing to think she tells falsehoods. It's a far worse thing than her fit of temper. It's a fearful responsibility to have a child in your house you can't trust. Slyness and untruthfulness--that's what she has displayed. I declare I feel worse about that than about the brooch. If she'd only have told the truth about it I wouldn't mind so much."</|quote|>Marilla went to her room at intervals all through the evening and searched for the brooch, without finding it. A bedtime visit to the east gable produced no result. Anne persisted in denying that she knew anything about the brooch but Marilla was only the more firmly convinced that she did. She told Matthew the story the next morning. Matthew was confounded and puzzled; he could not so quickly lose faith in Anne but he had to admit that circumstances were against her. "You're sure it hasn't fell down behind the bureau?" was the only suggestion he could offer. "I've moved the bureau and I've taken out the drawers and I've looked in every crack and cranny" was Marilla's positive answer. "The brooch is gone and that child has taken it and lied about it. That's the plain, ugly truth, Matthew Cuthbert, and we might as well look it in the face." "Well now, what are you going to do about it?" Matthew asked forlornly, feeling secretly thankful that Marilla and not he had to deal with the situation. He felt no desire to put his oar in this time. "She'll stay in her room until she confesses," said Marilla grimly, remembering the success of this method in the former case. "Then we'll see. Perhaps we'll be able to find the brooch if she'll only tell where she took it; but in any case she'll have to be severely punished, Matthew." "Well now, you'll have to punish her," said Matthew, reaching for his hat. "I've nothing to do with it, remember. You warned me off yourself." Marilla felt deserted by everyone. She could not even go to Mrs. Lynde for advice. She went up to the east gable with a very serious face and left it with a face more serious still. Anne steadfastly refused to confess. She persisted in asserting that she had not taken the brooch. The child had evidently been crying and Marilla felt a pang of pity which she sternly repressed. By night she was, as she expressed it, "beat out." "You'll stay in this room until you confess, Anne. You can make up your mind to that," she said firmly. "But the picnic is tomorrow, Marilla," cried Anne. "You won't keep me from going to that, will you? You'll just let me out for the afternoon, won't you? Then I'll stay here as long as you like _afterwards_ cheerfully. But I _must_ go to the picnic." "You'll not go to picnics nor anywhere else until you've confessed, Anne." "Oh, Marilla," gasped Anne. But Marilla had gone out and shut the door. Wednesday morning dawned as bright and fair as if expressly made to order for the picnic. Birds sang around Green Gables; the Madonna lilies in the garden sent out whiffs of perfume that entered in on viewless winds at every door and window, and wandered through halls and rooms like spirits of benediction. The birches in the hollow waved joyful hands as if watching for Anne's usual morning greeting from the east gable. But Anne was not at her window. When Marilla took her | Anne Of Green Gables | valuable brooch. What if Anne had lost it? And how wicked of the child to deny having taken it, when anybody could see she must have! With such an innocent face, too! "I don't know what I wouldn't sooner have had happen," thought Marilla, as she nervously shelled the peas.<|quote|>"Of course, I don't suppose she meant to steal it or anything like that. She's just taken it to play with or help along that imagination of hers. She must have taken it, that's clear, for there hasn't been a soul in that room since she was in it, by her own story, until I went up tonight. And the brooch is gone, there's nothing surer. I suppose she has lost it and is afraid to own up for fear she'll be punished. It's a dreadful thing to think she tells falsehoods. It's a far worse thing than her fit of temper. It's a fearful responsibility to have a child in your house you can't trust. Slyness and untruthfulness--that's what she has displayed. I declare I feel worse about that than about the brooch. If she'd only have told the truth about it I wouldn't mind so much."</|quote|>Marilla went to her room at intervals all through the evening and searched for the brooch, without finding it. A bedtime visit to the east gable produced no result. Anne persisted in denying that she knew anything about the brooch but Marilla was only the more firmly convinced that she | {
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"content": "valuable brooch. What if Anne had lost it? And how wicked of the child to deny having taken it, when anybody could see she must have! With such an innocent face, too! \"I don't know what I wouldn't sooner have had happen,\" thought Marilla, as she nervously shelled the peas.<|quote|>\"Of course, I don't suppose she meant to steal it or anything like that. She's just taken it to play with or help along that imagination of hers. She must have taken it, that's clear, for there hasn't been a soul in that room since she was in it, by her own story, until I went up tonight. And the brooch is gone, there's nothing surer. I suppose she has lost it and is afraid to own up for fear she'll be punished. It's a dreadful thing to think she tells falsehoods. It's a far worse thing than her fit of temper. It's a fearful responsibility to have a child in your house you can't trust. Slyness and untruthfulness--that's what she has displayed. I declare I feel worse about that than about the brooch. If she'd only have told the truth about it I wouldn't mind so much.\"</|quote|>Marilla went to her room at intervals all through the evening and searched for the brooch, without finding it. A bedtime visit to the east gable produced no result. Anne persisted in denying that she knew anything about the brooch but Marilla was only the more firmly convinced that she",
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} | Marilla Cuthbert |
he asked Rosa. | No speaker | for any of these streams?"<|quote|>he asked Rosa.</|quote|>"Macushi people called him Waurupang." | appearance. "Is there a name for any of these streams?"<|quote|>he asked Rosa.</|quote|>"Macushi people called him Waurupang." "No, not the river where | flowing in the opposite direction. "Very curious," said Dr Messinger. "A discovery of genuine scientific value." Next day they waded through four streams at intervals of two miles, running alternately north and south. The chart began to have a mythical appearance. "Is there a name for any of these streams?"<|quote|>he asked Rosa.</|quote|>"Macushi people called him Waurupang." "No, not the river where we first camped. _These rivers._" "Yes, Waurupang." "_This river here._" "Macushi people call him all Waurupang." "It's hopeless," said Dr Messinger. When they were near water they forced their way through blind bush; the trail there was grown over and | halted early enough, he employed the last hours of daylight in elaborating a chart. "_Dry watercourse, three deserted huts, stony ground...._" "We are now in the Amazon system of rivers," he announced with satisfaction one day. "You see, the water is running south." But almost immediately they crossed a stream flowing in the opposite direction. "Very curious," said Dr Messinger. "A discovery of genuine scientific value." Next day they waded through four streams at intervals of two miles, running alternately north and south. The chart began to have a mythical appearance. "Is there a name for any of these streams?"<|quote|>he asked Rosa.</|quote|>"Macushi people called him Waurupang." "No, not the river where we first camped. _These rivers._" "Yes, Waurupang." "_This river here._" "Macushi people call him all Waurupang." "It's hopeless," said Dr Messinger. When they were near water they forced their way through blind bush; the trail there was grown over and barred by timber; only Indian eyes and Indian memory could trace its course; sometimes they crossed little patches of dry savannah, dun grass growing in tufts from the baked earth; thousands of lizards scampered and darted before their feet and the grass rustled like newspaper; it was burning hot in | were coming." "Me? Oh, I'm all right," said Brenda, and she thought, "It might occur to her to sock a girl a meal once in a way." * * * * * They walked for a fortnight, averaging about fifteen miles a day. Sometimes they would do much more and sometimes much less; the Indian who went in front decided the camping places; they depended on water and evil spirits. Dr Messinger made a compass traverse of their route. It gave him something to think about. He took readings every hour from an aneroid. In the evening, if they had halted early enough, he employed the last hours of daylight in elaborating a chart. "_Dry watercourse, three deserted huts, stony ground...._" "We are now in the Amazon system of rivers," he announced with satisfaction one day. "You see, the water is running south." But almost immediately they crossed a stream flowing in the opposite direction. "Very curious," said Dr Messinger. "A discovery of genuine scientific value." Next day they waded through four streams at intervals of two miles, running alternately north and south. The chart began to have a mythical appearance. "Is there a name for any of these streams?"<|quote|>he asked Rosa.</|quote|>"Macushi people called him Waurupang." "No, not the river where we first camped. _These rivers._" "Yes, Waurupang." "_This river here._" "Macushi people call him all Waurupang." "It's hopeless," said Dr Messinger. When they were near water they forced their way through blind bush; the trail there was grown over and barred by timber; only Indian eyes and Indian memory could trace its course; sometimes they crossed little patches of dry savannah, dun grass growing in tufts from the baked earth; thousands of lizards scampered and darted before their feet and the grass rustled like newspaper; it was burning hot in these enclosed spaces. Sometimes they climbed up into the wind, over loose red pebbles that bruised their feet; after these painful ascents they would lie in the wind till their wet clothes grew cold against their bodies; from these low eminences they could see other hill-tops and the belts of bush through which they had travelled, and the file of porters trailing behind them. As each man and woman arrived he sank on to the dry grass and rested against his load; when the last of them came up with the party Dr Messinger would give the word and they | "I hear they are putting in bathrooms at Hetton--while you are practically starving. And he hasn't even gone to Mrs Beaver for them." "Yes, I _do_ think that was mean." Presently Jenny went back to dress. Brenda telephoned to a delicatessen store round the corner for some sandwiches. She would spend that day in bed, as she spent two or three days a week at this time. Perhaps, if Allan was making a speech somewhere, as he usually was, Marjorie would have her to dinner. The Helm-Hubbards had a supper party that night but Beaver had not been asked. "If I went there without him it would be a major bust-up... Come to think of it, Marjorie's probably going. Well, I can always have sandwiches for dinner here. They make all kinds. Thank God for the little shop round the corner." She was reading a biography of Nelson that had lately appeared; it was very long and would keep her going well into the night. At one o'clock Jenny came in to say good-bye (she had a latch-key of Brenda's), dressed for a cosy lunch. "I got Polly and Souki," she said. "We're going to Daisy's joint. I _wish_ you were coming." "Me? Oh, I'm all right," said Brenda, and she thought, "It might occur to her to sock a girl a meal once in a way." * * * * * They walked for a fortnight, averaging about fifteen miles a day. Sometimes they would do much more and sometimes much less; the Indian who went in front decided the camping places; they depended on water and evil spirits. Dr Messinger made a compass traverse of their route. It gave him something to think about. He took readings every hour from an aneroid. In the evening, if they had halted early enough, he employed the last hours of daylight in elaborating a chart. "_Dry watercourse, three deserted huts, stony ground...._" "We are now in the Amazon system of rivers," he announced with satisfaction one day. "You see, the water is running south." But almost immediately they crossed a stream flowing in the opposite direction. "Very curious," said Dr Messinger. "A discovery of genuine scientific value." Next day they waded through four streams at intervals of two miles, running alternately north and south. The chart began to have a mythical appearance. "Is there a name for any of these streams?"<|quote|>he asked Rosa.</|quote|>"Macushi people called him Waurupang." "No, not the river where we first camped. _These rivers._" "Yes, Waurupang." "_This river here._" "Macushi people call him all Waurupang." "It's hopeless," said Dr Messinger. When they were near water they forced their way through blind bush; the trail there was grown over and barred by timber; only Indian eyes and Indian memory could trace its course; sometimes they crossed little patches of dry savannah, dun grass growing in tufts from the baked earth; thousands of lizards scampered and darted before their feet and the grass rustled like newspaper; it was burning hot in these enclosed spaces. Sometimes they climbed up into the wind, over loose red pebbles that bruised their feet; after these painful ascents they would lie in the wind till their wet clothes grew cold against their bodies; from these low eminences they could see other hill-tops and the belts of bush through which they had travelled, and the file of porters trailing behind them. As each man and woman arrived he sank on to the dry grass and rested against his load; when the last of them came up with the party Dr Messinger would give the word and they would start off again, descending into the green heart of the forest before them. Tony and Dr Messinger seldom spoke to one another, either when they were marching or at the halts, for they were constantly strained and exhausted. In the evenings after they had washed and changed into dry shirts and flannel trousers, they talked a little, mostly about the number of miles they had done that day, their probable position and the state of their feet. They drank rum and water after their bath; for supper there was usually bully beef stewed with rice and flour dumplings. The Indians ate farine, smoked hog and occasional delicacies picked up by the way--armadillo, iguana, fat white grubs from the palm trees. The women had some dried fish with them that lasted for eight days; the smell grew stronger every day until the stuff was eaten; then it still hung about them and the stores, but grew fainter until it merged into the general, indefinable smell of the camp. There were no Indians living in this country. In the last five days of the march they suffered from lack of water. The streams they came to were mostly dry; they had | are so many rumours going round. Is there going to be a divorce?" "I don't know." Mrs Beaver sighed. "Well, I must get back to work. Where are you lunching?" "Bratt's." "Poor John. By the way, I thought you were joining Brown's." "I haven't heard anything from them. I don't know whether they've had an election yet." "Your father was a member." "I've an idea I shan't get in... anyway I couldn't really afford it." "I'm not happy about you, John. I'm not sure that things are working out as well as I hoped about Christmas-time." "There's my telephone. Perhaps it's Margot. She hasn't asked me to anything for weeks." But it was only Brenda. "I'm afraid mother's got nothing for you at the shop," he said. "Oh well. I expect something will turn up. I could do with a little good luck just at the moment." "So could I. Have you asked Allan about Brown's?" "Yes, I did. He says they elected about ten chaps last week." "Oh, does that mean I've been blackballed?" "I shouldn't know. Gentlemen are so odd about their clubs." "I thought that you were going to make Allan and Reggie support me." "I asked them. What does it matter anyway? D'you want to come to Veronica's for the week-end?" "I'm not sure that I do." "_I'd_ like it." "It's a beastly little house--and I don't think Veronica likes me. Who'll be there?" "I shall be." "Yes... well, I'll let you know." "Am I seeing you this evening?" "I'll let you know." "Oh dear," said Brenda as she rang off. "Now he's taken against me. It isn't my fault he can't get into Brown's. As a matter of fact I believe Reggie _did_ try to help." Jenny Abdul Akbar was in the room with her. She came across every morning now in her dressing-gown and they read the newspaper together. Her dressing-gown was of striped Berber silk. "Let's go and have a cosy lunch at the Ritz," she said. "The Ritz isn't cosy at lunch-time and it costs eight and six. I daren't cash a cheque for three weeks, Jenny. The lawyers are so disagreeable. I've never been like this before." "What wouldn't I do to Tony? Leaving you stranded like this." "Oh, what's the good of knocking Tony? I don't suppose he's having a packet of fun himself in Brazil or wherever it is." "I hear they are putting in bathrooms at Hetton--while you are practically starving. And he hasn't even gone to Mrs Beaver for them." "Yes, I _do_ think that was mean." Presently Jenny went back to dress. Brenda telephoned to a delicatessen store round the corner for some sandwiches. She would spend that day in bed, as she spent two or three days a week at this time. Perhaps, if Allan was making a speech somewhere, as he usually was, Marjorie would have her to dinner. The Helm-Hubbards had a supper party that night but Beaver had not been asked. "If I went there without him it would be a major bust-up... Come to think of it, Marjorie's probably going. Well, I can always have sandwiches for dinner here. They make all kinds. Thank God for the little shop round the corner." She was reading a biography of Nelson that had lately appeared; it was very long and would keep her going well into the night. At one o'clock Jenny came in to say good-bye (she had a latch-key of Brenda's), dressed for a cosy lunch. "I got Polly and Souki," she said. "We're going to Daisy's joint. I _wish_ you were coming." "Me? Oh, I'm all right," said Brenda, and she thought, "It might occur to her to sock a girl a meal once in a way." * * * * * They walked for a fortnight, averaging about fifteen miles a day. Sometimes they would do much more and sometimes much less; the Indian who went in front decided the camping places; they depended on water and evil spirits. Dr Messinger made a compass traverse of their route. It gave him something to think about. He took readings every hour from an aneroid. In the evening, if they had halted early enough, he employed the last hours of daylight in elaborating a chart. "_Dry watercourse, three deserted huts, stony ground...._" "We are now in the Amazon system of rivers," he announced with satisfaction one day. "You see, the water is running south." But almost immediately they crossed a stream flowing in the opposite direction. "Very curious," said Dr Messinger. "A discovery of genuine scientific value." Next day they waded through four streams at intervals of two miles, running alternately north and south. The chart began to have a mythical appearance. "Is there a name for any of these streams?"<|quote|>he asked Rosa.</|quote|>"Macushi people called him Waurupang." "No, not the river where we first camped. _These rivers._" "Yes, Waurupang." "_This river here._" "Macushi people call him all Waurupang." "It's hopeless," said Dr Messinger. When they were near water they forced their way through blind bush; the trail there was grown over and barred by timber; only Indian eyes and Indian memory could trace its course; sometimes they crossed little patches of dry savannah, dun grass growing in tufts from the baked earth; thousands of lizards scampered and darted before their feet and the grass rustled like newspaper; it was burning hot in these enclosed spaces. Sometimes they climbed up into the wind, over loose red pebbles that bruised their feet; after these painful ascents they would lie in the wind till their wet clothes grew cold against their bodies; from these low eminences they could see other hill-tops and the belts of bush through which they had travelled, and the file of porters trailing behind them. As each man and woman arrived he sank on to the dry grass and rested against his load; when the last of them came up with the party Dr Messinger would give the word and they would start off again, descending into the green heart of the forest before them. Tony and Dr Messinger seldom spoke to one another, either when they were marching or at the halts, for they were constantly strained and exhausted. In the evenings after they had washed and changed into dry shirts and flannel trousers, they talked a little, mostly about the number of miles they had done that day, their probable position and the state of their feet. They drank rum and water after their bath; for supper there was usually bully beef stewed with rice and flour dumplings. The Indians ate farine, smoked hog and occasional delicacies picked up by the way--armadillo, iguana, fat white grubs from the palm trees. The women had some dried fish with them that lasted for eight days; the smell grew stronger every day until the stuff was eaten; then it still hung about them and the stores, but grew fainter until it merged into the general, indefinable smell of the camp. There were no Indians living in this country. In the last five days of the march they suffered from lack of water. The streams they came to were mostly dry; they had to reconnoitre up and down their beds in search of tepid, stagnant puddles. But after two weeks they came to a river once more, flowing deep and swift to the south-east. This was the border of the Pie-wie country and Dr Messinger marked the place where they stopped Second Base Camp. The cabouri fly infested this stream in clouds. * * * * * "John, I think it's time you had a holiday." "A holiday what from, mumsy?" "A change... I'm going to California in July. To the Fischbaums--Mrs Arnold Fischbaum, not the one who lives in Paris. I think it would do you good to come with me." "Yes, mumsy." "You _would_ like it, wouldn't you?" "Me? Yes, I'd like it." "You've picked up that way of talking from Brenda. It sounds ridiculous in a man." "Sorry, mumsy." "All right then, that's settled." * * * * * At sunset the cabouri fly disappeared. Until then, through the day, it was necessary to keep covered; they settled on any exposed flesh like house-flies upon jam; it was only when they were gorged that their bite was perceptible; they left behind a crimson, smarting circle with a black dot at its centre. Tony and Dr Messinger wore cotton gloves which they had brought for the purpose, and muslin veils, hanging down under their hats. Later they employed two women to squat beside their hammocks and fan them with leafy boughs; the slightest breeze was enough to disperse the flies, but as soon as Tony and Dr Messinger dozed the women would lay aside their work, and they woke instantly, stung in a hundred places. The Indians bore the insects as cows bear horse-flies; passively with occasional fretful outbursts when they would slap their shoulders and thighs. After dark there was some relief, for there were few mosquitoes at this camp, but they could hear the vampire bats all night long nuzzling and flapping against their netting. The Indians would not go hunting in this forest. They said there was no game, but Dr Messinger said it was because they were afraid of the evil spirits of the Pie-wie people. Provisions were not lasting as well as Dr Messinger had calculated. During the march it had been difficult to keep a proper guard over the stores. They were short of a bag of farine, half a bag of sugar and a | a delicatessen store round the corner for some sandwiches. She would spend that day in bed, as she spent two or three days a week at this time. Perhaps, if Allan was making a speech somewhere, as he usually was, Marjorie would have her to dinner. The Helm-Hubbards had a supper party that night but Beaver had not been asked. "If I went there without him it would be a major bust-up... Come to think of it, Marjorie's probably going. Well, I can always have sandwiches for dinner here. They make all kinds. Thank God for the little shop round the corner." She was reading a biography of Nelson that had lately appeared; it was very long and would keep her going well into the night. At one o'clock Jenny came in to say good-bye (she had a latch-key of Brenda's), dressed for a cosy lunch. "I got Polly and Souki," she said. "We're going to Daisy's joint. I _wish_ you were coming." "Me? Oh, I'm all right," said Brenda, and she thought, "It might occur to her to sock a girl a meal once in a way." * * * * * They walked for a fortnight, averaging about fifteen miles a day. Sometimes they would do much more and sometimes much less; the Indian who went in front decided the camping places; they depended on water and evil spirits. Dr Messinger made a compass traverse of their route. It gave him something to think about. He took readings every hour from an aneroid. In the evening, if they had halted early enough, he employed the last hours of daylight in elaborating a chart. "_Dry watercourse, three deserted huts, stony ground...._" "We are now in the Amazon system of rivers," he announced with satisfaction one day. "You see, the water is running south." But almost immediately they crossed a stream flowing in the opposite direction. "Very curious," said Dr Messinger. "A discovery of genuine scientific value." Next day they waded through four streams at intervals of two miles, running alternately north and south. The chart began to have a mythical appearance. "Is there a name for any of these streams?"<|quote|>he asked Rosa.</|quote|>"Macushi people called him Waurupang." "No, not the river where we first camped. _These rivers._" "Yes, Waurupang." "_This river here._" "Macushi people call him all Waurupang." "It's hopeless," said Dr Messinger. When they were near water they forced their way through blind bush; the trail there was grown over and barred by timber; only Indian eyes and Indian memory could trace its course; sometimes they crossed little patches of dry savannah, dun grass growing in tufts from the baked earth; thousands of lizards scampered and darted before their feet and the grass rustled like newspaper; it was burning hot in these enclosed spaces. Sometimes they climbed up into the wind, over loose red pebbles that bruised their feet; after these painful ascents they would lie in the wind till their wet clothes grew cold against their bodies; from these low eminences they could see other hill-tops and the belts of bush through which they had travelled, and the file of porters trailing behind them. As each man and woman arrived he sank on to the dry grass and rested against his load; when the last of them came up with the party Dr Messinger would give the word and they would start off again, descending into the green heart of the forest before them. Tony and Dr Messinger seldom spoke to one another, either when they were marching or at the halts, for they were constantly strained and exhausted. In the evenings after they had washed and changed into dry shirts and flannel trousers, they talked a little, mostly about the number of miles they had done that day, their probable position and the state of their feet. They drank rum and water after their bath; for supper there was usually bully beef stewed with rice and flour dumplings. The Indians ate farine, smoked hog and occasional delicacies picked up by the way--armadillo, iguana, fat white grubs from the palm trees. The women had some dried fish with them that lasted for eight days; the smell grew stronger every day until the stuff was eaten; then it still hung about them and the stores, but grew fainter until it merged into the general, indefinable smell of the camp. There were no Indians living in this country. In the last five days of the march they suffered from lack of water. The streams they came to were mostly dry; they had to reconnoitre up and down their beds in search of tepid, stagnant puddles. But after two weeks they came to a river once more, flowing deep and swift to the south-east. This was the border of the Pie-wie country and Dr Messinger marked the place where they stopped Second Base Camp. The cabouri fly infested this stream in clouds. * * * * * "John, I think it's time you had a holiday." "A holiday what from, mumsy?" "A change... I'm going to California in July. To the Fischbaums--Mrs Arnold Fischbaum, not the one who lives in Paris. I think it would do you good to come with me." "Yes, mumsy." "You _would_ like it, wouldn't you?" "Me? Yes, I'd like it." "You've picked up that way of talking from Brenda. It sounds ridiculous in a man." "Sorry, mumsy." "All right then, that's settled." * * * * * At sunset the cabouri fly disappeared. Until then, through the day, it was necessary to keep covered; they settled on any exposed flesh like house-flies upon jam; it was only when they were gorged that | A Handful Of Dust | flowing in the opposite direction. "Very curious," said Dr Messinger. "A discovery of genuine scientific value." Next day they waded through four streams at intervals of two miles, running alternately north and south. The chart began to have a mythical appearance. "Is there a name for any of these streams?"<|quote|>he asked Rosa.</|quote|>"Macushi people called him Waurupang." "No, not the river where we first camped. _These rivers._" "Yes, Waurupang." "_This river here._" "Macushi people call him all Waurupang." "It's hopeless," said Dr Messinger. When they were near water they forced their way through blind bush; the trail there was grown over and | {
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"content": "flowing in the opposite direction. \"Very curious,\" said Dr Messinger. \"A discovery of genuine scientific value.\" Next day they waded through four streams at intervals of two miles, running alternately north and south. The chart began to have a mythical appearance. \"Is there a name for any of these streams?\"<|quote|>he asked Rosa.</|quote|>\"Macushi people called him Waurupang.\" \"No, not the river where we first camped. _These rivers._\" \"Yes, Waurupang.\" \"_This river here._\" \"Macushi people call him all Waurupang.\" \"It's hopeless,\" said Dr Messinger. When they were near water they forced their way through blind bush; the trail there was grown over and",
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Next morning Beaver tipped both butler and footman ten shillings each. Tony, still feeling rather guilty in spite of Brenda's heroic coping, came down to breakfast to see his guest off. Afterwards he went back to Guinevere. | No speaker | may be up this week."<|quote|>Next morning Beaver tipped both butler and footman ten shillings each. Tony, still feeling rather guilty in spite of Brenda's heroic coping, came down to breakfast to see his guest off. Afterwards he went back to Guinevere.</|quote|>"Well, that's the last of | you come to London." "I may be up this week."<|quote|>Next morning Beaver tipped both butler and footman ten shillings each. Tony, still feeling rather guilty in spite of Brenda's heroic coping, came down to breakfast to see his guest off. Afterwards he went back to Guinevere.</|quote|>"Well, that's the last of _him_. You were superb, darling. | had told him the story at tea. Brenda guessed it quite soon. Then they played "Analogies" about their friends and finally about each other. They said good-bye that night because Beaver was catching the 9.10. "Do let me know when you come to London." "I may be up this week."<|quote|>Next morning Beaver tipped both butler and footman ten shillings each. Tony, still feeling rather guilty in spite of Brenda's heroic coping, came down to breakfast to see his guest off. Afterwards he went back to Guinevere.</|quote|>"Well, that's the last of _him_. You were superb, darling. I'm sure he's gone back thinking that you're mad about him." "Oh, he wasn't too awful." "No. I must say he took a very intelligent interest when we went round the house." * * * * * Mrs Beaver was | to-morrow." "Oh." After dinner Tony sat and read the papers. Brenda and Beaver were on the sofa playing games together. They did a cross-word. Beaver said, "I've thought of something" ", and Brenda asked him questions to find what it was. He was thinking of the rum Peppermint drank. John had told him the story at tea. Brenda guessed it quite soon. Then they played "Analogies" about their friends and finally about each other. They said good-bye that night because Beaver was catching the 9.10. "Do let me know when you come to London." "I may be up this week."<|quote|>Next morning Beaver tipped both butler and footman ten shillings each. Tony, still feeling rather guilty in spite of Brenda's heroic coping, came down to breakfast to see his guest off. Afterwards he went back to Guinevere.</|quote|>"Well, that's the last of _him_. You were superb, darling. I'm sure he's gone back thinking that you're mad about him." "Oh, he wasn't too awful." "No. I must say he took a very intelligent interest when we went round the house." * * * * * Mrs Beaver was eating her yoghourt when Beaver reached home. "Who was there?" "No one." "No one? My poor boy." "They weren't expecting me. It was awful at first but got better. They were just as you said. She's very charming. He scarcely spoke." "I wish I saw her sometimes." "She talked of | feel so badly about it if it were a really lovely house--like my home for instance... but of course Tony's been brought up here and sees it all differently..." Tony joined them for tea. "I don't want to seem inhospitable, but if you're going to catch that train, you ought really to be getting ready." "That's all right. I've persuaded him to stay on till to-morrow." "If you're sure you don't..." "Splendid. I _am_ glad. It's beastly going up at this time, particularly by that train." When John came in he said, "I thought Mr Beaver was going." "Not till to-morrow." "Oh." After dinner Tony sat and read the papers. Brenda and Beaver were on the sofa playing games together. They did a cross-word. Beaver said, "I've thought of something" ", and Brenda asked him questions to find what it was. He was thinking of the rum Peppermint drank. John had told him the story at tea. Brenda guessed it quite soon. Then they played "Analogies" about their friends and finally about each other. They said good-bye that night because Beaver was catching the 9.10. "Do let me know when you come to London." "I may be up this week."<|quote|>Next morning Beaver tipped both butler and footman ten shillings each. Tony, still feeling rather guilty in spite of Brenda's heroic coping, came down to breakfast to see his guest off. Afterwards he went back to Guinevere.</|quote|>"Well, that's the last of _him_. You were superb, darling. I'm sure he's gone back thinking that you're mad about him." "Oh, he wasn't too awful." "No. I must say he took a very intelligent interest when we went round the house." * * * * * Mrs Beaver was eating her yoghourt when Beaver reached home. "Who was there?" "No one." "No one? My poor boy." "They weren't expecting me. It was awful at first but got better. They were just as you said. She's very charming. He scarcely spoke." "I wish I saw her sometimes." "She talked of taking a flat in London." "_Did_ she?" The conversion of stables and garages was an important part of Mrs Beaver's business. "What does she want?" "Something quite simple. Two rooms and a bath. But it's all quite vague. She hasn't said anything to Tony yet." "I am sure I shall be able to find her something." [II] If Brenda had to go to London for a day's shopping, hair-cutting, or bone-setting (a recreation she particularly enjoyed), she went on Wednesday, because the tickets on that day were half the usual price. She left at eight in the morning and got | know." "Well, a lot of the things are very fine." "Yes, the _things_ are all right, I suppose." "But don't you like the house?" "Me? I _detest_ it... at least I don't mean that really, but I do wish sometimes that it wasn't _all_, every bit of it, so appallingly ugly. Only I'd die rather than say that to Tony. We could never live anywhere else, of course. He's crazy about the place... It's funny. None of us minded very much when my brother Reggie sold _our_ house--and that was built by Vanbrugh, you know... I suppose we're lucky to be able to afford to keep it up at all. Do you know how much it costs just to live here? We should be quite rich if it wasn't for that. As it is we support fifteen servants indoors, besides gardeners and carpenters and a night-watchman and all the people at the farm and odd little men constantly popping in to wind the clocks and cook the accounts and clean the moat, while Tony and I have to fuss about whether it's cheaper to take a car up to London for the night or buy an excursion ticket... I shouldn't feel so badly about it if it were a really lovely house--like my home for instance... but of course Tony's been brought up here and sees it all differently..." Tony joined them for tea. "I don't want to seem inhospitable, but if you're going to catch that train, you ought really to be getting ready." "That's all right. I've persuaded him to stay on till to-morrow." "If you're sure you don't..." "Splendid. I _am_ glad. It's beastly going up at this time, particularly by that train." When John came in he said, "I thought Mr Beaver was going." "Not till to-morrow." "Oh." After dinner Tony sat and read the papers. Brenda and Beaver were on the sofa playing games together. They did a cross-word. Beaver said, "I've thought of something" ", and Brenda asked him questions to find what it was. He was thinking of the rum Peppermint drank. John had told him the story at tea. Brenda guessed it quite soon. Then they played "Analogies" about their friends and finally about each other. They said good-bye that night because Beaver was catching the 9.10. "Do let me know when you come to London." "I may be up this week."<|quote|>Next morning Beaver tipped both butler and footman ten shillings each. Tony, still feeling rather guilty in spite of Brenda's heroic coping, came down to breakfast to see his guest off. Afterwards he went back to Guinevere.</|quote|>"Well, that's the last of _him_. You were superb, darling. I'm sure he's gone back thinking that you're mad about him." "Oh, he wasn't too awful." "No. I must say he took a very intelligent interest when we went round the house." * * * * * Mrs Beaver was eating her yoghourt when Beaver reached home. "Who was there?" "No one." "No one? My poor boy." "They weren't expecting me. It was awful at first but got better. They were just as you said. She's very charming. He scarcely spoke." "I wish I saw her sometimes." "She talked of taking a flat in London." "_Did_ she?" The conversion of stables and garages was an important part of Mrs Beaver's business. "What does she want?" "Something quite simple. Two rooms and a bath. But it's all quite vague. She hasn't said anything to Tony yet." "I am sure I shall be able to find her something." [II] If Brenda had to go to London for a day's shopping, hair-cutting, or bone-setting (a recreation she particularly enjoyed), she went on Wednesday, because the tickets on that day were half the usual price. She left at eight in the morning and got home soon after ten at night. She travelled third-class and the carriages were often full, because other wives on the line took advantage of the cheap fare. She usually spent the day with her younger sister, Marjorie, who was married to the prospective Conservative candidate for a South London constituency of strong Labour sympathies. She was more solid than Brenda. The newspapers used always to refer to them as "the lovely Rex sisters". Marjorie and Allan were hard up and popular; they could not afford a baby; they lived in a little house in the neighbourhood of Portman Square, very convenient for Paddington Station. They had a Pekingese dog named Djinn. Brenda had come on impulse, leaving the butler to ring up and tell Marjorie of her arrival. She emerged from the train, after two hours and a quarter in a carriage crowded five a side, looking as fresh and fragile as if she had that moment left a circle of masseuses, chiropodists, manicurists and coiffeuses in an hotel suite. It was an aptitude she had, never to look half-finished; when she was really exhausted, as she often was on her return to Hetton after these days in London, she | I quite enjoy coping--in fact I'm bitching him rather." "So I saw. Well, I'll look after him this afternoon and he's going this evening." "Is he? I'll be quite sorry. You know that's a difference between us, that when someone's awful you just run away and hide, while I actually enjoy it--making up to them and showing off to myself how well I can do it. Besides, Beaver isn't so bad. He's quite like us in some ways." "He's not like me," said Tony. After luncheon Tony said, "Well, if it would really amuse you, we might go over the house. I know it isn't fashionable to like this sort of architecture now--my Aunt Frances says it is an authentic Pecksniff--but I think it's good of its kind." It took them two hours. Beaver was well practised in the art of being shown over houses; he had been brought up to it in fact, ever since he had begun to accompany his mother, whose hobby it had always been, and later, with changing circumstances, profession. He made apt and appreciative comments and greatly enhanced the pleasure Tony always took in exposing his treasures. They saw it all: the shuttered drawing-room, like a school speech hall, the cloistral passages, the dark inner courtyard, the chapel where, until Tony's succession, family prayers had been daily read to the assembled household, the plate-room and estate office, the bedrooms and attics, the water-tank concealed among the battlements. They climbed the spiral staircase into the works of the clock and waited to see it strike half-past three. Thence they descended with ringing ears to the collections--enamel, ivories, seals, snuff-boxes, china, ormulu, cloisonn?; they paused before each picture in the oak gallery and discussed its associations; they took out the more remarkable folios in the library and examined prints of the original buildings, manuscript account-books of the old Abbey, travel journals of Tony's ancestors. At intervals Beaver would say, "The So-and-so's have got one rather like that at Such-and-such a place" ", and Tony would say, "Yes, I've seen it but I think mine is the earlier." Eventually they came back to the smoking-room and Tony left Beaver to Brenda. She was stitching away at the petit-point, hunched in an armchair. "Well," she asked, without looking up from her needlework, "what did you think of it?" "Magnificent." "You don't have to say that to me, you know." "Well, a lot of the things are very fine." "Yes, the _things_ are all right, I suppose." "But don't you like the house?" "Me? I _detest_ it... at least I don't mean that really, but I do wish sometimes that it wasn't _all_, every bit of it, so appallingly ugly. Only I'd die rather than say that to Tony. We could never live anywhere else, of course. He's crazy about the place... It's funny. None of us minded very much when my brother Reggie sold _our_ house--and that was built by Vanbrugh, you know... I suppose we're lucky to be able to afford to keep it up at all. Do you know how much it costs just to live here? We should be quite rich if it wasn't for that. As it is we support fifteen servants indoors, besides gardeners and carpenters and a night-watchman and all the people at the farm and odd little men constantly popping in to wind the clocks and cook the accounts and clean the moat, while Tony and I have to fuss about whether it's cheaper to take a car up to London for the night or buy an excursion ticket... I shouldn't feel so badly about it if it were a really lovely house--like my home for instance... but of course Tony's been brought up here and sees it all differently..." Tony joined them for tea. "I don't want to seem inhospitable, but if you're going to catch that train, you ought really to be getting ready." "That's all right. I've persuaded him to stay on till to-morrow." "If you're sure you don't..." "Splendid. I _am_ glad. It's beastly going up at this time, particularly by that train." When John came in he said, "I thought Mr Beaver was going." "Not till to-morrow." "Oh." After dinner Tony sat and read the papers. Brenda and Beaver were on the sofa playing games together. They did a cross-word. Beaver said, "I've thought of something" ", and Brenda asked him questions to find what it was. He was thinking of the rum Peppermint drank. John had told him the story at tea. Brenda guessed it quite soon. Then they played "Analogies" about their friends and finally about each other. They said good-bye that night because Beaver was catching the 9.10. "Do let me know when you come to London." "I may be up this week."<|quote|>Next morning Beaver tipped both butler and footman ten shillings each. Tony, still feeling rather guilty in spite of Brenda's heroic coping, came down to breakfast to see his guest off. Afterwards he went back to Guinevere.</|quote|>"Well, that's the last of _him_. You were superb, darling. I'm sure he's gone back thinking that you're mad about him." "Oh, he wasn't too awful." "No. I must say he took a very intelligent interest when we went round the house." * * * * * Mrs Beaver was eating her yoghourt when Beaver reached home. "Who was there?" "No one." "No one? My poor boy." "They weren't expecting me. It was awful at first but got better. They were just as you said. She's very charming. He scarcely spoke." "I wish I saw her sometimes." "She talked of taking a flat in London." "_Did_ she?" The conversion of stables and garages was an important part of Mrs Beaver's business. "What does she want?" "Something quite simple. Two rooms and a bath. But it's all quite vague. She hasn't said anything to Tony yet." "I am sure I shall be able to find her something." [II] If Brenda had to go to London for a day's shopping, hair-cutting, or bone-setting (a recreation she particularly enjoyed), she went on Wednesday, because the tickets on that day were half the usual price. She left at eight in the morning and got home soon after ten at night. She travelled third-class and the carriages were often full, because other wives on the line took advantage of the cheap fare. She usually spent the day with her younger sister, Marjorie, who was married to the prospective Conservative candidate for a South London constituency of strong Labour sympathies. She was more solid than Brenda. The newspapers used always to refer to them as "the lovely Rex sisters". Marjorie and Allan were hard up and popular; they could not afford a baby; they lived in a little house in the neighbourhood of Portman Square, very convenient for Paddington Station. They had a Pekingese dog named Djinn. Brenda had come on impulse, leaving the butler to ring up and tell Marjorie of her arrival. She emerged from the train, after two hours and a quarter in a carriage crowded five a side, looking as fresh and fragile as if she had that moment left a circle of masseuses, chiropodists, manicurists and coiffeuses in an hotel suite. It was an aptitude she had, never to look half-finished; when she was really exhausted, as she often was on her return to Hetton after these days in London, she went completely to pieces quite suddenly and became a waif; then she would sit over the fire with a cup of bread and milk, hardly alive, until Tony took her up to bed. Marjorie had her hat on and was sitting at her writing-table puzzling over her cheque-book and a sheaf of bills. "Darling, what _does_ the country do to you? You look like a thousand pounds. Where _did_ you get that suit?" "I don't know. Some shop." "What's the news at Hetton?" "All the same. Tony madly feudal. John Andrew cursing like a stable boy." "And you?" "Me? Oh, I'm all right." "Who's been to stay?" "No one. We had a friend of Tony's called Mr Beaver last week-end." "John Beaver?... How very odd. I shouldn't have thought he was at all Tony's ticket." "He wasn't... What's he like?" "I hardly know him. I see him at Margot's sometimes. He's a great one for going everywhere." "I thought he was rather pathetic." "Oh, he's _pathetic_ all right. D'you fancy him?" "Heavens, no." They took Djinn for a walk in the park. He was a very unrepaying dog who never looked about him and had to be dragged along by his harness; they took him to Watts's _Physical Energy_; when loosed he stood perfectly still, gazing moodily at the asphalt until they turned towards home; only once did he show any sign of emotion, when he snapped at a small child who attempted to stroke him; later he got lost and was found a few yards away, sitting under a chair and staring at a shred of waste paper. He was quite colourless, with pink nose and lips and pink circles of bald flesh round his eyes. "I don't believe he has a spark of human feeling," said Marjorie. They talked about Mr Cruttwell, their bone-setter, and Marjorie's new treatment. "He's never done that to me," said Brenda enviously; presently, "What do you suppose is Mr Beaver's sex-life?" "I shouldn't know. Pretty dim, I imagine... You _do_ fancy him?" "Oh well," said Brenda, "I don't see such a lot of young men..." They left the dog at home and did some shopping--towels for the nursery, pickled peaches, a clock for one of the lodgekeepers who was celebrating his sixtieth year of service at Hetton, a pot of Morecambe Bay shrimps as a surprise for Tony; they made an appointment with | petit-point, hunched in an armchair. "Well," she asked, without looking up from her needlework, "what did you think of it?" "Magnificent." "You don't have to say that to me, you know." "Well, a lot of the things are very fine." "Yes, the _things_ are all right, I suppose." "But don't you like the house?" "Me? I _detest_ it... at least I don't mean that really, but I do wish sometimes that it wasn't _all_, every bit of it, so appallingly ugly. Only I'd die rather than say that to Tony. We could never live anywhere else, of course. He's crazy about the place... It's funny. None of us minded very much when my brother Reggie sold _our_ house--and that was built by Vanbrugh, you know... I suppose we're lucky to be able to afford to keep it up at all. Do you know how much it costs just to live here? We should be quite rich if it wasn't for that. As it is we support fifteen servants indoors, besides gardeners and carpenters and a night-watchman and all the people at the farm and odd little men constantly popping in to wind the clocks and cook the accounts and clean the moat, while Tony and I have to fuss about whether it's cheaper to take a car up to London for the night or buy an excursion ticket... I shouldn't feel so badly about it if it were a really lovely house--like my home for instance... but of course Tony's been brought up here and sees it all differently..." Tony joined them for tea. "I don't want to seem inhospitable, but if you're going to catch that train, you ought really to be getting ready." "That's all right. I've persuaded him to stay on till to-morrow." "If you're sure you don't..." "Splendid. I _am_ glad. It's beastly going up at this time, particularly by that train." When John came in he said, "I thought Mr Beaver was going." "Not till to-morrow." "Oh." After dinner Tony sat and read the papers. Brenda and Beaver were on the sofa playing games together. They did a cross-word. Beaver said, "I've thought of something" ", and Brenda asked him questions to find what it was. He was thinking of the rum Peppermint drank. John had told him the story at tea. Brenda guessed it quite soon. Then they played "Analogies" about their friends and finally about each other. They said good-bye that night because Beaver was catching the 9.10. "Do let me know when you come to London." "I may be up this week."<|quote|>Next morning Beaver tipped both butler and footman ten shillings each. Tony, still feeling rather guilty in spite of Brenda's heroic coping, came down to breakfast to see his guest off. Afterwards he went back to Guinevere.</|quote|>"Well, that's the last of _him_. You were superb, darling. I'm sure he's gone back thinking that you're mad about him." "Oh, he wasn't too awful." "No. I must say he took a very intelligent interest when we went round the house." * * * * * Mrs Beaver was eating her yoghourt when Beaver reached home. "Who was there?" "No one." "No one? My poor boy." "They weren't expecting me. It was awful at first but got better. They were just as you said. She's very charming. He scarcely spoke." "I wish I saw her sometimes." "She talked of taking a flat in London." "_Did_ she?" The conversion of stables and garages was an important part of Mrs Beaver's business. "What does she want?" "Something quite simple. Two rooms and a bath. But it's all quite vague. She hasn't said anything to Tony yet." "I am sure I shall be able to find her something." [II] If Brenda had to go to London for a day's shopping, hair-cutting, or bone-setting (a recreation she particularly enjoyed), she went on Wednesday, because the tickets on that day were half the usual price. She left at eight in the morning and got home soon after ten at night. She travelled third-class and the carriages were often full, because other wives on the line took advantage of the cheap | A Handful Of Dust | had told him the story at tea. Brenda guessed it quite soon. Then they played "Analogies" about their friends and finally about each other. They said good-bye that night because Beaver was catching the 9.10. "Do let me know when you come to London." "I may be up this week."<|quote|>Next morning Beaver tipped both butler and footman ten shillings each. Tony, still feeling rather guilty in spite of Brenda's heroic coping, came down to breakfast to see his guest off. Afterwards he went back to Guinevere.</|quote|>"Well, that's the last of _him_. You were superb, darling. I'm sure he's gone back thinking that you're mad about him." "Oh, he wasn't too awful." "No. I must say he took a very intelligent interest when we went round the house." * * * * * Mrs Beaver was | {
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"content": "had told him the story at tea. Brenda guessed it quite soon. Then they played \"Analogies\" about their friends and finally about each other. They said good-bye that night because Beaver was catching the 9.10. \"Do let me know when you come to London.\" \"I may be up this week.\"<|quote|>Next morning Beaver tipped both butler and footman ten shillings each. Tony, still feeling rather guilty in spite of Brenda's heroic coping, came down to breakfast to see his guest off. Afterwards he went back to Guinevere.</|quote|>\"Well, that's the last of _him_. You were superb, darling. I'm sure he's gone back thinking that you're mad about him.\" \"Oh, he wasn't too awful.\" \"No. I must say he took a very intelligent interest when we went round the house.\" * * * * * Mrs Beaver was",
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said Alice, timidly; | No speaker | "Not _quite_ right, I'm afraid,"<|quote|>said Alice, timidly;</|quote|>"some of the words have | said right," said the Caterpillar. "Not _quite_ right, I'm afraid,"<|quote|>said Alice, timidly;</|quote|>"some of the words have got altered." "It is wrong | awfully clever?" "I have answered three questions, and that is enough," Said his father; "don't give yourself airs! Do you think I can listen all day to such stuff? Be off, or I'll kick you down stairs!" "That is not said right," said the Caterpillar. "Not _quite_ right, I'm afraid,"<|quote|>said Alice, timidly;</|quote|>"some of the words have got altered." "It is wrong from beginning to end," said the Caterpillar decidedly, and there was silence for some minutes. The Caterpillar was the first to speak. "What size do you want to be?" it asked. "Oh, I'm not particular as to size," Alice hastily | And the muscular strength, which it gave to my jaw, Has lasted the rest of my life." "You are old," said the youth, "one would hardly suppose That your eye was as steady as ever; Yet you balanced an eel on the end of your nose-- What made you so awfully clever?" "I have answered three questions, and that is enough," Said his father; "don't give yourself airs! Do you think I can listen all day to such stuff? Be off, or I'll kick you down stairs!" "That is not said right," said the Caterpillar. "Not _quite_ right, I'm afraid,"<|quote|>said Alice, timidly;</|quote|>"some of the words have got altered." "It is wrong from beginning to end," said the Caterpillar decidedly, and there was silence for some minutes. The Caterpillar was the first to speak. "What size do you want to be?" it asked. "Oh, I'm not particular as to size," Alice hastily replied; "only one doesn't like changing so often, you know." "I _don't_ know," said the Caterpillar. Alice said nothing: she had never been so much contradicted in her life before, and she felt that she was losing her temper. "Are you content now?" said the Caterpillar. "Well, I should like | in at the door-- Pray, what is the reason of that?" "In my youth," said the sage, as he shook his grey locks, "I kept all my limbs very supple By the use of this ointment--one shilling the box-- Allow me to sell you a couple?" "You are old," said the youth, "and your jaws are too weak For anything tougher than suet; Yet you finished the goose, with the bones and the beak-- Pray, how did you manage to do it?" "In my youth," said his father, "I took to the law, And argued each case with my wife; And the muscular strength, which it gave to my jaw, Has lasted the rest of my life." "You are old," said the youth, "one would hardly suppose That your eye was as steady as ever; Yet you balanced an eel on the end of your nose-- What made you so awfully clever?" "I have answered three questions, and that is enough," Said his father; "don't give yourself airs! Do you think I can listen all day to such stuff? Be off, or I'll kick you down stairs!" "That is not said right," said the Caterpillar. "Not _quite_ right, I'm afraid,"<|quote|>said Alice, timidly;</|quote|>"some of the words have got altered." "It is wrong from beginning to end," said the Caterpillar decidedly, and there was silence for some minutes. The Caterpillar was the first to speak. "What size do you want to be?" it asked. "Oh, I'm not particular as to size," Alice hastily replied; "only one doesn't like changing so often, you know." "I _don't_ know," said the Caterpillar. Alice said nothing: she had never been so much contradicted in her life before, and she felt that she was losing her temper. "Are you content now?" said the Caterpillar. "Well, I should like to be a _little_ larger, sir, if you wouldn't mind," said Alice: "three inches is such a wretched height to be." "It is a very good height indeed!" said the Caterpillar angrily, rearing itself upright as it spoke (it was exactly three inches high). "But I'm not used to it!" pleaded poor Alice in a piteous tone. And she thought of herself, "I wish the creatures wouldn't be so easily offended!" "You'll get used to it in time," said the Caterpillar; and it put the hookah into its mouth and began smoking again. This time Alice waited patiently until it | do, and perhaps after all it might tell her something worth hearing. For some minutes it puffed away without speaking, but at last it unfolded its arms, took the hookah out of its mouth again, and said, "So you think you're changed, do you?" "I'm afraid I am, sir," said Alice; "I can't remember things as I used--and I don't keep the same size for ten minutes together!" "Can't remember _what_ things?" said the Caterpillar. "Well, I've tried to say" "How doth the little busy bee," "but it all came different!" Alice replied in a very melancholy voice. "Repeat" , '_You are old, Father William_,'" said the Caterpillar. Alice folded her hands, and began:-- "You are old, Father William," the young man said, "And your hair has become very white; And yet you incessantly stand on your head-- Do you think, at your age, it is right?" "In my youth," Father William replied to his son, "I feared it might injure the brain; But, now that I'm perfectly sure I have none, Why, I do it again and again." "You are old," said the youth, "as I mentioned before, And have grown most uncommonly fat; Yet you turned a back-somersault in at the door-- Pray, what is the reason of that?" "In my youth," said the sage, as he shook his grey locks, "I kept all my limbs very supple By the use of this ointment--one shilling the box-- Allow me to sell you a couple?" "You are old," said the youth, "and your jaws are too weak For anything tougher than suet; Yet you finished the goose, with the bones and the beak-- Pray, how did you manage to do it?" "In my youth," said his father, "I took to the law, And argued each case with my wife; And the muscular strength, which it gave to my jaw, Has lasted the rest of my life." "You are old," said the youth, "one would hardly suppose That your eye was as steady as ever; Yet you balanced an eel on the end of your nose-- What made you so awfully clever?" "I have answered three questions, and that is enough," Said his father; "don't give yourself airs! Do you think I can listen all day to such stuff? Be off, or I'll kick you down stairs!" "That is not said right," said the Caterpillar. "Not _quite_ right, I'm afraid,"<|quote|>said Alice, timidly;</|quote|>"some of the words have got altered." "It is wrong from beginning to end," said the Caterpillar decidedly, and there was silence for some minutes. The Caterpillar was the first to speak. "What size do you want to be?" it asked. "Oh, I'm not particular as to size," Alice hastily replied; "only one doesn't like changing so often, you know." "I _don't_ know," said the Caterpillar. Alice said nothing: she had never been so much contradicted in her life before, and she felt that she was losing her temper. "Are you content now?" said the Caterpillar. "Well, I should like to be a _little_ larger, sir, if you wouldn't mind," said Alice: "three inches is such a wretched height to be." "It is a very good height indeed!" said the Caterpillar angrily, rearing itself upright as it spoke (it was exactly three inches high). "But I'm not used to it!" pleaded poor Alice in a piteous tone. And she thought of herself, "I wish the creatures wouldn't be so easily offended!" "You'll get used to it in time," said the Caterpillar; and it put the hookah into its mouth and began smoking again. This time Alice waited patiently until it chose to speak again. In a minute or two the Caterpillar took the hookah out of its mouth and yawned once or twice, and shook itself. Then it got down off the mushroom, and crawled away in the grass, merely remarking as it went, "One side will make you grow taller, and the other side will make you grow shorter." "One side of _what?_ The other side of _what?_" thought Alice to herself. "Of the mushroom," said the Caterpillar, just as if she had asked it aloud; and in another moment it was out of sight. Alice remained looking thoughtfully at the mushroom for a minute, trying to make out which were the two sides of it; and as it was perfectly round, she found this a very difficult question. However, at last she stretched her arms round it as far as they would go, and broke off a bit of the edge with each hand. "And now which is which?" she said to herself, and nibbled a little of the right-hand bit to try the effect: the next moment she felt a violent blow underneath her chin: it had struck her foot! She was a good deal frightened by | that was sitting on the top with its arms folded, quietly smoking a long hookah, and taking not the smallest notice of her or of anything else. CHAPTER V. Advice from a Caterpillar The Caterpillar and Alice looked at each other for some time in silence: at last the Caterpillar took the hookah out of its mouth, and addressed her in a languid, sleepy voice. "Who are _you?_" said the Caterpillar. This was not an encouraging opening for a conversation. Alice replied, rather shyly, "I--I hardly know, sir, just at present--at least I know who I _was_ when I got up this morning, but I think I must have been changed several times since then." "What do you mean by that?" said the Caterpillar sternly. "Explain yourself!" "I can't explain _myself_, I'm afraid, sir," said Alice, "because I'm not myself, you see." "I don't see," said the Caterpillar. "I'm afraid I can't put it more clearly," Alice replied very politely, "for I can't understand it myself to begin with; and being so many different sizes in a day is very confusing." "It isn't," said the Caterpillar. "Well, perhaps you haven't found it so yet," said Alice; "but when you have to turn into a chrysalis--you will some day, you know--and then after that into a butterfly, I should think you'll feel it a little queer, won't you?" "Not a bit," said the Caterpillar. "Well, perhaps your feelings may be different," said Alice; "all I know is, it would feel very queer to _me_." "You!" said the Caterpillar contemptuously. "Who are _you?_" Which brought them back again to the beginning of the conversation. Alice felt a little irritated at the Caterpillar's making such _very_ short remarks, and she drew herself up and said, very gravely, "I think, you ought to tell me who _you_ are, first." "Why?" said the Caterpillar. Here was another puzzling question; and as Alice could not think of any good reason, and as the Caterpillar seemed to be in a _very_ unpleasant state of mind, she turned away. "Come back!" the Caterpillar called after her. "I've something important to say!" This sounded promising, certainly: Alice turned and came back again. "Keep your temper," said the Caterpillar. "Is that all?" said Alice, swallowing down her anger as well as she could. "No," said the Caterpillar. Alice thought she might as well wait, as she had nothing else to do, and perhaps after all it might tell her something worth hearing. For some minutes it puffed away without speaking, but at last it unfolded its arms, took the hookah out of its mouth again, and said, "So you think you're changed, do you?" "I'm afraid I am, sir," said Alice; "I can't remember things as I used--and I don't keep the same size for ten minutes together!" "Can't remember _what_ things?" said the Caterpillar. "Well, I've tried to say" "How doth the little busy bee," "but it all came different!" Alice replied in a very melancholy voice. "Repeat" , '_You are old, Father William_,'" said the Caterpillar. Alice folded her hands, and began:-- "You are old, Father William," the young man said, "And your hair has become very white; And yet you incessantly stand on your head-- Do you think, at your age, it is right?" "In my youth," Father William replied to his son, "I feared it might injure the brain; But, now that I'm perfectly sure I have none, Why, I do it again and again." "You are old," said the youth, "as I mentioned before, And have grown most uncommonly fat; Yet you turned a back-somersault in at the door-- Pray, what is the reason of that?" "In my youth," said the sage, as he shook his grey locks, "I kept all my limbs very supple By the use of this ointment--one shilling the box-- Allow me to sell you a couple?" "You are old," said the youth, "and your jaws are too weak For anything tougher than suet; Yet you finished the goose, with the bones and the beak-- Pray, how did you manage to do it?" "In my youth," said his father, "I took to the law, And argued each case with my wife; And the muscular strength, which it gave to my jaw, Has lasted the rest of my life." "You are old," said the youth, "one would hardly suppose That your eye was as steady as ever; Yet you balanced an eel on the end of your nose-- What made you so awfully clever?" "I have answered three questions, and that is enough," Said his father; "don't give yourself airs! Do you think I can listen all day to such stuff? Be off, or I'll kick you down stairs!" "That is not said right," said the Caterpillar. "Not _quite_ right, I'm afraid,"<|quote|>said Alice, timidly;</|quote|>"some of the words have got altered." "It is wrong from beginning to end," said the Caterpillar decidedly, and there was silence for some minutes. The Caterpillar was the first to speak. "What size do you want to be?" it asked. "Oh, I'm not particular as to size," Alice hastily replied; "only one doesn't like changing so often, you know." "I _don't_ know," said the Caterpillar. Alice said nothing: she had never been so much contradicted in her life before, and she felt that she was losing her temper. "Are you content now?" said the Caterpillar. "Well, I should like to be a _little_ larger, sir, if you wouldn't mind," said Alice: "three inches is such a wretched height to be." "It is a very good height indeed!" said the Caterpillar angrily, rearing itself upright as it spoke (it was exactly three inches high). "But I'm not used to it!" pleaded poor Alice in a piteous tone. And she thought of herself, "I wish the creatures wouldn't be so easily offended!" "You'll get used to it in time," said the Caterpillar; and it put the hookah into its mouth and began smoking again. This time Alice waited patiently until it chose to speak again. In a minute or two the Caterpillar took the hookah out of its mouth and yawned once or twice, and shook itself. Then it got down off the mushroom, and crawled away in the grass, merely remarking as it went, "One side will make you grow taller, and the other side will make you grow shorter." "One side of _what?_ The other side of _what?_" thought Alice to herself. "Of the mushroom," said the Caterpillar, just as if she had asked it aloud; and in another moment it was out of sight. Alice remained looking thoughtfully at the mushroom for a minute, trying to make out which were the two sides of it; and as it was perfectly round, she found this a very difficult question. However, at last she stretched her arms round it as far as they would go, and broke off a bit of the edge with each hand. "And now which is which?" she said to herself, and nibbled a little of the right-hand bit to try the effect: the next moment she felt a violent blow underneath her chin: it had struck her foot! She was a good deal frightened by this very sudden change, but she felt that there was no time to be lost, as she was shrinking rapidly; so she set to work at once to eat some of the other bit. Her chin was pressed so closely against her foot, that there was hardly room to open her mouth; but she did it at last, and managed to swallow a morsel of the lefthand bit. * * * * * * * * * * * * * * * * * * * * "Come, my head's free at last!" said Alice in a tone of delight, which changed into alarm in another moment, when she found that her shoulders were nowhere to be found: all she could see, when she looked down, was an immense length of neck, which seemed to rise like a stalk out of a sea of green leaves that lay far below her. "What _can_ all that green stuff be?" said Alice. "And where _have_ my shoulders got to? And oh, my poor hands, how is it I can't see you?" She was moving them about as she spoke, but no result seemed to follow, except a little shaking among the distant green leaves. As there seemed to be no chance of getting her hands up to her head, she tried to get her head down to them, and was delighted to find that her neck would bend about easily in any direction, like a serpent. She had just succeeded in curving it down into a graceful zigzag, and was going to dive in among the leaves, which she found to be nothing but the tops of the trees under which she had been wandering, when a sharp hiss made her draw back in a hurry: a large pigeon had flown into her face, and was beating her violently with its wings. "Serpent!" screamed the Pigeon. "I'm _not_ a serpent!" said Alice indignantly. "Let me alone!" "Serpent, I say again!" repeated the Pigeon, but in a more subdued tone, and added with a kind of sob, "I've tried every way, and nothing seems to suit them!" "I haven't the least idea what you're talking about," said Alice. "I've tried the roots of trees, and I've tried banks, and I've tried hedges," the Pigeon went on, without attending to her; "but those serpents! There's no pleasing them!" Alice was more and more | the Caterpillar. Alice folded her hands, and began:-- "You are old, Father William," the young man said, "And your hair has become very white; And yet you incessantly stand on your head-- Do you think, at your age, it is right?" "In my youth," Father William replied to his son, "I feared it might injure the brain; But, now that I'm perfectly sure I have none, Why, I do it again and again." "You are old," said the youth, "as I mentioned before, And have grown most uncommonly fat; Yet you turned a back-somersault in at the door-- Pray, what is the reason of that?" "In my youth," said the sage, as he shook his grey locks, "I kept all my limbs very supple By the use of this ointment--one shilling the box-- Allow me to sell you a couple?" "You are old," said the youth, "and your jaws are too weak For anything tougher than suet; Yet you finished the goose, with the bones and the beak-- Pray, how did you manage to do it?" "In my youth," said his father, "I took to the law, And argued each case with my wife; And the muscular strength, which it gave to my jaw, Has lasted the rest of my life." "You are old," said the youth, "one would hardly suppose That your eye was as steady as ever; Yet you balanced an eel on the end of your nose-- What made you so awfully clever?" "I have answered three questions, and that is enough," Said his father; "don't give yourself airs! Do you think I can listen all day to such stuff? Be off, or I'll kick you down stairs!" "That is not said right," said the Caterpillar. "Not _quite_ right, I'm afraid,"<|quote|>said Alice, timidly;</|quote|>"some of the words have got altered." "It is wrong from beginning to end," said the Caterpillar decidedly, and there was silence for some minutes. The Caterpillar was the first to speak. "What size do you want to be?" it asked. "Oh, I'm not particular as to size," Alice hastily replied; "only one doesn't like changing so often, you know." "I _don't_ know," said the Caterpillar. Alice said nothing: she had never been so much contradicted in her life before, and she felt that she was losing her temper. "Are you content now?" said the Caterpillar. "Well, I should like to be a _little_ larger, sir, if you wouldn't mind," said Alice: "three inches is such a wretched height to be." "It is a very good height indeed!" said the Caterpillar angrily, rearing itself upright as it spoke (it was exactly three inches high). "But I'm not used to it!" pleaded poor Alice in a piteous tone. And she thought of herself, "I wish the creatures wouldn't be so easily offended!" "You'll get used to it in time," said the Caterpillar; and it put the hookah into its mouth and began smoking again. This time Alice waited patiently until it chose to speak again. In a minute or two the Caterpillar took the hookah out of its mouth and yawned once or twice, and shook itself. Then it got down off the mushroom, and crawled away in the grass, merely remarking as it went, "One side will make you grow taller, and the other side will make you grow shorter." "One side of _what?_ The other side of _what?_" thought Alice to herself. "Of the mushroom," said the Caterpillar, just as if she had asked it aloud; and in another moment it was out of sight. Alice remained looking thoughtfully at the mushroom for a minute, trying to make out which were the two sides of it; and as it was perfectly round, she found this a very difficult question. However, at last she stretched her arms round it as far as they would go, and broke off a bit of the edge with each hand. "And now which is which?" she said to herself, and nibbled a little of the right-hand bit to try the effect: the next moment she felt a violent blow underneath her chin: it had struck her foot! She was a good deal frightened by this very sudden change, but she felt that there was no time to be lost, as she was shrinking rapidly; so she set to work at once to eat some of the other bit. Her chin was pressed so closely against her foot, that there was hardly room to open her mouth; but she did it at last, and managed to swallow a morsel of the lefthand bit. * * * * * * * * * * * * * * * * * * * * "Come, my head's free at last!" said Alice in a tone of delight, which changed into alarm in another moment, when she found that her shoulders were nowhere to be found: all she could see, when she looked down, was an immense length of neck, which seemed to rise like a stalk out of a sea of green leaves that lay far | Alices Adventures In Wonderland | awfully clever?" "I have answered three questions, and that is enough," Said his father; "don't give yourself airs! Do you think I can listen all day to such stuff? Be off, or I'll kick you down stairs!" "That is not said right," said the Caterpillar. "Not _quite_ right, I'm afraid,"<|quote|>said Alice, timidly;</|quote|>"some of the words have got altered." "It is wrong from beginning to end," said the Caterpillar decidedly, and there was silence for some minutes. The Caterpillar was the first to speak. "What size do you want to be?" it asked. "Oh, I'm not particular as to size," Alice hastily | {
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"content": "awfully clever?\" \"I have answered three questions, and that is enough,\" Said his father; \"don't give yourself airs! Do you think I can listen all day to such stuff? Be off, or I'll kick you down stairs!\" \"That is not said right,\" said the Caterpillar. \"Not _quite_ right, I'm afraid,\"<|quote|>said Alice, timidly;</|quote|>\"some of the words have got altered.\" \"It is wrong from beginning to end,\" said the Caterpillar decidedly, and there was silence for some minutes. The Caterpillar was the first to speak. \"What size do you want to be?\" it asked. \"Oh, I'm not particular as to size,\" Alice hastily",
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said Alice. | No speaker | don't know what you mean,"<|quote|>said Alice.</|quote|>"Of course you don't!" the | wasting _it_. It's _him_." "I don't know what you mean,"<|quote|>said Alice.</|quote|>"Of course you don't!" the Hatter said, tossing his head | sighed wearily. "I think you might do something better with the time," she said, "than waste it in asking riddles that have no answers." "If you knew Time as well as I do," said the Hatter, "you wouldn't talk about wasting _it_. It's _him_." "I don't know what you mean,"<|quote|>said Alice.</|quote|>"Of course you don't!" the Hatter said, tossing his head contemptuously. "I dare say you never even spoke to Time!" "Perhaps not," Alice cautiously replied: "but I know I have to beat time when I learn music." "Ah! that accounts for it," said the Hatter. "He won't stand beating. Now, | "Of course, of course; just what I was going to remark myself." "Have you guessed the riddle yet?" the Hatter said, turning to Alice again. "No, I give it up," Alice replied: "what's the answer?" "I haven't the slightest idea," said the Hatter. "Nor I," said the March Hare. Alice sighed wearily. "I think you might do something better with the time," she said, "than waste it in asking riddles that have no answers." "If you knew Time as well as I do," said the Hatter, "you wouldn't talk about wasting _it_. It's _him_." "I don't know what you mean,"<|quote|>said Alice.</|quote|>"Of course you don't!" the Hatter said, tossing his head contemptuously. "I dare say you never even spoke to Time!" "Perhaps not," Alice cautiously replied: "but I know I have to beat time when I learn music." "Ah! that accounts for it," said the Hatter. "He won't stand beating. Now, if you only kept on good terms with him, he'd do almost anything you liked with the clock. For instance, suppose it were nine o'clock in the morning, just time to begin lessons: you'd only have to whisper a hint to Time, and round goes the clock in a twinkling! | you what year it is?" "Of course not," Alice replied very readily: "but that's because it stays the same year for such a long time together." "Which is just the case with _mine_," said the Hatter. Alice felt dreadfully puzzled. The Hatter's remark seemed to have no sort of meaning in it, and yet it was certainly English. "I don't quite understand you," she said, as politely as she could. "The Dormouse is asleep again," said the Hatter, and he poured a little hot tea upon its nose. The Dormouse shook its head impatiently, and said, without opening its eyes, "Of course, of course; just what I was going to remark myself." "Have you guessed the riddle yet?" the Hatter said, turning to Alice again. "No, I give it up," Alice replied: "what's the answer?" "I haven't the slightest idea," said the Hatter. "Nor I," said the March Hare. Alice sighed wearily. "I think you might do something better with the time," she said, "than waste it in asking riddles that have no answers." "If you knew Time as well as I do," said the Hatter, "you wouldn't talk about wasting _it_. It's _him_." "I don't know what you mean,"<|quote|>said Alice.</|quote|>"Of course you don't!" the Hatter said, tossing his head contemptuously. "I dare say you never even spoke to Time!" "Perhaps not," Alice cautiously replied: "but I know I have to beat time when I learn music." "Ah! that accounts for it," said the Hatter. "He won't stand beating. Now, if you only kept on good terms with him, he'd do almost anything you liked with the clock. For instance, suppose it were nine o'clock in the morning, just time to begin lessons: you'd only have to whisper a hint to Time, and round goes the clock in a twinkling! Half-past one, time for dinner!" (" "I only wish it was," the March Hare said to itself in a whisper.) "That would be grand, certainly," said Alice thoughtfully: "but then--I shouldn't be hungry for it, you know." "Not at first, perhaps," said the Hatter: "but you could keep it to half-past one as long as you liked." "Is that the way _you_ manage?" Alice asked. The Hatter shook his head mournfully. "Not I!" he replied. "We quarrelled last March--just before _he_ went mad, you know--" (pointing with his tea spoon at the March Hare,) "--it was at the great concert | writing-desks, which wasn't much. The Hatter was the first to break the silence. "What day of the month is it?" he said, turning to Alice: he had taken his watch out of his pocket, and was looking at it uneasily, shaking it every now and then, and holding it to his ear. Alice considered a little, and then said "The fourth." "Two days wrong!" sighed the Hatter. "I told you butter wouldn't suit the works!" he added looking angrily at the March Hare. "It was the _best_ butter," the March Hare meekly replied. "Yes, but some crumbs must have got in as well," the Hatter grumbled: "you shouldn't have put it in with the bread-knife." The March Hare took the watch and looked at it gloomily: then he dipped it into his cup of tea, and looked at it again: but he could think of nothing better to say than his first remark, "It was the _best_ butter, you know." Alice had been looking over his shoulder with some curiosity. "What a funny watch!" she remarked. "It tells the day of the month, and doesn't tell what o'clock it is!" "Why should it?" muttered the Hatter. "Does _your_ watch tell you what year it is?" "Of course not," Alice replied very readily: "but that's because it stays the same year for such a long time together." "Which is just the case with _mine_," said the Hatter. Alice felt dreadfully puzzled. The Hatter's remark seemed to have no sort of meaning in it, and yet it was certainly English. "I don't quite understand you," she said, as politely as she could. "The Dormouse is asleep again," said the Hatter, and he poured a little hot tea upon its nose. The Dormouse shook its head impatiently, and said, without opening its eyes, "Of course, of course; just what I was going to remark myself." "Have you guessed the riddle yet?" the Hatter said, turning to Alice again. "No, I give it up," Alice replied: "what's the answer?" "I haven't the slightest idea," said the Hatter. "Nor I," said the March Hare. Alice sighed wearily. "I think you might do something better with the time," she said, "than waste it in asking riddles that have no answers." "If you knew Time as well as I do," said the Hatter, "you wouldn't talk about wasting _it_. It's _him_." "I don't know what you mean,"<|quote|>said Alice.</|quote|>"Of course you don't!" the Hatter said, tossing his head contemptuously. "I dare say you never even spoke to Time!" "Perhaps not," Alice cautiously replied: "but I know I have to beat time when I learn music." "Ah! that accounts for it," said the Hatter. "He won't stand beating. Now, if you only kept on good terms with him, he'd do almost anything you liked with the clock. For instance, suppose it were nine o'clock in the morning, just time to begin lessons: you'd only have to whisper a hint to Time, and round goes the clock in a twinkling! Half-past one, time for dinner!" (" "I only wish it was," the March Hare said to itself in a whisper.) "That would be grand, certainly," said Alice thoughtfully: "but then--I shouldn't be hungry for it, you know." "Not at first, perhaps," said the Hatter: "but you could keep it to half-past one as long as you liked." "Is that the way _you_ manage?" Alice asked. The Hatter shook his head mournfully. "Not I!" he replied. "We quarrelled last March--just before _he_ went mad, you know--" (pointing with his tea spoon at the March Hare,) "--it was at the great concert given by the Queen of Hearts, and I had to sing" 'Twinkle, twinkle, little bat! How I wonder what you're at!' "You know the song, perhaps?" "I've heard something like it," said Alice. "It goes on, you know," the Hatter continued, "in this way:--" 'Up above the world you fly, Like a tea-tray in the sky. Twinkle, twinkle--'" Here the Dormouse shook itself, and began singing in its sleep "_Twinkle, twinkle, twinkle, twinkle_--" and went on so long that they had to pinch it to make it stop. "Well, I'd hardly finished the first verse," said the Hatter, "when the Queen jumped up and bawled out, 'He's murdering the time! Off with his head!'" "How dreadfully savage!" exclaimed Alice. "And ever since that," the Hatter went on in a mournful tone, "he won't do a thing I ask! It's always six o'clock now." A bright idea came into Alice's head. "Is that the reason so many tea-things are put out here?" she asked. "Yes, that's it," said the Hatter with a sigh: "it's always tea-time, and we've no time to wash the things between whiles." "Then you keep moving round, I suppose?" said Alice. "Exactly so," said the Hatter: "as | table was a large one, but the three were all crowded together at one corner of it: "No room! No room!" they cried out when they saw Alice coming. "There's _plenty_ of room!" said Alice indignantly, and she sat down in a large arm-chair at one end of the table. "Have some wine," the March Hare said in an encouraging tone. Alice looked all round the table, but there was nothing on it but tea. "I don't see any wine," she remarked. "There isn't any," said the March Hare. "Then it wasn't very civil of you to offer it," said Alice angrily. "It wasn't very civil of you to sit down without being invited," said the March Hare. "I didn't know it was _your_ table," said Alice; "it's laid for a great many more than three." "Your hair wants cutting," said the Hatter. He had been looking at Alice for some time with great curiosity, and this was his first speech. "You should learn not to make personal remarks," Alice said with some severity; "it's very rude." The Hatter opened his eyes very wide on hearing this; but all he _said_ was, "Why is a raven like a writing-desk?" "Come, we shall have some fun now!" thought Alice. "I'm glad they've begun asking riddles." "--I believe I can guess that" ," she added aloud. "Do you mean that you think you can find out the answer to it?" said the March Hare. "Exactly so," said Alice. "Then you should say what you mean," the March Hare went on. "I do," Alice hastily replied; "at least--at least I mean what I say--that's the same thing, you know." "Not the same thing a bit!" said the Hatter. "You might just as well say that 'I see what I eat' is the same thing as 'I eat what I see'!" "You might just as well say," added the March Hare, "that 'I like what I get' is the same thing as 'I get what I like'!" "You might just as well say," added the Dormouse, who seemed to be talking in his sleep, "that 'I breathe when I sleep' is the same thing as 'I sleep when I breathe'!" "It _is_ the same thing with you," said the Hatter, and here the conversation dropped, and the party sat silent for a minute, while Alice thought over all she could remember about ravens and writing-desks, which wasn't much. The Hatter was the first to break the silence. "What day of the month is it?" he said, turning to Alice: he had taken his watch out of his pocket, and was looking at it uneasily, shaking it every now and then, and holding it to his ear. Alice considered a little, and then said "The fourth." "Two days wrong!" sighed the Hatter. "I told you butter wouldn't suit the works!" he added looking angrily at the March Hare. "It was the _best_ butter," the March Hare meekly replied. "Yes, but some crumbs must have got in as well," the Hatter grumbled: "you shouldn't have put it in with the bread-knife." The March Hare took the watch and looked at it gloomily: then he dipped it into his cup of tea, and looked at it again: but he could think of nothing better to say than his first remark, "It was the _best_ butter, you know." Alice had been looking over his shoulder with some curiosity. "What a funny watch!" she remarked. "It tells the day of the month, and doesn't tell what o'clock it is!" "Why should it?" muttered the Hatter. "Does _your_ watch tell you what year it is?" "Of course not," Alice replied very readily: "but that's because it stays the same year for such a long time together." "Which is just the case with _mine_," said the Hatter. Alice felt dreadfully puzzled. The Hatter's remark seemed to have no sort of meaning in it, and yet it was certainly English. "I don't quite understand you," she said, as politely as she could. "The Dormouse is asleep again," said the Hatter, and he poured a little hot tea upon its nose. The Dormouse shook its head impatiently, and said, without opening its eyes, "Of course, of course; just what I was going to remark myself." "Have you guessed the riddle yet?" the Hatter said, turning to Alice again. "No, I give it up," Alice replied: "what's the answer?" "I haven't the slightest idea," said the Hatter. "Nor I," said the March Hare. Alice sighed wearily. "I think you might do something better with the time," she said, "than waste it in asking riddles that have no answers." "If you knew Time as well as I do," said the Hatter, "you wouldn't talk about wasting _it_. It's _him_." "I don't know what you mean,"<|quote|>said Alice.</|quote|>"Of course you don't!" the Hatter said, tossing his head contemptuously. "I dare say you never even spoke to Time!" "Perhaps not," Alice cautiously replied: "but I know I have to beat time when I learn music." "Ah! that accounts for it," said the Hatter. "He won't stand beating. Now, if you only kept on good terms with him, he'd do almost anything you liked with the clock. For instance, suppose it were nine o'clock in the morning, just time to begin lessons: you'd only have to whisper a hint to Time, and round goes the clock in a twinkling! Half-past one, time for dinner!" (" "I only wish it was," the March Hare said to itself in a whisper.) "That would be grand, certainly," said Alice thoughtfully: "but then--I shouldn't be hungry for it, you know." "Not at first, perhaps," said the Hatter: "but you could keep it to half-past one as long as you liked." "Is that the way _you_ manage?" Alice asked. The Hatter shook his head mournfully. "Not I!" he replied. "We quarrelled last March--just before _he_ went mad, you know--" (pointing with his tea spoon at the March Hare,) "--it was at the great concert given by the Queen of Hearts, and I had to sing" 'Twinkle, twinkle, little bat! How I wonder what you're at!' "You know the song, perhaps?" "I've heard something like it," said Alice. "It goes on, you know," the Hatter continued, "in this way:--" 'Up above the world you fly, Like a tea-tray in the sky. Twinkle, twinkle--'" Here the Dormouse shook itself, and began singing in its sleep "_Twinkle, twinkle, twinkle, twinkle_--" and went on so long that they had to pinch it to make it stop. "Well, I'd hardly finished the first verse," said the Hatter, "when the Queen jumped up and bawled out, 'He's murdering the time! Off with his head!'" "How dreadfully savage!" exclaimed Alice. "And ever since that," the Hatter went on in a mournful tone, "he won't do a thing I ask! It's always six o'clock now." A bright idea came into Alice's head. "Is that the reason so many tea-things are put out here?" she asked. "Yes, that's it," said the Hatter with a sigh: "it's always tea-time, and we've no time to wash the things between whiles." "Then you keep moving round, I suppose?" said Alice. "Exactly so," said the Hatter: "as the things get used up." "But what happens when you come to the beginning again?" Alice ventured to ask. "Suppose we change the subject," the March Hare interrupted, yawning. "I'm getting tired of this. I vote the young lady tells us a story." "I'm afraid I don't know one," said Alice, rather alarmed at the proposal. "Then the Dormouse shall!" they both cried. "Wake up, Dormouse!" And they pinched it on both sides at once. The Dormouse slowly opened his eyes. "I wasn't asleep," he said in a hoarse, feeble voice: "I heard every word you fellows were saying." "Tell us a story!" said the March Hare. "Yes, please do!" pleaded Alice. "And be quick about it," added the Hatter, "or you'll be asleep again before it's done." "Once upon a time there were three little sisters," the Dormouse began in a great hurry; "and their names were Elsie, Lacie, and Tillie; and they lived at the bottom of a well--" "What did they live on?" said Alice, who always took a great interest in questions of eating and drinking. "They lived on treacle," said the Dormouse, after thinking a minute or two. "They couldn't have done that, you know," Alice gently remarked; "they'd have been ill." "So they were," said the Dormouse; "_very_ ill." Alice tried to fancy to herself what such an extraordinary ways of living would be like, but it puzzled her too much, so she went on: "But why did they live at the bottom of a well?" "Take some more tea," the March Hare said to Alice, very earnestly. "I've had nothing yet," Alice replied in an offended tone, "so I can't take more." "You mean you can't take _less_," said the Hatter: "it's very easy to take _more_ than nothing." "Nobody asked _your_ opinion," said Alice. "Who's making personal remarks now?" the Hatter asked triumphantly. Alice did not quite know what to say to this: so she helped herself to some tea and bread-and-butter, and then turned to the Dormouse, and repeated her question. "Why did they live at the bottom of a well?" The Dormouse again took a minute or two to think about it, and then said, "It was a treacle-well." "There's no such thing!" Alice was beginning very angrily, but the Hatter and the March Hare went "Sh! sh!" and the Dormouse sulkily remarked, "If you can't be civil, you'd better | say--that's the same thing, you know." "Not the same thing a bit!" said the Hatter. "You might just as well say that 'I see what I eat' is the same thing as 'I eat what I see'!" "You might just as well say," added the March Hare, "that 'I like what I get' is the same thing as 'I get what I like'!" "You might just as well say," added the Dormouse, who seemed to be talking in his sleep, "that 'I breathe when I sleep' is the same thing as 'I sleep when I breathe'!" "It _is_ the same thing with you," said the Hatter, and here the conversation dropped, and the party sat silent for a minute, while Alice thought over all she could remember about ravens and writing-desks, which wasn't much. The Hatter was the first to break the silence. "What day of the month is it?" he said, turning to Alice: he had taken his watch out of his pocket, and was looking at it uneasily, shaking it every now and then, and holding it to his ear. Alice considered a little, and then said "The fourth." "Two days wrong!" sighed the Hatter. "I told you butter wouldn't suit the works!" he added looking angrily at the March Hare. "It was the _best_ butter," the March Hare meekly replied. "Yes, but some crumbs must have got in as well," the Hatter grumbled: "you shouldn't have put it in with the bread-knife." The March Hare took the watch and looked at it gloomily: then he dipped it into his cup of tea, and looked at it again: but he could think of nothing better to say than his first remark, "It was the _best_ butter, you know." Alice had been looking over his shoulder with some curiosity. "What a funny watch!" she remarked. "It tells the day of the month, and doesn't tell what o'clock it is!" "Why should it?" muttered the Hatter. "Does _your_ watch tell you what year it is?" "Of course not," Alice replied very readily: "but that's because it stays the same year for such a long time together." "Which is just the case with _mine_," said the Hatter. Alice felt dreadfully puzzled. The Hatter's remark seemed to have no sort of meaning in it, and yet it was certainly English. "I don't quite understand you," she said, as politely as she could. "The Dormouse is asleep again," said the Hatter, and he poured a little hot tea upon its nose. The Dormouse shook its head impatiently, and said, without opening its eyes, "Of course, of course; just what I was going to remark myself." "Have you guessed the riddle yet?" the Hatter said, turning to Alice again. "No, I give it up," Alice replied: "what's the answer?" "I haven't the slightest idea," said the Hatter. "Nor I," said the March Hare. Alice sighed wearily. "I think you might do something better with the time," she said, "than waste it in asking riddles that have no answers." "If you knew Time as well as I do," said the Hatter, "you wouldn't talk about wasting _it_. It's _him_." "I don't know what you mean,"<|quote|>said Alice.</|quote|>"Of course you don't!" the Hatter said, tossing his head contemptuously. "I dare say you never even spoke to Time!" "Perhaps not," Alice cautiously replied: "but I know I have to beat time when I learn music." "Ah! that accounts for it," said the Hatter. "He won't stand beating. Now, if you only kept on good terms with him, he'd do almost anything you liked with the clock. For instance, suppose it were nine o'clock in the morning, just time to begin lessons: you'd only have to whisper a hint to Time, and round goes the clock in a twinkling! Half-past one, time for dinner!" (" "I only wish it was," the March Hare said to itself in a whisper.) "That would be grand, certainly," said Alice thoughtfully: "but then--I shouldn't be hungry for it, you know." "Not at first, perhaps," said the Hatter: "but you could keep it to half-past one as long as you liked." "Is that the way _you_ manage?" Alice asked. The Hatter shook his head mournfully. "Not I!" he replied. "We quarrelled last March--just before _he_ went mad, you know--" (pointing with his tea spoon at the March Hare,) "--it was at the great concert given by the Queen of Hearts, and I had to sing" 'Twinkle, twinkle, little bat! How I wonder what you're at!' "You know the song, perhaps?" "I've heard something like it," said Alice. "It goes on, you know," the Hatter continued, "in this way:--" 'Up above the world you fly, Like a tea-tray in the sky. Twinkle, twinkle--'" Here the Dormouse shook itself, and began singing in its sleep "_Twinkle, twinkle, twinkle, twinkle_--" and went on so long that they had to pinch it to make it stop. "Well, I'd hardly finished the first verse," said the Hatter, "when the Queen jumped up and bawled out, 'He's murdering the time! Off with his head!'" "How dreadfully savage!" exclaimed Alice. "And ever since that," the Hatter went on in a mournful tone, "he won't do a thing I ask! It's always six o'clock now." A bright idea came into Alice's head. "Is that the reason so many tea-things are put out here?" she asked. "Yes, that's it," said the Hatter with a sigh: "it's always tea-time, and we've no time to wash the things between whiles." "Then you keep moving round, I suppose?" said Alice. "Exactly so," said the Hatter: "as the things get used up." "But what happens when you come to the beginning again?" Alice ventured to ask. "Suppose we change the subject," the March Hare interrupted, yawning. "I'm getting tired of this. I vote the young lady tells us a story." "I'm afraid I don't know one," said Alice, rather alarmed at the proposal. "Then the Dormouse shall!" they both cried. "Wake up, Dormouse!" And they pinched it on both sides at once. The Dormouse slowly opened his eyes. "I wasn't asleep," he said in a hoarse, feeble voice: "I heard every word you fellows were saying." "Tell us a story!" said the March Hare. "Yes, please do!" pleaded Alice. "And be quick about it," added the Hatter, "or you'll be asleep again before it's done." "Once upon a time there were three little sisters," the Dormouse began in a great hurry; "and their names were Elsie, Lacie, and | Alices Adventures In Wonderland | sighed wearily. "I think you might do something better with the time," she said, "than waste it in asking riddles that have no answers." "If you knew Time as well as I do," said the Hatter, "you wouldn't talk about wasting _it_. It's _him_." "I don't know what you mean,"<|quote|>said Alice.</|quote|>"Of course you don't!" the Hatter said, tossing his head contemptuously. "I dare say you never even spoke to Time!" "Perhaps not," Alice cautiously replied: "but I know I have to beat time when I learn music." "Ah! that accounts for it," said the Hatter. "He won't stand beating. Now, | {
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said Jane, finding breath enough for utterance at last. | No speaker | him! Why, it's so romantic!"<|quote|>said Jane, finding breath enough for utterance at last.</|quote|>"Of course you'll speak to | "Oh, Anne, how splendid of him! Why, it's so romantic!"<|quote|>said Jane, finding breath enough for utterance at last.</|quote|>"Of course you'll speak to him after this." "Of course | murderers--because we had made--you be--Elaine. And Ruby is in hysterics--oh, Anne, how did you escape?" "I climbed up on one of the piles," explained Anne wearily, "and Gilbert Blythe came along in Mr. Andrews's dory and brought me to land." "Oh, Anne, how splendid of him! Why, it's so romantic!"<|quote|>said Jane, finding breath enough for utterance at last.</|quote|>"Of course you'll speak to him after this." "Of course I won't," flashed Anne, with a momentary return of her old spirit. "And I don't want ever to hear the word ?romantic' again, Jane Andrews. I'm awfully sorry you were so frightened, girls. It is all my fault. I feel | across the brook to Green Gables. There they had found nobody either, for Marilla had gone to Carmody and Matthew was making hay in the back field. "Oh, Anne," gasped Diana, fairly falling on the former's neck and weeping with relief and delight, "oh, Anne--we thought--you were--drowned--and we felt like murderers--because we had made--you be--Elaine. And Ruby is in hysterics--oh, Anne, how did you escape?" "I climbed up on one of the piles," explained Anne wearily, "and Gilbert Blythe came along in Mr. Andrews's dory and brought me to land." "Oh, Anne, how splendid of him! Why, it's so romantic!"<|quote|>said Jane, finding breath enough for utterance at last.</|quote|>"Of course you'll speak to him after this." "Of course I won't," flashed Anne, with a momentary return of her old spirit. "And I don't want ever to hear the word ?romantic' again, Jane Andrews. I'm awfully sorry you were so frightened, girls. It is all my fault. I feel sure I was born under an unlucky star. Everything I do gets me or my dearest friends into a scrape. We've gone and lost your father's flat, Diana, and I have a presentiment that we'll not be allowed to row on the pond any more." Anne's presentiment proved more trustworthy | still--! Altogether, Anne rather thought it would be a relief to sit down and have a good cry. She was really quite unstrung, for the reaction from her fright and cramped clinging was making itself felt. Halfway up the path she met Jane and Diana rushing back to the pond in a state narrowly removed from positive frenzy. They had found nobody at Orchard Slope, both Mr. and Mrs. Barry being away. Here Ruby Gillis had succumbed to hysterics, and was left to recover from them as best she might, while Jane and Diana flew through the Haunted Wood and across the brook to Green Gables. There they had found nobody either, for Marilla had gone to Carmody and Matthew was making hay in the back field. "Oh, Anne," gasped Diana, fairly falling on the former's neck and weeping with relief and delight, "oh, Anne--we thought--you were--drowned--and we felt like murderers--because we had made--you be--Elaine. And Ruby is in hysterics--oh, Anne, how did you escape?" "I climbed up on one of the piles," explained Anne wearily, "and Gilbert Blythe came along in Mr. Andrews's dory and brought me to land." "Oh, Anne, how splendid of him! Why, it's so romantic!"<|quote|>said Jane, finding breath enough for utterance at last.</|quote|>"Of course you'll speak to him after this." "Of course I won't," flashed Anne, with a momentary return of her old spirit. "And I don't want ever to hear the word ?romantic' again, Jane Andrews. I'm awfully sorry you were so frightened, girls. It is all my fault. I feel sure I was born under an unlucky star. Everything I do gets me or my dearest friends into a scrape. We've gone and lost your father's flat, Diana, and I have a presentiment that we'll not be allowed to row on the pond any more." Anne's presentiment proved more trustworthy than presentiments are apt to do. Great was the consternation in the Barry and Cuthbert households when the events of the afternoon became known. "Will you ever have any sense, Anne?" groaned Marilla. "Oh, yes, I think I will, Marilla," returned Anne optimistically. A good cry, indulged in the grateful solitude of the east gable, had soothed her nerves and restored her to her wonted cheerfulness. "I think my prospects of becoming sensible are brighter now than ever." "I don't see how," said Marilla. "Well," explained Anne, "I've learned a new and valuable lesson today. Ever since I came to | Gilbert's hazel eyes was something that was very good to see. Her heart gave a quick, queer little beat. But the bitterness of her old grievance promptly stiffened up her wavering determination. That scene of two years before flashed back into her recollection as vividly as if it had taken place yesterday. Gilbert had called her "carrots" and had brought about her disgrace before the whole school. Her resentment, which to other and older people might be as laughable as its cause, was in no whit allayed and softened by time seemingly. She hated Gilbert Blythe! She would never forgive him! "No," she said coldly, "I shall never be friends with you, Gilbert Blythe; and I don't want to be!" "All right!" Gilbert sprang into his skiff with an angry color in his cheeks. "I'll never ask you to be friends again, Anne Shirley. And I don't care either!" He pulled away with swift defiant strokes, and Anne went up the steep, ferny little path under the maples. She held her head very high, but she was conscious of an odd feeling of regret. She almost wished she had answered Gilbert differently. Of course, he had insulted her terribly, but still--! Altogether, Anne rather thought it would be a relief to sit down and have a good cry. She was really quite unstrung, for the reaction from her fright and cramped clinging was making itself felt. Halfway up the path she met Jane and Diana rushing back to the pond in a state narrowly removed from positive frenzy. They had found nobody at Orchard Slope, both Mr. and Mrs. Barry being away. Here Ruby Gillis had succumbed to hysterics, and was left to recover from them as best she might, while Jane and Diana flew through the Haunted Wood and across the brook to Green Gables. There they had found nobody either, for Marilla had gone to Carmody and Matthew was making hay in the back field. "Oh, Anne," gasped Diana, fairly falling on the former's neck and weeping with relief and delight, "oh, Anne--we thought--you were--drowned--and we felt like murderers--because we had made--you be--Elaine. And Ruby is in hysterics--oh, Anne, how did you escape?" "I climbed up on one of the piles," explained Anne wearily, "and Gilbert Blythe came along in Mr. Andrews's dory and brought me to land." "Oh, Anne, how splendid of him! Why, it's so romantic!"<|quote|>said Jane, finding breath enough for utterance at last.</|quote|>"Of course you'll speak to him after this." "Of course I won't," flashed Anne, with a momentary return of her old spirit. "And I don't want ever to hear the word ?romantic' again, Jane Andrews. I'm awfully sorry you were so frightened, girls. It is all my fault. I feel sure I was born under an unlucky star. Everything I do gets me or my dearest friends into a scrape. We've gone and lost your father's flat, Diana, and I have a presentiment that we'll not be allowed to row on the pond any more." Anne's presentiment proved more trustworthy than presentiments are apt to do. Great was the consternation in the Barry and Cuthbert households when the events of the afternoon became known. "Will you ever have any sense, Anne?" groaned Marilla. "Oh, yes, I think I will, Marilla," returned Anne optimistically. A good cry, indulged in the grateful solitude of the east gable, had soothed her nerves and restored her to her wonted cheerfulness. "I think my prospects of becoming sensible are brighter now than ever." "I don't see how," said Marilla. "Well," explained Anne, "I've learned a new and valuable lesson today. Ever since I came to Green Gables I've been making mistakes, and each mistake has helped to cure me of some great shortcoming. The affair of the amethyst brooch cured me of meddling with things that didn't belong to me. The Haunted Wood mistake cured me of letting my imagination run away with me. The liniment cake mistake cured me of carelessness in cooking. Dyeing my hair cured me of vanity. I never think about my hair and nose now--at least, very seldom. And today's mistake is going to cure me of being too romantic. I have come to the conclusion that it is no use trying to be romantic in Avonlea. It was probably easy enough in towered Camelot hundreds of years ago, but romance is not appreciated now. I feel quite sure that you will soon see a great improvement in me in this respect, Marilla." "I'm sure I hope so," said Marilla skeptically. But Matthew, who had been sitting mutely in his corner, laid a hand on Anne's shoulder when Marilla had gone out. "Don't give up all your romance, Anne," he whispered shyly, "a little of it is a good thing--not too much, of course--but keep a little of it, Anne, | come, but meanwhile her position was a very uncomfortable one. The minutes passed by, each seeming an hour to the unfortunate lily maid. Why didn't somebody come? Where had the girls gone? Suppose they had fainted, one and all! Suppose nobody ever came! Suppose she grew so tired and cramped that she could hold on no longer! Anne looked at the wicked green depths below her, wavering with long, oily shadows, and shivered. Her imagination began to suggest all manner of gruesome possibilities to her. Then, just as she thought she really could not endure the ache in her arms and wrists another moment, Gilbert Blythe came rowing under the bridge in Harmon Andrews's dory! Gilbert glanced up and, much to his amazement, beheld a little white scornful face looking down upon him with big, frightened but also scornful gray eyes. "Anne Shirley! How on earth did you get there?" he exclaimed. Without waiting for an answer he pulled close to the pile and extended his hand. There was no help for it; Anne, clinging to Gilbert Blythe's hand, scrambled down into the dory, where she sat, drabbled and furious, in the stern with her arms full of dripping shawl and wet crepe. It was certainly extremely difficult to be dignified under the circumstances! "What has happened, Anne?" asked Gilbert, taking up his oars. "We were playing Elaine" explained Anne frigidly, without even looking at her rescuer, "and I had to drift down to Camelot in the barge--I mean the flat. The flat began to leak and I climbed out on the pile. The girls went for help. Will you be kind enough to row me to the landing?" Gilbert obligingly rowed to the landing and Anne, disdaining assistance, sprang nimbly on shore. "I'm very much obliged to you," she said haughtily as she turned away. But Gilbert had also sprung from the boat and now laid a detaining hand on her arm. "Anne," he said hurriedly, "look here. Can't we be good friends? I'm awfully sorry I made fun of your hair that time. I didn't mean to vex you and I only meant it for a joke. Besides, it's so long ago. I think your hair is awfully pretty now--honest I do. Let's be friends." For a moment Anne hesitated. She had an odd, newly awakened consciousness under all her outraged dignity that the half-shy, half-eager expression in Gilbert's hazel eyes was something that was very good to see. Her heart gave a quick, queer little beat. But the bitterness of her old grievance promptly stiffened up her wavering determination. That scene of two years before flashed back into her recollection as vividly as if it had taken place yesterday. Gilbert had called her "carrots" and had brought about her disgrace before the whole school. Her resentment, which to other and older people might be as laughable as its cause, was in no whit allayed and softened by time seemingly. She hated Gilbert Blythe! She would never forgive him! "No," she said coldly, "I shall never be friends with you, Gilbert Blythe; and I don't want to be!" "All right!" Gilbert sprang into his skiff with an angry color in his cheeks. "I'll never ask you to be friends again, Anne Shirley. And I don't care either!" He pulled away with swift defiant strokes, and Anne went up the steep, ferny little path under the maples. She held her head very high, but she was conscious of an odd feeling of regret. She almost wished she had answered Gilbert differently. Of course, he had insulted her terribly, but still--! Altogether, Anne rather thought it would be a relief to sit down and have a good cry. She was really quite unstrung, for the reaction from her fright and cramped clinging was making itself felt. Halfway up the path she met Jane and Diana rushing back to the pond in a state narrowly removed from positive frenzy. They had found nobody at Orchard Slope, both Mr. and Mrs. Barry being away. Here Ruby Gillis had succumbed to hysterics, and was left to recover from them as best she might, while Jane and Diana flew through the Haunted Wood and across the brook to Green Gables. There they had found nobody either, for Marilla had gone to Carmody and Matthew was making hay in the back field. "Oh, Anne," gasped Diana, fairly falling on the former's neck and weeping with relief and delight, "oh, Anne--we thought--you were--drowned--and we felt like murderers--because we had made--you be--Elaine. And Ruby is in hysterics--oh, Anne, how did you escape?" "I climbed up on one of the piles," explained Anne wearily, "and Gilbert Blythe came along in Mr. Andrews's dory and brought me to land." "Oh, Anne, how splendid of him! Why, it's so romantic!"<|quote|>said Jane, finding breath enough for utterance at last.</|quote|>"Of course you'll speak to him after this." "Of course I won't," flashed Anne, with a momentary return of her old spirit. "And I don't want ever to hear the word ?romantic' again, Jane Andrews. I'm awfully sorry you were so frightened, girls. It is all my fault. I feel sure I was born under an unlucky star. Everything I do gets me or my dearest friends into a scrape. We've gone and lost your father's flat, Diana, and I have a presentiment that we'll not be allowed to row on the pond any more." Anne's presentiment proved more trustworthy than presentiments are apt to do. Great was the consternation in the Barry and Cuthbert households when the events of the afternoon became known. "Will you ever have any sense, Anne?" groaned Marilla. "Oh, yes, I think I will, Marilla," returned Anne optimistically. A good cry, indulged in the grateful solitude of the east gable, had soothed her nerves and restored her to her wonted cheerfulness. "I think my prospects of becoming sensible are brighter now than ever." "I don't see how," said Marilla. "Well," explained Anne, "I've learned a new and valuable lesson today. Ever since I came to Green Gables I've been making mistakes, and each mistake has helped to cure me of some great shortcoming. The affair of the amethyst brooch cured me of meddling with things that didn't belong to me. The Haunted Wood mistake cured me of letting my imagination run away with me. The liniment cake mistake cured me of carelessness in cooking. Dyeing my hair cured me of vanity. I never think about my hair and nose now--at least, very seldom. And today's mistake is going to cure me of being too romantic. I have come to the conclusion that it is no use trying to be romantic in Avonlea. It was probably easy enough in towered Camelot hundreds of years ago, but romance is not appreciated now. I feel quite sure that you will soon see a great improvement in me in this respect, Marilla." "I'm sure I hope so," said Marilla skeptically. But Matthew, who had been sitting mutely in his corner, laid a hand on Anne's shoulder when Marilla had gone out. "Don't give up all your romance, Anne," he whispered shyly, "a little of it is a good thing--not too much, of course--but keep a little of it, Anne, keep a little of it." CHAPTER XXIX. An Epoch in Anne's Life |ANNE was bringing the cows home from the back pasture by way of Lover's Lane. It was a September evening and all the gaps and clearings in the woods were brimmed up with ruby sunset light. Here and there the lane was splashed with it, but for the most part it was already quite shadowy beneath the maples, and the spaces under the firs were filled with a clear violet dusk like airy wine. The winds were out in their tops, and there is no sweeter music on earth than that which the wind makes in the fir trees at evening. The cows swung placidly down the lane, and Anne followed them dreamily, repeating aloud the battle canto from _Marmion_--which had also been part of their English course the preceding winter and which Miss Stacy had made them learn off by heart--and exulting in its rushing lines and the clash of spears in its imagery. When she came to the lines The stubborn spearsmen still made good Their dark impenetrable wood, she stopped in ecstasy to shut her eyes that she might the better fancy herself one of that heroic ring. When she opened them again it was to behold Diana coming through the gate that led into the Barry field and looking so important that Anne instantly divined there was news to be told. But betray too eager curiosity she would not. "Isn't this evening just like a purple dream, Diana? It makes me so glad to be alive. In the mornings I always think the mornings are best; but when evening comes I think it's lovelier still." "It's a very fine evening," said Diana, "but oh, I have such news, Anne. Guess. You can have three guesses." "Charlotte Gillis is going to be married in the church after all and Mrs. Allan wants us to decorate it," cried Anne. "No. Charlotte's beau won't agree to that, because nobody ever has been married in the church yet, and he thinks it would seem too much like a funeral. It's too mean, because it would be such fun. Guess again." "Jane's mother is going to let her have a birthday party?" Diana shook her head, her black eyes dancing with merriment. "I can't think what it can be," said Anne in despair, "unless it's that Moody Spurgeon MacPherson | maples. She held her head very high, but she was conscious of an odd feeling of regret. She almost wished she had answered Gilbert differently. Of course, he had insulted her terribly, but still--! Altogether, Anne rather thought it would be a relief to sit down and have a good cry. She was really quite unstrung, for the reaction from her fright and cramped clinging was making itself felt. Halfway up the path she met Jane and Diana rushing back to the pond in a state narrowly removed from positive frenzy. They had found nobody at Orchard Slope, both Mr. and Mrs. Barry being away. Here Ruby Gillis had succumbed to hysterics, and was left to recover from them as best she might, while Jane and Diana flew through the Haunted Wood and across the brook to Green Gables. There they had found nobody either, for Marilla had gone to Carmody and Matthew was making hay in the back field. "Oh, Anne," gasped Diana, fairly falling on the former's neck and weeping with relief and delight, "oh, Anne--we thought--you were--drowned--and we felt like murderers--because we had made--you be--Elaine. And Ruby is in hysterics--oh, Anne, how did you escape?" "I climbed up on one of the piles," explained Anne wearily, "and Gilbert Blythe came along in Mr. Andrews's dory and brought me to land." "Oh, Anne, how splendid of him! Why, it's so romantic!"<|quote|>said Jane, finding breath enough for utterance at last.</|quote|>"Of course you'll speak to him after this." "Of course I won't," flashed Anne, with a momentary return of her old spirit. "And I don't want ever to hear the word ?romantic' again, Jane Andrews. I'm awfully sorry you were so frightened, girls. It is all my fault. I feel sure I was born under an unlucky star. Everything I do gets me or my dearest friends into a scrape. We've gone and lost your father's flat, Diana, and I have a presentiment that we'll not be allowed to row on the pond any more." Anne's presentiment proved more trustworthy than presentiments are apt to do. Great was the consternation in the Barry and Cuthbert households when the events of the afternoon became known. "Will you ever have any sense, Anne?" groaned Marilla. "Oh, yes, I think I will, Marilla," returned Anne optimistically. A good cry, indulged in the grateful solitude of the east gable, had soothed her nerves and restored her to her wonted cheerfulness. "I think my prospects of becoming sensible are brighter now than ever." "I don't see how," said Marilla. "Well," explained Anne, "I've learned a new and valuable lesson today. Ever since I came to Green Gables I've been making mistakes, and each mistake has helped to cure me of some great shortcoming. The affair of the amethyst brooch cured me of meddling with things that didn't belong to me. The Haunted Wood mistake cured me of letting my imagination run away with me. | Anne Of Green Gables | murderers--because we had made--you be--Elaine. And Ruby is in hysterics--oh, Anne, how did you escape?" "I climbed up on one of the piles," explained Anne wearily, "and Gilbert Blythe came along in Mr. Andrews's dory and brought me to land." "Oh, Anne, how splendid of him! Why, it's so romantic!"<|quote|>said Jane, finding breath enough for utterance at last.</|quote|>"Of course you'll speak to him after this." "Of course I won't," flashed Anne, with a momentary return of her old spirit. "And I don't want ever to hear the word ?romantic' again, Jane Andrews. I'm awfully sorry you were so frightened, girls. It is all my fault. I feel | {
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asked Anne, running breathlessly down from the east gable one February evening. | No speaker | Diana just for a minute?"<|quote|>asked Anne, running breathlessly down from the east gable one February evening.</|quote|>"I don't see what you | I go over to see Diana just for a minute?"<|quote|>asked Anne, running breathlessly down from the east gable one February evening.</|quote|>"I don't see what you want to be traipsing about | down to Lover's Lane. I assure you, Marilla, that I feel like praying tonight and I'm going to think out a special brand-new prayer in honor of the occasion." CHAPTER XIX. A Concert a Catastrophe and a Confession "MARILLA, can I go over to see Diana just for a minute?"<|quote|>asked Anne, running breathlessly down from the east gable one February evening.</|quote|>"I don't see what you want to be traipsing about after dark for," said Marilla shortly. "You and Diana walked home from school together and then stood down there in the snow for half an hour more, your tongues going the whole blessed time, clickety-clack. So I don't think you're | walked over one plate and that had to be thrown away. But the making of it was splendid fun. Then when I came home Mrs. Barry asked me to come over as often as I could and Diana stood at the window and threw kisses to me all the way down to Lover's Lane. I assure you, Marilla, that I feel like praying tonight and I'm going to think out a special brand-new prayer in honor of the occasion." CHAPTER XIX. A Concert a Catastrophe and a Confession "MARILLA, can I go over to see Diana just for a minute?"<|quote|>asked Anne, running breathlessly down from the east gable one February evening.</|quote|>"I don't see what you want to be traipsing about after dark for," said Marilla shortly. "You and Diana walked home from school together and then stood down there in the snow for half an hour more, your tongues going the whole blessed time, clickety-clack. So I don't think you're very badly off to see her again." "But she wants to see me," pleaded Anne. "She has something very important to tell me." "How do you know she has?" "Because she just signaled to me from her window. We have arranged a way to signal with our candles and cardboard. | brief sigh. "Well, anyway, when I am grown up," said Anne decidedly, "I'm always going to talk to little girls as if they were too, and I'll never laugh when they use big words. I know from sorrowful experience how that hurts one's feelings. After tea Diana and I made taffy. The taffy wasn't very good, I suppose because neither Diana nor I had ever made any before. Diana left me to stir it while she buttered the plates and I forgot and let it burn; and then when we set it out on the platform to cool the cat walked over one plate and that had to be thrown away. But the making of it was splendid fun. Then when I came home Mrs. Barry asked me to come over as often as I could and Diana stood at the window and threw kisses to me all the way down to Lover's Lane. I assure you, Marilla, that I feel like praying tonight and I'm going to think out a special brand-new prayer in honor of the occasion." CHAPTER XIX. A Concert a Catastrophe and a Confession "MARILLA, can I go over to see Diana just for a minute?"<|quote|>asked Anne, running breathlessly down from the east gable one February evening.</|quote|>"I don't see what you want to be traipsing about after dark for," said Marilla shortly. "You and Diana walked home from school together and then stood down there in the snow for half an hour more, your tongues going the whole blessed time, clickety-clack. So I don't think you're very badly off to see her again." "But she wants to see me," pleaded Anne. "She has something very important to tell me." "How do you know she has?" "Because she just signaled to me from her window. We have arranged a way to signal with our candles and cardboard. We set the candle on the window sill and make flashes by passing the cardboard back and forth. So many flashes mean a certain thing. It was my idea, Marilla." "I'll warrant you it was," said Marilla emphatically. "And the next thing you'll be setting fire to the curtains with your signaling nonsense." "Oh, we're very careful, Marilla. And it's so interesting. Two flashes mean, ?Are you there?' Three mean ?yes' and four ?no.' Five mean, ?Come over as soon as possible, because I have something important to reveal.' Diana has just signaled five flashes, and I'm really suffering to | fancy crochet stitch her aunt over at Carmody taught her. Not a soul in Avonlea knows it but us, and we pledged a solemn vow never to reveal it to anyone else. Diana gave me a beautiful card with a wreath of roses on it and a verse of poetry:" "If you love me as I love you Nothing but death can part us two." "And that is true, Marilla. We're going to ask Mr. Phillips to let us sit together in school again, and Gertie Pye can go with Minnie Andrews. We had an elegant tea. Mrs. Barry had the very best china set out, Marilla, just as if I was real company. I can't tell you what a thrill it gave me. Nobody ever used their very best china on my account before. And we had fruit cake and pound cake and doughnuts and two kinds of preserves, Marilla. And Mrs. Barry asked me if I took tea and said" ?Pa, why don't you pass the biscuits to Anne?' "It must be lovely to be grown up, Marilla, when just being treated as if you were is so nice." "I don't know about that," said Marilla, with a brief sigh. "Well, anyway, when I am grown up," said Anne decidedly, "I'm always going to talk to little girls as if they were too, and I'll never laugh when they use big words. I know from sorrowful experience how that hurts one's feelings. After tea Diana and I made taffy. The taffy wasn't very good, I suppose because neither Diana nor I had ever made any before. Diana left me to stir it while she buttered the plates and I forgot and let it burn; and then when we set it out on the platform to cool the cat walked over one plate and that had to be thrown away. But the making of it was splendid fun. Then when I came home Mrs. Barry asked me to come over as often as I could and Diana stood at the window and threw kisses to me all the way down to Lover's Lane. I assure you, Marilla, that I feel like praying tonight and I'm going to think out a special brand-new prayer in honor of the occasion." CHAPTER XIX. A Concert a Catastrophe and a Confession "MARILLA, can I go over to see Diana just for a minute?"<|quote|>asked Anne, running breathlessly down from the east gable one February evening.</|quote|>"I don't see what you want to be traipsing about after dark for," said Marilla shortly. "You and Diana walked home from school together and then stood down there in the snow for half an hour more, your tongues going the whole blessed time, clickety-clack. So I don't think you're very badly off to see her again." "But she wants to see me," pleaded Anne. "She has something very important to tell me." "How do you know she has?" "Because she just signaled to me from her window. We have arranged a way to signal with our candles and cardboard. We set the candle on the window sill and make flashes by passing the cardboard back and forth. So many flashes mean a certain thing. It was my idea, Marilla." "I'll warrant you it was," said Marilla emphatically. "And the next thing you'll be setting fire to the curtains with your signaling nonsense." "Oh, we're very careful, Marilla. And it's so interesting. Two flashes mean, ?Are you there?' Three mean ?yes' and four ?no.' Five mean, ?Come over as soon as possible, because I have something important to reveal.' Diana has just signaled five flashes, and I'm really suffering to know what it is." "Well, you needn't suffer any longer," said Marilla sarcastically. "You can go, but you're to be back here in just ten minutes, remember that." Anne did remember it and was back in the stipulated time, although probably no mortal will ever know just what it cost her to confine the discussion of Diana's important communication within the limits of ten minutes. But at least she had made good use of them. "Oh, Marilla, what do you think? You know tomorrow is Diana's birthday. Well, her mother told her she could ask me to go home with her from school and stay all night with her. And her cousins are coming over from Newbridge in a big pung sleigh to go to the Debating Club concert at the hall tomorrow night. And they are going to take Diana and me to the concert--if you'll let me go, that is. You will, won't you, Marilla? Oh, I feel so excited." "You can calm down then, because you're not going. You're better at home in your own bed, and as for that club concert, it's all nonsense, and little girls should not be allowed to go out to such | of the currant wine. She says she knows now you didn't mean to set Diana drunk, and she hopes you'll forgive her and be good friends with Diana again. You're to go over this evening if you like for Diana can't stir outside the door on account of a bad cold she caught last night. Now, Anne Shirley, for pity's sake don't fly up into the air." The warning seemed not unnecessary, so uplifted and aerial was Anne's expression and attitude as she sprang to her feet, her face irradiated with the flame of her spirit. "Oh, Marilla, can I go right now--without washing my dishes? I'll wash them when I come back, but I cannot tie myself down to anything so unromantic as dishwashing at this thrilling moment." "Yes, yes, run along," said Marilla indulgently. "Anne Shirley--are you crazy? Come back this instant and put something on you. I might as well call to the wind. She's gone without a cap or wrap. Look at her tearing through the orchard with her hair streaming. It'll be a mercy if she doesn't catch her death of cold." Anne came dancing home in the purple winter twilight across the snowy places. Afar in the southwest was the great shimmering, pearl-like sparkle of an evening star in a sky that was pale golden and ethereal rose over gleaming white spaces and dark glens of spruce. The tinkles of sleigh bells among the snowy hills came like elfin chimes through the frosty air, but their music was not sweeter than the song in Anne's heart and on her lips. "You see before you a perfectly happy person, Marilla," she announced. "I'm perfectly happy--yes, in spite of my red hair. Just at present I have a soul above red hair. Mrs. Barry kissed me and cried and said she was so sorry and she could never repay me. I felt fearfully embarrassed, Marilla, but I just said as politely as I could," ?I have no hard feelings for you, Mrs. Barry. I assure you once for all that I did not mean to intoxicate Diana and henceforth I shall cover the past with the mantle of oblivion.' "That was a pretty dignified way of speaking wasn't it, Marilla?" "I felt that I was heaping coals of fire on Mrs. Barry's head. And Diana and I had a lovely afternoon. Diana showed me a new fancy crochet stitch her aunt over at Carmody taught her. Not a soul in Avonlea knows it but us, and we pledged a solemn vow never to reveal it to anyone else. Diana gave me a beautiful card with a wreath of roses on it and a verse of poetry:" "If you love me as I love you Nothing but death can part us two." "And that is true, Marilla. We're going to ask Mr. Phillips to let us sit together in school again, and Gertie Pye can go with Minnie Andrews. We had an elegant tea. Mrs. Barry had the very best china set out, Marilla, just as if I was real company. I can't tell you what a thrill it gave me. Nobody ever used their very best china on my account before. And we had fruit cake and pound cake and doughnuts and two kinds of preserves, Marilla. And Mrs. Barry asked me if I took tea and said" ?Pa, why don't you pass the biscuits to Anne?' "It must be lovely to be grown up, Marilla, when just being treated as if you were is so nice." "I don't know about that," said Marilla, with a brief sigh. "Well, anyway, when I am grown up," said Anne decidedly, "I'm always going to talk to little girls as if they were too, and I'll never laugh when they use big words. I know from sorrowful experience how that hurts one's feelings. After tea Diana and I made taffy. The taffy wasn't very good, I suppose because neither Diana nor I had ever made any before. Diana left me to stir it while she buttered the plates and I forgot and let it burn; and then when we set it out on the platform to cool the cat walked over one plate and that had to be thrown away. But the making of it was splendid fun. Then when I came home Mrs. Barry asked me to come over as often as I could and Diana stood at the window and threw kisses to me all the way down to Lover's Lane. I assure you, Marilla, that I feel like praying tonight and I'm going to think out a special brand-new prayer in honor of the occasion." CHAPTER XIX. A Concert a Catastrophe and a Confession "MARILLA, can I go over to see Diana just for a minute?"<|quote|>asked Anne, running breathlessly down from the east gable one February evening.</|quote|>"I don't see what you want to be traipsing about after dark for," said Marilla shortly. "You and Diana walked home from school together and then stood down there in the snow for half an hour more, your tongues going the whole blessed time, clickety-clack. So I don't think you're very badly off to see her again." "But she wants to see me," pleaded Anne. "She has something very important to tell me." "How do you know she has?" "Because she just signaled to me from her window. We have arranged a way to signal with our candles and cardboard. We set the candle on the window sill and make flashes by passing the cardboard back and forth. So many flashes mean a certain thing. It was my idea, Marilla." "I'll warrant you it was," said Marilla emphatically. "And the next thing you'll be setting fire to the curtains with your signaling nonsense." "Oh, we're very careful, Marilla. And it's so interesting. Two flashes mean, ?Are you there?' Three mean ?yes' and four ?no.' Five mean, ?Come over as soon as possible, because I have something important to reveal.' Diana has just signaled five flashes, and I'm really suffering to know what it is." "Well, you needn't suffer any longer," said Marilla sarcastically. "You can go, but you're to be back here in just ten minutes, remember that." Anne did remember it and was back in the stipulated time, although probably no mortal will ever know just what it cost her to confine the discussion of Diana's important communication within the limits of ten minutes. But at least she had made good use of them. "Oh, Marilla, what do you think? You know tomorrow is Diana's birthday. Well, her mother told her she could ask me to go home with her from school and stay all night with her. And her cousins are coming over from Newbridge in a big pung sleigh to go to the Debating Club concert at the hall tomorrow night. And they are going to take Diana and me to the concert--if you'll let me go, that is. You will, won't you, Marilla? Oh, I feel so excited." "You can calm down then, because you're not going. You're better at home in your own bed, and as for that club concert, it's all nonsense, and little girls should not be allowed to go out to such places at all." "I'm sure the Debating Club is a most respectable affair," pleaded Anne. "I'm not saying it isn't. But you're not going to begin gadding about to concerts and staying out all hours of the night. Pretty doings for children. I'm surprised at Mrs. Barry's letting Diana go." "But it's such a very special occasion," mourned Anne, on the verge of tears. "Diana has only one birthday in a year. It isn't as if birthdays were common things, Marilla. Prissy Andrews is going to recite ?Curfew Must Not Ring Tonight.' That is such a good moral piece, Marilla, I'm sure it would do me lots of good to hear it. And the choir are going to sing four lovely pathetic songs that are pretty near as good as hymns. And oh, Marilla, the minister is going to take part; yes, indeed, he is; he's going to give an address. That will be just about the same thing as a sermon. Please, mayn't I go, Marilla?" "You heard what I said, Anne, didn't you? Take off your boots now and go to bed. It's past eight." "There's just one more thing, Marilla," said Anne, with the air of producing the last shot in her locker. "Mrs. Barry told Diana that we might sleep in the spare-room bed. Think of the honor of your little Anne being put in the spare-room bed." "It's an honor you'll have to get along without. Go to bed, Anne, and don't let me hear another word out of you." When Anne, with tears rolling over her cheeks, had gone sorrowfully upstairs, Matthew, who had been apparently sound asleep on the lounge during the whole dialogue, opened his eyes and said decidedly: "Well now, Marilla, I think you ought to let Anne go." "I don't then," retorted Marilla. "Who's bringing this child up, Matthew, you or me?" "Well now, you," admitted Matthew. "Don't interfere then." "Well now, I ain't interfering. It ain't interfering to have your own opinion. And my opinion is that you ought to let Anne go." "You'd think I ought to let Anne go to the moon if she took the notion, I've no doubt" was Marilla's amiable rejoinder. "I might have let her spend the night with Diana, if that was all. But I don't approve of this concert plan. She'd go there and catch cold like as not, and have | than the song in Anne's heart and on her lips. "You see before you a perfectly happy person, Marilla," she announced. "I'm perfectly happy--yes, in spite of my red hair. Just at present I have a soul above red hair. Mrs. Barry kissed me and cried and said she was so sorry and she could never repay me. I felt fearfully embarrassed, Marilla, but I just said as politely as I could," ?I have no hard feelings for you, Mrs. Barry. I assure you once for all that I did not mean to intoxicate Diana and henceforth I shall cover the past with the mantle of oblivion.' "That was a pretty dignified way of speaking wasn't it, Marilla?" "I felt that I was heaping coals of fire on Mrs. Barry's head. And Diana and I had a lovely afternoon. Diana showed me a new fancy crochet stitch her aunt over at Carmody taught her. Not a soul in Avonlea knows it but us, and we pledged a solemn vow never to reveal it to anyone else. Diana gave me a beautiful card with a wreath of roses on it and a verse of poetry:" "If you love me as I love you Nothing but death can part us two." "And that is true, Marilla. We're going to ask Mr. Phillips to let us sit together in school again, and Gertie Pye can go with Minnie Andrews. We had an elegant tea. Mrs. Barry had the very best china set out, Marilla, just as if I was real company. I can't tell you what a thrill it gave me. Nobody ever used their very best china on my account before. And we had fruit cake and pound cake and doughnuts and two kinds of preserves, Marilla. And Mrs. Barry asked me if I took tea and said" ?Pa, why don't you pass the biscuits to Anne?' "It must be lovely to be grown up, Marilla, when just being treated as if you were is so nice." "I don't know about that," said Marilla, with a brief sigh. "Well, anyway, when I am grown up," said Anne decidedly, "I'm always going to talk to little girls as if they were too, and I'll never laugh when they use big words. I know from sorrowful experience how that hurts one's feelings. After tea Diana and I made taffy. The taffy wasn't very good, I suppose because neither Diana nor I had ever made any before. Diana left me to stir it while she buttered the plates and I forgot and let it burn; and then when we set it out on the platform to cool the cat walked over one plate and that had to be thrown away. But the making of it was splendid fun. Then when I came home Mrs. Barry asked me to come over as often as I could and Diana stood at the window and threw kisses to me all the way down to Lover's Lane. I assure you, Marilla, that I feel like praying tonight and I'm going to think out a special brand-new prayer in honor of the occasion." CHAPTER XIX. A Concert a Catastrophe and a Confession "MARILLA, can I go over to see Diana just for a minute?"<|quote|>asked Anne, running breathlessly down from the east gable one February evening.</|quote|>"I don't see what you want to be traipsing about after dark for," said Marilla shortly. "You and Diana walked home from school together and then stood down there in the snow for half an hour more, your tongues going the whole blessed time, clickety-clack. So I don't think you're very badly off to see her again." "But she wants to see me," pleaded Anne. "She has something very important to tell me." "How do you know she has?" "Because she just signaled to me from her window. We have arranged a way to signal with our candles and cardboard. We set the candle on the window sill and make flashes by passing the cardboard back and forth. So many flashes mean a certain thing. It was my idea, Marilla." "I'll warrant you it was," said Marilla emphatically. "And the next thing you'll be setting fire to the curtains with your signaling nonsense." "Oh, we're very careful, Marilla. And it's so interesting. Two flashes mean, ?Are you there?' Three mean ?yes' and four ?no.' Five mean, ?Come over as soon as possible, because I have something important to reveal.' Diana has just signaled five flashes, and I'm really suffering to know what it is." "Well, you needn't suffer any longer," said Marilla sarcastically. "You can go, but you're to be back here in just ten minutes, remember that." Anne did remember it and was back in the stipulated time, although probably no mortal will ever know just what it cost her to confine the discussion of Diana's important communication within the limits of ten minutes. But at least she had made good use of them. "Oh, Marilla, what do you think? You know tomorrow is Diana's birthday. Well, her mother told her she could ask me to go home with her from school and stay all night with her. And her cousins are coming over from Newbridge in a big pung sleigh to go to the Debating Club concert at the hall tomorrow night. And they are going to take Diana and me to the concert--if you'll let me go, that is. You will, won't you, Marilla? Oh, I feel so excited." "You can calm down then, because you're not going. You're better at home in your own bed, and as for that club concert, it's all nonsense, and little girls should not be allowed to go out to such places at all." "I'm sure the Debating Club is a most respectable affair," pleaded Anne. "I'm not saying it isn't. But you're not going to begin gadding about to concerts and | Anne Of Green Gables | down to Lover's Lane. I assure you, Marilla, that I feel like praying tonight and I'm going to think out a special brand-new prayer in honor of the occasion." CHAPTER XIX. A Concert a Catastrophe and a Confession "MARILLA, can I go over to see Diana just for a minute?"<|quote|>asked Anne, running breathlessly down from the east gable one February evening.</|quote|>"I don't see what you want to be traipsing about after dark for," said Marilla shortly. "You and Diana walked home from school together and then stood down there in the snow for half an hour more, your tongues going the whole blessed time, clickety-clack. So I don't think you're | {
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"content": "down to Lover's Lane. I assure you, Marilla, that I feel like praying tonight and I'm going to think out a special brand-new prayer in honor of the occasion.\" CHAPTER XIX. A Concert a Catastrophe and a Confession \"MARILLA, can I go over to see Diana just for a minute?\"<|quote|>asked Anne, running breathlessly down from the east gable one February evening.</|quote|>\"I don't see what you want to be traipsing about after dark for,\" said Marilla shortly. \"You and Diana walked home from school together and then stood down there in the snow for half an hour more, your tongues going the whole blessed time, clickety-clack. So I don't think you're",
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I tell him. Müller explains that he has a flesh wound in his thigh; a good blighty. We decide to go and see him this afternoon. Kropp pulls out a letter. | No speaker | "He's up at St. Joseph's,"<|quote|>I tell him. Müller explains that he has a flesh wound in his thigh; a good blighty. We decide to go and see him this afternoon. Kropp pulls out a letter.</|quote|>"Kantorek sends you all his | asks: "Anyone seen Kemmerich lately?" "He's up at St. Joseph's,"<|quote|>I tell him. Müller explains that he has a flesh wound in his thigh; a good blighty. We decide to go and see him this afternoon. Kropp pulls out a letter.</|quote|>"Kantorek sends you all his best wishes." We laugh. Müller | it. It might easily have happened that we should not be sitting here on our boxes to-day; it came damn near to that. And so everything is new and brave, red poppies and good food, cigarettes and summer breeze. Kropp asks: "Anyone seen Kemmerich lately?" "He's up at St. Joseph's,"<|quote|>I tell him. Müller explains that he has a flesh wound in his thigh; a good blighty. We decide to go and see him this afternoon. Kropp pulls out a letter.</|quote|>"Kantorek sends you all his best wishes." We laugh. Müller throws his cigarette away and says: "I wish he was here." * * Kantorek had been our schoolmaster, an active little man in a grey tail-coat, with a face like a shrew-mouse. He was about the same size as Corporal | the cards and look about us. One of us will say: "Well, boys...." Or "It was a near thing that time...." And for a moment we fall silent. There is in each of us a feeling of constraint. We are all sensible of it; it needs no words to communicate it. It might easily have happened that we should not be sitting here on our boxes to-day; it came damn near to that. And so everything is new and brave, red poppies and good food, cigarettes and summer breeze. Kropp asks: "Anyone seen Kemmerich lately?" "He's up at St. Joseph's,"<|quote|>I tell him. Müller explains that he has a flesh wound in his thigh; a good blighty. We decide to go and see him this afternoon. Kropp pulls out a letter.</|quote|>"Kantorek sends you all his best wishes." We laugh. Müller throws his cigarette away and says: "I wish he was here." * * Kantorek had been our schoolmaster, an active little man in a grey tail-coat, with a face like a shrew-mouse. He was about the same size as Corporal Himmelstoss, the "Terror of Klosterberg." It is very queer that the unhappiness of the world is so often brought on by small men. They are so much more energetic and uncompromising than the big fellows. I have always taken good care to keep out of sections with small company commanders. | read letters and newspapers and smoke. We take off our caps and lay them down beside us. The wind plays with our hair; it plays with our words and thoughts. The three boxes stand in the midst of the glowing, red field-poppies. We set the lid of the margarine tub on our knees and so have a good table for a game of skat. Kropp has the cards with him. After every throw-in the loser pays into the pool. One could sit like this for ever. The notes of an accordion float across from the billets. Often we lay aside the cards and look about us. One of us will say: "Well, boys...." Or "It was a near thing that time...." And for a moment we fall silent. There is in each of us a feeling of constraint. We are all sensible of it; it needs no words to communicate it. It might easily have happened that we should not be sitting here on our boxes to-day; it came damn near to that. And so everything is new and brave, red poppies and good food, cigarettes and summer breeze. Kropp asks: "Anyone seen Kemmerich lately?" "He's up at St. Joseph's,"<|quote|>I tell him. Müller explains that he has a flesh wound in his thigh; a good blighty. We decide to go and see him this afternoon. Kropp pulls out a letter.</|quote|>"Kantorek sends you all his best wishes." We laugh. Müller throws his cigarette away and says: "I wish he was here." * * Kantorek had been our schoolmaster, an active little man in a grey tail-coat, with a face like a shrew-mouse. He was about the same size as Corporal Himmelstoss, the "Terror of Klosterberg." It is very queer that the unhappiness of the world is so often brought on by small men. They are so much more energetic and uncompromising than the big fellows. I have always taken good care to keep out of sections with small company commanders. They are mostly confounded little martinets. During drill-time Kantorek gave us long lectures until the whole of our class went under his shepherding to the District Commandant and volunteered. I can see him now, as he used to glare at us through his spectacles and say in a moving voice: "Won't you join up, Comrades." These teachers always carry their feelings ready in their waistcoat pockets, and fetch them out at any hour of the day. But we didn't think of that then. There was, indeed, one of us who hesitated and did not want to fall into line. That | way so clearly and pithily. Our families and our teachers will be shocked when we go home, but here it is the universal language. Enforced publicity has in our eyes restored the character of complete innocence to all these things. More than that, they are so much a matter of course that their comfortable performance is fully as much enjoyed as the playing of a safe top running flush. Not for nothing was the word "latrine-rumour" invented; these places are the regimental gossip-shops and common-rooms. We feel ourselves for the time being better off than in any palatial white-tiled "convenience." _There_ it can only be hygienic; _here_ it is beautiful. These are wonderfully care-free hours. Over us is the blue sky. On the horizon float the bright yellow, sunlit observation-balloons, and the many little white clouds of the anti-aircraft shells. Often they rise in a sheaf as they follow after an airman. We hear the muffled rumble of the front only as very distant thunder, bumble-bees droning by quite drown it. Around us stretches the flowery meadow. The grasses sway their tall spears; the white butterflies flutter around and float on the soft warm wind of the late summer. We read letters and newspapers and smoke. We take off our caps and lay them down beside us. The wind plays with our hair; it plays with our words and thoughts. The three boxes stand in the midst of the glowing, red field-poppies. We set the lid of the margarine tub on our knees and so have a good table for a game of skat. Kropp has the cards with him. After every throw-in the loser pays into the pool. One could sit like this for ever. The notes of an accordion float across from the billets. Often we lay aside the cards and look about us. One of us will say: "Well, boys...." Or "It was a near thing that time...." And for a moment we fall silent. There is in each of us a feeling of constraint. We are all sensible of it; it needs no words to communicate it. It might easily have happened that we should not be sitting here on our boxes to-day; it came damn near to that. And so everything is new and brave, red poppies and good food, cigarettes and summer breeze. Kropp asks: "Anyone seen Kemmerich lately?" "He's up at St. Joseph's,"<|quote|>I tell him. Müller explains that he has a flesh wound in his thigh; a good blighty. We decide to go and see him this afternoon. Kropp pulls out a letter.</|quote|>"Kantorek sends you all his best wishes." We laugh. Müller throws his cigarette away and says: "I wish he was here." * * Kantorek had been our schoolmaster, an active little man in a grey tail-coat, with a face like a shrew-mouse. He was about the same size as Corporal Himmelstoss, the "Terror of Klosterberg." It is very queer that the unhappiness of the world is so often brought on by small men. They are so much more energetic and uncompromising than the big fellows. I have always taken good care to keep out of sections with small company commanders. They are mostly confounded little martinets. During drill-time Kantorek gave us long lectures until the whole of our class went under his shepherding to the District Commandant and volunteered. I can see him now, as he used to glare at us through his spectacles and say in a moving voice: "Won't you join up, Comrades." These teachers always carry their feelings ready in their waistcoat pockets, and fetch them out at any hour of the day. But we didn't think of that then. There was, indeed, one of us who hesitated and did not want to fall into line. That was Josef Behm, a plump, homely fellow. But he did allow himself to be persuaded, otherwise he would have been ostracized. And perhaps more of us thought as he did, but no one could very well stand out, because at that time even one's parents were ready with the word "coward" ; no one had the vaguest idea what we were in for. The wisest were just the poor and simple people. They knew the war to be a misfortune, whereas people who were better off were beside themselves with joy, though they should have been much better able to judge what the consequences would be. Katczinsky said that was a result of their upbringing. It made them stupid. And what Kat said, he had thought about. Strange to say, Behm was one of the first to fall. He got hit in the eye during an attack, and we left him lying for dead. We couldn't bring him with us, because we had to come back helter-skelter. In the afternoon suddenly we heard him call, and saw him outside creeping towards us. He had only been knocked unconscious. Because he could not see, and was mad with pain, he failed | blubber-sticker, and don't you miscount either." "You be hanged!" spat out Ginger. When things get beyond him he throws up the sponge altogether; he just goes to pieces. And as if to show that all things were now the same to him, of his own free will he shared out half a pound of synthetic honey equally among us. To-day is wonderfully good. The mail has come, and almost every man has a couple of letters and papers. We stroll over to the meadow behind the billets. Kropp has the round lid of a margarine tub under his arm. On the right side of the meadow a large common latrine has been built, a well-planned and durable construction. But that is for recruits who as yet have not learned how to make the most of whatever comes their way. We look for something better. Scattered about everywhere there are separate, individual boxes for the same purpose. They are square, neat boxes with wooden sides all round, and have unimpeachably satisfactory seats. On the sides are hand-grips enabling one to shift them about. We move three together in a ring and sit down comfortably. For two hours we have been here without getting up. I well remember how embarrassed we were as recruits in barracks when we had to use the general latrine. There were no doors and twenty men sat side by side as in a railway carriage, so that they could be reviewed all at one glance, for soldiers must always be under supervision. Since then we have learned better than to be shy about such trifling immodesties. In time things far worse than that came easy to us. Here in the open air though, the business is entirely a pleasure. I no longer understand why we should always have shied at it before. It is, in fact, just as natural as eating and drinking. We did not properly appreciate these boxes when we first enlisted; they were new to us and did not fill such an important rôle--but now they have long been a matter of course. The soldier is on friendlier terms than other men with his stomach and intestines. Three-quarters of his vocabulary is derived from these regions, and they give an intimate flavour to expressions of his greatest joy as well as of his deepest indignation. It is impossible to express oneself in any other way so clearly and pithily. Our families and our teachers will be shocked when we go home, but here it is the universal language. Enforced publicity has in our eyes restored the character of complete innocence to all these things. More than that, they are so much a matter of course that their comfortable performance is fully as much enjoyed as the playing of a safe top running flush. Not for nothing was the word "latrine-rumour" invented; these places are the regimental gossip-shops and common-rooms. We feel ourselves for the time being better off than in any palatial white-tiled "convenience." _There_ it can only be hygienic; _here_ it is beautiful. These are wonderfully care-free hours. Over us is the blue sky. On the horizon float the bright yellow, sunlit observation-balloons, and the many little white clouds of the anti-aircraft shells. Often they rise in a sheaf as they follow after an airman. We hear the muffled rumble of the front only as very distant thunder, bumble-bees droning by quite drown it. Around us stretches the flowery meadow. The grasses sway their tall spears; the white butterflies flutter around and float on the soft warm wind of the late summer. We read letters and newspapers and smoke. We take off our caps and lay them down beside us. The wind plays with our hair; it plays with our words and thoughts. The three boxes stand in the midst of the glowing, red field-poppies. We set the lid of the margarine tub on our knees and so have a good table for a game of skat. Kropp has the cards with him. After every throw-in the loser pays into the pool. One could sit like this for ever. The notes of an accordion float across from the billets. Often we lay aside the cards and look about us. One of us will say: "Well, boys...." Or "It was a near thing that time...." And for a moment we fall silent. There is in each of us a feeling of constraint. We are all sensible of it; it needs no words to communicate it. It might easily have happened that we should not be sitting here on our boxes to-day; it came damn near to that. And so everything is new and brave, red poppies and good food, cigarettes and summer breeze. Kropp asks: "Anyone seen Kemmerich lately?" "He's up at St. Joseph's,"<|quote|>I tell him. Müller explains that he has a flesh wound in his thigh; a good blighty. We decide to go and see him this afternoon. Kropp pulls out a letter.</|quote|>"Kantorek sends you all his best wishes." We laugh. Müller throws his cigarette away and says: "I wish he was here." * * Kantorek had been our schoolmaster, an active little man in a grey tail-coat, with a face like a shrew-mouse. He was about the same size as Corporal Himmelstoss, the "Terror of Klosterberg." It is very queer that the unhappiness of the world is so often brought on by small men. They are so much more energetic and uncompromising than the big fellows. I have always taken good care to keep out of sections with small company commanders. They are mostly confounded little martinets. During drill-time Kantorek gave us long lectures until the whole of our class went under his shepherding to the District Commandant and volunteered. I can see him now, as he used to glare at us through his spectacles and say in a moving voice: "Won't you join up, Comrades." These teachers always carry their feelings ready in their waistcoat pockets, and fetch them out at any hour of the day. But we didn't think of that then. There was, indeed, one of us who hesitated and did not want to fall into line. That was Josef Behm, a plump, homely fellow. But he did allow himself to be persuaded, otherwise he would have been ostracized. And perhaps more of us thought as he did, but no one could very well stand out, because at that time even one's parents were ready with the word "coward" ; no one had the vaguest idea what we were in for. The wisest were just the poor and simple people. They knew the war to be a misfortune, whereas people who were better off were beside themselves with joy, though they should have been much better able to judge what the consequences would be. Katczinsky said that was a result of their upbringing. It made them stupid. And what Kat said, he had thought about. Strange to say, Behm was one of the first to fall. He got hit in the eye during an attack, and we left him lying for dead. We couldn't bring him with us, because we had to come back helter-skelter. In the afternoon suddenly we heard him call, and saw him outside creeping towards us. He had only been knocked unconscious. Because he could not see, and was mad with pain, he failed to keep under cover, and so was shot down before anyone could go and fetch him in. Naturally we couldn't blame Kantorek for this. Where would the world be if one brought every man to book? There were thousands of Kantoreks, all of whom were convinced that there was only one way of doing well, and that way theirs. And that is just why they let us down so badly. For us lads of eighteen they ought to have been mediators and guides to the world of maturity, the world of work, of duty, of culture, of progress--to the future. We often made fun of them and played jokes on them, but in our hearts we trusted them. The idea of authority, which they represented, was associated in our minds with a greater insight and a manlier wisdom. But the first death we saw shattered this belief. We had to recognize that our generation was more to be trusted than theirs. They surpassed us only in phrases and in cleverness. The first bombardment showed us our mistake, and under it the world as they had taught it to us broke in pieces. While they continued to write and talk, we saw the wounded and dying. While they taught that duty to one's country is the greatest thing, we already knew that death-throes are stronger. But for all that we were no mutineers, no deserters, no cowards--they were very free with all these expressions. We loved our country as much as they, we went courageously into every action; but also we distinguished the false from the true, we had suddenly learned to see. And we saw that there was nothing of their world left. We were all at once terribly alone; and alone we must see it through. * * Before going over to see Kemmerich we pack up his things: he will need them on the way back. In the dressing station there is great activity; it reeks as ever of carbolic, ether, and sweat. Most of us are accustomed to this in the billets, but here it makes one feel faint. We ask for Kemmerich. He lies in a large room and receives us with feeble expressions of joy and helpless agitation. While he was unconscious someone had stolen his watch. Müller shakes his head: "I always told you that nobody should carry as good a watch as that." | of his deepest indignation. It is impossible to express oneself in any other way so clearly and pithily. Our families and our teachers will be shocked when we go home, but here it is the universal language. Enforced publicity has in our eyes restored the character of complete innocence to all these things. More than that, they are so much a matter of course that their comfortable performance is fully as much enjoyed as the playing of a safe top running flush. Not for nothing was the word "latrine-rumour" invented; these places are the regimental gossip-shops and common-rooms. We feel ourselves for the time being better off than in any palatial white-tiled "convenience." _There_ it can only be hygienic; _here_ it is beautiful. These are wonderfully care-free hours. Over us is the blue sky. On the horizon float the bright yellow, sunlit observation-balloons, and the many little white clouds of the anti-aircraft shells. Often they rise in a sheaf as they follow after an airman. We hear the muffled rumble of the front only as very distant thunder, bumble-bees droning by quite drown it. Around us stretches the flowery meadow. The grasses sway their tall spears; the white butterflies flutter around and float on the soft warm wind of the late summer. We read letters and newspapers and smoke. We take off our caps and lay them down beside us. The wind plays with our hair; it plays with our words and thoughts. The three boxes stand in the midst of the glowing, red field-poppies. We set the lid of the margarine tub on our knees and so have a good table for a game of skat. Kropp has the cards with him. After every throw-in the loser pays into the pool. One could sit like this for ever. The notes of an accordion float across from the billets. Often we lay aside the cards and look about us. One of us will say: "Well, boys...." Or "It was a near thing that time...." And for a moment we fall silent. There is in each of us a feeling of constraint. We are all sensible of it; it needs no words to communicate it. It might easily have happened that we should not be sitting here on our boxes to-day; it came damn near to that. And so everything is new and brave, red poppies and good food, cigarettes and summer breeze. Kropp asks: "Anyone seen Kemmerich lately?" "He's up at St. Joseph's,"<|quote|>I tell him. Müller explains that he has a flesh wound in his thigh; a good blighty. We decide to go and see him this afternoon. Kropp pulls out a letter.</|quote|>"Kantorek sends you all his best wishes." We laugh. Müller throws his cigarette away and says: "I wish he was here." * * Kantorek had been our schoolmaster, an active little man in a grey tail-coat, with a face like a shrew-mouse. He was about the same size as Corporal Himmelstoss, the "Terror of Klosterberg." It is very queer that the unhappiness of the world is so often brought on by small men. They are so much more energetic and uncompromising than the big fellows. I have always taken good care to keep out of sections with small company commanders. They are mostly confounded little martinets. During drill-time Kantorek gave us long lectures until the whole of our class went under his shepherding to the District Commandant and volunteered. I can see him now, as he used to glare at us through his spectacles and say in a moving voice: "Won't you join up, Comrades." These teachers always carry their feelings ready in their waistcoat pockets, and fetch them out at any hour of the day. But we didn't think of that then. There was, indeed, one of us who hesitated and did not want to fall into line. That was Josef Behm, a plump, homely fellow. But he did allow himself to be persuaded, otherwise he would have been ostracized. And perhaps more of us thought as he did, but no one could very well stand out, because at that time even one's parents were ready with the word "coward" ; no one had the vaguest idea what we were in for. The wisest were just the poor and simple people. They knew the war to be a misfortune, whereas people who were better off were beside themselves with joy, though they should have been much better able to judge what the consequences would be. Katczinsky said that was a result of their upbringing. It made them stupid. And what Kat said, he had thought about. Strange to say, Behm was one of the first to fall. He got hit in the eye during an attack, and we left him lying for dead. We couldn't bring him with us, because we had to come back helter-skelter. In the afternoon suddenly we heard him call, and saw him outside creeping towards us. He had only been knocked unconscious. Because he could not see, and was mad with pain, he failed to keep under cover, and so was shot down before anyone could go and fetch him in. Naturally we couldn't blame Kantorek for this. Where would the world be if one brought every man to book? There were thousands of Kantoreks, all of whom were convinced that there was only one way of doing well, and that way theirs. And that is just why they let us down so badly. For us lads of eighteen they ought to have been mediators and guides to the world of maturity, the world of work, of duty, of culture, of progress--to the future. We often made fun of them and played jokes on them, but in our hearts we trusted them. The idea of | All Quiet on the Western Front | it. It might easily have happened that we should not be sitting here on our boxes to-day; it came damn near to that. And so everything is new and brave, red poppies and good food, cigarettes and summer breeze. Kropp asks: "Anyone seen Kemmerich lately?" "He's up at St. Joseph's,"<|quote|>I tell him. Müller explains that he has a flesh wound in his thigh; a good blighty. We decide to go and see him this afternoon. Kropp pulls out a letter.</|quote|>"Kantorek sends you all his best wishes." We laugh. Müller throws his cigarette away and says: "I wish he was here." * * Kantorek had been our schoolmaster, an active little man in a grey tail-coat, with a face like a shrew-mouse. He was about the same size as Corporal | {
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"content": "it. It might easily have happened that we should not be sitting here on our boxes to-day; it came damn near to that. And so everything is new and brave, red poppies and good food, cigarettes and summer breeze. Kropp asks: \"Anyone seen Kemmerich lately?\" \"He's up at St. Joseph's,\"<|quote|>I tell him. Müller explains that he has a flesh wound in his thigh; a good blighty. We decide to go and see him this afternoon. Kropp pulls out a letter.</|quote|>\"Kantorek sends you all his best wishes.\" We laugh. Müller throws his cigarette away and says: \"I wish he was here.\" * * Kantorek had been our schoolmaster, an active little man in a grey tail-coat, with a face like a shrew-mouse. He was about the same size as Corporal",
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"Give you a kick in the backside for the way you talk," | Paul | if it was peace time?"<|quote|>"Give you a kick in the backside for the way you talk,"</|quote|>I say. "How does it | "Haie, what would you do if it was peace time?"<|quote|>"Give you a kick in the backside for the way you talk,"</|quote|>I say. "How does it come about exactly?" "How does | I have to see to it that they've something to eat." We laugh. "They won't lack for that, Kat, you'd scrounge it from somewhere." Müller is insatiable and gives himself no peace. He wakes Haie Westhus out of his dream. "Haie, what would you do if it was peace time?"<|quote|>"Give you a kick in the backside for the way you talk,"</|quote|>I say. "How does it come about exactly?" "How does the cow-shit come on the roof?" retorts Müller laconically, and turns to Haie Westhus again. It is too much for Haie. He shakes his freckled head: "You mean when the war's over?" "Exactly. You've said it." "Well, there'd be women | man, Albert----" He fumbles in his oil-cloth pocket-book for a photograph and suddenly shows it all round. "My old people!" Then he puts it back and swears: "Damned lousy war----" "It's all very well for you to talk," I tell him. "You've a wife and children." "True," he nods, "and I have to see to it that they've something to eat." We laugh. "They won't lack for that, Kat, you'd scrounge it from somewhere." Müller is insatiable and gives himself no peace. He wakes Haie Westhus out of his dream. "Haie, what would you do if it was peace time?"<|quote|>"Give you a kick in the backside for the way you talk,"</|quote|>I say. "How does it come about exactly?" "How does the cow-shit come on the roof?" retorts Müller laconically, and turns to Haie Westhus again. It is too much for Haie. He shakes his freckled head: "You mean when the war's over?" "Exactly. You've said it." "Well, there'd be women of course, eh?" --Haie licks his lips. "Sure." "By Jove yes," says Haie, his face melting, "then I'd grab some good buxom dame, some real kitchen wench with plenty to get hold of, you know, and jump straight into bed. Just you think, boys, a real feather-bed with a spring | "Albert, what would you do if it were suddenly peace-time again?" "There won't be any civil life," says Albert bluntly. "Well, but if--" persists Müller, "what would you do?" "Clear out of this!" growls Kropp. "Of course. And then what?" "Get drunk," says Albert. "Don't talk rot, I mean seriously----" "So do I," says Kropp, "what else should a man do?" Kat becomes interested. He levies tribute on Kropp's tin of beans, swallows some, then considers for a while and says: "You might get drunk first, of course, but then you'd take the next train for home and mother. Peace-time, man, Albert----" He fumbles in his oil-cloth pocket-book for a photograph and suddenly shows it all round. "My old people!" Then he puts it back and swears: "Damned lousy war----" "It's all very well for you to talk," I tell him. "You've a wife and children." "True," he nods, "and I have to see to it that they've something to eat." We laugh. "They won't lack for that, Kat, you'd scrounge it from somewhere." Müller is insatiable and gives himself no peace. He wakes Haie Westhus out of his dream. "Haie, what would you do if it was peace time?"<|quote|>"Give you a kick in the backside for the way you talk,"</|quote|>I say. "How does it come about exactly?" "How does the cow-shit come on the roof?" retorts Müller laconically, and turns to Haie Westhus again. It is too much for Haie. He shakes his freckled head: "You mean when the war's over?" "Exactly. You've said it." "Well, there'd be women of course, eh?" --Haie licks his lips. "Sure." "By Jove yes," says Haie, his face melting, "then I'd grab some good buxom dame, some real kitchen wench with plenty to get hold of, you know, and jump straight into bed. Just you think, boys, a real feather-bed with a spring mattress; I wouldn't put trousers on again for a week." Everyone is silent. The picture is too good. Our flesh creeps. At last Müller pulls himself together and says: "And then what?" A pause. Then Haie explains rather awkwardly: "If I were a non-com. I'd stay with the Prussians and serve out my time." "Haie, you've got a screw loose, surely!" I say. "Have you ever dug peat?" he retorts good-naturedly. "You try it." Then he pulls a spoon out of the top of his boot and reaches over into Kropp's mess-tin. "It can't be worse than digging trenches," I | have a red cross on their heads. He suggests that he brought them back with him from the hospital at Thourhout, where they attended personally on a surgeon-general. He says he means to use the fat that slowly accumulates in the tin-lid for polishing his boots, and roars with laughter for half an hour at his own joke. But he hasn't much success to-day; we are too preoccupied with another affair. The rumour has materialized. Himmelstoss has come. He appeared yesterday; we've already heard the well-known voice. He seems to have overdone it with a couple of young recruits on the ploughed field at home, and unknown to him the son of the local magistrate was watching. That cooked his goose. He will meet some surprises here. Tjaden has been meditating for hours what to say to him. Haie gazes thoughtfully at his great paws and winks at me. The thrashing was the high water mark of his life. He tells me he often dreams of it. Kropp and Müller are amusing themselves. From somewhere or other, probably the pioneer-cook-house, Kropp has bagged for himself a mess-tin full of beans. Müller squints hungrily into it but checks himself and says: "Albert, what would you do if it were suddenly peace-time again?" "There won't be any civil life," says Albert bluntly. "Well, but if--" persists Müller, "what would you do?" "Clear out of this!" growls Kropp. "Of course. And then what?" "Get drunk," says Albert. "Don't talk rot, I mean seriously----" "So do I," says Kropp, "what else should a man do?" Kat becomes interested. He levies tribute on Kropp's tin of beans, swallows some, then considers for a while and says: "You might get drunk first, of course, but then you'd take the next train for home and mother. Peace-time, man, Albert----" He fumbles in his oil-cloth pocket-book for a photograph and suddenly shows it all round. "My old people!" Then he puts it back and swears: "Damned lousy war----" "It's all very well for you to talk," I tell him. "You've a wife and children." "True," he nods, "and I have to see to it that they've something to eat." We laugh. "They won't lack for that, Kat, you'd scrounge it from somewhere." Müller is insatiable and gives himself no peace. He wakes Haie Westhus out of his dream. "Haie, what would you do if it was peace time?"<|quote|>"Give you a kick in the backside for the way you talk,"</|quote|>I say. "How does it come about exactly?" "How does the cow-shit come on the roof?" retorts Müller laconically, and turns to Haie Westhus again. It is too much for Haie. He shakes his freckled head: "You mean when the war's over?" "Exactly. You've said it." "Well, there'd be women of course, eh?" --Haie licks his lips. "Sure." "By Jove yes," says Haie, his face melting, "then I'd grab some good buxom dame, some real kitchen wench with plenty to get hold of, you know, and jump straight into bed. Just you think, boys, a real feather-bed with a spring mattress; I wouldn't put trousers on again for a week." Everyone is silent. The picture is too good. Our flesh creeps. At last Müller pulls himself together and says: "And then what?" A pause. Then Haie explains rather awkwardly: "If I were a non-com. I'd stay with the Prussians and serve out my time." "Haie, you've got a screw loose, surely!" I say. "Have you ever dug peat?" he retorts good-naturedly. "You try it." Then he pulls a spoon out of the top of his boot and reaches over into Kropp's mess-tin. "It can't be worse than digging trenches," I venture. Haie chews and grins: "It lasts longer though. And there's no getting out of it either." "But, man, surely it's better at home." "Some ways," says he, and with open mouth sinks into a day-dream. You can see what he is thinking. There is the mean little hut on the moors, the hard work on the heath from morning till night in the heat, the miserable pay, the dirty labourer's clothes. "In the army in peace time you've nothing to trouble about," he goes on, "your food's found every day, or else you kick up a row; you've a bed, every week clean under-wear like a perfect gent, you do your non-com.'s duty, you have a good suit of clothes; in the evening you're a free man and go off to the pub." Haie is extraordinarily set on his idea. He's in love with it. "And when your twelve years are up you get your pension and become a village bobby, and you can walk about the whole day." He's already sweating on it. "And just you think how you'd be treated. Here a dram, there a pint. Everybody wants to be well in with a bobby." "You'll never | was to be expected--five killed and eight wounded. It was in fact quite a short bombardment. Two of our dead lie in the upturned graves. We had merely to throw the earth in on them. We go back. We trot off silently in single file one behind the other. The wounded are taken to the dressing-station. The morning is cloudy. The bearers make a fuss about numbers and tickets, the wounded whimper. It begins to rain. An hour later we reach our lorries and climb in. There is more room now than there was. The rain becomes heavier. We take out waterproof sheets and spread them over our heads. The rain rattles down, and flows off at the sides in streams. The lorries bump through the holes, and we rock to and fro in a half-sleep. Two men in the front of the lorry have long forked poles. They watch for telephone wires which hang crosswise over the road so densely that they might easily pull our heads off. The two fellows take them at the right moment on their poles and lift them over behind us. We hear their call "Mind--wire--," dip the knee in a half-sleep and straighten up again. Monotonously the lorries sway, monotonously come the calls, monotonously falls the rain. It falls on our heads and on the heads of the dead up in the line, on the body of the little recruit with the wound that is so much too big for his hip; it falls on Kemmerich's grave; it falls in our hearts. An explosion sounds somewhere. We wince, our eyes become tense, our hands are ready to vault over the side of the lorry into the ditch by the road. It goes no farther--only the monotonous cry: "Mind--wire," --our knees bend--we are again half asleep. CHAPTER V Killing each separate louse is a tedious business when a man has hundreds. The little beasts are hard and the everlasting cracking with one's fingernails very soon becomes wearisome. So Tjaden has rigged up the lid of a boot-polish tin with a piece of wire over the lighted stump of a candle. The lice are simply thrown into this little pan. Crack! and they're done for. We sit around with our shirts on our knees, our bodies naked to the warm air and our hands at work. Haie has a particularly fine brand of louse: they have a red cross on their heads. He suggests that he brought them back with him from the hospital at Thourhout, where they attended personally on a surgeon-general. He says he means to use the fat that slowly accumulates in the tin-lid for polishing his boots, and roars with laughter for half an hour at his own joke. But he hasn't much success to-day; we are too preoccupied with another affair. The rumour has materialized. Himmelstoss has come. He appeared yesterday; we've already heard the well-known voice. He seems to have overdone it with a couple of young recruits on the ploughed field at home, and unknown to him the son of the local magistrate was watching. That cooked his goose. He will meet some surprises here. Tjaden has been meditating for hours what to say to him. Haie gazes thoughtfully at his great paws and winks at me. The thrashing was the high water mark of his life. He tells me he often dreams of it. Kropp and Müller are amusing themselves. From somewhere or other, probably the pioneer-cook-house, Kropp has bagged for himself a mess-tin full of beans. Müller squints hungrily into it but checks himself and says: "Albert, what would you do if it were suddenly peace-time again?" "There won't be any civil life," says Albert bluntly. "Well, but if--" persists Müller, "what would you do?" "Clear out of this!" growls Kropp. "Of course. And then what?" "Get drunk," says Albert. "Don't talk rot, I mean seriously----" "So do I," says Kropp, "what else should a man do?" Kat becomes interested. He levies tribute on Kropp's tin of beans, swallows some, then considers for a while and says: "You might get drunk first, of course, but then you'd take the next train for home and mother. Peace-time, man, Albert----" He fumbles in his oil-cloth pocket-book for a photograph and suddenly shows it all round. "My old people!" Then he puts it back and swears: "Damned lousy war----" "It's all very well for you to talk," I tell him. "You've a wife and children." "True," he nods, "and I have to see to it that they've something to eat." We laugh. "They won't lack for that, Kat, you'd scrounge it from somewhere." Müller is insatiable and gives himself no peace. He wakes Haie Westhus out of his dream. "Haie, what would you do if it was peace time?"<|quote|>"Give you a kick in the backside for the way you talk,"</|quote|>I say. "How does it come about exactly?" "How does the cow-shit come on the roof?" retorts Müller laconically, and turns to Haie Westhus again. It is too much for Haie. He shakes his freckled head: "You mean when the war's over?" "Exactly. You've said it." "Well, there'd be women of course, eh?" --Haie licks his lips. "Sure." "By Jove yes," says Haie, his face melting, "then I'd grab some good buxom dame, some real kitchen wench with plenty to get hold of, you know, and jump straight into bed. Just you think, boys, a real feather-bed with a spring mattress; I wouldn't put trousers on again for a week." Everyone is silent. The picture is too good. Our flesh creeps. At last Müller pulls himself together and says: "And then what?" A pause. Then Haie explains rather awkwardly: "If I were a non-com. I'd stay with the Prussians and serve out my time." "Haie, you've got a screw loose, surely!" I say. "Have you ever dug peat?" he retorts good-naturedly. "You try it." Then he pulls a spoon out of the top of his boot and reaches over into Kropp's mess-tin. "It can't be worse than digging trenches," I venture. Haie chews and grins: "It lasts longer though. And there's no getting out of it either." "But, man, surely it's better at home." "Some ways," says he, and with open mouth sinks into a day-dream. You can see what he is thinking. There is the mean little hut on the moors, the hard work on the heath from morning till night in the heat, the miserable pay, the dirty labourer's clothes. "In the army in peace time you've nothing to trouble about," he goes on, "your food's found every day, or else you kick up a row; you've a bed, every week clean under-wear like a perfect gent, you do your non-com.'s duty, you have a good suit of clothes; in the evening you're a free man and go off to the pub." Haie is extraordinarily set on his idea. He's in love with it. "And when your twelve years are up you get your pension and become a village bobby, and you can walk about the whole day." He's already sweating on it. "And just you think how you'd be treated. Here a dram, there a pint. Everybody wants to be well in with a bobby." "You'll never be a non-com. though, Haie," interrupts Kat. Haie looks at him sadly and is silent. His thoughts still linger over the clear evenings in autumn, the Sundays in the heather, the village bells, the afternoons and evenings with the servant girls, the fried bacon and barley, the care-free evening hours in the ale-house---- He can't part with all these dreams so abruptly; he merely growls: "What silly questions you do ask." He pulls his shirt over his head and buttons up his tunic. "What would you do, Tjaden?" asks Kropp. Tjaden thinks only of one thing. "See to it that Himmelstoss doesn't get past me." Apparently he would like most to have him in a cage and sail into him with a club every morning. To Kropp he says warmly: "If I were in your place I'd see to it that I became a lieutenant. Then you could grind him till the water in his backside boils." "And you, Detering?" asks Müller like an inquisitor. He's a born schoolmaster with all his questions. Detering is sparing with his words. But on this subject he speaks. He looks at the sky and says only the one sentence: "I would go straight on with the harvesting." Then he gets up and walks off. He is worried. His wife has to look after the farm. They've already taken away two of his horses. Every day he reads the papers that come, to see whether it is raining in his little corner of Oldenburg. They haven't brought the hay in yet. At this moment Himmelstoss appears. He comes straight up to our group. Tjaden's face turns red. He stretches his length on the grass and shuts his eyes in embarrassment. Himmelstoss is a little hesitant, his gait becomes slower. Then he marches up to us. No one makes any motion to stand up. Kropp looks up at him with interest. He continues to stand in front of us and wait. As no one says anything he launches a "Well?" A couple of seconds go by. Apparently Himmelstoss doesn't quite know what to do. He would like most to set us all on the run again. But he seems to have learned already that the front line isn't a parade ground. He tries it on though, and by addressing himself to one instead of to all of us hopes to get some response. Kropp is | and the everlasting cracking with one's fingernails very soon becomes wearisome. So Tjaden has rigged up the lid of a boot-polish tin with a piece of wire over the lighted stump of a candle. The lice are simply thrown into this little pan. Crack! and they're done for. We sit around with our shirts on our knees, our bodies naked to the warm air and our hands at work. Haie has a particularly fine brand of louse: they have a red cross on their heads. He suggests that he brought them back with him from the hospital at Thourhout, where they attended personally on a surgeon-general. He says he means to use the fat that slowly accumulates in the tin-lid for polishing his boots, and roars with laughter for half an hour at his own joke. But he hasn't much success to-day; we are too preoccupied with another affair. The rumour has materialized. Himmelstoss has come. He appeared yesterday; we've already heard the well-known voice. He seems to have overdone it with a couple of young recruits on the ploughed field at home, and unknown to him the son of the local magistrate was watching. That cooked his goose. He will meet some surprises here. Tjaden has been meditating for hours what to say to him. Haie gazes thoughtfully at his great paws and winks at me. The thrashing was the high water mark of his life. He tells me he often dreams of it. Kropp and Müller are amusing themselves. From somewhere or other, probably the pioneer-cook-house, Kropp has bagged for himself a mess-tin full of beans. Müller squints hungrily into it but checks himself and says: "Albert, what would you do if it were suddenly peace-time again?" "There won't be any civil life," says Albert bluntly. "Well, but if--" persists Müller, "what would you do?" "Clear out of this!" growls Kropp. "Of course. And then what?" "Get drunk," says Albert. "Don't talk rot, I mean seriously----" "So do I," says Kropp, "what else should a man do?" Kat becomes interested. He levies tribute on Kropp's tin of beans, swallows some, then considers for a while and says: "You might get drunk first, of course, but then you'd take the next train for home and mother. Peace-time, man, Albert----" He fumbles in his oil-cloth pocket-book for a photograph and suddenly shows it all round. "My old people!" Then he puts it back and swears: "Damned lousy war----" "It's all very well for you to talk," I tell him. "You've a wife and children." "True," he nods, "and I have to see to it that they've something to eat." We laugh. "They won't lack for that, Kat, you'd scrounge it from somewhere." Müller is insatiable and gives himself no peace. He wakes Haie Westhus out of his dream. "Haie, what would you do if it was peace time?"<|quote|>"Give you a kick in the backside for the way you talk,"</|quote|>I say. "How does it come about exactly?" "How does the cow-shit come on the roof?" retorts Müller laconically, and turns to Haie Westhus again. It is too much for Haie. He shakes his freckled head: "You mean when the war's over?" "Exactly. You've said it." "Well, there'd be women of course, eh?" --Haie licks his lips. "Sure." "By Jove yes," says Haie, his face melting, "then I'd grab some good buxom dame, some real kitchen wench with plenty to get hold of, you know, and jump straight into bed. Just you think, boys, a real feather-bed with a spring mattress; I wouldn't put trousers on again for a week." Everyone is silent. The picture is too good. Our flesh creeps. At last Müller pulls himself together and says: "And then what?" A pause. Then Haie explains rather awkwardly: "If I were a non-com. I'd stay with the Prussians and serve out my time." "Haie, you've got a screw loose, surely!" I say. "Have you ever dug peat?" he retorts good-naturedly. "You try it." Then he pulls a spoon out of the top of his boot and reaches over into Kropp's mess-tin. "It can't be worse than digging trenches," I venture. Haie chews and grins: "It lasts longer though. And there's no getting out of it either." "But, | All Quiet on the Western Front | I have to see to it that they've something to eat." We laugh. "They won't lack for that, Kat, you'd scrounge it from somewhere." Müller is insatiable and gives himself no peace. He wakes Haie Westhus out of his dream. "Haie, what would you do if it was peace time?"<|quote|>"Give you a kick in the backside for the way you talk,"</|quote|>I say. "How does it come about exactly?" "How does the cow-shit come on the roof?" retorts Müller laconically, and turns to Haie Westhus again. It is too much for Haie. He shakes his freckled head: "You mean when the war's over?" "Exactly. You've said it." "Well, there'd be women | {
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"content": "I have to see to it that they've something to eat.\" We laugh. \"They won't lack for that, Kat, you'd scrounge it from somewhere.\" Müller is insatiable and gives himself no peace. He wakes Haie Westhus out of his dream. \"Haie, what would you do if it was peace time?\"<|quote|>\"Give you a kick in the backside for the way you talk,\"</|quote|>I say. \"How does it come about exactly?\" \"How does the cow-shit come on the roof?\" retorts Müller laconically, and turns to Haie Westhus again. It is too much for Haie. He shakes his freckled head: \"You mean when the war's over?\" \"Exactly. You've said it.\" \"Well, there'd be women",
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"That marriage isn't going too well either... Daisy has started a new restaurant. It's going very well... and there's a new night club called the Warren..." | John Beaver | Sheila Shrub." "And the Helm-Hubbards?"<|quote|>"That marriage isn't going too well either... Daisy has started a new restaurant. It's going very well... and there's a new night club called the Warren..."</|quote|>"Dear me," Brenda said at | out with a girl called Sheila Shrub." "And the Helm-Hubbards?"<|quote|>"That marriage isn't going too well either... Daisy has started a new restaurant. It's going very well... and there's a new night club called the Warren..."</|quote|>"Dear me," Brenda said at last. "What fun everyone seems | effect. He told her of numerous changes of alliance among her friends. "What's happening to Mary and Simon?" "Oh, didn't you know? That's broken up." "When?" "It began in Austria this summer..." "And Billy Angmering?" "He's having a terrific walk out with a girl called Sheila Shrub." "And the Helm-Hubbards?"<|quote|>"That marriage isn't going too well either... Daisy has started a new restaurant. It's going very well... and there's a new night club called the Warren..."</|quote|>"Dear me," Brenda said at last. "What fun everyone seems to be having." After tea John Andrew was brought in and quickly usurped the conversation. "How do you do?" he said. "I didn't know you were coming. Daddy said he had a week-end to himself for once. Do you hunt?" | I know." "Are you coming up for it?" "I don't expect so. We never go anywhere nowadays." The jokes that had been going round for six weeks were all new to Brenda; they had become polished and perfected with repetition and Beaver was able to bring them out with good effect. He told her of numerous changes of alliance among her friends. "What's happening to Mary and Simon?" "Oh, didn't you know? That's broken up." "When?" "It began in Austria this summer..." "And Billy Angmering?" "He's having a terrific walk out with a girl called Sheila Shrub." "And the Helm-Hubbards?"<|quote|>"That marriage isn't going too well either... Daisy has started a new restaurant. It's going very well... and there's a new night club called the Warren..."</|quote|>"Dear me," Brenda said at last. "What fun everyone seems to be having." After tea John Andrew was brought in and quickly usurped the conversation. "How do you do?" he said. "I didn't know you were coming. Daddy said he had a week-end to himself for once. Do you hunt?" "Not for a long time." "Ben says it stands to reason everyone ought to hunt who can afford to, for the good of the country." "Perhaps I can't afford to." "Are you poor?" "Please, Mr Beaver, you mustn't let him bore you." "Yes, very poor." "Poor enough to call people | used to making conversation, so they went out together through the french windows on to the terrace, down the steps, into the Dutch garden, and back round the orangery without suffering a moment's real embarrassment. She even heard herself telling Beaver that his mother was one of her oldest friends. Tony returned in time for tea. He apologized for not being at home to greet his guest and almost immediately went out again to interview the agent in his study. Brenda asked about London and what parties there were. Beaver was particularly knowledgeable. "Polly Cockpurse is having one soon." "Yes, I know." "Are you coming up for it?" "I don't expect so. We never go anywhere nowadays." The jokes that had been going round for six weeks were all new to Brenda; they had become polished and perfected with repetition and Beaver was able to bring them out with good effect. He told her of numerous changes of alliance among her friends. "What's happening to Mary and Simon?" "Oh, didn't you know? That's broken up." "When?" "It began in Austria this summer..." "And Billy Angmering?" "He's having a terrific walk out with a girl called Sheila Shrub." "And the Helm-Hubbards?"<|quote|>"That marriage isn't going too well either... Daisy has started a new restaurant. It's going very well... and there's a new night club called the Warren..."</|quote|>"Dear me," Brenda said at last. "What fun everyone seems to be having." After tea John Andrew was brought in and quickly usurped the conversation. "How do you do?" he said. "I didn't know you were coming. Daddy said he had a week-end to himself for once. Do you hunt?" "Not for a long time." "Ben says it stands to reason everyone ought to hunt who can afford to, for the good of the country." "Perhaps I can't afford to." "Are you poor?" "Please, Mr Beaver, you mustn't let him bore you." "Yes, very poor." "Poor enough to call people tarts?" "Yes, quite poor enough." "How did you get poor?" "I always have been." "Oh." John lost interest in this topic. "The grey horse at the farm has got worms." "How do you know?" "Ben says so. Besides, you've only got to look at his dung." "Oh dear," said Brenda, "what would nanny say if she heard you talking like that?" "How old are you?" "Twenty-five. How old are you?" "What do you do?" "Nothing much." "Well, if I was you I'd do something and earn some money. Then you'd be able to hunt." "But I shouldn't be able to | * * * * Three-eighteen was far from being the most convenient time for arrival. One reached the house at about a quarter to four and if, like Beaver, one was a stranger, there was an awkward time until tea; but without Tony there to make her self-conscious, Brenda could carry these things off quite gracefully and Beaver was so seldom wholly welcome anywhere that he was not sensitive to the slight constraint of his reception. She met him in what was still called the smoking-room; it was in some ways the least gloomy place in the house. She said, "It is nice that you were able to come. I must break it to you at once that we haven't got a party. I'm afraid you'll be terribly bored... Tony had to go out but he'll be in soon... was the train crowded? It often is on Saturdays... would you like to come outside? It'll be dark soon and we might get some of the sun while we can..." and so on. If Tony had been there it would have been difficult, for she would have caught his eye and her manner as ch?telaine would have collapsed. Beaver was well used to making conversation, so they went out together through the french windows on to the terrace, down the steps, into the Dutch garden, and back round the orangery without suffering a moment's real embarrassment. She even heard herself telling Beaver that his mother was one of her oldest friends. Tony returned in time for tea. He apologized for not being at home to greet his guest and almost immediately went out again to interview the agent in his study. Brenda asked about London and what parties there were. Beaver was particularly knowledgeable. "Polly Cockpurse is having one soon." "Yes, I know." "Are you coming up for it?" "I don't expect so. We never go anywhere nowadays." The jokes that had been going round for six weeks were all new to Brenda; they had become polished and perfected with repetition and Beaver was able to bring them out with good effect. He told her of numerous changes of alliance among her friends. "What's happening to Mary and Simon?" "Oh, didn't you know? That's broken up." "When?" "It began in Austria this summer..." "And Billy Angmering?" "He's having a terrific walk out with a girl called Sheila Shrub." "And the Helm-Hubbards?"<|quote|>"That marriage isn't going too well either... Daisy has started a new restaurant. It's going very well... and there's a new night club called the Warren..."</|quote|>"Dear me," Brenda said at last. "What fun everyone seems to be having." After tea John Andrew was brought in and quickly usurped the conversation. "How do you do?" he said. "I didn't know you were coming. Daddy said he had a week-end to himself for once. Do you hunt?" "Not for a long time." "Ben says it stands to reason everyone ought to hunt who can afford to, for the good of the country." "Perhaps I can't afford to." "Are you poor?" "Please, Mr Beaver, you mustn't let him bore you." "Yes, very poor." "Poor enough to call people tarts?" "Yes, quite poor enough." "How did you get poor?" "I always have been." "Oh." John lost interest in this topic. "The grey horse at the farm has got worms." "How do you know?" "Ben says so. Besides, you've only got to look at his dung." "Oh dear," said Brenda, "what would nanny say if she heard you talking like that?" "How old are you?" "Twenty-five. How old are you?" "What do you do?" "Nothing much." "Well, if I was you I'd do something and earn some money. Then you'd be able to hunt." "But I shouldn't be able to call people tarts." "I don't see any point in that anyway." (Later, in the nursery, while he was having his supper, John said: "I think Mr Beaver's a very silly man, don't you?" "I'm sure I don't know," said nanny. "I think he's the silliest man who's ever been here." "Comparisons are odious." "There just isn't anything nice about him. He's got a silly voice and a silly face, silly eyes and silly nose," John's voice fell into a liturgical sing-song, "silly feet and silly toes, silly head and silly clothes..." "Now you eat up your supper," said nanny.) * * * * * That evening before dinner Tony came up behind Brenda as she sat at her dressing table and made a face over her shoulder in the glass. "I feel rather guilty about Beaver--going off and leaving you like that. You were heavenly to him." She said, "Oh, it wasn't bad really. He's rather pathetic." Farther down the passage Beaver examined his room, with the care of an experienced guest. There was no reading lamp. The inkpot was dry. The fire had been lit but had gone out. The bathroom, he had already discovered, was a great distance | Carter's coming up at five to go over a few things. I may go to Pigstanton after luncheon. I think we've got a tenant for Lowater Farm but it's been empty some time and I ought to see how much needs doing to it." "I wouldn't say "no" to going in to the "movies"." "All right. I can easily leave Lowater till Monday." "And we might go to Woolworth's afterwards, eh?" What with Brenda's pretty ways and Tony's good sense, it was not surprising that their friends pointed to them as a pair who were pre-eminently successful in solving the problem of getting along well together. The pudding, without protein, was unattractive. Five minutes afterwards a telegram was brought in. Tony opened it and said "Hell." "Badders?" "Something too horrible has happened. Look at this." Brenda read. "_Arriving 3.18 so looking forward visit. Beaver._" And asked, "What's Beaver?" "It's a young man." "That sounds all right." "Oh no it's not. Wait till you see him." "What's he coming here for? Did you ask him to stay?" "I suppose I did in a vague kind of way. I went to Bratt's one evening and he was the only chap there so we had some drinks and he said something about wanting to see the house..." "I suppose you were tight." "Not really, but I never thought he'd hold it against me." "Well, it jolly well serves you right. That's what comes of going up to London on business and leaving me alone here... Who is he anyway?" "Just a young man. His mother keeps that shop." "I used to know her. She's hell. Come to think of it we owe her some money." "Look here, we must put a call through and say we're ill." "Too late, he's in the train now, recklessly mixing starch and protein in the Great Western three and sixpenny lunch... Anyway, he can go into Galahad. No one who sleeps there ever comes again--the bed's agony I believe." "What on earth are we going to do with him? It's too late to get anyone else." "You go over to Pigstanton. I'll look after him. It's easier alone. We can take him to the movies to-night, and to-morrow he can see over the house. If we're lucky he may go up by the evening train. Does he have to work on Monday morning?" "I shouldn't know." * * * * * Three-eighteen was far from being the most convenient time for arrival. One reached the house at about a quarter to four and if, like Beaver, one was a stranger, there was an awkward time until tea; but without Tony there to make her self-conscious, Brenda could carry these things off quite gracefully and Beaver was so seldom wholly welcome anywhere that he was not sensitive to the slight constraint of his reception. She met him in what was still called the smoking-room; it was in some ways the least gloomy place in the house. She said, "It is nice that you were able to come. I must break it to you at once that we haven't got a party. I'm afraid you'll be terribly bored... Tony had to go out but he'll be in soon... was the train crowded? It often is on Saturdays... would you like to come outside? It'll be dark soon and we might get some of the sun while we can..." and so on. If Tony had been there it would have been difficult, for she would have caught his eye and her manner as ch?telaine would have collapsed. Beaver was well used to making conversation, so they went out together through the french windows on to the terrace, down the steps, into the Dutch garden, and back round the orangery without suffering a moment's real embarrassment. She even heard herself telling Beaver that his mother was one of her oldest friends. Tony returned in time for tea. He apologized for not being at home to greet his guest and almost immediately went out again to interview the agent in his study. Brenda asked about London and what parties there were. Beaver was particularly knowledgeable. "Polly Cockpurse is having one soon." "Yes, I know." "Are you coming up for it?" "I don't expect so. We never go anywhere nowadays." The jokes that had been going round for six weeks were all new to Brenda; they had become polished and perfected with repetition and Beaver was able to bring them out with good effect. He told her of numerous changes of alliance among her friends. "What's happening to Mary and Simon?" "Oh, didn't you know? That's broken up." "When?" "It began in Austria this summer..." "And Billy Angmering?" "He's having a terrific walk out with a girl called Sheila Shrub." "And the Helm-Hubbards?"<|quote|>"That marriage isn't going too well either... Daisy has started a new restaurant. It's going very well... and there's a new night club called the Warren..."</|quote|>"Dear me," Brenda said at last. "What fun everyone seems to be having." After tea John Andrew was brought in and quickly usurped the conversation. "How do you do?" he said. "I didn't know you were coming. Daddy said he had a week-end to himself for once. Do you hunt?" "Not for a long time." "Ben says it stands to reason everyone ought to hunt who can afford to, for the good of the country." "Perhaps I can't afford to." "Are you poor?" "Please, Mr Beaver, you mustn't let him bore you." "Yes, very poor." "Poor enough to call people tarts?" "Yes, quite poor enough." "How did you get poor?" "I always have been." "Oh." John lost interest in this topic. "The grey horse at the farm has got worms." "How do you know?" "Ben says so. Besides, you've only got to look at his dung." "Oh dear," said Brenda, "what would nanny say if she heard you talking like that?" "How old are you?" "Twenty-five. How old are you?" "What do you do?" "Nothing much." "Well, if I was you I'd do something and earn some money. Then you'd be able to hunt." "But I shouldn't be able to call people tarts." "I don't see any point in that anyway." (Later, in the nursery, while he was having his supper, John said: "I think Mr Beaver's a very silly man, don't you?" "I'm sure I don't know," said nanny. "I think he's the silliest man who's ever been here." "Comparisons are odious." "There just isn't anything nice about him. He's got a silly voice and a silly face, silly eyes and silly nose," John's voice fell into a liturgical sing-song, "silly feet and silly toes, silly head and silly clothes..." "Now you eat up your supper," said nanny.) * * * * * That evening before dinner Tony came up behind Brenda as she sat at her dressing table and made a face over her shoulder in the glass. "I feel rather guilty about Beaver--going off and leaving you like that. You were heavenly to him." She said, "Oh, it wasn't bad really. He's rather pathetic." Farther down the passage Beaver examined his room, with the care of an experienced guest. There was no reading lamp. The inkpot was dry. The fire had been lit but had gone out. The bathroom, he had already discovered, was a great distance away, up a flight of turret steps. He did not at all like the look or feel of the bed; the springs were broken in the centre and it creaked ominously when he lay down to try it. The return ticket, third-class, had been eighteen shillings. Then there would be tips. Owing to Tony's feeling of guilt they had champagne for dinner, which neither he nor Brenda particularly liked. Nor, as it happened, did Beaver, but he was glad that it was there. It was decanted into a tall jug and was carried round the little table, between the three of them, as a pledge of hospitality. Afterwards they drove into Pigstanton to the Picture-drome, where there was a film Beaver had seen some months before. When they got back there was a grog tray and some sandwiches in the smoking-room. They talked about the film but Beaver did not let on that he had seen it. Tony took him to the door of Sir Galahad. "I hope you sleep well." "I'm sure I shall." "D'you like to be called in the morning?" "May I ring?" "Certainly. Got everything you want?" "Yes, thanks. Good night." "Good night." But when he got back he said, "You know, I feel awful about Beaver." "Oh, Beaver's all right," said Brenda. But he was far from being comfortable and as he rolled patiently about the bed in quest of a position in which it was possible to go to sleep, he reflected that, since he had no intention of coming to the house again, he would give the butler nothing and only five shillings to the footman who was looking after him. Presently he adapted himself to the rugged topography of the mattress and dozed, fitfully, until morning. But the new day began dismally with the information that all the Sunday papers had already gone to her ladyship's room. * * * * * Tony invariably wore a dark suit on Sundays and a stiff white collar. He went to church, where he sat in a large pitch-pine pew, put in by his great-grandfather at the time of rebuilding the house, furnished with very high crimson hassocks and a fireplace, complete with iron grate and a little poker which his father used to rattle when any point in the sermon excited his disapproval. Since his father's day a fire had not been laid there; | we had some drinks and he said something about wanting to see the house..." "I suppose you were tight." "Not really, but I never thought he'd hold it against me." "Well, it jolly well serves you right. That's what comes of going up to London on business and leaving me alone here... Who is he anyway?" "Just a young man. His mother keeps that shop." "I used to know her. She's hell. Come to think of it we owe her some money." "Look here, we must put a call through and say we're ill." "Too late, he's in the train now, recklessly mixing starch and protein in the Great Western three and sixpenny lunch... Anyway, he can go into Galahad. No one who sleeps there ever comes again--the bed's agony I believe." "What on earth are we going to do with him? It's too late to get anyone else." "You go over to Pigstanton. I'll look after him. It's easier alone. We can take him to the movies to-night, and to-morrow he can see over the house. If we're lucky he may go up by the evening train. Does he have to work on Monday morning?" "I shouldn't know." * * * * * Three-eighteen was far from being the most convenient time for arrival. One reached the house at about a quarter to four and if, like Beaver, one was a stranger, there was an awkward time until tea; but without Tony there to make her self-conscious, Brenda could carry these things off quite gracefully and Beaver was so seldom wholly welcome anywhere that he was not sensitive to the slight constraint of his reception. She met him in what was still called the smoking-room; it was in some ways the least gloomy place in the house. She said, "It is nice that you were able to come. I must break it to you at once that we haven't got a party. I'm afraid you'll be terribly bored... Tony had to go out but he'll be in soon... was the train crowded? It often is on Saturdays... would you like to come outside? It'll be dark soon and we might get some of the sun while we can..." and so on. If Tony had been there it would have been difficult, for she would have caught his eye and her manner as ch?telaine would have collapsed. Beaver was well used to making conversation, so they went out together through the french windows on to the terrace, down the steps, into the Dutch garden, and back round the orangery without suffering a moment's real embarrassment. She even heard herself telling Beaver that his mother was one of her oldest friends. Tony returned in time for tea. He apologized for not being at home to greet his guest and almost immediately went out again to interview the agent in his study. Brenda asked about London and what parties there were. Beaver was particularly knowledgeable. "Polly Cockpurse is having one soon." "Yes, I know." "Are you coming up for it?" "I don't expect so. We never go anywhere nowadays." The jokes that had been going round for six weeks were all new to Brenda; they had become polished and perfected with repetition and Beaver was able to bring them out with good effect. He told her of numerous changes of alliance among her friends. "What's happening to Mary and Simon?" "Oh, didn't you know? That's broken up." "When?" "It began in Austria this summer..." "And Billy Angmering?" "He's having a terrific walk out with a girl called Sheila Shrub." "And the Helm-Hubbards?"<|quote|>"That marriage isn't going too well either... Daisy has started a new restaurant. It's going very well... and there's a new night club called the Warren..."</|quote|>"Dear me," Brenda said at last. "What fun everyone seems to be having." After tea John Andrew was brought in and quickly usurped the conversation. "How do you do?" he said. "I didn't know you were coming. Daddy said he had a week-end to himself for once. Do you hunt?" "Not for a long time." "Ben says it stands to reason everyone ought to hunt who can afford to, for the good of the country." "Perhaps I can't afford to." "Are you poor?" "Please, Mr Beaver, you mustn't let him bore you." "Yes, very poor." "Poor enough to call people tarts?" "Yes, quite poor enough." "How did you get poor?" "I always have been." "Oh." John lost interest in this topic. "The grey horse at the farm has got worms." "How do you know?" "Ben says so. Besides, you've only got to look at his dung." "Oh dear," said Brenda, "what would nanny say if she heard you talking like that?" "How old are you?" "Twenty-five. How old are you?" "What do you do?" "Nothing much." "Well, if I was you I'd do something and earn some money. Then you'd be able to hunt." "But I shouldn't be able to call people tarts." "I don't see any point in that anyway." (Later, in the nursery, while he was having his supper, John said: "I think Mr Beaver's a very silly man, don't you?" "I'm | A Handful Of Dust | effect. He told her of numerous changes of alliance among her friends. "What's happening to Mary and Simon?" "Oh, didn't you know? That's broken up." "When?" "It began in Austria this summer..." "And Billy Angmering?" "He's having a terrific walk out with a girl called Sheila Shrub." "And the Helm-Hubbards?"<|quote|>"That marriage isn't going too well either... Daisy has started a new restaurant. It's going very well... and there's a new night club called the Warren..."</|quote|>"Dear me," Brenda said at last. "What fun everyone seems to be having." After tea John Andrew was brought in and quickly usurped the conversation. "How do you do?" he said. "I didn't know you were coming. Daddy said he had a week-end to himself for once. Do you hunt?" | {
