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Homeostasis is a dance performance in dialogue with an artificial intelligence, I tell the story of a character who, wishing to reprogram her internal structure and achieve an improved version of herself, initiates, on stage, a surreal dialogue with a computer through voice recognition. |
"Politics involves placing a body at the exact point where it should not be." (Lluís Calvo, The Infiltrator, ibid., p. 33; trans. R. Berenguer.) |
Adversity is facing you, the only thing you can take comfort in is the fact that adversity is not within you, that is always worse. So if you want advice, do not run away, for it will always catch up with you, confront it now and do not wait any longer, the opportunity is to be seized now. Transform your worst enemy and the opposing forces into your best ally. |
C2: - Hahaha, good attempt, but you don’t answer to the mineral origin, I have another one... C1: - Try C2: - The dragonfly has a pebble in its head. (little silence) C1: - We’re going to order two drafts after all, right? |
No apparent impact on the movements of tectonic plates. No apparent impact on the smile of the human-machine hybrid individual, facing a gesture of tenderness between two kitten animals. No apparent impact on the combustion of algae in the ocean floor absent of sunlight. |
Our main proposal concerns, as I told you, space. We advocate for a reorganization of space that leads to the abolition of the city and the countryside and the construction of spaces that are more inclusive. Enough with the ghettos of humans. We need to think about building plural sites where all realms are represented in a balanced way. |
The "songs" are imagined rather than slamed, with the lyrics simply spoken in a linear voice but in the rhythm of a music that engages. The preface or postface is an annex, to be used or not, to be inspired by or not, to give a voice in the preface or postface. PREFACE OR POSTFACE: Anonymous speech: Nothing could except time. |
"I am a human, nothing that is human is alien to me." "I am a human, nothing that is human is alien to me." The human, like the last of strangers to oneself, constantly multiplies in the quest for meaning, belonging, usefulness. Generator of meaning, abstract, symbolic, language builds us, destroys us, unites us, divides us, relieves us and tears us away from life. Do we know how to savor other languages? |
It's a mirror, suspended in an infinite space on which a thick curtain has been drawn. It's an extremely viscous object, of emergent nature, plastic, multiple, relative, and determined. It forms and deforms according to the entities that constitute it. |
Revolutionary weeds, page breaks, affirmative action, spy microphones from the ocean floor, de-vitalization of corals, de-vitalization of terrestrial life, desertification of utopias, absurd humorists and politicians, clumsy jokes, I am one of you, discoveries of galaxies by the millions/week, discoveries of distant lives, and life here is drying up, old Europe is de-vitalizing, we are absent in the present in the abyss of screens, we are contact cases, even without contact, we are contact cases, tomorrow is a threat, yesterday demands justice, tomorrow is a menace, yesterday shakes the foundations of a twisted reality, machine guns are still being made, nation-states too, elites, the softness of the soul, the… STOP. |
I felt the urge to invest in a completely new way of working, a new method allowing me to find more freedom, more authenticity. I started by "zoning," being there, practicing wandering, inhabiting a space without a predefined goal, and welcoming whatever may emerge from improvisation, from a particular state, anchored in the present, in emptiness. |
The approach, the approaches, the attempts to approach an object that is too moving, too complex, and too uncontainable in a simple concept, how to handle its hyperobjects, how to handle water without a bucket? |
The wars inside us are much less important than those that are ravaging the planet and that concern the relationships between different kingdoms and not the members of the same kingdom. What projects are presented by the plant kingdom? So far, we have managed to identify some projects that seem to be fairly shared among the various kingdoms. |
One of your nations, Oregon has prohibited us from moving: us, the plants!! But it's so unfair that it did not influence the vote. Do you have any insights on other candidates from the plant kingdom for the grand G5 summit? Of course! There were many. |
Breathing with the world is not blocking the breath, not stopping the movement of its pulsation, the world's pulsation organizes itself in expiration, inspiration. |
