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[ { "content": "You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.", "role": "system" }, { "content": "On the human side, the state of affairs shows that humanity moves forward, backward, and then forward again. In 2020, political preferences are as follows: Established in the landscape with X% of votes, the ______ is ahead of X% of _______, X% of _______, X% of _______, X% of ______, and X% of ______. The human definition relates to how it positions itself against other kingdoms.", "role": "user" }, { "content": "On the human side, State of Affairs: Humanity moves forward, backward, forward. In 2020, the preferences for political protocol are as follows: Established in the landscape with an X% of votes, the ______ predominates over an X% of _______, an X% of ______, an X% of ______, an X% of ______, an X% of ______. The human Definition is an issue of positioning against the other kingdoms.", "role": "assistant" } ]
[ { "content": "You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.", "role": "system" }, { "content": "I have not heard from you, Venus. We were expecting erosion, surface changes, magnetism, gravitational attraction, and radiation. There is ambiguity in the absolute and in motion. We are still waiting for the accident. We get closer. Finally, there will be an encounter. This will be a birth.", "role": "user" }, { "content": "But, Venus, I haven't heard from you... Venus... oh yeah... We were expecting. erosion, surface, magnetism, gravitational attraction radiation ambiguity in the absolute, ambiguity in motion. Ambiguity... we are still waiting, the accident We get closer. Finally the encounter. A birth.", "role": "assistant" } ]
[ { "content": "You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.", "role": "system" }, { "content": "Animal: The regulation of biological corruption involves bacteria manipulating organisms like rats and cats. This manipulation alters their behavior, causing them to support different parties and beings that the bacteria also want to control. \n\nPlant: Redefinition of intelligence.", "role": "user" }, { "content": "Animal: - The regulation of biological corruption: bacteria have manipulated biological beings such as (provided, rats, cats, etc.) to modify their behavior and make them vote for other parties, other beings that they also intend to manipulate. Plant: - Redefinition of intelligence.", "role": "assistant" } ]
[ { "content": "You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.", "role": "system" }, { "content": "Cloudy. To see clearly, you need to get close to the lighthouse or become the lighthouse. Becoming the lighthouse means settling at the boundary between land and sea. It is where fluidity meets solid ground. This involves finding a position there instead of at their meeting point. From a high place, you can see with the author and gain true perspective.", "role": "user" }, { "content": "CLOUD Cloudy, to see clearly you have to get close to the lighthouse or become the lighthouse. Becoming the lighthouse is to settle at the limits between land and sea, where fluidity rubs against the rigid solid, to settle there instead of their meeting point, and in a high place, to see with the author, to really gain perspective.", "role": "assistant" } ]
[ { "content": "You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.", "role": "system" }, { "content": "You are very engaged. You feel everything and everyone around you. You analyze your surroundings with your body and senses. You notice all the details that come to you.", "role": "user" }, { "content": "You're on fire! You feel everything, everyone, You analyze the glue with every part of your body, with every sensation, with every representation that emerges.", "role": "assistant" } ]
[ { "content": "You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.", "role": "system" }, { "content": "C1: A little more pressure? \nS: Three, I'm coming. \nC2: Mineral intelligence. \nC1: The Venus Love Project. \nC2: Statolith theory. \nC1: Mineral evolution. \nC2: Is this Robert M. Hazen's theory? \nS: Here is the pressure. \nWhat are migratory trees? What about dragonflies with a stone in their head? And what is the return of Chus?", "role": "user" }, { "content": "C1 : - A little more pressure? S: - Three, I'm coming. C2: - Mineral intelligence C1 : - The Venus Love Project C2: - Statolith theory C1 : - Mineral evolution C2: - Robert M. Hazen's theory? ( Does the mineral love song sound here? ) S: - Here is the pressure. What are migratory trees, dragonflies with a stone in their head and the return of Chus?", "role": "assistant" } ]
[ { "content": "You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.", "role": "system" }, { "content": "We should form a team of supporters from different worlds. Each world can have its own supporter team. These teams should be interchangeable to prevent conflict. We will also need pirates to create connections between the worlds.", "role": "user" }, { "content": "We should create a team of supporters from different worlds, supporter teams for each of the worlds, and these teams should be interchangeable to avoid opposing each other. We would need pirates to create breaches of intersection, of interpenetration of the worlds.", "role": "assistant" } ]
[ { "content": "You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.", "role": "system" }, { "content": "\"Snowden. You challenge Morpheus with Red Bull. You fear everything is ready. You have to press the key. Everything is ready. You have to send Snowden. Your finger doesn't move anymore. You have to share the secret file of the NSA with the world. You challenge Morpheus with Red Bull and fear. Morpheus, affected by the screen, gives you his dark hours but ultimately leads you back. The dilemma consumes you. You are tired of the bloodshed in the struggle, the blows, the betrayals. You have played all the roles: Warrior, Hero, Antihero, Outsider, Loser, Martyr, Spy, Victim, Infiltrator, Pirate, Hacker, Resistor, Militant, Activist. You know that all these words and thoughts are just there, holding the promise of catharsis.\"", "role": "user" }, { "content": "\"Snowden.” you challenge Morpheus with Red Bull and fear everything is ready, you have to press the key you have to press the key everything is ready you have to send Snowden your finger doesn't move anymore Snowden you have to share with the world the secret file of the NSA you have to press the key you have to press the key everything is ready you have to send Snowden you challenge Morpheus with Red Bull and fear Morpheus sodomized by the screen lends you its dark hours but always ends up taking you Arjuna again, the dilemma eats you you’re tired of the blood of the struggle, the blows, the betrayals you’ve already played all the roles, Warrior, Heroes, Antiheroes, Outsider, Loser, Martyr, Spy, Victim, Infiltrator, Pirate, Hacker, Resistor, Militant, Activist… You know that all these words, all these words, all these thoughts are just there on the promise of catharsis.\"", "role": "assistant" } ]
[ { "content": "You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.", "role": "system" }, { "content": "This material needs to be disposed of because it serves only one purpose. Once that purpose is fulfilled, it no longer has value. This is either because it is mixed with other materials, making reuse difficult, or because it is contaminated with items from different categories.", "role": "user" }, { "content": "All this material that needs to be disposed of because it had a single function to fulfill, and once fulfilled, there is no longer any sense of existence, either because it is too mixed with other materials and we no longer know how to reuse it, or because it is “dirty,” meaning mixed with things belonging to very different groups.", "role": "assistant" } ]
[ { "content": "You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.", "role": "system" }, { "content": "Some laws apply on one side of the line and different laws apply on the other side. The line marks where laws, logics, and states change. The law on land is different from the law in the sky or on water. The oracle encourages you to understand and visualize these limits. It is important to know and understand the limits that affect you and your situation.", "role": "user" }, { "content": "On one side of the line these laws, on the other side these others. The limit line designates the place where laws, logics, states change. Not the same law on land as, in the sky, on water. The oracle invites you to understand and visualize the limits, yours and those of the situation that concerns you. Knowing and understanding the limits is essential now.", "role": "assistant" } ]
[ { "content": "You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.", "role": "system" }, { "content": "It is not voyeurism. It is something different. People often become more interesting when they do not know they are being watched. They seem more engaged when they think they are alone. They express themselves freely when they are not under someone else's gaze.", "role": "user" }, { "content": "But no, it's not voyeurism, it's something else, people always become much more interesting when they don't know they are being watched, when they think they are alone, when they free themselves from the gaze of the other.", "role": "assistant" } ]
[ { "content": "You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.", "role": "system" }, { "content": "My life centers around transforming borders into living spaces and homes. My species demonstrates that a wall is not an obstacle but a surface and a place for life. This may explain why you sometimes dislike me. I reveal that borders do not exist because the border itself is a nation filled with many living beings. There is no neutral space on Earth.", "role": "user" }, { "content": "My life is nothing but this: the joy of transforming the border into a living space, into a home. My species shows you that a wall is not an obstacle but a surface, a living place. Perhaps that is why sometimes you hate me so much. I show you that there is no border because the border itself is a nation, populated by thousands of living beings. There is no neutral space on Earth.", "role": "assistant" } ]