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"content": "effect. He told her of numerous changes of alliance among her friends. \"What's happening to Mary and Simon?\" \"Oh, didn't you know? That's broken up.\" \"When?\" \"It began in Austria this summer...\" \"And Billy Angmering?\" \"He's having a terrific walk out with a girl called Sheila Shrub.\" \"And the Helm-Hubbards?\"<|quote|>\"That marriage isn't going too well either... Daisy has started a new restaurant. It's going very well... and there's a new night club called the Warren...\"</|quote|>\"Dear me,\" Brenda said at last. \"What fun everyone seems to be having.\" After tea John Andrew was brought in and quickly usurped the conversation. \"How do you do?\" he said. \"I didn't know you were coming. Daddy said he had a week-end to himself for once. Do you hunt?\"",
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} | John Beaver |
"Perhaps we could do something together later on, Kat." | Paul | me another cigarette," he says.<|quote|>"Perhaps we could do something together later on, Kat."</|quote|>I am very miserable, it | may limp a bit." "Give me another cigarette," he says.<|quote|>"Perhaps we could do something together later on, Kat."</|quote|>I am very miserable, it is impossible that Kat--Kat my | one another again, if it is peace time before you come back." "Do you think that I will be marked A1 again with this leg?" he asks bitterly. "With rest it will get better. The joint is all right. It may limp a bit." "Give me another cigarette," he says.<|quote|>"Perhaps we could do something together later on, Kat."</|quote|>I am very miserable, it is impossible that Kat--Kat my friend, Kat with the drooping shoulders and the poor, thin moustache, Kat, whom I know as I know no other man, Kat with whom I have shared these years--it is impossible that perhaps I shall not see Kat again. "In | still a young recruit and was wounded for the first time? I cried then. Kat, that is almost three years ago." He nods. The anguish of solitude rises up in me. When Kat is taken away I will not have one friend left. "Kat, in any case we must see one another again, if it is peace time before you come back." "Do you think that I will be marked A1 again with this leg?" he asks bitterly. "With rest it will get better. The joint is all right. It may limp a bit." "Give me another cigarette," he says.<|quote|>"Perhaps we could do something together later on, Kat."</|quote|>I am very miserable, it is impossible that Kat--Kat my friend, Kat with the drooping shoulders and the poor, thin moustache, Kat, whom I know as I know no other man, Kat with whom I have shared these years--it is impossible that perhaps I shall not see Kat again. "In any case give me your address at home, Kat. And here is mine, I will write it down for you." I write his address in my pocket book. How forlorn I am already, though he still sits here beside me. Couldn't I shoot myself quickly in the foot so as | across. I go as quickly as I can, for the blood from Kat's wound drips to the ground. We cannot shelter ourselves properly from the explosions; before we can take cover the danger is all over. We lie down in a small shell hole to rest. I give Kat some tea from my water bottle. We smoke a cigarette. "Well, Kat," I say gloomily, "We are going to be separated at last." He is silent and looks at me. "Do you remember, Kat, how we commandeered the goose? And how you brought me out of the barrage when I was still a young recruit and was wounded for the first time? I cried then. Kat, that is almost three years ago." He nods. The anguish of solitude rises up in me. When Kat is taken away I will not have one friend left. "Kat, in any case we must see one another again, if it is peace time before you come back." "Do you think that I will be marked A1 again with this leg?" he asks bitterly. "With rest it will get better. The joint is all right. It may limp a bit." "Give me another cigarette," he says.<|quote|>"Perhaps we could do something together later on, Kat."</|quote|>I am very miserable, it is impossible that Kat--Kat my friend, Kat with the drooping shoulders and the poor, thin moustache, Kat, whom I know as I know no other man, Kat with whom I have shared these years--it is impossible that perhaps I shall not see Kat again. "In any case give me your address at home, Kat. And here is mine, I will write it down for you." I write his address in my pocket book. How forlorn I am already, though he still sits here beside me. Couldn't I shoot myself quickly in the foot so as to be able to go with him. Suddenly Kat gurgles and turns green and yellow. "Let us go on," he stammers. I jump up, eager to help him, I take him up and start off at a run, a slow steady pace, so as not to jolt his leg too much. My throat is parched; everything dances red and black before my eyes, I stagger on doggedly and pitilessly and at last reach the dressing station. There I drop down on my knees, but have still enough strength to fall on to the side where Kat's sound leg is. After | seems to be smashed. It has got the bone, and Kat groans desperately: "At last--just at the last----" I comfort him. "Who knows how long the mess will go on yet! Now you are saved----" The wound begins to bleed fast. Kat cannot be left by himself while I try to find a stretcher. Anyway, I don't know of a stretcher-bearer's post in the neighbourhood. Kat is not very heavy; so I take him up on my back and start off to the dressing station with him. Twice we rest. He suffers acutely on the way. We do not speak much. I have opened the collar of my tunic and breathe heavily, I sweat and my face is swollen with the strain of carrying. All the same I urge him to let us go on, for the place is dangerous. "Shall we go on again, Kat?" "Must, Paul." "Then come." I raise him up, he stands on the uninjured leg and supports himself against a tree. I take up the wounded leg carefully, then he gives a jump and I take the knee of the sound leg also under my arm. The going is more difficult. Often a shell whistles across. I go as quickly as I can, for the blood from Kat's wound drips to the ground. We cannot shelter ourselves properly from the explosions; before we can take cover the danger is all over. We lie down in a small shell hole to rest. I give Kat some tea from my water bottle. We smoke a cigarette. "Well, Kat," I say gloomily, "We are going to be separated at last." He is silent and looks at me. "Do you remember, Kat, how we commandeered the goose? And how you brought me out of the barrage when I was still a young recruit and was wounded for the first time? I cried then. Kat, that is almost three years ago." He nods. The anguish of solitude rises up in me. When Kat is taken away I will not have one friend left. "Kat, in any case we must see one another again, if it is peace time before you come back." "Do you think that I will be marked A1 again with this leg?" he asks bitterly. "With rest it will get better. The joint is all right. It may limp a bit." "Give me another cigarette," he says.<|quote|>"Perhaps we could do something together later on, Kat."</|quote|>I am very miserable, it is impossible that Kat--Kat my friend, Kat with the drooping shoulders and the poor, thin moustache, Kat, whom I know as I know no other man, Kat with whom I have shared these years--it is impossible that perhaps I shall not see Kat again. "In any case give me your address at home, Kat. And here is mine, I will write it down for you." I write his address in my pocket book. How forlorn I am already, though he still sits here beside me. Couldn't I shoot myself quickly in the foot so as to be able to go with him. Suddenly Kat gurgles and turns green and yellow. "Let us go on," he stammers. I jump up, eager to help him, I take him up and start off at a run, a slow steady pace, so as not to jolt his leg too much. My throat is parched; everything dances red and black before my eyes, I stagger on doggedly and pitilessly and at last reach the dressing station. There I drop down on my knees, but have still enough strength to fall on to the side where Kat's sound leg is. After a few minutes I straighten myself up again. My legs and my hands tremble. I have trouble in finding my water bottle, to take a pull. My lips tremble as I try to drink. But I smile--Kat is saved. After a while I begin to sort out the confusion of voices that falls on my ears. "You might have spared yourself that," says an orderly. I look at him without comprehending. He points to Kat. "He is stone dead." I do not understand him. "He has been hit in the shin," I say. The orderly stands still. "That as well." I turn round. My eyes are still dulled, the sweat breaks out on me again, it runs over my eyelids. I wipe it away and peer at Kat. He lies still. "Fainted," I say quickly. The orderly whistles softly. "I know better than that. He is dead. I'll lay any money on that." I shake my head: "Not possible. Only ten minutes ago I was talking to him. He has fainted." Kat's hands are warm, I pass my arm under his shoulders in order to rub his temples with some tea. I feel my fingers become moist. As I draw | lay hold on our hearts and make the return to the front harder than ever. Summer of 1918--Never was life in the line more bitter and more full of horror than in the hours of the bombardment, when the blanched faces lie in the dirt, and the hands clutch at the one thought: No! No! Not now! Not now at the last moment! Summer of 1918--Breath of hope that sweeps over the scorched fields, raging fever of impatience, of disappointment, of the most agonizing terror of death, insensate question: Why? Why do they not make an end? And why do these rumours of an end fly about? * * There are so many airmen here, and they are so sure of themselves that they give chase to single individuals, just as though they were hares. For every one German plane there come at least five English and American. For one hungry, wretched German soldier come five of the enemy, fresh and fit. For one German army loaf there are fifty tins of canned beef over there. We are not beaten, for as soldiers we are better and more experienced; we are simply crushed and driven back by overwhelmingly superior forces. Behind us lie rainy weeks--grey sky, grey fluid earth, grey dying. If we go out, the rain at once soaks through our overcoat and clothing;--and we remain wet all the time we are in the line. We never get dry. Those who still wear high boots tie sand bags round the top so that the mud does not pour in so fast. The rifles are caked, the uniforms caked, everything is fluid and dissolved, the earth one dripping, soaked, oily mass in which lie the yellow pools with red spiral streams of blood and into which the dead, wounded, and survivors slowly sink down. The storm lashes us, out of the confusion of grey and yellow the hail of splinters whips forth the childlike cries of the wounded, and in the night shattered life groans wearily to the silence. Our hands are earth, our bodies clay and our eyes pools of rain. We do not know whether we still live. Then the heat sinks heavily into our shell holes like a jelly fish, moist and oppressive, and on one of these late summer days, while bringing food, Kat falls. We two are alone. I bind up his wound; his shin seems to be smashed. It has got the bone, and Kat groans desperately: "At last--just at the last----" I comfort him. "Who knows how long the mess will go on yet! Now you are saved----" The wound begins to bleed fast. Kat cannot be left by himself while I try to find a stretcher. Anyway, I don't know of a stretcher-bearer's post in the neighbourhood. Kat is not very heavy; so I take him up on my back and start off to the dressing station with him. Twice we rest. He suffers acutely on the way. We do not speak much. I have opened the collar of my tunic and breathe heavily, I sweat and my face is swollen with the strain of carrying. All the same I urge him to let us go on, for the place is dangerous. "Shall we go on again, Kat?" "Must, Paul." "Then come." I raise him up, he stands on the uninjured leg and supports himself against a tree. I take up the wounded leg carefully, then he gives a jump and I take the knee of the sound leg also under my arm. The going is more difficult. Often a shell whistles across. I go as quickly as I can, for the blood from Kat's wound drips to the ground. We cannot shelter ourselves properly from the explosions; before we can take cover the danger is all over. We lie down in a small shell hole to rest. I give Kat some tea from my water bottle. We smoke a cigarette. "Well, Kat," I say gloomily, "We are going to be separated at last." He is silent and looks at me. "Do you remember, Kat, how we commandeered the goose? And how you brought me out of the barrage when I was still a young recruit and was wounded for the first time? I cried then. Kat, that is almost three years ago." He nods. The anguish of solitude rises up in me. When Kat is taken away I will not have one friend left. "Kat, in any case we must see one another again, if it is peace time before you come back." "Do you think that I will be marked A1 again with this leg?" he asks bitterly. "With rest it will get better. The joint is all right. It may limp a bit." "Give me another cigarette," he says.<|quote|>"Perhaps we could do something together later on, Kat."</|quote|>I am very miserable, it is impossible that Kat--Kat my friend, Kat with the drooping shoulders and the poor, thin moustache, Kat, whom I know as I know no other man, Kat with whom I have shared these years--it is impossible that perhaps I shall not see Kat again. "In any case give me your address at home, Kat. And here is mine, I will write it down for you." I write his address in my pocket book. How forlorn I am already, though he still sits here beside me. Couldn't I shoot myself quickly in the foot so as to be able to go with him. Suddenly Kat gurgles and turns green and yellow. "Let us go on," he stammers. I jump up, eager to help him, I take him up and start off at a run, a slow steady pace, so as not to jolt his leg too much. My throat is parched; everything dances red and black before my eyes, I stagger on doggedly and pitilessly and at last reach the dressing station. There I drop down on my knees, but have still enough strength to fall on to the side where Kat's sound leg is. After a few minutes I straighten myself up again. My legs and my hands tremble. I have trouble in finding my water bottle, to take a pull. My lips tremble as I try to drink. But I smile--Kat is saved. After a while I begin to sort out the confusion of voices that falls on my ears. "You might have spared yourself that," says an orderly. I look at him without comprehending. He points to Kat. "He is stone dead." I do not understand him. "He has been hit in the shin," I say. The orderly stands still. "That as well." I turn round. My eyes are still dulled, the sweat breaks out on me again, it runs over my eyelids. I wipe it away and peer at Kat. He lies still. "Fainted," I say quickly. The orderly whistles softly. "I know better than that. He is dead. I'll lay any money on that." I shake my head: "Not possible. Only ten minutes ago I was talking to him. He has fainted." Kat's hands are warm, I pass my arm under his shoulders in order to rub his temples with some tea. I feel my fingers become moist. As I draw them away from behind his head, they are bloody. "You see----" The orderly whistles once more through his teeth. On the way without my having noticed it, Kat has caught a splinter in the head. There is just one little hole, it must have been a very tiny, stray splinter. But it has sufficed. Kat is dead. Slowly I get up. "Would you like to take his pay book and his things?" the lance-corporal asks me. I nod, and he gives them to me. The orderly is mystified. "You are not related, are you?" No, we are not related. No, we are not related. Do I walk? Have I feet still? I raise my eyes, I let them move round, and turn myself with them, one circle, one circle, and I stand in the midst. All is as usual. Only the Militiaman Stanislaus Katczinsky has died. Then I know nothing more. CHAPTER XII It is autumn. There are not many of the old hands left. I am the last of the seven fellows from our class. Everyone talks of peace and armistice. All wait. If it again proves an illusion, then they will break up; hope is high, it cannot be taken away again without an upheaval. If there is not peace, then there will be revolution. I have fourteen days rest, because I have swallowed a bit of gas; in a little garden I sit the whole day long in the sun. The armistice is coming soon, I believe it now too. Then we will go home. Here my thoughts stop and will not go any farther. All that meets me, all that floods over me are but feelings--greed of life, love of home, yearning of the blood, intoxication of deliverance. But no aims. Had we returned home in 1916, out of the suffering and the strength of our experiences we might have unleashed a storm. Now if we go back we will be weary, broken, burnt out, rootless, and without hope. We will not be able to find our way any more. And men will not understand us--for the generation that grew up before us, though it has passed these years with us here, already had a home and a calling; now it will return to its old occupations, and the war will be forgotten--and the generation that has grown up after us will be strange to us | never get dry. Those who still wear high boots tie sand bags round the top so that the mud does not pour in so fast. The rifles are caked, the uniforms caked, everything is fluid and dissolved, the earth one dripping, soaked, oily mass in which lie the yellow pools with red spiral streams of blood and into which the dead, wounded, and survivors slowly sink down. The storm lashes us, out of the confusion of grey and yellow the hail of splinters whips forth the childlike cries of the wounded, and in the night shattered life groans wearily to the silence. Our hands are earth, our bodies clay and our eyes pools of rain. We do not know whether we still live. Then the heat sinks heavily into our shell holes like a jelly fish, moist and oppressive, and on one of these late summer days, while bringing food, Kat falls. We two are alone. I bind up his wound; his shin seems to be smashed. It has got the bone, and Kat groans desperately: "At last--just at the last----" I comfort him. "Who knows how long the mess will go on yet! Now you are saved----" The wound begins to bleed fast. Kat cannot be left by himself while I try to find a stretcher. Anyway, I don't know of a stretcher-bearer's post in the neighbourhood. Kat is not very heavy; so I take him up on my back and start off to the dressing station with him. Twice we rest. He suffers acutely on the way. We do not speak much. I have opened the collar of my tunic and breathe heavily, I sweat and my face is swollen with the strain of carrying. All the same I urge him to let us go on, for the place is dangerous. "Shall we go on again, Kat?" "Must, Paul." "Then come." I raise him up, he stands on the uninjured leg and supports himself against a tree. I take up the wounded leg carefully, then he gives a jump and I take the knee of the sound leg also under my arm. The going is more difficult. Often a shell whistles across. I go as quickly as I can, for the blood from Kat's wound drips to the ground. We cannot shelter ourselves properly from the explosions; before we can take cover the danger is all over. We lie down in a small shell hole to rest. I give Kat some tea from my water bottle. We smoke a cigarette. "Well, Kat," I say gloomily, "We are going to be separated at last." He is silent and looks at me. "Do you remember, Kat, how we commandeered the goose? And how you brought me out of the barrage when I was still a young recruit and was wounded for the first time? I cried then. Kat, that is almost three years ago." He nods. The anguish of solitude rises up in me. When Kat is taken away I will not have one friend left. "Kat, in any case we must see one another again, if it is peace time before you come back." "Do you think that I will be marked A1 again with this leg?" he asks bitterly. "With rest it will get better. The joint is all right. It may limp a bit." "Give me another cigarette," he says.<|quote|>"Perhaps we could do something together later on, Kat."</|quote|>I am very miserable, it is impossible that Kat--Kat my friend, Kat with the drooping shoulders and the poor, thin moustache, Kat, whom I know as I know no other man, Kat with whom I have shared these years--it is impossible that perhaps I shall not see Kat again. "In any case give me your address at home, Kat. And here is mine, I will write it down for you." I write his address in my pocket book. How forlorn I am already, though he still sits here beside me. Couldn't I shoot myself quickly in the foot so as to be able to go with him. Suddenly Kat gurgles and turns green and yellow. "Let us go on," he stammers. I jump up, eager to help him, I take him up and start off at a run, a slow steady pace, so as not to jolt his leg too much. My throat is parched; everything dances red and black before my eyes, I stagger on doggedly and pitilessly and at last reach the dressing station. There I drop down on my knees, but have still enough strength to fall on to the side where Kat's sound leg is. After a few minutes I straighten myself up again. My legs and my hands tremble. I have trouble in finding my water bottle, to take a pull. My lips tremble as I try to drink. But I smile--Kat is saved. After a while I begin to sort out the confusion of voices that falls on my ears. "You might have spared yourself | All Quiet on the Western Front | one another again, if it is peace time before you come back." "Do you think that I will be marked A1 again with this leg?" he asks bitterly. "With rest it will get better. The joint is all right. It may limp a bit." "Give me another cigarette," he says.<|quote|>"Perhaps we could do something together later on, Kat."</|quote|>I am very miserable, it is impossible that Kat--Kat my friend, Kat with the drooping shoulders and the poor, thin moustache, Kat, whom I know as I know no other man, Kat with whom I have shared these years--it is impossible that perhaps I shall not see Kat again. "In | {
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"content": "one another again, if it is peace time before you come back.\" \"Do you think that I will be marked A1 again with this leg?\" he asks bitterly. \"With rest it will get better. The joint is all right. It may limp a bit.\" \"Give me another cigarette,\" he says.<|quote|>\"Perhaps we could do something together later on, Kat.\"</|quote|>I am very miserable, it is impossible that Kat--Kat my friend, Kat with the drooping shoulders and the poor, thin moustache, Kat, whom I know as I know no other man, Kat with whom I have shared these years--it is impossible that perhaps I shall not see Kat again. \"In",
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} | Paul |
said Alice to herself, | No speaker | it might end, you know,"<|quote|>said Alice to herself,</|quote|>"in my going out altogether, | little nervous about this; "for it might end, you know,"<|quote|>said Alice to herself,</|quote|>"in my going out altogether, like a candle. I wonder | the thought that she was now the right size for going through the little door into that lovely garden. First, however, she waited for a few minutes to see if she was going to shrink any further: she felt a little nervous about this; "for it might end, you know,"<|quote|>said Alice to herself,</|quote|>"in my going out altogether, like a candle. I wonder what I should be like then?" And she tried to fancy what the flame of a candle is like after the candle is blown out, for she could not remember ever having seen such a thing. After a while, finding | * * * * * * * * * * * * * * * * * * "What a curious feeling!" said Alice; "I must be shutting up like a telescope." And so it was indeed: she was now only ten inches high, and her face brightened up at the thought that she was now the right size for going through the little door into that lovely garden. First, however, she waited for a few minutes to see if she was going to shrink any further: she felt a little nervous about this; "for it might end, you know,"<|quote|>said Alice to herself,</|quote|>"in my going out altogether, like a candle. I wonder what I should be like then?" And she tried to fancy what the flame of a candle is like after the candle is blown out, for she could not remember ever having seen such a thing. After a while, finding that nothing more happened, she decided on going into the garden at once; but, alas for poor Alice! when she got to the door, she found she had forgotten the little golden key, and when she went back to the table for it, she found she could not possibly reach | that a red-hot poker will burn you if you hold it too long; and that if you cut your finger _very_ deeply with a knife, it usually bleeds; and she had never forgotten that, if you drink much from a bottle marked "poison," it is almost certain to disagree with you, sooner or later. However, this bottle was _not_ marked "poison," so Alice ventured to taste it, and finding it very nice, (it had, in fact, a sort of mixed flavour of cherry-tart, custard, pine-apple, roast turkey, toffee, and hot buttered toast,) she very soon finished it off. * * * * * * * * * * * * * * * * * * * * "What a curious feeling!" said Alice; "I must be shutting up like a telescope." And so it was indeed: she was now only ten inches high, and her face brightened up at the thought that she was now the right size for going through the little door into that lovely garden. First, however, she waited for a few minutes to see if she was going to shrink any further: she felt a little nervous about this; "for it might end, you know,"<|quote|>said Alice to herself,</|quote|>"in my going out altogether, like a candle. I wonder what I should be like then?" And she tried to fancy what the flame of a candle is like after the candle is blown out, for she could not remember ever having seen such a thing. After a while, finding that nothing more happened, she decided on going into the garden at once; but, alas for poor Alice! when she got to the door, she found she had forgotten the little golden key, and when she went back to the table for it, she found she could not possibly reach it: she could see it quite plainly through the glass, and she tried her best to climb up one of the legs of the table, but it was too slippery; and when she had tired herself out with trying, the poor little thing sat down and cried. "Come, there's no use in crying like that!" said Alice to herself, rather sharply; "I advise you to leave off this minute!" She generally gave herself very good advice, (though she very seldom followed it), and sometimes she scolded herself so severely as to bring tears into her eyes; and once she remembered | up like a telescope! I think I could, if I only knew how to begin." For, you see, so many out-of-the-way things had happened lately, that Alice had begun to think that very few things indeed were really impossible. There seemed to be no use in waiting by the little door, so she went back to the table, half hoping she might find another key on it, or at any rate a book of rules for shutting people up like telescopes: this time she found a little bottle on it, (" "which certainly was not here before," said Alice,) and round the neck of the bottle was a paper label, with the words "DRINK ME," beautifully printed on it in large letters. It was all very well to say "Drink me," but the wise little Alice was not going to do _that_ in a hurry. "No, I'll look first," she said, "and see whether it's marked '_poison_' or not" "; for she had read several nice little histories about children who had got burnt, and eaten up by wild beasts and other unpleasant things, all because they _would_ not remember the simple rules their friends had taught them: such as, that a red-hot poker will burn you if you hold it too long; and that if you cut your finger _very_ deeply with a knife, it usually bleeds; and she had never forgotten that, if you drink much from a bottle marked "poison," it is almost certain to disagree with you, sooner or later. However, this bottle was _not_ marked "poison," so Alice ventured to taste it, and finding it very nice, (it had, in fact, a sort of mixed flavour of cherry-tart, custard, pine-apple, roast turkey, toffee, and hot buttered toast,) she very soon finished it off. * * * * * * * * * * * * * * * * * * * * "What a curious feeling!" said Alice; "I must be shutting up like a telescope." And so it was indeed: she was now only ten inches high, and her face brightened up at the thought that she was now the right size for going through the little door into that lovely garden. First, however, she waited for a few minutes to see if she was going to shrink any further: she felt a little nervous about this; "for it might end, you know,"<|quote|>said Alice to herself,</|quote|>"in my going out altogether, like a candle. I wonder what I should be like then?" And she tried to fancy what the flame of a candle is like after the candle is blown out, for she could not remember ever having seen such a thing. After a while, finding that nothing more happened, she decided on going into the garden at once; but, alas for poor Alice! when she got to the door, she found she had forgotten the little golden key, and when she went back to the table for it, she found she could not possibly reach it: she could see it quite plainly through the glass, and she tried her best to climb up one of the legs of the table, but it was too slippery; and when she had tired herself out with trying, the poor little thing sat down and cried. "Come, there's no use in crying like that!" said Alice to herself, rather sharply; "I advise you to leave off this minute!" She generally gave herself very good advice, (though she very seldom followed it), and sometimes she scolded herself so severely as to bring tears into her eyes; and once she remembered trying to box her own ears for having cheated herself in a game of croquet she was playing against herself, for this curious child was very fond of pretending to be two people. "But it's no use now," thought poor Alice, "to pretend to be two people! Why, there's hardly enough of me left to make _one_ respectable person!" Soon her eye fell on a little glass box that was lying under the table: she opened it, and found in it a very small cake, on which the words "EAT ME" were beautifully marked in currants. "Well, I'll eat it," said Alice, "and if it makes me grow larger, I can reach the key; and if it makes me grow smaller, I can creep under the door; so either way I'll get into the garden, and I don't care which happens!" She ate a little bit, and said anxiously to herself, "Which way? Which way?" ", holding her hand on the top of her head to feel which way it was growing, and she was quite surprised to find that she remained the same size: to be sure, this generally happens when one eats cake, but Alice had got so | tell me the truth: did you ever eat a bat?" when suddenly, thump! thump! down she came upon a heap of sticks and dry leaves, and the fall was over. Alice was not a bit hurt, and she jumped up on to her feet in a moment: she looked up, but it was all dark overhead; before her was another long passage, and the White Rabbit was still in sight, hurrying down it. There was not a moment to be lost: away went Alice like the wind, and was just in time to hear it say, as it turned a corner, "Oh my ears and whiskers, how late it's getting!" She was close behind it when she turned the corner, but the Rabbit was no longer to be seen: she found herself in a long, low hall, which was lit up by a row of lamps hanging from the roof. There were doors all round the hall, but they were all locked; and when Alice had been all the way down one side and up the other, trying every door, she walked sadly down the middle, wondering how she was ever to get out again. Suddenly she came upon a little three-legged table, all made of solid glass; there was nothing on it except a tiny golden key, and Alice's first thought was that it might belong to one of the doors of the hall; but, alas! either the locks were too large, or the key was too small, but at any rate it would not open any of them. However, on the second time round, she came upon a low curtain she had not noticed before, and behind it was a little door about fifteen inches high: she tried the little golden key in the lock, and to her great delight it fitted! Alice opened the door and found that it led into a small passage, not much larger than a rat-hole: she knelt down and looked along the passage into the loveliest garden you ever saw. How she longed to get out of that dark hall, and wander about among those beds of bright flowers and those cool fountains, but she could not even get her head through the doorway; "and even if my head would go through," thought poor Alice, "it would be of very little use without my shoulders. Oh, how I wish I could shut up like a telescope! I think I could, if I only knew how to begin." For, you see, so many out-of-the-way things had happened lately, that Alice had begun to think that very few things indeed were really impossible. There seemed to be no use in waiting by the little door, so she went back to the table, half hoping she might find another key on it, or at any rate a book of rules for shutting people up like telescopes: this time she found a little bottle on it, (" "which certainly was not here before," said Alice,) and round the neck of the bottle was a paper label, with the words "DRINK ME," beautifully printed on it in large letters. It was all very well to say "Drink me," but the wise little Alice was not going to do _that_ in a hurry. "No, I'll look first," she said, "and see whether it's marked '_poison_' or not" "; for she had read several nice little histories about children who had got burnt, and eaten up by wild beasts and other unpleasant things, all because they _would_ not remember the simple rules their friends had taught them: such as, that a red-hot poker will burn you if you hold it too long; and that if you cut your finger _very_ deeply with a knife, it usually bleeds; and she had never forgotten that, if you drink much from a bottle marked "poison," it is almost certain to disagree with you, sooner or later. However, this bottle was _not_ marked "poison," so Alice ventured to taste it, and finding it very nice, (it had, in fact, a sort of mixed flavour of cherry-tart, custard, pine-apple, roast turkey, toffee, and hot buttered toast,) she very soon finished it off. * * * * * * * * * * * * * * * * * * * * "What a curious feeling!" said Alice; "I must be shutting up like a telescope." And so it was indeed: she was now only ten inches high, and her face brightened up at the thought that she was now the right size for going through the little door into that lovely garden. First, however, she waited for a few minutes to see if she was going to shrink any further: she felt a little nervous about this; "for it might end, you know,"<|quote|>said Alice to herself,</|quote|>"in my going out altogether, like a candle. I wonder what I should be like then?" And she tried to fancy what the flame of a candle is like after the candle is blown out, for she could not remember ever having seen such a thing. After a while, finding that nothing more happened, she decided on going into the garden at once; but, alas for poor Alice! when she got to the door, she found she had forgotten the little golden key, and when she went back to the table for it, she found she could not possibly reach it: she could see it quite plainly through the glass, and she tried her best to climb up one of the legs of the table, but it was too slippery; and when she had tired herself out with trying, the poor little thing sat down and cried. "Come, there's no use in crying like that!" said Alice to herself, rather sharply; "I advise you to leave off this minute!" She generally gave herself very good advice, (though she very seldom followed it), and sometimes she scolded herself so severely as to bring tears into her eyes; and once she remembered trying to box her own ears for having cheated herself in a game of croquet she was playing against herself, for this curious child was very fond of pretending to be two people. "But it's no use now," thought poor Alice, "to pretend to be two people! Why, there's hardly enough of me left to make _one_ respectable person!" Soon her eye fell on a little glass box that was lying under the table: she opened it, and found in it a very small cake, on which the words "EAT ME" were beautifully marked in currants. "Well, I'll eat it," said Alice, "and if it makes me grow larger, I can reach the key; and if it makes me grow smaller, I can creep under the door; so either way I'll get into the garden, and I don't care which happens!" She ate a little bit, and said anxiously to herself, "Which way? Which way?" ", holding her hand on the top of her head to feel which way it was growing, and she was quite surprised to find that she remained the same size: to be sure, this generally happens when one eats cake, but Alice had got so much into the way of expecting nothing but out-of-the-way things to happen, that it seemed quite dull and stupid for life to go on in the common way. So she set to work, and very soon finished off the cake. * * * * * * * * * * * * * * * * * * * * CHAPTER II. The Pool of Tears "Curiouser and curiouser!" cried Alice (she was so much surprised, that for the moment she quite forgot how to speak good English); "now I'm opening out like the largest telescope that ever was! Good-bye, feet!" (for when she looked down at her feet, they seemed to be almost out of sight, they were getting so far off). "Oh, my poor little feet, I wonder who will put on your shoes and stockings for you now, dears? I'm sure _I_ shan't be able! I shall be a great deal too far off to trouble myself about you: you must manage the best way you can;--but I must be kind to them," thought Alice, "or perhaps they won't walk the way I want to go! Let me see: I'll give them a new pair of boots every Christmas." And she went on planning to herself how she would manage it. "They must go by the carrier," she thought; "and how funny it'll seem, sending presents to one's own feet! And how odd the directions will look! _Alice's Right Foot, Esq., Hearthrug, near the Fender,_ (_with Alice's love_). Oh dear, what nonsense I'm talking!" Just then her head struck against the roof of the hall: in fact she was now more than nine feet high, and she at once took up the little golden key and hurried off to the garden door. Poor Alice! It was as much as she could do, lying down on one side, to look through into the garden with one eye; but to get through was more hopeless than ever: she sat down and began to cry again. "You ought to be ashamed of yourself," said Alice, "a great girl like you," (she might well say this), "to go on crying in this way! Stop this moment, I tell you!" But she went on all the same, shedding gallons of tears, until there was a large pool all round her, about four inches deep and reaching half down the hall. After a | that Alice had begun to think that very few things indeed were really impossible. There seemed to be no use in waiting by the little door, so she went back to the table, half hoping she might find another key on it, or at any rate a book of rules for shutting people up like telescopes: this time she found a little bottle on it, (" "which certainly was not here before," said Alice,) and round the neck of the bottle was a paper label, with the words "DRINK ME," beautifully printed on it in large letters. It was all very well to say "Drink me," but the wise little Alice was not going to do _that_ in a hurry. "No, I'll look first," she said, "and see whether it's marked '_poison_' or not" "; for she had read several nice little histories about children who had got burnt, and eaten up by wild beasts and other unpleasant things, all because they _would_ not remember the simple rules their friends had taught them: such as, that a red-hot poker will burn you if you hold it too long; and that if you cut your finger _very_ deeply with a knife, it usually bleeds; and she had never forgotten that, if you drink much from a bottle marked "poison," it is almost certain to disagree with you, sooner or later. However, this bottle was _not_ marked "poison," so Alice ventured to taste it, and finding it very nice, (it had, in fact, a sort of mixed flavour of cherry-tart, custard, pine-apple, roast turkey, toffee, and hot buttered toast,) she very soon finished it off. * * * * * * * * * * * * * * * * * * * * "What a curious feeling!" said Alice; "I must be shutting up like a telescope." And so it was indeed: she was now only ten inches high, and her face brightened up at the thought that she was now the right size for going through the little door into that lovely garden. First, however, she waited for a few minutes to see if she was going to shrink any further: she felt a little nervous about this; "for it might end, you know,"<|quote|>said Alice to herself,</|quote|>"in my going out altogether, like a candle. I wonder what I should be like then?" And she tried to fancy what the flame of a candle is like after the candle is blown out, for she could not remember ever having seen such a thing. After a while, finding that nothing more happened, she decided on going into the garden at once; but, alas for poor Alice! when she got to the door, she found she had forgotten the little golden key, and when she went back to the table for it, she found she could not possibly reach it: she could see it quite plainly through the glass, and she tried her best to climb up one of the legs of the table, but it was too slippery; and when she had tired herself out with trying, the poor little thing sat down and cried. "Come, there's no use in crying like that!" said Alice to herself, rather sharply; "I advise you to leave off this minute!" She generally gave herself very good advice, (though she very seldom followed it), and sometimes she scolded herself so severely as to bring tears into her eyes; and once she remembered trying to box her own | Alices Adventures In Wonderland | the thought that she was now the right size for going through the little door into that lovely garden. First, however, she waited for a few minutes to see if she was going to shrink any further: she felt a little nervous about this; "for it might end, you know,"<|quote|>said Alice to herself,</|quote|>"in my going out altogether, like a candle. I wonder what I should be like then?" And she tried to fancy what the flame of a candle is like after the candle is blown out, for she could not remember ever having seen such a thing. After a while, finding | {
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"content": "the thought that she was now the right size for going through the little door into that lovely garden. First, however, she waited for a few minutes to see if she was going to shrink any further: she felt a little nervous about this; \"for it might end, you know,\"<|quote|>said Alice to herself,</|quote|>\"in my going out altogether, like a candle. I wonder what I should be like then?\" And she tried to fancy what the flame of a candle is like after the candle is blown out, for she could not remember ever having seen such a thing. After a while, finding",
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"Are you in pain?" | A nurse | and turns red. She stops.<|quote|>"Are you in pain?"</|quote|>"Yes," I groan, "all of | my head. My face swells and turns red. She stops.<|quote|>"Are you in pain?"</|quote|>"Yes," I groan, "all of a sudden." She gives me | at the next station because of his fever. "How far does the train go?" I ask. "To Cologne." "Albert," I say, "we stick together; you see." On the sister's next round I hold my breath and press it up into my head. My face swells and turns red. She stops.<|quote|>"Are you in pain?"</|quote|>"Yes," I groan, "all of a sudden." She gives me a thermometer and goes on. I would not have been under Kat's tuition if I did not know what to do now. These army thermometers are not made for old soldiers. All one has to do is to drive the | it is that apparently there are still lice under the plaster bandage. They itch terribly, and I cannot scratch myself. We sleep through the days. The country glides quietly past the window. The third night we reach Herbstal. I hear from the sister that Albert is to be put off at the next station because of his fever. "How far does the train go?" I ask. "To Cologne." "Albert," I say, "we stick together; you see." On the sister's next round I hold my breath and press it up into my head. My face swells and turns red. She stops.<|quote|>"Are you in pain?"</|quote|>"Yes," I groan, "all of a sudden." She gives me a thermometer and goes on. I would not have been under Kat's tuition if I did not know what to do now. These army thermometers are not made for old soldiers. All one has to do is to drive the quicksilver up and then it stays there without falling again. I stick the thermometer under my arm at a slant, and flip it steadily with my forefinger. Then I give it a shake. I send it up to 100.2°. But that is not enough. A match held cautiously near to | called professionally. She comes to my help. "Little or big?" This shocking business! I sweat like a pig and say shyly: "Well, only quite a little one----" At any rate, it produces the effect. I get a bottle. After a few hours I am no longer the only one, and by morning we are quite accustomed to it and ask for what we want without any false modesty. The train travels slowly. Sometimes it halts and the dead are unloaded. It halts often. Albert is feverish. I feel miserable and have a good deal of pain, but the worst of it is that apparently there are still lice under the plaster bandage. They itch terribly, and I cannot scratch myself. We sleep through the days. The country glides quietly past the window. The third night we reach Herbstal. I hear from the sister that Albert is to be put off at the next station because of his fever. "How far does the train go?" I ask. "To Cologne." "Albert," I say, "we stick together; you see." On the sister's next round I hold my breath and press it up into my head. My face swells and turns red. She stops.<|quote|>"Are you in pain?"</|quote|>"Yes," I groan, "all of a sudden." She gives me a thermometer and goes on. I would not have been under Kat's tuition if I did not know what to do now. These army thermometers are not made for old soldiers. All one has to do is to drive the quicksilver up and then it stays there without falling again. I stick the thermometer under my arm at a slant, and flip it steadily with my forefinger. Then I give it a shake. I send it up to 100.2°. But that is not enough. A match held cautiously near to it brings it up to 101.6°. As the sister comes back, I blow myself out, breathe in short gasps, goggle at her with vacant eyes, toss about restlessly, and mutter in a whisper: "I can't bear it any longer----" She notes me down on a slip of paper. I know perfectly well my plaster bandage will not be re-opened if it can be avoided. Albert and I are put off together. * * We are in the same room in a Catholic Hospital. That is a piece of luck, the Catholic infirmaries are noted for their good treatment and good | clear eyes, and the more wonderful and sweet she is the less am I able to tell her what I want. I am lifted up into bed again. That will be all right. As soon as she goes I must try to climb down again. If she were an old woman, it might be easier to say what a man wants, but she is so very young, at the most twenty-five, it can't be done, I cannot possibly tell her. Then Albert comes to my rescue, he is not bashful, it makes no difference to him who is upset. He calls to the sister. She turns round. "Sister, he wants----" but no more does Albert know how to express it modestly and decently. Out there we say it in a single word, but here, to such a lady---- All at once he remembers his school days and finishes hastily: "He wants to leave the room, sister." "Ah!" says the sister, "but he shouldn't climb out of his bed with his plaster bandage. What do you want then?" she says, turning to me. I am in mortal terror at this new turn, for I haven't any idea what the things are called professionally. She comes to my help. "Little or big?" This shocking business! I sweat like a pig and say shyly: "Well, only quite a little one----" At any rate, it produces the effect. I get a bottle. After a few hours I am no longer the only one, and by morning we are quite accustomed to it and ask for what we want without any false modesty. The train travels slowly. Sometimes it halts and the dead are unloaded. It halts often. Albert is feverish. I feel miserable and have a good deal of pain, but the worst of it is that apparently there are still lice under the plaster bandage. They itch terribly, and I cannot scratch myself. We sleep through the days. The country glides quietly past the window. The third night we reach Herbstal. I hear from the sister that Albert is to be put off at the next station because of his fever. "How far does the train go?" I ask. "To Cologne." "Albert," I say, "we stick together; you see." On the sister's next round I hold my breath and press it up into my head. My face swells and turns red. She stops.<|quote|>"Are you in pain?"</|quote|>"Yes," I groan, "all of a sudden." She gives me a thermometer and goes on. I would not have been under Kat's tuition if I did not know what to do now. These army thermometers are not made for old soldiers. All one has to do is to drive the quicksilver up and then it stays there without falling again. I stick the thermometer under my arm at a slant, and flip it steadily with my forefinger. Then I give it a shake. I send it up to 100.2°. But that is not enough. A match held cautiously near to it brings it up to 101.6°. As the sister comes back, I blow myself out, breathe in short gasps, goggle at her with vacant eyes, toss about restlessly, and mutter in a whisper: "I can't bear it any longer----" She notes me down on a slip of paper. I know perfectly well my plaster bandage will not be re-opened if it can be avoided. Albert and I are put off together. * * We are in the same room in a Catholic Hospital. That is a piece of luck, the Catholic infirmaries are noted for their good treatment and good food. The hospital has been filled up from our train, there are a great many bad cases amongst them. We do not get examined to-day because there are too few surgeons. The flat trolleys with the rubber wheels pass continually along the corridor, and always with someone stretched at full length upon them. A damnable position, stretched out at full length like that;--the only time it is good is when one is asleep. The night is very disturbed. No one can sleep. Toward morning we doze a little. I wake up just as it grows light. The door stands open and I hear voices from the corridor. The others wake up too. One fellow, who has been there a couple of days already explains it to us: "Up here in the corridor every morning the sisters say prayers. They call it Morning Devotion. And so that you can get your share, they leave the door open." No doubt it is well meant, but it gives us aches in our head and bones. "Such an absurdity!" I say, "just when a man dropped off to sleep." "All the light cases are up here, that's why they do it here," he replies. | and is terribly muddy. "Can't you get in by yourself?" asks the sister gently. "Why yes," I say in a sweat, "but take off the bed cover first." "What for?" I feel like a pig. Must I get in there?-- "It will get----" I hesitate. "A little bit dirty?" she suggests helpfully. "That doesn't matter, we will wash it again afterwards." "No, no, not that----" I say excitedly. I am not equal to such overwhelming refinement. "When you have been lying out there in the trenches, surely we can wash a sheet," she goes on. I look at her, she is young and crisp, spotless and neat, like everything here; a man cannot realize that it isn't for officers only, and feels himself strange and in some way even alarmed. All the same, the woman is a tormentor, she is going to force me to say it. "It is only----" I try again, surely she must know what I mean. "What is it then?" "Because of the lice," I bawl out at last. She laughs. "Well, they must have a good day for once, too." Now I don't care any more. I scramble into bed and pull up the covers. A hand gropes over the bed-cover. The sergeant-major. He goes off with the cigars. An hour later we notice that we are moving. At night I cannot sleep. Kropp is restless too. The train rides easily over the rails. I cannot realize it all yet; a bed, a train, home. "Albert!" I whisper. "Yes----" "Do you know where the latrine is?" "Over to the right of the door, I think." "I'm going to have a look." It is dark, I grope for the edge of the bed and cautiously try to slide down. But my foot finds no support, I begin to slip, the plaster leg is no help, and with a crash I lie on the floor. "Damn!" I say. "Have you bumped yourself?" asks Kropp. "You could hear that well enough for yourself," I growl, "my head----" A door opens in the rear of the car. The sister comes with a light and looks at me. "He has fallen out of bed----" She feels my pulse and smooths my forehead. "You haven't any fever, though." "No." I agree. "Have you been dreaming then?" she asks. "Perhaps----" I evade. The interrogation starts again. She looks at me with her clear eyes, and the more wonderful and sweet she is the less am I able to tell her what I want. I am lifted up into bed again. That will be all right. As soon as she goes I must try to climb down again. If she were an old woman, it might be easier to say what a man wants, but she is so very young, at the most twenty-five, it can't be done, I cannot possibly tell her. Then Albert comes to my rescue, he is not bashful, it makes no difference to him who is upset. He calls to the sister. She turns round. "Sister, he wants----" but no more does Albert know how to express it modestly and decently. Out there we say it in a single word, but here, to such a lady---- All at once he remembers his school days and finishes hastily: "He wants to leave the room, sister." "Ah!" says the sister, "but he shouldn't climb out of his bed with his plaster bandage. What do you want then?" she says, turning to me. I am in mortal terror at this new turn, for I haven't any idea what the things are called professionally. She comes to my help. "Little or big?" This shocking business! I sweat like a pig and say shyly: "Well, only quite a little one----" At any rate, it produces the effect. I get a bottle. After a few hours I am no longer the only one, and by morning we are quite accustomed to it and ask for what we want without any false modesty. The train travels slowly. Sometimes it halts and the dead are unloaded. It halts often. Albert is feverish. I feel miserable and have a good deal of pain, but the worst of it is that apparently there are still lice under the plaster bandage. They itch terribly, and I cannot scratch myself. We sleep through the days. The country glides quietly past the window. The third night we reach Herbstal. I hear from the sister that Albert is to be put off at the next station because of his fever. "How far does the train go?" I ask. "To Cologne." "Albert," I say, "we stick together; you see." On the sister's next round I hold my breath and press it up into my head. My face swells and turns red. She stops.<|quote|>"Are you in pain?"</|quote|>"Yes," I groan, "all of a sudden." She gives me a thermometer and goes on. I would not have been under Kat's tuition if I did not know what to do now. These army thermometers are not made for old soldiers. All one has to do is to drive the quicksilver up and then it stays there without falling again. I stick the thermometer under my arm at a slant, and flip it steadily with my forefinger. Then I give it a shake. I send it up to 100.2°. But that is not enough. A match held cautiously near to it brings it up to 101.6°. As the sister comes back, I blow myself out, breathe in short gasps, goggle at her with vacant eyes, toss about restlessly, and mutter in a whisper: "I can't bear it any longer----" She notes me down on a slip of paper. I know perfectly well my plaster bandage will not be re-opened if it can be avoided. Albert and I are put off together. * * We are in the same room in a Catholic Hospital. That is a piece of luck, the Catholic infirmaries are noted for their good treatment and good food. The hospital has been filled up from our train, there are a great many bad cases amongst them. We do not get examined to-day because there are too few surgeons. The flat trolleys with the rubber wheels pass continually along the corridor, and always with someone stretched at full length upon them. A damnable position, stretched out at full length like that;--the only time it is good is when one is asleep. The night is very disturbed. No one can sleep. Toward morning we doze a little. I wake up just as it grows light. The door stands open and I hear voices from the corridor. The others wake up too. One fellow, who has been there a couple of days already explains it to us: "Up here in the corridor every morning the sisters say prayers. They call it Morning Devotion. And so that you can get your share, they leave the door open." No doubt it is well meant, but it gives us aches in our head and bones. "Such an absurdity!" I say, "just when a man dropped off to sleep." "All the light cases are up here, that's why they do it here," he replies. Albert groans. I get furious and call out: "Be quiet out there!" A minute later a sister appears. In her black and white dress she looks like a beautiful tea-cosy. "Shut the door, will you, sister?" says someone. "We are saying prayers, that is why the door is open," she responds. "But we want to go on sleeping----" "Prayer is better than sleep," she stands there and smiles innocently. "And it is seven o'clock already." Albert groans again. "Shut the door," I snort. She is quite disconcerted. Apparently she cannot understand. "But we are saying prayers for you too." "Shut the door, anyway." She disappears leaving the door open. The intoning of the Litany proceeds. I feel savage, and say: "I'm going to count up to three. If it doesn't stop before then I'll let something fly." "Me, too," says another. I count up to five. Then I take hold of a bottle, aim, and heave it through the door into the corridor. It smashes into a thousand pieces. The praying stops. A swarm of sisters appear and reproach us in concert. "Shut the door!" we yell. They withdraw. The little one who came first is the last to go. "Heathen," she chirps, but shuts the door all the same. We have won. * * At noon the hospital inspector arrives and abuses us. He threatens us with clink and all the rest of it. But a hospital inspector is just the same as a commissariat inspector, or any one else who wears a long dagger and shoulder straps, but is really a clerk, and is never considered even by a recruit as a real officer. So we let him talk. What can they do to us, anyway---- "Who threw the bottle?" he asks. Before I can think whether I should report myself, someone says: "I did." A man with a bristling beard sits up. Everyone is excited; why should he report himself? "You?" "Yes. I was annoyed because we were waked up unnecessarily and lost my senses so that I did not know what I was doing." He talks like a book. "What is your name?" "Reinforcement-Reservist Josef Hamacher." The inspector departs. We are all curious. "But why did you say you did it? It wasn't you at all!" He grins. "That doesn't matter. I have a shooting licence." Then, of course, we all understand. Whoever has a shooting | less am I able to tell her what I want. I am lifted up into bed again. That will be all right. As soon as she goes I must try to climb down again. If she were an old woman, it might be easier to say what a man wants, but she is so very young, at the most twenty-five, it can't be done, I cannot possibly tell her. Then Albert comes to my rescue, he is not bashful, it makes no difference to him who is upset. He calls to the sister. She turns round. "Sister, he wants----" but no more does Albert know how to express it modestly and decently. Out there we say it in a single word, but here, to such a lady---- All at once he remembers his school days and finishes hastily: "He wants to leave the room, sister." "Ah!" says the sister, "but he shouldn't climb out of his bed with his plaster bandage. What do you want then?" she says, turning to me. I am in mortal terror at this new turn, for I haven't any idea what the things are called professionally. She comes to my help. "Little or big?" This shocking business! I sweat like a pig and say shyly: "Well, only quite a little one----" At any rate, it produces the effect. I get a bottle. After a few hours I am no longer the only one, and by morning we are quite accustomed to it and ask for what we want without any false modesty. The train travels slowly. Sometimes it halts and the dead are unloaded. It halts often. Albert is feverish. I feel miserable and have a good deal of pain, but the worst of it is that apparently there are still lice under the plaster bandage. They itch terribly, and I cannot scratch myself. We sleep through the days. The country glides quietly past the window. The third night we reach Herbstal. I hear from the sister that Albert is to be put off at the next station because of his fever. "How far does the train go?" I ask. "To Cologne." "Albert," I say, "we stick together; you see." On the sister's next round I hold my breath and press it up into my head. My face swells and turns red. She stops.<|quote|>"Are you in pain?"</|quote|>"Yes," I groan, "all of a sudden." She gives me a thermometer and goes on. I would not have been under Kat's tuition if I did not know what to do now. These army thermometers are not made for old soldiers. All one has to do is to drive the quicksilver up and then it stays there without falling again. I stick the thermometer under my arm at a slant, and flip it steadily with my forefinger. Then I give it a shake. I send it up to 100.2°. But that is not enough. A match held cautiously near to it brings it up to 101.6°. As the sister comes back, I blow myself out, breathe in short gasps, goggle at her with vacant eyes, toss about restlessly, and mutter in a whisper: "I can't bear it any longer----" She notes me down on a slip of paper. I know perfectly well my plaster bandage will not be re-opened if it can be avoided. Albert and I are put off together. * * We are in the same room in a Catholic Hospital. That is a piece of luck, the Catholic infirmaries are noted for their good treatment and good food. The hospital has been filled up from our train, there are a great many bad cases amongst them. We do not get examined to-day because there are too few surgeons. The flat trolleys with the rubber wheels pass continually along the corridor, and always with someone stretched at full length upon them. A damnable position, stretched out at full length like that;--the only time it is good is when one is asleep. The night is very disturbed. No one can sleep. Toward morning we doze a little. I wake up just as it grows light. The door stands open and I hear voices from the corridor. The others wake up too. One fellow, who has been there a couple of days already explains it to us: "Up here in the corridor every morning the sisters say prayers. They call it Morning Devotion. And so that you can get your share, they leave the door open." No doubt it is well meant, but it gives us aches in our head and bones. "Such an absurdity!" I say, "just when a man dropped off to sleep." "All the light cases are up here, that's why they do it here," he replies. Albert groans. I get furious and call out: "Be quiet out there!" A minute later a sister appears. In her black and white dress she looks like a beautiful tea-cosy. "Shut the door, will you, sister?" says someone. "We are saying prayers, that is why the door is open," she responds. "But we want to go on sleeping----" "Prayer is better than sleep," she stands there and smiles innocently. "And it is seven o'clock already." Albert groans again. "Shut the door," I snort. She is quite disconcerted. Apparently she cannot understand. "But we are saying prayers for you too." "Shut the door, anyway." She disappears leaving the door open. The intoning of the Litany proceeds. I feel savage, and say: "I'm going to count up to three. If it doesn't stop before then I'll let something fly." "Me, too," says another. I count up to five. Then I take | All Quiet on the Western Front | at the next station because of his fever. "How far does the train go?" I ask. "To Cologne." "Albert," I say, "we stick together; you see." On the sister's next round I hold my breath and press it up into my head. My face swells and turns red. She stops.<|quote|>"Are you in pain?"</|quote|>"Yes," I groan, "all of a sudden." She gives me a thermometer and goes on. I would not have been under Kat's tuition if I did not know what to do now. These army thermometers are not made for old soldiers. All one has to do is to drive the | {
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"content": "at the next station because of his fever. \"How far does the train go?\" I ask. \"To Cologne.\" \"Albert,\" I say, \"we stick together; you see.\" On the sister's next round I hold my breath and press it up into my head. My face swells and turns red. She stops.<|quote|>\"Are you in pain?\"</|quote|>\"Yes,\" I groan, \"all of a sudden.\" She gives me a thermometer and goes on. I would not have been under Kat's tuition if I did not know what to do now. These army thermometers are not made for old soldiers. All one has to do is to drive the",
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"Oh dear, I didn't realize..." | Brenda | taken London's only spare man."<|quote|>"Oh dear, I didn't realize..."</|quote|>Beaver arrived at quarter to | great deal of trouble. You've taken London's only spare man."<|quote|>"Oh dear, I didn't realize..."</|quote|>Beaver arrived at quarter to nine in a state of | of anybody." "Well, we shall have to be one short, that's all. I can't think what's happened to-night. I rang up John Beaver but even _he_ won't come." ") "You know," said Marjorie, putting down the telephone, "you're causing a great deal of trouble. You've taken London's only spare man."<|quote|>"Oh dear, I didn't realize..."</|quote|>Beaver arrived at quarter to nine in a state of high self-approval; he had refused two invitations to dinner while dressing that evening; he had cashed a cheque for ten pounds at his club; he had booked a divan table at Espinosa's. It was almost the first time in his | "Fairly." Marjorie was rung up by the woman at whose house she was dining. (" "Look here, are you absolutely sure you can't make Allan come to-night?" "Absolutely. He's got a meeting in Camberwell. He may not even come to Polly's." "Is there _any_ man you can bring?" "Can't think of anybody." "Well, we shall have to be one short, that's all. I can't think what's happened to-night. I rang up John Beaver but even _he_ won't come." ") "You know," said Marjorie, putting down the telephone, "you're causing a great deal of trouble. You've taken London's only spare man."<|quote|>"Oh dear, I didn't realize..."</|quote|>Beaver arrived at quarter to nine in a state of high self-approval; he had refused two invitations to dinner while dressing that evening; he had cashed a cheque for ten pounds at his club; he had booked a divan table at Espinosa's. It was almost the first time in his life that he had taken anyone out to dinner, but he knew perfectly well how it was done. "I must see your Mr Beaver properly," said Marjorie. "Let's make him take off his coat and drink something." The two sisters were a little shy as they came downstairs, but Beaver | kindly people spoke to him in the village he would tell them about her and how she swung head down from a tree throwing nutshells at passers-by. "You mustn't say things like that about real people," said nanny. "Whatever would Lady Cockpurse do if she heard about it?" "She'd gibber and chatter and lash round with her tail, and then I expect she'd catch some nice, big, juicy fleas and forget all about it." * * * * * Brenda was staying at Marjorie's for the night. She was dressed first and came into her sister's room. "Lovely, darling. New?" "Fairly." Marjorie was rung up by the woman at whose house she was dining. (" "Look here, are you absolutely sure you can't make Allan come to-night?" "Absolutely. He's got a meeting in Camberwell. He may not even come to Polly's." "Is there _any_ man you can bring?" "Can't think of anybody." "Well, we shall have to be one short, that's all. I can't think what's happened to-night. I rang up John Beaver but even _he_ won't come." ") "You know," said Marjorie, putting down the telephone, "you're causing a great deal of trouble. You've taken London's only spare man."<|quote|>"Oh dear, I didn't realize..."</|quote|>Beaver arrived at quarter to nine in a state of high self-approval; he had refused two invitations to dinner while dressing that evening; he had cashed a cheque for ten pounds at his club; he had booked a divan table at Espinosa's. It was almost the first time in his life that he had taken anyone out to dinner, but he knew perfectly well how it was done. "I must see your Mr Beaver properly," said Marjorie. "Let's make him take off his coat and drink something." The two sisters were a little shy as they came downstairs, but Beaver was perfectly at his ease. He looked very elegant and rather more than his age. "Oh, he's not so bad, your Mr Beaver," Marjorie's look seemed to say, "not by any means," and he, seeing the two women together, who were both beautiful, though in a manner so different that, although it was apparent that they were sisters, they might have belonged each to a separate race, began to understand what had perplexed him all the week; why, contrary to all habit and principle, he had telegraphed to Brenda asking her to dine. "Mrs Jimmy Deane's very upset that she | * * Next day a telegram came from Beaver. _Have got out of dinner 16th. Are you still free._ She replied: _Delighted. Second thoughts always best. Brenda._ Up till then they had avoided Christian names. "You seem in wonderful spirits to-day," Tony remarked. "I feel big. I think it's Mr Cruttwell. He puts all one's nerves right and one's circulation and everything." [III] "Where's mummy gone?" "London." "Why?" "Someone called Lady Cockpurse is giving a party." "Is she nice?" "Mummy thinks so. I don't." "Why?" "Because she looks like a monkey." "I should love to see her. Does she live in a cage? Has she got a tail? Ben saw a woman who looked like a fish, with scales all over instead of skin. It was in a circus in Cairo. Smelt like a fish too, Ben says." They were having tea together on the afternoon of Brenda's departure. "Daddy, what does Lady Cockpurse eat?" "Oh, nuts and things." "Nuts and what things?" "Different kinds of nuts." For days to come the image of this hairy, mischievous Countess occupied John Andrew's mind. She became one of the inhabitants of his world, like Peppermint, the mule who died of rum. When kindly people spoke to him in the village he would tell them about her and how she swung head down from a tree throwing nutshells at passers-by. "You mustn't say things like that about real people," said nanny. "Whatever would Lady Cockpurse do if she heard about it?" "She'd gibber and chatter and lash round with her tail, and then I expect she'd catch some nice, big, juicy fleas and forget all about it." * * * * * Brenda was staying at Marjorie's for the night. She was dressed first and came into her sister's room. "Lovely, darling. New?" "Fairly." Marjorie was rung up by the woman at whose house she was dining. (" "Look here, are you absolutely sure you can't make Allan come to-night?" "Absolutely. He's got a meeting in Camberwell. He may not even come to Polly's." "Is there _any_ man you can bring?" "Can't think of anybody." "Well, we shall have to be one short, that's all. I can't think what's happened to-night. I rang up John Beaver but even _he_ won't come." ") "You know," said Marjorie, putting down the telephone, "you're causing a great deal of trouble. You've taken London's only spare man."<|quote|>"Oh dear, I didn't realize..."</|quote|>Beaver arrived at quarter to nine in a state of high self-approval; he had refused two invitations to dinner while dressing that evening; he had cashed a cheque for ten pounds at his club; he had booked a divan table at Espinosa's. It was almost the first time in his life that he had taken anyone out to dinner, but he knew perfectly well how it was done. "I must see your Mr Beaver properly," said Marjorie. "Let's make him take off his coat and drink something." The two sisters were a little shy as they came downstairs, but Beaver was perfectly at his ease. He looked very elegant and rather more than his age. "Oh, he's not so bad, your Mr Beaver," Marjorie's look seemed to say, "not by any means," and he, seeing the two women together, who were both beautiful, though in a manner so different that, although it was apparent that they were sisters, they might have belonged each to a separate race, began to understand what had perplexed him all the week; why, contrary to all habit and principle, he had telegraphed to Brenda asking her to dine. "Mrs Jimmy Deane's very upset that she couldn't get you for to-night. I didn't give away what you were doing." "Give her my love," said Beaver. "Anyway we'll all meet at Polly's." "I must go, we're dining at nine." "Stay a bit," said Brenda. "She's sure to be late." Now that it was inevitable, she did not want to be left alone with Beaver. "No, I must go. Enjoy yourselves, bless you both." She felt as though she were the elder sister, seeing Brenda timid and expectant at the beginning of an adventure. They were awkward when Marjorie left, for in the week that they had been apart, each had, in thought, grown more intimate with the other than any actual occurrence warranted. Had Beaver been more experienced, he might have crossed to where Brenda was sitting on the arm of a chair, and made love to her at once; and probably he would have got away with it. Instead he remarked in an easy manner, "I suppose we ought to be going too." "Yes, where?" "I thought Espinosa's." "Yes, lovely. Only listen. I want you to understand right away that it's _my_ dinner." "Of course not... nothing of the sort." "Yes it is. I'm a year | carriage; they bought them together at the buffet. There was plenty of time before the train left and the carriage was not yet full. Beaver came in and sat with her. "I'm sure you want to go away." "No, really." "I've got lots to read." "I _want_ to stay." "It's very sweet of you." Presently she said, rather timidly, for she was not used to asking for that sort of thing, "I suppose you wouldn't like to take me to Polly's party, would you?" Beaver hesitated. There would be several dinner parties that evening and he was almost certain to be invited to one or other of them... if he took Brenda out it would mean the Embassy or some smart restaurant... three pounds at least... and he would be responsible for her and have to see her home... and if, as she said, she really did not know many people nowadays (why indeed should she have asked him if that were not true?) it might mean tying himself up for the whole evening... "I wish I could," he said, "but I've promised to dine out for it." Brenda had observed his hesitation. "I was afraid you would have." "But we'll meet there." "Yes, if I go." "I wish I could have taken you." "It's quite all right... I just wondered." The gaiety with which they had bought the buns was all gone now. They were silent for a minute. Then Beaver said, "Well, I think perhaps I'll leave you now." "Yes, run along. Thank you for coming." He went off down the platform. There were still eight minutes to go. The carriage suddenly filled up and Brenda felt tired out. "Why _should_ he want to take me, poor boy?" she thought. "Only he might have done it better." * * * * * "Barnardo case?" Brenda nodded. "Down and out," she said, "sunk, right under." She sat nursing her bread and milk, stirring it listlessly. Every bit of her felt good for nothing. "Good day?" She nodded. "Saw Marjorie and her filthy dog. Bought some things. Lunched at Daisy's new joint. Bone-setter. That's all." "You know I wish you'd give up these day-trips to London. They're far too much for you." "Me? Oh, I'm all right. Wish I was dead, that's all... and please, please, darling Tony, don't say anything about bed, because I can't move." * * * * * Next day a telegram came from Beaver. _Have got out of dinner 16th. Are you still free._ She replied: _Delighted. Second thoughts always best. Brenda._ Up till then they had avoided Christian names. "You seem in wonderful spirits to-day," Tony remarked. "I feel big. I think it's Mr Cruttwell. He puts all one's nerves right and one's circulation and everything." [III] "Where's mummy gone?" "London." "Why?" "Someone called Lady Cockpurse is giving a party." "Is she nice?" "Mummy thinks so. I don't." "Why?" "Because she looks like a monkey." "I should love to see her. Does she live in a cage? Has she got a tail? Ben saw a woman who looked like a fish, with scales all over instead of skin. It was in a circus in Cairo. Smelt like a fish too, Ben says." They were having tea together on the afternoon of Brenda's departure. "Daddy, what does Lady Cockpurse eat?" "Oh, nuts and things." "Nuts and what things?" "Different kinds of nuts." For days to come the image of this hairy, mischievous Countess occupied John Andrew's mind. She became one of the inhabitants of his world, like Peppermint, the mule who died of rum. When kindly people spoke to him in the village he would tell them about her and how she swung head down from a tree throwing nutshells at passers-by. "You mustn't say things like that about real people," said nanny. "Whatever would Lady Cockpurse do if she heard about it?" "She'd gibber and chatter and lash round with her tail, and then I expect she'd catch some nice, big, juicy fleas and forget all about it." * * * * * Brenda was staying at Marjorie's for the night. She was dressed first and came into her sister's room. "Lovely, darling. New?" "Fairly." Marjorie was rung up by the woman at whose house she was dining. (" "Look here, are you absolutely sure you can't make Allan come to-night?" "Absolutely. He's got a meeting in Camberwell. He may not even come to Polly's." "Is there _any_ man you can bring?" "Can't think of anybody." "Well, we shall have to be one short, that's all. I can't think what's happened to-night. I rang up John Beaver but even _he_ won't come." ") "You know," said Marjorie, putting down the telephone, "you're causing a great deal of trouble. You've taken London's only spare man."<|quote|>"Oh dear, I didn't realize..."</|quote|>Beaver arrived at quarter to nine in a state of high self-approval; he had refused two invitations to dinner while dressing that evening; he had cashed a cheque for ten pounds at his club; he had booked a divan table at Espinosa's. It was almost the first time in his life that he had taken anyone out to dinner, but he knew perfectly well how it was done. "I must see your Mr Beaver properly," said Marjorie. "Let's make him take off his coat and drink something." The two sisters were a little shy as they came downstairs, but Beaver was perfectly at his ease. He looked very elegant and rather more than his age. "Oh, he's not so bad, your Mr Beaver," Marjorie's look seemed to say, "not by any means," and he, seeing the two women together, who were both beautiful, though in a manner so different that, although it was apparent that they were sisters, they might have belonged each to a separate race, began to understand what had perplexed him all the week; why, contrary to all habit and principle, he had telegraphed to Brenda asking her to dine. "Mrs Jimmy Deane's very upset that she couldn't get you for to-night. I didn't give away what you were doing." "Give her my love," said Beaver. "Anyway we'll all meet at Polly's." "I must go, we're dining at nine." "Stay a bit," said Brenda. "She's sure to be late." Now that it was inevitable, she did not want to be left alone with Beaver. "No, I must go. Enjoy yourselves, bless you both." She felt as though she were the elder sister, seeing Brenda timid and expectant at the beginning of an adventure. They were awkward when Marjorie left, for in the week that they had been apart, each had, in thought, grown more intimate with the other than any actual occurrence warranted. Had Beaver been more experienced, he might have crossed to where Brenda was sitting on the arm of a chair, and made love to her at once; and probably he would have got away with it. Instead he remarked in an easy manner, "I suppose we ought to be going too." "Yes, where?" "I thought Espinosa's." "Yes, lovely. Only listen. I want you to understand right away that it's _my_ dinner." "Of course not... nothing of the sort." "Yes it is. I'm a year older than you and an old married woman and quite rich, so, please, I'm going to pay." Beaver continued protesting to the taxi door. But there was still a constraint between them and Beaver began to wonder, "Does she expect me to pounce?" So, as they waited in a traffic block by the Marble Arch, he leaned forward to kiss her; when he was quite near, she drew back. He said, "_Please_, Brenda," but she turned away and looked out of the window, shaking her head several times quickly. Then, her eyes still fixed on the window, she put out her hand to his and they sat in silence till they reached the restaurant. Beaver was thoroughly puzzled. Once they were in public again, his confidence returned. Espinosa led them to their table; it was the one by itself on the right of the door, the only table in the restaurant at which one's conversation was not overheard. Brenda handed him the card. "You choose. Very little for me, but it must only have starch, no protein." The bill at Espinosa's was, as a rule, roughly the same whatever one ate, but Brenda would not know this, so, since it was now understood that she was paying, Beaver felt constrained from ordering anything that looked obviously expensive. However, she insisted on champagne, and later a ballon of liqueur brandy for him. "You can't think how exciting it is for me to take a young man out. I've never done it before." They stayed at Espinosa's until it was time to go to the party, dancing once or twice, but most of the time sitting at the table, talking. Their interest in each other had so far outdistanced their knowledge that there was a great deal to say. Presently Beaver said, "I'm sorry I was an ass in the taxi just now." "Eh?" He changed it and said, "Did you mind when I tried to kiss you just now?" "Me? No, not particularly." "Then why wouldn't you let me?" "Oh dear, you've got a lot to learn." "How d'you mean?" "You mustn't ever ask questions like that. Will you try and remember?" Then he was sulky. "You talk to me as if I was an undergraduate having his first walk out." "Oh, is this a walk out?" "Not as far as I am concerned." There was a pause in which Brenda | got out of dinner 16th. Are you still free._ She replied: _Delighted. Second thoughts always best. Brenda._ Up till then they had avoided Christian names. "You seem in wonderful spirits to-day," Tony remarked. "I feel big. I think it's Mr Cruttwell. He puts all one's nerves right and one's circulation and everything." [III] "Where's mummy gone?" "London." "Why?" "Someone called Lady Cockpurse is giving a party." "Is she nice?" "Mummy thinks so. I don't." "Why?" "Because she looks like a monkey." "I should love to see her. Does she live in a cage? Has she got a tail? Ben saw a woman who looked like a fish, with scales all over instead of skin. It was in a circus in Cairo. Smelt like a fish too, Ben says." They were having tea together on the afternoon of Brenda's departure. "Daddy, what does Lady Cockpurse eat?" "Oh, nuts and things." "Nuts and what things?" "Different kinds of nuts." For days to come the image of this hairy, mischievous Countess occupied John Andrew's mind. She became one of the inhabitants of his world, like Peppermint, the mule who died of rum. When kindly people spoke to him in the village he would tell them about her and how she swung head down from a tree throwing nutshells at passers-by. "You mustn't say things like that about real people," said nanny. "Whatever would Lady Cockpurse do if she heard about it?" "She'd gibber and chatter and lash round with her tail, and then I expect she'd catch some nice, big, juicy fleas and forget all about it." * * * * * Brenda was staying at Marjorie's for the night. She was dressed first and came into her sister's room. "Lovely, darling. New?" "Fairly." Marjorie was rung up by the woman at whose house she was dining. (" "Look here, are you absolutely sure you can't make Allan come to-night?" "Absolutely. He's got a meeting in Camberwell. He may not even come to Polly's." "Is there _any_ man you can bring?" "Can't think of anybody." "Well, we shall have to be one short, that's all. I can't think what's happened to-night. I rang up John Beaver but even _he_ won't come." ") "You know," said Marjorie, putting down the telephone, "you're causing a great deal of trouble. You've taken London's only spare man."<|quote|>"Oh dear, I didn't realize..."</|quote|>Beaver arrived at quarter to nine in a state of high self-approval; he had refused two invitations to dinner while dressing that evening; he had cashed a cheque for ten pounds at his club; he had booked a divan table at Espinosa's. It was almost the first time in his life that he had taken anyone out to dinner, but he knew perfectly well how it was done. "I must see your Mr Beaver properly," said Marjorie. "Let's make him take off his coat and drink something." The two sisters were a little shy as they came downstairs, but Beaver was perfectly at his ease. He looked very elegant and rather more than his age. "Oh, he's not so bad, your Mr Beaver," Marjorie's look seemed to say, "not by any means," and he, seeing the two women together, who were both beautiful, though in a manner so different that, although it was apparent that they were sisters, they might have belonged each to a separate race, began to understand what had perplexed him all the week; why, contrary to all habit and principle, he had telegraphed to Brenda asking her to dine. "Mrs Jimmy Deane's very upset that she couldn't get you for to-night. I didn't give away what you were doing." "Give her my love," said Beaver. "Anyway we'll all meet at Polly's." "I must go, we're dining at nine." "Stay a bit," said Brenda. "She's sure to be late." Now that it was inevitable, she did not want to be left alone with Beaver. "No, I must go. Enjoy yourselves, bless you both." She felt as though she were the elder sister, seeing Brenda timid and expectant at the beginning of an adventure. They were awkward when Marjorie left, for in the week that they had been apart, each had, in thought, grown more intimate with the other than any actual occurrence warranted. Had Beaver been more experienced, he might have crossed to where Brenda was sitting on the arm of a chair, and made love to her at once; and probably he would have got away with it. Instead he remarked in an easy manner, "I suppose we ought to be going too." "Yes, where?" "I thought Espinosa's." "Yes, lovely. Only listen. I want you to understand right away that it's _my_ dinner." "Of course not... nothing of the sort." "Yes it is. I'm a year older than you and an old married woman and quite rich, so, please, I'm going to pay." Beaver continued protesting to the taxi door. But there was still a constraint between them and Beaver began to wonder, "Does she expect me to pounce?" So, as they waited in a traffic block by the Marble Arch, he leaned forward to kiss her; when he was quite near, she drew back. He said, "_Please_, Brenda," but she turned away and looked out of the window, shaking her head several times quickly. Then, her eyes still fixed on the window, she put out her hand to his and they sat in silence till they reached the restaurant. Beaver was thoroughly puzzled. Once they were in public again, his confidence returned. Espinosa led them to their table; it was the one by itself on the right of the door, the only table in the restaurant at which one's conversation was not overheard. Brenda handed him the | A Handful Of Dust | of anybody." "Well, we shall have to be one short, that's all. I can't think what's happened to-night. I rang up John Beaver but even _he_ won't come." ") "You know," said Marjorie, putting down the telephone, "you're causing a great deal of trouble. You've taken London's only spare man."<|quote|>"Oh dear, I didn't realize..."</|quote|>Beaver arrived at quarter to nine in a state of high self-approval; he had refused two invitations to dinner while dressing that evening; he had cashed a cheque for ten pounds at his club; he had booked a divan table at Espinosa's. It was almost the first time in his | {
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"content": "of anybody.\" \"Well, we shall have to be one short, that's all. I can't think what's happened to-night. I rang up John Beaver but even _he_ won't come.\" \") \"You know,\" said Marjorie, putting down the telephone, \"you're causing a great deal of trouble. You've taken London's only spare man.\"<|quote|>\"Oh dear, I didn't realize...\"</|quote|>Beaver arrived at quarter to nine in a state of high self-approval; he had refused two invitations to dinner while dressing that evening; he had cashed a cheque for ten pounds at his club; he had booked a divan table at Espinosa's. It was almost the first time in his",
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retorted Diana, | No speaker | because you have an imagination,"<|quote|>retorted Diana,</|quote|>"but what would you do | Anne. "It's easy for you because you have an imagination,"<|quote|>retorted Diana,</|quote|>"but what would you do if you had been born | can manage to write about the woods, but the one we're to hand in Monday is terrible. The idea of Miss Stacy telling us to write a story out of our own heads!" "Why, it's as easy as wink," said Anne. "It's easy for you because you have an imagination,"<|quote|>retorted Diana,</|quote|>"but what would you do if you had been born without one? I suppose you have your composition all done?" Anne nodded, trying hard not to look virtuously complacent and failing miserably. "I wrote it last Monday evening. It's called ?The Jealous Rival; or In Death Not Divided.' I read | rabbit. That's something to remember for our woods composition. I really think the woods are just as lovely in winter as in summer. They're so white and still, as if they were asleep and dreaming pretty dreams." "I won't mind writing that composition when its time comes," sighed Diana. "I can manage to write about the woods, but the one we're to hand in Monday is terrible. The idea of Miss Stacy telling us to write a story out of our own heads!" "Why, it's as easy as wink," said Anne. "It's easy for you because you have an imagination,"<|quote|>retorted Diana,</|quote|>"but what would you do if you had been born without one? I suppose you have your composition all done?" Anne nodded, trying hard not to look virtuously complacent and failing miserably. "I wrote it last Monday evening. It's called ?The Jealous Rival; or In Death Not Divided.' I read it to Marilla and she said it was stuff and nonsense. Then I read it to Matthew and he said it was fine. That is the kind of critic I like. It's a sad, sweet story. I just cried like a child while I was writing it. It's about two | able to put our hair up," said Diana. "Alice Bell is only sixteen and she is wearing hers up, but I think that's ridiculous. I shall wait until I'm seventeen." "If I had Alice Bell's crooked nose," said Anne decidedly, "I wouldn't--but there! I won't say what I was going to because it was extremely uncharitable. Besides, I was comparing it with my own nose and that's vanity. I'm afraid I think too much about my nose ever since I heard that compliment about it long ago. It really is a great comfort to me. Oh, Diana, look, there's a rabbit. That's something to remember for our woods composition. I really think the woods are just as lovely in winter as in summer. They're so white and still, as if they were asleep and dreaming pretty dreams." "I won't mind writing that composition when its time comes," sighed Diana. "I can manage to write about the woods, but the one we're to hand in Monday is terrible. The idea of Miss Stacy telling us to write a story out of our own heads!" "Why, it's as easy as wink," said Anne. "It's easy for you because you have an imagination,"<|quote|>retorted Diana,</|quote|>"but what would you do if you had been born without one? I suppose you have your composition all done?" Anne nodded, trying hard not to look virtuously complacent and failing miserably. "I wrote it last Monday evening. It's called ?The Jealous Rival; or In Death Not Divided.' I read it to Marilla and she said it was stuff and nonsense. Then I read it to Matthew and he said it was fine. That is the kind of critic I like. It's a sad, sweet story. I just cried like a child while I was writing it. It's about two beautiful maidens called Cordelia Montmorency and Geraldine Seymour who lived in the same village and were devotedly attached to each other. Cordelia was a regal brunette with a coronet of midnight hair and duskly flashing eyes. Geraldine was a queenly blonde with hair like spun gold and velvety purple eyes." "I never saw anybody with purple eyes," said Diana dubiously. "Neither did I. I just imagined them. I wanted something out of the common. Geraldine had an alabaster brow too. I've found out what an alabaster brow is. That is one of the advantages of being thirteen. You know so | for all she pretends to be so mad. But I'm afraid that is an uncharitable speech. Mrs. Allan says we should never make uncharitable speeches; but they do slip out so often before you think, don't they? I simply can't talk about Josie Pye without making an uncharitable speech, so I never mention her at all. You may have noticed that. I'm trying to be as much like Mrs. Allan as I possibly can, for I think she's perfect. Mr. Allan thinks so too. Mrs. Lynde says he just worships the ground she treads on and she doesn't really think it right for a minister to set his affections so much on a mortal being. But then, Diana, even ministers are human and have their besetting sins just like everybody else. I had such an interesting talk with Mrs. Allan about besetting sins last Sunday afternoon. There are just a few things it's proper to talk about on Sundays and that is one of them. My besetting sin is imagining too much and forgetting my duties. I'm striving very hard to overcome it and now that I'm really thirteen perhaps I'll get on better." "In four more years we'll be able to put our hair up," said Diana. "Alice Bell is only sixteen and she is wearing hers up, but I think that's ridiculous. I shall wait until I'm seventeen." "If I had Alice Bell's crooked nose," said Anne decidedly, "I wouldn't--but there! I won't say what I was going to because it was extremely uncharitable. Besides, I was comparing it with my own nose and that's vanity. I'm afraid I think too much about my nose ever since I heard that compliment about it long ago. It really is a great comfort to me. Oh, Diana, look, there's a rabbit. That's something to remember for our woods composition. I really think the woods are just as lovely in winter as in summer. They're so white and still, as if they were asleep and dreaming pretty dreams." "I won't mind writing that composition when its time comes," sighed Diana. "I can manage to write about the woods, but the one we're to hand in Monday is terrible. The idea of Miss Stacy telling us to write a story out of our own heads!" "Why, it's as easy as wink," said Anne. "It's easy for you because you have an imagination,"<|quote|>retorted Diana,</|quote|>"but what would you do if you had been born without one? I suppose you have your composition all done?" Anne nodded, trying hard not to look virtuously complacent and failing miserably. "I wrote it last Monday evening. It's called ?The Jealous Rival; or In Death Not Divided.' I read it to Marilla and she said it was stuff and nonsense. Then I read it to Matthew and he said it was fine. That is the kind of critic I like. It's a sad, sweet story. I just cried like a child while I was writing it. It's about two beautiful maidens called Cordelia Montmorency and Geraldine Seymour who lived in the same village and were devotedly attached to each other. Cordelia was a regal brunette with a coronet of midnight hair and duskly flashing eyes. Geraldine was a queenly blonde with hair like spun gold and velvety purple eyes." "I never saw anybody with purple eyes," said Diana dubiously. "Neither did I. I just imagined them. I wanted something out of the common. Geraldine had an alabaster brow too. I've found out what an alabaster brow is. That is one of the advantages of being thirteen. You know so much more than you did when you were only twelve." "Well, what became of Cordelia and Geraldine?" asked Diana, who was beginning to feel rather interested in their fate. "They grew in beauty side by side until they were sixteen. Then Bertram DeVere came to their native village and fell in love with the fair Geraldine. He saved her life when her horse ran away with her in a carriage, and she fainted in his arms and he carried her home three miles; because, you understand, the carriage was all smashed up. I found it rather hard to imagine the proposal because I had no experience to go by. I asked Ruby Gillis if she knew anything about how men proposed because I thought she'd likely be an authority on the subject, having so many sisters married. Ruby told me she was hid in the hall pantry when Malcolm Andres proposed to her sister Susan. She said Malcolm told Susan that his dad had given him the farm in his own name and then said," ?What do you say, darling pet, if we get hitched this fall?' "And Susan said," ?Yes--no--I don't know--let me see' "--and there they were, engaged | sure, the concert left traces. Ruby Gillis and Emma White, who had quarreled over a point of precedence in their platform seats, no longer sat at the same desk, and a promising friendship of three years was broken up. Josie Pye and Julia Bell did not "speak" for three months, because Josie Pye had told Bessie Wright that Julia Bell's bow when she got up to recite made her think of a chicken jerking its head, and Bessie told Julia. None of the Sloanes would have any dealings with the Bells, because the Bells had declared that the Sloanes had too much to do in the program, and the Sloanes had retorted that the Bells were not capable of doing the little they had to do properly. Finally, Charlie Sloane fought Moody Spurgeon MacPherson, because Moody Spurgeon had said that Anne Shirley put on airs about her recitations, and Moody Spurgeon was "licked"; consequently Moody Spurgeon's sister, Ella May, would not "speak" to Anne Shirley all the rest of the winter. With the exception of these trifling frictions, work in Miss Stacy's little kingdom went on with regularity and smoothness. The winter weeks slipped by. It was an unusually mild winter, with so little snow that Anne and Diana could go to school nearly every day by way of the Birch Path. On Anne's birthday they were tripping lightly down it, keeping eyes and ears alert amid all their chatter, for Miss Stacy had told them that they must soon write a composition on "A Winter's Walk in the Woods," and it behooved them to be observant. "Just think, Diana, I'm thirteen years old today," remarked Anne in an awed voice. "I can scarcely realize that I'm in my teens. When I woke this morning it seemed to me that everything must be different. You've been thirteen for a month, so I suppose it doesn't seem such a novelty to you as it does to me. It makes life seem so much more interesting. In two more years I'll be really grown up. It's a great comfort to think that I'll be able to use big words then without being laughed at." "Ruby Gillis says she means to have a beau as soon as she's fifteen," said Diana. "Ruby Gillis thinks of nothing but beaus," said Anne disdainfully. "She's actually delighted when anyone writes her name up in a take-notice for all she pretends to be so mad. But I'm afraid that is an uncharitable speech. Mrs. Allan says we should never make uncharitable speeches; but they do slip out so often before you think, don't they? I simply can't talk about Josie Pye without making an uncharitable speech, so I never mention her at all. You may have noticed that. I'm trying to be as much like Mrs. Allan as I possibly can, for I think she's perfect. Mr. Allan thinks so too. Mrs. Lynde says he just worships the ground she treads on and she doesn't really think it right for a minister to set his affections so much on a mortal being. But then, Diana, even ministers are human and have their besetting sins just like everybody else. I had such an interesting talk with Mrs. Allan about besetting sins last Sunday afternoon. There are just a few things it's proper to talk about on Sundays and that is one of them. My besetting sin is imagining too much and forgetting my duties. I'm striving very hard to overcome it and now that I'm really thirteen perhaps I'll get on better." "In four more years we'll be able to put our hair up," said Diana. "Alice Bell is only sixteen and she is wearing hers up, but I think that's ridiculous. I shall wait until I'm seventeen." "If I had Alice Bell's crooked nose," said Anne decidedly, "I wouldn't--but there! I won't say what I was going to because it was extremely uncharitable. Besides, I was comparing it with my own nose and that's vanity. I'm afraid I think too much about my nose ever since I heard that compliment about it long ago. It really is a great comfort to me. Oh, Diana, look, there's a rabbit. That's something to remember for our woods composition. I really think the woods are just as lovely in winter as in summer. They're so white and still, as if they were asleep and dreaming pretty dreams." "I won't mind writing that composition when its time comes," sighed Diana. "I can manage to write about the woods, but the one we're to hand in Monday is terrible. The idea of Miss Stacy telling us to write a story out of our own heads!" "Why, it's as easy as wink," said Anne. "It's easy for you because you have an imagination,"<|quote|>retorted Diana,</|quote|>"but what would you do if you had been born without one? I suppose you have your composition all done?" Anne nodded, trying hard not to look virtuously complacent and failing miserably. "I wrote it last Monday evening. It's called ?The Jealous Rival; or In Death Not Divided.' I read it to Marilla and she said it was stuff and nonsense. Then I read it to Matthew and he said it was fine. That is the kind of critic I like. It's a sad, sweet story. I just cried like a child while I was writing it. It's about two beautiful maidens called Cordelia Montmorency and Geraldine Seymour who lived in the same village and were devotedly attached to each other. Cordelia was a regal brunette with a coronet of midnight hair and duskly flashing eyes. Geraldine was a queenly blonde with hair like spun gold and velvety purple eyes." "I never saw anybody with purple eyes," said Diana dubiously. "Neither did I. I just imagined them. I wanted something out of the common. Geraldine had an alabaster brow too. I've found out what an alabaster brow is. That is one of the advantages of being thirteen. You know so much more than you did when you were only twelve." "Well, what became of Cordelia and Geraldine?" asked Diana, who was beginning to feel rather interested in their fate. "They grew in beauty side by side until they were sixteen. Then Bertram DeVere came to their native village and fell in love with the fair Geraldine. He saved her life when her horse ran away with her in a carriage, and she fainted in his arms and he carried her home three miles; because, you understand, the carriage was all smashed up. I found it rather hard to imagine the proposal because I had no experience to go by. I asked Ruby Gillis if she knew anything about how men proposed because I thought she'd likely be an authority on the subject, having so many sisters married. Ruby told me she was hid in the hall pantry when Malcolm Andres proposed to her sister Susan. She said Malcolm told Susan that his dad had given him the farm in his own name and then said," ?What do you say, darling pet, if we get hitched this fall?' "And Susan said," ?Yes--no--I don't know--let me see' "--and there they were, engaged as quick as that. But I didn't think that sort of a proposal was a very romantic one, so in the end I had to imagine it out as well as I could. I made it very flowery and poetical and Bertram went on his knees, although Ruby Gillis says it isn't done nowadays. Geraldine accepted him in a speech a page long. I can tell you I took a lot of trouble with that speech. I rewrote it five times and I look upon it as my masterpiece. Bertram gave her a diamond ring and a ruby necklace and told her they would go to Europe for a wedding tour, for he was immensely wealthy. But then, alas, shadows began to darken over their path. Cordelia was secretly in love with Bertram herself and when Geraldine told her about the engagement she was simply furious, especially when she saw the necklace and the diamond ring. All her affection for Geraldine turned to bitter hate and she vowed that she should never marry Bertram. But she pretended to be Geraldine's friend the same as ever. One evening they were standing on the bridge over a rushing turbulent stream and Cordelia, thinking they were alone, pushed Geraldine over the brink with a wild, mocking," ?Ha, ha, ha.' "But Bertram saw it all and he at once plunged into the current, exclaiming," ?I will save thee, my peerless Geraldine.' "But alas, he had forgotten he couldn't swim, and they were both drowned, clasped in each other's arms. Their bodies were washed ashore soon afterwards. They were buried in the one grave and their funeral was most imposing, Diana. It's so much more romantic to end a story up with a funeral than a wedding. As for Cordelia, she went insane with remorse and was shut up in a lunatic asylum. I thought that was a poetical retribution for her crime." "How perfectly lovely!" sighed Diana, who belonged to Matthew's school of critics. "I don't see how you can make up such thrilling things out of your own head, Anne. I wish my imagination was as good as yours." "It would be if you'd only cultivate it," said Anne cheeringly. "I've just thought of a plan, Diana. Let you and me have a story club all our own and write stories for practice. I'll help you along until you can do them by | way of the Birch Path. On Anne's birthday they were tripping lightly down it, keeping eyes and ears alert amid all their chatter, for Miss Stacy had told them that they must soon write a composition on "A Winter's Walk in the Woods," and it behooved them to be observant. "Just think, Diana, I'm thirteen years old today," remarked Anne in an awed voice. "I can scarcely realize that I'm in my teens. When I woke this morning it seemed to me that everything must be different. You've been thirteen for a month, so I suppose it doesn't seem such a novelty to you as it does to me. It makes life seem so much more interesting. In two more years I'll be really grown up. It's a great comfort to think that I'll be able to use big words then without being laughed at." "Ruby Gillis says she means to have a beau as soon as she's fifteen," said Diana. "Ruby Gillis thinks of nothing but beaus," said Anne disdainfully. "She's actually delighted when anyone writes her name up in a take-notice for all she pretends to be so mad. But I'm afraid that is an uncharitable speech. Mrs. Allan says we should never make uncharitable speeches; but they do slip out so often before you think, don't they? I simply can't talk about Josie Pye without making an uncharitable speech, so I never mention her at all. You may have noticed that. I'm trying to be as much like Mrs. Allan as I possibly can, for I think she's perfect. Mr. Allan thinks so too. Mrs. Lynde says he just worships the ground she treads on and she doesn't really think it right for a minister to set his affections so much on a mortal being. But then, Diana, even ministers are human and have their besetting sins just like everybody else. I had such an interesting talk with Mrs. Allan about besetting sins last Sunday afternoon. There are just a few things it's proper to talk about on Sundays and that is one of them. My besetting sin is imagining too much and forgetting my duties. I'm striving very hard to overcome it and now that I'm really thirteen perhaps I'll get on better." "In four more years we'll be able to put our hair up," said Diana. "Alice Bell is only sixteen and she is wearing hers up, but I think that's ridiculous. I shall wait until I'm seventeen." "If I had Alice Bell's crooked nose," said Anne decidedly, "I wouldn't--but there! I won't say what I was going to because it was extremely uncharitable. Besides, I was comparing it with my own nose and that's vanity. I'm afraid I think too much about my nose ever since I heard that compliment about it long ago. It really is a great comfort to me. Oh, Diana, look, there's a rabbit. That's something to remember for our woods composition. I really think the woods are just as lovely in winter as in summer. They're so white and still, as if they were asleep and dreaming pretty dreams." "I won't mind writing that composition when its time comes," sighed Diana. "I can manage to write about the woods, but the one we're to hand in Monday is terrible. The idea of Miss Stacy telling us to write a story out of our own heads!" "Why, it's as easy as wink," said Anne. "It's easy for you because you have an imagination,"<|quote|>retorted Diana,</|quote|>"but what would you do if you had been born without one? I suppose you have your composition all done?" Anne nodded, trying hard not to look virtuously complacent and failing miserably. "I wrote it last Monday evening. It's called ?The Jealous Rival; or In Death Not Divided.' I read it to Marilla and she said it was stuff and nonsense. Then I read it to Matthew and he said it was fine. That is the kind of critic I like. It's a sad, sweet story. I just cried like a child while I was writing it. It's about two beautiful maidens called Cordelia Montmorency and Geraldine Seymour who lived in the same village and were devotedly attached to each other. Cordelia was a regal brunette with a coronet of midnight hair and duskly flashing eyes. Geraldine was a queenly blonde with hair like spun gold and velvety purple eyes." "I never saw anybody with purple eyes," said Diana dubiously. "Neither did I. I just imagined them. I wanted something out of the common. Geraldine had an alabaster brow too. I've found out what an alabaster brow is. That is one of the advantages of being thirteen. You know so much more than you did when you were only twelve." "Well, what became of Cordelia and Geraldine?" asked Diana, who was beginning to feel rather interested in their fate. "They grew in beauty side by side until they were sixteen. Then Bertram DeVere came to their native village and fell in love with the fair Geraldine. He saved her life when her horse ran away with her in a carriage, and she fainted in his arms and he carried her home three miles; because, you understand, the carriage was all smashed up. I found it rather hard | Anne Of Green Gables | can manage to write about the woods, but the one we're to hand in Monday is terrible. The idea of Miss Stacy telling us to write a story out of our own heads!" "Why, it's as easy as wink," said Anne. "It's easy for you because you have an imagination,"<|quote|>retorted Diana,</|quote|>"but what would you do if you had been born without one? I suppose you have your composition all done?" Anne nodded, trying hard not to look virtuously complacent and failing miserably. "I wrote it last Monday evening. It's called ?The Jealous Rival; or In Death Not Divided.' I read | {
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"content": "can manage to write about the woods, but the one we're to hand in Monday is terrible. The idea of Miss Stacy telling us to write a story out of our own heads!\" \"Why, it's as easy as wink,\" said Anne. \"It's easy for you because you have an imagination,\"<|quote|>retorted Diana,</|quote|>\"but what would you do if you had been born without one? I suppose you have your composition all done?\" Anne nodded, trying hard not to look virtuously complacent and failing miserably. \"I wrote it last Monday evening. It's called ?The Jealous Rival; or In Death Not Divided.' I read",
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"Prepare to advance, advance!" | No speaker | wet, newly ploughed field the<|quote|>"Prepare to advance, advance!"</|quote|>and the "Lie down!" until | to practise on a soft, wet, newly ploughed field the<|quote|>"Prepare to advance, advance!"</|quote|>and the "Lie down!" until I was one lump of | coals. But the only result of this was to make Himmelstoss hate us more. For six weeks consecutively I did guard every Sunday and was hut-orderly for the same length of time. With full pack and rifle I have had to practise on a soft, wet, newly ploughed field the<|quote|>"Prepare to advance, advance!"</|quote|>and the "Lie down!" until I was one lump of mud and finally collapsed. Four hours later I had to report to Himmelstoss with my clothes scrubbed clean, my hands chafed and bleeding. Together with Kropp, Westhus, and Tjaden I have stood at attention in a hard frost without gloves | the Corporals' Mess with a tooth-brush. Kropp and I were given the job of clearing the barrack-square of snow with a hand-broom and a dust-pan, and we would have gone on till we were frozen had not a lieutenant accidentally appeared who sent us off, and hauled Himmelstoss over the coals. But the only result of this was to make Himmelstoss hate us more. For six weeks consecutively I did guard every Sunday and was hut-orderly for the same length of time. With full pack and rifle I have had to practise on a soft, wet, newly ploughed field the<|quote|>"Prepare to advance, advance!"</|quote|>and the "Lie down!" until I was one lump of mud and finally collapsed. Four hours later I had to report to Himmelstoss with my clothes scrubbed clean, my hands chafed and bleeding. Together with Kropp, Westhus, and Tjaden I have stood at attention in a hard frost without gloves for a quarter of an hour at a stretch, while Himmelstoss watched for the slightest movement of our bare fingers on the steel barrel of the rifle. I have run eight times from the top floor of the barracks down to the courtyard in my shirt at two o'clock in | waxed moustache, who had seen twelve years service and was in civil life a postman. He had a special dislike for Kropp, Tjaden, Westhus, and me, because he sensed a quiet defiance. I have remade his bed fourteen times in one morning. Each time he had some fault to find and pulled it to pieces. I have kneaded a pair of prehistoric boots that were as hard as iron for twenty hours--with intervals of course--until they became as soft as butter and not even Himmelstoss could find anything more to do to them; under his orders I have scrubbed out the Corporals' Mess with a tooth-brush. Kropp and I were given the job of clearing the barrack-square of snow with a hand-broom and a dust-pan, and we would have gone on till we were frozen had not a lieutenant accidentally appeared who sent us off, and hauled Himmelstoss over the coals. But the only result of this was to make Himmelstoss hate us more. For six weeks consecutively I did guard every Sunday and was hut-orderly for the same length of time. With full pack and rifle I have had to practise on a soft, wet, newly ploughed field the<|quote|>"Prepare to advance, advance!"</|quote|>and the "Lie down!" until I was one lump of mud and finally collapsed. Four hours later I had to report to Himmelstoss with my clothes scrubbed clean, my hands chafed and bleeding. Together with Kropp, Westhus, and Tjaden I have stood at attention in a hard frost without gloves for a quarter of an hour at a stretch, while Himmelstoss watched for the slightest movement of our bare fingers on the steel barrel of the rifle. I have run eight times from the top floor of the barracks down to the courtyard in my shirt at two o'clock in the morning because my drawers projected three inches beyond the edge of the stool on which one had to stack all one's things. Alongside me ran the corporal, Himmelstoss, and trod on my bare toes. At bayonet-practice I had constantly to fight with Himmelstoss, I with a heavy iron weapon whilst he had a handy wooden one with which he easily struck my arms till they were black and blue. Once, indeed, I became so infuriated that I ran at him blindly and gave him a mighty jab in the stomach and knocked him down. When he reported me the | a braided postman should have more authority over us than had formerly our parents, our teachers, and the whole gamut of culture from Plato to Goethe. With our young, awakened eyes we saw that the classical conception of the Fatherland held by our teachers resolved itself here into a renunciation of personality such as one would not ask of the meanest servant--salutes, springing to attention, parade-marches, presenting arms, right wheel, left wheel, clicking the heels, insults, and a thousand pettifogging details. We had fancied our task would be different, only to find we were to be trained for heroism as though we were circus-ponies. But we soon accustomed ourselves to it. We learned in fact that some part of these things was necessary, but the rest merely show. Soldiers have a fine nose for such distinctions. * * By threes and fours our class was scattered over the platoons amongst Frisian fishermen, peasants, and labourers with whom we soon made friends. Kropp, Müller, Kemmerich, and I went to No. 9 platoon under Corporal Himmelstoss. He had the reputation of being the strictest disciplinarian in the camp, and was proud of it. He was a small undersized fellow with a foxy, waxed moustache, who had seen twelve years service and was in civil life a postman. He had a special dislike for Kropp, Tjaden, Westhus, and me, because he sensed a quiet defiance. I have remade his bed fourteen times in one morning. Each time he had some fault to find and pulled it to pieces. I have kneaded a pair of prehistoric boots that were as hard as iron for twenty hours--with intervals of course--until they became as soft as butter and not even Himmelstoss could find anything more to do to them; under his orders I have scrubbed out the Corporals' Mess with a tooth-brush. Kropp and I were given the job of clearing the barrack-square of snow with a hand-broom and a dust-pan, and we would have gone on till we were frozen had not a lieutenant accidentally appeared who sent us off, and hauled Himmelstoss over the coals. But the only result of this was to make Himmelstoss hate us more. For six weeks consecutively I did guard every Sunday and was hut-orderly for the same length of time. With full pack and rifle I have had to practise on a soft, wet, newly ploughed field the<|quote|>"Prepare to advance, advance!"</|quote|>and the "Lie down!" until I was one lump of mud and finally collapsed. Four hours later I had to report to Himmelstoss with my clothes scrubbed clean, my hands chafed and bleeding. Together with Kropp, Westhus, and Tjaden I have stood at attention in a hard frost without gloves for a quarter of an hour at a stretch, while Himmelstoss watched for the slightest movement of our bare fingers on the steel barrel of the rifle. I have run eight times from the top floor of the barracks down to the courtyard in my shirt at two o'clock in the morning because my drawers projected three inches beyond the edge of the stool on which one had to stack all one's things. Alongside me ran the corporal, Himmelstoss, and trod on my bare toes. At bayonet-practice I had constantly to fight with Himmelstoss, I with a heavy iron weapon whilst he had a handy wooden one with which he easily struck my arms till they were black and blue. Once, indeed, I became so infuriated that I ran at him blindly and gave him a mighty jab in the stomach and knocked him down. When he reported me the company commander laughed at him and told him he ought to keep his eyes open; he understood Himmelstoss, and apparently was not displeased at his discomfiture. I became a past master on the parallel bars and strove to surpass my instructor at physical jerks;--we have trembled at the mere sound of his voice, but this runaway post-horse never got the better of us. One Sunday as Kropp and I were lugging a latrine-bucket on a pole across the barrack-yard, Himmelstoss came by, all polished up and spry for going out. He planted himself in front of us and asked how we liked the job. In spite of ourselves we tripped and emptied the bucket over his legs. He raved, but the limit had been reached. "That means clink," he yelled. But Kropp had had enough. "There'll be an inquiry first," he said, "and then we'll unload." "Mind how you speak to a non-commissioned officer!" bawled Himmelstoss. "Have you lost your senses? You wait till you're spoken to. What will you do, anyway?" "Show you up, Corporal," said Kropp, his thumbs in line with the seams of his trousers. Himmelstoss saw what we meant and went off without saying a word. | as yet taken no root. The war swept us away. For the others, the older men, it is but an interruption. They are able to think beyond it. We, however, have been gripped by it and do not know what the end may be. We know only that in some strange and melancholy way we have become a waste land. All the same, we are not often sad. * * Though Müller would be delighted to have Kemmerich's boots, he is really quite as sympathetic as another who could not bear to think of such a thing for grief. He merely sees things clearly. Were Kemmerich able to make any use of the boots, then Müller would rather go barefoot over barbed wire than scheme how to get hold of them. But as it is the boots are quite inappropriate to Kemmerich's circumstances, whereas Müller can make good use of them. Kemmerich will die; it is immaterial who gets them. Why, then, should Müller not succeed to them? he has more right than a hospital orderly. When Kemmerich is dead it will be too late. Therefore Müller is already on the watch. We have lost all sense of other considerations, because they are artificial. Only the facts are real and important for us. And good boots are scarce. * * Once it was different. When we went to the district-commandant to enlist, we were a class of twenty young men, many of whom proudly shaved for the first time before going to the barracks. We had no definite plans for our future. Our thoughts of a career and occupation were as yet of too unpractical a character to furnish any scheme of life. We were still crammed full of vague ideas which gave to life, and to the war also, an ideal and almost romantic character. We were trained in the army for ten weeks and in this time more profoundly influenced than by ten years at school. We learned that a bright button is weightier than four volumes of Schopenhauer. At first astonished, then embittered, and finally indifferent, we recognized that what matters is not the mind but the boot brush, not intelligence but the system, not freedom but drill. We became soldiers with eagerness and enthusiasm, but they have done everything to knock that out of us. After three weeks it was no longer incomprehensible to us that a braided postman should have more authority over us than had formerly our parents, our teachers, and the whole gamut of culture from Plato to Goethe. With our young, awakened eyes we saw that the classical conception of the Fatherland held by our teachers resolved itself here into a renunciation of personality such as one would not ask of the meanest servant--salutes, springing to attention, parade-marches, presenting arms, right wheel, left wheel, clicking the heels, insults, and a thousand pettifogging details. We had fancied our task would be different, only to find we were to be trained for heroism as though we were circus-ponies. But we soon accustomed ourselves to it. We learned in fact that some part of these things was necessary, but the rest merely show. Soldiers have a fine nose for such distinctions. * * By threes and fours our class was scattered over the platoons amongst Frisian fishermen, peasants, and labourers with whom we soon made friends. Kropp, Müller, Kemmerich, and I went to No. 9 platoon under Corporal Himmelstoss. He had the reputation of being the strictest disciplinarian in the camp, and was proud of it. He was a small undersized fellow with a foxy, waxed moustache, who had seen twelve years service and was in civil life a postman. He had a special dislike for Kropp, Tjaden, Westhus, and me, because he sensed a quiet defiance. I have remade his bed fourteen times in one morning. Each time he had some fault to find and pulled it to pieces. I have kneaded a pair of prehistoric boots that were as hard as iron for twenty hours--with intervals of course--until they became as soft as butter and not even Himmelstoss could find anything more to do to them; under his orders I have scrubbed out the Corporals' Mess with a tooth-brush. Kropp and I were given the job of clearing the barrack-square of snow with a hand-broom and a dust-pan, and we would have gone on till we were frozen had not a lieutenant accidentally appeared who sent us off, and hauled Himmelstoss over the coals. But the only result of this was to make Himmelstoss hate us more. For six weeks consecutively I did guard every Sunday and was hut-orderly for the same length of time. With full pack and rifle I have had to practise on a soft, wet, newly ploughed field the<|quote|>"Prepare to advance, advance!"</|quote|>and the "Lie down!" until I was one lump of mud and finally collapsed. Four hours later I had to report to Himmelstoss with my clothes scrubbed clean, my hands chafed and bleeding. Together with Kropp, Westhus, and Tjaden I have stood at attention in a hard frost without gloves for a quarter of an hour at a stretch, while Himmelstoss watched for the slightest movement of our bare fingers on the steel barrel of the rifle. I have run eight times from the top floor of the barracks down to the courtyard in my shirt at two o'clock in the morning because my drawers projected three inches beyond the edge of the stool on which one had to stack all one's things. Alongside me ran the corporal, Himmelstoss, and trod on my bare toes. At bayonet-practice I had constantly to fight with Himmelstoss, I with a heavy iron weapon whilst he had a handy wooden one with which he easily struck my arms till they were black and blue. Once, indeed, I became so infuriated that I ran at him blindly and gave him a mighty jab in the stomach and knocked him down. When he reported me the company commander laughed at him and told him he ought to keep his eyes open; he understood Himmelstoss, and apparently was not displeased at his discomfiture. I became a past master on the parallel bars and strove to surpass my instructor at physical jerks;--we have trembled at the mere sound of his voice, but this runaway post-horse never got the better of us. One Sunday as Kropp and I were lugging a latrine-bucket on a pole across the barrack-yard, Himmelstoss came by, all polished up and spry for going out. He planted himself in front of us and asked how we liked the job. In spite of ourselves we tripped and emptied the bucket over his legs. He raved, but the limit had been reached. "That means clink," he yelled. But Kropp had had enough. "There'll be an inquiry first," he said, "and then we'll unload." "Mind how you speak to a non-commissioned officer!" bawled Himmelstoss. "Have you lost your senses? You wait till you're spoken to. What will you do, anyway?" "Show you up, Corporal," said Kropp, his thumbs in line with the seams of his trousers. Himmelstoss saw what we meant and went off without saying a word. But before he disappeared he growled: "You'll drink this!" --but it was the end of his authority. He tried it on once more in the ploughed field with his "Prepare to advance, advance" and "Lie down." We obeyed each order, since an order's an order and has to be obeyed. But we did it so slowly that Himmelstoss became desperate. Carefully we went down on our knees, then on our hands, and so on; in the meantime, quite infuriated, he had given another command. But before we had even begun to sweat he was hoarse. After that he left us in peace. He did indeed always refer to us as swine, but there was, nevertheless, a certain respect in his tone. There were many other staff corporals, the majority of whom were more decent. But above all each of them wanted to keep his good job there at home as long as possible, and that he could do only by being strict with the recruits. Practically every conceivable polishing job in the entire camp fell to us and we often howled with rage. Many of us became ill through it; Wolf actually died of inflammation of the lung. But we would have felt ridiculous had we hauled down our colours. We became hard, suspicious, pitiless, vicious, tough--and that was good; for these attributes had been entirely lacking in us. Had we gone into the trenches without this period of training most of us would certainly have gone mad. Only thus were we prepared for what awaited us. We did not break down, but endured; our twenty years, which made many another thing so grievous, helped us in this. But by far the most important was that it awakened in us a strong, practical sense of _esprit de corps_, which in the field developed into the finest thing that arose out of the war--comradeship. * * I sit by Kemmerich's bed. He is sinking steadily. Around us is a great commotion. A hospital train has arrived and the wounded fit to be moved are being selected. The doctor passes by Kemmerich's bed without once looking at him. "Next time, Franz," I say. He raises himself on the pillow with his elbows. "They have amputated my leg." He knows it too then. I nod and answer: "You must be thankful you've come off with that." He is silent. I resume: "It might | formerly our parents, our teachers, and the whole gamut of culture from Plato to Goethe. With our young, awakened eyes we saw that the classical conception of the Fatherland held by our teachers resolved itself here into a renunciation of personality such as one would not ask of the meanest servant--salutes, springing to attention, parade-marches, presenting arms, right wheel, left wheel, clicking the heels, insults, and a thousand pettifogging details. We had fancied our task would be different, only to find we were to be trained for heroism as though we were circus-ponies. But we soon accustomed ourselves to it. We learned in fact that some part of these things was necessary, but the rest merely show. Soldiers have a fine nose for such distinctions. * * By threes and fours our class was scattered over the platoons amongst Frisian fishermen, peasants, and labourers with whom we soon made friends. Kropp, Müller, Kemmerich, and I went to No. 9 platoon under Corporal Himmelstoss. He had the reputation of being the strictest disciplinarian in the camp, and was proud of it. He was a small undersized fellow with a foxy, waxed moustache, who had seen twelve years service and was in civil life a postman. He had a special dislike for Kropp, Tjaden, Westhus, and me, because he sensed a quiet defiance. I have remade his bed fourteen times in one morning. Each time he had some fault to find and pulled it to pieces. I have kneaded a pair of prehistoric boots that were as hard as iron for twenty hours--with intervals of course--until they became as soft as butter and not even Himmelstoss could find anything more to do to them; under his orders I have scrubbed out the Corporals' Mess with a tooth-brush. Kropp and I were given the job of clearing the barrack-square of snow with a hand-broom and a dust-pan, and we would have gone on till we were frozen had not a lieutenant accidentally appeared who sent us off, and hauled Himmelstoss over the coals. But the only result of this was to make Himmelstoss hate us more. For six weeks consecutively I did guard every Sunday and was hut-orderly for the same length of time. With full pack and rifle I have had to practise on a soft, wet, newly ploughed field the<|quote|>"Prepare to advance, advance!"</|quote|>and the "Lie down!" until I was one lump of mud and finally collapsed. Four hours later I had to report to Himmelstoss with my clothes scrubbed clean, my hands chafed and bleeding. Together with Kropp, Westhus, and Tjaden I have stood at attention in a hard frost without gloves for a quarter of an hour at a stretch, while Himmelstoss watched for the slightest movement of our bare fingers on the steel barrel of the rifle. I have run eight times from the top floor of the barracks down to the courtyard in my shirt at two o'clock in the morning because my drawers projected three inches beyond the edge of the stool on which one had to stack all one's things. Alongside me ran the corporal, Himmelstoss, and trod on my bare toes. At bayonet-practice I had constantly to fight with Himmelstoss, I with a heavy iron weapon whilst he had a handy wooden one with which he easily struck my arms till they were black and blue. Once, indeed, I became so infuriated that I ran at him blindly and gave him a mighty jab in the stomach and knocked him down. When he reported me the company commander laughed at him and told him he ought to keep his eyes open; he understood Himmelstoss, and apparently was not displeased at his discomfiture. I became a past master on the parallel bars and strove to surpass my instructor at physical jerks;--we have trembled at the mere sound of his voice, but this runaway post-horse never got the better of us. One Sunday as Kropp and I were lugging a latrine-bucket on a pole across the barrack-yard, Himmelstoss came by, all polished up and spry for | All Quiet on the Western Front | coals. But the only result of this was to make Himmelstoss hate us more. For six weeks consecutively I did guard every Sunday and was hut-orderly for the same length of time. With full pack and rifle I have had to practise on a soft, wet, newly ploughed field the<|quote|>"Prepare to advance, advance!"</|quote|>and the "Lie down!" until I was one lump of mud and finally collapsed. Four hours later I had to report to Himmelstoss with my clothes scrubbed clean, my hands chafed and bleeding. Together with Kropp, Westhus, and Tjaden I have stood at attention in a hard frost without gloves | {
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"content": "coals. But the only result of this was to make Himmelstoss hate us more. For six weeks consecutively I did guard every Sunday and was hut-orderly for the same length of time. With full pack and rifle I have had to practise on a soft, wet, newly ploughed field the<|quote|>\"Prepare to advance, advance!\"</|quote|>and the \"Lie down!\" until I was one lump of mud and finally collapsed. Four hours later I had to report to Himmelstoss with my clothes scrubbed clean, my hands chafed and bleeding. Together with Kropp, Westhus, and Tjaden I have stood at attention in a hard frost without gloves",
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said the Eaglet. | No speaker | more energetic remedies--" "Speak English!"<|quote|>said the Eaglet.</|quote|>"I don't know the meaning | for the immediate adoption of more energetic remedies--" "Speak English!"<|quote|>said the Eaglet.</|quote|>"I don't know the meaning of half those long words, | to Alice as it spoke. "As wet as ever," said Alice in a melancholy tone: "it doesn't seem to dry me at all." "In that case," said the Dodo solemnly, rising to its feet, "I move that the meeting adjourn, for the immediate adoption of more energetic remedies--" "Speak English!"<|quote|>said the Eaglet.</|quote|>"I don't know the meaning of half those long words, and, what's more, I don't believe you do either!" And the Eaglet bent down its head to hide a smile: some of the other birds tittered audibly. "What I was going to say," said the Dodo in an offended tone, | The Mouse did not notice this question, but hurriedly went on, "'--found it advisable to go with Edgar Atheling to meet William and offer him the crown. William's conduct at first was moderate. But the insolence of his Normans--' How are you getting on now, my dear?" it continued, turning to Alice as it spoke. "As wet as ever," said Alice in a melancholy tone: "it doesn't seem to dry me at all." "In that case," said the Dodo solemnly, rising to its feet, "I move that the meeting adjourn, for the immediate adoption of more energetic remedies--" "Speak English!"<|quote|>said the Eaglet.</|quote|>"I don't know the meaning of half those long words, and, what's more, I don't believe you do either!" And the Eaglet bent down its head to hide a smile: some of the other birds tittered audibly. "What I was going to say," said the Dodo in an offended tone, "was, that the best thing to get us dry would be a Caucus-race." "What _is_ a Caucus-race?" said Alice; not that she wanted much to know, but the Dodo had paused as if it thought that _somebody_ ought to speak, and no one else seemed inclined to say anything. "Why," | beg your pardon!" said the Mouse, frowning, but very politely: "Did you speak?" "Not I!" said the Lory hastily. "I thought you did," said the Mouse. "--I proceed. 'Edwin and Morcar, the earls of Mercia and Northumbria, declared for him: and even Stigand, the patriotic archbishop of Canterbury, found it advisable--'" "Found _what_?" said the Duck. "Found _it_," the Mouse replied rather crossly: "of course you know what 'it' means." "I know what 'it' means well enough, when _I_ find a thing," said the Duck: "it's generally a frog or a worm. The question is, what did the archbishop find?" The Mouse did not notice this question, but hurriedly went on, "'--found it advisable to go with Edgar Atheling to meet William and offer him the crown. William's conduct at first was moderate. But the insolence of his Normans--' How are you getting on now, my dear?" it continued, turning to Alice as it spoke. "As wet as ever," said Alice in a melancholy tone: "it doesn't seem to dry me at all." "In that case," said the Dodo solemnly, rising to its feet, "I move that the meeting adjourn, for the immediate adoption of more energetic remedies--" "Speak English!"<|quote|>said the Eaglet.</|quote|>"I don't know the meaning of half those long words, and, what's more, I don't believe you do either!" And the Eaglet bent down its head to hide a smile: some of the other birds tittered audibly. "What I was going to say," said the Dodo in an offended tone, "was, that the best thing to get us dry would be a Caucus-race." "What _is_ a Caucus-race?" said Alice; not that she wanted much to know, but the Dodo had paused as if it thought that _somebody_ ought to speak, and no one else seemed inclined to say anything. "Why," said the Dodo, "the best way to explain it is to do it." (And, as you might like to try the thing yourself, some winter day, I will tell you how the Dodo managed it.) First it marked out a race-course, in a sort of circle, (" "the exact shape doesn't matter," it said,) and then all the party were placed along the course, here and there. There was no "One, two, three, and away," but they began running when they liked, and left off when they liked, so that it was not easy to know when the race was | quite a long argument with the Lory, who at last turned sulky, and would only say, "I am older than you, and must know better;" and this Alice would not allow without knowing how old it was, and, as the Lory positively refused to tell its age, there was no more to be said. At last the Mouse, who seemed to be a person of authority among them, called out, "Sit down, all of you, and listen to me! _I'll_ soon make you dry enough!" They all sat down at once, in a large ring, with the Mouse in the middle. Alice kept her eyes anxiously fixed on it, for she felt sure she would catch a bad cold if she did not get dry very soon. "Ahem!" said the Mouse with an important air, "are you all ready? This is the driest thing I know. Silence all round, if you please! 'William the Conqueror, whose cause was favoured by the pope, was soon submitted to by the English, who wanted leaders, and had been of late much accustomed to usurpation and conquest. Edwin and Morcar, the earls of Mercia and Northumbria--'" "Ugh!" said the Lory, with a shiver. "I beg your pardon!" said the Mouse, frowning, but very politely: "Did you speak?" "Not I!" said the Lory hastily. "I thought you did," said the Mouse. "--I proceed. 'Edwin and Morcar, the earls of Mercia and Northumbria, declared for him: and even Stigand, the patriotic archbishop of Canterbury, found it advisable--'" "Found _what_?" said the Duck. "Found _it_," the Mouse replied rather crossly: "of course you know what 'it' means." "I know what 'it' means well enough, when _I_ find a thing," said the Duck: "it's generally a frog or a worm. The question is, what did the archbishop find?" The Mouse did not notice this question, but hurriedly went on, "'--found it advisable to go with Edgar Atheling to meet William and offer him the crown. William's conduct at first was moderate. But the insolence of his Normans--' How are you getting on now, my dear?" it continued, turning to Alice as it spoke. "As wet as ever," said Alice in a melancholy tone: "it doesn't seem to dry me at all." "In that case," said the Dodo solemnly, rising to its feet, "I move that the meeting adjourn, for the immediate adoption of more energetic remedies--" "Speak English!"<|quote|>said the Eaglet.</|quote|>"I don't know the meaning of half those long words, and, what's more, I don't believe you do either!" And the Eaglet bent down its head to hide a smile: some of the other birds tittered audibly. "What I was going to say," said the Dodo in an offended tone, "was, that the best thing to get us dry would be a Caucus-race." "What _is_ a Caucus-race?" said Alice; not that she wanted much to know, but the Dodo had paused as if it thought that _somebody_ ought to speak, and no one else seemed inclined to say anything. "Why," said the Dodo, "the best way to explain it is to do it." (And, as you might like to try the thing yourself, some winter day, I will tell you how the Dodo managed it.) First it marked out a race-course, in a sort of circle, (" "the exact shape doesn't matter," it said,) and then all the party were placed along the course, here and there. There was no "One, two, three, and away," but they began running when they liked, and left off when they liked, so that it was not easy to know when the race was over. However, when they had been running half an hour or so, and were quite dry again, the Dodo suddenly called out "The race is over!" and they all crowded round it, panting, and asking, "But who has won?" This question the Dodo could not answer without a great deal of thought, and it sat for a long time with one finger pressed upon its forehead (the position in which you usually see Shakespeare, in the pictures of him), while the rest waited in silence. At last the Dodo said, "_Everybody_ has won, and all must have prizes." "But who is to give the prizes?" quite a chorus of voices asked. "Why, _she_, of course," said the Dodo, pointing to Alice with one finger; and the whole party at once crowded round her, calling out in a confused way, "Prizes! Prizes!" Alice had no idea what to do, and in despair she put her hand in her pocket, and pulled out a box of comfits, (luckily the salt water had not got into it), and handed them round as prizes. There was exactly one a-piece, all round. "But she must have a prize herself, you know," said the Mouse. "Of | to the end of his tail. "As if _I_ would talk on such a subject! Our family always _hated_ cats: nasty, low, vulgar things! Don't let me hear the name again!" "I won't indeed!" said Alice, in a great hurry to change the subject of conversation. "Are you--are you fond--of--of dogs?" The Mouse did not answer, so Alice went on eagerly: "There is such a nice little dog near our house I should like to show you! A little bright-eyed terrier, you know, with oh, such long curly brown hair! And it'll fetch things when you throw them, and it'll sit up and beg for its dinner, and all sorts of things--I can't remember half of them--and it belongs to a farmer, you know, and he says it's so useful, it's worth a hundred pounds! He says it kills all the rats and--oh dear!" cried Alice in a sorrowful tone, "I'm afraid I've offended it again!" For the Mouse was swimming away from her as hard as it could go, and making quite a commotion in the pool as it went. So she called softly after it, "Mouse dear! Do come back again, and we won't talk about cats or dogs either, if you don't like them!" When the Mouse heard this, it turned round and swam slowly back to her: its face was quite pale (with passion, Alice thought), and it said in a low trembling voice, "Let us get to the shore, and then I'll tell you my history, and you'll understand why it is I hate cats and dogs." It was high time to go, for the pool was getting quite crowded with the birds and animals that had fallen into it: there were a Duck and a Dodo, a Lory and an Eaglet, and several other curious creatures. Alice led the way, and the whole party swam to the shore. CHAPTER III. A Caucus-Race and a Long Tale They were indeed a queer-looking party that assembled on the bank--the birds with draggled feathers, the animals with their fur clinging close to them, and all dripping wet, cross, and uncomfortable. The first question of course was, how to get dry again: they had a consultation about this, and after a few minutes it seemed quite natural to Alice to find herself talking familiarly with them, as if she had known them all her life. Indeed, she had quite a long argument with the Lory, who at last turned sulky, and would only say, "I am older than you, and must know better;" and this Alice would not allow without knowing how old it was, and, as the Lory positively refused to tell its age, there was no more to be said. At last the Mouse, who seemed to be a person of authority among them, called out, "Sit down, all of you, and listen to me! _I'll_ soon make you dry enough!" They all sat down at once, in a large ring, with the Mouse in the middle. Alice kept her eyes anxiously fixed on it, for she felt sure she would catch a bad cold if she did not get dry very soon. "Ahem!" said the Mouse with an important air, "are you all ready? This is the driest thing I know. Silence all round, if you please! 'William the Conqueror, whose cause was favoured by the pope, was soon submitted to by the English, who wanted leaders, and had been of late much accustomed to usurpation and conquest. Edwin and Morcar, the earls of Mercia and Northumbria--'" "Ugh!" said the Lory, with a shiver. "I beg your pardon!" said the Mouse, frowning, but very politely: "Did you speak?" "Not I!" said the Lory hastily. "I thought you did," said the Mouse. "--I proceed. 'Edwin and Morcar, the earls of Mercia and Northumbria, declared for him: and even Stigand, the patriotic archbishop of Canterbury, found it advisable--'" "Found _what_?" said the Duck. "Found _it_," the Mouse replied rather crossly: "of course you know what 'it' means." "I know what 'it' means well enough, when _I_ find a thing," said the Duck: "it's generally a frog or a worm. The question is, what did the archbishop find?" The Mouse did not notice this question, but hurriedly went on, "'--found it advisable to go with Edgar Atheling to meet William and offer him the crown. William's conduct at first was moderate. But the insolence of his Normans--' How are you getting on now, my dear?" it continued, turning to Alice as it spoke. "As wet as ever," said Alice in a melancholy tone: "it doesn't seem to dry me at all." "In that case," said the Dodo solemnly, rising to its feet, "I move that the meeting adjourn, for the immediate adoption of more energetic remedies--" "Speak English!"<|quote|>said the Eaglet.</|quote|>"I don't know the meaning of half those long words, and, what's more, I don't believe you do either!" And the Eaglet bent down its head to hide a smile: some of the other birds tittered audibly. "What I was going to say," said the Dodo in an offended tone, "was, that the best thing to get us dry would be a Caucus-race." "What _is_ a Caucus-race?" said Alice; not that she wanted much to know, but the Dodo had paused as if it thought that _somebody_ ought to speak, and no one else seemed inclined to say anything. "Why," said the Dodo, "the best way to explain it is to do it." (And, as you might like to try the thing yourself, some winter day, I will tell you how the Dodo managed it.) First it marked out a race-course, in a sort of circle, (" "the exact shape doesn't matter," it said,) and then all the party were placed along the course, here and there. There was no "One, two, three, and away," but they began running when they liked, and left off when they liked, so that it was not easy to know when the race was over. However, when they had been running half an hour or so, and were quite dry again, the Dodo suddenly called out "The race is over!" and they all crowded round it, panting, and asking, "But who has won?" This question the Dodo could not answer without a great deal of thought, and it sat for a long time with one finger pressed upon its forehead (the position in which you usually see Shakespeare, in the pictures of him), while the rest waited in silence. At last the Dodo said, "_Everybody_ has won, and all must have prizes." "But who is to give the prizes?" quite a chorus of voices asked. "Why, _she_, of course," said the Dodo, pointing to Alice with one finger; and the whole party at once crowded round her, calling out in a confused way, "Prizes! Prizes!" Alice had no idea what to do, and in despair she put her hand in her pocket, and pulled out a box of comfits, (luckily the salt water had not got into it), and handed them round as prizes. There was exactly one a-piece, all round. "But she must have a prize herself, you know," said the Mouse. "Of course," the Dodo replied very gravely. "What else have you got in your pocket?" he went on, turning to Alice. "Only a thimble," said Alice sadly. "Hand it over here," said the Dodo. Then they all crowded round her once more, while the Dodo solemnly presented the thimble, saying "We beg your acceptance of this elegant thimble;" and, when it had finished this short speech, they all cheered. Alice thought the whole thing very absurd, but they all looked so grave that she did not dare to laugh; and, as she could not think of anything to say, she simply bowed, and took the thimble, looking as solemn as she could. The next thing was to eat the comfits: this caused some noise and confusion, as the large birds complained that they could not taste theirs, and the small ones choked and had to be patted on the back. However, it was over at last, and they sat down again in a ring, and begged the Mouse to tell them something more. "You promised to tell me your history, you know," said Alice, "and why it is you hate--C and D," she added in a whisper, half afraid that it would be offended again. "Mine is a long and a sad tale!" said the Mouse, turning to Alice, and sighing. "It _is_ a long tail, certainly," said Alice, looking down with wonder at the Mouse's tail; "but why do you call it sad?" And she kept on puzzling about it while the Mouse was speaking, so that her idea of the tale was something like this:-- "Fury said to a mouse, That he met in the house, 'Let us both go to law: _I_ will prosecute _you_.--Come, I'll take no denial; We must have a trial: For really this morning I've nothing to do.' Said the mouse to the cur, 'Such a trial, dear sir, With no jury or judge, would be wasting our breath.' 'I'll be judge, I'll be jury,' Said cunning old Fury: 'I'll try the whole cause, and condemn you to death.'" "You are not attending!" said the Mouse to Alice severely. "What are you thinking of?" "I beg your pardon," said Alice very humbly: "you had got to the fifth bend, I think?" "I had _not!_" cried the Mouse, sharply and very angrily. "A knot!" said Alice, always ready to make herself useful, and looking anxiously | late much accustomed to usurpation and conquest. Edwin and Morcar, the earls of Mercia and Northumbria--'" "Ugh!" said the Lory, with a shiver. "I beg your pardon!" said the Mouse, frowning, but very politely: "Did you speak?" "Not I!" said the Lory hastily. "I thought you did," said the Mouse. "--I proceed. 'Edwin and Morcar, the earls of Mercia and Northumbria, declared for him: and even Stigand, the patriotic archbishop of Canterbury, found it advisable--'" "Found _what_?" said the Duck. "Found _it_," the Mouse replied rather crossly: "of course you know what 'it' means." "I know what 'it' means well enough, when _I_ find a thing," said the Duck: "it's generally a frog or a worm. The question is, what did the archbishop find?" The Mouse did not notice this question, but hurriedly went on, "'--found it advisable to go with Edgar Atheling to meet William and offer him the crown. William's conduct at first was moderate. But the insolence of his Normans--' How are you getting on now, my dear?" it continued, turning to Alice as it spoke. "As wet as ever," said Alice in a melancholy tone: "it doesn't seem to dry me at all." "In that case," said the Dodo solemnly, rising to its feet, "I move that the meeting adjourn, for the immediate adoption of more energetic remedies--" "Speak English!"<|quote|>said the Eaglet.</|quote|>"I don't know the meaning of half those long words, and, what's more, I don't believe you do either!" And the Eaglet bent down its head to hide a smile: some of the other birds tittered audibly. "What I was going to say," said the Dodo in an offended tone, "was, that the best thing to get us dry would be a Caucus-race." "What _is_ a Caucus-race?" said Alice; not that she wanted much to know, but the Dodo had paused as if it thought that _somebody_ ought to speak, and no one else seemed inclined to say anything. "Why," said the Dodo, "the best way to explain it is to do it." (And, as you might like to try the thing yourself, some winter day, I will tell you how the Dodo managed it.) First it marked out a race-course, in a sort of circle, (" "the exact shape doesn't matter," it said,) and then all the party were placed along the course, here and there. There was no "One, two, three, and away," but they began running when they liked, and left off when they liked, so that it was not easy to know when the race was over. However, when they had been running half an hour or so, and were quite dry again, the Dodo suddenly called out "The race is over!" and they all crowded round it, panting, and asking, "But who has won?" This question the Dodo could not answer without a great deal of thought, and it sat for a long time with one finger pressed | Alices Adventures In Wonderland | to Alice as it spoke. "As wet as ever," said Alice in a melancholy tone: "it doesn't seem to dry me at all." "In that case," said the Dodo solemnly, rising to its feet, "I move that the meeting adjourn, for the immediate adoption of more energetic remedies--" "Speak English!"<|quote|>said the Eaglet.</|quote|>"I don't know the meaning of half those long words, and, what's more, I don't believe you do either!" And the Eaglet bent down its head to hide a smile: some of the other birds tittered audibly. "What I was going to say," said the Dodo in an offended tone, | {
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"content": "to Alice as it spoke. \"As wet as ever,\" said Alice in a melancholy tone: \"it doesn't seem to dry me at all.\" \"In that case,\" said the Dodo solemnly, rising to its feet, \"I move that the meeting adjourn, for the immediate adoption of more energetic remedies--\" \"Speak English!\"<|quote|>said the Eaglet.</|quote|>\"I don't know the meaning of half those long words, and, what's more, I don't believe you do either!\" And the Eaglet bent down its head to hide a smile: some of the other birds tittered audibly. \"What I was going to say,\" said the Dodo in an offended tone,",
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"Can I take the apple blossoms with me for company?" | Anne Shirley | to help me get tea."<|quote|>"Can I take the apple blossoms with me for company?"</|quote|>pleaded Anne. "No; you don't | until I call you down to help me get tea."<|quote|>"Can I take the apple blossoms with me for company?"</|quote|>pleaded Anne. "No; you don't want your room cluttered up | up to your room and learn it." "Oh, I know it pretty nearly all now--all but just the last line." "Well, never mind, do as I tell you. Go to your room and finish learning it well, and stay there until I call you down to help me get tea."<|quote|>"Can I take the apple blossoms with me for company?"</|quote|>pleaded Anne. "No; you don't want your room cluttered up with flowers. You should have left them on the tree in the first place." "I did feel a little that way, too," said Anne. "I kind of felt I shouldn't shorten their lovely lives by picking them--I wouldn't want to | among the flowers." "Yesterday you wanted to be a sea gull," sniffed Marilla. "I think you are very fickle minded. I told you to learn that prayer and not talk. But it seems impossible for you to stop talking if you've got anybody that will listen to you. So go up to your room and learn it." "Oh, I know it pretty nearly all now--all but just the last line." "Well, never mind, do as I tell you. Go to your room and finish learning it well, and stay there until I call you down to help me get tea."<|quote|>"Can I take the apple blossoms with me for company?"</|quote|>pleaded Anne. "No; you don't want your room cluttered up with flowers. You should have left them on the tree in the first place." "I did feel a little that way, too," said Anne. "I kind of felt I shouldn't shorten their lovely lives by picking them--I wouldn't want to be picked if I were an apple blossom. But the temptation was _irresistible_. What do you do when you meet with an irresistible temptation?" "Anne, did you hear me tell you to go to your room?" Anne sighed, retreated to the east gable, and sat down in a chair by | But don't let Mrs. Barry hear you talking about your Katie Maurices and your Violettas or she'll think you tell stories." "Oh, I won't. I couldn't talk of them to everybody--their memories are too sacred for that. But I thought I'd like to have you know about them. Oh, look, here's a big bee just tumbled out of an apple blossom. Just think what a lovely place to live--in an apple blossom! Fancy going to sleep in it when the wind was rocking it. If I wasn't a human girl I think I'd like to be a bee and live among the flowers." "Yesterday you wanted to be a sea gull," sniffed Marilla. "I think you are very fickle minded. I told you to learn that prayer and not talk. But it seems impossible for you to stop talking if you've got anybody that will listen to you. So go up to your room and learn it." "Oh, I know it pretty nearly all now--all but just the last line." "Well, never mind, do as I tell you. Go to your room and finish learning it well, and stay there until I call you down to help me get tea."<|quote|>"Can I take the apple blossoms with me for company?"</|quote|>pleaded Anne. "No; you don't want your room cluttered up with flowers. You should have left them on the tree in the first place." "I did feel a little that way, too," said Anne. "I kind of felt I shouldn't shorten their lovely lives by picking them--I wouldn't want to be picked if I were an apple blossom. But the temptation was _irresistible_. What do you do when you meet with an irresistible temptation?" "Anne, did you hear me tell you to go to your room?" Anne sighed, retreated to the east gable, and sat down in a chair by the window. "There--I know this prayer. I learned that last sentence coming upstairs. Now I'm going to imagine things into this room so that they'll always stay imagined. The floor is covered with a white velvet carpet with pink roses all over it and there are pink silk curtains at the windows. The walls are hung with gold and silver brocade tapestry. The furniture is mahogany. I never saw any mahogany, but it does sound _so_ luxurious. This is a couch all heaped with gorgeous silken cushions, pink and blue and crimson and gold, and I am reclining gracefully on | it dreadfully, too, I know she did, for she was crying when she kissed me good-bye through the bookcase door. There was no bookcase at Mrs. Hammond's. But just up the river a little way from the house there was a long green little valley, and the loveliest echo lived there. It echoed back every word you said, even if you didn't talk a bit loud. So I imagined that it was a little girl called Violetta and we were great friends and I loved her almost as well as I loved Katie Maurice--not quite, but almost, you know. The night before I went to the asylum I said good-bye to Violetta, and oh, her good-bye came back to me in such sad, sad tones. I had become so attached to her that I hadn't the heart to imagine a bosom friend at the asylum, even if there had been any scope for imagination there." "I think it's just as well there wasn't," said Marilla drily. "I don't approve of such goings-on. You seem to half believe your own imaginations. It will be well for you to have a real live friend to put such nonsense out of your head. But don't let Mrs. Barry hear you talking about your Katie Maurices and your Violettas or she'll think you tell stories." "Oh, I won't. I couldn't talk of them to everybody--their memories are too sacred for that. But I thought I'd like to have you know about them. Oh, look, here's a big bee just tumbled out of an apple blossom. Just think what a lovely place to live--in an apple blossom! Fancy going to sleep in it when the wind was rocking it. If I wasn't a human girl I think I'd like to be a bee and live among the flowers." "Yesterday you wanted to be a sea gull," sniffed Marilla. "I think you are very fickle minded. I told you to learn that prayer and not talk. But it seems impossible for you to stop talking if you've got anybody that will listen to you. So go up to your room and learn it." "Oh, I know it pretty nearly all now--all but just the last line." "Well, never mind, do as I tell you. Go to your room and finish learning it well, and stay there until I call you down to help me get tea."<|quote|>"Can I take the apple blossoms with me for company?"</|quote|>pleaded Anne. "No; you don't want your room cluttered up with flowers. You should have left them on the tree in the first place." "I did feel a little that way, too," said Anne. "I kind of felt I shouldn't shorten their lovely lives by picking them--I wouldn't want to be picked if I were an apple blossom. But the temptation was _irresistible_. What do you do when you meet with an irresistible temptation?" "Anne, did you hear me tell you to go to your room?" Anne sighed, retreated to the east gable, and sat down in a chair by the window. "There--I know this prayer. I learned that last sentence coming upstairs. Now I'm going to imagine things into this room so that they'll always stay imagined. The floor is covered with a white velvet carpet with pink roses all over it and there are pink silk curtains at the windows. The walls are hung with gold and silver brocade tapestry. The furniture is mahogany. I never saw any mahogany, but it does sound _so_ luxurious. This is a couch all heaped with gorgeous silken cushions, pink and blue and crimson and gold, and I am reclining gracefully on it. I can see my reflection in that splendid big mirror hanging on the wall. I am tall and regal, clad in a gown of trailing white lace, with a pearl cross on my breast and pearls in my hair. My hair is of midnight darkness and my skin is a clear ivory pallor. My name is the Lady Cordelia Fitzgerald. No, it isn't--I can't make _that_ seem real." She danced up to the little looking-glass and peered into it. Her pointed freckled face and solemn gray eyes peered back at her. "You're only Anne of Green Gables," she said earnestly, "and I see you, just as you are looking now, whenever I try to imagine I'm the Lady Cordelia. But it's a million times nicer to be Anne of Green Gables than Anne of nowhere in particular, isn't it?" She bent forward, kissed her reflection affectionately, and betook herself to the open window. "Dear Snow Queen, good afternoon. And good afternoon dear birches down in the hollow. And good afternoon, dear gray house up on the hill. I wonder if Diana is to be my bosom friend. I hope she will, and I shall love her very much. But | she comes home. She's visiting her aunt over at Carmody just now. You'll have to be careful how you behave yourself, though. Mrs. Barry is a very particular woman. She won't let Diana play with any little girl who isn't nice and good." Anne looked at Marilla through the apple blossoms, her eyes aglow with interest. "What is Diana like? Her hair isn't red, is it? Oh, I hope not. It's bad enough to have red hair myself, but I positively couldn't endure it in a bosom friend." "Diana is a very pretty little girl. She has black eyes and hair and rosy cheeks. And she is good and smart, which is better than being pretty." Marilla was as fond of morals as the Duchess in Wonderland, and was firmly convinced that one should be tacked on to every remark made to a child who was being brought up. But Anne waved the moral inconsequently aside and seized only on the delightful possibilities before it. "Oh, I'm so glad she's pretty. Next to being beautiful oneself--and that's impossible in my case--it would be best to have a beautiful bosom friend. When I lived with Mrs. Thomas she had a bookcase in her sitting room with glass doors. There weren't any books in it; Mrs. Thomas kept her best china and her preserves there--when she had any preserves to keep. One of the doors was broken. Mr. Thomas smashed it one night when he was slightly intoxicated. But the other was whole and I used to pretend that my reflection in it was another little girl who lived in it. I called her Katie Maurice, and we were very intimate. I used to talk to her by the hour, especially on Sunday, and tell her everything. Katie was the comfort and consolation of my life. We used to pretend that the bookcase was enchanted and that if I only knew the spell I could open the door and step right into the room where Katie Maurice lived, instead of into Mrs. Thomas' shelves of preserves and china. And then Katie Maurice would have taken me by the hand and led me out into a wonderful place, all flowers and sunshine and fairies, and we would have lived there happy for ever after. When I went to live with Mrs. Hammond it just broke my heart to leave Katie Maurice. She felt it dreadfully, too, I know she did, for she was crying when she kissed me good-bye through the bookcase door. There was no bookcase at Mrs. Hammond's. But just up the river a little way from the house there was a long green little valley, and the loveliest echo lived there. It echoed back every word you said, even if you didn't talk a bit loud. So I imagined that it was a little girl called Violetta and we were great friends and I loved her almost as well as I loved Katie Maurice--not quite, but almost, you know. The night before I went to the asylum I said good-bye to Violetta, and oh, her good-bye came back to me in such sad, sad tones. I had become so attached to her that I hadn't the heart to imagine a bosom friend at the asylum, even if there had been any scope for imagination there." "I think it's just as well there wasn't," said Marilla drily. "I don't approve of such goings-on. You seem to half believe your own imaginations. It will be well for you to have a real live friend to put such nonsense out of your head. But don't let Mrs. Barry hear you talking about your Katie Maurices and your Violettas or she'll think you tell stories." "Oh, I won't. I couldn't talk of them to everybody--their memories are too sacred for that. But I thought I'd like to have you know about them. Oh, look, here's a big bee just tumbled out of an apple blossom. Just think what a lovely place to live--in an apple blossom! Fancy going to sleep in it when the wind was rocking it. If I wasn't a human girl I think I'd like to be a bee and live among the flowers." "Yesterday you wanted to be a sea gull," sniffed Marilla. "I think you are very fickle minded. I told you to learn that prayer and not talk. But it seems impossible for you to stop talking if you've got anybody that will listen to you. So go up to your room and learn it." "Oh, I know it pretty nearly all now--all but just the last line." "Well, never mind, do as I tell you. Go to your room and finish learning it well, and stay there until I call you down to help me get tea."<|quote|>"Can I take the apple blossoms with me for company?"</|quote|>pleaded Anne. "No; you don't want your room cluttered up with flowers. You should have left them on the tree in the first place." "I did feel a little that way, too," said Anne. "I kind of felt I shouldn't shorten their lovely lives by picking them--I wouldn't want to be picked if I were an apple blossom. But the temptation was _irresistible_. What do you do when you meet with an irresistible temptation?" "Anne, did you hear me tell you to go to your room?" Anne sighed, retreated to the east gable, and sat down in a chair by the window. "There--I know this prayer. I learned that last sentence coming upstairs. Now I'm going to imagine things into this room so that they'll always stay imagined. The floor is covered with a white velvet carpet with pink roses all over it and there are pink silk curtains at the windows. The walls are hung with gold and silver brocade tapestry. The furniture is mahogany. I never saw any mahogany, but it does sound _so_ luxurious. This is a couch all heaped with gorgeous silken cushions, pink and blue and crimson and gold, and I am reclining gracefully on it. I can see my reflection in that splendid big mirror hanging on the wall. I am tall and regal, clad in a gown of trailing white lace, with a pearl cross on my breast and pearls in my hair. My hair is of midnight darkness and my skin is a clear ivory pallor. My name is the Lady Cordelia Fitzgerald. No, it isn't--I can't make _that_ seem real." She danced up to the little looking-glass and peered into it. Her pointed freckled face and solemn gray eyes peered back at her. "You're only Anne of Green Gables," she said earnestly, "and I see you, just as you are looking now, whenever I try to imagine I'm the Lady Cordelia. But it's a million times nicer to be Anne of Green Gables than Anne of nowhere in particular, isn't it?" She bent forward, kissed her reflection affectionately, and betook herself to the open window. "Dear Snow Queen, good afternoon. And good afternoon dear birches down in the hollow. And good afternoon, dear gray house up on the hill. I wonder if Diana is to be my bosom friend. I hope she will, and I shall love her very much. But I must never quite forget Katie Maurice and Violetta. They would feel so hurt if I did and I'd hate to hurt anybody's feelings, even a little bookcase girl's or a little echo girl's. I must be careful to remember them and send them a kiss every day." Anne blew a couple of airy kisses from her fingertips past the cherry blossoms and then, with her chin in her hands, drifted luxuriously out on a sea of daydreams. CHAPTER IX. Mrs. Rachel Lynde Is Properly Horrified |ANNE had been a fortnight at Green Gables before Mrs. Lynde arrived to inspect her. Mrs. Rachel, to do her justice, was not to blame for this. A severe and unseasonable attack of grippe had confined that good lady to her house ever since the occasion of her last visit to Green Gables. Mrs. Rachel was not often sick and had a well-defined contempt for people who were; but grippe, she asserted, was like no other illness on earth and could only be interpreted as one of the special visitations of Providence. As soon as her doctor allowed her to put her foot out-of-doors she hurried up to Green Gables, bursting with curiosity to see Matthew and Marilla's orphan, concerning whom all sorts of stories and suppositions had gone abroad in Avonlea. Anne had made good use of every waking moment of that fortnight. Already she was acquainted with every tree and shrub about the place. She had discovered that a lane opened out below the apple orchard and ran up through a belt of woodland; and she had explored it to its furthest end in all its delicious vagaries of brook and bridge, fir coppice and wild cherry arch, corners thick with fern, and branching byways of maple and mountain ash. She had made friends with the spring down in the hollow--that wonderful deep, clear icy-cold spring; it was set about with smooth red sandstones and rimmed in by great palm-like clumps of water fern; and beyond it was a log bridge over the brook. That bridge led Anne's dancing feet up over a wooded hill beyond, where perpetual twilight reigned under the straight, thick-growing firs and spruces; the only flowers there were myriads of delicate "June bells," those shyest and sweetest of woodland blooms, and a few pale, aerial starflowers, like the spirits of last year's blossoms. Gossamers glimmered like threads of | was crying when she kissed me good-bye through the bookcase door. There was no bookcase at Mrs. Hammond's. But just up the river a little way from the house there was a long green little valley, and the loveliest echo lived there. It echoed back every word you said, even if you didn't talk a bit loud. So I imagined that it was a little girl called Violetta and we were great friends and I loved her almost as well as I loved Katie Maurice--not quite, but almost, you know. The night before I went to the asylum I said good-bye to Violetta, and oh, her good-bye came back to me in such sad, sad tones. I had become so attached to her that I hadn't the heart to imagine a bosom friend at the asylum, even if there had been any scope for imagination there." "I think it's just as well there wasn't," said Marilla drily. "I don't approve of such goings-on. You seem to half believe your own imaginations. It will be well for you to have a real live friend to put such nonsense out of your head. But don't let Mrs. Barry hear you talking about your Katie Maurices and your Violettas or she'll think you tell stories." "Oh, I won't. I couldn't talk of them to everybody--their memories are too sacred for that. But I thought I'd like to have you know about them. Oh, look, here's a big bee just tumbled out of an apple blossom. Just think what a lovely place to live--in an apple blossom! Fancy going to sleep in it when the wind was rocking it. If I wasn't a human girl I think I'd like to be a bee and live among the flowers." "Yesterday you wanted to be a sea gull," sniffed Marilla. "I think you are very fickle minded. I told you to learn that prayer and not talk. But it seems impossible for you to stop talking if you've got anybody that will listen to you. So go up to your room and learn it." "Oh, I know it pretty nearly all now--all but just the last line." "Well, never mind, do as I tell you. Go to your room and finish learning it well, and stay there until I call you down to help me get tea."<|quote|>"Can I take the apple blossoms with me for company?"</|quote|>pleaded Anne. "No; you don't want your room cluttered up with flowers. You should have left them on the tree in the first place." "I did feel a little that way, too," said Anne. "I kind of felt I shouldn't shorten their lovely lives by picking them--I wouldn't want to be picked if I were an apple blossom. But the temptation was _irresistible_. What do you do when you meet with an irresistible temptation?" "Anne, did you hear me tell you to go to your room?" Anne sighed, retreated to the east gable, and sat down in a chair by the window. "There--I know this prayer. I learned that last sentence coming upstairs. Now I'm going to imagine things into this room so that they'll always stay imagined. The floor is covered with a white velvet carpet with pink roses all over it and there are pink silk curtains at the windows. The walls are hung with gold and silver brocade tapestry. The furniture is mahogany. I never saw any mahogany, but it does sound _so_ luxurious. This is a couch all heaped with gorgeous silken cushions, pink and blue and crimson and gold, and I am reclining gracefully on it. I can see my reflection in that splendid big mirror hanging on the wall. I am tall and regal, clad in a gown of trailing white lace, with a pearl cross on my breast and pearls in my hair. My hair is of midnight darkness and my skin is a clear ivory pallor. My name is the Lady Cordelia Fitzgerald. No, it isn't--I can't make _that_ seem real." She danced up to the little looking-glass and peered into it. Her pointed freckled face and solemn gray eyes peered back at her. "You're only Anne of Green Gables," she said earnestly, "and I see you, just as you are looking now, whenever I try to imagine I'm the Lady Cordelia. But it's a million times | Anne Of Green Gables | up to your room and learn it." "Oh, I know it pretty nearly all now--all but just the last line." "Well, never mind, do as I tell you. Go to your room and finish learning it well, and stay there until I call you down to help me get tea."<|quote|>"Can I take the apple blossoms with me for company?"</|quote|>pleaded Anne. "No; you don't want your room cluttered up with flowers. You should have left them on the tree in the first place." "I did feel a little that way, too," said Anne. "I kind of felt I shouldn't shorten their lovely lives by picking them--I wouldn't want to | {
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"content": "up to your room and learn it.\" \"Oh, I know it pretty nearly all now--all but just the last line.\" \"Well, never mind, do as I tell you. Go to your room and finish learning it well, and stay there until I call you down to help me get tea.\"<|quote|>\"Can I take the apple blossoms with me for company?\"</|quote|>pleaded Anne. \"No; you don't want your room cluttered up with flowers. You should have left them on the tree in the first place.\" \"I did feel a little that way, too,\" said Anne. \"I kind of felt I shouldn't shorten their lovely lives by picking them--I wouldn't want to",
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} | Anne Shirley |
"And ever since that," | The Hatter | "How dreadfully savage!" exclaimed Alice.<|quote|>"And ever since that,"</|quote|>the Hatter went on in | time! Off with his head!'" "How dreadfully savage!" exclaimed Alice.<|quote|>"And ever since that,"</|quote|>the Hatter went on in a mournful tone, "he won't | "_Twinkle, twinkle, twinkle, twinkle_--" and went on so long that they had to pinch it to make it stop. "Well, I'd hardly finished the first verse," said the Hatter, "when the Queen jumped up and bawled out, 'He's murdering the time! Off with his head!'" "How dreadfully savage!" exclaimed Alice.<|quote|>"And ever since that,"</|quote|>the Hatter went on in a mournful tone, "he won't do a thing I ask! It's always six o'clock now." A bright idea came into Alice's head. "Is that the reason so many tea-things are put out here?" she asked. "Yes, that's it," said the Hatter with a sigh: "it's | you're at!' "You know the song, perhaps?" "I've heard something like it," said Alice. "It goes on, you know," the Hatter continued, "in this way:--" 'Up above the world you fly, Like a tea-tray in the sky. Twinkle, twinkle--'" Here the Dormouse shook itself, and began singing in its sleep "_Twinkle, twinkle, twinkle, twinkle_--" and went on so long that they had to pinch it to make it stop. "Well, I'd hardly finished the first verse," said the Hatter, "when the Queen jumped up and bawled out, 'He's murdering the time! Off with his head!'" "How dreadfully savage!" exclaimed Alice.<|quote|>"And ever since that,"</|quote|>the Hatter went on in a mournful tone, "he won't do a thing I ask! It's always six o'clock now." A bright idea came into Alice's head. "Is that the reason so many tea-things are put out here?" she asked. "Yes, that's it," said the Hatter with a sigh: "it's always tea-time, and we've no time to wash the things between whiles." "Then you keep moving round, I suppose?" said Alice. "Exactly so," said the Hatter: "as the things get used up." "But what happens when you come to the beginning again?" Alice ventured to ask. "Suppose we change the | whisper.) "That would be grand, certainly," said Alice thoughtfully: "but then--I shouldn't be hungry for it, you know." "Not at first, perhaps," said the Hatter: "but you could keep it to half-past one as long as you liked." "Is that the way _you_ manage?" Alice asked. The Hatter shook his head mournfully. "Not I!" he replied. "We quarrelled last March--just before _he_ went mad, you know--" (pointing with his tea spoon at the March Hare,) "--it was at the great concert given by the Queen of Hearts, and I had to sing" 'Twinkle, twinkle, little bat! How I wonder what you're at!' "You know the song, perhaps?" "I've heard something like it," said Alice. "It goes on, you know," the Hatter continued, "in this way:--" 'Up above the world you fly, Like a tea-tray in the sky. Twinkle, twinkle--'" Here the Dormouse shook itself, and began singing in its sleep "_Twinkle, twinkle, twinkle, twinkle_--" and went on so long that they had to pinch it to make it stop. "Well, I'd hardly finished the first verse," said the Hatter, "when the Queen jumped up and bawled out, 'He's murdering the time! Off with his head!'" "How dreadfully savage!" exclaimed Alice.<|quote|>"And ever since that,"</|quote|>the Hatter went on in a mournful tone, "he won't do a thing I ask! It's always six o'clock now." A bright idea came into Alice's head. "Is that the reason so many tea-things are put out here?" she asked. "Yes, that's it," said the Hatter with a sigh: "it's always tea-time, and we've no time to wash the things between whiles." "Then you keep moving round, I suppose?" said Alice. "Exactly so," said the Hatter: "as the things get used up." "But what happens when you come to the beginning again?" Alice ventured to ask. "Suppose we change the subject," the March Hare interrupted, yawning. "I'm getting tired of this. I vote the young lady tells us a story." "I'm afraid I don't know one," said Alice, rather alarmed at the proposal. "Then the Dormouse shall!" they both cried. "Wake up, Dormouse!" And they pinched it on both sides at once. The Dormouse slowly opened his eyes. "I wasn't asleep," he said in a hoarse, feeble voice: "I heard every word you fellows were saying." "Tell us a story!" said the March Hare. "Yes, please do!" pleaded Alice. "And be quick about it," added the Hatter, "or you'll be | turning to Alice again. "No, I give it up," Alice replied: "what's the answer?" "I haven't the slightest idea," said the Hatter. "Nor I," said the March Hare. Alice sighed wearily. "I think you might do something better with the time," she said, "than waste it in asking riddles that have no answers." "If you knew Time as well as I do," said the Hatter, "you wouldn't talk about wasting _it_. It's _him_." "I don't know what you mean," said Alice. "Of course you don't!" the Hatter said, tossing his head contemptuously. "I dare say you never even spoke to Time!" "Perhaps not," Alice cautiously replied: "but I know I have to beat time when I learn music." "Ah! that accounts for it," said the Hatter. "He won't stand beating. Now, if you only kept on good terms with him, he'd do almost anything you liked with the clock. For instance, suppose it were nine o'clock in the morning, just time to begin lessons: you'd only have to whisper a hint to Time, and round goes the clock in a twinkling! Half-past one, time for dinner!" (" "I only wish it was," the March Hare said to itself in a whisper.) "That would be grand, certainly," said Alice thoughtfully: "but then--I shouldn't be hungry for it, you know." "Not at first, perhaps," said the Hatter: "but you could keep it to half-past one as long as you liked." "Is that the way _you_ manage?" Alice asked. The Hatter shook his head mournfully. "Not I!" he replied. "We quarrelled last March--just before _he_ went mad, you know--" (pointing with his tea spoon at the March Hare,) "--it was at the great concert given by the Queen of Hearts, and I had to sing" 'Twinkle, twinkle, little bat! How I wonder what you're at!' "You know the song, perhaps?" "I've heard something like it," said Alice. "It goes on, you know," the Hatter continued, "in this way:--" 'Up above the world you fly, Like a tea-tray in the sky. Twinkle, twinkle--'" Here the Dormouse shook itself, and began singing in its sleep "_Twinkle, twinkle, twinkle, twinkle_--" and went on so long that they had to pinch it to make it stop. "Well, I'd hardly finished the first verse," said the Hatter, "when the Queen jumped up and bawled out, 'He's murdering the time! Off with his head!'" "How dreadfully savage!" exclaimed Alice.<|quote|>"And ever since that,"</|quote|>the Hatter went on in a mournful tone, "he won't do a thing I ask! It's always six o'clock now." A bright idea came into Alice's head. "Is that the reason so many tea-things are put out here?" she asked. "Yes, that's it," said the Hatter with a sigh: "it's always tea-time, and we've no time to wash the things between whiles." "Then you keep moving round, I suppose?" said Alice. "Exactly so," said the Hatter: "as the things get used up." "But what happens when you come to the beginning again?" Alice ventured to ask. "Suppose we change the subject," the March Hare interrupted, yawning. "I'm getting tired of this. I vote the young lady tells us a story." "I'm afraid I don't know one," said Alice, rather alarmed at the proposal. "Then the Dormouse shall!" they both cried. "Wake up, Dormouse!" And they pinched it on both sides at once. The Dormouse slowly opened his eyes. "I wasn't asleep," he said in a hoarse, feeble voice: "I heard every word you fellows were saying." "Tell us a story!" said the March Hare. "Yes, please do!" pleaded Alice. "And be quick about it," added the Hatter, "or you'll be asleep again before it's done." "Once upon a time there were three little sisters," the Dormouse began in a great hurry; "and their names were Elsie, Lacie, and Tillie; and they lived at the bottom of a well--" "What did they live on?" said Alice, who always took a great interest in questions of eating and drinking. "They lived on treacle," said the Dormouse, after thinking a minute or two. "They couldn't have done that, you know," Alice gently remarked; "they'd have been ill." "So they were," said the Dormouse; "_very_ ill." Alice tried to fancy to herself what such an extraordinary ways of living would be like, but it puzzled her too much, so she went on: "But why did they live at the bottom of a well?" "Take some more tea," the March Hare said to Alice, very earnestly. "I've had nothing yet," Alice replied in an offended tone, "so I can't take more." "You mean you can't take _less_," said the Hatter: "it's very easy to take _more_ than nothing." "Nobody asked _your_ opinion," said Alice. "Who's making personal remarks now?" the Hatter asked triumphantly. Alice did not quite know what to say to this: so she | I get' is the same thing as 'I get what I like'!" "You might just as well say," added the Dormouse, who seemed to be talking in his sleep, "that 'I breathe when I sleep' is the same thing as 'I sleep when I breathe'!" "It _is_ the same thing with you," said the Hatter, and here the conversation dropped, and the party sat silent for a minute, while Alice thought over all she could remember about ravens and writing-desks, which wasn't much. The Hatter was the first to break the silence. "What day of the month is it?" he said, turning to Alice: he had taken his watch out of his pocket, and was looking at it uneasily, shaking it every now and then, and holding it to his ear. Alice considered a little, and then said "The fourth." "Two days wrong!" sighed the Hatter. "I told you butter wouldn't suit the works!" he added looking angrily at the March Hare. "It was the _best_ butter," the March Hare meekly replied. "Yes, but some crumbs must have got in as well," the Hatter grumbled: "you shouldn't have put it in with the bread-knife." The March Hare took the watch and looked at it gloomily: then he dipped it into his cup of tea, and looked at it again: but he could think of nothing better to say than his first remark, "It was the _best_ butter, you know." Alice had been looking over his shoulder with some curiosity. "What a funny watch!" she remarked. "It tells the day of the month, and doesn't tell what o'clock it is!" "Why should it?" muttered the Hatter. "Does _your_ watch tell you what year it is?" "Of course not," Alice replied very readily: "but that's because it stays the same year for such a long time together." "Which is just the case with _mine_," said the Hatter. Alice felt dreadfully puzzled. The Hatter's remark seemed to have no sort of meaning in it, and yet it was certainly English. "I don't quite understand you," she said, as politely as she could. "The Dormouse is asleep again," said the Hatter, and he poured a little hot tea upon its nose. The Dormouse shook its head impatiently, and said, without opening its eyes, "Of course, of course; just what I was going to remark myself." "Have you guessed the riddle yet?" the Hatter said, turning to Alice again. "No, I give it up," Alice replied: "what's the answer?" "I haven't the slightest idea," said the Hatter. "Nor I," said the March Hare. Alice sighed wearily. "I think you might do something better with the time," she said, "than waste it in asking riddles that have no answers." "If you knew Time as well as I do," said the Hatter, "you wouldn't talk about wasting _it_. It's _him_." "I don't know what you mean," said Alice. "Of course you don't!" the Hatter said, tossing his head contemptuously. "I dare say you never even spoke to Time!" "Perhaps not," Alice cautiously replied: "but I know I have to beat time when I learn music." "Ah! that accounts for it," said the Hatter. "He won't stand beating. Now, if you only kept on good terms with him, he'd do almost anything you liked with the clock. For instance, suppose it were nine o'clock in the morning, just time to begin lessons: you'd only have to whisper a hint to Time, and round goes the clock in a twinkling! Half-past one, time for dinner!" (" "I only wish it was," the March Hare said to itself in a whisper.) "That would be grand, certainly," said Alice thoughtfully: "but then--I shouldn't be hungry for it, you know." "Not at first, perhaps," said the Hatter: "but you could keep it to half-past one as long as you liked." "Is that the way _you_ manage?" Alice asked. The Hatter shook his head mournfully. "Not I!" he replied. "We quarrelled last March--just before _he_ went mad, you know--" (pointing with his tea spoon at the March Hare,) "--it was at the great concert given by the Queen of Hearts, and I had to sing" 'Twinkle, twinkle, little bat! How I wonder what you're at!' "You know the song, perhaps?" "I've heard something like it," said Alice. "It goes on, you know," the Hatter continued, "in this way:--" 'Up above the world you fly, Like a tea-tray in the sky. Twinkle, twinkle--'" Here the Dormouse shook itself, and began singing in its sleep "_Twinkle, twinkle, twinkle, twinkle_--" and went on so long that they had to pinch it to make it stop. "Well, I'd hardly finished the first verse," said the Hatter, "when the Queen jumped up and bawled out, 'He's murdering the time! Off with his head!'" "How dreadfully savage!" exclaimed Alice.<|quote|>"And ever since that,"</|quote|>the Hatter went on in a mournful tone, "he won't do a thing I ask! It's always six o'clock now." A bright idea came into Alice's head. "Is that the reason so many tea-things are put out here?" she asked. "Yes, that's it," said the Hatter with a sigh: "it's always tea-time, and we've no time to wash the things between whiles." "Then you keep moving round, I suppose?" said Alice. "Exactly so," said the Hatter: "as the things get used up." "But what happens when you come to the beginning again?" Alice ventured to ask. "Suppose we change the subject," the March Hare interrupted, yawning. "I'm getting tired of this. I vote the young lady tells us a story." "I'm afraid I don't know one," said Alice, rather alarmed at the proposal. "Then the Dormouse shall!" they both cried. "Wake up, Dormouse!" And they pinched it on both sides at once. The Dormouse slowly opened his eyes. "I wasn't asleep," he said in a hoarse, feeble voice: "I heard every word you fellows were saying." "Tell us a story!" said the March Hare. "Yes, please do!" pleaded Alice. "And be quick about it," added the Hatter, "or you'll be asleep again before it's done." "Once upon a time there were three little sisters," the Dormouse began in a great hurry; "and their names were Elsie, Lacie, and Tillie; and they lived at the bottom of a well--" "What did they live on?" said Alice, who always took a great interest in questions of eating and drinking. "They lived on treacle," said the Dormouse, after thinking a minute or two. "They couldn't have done that, you know," Alice gently remarked; "they'd have been ill." "So they were," said the Dormouse; "_very_ ill." Alice tried to fancy to herself what such an extraordinary ways of living would be like, but it puzzled her too much, so she went on: "But why did they live at the bottom of a well?" "Take some more tea," the March Hare said to Alice, very earnestly. "I've had nothing yet," Alice replied in an offended tone, "so I can't take more." "You mean you can't take _less_," said the Hatter: "it's very easy to take _more_ than nothing." "Nobody asked _your_ opinion," said Alice. "Who's making personal remarks now?" the Hatter asked triumphantly. Alice did not quite know what to say to this: so she helped herself to some tea and bread-and-butter, and then turned to the Dormouse, and repeated her question. "Why did they live at the bottom of a well?" The Dormouse again took a minute or two to think about it, and then said, "It was a treacle-well." "There's no such thing!" Alice was beginning very angrily, but the Hatter and the March Hare went "Sh! sh!" and the Dormouse sulkily remarked, "If you can't be civil, you'd better finish the story for yourself." "No, please go on!" Alice said very humbly; "I won't interrupt again. I dare say there may be _one_." "One, indeed!" said the Dormouse indignantly. However, he consented to go on. "And so these three little sisters--they were learning to draw, you know--" "What did they draw?" said Alice, quite forgetting her promise. "Treacle," said the Dormouse, without considering at all this time. "I want a clean cup," interrupted the Hatter: "let's all move one place on." He moved on as he spoke, and the Dormouse followed him: the March Hare moved into the Dormouse's place, and Alice rather unwillingly took the place of the March Hare. The Hatter was the only one who got any advantage from the change: and Alice was a good deal worse off than before, as the March Hare had just upset the milk-jug into his plate. Alice did not wish to offend the Dormouse again, so she began very cautiously: "But I don't understand. Where did they draw the treacle from?" "You can draw water out of a water-well," said the Hatter; "so I should think you could draw treacle out of a treacle-well--eh, stupid?" "But they were _in_ the well," Alice said to the Dormouse, not choosing to notice this last remark. "Of course they were," said the Dormouse; "--well in." This answer so confused poor Alice, that she let the Dormouse go on for some time without interrupting it. "They were learning to draw," the Dormouse went on, yawning and rubbing its eyes, for it was getting very sleepy; "and they drew all manner of things--everything that begins with an M--" "Why with an M?" said Alice. "Why not?" said the March Hare. Alice was silent. The Dormouse had closed its eyes by this time, and was going off into a doze; but, on being pinched by the Hatter, it woke up again with a little shriek, and went on: | it was," the March Hare said to itself in a whisper.) "That would be grand, certainly," said Alice thoughtfully: "but then--I shouldn't be hungry for it, you know." "Not at first, perhaps," said the Hatter: "but you could keep it to half-past one as long as you liked." "Is that the way _you_ manage?" Alice asked. The Hatter shook his head mournfully. "Not I!" he replied. "We quarrelled last March--just before _he_ went mad, you know--" (pointing with his tea spoon at the March Hare,) "--it was at the great concert given by the Queen of Hearts, and I had to sing" 'Twinkle, twinkle, little bat! How I wonder what you're at!' "You know the song, perhaps?" "I've heard something like it," said Alice. "It goes on, you know," the Hatter continued, "in this way:--" 'Up above the world you fly, Like a tea-tray in the sky. Twinkle, twinkle--'" Here the Dormouse shook itself, and began singing in its sleep "_Twinkle, twinkle, twinkle, twinkle_--" and went on so long that they had to pinch it to make it stop. "Well, I'd hardly finished the first verse," said the Hatter, "when the Queen jumped up and bawled out, 'He's murdering the time! Off with his head!'" "How dreadfully savage!" exclaimed Alice.<|quote|>"And ever since that,"</|quote|>the Hatter went on in a mournful tone, "he won't do a thing I ask! It's always six o'clock now." A bright idea came into Alice's head. "Is that the reason so many tea-things are put out here?" she asked. "Yes, that's it," said the Hatter with a sigh: "it's always tea-time, and we've no time to wash the things between whiles." "Then you keep moving round, I suppose?" said Alice. "Exactly so," said the Hatter: "as the things get used up." "But what happens when you come to the beginning again?" Alice ventured to ask. "Suppose we change the subject," the March Hare interrupted, yawning. "I'm getting tired of this. I vote the young lady tells us a story." "I'm afraid I don't know one," said Alice, rather alarmed at the proposal. "Then the Dormouse shall!" they both cried. "Wake up, Dormouse!" And they pinched it on both sides at once. The Dormouse slowly opened his eyes. "I wasn't asleep," he said in a hoarse, feeble voice: "I heard every word you fellows were saying." "Tell us a story!" said the March Hare. "Yes, please do!" pleaded Alice. "And be quick about it," added the Hatter, "or you'll be asleep again before it's done." "Once upon a time there were three little sisters," the Dormouse began in a great hurry; "and their names were Elsie, Lacie, and Tillie; and they lived at the bottom of a well--" "What did they live on?" said Alice, who always took a great interest in questions of eating and drinking. "They lived on treacle," said the Dormouse, after thinking a minute or two. "They couldn't have done that, you know," Alice gently remarked; "they'd have been ill." "So they were," said the Dormouse; "_very_ ill." Alice tried to fancy to herself what such an extraordinary ways of living would be like, but it puzzled her too much, so she went on: "But why did they live at the bottom of a well?" "Take some more tea," the March Hare said to Alice, very earnestly. "I've had nothing yet," Alice replied in an offended tone, "so I can't take more." "You mean you can't take _less_," said the Hatter: "it's very easy to take _more_ than nothing." "Nobody asked _your_ opinion," said Alice. "Who's making personal remarks now?" the Hatter asked triumphantly. Alice did not quite know what to say to this: so she helped herself to some tea and bread-and-butter, and then turned to the Dormouse, and repeated her question. "Why did they live at the bottom of a well?" The Dormouse again took a minute or two to think about it, and then said, "It was a treacle-well." "There's no such thing!" Alice was beginning very angrily, but the Hatter and the March Hare went "Sh! sh!" and the Dormouse | Alices Adventures In Wonderland | "_Twinkle, twinkle, twinkle, twinkle_--" and went on so long that they had to pinch it to make it stop. "Well, I'd hardly finished the first verse," said the Hatter, "when the Queen jumped up and bawled out, 'He's murdering the time! Off with his head!'" "How dreadfully savage!" exclaimed Alice.<|quote|>"And ever since that,"</|quote|>the Hatter went on in a mournful tone, "he won't do a thing I ask! It's always six o'clock now." A bright idea came into Alice's head. "Is that the reason so many tea-things are put out here?" she asked. "Yes, that's it," said the Hatter with a sigh: "it's | {
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They all sat down at once, in a large ring, with the Mouse in the middle. Alice kept her eyes anxiously fixed on it, for she felt sure she would catch a bad cold if she did not get dry very soon. | No speaker | soon make you dry enough!"<|quote|>They all sat down at once, in a large ring, with the Mouse in the middle. Alice kept her eyes anxiously fixed on it, for she felt sure she would catch a bad cold if she did not get dry very soon.</|quote|>"Ahem!" said the Mouse with | and listen to me! _I'll_ soon make you dry enough!"<|quote|>They all sat down at once, in a large ring, with the Mouse in the middle. Alice kept her eyes anxiously fixed on it, for she felt sure she would catch a bad cold if she did not get dry very soon.</|quote|>"Ahem!" said the Mouse with an important air, "are you | it was, and, as the Lory positively refused to tell its age, there was no more to be said. At last the Mouse, who seemed to be a person of authority among them, called out, "Sit down, all of you, and listen to me! _I'll_ soon make you dry enough!"<|quote|>They all sat down at once, in a large ring, with the Mouse in the middle. Alice kept her eyes anxiously fixed on it, for she felt sure she would catch a bad cold if she did not get dry very soon.</|quote|>"Ahem!" said the Mouse with an important air, "are you all ready? This is the driest thing I know. Silence all round, if you please! 'William the Conqueror, whose cause was favoured by the pope, was soon submitted to by the English, who wanted leaders, and had been of late | familiarly with them, as if she had known them all her life. Indeed, she had quite a long argument with the Lory, who at last turned sulky, and would only say, "I am older than you, and must know better;" and this Alice would not allow without knowing how old it was, and, as the Lory positively refused to tell its age, there was no more to be said. At last the Mouse, who seemed to be a person of authority among them, called out, "Sit down, all of you, and listen to me! _I'll_ soon make you dry enough!"<|quote|>They all sat down at once, in a large ring, with the Mouse in the middle. Alice kept her eyes anxiously fixed on it, for she felt sure she would catch a bad cold if she did not get dry very soon.</|quote|>"Ahem!" said the Mouse with an important air, "are you all ready? This is the driest thing I know. Silence all round, if you please! 'William the Conqueror, whose cause was favoured by the pope, was soon submitted to by the English, who wanted leaders, and had been of late much accustomed to usurpation and conquest. Edwin and Morcar, the earls of Mercia and Northumbria--'" "Ugh!" said the Lory, with a shiver. "I beg your pardon!" said the Mouse, frowning, but very politely: "Did you speak?" "Not I!" said the Lory hastily. "I thought you did," said the Mouse. "--I | there were a Duck and a Dodo, a Lory and an Eaglet, and several other curious creatures. Alice led the way, and the whole party swam to the shore. CHAPTER III. A Caucus-Race and a Long Tale They were indeed a queer-looking party that assembled on the bank--the birds with draggled feathers, the animals with their fur clinging close to them, and all dripping wet, cross, and uncomfortable. The first question of course was, how to get dry again: they had a consultation about this, and after a few minutes it seemed quite natural to Alice to find herself talking familiarly with them, as if she had known them all her life. Indeed, she had quite a long argument with the Lory, who at last turned sulky, and would only say, "I am older than you, and must know better;" and this Alice would not allow without knowing how old it was, and, as the Lory positively refused to tell its age, there was no more to be said. At last the Mouse, who seemed to be a person of authority among them, called out, "Sit down, all of you, and listen to me! _I'll_ soon make you dry enough!"<|quote|>They all sat down at once, in a large ring, with the Mouse in the middle. Alice kept her eyes anxiously fixed on it, for she felt sure she would catch a bad cold if she did not get dry very soon.</|quote|>"Ahem!" said the Mouse with an important air, "are you all ready? This is the driest thing I know. Silence all round, if you please! 'William the Conqueror, whose cause was favoured by the pope, was soon submitted to by the English, who wanted leaders, and had been of late much accustomed to usurpation and conquest. Edwin and Morcar, the earls of Mercia and Northumbria--'" "Ugh!" said the Lory, with a shiver. "I beg your pardon!" said the Mouse, frowning, but very politely: "Did you speak?" "Not I!" said the Lory hastily. "I thought you did," said the Mouse. "--I proceed. 'Edwin and Morcar, the earls of Mercia and Northumbria, declared for him: and even Stigand, the patriotic archbishop of Canterbury, found it advisable--'" "Found _what_?" said the Duck. "Found _it_," the Mouse replied rather crossly: "of course you know what 'it' means." "I know what 'it' means well enough, when _I_ find a thing," said the Duck: "it's generally a frog or a worm. The question is, what did the archbishop find?" The Mouse did not notice this question, but hurriedly went on, "'--found it advisable to go with Edgar Atheling to meet William and offer him the crown. | such long curly brown hair! And it'll fetch things when you throw them, and it'll sit up and beg for its dinner, and all sorts of things--I can't remember half of them--and it belongs to a farmer, you know, and he says it's so useful, it's worth a hundred pounds! He says it kills all the rats and--oh dear!" cried Alice in a sorrowful tone, "I'm afraid I've offended it again!" For the Mouse was swimming away from her as hard as it could go, and making quite a commotion in the pool as it went. So she called softly after it, "Mouse dear! Do come back again, and we won't talk about cats or dogs either, if you don't like them!" When the Mouse heard this, it turned round and swam slowly back to her: its face was quite pale (with passion, Alice thought), and it said in a low trembling voice, "Let us get to the shore, and then I'll tell you my history, and you'll understand why it is I hate cats and dogs." It was high time to go, for the pool was getting quite crowded with the birds and animals that had fallen into it: there were a Duck and a Dodo, a Lory and an Eaglet, and several other curious creatures. Alice led the way, and the whole party swam to the shore. CHAPTER III. A Caucus-Race and a Long Tale They were indeed a queer-looking party that assembled on the bank--the birds with draggled feathers, the animals with their fur clinging close to them, and all dripping wet, cross, and uncomfortable. The first question of course was, how to get dry again: they had a consultation about this, and after a few minutes it seemed quite natural to Alice to find herself talking familiarly with them, as if she had known them all her life. Indeed, she had quite a long argument with the Lory, who at last turned sulky, and would only say, "I am older than you, and must know better;" and this Alice would not allow without knowing how old it was, and, as the Lory positively refused to tell its age, there was no more to be said. At last the Mouse, who seemed to be a person of authority among them, called out, "Sit down, all of you, and listen to me! _I'll_ soon make you dry enough!"<|quote|>They all sat down at once, in a large ring, with the Mouse in the middle. Alice kept her eyes anxiously fixed on it, for she felt sure she would catch a bad cold if she did not get dry very soon.</|quote|>"Ahem!" said the Mouse with an important air, "are you all ready? This is the driest thing I know. Silence all round, if you please! 'William the Conqueror, whose cause was favoured by the pope, was soon submitted to by the English, who wanted leaders, and had been of late much accustomed to usurpation and conquest. Edwin and Morcar, the earls of Mercia and Northumbria--'" "Ugh!" said the Lory, with a shiver. "I beg your pardon!" said the Mouse, frowning, but very politely: "Did you speak?" "Not I!" said the Lory hastily. "I thought you did," said the Mouse. "--I proceed. 'Edwin and Morcar, the earls of Mercia and Northumbria, declared for him: and even Stigand, the patriotic archbishop of Canterbury, found it advisable--'" "Found _what_?" said the Duck. "Found _it_," the Mouse replied rather crossly: "of course you know what 'it' means." "I know what 'it' means well enough, when _I_ find a thing," said the Duck: "it's generally a frog or a worm. The question is, what did the archbishop find?" The Mouse did not notice this question, but hurriedly went on, "'--found it advisable to go with Edgar Atheling to meet William and offer him the crown. William's conduct at first was moderate. But the insolence of his Normans--' How are you getting on now, my dear?" it continued, turning to Alice as it spoke. "As wet as ever," said Alice in a melancholy tone: "it doesn't seem to dry me at all." "In that case," said the Dodo solemnly, rising to its feet, "I move that the meeting adjourn, for the immediate adoption of more energetic remedies--" "Speak English!" said the Eaglet. "I don't know the meaning of half those long words, and, what's more, I don't believe you do either!" And the Eaglet bent down its head to hide a smile: some of the other birds tittered audibly. "What I was going to say," said the Dodo in an offended tone, "was, that the best thing to get us dry would be a Caucus-race." "What _is_ a Caucus-race?" said Alice; not that she wanted much to know, but the Dodo had paused as if it thought that _somebody_ ought to speak, and no one else seemed inclined to say anything. "Why," said the Dodo, "the best way to explain it is to do it." (And, as you might like to try the thing yourself, some | thought this must be the right way of speaking to a mouse: she had never done such a thing before, but she remembered having seen in her brother's Latin Grammar, "A mouse--of a mouse--to a mouse--a mouse--O mouse!") The Mouse looked at her rather inquisitively, and seemed to her to wink with one of its little eyes, but it said nothing. "Perhaps it doesn't understand English," thought Alice; "I daresay it's a French mouse, come over with William the Conqueror." (For, with all her knowledge of history, Alice had no very clear notion how long ago anything had happened.) So she began again: "O? est ma chatte?" which was the first sentence in her French lesson-book. The Mouse gave a sudden leap out of the water, and seemed to quiver all over with fright. "Oh, I beg your pardon!" cried Alice hastily, afraid that she had hurt the poor animal's feelings. "I quite forgot you didn't like cats." "Not like cats!" cried the Mouse, in a shrill, passionate voice. "Would _you_ like cats if you were me?" "Well, perhaps not," said Alice in a soothing tone: "don't be angry about it. And yet I wish I could show you our cat Dinah: I think you'd take a fancy to cats if you could only see her. She is such a dear quiet thing," Alice went on, half to herself, as she swam lazily about in the pool, "and she sits purring so nicely by the fire, licking her paws and washing her face--and she is such a nice soft thing to nurse--and she's such a capital one for catching mice--oh, I beg your pardon!" cried Alice again, for this time the Mouse was bristling all over, and she felt certain it must be really offended. "We won't talk about her any more if you'd rather not." "We indeed!" cried the Mouse, who was trembling down to the end of his tail. "As if _I_ would talk on such a subject! Our family always _hated_ cats: nasty, low, vulgar things! Don't let me hear the name again!" "I won't indeed!" said Alice, in a great hurry to change the subject of conversation. "Are you--are you fond--of--of dogs?" The Mouse did not answer, so Alice went on eagerly: "There is such a nice little dog near our house I should like to show you! A little bright-eyed terrier, you know, with oh, such long curly brown hair! And it'll fetch things when you throw them, and it'll sit up and beg for its dinner, and all sorts of things--I can't remember half of them--and it belongs to a farmer, you know, and he says it's so useful, it's worth a hundred pounds! He says it kills all the rats and--oh dear!" cried Alice in a sorrowful tone, "I'm afraid I've offended it again!" For the Mouse was swimming away from her as hard as it could go, and making quite a commotion in the pool as it went. So she called softly after it, "Mouse dear! Do come back again, and we won't talk about cats or dogs either, if you don't like them!" When the Mouse heard this, it turned round and swam slowly back to her: its face was quite pale (with passion, Alice thought), and it said in a low trembling voice, "Let us get to the shore, and then I'll tell you my history, and you'll understand why it is I hate cats and dogs." It was high time to go, for the pool was getting quite crowded with the birds and animals that had fallen into it: there were a Duck and a Dodo, a Lory and an Eaglet, and several other curious creatures. Alice led the way, and the whole party swam to the shore. CHAPTER III. A Caucus-Race and a Long Tale They were indeed a queer-looking party that assembled on the bank--the birds with draggled feathers, the animals with their fur clinging close to them, and all dripping wet, cross, and uncomfortable. The first question of course was, how to get dry again: they had a consultation about this, and after a few minutes it seemed quite natural to Alice to find herself talking familiarly with them, as if she had known them all her life. Indeed, she had quite a long argument with the Lory, who at last turned sulky, and would only say, "I am older than you, and must know better;" and this Alice would not allow without knowing how old it was, and, as the Lory positively refused to tell its age, there was no more to be said. At last the Mouse, who seemed to be a person of authority among them, called out, "Sit down, all of you, and listen to me! _I'll_ soon make you dry enough!"<|quote|>They all sat down at once, in a large ring, with the Mouse in the middle. Alice kept her eyes anxiously fixed on it, for she felt sure she would catch a bad cold if she did not get dry very soon.</|quote|>"Ahem!" said the Mouse with an important air, "are you all ready? This is the driest thing I know. Silence all round, if you please! 'William the Conqueror, whose cause was favoured by the pope, was soon submitted to by the English, who wanted leaders, and had been of late much accustomed to usurpation and conquest. Edwin and Morcar, the earls of Mercia and Northumbria--'" "Ugh!" said the Lory, with a shiver. "I beg your pardon!" said the Mouse, frowning, but very politely: "Did you speak?" "Not I!" said the Lory hastily. "I thought you did," said the Mouse. "--I proceed. 'Edwin and Morcar, the earls of Mercia and Northumbria, declared for him: and even Stigand, the patriotic archbishop of Canterbury, found it advisable--'" "Found _what_?" said the Duck. "Found _it_," the Mouse replied rather crossly: "of course you know what 'it' means." "I know what 'it' means well enough, when _I_ find a thing," said the Duck: "it's generally a frog or a worm. The question is, what did the archbishop find?" The Mouse did not notice this question, but hurriedly went on, "'--found it advisable to go with Edgar Atheling to meet William and offer him the crown. William's conduct at first was moderate. But the insolence of his Normans--' How are you getting on now, my dear?" it continued, turning to Alice as it spoke. "As wet as ever," said Alice in a melancholy tone: "it doesn't seem to dry me at all." "In that case," said the Dodo solemnly, rising to its feet, "I move that the meeting adjourn, for the immediate adoption of more energetic remedies--" "Speak English!" said the Eaglet. "I don't know the meaning of half those long words, and, what's more, I don't believe you do either!" And the Eaglet bent down its head to hide a smile: some of the other birds tittered audibly. "What I was going to say," said the Dodo in an offended tone, "was, that the best thing to get us dry would be a Caucus-race." "What _is_ a Caucus-race?" said Alice; not that she wanted much to know, but the Dodo had paused as if it thought that _somebody_ ought to speak, and no one else seemed inclined to say anything. "Why," said the Dodo, "the best way to explain it is to do it." (And, as you might like to try the thing yourself, some winter day, I will tell you how the Dodo managed it.) First it marked out a race-course, in a sort of circle, (" "the exact shape doesn't matter," it said,) and then all the party were placed along the course, here and there. There was no "One, two, three, and away," but they began running when they liked, and left off when they liked, so that it was not easy to know when the race was over. However, when they had been running half an hour or so, and were quite dry again, the Dodo suddenly called out "The race is over!" and they all crowded round it, panting, and asking, "But who has won?" This question the Dodo could not answer without a great deal of thought, and it sat for a long time with one finger pressed upon its forehead (the position in which you usually see Shakespeare, in the pictures of him), while the rest waited in silence. At last the Dodo said, "_Everybody_ has won, and all must have prizes." "But who is to give the prizes?" quite a chorus of voices asked. "Why, _she_, of course," said the Dodo, pointing to Alice with one finger; and the whole party at once crowded round her, calling out in a confused way, "Prizes! Prizes!" Alice had no idea what to do, and in despair she put her hand in her pocket, and pulled out a box of comfits, (luckily the salt water had not got into it), and handed them round as prizes. There was exactly one a-piece, all round. "But she must have a prize herself, you know," said the Mouse. "Of course," the Dodo replied very gravely. "What else have you got in your pocket?" he went on, turning to Alice. "Only a thimble," said Alice sadly. "Hand it over here," said the Dodo. Then they all crowded round her once more, while the Dodo solemnly presented the thimble, saying "We beg your acceptance of this elegant thimble;" and, when it had finished this short speech, they all cheered. Alice thought the whole thing very absurd, but they all looked so grave that she did not dare to laugh; and, as she could not think of anything to say, she simply bowed, and took the thimble, looking as solemn as she could. The next thing was to eat the comfits: this caused some noise and | such a subject! Our family always _hated_ cats: nasty, low, vulgar things! Don't let me hear the name again!" "I won't indeed!" said Alice, in a great hurry to change the subject of conversation. "Are you--are you fond--of--of dogs?" The Mouse did not answer, so Alice went on eagerly: "There is such a nice little dog near our house I should like to show you! A little bright-eyed terrier, you know, with oh, such long curly brown hair! And it'll fetch things when you throw them, and it'll sit up and beg for its dinner, and all sorts of things--I can't remember half of them--and it belongs to a farmer, you know, and he says it's so useful, it's worth a hundred pounds! He says it kills all the rats and--oh dear!" cried Alice in a sorrowful tone, "I'm afraid I've offended it again!" For the Mouse was swimming away from her as hard as it could go, and making quite a commotion in the pool as it went. So she called softly after it, "Mouse dear! Do come back again, and we won't talk about cats or dogs either, if you don't like them!" When the Mouse heard this, it turned round and swam slowly back to her: its face was quite pale (with passion, Alice thought), and it said in a low trembling voice, "Let us get to the shore, and then I'll tell you my history, and you'll understand why it is I hate cats and dogs." It was high time to go, for the pool was getting quite crowded with the birds and animals that had fallen into it: there were a Duck and a Dodo, a Lory and an Eaglet, and several other curious creatures. Alice led the way, and the whole party swam to the shore. CHAPTER III. A Caucus-Race and a Long Tale They were indeed a queer-looking party that assembled on the bank--the birds with draggled feathers, the animals with their fur clinging close to them, and all dripping wet, cross, and uncomfortable. The first question of course was, how to get dry again: they had a consultation about this, and after a few minutes it seemed quite natural to Alice to find herself talking familiarly with them, as if she had known them all her life. Indeed, she had quite a long argument with the Lory, who at last turned sulky, and would only say, "I am older than you, and must know better;" and this Alice would not allow without knowing how old it was, and, as the Lory positively refused to tell its age, there was no more to be said. At last the Mouse, who seemed to be a person of authority among them, called out, "Sit down, all of you, and listen to me! _I'll_ soon make you dry enough!"<|quote|>They all sat down at once, in a large ring, with the Mouse in the middle. Alice kept her eyes anxiously fixed on it, for she felt sure she would catch a bad cold if she did not get dry very soon.</|quote|>"Ahem!" said the Mouse with an important air, "are you all ready? This is the driest thing I know. Silence all round, if you please! 'William the Conqueror, whose cause was favoured by the pope, was soon submitted to by the English, who wanted leaders, and had been of late much accustomed to usurpation and conquest. Edwin and Morcar, the earls of Mercia and Northumbria--'" "Ugh!" said the Lory, with a shiver. "I beg your pardon!" said the Mouse, frowning, but very politely: "Did you speak?" "Not I!" said the Lory hastily. "I thought you did," said the Mouse. "--I proceed. 'Edwin and Morcar, the earls of Mercia and Northumbria, declared for him: and even Stigand, the patriotic archbishop of Canterbury, found it advisable--'" "Found _what_?" said the Duck. "Found _it_," the Mouse replied rather crossly: "of course you know what 'it' means." "I know what 'it' means well enough, when _I_ find a thing," said the Duck: "it's generally a frog or a worm. The question is, what did the archbishop find?" The Mouse did not notice this question, but hurriedly went on, "'--found it advisable to go with Edgar Atheling to meet William and offer him the crown. William's conduct at first was moderate. But the insolence of his Normans--' How are you getting on now, my dear?" it continued, turning to Alice as it spoke. "As wet as ever," said Alice in a melancholy tone: "it doesn't seem to dry me at all." "In that case," said | Alices Adventures In Wonderland | it was, and, as the Lory positively refused to tell its age, there was no more to be said. At last the Mouse, who seemed to be a person of authority among them, called out, "Sit down, all of you, and listen to me! _I'll_ soon make you dry enough!"<|quote|>They all sat down at once, in a large ring, with the Mouse in the middle. Alice kept her eyes anxiously fixed on it, for she felt sure she would catch a bad cold if she did not get dry very soon.</|quote|>"Ahem!" said the Mouse with an important air, "are you all ready? This is the driest thing I know. Silence all round, if you please! 'William the Conqueror, whose cause was favoured by the pope, was soon submitted to by the English, who wanted leaders, and had been of late | {