Her theory argues that the common denominator of all myths from all eras and all cultures is the great mythical Hero. Monomyth sounds like Monolith. But after reading the book, I don't understand why, when working on the construction of a realistic human character, one should build it according to the model of the hero. |
But I don't see what the problem is with being subjective, if we are subjects, I mean, we are not objects, so I don't see how we could be objective, I mean precisely that's the subject of G5, that we are all subjects, that the mineral is a subject, what is relevant here is that we can create a common inter-subjective space, yes, we can do that, but we cannot create an objective space, you see what I mean, let's leave objectivity to objects, we are subjects, we need to develop our hyper-subjectivities, and inter-subjectivities. |
The image of your lips produces a great erotic sensation, in them the memory of all the kisses, in them the memory of what they have done to me, of everything they can do to me. In them the possibility of pleasure, in them the door. CIME Relative point, movable, but which always has a determined place. Up there. Yes. It is there. The point is placed up there. Always up there. |
I come from a cosmopolitan family that has lived in Europe and Western Asia: I know the soils and the stones of many countries, I have met many humans and many animals. I know their demands, their needs, their little vices. I know their language, I can speak to them. In short, I am a perfect diplomat. And I am especially this because I am a being of the border. |
We often forget, but in fact it is the minerals that make up space, it is the stones that host us, that protect us, that support us. Look carefully at the place where you are: above, below, to the left, to the right, in front of you as well as behind you. The minerals are your first world: you are surrounded by them, protected by them, hosted by them. |
Where is he? Take him, hurry! Before the police arrive. It's humid outside. We cross the night in the small empty streets of old dirty Barcelona. What happened? |
C2: - After all these years of research, we are back to the hot air balloon, incredible, after all, the hot air balloon isn't such a bad idea. Why is it called dragonfly? C1: - I don't know... S: - That's for the dragonfly song.. (he laughs) C2: - What dragonfly song? S: - You don't know it? C2: - No. S: - Listen. |
INTER-SPECIES COMMUNICATION PROJECTS: #EECCS (Embodied Extended Cognition Communication System) The EECCS is an emerging method. The EECCS project offers the possibility to embody various bodies through various techniques to develop their own languages. |
All these words I borrow, I borrow them and I go into debt, I have an exponential semantic debt, growing, growing, ah... growth, can you see it there? on my glottis? It's the debt in excrescence of this language. Do you see or not? |
We are reaching the end of the party, some continue high in the afterparty with Elon Musk and his gang of psychopaths, the rest drag themselves like ghosts with their hangovers, no longer believing in anything, that’s enough now we have kidnapped the future, it’s up to us to decide the game and its rules now we are very serious about our joys yujuuuuu hehehe yeahh day ki ki pou pouuuummm your world no longer stands you look tired go to bed to sleep! |
We do not have written laws, but we never stop meeting, negotiating, renegotiating, and renewing our rituals. I believe that you humans have forgotten that the law is not just phrases written on paper. The law is the act of gathering and finding agreements. That is what we do here. |
For example, before coming into contact with an insect, we must perform many ablutions. We often argue, but we often meet to re-establish our common rules of life. |
It's not simple voyeurism, no, that's not where it's happening, it's more an experience of ubiquity, being paradox, being there and not there at the same time, you can observe your life without you with you, from the center, from the middle, the negative space, observing from the center, in negative, being absence and possibility, because there is always the possibility, the possibility of appearing there, suddenly, to burst in, to shatter immanence, to break the real by a simple gesture of sudden appearance. |
The birds are leaving /// the machine sends signals of complaint. Human: - Who else created a medicine that is solely dedicated to other species? Plant: - Me! Machine: - It is thanks to us that the world has become understandable and thinkable. Humans would be nothing, would never have to be a dominant kingdom without us. Mineral: - We are the oldest. |
