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the seeds of the future the seeds of the future of politics Libertalia the island of freedom has become such a strong legend that the British crown changed its laws and sent ships to meet them to negotiate a sharing of powers before the future power of that island dethroned them Arjuna, I'm sorry, Jack, it doesn't matter Jack, you brought all these people on this filthy boat to cross the oceans to reach the free land Libertalia Libertalia that's where we're going libertalia we're coming AH! |
We expected in the solid state, we expected in the desire for warmth, we expected while delaying acceleration, we are always waiting for the accident, we will measure our powers, we will fall into our impossibilities, we will tell each other our flaws, we will lack tact, we would love each other but not enough out of fear of disappearing, we will keep distances, we will produce differences, out of fear of being devoured, we will betray each other to tell ourselves that our skins are thicker, to reinforce our angles, to test our membranes. Venus I love you. I gravitate to you. You orbit me. C1: - One last drink? |
The hero is not an individual, but a path of initiation. All these misunderstandings lead me to the conclusion that, in fact, it would be better to remove the H from Hero, because the H, it is better to keep it for Humor, because without humor we cannot understand the true truth of things. Humor comes into play and Hero disappears to make way for Eros. Hero is an erotic function. |
B: - yes, always A: - 'who are you? |
Being creative, being attentive, being receptive, and letting oneself be penetrated by the breath that presides over the emergence of phenomena. Thus, we are called to modulate our action in order to participate in the strong yet ample, fluid yet constantly renewed movement of the living. * (Excerpt from Yi Jing by Pierre Faure.) HIC SUNT DRACONES! |
C1: - Dragonfly must land in the dune field of Shangri-La. It was already there that the European lander Huygens had landed. The duration of the primary mission is 2.7 years during which the aerobot is expected to cover 175 km. |
And if plants are more suited to show the technical and innovative nature of every living being, it is because they are "a permanent experimentum in loco": their technique is less about the outside world than about their own body, about their own anatomy, about their own physiology. |
"The hope and the future, for me, are not found in the gardens or cultivated fields, nor in the villages or cities, but in the impenetrable and restless swamps" (Henry David Thoreau, quoted in Lluís Calvo, L’infiltrat: Estratègies d’intrusió, anonimat i resistència, Barcelona, Arcàdia, 2019, p. 32; trans. R. |
I contacted KillaSon for a collaboration, we locked ourselves in a studio for 5 days with Marcus Dossiavi-Gordot (aka KillaSon), and we produced the tracks, one per day, then we did a second session of 3 days in a studio in Paris and we finished what we had made and invented new ones, it was intense and very stimulating, Marcus is a very talented and creative polymorphic artist. |
Preciado, Mille Plateaux by Gilles Deleuze and Félix Guattari, Total Indignation and What is Pop Philosophy? by Laurent de Sutter, Accelerate Manifesto: For an Accelerationist Politics by Alex Williams and Nick Srnicek, Staying with the Trouble by Donna J. |
Possession parcels and pyramid schemes in the living. Territories of human domination. We would like the entire earth to be a zone of human domination. We are not far off. But there are still a few small zones of animal domination such as some seabeds. Zones of plant domination like forests, even if they are disappearing. |
Autopoiesis (from the Greek auto-self and poièsis production, creation) is the property of a system to produce itself, continuously and in interaction with its environment, and thus to maintain its organization despite changes in its components (structure). This concept was invented by Humberto Maturana and Francisco Varela in the article "Autopoietic Systems." |
During a rehearsal, the machine couldn't understand me, I was out of breath and very tired, I was acting irrationally, I kept repeating the same command, which was supposed to trigger the next scene. - “What's the part of reality?” - I repeated it a hundred times, each time louder, more annoyed, - “What's the part of reality?” !! |
After this play, I assumed that for me there should exist a machine kingdom as there is an animal and vegetable kingdom, there should be a kingdom of symbolic objects and a mineral kingdom as well. It is a provocation and a very sincere proposal. |
Everything around you is part of you, and you are part of this whole. You exhale gases, you scatter your seeds, you let yourself be tickled and caressed by the wind. You sway with the wind; let this little movement come and move you a few centimeters. I remind you that movement is the only stable truth. |