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All the older men are linked up with their previous life. They have wives, children, occupations, and interests, they have a background which is so strong that the war cannot obliterate it. We young men of twenty, however, have only our parents, and some, perhaps, a girl--that is not much, for at our age the influence of parents is at its weakest and girls have not yet got a hold over us. Besides this there was little else--some enthusiasm, a few hobbies, and our school. Beyond this our life did not extend. And of this nothing remains. Kantorek would say that we stood on the threshold of life. And so it would seem. We had as yet taken no root. The war swept us away. For the others, the older men, it is but an interruption. They are able to think beyond it. We, however, have been gripped by it and do not know what the end may be. We know only that in some strange and melancholy way we have become a waste land. All the same, we are not often sad. * * Though Müller would be delighted to have Kemmerich's boots, he is really quite as sympathetic as another who could not bear to think of such a thing for grief. He merely sees things clearly. Were Kemmerich able to make any use of the boots, then Müller would rather go barefoot over barbed wire than scheme how to get hold of them. But as it is the boots are quite inappropriate to Kemmerich's circumstances, whereas Müller can make good use of them. Kemmerich will die; it is immaterial who gets them. Why, then, should Müller not succeed to them? he has more right than a hospital orderly. When Kemmerich is dead it will be too late. Therefore Müller is already on the watch. We have lost all sense of other considerations, because they are artificial. Only the facts are real and important for us. And good boots are scarce. * * Once it was different. When we went to the district-commandant to enlist, we were a class of twenty young men, many of whom proudly shaved for the first time before going to the barracks. We had no definite plans for our future. Our thoughts of a career and occupation were as yet of too unpractical a character to furnish any scheme of life. We were still crammed full of vague ideas which gave to life, and to the war also, an ideal and almost romantic character. We were trained in the army for ten weeks and in this time more profoundly influenced than by ten years at school. We learned that a bright button is weightier than four volumes of Schopenhauer. At first astonished, then embittered, and finally indifferent, we recognized that what matters is not the mind but the boot brush, not intelligence but the system, not freedom but drill. We became soldiers with eagerness and enthusiasm, but they have done everything to knock that out of us. After three weeks it was no longer incomprehensible to us that a braided postman should have more authority over us than had formerly our parents, our teachers, and the whole gamut of culture from Plato to Goethe. With our young, awakened eyes we saw that the classical conception of the Fatherland held by our teachers resolved itself here into a renunciation of personality such as one would not ask of the meanest servant--salutes, springing to attention, parade-marches, presenting arms, right wheel, left wheel, clicking the heels, insults, and a thousand pettifogging details. We had fancied our task would be different, only to find we were to be trained for heroism as though we were circus-ponies. But we soon accustomed ourselves to it. We learned in fact that some part of these things was necessary, but the rest merely show. Soldiers have a fine nose for such distinctions. * * By threes and fours our class was scattered over the platoons amongst Frisian fishermen, peasants, and labourers with whom we soon made friends. Kropp, Müller, Kemmerich, and I went to No. 9 platoon under Corporal Himmelstoss. He had the reputation of being the strictest disciplinarian in the camp, and was proud of it. He was a small undersized fellow with a foxy, waxed moustache, who had seen twelve years service and was in civil life a postman. He had a special dislike for Kropp, Tjaden, Westhus, and me, because he sensed a quiet defiance. I have remade his bed fourteen times in one morning. Each time he had some fault to find and pulled it to pieces. I have kneaded a pair of prehistoric boots that were as hard as iron for twenty hours--with intervals of course--until they became as soft as butter and not even Himmelstoss could find anything more to do to them; under his orders I have scrubbed out the Corporals' Mess with a tooth-brush. Kropp and I were given the job of clearing the barrack-square of snow with a hand-broom and a dust-pan, and we would have gone on till we were frozen had not a lieutenant accidentally appeared who sent us off, and hauled Himmelstoss over the coals. But the only result of this was to make Himmelstoss hate us more. For six weeks consecutively I did guard every Sunday and was hut-orderly for the same length of time. With full pack and rifle I have had to practise on a soft, wet, newly ploughed field the | No speaker | Kantorek calls the "Iron Youth."<|quote|>All the older men are linked up with their previous life. They have wives, children, occupations, and interests, they have a background which is so strong that the war cannot obliterate it. We young men of twenty, however, have only our parents, and some, perhaps, a girl--that is not much, for at our age the influence of parents is at its weakest and girls have not yet got a hold over us. Besides this there was little else--some enthusiasm, a few hobbies, and our school. Beyond this our life did not extend. And of this nothing remains. Kantorek would say that we stood on the threshold of life. And so it would seem. We had as yet taken no root. The war swept us away. For the others, the older men, it is but an interruption. They are able to think beyond it. We, however, have been gripped by it and do not know what the end may be. We know only that in some strange and melancholy way we have become a waste land. All the same, we are not often sad. * * Though Müller would be delighted to have Kemmerich's boots, he is really quite as sympathetic as another who could not bear to think of such a thing for grief. He merely sees things clearly. Were Kemmerich able to make any use of the boots, then Müller would rather go barefoot over barbed wire than scheme how to get hold of them. But as it is the boots are quite inappropriate to Kemmerich's circumstances, whereas Müller can make good use of them. Kemmerich will die; it is immaterial who gets them. Why, then, should Müller not succeed to them? he has more right than a hospital orderly. When Kemmerich is dead it will be too late. Therefore Müller is already on the watch. We have lost all sense of other considerations, because they are artificial. Only the facts are real and important for us. And good boots are scarce. * * Once it was different. When we went to the district-commandant to enlist, we were a class of twenty young men, many of whom proudly shaved for the first time before going to the barracks. We had no definite plans for our future. Our thoughts of a career and occupation were as yet of too unpractical a character to furnish any scheme of life. We were still crammed full of vague ideas which gave to life, and to the war also, an ideal and almost romantic character. We were trained in the army for ten weeks and in this time more profoundly influenced than by ten years at school. We learned that a bright button is weightier than four volumes of Schopenhauer. At first astonished, then embittered, and finally indifferent, we recognized that what matters is not the mind but the boot brush, not intelligence but the system, not freedom but drill. We became soldiers with eagerness and enthusiasm, but they have done everything to knock that out of us. After three weeks it was no longer incomprehensible to us that a braided postman should have more authority over us than had formerly our parents, our teachers, and the whole gamut of culture from Plato to Goethe. With our young, awakened eyes we saw that the classical conception of the Fatherland held by our teachers resolved itself here into a renunciation of personality such as one would not ask of the meanest servant--salutes, springing to attention, parade-marches, presenting arms, right wheel, left wheel, clicking the heels, insults, and a thousand pettifogging details. We had fancied our task would be different, only to find we were to be trained for heroism as though we were circus-ponies. But we soon accustomed ourselves to it. We learned in fact that some part of these things was necessary, but the rest merely show. Soldiers have a fine nose for such distinctions. * * By threes and fours our class was scattered over the platoons amongst Frisian fishermen, peasants, and labourers with whom we soon made friends. Kropp, Müller, Kemmerich, and I went to No. 9 platoon under Corporal Himmelstoss. He had the reputation of being the strictest disciplinarian in the camp, and was proud of it. He was a small undersized fellow with a foxy, waxed moustache, who had seen twelve years service and was in civil life a postman. He had a special dislike for Kropp, Tjaden, Westhus, and me, because he sensed a quiet defiance. I have remade his bed fourteen times in one morning. Each time he had some fault to find and pulled it to pieces. I have kneaded a pair of prehistoric boots that were as hard as iron for twenty hours--with intervals of course--until they became as soft as butter and not even Himmelstoss could find anything more to do to them; under his orders I have scrubbed out the Corporals' Mess with a tooth-brush. Kropp and I were given the job of clearing the barrack-square of snow with a hand-broom and a dust-pan, and we would have gone on till we were frozen had not a lieutenant accidentally appeared who sent us off, and hauled Himmelstoss over the coals. But the only result of this was to make Himmelstoss hate us more. For six weeks consecutively I did guard every Sunday and was hut-orderly for the same length of time. With full pack and rifle I have had to practise on a soft, wet, newly ploughed field the</|quote|>"Prepare to advance, advance!" and | for all of us whom Kantorek calls the "Iron Youth."<|quote|>All the older men are linked up with their previous life. They have wives, children, occupations, and interests, they have a background which is so strong that the war cannot obliterate it. We young men of twenty, however, have only our parents, and some, perhaps, a girl--that is not much, for at our age the influence of parents is at its weakest and girls have not yet got a hold over us. Besides this there was little else--some enthusiasm, a few hobbies, and our school. Beyond this our life did not extend. And of this nothing remains. Kantorek would say that we stood on the threshold of life. And so it would seem. We had as yet taken no root. The war swept us away. For the others, the older men, it is but an interruption. They are able to think beyond it. We, however, have been gripped by it and do not know what the end may be. We know only that in some strange and melancholy way we have become a waste land. All the same, we are not often sad. * * Though Müller would be delighted to have Kemmerich's boots, he is really quite as sympathetic as another who could not bear to think of such a thing for grief. He merely sees things clearly. Were Kemmerich able to make any use of the boots, then Müller would rather go barefoot over barbed wire than scheme how to get hold of them. But as it is the boots are quite inappropriate to Kemmerich's circumstances, whereas Müller can make good use of them. Kemmerich will die; it is immaterial who gets them. Why, then, should Müller not succeed to them? he has more right than a hospital orderly. When Kemmerich is dead it will be too late. Therefore Müller is already on the watch. We have lost all sense of other considerations, because they are artificial. Only the facts are real and important for us. And good boots are scarce. * * Once it was different. When we went to the district-commandant to enlist, we were a class of twenty young men, many of whom proudly shaved for the first time before going to the barracks. We had no definite plans for our future. Our thoughts of a career and occupation were as yet of too unpractical a character to furnish any scheme of life. We were still crammed full of vague ideas which gave to life, and to the war also, an ideal and almost romantic character. We were trained in the army for ten weeks and in this time more profoundly influenced than by ten years at school. We learned that a bright button is weightier than four volumes of Schopenhauer. At first astonished, then embittered, and finally indifferent, we recognized that what matters is not the mind but the boot brush, not intelligence but the system, not freedom but drill. We became soldiers with eagerness and enthusiasm, but they have done everything to knock that out of us. After three weeks it was no longer incomprehensible to us that a braided postman should have more authority over us than had formerly our parents, our teachers, and the whole gamut of culture from Plato to Goethe. With our young, awakened eyes we saw that the classical conception of the Fatherland held by our teachers resolved itself here into a renunciation of personality such as one would not ask of the meanest servant--salutes, springing to attention, parade-marches, presenting arms, right wheel, left wheel, clicking the heels, insults, and a thousand pettifogging details. We had fancied our task would be different, only to find we were to be trained for heroism as though we were circus-ponies. But we soon accustomed ourselves to it. We learned in fact that some part of these things was necessary, but the rest merely show. Soldiers have a fine nose for such distinctions. * * By threes and fours our class was scattered over the platoons amongst Frisian fishermen, peasants, and labourers with whom we soon made friends. Kropp, Müller, Kemmerich, and I went to No. 9 platoon under Corporal Himmelstoss. He had the reputation of being the strictest disciplinarian in the camp, and was proud of it. He was a small undersized fellow with a foxy, waxed moustache, who had seen twelve years service and was in civil life a postman. He had a special dislike for Kropp, Tjaden, Westhus, and me, because he sensed a quiet defiance. I have remade his bed fourteen times in one morning. Each time he had some fault to find and pulled it to pieces. I have kneaded a pair of prehistoric boots that were as hard as iron for twenty hours--with intervals of course--until they became as soft as butter and not even Himmelstoss could find anything more to do to them; under his orders I have scrubbed out the Corporals' Mess with a tooth-brush. Kropp and I were given the job of clearing the barrack-square of snow with a hand-broom and a dust-pan, and we would have gone on till we were frozen had not a lieutenant accidentally appeared who sent us off, and hauled Himmelstoss over the coals. But the only result of this was to make Himmelstoss hate us more. For six weeks consecutively I did guard every Sunday and was hut-orderly for the same length of time. With full pack and rifle I have had to practise on a soft, wet, newly ploughed field the</|quote|>"Prepare to advance, advance!" and the "Lie down!" until I | and that without our lifting a hand. We often try to look back on it and to find an explanation, but never quite succeed. For us young men of twenty everything is extraordinarily vague, for Kropp, Müller, Leer, and me, for all of us whom Kantorek calls the "Iron Youth."<|quote|>All the older men are linked up with their previous life. They have wives, children, occupations, and interests, they have a background which is so strong that the war cannot obliterate it. We young men of twenty, however, have only our parents, and some, perhaps, a girl--that is not much, for at our age the influence of parents is at its weakest and girls have not yet got a hold over us. Besides this there was little else--some enthusiasm, a few hobbies, and our school. Beyond this our life did not extend. And of this nothing remains. Kantorek would say that we stood on the threshold of life. And so it would seem. We had as yet taken no root. The war swept us away. For the others, the older men, it is but an interruption. They are able to think beyond it. We, however, have been gripped by it and do not know what the end may be. We know only that in some strange and melancholy way we have become a waste land. All the same, we are not often sad. * * Though Müller would be delighted to have Kemmerich's boots, he is really quite as sympathetic as another who could not bear to think of such a thing for grief. He merely sees things clearly. Were Kemmerich able to make any use of the boots, then Müller would rather go barefoot over barbed wire than scheme how to get hold of them. But as it is the boots are quite inappropriate to Kemmerich's circumstances, whereas Müller can make good use of them. Kemmerich will die; it is immaterial who gets them. Why, then, should Müller not succeed to them? he has more right than a hospital orderly. When Kemmerich is dead it will be too late. Therefore Müller is already on the watch. We have lost all sense of other considerations, because they are artificial. Only the facts are real and important for us. And good boots are scarce. * * Once it was different. When we went to the district-commandant to enlist, we were a class of twenty young men, many of whom proudly shaved for the first time before going to the barracks. We had no definite plans for our future. Our thoughts of a career and occupation were as yet of too unpractical a character to furnish any scheme of life. We were still crammed full of vague ideas which gave to life, and to the war also, an ideal and almost romantic character. We were trained in the army for ten weeks and in this time more profoundly influenced than by ten years at school. We learned that a bright button is weightier than four volumes of Schopenhauer. At first astonished, then embittered, and finally indifferent, we recognized that what matters is not the mind but the boot brush, not intelligence but the system, not freedom but drill. We became soldiers with eagerness and enthusiasm, but they have done everything to knock that out of us. After three weeks it was no longer incomprehensible to us that a braided postman should have more authority over us than had formerly our parents, our teachers, and the whole gamut of culture from Plato to Goethe. With our young, awakened eyes we saw that the classical conception of the Fatherland held by our teachers resolved itself here into a renunciation of personality such as one would not ask of the meanest servant--salutes, springing to attention, parade-marches, presenting arms, right wheel, left wheel, clicking the heels, insults, and a thousand pettifogging details. We had fancied our task would be different, only to find we were to be trained for heroism as though we were circus-ponies. But we soon accustomed ourselves to it. We learned in fact that some part of these things was necessary, but the rest merely show. Soldiers have a fine nose for such distinctions. * * By threes and fours our class was scattered over the platoons amongst Frisian fishermen, peasants, and labourers with whom we soon made friends. Kropp, Müller, Kemmerich, and I went to No. 9 platoon under Corporal Himmelstoss. He had the reputation of being the strictest disciplinarian in the camp, and was proud of it. He was a small undersized fellow with a foxy, waxed moustache, who had seen twelve years service and was in civil life a postman. He had a special dislike for Kropp, Tjaden, Westhus, and me, because he sensed a quiet defiance. I have remade his bed fourteen times in one morning. Each time he had some fault to find and pulled it to pieces. I have kneaded a pair of prehistoric boots that were as hard as iron for twenty hours--with intervals of course--until they became as soft as butter and not even Himmelstoss could find anything more to do to them; under his orders I have scrubbed out the Corporals' Mess with a tooth-brush. Kropp and I were given the job of clearing the barrack-square of snow with a hand-broom and a dust-pan, and we would have gone on till we were frozen had not a lieutenant accidentally appeared who sent us off, and hauled Himmelstoss over the coals. But the only result of this was to make Himmelstoss hate us more. For six weeks consecutively I did guard every Sunday and was hut-orderly for the same length of time. With full pack and rifle I have had to practise on a soft, wet, newly ploughed field the</|quote|>"Prepare to advance, advance!" and the "Lie down!" until I was one lump of mud and finally collapsed. Four hours later I had to report to Himmelstoss with my clothes scrubbed clean, my hands chafed and bleeding. Together with Kropp, Westhus, and Tjaden I have stood at attention in a | of a play called "Saul" and a bundle of poems. Many an evening I have worked over them--we all did something of the kind--but that has become so unreal to me that I cannot comprehend it any more. Our early life is cut off from the moment we came here, and that without our lifting a hand. We often try to look back on it and to find an explanation, but never quite succeed. For us young men of twenty everything is extraordinarily vague, for Kropp, Müller, Leer, and me, for all of us whom Kantorek calls the "Iron Youth."<|quote|>All the older men are linked up with their previous life. They have wives, children, occupations, and interests, they have a background which is so strong that the war cannot obliterate it. We young men of twenty, however, have only our parents, and some, perhaps, a girl--that is not much, for at our age the influence of parents is at its weakest and girls have not yet got a hold over us. Besides this there was little else--some enthusiasm, a few hobbies, and our school. Beyond this our life did not extend. And of this nothing remains. Kantorek would say that we stood on the threshold of life. And so it would seem. We had as yet taken no root. The war swept us away. For the others, the older men, it is but an interruption. They are able to think beyond it. We, however, have been gripped by it and do not know what the end may be. We know only that in some strange and melancholy way we have become a waste land. All the same, we are not often sad. * * Though Müller would be delighted to have Kemmerich's boots, he is really quite as sympathetic as another who could not bear to think of such a thing for grief. He merely sees things clearly. Were Kemmerich able to make any use of the boots, then Müller would rather go barefoot over barbed wire than scheme how to get hold of them. But as it is the boots are quite inappropriate to Kemmerich's circumstances, whereas Müller can make good use of them. Kemmerich will die; it is immaterial who gets them. Why, then, should Müller not succeed to them? he has more right than a hospital orderly. When Kemmerich is dead it will be too late. Therefore Müller is already on the watch. We have lost all sense of other considerations, because they are artificial. Only the facts are real and important for us. And good boots are scarce. * * Once it was different. When we went to the district-commandant to enlist, we were a class of twenty young men, many of whom proudly shaved for the first time before going to the barracks. We had no definite plans for our future. Our thoughts of a career and occupation were as yet of too unpractical a character to furnish any scheme of life. We were still crammed full of vague ideas which gave to life, and to the war also, an ideal and almost romantic character. We were trained in the army for ten weeks and in this time more profoundly influenced than by ten years at school. We learned that a bright button is weightier than four volumes of Schopenhauer. At first astonished, then embittered, and finally indifferent, we recognized that what matters is not the mind but the boot brush, not intelligence but the system, not freedom but drill. We became soldiers with eagerness and enthusiasm, but they have done everything to knock that out of us. After three weeks it was no longer incomprehensible to us that a braided postman should have more authority over us than had formerly our parents, our teachers, and the whole gamut of culture from Plato to Goethe. With our young, awakened eyes we saw that the classical conception of the Fatherland held by our teachers resolved itself here into a renunciation of personality such as one would not ask of the meanest servant--salutes, springing to attention, parade-marches, presenting arms, right wheel, left wheel, clicking the heels, insults, and a thousand pettifogging details. We had fancied our task would be different, only to find we were to be trained for heroism as though we were circus-ponies. But we soon accustomed ourselves to it. We learned in fact that some part of these things was necessary, but the rest merely show. Soldiers have a fine nose for such distinctions. * * By threes and fours our class was scattered over the platoons amongst Frisian fishermen, peasants, and labourers with whom we soon made friends. Kropp, Müller, Kemmerich, and I went to No. 9 platoon under Corporal Himmelstoss. He had the reputation of being the strictest disciplinarian in the camp, and was proud of it. He was a small undersized fellow with a foxy, waxed moustache, who had seen twelve years service and was in civil life a postman. He had a special dislike for Kropp, Tjaden, Westhus, and me, because he sensed a quiet defiance. I have remade his bed fourteen times in one morning. Each time he had some fault to find and pulled it to pieces. I have kneaded a pair of prehistoric boots that were as hard as iron for twenty hours--with intervals of course--until they became as soft as butter and not even Himmelstoss could find anything more to do to them; under his orders I have scrubbed out the Corporals' Mess with a tooth-brush. Kropp and I were given the job of clearing the barrack-square of snow with a hand-broom and a dust-pan, and we would have gone on till we were frozen had not a lieutenant accidentally appeared who sent us off, and hauled Himmelstoss over the coals. But the only result of this was to make Himmelstoss hate us more. For six weeks consecutively I did guard every Sunday and was hut-orderly for the same length of time. With full pack and rifle I have had to practise on a soft, wet, newly ploughed field the</|quote|>"Prepare to advance, advance!" and the "Lie down!" until I was one lump of mud and finally collapsed. Four hours later I had to report to Himmelstoss with my clothes scrubbed clean, my hands chafed and bleeding. Together with Kropp, Westhus, and Tjaden I have stood at attention in a hard frost without gloves for a quarter of an hour at a stretch, while Himmelstoss watched for the slightest movement of our bare fingers on the steel barrel of the rifle. I have run eight times from the top floor of the barracks down to the courtyard in my shirt | calmed himself; we understand: he sees red, out here every man gets like that sometime. "What has Kantorek written to you?" Müller asks him. He laughs. "We are the Iron Youth." We all three smile bitterly. Kropp rails: he is glad that he can speak. Yes, that's the way they think, these hundred thousand Kantoreks! Iron Youth. Youth! We are none of us more than twenty years old. But young? Youth? That is long ago. We are old folk. CHAPTER II It is strange to think that at home in the drawer of my writing table there lies the beginning of a play called "Saul" and a bundle of poems. Many an evening I have worked over them--we all did something of the kind--but that has become so unreal to me that I cannot comprehend it any more. Our early life is cut off from the moment we came here, and that without our lifting a hand. We often try to look back on it and to find an explanation, but never quite succeed. For us young men of twenty everything is extraordinarily vague, for Kropp, Müller, Leer, and me, for all of us whom Kantorek calls the "Iron Youth."<|quote|>All the older men are linked up with their previous life. They have wives, children, occupations, and interests, they have a background which is so strong that the war cannot obliterate it. We young men of twenty, however, have only our parents, and some, perhaps, a girl--that is not much, for at our age the influence of parents is at its weakest and girls have not yet got a hold over us. Besides this there was little else--some enthusiasm, a few hobbies, and our school. Beyond this our life did not extend. And of this nothing remains. Kantorek would say that we stood on the threshold of life. And so it would seem. We had as yet taken no root. The war swept us away. For the others, the older men, it is but an interruption. They are able to think beyond it. We, however, have been gripped by it and do not know what the end may be. We know only that in some strange and melancholy way we have become a waste land. All the same, we are not often sad. * * Though Müller would be delighted to have Kemmerich's boots, he is really quite as sympathetic as another who could not bear to think of such a thing for grief. He merely sees things clearly. Were Kemmerich able to make any use of the boots, then Müller would rather go barefoot over barbed wire than scheme how to get hold of them. But as it is the boots are quite inappropriate to Kemmerich's circumstances, whereas Müller can make good use of them. Kemmerich will die; it is immaterial who gets them. Why, then, should Müller not succeed to them? he has more right than a hospital orderly. When Kemmerich is dead it will be too late. Therefore Müller is already on the watch. We have lost all sense of other considerations, because they are artificial. Only the facts are real and important for us. And good boots are scarce. * * Once it was different. When we went to the district-commandant to enlist, we were a class of twenty young men, many of whom proudly shaved for the first time before going to the barracks. We had no definite plans for our future. Our thoughts of a career and occupation were as yet of too unpractical a character to furnish any scheme of life. We were still crammed full of vague ideas which gave to life, and to the war also, an ideal and almost romantic character. We were trained in the army for ten weeks and in this time more profoundly influenced than by ten years at school. We learned that a bright button is weightier than four volumes of Schopenhauer. At first astonished, then embittered, and finally indifferent, we recognized that what matters is not the mind but the boot brush, not intelligence but the system, not freedom but drill. We became soldiers with eagerness and enthusiasm, but they have done everything to knock that out of us. After three weeks it was no longer incomprehensible to us that a braided postman should have more authority over us than had formerly our parents, our teachers, and the whole gamut of culture from Plato to Goethe. With our young, awakened eyes we saw that the classical conception of the Fatherland held by our teachers resolved itself here into a renunciation of personality such as one would not ask of the meanest servant--salutes, springing to attention, parade-marches, presenting arms, right wheel, left wheel, clicking the heels, insults, and a thousand pettifogging details. We had fancied our task would be different, only to find we were to be trained for heroism as though we were circus-ponies. But we soon accustomed ourselves to it. We learned in fact that some part of these things was necessary, but the rest merely show. Soldiers have a fine nose for such distinctions. * * By threes and fours our class was scattered over the platoons amongst Frisian fishermen, peasants, and labourers with whom we soon made friends. Kropp, Müller, Kemmerich, and I went to No. 9 platoon under Corporal Himmelstoss. He had the reputation of being the strictest disciplinarian in the camp, and was proud of it. He was a small undersized fellow with a foxy, waxed moustache, who had seen twelve years service and was in civil life a postman. He had a special dislike for Kropp, Tjaden, Westhus, and me, because he sensed a quiet defiance. I have remade his bed fourteen times in one morning. Each time he had some fault to find and pulled it to pieces. I have kneaded a pair of prehistoric boots that were as hard as iron for twenty hours--with intervals of course--until they became as soft as butter and not even Himmelstoss could find anything more to do to them; under his orders I have scrubbed out the Corporals' Mess with a tooth-brush. Kropp and I were given the job of clearing the barrack-square of snow with a hand-broom and a dust-pan, and we would have gone on till we were frozen had not a lieutenant accidentally appeared who sent us off, and hauled Himmelstoss over the coals. But the only result of this was to make Himmelstoss hate us more. For six weeks consecutively I did guard every Sunday and was hut-orderly for the same length of time. With full pack and rifle I have had to practise on a soft, wet, newly ploughed field the</|quote|>"Prepare to advance, advance!" and the "Lie down!" until I was one lump of mud and finally collapsed. Four hours later I had to report to Himmelstoss with my clothes scrubbed clean, my hands chafed and bleeding. Together with Kropp, Westhus, and Tjaden I have stood at attention in a hard frost without gloves for a quarter of an hour at a stretch, while Himmelstoss watched for the slightest movement of our bare fingers on the steel barrel of the rifle. I have run eight times from the top floor of the barracks down to the courtyard in my shirt at two o'clock in the morning because my drawers projected three inches beyond the edge of the stool on which one had to stack all one's things. Alongside me ran the corporal, Himmelstoss, and trod on my bare toes. At bayonet-practice I had constantly to fight with Himmelstoss, I with a heavy iron weapon whilst he had a handy wooden one with which he easily struck my arms till they were black and blue. Once, indeed, I became so infuriated that I ran at him blindly and gave him a mighty jab in the stomach and knocked him down. When | Kropp viciously. I hastily intervene and give him a cigarette. He takes it. "Are you usually allowed to give it, then?" I ask him. He is annoyed. "If you don't think so, then why do you ask?" I press a couple more cigarettes into his hand. "Do us the favour----" "Well, all right," he says. Kropp goes in with him. He doesn't trust him and wants to see. We wait outside. Müller returns to the subject of the boots. "They would fit me perfectly. In these boots I get blister after blister. Do you think he will last till to-morrow after drill? If he passes out in the night, we know where the boots----" Kropp returns. "Do you think----?" he asks. "Done for," says Müller emphatically. We go back to the huts. I think of the letter that I must write to-morrow to Kemmerich's mother. I am freezing. I could do with a tot of rum. Müller pulls up some grass and chews it. Suddenly little Kropp throws his cigarette away, stamps on it savagely, and looking round him with a broken and distracted face, stammers: "Damned shit, the damned shit!" We walk on for a long time. Kropp has calmed himself; we understand: he sees red, out here every man gets like that sometime. "What has Kantorek written to you?" Müller asks him. He laughs. "We are the Iron Youth." We all three smile bitterly. Kropp rails: he is glad that he can speak. Yes, that's the way they think, these hundred thousand Kantoreks! Iron Youth. Youth! We are none of us more than twenty years old. But young? Youth? That is long ago. We are old folk. CHAPTER II It is strange to think that at home in the drawer of my writing table there lies the beginning of a play called "Saul" and a bundle of poems. Many an evening I have worked over them--we all did something of the kind--but that has become so unreal to me that I cannot comprehend it any more. Our early life is cut off from the moment we came here, and that without our lifting a hand. We often try to look back on it and to find an explanation, but never quite succeed. For us young men of twenty everything is extraordinarily vague, for Kropp, Müller, Leer, and me, for all of us whom Kantorek calls the "Iron Youth."<|quote|>All the older men are linked up with their previous life. They have wives, children, occupations, and interests, they have a background which is so strong that the war cannot obliterate it. We young men of twenty, however, have only our parents, and some, perhaps, a girl--that is not much, for at our age the influence of parents is at its weakest and girls have not yet got a hold over us. Besides this there was little else--some enthusiasm, a few hobbies, and our school. Beyond this our life did not extend. And of this nothing remains. Kantorek would say that we stood on the threshold of life. And so it would seem. We had as yet taken no root. The war swept us away. For the others, the older men, it is but an interruption. They are able to think beyond it. We, however, have been gripped by it and do not know what the end may be. We know only that in some strange and melancholy way we have become a waste land. All the same, we are not often sad. * * Though Müller would be delighted to have Kemmerich's boots, he is really quite as sympathetic as another who could not bear to think of such a thing for grief. He merely sees things clearly. Were Kemmerich able to make any use of the boots, then Müller would rather go barefoot over barbed wire than scheme how to get hold of them. But as it is the boots are quite inappropriate to Kemmerich's circumstances, whereas Müller can make good use of them. Kemmerich will die; it is immaterial who gets them. Why, then, should Müller not succeed to them? he has more right than a hospital orderly. When Kemmerich is dead it will be too late. Therefore Müller is already on the watch. We have lost all sense of other considerations, because they are artificial. Only the facts are real and important for us. And good boots are scarce. * * Once it was different. When we went to the district-commandant to enlist, we were a class of twenty young men, many of whom proudly shaved for the first time before going to the barracks. We had no definite plans for our future. Our thoughts of a career and occupation were as yet of too unpractical a character to furnish any scheme of life. We were still crammed full of vague ideas which gave to life, and to the war also, an ideal and almost romantic character. We were trained in the army for ten weeks and in this time more profoundly influenced than by ten years at school. We learned that a bright button is weightier than four volumes of Schopenhauer. At first astonished, then embittered, and finally indifferent, we recognized that what matters is not the mind but the boot brush, not intelligence but the system, not freedom but drill. We became soldiers with eagerness and enthusiasm, but they have done everything to knock that out of us. After three weeks it was no longer incomprehensible to us that a braided postman should have more authority over us than had formerly our parents, our teachers, and the whole gamut of culture from Plato to Goethe. With our young, awakened eyes we saw that the classical conception of the Fatherland held by our teachers resolved itself here into a renunciation of personality such as one would not ask of the meanest servant--salutes, springing to attention, parade-marches, presenting arms, right wheel, left wheel, clicking the heels, insults, and a thousand pettifogging details. We had fancied our task would be different, only to find we were to be trained for heroism as though we were circus-ponies. But we soon accustomed ourselves to it. We learned in fact that some part of these things was necessary, but the rest merely show. Soldiers have a fine nose for such distinctions. * * By threes and fours our class was scattered over the platoons amongst Frisian fishermen, peasants, and labourers with whom we soon made friends. Kropp, Müller, Kemmerich, and I went to No. 9 platoon under Corporal Himmelstoss. He had the reputation of being the strictest disciplinarian in the camp, and was proud of it. He was a small undersized fellow with a foxy, waxed moustache, who had seen twelve years service and was in civil life a postman. He had a special dislike for Kropp, Tjaden, Westhus, and me, because he sensed a quiet defiance. I have remade his bed fourteen times in one morning. Each time he had some fault to find and pulled it to pieces. I have kneaded a pair of prehistoric boots that were as hard as iron for twenty hours--with intervals of course--until they became as soft as butter and not even Himmelstoss could find anything more to do to them; under his orders I have scrubbed out the Corporals' Mess with a tooth-brush. Kropp and I were given the job of clearing the barrack-square of snow with a hand-broom and a dust-pan, and we would have gone on till we were frozen had not a lieutenant accidentally appeared who sent us off, and hauled Himmelstoss over the coals. But the only result of this was to make Himmelstoss hate us more. For six weeks consecutively I did guard every Sunday and was hut-orderly for the same length of time. With full pack and rifle I have had to practise on a soft, wet, newly ploughed field the</|quote|>"Prepare to advance, advance!" and the "Lie down!" until I was one lump of mud and finally collapsed. Four hours later I had to report to Himmelstoss with my clothes scrubbed clean, my hands chafed and bleeding. Together with Kropp, Westhus, and Tjaden I have stood at attention in a hard frost without gloves for a quarter of an hour at a stretch, while Himmelstoss watched for the slightest movement of our bare fingers on the steel barrel of the rifle. I have run eight times from the top floor of the barracks down to the courtyard in my shirt at two o'clock in the morning because my drawers projected three inches beyond the edge of the stool on which one had to stack all one's things. Alongside me ran the corporal, Himmelstoss, and trod on my bare toes. At bayonet-practice I had constantly to fight with Himmelstoss, I with a heavy iron weapon whilst he had a handy wooden one with which he easily struck my arms till they were black and blue. Once, indeed, I became so infuriated that I ran at him blindly and gave him a mighty jab in the stomach and knocked him down. When he reported me the company commander laughed at him and told him he ought to keep his eyes open; he understood Himmelstoss, and apparently was not displeased at his discomfiture. I became a past master on the parallel bars and strove to surpass my instructor at physical jerks;--we have trembled at the mere sound of his voice, but this runaway post-horse never got the better of us. One Sunday as Kropp and I were lugging a latrine-bucket on a pole across the barrack-yard, Himmelstoss came by, all polished up and spry for going out. He planted himself in front of us and asked how we liked the job. In spite of ourselves we tripped and emptied the bucket over his legs. He raved, but the limit had been reached. "That means clink," he yelled. But Kropp had had enough. "There'll be an inquiry first," he said, "and then we'll unload." "Mind how you speak to a non-commissioned officer!" bawled Himmelstoss. "Have you lost your senses? You wait till you're spoken to. What will you do, anyway?" "Show you up, Corporal," said Kropp, his thumbs in line with the seams of his trousers. Himmelstoss saw what we meant and went off | says Kropp. "You would have had to wait at least three or four months for your leave." Kemmerich nods. I cannot bear to look at his hands, they are like wax. Under the nails is the dirt of the trenches, it shows through blue-black like poison. It strikes me that these nails will continue to grow like long fantastic cellar-plants long after Kemmerich breathes no more. I see the picture before me. They twist themselves into corkscrews and grow and grow, and with them the hair on the decayed skull, just like grass in a good soil, just like grass, how can it be possible---- Müller leans over. "We have brought your things, Franz." Kemmerich signs with his hand. "Put them under the bed." Müller does so. Kemmerich starts on again about the watch. How can one calm him without making him suspicious? Müller reappears with a pair of airman's boots. They are fine English boots of soft, yellow leather which reach to the knee and lace all the way--they are things to be coveted. Müller is delighted at the sight of them. He matches their soles against his own clumsy boots and says: "Will you be taking them with you then, Franz?" We all three have the same thought; even if he should get better, he would be able to use only one--they are no use to him. But as things are now it is a pity that they should stay here; the orderlies will of course grab them as soon as he is dead. "Won't you leave them with us?" Müller repeats. Kemmerich doesn't want to. They are his most prized possessions. "Well, we could exchange," suggests Müller again. "Out here one can make some use of them." Still Kemmerich is not to be moved. I tread on Müller's foot; reluctantly he puts the fine boots back again under the bed. We talk a little more and then take our leave. "Cheerio, Franz." I promise him to come back in the morning. Müller talks of doing so too. He is thinking of the lace-up boots and means to be on the spot. Kemmerich groans. He is feverish. We get hold of an orderly outside and ask him to give Kemmerich a dose of morphia. He refuses. "If we were to give morphia to everyone we would have to have tubs full----" "You only attend to officers properly," says Kropp viciously. I hastily intervene and give him a cigarette. He takes it. "Are you usually allowed to give it, then?" I ask him. He is annoyed. "If you don't think so, then why do you ask?" I press a couple more cigarettes into his hand. "Do us the favour----" "Well, all right," he says. Kropp goes in with him. He doesn't trust him and wants to see. We wait outside. Müller returns to the subject of the boots. "They would fit me perfectly. In these boots I get blister after blister. Do you think he will last till to-morrow after drill? If he passes out in the night, we know where the boots----" Kropp returns. "Do you think----?" he asks. "Done for," says Müller emphatically. We go back to the huts. I think of the letter that I must write to-morrow to Kemmerich's mother. I am freezing. I could do with a tot of rum. Müller pulls up some grass and chews it. Suddenly little Kropp throws his cigarette away, stamps on it savagely, and looking round him with a broken and distracted face, stammers: "Damned shit, the damned shit!" We walk on for a long time. Kropp has calmed himself; we understand: he sees red, out here every man gets like that sometime. "What has Kantorek written to you?" Müller asks him. He laughs. "We are the Iron Youth." We all three smile bitterly. Kropp rails: he is glad that he can speak. Yes, that's the way they think, these hundred thousand Kantoreks! Iron Youth. Youth! We are none of us more than twenty years old. But young? Youth? That is long ago. We are old folk. CHAPTER II It is strange to think that at home in the drawer of my writing table there lies the beginning of a play called "Saul" and a bundle of poems. Many an evening I have worked over them--we all did something of the kind--but that has become so unreal to me that I cannot comprehend it any more. Our early life is cut off from the moment we came here, and that without our lifting a hand. We often try to look back on it and to find an explanation, but never quite succeed. For us young men of twenty everything is extraordinarily vague, for Kropp, Müller, Leer, and me, for all of us whom Kantorek calls the "Iron Youth."<|quote|>All the older men are linked up with their previous life. They have wives, children, occupations, and interests, they have a background which is so strong that the war cannot obliterate it. We young men of twenty, however, have only our parents, and some, perhaps, a girl--that is not much, for at our age the influence of parents is at its weakest and girls have not yet got a hold over us. Besides this there was little else--some enthusiasm, a few hobbies, and our school. Beyond this our life did not extend. And of this nothing remains. Kantorek would say that we stood on the threshold of life. And so it would seem. We had as yet taken no root. The war swept us away. For the others, the older men, it is but an interruption. They are able to think beyond it. We, however, have been gripped by it and do not know what the end may be. We know only that in some strange and melancholy way we have become a waste land. All the same, we are not often sad. * * Though Müller would be delighted to have Kemmerich's boots, he is really quite as sympathetic as another who could not bear to think of such a thing for grief. He merely sees things clearly. Were Kemmerich able to make any use of the boots, then Müller would rather go barefoot over barbed wire than scheme how to get hold of them. But as it is the boots are quite inappropriate to Kemmerich's circumstances, whereas Müller can make good use of them. Kemmerich will die; it is immaterial who gets them. Why, then, should Müller not succeed to them? he has more right than a hospital orderly. When Kemmerich is dead it will be too late. Therefore Müller is already on the watch. We have lost all sense of other considerations, because they are artificial. Only the facts are real and important for us. And good boots are scarce. * * Once it was different. When we went to the district-commandant to enlist, we were a class of twenty young men, many of whom proudly shaved for the first time before going to the barracks. We had no definite plans for our future. Our thoughts of a career and occupation were as yet of too unpractical a character to furnish any scheme of life. We were still crammed full of vague ideas which gave to life, and to the war also, an ideal and almost romantic character. We were trained in the army for ten weeks and in this time more profoundly influenced than by ten years at school. We learned that a bright button is weightier than four volumes of Schopenhauer. At first astonished, then embittered, and finally indifferent, we recognized that what matters is not the mind but the boot brush, not intelligence but the system, not freedom but drill. We became soldiers with eagerness and enthusiasm, but they have done everything to knock that out of us. After three weeks it was no longer incomprehensible to us that a braided postman should have more authority over us than had formerly our parents, our teachers, and the whole gamut of culture from Plato to Goethe. With our young, awakened eyes we saw that the classical conception of the Fatherland held by our teachers resolved itself here into a renunciation of personality such as one would not ask of the meanest servant--salutes, springing to attention, parade-marches, presenting arms, right wheel, left wheel, clicking the heels, insults, and a thousand pettifogging details. We had fancied our task would be different, only to find we were to be trained for heroism as though we were circus-ponies. But we soon accustomed ourselves to it. We learned in fact that some part of these things was necessary, but the rest merely show. Soldiers have a fine nose for such distinctions. * * By threes and fours our class was scattered over the platoons amongst Frisian fishermen, peasants, and labourers with whom we soon made friends. Kropp, Müller, Kemmerich, and I went to No. 9 platoon under Corporal Himmelstoss. He had the reputation of being the strictest disciplinarian in the camp, and was proud of it. He was a small undersized fellow with a foxy, waxed moustache, who had seen twelve years service and was in civil life a postman. He had a special dislike for Kropp, Tjaden, Westhus, and me, because he sensed a quiet defiance. I have remade his bed fourteen times in one morning. Each time he had some fault to find and pulled it to pieces. I have kneaded a pair of prehistoric boots that were as hard as iron for twenty hours--with intervals of course--until they became as soft as butter and not even Himmelstoss could find anything more to do to them; under his orders I have scrubbed out the Corporals' Mess with a tooth-brush. Kropp and I were given the job of clearing the barrack-square of snow with a hand-broom and a dust-pan, and we would have gone on till we were frozen had not a lieutenant accidentally appeared who sent us off, and hauled Himmelstoss over the coals. But the only result of this was to make Himmelstoss hate us more. For six weeks consecutively I did guard every Sunday and was hut-orderly for the same length of time. With full pack and rifle I have had to practise on a soft, wet, newly ploughed field the</|quote|>"Prepare to advance, advance!" and the "Lie down!" until I was one lump of mud and finally collapsed. Four hours later I had to report to Himmelstoss with my clothes scrubbed clean, my hands chafed and bleeding. Together with Kropp, Westhus, and Tjaden I have stood at attention in a hard frost without gloves for a quarter of an hour at a stretch, while Himmelstoss watched for the slightest movement of our bare fingers on the steel barrel of the rifle. I have run eight times from the top floor of the barracks down to the courtyard in my shirt at two o'clock in the morning because my drawers projected three inches beyond the edge of the stool on which one had to stack all one's things. Alongside me ran the corporal, Himmelstoss, and trod on my bare toes. At bayonet-practice I had constantly to fight with Himmelstoss, I with a heavy iron weapon whilst he had a handy wooden one with which he easily struck my arms till they were black and blue. Once, indeed, I became so infuriated that I ran at him blindly and gave him a mighty jab in the stomach and knocked him down. When he reported me the company commander laughed at him and told him he ought to keep his eyes open; he understood Himmelstoss, and apparently was not displeased at his discomfiture. I became a past master on the parallel bars and strove to surpass my instructor at physical jerks;--we have trembled at the mere sound of his voice, but this runaway post-horse never got the better of us. One Sunday as Kropp and I were lugging a latrine-bucket on a pole across the barrack-yard, Himmelstoss came by, all polished up and spry for going out. He planted himself in front of us and asked how we liked the job. In spite of ourselves we tripped and emptied the bucket over his legs. He raved, but the limit had been reached. "That means clink," he yelled. But Kropp had had enough. "There'll be an inquiry first," he said, "and then we'll unload." "Mind how you speak to a non-commissioned officer!" bawled Himmelstoss. "Have you lost your senses? You wait till you're spoken to. What will you do, anyway?" "Show you up, Corporal," said Kropp, his thumbs in line with the seams of his trousers. Himmelstoss saw what we meant and went off without saying a word. But before he disappeared he growled: "You'll drink this!" --but it was the end of his authority. He tried it on once more in the ploughed field with his "Prepare to advance, advance" and "Lie down." We obeyed each order, since an order's an order and has to be obeyed. But we did it so slowly that Himmelstoss became desperate. Carefully we went down on our knees, then on our hands, and so on; in the meantime, quite infuriated, he had given another command. But before we had even begun to sweat he was hoarse. After that he left us in peace. He did indeed always refer to us as swine, but there was, nevertheless, a certain respect in his tone. There were many other staff corporals, the majority of whom were more decent. But above all each of them wanted to keep his good job there at home as long as possible, and that he could do only by being strict with the recruits. Practically every conceivable polishing job in the entire camp fell to us and we often howled with rage. Many of us became ill through it; Wolf actually died of inflammation of the lung. But we would have felt ridiculous had we hauled down our colours. We became hard, suspicious, pitiless, vicious, tough--and that was good; for these attributes had been entirely lacking in us. Had we gone into the trenches without this period of training most of us would certainly have gone mad. Only thus were we prepared for what awaited us. We did not break down, but endured; our twenty years, which made many another thing so grievous, helped us in this. But by far the most important was that it awakened in us a strong, practical sense of _esprit de corps_, which in the field developed into the finest thing that arose out of the war--comradeship. * * I sit by Kemmerich's bed. He is sinking steadily. Around us is a great commotion. A hospital train has arrived and the wounded fit to be moved are being selected. The doctor passes by Kemmerich's bed without once looking at him. "Next time, Franz," I say. He raises himself on the pillow with his elbows. "They have amputated my leg." He knows it too then. I nod and answer: "You must be thankful you've come off with that." He is silent. | says Kropp viciously. I hastily intervene and give him a cigarette. He takes it. "Are you usually allowed to give it, then?" I ask him. He is annoyed. "If you don't think so, then why do you ask?" I press a couple more cigarettes into his hand. "Do us the favour----" "Well, all right," he says. Kropp goes in with him. He doesn't trust him and wants to see. We wait outside. Müller returns to the subject of the boots. "They would fit me perfectly. In these boots I get blister after blister. Do you think he will last till to-morrow after drill? If he passes out in the night, we know where the boots----" Kropp returns. "Do you think----?" he asks. "Done for," says Müller emphatically. We go back to the huts. I think of the letter that I must write to-morrow to Kemmerich's mother. I am freezing. I could do with a tot of rum. Müller pulls up some grass and chews it. Suddenly little Kropp throws his cigarette away, stamps on it savagely, and looking round him with a broken and distracted face, stammers: "Damned shit, the damned shit!" We walk on for a long time. Kropp has calmed himself; we understand: he sees red, out here every man gets like that sometime. "What has Kantorek written to you?" Müller asks him. He laughs. "We are the Iron Youth." We all three smile bitterly. Kropp rails: he is glad that he can speak. Yes, that's the way they think, these hundred thousand Kantoreks! Iron Youth. Youth! We are none of us more than twenty years old. But young? Youth? That is long ago. We are old folk. CHAPTER II It is strange to think that at home in the drawer of my writing table there lies the beginning of a play called "Saul" and a bundle of poems. Many an evening I have worked over them--we all did something of the kind--but that has become so unreal to me that I cannot comprehend it any more. Our early life is cut off from the moment we came here, and that without our lifting a hand. We often try to look back on it and to find an explanation, but never quite succeed. For us young men of twenty everything is extraordinarily vague, for Kropp, Müller, Leer, and me, for all of us whom Kantorek calls the "Iron Youth."<|quote|>All the older men are linked up with their previous life. They have wives, children, occupations, and interests, they have a background which is so strong that the war cannot obliterate it. We young men of twenty, however, have only our parents, and some, perhaps, a girl--that is not much, for at our age the influence of parents is at its weakest and girls have not yet got a hold over us. Besides this there was little else--some enthusiasm, a few hobbies, and our school. Beyond this our life did not extend. And of this nothing remains. Kantorek would say that we stood on the threshold of life. And so it would seem. We had as yet taken no root. The war swept us away. For the others, the older men, it is but an interruption. They are able to think beyond it. We, however, have been gripped by it and do not know what the end may be. We know only that in some strange and melancholy way we have become a waste land. All the same, we are not often sad. * * Though Müller would be delighted to have Kemmerich's boots, he is really quite as sympathetic as another who could not bear to think of such a thing for grief. He merely sees things clearly. Were Kemmerich able to make any use of the boots, then Müller would rather go barefoot over barbed wire than scheme how to get hold of them. But as it is the boots are quite inappropriate to Kemmerich's circumstances, whereas Müller can make good use of them. Kemmerich will die; it is immaterial who gets them. Why, then, should Müller not succeed to them? he has more right than a hospital orderly. When Kemmerich is dead it will be too late. Therefore Müller is already on the watch. We have lost all sense of other considerations, because they are artificial. Only the facts are real and important for us. And good boots are scarce. * * Once it was different. When we went to the district-commandant to enlist, we were a class of twenty young men, many of whom proudly shaved for the first time before going to the barracks. We had no definite plans for our future. Our thoughts of a career and occupation were as yet of too unpractical a character to furnish any scheme of life. We were still crammed full of vague ideas which gave to life, and to the war also, an ideal and almost romantic character. We were trained in the army for ten weeks and in this time more profoundly influenced than by ten years at school. We learned that a bright button is weightier than four volumes of Schopenhauer. At first astonished, then embittered, and finally indifferent, we recognized that what matters is not the mind but the boot brush, not intelligence but the system, not freedom but drill. We became soldiers with eagerness and enthusiasm, but they have done everything to knock that out of us. After three weeks it was no longer incomprehensible to us that a braided postman should have more authority over us than had formerly our parents, our teachers, and the whole gamut of culture from Plato to Goethe. With our young, awakened eyes we saw that the classical conception of the Fatherland held by our teachers resolved itself here into a renunciation of personality such as one would not ask of the meanest servant--salutes, springing to attention, parade-marches, presenting arms, right wheel, left wheel, clicking the heels, insults, and a thousand pettifogging details. We had fancied our task would be different, only to find we were to be trained for heroism as though we were circus-ponies. But we soon accustomed ourselves to it. We learned in fact that some part of these things was necessary, but the rest merely show. Soldiers have a fine nose for such distinctions. * * By threes and fours our class was scattered over the platoons amongst Frisian fishermen, peasants, and labourers with whom we soon made friends. Kropp, Müller, Kemmerich, and I went to No. 9 platoon under Corporal Himmelstoss. He had the reputation of being the strictest disciplinarian in the camp, and was proud of it. He was a small undersized fellow with a foxy, waxed moustache, who had seen twelve years service and was in civil life a postman. He had a special dislike for Kropp, Tjaden, Westhus, and me, because he sensed a quiet defiance. I have remade his bed fourteen times in one morning. Each time he had some fault to find and pulled it to pieces. I have kneaded a pair of prehistoric boots that were as hard as iron for twenty hours--with intervals of course--until they became as soft as butter and not even Himmelstoss could find anything more to do to them; under his orders I have scrubbed out the Corporals' Mess with a tooth-brush. Kropp and I were given the job of clearing the barrack-square of snow with a hand-broom and a dust-pan, and we would have gone on till we were frozen had not a lieutenant accidentally appeared who sent us off, and hauled Himmelstoss over the coals. But the only result of this was to make Himmelstoss hate us more. For six weeks consecutively I did guard every Sunday and was hut-orderly for the same length of time. With full pack and rifle I have had to practise on a soft, wet, newly ploughed field the</|quote|>"Prepare to advance, advance!" and the "Lie down!" until I was one lump of mud and finally collapsed. Four hours later I had to report to Himmelstoss with my clothes scrubbed clean, my hands chafed and bleeding. Together with Kropp, Westhus, and Tjaden I have stood at attention in a hard frost without gloves for a quarter of an hour at a stretch, while Himmelstoss watched for the slightest movement of our bare fingers on the steel barrel of the rifle. I have run eight times from the top floor of the barracks down to the courtyard in my shirt at two o'clock in the morning because my drawers projected three inches beyond the edge of the stool on which one had to stack all one's things. Alongside me ran the corporal, Himmelstoss, and trod on my bare toes. At bayonet-practice I had constantly to fight with Himmelstoss, I with a heavy iron weapon whilst he had a handy wooden one with which he easily struck my arms till they were black and blue. Once, indeed, I became so infuriated that I ran at him blindly and gave him a mighty jab in the stomach and knocked him down. When he reported me the company commander laughed at him and told him he ought to keep his eyes open; he understood Himmelstoss, and apparently was not displeased at his discomfiture. I became a past master on the parallel bars and strove to surpass my instructor at physical jerks;--we have trembled at the mere sound of his voice, but this runaway post-horse never got the better of us. One Sunday as Kropp and I were lugging a latrine-bucket on a pole across the barrack-yard, Himmelstoss came by, all polished up and spry for going out. He planted himself in front of us and asked how we liked the job. In spite of ourselves we tripped and emptied the bucket over his legs. He raved, but the limit had been reached. "That means clink," he yelled. But Kropp had had enough. "There'll be an inquiry first," he said, "and then we'll unload." "Mind how you speak to a non-commissioned officer!" bawled Himmelstoss. "Have you lost your senses? You wait till | All Quiet on the Western Front | and that without our lifting a hand. We often try to look back on it and to find an explanation, but never quite succeed. For us young men of twenty everything is extraordinarily vague, for Kropp, Müller, Leer, and me, for all of us whom Kantorek calls the "Iron Youth."<|quote|>All the older men are linked up with their previous life. They have wives, children, occupations, and interests, they have a background which is so strong that the war cannot obliterate it. We young men of twenty, however, have only our parents, and some, perhaps, a girl--that is not much, for at our age the influence of parents is at its weakest and girls have not yet got a hold over us. Besides this there was little else--some enthusiasm, a few hobbies, and our school. Beyond this our life did not extend. And of this nothing remains. Kantorek would say that we stood on the threshold of life. And so it would seem. We had as yet taken no root. The war swept us away. For the others, the older men, it is but an interruption. They are able to think beyond it. We, however, have been gripped by it and do not know what the end may be. We know only that in some strange and melancholy way we have become a waste land. All the same, we are not often sad. * * Though Müller would be delighted to have Kemmerich's boots, he is really quite as sympathetic as another who could not bear to think of such a thing for grief. He merely sees things clearly. Were Kemmerich able to make any use of the boots, then Müller would rather go barefoot over barbed wire than scheme how to get hold of them. But as it is the boots are quite inappropriate to Kemmerich's circumstances, whereas Müller can make good use of them. Kemmerich will die; it is immaterial who gets them. Why, then, should Müller not succeed to them? he has more right than a hospital orderly. When Kemmerich is dead it will be too late. Therefore Müller is already on the watch. We have lost all sense of other considerations, because they are artificial. Only the facts are real and important for us. And good boots are scarce. * * Once it was different. When we went to the district-commandant to enlist, we were a class of twenty young men, many of whom proudly shaved for the first time before going to the barracks. We had no definite plans for our future. Our thoughts of a career and occupation were as yet of too unpractical a character to furnish any scheme of life. We were still crammed full of vague ideas which gave to life, and to the war also, an ideal and almost romantic character. We were trained in the army for ten weeks and in this time more profoundly influenced than by ten years at school. We learned that a bright button is weightier than four volumes of Schopenhauer. At first astonished, then embittered, and finally indifferent, we recognized that what matters is not the mind but the boot brush, not intelligence but the system, not freedom but drill. We became soldiers with eagerness and enthusiasm, but they have done everything to knock that out of us. After three weeks it was no longer incomprehensible to us that a braided postman should have more authority over us than had formerly our parents, our teachers, and the whole gamut of culture from Plato to Goethe. With our young, awakened eyes we saw that the classical conception of the Fatherland held by our teachers resolved itself here into a renunciation of personality such as one would not ask of the meanest servant--salutes, springing to attention, parade-marches, presenting arms, right wheel, left wheel, clicking the heels, insults, and a thousand pettifogging details. We had fancied our task would be different, only to find we were to be trained for heroism as though we were circus-ponies. But we soon accustomed ourselves to it. We learned in fact that some part of these things was necessary, but the rest merely show. Soldiers have a fine nose for such distinctions. * * By threes and fours our class was scattered over the platoons amongst Frisian fishermen, peasants, and labourers with whom we soon made friends. Kropp, Müller, Kemmerich, and I went to No. 9 platoon under Corporal Himmelstoss. He had the reputation of being the strictest disciplinarian in the camp, and was proud of it. He was a small undersized fellow with a foxy, waxed moustache, who had seen twelve years service and was in civil life a postman. He had a special dislike for Kropp, Tjaden, Westhus, and me, because he sensed a quiet defiance. I have remade his bed fourteen times in one morning. Each time he had some fault to find and pulled it to pieces. I have kneaded a pair of prehistoric boots that were as hard as iron for twenty hours--with intervals of course--until they became as soft as butter and not even Himmelstoss could find anything more to do to them; under his orders I have scrubbed out the Corporals' Mess with a tooth-brush. Kropp and I were given the job of clearing the barrack-square of snow with a hand-broom and a dust-pan, and we would have gone on till we were frozen had not a lieutenant accidentally appeared who sent us off, and hauled Himmelstoss over the coals. But the only result of this was to make Himmelstoss hate us more. For six weeks consecutively I did guard every Sunday and was hut-orderly for the same length of time. With full pack and rifle I have had to practise on a soft, wet, newly ploughed field the</|quote|>"Prepare to advance, advance!" and the "Lie down!" until I was one lump of mud and finally collapsed. Four hours later I had to report to Himmelstoss with my clothes scrubbed clean, my hands chafed and bleeding. Together with Kropp, Westhus, and Tjaden I have stood at attention in a | {
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"content": "and that without our lifting a hand. We often try to look back on it and to find an explanation, but never quite succeed. For us young men of twenty everything is extraordinarily vague, for Kropp, Müller, Leer, and me, for all of us whom Kantorek calls the \"Iron Youth.\"<|quote|>All the older men are linked up with their previous life. They have wives, children, occupations, and interests, they have a background which is so strong that the war cannot obliterate it. We young men of twenty, however, have only our parents, and some, perhaps, a girl--that is not much, for at our age the influence of parents is at its weakest and girls have not yet got a hold over us. Besides this there was little else--some enthusiasm, a few hobbies, and our school. Beyond this our life did not extend. And of this nothing remains. Kantorek would say that we stood on the threshold of life. And so it would seem. We had as yet taken no root. The war swept us away. For the others, the older men, it is but an interruption. They are able to think beyond it. We, however, have been gripped by it and do not know what the end may be. We know only that in some strange and melancholy way we have become a waste land. All the same, we are not often sad. * * Though Müller would be delighted to have Kemmerich's boots, he is really quite as sympathetic as another who could not bear to think of such a thing for grief. He merely sees things clearly. Were Kemmerich able to make any use of the boots, then Müller would rather go barefoot over barbed wire than scheme how to get hold of them. But as it is the boots are quite inappropriate to Kemmerich's circumstances, whereas Müller can make good use of them. Kemmerich will die; it is immaterial who gets them. Why, then, should Müller not succeed to them? he has more right than a hospital orderly. When Kemmerich is dead it will be too late. Therefore Müller is already on the watch. We have lost all sense of other considerations, because they are artificial. Only the facts are real and important for us. And good boots are scarce. * * Once it was different. When we went to the district-commandant to enlist, we were a class of twenty young men, many of whom proudly shaved for the first time before going to the barracks. We had no definite plans for our future. Our thoughts of a career and occupation were as yet of too unpractical a character to furnish any scheme of life. We were still crammed full of vague ideas which gave to life, and to the war also, an ideal and almost romantic character. We were trained in the army for ten weeks and in this time more profoundly influenced than by ten years at school. We learned that a bright button is weightier than four volumes of Schopenhauer. At first astonished, then embittered, and finally indifferent, we recognized that what matters is not the mind but the boot brush, not intelligence but the system, not freedom but drill. We became soldiers with eagerness and enthusiasm, but they have done everything to knock that out of us. After three weeks it was no longer incomprehensible to us that a braided postman should have more authority over us than had formerly our parents, our teachers, and the whole gamut of culture from Plato to Goethe. With our young, awakened eyes we saw that the classical conception of the Fatherland held by our teachers resolved itself here into a renunciation of personality such as one would not ask of the meanest servant--salutes, springing to attention, parade-marches, presenting arms, right wheel, left wheel, clicking the heels, insults, and a thousand pettifogging details. We had fancied our task would be different, only to find we were to be trained for heroism as though we were circus-ponies. But we soon accustomed ourselves to it. We learned in fact that some part of these things was necessary, but the rest merely show. Soldiers have a fine nose for such distinctions. * * By threes and fours our class was scattered over the platoons amongst Frisian fishermen, peasants, and labourers with whom we soon made friends. Kropp, Müller, Kemmerich, and I went to No. 9 platoon under Corporal Himmelstoss. He had the reputation of being the strictest disciplinarian in the camp, and was proud of it. He was a small undersized fellow with a foxy, waxed moustache, who had seen twelve years service and was in civil life a postman. He had a special dislike for Kropp, Tjaden, Westhus, and me, because he sensed a quiet defiance. I have remade his bed fourteen times in one morning. Each time he had some fault to find and pulled it to pieces. I have kneaded a pair of prehistoric boots that were as hard as iron for twenty hours--with intervals of course--until they became as soft as butter and not even Himmelstoss could find anything more to do to them; under his orders I have scrubbed out the Corporals' Mess with a tooth-brush. Kropp and I were given the job of clearing the barrack-square of snow with a hand-broom and a dust-pan, and we would have gone on till we were frozen had not a lieutenant accidentally appeared who sent us off, and hauled Himmelstoss over the coals. But the only result of this was to make Himmelstoss hate us more. For six weeks consecutively I did guard every Sunday and was hut-orderly for the same length of time. With full pack and rifle I have had to practise on a soft, wet, newly ploughed field the</|quote|>\"Prepare to advance, advance!\" and the \"Lie down!\" until I was one lump of mud and finally collapsed. Four hours later I had to report to Himmelstoss with my clothes scrubbed clean, my hands chafed and bleeding. Together with Kropp, Westhus, and Tjaden I have stood at attention in a",
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"Do you never imagine things different from what they really are?" | Anne Shirley | "I couldn't," said Marilla grimly.<|quote|>"Do you never imagine things different from what they really are?"</|quote|>asked Anne wide-eyed. "No." "Oh!" | imagine you were my aunt." "I couldn't," said Marilla grimly.<|quote|>"Do you never imagine things different from what they really are?"</|quote|>asked Anne wide-eyed. "No." "Oh!" Anne drew a long breath. | grandmother. It would make me feel as if I really belonged to you. Can't I call you Aunt Marilla?" "No. I'm not your aunt and I don't believe in calling people names that don't belong to them." "But we could imagine you were my aunt." "I couldn't," said Marilla grimly.<|quote|>"Do you never imagine things different from what they really are?"</|quote|>asked Anne wide-eyed. "No." "Oh!" Anne drew a long breath. "Oh, Miss--Marilla, how much you miss!" "I don't believe in imagining things different from what they really are," retorted Marilla. "When the Lord puts us in certain circumstances He doesn't mean for us to imagine them away. And that reminds | in it if you're careful to speak respectfully. Everybody, young and old, in Avonlea calls me Marilla except the minister. He says Miss Cuthbert--when he thinks of it." "I'd love to call you Aunt Marilla," said Anne wistfully. "I've never had an aunt or any relation at all--not even a grandmother. It would make me feel as if I really belonged to you. Can't I call you Aunt Marilla?" "No. I'm not your aunt and I don't believe in calling people names that don't belong to them." "But we could imagine you were my aunt." "I couldn't," said Marilla grimly.<|quote|>"Do you never imagine things different from what they really are?"</|quote|>asked Anne wide-eyed. "No." "Oh!" Anne drew a long breath. "Oh, Miss--Marilla, how much you miss!" "I don't believe in imagining things different from what they really are," retorted Marilla. "When the Lord puts us in certain circumstances He doesn't mean for us to imagine them away. And that reminds me. Go into the sitting room, Anne--be sure your feet are clean and don't let any flies in--and bring me out the illustrated card that's on the mantelpiece. The Lord's Prayer is on it and you'll devote your spare time this afternoon to learning it off by heart. There's to | too easily. Yes, you can stay here and we will try to do right by you. You must go to school; but it's only a fortnight till vacation so it isn't worth while for you to start before it opens again in September." "What am I to call you?" asked Anne. "Shall I always say Miss Cuthbert? Can I call you Aunt Marilla?" "No; you'll call me just plain Marilla. I'm not used to being called Miss Cuthbert and it would make me nervous." "It sounds awfully disrespectful to just say Marilla," protested Anne. "I guess there'll be nothing disrespectful in it if you're careful to speak respectfully. Everybody, young and old, in Avonlea calls me Marilla except the minister. He says Miss Cuthbert--when he thinks of it." "I'd love to call you Aunt Marilla," said Anne wistfully. "I've never had an aunt or any relation at all--not even a grandmother. It would make me feel as if I really belonged to you. Can't I call you Aunt Marilla?" "No. I'm not your aunt and I don't believe in calling people names that don't belong to them." "But we could imagine you were my aunt." "I couldn't," said Marilla grimly.<|quote|>"Do you never imagine things different from what they really are?"</|quote|>asked Anne wide-eyed. "No." "Oh!" Anne drew a long breath. "Oh, Miss--Marilla, how much you miss!" "I don't believe in imagining things different from what they really are," retorted Marilla. "When the Lord puts us in certain circumstances He doesn't mean for us to imagine them away. And that reminds me. Go into the sitting room, Anne--be sure your feet are clean and don't let any flies in--and bring me out the illustrated card that's on the mantelpiece. The Lord's Prayer is on it and you'll devote your spare time this afternoon to learning it off by heart. There's to be no more of such praying as I heard last night." "I suppose I was very awkward," said Anne apologetically, "but then, you see, I'd never had any practice. You couldn't really expect a person to pray very well the first time she tried, could you? I thought out a splendid prayer after I went to bed, just as I promised you I would. It was nearly as long as a minister's and so poetical. But would you believe it? I couldn't remember one word when I woke up this morning. And I'm afraid I'll never be able to think | immovably. "Just go and do it before you ask any more questions, Anne." Anne went and attended to the dishcloth. Then she returned to Marilla and fastened imploring eyes of the latter's face. "Well," said Marilla, unable to find any excuse for deferring her explanation longer, "I suppose I might as well tell you. Matthew and I have decided to keep you--that is, if you will try to be a good little girl and show yourself grateful. Why, child, whatever is the matter?" "I'm crying," said Anne in a tone of bewilderment. "I can't think why. I'm glad as glad can be. Oh, _glad_ doesn't seem the right word at all. I was glad about the White Way and the cherry blossoms--but this! Oh, it's something more than glad. I'm so happy. I'll try to be so good. It will be uphill work, I expect, for Mrs. Thomas often told me I was desperately wicked. However, I'll do my very best. But can you tell me why I'm crying?" "I suppose it's because you're all excited and worked up," said Marilla disapprovingly. "Sit down on that chair and try to calm yourself. I'm afraid you both cry and laugh far too easily. Yes, you can stay here and we will try to do right by you. You must go to school; but it's only a fortnight till vacation so it isn't worth while for you to start before it opens again in September." "What am I to call you?" asked Anne. "Shall I always say Miss Cuthbert? Can I call you Aunt Marilla?" "No; you'll call me just plain Marilla. I'm not used to being called Miss Cuthbert and it would make me nervous." "It sounds awfully disrespectful to just say Marilla," protested Anne. "I guess there'll be nothing disrespectful in it if you're careful to speak respectfully. Everybody, young and old, in Avonlea calls me Marilla except the minister. He says Miss Cuthbert--when he thinks of it." "I'd love to call you Aunt Marilla," said Anne wistfully. "I've never had an aunt or any relation at all--not even a grandmother. It would make me feel as if I really belonged to you. Can't I call you Aunt Marilla?" "No. I'm not your aunt and I don't believe in calling people names that don't belong to them." "But we could imagine you were my aunt." "I couldn't," said Marilla grimly.<|quote|>"Do you never imagine things different from what they really are?"</|quote|>asked Anne wide-eyed. "No." "Oh!" Anne drew a long breath. "Oh, Miss--Marilla, how much you miss!" "I don't believe in imagining things different from what they really are," retorted Marilla. "When the Lord puts us in certain circumstances He doesn't mean for us to imagine them away. And that reminds me. Go into the sitting room, Anne--be sure your feet are clean and don't let any flies in--and bring me out the illustrated card that's on the mantelpiece. The Lord's Prayer is on it and you'll devote your spare time this afternoon to learning it off by heart. There's to be no more of such praying as I heard last night." "I suppose I was very awkward," said Anne apologetically, "but then, you see, I'd never had any practice. You couldn't really expect a person to pray very well the first time she tried, could you? I thought out a splendid prayer after I went to bed, just as I promised you I would. It was nearly as long as a minister's and so poetical. But would you believe it? I couldn't remember one word when I woke up this morning. And I'm afraid I'll never be able to think out another one as good. Somehow, things never are so good when they're thought out a second time. Have you ever noticed that?" "Here is something for you to notice, Anne. When I tell you to do a thing I want you to obey me at once and not stand stock-still and discourse about it. Just you go and do as I bid you." Anne promptly departed for the sitting-room across the hall; she failed to return; after waiting ten minutes Marilla laid down her knitting and marched after her with a grim expression. She found Anne standing motionless before a picture hanging on the wall between the two windows, with her eyes a-star with dreams. The white and green light strained through apple trees and clustering vines outside fell over the rapt little figure with a half-unearthly radiance. "Anne, whatever are you thinking of?" demanded Marilla sharply. Anne came back to earth with a start. "That," she said, pointing to the picture--a rather vivid chromo entitled, "Christ Blessing Little Children"--" "and I was just imagining I was one of them--that I was the little girl in the blue dress, standing off by herself in the corner as if she | will," said Marilla. "Go to sleep now like a good child. Good night." "I can only say good night tonight with a clear conscience," said Anne, cuddling luxuriously down among her pillows. Marilla retreated to the kitchen, set the candle firmly on the table, and glared at Matthew. "Matthew Cuthbert, it's about time somebody adopted that child and taught her something. She's next door to a perfect heathen. Will you believe that she never said a prayer in her life till tonight? I'll send her to the manse tomorrow and borrow the Peep of the Day series, that's what I'll do. And she shall go to Sunday-school just as soon as I can get some suitable clothes made for her. I foresee that I shall have my hands full. Well, well, we can't get through this world without our share of trouble. I've had a pretty easy life of it so far, but my time has come at last and I suppose I'll just have to make the best of it." CHAPTER VIII. Anne's Bringing-up Is Begun |FOR reasons best known to herself, Marilla did not tell Anne that she was to stay at Green Gables until the next afternoon. During the forenoon she kept the child busy with various tasks and watched over her with a keen eye while she did them. By noon she had concluded that Anne was smart and obedient, willing to work and quick to learn; her most serious shortcoming seemed to be a tendency to fall into daydreams in the middle of a task and forget all about it until such time as she was sharply recalled to earth by a reprimand or a catastrophe. When Anne had finished washing the dinner dishes she suddenly confronted Marilla with the air and expression of one desperately determined to learn the worst. Her thin little body trembled from head to foot; her face flushed and her eyes dilated until they were almost black; she clasped her hands tightly and said in an imploring voice: "Oh, please, Miss Cuthbert, won't you tell me if you are going to send me away or not? I've tried to be patient all the morning, but I really feel that I cannot bear not knowing any longer. It's a dreadful feeling. Please tell me." "You haven't scalded the dishcloth in clean hot water as I told you to do," said Marilla immovably. "Just go and do it before you ask any more questions, Anne." Anne went and attended to the dishcloth. Then she returned to Marilla and fastened imploring eyes of the latter's face. "Well," said Marilla, unable to find any excuse for deferring her explanation longer, "I suppose I might as well tell you. Matthew and I have decided to keep you--that is, if you will try to be a good little girl and show yourself grateful. Why, child, whatever is the matter?" "I'm crying," said Anne in a tone of bewilderment. "I can't think why. I'm glad as glad can be. Oh, _glad_ doesn't seem the right word at all. I was glad about the White Way and the cherry blossoms--but this! Oh, it's something more than glad. I'm so happy. I'll try to be so good. It will be uphill work, I expect, for Mrs. Thomas often told me I was desperately wicked. However, I'll do my very best. But can you tell me why I'm crying?" "I suppose it's because you're all excited and worked up," said Marilla disapprovingly. "Sit down on that chair and try to calm yourself. I'm afraid you both cry and laugh far too easily. Yes, you can stay here and we will try to do right by you. You must go to school; but it's only a fortnight till vacation so it isn't worth while for you to start before it opens again in September." "What am I to call you?" asked Anne. "Shall I always say Miss Cuthbert? Can I call you Aunt Marilla?" "No; you'll call me just plain Marilla. I'm not used to being called Miss Cuthbert and it would make me nervous." "It sounds awfully disrespectful to just say Marilla," protested Anne. "I guess there'll be nothing disrespectful in it if you're careful to speak respectfully. Everybody, young and old, in Avonlea calls me Marilla except the minister. He says Miss Cuthbert--when he thinks of it." "I'd love to call you Aunt Marilla," said Anne wistfully. "I've never had an aunt or any relation at all--not even a grandmother. It would make me feel as if I really belonged to you. Can't I call you Aunt Marilla?" "No. I'm not your aunt and I don't believe in calling people names that don't belong to them." "But we could imagine you were my aunt." "I couldn't," said Marilla grimly.<|quote|>"Do you never imagine things different from what they really are?"</|quote|>asked Anne wide-eyed. "No." "Oh!" Anne drew a long breath. "Oh, Miss--Marilla, how much you miss!" "I don't believe in imagining things different from what they really are," retorted Marilla. "When the Lord puts us in certain circumstances He doesn't mean for us to imagine them away. And that reminds me. Go into the sitting room, Anne--be sure your feet are clean and don't let any flies in--and bring me out the illustrated card that's on the mantelpiece. The Lord's Prayer is on it and you'll devote your spare time this afternoon to learning it off by heart. There's to be no more of such praying as I heard last night." "I suppose I was very awkward," said Anne apologetically, "but then, you see, I'd never had any practice. You couldn't really expect a person to pray very well the first time she tried, could you? I thought out a splendid prayer after I went to bed, just as I promised you I would. It was nearly as long as a minister's and so poetical. But would you believe it? I couldn't remember one word when I woke up this morning. And I'm afraid I'll never be able to think out another one as good. Somehow, things never are so good when they're thought out a second time. Have you ever noticed that?" "Here is something for you to notice, Anne. When I tell you to do a thing I want you to obey me at once and not stand stock-still and discourse about it. Just you go and do as I bid you." Anne promptly departed for the sitting-room across the hall; she failed to return; after waiting ten minutes Marilla laid down her knitting and marched after her with a grim expression. She found Anne standing motionless before a picture hanging on the wall between the two windows, with her eyes a-star with dreams. The white and green light strained through apple trees and clustering vines outside fell over the rapt little figure with a half-unearthly radiance. "Anne, whatever are you thinking of?" demanded Marilla sharply. Anne came back to earth with a start. "That," she said, pointing to the picture--a rather vivid chromo entitled, "Christ Blessing Little Children"--" "and I was just imagining I was one of them--that I was the little girl in the blue dress, standing off by herself in the corner as if she didn't belong to anybody, like me. She looks lonely and sad, don't you think? I guess she hadn't any father or mother of her own. But she wanted to be blessed, too, so she just crept shyly up on the outside of the crowd, hoping nobody would notice her--except Him. I'm sure I know just how she felt. Her heart must have beat and her hands must have got cold, like mine did when I asked you if I could stay. She was afraid He mightn't notice her. But it's likely He did, don't you think? I've been trying to imagine it all out--her edging a little nearer all the time until she was quite close to Him; and then He would look at her and put His hand on her hair and oh, such a thrill of joy as would run over her! But I wish the artist hadn't painted Him so sorrowful looking. All His pictures are like that, if you've noticed. But I don't believe He could really have looked so sad or the children would have been afraid of Him." "Anne," said Marilla, wondering why she had not broken into this speech long before, "you shouldn't talk that way. It's irreverent--positively irreverent." Anne's eyes marveled. "Why, I felt just as reverent as could be. I'm sure I didn't mean to be irreverent." "Well I don't suppose you did--but it doesn't sound right to talk so familiarly about such things. And another thing, Anne, when I send you after something you're to bring it at once and not fall into mooning and imagining before pictures. Remember that. Take that card and come right to the kitchen. Now, sit down in the corner and learn that prayer off by heart." Anne set the card up against the jugful of apple blossoms she had brought in to decorate the dinner-table--Marilla had eyed that decoration askance, but had said nothing--propped her chin on her hands, and fell to studying it intently for several silent minutes. "I like this," she announced at length. "It's beautiful. I've heard it before--I heard the superintendent of the asylum Sunday school say it over once. But I didn't like it then. He had such a cracked voice and he prayed it so mournfully. I really felt sure he thought praying was a disagreeable duty. This isn't poetry, but it makes me feel just the same | worst. Her thin little body trembled from head to foot; her face flushed and her eyes dilated until they were almost black; she clasped her hands tightly and said in an imploring voice: "Oh, please, Miss Cuthbert, won't you tell me if you are going to send me away or not? I've tried to be patient all the morning, but I really feel that I cannot bear not knowing any longer. It's a dreadful feeling. Please tell me." "You haven't scalded the dishcloth in clean hot water as I told you to do," said Marilla immovably. "Just go and do it before you ask any more questions, Anne." Anne went and attended to the dishcloth. Then she returned to Marilla and fastened imploring eyes of the latter's face. "Well," said Marilla, unable to find any excuse for deferring her explanation longer, "I suppose I might as well tell you. Matthew and I have decided to keep you--that is, if you will try to be a good little girl and show yourself grateful. Why, child, whatever is the matter?" "I'm crying," said Anne in a tone of bewilderment. "I can't think why. I'm glad as glad can be. Oh, _glad_ doesn't seem the right word at all. I was glad about the White Way and the cherry blossoms--but this! Oh, it's something more than glad. I'm so happy. I'll try to be so good. It will be uphill work, I expect, for Mrs. Thomas often told me I was desperately wicked. However, I'll do my very best. But can you tell me why I'm crying?" "I suppose it's because you're all excited and worked up," said Marilla disapprovingly. "Sit down on that chair and try to calm yourself. I'm afraid you both cry and laugh far too easily. Yes, you can stay here and we will try to do right by you. You must go to school; but it's only a fortnight till vacation so it isn't worth while for you to start before it opens again in September." "What am I to call you?" asked Anne. "Shall I always say Miss Cuthbert? Can I call you Aunt Marilla?" "No; you'll call me just plain Marilla. I'm not used to being called Miss Cuthbert and it would make me nervous." "It sounds awfully disrespectful to just say Marilla," protested Anne. "I guess there'll be nothing disrespectful in it if you're careful to speak respectfully. Everybody, young and old, in Avonlea calls me Marilla except the minister. He says Miss Cuthbert--when he thinks of it." "I'd love to call you Aunt Marilla," said Anne wistfully. "I've never had an aunt or any relation at all--not even a grandmother. It would make me feel as if I really belonged to you. Can't I call you Aunt Marilla?" "No. I'm not your aunt and I don't believe in calling people names that don't belong to them." "But we could imagine you were my aunt." "I couldn't," said Marilla grimly.<|quote|>"Do you never imagine things different from what they really are?"</|quote|>asked Anne wide-eyed. "No." "Oh!" Anne drew a long breath. "Oh, Miss--Marilla, how much you miss!" "I don't believe in imagining things different from what they really are," retorted Marilla. "When the Lord puts us in certain circumstances He doesn't mean for us to imagine them away. And that reminds me. Go into the sitting room, Anne--be sure your feet are clean and don't let any flies in--and bring me out the illustrated card that's on the mantelpiece. The Lord's Prayer is on it and you'll devote your spare time this afternoon to learning it off by heart. There's to be no more of such praying as I heard last night." "I suppose I was very awkward," said Anne apologetically, "but then, you see, I'd never had any practice. You couldn't really expect a person to pray very well the first time she tried, could you? I thought out a splendid prayer after I went to bed, just as I promised you I would. It was nearly as long as a minister's and so poetical. But would you believe it? I couldn't remember one word when I woke up this morning. And I'm afraid I'll never be able to think out another one as good. Somehow, things never are so good when they're thought out a second time. Have you ever noticed that?" "Here is something for you to notice, Anne. When I tell you to do a thing I want you to obey me at once and not stand stock-still and discourse about it. Just you go and do as I bid you." Anne promptly departed for the sitting-room across the hall; she failed to return; after waiting ten minutes Marilla laid down her knitting and marched after her with a grim expression. She found Anne standing motionless before a picture hanging on the wall between the two windows, with her eyes a-star with dreams. The white and green light strained through apple trees and clustering vines outside fell over the rapt little figure with a half-unearthly radiance. "Anne, whatever are you thinking of?" demanded Marilla sharply. Anne came back to earth with a start. "That," she said, pointing to the picture--a rather vivid chromo entitled, "Christ Blessing Little Children"--" "and I was just imagining I was | Anne Of Green Gables | grandmother. It would make me feel as if I really belonged to you. Can't I call you Aunt Marilla?" "No. I'm not your aunt and I don't believe in calling people names that don't belong to them." "But we could imagine you were my aunt." "I couldn't," said Marilla grimly.<|quote|>"Do you never imagine things different from what they really are?"</|quote|>asked Anne wide-eyed. "No." "Oh!" Anne drew a long breath. "Oh, Miss--Marilla, how much you miss!" "I don't believe in imagining things different from what they really are," retorted Marilla. "When the Lord puts us in certain circumstances He doesn't mean for us to imagine them away. And that reminds | {
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"content": "grandmother. It would make me feel as if I really belonged to you. Can't I call you Aunt Marilla?\" \"No. I'm not your aunt and I don't believe in calling people names that don't belong to them.\" \"But we could imagine you were my aunt.\" \"I couldn't,\" said Marilla grimly.<|quote|>\"Do you never imagine things different from what they really are?\"</|quote|>asked Anne wide-eyed. \"No.\" \"Oh!\" Anne drew a long breath. \"Oh, Miss--Marilla, how much you miss!\" \"I don't believe in imagining things different from what they really are,\" retorted Marilla. \"When the Lord puts us in certain circumstances He doesn't mean for us to imagine them away. And that reminds",
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"Good night." | Tony Last | so tired. Good night, darling."<|quote|>"Good night."</|quote|>* * * * * | to go to sleep." "Mm... so tired. Good night, darling."<|quote|>"Good night."</|quote|>* * * * * "Can I go and say | tight that night and waking you up?" "No, sweet, do I seem angry?" "...I don't know. You do rather... Has it been an amusing week?" "Not amusing, very hard work. Bimetallism, you know." "Oh, yes... well, I suppose you want to go to sleep." "Mm... so tired. Good night, darling."<|quote|>"Good night."</|quote|>* * * * * "Can I go and say good morning to the Princess, mummy?" "I don't expect she's awake yet." "Please, mummy, may I go and see? I'll just peep and, if she's asleep, go away." "I don't know what room she's in." "Galahad, my lady," said Grimshawe, | to get to bed... Was it awful? I wish you liked her more." "She's awful." "One has to make allowances... she's got the most terrible scars." "So she told me." "I've seen them." "Besides, I hoped to see something of you." "Oh." "Brenda, you aren't angry still about my getting tight that night and waking you up?" "No, sweet, do I seem angry?" "...I don't know. You do rather... Has it been an amusing week?" "Not amusing, very hard work. Bimetallism, you know." "Oh, yes... well, I suppose you want to go to sleep." "Mm... so tired. Good night, darling."<|quote|>"Good night."</|quote|>* * * * * "Can I go and say good morning to the Princess, mummy?" "I don't expect she's awake yet." "Please, mummy, may I go and see? I'll just peep and, if she's asleep, go away." "I don't know what room she's in." "Galahad, my lady," said Grimshawe, who was putting out her clothes. "Oh dear, why was she put there?" "It was Mr Last's orders, my lady." "Well, she's probably awake, then." John slipped out of the room and trotted down the passage to Galahad. "May I come in?" "Hullo, Johnny-boy. Come in." He swung on the | her while she undressed, "Leave the young couple to it," she whispered outside the door. "My dear, I don't believe it's going to be any good... the poor old boy's got _some_ taste you know, and a sense of humour." "She didn't show up too well at dinner, did she?" "She will _go on_ so... and, after all, Tony's been used to me for seven years. It's rather a sudden change." * * * * * "Tired?" "Mmm. Little bit." "You gave me a pretty long bout of Abdul Akbar." "I know. I'm sorry, darling, but Polly takes so long to get to bed... Was it awful? I wish you liked her more." "She's awful." "One has to make allowances... she's got the most terrible scars." "So she told me." "I've seen them." "Besides, I hoped to see something of you." "Oh." "Brenda, you aren't angry still about my getting tight that night and waking you up?" "No, sweet, do I seem angry?" "...I don't know. You do rather... Has it been an amusing week?" "Not amusing, very hard work. Bimetallism, you know." "Oh, yes... well, I suppose you want to go to sleep." "Mm... so tired. Good night, darling."<|quote|>"Good night."</|quote|>* * * * * "Can I go and say good morning to the Princess, mummy?" "I don't expect she's awake yet." "Please, mummy, may I go and see? I'll just peep and, if she's asleep, go away." "I don't know what room she's in." "Galahad, my lady," said Grimshawe, who was putting out her clothes. "Oh dear, why was she put there?" "It was Mr Last's orders, my lady." "Well, she's probably awake, then." John slipped out of the room and trotted down the passage to Galahad. "May I come in?" "Hullo, Johnny-boy. Come in." He swung on the handles of the door, half in, half out of the room. "Have you had breakfast? Mummy said you wouldn't be awake." "I've been awake a long time. You see I was once very badly hurt, and now I don't always sleep well. Even the softest beds are too hard for me now." "Ooh. What did you do? Was it a motor-car accident?" "Not an accident, Johnny-boy, not an accident... but come in. It's cold with the door open. Look, there are some grapes here. Would you like to eat them?" Johnny climbed on to the bed. "What are you going | she said, "making the whole place stink." "Don't you like it? _I_ think it's lovely." Brenda took Polly up to Lyonesse. It was a large suite, fitted up with satinwood for King Edward when, as Prince of Wales, he was once expected at a shooting party; he never came. "How's it going?" she asked anxiously. "Too soon to tell. I'm sure it will be all right." "She's got the wrong chap. John Andrew's mad about her... quite embarrassing." "I should say Tony was a slow starter. It's a pity she's got his name wrong. Ought we to tell her?" "No, let's leave it." When they were dressing, Tony said, "Brenda, who _is_ this joke-woman?" "Darling, don't you like her?" The disappointment and distress in her tone were so clear that Tony was touched. "I don't know about not liking her exactly. She's just a joke, isn't she?" "Is she... oh dear... She's had a terrible life, you know." "So I gathered." "Be nice to her, Tony, please." "Oh, I'll be nice to her. Is she a Jewess?" "I don't know. I never thought. Perhaps she is." Soon after dinner Polly said she was tired and asked Brenda to come with her while she undressed, "Leave the young couple to it," she whispered outside the door. "My dear, I don't believe it's going to be any good... the poor old boy's got _some_ taste you know, and a sense of humour." "She didn't show up too well at dinner, did she?" "She will _go on_ so... and, after all, Tony's been used to me for seven years. It's rather a sudden change." * * * * * "Tired?" "Mmm. Little bit." "You gave me a pretty long bout of Abdul Akbar." "I know. I'm sorry, darling, but Polly takes so long to get to bed... Was it awful? I wish you liked her more." "She's awful." "One has to make allowances... she's got the most terrible scars." "So she told me." "I've seen them." "Besides, I hoped to see something of you." "Oh." "Brenda, you aren't angry still about my getting tight that night and waking you up?" "No, sweet, do I seem angry?" "...I don't know. You do rather... Has it been an amusing week?" "Not amusing, very hard work. Bimetallism, you know." "Oh, yes... well, I suppose you want to go to sleep." "Mm... so tired. Good night, darling."<|quote|>"Good night."</|quote|>* * * * * "Can I go and say good morning to the Princess, mummy?" "I don't expect she's awake yet." "Please, mummy, may I go and see? I'll just peep and, if she's asleep, go away." "I don't know what room she's in." "Galahad, my lady," said Grimshawe, who was putting out her clothes. "Oh dear, why was she put there?" "It was Mr Last's orders, my lady." "Well, she's probably awake, then." John slipped out of the room and trotted down the passage to Galahad. "May I come in?" "Hullo, Johnny-boy. Come in." He swung on the handles of the door, half in, half out of the room. "Have you had breakfast? Mummy said you wouldn't be awake." "I've been awake a long time. You see I was once very badly hurt, and now I don't always sleep well. Even the softest beds are too hard for me now." "Ooh. What did you do? Was it a motor-car accident?" "Not an accident, Johnny-boy, not an accident... but come in. It's cold with the door open. Look, there are some grapes here. Would you like to eat them?" Johnny climbed on to the bed. "What are you going to do to-day?" "I don't know yet. I haven't been told." "Well, I'll tell you. We'll go to church in the morning because I have to and then we'll go and look at Thunderclap and I'll show you the place we jump and then you can come with me while I have dinner because I have it early and afterwards we can go down to Bruton Wood and we needn't take nanny because it makes her so muddy and you can see where they dug out a fox in the drain just outside the wood, he nearly got away, and then you can come and have tea in the nursery and I've got a little gramophone Uncle Reggie gave me for Christmas and it plays "When Father Papered the Parlour", do you know that song? Ben can sing it and I've got some books to show you and a picture I did of the battle of Marston Moor." "I think that sounds a lovely day. But don't you think I ought to spend some time with daddy and mummy and Lady Cockpurse?" "Oh, _them_... besides, it's all my foot about Lady Cockpurse having a tail. Please, you _will_ spend the | stopped painting my picture." But when nanny came to fetch him, John, without invitation, went over and kissed Jenny good night. "Good night, Johnny-boy," she said. "What did you call me?" "Johnny-boy." "You are funny with names." Upstairs, meditatively splashing his spoon in the bread and milk, he said, "Nanny, I do think that Princess is beautiful, don't you?" Nanny sniffed. "It would be a dull world if we all thought alike," she said. "She's more beautiful than Miss Tendril, even. I think she's the most beautiful lady I've ever seen... D'you think she'd like to watch me have my bath?" Downstairs, Jenny said, "What a heavenly child... I love children. That has been my great tragedy. It was when he found I couldn't have children that the Moulay first showed the Other Side of his Nature. It wasn't my fault... you see my womb is out of place... I don't know why I'm telling you all this, but I feel you'll understand. It's such a _waste of time_, isn't it, when one knows one is going to like someone and one goes on _pretending_... I know at once if someone is going to be a real friend..." Polly and Brenda arrived just before seven. Brenda went straight up to the nursery. "Oh, mummy," said John, "there's such a beautiful lady downstairs. Do ask her to come and say good night. Nanny doesn't think she'd want to." "Did daddy seem to like her?" "He didn't talk much... She doesn't know anything about horses or natives but she _is_ beautiful. Please tell her to come up." Brenda went downstairs and found Jenny with Polly and Tony in the smoking-room. "You've made a wild success with John Andrew. He won't go to sleep until he's seen you again." They went up together, and Jenny said, "They're both such dears." "Did you and Tony get on? I was so sorry not to be here when you arrived." "He was _so_ sympathetic and gentle... and so wistful." They sat on John's small bed in the night-nursery. He threw the clothes back and crawled out, nestling against Jenny. "Back to bed," she said, "or I shall spank you." "Would you do it hard? I shouldn't mind." "Oh dear," said Brenda, "what a terrible effect you seem to have. He's never like this as a rule." When they had gone nanny threw open another window. "Poof!" she said, "making the whole place stink." "Don't you like it? _I_ think it's lovely." Brenda took Polly up to Lyonesse. It was a large suite, fitted up with satinwood for King Edward when, as Prince of Wales, he was once expected at a shooting party; he never came. "How's it going?" she asked anxiously. "Too soon to tell. I'm sure it will be all right." "She's got the wrong chap. John Andrew's mad about her... quite embarrassing." "I should say Tony was a slow starter. It's a pity she's got his name wrong. Ought we to tell her?" "No, let's leave it." When they were dressing, Tony said, "Brenda, who _is_ this joke-woman?" "Darling, don't you like her?" The disappointment and distress in her tone were so clear that Tony was touched. "I don't know about not liking her exactly. She's just a joke, isn't she?" "Is she... oh dear... She's had a terrible life, you know." "So I gathered." "Be nice to her, Tony, please." "Oh, I'll be nice to her. Is she a Jewess?" "I don't know. I never thought. Perhaps she is." Soon after dinner Polly said she was tired and asked Brenda to come with her while she undressed, "Leave the young couple to it," she whispered outside the door. "My dear, I don't believe it's going to be any good... the poor old boy's got _some_ taste you know, and a sense of humour." "She didn't show up too well at dinner, did she?" "She will _go on_ so... and, after all, Tony's been used to me for seven years. It's rather a sudden change." * * * * * "Tired?" "Mmm. Little bit." "You gave me a pretty long bout of Abdul Akbar." "I know. I'm sorry, darling, but Polly takes so long to get to bed... Was it awful? I wish you liked her more." "She's awful." "One has to make allowances... she's got the most terrible scars." "So she told me." "I've seen them." "Besides, I hoped to see something of you." "Oh." "Brenda, you aren't angry still about my getting tight that night and waking you up?" "No, sweet, do I seem angry?" "...I don't know. You do rather... Has it been an amusing week?" "Not amusing, very hard work. Bimetallism, you know." "Oh, yes... well, I suppose you want to go to sleep." "Mm... so tired. Good night, darling."<|quote|>"Good night."</|quote|>* * * * * "Can I go and say good morning to the Princess, mummy?" "I don't expect she's awake yet." "Please, mummy, may I go and see? I'll just peep and, if she's asleep, go away." "I don't know what room she's in." "Galahad, my lady," said Grimshawe, who was putting out her clothes. "Oh dear, why was she put there?" "It was Mr Last's orders, my lady." "Well, she's probably awake, then." John slipped out of the room and trotted down the passage to Galahad. "May I come in?" "Hullo, Johnny-boy. Come in." He swung on the handles of the door, half in, half out of the room. "Have you had breakfast? Mummy said you wouldn't be awake." "I've been awake a long time. You see I was once very badly hurt, and now I don't always sleep well. Even the softest beds are too hard for me now." "Ooh. What did you do? Was it a motor-car accident?" "Not an accident, Johnny-boy, not an accident... but come in. It's cold with the door open. Look, there are some grapes here. Would you like to eat them?" Johnny climbed on to the bed. "What are you going to do to-day?" "I don't know yet. I haven't been told." "Well, I'll tell you. We'll go to church in the morning because I have to and then we'll go and look at Thunderclap and I'll show you the place we jump and then you can come with me while I have dinner because I have it early and afterwards we can go down to Bruton Wood and we needn't take nanny because it makes her so muddy and you can see where they dug out a fox in the drain just outside the wood, he nearly got away, and then you can come and have tea in the nursery and I've got a little gramophone Uncle Reggie gave me for Christmas and it plays "When Father Papered the Parlour", do you know that song? Ben can sing it and I've got some books to show you and a picture I did of the battle of Marston Moor." "I think that sounds a lovely day. But don't you think I ought to spend some time with daddy and mummy and Lady Cockpurse?" "Oh, _them_... besides, it's all my foot about Lady Cockpurse having a tail. Please, you _will_ spend the day with me?" "Well, we'll see." * * * * * "She's gone to church with him. That's a good sign, isn't it?" "Well, not really, Polly. He likes going alone, or with me. It's the time he gossips to the village." "She won't stop him." "I'm afraid you don't understand the old boy altogether. He's much odder than you'd think." * * * * * "I could see from your sermon that you knew the East, Rector." "Yes, yes, most of my life." "It has an uncanny fascination, hasn't it?" "Oh, come on," said John, pulling at her coat. "We must go and see Thunderclap." So Tony returned alone with the buttonholes. After luncheon Brenda said, "Why don't you show Jenny the house?" "Oh yes, _do_." When they reached the morning-room he said, "Brenda's having it done up." There were planks and ladders and heaps of plaster about. "Oh, Teddy, what a shame. I do hate seeing things modernized." "It isn't a room we used very much." "No, but still..." She stirred the mouldings of fleur-de-lis that littered the floor, fragments of tarnished gilding and dusty stencil-work. "You know, Brenda's been a wonderful friend to me. I wouldn't say anything against her... but ever since I came here I've been wondering whether she really understands this beautiful place and all it means to you." "Tell me more about your terrible life," said Tony, leading her back to the central hall. "You _are_ shy of talking about yourself, aren't you, Teddy? It's a mistake, you know, to keep things bottled up. I've been very unhappy too." Tony looked about him desperately in search of help; and help came. "Oh, there you are," said a firm, child's voice. "Come on. We're going down to the woods now. We must hurry, otherwise it will be dark." "Oh, Johnny-boy, must I really? I was just talking to daddy." "_Come on._ It's all arranged. And afterwards you're to be allowed to have tea with me upstairs." Tony crept into the library, habitable to-day, since the workmen were at rest. Brenda found him there two hours later. "_Tony_, here all alone? We thought you were with Jenny. What have you done with her?" "John took her off... just in time before I said something rude." "Oh dear... well there's only me and Polly in the smoking-room. Come and have some tea. You look all funny--have | just before seven. Brenda went straight up to the nursery. "Oh, mummy," said John, "there's such a beautiful lady downstairs. Do ask her to come and say good night. Nanny doesn't think she'd want to." "Did daddy seem to like her?" "He didn't talk much... She doesn't know anything about horses or natives but she _is_ beautiful. Please tell her to come up." Brenda went downstairs and found Jenny with Polly and Tony in the smoking-room. "You've made a wild success with John Andrew. He won't go to sleep until he's seen you again." They went up together, and Jenny said, "They're both such dears." "Did you and Tony get on? I was so sorry not to be here when you arrived." "He was _so_ sympathetic and gentle... and so wistful." They sat on John's small bed in the night-nursery. He threw the clothes back and crawled out, nestling against Jenny. "Back to bed," she said, "or I shall spank you." "Would you do it hard? I shouldn't mind." "Oh dear," said Brenda, "what a terrible effect you seem to have. He's never like this as a rule." When they had gone nanny threw open another window. "Poof!" she said, "making the whole place stink." "Don't you like it? _I_ think it's lovely." Brenda took Polly up to Lyonesse. It was a large suite, fitted up with satinwood for King Edward when, as Prince of Wales, he was once expected at a shooting party; he never came. "How's it going?" she asked anxiously. "Too soon to tell. I'm sure it will be all right." "She's got the wrong chap. John Andrew's mad about her... quite embarrassing." "I should say Tony was a slow starter. It's a pity she's got his name wrong. Ought we to tell her?" "No, let's leave it." When they were dressing, Tony said, "Brenda, who _is_ this joke-woman?" "Darling, don't you like her?" The disappointment and distress in her tone were so clear that Tony was touched. "I don't know about not liking her exactly. She's just a joke, isn't she?" "Is she... oh dear... She's had a terrible life, you know." "So I gathered." "Be nice to her, Tony, please." "Oh, I'll be nice to her. Is she a Jewess?" "I don't know. I never thought. Perhaps she is." Soon after dinner Polly said she was tired and asked Brenda to come with her while she undressed, "Leave the young couple to it," she whispered outside the door. "My dear, I don't believe it's going to be any good... the poor old boy's got _some_ taste you know, and a sense of humour." "She didn't show up too well at dinner, did she?" "She will _go on_ so... and, after all, Tony's been used to me for seven years. It's rather a sudden change." * * * * * "Tired?" "Mmm. Little bit." "You gave me a pretty long bout of Abdul Akbar." "I know. I'm sorry, darling, but Polly takes so long to get to bed... Was it awful? I wish you liked her more." "She's awful." "One has to make allowances... she's got the most terrible scars." "So she told me." "I've seen them." "Besides, I hoped to see something of you." "Oh." "Brenda, you aren't angry still about my getting tight that night and waking you up?" "No, sweet, do I seem angry?" "...I don't know. You do rather... Has it been an amusing week?" "Not amusing, very hard work. Bimetallism, you know." "Oh, yes... well, I suppose you want to go to sleep." "Mm... so tired. Good night, darling."<|quote|>"Good night."</|quote|>* * * * * "Can I go and say good morning to the Princess, mummy?" "I don't expect she's awake yet." "Please, mummy, may I go and see? I'll just peep and, if she's asleep, go away." "I don't know what room she's in." "Galahad, my lady," said Grimshawe, who was putting out her clothes. "Oh dear, why was she put there?" "It was Mr Last's orders, my lady." "Well, she's probably awake, then." John slipped out of the room and trotted down the passage to Galahad. "May I come in?" "Hullo, Johnny-boy. Come in." He swung on the handles of the door, half in, half out of the room. "Have you had breakfast? Mummy said you wouldn't be awake." "I've been awake a long time. You see I was once very badly hurt, and now I don't always sleep well. Even the softest beds are too hard for me now." "Ooh. What did you do? Was it a motor-car accident?" "Not an accident, Johnny-boy, not an accident... but come in. It's cold with the door open. Look, there are some grapes here. Would you like to eat them?" Johnny climbed on to the bed. "What are you going to do to-day?" "I don't know yet. I haven't been told." "Well, I'll tell you. We'll go to church in the morning because I have to and then we'll go and look at Thunderclap and I'll show you the place we jump and then you can come with me while I have dinner because I have it early and afterwards we can go down to Bruton Wood and we needn't take nanny because it makes her so muddy and you can see where they dug out a fox in the drain just outside the wood, he nearly got away, and then you can come and have tea in the nursery and I've got a little gramophone Uncle Reggie gave me for Christmas and it plays "When Father Papered the Parlour", do you know that song? Ben can sing it and I've got some books to show you and a picture I did of the battle of Marston Moor." "I think that sounds a lovely day. But don't you think I ought | A Handful Of Dust | tight that night and waking you up?" "No, sweet, do I seem angry?" "...I don't know. You do rather... Has it been an amusing week?" "Not amusing, very hard work. Bimetallism, you know." "Oh, yes... well, I suppose you want to go to sleep." "Mm... so tired. Good night, darling."<|quote|>"Good night."</|quote|>* * * * * "Can I go and say good morning to the Princess, mummy?" "I don't expect she's awake yet." "Please, mummy, may I go and see? I'll just peep and, if she's asleep, go away." "I don't know what room she's in." "Galahad, my lady," said Grimshawe, | {
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"content": "tight that night and waking you up?\" \"No, sweet, do I seem angry?\" \"...I don't know. You do rather... Has it been an amusing week?\" \"Not amusing, very hard work. Bimetallism, you know.\" \"Oh, yes... well, I suppose you want to go to sleep.\" \"Mm... so tired. Good night, darling.\"<|quote|>\"Good night.\"</|quote|>* * * * * \"Can I go and say good morning to the Princess, mummy?\" \"I don't expect she's awake yet.\" \"Please, mummy, may I go and see? I'll just peep and, if she's asleep, go away.\" \"I don't know what room she's in.\" \"Galahad, my lady,\" said Grimshawe,",
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} | Tony Last |
"It _is_ a long tail, certainly," | Alice | turning to Alice, and sighing.<|quote|>"It _is_ a long tail, certainly,"</|quote|>said Alice, looking down with | sad tale!" said the Mouse, turning to Alice, and sighing.<|quote|>"It _is_ a long tail, certainly,"</|quote|>said Alice, looking down with wonder at the Mouse's tail; | something more. "You promised to tell me your history, you know," said Alice, "and why it is you hate--C and D," she added in a whisper, half afraid that it would be offended again. "Mine is a long and a sad tale!" said the Mouse, turning to Alice, and sighing.<|quote|>"It _is_ a long tail, certainly,"</|quote|>said Alice, looking down with wonder at the Mouse's tail; "but why do you call it sad?" And she kept on puzzling about it while the Mouse was speaking, so that her idea of the tale was something like this:-- "Fury said to a mouse, That he met in the | caused some noise and confusion, as the large birds complained that they could not taste theirs, and the small ones choked and had to be patted on the back. However, it was over at last, and they sat down again in a ring, and begged the Mouse to tell them something more. "You promised to tell me your history, you know," said Alice, "and why it is you hate--C and D," she added in a whisper, half afraid that it would be offended again. "Mine is a long and a sad tale!" said the Mouse, turning to Alice, and sighing.<|quote|>"It _is_ a long tail, certainly,"</|quote|>said Alice, looking down with wonder at the Mouse's tail; "but why do you call it sad?" And she kept on puzzling about it while the Mouse was speaking, so that her idea of the tale was something like this:-- "Fury said to a mouse, That he met in the house, 'Let us both go to law: _I_ will prosecute _you_.--Come, I'll take no denial; We must have a trial: For really this morning I've nothing to do.' Said the mouse to the cur, 'Such a trial, dear sir, With no jury or judge, would be wasting our breath.' 'I'll | "Only a thimble," said Alice sadly. "Hand it over here," said the Dodo. Then they all crowded round her once more, while the Dodo solemnly presented the thimble, saying "We beg your acceptance of this elegant thimble;" and, when it had finished this short speech, they all cheered. Alice thought the whole thing very absurd, but they all looked so grave that she did not dare to laugh; and, as she could not think of anything to say, she simply bowed, and took the thimble, looking as solemn as she could. The next thing was to eat the comfits: this caused some noise and confusion, as the large birds complained that they could not taste theirs, and the small ones choked and had to be patted on the back. However, it was over at last, and they sat down again in a ring, and begged the Mouse to tell them something more. "You promised to tell me your history, you know," said Alice, "and why it is you hate--C and D," she added in a whisper, half afraid that it would be offended again. "Mine is a long and a sad tale!" said the Mouse, turning to Alice, and sighing.<|quote|>"It _is_ a long tail, certainly,"</|quote|>said Alice, looking down with wonder at the Mouse's tail; "but why do you call it sad?" And she kept on puzzling about it while the Mouse was speaking, so that her idea of the tale was something like this:-- "Fury said to a mouse, That he met in the house, 'Let us both go to law: _I_ will prosecute _you_.--Come, I'll take no denial; We must have a trial: For really this morning I've nothing to do.' Said the mouse to the cur, 'Such a trial, dear sir, With no jury or judge, would be wasting our breath.' 'I'll be judge, I'll be jury,' Said cunning old Fury: 'I'll try the whole cause, and condemn you to death.'" "You are not attending!" said the Mouse to Alice severely. "What are you thinking of?" "I beg your pardon," said Alice very humbly: "you had got to the fifth bend, I think?" "I had _not!_" cried the Mouse, sharply and very angrily. "A knot!" said Alice, always ready to make herself useful, and looking anxiously about her. "Oh, do let me help to undo it!" "I shall do nothing of the sort," said the Mouse, getting up and walking away. "You | called out "The race is over!" and they all crowded round it, panting, and asking, "But who has won?" This question the Dodo could not answer without a great deal of thought, and it sat for a long time with one finger pressed upon its forehead (the position in which you usually see Shakespeare, in the pictures of him), while the rest waited in silence. At last the Dodo said, "_Everybody_ has won, and all must have prizes." "But who is to give the prizes?" quite a chorus of voices asked. "Why, _she_, of course," said the Dodo, pointing to Alice with one finger; and the whole party at once crowded round her, calling out in a confused way, "Prizes! Prizes!" Alice had no idea what to do, and in despair she put her hand in her pocket, and pulled out a box of comfits, (luckily the salt water had not got into it), and handed them round as prizes. There was exactly one a-piece, all round. "But she must have a prize herself, you know," said the Mouse. "Of course," the Dodo replied very gravely. "What else have you got in your pocket?" he went on, turning to Alice. "Only a thimble," said Alice sadly. "Hand it over here," said the Dodo. Then they all crowded round her once more, while the Dodo solemnly presented the thimble, saying "We beg your acceptance of this elegant thimble;" and, when it had finished this short speech, they all cheered. Alice thought the whole thing very absurd, but they all looked so grave that she did not dare to laugh; and, as she could not think of anything to say, she simply bowed, and took the thimble, looking as solemn as she could. The next thing was to eat the comfits: this caused some noise and confusion, as the large birds complained that they could not taste theirs, and the small ones choked and had to be patted on the back. However, it was over at last, and they sat down again in a ring, and begged the Mouse to tell them something more. "You promised to tell me your history, you know," said Alice, "and why it is you hate--C and D," she added in a whisper, half afraid that it would be offended again. "Mine is a long and a sad tale!" said the Mouse, turning to Alice, and sighing.<|quote|>"It _is_ a long tail, certainly,"</|quote|>said Alice, looking down with wonder at the Mouse's tail; "but why do you call it sad?" And she kept on puzzling about it while the Mouse was speaking, so that her idea of the tale was something like this:-- "Fury said to a mouse, That he met in the house, 'Let us both go to law: _I_ will prosecute _you_.--Come, I'll take no denial; We must have a trial: For really this morning I've nothing to do.' Said the mouse to the cur, 'Such a trial, dear sir, With no jury or judge, would be wasting our breath.' 'I'll be judge, I'll be jury,' Said cunning old Fury: 'I'll try the whole cause, and condemn you to death.'" "You are not attending!" said the Mouse to Alice severely. "What are you thinking of?" "I beg your pardon," said Alice very humbly: "you had got to the fifth bend, I think?" "I had _not!_" cried the Mouse, sharply and very angrily. "A knot!" said Alice, always ready to make herself useful, and looking anxiously about her. "Oh, do let me help to undo it!" "I shall do nothing of the sort," said the Mouse, getting up and walking away. "You insult me by talking such nonsense!" "I didn't mean it!" pleaded poor Alice. "But you're so easily offended, you know!" The Mouse only growled in reply. "Please come back and finish your story!" Alice called after it; and the others all joined in chorus, "Yes, please do!" but the Mouse only shook its head impatiently, and walked a little quicker. "What a pity it wouldn't stay!" sighed the Lory, as soon as it was quite out of sight; and an old Crab took the opportunity of saying to her daughter "Ah, my dear! Let this be a lesson to you never to lose _your_ temper!" "Hold your tongue, Ma!" said the young Crab, a little snappishly. "You're enough to try the patience of an oyster!" "I wish I had our Dinah here, I know I do!" said Alice aloud, addressing nobody in particular. "She'd soon fetch it back!" "And who is Dinah, if I might venture to ask the question?" said the Lory. Alice replied eagerly, for she was always ready to talk about her pet: "Dinah's our cat. And she's such a capital one for catching mice you can't think! And oh, I wish you could see her after | said the Mouse. "--I proceed. 'Edwin and Morcar, the earls of Mercia and Northumbria, declared for him: and even Stigand, the patriotic archbishop of Canterbury, found it advisable--'" "Found _what_?" said the Duck. "Found _it_," the Mouse replied rather crossly: "of course you know what 'it' means." "I know what 'it' means well enough, when _I_ find a thing," said the Duck: "it's generally a frog or a worm. The question is, what did the archbishop find?" The Mouse did not notice this question, but hurriedly went on, "'--found it advisable to go with Edgar Atheling to meet William and offer him the crown. William's conduct at first was moderate. But the insolence of his Normans--' How are you getting on now, my dear?" it continued, turning to Alice as it spoke. "As wet as ever," said Alice in a melancholy tone: "it doesn't seem to dry me at all." "In that case," said the Dodo solemnly, rising to its feet, "I move that the meeting adjourn, for the immediate adoption of more energetic remedies--" "Speak English!" said the Eaglet. "I don't know the meaning of half those long words, and, what's more, I don't believe you do either!" And the Eaglet bent down its head to hide a smile: some of the other birds tittered audibly. "What I was going to say," said the Dodo in an offended tone, "was, that the best thing to get us dry would be a Caucus-race." "What _is_ a Caucus-race?" said Alice; not that she wanted much to know, but the Dodo had paused as if it thought that _somebody_ ought to speak, and no one else seemed inclined to say anything. "Why," said the Dodo, "the best way to explain it is to do it." (And, as you might like to try the thing yourself, some winter day, I will tell you how the Dodo managed it.) First it marked out a race-course, in a sort of circle, (" "the exact shape doesn't matter," it said,) and then all the party were placed along the course, here and there. There was no "One, two, three, and away," but they began running when they liked, and left off when they liked, so that it was not easy to know when the race was over. However, when they had been running half an hour or so, and were quite dry again, the Dodo suddenly called out "The race is over!" and they all crowded round it, panting, and asking, "But who has won?" This question the Dodo could not answer without a great deal of thought, and it sat for a long time with one finger pressed upon its forehead (the position in which you usually see Shakespeare, in the pictures of him), while the rest waited in silence. At last the Dodo said, "_Everybody_ has won, and all must have prizes." "But who is to give the prizes?" quite a chorus of voices asked. "Why, _she_, of course," said the Dodo, pointing to Alice with one finger; and the whole party at once crowded round her, calling out in a confused way, "Prizes! Prizes!" Alice had no idea what to do, and in despair she put her hand in her pocket, and pulled out a box of comfits, (luckily the salt water had not got into it), and handed them round as prizes. There was exactly one a-piece, all round. "But she must have a prize herself, you know," said the Mouse. "Of course," the Dodo replied very gravely. "What else have you got in your pocket?" he went on, turning to Alice. "Only a thimble," said Alice sadly. "Hand it over here," said the Dodo. Then they all crowded round her once more, while the Dodo solemnly presented the thimble, saying "We beg your acceptance of this elegant thimble;" and, when it had finished this short speech, they all cheered. Alice thought the whole thing very absurd, but they all looked so grave that she did not dare to laugh; and, as she could not think of anything to say, she simply bowed, and took the thimble, looking as solemn as she could. The next thing was to eat the comfits: this caused some noise and confusion, as the large birds complained that they could not taste theirs, and the small ones choked and had to be patted on the back. However, it was over at last, and they sat down again in a ring, and begged the Mouse to tell them something more. "You promised to tell me your history, you know," said Alice, "and why it is you hate--C and D," she added in a whisper, half afraid that it would be offended again. "Mine is a long and a sad tale!" said the Mouse, turning to Alice, and sighing.<|quote|>"It _is_ a long tail, certainly,"</|quote|>said Alice, looking down with wonder at the Mouse's tail; "but why do you call it sad?" And she kept on puzzling about it while the Mouse was speaking, so that her idea of the tale was something like this:-- "Fury said to a mouse, That he met in the house, 'Let us both go to law: _I_ will prosecute _you_.--Come, I'll take no denial; We must have a trial: For really this morning I've nothing to do.' Said the mouse to the cur, 'Such a trial, dear sir, With no jury or judge, would be wasting our breath.' 'I'll be judge, I'll be jury,' Said cunning old Fury: 'I'll try the whole cause, and condemn you to death.'" "You are not attending!" said the Mouse to Alice severely. "What are you thinking of?" "I beg your pardon," said Alice very humbly: "you had got to the fifth bend, I think?" "I had _not!_" cried the Mouse, sharply and very angrily. "A knot!" said Alice, always ready to make herself useful, and looking anxiously about her. "Oh, do let me help to undo it!" "I shall do nothing of the sort," said the Mouse, getting up and walking away. "You insult me by talking such nonsense!" "I didn't mean it!" pleaded poor Alice. "But you're so easily offended, you know!" The Mouse only growled in reply. "Please come back and finish your story!" Alice called after it; and the others all joined in chorus, "Yes, please do!" but the Mouse only shook its head impatiently, and walked a little quicker. "What a pity it wouldn't stay!" sighed the Lory, as soon as it was quite out of sight; and an old Crab took the opportunity of saying to her daughter "Ah, my dear! Let this be a lesson to you never to lose _your_ temper!" "Hold your tongue, Ma!" said the young Crab, a little snappishly. "You're enough to try the patience of an oyster!" "I wish I had our Dinah here, I know I do!" said Alice aloud, addressing nobody in particular. "She'd soon fetch it back!" "And who is Dinah, if I might venture to ask the question?" said the Lory. Alice replied eagerly, for she was always ready to talk about her pet: "Dinah's our cat. And she's such a capital one for catching mice you can't think! And oh, I wish you could see her after the birds! Why, she'll eat a little bird as soon as look at it!" This speech caused a remarkable sensation among the party. Some of the birds hurried off at once: one old Magpie began wrapping itself up very carefully, remarking, "I really must be getting home; the night-air doesn't suit my throat!" and a Canary called out in a trembling voice to its children, "Come away, my dears! It's high time you were all in bed!" On various pretexts they all moved off, and Alice was soon left alone. "I wish I hadn't mentioned Dinah!" she said to herself in a melancholy tone. "Nobody seems to like her, down here, and I'm sure she's the best cat in the world! Oh, my dear Dinah! I wonder if I shall ever see you any more!" And here poor Alice began to cry again, for she felt very lonely and low-spirited. In a little while, however, she again heard a little pattering of footsteps in the distance, and she looked up eagerly, half hoping that the Mouse had changed his mind, and was coming back to finish his story. CHAPTER IV. The Rabbit Sends in a Little Bill It was the White Rabbit, trotting slowly back again, and looking anxiously about as it went, as if it had lost something; and she heard it muttering to itself "The Duchess! The Duchess! Oh my dear paws! Oh my fur and whiskers! She'll get me executed, as sure as ferrets are ferrets! Where _can_ I have dropped them, I wonder?" Alice guessed in a moment that it was looking for the fan and the pair of white kid gloves, and she very good-naturedly began hunting about for them, but they were nowhere to be seen--everything seemed to have changed since her swim in the pool, and the great hall, with the glass table and the little door, had vanished completely. Very soon the Rabbit noticed Alice, as she went hunting about, and called out to her in an angry tone, "Why, Mary Ann, what _are_ you doing out here? Run home this moment, and fetch me a pair of gloves and a fan! Quick, now!" And Alice was so much frightened that she ran off at once in the direction it pointed to, without trying to explain the mistake it had made. "He took me for his housemaid," she said to herself as | circle, (" "the exact shape doesn't matter," it said,) and then all the party were placed along the course, here and there. There was no "One, two, three, and away," but they began running when they liked, and left off when they liked, so that it was not easy to know when the race was over. However, when they had been running half an hour or so, and were quite dry again, the Dodo suddenly called out "The race is over!" and they all crowded round it, panting, and asking, "But who has won?" This question the Dodo could not answer without a great deal of thought, and it sat for a long time with one finger pressed upon its forehead (the position in which you usually see Shakespeare, in the pictures of him), while the rest waited in silence. At last the Dodo said, "_Everybody_ has won, and all must have prizes." "But who is to give the prizes?" quite a chorus of voices asked. "Why, _she_, of course," said the Dodo, pointing to Alice with one finger; and the whole party at once crowded round her, calling out in a confused way, "Prizes! Prizes!" Alice had no idea what to do, and in despair she put her hand in her pocket, and pulled out a box of comfits, (luckily the salt water had not got into it), and handed them round as prizes. There was exactly one a-piece, all round. "But she must have a prize herself, you know," said the Mouse. "Of course," the Dodo replied very gravely. "What else have you got in your pocket?" he went on, turning to Alice. "Only a thimble," said Alice sadly. "Hand it over here," said the Dodo. Then they all crowded round her once more, while the Dodo solemnly presented the thimble, saying "We beg your acceptance of this elegant thimble;" and, when it had finished this short speech, they all cheered. Alice thought the whole thing very absurd, but they all looked so grave that she did not dare to laugh; and, as she could not think of anything to say, she simply bowed, and took the thimble, looking as solemn as she could. The next thing was to eat the comfits: this caused some noise and confusion, as the large birds complained that they could not taste theirs, and the small ones choked and had to be patted on the back. However, it was over at last, and they sat down again in a ring, and begged the Mouse to tell them something more. "You promised to tell me your history, you know," said Alice, "and why it is you hate--C and D," she added in a whisper, half afraid that it would be offended again. "Mine is a long and a sad tale!" said the Mouse, turning to Alice, and sighing.<|quote|>"It _is_ a long tail, certainly,"</|quote|>said Alice, looking down with wonder at the Mouse's tail; "but why do you call it sad?" And she kept on puzzling about it while the Mouse was speaking, so that her idea of the tale was something like this:-- "Fury said to a mouse, That he met in the house, 'Let us both go to law: _I_ will prosecute _you_.--Come, I'll take no denial; We must have a trial: For really this morning I've nothing to do.' Said the mouse to the cur, 'Such a trial, dear sir, With no jury or judge, would be wasting our breath.' 'I'll be judge, I'll be jury,' Said cunning old Fury: 'I'll try the whole cause, and condemn you to death.'" "You are not attending!" said the Mouse to Alice severely. "What are you thinking of?" "I beg your pardon," said Alice very humbly: "you had got to the fifth bend, I think?" "I had _not!_" cried the Mouse, sharply and very angrily. "A knot!" said Alice, always ready to make herself useful, and looking anxiously about her. "Oh, do let me help to undo it!" "I shall do nothing of the sort," said the Mouse, getting up and walking away. "You insult me by talking such nonsense!" "I didn't mean it!" pleaded poor Alice. "But you're so easily offended, you know!" The Mouse only growled | Alices Adventures In Wonderland | something more. "You promised to tell me your history, you know," said Alice, "and why it is you hate--C and D," she added in a whisper, half afraid that it would be offended again. "Mine is a long and a sad tale!" said the Mouse, turning to Alice, and sighing.<|quote|>"It _is_ a long tail, certainly,"</|quote|>said Alice, looking down with wonder at the Mouse's tail; "but why do you call it sad?" And she kept on puzzling about it while the Mouse was speaking, so that her idea of the tale was something like this:-- "Fury said to a mouse, That he met in the | {
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"Too soon to tell. I'm sure it will be all right." | Polly Cockpurse | it going?" she asked anxiously.<|quote|>"Too soon to tell. I'm sure it will be all right."</|quote|>"She's got the wrong chap. | party; he never came. "How's it going?" she asked anxiously.<|quote|>"Too soon to tell. I'm sure it will be all right."</|quote|>"She's got the wrong chap. John Andrew's mad about her... | place stink." "Don't you like it? _I_ think it's lovely." Brenda took Polly up to Lyonesse. It was a large suite, fitted up with satinwood for King Edward when, as Prince of Wales, he was once expected at a shooting party; he never came. "How's it going?" she asked anxiously.<|quote|>"Too soon to tell. I'm sure it will be all right."</|quote|>"She's got the wrong chap. John Andrew's mad about her... quite embarrassing." "I should say Tony was a slow starter. It's a pity she's got his name wrong. Ought we to tell her?" "No, let's leave it." When they were dressing, Tony said, "Brenda, who _is_ this joke-woman?" "Darling, don't | bed," she said, "or I shall spank you." "Would you do it hard? I shouldn't mind." "Oh dear," said Brenda, "what a terrible effect you seem to have. He's never like this as a rule." When they had gone nanny threw open another window. "Poof!" she said, "making the whole place stink." "Don't you like it? _I_ think it's lovely." Brenda took Polly up to Lyonesse. It was a large suite, fitted up with satinwood for King Edward when, as Prince of Wales, he was once expected at a shooting party; he never came. "How's it going?" she asked anxiously.<|quote|>"Too soon to tell. I'm sure it will be all right."</|quote|>"She's got the wrong chap. John Andrew's mad about her... quite embarrassing." "I should say Tony was a slow starter. It's a pity she's got his name wrong. Ought we to tell her?" "No, let's leave it." When they were dressing, Tony said, "Brenda, who _is_ this joke-woman?" "Darling, don't you like her?" The disappointment and distress in her tone were so clear that Tony was touched. "I don't know about not liking her exactly. She's just a joke, isn't she?" "Is she... oh dear... She's had a terrible life, you know." "So I gathered." "Be nice to her, Tony, | but she _is_ beautiful. Please tell her to come up." Brenda went downstairs and found Jenny with Polly and Tony in the smoking-room. "You've made a wild success with John Andrew. He won't go to sleep until he's seen you again." They went up together, and Jenny said, "They're both such dears." "Did you and Tony get on? I was so sorry not to be here when you arrived." "He was _so_ sympathetic and gentle... and so wistful." They sat on John's small bed in the night-nursery. He threw the clothes back and crawled out, nestling against Jenny. "Back to bed," she said, "or I shall spank you." "Would you do it hard? I shouldn't mind." "Oh dear," said Brenda, "what a terrible effect you seem to have. He's never like this as a rule." When they had gone nanny threw open another window. "Poof!" she said, "making the whole place stink." "Don't you like it? _I_ think it's lovely." Brenda took Polly up to Lyonesse. It was a large suite, fitted up with satinwood for King Edward when, as Prince of Wales, he was once expected at a shooting party; he never came. "How's it going?" she asked anxiously.<|quote|>"Too soon to tell. I'm sure it will be all right."</|quote|>"She's got the wrong chap. John Andrew's mad about her... quite embarrassing." "I should say Tony was a slow starter. It's a pity she's got his name wrong. Ought we to tell her?" "No, let's leave it." When they were dressing, Tony said, "Brenda, who _is_ this joke-woman?" "Darling, don't you like her?" The disappointment and distress in her tone were so clear that Tony was touched. "I don't know about not liking her exactly. She's just a joke, isn't she?" "Is she... oh dear... She's had a terrible life, you know." "So I gathered." "Be nice to her, Tony, please." "Oh, I'll be nice to her. Is she a Jewess?" "I don't know. I never thought. Perhaps she is." Soon after dinner Polly said she was tired and asked Brenda to come with her while she undressed, "Leave the young couple to it," she whispered outside the door. "My dear, I don't believe it's going to be any good... the poor old boy's got _some_ taste you know, and a sense of humour." "She didn't show up too well at dinner, did she?" "She will _go on_ so... and, after all, Tony's been used to me for seven years. | is beautiful, don't you?" Nanny sniffed. "It would be a dull world if we all thought alike," she said. "She's more beautiful than Miss Tendril, even. I think she's the most beautiful lady I've ever seen... D'you think she'd like to watch me have my bath?" Downstairs, Jenny said, "What a heavenly child... I love children. That has been my great tragedy. It was when he found I couldn't have children that the Moulay first showed the Other Side of his Nature. It wasn't my fault... you see my womb is out of place... I don't know why I'm telling you all this, but I feel you'll understand. It's such a _waste of time_, isn't it, when one knows one is going to like someone and one goes on _pretending_... I know at once if someone is going to be a real friend..." Polly and Brenda arrived just before seven. Brenda went straight up to the nursery. "Oh, mummy," said John, "there's such a beautiful lady downstairs. Do ask her to come and say good night. Nanny doesn't think she'd want to." "Did daddy seem to like her?" "He didn't talk much... She doesn't know anything about horses or natives but she _is_ beautiful. Please tell her to come up." Brenda went downstairs and found Jenny with Polly and Tony in the smoking-room. "You've made a wild success with John Andrew. He won't go to sleep until he's seen you again." They went up together, and Jenny said, "They're both such dears." "Did you and Tony get on? I was so sorry not to be here when you arrived." "He was _so_ sympathetic and gentle... and so wistful." They sat on John's small bed in the night-nursery. He threw the clothes back and crawled out, nestling against Jenny. "Back to bed," she said, "or I shall spank you." "Would you do it hard? I shouldn't mind." "Oh dear," said Brenda, "what a terrible effect you seem to have. He's never like this as a rule." When they had gone nanny threw open another window. "Poof!" she said, "making the whole place stink." "Don't you like it? _I_ think it's lovely." Brenda took Polly up to Lyonesse. It was a large suite, fitted up with satinwood for King Edward when, as Prince of Wales, he was once expected at a shooting party; he never came. "How's it going?" she asked anxiously.<|quote|>"Too soon to tell. I'm sure it will be all right."</|quote|>"She's got the wrong chap. John Andrew's mad about her... quite embarrassing." "I should say Tony was a slow starter. It's a pity she's got his name wrong. Ought we to tell her?" "No, let's leave it." When they were dressing, Tony said, "Brenda, who _is_ this joke-woman?" "Darling, don't you like her?" The disappointment and distress in her tone were so clear that Tony was touched. "I don't know about not liking her exactly. She's just a joke, isn't she?" "Is she... oh dear... She's had a terrible life, you know." "So I gathered." "Be nice to her, Tony, please." "Oh, I'll be nice to her. Is she a Jewess?" "I don't know. I never thought. Perhaps she is." Soon after dinner Polly said she was tired and asked Brenda to come with her while she undressed, "Leave the young couple to it," she whispered outside the door. "My dear, I don't believe it's going to be any good... the poor old boy's got _some_ taste you know, and a sense of humour." "She didn't show up too well at dinner, did she?" "She will _go on_ so... and, after all, Tony's been used to me for seven years. It's rather a sudden change." * * * * * "Tired?" "Mmm. Little bit." "You gave me a pretty long bout of Abdul Akbar." "I know. I'm sorry, darling, but Polly takes so long to get to bed... Was it awful? I wish you liked her more." "She's awful." "One has to make allowances... she's got the most terrible scars." "So she told me." "I've seen them." "Besides, I hoped to see something of you." "Oh." "Brenda, you aren't angry still about my getting tight that night and waking you up?" "No, sweet, do I seem angry?" "...I don't know. You do rather... Has it been an amusing week?" "Not amusing, very hard work. Bimetallism, you know." "Oh, yes... well, I suppose you want to go to sleep." "Mm... so tired. Good night, darling." "Good night." * * * * * "Can I go and say good morning to the Princess, mummy?" "I don't expect she's awake yet." "Please, mummy, may I go and see? I'll just peep and, if she's asleep, go away." "I don't know what room she's in." "Galahad, my lady," said Grimshawe, who was putting out her clothes. "Oh dear, why was she put there?" "It | much? Why are your nails that colour? Can you ride?" She answered all his questions, sometimes enigmatically with an eye on Tony. She took out a little heavily scented handkerchief and showed John the monogram. "That is my only crown... now," she said. She told him about the horses she used to have--glossy black, with arched necks; foam round their silver bits; plumes tossing on their foreheads; silver studs on the harness, crimson saddle cloths. "On the Moulay's birthday--" "What's the Moulay?" "A beautiful and a very bad man," she said gravely, "and on his birthday all his horsemen used to assemble round a great square, with all their finest clothes and trappings and jewels, with long swords in their hands. The Moulay used to sit on a throne under a great crimson canopy." "What's a canopy?" "Like a tent," she said more sharply, and then, resuming her soft voice, "and all the horsemen used to gallop across the plain, in a great cloud of dust, waving their swords, straight towards the Moulay. And everyone used to hold their breath, thinking the horsemen were bound to ride right on top of the Moulay, but when they were a few feet away, as near as I am to you, galloping at full speed, they used to rein their horses back, up on to their hind legs and salute--" "Oh, but they _shouldn't_," said John. "It's _very_ bad horsemanship indeed. Ben says so." "They're the most wonderful horsemen in the world. Everyone knows that." "Oh, no, they can't be, if they do _that_. It's one of the _worst_ things. Were they natives?" "Yes, of course." "Ben says natives aren't humans at all really." "Ah, but he's thinking of Negroes, I expect. These are pure Semitic type." "What's that?" "The same as Jews." "Ben says Jews are worse than natives." "Oh dear, what a very severe boy you are. I was like that once. Life teaches one to be tolerant." "It hasn't taught Ben," said John. "When's mummy coming? I thought she'd be here, otherwise I wouldn't have stopped painting my picture." But when nanny came to fetch him, John, without invitation, went over and kissed Jenny good night. "Good night, Johnny-boy," she said. "What did you call me?" "Johnny-boy." "You are funny with names." Upstairs, meditatively splashing his spoon in the bread and milk, he said, "Nanny, I do think that Princess is beautiful, don't you?" Nanny sniffed. "It would be a dull world if we all thought alike," she said. "She's more beautiful than Miss Tendril, even. I think she's the most beautiful lady I've ever seen... D'you think she'd like to watch me have my bath?" Downstairs, Jenny said, "What a heavenly child... I love children. That has been my great tragedy. It was when he found I couldn't have children that the Moulay first showed the Other Side of his Nature. It wasn't my fault... you see my womb is out of place... I don't know why I'm telling you all this, but I feel you'll understand. It's such a _waste of time_, isn't it, when one knows one is going to like someone and one goes on _pretending_... I know at once if someone is going to be a real friend..." Polly and Brenda arrived just before seven. Brenda went straight up to the nursery. "Oh, mummy," said John, "there's such a beautiful lady downstairs. Do ask her to come and say good night. Nanny doesn't think she'd want to." "Did daddy seem to like her?" "He didn't talk much... She doesn't know anything about horses or natives but she _is_ beautiful. Please tell her to come up." Brenda went downstairs and found Jenny with Polly and Tony in the smoking-room. "You've made a wild success with John Andrew. He won't go to sleep until he's seen you again." They went up together, and Jenny said, "They're both such dears." "Did you and Tony get on? I was so sorry not to be here when you arrived." "He was _so_ sympathetic and gentle... and so wistful." They sat on John's small bed in the night-nursery. He threw the clothes back and crawled out, nestling against Jenny. "Back to bed," she said, "or I shall spank you." "Would you do it hard? I shouldn't mind." "Oh dear," said Brenda, "what a terrible effect you seem to have. He's never like this as a rule." When they had gone nanny threw open another window. "Poof!" she said, "making the whole place stink." "Don't you like it? _I_ think it's lovely." Brenda took Polly up to Lyonesse. It was a large suite, fitted up with satinwood for King Edward when, as Prince of Wales, he was once expected at a shooting party; he never came. "How's it going?" she asked anxiously.<|quote|>"Too soon to tell. I'm sure it will be all right."</|quote|>"She's got the wrong chap. John Andrew's mad about her... quite embarrassing." "I should say Tony was a slow starter. It's a pity she's got his name wrong. Ought we to tell her?" "No, let's leave it." When they were dressing, Tony said, "Brenda, who _is_ this joke-woman?" "Darling, don't you like her?" The disappointment and distress in her tone were so clear that Tony was touched. "I don't know about not liking her exactly. She's just a joke, isn't she?" "Is she... oh dear... She's had a terrible life, you know." "So I gathered." "Be nice to her, Tony, please." "Oh, I'll be nice to her. Is she a Jewess?" "I don't know. I never thought. Perhaps she is." Soon after dinner Polly said she was tired and asked Brenda to come with her while she undressed, "Leave the young couple to it," she whispered outside the door. "My dear, I don't believe it's going to be any good... the poor old boy's got _some_ taste you know, and a sense of humour." "She didn't show up too well at dinner, did she?" "She will _go on_ so... and, after all, Tony's been used to me for seven years. It's rather a sudden change." * * * * * "Tired?" "Mmm. Little bit." "You gave me a pretty long bout of Abdul Akbar." "I know. I'm sorry, darling, but Polly takes so long to get to bed... Was it awful? I wish you liked her more." "She's awful." "One has to make allowances... she's got the most terrible scars." "So she told me." "I've seen them." "Besides, I hoped to see something of you." "Oh." "Brenda, you aren't angry still about my getting tight that night and waking you up?" "No, sweet, do I seem angry?" "...I don't know. You do rather... Has it been an amusing week?" "Not amusing, very hard work. Bimetallism, you know." "Oh, yes... well, I suppose you want to go to sleep." "Mm... so tired. Good night, darling." "Good night." * * * * * "Can I go and say good morning to the Princess, mummy?" "I don't expect she's awake yet." "Please, mummy, may I go and see? I'll just peep and, if she's asleep, go away." "I don't know what room she's in." "Galahad, my lady," said Grimshawe, who was putting out her clothes. "Oh dear, why was she put there?" "It was Mr Last's orders, my lady." "Well, she's probably awake, then." John slipped out of the room and trotted down the passage to Galahad. "May I come in?" "Hullo, Johnny-boy. Come in." He swung on the handles of the door, half in, half out of the room. "Have you had breakfast? Mummy said you wouldn't be awake." "I've been awake a long time. You see I was once very badly hurt, and now I don't always sleep well. Even the softest beds are too hard for me now." "Ooh. What did you do? Was it a motor-car accident?" "Not an accident, Johnny-boy, not an accident... but come in. It's cold with the door open. Look, there are some grapes here. Would you like to eat them?" Johnny climbed on to the bed. "What are you going to do to-day?" "I don't know yet. I haven't been told." "Well, I'll tell you. We'll go to church in the morning because I have to and then we'll go and look at Thunderclap and I'll show you the place we jump and then you can come with me while I have dinner because I have it early and afterwards we can go down to Bruton Wood and we needn't take nanny because it makes her so muddy and you can see where they dug out a fox in the drain just outside the wood, he nearly got away, and then you can come and have tea in the nursery and I've got a little gramophone Uncle Reggie gave me for Christmas and it plays "When Father Papered the Parlour", do you know that song? Ben can sing it and I've got some books to show you and a picture I did of the battle of Marston Moor." "I think that sounds a lovely day. But don't you think I ought to spend some time with daddy and mummy and Lady Cockpurse?" "Oh, _them_... besides, it's all my foot about Lady Cockpurse having a tail. Please, you _will_ spend the day with me?" "Well, we'll see." * * * * * "She's gone to church with him. That's a good sign, isn't it?" "Well, not really, Polly. He likes going alone, or with me. It's the time he gossips to the village." "She won't stop him." "I'm afraid you don't understand the old boy altogether. He's much odder than you'd think." * * * | Do ask her to come and say good night. Nanny doesn't think she'd want to." "Did daddy seem to like her?" "He didn't talk much... She doesn't know anything about horses or natives but she _is_ beautiful. Please tell her to come up." Brenda went downstairs and found Jenny with Polly and Tony in the smoking-room. "You've made a wild success with John Andrew. He won't go to sleep until he's seen you again." They went up together, and Jenny said, "They're both such dears." "Did you and Tony get on? I was so sorry not to be here when you arrived." "He was _so_ sympathetic and gentle... and so wistful." They sat on John's small bed in the night-nursery. He threw the clothes back and crawled out, nestling against Jenny. "Back to bed," she said, "or I shall spank you." "Would you do it hard? I shouldn't mind." "Oh dear," said Brenda, "what a terrible effect you seem to have. He's never like this as a rule." When they had gone nanny threw open another window. "Poof!" she said, "making the whole place stink." "Don't you like it? _I_ think it's lovely." Brenda took Polly up to Lyonesse. It was a large suite, fitted up with satinwood for King Edward when, as Prince of Wales, he was once expected at a shooting party; he never came. "How's it going?" she asked anxiously.<|quote|>"Too soon to tell. I'm sure it will be all right."</|quote|>"She's got the wrong chap. John Andrew's mad about her... quite embarrassing." "I should say Tony was a slow starter. It's a pity she's got his name wrong. Ought we to tell her?" "No, let's leave it." When they were dressing, Tony said, "Brenda, who _is_ this joke-woman?" "Darling, don't you like her?" The disappointment and distress in her tone were so clear that Tony was touched. "I don't know about not liking her exactly. She's just a joke, isn't she?" "Is she... oh dear... She's had a terrible life, you know." "So I gathered." "Be nice to her, Tony, please." "Oh, I'll be nice to her. Is she a Jewess?" "I don't know. I never thought. Perhaps she is." Soon after dinner Polly said she was tired and asked Brenda to come with her while she undressed, "Leave the young couple to it," she whispered outside the door. "My dear, I don't believe it's going to be any good... the poor old boy's got _some_ taste you know, and a sense of humour." "She didn't show up too well at dinner, did she?" "She will _go on_ so... and, after all, Tony's been used to me for seven years. It's rather a sudden change." * * * * * "Tired?" "Mmm. Little bit." "You gave me a pretty long bout of Abdul Akbar." "I know. I'm sorry, darling, but Polly takes so long to get to bed... Was it awful? I wish you liked her more." "She's awful." "One has to make allowances... she's got the most terrible scars." "So she told me." "I've seen them." "Besides, I hoped to see something of you." "Oh." "Brenda, you aren't angry still about my getting tight that night and waking you up?" "No, sweet, do I seem angry?" "...I don't know. You do rather... Has it been an amusing week?" "Not amusing, very hard work. Bimetallism, you know." "Oh, yes... well, I suppose you want to go to sleep." "Mm... so tired. Good night, darling." "Good night." * * * * * "Can I go and say good morning to the Princess, mummy?" "I don't expect she's awake yet." "Please, mummy, may I go and see? I'll just peep and, if she's asleep, go away." "I | A Handful Of Dust | place stink." "Don't you like it? _I_ think it's lovely." Brenda took Polly up to Lyonesse. It was a large suite, fitted up with satinwood for King Edward when, as Prince of Wales, he was once expected at a shooting party; he never came. "How's it going?" she asked anxiously.<|quote|>"Too soon to tell. I'm sure it will be all right."</|quote|>"She's got the wrong chap. John Andrew's mad about her... quite embarrassing." "I should say Tony was a slow starter. It's a pity she's got his name wrong. Ought we to tell her?" "No, let's leave it." When they were dressing, Tony said, "Brenda, who _is_ this joke-woman?" "Darling, don't | {
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"content": "place stink.\" \"Don't you like it? _I_ think it's lovely.\" Brenda took Polly up to Lyonesse. It was a large suite, fitted up with satinwood for King Edward when, as Prince of Wales, he was once expected at a shooting party; he never came. \"How's it going?\" she asked anxiously.<|quote|>\"Too soon to tell. I'm sure it will be all right.\"</|quote|>\"She's got the wrong chap. John Andrew's mad about her... quite embarrassing.\" \"I should say Tony was a slow starter. It's a pity she's got his name wrong. Ought we to tell her?\" \"No, let's leave it.\" When they were dressing, Tony said, \"Brenda, who _is_ this joke-woman?\" \"Darling, don't",
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Then Ginger stirred himself and said: | No speaker | a bit--yes, practically two issues."<|quote|>Then Ginger stirred himself and said:</|quote|>"That won't do." Then we | for us! Each man gets--wait a bit--yes, practically two issues."<|quote|>Then Ginger stirred himself and said:</|quote|>"That won't do." Then we got excited and began to | bread for one hundred and fifty men too, eh?" The sergeant-cook nodded absent-minded, and bewildered. Tjaden seized him by the tunic. "And sausage?" Ginger nodded again. Tjaden's chaps quivered. "Tobacco too?" "Yes, everything." Tjaden beamed: "What a bean-feast! That's all for us! Each man gets--wait a bit--yes, practically two issues."<|quote|>Then Ginger stirred himself and said:</|quote|>"That won't do." Then we got excited and began to crowd around. "Why won't that do, you old carrot?" demanded Katczinsky. "Eighty men can't have what is meant for a hundred and fifty." "We'll soon show you," growled Müller. "I don't care about the stew, but I can only issue | one hundred and fifty men----" Kropp poked him in the ribs. "Then for once we'll have enough. Come on, begin!" Suddenly a vision came over Tjaden. His sharp, mousey features began to shine, his eyes grew small with cunning, his jaws twitched, and he whispered hoarsely: "Man! then you've got bread for one hundred and fifty men too, eh?" The sergeant-cook nodded absent-minded, and bewildered. Tjaden seized him by the tunic. "And sausage?" Ginger nodded again. Tjaden's chaps quivered. "Tobacco too?" "Yes, everything." Tjaden beamed: "What a bean-feast! That's all for us! Each man gets--wait a bit--yes, practically two issues."<|quote|>Then Ginger stirred himself and said:</|quote|>"That won't do." Then we got excited and began to crowd around. "Why won't that do, you old carrot?" demanded Katczinsky. "Eighty men can't have what is meant for a hundred and fifty." "We'll soon show you," growled Müller. "I don't care about the stew, but I can only issue rations for eighty men," persisted Ginger. Katczinsky got angry. "You might be generous for once. You haven't drawn food for eighty men. You've drawn it for the Second Company. Good. Let's have it then. We are the Second Company." We began to jostle the fellow. No one felt kindly toward | were growing impatient, for the cook paid no attention to us. Finally Katczinsky called out to him: "Say, Heinrich, open up the soup-kitchen. Anyone can see the beans are done." He shook his head sleepily: "You must all be there first." Tjaden grinned: "We are all here." The sergeant-cook still took no notice. "That may do for you," he said. "But where are the others?" "They won't be fed by you to-day. They're either in the dressing-station or pushing up daisies." The cook was quite disconcerted as the facts dawned on him. He was staggered. "And I have cooked for one hundred and fifty men----" Kropp poked him in the ribs. "Then for once we'll have enough. Come on, begin!" Suddenly a vision came over Tjaden. His sharp, mousey features began to shine, his eyes grew small with cunning, his jaws twitched, and he whispered hoarsely: "Man! then you've got bread for one hundred and fifty men too, eh?" The sergeant-cook nodded absent-minded, and bewildered. Tjaden seized him by the tunic. "And sausage?" Ginger nodded again. Tjaden's chaps quivered. "Tobacco too?" "Yes, everything." Tjaden beamed: "What a bean-feast! That's all for us! Each man gets--wait a bit--yes, practically two issues."<|quote|>Then Ginger stirred himself and said:</|quote|>"That won't do." Then we got excited and began to crowd around. "Why won't that do, you old carrot?" demanded Katczinsky. "Eighty men can't have what is meant for a hundred and fifty." "We'll soon show you," growled Müller. "I don't care about the stew, but I can only issue rations for eighty men," persisted Ginger. Katczinsky got angry. "You might be generous for once. You haven't drawn food for eighty men. You've drawn it for the Second Company. Good. Let's have it then. We are the Second Company." We began to jostle the fellow. No one felt kindly toward him, for it was his fault that the food twice came up to us in the line too late and cold. Under shell-fire he wouldn't bring his kitchen up near enough, so that our soup-carriers had to go much farther than those of the other companies. Now Bulcke of the First Company is a much better fellow. He is as fat as a hamster in winter, but he trundles his pots when it comes to that right up to the very front line. We were in just the right mood, and there would certainly have been a dust-up if our | full beard and has a preference for the girls from officers' brothels. He swears that they are obliged by an army order to wear silk chemises and to bathe before entertaining guests of the rank of major and upwards. And as the fourth, myself, Paul Bäumer. All four are nineteen years of age, and all four joined up from the same class as volunteers for the war. Close behind us were our friends: Tjaden, a skinny lock-smith of our own age, the biggest eater of the company. He sits down to eat as thin as a grasshopper and gets up as big as a bug in the family way; Haie Westhus, of the same age, a peat-digger, who can easily hold a ration-loaf in his hand and say: Guess what I've got in my fist; then Detering, a peasant, who thinks of nothing but his farm-yard and his wife; and finally Stanislaus Katczinsky, the leader of our group, shrewd, cunning, and hard-bitten, forty years of age, with a face of the soil, blue eyes, bent shoulders, and a remarkable nose for dirty weather, good food, and soft jobs. Our gang formed the head of the queue before the cook-house. We were growing impatient, for the cook paid no attention to us. Finally Katczinsky called out to him: "Say, Heinrich, open up the soup-kitchen. Anyone can see the beans are done." He shook his head sleepily: "You must all be there first." Tjaden grinned: "We are all here." The sergeant-cook still took no notice. "That may do for you," he said. "But where are the others?" "They won't be fed by you to-day. They're either in the dressing-station or pushing up daisies." The cook was quite disconcerted as the facts dawned on him. He was staggered. "And I have cooked for one hundred and fifty men----" Kropp poked him in the ribs. "Then for once we'll have enough. Come on, begin!" Suddenly a vision came over Tjaden. His sharp, mousey features began to shine, his eyes grew small with cunning, his jaws twitched, and he whispered hoarsely: "Man! then you've got bread for one hundred and fifty men too, eh?" The sergeant-cook nodded absent-minded, and bewildered. Tjaden seized him by the tunic. "And sausage?" Ginger nodded again. Tjaden's chaps quivered. "Tobacco too?" "Yes, everything." Tjaden beamed: "What a bean-feast! That's all for us! Each man gets--wait a bit--yes, practically two issues."<|quote|>Then Ginger stirred himself and said:</|quote|>"That won't do." Then we got excited and began to crowd around. "Why won't that do, you old carrot?" demanded Katczinsky. "Eighty men can't have what is meant for a hundred and fifty." "We'll soon show you," growled Müller. "I don't care about the stew, but I can only issue rations for eighty men," persisted Ginger. Katczinsky got angry. "You might be generous for once. You haven't drawn food for eighty men. You've drawn it for the Second Company. Good. Let's have it then. We are the Second Company." We began to jostle the fellow. No one felt kindly toward him, for it was his fault that the food twice came up to us in the line too late and cold. Under shell-fire he wouldn't bring his kitchen up near enough, so that our soup-carriers had to go much farther than those of the other companies. Now Bulcke of the First Company is a much better fellow. He is as fat as a hamster in winter, but he trundles his pots when it comes to that right up to the very front line. We were in just the right mood, and there would certainly have been a dust-up if our company commander had not appeared. He informed himself of the dispute, and only remarked: "Yes, we did have heavy losses yesterday." He looked in the dixie. "The beans look good." Ginger nodded. "Cooked with meat and fat." The lieutenant looked at us. He knew what we were thinking. And he knew many other things too, because he came to the company as a non-com. and was promoted from the ranks. He lifted the lid from the dixie again and sniffed. Then passing on he said: "Serve out the whole issue. We can do with it. And bring me a plate full too." Ginger looked sheepish as Tjaden danced round him. "It doesn't cost you anything! One would think the quartermaster's store belonged to him! And now get on with it, you old blubber-sticker, and don't you miscount either." "You be hanged!" spat out Ginger. When things get beyond him he throws up the sponge altogether; he just goes to pieces. And as if to show that all things were now the same to him, of his own free will he shared out half a pound of synthetic honey equally among us. To-day is wonderfully good. The mail has come, and | man in fine trim. We have not had such luck as this for a long time. The cook with his carroty head is begging us to eat; he beckons with his ladle to every one that passes, and spoons him out a great dollop. He does not see how he can empty his stew-pot in time for coffee. Tjaden and Müller have produced two wash-basins and had them filled up to the brim as a reserve. In Tjaden this is voracity, in Müller it is foresight. Where Tjaden puts it all is a mystery, for he is and always will be as thin as a rake. What's more important still is the issue of a double ration of smokes. Ten cigars, twenty cigarettes, and two quids of chew per man; now that is decent. I have exchanged my chewing tobacco with Katczinsky for his cigarettes, which means I have forty altogether. That's enough for a day. It is true we have no right to this windfall. The Prussian is not so generous. We have only a miscalculation to thank for it. Fourteen days ago we had to go up and relieve the front line. It was fairly quiet on our sector, so the quartermaster who remained in the rear had requisitioned the usual quantity of rations and provided for the full company of one hundred and fifty men. But on the last day an astonishing number of English field-guns opened up on us with high-explosive, drumming ceaselessly on our position, so that we suffered heavily and came back only eighty strong. Last night we moved back and settled down to get a good sleep for once: Katczinsky is right when he says it would not be such a bad war if only one could get a little more sleep. In the line we have had next to none, and fourteen days is a long time at one stretch. It was noon before the first of us crawled out of our quarters. Half an hour later every man had his mess-tin and we gathered at the cook-house, which smelt greasy and nourishing. At the head of the queue of course were the hungriest--little Albert Kropp, the clearest thinker among us and therefore the first to be lance-corporal; Müller, who still carries his school textbooks with him, dreams of examinations, and during a bombardment mutters propositions in physics; Leer, who wears a full beard and has a preference for the girls from officers' brothels. He swears that they are obliged by an army order to wear silk chemises and to bathe before entertaining guests of the rank of major and upwards. And as the fourth, myself, Paul Bäumer. All four are nineteen years of age, and all four joined up from the same class as volunteers for the war. Close behind us were our friends: Tjaden, a skinny lock-smith of our own age, the biggest eater of the company. He sits down to eat as thin as a grasshopper and gets up as big as a bug in the family way; Haie Westhus, of the same age, a peat-digger, who can easily hold a ration-loaf in his hand and say: Guess what I've got in my fist; then Detering, a peasant, who thinks of nothing but his farm-yard and his wife; and finally Stanislaus Katczinsky, the leader of our group, shrewd, cunning, and hard-bitten, forty years of age, with a face of the soil, blue eyes, bent shoulders, and a remarkable nose for dirty weather, good food, and soft jobs. Our gang formed the head of the queue before the cook-house. We were growing impatient, for the cook paid no attention to us. Finally Katczinsky called out to him: "Say, Heinrich, open up the soup-kitchen. Anyone can see the beans are done." He shook his head sleepily: "You must all be there first." Tjaden grinned: "We are all here." The sergeant-cook still took no notice. "That may do for you," he said. "But where are the others?" "They won't be fed by you to-day. They're either in the dressing-station or pushing up daisies." The cook was quite disconcerted as the facts dawned on him. He was staggered. "And I have cooked for one hundred and fifty men----" Kropp poked him in the ribs. "Then for once we'll have enough. Come on, begin!" Suddenly a vision came over Tjaden. His sharp, mousey features began to shine, his eyes grew small with cunning, his jaws twitched, and he whispered hoarsely: "Man! then you've got bread for one hundred and fifty men too, eh?" The sergeant-cook nodded absent-minded, and bewildered. Tjaden seized him by the tunic. "And sausage?" Ginger nodded again. Tjaden's chaps quivered. "Tobacco too?" "Yes, everything." Tjaden beamed: "What a bean-feast! That's all for us! Each man gets--wait a bit--yes, practically two issues."<|quote|>Then Ginger stirred himself and said:</|quote|>"That won't do." Then we got excited and began to crowd around. "Why won't that do, you old carrot?" demanded Katczinsky. "Eighty men can't have what is meant for a hundred and fifty." "We'll soon show you," growled Müller. "I don't care about the stew, but I can only issue rations for eighty men," persisted Ginger. Katczinsky got angry. "You might be generous for once. You haven't drawn food for eighty men. You've drawn it for the Second Company. Good. Let's have it then. We are the Second Company." We began to jostle the fellow. No one felt kindly toward him, for it was his fault that the food twice came up to us in the line too late and cold. Under shell-fire he wouldn't bring his kitchen up near enough, so that our soup-carriers had to go much farther than those of the other companies. Now Bulcke of the First Company is a much better fellow. He is as fat as a hamster in winter, but he trundles his pots when it comes to that right up to the very front line. We were in just the right mood, and there would certainly have been a dust-up if our company commander had not appeared. He informed himself of the dispute, and only remarked: "Yes, we did have heavy losses yesterday." He looked in the dixie. "The beans look good." Ginger nodded. "Cooked with meat and fat." The lieutenant looked at us. He knew what we were thinking. And he knew many other things too, because he came to the company as a non-com. and was promoted from the ranks. He lifted the lid from the dixie again and sniffed. Then passing on he said: "Serve out the whole issue. We can do with it. And bring me a plate full too." Ginger looked sheepish as Tjaden danced round him. "It doesn't cost you anything! One would think the quartermaster's store belonged to him! And now get on with it, you old blubber-sticker, and don't you miscount either." "You be hanged!" spat out Ginger. When things get beyond him he throws up the sponge altogether; he just goes to pieces. And as if to show that all things were now the same to him, of his own free will he shared out half a pound of synthetic honey equally among us. To-day is wonderfully good. The mail has come, and almost every man has a couple of letters and papers. We stroll over to the meadow behind the billets. Kropp has the round lid of a margarine tub under his arm. On the right side of the meadow a large common latrine has been built, a well-planned and durable construction. But that is for recruits who as yet have not learned how to make the most of whatever comes their way. We look for something better. Scattered about everywhere there are separate, individual boxes for the same purpose. They are square, neat boxes with wooden sides all round, and have unimpeachably satisfactory seats. On the sides are hand-grips enabling one to shift them about. We move three together in a ring and sit down comfortably. For two hours we have been here without getting up. I well remember how embarrassed we were as recruits in barracks when we had to use the general latrine. There were no doors and twenty men sat side by side as in a railway carriage, so that they could be reviewed all at one glance, for soldiers must always be under supervision. Since then we have learned better than to be shy about such trifling immodesties. In time things far worse than that came easy to us. Here in the open air though, the business is entirely a pleasure. I no longer understand why we should always have shied at it before. It is, in fact, just as natural as eating and drinking. We did not properly appreciate these boxes when we first enlisted; they were new to us and did not fill such an important rôle--but now they have long been a matter of course. The soldier is on friendlier terms than other men with his stomach and intestines. Three-quarters of his vocabulary is derived from these regions, and they give an intimate flavour to expressions of his greatest joy as well as of his deepest indignation. It is impossible to express oneself in any other way so clearly and pithily. Our families and our teachers will be shocked when we go home, but here it is the universal language. Enforced publicity has in our eyes restored the character of complete innocence to all these things. More than that, they are so much a matter of course that their comfortable performance is fully as much enjoyed as the playing of a safe top running | we gathered at the cook-house, which smelt greasy and nourishing. At the head of the queue of course were the hungriest--little Albert Kropp, the clearest thinker among us and therefore the first to be lance-corporal; Müller, who still carries his school textbooks with him, dreams of examinations, and during a bombardment mutters propositions in physics; Leer, who wears a full beard and has a preference for the girls from officers' brothels. He swears that they are obliged by an army order to wear silk chemises and to bathe before entertaining guests of the rank of major and upwards. And as the fourth, myself, Paul Bäumer. All four are nineteen years of age, and all four joined up from the same class as volunteers for the war. Close behind us were our friends: Tjaden, a skinny lock-smith of our own age, the biggest eater of the company. He sits down to eat as thin as a grasshopper and gets up as big as a bug in the family way; Haie Westhus, of the same age, a peat-digger, who can easily hold a ration-loaf in his hand and say: Guess what I've got in my fist; then Detering, a peasant, who thinks of nothing but his farm-yard and his wife; and finally Stanislaus Katczinsky, the leader of our group, shrewd, cunning, and hard-bitten, forty years of age, with a face of the soil, blue eyes, bent shoulders, and a remarkable nose for dirty weather, good food, and soft jobs. Our gang formed the head of the queue before the cook-house. We were growing impatient, for the cook paid no attention to us. Finally Katczinsky called out to him: "Say, Heinrich, open up the soup-kitchen. Anyone can see the beans are done." He shook his head sleepily: "You must all be there first." Tjaden grinned: "We are all here." The sergeant-cook still took no notice. "That may do for you," he said. "But where are the others?" "They won't be fed by you to-day. They're either in the dressing-station or pushing up daisies." The cook was quite disconcerted as the facts dawned on him. He was staggered. "And I have cooked for one hundred and fifty men----" Kropp poked him in the ribs. "Then for once we'll have enough. Come on, begin!" Suddenly a vision came over Tjaden. His sharp, mousey features began to shine, his eyes grew small with cunning, his jaws twitched, and he whispered hoarsely: "Man! then you've got bread for one hundred and fifty men too, eh?" The sergeant-cook nodded absent-minded, and bewildered. Tjaden seized him by the tunic. "And sausage?" Ginger nodded again. Tjaden's chaps quivered. "Tobacco too?" "Yes, everything." Tjaden beamed: "What a bean-feast! That's all for us! Each man gets--wait a bit--yes, practically two issues."<|quote|>Then Ginger stirred himself and said:</|quote|>"That won't do." Then we got excited and began to crowd around. "Why won't that do, you old carrot?" demanded Katczinsky. "Eighty men can't have what is meant for a hundred and fifty." "We'll soon show you," growled Müller. "I don't care about the stew, but I can only issue rations for eighty men," persisted Ginger. Katczinsky got angry. "You might be generous for once. You haven't drawn food for eighty men. You've drawn it for the Second Company. Good. Let's have it then. We are the Second Company." We began to jostle the fellow. No one felt kindly toward him, for it was his fault that the food twice came up to us in the line too late and cold. Under shell-fire he wouldn't bring his kitchen up near enough, so that our soup-carriers had to go much farther than those of the other companies. Now Bulcke of the First Company is a much better fellow. He is as fat as a hamster in winter, but he trundles his pots when it comes to that right up to the very front line. We were in just the right mood, and there would certainly have been a dust-up if our company commander had not appeared. He informed himself of the dispute, and only remarked: "Yes, we did have heavy losses yesterday." He looked in the dixie. "The beans look good." Ginger nodded. "Cooked with meat and fat." The lieutenant looked at us. He knew what we were thinking. And he knew many other things too, because he came to the company as a non-com. and was promoted from the ranks. He lifted the lid from the dixie again and sniffed. Then passing on he said: "Serve out the whole issue. We can do with it. And bring me a plate full too." Ginger looked sheepish as Tjaden danced round him. "It doesn't cost you anything! One would think the quartermaster's store belonged to him! And now get on with it, you old blubber-sticker, and don't you miscount either." "You be hanged!" spat out Ginger. When things get beyond him he throws up the sponge altogether; he just goes to pieces. And as if to show that all things were now the same to him, of his own free will he shared out half a pound of synthetic honey equally among us. To-day is wonderfully good. The mail has come, and almost every man has a couple of letters and papers. We stroll over to the meadow behind | All Quiet on the Western Front | bread for one hundred and fifty men too, eh?" The sergeant-cook nodded absent-minded, and bewildered. Tjaden seized him by the tunic. "And sausage?" Ginger nodded again. Tjaden's chaps quivered. "Tobacco too?" "Yes, everything." Tjaden beamed: "What a bean-feast! That's all for us! Each man gets--wait a bit--yes, practically two issues."<|quote|>Then Ginger stirred himself and said:</|quote|>"That won't do." Then we got excited and began to crowd around. "Why won't that do, you old carrot?" demanded Katczinsky. "Eighty men can't have what is meant for a hundred and fifty." "We'll soon show you," growled Müller. "I don't care about the stew, but I can only issue | {
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"content": "bread for one hundred and fifty men too, eh?\" The sergeant-cook nodded absent-minded, and bewildered. Tjaden seized him by the tunic. \"And sausage?\" Ginger nodded again. Tjaden's chaps quivered. \"Tobacco too?\" \"Yes, everything.\" Tjaden beamed: \"What a bean-feast! That's all for us! Each man gets--wait a bit--yes, practically two issues.\"<|quote|>Then Ginger stirred himself and said:</|quote|>\"That won't do.\" Then we got excited and began to crowd around. \"Why won't that do, you old carrot?\" demanded Katczinsky. \"Eighty men can't have what is meant for a hundred and fifty.\" \"We'll soon show you,\" growled Müller. \"I don't care about the stew, but I can only issue",
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"Well now, yes. It always kind of gives me a thrill to see them ugly white grubs that spade up in the cucumber beds. I hate the look of them." | Matthew Cuthbert | you a thrill?" Matthew ruminated.<|quote|>"Well now, yes. It always kind of gives me a thrill to see them ugly white grubs that spade up in the cucumber beds. I hate the look of them."</|quote|>"Oh, I don't think that | thrill. Do things ever give you a thrill?" Matthew ruminated.<|quote|>"Well now, yes. It always kind of gives me a thrill to see them ugly white grubs that spade up in the cucumber beds. I hate the look of them."</|quote|>"Oh, I don't think that can be exactly the same | that name, either. I shall call it--let me see--the Lake of Shining Waters. Yes, that is the right name for it. I know because of the thrill. When I hit on a name that suits exactly it gives me a thrill. Do things ever give you a thrill?" Matthew ruminated.<|quote|>"Well now, yes. It always kind of gives me a thrill to see them ugly white grubs that spade up in the cucumber beds. I hate the look of them."</|quote|>"Oh, I don't think that can be exactly the same kind of a thrill. Do you think it can? There doesn't seem to be much connection between grubs and lakes of shining waters, does there? But why do other people call it Barry's pond?" "I reckon because Mr. Barry lives | came the clear, mournfully-sweet chorus of the frogs. There was a little gray house peering around a white apple orchard on a slope beyond and, although it was not yet quite dark, a light was shining from one of its windows. "That's Barry's pond," said Matthew. "Oh, I don't like that name, either. I shall call it--let me see--the Lake of Shining Waters. Yes, that is the right name for it. I know because of the thrill. When I hit on a name that suits exactly it gives me a thrill. Do things ever give you a thrill?" Matthew ruminated.<|quote|>"Well now, yes. It always kind of gives me a thrill to see them ugly white grubs that spade up in the cucumber beds. I hate the look of them."</|quote|>"Oh, I don't think that can be exactly the same kind of a thrill. Do you think it can? There doesn't seem to be much connection between grubs and lakes of shining waters, does there? But why do other people call it Barry's pond?" "I reckon because Mr. Barry lives up there in that house. Orchard Slope's the name of his place. If it wasn't for that big bush behind it you could see Green Gables from here. But we have to go over the bridge and round by the road, so it's near half a mile further." "Has Mr. | lower end, where an amber-hued belt of sand-hills shut it in from the dark blue gulf beyond, the water was a glory of many shifting hues--the most spiritual shadings of crocus and rose and ethereal green, with other elusive tintings for which no name has ever been found. Above the bridge the pond ran up into fringing groves of fir and maple and lay all darkly translucent in their wavering shadows. Here and there a wild plum leaned out from the bank like a white-clad girl tip-toeing to her own reflection. From the marsh at the head of the pond came the clear, mournfully-sweet chorus of the frogs. There was a little gray house peering around a white apple orchard on a slope beyond and, although it was not yet quite dark, a light was shining from one of its windows. "That's Barry's pond," said Matthew. "Oh, I don't like that name, either. I shall call it--let me see--the Lake of Shining Waters. Yes, that is the right name for it. I know because of the thrill. When I hit on a name that suits exactly it gives me a thrill. Do things ever give you a thrill?" Matthew ruminated.<|quote|>"Well now, yes. It always kind of gives me a thrill to see them ugly white grubs that spade up in the cucumber beds. I hate the look of them."</|quote|>"Oh, I don't think that can be exactly the same kind of a thrill. Do you think it can? There doesn't seem to be much connection between grubs and lakes of shining waters, does there? But why do other people call it Barry's pond?" "I reckon because Mr. Barry lives up there in that house. Orchard Slope's the name of his place. If it wasn't for that big bush behind it you could see Green Gables from here. But we have to go over the bridge and round by the road, so it's near half a mile further." "Has Mr. Barry any little girls? Well, not so very little either--about my size." "He's got one about eleven. Her name is Diana." "Oh!" with a long indrawing of breath. "What a perfectly lovely name!" "Well now, I dunno. There's something dreadful heathenish about it, seems to me. I'd ruther Jane or Mary or some sensible name like that. But when Diana was born there was a schoolmaster boarding there and they gave him the naming of her and he called her Diana." "I wish there had been a schoolmaster like that around when I was born, then. Oh, here we are | I don't like the name of a place or a person I always imagine a new one and always think of them so. There was a girl at the asylum whose name was Hepzibah Jenkins, but I always imagined her as Rosalia DeVere. Other people may call that place the Avenue, but I shall always call it the White Way of Delight. Have we really only another mile to go before we get home? I'm glad and I'm sorry. I'm sorry because this drive has been so pleasant and I'm always sorry when pleasant things end. Something still pleasanter may come after, but you can never be sure. And it's so often the case that it isn't pleasanter. That has been my experience anyhow. But I'm glad to think of getting home. You see, I've never had a real home since I can remember. It gives me that pleasant ache again just to think of coming to a really truly home. Oh, isn't that pretty!" They had driven over the crest of a hill. Below them was a pond, looking almost like a river so long and winding was it. A bridge spanned it midway and from there to its lower end, where an amber-hued belt of sand-hills shut it in from the dark blue gulf beyond, the water was a glory of many shifting hues--the most spiritual shadings of crocus and rose and ethereal green, with other elusive tintings for which no name has ever been found. Above the bridge the pond ran up into fringing groves of fir and maple and lay all darkly translucent in their wavering shadows. Here and there a wild plum leaned out from the bank like a white-clad girl tip-toeing to her own reflection. From the marsh at the head of the pond came the clear, mournfully-sweet chorus of the frogs. There was a little gray house peering around a white apple orchard on a slope beyond and, although it was not yet quite dark, a light was shining from one of its windows. "That's Barry's pond," said Matthew. "Oh, I don't like that name, either. I shall call it--let me see--the Lake of Shining Waters. Yes, that is the right name for it. I know because of the thrill. When I hit on a name that suits exactly it gives me a thrill. Do things ever give you a thrill?" Matthew ruminated.<|quote|>"Well now, yes. It always kind of gives me a thrill to see them ugly white grubs that spade up in the cucumber beds. I hate the look of them."</|quote|>"Oh, I don't think that can be exactly the same kind of a thrill. Do you think it can? There doesn't seem to be much connection between grubs and lakes of shining waters, does there? But why do other people call it Barry's pond?" "I reckon because Mr. Barry lives up there in that house. Orchard Slope's the name of his place. If it wasn't for that big bush behind it you could see Green Gables from here. But we have to go over the bridge and round by the road, so it's near half a mile further." "Has Mr. Barry any little girls? Well, not so very little either--about my size." "He's got one about eleven. Her name is Diana." "Oh!" with a long indrawing of breath. "What a perfectly lovely name!" "Well now, I dunno. There's something dreadful heathenish about it, seems to me. I'd ruther Jane or Mary or some sensible name like that. But when Diana was born there was a schoolmaster boarding there and they gave him the naming of her and he called her Diana." "I wish there had been a schoolmaster like that around when I was born, then. Oh, here we are at the bridge. I'm going to shut my eyes tight. I'm always afraid going over bridges. I can't help imagining that perhaps just as we get to the middle, they'll crumple up like a jack-knife and nip us. So I shut my eyes. But I always have to open them for all when I think we're getting near the middle. Because, you see, if the bridge _did_ crumple up I'd want to _see_ it crumple. What a jolly rumble it makes! I always like the rumble part of it. Isn't it splendid there are so many things to like in this world? There we're over. Now I'll look back. Good night, dear Lake of Shining Waters. I always say good night to the things I love, just as I would to people. I think they like it. That water looks as if it was smiling at me." When they had driven up the further hill and around a corner Matthew said: "We're pretty near home now. That's Green Gables over--" "Oh, don't tell me," she interrupted breathlessly, catching at his partially raised arm and shutting her eyes that she might not see his gesture. "Let me guess. I'm sure I'll | an eccentric old farmer. Overhead was one long canopy of snowy fragrant bloom. Below the boughs the air was full of a purple twilight and far ahead a glimpse of painted sunset sky shone like a great rose window at the end of a cathedral aisle. Its beauty seemed to strike the child dumb. She leaned back in the buggy, her thin hands clasped before her, her face lifted rapturously to the white splendor above. Even when they had passed out and were driving down the long slope to Newbridge she never moved or spoke. Still with rapt face she gazed afar into the sunset west, with eyes that saw visions trooping splendidly across that glowing background. Through Newbridge, a bustling little village where dogs barked at them and small boys hooted and curious faces peered from the windows, they drove, still in silence. When three more miles had dropped away behind them the child had not spoken. She could keep silence, it was evident, as energetically as she could talk. "I guess you're feeling pretty tired and hungry," Matthew ventured to say at last, accounting for her long visitation of dumbness with the only reason he could think of. "But we haven't very far to go now--only another mile." She came out of her reverie with a deep sigh and looked at him with the dreamy gaze of a soul that had been wondering afar, star-led. "Oh, Mr. Cuthbert," she whispered, "that place we came through--that white place--what was it?" "Well now, you must mean the Avenue," said Matthew after a few moments' profound reflection. "It is a kind of pretty place." "Pretty? Oh, _pretty_ doesn't seem the right word to use. Nor beautiful, either. They don't go far enough. Oh, it was wonderful--wonderful. It's the first thing I ever saw that couldn't be improved upon by imagination. It just satisfies me here" "--she put one hand on her breast--" "it made a queer funny ache and yet it was a pleasant ache. Did you ever have an ache like that, Mr. Cuthbert?" "Well now, I just can't recollect that I ever had." "I have it lots of time--whenever I see anything royally beautiful. But they shouldn't call that lovely place the Avenue. There is no meaning in a name like that. They should call it--let me see--the White Way of Delight. Isn't that a nice imaginative name? When I don't like the name of a place or a person I always imagine a new one and always think of them so. There was a girl at the asylum whose name was Hepzibah Jenkins, but I always imagined her as Rosalia DeVere. Other people may call that place the Avenue, but I shall always call it the White Way of Delight. Have we really only another mile to go before we get home? I'm glad and I'm sorry. I'm sorry because this drive has been so pleasant and I'm always sorry when pleasant things end. Something still pleasanter may come after, but you can never be sure. And it's so often the case that it isn't pleasanter. That has been my experience anyhow. But I'm glad to think of getting home. You see, I've never had a real home since I can remember. It gives me that pleasant ache again just to think of coming to a really truly home. Oh, isn't that pretty!" They had driven over the crest of a hill. Below them was a pond, looking almost like a river so long and winding was it. A bridge spanned it midway and from there to its lower end, where an amber-hued belt of sand-hills shut it in from the dark blue gulf beyond, the water was a glory of many shifting hues--the most spiritual shadings of crocus and rose and ethereal green, with other elusive tintings for which no name has ever been found. Above the bridge the pond ran up into fringing groves of fir and maple and lay all darkly translucent in their wavering shadows. Here and there a wild plum leaned out from the bank like a white-clad girl tip-toeing to her own reflection. From the marsh at the head of the pond came the clear, mournfully-sweet chorus of the frogs. There was a little gray house peering around a white apple orchard on a slope beyond and, although it was not yet quite dark, a light was shining from one of its windows. "That's Barry's pond," said Matthew. "Oh, I don't like that name, either. I shall call it--let me see--the Lake of Shining Waters. Yes, that is the right name for it. I know because of the thrill. When I hit on a name that suits exactly it gives me a thrill. Do things ever give you a thrill?" Matthew ruminated.<|quote|>"Well now, yes. It always kind of gives me a thrill to see them ugly white grubs that spade up in the cucumber beds. I hate the look of them."</|quote|>"Oh, I don't think that can be exactly the same kind of a thrill. Do you think it can? There doesn't seem to be much connection between grubs and lakes of shining waters, does there? But why do other people call it Barry's pond?" "I reckon because Mr. Barry lives up there in that house. Orchard Slope's the name of his place. If it wasn't for that big bush behind it you could see Green Gables from here. But we have to go over the bridge and round by the road, so it's near half a mile further." "Has Mr. Barry any little girls? Well, not so very little either--about my size." "He's got one about eleven. Her name is Diana." "Oh!" with a long indrawing of breath. "What a perfectly lovely name!" "Well now, I dunno. There's something dreadful heathenish about it, seems to me. I'd ruther Jane or Mary or some sensible name like that. But when Diana was born there was a schoolmaster boarding there and they gave him the naming of her and he called her Diana." "I wish there had been a schoolmaster like that around when I was born, then. Oh, here we are at the bridge. I'm going to shut my eyes tight. I'm always afraid going over bridges. I can't help imagining that perhaps just as we get to the middle, they'll crumple up like a jack-knife and nip us. So I shut my eyes. But I always have to open them for all when I think we're getting near the middle. Because, you see, if the bridge _did_ crumple up I'd want to _see_ it crumple. What a jolly rumble it makes! I always like the rumble part of it. Isn't it splendid there are so many things to like in this world? There we're over. Now I'll look back. Good night, dear Lake of Shining Waters. I always say good night to the things I love, just as I would to people. I think they like it. That water looks as if it was smiling at me." When they had driven up the further hill and around a corner Matthew said: "We're pretty near home now. That's Green Gables over--" "Oh, don't tell me," she interrupted breathlessly, catching at his partially raised arm and shutting her eyes that she might not see his gesture. "Let me guess. I'm sure I'll guess right." She opened her eyes and looked about her. They were on the crest of a hill. The sun had set some time since, but the landscape was still clear in the mellow afterlight. To the west a dark church spire rose up against a marigold sky. Below was a little valley and beyond a long, gently-rising slope with snug farmsteads scattered along it. From one to another the child's eyes darted, eager and wistful. At last they lingered on one away to the left, far back from the road, dimly white with blossoming trees in the twilight of the surrounding woods. Over it, in the stainless southwest sky, a great crystal-white star was shining like a lamp of guidance and promise. "That's it, isn't it?" she said, pointing. Matthew slapped the reins on the sorrel's back delightedly. "Well now, you've guessed it! But I reckon Mrs. Spencer described it so's you could tell." "No, she didn't--really she didn't. All she said might just as well have been about most of those other places. I hadn't any real idea what it looked like. But just as soon as I saw it I felt it was home. Oh, it seems as if I must be in a dream. Do you know, my arm must be black and blue from the elbow up, for I've pinched myself so many times today. Every little while a horrible sickening feeling would come over me and I'd be so afraid it was all a dream. Then I'd pinch myself to see if it was real--until suddenly I remembered that even supposing it was only a dream I'd better go on dreaming as long as I could; so I stopped pinching. But it _is_ real and we're nearly home." With a sigh of rapture she relapsed into silence. Matthew stirred uneasily. He felt glad that it would be Marilla and not he who would have to tell this waif of the world that the home she longed for was not to be hers after all. They drove over Lynde's Hollow, where it was already quite dark, but not so dark that Mrs. Rachel could not see them from her window vantage, and up the hill and into the long lane of Green Gables. By the time they arrived at the house Matthew was shrinking from the approaching revelation with an energy he did not understand. | a person I always imagine a new one and always think of them so. There was a girl at the asylum whose name was Hepzibah Jenkins, but I always imagined her as Rosalia DeVere. Other people may call that place the Avenue, but I shall always call it the White Way of Delight. Have we really only another mile to go before we get home? I'm glad and I'm sorry. I'm sorry because this drive has been so pleasant and I'm always sorry when pleasant things end. Something still pleasanter may come after, but you can never be sure. And it's so often the case that it isn't pleasanter. That has been my experience anyhow. But I'm glad to think of getting home. You see, I've never had a real home since I can remember. It gives me that pleasant ache again just to think of coming to a really truly home. Oh, isn't that pretty!" They had driven over the crest of a hill. Below them was a pond, looking almost like a river so long and winding was it. A bridge spanned it midway and from there to its lower end, where an amber-hued belt of sand-hills shut it in from the dark blue gulf beyond, the water was a glory of many shifting hues--the most spiritual shadings of crocus and rose and ethereal green, with other elusive tintings for which no name has ever been found. Above the bridge the pond ran up into fringing groves of fir and maple and lay all darkly translucent in their wavering shadows. Here and there a wild plum leaned out from the bank like a white-clad girl tip-toeing to her own reflection. From the marsh at the head of the pond came the clear, mournfully-sweet chorus of the frogs. There was a little gray house peering around a white apple orchard on a slope beyond and, although it was not yet quite dark, a light was shining from one of its windows. "That's Barry's pond," said Matthew. "Oh, I don't like that name, either. I shall call it--let me see--the Lake of Shining Waters. Yes, that is the right name for it. I know because of the thrill. When I hit on a name that suits exactly it gives me a thrill. Do things ever give you a thrill?" Matthew ruminated.<|quote|>"Well now, yes. It always kind of gives me a thrill to see them ugly white grubs that spade up in the cucumber beds. I hate the look of them."</|quote|>"Oh, I don't think that can be exactly the same kind of a thrill. Do you think it can? There doesn't seem to be much connection between grubs and lakes of shining waters, does there? But why do other people call it Barry's pond?" "I reckon because Mr. Barry lives up there in that house. Orchard Slope's the name of his place. If it wasn't for that big bush behind it you could see Green Gables from here. But we have to go over the bridge and round by the road, so it's near half a mile further." "Has Mr. Barry any little girls? Well, not so very little either--about my size." "He's got one about eleven. Her name is Diana." "Oh!" with a long indrawing of breath. "What a perfectly lovely name!" "Well now, I dunno. There's something dreadful heathenish about it, seems to me. I'd ruther Jane or Mary or some sensible name like that. But when Diana was born there was a schoolmaster boarding there and they gave him the naming of her and he called her Diana." "I wish there had been a schoolmaster like that around when I was born, then. Oh, here we are at the bridge. I'm going to shut my eyes tight. I'm always afraid going over bridges. I can't help imagining that perhaps just as we get to the middle, they'll crumple up like a jack-knife and nip us. So I shut my eyes. But I always have to open them for all when I think we're getting near the middle. Because, you see, if the bridge _did_ crumple up I'd want to _see_ it crumple. What a jolly rumble it makes! I always like the rumble part of it. Isn't it splendid there are so many things to like in this world? There we're over. Now I'll look back. Good night, dear Lake of Shining Waters. I always say good night to the things I love, just as I would to people. I think they like it. That water looks as if it was smiling at me." When they had driven up the further hill and around a corner Matthew said: "We're pretty near home now. That's Green Gables over--" "Oh, don't tell me," she interrupted breathlessly, catching at his partially raised arm and shutting her eyes that she might not see his gesture. "Let me guess. I'm sure I'll guess right." She opened her eyes and looked about her. They were on the crest of a hill. The sun had set some time since, but the landscape was still clear in the mellow afterlight. To the west a dark church spire rose up against a marigold sky. Below was a little valley and beyond a long, gently-rising slope with snug farmsteads scattered along it. From one to another the child's eyes darted, eager and wistful. At last they lingered on one away to the left, far back from the road, dimly white with blossoming trees in the twilight of the surrounding woods. Over it, in the stainless southwest sky, a great crystal-white star was | Anne Of Green Gables | that name, either. I shall call it--let me see--the Lake of Shining Waters. Yes, that is the right name for it. I know because of the thrill. When I hit on a name that suits exactly it gives me a thrill. Do things ever give you a thrill?" Matthew ruminated.<|quote|>"Well now, yes. It always kind of gives me a thrill to see them ugly white grubs that spade up in the cucumber beds. I hate the look of them."</|quote|>"Oh, I don't think that can be exactly the same kind of a thrill. Do you think it can? There doesn't seem to be much connection between grubs and lakes of shining waters, does there? But why do other people call it Barry's pond?" "I reckon because Mr. Barry lives | {
