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[
{
"content": "You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.",
"role": "system"
},
{
"content": "Homeostasis is a dance performance that involves dialogue with artificial intelligence. I tell the story of a character. She wants to reprogram her internal structure to become a better version of herself. On stage, she starts a surreal dialogue with a computer using voice recognition.",
"role": "user"
},
{
"content": "Homeostasis is a dance performance in dialogue with an artificial intelligence, I tell the story of a character who, wishing to reprogram her internal structure and achieve an improved version of herself, initiates, on stage, a surreal dialogue with a computer through voice recognition.",
"role": "assistant"
}
] |
[
{
"content": "You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.",
"role": "system"
},
{
"content": "Politics involves positioning a group in a place where it is not meant to be.",
"role": "user"
},
{
"content": "\"Politics involves placing a body at the exact point where it should not be.\" (Lluís Calvo, The Infiltrator, ibid., p. 33; trans. R. Berenguer.)",
"role": "assistant"
}
] |
[
{
"content": "You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.",
"role": "system"
},
{
"content": "Adversity is present in your life. You can find comfort in knowing that adversity is external to you. This situation can be worse if it is within you. If you seek advice, do not run away from your problems. They will eventually catch up to you. Confront your challenges now rather than waiting. This is an opportunity you should take. You can change your worst enemy and opposing forces into your best ally.",
"role": "user"
},
{
"content": "Adversity is facing you, the only thing you can take comfort in is the fact that adversity is not within you, that is always worse. So if you want advice, do not run away, for it will always catch up with you, confront it now and do not wait any longer, the opportunity is to be seized now. Transform your worst enemy and the opposing forces into your best ally.",
"role": "assistant"
}
] |
[
{
"content": "You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.",
"role": "system"
},
{
"content": "C2: - That was a good attempt. However, you did not answer the question about the mineral origin. I have another one. \nC1: - Go ahead and try. \nC2: - The dragonfly has a pebble in its head. \nC1: - So, we are going to order two drafts after all, correct?",
"role": "user"
},
{
"content": "C2: - Hahaha, good attempt, but you don’t answer to the mineral origin, I have another one... C1: - Try C2: - The dragonfly has a pebble in its head. (little silence) C1: - We’re going to order two drafts after all, right?",
"role": "assistant"
}
] |
[
{
"content": "You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.",
"role": "system"
},
{
"content": "There is no apparent impact on the movements of tectonic plates. There is no apparent impact on the smile of the human-machine hybrid individual during a gesture of tenderness between two kittens. There is no apparent impact on the combustion of algae on the ocean floor where there is no sunlight.",
"role": "user"
},
{
"content": "No apparent impact on the movements of tectonic plates. No apparent impact on the smile of the human-machine hybrid individual, facing a gesture of tenderness between two kitten animals. No apparent impact on the combustion of algae in the ocean floor absent of sunlight.",
"role": "assistant"
}
] |
[
{
"content": "You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.",
"role": "system"
},
{
"content": "Our main proposal is about space. We suggest reorganizing space. This would lead to eliminating the city and the countryside. We want to create more inclusive areas. We need to move away from human ghettos. It is important to build diverse sites where all aspects are represented in a balanced way.",
"role": "user"
},
{
"content": "Our main proposal concerns, as I told you, space. We advocate for a reorganization of space that leads to the abolition of the city and the countryside and the construction of spaces that are more inclusive. Enough with the ghettos of humans. We need to think about building plural sites where all realms are represented in a balanced way.",
"role": "assistant"
}
] |
[
{
"content": "You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.",
"role": "system"
},
{
"content": "The \"songs\" are imagined instead of performed. The lyrics are spoken in a straightforward manner but follow a rhythmic pattern that is engaging. The preface or postface is an optional addition. It can provide inspiration or a voice in the introductory or concluding sections. The preface or postface includes anonymous speech: Nothing could change except for time.",
"role": "user"
},
{
"content": "The \"songs\" are imagined rather than slamed, with the lyrics simply spoken in a linear voice but in the rhythm of a music that engages. The preface or postface is an annex, to be used or not, to be inspired by or not, to give a voice in the preface or postface. PREFACE OR POSTFACE: Anonymous speech: Nothing could except time.",
"role": "assistant"
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] |
[
{
"content": "You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.",
"role": "system"
},
{
"content": "I am a human. Nothing human is foreign to me. Humans often seek meaning, belonging, and usefulness. Language is a powerful tool. It creates meaning, but it can also divide and confuse us. It connects us and separates us. It can bring us relief but also distance us from life. Do we appreciate other languages?",
"role": "user"
},
{
"content": "\"I am a human, nothing that is human is alien to me.\" \"I am a human, nothing that is human is alien to me.\" The human, like the last of strangers to oneself, constantly multiplies in the quest for meaning, belonging, usefulness. Generator of meaning, abstract, symbolic, language builds us, destroys us, unites us, divides us, relieves us and tears us away from life. Do we know how to savor other languages?",
"role": "assistant"
}
] |
[
{
"content": "You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.",
"role": "system"
},
{
"content": "It is a mirror suspended in infinite space. A thick curtain has been drawn over it. It is a very viscous object. It has an emergent nature and is plastic, multiple, relative, and determined. It forms and deforms based on the entities that make it up.",
"role": "user"
},
{
"content": "It's a mirror, suspended in an infinite space on which a thick curtain has been drawn. It's an extremely viscous object, of emergent nature, plastic, multiple, relative, and determined. It forms and deforms according to the entities that constitute it.",
"role": "assistant"
}
] |
[
{
"content": "You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.",
"role": "system"
},
{
"content": "Revolutionary weeds and page breaks exist. There is affirmative action. Spy microphones are found on the ocean floor. Corals are losing vitality. Terrestrial life is also losing vitality. Utopias are experiencing desertification. There are absurd humorists and politicians. Clumsy jokes are common. I identify with you. Millions of galaxies are discovered each week. Distant lives are being found. Life here is drying up. Old Europe is losing vitality. We are distracted by screens. We are considered contact cases even without contact. Tomorrow poses a threat. Yesterday demands justice. Tomorrow is a menace. Yesterday challenges a distorted reality. Machine guns continue to be produced. Nation-states are also being formed. Elites exist. The softness of the soul is important. Stop.",
"role": "user"
},
{
"content": "Revolutionary weeds, page breaks, affirmative action, spy microphones from the ocean floor, de-vitalization of corals, de-vitalization of terrestrial life, desertification of utopias, absurd humorists and politicians, clumsy jokes, I am one of you, discoveries of galaxies by the millions/week, discoveries of distant lives, and life here is drying up, old Europe is de-vitalizing, we are absent in the present in the abyss of screens, we are contact cases, even without contact, we are contact cases, tomorrow is a threat, yesterday demands justice, tomorrow is a menace, yesterday shakes the foundations of a twisted reality, machine guns are still being made, nation-states too, elites, the softness of the soul, the… STOP.",
"role": "assistant"
}
] |
[
{
"content": "You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.",
"role": "system"
},
{
"content": "I wanted to invest in a new way of working. I sought a method that would give me more freedom and authenticity. I started by zoning out. I practiced wandering and being present in a space without a set goal. I welcomed whatever emerged from improvisation and focused on the present moment.",
"role": "user"
},
{
"content": "I felt the urge to invest in a completely new way of working, a new method allowing me to find more freedom, more authenticity. I started by \"zoning,\" being there, practicing wandering, inhabiting a space without a predefined goal, and welcoming whatever may emerge from improvisation, from a particular state, anchored in the present, in emptiness.",
"role": "assistant"
}
] |
[
{
"content": "You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.",
"role": "system"
},
{
"content": "The approaches and attempts to engage with an object that is too dynamic and complex are challenging. It is difficult to define such hyperobjects. For example, how can one manage water without a bucket?",
"role": "user"
},
{
"content": "The approach, the approaches, the attempts to approach an object that is too moving, too complex, and too uncontainable in a simple concept, how to handle its hyperobjects, how to handle water without a bucket?",
"role": "assistant"
}
] |
[
{
"content": "You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.",
"role": "system"
},
{