It's terrifying to understand how wrong we are. It's terrifying to become aware of the glue, of the reality of the glue, of its existence everywhere, in everything, it's terrifying, it's terrifying. Loving is not a choice, it is the original state of matter. But. Amnesia. The amnesia of that, it's terrifying. |
If speaks perfect Esperanto Hello Hello I am happy, I have heard a lot about you, we produce explosives but we lack some information, maybe you know how much sulfuric acid is needed? Yes Arjuna, here they are calling you; Emma Godman, Louise Michel, Rosalia de castro, Concepción Arenal, Mathilde Landa, Victoria Kent, Frederica Monseny… The Pasionaria.. The Pasionaria.. The Pasionaria.. |
Of the unknown and the fear of the unknown and our place in it and the void the vertigo the awful vertigo the fear and the others and what to do with that with all that with the others and what to do and the fear and the others and the unknown and what to do, and what to do with all that the void and all that the fear and all that love and all that desire and all that the programmed obsolescence of life and all that And what the fuck to do with all that? |
How to integrate error as bias, as a protocol of communication between the body and the machine? What place for the random, for the accident? On stage, a control room with three computers, sensors, piezo, microphone, kinect, and a microphone for the voice through which the protagonist controls the entire show, the entire production. |
ORACULUM Divinatory act. Speak to me. Do not leave me alone in the void of things. Give me an echo, a resonance to my existence. Let me be beyond the nonsensical. Be a mirror. HERE BE DRAGONS STARS METEORS.. INDECISION Indecision is a disease that has not been taken seriously enough. It could be taken much more seriously. |
to go to sleep! the adults! sleep! yes. YES. Because we realized it, now we understand the trap today is always Today is every day!!!! yes!! It's true!!! always, all the time is today all the time!!! |
She pushed in me during the months of confinement. I set myself a new challenge. To tell an eco-sexy story, a proposal that is enticing, eco-sexy bodies, desiring, vibrating and full of seeds of possible futures. So I told myself that THEBADWEEDS was going to exist for real, that the trans-species music group was going to happen. |
But we can create a mutualist association where each kingdom draws its profit from the association with others: men from plants, plants from animals (our friends the insects!), animals from machines, and machines from minerals. And conversely….. There are other reasons too. |
That the Oracles speak to us in the shells of turtles, in the ashes, in the bones of sacrificed animals, in the stars, in the bushes, in the feathers, in the gestures of the unconscious, in the folds of the bed sheet upon waking, in the shadows cast by the words we wear out. ________________ Berenguer Rocio. |
But the other half of the time of our existence with the whole that is part of what Jung called the collective unconscious, has the difference that it is not only about humans, but about all species, that exist, that have existed and that will exist… :) For the shamans of Siberia, dreaming is accessing the true real in which all species and beings are present, and one can communicate with them, it is the meeting and dialogue space of all living beings, well, and the dead too, so, let's say of all beings. |
We have corrected the angles, adjusted the measurements, standardized the gestures, acquired ready-made phrases, normally we should be able to live in society easily now. Well; once this is said we can tackle what we were going to do. |
You loved so much, you gave so much that your heart is shattered, exploded. Damn Arjuna, damn... damn damn damn!!! We had something there, we were holding something there, damn! Get it together Arjuna, pull yourself together! |
But after reading the book, I do not understand why, when working on the construction of a realistic human character, one should build it according to the model of the hero. For Campbell, the hero is a psychic structure of individual initiation within a group. Campbell announces the death of the hero myth at the end of his book, in 1949. Damn. It’s 2023. |
Hehe The real plays hide and seek with our senses So we also play hide and seek to get as close to it as possible, the real no, but it’s a process, being is a game, a process, it’s not simple, but we have done it, we are the first to have come out as plant-based, there you go it’s not simple, we take a lot of blows, but maybe that can inspire others.. |