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"content": "that name, either. I shall call it--let me see--the Lake of Shining Waters. Yes, that is the right name for it. I know because of the thrill. When I hit on a name that suits exactly it gives me a thrill. Do things ever give you a thrill?\" Matthew ruminated.<|quote|>\"Well now, yes. It always kind of gives me a thrill to see them ugly white grubs that spade up in the cucumber beds. I hate the look of them.\"</|quote|>\"Oh, I don't think that can be exactly the same kind of a thrill. Do you think it can? There doesn't seem to be much connection between grubs and lakes of shining waters, does there? But why do other people call it Barry's pond?\" \"I reckon because Mr. Barry lives",
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} | Matthew Cuthbert |
"There, how did that feel? You just skimmed over like a swallow. Try it again?" | Ben | but still in the saddle.<|quote|>"There, how did that feel? You just skimmed over like a swallow. Try it again?"</|quote|>Twice more John and Thunderclap | old support in the mane, but still in the saddle.<|quote|>"There, how did that feel? You just skimmed over like a swallow. Try it again?"</|quote|>Twice more John and Thunderclap went over the little rail, | took an arser. Keep hold on to the reins next time. You can lose a hunt that way." At the third attempt John got over and found himself breathless and insecure, one stirrup swinging loose and one hand grabbing its old support in the mane, but still in the saddle.<|quote|>"There, how did that feel? You just skimmed over like a swallow. Try it again?"</|quote|>Twice more John and Thunderclap went over the little rail, then nanny called that it was time to go indoors for his milk. They walked the pony back to the stable. Nanny said, "Oh dear, look at all the mud on your coat." Ben said, "We'll have you riding the | saddle and landed on his back in the grass. Nanny rose in alarm. "Oh, what's happened, Mr Hacket, is he hurt?" "He's all right," said Ben. "I'm all right," said John, "I think she put in a short step." "Short step my grandmother. You just opened your bloody legs and took an arser. Keep hold on to the reins next time. You can lose a hunt that way." At the third attempt John got over and found himself breathless and insecure, one stirrup swinging loose and one hand grabbing its old support in the mane, but still in the saddle.<|quote|>"There, how did that feel? You just skimmed over like a swallow. Try it again?"</|quote|>Twice more John and Thunderclap went over the little rail, then nanny called that it was time to go indoors for his milk. They walked the pony back to the stable. Nanny said, "Oh dear, look at all the mud on your coat." Ben said, "We'll have you riding the winner at Aintree soon." "Good morning, Mr Hacket." "Good morning, miss." "Good-bye, Ben, may I come and see you doing the farm horses this evening?" "That's not for me to say. You must ask nanny. Tell you what though, the grey carthorse has got worms. Would you like to see | his balance by dropping the reins and gripping the mane with both hands; he looked guiltily at Ben, who said, "What d'you suppose your bloody legs are for? Here, take this and just give her a tap when you get up to it!" He handed John a switch. Nanny sat by the gate re-reading a letter from her sister. John took Thunderclap back and tried the jump again. This time they made straight for the rail. Ben shouted "Legs!" and John kicked sturdily, losing his stirrups. Ben raised his arms as if scaring crows. Thunderclap jumped; John rose from the saddle and landed on his back in the grass. Nanny rose in alarm. "Oh, what's happened, Mr Hacket, is he hurt?" "He's all right," said Ben. "I'm all right," said John, "I think she put in a short step." "Short step my grandmother. You just opened your bloody legs and took an arser. Keep hold on to the reins next time. You can lose a hunt that way." At the third attempt John got over and found himself breathless and insecure, one stirrup swinging loose and one hand grabbing its old support in the mane, but still in the saddle.<|quote|>"There, how did that feel? You just skimmed over like a swallow. Try it again?"</|quote|>Twice more John and Thunderclap went over the little rail, then nanny called that it was time to go indoors for his milk. They walked the pony back to the stable. Nanny said, "Oh dear, look at all the mud on your coat." Ben said, "We'll have you riding the winner at Aintree soon." "Good morning, Mr Hacket." "Good morning, miss." "Good-bye, Ben, may I come and see you doing the farm horses this evening?" "That's not for me to say. You must ask nanny. Tell you what though, the grey carthorse has got worms. Would you like to see me give him a pill?" "Oh yes; please, nanny, may I?" "You must ask mother. Come along now, you've had quite enough of horses for one day." "Can't have enough of horses," said John, "ever." On the way back to the house he said, "Can I have my milk in mummy's room?" "That depends." Nanny's replies were always evasive, like that--" "We'll see" or "That's asking" or "Those that ask no questions hear no lies" "--altogether unlike Ben's decisive and pungent judgments. "What does it depend on?" "Lots of things." "Tell me one of them." "On your not asking a | it was a man's business. Nanny sat at a distance, crocheting, on her camp stool; out of earshot. There had been a corresponding promotion in Ben's position. From being the hand who looked after the farm horses, he was now, perceptibly, assuming the air of a stud groom. The handkerchief round his neck gave place to a stock with a fox-head pin. He was a man of varied experience in other parts of the country. Neither Tony nor Brenda hunted but they were anxious that John should like it. Ben foresaw the time when the stables would be full and himself in authority; it would not be like Mr Last to get anyone in from outside. Ben had got two posts bored for iron pegs, and a white-washed rail. With these he erected a two-foot jump in the middle of the field. "Now take it quite easy. Canter up slow and when she takes off lean forward in the saddle and you'll be over like a bird. Keep her head straight at it." Thunderclap trotted forwards, cantered two paces, thought better of it and, just before the jump, fell into a trot again and swerved round the obstacle. John recovered his balance by dropping the reins and gripping the mane with both hands; he looked guiltily at Ben, who said, "What d'you suppose your bloody legs are for? Here, take this and just give her a tap when you get up to it!" He handed John a switch. Nanny sat by the gate re-reading a letter from her sister. John took Thunderclap back and tried the jump again. This time they made straight for the rail. Ben shouted "Legs!" and John kicked sturdily, losing his stirrups. Ben raised his arms as if scaring crows. Thunderclap jumped; John rose from the saddle and landed on his back in the grass. Nanny rose in alarm. "Oh, what's happened, Mr Hacket, is he hurt?" "He's all right," said Ben. "I'm all right," said John, "I think she put in a short step." "Short step my grandmother. You just opened your bloody legs and took an arser. Keep hold on to the reins next time. You can lose a hunt that way." At the third attempt John got over and found himself breathless and insecure, one stirrup swinging loose and one hand grabbing its old support in the mane, but still in the saddle.<|quote|>"There, how did that feel? You just skimmed over like a swallow. Try it again?"</|quote|>Twice more John and Thunderclap went over the little rail, then nanny called that it was time to go indoors for his milk. They walked the pony back to the stable. Nanny said, "Oh dear, look at all the mud on your coat." Ben said, "We'll have you riding the winner at Aintree soon." "Good morning, Mr Hacket." "Good morning, miss." "Good-bye, Ben, may I come and see you doing the farm horses this evening?" "That's not for me to say. You must ask nanny. Tell you what though, the grey carthorse has got worms. Would you like to see me give him a pill?" "Oh yes; please, nanny, may I?" "You must ask mother. Come along now, you've had quite enough of horses for one day." "Can't have enough of horses," said John, "ever." On the way back to the house he said, "Can I have my milk in mummy's room?" "That depends." Nanny's replies were always evasive, like that--" "We'll see" or "That's asking" or "Those that ask no questions hear no lies" "--altogether unlike Ben's decisive and pungent judgments. "What does it depend on?" "Lots of things." "Tell me one of them." "On your not asking a lot of silly questions." "Silly old tart." "_John!_ How dare you? What do you mean?" Delighted by the effect of this sally, John broke away from her hand and danced in front of her, saying, "Silly old tart, silly old tart" all the way to the side entrance. When they entered the porch his nurse silently took off his leggings; he was sobered a little by her grimness. "Go straight up to the nursery," she said. "I am going to speak to your mother about you." "Please, nanny. I don't know what it means, but I didn't mean it." "Go straight to the nursery." * * * * * Brenda was doing her face. "It's been the same ever since Ben Hacket started teaching him to ride, my lady, there's been no doing anything with him." Brenda spat in the eye-black. "But, nanny, what exactly did he say?" "Oh, I couldn't repeat it, my lady." "Nonsense, you must tell me. Otherwise I shall be thinking it something far worse than it was." "It couldn't have been worse... he called me a silly old tart, my lady." Brenda choked slightly into her face towel. "He said _that_?" "Repeatedly. He danced in | Then Tony stopped short in his speech and looked at the bed. Brenda had turned on her face and only the top of her head appeared above the sheets. "Oh God," she said into the pillow. "What have I done?" "I say, am I being pompous again?" She turned sideways so that her nose and one eye emerged. "Oh no, darling, not _pompous_. You wouldn't know how." "Sorry." Brenda sat up. "And, please, I didn't mean it. I'm jolly glad too, that no one's coming." (These scenes of domestic playfulness had been more or less continuous in Tony and Brenda's life for seven years.) Outside, it was soft English weather; mist in the hollows and pale sunshine on the hills; the coverts had ceased dripping, for there were no leaves to hold the recent rain, but the undergrowth was wet, dark in the shadows, iridescent where the sun caught it; the lanes were soggy and there was water running in the ditches. John Andrew sat his pony, solemn and stiff as a Lifeguard, while Ben fixed the jump. Thunderclap had been a present on his sixth birthday from Uncle Reggie. It was John who had named her, after lengthy consultation. Originally she had been called Christabelle which, as Ben said, was more the name for a hound than a horse. Ben had known a strawberry roan called Thunderclap who killed two riders and won the local point-to-point four years running. He had been a lovely little horse, said Ben, till he staked himself in the guts, hunting, and had to be shot. Ben knew stories about a great many different horses. There was one called Zero on whom he had won five Jimmy-o-goblins at ten to three at Chester one year. And there was a mule he had known during the war, called Peppermint, who had died of drinking the company's rum ration. But John was not going to name his pony after a drunken mule. So in the end they had decided on Thunderclap, in spite of her imperturbable disposition. She was a dark bay, with long tail and mane. Ben had left her legs shaggy. She cropped the grass, resisting John's attempts to keep her head up. Before her arrival riding had been a very different thing. He had jogged round the paddock on a little Shetland pony called Bunny, with his nurse panting at the bridle. Now it was a man's business. Nanny sat at a distance, crocheting, on her camp stool; out of earshot. There had been a corresponding promotion in Ben's position. From being the hand who looked after the farm horses, he was now, perceptibly, assuming the air of a stud groom. The handkerchief round his neck gave place to a stock with a fox-head pin. He was a man of varied experience in other parts of the country. Neither Tony nor Brenda hunted but they were anxious that John should like it. Ben foresaw the time when the stables would be full and himself in authority; it would not be like Mr Last to get anyone in from outside. Ben had got two posts bored for iron pegs, and a white-washed rail. With these he erected a two-foot jump in the middle of the field. "Now take it quite easy. Canter up slow and when she takes off lean forward in the saddle and you'll be over like a bird. Keep her head straight at it." Thunderclap trotted forwards, cantered two paces, thought better of it and, just before the jump, fell into a trot again and swerved round the obstacle. John recovered his balance by dropping the reins and gripping the mane with both hands; he looked guiltily at Ben, who said, "What d'you suppose your bloody legs are for? Here, take this and just give her a tap when you get up to it!" He handed John a switch. Nanny sat by the gate re-reading a letter from her sister. John took Thunderclap back and tried the jump again. This time they made straight for the rail. Ben shouted "Legs!" and John kicked sturdily, losing his stirrups. Ben raised his arms as if scaring crows. Thunderclap jumped; John rose from the saddle and landed on his back in the grass. Nanny rose in alarm. "Oh, what's happened, Mr Hacket, is he hurt?" "He's all right," said Ben. "I'm all right," said John, "I think she put in a short step." "Short step my grandmother. You just opened your bloody legs and took an arser. Keep hold on to the reins next time. You can lose a hunt that way." At the third attempt John got over and found himself breathless and insecure, one stirrup swinging loose and one hand grabbing its old support in the mane, but still in the saddle.<|quote|>"There, how did that feel? You just skimmed over like a swallow. Try it again?"</|quote|>Twice more John and Thunderclap went over the little rail, then nanny called that it was time to go indoors for his milk. They walked the pony back to the stable. Nanny said, "Oh dear, look at all the mud on your coat." Ben said, "We'll have you riding the winner at Aintree soon." "Good morning, Mr Hacket." "Good morning, miss." "Good-bye, Ben, may I come and see you doing the farm horses this evening?" "That's not for me to say. You must ask nanny. Tell you what though, the grey carthorse has got worms. Would you like to see me give him a pill?" "Oh yes; please, nanny, may I?" "You must ask mother. Come along now, you've had quite enough of horses for one day." "Can't have enough of horses," said John, "ever." On the way back to the house he said, "Can I have my milk in mummy's room?" "That depends." Nanny's replies were always evasive, like that--" "We'll see" or "That's asking" or "Those that ask no questions hear no lies" "--altogether unlike Ben's decisive and pungent judgments. "What does it depend on?" "Lots of things." "Tell me one of them." "On your not asking a lot of silly questions." "Silly old tart." "_John!_ How dare you? What do you mean?" Delighted by the effect of this sally, John broke away from her hand and danced in front of her, saying, "Silly old tart, silly old tart" all the way to the side entrance. When they entered the porch his nurse silently took off his leggings; he was sobered a little by her grimness. "Go straight up to the nursery," she said. "I am going to speak to your mother about you." "Please, nanny. I don't know what it means, but I didn't mean it." "Go straight to the nursery." * * * * * Brenda was doing her face. "It's been the same ever since Ben Hacket started teaching him to ride, my lady, there's been no doing anything with him." Brenda spat in the eye-black. "But, nanny, what exactly did he say?" "Oh, I couldn't repeat it, my lady." "Nonsense, you must tell me. Otherwise I shall be thinking it something far worse than it was." "It couldn't have been worse... he called me a silly old tart, my lady." Brenda choked slightly into her face towel. "He said _that_?" "Repeatedly. He danced in front of me all the way up the drive, _singing it_." "I see... well, you were quite right to tell me." "Thank you, my lady, and since we are talking about it I think I ought to say that it seems to me that Ben Hacket is making the child go ahead far too quickly with his riding. It's very dangerous. He had what might have been a serious fall this morning." "All right, nanny, I'll speak to Mr Last about it." She spoke to Tony. They both laughed about it a great deal. "Darling," she said, "_you_ must speak to him. You're so much better at being serious than I am." * * * * * "I should have thought it was very nice to be called a tart," John argued, "and anyway it's a word Ben often uses about people." "Well, he's got no business to." "I like Ben more than anyone in the world. And I should think he's cleverer too." "Now, you know you don't like him more than your mother." "Yes I do. _Far_ more." Tony felt that the time had come to cut out the cross talk and deliver the homily he had been preparing. "Now listen, John. It was very wrong of you to call nanny a silly old tart. First, because it was unkind to her. Think of all the things she does for you every day." "She's paid to." "Be quiet. And secondly, because you were using a word which people of your age and class do not use. Poor people use certain expressions which gentlemen do not. You are a gentleman. When you grow up all this house and lots of other things besides will belong to you. You must learn to speak like someone who is going to have these things and to be considerate to people less fortunate than you, particularly women. Do you understand?" "Is Ben less fortunate than me?" "That has nothing to do with it. Now you are to go upstairs and say you are sorry to nanny and promise never to use that word about anyone again." "All right." "And because you have been so naughty to-day you are not to ride to-morrow." "To-morrow's Sunday." "Well, next day then." "But you said" "to-morrow". "It isn't fair to change now." "John, don't argue. If you are not careful I shall send Thunderclap back to Uncle | years running. He had been a lovely little horse, said Ben, till he staked himself in the guts, hunting, and had to be shot. Ben knew stories about a great many different horses. There was one called Zero on whom he had won five Jimmy-o-goblins at ten to three at Chester one year. And there was a mule he had known during the war, called Peppermint, who had died of drinking the company's rum ration. But John was not going to name his pony after a drunken mule. So in the end they had decided on Thunderclap, in spite of her imperturbable disposition. She was a dark bay, with long tail and mane. Ben had left her legs shaggy. She cropped the grass, resisting John's attempts to keep her head up. Before her arrival riding had been a very different thing. He had jogged round the paddock on a little Shetland pony called Bunny, with his nurse panting at the bridle. Now it was a man's business. Nanny sat at a distance, crocheting, on her camp stool; out of earshot. There had been a corresponding promotion in Ben's position. From being the hand who looked after the farm horses, he was now, perceptibly, assuming the air of a stud groom. The handkerchief round his neck gave place to a stock with a fox-head pin. He was a man of varied experience in other parts of the country. Neither Tony nor Brenda hunted but they were anxious that John should like it. Ben foresaw the time when the stables would be full and himself in authority; it would not be like Mr Last to get anyone in from outside. Ben had got two posts bored for iron pegs, and a white-washed rail. With these he erected a two-foot jump in the middle of the field. "Now take it quite easy. Canter up slow and when she takes off lean forward in the saddle and you'll be over like a bird. Keep her head straight at it." Thunderclap trotted forwards, cantered two paces, thought better of it and, just before the jump, fell into a trot again and swerved round the obstacle. John recovered his balance by dropping the reins and gripping the mane with both hands; he looked guiltily at Ben, who said, "What d'you suppose your bloody legs are for? Here, take this and just give her a tap when you get up to it!" He handed John a switch. Nanny sat by the gate re-reading a letter from her sister. John took Thunderclap back and tried the jump again. This time they made straight for the rail. Ben shouted "Legs!" and John kicked sturdily, losing his stirrups. Ben raised his arms as if scaring crows. Thunderclap jumped; John rose from the saddle and landed on his back in the grass. Nanny rose in alarm. "Oh, what's happened, Mr Hacket, is he hurt?" "He's all right," said Ben. "I'm all right," said John, "I think she put in a short step." "Short step my grandmother. You just opened your bloody legs and took an arser. Keep hold on to the reins next time. You can lose a hunt that way." At the third attempt John got over and found himself breathless and insecure, one stirrup swinging loose and one hand grabbing its old support in the mane, but still in the saddle.<|quote|>"There, how did that feel? You just skimmed over like a swallow. Try it again?"</|quote|>Twice more John and Thunderclap went over the little rail, then nanny called that it was time to go indoors for his milk. They walked the pony back to the stable. Nanny said, "Oh dear, look at all the mud on your coat." Ben said, "We'll have you riding the winner at Aintree soon." "Good morning, Mr Hacket." "Good morning, miss." "Good-bye, Ben, may I come and see you doing the farm horses this evening?" "That's not for me to say. You must ask nanny. Tell you what though, the grey carthorse has got worms. Would you like to see me give him a pill?" "Oh yes; please, nanny, may I?" "You must ask mother. Come along now, you've had quite enough of horses for one day." "Can't have enough of horses," said John, "ever." On the way back to the house he said, "Can I have my milk in mummy's room?" "That depends." Nanny's replies were always evasive, like that--" "We'll see" or "That's asking" or "Those that ask no questions hear no lies" "--altogether unlike Ben's decisive and pungent judgments. "What does it depend on?" "Lots of things." "Tell me one of them." "On your not asking a lot of silly questions." "Silly old tart." "_John!_ How dare you? What do you mean?" Delighted by the effect of this sally, John broke away from her hand and danced in front of her, saying, "Silly old tart, silly old tart" all the way to the side entrance. When they entered the porch his nurse silently took off his leggings; he was sobered a little by her grimness. "Go straight up to the nursery," she said. "I am going to speak to your mother about you." "Please, nanny. I don't know what it means, but I didn't mean it." "Go straight to the nursery." * * * * * Brenda was doing her face. "It's been the same ever since Ben Hacket started teaching him to ride, my lady, there's been no doing anything with him." Brenda spat in the eye-black. "But, nanny, what exactly did he say?" "Oh, I couldn't repeat it, my lady." "Nonsense, you must tell me. Otherwise I shall be thinking it something far worse than it was." "It couldn't have been worse... he called me a silly old tart, my lady." Brenda choked slightly into her face towel. "He said _that_?" "Repeatedly. He danced in front of me all the way up the drive, _singing it_." "I see... well, you were quite right to tell me." "Thank you, my lady, and since we are talking about it I think I ought to say that it seems to me that Ben Hacket is making the child go ahead far too quickly with his riding. It's very dangerous. He had what might have been a serious fall this | A Handful Of Dust | took an arser. Keep hold on to the reins next time. You can lose a hunt that way." At the third attempt John got over and found himself breathless and insecure, one stirrup swinging loose and one hand grabbing its old support in the mane, but still in the saddle.<|quote|>"There, how did that feel? You just skimmed over like a swallow. Try it again?"</|quote|>Twice more John and Thunderclap went over the little rail, then nanny called that it was time to go indoors for his milk. They walked the pony back to the stable. Nanny said, "Oh dear, look at all the mud on your coat." Ben said, "We'll have you riding the | {
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"No, nor had we, to be quite frank. It was Beaver's idea." | Reggie St Cloud | "I hadn't thought of that."<|quote|>"No, nor had we, to be quite frank. It was Beaver's idea."</|quote|>"You seem to have got | to put it so bluntly." "I hadn't thought of that."<|quote|>"No, nor had we, to be quite frank. It was Beaver's idea."</|quote|>"You seem to have got me in a fairly hopeless | tried to keep everything on a friendly basis but I see it's not possible. Brenda will ask for alimony of two thousand a year from the Court and on our evidence we shall get it. I'm sorry you oblige me to put it so bluntly." "I hadn't thought of that."<|quote|>"No, nor had we, to be quite frank. It was Beaver's idea."</|quote|>"You seem to have got me in a fairly hopeless position." "It's not how I should have put it." "I should like to make absolutely sure that Brenda is in on this. D'you mind if I ring her up?" "Not at all, my dear fellow. I happen to know she's | it isn't quite all I wanted to say. In fact I think I must have put things rather badly. It comes from trying to respect people's feelings too much. You see, I wasn't so much asking you to agree to anything as explaining what our side propose to do. I've tried to keep everything on a friendly basis but I see it's not possible. Brenda will ask for alimony of two thousand a year from the Court and on our evidence we shall get it. I'm sorry you oblige me to put it so bluntly." "I hadn't thought of that."<|quote|>"No, nor had we, to be quite frank. It was Beaver's idea."</|quote|>"You seem to have got me in a fairly hopeless position." "It's not how I should have put it." "I should like to make absolutely sure that Brenda is in on this. D'you mind if I ring her up?" "Not at all, my dear fellow. I happen to know she's at Marjorie's to-night." * * * * * "Brenda, this is Tony... I've just been dining with Reggie." "Yes, he said something about it." "He tells me that you are going to sue for alimony. Is that so?" "Tony, don't be so bullying. The lawyers are doing everything. It's no | hadn't meant to. The truth is that Beaver is cutting up nasty. He says he can't marry Brenda unless she's properly provided for. Not fair on her, he says. I quite see his point in a way." "Yes, I see his point," said Tony. "So what your proposal really amounts to, is that I should give up Hetton in order to buy Beaver for Brenda." "It's not how I should have put it," said Reggie. "Well, I'm not going to and that's the end of it. If that's all you wanted to say, I may as well leave you." "No, it isn't quite all I wanted to say. In fact I think I must have put things rather badly. It comes from trying to respect people's feelings too much. You see, I wasn't so much asking you to agree to anything as explaining what our side propose to do. I've tried to keep everything on a friendly basis but I see it's not possible. Brenda will ask for alimony of two thousand a year from the Court and on our evidence we shall get it. I'm sorry you oblige me to put it so bluntly." "I hadn't thought of that."<|quote|>"No, nor had we, to be quite frank. It was Beaver's idea."</|quote|>"You seem to have got me in a fairly hopeless position." "It's not how I should have put it." "I should like to make absolutely sure that Brenda is in on this. D'you mind if I ring her up?" "Not at all, my dear fellow. I happen to know she's at Marjorie's to-night." * * * * * "Brenda, this is Tony... I've just been dining with Reggie." "Yes, he said something about it." "He tells me that you are going to sue for alimony. Is that so?" "Tony, don't be so bullying. The lawyers are doing everything. It's no use coming to me." "But did you know that they proposed to ask for two thousand?" "Yes. They did say that. I know it sounds a lot but..." "And you know exactly how my money stands, don't you? You know it means selling Hetton, don't you?... hullo, are you still there?" "Yes, I'm here." "You know it means that?" "Tony, don't make me feel a beast. Everything has been so difficult." "You do know just what you are asking?" "Yes... I suppose so." "All right, that's all I wanted to know." "Tony, how odd you sound... don't ring off." He | go where I liked..." "But I don't happen to want to go anywhere else except Hetton." "There's a lot in what these Labour fellows say, you know. Big houses are a thing of the past in England." "Tell me, did Brenda realize when she agreed to this proposal that it meant my leaving Hetton?" "Yes, it was mentioned, I think. I daresay you'll find it quite easy to sell to a school or something like that. I remember the agent said when I was trying to get rid of Brakeleigh that it was a pity it wasn't Gothic, because schools and convents always go for Gothic. I daresay you'll get a very comfortable price and find yourself better off in the end than you are now." "No. It's impossible," said Tony. "You're making things extremely awkward for everyone," said Reggie. "I can't understand why you are taking up this attitude." "What is more, I don't believe that Brenda ever expected or wanted me to agree." "Oh yes, she did, my dear fellow. I assure you of that." "It's inconceivable." "Well," said Reggie, puffing at his cigar, "there's more to it than just money. Perhaps I'd better tell you everything. I hadn't meant to. The truth is that Beaver is cutting up nasty. He says he can't marry Brenda unless she's properly provided for. Not fair on her, he says. I quite see his point in a way." "Yes, I see his point," said Tony. "So what your proposal really amounts to, is that I should give up Hetton in order to buy Beaver for Brenda." "It's not how I should have put it," said Reggie. "Well, I'm not going to and that's the end of it. If that's all you wanted to say, I may as well leave you." "No, it isn't quite all I wanted to say. In fact I think I must have put things rather badly. It comes from trying to respect people's feelings too much. You see, I wasn't so much asking you to agree to anything as explaining what our side propose to do. I've tried to keep everything on a friendly basis but I see it's not possible. Brenda will ask for alimony of two thousand a year from the Court and on our evidence we shall get it. I'm sorry you oblige me to put it so bluntly." "I hadn't thought of that."<|quote|>"No, nor had we, to be quite frank. It was Beaver's idea."</|quote|>"You seem to have got me in a fairly hopeless position." "It's not how I should have put it." "I should like to make absolutely sure that Brenda is in on this. D'you mind if I ring her up?" "Not at all, my dear fellow. I happen to know she's at Marjorie's to-night." * * * * * "Brenda, this is Tony... I've just been dining with Reggie." "Yes, he said something about it." "He tells me that you are going to sue for alimony. Is that so?" "Tony, don't be so bullying. The lawyers are doing everything. It's no use coming to me." "But did you know that they proposed to ask for two thousand?" "Yes. They did say that. I know it sounds a lot but..." "And you know exactly how my money stands, don't you? You know it means selling Hetton, don't you?... hullo, are you still there?" "Yes, I'm here." "You know it means that?" "Tony, don't make me feel a beast. Everything has been so difficult." "You do know just what you are asking?" "Yes... I suppose so." "All right, that's all I wanted to know." "Tony, how odd you sound... don't ring off." He hung up the receiver and went back to the smoking-room. His mind had suddenly become clearer on many points that had puzzled him. A whole Gothic world had come to grief... there was now no armour glittering through the forest glades, no embroidered feet on the green sward; the cream and dappled unicorns had fled... Reggie sat expanded in his chair. "Well?" "I got on to her. You were quite right. I'm sorry I didn't believe you. It seemed so unlikely at first." "That's all right, my dear fellow." "I've decided exactly what's going to happen." "Good." "Brenda is not going to get her divorce. The evidence I provided at Brighton isn't worth anything. There happens to have been a child there all the time. She slept both nights in the room I am supposed to have occupied. If you care to bring the case I shall defend it and win, but I think when you have seen my evidence you will drop it. I am going away for six months or so. When I come back, if she wishes it, I shall divorce Brenda without settlements of any kind. Is that clear?" "But look here, my dear fellow." "Good | want to say," continued Reggie blandly. "It's about money. I understand that when Brenda was in a very agitated state just after the death of her child, she consented to some verbal arrangement with you about settlements." "Yes, I'm allowing her five hundred a year." "Well, you know, I don't think that you have any right to take advantage of her generosity in that way. It was most imprudent of her to consider your proposal--she admits now that she was not really herself when she did so." "What does she suggest instead?" "Let's go outside and have coffee." When they were settled in front of the fire in the empty smoking-room, he answered, "Well, I've discussed it with the lawyers and with the family and we decided that the sum should be increased to two thousand." "That's quite out of the question. I couldn't begin to afford it." "Well, you know, I have to consider Brenda's interests. She has very little of her own and there will be no more coming to her. My mother's income is an allowance which I pay under my father's will. I shan't be able to give her anything. I am trying to raise everything I can for an expedition to one of the oases in the Libyan desert. This chap Beaver has got practically nothing and doesn't look like earning any. So you see--" "But, my dear Reggie, you know as well as I do that it's out of the question." "It's rather less than a third of your income." "Yes, but almost every penny goes straight back to the estate. Do you realize that Brenda and I together haven't spent half that amount a year on our personal expenses? It's all I can do to keep things going as it is." "I didn't expect you'd take this line, Tony. I think it's extremely unreasonable of you. After all, it's absurd to pretend in these days that a single man can't be perfectly comfortable on four thousand a year. It's as much as I've ever had." "It would mean giving up Hetton." "Well, I gave up Brakeleigh, and I assure you, my dear fellow, I never regret it. It was a nasty wrench at the time, of course, old association and everything like that, but I can tell you this, that when the sale was finally through I felt a different man, free to go where I liked..." "But I don't happen to want to go anywhere else except Hetton." "There's a lot in what these Labour fellows say, you know. Big houses are a thing of the past in England." "Tell me, did Brenda realize when she agreed to this proposal that it meant my leaving Hetton?" "Yes, it was mentioned, I think. I daresay you'll find it quite easy to sell to a school or something like that. I remember the agent said when I was trying to get rid of Brakeleigh that it was a pity it wasn't Gothic, because schools and convents always go for Gothic. I daresay you'll get a very comfortable price and find yourself better off in the end than you are now." "No. It's impossible," said Tony. "You're making things extremely awkward for everyone," said Reggie. "I can't understand why you are taking up this attitude." "What is more, I don't believe that Brenda ever expected or wanted me to agree." "Oh yes, she did, my dear fellow. I assure you of that." "It's inconceivable." "Well," said Reggie, puffing at his cigar, "there's more to it than just money. Perhaps I'd better tell you everything. I hadn't meant to. The truth is that Beaver is cutting up nasty. He says he can't marry Brenda unless she's properly provided for. Not fair on her, he says. I quite see his point in a way." "Yes, I see his point," said Tony. "So what your proposal really amounts to, is that I should give up Hetton in order to buy Beaver for Brenda." "It's not how I should have put it," said Reggie. "Well, I'm not going to and that's the end of it. If that's all you wanted to say, I may as well leave you." "No, it isn't quite all I wanted to say. In fact I think I must have put things rather badly. It comes from trying to respect people's feelings too much. You see, I wasn't so much asking you to agree to anything as explaining what our side propose to do. I've tried to keep everything on a friendly basis but I see it's not possible. Brenda will ask for alimony of two thousand a year from the Court and on our evidence we shall get it. I'm sorry you oblige me to put it so bluntly." "I hadn't thought of that."<|quote|>"No, nor had we, to be quite frank. It was Beaver's idea."</|quote|>"You seem to have got me in a fairly hopeless position." "It's not how I should have put it." "I should like to make absolutely sure that Brenda is in on this. D'you mind if I ring her up?" "Not at all, my dear fellow. I happen to know she's at Marjorie's to-night." * * * * * "Brenda, this is Tony... I've just been dining with Reggie." "Yes, he said something about it." "He tells me that you are going to sue for alimony. Is that so?" "Tony, don't be so bullying. The lawyers are doing everything. It's no use coming to me." "But did you know that they proposed to ask for two thousand?" "Yes. They did say that. I know it sounds a lot but..." "And you know exactly how my money stands, don't you? You know it means selling Hetton, don't you?... hullo, are you still there?" "Yes, I'm here." "You know it means that?" "Tony, don't make me feel a beast. Everything has been so difficult." "You do know just what you are asking?" "Yes... I suppose so." "All right, that's all I wanted to know." "Tony, how odd you sound... don't ring off." He hung up the receiver and went back to the smoking-room. His mind had suddenly become clearer on many points that had puzzled him. A whole Gothic world had come to grief... there was now no armour glittering through the forest glades, no embroidered feet on the green sward; the cream and dappled unicorns had fled... Reggie sat expanded in his chair. "Well?" "I got on to her. You were quite right. I'm sorry I didn't believe you. It seemed so unlikely at first." "That's all right, my dear fellow." "I've decided exactly what's going to happen." "Good." "Brenda is not going to get her divorce. The evidence I provided at Brighton isn't worth anything. There happens to have been a child there all the time. She slept both nights in the room I am supposed to have occupied. If you care to bring the case I shall defend it and win, but I think when you have seen my evidence you will drop it. I am going away for six months or so. When I come back, if she wishes it, I shall divorce Brenda without settlements of any kind. Is that clear?" "But look here, my dear fellow." "Good night. Thank you for the dinner. Good luck to the excavations." On his way out of the club he noticed that John Beaver of Bratt's Club was up for election. * * * * * "Who on earth would have expected the old boy to turn up like that?" asked Polly Cockpurse. "Now I understand why they keep going on in the papers about divorce law reform," said Veronica. "It's _too_ monstrous that he should be allowed to get away with it." "The mistake they made was in telling him first," said Souki. "It's so like Brenda to trust everyone," said Jenny Abdul Akbar. * * * * * "I do think Tony comes out of this pretty poorly," said Marjorie. "Oh, I don't know," said Allan. "I expect your ass of a brother put the thing wrong." CHAPTER V IN SEARCH OF A CITY [I] "any idea how many times round the deck make a mile?" "None, I'm afraid," said Tony. "But I should think you must have walked a great distance." "Twenty-two times. One soon gets out of sorts at sea if you're used to an active life. She's not much of a boat. Travel with this line often?" "Never before." "Ah. Thought you might have been in business in the islands. Not many tourists going out this time of year. Just the other way about. All coming home, if you see what I mean. Going far?" "Demerara." "Ah. Looking for minerals perhaps?" "No, to tell you the truth I am looking for a city." The genial passenger was surprised and then laughed. "Sounded just like you said you were looking for a city." "Yes." "That _was_ what you said?" "Yes." "I thought it sounded like that... well, so long. I must do another few rounds before dinner." He paced off up the deck, straddling slightly in order to keep his balance and occasionally putting out a hand to the rail for support. Regularly every three minutes for the last hour or so, this man had come by. At first Tony had looked up at his approach and then turned away again, out to sea. Presently the man had taken to nodding, then to saying "Hullo" or "Bit choppy" or "Here we are again" "; finally he had stopped and began a conversation. Tony went aft to break this rather embarrassing sequence. He descended the companion way which | goes straight back to the estate. Do you realize that Brenda and I together haven't spent half that amount a year on our personal expenses? It's all I can do to keep things going as it is." "I didn't expect you'd take this line, Tony. I think it's extremely unreasonable of you. After all, it's absurd to pretend in these days that a single man can't be perfectly comfortable on four thousand a year. It's as much as I've ever had." "It would mean giving up Hetton." "Well, I gave up Brakeleigh, and I assure you, my dear fellow, I never regret it. It was a nasty wrench at the time, of course, old association and everything like that, but I can tell you this, that when the sale was finally through I felt a different man, free to go where I liked..." "But I don't happen to want to go anywhere else except Hetton." "There's a lot in what these Labour fellows say, you know. Big houses are a thing of the past in England." "Tell me, did Brenda realize when she agreed to this proposal that it meant my leaving Hetton?" "Yes, it was mentioned, I think. I daresay you'll find it quite easy to sell to a school or something like that. I remember the agent said when I was trying to get rid of Brakeleigh that it was a pity it wasn't Gothic, because schools and convents always go for Gothic. I daresay you'll get a very comfortable price and find yourself better off in the end than you are now." "No. It's impossible," said Tony. "You're making things extremely awkward for everyone," said Reggie. "I can't understand why you are taking up this attitude." "What is more, I don't believe that Brenda ever expected or wanted me to agree." "Oh yes, she did, my dear fellow. I assure you of that." "It's inconceivable." "Well," said Reggie, puffing at his cigar, "there's more to it than just money. Perhaps I'd better tell you everything. I hadn't meant to. The truth is that Beaver is cutting up nasty. He says he can't marry Brenda unless she's properly provided for. Not fair on her, he says. I quite see his point in a way." "Yes, I see his point," said Tony. "So what your proposal really amounts to, is that I should give up Hetton in order to buy Beaver for Brenda." "It's not how I should have put it," said Reggie. "Well, I'm not going to and that's the end of it. If that's all you wanted to say, I may as well leave you." "No, it isn't quite all I wanted to say. In fact I think I must have put things rather badly. It comes from trying to respect people's feelings too much. You see, I wasn't so much asking you to agree to anything as explaining what our side propose to do. I've tried to keep everything on a friendly basis but I see it's not possible. Brenda will ask for alimony of two thousand a year from the Court and on our evidence we shall get it. I'm sorry you oblige me to put it so bluntly." "I hadn't thought of that."<|quote|>"No, nor had we, to be quite frank. It was Beaver's idea."</|quote|>"You seem to have got me in a fairly hopeless position." "It's not how I should have put it." "I should like to make absolutely sure that Brenda is in on this. D'you mind if I ring her up?" "Not at all, my dear fellow. I happen to know she's at Marjorie's to-night." * * * * * "Brenda, this is Tony... I've just been dining with Reggie." "Yes, he said something about it." "He tells me that you are going to sue for alimony. Is that so?" "Tony, don't be so bullying. The lawyers are doing everything. It's no use coming to me." "But did you know that they proposed to ask for two thousand?" "Yes. They did say that. I know it sounds a lot but..." "And you know exactly how my money stands, don't you? You know it means selling Hetton, don't you?... hullo, are you still there?" "Yes, I'm here." "You know it means that?" "Tony, don't make me feel a beast. Everything has been so difficult." "You do know just what you are asking?" "Yes... I suppose so." "All right, that's all I wanted to know." "Tony, how odd you sound... don't ring off." He hung up the receiver and went back to the smoking-room. His mind had suddenly become clearer on many points that had puzzled him. A whole Gothic world had come to grief... there was now no armour glittering through the forest glades, no embroidered feet on the green sward; the cream and dappled unicorns had fled... Reggie sat expanded in his chair. "Well?" "I got on to her. You were quite right. I'm sorry I | A Handful Of Dust | tried to keep everything on a friendly basis but I see it's not possible. Brenda will ask for alimony of two thousand a year from the Court and on our evidence we shall get it. I'm sorry you oblige me to put it so bluntly." "I hadn't thought of that."<|quote|>"No, nor had we, to be quite frank. It was Beaver's idea."</|quote|>"You seem to have got me in a fairly hopeless position." "It's not how I should have put it." "I should like to make absolutely sure that Brenda is in on this. D'you mind if I ring her up?" "Not at all, my dear fellow. I happen to know she's | {
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"I could see from your sermon that you knew the East, Rector." | Jenny Abdul Akbar | * * * * *<|quote|>"I could see from your sermon that you knew the East, Rector."</|quote|>"Yes, yes, most of my | much odder than you'd think." * * * * *<|quote|>"I could see from your sermon that you knew the East, Rector."</|quote|>"Yes, yes, most of my life." "It has an uncanny | him. That's a good sign, isn't it?" "Well, not really, Polly. He likes going alone, or with me. It's the time he gossips to the village." "She won't stop him." "I'm afraid you don't understand the old boy altogether. He's much odder than you'd think." * * * * *<|quote|>"I could see from your sermon that you knew the East, Rector."</|quote|>"Yes, yes, most of my life." "It has an uncanny fascination, hasn't it?" "Oh, come on," said John, pulling at her coat. "We must go and see Thunderclap." So Tony returned alone with the buttonholes. After luncheon Brenda said, "Why don't you show Jenny the house?" "Oh yes, _do_." When | don't you think I ought to spend some time with daddy and mummy and Lady Cockpurse?" "Oh, _them_... besides, it's all my foot about Lady Cockpurse having a tail. Please, you _will_ spend the day with me?" "Well, we'll see." * * * * * "She's gone to church with him. That's a good sign, isn't it?" "Well, not really, Polly. He likes going alone, or with me. It's the time he gossips to the village." "She won't stop him." "I'm afraid you don't understand the old boy altogether. He's much odder than you'd think." * * * * *<|quote|>"I could see from your sermon that you knew the East, Rector."</|quote|>"Yes, yes, most of my life." "It has an uncanny fascination, hasn't it?" "Oh, come on," said John, pulling at her coat. "We must go and see Thunderclap." So Tony returned alone with the buttonholes. After luncheon Brenda said, "Why don't you show Jenny the house?" "Oh yes, _do_." When they reached the morning-room he said, "Brenda's having it done up." There were planks and ladders and heaps of plaster about. "Oh, Teddy, what a shame. I do hate seeing things modernized." "It isn't a room we used very much." "No, but still..." She stirred the mouldings of fleur-de-lis that | Wood and we needn't take nanny because it makes her so muddy and you can see where they dug out a fox in the drain just outside the wood, he nearly got away, and then you can come and have tea in the nursery and I've got a little gramophone Uncle Reggie gave me for Christmas and it plays "When Father Papered the Parlour", do you know that song? Ben can sing it and I've got some books to show you and a picture I did of the battle of Marston Moor." "I think that sounds a lovely day. But don't you think I ought to spend some time with daddy and mummy and Lady Cockpurse?" "Oh, _them_... besides, it's all my foot about Lady Cockpurse having a tail. Please, you _will_ spend the day with me?" "Well, we'll see." * * * * * "She's gone to church with him. That's a good sign, isn't it?" "Well, not really, Polly. He likes going alone, or with me. It's the time he gossips to the village." "She won't stop him." "I'm afraid you don't understand the old boy altogether. He's much odder than you'd think." * * * * *<|quote|>"I could see from your sermon that you knew the East, Rector."</|quote|>"Yes, yes, most of my life." "It has an uncanny fascination, hasn't it?" "Oh, come on," said John, pulling at her coat. "We must go and see Thunderclap." So Tony returned alone with the buttonholes. After luncheon Brenda said, "Why don't you show Jenny the house?" "Oh yes, _do_." When they reached the morning-room he said, "Brenda's having it done up." There were planks and ladders and heaps of plaster about. "Oh, Teddy, what a shame. I do hate seeing things modernized." "It isn't a room we used very much." "No, but still..." She stirred the mouldings of fleur-de-lis that littered the floor, fragments of tarnished gilding and dusty stencil-work. "You know, Brenda's been a wonderful friend to me. I wouldn't say anything against her... but ever since I came here I've been wondering whether she really understands this beautiful place and all it means to you." "Tell me more about your terrible life," said Tony, leading her back to the central hall. "You _are_ shy of talking about yourself, aren't you, Teddy? It's a mistake, you know, to keep things bottled up. I've been very unhappy too." Tony looked about him desperately in search of help; and help came. | Last's orders, my lady." "Well, she's probably awake, then." John slipped out of the room and trotted down the passage to Galahad. "May I come in?" "Hullo, Johnny-boy. Come in." He swung on the handles of the door, half in, half out of the room. "Have you had breakfast? Mummy said you wouldn't be awake." "I've been awake a long time. You see I was once very badly hurt, and now I don't always sleep well. Even the softest beds are too hard for me now." "Ooh. What did you do? Was it a motor-car accident?" "Not an accident, Johnny-boy, not an accident... but come in. It's cold with the door open. Look, there are some grapes here. Would you like to eat them?" Johnny climbed on to the bed. "What are you going to do to-day?" "I don't know yet. I haven't been told." "Well, I'll tell you. We'll go to church in the morning because I have to and then we'll go and look at Thunderclap and I'll show you the place we jump and then you can come with me while I have dinner because I have it early and afterwards we can go down to Bruton Wood and we needn't take nanny because it makes her so muddy and you can see where they dug out a fox in the drain just outside the wood, he nearly got away, and then you can come and have tea in the nursery and I've got a little gramophone Uncle Reggie gave me for Christmas and it plays "When Father Papered the Parlour", do you know that song? Ben can sing it and I've got some books to show you and a picture I did of the battle of Marston Moor." "I think that sounds a lovely day. But don't you think I ought to spend some time with daddy and mummy and Lady Cockpurse?" "Oh, _them_... besides, it's all my foot about Lady Cockpurse having a tail. Please, you _will_ spend the day with me?" "Well, we'll see." * * * * * "She's gone to church with him. That's a good sign, isn't it?" "Well, not really, Polly. He likes going alone, or with me. It's the time he gossips to the village." "She won't stop him." "I'm afraid you don't understand the old boy altogether. He's much odder than you'd think." * * * * *<|quote|>"I could see from your sermon that you knew the East, Rector."</|quote|>"Yes, yes, most of my life." "It has an uncanny fascination, hasn't it?" "Oh, come on," said John, pulling at her coat. "We must go and see Thunderclap." So Tony returned alone with the buttonholes. After luncheon Brenda said, "Why don't you show Jenny the house?" "Oh yes, _do_." When they reached the morning-room he said, "Brenda's having it done up." There were planks and ladders and heaps of plaster about. "Oh, Teddy, what a shame. I do hate seeing things modernized." "It isn't a room we used very much." "No, but still..." She stirred the mouldings of fleur-de-lis that littered the floor, fragments of tarnished gilding and dusty stencil-work. "You know, Brenda's been a wonderful friend to me. I wouldn't say anything against her... but ever since I came here I've been wondering whether she really understands this beautiful place and all it means to you." "Tell me more about your terrible life," said Tony, leading her back to the central hall. "You _are_ shy of talking about yourself, aren't you, Teddy? It's a mistake, you know, to keep things bottled up. I've been very unhappy too." Tony looked about him desperately in search of help; and help came. "Oh, there you are," said a firm, child's voice. "Come on. We're going down to the woods now. We must hurry, otherwise it will be dark." "Oh, Johnny-boy, must I really? I was just talking to daddy." "_Come on._ It's all arranged. And afterwards you're to be allowed to have tea with me upstairs." Tony crept into the library, habitable to-day, since the workmen were at rest. Brenda found him there two hours later. "_Tony_, here all alone? We thought you were with Jenny. What have you done with her?" "John took her off... just in time before I said something rude." "Oh dear... well there's only me and Polly in the smoking-room. Come and have some tea. You look all funny--have you been asleep?" * * * * * "We must write it down a failure, definitely." "What _does_ the old boy expect? It isn't as though he was everybody's money." "I daresay it would have been all right, if she hadn't got his name wrong." "Anyway, this lets _you_ out. You've done far more than most wives would to cheer the old boy up." "Yes, that's certainly true," said Brenda. [IV] Another five days; then Brenda came to | the wrong chap. John Andrew's mad about her... quite embarrassing." "I should say Tony was a slow starter. It's a pity she's got his name wrong. Ought we to tell her?" "No, let's leave it." When they were dressing, Tony said, "Brenda, who _is_ this joke-woman?" "Darling, don't you like her?" The disappointment and distress in her tone were so clear that Tony was touched. "I don't know about not liking her exactly. She's just a joke, isn't she?" "Is she... oh dear... She's had a terrible life, you know." "So I gathered." "Be nice to her, Tony, please." "Oh, I'll be nice to her. Is she a Jewess?" "I don't know. I never thought. Perhaps she is." Soon after dinner Polly said she was tired and asked Brenda to come with her while she undressed, "Leave the young couple to it," she whispered outside the door. "My dear, I don't believe it's going to be any good... the poor old boy's got _some_ taste you know, and a sense of humour." "She didn't show up too well at dinner, did she?" "She will _go on_ so... and, after all, Tony's been used to me for seven years. It's rather a sudden change." * * * * * "Tired?" "Mmm. Little bit." "You gave me a pretty long bout of Abdul Akbar." "I know. I'm sorry, darling, but Polly takes so long to get to bed... Was it awful? I wish you liked her more." "She's awful." "One has to make allowances... she's got the most terrible scars." "So she told me." "I've seen them." "Besides, I hoped to see something of you." "Oh." "Brenda, you aren't angry still about my getting tight that night and waking you up?" "No, sweet, do I seem angry?" "...I don't know. You do rather... Has it been an amusing week?" "Not amusing, very hard work. Bimetallism, you know." "Oh, yes... well, I suppose you want to go to sleep." "Mm... so tired. Good night, darling." "Good night." * * * * * "Can I go and say good morning to the Princess, mummy?" "I don't expect she's awake yet." "Please, mummy, may I go and see? I'll just peep and, if she's asleep, go away." "I don't know what room she's in." "Galahad, my lady," said Grimshawe, who was putting out her clothes. "Oh dear, why was she put there?" "It was Mr Last's orders, my lady." "Well, she's probably awake, then." John slipped out of the room and trotted down the passage to Galahad. "May I come in?" "Hullo, Johnny-boy. Come in." He swung on the handles of the door, half in, half out of the room. "Have you had breakfast? Mummy said you wouldn't be awake." "I've been awake a long time. You see I was once very badly hurt, and now I don't always sleep well. Even the softest beds are too hard for me now." "Ooh. What did you do? Was it a motor-car accident?" "Not an accident, Johnny-boy, not an accident... but come in. It's cold with the door open. Look, there are some grapes here. Would you like to eat them?" Johnny climbed on to the bed. "What are you going to do to-day?" "I don't know yet. I haven't been told." "Well, I'll tell you. We'll go to church in the morning because I have to and then we'll go and look at Thunderclap and I'll show you the place we jump and then you can come with me while I have dinner because I have it early and afterwards we can go down to Bruton Wood and we needn't take nanny because it makes her so muddy and you can see where they dug out a fox in the drain just outside the wood, he nearly got away, and then you can come and have tea in the nursery and I've got a little gramophone Uncle Reggie gave me for Christmas and it plays "When Father Papered the Parlour", do you know that song? Ben can sing it and I've got some books to show you and a picture I did of the battle of Marston Moor." "I think that sounds a lovely day. But don't you think I ought to spend some time with daddy and mummy and Lady Cockpurse?" "Oh, _them_... besides, it's all my foot about Lady Cockpurse having a tail. Please, you _will_ spend the day with me?" "Well, we'll see." * * * * * "She's gone to church with him. That's a good sign, isn't it?" "Well, not really, Polly. He likes going alone, or with me. It's the time he gossips to the village." "She won't stop him." "I'm afraid you don't understand the old boy altogether. He's much odder than you'd think." * * * * *<|quote|>"I could see from your sermon that you knew the East, Rector."</|quote|>"Yes, yes, most of my life." "It has an uncanny fascination, hasn't it?" "Oh, come on," said John, pulling at her coat. "We must go and see Thunderclap." So Tony returned alone with the buttonholes. After luncheon Brenda said, "Why don't you show Jenny the house?" "Oh yes, _do_." When they reached the morning-room he said, "Brenda's having it done up." There were planks and ladders and heaps of plaster about. "Oh, Teddy, what a shame. I do hate seeing things modernized." "It isn't a room we used very much." "No, but still..." She stirred the mouldings of fleur-de-lis that littered the floor, fragments of tarnished gilding and dusty stencil-work. "You know, Brenda's been a wonderful friend to me. I wouldn't say anything against her... but ever since I came here I've been wondering whether she really understands this beautiful place and all it means to you." "Tell me more about your terrible life," said Tony, leading her back to the central hall. "You _are_ shy of talking about yourself, aren't you, Teddy? It's a mistake, you know, to keep things bottled up. I've been very unhappy too." Tony looked about him desperately in search of help; and help came. "Oh, there you are," said a firm, child's voice. "Come on. We're going down to the woods now. We must hurry, otherwise it will be dark." "Oh, Johnny-boy, must I really? I was just talking to daddy." "_Come on._ It's all arranged. And afterwards you're to be allowed to have tea with me upstairs." Tony crept into the library, habitable to-day, since the workmen were at rest. Brenda found him there two hours later. "_Tony_, here all alone? We thought you were with Jenny. What have you done with her?" "John took her off... just in time before I said something rude." "Oh dear... well there's only me and Polly in the smoking-room. Come and have some tea. You look all funny--have you been asleep?" * * * * * "We must write it down a failure, definitely." "What _does_ the old boy expect? It isn't as though he was everybody's money." "I daresay it would have been all right, if she hadn't got his name wrong." "Anyway, this lets _you_ out. You've done far more than most wives would to cheer the old boy up." "Yes, that's certainly true," said Brenda. [IV] Another five days; then Brenda came to Hetton again. "I shan't be here next week-end," she said, "I'm going to stay with Veronica." "Am I asked?" "Well, you _were_, of course, but I refused for you. You know you always hate staying away." "I wouldn't mind coming." "Oh, darling, I wish I'd known. Veronica would have loved it so... but I'm afraid it will be too late now. She's only got a tiny house... to tell you the truth I didn't think you liked her much." "I hated her like hell." "Well, then...?" "Oh, it doesn't matter. I suppose you must go back on Monday? The hounds are meeting on Wednesday, you know." "Are we giving them a lawner?" "Yes, darling, you know we do every year." "So we do." "You couldn't stay down till then?" "Not possibly, darling. You see if I miss one lecture I get right behind and can't follow the next. Besides, I am not mad keen to see the hounds." "Ben was asking if we'd let John go out." "Oh, he's far too young." "Not to hunt. But I thought he might bring his pony to the meet and ride with them to the first covert. He'd love it so." "Is it quite safe?" "Oh, yes, surely?" "Bless his heart, I wish I could be here to see him." "Do change your mind." "Oh no, that's quite out of the question. Don't make a thing about it, Tony." That was when she first arrived; later everything got better. Jock was there that week-end, also Allan and Marjorie and another married couple whom Tony had known all his life. Brenda had arranged the party for him and he enjoyed it. He and Allan went out with rook rifles and shot rabbits in the twilight; after dinner the four men played billiard fives while one wife watched. "The old boy's happy as a lark," said Brenda to Marjorie. "He's settling down wonderfully to the new r?gime." They came in breathless and rather flushed for whisky and soda. "Tony nearly had one through the window," said Jock. That night Tony slept in Guinevere. "Everything _is_ all right, isn't it?" he said once. "Yes, of course, darling." "I get depressed down here all alone and imagine things." "You aren't to _brood_, Tony. You know that's one of the things that aren't allowed." "I won't brood any more," said Tony. Next day Brenda came to church with | may I go and see? I'll just peep and, if she's asleep, go away." "I don't know what room she's in." "Galahad, my lady," said Grimshawe, who was putting out her clothes. "Oh dear, why was she put there?" "It was Mr Last's orders, my lady." "Well, she's probably awake, then." John slipped out of the room and trotted down the passage to Galahad. "May I come in?" "Hullo, Johnny-boy. Come in." He swung on the handles of the door, half in, half out of the room. "Have you had breakfast? Mummy said you wouldn't be awake." "I've been awake a long time. You see I was once very badly hurt, and now I don't always sleep well. Even the softest beds are too hard for me now." "Ooh. What did you do? Was it a motor-car accident?" "Not an accident, Johnny-boy, not an accident... but come in. It's cold with the door open. Look, there are some grapes here. Would you like to eat them?" Johnny climbed on to the bed. "What are you going to do to-day?" "I don't know yet. I haven't been told." "Well, I'll tell you. We'll go to church in the morning because I have to and then we'll go and look at Thunderclap and I'll show you the place we jump and then you can come with me while I have dinner because I have it early and afterwards we can go down to Bruton Wood and we needn't take nanny because it makes her so muddy and you can see where they dug out a fox in the drain just outside the wood, he nearly got away, and then you can come and have tea in the nursery and I've got a little gramophone Uncle Reggie gave me for Christmas and it plays "When Father Papered the Parlour", do you know that song? Ben can sing it and I've got some books to show you and a picture I did of the battle of Marston Moor." "I think that sounds a lovely day. But don't you think I ought to spend some time with daddy and mummy and Lady Cockpurse?" "Oh, _them_... besides, it's all my foot about Lady Cockpurse having a tail. Please, you _will_ spend the day with me?" "Well, we'll see." * * * * * "She's gone to church with him. That's a good sign, isn't it?" "Well, not really, Polly. He likes going alone, or with me. It's the time he gossips to the village." "She won't stop him." "I'm afraid you don't understand the old boy altogether. He's much odder than you'd think." * * * * *<|quote|>"I could see from your sermon that you knew the East, Rector."</|quote|>"Yes, yes, most of my life." "It has an uncanny fascination, hasn't it?" "Oh, come on," said John, pulling at her coat. "We must go and see Thunderclap." So Tony returned alone with the buttonholes. After luncheon Brenda said, "Why don't you show Jenny the house?" "Oh yes, _do_." When they reached the morning-room he said, "Brenda's having it done up." There were planks and ladders and heaps of plaster about. "Oh, Teddy, what a shame. I do hate seeing things modernized." "It isn't a room we used very much." "No, but still..." She stirred the mouldings of fleur-de-lis that littered the floor, fragments of tarnished gilding and dusty stencil-work. "You know, Brenda's been a wonderful friend to me. I wouldn't say anything against her... but ever since I came here I've been wondering whether she really understands this beautiful place and all it means to you." "Tell me more about your terrible life," said Tony, leading her back to the central hall. "You _are_ shy of talking about yourself, aren't you, Teddy? It's a mistake, you know, to keep things bottled up. I've been very unhappy too." Tony looked about him desperately in search of help; and help came. "Oh, there you are," said a firm, child's voice. "Come on. We're going down to the woods now. We must hurry, otherwise it will be dark." "Oh, Johnny-boy, must I really? I was just talking to daddy." "_Come on._ It's all arranged. And afterwards you're to be allowed to have tea with me upstairs." Tony crept into the library, habitable to-day, since the workmen were at rest. Brenda found him there two hours later. "_Tony_, here all alone? We thought you were with Jenny. What have you done with her?" "John took her off... just in time before I said something rude." "Oh dear... well there's only me and Polly in the smoking-room. Come and have some tea. You look all funny--have you been asleep?" * * * * * "We must write it down a failure, definitely." "What _does_ the old boy expect? It isn't as though he was everybody's money." "I daresay it would have been all right, if she hadn't got his name wrong." "Anyway, this lets _you_ out. You've done far more than most wives would to cheer the old boy up." "Yes, that's certainly true," said Brenda. [IV] Another five days; | A Handful Of Dust | him. That's a good sign, isn't it?" "Well, not really, Polly. He likes going alone, or with me. It's the time he gossips to the village." "She won't stop him." "I'm afraid you don't understand the old boy altogether. He's much odder than you'd think." * * * * *<|quote|>"I could see from your sermon that you knew the East, Rector."</|quote|>"Yes, yes, most of my life." "It has an uncanny fascination, hasn't it?" "Oh, come on," said John, pulling at her coat. "We must go and see Thunderclap." So Tony returned alone with the buttonholes. After luncheon Brenda said, "Why don't you show Jenny the house?" "Oh yes, _do_." When | {
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"content": "him. That's a good sign, isn't it?\" \"Well, not really, Polly. He likes going alone, or with me. It's the time he gossips to the village.\" \"She won't stop him.\" \"I'm afraid you don't understand the old boy altogether. He's much odder than you'd think.\" * * * * *<|quote|>\"I could see from your sermon that you knew the East, Rector.\"</|quote|>\"Yes, yes, most of my life.\" \"It has an uncanny fascination, hasn't it?\" \"Oh, come on,\" said John, pulling at her coat. \"We must go and see Thunderclap.\" So Tony returned alone with the buttonholes. After luncheon Brenda said, \"Why don't you show Jenny the house?\" \"Oh yes, _do_.\" When",
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"Thank you, it's a very interesting dance to watch," | Alice | won't you join the dance?"<|quote|>"Thank you, it's a very interesting dance to watch,"</|quote|>said Alice, feeling very glad | you, will you, won't you, won't you join the dance?"<|quote|>"Thank you, it's a very interesting dance to watch,"</|quote|>said Alice, feeling very glad that it was over at | other side. The further off from England the nearer is to France-- Then turn not pale, beloved snail, but come and join the dance. Will you, won't you, will you, won't you, will you join the dance? Will you, won't you, will you, won't you, won't you join the dance?"<|quote|>"Thank you, it's a very interesting dance to watch,"</|quote|>said Alice, feeling very glad that it was over at last: "and I do so like that curious song about the whiting!" "Oh, as to the whiting," said the Mock Turtle, "they--you've seen them, of course?" "Yes," said Alice, "I've often seen them at dinn--" she checked herself hastily. "I | would not join the dance. Would not, could not, would not, could not, would not join the dance. Would not, could not, would not, could not, could not join the dance." "What matters it how far we go?" his scaly friend replied. "There is another shore, you know, upon the other side. The further off from England the nearer is to France-- Then turn not pale, beloved snail, but come and join the dance. Will you, won't you, will you, won't you, will you join the dance? Will you, won't you, will you, won't you, won't you join the dance?"<|quote|>"Thank you, it's a very interesting dance to watch,"</|quote|>said Alice, feeling very glad that it was over at last: "and I do so like that curious song about the whiting!" "Oh, as to the whiting," said the Mock Turtle, "they--you've seen them, of course?" "Yes," said Alice, "I've often seen them at dinn--" she checked herself hastily. "I don't know where Dinn may be," said the Mock Turtle, "but if you've seen them so often, of course you know what they're like." "I believe so," Alice replied thoughtfully. "They have their tails in their mouths--and they're all over crumbs." "You're wrong about the crumbs," said the Mock Turtle: | and he's treading on my tail. See how eagerly the lobsters and the turtles all advance! They are waiting on the shingle--will you come and join the dance? Will you, won't you, will you, won't you, will you join the dance? Will you, won't you, will you, won't you, won't you join the dance?" "You can really have no notion how delightful it will be When they take us up and throw us, with the lobsters, out to sea!" "But the snail replied "Too far, too far!" and gave a look askance-- Said he thanked the whiting kindly, but he would not join the dance. Would not, could not, would not, could not, would not join the dance. Would not, could not, would not, could not, could not join the dance." "What matters it how far we go?" his scaly friend replied. "There is another shore, you know, upon the other side. The further off from England the nearer is to France-- Then turn not pale, beloved snail, but come and join the dance. Will you, won't you, will you, won't you, will you join the dance? Will you, won't you, will you, won't you, won't you join the dance?"<|quote|>"Thank you, it's a very interesting dance to watch,"</|quote|>said Alice, feeling very glad that it was over at last: "and I do so like that curious song about the whiting!" "Oh, as to the whiting," said the Mock Turtle, "they--you've seen them, of course?" "Yes," said Alice, "I've often seen them at dinn--" she checked herself hastily. "I don't know where Dinn may be," said the Mock Turtle, "but if you've seen them so often, of course you know what they're like." "I believe so," Alice replied thoughtfully. "They have their tails in their mouths--and they're all over crumbs." "You're wrong about the crumbs," said the Mock Turtle: "crumbs would all wash off in the sea. But they _have_ their tails in their mouths; and the reason is--" here the Mock Turtle yawned and shut his eyes.--" "Tell her about the reason and all that," he said to the Gryphon. "The reason is," said the Gryphon, "that they _would_ go with the lobsters to the dance. So they got thrown out to sea. So they had to fall a long way. So they got their tails fast in their mouths. So they couldn't get them out again. That's all." "Thank you," said Alice, "it's very interesting. I never | out to sea as you can--" "Swim after them!" screamed the Gryphon. "Turn a somersault in the sea!" cried the Mock Turtle, capering wildly about. "Change lobsters again!" yelled the Gryphon at the top of its voice. "Back to land again, and that's all the first figure," said the Mock Turtle, suddenly dropping his voice; and the two creatures, who had been jumping about like mad things all this time, sat down again very sadly and quietly, and looked at Alice. "It must be a very pretty dance," said Alice timidly. "Would you like to see a little of it?" said the Mock Turtle. "Very much indeed," said Alice. "Come, let's try the first figure!" said the Mock Turtle to the Gryphon. "We can do without lobsters, you know. Which shall sing?" "Oh, _you_ sing," said the Gryphon. "I've forgotten the words." So they began solemnly dancing round and round Alice, every now and then treading on her toes when they passed too close, and waving their forepaws to mark the time, while the Mock Turtle sang this, very slowly and sadly:-- "Will you walk a little faster?" said a whiting to a snail. "There's a porpoise close behind us, and he's treading on my tail. See how eagerly the lobsters and the turtles all advance! They are waiting on the shingle--will you come and join the dance? Will you, won't you, will you, won't you, will you join the dance? Will you, won't you, will you, won't you, won't you join the dance?" "You can really have no notion how delightful it will be When they take us up and throw us, with the lobsters, out to sea!" "But the snail replied "Too far, too far!" and gave a look askance-- Said he thanked the whiting kindly, but he would not join the dance. Would not, could not, would not, could not, would not join the dance. Would not, could not, would not, could not, could not join the dance." "What matters it how far we go?" his scaly friend replied. "There is another shore, you know, upon the other side. The further off from England the nearer is to France-- Then turn not pale, beloved snail, but come and join the dance. Will you, won't you, will you, won't you, will you join the dance? Will you, won't you, will you, won't you, won't you join the dance?"<|quote|>"Thank you, it's a very interesting dance to watch,"</|quote|>said Alice, feeling very glad that it was over at last: "and I do so like that curious song about the whiting!" "Oh, as to the whiting," said the Mock Turtle, "they--you've seen them, of course?" "Yes," said Alice, "I've often seen them at dinn--" she checked herself hastily. "I don't know where Dinn may be," said the Mock Turtle, "but if you've seen them so often, of course you know what they're like." "I believe so," Alice replied thoughtfully. "They have their tails in their mouths--and they're all over crumbs." "You're wrong about the crumbs," said the Mock Turtle: "crumbs would all wash off in the sea. But they _have_ their tails in their mouths; and the reason is--" here the Mock Turtle yawned and shut his eyes.--" "Tell her about the reason and all that," he said to the Gryphon. "The reason is," said the Gryphon, "that they _would_ go with the lobsters to the dance. So they got thrown out to sea. So they had to fall a long way. So they got their tails fast in their mouths. So they couldn't get them out again. That's all." "Thank you," said Alice, "it's very interesting. I never knew so much about a whiting before." "I can tell you more than that, if you like," said the Gryphon. "Do you know why it's called a whiting?" "I never thought about it," said Alice. "Why?" "_It does the boots and shoes_," the Gryphon replied very solemnly. Alice was thoroughly puzzled. "Does the boots and shoes!" she repeated in a wondering tone. "Why, what are _your_ shoes done with?" said the Gryphon. "I mean, what makes them so shiny?" Alice looked down at them, and considered a little before she gave her answer. "They're done with blacking, I believe." "Boots and shoes under the sea," the Gryphon went on in a deep voice, "are done with a whiting. Now you know." "And what are they made of?" Alice asked in a tone of great curiosity. "Soles and eels, of course," the Gryphon replied rather impatiently: "any shrimp could have told you that." "If I'd been the whiting," said Alice, whose thoughts were still running on the song, "I'd have said to the porpoise, 'Keep back, please: we don't want _you_ with us!'" "They were obliged to have him with them," the Mock Turtle said: "no wise fish would go anywhere | used to say." "So he did, so he did," said the Gryphon, sighing in his turn; and both creatures hid their faces in their paws. "And how many hours a day did you do lessons?" said Alice, in a hurry to change the subject. "Ten hours the first day," said the Mock Turtle: "nine the next, and so on." "What a curious plan!" exclaimed Alice. "That's the reason they're called lessons," the Gryphon remarked: "because they lessen from day to day." This was quite a new idea to Alice, and she thought it over a little before she made her next remark. "Then the eleventh day must have been a holiday?" "Of course it was," said the Mock Turtle. "And how did you manage on the twelfth?" Alice went on eagerly. "That's enough about lessons," the Gryphon interrupted in a very decided tone: "tell her something about the games now." CHAPTER X. The Lobster Quadrille The Mock Turtle sighed deeply, and drew the back of one flapper across his eyes. He looked at Alice, and tried to speak, but for a minute or two sobs choked his voice. "Same as if he had a bone in his throat," said the Gryphon: and it set to work shaking him and punching him in the back. At last the Mock Turtle recovered his voice, and, with tears running down his cheeks, he went on again:-- "You may not have lived much under the sea--" (" "I haven't," said Alice)--" "and perhaps you were never even introduced to a lobster--" (Alice began to say "I once tasted--" but checked herself hastily, and said "No, never" ") "--so you can have no idea what a delightful thing a Lobster Quadrille is!" "No, indeed," said Alice. "What sort of a dance is it?" "Why," said the Gryphon, "you first form into a line along the sea-shore--" "Two lines!" cried the Mock Turtle. "Seals, turtles, salmon, and so on; then, when you've cleared all the jelly-fish out of the way--" "_That_ generally takes some time," interrupted the Gryphon. "--you advance twice--" "Each with a lobster as a partner!" cried the Gryphon. "Of course," the Mock Turtle said: "advance twice, set to partners--" "--change lobsters, and retire in same order," continued the Gryphon. "Then, you know," the Mock Turtle went on, "you throw the--" "The lobsters!" shouted the Gryphon, with a bound into the air. "--as far out to sea as you can--" "Swim after them!" screamed the Gryphon. "Turn a somersault in the sea!" cried the Mock Turtle, capering wildly about. "Change lobsters again!" yelled the Gryphon at the top of its voice. "Back to land again, and that's all the first figure," said the Mock Turtle, suddenly dropping his voice; and the two creatures, who had been jumping about like mad things all this time, sat down again very sadly and quietly, and looked at Alice. "It must be a very pretty dance," said Alice timidly. "Would you like to see a little of it?" said the Mock Turtle. "Very much indeed," said Alice. "Come, let's try the first figure!" said the Mock Turtle to the Gryphon. "We can do without lobsters, you know. Which shall sing?" "Oh, _you_ sing," said the Gryphon. "I've forgotten the words." So they began solemnly dancing round and round Alice, every now and then treading on her toes when they passed too close, and waving their forepaws to mark the time, while the Mock Turtle sang this, very slowly and sadly:-- "Will you walk a little faster?" said a whiting to a snail. "There's a porpoise close behind us, and he's treading on my tail. See how eagerly the lobsters and the turtles all advance! They are waiting on the shingle--will you come and join the dance? Will you, won't you, will you, won't you, will you join the dance? Will you, won't you, will you, won't you, won't you join the dance?" "You can really have no notion how delightful it will be When they take us up and throw us, with the lobsters, out to sea!" "But the snail replied "Too far, too far!" and gave a look askance-- Said he thanked the whiting kindly, but he would not join the dance. Would not, could not, would not, could not, would not join the dance. Would not, could not, would not, could not, could not join the dance." "What matters it how far we go?" his scaly friend replied. "There is another shore, you know, upon the other side. The further off from England the nearer is to France-- Then turn not pale, beloved snail, but come and join the dance. Will you, won't you, will you, won't you, will you join the dance? Will you, won't you, will you, won't you, won't you join the dance?"<|quote|>"Thank you, it's a very interesting dance to watch,"</|quote|>said Alice, feeling very glad that it was over at last: "and I do so like that curious song about the whiting!" "Oh, as to the whiting," said the Mock Turtle, "they--you've seen them, of course?" "Yes," said Alice, "I've often seen them at dinn--" she checked herself hastily. "I don't know where Dinn may be," said the Mock Turtle, "but if you've seen them so often, of course you know what they're like." "I believe so," Alice replied thoughtfully. "They have their tails in their mouths--and they're all over crumbs." "You're wrong about the crumbs," said the Mock Turtle: "crumbs would all wash off in the sea. But they _have_ their tails in their mouths; and the reason is--" here the Mock Turtle yawned and shut his eyes.--" "Tell her about the reason and all that," he said to the Gryphon. "The reason is," said the Gryphon, "that they _would_ go with the lobsters to the dance. So they got thrown out to sea. So they had to fall a long way. So they got their tails fast in their mouths. So they couldn't get them out again. That's all." "Thank you," said Alice, "it's very interesting. I never knew so much about a whiting before." "I can tell you more than that, if you like," said the Gryphon. "Do you know why it's called a whiting?" "I never thought about it," said Alice. "Why?" "_It does the boots and shoes_," the Gryphon replied very solemnly. Alice was thoroughly puzzled. "Does the boots and shoes!" she repeated in a wondering tone. "Why, what are _your_ shoes done with?" said the Gryphon. "I mean, what makes them so shiny?" Alice looked down at them, and considered a little before she gave her answer. "They're done with blacking, I believe." "Boots and shoes under the sea," the Gryphon went on in a deep voice, "are done with a whiting. Now you know." "And what are they made of?" Alice asked in a tone of great curiosity. "Soles and eels, of course," the Gryphon replied rather impatiently: "any shrimp could have told you that." "If I'd been the whiting," said Alice, whose thoughts were still running on the song, "I'd have said to the porpoise, 'Keep back, please: we don't want _you_ with us!'" "They were obliged to have him with them," the Mock Turtle said: "no wise fish would go anywhere without a porpoise." "Wouldn't it really?" said Alice in a tone of great surprise. "Of course not," said the Mock Turtle: "why, if a fish came to _me_, and told me he was going a journey, I should say 'With what porpoise?'" "Don't you mean 'purpose'?" said Alice. "I mean what I say," the Mock Turtle replied in an offended tone. And the Gryphon added "Come, let's hear some of _your_ adventures." "I could tell you my adventures--beginning from this morning," said Alice a little timidly: "but it's no use going back to yesterday, because I was a different person then." "Explain all that," said the Mock Turtle. "No, no! The adventures first," said the Gryphon in an impatient tone: "explanations take such a dreadful time." So Alice began telling them her adventures from the time when she first saw the White Rabbit. She was a little nervous about it just at first, the two creatures got so close to her, one on each side, and opened their eyes and mouths so _very_ wide, but she gained courage as she went on. Her listeners were perfectly quiet till she got to the part about her repeating "_You are old, Father William_," to the Caterpillar, and the words all coming different, and then the Mock Turtle drew a long breath, and said "That's very curious." "It's all about as curious as it can be," said the Gryphon. "It all came different!" the Mock Turtle repeated thoughtfully. "I should like to hear her try and repeat something now. Tell her to begin." He looked at the Gryphon as if he thought it had some kind of authority over Alice. "Stand up and repeat ''_Tis the voice of the sluggard_,'" said the Gryphon. "How the creatures order one about, and make one repeat lessons!" thought Alice; "I might as well be at school at once." However, she got up, and began to repeat it, but her head was so full of the Lobster Quadrille, that she hardly knew what she was saying, and the words came very queer indeed:-- "'Tis the voice of the Lobster; I heard him declare, "You have baked me too brown, I must sugar my hair." As a duck with its eyelids, so he with his nose Trims his belt and his buttons, and turns out his toes." [later editions continued as follows When the sands are all dry, | Mock Turtle recovered his voice, and, with tears running down his cheeks, he went on again:-- "You may not have lived much under the sea--" (" "I haven't," said Alice)--" "and perhaps you were never even introduced to a lobster--" (Alice began to say "I once tasted--" but checked herself hastily, and said "No, never" ") "--so you can have no idea what a delightful thing a Lobster Quadrille is!" "No, indeed," said Alice. "What sort of a dance is it?" "Why," said the Gryphon, "you first form into a line along the sea-shore--" "Two lines!" cried the Mock Turtle. "Seals, turtles, salmon, and so on; then, when you've cleared all the jelly-fish out of the way--" "_That_ generally takes some time," interrupted the Gryphon. "--you advance twice--" "Each with a lobster as a partner!" cried the Gryphon. "Of course," the Mock Turtle said: "advance twice, set to partners--" "--change lobsters, and retire in same order," continued the Gryphon. "Then, you know," the Mock Turtle went on, "you throw the--" "The lobsters!" shouted the Gryphon, with a bound into the air. "--as far out to sea as you can--" "Swim after them!" screamed the Gryphon. "Turn a somersault in the sea!" cried the Mock Turtle, capering wildly about. "Change lobsters again!" yelled the Gryphon at the top of its voice. "Back to land again, and that's all the first figure," said the Mock Turtle, suddenly dropping his voice; and the two creatures, who had been jumping about like mad things all this time, sat down again very sadly and quietly, and looked at Alice. "It must be a very pretty dance," said Alice timidly. "Would you like to see a little of it?" said the Mock Turtle. "Very much indeed," said Alice. "Come, let's try the first figure!" said the Mock Turtle to the Gryphon. "We can do without lobsters, you know. Which shall sing?" "Oh, _you_ sing," said the Gryphon. "I've forgotten the words." So they began solemnly dancing round and round Alice, every now and then treading on her toes when they passed too close, and waving their forepaws to mark the time, while the Mock Turtle sang this, very slowly and sadly:-- "Will you walk a little faster?" said a whiting to a snail. "There's a porpoise close behind us, and he's treading on my tail. See how eagerly the lobsters and the turtles all advance! They are waiting on the shingle--will you come and join the dance? Will you, won't you, will you, won't you, will you join the dance? Will you, won't you, will you, won't you, won't you join the dance?" "You can really have no notion how delightful it will be When they take us up and throw us, with the lobsters, out to sea!" "But the snail replied "Too far, too far!" and gave a look askance-- Said he thanked the whiting kindly, but he would not join the dance. Would not, could not, would not, could not, would not join the dance. Would not, could not, would not, could not, could not join the dance." "What matters it how far we go?" his scaly friend replied. "There is another shore, you know, upon the other side. The further off from England the nearer is to France-- Then turn not pale, beloved snail, but come and join the dance. Will you, won't you, will you, won't you, will you join the dance? Will you, won't you, will you, won't you, won't you join the dance?"<|quote|>"Thank you, it's a very interesting dance to watch,"</|quote|>said Alice, feeling very glad that it was over at last: "and I do so like that curious song about the whiting!" "Oh, as to the whiting," said the Mock Turtle, "they--you've seen them, of course?" "Yes," said Alice, "I've often seen them at dinn--" she checked herself hastily. "I don't know where Dinn may be," said the Mock Turtle, "but if you've seen them so often, of course you know what they're like." "I believe so," Alice replied thoughtfully. "They have their tails in their mouths--and they're all over crumbs." "You're wrong about the crumbs," said the Mock Turtle: "crumbs would all wash off in the sea. But they _have_ their tails in their mouths; and the reason is--" here the Mock Turtle yawned and shut his eyes.--" "Tell her about the reason and all that," he said to the Gryphon. "The reason is," said the Gryphon, "that they _would_ go with the lobsters to the dance. So they got thrown out to sea. So they had to fall a long way. So they got their tails fast in their mouths. So they couldn't get them out again. That's all." "Thank you," said Alice, "it's very interesting. I never knew so much about a whiting before." "I can tell you more than that, if you like," said the Gryphon. "Do you know why it's called a whiting?" "I never thought about it," said Alice. "Why?" "_It does the boots and shoes_," the Gryphon replied very solemnly. Alice was thoroughly puzzled. "Does the boots and shoes!" she repeated in a wondering tone. "Why, what are _your_ shoes done with?" said the Gryphon. "I mean, what makes them so shiny?" Alice looked down at them, and considered a little before she gave her answer. "They're done with blacking, I believe." "Boots and shoes under the sea," the Gryphon went on in a deep voice, "are done with a whiting. Now you know." "And what are they made of?" Alice asked in a tone of great curiosity. "Soles and eels, of course," the Gryphon replied rather impatiently: "any shrimp could have told you that." "If I'd been the whiting," said Alice, whose thoughts were still running on the song, "I'd have said to the porpoise, 'Keep back, please: we don't want _you_ with us!'" "They were obliged to have him with them," the Mock Turtle said: "no wise fish would go anywhere without a porpoise." "Wouldn't it really?" said Alice in a tone of great surprise. "Of course not," said the Mock Turtle: "why, if a fish came to _me_, and told me he was going a journey, I should say 'With what porpoise?'" "Don't you mean 'purpose'?" said Alice. "I mean what I | Alices Adventures In Wonderland | other side. The further off from England the nearer is to France-- Then turn not pale, beloved snail, but come and join the dance. Will you, won't you, will you, won't you, will you join the dance? Will you, won't you, will you, won't you, won't you join the dance?"<|quote|>"Thank you, it's a very interesting dance to watch,"</|quote|>said Alice, feeling very glad that it was over at last: "and I do so like that curious song about the whiting!" "Oh, as to the whiting," said the Mock Turtle, "they--you've seen them, of course?" "Yes," said Alice, "I've often seen them at dinn--" she checked herself hastily. "I | {
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"content": "other side. The further off from England the nearer is to France-- Then turn not pale, beloved snail, but come and join the dance. Will you, won't you, will you, won't you, will you join the dance? Will you, won't you, will you, won't you, won't you join the dance?\"<|quote|>\"Thank you, it's a very interesting dance to watch,\"</|quote|>said Alice, feeling very glad that it was over at last: \"and I do so like that curious song about the whiting!\" \"Oh, as to the whiting,\" said the Mock Turtle, \"they--you've seen them, of course?\" \"Yes,\" said Alice, \"I've often seen them at dinn--\" she checked herself hastily. \"I",
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Upstairs, meditatively splashing his spoon in the bread and milk, he said, | No speaker | "You are funny with names."<|quote|>Upstairs, meditatively splashing his spoon in the bread and milk, he said,</|quote|>"Nanny, I do think that | did you call me?" "Johnny-boy." "You are funny with names."<|quote|>Upstairs, meditatively splashing his spoon in the bread and milk, he said,</|quote|>"Nanny, I do think that Princess is beautiful, don't you?" | John. "When's mummy coming? I thought she'd be here, otherwise I wouldn't have stopped painting my picture." But when nanny came to fetch him, John, without invitation, went over and kissed Jenny good night. "Good night, Johnny-boy," she said. "What did you call me?" "Johnny-boy." "You are funny with names."<|quote|>Upstairs, meditatively splashing his spoon in the bread and milk, he said,</|quote|>"Nanny, I do think that Princess is beautiful, don't you?" Nanny sniffed. "It would be a dull world if we all thought alike," she said. "She's more beautiful than Miss Tendril, even. I think she's the most beautiful lady I've ever seen... D'you think she'd like to watch me have | but he's thinking of Negroes, I expect. These are pure Semitic type." "What's that?" "The same as Jews." "Ben says Jews are worse than natives." "Oh dear, what a very severe boy you are. I was like that once. Life teaches one to be tolerant." "It hasn't taught Ben," said John. "When's mummy coming? I thought she'd be here, otherwise I wouldn't have stopped painting my picture." But when nanny came to fetch him, John, without invitation, went over and kissed Jenny good night. "Good night, Johnny-boy," she said. "What did you call me?" "Johnny-boy." "You are funny with names."<|quote|>Upstairs, meditatively splashing his spoon in the bread and milk, he said,</|quote|>"Nanny, I do think that Princess is beautiful, don't you?" Nanny sniffed. "It would be a dull world if we all thought alike," she said. "She's more beautiful than Miss Tendril, even. I think she's the most beautiful lady I've ever seen... D'you think she'd like to watch me have my bath?" Downstairs, Jenny said, "What a heavenly child... I love children. That has been my great tragedy. It was when he found I couldn't have children that the Moulay first showed the Other Side of his Nature. It wasn't my fault... you see my womb is out of place... | horsemen were bound to ride right on top of the Moulay, but when they were a few feet away, as near as I am to you, galloping at full speed, they used to rein their horses back, up on to their hind legs and salute--" "Oh, but they _shouldn't_," said John. "It's _very_ bad horsemanship indeed. Ben says so." "They're the most wonderful horsemen in the world. Everyone knows that." "Oh, no, they can't be, if they do _that_. It's one of the _worst_ things. Were they natives?" "Yes, of course." "Ben says natives aren't humans at all really." "Ah, but he's thinking of Negroes, I expect. These are pure Semitic type." "What's that?" "The same as Jews." "Ben says Jews are worse than natives." "Oh dear, what a very severe boy you are. I was like that once. Life teaches one to be tolerant." "It hasn't taught Ben," said John. "When's mummy coming? I thought she'd be here, otherwise I wouldn't have stopped painting my picture." But when nanny came to fetch him, John, without invitation, went over and kissed Jenny good night. "Good night, Johnny-boy," she said. "What did you call me?" "Johnny-boy." "You are funny with names."<|quote|>Upstairs, meditatively splashing his spoon in the bread and milk, he said,</|quote|>"Nanny, I do think that Princess is beautiful, don't you?" Nanny sniffed. "It would be a dull world if we all thought alike," she said. "She's more beautiful than Miss Tendril, even. I think she's the most beautiful lady I've ever seen... D'you think she'd like to watch me have my bath?" Downstairs, Jenny said, "What a heavenly child... I love children. That has been my great tragedy. It was when he found I couldn't have children that the Moulay first showed the Other Side of his Nature. It wasn't my fault... you see my womb is out of place... I don't know why I'm telling you all this, but I feel you'll understand. It's such a _waste of time_, isn't it, when one knows one is going to like someone and one goes on _pretending_... I know at once if someone is going to be a real friend..." Polly and Brenda arrived just before seven. Brenda went straight up to the nursery. "Oh, mummy," said John, "there's such a beautiful lady downstairs. Do ask her to come and say good night. Nanny doesn't think she'd want to." "Did daddy seem to like her?" "He didn't talk much... She doesn't | asked. "How did you learn to speak English? What is that big ring made of? Did it cost much? Why are your nails that colour? Can you ride?" She answered all his questions, sometimes enigmatically with an eye on Tony. She took out a little heavily scented handkerchief and showed John the monogram. "That is my only crown... now," she said. She told him about the horses she used to have--glossy black, with arched necks; foam round their silver bits; plumes tossing on their foreheads; silver studs on the harness, crimson saddle cloths. "On the Moulay's birthday--" "What's the Moulay?" "A beautiful and a very bad man," she said gravely, "and on his birthday all his horsemen used to assemble round a great square, with all their finest clothes and trappings and jewels, with long swords in their hands. The Moulay used to sit on a throne under a great crimson canopy." "What's a canopy?" "Like a tent," she said more sharply, and then, resuming her soft voice, "and all the horsemen used to gallop across the plain, in a great cloud of dust, waving their swords, straight towards the Moulay. And everyone used to hold their breath, thinking the horsemen were bound to ride right on top of the Moulay, but when they were a few feet away, as near as I am to you, galloping at full speed, they used to rein their horses back, up on to their hind legs and salute--" "Oh, but they _shouldn't_," said John. "It's _very_ bad horsemanship indeed. Ben says so." "They're the most wonderful horsemen in the world. Everyone knows that." "Oh, no, they can't be, if they do _that_. It's one of the _worst_ things. Were they natives?" "Yes, of course." "Ben says natives aren't humans at all really." "Ah, but he's thinking of Negroes, I expect. These are pure Semitic type." "What's that?" "The same as Jews." "Ben says Jews are worse than natives." "Oh dear, what a very severe boy you are. I was like that once. Life teaches one to be tolerant." "It hasn't taught Ben," said John. "When's mummy coming? I thought she'd be here, otherwise I wouldn't have stopped painting my picture." But when nanny came to fetch him, John, without invitation, went over and kissed Jenny good night. "Good night, Johnny-boy," she said. "What did you call me?" "Johnny-boy." "You are funny with names."<|quote|>Upstairs, meditatively splashing his spoon in the bread and milk, he said,</|quote|>"Nanny, I do think that Princess is beautiful, don't you?" Nanny sniffed. "It would be a dull world if we all thought alike," she said. "She's more beautiful than Miss Tendril, even. I think she's the most beautiful lady I've ever seen... D'you think she'd like to watch me have my bath?" Downstairs, Jenny said, "What a heavenly child... I love children. That has been my great tragedy. It was when he found I couldn't have children that the Moulay first showed the Other Side of his Nature. It wasn't my fault... you see my womb is out of place... I don't know why I'm telling you all this, but I feel you'll understand. It's such a _waste of time_, isn't it, when one knows one is going to like someone and one goes on _pretending_... I know at once if someone is going to be a real friend..." Polly and Brenda arrived just before seven. Brenda went straight up to the nursery. "Oh, mummy," said John, "there's such a beautiful lady downstairs. Do ask her to come and say good night. Nanny doesn't think she'd want to." "Did daddy seem to like her?" "He didn't talk much... She doesn't know anything about horses or natives but she _is_ beautiful. Please tell her to come up." Brenda went downstairs and found Jenny with Polly and Tony in the smoking-room. "You've made a wild success with John Andrew. He won't go to sleep until he's seen you again." They went up together, and Jenny said, "They're both such dears." "Did you and Tony get on? I was so sorry not to be here when you arrived." "He was _so_ sympathetic and gentle... and so wistful." They sat on John's small bed in the night-nursery. He threw the clothes back and crawled out, nestling against Jenny. "Back to bed," she said, "or I shall spank you." "Would you do it hard? I shouldn't mind." "Oh dear," said Brenda, "what a terrible effect you seem to have. He's never like this as a rule." When they had gone nanny threw open another window. "Poof!" she said, "making the whole place stink." "Don't you like it? _I_ think it's lovely." Brenda took Polly up to Lyonesse. It was a large suite, fitted up with satinwood for King Edward when, as Prince of Wales, he was once expected at a shooting party; he never came. | of the fire, and if you're nice to me I'll purr, and if you're cruel I shall pretend not to notice--just like a cat... Shall I purr, Teddy?" "Er... yes... do, please, if that's what you like doing." "Englishmen are so gentle and considerate. It's wonderful to be back among them... mine own people. Sometimes when I look back at my life, especially at times like this, among lovely old English things and kind people, I think the whole thing must be a frightful nightmare... then I remember my _scars_..." "Brenda tells me you've taken one of the flats in the same house as hers. They must be very convenient." "How English you are, Teddy--so shy of talking about personal things, intimate things... I like you for that, you know. I love everything that's solid and homely and _good_ after... after all I've been through." "You're not studying economics too, are you, like Brenda?" "No; is Brenda? She never told me. What a wonderful person she is. When _does_ she find the time?" "Ah, here comes tea at last," said Tony. "I hope you allow yourself to eat muffins. So many of our guests nowadays are on a diet. I think muffins one of the few things that make the English winter endurable." "Muffins stand for so much," said Jenny. She ate heartily; often she ran her tongue over her lips, collecting crumbs that had become embedded there and melted butter from the muffin. One drop of butter fell on her chin and glittered there unobserved except by Tony. It was a relief to him when John Andrew was brought in. "Come and be introduced to Princess Abdul Akbar." John Andrew had never before seen a Princess; he gazed at her, fascinated. "Aren't you going to give me a kiss?" He walked over to her and she kissed him on the mouth. "Oh," he said, recoiling and rubbing away the taste of the lipstick; and then, "What a beautiful smell." "It's my last link with the East," she said. "You've got butter on your chin." She reached for her bag, laughing. "Why, so I have. Teddy, you _might_ have told me." "Why do you call daddy Teddy?" "Because I hope we are going to be great friends." "What a funny reason." John stayed with them for an hour, and all the time watched, fascinated. "Have you got a crown?" he asked. "How did you learn to speak English? What is that big ring made of? Did it cost much? Why are your nails that colour? Can you ride?" She answered all his questions, sometimes enigmatically with an eye on Tony. She took out a little heavily scented handkerchief and showed John the monogram. "That is my only crown... now," she said. She told him about the horses she used to have--glossy black, with arched necks; foam round their silver bits; plumes tossing on their foreheads; silver studs on the harness, crimson saddle cloths. "On the Moulay's birthday--" "What's the Moulay?" "A beautiful and a very bad man," she said gravely, "and on his birthday all his horsemen used to assemble round a great square, with all their finest clothes and trappings and jewels, with long swords in their hands. The Moulay used to sit on a throne under a great crimson canopy." "What's a canopy?" "Like a tent," she said more sharply, and then, resuming her soft voice, "and all the horsemen used to gallop across the plain, in a great cloud of dust, waving their swords, straight towards the Moulay. And everyone used to hold their breath, thinking the horsemen were bound to ride right on top of the Moulay, but when they were a few feet away, as near as I am to you, galloping at full speed, they used to rein their horses back, up on to their hind legs and salute--" "Oh, but they _shouldn't_," said John. "It's _very_ bad horsemanship indeed. Ben says so." "They're the most wonderful horsemen in the world. Everyone knows that." "Oh, no, they can't be, if they do _that_. It's one of the _worst_ things. Were they natives?" "Yes, of course." "Ben says natives aren't humans at all really." "Ah, but he's thinking of Negroes, I expect. These are pure Semitic type." "What's that?" "The same as Jews." "Ben says Jews are worse than natives." "Oh dear, what a very severe boy you are. I was like that once. Life teaches one to be tolerant." "It hasn't taught Ben," said John. "When's mummy coming? I thought she'd be here, otherwise I wouldn't have stopped painting my picture." But when nanny came to fetch him, John, without invitation, went over and kissed Jenny good night. "Good night, Johnny-boy," she said. "What did you call me?" "Johnny-boy." "You are funny with names."<|quote|>Upstairs, meditatively splashing his spoon in the bread and milk, he said,</|quote|>"Nanny, I do think that Princess is beautiful, don't you?" Nanny sniffed. "It would be a dull world if we all thought alike," she said. "She's more beautiful than Miss Tendril, even. I think she's the most beautiful lady I've ever seen... D'you think she'd like to watch me have my bath?" Downstairs, Jenny said, "What a heavenly child... I love children. That has been my great tragedy. It was when he found I couldn't have children that the Moulay first showed the Other Side of his Nature. It wasn't my fault... you see my womb is out of place... I don't know why I'm telling you all this, but I feel you'll understand. It's such a _waste of time_, isn't it, when one knows one is going to like someone and one goes on _pretending_... I know at once if someone is going to be a real friend..." Polly and Brenda arrived just before seven. Brenda went straight up to the nursery. "Oh, mummy," said John, "there's such a beautiful lady downstairs. Do ask her to come and say good night. Nanny doesn't think she'd want to." "Did daddy seem to like her?" "He didn't talk much... She doesn't know anything about horses or natives but she _is_ beautiful. Please tell her to come up." Brenda went downstairs and found Jenny with Polly and Tony in the smoking-room. "You've made a wild success with John Andrew. He won't go to sleep until he's seen you again." They went up together, and Jenny said, "They're both such dears." "Did you and Tony get on? I was so sorry not to be here when you arrived." "He was _so_ sympathetic and gentle... and so wistful." They sat on John's small bed in the night-nursery. He threw the clothes back and crawled out, nestling against Jenny. "Back to bed," she said, "or I shall spank you." "Would you do it hard? I shouldn't mind." "Oh dear," said Brenda, "what a terrible effect you seem to have. He's never like this as a rule." When they had gone nanny threw open another window. "Poof!" she said, "making the whole place stink." "Don't you like it? _I_ think it's lovely." Brenda took Polly up to Lyonesse. It was a large suite, fitted up with satinwood for King Edward when, as Prince of Wales, he was once expected at a shooting party; he never came. "How's it going?" she asked anxiously. "Too soon to tell. I'm sure it will be all right." "She's got the wrong chap. John Andrew's mad about her... quite embarrassing." "I should say Tony was a slow starter. It's a pity she's got his name wrong. Ought we to tell her?" "No, let's leave it." When they were dressing, Tony said, "Brenda, who _is_ this joke-woman?" "Darling, don't you like her?" The disappointment and distress in her tone were so clear that Tony was touched. "I don't know about not liking her exactly. She's just a joke, isn't she?" "Is she... oh dear... She's had a terrible life, you know." "So I gathered." "Be nice to her, Tony, please." "Oh, I'll be nice to her. Is she a Jewess?" "I don't know. I never thought. Perhaps she is." Soon after dinner Polly said she was tired and asked Brenda to come with her while she undressed, "Leave the young couple to it," she whispered outside the door. "My dear, I don't believe it's going to be any good... the poor old boy's got _some_ taste you know, and a sense of humour." "She didn't show up too well at dinner, did she?" "She will _go on_ so... and, after all, Tony's been used to me for seven years. It's rather a sudden change." * * * * * "Tired?" "Mmm. Little bit." "You gave me a pretty long bout of Abdul Akbar." "I know. I'm sorry, darling, but Polly takes so long to get to bed... Was it awful? I wish you liked her more." "She's awful." "One has to make allowances... she's got the most terrible scars." "So she told me." "I've seen them." "Besides, I hoped to see something of you." "Oh." "Brenda, you aren't angry still about my getting tight that night and waking you up?" "No, sweet, do I seem angry?" "...I don't know. You do rather... Has it been an amusing week?" "Not amusing, very hard work. Bimetallism, you know." "Oh, yes... well, I suppose you want to go to sleep." "Mm... so tired. Good night, darling." "Good night." * * * * * "Can I go and say good morning to the Princess, mummy?" "I don't expect she's awake yet." "Please, mummy, may I go and see? I'll just peep and, if she's asleep, go away." "I don't know what room she's in." "Galahad, my | towards the Moulay. And everyone used to hold their breath, thinking the horsemen were bound to ride right on top of the Moulay, but when they were a few feet away, as near as I am to you, galloping at full speed, they used to rein their horses back, up on to their hind legs and salute--" "Oh, but they _shouldn't_," said John. "It's _very_ bad horsemanship indeed. Ben says so." "They're the most wonderful horsemen in the world. Everyone knows that." "Oh, no, they can't be, if they do _that_. It's one of the _worst_ things. Were they natives?" "Yes, of course." "Ben says natives aren't humans at all really." "Ah, but he's thinking of Negroes, I expect. These are pure Semitic type." "What's that?" "The same as Jews." "Ben says Jews are worse than natives." "Oh dear, what a very severe boy you are. I was like that once. Life teaches one to be tolerant." "It hasn't taught Ben," said John. "When's mummy coming? I thought she'd be here, otherwise I wouldn't have stopped painting my picture." But when nanny came to fetch him, John, without invitation, went over and kissed Jenny good night. "Good night, Johnny-boy," she said. "What did you call me?" "Johnny-boy." "You are funny with names."<|quote|>Upstairs, meditatively splashing his spoon in the bread and milk, he said,</|quote|>"Nanny, I do think that Princess is beautiful, don't you?" Nanny sniffed. "It would be a dull world if we all thought alike," she said. "She's more beautiful than Miss Tendril, even. I think she's the most beautiful lady I've ever seen... D'you think she'd like to watch me have my bath?" Downstairs, Jenny said, "What a heavenly child... I love children. That has been my great tragedy. It was when he found I couldn't have children that the Moulay first showed the Other Side of his Nature. It wasn't my fault... you see my womb is out of place... I don't know why I'm telling you all this, but I feel you'll understand. It's such a _waste of time_, isn't it, when one knows one is going to like someone and one goes on _pretending_... I know at once if someone is going to be a real friend..." Polly and Brenda arrived just before seven. Brenda went straight up to the nursery. "Oh, mummy," said John, "there's such a beautiful lady downstairs. Do ask her to come and say good night. Nanny doesn't think she'd want to." "Did daddy seem to like her?" "He didn't talk much... She doesn't know anything about horses or natives but she _is_ beautiful. Please tell her to come up." Brenda went downstairs and found Jenny with Polly and Tony in the smoking-room. "You've made a wild success with John Andrew. He won't go to sleep until he's seen you again." They went up together, and Jenny said, "They're both such dears." "Did you and Tony get on? I was so sorry not to be here when you arrived." "He was _so_ sympathetic and gentle... and so wistful." They sat on John's small bed in the night-nursery. He threw the clothes back and crawled out, nestling against Jenny. "Back to bed," she said, "or I shall spank you." "Would you do it hard? I shouldn't mind." "Oh dear," said Brenda, "what a terrible effect you seem to have. He's never like this as a rule." When they had gone nanny threw open another window. "Poof!" she said, "making the whole place stink." "Don't you like it? _I_ think it's lovely." Brenda took Polly up to Lyonesse. It was a large suite, fitted up with satinwood for King Edward when, as Prince of Wales, he was once expected at a shooting party; he never came. "How's it going?" she asked anxiously. "Too soon to tell. I'm sure it will be all right." "She's got the wrong chap. John Andrew's mad about her... quite embarrassing." "I should say Tony was a slow starter. It's a pity she's got his name wrong. Ought we to tell her?" "No, let's leave it." When they were dressing, Tony said, "Brenda, who _is_ this joke-woman?" "Darling, don't you like her?" The disappointment and distress in her tone were so clear that Tony was touched. "I don't know about not liking her exactly. She's just a joke, isn't she?" "Is she... oh dear... She's had a terrible life, you know." "So I gathered." "Be nice to her, Tony, please." "Oh, I'll be nice to her. Is she a Jewess?" "I don't know. I never thought. Perhaps she is." Soon after dinner Polly said she was tired and asked Brenda to come with her while she undressed, "Leave the young couple | A Handful Of Dust | John. "When's mummy coming? I thought she'd be here, otherwise I wouldn't have stopped painting my picture." But when nanny came to fetch him, John, without invitation, went over and kissed Jenny good night. "Good night, Johnny-boy," she said. "What did you call me?" "Johnny-boy." "You are funny with names."<|quote|>Upstairs, meditatively splashing his spoon in the bread and milk, he said,</|quote|>"Nanny, I do think that Princess is beautiful, don't you?" Nanny sniffed. "It would be a dull world if we all thought alike," she said. "She's more beautiful than Miss Tendril, even. I think she's the most beautiful lady I've ever seen... D'you think she'd like to watch me have | {
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Anne "came there," but not exactly as Mrs. Rachel expected. With one bound she crossed the kitchen floor and stood before Mrs. Rachel, her face scarlet with anger, her lips quivering, and her whole slender form trembling from head to foot. | No speaker | Come here, child, I say."<|quote|>Anne "came there," but not exactly as Mrs. Rachel expected. With one bound she crossed the kitchen floor and stood before Mrs. Rachel, her face scarlet with anger, her lips quivering, and her whole slender form trembling from head to foot.</|quote|>"I hate you," she cried | hair as red as carrots! Come here, child, I say."<|quote|>Anne "came there," but not exactly as Mrs. Rachel expected. With one bound she crossed the kitchen floor and stood before Mrs. Rachel, her face scarlet with anger, her lips quivering, and her whole slender form trembling from head to foot.</|quote|>"I hate you," she cried in a choked voice, stamping | popular people who pride themselves on speaking their mind without fear or favor. "She's terrible skinny and homely, Marilla. Come here, child, and let me have a look at you. Lawful heart, did any one ever see such freckles? And hair as red as carrots! Come here, child, I say."<|quote|>Anne "came there," but not exactly as Mrs. Rachel expected. With one bound she crossed the kitchen floor and stood before Mrs. Rachel, her face scarlet with anger, her lips quivering, and her whole slender form trembling from head to foot.</|quote|>"I hate you," she cried in a choked voice, stamping her foot on the floor. "I hate you--I hate you--I hate you--" a louder stamp with each assertion of hatred. "How dare you call me skinny and ugly? How dare you say I'm freckled and redheaded? You are a rude, | numerous and obtrusive than ever; the wind had ruffled her hatless hair into over-brilliant disorder; it had never looked redder than at that moment. "Well, they didn't pick you for your looks, that's sure and certain," was Mrs. Rachel Lynde's emphatic comment. Mrs. Rachel was one of those delightful and popular people who pride themselves on speaking their mind without fear or favor. "She's terrible skinny and homely, Marilla. Come here, child, and let me have a look at you. Lawful heart, did any one ever see such freckles? And hair as red as carrots! Come here, child, I say."<|quote|>Anne "came there," but not exactly as Mrs. Rachel expected. With one bound she crossed the kitchen floor and stood before Mrs. Rachel, her face scarlet with anger, her lips quivering, and her whole slender form trembling from head to foot.</|quote|>"I hate you," she cried in a choked voice, stamping her foot on the floor. "I hate you--I hate you--I hate you--" a louder stamp with each assertion of hatred. "How dare you call me skinny and ugly? How dare you say I'm freckled and redheaded? You are a rude, impolite, unfeeling woman!" "Anne!" exclaimed Marilla in consternation. But Anne continued to face Mrs. Rachel undauntedly, head up, eyes blazing, hands clenched, passionate indignation exhaling from her like an atmosphere. "How dare you say such things about me?" she repeated vehemently. "How would you like to have such things said | Marilla." "I'm not feeling discouraged," was Marilla's dry response, "when I make up my mind to do a thing it stays made up. I suppose you'd like to see Anne. I'll call her in." Anne came running in presently, her face sparkling with the delight of her orchard rovings; but, abashed at finding the delight herself in the unexpected presence of a stranger, she halted confusedly inside the door. She certainly was an odd-looking little creature in the short tight wincey dress she had worn from the asylum, below which her thin legs seemed ungracefully long. Her freckles were more numerous and obtrusive than ever; the wind had ruffled her hatless hair into over-brilliant disorder; it had never looked redder than at that moment. "Well, they didn't pick you for your looks, that's sure and certain," was Mrs. Rachel Lynde's emphatic comment. Mrs. Rachel was one of those delightful and popular people who pride themselves on speaking their mind without fear or favor. "She's terrible skinny and homely, Marilla. Come here, child, and let me have a look at you. Lawful heart, did any one ever see such freckles? And hair as red as carrots! Come here, child, I say."<|quote|>Anne "came there," but not exactly as Mrs. Rachel expected. With one bound she crossed the kitchen floor and stood before Mrs. Rachel, her face scarlet with anger, her lips quivering, and her whole slender form trembling from head to foot.</|quote|>"I hate you," she cried in a choked voice, stamping her foot on the floor. "I hate you--I hate you--I hate you--" a louder stamp with each assertion of hatred. "How dare you call me skinny and ugly? How dare you say I'm freckled and redheaded? You are a rude, impolite, unfeeling woman!" "Anne!" exclaimed Marilla in consternation. But Anne continued to face Mrs. Rachel undauntedly, head up, eyes blazing, hands clenched, passionate indignation exhaling from her like an atmosphere. "How dare you say such things about me?" she repeated vehemently. "How would you like to have such things said about you? How would you like to be told that you are fat and clumsy and probably hadn't a spark of imagination in you? I don't care if I do hurt your feelings by saying so! I hope I hurt them. You have hurt mine worse than they were ever hurt before even by Mrs. Thomas' intoxicated husband. And I'll _never_ forgive you for it, never, never!" Stamp! Stamp! "Did anybody ever see such a temper!" exclaimed the horrified Mrs. Rachel. "Anne go to your room and stay there until I come up," said Marilla, recovering her powers of speech | illness fully over, describing every ache and pulse beat with such evident enjoyment that Marilla thought even grippe must bring its compensations. When details were exhausted Mrs. Rachel introduced the real reason of her call. "I've been hearing some surprising things about you and Matthew." "I don't suppose you are any more surprised than I am myself," said Marilla. "I'm getting over my surprise now." "It was too bad there was such a mistake," said Mrs. Rachel sympathetically. "Couldn't you have sent her back?" "I suppose we could, but we decided not to. Matthew took a fancy to her. And I must say I like her myself--although I admit she has her faults. The house seems a different place already. She's a real bright little thing." Marilla said more than she had intended to say when she began, for she read disapproval in Mrs. Rachel's expression. "It's a great responsibility you've taken on yourself," said that lady gloomily, "especially when you've never had any experience with children. You don't know much about her or her real disposition, I suppose, and there's no guessing how a child like that will turn out. But I don't want to discourage you I'm sure, Marilla." "I'm not feeling discouraged," was Marilla's dry response, "when I make up my mind to do a thing it stays made up. I suppose you'd like to see Anne. I'll call her in." Anne came running in presently, her face sparkling with the delight of her orchard rovings; but, abashed at finding the delight herself in the unexpected presence of a stranger, she halted confusedly inside the door. She certainly was an odd-looking little creature in the short tight wincey dress she had worn from the asylum, below which her thin legs seemed ungracefully long. Her freckles were more numerous and obtrusive than ever; the wind had ruffled her hatless hair into over-brilliant disorder; it had never looked redder than at that moment. "Well, they didn't pick you for your looks, that's sure and certain," was Mrs. Rachel Lynde's emphatic comment. Mrs. Rachel was one of those delightful and popular people who pride themselves on speaking their mind without fear or favor. "She's terrible skinny and homely, Marilla. Come here, child, and let me have a look at you. Lawful heart, did any one ever see such freckles? And hair as red as carrots! Come here, child, I say."<|quote|>Anne "came there," but not exactly as Mrs. Rachel expected. With one bound she crossed the kitchen floor and stood before Mrs. Rachel, her face scarlet with anger, her lips quivering, and her whole slender form trembling from head to foot.</|quote|>"I hate you," she cried in a choked voice, stamping her foot on the floor. "I hate you--I hate you--I hate you--" a louder stamp with each assertion of hatred. "How dare you call me skinny and ugly? How dare you say I'm freckled and redheaded? You are a rude, impolite, unfeeling woman!" "Anne!" exclaimed Marilla in consternation. But Anne continued to face Mrs. Rachel undauntedly, head up, eyes blazing, hands clenched, passionate indignation exhaling from her like an atmosphere. "How dare you say such things about me?" she repeated vehemently. "How would you like to have such things said about you? How would you like to be told that you are fat and clumsy and probably hadn't a spark of imagination in you? I don't care if I do hurt your feelings by saying so! I hope I hurt them. You have hurt mine worse than they were ever hurt before even by Mrs. Thomas' intoxicated husband. And I'll _never_ forgive you for it, never, never!" Stamp! Stamp! "Did anybody ever see such a temper!" exclaimed the horrified Mrs. Rachel. "Anne go to your room and stay there until I come up," said Marilla, recovering her powers of speech with difficulty. Anne, bursting into tears, rushed to the hall door, slammed it until the tins on the porch wall outside rattled in sympathy, and fled through the hall and up the stairs like a whirlwind. A subdued slam above told that the door of the east gable had been shut with equal vehemence. "Well, I don't envy you your job bringing _that_ up, Marilla," said Mrs. Rachel with unspeakable solemnity. Marilla opened her lips to say she knew not what of apology or deprecation. What she did say was a surprise to herself then and ever afterwards. "You shouldn't have twitted her about her looks, Rachel." "Marilla Cuthbert, you don't mean to say that you are upholding her in such a terrible display of temper as we've just seen?" demanded Mrs. Rachel indignantly. "No," said Marilla slowly, "I'm not trying to excuse her. She's been very naughty and I'll have to give her a talking to about it. But we must make allowances for her. She's never been taught what is right. And you _were_ too hard on her, Rachel." Marilla could not help tacking on that last sentence, although she was again surprised at herself for doing it. | since the occasion of her last visit to Green Gables. Mrs. Rachel was not often sick and had a well-defined contempt for people who were; but grippe, she asserted, was like no other illness on earth and could only be interpreted as one of the special visitations of Providence. As soon as her doctor allowed her to put her foot out-of-doors she hurried up to Green Gables, bursting with curiosity to see Matthew and Marilla's orphan, concerning whom all sorts of stories and suppositions had gone abroad in Avonlea. Anne had made good use of every waking moment of that fortnight. Already she was acquainted with every tree and shrub about the place. She had discovered that a lane opened out below the apple orchard and ran up through a belt of woodland; and she had explored it to its furthest end in all its delicious vagaries of brook and bridge, fir coppice and wild cherry arch, corners thick with fern, and branching byways of maple and mountain ash. She had made friends with the spring down in the hollow--that wonderful deep, clear icy-cold spring; it was set about with smooth red sandstones and rimmed in by great palm-like clumps of water fern; and beyond it was a log bridge over the brook. That bridge led Anne's dancing feet up over a wooded hill beyond, where perpetual twilight reigned under the straight, thick-growing firs and spruces; the only flowers there were myriads of delicate "June bells," those shyest and sweetest of woodland blooms, and a few pale, aerial starflowers, like the spirits of last year's blossoms. Gossamers glimmered like threads of silver among the trees and the fir boughs and tassels seemed to utter friendly speech. All these raptured voyages of exploration were made in the odd half hours which she was allowed for play, and Anne talked Matthew and Marilla half-deaf over her discoveries. Not that Matthew complained, to be sure; he listened to it all with a wordless smile of enjoyment on his face; Marilla permitted the "chatter" until she found herself becoming too interested in it, whereupon she always promptly quenched Anne by a curt command to hold her tongue. Anne was out in the orchard when Mrs. Rachel came, wandering at her own sweet will through the lush, tremulous grasses splashed with ruddy evening sunshine; so that good lady had an excellent chance to talk her illness fully over, describing every ache and pulse beat with such evident enjoyment that Marilla thought even grippe must bring its compensations. When details were exhausted Mrs. Rachel introduced the real reason of her call. "I've been hearing some surprising things about you and Matthew." "I don't suppose you are any more surprised than I am myself," said Marilla. "I'm getting over my surprise now." "It was too bad there was such a mistake," said Mrs. Rachel sympathetically. "Couldn't you have sent her back?" "I suppose we could, but we decided not to. Matthew took a fancy to her. And I must say I like her myself--although I admit she has her faults. The house seems a different place already. She's a real bright little thing." Marilla said more than she had intended to say when she began, for she read disapproval in Mrs. Rachel's expression. "It's a great responsibility you've taken on yourself," said that lady gloomily, "especially when you've never had any experience with children. You don't know much about her or her real disposition, I suppose, and there's no guessing how a child like that will turn out. But I don't want to discourage you I'm sure, Marilla." "I'm not feeling discouraged," was Marilla's dry response, "when I make up my mind to do a thing it stays made up. I suppose you'd like to see Anne. I'll call her in." Anne came running in presently, her face sparkling with the delight of her orchard rovings; but, abashed at finding the delight herself in the unexpected presence of a stranger, she halted confusedly inside the door. She certainly was an odd-looking little creature in the short tight wincey dress she had worn from the asylum, below which her thin legs seemed ungracefully long. Her freckles were more numerous and obtrusive than ever; the wind had ruffled her hatless hair into over-brilliant disorder; it had never looked redder than at that moment. "Well, they didn't pick you for your looks, that's sure and certain," was Mrs. Rachel Lynde's emphatic comment. Mrs. Rachel was one of those delightful and popular people who pride themselves on speaking their mind without fear or favor. "She's terrible skinny and homely, Marilla. Come here, child, and let me have a look at you. Lawful heart, did any one ever see such freckles? And hair as red as carrots! Come here, child, I say."<|quote|>Anne "came there," but not exactly as Mrs. Rachel expected. With one bound she crossed the kitchen floor and stood before Mrs. Rachel, her face scarlet with anger, her lips quivering, and her whole slender form trembling from head to foot.</|quote|>"I hate you," she cried in a choked voice, stamping her foot on the floor. "I hate you--I hate you--I hate you--" a louder stamp with each assertion of hatred. "How dare you call me skinny and ugly? How dare you say I'm freckled and redheaded? You are a rude, impolite, unfeeling woman!" "Anne!" exclaimed Marilla in consternation. But Anne continued to face Mrs. Rachel undauntedly, head up, eyes blazing, hands clenched, passionate indignation exhaling from her like an atmosphere. "How dare you say such things about me?" she repeated vehemently. "How would you like to have such things said about you? How would you like to be told that you are fat and clumsy and probably hadn't a spark of imagination in you? I don't care if I do hurt your feelings by saying so! I hope I hurt them. You have hurt mine worse than they were ever hurt before even by Mrs. Thomas' intoxicated husband. And I'll _never_ forgive you for it, never, never!" Stamp! Stamp! "Did anybody ever see such a temper!" exclaimed the horrified Mrs. Rachel. "Anne go to your room and stay there until I come up," said Marilla, recovering her powers of speech with difficulty. Anne, bursting into tears, rushed to the hall door, slammed it until the tins on the porch wall outside rattled in sympathy, and fled through the hall and up the stairs like a whirlwind. A subdued slam above told that the door of the east gable had been shut with equal vehemence. "Well, I don't envy you your job bringing _that_ up, Marilla," said Mrs. Rachel with unspeakable solemnity. Marilla opened her lips to say she knew not what of apology or deprecation. What she did say was a surprise to herself then and ever afterwards. "You shouldn't have twitted her about her looks, Rachel." "Marilla Cuthbert, you don't mean to say that you are upholding her in such a terrible display of temper as we've just seen?" demanded Mrs. Rachel indignantly. "No," said Marilla slowly, "I'm not trying to excuse her. She's been very naughty and I'll have to give her a talking to about it. But we must make allowances for her. She's never been taught what is right. And you _were_ too hard on her, Rachel." Marilla could not help tacking on that last sentence, although she was again surprised at herself for doing it. Mrs. Rachel got up with an air of offended dignity. "Well, I see that I'll have to be very careful what I say after this, Marilla, since the fine feelings of orphans, brought from goodness knows where, have to be considered before anything else. Oh, no, I'm not vexed--don't worry yourself. I'm too sorry for you to leave any room for anger in my mind. You'll have your own troubles with that child. But if you'll take my advice--which I suppose you won't do, although I've brought up ten children and buried two--you'll do that ?talking to' you mention with a fair-sized birch switch. I should think _that_ would be the most effective language for that kind of a child. Her temper matches her hair I guess. Well, good evening, Marilla. I hope you'll come down to see me often as usual. But you can't expect me to visit here again in a hurry, if I'm liable to be flown at and insulted in such a fashion. It's something new in _my_ experience." Whereat Mrs. Rachel swept out and away--if a fat woman who always waddled _could_ be said to sweep away--and Marilla with a very solemn face betook herself to the east gable. On the way upstairs she pondered uneasily as to what she ought to do. She felt no little dismay over the scene that had just been enacted. How unfortunate that Anne should have displayed such temper before Mrs. Rachel Lynde, of all people! Then Marilla suddenly became aware of an uncomfortable and rebuking consciousness that she felt more humiliation over this than sorrow over the discovery of such a serious defect in Anne's disposition. And how was she to punish her? The amiable suggestion of the birch switch--to the efficiency of which all of Mrs. Rachel's own children could have borne smarting testimony--did not appeal to Marilla. She did not believe she could whip a child. No, some other method of punishment must be found to bring Anne to a proper realization of the enormity of her offense. Marilla found Anne face downward on her bed, crying bitterly, quite oblivious of muddy boots on a clean counterpane. "Anne," she said not ungently. No answer. "Anne," with greater severity, "get off that bed this minute and listen to what I have to say to you." Anne squirmed off the bed and sat rigidly on a chair beside | said more than she had intended to say when she began, for she read disapproval in Mrs. Rachel's expression. "It's a great responsibility you've taken on yourself," said that lady gloomily, "especially when you've never had any experience with children. You don't know much about her or her real disposition, I suppose, and there's no guessing how a child like that will turn out. But I don't want to discourage you I'm sure, Marilla." "I'm not feeling discouraged," was Marilla's dry response, "when I make up my mind to do a thing it stays made up. I suppose you'd like to see Anne. I'll call her in." Anne came running in presently, her face sparkling with the delight of her orchard rovings; but, abashed at finding the delight herself in the unexpected presence of a stranger, she halted confusedly inside the door. She certainly was an odd-looking little creature in the short tight wincey dress she had worn from the asylum, below which her thin legs seemed ungracefully long. Her freckles were more numerous and obtrusive than ever; the wind had ruffled her hatless hair into over-brilliant disorder; it had never looked redder than at that moment. "Well, they didn't pick you for your looks, that's sure and certain," was Mrs. Rachel Lynde's emphatic comment. Mrs. Rachel was one of those delightful and popular people who pride themselves on speaking their mind without fear or favor. "She's terrible skinny and homely, Marilla. Come here, child, and let me have a look at you. Lawful heart, did any one ever see such freckles? And hair as red as carrots! Come here, child, I say."<|quote|>Anne "came there," but not exactly as Mrs. Rachel expected. With one bound she crossed the kitchen floor and stood before Mrs. Rachel, her face scarlet with anger, her lips quivering, and her whole slender form trembling from head to foot.</|quote|>"I hate you," she cried in a choked voice, stamping her foot on the floor. "I hate you--I hate you--I hate you--" a louder stamp with each assertion of hatred. "How dare you call me skinny and ugly? How dare you say I'm freckled and redheaded? You are a rude, impolite, unfeeling woman!" "Anne!" exclaimed Marilla in consternation. But Anne continued to face Mrs. Rachel undauntedly, head up, eyes blazing, hands clenched, passionate indignation exhaling from her like an atmosphere. "How dare you say such things about me?" she repeated vehemently. "How would you like to have such things said about you? How would you like to be told that you are fat and clumsy and probably hadn't a spark of imagination in you? I don't care if I do hurt your feelings by saying so! I hope I hurt them. You have hurt mine worse than they were ever hurt before even by Mrs. Thomas' intoxicated husband. And I'll _never_ forgive you for it, never, never!" Stamp! Stamp! "Did anybody ever see such a temper!" exclaimed the horrified Mrs. Rachel. "Anne go to your room and stay there until I come up," said Marilla, recovering her powers of speech with difficulty. Anne, bursting into tears, rushed to the hall door, slammed it until the tins on the porch wall outside rattled in sympathy, and fled through the hall and up the stairs like a whirlwind. A subdued slam above told that the door | Anne Of Green Gables | popular people who pride themselves on speaking their mind without fear or favor. "She's terrible skinny and homely, Marilla. Come here, child, and let me have a look at you. Lawful heart, did any one ever see such freckles? And hair as red as carrots! Come here, child, I say."<|quote|>Anne "came there," but not exactly as Mrs. Rachel expected. With one bound she crossed the kitchen floor and stood before Mrs. Rachel, her face scarlet with anger, her lips quivering, and her whole slender form trembling from head to foot.</|quote|>"I hate you," she cried in a choked voice, stamping her foot on the floor. "I hate you--I hate you--I hate you--" a louder stamp with each assertion of hatred. "How dare you call me skinny and ugly? How dare you say I'm freckled and redheaded? You are a rude, | {
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"content": "popular people who pride themselves on speaking their mind without fear or favor. \"She's terrible skinny and homely, Marilla. Come here, child, and let me have a look at you. Lawful heart, did any one ever see such freckles? And hair as red as carrots! Come here, child, I say.\"<|quote|>Anne \"came there,\" but not exactly as Mrs. Rachel expected. With one bound she crossed the kitchen floor and stood before Mrs. Rachel, her face scarlet with anger, her lips quivering, and her whole slender form trembling from head to foot.</|quote|>\"I hate you,\" she cried in a choked voice, stamping her foot on the floor. \"I hate you--I hate you--I hate you--\" a louder stamp with each assertion of hatred. \"How dare you call me skinny and ugly? How dare you say I'm freckled and redheaded? You are a rude,",
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said Tony lightly, | No speaker | all--more than two years." "Well,"<|quote|>said Tony lightly,</|quote|>"they will well last out | long time to read them all--more than two years." "Well,"<|quote|>said Tony lightly,</|quote|>"they will well last out my visit." "Oh, I hope | but I never get tired; there is always more to be learned and noticed, so many characters, so many changes of scene, so many words... I have all Dickens's books here except those that the ants devoured. It takes a long time to read them all--more than two years." "Well,"<|quote|>said Tony lightly,</|quote|>"they will well last out my visit." "Oh, I hope not. It is delightful to start again. Each time I think I find more to enjoy and admire." They took down the first volume of _Bleak House_ and that afternoon Tony had his first reading. He had always rather enjoyed | first." "You are fond of Dickens?" "Why, yes, of course. More than fond, far more. You see, they are the only books I have ever heard. My father used to read them and then later the black man... and now you. I have heard them all several times by now but I never get tired; there is always more to be learned and noticed, so many characters, so many changes of scene, so many words... I have all Dickens's books here except those that the ants devoured. It takes a long time to read them all--more than two years." "Well,"<|quote|>said Tony lightly,</|quote|>"they will well last out my visit." "Oh, I hope not. It is delightful to start again. Each time I think I find more to enjoy and admire." They took down the first volume of _Bleak House_ and that afternoon Tony had his first reading. He had always rather enjoyed reading aloud and in the first year of marriage had shared several books in this way with Brenda, until one day, in a moment of frankness, she remarked that it was torture to her. He had read to John Andrew, late in the afternoon, in winter, while the child sat | propped a ladder against it and mounted. Tony followed, still unsteady after his illness. Mr Todd sat on the platform and Tony stood at the top of the ladder looking over. There was a heap of bundles there, tied up with rag, palm leaf and raw hide. "It has been hard to keep out the worms and ants. Two are practically destroyed. But there is an oil the Indians make that is useful." He unwrapped the nearest parcel and handed down a calf-bound book. It was an early American edition of _Bleak House_. "It does not matter which we take first." "You are fond of Dickens?" "Why, yes, of course. More than fond, far more. You see, they are the only books I have ever heard. My father used to read them and then later the black man... and now you. I have heard them all several times by now but I never get tired; there is always more to be learned and noticed, so many characters, so many changes of scene, so many words... I have all Dickens's books here except those that the ants devoured. It takes a long time to read them all--more than two years." "Well,"<|quote|>said Tony lightly,</|quote|>"they will well last out my visit." "Oh, I hope not. It is delightful to start again. Each time I think I find more to enjoy and admire." They took down the first volume of _Bleak House_ and that afternoon Tony had his first reading. He had always rather enjoyed reading aloud and in the first year of marriage had shared several books in this way with Brenda, until one day, in a moment of frankness, she remarked that it was torture to her. He had read to John Andrew, late in the afternoon, in winter, while the child sat before the nursery fender eating his supper. But Mr Todd was a unique audience. The old man sat astride his hammock opposite Tony, fixing him throughout with his eyes, and following the words, soundlessly, with his lips. Often when a new character was introduced he would say, "Repeat the name, I have forgotten him," or "Yes, yes, I remember her well. She dies, poor woman." He would frequently interrupt with questions; not as Tony would have imagined about the circumstances of the story--such things as the procedure of the Lord Chancellor's Court or the social conventions of the time, though | that Tony left the house Mr Todd took him for a little stroll around the farm. "I will show you the black man's grave," he said, leading him to a mound between the mango trees. "He was very kind. Every afternoon until he died, for two hours, he used to read to me. I think I will put up a cross--to commemorate his death and your arrival--a pretty idea. Do you believe in God?" "I suppose so. I've never really thought about it much." "I have thought about it a _great_ deal and I still do not know... Dickens did." "I suppose so." "Oh yes, it is apparent in all his books. You will see." That afternoon Mr Todd began the construction of a headpiece for the Negro's grave. He worked with a large spoke-shave in a wood so hard that it grated and rang like metal. At last, when Tony had passed six or seven consecutive nights without fever, Mr Todd said, "Now I think you are well enough to see the books." At one end of the hut there was a kind of loft formed by a rough platform erected in the eaves of the roof. Mr Todd propped a ladder against it and mounted. Tony followed, still unsteady after his illness. Mr Todd sat on the platform and Tony stood at the top of the ladder looking over. There was a heap of bundles there, tied up with rag, palm leaf and raw hide. "It has been hard to keep out the worms and ants. Two are practically destroyed. But there is an oil the Indians make that is useful." He unwrapped the nearest parcel and handed down a calf-bound book. It was an early American edition of _Bleak House_. "It does not matter which we take first." "You are fond of Dickens?" "Why, yes, of course. More than fond, far more. You see, they are the only books I have ever heard. My father used to read them and then later the black man... and now you. I have heard them all several times by now but I never get tired; there is always more to be learned and noticed, so many characters, so many changes of scene, so many words... I have all Dickens's books here except those that the ants devoured. It takes a long time to read them all--more than two years." "Well,"<|quote|>said Tony lightly,</|quote|>"they will well last out my visit." "Oh, I hope not. It is delightful to start again. Each time I think I find more to enjoy and admire." They took down the first volume of _Bleak House_ and that afternoon Tony had his first reading. He had always rather enjoyed reading aloud and in the first year of marriage had shared several books in this way with Brenda, until one day, in a moment of frankness, she remarked that it was torture to her. He had read to John Andrew, late in the afternoon, in winter, while the child sat before the nursery fender eating his supper. But Mr Todd was a unique audience. The old man sat astride his hammock opposite Tony, fixing him throughout with his eyes, and following the words, soundlessly, with his lips. Often when a new character was introduced he would say, "Repeat the name, I have forgotten him," or "Yes, yes, I remember her well. She dies, poor woman." He would frequently interrupt with questions; not as Tony would have imagined about the circumstances of the story--such things as the procedure of the Lord Chancellor's Court or the social conventions of the time, though they must have been unintelligible, did not concern him--but always about the characters. "Now, why does she say that? Does she really mean it? Did she feel faint because of the heat of the fire or of something in that paper?" He laughed loudly at all the jokes and at some passages which did not seem humorous to Tony, asking him to repeat them two or three times, and later at the description of the sufferings of the outcasts in "Tom-all-alone's" tears ran down his cheeks into his beard. His comments on the story were usually simple. "I think the Dedlock is a very proud man," or, "Mrs Jellyby does not take enough care of her children." Tony enjoyed the readings almost as much as he did. At the end of the first day the old man said, "You read beautifully, with a far better accent than the black man. And you explain better. It is almost as though my father were here again." And always at the end of a session he thanked his guest courteously. "I enjoyed that _very_ much. It was an extremely distressing chapter. But, if I remember it rightly, it will all turn out well." | remedies. "It's very nasty," said Tony, "but it does do good." "There is medicine for everything in the forest," said Mr Todd; "to make you well and to make you ill. My mother was an Indian and she taught me many of them. I have learned others from time to time from my wives. There are plants to cure you and give you fever, to kill you and send you mad, to keep away snakes, to intoxicate fish so that you can pick them out of the water with your hands like fruit from a tree. There are medicines even I do not know. They say that it is possible to bring dead people to life after they have begun to stink, but I have not seen it done." "But surely you are English?" "My father was--at least a Barbadian. He came to Guiana as a missionary. He was married to a white woman but he left her in Guiana to look for gold. Then he took my mother. The Pie-wie women are ugly but very devoted. I have had many. Most of the men and women living in this savannah are my children. That is why they obey--for that reason and because I have the gun. My father lived to a great age. It is not twenty years since he died. He was a man of education. Can you read?" "Yes, of course." "It is not everyone who is so fortunate. I cannot." Tony laughed apologetically. "But I suppose you haven't much opportunity here." "Oh yes, that is just it. I have a _great_ many books. I will show you when you are better. Until five years ago there was an Englishman--at least a black man, but he was well educated in Georgetown. He died. He used to read to me every day until he died. You shall read to me when you are better." "I shall be delighted to." "Yes, you shall read to me," Mr Todd repeated, nodding over the calabash. During the early days of his convalescence Tony had little conversation with his host, he lay in the hammock staring up at the thatched roof and thinking about Brenda. The days, exactly twelve hours each, passed without distinction. Mr Todd retired to sleep at sundown, leaving a little lamp burning--a handwoven wick drooping from a pot of beef fat--to keep away vampire bats. The first time that Tony left the house Mr Todd took him for a little stroll around the farm. "I will show you the black man's grave," he said, leading him to a mound between the mango trees. "He was very kind. Every afternoon until he died, for two hours, he used to read to me. I think I will put up a cross--to commemorate his death and your arrival--a pretty idea. Do you believe in God?" "I suppose so. I've never really thought about it much." "I have thought about it a _great_ deal and I still do not know... Dickens did." "I suppose so." "Oh yes, it is apparent in all his books. You will see." That afternoon Mr Todd began the construction of a headpiece for the Negro's grave. He worked with a large spoke-shave in a wood so hard that it grated and rang like metal. At last, when Tony had passed six or seven consecutive nights without fever, Mr Todd said, "Now I think you are well enough to see the books." At one end of the hut there was a kind of loft formed by a rough platform erected in the eaves of the roof. Mr Todd propped a ladder against it and mounted. Tony followed, still unsteady after his illness. Mr Todd sat on the platform and Tony stood at the top of the ladder looking over. There was a heap of bundles there, tied up with rag, palm leaf and raw hide. "It has been hard to keep out the worms and ants. Two are practically destroyed. But there is an oil the Indians make that is useful." He unwrapped the nearest parcel and handed down a calf-bound book. It was an early American edition of _Bleak House_. "It does not matter which we take first." "You are fond of Dickens?" "Why, yes, of course. More than fond, far more. You see, they are the only books I have ever heard. My father used to read them and then later the black man... and now you. I have heard them all several times by now but I never get tired; there is always more to be learned and noticed, so many characters, so many changes of scene, so many words... I have all Dickens's books here except those that the ants devoured. It takes a long time to read them all--more than two years." "Well,"<|quote|>said Tony lightly,</|quote|>"they will well last out my visit." "Oh, I hope not. It is delightful to start again. Each time I think I find more to enjoy and admire." They took down the first volume of _Bleak House_ and that afternoon Tony had his first reading. He had always rather enjoyed reading aloud and in the first year of marriage had shared several books in this way with Brenda, until one day, in a moment of frankness, she remarked that it was torture to her. He had read to John Andrew, late in the afternoon, in winter, while the child sat before the nursery fender eating his supper. But Mr Todd was a unique audience. The old man sat astride his hammock opposite Tony, fixing him throughout with his eyes, and following the words, soundlessly, with his lips. Often when a new character was introduced he would say, "Repeat the name, I have forgotten him," or "Yes, yes, I remember her well. She dies, poor woman." He would frequently interrupt with questions; not as Tony would have imagined about the circumstances of the story--such things as the procedure of the Lord Chancellor's Court or the social conventions of the time, though they must have been unintelligible, did not concern him--but always about the characters. "Now, why does she say that? Does she really mean it? Did she feel faint because of the heat of the fire or of something in that paper?" He laughed loudly at all the jokes and at some passages which did not seem humorous to Tony, asking him to repeat them two or three times, and later at the description of the sufferings of the outcasts in "Tom-all-alone's" tears ran down his cheeks into his beard. His comments on the story were usually simple. "I think the Dedlock is a very proud man," or, "Mrs Jellyby does not take enough care of her children." Tony enjoyed the readings almost as much as he did. At the end of the first day the old man said, "You read beautifully, with a far better accent than the black man. And you explain better. It is almost as though my father were here again." And always at the end of a session he thanked his guest courteously. "I enjoyed that _very_ much. It was an extremely distressing chapter. But, if I remember it rightly, it will all turn out well." By the time that they were in the second volume, however, the novelty of the old man's delight had begun to wane, and Tony was feeling strong enough to be restless. He touched more than once on the subject of his departure, asking about canoes and rains and the possibility of finding guides. But Mr Todd seemed obtuse and paid no attention to these hints. One day, running his thumb through the pages of _Bleak House_ that remained to be read, Tony said, "We still have a lot to get through. I hope I shall be able to finish it before I go." "Oh yes," said Mr Todd. "Do not disturb yourself about that. You will have time to finish it, my friend." For the first time Tony noticed something slightly menacing in his host's manner. That evening at supper, a brief meal of farine and dried beef, eaten just before sundown, Tony renewed the subject. "You know, Mr Todd, the time has come when I must be thinking about getting back to civilization. I have already imposed myself on your hospitality far too long." Mr Todd bent over the plate, crunching mouthfuls of farine, but made no reply. "How soon do you think I shall be able to get a boat?... I said, how soon do you think I shall be able to get a boat? I appreciate all your kindness to me more than I can say, but..." "My friend, any kindness I may have shown is amply repaid by your reading of Dickens. Do not let us mention the subject again." "Well, I'm very glad you have enjoyed it. I have, too. But I really must be thinking of getting back..." "Yes," said Mr Todd. "The black man was like that. He thought of it all the time. But he died here..." Twice during the next day Tony opened the subject, but his host was evasive. Finally, he said, "Forgive me, Mr Todd, but I really must press the point. When can I get a boat?" "There is no boat." "Well, the Indians can build one." "You must wait for the rains. There is not enough water in the river now." "How long will that be?" "A month... two months..." They had finished _Bleak House_ and were nearing the end of _Dombey and Son_ when the rain came. "Now it is time to make preparations to go." | when Tony had passed six or seven consecutive nights without fever, Mr Todd said, "Now I think you are well enough to see the books." At one end of the hut there was a kind of loft formed by a rough platform erected in the eaves of the roof. Mr Todd propped a ladder against it and mounted. Tony followed, still unsteady after his illness. Mr Todd sat on the platform and Tony stood at the top of the ladder looking over. There was a heap of bundles there, tied up with rag, palm leaf and raw hide. "It has been hard to keep out the worms and ants. Two are practically destroyed. But there is an oil the Indians make that is useful." He unwrapped the nearest parcel and handed down a calf-bound book. It was an early American edition of _Bleak House_. "It does not matter which we take first." "You are fond of Dickens?" "Why, yes, of course. More than fond, far more. You see, they are the only books I have ever heard. My father used to read them and then later the black man... and now you. I have heard them all several times by now but I never get tired; there is always more to be learned and noticed, so many characters, so many changes of scene, so many words... I have all Dickens's books here except those that the ants devoured. It takes a long time to read them all--more than two years." "Well,"<|quote|>said Tony lightly,</|quote|>"they will well last out my visit." "Oh, I hope not. It is delightful to start again. Each time I think I find more to enjoy and admire." They took down the first volume of _Bleak House_ and that afternoon Tony had his first reading. He had always rather enjoyed reading aloud and in the first year of marriage had shared several books in this way with Brenda, until one day, in a moment of frankness, she remarked that it was torture to her. He had read to John Andrew, late in the afternoon, in winter, while the child sat before the nursery fender eating his supper. But Mr Todd was a unique audience. The old man sat astride his hammock opposite Tony, fixing him throughout with his eyes, and following the words, soundlessly, with his lips. Often when a new character was introduced he would say, "Repeat the name, I have forgotten him," or "Yes, yes, I remember her well. She dies, poor woman." He would frequently interrupt with questions; not as Tony would have imagined about the circumstances of the story--such things as the procedure of the Lord Chancellor's Court or the social conventions of the time, though they must have been unintelligible, did not concern him--but always about the characters. "Now, why does she say that? Does she really mean it? Did she feel faint because of the heat of the fire or of something in that paper?" He laughed loudly at all the jokes and at some passages which did not seem humorous to Tony, asking him to repeat them two or three times, and later at the description of the sufferings of the outcasts in "Tom-all-alone's" tears ran down his cheeks into his beard. His comments on the story were usually simple. "I think the Dedlock is a very proud man," or, "Mrs Jellyby does not take enough care of her children." Tony enjoyed the readings almost as much as he did. At the end of the first day the old man said, "You read beautifully, with a far better accent than the black man. And you explain better. It is almost as though my father were here again." And always at the end of a session he thanked his guest courteously. "I enjoyed that _very_ much. It was an extremely distressing chapter. But, if I remember it rightly, it will all turn out well." By the time that they were in the second volume, however, the novelty of the old man's delight had begun to wane, and Tony was feeling strong enough to be restless. He touched more than once on the subject of his departure, asking about canoes and rains and the possibility of finding guides. But Mr Todd seemed obtuse and paid no attention to these hints. One day, running his thumb through the pages of _Bleak House_ that remained to be read, Tony said, "We still have a lot to get through. I hope I shall be able to finish it before I go." "Oh yes," said Mr Todd. "Do not disturb yourself about that. You | A Handful Of Dust | but I never get tired; there is always more to be learned and noticed, so many characters, so many changes of scene, so many words... I have all Dickens's books here except those that the ants devoured. It takes a long time to read them all--more than two years." "Well,"<|quote|>said Tony lightly,</|quote|>"they will well last out my visit." "Oh, I hope not. It is delightful to start again. Each time I think I find more to enjoy and admire." They took down the first volume of _Bleak House_ and that afternoon Tony had his first reading. He had always rather enjoyed | {
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said James, who was new to this kind of work. | No speaker | do." "Fond of kids myself,"<|quote|>said James, who was new to this kind of work.</|quote|>"How about one with us?" | strongly about it than I do." "Fond of kids myself,"<|quote|>said James, who was new to this kind of work.</|quote|>"How about one with us?" "Tell me," said Tony, when | the servants. You might very likely happen to strike one who was new to the courts, who'd blurt it out, and then where would we be. I don't like it, Mr Last, and that's the truth." "You can't feel more strongly about it than I do." "Fond of kids myself,"<|quote|>said James, who was new to this kind of work.</|quote|>"How about one with us?" "Tell me," said Tony, when they had been at their table some little time. "You must have observed numerous couples in your time, qualifying for a divorce; tell me, how do they get through their day?" "It's easier in the summer," said Blenkinsop, "the young | it as most irregular and injudicious. It looks wrong, and cases of this kind depend very much on making the right impression. Of course as far as James and me are concerned, the matter is O.K. There won't be a word about it in our evidence. But you can't trust the servants. You might very likely happen to strike one who was new to the courts, who'd blurt it out, and then where would we be. I don't like it, Mr Last, and that's the truth." "You can't feel more strongly about it than I do." "Fond of kids myself,"<|quote|>said James, who was new to this kind of work.</|quote|>"How about one with us?" "Tell me," said Tony, when they had been at their table some little time. "You must have observed numerous couples in your time, qualifying for a divorce; tell me, how do they get through their day?" "It's easier in the summer," said Blenkinsop, "the young ladies usually bathe and the gentlemen read the papers on the esplanade; some goes for motor drives and some just hangs around the bar. They're mostly glad when Monday comes." * * * * * Milly and her child were in the sitting-room when Tony came up. "I've ordered an | to recognize us at all. I don't know what they'd say at the office." "Best respects," said the junior detective. "This is Mr James, my colleague," said the senior detective. "My name is Blenkinsop. James is new to this kind of work." "So am I," said Tony. "A pity we've such a nasty week-end for the job," said Blenkinsop, "very damp and blowy. Gets me in the joints." "Tell me," said Tony. "Is it usual to bring children on an expedition of this kind?" "It is _not_." "I thought it couldn't be." "Since you ask me, Mr Last, I regard it as most irregular and injudicious. It looks wrong, and cases of this kind depend very much on making the right impression. Of course as far as James and me are concerned, the matter is O.K. There won't be a word about it in our evidence. But you can't trust the servants. You might very likely happen to strike one who was new to the courts, who'd blurt it out, and then where would we be. I don't like it, Mr Last, and that's the truth." "You can't feel more strongly about it than I do." "Fond of kids myself,"<|quote|>said James, who was new to this kind of work.</|quote|>"How about one with us?" "Tell me," said Tony, when they had been at their table some little time. "You must have observed numerous couples in your time, qualifying for a divorce; tell me, how do they get through their day?" "It's easier in the summer," said Blenkinsop, "the young ladies usually bathe and the gentlemen read the papers on the esplanade; some goes for motor drives and some just hangs around the bar. They're mostly glad when Monday comes." * * * * * Milly and her child were in the sitting-room when Tony came up. "I've ordered an ice," said Milly. "Quite right." "I want late dinner. I want late dinner." "No, dear, not late dinner. You have an ice up here." Tony returned to the bar. "Mr James," he said. "Did I understand you to say you were fond of children." "Yes, in their right place." "You wouldn't, I suppose, consider dining to-night with the little girl who has accompanied me? I should take it as a great kindness." "Oh no, sir, hardly that." "You would not find me ungrateful." "Well, sir, I don't want to appear unobliging, but it's not part of my duties." He seemed | up with the King's Proctor." "How about a quick one?" said his colleague indifferently. Upstairs, Winnie said, "Where's the sea?" "Just there across the street." "I want to go and see it." "But it's dark now, pet. You shall see it to-morrow." "I want to see it to-night." "You take her to see it now," said Tony. "Sure you won't be lonely?" "Quite sure." "We won't be long." "That's all right. You let her see it properly." Tony went down to the bar where he was pleased to find the two detectives. He felt the need of male company. "Good evening," he said. They looked at him askance. Everything in this case seemed to be happening as though with deliberate design to shock their professional feelings. "Good evening," said the senior detective. "Nasty, raw evening." "Have a drink." Since Tony was paying their expenses in any case, the offer seemed superfluous, but the junior detective brightened instinctively and said, "Don't mind if I do." "Come and sit down. I feel rather lonely." They took their drinks to a table out of hearing of the barman. "Mr Last, sir, this is all _wrong_," said the senior detective. "You haven't no business to recognize us at all. I don't know what they'd say at the office." "Best respects," said the junior detective. "This is Mr James, my colleague," said the senior detective. "My name is Blenkinsop. James is new to this kind of work." "So am I," said Tony. "A pity we've such a nasty week-end for the job," said Blenkinsop, "very damp and blowy. Gets me in the joints." "Tell me," said Tony. "Is it usual to bring children on an expedition of this kind?" "It is _not_." "I thought it couldn't be." "Since you ask me, Mr Last, I regard it as most irregular and injudicious. It looks wrong, and cases of this kind depend very much on making the right impression. Of course as far as James and me are concerned, the matter is O.K. There won't be a word about it in our evidence. But you can't trust the servants. You might very likely happen to strike one who was new to the courts, who'd blurt it out, and then where would we be. I don't like it, Mr Last, and that's the truth." "You can't feel more strongly about it than I do." "Fond of kids myself,"<|quote|>said James, who was new to this kind of work.</|quote|>"How about one with us?" "Tell me," said Tony, when they had been at their table some little time. "You must have observed numerous couples in your time, qualifying for a divorce; tell me, how do they get through their day?" "It's easier in the summer," said Blenkinsop, "the young ladies usually bathe and the gentlemen read the papers on the esplanade; some goes for motor drives and some just hangs around the bar. They're mostly glad when Monday comes." * * * * * Milly and her child were in the sitting-room when Tony came up. "I've ordered an ice," said Milly. "Quite right." "I want late dinner. I want late dinner." "No, dear, not late dinner. You have an ice up here." Tony returned to the bar. "Mr James," he said. "Did I understand you to say you were fond of children." "Yes, in their right place." "You wouldn't, I suppose, consider dining to-night with the little girl who has accompanied me? I should take it as a great kindness." "Oh no, sir, hardly that." "You would not find me ungrateful." "Well, sir, I don't want to appear unobliging, but it's not part of my duties." He seemed to be wavering but Blenkinsop interposed. "Quite out of the question, sir." When Tony left them Blenkinsop spoke from the depth of his experience; it was the first job that he and James had been on together, and he felt under some obligation to put his junior wise. "Our trouble is always the same--to make the clients realize that divorce is a serious matter." Eventually extravagant promises for the morrow, two or three ices, and the slight depression induced by them persuaded Winnie to go to bed. "How are we going to sleep?" asked Milly. "Oh, just as you like." "Just as _you_ like." "Well, perhaps Winnie would be happier with you... she'll have to go into the other room to-morrow morning when they bring in breakfast, of course." So she was tucked up in a corner of the double bed and to Tony's surprise was asleep before they went down to dinner. A change of clothes brought to both Tony and Milly a change of temper. She, in her best evening frock, backless and vermilion, her face newly done and her bleached curls brushed out, her feet in high red shoes, some bracelets on her wrist, a dab of | go with this kind gentleman here. He'll take you to a shop and let you choose the biggest doll you can find and then he'll drive you back in his motor to your home. You'll like that, won't you?" "No," said Winnie. "I want to go to the seaside. I won't go with that man. I don't want a doll. I want to go to the seaside with my mummy." Several people besides the detectives were beginning to take notice of the oddly assorted group. "Oh God!" said Tony. "I suppose she's got to come." The detectives followed at a distance down the platform. Tony settled his companions in a Pullman car. "Look," said Milly, "we're travelling first-class. Isn't that fun? We can have tea." "Can I have an ice?" "I don't expect they've got an ice. But you can have some nice tea." "But I want an ice." "You shall have an ice when you get to Brighton. Now be a good girl and play with your puzzle or mother won't take you to the seaside again." "The Awful Child of popular fiction," said Jock as he left Tony. Winnie sustained the part throughout the journey to Brighton. She was not inventive but she knew the classic routine thoroughly, even to such commonplace but alarming devices as breathing heavily, grunting and complaining of nausea. * * * * * Rooms at the hotel had been engaged for Tony by the solicitors. It was therefore a surprise to the reception clerk when Winnie arrived. "We have reserved in your name double and single communicating rooms, bathroom and sitting-room," he said. "We did not understand you were bringing your daughter. Will you require a further room?" "Oh, Winnie can come in with me," said Milly. The two detectives who were standing nearby at the counter exchanged glances of disapproval. Tony wrote _Mr and Mrs Last_ in the Visitors' Book. "And daughter," said the clerk with his finger on the place. Tony hesitated. "She is my niece," he said, and inscribed her name on another line, as _Miss Smith_. The detective, registering below, remarked to his colleague, "He got out of that all right. Quite smart. But I don't like the look of this case. Most irregular. Sets a nasty, respectable note bringing a kid into it. We've got the firm to consider. It doesn't do them any good to get mixed up with the King's Proctor." "How about a quick one?" said his colleague indifferently. Upstairs, Winnie said, "Where's the sea?" "Just there across the street." "I want to go and see it." "But it's dark now, pet. You shall see it to-morrow." "I want to see it to-night." "You take her to see it now," said Tony. "Sure you won't be lonely?" "Quite sure." "We won't be long." "That's all right. You let her see it properly." Tony went down to the bar where he was pleased to find the two detectives. He felt the need of male company. "Good evening," he said. They looked at him askance. Everything in this case seemed to be happening as though with deliberate design to shock their professional feelings. "Good evening," said the senior detective. "Nasty, raw evening." "Have a drink." Since Tony was paying their expenses in any case, the offer seemed superfluous, but the junior detective brightened instinctively and said, "Don't mind if I do." "Come and sit down. I feel rather lonely." They took their drinks to a table out of hearing of the barman. "Mr Last, sir, this is all _wrong_," said the senior detective. "You haven't no business to recognize us at all. I don't know what they'd say at the office." "Best respects," said the junior detective. "This is Mr James, my colleague," said the senior detective. "My name is Blenkinsop. James is new to this kind of work." "So am I," said Tony. "A pity we've such a nasty week-end for the job," said Blenkinsop, "very damp and blowy. Gets me in the joints." "Tell me," said Tony. "Is it usual to bring children on an expedition of this kind?" "It is _not_." "I thought it couldn't be." "Since you ask me, Mr Last, I regard it as most irregular and injudicious. It looks wrong, and cases of this kind depend very much on making the right impression. Of course as far as James and me are concerned, the matter is O.K. There won't be a word about it in our evidence. But you can't trust the servants. You might very likely happen to strike one who was new to the courts, who'd blurt it out, and then where would we be. I don't like it, Mr Last, and that's the truth." "You can't feel more strongly about it than I do." "Fond of kids myself,"<|quote|>said James, who was new to this kind of work.</|quote|>"How about one with us?" "Tell me," said Tony, when they had been at their table some little time. "You must have observed numerous couples in your time, qualifying for a divorce; tell me, how do they get through their day?" "It's easier in the summer," said Blenkinsop, "the young ladies usually bathe and the gentlemen read the papers on the esplanade; some goes for motor drives and some just hangs around the bar. They're mostly glad when Monday comes." * * * * * Milly and her child were in the sitting-room when Tony came up. "I've ordered an ice," said Milly. "Quite right." "I want late dinner. I want late dinner." "No, dear, not late dinner. You have an ice up here." Tony returned to the bar. "Mr James," he said. "Did I understand you to say you were fond of children." "Yes, in their right place." "You wouldn't, I suppose, consider dining to-night with the little girl who has accompanied me? I should take it as a great kindness." "Oh no, sir, hardly that." "You would not find me ungrateful." "Well, sir, I don't want to appear unobliging, but it's not part of my duties." He seemed to be wavering but Blenkinsop interposed. "Quite out of the question, sir." When Tony left them Blenkinsop spoke from the depth of his experience; it was the first job that he and James had been on together, and he felt under some obligation to put his junior wise. "Our trouble is always the same--to make the clients realize that divorce is a serious matter." Eventually extravagant promises for the morrow, two or three ices, and the slight depression induced by them persuaded Winnie to go to bed. "How are we going to sleep?" asked Milly. "Oh, just as you like." "Just as _you_ like." "Well, perhaps Winnie would be happier with you... she'll have to go into the other room to-morrow morning when they bring in breakfast, of course." So she was tucked up in a corner of the double bed and to Tony's surprise was asleep before they went down to dinner. A change of clothes brought to both Tony and Milly a change of temper. She, in her best evening frock, backless and vermilion, her face newly done and her bleached curls brushed out, her feet in high red shoes, some bracelets on her wrist, a dab of scent behind the large sham pearls in her ears, shook off the cares of domesticity and was once more in uniform, reporting for duty, a legionary ordered for active service after the enervating restraints of a winter in barracks; and Tony, filling his cigar case before the mirror, and slipping it into the pocket of his dinner jacket, reminded himself that phantasmagoric, and even gruesome as the situation might seem to him, he was nevertheless a host, so that he knocked at the communicating door and passed with a calm manner into his guest's room; for a month now he had lived in a world suddenly bereft of order; it was as though the whole reasonable and decent constitution of things, the sum of all he had experienced or learned to expect, were an inconspicuous, inconsiderable object mislaid somewhere on the dressing table; no outrageous circumstance in which he found himself, no new, mad thing brought to his notice, could add a jot to the all-encompassing chaos that shrieked about his ears. He smiled at Milly from the doorway. "Charming," he said, "perfectly charming. Shall we go down to dinner?" Their rooms were on the first floor. Step by step, with her hand on his arm, they descended the staircase into the bright hall below. "Cheer up," said Milly. "You have a tongue sandwich. That'll make you talk." "Sorry, am I being a bore?" "I was only joking. You are a serious boy, aren't you?" In spite of the savage weather the hotel seemed full of week-end visitors. More were arriving through the swing doors, their eyes moist and their cheeks rigid from the icy cold outside. "Yids," explained Milly superfluously. "Still, it's nice to get a change from the club once in a while." One of the new arrivals was a friend of Milly's. He was supervising the collection of his luggage. Anywhere else he would have been a noticeable figure, for he wore a large fur coat and a beret; under the coat appeared tartan stockings and black and white shoes. "Take "em up and get "em unpacked and quick about it," he said. He was a stout little young man. His companion, also in furs, was staring resentfully at one of the showcases that embellished the hall. "Oh, for Christ's sake," she said. Milly and the young man greeted each other. "This is Dan," she said. "Well, | hotel had been engaged for Tony by the solicitors. It was therefore a surprise to the reception clerk when Winnie arrived. "We have reserved in your name double and single communicating rooms, bathroom and sitting-room," he said. "We did not understand you were bringing your daughter. Will you require a further room?" "Oh, Winnie can come in with me," said Milly. The two detectives who were standing nearby at the counter exchanged glances of disapproval. Tony wrote _Mr and Mrs Last_ in the Visitors' Book. "And daughter," said the clerk with his finger on the place. Tony hesitated. "She is my niece," he said, and inscribed her name on another line, as _Miss Smith_. The detective, registering below, remarked to his colleague, "He got out of that all right. Quite smart. But I don't like the look of this case. Most irregular. Sets a nasty, respectable note bringing a kid into it. We've got the firm to consider. It doesn't do them any good to get mixed up with the King's Proctor." "How about a quick one?" said his colleague indifferently. Upstairs, Winnie said, "Where's the sea?" "Just there across the street." "I want to go and see it." "But it's dark now, pet. You shall see it to-morrow." "I want to see it to-night." "You take her to see it now," said Tony. "Sure you won't be lonely?" "Quite sure." "We won't be long." "That's all right. You let her see it properly." Tony went down to the bar where he was pleased to find the two detectives. He felt the need of male company. "Good evening," he said. They looked at him askance. Everything in this case seemed to be happening as though with deliberate design to shock their professional feelings. "Good evening," said the senior detective. "Nasty, raw evening." "Have a drink." Since Tony was paying their expenses in any case, the offer seemed superfluous, but the junior detective brightened instinctively and said, "Don't mind if I do." "Come and sit down. I feel rather lonely." They took their drinks to a table out of hearing of the barman. "Mr Last, sir, this is all _wrong_," said the senior detective. "You haven't no business to recognize us at all. I don't know what they'd say at the office." "Best respects," said the junior detective. "This is Mr James, my colleague," said the senior detective. "My name is Blenkinsop. James is new to this kind of work." "So am I," said Tony. "A pity we've such a nasty week-end for the job," said Blenkinsop, "very damp and blowy. Gets me in the joints." "Tell me," said Tony. "Is it usual to bring children on an expedition of this kind?" "It is _not_." "I thought it couldn't be." "Since you ask me, Mr Last, I regard it as most irregular and injudicious. It looks wrong, and cases of this kind depend very much on making the right impression. Of course as far as James and me are concerned, the matter is O.K. There won't be a word about it in our evidence. But you can't trust the servants. You might very likely happen to strike one who was new to the courts, who'd blurt it out, and then where would we be. I don't like it, Mr Last, and that's the truth." "You can't feel more strongly about it than I do." "Fond of kids myself,"<|quote|>said James, who was new to this kind of work.</|quote|>"How about one with us?" "Tell me," said Tony, when they had been at their table some little time. "You must have observed numerous couples in your time, qualifying for a divorce; tell me, how do they get through their day?" "It's easier in the summer," said Blenkinsop, "the young ladies usually bathe and the gentlemen read the papers on the esplanade; some goes for motor drives and some just hangs around the bar. They're mostly glad when Monday comes." * * * * * Milly and her child were in the sitting-room when Tony came up. "I've ordered an ice," said Milly. "Quite right." "I want late dinner. I want late dinner." "No, dear, not late dinner. You have an ice up here." Tony returned to the bar. "Mr James," he said. "Did I understand you to say you were fond of children." "Yes, in their right place." "You wouldn't, I suppose, consider dining to-night with the little girl who has accompanied me? I should take it as a great kindness." "Oh no, sir, hardly that." "You would not find me ungrateful." "Well, sir, I don't want to appear unobliging, but it's not part of my duties." He seemed to be wavering but Blenkinsop interposed. "Quite out of the question, sir." When Tony left them Blenkinsop spoke from the depth of his experience; it was the first job that he and James had been on together, and he felt under some obligation to put his junior wise. "Our trouble is always the same--to make the clients realize that divorce is a serious matter." Eventually extravagant promises for the morrow, two or three ices, and the slight depression induced by them persuaded Winnie to go to bed. "How are we going to sleep?" asked Milly. "Oh, just as you like." "Just as _you_ like." "Well, perhaps Winnie would be happier with you... she'll have to go into the other room to-morrow morning when they bring in breakfast, of course." So she was tucked up in a corner of the double bed and to Tony's surprise was asleep before they went down to dinner. A change of clothes brought to both Tony and Milly a change of temper. She, in her best evening frock, backless and vermilion, her face newly done and her bleached curls brushed | A Handful Of Dust | the servants. You might very likely happen to strike one who was new to the courts, who'd blurt it out, and then where would we be. I don't like it, Mr Last, and that's the truth." "You can't feel more strongly about it than I do." "Fond of kids myself,"<|quote|>said James, who was new to this kind of work.</|quote|>"How about one with us?" "Tell me," said Tony, when they had been at their table some little time. "You must have observed numerous couples in your time, qualifying for a divorce; tell me, how do they get through their day?" "It's easier in the summer," said Blenkinsop, "the young | {
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"content": "the servants. You might very likely happen to strike one who was new to the courts, who'd blurt it out, and then where would we be. I don't like it, Mr Last, and that's the truth.\" \"You can't feel more strongly about it than I do.\" \"Fond of kids myself,\"<|quote|>said James, who was new to this kind of work.</|quote|>\"How about one with us?\" \"Tell me,\" said Tony, when they had been at their table some little time. \"You must have observed numerous couples in your time, qualifying for a divorce; tell me, how do they get through their day?\" \"It's easier in the summer,\" said Blenkinsop, \"the young",
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The poor little thing sobbed again (or grunted, it was impossible to say which), and they went on for some while in silence. Alice was just beginning to think to herself, | No speaker | do with you. Mind now!"<|quote|>The poor little thing sobbed again (or grunted, it was impossible to say which), and they went on for some while in silence. Alice was just beginning to think to herself,</|quote|>"Now, what am I to | "I'll have nothing more to do with you. Mind now!"<|quote|>The poor little thing sobbed again (or grunted, it was impossible to say which), and they went on for some while in silence. Alice was just beginning to think to herself,</|quote|>"Now, what am I to do with this creature when | all. "But perhaps it was only sobbing," she thought, and looked into its eyes again, to see if there were any tears. No, there were no tears. "If you're going to turn into a pig, my dear," said Alice, seriously, "I'll have nothing more to do with you. Mind now!"<|quote|>The poor little thing sobbed again (or grunted, it was impossible to say which), and they went on for some while in silence. Alice was just beginning to think to herself,</|quote|>"Now, what am I to do with this creature when I get it home?" when it grunted again, so violently, that she looked down into its face in some alarm. This time there could be _no_ mistake about it: it was neither more nor less than a pig, and she | to see what was the matter with it. There could be no doubt that it had a _very_ turn-up nose, much more like a snout than a real nose; also its eyes were getting extremely small for a baby: altogether Alice did not like the look of the thing at all. "But perhaps it was only sobbing," she thought, and looked into its eyes again, to see if there were any tears. No, there were no tears. "If you're going to turn into a pig, my dear," said Alice, seriously, "I'll have nothing more to do with you. Mind now!"<|quote|>The poor little thing sobbed again (or grunted, it was impossible to say which), and they went on for some while in silence. Alice was just beginning to think to herself,</|quote|>"Now, what am I to do with this creature when I get it home?" when it grunted again, so violently, that she looked down into its face in some alarm. This time there could be _no_ mistake about it: it was neither more nor less than a pig, and she felt that it would be quite absurd for her to carry it further. So she set the little creature down, and felt quite relieved to see it trot away quietly into the wood. "If it had grown up," she said to herself, "it would have made a dreadfully ugly child: | hold of its right ear and left foot, so as to prevent its undoing itself,) she carried it out into the open air. "If I don't take this child away with me," thought Alice, "they're sure to kill it in a day or two: wouldn't it be murder to leave it behind?" She said the last words out loud, and the little thing grunted in reply (it had left off sneezing by this time). "Don't grunt," said Alice; "that's not at all a proper way of expressing yourself." The baby grunted again, and Alice looked very anxiously into its face to see what was the matter with it. There could be no doubt that it had a _very_ turn-up nose, much more like a snout than a real nose; also its eyes were getting extremely small for a baby: altogether Alice did not like the look of the thing at all. "But perhaps it was only sobbing," she thought, and looked into its eyes again, to see if there were any tears. No, there were no tears. "If you're going to turn into a pig, my dear," said Alice, seriously, "I'll have nothing more to do with you. Mind now!"<|quote|>The poor little thing sobbed again (or grunted, it was impossible to say which), and they went on for some while in silence. Alice was just beginning to think to herself,</|quote|>"Now, what am I to do with this creature when I get it home?" when it grunted again, so violently, that she looked down into its face in some alarm. This time there could be _no_ mistake about it: it was neither more nor less than a pig, and she felt that it would be quite absurd for her to carry it further. So she set the little creature down, and felt quite relieved to see it trot away quietly into the wood. "If it had grown up," she said to herself, "it would have made a dreadfully ugly child: but it makes rather a handsome pig, I think." And she began thinking over other children she knew, who might do very well as pigs, and was just saying to herself, "if one only knew the right way to change them--" when she was a little startled by seeing the Cheshire Cat sitting on a bough of a tree a few yards off. The Cat only grinned when it saw Alice. It looked good-natured, she thought: still it had _very_ long claws and a great many teeth, so she felt that it ought to be treated with respect. "Cheshire Puss," | down, and the poor little thing howled so, that Alice could hardly hear the words:-- ""I speak severely to my boy, I beat him when he sneezes; For he can thoroughly enjoy The pepper when he pleases!"" CHORUS. "Wow! wow! wow!" "Here! you may nurse it a bit, if you like!" the Duchess said to Alice, flinging the baby at her as she spoke. "I must go and get ready to play croquet with the Queen," and she hurried out of the room. The cook threw a frying-pan after her as she went out, but it just missed her. Alice caught the baby with some difficulty, as it was a queer-shaped little creature, and held out its arms and legs in all directions, "just like a star-fish," thought Alice. The poor little thing was snorting like a steam-engine when she caught it, and kept doubling itself up and straightening itself out again, so that altogether, for the first minute or two, it was as much as she could do to hold it. As soon as she had made out the proper way of nursing it, (which was to twist it up into a sort of knot, and then keep tight hold of its right ear and left foot, so as to prevent its undoing itself,) she carried it out into the open air. "If I don't take this child away with me," thought Alice, "they're sure to kill it in a day or two: wouldn't it be murder to leave it behind?" She said the last words out loud, and the little thing grunted in reply (it had left off sneezing by this time). "Don't grunt," said Alice; "that's not at all a proper way of expressing yourself." The baby grunted again, and Alice looked very anxiously into its face to see what was the matter with it. There could be no doubt that it had a _very_ turn-up nose, much more like a snout than a real nose; also its eyes were getting extremely small for a baby: altogether Alice did not like the look of the thing at all. "But perhaps it was only sobbing," she thought, and looked into its eyes again, to see if there were any tears. No, there were no tears. "If you're going to turn into a pig, my dear," said Alice, seriously, "I'll have nothing more to do with you. Mind now!"<|quote|>The poor little thing sobbed again (or grunted, it was impossible to say which), and they went on for some while in silence. Alice was just beginning to think to herself,</|quote|>"Now, what am I to do with this creature when I get it home?" when it grunted again, so violently, that she looked down into its face in some alarm. This time there could be _no_ mistake about it: it was neither more nor less than a pig, and she felt that it would be quite absurd for her to carry it further. So she set the little creature down, and felt quite relieved to see it trot away quietly into the wood. "If it had grown up," she said to herself, "it would have made a dreadfully ugly child: but it makes rather a handsome pig, I think." And she began thinking over other children she knew, who might do very well as pigs, and was just saying to herself, "if one only knew the right way to change them--" when she was a little startled by seeing the Cheshire Cat sitting on a bough of a tree a few yards off. The Cat only grinned when it saw Alice. It looked good-natured, she thought: still it had _very_ long claws and a great many teeth, so she felt that it ought to be treated with respect. "Cheshire Puss," she began, rather timidly, as she did not at all know whether it would like the name: however, it only grinned a little wider. "Come, it's pleased so far," thought Alice, and she went on. "Would you tell me, please, which way I ought to go from here?" "That depends a good deal on where you want to get to," said the Cat. "I don't much care where--" said Alice. "Then it doesn't matter which way you go," said the Cat. "--so long as I get _somewhere_," Alice added as an explanation. "Oh, you're sure to do that," said the Cat, "if you only walk long enough." Alice felt that this could not be denied, so she tried another question. "What sort of people live about here?" "In _that_ direction," the Cat said, waving its right paw round, "lives a Hatter: and in _that_ direction," waving the other paw, "lives a March Hare. Visit either you like: they're both mad." "But I don't want to go among mad people," Alice remarked. "Oh, you can't help that," said the Cat: "we're all mad here. I'm mad. You're mad." "How do you know I'm mad?" said Alice. "You must be," said the | "I don't know of any that do," Alice said very politely, feeling quite pleased to have got into a conversation. "You don't know much," said the Duchess; "and that's a fact." Alice did not at all like the tone of this remark, and thought it would be as well to introduce some other subject of conversation. While she was trying to fix on one, the cook took the cauldron of soup off the fire, and at once set to work throwing everything within her reach at the Duchess and the baby--the fire-irons came first; then followed a shower of saucepans, plates, and dishes. The Duchess took no notice of them even when they hit her; and the baby was howling so much already, that it was quite impossible to say whether the blows hurt it or not. "Oh, _please_ mind what you're doing!" cried Alice, jumping up and down in an agony of terror. "Oh, there goes his _precious_ nose!" as an unusually large saucepan flew close by it, and very nearly carried it off. "If everybody minded their own business," the Duchess said in a hoarse growl, "the world would go round a deal faster than it does." "Which would _not_ be an advantage," said Alice, who felt very glad to get an opportunity of showing off a little of her knowledge. "Just think of what work it would make with the day and night! You see the earth takes twenty-four hours to turn round on its axis--" "Talking of axes," said the Duchess, "chop off her head!" Alice glanced rather anxiously at the cook, to see if she meant to take the hint; but the cook was busily stirring the soup, and seemed not to be listening, so she went on again: "Twenty-four hours, I _think_; or is it twelve? I--" "Oh, don't bother _me_," said the Duchess; "I never could abide figures!" And with that she began nursing her child again, singing a sort of lullaby to it as she did so, and giving it a violent shake at the end of every line: ""Speak roughly to your little boy, And beat him when he sneezes: He only does it to annoy, Because he knows it teases."" CHORUS. (In which the cook and the baby joined): "Wow! wow! wow!" While the Duchess sang the second verse of the song, she kept tossing the baby violently up and down, and the poor little thing howled so, that Alice could hardly hear the words:-- ""I speak severely to my boy, I beat him when he sneezes; For he can thoroughly enjoy The pepper when he pleases!"" CHORUS. "Wow! wow! wow!" "Here! you may nurse it a bit, if you like!" the Duchess said to Alice, flinging the baby at her as she spoke. "I must go and get ready to play croquet with the Queen," and she hurried out of the room. The cook threw a frying-pan after her as she went out, but it just missed her. Alice caught the baby with some difficulty, as it was a queer-shaped little creature, and held out its arms and legs in all directions, "just like a star-fish," thought Alice. The poor little thing was snorting like a steam-engine when she caught it, and kept doubling itself up and straightening itself out again, so that altogether, for the first minute or two, it was as much as she could do to hold it. As soon as she had made out the proper way of nursing it, (which was to twist it up into a sort of knot, and then keep tight hold of its right ear and left foot, so as to prevent its undoing itself,) she carried it out into the open air. "If I don't take this child away with me," thought Alice, "they're sure to kill it in a day or two: wouldn't it be murder to leave it behind?" She said the last words out loud, and the little thing grunted in reply (it had left off sneezing by this time). "Don't grunt," said Alice; "that's not at all a proper way of expressing yourself." The baby grunted again, and Alice looked very anxiously into its face to see what was the matter with it. There could be no doubt that it had a _very_ turn-up nose, much more like a snout than a real nose; also its eyes were getting extremely small for a baby: altogether Alice did not like the look of the thing at all. "But perhaps it was only sobbing," she thought, and looked into its eyes again, to see if there were any tears. No, there were no tears. "If you're going to turn into a pig, my dear," said Alice, seriously, "I'll have nothing more to do with you. Mind now!"<|quote|>The poor little thing sobbed again (or grunted, it was impossible to say which), and they went on for some while in silence. Alice was just beginning to think to herself,</|quote|>"Now, what am I to do with this creature when I get it home?" when it grunted again, so violently, that she looked down into its face in some alarm. This time there could be _no_ mistake about it: it was neither more nor less than a pig, and she felt that it would be quite absurd for her to carry it further. So she set the little creature down, and felt quite relieved to see it trot away quietly into the wood. "If it had grown up," she said to herself, "it would have made a dreadfully ugly child: but it makes rather a handsome pig, I think." And she began thinking over other children she knew, who might do very well as pigs, and was just saying to herself, "if one only knew the right way to change them--" when she was a little startled by seeing the Cheshire Cat sitting on a bough of a tree a few yards off. The Cat only grinned when it saw Alice. It looked good-natured, she thought: still it had _very_ long claws and a great many teeth, so she felt that it ought to be treated with respect. "Cheshire Puss," she began, rather timidly, as she did not at all know whether it would like the name: however, it only grinned a little wider. "Come, it's pleased so far," thought Alice, and she went on. "Would you tell me, please, which way I ought to go from here?" "That depends a good deal on where you want to get to," said the Cat. "I don't much care where--" said Alice. "Then it doesn't matter which way you go," said the Cat. "--so long as I get _somewhere_," Alice added as an explanation. "Oh, you're sure to do that," said the Cat, "if you only walk long enough." Alice felt that this could not be denied, so she tried another question. "What sort of people live about here?" "In _that_ direction," the Cat said, waving its right paw round, "lives a Hatter: and in _that_ direction," waving the other paw, "lives a March Hare. Visit either you like: they're both mad." "But I don't want to go among mad people," Alice remarked. "Oh, you can't help that," said the Cat: "we're all mad here. I'm mad. You're mad." "How do you know I'm mad?" said Alice. "You must be," said the Cat, "or you wouldn't have come here." Alice didn't think that proved it at all; however, she went on "And how do you know that you're mad?" "To begin with," said the Cat, "a dog's not mad. You grant that?" "I suppose so," said Alice. "Well, then," the Cat went on, "you see, a dog growls when it's angry, and wags its tail when it's pleased. Now _I_ growl when I'm pleased, and wag my tail when I'm angry. Therefore I'm mad." "_I_ call it purring, not growling," said Alice. "Call it what you like," said the Cat. "Do you play croquet with the Queen to-day?" "I should like it very much," said Alice, "but I haven't been invited yet." "You'll see me there," said the Cat, and vanished. Alice was not much surprised at this, she was getting so used to queer things happening. While she was looking at the place where it had been, it suddenly appeared again. "By-the-bye, what became of the baby?" said the Cat. "I'd nearly forgotten to ask." "It turned into a pig," Alice quietly said, just as if it had come back in a natural way. "I thought it would," said the Cat, and vanished again. Alice waited a little, half expecting to see it again, but it did not appear, and after a minute or two she walked on in the direction in which the March Hare was said to live. "I've seen hatters before," she said to herself; "the March Hare will be much the most interesting, and perhaps as this is May it won't be raving mad--at least not so mad as it was in March." As she said this, she looked up, and there was the Cat again, sitting on a branch of a tree. "Did you say pig, or fig?" said the Cat. "I said pig," replied Alice; "and I wish you wouldn't keep appearing and vanishing so suddenly: you make one quite giddy." "All right," said the Cat; and this time it vanished quite slowly, beginning with the end of the tail, and ending with the grin, which remained some time after the rest of it had gone. "Well! I've often seen a cat without a grin," thought Alice; "but a grin without a cat! It's the most curious thing I ever saw in my life!" She had not gone much farther before she came in sight | hold it. As soon as she had made out the proper way of nursing it, (which was to twist it up into a sort of knot, and then keep tight hold of its right ear and left foot, so as to prevent its undoing itself,) she carried it out into the open air. "If I don't take this child away with me," thought Alice, "they're sure to kill it in a day or two: wouldn't it be murder to leave it behind?" She said the last words out loud, and the little thing grunted in reply (it had left off sneezing by this time). "Don't grunt," said Alice; "that's not at all a proper way of expressing yourself." The baby grunted again, and Alice looked very anxiously into its face to see what was the matter with it. There could be no doubt that it had a _very_ turn-up nose, much more like a snout than a real nose; also its eyes were getting extremely small for a baby: altogether Alice did not like the look of the thing at all. "But perhaps it was only sobbing," she thought, and looked into its eyes again, to see if there were any tears. No, there were no tears. "If you're going to turn into a pig, my dear," said Alice, seriously, "I'll have nothing more to do with you. Mind now!"<|quote|>The poor little thing sobbed again (or grunted, it was impossible to say which), and they went on for some while in silence. Alice was just beginning to think to herself,</|quote|>"Now, what am I to do with this creature when I get it home?" when it grunted again, so violently, that she looked down into its face in some alarm. This time there could be _no_ mistake about it: it was neither more nor less than a pig, and she felt that it would be quite absurd for her to carry it further. So she set the little creature down, and felt quite relieved to see it trot away quietly into the wood. "If it had grown up," she said to herself, "it would have made a dreadfully ugly child: but it makes rather a handsome pig, I think." And she began thinking over other children she knew, who might do very well as pigs, and was just saying to herself, "if one only knew the right way to change them--" when she was a little startled by seeing the Cheshire Cat sitting on a bough of a tree a few yards off. The Cat only grinned when it saw Alice. It looked good-natured, she thought: still it had _very_ long claws and a great many teeth, so she felt that it ought to be treated with respect. "Cheshire Puss," she began, rather timidly, as she did not at all know whether it would like the name: however, it only grinned a little wider. "Come, it's pleased so far," thought Alice, and she went on. "Would you tell me, please, which way I ought to go from here?" "That depends a good deal on where you want to get to," said the Cat. "I don't much care where--" said Alice. "Then it doesn't matter which way you go," said the Cat. "--so long as I get _somewhere_," Alice added as an explanation. "Oh, you're sure to do that," said the Cat, "if you only walk long enough." Alice felt that this could not be denied, so she tried another question. "What sort of people live about here?" "In _that_ direction," the Cat said, waving its right paw round, "lives a Hatter: and in _that_ direction," waving the other paw, "lives a March Hare. Visit either you like: they're both mad." "But I don't want to go among mad people," Alice remarked. "Oh, you can't help that," said the Cat: "we're all mad here. I'm mad. You're mad." "How do you know I'm mad?" said Alice. "You must be," said the Cat, "or you wouldn't have come here." Alice didn't think that proved it at all; however, she went on "And how do you know that you're mad?" "To begin with," said the Cat, "a dog's not mad. You grant that?" "I suppose so," said Alice. "Well, then," the Cat went on, "you see, a dog growls when it's angry, and wags its tail when it's pleased. Now _I_ growl when I'm pleased, and wag my tail when I'm angry. Therefore I'm mad." "_I_ call it purring, not growling," said Alice. "Call it what you like," said the Cat. "Do you play croquet with the Queen to-day?" "I should like it very much," said Alice, "but I haven't been invited yet." "You'll see me there," said the Cat, and vanished. Alice was not much surprised at this, she was getting so used | Alices Adventures In Wonderland | all. "But perhaps it was only sobbing," she thought, and looked into its eyes again, to see if there were any tears. No, there were no tears. "If you're going to turn into a pig, my dear," said Alice, seriously, "I'll have nothing more to do with you. Mind now!"<|quote|>The poor little thing sobbed again (or grunted, it was impossible to say which), and they went on for some while in silence. Alice was just beginning to think to herself,</|quote|>"Now, what am I to do with this creature when I get it home?" when it grunted again, so violently, that she looked down into its face in some alarm. This time there could be _no_ mistake about it: it was neither more nor less than a pig, and she | {