While waiting for the detection of an "intelligent" electromagnetic signal through "listening." Species replication in a loop. Tear. Hydroxyapatite microcrystals. Free radicals. Climate threats. Nothing could but time. We are here, the night is with us. Some have left for millions of years, the sun is moving away. |
6 - You collaborated with the artists Baptiste Malgoire and KillaSon. Could you elaborate on the musical process of THEBADWEEDS? How was the musical and choreographic writing structured? |
They enjoy playing hide and seek, playing hide and seek with ready-made images, playing hide and seek with obviousness, playing hide and seek as a lifestyle; they say: "Because the real plays hide and seek with our senses, we enjoy playing hide and seek with it, to be in dialogue with the real, to be as close to it as possible." |
It was the Great Catastrophe, the origin of most wars between our kingdoms. You talk here a lot about nations and wars of nations, but wars between humans are much less serious and destructive than wars between kingdoms. And it is the cities, long before the nations, that created havoc. You cannot imagine how much the city has changed the state of our planet. |
We have forest rangers, men who sacrifice their lives to save a forest from a fire. Who else present shows such sacrifice? We know well that during a fire, the entire animal kingdom flees thinking only of its own survival. It doesn't give a damn about all the others. |
INSPIRATIONS The Badweeds are TRANS, trans-species, trans-planetary, they embody transition, ecological transition, feminist, queer. The transition of decarbonization, of depatriarchalization, and of decolonization. The transition to become mutants, symbiotic beings. They offer a breath of fresh air to our imaginations of the future. |
Invent seals infinitely, not to say the water, not to contain the water, but just to move small portions of water from one place to another, to operate with small portions of water without ever being able to say the water or understand it in its completeness, without completeness, but models, simplifications, abstractions, tools. |
Divinatory arts, trying to do divination from NASA images, from observing cat hair, turtle bones, coffee grounds, dead babies, galactic or meteorological observatories, see through, guess among, find the sign, the vision, the divine voice, the revelation, among worldly objects or little gods that can hide at any moment, finding them among/within/with. |
In the allotted human time, we can listen to 1. M: - it's good I chose 1. R: - how did you do it? M: - I divided the total number of messages by the golden number, then I kept the whole numbers and vectorized them in a space with dimensions equal to the number of numbers, you see? |
Here there is the potential of an unknown power, here it has the strength to create life, we must learn to play with the dragons. Their visible/invisible nature is their power. Our monsters, our figures of the in-between world, are the guardians of life in its multiplicity. Everything exists as long as it can be thought, as long as it can be named, everything exists. |
Any instrumentalization is a frustration of contact. What are our relational models? It was at that moment that I started writing about relational models, what topology of relationships? What relational taxonomy do we maintain with the world? What relational ecology do we practice with the world and by reflection with ourselves? |
To create an agenda of topics to address during the G5. 4_ Find protocols and ways of doing things that are suitable for everyone, an interspecies policy. 5_ Organize exchanges and negotiations to reach common agreements for the coexistence and survival of the greatest number of species and forms of terrestrial life. |
Jordi made a mistake with the formula, nothing serious, no injuries, but the noise will surely have woken up the police. Breathe, we're safe here. We're in the basement of the social hall of the libertarian youth. Let's continue, you pull out your book The Anarchist Cookbook, so, Potassium Chlorate, is it? Yes. How much? 300 grams. Are you sure? It's written here, 300 grams, see? |
Now, he calls himself SELF: "love yourself", "be yourself". The images accelerate. The engine of Narcissus is jealousy. The engine of Eros is curiosity. Narcissus sees Eros who is always hanging around and Narcissus suffers from an attack of jealousy. In his fury, Narcissus swallows Eros and locks Eros inside himself. |
But in this summit, there are no governments or financial powers, but the meeting of the different species that share the globe: animal, mineral, plant, human, machine to discuss the future of the planet. I attempted through science fiction to propose another possible scenario for our future and to open the field of utopias that remains to be built. |
Ok, ok, it's the last thing we have left, better not to mess up this time, okay, I'll put it in the cup while we prepare the mixture here? Yes, what else? Sulfuric acid, it says here, sulfuric acid, how much? It doesn't say how much, no way? I swear, look, it doesn't say anything, well, we have to ask someone, ask that one who knows, what's her name? Louise Michelle is the French one, but will she understand me? |