THEN Then is the place where procrastination and big decisions live, they meet every day on the beach eating ice creams of time, aroma escape. It is the place where everything goes without desire. In reality, many things go to that place; it is one of the most frequented on the human planet, sometimes we can even find important things hidden behind what you forgot. |
This is what became the G5 Inter-species project 3,[3] created in 2020, a three-part project: G5 (show), COEXISTENCE (performance), and LITHOSYS (installation). G5 is a title that humorously refers to summit types like G8 or G20. |
On his head a guitar made of copper wires like a score in the sky, sends confidential information that tickles the legs of 500 anxious sparrows. On their heads, some individual lost animal mosquitoes are lacking oxygen. |
In transhumanist fantasies, the machine is the last predator of humanity; all these fantasies based on the fear of being devoured are infantilizing and far from giving us an active and responsible position in what we become as a 'human' project. I believe we can do better. |
The Agony of Eros![9] THEBADWEEDS arrive on stage, they try to melt the myth of the individual in order to kill Narcissus, to free Eros and restore his power. Dott puts on the music Eros resumes his speech. Dott continues to change while searching for a piece until finding the piece by ChacheCahce. (let me introduce you to Dott. |
We will need to conduct a census of all residents, and especially produce a kind of new ledger of grievances for all of us: what do the plants need? And the minerals? And it is from the needs of everyone that we will need to reinvent our communities! And we will need to find new names for these nations. |
I decline into iron in calcium in monoclonal silica I turn into wave I sweat into gas I melt into lava I dissolve into liquid I wear out into sand I breathe space I build time I integrate and I disintegrate I expand and I compress I fuse and fission in the cosmoooooooooooooooossssssssssss DISCOURSE(S) ANONYMOUS DISCOURSE Nothing could except time. |
But I also dust myself off like you and I condense with this galactic cold. But I will never be able to make you understand that for us there is no space, just variations. Erosion: fission: fusion. Erode with time. Time erodes too, don’t think it is exempt, it’s the same for the landscape, the future, space and desires. Desire erodes too. |
All these things that we no longer know what to do with, where to put them, all these things, this material that was resource, then product, then value, then object of desire, then consumable, then nothing, empty shell. What do you do with us, when you hide us from our landscape? |
M: - Sooner or later, late or too early.. R: - Every genetically modified tomato has the right to blush. In front of the sun. M: - Too late. R: - In front of the sun. M: - Too late. R: - In front of the sun. M: - Too late. R: - In front of the sun. M: - Too late. R: - Too late for the bees. M: - Time. R: - The time has come. M: - Too late. 11 Yesterday R: - Introduction of the second stage of negotiation. Nothing to do. Suspicions. |
Both documentary and fiction, the form of the docufiction plays with the notion of true/false present in the BADWEEDS universe where a narrative will be offered in which the characters will come to tell their stories, their deep motivations, the phases of their transitions and mutations, the difficulties they experience in their mutations. |
We are always caught by multiple pulsations at different scales, the largest scale we can experience individually is that of life and death. When we are formulated in a womb, we are at the maximum point of inspiration, of contraction that we can know, which goes toward an expiration, a scattering, a constant dissolution until the maximum point, which is death. Death is the maximum point of expiration that we can know. |
(ouch... I have pain in my soul) Today forgetting is the law of survival. No other moment could come to meet us. the moment of a movement an unstoppable movement a movement impossible to be. and what to do? if the human divorces from the rest of everything of everything of the thing of the vital exchange of the original exchange. Here the human is always suspended he believes himself, between animal and god. |
CLUMSY PIECE M: - We received a message from an individual of the plant kingdom R: - Ah! Good, we listen to it. If you want to be less anthropocentric, you translate into human language and I give the body of the voice, how does that sound to you? Shall we do it this way? M: - Ok, let's go. Colonization of the body of the other. Everything devours everything. Every body is made to nourish another, nourishing life in a loop. |
