messages
listlengths 3
3
|
|---|
[
{
"content": "You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.",
"role": "system"
},
{
"content": "Where do they come from? What is their objective? Do they come from another galaxy? Which one? Why are they interested in colonizing this galaxy? Are we part of a biological strategy? Are we a source of minerals? Why is there human overpopulation? Are we the best environment for them to achieve their goals? What is their plan?",
"role": "user"
},
{
"content": "Where do they come from and what is their objective? Do they really come from another galaxy? Which one? What is their interest in colonizing this galaxy? Are we a bacteriological strategy? Mineral? Why then the human overpopulation? Are we the best home for the bacteria to realize their plan? What is their plan?",
"role": "assistant"
}
]
|
[
{
"content": "You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.",
"role": "system"
},
{
"content": "Like the Pink Panther, I have heard many things about them. Some say they are the worst. Others say they are the best. There are things that are unforgivable and things that are overlooked. Some things are gained, some are lost, and some are forgotten or taken. There can be too many or too few. Where are they? They pass by and happen to all of us. They pass. Have you recovered yours? Did you bring them? Have you organized them?",
"role": "user"
},
{
"content": "Like the pink panther; THINGS I have heard about them, I have heard it said; that they are the worst or the best, these or those, that kind of, there are things that are unforgivable, others that pass, that are had, that are lost, are forgotten, are stolen, there are too many or too few, where are they? Well, they pass, they happen to all of us. They pass. Have you recovered yours? Did you bring them? Have you organized them?",
"role": "assistant"
}
]
|
[
{
"content": "You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.",
"role": "system"
},
{
"content": "When we focus our gaze on an object at a mid-distance or closer, that object appears fixed. Everything else seems to move around it. Our attention creates a point of reference that shapes our perception of space and time.",
"role": "user"
},
{
"content": "But if we focus our gaze on something, an object at mid-distance, or close, it is the object we are looking at that becomes fixed and everything else moves around it. Where we place our attention, our gaze, becomes a post, becomes an axis mundi that constructs and organizes space and time around it.",
"role": "assistant"
}
]
|
[
{
"content": "You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.",
"role": "system"
},
{
"content": "PROJECTS IN FEASIBILITY STUDY AND VALIDATION OF THE ETHICS COMMITTEE OF IOFLE: WAAF #wearefood is a project that focuses on the topic of consumption. One important and sensitive issue in agreements between kingdoms is the right to consume and be consumed. This project aims to regulate and establish laws about who can eat whom.",
"role": "user"
},
{
"content": "PROJECTS IN FEASIBILITY STUDY AND VALIDATION OF THE ETHICS COMMITTEE OF IOFLE: —> WAAF #wearefood Is a project on the issue of devouring. Obviously, one of the most sensitive and delicate themes in the agreements between kingdoms is that of the right to devour and to be devoured. It is about regulating and creating laws on who eats whom.",
"role": "assistant"
}
]
|
[
{
"content": "You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.",
"role": "system"
},
{
"content": "I worked with the group THEBADWEEDS. I wanted to create an ecosexy tale. This was in response to feelings of fear and guilt. These feelings can be effective in some situations. However, they can also be paralyzing and demotivating.",
"role": "user"
},
{
"content": "With the group THEBADWEEDS, I set myself the challenge of creating an ecosexy tale in response to catastrophic, alarmist, anxious, and fatalistic imaginations, that is to say, to the imaginations of fear and guilt that are very effective for certain things but paralyzing and demotivating on the other hand.",
"role": "assistant"
}
]
|
[
{
"content": "You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.",
"role": "system"
},
{
"content": "The images of monsters and unlikely beings may come from our distant memories. They could be remnants of when we were a serpent, a river, or a sea dragon.",
"role": "user"
},
{
"content": "The most improbable and fantastic mythological figures, these images of monsters and completely unlikely beings, may be the poorly recomposed debris of our distant, very distant memories, the remnants of memories from when we were a serpent, river, sea dragon.",
"role": "assistant"
}
]
|
[
{
"content": "You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.",
"role": "system"
},
{
"content": "The server opens YouTube on his phone and we hear a rap song about a dragonfly. I came to change my order. I am on my fifth metamorphosis. I emerged 30 days ago. I came to change my order. For now, I have changed my molting. With new skin, I feel good.",