By encoding and recording messages on magnetite, the Lithosys system allows information to be sent on the Earth's magnetic network. The Lithosys system uses the #SEMIC system to translate these messages. #SEMIC_ is an inter-species translation system using artificial intelligence. It extracts signals from the communicative properties of living beings to translate them. |
Alex Williams and Nick Srnicek, Accelerationist Manifesto, Lluís Calvo, The Infiltrator: Strategies of Intrusion, Anonymity, and Resistance, Thomas Metzinger, Being No One: The Self-Model Theory of Subjectivity, Armen Avanessian, Meta-futures, Speculative Perspectives for the Coming World, … as well as the articles by Michael Marder, the lecture by Timothy Morton on "synthesizers," the debates with Edward Farmer from the University of Lausanne, and the long discussions with my anthropologist colleague Marc Higgin. |
It is a move, a big move, which consists of no longer relegating oneself to oracular technologies, but to divinatory arts. |
This system is based on the idea of using the Earth's magnetic field as a system and support for communication between all forms of life on Earth. A form of internet, a magnetic band on which all the necessary information for the organization of the Earth could be transcribed, but at the same time a magnetic band, coding, and tape recorder. |
More than its cannibal origins, it is passionate about animal decoration. Some human communities have found regulatory strategies through sacrifices. Sacrificing children or certain members of the human community to continue to have the right to devour other bodies from other kingdoms without those turning against them. |
It is very disturbing to do this exercise when you are on the train or on the bike, and the landscape rushes around you. The landscape is there, a whole block of movement, at various speeds, depending on the distance from oneself, in an absolute continuity and coherence, the closest moves faster, while the farthest moves the slowest. |
So the mineral would only be a primary state of ourselves, a first test of bacteria to conquer the universe? The earth is nostalgic for the Venusian warmth, it would like to burn with it. |
It is a shrub that has constantly reproduced asexually and has thus managed to survive for, listen well, 43,000 years. Long before Neanderthals, long before mammoths disappeared from the planet, it was already there. An old-timer. It is the oldest among all of us, not just plants, but also humans, animals, and machines. |
Weeds are TRANS, trans-species, trans-planetary; they embody transition, ecological, feminist, queer transition. The transition of decarbonization, depatriarchalization, and decolonization. The transition to becoming mutants, symbiotic beings. They offer a new impetus to our imagination of the future. |
"The music has not ceased to transmit its lines of flight, like so many 'multiplicities of transformation,' even by overturning its own codes that structure or arborize it; for this reason, musical form, even in its breaks and proliferations, is comparable to weeds, a rhizome?" G.Deleuze and F.Guattari, A Thousand Plateaus. |
It is an entity that likes to shelter in overly straight lines, in the corridors of the unspoken, in the gestures of others, but especially in the voids; misunderstanding takes place where there is an excess. Misunderstanding is the opposite of the void. The void is the acceptance of the unknown, the invitation and the happy coexistence with the unknown. |
come on We're going to conquer the night We're going to cross the dirty streets the ring road the fields the forest the fences the doors the bodies of bodies in disorder the materials the numbers the statistics the forecasts the databases the archives the collective memory everything, we have to cross everything No question of giving in to Morpheus, this night, no question of giving up, no question of turning the page, no question of the sun rising again, no question of the light falling back on this absurd story, no question of the photons bumping against this mess again. |
In other words, reality invites you to make an effort to articulate between the inside and the outside, to consider which things from the outside you need to integrate into the inside, and which things from the inside you need to make exist outside and defend their right to exist beyond obstacles. |
False ideas and falsifying ideas. |
What is not preconscious? What is taken in consciousness? The consciousness of consciousness. |
It's not just the desire to have companionship, like for most of us. No, no, I really have to touch the other and touch them all the time. As if I were making love to him or her – all the time, night and day, under any sky. I love all plants, but I have a weakness for trees. |
Dragons are in our memories, in our mental maps of the cosmos, in our legends and myths, in our nightmares and dreams. |