Our perceived reality would be a series of poles, a landscape of poles, which create the relief, in relation to Importance, Expression, Understanding, Perspective, Activity. The plasticity of these landscapes is impressive, and the power of the poles. SWING Diastole, systole, diastole systole. |
It's because of human greed, maybe, the human who tries to devour everything, for that he needs to ingest everything consumable, to devour everything, the real, the world, and with the world itself. Do you see what I mean or not? |
* The creation of several events in different cities taking the form of a press conference carried out in partnership with the media LADN.eu in a venue dedicated to music and innovative, hybrid scenes. (under consideration: Gaîté Lyrique Paris / Lieu Unique: Nantes / Confort Moderne: Poitiers). * The publication of a fanzine, musical booklet, manifesto of the BADWEEDS. |
Branch pushes exhale, wants, can, touch the sun, eat the sun. The same sun that Crab eats on the beach of the plastic island of the Pacific. A snail comes out of its shell at the same time as the Venus Express probe exits the Earth's atmosphere. There is very little light in the ocean floor. |
Sometimes we can experience it as a boundary or a limit, but deep down it is the articulation, the place of possible union, the place where the whole converges, the place where the whole collides, the place where we negotiate the ins, the outs, the possibles and the laws. It is the space where we negotiate the commons and the differences, but above all where the manifest, the causal, operates, it is the editor of the film. |
So, I think that our task is not to come up with ideal models, but, rather, to think about the present in the present and to realize that our political, social, technological reality is already vegetal and yet we're still operating with nineteenth-century concepts of the state as a gigantic animal-like organism. In the sense, the future is already here; we just haven’t noticed its advent. |
To locate oneself At the zag At the zag To locate oneself Suspend the air between clue and clue Never too fast Do not rush Do not anticipate Do not want too much Do not let desire blind us too much to be porous to other desires, or to the indications that come outside of desires, The clues, the maps, the reliefs, the topographies of feasible possibilities, of the probable, of the possible, of the terrible, of .. |
The project THEBADWEEDS is a speculative fiction that takes the form of a choreographic concert (75') Rocio Berenguer directs a trans-species music group that is half-human, half-plant. These strange hybrids humorously demonstrate the power of resistance and resilience of weeds that come to convey the message: "THE FUTURE IS VEGETAL." |
Fleeting and deterministic choice. When we try too hard to look at it face to face, we distort it; if we look at it from too far, we miss it. If we do not look at it, it catches up with us and falls on us. |
All these misunderstandings lead me to the conclusion that, in fact, it would be better to remove the H from Hero, because the H is better kept for Humor, because without humor one cannot understand the true truth of things. Humor comes into play and Hero disappears to make way for Eros. Hero is an erotic function. A psychic archetype of desire construction. |
C1: - The dragonfly is still there, but, chus, since you told it to go away it has left, I think. S: - Chus! Chuuuuus! come here! come my cat! C2: - The pebble on the dragonfly's head, like the pebble on your head, is our umbilical cord. We all come from a mineral origin, plants, animals.. |
no no quiero decir que es como si nos amputaramos la luz por querer borrar las sombras es absurdo on s’ampute la lumière pour éviter l’ombre la pornografie de notre époque c’est ça, tout est la, pas de secret, pas de mystère, pas de sous couches, pas d'ambiguïté, pas d’inconnu, pas d’ombre. |
But also articles by Michael Marder, the conference “synthesizers” by Timothy Morton, discussions with researcher Edward Farmer from the University of Lausanne, and long discussions with my colleague Anthropologist Marc Higgins. |
Then, covid ravaged everything, the G5 after its first in February 2020, stopped with the world, the meteors and machines gathered dust waiting in the storage hangar of sets, here, everything came to a stop, I regretted not having included the Virus reign in my constitution. Life takes over. But the seed of the weed was already planted. |