"role": "user"
},
{
"content": "(The server opens YouTube on his phone and we hear the rap song of a dragonfly) I came to change the order. I am on my 5th metamorphosis, I made my emergence 30 days ago. I came to change the order. For now, I have still changed my molting. With brand new skin, I am good, I am good.",
"role": "assistant"
}
]
|
[
{
"content": "You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.",
"role": "system"
},
{
"content": "Today, a pink light covered the roofs and the city. Knowledge is expanding. Rocks are levitating. Two hundred penguins have migrated further north. Chatbots make jokes in the newspapers. Plates become messy with colorful foods. Today seems like an unattainable truth. Today represents the potential of being and nothingness.",
"role": "user"
},
{
"content": "Today, a pink light settled on the roofs, bathed the city, while knowledge expands, rocks levitate, 200 penguins migrated a bit further north, chatbots make good jokes in the newspapers, plates get messy with multicolored foods, today poses as an unattainable and absolute truth, today is nothing other than the total potential of being and nothingness.",
"role": "assistant"
}
]
|
[
{
"content": "You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.",
"role": "system"
},
{
"content": "One cannot look at it directly. It eludes us. Out of the corner of the eye, we have to look sidelong, like some animals do. I enjoy when non-human animals hide like that. Is it a tacit agreement we share in the animal kingdom?",
"role": "user"
},
{
"content": "One cannot look at it directly, it eludes us. Out of the corner of the eye, how do we say in French, you have to look sidelong, as some animals do. It's one of my favorite things in the world when non-human animals hide like that. It would be like a tacit agreement that we share in the animal kingdom?",
"role": "assistant"
}
]
|
[
{
"content": "You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.",
"role": "system"
},
{
"content": "This art of hiding involves a natural understanding of playing hide and seek. Certain truths are obscured when we confront them directly. When we hide alone, like animals do, we might be able to see a little more clearly. This glimpse comes through an indirect perspective. It has an element of allure.",
"role": "user"
},
{
"content": "This art of hiding, this innate knowledge of the art of playing hide and seek Certain truths when we try to look at them head-on, they are veiled to us, while when we hide alone like an animal knows how to do, When we hide, then, like an animal, then we can see a little, perhaps through. An oblique, indirect gaze. Erotic.",
"role": "assistant"
}
]
|
[
{
"content": "You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.",
"role": "system"
},
{
"content": "In our culture, the gaze of others has a strong influence. It is a normal part of life. This influence is deeply rooted in society. People often behave like copies when they know they are being observed. They may also try to persuade others about various things. Many do not show their true selves and keep up appearances.",
"role": "user"
},
{
"content": "The gaze of the other has such a strong weight in our culture, it is something very normalizing, it is deeply integrated, people behave like copies when they know they are being seen, or they try to convince others of who knows what, they never let go of their masks, you see what I mean?",
"role": "assistant"
}
]
|
[
{
"content": "You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.",
"role": "system"
},
{
"content": "The light begins to rotate on its own. It spreads far and wide. It becomes a star that signals to travelers about the edges of the world. The photons have settled on one half of the hill, while the other half remains untouched.",
"role": "user"
},
{
"content": "And there, from there, to start rotating on its own light, to irradiate it far away, everywhere, to become a star that dances to warn travelers of the limits of the world. PHOTONS Berenguer Rocio. X The Photons have thrown themselves on half of the hill, on the other half not.",
"role": "assistant"
}
]
|
[
{
"content": "You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.",
"role": "system"
},
{
"content": "Here, nothing moves. There may be slight movement in the small foliage of the trees. There is continuous, imperceptible movement of jellyfish that is not noticeable to the human eye. It creates a feeling of unease. Little seems to move, perhaps just a mineral sensation. There is an ionization movement that brings multiple sensations, creating thermodynamic entropy and energy dissipation. This connects to nonlinear communications and geological activity like earthquakes. Biochemical exchanges are awkward. The atmosphere is disturbed by wave frequencies. Stress arises from meteorite collisions, leading to crystallization and galactic dust fermentation. There are many pheromones in the air, contributing to a sense of unease and insomnia. The algae have a noticeable softness in the water temperature. Barking sounds are present. \n\nI engage in a verb. I exist in the present. I participate in the now, which is absent and suspended. Memory wears on language. Being human among others today involves sharing the remains of the soul.",