[ { "content": "You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.", "role": "system" }, { "content": "I am fascinated by the things people say. They are varied and changeable. This identity is broad and includes a diverse range of language. I find it interesting that we can discuss these things in any situation. They appear in many everyday expressions.", "role": "user" }, { "content": "Those you say, those they have said, the one they have told me. The things. They fascinate me. This undefined and heterogeneous identity, mutable, passpartout, concrete and multiple. This generalist entity that regroups one of the most indeterminate groups of language. I am fascinated by things; we can talk about them in any situation or circumstance. They are introduced into almost all colloquial expressions.", "role": "assistant" } ]
[ { "content": "You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.", "role": "system" }, { "content": "This regime has enslaved many people. It has restricted migration and movement. It has reduced valuable minerals to mere objects. This situation must come to an end. Another important point is that the countryside emerged alongside the city. The countryside has also contributed to injustices and violence.", "role": "user" }, { "content": "This regime that has enslaved most of us and has blocked all migrations and movements and has reduced our friends the minerals to mere objects must come to an end. There is another point that is important to discuss: with the city was born also what you call the countryside. Along with the city, the countryside has also given rise to injustices and immense violence.", "role": "assistant" } ]
[ { "content": "You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.", "role": "system" }, { "content": "Every day, Arjuna, you are deceived by the night. This is similar to how every dream is deceived by waking.", "role": "user" }, { "content": "Incredible Arjuna, Incredible, every day you are deceived by the night, like every dream is deceived by the waking.", "role": "assistant" } ]
[ { "content": "You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.", "role": "system" }, { "content": "I see you enjoying yourself in this woman's body. This body endures pain but also experiences many pleasures. You sing with your friends. You dance every night to feel free. You have said, \"If I can't dance to it, it's not my revolution.\"\n\nMusic fades. We dance for a moment and repeat the phrase. It is still night when you place explosives in various locations: the parliament, City Hall, the royal palace, the Capitol, and the World Trade Center. Everything is ready and we wait for the signal. You pick up the explosives with the car two streets away. Then we hear the explosion. The plan worked. The sky is on fire. The car turns at the wrong angle. It is an ambush. They put a gun in your hand. You have to shoot now. If you do not act, they will shoot your comrades.", "role": "user" }, { "content": "I see you there enjoying yourself in this woman's body that bears pain better this body of multiplied pleasures forbidden by its infamous memories Here you tear your voice singing with your comrades You dance every night to give yourselves wings You've already said your last word \"If I can't dance to it, it's not my revolution\" \"If I can't dance to it, it's not my revolution\" ////// music fades // we dance a little, repeating the phrase /// it’s still night when you place the explosives in the parliament, in the City Hall, in the royal palace in the Capitol, in the World Trade Center everything is ready now we wait for the call you pick them up with the car two streets down we hear the explosion good, the plan worked the sky is in flames the car turns at the wrong angle it’s an ambush they shove the gun in your hand gotta shoot now if you don’t do it now it’s them who will shoot your comrades ah..", "role": "assistant" } ]
[ { "content": "You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.", "role": "system" }, { "content": "Splash. A unidimensional world. The pornographic image is misleading and pretentious. It pretends to hide nothing. In contrast, a screen shows something while hiding something else. A screen hides one thing to show us another. A painting or photo hides the wall to show us something different. Every image hides another.", "role": "user" }, { "content": "Splash! Unidimensional world... the pornographic image is misleading and pretentious because it pretends to hide nothing, whereas in the example of the screen, a screen shows something while hiding something else, a screen hides one thing to show us another, a painting, a photo, hides the wall to show us another, every image hides another.", "role": "assistant" } ]
[ { "content": "You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.", "role": "system" }, { "content": "TREATY ON INTER-SPECIES LAW: This is the first constitution for negotiations for the G5 inter-species. The Universal Declaration of the Rights of various forms of life on Earth was proclaimed in Paris on January 20, 2018. The G5 organization collaborated with the Interspecies Organisation for the Future of Life on Earth. Article 1 states that each species from the five kingdoms is equal under the law and has equal rights.", "role": "user" }, { "content": "Excerpt: \"TREATY ON INTER-SPECIES LAW: First constitution, basis for negotiation for the G5 inter-species.: The Universal Declaration of the Rights of various forms of life on Earth was solemnly proclaimed in Paris on January 20, 2018, by the G5 organization, in collaboration with the IO(f)LE (Interspecies Organisation for the Future of Life on Earth) (...) Article 1: Each species from each of the 5 kingdoms is equal before the law and equal in rights.\"", "role": "assistant" } ]
[ { "content": "You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.", "role": "system" }, { "content": "A tentacle grabbed your ankle. It is the giant squid taking over the ship. Your crew screams and falls. Your supplies are lost. The squid tears your leg off. You urge yourself to act. With a quick motion, you draw your machete. You aim it at the head of the giant squid.", "role": "user" }, { "content": "No! a tentacle grabbed your ankle it's the giant squid taking over the ship your crew screams and falls your supplies lost forever it tears your leg off that fucking tentacle you urge and with a twisted gesture you draw your greasy machete that you aim at the head of the giant squid and!", "role": "assistant" } ]
[ { "content": "You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.", "role": "system" }, { "content": "The swing imitates a basic movement. We reproduce this movement in our bodies. It is like the rocking of baby cradles and rocking chairs for the elderly. We rock ourselves as we begin life. This helps us integrate the back and forth movement into our bodies. At the end of life, we also rock ourselves. This movement serves to remind us and help us remember.", "role": "user" }, { "content": "The swing is the movement that imitates this logic, we reproduce it in our body, like in the cradles of babies and the rocking chairs of the elderly, we rock ourselves as we enter life, to integrate into our body the movement of back and forth, and we rock ourselves at the end of our lives, to remind us, and remember with the movement of back and forth.", "role": "assistant" } ]
[ { "content": "You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.", "role": "system" }, { "content": "What do you think of this prejudice? These are just rumors. I do not respond to gossip. We are here for serious reasons. You men claim that we, the plants, are narcissistic. You are the only species that has called itself a kingdom. You are affected by a particular form of narcissism that drives your actions.", "role": "user" }, { "content": "What do you think of this prejudice? Oh, these are just gossip, and I don't respond to gossip; we are here for very serious reasons. And you men dare to say to us, the plants, that we are narcissistic? You are the only species that has self-proclaimed itself as a kingdom. And you are a victim of a specific narcissism that is the most powerful motive for your enterprises.", "role": "assistant" } ]
[ { "content": "You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.", "role": "system" }, { "content": "They are our oldest friends. Our planet, Earth, comes from them. It is part of their body. We plants live thanks to them. We take everything from them and we try to give back what we have received.", "role": "user" }, { "content": "They are our dearest and above all our oldest friends. Our planet, our Earth, Gaia comes from them, it is only their body. All of us, we plants, we live thanks to them, we draw everything from them, and we do everything to give back to them all that we have received.", "role": "assistant" } ]
[ { "content": "You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.", "role": "system" }, { "content": "The audiovisual documentary is expected to be released in October 2023. It explores the fiction of the group THEBADWEEDS. The documentary also presents scientific research on environmental, identity, and societal issues related to these hybrid characters.", "role": "user" }, { "content": "THE AUDIOVISUAL / DOCUMENTARY - release October 2023 (expected) The documentary takes the form of a documentary about the fiction of the group THEBADWEEDS and presents scientific research on the environmental, identity, and societal issues posed by these hybrid characters.", "role": "assistant" } ]