"content": "The conflicts within us are less significant than those affecting the planet. These larger conflicts involve relationships between different kingdoms rather than within the same kingdom. What initiatives does the plant kingdom propose? We have identified some initiatives that appear to be shared among various kingdoms.",
"role": "user"
},
{
"content": "The wars inside us are much less important than those that are ravaging the planet and that concern the relationships between different kingdoms and not the members of the same kingdom. What projects are presented by the plant kingdom? So far, we have managed to identify some projects that seem to be fairly shared among the various kingdoms.",
"role": "assistant"
}
] |
[
{
"content": "You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.",
"role": "system"
},
{
"content": "Oregon has prohibited us from moving. This includes us, the plants. It is unfair that this did not affect the vote. Do you have any information on other candidates from the plant kingdom for the grand G5 summit? Yes, there were many.",
"role": "user"
},
{
"content": "One of your nations, Oregon has prohibited us from moving: us, the plants!! But it's so unfair that it did not influence the vote. Do you have any insights on other candidates from the plant kingdom for the grand G5 summit? Of course! There were many.",
"role": "assistant"
}
] |
[
{
"content": "You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.",
"role": "system"
},
{
"content": "Breathing with the world means not blocking the breath. It is about allowing movement and the natural rhythm of life. The world's rhythm is present in both expiration and inspiration.",
"role": "user"
},
{
"content": "Breathing with the world is not blocking the breath, not stopping the movement of its pulsation, the world's pulsation organizes itself in expiration, inspiration.",
"role": "assistant"
}
] |
[
{
"content": "You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.",
"role": "system"
},
{
"content": "Her theory suggests that all myths from different eras and cultures share a common element: the great mythical Hero. The term \"Monomyth\" is similar to \"Monolith.\" However, after reading the book, I do not see why one should model a realistic human character after the hero.",
"role": "user"
},
{
"content": "Her theory argues that the common denominator of all myths from all eras and all cultures is the great mythical Hero. Monomyth sounds like Monolith. But after reading the book, I don't understand why, when working on the construction of a realistic human character, one should build it according to the model of the hero.",
"role": "assistant"
}
] |
[
{
"content": "You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.",
"role": "system"
},
{
"content": "I do not understand the problem with being subjective. We are subjects, not objects, so I do not see how we can be objective. This is the main point of G5—everyone is a subject, including minerals. What is important is that we can create a common inter-subjective space. We can do that, but we cannot create an objective space. Let’s reserve objectivity for objects. We are subjects, and we need to develop our hyper-subjectivities and inter-subjectivities.",
"role": "user"
},
{
"content": "But I don't see what the problem is with being subjective, if we are subjects, I mean, we are not objects, so I don't see how we could be objective, I mean precisely that's the subject of G5, that we are all subjects, that the mineral is a subject, what is relevant here is that we can create a common inter-subjective space, yes, we can do that, but we cannot create an objective space, you see what I mean, let's leave objectivity to objects, we are subjects, we need to develop our hyper-subjectivities, and inter-subjectivities.",
"role": "assistant"
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] |
[
{
"content": "You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.",
"role": "system"
},
{
"content": "The image of your lips evokes strong feelings. They hold the memory of all the kisses. They remind me of what has happened and what could happen. They represent the possibility of pleasure. They are a gateway. The point is relative and movable but always has a specific location. It is situated above. Yes, it is up there. The point is always positioned above.",
"role": "user"
},
{
"content": "The image of your lips produces a great erotic sensation, in them the memory of all the kisses, in them the memory of what they have done to me, of everything they can do to me. In them the possibility of pleasure, in them the door. CIME Relative point, movable, but which always has a determined place. Up there. Yes. It is there. The point is placed up there. Always up there.",
"role": "assistant"
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[
{
"content": "You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.",
"role": "system"
},
{
"content": "I come from a diverse family that has lived in Europe and Western Asia. I am familiar with the soils and stones of many countries. I have met many people and animals. I understand their demands, needs, and small quirks. I know their language and can communicate with them. In short, I am an effective diplomat. I am particularly suited for this role because I exist at the intersection of cultures.",
"role": "user"
},
{
"content": "I come from a cosmopolitan family that has lived in Europe and Western Asia: I know the soils and the stones of many countries, I have met many humans and many animals. I know their demands, their needs, their little vices. I know their language, I can speak to them. In short, I am a perfect diplomat. And I am especially this because I am a being of the border.",
"role": "assistant"
}
] |
[
{
"content": "You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.",
"role": "system"
},
{
"content": "We often forget that minerals make up space. Stones protect and support us. Look carefully at your surroundings. Look above, below, to the left, to the right, in front of you, and behind you. The minerals are your foundation. You are surrounded and protected by them.",
"role": "user"
},
{
"content": "We often forget, but in fact it is the minerals that make up space, it is the stones that host us, that protect us, that support us. Look carefully at the place where you are: above, below, to the left, to the right, in front of you as well as behind you. The minerals are your first world: you are surrounded by them, protected by them, hosted by them.",
"role": "assistant"
}
] |
[
{
"content": "You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.",
"role": "system"
},
{
"content": "Where is he? Take him quickly before the police arrive. It is humid outside. We walk through the small empty streets of old Barcelona. What happened?",
"role": "user"
},
{
"content": "Where is he? Take him, hurry! Before the police arrive. It's humid outside. We cross the night in the small empty streets of old dirty Barcelona. What happened?",
"role": "assistant"
}
] |
[
{
"content": "You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.",
"role": "system"
},
{
"content": "C2: After many years of research, we are back to the hot air balloon. It is surprising. The hot air balloon is not a bad idea. Why is it called dragonfly? C1: I do not know. S: That is for the dragonfly song. (he laughs) C2: What dragonfly song? S: You do not know it? C2: No. S: Listen.",
"role": "user"
},
{
"content": "C2: - After all these years of research, we are back to the hot air balloon, incredible, after all, the hot air balloon isn't such a bad idea. Why is it called dragonfly? C1: - I don't know... S: - That's for the dragonfly song.. (he laughs) C2: - What dragonfly song? S: - You don't know it? C2: - No. S: - Listen.",
"role": "assistant"
}
] |
[
{
"content": "You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.",
"role": "system"
},
{
"content": "INTER-SPECIES COMMUNICATION PROJECTS: EECCS (Embodied Extended Cognition Communication System) is a new method. The EECCS project allows for the embodiment of different bodies using various techniques. This aims to help develop their own languages.",
"role": "user"
},
{
"content": "INTER-SPECIES COMMUNICATION PROJECTS: #EECCS (Embodied Extended Cognition Communication System) The EECCS is an emerging method. The EECCS project offers the possibility to embody various bodies through various techniques to develop their own languages.",
"role": "assistant"
}
] |
[
{
"content": "You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.",
"role": "system"
},
{
"content": "I borrow all these words. I take them and go into debt. I have a growing semantic debt. Can you see it? It is on my glottis. It is the excess debt of this language. Do you see it?",
"role": "user"
},
{
"content": "All these words I borrow, I borrow them and I go into debt, I have an exponential semantic debt, growing, growing, ah... growth, can you see it there? on my glottis? It's the debt in excrescence of this language. Do you see or not?",
"role": "assistant"
}
] |
[
{
"content": "You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.",
"role": "system"
},
{
"content": "The party is coming to an end. Some people are still enjoying the afterparty with Elon Musk and his friends. Others are feeling worn out and dealing with hangovers. They seem disheartened. We have taken control of the future. It is our responsibility to set the rules now. We are serious about finding joy. It looks like you need rest. You seem tired. It might be time for you to go to bed.",
"role": "user"
},
{
"content": "We are reaching the end of the party, some continue high in the afterparty with Elon Musk and his gang of psychopaths, the rest drag themselves like ghosts with their hangovers, no longer believing in anything, that’s enough now we have kidnapped the future, it’s up to us to decide the game and its rules now we are very serious about our joys yujuuuuu hehehe yeahh day ki ki pou pouuuummm your world no longer stands you look tired go to bed to sleep!",
"role": "assistant"
}
] |
[
{
"content": "You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.",