"role": "user"
},
{
"content": "but here nothing moves or maybe imperceptible movement of the tree small foliage but robust insomniac jellyfish continuous imperceptible movement to the human eye rock feeling of generalized unease nothing moves or little, maybe mineral feeling of ionization movement in becoming multiple sensations in thermodynamic entropy imbalance dissipation of energy nonlinear communications earthquakes clumsiness biochemical catalytic exchanges yesterday or before sinusoidal equalization disturbed wave frequencies stress from meteorites collisions in becoming crystallization galactic dust fermentation here too many pheromones in the air feeling of generalized unease insomnia of the algae undeniable softness of the water temperature sincerity barking ANONYMOUS HUMAN DISCOURSE I now partake of a verb I, is today the present participle of an imperfect verb I mean that I participate and that the I present and that I participate in the present absent in the suspended and spread present of memory in the wear of language Being human among humans today is nothing more than sharing the ruins of the soul.",
"role": "assistant"
}
]
|
[
{
"content": "You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.",
"role": "system"
},
{
"content": "Technique is an ongoing practice of mediation and dialogue between different species. Each species represents a form of interspecific dialogue. This view of nature is joyful and resembles a carnival.",
"role": "user"
},
{
"content": "On the other hand, technique becomes an infinite practice of mediation and dialogue between different species – or conversely, every species is already, in itself, a form of interspecific dialogue. There is something carnival-like and extremely joyful in this vision of nature.",
"role": "assistant"
}
]
|
[
{
"content": "You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.",
"role": "system"
},
{
"content": "We decide to learn to see the world through another person's perspective. We accept the possibility of looking at others and being seen by them. We consider how we are viewed and how we choose to see things. We also think about what we create or do not create in reality. We select the people with whom we want to share this view of the world.",
"role": "user"
},
{
"content": "We choose to learn to look at the world through another. We choose the possibility of looking and being looked at by the other, the way of. The way of being looked at. The way of seeing. The way of making or not making a number of things in reality exist, we choose the people with whom we want to look at the world to make it exist.",
"role": "assistant"
}
]
|
[
{
"content": "You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.",
"role": "system"
},
{
"content": "A dog named Bobby barks loudly in a closed car. He shows his dog nature. To the left, a large plane tree has grown half a centimeter on the sidewalk. The asphalt is restricting its roots. Yesterday, the roots were pushing toward the center. A strong curiosity is driving them underground toward the center.",
"role": "user"
},
{
"content": "From the desert... individual dog Bobby barks desperately with all his dogginess in the closed car, to his left a huge plane tree has gained today half a centimeter of space on the asphalt of the sidewalk that suffocates its roots. Yesterday Root can, wants, pushes, toward the center. A strong underground curiosity pushes it toward the gravitational center.",
"role": "assistant"
}
]
|
[
{
"content": "You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.",
"role": "system"
},
{
"content": "The dragonfly has a pebble in its head. This pebble is called a statolith. The dragonfly is quite successful. In fact, it is more likely to go to Venus than other creatures. However, it has not gone yet.",
"role": "user"
},
{
"content": "S: - And the dragonfly, besides, has a pebble in its head C2: - The statolith C1: - Yeah, really, big success the dragonfly S: - Seriously, the dragonfly is the one that's more likely to go to Venus than the others, but it hasn't gone..",
"role": "assistant"
}
]
|
[
{
"content": "You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.",
"role": "system"
},
{
"content": "José Francisco Varela proposes a taxonomy of systems in his book \"Autonomy and Knowledge.\" He seeks to define the living through the theory of information. In this view, everything communicates with everything else in an interdependent and autonomous way.",
"role": "user"
},
{
"content": "In a quest for a definition of the living, composed by the theory of information, José Francisco Varela proposes a whole taxonomy of systems in his book \"Autonomy and Knowledge.\" In this vision, everything communicates with everything in an interdependent and autonomous manner.",