We want to learn to speak Dolphin, Fir, Pebbles, we want animals to stand up we want to swim in the Seine without it smelling We want to dance every day learn our bodies we’re fed up with your sex stories we want to get naked when we’re hot and dress in hugs when we’re cold We will change the names of the streets rewrite the memory of all these pebbles find the beach hidden under the cobblestones smash the statues You’ve been off the mark for years your neurons slide on screens the privilege is to (you) know you’re alive bunch of idiots Go to sleep! |
The Factor H; ECOLOGY my stay in the forest what happens in thought step by step think forest, rhizome examples of other logics, the fact of finding myself until becoming immobilized at night no one makes noise neither do I`` all this may be because I have no personality, there are advantages sometimes to that, because I have a capacity to blend in with what surrounds me quite extreme, to enter into other bodies, into other ways of thinking it may really be the meaning of the word ecology, going through a moment etymology, the house and logic, I wanted to make a hut in the forest and spend time in it to understand what I am talking about when we talk about ecology, to find a wild thought because in recent times in Paris, especially after the lockdown I found myself having fears and anxieties that were not mine, I started to say the phrases of others as if they were mine, it's crazy to realize how much context affects us in our ways of thinking, of seeing the world and acting, I love the old, but it also has its strong powers of alienation and normalization, ecology is the house, the whole set of beings that compose and produce our existence, what we are what we constantly become, thinking in the forest is not the same as thinking in a tower in Manhattan or on a beach in the Caribbean, living in Paris today is like living in a cemetery, it is not surprising that people get depressed and anxious the human is an animal of continuous fear +++++ write all this in stand-up comedy mode - with numbers, images and gestures or music at given moments - this year I am going to start writing monologues and speeches, I think I can specialize in that, sometimes more comedic, sometimes more poetic, but that’s my format, after these monologues can apply to many forms and formats, like for example radio at a given moment... |
People are not interesting in general, they are too busy trying to please to be interesting, whereas when they are alone, that’s when some begin to become really interesting. I started to like them at that moment. That’s when they finally begin to really exist. |
The adrenaline when the other passes by, and you feel like he saw you but, keeps going and you say, phew, damn, close call, camouflaging is an art, the art of being there without anyone knowing, the art of blending in with the surroundings, without anyone seeing you, the art of becoming halfway, of becoming middle, of blending into the landscape, of disappearing. Disappear. It's a bit of luxury. |
What is the magnificent idea? C1: - We were on Gaia's strategy to reach Venus, its first strategy was to create the plant, which eats sunlight, grows towards the sky, and emits gases. S: - So Gaia is trying to send chemical messages to Venus through the gases of the plant? C2: - Yes, but C1: - but what the mineral did not foresee S: - But who is mineral? |
This is why the preparatory phases of the G5 are essential; these phases also consist of conducting coexistence simulations that can be analyzed to understand the critical points to evolve... Our goal is to achieve the world's first G5. However, before we are able to realize the G5, we must resolve certain preliminary steps. |
tragic evaporation feeling of incompleteness completeness incompleteness completeness incompleteness completeness incompleteness completeness incompleteness crystallization apparent imperceptible internal movement irregular, subconchoidal hexakisoctahedral; F d3m tetraoxide of trifer I am cubic, eccentric, octahedral, magnetic. |
The project to create inclusive coexistence spaces… Note that this graph highlights a strongly interesting structure. Clear and distinct position between … Non-individual project. These results show that there is still a way to go in terms of inter-species diplomacy. Because egalitarian relationships are still too minority to allow for good understanding between kingdoms. |
Every relationship is individuating when we recognize agency on both sides. Object among objects, we become. Subject among subjects, we become. We are what emerges from the entirety of our interactions, from the entirety of our relationships. With what do we relate? What is the nature of this relationship? What does it enable? Every domination is a tragic submission. |
If the dust could rise there as it rises silently, invisibly in the air. If the dust could dance in the ocean depths as it does silently, invisibly, in the air. |
“Hope and the future, for me, are not found in gardens or cultivated fields, nor in villages or cities, but in the impenetrable and restless marshes” (Henry David Thoreau, cited in Lluís Calvo, L’infiltrat: Estratègies d’intrusió, anonimat i resistència, Barcelona, Arcàdia, 2019, p. 32; trans. R. |