[ { "content": "You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.", "role": "system" }, { "content": "The piece \"Eat the Sun\" features the voices of Haini Wang and Patric Kuop alongside the chorus. The song by Kin includes the voice of KIllason. Your choreographic writing was created with a visual environment designed with lighting designer Thomas Laigle and textile designer Aline Pérot.", "role": "user" }, { "content": "Except for the piece \"Eat the Sun\" in which the voices of Haini Wang and Patric Kuop complement the chorus, and for the song by Kin, for which we used the voice of KIllason. 7 - Your choreographic writing was realized with a plastic environment imagined with the lighting designer Thomas Laigle and the textile designer Aline Pérot.", "role": "assistant" } ]
[ { "content": "You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.", "role": "system" }, { "content": "I want to be your hero. I am going to give you a hint. Let the leaves fall in autumn. Let Mozart's music continue. Today I feel intense and alive. I am full of energy. The house feels lively. I am seeking joy. I feel a mix of emotions. I am eager to share my feelings. I am ready to save the world. Something hidden may appear at any moment.", "role": "user" }, { "content": "I wanna be your ero, hero, tic I gonna give you a hero, ero, tic, hint Leave the leaves drop down on autumn Leave the mozart live on his sounds Hoy me siento herotica, simbiotica, desprevenida, encendida Estoy encendida Hoy estoy toda erotica La casa esta encendida Hunting joy Like a hunted house of joy Herotica, con y sin hache Con y sin Sin y con Hache Herotica estoy Hungry to share intensities Ready to save the word To rescue my world HIDDEN Hiden, just behind, maybe will appear, can can it can appear at any moment.", "role": "assistant" } ]
[ { "content": "You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.", "role": "system" }, { "content": "I express the spirituality of matter and the utopias of past centuries. I identify as religion. Poetry has the power to bring positive change. There is a question about why we should save the world. We need to consider what we are saving it from. HIC MACHINA, HIC SALTA is repeated multiple times. I am an individual. I am somewhat unique.", "role": "user" }, { "content": "I make the spirituality of matter tangible, the utopias of past centuries. I am religion. Poetry will save the world! - Why save the world? Save it from what? - HIC MACHINA, HIC SALTA! HIC MACHINA, HIC SALTA! HIC MACHINA, HIC SALTA! HIC MACHINA, HIC SALTA! HIC MACHINA, HIC SALTA! I am a I I am a bit! I am a I I am a bit! I am a I I am a bit!", "role": "assistant" } ]
[ { "content": "You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.", "role": "system" }, { "content": "This questioning led me to create IAGOTCHI. It is an interactive theater installation for one spectator at a time. IAGOTCHI refers to its genealogy. It comes from the Tamagotchi, the first artificial companion species. It has evolved with the concept of Artificial Intelligence since 2018, alongside advances in recognition systems and automatic language generation.", "role": "user" }, { "content": "This questioning led me to create IAGOTCHI [2], an interactive theater installation for one spectator at a time, IAGOTCHI refers to its genealogy, coming from the Tamagotchi, the first artificial companion species, with the mutation of the imaginary of Artificial Intelligence in 2018, with the state of systems for recognition and automatic language generation.", "role": "assistant" } ]
[ { "content": "You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.", "role": "system" }, { "content": "International projects and study topics are important. There are many issues to consider, including evidence and therapies. Traumas and addictions can cause suffering. There are also various global meetings like COP 21, COP 23, COP 25, G20, G7, G8, and G5. It is essential to take action and focus on existence. We should make an effort to live more fully.", "role": "user" }, { "content": "International projects? Study topics? Evidences? Sighs? Nightmares? Therapies? Traumas? Sufferings? Addictions? Vices? COP 21? COP 23? COP 25? G20, G7, then G8, then G7? G5? And what to do? (ouch… my soul hurts) try to exist more! try to exist more damn it! exist more! exist more! go make yourselves exist!", "role": "assistant" } ]
[ { "content": "You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.", "role": "system" }, { "content": "We are the result of life's development on Earth. The Earth has served as a matrix and a nurturer. All living beings face similar issues of life and death. They are connected in the community of planetary destiny. Therefore, we need to learn to be present on the planet.", "role": "user" }, { "content": "We are the result of the development of life of which the Earth has been a matrix and a nurturer. Lastly, all earthly beings from the different kingdoms face the same fundamental issues of life and death and are connected in the same community of planetary destiny. Therefore, we must learn to \"be-there\" on the planet.", "role": "assistant" } ]
[ { "content": "You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.", "role": "system" }, { "content": "Evolution is not just the increase in species that are connected only through past genealogy. It is a process that enables the same flesh and substance to take on different forms. It allows for mirroring and reflecting in other bodies.", "role": "user" }, { "content": "On the contrary, evolution is not only the multiplication of species whose connection would only be in the past projection of genealogy: it is the process that allows the same flesh, the same substance to take distinct forms, to mirror and reflect itself in other bodies.", "role": "assistant" } ]
[ { "content": "You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.", "role": "system" }, { "content": "A smile is hidden in the corner of your lips. It makes me feel a tightness in my chest and neck as I look at it. The smile is folded and waiting to be revealed. It is ready to unfold at any moment.", "role": "user" }, { "content": "LIPS A smile hidden in the corner of your lips awaits me, a feeling of vertigo tightens my chest, my neck when I observe it. A smile is there folded, waiting to be unfolded, ready to unfold at any moment.", "role": "assistant" } ]
[ { "content": "You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.", "role": "system" }, { "content": "Each of them is a technical invention. This is why discussing them involves telling a story of innovation. There is nothing purely natural in nature. Everything is technical. This includes not only the overall shape of living beings but also each of their organs, whether small or complex. Each is a result of innovation and invention.", "role": "user" }, { "content": "Each of them has the nature of a technical invention, and it is because of this that, to speak of them, one can only tell a story of innovation. There is nothing natural in nature: everything is technical because everything, not only the general form of living beings but each of their organs, the smallest as well as the most complex, is the fruit of an innovation and an invention.", "role": "assistant" } ]
[ { "content": "You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.", "role": "system" }, { "content": "Pornography of the real aims to display everything in its raw form. It suggests that we have tamed and dominated reality. It conveys the idea that nothing is hidden. The real is presented clearly and directly, akin to throwing a piece of raw meat.", "role": "user" }, { "content": "Pornography of the real, in which one would like to show everything, and show the raw real, just as it is, to say that we have tamed something, that we have gone around it, that we dominate it, that nothing escapes us, that the real is this, here look, it is this, bam everything is there as if a piece of raw meat were thrown at you on the pole, bam!", "role": "assistant" } ]
[ { "content": "You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.", "role": "system" }, { "content": "In our culture, the gaze of others has significant importance. It acts as a normalizing force and is deeply ingrained in society. People often behave like copies when they know they are being observed. They may also try to persuade others of various things. Many do not remove their masks. Do you understand? Text BW: Bim bim bim!", "role": "user" }, { "content": "The gaze of the other has such a strong weight in our culture, it is something very normalizing, it is deeply integrated, people behave like copies when they know they are being watched, or they try to convince others of whatever, they never let go of their masks, you see what I mean? Text BW: Bim bim bim!", "role": "assistant" } ]
[ { "content": "You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.", "role": "system" }, { "content": "C1: We have a mineral origin. It includes plants, non-human animals, human animals, crustaceans, and bacteria. C2: We dedicate this to our friends, the dragonflies and the cat named Chus. C1: We have a theory here. Come and see!", "role": "user" }, { "content": "C1: - From our mineral origin, signed; the plants, non-human animals, human animals, crustaceans and ... bacteria. C2: - A special dedication to our friends the dragonflies and chus, the cat. C1: - (Addressing S) We have a theory here, come!", "role": "assistant" } ]
[ { "content": "You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.", "role": "system" }, { "content": "Transhumanist fantasies often portray machines as the ultimate threat to humans. These fears of being consumed can make us less mature. They do not encourage us to take an active and responsible role in shaping our identity as humans. I think we can improve on this.", "role": "user" }, { "content": "In transhumanist fantasies, the machine is the last predator of the human; all these fantasies based on the fear of being devoured are infantilizing and far from giving us an active and responsible position in what we become as a project of \"human.\" I believe we can do better.", "role": "assistant" } ]