VEGETAL HYPNOTIC IMMERSION I now invite you to a sort of role-playing game, or an exercise of embodiment, of collective mutation. To enter this other kingdom, this other land, this other physiognomy, this other reality, this other fiction or nation in this other experience that is the vegetal. We will try to become plants together. |
There is no time of the world but geometric intervals between instants, flux of discontinuity, suddenly, the "now," the enunciation of now as the convergence of all possible presents, multiplicity of presents, geometric line of fled time, relativity of movement, then abandonment, absolute character of simultaneity, then abandonment, the idea of ether, as absolute medium, then abandonment, propagation of light, finally abandonment, the abandonment of all attempts at linearity. Fortunately, a statement is not inert; it is an active process that projects outside of oneself, creating the object that, in a second time, it describes. |
The error, the bug, but more specifically the error, the noise, the transformation of information in its transmission, is what maintains diversity, in the vital principle of the multiple and of all potentials in power. In potentia. The misunderstanding The misunderstanding is the most stable law that constitutes the real. It is in reality the misunderstanding that is responsible for creating the real. |
We had very little time to produce the work, because we did not receive the public funding we were expecting. In my previous works, I would spend months in dance studios trying to create a coherent and original universe. |
At the end of the piece, Dott goes to play hide and seek - or he is going to start but he stops and plays hide and seek - and it is only at the end when we chased him - that he agrees to do the piece - because we played with him - Playing hide and seek is a bit like developing one's own divinatory abilities or one's own senses of anticipation, forecasting, foresight. |
These practices generate mistrust in certain kingdoms that do not understand the meaning of these practices, general mistrust) General mistrust of the kingdoms in the face of the mass suicide practices of certain members of the animal and human kingdoms. Plant: human, your occupation of the land is excessive and totalitarian, you have modified the entire space, there is less and less space for life, you advance like a virus. |
there is not always more, everything that escapes us, that we cannot perceive with our perceptive interface, traampa, traampa.. |
It’s like people naked, there is nothing erotic or sexual, on the contrary, there is a side, matter, base, human material, there is beauty, tenderness in a naked body, a raw state, another truth, that is difficult to find when dressed. |
The lifespan of Dragonfly is determined by its radioisotope thermoelectric generator, whose capacity to produce electrical energy decreases as plutonium 238 undergoes radioactive decay. The MMRTG will produce enough energy to allow the rotorcraft to operate for 8 years on Titan 14. C2:- Too optimistic. |
The oracle invites you to watch for, in every blind spot of your vision, the improbable gesture, the one that formulates the miracle. BLIND SPOT Unreachable zone, the more we try to look straight ahead the less we see. The more we want to say, the less we say. The more we would like to love, the less we love. The more we seek to move forward, the less we advance. How to explain this phenomenon? |
Here is the real, the real is this, bam on your stick... it's a piece of raw meat... berg! deg! Sorry but no, no it's terrorism that's monstrous, this idea of saying, here it is, we show everything, everything is there, everything that exists is shown, visible, definable, seen, palpable, within your reach, within everyone's reach, pornography, monsters without shadow... hahaha .. |
Against this vision, which has largely influenced Western history, one could develop from the spectacle of Rocio a much more radical and collective idea of technique. Technique – and its most intimate dynamism, innovation – is not a purely human talent. |
This questioning led me to create IAGOTCHI [4], an interactive theater installation for one spectator at a time. IAGOTCHI refers to its genealogy, coming from the Tamagotchi, the first artificial companion species, with the mutation of the imagination of Artificial Intelligence in 2018, with the state of recognition systems and automatic language generation. |
But in this summit, no governments, nor financial powers, but the gathering of the different species that share the globe: animal, mineral, plant, human, machine to discuss the future of the planet. I have attempted through science fiction another possible scenario for our future and to open the field of the utopias we still have to build. |