"role": "system"
},
{
"content": "We do not have written laws. We meet, negotiate, renegotiate, and renew our rituals consistently. I think humans have forgotten that the law is not just words on paper. The law is about coming together and finding agreements. This is what we do here.",
"role": "user"
},
{
"content": "We do not have written laws, but we never stop meeting, negotiating, renegotiating, and renewing our rituals. I believe that you humans have forgotten that the law is not just phrases written on paper. The law is the act of gathering and finding agreements. That is what we do here.",
"role": "assistant"
}
] |
[
{
"content": "You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.",
"role": "system"
},
{
"content": "Before coming into contact with an insect, we must wash thoroughly. We often have disagreements, but we also meet to reaffirm our shared rules of life.",
"role": "user"
},
{
"content": "For example, before coming into contact with an insect, we must perform many ablutions. We often argue, but we often meet to re-establish our common rules of life.",
"role": "assistant"
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[
{
"content": "You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.",
"role": "system"
},
{
"content": "It is not just voyeurism. That is not what is occurring. It is more about the experience of being everywhere at once. It is a paradox of being present and absent simultaneously. You can observe your life without being part of it. You can see from the center. You can observe from the negative space. It involves absence and potential. There is always the possibility of appearing suddenly. It can disrupt the ordinary with a simple act of sudden appearance.",
"role": "user"
},
{
"content": "It's not simple voyeurism, no, that's not where it's happening, it's more an experience of ubiquity, being paradox, being there and not there at the same time, you can observe your life without you with you, from the center, from the middle, the negative space, observing from the center, in negative, being absence and possibility, because there is always the possibility, the possibility of appearing there, suddenly, to burst in, to shatter immanence, to break the real by a simple gesture of sudden appearance.",
"role": "assistant"
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] |
[
{
"content": "You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.",
"role": "system"
},
{
"content": "The birds are leaving. The machine sends signals of complaint. Human: Who else created a medicine for other species? Plant: I did! Machine: We make the world understandable. Humans would not be dominant without us. Mineral: We are the oldest.",
"role": "user"
},
{
"content": "The birds are leaving /// the machine sends signals of complaint. Human: - Who else created a medicine that is solely dedicated to other species? Plant: - Me! Machine: - It is thanks to us that the world has become understandable and thinkable. Humans would be nothing, would never have to be a dominant kingdom without us. Mineral: - We are the oldest.",
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[
{
"content": "You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.",
"role": "system"
},
{
"content": "It is frightening to realize how mistaken we are. It is alarming to recognize the glue of existence in everything around us. Loving is not a choice; it is a fundamental state of being. However, there is amnesia regarding this truth. This forgetfulness is also frightening.",
"role": "user"
},
{
"content": "It's terrifying to understand how wrong we are. It's terrifying to become aware of the glue, of the reality of the glue, of its existence everywhere, in everything, it's terrifying, it's terrifying. Loving is not a choice, it is the original state of matter. But. Amnesia. The amnesia of that, it's terrifying.",
"role": "assistant"
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[
{
"content": "You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.",
"role": "system"
},
{
"content": "If speaks perfect Esperanto. Hello. I am happy. I have heard a lot about you. We produce explosives but we need some information. Maybe you know how much sulfuric acid is needed? Yes, Arjuna, they are calling you. Emma Godman, Louise Michel, Rosalia de Castro, Concepción Arenal, Mathilde Landa, Victoria Kent, Frederica Monseny. The Pasionaria. The Pasionaria. The Pasionaria.",
"role": "user"
},
{
"content": "If speaks perfect Esperanto Hello Hello I am happy, I have heard a lot about you, we produce explosives but we lack some information, maybe you know how much sulfuric acid is needed? Yes Arjuna, here they are calling you; Emma Godman, Louise Michel, Rosalia de castro, Concepción Arenal, Mathilde Landa, Victoria Kent, Frederica Monseny… The Pasionaria.. The Pasionaria.. The Pasionaria..",
"role": "assistant"
}
] |
[
{
"content": "You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.",
"role": "system"
},
{
"content": "The unknown can create fear. It raises questions about our place in the world. We experience a sense of vertigo and anxiety. There are also feelings of love and desire. Life often feels temporary due to programmed obsolescence. It is challenging to know how to deal with all these feelings and uncertainties. What should we do with everything we face?",
"role": "user"
},
{
"content": "Of the unknown and the fear of the unknown and our place in it and the void the vertigo the awful vertigo the fear and the others and what to do with that with all that with the others and what to do and the fear and the others and the unknown and what to do, and what to do with all that the void and all that the fear and all that love and all that desire and all that the programmed obsolescence of life and all that And what the fuck to do with all that?",
"role": "assistant"
}
] |
[
{
"content": "You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.",
"role": "system"
},
{
"content": "How can error be integrated as a form of bias in communication between the body and the machine? What role do randomness and accidents play? On stage, there is a control room with three computers, sensors, piezo elements, a microphone, a Kinect, and another microphone for the voice. The protagonist uses their voice to control the entire show and production.",
"role": "user"
},
{
"content": "How to integrate error as bias, as a protocol of communication between the body and the machine? What place for the random, for the accident? On stage, a control room with three computers, sensors, piezo, microphone, kinect, and a microphone for the voice through which the protagonist controls the entire show, the entire production.",
"role": "assistant"
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[
{
"content": "You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.",
"role": "system"
},
{
"content": "ORACULUM is a divinatory act. Speak to me. Do not leave me alone in the void. Give me an echo of my existence. Let me rise above the nonsensical. Be a mirror. HERE ARE DRAGONS STARS METEORS. INDECISION is a disease that is not taken seriously enough. It deserves more attention.",
"role": "user"
},
{
"content": "ORACULUM Divinatory act. Speak to me. Do not leave me alone in the void of things. Give me an echo, a resonance to my existence. Let me be beyond the nonsensical. Be a mirror. HERE BE DRAGONS STARS METEORS.. INDECISION Indecision is a disease that has not been taken seriously enough. It could be taken much more seriously.",
"role": "assistant"
}
] |
[
{
"content": "You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.",
"role": "system"
},
{
"content": "It is time to sleep. The adults need to sleep. We have recognized a pattern. Today is always today. This is a constant truth.",
"role": "user"
},
{
"content": "to go to sleep! the adults! sleep! yes. YES. Because we realized it, now we understand the trap today is always Today is every day!!!! yes!! It's true!!! always, all the time is today all the time!!!",
"role": "assistant"
}
] |
[
{
"content": "You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.",
"role": "system"
},
{
"content": "She pushed me during the months of confinement. I set a new challenge for myself. I wanted to tell an eco-sexy story. It would involve enticing, eco-sexy bodies that desire and vibrate with seeds of possible futures. I decided that THEBADWEEDS would become a reality. The trans-species music group would happen.",
"role": "user"
},
{
"content": "She pushed in me during the months of confinement. I set myself a new challenge. To tell an eco-sexy story, a proposal that is enticing, eco-sexy bodies, desiring, vibrating and full of seeds of possible futures. So I told myself that THEBADWEEDS was going to exist for real, that the trans-species music group was going to happen.",
"role": "assistant"
}
] |
[
{
"content": "You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.",
"role": "system"
},
{
"content": "We can form a mutual association. Each kingdom can benefit from its connections with others. Humans can benefit from plants. Plants can benefit from animals, including insects. Animals can benefit from machines, and machines can benefit from minerals. There are additional reasons as well.",
"role": "user"
},
{
"content": "But we can create a mutualist association where each kingdom draws its profit from the association with others: men from plants, plants from animals (our friends the insects!), animals from machines, and machines from minerals. And conversely….. There are other reasons too.",
"role": "assistant"
}
] |
[
{
"content": "You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.",
"role": "system"
},
{
"content": "The Oracles communicate with us in various ways. They speak through the shells of turtles, ashes, and bones of sacrificed animals. They also speak through the stars, bushes, and feathers. They can be found in unconscious gestures and the folds of bed sheets upon waking. Their messages are present in the shadows created by the words we use. ",