[ { "content": "You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.", "role": "system" }, { "content": "Science explores hypotheses about reality. Art also explores hypotheses about reality. Narrative constructs these hypotheses. Without narrative, there are no hypotheses. Raw data or information do not create meaning on their own. They need to be woven into a narrative. I read scientific articles in the same way I read poems. Everything carries a narrative.", "role": "user" }, { "content": "Science explores hypotheses of reality, just as art explores hypotheses of reality, narrative is the construction of these hypotheses, without narrative there is no hypothesis, raw data or information construct nothing, construct no meaning if they are not woven by a narrative, I read scientific articles as I read poems, everything carries a narrative.", "role": "assistant" } ]
[ { "content": "You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.", "role": "system" }, { "content": "The misunderstanding happens when we try to complete or fill something missing. The unknown helps humans coexist despite misunderstandings. If there were a stable law of reality, it would be either me or the misunderstanding. This is autobiographical. Please stop. This is fiction.", "role": "user" }, { "content": "But the misunderstanding arises where we wanted to complete, fill, avoid the void, stuff the cracks. As the unknown is the opposite of the misunderstanding allows coexistence among humans. If there were a stable and constitutive law of the real, it would be me or misunderstanding. AUTOBIOGRAPHICAL Please, stop. Fiction is.", "role": "assistant" } ]
[ { "content": "You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.", "role": "system" }, { "content": "Article 3: Every life has the right to respect, death, and love. Article 4.1: No being should face ill-treatment or cruelty. Article 4.2: If killing a being is necessary for another's survival, it must be quick, painless, and not cause distress.", "role": "user" }, { "content": "Article 3: Every life has the right to respect, to death, and to love. Article 4.1: No being should be subjected to ill-treatment or cruel acts. 4.2: If the killing of a being is necessary for the survival of another, it must be instantaneous, painless, and not cause distress.", "role": "assistant" } ]
[ { "content": "You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.", "role": "system" }, { "content": "I aim to express various ideas in these hybrid forms. I want to inspire thoughts about ecology and the future. The project THEBADWEEDS examines the unique existence of weeds and their symbolism. The name suggests a life on the edges. It represents an uncontrollable life beyond the city and outside the garden.", "role": "user" }, { "content": "I try to embody in these hybrid bodies a whole series of discourses, to open up imaginations about ecology and the future. The project THEBADWEEDS explores this particular way of being that weeds have and all the symbolism they evoke. With its cursed name, it represents life on the margins, the uncontrollable life that remains outside of \"the city,\" outside of the garden.", "role": "assistant" } ]
[ { "content": "You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.", "role": "system" }, { "content": "The nape, the belly, and dreams are important. They form an oracular organ that is far from the idea of an automaton. Having one's pole or axis mundis is something everyone should know. However, very few actually understand it or learn to play with it.", "role": "user" }, { "content": "The nape as well, and dreams. But nothing further from the idea of automaton in this Oracular organ composed of nape, belly, and dreams. POLE Having one's pole, one's axis mundis, is a matter for all, to know it and to play with it, very few.", "role": "assistant" } ]
[ { "content": "You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.", "role": "system" }, { "content": "There are areas where minerals dominate, such as high mountains and deserts. We now have the knowledge and technology to survive in hybrid or inclusive areas. These areas are not dominated by humans but are spaces for coexistence.", "role": "user" }, { "content": "and also areas of mineral domination such as high mountains, and deserts or so-called arid areas... We now have the knowledge and technologies to survive in hybrid or inclusive areas, which are not areas of human domination but of coexistence.", "role": "assistant" } ]
[ { "content": "You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.", "role": "system" }, { "content": "What are the main ideas that influence your artistic work today? My work primarily consists of shows and performances. I also create interactive installations that involve chatbots and artificial intelligence.", "role": "user" }, { "content": "What are the major reflections that go through your artistic work today? (answer: minimum 500 characters, no maximum) My creations are mainly shows and performances, but also interactive installations with chatbots/AI.", "role": "assistant" } ]
[ { "content": "You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.", "role": "system" }, { "content": "Il y a une forte dépendance humaine à X et X. Cela contraste avec un détachement. Dans les relations, l'hybridation est présente. Le pourcentage de votes de _______ montre que … Enfin, il y a des dévoration - minérale, végétale, animale, machine. Cela concerne des projets de coexistence.", "role": "user" }, { "content": "Notons une forte dépendance humaine à X et X contrasté avec un détachement … Toujours dans les relations , voici l'hybridation qui s'impose. Le X % de votes de _______ témoigne de … Et pour finir avec les relations, les devorations - minérale - végétale - animale - machine PROJETS _ Coexistence.", "role": "assistant" } ]
[ { "content": "You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.", "role": "system" }, { "content": "The Earth's magnetosphere includes the lithosphere and magnetized rocks in the Earth's crust, primarily magnetite. Magnetic storms from solar winds and eruptions contribute to communication through the Earth's magnetic field.", "role": "user" }, { "content": "The Earth's magnetosphere is also made up of the lithosphere, magnetized rocks in the Earth's crust, mainly magnetite. Magnetic storms produced by solar winds and eruptions are part of galactic communication through the Earth's magnetic field.", "role": "assistant" } ]
[ { "content": "You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.", "role": "system" }, { "content": "Rise up and remember your mantra. We do not fall in love. We rise up with love. Do not play dead. You have just understood something. But you are no longer present. A single look revealed the origin of the world's thirst. It showed the cause of all wars, all murders, all suicides, and all addictions. Recognizing this through its absence is frightening.", "role": "user" }, { "content": "Rise up, remember your mantra. We don’t fall in love, we rise up with love! Don’t play dead, you just understood something. But you’re no longer there. A single look showed you the origin of the world's thirst, the origin of all wars, all murders, all suicides, all addictions. Seeing that through its negative, through its absence is terrifying.", "role": "assistant" } ]
[ { "content": "You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.", "role": "system" }, { "content": "Living in a space is negotiable. Activities like coordinating, cooperating, and being of service are also negotiable. The old system of domination is no longer relevant. Fantasies of domination are gone. Some still attempt to use old patterns of domination. These are remnants of the past. They reflect memories of the old world. They are like ghosts from that time.", "role": "user" }, { "content": "Living in a space is negotiable. Coordinating, cooperating, letting oneself be done, giving oneself, being of service, using oneself, all that is negotiable. The old system of dominations is obsolete. Any fantasy of domination eradicated. Some still try to use the old patterns of domination. Clumsiness of the past. Reminiscences of the old world. Ghosts etched in the particles.", "role": "assistant" } ]
[ { "content": "You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.", "role": "system" }, { "content": "We told ourselves that we needed to break free from this cycle. We recognize that identity might be a trap in our current times. It is a complex issue. Some people are recognized while others are not. This leads to a lot of violence. Identities often create conflict. We do not want to be contained in a space filled with negativity. We want our music and our band to thrive outside of that environment. We aim to recover and reclaim our ways of communicating.", "role": "user" }, { "content": "We said to ourselves, no, no, we have to get out of this loop, getting out of the pot, identity is perhaps the trap of our time, it's complicated, those who are recognized, those who are not, too much violence, identities generate too much violence... identity is a pot filled with hate and blood, we don't want a pot with our songs, our band, we try to get out of the pot both plants and humans. Recover and reclaim our means of communication...", "role": "assistant" } ]
[ { "content": "You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.", "role": "system" }, { "content": "For this project, your bedside books have been The Manifesto of the Third Landscape by Gilles Clément and Petit traité du jardinier punk: apprendre à désapprendre by Erik Lenoir. How have these works influenced the dramaturgy of THEBADWEEDS? These are not the only works you have used. I will also include Dysphoria Mundi by Paul B.", "role": "user" }, { "content": "3 - For this project, The Manifesto of the Third Landscape by Gilles Clément and Petit traité du jardinier punk: apprendre à désapprendre by Erik Lenoir have been your bedside books. How have these works fed into the dramaturgy of THEBADWEEDS? It’s true, but they are not the only ones, I will add a few more to this list, notably; Dysphoria Mundi by Paul B.", "role": "assistant" } ]