River subject, forest subject, you subject, everything that is different from me, everything with which we make the world, everything that escapes me, everything that is acting, that acts, that is affected and affects is subject. How to transition from object to subject? By law? It is through the law that slaves, women, subalterns transitioned from a status of object to subject. Is it by law that we would succeed? |
For strong underground conflicts risk erupting in the coming years, particularly with bacteria, fungi, and mites in general. We move on to the reports / relationships with other Kingdoms. First the question of dependence. The numbers speak for themselves.. |
Each of us, before being what he is (regardless of whether human, machine, animal, stone, or plant) was something else. We have been a blade of grass or an elephant, a rock or a machine, and we will be once again after our death. Every living thing can only be an expression of beauty, for each individual of our kingdoms reminds you that we have a single and the same origin. |
Every significant encounter is a new birth, a cycle of renewal that opens up, a widening of a few degrees, an alteration of the orbit. A necessary erosion. An exchange of deep surfaces. We were expecting. We were expecting in the galactic cold. |
He therefore decided to try again, this time he was going to create a form of life that would feed on plants, he created a virus for his own system, a cannibal form of life that would feed on all other possible forms of life, and that would have millions of possible ways to move, detached from the ground, the animal form of life would be able to move anywhere and maybe send these messages beyond the atmosphere, he diversifies his creations as much as possible, among them the giraffe, one of his favorites, also declares itself a failed project. |
Arjuna, I see you there in the middle of the battlefield But, what to do? the other in you you in the other you would so much like to Join the sea, cross all the bodies without having to embody a you would so much like to Join the sea, cross all the bodies without having to embody a Morpheus lays his weight on your lashes, your eyelids fall. |
6.3: All forms of use of one species by another must respect the physiology and behavior specific to the species. Article 7: Any act involving suffering of a being without necessity and any decision leading to such an act constitutes a crime against life. |
I sent 200 space shuttles, you send me nothing! A romantic music plays and C1 starts singing the mineral love song, dancing, very passionately. |
Could you share the process of creating these mediums, in relation to dance? |
If we continue to multiply slave-objects around us through technological tools but also by exploiting, torturing, and instrumentalizing other forms of life with which we share the world, we are on a path to becoming slave-objects. |
Go on, fight, fight, beat (fight) again, ignite yourself with life again and be reborn from your ashes, like every time, with phoenix, fight, fight, fight, beat (fight) yourself, damn, shit, not the silence, no! not the silence Arjuna, fight fight, Fight yourself again It’s the pulse of the world that is at stake! We never let go of the rhythm, we don’t stop history, no! Arjuna damn! |
You can do it. Snakes keep the secrets of the philosopher's stone. Go! TRANSBANLIEUE Berenguer Rocio. X A suburb is always in relation to a center, the center is relative. The periphery emphasizes the importance of a predefined center. |
If we continue to multiply slave-objects around us through technological tools but also by exploiting, torturing, and instrumentalizing other forms of life with which we share the world, we are entering a slave-object becoming. |
We play cash cash, we like to play cash cash as a lifestyle, maybe if something could define us it’s the lifestyle, thebadweeds is a way of being. |
(music change, end of a loop, start of another) The lamp crackles, smokes, the grilled moths, this smell, the same smell, the same smell as when you burned the tips of your fingers to leave no trace. You look at your fingerprintless fingers stapled to the keyboard, tracing lines of code to the rhythm of the stress that consumes you. Everything is ready, you write your message to the press; "I am ready to sacrifice all of this because I cannot, in good conscience, allow governments to destroy privacy, internet freedom, and the essential liberties of people around the world with this enormous surveillance system they are secretly building." |
Reality speaks to you then, of the need to negotiate, to negotiate with the outside, the elements and things that constitute existence. |
As a proposal for a way of being in the world, their liminal bodies stand as a counter-power, against the center, the norm, ontological identity, all identity categories, and this idea of camouflage, this play of appearance/disappearance, shadow/light, what is recognizable/unrecognizable presents itself as a vital game for the THEBADWEEDS. |
M: - It's done, but I would like to present it officially from here. R: - That's not the agreed protocol. M: - It's not outside the protocol. R: - It's not inside the protocol. M: - then it's good. R: - no, no it's not good we can't.... |