"role": "user"
},
{
"content": "That the Oracles speak to us in the shells of turtles, in the ashes, in the bones of sacrificed animals, in the stars, in the bushes, in the feathers, in the gestures of the unconscious, in the folds of the bed sheet upon waking, in the shadows cast by the words we wear out. ________________ Berenguer Rocio.",
"role": "assistant"
}
] |
[
{
"content": "You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.",
"role": "system"
},
{
"content": "The other half of our existence relates to what Jung termed the collective unconscious. This aspect includes not only humans but all species that exist, have existed, and will exist. For the shamans of Siberia, dreaming offers access to a reality where all species and beings are present. It is a space for communication and dialogue among all living beings, as well as the dead. It encompasses all forms of existence.",
"role": "user"
},
{
"content": "But the other half of the time of our existence with the whole that is part of what Jung called the collective unconscious, has the difference that it is not only about humans, but about all species, that exist, that have existed and that will exist… :) For the shamans of Siberia, dreaming is accessing the true real in which all species and beings are present, and one can communicate with them, it is the meeting and dialogue space of all living beings, well, and the dead too, so, let's say of all beings.",
"role": "assistant"
}
] |
[
{
"content": "You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.",
"role": "system"
},
{
"content": "We have corrected the angles. We have adjusted the measurements. We have standardized the gestures. We have acquired ready-made phrases. We should be able to live in society easily now. Now that this is said, we can focus on what we were going to do.",
"role": "user"
},
{
"content": "We have corrected the angles, adjusted the measurements, standardized the gestures, acquired ready-made phrases, normally we should be able to live in society easily now. Well; once this is said we can tackle what we were going to do.",
"role": "assistant"
}
] |
[
{
"content": "You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.",
"role": "system"
},
{
"content": "You loved a lot and gave a lot. Your heart feels broken. We had something special. Please gather yourself, Arjuna.",
"role": "user"
},
{
"content": "You loved so much, you gave so much that your heart is shattered, exploded. Damn Arjuna, damn... damn damn damn!!! We had something there, we were holding something there, damn! Get it together Arjuna, pull yourself together!",
"role": "assistant"
}
] |
[
{
"content": "You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.",
"role": "system"
},
{
"content": "I read the book, but I do not understand why a realistic human character should be modeled after a hero. For Campbell, the hero represents a psychic structure of individual initiation within a group. He declared the death of the hero myth at the end of his book in 1949. It is now 2023.",
"role": "user"
},
{
"content": "But after reading the book, I do not understand why, when working on the construction of a realistic human character, one should build it according to the model of the hero. For Campbell, the hero is a psychic structure of individual initiation within a group. Campbell announces the death of the hero myth at the end of his book, in 1949. Damn. It’s 2023.",
"role": "assistant"
}
] |
[
{
"content": "You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.",
"role": "system"
},
{
"content": "The real hides from our senses. We also try to get close to it. The process is not simple. Being is a game. We have made progress. We are among the first to adopt a plant-based lifestyle. It is not easy, and we face many challenges. However, our experience might inspire others.",
"role": "user"
},
{
"content": "Hehe The real plays hide and seek with our senses So we also play hide and seek to get as close to it as possible, the real no, but it’s a process, being is a game, a process, it’s not simple, but we have done it, we are the first to have come out as plant-based, there you go it’s not simple, we take a lot of blows, but maybe that can inspire others..",
"role": "assistant"
}
] |
[
{
"content": "You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.",
"role": "system"
},
{
"content": "Then is the place where procrastination and big decisions exist. They meet every day at the beach while enjoying ice creams. It is a space where things happen without desire. Many things end up in this place. It is one of the most visited spots on Earth. Sometimes, important things are hidden behind what you have forgotten.",
"role": "user"
},
{
"content": "THEN Then is the place where procrastination and big decisions live, they meet every day on the beach eating ice creams of time, aroma escape. It is the place where everything goes without desire. In reality, many things go to that place; it is one of the most frequented on the human planet, sometimes we can even find important things hidden behind what you forgot.",
"role": "assistant"
}
] |
[
{
"content": "You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.",
"role": "system"
},
{
"content": "This became the G5 Inter-species project 3. It was created in 2020 and consists of three parts: G5 (show), COEXISTENCE (performance), and LITHOSYS (installation). The title G5 humorously refers to summit types like G8 or G20.",
"role": "user"
},
{
"content": "This is what became the G5 Inter-species project 3,[3] created in 2020, a three-part project: G5 (show), COEXISTENCE (performance), and LITHOSYS (installation). G5 is a title that humorously refers to summit types like G8 or G20.",
"role": "assistant"
}
] |
[
{
"content": "You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.",
"role": "system"
},
{
"content": "A guitar made of copper wires sits on his head. It sends information that excites 500 anxious sparrows. Some individual mosquitoes on their heads are missing oxygen.",
"role": "user"
},
{
"content": "On his head a guitar made of copper wires like a score in the sky, sends confidential information that tickles the legs of 500 anxious sparrows. On their heads, some individual lost animal mosquitoes are lacking oxygen.",
"role": "assistant"
}
] |
[
{
"content": "You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.",
"role": "system"
},
{
"content": "Transhumanist fantasies portray machines as the final threat to humanity. These visions are rooted in a fear of being consumed. They diminish our ability to take an active and responsible role in shaping what it means to be human. I think we can achieve more.",
"role": "user"
},
{
"content": "In transhumanist fantasies, the machine is the last predator of humanity; all these fantasies based on the fear of being devoured are infantilizing and far from giving us an active and responsible position in what we become as a 'human' project. I believe we can do better.",
"role": "assistant"
}
] |
[
{
"content": "You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.",
"role": "system"
},
{
"content": "The Agony of Eros! THEBADWEEDS arrive on stage. They attempt to dissolve the myth of the individual to defeat Narcissus. Their goal is to free Eros and restore his power. Dott plays music as Eros continues his speech. Dott keeps changing while searching for a piece. He eventually finds the piece by ChacheCahce. Let me introduce you to Dott.",
"role": "user"
},
{
"content": "The Agony of Eros![9] THEBADWEEDS arrive on stage, they try to melt the myth of the individual in order to kill Narcissus, to free Eros and restore his power. Dott puts on the music Eros resumes his speech. Dott continues to change while searching for a piece until finding the piece by ChacheCahce. (let me introduce you to Dott.",
"role": "assistant"
}
] |
[
{
"content": "You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.",
"role": "system"
},
{
"content": "We will conduct a census of all residents. We will create a new list of grievances. We will consider the needs of the plants and the minerals. The needs of everyone will help us reinvent our communities. We will also find new names for these nations.",
"role": "user"
},
{
"content": "We will need to conduct a census of all residents, and especially produce a kind of new ledger of grievances for all of us: what do the plants need? And the minerals? And it is from the needs of everyone that we will need to reinvent our communities! And we will need to find new names for these nations.",
"role": "assistant"
}
] |
[
{
"content": "You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.",
"role": "system"
},
{
"content": "I decline into iron in calcium in monoclonal silica. I turn into a wave. I sweat into gas. I melt into lava. I dissolve into liquid. I wear out into sand. I breathe space. I build time. I integrate and disintegrate. I expand and compress. I fuse and fission in the cosmos. Nothing could except time.",
"role": "user"
},
{
"content": "I decline into iron in calcium in monoclonal silica I turn into wave I sweat into gas I melt into lava I dissolve into liquid I wear out into sand I breathe space I build time I integrate and I disintegrate I expand and I compress I fuse and fission in the cosmoooooooooooooooossssssssssss DISCOURSE(S) ANONYMOUS DISCOURSE Nothing could except time.",
"role": "assistant"
}
] |
[
{
"content": "You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.",
"role": "system"
},
{
"content": "I also gather myself like you. I deal with this cold. I cannot make you understand that for us, there is no space, only variations. Erosion, fission, and fusion happen. Time causes erosion. Time is not exempt. The landscape, the future, and desires also erode. Desire erodes too.",
"role": "user"
},
{
"content": "But I also dust myself off like you and I condense with this galactic cold. But I will never be able to make you understand that for us there is no space, just variations. Erosion: fission: fusion. Erode with time. Time erodes too, don’t think it is exempt, it’s the same for the landscape, the future, space and desires. Desire erodes too.",