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"content": "all. \"But perhaps it was only sobbing,\" she thought, and looked into its eyes again, to see if there were any tears. No, there were no tears. \"If you're going to turn into a pig, my dear,\" said Alice, seriously, \"I'll have nothing more to do with you. Mind now!\"<|quote|>The poor little thing sobbed again (or grunted, it was impossible to say which), and they went on for some while in silence. Alice was just beginning to think to herself,</|quote|>\"Now, what am I to do with this creature when I get it home?\" when it grunted again, so violently, that she looked down into its face in some alarm. This time there could be _no_ mistake about it: it was neither more nor less than a pig, and she",
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said Anne resolutely. Diana stared. | No speaker | in to tell her myself,"<|quote|>said Anne resolutely. Diana stared.</|quote|>"Anne Shirley, you'd never! why--she'll | as you." "Well, I'm going in to tell her myself,"<|quote|>said Anne resolutely. Diana stared.</|quote|>"Anne Shirley, you'd never! why--she'll eat you alive!" "Don't frighten | do." "Why didn't you tell them it was my fault?" demanded Anne. "It's likely I'd do such a thing, isn't it?" said Diana with just scorn. "I'm no telltale, Anne Shirley, and anyhow I was just as much to blame as you." "Well, I'm going in to tell her myself,"<|quote|>said Anne resolutely. Diana stared.</|quote|>"Anne Shirley, you'd never! why--she'll eat you alive!" "Don't frighten me any more than I am frightened," implored Anne. "I'd rather walk up to a cannon's mouth. But I've got to do it, Diana. It was my fault and I've got to confess. I've had practice in confessing, fortunately." "Well, | fairly dancing with rage, Anne. Oh, how she scolded. She said I was the worst-behaved girl she ever saw and that my parents ought to be ashamed of the way they had brought me up. She says she won't stay and I'm sure I don't care. But Father and Mother do." "Why didn't you tell them it was my fault?" demanded Anne. "It's likely I'd do such a thing, isn't it?" said Diana with just scorn. "I'm no telltale, Anne Shirley, and anyhow I was just as much to blame as you." "Well, I'm going in to tell her myself,"<|quote|>said Anne resolutely. Diana stared.</|quote|>"Anne Shirley, you'd never! why--she'll eat you alive!" "Don't frighten me any more than I am frightened," implored Anne. "I'd rather walk up to a cannon's mouth. But I've got to do it, Diana. It was my fault and I've got to confess. I've had practice in confessing, fortunately." "Well, she's in the room," said Diana. "You can go in if you want to. I wouldn't dare. And I don't believe you'll do a bit of good." With this encouragement Anne bearded the lion in its den--that is to say, walked resolutely up to the sitting-room door and knocked faintly. | that's what. The proverb you need to go by is ?Look before you leap'--especially into spare-room beds." Mrs. Lynde laughed comfortably over her mild joke, but Anne remained pensive. She saw nothing to laugh at in the situation, which to her eyes appeared very serious. When she left Mrs. Lynde's she took her way across the crusted fields to Orchard Slope. Diana met her at the kitchen door. "Your Aunt Josephine was very cross about it, wasn't she?" whispered Anne. "Yes," answered Diana, stifling a giggle with an apprehensive glance over her shoulder at the closed sitting-room door. "She was fairly dancing with rage, Anne. Oh, how she scolded. She said I was the worst-behaved girl she ever saw and that my parents ought to be ashamed of the way they had brought me up. She says she won't stay and I'm sure I don't care. But Father and Mother do." "Why didn't you tell them it was my fault?" demanded Anne. "It's likely I'd do such a thing, isn't it?" said Diana with just scorn. "I'm no telltale, Anne Shirley, and anyhow I was just as much to blame as you." "Well, I'm going in to tell her myself,"<|quote|>said Anne resolutely. Diana stared.</|quote|>"Anne Shirley, you'd never! why--she'll eat you alive!" "Don't frighten me any more than I am frightened," implored Anne. "I'd rather walk up to a cannon's mouth. But I've got to do it, Diana. It was my fault and I've got to confess. I've had practice in confessing, fortunately." "Well, she's in the room," said Diana. "You can go in if you want to. I wouldn't dare. And I don't believe you'll do a bit of good." With this encouragement Anne bearded the lion in its den--that is to say, walked resolutely up to the sitting-room door and knocked faintly. A sharp "Come in" followed. Miss Josephine Barry, thin, prim, and rigid, was knitting fiercely by the fire, her wrath quite unappeased and her eyes snapping through her gold-rimmed glasses. She wheeled around in her chair, expecting to see Diana, and beheld a white-faced girl whose great eyes were brimmed up with a mixture of desperate courage and shrinking terror. "Who are you?" demanded Miss Josephine Barry, without ceremony. "I'm Anne of Green Gables," said the small visitor tremulously, clasping her hands with her characteristic gesture, "and I've come to confess, if you please." "Confess what?" "That it was all | for Diana, but now she is determined to do nothing at all for such a tomboy. Oh, I guess they had a lively time of it there this morning. The Barrys must feel cut up. Old Miss Barry is rich and they'd like to keep on the good side of her. Of course, Mrs. Barry didn't say just that to me, but I'm a pretty good judge of human nature, that's what." "I'm such an unlucky girl," mourned Anne. "I'm always getting into scrapes myself and getting my best friends--people I'd shed my heart's blood for--into them too. Can you tell me why it is so, Mrs. Lynde?" "It's because you're too heedless and impulsive, child, that's what. You never stop to think--whatever comes into your head to say or do you say or do it without a moment's reflection." "Oh, but that's the best of it," protested Anne. "Something just flashes into your mind, so exciting, and you must out with it. If you stop to think it over you spoil it all. Haven't you never felt that yourself, Mrs. Lynde?" No, Mrs. Lynde had not. She shook her head sagely. "You must learn to think a little, Anne, that's what. The proverb you need to go by is ?Look before you leap'--especially into spare-room beds." Mrs. Lynde laughed comfortably over her mild joke, but Anne remained pensive. She saw nothing to laugh at in the situation, which to her eyes appeared very serious. When she left Mrs. Lynde's she took her way across the crusted fields to Orchard Slope. Diana met her at the kitchen door. "Your Aunt Josephine was very cross about it, wasn't she?" whispered Anne. "Yes," answered Diana, stifling a giggle with an apprehensive glance over her shoulder at the closed sitting-room door. "She was fairly dancing with rage, Anne. Oh, how she scolded. She said I was the worst-behaved girl she ever saw and that my parents ought to be ashamed of the way they had brought me up. She says she won't stay and I'm sure I don't care. But Father and Mother do." "Why didn't you tell them it was my fault?" demanded Anne. "It's likely I'd do such a thing, isn't it?" said Diana with just scorn. "I'm no telltale, Anne Shirley, and anyhow I was just as much to blame as you." "Well, I'm going in to tell her myself,"<|quote|>said Anne resolutely. Diana stared.</|quote|>"Anne Shirley, you'd never! why--she'll eat you alive!" "Don't frighten me any more than I am frightened," implored Anne. "I'd rather walk up to a cannon's mouth. But I've got to do it, Diana. It was my fault and I've got to confess. I've had practice in confessing, fortunately." "Well, she's in the room," said Diana. "You can go in if you want to. I wouldn't dare. And I don't believe you'll do a bit of good." With this encouragement Anne bearded the lion in its den--that is to say, walked resolutely up to the sitting-room door and knocked faintly. A sharp "Come in" followed. Miss Josephine Barry, thin, prim, and rigid, was knitting fiercely by the fire, her wrath quite unappeased and her eyes snapping through her gold-rimmed glasses. She wheeled around in her chair, expecting to see Diana, and beheld a white-faced girl whose great eyes were brimmed up with a mixture of desperate courage and shrinking terror. "Who are you?" demanded Miss Josephine Barry, without ceremony. "I'm Anne of Green Gables," said the small visitor tremulously, clasping her hands with her characteristic gesture, "and I've come to confess, if you please." "Confess what?" "That it was all my fault about jumping into bed on you last night. I suggested it. Diana would never have thought of such a thing, I am sure. Diana is a very ladylike girl, Miss Barry. So you must see how unjust it is to blame her." "Oh, I must, hey? I rather think Diana did her share of the jumping at least. Such carryings on in a respectable house!" "But we were only in fun," persisted Anne. "I think you ought to forgive us, Miss Barry, now that we've apologized. And anyhow, please forgive Diana and let her have her music lessons. Diana's heart is set on her music lessons, Miss Barry, and I know too well what it is to set your heart on a thing and not get it. If you must be cross with anyone, be cross with me. I've been so used in my early days to having people cross at me that I can endure it much better than Diana can." Much of the snap had gone out of the old lady's eyes by this time and was replaced by a twinkle of amused interest. But she still said severely: "I don't think it is any excuse | came to be there. Oh, and I know she will be furious. It's dreadful--it's really dreadful--but did you ever know anything so funny, Anne?" "Who is your Aunt Josephine?" "She's father's aunt and she lives in Charlottetown. She's awfully old--seventy anyhow--and I don't believe she was _ever_ a little girl. We were expecting her out for a visit, but not so soon. She's awfully prim and proper and she'll scold dreadfully about this, I know. Well, we'll have to sleep with Minnie May--and you can't think how she kicks." Miss Josephine Barry did not appear at the early breakfast the next morning. Mrs. Barry smiled kindly at the two little girls. "Did you have a good time last night? I tried to stay awake until you came home, for I wanted to tell you Aunt Josephine had come and that you would have to go upstairs after all, but I was so tired I fell asleep. I hope you didn't disturb your aunt, Diana." Diana preserved a discreet silence, but she and Anne exchanged furtive smiles of guilty amusement across the table. Anne hurried home after breakfast and so remained in blissful ignorance of the disturbance which presently resulted in the Barry household until the late afternoon, when she went down to Mrs. Lynde's on an errand for Marilla. "So you and Diana nearly frightened poor old Miss Barry to death last night?" said Mrs. Lynde severely, but with a twinkle in her eye. "Mrs. Barry was here a few minutes ago on her way to Carmody. She's feeling real worried over it. Old Miss Barry was in a terrible temper when she got up this morning--and Josephine Barry's temper is no joke, I can tell you that. She wouldn't speak to Diana at all." "It wasn't Diana's fault," said Anne contritely. "It was mine. I suggested racing to see who would get into bed first." "I knew it!" said Mrs. Lynde, with the exultation of a correct guesser. "I knew that idea came out of your head. Well, it's made a nice lot of trouble, that's what. Old Miss Barry came out to stay for a month, but she declares she won't stay another day and is going right back to town tomorrow, Sunday and all as it is. She'd have gone today if they could have taken her. She had promised to pay for a quarter's music lessons for Diana, but now she is determined to do nothing at all for such a tomboy. Oh, I guess they had a lively time of it there this morning. The Barrys must feel cut up. Old Miss Barry is rich and they'd like to keep on the good side of her. Of course, Mrs. Barry didn't say just that to me, but I'm a pretty good judge of human nature, that's what." "I'm such an unlucky girl," mourned Anne. "I'm always getting into scrapes myself and getting my best friends--people I'd shed my heart's blood for--into them too. Can you tell me why it is so, Mrs. Lynde?" "It's because you're too heedless and impulsive, child, that's what. You never stop to think--whatever comes into your head to say or do you say or do it without a moment's reflection." "Oh, but that's the best of it," protested Anne. "Something just flashes into your mind, so exciting, and you must out with it. If you stop to think it over you spoil it all. Haven't you never felt that yourself, Mrs. Lynde?" No, Mrs. Lynde had not. She shook her head sagely. "You must learn to think a little, Anne, that's what. The proverb you need to go by is ?Look before you leap'--especially into spare-room beds." Mrs. Lynde laughed comfortably over her mild joke, but Anne remained pensive. She saw nothing to laugh at in the situation, which to her eyes appeared very serious. When she left Mrs. Lynde's she took her way across the crusted fields to Orchard Slope. Diana met her at the kitchen door. "Your Aunt Josephine was very cross about it, wasn't she?" whispered Anne. "Yes," answered Diana, stifling a giggle with an apprehensive glance over her shoulder at the closed sitting-room door. "She was fairly dancing with rage, Anne. Oh, how she scolded. She said I was the worst-behaved girl she ever saw and that my parents ought to be ashamed of the way they had brought me up. She says she won't stay and I'm sure I don't care. But Father and Mother do." "Why didn't you tell them it was my fault?" demanded Anne. "It's likely I'd do such a thing, isn't it?" said Diana with just scorn. "I'm no telltale, Anne Shirley, and anyhow I was just as much to blame as you." "Well, I'm going in to tell her myself,"<|quote|>said Anne resolutely. Diana stared.</|quote|>"Anne Shirley, you'd never! why--she'll eat you alive!" "Don't frighten me any more than I am frightened," implored Anne. "I'd rather walk up to a cannon's mouth. But I've got to do it, Diana. It was my fault and I've got to confess. I've had practice in confessing, fortunately." "Well, she's in the room," said Diana. "You can go in if you want to. I wouldn't dare. And I don't believe you'll do a bit of good." With this encouragement Anne bearded the lion in its den--that is to say, walked resolutely up to the sitting-room door and knocked faintly. A sharp "Come in" followed. Miss Josephine Barry, thin, prim, and rigid, was knitting fiercely by the fire, her wrath quite unappeased and her eyes snapping through her gold-rimmed glasses. She wheeled around in her chair, expecting to see Diana, and beheld a white-faced girl whose great eyes were brimmed up with a mixture of desperate courage and shrinking terror. "Who are you?" demanded Miss Josephine Barry, without ceremony. "I'm Anne of Green Gables," said the small visitor tremulously, clasping her hands with her characteristic gesture, "and I've come to confess, if you please." "Confess what?" "That it was all my fault about jumping into bed on you last night. I suggested it. Diana would never have thought of such a thing, I am sure. Diana is a very ladylike girl, Miss Barry. So you must see how unjust it is to blame her." "Oh, I must, hey? I rather think Diana did her share of the jumping at least. Such carryings on in a respectable house!" "But we were only in fun," persisted Anne. "I think you ought to forgive us, Miss Barry, now that we've apologized. And anyhow, please forgive Diana and let her have her music lessons. Diana's heart is set on her music lessons, Miss Barry, and I know too well what it is to set your heart on a thing and not get it. If you must be cross with anyone, be cross with me. I've been so used in my early days to having people cross at me that I can endure it much better than Diana can." Much of the snap had gone out of the old lady's eyes by this time and was replaced by a twinkle of amused interest. But she still said severely: "I don't think it is any excuse for you that you were only in fun. Little girls never indulged in that kind of fun when I was young. You don't know what it is to be awakened out of a sound sleep, after a long and arduous journey, by two great girls coming bounce down on you." "I don't _know_, but I can _imagine_," said Anne eagerly. "I'm sure it must have been very disturbing. But then, there is our side of it too. Have you any imagination, Miss Barry? If you have, just put yourself in our place. We didn't know there was anybody in that bed and you nearly scared us to death. It was simply awful the way we felt. And then we couldn't sleep in the spare room after being promised. I suppose you are used to sleeping in spare rooms. But just imagine what you would feel like if you were a little orphan girl who had never had such an honor." All the snap had gone by this time. Miss Barry actually laughed--a sound which caused Diana, waiting in speechless anxiety in the kitchen outside, to give a great gasp of relief. "I'm afraid my imagination is a little rusty--it's so long since I used it," she said. "I dare say your claim to sympathy is just as strong as mine. It all depends on the way we look at it. Sit down here and tell me about yourself." "I am very sorry I can't," said Anne firmly. "I would like to, because you seem like an interesting lady, and you might even be a kindred spirit although you don't look very much like it. But it is my duty to go home to Miss Marilla Cuthbert. Miss Marilla Cuthbert is a very kind lady who has taken me to bring up properly. She is doing her best, but it is very discouraging work. You must not blame her because I jumped on the bed. But before I go I do wish you would tell me if you will forgive Diana and stay just as long as you meant to in Avonlea." "I think perhaps I will if you will come over and talk to me occasionally," said Miss Barry. That evening Miss Barry gave Diana a silver bangle bracelet and told the senior members of the household that she had unpacked her valise. "I've made up my mind to stay | had promised to pay for a quarter's music lessons for Diana, but now she is determined to do nothing at all for such a tomboy. Oh, I guess they had a lively time of it there this morning. The Barrys must feel cut up. Old Miss Barry is rich and they'd like to keep on the good side of her. Of course, Mrs. Barry didn't say just that to me, but I'm a pretty good judge of human nature, that's what." "I'm such an unlucky girl," mourned Anne. "I'm always getting into scrapes myself and getting my best friends--people I'd shed my heart's blood for--into them too. Can you tell me why it is so, Mrs. Lynde?" "It's because you're too heedless and impulsive, child, that's what. You never stop to think--whatever comes into your head to say or do you say or do it without a moment's reflection." "Oh, but that's the best of it," protested Anne. "Something just flashes into your mind, so exciting, and you must out with it. If you stop to think it over you spoil it all. Haven't you never felt that yourself, Mrs. Lynde?" No, Mrs. Lynde had not. She shook her head sagely. "You must learn to think a little, Anne, that's what. The proverb you need to go by is ?Look before you leap'--especially into spare-room beds." Mrs. Lynde laughed comfortably over her mild joke, but Anne remained pensive. She saw nothing to laugh at in the situation, which to her eyes appeared very serious. When she left Mrs. Lynde's she took her way across the crusted fields to Orchard Slope. Diana met her at the kitchen door. "Your Aunt Josephine was very cross about it, wasn't she?" whispered Anne. "Yes," answered Diana, stifling a giggle with an apprehensive glance over her shoulder at the closed sitting-room door. "She was fairly dancing with rage, Anne. Oh, how she scolded. She said I was the worst-behaved girl she ever saw and that my parents ought to be ashamed of the way they had brought me up. She says she won't stay and I'm sure I don't care. But Father and Mother do." "Why didn't you tell them it was my fault?" demanded Anne. "It's likely I'd do such a thing, isn't it?" said Diana with just scorn. "I'm no telltale, Anne Shirley, and anyhow I was just as much to blame as you." "Well, I'm going in to tell her myself,"<|quote|>said Anne resolutely. Diana stared.</|quote|>"Anne Shirley, you'd never! why--she'll eat you alive!" "Don't frighten me any more than I am frightened," implored Anne. "I'd rather walk up to a cannon's mouth. But I've got to do it, Diana. It was my fault and I've got to confess. I've had practice in confessing, fortunately." "Well, she's in the room," said Diana. "You can go in if you want to. I wouldn't dare. And I don't believe you'll do a bit of good." With this encouragement Anne bearded the lion in its den--that is to say, walked resolutely up to the sitting-room door and knocked faintly. A sharp "Come in" followed. Miss Josephine Barry, thin, prim, and rigid, was knitting fiercely by the fire, her wrath quite unappeased and her eyes snapping through her gold-rimmed glasses. She wheeled around in her chair, expecting to see Diana, and beheld a white-faced girl whose great eyes were brimmed up with a mixture of desperate courage and shrinking terror. "Who are you?" demanded Miss Josephine Barry, without ceremony. "I'm Anne of Green Gables," said the small visitor tremulously, clasping her hands with her characteristic gesture, "and I've come to confess, if you please." "Confess what?" "That it was all my fault about jumping into bed on you last night. I suggested it. Diana would never have thought of such a thing, I am sure. Diana is a very ladylike girl, Miss Barry. So you must see how unjust it is to blame her." "Oh, I must, hey? I rather think Diana did her share of the jumping at least. Such carryings on in a respectable house!" "But we were only in fun," persisted Anne. "I think you ought to forgive us, Miss Barry, now that we've apologized. And anyhow, | Anne Of Green Gables | do." "Why didn't you tell them it was my fault?" demanded Anne. "It's likely I'd do such a thing, isn't it?" said Diana with just scorn. "I'm no telltale, Anne Shirley, and anyhow I was just as much to blame as you." "Well, I'm going in to tell her myself,"<|quote|>said Anne resolutely. Diana stared.</|quote|>"Anne Shirley, you'd never! why--she'll eat you alive!" "Don't frighten me any more than I am frightened," implored Anne. "I'd rather walk up to a cannon's mouth. But I've got to do it, Diana. It was my fault and I've got to confess. I've had practice in confessing, fortunately." "Well, | {
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"content": "do.\" \"Why didn't you tell them it was my fault?\" demanded Anne. \"It's likely I'd do such a thing, isn't it?\" said Diana with just scorn. \"I'm no telltale, Anne Shirley, and anyhow I was just as much to blame as you.\" \"Well, I'm going in to tell her myself,\"<|quote|>said Anne resolutely. Diana stared.</|quote|>\"Anne Shirley, you'd never! why--she'll eat you alive!\" \"Don't frighten me any more than I am frightened,\" implored Anne. \"I'd rather walk up to a cannon's mouth. But I've got to do it, Diana. It was my fault and I've got to confess. I've had practice in confessing, fortunately.\" \"Well,",
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Mrs. Blewett darted her eyes over Anne from head to foot. | No speaker | just the thing for you."<|quote|>Mrs. Blewett darted her eyes over Anne from head to foot.</|quote|>"How old are you and | yesterday, I think she'll be just the thing for you."<|quote|>Mrs. Blewett darted her eyes over Anne from head to foot.</|quote|>"How old are you and what's your name?" she demanded. | "I was under the impression that Mr. and Miss Cuthbert wanted a little girl to adopt. I was certainly told so. But it seems it was a boy they wanted. So if you're still of the same mind you were yesterday, I think she'll be just the thing for you."<|quote|>Mrs. Blewett darted her eyes over Anne from head to foot.</|quote|>"How old are you and what's your name?" she demanded. "Anne Shirley," faltered the shrinking child, not daring to make any stipulations regarding the spelling thereof, "and I'm eleven years old." "Humph! You don't look as if there was much to you. But you're wiry. I don't know but the | to be afraid she couldn't keep the tears back when Mrs. Spencer returned, flushed and beaming, quite capable of taking any and every difficulty, physical, mental or spiritual, into consideration and settling it out of hand. "It seems there's been a mistake about this little girl, Mrs. Blewett," she said. "I was under the impression that Mr. and Miss Cuthbert wanted a little girl to adopt. I was certainly told so. But it seems it was a boy they wanted. So if you're still of the same mind you were yesterday, I think she'll be just the thing for you."<|quote|>Mrs. Blewett darted her eyes over Anne from head to foot.</|quote|>"How old are you and what's your name?" she demanded. "Anne Shirley," faltered the shrinking child, not daring to make any stipulations regarding the spelling thereof, "and I'm eleven years old." "Humph! You don't look as if there was much to you. But you're wiry. I don't know but the wiry ones are the best after all. Well, if I take you you'll have to be a good girl, you know--good and smart and respectful. I'll expect you to earn your keep, and no mistake about that. Yes, I suppose I might as well take her off your hands, Miss | just saying how fortunate it was you happened along. Let me introduce you two ladies. Mrs. Blewett, Miss Cuthbert. Please excuse me for just a moment. I forgot to tell Flora Jane to take the buns out of the oven." Mrs. Spencer whisked away, after pulling up the blinds. Anne sitting mutely on the ottoman, with her hands clasped tightly in her lap, stared at Mrs Blewett as one fascinated. Was she to be given into the keeping of this sharp-faced, sharp-eyed woman? She felt a lump coming up in her throat and her eyes smarted painfully. She was beginning to be afraid she couldn't keep the tears back when Mrs. Spencer returned, flushed and beaming, quite capable of taking any and every difficulty, physical, mental or spiritual, into consideration and settling it out of hand. "It seems there's been a mistake about this little girl, Mrs. Blewett," she said. "I was under the impression that Mr. and Miss Cuthbert wanted a little girl to adopt. I was certainly told so. But it seems it was a boy they wanted. So if you're still of the same mind you were yesterday, I think she'll be just the thing for you."<|quote|>Mrs. Blewett darted her eyes over Anne from head to foot.</|quote|>"How old are you and what's your name?" she demanded. "Anne Shirley," faltered the shrinking child, not daring to make any stipulations regarding the spelling thereof, "and I'm eleven years old." "Humph! You don't look as if there was much to you. But you're wiry. I don't know but the wiry ones are the best after all. Well, if I take you you'll have to be a good girl, you know--good and smart and respectful. I'll expect you to earn your keep, and no mistake about that. Yes, I suppose I might as well take her off your hands, Miss Cuthbert. The baby's awful fractious, and I'm clean worn out attending to him. If you like I can take her right home now." Marilla looked at Anne and softened at sight of the child's pale face with its look of mute misery--the misery of a helpless little creature who finds itself once more caught in the trap from which it had escaped. Marilla felt an uncomfortable conviction that, if she denied the appeal of that look, it would haunt her to her dying day. More-over, she did not fancy Mrs. Blewett. To hand a sensitive, "highstrung" child over to such | did not even feel grateful for it. She knew Mrs. Peter Blewett only by sight as a small, shrewish-faced woman without an ounce of superfluous flesh on her bones. But she had heard of her. "A terrible worker and driver," Mrs. Peter was said to be; and discharged servant girls told fearsome tales of her temper and stinginess, and her family of pert, quarrelsome children. Marilla felt a qualm of conscience at the thought of handing Anne over to her tender mercies. "Well, I'll go in and we'll talk the matter over," she said. "And if there isn't Mrs. Peter coming up the lane this blessed minute!" exclaimed Mrs. Spencer, bustling her guests through the hall into the parlor, where a deadly chill struck on them as if the air had been strained so long through dark green, closely drawn blinds that it had lost every particle of warmth it had ever possessed. "That is real lucky, for we can settle the matter right away. Take the armchair, Miss Cuthbert. Anne, you sit here on the ottoman and don't wiggle. Let me take your hats. Flora Jane, go out and put the kettle on. Good afternoon, Mrs. Blewett. We were just saying how fortunate it was you happened along. Let me introduce you two ladies. Mrs. Blewett, Miss Cuthbert. Please excuse me for just a moment. I forgot to tell Flora Jane to take the buns out of the oven." Mrs. Spencer whisked away, after pulling up the blinds. Anne sitting mutely on the ottoman, with her hands clasped tightly in her lap, stared at Mrs Blewett as one fascinated. Was she to be given into the keeping of this sharp-faced, sharp-eyed woman? She felt a lump coming up in her throat and her eyes smarted painfully. She was beginning to be afraid she couldn't keep the tears back when Mrs. Spencer returned, flushed and beaming, quite capable of taking any and every difficulty, physical, mental or spiritual, into consideration and settling it out of hand. "It seems there's been a mistake about this little girl, Mrs. Blewett," she said. "I was under the impression that Mr. and Miss Cuthbert wanted a little girl to adopt. I was certainly told so. But it seems it was a boy they wanted. So if you're still of the same mind you were yesterday, I think she'll be just the thing for you."<|quote|>Mrs. Blewett darted her eyes over Anne from head to foot.</|quote|>"How old are you and what's your name?" she demanded. "Anne Shirley," faltered the shrinking child, not daring to make any stipulations regarding the spelling thereof, "and I'm eleven years old." "Humph! You don't look as if there was much to you. But you're wiry. I don't know but the wiry ones are the best after all. Well, if I take you you'll have to be a good girl, you know--good and smart and respectful. I'll expect you to earn your keep, and no mistake about that. Yes, I suppose I might as well take her off your hands, Miss Cuthbert. The baby's awful fractious, and I'm clean worn out attending to him. If you like I can take her right home now." Marilla looked at Anne and softened at sight of the child's pale face with its look of mute misery--the misery of a helpless little creature who finds itself once more caught in the trap from which it had escaped. Marilla felt an uncomfortable conviction that, if she denied the appeal of that look, it would haunt her to her dying day. More-over, she did not fancy Mrs. Blewett. To hand a sensitive, "highstrung" child over to such a woman! No, she could not take the responsibility of doing that! "Well, I don't know," she said slowly. "I didn't say that Matthew and I had absolutely decided that we wouldn't keep her. In fact I may say that Matthew is disposed to keep her. I just came over to find out how the mistake had occurred. I think I'd better take her home again and talk it over with Matthew. I feel that I oughtn't to decide on anything without consulting him. If we make up our mind not to keep her we'll bring or send her over to you tomorrow night. If we don't you may know that she is going to stay with us. Will that suit you, Mrs. Blewett?" "I suppose it'll have to," said Mrs. Blewett ungraciously. During Marilla's speech a sunrise had been dawning on Anne's face. First the look of despair faded out; then came a faint flush of hope; her eyes grew deep and bright as morning stars. The child was quite transfigured; and, a moment later, when Mrs. Spencer and Mrs. Blewett went out in quest of a recipe the latter had come to borrow she sprang up and flew | her benevolent face. "Dear, dear," she exclaimed, "you're the last folks I was looking for today, but I'm real glad to see you. You'll put your horse in? And how are you, Anne?" "I'm as well as can be expected, thank you," said Anne smilelessly. A blight seemed to have descended on her. "I suppose we'll stay a little while to rest the mare," said Marilla, "but I promised Matthew I'd be home early. The fact is, Mrs. Spencer, there's been a queer mistake somewhere, and I've come over to see where it is. We send word, Matthew and I, for you to bring us a boy from the asylum. We told your brother Robert to tell you we wanted a boy ten or eleven years old." "Marilla Cuthbert, you don't say so!" said Mrs. Spencer in distress. "Why, Robert sent word down by his daughter Nancy and she said you wanted a girl--didn't she Flora Jane?" appealing to her daughter who had come out to the steps. "She certainly did, Miss Cuthbert," corroborated Flora Jane earnestly. "I'm dreadful sorry," said Mrs. Spencer. "It's too bad; but it certainly wasn't my fault, you see, Miss Cuthbert. I did the best I could and I thought I was following your instructions. Nancy is a terrible flighty thing. I've often had to scold her well for her heedlessness." "It was our own fault," said Marilla resignedly. "We should have come to you ourselves and not left an important message to be passed along by word of mouth in that fashion. Anyhow, the mistake has been made and the only thing to do is to set it right. Can we send the child back to the asylum? I suppose they'll take her back, won't they?" "I suppose so," said Mrs. Spencer thoughtfully, "but I don't think it will be necessary to send her back. Mrs. Peter Blewett was up here yesterday, and she was saying to me how much she wished she'd sent by me for a little girl to help her. Mrs. Peter has a large family, you know, and she finds it hard to get help. Anne will be the very girl for you. I call it positively providential." Marilla did not look as if she thought Providence had much to do with the matter. Here was an unexpectedly good chance to get this unwelcome orphan off her hands, and she did not even feel grateful for it. She knew Mrs. Peter Blewett only by sight as a small, shrewish-faced woman without an ounce of superfluous flesh on her bones. But she had heard of her. "A terrible worker and driver," Mrs. Peter was said to be; and discharged servant girls told fearsome tales of her temper and stinginess, and her family of pert, quarrelsome children. Marilla felt a qualm of conscience at the thought of handing Anne over to her tender mercies. "Well, I'll go in and we'll talk the matter over," she said. "And if there isn't Mrs. Peter coming up the lane this blessed minute!" exclaimed Mrs. Spencer, bustling her guests through the hall into the parlor, where a deadly chill struck on them as if the air had been strained so long through dark green, closely drawn blinds that it had lost every particle of warmth it had ever possessed. "That is real lucky, for we can settle the matter right away. Take the armchair, Miss Cuthbert. Anne, you sit here on the ottoman and don't wiggle. Let me take your hats. Flora Jane, go out and put the kettle on. Good afternoon, Mrs. Blewett. We were just saying how fortunate it was you happened along. Let me introduce you two ladies. Mrs. Blewett, Miss Cuthbert. Please excuse me for just a moment. I forgot to tell Flora Jane to take the buns out of the oven." Mrs. Spencer whisked away, after pulling up the blinds. Anne sitting mutely on the ottoman, with her hands clasped tightly in her lap, stared at Mrs Blewett as one fascinated. Was she to be given into the keeping of this sharp-faced, sharp-eyed woman? She felt a lump coming up in her throat and her eyes smarted painfully. She was beginning to be afraid she couldn't keep the tears back when Mrs. Spencer returned, flushed and beaming, quite capable of taking any and every difficulty, physical, mental or spiritual, into consideration and settling it out of hand. "It seems there's been a mistake about this little girl, Mrs. Blewett," she said. "I was under the impression that Mr. and Miss Cuthbert wanted a little girl to adopt. I was certainly told so. But it seems it was a boy they wanted. So if you're still of the same mind you were yesterday, I think she'll be just the thing for you."<|quote|>Mrs. Blewett darted her eyes over Anne from head to foot.</|quote|>"How old are you and what's your name?" she demanded. "Anne Shirley," faltered the shrinking child, not daring to make any stipulations regarding the spelling thereof, "and I'm eleven years old." "Humph! You don't look as if there was much to you. But you're wiry. I don't know but the wiry ones are the best after all. Well, if I take you you'll have to be a good girl, you know--good and smart and respectful. I'll expect you to earn your keep, and no mistake about that. Yes, I suppose I might as well take her off your hands, Miss Cuthbert. The baby's awful fractious, and I'm clean worn out attending to him. If you like I can take her right home now." Marilla looked at Anne and softened at sight of the child's pale face with its look of mute misery--the misery of a helpless little creature who finds itself once more caught in the trap from which it had escaped. Marilla felt an uncomfortable conviction that, if she denied the appeal of that look, it would haunt her to her dying day. More-over, she did not fancy Mrs. Blewett. To hand a sensitive, "highstrung" child over to such a woman! No, she could not take the responsibility of doing that! "Well, I don't know," she said slowly. "I didn't say that Matthew and I had absolutely decided that we wouldn't keep her. In fact I may say that Matthew is disposed to keep her. I just came over to find out how the mistake had occurred. I think I'd better take her home again and talk it over with Matthew. I feel that I oughtn't to decide on anything without consulting him. If we make up our mind not to keep her we'll bring or send her over to you tomorrow night. If we don't you may know that she is going to stay with us. Will that suit you, Mrs. Blewett?" "I suppose it'll have to," said Mrs. Blewett ungraciously. During Marilla's speech a sunrise had been dawning on Anne's face. First the look of despair faded out; then came a faint flush of hope; her eyes grew deep and bright as morning stars. The child was quite transfigured; and, a moment later, when Mrs. Spencer and Mrs. Blewett went out in quest of a recipe the latter had come to borrow she sprang up and flew across the room to Marilla. "Oh, Miss Cuthbert, did you really say that perhaps you would let me stay at Green Gables?" she said, in a breathless whisper, as if speaking aloud might shatter the glorious possibility. "Did you really say it? Or did I only imagine that you did?" "I think you'd better learn to control that imagination of yours, Anne, if you can't distinguish between what is real and what isn't," said Marilla crossly. "Yes, you did hear me say just that and no more. It isn't decided yet and perhaps we will conclude to let Mrs. Blewett take you after all. She certainly needs you much more than I do." "I'd rather go back to the asylum than go to live with her," said Anne passionately. "She looks exactly like a--like a gimlet." Marilla smothered a smile under the conviction that Anne must be reproved for such a speech. "A little girl like you should be ashamed of talking so about a lady and a stranger," she said severely. "Go back and sit down quietly and hold your tongue and behave as a good girl should." "I'll try to do and be anything you want me, if you'll only keep me," said Anne, returning meekly to her ottoman. When they arrived back at Green Gables that evening Matthew met them in the lane. Marilla from afar had noted him prowling along it and guessed his motive. She was prepared for the relief she read in his face when he saw that she had at least brought back Anne back with her. But she said nothing, to him, relative to the affair, until they were both out in the yard behind the barn milking the cows. Then she briefly told him Anne's history and the result of the interview with Mrs. Spencer. "I wouldn't give a dog I liked to that Blewett woman," said Matthew with unusual vim. "I don't fancy her style myself," admitted Marilla, "but it's that or keeping her ourselves, Matthew. And since you seem to want her, I suppose I'm willing--or have to be. I've been thinking over the idea until I've got kind of used to it. It seems a sort of duty. I've never brought up a child, especially a girl, and I dare say I'll make a terrible mess of it. But I'll do my best. So far as I'm concerned, | if the air had been strained so long through dark green, closely drawn blinds that it had lost every particle of warmth it had ever possessed. "That is real lucky, for we can settle the matter right away. Take the armchair, Miss Cuthbert. Anne, you sit here on the ottoman and don't wiggle. Let me take your hats. Flora Jane, go out and put the kettle on. Good afternoon, Mrs. Blewett. We were just saying how fortunate it was you happened along. Let me introduce you two ladies. Mrs. Blewett, Miss Cuthbert. Please excuse me for just a moment. I forgot to tell Flora Jane to take the buns out of the oven." Mrs. Spencer whisked away, after pulling up the blinds. Anne sitting mutely on the ottoman, with her hands clasped tightly in her lap, stared at Mrs Blewett as one fascinated. Was she to be given into the keeping of this sharp-faced, sharp-eyed woman? She felt a lump coming up in her throat and her eyes smarted painfully. She was beginning to be afraid she couldn't keep the tears back when Mrs. Spencer returned, flushed and beaming, quite capable of taking any and every difficulty, physical, mental or spiritual, into consideration and settling it out of hand. "It seems there's been a mistake about this little girl, Mrs. Blewett," she said. "I was under the impression that Mr. and Miss Cuthbert wanted a little girl to adopt. I was certainly told so. But it seems it was a boy they wanted. So if you're still of the same mind you were yesterday, I think she'll be just the thing for you."<|quote|>Mrs. Blewett darted her eyes over Anne from head to foot.</|quote|>"How old are you and what's your name?" she demanded. "Anne Shirley," faltered the shrinking child, not daring to make any stipulations regarding the spelling thereof, "and I'm eleven years old." "Humph! You don't look as if there was much to you. But you're wiry. I don't know but the wiry ones are the best after all. Well, if I take you you'll have to be a good girl, you know--good and smart and respectful. I'll expect you to earn your keep, and no mistake about that. Yes, I suppose I might as well take her off your hands, Miss Cuthbert. The baby's awful fractious, and I'm clean worn out attending to him. If you like I can take her right home now." Marilla looked at Anne and softened at sight of the child's pale face with its look of mute misery--the misery of a helpless little creature who finds itself once more caught in the trap from which it had escaped. Marilla felt an uncomfortable conviction that, if she denied the appeal of that look, it would haunt her to her dying day. More-over, she did not fancy Mrs. Blewett. To hand a sensitive, "highstrung" child over to such a woman! No, she could not take the responsibility of doing that! "Well, I don't know," she said slowly. "I didn't say that Matthew and I had absolutely decided that we wouldn't keep her. In fact I may say that Matthew is disposed to keep her. I just came over to find out how the mistake had occurred. I think I'd better take her home again and talk it over with Matthew. I feel that I oughtn't to decide | Anne Of Green Gables | "I was under the impression that Mr. and Miss Cuthbert wanted a little girl to adopt. I was certainly told so. But it seems it was a boy they wanted. So if you're still of the same mind you were yesterday, I think she'll be just the thing for you."<|quote|>Mrs. Blewett darted her eyes over Anne from head to foot.</|quote|>"How old are you and what's your name?" she demanded. "Anne Shirley," faltered the shrinking child, not daring to make any stipulations regarding the spelling thereof, "and I'm eleven years old." "Humph! You don't look as if there was much to you. But you're wiry. I don't know but the | {
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"What are tarts made of?" | The King Of Hearts | said in a deep voice,<|quote|>"What are tarts made of?"</|quote|>"Pepper, mostly," said the cook. | nearly out of sight, he said in a deep voice,<|quote|>"What are tarts made of?"</|quote|>"Pepper, mostly," said the cook. "Treacle," said a sleepy voice | Rabbit, who said in a low voice, "Your Majesty must cross-examine _this_ witness." "Well, if I must, I must," the King said, with a melancholy air, and, after folding his arms and frowning at the cook till his eyes were nearly out of sight, he said in a deep voice,<|quote|>"What are tarts made of?"</|quote|>"Pepper, mostly," said the cook. "Treacle," said a sleepy voice behind her. "Collar that Dormouse," the Queen shrieked out. "Behead that Dormouse! Turn that Dormouse out of court! Suppress him! Pinch him! Off with his whiskers!" For some minutes the whole court was in confusion, getting the Dormouse turned out, | She carried the pepper-box in her hand, and Alice guessed who it was, even before she got into the court, by the way the people near the door began sneezing all at once. "Give your evidence," said the King. "Shan't," said the cook. The King looked anxiously at the White Rabbit, who said in a low voice, "Your Majesty must cross-examine _this_ witness." "Well, if I must, I must," the King said, with a melancholy air, and, after folding his arms and frowning at the cook till his eyes were nearly out of sight, he said in a deep voice,<|quote|>"What are tarts made of?"</|quote|>"Pepper, mostly," said the cook. "Treacle," said a sleepy voice behind her. "Collar that Dormouse," the Queen shrieked out. "Behead that Dormouse! Turn that Dormouse out of court! Suppress him! Pinch him! Off with his whiskers!" For some minutes the whole court was in confusion, getting the Dormouse turned out, and, by the time they had settled down again, the cook had disappeared. "Never mind!" said the King, with an air of great relief. "Call the next witness." And he added in an undertone to the Queen, "Really, my dear, _you_ must cross-examine the next witness. It quite makes my | "Come, that finished the guinea-pigs!" thought Alice. "Now we shall get on better." "I'd rather finish my tea," said the Hatter, with an anxious look at the Queen, who was reading the list of singers. "You may go," said the King, and the Hatter hurriedly left the court, without even waiting to put his shoes on. "--and just take his head off outside," the Queen added to one of the officers: but the Hatter was out of sight before the officer could get to the door. "Call the next witness!" said the King. The next witness was the Duchess's cook. She carried the pepper-box in her hand, and Alice guessed who it was, even before she got into the court, by the way the people near the door began sneezing all at once. "Give your evidence," said the King. "Shan't," said the cook. The King looked anxiously at the White Rabbit, who said in a low voice, "Your Majesty must cross-examine _this_ witness." "Well, if I must, I must," the King said, with a melancholy air, and, after folding his arms and frowning at the cook till his eyes were nearly out of sight, he said in a deep voice,<|quote|>"What are tarts made of?"</|quote|>"Pepper, mostly," said the cook. "Treacle," said a sleepy voice behind her. "Collar that Dormouse," the Queen shrieked out. "Behead that Dormouse! Turn that Dormouse out of court! Suppress him! Pinch him! Off with his whiskers!" For some minutes the whole court was in confusion, getting the Dormouse turned out, and, by the time they had settled down again, the cook had disappeared. "Never mind!" said the King, with an air of great relief. "Call the next witness." And he added in an undertone to the Queen, "Really, my dear, _you_ must cross-examine the next witness. It quite makes my forehead ache!" Alice watched the White Rabbit as he fumbled over the list, feeling very curious to see what the next witness would be like, "--for they haven't got much evidence _yet_," she said to herself. Imagine her surprise, when the White Rabbit read out, at the top of his shrill little voice, the name "Alice!" CHAPTER XII. Alice's Evidence "Here!" cried Alice, quite forgetting in the flurry of the moment how large she had grown in the last few minutes, and she jumped up in such a hurry that she tipped over the jury-box with the edge of her | jury asked. "That I can't remember," said the Hatter. "You _must_ remember," remarked the King, "or I'll have you executed." The miserable Hatter dropped his teacup and bread-and-butter, and went down on one knee. "I'm a poor man, your Majesty," he began. "You're a _very_ poor _speaker_," said the King. Here one of the guinea-pigs cheered, and was immediately suppressed by the officers of the court. (As that is rather a hard word, I will just explain to you how it was done. They had a large canvas bag, which tied up at the mouth with strings: into this they slipped the guinea-pig, head first, and then sat upon it.) "I'm glad I've seen that done," thought Alice. "I've so often read in the newspapers, at the end of trials," "There was some attempts at applause, which was immediately suppressed by the officers of the court," "and I never understood what it meant till now." "If that's all you know about it, you may stand down," continued the King. "I can't go no lower," said the Hatter: "I'm on the floor, as it is." "Then you may _sit_ down," the King replied. Here the other guinea-pig cheered, and was suppressed. "Come, that finished the guinea-pigs!" thought Alice. "Now we shall get on better." "I'd rather finish my tea," said the Hatter, with an anxious look at the Queen, who was reading the list of singers. "You may go," said the King, and the Hatter hurriedly left the court, without even waiting to put his shoes on. "--and just take his head off outside," the Queen added to one of the officers: but the Hatter was out of sight before the officer could get to the door. "Call the next witness!" said the King. The next witness was the Duchess's cook. She carried the pepper-box in her hand, and Alice guessed who it was, even before she got into the court, by the way the people near the door began sneezing all at once. "Give your evidence," said the King. "Shan't," said the cook. The King looked anxiously at the White Rabbit, who said in a low voice, "Your Majesty must cross-examine _this_ witness." "Well, if I must, I must," the King said, with a melancholy air, and, after folding his arms and frowning at the cook till his eyes were nearly out of sight, he said in a deep voice,<|quote|>"What are tarts made of?"</|quote|>"Pepper, mostly," said the cook. "Treacle," said a sleepy voice behind her. "Collar that Dormouse," the Queen shrieked out. "Behead that Dormouse! Turn that Dormouse out of court! Suppress him! Pinch him! Off with his whiskers!" For some minutes the whole court was in confusion, getting the Dormouse turned out, and, by the time they had settled down again, the cook had disappeared. "Never mind!" said the King, with an air of great relief. "Call the next witness." And he added in an undertone to the Queen, "Really, my dear, _you_ must cross-examine the next witness. It quite makes my forehead ache!" Alice watched the White Rabbit as he fumbled over the list, feeling very curious to see what the next witness would be like, "--for they haven't got much evidence _yet_," she said to herself. Imagine her surprise, when the White Rabbit read out, at the top of his shrill little voice, the name "Alice!" CHAPTER XII. Alice's Evidence "Here!" cried Alice, quite forgetting in the flurry of the moment how large she had grown in the last few minutes, and she jumped up in such a hurry that she tipped over the jury-box with the edge of her skirt, upsetting all the jurymen on to the heads of the crowd below, and there they lay sprawling about, reminding her very much of a globe of goldfish she had accidentally upset the week before. "Oh, I _beg_ your pardon!" she exclaimed in a tone of great dismay, and began picking them up again as quickly as she could, for the accident of the goldfish kept running in her head, and she had a vague sort of idea that they must be collected at once and put back into the jury-box, or they would die. "The trial cannot proceed," said the King in a very grave voice, "until all the jurymen are back in their proper places--_all_," he repeated with great emphasis, looking hard at Alice as he said so. Alice looked at the jury-box, and saw that, in her haste, she had put the Lizard in head downwards, and the poor little thing was waving its tail about in a melancholy way, being quite unable to move. She soon got it out again, and put it right; "not that it signifies much," she said to herself; "I should think it would be _quite_ as much use in the trial | bit a large piece out of his teacup instead of the bread-and-butter. Just at this moment Alice felt a very curious sensation, which puzzled her a good deal until she made out what it was: she was beginning to grow larger again, and she thought at first she would get up and leave the court; but on second thoughts she decided to remain where she was as long as there was room for her. "I wish you wouldn't squeeze so." said the Dormouse, who was sitting next to her. "I can hardly breathe." "I can't help it," said Alice very meekly: "I'm growing." "You've no right to grow _here_," said the Dormouse. "Don't talk nonsense," said Alice more boldly: "you know you're growing too." "Yes, but _I_ grow at a reasonable pace," said the Dormouse: "not in that ridiculous fashion." And he got up very sulkily and crossed over to the other side of the court. All this time the Queen had never left off staring at the Hatter, and, just as the Dormouse crossed the court, she said to one of the officers of the court, "Bring me the list of the singers in the last concert!" on which the wretched Hatter trembled so, that he shook both his shoes off. "Give your evidence," the King repeated angrily, "or I'll have you executed, whether you're nervous or not." "I'm a poor man, your Majesty," the Hatter began, in a trembling voice, "--and I hadn't begun my tea--not above a week or so--and what with the bread-and-butter getting so thin--and the twinkling of the tea--" "The twinkling of the _what?_" said the King. "It _began_ with the tea," the Hatter replied. "Of course twinkling begins with a T!" said the King sharply. "Do you take me for a dunce? Go on!" "I'm a poor man," the Hatter went on, "and most things twinkled after that--only the March Hare said--" "I didn't!" the March Hare interrupted in a great hurry. "You did!" said the Hatter. "I deny it!" said the March Hare. "He denies it," said the King: "leave out that part." "Well, at any rate, the Dormouse said--" the Hatter went on, looking anxiously round to see if he would deny it too: but the Dormouse denied nothing, being fast asleep. "After that," continued the Hatter, "I cut some more bread-and-butter--" "But what did the Dormouse say?" one of the jury asked. "That I can't remember," said the Hatter. "You _must_ remember," remarked the King, "or I'll have you executed." The miserable Hatter dropped his teacup and bread-and-butter, and went down on one knee. "I'm a poor man, your Majesty," he began. "You're a _very_ poor _speaker_," said the King. Here one of the guinea-pigs cheered, and was immediately suppressed by the officers of the court. (As that is rather a hard word, I will just explain to you how it was done. They had a large canvas bag, which tied up at the mouth with strings: into this they slipped the guinea-pig, head first, and then sat upon it.) "I'm glad I've seen that done," thought Alice. "I've so often read in the newspapers, at the end of trials," "There was some attempts at applause, which was immediately suppressed by the officers of the court," "and I never understood what it meant till now." "If that's all you know about it, you may stand down," continued the King. "I can't go no lower," said the Hatter: "I'm on the floor, as it is." "Then you may _sit_ down," the King replied. Here the other guinea-pig cheered, and was suppressed. "Come, that finished the guinea-pigs!" thought Alice. "Now we shall get on better." "I'd rather finish my tea," said the Hatter, with an anxious look at the Queen, who was reading the list of singers. "You may go," said the King, and the Hatter hurriedly left the court, without even waiting to put his shoes on. "--and just take his head off outside," the Queen added to one of the officers: but the Hatter was out of sight before the officer could get to the door. "Call the next witness!" said the King. The next witness was the Duchess's cook. She carried the pepper-box in her hand, and Alice guessed who it was, even before she got into the court, by the way the people near the door began sneezing all at once. "Give your evidence," said the King. "Shan't," said the cook. The King looked anxiously at the White Rabbit, who said in a low voice, "Your Majesty must cross-examine _this_ witness." "Well, if I must, I must," the King said, with a melancholy air, and, after folding his arms and frowning at the cook till his eyes were nearly out of sight, he said in a deep voice,<|quote|>"What are tarts made of?"</|quote|>"Pepper, mostly," said the cook. "Treacle," said a sleepy voice behind her. "Collar that Dormouse," the Queen shrieked out. "Behead that Dormouse! Turn that Dormouse out of court! Suppress him! Pinch him! Off with his whiskers!" For some minutes the whole court was in confusion, getting the Dormouse turned out, and, by the time they had settled down again, the cook had disappeared. "Never mind!" said the King, with an air of great relief. "Call the next witness." And he added in an undertone to the Queen, "Really, my dear, _you_ must cross-examine the next witness. It quite makes my forehead ache!" Alice watched the White Rabbit as he fumbled over the list, feeling very curious to see what the next witness would be like, "--for they haven't got much evidence _yet_," she said to herself. Imagine her surprise, when the White Rabbit read out, at the top of his shrill little voice, the name "Alice!" CHAPTER XII. Alice's Evidence "Here!" cried Alice, quite forgetting in the flurry of the moment how large she had grown in the last few minutes, and she jumped up in such a hurry that she tipped over the jury-box with the edge of her skirt, upsetting all the jurymen on to the heads of the crowd below, and there they lay sprawling about, reminding her very much of a globe of goldfish she had accidentally upset the week before. "Oh, I _beg_ your pardon!" she exclaimed in a tone of great dismay, and began picking them up again as quickly as she could, for the accident of the goldfish kept running in her head, and she had a vague sort of idea that they must be collected at once and put back into the jury-box, or they would die. "The trial cannot proceed," said the King in a very grave voice, "until all the jurymen are back in their proper places--_all_," he repeated with great emphasis, looking hard at Alice as he said so. Alice looked at the jury-box, and saw that, in her haste, she had put the Lizard in head downwards, and the poor little thing was waving its tail about in a melancholy way, being quite unable to move. She soon got it out again, and put it right; "not that it signifies much," she said to herself; "I should think it would be _quite_ as much use in the trial one way up as the other." As soon as the jury had a little recovered from the shock of being upset, and their slates and pencils had been found and handed back to them, they set to work very diligently to write out a history of the accident, all except the Lizard, who seemed too much overcome to do anything but sit with its mouth open, gazing up into the roof of the court. "What do you know about this business?" the King said to Alice. "Nothing," said Alice. "Nothing _whatever?_" persisted the King. "Nothing whatever," said Alice. "That's very important," the King said, turning to the jury. They were just beginning to write this down on their slates, when the White Rabbit interrupted: "_Un_important, your Majesty means, of course," he said in a very respectful tone, but frowning and making faces at him as he spoke. "_Un_important, of course, I meant," the King hastily said, and went on to himself in an undertone, "important--unimportant--unimportant--important--" as if he were trying which word sounded best. Some of the jury wrote it down "important," and some "unimportant." Alice could see this, as she was near enough to look over their slates; "but it doesn't matter a bit," she thought to herself. At this moment the King, who had been for some time busily writing in his note-book, cackled out "Silence!" and read out from his book, "Rule Forty-two. _All persons more than a mile high to leave the court_." Everybody looked at Alice. "_I'm_ not a mile high," said Alice. "You are," said the King. "Nearly two miles high," added the Queen. "Well, I shan't go, at any rate," said Alice: "besides, that's not a regular rule: you invented it just now." "It's the oldest rule in the book," said the King. "Then it ought to be Number One," said Alice. The King turned pale, and shut his note-book hastily. "Consider your verdict," he said to the jury, in a low, trembling voice. "There's more evidence to come yet, please your Majesty," said the White Rabbit, jumping up in a great hurry; "this paper has just been picked up." "What's in it?" said the Queen. "I haven't opened it yet," said the White Rabbit, "but it seems to be a letter, written by the prisoner to--to somebody." "It must have been that," said the King, "unless it was written to nobody, which | "I'm a poor man, your Majesty," he began. "You're a _very_ poor _speaker_," said the King. Here one of the guinea-pigs cheered, and was immediately suppressed by the officers of the court. (As that is rather a hard word, I will just explain to you how it was done. They had a large canvas bag, which tied up at the mouth with strings: into this they slipped the guinea-pig, head first, and then sat upon it.) "I'm glad I've seen that done," thought Alice. "I've so often read in the newspapers, at the end of trials," "There was some attempts at applause, which was immediately suppressed by the officers of the court," "and I never understood what it meant till now." "If that's all you know about it, you may stand down," continued the King. "I can't go no lower," said the Hatter: "I'm on the floor, as it is." "Then you may _sit_ down," the King replied. Here the other guinea-pig cheered, and was suppressed. "Come, that finished the guinea-pigs!" thought Alice. "Now we shall get on better." "I'd rather finish my tea," said the Hatter, with an anxious look at the Queen, who was reading the list of singers. "You may go," said the King, and the Hatter hurriedly left the court, without even waiting to put his shoes on. "--and just take his head off outside," the Queen added to one of the officers: but the Hatter was out of sight before the officer could get to the door. "Call the next witness!" said the King. The next witness was the Duchess's cook. She carried the pepper-box in her hand, and Alice guessed who it was, even before she got into the court, by the way the people near the door began sneezing all at once. "Give your evidence," said the King. "Shan't," said the cook. The King looked anxiously at the White Rabbit, who said in a low voice, "Your Majesty must cross-examine _this_ witness." "Well, if I must, I must," the King said, with a melancholy air, and, after folding his arms and frowning at the cook till his eyes were nearly out of sight, he said in a deep voice,<|quote|>"What are tarts made of?"</|quote|>"Pepper, mostly," said the cook. "Treacle," said a sleepy voice behind her. "Collar that Dormouse," the Queen shrieked out. "Behead that Dormouse! Turn that Dormouse out of court! Suppress him! Pinch him! Off with his whiskers!" For some minutes the whole court was in confusion, getting the Dormouse turned out, and, by the time they had settled down again, the cook had disappeared. "Never mind!" said the King, with an air of great relief. "Call the next witness." And he added in an undertone to the Queen, "Really, my dear, _you_ must cross-examine the next witness. It quite makes my forehead ache!" Alice watched the White Rabbit as he fumbled over the list, feeling very curious to see what the next witness would be like, "--for they haven't got much evidence _yet_," she said to herself. Imagine her surprise, when the White Rabbit read out, at the top of his shrill little voice, the name "Alice!" CHAPTER XII. Alice's Evidence "Here!" cried Alice, quite forgetting in the flurry of the moment how large she had grown in the last few minutes, and she jumped up in such a hurry that she tipped over the jury-box with the edge of her skirt, upsetting all the jurymen on to the heads of the crowd below, and there they lay sprawling about, reminding her very much of a globe of goldfish she had accidentally upset the week before. "Oh, I _beg_ your pardon!" she exclaimed in a tone of great dismay, and began picking them up again as quickly as she could, for the accident of the goldfish kept running in her head, and she had a vague sort of idea that they must be collected at once and put back into the jury-box, or they would die. "The trial cannot proceed," | Alices Adventures In Wonderland | Rabbit, who said in a low voice, "Your Majesty must cross-examine _this_ witness." "Well, if I must, I must," the King said, with a melancholy air, and, after folding his arms and frowning at the cook till his eyes were nearly out of sight, he said in a deep voice,<|quote|>"What are tarts made of?"</|quote|>"Pepper, mostly," said the cook. "Treacle," said a sleepy voice behind her. "Collar that Dormouse," the Queen shrieked out. "Behead that Dormouse! Turn that Dormouse out of court! Suppress him! Pinch him! Off with his whiskers!" For some minutes the whole court was in confusion, getting the Dormouse turned out, | {
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"Reckon you're glad we kept her, Marilla?" | Matthew Cuthbert | about as the Avery winner.<|quote|>"Reckon you're glad we kept her, Marilla?"</|quote|>whispered Matthew, speaking for the | was pointed out and whispered about as the Avery winner.<|quote|>"Reckon you're glad we kept her, Marilla?"</|quote|>whispered Matthew, speaking for the first time since he had | of diplomas, prizes and medals made. Matthew and Marilla were there, with eyes and ears for only one student on the platform--a tall girl in pale green, with faintly flushed cheeks and starry eyes, who read the best essay and was pointed out and whispered about as the Avery winner.<|quote|>"Reckon you're glad we kept her, Marilla?"</|quote|>whispered Matthew, speaking for the first time since he had entered the hall, when Anne had finished her essay. "It's not the first time I've been glad," retorted Marilla. "You do like to rub things in, Matthew Cuthbert." Miss Barry, who was sitting behind them, leaned forward and poked Marilla | all she managed to whisper to Jane: "Oh, won't Matthew and Marilla be pleased! I must write the news home right away." Commencement was the next important happening. The exercises were held in the big assembly hall of the Academy. Addresses were given, essays read, songs sung, the public award of diplomas, prizes and medals made. Matthew and Marilla were there, with eyes and ears for only one student on the platform--a tall girl in pale green, with faintly flushed cheeks and starry eyes, who read the best essay and was pointed out and whispered about as the Avery winner.<|quote|>"Reckon you're glad we kept her, Marilla?"</|quote|>whispered Matthew, speaking for the first time since he had entered the hall, when Anne had finished her essay. "It's not the first time I've been glad," retorted Marilla. "You do like to rub things in, Matthew Cuthbert." Miss Barry, who was sitting behind them, leaned forward and poked Marilla in the back with her parasol. "Aren't you proud of that Anne-girl? I am," she said. Anne went home to Avonlea with Matthew and Marilla that evening. She had not been home since April and she felt that she could not wait another day. The apple blossoms were out and | one sickening pang of defeat and disappointment. So she had failed and Gilbert had won! Well, Matthew would be sorry--he had been so sure she would win. And then! Somebody called out: "Three cheers for Miss Shirley, winner of the Avery!" "Oh, Anne," gasped Jane, as they fled to the girls' dressing room amid hearty cheers. "Oh, Anne I'm so proud! Isn't it splendid?" And then the girls were around them and Anne was the center of a laughing, congratulating group. Her shoulders were thumped and her hands shaken vigorously. She was pushed and pulled and hugged and among it all she managed to whisper to Jane: "Oh, won't Matthew and Marilla be pleased! I must write the news home right away." Commencement was the next important happening. The exercises were held in the big assembly hall of the Academy. Addresses were given, essays read, songs sung, the public award of diplomas, prizes and medals made. Matthew and Marilla were there, with eyes and ears for only one student on the platform--a tall girl in pale green, with faintly flushed cheeks and starry eyes, who read the best essay and was pointed out and whispered about as the Avery winner.<|quote|>"Reckon you're glad we kept her, Marilla?"</|quote|>whispered Matthew, speaking for the first time since he had entered the hall, when Anne had finished her essay. "It's not the first time I've been glad," retorted Marilla. "You do like to rub things in, Matthew Cuthbert." Miss Barry, who was sitting behind them, leaned forward and poked Marilla in the back with her parasol. "Aren't you proud of that Anne-girl? I am," she said. Anne went home to Avonlea with Matthew and Marilla that evening. She had not been home since April and she felt that she could not wait another day. The apple blossoms were out and the world was fresh and young. Diana was at Green Gables to meet her. In her own white room, where Marilla had set a flowering house rose on the window sill, Anne looked about her and drew a long breath of happiness. "Oh, Diana, it's so good to be back again. It's so good to see those pointed firs coming out against the pink sky--and that white orchard and the old Snow Queen. Isn't the breath of the mint delicious? And that tea rose--why, it's a song and a hope and a prayer all in one. And it's _good_ to | Beyond those ten minutes there did not seem, just then, to be anything worth being called Time. "Of course you'll win one of them anyhow," said Jane, who couldn't understand how the faculty could be so unfair as to order it otherwise. "I have not hope of the Avery," said Anne. "Everybody says Emily Clay will win it. And I'm not going to march up to that bulletin board and look at it before everybody. I haven't the moral courage. I'm going straight to the girls' dressing room. You must read the announcements and then come and tell me, Jane. And I implore you in the name of our old friendship to do it as quickly as possible. If I have failed just say so, without trying to break it gently; and whatever you do _don't_ sympathize with me. Promise me this, Jane." Jane promised solemnly; but, as it happened, there was no necessity for such a promise. When they went up the entrance steps of Queen's they found the hall full of boys who were carrying Gilbert Blythe around on their shoulders and yelling at the tops of their voices, "Hurrah for Blythe, Medalist!" For a moment Anne felt one sickening pang of defeat and disappointment. So she had failed and Gilbert had won! Well, Matthew would be sorry--he had been so sure she would win. And then! Somebody called out: "Three cheers for Miss Shirley, winner of the Avery!" "Oh, Anne," gasped Jane, as they fled to the girls' dressing room amid hearty cheers. "Oh, Anne I'm so proud! Isn't it splendid?" And then the girls were around them and Anne was the center of a laughing, congratulating group. Her shoulders were thumped and her hands shaken vigorously. She was pushed and pulled and hugged and among it all she managed to whisper to Jane: "Oh, won't Matthew and Marilla be pleased! I must write the news home right away." Commencement was the next important happening. The exercises were held in the big assembly hall of the Academy. Addresses were given, essays read, songs sung, the public award of diplomas, prizes and medals made. Matthew and Marilla were there, with eyes and ears for only one student on the platform--a tall girl in pale green, with faintly flushed cheeks and starry eyes, who read the best essay and was pointed out and whispered about as the Avery winner.<|quote|>"Reckon you're glad we kept her, Marilla?"</|quote|>whispered Matthew, speaking for the first time since he had entered the hall, when Anne had finished her essay. "It's not the first time I've been glad," retorted Marilla. "You do like to rub things in, Matthew Cuthbert." Miss Barry, who was sitting behind them, leaned forward and poked Marilla in the back with her parasol. "Aren't you proud of that Anne-girl? I am," she said. Anne went home to Avonlea with Matthew and Marilla that evening. She had not been home since April and she felt that she could not wait another day. The apple blossoms were out and the world was fresh and young. Diana was at Green Gables to meet her. In her own white room, where Marilla had set a flowering house rose on the window sill, Anne looked about her and drew a long breath of happiness. "Oh, Diana, it's so good to be back again. It's so good to see those pointed firs coming out against the pink sky--and that white orchard and the old Snow Queen. Isn't the breath of the mint delicious? And that tea rose--why, it's a song and a hope and a prayer all in one. And it's _good_ to see you again, Diana!" "I thought you liked that Stella Maynard better than me," said Diana reproachfully. "Josie Pye told me you did. Josie said you were _infatuated_ with her." Anne laughed and pelted Diana with the faded "June lilies" of her bouquet. "Stella Maynard is the dearest girl in the world except one and you are that one, Diana," she said. "I love you more than ever--and I've so many things to tell you. But just now I feel as if it were joy enough to sit here and look at you. I'm tired, I think--tired of being studious and ambitious. I mean to spend at least two hours tomorrow lying out in the orchard grass, thinking of absolutely nothing." "You've done splendidly, Anne. I suppose you won't be teaching now that you've won the Avery?" "No. I'm going to Redmond in September. Doesn't it seem wonderful? I'll have a brand new stock of ambition laid in by that time after three glorious, golden months of vacation. Jane and Ruby are going to teach. Isn't it splendid to think we all got through even to Moody Spurgeon and Josie Pye?" "The Newbridge trustees have offered Jane their school already," | to send me. Anne, Frank Stockley says that Professor Tremaine said Gilbert Blythe was sure to get the medal and that Emily Clay would likely win the Avery scholarship." "That may make me feel badly tomorrow, Josie," laughed Anne, "but just now I honestly feel that as long as I know the violets are coming out all purple down in the hollow below Green Gables and that little ferns are poking their heads up in Lovers' Lane, it's not a great deal of difference whether I win the Avery or not. I've done my best and I begin to understand what is meant by the ?joy of the strife.' Next to trying and winning, the best thing is trying and failing. Girls, don't talk about exams! Look at that arch of pale green sky over those houses and picture to yourself what it must look like over the purply-dark beech-woods back of Avonlea." "What are you going to wear for commencement, Jane?" asked Ruby practically. Jane and Josie both answered at once and the chatter drifted into a side eddy of fashions. But Anne, with her elbows on the window sill, her soft cheek laid against her clasped hands, and her eyes filled with visions, looked out unheedingly across city roof and spire to that glorious dome of sunset sky and wove her dreams of a possible future from the golden tissue of youth's own optimism. All the Beyond was hers with its possibilities lurking rosily in the oncoming years--each year a rose of promise to be woven into an immortal chaplet. CHAPTER XXXVI. The Glory and the Dream |ON the morning when the final results of all the examinations were to be posted on the bulletin board at Queen's, Anne and Jane walked down the street together. Jane was smiling and happy; examinations were over and she was comfortably sure she had made a pass at least; further considerations troubled Jane not at all; she had no soaring ambitions and consequently was not affected with the unrest attendant thereon. For we pay a price for everything we get or take in this world; and although ambitions are well worth having, they are not to be cheaply won, but exact their dues of work and self-denial, anxiety and discouragement. Anne was pale and quiet; in ten more minutes she would know who had won the medal and who the Avery. Beyond those ten minutes there did not seem, just then, to be anything worth being called Time. "Of course you'll win one of them anyhow," said Jane, who couldn't understand how the faculty could be so unfair as to order it otherwise. "I have not hope of the Avery," said Anne. "Everybody says Emily Clay will win it. And I'm not going to march up to that bulletin board and look at it before everybody. I haven't the moral courage. I'm going straight to the girls' dressing room. You must read the announcements and then come and tell me, Jane. And I implore you in the name of our old friendship to do it as quickly as possible. If I have failed just say so, without trying to break it gently; and whatever you do _don't_ sympathize with me. Promise me this, Jane." Jane promised solemnly; but, as it happened, there was no necessity for such a promise. When they went up the entrance steps of Queen's they found the hall full of boys who were carrying Gilbert Blythe around on their shoulders and yelling at the tops of their voices, "Hurrah for Blythe, Medalist!" For a moment Anne felt one sickening pang of defeat and disappointment. So she had failed and Gilbert had won! Well, Matthew would be sorry--he had been so sure she would win. And then! Somebody called out: "Three cheers for Miss Shirley, winner of the Avery!" "Oh, Anne," gasped Jane, as they fled to the girls' dressing room amid hearty cheers. "Oh, Anne I'm so proud! Isn't it splendid?" And then the girls were around them and Anne was the center of a laughing, congratulating group. Her shoulders were thumped and her hands shaken vigorously. She was pushed and pulled and hugged and among it all she managed to whisper to Jane: "Oh, won't Matthew and Marilla be pleased! I must write the news home right away." Commencement was the next important happening. The exercises were held in the big assembly hall of the Academy. Addresses were given, essays read, songs sung, the public award of diplomas, prizes and medals made. Matthew and Marilla were there, with eyes and ears for only one student on the platform--a tall girl in pale green, with faintly flushed cheeks and starry eyes, who read the best essay and was pointed out and whispered about as the Avery winner.<|quote|>"Reckon you're glad we kept her, Marilla?"</|quote|>whispered Matthew, speaking for the first time since he had entered the hall, when Anne had finished her essay. "It's not the first time I've been glad," retorted Marilla. "You do like to rub things in, Matthew Cuthbert." Miss Barry, who was sitting behind them, leaned forward and poked Marilla in the back with her parasol. "Aren't you proud of that Anne-girl? I am," she said. Anne went home to Avonlea with Matthew and Marilla that evening. She had not been home since April and she felt that she could not wait another day. The apple blossoms were out and the world was fresh and young. Diana was at Green Gables to meet her. In her own white room, where Marilla had set a flowering house rose on the window sill, Anne looked about her and drew a long breath of happiness. "Oh, Diana, it's so good to be back again. It's so good to see those pointed firs coming out against the pink sky--and that white orchard and the old Snow Queen. Isn't the breath of the mint delicious? And that tea rose--why, it's a song and a hope and a prayer all in one. And it's _good_ to see you again, Diana!" "I thought you liked that Stella Maynard better than me," said Diana reproachfully. "Josie Pye told me you did. Josie said you were _infatuated_ with her." Anne laughed and pelted Diana with the faded "June lilies" of her bouquet. "Stella Maynard is the dearest girl in the world except one and you are that one, Diana," she said. "I love you more than ever--and I've so many things to tell you. But just now I feel as if it were joy enough to sit here and look at you. I'm tired, I think--tired of being studious and ambitious. I mean to spend at least two hours tomorrow lying out in the orchard grass, thinking of absolutely nothing." "You've done splendidly, Anne. I suppose you won't be teaching now that you've won the Avery?" "No. I'm going to Redmond in September. Doesn't it seem wonderful? I'll have a brand new stock of ambition laid in by that time after three glorious, golden months of vacation. Jane and Ruby are going to teach. Isn't it splendid to think we all got through even to Moody Spurgeon and Josie Pye?" "The Newbridge trustees have offered Jane their school already," said Diana. "Gilbert Blythe is going to teach, too. He has to. His father can't afford to send him to college next year, after all, so he means to earn his own way through. I expect he'll get the school here if Miss Ames decides to leave." Anne felt a queer little sensation of dismayed surprise. She had not known this; she had expected that Gilbert would be going to Redmond also. What would she do without their inspiring rivalry? Would not work, even at a coeducational college with a real degree in prospect, be rather flat without her friend the enemy? The next morning at breakfast it suddenly struck Anne that Matthew was not looking well. Surely he was much grayer than he had been a year before. "Marilla," she said hesitatingly when he had gone out, "is Matthew quite well?" "No, he isn't," said Marilla in a troubled tone. "He's had some real bad spells with his heart this spring and he won't spare himself a mite. I've been real worried about him, but he's some better this while back and we've got a good hired man, so I'm hoping he'll kind of rest and pick up. Maybe he will now you're home. You always cheer him up." Anne leaned across the table and took Marilla's face in her hands. "You are not looking as well yourself as I'd like to see you, Marilla. You look tired. I'm afraid you've been working too hard. You must take a rest, now that I'm home. I'm just going to take this one day off to visit all the dear old spots and hunt up my old dreams, and then it will be your turn to be lazy while I do the work." Marilla smiled affectionately at her girl. "It's not the work--it's my head. I've got a pain so often now--behind my eyes. Doctor Spencer's been fussing with glasses, but they don't do me any good. There is a distinguished oculist coming to the Island the last of June and the doctor says I must see him. I guess I'll have to. I can't read or sew with any comfort now. Well, Anne, you've done real well at Queen's I must say. To take First Class License in one year and win the Avery scholarship--well, well, Mrs. Lynde says pride goes before a fall and she doesn't believe in the | woven into an immortal chaplet. CHAPTER XXXVI. The Glory and the Dream |ON the morning when the final results of all the examinations were to be posted on the bulletin board at Queen's, Anne and Jane walked down the street together. Jane was smiling and happy; examinations were over and she was comfortably sure she had made a pass at least; further considerations troubled Jane not at all; she had no soaring ambitions and consequently was not affected with the unrest attendant thereon. For we pay a price for everything we get or take in this world; and although ambitions are well worth having, they are not to be cheaply won, but exact their dues of work and self-denial, anxiety and discouragement. Anne was pale and quiet; in ten more minutes she would know who had won the medal and who the Avery. Beyond those ten minutes there did not seem, just then, to be anything worth being called Time. "Of course you'll win one of them anyhow," said Jane, who couldn't understand how the faculty could be so unfair as to order it otherwise. "I have not hope of the Avery," said Anne. "Everybody says Emily Clay will win it. And I'm not going to march up to that bulletin board and look at it before everybody. I haven't the moral courage. I'm going straight to the girls' dressing room. You must read the announcements and then come and tell me, Jane. And I implore you in the name of our old friendship to do it as quickly as possible. If I have failed just say so, without trying to break it gently; and whatever you do _don't_ sympathize with me. Promise me this, Jane." Jane promised solemnly; but, as it happened, there was no necessity for such a promise. When they went up the entrance steps of Queen's they found the hall full of boys who were carrying Gilbert Blythe around on their shoulders and yelling at the tops of their voices, "Hurrah for Blythe, Medalist!" For a moment Anne felt one sickening pang of defeat and disappointment. So she had failed and Gilbert had won! Well, Matthew would be sorry--he had been so sure she would win. And then! Somebody called out: "Three cheers for Miss Shirley, winner of the Avery!" "Oh, Anne," gasped Jane, as they fled to the girls' dressing room amid hearty cheers. "Oh, Anne I'm so proud! Isn't it splendid?" And then the girls were around them and Anne was the center of a laughing, congratulating group. Her shoulders were thumped and her hands shaken vigorously. She was pushed and pulled and hugged and among it all she managed to whisper to Jane: "Oh, won't Matthew and Marilla be pleased! I must write the news home right away." Commencement was the next important happening. The exercises were held in the big assembly hall of the Academy. Addresses were given, essays read, songs sung, the public award of diplomas, prizes and medals made. Matthew and Marilla were there, with eyes and ears for only one student on the platform--a tall girl in pale green, with faintly flushed cheeks and starry eyes, who read the best essay and was pointed out and whispered about as the Avery winner.<|quote|>"Reckon you're glad we kept her, Marilla?"</|quote|>whispered Matthew, speaking for the first time since he had entered the hall, when Anne had finished her essay. "It's not the first time I've been glad," retorted Marilla. "You do like to rub things in, Matthew Cuthbert." Miss Barry, who was sitting behind them, leaned forward and poked Marilla in the back with her parasol. "Aren't you proud of that Anne-girl? I am," she said. Anne went home to Avonlea with Matthew and Marilla that evening. She had not been home since April and she felt that she could not wait another day. The apple blossoms were out and the world was fresh and young. Diana was at Green Gables to meet her. In her own white room, where Marilla had set a flowering house rose on the window sill, Anne looked about her and drew a long breath of happiness. "Oh, Diana, it's so good to be back again. It's so good to see those pointed firs coming out against the pink sky--and that white orchard and the old Snow Queen. Isn't the breath of the mint delicious? And that tea rose--why, it's a song and a hope and a prayer all in one. And it's _good_ to see you again, Diana!" "I thought you liked that Stella Maynard better than me," said Diana reproachfully. "Josie Pye told me you did. Josie said you were _infatuated_ with her." Anne laughed and pelted Diana with the faded "June lilies" of her bouquet. | Anne Of Green Gables | of diplomas, prizes and medals made. Matthew and Marilla were there, with eyes and ears for only one student on the platform--a tall girl in pale green, with faintly flushed cheeks and starry eyes, who read the best essay and was pointed out and whispered about as the Avery winner.<|quote|>"Reckon you're glad we kept her, Marilla?"</|quote|>whispered Matthew, speaking for the first time since he had entered the hall, when Anne had finished her essay. "It's not the first time I've been glad," retorted Marilla. "You do like to rub things in, Matthew Cuthbert." Miss Barry, who was sitting behind them, leaned forward and poked Marilla | {
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"content": "of diplomas, prizes and medals made. Matthew and Marilla were there, with eyes and ears for only one student on the platform--a tall girl in pale green, with faintly flushed cheeks and starry eyes, who read the best essay and was pointed out and whispered about as the Avery winner.<|quote|>\"Reckon you're glad we kept her, Marilla?\"</|quote|>whispered Matthew, speaking for the first time since he had entered the hall, when Anne had finished her essay. \"It's not the first time I've been glad,\" retorted Marilla. \"You do like to rub things in, Matthew Cuthbert.\" Miss Barry, who was sitting behind them, leaned forward and poked Marilla",
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"Oh, ever so many," | Anne Shirley | many of your apples yet?"<|quote|>"Oh, ever so many,"</|quote|>said Anne forgetting to be | thank you. Have you picked many of your apples yet?"<|quote|>"Oh, ever so many,"</|quote|>said Anne forgetting to be dignified and jumping up quickly. | this afternoon, is he?" said Diana, who had ridden down to Mr. Harmon Andrews's that morning in Matthew's cart. "Yes. Our potato crop is very good this year. I hope your father's crop is good too." "It is fairly good, thank you. Have you picked many of your apples yet?"<|quote|>"Oh, ever so many,"</|quote|>said Anne forgetting to be dignified and jumping up quickly. "Let's go out to the orchard and get some of the Red Sweetings, Diana. Marilla says we can have all that are left on the tree. Marilla is a very generous woman. She said we could have fruit cake and | minutes in the sitting room, toes in position. "How is your mother?" inquired Anne politely, just as if she had not seen Mrs. Barry picking apples that morning in excellent health and spirits. "She is very well, thank you. I suppose Mr. Cuthbert is hauling potatoes to the _lily sands_ this afternoon, is he?" said Diana, who had ridden down to Mr. Harmon Andrews's that morning in Matthew's cart. "Yes. Our potato crop is very good this year. I hope your father's crop is good too." "It is fairly good, thank you. Have you picked many of your apples yet?"<|quote|>"Oh, ever so many,"</|quote|>said Anne forgetting to be dignified and jumping up quickly. "Let's go out to the orchard and get some of the Red Sweetings, Diana. Marilla says we can have all that are left on the tree. Marilla is a very generous woman. She said we could have fruit cake and cherry preserves for tea. But it isn't good manners to tell your company what you are going to give them to eat, so I won't tell you what she said we could have to drink. Only it begins with an R and a C and it's bright red color. I | had driven off to Carmody, Diana came over, dressed in _her_ second-best dress and looking exactly as it is proper to look when asked out to tea. At other times she was wont to run into the kitchen without knocking; but now she knocked primly at the front door. And when Anne, dressed in her second best, as primly opened it, both little girls shook hands as gravely as if they had never met before. This unnatural solemnity lasted until after Diana had been taken to the east gable to lay off her hat and then had sat for ten minutes in the sitting room, toes in position. "How is your mother?" inquired Anne politely, just as if she had not seen Mrs. Barry picking apples that morning in excellent health and spirits. "She is very well, thank you. I suppose Mr. Cuthbert is hauling potatoes to the _lily sands_ this afternoon, is he?" said Diana, who had ridden down to Mr. Harmon Andrews's that morning in Matthew's cart. "Yes. Our potato crop is very good this year. I hope your father's crop is good too." "It is fairly good, thank you. Have you picked many of your apples yet?"<|quote|>"Oh, ever so many,"</|quote|>said Anne forgetting to be dignified and jumping up quickly. "Let's go out to the orchard and get some of the Red Sweetings, Diana. Marilla says we can have all that are left on the tree. Marilla is a very generous woman. She said we could have fruit cake and cherry preserves for tea. But it isn't good manners to tell your company what you are going to give them to eat, so I won't tell you what she said we could have to drink. Only it begins with an R and a C and it's bright red color. I love bright red drinks, don't you? They taste twice as good as any other color." The orchard, with its great sweeping boughs that bent to the ground with fruit, proved so delightful that the little girls spent most of the afternoon in it, sitting in a grassy corner where the frost had spared the green and the mellow autumn sunshine lingered warmly, eating apples and talking as hard as they could. Diana had much to tell Anne of what went on in school. She had to sit with Gertie Pye and she hated it; Gertie squeaked her pencil all the | sitting down at the head of the table and pouring out the tea," said Anne, shutting her eyes ecstatically. "And asking Diana if she takes sugar! I know she doesn't but of course I'll ask her just as if I didn't know. And then pressing her to take another piece of fruit cake and another helping of preserves. Oh, Marilla, it's a wonderful sensation just to think of it. Can I take her into the spare room to lay off her hat when she comes? And then into the parlor to sit?" "No. The sitting room will do for you and your company. But there's a bottle half full of raspberry cordial that was left over from the church social the other night. It's on the second shelf of the sitting-room closet and you and Diana can have it if you like, and a cooky to eat with it along in the afternoon, for I daresay Matthew ?ll be late coming in to tea since he's hauling potatoes to the vessel." Anne flew down to the hollow, past the Dryad's Bubble and up the spruce path to Orchard Slope, to ask Diana to tea. As a result just after Marilla had driven off to Carmody, Diana came over, dressed in _her_ second-best dress and looking exactly as it is proper to look when asked out to tea. At other times she was wont to run into the kitchen without knocking; but now she knocked primly at the front door. And when Anne, dressed in her second best, as primly opened it, both little girls shook hands as gravely as if they had never met before. This unnatural solemnity lasted until after Diana had been taken to the east gable to lay off her hat and then had sat for ten minutes in the sitting room, toes in position. "How is your mother?" inquired Anne politely, just as if she had not seen Mrs. Barry picking apples that morning in excellent health and spirits. "She is very well, thank you. I suppose Mr. Cuthbert is hauling potatoes to the _lily sands_ this afternoon, is he?" said Diana, who had ridden down to Mr. Harmon Andrews's that morning in Matthew's cart. "Yes. Our potato crop is very good this year. I hope your father's crop is good too." "It is fairly good, thank you. Have you picked many of your apples yet?"<|quote|>"Oh, ever so many,"</|quote|>said Anne forgetting to be dignified and jumping up quickly. "Let's go out to the orchard and get some of the Red Sweetings, Diana. Marilla says we can have all that are left on the tree. Marilla is a very generous woman. She said we could have fruit cake and cherry preserves for tea. But it isn't good manners to tell your company what you are going to give them to eat, so I won't tell you what she said we could have to drink. Only it begins with an R and a C and it's bright red color. I love bright red drinks, don't you? They taste twice as good as any other color." The orchard, with its great sweeping boughs that bent to the ground with fruit, proved so delightful that the little girls spent most of the afternoon in it, sitting in a grassy corner where the frost had spared the green and the mellow autumn sunshine lingered warmly, eating apples and talking as hard as they could. Diana had much to tell Anne of what went on in school. She had to sit with Gertie Pye and she hated it; Gertie squeaked her pencil all the time and it just made her--Diana's--blood run cold; Ruby Gillis had charmed all her warts away, true's you live, with a magic pebble that old Mary Joe from the Creek gave her. You had to rub the warts with the pebble and then throw it away over your left shoulder at the time of the new moon and the warts would all go. Charlie Sloane's name was written up with Em White's on the porch wall and Em White was _awful mad_ about it; Sam Boulter had "sassed" Mr. Phillips in class and Mr. Phillips whipped him and Sam's father came down to the school and dared Mr. Phillips to lay a hand on one of his children again; and Mattie Andrews had a new red hood and a blue crossover with tassels on it and the airs she put on about it were perfectly sickening; and Lizzie Wright didn't speak to Mamie Wilson because Mamie Wilson's grown-up sister had cut out Lizzie Wright's grown-up sister with her beau; and everybody missed Anne so and wished she's come to school again; and Gilbert Blythe-- But Anne didn't want to hear about Gilbert Blythe. She jumped up hurriedly and said suppose | in a room where there are pretty things. I'm going to put these boughs in the old blue jug and set them on my table." "Mind you don't drop leaves all over the stairs then. I'm going on a meeting of the Aid Society at Carmody this afternoon, Anne, and I won't likely be home before dark. You'll have to get Matthew and Jerry their supper, so mind you don't forget to put the tea to draw until you sit down at the table as you did last time." "It was dreadful of me to forget," said Anne apologetically, "but that was the afternoon I was trying to think of a name for Violet Vale and it crowded other things out. Matthew was so good. He never scolded a bit. He put the tea down himself and said we could wait awhile as well as not. And I told him a lovely fairy story while we were waiting, so he didn't find the time long at all. It was a beautiful fairy story, Marilla. I forgot the end of it, so I made up an end for it myself and Matthew said he couldn't tell where the join came in." "Matthew would think it all right, Anne, if you took a notion to get up and have dinner in the middle of the night. But you keep your wits about you this time. And--I don't really know if I'm doing right--it may make you more addlepated than ever--but you can ask Diana to come over and spend the afternoon with you and have tea here." "Oh, Marilla!" Anne clasped her hands. "How perfectly lovely! You _are_ able to imagine things after all or else you'd never have understood how I've longed for that very thing. It will seem so nice and grown-uppish. No fear of my forgetting to put the tea to draw when I have company. Oh, Marilla, can I use the rosebud spray tea set?" "No, indeed! The rosebud tea set! Well, what next? You know I never use that except for the minister or the Aids. You'll put down the old brown tea set. But you can open the little yellow crock of cherry preserves. It's time it was being used anyhow--I believe it's beginning to work. And you can cut some fruit cake and have some of the cookies and snaps." "I can just imagine myself sitting down at the head of the table and pouring out the tea," said Anne, shutting her eyes ecstatically. "And asking Diana if she takes sugar! I know she doesn't but of course I'll ask her just as if I didn't know. And then pressing her to take another piece of fruit cake and another helping of preserves. Oh, Marilla, it's a wonderful sensation just to think of it. Can I take her into the spare room to lay off her hat when she comes? And then into the parlor to sit?" "No. The sitting room will do for you and your company. But there's a bottle half full of raspberry cordial that was left over from the church social the other night. It's on the second shelf of the sitting-room closet and you and Diana can have it if you like, and a cooky to eat with it along in the afternoon, for I daresay Matthew ?ll be late coming in to tea since he's hauling potatoes to the vessel." Anne flew down to the hollow, past the Dryad's Bubble and up the spruce path to Orchard Slope, to ask Diana to tea. As a result just after Marilla had driven off to Carmody, Diana came over, dressed in _her_ second-best dress and looking exactly as it is proper to look when asked out to tea. At other times she was wont to run into the kitchen without knocking; but now she knocked primly at the front door. And when Anne, dressed in her second best, as primly opened it, both little girls shook hands as gravely as if they had never met before. This unnatural solemnity lasted until after Diana had been taken to the east gable to lay off her hat and then had sat for ten minutes in the sitting room, toes in position. "How is your mother?" inquired Anne politely, just as if she had not seen Mrs. Barry picking apples that morning in excellent health and spirits. "She is very well, thank you. I suppose Mr. Cuthbert is hauling potatoes to the _lily sands_ this afternoon, is he?" said Diana, who had ridden down to Mr. Harmon Andrews's that morning in Matthew's cart. "Yes. Our potato crop is very good this year. I hope your father's crop is good too." "It is fairly good, thank you. Have you picked many of your apples yet?"<|quote|>"Oh, ever so many,"</|quote|>said Anne forgetting to be dignified and jumping up quickly. "Let's go out to the orchard and get some of the Red Sweetings, Diana. Marilla says we can have all that are left on the tree. Marilla is a very generous woman. She said we could have fruit cake and cherry preserves for tea. But it isn't good manners to tell your company what you are going to give them to eat, so I won't tell you what she said we could have to drink. Only it begins with an R and a C and it's bright red color. I love bright red drinks, don't you? They taste twice as good as any other color." The orchard, with its great sweeping boughs that bent to the ground with fruit, proved so delightful that the little girls spent most of the afternoon in it, sitting in a grassy corner where the frost had spared the green and the mellow autumn sunshine lingered warmly, eating apples and talking as hard as they could. Diana had much to tell Anne of what went on in school. She had to sit with Gertie Pye and she hated it; Gertie squeaked her pencil all the time and it just made her--Diana's--blood run cold; Ruby Gillis had charmed all her warts away, true's you live, with a magic pebble that old Mary Joe from the Creek gave her. You had to rub the warts with the pebble and then throw it away over your left shoulder at the time of the new moon and the warts would all go. Charlie Sloane's name was written up with Em White's on the porch wall and Em White was _awful mad_ about it; Sam Boulter had "sassed" Mr. Phillips in class and Mr. Phillips whipped him and Sam's father came down to the school and dared Mr. Phillips to lay a hand on one of his children again; and Mattie Andrews had a new red hood and a blue crossover with tassels on it and the airs she put on about it were perfectly sickening; and Lizzie Wright didn't speak to Mamie Wilson because Mamie Wilson's grown-up sister had cut out Lizzie Wright's grown-up sister with her beau; and everybody missed Anne so and wished she's come to school again; and Gilbert Blythe-- But Anne didn't want to hear about Gilbert Blythe. She jumped up hurriedly and said suppose they go in and have some raspberry cordial. Anne looked on the second shelf of the room pantry but there was no bottle of raspberry cordial there. Search revealed it away back on the top shelf. Anne put it on a tray and set it on the table with a tumbler. "Now, please help yourself, Diana," she said politely. "I don't believe I'll have any just now. I don't feel as if I wanted any after all those apples." Diana poured herself out a tumblerful, looked at its bright-red hue admiringly, and then sipped it daintily. "That's awfully nice raspberry cordial, Anne," she said. "I didn't know raspberry cordial was so nice." "I'm real glad you like it. Take as much as you want. I'm going to run out and stir the fire up. There are so many responsibilities on a person's mind when they're keeping house, isn't there?" When Anne came back from the kitchen Diana was drinking her second glassful of cordial; and, being entreated thereto by Anne, she offered no particular objection to the drinking of a third. The tumblerfuls were generous ones and the raspberry cordial was certainly very nice. "The nicest I ever drank," said Diana. "It's ever so much nicer than Mrs. Lynde's, although she brags of hers so much. It doesn't taste a bit like hers." "I should think Marilla's raspberry cordial would prob'ly be much nicer than Mrs. Lynde's," said Anne loyally. "Marilla is a famous cook. She is trying to teach me to cook but I assure you, Diana, it is uphill work. There's so little scope for imagination in cookery. You just have to go by rules. The last time I made a cake I forgot to put the flour in. I was thinking the loveliest story about you and me, Diana. I thought you were desperately ill with smallpox and everybody deserted you, but I went boldly to your bedside and nursed you back to life; and then I took the smallpox and died and I was buried under those poplar trees in the graveyard and you planted a rosebush by my grave and watered it with your tears; and you never, never forgot the friend of your youth who sacrificed her life for you. Oh, it was such a pathetic tale, Diana. The tears just rained down over my cheeks while I mixed the cake. But I forgot | Diana can have it if you like, and a cooky to eat with it along in the afternoon, for I daresay Matthew ?ll be late coming in to tea since he's hauling potatoes to the vessel." Anne flew down to the hollow, past the Dryad's Bubble and up the spruce path to Orchard Slope, to ask Diana to tea. As a result just after Marilla had driven off to Carmody, Diana came over, dressed in _her_ second-best dress and looking exactly as it is proper to look when asked out to tea. At other times she was wont to run into the kitchen without knocking; but now she knocked primly at the front door. And when Anne, dressed in her second best, as primly opened it, both little girls shook hands as gravely as if they had never met before. This unnatural solemnity lasted until after Diana had been taken to the east gable to lay off her hat and then had sat for ten minutes in the sitting room, toes in position. "How is your mother?" inquired Anne politely, just as if she had not seen Mrs. Barry picking apples that morning in excellent health and spirits. "She is very well, thank you. I suppose Mr. Cuthbert is hauling potatoes to the _lily sands_ this afternoon, is he?" said Diana, who had ridden down to Mr. Harmon Andrews's that morning in Matthew's cart. "Yes. Our potato crop is very good this year. I hope your father's crop is good too." "It is fairly good, thank you. Have you picked many of your apples yet?"<|quote|>"Oh, ever so many,"</|quote|>said Anne forgetting to be dignified and jumping up quickly. "Let's go out to the orchard and get some of the Red Sweetings, Diana. Marilla says we can have all that are left on the tree. Marilla is a very generous woman. She said we could have fruit cake and cherry preserves for tea. But it isn't good manners to tell your company what you are going to give them to eat, so I won't tell you what she said we could have to drink. Only it begins with an R and a C and it's bright red color. I love bright red drinks, don't you? They taste twice as good as any other color." The orchard, with its great sweeping boughs that bent to the ground with fruit, proved so delightful that the little girls spent most of the afternoon in it, sitting in a grassy corner where the frost had spared the green and the mellow autumn sunshine lingered warmly, eating apples and talking as hard as they could. Diana had much to tell Anne of what went on in school. She had to sit with Gertie Pye and she hated it; Gertie squeaked her pencil all the time and it just made her--Diana's--blood run cold; Ruby Gillis had charmed all her warts away, true's you live, with a magic pebble that old Mary Joe from the Creek gave her. You had to rub the warts with the pebble and then throw it away over your left shoulder at the time of the new moon and the warts would all go. Charlie Sloane's name was written up with Em White's on the porch wall and Em White was _awful mad_ about it; Sam Boulter had "sassed" Mr. Phillips in class and Mr. Phillips whipped him and Sam's father came down to the school and dared Mr. Phillips to lay a hand on one of his children again; and Mattie Andrews had | Anne Of Green Gables | this afternoon, is he?" said Diana, who had ridden down to Mr. Harmon Andrews's that morning in Matthew's cart. "Yes. Our potato crop is very good this year. I hope your father's crop is good too." "It is fairly good, thank you. Have you picked many of your apples yet?"<|quote|>"Oh, ever so many,"</|quote|>said Anne forgetting to be dignified and jumping up quickly. "Let's go out to the orchard and get some of the Red Sweetings, Diana. Marilla says we can have all that are left on the tree. Marilla is a very generous woman. She said we could have fruit cake and | {
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But a sense of strangeness will not leave me, I can find nothing of myself in all these things. There is my mother, there is my sister, there my case of butterflies, and there the mahogany piano--but I am not myself there. There is a distance, a veil between us. I go and fetch my pack to the bedside and turn out the things I have brought--a whole Edamer cheese, that Kat provided me with, two loaves of army bread, three-quarters of a pound of butter, two tins of liver-sausage, a pound of dripping and a little bag of rice. | No speaker | home, you are at home."<|quote|>But a sense of strangeness will not leave me, I can find nothing of myself in all these things. There is my mother, there is my sister, there my case of butterflies, and there the mahogany piano--but I am not myself there. There is a distance, a veil between us. I go and fetch my pack to the bedside and turn out the things I have brought--a whole Edamer cheese, that Kat provided me with, two loaves of army bread, three-quarters of a pound of butter, two tins of liver-sausage, a pound of dripping and a little bag of rice.</|quote|>"I suppose you can make | to myself:-- "You are at home, you are at home."<|quote|>But a sense of strangeness will not leave me, I can find nothing of myself in all these things. There is my mother, there is my sister, there my case of butterflies, and there the mahogany piano--but I am not myself there. There is a distance, a veil between us. I go and fetch my pack to the bedside and turn out the things I have brought--a whole Edamer cheese, that Kat provided me with, two loaves of army bread, three-quarters of a pound of butter, two tins of liver-sausage, a pound of dripping and a little bag of rice.</|quote|>"I suppose you can make some use of that----" They | of getting a few and has put them all by for me. I sit by her bed, and through the window the chestnut trees in the beer garden opposite glow in brown and gold. I breathe deeply and say over to myself:-- "You are at home, you are at home."<|quote|>But a sense of strangeness will not leave me, I can find nothing of myself in all these things. There is my mother, there is my sister, there my case of butterflies, and there the mahogany piano--but I am not myself there. There is a distance, a veil between us. I go and fetch my pack to the bedside and turn out the things I have brought--a whole Edamer cheese, that Kat provided me with, two loaves of army bread, three-quarters of a pound of butter, two tins of liver-sausage, a pound of dripping and a little bag of rice.</|quote|>"I suppose you can make some use of that----" They nod. "Is it pretty bad for food here?" I enquire. "Yes, there's not much. Do you get enough out there?" I smile and point to the things I have brought. "Not always quite so much as that, of course, but | means much more than when another uses it. I know well enough that the jar of whortleberries is the only one they have had for months, and that she has kept it for me; and the somewhat stale cakes that she gives me too. She has taken a favourable opportunity of getting a few and has put them all by for me. I sit by her bed, and through the window the chestnut trees in the beer garden opposite glow in brown and gold. I breathe deeply and say over to myself:-- "You are at home, you are at home."<|quote|>But a sense of strangeness will not leave me, I can find nothing of myself in all these things. There is my mother, there is my sister, there my case of butterflies, and there the mahogany piano--but I am not myself there. There is a distance, a veil between us. I go and fetch my pack to the bedside and turn out the things I have brought--a whole Edamer cheese, that Kat provided me with, two loaves of army bread, three-quarters of a pound of butter, two tins of liver-sausage, a pound of dripping and a little bag of rice.</|quote|>"I suppose you can make some use of that----" They nod. "Is it pretty bad for food here?" I enquire. "Yes, there's not much. Do you get enough out there?" I smile and point to the things I have brought. "Not always quite so much as that, of course, but we fare reasonably well." Erna goes out to bring in the food. Suddenly my mother seizes hold of my hand and asks falteringly: "Was it very bad out there, Paul?" Mother, what should I answer to that! You would not understand, and never realize it. And you never should realize | frail compared with mine. We say very little, and I am thankful that she asks nothing. What ought I to say? Everything I could have wished for has happened. I have come out of it safely and sit here beside her. And in the kitchen stands my sister making the evening bread and singing. "Dear boy," says my mother softly. We were never very demonstrative in our family; poor folk who toil and are full of cares are not so. It is not their way to protest what they already know. When my mother says to me "dear boy," it means much more than when another uses it. I know well enough that the jar of whortleberries is the only one they have had for months, and that she has kept it for me; and the somewhat stale cakes that she gives me too. She has taken a favourable opportunity of getting a few and has put them all by for me. I sit by her bed, and through the window the chestnut trees in the beer garden opposite glow in brown and gold. I breathe deeply and say over to myself:-- "You are at home, you are at home."<|quote|>But a sense of strangeness will not leave me, I can find nothing of myself in all these things. There is my mother, there is my sister, there my case of butterflies, and there the mahogany piano--but I am not myself there. There is a distance, a veil between us. I go and fetch my pack to the bedside and turn out the things I have brought--a whole Edamer cheese, that Kat provided me with, two loaves of army bread, three-quarters of a pound of butter, two tins of liver-sausage, a pound of dripping and a little bag of rice.</|quote|>"I suppose you can make some use of that----" They nod. "Is it pretty bad for food here?" I enquire. "Yes, there's not much. Do you get enough out there?" I smile and point to the things I have brought. "Not always quite so much as that, of course, but we fare reasonably well." Erna goes out to bring in the food. Suddenly my mother seizes hold of my hand and asks falteringly: "Was it very bad out there, Paul?" Mother, what should I answer to that! You would not understand, and never realize it. And you never should realize it. Was it bad, you ask.--You, Mother,--I shake my head and say: "No, mother, not so very. There are always a lot of us together so it isn't so bad." "Yes, but Heinrich Bredemeyer was here just lately and he said it was terrible out there now, with the gas and all the rest of it." It is my mother who says that. She says: "With the gas and all the rest of it." She does not know what she is saying, she is merely anxious for me. Should I tell her how we once found three enemy trenches with | voice. It comes from the bedroom. "Is she in bed?" I ask my sister. "She is ill--" she replies. I go in to her, give her my hand and say as calmly as I can: "Here I am, mother." She lies still in the dim light. Then she asks anxiously: "Are you wounded?" and I feel her searching glance. "No, I have got leave." My mother is very pale. I am afraid to make a light. "Here I lie now," says she, "and cry instead of being glad." "Are you sick, mother?" I ask. "I am going to get up a little to-day," she says and turns to my sister, who is continually running to the kitchen to watch that the food does not burn: "And put out the jar of preserved whortleberries--you like that, don't you?" she asks me. "Yes, mother, I haven't had any for a long time." "We might almost have known you were coming," laughs my sister, "there is just your favourite dish, potato-cakes, and even whortle-berries to go with them too." "And it is Saturday," I add. "Sit here beside me," says my mother. She looks at me. Her hands are white and sickly and frail compared with mine. We say very little, and I am thankful that she asks nothing. What ought I to say? Everything I could have wished for has happened. I have come out of it safely and sit here beside her. And in the kitchen stands my sister making the evening bread and singing. "Dear boy," says my mother softly. We were never very demonstrative in our family; poor folk who toil and are full of cares are not so. It is not their way to protest what they already know. When my mother says to me "dear boy," it means much more than when another uses it. I know well enough that the jar of whortleberries is the only one they have had for months, and that she has kept it for me; and the somewhat stale cakes that she gives me too. She has taken a favourable opportunity of getting a few and has put them all by for me. I sit by her bed, and through the window the chestnut trees in the beer garden opposite glow in brown and gold. I breathe deeply and say over to myself:-- "You are at home, you are at home."<|quote|>But a sense of strangeness will not leave me, I can find nothing of myself in all these things. There is my mother, there is my sister, there my case of butterflies, and there the mahogany piano--but I am not myself there. There is a distance, a veil between us. I go and fetch my pack to the bedside and turn out the things I have brought--a whole Edamer cheese, that Kat provided me with, two loaves of army bread, three-quarters of a pound of butter, two tins of liver-sausage, a pound of dripping and a little bag of rice.</|quote|>"I suppose you can make some use of that----" They nod. "Is it pretty bad for food here?" I enquire. "Yes, there's not much. Do you get enough out there?" I smile and point to the things I have brought. "Not always quite so much as that, of course, but we fare reasonably well." Erna goes out to bring in the food. Suddenly my mother seizes hold of my hand and asks falteringly: "Was it very bad out there, Paul?" Mother, what should I answer to that! You would not understand, and never realize it. And you never should realize it. Was it bad, you ask.--You, Mother,--I shake my head and say: "No, mother, not so very. There are always a lot of us together so it isn't so bad." "Yes, but Heinrich Bredemeyer was here just lately and he said it was terrible out there now, with the gas and all the rest of it." It is my mother who says that. She says: "With the gas and all the rest of it." She does not know what she is saying, she is merely anxious for me. Should I tell her how we once found three enemy trenches with their garrison all stiff as though stricken with apoplexy? Against the parapet, in the dugouts, just where they were, the men stood and lay about, with blue faces, dead. "No, mother, that's only talk," I answer, "there's not very much in what Bredemeyer says. You see for instance, I'm well and fit----" Before my mother's tremulous anxiety I recover my composure. Now I can walk about and talk and answer questions without fear of having suddenly to lean against the wall because the world turns soft as rubber and my veins become brimstone. My mother wants to get up. So I go for a while to my sister in the kitchen. "What is the matter with her?" I ask. She shrugs her shoulders: "She has been in bed two months now, but we did not want to write and tell you. Several doctors have been to see her. One of them said it is probably cancer again." * * I go to the district commandant to report myself. Slowly I wander through the streets. Occasionally someone speaks to me. I do not delay long for I have little inclination to talk. On my way back from the barracks a loud | the heat from the ironing pours out through the open windows. Dogs trot along the narrow street, before the doors of the houses people stand and follow me with their gaze as I pass by, dirty and heavy laden. In this confectioner's we used to eat ices, and there we learned to smoke cigarettes. Walking down the street I know every shop, the colonial warehouse, the chemist's, the tobacconist's. Then at last I stand before the brown door with its worn latch and my hand grows heavy. I open the door and a wonderful freshness comes out to meet me, my eyes are dim. The stairs creak under my boots. Upstairs a door rattles, someone is looking over the railing. It is the kitchen door that was opened, they are cooking potato-cakes, the house reeks of it, and to-day of course is Saturday; that will be my sister leaning over. For a moment I am shy and lower my head, then I take off my helmet and look up. Yes, it is my eldest sister. "Paul," she cries, "Paul----" I nod, my pack bumps against the banisters; my rifle is so heavy. She pulls a door open and calls: "Mother, mother, Paul is here." I can go no further--mother, mother, Paul is here. I lean against the wall and grip my helmet and rifle. I hold them as tight as I can, but I cannot take another step, the staircase fades before my eyes, I support myself with the butt of my rifle against my feet and clench my teeth fiercely, but I cannot speak a word, my sister's call has made me powerless, I can do nothing, I struggle to make myself laugh, to speak, but no word comes, and so I stand on the steps, miserable, helpless, paralysed, and against my will the tears run down my cheeks. My sister comes back and says: "Why, what is the matter?" Then I pull myself together and stagger on to the landing. I lean my rifle in a corner, I set my pack against the wall, place my helmet on it, and fling down my equipment and baggage. Then I say fiercely: "Bring me a handkerchief." She gives me one from the cupboard and I dry my face. Above me on the wall hangs the glass case with the coloured butterflies that once I collected. Now I hear my mother's voice. It comes from the bedroom. "Is she in bed?" I ask my sister. "She is ill--" she replies. I go in to her, give her my hand and say as calmly as I can: "Here I am, mother." She lies still in the dim light. Then she asks anxiously: "Are you wounded?" and I feel her searching glance. "No, I have got leave." My mother is very pale. I am afraid to make a light. "Here I lie now," says she, "and cry instead of being glad." "Are you sick, mother?" I ask. "I am going to get up a little to-day," she says and turns to my sister, who is continually running to the kitchen to watch that the food does not burn: "And put out the jar of preserved whortleberries--you like that, don't you?" she asks me. "Yes, mother, I haven't had any for a long time." "We might almost have known you were coming," laughs my sister, "there is just your favourite dish, potato-cakes, and even whortle-berries to go with them too." "And it is Saturday," I add. "Sit here beside me," says my mother. She looks at me. Her hands are white and sickly and frail compared with mine. We say very little, and I am thankful that she asks nothing. What ought I to say? Everything I could have wished for has happened. I have come out of it safely and sit here beside her. And in the kitchen stands my sister making the evening bread and singing. "Dear boy," says my mother softly. We were never very demonstrative in our family; poor folk who toil and are full of cares are not so. It is not their way to protest what they already know. When my mother says to me "dear boy," it means much more than when another uses it. I know well enough that the jar of whortleberries is the only one they have had for months, and that she has kept it for me; and the somewhat stale cakes that she gives me too. She has taken a favourable opportunity of getting a few and has put them all by for me. I sit by her bed, and through the window the chestnut trees in the beer garden opposite glow in brown and gold. I breathe deeply and say over to myself:-- "You are at home, you are at home."<|quote|>But a sense of strangeness will not leave me, I can find nothing of myself in all these things. There is my mother, there is my sister, there my case of butterflies, and there the mahogany piano--but I am not myself there. There is a distance, a veil between us. I go and fetch my pack to the bedside and turn out the things I have brought--a whole Edamer cheese, that Kat provided me with, two loaves of army bread, three-quarters of a pound of butter, two tins of liver-sausage, a pound of dripping and a little bag of rice.</|quote|>"I suppose you can make some use of that----" They nod. "Is it pretty bad for food here?" I enquire. "Yes, there's not much. Do you get enough out there?" I smile and point to the things I have brought. "Not always quite so much as that, of course, but we fare reasonably well." Erna goes out to bring in the food. Suddenly my mother seizes hold of my hand and asks falteringly: "Was it very bad out there, Paul?" Mother, what should I answer to that! You would not understand, and never realize it. And you never should realize it. Was it bad, you ask.--You, Mother,--I shake my head and say: "No, mother, not so very. There are always a lot of us together so it isn't so bad." "Yes, but Heinrich Bredemeyer was here just lately and he said it was terrible out there now, with the gas and all the rest of it." It is my mother who says that. She says: "With the gas and all the rest of it." She does not know what she is saying, she is merely anxious for me. Should I tell her how we once found three enemy trenches with their garrison all stiff as though stricken with apoplexy? Against the parapet, in the dugouts, just where they were, the men stood and lay about, with blue faces, dead. "No, mother, that's only talk," I answer, "there's not very much in what Bredemeyer says. You see for instance, I'm well and fit----" Before my mother's tremulous anxiety I recover my composure. Now I can walk about and talk and answer questions without fear of having suddenly to lean against the wall because the world turns soft as rubber and my veins become brimstone. My mother wants to get up. So I go for a while to my sister in the kitchen. "What is the matter with her?" I ask. She shrugs her shoulders: "She has been in bed two months now, but we did not want to write and tell you. Several doctors have been to see her. One of them said it is probably cancer again." * * I go to the district commandant to report myself. Slowly I wander through the streets. Occasionally someone speaks to me. I do not delay long for I have little inclination to talk. On my way back from the barracks a loud voice calls out to me. Still lost in thought I turn round and find myself confronted by a Major. "Can't you salute?" he blusters. "Sorry, Major," I say in embarrassment, "I didn't notice you." "Don't you know how to speak properly?" he roars. I would like to hit him in the face, but control myself, for my leave depends on it. I click my heels and say: "I did not see you, Herr Major." "Then keep your eyes open," he snorts. "What is your name?" I give it. His fat red face is furious. "What regiment?" I give him full particulars. Even yet he has not had enough. "Where are they?" But I have had more than enough and say: "Between Langemark and Bixschoote." "Eh?" he asks, a bit stupefied. I explain to him that I arrived on leave only an hour or two since, thinking that he would then trot along. But not at all. He gets even more furious: "You think you can bring your front-line manners here, what? Well, we don't stand that sort of thing. Thank God, we have discipline here!" "Twenty paces backwards, double march!" he commands. I am mad with rage. But I cannot say anything to him; he could put me under arrest if he liked. So I double back, and then march up to him. Six paces from him I spring to a stiff salute and maintain it until I am six paces beyond him. He calls me back again and affably gives me to understand that for once he is pleased to put mercy before justice. I pretend to be duly grateful. "Now, dismiss!" he says. I turn about smartly and march off. That ruins the evening for me. I go back home and throw my uniform into a corner; I ought to have done that before. Then I take out my civilian clothes from the wardrobe and put them on. I feel awkward. The suit is rather tight and short, I have grown in the army. Collar and tie give me some trouble. In the end my sister ties the bow for me. But how light the suit is, it feels as though I had nothing on but a shirt and underpants. I look at myself in the glass. It is a strange sight. A sunburnt, overgrown candidate for confirmation gazes at me in astonishment. My mother is pleased to | and I feel her searching glance. "No, I have got leave." My mother is very pale. I am afraid to make a light. "Here I lie now," says she, "and cry instead of being glad." "Are you sick, mother?" I ask. "I am going to get up a little to-day," she says and turns to my sister, who is continually running to the kitchen to watch that the food does not burn: "And put out the jar of preserved whortleberries--you like that, don't you?" she asks me. "Yes, mother, I haven't had any for a long time." "We might almost have known you were coming," laughs my sister, "there is just your favourite dish, potato-cakes, and even whortle-berries to go with them too." "And it is Saturday," I add. "Sit here beside me," says my mother. She looks at me. Her hands are white and sickly and frail compared with mine. We say very little, and I am thankful that she asks nothing. What ought I to say? Everything I could have wished for has happened. I have come out of it safely and sit here beside her. And in the kitchen stands my sister making the evening bread and singing. "Dear boy," says my mother softly. We were never very demonstrative in our family; poor folk who toil and are full of cares are not so. It is not their way to protest what they already know. When my mother says to me "dear boy," it means much more than when another uses it. I know well enough that the jar of whortleberries is the only one they have had for months, and that she has kept it for me; and the somewhat stale cakes that she gives me too. She has taken a favourable opportunity of getting a few and has put them all by for me. I sit by her bed, and through the window the chestnut trees in the beer garden opposite glow in brown and gold. I breathe deeply and say over to myself:-- "You are at home, you are at home."<|quote|>But a sense of strangeness will not leave me, I can find nothing of myself in all these things. There is my mother, there is my sister, there my case of butterflies, and there the mahogany piano--but I am not myself there. There is a distance, a veil between us. I go and fetch my pack to the bedside and turn out the things I have brought--a whole Edamer cheese, that Kat provided me with, two loaves of army bread, three-quarters of a pound of butter, two tins of liver-sausage, a pound of dripping and a little bag of rice.</|quote|>"I suppose you can make some use of that----" They nod. "Is it pretty bad for food here?" I enquire. "Yes, there's not much. Do you get enough out there?" I smile and point to the things I have brought. "Not always quite so much as that, of course, but we fare reasonably well." Erna goes out to bring in the food. Suddenly my mother seizes hold of my hand and asks falteringly: "Was it very bad out there, Paul?" Mother, what should I answer to that! You would not understand, and never realize it. And you never should realize it. Was it bad, you ask.--You, Mother,--I shake my head and say: "No, mother, not so very. There are always a lot of us together so it isn't so bad." "Yes, but Heinrich Bredemeyer was here just lately and he said it was terrible out there now, with the gas and all the rest of it." It is my mother who says that. She says: "With the gas and all the rest of it." She does not know what she is saying, she is merely anxious for me. Should I tell her how we once found three enemy trenches with their garrison all stiff as though stricken with apoplexy? Against the parapet, in the dugouts, just where they were, the men stood and lay about, with blue faces, dead. "No, mother, that's only talk," I answer, "there's not very much in what Bredemeyer says. You see for instance, I'm well and fit----" Before my mother's tremulous anxiety I recover my composure. Now I can walk about and talk and answer questions without fear of having suddenly to lean against the wall because the world turns soft as rubber and my veins become brimstone. My mother wants to get up. So I go for a while to my sister in the kitchen. "What is the matter with her?" I ask. She shrugs her shoulders: "She has been in bed two months now, but we did not want to write and tell you. Several doctors have been to see her. One of them said it is probably cancer again." * * I go to the district commandant to report myself. Slowly I wander through the streets. Occasionally someone speaks to me. I do not delay long for I have little inclination to talk. On my way back from the barracks a loud voice calls out to me. Still lost in thought I turn round and find myself confronted by a Major. "Can't you salute?" he blusters. "Sorry, Major," I say in embarrassment, "I didn't notice you." "Don't you know how to speak properly?" he roars. I would like to hit him in the face, but control myself, for my leave depends on it. I click my heels and say: "I did not see you, Herr Major." "Then keep your eyes open," he snorts. "What is your name?" I give it. His fat red face is furious. "What regiment?" I give him full particulars. Even yet he has not had enough. "Where are they?" But I have had more than enough and say: "Between Langemark and Bixschoote." "Eh?" he asks, a bit stupefied. I explain to him that I arrived on leave only an hour or two since, thinking that he would then trot along. But not at all. He gets even more furious: "You think you can bring your front-line manners here, what? Well, we don't stand that sort of thing. Thank God, we have discipline here!" "Twenty paces backwards, double march!" he commands. I am mad with | All Quiet on the Western Front | of getting a few and has put them all by for me. I sit by her bed, and through the window the chestnut trees in the beer garden opposite glow in brown and gold. I breathe deeply and say over to myself:-- "You are at home, you are at home."<|quote|>But a sense of strangeness will not leave me, I can find nothing of myself in all these things. There is my mother, there is my sister, there my case of butterflies, and there the mahogany piano--but I am not myself there. There is a distance, a veil between us. I go and fetch my pack to the bedside and turn out the things I have brought--a whole Edamer cheese, that Kat provided me with, two loaves of army bread, three-quarters of a pound of butter, two tins of liver-sausage, a pound of dripping and a little bag of rice.</|quote|>"I suppose you can make some use of that----" They nod. "Is it pretty bad for food here?" I enquire. "Yes, there's not much. Do you get enough out there?" I smile and point to the things I have brought. "Not always quite so much as that, of course, but | {
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"content": "of getting a few and has put them all by for me. I sit by her bed, and through the window the chestnut trees in the beer garden opposite glow in brown and gold. I breathe deeply and say over to myself:-- \"You are at home, you are at home.\"<|quote|>But a sense of strangeness will not leave me, I can find nothing of myself in all these things. There is my mother, there is my sister, there my case of butterflies, and there the mahogany piano--but I am not myself there. There is a distance, a veil between us. I go and fetch my pack to the bedside and turn out the things I have brought--a whole Edamer cheese, that Kat provided me with, two loaves of army bread, three-quarters of a pound of butter, two tins of liver-sausage, a pound of dripping and a little bag of rice.</|quote|>\"I suppose you can make some use of that----\" They nod. \"Is it pretty bad for food here?\" I enquire. \"Yes, there's not much. Do you get enough out there?\" I smile and point to the things I have brought. \"Not always quite so much as that, of course, but",
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"No, but ones I don't know. I believe I bore them. Thinking it over, that's the conclusion I've come to. I bore them. They talk about me as" | Tony Last | from the school of economics?"<|quote|>"No, but ones I don't know. I believe I bore them. Thinking it over, that's the conclusion I've come to. I bore them. They talk about me as"</|quote|>"the old boy". "John heard | with Brenda's new friends." "People from the school of economics?"<|quote|>"No, but ones I don't know. I believe I bore them. Thinking it over, that's the conclusion I've come to. I bore them. They talk about me as"</|quote|>"the old boy". "John heard them." "Well, that's friendly enough." | came to. Brenda must have been bored... Daresay she'll get bored with economics some time... Anyway, she seems cheerful enough now. We've had parties every week-end lately... I wish you'd come down sometimes, Jock. I don't seem to get on with Brenda's new friends." "People from the school of economics?"<|quote|>"No, but ones I don't know. I believe I bore them. Thinking it over, that's the conclusion I've come to. I bore them. They talk about me as"</|quote|>"the old boy". "John heard them." "Well, that's friendly enough." "Yes, that's friendly." They finished the Burgundy and drank some port. Presently Tony said, "I say, come next week-end, will you?" "I think I'd love to." "Wish you would. I don't see many old friends... Sure to be lots of | it... I suppose it's a good plan. You know there wasn't really much for her to do all the time at Hetton. Of course she'd rather die than admit it, but I believe she got a bit bored there sometimes. I've been thinking it over and that's the conclusion I came to. Brenda must have been bored... Daresay she'll get bored with economics some time... Anyway, she seems cheerful enough now. We've had parties every week-end lately... I wish you'd come down sometimes, Jock. I don't seem to get on with Brenda's new friends." "People from the school of economics?"<|quote|>"No, but ones I don't know. I believe I bore them. Thinking it over, that's the conclusion I've come to. I bore them. They talk about me as"</|quote|>"the old boy". "John heard them." "Well, that's friendly enough." "Yes, that's friendly." They finished the Burgundy and drank some port. Presently Tony said, "I say, come next week-end, will you?" "I think I'd love to." "Wish you would. I don't see many old friends... Sure to be lots of people in the house, but you won't mind that, will you?... sociable chap, Jock... doesn't mind people about. _I_ mind it like hell." They drank some more port. Tony said, "Not enough bathrooms, you know... but of course you know. You've been there before, often. Not like the new friends | to, but you see I got fed up with being alone at Hetton and thought I'd like to see Brenda, so I came up suddenly on the spur of the moment, just like that. Damned silly thing to do. Might have known she'd be going out somewhere... she's very high-principled about chucking... so there it is. She's going to ring me up here later, if she can get away." They drank a lot. Tony did most of the talking. "Extraordinary idea of hers, taking up economics," he said. "I never thought it would last, but she seems really keen on it... I suppose it's a good plan. You know there wasn't really much for her to do all the time at Hetton. Of course she'd rather die than admit it, but I believe she got a bit bored there sometimes. I've been thinking it over and that's the conclusion I came to. Brenda must have been bored... Daresay she'll get bored with economics some time... Anyway, she seems cheerful enough now. We've had parties every week-end lately... I wish you'd come down sometimes, Jock. I don't seem to get on with Brenda's new friends." "People from the school of economics?"<|quote|>"No, but ones I don't know. I believe I bore them. Thinking it over, that's the conclusion I've come to. I bore them. They talk about me as"</|quote|>"the old boy". "John heard them." "Well, that's friendly enough." "Yes, that's friendly." They finished the Burgundy and drank some port. Presently Tony said, "I say, come next week-end, will you?" "I think I'd love to." "Wish you would. I don't see many old friends... Sure to be lots of people in the house, but you won't mind that, will you?... sociable chap, Jock... doesn't mind people about. _I_ mind it like hell." They drank some more port. Tony said, "Not enough bathrooms, you know... but of course you know. You've been there before, often. Not like the new friends who think me a bore. You don't think I'm a bore, do you?" "No, old boy." "Not even when I'm tight, like this?... There would have been bathrooms. I had the plans out. Four new ones. A chap down there made the plans... but then Brenda wanted the flat so I had to postpone them as an economy... I say, that's funny. We had to economize because of Brenda's economics." "Yes, that's funny. Let's have some port." Tony said, "You seem pretty low to-night." "I am rather. Worried about the Pig Scheme. Constituents keep writing." "_I_ felt low, _bloody_ low, | quiet to-night, sir. Mr Last is in the dining-room." Jock found him seated in a corner; he was in day clothes; the table and the chair at his side were littered with papers and magazines; one was propped up in front of him. He was half-way through dinner and three-quarters of the way through a bottle of Burgundy. "Hullo," he said. "Chucked? Come and join me." It was some time since Jock had seen Tony; the meeting embarrassed him slightly, for like all his friends, he was wondering how Tony felt and how much he knew about Brenda and John Beaver. However, he sat down at Tony's table. "Been chucked?" asked Tony again. "Yes, it's the last time I ask that bitch out." "Better have a drink. I've been drinking a whole lot. Much the best thing." They took what was left of the Burgundy and ordered another bottle. "Just come up for the night," said Tony. "Staying here." "You've got a flat now, haven't you?" "Well, Brenda has. There isn't really room for two... we tried it once and it wasn't a success." "What's she doing to-night?" "Out somewhere. I didn't let her know I was coming... silly not to, but you see I got fed up with being alone at Hetton and thought I'd like to see Brenda, so I came up suddenly on the spur of the moment, just like that. Damned silly thing to do. Might have known she'd be going out somewhere... she's very high-principled about chucking... so there it is. She's going to ring me up here later, if she can get away." They drank a lot. Tony did most of the talking. "Extraordinary idea of hers, taking up economics," he said. "I never thought it would last, but she seems really keen on it... I suppose it's a good plan. You know there wasn't really much for her to do all the time at Hetton. Of course she'd rather die than admit it, but I believe she got a bit bored there sometimes. I've been thinking it over and that's the conclusion I came to. Brenda must have been bored... Daresay she'll get bored with economics some time... Anyway, she seems cheerful enough now. We've had parties every week-end lately... I wish you'd come down sometimes, Jock. I don't seem to get on with Brenda's new friends." "People from the school of economics?"<|quote|>"No, but ones I don't know. I believe I bore them. Thinking it over, that's the conclusion I've come to. I bore them. They talk about me as"</|quote|>"the old boy". "John heard them." "Well, that's friendly enough." "Yes, that's friendly." They finished the Burgundy and drank some port. Presently Tony said, "I say, come next week-end, will you?" "I think I'd love to." "Wish you would. I don't see many old friends... Sure to be lots of people in the house, but you won't mind that, will you?... sociable chap, Jock... doesn't mind people about. _I_ mind it like hell." They drank some more port. Tony said, "Not enough bathrooms, you know... but of course you know. You've been there before, often. Not like the new friends who think me a bore. You don't think I'm a bore, do you?" "No, old boy." "Not even when I'm tight, like this?... There would have been bathrooms. I had the plans out. Four new ones. A chap down there made the plans... but then Brenda wanted the flat so I had to postpone them as an economy... I say, that's funny. We had to economize because of Brenda's economics." "Yes, that's funny. Let's have some port." Tony said, "You seem pretty low to-night." "I am rather. Worried about the Pig Scheme. Constituents keep writing." "_I_ felt low, _bloody_ low, but I'm all right again now. The best thing is to get tight. That's what I did and I don't feel low any more... discouraging to come to London and find you're not wanted. Funny thing, _you_ feel low because your girl's chucked, and _I_ feel low because mine won't chuck." "Yes, that's funny." "But you know I've felt low for weeks now... bloody low... how about some brandy?" "Yes, why not? After all, there are other things in life besides women and pigs." They had some brandy and after a time Jock began to cheer up. Presently a page came to their table to say, "A message from Lady Brenda, sir." "Good, I'll go and speak to her." "It's not her ladyship speaking. Someone was sending a message." "I'll come and speak to her." He went to the telephone in the lobby outside. "Darling," he said. "Is that Mr Last? I've got a message here, from Lady Brenda." "Right, put me through to her." "She can't speak herself, but she asked me to give you this message, that she's very sorry but she cannot join you to-night. She's very tired and has gone home to bed." "Tell her I | It's so hard to know." Brenda never started the subject of the half-finished letter, but she noticed that Beaver was wearing his ring, and had already acquired a trick of twisting it as he talked. On New Year's Eve there was a party at a neighbouring house. Tony went home early and Beaver and Brenda returned together in the back of a car. Next morning, while they were having breakfast, she said to Tony, "I've made a New Year resolution." "Anything to do with spending more time at home?" "Oh no, _quite_ the reverse. Listen, Tony, it's serious. I think I'll take a course of something." "Not bone-setters again? I thought that was over." "No, something like economics. You see, I've been thinking. I don't really _do_ anything at all at present. The house runs itself. It seems to me time I _took_ to something. Now you're always talking about going into Parliament. Well, if I had done a course of economics I could be some use canvassing and writing speeches and things--you know, the way Marjorie did when Allan was standing on the Clydeside. There are all sorts of lectures in London, to do with the University, where girls go. Don't you think it's rather a good idea?" "It's one better than the bone-setters," Tony admitted. That was how the New Year began. CHAPTER III HARD CHEESE ON TONY [I] It is not uncommon at Bratt's Club, between nine and ten in the evening, to find men in white ties and tail coats sitting by themselves and eating, in evident low spirits, large and extravagant dinners. They are those who have been abandoned at the last minute by their women. For twenty minutes or so they have sat in the foyer of some restaurant, gazing expectantly towards the revolving doors and alternatively taking out their watches and ordering cocktails, until at length a telephone message has been brought them that their guests are unable to come. Then they go to Bratt's, half hoping to find friends but, more often than not, taking a melancholy satisfaction in finding the club deserted or peopled by strangers. So they sit there, round the walls, morosely regarding the mahogany tables before them, and eating and drinking heavily. It was in this mood and for this reason that, one evening towards the middle of February, Jock Grant-Menzies arrived at the club. "Anyone here?" "Very quiet to-night, sir. Mr Last is in the dining-room." Jock found him seated in a corner; he was in day clothes; the table and the chair at his side were littered with papers and magazines; one was propped up in front of him. He was half-way through dinner and three-quarters of the way through a bottle of Burgundy. "Hullo," he said. "Chucked? Come and join me." It was some time since Jock had seen Tony; the meeting embarrassed him slightly, for like all his friends, he was wondering how Tony felt and how much he knew about Brenda and John Beaver. However, he sat down at Tony's table. "Been chucked?" asked Tony again. "Yes, it's the last time I ask that bitch out." "Better have a drink. I've been drinking a whole lot. Much the best thing." They took what was left of the Burgundy and ordered another bottle. "Just come up for the night," said Tony. "Staying here." "You've got a flat now, haven't you?" "Well, Brenda has. There isn't really room for two... we tried it once and it wasn't a success." "What's she doing to-night?" "Out somewhere. I didn't let her know I was coming... silly not to, but you see I got fed up with being alone at Hetton and thought I'd like to see Brenda, so I came up suddenly on the spur of the moment, just like that. Damned silly thing to do. Might have known she'd be going out somewhere... she's very high-principled about chucking... so there it is. She's going to ring me up here later, if she can get away." They drank a lot. Tony did most of the talking. "Extraordinary idea of hers, taking up economics," he said. "I never thought it would last, but she seems really keen on it... I suppose it's a good plan. You know there wasn't really much for her to do all the time at Hetton. Of course she'd rather die than admit it, but I believe she got a bit bored there sometimes. I've been thinking it over and that's the conclusion I came to. Brenda must have been bored... Daresay she'll get bored with economics some time... Anyway, she seems cheerful enough now. We've had parties every week-end lately... I wish you'd come down sometimes, Jock. I don't seem to get on with Brenda's new friends." "People from the school of economics?"<|quote|>"No, but ones I don't know. I believe I bore them. Thinking it over, that's the conclusion I've come to. I bore them. They talk about me as"</|quote|>"the old boy". "John heard them." "Well, that's friendly enough." "Yes, that's friendly." They finished the Burgundy and drank some port. Presently Tony said, "I say, come next week-end, will you?" "I think I'd love to." "Wish you would. I don't see many old friends... Sure to be lots of people in the house, but you won't mind that, will you?... sociable chap, Jock... doesn't mind people about. _I_ mind it like hell." They drank some more port. Tony said, "Not enough bathrooms, you know... but of course you know. You've been there before, often. Not like the new friends who think me a bore. You don't think I'm a bore, do you?" "No, old boy." "Not even when I'm tight, like this?... There would have been bathrooms. I had the plans out. Four new ones. A chap down there made the plans... but then Brenda wanted the flat so I had to postpone them as an economy... I say, that's funny. We had to economize because of Brenda's economics." "Yes, that's funny. Let's have some port." Tony said, "You seem pretty low to-night." "I am rather. Worried about the Pig Scheme. Constituents keep writing." "_I_ felt low, _bloody_ low, but I'm all right again now. The best thing is to get tight. That's what I did and I don't feel low any more... discouraging to come to London and find you're not wanted. Funny thing, _you_ feel low because your girl's chucked, and _I_ feel low because mine won't chuck." "Yes, that's funny." "But you know I've felt low for weeks now... bloody low... how about some brandy?" "Yes, why not? After all, there are other things in life besides women and pigs." They had some brandy and after a time Jock began to cheer up. Presently a page came to their table to say, "A message from Lady Brenda, sir." "Good, I'll go and speak to her." "It's not her ladyship speaking. Someone was sending a message." "I'll come and speak to her." He went to the telephone in the lobby outside. "Darling," he said. "Is that Mr Last? I've got a message here, from Lady Brenda." "Right, put me through to her." "She can't speak herself, but she asked me to give you this message, that she's very sorry but she cannot join you to-night. She's very tired and has gone home to bed." "Tell her I want to speak to her." "I can't, I'm afraid, she's gone to bed. She's very tired." "She's very tired and she's gone to bed?" "That's right." "Well, I want to speak to her." "Good night," said the voice. "The old boy's plastered," said Beaver as he rang off. "Oh dear. I feel rather awful about him. But what _can_ he expect, coming up suddenly like this? He's got to be taught not to make surprise visits." "Is he often like that?" "No, it's quite new." The telephone bell rang. "D'you suppose that's him again? I'd better answer it." "I want to speak to Lady Brenda Last." "Tony, darling, this _is_ me, Brenda." "Some damn fool said I couldn't speak to you." "I left a message from where I was dining. Are you having a lovely evening?" "Hellish. I'm with Jock. He's worried about the Pig Scheme. Shall we come round and see you?" "No, not now, darling, I'm terribly tired and just going to bed." "We'll come and see you." "Tony, are you a tiny bit tight?" "Stinking. Jock and I'll come and see you." "_Tony_, you're _not_ to. D'you hear? I can't have you making a brawl. The flats are getting a bad name anyhow." "Their name'll be mud when Jock and I come." "Tony, listen, will you please not come, not to-night. Be a good boy and stay at the club. Will you _please_ not?" "Shan't be long." He rang off. "Oh God," said Brenda. "This isn't the least like Tony. Ring up Bratt's and get on to Jock. He'll have more sense." * * * * * "That was Brenda." "So I gathered." "She's at the flat. I said that we'd go round." "Splendid. Haven't seen her for weeks. Very fond of Brenda." "So am I. Grand girl." "Grand girl." "A lady on the telephone for you, Mr Grant-Menzies." "Who?" "She didn't give a name." "All right. I'll come." Brenda said to him, "Jock, what _have_ you been doing to my husband?" "He's a bit tight, that's all." "He's roaring. Look here, he threatens to come round. I simply can't face him to-night in that mood, I'm tired out. You understand, don't you?" "Yes, I understand." "So will you, _please_, keep him away? Are you tight too?" "A little bit." "Oh dear, can I trust you?" "I'll try." "Well, it doesn't sound too good. Good-bye" ... "John, | was coming... silly not to, but you see I got fed up with being alone at Hetton and thought I'd like to see Brenda, so I came up suddenly on the spur of the moment, just like that. Damned silly thing to do. Might have known she'd be going out somewhere... she's very high-principled about chucking... so there it is. She's going to ring me up here later, if she can get away." They drank a lot. Tony did most of the talking. "Extraordinary idea of hers, taking up economics," he said. "I never thought it would last, but she seems really keen on it... I suppose it's a good plan. You know there wasn't really much for her to do all the time at Hetton. Of course she'd rather die than admit it, but I believe she got a bit bored there sometimes. I've been thinking it over and that's the conclusion I came to. Brenda must have been bored... Daresay she'll get bored with economics some time... Anyway, she seems cheerful enough now. We've had parties every week-end lately... I wish you'd come down sometimes, Jock. I don't seem to get on with Brenda's new friends." "People from the school of economics?"<|quote|>"No, but ones I don't know. I believe I bore them. Thinking it over, that's the conclusion I've come to. I bore them. They talk about me as"</|quote|>"the old boy". "John heard them." "Well, that's friendly enough." "Yes, that's friendly." They finished the Burgundy and drank some port. Presently Tony said, "I say, come next week-end, will you?" "I think I'd love to." "Wish you would. I don't see many old friends... Sure to be lots of people in the house, but you won't mind that, will you?... sociable chap, Jock... doesn't mind people about. _I_ mind it like hell." They drank some more port. Tony said, "Not enough bathrooms, you know... but of course you know. You've been there before, often. Not like the new friends who think me a bore. You don't think I'm a bore, do you?" "No, old boy." "Not even when I'm tight, like this?... There would have been bathrooms. I had the plans out. Four new ones. A chap down there made the plans... but then Brenda wanted the flat so I had to postpone them as an economy... I say, that's funny. We had to economize because of Brenda's economics." "Yes, that's funny. Let's have some port." Tony said, "You seem pretty low to-night." "I am rather. Worried about the Pig Scheme. Constituents keep writing." "_I_ felt low, _bloody_ low, but I'm all right again now. The best thing is to get tight. That's what I did and I don't feel low any more... discouraging to come to London and find you're not wanted. Funny thing, _you_ feel low because your girl's chucked, and _I_ feel low because mine won't chuck." "Yes, that's funny." "But you know I've felt low for weeks now... bloody low... how about some brandy?" "Yes, why not? After all, there are other things in life besides women and pigs." They had some brandy and after a | A Handful Of Dust | came to. Brenda must have been bored... Daresay she'll get bored with economics some time... Anyway, she seems cheerful enough now. We've had parties every week-end lately... I wish you'd come down sometimes, Jock. I don't seem to get on with Brenda's new friends." "People from the school of economics?"<|quote|>"No, but ones I don't know. I believe I bore them. Thinking it over, that's the conclusion I've come to. I bore them. They talk about me as"</|quote|>"the old boy". "John heard them." "Well, that's friendly enough." "Yes, that's friendly." They finished the Burgundy and drank some port. Presently Tony said, "I say, come next week-end, will you?" "I think I'd love to." "Wish you would. I don't see many old friends... Sure to be lots of | {
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"content": "came to. Brenda must have been bored... Daresay she'll get bored with economics some time... Anyway, she seems cheerful enough now. We've had parties every week-end lately... I wish you'd come down sometimes, Jock. I don't seem to get on with Brenda's new friends.\" \"People from the school of economics?\"<|quote|>\"No, but ones I don't know. I believe I bore them. Thinking it over, that's the conclusion I've come to. I bore them. They talk about me as\"</|quote|>\"the old boy\". \"John heard them.\" \"Well, that's friendly enough.\" \"Yes, that's friendly.\" They finished the Burgundy and drank some port. Presently Tony said, \"I say, come next week-end, will you?\" \"I think I'd love to.\" \"Wish you would. I don't see many old friends... Sure to be lots of",
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"Well, Mr Last, you aren't to bother about anything more. You're ill and you've had a rough journey. I'll take care of you." | Mr Todd | too. My name is Last."<|quote|>"Well, Mr Last, you aren't to bother about anything more. You're ill and you've had a rough journey. I'll take care of you."</|quote|>Tony looked round him. "Are | say, you're English. I'm English too. My name is Last."<|quote|>"Well, Mr Last, you aren't to bother about anything more. You're ill and you've had a rough journey. I'll take care of you."</|quote|>Tony looked round him. "Are you all English?" "Yes, all | will give you something to make you better." "Very kind of you... rotten thing for a man to have his wife go away in a canoe. That was a long time ago. Nothing to eat since." Presently he said, "I say, you're English. I'm English too. My name is Last."<|quote|>"Well, Mr Last, you aren't to bother about anything more. You're ill and you've had a rough journey. I'll take care of you."</|quote|>Tony looked round him. "Are you all English?" "Yes, all of us." "That dark girl married a Moor... It's very lucky I met you all. I suppose you're some kind of cycling club?" "Yes." "Well, I feel too tired for bicycling... never liked it much... you fellows ought to get | bicycle. It _was_ you I passed just now on a bicycle, wasn't it?... except that your beard is a different colour. His was green... green as mice." Mr Todd led Tony across the hummocks of grass towards the house. "It is a very short way. When we get there I will give you something to make you better." "Very kind of you... rotten thing for a man to have his wife go away in a canoe. That was a long time ago. Nothing to eat since." Presently he said, "I say, you're English. I'm English too. My name is Last."<|quote|>"Well, Mr Last, you aren't to bother about anything more. You're ill and you've had a rough journey. I'll take care of you."</|quote|>Tony looked round him. "Are you all English?" "Yes, all of us." "That dark girl married a Moor... It's very lucky I met you all. I suppose you're some kind of cycling club?" "Yes." "Well, I feel too tired for bicycling... never liked it much... you fellows ought to get motor bicycles, you know, much faster and noisier... Let's stop here." "No, you must come as far as the house. It's not very much farther." "All right... I suppose you would have some difficulty getting petrol here." They went very slowly, but at length reached the house. "Lie there in | left. You can't miss her." Then he began talking to someone at Mr Todd's side, who was not there. "Do you see that house over there? Do you think you can manage to walk to it? If not, I can send some Indians to carry you." Tony squinted across the savannah at Mr Todd's hut. "Architecture harmonizing with local character," he said, "indigenous material employed throughout. Don't let Mrs Beaver see it or she will cover it with chromium plating." "Try and walk." Mr Todd hoisted Tony to his feet and supported him with a stout arm. "I'll ride your bicycle. It _was_ you I passed just now on a bicycle, wasn't it?... except that your beard is a different colour. His was green... green as mice." Mr Todd led Tony across the hummocks of grass towards the house. "It is a very short way. When we get there I will give you something to make you better." "Very kind of you... rotten thing for a man to have his wife go away in a canoe. That was a long time ago. Nothing to eat since." Presently he said, "I say, you're English. I'm English too. My name is Last."<|quote|>"Well, Mr Last, you aren't to bother about anything more. You're ill and you've had a rough journey. I'll take care of you."</|quote|>Tony looked round him. "Are you all English?" "Yes, all of us." "That dark girl married a Moor... It's very lucky I met you all. I suppose you're some kind of cycling club?" "Yes." "Well, I feel too tired for bicycling... never liked it much... you fellows ought to get motor bicycles, you know, much faster and noisier... Let's stop here." "No, you must come as far as the house. It's not very much farther." "All right... I suppose you would have some difficulty getting petrol here." They went very slowly, but at length reached the house. "Lie there in the hammock." "That's what Messinger said. He's in love with John Beaver." "I will get something for you." "Very good of you. Just my usual morning tray--coffee, toast, fruit. And the morning papers. If her Ladyship has been called I will have it with her..." Mr Todd went into the back room of the house and dragged a tin canister from under a heap of skins. It was full of a mixture of dried leaf and bark. He took a handful and went outside to the fire. When he returned his guest was bolt upright astride the hammock, talking angrily. | those that were finished into his pocket and set out in the direction indicated. The man was already clear of the bush when Mr Todd reached him, sitting on the ground, clearly in a very bad way. He was without hat or boots, and his clothes were so torn that it was only by the dampness of his body that they adhered to it; his feet were cut and grossly swollen; every exposed surface of skin was scarred by insect and bat bites; his eyes were wild with fever. He was talking to himself in delirium but stopped when Todd approached and addressed him in English. "You're the first person who's spoken to me for days," said Tony. "The others won't stop. They keep bicycling by... I'm tired... Brenda was with me at first but she was frightened by a mechanical mouse, so she took the canoe and went off. She said she would come back that evening but she didn't. I expect she's staying with one of her new friends in Brazil... You haven't seen her, have you?" "You are the first stranger I have seen for a very long time." "She was wearing a top hat when she left. You can't miss her." Then he began talking to someone at Mr Todd's side, who was not there. "Do you see that house over there? Do you think you can manage to walk to it? If not, I can send some Indians to carry you." Tony squinted across the savannah at Mr Todd's hut. "Architecture harmonizing with local character," he said, "indigenous material employed throughout. Don't let Mrs Beaver see it or she will cover it with chromium plating." "Try and walk." Mr Todd hoisted Tony to his feet and supported him with a stout arm. "I'll ride your bicycle. It _was_ you I passed just now on a bicycle, wasn't it?... except that your beard is a different colour. His was green... green as mice." Mr Todd led Tony across the hummocks of grass towards the house. "It is a very short way. When we get there I will give you something to make you better." "Very kind of you... rotten thing for a man to have his wife go away in a canoe. That was a long time ago. Nothing to eat since." Presently he said, "I say, you're English. I'm English too. My name is Last."<|quote|>"Well, Mr Last, you aren't to bother about anything more. You're ill and you've had a rough journey. I'll take care of you."</|quote|>Tony looked round him. "Are you all English?" "Yes, all of us." "That dark girl married a Moor... It's very lucky I met you all. I suppose you're some kind of cycling club?" "Yes." "Well, I feel too tired for bicycling... never liked it much... you fellows ought to get motor bicycles, you know, much faster and noisier... Let's stop here." "No, you must come as far as the house. It's not very much farther." "All right... I suppose you would have some difficulty getting petrol here." They went very slowly, but at length reached the house. "Lie there in the hammock." "That's what Messinger said. He's in love with John Beaver." "I will get something for you." "Very good of you. Just my usual morning tray--coffee, toast, fruit. And the morning papers. If her Ladyship has been called I will have it with her..." Mr Todd went into the back room of the house and dragged a tin canister from under a heap of skins. It was full of a mixture of dried leaf and bark. He took a handful and went outside to the fire. When he returned his guest was bolt upright astride the hammock, talking angrily. "...You would hear better and it would be more polite if you stood still when I addressed you instead of walking round in a circle. It is for your own good that I am telling you... I know you are friends of my wife and that is why you will not listen to me. But be careful. She will say nothing cruel, she will not raise her voice, there will be no hard words. She hopes you will be great friends afterwards as before. But she will leave you. She will go away quietly during the night. She will take her hammock and her rations of farine... Listen to me. I know I am not clever but that is no reason why we should forget all courtesy. Let us kill in the gentlest manner. I will tell you what I have learned in the forest, where time is different. There is no City. Mrs Beaver has covered it with chromium plating and converted it into flats. Three guineas a week, each with a separate bathroom. Very suitable for base love. And Polly will be there. She and Mrs Beaver under the fallen battlements..." Mr Todd put a hand behind Tony's | lurched into three trunks and became caught up in roots and hanging tendrils of bush-vine; but he pressed forward, unconscious of pain and fatigue. At last he came into the open. The gates were before him and trumpets were sounding along the walls, saluting his arrival; from bastion to bastion the message ran to the four points of the compass; petals of almond and apple blossom were in the air; they carpeted the way, as, after a summer storm, they lay in the orchards at Hetton. Gilded cupolas and spires of alabaster shone in the sunlight. Ambrose announced, "The City is served." CHAPTER VI DU C?T? DE CHEZ TODD Although Mr Todd had lived in Amazonas for nearly six years, no one except a few families of Pie-wie Indians was aware of his existence. His house stood in a small savannah, one of those little patches of sand and grass that crop up occasionally in that neighbourhood, three miles or so across, bounded on all sides by forest. The stream which watered it was not marked on any map; it ran through rapids, always dangerous and at most seasons of the year impassable, to join the upper waters of the river where Dr Messinger had come to grief. None of the inhabitants of the district, except Mr Todd, had ever heard of the governments of Brazil or Dutch Guiana, both of which from time to time claimed its possession. Mr Todd's house was larger than those of his neighbours, but similar in character--a palm thatch roof, breast-high walls of mud and wattle, and a mud floor. He owned the dozen or so head of puny cattle which grazed in the savannah, a plantation of cassava, some banana and mango trees, a dog and, unique in the neighbourhood, a single-barrelled, breech-loading shot-gun. The few commodities which he employed from the outside world came to him through a long succession of traders, passed from hand to hand, bartered for in a dozen languages at the extreme end of one of the longest threads in the web of commerce that spreads from Man?os into the remote fastness of the forest. One day while Mr Todd was engaged in filling some cartridges, a Pie-wie came to him with the news that a white man was approaching through the forest, alone and very sick. He closed the cartridge and loaded his gun with it, put those that were finished into his pocket and set out in the direction indicated. The man was already clear of the bush when Mr Todd reached him, sitting on the ground, clearly in a very bad way. He was without hat or boots, and his clothes were so torn that it was only by the dampness of his body that they adhered to it; his feet were cut and grossly swollen; every exposed surface of skin was scarred by insect and bat bites; his eyes were wild with fever. He was talking to himself in delirium but stopped when Todd approached and addressed him in English. "You're the first person who's spoken to me for days," said Tony. "The others won't stop. They keep bicycling by... I'm tired... Brenda was with me at first but she was frightened by a mechanical mouse, so she took the canoe and went off. She said she would come back that evening but she didn't. I expect she's staying with one of her new friends in Brazil... You haven't seen her, have you?" "You are the first stranger I have seen for a very long time." "She was wearing a top hat when she left. You can't miss her." Then he began talking to someone at Mr Todd's side, who was not there. "Do you see that house over there? Do you think you can manage to walk to it? If not, I can send some Indians to carry you." Tony squinted across the savannah at Mr Todd's hut. "Architecture harmonizing with local character," he said, "indigenous material employed throughout. Don't let Mrs Beaver see it or she will cover it with chromium plating." "Try and walk." Mr Todd hoisted Tony to his feet and supported him with a stout arm. "I'll ride your bicycle. It _was_ you I passed just now on a bicycle, wasn't it?... except that your beard is a different colour. His was green... green as mice." Mr Todd led Tony across the hummocks of grass towards the house. "It is a very short way. When we get there I will give you something to make you better." "Very kind of you... rotten thing for a man to have his wife go away in a canoe. That was a long time ago. Nothing to eat since." Presently he said, "I say, you're English. I'm English too. My name is Last."<|quote|>"Well, Mr Last, you aren't to bother about anything more. You're ill and you've had a rough journey. I'll take care of you."</|quote|>Tony looked round him. "Are you all English?" "Yes, all of us." "That dark girl married a Moor... It's very lucky I met you all. I suppose you're some kind of cycling club?" "Yes." "Well, I feel too tired for bicycling... never liked it much... you fellows ought to get motor bicycles, you know, much faster and noisier... Let's stop here." "No, you must come as far as the house. It's not very much farther." "All right... I suppose you would have some difficulty getting petrol here." They went very slowly, but at length reached the house. "Lie there in the hammock." "That's what Messinger said. He's in love with John Beaver." "I will get something for you." "Very good of you. Just my usual morning tray--coffee, toast, fruit. And the morning papers. If her Ladyship has been called I will have it with her..." Mr Todd went into the back room of the house and dragged a tin canister from under a heap of skins. It was full of a mixture of dried leaf and bark. He took a handful and went outside to the fire. When he returned his guest was bolt upright astride the hammock, talking angrily. "...You would hear better and it would be more polite if you stood still when I addressed you instead of walking round in a circle. It is for your own good that I am telling you... I know you are friends of my wife and that is why you will not listen to me. But be careful. She will say nothing cruel, she will not raise her voice, there will be no hard words. She hopes you will be great friends afterwards as before. But she will leave you. She will go away quietly during the night. She will take her hammock and her rations of farine... Listen to me. I know I am not clever but that is no reason why we should forget all courtesy. Let us kill in the gentlest manner. I will tell you what I have learned in the forest, where time is different. There is no City. Mrs Beaver has covered it with chromium plating and converted it into flats. Three guineas a week, each with a separate bathroom. Very suitable for base love. And Polly will be there. She and Mrs Beaver under the fallen battlements..." Mr Todd put a hand behind Tony's head and held up the concoction of herbs in the calabash. Tony sipped and turned away his head. "Nasty medicine," he said, and began to cry. Mr Todd stood by him holding the calabash. Presently Tony drank some more, screwing up his face and shuddering slightly at the bitterness. Mr Todd stood beside him until the draught was finished; then he threw out the dregs on to the mud floor. Tony lay back in the hammock sobbing quietly. Soon he fell into a deep sleep. * * * * * Tony's recovery was slow. At first, days of lucidity alternated with delirium; then his temperature dropped and he was conscious even when most ill. The days of fever grew less frequent, finally occurring in the normal system of the tropics, between long periods of comparative health. Mr Todd dosed him regularly with herbal remedies. "It's very nasty," said Tony, "but it does do good." "There is medicine for everything in the forest," said Mr Todd; "to make you well and to make you ill. My mother was an Indian and she taught me many of them. I have learned others from time to time from my wives. There are plants to cure you and give you fever, to kill you and send you mad, to keep away snakes, to intoxicate fish so that you can pick them out of the water with your hands like fruit from a tree. There are medicines even I do not know. They say that it is possible to bring dead people to life after they have begun to stink, but I have not seen it done." "But surely you are English?" "My father was--at least a Barbadian. He came to Guiana as a missionary. He was married to a white woman but he left her in Guiana to look for gold. Then he took my mother. The Pie-wie women are ugly but very devoted. I have had many. Most of the men and women living in this savannah are my children. That is why they obey--for that reason and because I have the gun. My father lived to a great age. It is not twenty years since he died. He was a man of education. Can you read?" "Yes, of course." "It is not everyone who is so fortunate. I cannot." Tony laughed apologetically. "But I suppose you haven't much opportunity here." "Oh yes, | its possession. Mr Todd's house was larger than those of his neighbours, but similar in character--a palm thatch roof, breast-high walls of mud and wattle, and a mud floor. He owned the dozen or so head of puny cattle which grazed in the savannah, a plantation of cassava, some banana and mango trees, a dog and, unique in the neighbourhood, a single-barrelled, breech-loading shot-gun. The few commodities which he employed from the outside world came to him through a long succession of traders, passed from hand to hand, bartered for in a dozen languages at the extreme end of one of the longest threads in the web of commerce that spreads from Man?os into the remote fastness of the forest. One day while Mr Todd was engaged in filling some cartridges, a Pie-wie came to him with the news that a white man was approaching through the forest, alone and very sick. He closed the cartridge and loaded his gun with it, put those that were finished into his pocket and set out in the direction indicated. The man was already clear of the bush when Mr Todd reached him, sitting on the ground, clearly in a very bad way. He was without hat or boots, and his clothes were so torn that it was only by the dampness of his body that they adhered to it; his feet were cut and grossly swollen; every exposed surface of skin was scarred by insect and bat bites; his eyes were wild with fever. He was talking to himself in delirium but stopped when Todd approached and addressed him in English. "You're the first person who's spoken to me for days," said Tony. "The others won't stop. They keep bicycling by... I'm tired... Brenda was with me at first but she was frightened by a mechanical mouse, so she took the canoe and went off. She said she would come back that evening but she didn't. I expect she's staying with one of her new friends in Brazil... You haven't seen her, have you?" "You are the first stranger I have seen for a very long time." "She was wearing a top hat when she left. You can't miss her." Then he began talking to someone at Mr Todd's side, who was not there. "Do you see that house over there? Do you think you can manage to walk to it? If not, I can send some Indians to carry you." Tony squinted across the savannah at Mr Todd's hut. "Architecture harmonizing with local character," he said, "indigenous material employed throughout. Don't let Mrs Beaver see it or she will cover it with chromium plating." "Try and walk." Mr Todd hoisted Tony to his feet and supported him with a stout arm. "I'll ride your bicycle. It _was_ you I passed just now on a bicycle, wasn't it?... except that your beard is a different colour. His was green... green as mice." Mr Todd led Tony across the hummocks of grass towards the house. "It is a very short way. When we get there I will give you something to make you better." "Very kind of you... rotten thing for a man to have his wife go away in a canoe. That was a long time ago. Nothing to eat since." Presently he said, "I say, you're English. I'm English too. My name is Last."<|quote|>"Well, Mr Last, you aren't to bother about anything more. You're ill and you've had a rough journey. I'll take care of you."</|quote|>Tony looked round him. "Are you all English?" "Yes, all of us." "That dark girl married a Moor... It's very lucky I met you all. I suppose you're some kind of cycling club?" "Yes." "Well, I feel too tired for bicycling... never liked it much... you fellows ought to get motor bicycles, you know, much faster and noisier... Let's stop here." "No, you must come as far as the house. It's not very much farther." "All right... I suppose you would have some difficulty getting petrol here." They went very slowly, but at length reached the house. "Lie there in the hammock." "That's what Messinger said. He's in love with John Beaver." "I will get something for you." "Very good of you. Just my usual morning tray--coffee, toast, fruit. And the morning papers. If her Ladyship has been called I will have it with her..." Mr Todd went into the back room of the house and dragged a tin canister from under a heap of skins. It was full of a mixture of dried leaf and bark. He took a handful and went outside to the fire. When he returned his guest was bolt upright astride the hammock, talking angrily. "...You would hear better and it would be more polite if you stood still when I addressed you instead of walking round in a circle. It is for your own good that I am telling you... I know you are friends of my wife and that is why you will not listen to me. But be careful. She will say nothing cruel, she will not raise her voice, there will be no hard words. She hopes you will be great friends afterwards as before. But she will leave you. She will go away quietly during the night. She will take her hammock and her rations of farine... Listen to me. I know I am not clever but that is no reason why we should forget all courtesy. Let us kill in the gentlest manner. I will tell you what I have learned in the forest, where time is different. There is no City. Mrs Beaver has covered it with chromium plating and converted it into flats. Three guineas a week, each with a separate bathroom. Very suitable for base love. And Polly will be there. She and Mrs Beaver under the fallen battlements..." Mr Todd put a hand behind Tony's head and held up the concoction of herbs in the calabash. Tony sipped and turned away his head. "Nasty medicine," he said, and began to cry. Mr Todd stood by him holding the calabash. Presently Tony drank some more, screwing up his face and shuddering slightly at the bitterness. Mr Todd stood beside him until the draught was finished; then he threw out the dregs on to the mud floor. Tony lay back in | A Handful Of Dust | will give you something to make you better." "Very kind of you... rotten thing for a man to have his wife go away in a canoe. That was a long time ago. Nothing to eat since." Presently he said, "I say, you're English. I'm English too. My name is Last."<|quote|>"Well, Mr Last, you aren't to bother about anything more. You're ill and you've had a rough journey. I'll take care of you."</|quote|>Tony looked round him. "Are you all English?" "Yes, all of us." "That dark girl married a Moor... It's very lucky I met you all. I suppose you're some kind of cycling club?" "Yes." "Well, I feel too tired for bicycling... never liked it much... you fellows ought to get | {
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"You've got butter on your chin." | John Andrew | with the East," she said.<|quote|>"You've got butter on your chin."</|quote|>She reached for her bag, | smell." "It's my last link with the East," she said.<|quote|>"You've got butter on your chin."</|quote|>She reached for her bag, laughing. "Why, so I have. | at her, fascinated. "Aren't you going to give me a kiss?" He walked over to her and she kissed him on the mouth. "Oh," he said, recoiling and rubbing away the taste of the lipstick; and then, "What a beautiful smell." "It's my last link with the East," she said.<|quote|>"You've got butter on your chin."</|quote|>She reached for her bag, laughing. "Why, so I have. Teddy, you _might_ have told me." "Why do you call daddy Teddy?" "Because I hope we are going to be great friends." "What a funny reason." John stayed with them for an hour, and all the time watched, fascinated. "Have | melted butter from the muffin. One drop of butter fell on her chin and glittered there unobserved except by Tony. It was a relief to him when John Andrew was brought in. "Come and be introduced to Princess Abdul Akbar." John Andrew had never before seen a Princess; he gazed at her, fascinated. "Aren't you going to give me a kiss?" He walked over to her and she kissed him on the mouth. "Oh," he said, recoiling and rubbing away the taste of the lipstick; and then, "What a beautiful smell." "It's my last link with the East," she said.<|quote|>"You've got butter on your chin."</|quote|>She reached for her bag, laughing. "Why, so I have. Teddy, you _might_ have told me." "Why do you call daddy Teddy?" "Because I hope we are going to be great friends." "What a funny reason." John stayed with them for an hour, and all the time watched, fascinated. "Have you got a crown?" he asked. "How did you learn to speak English? What is that big ring made of? Did it cost much? Why are your nails that colour? Can you ride?" She answered all his questions, sometimes enigmatically with an eye on Tony. She took out a little | after... after all I've been through." "You're not studying economics too, are you, like Brenda?" "No; is Brenda? She never told me. What a wonderful person she is. When _does_ she find the time?" "Ah, here comes tea at last," said Tony. "I hope you allow yourself to eat muffins. So many of our guests nowadays are on a diet. I think muffins one of the few things that make the English winter endurable." "Muffins stand for so much," said Jenny. She ate heartily; often she ran her tongue over her lips, collecting crumbs that had become embedded there and melted butter from the muffin. One drop of butter fell on her chin and glittered there unobserved except by Tony. It was a relief to him when John Andrew was brought in. "Come and be introduced to Princess Abdul Akbar." John Andrew had never before seen a Princess; he gazed at her, fascinated. "Aren't you going to give me a kiss?" He walked over to her and she kissed him on the mouth. "Oh," he said, recoiling and rubbing away the taste of the lipstick; and then, "What a beautiful smell." "It's my last link with the East," she said.<|quote|>"You've got butter on your chin."</|quote|>She reached for her bag, laughing. "Why, so I have. Teddy, you _might_ have told me." "Why do you call daddy Teddy?" "Because I hope we are going to be great friends." "What a funny reason." John stayed with them for an hour, and all the time watched, fascinated. "Have you got a crown?" he asked. "How did you learn to speak English? What is that big ring made of? Did it cost much? Why are your nails that colour? Can you ride?" She answered all his questions, sometimes enigmatically with an eye on Tony. She took out a little heavily scented handkerchief and showed John the monogram. "That is my only crown... now," she said. She told him about the horses she used to have--glossy black, with arched necks; foam round their silver bits; plumes tossing on their foreheads; silver studs on the harness, crimson saddle cloths. "On the Moulay's birthday--" "What's the Moulay?" "A beautiful and a very bad man," she said gravely, "and on his birthday all his horsemen used to assemble round a great square, with all their finest clothes and trappings and jewels, with long swords in their hands. The Moulay used to sit on | I mean I know very little about it." "It has an uncanny fascination for me. You must go there, Teddy. I know you'd like it. I've been saying the same to Brenda." "I expect you'd like to see your room," said Tony. "They'll bring tea soon." "No, I'll stay here. I like just to curl up like a cat in front of the fire, and if you're nice to me I'll purr, and if you're cruel I shall pretend not to notice--just like a cat... Shall I purr, Teddy?" "Er... yes... do, please, if that's what you like doing." "Englishmen are so gentle and considerate. It's wonderful to be back among them... mine own people. Sometimes when I look back at my life, especially at times like this, among lovely old English things and kind people, I think the whole thing must be a frightful nightmare... then I remember my _scars_..." "Brenda tells me you've taken one of the flats in the same house as hers. They must be very convenient." "How English you are, Teddy--so shy of talking about personal things, intimate things... I like you for that, you know. I love everything that's solid and homely and _good_ after... after all I've been through." "You're not studying economics too, are you, like Brenda?" "No; is Brenda? She never told me. What a wonderful person she is. When _does_ she find the time?" "Ah, here comes tea at last," said Tony. "I hope you allow yourself to eat muffins. So many of our guests nowadays are on a diet. I think muffins one of the few things that make the English winter endurable." "Muffins stand for so much," said Jenny. She ate heartily; often she ran her tongue over her lips, collecting crumbs that had become embedded there and melted butter from the muffin. One drop of butter fell on her chin and glittered there unobserved except by Tony. It was a relief to him when John Andrew was brought in. "Come and be introduced to Princess Abdul Akbar." John Andrew had never before seen a Princess; he gazed at her, fascinated. "Aren't you going to give me a kiss?" He walked over to her and she kissed him on the mouth. "Oh," he said, recoiling and rubbing away the taste of the lipstick; and then, "What a beautiful smell." "It's my last link with the East," she said.<|quote|>"You've got butter on your chin."</|quote|>She reached for her bag, laughing. "Why, so I have. Teddy, you _might_ have told me." "Why do you call daddy Teddy?" "Because I hope we are going to be great friends." "What a funny reason." John stayed with them for an hour, and all the time watched, fascinated. "Have you got a crown?" he asked. "How did you learn to speak English? What is that big ring made of? Did it cost much? Why are your nails that colour? Can you ride?" She answered all his questions, sometimes enigmatically with an eye on Tony. She took out a little heavily scented handkerchief and showed John the monogram. "That is my only crown... now," she said. She told him about the horses she used to have--glossy black, with arched necks; foam round their silver bits; plumes tossing on their foreheads; silver studs on the harness, crimson saddle cloths. "On the Moulay's birthday--" "What's the Moulay?" "A beautiful and a very bad man," she said gravely, "and on his birthday all his horsemen used to assemble round a great square, with all their finest clothes and trappings and jewels, with long swords in their hands. The Moulay used to sit on a throne under a great crimson canopy." "What's a canopy?" "Like a tent," she said more sharply, and then, resuming her soft voice, "and all the horsemen used to gallop across the plain, in a great cloud of dust, waving their swords, straight towards the Moulay. And everyone used to hold their breath, thinking the horsemen were bound to ride right on top of the Moulay, but when they were a few feet away, as near as I am to you, galloping at full speed, they used to rein their horses back, up on to their hind legs and salute--" "Oh, but they _shouldn't_," said John. "It's _very_ bad horsemanship indeed. Ben says so." "They're the most wonderful horsemen in the world. Everyone knows that." "Oh, no, they can't be, if they do _that_. It's one of the _worst_ things. Were they natives?" "Yes, of course." "Ben says natives aren't humans at all really." "Ah, but he's thinking of Negroes, I expect. These are pure Semitic type." "What's that?" "The same as Jews." "Ben says Jews are worse than natives." "Oh dear, what a very severe boy you are. I was like that once. Life teaches one to be tolerant." | a leaden week. * * * * * It was part of Polly Cockpurse's plan to arrive late at Hetton. "Give the girl a chance to get down to it," she said. So she and Brenda did not leave London until Jenny was already on her way from the station. It was a day of bitter cold and occasional rain. The resolute little figure huddled herself in the rugs until she reached the gates. Then she opened her bag, tucked up her veil, shook out her powder puff and put her face to rights. She licked the rouge from her finger with a sharp red tongue. Tony was in the smoking-room when she was announced; the library was now too noisy during the daytime, for there were men at work on the walls of the morning-room next door, tearing down the plaster tracery. "Princess Abdul Akbar." He rose to greet her. She was preceded by a heavy odour of musk. "Oh, Mr Last," she said, "what a sweet old place this is." "I'm afraid it's been restored a great deal," said Tony. "Ah, but its _atmosphere_. I always think that's what counts in a house. Such dignity, and repose. But of course you're used to it. When you've been very unhappy as I have, you appreciate these things." Tony said, "I'm afraid Brenda hasn't arrived yet. She's coming by car with Lady Cockpurse." "Brenda's been _such_ a friend to me." The Princess took off her furs and sat down on the stool before the fire, looking up at Tony. "D'you mind if I take off my hat?" "No, no... of course." She threw it on to the sofa and shook out her hair, which was dead black and curled. "D'you know, Mr Last, I'm going to call you Teddy right away. You don't think that very fresh of me? And you must call me Jenny. "Princess" is so formal, isn't it, and suggests tight trousers and gold braid... Of course" ," she went on, stretching out her hands to the fire and letting her hair fall forwards a little across her face, "my husband was not called "Prince" in Morocco; his title was Moulay--but there's no proper equivalent for a woman, so I've always called myself Princess in Europe... Moulay is _far_ higher really... my husband was a descendant of the Prophet. Are you interested in the East?" "No... yes. I mean I know very little about it." "It has an uncanny fascination for me. You must go there, Teddy. I know you'd like it. I've been saying the same to Brenda." "I expect you'd like to see your room," said Tony. "They'll bring tea soon." "No, I'll stay here. I like just to curl up like a cat in front of the fire, and if you're nice to me I'll purr, and if you're cruel I shall pretend not to notice--just like a cat... Shall I purr, Teddy?" "Er... yes... do, please, if that's what you like doing." "Englishmen are so gentle and considerate. It's wonderful to be back among them... mine own people. Sometimes when I look back at my life, especially at times like this, among lovely old English things and kind people, I think the whole thing must be a frightful nightmare... then I remember my _scars_..." "Brenda tells me you've taken one of the flats in the same house as hers. They must be very convenient." "How English you are, Teddy--so shy of talking about personal things, intimate things... I like you for that, you know. I love everything that's solid and homely and _good_ after... after all I've been through." "You're not studying economics too, are you, like Brenda?" "No; is Brenda? She never told me. What a wonderful person she is. When _does_ she find the time?" "Ah, here comes tea at last," said Tony. "I hope you allow yourself to eat muffins. So many of our guests nowadays are on a diet. I think muffins one of the few things that make the English winter endurable." "Muffins stand for so much," said Jenny. She ate heartily; often she ran her tongue over her lips, collecting crumbs that had become embedded there and melted butter from the muffin. One drop of butter fell on her chin and glittered there unobserved except by Tony. It was a relief to him when John Andrew was brought in. "Come and be introduced to Princess Abdul Akbar." John Andrew had never before seen a Princess; he gazed at her, fascinated. "Aren't you going to give me a kiss?" He walked over to her and she kissed him on the mouth. "Oh," he said, recoiling and rubbing away the taste of the lipstick; and then, "What a beautiful smell." "It's my last link with the East," she said.<|quote|>"You've got butter on your chin."</|quote|>She reached for her bag, laughing. "Why, so I have. Teddy, you _might_ have told me." "Why do you call daddy Teddy?" "Because I hope we are going to be great friends." "What a funny reason." John stayed with them for an hour, and all the time watched, fascinated. "Have you got a crown?" he asked. "How did you learn to speak English? What is that big ring made of? Did it cost much? Why are your nails that colour? Can you ride?" She answered all his questions, sometimes enigmatically with an eye on Tony. She took out a little heavily scented handkerchief and showed John the monogram. "That is my only crown... now," she said. She told him about the horses she used to have--glossy black, with arched necks; foam round their silver bits; plumes tossing on their foreheads; silver studs on the harness, crimson saddle cloths. "On the Moulay's birthday--" "What's the Moulay?" "A beautiful and a very bad man," she said gravely, "and on his birthday all his horsemen used to assemble round a great square, with all their finest clothes and trappings and jewels, with long swords in their hands. The Moulay used to sit on a throne under a great crimson canopy." "What's a canopy?" "Like a tent," she said more sharply, and then, resuming her soft voice, "and all the horsemen used to gallop across the plain, in a great cloud of dust, waving their swords, straight towards the Moulay. And everyone used to hold their breath, thinking the horsemen were bound to ride right on top of the Moulay, but when they were a few feet away, as near as I am to you, galloping at full speed, they used to rein their horses back, up on to their hind legs and salute--" "Oh, but they _shouldn't_," said John. "It's _very_ bad horsemanship indeed. Ben says so." "They're the most wonderful horsemen in the world. Everyone knows that." "Oh, no, they can't be, if they do _that_. It's one of the _worst_ things. Were they natives?" "Yes, of course." "Ben says natives aren't humans at all really." "Ah, but he's thinking of Negroes, I expect. These are pure Semitic type." "What's that?" "The same as Jews." "Ben says Jews are worse than natives." "Oh dear, what a very severe boy you are. I was like that once. Life teaches one to be tolerant." "It hasn't taught Ben," said John. "When's mummy coming? I thought she'd be here, otherwise I wouldn't have stopped painting my picture." But when nanny came to fetch him, John, without invitation, went over and kissed Jenny good night. "Good night, Johnny-boy," she said. "What did you call me?" "Johnny-boy." "You are funny with names." Upstairs, meditatively splashing his spoon in the bread and milk, he said, "Nanny, I do think that Princess is beautiful, don't you?" Nanny sniffed. "It would be a dull world if we all thought alike," she said. "She's more beautiful than Miss Tendril, even. I think she's the most beautiful lady I've ever seen... D'you think she'd like to watch me have my bath?" Downstairs, Jenny said, "What a heavenly child... I love children. That has been my great tragedy. It was when he found I couldn't have children that the Moulay first showed the Other Side of his Nature. It wasn't my fault... you see my womb is out of place... I don't know why I'm telling you all this, but I feel you'll understand. It's such a _waste of time_, isn't it, when one knows one is going to like someone and one goes on _pretending_... I know at once if someone is going to be a real friend..." Polly and Brenda arrived just before seven. Brenda went straight up to the nursery. "Oh, mummy," said John, "there's such a beautiful lady downstairs. Do ask her to come and say good night. Nanny doesn't think she'd want to." "Did daddy seem to like her?" "He didn't talk much... She doesn't know anything about horses or natives but she _is_ beautiful. Please tell her to come up." Brenda went downstairs and found Jenny with Polly and Tony in the smoking-room. "You've made a wild success with John Andrew. He won't go to sleep until he's seen you again." They went up together, and Jenny said, "They're both such dears." "Did you and Tony get on? I was so sorry not to be here when you arrived." "He was _so_ sympathetic and gentle... and so wistful." They sat on John's small bed in the night-nursery. He threw the clothes back and crawled out, nestling against Jenny. "Back to bed," she said, "or I shall spank you." "Would you do it hard? I shouldn't mind." "Oh dear," said Brenda, "what a terrible effect you seem to | Sometimes when I look back at my life, especially at times like this, among lovely old English things and kind people, I think the whole thing must be a frightful nightmare... then I remember my _scars_..." "Brenda tells me you've taken one of the flats in the same house as hers. They must be very convenient." "How English you are, Teddy--so shy of talking about personal things, intimate things... I like you for that, you know. I love everything that's solid and homely and _good_ after... after all I've been through." "You're not studying economics too, are you, like Brenda?" "No; is Brenda? She never told me. What a wonderful person she is. When _does_ she find the time?" "Ah, here comes tea at last," said Tony. "I hope you allow yourself to eat muffins. So many of our guests nowadays are on a diet. I think muffins one of the few things that make the English winter endurable." "Muffins stand for so much," said Jenny. She ate heartily; often she ran her tongue over her lips, collecting crumbs that had become embedded there and melted butter from the muffin. One drop of butter fell on her chin and glittered there unobserved except by Tony. It was a relief to him when John Andrew was brought in. "Come and be introduced to Princess Abdul Akbar." John Andrew had never before seen a Princess; he gazed at her, fascinated. "Aren't you going to give me a kiss?" He walked over to her and she kissed him on the mouth. "Oh," he said, recoiling and rubbing away the taste of the lipstick; and then, "What a beautiful smell." "It's my last link with the East," she said.<|quote|>"You've got butter on your chin."</|quote|>She reached for her bag, laughing. "Why, so I have. Teddy, you _might_ have told me." "Why do you call daddy Teddy?" "Because I hope we are going to be great friends." "What a funny reason." John stayed with them for an hour, and all the time watched, fascinated. "Have you got a crown?" he asked. "How did you learn to speak English? What is that big ring made of? Did it cost much? Why are your nails that colour? Can you ride?" She answered all his questions, sometimes enigmatically with an eye on Tony. She took out a little heavily scented handkerchief and showed John the monogram. "That is my only crown... now," she said. She told him about the horses she used to have--glossy black, with arched necks; foam round their silver bits; plumes tossing on their foreheads; silver studs on the harness, crimson saddle cloths. "On the Moulay's birthday--" "What's the Moulay?" "A beautiful and a very bad man," she said gravely, "and on his birthday all his horsemen used to assemble round a great square, with all their finest clothes and trappings and jewels, with long swords in their hands. The Moulay used to sit on a throne under a great crimson canopy." "What's a canopy?" "Like a tent," she said more sharply, and then, resuming her soft voice, "and all the horsemen used to gallop across the plain, in a great cloud of dust, waving their swords, straight towards the Moulay. And everyone used to hold their breath, thinking the horsemen were bound to ride right on top of the Moulay, but when they were a few feet away, as near as I am to you, galloping at full speed, they used to rein their horses back, up on to their hind legs and salute--" "Oh, but they _shouldn't_," said John. "It's _very_ bad horsemanship indeed. Ben says so." "They're the most wonderful horsemen in the world. Everyone knows that." "Oh, no, they can't be, if they do _that_. It's one of the _worst_ things. Were they natives?" "Yes, of course." "Ben says natives aren't humans at all really." "Ah, but he's thinking of Negroes, I expect. These are pure Semitic type." "What's that?" "The same as Jews." "Ben says Jews are worse than natives." "Oh dear, what a very severe boy you are. I was like that once. Life teaches one to be tolerant." "It hasn't taught Ben," said John. "When's mummy coming? I thought she'd be here, otherwise I wouldn't have stopped painting my picture." But when nanny came to fetch him, John, without invitation, went over and kissed Jenny good night. "Good night, Johnny-boy," she said. "What did you call me?" "Johnny-boy." "You are funny with names." Upstairs, meditatively splashing his spoon in the bread and milk, he said, "Nanny, I do think that Princess is beautiful, don't you?" Nanny sniffed. "It would be a dull world if we all thought | A Handful Of Dust | at her, fascinated. "Aren't you going to give me a kiss?" He walked over to her and she kissed him on the mouth. "Oh," he said, recoiling and rubbing away the taste of the lipstick; and then, "What a beautiful smell." "It's my last link with the East," she said.<|quote|>"You've got butter on your chin."</|quote|>She reached for her bag, laughing. "Why, so I have. Teddy, you _might_ have told me." "Why do you call daddy Teddy?" "Because I hope we are going to be great friends." "What a funny reason." John stayed with them for an hour, and all the time watched, fascinated. "Have | {
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"content": "at her, fascinated. \"Aren't you going to give me a kiss?\" He walked over to her and she kissed him on the mouth. \"Oh,\" he said, recoiling and rubbing away the taste of the lipstick; and then, \"What a beautiful smell.\" \"It's my last link with the East,\" she said.<|quote|>\"You've got butter on your chin.\"</|quote|>She reached for her bag, laughing. \"Why, so I have. Teddy, you _might_ have told me.\" \"Why do you call daddy Teddy?\" \"Because I hope we are going to be great friends.\" \"What a funny reason.\" John stayed with them for an hour, and all the time watched, fascinated. \"Have",