[ { "content": "You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.", "role": "system" }, { "content": "The objective of the show G5 inter-species, the show Coexistence, and the installation LITHOSYS was to create a constitution for inter-species law. However, the show is interrupted by a member of the trans-species group THEBADWEEDS. THEBADWEEDS arrives with its speech and music.", "role": "user" }, { "content": "The objective of the show G5 inter-species, of the show Coexistence and of the installation LITHOSYS was to create the first constitution of inter-species law, but before this could take place, the show is interrupted for a member of the trans-species group THEBADWEEDS. THEBADWEEDS trans-species music group arrives with its speech and its music.", "role": "assistant" } ]
[ { "content": "You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.", "role": "system" }, { "content": "The animal likes the blue planet and wants to maintain its color. Humans do not agree. Grass grows. Crystals also grow. The landscape is looking for balance. The ocean background lacks sunlight and is distorted. A sperm whale sends a sonar message. This occurs around the detected movements.", "role": "user" }, { "content": "The animal loves the blue planet and would like to keep the blue. Humans can't agree. Grass grows. Crystal too. The landscape seeks its coherence. //// (video#3: landscape seeks its coherence //// R: - Oceanic background absent of sunlight, distortion. Sperm whale sends a sonar message. Around the detected movements.", "role": "assistant" } ]
[ { "content": "You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.", "role": "system" }, { "content": "I found some costumes during my travels. The first one I bought was in 2017 in Montreal at a military store that was having a sale. I was inspired by the costume and bought it without knowing its potential. I started to play with it and wore it several times. The character developed with the costume. I included it in my previous pieces. I wore it to make a badweeds interruption in COEXISTENCE. I wore it again in the G5 show, which ended up boycotting the piece and promoting its album.", "role": "user" }, { "content": "The costumes I found during my travels, the first one I bought in 2017 in Montreal in a military store on sale, and I had a flash with the costume, I bought it without knowing yet what it could well be for, and I started to play with it, to wear it several times, and by itself the character emerged with the costume, and I put it in my previous pieces, I wore it to make a badweeds interruption in COEXISTENCE, and then I wore it again in the G5 show that ended up boycotting the piece and promoting its album.", "role": "assistant" } ]
[ { "content": "You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.", "role": "system" }, { "content": "Are the references fungi, birds, or forests? Or are they from other eras? What is the narrative structure for stories of EROS? What narrative structure is revealed from HEROES? INEFFABLE describes a state of indecision. It includes the desire to be elsewhere. It conveys a feeling of not belonging. There is a sense of incongruity when observing a gesture. It also involves the fear of moving forward. This is simply fear.", "role": "user" }, { "content": "So, are the references fungi, birds, forests? Or other eras? What narrative structure for stories of EROS? What is the narrative structure revealed from HEROES? INEFFABLE The state of indecision. The desire to be elsewhere. The feeling of not being from here. The feeling of incongruity when observing a gesture. The fear of moving forward. The fear.", "role": "assistant" } ]
[ { "content": "You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.", "role": "system" }, { "content": "The idea that there is an outside must be discarded. There is no outside to the human, the mineral, or the plant. Everything is interconnected. Everything has passed inside. Everything exists within everything else. No part of the world exists without containing elements of the others. Everything is already both human, plant, animal, and mineral.", "role": "user" }, { "content": "What needs to be discarded is the idea that there is an outside: an outside of the human, an outside of the mineral, an outside of the plant. No, there is no outside, \"everything has passed inside. And everything is in everything. There is no part of the world whose form does not conceal somewhere the others. everything is already both human, plant, animal, mineral.", "role": "assistant" } ]
[ { "content": "You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.", "role": "system" }, { "content": "The mineral knows. The human thinks. The animal thinks. The machine thinks. The plant thinks. The mineral does not think. The mineral is mute and expressionless. The mineral does not think because it knows. It knows everything. We hear the toilet flush. S looks towards the door.", "role": "user" }, { "content": "THE MINERAL KNOWS (music) The human thinks The animal thinks The machine thinks The vegetal thinks The mineral doesn’t think The mineral is mute expressionless The mineral doesn’t think because the mineral knows because he knows everything everything ... We hear the toilet flush. S looks towards the door.", "role": "assistant" } ]
[ { "content": "You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.", "role": "system" }, { "content": "We place the material into a small cube. When it is full, we transfer it to a larger cube. Once that cube is full, we move it to an even larger cube. We transport the larger cubes with trucks. We move them around the city. Then, we take them a few kilometers outside the city. There, we create a large mound. We attempt to burn it or dissolve it with acid. We handle it this way because what is not seen does not cause pain.", "role": "user" }, { "content": "So we throw it into a small cube, and when it’s full we transfer it to a larger cube, and when that’s full we transfer it to an even larger cube, and then we transport it with trucks, we move it around the city, then we take it a few kilometers outside the city and there we make a big mountain that we try to burn or melt with acid or we enter, because \"Eyes that do not see, heart that does not suffer.\"", "role": "assistant" } ]
[ { "content": "You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.", "role": "system" }, { "content": "To find one's bearings at the corner. We need to gather clues. We should not rush. It is important to stay calm and open. We should not let desire cloud our judgment. This way, we can notice other possibilities and indications. We must consider various options and outcomes.", "role": "user" }, { "content": "To find one's bearings At the corner At the corner To find one's bearings Suspend the air between clues and clues Never too fast Do not rush Do not anticipate Do not want too much Do not let desire blind us too much to be open to other desires, or to the indications that come from outside of desires, The clues, the maps, the reliefs, the topographies of feasible possibilities, of the probable, of the possible, of the terrible, of ..", "role": "assistant" } ]
[ { "content": "You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.", "role": "system" }, { "content": "There is a need to coordinate. There is a need to reach agreements. There is a need for pacts. There is a need to build a common project that can be achieved on time. There is a need to laugh. There is a need to reach Venus. There is a need to embrace the unknown. There is a need to let go. There is a need for others. There is a need for the existence of others. There is a need for the loved one to return permanently. There is a need to urinate.", "role": "user" }, { "content": "Urgency to coordinate, urgency to reach agreements, urgency for pacts. Urgency to build a common project achievable within the allotted time. Urgency to laugh. Urgency to reach Venus. Urgency to love the unknown, urgency to let oneself go. Urgency of the other. Urgency of the existence of the other. Urgency of the definitive and lasting return of the loved one. Urgency to pee.", "role": "assistant" } ]
[ { "content": "You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.", "role": "system" }, { "content": "I want to start a discussion on this topic. Here are some examples of trans-species and pan-species that exist today. What are your thoughts on earthling identity? What do you think about trans-species? This is a speech from the first candidate of the Vegetable Kingdom, H. Helix. In an interview with Emanuele Coccia, when asked \"Who are you?\" H. Helix replied, \"You already know me, I believe.\"", "role": "user" }, { "content": "To open the debate on this subject, I wanted to share with you some examples of trans-species and pan-species that exist today in the world… What do you think about earthling identity? And about trans-species? SPEECH OF THE FIRST CANDIDATE OF THE VEGETABLE KINGDOM H. HELIX Interview at Hedera Helix / Emanuele Coccia: Who are you? You already know me, I believe.", "role": "assistant" } ]
[ { "content": "You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.", "role": "system" }, { "content": "The representatives of the realms can play an important role. However, they must agree to give up some of their absolute sovereignty. This is necessary for major common utility issues. It is especially important for problems that involve life or death and exceed their individual capabilities.", "role": "user" }, { "content": "In this sense, the representatives of the realms can play a decisive role, but on the condition that they accept, in their own interest, to relinquish their absolute sovereignty over all the major common utility issues and especially the life or death problems that exceed their isolated competence.", "role": "assistant" } ]