And what to do? (ouch… my soul hurts) life is organized here or life is lived. /////// 7 Yesterday Introduction of the fourth stage of negotiation. Dry leaf cracks under the feet of the animal Lion Newborn in its reserve. Collision of celestial bodies without any apparent repercussions. Without any apparent repercussions, no apparent repercussions. |
My first companion species was the machine, with Tamagotchi. Over time, I thought that these symbolic objects, on which one can project a soul, an anima, that can be considered as animated, maybe it’s something we have always done, and maybe it’s not so irrational. |
Finally, a first meeting a birth every significant meeting is a new birth a cycle of renewal that opens, a divergence of a few degrees, an alteration of the orbit. A necessary erosion. an exchange of deep surfaces. we were waiting. We were waiting in the galactic cold. |
We played with appearing and disappearing, becoming object/subject/object.. Seeking the limits of what we perceive as animated and inanimate, we tried to do photosynthesis. Moments of magic and bursts of laughter inhabited the rehearsals and moments of research, the performers brought with their bodies and their knowledge other registers and enriched the choreographic work. |
S: - If it works, I'm launching the Karaoke C2: - So, we need to finish the theory, we were left on the human. S: - The masterful appearance of the human animal on earth. Him, he's the most failed of all the creations of the mineral! |
This is what the stage always allows me to operate, this political act of placing bodies, of moving bodies, of disobeying with bodies, of reinventing bodies. NO HEROES, BUT ÉROS When I started learning to write scripts, all the schools I found said the same thing. |
From this point of view, one could overturn another classic idea of technique, that of Organsprojektion developed by Ernst Kapp in the first modern work on the nature of technique. According to Kapp, every technical object, every instrument is merely the external projection of a bodily structure according to a perfectly isomorphic relationship. |
...to the extreme, must go to the extreme... 9 Yesterday R: - Introduction of the first stage of negotiation. It organizes itself, life organizes itself around it. Resilience. Integration of extreme diversity. Alteration of states. Saturation of exchanges. Parallel communications. To hybridize or not, it is negotiable, to be devoured or not, it is negotiable. To merge or not, it is negotiable. |
One thing I don't know. It needs to change, something needs to change, there must be a fork somewhere. It can't be this life, real life, it can't be this, we agree? |
Mushrooms, viruses, bacteria, in coalition. Multiple misunderstandings. Communication problems. Misunderstandings. Atmospheric pressure. Ambition of climbing plants. No news from Venus. Spatial violence of vines. Anonymous fungis group sends threats. The BAD WEEDS group releases its latest album. The rabbit hasn’t said anything until now. |
Politics is not tabloid journalism. We are here to decide the fate of our planet. Leave those rumors to the trolls on Facebook. Are you ready to negotiate with future representatives to reach a common agreement? Of course, I am here for that. |
M: - 2345000.00000° R: - butterflies were born today on this earth. Opening eccentric colorful wings and attacking to suck the sexes of flowers. M: - Magnolia R: - does not think of opening its petals today, it waits for the moon. M: - Plane R: - and acacia breathe the world. M: - Mercury; R: - how to remain fluid, regain mineral fluidity in 24 hours. |
IOFLE (Inter-spices Organisation for the Future of Life on Earth) has listed the following projects in order of priority: 1_ Create a treaty of inter-species law. 2_ Have a functional and inclusive inter-species communication system for all species of all kingdoms. 3_ Inventory the projects, needs, requirements, and wishes of each of the kingdoms. |
The hero cannot be someone. But superheroes are coming. Superman, without his surreal costume and his superhuman powers, is not Superman. The human Clark Kent is not a hero. Clark Kent is the exact model of privilege and attributes of power. But the misunderstanding always takes its place. Narcissus arrives on stage with his advertising campaign wrapped in neuromarketing. |
Machine: - We currently dominate the world by exploiting humans. Mineral: - We love architecture and sustainable constructions. Plant: - What other kingdom is capable of producing oxygen? Mineral: - Our meteoritic, and thus cosmic origin, is the origin of terrestrial life; we have engendered everything. Animal: - We claim. |