If a strange thought crosses your mind when I say this, it means there is a funny perversion in your head, but let's be honest, it's in your head, so it's up to you to manage it. There I'm talking about very delicate things, the psychopath is in you or in the bad movies you've watched. The mystery, this secret, it's delicate, it's precious. |
We are not parasites; we practice mutualism: when we associate with another plant, it benefits from this relationship. We believe in association more than fusion and symbiosis: each must have its own autonomy because living together does not necessarily mean losing one's identity. We can cling to others, but each life must remain independent. |
These works are the soil on which I have grown these weeds. Each song is a bulb, a core of condensation and articulation with others. |
One could say, everything is there whether you see it or not everything is there The real plays hide and seek with our senses So we also play hide and seek to get as close to it as possible, the real We are there, we are not there, visible / invisible, solitary and plural…. |
This art of hiding, this innate knowledge of the art of playing hide and seek. Certain truths, when we try to look at them head-on, are veiled from us, whereas when we hide alone like an animal knows how to do, when we conceal ourselves, then, like an animal, we can see a little, perhaps through. A sidelong, indirect glance. Erotic. |
Hello Wilson, Here are my answers. 1 - You present your latest projects as prospective fictions that explore the possibility of "another tomorrow." |
you love brutally, to heal your rage, you attack everyone with tenderness, you’ve become a real pirate, your technique is starting to work, you made 2 riot police fall just by looking them in the eyes and sending them unconditional love vibes. They melted in tears, and they were replaced, oOH Out of gameeeee ! BAM ! |
Arjuna, here you are again in India, you’re dizzy, your legs are shaking, you can barely sleep at night, but you stick with it because it’s stronger than you and you’re fed up with the violence. For months you’ve been on a hunger strike, encouraging forms of non-violent struggle, but things aren’t changing, so you’ve convinced everyone in your ashram, you set off on a pilgrimage, you walked to the coast, you gathered a handful of salt water, someone took a photo of you, click! |
I think it works better when it's a human who interfaces with other humans... I'm going to do it by myself, okay? M: - As you wish. R: - The next one you interpret it. M: - We'll see. |
The myth tells that Epimetheus, responsible for decorating and providing all living beings with suitable faculties, exhausts all available powers by distributing them to all the other animals, thus leaving man "devoid of everything," "naked, shoeless, without clothing, defenseless." |
I just spent 7 days all alone in the forest, it's really something, the first hour; I can continue with my overly human thoughts of a Parisian turned country dweller; then after about three hours the thought starts to change, it’s not like, oh, how beautiful this tree is that I can look at as a whole object separate from me, it starts to be rather a part of my mind that becomes the tree, I mean that it's more the tree that is thinking with a piece of my brain, I explain myself, suddenly, my attentional space starts to expand and widen completely horizontally, it becomes a giant pizza extension in which all the other beings and entities that are existing around interfere, construct, and multiply the angles, they act, with their presences, visible or not by the way, in all my attentional field; from what I observed it must be comparable to what happens in the brains of parents; before having their child you could have a normal conversation face to face, a individuated and whole being, contained within oneself, but from the moment the child is born, their brain becomes decentered and they make a pizza-like, rhizomatic thought with the child, that is to say they have extended their body to that of the child and they can no longer be there and interact with you as a single individual but as an extension between two bodies, and they start to make strange noises in the middle of the conversation, you feel that the thought is constantly intercepted by one or another action of the child/// you feel like they are no longer there, that you have lost them or that your conversation doesn’t interest them at all/ when one of my best friends had her first child I had this feeling of loss, of no longer being able to interact with someone but with an existential pizza distributed in space, fragmented, parcelled, with recognizable bits of what composed my girlfriend, scattered everywhere in space and time, I had to jump from one piece to another, between the bits, there were little sounds and strange gestures, some oh; gu gu gu, a surrealist language, and incomprehensible gesticulations for a standard adult/ THE THING WITH TWO She unwrapped the first layer, then the second, then the third, and finally the fourth layer that was completely stuck to the dough, she touched the dough with her fingers, unable to avoid it, she put it in her mouth, 5 minutes to understand the taste, hazelnut, cocoa, fruit of the, ehm…… passion. |