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"They have their tails in their mouths--and they're all over crumbs." | Alice | believe so," Alice replied thoughtfully.<|quote|>"They have their tails in their mouths--and they're all over crumbs."</|quote|>"You're wrong about the crumbs," | know what they're like." "I believe so," Alice replied thoughtfully.<|quote|>"They have their tails in their mouths--and they're all over crumbs."</|quote|>"You're wrong about the crumbs," said the Mock Turtle: "crumbs | Turtle, "they--you've seen them, of course?" "Yes," said Alice, "I've often seen them at dinn--" she checked herself hastily. "I don't know where Dinn may be," said the Mock Turtle, "but if you've seen them so often, of course you know what they're like." "I believe so," Alice replied thoughtfully.<|quote|>"They have their tails in their mouths--and they're all over crumbs."</|quote|>"You're wrong about the crumbs," said the Mock Turtle: "crumbs would all wash off in the sea. But they _have_ their tails in their mouths; and the reason is--" here the Mock Turtle yawned and shut his eyes.--" "Tell her about the reason and all that," he said to the | won't you, will you, won't you, won't you join the dance?" "Thank you, it's a very interesting dance to watch," said Alice, feeling very glad that it was over at last: "and I do so like that curious song about the whiting!" "Oh, as to the whiting," said the Mock Turtle, "they--you've seen them, of course?" "Yes," said Alice, "I've often seen them at dinn--" she checked herself hastily. "I don't know where Dinn may be," said the Mock Turtle, "but if you've seen them so often, of course you know what they're like." "I believe so," Alice replied thoughtfully.<|quote|>"They have their tails in their mouths--and they're all over crumbs."</|quote|>"You're wrong about the crumbs," said the Mock Turtle: "crumbs would all wash off in the sea. But they _have_ their tails in their mouths; and the reason is--" here the Mock Turtle yawned and shut his eyes.--" "Tell her about the reason and all that," he said to the Gryphon. "The reason is," said the Gryphon, "that they _would_ go with the lobsters to the dance. So they got thrown out to sea. So they had to fall a long way. So they got their tails fast in their mouths. So they couldn't get them out again. That's all." | a look askance-- Said he thanked the whiting kindly, but he would not join the dance. Would not, could not, would not, could not, would not join the dance. Would not, could not, would not, could not, could not join the dance." "What matters it how far we go?" his scaly friend replied. "There is another shore, you know, upon the other side. The further off from England the nearer is to France-- Then turn not pale, beloved snail, but come and join the dance. Will you, won't you, will you, won't you, will you join the dance? Will you, won't you, will you, won't you, won't you join the dance?" "Thank you, it's a very interesting dance to watch," said Alice, feeling very glad that it was over at last: "and I do so like that curious song about the whiting!" "Oh, as to the whiting," said the Mock Turtle, "they--you've seen them, of course?" "Yes," said Alice, "I've often seen them at dinn--" she checked herself hastily. "I don't know where Dinn may be," said the Mock Turtle, "but if you've seen them so often, of course you know what they're like." "I believe so," Alice replied thoughtfully.<|quote|>"They have their tails in their mouths--and they're all over crumbs."</|quote|>"You're wrong about the crumbs," said the Mock Turtle: "crumbs would all wash off in the sea. But they _have_ their tails in their mouths; and the reason is--" here the Mock Turtle yawned and shut his eyes.--" "Tell her about the reason and all that," he said to the Gryphon. "The reason is," said the Gryphon, "that they _would_ go with the lobsters to the dance. So they got thrown out to sea. So they had to fall a long way. So they got their tails fast in their mouths. So they couldn't get them out again. That's all." "Thank you," said Alice, "it's very interesting. I never knew so much about a whiting before." "I can tell you more than that, if you like," said the Gryphon. "Do you know why it's called a whiting?" "I never thought about it," said Alice. "Why?" "_It does the boots and shoes_," the Gryphon replied very solemnly. Alice was thoroughly puzzled. "Does the boots and shoes!" she repeated in a wondering tone. "Why, what are _your_ shoes done with?" said the Gryphon. "I mean, what makes them so shiny?" Alice looked down at them, and considered a little before she gave | Alice timidly. "Would you like to see a little of it?" said the Mock Turtle. "Very much indeed," said Alice. "Come, let's try the first figure!" said the Mock Turtle to the Gryphon. "We can do without lobsters, you know. Which shall sing?" "Oh, _you_ sing," said the Gryphon. "I've forgotten the words." So they began solemnly dancing round and round Alice, every now and then treading on her toes when they passed too close, and waving their forepaws to mark the time, while the Mock Turtle sang this, very slowly and sadly:-- "Will you walk a little faster?" said a whiting to a snail. "There's a porpoise close behind us, and he's treading on my tail. See how eagerly the lobsters and the turtles all advance! They are waiting on the shingle--will you come and join the dance? Will you, won't you, will you, won't you, will you join the dance? Will you, won't you, will you, won't you, won't you join the dance?" "You can really have no notion how delightful it will be When they take us up and throw us, with the lobsters, out to sea!" "But the snail replied "Too far, too far!" and gave a look askance-- Said he thanked the whiting kindly, but he would not join the dance. Would not, could not, would not, could not, would not join the dance. Would not, could not, would not, could not, could not join the dance." "What matters it how far we go?" his scaly friend replied. "There is another shore, you know, upon the other side. The further off from England the nearer is to France-- Then turn not pale, beloved snail, but come and join the dance. Will you, won't you, will you, won't you, will you join the dance? Will you, won't you, will you, won't you, won't you join the dance?" "Thank you, it's a very interesting dance to watch," said Alice, feeling very glad that it was over at last: "and I do so like that curious song about the whiting!" "Oh, as to the whiting," said the Mock Turtle, "they--you've seen them, of course?" "Yes," said Alice, "I've often seen them at dinn--" she checked herself hastily. "I don't know where Dinn may be," said the Mock Turtle, "but if you've seen them so often, of course you know what they're like." "I believe so," Alice replied thoughtfully.<|quote|>"They have their tails in their mouths--and they're all over crumbs."</|quote|>"You're wrong about the crumbs," said the Mock Turtle: "crumbs would all wash off in the sea. But they _have_ their tails in their mouths; and the reason is--" here the Mock Turtle yawned and shut his eyes.--" "Tell her about the reason and all that," he said to the Gryphon. "The reason is," said the Gryphon, "that they _would_ go with the lobsters to the dance. So they got thrown out to sea. So they had to fall a long way. So they got their tails fast in their mouths. So they couldn't get them out again. That's all." "Thank you," said Alice, "it's very interesting. I never knew so much about a whiting before." "I can tell you more than that, if you like," said the Gryphon. "Do you know why it's called a whiting?" "I never thought about it," said Alice. "Why?" "_It does the boots and shoes_," the Gryphon replied very solemnly. Alice was thoroughly puzzled. "Does the boots and shoes!" she repeated in a wondering tone. "Why, what are _your_ shoes done with?" said the Gryphon. "I mean, what makes them so shiny?" Alice looked down at them, and considered a little before she gave her answer. "They're done with blacking, I believe." "Boots and shoes under the sea," the Gryphon went on in a deep voice, "are done with a whiting. Now you know." "And what are they made of?" Alice asked in a tone of great curiosity. "Soles and eels, of course," the Gryphon replied rather impatiently: "any shrimp could have told you that." "If I'd been the whiting," said Alice, whose thoughts were still running on the song, "I'd have said to the porpoise, 'Keep back, please: we don't want _you_ with us!'" "They were obliged to have him with them," the Mock Turtle said: "no wise fish would go anywhere without a porpoise." "Wouldn't it really?" said Alice in a tone of great surprise. "Of course not," said the Mock Turtle: "why, if a fish came to _me_, and told me he was going a journey, I should say 'With what porpoise?'" "Don't you mean 'purpose'?" said Alice. "I mean what I say," the Mock Turtle replied in an offended tone. And the Gryphon added "Come, let's hear some of _your_ adventures." "I could tell you my adventures--beginning from this morning," said Alice a little timidly: "but it's no use going | and she thought it over a little before she made her next remark. "Then the eleventh day must have been a holiday?" "Of course it was," said the Mock Turtle. "And how did you manage on the twelfth?" Alice went on eagerly. "That's enough about lessons," the Gryphon interrupted in a very decided tone: "tell her something about the games now." CHAPTER X. The Lobster Quadrille The Mock Turtle sighed deeply, and drew the back of one flapper across his eyes. He looked at Alice, and tried to speak, but for a minute or two sobs choked his voice. "Same as if he had a bone in his throat," said the Gryphon: and it set to work shaking him and punching him in the back. At last the Mock Turtle recovered his voice, and, with tears running down his cheeks, he went on again:-- "You may not have lived much under the sea--" (" "I haven't," said Alice)--" "and perhaps you were never even introduced to a lobster--" (Alice began to say "I once tasted--" but checked herself hastily, and said "No, never" ") "--so you can have no idea what a delightful thing a Lobster Quadrille is!" "No, indeed," said Alice. "What sort of a dance is it?" "Why," said the Gryphon, "you first form into a line along the sea-shore--" "Two lines!" cried the Mock Turtle. "Seals, turtles, salmon, and so on; then, when you've cleared all the jelly-fish out of the way--" "_That_ generally takes some time," interrupted the Gryphon. "--you advance twice--" "Each with a lobster as a partner!" cried the Gryphon. "Of course," the Mock Turtle said: "advance twice, set to partners--" "--change lobsters, and retire in same order," continued the Gryphon. "Then, you know," the Mock Turtle went on, "you throw the--" "The lobsters!" shouted the Gryphon, with a bound into the air. "--as far out to sea as you can--" "Swim after them!" screamed the Gryphon. "Turn a somersault in the sea!" cried the Mock Turtle, capering wildly about. "Change lobsters again!" yelled the Gryphon at the top of its voice. "Back to land again, and that's all the first figure," said the Mock Turtle, suddenly dropping his voice; and the two creatures, who had been jumping about like mad things all this time, sat down again very sadly and quietly, and looked at Alice. "It must be a very pretty dance," said Alice timidly. "Would you like to see a little of it?" said the Mock Turtle. "Very much indeed," said Alice. "Come, let's try the first figure!" said the Mock Turtle to the Gryphon. "We can do without lobsters, you know. Which shall sing?" "Oh, _you_ sing," said the Gryphon. "I've forgotten the words." So they began solemnly dancing round and round Alice, every now and then treading on her toes when they passed too close, and waving their forepaws to mark the time, while the Mock Turtle sang this, very slowly and sadly:-- "Will you walk a little faster?" said a whiting to a snail. "There's a porpoise close behind us, and he's treading on my tail. See how eagerly the lobsters and the turtles all advance! They are waiting on the shingle--will you come and join the dance? Will you, won't you, will you, won't you, will you join the dance? Will you, won't you, will you, won't you, won't you join the dance?" "You can really have no notion how delightful it will be When they take us up and throw us, with the lobsters, out to sea!" "But the snail replied "Too far, too far!" and gave a look askance-- Said he thanked the whiting kindly, but he would not join the dance. Would not, could not, would not, could not, would not join the dance. Would not, could not, would not, could not, could not join the dance." "What matters it how far we go?" his scaly friend replied. "There is another shore, you know, upon the other side. The further off from England the nearer is to France-- Then turn not pale, beloved snail, but come and join the dance. Will you, won't you, will you, won't you, will you join the dance? Will you, won't you, will you, won't you, won't you join the dance?" "Thank you, it's a very interesting dance to watch," said Alice, feeling very glad that it was over at last: "and I do so like that curious song about the whiting!" "Oh, as to the whiting," said the Mock Turtle, "they--you've seen them, of course?" "Yes," said Alice, "I've often seen them at dinn--" she checked herself hastily. "I don't know where Dinn may be," said the Mock Turtle, "but if you've seen them so often, of course you know what they're like." "I believe so," Alice replied thoughtfully.<|quote|>"They have their tails in their mouths--and they're all over crumbs."</|quote|>"You're wrong about the crumbs," said the Mock Turtle: "crumbs would all wash off in the sea. But they _have_ their tails in their mouths; and the reason is--" here the Mock Turtle yawned and shut his eyes.--" "Tell her about the reason and all that," he said to the Gryphon. "The reason is," said the Gryphon, "that they _would_ go with the lobsters to the dance. So they got thrown out to sea. So they had to fall a long way. So they got their tails fast in their mouths. So they couldn't get them out again. That's all." "Thank you," said Alice, "it's very interesting. I never knew so much about a whiting before." "I can tell you more than that, if you like," said the Gryphon. "Do you know why it's called a whiting?" "I never thought about it," said Alice. "Why?" "_It does the boots and shoes_," the Gryphon replied very solemnly. Alice was thoroughly puzzled. "Does the boots and shoes!" she repeated in a wondering tone. "Why, what are _your_ shoes done with?" said the Gryphon. "I mean, what makes them so shiny?" Alice looked down at them, and considered a little before she gave her answer. "They're done with blacking, I believe." "Boots and shoes under the sea," the Gryphon went on in a deep voice, "are done with a whiting. Now you know." "And what are they made of?" Alice asked in a tone of great curiosity. "Soles and eels, of course," the Gryphon replied rather impatiently: "any shrimp could have told you that." "If I'd been the whiting," said Alice, whose thoughts were still running on the song, "I'd have said to the porpoise, 'Keep back, please: we don't want _you_ with us!'" "They were obliged to have him with them," the Mock Turtle said: "no wise fish would go anywhere without a porpoise." "Wouldn't it really?" said Alice in a tone of great surprise. "Of course not," said the Mock Turtle: "why, if a fish came to _me_, and told me he was going a journey, I should say 'With what porpoise?'" "Don't you mean 'purpose'?" said Alice. "I mean what I say," the Mock Turtle replied in an offended tone. And the Gryphon added "Come, let's hear some of _your_ adventures." "I could tell you my adventures--beginning from this morning," said Alice a little timidly: "but it's no use going back to yesterday, because I was a different person then." "Explain all that," said the Mock Turtle. "No, no! The adventures first," said the Gryphon in an impatient tone: "explanations take such a dreadful time." So Alice began telling them her adventures from the time when she first saw the White Rabbit. She was a little nervous about it just at first, the two creatures got so close to her, one on each side, and opened their eyes and mouths so _very_ wide, but she gained courage as she went on. Her listeners were perfectly quiet till she got to the part about her repeating "_You are old, Father William_," to the Caterpillar, and the words all coming different, and then the Mock Turtle drew a long breath, and said "That's very curious." "It's all about as curious as it can be," said the Gryphon. "It all came different!" the Mock Turtle repeated thoughtfully. "I should like to hear her try and repeat something now. Tell her to begin." He looked at the Gryphon as if he thought it had some kind of authority over Alice. "Stand up and repeat ''_Tis the voice of the sluggard_,'" said the Gryphon. "How the creatures order one about, and make one repeat lessons!" thought Alice; "I might as well be at school at once." However, she got up, and began to repeat it, but her head was so full of the Lobster Quadrille, that she hardly knew what she was saying, and the words came very queer indeed:-- "'Tis the voice of the Lobster; I heard him declare, "You have baked me too brown, I must sugar my hair." As a duck with its eyelids, so he with his nose Trims his belt and his buttons, and turns out his toes." [later editions continued as follows When the sands are all dry, he is gay as a lark, And will talk in contemptuous tones of the Shark, But, when the tide rises and sharks are around, His voice has a timid and tremulous sound.] "That's different from what _I_ used to say when I was a child," said the Gryphon. "Well, I never heard it before," said the Mock Turtle; "but it sounds uncommon nonsense." Alice said nothing; she had sat down with her face in her hands, wondering if anything would _ever_ happen in a natural way again. "I should like to | and the two creatures, who had been jumping about like mad things all this time, sat down again very sadly and quietly, and looked at Alice. "It must be a very pretty dance," said Alice timidly. "Would you like to see a little of it?" said the Mock Turtle. "Very much indeed," said Alice. "Come, let's try the first figure!" said the Mock Turtle to the Gryphon. "We can do without lobsters, you know. Which shall sing?" "Oh, _you_ sing," said the Gryphon. "I've forgotten the words." So they began solemnly dancing round and round Alice, every now and then treading on her toes when they passed too close, and waving their forepaws to mark the time, while the Mock Turtle sang this, very slowly and sadly:-- "Will you walk a little faster?" said a whiting to a snail. "There's a porpoise close behind us, and he's treading on my tail. See how eagerly the lobsters and the turtles all advance! They are waiting on the shingle--will you come and join the dance? Will you, won't you, will you, won't you, will you join the dance? Will you, won't you, will you, won't you, won't you join the dance?" "You can really have no notion how delightful it will be When they take us up and throw us, with the lobsters, out to sea!" "But the snail replied "Too far, too far!" and gave a look askance-- Said he thanked the whiting kindly, but he would not join the dance. Would not, could not, would not, could not, would not join the dance. Would not, could not, would not, could not, could not join the dance." "What matters it how far we go?" his scaly friend replied. "There is another shore, you know, upon the other side. The further off from England the nearer is to France-- Then turn not pale, beloved snail, but come and join the dance. Will you, won't you, will you, won't you, will you join the dance? Will you, won't you, will you, won't you, won't you join the dance?" "Thank you, it's a very interesting dance to watch," said Alice, feeling very glad that it was over at last: "and I do so like that curious song about the whiting!" "Oh, as to the whiting," said the Mock Turtle, "they--you've seen them, of course?" "Yes," said Alice, "I've often seen them at dinn--" she checked herself hastily. "I don't know where Dinn may be," said the Mock Turtle, "but if you've seen them so often, of course you know what they're like." "I believe so," Alice replied thoughtfully.<|quote|>"They have their tails in their mouths--and they're all over crumbs."</|quote|>"You're wrong about the crumbs," said the Mock Turtle: "crumbs would all wash off in the sea. But they _have_ their tails in their mouths; and the reason is--" here the Mock Turtle yawned and shut his eyes.--" "Tell her about the reason and all that," he said to the Gryphon. "The reason is," said the Gryphon, "that they _would_ go with the lobsters to the dance. So they got thrown out to sea. So they had to fall a long way. So they got their tails fast in their mouths. So they couldn't get them out again. That's all." "Thank you," said Alice, "it's very interesting. I never knew so much about a whiting before." "I can tell you more than that, if you like," said the Gryphon. "Do you know why it's called a whiting?" "I never thought about it," said Alice. "Why?" "_It does the boots and shoes_," the Gryphon replied very solemnly. Alice was thoroughly puzzled. "Does the boots and shoes!" she repeated in a wondering tone. "Why, what are _your_ shoes done with?" said the Gryphon. "I mean, what makes them so shiny?" Alice looked down at them, and considered a little before she gave her answer. "They're done with blacking, I believe." "Boots and shoes under the sea," the Gryphon went on in a deep voice, "are done with a whiting. Now you know." "And what are they made of?" Alice asked in a tone of great curiosity. "Soles and eels, of course," the Gryphon replied rather impatiently: "any shrimp could have told you that." "If I'd been the whiting," said Alice, whose thoughts were still running on the song, "I'd have said to the porpoise, 'Keep back, please: we don't want _you_ with us!'" "They were obliged to have him with them," the Mock Turtle said: "no wise fish would go anywhere without a porpoise." "Wouldn't it really?" said Alice in a tone of great surprise. "Of course not," said the Mock Turtle: "why, if a fish came to _me_, and told me he was going a journey, I should say 'With what porpoise?'" "Don't you mean 'purpose'?" said Alice. "I mean what I say," the Mock Turtle replied in an offended tone. And the Gryphon added "Come, let's hear some of _your_ adventures." "I could tell you my adventures--beginning from this morning," said Alice a little timidly: "but it's no use going back to yesterday, because I was a different person then." "Explain all that," said the Mock Turtle. "No, no! The adventures first," said the Gryphon in an impatient tone: "explanations take such a dreadful time." So Alice began telling them her adventures from the time when she first saw the White Rabbit. She was a little nervous about it just at first, the two creatures got so close to her, one on each side, and opened their eyes and mouths so _very_ wide, but she gained courage as she went on. Her listeners were perfectly quiet till she got to the part about her repeating "_You are old, Father William_," to the Caterpillar, and the words all coming different, and then the Mock Turtle drew a long breath, and said "That's | Alices Adventures In Wonderland | Turtle, "they--you've seen them, of course?" "Yes," said Alice, "I've often seen them at dinn--" she checked herself hastily. "I don't know where Dinn may be," said the Mock Turtle, "but if you've seen them so often, of course you know what they're like." "I believe so," Alice replied thoughtfully.<|quote|>"They have their tails in their mouths--and they're all over crumbs."</|quote|>"You're wrong about the crumbs," said the Mock Turtle: "crumbs would all wash off in the sea. But they _have_ their tails in their mouths; and the reason is--" here the Mock Turtle yawned and shut his eyes.--" "Tell her about the reason and all that," he said to the | {
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"content": "Turtle, \"they--you've seen them, of course?\" \"Yes,\" said Alice, \"I've often seen them at dinn--\" she checked herself hastily. \"I don't know where Dinn may be,\" said the Mock Turtle, \"but if you've seen them so often, of course you know what they're like.\" \"I believe so,\" Alice replied thoughtfully.<|quote|>\"They have their tails in their mouths--and they're all over crumbs.\"</|quote|>\"You're wrong about the crumbs,\" said the Mock Turtle: \"crumbs would all wash off in the sea. But they _have_ their tails in their mouths; and the reason is--\" here the Mock Turtle yawned and shut his eyes.--\" \"Tell her about the reason and all that,\" he said to the",
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said Marilla, thoroughly worn out trying to follow the gyrations of Anne's thoughts. Anne said no more until they turned into their own lane. A little gypsy wind came down it to meet them, laden with the spicy perfume of young dew-wet ferns. Far up in the shadows a cheerful light gleamed out through the trees from the kitchen at Green Gables. Anne suddenly came close to Marilla and slipped her hand into the older woman's hard palm. | No speaker | "Anne, do hold your tongue,"<|quote|>said Marilla, thoroughly worn out trying to follow the gyrations of Anne's thoughts. Anne said no more until they turned into their own lane. A little gypsy wind came down it to meet them, laden with the spicy perfume of young dew-wet ferns. Far up in the shadows a cheerful light gleamed out through the trees from the kitchen at Green Gables. Anne suddenly came close to Marilla and slipped her hand into the older woman's hard palm.</|quote|>"It's lovely to be going | there above that dark hill." "Anne, do hold your tongue,"<|quote|>said Marilla, thoroughly worn out trying to follow the gyrations of Anne's thoughts. Anne said no more until they turned into their own lane. A little gypsy wind came down it to meet them, laden with the spicy perfume of young dew-wet ferns. Far up in the shadows a cheerful light gleamed out through the trees from the kitchen at Green Gables. Anne suddenly came close to Marilla and slipped her hand into the older woman's hard palm.</|quote|>"It's lovely to be going home and know it's home," | It gives you a lovely, comfortable feeling to apologize and be forgiven, doesn't it? Aren't the stars bright tonight? If you could live in a star, which one would you pick? I'd like that lovely clear big one away over there above that dark hill." "Anne, do hold your tongue,"<|quote|>said Marilla, thoroughly worn out trying to follow the gyrations of Anne's thoughts. Anne said no more until they turned into their own lane. A little gypsy wind came down it to meet them, laden with the spicy perfume of young dew-wet ferns. Far up in the shadows a cheerful light gleamed out through the trees from the kitchen at Green Gables. Anne suddenly came close to Marilla and slipped her hand into the older woman's hard palm.</|quote|>"It's lovely to be going home and know it's home," she said. "I love Green Gables already, and I never loved any place before. No place ever seemed like home. Oh, Marilla, I'm so happy. I could pray right now and not find it a bit hard." Something warm and | handsome does," quoted Marilla. "I've had that said to me before, but I have my doubts about it," remarked skeptical Anne, sniffing at her narcissi. "Oh, aren't these flowers sweet! It was lovely of Mrs. Lynde to give them to me. I have no hard feelings against Mrs. Lynde now. It gives you a lovely, comfortable feeling to apologize and be forgiven, doesn't it? Aren't the stars bright tonight? If you could live in a star, which one would you pick? I'd like that lovely clear big one away over there above that dark hill." "Anne, do hold your tongue,"<|quote|>said Marilla, thoroughly worn out trying to follow the gyrations of Anne's thoughts. Anne said no more until they turned into their own lane. A little gypsy wind came down it to meet them, laden with the spicy perfume of young dew-wet ferns. Far up in the shadows a cheerful light gleamed out through the trees from the kitchen at Green Gables. Anne suddenly came close to Marilla and slipped her hand into the older woman's hard palm.</|quote|>"It's lovely to be going home and know it's home," she said. "I love Green Gables already, and I never loved any place before. No place ever seemed like home. Oh, Marilla, I'm so happy. I could pray right now and not find it a bit hard." Something warm and pleasant welled up in Marilla's heart at touch of that thin little hand in her own--a throb of the maternity she had missed, perhaps. Its very unaccustomedness and sweetness disturbed her. She hastened to restore her sensations to their normal calm by inculcating a moral. "If you'll be a good | about my hair and it just makes me boil right over. Do you suppose my hair will really be a handsome auburn when I grow up?" "You shouldn't think so much about your looks, Anne. I'm afraid you are a very vain little girl." "How can I be vain when I know I'm homely?" protested Anne. "I love pretty things; and I hate to look in the glass and see something that isn't pretty. It makes me feel so sorrowful--just as I feel when I look at any ugly thing. I pity it because it isn't beautiful." "Handsome is as handsome does," quoted Marilla. "I've had that said to me before, but I have my doubts about it," remarked skeptical Anne, sniffing at her narcissi. "Oh, aren't these flowers sweet! It was lovely of Mrs. Lynde to give them to me. I have no hard feelings against Mrs. Lynde now. It gives you a lovely, comfortable feeling to apologize and be forgiven, doesn't it? Aren't the stars bright tonight? If you could live in a star, which one would you pick? I'd like that lovely clear big one away over there above that dark hill." "Anne, do hold your tongue,"<|quote|>said Marilla, thoroughly worn out trying to follow the gyrations of Anne's thoughts. Anne said no more until they turned into their own lane. A little gypsy wind came down it to meet them, laden with the spicy perfume of young dew-wet ferns. Far up in the shadows a cheerful light gleamed out through the trees from the kitchen at Green Gables. Anne suddenly came close to Marilla and slipped her hand into the older woman's hard palm.</|quote|>"It's lovely to be going home and know it's home," she said. "I love Green Gables already, and I never loved any place before. No place ever seemed like home. Oh, Marilla, I'm so happy. I could pray right now and not find it a bit hard." Something warm and pleasant welled up in Marilla's heart at touch of that thin little hand in her own--a throb of the maternity she had missed, perhaps. Its very unaccustomedness and sweetness disturbed her. She hastened to restore her sensations to their normal calm by inculcating a moral. "If you'll be a good girl you'll always be happy, Anne. And you should never find it hard to say your prayers." "Saying one's prayers isn't exactly the same thing as praying," said Anne meditatively. "But I'm going to imagine that I'm the wind that is blowing up there in those tree tops. When I get tired of the trees I'll imagine I'm gently waving down here in the ferns--and then I'll fly over to Mrs. Lynde's garden and set the flowers dancing--and then I'll go with one great swoop over the clover field--and then I'll blow over the Lake of Shining Waters and ripple | but there's one comfort, a child that has a quick temper, just blaze up and cool down, ain't never likely to be sly or deceitful. Preserve me from a sly child, that's what. On the whole, Marilla, I kind of like her." When Marilla went home Anne came out of the fragrant twilight of the orchard with a sheaf of white narcissi in her hands. "I apologized pretty well, didn't I?" she said proudly as they went down the lane. "I thought since I had to do it I might as well do it thoroughly." "You did it thoroughly, all right enough," was Marilla's comment. Marilla was dismayed at finding herself inclined to laugh over the recollection. She had also an uneasy feeling that she ought to scold Anne for apologizing so well; but then, that was ridiculous! She compromised with her conscience by saying severely: "I hope you won't have occasion to make many more such apologies. I hope you'll try to control your temper now, Anne." "That wouldn't be so hard if people wouldn't twit me about my looks," said Anne with a sigh. "I don't get cross about other things; but I'm _so_ tired of being twitted about my hair and it just makes me boil right over. Do you suppose my hair will really be a handsome auburn when I grow up?" "You shouldn't think so much about your looks, Anne. I'm afraid you are a very vain little girl." "How can I be vain when I know I'm homely?" protested Anne. "I love pretty things; and I hate to look in the glass and see something that isn't pretty. It makes me feel so sorrowful--just as I feel when I look at any ugly thing. I pity it because it isn't beautiful." "Handsome is as handsome does," quoted Marilla. "I've had that said to me before, but I have my doubts about it," remarked skeptical Anne, sniffing at her narcissi. "Oh, aren't these flowers sweet! It was lovely of Mrs. Lynde to give them to me. I have no hard feelings against Mrs. Lynde now. It gives you a lovely, comfortable feeling to apologize and be forgiven, doesn't it? Aren't the stars bright tonight? If you could live in a star, which one would you pick? I'd like that lovely clear big one away over there above that dark hill." "Anne, do hold your tongue,"<|quote|>said Marilla, thoroughly worn out trying to follow the gyrations of Anne's thoughts. Anne said no more until they turned into their own lane. A little gypsy wind came down it to meet them, laden with the spicy perfume of young dew-wet ferns. Far up in the shadows a cheerful light gleamed out through the trees from the kitchen at Green Gables. Anne suddenly came close to Marilla and slipped her hand into the older woman's hard palm.</|quote|>"It's lovely to be going home and know it's home," she said. "I love Green Gables already, and I never loved any place before. No place ever seemed like home. Oh, Marilla, I'm so happy. I could pray right now and not find it a bit hard." Something warm and pleasant welled up in Marilla's heart at touch of that thin little hand in her own--a throb of the maternity she had missed, perhaps. Its very unaccustomedness and sweetness disturbed her. She hastened to restore her sensations to their normal calm by inculcating a moral. "If you'll be a good girl you'll always be happy, Anne. And you should never find it hard to say your prayers." "Saying one's prayers isn't exactly the same thing as praying," said Anne meditatively. "But I'm going to imagine that I'm the wind that is blowing up there in those tree tops. When I get tired of the trees I'll imagine I'm gently waving down here in the ferns--and then I'll fly over to Mrs. Lynde's garden and set the flowers dancing--and then I'll go with one great swoop over the clover field--and then I'll blow over the Lake of Shining Waters and ripple it all up into little sparkling waves. Oh, there's so much scope for imagination in a wind! So I'll not talk any more just now, Marilla." "Thanks be to goodness for that," breathed Marilla in devout relief. CHAPTER XI. Anne's Impressions of Sunday-School "WELL, how do you like them?" said Marilla. Anne was standing in the gable room, looking solemnly at three new dresses spread out on the bed. One was of snuffy colored gingham which Marilla had been tempted to buy from a peddler the preceding summer because it looked so serviceable; one was of black-and-white checkered sateen which she had picked up at a bargain counter in the winter; and one was a stiff print of an ugly blue shade which she had purchased that week at a Carmody store. She had made them up herself, and they were all made alike--plain skirts fulled tightly to plain waists, with sleeves as plain as waist and skirt and tight as sleeves could be. "I'll imagine that I like them," said Anne soberly. "I don't want you to imagine it," said Marilla, offended. "Oh, I can see you don't like the dresses! What is the matter with them? Aren't they | was the wholesome punishment upon which she, Marilla, had plumed herself? Anne had turned it into a species of positive pleasure. Good Mrs. Lynde, not being overburdened with perception, did not see this. She only perceived that Anne had made a very thorough apology and all resentment vanished from her kindly, if somewhat officious, heart. "There, there, get up, child," she said heartily. "Of course I forgive you. I guess I was a little too hard on you, anyway. But I'm such an outspoken person. You just mustn't mind me, that's what. It can't be denied your hair is terrible red; but I knew a girl once--went to school with her, in fact--whose hair was every mite as red as yours when she was young, but when she grew up it darkened to a real handsome auburn. I wouldn't be a mite surprised if yours did, too--not a mite." "Oh, Mrs. Lynde!" Anne drew a long breath as she rose to her feet. "You have given me a hope. I shall always feel that you are a benefactor. Oh, I could endure anything if I only thought my hair would be a handsome auburn when I grew up. It would be so much easier to be good if one's hair was a handsome auburn, don't you think? And now may I go out into your garden and sit on that bench under the apple-trees while you and Marilla are talking? There is so much more scope for imagination out there." "Laws, yes, run along, child. And you can pick a bouquet of them white June lilies over in the corner if you like." As the door closed behind Anne Mrs. Lynde got briskly up to light a lamp. "She's a real odd little thing. Take this chair, Marilla; it's easier than the one you've got; I just keep that for the hired boy to sit on. Yes, she certainly is an odd child, but there is something kind of taking about her after all. I don't feel so surprised at you and Matthew keeping her as I did--nor so sorry for you, either. She may turn out all right. Of course, she has a queer way of expressing herself--a little too--well, too kind of forcible, you know; but she'll likely get over that now that she's come to live among civilized folks. And then, her temper's pretty quick, I guess; but there's one comfort, a child that has a quick temper, just blaze up and cool down, ain't never likely to be sly or deceitful. Preserve me from a sly child, that's what. On the whole, Marilla, I kind of like her." When Marilla went home Anne came out of the fragrant twilight of the orchard with a sheaf of white narcissi in her hands. "I apologized pretty well, didn't I?" she said proudly as they went down the lane. "I thought since I had to do it I might as well do it thoroughly." "You did it thoroughly, all right enough," was Marilla's comment. Marilla was dismayed at finding herself inclined to laugh over the recollection. She had also an uneasy feeling that she ought to scold Anne for apologizing so well; but then, that was ridiculous! She compromised with her conscience by saying severely: "I hope you won't have occasion to make many more such apologies. I hope you'll try to control your temper now, Anne." "That wouldn't be so hard if people wouldn't twit me about my looks," said Anne with a sigh. "I don't get cross about other things; but I'm _so_ tired of being twitted about my hair and it just makes me boil right over. Do you suppose my hair will really be a handsome auburn when I grow up?" "You shouldn't think so much about your looks, Anne. I'm afraid you are a very vain little girl." "How can I be vain when I know I'm homely?" protested Anne. "I love pretty things; and I hate to look in the glass and see something that isn't pretty. It makes me feel so sorrowful--just as I feel when I look at any ugly thing. I pity it because it isn't beautiful." "Handsome is as handsome does," quoted Marilla. "I've had that said to me before, but I have my doubts about it," remarked skeptical Anne, sniffing at her narcissi. "Oh, aren't these flowers sweet! It was lovely of Mrs. Lynde to give them to me. I have no hard feelings against Mrs. Lynde now. It gives you a lovely, comfortable feeling to apologize and be forgiven, doesn't it? Aren't the stars bright tonight? If you could live in a star, which one would you pick? I'd like that lovely clear big one away over there above that dark hill." "Anne, do hold your tongue,"<|quote|>said Marilla, thoroughly worn out trying to follow the gyrations of Anne's thoughts. Anne said no more until they turned into their own lane. A little gypsy wind came down it to meet them, laden with the spicy perfume of young dew-wet ferns. Far up in the shadows a cheerful light gleamed out through the trees from the kitchen at Green Gables. Anne suddenly came close to Marilla and slipped her hand into the older woman's hard palm.</|quote|>"It's lovely to be going home and know it's home," she said. "I love Green Gables already, and I never loved any place before. No place ever seemed like home. Oh, Marilla, I'm so happy. I could pray right now and not find it a bit hard." Something warm and pleasant welled up in Marilla's heart at touch of that thin little hand in her own--a throb of the maternity she had missed, perhaps. Its very unaccustomedness and sweetness disturbed her. She hastened to restore her sensations to their normal calm by inculcating a moral. "If you'll be a good girl you'll always be happy, Anne. And you should never find it hard to say your prayers." "Saying one's prayers isn't exactly the same thing as praying," said Anne meditatively. "But I'm going to imagine that I'm the wind that is blowing up there in those tree tops. When I get tired of the trees I'll imagine I'm gently waving down here in the ferns--and then I'll fly over to Mrs. Lynde's garden and set the flowers dancing--and then I'll go with one great swoop over the clover field--and then I'll blow over the Lake of Shining Waters and ripple it all up into little sparkling waves. Oh, there's so much scope for imagination in a wind! So I'll not talk any more just now, Marilla." "Thanks be to goodness for that," breathed Marilla in devout relief. CHAPTER XI. Anne's Impressions of Sunday-School "WELL, how do you like them?" said Marilla. Anne was standing in the gable room, looking solemnly at three new dresses spread out on the bed. One was of snuffy colored gingham which Marilla had been tempted to buy from a peddler the preceding summer because it looked so serviceable; one was of black-and-white checkered sateen which she had picked up at a bargain counter in the winter; and one was a stiff print of an ugly blue shade which she had purchased that week at a Carmody store. She had made them up herself, and they were all made alike--plain skirts fulled tightly to plain waists, with sleeves as plain as waist and skirt and tight as sleeves could be. "I'll imagine that I like them," said Anne soberly. "I don't want you to imagine it," said Marilla, offended. "Oh, I can see you don't like the dresses! What is the matter with them? Aren't they neat and clean and new?" "Yes." "Then why don't you like them?" "They're--they're not--pretty," said Anne reluctantly. "Pretty!" Marilla sniffed. "I didn't trouble my head about getting pretty dresses for you. I don't believe in pampering vanity, Anne, I'll tell you that right off. Those dresses are good, sensible, serviceable dresses, without any frills or furbelows about them, and they're all you'll get this summer. The brown gingham and the blue print will do you for school when you begin to go. The sateen is for church and Sunday school. I'll expect you to keep them neat and clean and not to tear them. I should think you'd be grateful to get most anything after those skimpy wincey things you've been wearing." "Oh, I _am_ grateful," protested Anne. "But I'd be ever so much gratefuller if--if you'd made just one of them with puffed sleeves. Puffed sleeves are so fashionable now. It would give me such a thrill, Marilla, just to wear a dress with puffed sleeves." "Well, you'll have to do without your thrill. I hadn't any material to waste on puffed sleeves. I think they are ridiculous-looking things anyhow. I prefer the plain, sensible ones." "But I'd rather look ridiculous when everybody else does than plain and sensible all by myself," persisted Anne mournfully. "Trust you for that! Well, hang those dresses carefully up in your closet, and then sit down and learn the Sunday school lesson. I got a quarterly from Mr. Bell for you and you'll go to Sunday school tomorrow," said Marilla, disappearing downstairs in high dudgeon. Anne clasped her hands and looked at the dresses. "I did hope there would be a white one with puffed sleeves," she whispered disconsolately. "I prayed for one, but I didn't much expect it on that account. I didn't suppose God would have time to bother about a little orphan girl's dress. I knew I'd just have to depend on Marilla for it. Well, fortunately I can imagine that one of them is of snow-white muslin with lovely lace frills and three-puffed sleeves." The next morning warnings of a sick headache prevented Marilla from going to Sunday-school with Anne. "You'll have to go down and call for Mrs. Lynde, Anne," she said. "She'll see that you get into the right class. Now, mind you behave yourself properly. Stay to preaching afterwards and ask Mrs. Lynde to show you | people wouldn't twit me about my looks," said Anne with a sigh. "I don't get cross about other things; but I'm _so_ tired of being twitted about my hair and it just makes me boil right over. Do you suppose my hair will really be a handsome auburn when I grow up?" "You shouldn't think so much about your looks, Anne. I'm afraid you are a very vain little girl." "How can I be vain when I know I'm homely?" protested Anne. "I love pretty things; and I hate to look in the glass and see something that isn't pretty. It makes me feel so sorrowful--just as I feel when I look at any ugly thing. I pity it because it isn't beautiful." "Handsome is as handsome does," quoted Marilla. "I've had that said to me before, but I have my doubts about it," remarked skeptical Anne, sniffing at her narcissi. "Oh, aren't these flowers sweet! It was lovely of Mrs. Lynde to give them to me. I have no hard feelings against Mrs. Lynde now. It gives you a lovely, comfortable feeling to apologize and be forgiven, doesn't it? Aren't the stars bright tonight? If you could live in a star, which one would you pick? I'd like that lovely clear big one away over there above that dark hill." "Anne, do hold your tongue,"<|quote|>said Marilla, thoroughly worn out trying to follow the gyrations of Anne's thoughts. Anne said no more until they turned into their own lane. A little gypsy wind came down it to meet them, laden with the spicy perfume of young dew-wet ferns. Far up in the shadows a cheerful light gleamed out through the trees from the kitchen at Green Gables. Anne suddenly came close to Marilla and slipped her hand into the older woman's hard palm.</|quote|>"It's lovely to be going home and know it's home," she said. "I love Green Gables already, and I never loved any place before. No place ever seemed like home. Oh, Marilla, I'm so happy. I could pray right now and not find it a bit hard." Something warm and pleasant welled up in Marilla's heart at touch of that thin little hand in her own--a throb of the maternity she had missed, perhaps. Its very unaccustomedness and sweetness disturbed her. She hastened to restore her sensations to their normal calm by inculcating a moral. "If you'll be a good girl you'll always be happy, Anne. And you should never find it hard to say your prayers." "Saying one's prayers isn't exactly the same thing as praying," said Anne meditatively. "But I'm going to imagine that I'm the wind that is blowing up there in those tree tops. When I get tired of the trees I'll imagine I'm gently waving down here in the ferns--and then I'll fly over to Mrs. Lynde's garden and set the flowers dancing--and then I'll go with one great swoop over the clover field--and then I'll blow over the Lake of Shining Waters and ripple it all up into little sparkling waves. Oh, there's so much scope for imagination in a wind! So I'll not talk any more just now, Marilla." "Thanks be to goodness for that," breathed Marilla in devout relief. CHAPTER XI. Anne's Impressions of Sunday-School "WELL, how do you like them?" said Marilla. Anne was standing in the gable room, looking solemnly at three new dresses spread out on the bed. One was of snuffy colored gingham which Marilla had been tempted to buy from a peddler the preceding summer because it looked so serviceable; one was of black-and-white checkered sateen which she had picked up at a bargain counter in the winter; and one was a stiff print of an ugly blue shade which she had purchased that week at a Carmody store. She had made them up herself, and they were all made alike--plain skirts fulled tightly to plain waists, with sleeves as plain as waist and skirt and tight as sleeves could be. "I'll imagine that I like them," said Anne soberly. "I don't want you to imagine it," said Marilla, offended. "Oh, I can see you don't like the dresses! What is the matter with them? Aren't they neat and clean and new?" "Yes." "Then why don't you like them?" "They're--they're not--pretty," said Anne reluctantly. "Pretty!" Marilla sniffed. "I didn't trouble my head about getting pretty dresses for you. I don't believe in pampering vanity, Anne, I'll tell you that right off. Those dresses are good, sensible, serviceable dresses, without any frills or furbelows about them, and they're all you'll get this summer. The brown gingham and the blue print will do you for school when you begin to go. The sateen is for church and Sunday school. I'll expect you to keep them neat and clean and not to tear them. I should think you'd be grateful to get most anything after those skimpy wincey things you've been wearing." "Oh, I _am_ grateful," protested Anne. "But I'd be ever so much gratefuller if--if you'd made just one of them with puffed sleeves. Puffed sleeves are so fashionable now. It would give me such a thrill, Marilla, just to wear a dress with puffed sleeves." "Well, you'll have to do without your thrill. I hadn't any material to waste | Anne Of Green Gables | It gives you a lovely, comfortable feeling to apologize and be forgiven, doesn't it? Aren't the stars bright tonight? If you could live in a star, which one would you pick? I'd like that lovely clear big one away over there above that dark hill." "Anne, do hold your tongue,"<|quote|>said Marilla, thoroughly worn out trying to follow the gyrations of Anne's thoughts. Anne said no more until they turned into their own lane. A little gypsy wind came down it to meet them, laden with the spicy perfume of young dew-wet ferns. Far up in the shadows a cheerful light gleamed out through the trees from the kitchen at Green Gables. Anne suddenly came close to Marilla and slipped her hand into the older woman's hard palm.</|quote|>"It's lovely to be going home and know it's home," she said. "I love Green Gables already, and I never loved any place before. No place ever seemed like home. Oh, Marilla, I'm so happy. I could pray right now and not find it a bit hard." Something warm and | {
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"content": "It gives you a lovely, comfortable feeling to apologize and be forgiven, doesn't it? Aren't the stars bright tonight? If you could live in a star, which one would you pick? I'd like that lovely clear big one away over there above that dark hill.\" \"Anne, do hold your tongue,\"<|quote|>said Marilla, thoroughly worn out trying to follow the gyrations of Anne's thoughts. Anne said no more until they turned into their own lane. A little gypsy wind came down it to meet them, laden with the spicy perfume of young dew-wet ferns. Far up in the shadows a cheerful light gleamed out through the trees from the kitchen at Green Gables. Anne suddenly came close to Marilla and slipped her hand into the older woman's hard palm.</|quote|>\"It's lovely to be going home and know it's home,\" she said. \"I love Green Gables already, and I never loved any place before. No place ever seemed like home. Oh, Marilla, I'm so happy. I could pray right now and not find it a bit hard.\" Something warm and",
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"But Franz" | Paul | it with my foolish talk!<|quote|>"But Franz"</|quote|>--I put my arm round | mess I have made of it with my foolish talk!<|quote|>"But Franz"</|quote|>--I put my arm round his shoulder and put my | go out without asking anyone, you can even play the piano if you want to." I lean down over his face which lies in the shadow. He still breathes, lightly. His face is wet, he is crying. What a fine mess I have made of it with my foolish talk!<|quote|>"But Franz"</|quote|>--I put my arm round his shoulder and put my face against his. "Will you sleep now?" He does not answer. The tears run down his cheeks. I would like to wipe them away but my handkerchief is too dirty. An hour passes. I sit tensely and watch his every | is the loveliest time of the year now, when the corn ripens; at evening the fields in the sunlight look like mother-of-pearl. And the lane of poplars by the Klosterbach, where we used to catch sticklebacks! You can build an aquarium again and keep fish in it, and you can go out without asking anyone, you can even play the piano if you want to." I lean down over his face which lies in the shadow. He still breathes, lightly. His face is wet, he is crying. What a fine mess I have made of it with my foolish talk!<|quote|>"But Franz"</|quote|>--I put my arm round his shoulder and put my face against his. "Will you sleep now?" He does not answer. The tears run down his cheeks. I would like to wipe them away but my handkerchief is too dirty. An hour passes. I sit tensely and watch his every movement in case he may perhaps say something. What if he were to open his mouth and cry out! But he only weeps, his head turned aside. He does not speak of his mother or his brothers and sisters. He says nothing; all that lies behind him; he is entirely | the fat, weeping woman at home to whom I must write. If only the letter were sent off already! Hospital-orderlies go to and fro with bottles and pails. One of them comes up, casts a glance at Kemmerich and goes away again. You can see he is waiting, apparently he wants the bed. I bend over Franz and talk to him as though that could save him: "Perhaps you will go to the convalescent home at Klosterberg, among the villas, Franz. Then you can look out from the window across the fields to the two trees on the horizon. It is the loveliest time of the year now, when the corn ripens; at evening the fields in the sunlight look like mother-of-pearl. And the lane of poplars by the Klosterbach, where we used to catch sticklebacks! You can build an aquarium again and keep fish in it, and you can go out without asking anyone, you can even play the piano if you want to." I lean down over his face which lies in the shadow. He still breathes, lightly. His face is wet, he is crying. What a fine mess I have made of it with my foolish talk!<|quote|>"But Franz"</|quote|>--I put my arm round his shoulder and put my face against his. "Will you sleep now?" He does not answer. The tears run down his cheeks. I would like to wipe them away but my handkerchief is too dirty. An hour passes. I sit tensely and watch his every movement in case he may perhaps say something. What if he were to open his mouth and cry out! But he only weeps, his head turned aside. He does not speak of his mother or his brothers and sisters. He says nothing; all that lies behind him; he is entirely alone now with his little life of nineteen years, and cries because it leaves him. This is the most disturbing and hardest parting that ever I have seen, although it was pretty bad too with Tiedjen, who called for his mother--a big bear of a fellow who, with wild eyes full of terror, held off the doctor from his bed with a dagger until he collapsed. Suddenly Kemmerich groans and begins to gurgle. I jump up, stumble outside and demand: "Where is the doctor? Where is the doctor?" As I catch sight of the white apron I seize hold of | great drain-pipes. But when we go bathing and strip, suddenly we have slender legs again and slight shoulders. We are no longer soldiers but little more than boys; no one would believe that we could carry packs. It is a strange moment when we stand naked; then we become civilians, and almost feel ourselves to be so. When bathing Franz Kemmerich looked as slight and frail as a child. There he lies now--but why? The whole world ought to pass by this bed and say: "That is Franz Kemmerich, nineteen and a half years old, he doesn't want to die. Let him not die!" My thoughts become confused. This atmosphere of carbolic and gangrene clogs the lungs, it is a thick gruel, it suffocates. It grows dark. Kemmerich's face changes colour, it lifts from the pillow and is so pale that it gleams. The mouth moves slightly. I draw near to him. He whispers: "If you find my watch, send it home----" I do not reply. It is no use any more. No one can console him. I am wretched with helplessness. This forehead with its hollow temples, this mouth that is now merely a slit, this sharp nose! And the fat, weeping woman at home to whom I must write. If only the letter were sent off already! Hospital-orderlies go to and fro with bottles and pails. One of them comes up, casts a glance at Kemmerich and goes away again. You can see he is waiting, apparently he wants the bed. I bend over Franz and talk to him as though that could save him: "Perhaps you will go to the convalescent home at Klosterberg, among the villas, Franz. Then you can look out from the window across the fields to the two trees on the horizon. It is the loveliest time of the year now, when the corn ripens; at evening the fields in the sunlight look like mother-of-pearl. And the lane of poplars by the Klosterbach, where we used to catch sticklebacks! You can build an aquarium again and keep fish in it, and you can go out without asking anyone, you can even play the piano if you want to." I lean down over his face which lies in the shadow. He still breathes, lightly. His face is wet, he is crying. What a fine mess I have made of it with my foolish talk!<|quote|>"But Franz"</|quote|>--I put my arm round his shoulder and put my face against his. "Will you sleep now?" He does not answer. The tears run down his cheeks. I would like to wipe them away but my handkerchief is too dirty. An hour passes. I sit tensely and watch his every movement in case he may perhaps say something. What if he were to open his mouth and cry out! But he only weeps, his head turned aside. He does not speak of his mother or his brothers and sisters. He says nothing; all that lies behind him; he is entirely alone now with his little life of nineteen years, and cries because it leaves him. This is the most disturbing and hardest parting that ever I have seen, although it was pretty bad too with Tiedjen, who called for his mother--a big bear of a fellow who, with wild eyes full of terror, held off the doctor from his bed with a dagger until he collapsed. Suddenly Kemmerich groans and begins to gurgle. I jump up, stumble outside and demand: "Where is the doctor? Where is the doctor?" As I catch sight of the white apron I seize hold of it: "Come quick, Franz Kemmerich is dying." He frees himself and asks an orderly standing by: "Which will that be?" He says: "Bed 26, amputated thigh." He sniffs: "How should I know anything about it, I've amputated five legs to-day" ; he shoves me away, says to the hospital-orderly "You see to it," and runs off to the operating room. I tremble with rage as I go along with the orderly. The man looks at me and says: "One operation after another since five o'clock this morning. You know to-day alone there have been sixteen deaths--yours is the seventeenth. There will probably be twenty altogether----" I become faint, all at once I cannot do any more. I won't revile any more, it is senseless, I could drop down and never rise up again. We are by Kemmerich's bed. He is dead. The face is still wet from the tears. The eyes are half open and yellow like old horn buttons. The orderly pokes me in the ribs. "Are you taking his things with you?" I nod. He goes on: "We must take him away at once, we want the bed. Outside they are lying on the floor." I collect the | home." He looks at me. "Do you think so?" "Of course." "Do you think so?" he repeats. "Sure, Franz. Once you've got over the operation." He beckons me to bend down. I stoop over him and he whispers: "I don't think so." "Don't talk rubbish, Franz, in a couple of days you'll see for yourself. What is it anyway--an amputated leg? here they patch up far worse things than that." He lifts one hand. "Look here though, these fingers." "That's the result of the operation. Just eat decently and you'll soon be well again. Do they look after you properly?" He points to a dish that is still half full. I get excited. "Franz, you must eat. Eating is the main thing. That looks good too." He turns away. After a pause he says slowly: "I wanted to become a head-forester once." "So you may still," I assure him. "There are splendid artificial limbs now, you'd hardly know there was anything missing. They are fixed on to the muscles. You can move the fingers and work and even write with an artificial hand. And besides, they will always be making new improvements." For a while he lies still. Then he says: "You can take my lace-up boots with you for Müller." I nod and wonder what to say to encourage him. His lips have fallen away, his mouth has become larger, his teeth stick out and look as though they were made of chalk. The flesh melts, the forehead bulges more prominently, the cheek-bones protrude. The skeleton is working itself through. The eyes are already sunken in. In a couple of hours it will be over. He is not the first that I have seen thus; but we grew up together and that always makes it a bit different. I have copied his essays. At school he used to wear a brown coat with a belt and shiny sleeves. He was the only one of us, too, who could do the giant's turn on the horizontal bar. His hair flew in his face like silk when he did it. Kantorek was proud of him for it. But he couldn't endure cigarettes. His skin was very white; he had something of the girl about him. I glance at my boots. They are big and clumsy, the breeches are tucked into them, and standing up one looks well-built and powerful in these great drain-pipes. But when we go bathing and strip, suddenly we have slender legs again and slight shoulders. We are no longer soldiers but little more than boys; no one would believe that we could carry packs. It is a strange moment when we stand naked; then we become civilians, and almost feel ourselves to be so. When bathing Franz Kemmerich looked as slight and frail as a child. There he lies now--but why? The whole world ought to pass by this bed and say: "That is Franz Kemmerich, nineteen and a half years old, he doesn't want to die. Let him not die!" My thoughts become confused. This atmosphere of carbolic and gangrene clogs the lungs, it is a thick gruel, it suffocates. It grows dark. Kemmerich's face changes colour, it lifts from the pillow and is so pale that it gleams. The mouth moves slightly. I draw near to him. He whispers: "If you find my watch, send it home----" I do not reply. It is no use any more. No one can console him. I am wretched with helplessness. This forehead with its hollow temples, this mouth that is now merely a slit, this sharp nose! And the fat, weeping woman at home to whom I must write. If only the letter were sent off already! Hospital-orderlies go to and fro with bottles and pails. One of them comes up, casts a glance at Kemmerich and goes away again. You can see he is waiting, apparently he wants the bed. I bend over Franz and talk to him as though that could save him: "Perhaps you will go to the convalescent home at Klosterberg, among the villas, Franz. Then you can look out from the window across the fields to the two trees on the horizon. It is the loveliest time of the year now, when the corn ripens; at evening the fields in the sunlight look like mother-of-pearl. And the lane of poplars by the Klosterbach, where we used to catch sticklebacks! You can build an aquarium again and keep fish in it, and you can go out without asking anyone, you can even play the piano if you want to." I lean down over his face which lies in the shadow. He still breathes, lightly. His face is wet, he is crying. What a fine mess I have made of it with my foolish talk!<|quote|>"But Franz"</|quote|>--I put my arm round his shoulder and put my face against his. "Will you sleep now?" He does not answer. The tears run down his cheeks. I would like to wipe them away but my handkerchief is too dirty. An hour passes. I sit tensely and watch his every movement in case he may perhaps say something. What if he were to open his mouth and cry out! But he only weeps, his head turned aside. He does not speak of his mother or his brothers and sisters. He says nothing; all that lies behind him; he is entirely alone now with his little life of nineteen years, and cries because it leaves him. This is the most disturbing and hardest parting that ever I have seen, although it was pretty bad too with Tiedjen, who called for his mother--a big bear of a fellow who, with wild eyes full of terror, held off the doctor from his bed with a dagger until he collapsed. Suddenly Kemmerich groans and begins to gurgle. I jump up, stumble outside and demand: "Where is the doctor? Where is the doctor?" As I catch sight of the white apron I seize hold of it: "Come quick, Franz Kemmerich is dying." He frees himself and asks an orderly standing by: "Which will that be?" He says: "Bed 26, amputated thigh." He sniffs: "How should I know anything about it, I've amputated five legs to-day" ; he shoves me away, says to the hospital-orderly "You see to it," and runs off to the operating room. I tremble with rage as I go along with the orderly. The man looks at me and says: "One operation after another since five o'clock this morning. You know to-day alone there have been sixteen deaths--yours is the seventeenth. There will probably be twenty altogether----" I become faint, all at once I cannot do any more. I won't revile any more, it is senseless, I could drop down and never rise up again. We are by Kemmerich's bed. He is dead. The face is still wet from the tears. The eyes are half open and yellow like old horn buttons. The orderly pokes me in the ribs. "Are you taking his things with you?" I nod. He goes on: "We must take him away at once, we want the bed. Outside they are lying on the floor." I collect the things, untie Kemmerich's identification disc and take it away. The orderly asks about the pay-book, I say that it is probably in the orderly-room, and go. Behind me they are already hauling Franz on to a water-proof sheet. Outside the door I am aware of the darkness and the wind as a deliverance. I breathe as deep as I can, and feel the breeze in my face, warm and soft as never before. Thoughts of girls, of flowery meadows, of white clouds suddenly come into my head. My feet begin to move forward in my boots, I go quicker, I run. Soldiers pass by me, I hear their voices without understanding. The earth is streaming with forces which pour into me through the soles of my feet. The night crackles electrically, the front thunders like a concert of drums. My limbs move supply, I feel my joints strong, I breathe the air deeply. The night lives, I live. I feel a hunger, greater than comes from the belly alone. Müller stands in front of the hut and waits for me. I give him the boots. We go in and he tries them on. They fit well. He roots among his supplies and offers me a fine piece of saveloy. With it goes hot tea and rum. CHAPTER III Reinforcements have arrived. The vacancies have been filled and the sacks of straw are already laid out in the huts. Some of them are old hands, but there are twenty-five men of a later draft from the base. They are about two years younger than us. Kropp nudges me: "Seen the infants?" I nod. We stick out our chests, shave in the open, shove our hands in our pockets, inspect the recruits and feel ourselves to be stone-age veterans. Katczinsky joins us. We stroll past the horse-boxes and go over to the reinforcements, who have already been issued with gas-masks and coffee. "Long time since you've had anything decent to eat, eh?" Kat asks one of the youngsters. He grimaces. "For breakfast, turnip-bread--lunch, turnip-stew--supper, turnip-cutlets and turnip-salad." Kat gives a knowing whistle. "Bread made of turnips? You've been in luck, it's nothing new for it to be made of sawdust. But what do you say to haricot beans? Have some?" The youngster turns red: "You can't kid me." Katczinsky merely says: "Fetch your mess-tin." We follow curiously. He takes us to a | mouth that is now merely a slit, this sharp nose! And the fat, weeping woman at home to whom I must write. If only the letter were sent off already! Hospital-orderlies go to and fro with bottles and pails. One of them comes up, casts a glance at Kemmerich and goes away again. You can see he is waiting, apparently he wants the bed. I bend over Franz and talk to him as though that could save him: "Perhaps you will go to the convalescent home at Klosterberg, among the villas, Franz. Then you can look out from the window across the fields to the two trees on the horizon. It is the loveliest time of the year now, when the corn ripens; at evening the fields in the sunlight look like mother-of-pearl. And the lane of poplars by the Klosterbach, where we used to catch sticklebacks! You can build an aquarium again and keep fish in it, and you can go out without asking anyone, you can even play the piano if you want to." I lean down over his face which lies in the shadow. He still breathes, lightly. His face is wet, he is crying. What a fine mess I have made of it with my foolish talk!<|quote|>"But Franz"</|quote|>--I put my arm round his shoulder and put my face against his. "Will you sleep now?" He does not answer. The tears run down his cheeks. I would like to wipe them away but my handkerchief is too dirty. An hour passes. I sit tensely and watch his every movement in case he may perhaps say something. What if he were to open his mouth and cry out! But he only weeps, his head turned aside. He does not speak of his mother or his brothers and sisters. He says nothing; all that lies behind him; he is entirely alone now with his little life of nineteen years, and cries because it leaves him. This is the most disturbing and hardest parting that ever I have seen, although it was pretty bad too with Tiedjen, who called for his mother--a big bear of a fellow who, with wild eyes full of terror, held off the doctor from his bed with a dagger until he collapsed. Suddenly Kemmerich groans and begins to gurgle. I jump up, stumble outside and demand: "Where is the doctor? Where is the doctor?" As I catch sight of the white apron I seize hold of it: "Come quick, Franz Kemmerich is dying." He frees himself and asks an orderly standing by: "Which will that be?" He says: "Bed 26, amputated thigh." He sniffs: "How should I know anything about it, I've amputated five legs to-day" ; he shoves me away, says to the hospital-orderly "You see to it," and runs off to the operating room. I tremble with rage as I go along with the orderly. The man looks at me and says: "One operation after another since five o'clock this morning. You know to-day alone there have been sixteen deaths--yours is the seventeenth. There will probably be twenty altogether----" I become faint, all at once I cannot do any more. I won't revile any more, it is senseless, I could drop down and never rise up again. We are by Kemmerich's bed. He is dead. The face is still wet from the tears. The eyes are half open and yellow like old horn buttons. The orderly pokes me in the ribs. "Are you taking his things with you?" I nod. He goes on: "We must take him away at once, we want the bed. Outside they are lying on the floor." I collect the things, untie Kemmerich's identification disc and take it away. The orderly asks about the pay-book, I say that it is probably in the orderly-room, and go. Behind me they are already hauling Franz on to a water-proof sheet. Outside the door I am aware of the darkness and the wind as a deliverance. I breathe as deep as I can, and feel the breeze in my face, warm and soft as never before. Thoughts of girls, of flowery meadows, of white clouds suddenly come into my head. My feet begin to move forward in my boots, I go quicker, I run. Soldiers pass by me, I hear their voices without understanding. The earth is streaming with forces which pour into me through the soles of my feet. The night crackles electrically, the front thunders like a concert of drums. My limbs move supply, I feel my joints strong, I breathe the air deeply. The night lives, I live. I feel a hunger, greater than | All Quiet on the Western Front | go out without asking anyone, you can even play the piano if you want to." I lean down over his face which lies in the shadow. He still breathes, lightly. His face is wet, he is crying. What a fine mess I have made of it with my foolish talk!<|quote|>"But Franz"</|quote|>--I put my arm round his shoulder and put my face against his. "Will you sleep now?" He does not answer. The tears run down his cheeks. I would like to wipe them away but my handkerchief is too dirty. An hour passes. I sit tensely and watch his every | {
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"That _was_ a narrow escape!" | Alice | to avoid shrinking away altogether.<|quote|>"That _was_ a narrow escape!"</|quote|>said Alice, a good deal | it hastily, just in time to avoid shrinking away altogether.<|quote|>"That _was_ a narrow escape!"</|quote|>said Alice, a good deal frightened at the sudden change, | and found that, as nearly as she could guess, she was now about two feet high, and was going on shrinking rapidly: she soon found out that the cause of this was the fan she was holding, and she dropped it hastily, just in time to avoid shrinking away altogether.<|quote|>"That _was_ a narrow escape!"</|quote|>said Alice, a good deal frightened at the sudden change, but very glad to find herself still in existence; "and now for the garden!" and she ran with all speed back to the little door: but, alas! the little door was shut again, and the little golden key was lying | hands, and was surprised to see that she had put on one of the Rabbit's little white kid gloves while she was talking. "How _can_ I have done that?" she thought. "I must be growing small again." She got up and went to the table to measure herself by it, and found that, as nearly as she could guess, she was now about two feet high, and was going on shrinking rapidly: she soon found out that the cause of this was the fan she was holding, and she dropped it hastily, just in time to avoid shrinking away altogether.<|quote|>"That _was_ a narrow escape!"</|quote|>said Alice, a good deal frightened at the sudden change, but very glad to find herself still in existence; "and now for the garden!" and she ran with all speed back to the little door: but, alas! the little door was shut again, and the little golden key was lying on the glass table as before, "and things are worse than ever," thought the poor child, "for I never was so small as this before, never! And I declare it's too bad, that it is!" As she said these words her foot slipped, and in another moment, splash! she was | my mind about it; if I'm Mabel, I'll stay down here! It'll be no use their putting their heads down and saying 'Come up again, dear!' I shall only look up and say 'Who am I then? Tell me that first, and then, if I like being that person, I'll come up: if not, I'll stay down here till I'm somebody else'--but, oh dear!" cried Alice, with a sudden burst of tears, "I do wish they _would_ put their heads down! I am so _very_ tired of being all alone here!" As she said this she looked down at her hands, and was surprised to see that she had put on one of the Rabbit's little white kid gloves while she was talking. "How _can_ I have done that?" she thought. "I must be growing small again." She got up and went to the table to measure herself by it, and found that, as nearly as she could guess, she was now about two feet high, and was going on shrinking rapidly: she soon found out that the cause of this was the fan she was holding, and she dropped it hastily, just in time to avoid shrinking away altogether.<|quote|>"That _was_ a narrow escape!"</|quote|>said Alice, a good deal frightened at the sudden change, but very glad to find herself still in existence; "and now for the garden!" and she ran with all speed back to the little door: but, alas! the little door was shut again, and the little golden key was lying on the glass table as before, "and things are worse than ever," thought the poor child, "for I never was so small as this before, never! And I declare it's too bad, that it is!" As she said these words her foot slipped, and in another moment, splash! she was up to her chin in salt water. Her first idea was that she had somehow fallen into the sea, "and in that case I can go back by railway," she said to herself. (Alice had been to the seaside once in her life, and had come to the general conclusion, that wherever you go to on the English coast you find a number of bathing machines in the sea, some children digging in the sand with wooden spades, then a row of lodging houses, and behind them a railway station.) However, she soon made out that she was in the | and four times seven is--oh dear! I shall never get to twenty at that rate! However, the Multiplication Table doesn't signify: let's try Geography. London is the capital of Paris, and Paris is the capital of Rome, and Rome--no, _that's_ all wrong, I'm certain! I must have been changed for Mabel! I'll try and say '_How doth the little_--'" and she crossed her hands on her lap as if she were saying lessons, and began to repeat it, but her voice sounded hoarse and strange, and the words did not come the same as they used to do:-- "How doth the little crocodile Improve his shining tail, And pour the waters of the Nile On every golden scale!" "How cheerfully he seems to grin, How neatly spread his claws, And welcome little fishes in With gently smiling jaws!" "I'm sure those are not the right words," said poor Alice, and her eyes filled with tears again as she went on, "I must be Mabel after all, and I shall have to go and live in that poky little house, and have next to no toys to play with, and oh! ever so many lessons to learn! No, I've made up my mind about it; if I'm Mabel, I'll stay down here! It'll be no use their putting their heads down and saying 'Come up again, dear!' I shall only look up and say 'Who am I then? Tell me that first, and then, if I like being that person, I'll come up: if not, I'll stay down here till I'm somebody else'--but, oh dear!" cried Alice, with a sudden burst of tears, "I do wish they _would_ put their heads down! I am so _very_ tired of being all alone here!" As she said this she looked down at her hands, and was surprised to see that she had put on one of the Rabbit's little white kid gloves while she was talking. "How _can_ I have done that?" she thought. "I must be growing small again." She got up and went to the table to measure herself by it, and found that, as nearly as she could guess, she was now about two feet high, and was going on shrinking rapidly: she soon found out that the cause of this was the fan she was holding, and she dropped it hastily, just in time to avoid shrinking away altogether.<|quote|>"That _was_ a narrow escape!"</|quote|>said Alice, a good deal frightened at the sudden change, but very glad to find herself still in existence; "and now for the garden!" and she ran with all speed back to the little door: but, alas! the little door was shut again, and the little golden key was lying on the glass table as before, "and things are worse than ever," thought the poor child, "for I never was so small as this before, never! And I declare it's too bad, that it is!" As she said these words her foot slipped, and in another moment, splash! she was up to her chin in salt water. Her first idea was that she had somehow fallen into the sea, "and in that case I can go back by railway," she said to herself. (Alice had been to the seaside once in her life, and had come to the general conclusion, that wherever you go to on the English coast you find a number of bathing machines in the sea, some children digging in the sand with wooden spades, then a row of lodging houses, and behind them a railway station.) However, she soon made out that she was in the pool of tears which she had wept when she was nine feet high. "I wish I hadn't cried so much!" said Alice, as she swam about, trying to find her way out. "I shall be punished for it now, I suppose, by being drowned in my own tears! That _will_ be a queer thing, to be sure! However, everything is queer to-day." Just then she heard something splashing about in the pool a little way off, and she swam nearer to make out what it was: at first she thought it must be a walrus or hippopotamus, but then she remembered how small she was now, and she soon made out that it was only a mouse that had slipped in like herself. "Would it be of any use, now," thought Alice, "to speak to this mouse? Everything is so out-of-the-way down here, that I should think very likely it can talk: at any rate, there's no harm in trying." So she began: "O Mouse, do you know the way out of this pool? I am very tired of swimming about here, O Mouse!" (Alice thought this must be the right way of speaking to a mouse: she had never | ashamed of yourself," said Alice, "a great girl like you," (she might well say this), "to go on crying in this way! Stop this moment, I tell you!" But she went on all the same, shedding gallons of tears, until there was a large pool all round her, about four inches deep and reaching half down the hall. After a time she heard a little pattering of feet in the distance, and she hastily dried her eyes to see what was coming. It was the White Rabbit returning, splendidly dressed, with a pair of white kid gloves in one hand and a large fan in the other: he came trotting along in a great hurry, muttering to himself as he came, "Oh! the Duchess, the Duchess! Oh! won't she be savage if I've kept her waiting!" Alice felt so desperate that she was ready to ask help of any one; so, when the Rabbit came near her, she began, in a low, timid voice, "If you please, sir--" The Rabbit started violently, dropped the white kid gloves and the fan, and skurried away into the darkness as hard as he could go. Alice took up the fan and gloves, and, as the hall was very hot, she kept fanning herself all the time she went on talking: "Dear, dear! How queer everything is to-day! And yesterday things went on just as usual. I wonder if I've been changed in the night? Let me think: was I the same when I got up this morning? I almost think I can remember feeling a little different. But if I'm not the same, the next question is, Who in the world am I? Ah, _that's_ the great puzzle!" And she began thinking over all the children she knew that were of the same age as herself, to see if she could have been changed for any of them. "I'm sure I'm not Ada," she said, "for her hair goes in such long ringlets, and mine doesn't go in ringlets at all; and I'm sure I can't be Mabel, for I know all sorts of things, and she, oh! she knows such a very little! Besides, _she's_ she, and _I'm_ I, and--oh dear, how puzzling it all is! I'll try if I know all the things I used to know. Let me see: four times five is twelve, and four times six is thirteen, and four times seven is--oh dear! I shall never get to twenty at that rate! However, the Multiplication Table doesn't signify: let's try Geography. London is the capital of Paris, and Paris is the capital of Rome, and Rome--no, _that's_ all wrong, I'm certain! I must have been changed for Mabel! I'll try and say '_How doth the little_--'" and she crossed her hands on her lap as if she were saying lessons, and began to repeat it, but her voice sounded hoarse and strange, and the words did not come the same as they used to do:-- "How doth the little crocodile Improve his shining tail, And pour the waters of the Nile On every golden scale!" "How cheerfully he seems to grin, How neatly spread his claws, And welcome little fishes in With gently smiling jaws!" "I'm sure those are not the right words," said poor Alice, and her eyes filled with tears again as she went on, "I must be Mabel after all, and I shall have to go and live in that poky little house, and have next to no toys to play with, and oh! ever so many lessons to learn! No, I've made up my mind about it; if I'm Mabel, I'll stay down here! It'll be no use their putting their heads down and saying 'Come up again, dear!' I shall only look up and say 'Who am I then? Tell me that first, and then, if I like being that person, I'll come up: if not, I'll stay down here till I'm somebody else'--but, oh dear!" cried Alice, with a sudden burst of tears, "I do wish they _would_ put their heads down! I am so _very_ tired of being all alone here!" As she said this she looked down at her hands, and was surprised to see that she had put on one of the Rabbit's little white kid gloves while she was talking. "How _can_ I have done that?" she thought. "I must be growing small again." She got up and went to the table to measure herself by it, and found that, as nearly as she could guess, she was now about two feet high, and was going on shrinking rapidly: she soon found out that the cause of this was the fan she was holding, and she dropped it hastily, just in time to avoid shrinking away altogether.<|quote|>"That _was_ a narrow escape!"</|quote|>said Alice, a good deal frightened at the sudden change, but very glad to find herself still in existence; "and now for the garden!" and she ran with all speed back to the little door: but, alas! the little door was shut again, and the little golden key was lying on the glass table as before, "and things are worse than ever," thought the poor child, "for I never was so small as this before, never! And I declare it's too bad, that it is!" As she said these words her foot slipped, and in another moment, splash! she was up to her chin in salt water. Her first idea was that she had somehow fallen into the sea, "and in that case I can go back by railway," she said to herself. (Alice had been to the seaside once in her life, and had come to the general conclusion, that wherever you go to on the English coast you find a number of bathing machines in the sea, some children digging in the sand with wooden spades, then a row of lodging houses, and behind them a railway station.) However, she soon made out that she was in the pool of tears which she had wept when she was nine feet high. "I wish I hadn't cried so much!" said Alice, as she swam about, trying to find her way out. "I shall be punished for it now, I suppose, by being drowned in my own tears! That _will_ be a queer thing, to be sure! However, everything is queer to-day." Just then she heard something splashing about in the pool a little way off, and she swam nearer to make out what it was: at first she thought it must be a walrus or hippopotamus, but then she remembered how small she was now, and she soon made out that it was only a mouse that had slipped in like herself. "Would it be of any use, now," thought Alice, "to speak to this mouse? Everything is so out-of-the-way down here, that I should think very likely it can talk: at any rate, there's no harm in trying." So she began: "O Mouse, do you know the way out of this pool? I am very tired of swimming about here, O Mouse!" (Alice thought this must be the right way of speaking to a mouse: she had never done such a thing before, but she remembered having seen in her brother's Latin Grammar, "A mouse--of a mouse--to a mouse--a mouse--O mouse!") The Mouse looked at her rather inquisitively, and seemed to her to wink with one of its little eyes, but it said nothing. "Perhaps it doesn't understand English," thought Alice; "I daresay it's a French mouse, come over with William the Conqueror." (For, with all her knowledge of history, Alice had no very clear notion how long ago anything had happened.) So she began again: "O? est ma chatte?" which was the first sentence in her French lesson-book. The Mouse gave a sudden leap out of the water, and seemed to quiver all over with fright. "Oh, I beg your pardon!" cried Alice hastily, afraid that she had hurt the poor animal's feelings. "I quite forgot you didn't like cats." "Not like cats!" cried the Mouse, in a shrill, passionate voice. "Would _you_ like cats if you were me?" "Well, perhaps not," said Alice in a soothing tone: "don't be angry about it. And yet I wish I could show you our cat Dinah: I think you'd take a fancy to cats if you could only see her. She is such a dear quiet thing," Alice went on, half to herself, as she swam lazily about in the pool, "and she sits purring so nicely by the fire, licking her paws and washing her face--and she is such a nice soft thing to nurse--and she's such a capital one for catching mice--oh, I beg your pardon!" cried Alice again, for this time the Mouse was bristling all over, and she felt certain it must be really offended. "We won't talk about her any more if you'd rather not." "We indeed!" cried the Mouse, who was trembling down to the end of his tail. "As if _I_ would talk on such a subject! Our family always _hated_ cats: nasty, low, vulgar things! Don't let me hear the name again!" "I won't indeed!" said Alice, in a great hurry to change the subject of conversation. "Are you--are you fond--of--of dogs?" The Mouse did not answer, so Alice went on eagerly: "There is such a nice little dog near our house I should like to show you! A little bright-eyed terrier, you know, with oh, such long curly brown hair! And it'll fetch things when you throw them, and it'll | if she could have been changed for any of them. "I'm sure I'm not Ada," she said, "for her hair goes in such long ringlets, and mine doesn't go in ringlets at all; and I'm sure I can't be Mabel, for I know all sorts of things, and she, oh! she knows such a very little! Besides, _she's_ she, and _I'm_ I, and--oh dear, how puzzling it all is! I'll try if I know all the things I used to know. Let me see: four times five is twelve, and four times six is thirteen, and four times seven is--oh dear! I shall never get to twenty at that rate! However, the Multiplication Table doesn't signify: let's try Geography. London is the capital of Paris, and Paris is the capital of Rome, and Rome--no, _that's_ all wrong, I'm certain! I must have been changed for Mabel! I'll try and say '_How doth the little_--'" and she crossed her hands on her lap as if she were saying lessons, and began to repeat it, but her voice sounded hoarse and strange, and the words did not come the same as they used to do:-- "How doth the little crocodile Improve his shining tail, And pour the waters of the Nile On every golden scale!" "How cheerfully he seems to grin, How neatly spread his claws, And welcome little fishes in With gently smiling jaws!" "I'm sure those are not the right words," said poor Alice, and her eyes filled with tears again as she went on, "I must be Mabel after all, and I shall have to go and live in that poky little house, and have next to no toys to play with, and oh! ever so many lessons to learn! No, I've made up my mind about it; if I'm Mabel, I'll stay down here! It'll be no use their putting their heads down and saying 'Come up again, dear!' I shall only look up and say 'Who am I then? Tell me that first, and then, if I like being that person, I'll come up: if not, I'll stay down here till I'm somebody else'--but, oh dear!" cried Alice, with a sudden burst of tears, "I do wish they _would_ put their heads down! I am so _very_ tired of being all alone here!" As she said this she looked down at her hands, and was surprised to see that she had put on one of the Rabbit's little white kid gloves while she was talking. "How _can_ I have done that?" she thought. "I must be growing small again." She got up and went to the table to measure herself by it, and found that, as nearly as she could guess, she was now about two feet high, and was going on shrinking rapidly: she soon found out that the cause of this was the fan she was holding, and she dropped it hastily, just in time to avoid shrinking away altogether.<|quote|>"That _was_ a narrow escape!"</|quote|>said Alice, a good deal frightened at the sudden change, but very glad to find herself still in existence; "and now for the garden!" and she ran with all speed back to the little door: but, alas! the little door was shut again, and the little golden key was lying on the glass table as before, "and things are worse than ever," thought the poor child, "for I never was so small as this before, never! And I declare it's too bad, that it is!" As she said these words her foot slipped, and in another moment, splash! she was up to her chin in salt water. Her first idea was that she had somehow fallen into the sea, "and in that case I can go back by railway," she said to herself. (Alice had been to the seaside once in her life, and had come to the general conclusion, that wherever you go to on the English coast you find a number of bathing machines in the sea, some children digging in the sand with wooden spades, then a row of lodging houses, and behind them a railway station.) However, she soon made out that she was in the pool of tears which she had wept when she was nine feet high. "I wish I hadn't cried so much!" said Alice, as she swam about, trying to find her way out. "I shall be punished for it now, I suppose, by being drowned in my own tears! That _will_ be a queer thing, to be sure! However, everything is queer to-day." Just then she heard something splashing about in the pool a little way off, and she swam nearer to make out what it was: at first she thought it must be a walrus or hippopotamus, but then she remembered how small she was now, and she soon made out that it was only a mouse that had slipped in like herself. "Would it be of any use, now," thought Alice, "to speak to this mouse? Everything is so out-of-the-way down here, that I should think very likely it can talk: at any rate, there's no harm in trying." So she began: "O Mouse, do you know the way out of this pool? I am very tired of swimming about here, O Mouse!" (Alice thought this must be the right way of speaking to a mouse: she had never done such a thing before, but she remembered having seen in her brother's Latin Grammar, "A mouse--of a mouse--to a mouse--a mouse--O mouse!") The Mouse looked at her rather inquisitively, and seemed to her to wink with one of its little eyes, but it said nothing. "Perhaps it doesn't understand English," thought Alice; "I daresay it's a French mouse, come over with William the Conqueror." (For, with all her knowledge of history, Alice had no very clear notion how long | Alices Adventures In Wonderland | and found that, as nearly as she could guess, she was now about two feet high, and was going on shrinking rapidly: she soon found out that the cause of this was the fan she was holding, and she dropped it hastily, just in time to avoid shrinking away altogether.<|quote|>"That _was_ a narrow escape!"</|quote|>said Alice, a good deal frightened at the sudden change, but very glad to find herself still in existence; "and now for the garden!" and she ran with all speed back to the little door: but, alas! the little door was shut again, and the little golden key was lying | {
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"content": "and found that, as nearly as she could guess, she was now about two feet high, and was going on shrinking rapidly: she soon found out that the cause of this was the fan she was holding, and she dropped it hastily, just in time to avoid shrinking away altogether.<|quote|>\"That _was_ a narrow escape!\"</|quote|>said Alice, a good deal frightened at the sudden change, but very glad to find herself still in existence; \"and now for the garden!\" and she ran with all speed back to the little door: but, alas! the little door was shut again, and the little golden key was lying",
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the Rabbit began. Alice gave a little scream of laughter. | No speaker | "She boxed the Queen's ears--"<|quote|>the Rabbit began. Alice gave a little scream of laughter.</|quote|>"Oh, hush!" the Rabbit whispered | pity. I said 'What for?'" "She boxed the Queen's ears--"<|quote|>the Rabbit began. Alice gave a little scream of laughter.</|quote|>"Oh, hush!" the Rabbit whispered in a frightened tone. "The | tiptoe, put his mouth close to her ear, and whispered "She's under sentence of execution." "What for?" said Alice. "Did you say 'What a pity!'?" the Rabbit asked. "No, I didn't," said Alice: "I don't think it's at all a pity. I said 'What for?'" "She boxed the Queen's ears--"<|quote|>the Rabbit began. Alice gave a little scream of laughter.</|quote|>"Oh, hush!" the Rabbit whispered in a frightened tone. "The Queen will hear you! You see, she came rather late, and the Queen said--" "Get to your places!" shouted the Queen in a voice of thunder, and people began running about in all directions, tumbling up against each other; however, | a timid voice at her side. She was walking by the White Rabbit, who was peeping anxiously into her face. "Very," said Alice: "--where's the Duchess?" "Hush! Hush!" said the Rabbit in a low, hurried tone. He looked anxiously over his shoulder as he spoke, and then raised himself upon tiptoe, put his mouth close to her ear, and whispered "She's under sentence of execution." "What for?" said Alice. "Did you say 'What a pity!'?" the Rabbit asked. "No, I didn't," said Alice: "I don't think it's at all a pity. I said 'What for?'" "She boxed the Queen's ears--"<|quote|>the Rabbit began. Alice gave a little scream of laughter.</|quote|>"Oh, hush!" the Rabbit whispered in a frightened tone. "The Queen will hear you! You see, she came rather late, and the Queen said--" "Get to your places!" shouted the Queen in a voice of thunder, and people began running about in all directions, tumbling up against each other; however, they got settled down in a minute or two, and the game began. Alice thought she had never seen such a curious croquet-ground in her life; it was all ridges and furrows; the balls were live hedgehogs, the mallets live flamingoes, and the soldiers had to double themselves up and | a large flower-pot that stood near. The three soldiers wandered about for a minute or two, looking for them, and then quietly marched off after the others. "Are their heads off?" shouted the Queen. "Their heads are gone, if it please your Majesty!" the soldiers shouted in reply. "That's right!" shouted the Queen. "Can you play croquet?" The soldiers were silent, and looked at Alice, as the question was evidently meant for her. "Yes!" shouted Alice. "Come on, then!" roared the Queen, and Alice joined the procession, wondering very much what would happen next. "It's--it's a very fine day!" said a timid voice at her side. She was walking by the White Rabbit, who was peeping anxiously into her face. "Very," said Alice: "--where's the Duchess?" "Hush! Hush!" said the Rabbit in a low, hurried tone. He looked anxiously over his shoulder as he spoke, and then raised himself upon tiptoe, put his mouth close to her ear, and whispered "She's under sentence of execution." "What for?" said Alice. "Did you say 'What a pity!'?" the Rabbit asked. "No, I didn't," said Alice: "I don't think it's at all a pity. I said 'What for?'" "She boxed the Queen's ears--"<|quote|>the Rabbit began. Alice gave a little scream of laughter.</|quote|>"Oh, hush!" the Rabbit whispered in a frightened tone. "The Queen will hear you! You see, she came rather late, and the Queen said--" "Get to your places!" shouted the Queen in a voice of thunder, and people began running about in all directions, tumbling up against each other; however, they got settled down in a minute or two, and the game began. Alice thought she had never seen such a curious croquet-ground in her life; it was all ridges and furrows; the balls were live hedgehogs, the mallets live flamingoes, and the soldiers had to double themselves up and to stand on their hands and feet, to make the arches. The chief difficulty Alice found at first was in managing her flamingo: she succeeded in getting its body tucked away, comfortably enough, under her arm, with its legs hanging down, but generally, just as she had got its neck nicely straightened out, and was going to give the hedgehog a blow with its head, it _would_ twist itself round and look up in her face, with such a puzzled expression that she could not help bursting out laughing: and when she had got its head down, and was going | after glaring at her for a moment like a wild beast, screamed "Off with her head! Off--" "Nonsense!" said Alice, very loudly and decidedly, and the Queen was silent. The King laid his hand upon her arm, and timidly said "Consider, my dear: she is only a child!" The Queen turned angrily away from him, and said to the Knave "Turn them over!" The Knave did so, very carefully, with one foot. "Get up!" said the Queen, in a shrill, loud voice, and the three gardeners instantly jumped up, and began bowing to the King, the Queen, the royal children, and everybody else. "Leave off that!" screamed the Queen. "You make me giddy." And then, turning to the rose-tree, she went on, "What _have_ you been doing here?" "May it please your Majesty," said Two, in a very humble tone, going down on one knee as he spoke, "we were trying--" "_I_ see!" said the Queen, who had meanwhile been examining the roses. "Off with their heads!" and the procession moved on, three of the soldiers remaining behind to execute the unfortunate gardeners, who ran to Alice for protection. "You shan't be beheaded!" said Alice, and she put them into a large flower-pot that stood near. The three soldiers wandered about for a minute or two, looking for them, and then quietly marched off after the others. "Are their heads off?" shouted the Queen. "Their heads are gone, if it please your Majesty!" the soldiers shouted in reply. "That's right!" shouted the Queen. "Can you play croquet?" The soldiers were silent, and looked at Alice, as the question was evidently meant for her. "Yes!" shouted Alice. "Come on, then!" roared the Queen, and Alice joined the procession, wondering very much what would happen next. "It's--it's a very fine day!" said a timid voice at her side. She was walking by the White Rabbit, who was peeping anxiously into her face. "Very," said Alice: "--where's the Duchess?" "Hush! Hush!" said the Rabbit in a low, hurried tone. He looked anxiously over his shoulder as he spoke, and then raised himself upon tiptoe, put his mouth close to her ear, and whispered "She's under sentence of execution." "What for?" said Alice. "Did you say 'What a pity!'?" the Rabbit asked. "No, I didn't," said Alice: "I don't think it's at all a pity. I said 'What for?'" "She boxed the Queen's ears--"<|quote|>the Rabbit began. Alice gave a little scream of laughter.</|quote|>"Oh, hush!" the Rabbit whispered in a frightened tone. "The Queen will hear you! You see, she came rather late, and the Queen said--" "Get to your places!" shouted the Queen in a voice of thunder, and people began running about in all directions, tumbling up against each other; however, they got settled down in a minute or two, and the game began. Alice thought she had never seen such a curious croquet-ground in her life; it was all ridges and furrows; the balls were live hedgehogs, the mallets live flamingoes, and the soldiers had to double themselves up and to stand on their hands and feet, to make the arches. The chief difficulty Alice found at first was in managing her flamingo: she succeeded in getting its body tucked away, comfortably enough, under her arm, with its legs hanging down, but generally, just as she had got its neck nicely straightened out, and was going to give the hedgehog a blow with its head, it _would_ twist itself round and look up in her face, with such a puzzled expression that she could not help bursting out laughing: and when she had got its head down, and was going to begin again, it was very provoking to find that the hedgehog had unrolled itself, and was in the act of crawling away: besides all this, there was generally a ridge or furrow in the way wherever she wanted to send the hedgehog to, and, as the doubled-up soldiers were always getting up and walking off to other parts of the ground, Alice soon came to the conclusion that it was a very difficult game indeed. The players all played at once without waiting for turns, quarrelling all the while, and fighting for the hedgehogs; and in a very short time the Queen was in a furious passion, and went stamping about, and shouting "Off with his head!" or "Off with her head!" about once in a minute. Alice began to feel very uneasy: to be sure, she had not as yet had any dispute with the Queen, but she knew that it might happen any minute, "and then," thought she, "what would become of me? They're dreadfully fond of beheading people here; the great wonder is, that there's any one left alive!" She was looking about for some way of escape, and wondering whether she could get away without | upon their faces. There was a sound of many footsteps, and Alice looked round, eager to see the Queen. First came ten soldiers carrying clubs; these were all shaped like the three gardeners, oblong and flat, with their hands and feet at the corners: next the ten courtiers; these were ornamented all over with diamonds, and walked two and two, as the soldiers did. After these came the royal children; there were ten of them, and the little dears came jumping merrily along hand in hand, in couples: they were all ornamented with hearts. Next came the guests, mostly Kings and Queens, and among them Alice recognised the White Rabbit: it was talking in a hurried nervous manner, smiling at everything that was said, and went by without noticing her. Then followed the Knave of Hearts, carrying the King's crown on a crimson velvet cushion; and, last of all this grand procession, came THE KING AND QUEEN OF HEARTS. Alice was rather doubtful whether she ought not to lie down on her face like the three gardeners, but she could not remember ever having heard of such a rule at processions; "and besides, what would be the use of a procession," thought she, "if people had all to lie down upon their faces, so that they couldn't see it?" So she stood still where she was, and waited. When the procession came opposite to Alice, they all stopped and looked at her, and the Queen said severely "Who is this?" She said it to the Knave of Hearts, who only bowed and smiled in reply. "Idiot!" said the Queen, tossing her head impatiently; and, turning to Alice, she went on, "What's your name, child?" "My name is Alice, so please your Majesty," said Alice very politely; but she added, to herself, "Why, they're only a pack of cards, after all. I needn't be afraid of them!" "And who are _these?_" said the Queen, pointing to the three gardeners who were lying round the rose-tree; for, you see, as they were lying on their faces, and the pattern on their backs was the same as the rest of the pack, she could not tell whether they were gardeners, or soldiers, or courtiers, or three of her own children. "How should _I_ know?" said Alice, surprised at her own courage. "It's no business of _mine_." The Queen turned crimson with fury, and, after glaring at her for a moment like a wild beast, screamed "Off with her head! Off--" "Nonsense!" said Alice, very loudly and decidedly, and the Queen was silent. The King laid his hand upon her arm, and timidly said "Consider, my dear: she is only a child!" The Queen turned angrily away from him, and said to the Knave "Turn them over!" The Knave did so, very carefully, with one foot. "Get up!" said the Queen, in a shrill, loud voice, and the three gardeners instantly jumped up, and began bowing to the King, the Queen, the royal children, and everybody else. "Leave off that!" screamed the Queen. "You make me giddy." And then, turning to the rose-tree, she went on, "What _have_ you been doing here?" "May it please your Majesty," said Two, in a very humble tone, going down on one knee as he spoke, "we were trying--" "_I_ see!" said the Queen, who had meanwhile been examining the roses. "Off with their heads!" and the procession moved on, three of the soldiers remaining behind to execute the unfortunate gardeners, who ran to Alice for protection. "You shan't be beheaded!" said Alice, and she put them into a large flower-pot that stood near. The three soldiers wandered about for a minute or two, looking for them, and then quietly marched off after the others. "Are their heads off?" shouted the Queen. "Their heads are gone, if it please your Majesty!" the soldiers shouted in reply. "That's right!" shouted the Queen. "Can you play croquet?" The soldiers were silent, and looked at Alice, as the question was evidently meant for her. "Yes!" shouted Alice. "Come on, then!" roared the Queen, and Alice joined the procession, wondering very much what would happen next. "It's--it's a very fine day!" said a timid voice at her side. She was walking by the White Rabbit, who was peeping anxiously into her face. "Very," said Alice: "--where's the Duchess?" "Hush! Hush!" said the Rabbit in a low, hurried tone. He looked anxiously over his shoulder as he spoke, and then raised himself upon tiptoe, put his mouth close to her ear, and whispered "She's under sentence of execution." "What for?" said Alice. "Did you say 'What a pity!'?" the Rabbit asked. "No, I didn't," said Alice: "I don't think it's at all a pity. I said 'What for?'" "She boxed the Queen's ears--"<|quote|>the Rabbit began. Alice gave a little scream of laughter.</|quote|>"Oh, hush!" the Rabbit whispered in a frightened tone. "The Queen will hear you! You see, she came rather late, and the Queen said--" "Get to your places!" shouted the Queen in a voice of thunder, and people began running about in all directions, tumbling up against each other; however, they got settled down in a minute or two, and the game began. Alice thought she had never seen such a curious croquet-ground in her life; it was all ridges and furrows; the balls were live hedgehogs, the mallets live flamingoes, and the soldiers had to double themselves up and to stand on their hands and feet, to make the arches. The chief difficulty Alice found at first was in managing her flamingo: she succeeded in getting its body tucked away, comfortably enough, under her arm, with its legs hanging down, but generally, just as she had got its neck nicely straightened out, and was going to give the hedgehog a blow with its head, it _would_ twist itself round and look up in her face, with such a puzzled expression that she could not help bursting out laughing: and when she had got its head down, and was going to begin again, it was very provoking to find that the hedgehog had unrolled itself, and was in the act of crawling away: besides all this, there was generally a ridge or furrow in the way wherever she wanted to send the hedgehog to, and, as the doubled-up soldiers were always getting up and walking off to other parts of the ground, Alice soon came to the conclusion that it was a very difficult game indeed. The players all played at once without waiting for turns, quarrelling all the while, and fighting for the hedgehogs; and in a very short time the Queen was in a furious passion, and went stamping about, and shouting "Off with his head!" or "Off with her head!" about once in a minute. Alice began to feel very uneasy: to be sure, she had not as yet had any dispute with the Queen, but she knew that it might happen any minute, "and then," thought she, "what would become of me? They're dreadfully fond of beheading people here; the great wonder is, that there's any one left alive!" She was looking about for some way of escape, and wondering whether she could get away without being seen, when she noticed a curious appearance in the air: it puzzled her very much at first, but, after watching it a minute or two, she made it out to be a grin, and she said to herself "It's the Cheshire Cat: now I shall have somebody to talk to." "How are you getting on?" said the Cat, as soon as there was mouth enough for it to speak with. Alice waited till the eyes appeared, and then nodded. "It's no use speaking to it," she thought, "till its ears have come, or at least one of them." In another minute the whole head appeared, and then Alice put down her flamingo, and began an account of the game, feeling very glad she had someone to listen to her. The Cat seemed to think that there was enough of it now in sight, and no more of it appeared. "I don't think they play at all fairly," Alice began, in rather a complaining tone, "and they all quarrel so dreadfully one can't hear oneself speak--and they don't seem to have any rules in particular; at least, if there are, nobody attends to them--and you've no idea how confusing it is all the things being alive; for instance, there's the arch I've got to go through next walking about at the other end of the ground--and I should have croqueted the Queen's hedgehog just now, only it ran away when it saw mine coming!" "How do you like the Queen?" said the Cat in a low voice. "Not at all," said Alice: "she's so extremely--" Just then she noticed that the Queen was close behind her, listening: so she went on, "--likely to win, that it's hardly worth while finishing the game." The Queen smiled and passed on. "Who _are_ you talking to?" said the King, going up to Alice, and looking at the Cat's head with great curiosity. "It's a friend of mine--a Cheshire Cat," said Alice: "allow me to introduce it." "I don't like the look of it at all," said the King: "however, it may kiss my hand if it likes." "I'd rather not," the Cat remarked. "Don't be impertinent," said the King, "and don't look at me like that!" He got behind Alice as he spoke. "A cat may look at a king," said Alice. "I've read that in some book, but I don't remember where." | trying--" "_I_ see!" said the Queen, who had meanwhile been examining the roses. "Off with their heads!" and the procession moved on, three of the soldiers remaining behind to execute the unfortunate gardeners, who ran to Alice for protection. "You shan't be beheaded!" said Alice, and she put them into a large flower-pot that stood near. The three soldiers wandered about for a minute or two, looking for them, and then quietly marched off after the others. "Are their heads off?" shouted the Queen. "Their heads are gone, if it please your Majesty!" the soldiers shouted in reply. "That's right!" shouted the Queen. "Can you play croquet?" The soldiers were silent, and looked at Alice, as the question was evidently meant for her. "Yes!" shouted Alice. "Come on, then!" roared the Queen, and Alice joined the procession, wondering very much what would happen next. "It's--it's a very fine day!" said a timid voice at her side. She was walking by the White Rabbit, who was peeping anxiously into her face. "Very," said Alice: "--where's the Duchess?" "Hush! Hush!" said the Rabbit in a low, hurried tone. He looked anxiously over his shoulder as he spoke, and then raised himself upon tiptoe, put his mouth close to her ear, and whispered "She's under sentence of execution." "What for?" said Alice. "Did you say 'What a pity!'?" the Rabbit asked. "No, I didn't," said Alice: "I don't think it's at all a pity. I said 'What for?'" "She boxed the Queen's ears--"<|quote|>the Rabbit began. Alice gave a little scream of laughter.</|quote|>"Oh, hush!" the Rabbit whispered in a frightened tone. "The Queen will hear you! You see, she came rather late, and the Queen said--" "Get to your places!" shouted the Queen in a voice of thunder, and people began running about in all directions, tumbling up against each other; however, they got settled down in a minute or two, and the game began. Alice thought she had never seen such a curious croquet-ground in her life; it was all ridges and furrows; the balls were live hedgehogs, the mallets live flamingoes, and the soldiers had to double themselves up and to stand on their hands and feet, to make the arches. The chief difficulty Alice found at first was in managing her flamingo: she succeeded in getting its body tucked away, comfortably enough, under her arm, with its legs hanging down, but generally, just as she had got its neck nicely straightened out, and was going to give the hedgehog a blow with its head, it _would_ twist itself round and look up in her face, with such a puzzled expression that she could not help bursting out laughing: and when she had got its head down, and was going to begin again, it was very provoking to find that the hedgehog had unrolled itself, and was in the act of crawling away: besides all this, there was generally a ridge or furrow in the way wherever she wanted to send the hedgehog to, and, as the doubled-up soldiers were always getting up and walking off to other parts of the ground, Alice soon came to the conclusion that it was a very difficult game indeed. The players all played at once without waiting for turns, quarrelling all the while, and fighting for the hedgehogs; and in a very short time the Queen was in a furious passion, and went stamping about, and shouting "Off with his head!" or "Off with her head!" about once in a minute. Alice began to feel very uneasy: to be sure, she had not as yet had any dispute with the Queen, but she knew that it might happen any minute, "and then," thought she, "what would become of me? They're dreadfully fond of beheading people here; the great wonder is, that there's any one left alive!" She was looking about for some way of escape, and wondering whether she could get away without being seen, when she noticed a curious appearance in the air: it puzzled her very much at first, but, after watching it a minute or two, she made it out to be a grin, and she said to herself "It's the Cheshire Cat: now I shall have somebody to talk to." "How are you getting on?" said the Cat, as soon as there was mouth enough for it to speak with. Alice waited | Alices Adventures In Wonderland | tiptoe, put his mouth close to her ear, and whispered "She's under sentence of execution." "What for?" said Alice. "Did you say 'What a pity!'?" the Rabbit asked. "No, I didn't," said Alice: "I don't think it's at all a pity. I said 'What for?'" "She boxed the Queen's ears--"<|quote|>the Rabbit began. Alice gave a little scream of laughter.</|quote|>"Oh, hush!" the Rabbit whispered in a frightened tone. "The Queen will hear you! You see, she came rather late, and the Queen said--" "Get to your places!" shouted the Queen in a voice of thunder, and people began running about in all directions, tumbling up against each other; however, | {
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"Are you in a rage?" | Tony Last | were rather bores." "You were."<|quote|>"Are you in a rage?"</|quote|>"Well, I was last night. | impression that Jock and I were rather bores." "You were."<|quote|>"Are you in a rage?"</|quote|>"Well, I was last night. What made you do it, | up when the difficulty was solved by her ringing him. "Well, Tony, how do you feel?" "Awful. I _was_ tight." "You were." "I'm feeling pretty guilty too." "I'm not surprised." "I don't remember everything very clearly but I have the impression that Jock and I were rather bores." "You were."<|quote|>"Are you in a rage?"</|quote|>"Well, I was last night. What made you do it, Tony, grown up men like you two?" "We felt low." "I bet you feel lower this morning... A box of white roses has just arrived from Jock." "I wish I'd thought of that." "You're such infants, both of you." "You | ill." Tony was awake at eight next morning, miserably articulating in his mind the fragmentary memories of the preceding night. The more he remembered, the baser his conduct appeared to him. At nine he had his bath and some tea. At ten he was wondering whether he should ring Brenda up when the difficulty was solved by her ringing him. "Well, Tony, how do you feel?" "Awful. I _was_ tight." "You were." "I'm feeling pretty guilty too." "I'm not surprised." "I don't remember everything very clearly but I have the impression that Jock and I were rather bores." "You were."<|quote|>"Are you in a rage?"</|quote|>"Well, I was last night. What made you do it, Tony, grown up men like you two?" "We felt low." "I bet you feel lower this morning... A box of white roses has just arrived from Jock." "I wish I'd thought of that." "You're such infants, both of you." "You aren't really in a rage?" "Of course I'm not, darling. Now just you go straight back to the country. You'll feel all right again to-morrow." "Am I not going to see you?" "Not to-day, I'm afraid. I've got lectures all the morning and I'm lunching out. But I'll be coming | ladyship and say Mr Grant-Menzies and Mr Last are very sorry but they cannot call this evening? Got that?" He gave the man half a crown and they sauntered out into Sink Street. "Brenda can't expect us to do more than that," he said. "I tell you what I'll do. I go almost past her door, so I'll ring the bell a bit just in case she's awake and still waiting up for us." "Yes, you do that. What a good friend you are, Jock." "Oh, I'm fond of Brenda... a grand girl." "Grand girl... I wish I didn't feel ill." Tony was awake at eight next morning, miserably articulating in his mind the fragmentary memories of the preceding night. The more he remembered, the baser his conduct appeared to him. At nine he had his bath and some tea. At ten he was wondering whether he should ring Brenda up when the difficulty was solved by her ringing him. "Well, Tony, how do you feel?" "Awful. I _was_ tight." "You were." "I'm feeling pretty guilty too." "I'm not surprised." "I don't remember everything very clearly but I have the impression that Jock and I were rather bores." "You were."<|quote|>"Are you in a rage?"</|quote|>"Well, I was last night. What made you do it, Tony, grown up men like you two?" "We felt low." "I bet you feel lower this morning... A box of white roses has just arrived from Jock." "I wish I'd thought of that." "You're such infants, both of you." "You aren't really in a rage?" "Of course I'm not, darling. Now just you go straight back to the country. You'll feel all right again to-morrow." "Am I not going to see you?" "Not to-day, I'm afraid. I've got lectures all the morning and I'm lunching out. But I'll be coming down on Friday evening or anyway Saturday morning." "I see. You couldn't possibly chuck lunch or one of the lectures?" "Not possibly, darling." "I see. You are an angel to be so sweet about last night." "Nothing could have been more fortunate," Brenda said. "If I know Tony, he'll be tortured with guilt for weeks to come. It was maddening last night but it was worth it. He's put himself so much in the wrong now that he won't dare to _feel_ resentful, let alone say anything, whatever I do. And he hasn't really enjoyed himself at all, the poor | evening." "I say, what's this frightful piece of fish?" "The waiter said you ordered it." "Perhaps I did." "I'll give it to the club cat," said Babs. "She's a dear called Blackberry." They danced once or twice. Then Jock said, "D'you think we ought to ring up Brenda again?" "Perhaps we ought. She sounded annoyed with us." "Let's go now and ring her up on the way out." "Aren't you coming home with us?" said Babs. "Not to-night, I'm afraid." "Be a sport," said Milly. "No, we can't really." "All right. Well, how about a little present? We're professional dancing partners, you know," said Babs. "Oh yes, sorry, how much?" "Oh, we leave that to the gentlemen." Tony gave them a pound. "You might make it a bit more," said Babs. "We've sat with you two hours." Jock gave another pound. "Come and see us again one evening when you've got more time," said Milly. "I'm feeling rather ill," said Tony on the way upstairs. "Don't think I shall bother to ring up Brenda." "Send a message." "That's a good idea... Look here," he said to the seedy commissionaire. "Will you ring up this Sloane number and speak to her ladyship and say Mr Grant-Menzies and Mr Last are very sorry but they cannot call this evening? Got that?" He gave the man half a crown and they sauntered out into Sink Street. "Brenda can't expect us to do more than that," he said. "I tell you what I'll do. I go almost past her door, so I'll ring the bell a bit just in case she's awake and still waiting up for us." "Yes, you do that. What a good friend you are, Jock." "Oh, I'm fond of Brenda... a grand girl." "Grand girl... I wish I didn't feel ill." Tony was awake at eight next morning, miserably articulating in his mind the fragmentary memories of the preceding night. The more he remembered, the baser his conduct appeared to him. At nine he had his bath and some tea. At ten he was wondering whether he should ring Brenda up when the difficulty was solved by her ringing him. "Well, Tony, how do you feel?" "Awful. I _was_ tight." "You were." "I'm feeling pretty guilty too." "I'm not surprised." "I don't remember everything very clearly but I have the impression that Jock and I were rather bores." "You were."<|quote|>"Are you in a rage?"</|quote|>"Well, I was last night. What made you do it, Tony, grown up men like you two?" "We felt low." "I bet you feel lower this morning... A box of white roses has just arrived from Jock." "I wish I'd thought of that." "You're such infants, both of you." "You aren't really in a rage?" "Of course I'm not, darling. Now just you go straight back to the country. You'll feel all right again to-morrow." "Am I not going to see you?" "Not to-day, I'm afraid. I've got lectures all the morning and I'm lunching out. But I'll be coming down on Friday evening or anyway Saturday morning." "I see. You couldn't possibly chuck lunch or one of the lectures?" "Not possibly, darling." "I see. You are an angel to be so sweet about last night." "Nothing could have been more fortunate," Brenda said. "If I know Tony, he'll be tortured with guilt for weeks to come. It was maddening last night but it was worth it. He's put himself so much in the wrong now that he won't dare to _feel_ resentful, let alone say anything, whatever I do. And he hasn't really enjoyed himself at all, the poor sweet, so _that's_ a good thing too. He had to learn not to make surprise visits." "You are one for making people learn things," said Beaver. Tony emerged from the 3.18 feeling cold, tired, and heavy with guilt. John Andrew had come in the car to meet him. "Hullo, daddy, had a good time in London? You didn't mind me coming to the station, did you? I _made_ nanny let me." "Very pleased to see you, John." "How was mummy?" "She sounded very well. I didn't see her." "But you _said_ you were going to see her." "Yes, I thought I was, but I turned out to be wrong. I talked to her several times on the telephone." "But you can telephone her from here, can't you, daddy? Why did you go all the way to London to telephone her?... _Why_, daddy?" "It would take too long to explain." "Well tell me some of it... _Why_, daddy?" "Look here, I'm tired. If you don't stop asking questions I shan't let you ever come and meet the train again." John Andrew's face began to pucker. "I thought you'd _like_ me to come and meet you." "If you cry I shall put | trouble is my wife is studious. She's taking a course in economics." Babs said, "I think it's nice for a girl to be interested in things." The waiter said, "What will you be taking for supper?" "Why, we've only just had dinner." "How about a nice haddock?" "I tell you what I must do is to telephone. Where is it?" "D'you mean really the telephone or the gentlemen's?" Milly asked. "No, the telephone." "Upstairs in the office." Tony rang up Brenda. It was some time before she answered, then, "Yes, who is it?" "I have a message here from Mr Anthony Last and Mr Jocelyn Grant-Menzies." "Oh, it's you, Tony. Well, what do you want?" "You recognized my voice?" "I did." "Well, I only wanted to give a message but as I am speaking to you I can give it myself, can't I?" "Yes." "Well, Jock and I are terribly sorry but we can't come round this evening after all." "Oh." "You don't think it very rude, I hope, but we have a lot to attend to." "That's all right, Tony." "Did I wake you up by any chance?" "That's all right, Tony." "Well, good night." Tony went down to the table. "I've been talking to Brenda. She sounded rather annoyed. D'you think we _ought_ to go round there?" "We promised we would," said Jock. "You should never disappoint a lady," said Milly. "Oh, it's too late now." Babs said, "You two are officers, aren't you?" "No, why?" "I thought you were." Milly said, "I like business gentlemen best, myself. They've more to say." "What d'you do?" "I design postmen's hats," said Jock. "Oh, go on." "And my friend here trains sea-lions." "Tell us another." Babs said, "I've got a gentleman friend who works on a newspaper." After a time Jock said, "I say, ought we to do something about Brenda?" "I told her we weren't coming, didn't I?" "Yes... but she might still be _hoping_." "I tell you what, you go and ring her up and find out if she really wants us." "All right." He came back ten minutes later. "_I_ thought she sounded rather annoyed," he reported. "But I said in the end we wouldn't come." "She may be tired," said Tony. "Has to get up early to do economics. Now I come to think of it someone _did_ say she was tired, earlier on in the evening." "I say, what's this frightful piece of fish?" "The waiter said you ordered it." "Perhaps I did." "I'll give it to the club cat," said Babs. "She's a dear called Blackberry." They danced once or twice. Then Jock said, "D'you think we ought to ring up Brenda again?" "Perhaps we ought. She sounded annoyed with us." "Let's go now and ring her up on the way out." "Aren't you coming home with us?" said Babs. "Not to-night, I'm afraid." "Be a sport," said Milly. "No, we can't really." "All right. Well, how about a little present? We're professional dancing partners, you know," said Babs. "Oh yes, sorry, how much?" "Oh, we leave that to the gentlemen." Tony gave them a pound. "You might make it a bit more," said Babs. "We've sat with you two hours." Jock gave another pound. "Come and see us again one evening when you've got more time," said Milly. "I'm feeling rather ill," said Tony on the way upstairs. "Don't think I shall bother to ring up Brenda." "Send a message." "That's a good idea... Look here," he said to the seedy commissionaire. "Will you ring up this Sloane number and speak to her ladyship and say Mr Grant-Menzies and Mr Last are very sorry but they cannot call this evening? Got that?" He gave the man half a crown and they sauntered out into Sink Street. "Brenda can't expect us to do more than that," he said. "I tell you what I'll do. I go almost past her door, so I'll ring the bell a bit just in case she's awake and still waiting up for us." "Yes, you do that. What a good friend you are, Jock." "Oh, I'm fond of Brenda... a grand girl." "Grand girl... I wish I didn't feel ill." Tony was awake at eight next morning, miserably articulating in his mind the fragmentary memories of the preceding night. The more he remembered, the baser his conduct appeared to him. At nine he had his bath and some tea. At ten he was wondering whether he should ring Brenda up when the difficulty was solved by her ringing him. "Well, Tony, how do you feel?" "Awful. I _was_ tight." "You were." "I'm feeling pretty guilty too." "I'm not surprised." "I don't remember everything very clearly but I have the impression that Jock and I were rather bores." "You were."<|quote|>"Are you in a rage?"</|quote|>"Well, I was last night. What made you do it, Tony, grown up men like you two?" "We felt low." "I bet you feel lower this morning... A box of white roses has just arrived from Jock." "I wish I'd thought of that." "You're such infants, both of you." "You aren't really in a rage?" "Of course I'm not, darling. Now just you go straight back to the country. You'll feel all right again to-morrow." "Am I not going to see you?" "Not to-day, I'm afraid. I've got lectures all the morning and I'm lunching out. But I'll be coming down on Friday evening or anyway Saturday morning." "I see. You couldn't possibly chuck lunch or one of the lectures?" "Not possibly, darling." "I see. You are an angel to be so sweet about last night." "Nothing could have been more fortunate," Brenda said. "If I know Tony, he'll be tortured with guilt for weeks to come. It was maddening last night but it was worth it. He's put himself so much in the wrong now that he won't dare to _feel_ resentful, let alone say anything, whatever I do. And he hasn't really enjoyed himself at all, the poor sweet, so _that's_ a good thing too. He had to learn not to make surprise visits." "You are one for making people learn things," said Beaver. Tony emerged from the 3.18 feeling cold, tired, and heavy with guilt. John Andrew had come in the car to meet him. "Hullo, daddy, had a good time in London? You didn't mind me coming to the station, did you? I _made_ nanny let me." "Very pleased to see you, John." "How was mummy?" "She sounded very well. I didn't see her." "But you _said_ you were going to see her." "Yes, I thought I was, but I turned out to be wrong. I talked to her several times on the telephone." "But you can telephone her from here, can't you, daddy? Why did you go all the way to London to telephone her?... _Why_, daddy?" "It would take too long to explain." "Well tell me some of it... _Why_, daddy?" "Look here, I'm tired. If you don't stop asking questions I shan't let you ever come and meet the train again." John Andrew's face began to pucker. "I thought you'd _like_ me to come and meet you." "If you cry I shall put you in front with Dawson. It's absurd to cry at your age." "I'd _sooner_ go in front with Dawson," said John Andrew between his tears. Tony picked up the speaking-tube to tell the chauffeur to stop, but he could not make him hear. So he hitched the mouthpiece back on its hook and they drove on in silence, John Andrew leaning against the window and snivelling slightly. When they got to the house he said, "Nanny, I don't want John to come to the station in future unless her ladyship or I specially say he can." "No, sir, I wouldn't have let him go to-day, only he went on so. Come along now, John, and take off your coat. Goodness, child, where's your handkerchief?" Tony went and sat alone in front of the library fire. "Two men of thirty," he said to himself, "behaving as if they were up for the night from Sandhurst--getting drunk and ringing people up and dancing with tarts at the Old Hundredth... And it makes it all the worse that Brenda was so nice about it." He dozed a little; then he went up to change. At dinner he said, "Ambrose, when I'm alone I think in future I'll have dinner in the library." Afterwards he sat with a book in front of the fire but he was unable to read. At ten o'clock he scattered the logs in the fireplace before going upstairs. He fastened the library windows and turned out the lights. That night he went into Brenda's empty room to sleep. [II] That was Wednesday; on Thursday Tony felt well again. He had a meeting of the county council in the morning. In the afternoon he went down to the home farm and discussed a new kind of tractor with his agent. From then onwards he was able to say to himself, "This time to-morrow Brenda and Jock will be here." He dined in front of the fire in the library. He had given up the diet some weeks ago. (" "Ambrose, when I'm alone I don't really need a long dinner. In future I'll just have two courses." ") He looked over some accounts his agent had left for him and then went to bed, saying to himself, "When I wake up it will be the week-end." But there was a telegram for him next morning from Jock, saying, _Week end | you ring up this Sloane number and speak to her ladyship and say Mr Grant-Menzies and Mr Last are very sorry but they cannot call this evening? Got that?" He gave the man half a crown and they sauntered out into Sink Street. "Brenda can't expect us to do more than that," he said. "I tell you what I'll do. I go almost past her door, so I'll ring the bell a bit just in case she's awake and still waiting up for us." "Yes, you do that. What a good friend you are, Jock." "Oh, I'm fond of Brenda... a grand girl." "Grand girl... I wish I didn't feel ill." Tony was awake at eight next morning, miserably articulating in his mind the fragmentary memories of the preceding night. The more he remembered, the baser his conduct appeared to him. At nine he had his bath and some tea. At ten he was wondering whether he should ring Brenda up when the difficulty was solved by her ringing him. "Well, Tony, how do you feel?" "Awful. I _was_ tight." "You were." "I'm feeling pretty guilty too." "I'm not surprised." "I don't remember everything very clearly but I have the impression that Jock and I were rather bores." "You were."<|quote|>"Are you in a rage?"</|quote|>"Well, I was last night. What made you do it, Tony, grown up men like you two?" "We felt low." "I bet you feel lower this morning... A box of white roses has just arrived from Jock." "I wish I'd thought of that." "You're such infants, both of you." "You aren't really in a rage?" "Of course I'm not, darling. Now just you go straight back to the country. You'll feel all right again to-morrow." "Am I not going to see you?" "Not to-day, I'm afraid. I've got lectures all the morning and I'm lunching out. But I'll be coming down on Friday evening or anyway Saturday morning." "I see. You couldn't possibly chuck lunch or one of the lectures?" "Not possibly, darling." "I see. You are an angel to be so sweet about last night." "Nothing could have been more fortunate," Brenda said. "If I know Tony, he'll be tortured with guilt for weeks to come. It was maddening last night but it was worth it. He's put himself so much in the wrong now that he won't dare to _feel_ resentful, let alone say anything, whatever I do. And he hasn't really enjoyed himself at all, the poor sweet, so _that's_ a good thing too. He had to learn not to make surprise visits." "You are one for making people learn things," said Beaver. Tony emerged from the 3.18 feeling cold, tired, and heavy with guilt. John Andrew had come in the car to meet him. "Hullo, daddy, had a good time in London? You didn't mind me coming to the station, did you? I _made_ nanny let me." "Very pleased to see you, John." "How was mummy?" "She sounded very well. I didn't see her." "But you _said_ you were going to see her." "Yes, I thought I was, but I turned out to be wrong. I talked to her several times on the telephone." "But you can telephone her from here, can't you, daddy? Why did you go all the way to London to telephone her?... _Why_, daddy?" "It would take too long to explain." "Well tell me some of it... _Why_, daddy?" "Look here, I'm tired. If you don't stop asking questions I shan't let you ever come and meet the train again." John Andrew's face began to pucker. "I thought you'd _like_ me to come and meet you." "If you cry I shall put you in front with Dawson. It's absurd to cry at your age." "I'd _sooner_ go in front with Dawson," said John Andrew between his tears. Tony picked up the speaking-tube to tell the chauffeur to stop, but he could not make him hear. So he hitched the mouthpiece back on its hook and they drove on in silence, John Andrew leaning against the window and snivelling slightly. When they got to the house he said, "Nanny, I don't want John to come to the station in future unless her ladyship or I specially say he can." "No, sir, I wouldn't have | A Handful Of Dust | up when the difficulty was solved by her ringing him. "Well, Tony, how do you feel?" "Awful. I _was_ tight." "You were." "I'm feeling pretty guilty too." "I'm not surprised." "I don't remember everything very clearly but I have the impression that Jock and I were rather bores." "You were."<|quote|>"Are you in a rage?"</|quote|>"Well, I was last night. What made you do it, Tony, grown up men like you two?" "We felt low." "I bet you feel lower this morning... A box of white roses has just arrived from Jock." "I wish I'd thought of that." "You're such infants, both of you." "You | {
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"content": "up when the difficulty was solved by her ringing him. \"Well, Tony, how do you feel?\" \"Awful. I _was_ tight.\" \"You were.\" \"I'm feeling pretty guilty too.\" \"I'm not surprised.\" \"I don't remember everything very clearly but I have the impression that Jock and I were rather bores.\" \"You were.\"<|quote|>\"Are you in a rage?\"</|quote|>\"Well, I was last night. What made you do it, Tony, grown up men like you two?\" \"We felt low.\" \"I bet you feel lower this morning... A box of white roses has just arrived from Jock.\" \"I wish I'd thought of that.\" \"You're such infants, both of you.\" \"You",
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} | Tony Last |
"I never saw anybody with purple eyes," | Diana Barry | gold and velvety purple eyes."<|quote|>"I never saw anybody with purple eyes,"</|quote|>said Diana dubiously. "Neither did | blonde with hair like spun gold and velvety purple eyes."<|quote|>"I never saw anybody with purple eyes,"</|quote|>said Diana dubiously. "Neither did I. I just imagined them. | beautiful maidens called Cordelia Montmorency and Geraldine Seymour who lived in the same village and were devotedly attached to each other. Cordelia was a regal brunette with a coronet of midnight hair and duskly flashing eyes. Geraldine was a queenly blonde with hair like spun gold and velvety purple eyes."<|quote|>"I never saw anybody with purple eyes,"</|quote|>said Diana dubiously. "Neither did I. I just imagined them. I wanted something out of the common. Geraldine had an alabaster brow too. I've found out what an alabaster brow is. That is one of the advantages of being thirteen. You know so much more than you did when you | it to Marilla and she said it was stuff and nonsense. Then I read it to Matthew and he said it was fine. That is the kind of critic I like. It's a sad, sweet story. I just cried like a child while I was writing it. It's about two beautiful maidens called Cordelia Montmorency and Geraldine Seymour who lived in the same village and were devotedly attached to each other. Cordelia was a regal brunette with a coronet of midnight hair and duskly flashing eyes. Geraldine was a queenly blonde with hair like spun gold and velvety purple eyes."<|quote|>"I never saw anybody with purple eyes,"</|quote|>said Diana dubiously. "Neither did I. I just imagined them. I wanted something out of the common. Geraldine had an alabaster brow too. I've found out what an alabaster brow is. That is one of the advantages of being thirteen. You know so much more than you did when you were only twelve." "Well, what became of Cordelia and Geraldine?" asked Diana, who was beginning to feel rather interested in their fate. "They grew in beauty side by side until they were sixteen. Then Bertram DeVere came to their native village and fell in love with the fair Geraldine. He | to write about the woods, but the one we're to hand in Monday is terrible. The idea of Miss Stacy telling us to write a story out of our own heads!" "Why, it's as easy as wink," said Anne. "It's easy for you because you have an imagination," retorted Diana, "but what would you do if you had been born without one? I suppose you have your composition all done?" Anne nodded, trying hard not to look virtuously complacent and failing miserably. "I wrote it last Monday evening. It's called ?The Jealous Rival; or In Death Not Divided.' I read it to Marilla and she said it was stuff and nonsense. Then I read it to Matthew and he said it was fine. That is the kind of critic I like. It's a sad, sweet story. I just cried like a child while I was writing it. It's about two beautiful maidens called Cordelia Montmorency and Geraldine Seymour who lived in the same village and were devotedly attached to each other. Cordelia was a regal brunette with a coronet of midnight hair and duskly flashing eyes. Geraldine was a queenly blonde with hair like spun gold and velvety purple eyes."<|quote|>"I never saw anybody with purple eyes,"</|quote|>said Diana dubiously. "Neither did I. I just imagined them. I wanted something out of the common. Geraldine had an alabaster brow too. I've found out what an alabaster brow is. That is one of the advantages of being thirteen. You know so much more than you did when you were only twelve." "Well, what became of Cordelia and Geraldine?" asked Diana, who was beginning to feel rather interested in their fate. "They grew in beauty side by side until they were sixteen. Then Bertram DeVere came to their native village and fell in love with the fair Geraldine. He saved her life when her horse ran away with her in a carriage, and she fainted in his arms and he carried her home three miles; because, you understand, the carriage was all smashed up. I found it rather hard to imagine the proposal because I had no experience to go by. I asked Ruby Gillis if she knew anything about how men proposed because I thought she'd likely be an authority on the subject, having so many sisters married. Ruby told me she was hid in the hall pantry when Malcolm Andres proposed to her sister Susan. She said | it's proper to talk about on Sundays and that is one of them. My besetting sin is imagining too much and forgetting my duties. I'm striving very hard to overcome it and now that I'm really thirteen perhaps I'll get on better." "In four more years we'll be able to put our hair up," said Diana. "Alice Bell is only sixteen and she is wearing hers up, but I think that's ridiculous. I shall wait until I'm seventeen." "If I had Alice Bell's crooked nose," said Anne decidedly, "I wouldn't--but there! I won't say what I was going to because it was extremely uncharitable. Besides, I was comparing it with my own nose and that's vanity. I'm afraid I think too much about my nose ever since I heard that compliment about it long ago. It really is a great comfort to me. Oh, Diana, look, there's a rabbit. That's something to remember for our woods composition. I really think the woods are just as lovely in winter as in summer. They're so white and still, as if they were asleep and dreaming pretty dreams." "I won't mind writing that composition when its time comes," sighed Diana. "I can manage to write about the woods, but the one we're to hand in Monday is terrible. The idea of Miss Stacy telling us to write a story out of our own heads!" "Why, it's as easy as wink," said Anne. "It's easy for you because you have an imagination," retorted Diana, "but what would you do if you had been born without one? I suppose you have your composition all done?" Anne nodded, trying hard not to look virtuously complacent and failing miserably. "I wrote it last Monday evening. It's called ?The Jealous Rival; or In Death Not Divided.' I read it to Marilla and she said it was stuff and nonsense. Then I read it to Matthew and he said it was fine. That is the kind of critic I like. It's a sad, sweet story. I just cried like a child while I was writing it. It's about two beautiful maidens called Cordelia Montmorency and Geraldine Seymour who lived in the same village and were devotedly attached to each other. Cordelia was a regal brunette with a coronet of midnight hair and duskly flashing eyes. Geraldine was a queenly blonde with hair like spun gold and velvety purple eyes."<|quote|>"I never saw anybody with purple eyes,"</|quote|>said Diana dubiously. "Neither did I. I just imagined them. I wanted something out of the common. Geraldine had an alabaster brow too. I've found out what an alabaster brow is. That is one of the advantages of being thirteen. You know so much more than you did when you were only twelve." "Well, what became of Cordelia and Geraldine?" asked Diana, who was beginning to feel rather interested in their fate. "They grew in beauty side by side until they were sixteen. Then Bertram DeVere came to their native village and fell in love with the fair Geraldine. He saved her life when her horse ran away with her in a carriage, and she fainted in his arms and he carried her home three miles; because, you understand, the carriage was all smashed up. I found it rather hard to imagine the proposal because I had no experience to go by. I asked Ruby Gillis if she knew anything about how men proposed because I thought she'd likely be an authority on the subject, having so many sisters married. Ruby told me she was hid in the hall pantry when Malcolm Andres proposed to her sister Susan. She said Malcolm told Susan that his dad had given him the farm in his own name and then said," ?What do you say, darling pet, if we get hitched this fall?' "And Susan said," ?Yes--no--I don't know--let me see' "--and there they were, engaged as quick as that. But I didn't think that sort of a proposal was a very romantic one, so in the end I had to imagine it out as well as I could. I made it very flowery and poetical and Bertram went on his knees, although Ruby Gillis says it isn't done nowadays. Geraldine accepted him in a speech a page long. I can tell you I took a lot of trouble with that speech. I rewrote it five times and I look upon it as my masterpiece. Bertram gave her a diamond ring and a ruby necklace and told her they would go to Europe for a wedding tour, for he was immensely wealthy. But then, alas, shadows began to darken over their path. Cordelia was secretly in love with Bertram herself and when Geraldine told her about the engagement she was simply furious, especially when she saw the necklace and the diamond ring. All | "licked"; consequently Moody Spurgeon's sister, Ella May, would not "speak" to Anne Shirley all the rest of the winter. With the exception of these trifling frictions, work in Miss Stacy's little kingdom went on with regularity and smoothness. The winter weeks slipped by. It was an unusually mild winter, with so little snow that Anne and Diana could go to school nearly every day by way of the Birch Path. On Anne's birthday they were tripping lightly down it, keeping eyes and ears alert amid all their chatter, for Miss Stacy had told them that they must soon write a composition on "A Winter's Walk in the Woods," and it behooved them to be observant. "Just think, Diana, I'm thirteen years old today," remarked Anne in an awed voice. "I can scarcely realize that I'm in my teens. When I woke this morning it seemed to me that everything must be different. You've been thirteen for a month, so I suppose it doesn't seem such a novelty to you as it does to me. It makes life seem so much more interesting. In two more years I'll be really grown up. It's a great comfort to think that I'll be able to use big words then without being laughed at." "Ruby Gillis says she means to have a beau as soon as she's fifteen," said Diana. "Ruby Gillis thinks of nothing but beaus," said Anne disdainfully. "She's actually delighted when anyone writes her name up in a take-notice for all she pretends to be so mad. But I'm afraid that is an uncharitable speech. Mrs. Allan says we should never make uncharitable speeches; but they do slip out so often before you think, don't they? I simply can't talk about Josie Pye without making an uncharitable speech, so I never mention her at all. You may have noticed that. I'm trying to be as much like Mrs. Allan as I possibly can, for I think she's perfect. Mr. Allan thinks so too. Mrs. Lynde says he just worships the ground she treads on and she doesn't really think it right for a minister to set his affections so much on a mortal being. But then, Diana, even ministers are human and have their besetting sins just like everybody else. I had such an interesting talk with Mrs. Allan about besetting sins last Sunday afternoon. There are just a few things it's proper to talk about on Sundays and that is one of them. My besetting sin is imagining too much and forgetting my duties. I'm striving very hard to overcome it and now that I'm really thirteen perhaps I'll get on better." "In four more years we'll be able to put our hair up," said Diana. "Alice Bell is only sixteen and she is wearing hers up, but I think that's ridiculous. I shall wait until I'm seventeen." "If I had Alice Bell's crooked nose," said Anne decidedly, "I wouldn't--but there! I won't say what I was going to because it was extremely uncharitable. Besides, I was comparing it with my own nose and that's vanity. I'm afraid I think too much about my nose ever since I heard that compliment about it long ago. It really is a great comfort to me. Oh, Diana, look, there's a rabbit. That's something to remember for our woods composition. I really think the woods are just as lovely in winter as in summer. They're so white and still, as if they were asleep and dreaming pretty dreams." "I won't mind writing that composition when its time comes," sighed Diana. "I can manage to write about the woods, but the one we're to hand in Monday is terrible. The idea of Miss Stacy telling us to write a story out of our own heads!" "Why, it's as easy as wink," said Anne. "It's easy for you because you have an imagination," retorted Diana, "but what would you do if you had been born without one? I suppose you have your composition all done?" Anne nodded, trying hard not to look virtuously complacent and failing miserably. "I wrote it last Monday evening. It's called ?The Jealous Rival; or In Death Not Divided.' I read it to Marilla and she said it was stuff and nonsense. Then I read it to Matthew and he said it was fine. That is the kind of critic I like. It's a sad, sweet story. I just cried like a child while I was writing it. It's about two beautiful maidens called Cordelia Montmorency and Geraldine Seymour who lived in the same village and were devotedly attached to each other. Cordelia was a regal brunette with a coronet of midnight hair and duskly flashing eyes. Geraldine was a queenly blonde with hair like spun gold and velvety purple eyes."<|quote|>"I never saw anybody with purple eyes,"</|quote|>said Diana dubiously. "Neither did I. I just imagined them. I wanted something out of the common. Geraldine had an alabaster brow too. I've found out what an alabaster brow is. That is one of the advantages of being thirteen. You know so much more than you did when you were only twelve." "Well, what became of Cordelia and Geraldine?" asked Diana, who was beginning to feel rather interested in their fate. "They grew in beauty side by side until they were sixteen. Then Bertram DeVere came to their native village and fell in love with the fair Geraldine. He saved her life when her horse ran away with her in a carriage, and she fainted in his arms and he carried her home three miles; because, you understand, the carriage was all smashed up. I found it rather hard to imagine the proposal because I had no experience to go by. I asked Ruby Gillis if she knew anything about how men proposed because I thought she'd likely be an authority on the subject, having so many sisters married. Ruby told me she was hid in the hall pantry when Malcolm Andres proposed to her sister Susan. She said Malcolm told Susan that his dad had given him the farm in his own name and then said," ?What do you say, darling pet, if we get hitched this fall?' "And Susan said," ?Yes--no--I don't know--let me see' "--and there they were, engaged as quick as that. But I didn't think that sort of a proposal was a very romantic one, so in the end I had to imagine it out as well as I could. I made it very flowery and poetical and Bertram went on his knees, although Ruby Gillis says it isn't done nowadays. Geraldine accepted him in a speech a page long. I can tell you I took a lot of trouble with that speech. I rewrote it five times and I look upon it as my masterpiece. Bertram gave her a diamond ring and a ruby necklace and told her they would go to Europe for a wedding tour, for he was immensely wealthy. But then, alas, shadows began to darken over their path. Cordelia was secretly in love with Bertram herself and when Geraldine told her about the engagement she was simply furious, especially when she saw the necklace and the diamond ring. All her affection for Geraldine turned to bitter hate and she vowed that she should never marry Bertram. But she pretended to be Geraldine's friend the same as ever. One evening they were standing on the bridge over a rushing turbulent stream and Cordelia, thinking they were alone, pushed Geraldine over the brink with a wild, mocking," ?Ha, ha, ha.' "But Bertram saw it all and he at once plunged into the current, exclaiming," ?I will save thee, my peerless Geraldine.' "But alas, he had forgotten he couldn't swim, and they were both drowned, clasped in each other's arms. Their bodies were washed ashore soon afterwards. They were buried in the one grave and their funeral was most imposing, Diana. It's so much more romantic to end a story up with a funeral than a wedding. As for Cordelia, she went insane with remorse and was shut up in a lunatic asylum. I thought that was a poetical retribution for her crime." "How perfectly lovely!" sighed Diana, who belonged to Matthew's school of critics. "I don't see how you can make up such thrilling things out of your own head, Anne. I wish my imagination was as good as yours." "It would be if you'd only cultivate it," said Anne cheeringly. "I've just thought of a plan, Diana. Let you and me have a story club all our own and write stories for practice. I'll help you along until you can do them by yourself. You ought to cultivate your imagination, you know. Miss Stacy says so. Only we must take the right way. I told her about the Haunted Wood, but she said we went the wrong way about it in that." This was how the story club came into existence. It was limited to Diana and Anne at first, but soon it was extended to include Jane Andrews and Ruby Gillis and one or two others who felt that their imaginations needed cultivating. No boys were allowed in it--although Ruby Gillis opined that their admission would make it more exciting--and each member had to produce one story a week. "It's extremely interesting," Anne told Marilla. "Each girl has to read her story out loud and then we talk it over. We are going to keep them all sacredly and have them to read to our descendants. We each write under a nom-de-plume. Mine is Rosamond Montmorency. All the girls | he just worships the ground she treads on and she doesn't really think it right for a minister to set his affections so much on a mortal being. But then, Diana, even ministers are human and have their besetting sins just like everybody else. I had such an interesting talk with Mrs. Allan about besetting sins last Sunday afternoon. There are just a few things it's proper to talk about on Sundays and that is one of them. My besetting sin is imagining too much and forgetting my duties. I'm striving very hard to overcome it and now that I'm really thirteen perhaps I'll get on better." "In four more years we'll be able to put our hair up," said Diana. "Alice Bell is only sixteen and she is wearing hers up, but I think that's ridiculous. I shall wait until I'm seventeen." "If I had Alice Bell's crooked nose," said Anne decidedly, "I wouldn't--but there! I won't say what I was going to because it was extremely uncharitable. Besides, I was comparing it with my own nose and that's vanity. I'm afraid I think too much about my nose ever since I heard that compliment about it long ago. It really is a great comfort to me. Oh, Diana, look, there's a rabbit. That's something to remember for our woods composition. I really think the woods are just as lovely in winter as in summer. They're so white and still, as if they were asleep and dreaming pretty dreams." "I won't mind writing that composition when its time comes," sighed Diana. "I can manage to write about the woods, but the one we're to hand in Monday is terrible. The idea of Miss Stacy telling us to write a story out of our own heads!" "Why, it's as easy as wink," said Anne. "It's easy for you because you have an imagination," retorted Diana, "but what would you do if you had been born without one? I suppose you have your composition all done?" Anne nodded, trying hard not to look virtuously complacent and failing miserably. "I wrote it last Monday evening. It's called ?The Jealous Rival; or In Death Not Divided.' I read it to Marilla and she said it was stuff and nonsense. Then I read it to Matthew and he said it was fine. That is the kind of critic I like. It's a sad, sweet story. I just cried like a child while I was writing it. It's about two beautiful maidens called Cordelia Montmorency and Geraldine Seymour who lived in the same village and were devotedly attached to each other. Cordelia was a regal brunette with a coronet of midnight hair and duskly flashing eyes. Geraldine was a queenly blonde with hair like spun gold and velvety purple eyes."<|quote|>"I never saw anybody with purple eyes,"</|quote|>said Diana dubiously. "Neither did I. I just imagined them. I wanted something out of the common. Geraldine had an alabaster brow too. I've found out what an alabaster brow is. That is one of the advantages of being thirteen. You know so much more than you did when you were only twelve." "Well, what became of Cordelia and Geraldine?" asked Diana, who was beginning to feel rather interested in their fate. "They grew in beauty side by side until they were sixteen. Then Bertram DeVere came to their native village and fell in love with the fair Geraldine. He saved her life when her horse ran away with her in a carriage, and she fainted in his arms and he carried her home three miles; because, you understand, the carriage was all smashed up. I found it rather hard to imagine the proposal because I had no experience to go by. I asked Ruby Gillis if she knew anything about how men proposed because I thought she'd likely be an authority on the subject, having so many sisters married. Ruby told me she was hid in the hall pantry when Malcolm Andres proposed to her sister Susan. She said Malcolm told Susan that his dad had given him the farm in his own name and then said," ?What do you say, darling pet, if we get hitched this fall?' "And Susan said," ?Yes--no--I don't know--let me see' "--and there they were, engaged as quick as that. But I didn't think that sort of a proposal was a very romantic one, so in the end I had to imagine it out as well as I could. I made it very flowery and poetical and Bertram went on his knees, although Ruby Gillis says it isn't done nowadays. Geraldine accepted him in a speech a page long. I can tell you I took a lot of trouble with that speech. I rewrote it five times and I look upon it as my masterpiece. Bertram gave her a diamond ring and a ruby necklace and told her they would go to Europe for a wedding tour, for he was immensely wealthy. But then, alas, shadows began to darken over their path. Cordelia was secretly in love with Bertram herself and when Geraldine told her about the engagement she was simply furious, especially when she saw the necklace and the diamond ring. All her affection for Geraldine turned to bitter hate and she vowed that she should never marry Bertram. But she pretended to be Geraldine's friend the same as ever. One evening they were standing on the bridge over a rushing turbulent stream and Cordelia, thinking they were alone, pushed Geraldine over the brink with a wild, mocking," ?Ha, ha, ha.' "But Bertram saw it all and he at once plunged into the current, exclaiming," ?I will save thee, my peerless Geraldine.' "But alas, he had forgotten he couldn't swim, and they were both drowned, clasped in each other's arms. Their bodies were washed ashore soon afterwards. They were buried in the one grave and their funeral was most imposing, Diana. It's so much more romantic to end a story up with a funeral than a wedding. As for Cordelia, she went insane with remorse and was shut up in a lunatic asylum. I thought that was a poetical retribution for her crime." "How perfectly lovely!" sighed Diana, who belonged to Matthew's school of critics. "I don't see how you can make up such thrilling things out of your own head, Anne. I wish | Anne Of Green Gables | beautiful maidens called Cordelia Montmorency and Geraldine Seymour who lived in the same village and were devotedly attached to each other. Cordelia was a regal brunette with a coronet of midnight hair and duskly flashing eyes. Geraldine was a queenly blonde with hair like spun gold and velvety purple eyes."<|quote|>"I never saw anybody with purple eyes,"</|quote|>said Diana dubiously. "Neither did I. I just imagined them. I wanted something out of the common. Geraldine had an alabaster brow too. I've found out what an alabaster brow is. That is one of the advantages of being thirteen. You know so much more than you did when you | {
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"Will you want to be keeping her now?" | Ben | pony, sir." "Oh yes, Ben?"<|quote|>"Will you want to be keeping her now?"</|quote|>"I hadn't thought... no, I | "I was thinking about the pony, sir." "Oh yes, Ben?"<|quote|>"Will you want to be keeping her now?"</|quote|>"I hadn't thought... no, I suppose not." "Mr Westmacott over | back to her." "Can't think how it came to be there," said nanny. "Poor little boy. Poor little boy," said Brenda to herself, when nanny had left her, and gazed out across the troubled landscape. * * * * * "I was thinking about the pony, sir." "Oh yes, Ben?"<|quote|>"Will you want to be keeping her now?"</|quote|>"I hadn't thought... no, I suppose not." "Mr Westmacott over at Restall was asking about her. He thought she might do for his little girl." "Yes." "How much shall we be asking?" "Oh, I don't know... whatever you think is right." "She's a good little pony and she's always been | of it. Nanny knocked at the door and came in, red eyed. "If you please, my lady, I've been going through John's things. There's this handkerchief doesn't belong to him." The heavy scent and crowned cipher at the corner proclaimed its origin. "I know whose it is. I'll send it back to her." "Can't think how it came to be there," said nanny. "Poor little boy. Poor little boy," said Brenda to herself, when nanny had left her, and gazed out across the troubled landscape. * * * * * "I was thinking about the pony, sir." "Oh yes, Ben?"<|quote|>"Will you want to be keeping her now?"</|quote|>"I hadn't thought... no, I suppose not." "Mr Westmacott over at Restall was asking about her. He thought she might do for his little girl." "Yes." "How much shall we be asking?" "Oh, I don't know... whatever you think is right." "She's a good little pony and she's always been treated well. I don't think she ought to go under twenty-five quid, sir." "All right, Ben, you see about it." "I'll ask thirty, shall I, sir, and come down a bit?" "Do just what you think best." "Very good, sir." * * * * * At luncheon Tony said, "Jock | but without any expression. Tony said, "I'll go and finish those letters." "Yes." "See you at luncheon." "Yes." She rose, looked round listlessly for her hat, found it and went very slowly upstairs, the sunlight through the stained-glass windows glowing and sparkling all about her. In her room she sat on the window seat, looking out across the meadows and dun ploughland, the naked tossing trees, the church towers, the maelstroms of dust and leaf which eddied about the terrace below; she still held her hat and fidgeted with her fingers on the brooch which was clipped to one side of it. Nanny knocked at the door and came in, red eyed. "If you please, my lady, I've been going through John's things. There's this handkerchief doesn't belong to him." The heavy scent and crowned cipher at the corner proclaimed its origin. "I know whose it is. I'll send it back to her." "Can't think how it came to be there," said nanny. "Poor little boy. Poor little boy," said Brenda to herself, when nanny had left her, and gazed out across the troubled landscape. * * * * * "I was thinking about the pony, sir." "Oh yes, Ben?"<|quote|>"Will you want to be keeping her now?"</|quote|>"I hadn't thought... no, I suppose not." "Mr Westmacott over at Restall was asking about her. He thought she might do for his little girl." "Yes." "How much shall we be asking?" "Oh, I don't know... whatever you think is right." "She's a good little pony and she's always been treated well. I don't think she ought to go under twenty-five quid, sir." "All right, Ben, you see about it." "I'll ask thirty, shall I, sir, and come down a bit?" "Do just what you think best." "Very good, sir." * * * * * At luncheon Tony said, "Jock rang up. He wanted to know if there was anything he could do." "How sweet of him. Why don't you have him down for the week-end?" "Would you like that?" "I shan't be here. I'm going to Veronica's." "You're going to Veronica's?" "Yes, don't you remember?" There were servants in the room so that they said nothing more until later, when they were alone in the library. Then, "Are you really going away?" "Yes. I can't stay here. You understand that, don't you?" "Yes, of course. I was thinking we might both go away, abroad somewhere." Brenda did not answer | them. They heard the machine pass over the house, Brenda in her bath, Tony downstairs in his study attending to the correspondence that had become necessary. A day of fitful sunshine and blustering wind; white and grey clouds were scarcely moving, high overhead, but the bare trees round the house swayed and shook and there were swift whirlpools of straw in the stable yard. Ben changed from the Sunday suit he had worn at the inquest and went about his duties. Thunderclap, too, had been kicked yesterday and was very slightly lame in the off fore. Brenda took off her hat and threw it down on a chair in the hall. "Nothing to say, is there?" "There's no need to talk." "No. I suppose there'll have to be a funeral." "Well, of course." "Yes: to-morrow?" She looked into the morning-room. "They've done quite a lot, haven't they?" All Brenda's movements were slower than usual and her voice was flat and expressionless. She sank down into one of the armchairs in the centre of the hall, which nobody ever used. She sat there doing nothing. Tony put his hand on her shoulder but she said "Don't" ", not impatiently or nervously but without any expression. Tony said, "I'll go and finish those letters." "Yes." "See you at luncheon." "Yes." She rose, looked round listlessly for her hat, found it and went very slowly upstairs, the sunlight through the stained-glass windows glowing and sparkling all about her. In her room she sat on the window seat, looking out across the meadows and dun ploughland, the naked tossing trees, the church towers, the maelstroms of dust and leaf which eddied about the terrace below; she still held her hat and fidgeted with her fingers on the brooch which was clipped to one side of it. Nanny knocked at the door and came in, red eyed. "If you please, my lady, I've been going through John's things. There's this handkerchief doesn't belong to him." The heavy scent and crowned cipher at the corner proclaimed its origin. "I know whose it is. I'll send it back to her." "Can't think how it came to be there," said nanny. "Poor little boy. Poor little boy," said Brenda to herself, when nanny had left her, and gazed out across the troubled landscape. * * * * * "I was thinking about the pony, sir." "Oh yes, Ben?"<|quote|>"Will you want to be keeping her now?"</|quote|>"I hadn't thought... no, I suppose not." "Mr Westmacott over at Restall was asking about her. He thought she might do for his little girl." "Yes." "How much shall we be asking?" "Oh, I don't know... whatever you think is right." "She's a good little pony and she's always been treated well. I don't think she ought to go under twenty-five quid, sir." "All right, Ben, you see about it." "I'll ask thirty, shall I, sir, and come down a bit?" "Do just what you think best." "Very good, sir." * * * * * At luncheon Tony said, "Jock rang up. He wanted to know if there was anything he could do." "How sweet of him. Why don't you have him down for the week-end?" "Would you like that?" "I shan't be here. I'm going to Veronica's." "You're going to Veronica's?" "Yes, don't you remember?" There were servants in the room so that they said nothing more until later, when they were alone in the library. Then, "Are you really going away?" "Yes. I can't stay here. You understand that, don't you?" "Yes, of course. I was thinking we might both go away, abroad somewhere." Brenda did not answer him but continued in her own line. "I couldn't stay here. It's all over, don't you see, our life down here." "Darling, what _do_ you mean?" "Don't ask me to explain... not just now." "But, Brenda, sweet, I don't understand. We're both young. Of course, we can never forget John. He'll always be our eldest son, but..." "Don't go on, Tony, please don't go on." So Tony stopped and after a time said, "So you're going to Veronica's to-morrow?" "Mmmm." "I think I will ask Jock to come." "Yes, I should." "And we can think about plans later when we've got more used to things." "Yes, later." Next morning. "A sweet letter from mother," said Brenda, handing it across. Lady St Cloud had written: ...I shall not come down to Hetton for the funeral, but I shall be thinking of you both all the time and of my dear grandson. I shall think of you as I saw you all three, together, at Christmas. Dear children, at a time like this only yourselves can be any help to each other. Love is the only thing that is stronger than sorrow... "I got a telegram from Jock," said Tony, "he _can_ | the end of Tony so far as Brenda is concerned." The impoverished Lasts were stunned by the telegram. They lived on an extensive but unprofitable chicken farm near Princes Risborough. It did not enter the heads of any of them that now, if anything happened, they were the heirs to Hetton. Had it done so, their grief would have been just as keen. Jock drove from Paddington to Bratt's. One of the men by the bar said, "Ghastly thing about Tony Last's boy." "Yes, I was there." "No, were you? What a ghastly thing." Later a telephone message came: "Princess Abdul Akbar wishes to know whether you are in the club." "No, no, tell her I'm not here," said Jock. [VIII] The inquest was held at eleven o'clock next morning; it was soon over. The doctor, the bus-driver, Ben and Miss Ripon gave evidence. Miss Ripon was allowed to remain seated. She was very white and spoke in a trembling voice; her father glared at her from a nearby seat; under her hat was a small bare patch, where they had shaved off her hair to clean her cut. In his summary the coroner remarked that it was clear from the evidence that nobody was in any way to blame for the misadventure; it only remained to express the deep sympathy of the court to Mr Last and Lady Brenda in their terrible loss. The people fell back to allow Tony and Brenda to leave the room. Colonel Inch and the hunt secretary were both present. Everything was done with delicacy and to show respect for their sorrow. Brenda said, "Wait a minute. I must just speak to that poor Ripon girl." She did it charmingly. When everyone had gone. Tony said, "I wish you had been here yesterday. There were so many people about and I didn't know what to say to them." "What did you do all day?" "There was the Shameless Blonde... we played animal snap some of the time." "Animal snap? Was that any good?" "Not much... It's odd to think that yesterday this time it hadn't happened." "Poor little boy," said Brenda. They had scarcely spoken to each other since Brenda's arrival. Tony had driven to the station to meet her; by the time they reached the house Mrs Rattery had gone to bed; that morning she left in her aeroplane without seeing either of them. They heard the machine pass over the house, Brenda in her bath, Tony downstairs in his study attending to the correspondence that had become necessary. A day of fitful sunshine and blustering wind; white and grey clouds were scarcely moving, high overhead, but the bare trees round the house swayed and shook and there were swift whirlpools of straw in the stable yard. Ben changed from the Sunday suit he had worn at the inquest and went about his duties. Thunderclap, too, had been kicked yesterday and was very slightly lame in the off fore. Brenda took off her hat and threw it down on a chair in the hall. "Nothing to say, is there?" "There's no need to talk." "No. I suppose there'll have to be a funeral." "Well, of course." "Yes: to-morrow?" She looked into the morning-room. "They've done quite a lot, haven't they?" All Brenda's movements were slower than usual and her voice was flat and expressionless. She sank down into one of the armchairs in the centre of the hall, which nobody ever used. She sat there doing nothing. Tony put his hand on her shoulder but she said "Don't" ", not impatiently or nervously but without any expression. Tony said, "I'll go and finish those letters." "Yes." "See you at luncheon." "Yes." She rose, looked round listlessly for her hat, found it and went very slowly upstairs, the sunlight through the stained-glass windows glowing and sparkling all about her. In her room she sat on the window seat, looking out across the meadows and dun ploughland, the naked tossing trees, the church towers, the maelstroms of dust and leaf which eddied about the terrace below; she still held her hat and fidgeted with her fingers on the brooch which was clipped to one side of it. Nanny knocked at the door and came in, red eyed. "If you please, my lady, I've been going through John's things. There's this handkerchief doesn't belong to him." The heavy scent and crowned cipher at the corner proclaimed its origin. "I know whose it is. I'll send it back to her." "Can't think how it came to be there," said nanny. "Poor little boy. Poor little boy," said Brenda to herself, when nanny had left her, and gazed out across the troubled landscape. * * * * * "I was thinking about the pony, sir." "Oh yes, Ben?"<|quote|>"Will you want to be keeping her now?"</|quote|>"I hadn't thought... no, I suppose not." "Mr Westmacott over at Restall was asking about her. He thought she might do for his little girl." "Yes." "How much shall we be asking?" "Oh, I don't know... whatever you think is right." "She's a good little pony and she's always been treated well. I don't think she ought to go under twenty-five quid, sir." "All right, Ben, you see about it." "I'll ask thirty, shall I, sir, and come down a bit?" "Do just what you think best." "Very good, sir." * * * * * At luncheon Tony said, "Jock rang up. He wanted to know if there was anything he could do." "How sweet of him. Why don't you have him down for the week-end?" "Would you like that?" "I shan't be here. I'm going to Veronica's." "You're going to Veronica's?" "Yes, don't you remember?" There were servants in the room so that they said nothing more until later, when they were alone in the library. Then, "Are you really going away?" "Yes. I can't stay here. You understand that, don't you?" "Yes, of course. I was thinking we might both go away, abroad somewhere." Brenda did not answer him but continued in her own line. "I couldn't stay here. It's all over, don't you see, our life down here." "Darling, what _do_ you mean?" "Don't ask me to explain... not just now." "But, Brenda, sweet, I don't understand. We're both young. Of course, we can never forget John. He'll always be our eldest son, but..." "Don't go on, Tony, please don't go on." So Tony stopped and after a time said, "So you're going to Veronica's to-morrow?" "Mmmm." "I think I will ask Jock to come." "Yes, I should." "And we can think about plans later when we've got more used to things." "Yes, later." Next morning. "A sweet letter from mother," said Brenda, handing it across. Lady St Cloud had written: ...I shall not come down to Hetton for the funeral, but I shall be thinking of you both all the time and of my dear grandson. I shall think of you as I saw you all three, together, at Christmas. Dear children, at a time like this only yourselves can be any help to each other. Love is the only thing that is stronger than sorrow... "I got a telegram from Jock," said Tony, "he _can_ come." "It's really rather embarrassing for us all, Brenda coming," said Veronica. "I do think she might have chucked. I shan't in the least know what to say to her." * * * * * Tony said to Jock, as they sat alone after dinner, "I've been trying to understand, and I think I do now. It's not how I feel myself, but Brenda and I are quite different in lots of ways. It's _because_ they were strangers and didn't know John, and were never in our life here, that she wants to be with them. That's it, don't you think? She wants to be absolutely alone and away from everything that reminds her of what has happened... all the same I feel awful about letting her go. I can't tell you what she was like here... quite mechanical. It's so much worse for her than it is for me, I see that. It's so terrible not being able to do anything to help." Jock did not answer. * * * * * Beaver was staying at Veronica's. Brenda said to him, "Until Wednesday, when I thought something had happened to you, I had no idea that I loved you." "Well you've said it often enough." "I'm going to make you understand," said Brenda. "You clod." * * * * * On Monday morning Tony found this letter on his breakfast tray. Darling Tony, I am not coming back to Hetton. Grimshawe can pack everything and bring it to the flat. Then I shan't want her any more. You must have realized for some time that things were going wrong. I am in love with John Beaver and I want to have a divorce and marry him. If John Andrew had not died things might not have happened like this. I can't tell. As it is, I simply can't begin over again. Please do not mind too much. I suppose we shan't be allowed to meet while the case is on but I hope afterwards we shall be great friends. Anyway, I shall always look on you as one whatever you think of me. Best love from Brenda. When Tony read this his first thought was that Brenda had lost her reason. "She's only seen Beaver twice to my knowledge," he said. But later he showed the letter to Jock, who said, "I'm sorry it should have happened like this." | The people fell back to allow Tony and Brenda to leave the room. Colonel Inch and the hunt secretary were both present. Everything was done with delicacy and to show respect for their sorrow. Brenda said, "Wait a minute. I must just speak to that poor Ripon girl." She did it charmingly. When everyone had gone. Tony said, "I wish you had been here yesterday. There were so many people about and I didn't know what to say to them." "What did you do all day?" "There was the Shameless Blonde... we played animal snap some of the time." "Animal snap? Was that any good?" "Not much... It's odd to think that yesterday this time it hadn't happened." "Poor little boy," said Brenda. They had scarcely spoken to each other since Brenda's arrival. Tony had driven to the station to meet her; by the time they reached the house Mrs Rattery had gone to bed; that morning she left in her aeroplane without seeing either of them. They heard the machine pass over the house, Brenda in her bath, Tony downstairs in his study attending to the correspondence that had become necessary. A day of fitful sunshine and blustering wind; white and grey clouds were scarcely moving, high overhead, but the bare trees round the house swayed and shook and there were swift whirlpools of straw in the stable yard. Ben changed from the Sunday suit he had worn at the inquest and went about his duties. Thunderclap, too, had been kicked yesterday and was very slightly lame in the off fore. Brenda took off her hat and threw it down on a chair in the hall. "Nothing to say, is there?" "There's no need to talk." "No. I suppose there'll have to be a funeral." "Well, of course." "Yes: to-morrow?" She looked into the morning-room. "They've done quite a lot, haven't they?" All Brenda's movements were slower than usual and her voice was flat and expressionless. She sank down into one of the armchairs in the centre of the hall, which nobody ever used. She sat there doing nothing. Tony put his hand on her shoulder but she said "Don't" ", not impatiently or nervously but without any expression. Tony said, "I'll go and finish those letters." "Yes." "See you at luncheon." "Yes." She rose, looked round listlessly for her hat, found it and went very slowly upstairs, the sunlight through the stained-glass windows glowing and sparkling all about her. In her room she sat on the window seat, looking out across the meadows and dun ploughland, the naked tossing trees, the church towers, the maelstroms of dust and leaf which eddied about the terrace below; she still held her hat and fidgeted with her fingers on the brooch which was clipped to one side of it. Nanny knocked at the door and came in, red eyed. "If you please, my lady, I've been going through John's things. There's this handkerchief doesn't belong to him." The heavy scent and crowned cipher at the corner proclaimed its origin. "I know whose it is. I'll send it back to her." "Can't think how it came to be there," said nanny. "Poor little boy. Poor little boy," said Brenda to herself, when nanny had left her, and gazed out across the troubled landscape. * * * * * "I was thinking about the pony, sir." "Oh yes, Ben?"<|quote|>"Will you want to be keeping her now?"</|quote|>"I hadn't thought... no, I suppose not." "Mr Westmacott over at Restall was asking about her. He thought she might do for his little girl." "Yes." "How much shall we be asking?" "Oh, I don't know... whatever you think is right." "She's a good little pony and she's always been treated well. I don't think she ought to go under twenty-five quid, sir." "All right, Ben, you see about it." "I'll ask thirty, shall I, sir, and come down a bit?" "Do just what you think best." "Very good, sir." * * * * * At luncheon Tony said, "Jock rang up. He wanted to know if there was anything he could do." "How sweet of him. Why don't you have him down for the week-end?" "Would you like that?" "I shan't be here. I'm going to Veronica's." "You're going to Veronica's?" "Yes, don't you remember?" There were servants in the room so that they said nothing more until later, when they were alone in the library. Then, "Are you really going away?" "Yes. I can't stay here. You understand that, don't you?" "Yes, of course. I was thinking we might both go away, abroad somewhere." Brenda did not answer him but continued in her own line. "I couldn't stay here. It's all over, don't you see, our life down here." "Darling, what _do_ you mean?" "Don't ask me to explain... not just now." "But, Brenda, sweet, I don't understand. We're both young. Of course, we can never forget John. He'll always be our eldest son, but..." "Don't go on, Tony, please don't go on." So Tony stopped and after a time said, "So you're going to Veronica's to-morrow?" "Mmmm." "I think I will ask Jock to come." "Yes, I should." "And we can think about plans later when we've got more used to things." "Yes, later." Next morning. "A sweet letter from mother," said Brenda, handing it across. Lady St Cloud had written: ...I shall not come down to Hetton for the funeral, but I shall be thinking of you both all the | A Handful Of Dust | back to her." "Can't think how it came to be there," said nanny. "Poor little boy. Poor little boy," said Brenda to herself, when nanny had left her, and gazed out across the troubled landscape. * * * * * "I was thinking about the pony, sir." "Oh yes, Ben?"<|quote|>"Will you want to be keeping her now?"</|quote|>"I hadn't thought... no, I suppose not." "Mr Westmacott over at Restall was asking about her. He thought she might do for his little girl." "Yes." "How much shall we be asking?" "Oh, I don't know... whatever you think is right." "She's a good little pony and she's always been | {
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"content": "back to her.\" \"Can't think how it came to be there,\" said nanny. \"Poor little boy. Poor little boy,\" said Brenda to herself, when nanny had left her, and gazed out across the troubled landscape. * * * * * \"I was thinking about the pony, sir.\" \"Oh yes, Ben?\"<|quote|>\"Will you want to be keeping her now?\"</|quote|>\"I hadn't thought... no, I suppose not.\" \"Mr Westmacott over at Restall was asking about her. He thought she might do for his little girl.\" \"Yes.\" \"How much shall we be asking?\" \"Oh, I don't know... whatever you think is right.\" \"She's a good little pony and she's always been",
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} | Ben |
"Good night," | Marilla Cuthbert | went over to the bed.<|quote|>"Good night,"</|quote|>she said, a little awkwardly, | then, taking up the candle, went over to the bed.<|quote|>"Good night,"</|quote|>she said, a little awkwardly, but not unkindly. Anne's white | raiment scattered most untidily over the floor and a certain tempestuous appearance of the bed were the only indications of any presence save her own. She deliberately picked up Anne's clothes, placed them neatly on a prim yellow chair, and then, taking up the candle, went over to the bed.<|quote|>"Good night,"</|quote|>she said, a little awkwardly, but not unkindly. Anne's white face and big eyes appeared over the bedclothes with a startling suddenness. "How can you call it a _good_ night when you know it must be the very worst night I've ever had?" she said reproachfully. Then she dived down | to the very marrow of Anne's bones. With a sob she hastily discarded her garments, put on the skimpy nightgown and sprang into bed where she burrowed face downward into the pillow and pulled the clothes over her head. When Marilla came up for the light various skimpy articles of raiment scattered most untidily over the floor and a certain tempestuous appearance of the bed were the only indications of any presence save her own. She deliberately picked up Anne's clothes, placed them neatly on a prim yellow chair, and then, taking up the candle, went over to the bed.<|quote|>"Good night,"</|quote|>she said, a little awkwardly, but not unkindly. Anne's white face and big eyes appeared over the bedclothes with a startling suddenness. "How can you call it a _good_ night when you know it must be the very worst night I've ever had?" she said reproachfully. Then she dived down into invisibility again. Marilla went slowly down to the kitchen and proceeded to wash the supper dishes. Matthew was smoking--a sure sign of perturbation of mind. He seldom smoked, for Marilla set her face against it as a filthy habit; but at certain times and seasons he felt driven to | mat in the middle such as Anne had never seen before. In one corner was the bed, a high, old-fashioned one, with four dark, low-turned posts. In the other corner was the aforesaid three-corner table adorned with a fat, red velvet pin-cushion hard enough to turn the point of the most adventurous pin. Above it hung a little six-by-eight mirror. Midway between table and bed was the window, with an icy white muslin frill over it, and opposite it was the wash-stand. The whole apartment was of a rigidity not to be described in words, but which sent a shiver to the very marrow of Anne's bones. With a sob she hastily discarded her garments, put on the skimpy nightgown and sprang into bed where she burrowed face downward into the pillow and pulled the clothes over her head. When Marilla came up for the light various skimpy articles of raiment scattered most untidily over the floor and a certain tempestuous appearance of the bed were the only indications of any presence save her own. She deliberately picked up Anne's clothes, placed them neatly on a prim yellow chair, and then, taking up the candle, went over to the bed.<|quote|>"Good night,"</|quote|>she said, a little awkwardly, but not unkindly. Anne's white face and big eyes appeared over the bedclothes with a startling suddenness. "How can you call it a _good_ night when you know it must be the very worst night I've ever had?" she said reproachfully. Then she dived down into invisibility again. Marilla went slowly down to the kitchen and proceeded to wash the supper dishes. Matthew was smoking--a sure sign of perturbation of mind. He seldom smoked, for Marilla set her face against it as a filthy habit; but at certain times and seasons he felt driven to it and them Marilla winked at the practice, realizing that a mere man must have some vent for his emotions. "Well, this is a pretty kettle of fish," she said wrathfully. "This is what comes of sending word instead of going ourselves. Richard Spencer's folks have twisted that message somehow. One of us will have to drive over and see Mrs. Spencer tomorrow, that's certain. This girl will have to be sent back to the asylum." "Yes, I suppose so," said Matthew reluctantly. "You _suppose_ so! Don't you know it?" "Well now, she's a real nice little thing, Marilla. It's | to follow her, which Anne spiritlessly did, taking her hat and carpet-bag from the hall table as she passed. The hall was fearsomely clean; the little gable chamber in which she presently found herself seemed still cleaner. Marilla set the candle on a three-legged, three-cornered table and turned down the bedclothes. "I suppose you have a nightgown?" she questioned. Anne nodded. "Yes, I have two. The matron of the asylum made them for me. They're fearfully skimpy. There is never enough to go around in an asylum, so things are always skimpy--at least in a poor asylum like ours. I hate skimpy night-dresses. But one can dream just as well in them as in lovely trailing ones, with frills around the neck, that's one consolation." "Well, undress as quick as you can and go to bed. I'll come back in a few minutes for the candle. I daren't trust you to put it out yourself. You'd likely set the place on fire." When Marilla had gone Anne looked around her wistfully. The whitewashed walls were so painfully bare and staring that she thought they must ache over their own bareness. The floor was bare, too, except for a round braided mat in the middle such as Anne had never seen before. In one corner was the bed, a high, old-fashioned one, with four dark, low-turned posts. In the other corner was the aforesaid three-corner table adorned with a fat, red velvet pin-cushion hard enough to turn the point of the most adventurous pin. Above it hung a little six-by-eight mirror. Midway between table and bed was the window, with an icy white muslin frill over it, and opposite it was the wash-stand. The whole apartment was of a rigidity not to be described in words, but which sent a shiver to the very marrow of Anne's bones. With a sob she hastily discarded her garments, put on the skimpy nightgown and sprang into bed where she burrowed face downward into the pillow and pulled the clothes over her head. When Marilla came up for the light various skimpy articles of raiment scattered most untidily over the floor and a certain tempestuous appearance of the bed were the only indications of any presence save her own. She deliberately picked up Anne's clothes, placed them neatly on a prim yellow chair, and then, taking up the candle, went over to the bed.<|quote|>"Good night,"</|quote|>she said, a little awkwardly, but not unkindly. Anne's white face and big eyes appeared over the bedclothes with a startling suddenness. "How can you call it a _good_ night when you know it must be the very worst night I've ever had?" she said reproachfully. Then she dived down into invisibility again. Marilla went slowly down to the kitchen and proceeded to wash the supper dishes. Matthew was smoking--a sure sign of perturbation of mind. He seldom smoked, for Marilla set her face against it as a filthy habit; but at certain times and seasons he felt driven to it and them Marilla winked at the practice, realizing that a mere man must have some vent for his emotions. "Well, this is a pretty kettle of fish," she said wrathfully. "This is what comes of sending word instead of going ourselves. Richard Spencer's folks have twisted that message somehow. One of us will have to drive over and see Mrs. Spencer tomorrow, that's certain. This girl will have to be sent back to the asylum." "Yes, I suppose so," said Matthew reluctantly. "You _suppose_ so! Don't you know it?" "Well now, she's a real nice little thing, Marilla. It's kind of a pity to send her back when she's so set on staying here." "Matthew Cuthbert, you don't mean to say you think we ought to keep her!" Marilla's astonishment could not have been greater if Matthew had expressed a predilection for standing on his head. "Well, now, no, I suppose not--not exactly," stammered Matthew, uncomfortably driven into a corner for his precise meaning. "I suppose--we could hardly be expected to keep her." "I should say not. What good would she be to us?" "We might be some good to her," said Matthew suddenly and unexpectedly. "Matthew Cuthbert, I believe that child has bewitched you! I can see as plain as plain that you want to keep her." "Well now, she's a real interesting little thing," persisted Matthew. "You should have heard her talk coming from the station." "Oh, she can talk fast enough. I saw that at once. It's nothing in her favour, either. I don't like children who have so much to say. I don't want an orphan girl and if I did she isn't the style I'd pick out. There's something I don't understand about her. No, she's got to be despatched straight-way back to where | over besides you?" continued Marilla when Matthew had gone out. "She brought Lily Jones for herself. Lily is only five years old and she is very beautiful and had nut-brown hair. If I was very beautiful and had nut-brown hair would you keep me?" "No. We want a boy to help Matthew on the farm. A girl would be of no use to us. Take off your hat. I'll lay it and your bag on the hall table." Anne took off her hat meekly. Matthew came back presently and they sat down to supper. But Anne could not eat. In vain she nibbled at the bread and butter and pecked at the crab-apple preserve out of the little scalloped glass dish by her plate. She did not really make any headway at all. "You're not eating anything," said Marilla sharply, eying her as if it were a serious shortcoming. Anne sighed. "I can't. I'm in the depths of despair. Can you eat when you are in the depths of despair?" "I've never been in the depths of despair, so I can't say," responded Marilla. "Weren't you? Well, did you ever try to _imagine_ you were in the depths of despair?" "No, I didn't." "Then I don't think you can understand what it's like. It's a very uncomfortable feeling indeed. When you try to eat a lump comes right up in your throat and you can't swallow anything, not even if it was a chocolate caramel. I had one chocolate caramel once two years ago and it was simply delicious. I've often dreamed since then that I had a lot of chocolate caramels, but I always wake up just when I'm going to eat them. I do hope you won't be offended because I can't eat. Everything is extremely nice, but still I cannot eat." "I guess she's tired," said Matthew, who hadn't spoken since his return from the barn. "Best put her to bed, Marilla." Marilla had been wondering where Anne should be put to bed. She had prepared a couch in the kitchen chamber for the desired and expected boy. But, although it was neat and clean, it did not seem quite the thing to put a girl there somehow. But the spare room was out of the question for such a stray waif, so there remained only the east gable room. Marilla lighted a candle and told Anne to follow her, which Anne spiritlessly did, taking her hat and carpet-bag from the hall table as she passed. The hall was fearsomely clean; the little gable chamber in which she presently found herself seemed still cleaner. Marilla set the candle on a three-legged, three-cornered table and turned down the bedclothes. "I suppose you have a nightgown?" she questioned. Anne nodded. "Yes, I have two. The matron of the asylum made them for me. They're fearfully skimpy. There is never enough to go around in an asylum, so things are always skimpy--at least in a poor asylum like ours. I hate skimpy night-dresses. But one can dream just as well in them as in lovely trailing ones, with frills around the neck, that's one consolation." "Well, undress as quick as you can and go to bed. I'll come back in a few minutes for the candle. I daren't trust you to put it out yourself. You'd likely set the place on fire." When Marilla had gone Anne looked around her wistfully. The whitewashed walls were so painfully bare and staring that she thought they must ache over their own bareness. The floor was bare, too, except for a round braided mat in the middle such as Anne had never seen before. In one corner was the bed, a high, old-fashioned one, with four dark, low-turned posts. In the other corner was the aforesaid three-corner table adorned with a fat, red velvet pin-cushion hard enough to turn the point of the most adventurous pin. Above it hung a little six-by-eight mirror. Midway between table and bed was the window, with an icy white muslin frill over it, and opposite it was the wash-stand. The whole apartment was of a rigidity not to be described in words, but which sent a shiver to the very marrow of Anne's bones. With a sob she hastily discarded her garments, put on the skimpy nightgown and sprang into bed where she burrowed face downward into the pillow and pulled the clothes over her head. When Marilla came up for the light various skimpy articles of raiment scattered most untidily over the floor and a certain tempestuous appearance of the bed were the only indications of any presence save her own. She deliberately picked up Anne's clothes, placed them neatly on a prim yellow chair, and then, taking up the candle, went over to the bed.<|quote|>"Good night,"</|quote|>she said, a little awkwardly, but not unkindly. Anne's white face and big eyes appeared over the bedclothes with a startling suddenness. "How can you call it a _good_ night when you know it must be the very worst night I've ever had?" she said reproachfully. Then she dived down into invisibility again. Marilla went slowly down to the kitchen and proceeded to wash the supper dishes. Matthew was smoking--a sure sign of perturbation of mind. He seldom smoked, for Marilla set her face against it as a filthy habit; but at certain times and seasons he felt driven to it and them Marilla winked at the practice, realizing that a mere man must have some vent for his emotions. "Well, this is a pretty kettle of fish," she said wrathfully. "This is what comes of sending word instead of going ourselves. Richard Spencer's folks have twisted that message somehow. One of us will have to drive over and see Mrs. Spencer tomorrow, that's certain. This girl will have to be sent back to the asylum." "Yes, I suppose so," said Matthew reluctantly. "You _suppose_ so! Don't you know it?" "Well now, she's a real nice little thing, Marilla. It's kind of a pity to send her back when she's so set on staying here." "Matthew Cuthbert, you don't mean to say you think we ought to keep her!" Marilla's astonishment could not have been greater if Matthew had expressed a predilection for standing on his head. "Well, now, no, I suppose not--not exactly," stammered Matthew, uncomfortably driven into a corner for his precise meaning. "I suppose--we could hardly be expected to keep her." "I should say not. What good would she be to us?" "We might be some good to her," said Matthew suddenly and unexpectedly. "Matthew Cuthbert, I believe that child has bewitched you! I can see as plain as plain that you want to keep her." "Well now, she's a real interesting little thing," persisted Matthew. "You should have heard her talk coming from the station." "Oh, she can talk fast enough. I saw that at once. It's nothing in her favour, either. I don't like children who have so much to say. I don't want an orphan girl and if I did she isn't the style I'd pick out. There's something I don't understand about her. No, she's got to be despatched straight-way back to where she came from." "I could hire a French boy to help me," said Matthew, "and she'd be company for you." "I'm not suffering for company," said Marilla shortly. "And I'm not going to keep her." "Well now, it's just as you say, of course, Marilla," said Matthew rising and putting his pipe away. "I'm going to bed." To bed went Matthew. And to bed, when she had put her dishes away, went Marilla, frowning most resolutely. And up-stairs, in the east gable, a lonely, heart-hungry, friendless child cried herself to sleep. CHAPTER IV. Morning at Green Gables |IT was broad daylight when Anne awoke and sat up in bed, staring confusedly at the window through which a flood of cheery sunshine was pouring and outside of which something white and feathery waved across glimpses of blue sky. For a moment she could not remember where she was. First came a delightful thrill, as something very pleasant; then a horrible remembrance. This was Green Gables and they didn't want her because she wasn't a boy! But it was morning and, yes, it was a cherry-tree in full bloom outside of her window. With a bound she was out of bed and across the floor. She pushed up the sash--it went up stiffly and creakily, as if it hadn't been opened for a long time, which was the case; and it stuck so tight that nothing was needed to hold it up. Anne dropped on her knees and gazed out into the June morning, her eyes glistening with delight. Oh, wasn't it beautiful? Wasn't it a lovely place? Suppose she wasn't really going to stay here! She would imagine she was. There was scope for imagination here. A huge cherry-tree grew outside, so close that its boughs tapped against the house, and it was so thick-set with blossoms that hardly a leaf was to be seen. On both sides of the house was a big orchard, one of apple-trees and one of cherry-trees, also showered over with blossoms; and their grass was all sprinkled with dandelions. In the garden below were lilac-trees purple with flowers, and their dizzily sweet fragrance drifted up to the window on the morning wind. Below the garden a green field lush with clover sloped down to the hollow where the brook ran and where scores of white birches grew, upspringing airily out of an undergrowth suggestive of | Anne should be put to bed. She had prepared a couch in the kitchen chamber for the desired and expected boy. But, although it was neat and clean, it did not seem quite the thing to put a girl there somehow. But the spare room was out of the question for such a stray waif, so there remained only the east gable room. Marilla lighted a candle and told Anne to follow her, which Anne spiritlessly did, taking her hat and carpet-bag from the hall table as she passed. The hall was fearsomely clean; the little gable chamber in which she presently found herself seemed still cleaner. Marilla set the candle on a three-legged, three-cornered table and turned down the bedclothes. "I suppose you have a nightgown?" she questioned. Anne nodded. "Yes, I have two. The matron of the asylum made them for me. They're fearfully skimpy. There is never enough to go around in an asylum, so things are always skimpy--at least in a poor asylum like ours. I hate skimpy night-dresses. But one can dream just as well in them as in lovely trailing ones, with frills around the neck, that's one consolation." "Well, undress as quick as you can and go to bed. I'll come back in a few minutes for the candle. I daren't trust you to put it out yourself. You'd likely set the place on fire." When Marilla had gone Anne looked around her wistfully. The whitewashed walls were so painfully bare and staring that she thought they must ache over their own bareness. The floor was bare, too, except for a round braided mat in the middle such as Anne had never seen before. In one corner was the bed, a high, old-fashioned one, with four dark, low-turned posts. In the other corner was the aforesaid three-corner table adorned with a fat, red velvet pin-cushion hard enough to turn the point of the most adventurous pin. Above it hung a little six-by-eight mirror. Midway between table and bed was the window, with an icy white muslin frill over it, and opposite it was the wash-stand. The whole apartment was of a rigidity not to be described in words, but which sent a shiver to the very marrow of Anne's bones. With a sob she hastily discarded her garments, put on the skimpy nightgown and sprang into bed where she burrowed face downward into the pillow and pulled the clothes over her head. When Marilla came up for the light various skimpy articles of raiment scattered most untidily over the floor and a certain tempestuous appearance of the bed were the only indications of any presence save her own. She deliberately picked up Anne's clothes, placed them neatly on a prim yellow chair, and then, taking up the candle, went over to the bed.<|quote|>"Good night,"</|quote|>she said, a little awkwardly, but not unkindly. Anne's white face and big eyes appeared over the bedclothes with a startling suddenness. "How can you call it a _good_ night when you know it must be the very worst night I've ever had?" she said reproachfully. Then she dived down into invisibility again. Marilla went slowly down to the kitchen and proceeded to wash the supper dishes. Matthew was smoking--a sure sign of perturbation of mind. He seldom smoked, for Marilla set her face against it as a filthy habit; but at certain times and seasons he felt driven to it and them Marilla winked at the practice, realizing that a mere man must have some vent for his emotions. "Well, this is a pretty kettle of fish," she said wrathfully. "This is what comes of sending word instead of going ourselves. Richard Spencer's folks have twisted that message somehow. One of us will have to drive over and see Mrs. Spencer tomorrow, that's certain. This girl will have to be sent back to the asylum." "Yes, I suppose so," said Matthew reluctantly. "You _suppose_ so! Don't you know it?" "Well now, she's a real nice little thing, Marilla. It's kind of a pity to send her back when she's so set on staying here." "Matthew Cuthbert, you don't mean to say you think we ought to keep her!" Marilla's astonishment could not have been greater if Matthew had expressed a predilection for standing on his head. "Well, now, no, I suppose not--not exactly," stammered Matthew, uncomfortably driven into a corner for his precise meaning. "I suppose--we could hardly be expected to keep her." "I should say not. What good would she be to us?" "We might be some good to her," said Matthew suddenly and unexpectedly. "Matthew Cuthbert, I believe that child has bewitched you! I can see as plain as plain that you want to keep her." "Well now, she's a real interesting little thing," persisted Matthew. "You should have heard her talk coming from the station." "Oh, she can talk fast enough. I saw that at once. It's nothing in her favour, either. I don't like children who have so much to say. I don't want an orphan girl and if I did she isn't the style I'd pick out. There's something I don't understand about her. No, she's got to be despatched straight-way back to where she came from." "I could hire a French boy to help me," said Matthew, "and she'd be company for you." "I'm not suffering for company," said Marilla shortly. "And I'm not going to keep her." "Well now, it's just as you say, of course, Marilla," said Matthew rising and putting his pipe away. "I'm going to bed." To bed went Matthew. And to bed, when she had put her dishes away, went Marilla, frowning most resolutely. And up-stairs, in the east gable, a lonely, heart-hungry, friendless child cried herself to sleep. CHAPTER IV. Morning at Green Gables |IT was broad daylight when Anne awoke and sat up in bed, staring confusedly at the window through which a flood of cheery sunshine was pouring and outside of which something white and feathery waved across glimpses of blue sky. For a moment she could not remember where she was. First came a delightful thrill, as something very pleasant; then a horrible remembrance. This was Green Gables and they didn't want her because she wasn't a boy! But it was morning and, yes, it was a cherry-tree in full bloom outside of her window. | Anne Of Green Gables | raiment scattered most untidily over the floor and a certain tempestuous appearance of the bed were the only indications of any presence save her own. She deliberately picked up Anne's clothes, placed them neatly on a prim yellow chair, and then, taking up the candle, went over to the bed.<|quote|>"Good night,"</|quote|>she said, a little awkwardly, but not unkindly. Anne's white face and big eyes appeared over the bedclothes with a startling suddenness. "How can you call it a _good_ night when you know it must be the very worst night I've ever had?" she said reproachfully. Then she dived down | {
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"content": "raiment scattered most untidily over the floor and a certain tempestuous appearance of the bed were the only indications of any presence save her own. She deliberately picked up Anne's clothes, placed them neatly on a prim yellow chair, and then, taking up the candle, went over to the bed.<|quote|>\"Good night,\"</|quote|>she said, a little awkwardly, but not unkindly. Anne's white face and big eyes appeared over the bedclothes with a startling suddenness. \"How can you call it a _good_ night when you know it must be the very worst night I've ever had?\" she said reproachfully. Then she dived down",