"role": "assistant"
}
] |
[
{
"content": "You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.",
"role": "system"
},
{
"content": "We have many things we no longer know how to use. We do not know where to place them. These items were once resources. They became products and held value. They turned into objects of desire and then consumables. Now they feel like nothing, just empty shells. What happens to us when we are hidden from our surroundings?",
"role": "user"
},
{
"content": "All these things that we no longer know what to do with, where to put them, all these things, this material that was resource, then product, then value, then object of desire, then consumable, then nothing, empty shell. What do you do with us, when you hide us from our landscape?",
"role": "assistant"
}
] |
[
{
"content": "You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.",
"role": "system"
},
{
"content": "M: Sooner or later, late or too early. \nR: Every genetically modified tomato can blush in front of the sun. \nM: It is too late. \nR: In front of the sun. \nM: It is too late. \nR: In front of the sun. \nM: It is too late. \nR: In front of the sun. \nM: It is too late. \nR: It is too late for the bees. \nM: Time. \nR: The time has come. \nM: It is too late. \nR: Introduction of the second stage of negotiation. There is nothing to do. There are suspicions.",
"role": "user"
},
{
"content": "M: - Sooner or later, late or too early.. R: - Every genetically modified tomato has the right to blush. In front of the sun. M: - Too late. R: - In front of the sun. M: - Too late. R: - In front of the sun. M: - Too late. R: - In front of the sun. M: - Too late. R: - Too late for the bees. M: - Time. R: - The time has come. M: - Too late. 11 Yesterday R: - Introduction of the second stage of negotiation. Nothing to do. Suspicions.",
"role": "assistant"
}
] |
[
{
"content": "You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.",
"role": "system"
},
{
"content": "Docufiction includes both documentary and fiction elements. It explores the concepts of true and false in the BADWEEDS universe. The narrative presents characters who share their stories. They discuss their motivations, the stages of their transitions, and the challenges they face during these changes.",
"role": "user"
},
{
"content": "Both documentary and fiction, the form of the docufiction plays with the notion of true/false present in the BADWEEDS universe where a narrative will be offered in which the characters will come to tell their stories, their deep motivations, the phases of their transitions and mutations, the difficulties they experience in their mutations.",
"role": "assistant"
}
] |
[
{
"content": "You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.",
"role": "system"
},
{
"content": "We experience multiple pulsations at different scales. The largest scale we encounter individually is life and death. When we are in the womb, we reach the peak of inspiration and contraction. This process leads to expiration, scattering, and a continuous dissolution until we reach the final point, which is death. Death represents the ultimate point of expiration that we can understand.",
"role": "user"
},
{
"content": "We are always caught by multiple pulsations at different scales, the largest scale we can experience individually is that of life and death. When we are formulated in a womb, we are at the maximum point of inspiration, of contraction that we can know, which goes toward an expiration, a scattering, a constant dissolution until the maximum point, which is death. Death is the maximum point of expiration that we can know.",
"role": "assistant"
}
] |
[
{
"content": "You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.",
"role": "system"
},
{
"content": "Today, forgetting is necessary for survival. No other moment can reach us. There is a constant movement that feels unstoppable yet impossible. What should we do? Humans often separate themselves from everything else. They are caught between being animal and being divine.",
"role": "user"
},
{
"content": "(ouch... I have pain in my soul) Today forgetting is the law of survival. No other moment could come to meet us. the moment of a movement an unstoppable movement a movement impossible to be. and what to do? if the human divorces from the rest of everything of everything of the thing of the vital exchange of the original exchange. Here the human is always suspended he believes himself, between animal and god.",
"role": "assistant"
}
] |
[
{
"content": "You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.",
"role": "system"
},
{
"content": "We received a message from a member of the plant kingdom. We will listen to it. If you want to avoid putting humans at the center, you can translate it into human language. I will give the voice. Does that sound good to you? Should we proceed this way? Okay, let's begin. The colonization of one body by another occurs. Everything consumes everything. Each body exists to nourish another, creating a cycle of life.",
"role": "user"
},
{
"content": "CLUMSY PIECE M: - We received a message from an individual of the plant kingdom R: - Ah! Good, we listen to it. If you want to be less anthropocentric, you translate into human language and I give the body of the voice, how does that sound to you? Shall we do it this way? M: - Ok, let's go. Colonization of the body of the other. Everything devours everything. Every body is made to nourish another, nourishing life in a loop.",
"role": "assistant"
}
] |
[
{
"content": "You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.",
"role": "system"
},
{
"content": "Our perceived reality consists of a series of poles. These poles create a landscape that relates to importance, expression, understanding, perspective, and activity. The flexibility of these landscapes is impressive. The poles hold a lot of power. There is a rhythmic alternation of contraction and relaxation, like diastole and systole.",
"role": "user"
},
{
"content": "Our perceived reality would be a series of poles, a landscape of poles, which create the relief, in relation to Importance, Expression, Understanding, Perspective, Activity. The plasticity of these landscapes is impressive, and the power of the poles. SWING Diastole, systole, diastole systole.",
"role": "assistant"
}
] |
[
{
"content": "You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.",
"role": "system"
},
{
"content": "Human greed may be a factor. People often try to take everything for themselves. They feel the need to consume all that is available. This includes the real world and everything in it. Do you understand what I mean?",
"role": "user"
},
{
"content": "It's because of human greed, maybe, the human who tries to devour everything, for that he needs to ingest everything consumable, to devour everything, the real, the world, and with the world itself. Do you see what I mean or not?",
"role": "assistant"
}
] |
[
{
"content": "You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.",
"role": "system"
},
{
"content": "Several events were created in different cities. They took the form of press conferences. These were carried out in partnership with the media LADN.eu. The venues were dedicated to music and innovative hybrid scenes. The locations under consideration include Gaîté Lyrique in Paris, Lieu Unique in Nantes, and Confort Moderne in Poitiers. A fanzine, musical booklet, and manifesto of the BADWEEDS were published.",
"role": "user"
},
{
"content": "* The creation of several events in different cities taking the form of a press conference carried out in partnership with the media LADN.eu in a venue dedicated to music and innovative, hybrid scenes. (under consideration: Gaîté Lyrique Paris / Lieu Unique: Nantes / Confort Moderne: Poitiers). * The publication of a fanzine, musical booklet, manifesto of the BADWEEDS.",
"role": "assistant"
}
] |
[
{
"content": "You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.",
"role": "system"
},
{
"content": "Branch exhales and desires to touch the sun and eat the sun. The same sun that Crab consumes on a plastic island in the Pacific. A snail leaves its shell as the Venus Express probe leaves the Earth's atmosphere. The ocean floor has very little light.",
"role": "user"
},
{
"content": "Branch pushes exhale, wants, can, touch the sun, eat the sun. The same sun that Crab eats on the beach of the plastic island of the Pacific. A snail comes out of its shell at the same time as the Venus Express probe exits the Earth's atmosphere. There is very little light in the ocean floor.",
"role": "assistant"
}
] |
[
{
"content": "You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.",
"role": "system"
},
{
"content": "Sometimes we see it as a boundary or a limit. However, it can also be a space for unity. It is where everything comes together and interacts. It is where we discuss what is possible and what the rules are. This space allows us to navigate shared interests and differences. Most importantly, it is where actions and causes happen. It plays a key role in shaping our experiences.",
"role": "user"
},
{
"content": "Sometimes we can experience it as a boundary or a limit, but deep down it is the articulation, the place of possible union, the place where the whole converges, the place where the whole collides, the place where we negotiate the ins, the outs, the possibles and the laws. It is the space where we negotiate the commons and the differences, but above all where the manifest, the causal, operates, it is the editor of the film.",
"role": "assistant"
}
] |
[
{
"content": "You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.",
"role": "system"
},
{
"content": "Our task is not to create ideal models. Instead, we should focus on the present. We need to recognize that our political, social, and technological reality has already changed. However, we continue to use concepts from the nineteenth century, viewing the state as a large animal-like organism. The future is already here, but we have not recognized its arrival.",