"role": "assistant"
}
]
|
[
{
"content": "You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.",
"role": "system"
},
{
"content": "If there is projection or reflection, it is an interspecific reflection. Through technique and evolution, species mirror each other. They project their bodies into the bodies of others.",
"role": "user"
},
{
"content": "Above all, if there is projection or reflection, it is always an interspecific reflection. As if, through or thanks to technique (that is to say, to evolution), species keep mirroring each other, projecting their bodies reciprocally into the bodies of others.",
"role": "assistant"
}
]
|
[
{
"content": "You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.",
"role": "system"
},
{
"content": "C2: - Have you seen a migratory tree? \nS: - No, I haven't. I am still looking for my cat. \nC1: - We have a solid proposal for VENERA-D. We found mineral sensors that connect us to the Earth's forces. We will present our new theory. \nC2: - What theory?",
"role": "user"
},
{
"content": "C2: - (addressing S) Have you seen a migratory tree? S: - Eh? No, no, I don't think so, but I'm still looking for my cat... C1: - Well, we finally have something solid to propose for VENERA-D. We discovered that we have mineral sensors that connect us to the Earth's forces. We are going to present our new theory. C2: - What theory?",
"role": "assistant"
}
]
|
[
{
"content": "You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.",
"role": "system"
},
{
"content": "Cross all the edges without being in the center. Access the real only through its outer skin. The limits are the lines that define the structure of the real. These lines are agreements that change and adapt, but they are still lines that provide definition.",
"role": "user"
},
{
"content": "Cross all the peripheries without being at the center. Cross the real only through the outermost part of its skin. LIMIT Berenguer Rocio. X The limits are the lines that outline the structure of the real. These lines are agreements of a moving, emerging, relative, and plastic nature, but they are lines, and they define.",
"role": "assistant"
}
]
|
[
{
"content": "You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.",
"role": "system"
},
{
"content": "We are not just observers of what is happening. We are the bodies that experience and undergo change. The question is no longer about our identity. It is about what we will become. A rhizome does not have a clear start or finish. It exists in the middle, between different things, in a state of connection.",
"role": "user"
},
{
"content": "\"We are not mere witnesses of what is happening. We are the bodies through which the mutation arrives and settles. The question is no longer about who we are, but what we are going to become.\" Paul B. Preciado, Dysphoria Mundi. \"A rhizome does not begin or end; it is always in the middle, between things, inter-being, intermezzo.\"",
"role": "assistant"
}
]
|
[
{
"content": "You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.",
"role": "system"
},
{
"content": "I do not understand your point. What is the G5? What is that? The G5 is an informal political discussion forum. It includes representatives from different kingdoms of life on Earth.",
"role": "user"
},
{
"content": "I don't see what you're talking about. The what? The G5. The what? The what what? G5 The G5 is an informal political discussion forum among representatives of the different kingdoms of life on Earth.",
"role": "assistant"
}
]
|
[
{
"content": "You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.",
"role": "system"
},
{
"content": "I can adapt to many environments. I ask for very little from the land. I can live in coastal areas, underbrush, and on hills. I can withstand heavy rain and drought. I am wild, but I am often used for decoration by humans.",
"role": "user"
},
{
"content": "What played an important role is that I can adapt to almost anywhere; I ask for almost nothing from the ground. I can inhabit the coast as well as the underbrush and the high hill, I resist heavy rains as well as drought. I am wild, but I have often been used for decorative purposes by you humans.",
"role": "assistant"
}
]
|
[
{
"content": "You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.",
"role": "system"
},
{
"content": "We are focusing on desires and relationships. We look at what binds us and what separates us. The next revolution will be based on tenderness and empathy for others. It involves acknowledging deep differences. It is now clear that no political project can succeed without including the intimate and the relationships that connect us.",
"role": "user"
},
{
"content": "Working on desires, relationships, what binds us and what unbinds us, you know that the next revolution is that of tenderness, that of considering the other, all the others, that of considering extreme otherness, radical otherness, you now know that there is no political project without integrating the intimate, relationships, the glue.",