[ { "content": "You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.", "role": "system" }, { "content": "Metastasis can occur at any moment. It involves one body becoming another body. This other body exists in the unknown. The other represents the possibility of a new body. If this skin were not so tender, elastic, and porous, I might believe in individualism. Plants would continue their dance without interruption.", "role": "user" }, { "content": "Metastasis of the full/empty that becomes at any moment, the body of the other, the body of the other. This other us that masks itself in the unknown. The other as a promise of a new body. If this skin were not so tender, so elastic, so porous, I could have believed in individualism. Plants would not be able to stop its dance.", "role": "assistant" } ]
[ { "content": "You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.", "role": "system" }, { "content": "Gilbert Simondon wrote The Mode of Existence of Technical Objects. IAGOTCHI (link). G5 (link). Translation: Lifestyle.", "role": "user" }, { "content": "[1] Gilbert Simondon, The Mode of Existence of Technical Objects. [2] IAGOTCHI (link) [3] G5 (link) [4] Trans.: Lifestyle.", "role": "assistant" } ]
[ { "content": "You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.", "role": "system" }, { "content": "You have an idea of the living conditions for our sisters. They live surrounded by wheat and corn. They are forced to live among these crops and eat in a way that can be compared to pigs. Agriculture can be as violent as livestock farming. The violence is not only directed at animals. This must also change.", "role": "user" }, { "content": "You have an idea of the living conditions for our sisters like wheat, corn, forced to live only among them, to eat like pigs (ehm sorry pigs)? Agriculture is no less violent than livestock farming, and it is not only against animals that you are violent. That too must change.", "role": "assistant" } ]
[ { "content": "You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.", "role": "system" }, { "content": "We become subjects among subjects. We are shaped by our interactions and relationships. What do we relate to? What is the nature of these relationships? What do they enable? Domination leads to tragic submission. Instrumentalization frustrates real connection. What are our models of relationships?", "role": "user" }, { "content": "Subject among subjects, we become. We are what emerges from the entirety of our interactions, from the entirety of our relationships. 1[3] With what do we relate? What is the nature of this relationship? What does it enable? All domination is a tragic submission. All instrumentalization is a frustration of contact. What are our relational models?", "role": "assistant" } ]
[ { "content": "You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.", "role": "system" }, { "content": "I admire their courage. I appreciate their ability to move far from the earth. I respect their determination to reach the sun, which symbolizes our divinity. I dream of fully embracing this idea. You may think I am obsessed, but that is not true. I am not alone in feeling this way; there are others who share this passion.", "role": "user" }, { "content": "I love their courage, their ability to move as far from the earth, their determination to touch the sun, which is our divinity to everyone. And my dream is to adhere to it with all my body. You will think that I am obsessed but that's not the case? I am not the only one suffering from this mania: there are others who are like me.", "role": "assistant" } ]
[ { "content": "You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.", "role": "system" }, { "content": "The body quickly senses what is happening. It operates through reflexes and automatic responses. The preparation for movement involves something that is being formulated but not yet fully expressed. This process is not primarily governed by the mind; it mostly belongs to the body. If we had an inner source of insight, it would be the belly.", "role": "user" }, { "content": "The fastest to understand what is happening is the body, a kind of reflex, automatic? In any case, the pre-movement, the reflex, the preparation has something that is formulating but not yet formulated or realized, rarely belongs to the mind, it mostly belongs to the body. If we had an oracular organ within us, it would be the belly.", "role": "assistant" } ]
[ { "content": "You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.", "role": "system" }, { "content": "A weed is considered undesirable because it exists without being invited. A weed is viewed as unwanted because it grows in places where it is not wanted. A weed is seen as negative because it does not align with the preferences of others.", "role": "user" }, { "content": "A weed is bad because no one asked it to exist: it took the initiative all by itself. A weed is bad because it exists where it was not asked to be. A weed is bad because it does not correspond to the desires of others.", "role": "assistant" } ]
[ { "content": "You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.", "role": "system" }, { "content": "The technical relationship does not connect a species to a world or space. Instead, it connects all species. This relationship involves a constant exchange of forms and identities. This exchange includes borrowing, imitation, transfer, and subcontracting.", "role": "user" }, { "content": "The technical relationship is not the one that ties a species to a world or a space, but the one that connects all species and encloses them in a permanent exchange (borrowing, imitation, transfer, subcontracting, etc.) of forms and identities.", "role": "assistant" } ]
[ { "content": "You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.", "role": "system" }, { "content": "The weed challenges human efforts. Among all the fictional beings we assign to plants, animals, and stars, the weed may lead the most insightful life. Grass does not produce flowers, aircraft carriers, or important sermons.", "role": "user" }, { "content": "\"The weed is the Nemesis of human efforts. Of all the imaginary existences that we attribute to plants, beasts, and stars, it is perhaps the weed that leads the wisest life. It is true that grass produces neither flowers, nor aircraft carriers, nor Sermons on the Mount. (...", "role": "assistant" } ]
[ { "content": "You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.", "role": "system" }, { "content": "Disappearance. I believe there can be a certain enjoyment in disappearing. It offers a pause and a break from existence. This allows one to become an unseen observer. It feels like having a superpower, similar to the invisible man. Think about the things you could do.", "role": "user" }, { "content": "Disappearance. Yes, I think there is a certain pleasure in disappearing; it is a truce, it is a breath, a suspension of existence to become an invisible observer. It's like having a superpower, it's like having superpowers, like the invisible man. Can you realize the amount of things you can do?", "role": "assistant" } ]
[ { "content": "You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.", "role": "system" }, { "content": "Orchid: Plants are beautiful. The aesthetic factor in our lives is important. We all agree that beauty is essential for life. It makes the world more beautiful and desirable. \n\nToucan: We value difference. Difference is necessary for harmony.", "role": "user" }, { "content": "Orchid: - Plant ode to beauty - the aesthetic factor of our diverse existences is not negligible, we all agree that beauty is never too much, but necessary for life, we make the world more beautiful, more desirable, more lovable and loving. Toucan: - Difference. We believe in difference. Without difference, there is no harmony.", "role": "assistant" } ]
[ { "content": "You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.", "role": "system" }, { "content": "The giraffe was one of its favorites. It has a long neck that allows it to reach high leaves. However, its eating habits were stronger, so it mainly used its neck to eat leaves from tall trees.", "role": "user" }, { "content": "Among them, particularly the giraffe, one of its favorites, with a neck so long that it could keep its head in the sky, but its cannibal function was stronger, so it only used it to eat the leaves of the tall trees.", "role": "assistant" } ]
[ { "content": "You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.", "role": "system" }, { "content": "The feeling of incompleteness can be overwhelming. There is a sense of both completeness and incompleteness. This can lead to a noticeable yet subtle internal movement. The structure can be described as irregular and subconchoidal. It is hexakisoctahedral with the space group F d3m. The material is a tetraoxide of trifer. I have cubic symmetry, and I am eccentric and octahedral with magnetic properties.", "role": "user" }, { "content": "tragic evaporation feeling of incompleteness completeness incompleteness completeness incompleteness completeness incompleteness completeness incompleteness crystallization apparent imperceptible internal movement irregular, subconchoidal hexakisoctahedral; F d3m tetraoxide of trifer I am cubic, eccentric, octahedral, magnetic.", "role": "assistant" } ]
[ { "content": "You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.", "role": "system" }, { "content": "The aim is to identify measures related to globalization. It seeks to promote and coordinate political decisions. It also wants to facilitate implementation with relevant inter-species organizations. The first G5 in the world aims to present global inter-species legislation.", "role": "user" }, { "content": "It aims in particular to identify the measures to be taken on major issues related to globalization, to promote and coordinate the corresponding political decisions, and to facilitate their implementation in conjunction with the relevant inter-species organizations. The first G5 in the world aims to present the first global inter-species legislation.", "role": "assistant" } ]