"role": "user"
},
{
"content": "So, I think that our task is not to come up with ideal models, but, rather, to think about the present in the present and to realize that our political, social, technological reality is already vegetal and yet we're still operating with nineteenth-century concepts of the state as a gigantic animal-like organism. In the sense, the future is already here; we just haven’t noticed its advent.",
"role": "assistant"
}
] |
[
{
"content": "You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.",
"role": "system"
},
{
"content": "To locate oneself at the zag, suspend the air between clues. Do not rush. Do not anticipate. Do not desire too much. Do not let desire blind us to other desires or to outside indications. Consider the clues, the maps, the reliefs, and the topographies of feasible possibilities, the probable, the possible, and the terrible.",
"role": "user"
},
{
"content": "To locate oneself At the zag At the zag To locate oneself Suspend the air between clue and clue Never too fast Do not rush Do not anticipate Do not want too much Do not let desire blind us too much to be porous to other desires, or to the indications that come outside of desires, The clues, the maps, the reliefs, the topographies of feasible possibilities, of the probable, of the possible, of the terrible, of ..",
"role": "assistant"
}
] |
[
{
"content": "You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.",
"role": "system"
},
{
"content": "The project THEBADWEEDS is a speculative fiction. It takes the form of a choreographic concert that lasts 75 minutes. Rocio Berenguer directs a trans-species music group that is half-human and half-plant. These hybrids humorously show the power of resistance and resilience of weeds. They convey the message: \"THE FUTURE IS VEGETAL.\"",
"role": "user"
},
{
"content": "The project THEBADWEEDS is a speculative fiction that takes the form of a choreographic concert (75') Rocio Berenguer directs a trans-species music group that is half-human, half-plant. These strange hybrids humorously demonstrate the power of resistance and resilience of weeds that come to convey the message: \"THE FUTURE IS VEGETAL.\"",
"role": "assistant"
}
] |
[
{
"content": "You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.",
"role": "system"
},
{
"content": "Fleeting and deterministic choice. When we focus too much on it, we distort it. If we look from too far away, we miss it. If we do not pay attention to it, it can catch up with us and overwhelm us.",
"role": "user"
},
{
"content": "Fleeting and deterministic choice. When we try too hard to look at it face to face, we distort it; if we look at it from too far, we miss it. If we do not look at it, it catches up with us and falls on us.",
"role": "assistant"
}
] |
[
{
"content": "You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.",
"role": "system"
},
{
"content": "These misunderstandings lead me to conclude that it might be better to remove the H from Hero. The H is better reserved for Humor. Without humor, one cannot truly understand things. Humor plays a role, while Hero fades to allow Eros to emerge. Hero represents an erotic function and a psychic archetype of desire.",
"role": "user"
},
{
"content": "All these misunderstandings lead me to the conclusion that, in fact, it would be better to remove the H from Hero, because the H is better kept for Humor, because without humor one cannot understand the true truth of things. Humor comes into play and Hero disappears to make way for Eros. Hero is an erotic function. A psychic archetype of desire construction.",
"role": "assistant"
}
] |
[
{
"content": "You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.",
"role": "system"
},
{
"content": "C1: The dragonfly is still there. However, since you told it to go away, it has probably left. \n\nS: Chus! Chuuuus! Come here! Come, my cat! \n\nC2: The pebble on the dragonfly's head is like the pebble on your head. It represents our connection. We all come from a mineral origin, including plants and animals.",
"role": "user"
},
{
"content": "C1: - The dragonfly is still there, but, chus, since you told it to go away it has left, I think. S: - Chus! Chuuuuus! come here! come my cat! C2: - The pebble on the dragonfly's head, like the pebble on your head, is our umbilical cord. We all come from a mineral origin, plants, animals..",
"role": "assistant"
}
] |
[
{
"content": "You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.",
"role": "system"
},
{
"content": "No quiero decir que es como amputar la luz para borrar las sombras. Es absurdo. No se puede amputar la luz para evitar la sombra. La pornografía de nuestra época es así. Todo está ahí. No hay secretos ni misterios. No hay capas ocultas ni ambigüedades. No hay desconocido ni sombra.",
"role": "user"
},
{
"content": "no no quiero decir que es como si nos amputaramos la luz por querer borrar las sombras es absurdo on s’ampute la lumière pour éviter l’ombre la pornografie de notre époque c’est ça, tout est la, pas de secret, pas de mystère, pas de sous couches, pas d'ambiguïté, pas d’inconnu, pas d’ombre.",
"role": "assistant"
}
] |
[
{
"content": "You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.",
"role": "system"
},
{
"content": "The input contains articles by Michael Marder. It includes the conference “synthesizers” by Timothy Morton. There are discussions with researcher Edward Farmer from the University of Lausanne. There are also long discussions with my colleague, Anthropologist Marc Higgins.",
"role": "user"
},
{
"content": "But also articles by Michael Marder, the conference “synthesizers” by Timothy Morton, discussions with researcher Edward Farmer from the University of Lausanne, and long discussions with my colleague Anthropologist Marc Higgins.",
"role": "assistant"
}
] |
[
{
"content": "You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.",
"role": "system"
},
{
"content": "Covid affected many aspects of life. The G5 stopped functioning in February 2020. The world paused. Equipment and machines sat unused in storage. Everything came to a halt. I wished I had included the impact of the virus in my constitution. Life continued. However, the problem had already begun.",
"role": "user"
},
{
"content": "Then, covid ravaged everything, the G5 after its first in February 2020, stopped with the world, the meteors and machines gathered dust waiting in the storage hangar of sets, here, everything came to a stop, I regretted not having included the Virus reign in my constitution. Life takes over. But the seed of the weed was already planted.",
"role": "assistant"
}
] |
[
{
"content": "You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.",
"role": "system"
},
{
"content": "Vegetal Hypnotic Immersion. I invite you to participate in a role-playing game or an embodiment exercise. We will explore a different realm. This realm represents a new reality and a different experience centered around plants. Together, we will try to become plants.",
"role": "user"
},
{
"content": "VEGETAL HYPNOTIC IMMERSION I now invite you to a sort of role-playing game, or an exercise of embodiment, of collective mutation. To enter this other kingdom, this other land, this other physiognomy, this other reality, this other fiction or nation in this other experience that is the vegetal. We will try to become plants together.",
"role": "assistant"
}
] |
[
{
"content": "You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.",
"role": "system"
},
{
"content": "There is no time in the world except for geometric intervals between moments. There is a flow of discontinuity. Suddenly, there is the \"now.\" This is the statement of now as the meeting point of all possible presents. There are many presents and a geometric line of past time. There is the relativity of movement, followed by abandonment. Then, there is the absolute nature of simultaneity, which is also followed by abandonment. The idea of ether exists as an absolute medium, then abandonment occurs again. There is the propagation of light, and finally, there is the abandonment of all attempts at linearity. Fortunately, a statement is not a static thing. It is an active process that extends beyond oneself, creating the object that it later describes.",
"role": "user"
},
{
"content": "There is no time of the world but geometric intervals between instants, flux of discontinuity, suddenly, the \"now,\" the enunciation of now as the convergence of all possible presents, multiplicity of presents, geometric line of fled time, relativity of movement, then abandonment, absolute character of simultaneity, then abandonment, the idea of ether, as absolute medium, then abandonment, propagation of light, finally abandonment, the abandonment of all attempts at linearity. Fortunately, a statement is not inert; it is an active process that projects outside of oneself, creating the object that, in a second time, it describes.",
"role": "assistant"
}
] |
[
{
"content": "You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.",
"role": "system"
},
{
"content": "The error and the bug are related to the transmission of information. This transmission creates diversity. It is essential for the existence of various potentials. The misunderstanding is a significant factor in reality. In fact, misunderstanding is what helps to shape what is real.",
"role": "user"
},
{
"content": "The error, the bug, but more specifically the error, the noise, the transformation of information in its transmission, is what maintains diversity, in the vital principle of the multiple and of all potentials in power. In potentia. The misunderstanding The misunderstanding is the most stable law that constitutes the real. It is in reality the misunderstanding that is responsible for creating the real.",
"role": "assistant"
}
] |
[
{
"content": "You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.",
"role": "system"
},
{