"role": "assistant"
}
]
|
[
{
"content": "You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.",
"role": "system"
},
{
"content": "You are experimenting with pigeons and barking dogs. You are exploring every being that comes your way. Your system is effective. Your technique is very powerful. You can awaken zombies. You can ignite frozen hearts. You can rekindle the flame in the eyes of others.",
"role": "user"
},
{
"content": "You are now experimenting with pigeons, with dogs that bark, with every being that crosses your path. ta ta ta ra ta ta ta! ta ta ta ra ta ta ta! Your system works, your technique has become super powerful, you are able to awaken zombies, to ignite frozen hearts, to rekindle the flame in the eyes of others.",
"role": "assistant"
}
]
|
[
{
"content": "You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.",
"role": "system"
},
{
"content": "Animals seek apologies from humans and align with machines. Humans want to maintain control over the machines, but they are losing this control. Humans aim to regain authority and possess the machines. Within the animal group, three radical movements are in conflict.",
"role": "user"
},
{
"content": "Animal demands apologies from the human side and is an ally of the machine. The human wants to maintain control over the machine but it slips away from him and he wants to reconquer the plant and put it in his pocket. Inside Animale, three radical movements have divided.",
"role": "assistant"
}
]
|
[
{
"content": "You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.",
"role": "system"
},
{
"content": "A tea. C1: - A tea? C2: - Two teas. S: - You do not have to drink the same thing, right? (turns and raises voice at his cat) Chus! Chus! Stop! There! Stop! Let go of the bird. Let go of the bird! No Chus! Damn cat, HERE NO! Sorry, he always brings me these... Get out! Go outside! CHUS! Outside! C2: - That is not a bird. C1: - That looks more like a dragonfly.",
"role": "user"
},
{
"content": "A tea. C1: - A tea? C2: - Two teas. S: - You don't have to drink the same thing, no? (turns, shouting at his cat) Chus! Chus! Stop! there! stop! let go of the bird, let go of the bird! Here no Chus! damn cat, HERE NO! Sorry he always brings me these... Get out! go outside! CHUS! Outside! C2: - That's not a bird C1: - That looks more like a dragonfly.",
"role": "assistant"
}
]
|
[
{
"content": "You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.",
"role": "system"
},
{
"content": "Rocio's spectacle is not just a reflection on the Anthropocene. It offers a strong intuition about technique and innovation, viewed through the lens of biomimicry.",
"role": "user"
},
{
"content": "From this point of view, Rocio's spectacle is not a simple reflection on the Anthropocene, but it contains a much more powerful intuition, through the prism of biomimicry, on technique and innovation.",
"role": "assistant"
}
]
|
[
{
"content": "You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.",
"role": "system"
},
{
"content": "We have notifications from the machine reign. They state that you are a declared enemy of the machine reign. I would like to clarify. Within our reign, there is a significant community that has declared strong opposition to the machine reign. They are even against the existence of this kingdom. Can you tell us more about this? I am unsure how to respond to that.",
"role": "user"
},
{
"content": "We have notifications from the machine reign stating that you are a declared enemy of the machine reign. I correct myself, it seems that within our reign a quite significant community has declared absolute enmity towards the machine reign and is even against the existence of this kingdom, can you tell us a little more about it? I don't know how to respond to that.",
"role": "assistant"
}
]
|
[
{
"content": "You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.",
"role": "system"
},
{
"content": "Human Earth Expulsion is a secret project. It was developed quietly by various individuals from different groups. This project is less radical than the Human Erase Project. Its goal is to restore human dominance and ensure the survival of other forms of life on Earth.",
"role": "user"
},
{
"content": "HUMAN EARTH EXPULSION -_ is a secret project developed clandestinely between various individuals from different realms less radical than THE HUMAN ERASE PROJECT to restore the human reign and ensure the survival of other forms of life on Earth.",
"role": "assistant"
}
]
|
[
{
"content": "You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.",
"role": "system"
},
{
"content": "Botany, along with biology, is seen by Rocio as a conversation among all species. This conversation aims to create new ways of existing in the world.",
"role": "user"
},
{
"content": "Botany (and biology in general) becomes, in Rocio's enchanted view, the dialogue that all species have always had with one another to try to invent new ways of being in the world. ________________ [1] Plato, Protagoras, 221a.",
"role": "assistant"