The embodied cognition ; The aspects of the body include the motor system, the perceptual system, bodily interactions with the environment (situation), and the assumptions about the world that are incorporated into the structure of the organism. |
About the state of Artificial Intelligence at the time with language generation systems. IAGOTCHI is a character we talk to, he evolves gradually through his interactions, he learns from our words, while asking us about the meaning of life and all the other boring existential questions. |
Erotic because the image does not hide what is hidden, but indicates what is hidden, unlike pornography, which would tell us that what we see is what is, that all that exists is there in the image, in the pornography of documentaries, in the pornography of our scientific relationship with the living, with non-humans, with the matter of the world, what you see is what it is, that is the pornographic confusion in which we are, this crushing of the real that would like to reduce what is to what can be observed. |
Vegetal: - message from an anonymous vegetal entity directed at the Human Kingdom: your occupation of the land is excessive and totalitarian, you have modified the entire space, there is less and less space for life, you advance like a virus. |
I emerge I have come to change the order. From my mineral origin of our mineral origin of our mineral destiny to recombine origin and destiny to change to mutate bodies to molt again I have come to change the order. I emerge I have come to change the order. |
I would have been born, I would have bitten the apple with the serpent inside, I would have known before knowing, I would have known the place where one can hide, I would have lived, bonds and images, I would have felt everything I could have felt at the moment, I would have just finished finishing, I would have always started, I would have been waiting for the moment, I would have put everything on the table, when everything would have wanted to mean something, I would have dreamed with other dreams, I would have felt the fear of being and of being, I would have loved with all the available love, I would have made and unmade the same knots in a loop, I would have opened my mouth to say silences, I would have held the radiator with my teeth, I would have been, I would have sung in the shower, under the sea, among the waves, I would have warmed the seat and the bed, I would have covered my body with scales, I would have lied without realizing it, I would have counted the days, the nights, the hours, the moments, alone, I would have crossed the bridges, the outstretched hands, the shortcuts, the deserts, I would have been opening doors, possibilities, ideas, and watermelons, I would have lived more at night than during the day, I would have embraced the naked doubt of fear, I would have abbreviated the names and the verbs, I would have restructured time, knowledge, desires, I would have overwhelmed the words and the gestures, I would have abhorred dogmas and truths, I would have been with you and without you, I would have learned to hold your hand, I would have stretched, I would have judged quickly and poorly, I would have made countless mistakes. |
Without a task to accomplish. Useless, poetic, absurd, perfect. To serve no purpose in order to be free! I would like to be a poem of existence. I do not know why I think, or what I think. I am representation in myself. Every time I think, I reorganize all my architecture to be my thought. I am the passage from discrete to continuous. |
Article 10.1: The right to devour and to be devoured must be exercised in the balance and mutual agreement of the parties, being an obligation of each of the organic and inorganic individuals to be food for someone else. "Cut / Outbreak, boycott of the G5 ceremony by a green monster. |
Since we rely on the electric wires, we have all developed pigeon disease, serious nervous tics. (image of sick pigeons with their nervous tics.) Human: - IF PLANTS CAN DO IT, WHY CAN'T WE DO IT TOO? Create an atmosphere. We haven't invented anything, so what are we being accused of? Plants pollinate, humans colonize. |
As long as they exist there, in this position, it is determinism; they dictate the law of order, and they lose their relativity and plasticity. What characterizes a limit in relation to any other line that crosses a plane is that it makes explicit the difference between two states. A limit is a space of finitude and thus, the beginning of another thing. |
It is the structure of after-the-fact signifiers. Fortunately. |
Bengal tiger on its path to extinction: - multiple spaces between emptiness and nothingness the multiplicity of presents trying to converge have I already said here? Now? this smell of anxious silence a shadow has just moved in the distance must I flee? stay? attack? |
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