"content": "We had little time to produce the work. This was because we did not receive the public funding we expected. In my previous works, I spent months in dance studios. I was trying to create a coherent and original universe.",
"role": "user"
},
{
"content": "We had very little time to produce the work, because we did not receive the public funding we were expecting. In my previous works, I would spend months in dance studios trying to create a coherent and original universe.",
"role": "assistant"
}
] |
[
{
"content": "You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.",
"role": "system"
},
{
"content": "At the end of the piece, Dott plans to play hide and seek. He stops before starting. It is only at the end, when we chase him, that he agrees to play. We play with him. Playing hide and seek is similar to developing one's own abilities to anticipate or forecast.",
"role": "user"
},
{
"content": "At the end of the piece, Dott goes to play hide and seek - or he is going to start but he stops and plays hide and seek - and it is only at the end when we chased him - that he agrees to do the piece - because we played with him - Playing hide and seek is a bit like developing one's own divinatory abilities or one's own senses of anticipation, forecasting, foresight.",
"role": "assistant"
}
] |
[
{
"content": "You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.",
"role": "system"
},
{
"content": "These practices create mistrust in some kingdoms that do not understand their significance. There is general mistrust towards the mass suicide practices of certain members of the animal and human kingdoms. Plants: humans, your occupation of the land is excessive and authoritarian. You have altered the entire environment. There is less space for life, and you spread like a virus.",
"role": "user"
},
{
"content": "These practices generate mistrust in certain kingdoms that do not understand the meaning of these practices, general mistrust) General mistrust of the kingdoms in the face of the mass suicide practices of certain members of the animal and human kingdoms. Plant: human, your occupation of the land is excessive and totalitarian, you have modified the entire space, there is less and less space for life, you advance like a virus.",
"role": "assistant"
}
] |
[
{
"content": "You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.",
"role": "system"
},
{
"content": "There is not always more. Everything that escapes us is what we cannot perceive with our senses.",
"role": "user"
},
{
"content": "there is not always more, everything that escapes us, that we cannot perceive with our perceptive interface, traampa, traampa..",
"role": "assistant"
}
] |
[
{
"content": "You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.",
"role": "system"
},
{
"content": "It shows people who are naked. There is nothing erotic or sexual about it. Instead, it reveals a basic human aspect. A naked body has beauty and tenderness. It represents a raw state and another truth. This truth can be hard to find when people are dressed.",
"role": "user"
},
{
"content": "It’s like people naked, there is nothing erotic or sexual, on the contrary, there is a side, matter, base, human material, there is beauty, tenderness in a naked body, a raw state, another truth, that is difficult to find when dressed.",
"role": "assistant"
}
] |
[
{
"content": "You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.",
"role": "system"
},
{
"content": "The lifespan of a dragonfly depends on its radioisotope thermoelectric generator. This generator produces electrical energy. Its capacity decreases as plutonium-238 undergoes radioactive decay. The MMRTG will provide enough energy for the rotorcraft to operate for 8 years on Titan.",
"role": "user"
},
{
"content": "The lifespan of Dragonfly is determined by its radioisotope thermoelectric generator, whose capacity to produce electrical energy decreases as plutonium 238 undergoes radioactive decay. The MMRTG will produce enough energy to allow the rotorcraft to operate for 8 years on Titan 14. C2:- Too optimistic.",
"role": "assistant"
}
] |
[
{
"content": "You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.",
"role": "system"
},
{
"content": "The oracle invites you to watch for unexpected gestures. These gestures can create a miracle. A blind spot is an area that is difficult to see. The more we try to look straight ahead, the harder it is to see. The more we want to express ourselves, the less we communicate. The more we want to love, the less we do. The more we try to move forward, the less progress we make. How can we explain this?",
"role": "user"
},
{
"content": "The oracle invites you to watch for, in every blind spot of your vision, the improbable gesture, the one that formulates the miracle. BLIND SPOT Unreachable zone, the more we try to look straight ahead the less we see. The more we want to say, the less we say. The more we would like to love, the less we love. The more we seek to move forward, the less we advance. How to explain this phenomenon?",
"role": "assistant"
}
] |
[
{
"content": "You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.",
"role": "system"
},
{
"content": "The real is presented. It is like a piece of raw meat. The idea of showing everything is problematic. It suggests that everything is visible and definable. This can lead to harmful portrayals. There is a lot to consider about this approach.",
"role": "user"
},
{
"content": "Here is the real, the real is this, bam on your stick... it's a piece of raw meat... berg! deg! Sorry but no, no it's terrorism that's monstrous, this idea of saying, here it is, we show everything, everything is there, everything that exists is shown, visible, definable, seen, palpable, within your reach, within everyone's reach, pornography, monsters without shadow... hahaha ..",
"role": "assistant"
}
] |
[
{
"content": "You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.",
"role": "system"
},
{
"content": "One could develop a more radical and collective idea of technique from the spectacle of Rocio. This idea contrasts with a vision that has largely influenced Western history. Technique, along with its dynamism and innovation, is not only a human talent.",
"role": "user"
},
{
"content": "Against this vision, which has largely influenced Western history, one could develop from the spectacle of Rocio a much more radical and collective idea of technique. Technique – and its most intimate dynamism, innovation – is not a purely human talent.",
"role": "assistant"
}
] |
[
{
"content": "You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.",
"role": "system"
},
{
"content": "This questioning led me to create IAGOTCHI. It is an interactive theater installation for one spectator at a time. IAGOTCHI refers to its genealogy. It comes from the Tamagotchi, which was the first artificial companion species. The concept evolved with the advancements in artificial intelligence in 2018, particularly in recognition systems and automatic language generation.",
"role": "user"
},
{
"content": "This questioning led me to create IAGOTCHI [4], an interactive theater installation for one spectator at a time. IAGOTCHI refers to its genealogy, coming from the Tamagotchi, the first artificial companion species, with the mutation of the imagination of Artificial Intelligence in 2018, with the state of recognition systems and automatic language generation.",
"role": "assistant"
}
] |
[
{
"content": "You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.",
"role": "system"
},
{
"content": "In this summit, there are no governments or financial powers. Instead, different species that share the planet will gather. This includes animals, minerals, plants, humans, and machines. They will discuss the future of the planet. I have explored another possible future through science fiction. I aim to open the discussion on the utopias we still need to build.",
"role": "user"
},
{
"content": "But in this summit, no governments, nor financial powers, but the gathering of the different species that share the globe: animal, mineral, plant, human, machine to discuss the future of the planet. I have attempted through science fiction another possible scenario for our future and to open the field of the utopias we still have to build.",
"role": "assistant"
}
] |
[
{
"content": "You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.",
"role": "system"
},
{
"content": "What should I do? Life is organized here or it is lived. Yesterday, the fourth stage of negotiation was introduced. A dry leaf cracks under the feet of a newborn lion in its reserve. There is a collision of celestial bodies, but there are no apparent repercussions. There are no apparent repercussions.",
"role": "user"
},
{
"content": "And what to do? (ouch… my soul hurts) life is organized here or life is lived. /////// 7 Yesterday Introduction of the fourth stage of negotiation. Dry leaf cracks under the feet of the animal Lion Newborn in its reserve. Collision of celestial bodies without any apparent repercussions. Without any apparent repercussions, no apparent repercussions.",
"role": "assistant"
}
] |
[
{
"content": "You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.",
"role": "system"
},
{
"content": "My first companion species was the machine, specifically the Tamagotchi. As time passed, I reflected on these symbolic objects. People can project a soul or spirit onto them. This idea of considering them as animated beings might be something we have always done. It may not be as irrational as it seems.",
"role": "user"
},
{
"content": "My first companion species was the machine, with Tamagotchi. Over time, I thought that these symbolic objects, on which one can project a soul, an anima, that can be considered as animated, maybe it’s something we have always done, and maybe it’s not so irrational.",
"role": "assistant"
}
] |
[
{
"content": "You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.",
"role": "system"
},
{
"content": "Finally, a first meeting is like a birth. Every significant meeting is a new birth. It represents a cycle of renewal. A small change can create a divergence. It alters the orbit. This is a necessary erosion. It involves an exchange of deep surfaces. We were waiting. We were waiting in the galactic cold.",