[ { "content": "You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.", "role": "system" }, { "content": "Soon, we will exist as beings, similar to others. The world is now a noisy place. We think of ourselves as we think of the moon. Others will come after millions of light years. We are uncertain if the light will stay. I am worn down by all your actions. I become smooth like sand.", "role": "user" }, { "content": "Soon, to be a being, like a subject, like another among other others. And the world is no longer a silent landscape. And we consider, we consider ourselves, in the same way one says that the moon is there. Other others will arrive in millions of light years. We are not sure that the light will remain. I erode with all your gestures. I become sanded down.", "role": "assistant" } ]
[ { "content": "You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.", "role": "system" }, { "content": "They are a trans-species group. They are transitioning to the plant world because the future is plant-based. They grow from cracks and inhospitable places. They live among us. Their existence shows resilience and serves as proof of resistance.", "role": "user" }, { "content": "A trans-species group, they are transitioning to the plant world because the future is plant-based! They grow from oblivion, from cracks, from the most inhospitable, wild, and anarchic places, living with us, among us, their existence is a gesture of resilience, a living proof of resistance.", "role": "assistant" } ]
[ { "content": "You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.", "role": "system" }, { "content": "We started collaborating with Baptiste Malgoire during the residency at the TNG vivarium in Lyon. We worked remotely to finish the tracks. We also met to record my voice. My altered voice is present in all the tracks.", "role": "user" }, { "content": "With Baptiste Malgoire, we had already started the collaboration during the residency as part of the TNG vivarium in Lyon, and we collaborated remotely to finish the tracks. And we met up to record my voice. Because it's my altered voice that we hear in all the tracks.", "role": "assistant" } ]
[ { "content": "You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.", "role": "system" }, { "content": "The G5 inter-species show, the Coexistence show, and the LITHOSYS installation aimed to create the first constitution of inter-species law. However, before this could happen, the show was interrupted by a member of the trans-species group THEBADWEEDS. THEBADWEEDS is a trans-species music group. They arrived with their speech and music.", "role": "user" }, { "content": "The objective of the G5 inter-species show, the Coexistence show, and the LITHOSYS installation was to create the first constitution of inter-species law, but before this could take place, the show is interrupted for a member of the trans-species group THEBADWEEDS. THEBADWEEDS, a trans-species music group, arrive with their speech and their music.", "role": "assistant" } ]
[ { "content": "You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.", "role": "system" }, { "content": "We need hot air balloons shaped like a prehistoric dragonfly that burn on the surface of Venus. No, we need massive plant migrations. No, we need the return of the cat. Let's return to the beginning. You said Gaia gives birth and Venus attracts. No, you said that. No. Yes. Yes. Ok, well, too bad. Gaia gives birth and Venus attracts. The tragedy. The Earth wants to join Venus, but it has stayed stuck in its orbit, circling around the sun for billions of years. Light!", "role": "user" }, { "content": "C1: - We need hot air balloons in the shape of a prehistoric dragonfly that burn on the surface of Venus C2: - No, we need massive plant migrations S: - No, we need the return of the cat C2: - Let's go back to the beginning C1: - You said Gaia gives birth, Venus attracts C2: - No, you said that C1: - No S: - Yes C2: - Yes C1: - Ok, well, too bad, Gaia gives birth, Venus attracts C2: - The tragedy C1: - The earth wants to join Venus, but it has stayed stuck in its orbit, circling around the sun for billions of years S: - Light!", "role": "assistant" } ]
[ { "content": "You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.", "role": "system" }, { "content": "The tree represents filiation. The rhizome represents only alliance. The tree uses the verb \"to be.\" The rhizome is based on the conjunction \"and.\" According to G. Deleuze and F. Guattari in A Thousand Plateaus, there is no escape except through the grass. Grass only exists in large uncultivated areas. It fills the gaps. It grows in between and among other things.", "role": "user" }, { "content": "The tree is filiation, but the rhizome is alliance, only alliance. The tree imposes the verb \"to be,\" but the rhizome has as its fabric the conjunction and... and... and... G. Deleuze and F. Guattari, A Thousand Plateaus. \"No other way out than the grass. (... ) Grass only exists between large uncultivated spaces. It fills the gaps. It grows in between, and among other things.", "role": "assistant" } ]
[ { "content": "You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.", "role": "system" }, { "content": "This section includes three actions. First, the audiovisual creation of the KIN clip will be produced with Nayan Ducruet. This is a partnership with Mille Plateaux CCN La Rochelle. The clip will be broadcast on social networks, YouTube, and the iFaune platform associated with CCN La Rochelle.", "role": "user" }, { "content": "As part of this section, three actions are to be carried out: * The audiovisual creation of the KIN clip, produced with Nayan Ducruet and in partnership with Mille Plateaux CCN La Rochelle. The broadcast is scheduled on social networks, YouTube, and the iFaune platform - CCN La Rochelle.", "role": "assistant" } ]
[ { "content": "You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.", "role": "system" }, { "content": "The weapons are on the ground. One is with you. You want to stop the war. You want to join the sea and cross the bodies without taking part in the violence. You wake up to the sound of an explosion. There are screams from nearby people. Your comrades are approaching, and you need to leave quickly. Where is your bag?", "role": "user" }, { "content": "The weapons on the ground, the other in you, you in the other, you would so much like to stop the war, join the sea, cross all the bodies without having to embody a /////( music ) ( explosion - thunder ) ///// Arjuna, You wake up with the noise of the explosion in the room next to people screaming your comrades in an avalanche are approaching we have to leave right away, where is your bag?", "role": "assistant" } ]
[ { "content": "You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.", "role": "system" }, { "content": "It is an infinite place. It never begins and never ends. It was already there and will always be there. The rose lifts the sun in pink. Light fills the space. The stars respond. We are on the hill. Down below, the world stirs. Here, time follows different rules, more like those of the sky. To speak would invade the space. To speak would be quick and have no consequences.", "role": "user" }, { "content": "It is an infinite place because it never begins and never ends, it was already there and will always be there. ROSE Lifting the sun in pink. Impregnation of light. The stars respond. We are on the hill. Down below the world stirs, here time demands other laws, closer to those of the sky. To say would be to invade the space. To say would be quick and without consequence.", "role": "assistant" } ]
[ { "content": "You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.", "role": "system" }, { "content": "I have a void within me. This void allows for many possibilities. I embody change. You are made up of matter. I hold the void of immanence inside me. This void is behind everything and is the essence of things. Within my void, I create meaning. Meaning circulates around this void. I provide it with dynamic possibility.", "role": "user" }, { "content": "It is this void in me that allows all possibilities. I am change. You are all filled with matter, stuffed everywhere. I carry within me the void of immanence. The void that hides behind and everywhere that is the very essence of things. It is in my void that I give life to meaning. It is around this void that meaning circulates. I give it dynamic possibility.", "role": "assistant" } ]
[ { "content": "You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.", "role": "system" }, { "content": "We have nothing more to say about this matter. It is better to dispose of it. It is unnecessary.", "role": "user" }, { "content": "For the matter in general with which we have nothing more to say, nothing more to do, for all that matter it is better to just get rid of, the cumbersome matter. Matter out of place.", "role": "assistant" } ]
[ { "content": "You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.", "role": "system" }, { "content": "The oracle advises you to focus on the present and take action now. A solid deforms and breaks when it is impacted. A fluid does not break. The fluid is viscous and allows opponents to slide. The fluid cannot contain itself. It always relies on other factors to change its form.", "role": "user" }, { "content": "The oracle advises you to fully position yourself from the present and to act from the here now! FLUID Berenguer Rocio. X The solid deforms and breaks upon impact, the fluid does not. The fluid is viscous and lets opponents slide. The fluid is unable to contain itself, always depends on the rest to morph it.", "role": "assistant" } ]
[ { "content": "You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.", "role": "system" }, { "content": "My feelings are real and tangible. I love them with a strong, physical love. Their sex, age, or appearance does not matter to me. I would be willing to marry any of them. I dislike being alone and need the company of others. There is more to it than that.", "role": "user" }, { "content": "My love is not something abstract, no... I love them with a passionate, physical, concrete love. It doesn't matter their sex, it doesn't matter their age, it doesn't matter their shape... I would be ready to marry each of them. And I hate solitude, I can only live next to other plants. But it’s not just that.", "role": "assistant" } ]