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said Milly. | No speaker | when you've got more time,"<|quote|>said Milly.</|quote|>"I'm feeling rather ill," said | see us again one evening when you've got more time,"<|quote|>said Milly.</|quote|>"I'm feeling rather ill," said Tony on the way upstairs. | said Babs. "Oh yes, sorry, how much?" "Oh, we leave that to the gentlemen." Tony gave them a pound. "You might make it a bit more," said Babs. "We've sat with you two hours." Jock gave another pound. "Come and see us again one evening when you've got more time,"<|quote|>said Milly.</|quote|>"I'm feeling rather ill," said Tony on the way upstairs. "Don't think I shall bother to ring up Brenda." "Send a message." "That's a good idea... Look here," he said to the seedy commissionaire. "Will you ring up this Sloane number and speak to her ladyship and say Mr Grant-Menzies | sounded annoyed with us." "Let's go now and ring her up on the way out." "Aren't you coming home with us?" said Babs. "Not to-night, I'm afraid." "Be a sport," said Milly. "No, we can't really." "All right. Well, how about a little present? We're professional dancing partners, you know," said Babs. "Oh yes, sorry, how much?" "Oh, we leave that to the gentlemen." Tony gave them a pound. "You might make it a bit more," said Babs. "We've sat with you two hours." Jock gave another pound. "Come and see us again one evening when you've got more time,"<|quote|>said Milly.</|quote|>"I'm feeling rather ill," said Tony on the way upstairs. "Don't think I shall bother to ring up Brenda." "Send a message." "That's a good idea... Look here," he said to the seedy commissionaire. "Will you ring up this Sloane number and speak to her ladyship and say Mr Grant-Menzies and Mr Last are very sorry but they cannot call this evening? Got that?" He gave the man half a crown and they sauntered out into Sink Street. "Brenda can't expect us to do more than that," he said. "I tell you what I'll do. I go almost past her | thought she sounded rather annoyed," he reported. "But I said in the end we wouldn't come." "She may be tired," said Tony. "Has to get up early to do economics. Now I come to think of it someone _did_ say she was tired, earlier on in the evening." "I say, what's this frightful piece of fish?" "The waiter said you ordered it." "Perhaps I did." "I'll give it to the club cat," said Babs. "She's a dear called Blackberry." They danced once or twice. Then Jock said, "D'you think we ought to ring up Brenda again?" "Perhaps we ought. She sounded annoyed with us." "Let's go now and ring her up on the way out." "Aren't you coming home with us?" said Babs. "Not to-night, I'm afraid." "Be a sport," said Milly. "No, we can't really." "All right. Well, how about a little present? We're professional dancing partners, you know," said Babs. "Oh yes, sorry, how much?" "Oh, we leave that to the gentlemen." Tony gave them a pound. "You might make it a bit more," said Babs. "We've sat with you two hours." Jock gave another pound. "Come and see us again one evening when you've got more time,"<|quote|>said Milly.</|quote|>"I'm feeling rather ill," said Tony on the way upstairs. "Don't think I shall bother to ring up Brenda." "Send a message." "That's a good idea... Look here," he said to the seedy commissionaire. "Will you ring up this Sloane number and speak to her ladyship and say Mr Grant-Menzies and Mr Last are very sorry but they cannot call this evening? Got that?" He gave the man half a crown and they sauntered out into Sink Street. "Brenda can't expect us to do more than that," he said. "I tell you what I'll do. I go almost past her door, so I'll ring the bell a bit just in case she's awake and still waiting up for us." "Yes, you do that. What a good friend you are, Jock." "Oh, I'm fond of Brenda... a grand girl." "Grand girl... I wish I didn't feel ill." Tony was awake at eight next morning, miserably articulating in his mind the fragmentary memories of the preceding night. The more he remembered, the baser his conduct appeared to him. At nine he had his bath and some tea. At ten he was wondering whether he should ring Brenda up when the difficulty was | can't come round this evening after all." "Oh." "You don't think it very rude, I hope, but we have a lot to attend to." "That's all right, Tony." "Did I wake you up by any chance?" "That's all right, Tony." "Well, good night." Tony went down to the table. "I've been talking to Brenda. She sounded rather annoyed. D'you think we _ought_ to go round there?" "We promised we would," said Jock. "You should never disappoint a lady," said Milly. "Oh, it's too late now." Babs said, "You two are officers, aren't you?" "No, why?" "I thought you were." Milly said, "I like business gentlemen best, myself. They've more to say." "What d'you do?" "I design postmen's hats," said Jock. "Oh, go on." "And my friend here trains sea-lions." "Tell us another." Babs said, "I've got a gentleman friend who works on a newspaper." After a time Jock said, "I say, ought we to do something about Brenda?" "I told her we weren't coming, didn't I?" "Yes... but she might still be _hoping_." "I tell you what, you go and ring her up and find out if she really wants us." "All right." He came back ten minutes later. "_I_ thought she sounded rather annoyed," he reported. "But I said in the end we wouldn't come." "She may be tired," said Tony. "Has to get up early to do economics. Now I come to think of it someone _did_ say she was tired, earlier on in the evening." "I say, what's this frightful piece of fish?" "The waiter said you ordered it." "Perhaps I did." "I'll give it to the club cat," said Babs. "She's a dear called Blackberry." They danced once or twice. Then Jock said, "D'you think we ought to ring up Brenda again?" "Perhaps we ought. She sounded annoyed with us." "Let's go now and ring her up on the way out." "Aren't you coming home with us?" said Babs. "Not to-night, I'm afraid." "Be a sport," said Milly. "No, we can't really." "All right. Well, how about a little present? We're professional dancing partners, you know," said Babs. "Oh yes, sorry, how much?" "Oh, we leave that to the gentlemen." Tony gave them a pound. "You might make it a bit more," said Babs. "We've sat with you two hours." Jock gave another pound. "Come and see us again one evening when you've got more time,"<|quote|>said Milly.</|quote|>"I'm feeling rather ill," said Tony on the way upstairs. "Don't think I shall bother to ring up Brenda." "Send a message." "That's a good idea... Look here," he said to the seedy commissionaire. "Will you ring up this Sloane number and speak to her ladyship and say Mr Grant-Menzies and Mr Last are very sorry but they cannot call this evening? Got that?" He gave the man half a crown and they sauntered out into Sink Street. "Brenda can't expect us to do more than that," he said. "I tell you what I'll do. I go almost past her door, so I'll ring the bell a bit just in case she's awake and still waiting up for us." "Yes, you do that. What a good friend you are, Jock." "Oh, I'm fond of Brenda... a grand girl." "Grand girl... I wish I didn't feel ill." Tony was awake at eight next morning, miserably articulating in his mind the fragmentary memories of the preceding night. The more he remembered, the baser his conduct appeared to him. At nine he had his bath and some tea. At ten he was wondering whether he should ring Brenda up when the difficulty was solved by her ringing him. "Well, Tony, how do you feel?" "Awful. I _was_ tight." "You were." "I'm feeling pretty guilty too." "I'm not surprised." "I don't remember everything very clearly but I have the impression that Jock and I were rather bores." "You were." "Are you in a rage?" "Well, I was last night. What made you do it, Tony, grown up men like you two?" "We felt low." "I bet you feel lower this morning... A box of white roses has just arrived from Jock." "I wish I'd thought of that." "You're such infants, both of you." "You aren't really in a rage?" "Of course I'm not, darling. Now just you go straight back to the country. You'll feel all right again to-morrow." "Am I not going to see you?" "Not to-day, I'm afraid. I've got lectures all the morning and I'm lunching out. But I'll be coming down on Friday evening or anyway Saturday morning." "I see. You couldn't possibly chuck lunch or one of the lectures?" "Not possibly, darling." "I see. You are an angel to be so sweet about last night." "Nothing could have been more fortunate," Brenda said. "If I know Tony, he'll be | you who else was tight that night--Reggie. Broke a fruit gum machine." "Reggie was stinking." "I say, you don't still feel low about that girl?" "I don't feel low." "Come on, we'll go downstairs." The dance-room was fairly full. An elderly man had joined the band and was trying to conduct it. "I like this joint," said Jock. "What'll we drink?" "Brandy." They had to buy the bottle. They filled in an order form to the Montmorency Wine Company and paid two pounds. When it came there was a label saying _Very Old Liqueur Fine Champagne. Imported by the Montmorency Wine Co._ The waiter brought ginger ale and four glasses. Two young ladies came and sat with them. They were called Milly and Babs. Milly said, "Are you in town for long?" Babs said, "Have you got such a thing as a cigarette?" Tony danced with Babs. She said, "Are you fond of dancing?" "No, are you?" "So-so." "Well, let's sit down." The waiter said, "Will you buy a ticket in a raffle for a box of chocolates?" "No." "Buy one for me," said Babs. Jock began to describe the specifications of the Basic Pig. ...Milly said, "You're married, aren't you?" "No," said Jock. "Oh, I can always tell," said Milly. "Your friend is too." "Yes, _he_ is." "You'd be surprised how many gentlemen come here just to talk about their wives." "He hasn't." Tony was leaning across the table and saying to Babs, "You see, the trouble is my wife is studious. She's taking a course in economics." Babs said, "I think it's nice for a girl to be interested in things." The waiter said, "What will you be taking for supper?" "Why, we've only just had dinner." "How about a nice haddock?" "I tell you what I must do is to telephone. Where is it?" "D'you mean really the telephone or the gentlemen's?" Milly asked. "No, the telephone." "Upstairs in the office." Tony rang up Brenda. It was some time before she answered, then, "Yes, who is it?" "I have a message here from Mr Anthony Last and Mr Jocelyn Grant-Menzies." "Oh, it's you, Tony. Well, what do you want?" "You recognized my voice?" "I did." "Well, I only wanted to give a message but as I am speaking to you I can give it myself, can't I?" "Yes." "Well, Jock and I are terribly sorry but we can't come round this evening after all." "Oh." "You don't think it very rude, I hope, but we have a lot to attend to." "That's all right, Tony." "Did I wake you up by any chance?" "That's all right, Tony." "Well, good night." Tony went down to the table. "I've been talking to Brenda. She sounded rather annoyed. D'you think we _ought_ to go round there?" "We promised we would," said Jock. "You should never disappoint a lady," said Milly. "Oh, it's too late now." Babs said, "You two are officers, aren't you?" "No, why?" "I thought you were." Milly said, "I like business gentlemen best, myself. They've more to say." "What d'you do?" "I design postmen's hats," said Jock. "Oh, go on." "And my friend here trains sea-lions." "Tell us another." Babs said, "I've got a gentleman friend who works on a newspaper." After a time Jock said, "I say, ought we to do something about Brenda?" "I told her we weren't coming, didn't I?" "Yes... but she might still be _hoping_." "I tell you what, you go and ring her up and find out if she really wants us." "All right." He came back ten minutes later. "_I_ thought she sounded rather annoyed," he reported. "But I said in the end we wouldn't come." "She may be tired," said Tony. "Has to get up early to do economics. Now I come to think of it someone _did_ say she was tired, earlier on in the evening." "I say, what's this frightful piece of fish?" "The waiter said you ordered it." "Perhaps I did." "I'll give it to the club cat," said Babs. "She's a dear called Blackberry." They danced once or twice. Then Jock said, "D'you think we ought to ring up Brenda again?" "Perhaps we ought. She sounded annoyed with us." "Let's go now and ring her up on the way out." "Aren't you coming home with us?" said Babs. "Not to-night, I'm afraid." "Be a sport," said Milly. "No, we can't really." "All right. Well, how about a little present? We're professional dancing partners, you know," said Babs. "Oh yes, sorry, how much?" "Oh, we leave that to the gentlemen." Tony gave them a pound. "You might make it a bit more," said Babs. "We've sat with you two hours." Jock gave another pound. "Come and see us again one evening when you've got more time,"<|quote|>said Milly.</|quote|>"I'm feeling rather ill," said Tony on the way upstairs. "Don't think I shall bother to ring up Brenda." "Send a message." "That's a good idea... Look here," he said to the seedy commissionaire. "Will you ring up this Sloane number and speak to her ladyship and say Mr Grant-Menzies and Mr Last are very sorry but they cannot call this evening? Got that?" He gave the man half a crown and they sauntered out into Sink Street. "Brenda can't expect us to do more than that," he said. "I tell you what I'll do. I go almost past her door, so I'll ring the bell a bit just in case she's awake and still waiting up for us." "Yes, you do that. What a good friend you are, Jock." "Oh, I'm fond of Brenda... a grand girl." "Grand girl... I wish I didn't feel ill." Tony was awake at eight next morning, miserably articulating in his mind the fragmentary memories of the preceding night. The more he remembered, the baser his conduct appeared to him. At nine he had his bath and some tea. At ten he was wondering whether he should ring Brenda up when the difficulty was solved by her ringing him. "Well, Tony, how do you feel?" "Awful. I _was_ tight." "You were." "I'm feeling pretty guilty too." "I'm not surprised." "I don't remember everything very clearly but I have the impression that Jock and I were rather bores." "You were." "Are you in a rage?" "Well, I was last night. What made you do it, Tony, grown up men like you two?" "We felt low." "I bet you feel lower this morning... A box of white roses has just arrived from Jock." "I wish I'd thought of that." "You're such infants, both of you." "You aren't really in a rage?" "Of course I'm not, darling. Now just you go straight back to the country. You'll feel all right again to-morrow." "Am I not going to see you?" "Not to-day, I'm afraid. I've got lectures all the morning and I'm lunching out. But I'll be coming down on Friday evening or anyway Saturday morning." "I see. You couldn't possibly chuck lunch or one of the lectures?" "Not possibly, darling." "I see. You are an angel to be so sweet about last night." "Nothing could have been more fortunate," Brenda said. "If I know Tony, he'll be tortured with guilt for weeks to come. It was maddening last night but it was worth it. He's put himself so much in the wrong now that he won't dare to _feel_ resentful, let alone say anything, whatever I do. And he hasn't really enjoyed himself at all, the poor sweet, so _that's_ a good thing too. He had to learn not to make surprise visits." "You are one for making people learn things," said Beaver. Tony emerged from the 3.18 feeling cold, tired, and heavy with guilt. John Andrew had come in the car to meet him. "Hullo, daddy, had a good time in London? You didn't mind me coming to the station, did you? I _made_ nanny let me." "Very pleased to see you, John." "How was mummy?" "She sounded very well. I didn't see her." "But you _said_ you were going to see her." "Yes, I thought I was, but I turned out to be wrong. I talked to her several times on the telephone." "But you can telephone her from here, can't you, daddy? Why did you go all the way to London to telephone her?... _Why_, daddy?" "It would take too long to explain." "Well tell me some of it... _Why_, daddy?" "Look here, I'm tired. If you don't stop asking questions I shan't let you ever come and meet the train again." John Andrew's face began to pucker. "I thought you'd _like_ me to come and meet you." "If you cry I shall put you in front with Dawson. It's absurd to cry at your age." "I'd _sooner_ go in front with Dawson," said John Andrew between his tears. Tony picked up the speaking-tube to tell the chauffeur to stop, but he could not make him hear. So he hitched the mouthpiece back on its hook and they drove on in silence, John Andrew leaning against the window and snivelling slightly. When they got to the house he said, "Nanny, I don't want John to come to the station in future unless her ladyship or I specially say he can." "No, sir, I wouldn't have let him go to-day, only he went on so. Come along now, John, and take off your coat. Goodness, child, where's your handkerchief?" Tony went and sat alone in front of the library fire. "Two men of thirty," he said to himself, "behaving as if they were up for | Jock. "Oh, go on." "And my friend here trains sea-lions." "Tell us another." Babs said, "I've got a gentleman friend who works on a newspaper." After a time Jock said, "I say, ought we to do something about Brenda?" "I told her we weren't coming, didn't I?" "Yes... but she might still be _hoping_." "I tell you what, you go and ring her up and find out if she really wants us." "All right." He came back ten minutes later. "_I_ thought she sounded rather annoyed," he reported. "But I said in the end we wouldn't come." "She may be tired," said Tony. "Has to get up early to do economics. Now I come to think of it someone _did_ say she was tired, earlier on in the evening." "I say, what's this frightful piece of fish?" "The waiter said you ordered it." "Perhaps I did." "I'll give it to the club cat," said Babs. "She's a dear called Blackberry." They danced once or twice. Then Jock said, "D'you think we ought to ring up Brenda again?" "Perhaps we ought. She sounded annoyed with us." "Let's go now and ring her up on the way out." "Aren't you coming home with us?" said Babs. "Not to-night, I'm afraid." "Be a sport," said Milly. "No, we can't really." "All right. Well, how about a little present? We're professional dancing partners, you know," said Babs. "Oh yes, sorry, how much?" "Oh, we leave that to the gentlemen." Tony gave them a pound. "You might make it a bit more," said Babs. "We've sat with you two hours." Jock gave another pound. "Come and see us again one evening when you've got more time,"<|quote|>said Milly.</|quote|>"I'm feeling rather ill," said Tony on the way upstairs. "Don't think I shall bother to ring up Brenda." "Send a message." "That's a good idea... Look here," he said to the seedy commissionaire. "Will you ring up this Sloane number and speak to her ladyship and say Mr Grant-Menzies and Mr Last are very sorry but they cannot call this evening? Got that?" He gave the man half a crown and they sauntered out into Sink Street. "Brenda can't expect us to do more than that," he said. "I tell you what I'll do. I go almost past her door, so I'll ring the bell a bit just in case she's awake and still waiting up for us." "Yes, you do that. What a good friend you are, Jock." "Oh, I'm fond of Brenda... a grand girl." "Grand girl... I wish I didn't feel ill." Tony was awake at eight next morning, miserably articulating in his mind the fragmentary memories of the preceding night. The more he remembered, the baser his conduct appeared to him. At nine he had his bath and some tea. At ten he was wondering whether he should ring Brenda up when the difficulty was solved by her ringing him. "Well, Tony, how do you feel?" "Awful. I _was_ tight." "You were." "I'm feeling pretty guilty too." "I'm not surprised." "I don't remember everything very clearly but I have the impression that Jock and I were rather bores." "You were." "Are you in a rage?" "Well, I was last night. What made you do it, Tony, grown up men like you two?" "We felt low." "I bet you feel lower this morning... A box of white roses has just arrived from Jock." "I wish I'd thought of that." "You're such infants, both of you." "You aren't really in a rage?" "Of course I'm not, darling. Now just you go straight back to the country. You'll feel all right again to-morrow." "Am I not going to see you?" "Not to-day, I'm afraid. I've got lectures all the morning and I'm lunching out. But I'll be coming down on Friday evening or anyway Saturday morning." "I see. You couldn't possibly chuck lunch or one of the lectures?" "Not possibly, darling." "I see. You are an angel to be so sweet about last night." "Nothing could have been more fortunate," Brenda said. "If I know Tony, he'll be tortured with guilt for weeks to come. It was maddening last night but it was worth it. He's put himself so much in the wrong now that | A Handful Of Dust | said Babs. "Oh yes, sorry, how much?" "Oh, we leave that to the gentlemen." Tony gave them a pound. "You might make it a bit more," said Babs. "We've sat with you two hours." Jock gave another pound. "Come and see us again one evening when you've got more time,"<|quote|>said Milly.</|quote|>"I'm feeling rather ill," said Tony on the way upstairs. "Don't think I shall bother to ring up Brenda." "Send a message." "That's a good idea... Look here," he said to the seedy commissionaire. "Will you ring up this Sloane number and speak to her ladyship and say Mr Grant-Menzies | {
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said Alice, (she had grown to her full size by this time.) | No speaker | moved. "Who cares for you?"<|quote|>said Alice, (she had grown to her full size by this time.)</|quote|>"You're nothing but a pack | top of her voice. Nobody moved. "Who cares for you?"<|quote|>said Alice, (she had grown to her full size by this time.)</|quote|>"You're nothing but a pack of cards!" At this the | said the Queen. "Sentence first--verdict afterwards." "Stuff and nonsense!" said Alice loudly. "The idea of having the sentence first!" "Hold your tongue!" said the Queen, turning purple. "I won't!" said Alice. "Off with her head!" the Queen shouted at the top of her voice. Nobody moved. "Who cares for you?"<|quote|>said Alice, (she had grown to her full size by this time.)</|quote|>"You're nothing but a pack of cards!" At this the whole pack rose up into the air, and came flying down upon her: she gave a little scream, half of fright and half of anger, and tried to beat them off, and found herself lying on the bank, with her | words don't _fit_ you," said the King, looking round the court with a smile. There was a dead silence. "It's a pun!" the King added in an offended tone, and everybody laughed, "Let the jury consider their verdict," the King said, for about the twentieth time that day. "No, no!" said the Queen. "Sentence first--verdict afterwards." "Stuff and nonsense!" said Alice loudly. "The idea of having the sentence first!" "Hold your tongue!" said the Queen, turning purple. "I won't!" said Alice. "Off with her head!" the Queen shouted at the top of her voice. Nobody moved. "Who cares for you?"<|quote|>said Alice, (she had grown to her full size by this time.)</|quote|>"You're nothing but a pack of cards!" At this the whole pack rose up into the air, and came flying down upon her: she gave a little scream, half of fright and half of anger, and tried to beat them off, and found herself lying on the bank, with her head in the lap of her sister, who was gently brushing away some dead leaves that had fluttered down from the trees upon her face. "Wake up, Alice dear!" said her sister; "Why, what a long sleep you've had!" "Oh, I've had such a curious dream!" said Alice, and she | said Alice. "Why, there they are!" said the King triumphantly, pointing to the tarts on the table. "Nothing can be clearer than _that_. Then again--" '_before she had this fit_--' "you never had fits, my dear, I think?" he said to the Queen. "Never!" said the Queen furiously, throwing an inkstand at the Lizard as she spoke. (The unfortunate little Bill had left off writing on his slate with one finger, as he found it made no mark; but he now hastily began again, using the ink, that was trickling down his face, as long as it lasted.) "Then the words don't _fit_ you," said the King, looking round the court with a smile. There was a dead silence. "It's a pun!" the King added in an offended tone, and everybody laughed, "Let the jury consider their verdict," the King said, for about the twentieth time that day. "No, no!" said the Queen. "Sentence first--verdict afterwards." "Stuff and nonsense!" said Alice loudly. "The idea of having the sentence first!" "Hold your tongue!" said the Queen, turning purple. "I won't!" said Alice. "Off with her head!" the Queen shouted at the top of her voice. Nobody moved. "Who cares for you?"<|quote|>said Alice, (she had grown to her full size by this time.)</|quote|>"You're nothing but a pack of cards!" At this the whole pack rose up into the air, and came flying down upon her: she gave a little scream, half of fright and half of anger, and tried to beat them off, and found herself lying on the bank, with her head in the lap of her sister, who was gently brushing away some dead leaves that had fluttered down from the trees upon her face. "Wake up, Alice dear!" said her sister; "Why, what a long sleep you've had!" "Oh, I've had such a curious dream!" said Alice, and she told her sister, as well as she could remember them, all these strange Adventures of hers that you have just been reading about; and when she had finished, her sister kissed her, and said, "It _was_ a curious dream, dear, certainly: but now run in to your tea; it's getting late." So Alice got up and ran off, thinking while she ran, as well she might, what a wonderful dream it had been. But her sister sat still just as she left her, leaning her head on her hand, watching the setting sun, and thinking of little Alice and all | bit afraid of interrupting him,) "I'll give him sixpence. _I_ don't believe there's an atom of meaning in it." The jury all wrote down on their slates, "_She_ doesn't believe there's an atom of meaning in it," but none of them attempted to explain the paper. "If there's no meaning in it," said the King, "that saves a world of trouble, you know, as we needn't try to find any. And yet I don't know," he went on, spreading out the verses on his knee, and looking at them with one eye; "I seem to see some meaning in them, after all." "--_said I could not swim_--" "you can't swim, can you?" he added, turning to the Knave. The Knave shook his head sadly. "Do I look like it?" he said. (Which he certainly did _not_, being made entirely of cardboard.) "All right, so far," said the King, and he went on muttering over the verses to himself: "'_We know it to be true_--' "that's the jury, of course-" -'_I gave her one, they gave him two_--' "why, that must be what he did with the tarts, you know--" "But, it goes on" '_they all returned from him to you_,'" said Alice. "Why, there they are!" said the King triumphantly, pointing to the tarts on the table. "Nothing can be clearer than _that_. Then again--" '_before she had this fit_--' "you never had fits, my dear, I think?" he said to the Queen. "Never!" said the Queen furiously, throwing an inkstand at the Lizard as she spoke. (The unfortunate little Bill had left off writing on his slate with one finger, as he found it made no mark; but he now hastily began again, using the ink, that was trickling down his face, as long as it lasted.) "Then the words don't _fit_ you," said the King, looking round the court with a smile. There was a dead silence. "It's a pun!" the King added in an offended tone, and everybody laughed, "Let the jury consider their verdict," the King said, for about the twentieth time that day. "No, no!" said the Queen. "Sentence first--verdict afterwards." "Stuff and nonsense!" said Alice loudly. "The idea of having the sentence first!" "Hold your tongue!" said the Queen, turning purple. "I won't!" said Alice. "Off with her head!" the Queen shouted at the top of her voice. Nobody moved. "Who cares for you?"<|quote|>said Alice, (she had grown to her full size by this time.)</|quote|>"You're nothing but a pack of cards!" At this the whole pack rose up into the air, and came flying down upon her: she gave a little scream, half of fright and half of anger, and tried to beat them off, and found herself lying on the bank, with her head in the lap of her sister, who was gently brushing away some dead leaves that had fluttered down from the trees upon her face. "Wake up, Alice dear!" said her sister; "Why, what a long sleep you've had!" "Oh, I've had such a curious dream!" said Alice, and she told her sister, as well as she could remember them, all these strange Adventures of hers that you have just been reading about; and when she had finished, her sister kissed her, and said, "It _was_ a curious dream, dear, certainly: but now run in to your tea; it's getting late." So Alice got up and ran off, thinking while she ran, as well she might, what a wonderful dream it had been. But her sister sat still just as she left her, leaning her head on her hand, watching the setting sun, and thinking of little Alice and all her wonderful Adventures, till she too began dreaming after a fashion, and this was her dream:-- First, she dreamed of little Alice herself, and once again the tiny hands were clasped upon her knee, and the bright eager eyes were looking up into hers--she could hear the very tones of her voice, and see that queer little toss of her head to keep back the wandering hair that _would_ always get into her eyes--and still as she listened, or seemed to listen, the whole place around her became alive with the strange creatures of her little sister's dream. The long grass rustled at her feet as the White Rabbit hurried by--the frightened Mouse splashed his way through the neighbouring pool--she could hear the rattle of the teacups as the March Hare and his friends shared their never-ending meal, and the shrill voice of the Queen ordering off her unfortunate guests to execution--once more the pig-baby was sneezing on the Duchess's knee, while plates and dishes crashed around it--once more the shriek of the Gryphon, the squeaking of the Lizard's slate-pencil, and the choking of the suppressed guinea-pigs, filled the air, mixed up with the distant sobs of the miserable Mock | he spoke, and added "It isn't a letter, after all: it's a set of verses." "Are they in the prisoner's handwriting?" asked another of the jurymen. "No, they're not," said the White Rabbit, "and that's the queerest thing about it." (The jury all looked puzzled.) "He must have imitated somebody else's hand," said the King. (The jury all brightened up again.) "Please your Majesty," said the Knave, "I didn't write it, and they can't prove I did: there's no name signed at the end." "If you didn't sign it," said the King, "that only makes the matter worse. You _must_ have meant some mischief, or else you'd have signed your name like an honest man." There was a general clapping of hands at this: it was the first really clever thing the King had said that day. "That _proves_ his guilt," said the Queen. "It proves nothing of the sort!" said Alice. "Why, you don't even know what they're about!" "Read them," said the King. The White Rabbit put on his spectacles. "Where shall I begin, please your Majesty?" he asked. "Begin at the beginning," the King said gravely, "and go on till you come to the end: then stop." These were the verses the White Rabbit read:-- "They told me you had been to her, And mentioned me to him: She gave me a good character, But said I could not swim. He sent them word I had not gone (We know it to be true): If she should push the matter on, What would become of you? I gave her one, they gave him two, You gave us three or more; They all returned from him to you, Though they were mine before. If I or she should chance to be Involved in this affair, He trusts to you to set them free, Exactly as we were. My notion was that you had been (Before she had this fit) An obstacle that came between Him, and ourselves, and it. Don't let him know she liked them best, For this must ever be A secret, kept from all the rest, Between yourself and me." "That's the most important piece of evidence we've heard yet," said the King, rubbing his hands; "so now let the jury--" "If any one of them can explain it," said Alice, (she had grown so large in the last few minutes that she wasn't a bit afraid of interrupting him,) "I'll give him sixpence. _I_ don't believe there's an atom of meaning in it." The jury all wrote down on their slates, "_She_ doesn't believe there's an atom of meaning in it," but none of them attempted to explain the paper. "If there's no meaning in it," said the King, "that saves a world of trouble, you know, as we needn't try to find any. And yet I don't know," he went on, spreading out the verses on his knee, and looking at them with one eye; "I seem to see some meaning in them, after all." "--_said I could not swim_--" "you can't swim, can you?" he added, turning to the Knave. The Knave shook his head sadly. "Do I look like it?" he said. (Which he certainly did _not_, being made entirely of cardboard.) "All right, so far," said the King, and he went on muttering over the verses to himself: "'_We know it to be true_--' "that's the jury, of course-" -'_I gave her one, they gave him two_--' "why, that must be what he did with the tarts, you know--" "But, it goes on" '_they all returned from him to you_,'" said Alice. "Why, there they are!" said the King triumphantly, pointing to the tarts on the table. "Nothing can be clearer than _that_. Then again--" '_before she had this fit_--' "you never had fits, my dear, I think?" he said to the Queen. "Never!" said the Queen furiously, throwing an inkstand at the Lizard as she spoke. (The unfortunate little Bill had left off writing on his slate with one finger, as he found it made no mark; but he now hastily began again, using the ink, that was trickling down his face, as long as it lasted.) "Then the words don't _fit_ you," said the King, looking round the court with a smile. There was a dead silence. "It's a pun!" the King added in an offended tone, and everybody laughed, "Let the jury consider their verdict," the King said, for about the twentieth time that day. "No, no!" said the Queen. "Sentence first--verdict afterwards." "Stuff and nonsense!" said Alice loudly. "The idea of having the sentence first!" "Hold your tongue!" said the Queen, turning purple. "I won't!" said Alice. "Off with her head!" the Queen shouted at the top of her voice. Nobody moved. "Who cares for you?"<|quote|>said Alice, (she had grown to her full size by this time.)</|quote|>"You're nothing but a pack of cards!" At this the whole pack rose up into the air, and came flying down upon her: she gave a little scream, half of fright and half of anger, and tried to beat them off, and found herself lying on the bank, with her head in the lap of her sister, who was gently brushing away some dead leaves that had fluttered down from the trees upon her face. "Wake up, Alice dear!" said her sister; "Why, what a long sleep you've had!" "Oh, I've had such a curious dream!" said Alice, and she told her sister, as well as she could remember them, all these strange Adventures of hers that you have just been reading about; and when she had finished, her sister kissed her, and said, "It _was_ a curious dream, dear, certainly: but now run in to your tea; it's getting late." So Alice got up and ran off, thinking while she ran, as well she might, what a wonderful dream it had been. But her sister sat still just as she left her, leaning her head on her hand, watching the setting sun, and thinking of little Alice and all her wonderful Adventures, till she too began dreaming after a fashion, and this was her dream:-- First, she dreamed of little Alice herself, and once again the tiny hands were clasped upon her knee, and the bright eager eyes were looking up into hers--she could hear the very tones of her voice, and see that queer little toss of her head to keep back the wandering hair that _would_ always get into her eyes--and still as she listened, or seemed to listen, the whole place around her became alive with the strange creatures of her little sister's dream. The long grass rustled at her feet as the White Rabbit hurried by--the frightened Mouse splashed his way through the neighbouring pool--she could hear the rattle of the teacups as the March Hare and his friends shared their never-ending meal, and the shrill voice of the Queen ordering off her unfortunate guests to execution--once more the pig-baby was sneezing on the Duchess's knee, while plates and dishes crashed around it--once more the shriek of the Gryphon, the squeaking of the Lizard's slate-pencil, and the choking of the suppressed guinea-pigs, filled the air, mixed up with the distant sobs of the miserable Mock Turtle. So she sat on, with closed eyes, and half believed herself in Wonderland, though she knew she had but to open them again, and all would change to dull reality--the grass would be only rustling in the wind, and the pool rippling to the waving of the reeds--the rattling teacups would change to tinkling sheep-bells, and the Queen's shrill cries to the voice of the shepherd boy--and the sneeze of the baby, the shriek of the Gryphon, and all the other queer noises, would change (she knew) to the confused clamour of the busy farm-yard--while the lowing of the cattle in the distance would take the place of the Mock Turtle's heavy sobs. Lastly, she pictured to herself how this same little sister of hers would, in the after-time, be herself a grown woman; and how she would keep, through all her riper years, the simple and loving heart of her childhood: and how she would gather about her other little children, and make _their_ eyes bright and eager with many a strange tale, perhaps even with the dream of Wonderland of long ago: and how she would feel with all their simple sorrows, and find a pleasure in all their simple joys, remembering her own child-life, and the happy summer days. THE END | sixpence. _I_ don't believe there's an atom of meaning in it." The jury all wrote down on their slates, "_She_ doesn't believe there's an atom of meaning in it," but none of them attempted to explain the paper. "If there's no meaning in it," said the King, "that saves a world of trouble, you know, as we needn't try to find any. And yet I don't know," he went on, spreading out the verses on his knee, and looking at them with one eye; "I seem to see some meaning in them, after all." "--_said I could not swim_--" "you can't swim, can you?" he added, turning to the Knave. The Knave shook his head sadly. "Do I look like it?" he said. (Which he certainly did _not_, being made entirely of cardboard.) "All right, so far," said the King, and he went on muttering over the verses to himself: "'_We know it to be true_--' "that's the jury, of course-" -'_I gave her one, they gave him two_--' "why, that must be what he did with the tarts, you know--" "But, it goes on" '_they all returned from him to you_,'" said Alice. "Why, there they are!" said the King triumphantly, pointing to the tarts on the table. "Nothing can be clearer than _that_. Then again--" '_before she had this fit_--' "you never had fits, my dear, I think?" he said to the Queen. "Never!" said the Queen furiously, throwing an inkstand at the Lizard as she spoke. (The unfortunate little Bill had left off writing on his slate with one finger, as he found it made no mark; but he now hastily began again, using the ink, that was trickling down his face, as long as it lasted.) "Then the words don't _fit_ you," said the King, looking round the court with a smile. There was a dead silence. "It's a pun!" the King added in an offended tone, and everybody laughed, "Let the jury consider their verdict," the King said, for about the twentieth time that day. "No, no!" said the Queen. "Sentence first--verdict afterwards." "Stuff and nonsense!" said Alice loudly. "The idea of having the sentence first!" "Hold your tongue!" said the Queen, turning purple. "I won't!" said Alice. "Off with her head!" the Queen shouted at the top of her voice. Nobody moved. "Who cares for you?"<|quote|>said Alice, (she had grown to her full size by this time.)</|quote|>"You're nothing but a pack of cards!" At this the whole pack rose up into the air, and came flying down upon her: she gave a little scream, half of fright and half of anger, and tried to beat them off, and found herself lying on the bank, with her head in the lap of her sister, who was gently brushing away some dead leaves that had fluttered down from the trees upon her face. "Wake up, Alice dear!" said her sister; "Why, what a long sleep you've had!" "Oh, I've had such a curious dream!" said Alice, and she told her sister, as well as she could remember them, all these strange Adventures of hers that you have just been reading about; and when she had finished, her sister kissed her, and said, "It _was_ a curious dream, dear, certainly: but now run in to your tea; it's getting late." So Alice got up and ran off, thinking while she ran, as well she might, what a wonderful dream it had been. But her sister sat still just as she left her, leaning her head on her hand, watching the setting sun, and thinking of little Alice and all her wonderful Adventures, till she too began dreaming after a fashion, and this was her dream:-- First, she dreamed of little Alice herself, and once again the tiny hands were clasped upon her knee, and the bright eager eyes were looking up into hers--she could hear the very tones of her voice, and see that queer little toss of her head to keep back the wandering hair that _would_ always get into her eyes--and still as she listened, or seemed to listen, the whole place around her became alive with the strange creatures of her little sister's dream. The long grass rustled at her feet as the White Rabbit hurried by--the frightened Mouse splashed his way through the neighbouring pool--she could hear the rattle of the teacups as the March Hare and his friends shared their never-ending meal, and the shrill voice of the Queen ordering off her unfortunate guests to execution--once more the pig-baby was sneezing on the Duchess's knee, while plates and dishes crashed around it--once more the shriek of the Gryphon, the squeaking of the Lizard's slate-pencil, and the choking of the suppressed guinea-pigs, filled the air, mixed up with the distant sobs of the miserable Mock Turtle. So she sat on, with closed eyes, and half believed herself in Wonderland, though she knew she had but to open them again, and all would change to dull reality--the grass would be only rustling in the wind, and the pool rippling to the waving of the reeds--the rattling teacups would change to tinkling sheep-bells, and the Queen's shrill cries to the voice of the shepherd boy--and the sneeze of the baby, the shriek of the Gryphon, and all the other queer noises, would change (she knew) to the confused clamour of the busy farm-yard--while the lowing of the cattle in the distance would take the place of the Mock Turtle's heavy sobs. Lastly, she pictured to herself how this same little sister of hers would, in the after-time, be herself a grown woman; and | Alices Adventures In Wonderland | said the Queen. "Sentence first--verdict afterwards." "Stuff and nonsense!" said Alice loudly. "The idea of having the sentence first!" "Hold your tongue!" said the Queen, turning purple. "I won't!" said Alice. "Off with her head!" the Queen shouted at the top of her voice. Nobody moved. "Who cares for you?"<|quote|>said Alice, (she had grown to her full size by this time.)</|quote|>"You're nothing but a pack of cards!" At this the whole pack rose up into the air, and came flying down upon her: she gave a little scream, half of fright and half of anger, and tried to beat them off, and found herself lying on the bank, with her | {
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"content": "said the Queen. \"Sentence first--verdict afterwards.\" \"Stuff and nonsense!\" said Alice loudly. \"The idea of having the sentence first!\" \"Hold your tongue!\" said the Queen, turning purple. \"I won't!\" said Alice. \"Off with her head!\" the Queen shouted at the top of her voice. Nobody moved. \"Who cares for you?\"<|quote|>said Alice, (she had grown to her full size by this time.)</|quote|>\"You're nothing but a pack of cards!\" At this the whole pack rose up into the air, and came flying down upon her: she gave a little scream, half of fright and half of anger, and tried to beat them off, and found herself lying on the bank, with her",
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"what would become of me? They're dreadfully fond of beheading people here; the great wonder is, that there's any one left alive!" | Alice | minute, "and then," thought she,<|quote|>"what would become of me? They're dreadfully fond of beheading people here; the great wonder is, that there's any one left alive!"</|quote|>She was looking about for | that it might happen any minute, "and then," thought she,<|quote|>"what would become of me? They're dreadfully fond of beheading people here; the great wonder is, that there's any one left alive!"</|quote|>She was looking about for some way of escape, and | about, and shouting "Off with his head!" or "Off with her head!" about once in a minute. Alice began to feel very uneasy: to be sure, she had not as yet had any dispute with the Queen, but she knew that it might happen any minute, "and then," thought she,<|quote|>"what would become of me? They're dreadfully fond of beheading people here; the great wonder is, that there's any one left alive!"</|quote|>She was looking about for some way of escape, and wondering whether she could get away without being seen, when she noticed a curious appearance in the air: it puzzled her very much at first, but, after watching it a minute or two, she made it out to be a | ground, Alice soon came to the conclusion that it was a very difficult game indeed. The players all played at once without waiting for turns, quarrelling all the while, and fighting for the hedgehogs; and in a very short time the Queen was in a furious passion, and went stamping about, and shouting "Off with his head!" or "Off with her head!" about once in a minute. Alice began to feel very uneasy: to be sure, she had not as yet had any dispute with the Queen, but she knew that it might happen any minute, "and then," thought she,<|quote|>"what would become of me? They're dreadfully fond of beheading people here; the great wonder is, that there's any one left alive!"</|quote|>She was looking about for some way of escape, and wondering whether she could get away without being seen, when she noticed a curious appearance in the air: it puzzled her very much at first, but, after watching it a minute or two, she made it out to be a grin, and she said to herself "It's the Cheshire Cat: now I shall have somebody to talk to." "How are you getting on?" said the Cat, as soon as there was mouth enough for it to speak with. Alice waited till the eyes appeared, and then nodded. "It's no use | blow with its head, it _would_ twist itself round and look up in her face, with such a puzzled expression that she could not help bursting out laughing: and when she had got its head down, and was going to begin again, it was very provoking to find that the hedgehog had unrolled itself, and was in the act of crawling away: besides all this, there was generally a ridge or furrow in the way wherever she wanted to send the hedgehog to, and, as the doubled-up soldiers were always getting up and walking off to other parts of the ground, Alice soon came to the conclusion that it was a very difficult game indeed. The players all played at once without waiting for turns, quarrelling all the while, and fighting for the hedgehogs; and in a very short time the Queen was in a furious passion, and went stamping about, and shouting "Off with his head!" or "Off with her head!" about once in a minute. Alice began to feel very uneasy: to be sure, she had not as yet had any dispute with the Queen, but she knew that it might happen any minute, "and then," thought she,<|quote|>"what would become of me? They're dreadfully fond of beheading people here; the great wonder is, that there's any one left alive!"</|quote|>She was looking about for some way of escape, and wondering whether she could get away without being seen, when she noticed a curious appearance in the air: it puzzled her very much at first, but, after watching it a minute or two, she made it out to be a grin, and she said to herself "It's the Cheshire Cat: now I shall have somebody to talk to." "How are you getting on?" said the Cat, as soon as there was mouth enough for it to speak with. Alice waited till the eyes appeared, and then nodded. "It's no use speaking to it," she thought, "till its ears have come, or at least one of them." In another minute the whole head appeared, and then Alice put down her flamingo, and began an account of the game, feeling very glad she had someone to listen to her. The Cat seemed to think that there was enough of it now in sight, and no more of it appeared. "I don't think they play at all fairly," Alice began, in rather a complaining tone, "and they all quarrel so dreadfully one can't hear oneself speak--and they don't seem to have any rules | say 'What a pity!'?" the Rabbit asked. "No, I didn't," said Alice: "I don't think it's at all a pity. I said 'What for?'" "She boxed the Queen's ears--" the Rabbit began. Alice gave a little scream of laughter. "Oh, hush!" the Rabbit whispered in a frightened tone. "The Queen will hear you! You see, she came rather late, and the Queen said--" "Get to your places!" shouted the Queen in a voice of thunder, and people began running about in all directions, tumbling up against each other; however, they got settled down in a minute or two, and the game began. Alice thought she had never seen such a curious croquet-ground in her life; it was all ridges and furrows; the balls were live hedgehogs, the mallets live flamingoes, and the soldiers had to double themselves up and to stand on their hands and feet, to make the arches. The chief difficulty Alice found at first was in managing her flamingo: she succeeded in getting its body tucked away, comfortably enough, under her arm, with its legs hanging down, but generally, just as she had got its neck nicely straightened out, and was going to give the hedgehog a blow with its head, it _would_ twist itself round and look up in her face, with such a puzzled expression that she could not help bursting out laughing: and when she had got its head down, and was going to begin again, it was very provoking to find that the hedgehog had unrolled itself, and was in the act of crawling away: besides all this, there was generally a ridge or furrow in the way wherever she wanted to send the hedgehog to, and, as the doubled-up soldiers were always getting up and walking off to other parts of the ground, Alice soon came to the conclusion that it was a very difficult game indeed. The players all played at once without waiting for turns, quarrelling all the while, and fighting for the hedgehogs; and in a very short time the Queen was in a furious passion, and went stamping about, and shouting "Off with his head!" or "Off with her head!" about once in a minute. Alice began to feel very uneasy: to be sure, she had not as yet had any dispute with the Queen, but she knew that it might happen any minute, "and then," thought she,<|quote|>"what would become of me? They're dreadfully fond of beheading people here; the great wonder is, that there's any one left alive!"</|quote|>She was looking about for some way of escape, and wondering whether she could get away without being seen, when she noticed a curious appearance in the air: it puzzled her very much at first, but, after watching it a minute or two, she made it out to be a grin, and she said to herself "It's the Cheshire Cat: now I shall have somebody to talk to." "How are you getting on?" said the Cat, as soon as there was mouth enough for it to speak with. Alice waited till the eyes appeared, and then nodded. "It's no use speaking to it," she thought, "till its ears have come, or at least one of them." In another minute the whole head appeared, and then Alice put down her flamingo, and began an account of the game, feeling very glad she had someone to listen to her. The Cat seemed to think that there was enough of it now in sight, and no more of it appeared. "I don't think they play at all fairly," Alice began, in rather a complaining tone, "and they all quarrel so dreadfully one can't hear oneself speak--and they don't seem to have any rules in particular; at least, if there are, nobody attends to them--and you've no idea how confusing it is all the things being alive; for instance, there's the arch I've got to go through next walking about at the other end of the ground--and I should have croqueted the Queen's hedgehog just now, only it ran away when it saw mine coming!" "How do you like the Queen?" said the Cat in a low voice. "Not at all," said Alice: "she's so extremely--" Just then she noticed that the Queen was close behind her, listening: so she went on, "--likely to win, that it's hardly worth while finishing the game." The Queen smiled and passed on. "Who _are_ you talking to?" said the King, going up to Alice, and looking at the Cat's head with great curiosity. "It's a friend of mine--a Cheshire Cat," said Alice: "allow me to introduce it." "I don't like the look of it at all," said the King: "however, it may kiss my hand if it likes." "I'd rather not," the Cat remarked. "Don't be impertinent," said the King, "and don't look at me like that!" He got behind Alice as he spoke. "A cat may | or three of her own children. "How should _I_ know?" said Alice, surprised at her own courage. "It's no business of _mine_." The Queen turned crimson with fury, and, after glaring at her for a moment like a wild beast, screamed "Off with her head! Off--" "Nonsense!" said Alice, very loudly and decidedly, and the Queen was silent. The King laid his hand upon her arm, and timidly said "Consider, my dear: she is only a child!" The Queen turned angrily away from him, and said to the Knave "Turn them over!" The Knave did so, very carefully, with one foot. "Get up!" said the Queen, in a shrill, loud voice, and the three gardeners instantly jumped up, and began bowing to the King, the Queen, the royal children, and everybody else. "Leave off that!" screamed the Queen. "You make me giddy." And then, turning to the rose-tree, she went on, "What _have_ you been doing here?" "May it please your Majesty," said Two, in a very humble tone, going down on one knee as he spoke, "we were trying--" "_I_ see!" said the Queen, who had meanwhile been examining the roses. "Off with their heads!" and the procession moved on, three of the soldiers remaining behind to execute the unfortunate gardeners, who ran to Alice for protection. "You shan't be beheaded!" said Alice, and she put them into a large flower-pot that stood near. The three soldiers wandered about for a minute or two, looking for them, and then quietly marched off after the others. "Are their heads off?" shouted the Queen. "Their heads are gone, if it please your Majesty!" the soldiers shouted in reply. "That's right!" shouted the Queen. "Can you play croquet?" The soldiers were silent, and looked at Alice, as the question was evidently meant for her. "Yes!" shouted Alice. "Come on, then!" roared the Queen, and Alice joined the procession, wondering very much what would happen next. "It's--it's a very fine day!" said a timid voice at her side. She was walking by the White Rabbit, who was peeping anxiously into her face. "Very," said Alice: "--where's the Duchess?" "Hush! Hush!" said the Rabbit in a low, hurried tone. He looked anxiously over his shoulder as he spoke, and then raised himself upon tiptoe, put his mouth close to her ear, and whispered "She's under sentence of execution." "What for?" said Alice. "Did you say 'What a pity!'?" the Rabbit asked. "No, I didn't," said Alice: "I don't think it's at all a pity. I said 'What for?'" "She boxed the Queen's ears--" the Rabbit began. Alice gave a little scream of laughter. "Oh, hush!" the Rabbit whispered in a frightened tone. "The Queen will hear you! You see, she came rather late, and the Queen said--" "Get to your places!" shouted the Queen in a voice of thunder, and people began running about in all directions, tumbling up against each other; however, they got settled down in a minute or two, and the game began. Alice thought she had never seen such a curious croquet-ground in her life; it was all ridges and furrows; the balls were live hedgehogs, the mallets live flamingoes, and the soldiers had to double themselves up and to stand on their hands and feet, to make the arches. The chief difficulty Alice found at first was in managing her flamingo: she succeeded in getting its body tucked away, comfortably enough, under her arm, with its legs hanging down, but generally, just as she had got its neck nicely straightened out, and was going to give the hedgehog a blow with its head, it _would_ twist itself round and look up in her face, with such a puzzled expression that she could not help bursting out laughing: and when she had got its head down, and was going to begin again, it was very provoking to find that the hedgehog had unrolled itself, and was in the act of crawling away: besides all this, there was generally a ridge or furrow in the way wherever she wanted to send the hedgehog to, and, as the doubled-up soldiers were always getting up and walking off to other parts of the ground, Alice soon came to the conclusion that it was a very difficult game indeed. The players all played at once without waiting for turns, quarrelling all the while, and fighting for the hedgehogs; and in a very short time the Queen was in a furious passion, and went stamping about, and shouting "Off with his head!" or "Off with her head!" about once in a minute. Alice began to feel very uneasy: to be sure, she had not as yet had any dispute with the Queen, but she knew that it might happen any minute, "and then," thought she,<|quote|>"what would become of me? They're dreadfully fond of beheading people here; the great wonder is, that there's any one left alive!"</|quote|>She was looking about for some way of escape, and wondering whether she could get away without being seen, when she noticed a curious appearance in the air: it puzzled her very much at first, but, after watching it a minute or two, she made it out to be a grin, and she said to herself "It's the Cheshire Cat: now I shall have somebody to talk to." "How are you getting on?" said the Cat, as soon as there was mouth enough for it to speak with. Alice waited till the eyes appeared, and then nodded. "It's no use speaking to it," she thought, "till its ears have come, or at least one of them." In another minute the whole head appeared, and then Alice put down her flamingo, and began an account of the game, feeling very glad she had someone to listen to her. The Cat seemed to think that there was enough of it now in sight, and no more of it appeared. "I don't think they play at all fairly," Alice began, in rather a complaining tone, "and they all quarrel so dreadfully one can't hear oneself speak--and they don't seem to have any rules in particular; at least, if there are, nobody attends to them--and you've no idea how confusing it is all the things being alive; for instance, there's the arch I've got to go through next walking about at the other end of the ground--and I should have croqueted the Queen's hedgehog just now, only it ran away when it saw mine coming!" "How do you like the Queen?" said the Cat in a low voice. "Not at all," said Alice: "she's so extremely--" Just then she noticed that the Queen was close behind her, listening: so she went on, "--likely to win, that it's hardly worth while finishing the game." The Queen smiled and passed on. "Who _are_ you talking to?" said the King, going up to Alice, and looking at the Cat's head with great curiosity. "It's a friend of mine--a Cheshire Cat," said Alice: "allow me to introduce it." "I don't like the look of it at all," said the King: "however, it may kiss my hand if it likes." "I'd rather not," the Cat remarked. "Don't be impertinent," said the King, "and don't look at me like that!" He got behind Alice as he spoke. "A cat may look at a king," said Alice. "I've read that in some book, but I don't remember where." "Well, it must be removed," said the King very decidedly, and he called the Queen, who was passing at the moment, "My dear! I wish you would have this cat removed!" The Queen had only one way of settling all difficulties, great or small. "Off with his head!" she said, without even looking round. "I'll fetch the executioner myself," said the King eagerly, and he hurried off. Alice thought she might as well go back, and see how the game was going on, as she heard the Queen's voice in the distance, screaming with passion. She had already heard her sentence three of the players to be executed for having missed their turns, and she did not like the look of things at all, as the game was in such confusion that she never knew whether it was her turn or not. So she went in search of her hedgehog. The hedgehog was engaged in a fight with another hedgehog, which seemed to Alice an excellent opportunity for croqueting one of them with the other: the only difficulty was, that her flamingo was gone across to the other side of the garden, where Alice could see it trying in a helpless sort of way to fly up into a tree. By the time she had caught the flamingo and brought it back, the fight was over, and both the hedgehogs were out of sight: "but it doesn't matter much," thought Alice, "as all the arches are gone from this side of the ground." So she tucked it away under her arm, that it might not escape again, and went back for a little more conversation with her friend. When she got back to the Cheshire Cat, she was surprised to find quite a large crowd collected round it: there was a dispute going on between the executioner, the King, and the Queen, who were all talking at once, while all the rest were quite silent, and looked very uncomfortable. The moment Alice appeared, she was appealed to by all three to settle the question, and they repeated their arguments to her, though, as they all spoke at once, she found it very hard indeed to make out exactly what they said. The executioner's argument was, that you couldn't cut off a head unless | "Can you play croquet?" The soldiers were silent, and looked at Alice, as the question was evidently meant for her. "Yes!" shouted Alice. "Come on, then!" roared the Queen, and Alice joined the procession, wondering very much what would happen next. "It's--it's a very fine day!" said a timid voice at her side. She was walking by the White Rabbit, who was peeping anxiously into her face. "Very," said Alice: "--where's the Duchess?" "Hush! Hush!" said the Rabbit in a low, hurried tone. He looked anxiously over his shoulder as he spoke, and then raised himself upon tiptoe, put his mouth close to her ear, and whispered "She's under sentence of execution." "What for?" said Alice. "Did you say 'What a pity!'?" the Rabbit asked. "No, I didn't," said Alice: "I don't think it's at all a pity. I said 'What for?'" "She boxed the Queen's ears--" the Rabbit began. Alice gave a little scream of laughter. "Oh, hush!" the Rabbit whispered in a frightened tone. "The Queen will hear you! You see, she came rather late, and the Queen said--" "Get to your places!" shouted the Queen in a voice of thunder, and people began running about in all directions, tumbling up against each other; however, they got settled down in a minute or two, and the game began. Alice thought she had never seen such a curious croquet-ground in her life; it was all ridges and furrows; the balls were live hedgehogs, the mallets live flamingoes, and the soldiers had to double themselves up and to stand on their hands and feet, to make the arches. The chief difficulty Alice found at first was in managing her flamingo: she succeeded in getting its body tucked away, comfortably enough, under her arm, with its legs hanging down, but generally, just as she had got its neck nicely straightened out, and was going to give the hedgehog a blow with its head, it _would_ twist itself round and look up in her face, with such a puzzled expression that she could not help bursting out laughing: and when she had got its head down, and was going to begin again, it was very provoking to find that the hedgehog had unrolled itself, and was in the act of crawling away: besides all this, there was generally a ridge or furrow in the way wherever she wanted to send the hedgehog to, and, as the doubled-up soldiers were always getting up and walking off to other parts of the ground, Alice soon came to the conclusion that it was a very difficult game indeed. The players all played at once without waiting for turns, quarrelling all the while, and fighting for the hedgehogs; and in a very short time the Queen was in a furious passion, and went stamping about, and shouting "Off with his head!" or "Off with her head!" about once in a minute. Alice began to feel very uneasy: to be sure, she had not as yet had any dispute with the Queen, but she knew that it might happen any minute, "and then," thought she,<|quote|>"what would become of me? They're dreadfully fond of beheading people here; the great wonder is, that there's any one left alive!"</|quote|>She was looking about for some way of escape, and wondering whether she could get away without being seen, when she noticed a curious appearance in the air: it puzzled her very much at first, but, after watching it a minute or two, she made it out to be a grin, and she said to herself "It's the Cheshire Cat: now I shall have somebody to talk to." "How are you getting on?" said the Cat, as soon as there was mouth enough for it to speak with. Alice waited till the eyes appeared, and then nodded. "It's no use speaking to it," she thought, "till its ears have come, or at least one of them." In another minute the whole head appeared, and then Alice put down her flamingo, and began an account of the game, feeling very glad she had someone to listen to her. The Cat seemed to think that there was enough of it now in sight, and no more of it appeared. "I don't think they play at all fairly," Alice began, in rather a complaining tone, "and they all quarrel so dreadfully one can't hear oneself speak--and they don't seem to have any rules in particular; at least, if there are, nobody attends to them--and you've no idea how confusing it is all the things being alive; for instance, there's the arch I've got to go through next walking about at the other end of the ground--and I should have croqueted the Queen's hedgehog just now, only it ran away when it saw mine coming!" "How do you like the Queen?" said the Cat in a low voice. "Not at all," said Alice: "she's so extremely--" Just then she noticed that the Queen was close behind her, listening: so she went on, "--likely | Alices Adventures In Wonderland | about, and shouting "Off with his head!" or "Off with her head!" about once in a minute. Alice began to feel very uneasy: to be sure, she had not as yet had any dispute with the Queen, but she knew that it might happen any minute, "and then," thought she,<|quote|>"what would become of me? They're dreadfully fond of beheading people here; the great wonder is, that there's any one left alive!"</|quote|>She was looking about for some way of escape, and wondering whether she could get away without being seen, when she noticed a curious appearance in the air: it puzzled her very much at first, but, after watching it a minute or two, she made it out to be a | {
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"content": "about, and shouting \"Off with his head!\" or \"Off with her head!\" about once in a minute. Alice began to feel very uneasy: to be sure, she had not as yet had any dispute with the Queen, but she knew that it might happen any minute, \"and then,\" thought she,<|quote|>\"what would become of me? They're dreadfully fond of beheading people here; the great wonder is, that there's any one left alive!\"</|quote|>She was looking about for some way of escape, and wondering whether she could get away without being seen, when she noticed a curious appearance in the air: it puzzled her very much at first, but, after watching it a minute or two, she made it out to be a",
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(she was rather glad there _was_ no one listening, this time, as it didn't sound at all the right word) | No speaker | downward! The Antipathies, I think--"<|quote|>(she was rather glad there _was_ no one listening, this time, as it didn't sound at all the right word)</|quote|>"--but I shall have to | that walk with their heads downward! The Antipathies, I think--"<|quote|>(she was rather glad there _was_ no one listening, this time, as it didn't sound at all the right word)</|quote|>"--but I shall have to ask them what the name | idea what Latitude was, or Longitude either, but thought they were nice grand words to say.) Presently she began again. "I wonder if I shall fall right _through_ the earth! How funny it'll seem to come out among the people that walk with their heads downward! The Antipathies, I think--"<|quote|>(she was rather glad there _was_ no one listening, this time, as it didn't sound at all the right word)</|quote|>"--but I shall have to ask them what the name of the country is, you know. Please, Ma'am, is this New Zealand or Australia?" (and she tried to curtsey as she spoke--fancy _curtseying_ as you're falling through the air! Do you think you could manage it?) "And what an ignorant | though this was not a _very_ good opportunity for showing off her knowledge, as there was no one to listen to her, still it was good practice to say it over) "--yes, that's about the right distance--but then I wonder what Latitude or Longitude I've got to?" (Alice had no idea what Latitude was, or Longitude either, but thought they were nice grand words to say.) Presently she began again. "I wonder if I shall fall right _through_ the earth! How funny it'll seem to come out among the people that walk with their heads downward! The Antipathies, I think--"<|quote|>(she was rather glad there _was_ no one listening, this time, as it didn't sound at all the right word)</|quote|>"--but I shall have to ask them what the name of the country is, you know. Please, Ma'am, is this New Zealand or Australia?" (and she tried to curtsey as she spoke--fancy _curtseying_ as you're falling through the air! Do you think you could manage it?) "And what an ignorant little girl she'll think me for asking! No, it'll never do to ask: perhaps I shall see it written up somewhere." Down, down, down. There was nothing else to do, so Alice soon began talking again. "Dinah'll miss me very much to-night, I should think!" (Dinah was the cat.) "I | nothing of tumbling down stairs! How brave they'll all think me at home! Why, I wouldn't say anything about it, even if I fell off the top of the house!" (Which was very likely true.) Down, down, down. Would the fall _never_ come to an end? "I wonder how many miles I've fallen by this time?" she said aloud. "I must be getting somewhere near the centre of the earth. Let me see: that would be four thousand miles down, I think--" (for, you see, Alice had learnt several things of this sort in her lessons in the schoolroom, and though this was not a _very_ good opportunity for showing off her knowledge, as there was no one to listen to her, still it was good practice to say it over) "--yes, that's about the right distance--but then I wonder what Latitude or Longitude I've got to?" (Alice had no idea what Latitude was, or Longitude either, but thought they were nice grand words to say.) Presently she began again. "I wonder if I shall fall right _through_ the earth! How funny it'll seem to come out among the people that walk with their heads downward! The Antipathies, I think--"<|quote|>(she was rather glad there _was_ no one listening, this time, as it didn't sound at all the right word)</|quote|>"--but I shall have to ask them what the name of the country is, you know. Please, Ma'am, is this New Zealand or Australia?" (and she tried to curtsey as she spoke--fancy _curtseying_ as you're falling through the air! Do you think you could manage it?) "And what an ignorant little girl she'll think me for asking! No, it'll never do to ask: perhaps I shall see it written up somewhere." Down, down, down. There was nothing else to do, so Alice soon began talking again. "Dinah'll miss me very much to-night, I should think!" (Dinah was the cat.) "I hope they'll remember her saucer of milk at tea-time. Dinah my dear! I wish you were down here with me! There are no mice in the air, I'm afraid, but you might catch a bat, and that's very like a mouse, you know. But do cats eat bats, I wonder?" And here Alice began to get rather sleepy, and went on saying to herself, in a dreamy sort of way, "Do cats eat bats? Do cats eat bats?" and sometimes, "Do bats eat cats?" for, you see, as she couldn't answer either question, it didn't much matter which way she | she was to get out again. The rabbit-hole went straight on like a tunnel for some way, and then dipped suddenly down, so suddenly that Alice had not a moment to think about stopping herself before she found herself falling down a very deep well. Either the well was very deep, or she fell very slowly, for she had plenty of time as she went down to look about her and to wonder what was going to happen next. First, she tried to look down and make out what she was coming to, but it was too dark to see anything; then she looked at the sides of the well, and noticed that they were filled with cupboards and book-shelves; here and there she saw maps and pictures hung upon pegs. She took down a jar from one of the shelves as she passed; it was labelled "ORANGE MARMALADE", but to her great disappointment it was empty: she did not like to drop the jar for fear of killing somebody underneath, so managed to put it into one of the cupboards as she fell past it. "Well!" thought Alice to herself, "after such a fall as this, I shall think nothing of tumbling down stairs! How brave they'll all think me at home! Why, I wouldn't say anything about it, even if I fell off the top of the house!" (Which was very likely true.) Down, down, down. Would the fall _never_ come to an end? "I wonder how many miles I've fallen by this time?" she said aloud. "I must be getting somewhere near the centre of the earth. Let me see: that would be four thousand miles down, I think--" (for, you see, Alice had learnt several things of this sort in her lessons in the schoolroom, and though this was not a _very_ good opportunity for showing off her knowledge, as there was no one to listen to her, still it was good practice to say it over) "--yes, that's about the right distance--but then I wonder what Latitude or Longitude I've got to?" (Alice had no idea what Latitude was, or Longitude either, but thought they were nice grand words to say.) Presently she began again. "I wonder if I shall fall right _through_ the earth! How funny it'll seem to come out among the people that walk with their heads downward! The Antipathies, I think--"<|quote|>(she was rather glad there _was_ no one listening, this time, as it didn't sound at all the right word)</|quote|>"--but I shall have to ask them what the name of the country is, you know. Please, Ma'am, is this New Zealand or Australia?" (and she tried to curtsey as she spoke--fancy _curtseying_ as you're falling through the air! Do you think you could manage it?) "And what an ignorant little girl she'll think me for asking! No, it'll never do to ask: perhaps I shall see it written up somewhere." Down, down, down. There was nothing else to do, so Alice soon began talking again. "Dinah'll miss me very much to-night, I should think!" (Dinah was the cat.) "I hope they'll remember her saucer of milk at tea-time. Dinah my dear! I wish you were down here with me! There are no mice in the air, I'm afraid, but you might catch a bat, and that's very like a mouse, you know. But do cats eat bats, I wonder?" And here Alice began to get rather sleepy, and went on saying to herself, in a dreamy sort of way, "Do cats eat bats? Do cats eat bats?" and sometimes, "Do bats eat cats?" for, you see, as she couldn't answer either question, it didn't much matter which way she put it. She felt that she was dozing off, and had just begun to dream that she was walking hand in hand with Dinah, and saying to her very earnestly, "Now, Dinah, tell me the truth: did you ever eat a bat?" when suddenly, thump! thump! down she came upon a heap of sticks and dry leaves, and the fall was over. Alice was not a bit hurt, and she jumped up on to her feet in a moment: she looked up, but it was all dark overhead; before her was another long passage, and the White Rabbit was still in sight, hurrying down it. There was not a moment to be lost: away went Alice like the wind, and was just in time to hear it say, as it turned a corner, "Oh my ears and whiskers, how late it's getting!" She was close behind it when she turned the corner, but the Rabbit was no longer to be seen: she found herself in a long, low hall, which was lit up by a row of lamps hanging from the roof. There were doors all round the hall, but they were all locked; and when Alice had been all | CHAPTER I. Down the Rabbit-Hole Alice was beginning to get very tired of sitting by her sister on the bank, and of having nothing to do: once or twice she had peeped into the book her sister was reading, but it had no pictures or conversations in it, "and what is the use of a book," thought Alice "without pictures or conversations?" So she was considering in her own mind (as well as she could, for the hot day made her feel very sleepy and stupid), whether the pleasure of making a daisy-chain would be worth the trouble of getting up and picking the daisies, when suddenly a White Rabbit with pink eyes ran close by her. There was nothing so _very_ remarkable in that; nor did Alice think it so _very_ much out of the way to hear the Rabbit say to itself, "Oh dear! Oh dear! I shall be late!" (when she thought it over afterwards, it occurred to her that she ought to have wondered at this, but at the time it all seemed quite natural); but when the Rabbit actually _took a watch out of its waistcoat-pocket_, and looked at it, and then hurried on, Alice started to her feet, for it flashed across her mind that she had never before seen a rabbit with either a waistcoat-pocket, or a watch to take out of it, and burning with curiosity, she ran across the field after it, and fortunately was just in time to see it pop down a large rabbit-hole under the hedge. In another moment down went Alice after it, never once considering how in the world she was to get out again. The rabbit-hole went straight on like a tunnel for some way, and then dipped suddenly down, so suddenly that Alice had not a moment to think about stopping herself before she found herself falling down a very deep well. Either the well was very deep, or she fell very slowly, for she had plenty of time as she went down to look about her and to wonder what was going to happen next. First, she tried to look down and make out what she was coming to, but it was too dark to see anything; then she looked at the sides of the well, and noticed that they were filled with cupboards and book-shelves; here and there she saw maps and pictures hung upon pegs. She took down a jar from one of the shelves as she passed; it was labelled "ORANGE MARMALADE", but to her great disappointment it was empty: she did not like to drop the jar for fear of killing somebody underneath, so managed to put it into one of the cupboards as she fell past it. "Well!" thought Alice to herself, "after such a fall as this, I shall think nothing of tumbling down stairs! How brave they'll all think me at home! Why, I wouldn't say anything about it, even if I fell off the top of the house!" (Which was very likely true.) Down, down, down. Would the fall _never_ come to an end? "I wonder how many miles I've fallen by this time?" she said aloud. "I must be getting somewhere near the centre of the earth. Let me see: that would be four thousand miles down, I think--" (for, you see, Alice had learnt several things of this sort in her lessons in the schoolroom, and though this was not a _very_ good opportunity for showing off her knowledge, as there was no one to listen to her, still it was good practice to say it over) "--yes, that's about the right distance--but then I wonder what Latitude or Longitude I've got to?" (Alice had no idea what Latitude was, or Longitude either, but thought they were nice grand words to say.) Presently she began again. "I wonder if I shall fall right _through_ the earth! How funny it'll seem to come out among the people that walk with their heads downward! The Antipathies, I think--"<|quote|>(she was rather glad there _was_ no one listening, this time, as it didn't sound at all the right word)</|quote|>"--but I shall have to ask them what the name of the country is, you know. Please, Ma'am, is this New Zealand or Australia?" (and she tried to curtsey as she spoke--fancy _curtseying_ as you're falling through the air! Do you think you could manage it?) "And what an ignorant little girl she'll think me for asking! No, it'll never do to ask: perhaps I shall see it written up somewhere." Down, down, down. There was nothing else to do, so Alice soon began talking again. "Dinah'll miss me very much to-night, I should think!" (Dinah was the cat.) "I hope they'll remember her saucer of milk at tea-time. Dinah my dear! I wish you were down here with me! There are no mice in the air, I'm afraid, but you might catch a bat, and that's very like a mouse, you know. But do cats eat bats, I wonder?" And here Alice began to get rather sleepy, and went on saying to herself, in a dreamy sort of way, "Do cats eat bats? Do cats eat bats?" and sometimes, "Do bats eat cats?" for, you see, as she couldn't answer either question, it didn't much matter which way she put it. She felt that she was dozing off, and had just begun to dream that she was walking hand in hand with Dinah, and saying to her very earnestly, "Now, Dinah, tell me the truth: did you ever eat a bat?" when suddenly, thump! thump! down she came upon a heap of sticks and dry leaves, and the fall was over. Alice was not a bit hurt, and she jumped up on to her feet in a moment: she looked up, but it was all dark overhead; before her was another long passage, and the White Rabbit was still in sight, hurrying down it. There was not a moment to be lost: away went Alice like the wind, and was just in time to hear it say, as it turned a corner, "Oh my ears and whiskers, how late it's getting!" She was close behind it when she turned the corner, but the Rabbit was no longer to be seen: she found herself in a long, low hall, which was lit up by a row of lamps hanging from the roof. There were doors all round the hall, but they were all locked; and when Alice had been all the way down one side and up the other, trying every door, she walked sadly down the middle, wondering how she was ever to get out again. Suddenly she came upon a little three-legged table, all made of solid glass; there was nothing on it except a tiny golden key, and Alice's first thought was that it might belong to one of the doors of the hall; but, alas! either the locks were too large, or the key was too small, but at any rate it would not open any of them. However, on the second time round, she came upon a low curtain she had not noticed before, and behind it was a little door about fifteen inches high: she tried the little golden key in the lock, and to her great delight it fitted! Alice opened the door and found that it led into a small passage, not much larger than a rat-hole: she knelt down and looked along the passage into the loveliest garden you ever saw. How she longed to get out of that dark hall, and wander about among those beds of bright flowers and those cool fountains, but she could not even get her head through the doorway; "and even if my head would go through," thought poor Alice, "it would be of very little use without my shoulders. Oh, how I wish I could shut up like a telescope! I think I could, if I only knew how to begin." For, you see, so many out-of-the-way things had happened lately, that Alice had begun to think that very few things indeed were really impossible. There seemed to be no use in waiting by the little door, so she went back to the table, half hoping she might find another key on it, or at any rate a book of rules for shutting people up like telescopes: this time she found a little bottle on it, (" "which certainly was not here before," said Alice,) and round the neck of the bottle was a paper label, with the words "DRINK ME," beautifully printed on it in large letters. It was all very well to say "Drink me," but the wise little Alice was not going to do _that_ in a hurry. "No, I'll look first," she said, "and see whether it's marked '_poison_' or not" "; for she had read several nice little histories | looked at the sides of the well, and noticed that they were filled with cupboards and book-shelves; here and there she saw maps and pictures hung upon pegs. She took down a jar from one of the shelves as she passed; it was labelled "ORANGE MARMALADE", but to her great disappointment it was empty: she did not like to drop the jar for fear of killing somebody underneath, so managed to put it into one of the cupboards as she fell past it. "Well!" thought Alice to herself, "after such a fall as this, I shall think nothing of tumbling down stairs! How brave they'll all think me at home! Why, I wouldn't say anything about it, even if I fell off the top of the house!" (Which was very likely true.) Down, down, down. Would the fall _never_ come to an end? "I wonder how many miles I've fallen by this time?" she said aloud. "I must be getting somewhere near the centre of the earth. Let me see: that would be four thousand miles down, I think--" (for, you see, Alice had learnt several things of this sort in her lessons in the schoolroom, and though this was not a _very_ good opportunity for showing off her knowledge, as there was no one to listen to her, still it was good practice to say it over) "--yes, that's about the right distance--but then I wonder what Latitude or Longitude I've got to?" (Alice had no idea what Latitude was, or Longitude either, but thought they were nice grand words to say.) Presently she began again. "I wonder if I shall fall right _through_ the earth! How funny it'll seem to come out among the people that walk with their heads downward! The Antipathies, I think--"<|quote|>(she was rather glad there _was_ no one listening, this time, as it didn't sound at all the right word)</|quote|>"--but I shall have to ask them what the name of the country is, you know. Please, Ma'am, is this New Zealand or Australia?" (and she tried to curtsey as she spoke--fancy _curtseying_ as you're falling through the air! Do you think you could manage it?) "And what an ignorant little girl she'll think me for asking! No, it'll never do to ask: perhaps I shall see it written up somewhere." Down, down, down. There was nothing else to do, so Alice soon began talking again. "Dinah'll miss me very much to-night, I should think!" (Dinah was the cat.) "I hope they'll remember her saucer of milk at tea-time. Dinah my dear! I wish you were down here with me! There are no mice in the air, I'm afraid, but you might catch a bat, and that's very like a mouse, you know. But do cats eat bats, I wonder?" And here Alice began to get rather sleepy, and went on saying to herself, in a dreamy sort of way, "Do cats eat bats? Do cats eat bats?" and sometimes, "Do bats eat cats?" for, you see, as she couldn't answer either question, it didn't much matter which way she put it. She felt that she was dozing off, and had just begun to dream that she was walking hand in hand with Dinah, and saying to her very earnestly, "Now, Dinah, tell me the truth: did you ever eat a bat?" when suddenly, thump! thump! down she came upon a heap of sticks and dry leaves, and the fall was over. Alice was not a bit hurt, and she jumped up on to her feet in a moment: she looked up, but it was all dark overhead; before her was another long passage, and the White Rabbit was still in sight, hurrying down it. There was not a moment to be lost: away went Alice like the wind, and was just in time to hear it say, as it turned a corner, "Oh my ears and whiskers, how late it's getting!" She was close behind it when she turned the corner, but the Rabbit was no longer to be seen: she found herself in a long, low hall, which was lit up by a row of lamps hanging from the roof. There were doors all round the hall, but they were all locked; and when Alice had been all the way down one side and up the other, trying every door, she walked | Alices Adventures In Wonderland | idea what Latitude was, or Longitude either, but thought they were nice grand words to say.) Presently she began again. "I wonder if I shall fall right _through_ the earth! How funny it'll seem to come out among the people that walk with their heads downward! The Antipathies, I think--"<|quote|>(she was rather glad there _was_ no one listening, this time, as it didn't sound at all the right word)</|quote|>"--but I shall have to ask them what the name of the country is, you know. Please, Ma'am, is this New Zealand or Australia?" (and she tried to curtsey as she spoke--fancy _curtseying_ as you're falling through the air! Do you think you could manage it?) "And what an ignorant | {
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"It's the first position in dancing." | Alice | with his nose, you know?"<|quote|>"It's the first position in dancing."</|quote|>Alice said; but was dreadfully | _could_ he turn them out with his nose, you know?"<|quote|>"It's the first position in dancing."</|quote|>Alice said; but was dreadfully puzzled by the whole thing, | happen in a natural way again. "I should like to have it explained," said the Mock Turtle. "She can't explain it," said the Gryphon hastily. "Go on with the next verse." "But about his toes?" the Mock Turtle persisted. "How _could_ he turn them out with his nose, you know?"<|quote|>"It's the first position in dancing."</|quote|>Alice said; but was dreadfully puzzled by the whole thing, and longed to change the subject. "Go on with the next verse," the Gryphon repeated impatiently: "it begins" '_I passed by his garden_.'" Alice did not dare to disobey, though she felt sure it would all come wrong, and she | sound.] "That's different from what _I_ used to say when I was a child," said the Gryphon. "Well, I never heard it before," said the Mock Turtle; "but it sounds uncommon nonsense." Alice said nothing; she had sat down with her face in her hands, wondering if anything would _ever_ happen in a natural way again. "I should like to have it explained," said the Mock Turtle. "She can't explain it," said the Gryphon hastily. "Go on with the next verse." "But about his toes?" the Mock Turtle persisted. "How _could_ he turn them out with his nose, you know?"<|quote|>"It's the first position in dancing."</|quote|>Alice said; but was dreadfully puzzled by the whole thing, and longed to change the subject. "Go on with the next verse," the Gryphon repeated impatiently: "it begins" '_I passed by his garden_.'" Alice did not dare to disobey, though she felt sure it would all come wrong, and she went on in a trembling voice:-- "I passed by his garden, and marked, with one eye, How the Owl and the Panther were sharing a pie--" [later editions continued as follows The Panther took pie-crust, and gravy, and meat, While the Owl had the dish as its share of the | that she hardly knew what she was saying, and the words came very queer indeed:-- "'Tis the voice of the Lobster; I heard him declare, "You have baked me too brown, I must sugar my hair." As a duck with its eyelids, so he with his nose Trims his belt and his buttons, and turns out his toes." [later editions continued as follows When the sands are all dry, he is gay as a lark, And will talk in contemptuous tones of the Shark, But, when the tide rises and sharks are around, His voice has a timid and tremulous sound.] "That's different from what _I_ used to say when I was a child," said the Gryphon. "Well, I never heard it before," said the Mock Turtle; "but it sounds uncommon nonsense." Alice said nothing; she had sat down with her face in her hands, wondering if anything would _ever_ happen in a natural way again. "I should like to have it explained," said the Mock Turtle. "She can't explain it," said the Gryphon hastily. "Go on with the next verse." "But about his toes?" the Mock Turtle persisted. "How _could_ he turn them out with his nose, you know?"<|quote|>"It's the first position in dancing."</|quote|>Alice said; but was dreadfully puzzled by the whole thing, and longed to change the subject. "Go on with the next verse," the Gryphon repeated impatiently: "it begins" '_I passed by his garden_.'" Alice did not dare to disobey, though she felt sure it would all come wrong, and she went on in a trembling voice:-- "I passed by his garden, and marked, with one eye, How the Owl and the Panther were sharing a pie--" [later editions continued as follows The Panther took pie-crust, and gravy, and meat, While the Owl had the dish as its share of the treat. When the pie was all finished, the Owl, as a boon, Was kindly permitted to pocket the spoon: While the Panther received knife and fork with a growl, And concluded the banquet--] "What _is_ the use of repeating all that stuff," the Mock Turtle interrupted, "if you don't explain it as you go on? It's by far the most confusing thing _I_ ever heard!" "Yes, I think you'd better leave off," said the Gryphon: and Alice was only too glad to do so. "Shall we try another figure of the Lobster Quadrille?" the Gryphon went on. "Or would you | her adventures from the time when she first saw the White Rabbit. She was a little nervous about it just at first, the two creatures got so close to her, one on each side, and opened their eyes and mouths so _very_ wide, but she gained courage as she went on. Her listeners were perfectly quiet till she got to the part about her repeating "_You are old, Father William_," to the Caterpillar, and the words all coming different, and then the Mock Turtle drew a long breath, and said "That's very curious." "It's all about as curious as it can be," said the Gryphon. "It all came different!" the Mock Turtle repeated thoughtfully. "I should like to hear her try and repeat something now. Tell her to begin." He looked at the Gryphon as if he thought it had some kind of authority over Alice. "Stand up and repeat ''_Tis the voice of the sluggard_,'" said the Gryphon. "How the creatures order one about, and make one repeat lessons!" thought Alice; "I might as well be at school at once." However, she got up, and began to repeat it, but her head was so full of the Lobster Quadrille, that she hardly knew what she was saying, and the words came very queer indeed:-- "'Tis the voice of the Lobster; I heard him declare, "You have baked me too brown, I must sugar my hair." As a duck with its eyelids, so he with his nose Trims his belt and his buttons, and turns out his toes." [later editions continued as follows When the sands are all dry, he is gay as a lark, And will talk in contemptuous tones of the Shark, But, when the tide rises and sharks are around, His voice has a timid and tremulous sound.] "That's different from what _I_ used to say when I was a child," said the Gryphon. "Well, I never heard it before," said the Mock Turtle; "but it sounds uncommon nonsense." Alice said nothing; she had sat down with her face in her hands, wondering if anything would _ever_ happen in a natural way again. "I should like to have it explained," said the Mock Turtle. "She can't explain it," said the Gryphon hastily. "Go on with the next verse." "But about his toes?" the Mock Turtle persisted. "How _could_ he turn them out with his nose, you know?"<|quote|>"It's the first position in dancing."</|quote|>Alice said; but was dreadfully puzzled by the whole thing, and longed to change the subject. "Go on with the next verse," the Gryphon repeated impatiently: "it begins" '_I passed by his garden_.'" Alice did not dare to disobey, though she felt sure it would all come wrong, and she went on in a trembling voice:-- "I passed by his garden, and marked, with one eye, How the Owl and the Panther were sharing a pie--" [later editions continued as follows The Panther took pie-crust, and gravy, and meat, While the Owl had the dish as its share of the treat. When the pie was all finished, the Owl, as a boon, Was kindly permitted to pocket the spoon: While the Panther received knife and fork with a growl, And concluded the banquet--] "What _is_ the use of repeating all that stuff," the Mock Turtle interrupted, "if you don't explain it as you go on? It's by far the most confusing thing _I_ ever heard!" "Yes, I think you'd better leave off," said the Gryphon: and Alice was only too glad to do so. "Shall we try another figure of the Lobster Quadrille?" the Gryphon went on. "Or would you like the Mock Turtle to sing you a song?" "Oh, a song, please, if the Mock Turtle would be so kind," Alice replied, so eagerly that the Gryphon said, in a rather offended tone, "Hm! No accounting for tastes! Sing her '_Turtle Soup_,' will you, old fellow?" The Mock Turtle sighed deeply, and began, in a voice sometimes choked with sobs, to sing this:-- "Beautiful Soup, so rich and green, Waiting in a hot tureen! Who for such dainties would not stoop? Soup of the evening, beautiful Soup! Soup of the evening, beautiful Soup! Beau--ootiful Soo--oop! Beau--ootiful Soo--oop! Soo--oop of the e--e--evening, Beautiful, beautiful Soup!" "Beautiful Soup! Who cares for fish, Game, or any other dish? Who would not give all else for two p ennyworth only of beautiful Soup? Pennyworth only of beautiful Soup? Beau--ootiful Soo--oop! Beau--ootiful Soo--oop! Soo--oop of the e--e--evening, Beautiful, beauti--FUL SOUP!" "Chorus again!" cried the Gryphon, and the Mock Turtle had just begun to repeat it, when a cry of "The trial's beginning!" was heard in the distance. "Come on!" cried the Gryphon, and, taking Alice by the hand, it hurried off, without waiting for the end of the song. "What trial is it?" Alice | about the reason and all that," he said to the Gryphon. "The reason is," said the Gryphon, "that they _would_ go with the lobsters to the dance. So they got thrown out to sea. So they had to fall a long way. So they got their tails fast in their mouths. So they couldn't get them out again. That's all." "Thank you," said Alice, "it's very interesting. I never knew so much about a whiting before." "I can tell you more than that, if you like," said the Gryphon. "Do you know why it's called a whiting?" "I never thought about it," said Alice. "Why?" "_It does the boots and shoes_," the Gryphon replied very solemnly. Alice was thoroughly puzzled. "Does the boots and shoes!" she repeated in a wondering tone. "Why, what are _your_ shoes done with?" said the Gryphon. "I mean, what makes them so shiny?" Alice looked down at them, and considered a little before she gave her answer. "They're done with blacking, I believe." "Boots and shoes under the sea," the Gryphon went on in a deep voice, "are done with a whiting. Now you know." "And what are they made of?" Alice asked in a tone of great curiosity. "Soles and eels, of course," the Gryphon replied rather impatiently: "any shrimp could have told you that." "If I'd been the whiting," said Alice, whose thoughts were still running on the song, "I'd have said to the porpoise, 'Keep back, please: we don't want _you_ with us!'" "They were obliged to have him with them," the Mock Turtle said: "no wise fish would go anywhere without a porpoise." "Wouldn't it really?" said Alice in a tone of great surprise. "Of course not," said the Mock Turtle: "why, if a fish came to _me_, and told me he was going a journey, I should say 'With what porpoise?'" "Don't you mean 'purpose'?" said Alice. "I mean what I say," the Mock Turtle replied in an offended tone. And the Gryphon added "Come, let's hear some of _your_ adventures." "I could tell you my adventures--beginning from this morning," said Alice a little timidly: "but it's no use going back to yesterday, because I was a different person then." "Explain all that," said the Mock Turtle. "No, no! The adventures first," said the Gryphon in an impatient tone: "explanations take such a dreadful time." So Alice began telling them her adventures from the time when she first saw the White Rabbit. She was a little nervous about it just at first, the two creatures got so close to her, one on each side, and opened their eyes and mouths so _very_ wide, but she gained courage as she went on. Her listeners were perfectly quiet till she got to the part about her repeating "_You are old, Father William_," to the Caterpillar, and the words all coming different, and then the Mock Turtle drew a long breath, and said "That's very curious." "It's all about as curious as it can be," said the Gryphon. "It all came different!" the Mock Turtle repeated thoughtfully. "I should like to hear her try and repeat something now. Tell her to begin." He looked at the Gryphon as if he thought it had some kind of authority over Alice. "Stand up and repeat ''_Tis the voice of the sluggard_,'" said the Gryphon. "How the creatures order one about, and make one repeat lessons!" thought Alice; "I might as well be at school at once." However, she got up, and began to repeat it, but her head was so full of the Lobster Quadrille, that she hardly knew what she was saying, and the words came very queer indeed:-- "'Tis the voice of the Lobster; I heard him declare, "You have baked me too brown, I must sugar my hair." As a duck with its eyelids, so he with his nose Trims his belt and his buttons, and turns out his toes." [later editions continued as follows When the sands are all dry, he is gay as a lark, And will talk in contemptuous tones of the Shark, But, when the tide rises and sharks are around, His voice has a timid and tremulous sound.] "That's different from what _I_ used to say when I was a child," said the Gryphon. "Well, I never heard it before," said the Mock Turtle; "but it sounds uncommon nonsense." Alice said nothing; she had sat down with her face in her hands, wondering if anything would _ever_ happen in a natural way again. "I should like to have it explained," said the Mock Turtle. "She can't explain it," said the Gryphon hastily. "Go on with the next verse." "But about his toes?" the Mock Turtle persisted. "How _could_ he turn them out with his nose, you know?"<|quote|>"It's the first position in dancing."</|quote|>Alice said; but was dreadfully puzzled by the whole thing, and longed to change the subject. "Go on with the next verse," the Gryphon repeated impatiently: "it begins" '_I passed by his garden_.'" Alice did not dare to disobey, though she felt sure it would all come wrong, and she went on in a trembling voice:-- "I passed by his garden, and marked, with one eye, How the Owl and the Panther were sharing a pie--" [later editions continued as follows The Panther took pie-crust, and gravy, and meat, While the Owl had the dish as its share of the treat. When the pie was all finished, the Owl, as a boon, Was kindly permitted to pocket the spoon: While the Panther received knife and fork with a growl, And concluded the banquet--] "What _is_ the use of repeating all that stuff," the Mock Turtle interrupted, "if you don't explain it as you go on? It's by far the most confusing thing _I_ ever heard!" "Yes, I think you'd better leave off," said the Gryphon: and Alice was only too glad to do so. "Shall we try another figure of the Lobster Quadrille?" the Gryphon went on. "Or would you like the Mock Turtle to sing you a song?" "Oh, a song, please, if the Mock Turtle would be so kind," Alice replied, so eagerly that the Gryphon said, in a rather offended tone, "Hm! No accounting for tastes! Sing her '_Turtle Soup_,' will you, old fellow?" The Mock Turtle sighed deeply, and began, in a voice sometimes choked with sobs, to sing this:-- "Beautiful Soup, so rich and green, Waiting in a hot tureen! Who for such dainties would not stoop? Soup of the evening, beautiful Soup! Soup of the evening, beautiful Soup! Beau--ootiful Soo--oop! Beau--ootiful Soo--oop! Soo--oop of the e--e--evening, Beautiful, beautiful Soup!" "Beautiful Soup! Who cares for fish, Game, or any other dish? Who would not give all else for two p ennyworth only of beautiful Soup? Pennyworth only of beautiful Soup? Beau--ootiful Soo--oop! Beau--ootiful Soo--oop! Soo--oop of the e--e--evening, Beautiful, beauti--FUL SOUP!" "Chorus again!" cried the Gryphon, and the Mock Turtle had just begun to repeat it, when a cry of "The trial's beginning!" was heard in the distance. "Come on!" cried the Gryphon, and, taking Alice by the hand, it hurried off, without waiting for the end of the song. "What trial is it?" Alice panted as she ran; but the Gryphon only answered "Come on!" and ran the faster, while more and more faintly came, carried on the breeze that followed them, the melancholy words:-- "Soo--oop of the e--e--evening, Beautiful, beautiful Soup!" CHAPTER XI. Who Stole the Tarts? The King and Queen of Hearts were seated on their throne when they arrived, with a great crowd assembled about them--all sorts of little birds and beasts, as well as the whole pack of cards: the Knave was standing before them, in chains, with a soldier on each side to guard him; and near the King was the White Rabbit, with a trumpet in one hand, and a scroll of parchment in the other. In the very middle of the court was a table, with a large dish of tarts upon it: they looked so good, that it made Alice quite hungry to look at them--" "I wish they'd get the trial done," she thought, "and hand round the refreshments!" But there seemed to be no chance of this, so she began looking at everything about her, to pass away the time. Alice had never been in a court of justice before, but she had read about them in books, and she was quite pleased to find that she knew the name of nearly everything there. "That's the judge," she said to herself, "because of his great wig." The judge, by the way, was the King; and as he wore his crown over the wig, (look at the frontispiece if you want to see how he did it,) he did not look at all comfortable, and it was certainly not becoming. "And that's the jury-box," thought Alice, "and those twelve creatures," (she was obliged to say "creatures," you see, because some of them were animals, and some were birds,) "I suppose they are the jurors." She said this last word two or three times over to herself, being rather proud of it: for she thought, and rightly too, that very few little girls of her age knew the meaning of it at all. However, "jury-men" would have done just as well. The twelve jurors were all writing very busily on slates. "What are they doing?" Alice whispered to the Gryphon. "They can't have anything to put down yet, before the trial's begun." "They're putting down their names," the Gryphon whispered in reply, "for fear they should | the voice of the sluggard_,'" said the Gryphon. "How the creatures order one about, and make one repeat lessons!" thought Alice; "I might as well be at school at once." However, she got up, and began to repeat it, but her head was so full of the Lobster Quadrille, that she hardly knew what she was saying, and the words came very queer indeed:-- "'Tis the voice of the Lobster; I heard him declare, "You have baked me too brown, I must sugar my hair." As a duck with its eyelids, so he with his nose Trims his belt and his buttons, and turns out his toes." [later editions continued as follows When the sands are all dry, he is gay as a lark, And will talk in contemptuous tones of the Shark, But, when the tide rises and sharks are around, His voice has a timid and tremulous sound.] "That's different from what _I_ used to say when I was a child," said the Gryphon. "Well, I never heard it before," said the Mock Turtle; "but it sounds uncommon nonsense." Alice said nothing; she had sat down with her face in her hands, wondering if anything would _ever_ happen in a natural way again. "I should like to have it explained," said the Mock Turtle. "She can't explain it," said the Gryphon hastily. "Go on with the next verse." "But about his toes?" the Mock Turtle persisted. "How _could_ he turn them out with his nose, you know?"<|quote|>"It's the first position in dancing."</|quote|>Alice said; but was dreadfully puzzled by the whole thing, and longed to change the subject. "Go on with the next verse," the Gryphon repeated impatiently: "it begins" '_I passed by his garden_.'" Alice did not dare to disobey, though she felt sure it would all come wrong, and she went on in a trembling voice:-- "I passed by his garden, and marked, with one eye, How the Owl and the Panther were sharing a pie--" [later editions continued as follows The Panther took pie-crust, and gravy, and meat, While the Owl had the dish as its share of the treat. When the pie was all finished, the Owl, as a boon, Was kindly permitted to pocket the spoon: While the Panther received knife and fork with a growl, And concluded the banquet--] "What _is_ the use of repeating all that stuff," the Mock Turtle interrupted, "if you don't explain it as you go on? It's by far the most confusing thing _I_ ever heard!" "Yes, I think you'd better leave off," said the Gryphon: and Alice was only too glad to do so. "Shall we try another figure of the Lobster Quadrille?" the Gryphon went on. "Or would you like the Mock Turtle to sing you a song?" "Oh, a song, please, if the Mock Turtle would be so kind," Alice replied, so eagerly that the Gryphon said, in a rather offended tone, "Hm! No accounting for tastes! Sing her '_Turtle Soup_,' will you, old fellow?" The Mock Turtle sighed deeply, and began, in a voice sometimes choked with sobs, to sing this:-- "Beautiful Soup, so rich and green, Waiting in a hot tureen! Who for such dainties would not stoop? Soup of the evening, beautiful Soup! Soup of the evening, beautiful Soup! Beau--ootiful Soo--oop! Beau--ootiful Soo--oop! Soo--oop of the e--e--evening, Beautiful, beautiful Soup!" "Beautiful Soup! Who cares for fish, Game, or any other dish? Who would not give all else for two p ennyworth only of beautiful Soup? Pennyworth only of beautiful Soup? Beau--ootiful Soo--oop! Beau--ootiful Soo--oop! Soo--oop of the e--e--evening, Beautiful, beauti--FUL SOUP!" "Chorus again!" cried the Gryphon, and the Mock Turtle had just begun to repeat it, when a cry of "The trial's beginning!" was heard in the distance. "Come on!" cried the Gryphon, and, taking Alice by the hand, it hurried off, without waiting for the end of the song. "What trial is it?" Alice panted as she ran; but the Gryphon only answered "Come on!" and ran the faster, while more and more faintly came, carried on the breeze that followed them, the melancholy words:-- "Soo--oop of the e--e--evening, Beautiful, beautiful Soup!" CHAPTER XI. Who Stole the Tarts? The King and Queen of Hearts were seated on their throne when they arrived, with a great crowd assembled about them--all sorts of little birds and beasts, as well as the whole pack of cards: the Knave was standing before them, in chains, with a soldier on each side to guard him; and near the King was the White Rabbit, with a trumpet in one hand, and a scroll of parchment in the other. In the very middle of the court was a table, with a large dish of tarts upon it: they looked so good, that it made Alice quite hungry | Alices Adventures In Wonderland | happen in a natural way again. "I should like to have it explained," said the Mock Turtle. "She can't explain it," said the Gryphon hastily. "Go on with the next verse." "But about his toes?" the Mock Turtle persisted. "How _could_ he turn them out with his nose, you know?"<|quote|>"It's the first position in dancing."</|quote|>Alice said; but was dreadfully puzzled by the whole thing, and longed to change the subject. "Go on with the next verse," the Gryphon repeated impatiently: "it begins" '_I passed by his garden_.'" Alice did not dare to disobey, though she felt sure it would all come wrong, and she | {
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"content": "happen in a natural way again. \"I should like to have it explained,\" said the Mock Turtle. \"She can't explain it,\" said the Gryphon hastily. \"Go on with the next verse.\" \"But about his toes?\" the Mock Turtle persisted. \"How _could_ he turn them out with his nose, you know?\"<|quote|>\"It's the first position in dancing.\"</|quote|>Alice said; but was dreadfully puzzled by the whole thing, and longed to change the subject. \"Go on with the next verse,\" the Gryphon repeated impatiently: \"it begins\" '_I passed by his garden_.'\" Alice did not dare to disobey, though she felt sure it would all come wrong, and she",
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says Kat gloomily. | No speaker | will be like the Somme,"<|quote|>says Kat gloomily.</|quote|>"There we were shelled steadily | avoid each other's eyes. "It will be like the Somme,"<|quote|>says Kat gloomily.</|quote|>"There we were shelled steadily for seven days and nights." | appears. Dawn approaches without anything happening--only the everlasting, nerve-wracking roll behind the enemy lines, trains, trains, lorries, lorries; but what are they concentrating? Our artillery fires on it continually, but still it does not cease. We have tired faces and avoid each other's eyes. "It will be like the Somme,"<|quote|>says Kat gloomily.</|quote|>"There we were shelled steadily for seven days and nights." Kat has lost all his fun since we have been here, which is bad, for Kat is an old front-hog, and can smell what is coming. Only Tjaden seems pleased with the good rations and the rum; he thinks we | out again; and in the interval he may easily get one himself. And what's more the blade often gets broken off. At night they send over gas. We expect the attack to follow and lie with our masks on, ready to tear them off as soon as the first shadow appears. Dawn approaches without anything happening--only the everlasting, nerve-wracking roll behind the enemy lines, trains, trains, lorries, lorries; but what are they concentrating? Our artillery fires on it continually, but still it does not cease. We have tired faces and avoid each other's eyes. "It will be like the Somme,"<|quote|>says Kat gloomily.</|quote|>"There we were shelled steadily for seven days and nights." Kat has lost all his fun since we have been here, which is bad, for Kat is an old front-hog, and can smell what is coming. Only Tjaden seems pleased with the good rations and the rum; he thinks we might even go back to rest without anything happening at all. It almost looks like it. Day after day passes. At night I squat in the listening-post. Above me the rockets and parachute-lights shoot up and float down again. I am cautious and tense, my heart thumps. My eyes turn | ordinary kind. But the bayonet has practically lost its importance. It is usually the fashion now to charge with bombs and spades only. The sharpened spade is a more handy and many-sided weapon; not only can it be used for jabbing a man under the chin, but it is much better for striking with because of its greater weight, and if one hits between the neck and shoulder it easily cleaves as far down as the chest. The bayonet frequently jams on the thrust and then a man has to kick hard on the other fellow's belly to pull it out again; and in the interval he may easily get one himself. And what's more the blade often gets broken off. At night they send over gas. We expect the attack to follow and lie with our masks on, ready to tear them off as soon as the first shadow appears. Dawn approaches without anything happening--only the everlasting, nerve-wracking roll behind the enemy lines, trains, trains, lorries, lorries; but what are they concentrating? Our artillery fires on it continually, but still it does not cease. We have tired faces and avoid each other's eyes. "It will be like the Somme,"<|quote|>says Kat gloomily.</|quote|>"There we were shelled steadily for seven days and nights." Kat has lost all his fun since we have been here, which is bad, for Kat is an old front-hog, and can smell what is coming. Only Tjaden seems pleased with the good rations and the rum; he thinks we might even go back to rest without anything happening at all. It almost looks like it. Day after day passes. At night I squat in the listening-post. Above me the rockets and parachute-lights shoot up and float down again. I am cautious and tense, my heart thumps. My eyes turn again and again to the luminous dial of my watch; the hands will not budge. Sleep hangs on my eyelids, I work my toes in my boots in order to keep awake. Nothing happens till I am relieved;--only the everlasting rolling over there. Gradually we grow calmer and play skat and poker continually. Perhaps we will be lucky. All day the sky is hung with observation balloons. There is a rumour that the enemy are going to put tanks over and use low-flying planes for the attack. But that interests us less than what we hear of the new flame-throwers. | on the floor has been carried off. In the adjoining sector they attacked two large cats and a dog, bit them to death and devoured them. Next day there is an issue of Edamer cheese. Each man gets almost a quarter of a cheese. In one way that is all to the good, for Edamer is tasty--but in another way it is vile, because the fat red balls have long been a sign of a bad time coming. Our forebodings increase as rum is served out. We drink it of course; but are not greatly comforted. For days we loaf about and make war on the rats. Ammunition and hand-grenades become more plentiful. We even overhaul the bayonets--that is to say, the ones that have a saw on the blunt edge. If the fellows over there catch a man with one of those he's killed at sight. In the next sector some of our men were found whose noses were cut off and their eyes poked out with their own saw-bayonets. Their mouths and noses were stuffed with sawdust so that they suffocated. Some of the recruits have bayonets of this kind; we take them away and give them the ordinary kind. But the bayonet has practically lost its importance. It is usually the fashion now to charge with bombs and spades only. The sharpened spade is a more handy and many-sided weapon; not only can it be used for jabbing a man under the chin, but it is much better for striking with because of its greater weight, and if one hits between the neck and shoulder it easily cleaves as far down as the chest. The bayonet frequently jams on the thrust and then a man has to kick hard on the other fellow's belly to pull it out again; and in the interval he may easily get one himself. And what's more the blade often gets broken off. At night they send over gas. We expect the attack to follow and lie with our masks on, ready to tear them off as soon as the first shadow appears. Dawn approaches without anything happening--only the everlasting, nerve-wracking roll behind the enemy lines, trains, trains, lorries, lorries; but what are they concentrating? Our artillery fires on it continually, but still it does not cease. We have tired faces and avoid each other's eyes. "It will be like the Somme,"<|quote|>says Kat gloomily.</|quote|>"There we were shelled steadily for seven days and nights." Kat has lost all his fun since we have been here, which is bad, for Kat is an old front-hog, and can smell what is coming. Only Tjaden seems pleased with the good rations and the rum; he thinks we might even go back to rest without anything happening at all. It almost looks like it. Day after day passes. At night I squat in the listening-post. Above me the rockets and parachute-lights shoot up and float down again. I am cautious and tense, my heart thumps. My eyes turn again and again to the luminous dial of my watch; the hands will not budge. Sleep hangs on my eyelids, I work my toes in my boots in order to keep awake. Nothing happens till I am relieved;--only the everlasting rolling over there. Gradually we grow calmer and play skat and poker continually. Perhaps we will be lucky. All day the sky is hung with observation balloons. There is a rumour that the enemy are going to put tanks over and use low-flying planes for the attack. But that interests us less than what we hear of the new flame-throwers. * * We wake up in the middle of the night. The earth booms. Heavy fire is falling on us. We crouch into corners. We distinguish shells of every calibre. Each man lays hold of his things and looks again every minute to reassure himself that they are still there. The dug-out heaves, the night roars and flashes. We look at each other in the momentary flashes of light, and with pale faces and pressed lips shake our heads. Every man is aware of the heavy shells tearing down the parapet, rooting up the embankment and demolishing the upper layers of concrete. When a shell lands in the trench we note how the hollow, furious blast is like a blow from the paw of a raging beast of prey. Already by morning a few of the recruits are green and vomiting. They are too inexperienced. Slowly the grey light trickles into the post and pales the flashes of the shells. Morning is come. The explosion of mines mingles with the gun-fire. That is the most dementing convulsion of all. The whole region where they go up becomes one grave. The reliefs go out, the observers stagger in, covered with dirt, | I went back to the second and arrived just in time to lend a hand digging it out. In the interval it had been buried. It is just as much a matter of chance that I am still alive as that I might have been hit. In a bomb-proof dug-out I may be smashed to atoms and in the open may survive ten hours' bombardment unscathed. No soldier outlives a thousand chances. But every soldier believes in Chance and trusts his luck. * * We must look out for our bread. The rats have become much more numerous lately because the trenches are no longer in good condition. Detering says it is a sure sign of a coming bombardment. The rats here are particularly repulsive, they are so fat--the kind we call corpse-rats. They have shocking, evil, naked faces, and it is nauseating to see their long, nude tails. They seem to be mighty hungry. Almost every man has had his bread gnawed. Kropp wrapped his in his waterproof sheet and put it under his head, but he cannot sleep because they run over his face to get at it. Detering meant to outwit them: he fastened a thin wire to the roof and suspended his bread from it. During the night when he switched on his pocket-torch he saw the wire swinging to and fro. On the bread was riding a fat rat. At last we put a stop to it. We cannot afford to throw the bread away, because already we have practically nothing left to eat in the morning, so we carefully cut off the bits of bread that the animals have gnawed. The slices we cut off are heaped together in the middle of the floor. Each man takes out his spade and lies down prepared to strike. Detering, Kropp, and Kat hold their pocket-lamps ready. After a few minutes we hear the first shuffling and tugging. It grows, now it is the sound of many little feet. Then the torches switch on and every man strikes at the heap, which scatters with a rush. The result is good. We toss the bits of rat over the parapet and again lie in wait. Several times we repeat the process. At last the beasts get wise to it, or perhaps they have scented the blood. They return no more. Nevertheless, before morning the remainder of the bread on the floor has been carried off. In the adjoining sector they attacked two large cats and a dog, bit them to death and devoured them. Next day there is an issue of Edamer cheese. Each man gets almost a quarter of a cheese. In one way that is all to the good, for Edamer is tasty--but in another way it is vile, because the fat red balls have long been a sign of a bad time coming. Our forebodings increase as rum is served out. We drink it of course; but are not greatly comforted. For days we loaf about and make war on the rats. Ammunition and hand-grenades become more plentiful. We even overhaul the bayonets--that is to say, the ones that have a saw on the blunt edge. If the fellows over there catch a man with one of those he's killed at sight. In the next sector some of our men were found whose noses were cut off and their eyes poked out with their own saw-bayonets. Their mouths and noses were stuffed with sawdust so that they suffocated. Some of the recruits have bayonets of this kind; we take them away and give them the ordinary kind. But the bayonet has practically lost its importance. It is usually the fashion now to charge with bombs and spades only. The sharpened spade is a more handy and many-sided weapon; not only can it be used for jabbing a man under the chin, but it is much better for striking with because of its greater weight, and if one hits between the neck and shoulder it easily cleaves as far down as the chest. The bayonet frequently jams on the thrust and then a man has to kick hard on the other fellow's belly to pull it out again; and in the interval he may easily get one himself. And what's more the blade often gets broken off. At night they send over gas. We expect the attack to follow and lie with our masks on, ready to tear them off as soon as the first shadow appears. Dawn approaches without anything happening--only the everlasting, nerve-wracking roll behind the enemy lines, trains, trains, lorries, lorries; but what are they concentrating? Our artillery fires on it continually, but still it does not cease. We have tired faces and avoid each other's eyes. "It will be like the Somme,"<|quote|>says Kat gloomily.</|quote|>"There we were shelled steadily for seven days and nights." Kat has lost all his fun since we have been here, which is bad, for Kat is an old front-hog, and can smell what is coming. Only Tjaden seems pleased with the good rations and the rum; he thinks we might even go back to rest without anything happening at all. It almost looks like it. Day after day passes. At night I squat in the listening-post. Above me the rockets and parachute-lights shoot up and float down again. I am cautious and tense, my heart thumps. My eyes turn again and again to the luminous dial of my watch; the hands will not budge. Sleep hangs on my eyelids, I work my toes in my boots in order to keep awake. Nothing happens till I am relieved;--only the everlasting rolling over there. Gradually we grow calmer and play skat and poker continually. Perhaps we will be lucky. All day the sky is hung with observation balloons. There is a rumour that the enemy are going to put tanks over and use low-flying planes for the attack. But that interests us less than what we hear of the new flame-throwers. * * We wake up in the middle of the night. The earth booms. Heavy fire is falling on us. We crouch into corners. We distinguish shells of every calibre. Each man lays hold of his things and looks again every minute to reassure himself that they are still there. The dug-out heaves, the night roars and flashes. We look at each other in the momentary flashes of light, and with pale faces and pressed lips shake our heads. Every man is aware of the heavy shells tearing down the parapet, rooting up the embankment and demolishing the upper layers of concrete. When a shell lands in the trench we note how the hollow, furious blast is like a blow from the paw of a raging beast of prey. Already by morning a few of the recruits are green and vomiting. They are too inexperienced. Slowly the grey light trickles into the post and pales the flashes of the shells. Morning is come. The explosion of mines mingles with the gun-fire. That is the most dementing convulsion of all. The whole region where they go up becomes one grave. The reliefs go out, the observers stagger in, covered with dirt, and trembling. One lies down in silence in the corner and eats, the other, a reservist-reinforcement, sobs; twice he has been flung over the parapet by the blast of the explosions without getting any more than shell-shock. The recruits are eyeing him. We must watch them, these things are catching, already some lips begin to quiver. It is good that it is growing daylight; perhaps the attack will come before noon. The bombardment does not diminish. It is falling in the rear too. As far as one can see it spouts fountains of mud and iron. A wide belt is being raked. The attack does not come, but the bombardment continues. Slowly we become mute. Hardly a man speaks. We cannot make ourselves understood. Our trench is almost gone. At many places it is only eighteen inches high, it is broken by holes, and craters, and mountains of earth. A shell lands square in front of our post. At once it is dark. We are buried and must dig ourselves out. After an hour the entrance is clear again, and we are calmer because we have had something to do. Our company commander scrambles in and reports that two dug-outs are gone. The recruits calm themselves when they see him. He says that an attempt will be made to bring up food this evening. That sounds reassuring. No one had thought of it except Tjaden. Now the outside world seems to draw a little nearer: if food can be brought up, think the recruits, then it can't really be so bad. We do not disabuse them; we know that food is as important as ammunition and only for that reason must be brought up. But it miscarries. A second party goes out, and it also turns back. Finally Kat tries, and even he reappears without accomplishing anything. No one gets through, not even a fly is small enough to get through such a barrage. We pull in our belts tighter and chew every mouthful three times as long. Still the food does not last out; we are damnably hungry. I take out a scrap of bread, eat the white and put the crust back in my knapsack; from time to time I nibble at it. * * The night is unbearable. We cannot sleep, but stare ahead of us and doze. Tjaden regrets that we wasted the gnawed pieces of | kind; we take them away and give them the ordinary kind. But the bayonet has practically lost its importance. It is usually the fashion now to charge with bombs and spades only. The sharpened spade is a more handy and many-sided weapon; not only can it be used for jabbing a man under the chin, but it is much better for striking with because of its greater weight, and if one hits between the neck and shoulder it easily cleaves as far down as the chest. The bayonet frequently jams on the thrust and then a man has to kick hard on the other fellow's belly to pull it out again; and in the interval he may easily get one himself. And what's more the blade often gets broken off. At night they send over gas. We expect the attack to follow and lie with our masks on, ready to tear them off as soon as the first shadow appears. Dawn approaches without anything happening--only the everlasting, nerve-wracking roll behind the enemy lines, trains, trains, lorries, lorries; but what are they concentrating? Our artillery fires on it continually, but still it does not cease. We have tired faces and avoid each other's eyes. "It will be like the Somme,"<|quote|>says Kat gloomily.</|quote|>"There we were shelled steadily for seven days and nights." Kat has lost all his fun since we have been here, which is bad, for Kat is an old front-hog, and can smell what is coming. Only Tjaden seems pleased with the good rations and the rum; he thinks we might even go back to rest without anything happening at all. It almost looks like it. Day after day passes. At night I squat in the listening-post. Above me the rockets and parachute-lights shoot up and float down again. I am cautious and tense, my heart thumps. My eyes turn again and again to the luminous dial of my watch; the hands will not budge. Sleep hangs on my eyelids, I work my toes in my boots in order to keep awake. Nothing happens till I am relieved;--only the everlasting rolling over there. Gradually we grow calmer and play skat and poker continually. Perhaps we will be lucky. All day the sky is hung with observation balloons. There is a rumour that the enemy are going to put tanks over and use low-flying planes for the attack. But that interests us less than what we hear of the new flame-throwers. * * We wake up in the middle of the night. The earth booms. Heavy fire is falling on us. We crouch into corners. We distinguish shells of every calibre. Each man lays hold of his things and looks again every minute to reassure himself that they are still there. The dug-out heaves, the night roars and flashes. We look at each other in the momentary flashes of light, and with pale faces and pressed lips shake our heads. Every man is aware of the heavy shells tearing down the parapet, rooting up the embankment and demolishing the upper layers of concrete. When a shell lands in the trench we note how the hollow, furious blast is like a blow from the paw of a raging beast of prey. Already by morning a few of the recruits are green and vomiting. They are too inexperienced. Slowly the grey light trickles into the post and pales the flashes of the shells. Morning is come. The explosion of mines mingles with the gun-fire. That is the most dementing convulsion of all. The whole region where they go up becomes one grave. The reliefs go out, the observers stagger in, covered with dirt, and trembling. One lies down in silence in the corner and eats, the other, a reservist-reinforcement, sobs; twice he has been flung over the parapet by the blast of the explosions without getting any more than shell-shock. The recruits are eyeing him. We must watch them, these things are catching, already some lips begin to quiver. It is good that it is growing daylight; perhaps | All Quiet on the Western Front | appears. Dawn approaches without anything happening--only the everlasting, nerve-wracking roll behind the enemy lines, trains, trains, lorries, lorries; but what are they concentrating? Our artillery fires on it continually, but still it does not cease. We have tired faces and avoid each other's eyes. "It will be like the Somme,"<|quote|>says Kat gloomily.</|quote|>"There we were shelled steadily for seven days and nights." Kat has lost all his fun since we have been here, which is bad, for Kat is an old front-hog, and can smell what is coming. Only Tjaden seems pleased with the good rations and the rum; he thinks we | {
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"content": "appears. Dawn approaches without anything happening--only the everlasting, nerve-wracking roll behind the enemy lines, trains, trains, lorries, lorries; but what are they concentrating? Our artillery fires on it continually, but still it does not cease. We have tired faces and avoid each other's eyes. \"It will be like the Somme,\"<|quote|>says Kat gloomily.</|quote|>\"There we were shelled steadily for seven days and nights.\" Kat has lost all his fun since we have been here, which is bad, for Kat is an old front-hog, and can smell what is coming. Only Tjaden seems pleased with the good rations and the rum; he thinks we",
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"I'll settle Miss Anne when she comes home," | Marilla Cuthbert | against Matthew's return from plowing.<|quote|>"I'll settle Miss Anne when she comes home,"</|quote|>said Marilla grimly, as she | and prepare the meal herself against Matthew's return from plowing.<|quote|>"I'll settle Miss Anne when she comes home,"</|quote|>said Marilla grimly, as she shaved up kindlings with a | fire black out, with no sign of Anne anywhere, she felt justly disappointed and irritated. She had told Anne to be sure and have tea ready at five o'clock, but now she must hurry to take off her second-best dress and prepare the meal herself against Matthew's return from plowing.<|quote|>"I'll settle Miss Anne when she comes home,"</|quote|>said Marilla grimly, as she shaved up kindlings with a carving knife and with more vim than was strictly necessary. Matthew had come in and was waiting patiently for his tea in his corner. "She's gadding off somewhere with Diana, writing stories or practicing dialogues or some such tomfoolery, and | really a satisfaction to know that she was going home to a briskly snapping wood fire and a table nicely spread for tea, instead of to the cold comfort of old Aid meeting evenings before Anne had come to Green Gables. Consequently, when Marilla entered her kitchen and found the fire black out, with no sign of Anne anywhere, she felt justly disappointed and irritated. She had told Anne to be sure and have tea ready at five o'clock, but now she must hurry to take off her second-best dress and prepare the meal herself against Matthew's return from plowing.<|quote|>"I'll settle Miss Anne when she comes home,"</|quote|>said Marilla grimly, as she shaved up kindlings with a carving knife and with more vim than was strictly necessary. Matthew had come in and was waiting patiently for his tea in his corner. "She's gadding off somewhere with Diana, writing stories or practicing dialogues or some such tomfoolery, and never thinking once about the time or her duties. She's just got to be pulled up short and sudden on this sort of thing. I don't care if Mrs. Allan does say she's the brightest and sweetest child she ever knew. She may be bright and sweet enough, but her | of long, sharp-pointed fir shadows falling over the meadow beyond the brook, of still, crimson-budded maples around a mirrorlike wood pool, of a wakening in the world and a stir of hidden pulses under the gray sod. The spring was abroad in the land and Marilla's sober, middle-aged step was lighter and swifter because of its deep, primal gladness. Her eyes dwelt affectionately on Green Gables, peering through its network of trees and reflecting the sunlight back from its windows in several little coruscations of glory. Marilla, as she picked her steps along the damp lane, thought that it was really a satisfaction to know that she was going home to a briskly snapping wood fire and a table nicely spread for tea, instead of to the cold comfort of old Aid meeting evenings before Anne had come to Green Gables. Consequently, when Marilla entered her kitchen and found the fire black out, with no sign of Anne anywhere, she felt justly disappointed and irritated. She had told Anne to be sure and have tea ready at five o'clock, but now she must hurry to take off her second-best dress and prepare the meal herself against Matthew's return from plowing.<|quote|>"I'll settle Miss Anne when she comes home,"</|quote|>said Marilla grimly, as she shaved up kindlings with a carving knife and with more vim than was strictly necessary. Matthew had come in and was waiting patiently for his tea in his corner. "She's gadding off somewhere with Diana, writing stories or practicing dialogues or some such tomfoolery, and never thinking once about the time or her duties. She's just got to be pulled up short and sudden on this sort of thing. I don't care if Mrs. Allan does say she's the brightest and sweetest child she ever knew. She may be bright and sweet enough, but her head is full of nonsense and there's never any knowing what shape it'll break out in next. Just as soon as she grows out of one freak she takes up with another. But there! Here I am saying the very thing I was so riled with Rachel Lynde for saying at the Aid today. I was real glad when Mrs. Allan spoke up for Anne, for if she hadn't I know I'd have said something too sharp to Rachel before everybody. Anne's got plenty of faults, goodness knows, and far be it from me to deny it. But I'm bringing | way. I'd have thought that it was real noble of him to confess it, and I'd have thought what an encouraging thing it would be for small boys nowadays who do naughty things and are sorry for them to know that perhaps they may grow up to be ministers in spite of it. That's how I'd feel, Marilla." "The way I feel at present, Anne," said Marilla, "is that it's high time you had those dishes washed. You've taken half an hour longer than you should with all your chattering. Learn to work first and talk afterwards." CHAPTER XXVII. Vanity and Vexation of Spirit Marilla, walking home one late April evening from an Aid meeting, realized that the winter was over and gone with the thrill of delight that spring never fails to bring to the oldest and saddest as well as to the youngest and merriest. Marilla was not given to subjective analysis of her thoughts and feelings. She probably imagined that she was thinking about the Aids and their missionary box and the new carpet for the vestry room, but under these reflections was a harmonious consciousness of red fields smoking into pale-purply mists in the declining sun, of long, sharp-pointed fir shadows falling over the meadow beyond the brook, of still, crimson-budded maples around a mirrorlike wood pool, of a wakening in the world and a stir of hidden pulses under the gray sod. The spring was abroad in the land and Marilla's sober, middle-aged step was lighter and swifter because of its deep, primal gladness. Her eyes dwelt affectionately on Green Gables, peering through its network of trees and reflecting the sunlight back from its windows in several little coruscations of glory. Marilla, as she picked her steps along the damp lane, thought that it was really a satisfaction to know that she was going home to a briskly snapping wood fire and a table nicely spread for tea, instead of to the cold comfort of old Aid meeting evenings before Anne had come to Green Gables. Consequently, when Marilla entered her kitchen and found the fire black out, with no sign of Anne anywhere, she felt justly disappointed and irritated. She had told Anne to be sure and have tea ready at five o'clock, but now she must hurry to take off her second-best dress and prepare the meal herself against Matthew's return from plowing.<|quote|>"I'll settle Miss Anne when she comes home,"</|quote|>said Marilla grimly, as she shaved up kindlings with a carving knife and with more vim than was strictly necessary. Matthew had come in and was waiting patiently for his tea in his corner. "She's gadding off somewhere with Diana, writing stories or practicing dialogues or some such tomfoolery, and never thinking once about the time or her duties. She's just got to be pulled up short and sudden on this sort of thing. I don't care if Mrs. Allan does say she's the brightest and sweetest child she ever knew. She may be bright and sweet enough, but her head is full of nonsense and there's never any knowing what shape it'll break out in next. Just as soon as she grows out of one freak she takes up with another. But there! Here I am saying the very thing I was so riled with Rachel Lynde for saying at the Aid today. I was real glad when Mrs. Allan spoke up for Anne, for if she hadn't I know I'd have said something too sharp to Rachel before everybody. Anne's got plenty of faults, goodness knows, and far be it from me to deny it. But I'm bringing her up and not Rachel Lynde, who'd pick faults in the Angel Gabriel himself if he lived in Avonlea. Just the same, Anne has no business to leave the house like this when I told her she was to stay home this afternoon and look after things. I must say, with all her faults, I never found her disobedient or untrustworthy before and I'm real sorry to find her so now." "Well now, I dunno," said Matthew, who, being patient and wise and, above all, hungry, had deemed it best to let Marilla talk her wrath out unhindered, having learned by experience that she got through with whatever work was on hand much quicker if not delayed by untimely argument. "Perhaps you're judging her too hasty, Marilla. Don't call her untrustworthy until you're sure she has disobeyed you. Mebbe it can all be explained--Anne's a great hand at explaining." "She's not here when I told her to stay," retorted Marilla. "I reckon she'll find it hard to explain _that_ to my satisfaction. Of course I knew you'd take her part, Matthew. But I'm bringing her up, not you." It was dark when supper was ready, and still no sign of | worse." "But we're so careful to put a moral into them all, Marilla," explained Anne. "I insist upon that. All the good people are rewarded and all the bad ones are suitably punished. I'm sure that must have a wholesome effect. The moral is the great thing. Mr. Allan says so. I read one of my stories to him and Mrs. Allan and they both agreed that the moral was excellent. Only they laughed in the wrong places. I like it better when people cry. Jane and Ruby almost always cry when I come to the pathetic parts. Diana wrote her Aunt Josephine about our club and her Aunt Josephine wrote back that we were to send her some of our stories. So we copied out four of our very best and sent them. Miss Josephine Barry wrote back that she had never read anything so amusing in her life. That kind of puzzled us because the stories were all very pathetic and almost everybody died. But I'm glad Miss Barry liked them. It shows our club is doing some good in the world. Mrs. Allan says that ought to be our object in everything. I do really try to make it my object but I forget so often when I'm having fun. I hope I shall be a little like Mrs. Allan when I grow up. Do you think there is any prospect of it, Marilla?" "I shouldn't say there was a great deal" was Marilla's encouraging answer. "I'm sure Mrs. Allan was never such a silly, forgetful little girl as you are." "No; but she wasn't always so good as she is now either," said Anne seriously. "She told me so herself--that is, she said she was a dreadful mischief when she was a girl and was always getting into scrapes. I felt so encouraged when I heard that. Is it very wicked of me, Marilla, to feel encouraged when I hear that other people have been bad and mischievous? Mrs. Lynde says it is. Mrs. Lynde says she always feels shocked when she hears of anyone ever having been naughty, no matter how small they were. Mrs. Lynde says she once heard a minister confess that when he was a boy he stole a strawberry tart out of his aunt's pantry and she never had any respect for that minister again. Now, I wouldn't have felt that way. I'd have thought that it was real noble of him to confess it, and I'd have thought what an encouraging thing it would be for small boys nowadays who do naughty things and are sorry for them to know that perhaps they may grow up to be ministers in spite of it. That's how I'd feel, Marilla." "The way I feel at present, Anne," said Marilla, "is that it's high time you had those dishes washed. You've taken half an hour longer than you should with all your chattering. Learn to work first and talk afterwards." CHAPTER XXVII. Vanity and Vexation of Spirit Marilla, walking home one late April evening from an Aid meeting, realized that the winter was over and gone with the thrill of delight that spring never fails to bring to the oldest and saddest as well as to the youngest and merriest. Marilla was not given to subjective analysis of her thoughts and feelings. She probably imagined that she was thinking about the Aids and their missionary box and the new carpet for the vestry room, but under these reflections was a harmonious consciousness of red fields smoking into pale-purply mists in the declining sun, of long, sharp-pointed fir shadows falling over the meadow beyond the brook, of still, crimson-budded maples around a mirrorlike wood pool, of a wakening in the world and a stir of hidden pulses under the gray sod. The spring was abroad in the land and Marilla's sober, middle-aged step was lighter and swifter because of its deep, primal gladness. Her eyes dwelt affectionately on Green Gables, peering through its network of trees and reflecting the sunlight back from its windows in several little coruscations of glory. Marilla, as she picked her steps along the damp lane, thought that it was really a satisfaction to know that she was going home to a briskly snapping wood fire and a table nicely spread for tea, instead of to the cold comfort of old Aid meeting evenings before Anne had come to Green Gables. Consequently, when Marilla entered her kitchen and found the fire black out, with no sign of Anne anywhere, she felt justly disappointed and irritated. She had told Anne to be sure and have tea ready at five o'clock, but now she must hurry to take off her second-best dress and prepare the meal herself against Matthew's return from plowing.<|quote|>"I'll settle Miss Anne when she comes home,"</|quote|>said Marilla grimly, as she shaved up kindlings with a carving knife and with more vim than was strictly necessary. Matthew had come in and was waiting patiently for his tea in his corner. "She's gadding off somewhere with Diana, writing stories or practicing dialogues or some such tomfoolery, and never thinking once about the time or her duties. She's just got to be pulled up short and sudden on this sort of thing. I don't care if Mrs. Allan does say she's the brightest and sweetest child she ever knew. She may be bright and sweet enough, but her head is full of nonsense and there's never any knowing what shape it'll break out in next. Just as soon as she grows out of one freak she takes up with another. But there! Here I am saying the very thing I was so riled with Rachel Lynde for saying at the Aid today. I was real glad when Mrs. Allan spoke up for Anne, for if she hadn't I know I'd have said something too sharp to Rachel before everybody. Anne's got plenty of faults, goodness knows, and far be it from me to deny it. But I'm bringing her up and not Rachel Lynde, who'd pick faults in the Angel Gabriel himself if he lived in Avonlea. Just the same, Anne has no business to leave the house like this when I told her she was to stay home this afternoon and look after things. I must say, with all her faults, I never found her disobedient or untrustworthy before and I'm real sorry to find her so now." "Well now, I dunno," said Matthew, who, being patient and wise and, above all, hungry, had deemed it best to let Marilla talk her wrath out unhindered, having learned by experience that she got through with whatever work was on hand much quicker if not delayed by untimely argument. "Perhaps you're judging her too hasty, Marilla. Don't call her untrustworthy until you're sure she has disobeyed you. Mebbe it can all be explained--Anne's a great hand at explaining." "She's not here when I told her to stay," retorted Marilla. "I reckon she'll find it hard to explain _that_ to my satisfaction. Of course I knew you'd take her part, Matthew. But I'm bringing her up, not you." It was dark when supper was ready, and still no sign of Anne, coming hurriedly over the log bridge or up Lover's Lane, breathless and repentant with a sense of neglected duties. Marilla washed and put away the dishes grimly. Then, wanting a candle to light her way down the cellar, she went up to the east gable for the one that generally stood on Anne's table. Lighting it, she turned around to see Anne herself lying on the bed, face downward among the pillows. "Mercy on us," said astonished Marilla, "have you been asleep, Anne?" "No," was the muffled reply. "Are you sick then?" demanded Marilla anxiously, going over to the bed. Anne cowered deeper into her pillows as if desirous of hiding herself forever from mortal eyes. "No. But please, Marilla, go away and don't look at me. I'm in the depths of despair and I don't care who gets head in class or writes the best composition or sings in the Sunday-school choir any more. Little things like that are of no importance now because I don't suppose I'll ever be able to go anywhere again. My career is closed. Please, Marilla, go away and don't look at me." "Did anyone ever hear the like?" the mystified Marilla wanted to know. "Anne Shirley, whatever is the matter with you? What have you done? Get right up this minute and tell me. This minute, I say. There now, what is it?" Anne had slid to the floor in despairing obedience. "Look at my hair, Marilla," she whispered. Accordingly, Marilla lifted her candle and looked scrutinizingly at Anne's hair, flowing in heavy masses down her back. It certainly had a very strange appearance. "Anne Shirley, what have you done to your hair? Why, it's _green!_" Green it might be called, if it were any earthly color--a queer, dull, bronzy green, with streaks here and there of the original red to heighten the ghastly effect. Never in all her life had Marilla seen anything so grotesque as Anne's hair at that moment. "Yes, it's green," moaned Anne. "I thought nothing could be as bad as red hair. But now I know it's ten times worse to have green hair. Oh, Marilla, you little know how utterly wretched I am." "I little know how you got into this fix, but I mean to find out," said Marilla. "Come right down to the kitchen--it's too cold up here--and tell me just what you've done. | that minister again. Now, I wouldn't have felt that way. I'd have thought that it was real noble of him to confess it, and I'd have thought what an encouraging thing it would be for small boys nowadays who do naughty things and are sorry for them to know that perhaps they may grow up to be ministers in spite of it. That's how I'd feel, Marilla." "The way I feel at present, Anne," said Marilla, "is that it's high time you had those dishes washed. You've taken half an hour longer than you should with all your chattering. Learn to work first and talk afterwards." CHAPTER XXVII. Vanity and Vexation of Spirit Marilla, walking home one late April evening from an Aid meeting, realized that the winter was over and gone with the thrill of delight that spring never fails to bring to the oldest and saddest as well as to the youngest and merriest. Marilla was not given to subjective analysis of her thoughts and feelings. She probably imagined that she was thinking about the Aids and their missionary box and the new carpet for the vestry room, but under these reflections was a harmonious consciousness of red fields smoking into pale-purply mists in the declining sun, of long, sharp-pointed fir shadows falling over the meadow beyond the brook, of still, crimson-budded maples around a mirrorlike wood pool, of a wakening in the world and a stir of hidden pulses under the gray sod. The spring was abroad in the land and Marilla's sober, middle-aged step was lighter and swifter because of its deep, primal gladness. Her eyes dwelt affectionately on Green Gables, peering through its network of trees and reflecting the sunlight back from its windows in several little coruscations of glory. Marilla, as she picked her steps along the damp lane, thought that it was really a satisfaction to know that she was going home to a briskly snapping wood fire and a table nicely spread for tea, instead of to the cold comfort of old Aid meeting evenings before Anne had come to Green Gables. Consequently, when Marilla entered her kitchen and found the fire black out, with no sign of Anne anywhere, she felt justly disappointed and irritated. She had told Anne to be sure and have tea ready at five o'clock, but now she must hurry to take off her second-best dress and prepare the meal herself against Matthew's return from plowing.<|quote|>"I'll settle Miss Anne when she comes home,"</|quote|>said Marilla grimly, as she shaved up kindlings with a carving knife and with more vim than was strictly necessary. Matthew had come in and was waiting patiently for his tea in his corner. "She's gadding off somewhere with Diana, writing stories or practicing dialogues or some such tomfoolery, and never thinking once about the time or her duties. She's just got to be pulled up short and sudden on this sort of thing. I don't care if Mrs. Allan does say she's the brightest and sweetest child she ever knew. She may be bright and sweet enough, but her head is full of nonsense and there's never any knowing what shape it'll break out in next. Just as soon as she grows out of one freak she takes up with another. But there! Here I am saying the very thing I was so riled with Rachel Lynde for saying at the Aid today. I was real glad when Mrs. Allan spoke up for Anne, for if she hadn't I know I'd have said something too sharp to Rachel before everybody. Anne's got plenty of faults, goodness knows, and far be it from me to deny it. But I'm bringing her up and not Rachel Lynde, who'd pick faults in the Angel Gabriel himself if he lived in Avonlea. Just the same, Anne has no business to leave the house like this when I told her she was to stay home this afternoon and look after things. I must say, with all her faults, I never found her disobedient or untrustworthy before and I'm real sorry to find her so now." "Well now, I dunno," said Matthew, who, being patient and wise and, above all, hungry, had deemed it best to let Marilla talk her wrath out unhindered, having learned by experience that she got through with whatever work was on hand much quicker if not delayed by untimely argument. "Perhaps you're judging her too hasty, Marilla. Don't call her | Anne Of Green Gables | fire black out, with no sign of Anne anywhere, she felt justly disappointed and irritated. She had told Anne to be sure and have tea ready at five o'clock, but now she must hurry to take off her second-best dress and prepare the meal herself against Matthew's return from plowing.<|quote|>"I'll settle Miss Anne when she comes home,"</|quote|>said Marilla grimly, as she shaved up kindlings with a carving knife and with more vim than was strictly necessary. Matthew had come in and was waiting patiently for his tea in his corner. "She's gadding off somewhere with Diana, writing stories or practicing dialogues or some such tomfoolery, and | {
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Alice ventured to say. | No speaker | "I never heard of 'Uglification,'"<|quote|>Alice ventured to say.</|quote|>"What is it?" The Gryphon | Arithmetic--Ambition, Distraction, Uglification, and Derision." "I never heard of 'Uglification,'"<|quote|>Alice ventured to say.</|quote|>"What is it?" The Gryphon lifted up both its paws | afford to learn it." said the Mock Turtle with a sigh. "I only took the regular course." "What was that?" inquired Alice. "Reeling and Writhing, of course, to begin with," the Mock Turtle replied; "and then the different branches of Arithmetic--Ambition, Distraction, Uglification, and Derision." "I never heard of 'Uglification,'"<|quote|>Alice ventured to say.</|quote|>"What is it?" The Gryphon lifted up both its paws in surprise. "What! Never heard of uglifying!" it exclaimed. "You know what to beautify is, I suppose?" "Yes," said Alice doubtfully: "it means--to--make--anything--prettier." "Well, then," the Gryphon went on, "if you don't know what to uglify is, you _are_ a | "Ah! then yours wasn't a really good school," said the Mock Turtle in a tone of great relief. "Now at _ours_ they had at the end of the bill, 'French, music, _and washing_--extra.'" "You couldn't have wanted it much," said Alice; "living at the bottom of the sea." "I couldn't afford to learn it." said the Mock Turtle with a sigh. "I only took the regular course." "What was that?" inquired Alice. "Reeling and Writhing, of course, to begin with," the Mock Turtle replied; "and then the different branches of Arithmetic--Ambition, Distraction, Uglification, and Derision." "I never heard of 'Uglification,'"<|quote|>Alice ventured to say.</|quote|>"What is it?" The Gryphon lifted up both its paws in surprise. "What! Never heard of uglifying!" it exclaimed. "You know what to beautify is, I suppose?" "Yes," said Alice doubtfully: "it means--to--make--anything--prettier." "Well, then," the Gryphon went on, "if you don't know what to uglify is, you _are_ a simpleton." Alice did not feel encouraged to ask any more questions about it, so she turned to the Mock Turtle, and said "What else had you to learn?" "Well, there was Mystery," the Mock Turtle replied, counting off the subjects on his flappers, "--Mystery, ancient and modern, with Seaography: then | words: "Yes, we went to school in the sea, though you mayn't believe it--" "I never said I didn't!" interrupted Alice. "You did," said the Mock Turtle. "Hold your tongue!" added the Gryphon, before Alice could speak again. The Mock Turtle went on. "We had the best of educations--in fact, we went to school every day--" "_I've_ been to a day-school, too," said Alice; "you needn't be so proud as all that." "With extras?" asked the Mock Turtle a little anxiously. "Yes," said Alice, "we learned French and music." "And washing?" said the Mock Turtle. "Certainly not!" said Alice indignantly. "Ah! then yours wasn't a really good school," said the Mock Turtle in a tone of great relief. "Now at _ours_ they had at the end of the bill, 'French, music, _and washing_--extra.'" "You couldn't have wanted it much," said Alice; "living at the bottom of the sea." "I couldn't afford to learn it." said the Mock Turtle with a sigh. "I only took the regular course." "What was that?" inquired Alice. "Reeling and Writhing, of course, to begin with," the Mock Turtle replied; "and then the different branches of Arithmetic--Ambition, Distraction, Uglification, and Derision." "I never heard of 'Uglification,'"<|quote|>Alice ventured to say.</|quote|>"What is it?" The Gryphon lifted up both its paws in surprise. "What! Never heard of uglifying!" it exclaimed. "You know what to beautify is, I suppose?" "Yes," said Alice doubtfully: "it means--to--make--anything--prettier." "Well, then," the Gryphon went on, "if you don't know what to uglify is, you _are_ a simpleton." Alice did not feel encouraged to ask any more questions about it, so she turned to the Mock Turtle, and said "What else had you to learn?" "Well, there was Mystery," the Mock Turtle replied, counting off the subjects on his flappers, "--Mystery, ancient and modern, with Seaography: then Drawling--the Drawling-master was an old conger-eel, that used to come once a week: _he_ taught us Drawling, Stretching, and Fainting in Coils." "What was _that_ like?" said Alice. "Well, I can't show it you myself," the Mock Turtle said: "I'm too stiff. And the Gryphon never learnt it." "Hadn't time," said the Gryphon: "I went to the Classics master, though. He was an old crab, _he_ was." "I never went to him," the Mock Turtle said with a sigh: "he taught Laughing and Grief, they used to say." "So he did, so he did," said the Gryphon, sighing in his | a deep sigh, "I was a real Turtle." These words were followed by a very long silence, broken only by an occasional exclamation of "Hjckrrh!" from the Gryphon, and the constant heavy sobbing of the Mock Turtle. Alice was very nearly getting up and saying, "Thank you, sir, for your interesting story," but she could not help thinking there _must_ be more to come, so she sat still and said nothing. "When we were little," the Mock Turtle went on at last, more calmly, though still sobbing a little now and then, "we went to school in the sea. The master was an old Turtle--we used to call him Tortoise--" "Why did you call him Tortoise, if he wasn't one?" Alice asked. "We called him Tortoise because he taught us," said the Mock Turtle angrily: "really you are very dull!" "You ought to be ashamed of yourself for asking such a simple question," added the Gryphon; and then they both sat silent and looked at poor Alice, who felt ready to sink into the earth. At last the Gryphon said to the Mock Turtle, "Drive on, old fellow! Don't be all day about it!" and he went on in these words: "Yes, we went to school in the sea, though you mayn't believe it--" "I never said I didn't!" interrupted Alice. "You did," said the Mock Turtle. "Hold your tongue!" added the Gryphon, before Alice could speak again. The Mock Turtle went on. "We had the best of educations--in fact, we went to school every day--" "_I've_ been to a day-school, too," said Alice; "you needn't be so proud as all that." "With extras?" asked the Mock Turtle a little anxiously. "Yes," said Alice, "we learned French and music." "And washing?" said the Mock Turtle. "Certainly not!" said Alice indignantly. "Ah! then yours wasn't a really good school," said the Mock Turtle in a tone of great relief. "Now at _ours_ they had at the end of the bill, 'French, music, _and washing_--extra.'" "You couldn't have wanted it much," said Alice; "living at the bottom of the sea." "I couldn't afford to learn it." said the Mock Turtle with a sigh. "I only took the regular course." "What was that?" inquired Alice. "Reeling and Writhing, of course, to begin with," the Mock Turtle replied; "and then the different branches of Arithmetic--Ambition, Distraction, Uglification, and Derision." "I never heard of 'Uglification,'"<|quote|>Alice ventured to say.</|quote|>"What is it?" The Gryphon lifted up both its paws in surprise. "What! Never heard of uglifying!" it exclaimed. "You know what to beautify is, I suppose?" "Yes," said Alice doubtfully: "it means--to--make--anything--prettier." "Well, then," the Gryphon went on, "if you don't know what to uglify is, you _are_ a simpleton." Alice did not feel encouraged to ask any more questions about it, so she turned to the Mock Turtle, and said "What else had you to learn?" "Well, there was Mystery," the Mock Turtle replied, counting off the subjects on his flappers, "--Mystery, ancient and modern, with Seaography: then Drawling--the Drawling-master was an old conger-eel, that used to come once a week: _he_ taught us Drawling, Stretching, and Fainting in Coils." "What was _that_ like?" said Alice. "Well, I can't show it you myself," the Mock Turtle said: "I'm too stiff. And the Gryphon never learnt it." "Hadn't time," said the Gryphon: "I went to the Classics master, though. He was an old crab, _he_ was." "I never went to him," the Mock Turtle said with a sigh: "he taught Laughing and Grief, they used to say." "So he did, so he did," said the Gryphon, sighing in his turn; and both creatures hid their faces in their paws. "And how many hours a day did you do lessons?" said Alice, in a hurry to change the subject. "Ten hours the first day," said the Mock Turtle: "nine the next, and so on." "What a curious plan!" exclaimed Alice. "That's the reason they're called lessons," the Gryphon remarked: "because they lessen from day to day." This was quite a new idea to Alice, and she thought it over a little before she made her next remark. "Then the eleventh day must have been a holiday?" "Of course it was," said the Mock Turtle. "And how did you manage on the twelfth?" Alice went on eagerly. "That's enough about lessons," the Gryphon interrupted in a very decided tone: "tell her something about the games now." CHAPTER X. The Lobster Quadrille The Mock Turtle sighed deeply, and drew the back of one flapper across his eyes. He looked at Alice, and tried to speak, but for a minute or two sobs choked his voice. "Same as if he had a bone in his throat," said the Gryphon: and it set to work shaking him and punching him in the back. At | in a low voice, to the company generally, "You are all pardoned." "Come, _that's_ a good thing!" she said to herself, for she had felt quite unhappy at the number of executions the Queen had ordered. They very soon came upon a Gryphon, lying fast asleep in the sun. (If you don't know what a Gryphon is, look at the picture.) "Up, lazy thing!" said the Queen, "and take this young lady to see the Mock Turtle, and to hear his history. I must go back and see after some executions I have ordered;" and she walked off, leaving Alice alone with the Gryphon. Alice did not quite like the look of the creature, but on the whole she thought it would be quite as safe to stay with it as to go after that savage Queen: so she waited. The Gryphon sat up and rubbed its eyes: then it watched the Queen till she was out of sight: then it chuckled. "What fun!" said the Gryphon, half to itself, half to Alice. "What _is_ the fun?" said Alice. "Why, _she_," said the Gryphon. "It's all her fancy, that: they never executes nobody, you know. Come on!" "Everybody says 'come on!' here," thought Alice, as she went slowly after it: "I never was so ordered about in all my life, never!" They had not gone far before they saw the Mock Turtle in the distance, sitting sad and lonely on a little ledge of rock, and, as they came nearer, Alice could hear him sighing as if his heart would break. She pitied him deeply. "What is his sorrow?" she asked the Gryphon, and the Gryphon answered, very nearly in the same words as before, "It's all his fancy, that: he hasn't got no sorrow, you know. Come on!" So they went up to the Mock Turtle, who looked at them with large eyes full of tears, but said nothing. "This here young lady," said the Gryphon, "she wants for to know your history, she do." "I'll tell it her," said the Mock Turtle in a deep, hollow tone: "sit down, both of you, and don't speak a word till I've finished." So they sat down, and nobody spoke for some minutes. Alice thought to herself, "I don't see how he can _ever_ finish, if he doesn't begin." But she waited patiently. "Once," said the Mock Turtle at last, with a deep sigh, "I was a real Turtle." These words were followed by a very long silence, broken only by an occasional exclamation of "Hjckrrh!" from the Gryphon, and the constant heavy sobbing of the Mock Turtle. Alice was very nearly getting up and saying, "Thank you, sir, for your interesting story," but she could not help thinking there _must_ be more to come, so she sat still and said nothing. "When we were little," the Mock Turtle went on at last, more calmly, though still sobbing a little now and then, "we went to school in the sea. The master was an old Turtle--we used to call him Tortoise--" "Why did you call him Tortoise, if he wasn't one?" Alice asked. "We called him Tortoise because he taught us," said the Mock Turtle angrily: "really you are very dull!" "You ought to be ashamed of yourself for asking such a simple question," added the Gryphon; and then they both sat silent and looked at poor Alice, who felt ready to sink into the earth. At last the Gryphon said to the Mock Turtle, "Drive on, old fellow! Don't be all day about it!" and he went on in these words: "Yes, we went to school in the sea, though you mayn't believe it--" "I never said I didn't!" interrupted Alice. "You did," said the Mock Turtle. "Hold your tongue!" added the Gryphon, before Alice could speak again. The Mock Turtle went on. "We had the best of educations--in fact, we went to school every day--" "_I've_ been to a day-school, too," said Alice; "you needn't be so proud as all that." "With extras?" asked the Mock Turtle a little anxiously. "Yes," said Alice, "we learned French and music." "And washing?" said the Mock Turtle. "Certainly not!" said Alice indignantly. "Ah! then yours wasn't a really good school," said the Mock Turtle in a tone of great relief. "Now at _ours_ they had at the end of the bill, 'French, music, _and washing_--extra.'" "You couldn't have wanted it much," said Alice; "living at the bottom of the sea." "I couldn't afford to learn it." said the Mock Turtle with a sigh. "I only took the regular course." "What was that?" inquired Alice. "Reeling and Writhing, of course, to begin with," the Mock Turtle replied; "and then the different branches of Arithmetic--Ambition, Distraction, Uglification, and Derision." "I never heard of 'Uglification,'"<|quote|>Alice ventured to say.</|quote|>"What is it?" The Gryphon lifted up both its paws in surprise. "What! Never heard of uglifying!" it exclaimed. "You know what to beautify is, I suppose?" "Yes," said Alice doubtfully: "it means--to--make--anything--prettier." "Well, then," the Gryphon went on, "if you don't know what to uglify is, you _are_ a simpleton." Alice did not feel encouraged to ask any more questions about it, so she turned to the Mock Turtle, and said "What else had you to learn?" "Well, there was Mystery," the Mock Turtle replied, counting off the subjects on his flappers, "--Mystery, ancient and modern, with Seaography: then Drawling--the Drawling-master was an old conger-eel, that used to come once a week: _he_ taught us Drawling, Stretching, and Fainting in Coils." "What was _that_ like?" said Alice. "Well, I can't show it you myself," the Mock Turtle said: "I'm too stiff. And the Gryphon never learnt it." "Hadn't time," said the Gryphon: "I went to the Classics master, though. He was an old crab, _he_ was." "I never went to him," the Mock Turtle said with a sigh: "he taught Laughing and Grief, they used to say." "So he did, so he did," said the Gryphon, sighing in his turn; and both creatures hid their faces in their paws. "And how many hours a day did you do lessons?" said Alice, in a hurry to change the subject. "Ten hours the first day," said the Mock Turtle: "nine the next, and so on." "What a curious plan!" exclaimed Alice. "That's the reason they're called lessons," the Gryphon remarked: "because they lessen from day to day." This was quite a new idea to Alice, and she thought it over a little before she made her next remark. "Then the eleventh day must have been a holiday?" "Of course it was," said the Mock Turtle. "And how did you manage on the twelfth?" Alice went on eagerly. "That's enough about lessons," the Gryphon interrupted in a very decided tone: "tell her something about the games now." CHAPTER X. The Lobster Quadrille The Mock Turtle sighed deeply, and drew the back of one flapper across his eyes. He looked at Alice, and tried to speak, but for a minute or two sobs choked his voice. "Same as if he had a bone in his throat," said the Gryphon: and it set to work shaking him and punching him in the back. At last the Mock Turtle recovered his voice, and, with tears running down his cheeks, he went on again:-- "You may not have lived much under the sea--" (" "I haven't," said Alice)--" "and perhaps you were never even introduced to a lobster--" (Alice began to say "I once tasted--" but checked herself hastily, and said "No, never" ") "--so you can have no idea what a delightful thing a Lobster Quadrille is!" "No, indeed," said Alice. "What sort of a dance is it?" "Why," said the Gryphon, "you first form into a line along the sea-shore--" "Two lines!" cried the Mock Turtle. "Seals, turtles, salmon, and so on; then, when you've cleared all the jelly-fish out of the way--" "_That_ generally takes some time," interrupted the Gryphon. "--you advance twice--" "Each with a lobster as a partner!" cried the Gryphon. "Of course," the Mock Turtle said: "advance twice, set to partners--" "--change lobsters, and retire in same order," continued the Gryphon. "Then, you know," the Mock Turtle went on, "you throw the--" "The lobsters!" shouted the Gryphon, with a bound into the air. "--as far out to sea as you can--" "Swim after them!" screamed the Gryphon. "Turn a somersault in the sea!" cried the Mock Turtle, capering wildly about. "Change lobsters again!" yelled the Gryphon at the top of its voice. "Back to land again, and that's all the first figure," said the Mock Turtle, suddenly dropping his voice; and the two creatures, who had been jumping about like mad things all this time, sat down again very sadly and quietly, and looked at Alice. "It must be a very pretty dance," said Alice timidly. "Would you like to see a little of it?" said the Mock Turtle. "Very much indeed," said Alice. "Come, let's try the first figure!" said the Mock Turtle to the Gryphon. "We can do without lobsters, you know. Which shall sing?" "Oh, _you_ sing," said the Gryphon. "I've forgotten the words." So they began solemnly dancing round and round Alice, every now and then treading on her toes when they passed too close, and waving their forepaws to mark the time, while the Mock Turtle sang this, very slowly and sadly:-- "Will you walk a little faster?" said a whiting to a snail. "There's a porpoise close behind us, and he's treading on my tail. See how eagerly the lobsters and the turtles all | of yourself for asking such a simple question," added the Gryphon; and then they both sat silent and looked at poor Alice, who felt ready to sink into the earth. At last the Gryphon said to the Mock Turtle, "Drive on, old fellow! Don't be all day about it!" and he went on in these words: "Yes, we went to school in the sea, though you mayn't believe it--" "I never said I didn't!" interrupted Alice. "You did," said the Mock Turtle. "Hold your tongue!" added the Gryphon, before Alice could speak again. The Mock Turtle went on. "We had the best of educations--in fact, we went to school every day--" "_I've_ been to a day-school, too," said Alice; "you needn't be so proud as all that." "With extras?" asked the Mock Turtle a little anxiously. "Yes," said Alice, "we learned French and music." "And washing?" said the Mock Turtle. "Certainly not!" said Alice indignantly. "Ah! then yours wasn't a really good school," said the Mock Turtle in a tone of great relief. "Now at _ours_ they had at the end of the bill, 'French, music, _and washing_--extra.'" "You couldn't have wanted it much," said Alice; "living at the bottom of the sea." "I couldn't afford to learn it." said the Mock Turtle with a sigh. "I only took the regular course." "What was that?" inquired Alice. "Reeling and Writhing, of course, to begin with," the Mock Turtle replied; "and then the different branches of Arithmetic--Ambition, Distraction, Uglification, and Derision." "I never heard of 'Uglification,'"<|quote|>Alice ventured to say.</|quote|>"What is it?" The Gryphon lifted up both its paws in surprise. "What! Never heard of uglifying!" it exclaimed. "You know what to beautify is, I suppose?" "Yes," said Alice doubtfully: "it means--to--make--anything--prettier." "Well, then," the Gryphon went on, "if you don't know what to uglify is, you _are_ a simpleton." Alice did not feel encouraged to ask any more questions about it, so she turned to the Mock Turtle, and said "What else had you to learn?" "Well, there was Mystery," the Mock Turtle replied, counting off the subjects on his flappers, "--Mystery, ancient and modern, with Seaography: then Drawling--the Drawling-master was an old conger-eel, that used to come once a week: _he_ taught us Drawling, Stretching, and Fainting in Coils." "What was _that_ like?" said Alice. "Well, I can't show it you myself," the Mock Turtle said: "I'm too stiff. And the Gryphon never learnt it." "Hadn't time," said the Gryphon: "I went to the Classics master, though. He was an old crab, _he_ was." "I never went to him," the Mock Turtle said with a sigh: "he taught Laughing and Grief, they used to say." "So he did, so he did," said the Gryphon, sighing in his turn; and both creatures hid their faces in their paws. "And how many hours a day did you do lessons?" said Alice, in a hurry to change the subject. "Ten hours the first day," said the Mock Turtle: "nine the next, and so on." "What a curious plan!" exclaimed Alice. "That's the reason they're called lessons," the Gryphon remarked: "because they lessen from day to day." This was quite a new idea to Alice, and she thought it over a little before she made her next remark. "Then the eleventh day must have been a holiday?" "Of course it was," said the Mock Turtle. "And how did you manage on the twelfth?" Alice went on eagerly. "That's enough about lessons," the Gryphon interrupted in a very decided tone: "tell her something about the games now." CHAPTER X. The Lobster Quadrille The Mock Turtle sighed deeply, and drew the back of one flapper across his eyes. He looked at Alice, and tried to speak, but for a minute or two sobs choked his voice. "Same as if he had a bone in his throat," said the Gryphon: and it set to work shaking him and punching him in the back. At last the Mock Turtle recovered his voice, and, with tears | Alices Adventures In Wonderland | afford to learn it." said the Mock Turtle with a sigh. "I only took the regular course." "What was that?" inquired Alice. "Reeling and Writhing, of course, to begin with," the Mock Turtle replied; "and then the different branches of Arithmetic--Ambition, Distraction, Uglification, and Derision." "I never heard of 'Uglification,'"<|quote|>Alice ventured to say.</|quote|>"What is it?" The Gryphon lifted up both its paws in surprise. "What! Never heard of uglifying!" it exclaimed. "You know what to beautify is, I suppose?" "Yes," said Alice doubtfully: "it means--to--make--anything--prettier." "Well, then," the Gryphon went on, "if you don't know what to uglify is, you _are_ a | {
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"content": "afford to learn it.\" said the Mock Turtle with a sigh. \"I only took the regular course.\" \"What was that?\" inquired Alice. \"Reeling and Writhing, of course, to begin with,\" the Mock Turtle replied; \"and then the different branches of Arithmetic--Ambition, Distraction, Uglification, and Derision.\" \"I never heard of 'Uglification,'\"<|quote|>Alice ventured to say.</|quote|>\"What is it?\" The Gryphon lifted up both its paws in surprise. \"What! Never heard of uglifying!\" it exclaimed. \"You know what to beautify is, I suppose?\" \"Yes,\" said Alice doubtfully: \"it means--to--make--anything--prettier.\" \"Well, then,\" the Gryphon went on, \"if you don't know what to uglify is, you _are_ a",
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"Good day?" | Tony Last | her felt good for nothing.<|quote|>"Good day?"</|quote|>She nodded. "Saw Marjorie and | it listlessly. Every bit of her felt good for nothing.<|quote|>"Good day?"</|quote|>She nodded. "Saw Marjorie and her filthy dog. Bought some | want to take me, poor boy?" she thought. "Only he might have done it better." * * * * * "Barnardo case?" Brenda nodded. "Down and out," she said, "sunk, right under." She sat nursing her bread and milk, stirring it listlessly. Every bit of her felt good for nothing.<|quote|>"Good day?"</|quote|>She nodded. "Saw Marjorie and her filthy dog. Bought some things. Lunched at Daisy's new joint. Bone-setter. That's all." "You know I wish you'd give up these day-trips to London. They're far too much for you." "Me? Oh, I'm all right. Wish I was dead, that's all... and please, please, | They were silent for a minute. Then Beaver said, "Well, I think perhaps I'll leave you now." "Yes, run along. Thank you for coming." He went off down the platform. There were still eight minutes to go. The carriage suddenly filled up and Brenda felt tired out. "Why _should_ he want to take me, poor boy?" she thought. "Only he might have done it better." * * * * * "Barnardo case?" Brenda nodded. "Down and out," she said, "sunk, right under." She sat nursing her bread and milk, stirring it listlessly. Every bit of her felt good for nothing.<|quote|>"Good day?"</|quote|>She nodded. "Saw Marjorie and her filthy dog. Bought some things. Lunched at Daisy's new joint. Bone-setter. That's all." "You know I wish you'd give up these day-trips to London. They're far too much for you." "Me? Oh, I'm all right. Wish I was dead, that's all... and please, please, darling Tony, don't say anything about bed, because I can't move." * * * * * Next day a telegram came from Beaver. _Have got out of dinner 16th. Are you still free._ She replied: _Delighted. Second thoughts always best. Brenda._ Up till then they had avoided Christian names. "You | have to see her home... and if, as she said, she really did not know many people nowadays (why indeed should she have asked him if that were not true?) it might mean tying himself up for the whole evening... "I wish I could," he said, "but I've promised to dine out for it." Brenda had observed his hesitation. "I was afraid you would have." "But we'll meet there." "Yes, if I go." "I wish I could have taken you." "It's quite all right... I just wondered." The gaiety with which they had bought the buns was all gone now. They were silent for a minute. Then Beaver said, "Well, I think perhaps I'll leave you now." "Yes, run along. Thank you for coming." He went off down the platform. There were still eight minutes to go. The carriage suddenly filled up and Brenda felt tired out. "Why _should_ he want to take me, poor boy?" she thought. "Only he might have done it better." * * * * * "Barnardo case?" Brenda nodded. "Down and out," she said, "sunk, right under." She sat nursing her bread and milk, stirring it listlessly. Every bit of her felt good for nothing.<|quote|>"Good day?"</|quote|>She nodded. "Saw Marjorie and her filthy dog. Bought some things. Lunched at Daisy's new joint. Bone-setter. That's all." "You know I wish you'd give up these day-trips to London. They're far too much for you." "Me? Oh, I'm all right. Wish I was dead, that's all... and please, please, darling Tony, don't say anything about bed, because I can't move." * * * * * Next day a telegram came from Beaver. _Have got out of dinner 16th. Are you still free._ She replied: _Delighted. Second thoughts always best. Brenda._ Up till then they had avoided Christian names. "You seem in wonderful spirits to-day," Tony remarked. "I feel big. I think it's Mr Cruttwell. He puts all one's nerves right and one's circulation and everything." [III] "Where's mummy gone?" "London." "Why?" "Someone called Lady Cockpurse is giving a party." "Is she nice?" "Mummy thinks so. I don't." "Why?" "Because she looks like a monkey." "I should love to see her. Does she live in a cage? Has she got a tail? Ben saw a woman who looked like a fish, with scales all over instead of skin. It was in a circus in Cairo. Smelt like a fish too, | electric light inside, and space for a bed. It would fill a long-felt need, Mrs Beaver said. "I'll ask my husband and let you know." "You _will_ let me know soon, won't you, because _everyone_ will be wanting one." "I'll let you know very soon." When she had to go, Beaver came with her to the station. She usually ate some chocolate and buns in her carriage; they bought them together at the buffet. There was plenty of time before the train left and the carriage was not yet full. Beaver came in and sat with her. "I'm sure you want to go away." "No, really." "I've got lots to read." "I _want_ to stay." "It's very sweet of you." Presently she said, rather timidly, for she was not used to asking for that sort of thing, "I suppose you wouldn't like to take me to Polly's party, would you?" Beaver hesitated. There would be several dinner parties that evening and he was almost certain to be invited to one or other of them... if he took Brenda out it would mean the Embassy or some smart restaurant... three pounds at least... and he would be responsible for her and have to see her home... and if, as she said, she really did not know many people nowadays (why indeed should she have asked him if that were not true?) it might mean tying himself up for the whole evening... "I wish I could," he said, "but I've promised to dine out for it." Brenda had observed his hesitation. "I was afraid you would have." "But we'll meet there." "Yes, if I go." "I wish I could have taken you." "It's quite all right... I just wondered." The gaiety with which they had bought the buns was all gone now. They were silent for a minute. Then Beaver said, "Well, I think perhaps I'll leave you now." "Yes, run along. Thank you for coming." He went off down the platform. There were still eight minutes to go. The carriage suddenly filled up and Brenda felt tired out. "Why _should_ he want to take me, poor boy?" she thought. "Only he might have done it better." * * * * * "Barnardo case?" Brenda nodded. "Down and out," she said, "sunk, right under." She sat nursing her bread and milk, stirring it listlessly. Every bit of her felt good for nothing.<|quote|>"Good day?"</|quote|>She nodded. "Saw Marjorie and her filthy dog. Bought some things. Lunched at Daisy's new joint. Bone-setter. That's all." "You know I wish you'd give up these day-trips to London. They're far too much for you." "Me? Oh, I'm all right. Wish I was dead, that's all... and please, please, darling Tony, don't say anything about bed, because I can't move." * * * * * Next day a telegram came from Beaver. _Have got out of dinner 16th. Are you still free._ She replied: _Delighted. Second thoughts always best. Brenda._ Up till then they had avoided Christian names. "You seem in wonderful spirits to-day," Tony remarked. "I feel big. I think it's Mr Cruttwell. He puts all one's nerves right and one's circulation and everything." [III] "Where's mummy gone?" "London." "Why?" "Someone called Lady Cockpurse is giving a party." "Is she nice?" "Mummy thinks so. I don't." "Why?" "Because she looks like a monkey." "I should love to see her. Does she live in a cage? Has she got a tail? Ben saw a woman who looked like a fish, with scales all over instead of skin. It was in a circus in Cairo. Smelt like a fish too, Ben says." They were having tea together on the afternoon of Brenda's departure. "Daddy, what does Lady Cockpurse eat?" "Oh, nuts and things." "Nuts and what things?" "Different kinds of nuts." For days to come the image of this hairy, mischievous Countess occupied John Andrew's mind. She became one of the inhabitants of his world, like Peppermint, the mule who died of rum. When kindly people spoke to him in the village he would tell them about her and how she swung head down from a tree throwing nutshells at passers-by. "You mustn't say things like that about real people," said nanny. "Whatever would Lady Cockpurse do if she heard about it?" "She'd gibber and chatter and lash round with her tail, and then I expect she'd catch some nice, big, juicy fleas and forget all about it." * * * * * Brenda was staying at Marjorie's for the night. She was dressed first and came into her sister's room. "Lovely, darling. New?" "Fairly." Marjorie was rung up by the woman at whose house she was dining. (" "Look here, are you absolutely sure you can't make Allan come to-night?" "Absolutely. He's got a meeting in Camberwell. He may | _real_ old friends were like," said Marjorie. "She hasn't known anyone more than five years." "I wish Tony could see her point." (Although Polly's fortune was derived from men, her popularity was chiefly among women, who admired her clothes and bought them from her second-hand at bargain prices; her first steps to eminence had been in circles so obscure that they had made her no enemies in the world to which she aspired; some time ago she had married a good-natured earl, whom nobody else happened to want at the time; since then she had scaled all but the highest peaks of every social mountain.) After luncheon Mrs Beaver came across to their table. "I _must_ come and speak to you, though I'm in a great hurry. It's _so_ long since we met and John has been telling me about a _delightful_ week-end he had with you." "It was very quiet." "That's just what he _loves_. Poor boy, he gets rushed off his feet in London. Tell me, Lady Brenda, is it true you are looking for a flat?--because I think I've got just the place for you. It's being done up now and will be ready well before Christmas." She looked at her watch. "Oh dear, I must fly. You couldn't possibly come in for a cocktail, this evening? Then you could hear all about it." "I _could_..." said Brenda doubtfully. "Then _do_. I'll expect you about six. I daresay you don't know where I live?" She told her and left the table. "What's all this about a flat?" Marjorie asked. "Oh, just something I thought of..." * * * * * That afternoon, as she lay luxuriously on the osteopath's table, and her vertebrae, under his strong fingers, snapped like patent fasteners, Brenda wondered whether Beaver would be at home that evening. "Probably not, if he's so keen on going about," she thought, "and, anyhow, what's the sense?..." But he was there, in spite of two other invitations. She heard all about the maisonette. Mrs Beaver knew her job. What people wanted, she said, was somewhere to dress and telephone. She was subdividing a small house in Belgravia into six flats at three pounds a week, of one room each and a bath; the bathrooms were going to be slap-up, with limitless hot water and every transatlantic refinement; the other room would have a large built-in wardrobe with electric light inside, and space for a bed. It would fill a long-felt need, Mrs Beaver said. "I'll ask my husband and let you know." "You _will_ let me know soon, won't you, because _everyone_ will be wanting one." "I'll let you know very soon." When she had to go, Beaver came with her to the station. She usually ate some chocolate and buns in her carriage; they bought them together at the buffet. There was plenty of time before the train left and the carriage was not yet full. Beaver came in and sat with her. "I'm sure you want to go away." "No, really." "I've got lots to read." "I _want_ to stay." "It's very sweet of you." Presently she said, rather timidly, for she was not used to asking for that sort of thing, "I suppose you wouldn't like to take me to Polly's party, would you?" Beaver hesitated. There would be several dinner parties that evening and he was almost certain to be invited to one or other of them... if he took Brenda out it would mean the Embassy or some smart restaurant... three pounds at least... and he would be responsible for her and have to see her home... and if, as she said, she really did not know many people nowadays (why indeed should she have asked him if that were not true?) it might mean tying himself up for the whole evening... "I wish I could," he said, "but I've promised to dine out for it." Brenda had observed his hesitation. "I was afraid you would have." "But we'll meet there." "Yes, if I go." "I wish I could have taken you." "It's quite all right... I just wondered." The gaiety with which they had bought the buns was all gone now. They were silent for a minute. Then Beaver said, "Well, I think perhaps I'll leave you now." "Yes, run along. Thank you for coming." He went off down the platform. There were still eight minutes to go. The carriage suddenly filled up and Brenda felt tired out. "Why _should_ he want to take me, poor boy?" she thought. "Only he might have done it better." * * * * * "Barnardo case?" Brenda nodded. "Down and out," she said, "sunk, right under." She sat nursing her bread and milk, stirring it listlessly. Every bit of her felt good for nothing.<|quote|>"Good day?"</|quote|>She nodded. "Saw Marjorie and her filthy dog. Bought some things. Lunched at Daisy's new joint. Bone-setter. That's all." "You know I wish you'd give up these day-trips to London. They're far too much for you." "Me? Oh, I'm all right. Wish I was dead, that's all... and please, please, darling Tony, don't say anything about bed, because I can't move." * * * * * Next day a telegram came from Beaver. _Have got out of dinner 16th. Are you still free._ She replied: _Delighted. Second thoughts always best. Brenda._ Up till then they had avoided Christian names. "You seem in wonderful spirits to-day," Tony remarked. "I feel big. I think it's Mr Cruttwell. He puts all one's nerves right and one's circulation and everything." [III] "Where's mummy gone?" "London." "Why?" "Someone called Lady Cockpurse is giving a party." "Is she nice?" "Mummy thinks so. I don't." "Why?" "Because she looks like a monkey." "I should love to see her. Does she live in a cage? Has she got a tail? Ben saw a woman who looked like a fish, with scales all over instead of skin. It was in a circus in Cairo. Smelt like a fish too, Ben says." They were having tea together on the afternoon of Brenda's departure. "Daddy, what does Lady Cockpurse eat?" "Oh, nuts and things." "Nuts and what things?" "Different kinds of nuts." For days to come the image of this hairy, mischievous Countess occupied John Andrew's mind. She became one of the inhabitants of his world, like Peppermint, the mule who died of rum. When kindly people spoke to him in the village he would tell them about her and how she swung head down from a tree throwing nutshells at passers-by. "You mustn't say things like that about real people," said nanny. "Whatever would Lady Cockpurse do if she heard about it?" "She'd gibber and chatter and lash round with her tail, and then I expect she'd catch some nice, big, juicy fleas and forget all about it." * * * * * Brenda was staying at Marjorie's for the night. She was dressed first and came into her sister's room. "Lovely, darling. New?" "Fairly." Marjorie was rung up by the woman at whose house she was dining. (" "Look here, are you absolutely sure you can't make Allan come to-night?" "Absolutely. He's got a meeting in Camberwell. He may not even come to Polly's." "Is there _any_ man you can bring?" "Can't think of anybody." "Well, we shall have to be one short, that's all. I can't think what's happened to-night. I rang up John Beaver but even _he_ won't come." ") "You know," said Marjorie, putting down the telephone, "you're causing a great deal of trouble. You've taken London's only spare man." "Oh dear, I didn't realize..." Beaver arrived at quarter to nine in a state of high self-approval; he had refused two invitations to dinner while dressing that evening; he had cashed a cheque for ten pounds at his club; he had booked a divan table at Espinosa's. It was almost the first time in his life that he had taken anyone out to dinner, but he knew perfectly well how it was done. "I must see your Mr Beaver properly," said Marjorie. "Let's make him take off his coat and drink something." The two sisters were a little shy as they came downstairs, but Beaver was perfectly at his ease. He looked very elegant and rather more than his age. "Oh, he's not so bad, your Mr Beaver," Marjorie's look seemed to say, "not by any means," and he, seeing the two women together, who were both beautiful, though in a manner so different that, although it was apparent that they were sisters, they might have belonged each to a separate race, began to understand what had perplexed him all the week; why, contrary to all habit and principle, he had telegraphed to Brenda asking her to dine. "Mrs Jimmy Deane's very upset that she couldn't get you for to-night. I didn't give away what you were doing." "Give her my love," said Beaver. "Anyway we'll all meet at Polly's." "I must go, we're dining at nine." "Stay a bit," said Brenda. "She's sure to be late." Now that it was inevitable, she did not want to be left alone with Beaver. "No, I must go. Enjoy yourselves, bless you both." She felt as though she were the elder sister, seeing Brenda timid and expectant at the beginning of an adventure. They were awkward when Marjorie left, for in the week that they had been apart, each had, in thought, grown more intimate with the other than any actual occurrence warranted. Had Beaver been more experienced, he might have crossed to where Brenda was sitting on | Beaver hesitated. There would be several dinner parties that evening and he was almost certain to be invited to one or other of them... if he took Brenda out it would mean the Embassy or some smart restaurant... three pounds at least... and he would be responsible for her and have to see her home... and if, as she said, she really did not know many people nowadays (why indeed should she have asked him if that were not true?) it might mean tying himself up for the whole evening... "I wish I could," he said, "but I've promised to dine out for it." Brenda had observed his hesitation. "I was afraid you would have." "But we'll meet there." "Yes, if I go." "I wish I could have taken you." "It's quite all right... I just wondered." The gaiety with which they had bought the buns was all gone now. They were silent for a minute. Then Beaver said, "Well, I think perhaps I'll leave you now." "Yes, run along. Thank you for coming." He went off down the platform. There were still eight minutes to go. The carriage suddenly filled up and Brenda felt tired out. "Why _should_ he want to take me, poor boy?" she thought. "Only he might have done it better." * * * * * "Barnardo case?" Brenda nodded. "Down and out," she said, "sunk, right under." She sat nursing her bread and milk, stirring it listlessly. Every bit of her felt good for nothing.<|quote|>"Good day?"</|quote|>She nodded. "Saw Marjorie and her filthy dog. Bought some things. Lunched at Daisy's new joint. Bone-setter. That's all." "You know I wish you'd give up these day-trips to London. They're far too much for you." "Me? Oh, I'm all right. Wish I was dead, that's all... and please, please, darling Tony, don't say anything about bed, because I can't move." * * * * * Next day a telegram came from Beaver. _Have got out of dinner 16th. Are you still free._ She replied: _Delighted. Second thoughts always best. Brenda._ Up till then they had avoided Christian names. "You seem in wonderful spirits to-day," Tony remarked. "I feel big. I think it's Mr Cruttwell. He puts all one's nerves right and one's circulation and everything." [III] "Where's mummy gone?" "London." "Why?" "Someone called Lady Cockpurse is giving a party." "Is she nice?" "Mummy thinks so. I don't." "Why?" "Because she looks like a monkey." "I should love to see her. Does she live in a cage? Has she got a tail? Ben saw a woman who looked like a fish, with scales all over instead of skin. It was in a circus in Cairo. Smelt like a fish too, Ben says." They were having tea together on the afternoon of Brenda's departure. "Daddy, what does Lady Cockpurse eat?" "Oh, nuts and things." "Nuts and what things?" "Different kinds of nuts." For days to come the image of this hairy, mischievous Countess occupied John Andrew's mind. She became one of the inhabitants of his world, like Peppermint, the mule who died of rum. When kindly people spoke to him in the village he would tell them about her and how she swung head down from a tree throwing nutshells at passers-by. "You mustn't say things like that about real people," said nanny. "Whatever would Lady Cockpurse do if she heard about | A Handful Of Dust | want to take me, poor boy?" she thought. "Only he might have done it better." * * * * * "Barnardo case?" Brenda nodded. "Down and out," she said, "sunk, right under." She sat nursing her bread and milk, stirring it listlessly. Every bit of her felt good for nothing.<|quote|>"Good day?"</|quote|>She nodded. "Saw Marjorie and her filthy dog. Bought some things. Lunched at Daisy's new joint. Bone-setter. That's all." "You know I wish you'd give up these day-trips to London. They're far too much for you." "Me? Oh, I'm all right. Wish I was dead, that's all... and please, please, | {
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"content": "want to take me, poor boy?\" she thought. \"Only he might have done it better.\" * * * * * \"Barnardo case?\" Brenda nodded. \"Down and out,\" she said, \"sunk, right under.\" She sat nursing her bread and milk, stirring it listlessly. Every bit of her felt good for nothing.<|quote|>\"Good day?\"</|quote|>She nodded. \"Saw Marjorie and her filthy dog. Bought some things. Lunched at Daisy's new joint. Bone-setter. That's all.\" \"You know I wish you'd give up these day-trips to London. They're far too much for you.\" \"Me? Oh, I'm all right. Wish I was dead, that's all... and please, please,",
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"as pigs have to fly; and the m--" | The Duchess | much right," said the Duchess,<|quote|>"as pigs have to fly; and the m--"</|quote|>But here, to Alice's great | little worried. "Just about as much right," said the Duchess,<|quote|>"as pigs have to fly; and the m--"</|quote|>But here, to Alice's great surprise, the Duchess's voice died | like that!" But she did not venture to say it out loud. "Thinking again?" the Duchess asked, with another dig of her sharp little chin. "I've a right to think," said Alice sharply, for she was beginning to feel a little worried. "Just about as much right," said the Duchess,<|quote|>"as pigs have to fly; and the m--"</|quote|>But here, to Alice's great surprise, the Duchess's voice died away, even in the middle of her favourite word 'moral,' and the arm that was linked into hers began to tremble. Alice looked up, and there stood the Queen in front of them, with her arms folded, frowning like a | in a pleased tone. "Pray don't trouble yourself to say it any longer than that," said Alice. "Oh, don't talk about trouble!" said the Duchess. "I make you a present of everything I've said as yet." "A cheap sort of present!" thought Alice. "I'm glad they don't give birthday presents like that!" But she did not venture to say it out loud. "Thinking again?" the Duchess asked, with another dig of her sharp little chin. "I've a right to think," said Alice sharply, for she was beginning to feel a little worried. "Just about as much right," said the Duchess,<|quote|>"as pigs have to fly; and the m--"</|quote|>But here, to Alice's great surprise, the Duchess's voice died away, even in the middle of her favourite word 'moral,' and the arm that was linked into hers began to tremble. Alice looked up, and there stood the Queen in front of them, with her arms folded, frowning like a thunderstorm. "A fine day, your Majesty!" the Duchess began in a low, weak voice. "Now, I give you fair warning," shouted the Queen, stamping on the ground as she spoke; "either you or your head must be off, and that in about half no time! Take your choice!" The Duchess | you," said the Duchess; "and the moral of that is--'Be what you would seem to be'--or if you'd like it put more simply--'Never imagine yourself not to be otherwise than what it might appear to others that what you were or might have been was not otherwise than what you had been would have appeared to them to be otherwise.'" "I think I should understand that better," Alice said very politely, "if I had it written down: but I can't quite follow it as you say it." "That's nothing to what I could say if I chose," the Duchess replied, in a pleased tone. "Pray don't trouble yourself to say it any longer than that," said Alice. "Oh, don't talk about trouble!" said the Duchess. "I make you a present of everything I've said as yet." "A cheap sort of present!" thought Alice. "I'm glad they don't give birthday presents like that!" But she did not venture to say it out loud. "Thinking again?" the Duchess asked, with another dig of her sharp little chin. "I've a right to think," said Alice sharply, for she was beginning to feel a little worried. "Just about as much right," said the Duchess,<|quote|>"as pigs have to fly; and the m--"</|quote|>But here, to Alice's great surprise, the Duchess's voice died away, even in the middle of her favourite word 'moral,' and the arm that was linked into hers began to tremble. Alice looked up, and there stood the Queen in front of them, with her arms folded, frowning like a thunderstorm. "A fine day, your Majesty!" the Duchess began in a low, weak voice. "Now, I give you fair warning," shouted the Queen, stamping on the ground as she spoke; "either you or your head must be off, and that in about half no time! Take your choice!" The Duchess took her choice, and was gone in a moment. "Let's go on with the game," the Queen said to Alice; and Alice was too much frightened to say a word, but slowly followed her back to the croquet-ground. The other guests had taken advantage of the Queen's absence, and were resting in the shade: however, the moment they saw her, they hurried back to the game, the Queen merely remarking that a moment's delay would cost them their lives. All the time they were playing the Queen never left off quarrelling with the other players, and shouting "Off with his | moral of _that_ is--'Take care of the sense, and the sounds will take care of themselves.'" "How fond she is of finding morals in things!" Alice thought to herself. "I dare say you're wondering why I don't put my arm round your waist," the Duchess said after a pause: "the reason is, that I'm doubtful about the temper of your flamingo. Shall I try the experiment?" "He might bite," Alice cautiously replied, not feeling at all anxious to have the experiment tried. "Very true," said the Duchess: "flamingoes and mustard both bite. And the moral of that is--'Birds of a feather flock together.'" "Only mustard isn't a bird," Alice remarked. "Right, as usual," said the Duchess: "what a clear way you have of putting things!" "It's a mineral, I _think_," said Alice. "Of course it is," said the Duchess, who seemed ready to agree to everything that Alice said; "there's a large mustard-mine near here. And the moral of that is--'The more there is of mine, the less there is of yours.'" "Oh, I know!" exclaimed Alice, who had not attended to this last remark, "it's a vegetable. It doesn't look like one, but it is." "I quite agree with you," said the Duchess; "and the moral of that is--'Be what you would seem to be'--or if you'd like it put more simply--'Never imagine yourself not to be otherwise than what it might appear to others that what you were or might have been was not otherwise than what you had been would have appeared to them to be otherwise.'" "I think I should understand that better," Alice said very politely, "if I had it written down: but I can't quite follow it as you say it." "That's nothing to what I could say if I chose," the Duchess replied, in a pleased tone. "Pray don't trouble yourself to say it any longer than that," said Alice. "Oh, don't talk about trouble!" said the Duchess. "I make you a present of everything I've said as yet." "A cheap sort of present!" thought Alice. "I'm glad they don't give birthday presents like that!" But she did not venture to say it out loud. "Thinking again?" the Duchess asked, with another dig of her sharp little chin. "I've a right to think," said Alice sharply, for she was beginning to feel a little worried. "Just about as much right," said the Duchess,<|quote|>"as pigs have to fly; and the m--"</|quote|>But here, to Alice's great surprise, the Duchess's voice died away, even in the middle of her favourite word 'moral,' and the arm that was linked into hers began to tremble. Alice looked up, and there stood the Queen in front of them, with her arms folded, frowning like a thunderstorm. "A fine day, your Majesty!" the Duchess began in a low, weak voice. "Now, I give you fair warning," shouted the Queen, stamping on the ground as she spoke; "either you or your head must be off, and that in about half no time! Take your choice!" The Duchess took her choice, and was gone in a moment. "Let's go on with the game," the Queen said to Alice; and Alice was too much frightened to say a word, but slowly followed her back to the croquet-ground. The other guests had taken advantage of the Queen's absence, and were resting in the shade: however, the moment they saw her, they hurried back to the game, the Queen merely remarking that a moment's delay would cost them their lives. All the time they were playing the Queen never left off quarrelling with the other players, and shouting "Off with his head!" or "Off with her head!" Those whom she sentenced were taken into custody by the soldiers, who of course had to leave off being arches to do this, so that by the end of half an hour or so there were no arches left, and all the players, except the King, the Queen, and Alice, were in custody and under sentence of execution. Then the Queen left off, quite out of breath, and said to Alice, "Have you seen the Mock Turtle yet?" "No," said Alice. "I don't even know what a Mock Turtle is." "It's the thing Mock Turtle Soup is made from," said the Queen. "I never saw one, or heard of one," said Alice. "Come on, then," said the Queen, "and he shall tell you his history," As they walked off together, Alice heard the King say in a low voice, to the company generally, "You are all pardoned." "Come, _that's_ a good thing!" she said to herself, for she had felt quite unhappy at the number of executions the Queen had ordered. They very soon came upon a Gryphon, lying fast asleep in the sun. (If you don't know what a Gryphon is, look at | and down looking for it, while the rest of the party went back to the game. CHAPTER IX. The Mock Turtle's Story "You can't think how glad I am to see you again, you dear old thing!" said the Duchess, as she tucked her arm affectionately into Alice's, and they walked off together. Alice was very glad to find her in such a pleasant temper, and thought to herself that perhaps it was only the pepper that had made her so savage when they met in the kitchen. "When _I'm_ a Duchess," she said to herself, (not in a very hopeful tone though), "I won't have any pepper in my kitchen _at all_. Soup does very well without--Maybe it's always pepper that makes people hot-tempered," she went on, very much pleased at having found out a new kind of rule, "and vinegar that makes them sour--and camomile that makes them bitter--and--and barley-sugar and such things that make children sweet-tempered. I only wish people knew _that_: then they wouldn't be so stingy about it, you know--" She had quite forgotten the Duchess by this time, and was a little startled when she heard her voice close to her ear. "You're thinking about something, my dear, and that makes you forget to talk. I can't tell you just now what the moral of that is, but I shall remember it in a bit." "Perhaps it hasn't one," Alice ventured to remark. "Tut, tut, child!" said the Duchess. "Everything's got a moral, if only you can find it." And she squeezed herself up closer to Alice's side as she spoke. Alice did not much like keeping so close to her: first, because the Duchess was _very_ ugly; and secondly, because she was exactly the right height to rest her chin upon Alice's shoulder, and it was an uncomfortably sharp chin. However, she did not like to be rude, so she bore it as well as she could. "The game's going on rather better now," she said, by way of keeping up the conversation a little. "'Tis so," said the Duchess: "and the moral of that is--'Oh, 'tis love, 'tis love, that makes the world go round!'" "Somebody said," Alice whispered, "that it's done by everybody minding their own business!" "Ah, well! It means much the same thing," said the Duchess, digging her sharp little chin into Alice's shoulder as she added, "and the moral of _that_ is--'Take care of the sense, and the sounds will take care of themselves.'" "How fond she is of finding morals in things!" Alice thought to herself. "I dare say you're wondering why I don't put my arm round your waist," the Duchess said after a pause: "the reason is, that I'm doubtful about the temper of your flamingo. Shall I try the experiment?" "He might bite," Alice cautiously replied, not feeling at all anxious to have the experiment tried. "Very true," said the Duchess: "flamingoes and mustard both bite. And the moral of that is--'Birds of a feather flock together.'" "Only mustard isn't a bird," Alice remarked. "Right, as usual," said the Duchess: "what a clear way you have of putting things!" "It's a mineral, I _think_," said Alice. "Of course it is," said the Duchess, who seemed ready to agree to everything that Alice said; "there's a large mustard-mine near here. And the moral of that is--'The more there is of mine, the less there is of yours.'" "Oh, I know!" exclaimed Alice, who had not attended to this last remark, "it's a vegetable. It doesn't look like one, but it is." "I quite agree with you," said the Duchess; "and the moral of that is--'Be what you would seem to be'--or if you'd like it put more simply--'Never imagine yourself not to be otherwise than what it might appear to others that what you were or might have been was not otherwise than what you had been would have appeared to them to be otherwise.'" "I think I should understand that better," Alice said very politely, "if I had it written down: but I can't quite follow it as you say it." "That's nothing to what I could say if I chose," the Duchess replied, in a pleased tone. "Pray don't trouble yourself to say it any longer than that," said Alice. "Oh, don't talk about trouble!" said the Duchess. "I make you a present of everything I've said as yet." "A cheap sort of present!" thought Alice. "I'm glad they don't give birthday presents like that!" But she did not venture to say it out loud. "Thinking again?" the Duchess asked, with another dig of her sharp little chin. "I've a right to think," said Alice sharply, for she was beginning to feel a little worried. "Just about as much right," said the Duchess,<|quote|>"as pigs have to fly; and the m--"</|quote|>But here, to Alice's great surprise, the Duchess's voice died away, even in the middle of her favourite word 'moral,' and the arm that was linked into hers began to tremble. Alice looked up, and there stood the Queen in front of them, with her arms folded, frowning like a thunderstorm. "A fine day, your Majesty!" the Duchess began in a low, weak voice. "Now, I give you fair warning," shouted the Queen, stamping on the ground as she spoke; "either you or your head must be off, and that in about half no time! Take your choice!" The Duchess took her choice, and was gone in a moment. "Let's go on with the game," the Queen said to Alice; and Alice was too much frightened to say a word, but slowly followed her back to the croquet-ground. The other guests had taken advantage of the Queen's absence, and were resting in the shade: however, the moment they saw her, they hurried back to the game, the Queen merely remarking that a moment's delay would cost them their lives. All the time they were playing the Queen never left off quarrelling with the other players, and shouting "Off with his head!" or "Off with her head!" Those whom she sentenced were taken into custody by the soldiers, who of course had to leave off being arches to do this, so that by the end of half an hour or so there were no arches left, and all the players, except the King, the Queen, and Alice, were in custody and under sentence of execution. Then the Queen left off, quite out of breath, and said to Alice, "Have you seen the Mock Turtle yet?" "No," said Alice. "I don't even know what a Mock Turtle is." "It's the thing Mock Turtle Soup is made from," said the Queen. "I never saw one, or heard of one," said Alice. "Come on, then," said the Queen, "and he shall tell you his history," As they walked off together, Alice heard the King say in a low voice, to the company generally, "You are all pardoned." "Come, _that's_ a good thing!" she said to herself, for she had felt quite unhappy at the number of executions the Queen had ordered. They very soon came upon a Gryphon, lying fast asleep in the sun. (If you don't know what a Gryphon is, look at the picture.) "Up, lazy thing!" said the Queen, "and take this young lady to see the Mock Turtle, and to hear his history. I must go back and see after some executions I have ordered;" and she walked off, leaving Alice alone with the Gryphon. Alice did not quite like the look of the creature, but on the whole she thought it would be quite as safe to stay with it as to go after that savage Queen: so she waited. The Gryphon sat up and rubbed its eyes: then it watched the Queen till she was out of sight: then it chuckled. "What fun!" said the Gryphon, half to itself, half to Alice. "What _is_ the fun?" said Alice. "Why, _she_," said the Gryphon. "It's all her fancy, that: they never executes nobody, you know. Come on!" "Everybody says 'come on!' here," thought Alice, as she went slowly after it: "I never was so ordered about in all my life, never!" They had not gone far before they saw the Mock Turtle in the distance, sitting sad and lonely on a little ledge of rock, and, as they came nearer, Alice could hear him sighing as if his heart would break. She pitied him deeply. "What is his sorrow?" she asked the Gryphon, and the Gryphon answered, very nearly in the same words as before, "It's all his fancy, that: he hasn't got no sorrow, you know. Come on!" So they went up to the Mock Turtle, who looked at them with large eyes full of tears, but said nothing. "This here young lady," said the Gryphon, "she wants for to know your history, she do." "I'll tell it her," said the Mock Turtle in a deep, hollow tone: "sit down, both of you, and don't speak a word till I've finished." So they sat down, and nobody spoke for some minutes. Alice thought to herself, "I don't see how he can _ever_ finish, if he doesn't begin." But she waited patiently. "Once," said the Mock Turtle at last, with a deep sigh, "I was a real Turtle." These words were followed by a very long silence, broken only by an occasional exclamation of "Hjckrrh!" from the Gryphon, and the constant heavy sobbing of the Mock Turtle. Alice was very nearly getting up and saying, "Thank you, sir, for your interesting story," but she could not help thinking there | "Oh, I know!" exclaimed Alice, who had not attended to this last remark, "it's a vegetable. It doesn't look like one, but it is." "I quite agree with you," said the Duchess; "and the moral of that is--'Be what you would seem to be'--or if you'd like it put more simply--'Never imagine yourself not to be otherwise than what it might appear to others that what you were or might have been was not otherwise than what you had been would have appeared to them to be otherwise.'" "I think I should understand that better," Alice said very politely, "if I had it written down: but I can't quite follow it as you say it." "That's nothing to what I could say if I chose," the Duchess replied, in a pleased tone. "Pray don't trouble yourself to say it any longer than that," said Alice. "Oh, don't talk about trouble!" said the Duchess. "I make you a present of everything I've said as yet." "A cheap sort of present!" thought Alice. "I'm glad they don't give birthday presents like that!" But she did not venture to say it out loud. "Thinking again?" the Duchess asked, with another dig of her sharp little chin. "I've a right to think," said Alice sharply, for she was beginning to feel a little worried. "Just about as much right," said the Duchess,<|quote|>"as pigs have to fly; and the m--"</|quote|>But here, to Alice's great surprise, the Duchess's voice died away, even in the middle of her favourite word 'moral,' and the arm that was linked into hers began to tremble. Alice looked up, and there stood the Queen in front of them, with her arms folded, frowning like a thunderstorm. "A fine day, your Majesty!" the Duchess began in a low, weak voice. "Now, I give you fair warning," shouted the Queen, stamping on the ground as she spoke; "either you or your head must be off, and that in about half no time! Take your choice!" The Duchess took her choice, and was gone in a moment. "Let's go on with the game," the Queen said to Alice; and Alice was too much frightened to say a word, but slowly followed her back to the croquet-ground. The other guests had taken advantage of the Queen's absence, and were resting in the shade: however, the moment they saw her, they hurried back to the game, the Queen merely remarking that a moment's delay would cost them their lives. All the time they were playing the Queen never left off quarrelling with the other players, and shouting "Off with his head!" or "Off with her head!" Those whom she sentenced were taken into custody by the soldiers, who of course had to leave off being arches to do this, so that by the end of half an hour or so there were no arches left, and all the players, except the King, the Queen, and Alice, were in custody and under sentence of execution. Then the Queen left off, quite out of breath, and said to Alice, "Have you seen the Mock Turtle yet?" "No," said Alice. "I don't even know what a Mock Turtle is." "It's the thing Mock Turtle Soup is made from," said the Queen. "I never saw one, or heard of one," said Alice. "Come on, then," said the Queen, "and he shall tell you his history," As they walked off together, Alice heard the King say in a low voice, to the company generally, "You are all pardoned." "Come, _that's_ a good thing!" she said to herself, for she had felt quite unhappy at the number of executions the Queen had ordered. They very soon came upon a Gryphon, lying fast asleep in the sun. (If you don't know what a Gryphon is, look at the picture.) "Up, lazy thing!" said the Queen, "and take this young lady to see the Mock Turtle, and to hear his history. I must go back and see after some executions I have ordered;" and she walked off, leaving Alice alone with the Gryphon. Alice did not quite like the look of the creature, but on the whole she thought it would be quite as safe to stay with it as to go after that savage Queen: so | Alices Adventures In Wonderland | like that!" But she did not venture to say it out loud. "Thinking again?" the Duchess asked, with another dig of her sharp little chin. "I've a right to think," said Alice sharply, for she was beginning to feel a little worried. "Just about as much right," said the Duchess,<|quote|>"as pigs have to fly; and the m--"</|quote|>But here, to Alice's great surprise, the Duchess's voice died away, even in the middle of her favourite word 'moral,' and the arm that was linked into hers began to tremble. Alice looked up, and there stood the Queen in front of them, with her arms folded, frowning like a | {