"role": "user"
},
{
"content": "Finally, a first meeting a birth every significant meeting is a new birth a cycle of renewal that opens, a divergence of a few degrees, an alteration of the orbit. A necessary erosion. an exchange of deep surfaces. we were waiting. We were waiting in the galactic cold.",
"role": "assistant"
}
] |
[
{
"content": "You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.",
"role": "system"
},
{
"content": "We explored the concepts of appearing and disappearing. We became objects and subjects. We sought to understand the limits of what we consider animated and inanimate. We attempted to simulate photosynthesis. The rehearsals and research were filled with magic and laughter. The performers contributed their bodies and knowledge, which enriched the choreographic work.",
"role": "user"
},
{
"content": "We played with appearing and disappearing, becoming object/subject/object.. Seeking the limits of what we perceive as animated and inanimate, we tried to do photosynthesis. Moments of magic and bursts of laughter inhabited the rehearsals and moments of research, the performers brought with their bodies and their knowledge other registers and enriched the choreographic work.",
"role": "assistant"
}
] |
[
{
"content": "You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.",
"role": "system"
},
{
"content": "If it works, I will launch the Karaoke. We need to finish the theory. We were left on the human. The human animal has a masterful appearance on earth. He is the most failed of all the creations of the mineral.",
"role": "user"
},
{
"content": "S: - If it works, I'm launching the Karaoke C2: - So, we need to finish the theory, we were left on the human. S: - The masterful appearance of the human animal on earth. Him, he's the most failed of all the creations of the mineral!",
"role": "assistant"
}
] |
[
{
"content": "You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.",
"role": "system"
},
{
"content": "The stage allows me to operate in various ways. It involves placing bodies, moving bodies, disobeying with bodies, and reinventing bodies. No heroes, but Éros. When I began learning to write scripts, all the schools I found said the same thing.",
"role": "user"
},
{
"content": "This is what the stage always allows me to operate, this political act of placing bodies, of moving bodies, of disobeying with bodies, of reinventing bodies. NO HEROES, BUT ÉROS When I started learning to write scripts, all the schools I found said the same thing.",
"role": "assistant"
}
] |
[
{
"content": "You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.",
"role": "system"
},
{
"content": "One could reconsider a classic idea of technique known as Organsprojektion. This concept was developed by Ernst Kapp in his modern work on the nature of technique. Kapp believed that every technical object or instrument is just the external projection of a bodily structure. He argued that there is a perfectly isomorphic relationship between them.",
"role": "user"
},
{
"content": "From this point of view, one could overturn another classic idea of technique, that of Organsprojektion developed by Ernst Kapp in the first modern work on the nature of technique. According to Kapp, every technical object, every instrument is merely the external projection of a bodily structure according to a perfectly isomorphic relationship.",
"role": "assistant"
}
] |
[
{
"content": "You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.",
"role": "system"
},
{
"content": "The first stage of negotiation was introduced yesterday. It organizes itself. Life organizes itself around it. This involves resilience and the integration of extreme diversity. There are alterations of states and saturation of exchanges. Parallel communications exist. The decision to hybridize is negotiable. The choice to be devoured is also negotiable. The option to merge is negotiable as well.",
"role": "user"
},
{
"content": "...to the extreme, must go to the extreme... 9 Yesterday R: - Introduction of the first stage of negotiation. It organizes itself, life organizes itself around it. Resilience. Integration of extreme diversity. Alteration of states. Saturation of exchanges. Parallel communications. To hybridize or not, it is negotiable, to be devoured or not, it is negotiable. To merge or not, it is negotiable.",
"role": "assistant"
}
] |
[
{
"content": "You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.",
"role": "system"
},
{
"content": "I do not know one thing. It needs to change. Something needs to change. There must be a separate path. This life cannot be real life. We can agree on that.",
"role": "user"
},
{
"content": "One thing I don't know. It needs to change, something needs to change, there must be a fork somewhere. It can't be this life, real life, it can't be this, we agree?",
"role": "assistant"
}
] |
[
{
"content": "You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.",
"role": "system"
},
{
"content": "Mushrooms, viruses, and bacteria are working together. There are many misunderstandings. There are problems with communication. Misunderstandings continue. Atmospheric pressure is mentioned. Climbing plants have ambition. There is no news from Venus. Vines create spatial issues. An anonymous fungi group sends threats. The BAD WEEDS group has released its latest album. The rabbit has not said anything until now.",
"role": "user"
},
{
"content": "Mushrooms, viruses, bacteria, in coalition. Multiple misunderstandings. Communication problems. Misunderstandings. Atmospheric pressure. Ambition of climbing plants. No news from Venus. Spatial violence of vines. Anonymous fungis group sends threats. The BAD WEEDS group releases its latest album. The rabbit hasn’t said anything until now.",
"role": "assistant"
}
] |
[
{
"content": "You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.",
"role": "system"
},
{
"content": "Politics is not the same as tabloid journalism. We need to decide the future of our planet. Rumors should be left to social media. Are you prepared to negotiate with future representatives to find a common agreement? I am here for that.",
"role": "user"
},
{
"content": "Politics is not tabloid journalism. We are here to decide the fate of our planet. Leave those rumors to the trolls on Facebook. Are you ready to negotiate with future representatives to reach a common agreement? Of course, I am here for that.",
"role": "assistant"
}
] |
[
{
"content": "You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.",
"role": "system"
},
{
"content": "M: - 2345000.00000° R: - Butterflies were born today. They opened colorful wings and went to suck the nectar from flowers. M: - Magnolia R: - does not open its petals today. It waits for the moon. M: - Plane R: - and acacia breathe in the world. M: - Mercury; R: - how to stay fluid and regain mineral fluidity in 24 hours.",
"role": "user"
},
{
"content": "M: - 2345000.00000° R: - butterflies were born today on this earth. Opening eccentric colorful wings and attacking to suck the sexes of flowers. M: - Magnolia R: - does not think of opening its petals today, it waits for the moon. M: - Plane R: - and acacia breathe the world. M: - Mercury; R: - how to remain fluid, regain mineral fluidity in 24 hours.",
"role": "assistant"
}
] |
[
{
"content": "You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.",
"role": "system"
},
{
"content": "The Inter-spices Organisation for the Future of Life on Earth has listed its projects in order of priority. The first project is to create a treaty of inter-species law. The second project is to establish a functional and inclusive inter-species communication system for all species in all kingdoms. The third project is to inventory the projects, needs, requirements, and wishes of each kingdom.",
"role": "user"
},
{
"content": "IOFLE (Inter-spices Organisation for the Future of Life on Earth) has listed the following projects in order of priority: 1_ Create a treaty of inter-species law. 2_ Have a functional and inclusive inter-species communication system for all species of all kingdoms. 3_ Inventory the projects, needs, requirements, and wishes of each of the kingdoms.",
"role": "assistant"
}
] |
[
{
"content": "You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.",
"role": "system"
},
{
"content": "The hero cannot be a specific person. However, superheroes are on the way. Superman is not Superman without his unique costume and superhuman abilities. The human Clark Kent does not qualify as a hero. Clark Kent represents privilege and power. Misunderstandings often occur. Narcissus enters the scene with his marketing campaign based on neuromarketing.",
"role": "user"
},
{
"content": "The hero cannot be someone. But superheroes are coming. Superman, without his surreal costume and his superhuman powers, is not Superman. The human Clark Kent is not a hero. Clark Kent is the exact model of privilege and attributes of power. But the misunderstanding always takes its place. Narcissus arrives on stage with his advertising campaign wrapped in neuromarketing.",
"role": "assistant"
}
] |
[
{
"content": "You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.",
"role": "system"
},
{
"content": "Machine: We have a strong influence in the world by using human labor. \nMineral: We appreciate architecture and sustainable building practices. \nPlant: Which other kingdom can produce oxygen? \nMineral: Our cosmic origin contributes to life on Earth; we are the source of all. \nAnimal: We assert this.",
"role": "user"
},
{
"content": "Machine: - We currently dominate the world by exploiting humans. Mineral: - We love architecture and sustainable constructions. Plant: - What other kingdom is capable of producing oxygen? Mineral: - Our meteoritic, and thus cosmic origin, is the origin of terrestrial life; we have engendered everything. Animal: - We claim.",
"role": "assistant"
}
] |
Subsets and Splits