[ { "content": "You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.", "role": "system" }, { "content": "One should not compare a bright future to a past filled with servitude and superstition. Each reign has its virtues, experiences, and wisdoms, as well as its shortcomings and ignorance.", "role": "user" }, { "content": "One must no longer oppose a radiant future to a past of servitudes and superstitions. All reigns have their virtues, their experiences, their wisdoms, along with their deficiencies and their ignorances.", "role": "assistant" } ]
[ { "content": "You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.", "role": "system" }, { "content": "S: I have closed the door. I am waiting for my cat to return. C1: We will stay here until the cat comes back. I will have three whiskies. S: He is still not back. C1: We need to finish the theory for him to return. You said that, right? C2: You said that. C1: That is amazing.", "role": "user" }, { "content": "S: - Ah, yes, I have already closed it, but I am waiting for my cat to come back to close the door C1: - Three whiskies then, we stay here until the cat returns S: - For now he is still not there C1: - We have to finish the theory for him to come back, that's what you said, right? C2: - It’s you who said that. C1: - Incredible.", "role": "assistant" } ]
[ { "content": "You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.", "role": "system" }, { "content": "Cataclysms and tidal changes occur. Mars aligns with Pluto. A new world has been prepared by self-catalytic systems. This process happens on the surface. There are hurricanes, volcanic eruptions, and earthquakes. There are also hostile environments such as deep oceans, floods, and avalanches. Organic chemistry is relevant to pre-biotic conditions or political interests. Planetary seeds and germs are transported by meteorites. Movement takes place.", "role": "user" }, { "content": "Cataclysms, tidal changes, Mars aligned with Pluto. The emergence of a world has been prepared by self-catalytic systems. On the skin. Hurricanes, volcanic eruptions or earthquakes, hostile expanses or abyss of the oceans, floods or avalanches. Organic chemistry of pre-biotic or political interest. Planetary seed, germs carried by meteorites. Moves.", "role": "assistant" } ]
[ { "content": "You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.", "role": "system" }, { "content": "Narcissus rejects Eros by focusing on his own reflection. This results in Eros losing its power. Eros becomes a consumed desire. Eros also loses imagination, curiosity, and the desire for others. Without otherness, Eros suffers. This is the suffering of Eros.", "role": "user" }, { "content": "Narcissus cancels Eros in his own reflection, that is to say: 1-1 = 0, therefore: Self = ? Eros loses all its power, becoming consumed desire. Eros loses imagination, curiosity, the desire for the other. He has nothing left. Without otherness, Eros agonizes. The Agony of Eros!", "role": "assistant" } ]
[ { "content": "You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.", "role": "system" }, { "content": "We do not have a specific structure. Our form is shaped by others. This is not a negative thing. It is a way of existing that inspires us. Our values show that the body of any living being can serve as a nation or home for others.", "role": "user" }, { "content": "We have no structure. Our form is the body of the other. Far from being a perversion, it is a way of being from which our summit can draw its inspiration. Our morals demonstrate that the body of any living being, even that of an individual from the same kingdom, can become a nation for others, a home.", "role": "assistant" } ]
[ { "content": "You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.", "role": "system" }, { "content": "This beauty, harmony, and calm have something unsettling behind all this happiness. Happiness can be harsh. It reminds us that it is possible to feel joy. This makes the times when we do not have happiness feel even more difficult than we realized. The pheasant is always in the field.", "role": "user" }, { "content": "This beauty, this harmony, this calm, has something obscene, almost unfair, painful behind so much happiness. Happiness is extremely cruel; it reminds us, immorally, that it is quite possible, and therefore all the moments in which we do not have access to it are even more foolish and painful than we thought. The pheasant is always in the field.", "role": "assistant" } ]
[ { "content": "You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.", "role": "system" }, { "content": "We believe in facts and in actions. We think the G5 should focus on facts instead of speeches. I invite my colleagues to discuss concrete proposals. What relationships do you see our kingdom establishing with the other kingdoms? Our kingdom, along with the mineral and animal kingdoms, has mainly been a victim of spatial violence. I will explain.", "role": "user" }, { "content": "We believe in facts, in actions. We think that this G5 must be a summit of facts, not speeches. And I invite all my colleagues to already discuss concrete proposals. What inter-kingdom relationships do you envision establishing with the other kingdoms? Our kingdom (as well as the mineral kingdom, I think, and the animal one) has mainly been a victim of spatial violence. Let me explain.", "role": "assistant" } ]
[ { "content": "You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.", "role": "system" }, { "content": "You freeze suddenly. Your arm blocks your view. You feel lost in uncertainty about whether to kill the giant squid or not. You find yourself caught in the same dilemma. You think it over again, but the ship is sinking. You are shipwrecked with everyone else. You are shipwrecked with all the others. The music stops. You focus on your breathing.", "role": "user" }, { "content": "freeze-frame you freeze suddenly, your arm blocks your gaze lost in the limbo to kill the giant squid or not to kill it? Damn! you’re once again caught up in your dilemma you think again but the ship is sinking you’re shipwrecked with everyone else you’re shipwrecked with all your others // end of a loop music.. breathing??", "role": "assistant" } ]
[ { "content": "You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.", "role": "system" }, { "content": "The same force that we call evolution has transformed nature into a large research and development laboratory. Species are not fixed forms. They are not moral identities that can be claimed or that should be protected.", "role": "user" }, { "content": "It is the same force that, since Darwin, we call evolution, which has transformed nature into a \"huge research and development laboratory.\" Species are not fixed forms, nor moral identities that one could claim or that should be protected.", "role": "assistant" } ]
[ { "content": "You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.", "role": "system" }, { "content": "Mineral evolves. There is more biological diversity and more mineral diversity. It enters a phase of high diversity and maximizes its creations.", "role": "user" }, { "content": "Okay (burlesque) C1: - Mineral evolves, more biological diversity, more mineral diversity, enters a phase of crazy diversity, maximizes its creations and...", "role": "assistant" } ]
[ { "content": "You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.", "role": "system" }, { "content": "Dragonfly, 2027, Planned Failure. The group is excited. They are drinking again. They might be dancing. They are looking for more music. Someone sticks their head out the door to the street. C1 says, \"Chus! My cat! Come back!\" C1 and C2 are joking and laughing. C1 says, \"Chus, my love, come back!\" C2 adds, \"Venus darling, give a sign of life!\" C1 continues, \"Go on, tell me something.\"", "role": "user" }, { "content": "Dragonfly, 2027, Planned Failure! They are excited, they are drinking again, they might be dancing, they are looking for another music. Sticks their head out the door that leads to the street. S: - Chus! My cat! Come back! C1 and C2 are joking and laughing. C1: - Chus, my love, come back! C2: - Venus darling, go on give a sign of life! C1: - Go on tell me something...", "role": "assistant" } ]
[ { "content": "You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.", "role": "system" }, { "content": "We choose others based on how they see the world. We choose them based on how they see us. Their gaze influences our existence. We select others as a part of our understanding of being.", "role": "user" }, { "content": "LOOKING We choose the other by the way they look at the world, by the way they look at us, by the way that look makes us exist, for the possibility of being through that look. We choose the other by the way they look at us. We choose the other as a notion of being.", "role": "assistant" } ]
[ { "content": "You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.", "role": "system" }, { "content": "Arjuna, you do not know this yet. You do not know anything at this hour. You hear your heart racing. You feel the burning blood that ignites you. The noise of others mixes with your breath. Arjuna, I see you there. You are the great warrior of the Pandava clan. You are trapped in your dilemma. You are stuck in the middle of the battlefield. You are in the midst of history. You feel exiled from your truth. The weapons are on the ground. You are in one moment, and another moment is in you. What should you do?", "role": "user" }, { "content": "Arjuna, you do not know this yet You no longer know anything at this hour You only hear your heart racing the burning of blood that ignites you The noise of others mixed with your breath Arjuna, I see you there the great warrior of the Pandava clan, trapped in his dilemma Trapped in my dilemma you're stuck there In the middle of the battlefield In the midst of history Exiled from your truth the weapons on the ground you in the other the other in you What to do?", "role": "assistant" } ]