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"content": "like that!\" But she did not venture to say it out loud. \"Thinking again?\" the Duchess asked, with another dig of her sharp little chin. \"I've a right to think,\" said Alice sharply, for she was beginning to feel a little worried. \"Just about as much right,\" said the Duchess,<|quote|>\"as pigs have to fly; and the m--\"</|quote|>But here, to Alice's great surprise, the Duchess's voice died away, even in the middle of her favourite word 'moral,' and the arm that was linked into hers began to tremble. Alice looked up, and there stood the Queen in front of them, with her arms folded, frowning like a",
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} | The Duchess |
"My father was--at least a Barbadian. He came to Guiana as a missionary. He was married to a white woman but he left her in Guiana to look for gold. Then he took my mother. The Pie-wie women are ugly but very devoted. I have had many. Most of the men and women living in this savannah are my children. That is why they obey--for that reason and because I have the gun. My father lived to a great age. It is not twenty years since he died. He was a man of education. Can you read?" | Mr Todd | "But surely you are English?"<|quote|>"My father was--at least a Barbadian. He came to Guiana as a missionary. He was married to a white woman but he left her in Guiana to look for gold. Then he took my mother. The Pie-wie women are ugly but very devoted. I have had many. Most of the men and women living in this savannah are my children. That is why they obey--for that reason and because I have the gun. My father lived to a great age. It is not twenty years since he died. He was a man of education. Can you read?"</|quote|>"Yes, of course." "It is | have not seen it done." "But surely you are English?"<|quote|>"My father was--at least a Barbadian. He came to Guiana as a missionary. He was married to a white woman but he left her in Guiana to look for gold. Then he took my mother. The Pie-wie women are ugly but very devoted. I have had many. Most of the men and women living in this savannah are my children. That is why they obey--for that reason and because I have the gun. My father lived to a great age. It is not twenty years since he died. He was a man of education. Can you read?"</|quote|>"Yes, of course." "It is not everyone who is so | out of the water with your hands like fruit from a tree. There are medicines even I do not know. They say that it is possible to bring dead people to life after they have begun to stink, but I have not seen it done." "But surely you are English?"<|quote|>"My father was--at least a Barbadian. He came to Guiana as a missionary. He was married to a white woman but he left her in Guiana to look for gold. Then he took my mother. The Pie-wie women are ugly but very devoted. I have had many. Most of the men and women living in this savannah are my children. That is why they obey--for that reason and because I have the gun. My father lived to a great age. It is not twenty years since he died. He was a man of education. Can you read?"</|quote|>"Yes, of course." "It is not everyone who is so fortunate. I cannot." Tony laughed apologetically. "But I suppose you haven't much opportunity here." "Oh yes, that is just it. I have a _great_ many books. I will show you when you are better. Until five years ago there was | an Indian and she taught me many of them. I have learned others from time to time from my wives. There are plants to cure you and give you fever, to kill you and send you mad, to keep away snakes, to intoxicate fish so that you can pick them out of the water with your hands like fruit from a tree. There are medicines even I do not know. They say that it is possible to bring dead people to life after they have begun to stink, but I have not seen it done." "But surely you are English?"<|quote|>"My father was--at least a Barbadian. He came to Guiana as a missionary. He was married to a white woman but he left her in Guiana to look for gold. Then he took my mother. The Pie-wie women are ugly but very devoted. I have had many. Most of the men and women living in this savannah are my children. That is why they obey--for that reason and because I have the gun. My father lived to a great age. It is not twenty years since he died. He was a man of education. Can you read?"</|quote|>"Yes, of course." "It is not everyone who is so fortunate. I cannot." Tony laughed apologetically. "But I suppose you haven't much opportunity here." "Oh yes, that is just it. I have a _great_ many books. I will show you when you are better. Until five years ago there was an Englishman--at least a black man, but he was well educated in Georgetown. He died. He used to read to me every day until he died. You shall read to me when you are better." "I shall be delighted to." "Yes, you shall read to me," Mr Todd repeated, nodding | quietly. Soon he fell into a deep sleep. * * * * * Tony's recovery was slow. At first, days of lucidity alternated with delirium; then his temperature dropped and he was conscious even when most ill. The days of fever grew less frequent, finally occurring in the normal system of the tropics, between long periods of comparative health. Mr Todd dosed him regularly with herbal remedies. "It's very nasty," said Tony, "but it does do good." "There is medicine for everything in the forest," said Mr Todd; "to make you well and to make you ill. My mother was an Indian and she taught me many of them. I have learned others from time to time from my wives. There are plants to cure you and give you fever, to kill you and send you mad, to keep away snakes, to intoxicate fish so that you can pick them out of the water with your hands like fruit from a tree. There are medicines even I do not know. They say that it is possible to bring dead people to life after they have begun to stink, but I have not seen it done." "But surely you are English?"<|quote|>"My father was--at least a Barbadian. He came to Guiana as a missionary. He was married to a white woman but he left her in Guiana to look for gold. Then he took my mother. The Pie-wie women are ugly but very devoted. I have had many. Most of the men and women living in this savannah are my children. That is why they obey--for that reason and because I have the gun. My father lived to a great age. It is not twenty years since he died. He was a man of education. Can you read?"</|quote|>"Yes, of course." "It is not everyone who is so fortunate. I cannot." Tony laughed apologetically. "But I suppose you haven't much opportunity here." "Oh yes, that is just it. I have a _great_ many books. I will show you when you are better. Until five years ago there was an Englishman--at least a black man, but he was well educated in Georgetown. He died. He used to read to me every day until he died. You shall read to me when you are better." "I shall be delighted to." "Yes, you shall read to me," Mr Todd repeated, nodding over the calabash. During the early days of his convalescence Tony had little conversation with his host, he lay in the hammock staring up at the thatched roof and thinking about Brenda. The days, exactly twelve hours each, passed without distinction. Mr Todd retired to sleep at sundown, leaving a little lamp burning--a handwoven wick drooping from a pot of beef fat--to keep away vampire bats. The first time that Tony left the house Mr Todd took him for a little stroll around the farm. "I will show you the black man's grave," he said, leading him to a mound | will be great friends afterwards as before. But she will leave you. She will go away quietly during the night. She will take her hammock and her rations of farine... Listen to me. I know I am not clever but that is no reason why we should forget all courtesy. Let us kill in the gentlest manner. I will tell you what I have learned in the forest, where time is different. There is no City. Mrs Beaver has covered it with chromium plating and converted it into flats. Three guineas a week, each with a separate bathroom. Very suitable for base love. And Polly will be there. She and Mrs Beaver under the fallen battlements..." Mr Todd put a hand behind Tony's head and held up the concoction of herbs in the calabash. Tony sipped and turned away his head. "Nasty medicine," he said, and began to cry. Mr Todd stood by him holding the calabash. Presently Tony drank some more, screwing up his face and shuddering slightly at the bitterness. Mr Todd stood beside him until the draught was finished; then he threw out the dregs on to the mud floor. Tony lay back in the hammock sobbing quietly. Soon he fell into a deep sleep. * * * * * Tony's recovery was slow. At first, days of lucidity alternated with delirium; then his temperature dropped and he was conscious even when most ill. The days of fever grew less frequent, finally occurring in the normal system of the tropics, between long periods of comparative health. Mr Todd dosed him regularly with herbal remedies. "It's very nasty," said Tony, "but it does do good." "There is medicine for everything in the forest," said Mr Todd; "to make you well and to make you ill. My mother was an Indian and she taught me many of them. I have learned others from time to time from my wives. There are plants to cure you and give you fever, to kill you and send you mad, to keep away snakes, to intoxicate fish so that you can pick them out of the water with your hands like fruit from a tree. There are medicines even I do not know. They say that it is possible to bring dead people to life after they have begun to stink, but I have not seen it done." "But surely you are English?"<|quote|>"My father was--at least a Barbadian. He came to Guiana as a missionary. He was married to a white woman but he left her in Guiana to look for gold. Then he took my mother. The Pie-wie women are ugly but very devoted. I have had many. Most of the men and women living in this savannah are my children. That is why they obey--for that reason and because I have the gun. My father lived to a great age. It is not twenty years since he died. He was a man of education. Can you read?"</|quote|>"Yes, of course." "It is not everyone who is so fortunate. I cannot." Tony laughed apologetically. "But I suppose you haven't much opportunity here." "Oh yes, that is just it. I have a _great_ many books. I will show you when you are better. Until five years ago there was an Englishman--at least a black man, but he was well educated in Georgetown. He died. He used to read to me every day until he died. You shall read to me when you are better." "I shall be delighted to." "Yes, you shall read to me," Mr Todd repeated, nodding over the calabash. During the early days of his convalescence Tony had little conversation with his host, he lay in the hammock staring up at the thatched roof and thinking about Brenda. The days, exactly twelve hours each, passed without distinction. Mr Todd retired to sleep at sundown, leaving a little lamp burning--a handwoven wick drooping from a pot of beef fat--to keep away vampire bats. The first time that Tony left the house Mr Todd took him for a little stroll around the farm. "I will show you the black man's grave," he said, leading him to a mound between the mango trees. "He was very kind. Every afternoon until he died, for two hours, he used to read to me. I think I will put up a cross--to commemorate his death and your arrival--a pretty idea. Do you believe in God?" "I suppose so. I've never really thought about it much." "I have thought about it a _great_ deal and I still do not know... Dickens did." "I suppose so." "Oh yes, it is apparent in all his books. You will see." That afternoon Mr Todd began the construction of a headpiece for the Negro's grave. He worked with a large spoke-shave in a wood so hard that it grated and rang like metal. At last, when Tony had passed six or seven consecutive nights without fever, Mr Todd said, "Now I think you are well enough to see the books." At one end of the hut there was a kind of loft formed by a rough platform erected in the eaves of the roof. Mr Todd propped a ladder against it and mounted. Tony followed, still unsteady after his illness. Mr Todd sat on the platform and Tony stood at the top of the ladder looking over. | bicycle. It _was_ you I passed just now on a bicycle, wasn't it?... except that your beard is a different colour. His was green... green as mice." Mr Todd led Tony across the hummocks of grass towards the house. "It is a very short way. When we get there I will give you something to make you better." "Very kind of you... rotten thing for a man to have his wife go away in a canoe. That was a long time ago. Nothing to eat since." Presently he said, "I say, you're English. I'm English too. My name is Last." "Well, Mr Last, you aren't to bother about anything more. You're ill and you've had a rough journey. I'll take care of you." Tony looked round him. "Are you all English?" "Yes, all of us." "That dark girl married a Moor... It's very lucky I met you all. I suppose you're some kind of cycling club?" "Yes." "Well, I feel too tired for bicycling... never liked it much... you fellows ought to get motor bicycles, you know, much faster and noisier... Let's stop here." "No, you must come as far as the house. It's not very much farther." "All right... I suppose you would have some difficulty getting petrol here." They went very slowly, but at length reached the house. "Lie there in the hammock." "That's what Messinger said. He's in love with John Beaver." "I will get something for you." "Very good of you. Just my usual morning tray--coffee, toast, fruit. And the morning papers. If her Ladyship has been called I will have it with her..." Mr Todd went into the back room of the house and dragged a tin canister from under a heap of skins. It was full of a mixture of dried leaf and bark. He took a handful and went outside to the fire. When he returned his guest was bolt upright astride the hammock, talking angrily. "...You would hear better and it would be more polite if you stood still when I addressed you instead of walking round in a circle. It is for your own good that I am telling you... I know you are friends of my wife and that is why you will not listen to me. But be careful. She will say nothing cruel, she will not raise her voice, there will be no hard words. She hopes you will be great friends afterwards as before. But she will leave you. She will go away quietly during the night. She will take her hammock and her rations of farine... Listen to me. I know I am not clever but that is no reason why we should forget all courtesy. Let us kill in the gentlest manner. I will tell you what I have learned in the forest, where time is different. There is no City. Mrs Beaver has covered it with chromium plating and converted it into flats. Three guineas a week, each with a separate bathroom. Very suitable for base love. And Polly will be there. She and Mrs Beaver under the fallen battlements..." Mr Todd put a hand behind Tony's head and held up the concoction of herbs in the calabash. Tony sipped and turned away his head. "Nasty medicine," he said, and began to cry. Mr Todd stood by him holding the calabash. Presently Tony drank some more, screwing up his face and shuddering slightly at the bitterness. Mr Todd stood beside him until the draught was finished; then he threw out the dregs on to the mud floor. Tony lay back in the hammock sobbing quietly. Soon he fell into a deep sleep. * * * * * Tony's recovery was slow. At first, days of lucidity alternated with delirium; then his temperature dropped and he was conscious even when most ill. The days of fever grew less frequent, finally occurring in the normal system of the tropics, between long periods of comparative health. Mr Todd dosed him regularly with herbal remedies. "It's very nasty," said Tony, "but it does do good." "There is medicine for everything in the forest," said Mr Todd; "to make you well and to make you ill. My mother was an Indian and she taught me many of them. I have learned others from time to time from my wives. There are plants to cure you and give you fever, to kill you and send you mad, to keep away snakes, to intoxicate fish so that you can pick them out of the water with your hands like fruit from a tree. There are medicines even I do not know. They say that it is possible to bring dead people to life after they have begun to stink, but I have not seen it done." "But surely you are English?"<|quote|>"My father was--at least a Barbadian. He came to Guiana as a missionary. He was married to a white woman but he left her in Guiana to look for gold. Then he took my mother. The Pie-wie women are ugly but very devoted. I have had many. Most of the men and women living in this savannah are my children. That is why they obey--for that reason and because I have the gun. My father lived to a great age. It is not twenty years since he died. He was a man of education. Can you read?"</|quote|>"Yes, of course." "It is not everyone who is so fortunate. I cannot." Tony laughed apologetically. "But I suppose you haven't much opportunity here." "Oh yes, that is just it. I have a _great_ many books. I will show you when you are better. Until five years ago there was an Englishman--at least a black man, but he was well educated in Georgetown. He died. He used to read to me every day until he died. You shall read to me when you are better." "I shall be delighted to." "Yes, you shall read to me," Mr Todd repeated, nodding over the calabash. During the early days of his convalescence Tony had little conversation with his host, he lay in the hammock staring up at the thatched roof and thinking about Brenda. The days, exactly twelve hours each, passed without distinction. Mr Todd retired to sleep at sundown, leaving a little lamp burning--a handwoven wick drooping from a pot of beef fat--to keep away vampire bats. The first time that Tony left the house Mr Todd took him for a little stroll around the farm. "I will show you the black man's grave," he said, leading him to a mound between the mango trees. "He was very kind. Every afternoon until he died, for two hours, he used to read to me. I think I will put up a cross--to commemorate his death and your arrival--a pretty idea. Do you believe in God?" "I suppose so. I've never really thought about it much." "I have thought about it a _great_ deal and I still do not know... Dickens did." "I suppose so." "Oh yes, it is apparent in all his books. You will see." That afternoon Mr Todd began the construction of a headpiece for the Negro's grave. He worked with a large spoke-shave in a wood so hard that it grated and rang like metal. At last, when Tony had passed six or seven consecutive nights without fever, Mr Todd said, "Now I think you are well enough to see the books." At one end of the hut there was a kind of loft formed by a rough platform erected in the eaves of the roof. Mr Todd propped a ladder against it and mounted. Tony followed, still unsteady after his illness. Mr Todd sat on the platform and Tony stood at the top of the ladder looking over. There was a heap of bundles there, tied up with rag, palm leaf and raw hide. "It has been hard to keep out the worms and ants. Two are practically destroyed. But there is an oil the Indians make that is useful." He unwrapped the nearest parcel and handed down a calf-bound book. It was an early American edition of _Bleak House_. "It does not matter which we take first." "You are fond of Dickens?" "Why, yes, of course. More than fond, far more. You see, they are the only books I have ever heard. My father used to read them and then later the black man... and now you. I have heard them all several times by now but I never get tired; there is always more to be learned and noticed, so many characters, so many changes of scene, so many words... I have all Dickens's books here except those that the ants devoured. It takes a long time to read them all--more than two years." "Well," said Tony lightly, "they will well last out my visit." "Oh, I hope not. It is delightful to start again. Each time I think I find more to enjoy and admire." They took down the first volume of _Bleak House_ and that afternoon Tony had his first reading. He had always rather enjoyed reading aloud and in the first year of marriage had shared several books in this way with Brenda, until one day, in a moment of frankness, she remarked that it was torture to her. He had read to John Andrew, late in the afternoon, in winter, while the child sat before the nursery fender eating his supper. But Mr Todd was a unique audience. The old man sat astride his hammock opposite Tony, fixing him throughout with his eyes, and following the words, soundlessly, with his lips. Often when a new character was introduced he would say, "Repeat the name, I have forgotten him," or "Yes, yes, I remember her well. She dies, poor woman." He would frequently interrupt with questions; not as Tony would have imagined about the circumstances of the story--such things as the procedure of the Lord Chancellor's Court or the social conventions of the time, though they must have been unintelligible, did not concern him--but always about the characters. "Now, why does she say that? Does she really mean it? Did she feel faint | skins. It was full of a mixture of dried leaf and bark. He took a handful and went outside to the fire. When he returned his guest was bolt upright astride the hammock, talking angrily. "...You would hear better and it would be more polite if you stood still when I addressed you instead of walking round in a circle. It is for your own good that I am telling you... I know you are friends of my wife and that is why you will not listen to me. But be careful. She will say nothing cruel, she will not raise her voice, there will be no hard words. She hopes you will be great friends afterwards as before. But she will leave you. She will go away quietly during the night. She will take her hammock and her rations of farine... Listen to me. I know I am not clever but that is no reason why we should forget all courtesy. Let us kill in the gentlest manner. I will tell you what I have learned in the forest, where time is different. There is no City. Mrs Beaver has covered it with chromium plating and converted it into flats. Three guineas a week, each with a separate bathroom. Very suitable for base love. And Polly will be there. She and Mrs Beaver under the fallen battlements..." Mr Todd put a hand behind Tony's head and held up the concoction of herbs in the calabash. Tony sipped and turned away his head. "Nasty medicine," he said, and began to cry. Mr Todd stood by him holding the calabash. Presently Tony drank some more, screwing up his face and shuddering slightly at the bitterness. Mr Todd stood beside him until the draught was finished; then he threw out the dregs on to the mud floor. Tony lay back in the hammock sobbing quietly. Soon he fell into a deep sleep. * * * * * Tony's recovery was slow. At first, days of lucidity alternated with delirium; then his temperature dropped and he was conscious even when most ill. The days of fever grew less frequent, finally occurring in the normal system of the tropics, between long periods of comparative health. Mr Todd dosed him regularly with herbal remedies. "It's very nasty," said Tony, "but it does do good." "There is medicine for everything in the forest," said Mr Todd; "to make you well and to make you ill. My mother was an Indian and she taught me many of them. I have learned others from time to time from my wives. There are plants to cure you and give you fever, to kill you and send you mad, to keep away snakes, to intoxicate fish so that you can pick them out of the water with your hands like fruit from a tree. There are medicines even I do not know. They say that it is possible to bring dead people to life after they have begun to stink, but I have not seen it done." "But surely you are English?"<|quote|>"My father was--at least a Barbadian. He came to Guiana as a missionary. He was married to a white woman but he left her in Guiana to look for gold. Then he took my mother. The Pie-wie women are ugly but very devoted. I have had many. Most of the men and women living in this savannah are my children. That is why they obey--for that reason and because I have the gun. My father lived to a great age. It is not twenty years since he died. He was a man of education. Can you read?"</|quote|>"Yes, of course." "It is not everyone who is so fortunate. I cannot." Tony laughed apologetically. "But I suppose you haven't much opportunity here." "Oh yes, that is just it. I have a _great_ many books. I will show you when you are better. Until five years ago there was an Englishman--at least a black man, but he was well educated in Georgetown. He died. He used to read to me every day until he died. You shall read to me when you are better." "I shall be delighted to." "Yes, you shall read to me," Mr Todd repeated, nodding over the calabash. During the early days of his convalescence Tony had little conversation with his host, he lay in the hammock staring up at the thatched roof and thinking about Brenda. The days, exactly twelve hours each, passed without distinction. Mr Todd retired to sleep at sundown, leaving a little lamp burning--a handwoven wick drooping from a pot of beef fat--to keep away vampire bats. The first time that Tony left the house Mr Todd took him for a little stroll around the farm. "I will show you the black man's grave," he said, leading him to a mound between the mango trees. "He was very kind. Every afternoon until he died, for two hours, he used to read to me. I think I will put up a cross--to commemorate his death and your arrival--a pretty idea. Do you believe in God?" "I suppose so. I've never really thought about it much." "I have thought about it a _great_ deal and I still do not know... Dickens did." "I suppose so." "Oh yes, it is apparent in all his books. You will see." That afternoon Mr Todd began the construction of a headpiece for the Negro's grave. He worked with a large spoke-shave in a wood so hard that it grated and rang like metal. At last, when Tony had passed six or seven consecutive nights without fever, Mr Todd said, "Now I think you are | A Handful Of Dust | out of the water with your hands like fruit from a tree. There are medicines even I do not know. They say that it is possible to bring dead people to life after they have begun to stink, but I have not seen it done." "But surely you are English?"<|quote|>"My father was--at least a Barbadian. He came to Guiana as a missionary. He was married to a white woman but he left her in Guiana to look for gold. Then he took my mother. The Pie-wie women are ugly but very devoted. I have had many. Most of the men and women living in this savannah are my children. That is why they obey--for that reason and because I have the gun. My father lived to a great age. It is not twenty years since he died. He was a man of education. Can you read?"</|quote|>"Yes, of course." "It is not everyone who is so fortunate. I cannot." Tony laughed apologetically. "But I suppose you haven't much opportunity here." "Oh yes, that is just it. I have a _great_ many books. I will show you when you are better. Until five years ago there was | {
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"content": "out of the water with your hands like fruit from a tree. There are medicines even I do not know. They say that it is possible to bring dead people to life after they have begun to stink, but I have not seen it done.\" \"But surely you are English?\"<|quote|>\"My father was--at least a Barbadian. He came to Guiana as a missionary. He was married to a white woman but he left her in Guiana to look for gold. Then he took my mother. The Pie-wie women are ugly but very devoted. I have had many. Most of the men and women living in this savannah are my children. That is why they obey--for that reason and because I have the gun. My father lived to a great age. It is not twenty years since he died. He was a man of education. Can you read?\"</|quote|>\"Yes, of course.\" \"It is not everyone who is so fortunate. I cannot.\" Tony laughed apologetically. \"But I suppose you haven't much opportunity here.\" \"Oh yes, that is just it. I have a _great_ many books. I will show you when you are better. Until five years ago there was",
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} | Mr Todd |
"Ginger was glad I took it. I gave him three pieces of parachute silk for it. Cold beans taste fine, too." | Katczinsky | by that?" I ask him.<|quote|>"Ginger was glad I took it. I gave him three pieces of parachute silk for it. Cold beans taste fine, too."</|quote|>Grudgingly he gives the youngster | Kat, how did you come by that?" I ask him.<|quote|>"Ginger was glad I took it. I gave him three pieces of parachute silk for it. Cold beans taste fine, too."</|quote|>Grudgingly he gives the youngster a portion and says: "Next | sack. It is nearly half full of a stew of beef and beans. Katczinsky plants himself in front of it like a general and says: "Sharp eyes and light fingers! That's what the Prussians say." We are surprised. "Great guts, Kat, how did you come by that?" I ask him.<|quote|>"Ginger was glad I took it. I gave him three pieces of parachute silk for it. Cold beans taste fine, too."</|quote|>Grudgingly he gives the youngster a portion and says: "Next time you come with your mess-tin have a cigar or a chew of tobacco in your other hand. Get me?" Then he turns to us. "You get off scot free, of course." * * Katczinsky never goes short; he has | You've been in luck, it's nothing new for it to be made of sawdust. But what do you say to haricot beans? Have some?" The youngster turns red: "You can't kid me." Katczinsky merely says: "Fetch your mess-tin." We follow curiously. He takes us to a tub beside his straw sack. It is nearly half full of a stew of beef and beans. Katczinsky plants himself in front of it like a general and says: "Sharp eyes and light fingers! That's what the Prussians say." We are surprised. "Great guts, Kat, how did you come by that?" I ask him.<|quote|>"Ginger was glad I took it. I gave him three pieces of parachute silk for it. Cold beans taste fine, too."</|quote|>Grudgingly he gives the youngster a portion and says: "Next time you come with your mess-tin have a cigar or a chew of tobacco in your other hand. Get me?" Then he turns to us. "You get off scot free, of course." * * Katczinsky never goes short; he has a sixth sense. There are such people everywhere but one does not appreciate it at first. Every company has one or two. Katczinsky is the smartest I know. By trade he is a cobbler, I believe, but that hasn't anything to do with it; he understands all trades. It's a | the base. They are about two years younger than us. Kropp nudges me: "Seen the infants?" I nod. We stick out our chests, shave in the open, shove our hands in our pockets, inspect the recruits and feel ourselves to be stone-age veterans. Katczinsky joins us. We stroll past the horse-boxes and go over to the reinforcements, who have already been issued with gas-masks and coffee. "Long time since you've had anything decent to eat, eh?" Kat asks one of the youngsters. He grimaces. "For breakfast, turnip-bread--lunch, turnip-stew--supper, turnip-cutlets and turnip-salad." Kat gives a knowing whistle. "Bread made of turnips? You've been in luck, it's nothing new for it to be made of sawdust. But what do you say to haricot beans? Have some?" The youngster turns red: "You can't kid me." Katczinsky merely says: "Fetch your mess-tin." We follow curiously. He takes us to a tub beside his straw sack. It is nearly half full of a stew of beef and beans. Katczinsky plants himself in front of it like a general and says: "Sharp eyes and light fingers! That's what the Prussians say." We are surprised. "Great guts, Kat, how did you come by that?" I ask him.<|quote|>"Ginger was glad I took it. I gave him three pieces of parachute silk for it. Cold beans taste fine, too."</|quote|>Grudgingly he gives the youngster a portion and says: "Next time you come with your mess-tin have a cigar or a chew of tobacco in your other hand. Get me?" Then he turns to us. "You get off scot free, of course." * * Katczinsky never goes short; he has a sixth sense. There are such people everywhere but one does not appreciate it at first. Every company has one or two. Katczinsky is the smartest I know. By trade he is a cobbler, I believe, but that hasn't anything to do with it; he understands all trades. It's a good thing to be friends with him, as Kropp and I are, and Haie Westhus too, more or less. But Haie is rather the executive arm operating under Kat's orders when things come to blows. For that he has his qualifications. For example, we land at night in some entirely unknown spot, a sorry hole, that has been eaten out to the very walls. We are quartered in a small dark factory adapted to the purpose. There are beds in it, or rather bunks--a couple of wooden beams over which wire netting is stretched. Wire netting is hard. And there's | breathe as deep as I can, and feel the breeze in my face, warm and soft as never before. Thoughts of girls, of flowery meadows, of white clouds suddenly come into my head. My feet begin to move forward in my boots, I go quicker, I run. Soldiers pass by me, I hear their voices without understanding. The earth is streaming with forces which pour into me through the soles of my feet. The night crackles electrically, the front thunders like a concert of drums. My limbs move supply, I feel my joints strong, I breathe the air deeply. The night lives, I live. I feel a hunger, greater than comes from the belly alone. Müller stands in front of the hut and waits for me. I give him the boots. We go in and he tries them on. They fit well. He roots among his supplies and offers me a fine piece of saveloy. With it goes hot tea and rum. CHAPTER III Reinforcements have arrived. The vacancies have been filled and the sacks of straw are already laid out in the huts. Some of them are old hands, but there are twenty-five men of a later draft from the base. They are about two years younger than us. Kropp nudges me: "Seen the infants?" I nod. We stick out our chests, shave in the open, shove our hands in our pockets, inspect the recruits and feel ourselves to be stone-age veterans. Katczinsky joins us. We stroll past the horse-boxes and go over to the reinforcements, who have already been issued with gas-masks and coffee. "Long time since you've had anything decent to eat, eh?" Kat asks one of the youngsters. He grimaces. "For breakfast, turnip-bread--lunch, turnip-stew--supper, turnip-cutlets and turnip-salad." Kat gives a knowing whistle. "Bread made of turnips? You've been in luck, it's nothing new for it to be made of sawdust. But what do you say to haricot beans? Have some?" The youngster turns red: "You can't kid me." Katczinsky merely says: "Fetch your mess-tin." We follow curiously. He takes us to a tub beside his straw sack. It is nearly half full of a stew of beef and beans. Katczinsky plants himself in front of it like a general and says: "Sharp eyes and light fingers! That's what the Prussians say." We are surprised. "Great guts, Kat, how did you come by that?" I ask him.<|quote|>"Ginger was glad I took it. I gave him three pieces of parachute silk for it. Cold beans taste fine, too."</|quote|>Grudgingly he gives the youngster a portion and says: "Next time you come with your mess-tin have a cigar or a chew of tobacco in your other hand. Get me?" Then he turns to us. "You get off scot free, of course." * * Katczinsky never goes short; he has a sixth sense. There are such people everywhere but one does not appreciate it at first. Every company has one or two. Katczinsky is the smartest I know. By trade he is a cobbler, I believe, but that hasn't anything to do with it; he understands all trades. It's a good thing to be friends with him, as Kropp and I are, and Haie Westhus too, more or less. But Haie is rather the executive arm operating under Kat's orders when things come to blows. For that he has his qualifications. For example, we land at night in some entirely unknown spot, a sorry hole, that has been eaten out to the very walls. We are quartered in a small dark factory adapted to the purpose. There are beds in it, or rather bunks--a couple of wooden beams over which wire netting is stretched. Wire netting is hard. And there's nothing to put on it. Our waterproof sheets are too thin. We use our blankets to cover ourselves. Kat looks at the place and then says to Haie Westhus: "Come with me." They go off to explore. Half an hour later they are back again with arms full of straw. Kat has found a horse-box with straw in it. Now we might sleep if we weren't so terribly hungry. Kropp asks an artilleryman who has been some time in this neighbourhood: "Is there a canteen anywhere abouts?" "Is there a what?" he laughs. "There's nothing to be had here. You won't find so much as a crust of bread here." "Aren't there any inhabitants here at all then?" He spits. "Yes, a couple. But they mostly loaf round the cook house and beg." "That's a bad business!--Then we'll have to pull in our belts and wait till the rations come up in the morning." But I see Kat has put on his cap. "Where to, Kat?" I ask. "Just to explore the place a bit." He strolls off. The artilleryman grins scornfully. "Let him explore! But don't be too hopeful about it." Disappointed we lie down and consider whether we | may perhaps say something. What if he were to open his mouth and cry out! But he only weeps, his head turned aside. He does not speak of his mother or his brothers and sisters. He says nothing; all that lies behind him; he is entirely alone now with his little life of nineteen years, and cries because it leaves him. This is the most disturbing and hardest parting that ever I have seen, although it was pretty bad too with Tiedjen, who called for his mother--a big bear of a fellow who, with wild eyes full of terror, held off the doctor from his bed with a dagger until he collapsed. Suddenly Kemmerich groans and begins to gurgle. I jump up, stumble outside and demand: "Where is the doctor? Where is the doctor?" As I catch sight of the white apron I seize hold of it: "Come quick, Franz Kemmerich is dying." He frees himself and asks an orderly standing by: "Which will that be?" He says: "Bed 26, amputated thigh." He sniffs: "How should I know anything about it, I've amputated five legs to-day" ; he shoves me away, says to the hospital-orderly "You see to it," and runs off to the operating room. I tremble with rage as I go along with the orderly. The man looks at me and says: "One operation after another since five o'clock this morning. You know to-day alone there have been sixteen deaths--yours is the seventeenth. There will probably be twenty altogether----" I become faint, all at once I cannot do any more. I won't revile any more, it is senseless, I could drop down and never rise up again. We are by Kemmerich's bed. He is dead. The face is still wet from the tears. The eyes are half open and yellow like old horn buttons. The orderly pokes me in the ribs. "Are you taking his things with you?" I nod. He goes on: "We must take him away at once, we want the bed. Outside they are lying on the floor." I collect the things, untie Kemmerich's identification disc and take it away. The orderly asks about the pay-book, I say that it is probably in the orderly-room, and go. Behind me they are already hauling Franz on to a water-proof sheet. Outside the door I am aware of the darkness and the wind as a deliverance. I breathe as deep as I can, and feel the breeze in my face, warm and soft as never before. Thoughts of girls, of flowery meadows, of white clouds suddenly come into my head. My feet begin to move forward in my boots, I go quicker, I run. Soldiers pass by me, I hear their voices without understanding. The earth is streaming with forces which pour into me through the soles of my feet. The night crackles electrically, the front thunders like a concert of drums. My limbs move supply, I feel my joints strong, I breathe the air deeply. The night lives, I live. I feel a hunger, greater than comes from the belly alone. Müller stands in front of the hut and waits for me. I give him the boots. We go in and he tries them on. They fit well. He roots among his supplies and offers me a fine piece of saveloy. With it goes hot tea and rum. CHAPTER III Reinforcements have arrived. The vacancies have been filled and the sacks of straw are already laid out in the huts. Some of them are old hands, but there are twenty-five men of a later draft from the base. They are about two years younger than us. Kropp nudges me: "Seen the infants?" I nod. We stick out our chests, shave in the open, shove our hands in our pockets, inspect the recruits and feel ourselves to be stone-age veterans. Katczinsky joins us. We stroll past the horse-boxes and go over to the reinforcements, who have already been issued with gas-masks and coffee. "Long time since you've had anything decent to eat, eh?" Kat asks one of the youngsters. He grimaces. "For breakfast, turnip-bread--lunch, turnip-stew--supper, turnip-cutlets and turnip-salad." Kat gives a knowing whistle. "Bread made of turnips? You've been in luck, it's nothing new for it to be made of sawdust. But what do you say to haricot beans? Have some?" The youngster turns red: "You can't kid me." Katczinsky merely says: "Fetch your mess-tin." We follow curiously. He takes us to a tub beside his straw sack. It is nearly half full of a stew of beef and beans. Katczinsky plants himself in front of it like a general and says: "Sharp eyes and light fingers! That's what the Prussians say." We are surprised. "Great guts, Kat, how did you come by that?" I ask him.<|quote|>"Ginger was glad I took it. I gave him three pieces of parachute silk for it. Cold beans taste fine, too."</|quote|>Grudgingly he gives the youngster a portion and says: "Next time you come with your mess-tin have a cigar or a chew of tobacco in your other hand. Get me?" Then he turns to us. "You get off scot free, of course." * * Katczinsky never goes short; he has a sixth sense. There are such people everywhere but one does not appreciate it at first. Every company has one or two. Katczinsky is the smartest I know. By trade he is a cobbler, I believe, but that hasn't anything to do with it; he understands all trades. It's a good thing to be friends with him, as Kropp and I are, and Haie Westhus too, more or less. But Haie is rather the executive arm operating under Kat's orders when things come to blows. For that he has his qualifications. For example, we land at night in some entirely unknown spot, a sorry hole, that has been eaten out to the very walls. We are quartered in a small dark factory adapted to the purpose. There are beds in it, or rather bunks--a couple of wooden beams over which wire netting is stretched. Wire netting is hard. And there's nothing to put on it. Our waterproof sheets are too thin. We use our blankets to cover ourselves. Kat looks at the place and then says to Haie Westhus: "Come with me." They go off to explore. Half an hour later they are back again with arms full of straw. Kat has found a horse-box with straw in it. Now we might sleep if we weren't so terribly hungry. Kropp asks an artilleryman who has been some time in this neighbourhood: "Is there a canteen anywhere abouts?" "Is there a what?" he laughs. "There's nothing to be had here. You won't find so much as a crust of bread here." "Aren't there any inhabitants here at all then?" He spits. "Yes, a couple. But they mostly loaf round the cook house and beg." "That's a bad business!--Then we'll have to pull in our belts and wait till the rations come up in the morning." But I see Kat has put on his cap. "Where to, Kat?" I ask. "Just to explore the place a bit." He strolls off. The artilleryman grins scornfully. "Let him explore! But don't be too hopeful about it." Disappointed we lie down and consider whether we couldn't have a go at the iron rations. But it's too risky; so we try to get a wink of sleep. Kropp divides a cigarette and hands me half. Tjaden gives an account of his national dish--broad-beans and bacon. He despises it when not flavoured with bog-myrtle, and, "for God's sake, let it all be cooked together, not the potatoes, the beans, and the bacon separately." Someone growls that he will pound Tjaden into bog-myrtle if he doesn't shut up. Then all becomes quiet in the big room--only the candles flickering from the necks of a couple of bottles and the artilleryman spitting every now and then. We stir a bit as the door opens and Kat appears. I think I must be dreaming; he has two loaves of bread under his arm and a blood-stained sandbag full of horse-flesh in his hand. The artilleryman's pipe drops from his mouth. He feels the bread. "Real bread, by God! and still hot too!" Kat gives no explanation. He has the bread, the rest doesn't matter. I'm sure that if he were planted down in the middle of the desert, in half an hour he would have gathered together a supper of roast meat, dates, and wine. "Cut some wood," he says curtly to Haie. Then he hauls out a frying-pan from under his coat, and a handful of salt as well as a lump of fat from his pocket. He has thought of everything. Haie makes a fire on the floor. It lights up the empty room of the factory. We climb out of bed. The artilleryman hesitates. He wonders whether to praise Kat and so perhaps gain a little for himself. But Katczinsky doesn't even see him, he might as well be thin air. He goes off cursing. Kat knows the way to roast horse-flesh so that it's tender. It shouldn't be put straight into the pan, that makes it tough. It should be boiled first in a little water. With our knives we squat round in a circle and fill our bellies. That is Kat. If for but one hour in a year something eatable were to be had in some one place only, within that hour, as if moved by a vision, he would put on his cap, go out and walk directly there, as though following a compass, and find it. He finds everything--if it is cold, | it goes hot tea and rum. CHAPTER III Reinforcements have arrived. The vacancies have been filled and the sacks of straw are already laid out in the huts. Some of them are old hands, but there are twenty-five men of a later draft from the base. They are about two years younger than us. Kropp nudges me: "Seen the infants?" I nod. We stick out our chests, shave in the open, shove our hands in our pockets, inspect the recruits and feel ourselves to be stone-age veterans. Katczinsky joins us. We stroll past the horse-boxes and go over to the reinforcements, who have already been issued with gas-masks and coffee. "Long time since you've had anything decent to eat, eh?" Kat asks one of the youngsters. He grimaces. "For breakfast, turnip-bread--lunch, turnip-stew--supper, turnip-cutlets and turnip-salad." Kat gives a knowing whistle. "Bread made of turnips? You've been in luck, it's nothing new for it to be made of sawdust. But what do you say to haricot beans? Have some?" The youngster turns red: "You can't kid me." Katczinsky merely says: "Fetch your mess-tin." We follow curiously. He takes us to a tub beside his straw sack. It is nearly half full of a stew of beef and beans. Katczinsky plants himself in front of it like a general and says: "Sharp eyes and light fingers! That's what the Prussians say." We are surprised. "Great guts, Kat, how did you come by that?" I ask him.<|quote|>"Ginger was glad I took it. I gave him three pieces of parachute silk for it. Cold beans taste fine, too."</|quote|>Grudgingly he gives the youngster a portion and says: "Next time you come with your mess-tin have a cigar or a chew of tobacco in your other hand. Get me?" Then he turns to us. "You get off scot free, of course." * * Katczinsky never goes short; he has a sixth sense. There are such people everywhere but one does not appreciate it at first. Every company has one or two. Katczinsky is the smartest I know. By trade he is a cobbler, I believe, but that hasn't anything to do with it; he understands all trades. It's a good thing to be friends with him, as Kropp and I are, and Haie Westhus too, more or less. But Haie is rather the executive arm operating under Kat's orders when things come to blows. For that he has his qualifications. For example, we land at night in some entirely unknown spot, a sorry hole, that has been eaten out to the very walls. We are quartered in a small dark factory adapted to the purpose. There are beds in it, or rather bunks--a couple of wooden beams over which wire netting is stretched. Wire netting is hard. And there's nothing to put on it. Our waterproof sheets are too thin. We use our blankets to cover ourselves. Kat looks at the place and then says to Haie Westhus: "Come with me." They go off to explore. Half an hour later they are back again with arms full of straw. Kat has found a horse-box with straw in it. Now we might sleep if we weren't so terribly hungry. Kropp asks an artilleryman who has been some time in this neighbourhood: "Is there a canteen anywhere abouts?" "Is there a what?" he laughs. "There's nothing to | All Quiet on the Western Front | sack. It is nearly half full of a stew of beef and beans. Katczinsky plants himself in front of it like a general and says: "Sharp eyes and light fingers! That's what the Prussians say." We are surprised. "Great guts, Kat, how did you come by that?" I ask him.<|quote|>"Ginger was glad I took it. I gave him three pieces of parachute silk for it. Cold beans taste fine, too."</|quote|>Grudgingly he gives the youngster a portion and says: "Next time you come with your mess-tin have a cigar or a chew of tobacco in your other hand. Get me?" Then he turns to us. "You get off scot free, of course." * * Katczinsky never goes short; he has | {
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"content": "sack. It is nearly half full of a stew of beef and beans. Katczinsky plants himself in front of it like a general and says: \"Sharp eyes and light fingers! That's what the Prussians say.\" We are surprised. \"Great guts, Kat, how did you come by that?\" I ask him.<|quote|>\"Ginger was glad I took it. I gave him three pieces of parachute silk for it. Cold beans taste fine, too.\"</|quote|>Grudgingly he gives the youngster a portion and says: \"Next time you come with your mess-tin have a cigar or a chew of tobacco in your other hand. Get me?\" Then he turns to us. \"You get off scot free, of course.\" * * Katczinsky never goes short; he has",
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remarked the King, | No speaker | the Hatter. "You _must_ remember,"<|quote|>remarked the King,</|quote|>"or I'll have you executed." | "That I can't remember," said the Hatter. "You _must_ remember,"<|quote|>remarked the King,</|quote|>"or I'll have you executed." The miserable Hatter dropped his | looking anxiously round to see if he would deny it too: but the Dormouse denied nothing, being fast asleep. "After that," continued the Hatter, "I cut some more bread-and-butter--" "But what did the Dormouse say?" one of the jury asked. "That I can't remember," said the Hatter. "You _must_ remember,"<|quote|>remarked the King,</|quote|>"or I'll have you executed." The miserable Hatter dropped his teacup and bread-and-butter, and went down on one knee. "I'm a poor man, your Majesty," he began. "You're a _very_ poor _speaker_," said the King. Here one of the guinea-pigs cheered, and was immediately suppressed by the officers of the | twinkled after that--only the March Hare said--" "I didn't!" the March Hare interrupted in a great hurry. "You did!" said the Hatter. "I deny it!" said the March Hare. "He denies it," said the King: "leave out that part." "Well, at any rate, the Dormouse said--" the Hatter went on, looking anxiously round to see if he would deny it too: but the Dormouse denied nothing, being fast asleep. "After that," continued the Hatter, "I cut some more bread-and-butter--" "But what did the Dormouse say?" one of the jury asked. "That I can't remember," said the Hatter. "You _must_ remember,"<|quote|>remarked the King,</|quote|>"or I'll have you executed." The miserable Hatter dropped his teacup and bread-and-butter, and went down on one knee. "I'm a poor man, your Majesty," he began. "You're a _very_ poor _speaker_," said the King. Here one of the guinea-pigs cheered, and was immediately suppressed by the officers of the court. (As that is rather a hard word, I will just explain to you how it was done. They had a large canvas bag, which tied up at the mouth with strings: into this they slipped the guinea-pig, head first, and then sat upon it.) "I'm glad I've seen that | "Give your evidence," the King repeated angrily, "or I'll have you executed, whether you're nervous or not." "I'm a poor man, your Majesty," the Hatter began, in a trembling voice, "--and I hadn't begun my tea--not above a week or so--and what with the bread-and-butter getting so thin--and the twinkling of the tea--" "The twinkling of the _what?_" said the King. "It _began_ with the tea," the Hatter replied. "Of course twinkling begins with a T!" said the King sharply. "Do you take me for a dunce? Go on!" "I'm a poor man," the Hatter went on, "and most things twinkled after that--only the March Hare said--" "I didn't!" the March Hare interrupted in a great hurry. "You did!" said the Hatter. "I deny it!" said the March Hare. "He denies it," said the King: "leave out that part." "Well, at any rate, the Dormouse said--" the Hatter went on, looking anxiously round to see if he would deny it too: but the Dormouse denied nothing, being fast asleep. "After that," continued the Hatter, "I cut some more bread-and-butter--" "But what did the Dormouse say?" one of the jury asked. "That I can't remember," said the Hatter. "You _must_ remember,"<|quote|>remarked the King,</|quote|>"or I'll have you executed." The miserable Hatter dropped his teacup and bread-and-butter, and went down on one knee. "I'm a poor man, your Majesty," he began. "You're a _very_ poor _speaker_," said the King. Here one of the guinea-pigs cheered, and was immediately suppressed by the officers of the court. (As that is rather a hard word, I will just explain to you how it was done. They had a large canvas bag, which tied up at the mouth with strings: into this they slipped the guinea-pig, head first, and then sat upon it.) "I'm glad I've seen that done," thought Alice. "I've so often read in the newspapers, at the end of trials," "There was some attempts at applause, which was immediately suppressed by the officers of the court," "and I never understood what it meant till now." "If that's all you know about it, you may stand down," continued the King. "I can't go no lower," said the Hatter: "I'm on the floor, as it is." "Then you may _sit_ down," the King replied. Here the other guinea-pig cheered, and was suppressed. "Come, that finished the guinea-pigs!" thought Alice. "Now we shall get on better." "I'd rather | Just at this moment Alice felt a very curious sensation, which puzzled her a good deal until she made out what it was: she was beginning to grow larger again, and she thought at first she would get up and leave the court; but on second thoughts she decided to remain where she was as long as there was room for her. "I wish you wouldn't squeeze so." said the Dormouse, who was sitting next to her. "I can hardly breathe." "I can't help it," said Alice very meekly: "I'm growing." "You've no right to grow _here_," said the Dormouse. "Don't talk nonsense," said Alice more boldly: "you know you're growing too." "Yes, but _I_ grow at a reasonable pace," said the Dormouse: "not in that ridiculous fashion." And he got up very sulkily and crossed over to the other side of the court. All this time the Queen had never left off staring at the Hatter, and, just as the Dormouse crossed the court, she said to one of the officers of the court, "Bring me the list of the singers in the last concert!" on which the wretched Hatter trembled so, that he shook both his shoes off. "Give your evidence," the King repeated angrily, "or I'll have you executed, whether you're nervous or not." "I'm a poor man, your Majesty," the Hatter began, in a trembling voice, "--and I hadn't begun my tea--not above a week or so--and what with the bread-and-butter getting so thin--and the twinkling of the tea--" "The twinkling of the _what?_" said the King. "It _began_ with the tea," the Hatter replied. "Of course twinkling begins with a T!" said the King sharply. "Do you take me for a dunce? Go on!" "I'm a poor man," the Hatter went on, "and most things twinkled after that--only the March Hare said--" "I didn't!" the March Hare interrupted in a great hurry. "You did!" said the Hatter. "I deny it!" said the March Hare. "He denies it," said the King: "leave out that part." "Well, at any rate, the Dormouse said--" the Hatter went on, looking anxiously round to see if he would deny it too: but the Dormouse denied nothing, being fast asleep. "After that," continued the Hatter, "I cut some more bread-and-butter--" "But what did the Dormouse say?" one of the jury asked. "That I can't remember," said the Hatter. "You _must_ remember,"<|quote|>remarked the King,</|quote|>"or I'll have you executed." The miserable Hatter dropped his teacup and bread-and-butter, and went down on one knee. "I'm a poor man, your Majesty," he began. "You're a _very_ poor _speaker_," said the King. Here one of the guinea-pigs cheered, and was immediately suppressed by the officers of the court. (As that is rather a hard word, I will just explain to you how it was done. They had a large canvas bag, which tied up at the mouth with strings: into this they slipped the guinea-pig, head first, and then sat upon it.) "I'm glad I've seen that done," thought Alice. "I've so often read in the newspapers, at the end of trials," "There was some attempts at applause, which was immediately suppressed by the officers of the court," "and I never understood what it meant till now." "If that's all you know about it, you may stand down," continued the King. "I can't go no lower," said the Hatter: "I'm on the floor, as it is." "Then you may _sit_ down," the King replied. Here the other guinea-pig cheered, and was suppressed. "Come, that finished the guinea-pigs!" thought Alice. "Now we shall get on better." "I'd rather finish my tea," said the Hatter, with an anxious look at the Queen, who was reading the list of singers. "You may go," said the King, and the Hatter hurriedly left the court, without even waiting to put his shoes on. "--and just take his head off outside," the Queen added to one of the officers: but the Hatter was out of sight before the officer could get to the door. "Call the next witness!" said the King. The next witness was the Duchess's cook. She carried the pepper-box in her hand, and Alice guessed who it was, even before she got into the court, by the way the people near the door began sneezing all at once. "Give your evidence," said the King. "Shan't," said the cook. The King looked anxiously at the White Rabbit, who said in a low voice, "Your Majesty must cross-examine _this_ witness." "Well, if I must, I must," the King said, with a melancholy air, and, after folding his arms and frowning at the cook till his eyes were nearly out of sight, he said in a deep voice, "What are tarts made of?" "Pepper, mostly," said the cook. "Treacle," said a sleepy voice | at all what had become of it; so, after hunting all about for it, he was obliged to write with one finger for the rest of the day; and this was of very little use, as it left no mark on the slate. "Herald, read the accusation!" said the King. On this the White Rabbit blew three blasts on the trumpet, and then unrolled the parchment scroll, and read as follows:-- "The Queen of Hearts, she made some tarts, All on a summer day: The Knave of Hearts, he stole those tarts, And took them quite away!" "Consider your verdict," the King said to the jury. "Not yet, not yet!" the Rabbit hastily interrupted. "There's a great deal to come before that!" "Call the first witness," said the King; and the White Rabbit blew three blasts on the trumpet, and called out, "First witness!" The first witness was the Hatter. He came in with a teacup in one hand and a piece of bread-and-butter in the other. "I beg pardon, your Majesty," he began, "for bringing these in: but I hadn't quite finished my tea when I was sent for." "You ought to have finished," said the King. "When did you begin?" The Hatter looked at the March Hare, who had followed him into the court, arm-in-arm with the Dormouse. "Fourteenth of March, I _think_ it was," he said. "Fifteenth," said the March Hare. "Sixteenth," added the Dormouse. "Write that down," the King said to the jury, and the jury eagerly wrote down all three dates on their slates, and then added them up, and reduced the answer to shillings and pence. "Take off your hat," the King said to the Hatter. "It isn't mine," said the Hatter. "_Stolen!_" the King exclaimed, turning to the jury, who instantly made a memorandum of the fact. "I keep them to sell," the Hatter added as an explanation; "I've none of my own. I'm a hatter." Here the Queen put on her spectacles, and began staring at the Hatter, who turned pale and fidgeted. "Give your evidence," said the King; "and don't be nervous, or I'll have you executed on the spot." This did not seem to encourage the witness at all: he kept shifting from one foot to the other, looking uneasily at the Queen, and in his confusion he bit a large piece out of his teacup instead of the bread-and-butter. Just at this moment Alice felt a very curious sensation, which puzzled her a good deal until she made out what it was: she was beginning to grow larger again, and she thought at first she would get up and leave the court; but on second thoughts she decided to remain where she was as long as there was room for her. "I wish you wouldn't squeeze so." said the Dormouse, who was sitting next to her. "I can hardly breathe." "I can't help it," said Alice very meekly: "I'm growing." "You've no right to grow _here_," said the Dormouse. "Don't talk nonsense," said Alice more boldly: "you know you're growing too." "Yes, but _I_ grow at a reasonable pace," said the Dormouse: "not in that ridiculous fashion." And he got up very sulkily and crossed over to the other side of the court. All this time the Queen had never left off staring at the Hatter, and, just as the Dormouse crossed the court, she said to one of the officers of the court, "Bring me the list of the singers in the last concert!" on which the wretched Hatter trembled so, that he shook both his shoes off. "Give your evidence," the King repeated angrily, "or I'll have you executed, whether you're nervous or not." "I'm a poor man, your Majesty," the Hatter began, in a trembling voice, "--and I hadn't begun my tea--not above a week or so--and what with the bread-and-butter getting so thin--and the twinkling of the tea--" "The twinkling of the _what?_" said the King. "It _began_ with the tea," the Hatter replied. "Of course twinkling begins with a T!" said the King sharply. "Do you take me for a dunce? Go on!" "I'm a poor man," the Hatter went on, "and most things twinkled after that--only the March Hare said--" "I didn't!" the March Hare interrupted in a great hurry. "You did!" said the Hatter. "I deny it!" said the March Hare. "He denies it," said the King: "leave out that part." "Well, at any rate, the Dormouse said--" the Hatter went on, looking anxiously round to see if he would deny it too: but the Dormouse denied nothing, being fast asleep. "After that," continued the Hatter, "I cut some more bread-and-butter--" "But what did the Dormouse say?" one of the jury asked. "That I can't remember," said the Hatter. "You _must_ remember,"<|quote|>remarked the King,</|quote|>"or I'll have you executed." The miserable Hatter dropped his teacup and bread-and-butter, and went down on one knee. "I'm a poor man, your Majesty," he began. "You're a _very_ poor _speaker_," said the King. Here one of the guinea-pigs cheered, and was immediately suppressed by the officers of the court. (As that is rather a hard word, I will just explain to you how it was done. They had a large canvas bag, which tied up at the mouth with strings: into this they slipped the guinea-pig, head first, and then sat upon it.) "I'm glad I've seen that done," thought Alice. "I've so often read in the newspapers, at the end of trials," "There was some attempts at applause, which was immediately suppressed by the officers of the court," "and I never understood what it meant till now." "If that's all you know about it, you may stand down," continued the King. "I can't go no lower," said the Hatter: "I'm on the floor, as it is." "Then you may _sit_ down," the King replied. Here the other guinea-pig cheered, and was suppressed. "Come, that finished the guinea-pigs!" thought Alice. "Now we shall get on better." "I'd rather finish my tea," said the Hatter, with an anxious look at the Queen, who was reading the list of singers. "You may go," said the King, and the Hatter hurriedly left the court, without even waiting to put his shoes on. "--and just take his head off outside," the Queen added to one of the officers: but the Hatter was out of sight before the officer could get to the door. "Call the next witness!" said the King. The next witness was the Duchess's cook. She carried the pepper-box in her hand, and Alice guessed who it was, even before she got into the court, by the way the people near the door began sneezing all at once. "Give your evidence," said the King. "Shan't," said the cook. The King looked anxiously at the White Rabbit, who said in a low voice, "Your Majesty must cross-examine _this_ witness." "Well, if I must, I must," the King said, with a melancholy air, and, after folding his arms and frowning at the cook till his eyes were nearly out of sight, he said in a deep voice, "What are tarts made of?" "Pepper, mostly," said the cook. "Treacle," said a sleepy voice behind her. "Collar that Dormouse," the Queen shrieked out. "Behead that Dormouse! Turn that Dormouse out of court! Suppress him! Pinch him! Off with his whiskers!" For some minutes the whole court was in confusion, getting the Dormouse turned out, and, by the time they had settled down again, the cook had disappeared. "Never mind!" said the King, with an air of great relief. "Call the next witness." And he added in an undertone to the Queen, "Really, my dear, _you_ must cross-examine the next witness. It quite makes my forehead ache!" Alice watched the White Rabbit as he fumbled over the list, feeling very curious to see what the next witness would be like, "--for they haven't got much evidence _yet_," she said to herself. Imagine her surprise, when the White Rabbit read out, at the top of his shrill little voice, the name "Alice!" CHAPTER XII. Alice's Evidence "Here!" cried Alice, quite forgetting in the flurry of the moment how large she had grown in the last few minutes, and she jumped up in such a hurry that she tipped over the jury-box with the edge of her skirt, upsetting all the jurymen on to the heads of the crowd below, and there they lay sprawling about, reminding her very much of a globe of goldfish she had accidentally upset the week before. "Oh, I _beg_ your pardon!" she exclaimed in a tone of great dismay, and began picking them up again as quickly as she could, for the accident of the goldfish kept running in her head, and she had a vague sort of idea that they must be collected at once and put back into the jury-box, or they would die. "The trial cannot proceed," said the King in a very grave voice, "until all the jurymen are back in their proper places--_all_," he repeated with great emphasis, looking hard at Alice as he said so. Alice looked at the jury-box, and saw that, in her haste, she had put the Lizard in head downwards, and the poor little thing was waving its tail about in a melancholy way, being quite unable to move. She soon got it out again, and put it right; "not that it signifies much," she said to herself; "I should think it would be _quite_ as much use in the trial one way up as the other." As soon as the | said. "Fifteenth," said the March Hare. "Sixteenth," added the Dormouse. "Write that down," the King said to the jury, and the jury eagerly wrote down all three dates on their slates, and then added them up, and reduced the answer to shillings and pence. "Take off your hat," the King said to the Hatter. "It isn't mine," said the Hatter. "_Stolen!_" the King exclaimed, turning to the jury, who instantly made a memorandum of the fact. "I keep them to sell," the Hatter added as an explanation; "I've none of my own. I'm a hatter." Here the Queen put on her spectacles, and began staring at the Hatter, who turned pale and fidgeted. "Give your evidence," said the King; "and don't be nervous, or I'll have you executed on the spot." This did not seem to encourage the witness at all: he kept shifting from one foot to the other, looking uneasily at the Queen, and in his confusion he bit a large piece out of his teacup instead of the bread-and-butter. Just at this moment Alice felt a very curious sensation, which puzzled her a good deal until she made out what it was: she was beginning to grow larger again, and she thought at first she would get up and leave the court; but on second thoughts she decided to remain where she was as long as there was room for her. "I wish you wouldn't squeeze so." said the Dormouse, who was sitting next to her. "I can hardly breathe." "I can't help it," said Alice very meekly: "I'm growing." "You've no right to grow _here_," said the Dormouse. "Don't talk nonsense," said Alice more boldly: "you know you're growing too." "Yes, but _I_ grow at a reasonable pace," said the Dormouse: "not in that ridiculous fashion." And he got up very sulkily and crossed over to the other side of the court. All this time the Queen had never left off staring at the Hatter, and, just as the Dormouse crossed the court, she said to one of the officers of the court, "Bring me the list of the singers in the last concert!" on which the wretched Hatter trembled so, that he shook both his shoes off. "Give your evidence," the King repeated angrily, "or I'll have you executed, whether you're nervous or not." "I'm a poor man, your Majesty," the Hatter began, in a trembling voice, "--and I hadn't begun my tea--not above a week or so--and what with the bread-and-butter getting so thin--and the twinkling of the tea--" "The twinkling of the _what?_" said the King. "It _began_ with the tea," the Hatter replied. "Of course twinkling begins with a T!" said the King sharply. "Do you take me for a dunce? Go on!" "I'm a poor man," the Hatter went on, "and most things twinkled after that--only the March Hare said--" "I didn't!" the March Hare interrupted in a great hurry. "You did!" said the Hatter. "I deny it!" said the March Hare. "He denies it," said the King: "leave out that part." "Well, at any rate, the Dormouse said--" the Hatter went on, looking anxiously round to see if he would deny it too: but the Dormouse denied nothing, being fast asleep. "After that," continued the Hatter, "I cut some more bread-and-butter--" "But what did the Dormouse say?" one of the jury asked. "That I can't remember," said the Hatter. "You _must_ remember,"<|quote|>remarked the King,</|quote|>"or I'll have you executed." The miserable Hatter dropped his teacup and bread-and-butter, and went down on one knee. "I'm a poor man, your Majesty," he began. "You're a _very_ poor _speaker_," said the King. Here one of the guinea-pigs cheered, and was immediately suppressed by the officers of the court. (As that is rather a hard word, I will just explain to you how it was done. They had a large canvas bag, which tied up at the mouth with strings: into this they slipped the guinea-pig, head first, and then sat upon it.) "I'm glad I've seen that done," thought Alice. "I've so often read in the newspapers, at the end of trials," "There was some attempts at applause, which was immediately suppressed by the officers of the court," "and I never understood what it meant till now." "If that's all you know about it, you may stand down," continued the King. "I can't go no lower," said the Hatter: "I'm on the floor, as it is." "Then you may _sit_ down," the King replied. Here the other guinea-pig cheered, and was suppressed. "Come, that finished the guinea-pigs!" thought Alice. "Now we shall get on better." "I'd rather finish my tea," said the Hatter, with an anxious look at the Queen, who was reading the list of singers. "You may go," said the King, and the Hatter hurriedly left the court, without even waiting to put his shoes on. "--and just take his head off outside," the Queen added to one of the officers: but the Hatter was out of sight before the officer could get to the door. "Call the next witness!" said the King. The next witness was the Duchess's cook. She carried the pepper-box in her hand, and Alice guessed who it was, even before she got into the court, by the way the people near the door began sneezing all at once. "Give your evidence," said the King. "Shan't," said the cook. The King looked anxiously at the White Rabbit, who said in a low voice, "Your Majesty must cross-examine _this_ witness." "Well, if I must, I must," the King said, with a melancholy air, and, after folding his arms and frowning at the cook till his eyes were nearly out of sight, he said in a deep voice, "What are tarts made of?" "Pepper, mostly," said the cook. "Treacle," said a sleepy voice behind her. "Collar that Dormouse," the Queen shrieked out. "Behead that Dormouse! Turn that Dormouse out of court! Suppress him! Pinch him! Off with his whiskers!" For some minutes the whole court was in confusion, getting the Dormouse turned out, and, by the time they had settled down again, the cook had disappeared. "Never mind!" said the King, with an air of great relief. "Call the next witness." And he added in an undertone to the Queen, "Really, my dear, _you_ must cross-examine the next witness. It quite makes my forehead ache!" Alice watched the White Rabbit as he fumbled over the list, feeling very curious to see what the next witness would be like, "--for they haven't got much evidence | Alices Adventures In Wonderland | looking anxiously round to see if he would deny it too: but the Dormouse denied nothing, being fast asleep. "After that," continued the Hatter, "I cut some more bread-and-butter--" "But what did the Dormouse say?" one of the jury asked. "That I can't remember," said the Hatter. "You _must_ remember,"<|quote|>remarked the King,</|quote|>"or I'll have you executed." The miserable Hatter dropped his teacup and bread-and-butter, and went down on one knee. "I'm a poor man, your Majesty," he began. "You're a _very_ poor _speaker_," said the King. Here one of the guinea-pigs cheered, and was immediately suppressed by the officers of the | {
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"content": "looking anxiously round to see if he would deny it too: but the Dormouse denied nothing, being fast asleep. \"After that,\" continued the Hatter, \"I cut some more bread-and-butter--\" \"But what did the Dormouse say?\" one of the jury asked. \"That I can't remember,\" said the Hatter. \"You _must_ remember,\"<|quote|>remarked the King,</|quote|>\"or I'll have you executed.\" The miserable Hatter dropped his teacup and bread-and-butter, and went down on one knee. \"I'm a poor man, your Majesty,\" he began. \"You're a _very_ poor _speaker_,\" said the King. Here one of the guinea-pigs cheered, and was immediately suppressed by the officers of the",
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Müller is rather crude and tactless, otherwise he would hold his tongue, for anybody can see that Kemmerich will never come out of this place again. Whether he finds his watch or not will make no difference. At the most one will only be able to send it to his people. | No speaker | good a watch as that."<|quote|>Müller is rather crude and tactless, otherwise he would hold his tongue, for anybody can see that Kemmerich will never come out of this place again. Whether he finds his watch or not will make no difference. At the most one will only be able to send it to his people.</|quote|>"How goes it, Franz?" asks | that nobody should carry as good a watch as that."<|quote|>Müller is rather crude and tactless, otherwise he would hold his tongue, for anybody can see that Kemmerich will never come out of this place again. Whether he finds his watch or not will make no difference. At the most one will only be able to send it to his people.</|quote|>"How goes it, Franz?" asks Kropp. Kemmerich's head sinks. "Not | feel faint. We ask for Kemmerich. He lies in a large room and receives us with feeble expressions of joy and helpless agitation. While he was unconscious someone had stolen his watch. Müller shakes his head: "I always told you that nobody should carry as good a watch as that."<|quote|>Müller is rather crude and tactless, otherwise he would hold his tongue, for anybody can see that Kemmerich will never come out of this place again. Whether he finds his watch or not will make no difference. At the most one will only be able to send it to his people.</|quote|>"How goes it, Franz?" asks Kropp. Kemmerich's head sinks. "Not so bad ... but I have such a damned pain in my foot." We look at his bed covering. His leg lies under a wire basket. The bed covering arches over it. I kick Müller on the shin, for he | going over to see Kemmerich we pack up his things: he will need them on the way back. In the dressing station there is great activity; it reeks as ever of carbolic, ether, and sweat. Most of us are accustomed to this in the billets, but here it makes one feel faint. We ask for Kemmerich. He lies in a large room and receives us with feeble expressions of joy and helpless agitation. While he was unconscious someone had stolen his watch. Müller shakes his head: "I always told you that nobody should carry as good a watch as that."<|quote|>Müller is rather crude and tactless, otherwise he would hold his tongue, for anybody can see that Kemmerich will never come out of this place again. Whether he finds his watch or not will make no difference. At the most one will only be able to send it to his people.</|quote|>"How goes it, Franz?" asks Kropp. Kemmerich's head sinks. "Not so bad ... but I have such a damned pain in my foot." We look at his bed covering. His leg lies under a wire basket. The bed covering arches over it. I kick Müller on the shin, for he is just about to tell Kemmerich what the orderlies told us outside: that Kemmerich has lost his foot. The leg is amputated. He looks ghastly, yellow, and wan. In his face there are already the strained lines that we know so well, we have seen them now hundreds of times. | saw the wounded and dying. While they taught that duty to one's country is the greatest thing, we already knew that death-throes are stronger. But for all that we were no mutineers, no deserters, no cowards--they were very free with all these expressions. We loved our country as much as they, we went courageously into every action; but also we distinguished the false from the true, we had suddenly learned to see. And we saw that there was nothing of their world left. We were all at once terribly alone; and alone we must see it through. * * Before going over to see Kemmerich we pack up his things: he will need them on the way back. In the dressing station there is great activity; it reeks as ever of carbolic, ether, and sweat. Most of us are accustomed to this in the billets, but here it makes one feel faint. We ask for Kemmerich. He lies in a large room and receives us with feeble expressions of joy and helpless agitation. While he was unconscious someone had stolen his watch. Müller shakes his head: "I always told you that nobody should carry as good a watch as that."<|quote|>Müller is rather crude and tactless, otherwise he would hold his tongue, for anybody can see that Kemmerich will never come out of this place again. Whether he finds his watch or not will make no difference. At the most one will only be able to send it to his people.</|quote|>"How goes it, Franz?" asks Kropp. Kemmerich's head sinks. "Not so bad ... but I have such a damned pain in my foot." We look at his bed covering. His leg lies under a wire basket. The bed covering arches over it. I kick Müller on the shin, for he is just about to tell Kemmerich what the orderlies told us outside: that Kemmerich has lost his foot. The leg is amputated. He looks ghastly, yellow, and wan. In his face there are already the strained lines that we know so well, we have seen them now hundreds of times. They are not so much lines as marks. Under the skin the life no longer pulses, it has already pressed out to the boundaries of the body. Death is working through from within. It already has command in the eyes. Here lies our comrade, Kemmerich, who a little while ago was roasting horse-flesh with us and squatting in the shell-holes. He it is still and yet it is not he any longer. His features have become uncertain and faint, like a photographic plate on which two pictures have been taken. Even his voice sounds like ashes. I think of the | to keep under cover, and so was shot down before anyone could go and fetch him in. Naturally we couldn't blame Kantorek for this. Where would the world be if one brought every man to book? There were thousands of Kantoreks, all of whom were convinced that there was only one way of doing well, and that way theirs. And that is just why they let us down so badly. For us lads of eighteen they ought to have been mediators and guides to the world of maturity, the world of work, of duty, of culture, of progress--to the future. We often made fun of them and played jokes on them, but in our hearts we trusted them. The idea of authority, which they represented, was associated in our minds with a greater insight and a manlier wisdom. But the first death we saw shattered this belief. We had to recognize that our generation was more to be trusted than theirs. They surpassed us only in phrases and in cleverness. The first bombardment showed us our mistake, and under it the world as they had taught it to us broke in pieces. While they continued to write and talk, we saw the wounded and dying. While they taught that duty to one's country is the greatest thing, we already knew that death-throes are stronger. But for all that we were no mutineers, no deserters, no cowards--they were very free with all these expressions. We loved our country as much as they, we went courageously into every action; but also we distinguished the false from the true, we had suddenly learned to see. And we saw that there was nothing of their world left. We were all at once terribly alone; and alone we must see it through. * * Before going over to see Kemmerich we pack up his things: he will need them on the way back. In the dressing station there is great activity; it reeks as ever of carbolic, ether, and sweat. Most of us are accustomed to this in the billets, but here it makes one feel faint. We ask for Kemmerich. He lies in a large room and receives us with feeble expressions of joy and helpless agitation. While he was unconscious someone had stolen his watch. Müller shakes his head: "I always told you that nobody should carry as good a watch as that."<|quote|>Müller is rather crude and tactless, otherwise he would hold his tongue, for anybody can see that Kemmerich will never come out of this place again. Whether he finds his watch or not will make no difference. At the most one will only be able to send it to his people.</|quote|>"How goes it, Franz?" asks Kropp. Kemmerich's head sinks. "Not so bad ... but I have such a damned pain in my foot." We look at his bed covering. His leg lies under a wire basket. The bed covering arches over it. I kick Müller on the shin, for he is just about to tell Kemmerich what the orderlies told us outside: that Kemmerich has lost his foot. The leg is amputated. He looks ghastly, yellow, and wan. In his face there are already the strained lines that we know so well, we have seen them now hundreds of times. They are not so much lines as marks. Under the skin the life no longer pulses, it has already pressed out to the boundaries of the body. Death is working through from within. It already has command in the eyes. Here lies our comrade, Kemmerich, who a little while ago was roasting horse-flesh with us and squatting in the shell-holes. He it is still and yet it is not he any longer. His features have become uncertain and faint, like a photographic plate on which two pictures have been taken. Even his voice sounds like ashes. I think of the time when we went away. His mother, a good plump matron, brought him to the station. She wept continually, her face was bloated and swollen. Kemmerich felt embarrassed, for she was the least composed of all; she simply dissolved into fat and water. Then she caught sight of me and took hold of my arm again and again, and implored me to look after Franz out there. Indeed he did have a face like a child, and such frail bones that after four weeks pack-carrying he already had flat feet. But how can a man look after anyone in the field! "Now you will soon be going home," says Kropp. "You would have had to wait at least three or four months for your leave." Kemmerich nods. I cannot bear to look at his hands, they are like wax. Under the nails is the dirt of the trenches, it shows through blue-black like poison. It strikes me that these nails will continue to grow like long fantastic cellar-plants long after Kemmerich breathes no more. I see the picture before me. They twist themselves into corkscrews and grow and grow, and with them the hair on the decayed skull, just like | "Kantorek sends you all his best wishes." We laugh. Müller throws his cigarette away and says: "I wish he was here." * * Kantorek had been our schoolmaster, an active little man in a grey tail-coat, with a face like a shrew-mouse. He was about the same size as Corporal Himmelstoss, the "Terror of Klosterberg." It is very queer that the unhappiness of the world is so often brought on by small men. They are so much more energetic and uncompromising than the big fellows. I have always taken good care to keep out of sections with small company commanders. They are mostly confounded little martinets. During drill-time Kantorek gave us long lectures until the whole of our class went under his shepherding to the District Commandant and volunteered. I can see him now, as he used to glare at us through his spectacles and say in a moving voice: "Won't you join up, Comrades." These teachers always carry their feelings ready in their waistcoat pockets, and fetch them out at any hour of the day. But we didn't think of that then. There was, indeed, one of us who hesitated and did not want to fall into line. That was Josef Behm, a plump, homely fellow. But he did allow himself to be persuaded, otherwise he would have been ostracized. And perhaps more of us thought as he did, but no one could very well stand out, because at that time even one's parents were ready with the word "coward" ; no one had the vaguest idea what we were in for. The wisest were just the poor and simple people. They knew the war to be a misfortune, whereas people who were better off were beside themselves with joy, though they should have been much better able to judge what the consequences would be. Katczinsky said that was a result of their upbringing. It made them stupid. And what Kat said, he had thought about. Strange to say, Behm was one of the first to fall. He got hit in the eye during an attack, and we left him lying for dead. We couldn't bring him with us, because we had to come back helter-skelter. In the afternoon suddenly we heard him call, and saw him outside creeping towards us. He had only been knocked unconscious. Because he could not see, and was mad with pain, he failed to keep under cover, and so was shot down before anyone could go and fetch him in. Naturally we couldn't blame Kantorek for this. Where would the world be if one brought every man to book? There were thousands of Kantoreks, all of whom were convinced that there was only one way of doing well, and that way theirs. And that is just why they let us down so badly. For us lads of eighteen they ought to have been mediators and guides to the world of maturity, the world of work, of duty, of culture, of progress--to the future. We often made fun of them and played jokes on them, but in our hearts we trusted them. The idea of authority, which they represented, was associated in our minds with a greater insight and a manlier wisdom. But the first death we saw shattered this belief. We had to recognize that our generation was more to be trusted than theirs. They surpassed us only in phrases and in cleverness. The first bombardment showed us our mistake, and under it the world as they had taught it to us broke in pieces. While they continued to write and talk, we saw the wounded and dying. While they taught that duty to one's country is the greatest thing, we already knew that death-throes are stronger. But for all that we were no mutineers, no deserters, no cowards--they were very free with all these expressions. We loved our country as much as they, we went courageously into every action; but also we distinguished the false from the true, we had suddenly learned to see. And we saw that there was nothing of their world left. We were all at once terribly alone; and alone we must see it through. * * Before going over to see Kemmerich we pack up his things: he will need them on the way back. In the dressing station there is great activity; it reeks as ever of carbolic, ether, and sweat. Most of us are accustomed to this in the billets, but here it makes one feel faint. We ask for Kemmerich. He lies in a large room and receives us with feeble expressions of joy and helpless agitation. While he was unconscious someone had stolen his watch. Müller shakes his head: "I always told you that nobody should carry as good a watch as that."<|quote|>Müller is rather crude and tactless, otherwise he would hold his tongue, for anybody can see that Kemmerich will never come out of this place again. Whether he finds his watch or not will make no difference. At the most one will only be able to send it to his people.</|quote|>"How goes it, Franz?" asks Kropp. Kemmerich's head sinks. "Not so bad ... but I have such a damned pain in my foot." We look at his bed covering. His leg lies under a wire basket. The bed covering arches over it. I kick Müller on the shin, for he is just about to tell Kemmerich what the orderlies told us outside: that Kemmerich has lost his foot. The leg is amputated. He looks ghastly, yellow, and wan. In his face there are already the strained lines that we know so well, we have seen them now hundreds of times. They are not so much lines as marks. Under the skin the life no longer pulses, it has already pressed out to the boundaries of the body. Death is working through from within. It already has command in the eyes. Here lies our comrade, Kemmerich, who a little while ago was roasting horse-flesh with us and squatting in the shell-holes. He it is still and yet it is not he any longer. His features have become uncertain and faint, like a photographic plate on which two pictures have been taken. Even his voice sounds like ashes. I think of the time when we went away. His mother, a good plump matron, brought him to the station. She wept continually, her face was bloated and swollen. Kemmerich felt embarrassed, for she was the least composed of all; she simply dissolved into fat and water. Then she caught sight of me and took hold of my arm again and again, and implored me to look after Franz out there. Indeed he did have a face like a child, and such frail bones that after four weeks pack-carrying he already had flat feet. But how can a man look after anyone in the field! "Now you will soon be going home," says Kropp. "You would have had to wait at least three or four months for your leave." Kemmerich nods. I cannot bear to look at his hands, they are like wax. Under the nails is the dirt of the trenches, it shows through blue-black like poison. It strikes me that these nails will continue to grow like long fantastic cellar-plants long after Kemmerich breathes no more. I see the picture before me. They twist themselves into corkscrews and grow and grow, and with them the hair on the decayed skull, just like grass in a good soil, just like grass, how can it be possible---- Müller leans over. "We have brought your things, Franz." Kemmerich signs with his hand. "Put them under the bed." Müller does so. Kemmerich starts on again about the watch. How can one calm him without making him suspicious? Müller reappears with a pair of airman's boots. They are fine English boots of soft, yellow leather which reach to the knee and lace all the way--they are things to be coveted. Müller is delighted at the sight of them. He matches their soles against his own clumsy boots and says: "Will you be taking them with you then, Franz?" We all three have the same thought; even if he should get better, he would be able to use only one--they are no use to him. But as things are now it is a pity that they should stay here; the orderlies will of course grab them as soon as he is dead. "Won't you leave them with us?" Müller repeats. Kemmerich doesn't want to. They are his most prized possessions. "Well, we could exchange," suggests Müller again. "Out here one can make some use of them." Still Kemmerich is not to be moved. I tread on Müller's foot; reluctantly he puts the fine boots back again under the bed. We talk a little more and then take our leave. "Cheerio, Franz." I promise him to come back in the morning. Müller talks of doing so too. He is thinking of the lace-up boots and means to be on the spot. Kemmerich groans. He is feverish. We get hold of an orderly outside and ask him to give Kemmerich a dose of morphia. He refuses. "If we were to give morphia to everyone we would have to have tubs full----" "You only attend to officers properly," says Kropp viciously. I hastily intervene and give him a cigarette. He takes it. "Are you usually allowed to give it, then?" I ask him. He is annoyed. "If you don't think so, then why do you ask?" I press a couple more cigarettes into his hand. "Do us the favour----" "Well, all right," he says. Kropp goes in with him. He doesn't trust him and wants to see. We wait outside. Müller returns to the subject of the boots. "They would fit me perfectly. In these boots I get blister after blister. | plump, homely fellow. But he did allow himself to be persuaded, otherwise he would have been ostracized. And perhaps more of us thought as he did, but no one could very well stand out, because at that time even one's parents were ready with the word "coward" ; no one had the vaguest idea what we were in for. The wisest were just the poor and simple people. They knew the war to be a misfortune, whereas people who were better off were beside themselves with joy, though they should have been much better able to judge what the consequences would be. Katczinsky said that was a result of their upbringing. It made them stupid. And what Kat said, he had thought about. Strange to say, Behm was one of the first to fall. He got hit in the eye during an attack, and we left him lying for dead. We couldn't bring him with us, because we had to come back helter-skelter. In the afternoon suddenly we heard him call, and saw him outside creeping towards us. He had only been knocked unconscious. Because he could not see, and was mad with pain, he failed to keep under cover, and so was shot down before anyone could go and fetch him in. Naturally we couldn't blame Kantorek for this. Where would the world be if one brought every man to book? There were thousands of Kantoreks, all of whom were convinced that there was only one way of doing well, and that way theirs. And that is just why they let us down so badly. For us lads of eighteen they ought to have been mediators and guides to the world of maturity, the world of work, of duty, of culture, of progress--to the future. We often made fun of them and played jokes on them, but in our hearts we trusted them. The idea of authority, which they represented, was associated in our minds with a greater insight and a manlier wisdom. But the first death we saw shattered this belief. We had to recognize that our generation was more to be trusted than theirs. They surpassed us only in phrases and in cleverness. The first bombardment showed us our mistake, and under it the world as they had taught it to us broke in pieces. While they continued to write and talk, we saw the wounded and dying. While they taught that duty to one's country is the greatest thing, we already knew that death-throes are stronger. But for all that we were no mutineers, no deserters, no cowards--they were very free with all these expressions. We loved our country as much as they, we went courageously into every action; but also we distinguished the false from the true, we had suddenly learned to see. And we saw that there was nothing of their world left. We were all at once terribly alone; and alone we must see it through. * * Before going over to see Kemmerich we pack up his things: he will need them on the way back. In the dressing station there is great activity; it reeks as ever of carbolic, ether, and sweat. Most of us are accustomed to this in the billets, but here it makes one feel faint. We ask for Kemmerich. He lies in a large room and receives us with feeble expressions of joy and helpless agitation. While he was unconscious someone had stolen his watch. Müller shakes his head: "I always told you that nobody should carry as good a watch as that."<|quote|>Müller is rather crude and tactless, otherwise he would hold his tongue, for anybody can see that Kemmerich will never come out of this place again. Whether he finds his watch or not will make no difference. At the most one will only be able to send it to his people.</|quote|>"How goes it, Franz?" asks Kropp. Kemmerich's head sinks. "Not so bad ... but I have such a damned pain in my foot." We look at his bed covering. His leg lies under a wire basket. The bed covering arches over it. I kick Müller on the shin, for he is just about to tell Kemmerich what the orderlies told us outside: that Kemmerich has lost his foot. The leg is amputated. He looks ghastly, yellow, and wan. In his face there are already the strained lines that we know so well, we have seen them now hundreds of times. They are not so much lines as marks. Under the skin the life no longer pulses, it has already pressed out to the boundaries of the body. Death is working through from within. It already has command in the eyes. Here lies our comrade, Kemmerich, who a little while ago was roasting horse-flesh with us and squatting in the shell-holes. He it is still and yet it is not he any longer. His features have become uncertain and faint, like a photographic plate on which two pictures have been taken. Even his voice sounds like ashes. I think of the time when we went away. His mother, a good plump matron, brought him to the station. She wept continually, her face was bloated and swollen. Kemmerich felt embarrassed, for she was the least composed of all; she simply dissolved into fat and water. Then she caught sight of me and took hold of my arm again and again, and implored me to look after Franz out there. Indeed he did have a face like a child, and such frail bones that after four weeks pack-carrying he already had flat feet. But how can a man look after anyone in the field! "Now you will soon be going home," says Kropp. "You would have had to wait at least three or four months for your leave." Kemmerich nods. I cannot bear to look at his hands, they are like wax. Under the nails is the dirt of the trenches, it shows through blue-black like poison. It strikes me that these nails will continue to grow like long fantastic cellar-plants long after Kemmerich breathes no more. I see the picture before me. They twist themselves into corkscrews and grow and grow, and with them the hair on the decayed skull, just like grass in a good soil, just like grass, how can it be possible---- Müller leans over. "We have brought your things, Franz." Kemmerich signs with his hand. "Put them under the bed." Müller does so. Kemmerich starts on again about the watch. How can one calm him without making him suspicious? Müller reappears with a pair of airman's boots. They are fine English boots of soft, yellow leather which reach to the knee and lace all the way--they are things to be coveted. Müller is delighted at the sight of them. He matches their soles against his own clumsy boots and says: "Will you be taking them with you then, Franz?" We all three have the same thought; even if he should get better, he would be able to use only | All Quiet on the Western Front | feel faint. We ask for Kemmerich. He lies in a large room and receives us with feeble expressions of joy and helpless agitation. While he was unconscious someone had stolen his watch. Müller shakes his head: "I always told you that nobody should carry as good a watch as that."<|quote|>Müller is rather crude and tactless, otherwise he would hold his tongue, for anybody can see that Kemmerich will never come out of this place again. Whether he finds his watch or not will make no difference. At the most one will only be able to send it to his people.</|quote|>"How goes it, Franz?" asks Kropp. Kemmerich's head sinks. "Not so bad ... but I have such a damned pain in my foot." We look at his bed covering. His leg lies under a wire basket. The bed covering arches over it. I kick Müller on the shin, for he | {
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"content": "feel faint. We ask for Kemmerich. He lies in a large room and receives us with feeble expressions of joy and helpless agitation. While he was unconscious someone had stolen his watch. Müller shakes his head: \"I always told you that nobody should carry as good a watch as that.\"<|quote|>Müller is rather crude and tactless, otherwise he would hold his tongue, for anybody can see that Kemmerich will never come out of this place again. Whether he finds his watch or not will make no difference. At the most one will only be able to send it to his people.</|quote|>\"How goes it, Franz?\" asks Kropp. Kemmerich's head sinks. \"Not so bad ... but I have such a damned pain in my foot.\" We look at his bed covering. His leg lies under a wire basket. The bed covering arches over it. I kick Müller on the shin, for he",
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Anne sat long at her window that night companioned by a glad content. The wind purred softly in the cherry boughs, and the mint breaths came up to her. The stars twinkled over the pointed firs in the hollow and Diana's light gleamed through the old gap. Anne's horizons had closed in since the night she had sat there after coming home from Queen's; but if the path set before her feet was to be narrow she knew that flowers of quiet happiness would bloom along it. The joy of sincere work and worthy aspiration and congenial friendship were to be hers; nothing could rob her of her birthright of fancy or her ideal world of dreams. And there was always the bend in the road! "?God's in his heaven, all's right with the world,'" whispered Anne softly. | No speaker | to catch up with, Marilla."<|quote|>Anne sat long at her window that night companioned by a glad content. The wind purred softly in the cherry boughs, and the mint breaths came up to her. The stars twinkled over the pointed firs in the hollow and Diana's light gleamed through the old gap. Anne's horizons had closed in since the night she had sat there after coming home from Queen's; but if the path set before her feet was to be narrow she knew that flowers of quiet happiness would bloom along it. The joy of sincere work and worthy aspiration and congenial friendship were to be hers; nothing could rob her of her birthright of fancy or her ideal world of dreams. And there was always the bend in the road! "?God's in his heaven, all's right with the world,'" whispered Anne softly.</|quote|> | have five years' lost conversations to catch up with, Marilla."<|quote|>Anne sat long at her window that night companioned by a glad content. The wind purred softly in the cherry boughs, and the mint breaths came up to her. The stars twinkled over the pointed firs in the hollow and Diana's light gleamed through the old gap. Anne's horizons had closed in since the night she had sat there after coming home from Queen's; but if the path set before her feet was to be narrow she knew that flowers of quiet happiness would bloom along it. The joy of sincere work and worthy aspiration and congenial friendship were to be hers; nothing could rob her of her birthright of fancy or her ideal world of dreams. And there was always the bend in the road! "?God's in his heaven, all's right with the world,'" whispered Anne softly.</|quote|> | haven't been--we've been good enemies. But we have decided that it will be much more sensible to be good friends in the future. Were we really there half an hour? It seemed just a few minutes. But, you see, we have five years' lost conversations to catch up with, Marilla."<|quote|>Anne sat long at her window that night companioned by a glad content. The wind purred softly in the cherry boughs, and the mint breaths came up to her. The stars twinkled over the pointed firs in the hollow and Diana's light gleamed through the old gap. Anne's horizons had closed in since the night she had sat there after coming home from Queen's; but if the path set before her feet was to be narrow she knew that flowers of quiet happiness would bloom along it. The joy of sincere work and worthy aspiration and congenial friendship were to be hers; nothing could rob her of her birthright of fancy or her ideal world of dreams. And there was always the bend in the road! "?God's in his heaven, all's right with the world,'" whispered Anne softly.</|quote|> | lane with you, Anne?" "Gilbert Blythe," answered Anne, vexed to find herself blushing. "I met him on Barry's hill." "I didn't think you and Gilbert Blythe were such good friends that you'd stand for half an hour at the gate talking to him," said Marilla with a dry smile. "We haven't been--we've been good enemies. But we have decided that it will be much more sensible to be good friends in the future. Were we really there half an hour? It seemed just a few minutes. But, you see, we have five years' lost conversations to catch up with, Marilla."<|quote|>Anne sat long at her window that night companioned by a glad content. The wind purred softly in the cherry boughs, and the mint breaths came up to her. The stars twinkled over the pointed firs in the hollow and Diana's light gleamed through the old gap. Anne's horizons had closed in since the night she had sat there after coming home from Queen's; but if the path set before her feet was to be narrow she knew that flowers of quiet happiness would bloom along it. The joy of sincere work and worthy aspiration and congenial friendship were to be hers; nothing could rob her of her birthright of fancy or her ideal world of dreams. And there was always the bend in the road! "?God's in his heaven, all's right with the world,'" whispered Anne softly.</|quote|> | the pond landing, although I didn't know it. What a stubborn little goose I was. I've been--I may as well make a complete confession--I've been sorry ever since." "We are going to be the best of friends," said Gilbert, jubilantly. "We were born to be good friends, Anne. You've thwarted destiny enough. I know we can help each other in many ways. You are going to keep up your studies, aren't you? So am I. Come, I'm going to walk home with you." Marilla looked curiously at Anne when the latter entered the kitchen. "Who was that came up the lane with you, Anne?" "Gilbert Blythe," answered Anne, vexed to find herself blushing. "I met him on Barry's hill." "I didn't think you and Gilbert Blythe were such good friends that you'd stand for half an hour at the gate talking to him," said Marilla with a dry smile. "We haven't been--we've been good enemies. But we have decided that it will be much more sensible to be good friends in the future. Were we really there half an hour? It seemed just a few minutes. But, you see, we have five years' lost conversations to catch up with, Marilla."<|quote|>Anne sat long at her window that night companioned by a glad content. The wind purred softly in the cherry boughs, and the mint breaths came up to her. The stars twinkled over the pointed firs in the hollow and Diana's light gleamed through the old gap. Anne's horizons had closed in since the night she had sat there after coming home from Queen's; but if the path set before her feet was to be narrow she knew that flowers of quiet happiness would bloom along it. The joy of sincere work and worthy aspiration and congenial friendship were to be hers; nothing could rob her of her birthright of fancy or her ideal world of dreams. And there was always the bend in the road! "?God's in his heaven, all's right with the world,'" whispered Anne softly.</|quote|> | west was a glory of soft mingled hues, and the pond reflected them all in still softer shadings. The beauty of it all thrilled Anne's heart, and she gratefully opened the gates of her soul to it. "Dear old world," she murmured, "you are very lovely, and I am glad to be alive in you." Halfway down the hill a tall lad came whistling out of a gate before the Blythe homestead. It was Gilbert, and the whistle died on his lips as he recognized Anne. He lifted his cap courteously, but he would have passed on in silence, if Anne had not stopped and held out her hand. "Gilbert," she said, with scarlet cheeks, "I want to thank you for giving up the school for me. It was very good of you--and I want you to know that I appreciate it." Gilbert took the offered hand eagerly. "It wasn't particularly good of me at all, Anne. I was pleased to be able to do you some small service. Are we going to be friends after this? Have you really forgiven me my old fault?" Anne laughed and tried unsuccessfully to withdraw her hand. "I forgave you that day by the pond landing, although I didn't know it. What a stubborn little goose I was. I've been--I may as well make a complete confession--I've been sorry ever since." "We are going to be the best of friends," said Gilbert, jubilantly. "We were born to be good friends, Anne. You've thwarted destiny enough. I know we can help each other in many ways. You are going to keep up your studies, aren't you? So am I. Come, I'm going to walk home with you." Marilla looked curiously at Anne when the latter entered the kitchen. "Who was that came up the lane with you, Anne?" "Gilbert Blythe," answered Anne, vexed to find herself blushing. "I met him on Barry's hill." "I didn't think you and Gilbert Blythe were such good friends that you'd stand for half an hour at the gate talking to him," said Marilla with a dry smile. "We haven't been--we've been good enemies. But we have decided that it will be much more sensible to be good friends in the future. Were we really there half an hour? It seemed just a few minutes. But, you see, we have five years' lost conversations to catch up with, Marilla."<|quote|>Anne sat long at her window that night companioned by a glad content. The wind purred softly in the cherry boughs, and the mint breaths came up to her. The stars twinkled over the pointed firs in the hollow and Diana's light gleamed through the old gap. Anne's horizons had closed in since the night she had sat there after coming home from Queen's; but if the path set before her feet was to be narrow she knew that flowers of quiet happiness would bloom along it. The joy of sincere work and worthy aspiration and congenial friendship were to be hers; nothing could rob her of her birthright of fancy or her ideal world of dreams. And there was always the bend in the road! "?God's in his heaven, all's right with the world,'" whispered Anne softly.</|quote|> | the trustees decided to take you. I was tickled to death when Thomas came home and told me." "I don't feel that I ought to take it," murmured Anne. "I mean--I don't think I ought to let Gilbert make such a sacrifice for--for me." "I guess you can't prevent him now. He's signed papers with the White Sands trustees. So it wouldn't do him any good now if you were to refuse. Of course you'll take the school. You'll get along all right, now that there are no Pyes going. Josie was the last of them, and a good thing she was, that's what. There's been some Pye or other going to Avonlea school for the last twenty years, and I guess their mission in life was to keep school teachers reminded that earth isn't their home. Bless my heart! What does all that winking and blinking at the Barry gable mean?" "Diana is signaling for me to go over," laughed Anne. "You know we keep up the old custom. Excuse me while I run over and see what she wants." Anne ran down the clover slope like a deer, and disappeared in the firry shadows of the Haunted Wood. Mrs. Lynde looked after her indulgently. "There's a good deal of the child about her yet in some ways." "There's a good deal more of the woman about her in others," retorted Marilla, with a momentary return of her old crispness. But crispness was no longer Marilla's distinguishing characteristic. As Mrs. Lynde told her Thomas that night. "Marilla Cuthbert has got _mellow_. That's what." Anne went to the little Avonlea graveyard the next evening to put fresh flowers on Matthew's grave and water the Scotch rosebush. She lingered there until dusk, liking the peace and calm of the little place, with its poplars whose rustle was like low, friendly speech, and its whispering grasses growing at will among the graves. When she finally left it and walked down the long hill that sloped to the Lake of Shining Waters it was past sunset and all Avonlea lay before her in a dreamlike afterlight--"a haunt of ancient peace." There was a freshness in the air as of a wind that had blown over honey-sweet fields of clover. Home lights twinkled out here and there among the homestead trees. Beyond lay the sea, misty and purple, with its haunting, unceasing murmur. The west was a glory of soft mingled hues, and the pond reflected them all in still softer shadings. The beauty of it all thrilled Anne's heart, and she gratefully opened the gates of her soul to it. "Dear old world," she murmured, "you are very lovely, and I am glad to be alive in you." Halfway down the hill a tall lad came whistling out of a gate before the Blythe homestead. It was Gilbert, and the whistle died on his lips as he recognized Anne. He lifted his cap courteously, but he would have passed on in silence, if Anne had not stopped and held out her hand. "Gilbert," she said, with scarlet cheeks, "I want to thank you for giving up the school for me. It was very good of you--and I want you to know that I appreciate it." Gilbert took the offered hand eagerly. "It wasn't particularly good of me at all, Anne. I was pleased to be able to do you some small service. Are we going to be friends after this? Have you really forgiven me my old fault?" Anne laughed and tried unsuccessfully to withdraw her hand. "I forgave you that day by the pond landing, although I didn't know it. What a stubborn little goose I was. I've been--I may as well make a complete confession--I've been sorry ever since." "We are going to be the best of friends," said Gilbert, jubilantly. "We were born to be good friends, Anne. You've thwarted destiny enough. I know we can help each other in many ways. You are going to keep up your studies, aren't you? So am I. Come, I'm going to walk home with you." Marilla looked curiously at Anne when the latter entered the kitchen. "Who was that came up the lane with you, Anne?" "Gilbert Blythe," answered Anne, vexed to find herself blushing. "I met him on Barry's hill." "I didn't think you and Gilbert Blythe were such good friends that you'd stand for half an hour at the gate talking to him," said Marilla with a dry smile. "We haven't been--we've been good enemies. But we have decided that it will be much more sensible to be good friends in the future. Were we really there half an hour? It seemed just a few minutes. But, you see, we have five years' lost conversations to catch up with, Marilla."<|quote|>Anne sat long at her window that night companioned by a glad content. The wind purred softly in the cherry boughs, and the mint breaths came up to her. The stars twinkled over the pointed firs in the hollow and Diana's light gleamed through the old gap. Anne's horizons had closed in since the night she had sat there after coming home from Queen's; but if the path set before her feet was to be narrow she knew that flowers of quiet happiness would bloom along it. The joy of sincere work and worthy aspiration and congenial friendship were to be hers; nothing could rob her of her birthright of fancy or her ideal world of dreams. And there was always the bend in the road! "?God's in his heaven, all's right with the world,'" whispered Anne softly.</|quote|> | and she gratefully opened the gates of her soul to it. "Dear old world," she murmured, "you are very lovely, and I am glad to be alive in you." Halfway down the hill a tall lad came whistling out of a gate before the Blythe homestead. It was Gilbert, and the whistle died on his lips as he recognized Anne. He lifted his cap courteously, but he would have passed on in silence, if Anne had not stopped and held out her hand. "Gilbert," she said, with scarlet cheeks, "I want to thank you for giving up the school for me. It was very good of you--and I want you to know that I appreciate it." Gilbert took the offered hand eagerly. "It wasn't particularly good of me at all, Anne. I was pleased to be able to do you some small service. Are we going to be friends after this? Have you really forgiven me my old fault?" Anne laughed and tried unsuccessfully to withdraw her hand. "I forgave you that day by the pond landing, although I didn't know it. What a stubborn little goose I was. I've been--I may as well make a complete confession--I've been sorry ever since." "We are going to be the best of friends," said Gilbert, jubilantly. "We were born to be good friends, Anne. You've thwarted destiny enough. I know we can help each other in many ways. You are going to keep up your studies, aren't you? So am I. Come, I'm going to walk home with you." Marilla looked curiously at Anne when the latter entered the kitchen. "Who was that came up the lane with you, Anne?" "Gilbert Blythe," answered Anne, vexed to find herself blushing. "I met him on Barry's hill." "I didn't think you and Gilbert Blythe were such good friends that you'd stand for half an hour at the gate talking to him," said Marilla with a dry smile. "We haven't been--we've been good enemies. But we have decided that it will be much more sensible to be good friends in the future. Were we really there half an hour? It seemed just a few minutes. But, you see, we have five years' lost conversations to catch up with, Marilla."<|quote|>Anne sat long at her window that night companioned by a glad content. The wind purred softly in the cherry boughs, and the mint breaths came up to her. The stars twinkled over the pointed firs in the hollow and Diana's light gleamed through the old gap. Anne's horizons had closed in since the night she had sat there after coming home from Queen's; but if the path set before her feet was to be narrow she knew that flowers of quiet happiness would bloom along it. The joy of sincere work and worthy aspiration and congenial friendship were to be hers; nothing could rob her of her birthright of fancy or her ideal world of dreams. And there was always the bend in the road! "?God's in his heaven, all's right with the world,'" whispered Anne softly.</|quote|> | Anne Of Green Gables | haven't been--we've been good enemies. But we have decided that it will be much more sensible to be good friends in the future. Were we really there half an hour? It seemed just a few minutes. But, you see, we have five years' lost conversations to catch up with, Marilla."<|quote|>Anne sat long at her window that night companioned by a glad content. The wind purred softly in the cherry boughs, and the mint breaths came up to her. The stars twinkled over the pointed firs in the hollow and Diana's light gleamed through the old gap. Anne's horizons had closed in since the night she had sat there after coming home from Queen's; but if the path set before her feet was to be narrow she knew that flowers of quiet happiness would bloom along it. The joy of sincere work and worthy aspiration and congenial friendship were to be hers; nothing could rob her of her birthright of fancy or her ideal world of dreams. And there was always the bend in the road! "?God's in his heaven, all's right with the world,'" whispered Anne softly.</|quote|> | {
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"content": "haven't been--we've been good enemies. But we have decided that it will be much more sensible to be good friends in the future. Were we really there half an hour? It seemed just a few minutes. But, you see, we have five years' lost conversations to catch up with, Marilla.\"<|quote|>Anne sat long at her window that night companioned by a glad content. The wind purred softly in the cherry boughs, and the mint breaths came up to her. The stars twinkled over the pointed firs in the hollow and Diana's light gleamed through the old gap. Anne's horizons had closed in since the night she had sat there after coming home from Queen's; but if the path set before her feet was to be narrow she knew that flowers of quiet happiness would bloom along it. The joy of sincere work and worthy aspiration and congenial friendship were to be hers; nothing could rob her of her birthright of fancy or her ideal world of dreams. And there was always the bend in the road! \"?God's in his heaven, all's right with the world,'\" whispered Anne softly.</|quote|>",
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the Queen said to the executioner: | No speaker | about it." "She's in prison,"<|quote|>the Queen said to the executioner:</|quote|>"fetch her here." And the | Duchess: you'd better ask _her_ about it." "She's in prison,"<|quote|>the Queen said to the executioner:</|quote|>"fetch her here." And the executioner went off like an | in less than no time she'd have everybody executed, all round. (It was this last remark that had made the whole party look so grave and anxious.) Alice could think of nothing else to say but "It belongs to the Duchess: you'd better ask _her_ about it." "She's in prison,"<|quote|>the Queen said to the executioner:</|quote|>"fetch her here." And the executioner went off like an arrow. The Cat's head began fading away the moment he was gone, and, by the time he had come back with the Duchess, it had entirely disappeared; so the King and the executioner ran wildly up and down looking for | never had to do such a thing before, and he wasn't going to begin at _his_ time of life. The King's argument was, that anything that had a head could be beheaded, and that you weren't to talk nonsense. The Queen's argument was, that if something wasn't done about it in less than no time she'd have everybody executed, all round. (It was this last remark that had made the whole party look so grave and anxious.) Alice could think of nothing else to say but "It belongs to the Duchess: you'd better ask _her_ about it." "She's in prison,"<|quote|>the Queen said to the executioner:</|quote|>"fetch her here." And the executioner went off like an arrow. The Cat's head began fading away the moment he was gone, and, by the time he had come back with the Duchess, it had entirely disappeared; so the King and the executioner ran wildly up and down looking for it, while the rest of the party went back to the game. CHAPTER IX. The Mock Turtle's Story "You can't think how glad I am to see you again, you dear old thing!" said the Duchess, as she tucked her arm affectionately into Alice's, and they walked off together. Alice | collected round it: there was a dispute going on between the executioner, the King, and the Queen, who were all talking at once, while all the rest were quite silent, and looked very uncomfortable. The moment Alice appeared, she was appealed to by all three to settle the question, and they repeated their arguments to her, though, as they all spoke at once, she found it very hard indeed to make out exactly what they said. The executioner's argument was, that you couldn't cut off a head unless there was a body to cut it off from: that he had never had to do such a thing before, and he wasn't going to begin at _his_ time of life. The King's argument was, that anything that had a head could be beheaded, and that you weren't to talk nonsense. The Queen's argument was, that if something wasn't done about it in less than no time she'd have everybody executed, all round. (It was this last remark that had made the whole party look so grave and anxious.) Alice could think of nothing else to say but "It belongs to the Duchess: you'd better ask _her_ about it." "She's in prison,"<|quote|>the Queen said to the executioner:</|quote|>"fetch her here." And the executioner went off like an arrow. The Cat's head began fading away the moment he was gone, and, by the time he had come back with the Duchess, it had entirely disappeared; so the King and the executioner ran wildly up and down looking for it, while the rest of the party went back to the game. CHAPTER IX. The Mock Turtle's Story "You can't think how glad I am to see you again, you dear old thing!" said the Duchess, as she tucked her arm affectionately into Alice's, and they walked off together. Alice was very glad to find her in such a pleasant temper, and thought to herself that perhaps it was only the pepper that had made her so savage when they met in the kitchen. "When _I'm_ a Duchess," she said to herself, (not in a very hopeful tone though), "I won't have any pepper in my kitchen _at all_. Soup does very well without--Maybe it's always pepper that makes people hot-tempered," she went on, very much pleased at having found out a new kind of rule, "and vinegar that makes them sour--and camomile that makes them bitter--and--and barley-sugar and such | She had already heard her sentence three of the players to be executed for having missed their turns, and she did not like the look of things at all, as the game was in such confusion that she never knew whether it was her turn or not. So she went in search of her hedgehog. The hedgehog was engaged in a fight with another hedgehog, which seemed to Alice an excellent opportunity for croqueting one of them with the other: the only difficulty was, that her flamingo was gone across to the other side of the garden, where Alice could see it trying in a helpless sort of way to fly up into a tree. By the time she had caught the flamingo and brought it back, the fight was over, and both the hedgehogs were out of sight: "but it doesn't matter much," thought Alice, "as all the arches are gone from this side of the ground." So she tucked it away under her arm, that it might not escape again, and went back for a little more conversation with her friend. When she got back to the Cheshire Cat, she was surprised to find quite a large crowd collected round it: there was a dispute going on between the executioner, the King, and the Queen, who were all talking at once, while all the rest were quite silent, and looked very uncomfortable. The moment Alice appeared, she was appealed to by all three to settle the question, and they repeated their arguments to her, though, as they all spoke at once, she found it very hard indeed to make out exactly what they said. The executioner's argument was, that you couldn't cut off a head unless there was a body to cut it off from: that he had never had to do such a thing before, and he wasn't going to begin at _his_ time of life. The King's argument was, that anything that had a head could be beheaded, and that you weren't to talk nonsense. The Queen's argument was, that if something wasn't done about it in less than no time she'd have everybody executed, all round. (It was this last remark that had made the whole party look so grave and anxious.) Alice could think of nothing else to say but "It belongs to the Duchess: you'd better ask _her_ about it." "She's in prison,"<|quote|>the Queen said to the executioner:</|quote|>"fetch her here." And the executioner went off like an arrow. The Cat's head began fading away the moment he was gone, and, by the time he had come back with the Duchess, it had entirely disappeared; so the King and the executioner ran wildly up and down looking for it, while the rest of the party went back to the game. CHAPTER IX. The Mock Turtle's Story "You can't think how glad I am to see you again, you dear old thing!" said the Duchess, as she tucked her arm affectionately into Alice's, and they walked off together. Alice was very glad to find her in such a pleasant temper, and thought to herself that perhaps it was only the pepper that had made her so savage when they met in the kitchen. "When _I'm_ a Duchess," she said to herself, (not in a very hopeful tone though), "I won't have any pepper in my kitchen _at all_. Soup does very well without--Maybe it's always pepper that makes people hot-tempered," she went on, very much pleased at having found out a new kind of rule, "and vinegar that makes them sour--and camomile that makes them bitter--and--and barley-sugar and such things that make children sweet-tempered. I only wish people knew _that_: then they wouldn't be so stingy about it, you know--" She had quite forgotten the Duchess by this time, and was a little startled when she heard her voice close to her ear. "You're thinking about something, my dear, and that makes you forget to talk. I can't tell you just now what the moral of that is, but I shall remember it in a bit." "Perhaps it hasn't one," Alice ventured to remark. "Tut, tut, child!" said the Duchess. "Everything's got a moral, if only you can find it." And she squeezed herself up closer to Alice's side as she spoke. Alice did not much like keeping so close to her: first, because the Duchess was _very_ ugly; and secondly, because she was exactly the right height to rest her chin upon Alice's shoulder, and it was an uncomfortably sharp chin. However, she did not like to be rude, so she bore it as well as she could. "The game's going on rather better now," she said, by way of keeping up the conversation a little. "'Tis so," said the Duchess: "and the moral of that is--'Oh, 'tis | least one of them." In another minute the whole head appeared, and then Alice put down her flamingo, and began an account of the game, feeling very glad she had someone to listen to her. The Cat seemed to think that there was enough of it now in sight, and no more of it appeared. "I don't think they play at all fairly," Alice began, in rather a complaining tone, "and they all quarrel so dreadfully one can't hear oneself speak--and they don't seem to have any rules in particular; at least, if there are, nobody attends to them--and you've no idea how confusing it is all the things being alive; for instance, there's the arch I've got to go through next walking about at the other end of the ground--and I should have croqueted the Queen's hedgehog just now, only it ran away when it saw mine coming!" "How do you like the Queen?" said the Cat in a low voice. "Not at all," said Alice: "she's so extremely--" Just then she noticed that the Queen was close behind her, listening: so she went on, "--likely to win, that it's hardly worth while finishing the game." The Queen smiled and passed on. "Who _are_ you talking to?" said the King, going up to Alice, and looking at the Cat's head with great curiosity. "It's a friend of mine--a Cheshire Cat," said Alice: "allow me to introduce it." "I don't like the look of it at all," said the King: "however, it may kiss my hand if it likes." "I'd rather not," the Cat remarked. "Don't be impertinent," said the King, "and don't look at me like that!" He got behind Alice as he spoke. "A cat may look at a king," said Alice. "I've read that in some book, but I don't remember where." "Well, it must be removed," said the King very decidedly, and he called the Queen, who was passing at the moment, "My dear! I wish you would have this cat removed!" The Queen had only one way of settling all difficulties, great or small. "Off with his head!" she said, without even looking round. "I'll fetch the executioner myself," said the King eagerly, and he hurried off. Alice thought she might as well go back, and see how the game was going on, as she heard the Queen's voice in the distance, screaming with passion. She had already heard her sentence three of the players to be executed for having missed their turns, and she did not like the look of things at all, as the game was in such confusion that she never knew whether it was her turn or not. So she went in search of her hedgehog. The hedgehog was engaged in a fight with another hedgehog, which seemed to Alice an excellent opportunity for croqueting one of them with the other: the only difficulty was, that her flamingo was gone across to the other side of the garden, where Alice could see it trying in a helpless sort of way to fly up into a tree. By the time she had caught the flamingo and brought it back, the fight was over, and both the hedgehogs were out of sight: "but it doesn't matter much," thought Alice, "as all the arches are gone from this side of the ground." So she tucked it away under her arm, that it might not escape again, and went back for a little more conversation with her friend. When she got back to the Cheshire Cat, she was surprised to find quite a large crowd collected round it: there was a dispute going on between the executioner, the King, and the Queen, who were all talking at once, while all the rest were quite silent, and looked very uncomfortable. The moment Alice appeared, she was appealed to by all three to settle the question, and they repeated their arguments to her, though, as they all spoke at once, she found it very hard indeed to make out exactly what they said. The executioner's argument was, that you couldn't cut off a head unless there was a body to cut it off from: that he had never had to do such a thing before, and he wasn't going to begin at _his_ time of life. The King's argument was, that anything that had a head could be beheaded, and that you weren't to talk nonsense. The Queen's argument was, that if something wasn't done about it in less than no time she'd have everybody executed, all round. (It was this last remark that had made the whole party look so grave and anxious.) Alice could think of nothing else to say but "It belongs to the Duchess: you'd better ask _her_ about it." "She's in prison,"<|quote|>the Queen said to the executioner:</|quote|>"fetch her here." And the executioner went off like an arrow. The Cat's head began fading away the moment he was gone, and, by the time he had come back with the Duchess, it had entirely disappeared; so the King and the executioner ran wildly up and down looking for it, while the rest of the party went back to the game. CHAPTER IX. The Mock Turtle's Story "You can't think how glad I am to see you again, you dear old thing!" said the Duchess, as she tucked her arm affectionately into Alice's, and they walked off together. Alice was very glad to find her in such a pleasant temper, and thought to herself that perhaps it was only the pepper that had made her so savage when they met in the kitchen. "When _I'm_ a Duchess," she said to herself, (not in a very hopeful tone though), "I won't have any pepper in my kitchen _at all_. Soup does very well without--Maybe it's always pepper that makes people hot-tempered," she went on, very much pleased at having found out a new kind of rule, "and vinegar that makes them sour--and camomile that makes them bitter--and--and barley-sugar and such things that make children sweet-tempered. I only wish people knew _that_: then they wouldn't be so stingy about it, you know--" She had quite forgotten the Duchess by this time, and was a little startled when she heard her voice close to her ear. "You're thinking about something, my dear, and that makes you forget to talk. I can't tell you just now what the moral of that is, but I shall remember it in a bit." "Perhaps it hasn't one," Alice ventured to remark. "Tut, tut, child!" said the Duchess. "Everything's got a moral, if only you can find it." And she squeezed herself up closer to Alice's side as she spoke. Alice did not much like keeping so close to her: first, because the Duchess was _very_ ugly; and secondly, because she was exactly the right height to rest her chin upon Alice's shoulder, and it was an uncomfortably sharp chin. However, she did not like to be rude, so she bore it as well as she could. "The game's going on rather better now," she said, by way of keeping up the conversation a little. "'Tis so," said the Duchess: "and the moral of that is--'Oh, 'tis love, 'tis love, that makes the world go round!'" "Somebody said," Alice whispered, "that it's done by everybody minding their own business!" "Ah, well! It means much the same thing," said the Duchess, digging her sharp little chin into Alice's shoulder as she added, "and the moral of _that_ is--'Take care of the sense, and the sounds will take care of themselves.'" "How fond she is of finding morals in things!" Alice thought to herself. "I dare say you're wondering why I don't put my arm round your waist," the Duchess said after a pause: "the reason is, that I'm doubtful about the temper of your flamingo. Shall I try the experiment?" "He might bite," Alice cautiously replied, not feeling at all anxious to have the experiment tried. "Very true," said the Duchess: "flamingoes and mustard both bite. And the moral of that is--'Birds of a feather flock together.'" "Only mustard isn't a bird," Alice remarked. "Right, as usual," said the Duchess: "what a clear way you have of putting things!" "It's a mineral, I _think_," said Alice. "Of course it is," said the Duchess, who seemed ready to agree to everything that Alice said; "there's a large mustard-mine near here. And the moral of that is--'The more there is of mine, the less there is of yours.'" "Oh, I know!" exclaimed Alice, who had not attended to this last remark, "it's a vegetable. It doesn't look like one, but it is." "I quite agree with you," said the Duchess; "and the moral of that is--'Be what you would seem to be'--or if you'd like it put more simply--'Never imagine yourself not to be otherwise than what it might appear to others that what you were or might have been was not otherwise than what you had been would have appeared to them to be otherwise.'" "I think I should understand that better," Alice said very politely, "if I had it written down: but I can't quite follow it as you say it." "That's nothing to what I could say if I chose," the Duchess replied, in a pleased tone. "Pray don't trouble yourself to say it any longer than that," said Alice. "Oh, don't talk about trouble!" said the Duchess. "I make you a present of everything I've said as yet." "A cheap sort of present!" thought Alice. "I'm glad they don't give birthday presents like that!" But she | "It's a friend of mine--a Cheshire Cat," said Alice: "allow me to introduce it." "I don't like the look of it at all," said the King: "however, it may kiss my hand if it likes." "I'd rather not," the Cat remarked. "Don't be impertinent," said the King, "and don't look at me like that!" He got behind Alice as he spoke. "A cat may look at a king," said Alice. "I've read that in some book, but I don't remember where." "Well, it must be removed," said the King very decidedly, and he called the Queen, who was passing at the moment, "My dear! I wish you would have this cat removed!" The Queen had only one way of settling all difficulties, great or small. "Off with his head!" she said, without even looking round. "I'll fetch the executioner myself," said the King eagerly, and he hurried off. Alice thought she might as well go back, and see how the game was going on, as she heard the Queen's voice in the distance, screaming with passion. She had already heard her sentence three of the players to be executed for having missed their turns, and she did not like the look of things at all, as the game was in such confusion that she never knew whether it was her turn or not. So she went in search of her hedgehog. The hedgehog was engaged in a fight with another hedgehog, which seemed to Alice an excellent opportunity for croqueting one of them with the other: the only difficulty was, that her flamingo was gone across to the other side of the garden, where Alice could see it trying in a helpless sort of way to fly up into a tree. By the time she had caught the flamingo and brought it back, the fight was over, and both the hedgehogs were out of sight: "but it doesn't matter much," thought Alice, "as all the arches are gone from this side of the ground." So she tucked it away under her arm, that it might not escape again, and went back for a little more conversation with her friend. When she got back to the Cheshire Cat, she was surprised to find quite a large crowd collected round it: there was a dispute going on between the executioner, the King, and the Queen, who were all talking at once, while all the rest were quite silent, and looked very uncomfortable. The moment Alice appeared, she was appealed to by all three to settle the question, and they repeated their arguments to her, though, as they all spoke at once, she found it very hard indeed to make out exactly what they said. The executioner's argument was, that you couldn't cut off a head unless there was a body to cut it off from: that he had never had to do such a thing before, and he wasn't going to begin at _his_ time of life. The King's argument was, that anything that had a head could be beheaded, and that you weren't to talk nonsense. The Queen's argument was, that if something wasn't done about it in less than no time she'd have everybody executed, all round. (It was this last remark that had made the whole party look so grave and anxious.) Alice could think of nothing else to say but "It belongs to the Duchess: you'd better ask _her_ about it." "She's in prison,"<|quote|>the Queen said to the executioner:</|quote|>"fetch her here." And the executioner went off like an arrow. The Cat's head began fading away the moment he was gone, and, by the time he had come back with the Duchess, it had entirely disappeared; so the King and the executioner ran wildly up and down looking for it, while the rest of the party went back to the game. CHAPTER IX. The Mock Turtle's Story "You can't think how glad I am to see you again, you dear old thing!" said the Duchess, as she tucked her arm affectionately into Alice's, and they walked off together. Alice was very glad to find her in such a pleasant temper, and thought to herself that perhaps it was only the pepper that had made her so savage when they met in the kitchen. "When _I'm_ a Duchess," she said to herself, (not in a very hopeful tone though), "I won't have any pepper in my kitchen _at all_. Soup does very well without--Maybe it's always pepper that makes people hot-tempered," she went on, very much pleased at having found out a new kind of rule, "and vinegar that makes them sour--and camomile that makes them bitter--and--and barley-sugar and such things that make children sweet-tempered. I only wish people knew _that_: then they wouldn't be so stingy about it, you know--" She had quite forgotten the Duchess by this time, and was a little startled when she heard her voice close to her ear. "You're thinking about something, my dear, and that makes you forget to talk. I can't tell you just now what the moral of that is, but I shall remember it in a bit." "Perhaps it hasn't one," Alice ventured to remark. "Tut, tut, child!" said the Duchess. "Everything's got a moral, if only you can find it." And she squeezed herself up closer to Alice's side as she spoke. Alice did not much like keeping so close to her: first, because the Duchess was _very_ ugly; and secondly, because she was exactly the right height to rest her chin upon Alice's shoulder, and it was an uncomfortably sharp chin. However, she did not like to be rude, so she bore it as well as she could. "The game's going on rather better now," she said, by way of keeping up the conversation a little. "'Tis so," said the Duchess: "and the moral of that is--'Oh, 'tis love, 'tis love, that makes the world go round!'" "Somebody said," Alice whispered, "that it's done by everybody minding their own business!" "Ah, well! It means much the same thing," said the Duchess, digging her sharp little chin into Alice's shoulder as she added, "and the moral of _that_ is--'Take care of the sense, and the sounds will take care of themselves.'" "How fond she is of finding morals in things!" Alice thought to herself. "I dare say you're wondering why I don't put my arm round your waist," the Duchess said after a pause: "the reason is, that I'm doubtful about the temper of your flamingo. Shall I try the experiment?" "He might bite," Alice cautiously replied, not feeling at all anxious to have the experiment tried. "Very true," said the Duchess: | Alices Adventures In Wonderland | in less than no time she'd have everybody executed, all round. (It was this last remark that had made the whole party look so grave and anxious.) Alice could think of nothing else to say but "It belongs to the Duchess: you'd better ask _her_ about it." "She's in prison,"<|quote|>the Queen said to the executioner:</|quote|>"fetch her here." And the executioner went off like an arrow. The Cat's head began fading away the moment he was gone, and, by the time he had come back with the Duchess, it had entirely disappeared; so the King and the executioner ran wildly up and down looking for | {
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"I never say any prayers," | Anne Shirley | now and get into bed."<|quote|>"I never say any prayers,"</|quote|>announced Anne. Marilla looked horrified | something like. Say your prayers now and get into bed."<|quote|>"I never say any prayers,"</|quote|>announced Anne. Marilla looked horrified astonishment. "Why, Anne, what do | the asylum. Half the time, though, I'd forget, I'd be in such a hurry to get into bed nice and quiet and imagine things." "You'll have to remember a little better if you stay here," admonished Marilla. "There, that looks something like. Say your prayers now and get into bed."<|quote|>"I never say any prayers,"</|quote|>announced Anne. Marilla looked horrified astonishment. "Why, Anne, what do you mean? Were you never taught to say your prayers? God always wants little girls to say their prayers. Don't you know who God is, Anne?" "?God is a spirit, infinite, eternal and unchangeable, in His being, wisdom, power, holiness, | place it on the chair. I haven't any use at all for little girls who aren't neat." "I was so harrowed up in my mind last night that I didn't think about my clothes at all," said Anne. "I'll fold them nicely tonight. They always made us do that at the asylum. Half the time, though, I'd forget, I'd be in such a hurry to get into bed nice and quiet and imagine things." "You'll have to remember a little better if you stay here," admonished Marilla. "There, that looks something like. Say your prayers now and get into bed."<|quote|>"I never say any prayers,"</|quote|>announced Anne. Marilla looked horrified astonishment. "Why, Anne, what do you mean? Were you never taught to say your prayers? God always wants little girls to say their prayers. Don't you know who God is, Anne?" "?God is a spirit, infinite, eternal and unchangeable, in His being, wisdom, power, holiness, justice, goodness, and truth,'" responded Anne promptly and glibly. Marilla looked rather relieved. "So you do know something then, thank goodness! You're not quite a heathen. Where did you learn that?" "Oh, at the asylum Sunday-school. They made us learn the whole catechism. I liked it pretty well. There's something | should be at the bottom of it, him that always seemed to have such a mortal dread of little girls. Anyhow, we've decided on the experiment and goodness only knows what will come of it." CHAPTER VII. Anne Says Her Prayers |WHEN Marilla took Anne up to bed that night she said stiffly: "Now, Anne, I noticed last night that you threw your clothes all about the floor when you took them off. That is a very untidy habit, and I can't allow it at all. As soon as you take off any article of clothing fold it neatly and place it on the chair. I haven't any use at all for little girls who aren't neat." "I was so harrowed up in my mind last night that I didn't think about my clothes at all," said Anne. "I'll fold them nicely tonight. They always made us do that at the asylum. Half the time, though, I'd forget, I'd be in such a hurry to get into bed nice and quiet and imagine things." "You'll have to remember a little better if you stay here," admonished Marilla. "There, that looks something like. Say your prayers now and get into bed."<|quote|>"I never say any prayers,"</|quote|>announced Anne. Marilla looked horrified astonishment. "Why, Anne, what do you mean? Were you never taught to say your prayers? God always wants little girls to say their prayers. Don't you know who God is, Anne?" "?God is a spirit, infinite, eternal and unchangeable, in His being, wisdom, power, holiness, justice, goodness, and truth,'" responded Anne promptly and glibly. Marilla looked rather relieved. "So you do know something then, thank goodness! You're not quite a heathen. Where did you learn that?" "Oh, at the asylum Sunday-school. They made us learn the whole catechism. I liked it pretty well. There's something splendid about some of the words." ?Infinite, eternal and unchangeable.' "Isn't that grand? It has such a roll to it--just like a big organ playing. You couldn't quite call it poetry, I suppose, but it sounds a lot like it, doesn't it?" "We're not talking about poetry, Anne--we are talking about saying your prayers. Don't you know it's a terrible wicked thing not to say your prayers every night? I'm afraid you are a very bad little girl." "You'd find it easier to be bad than good if you had red hair," said Anne reproachfully. "People who haven't red hair | little thing," retorted Marilla, "but I'll make it my business to see she's trained to be that. And mind, Matthew, you're not to go interfering with my methods. Perhaps an old maid doesn't know much about bringing up a child, but I guess she knows more than an old bachelor. So you just leave me to manage her. When I fail it'll be time enough to put your oar in." "There, there, Marilla, you can have your own way," said Matthew reassuringly. "Only be as good and kind to her as you can without spoiling her. I kind of think she's one of the sort you can do anything with if you only get her to love you." Marilla sniffed, to express her contempt for Matthew's opinions concerning anything feminine, and walked off to the dairy with the pails. "I won't tell her tonight that she can stay," she reflected, as she strained the milk into the creamers. "She'd be so excited that she wouldn't sleep a wink. Marilla Cuthbert, you're fairly in for it. Did you ever suppose you'd see the day when you'd be adopting an orphan girl? It's surprising enough; but not so surprising as that Matthew should be at the bottom of it, him that always seemed to have such a mortal dread of little girls. Anyhow, we've decided on the experiment and goodness only knows what will come of it." CHAPTER VII. Anne Says Her Prayers |WHEN Marilla took Anne up to bed that night she said stiffly: "Now, Anne, I noticed last night that you threw your clothes all about the floor when you took them off. That is a very untidy habit, and I can't allow it at all. As soon as you take off any article of clothing fold it neatly and place it on the chair. I haven't any use at all for little girls who aren't neat." "I was so harrowed up in my mind last night that I didn't think about my clothes at all," said Anne. "I'll fold them nicely tonight. They always made us do that at the asylum. Half the time, though, I'd forget, I'd be in such a hurry to get into bed nice and quiet and imagine things." "You'll have to remember a little better if you stay here," admonished Marilla. "There, that looks something like. Say your prayers now and get into bed."<|quote|>"I never say any prayers,"</|quote|>announced Anne. Marilla looked horrified astonishment. "Why, Anne, what do you mean? Were you never taught to say your prayers? God always wants little girls to say their prayers. Don't you know who God is, Anne?" "?God is a spirit, infinite, eternal and unchangeable, in His being, wisdom, power, holiness, justice, goodness, and truth,'" responded Anne promptly and glibly. Marilla looked rather relieved. "So you do know something then, thank goodness! You're not quite a heathen. Where did you learn that?" "Oh, at the asylum Sunday-school. They made us learn the whole catechism. I liked it pretty well. There's something splendid about some of the words." ?Infinite, eternal and unchangeable.' "Isn't that grand? It has such a roll to it--just like a big organ playing. You couldn't quite call it poetry, I suppose, but it sounds a lot like it, doesn't it?" "We're not talking about poetry, Anne--we are talking about saying your prayers. Don't you know it's a terrible wicked thing not to say your prayers every night? I'm afraid you are a very bad little girl." "You'd find it easier to be bad than good if you had red hair," said Anne reproachfully. "People who haven't red hair don't know what trouble is. Mrs. Thomas told me that God made my hair red _on purpose_, and I've never cared about Him since. And anyhow I'd always be too tired at night to bother saying prayers. People who have to look after twins can't be expected to say their prayers. Now, do you honestly think they can?" Marilla decided that Anne's religious training must be begun at once. Plainly there was no time to be lost. "You must say your prayers while you are under my roof, Anne." "Why, of course, if you want me to," assented Anne cheerfully. "I'd do anything to oblige you. But you'll have to tell me what to say for this once. After I get into bed I'll imagine out a real nice prayer to say always. I believe that it will be quite interesting, now that I come to think of it." "You must kneel down," said Marilla in embarrassment. Anne knelt at Marilla's knee and looked up gravely. "Why must people kneel down to pray? If I really wanted to pray I'll tell you what I'd do. I'd go out into a great big field all alone or into the deep, deep, | that you did?" "I think you'd better learn to control that imagination of yours, Anne, if you can't distinguish between what is real and what isn't," said Marilla crossly. "Yes, you did hear me say just that and no more. It isn't decided yet and perhaps we will conclude to let Mrs. Blewett take you after all. She certainly needs you much more than I do." "I'd rather go back to the asylum than go to live with her," said Anne passionately. "She looks exactly like a--like a gimlet." Marilla smothered a smile under the conviction that Anne must be reproved for such a speech. "A little girl like you should be ashamed of talking so about a lady and a stranger," she said severely. "Go back and sit down quietly and hold your tongue and behave as a good girl should." "I'll try to do and be anything you want me, if you'll only keep me," said Anne, returning meekly to her ottoman. When they arrived back at Green Gables that evening Matthew met them in the lane. Marilla from afar had noted him prowling along it and guessed his motive. She was prepared for the relief she read in his face when he saw that she had at least brought back Anne back with her. But she said nothing, to him, relative to the affair, until they were both out in the yard behind the barn milking the cows. Then she briefly told him Anne's history and the result of the interview with Mrs. Spencer. "I wouldn't give a dog I liked to that Blewett woman," said Matthew with unusual vim. "I don't fancy her style myself," admitted Marilla, "but it's that or keeping her ourselves, Matthew. And since you seem to want her, I suppose I'm willing--or have to be. I've been thinking over the idea until I've got kind of used to it. It seems a sort of duty. I've never brought up a child, especially a girl, and I dare say I'll make a terrible mess of it. But I'll do my best. So far as I'm concerned, Matthew, she may stay." Matthew's shy face was a glow of delight. "Well now, I reckoned you'd come to see it in that light, Marilla," he said. "She's such an interesting little thing." "It'd be more to the point if you could say she was a useful little thing," retorted Marilla, "but I'll make it my business to see she's trained to be that. And mind, Matthew, you're not to go interfering with my methods. Perhaps an old maid doesn't know much about bringing up a child, but I guess she knows more than an old bachelor. So you just leave me to manage her. When I fail it'll be time enough to put your oar in." "There, there, Marilla, you can have your own way," said Matthew reassuringly. "Only be as good and kind to her as you can without spoiling her. I kind of think she's one of the sort you can do anything with if you only get her to love you." Marilla sniffed, to express her contempt for Matthew's opinions concerning anything feminine, and walked off to the dairy with the pails. "I won't tell her tonight that she can stay," she reflected, as she strained the milk into the creamers. "She'd be so excited that she wouldn't sleep a wink. Marilla Cuthbert, you're fairly in for it. Did you ever suppose you'd see the day when you'd be adopting an orphan girl? It's surprising enough; but not so surprising as that Matthew should be at the bottom of it, him that always seemed to have such a mortal dread of little girls. Anyhow, we've decided on the experiment and goodness only knows what will come of it." CHAPTER VII. Anne Says Her Prayers |WHEN Marilla took Anne up to bed that night she said stiffly: "Now, Anne, I noticed last night that you threw your clothes all about the floor when you took them off. That is a very untidy habit, and I can't allow it at all. As soon as you take off any article of clothing fold it neatly and place it on the chair. I haven't any use at all for little girls who aren't neat." "I was so harrowed up in my mind last night that I didn't think about my clothes at all," said Anne. "I'll fold them nicely tonight. They always made us do that at the asylum. Half the time, though, I'd forget, I'd be in such a hurry to get into bed nice and quiet and imagine things." "You'll have to remember a little better if you stay here," admonished Marilla. "There, that looks something like. Say your prayers now and get into bed."<|quote|>"I never say any prayers,"</|quote|>announced Anne. Marilla looked horrified astonishment. "Why, Anne, what do you mean? Were you never taught to say your prayers? God always wants little girls to say their prayers. Don't you know who God is, Anne?" "?God is a spirit, infinite, eternal and unchangeable, in His being, wisdom, power, holiness, justice, goodness, and truth,'" responded Anne promptly and glibly. Marilla looked rather relieved. "So you do know something then, thank goodness! You're not quite a heathen. Where did you learn that?" "Oh, at the asylum Sunday-school. They made us learn the whole catechism. I liked it pretty well. There's something splendid about some of the words." ?Infinite, eternal and unchangeable.' "Isn't that grand? It has such a roll to it--just like a big organ playing. You couldn't quite call it poetry, I suppose, but it sounds a lot like it, doesn't it?" "We're not talking about poetry, Anne--we are talking about saying your prayers. Don't you know it's a terrible wicked thing not to say your prayers every night? I'm afraid you are a very bad little girl." "You'd find it easier to be bad than good if you had red hair," said Anne reproachfully. "People who haven't red hair don't know what trouble is. Mrs. Thomas told me that God made my hair red _on purpose_, and I've never cared about Him since. And anyhow I'd always be too tired at night to bother saying prayers. People who have to look after twins can't be expected to say their prayers. Now, do you honestly think they can?" Marilla decided that Anne's religious training must be begun at once. Plainly there was no time to be lost. "You must say your prayers while you are under my roof, Anne." "Why, of course, if you want me to," assented Anne cheerfully. "I'd do anything to oblige you. But you'll have to tell me what to say for this once. After I get into bed I'll imagine out a real nice prayer to say always. I believe that it will be quite interesting, now that I come to think of it." "You must kneel down," said Marilla in embarrassment. Anne knelt at Marilla's knee and looked up gravely. "Why must people kneel down to pray? If I really wanted to pray I'll tell you what I'd do. I'd go out into a great big field all alone or into the deep, deep, woods, and I'd look up into the sky--up--up--up--into that lovely blue sky that looks as if there was no end to its blueness. And then I'd just _feel_ a prayer. Well, I'm ready. What am I to say?" Marilla felt more embarrassed than ever. She had intended to teach Anne the childish classic, "Now I lay me down to sleep." But she had, as I have told you, the glimmerings of a sense of humor--which is simply another name for a sense of fitness of things; and it suddenly occurred to her that that simple little prayer, sacred to white-robed childhood lisping at motherly knees, was entirely unsuited to this freckled witch of a girl who knew and cared nothing about God's love, since she had never had it translated to her through the medium of human love. "You're old enough to pray for yourself, Anne," she said finally. "Just thank God for your blessings and ask Him humbly for the things you want." "Well, I'll do my best," promised Anne, burying her face in Marilla's lap. "Gracious heavenly Father--that's the way the ministers say it in church, so I suppose it's all right in private prayer, isn't it?" she interjected, lifting her head for a moment. "Gracious heavenly Father, I thank Thee for the White Way of Delight and the Lake of Shining Waters and Bonny and the Snow Queen. I'm really extremely grateful for them. And that's all the blessings I can think of just now to thank Thee for. As for the things I want, they're so numerous that it would take a great deal of time to name them all so I will only mention the two most important. Please let me stay at Green Gables; and please let me be good-looking when I grow up. I remain, "Yours respectfully, Anne Shirley." "There, did I do all right?" she asked eagerly, getting up. "I could have made it much more flowery if I'd had a little more time to think it over." Poor Marilla was only preserved from complete collapse by remembering that it was not irreverence, but simply spiritual ignorance on the part of Anne that was responsible for this extraordinary petition. She tucked the child up in bed, mentally vowing that she should be taught a prayer the very next day, and was leaving the room with the light when Anne called her back. | But I'll do my best. So far as I'm concerned, Matthew, she may stay." Matthew's shy face was a glow of delight. "Well now, I reckoned you'd come to see it in that light, Marilla," he said. "She's such an interesting little thing." "It'd be more to the point if you could say she was a useful little thing," retorted Marilla, "but I'll make it my business to see she's trained to be that. And mind, Matthew, you're not to go interfering with my methods. Perhaps an old maid doesn't know much about bringing up a child, but I guess she knows more than an old bachelor. So you just leave me to manage her. When I fail it'll be time enough to put your oar in." "There, there, Marilla, you can have your own way," said Matthew reassuringly. "Only be as good and kind to her as you can without spoiling her. I kind of think she's one of the sort you can do anything with if you only get her to love you." Marilla sniffed, to express her contempt for Matthew's opinions concerning anything feminine, and walked off to the dairy with the pails. "I won't tell her tonight that she can stay," she reflected, as she strained the milk into the creamers. "She'd be so excited that she wouldn't sleep a wink. Marilla Cuthbert, you're fairly in for it. Did you ever suppose you'd see the day when you'd be adopting an orphan girl? It's surprising enough; but not so surprising as that Matthew should be at the bottom of it, him that always seemed to have such a mortal dread of little girls. Anyhow, we've decided on the experiment and goodness only knows what will come of it." CHAPTER VII. Anne Says Her Prayers |WHEN Marilla took Anne up to bed that night she said stiffly: "Now, Anne, I noticed last night that you threw your clothes all about the floor when you took them off. That is a very untidy habit, and I can't allow it at all. As soon as you take off any article of clothing fold it neatly and place it on the chair. I haven't any use at all for little girls who aren't neat." "I was so harrowed up in my mind last night that I didn't think about my clothes at all," said Anne. "I'll fold them nicely tonight. They always made us do that at the asylum. Half the time, though, I'd forget, I'd be in such a hurry to get into bed nice and quiet and imagine things." "You'll have to remember a little better if you stay here," admonished Marilla. "There, that looks something like. Say your prayers now and get into bed."<|quote|>"I never say any prayers,"</|quote|>announced Anne. Marilla looked horrified astonishment. "Why, Anne, what do you mean? Were you never taught to say your prayers? God always wants little girls to say their prayers. Don't you know who God is, Anne?" "?God is a spirit, infinite, eternal and unchangeable, in His being, wisdom, power, holiness, justice, goodness, and truth,'" responded Anne promptly and glibly. Marilla looked rather relieved. "So you do know something then, thank goodness! You're not quite a heathen. Where did you learn that?" "Oh, at the asylum Sunday-school. They made us learn the whole catechism. I liked it pretty well. There's something splendid about some of the words." ?Infinite, eternal and unchangeable.' "Isn't that grand? It has such a roll to it--just like a big organ playing. You couldn't quite call it poetry, I suppose, but it sounds a lot like it, doesn't it?" "We're not talking about poetry, Anne--we are talking about saying your prayers. Don't you know it's a terrible wicked thing not to say your prayers every night? I'm afraid you are a very bad little girl." "You'd find it easier to be bad than good if you had red hair," said Anne reproachfully. "People who haven't red hair don't know what trouble is. Mrs. Thomas told me that God made my hair red _on purpose_, and I've never cared about Him since. And anyhow I'd always be too tired at night to bother saying prayers. People who have to look after twins can't be expected to say their prayers. Now, do you honestly think they can?" Marilla decided that Anne's religious training must be begun at once. Plainly there was no time to be lost. "You must say your prayers while you are under my roof, Anne." "Why, of course, if you want me to," assented Anne cheerfully. "I'd do anything to oblige you. But you'll have to tell me what to say for this once. After I get into bed I'll imagine out a real nice prayer to say always. I believe that it will be quite interesting, now that I come to think of it." "You must kneel down," said Marilla in embarrassment. Anne knelt at Marilla's knee and looked up gravely. "Why must people kneel down to pray? If I really wanted to pray I'll tell you what I'd do. I'd go out into a great big field all alone or into the deep, deep, woods, and I'd look up into the sky--up--up--up--into that lovely blue sky that looks as if there was no end to its blueness. And then I'd just _feel_ a prayer. Well, I'm ready. What am I to say?" Marilla felt more embarrassed than ever. She had intended to teach Anne the childish classic, "Now I lay me down to sleep." But she had, as I have told you, the glimmerings of a sense of humor--which is simply another name for a sense of fitness of things; and it suddenly occurred to her that that simple little prayer, sacred to white-robed childhood lisping at motherly knees, was entirely unsuited to this freckled witch of a girl who knew and | Anne Of Green Gables | the asylum. Half the time, though, I'd forget, I'd be in such a hurry to get into bed nice and quiet and imagine things." "You'll have to remember a little better if you stay here," admonished Marilla. "There, that looks something like. Say your prayers now and get into bed."<|quote|>"I never say any prayers,"</|quote|>announced Anne. Marilla looked horrified astonishment. "Why, Anne, what do you mean? Were you never taught to say your prayers? God always wants little girls to say their prayers. Don't you know who God is, Anne?" "?God is a spirit, infinite, eternal and unchangeable, in His being, wisdom, power, holiness, | {
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"content": "the asylum. Half the time, though, I'd forget, I'd be in such a hurry to get into bed nice and quiet and imagine things.\" \"You'll have to remember a little better if you stay here,\" admonished Marilla. \"There, that looks something like. Say your prayers now and get into bed.\"<|quote|>\"I never say any prayers,\"</|quote|>announced Anne. Marilla looked horrified astonishment. \"Why, Anne, what do you mean? Were you never taught to say your prayers? God always wants little girls to say their prayers. Don't you know who God is, Anne?\" \"?God is a spirit, infinite, eternal and unchangeable, in His being, wisdom, power, holiness,",
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"Tell you what, I shouldn't drive if I were you." | Tony Last | they got into Jock's car.<|quote|>"Tell you what, I shouldn't drive if I were you."</|quote|>"Not drive?" "No, I shouldn't | right." Half an hour later they got into Jock's car.<|quote|>"Tell you what, I shouldn't drive if I were you."</|quote|>"Not drive?" "No, I shouldn't drive. They'd say you were | "Jock, you aren't still feeling low, are you? Doesn't do to feel low. _I'm_ not feeling low. I _was_, but I'm not any more." "No, I'm not feeling low." "Then we'll have some brandy and then go to Brenda's." "All right." Half an hour later they got into Jock's car.<|quote|>"Tell you what, I shouldn't drive if I were you."</|quote|>"Not drive?" "No, I shouldn't drive. They'd say you were drunk." "Who would?" "Anyone you ran over. They'd say you were drunk." "Well, so I am." "Then I shouldn't drive." "Too far to walk." "We'll take a taxi." "Oh, hell, I can drive." "Or let's not go to Brenda's at | got your taxi fare? You'll find some change in my bag." * * * * * "Was that your girl?" "Yes." "Made it up?" "Not exactly." "Far better to make it up. Shall we have some more brandy or go round to Brenda straight away?" "Let's have some more brandy." "Jock, you aren't still feeling low, are you? Doesn't do to feel low. _I'm_ not feeling low. I _was_, but I'm not any more." "No, I'm not feeling low." "Then we'll have some brandy and then go to Brenda's." "All right." Half an hour later they got into Jock's car.<|quote|>"Tell you what, I shouldn't drive if I were you."</|quote|>"Not drive?" "No, I shouldn't drive. They'd say you were drunk." "Who would?" "Anyone you ran over. They'd say you were drunk." "Well, so I am." "Then I shouldn't drive." "Too far to walk." "We'll take a taxi." "Oh, hell, I can drive." "Or let's not go to Brenda's at all." "We'd better go to Brenda's," said Jock. "She's expecting us." "Well, I can't walk all that way. Besides, I don't think she really wanted us to come." "She'll be pleased when she sees us." "Yes, but it's a long way. Let's go some other place." "I'd like to see | didn't give a name." "All right. I'll come." Brenda said to him, "Jock, what _have_ you been doing to my husband?" "He's a bit tight, that's all." "He's roaring. Look here, he threatens to come round. I simply can't face him to-night in that mood, I'm tired out. You understand, don't you?" "Yes, I understand." "So will you, _please_, keep him away? Are you tight too?" "A little bit." "Oh dear, can I trust you?" "I'll try." "Well, it doesn't sound too good. Good-bye" ... "John, you've got to go. Those hooligans may turn up at any moment. Have you got your taxi fare? You'll find some change in my bag." * * * * * "Was that your girl?" "Yes." "Made it up?" "Not exactly." "Far better to make it up. Shall we have some more brandy or go round to Brenda straight away?" "Let's have some more brandy." "Jock, you aren't still feeling low, are you? Doesn't do to feel low. _I'm_ not feeling low. I _was_, but I'm not any more." "No, I'm not feeling low." "Then we'll have some brandy and then go to Brenda's." "All right." Half an hour later they got into Jock's car.<|quote|>"Tell you what, I shouldn't drive if I were you."</|quote|>"Not drive?" "No, I shouldn't drive. They'd say you were drunk." "Who would?" "Anyone you ran over. They'd say you were drunk." "Well, so I am." "Then I shouldn't drive." "Too far to walk." "We'll take a taxi." "Oh, hell, I can drive." "Or let's not go to Brenda's at all." "We'd better go to Brenda's," said Jock. "She's expecting us." "Well, I can't walk all that way. Besides, I don't think she really wanted us to come." "She'll be pleased when she sees us." "Yes, but it's a long way. Let's go some other place." "I'd like to see Brenda," said Jock. "I'm very fond of Brenda." "She's a grand girl." "She's a grand girl." "Well, let's take a taxi to Brenda's." But half-way Jock said, "Don't let's go there. Let's go some other place. Let's go to some low joint." "All the same to me. Tell him to go to some lousy joint." "Go to some lousy joint," said Jock, putting his head through the window. The cab wheeled round and made towards Regent Street. "We can always ring Brenda from the lousy joint." "Yes, I think we ought to do that. She's a grand girl." "Grand girl." | fool said I couldn't speak to you." "I left a message from where I was dining. Are you having a lovely evening?" "Hellish. I'm with Jock. He's worried about the Pig Scheme. Shall we come round and see you?" "No, not now, darling, I'm terribly tired and just going to bed." "We'll come and see you." "Tony, are you a tiny bit tight?" "Stinking. Jock and I'll come and see you." "_Tony_, you're _not_ to. D'you hear? I can't have you making a brawl. The flats are getting a bad name anyhow." "Their name'll be mud when Jock and I come." "Tony, listen, will you please not come, not to-night. Be a good boy and stay at the club. Will you _please_ not?" "Shan't be long." He rang off. "Oh God," said Brenda. "This isn't the least like Tony. Ring up Bratt's and get on to Jock. He'll have more sense." * * * * * "That was Brenda." "So I gathered." "She's at the flat. I said that we'd go round." "Splendid. Haven't seen her for weeks. Very fond of Brenda." "So am I. Grand girl." "Grand girl." "A lady on the telephone for you, Mr Grant-Menzies." "Who?" "She didn't give a name." "All right. I'll come." Brenda said to him, "Jock, what _have_ you been doing to my husband?" "He's a bit tight, that's all." "He's roaring. Look here, he threatens to come round. I simply can't face him to-night in that mood, I'm tired out. You understand, don't you?" "Yes, I understand." "So will you, _please_, keep him away? Are you tight too?" "A little bit." "Oh dear, can I trust you?" "I'll try." "Well, it doesn't sound too good. Good-bye" ... "John, you've got to go. Those hooligans may turn up at any moment. Have you got your taxi fare? You'll find some change in my bag." * * * * * "Was that your girl?" "Yes." "Made it up?" "Not exactly." "Far better to make it up. Shall we have some more brandy or go round to Brenda straight away?" "Let's have some more brandy." "Jock, you aren't still feeling low, are you? Doesn't do to feel low. _I'm_ not feeling low. I _was_, but I'm not any more." "No, I'm not feeling low." "Then we'll have some brandy and then go to Brenda's." "All right." Half an hour later they got into Jock's car.<|quote|>"Tell you what, I shouldn't drive if I were you."</|quote|>"Not drive?" "No, I shouldn't drive. They'd say you were drunk." "Who would?" "Anyone you ran over. They'd say you were drunk." "Well, so I am." "Then I shouldn't drive." "Too far to walk." "We'll take a taxi." "Oh, hell, I can drive." "Or let's not go to Brenda's at all." "We'd better go to Brenda's," said Jock. "She's expecting us." "Well, I can't walk all that way. Besides, I don't think she really wanted us to come." "She'll be pleased when she sees us." "Yes, but it's a long way. Let's go some other place." "I'd like to see Brenda," said Jock. "I'm very fond of Brenda." "She's a grand girl." "She's a grand girl." "Well, let's take a taxi to Brenda's." But half-way Jock said, "Don't let's go there. Let's go some other place. Let's go to some low joint." "All the same to me. Tell him to go to some lousy joint." "Go to some lousy joint," said Jock, putting his head through the window. The cab wheeled round and made towards Regent Street. "We can always ring Brenda from the lousy joint." "Yes, I think we ought to do that. She's a grand girl." "Grand girl." The cab turned into Golden Square and then down Sink Street, a dingy little place inhabited for the most part by Asiatics. "D'you know, I believe he's taking us to the Old Hundredth." "Can't still be open? Thought they closed it down years ago." But the door was brightly illuminated and a seedy figure in peaked cap and braided overcoat stepped out to open the taxi for them. The Old Hundredth has never been shut. For a generation, while other night clubs have sprung into being, with various names and managers, and various pretensions to respectability, have enjoyed a precarious and brief existence, and come to grief at the hands either of police or creditors, the Old Hundredth has maintained a solid front against all adversity. It has not been immune from persecution; far from it. Times out of number, magistrates have struck it off, cancelled its licence, condemned its premises; the staff and proprietor have been constantly in and out of prison; there have been questions in the House and committees of enquiry, but whatever Home Secretaries and Commissioners of Police have risen into eminence and retired discredited, the doors of the Old Hundredth have always been open from | old boy." "Not even when I'm tight, like this?... There would have been bathrooms. I had the plans out. Four new ones. A chap down there made the plans... but then Brenda wanted the flat so I had to postpone them as an economy... I say, that's funny. We had to economize because of Brenda's economics." "Yes, that's funny. Let's have some port." Tony said, "You seem pretty low to-night." "I am rather. Worried about the Pig Scheme. Constituents keep writing." "_I_ felt low, _bloody_ low, but I'm all right again now. The best thing is to get tight. That's what I did and I don't feel low any more... discouraging to come to London and find you're not wanted. Funny thing, _you_ feel low because your girl's chucked, and _I_ feel low because mine won't chuck." "Yes, that's funny." "But you know I've felt low for weeks now... bloody low... how about some brandy?" "Yes, why not? After all, there are other things in life besides women and pigs." They had some brandy and after a time Jock began to cheer up. Presently a page came to their table to say, "A message from Lady Brenda, sir." "Good, I'll go and speak to her." "It's not her ladyship speaking. Someone was sending a message." "I'll come and speak to her." He went to the telephone in the lobby outside. "Darling," he said. "Is that Mr Last? I've got a message here, from Lady Brenda." "Right, put me through to her." "She can't speak herself, but she asked me to give you this message, that she's very sorry but she cannot join you to-night. She's very tired and has gone home to bed." "Tell her I want to speak to her." "I can't, I'm afraid, she's gone to bed. She's very tired." "She's very tired and she's gone to bed?" "That's right." "Well, I want to speak to her." "Good night," said the voice. "The old boy's plastered," said Beaver as he rang off. "Oh dear. I feel rather awful about him. But what _can_ he expect, coming up suddenly like this? He's got to be taught not to make surprise visits." "Is he often like that?" "No, it's quite new." The telephone bell rang. "D'you suppose that's him again? I'd better answer it." "I want to speak to Lady Brenda Last." "Tony, darling, this _is_ me, Brenda." "Some damn fool said I couldn't speak to you." "I left a message from where I was dining. Are you having a lovely evening?" "Hellish. I'm with Jock. He's worried about the Pig Scheme. Shall we come round and see you?" "No, not now, darling, I'm terribly tired and just going to bed." "We'll come and see you." "Tony, are you a tiny bit tight?" "Stinking. Jock and I'll come and see you." "_Tony_, you're _not_ to. D'you hear? I can't have you making a brawl. The flats are getting a bad name anyhow." "Their name'll be mud when Jock and I come." "Tony, listen, will you please not come, not to-night. Be a good boy and stay at the club. Will you _please_ not?" "Shan't be long." He rang off. "Oh God," said Brenda. "This isn't the least like Tony. Ring up Bratt's and get on to Jock. He'll have more sense." * * * * * "That was Brenda." "So I gathered." "She's at the flat. I said that we'd go round." "Splendid. Haven't seen her for weeks. Very fond of Brenda." "So am I. Grand girl." "Grand girl." "A lady on the telephone for you, Mr Grant-Menzies." "Who?" "She didn't give a name." "All right. I'll come." Brenda said to him, "Jock, what _have_ you been doing to my husband?" "He's a bit tight, that's all." "He's roaring. Look here, he threatens to come round. I simply can't face him to-night in that mood, I'm tired out. You understand, don't you?" "Yes, I understand." "So will you, _please_, keep him away? Are you tight too?" "A little bit." "Oh dear, can I trust you?" "I'll try." "Well, it doesn't sound too good. Good-bye" ... "John, you've got to go. Those hooligans may turn up at any moment. Have you got your taxi fare? You'll find some change in my bag." * * * * * "Was that your girl?" "Yes." "Made it up?" "Not exactly." "Far better to make it up. Shall we have some more brandy or go round to Brenda straight away?" "Let's have some more brandy." "Jock, you aren't still feeling low, are you? Doesn't do to feel low. _I'm_ not feeling low. I _was_, but I'm not any more." "No, I'm not feeling low." "Then we'll have some brandy and then go to Brenda's." "All right." Half an hour later they got into Jock's car.<|quote|>"Tell you what, I shouldn't drive if I were you."</|quote|>"Not drive?" "No, I shouldn't drive. They'd say you were drunk." "Who would?" "Anyone you ran over. They'd say you were drunk." "Well, so I am." "Then I shouldn't drive." "Too far to walk." "We'll take a taxi." "Oh, hell, I can drive." "Or let's not go to Brenda's at all." "We'd better go to Brenda's," said Jock. "She's expecting us." "Well, I can't walk all that way. Besides, I don't think she really wanted us to come." "She'll be pleased when she sees us." "Yes, but it's a long way. Let's go some other place." "I'd like to see Brenda," said Jock. "I'm very fond of Brenda." "She's a grand girl." "She's a grand girl." "Well, let's take a taxi to Brenda's." But half-way Jock said, "Don't let's go there. Let's go some other place. Let's go to some low joint." "All the same to me. Tell him to go to some lousy joint." "Go to some lousy joint," said Jock, putting his head through the window. The cab wheeled round and made towards Regent Street. "We can always ring Brenda from the lousy joint." "Yes, I think we ought to do that. She's a grand girl." "Grand girl." The cab turned into Golden Square and then down Sink Street, a dingy little place inhabited for the most part by Asiatics. "D'you know, I believe he's taking us to the Old Hundredth." "Can't still be open? Thought they closed it down years ago." But the door was brightly illuminated and a seedy figure in peaked cap and braided overcoat stepped out to open the taxi for them. The Old Hundredth has never been shut. For a generation, while other night clubs have sprung into being, with various names and managers, and various pretensions to respectability, have enjoyed a precarious and brief existence, and come to grief at the hands either of police or creditors, the Old Hundredth has maintained a solid front against all adversity. It has not been immune from persecution; far from it. Times out of number, magistrates have struck it off, cancelled its licence, condemned its premises; the staff and proprietor have been constantly in and out of prison; there have been questions in the House and committees of enquiry, but whatever Home Secretaries and Commissioners of Police have risen into eminence and retired discredited, the doors of the Old Hundredth have always been open from nine in the evening until four at night, and inside there has been an unimpeded flow of dubious, alcoholic preparations. A kindly young lady admitted Tony and Jock to the ramshackle building. "D'you mind signing on?" Tony and Jock inscribed fictitious names at the foot of a form which stated, _I have been invited to a Bottle Party at 100 Sink Street given by Captain Weybridge_. "That's five bob each, please." It is not an expensive club to run, because none of the staff, except the band, receive any wages; they make what they can by going through the overcoat pockets and giving the wrong change to drunks. The young ladies get in free but they have to see to it that their patrons spend money. "Last time I was here, Tony, was the bachelor party before your wedding." "Tight that night." "Stinking." "I'll tell you who else was tight that night--Reggie. Broke a fruit gum machine." "Reggie was stinking." "I say, you don't still feel low about that girl?" "I don't feel low." "Come on, we'll go downstairs." The dance-room was fairly full. An elderly man had joined the band and was trying to conduct it. "I like this joint," said Jock. "What'll we drink?" "Brandy." They had to buy the bottle. They filled in an order form to the Montmorency Wine Company and paid two pounds. When it came there was a label saying _Very Old Liqueur Fine Champagne. Imported by the Montmorency Wine Co._ The waiter brought ginger ale and four glasses. Two young ladies came and sat with them. They were called Milly and Babs. Milly said, "Are you in town for long?" Babs said, "Have you got such a thing as a cigarette?" Tony danced with Babs. She said, "Are you fond of dancing?" "No, are you?" "So-so." "Well, let's sit down." The waiter said, "Will you buy a ticket in a raffle for a box of chocolates?" "No." "Buy one for me," said Babs. Jock began to describe the specifications of the Basic Pig. ...Milly said, "You're married, aren't you?" "No," said Jock. "Oh, I can always tell," said Milly. "Your friend is too." "Yes, _he_ is." "You'd be surprised how many gentlemen come here just to talk about their wives." "He hasn't." Tony was leaning across the table and saying to Babs, "You see, the trouble is my wife is studious. She's taking | "Oh dear. I feel rather awful about him. But what _can_ he expect, coming up suddenly like this? He's got to be taught not to make surprise visits." "Is he often like that?" "No, it's quite new." The telephone bell rang. "D'you suppose that's him again? I'd better answer it." "I want to speak to Lady Brenda Last." "Tony, darling, this _is_ me, Brenda." "Some damn fool said I couldn't speak to you." "I left a message from where I was dining. Are you having a lovely evening?" "Hellish. I'm with Jock. He's worried about the Pig Scheme. Shall we come round and see you?" "No, not now, darling, I'm terribly tired and just going to bed." "We'll come and see you." "Tony, are you a tiny bit tight?" "Stinking. Jock and I'll come and see you." "_Tony_, you're _not_ to. D'you hear? I can't have you making a brawl. The flats are getting a bad name anyhow." "Their name'll be mud when Jock and I come." "Tony, listen, will you please not come, not to-night. Be a good boy and stay at the club. Will you _please_ not?" "Shan't be long." He rang off. "Oh God," said Brenda. "This isn't the least like Tony. Ring up Bratt's and get on to Jock. He'll have more sense." * * * * * "That was Brenda." "So I gathered." "She's at the flat. I said that we'd go round." "Splendid. Haven't seen her for weeks. Very fond of Brenda." "So am I. Grand girl." "Grand girl." "A lady on the telephone for you, Mr Grant-Menzies." "Who?" "She didn't give a name." "All right. I'll come." Brenda said to him, "Jock, what _have_ you been doing to my husband?" "He's a bit tight, that's all." "He's roaring. Look here, he threatens to come round. I simply can't face him to-night in that mood, I'm tired out. You understand, don't you?" "Yes, I understand." "So will you, _please_, keep him away? Are you tight too?" "A little bit." "Oh dear, can I trust you?" "I'll try." "Well, it doesn't sound too good. Good-bye" ... "John, you've got to go. Those hooligans may turn up at any moment. Have you got your taxi fare? You'll find some change in my bag." * * * * * "Was that your girl?" "Yes." "Made it up?" "Not exactly." "Far better to make it up. Shall we have some more brandy or go round to Brenda straight away?" "Let's have some more brandy." "Jock, you aren't still feeling low, are you? Doesn't do to feel low. _I'm_ not feeling low. I _was_, but I'm not any more." "No, I'm not feeling low." "Then we'll have some brandy and then go to Brenda's." "All right." Half an hour later they got into Jock's car.<|quote|>"Tell you what, I shouldn't drive if I were you."</|quote|>"Not drive?" "No, I shouldn't drive. They'd say you were drunk." "Who would?" "Anyone you ran over. They'd say you were drunk." "Well, so I am." "Then I shouldn't drive." "Too far to walk." "We'll take a taxi." "Oh, hell, I can drive." "Or let's not go to Brenda's at all." "We'd better go to Brenda's," said Jock. "She's expecting us." "Well, I can't walk all that way. Besides, I don't think she really wanted us to come." "She'll be pleased when she sees us." "Yes, but it's a long way. Let's go some other place." "I'd like to see Brenda," said Jock. "I'm very fond of Brenda." "She's a grand girl." "She's a grand girl." "Well, let's take a taxi to Brenda's." But half-way Jock said, "Don't let's go there. Let's go some other place. Let's go to some low joint." "All the same to me. Tell him to go to some lousy joint." "Go to some lousy joint," said Jock, putting his head through the window. The cab wheeled round and made towards Regent Street. "We can always ring Brenda from the lousy joint." "Yes, I think we ought to do that. She's a grand girl." "Grand girl." The cab turned into Golden Square and then down Sink Street, a dingy little place inhabited for the most part by Asiatics. "D'you know, I believe he's taking us to the Old Hundredth." "Can't still be open? Thought they closed it down years ago." But the door was brightly illuminated and a seedy figure in peaked cap and braided overcoat stepped out to open the taxi for them. The Old Hundredth has never been shut. For a generation, | A Handful Of Dust | "Jock, you aren't still feeling low, are you? Doesn't do to feel low. _I'm_ not feeling low. I _was_, but I'm not any more." "No, I'm not feeling low." "Then we'll have some brandy and then go to Brenda's." "All right." Half an hour later they got into Jock's car.<|quote|>"Tell you what, I shouldn't drive if I were you."</|quote|>"Not drive?" "No, I shouldn't drive. They'd say you were drunk." "Who would?" "Anyone you ran over. They'd say you were drunk." "Well, so I am." "Then I shouldn't drive." "Too far to walk." "We'll take a taxi." "Oh, hell, I can drive." "Or let's not go to Brenda's at | {
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"content": "\"Jock, you aren't still feeling low, are you? Doesn't do to feel low. _I'm_ not feeling low. I _was_, but I'm not any more.\" \"No, I'm not feeling low.\" \"Then we'll have some brandy and then go to Brenda's.\" \"All right.\" Half an hour later they got into Jock's car.<|quote|>\"Tell you what, I shouldn't drive if I were you.\"</|quote|>\"Not drive?\" \"No, I shouldn't drive. They'd say you were drunk.\" \"Who would?\" \"Anyone you ran over. They'd say you were drunk.\" \"Well, so I am.\" \"Then I shouldn't drive.\" \"Too far to walk.\" \"We'll take a taxi.\" \"Oh, hell, I can drive.\" \"Or let's not go to Brenda's at",
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"No, I suppose not." | Tony Last | see hounds working, would there?"<|quote|>"No, I suppose not."</|quote|>"And if he breaks away | his stayin' a bit to see hounds working, would there?"<|quote|>"No, I suppose not."</|quote|>"And if he breaks away towards home, there'd be no | down the south drive through Compton Last, along the main road for half a mile, and then through fields. "He can ride with them as far as the covert," Tony had said. "Yes, sir, and there'd be no harm in his stayin' a bit to see hounds working, would there?"<|quote|>"No, I suppose not."</|quote|>"And if he breaks away towards home, there'd be no harm in our following a bit, if we keeps to the lanes and gates, would there, sir?" "No, but he's not to stay out more than an hour." "You wouldn't have me take him home with hounds running, would you, | lawn, the grooms and second horses, the humble, unknown followers in the background--it was all a lot of nonsense of Ben Hacket's. "It was after eleven before the child got to sleep last night," she reflected, "he was that over-excited." Presently they moved off towards Bruton Wood. The way lay down the south drive through Compton Last, along the main road for half a mile, and then through fields. "He can ride with them as far as the covert," Tony had said. "Yes, sir, and there'd be no harm in his stayin' a bit to see hounds working, would there?"<|quote|>"No, I suppose not."</|quote|>"And if he breaks away towards home, there'd be no harm in our following a bit, if we keeps to the lanes and gates, would there, sir?" "No, but he's not to stay out more than an hour." "You wouldn't have me take him home with hounds running, would you, sir?" "Well, he's got to be in before one." "I'll see to that, sir. Don't you worry, my beauty," he said to John, "you'll get a hunt right enough." They waited until the end of the line of horses and then trotted soberly behind them. Close at their heels followed | see any death," said nanny. Now she stood with her eyes at an arrow slit gazing rather resentfully at the animated scene below. "It's all a lot of nonsense of Ben Hacket's," she thought. She deplored it all, hounds, Master, field, huntsman and whippers-in, Mr Tendril's niece in her mackintosh, Jock in a rat-catcher, Mrs Rattery in tall hat and cutaway coat, oblivious of the suspicious glances of the subscribers, Tony smiling and chatting to his guests, the crazy old man with the terriers, the Press photographer, pretty Miss Ripon in difficulties with a young horse, titupping sideways over the lawn, the grooms and second horses, the humble, unknown followers in the background--it was all a lot of nonsense of Ben Hacket's. "It was after eleven before the child got to sleep last night," she reflected, "he was that over-excited." Presently they moved off towards Bruton Wood. The way lay down the south drive through Compton Last, along the main road for half a mile, and then through fields. "He can ride with them as far as the covert," Tony had said. "Yes, sir, and there'd be no harm in his stayin' a bit to see hounds working, would there?"<|quote|>"No, I suppose not."</|quote|>"And if he breaks away towards home, there'd be no harm in our following a bit, if we keeps to the lanes and gates, would there, sir?" "No, but he's not to stay out more than an hour." "You wouldn't have me take him home with hounds running, would you, sir?" "Well, he's got to be in before one." "I'll see to that, sir. Don't you worry, my beauty," he said to John, "you'll get a hunt right enough." They waited until the end of the line of horses and then trotted soberly behind them. Close at their heels followed the motor-cars, at low gear, in a fog of exhaust. John was breathless and slightly dizzy. Thunderclap was tossing her head and worrying at her snaffle. Twice while the field was moving off she had tried to get away and had taken John round in a little circle, so that Ben had said, "Hold on to her, son" ", and had come up close beside him so as to be able to catch the reins if she looked like bolting. Once, boring forwards with her head, she took John by surprise and pulled him forwards out of his balance; he | about him in the deepening twilight and shouting at yokels for information. The only pleasure he gained from his position, but that a substantial one, was in referring to it casually at Board Meetings of the various companies he directed. The Pigstanton met twice a week. There was seldom a large field on Wednesday, but the Hetton meet was popular; it lay in their best country and the prospect of stirrup-cups had drawn many leathery old ladies from the neighbouring packs. There were also followers on foot and in every kind of vehicle, some hanging back diffidently, others, more or less known to Tony, crowding round the refreshment table. Mr Tendril had a niece staying with him, who appeared on a motor bicycle. John stood beside Thunderclap, solemn with excitement. Ben had secured a powerful, square-headed mare from a neighbouring farmer; he hoped to have a hunt after John had been taken home; at John's earnest entreaty nanny was confined indoors, among the housemaids whose heads obtruded at the upper windows; it was not her day. She had been out of temper while dressing him. "If I'm in at the death I expect Colonel Inch will blood me." "You won't see any death," said nanny. Now she stood with her eyes at an arrow slit gazing rather resentfully at the animated scene below. "It's all a lot of nonsense of Ben Hacket's," she thought. She deplored it all, hounds, Master, field, huntsman and whippers-in, Mr Tendril's niece in her mackintosh, Jock in a rat-catcher, Mrs Rattery in tall hat and cutaway coat, oblivious of the suspicious glances of the subscribers, Tony smiling and chatting to his guests, the crazy old man with the terriers, the Press photographer, pretty Miss Ripon in difficulties with a young horse, titupping sideways over the lawn, the grooms and second horses, the humble, unknown followers in the background--it was all a lot of nonsense of Ben Hacket's. "It was after eleven before the child got to sleep last night," she reflected, "he was that over-excited." Presently they moved off towards Bruton Wood. The way lay down the south drive through Compton Last, along the main road for half a mile, and then through fields. "He can ride with them as far as the covert," Tony had said. "Yes, sir, and there'd be no harm in his stayin' a bit to see hounds working, would there?"<|quote|>"No, I suppose not."</|quote|>"And if he breaks away towards home, there'd be no harm in our following a bit, if we keeps to the lanes and gates, would there, sir?" "No, but he's not to stay out more than an hour." "You wouldn't have me take him home with hounds running, would you, sir?" "Well, he's got to be in before one." "I'll see to that, sir. Don't you worry, my beauty," he said to John, "you'll get a hunt right enough." They waited until the end of the line of horses and then trotted soberly behind them. Close at their heels followed the motor-cars, at low gear, in a fog of exhaust. John was breathless and slightly dizzy. Thunderclap was tossing her head and worrying at her snaffle. Twice while the field was moving off she had tried to get away and had taken John round in a little circle, so that Ben had said, "Hold on to her, son" ", and had come up close beside him so as to be able to catch the reins if she looked like bolting. Once, boring forwards with her head, she took John by surprise and pulled him forwards out of his balance; he caught hold of the front of the saddle to steady himself and looked guiltily at Ben. "I'm afraid I'm riding very badly to-day. D'you think anyone has noticed?" "That's all right, son. You can't keep riding-school manners when you're hunting." Jock and Mrs Rattery trotted side by side. "I rather like this absurd horse," she said. She rode astride and it was evident from the moment she mounted that she rode extremely well. The members of the Pigstanton noted this with ill-concealed resentment, for it disturbed their fixed opinion, according to which, while all fellow members of the hunt were clowns and poltroons, strangers were, without exception, mannerless lunatics, and a serious menace to anyone within a quarter of a mile of them. Half-way through the village Miss Ripon had difficulties in getting past a stationary baker's van. Her horse plunged and reared, trembling all over, turning about and slipping frantically over the tarmac. They rode round her, giving his heels the widest berth, scowling ominously and grumbling about her. They all knew that horse. Miss Ripon's father had been trying to sell him all the season, and had lately come down to eighty pounds. He was a good jumper | to see them?" "Not in the least--but why?" "And is there a man who looks after them, who will be able to explain about them?" "Yes." "Well, I think I'll spend the morning with him. I've got to make a speech about pigs, fairly soon." They did not see Mrs Rattery until luncheon. Tony assumed she was asleep until she appeared in overalls from the morning-room. "I was down early," she explained, "and found the men at work stripping the ceiling. I couldn't resist joining in. I hope you don't mind." In the afternoon they went to a neighbouring livery stables to look for hirelings. After tea Tony wrote to Brenda; he had taken to writing letters in the past few weeks. How enjoyable the week-end was [he wrote]. Thank you a thousand times for all your sweetness. I wish you were coming down next week-end, or that you had been able to stay on a little, but I quite understand. The Shameless Blonde is not the least what we expected--very serene and distant. Not at all like Jock's usual taste. I am sure she hasn't any idea where she is or what my name is. The work in the morning-room is going on well. The foreman told me to-day he thought he would begin on the chromium plating by the end of the week. You know what I think about that. John can talk of nothing except his hunting to-morrow. I hope he doesn't break his neck. Jock and his S.B. are going out too. Hetton lay near the boundary of three packs; the Pigstanton, who hunted it, had, in the division of territory, come off with the worst country and they cherished a permanent resentment about some woods near Bayton. They were a somewhat ill-tempered lot, contemptuous of each other's performance, hostile to strangers, torn by internal rancour, united only in their dislike of the Master. In the case of Colonel Inch this unpopularity, traditional to the hunt, was quite undeserved; he was a timid, inconspicuous man who provided the neighbourhood with sport of a kind at great personal expense. He himself was seldom in sight of hounds and could often be found in another part of the country morosely nibbling ginger-nut biscuits in a lane or towards the end of the day cantering heavily across country, quite lost, a lonely scarlet figure against the ploughed land, staring about him in the deepening twilight and shouting at yokels for information. The only pleasure he gained from his position, but that a substantial one, was in referring to it casually at Board Meetings of the various companies he directed. The Pigstanton met twice a week. There was seldom a large field on Wednesday, but the Hetton meet was popular; it lay in their best country and the prospect of stirrup-cups had drawn many leathery old ladies from the neighbouring packs. There were also followers on foot and in every kind of vehicle, some hanging back diffidently, others, more or less known to Tony, crowding round the refreshment table. Mr Tendril had a niece staying with him, who appeared on a motor bicycle. John stood beside Thunderclap, solemn with excitement. Ben had secured a powerful, square-headed mare from a neighbouring farmer; he hoped to have a hunt after John had been taken home; at John's earnest entreaty nanny was confined indoors, among the housemaids whose heads obtruded at the upper windows; it was not her day. She had been out of temper while dressing him. "If I'm in at the death I expect Colonel Inch will blood me." "You won't see any death," said nanny. Now she stood with her eyes at an arrow slit gazing rather resentfully at the animated scene below. "It's all a lot of nonsense of Ben Hacket's," she thought. She deplored it all, hounds, Master, field, huntsman and whippers-in, Mr Tendril's niece in her mackintosh, Jock in a rat-catcher, Mrs Rattery in tall hat and cutaway coat, oblivious of the suspicious glances of the subscribers, Tony smiling and chatting to his guests, the crazy old man with the terriers, the Press photographer, pretty Miss Ripon in difficulties with a young horse, titupping sideways over the lawn, the grooms and second horses, the humble, unknown followers in the background--it was all a lot of nonsense of Ben Hacket's. "It was after eleven before the child got to sleep last night," she reflected, "he was that over-excited." Presently they moved off towards Bruton Wood. The way lay down the south drive through Compton Last, along the main road for half a mile, and then through fields. "He can ride with them as far as the covert," Tony had said. "Yes, sir, and there'd be no harm in his stayin' a bit to see hounds working, would there?"<|quote|>"No, I suppose not."</|quote|>"And if he breaks away towards home, there'd be no harm in our following a bit, if we keeps to the lanes and gates, would there, sir?" "No, but he's not to stay out more than an hour." "You wouldn't have me take him home with hounds running, would you, sir?" "Well, he's got to be in before one." "I'll see to that, sir. Don't you worry, my beauty," he said to John, "you'll get a hunt right enough." They waited until the end of the line of horses and then trotted soberly behind them. Close at their heels followed the motor-cars, at low gear, in a fog of exhaust. John was breathless and slightly dizzy. Thunderclap was tossing her head and worrying at her snaffle. Twice while the field was moving off she had tried to get away and had taken John round in a little circle, so that Ben had said, "Hold on to her, son" ", and had come up close beside him so as to be able to catch the reins if she looked like bolting. Once, boring forwards with her head, she took John by surprise and pulled him forwards out of his balance; he caught hold of the front of the saddle to steady himself and looked guiltily at Ben. "I'm afraid I'm riding very badly to-day. D'you think anyone has noticed?" "That's all right, son. You can't keep riding-school manners when you're hunting." Jock and Mrs Rattery trotted side by side. "I rather like this absurd horse," she said. She rode astride and it was evident from the moment she mounted that she rode extremely well. The members of the Pigstanton noted this with ill-concealed resentment, for it disturbed their fixed opinion, according to which, while all fellow members of the hunt were clowns and poltroons, strangers were, without exception, mannerless lunatics, and a serious menace to anyone within a quarter of a mile of them. Half-way through the village Miss Ripon had difficulties in getting past a stationary baker's van. Her horse plunged and reared, trembling all over, turning about and slipping frantically over the tarmac. They rode round her, giving his heels the widest berth, scowling ominously and grumbling about her. They all knew that horse. Miss Ripon's father had been trying to sell him all the season, and had lately come down to eighty pounds. He was a good jumper on occasions but a beast of a horse to ride. Did Miss Ripon's father really imagine he was improving his chances of a sale by letting Miss Ripon make an exhibition of herself? It was like that skinflint, Miss Ripon's father, to risk Miss Ripon's neck for eighty pounds. And, anyway, Miss Ripon had no business out on _any_ horse... Presently she shot past them at a gallop; she was flushed in the face and her bun was askew; she leant back, pulling with all her weight. "That girl will come to no good," said Jock. They encountered her later at the covert. Her horse was sweating and lathered at the bridle but temporarily at rest, cropping the tufts of sedge that lay round the woods. Miss Ripon was much out of breath, and her hands shook as she fiddled with veil, bun and bowler. John rode up to Jock's side. "What's happening, Mr Grant-Menzies?" "Hounds are drawing the covert." "Oh." "Are you enjoying yourself?" "Oh, yes. Thunderclap's terribly fresh. I've never known her like this." There was a long wait as the horn sounded in the heart of the wood. Everyone stood in the corner of the big field, near a gate. Everyone, that is to say, except Miss Ripon, who some minutes ago had disappeared suddenly, indeed in the middle of a sentence, at full gallop towards Hetton Hills. After half an hour Jock said, "They're calling hounds off." "Does that mean it's a blank?" "I'm afraid so." "I hate this happening in _our_ woods," said Ben. "Looks bad." Indeed the Pigstanton were already beginning to forget their hospitality and to ask each other what did one expect when Last did not hunt himself, and to circulate dark reports of how one of the keepers had been observed last week burying Something late in the evening. They moved off again, away from Hetton. Ben began to feel his responsibility. "D'you think I ought to take the young gentleman home, sir?" "What did Mr Last say?" "He said he could go as far as the covert. He didn't say which, sir." "I'm afraid it sounds as if he ought to go." "_Oh, Mr Menzies!_" "Yes, come along, Master John. You've had enough for to-day." "But I haven't had _any_." "If you come back in good time to-day your dad will be all the more willing to let you come | quite lost, a lonely scarlet figure against the ploughed land, staring about him in the deepening twilight and shouting at yokels for information. The only pleasure he gained from his position, but that a substantial one, was in referring to it casually at Board Meetings of the various companies he directed. The Pigstanton met twice a week. There was seldom a large field on Wednesday, but the Hetton meet was popular; it lay in their best country and the prospect of stirrup-cups had drawn many leathery old ladies from the neighbouring packs. There were also followers on foot and in every kind of vehicle, some hanging back diffidently, others, more or less known to Tony, crowding round the refreshment table. Mr Tendril had a niece staying with him, who appeared on a motor bicycle. John stood beside Thunderclap, solemn with excitement. Ben had secured a powerful, square-headed mare from a neighbouring farmer; he hoped to have a hunt after John had been taken home; at John's earnest entreaty nanny was confined indoors, among the housemaids whose heads obtruded at the upper windows; it was not her day. She had been out of temper while dressing him. "If I'm in at the death I expect Colonel Inch will blood me." "You won't see any death," said nanny. Now she stood with her eyes at an arrow slit gazing rather resentfully at the animated scene below. "It's all a lot of nonsense of Ben Hacket's," she thought. She deplored it all, hounds, Master, field, huntsman and whippers-in, Mr Tendril's niece in her mackintosh, Jock in a rat-catcher, Mrs Rattery in tall hat and cutaway coat, oblivious of the suspicious glances of the subscribers, Tony smiling and chatting to his guests, the crazy old man with the terriers, the Press photographer, pretty Miss Ripon in difficulties with a young horse, titupping sideways over the lawn, the grooms and second horses, the humble, unknown followers in the background--it was all a lot of nonsense of Ben Hacket's. "It was after eleven before the child got to sleep last night," she reflected, "he was that over-excited." Presently they moved off towards Bruton Wood. The way lay down the south drive through Compton Last, along the main road for half a mile, and then through fields. "He can ride with them as far as the covert," Tony had said. "Yes, sir, and there'd be no harm in his stayin' a bit to see hounds working, would there?"<|quote|>"No, I suppose not."</|quote|>"And if he breaks away towards home, there'd be no harm in our following a bit, if we keeps to the lanes and gates, would there, sir?" "No, but he's not to stay out more than an hour." "You wouldn't have me take him home with hounds running, would you, sir?" "Well, he's got to be in before one." "I'll see to that, sir. Don't you worry, my beauty," he said to John, "you'll get a hunt right enough." They waited until the end of the line of horses and then trotted soberly behind them. Close at their heels followed the motor-cars, at low gear, in a fog of exhaust. John was breathless and slightly dizzy. Thunderclap was tossing her head and worrying at her snaffle. Twice while the field was moving off she had tried to get away and had taken John round in a little circle, so that Ben had said, "Hold on to her, son" ", and had come up close beside him so as to be able to catch the reins if she looked like bolting. Once, boring forwards with her head, she took John by surprise and pulled him forwards out of his balance; he caught hold of the front of the saddle to steady himself and looked guiltily at Ben. "I'm afraid I'm riding very badly to-day. D'you think anyone has noticed?" "That's all right, son. You can't keep riding-school manners when you're hunting." Jock and Mrs Rattery trotted side by side. "I rather like this absurd horse," she said. She rode astride and it was evident from the moment she mounted that she rode extremely | A Handful Of Dust | down the south drive through Compton Last, along the main road for half a mile, and then through fields. "He can ride with them as far as the covert," Tony had said. "Yes, sir, and there'd be no harm in his stayin' a bit to see hounds working, would there?"<|quote|>"No, I suppose not."</|quote|>"And if he breaks away towards home, there'd be no harm in our following a bit, if we keeps to the lanes and gates, would there, sir?" "No, but he's not to stay out more than an hour." "You wouldn't have me take him home with hounds running, would you, | {
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"content": "down the south drive through Compton Last, along the main road for half a mile, and then through fields. \"He can ride with them as far as the covert,\" Tony had said. \"Yes, sir, and there'd be no harm in his stayin' a bit to see hounds working, would there?\"<|quote|>\"No, I suppose not.\"</|quote|>\"And if he breaks away towards home, there'd be no harm in our following a bit, if we keeps to the lanes and gates, would there, sir?\" \"No, but he's not to stay out more than an hour.\" \"You wouldn't have me take him home with hounds running, would you,",
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