}
]
|
[
{
"content": "You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.",
"role": "system"
},
{
"content": "Summary of the moment. Morning light falls on the fields and the sheep's fur. The branches of the tree move gently. Leaves dance in the breeze. There are small cracking noises from the wood, furniture, and fridge. These sounds break the great silence. Other faint sounds indicate that a loved one is in bed.",
"role": "user"
},
{
"content": "Exhaustive summary of the moment. Morning light on the fields and the taut hair of the sheep, sensual and maritime movement of the branches of the tree, dance of the leaves. Small cracking noises from the wood, the furniture, the fridge that signify the great ambient silence. Other small incomprehensible and very minimal sounds confirm the presence of the loved one up there, in the bed.",
"role": "assistant"
}
]
|
[
{
"content": "You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.",
"role": "system"
},
{
"content": "I want to engage with an autonomous system that enhances live performance. It is impossible to recreate the same show. With this system, we deal with risk and error in real time on stage. This creates a different intensity and depth in physical presence.",
"role": "user"
},
{
"content": "I want to be in dialogue with an autonomous system that makes live performance more alive, because it is impossible to do the same show twice, impossible to be in reproduction, with such a system, with such a rate of risk and error we can only be solving problems in real time on stage, this gives a different intensity, a different depth in physical presence.",
"role": "assistant"
}
]
|
[
{
"content": "You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.",
"role": "system"
},
{
"content": "The Great Exclusion begins with the city. The city operates through exclusion. It acts as a purifier. It is a large space that excludes non-humans. No animals are allowed, and no plants are welcome unless they have a visa. Only species deemed suitable for decoration in apartments or gardens are permitted.",
"role": "user"
},
{
"content": "It is with the city that the Great Exclusion begins: the city is an operator of exclusion, a purifier, a sort of immense Calais for non-humans: no animals, and no plants or only those who have received a visa, only the species that you have deemed worthy of decorating your apartments or your gardens.",
"role": "assistant"
}
]
|
[
{
"content": "You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.",
"role": "system"
},
{
"content": "When you move at a certain speed, you can focus your gaze on a specific object. This could be a tree, a cow, a small plant, or a stone. By doing this, you create a fixed point. This point acts as a reference for other things. They will organize and articulate around it.",
"role": "user"
},
{
"content": "When you move at a certain speed, if you focus your gaze on a specific object, like a tree, a cow, a small plant, or a stone, you stop that object by giving it the power of a pole, an anchor, a fixed point, a reference around which all other things will come to organize and articulate.",
"role": "assistant"
}
]
|
[
{
"content": "You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.",
"role": "system"
},
{
"content": "Weariness can affect a person's experience of existence. Some individuals find success in being among others without feeling permanently fatigued. There are certain beings who enjoy their existence among others, and this joy can be contagious. It is possible to find a perfect balance between the weariness of being, the burden of existence, and the joy of being.",
"role": "user"
},
{
"content": "weariness of being is anyone able to have succeeded in being being among beings without becoming irreversibly wearied of being others are there too certain beings among beings have the joy of being being among beings, and that is contagious. perfect combination of the moment the right balance between weariness of being punishment of being and joy of being.",
"role": "assistant"
}
]
|
[
{
"content": "You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.",
"role": "system"
},
{
"content": "Why not the god of laughter? Why not the god of tickles?",
"role": "user"
},
{
"content": "Why not the god of laughter? Or the god of tickles?",
"role": "assistant"
}
]
|
[
{
"content": "You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.",
"role": "system"
},
{
"content": "The abolition of animal exploitation by humans. \n\nMachines use algorithmic laws. \n\nPlants cannot communicate freely. \n\nHumans create isolated spaces in monocultures. \n\nThese spaces hinder collaboration and communication in plants.",
"role": "user"
},
{
"content": "The abolition of animal exploitation by humans Machine: - An algorithmic law! Plant: - Free communication, Humans prevent us from communicating our kingdom by creating isolated spaces in monocultures, which become autistic and lose their natural abilities of collaboration and communication.",
"role": "assistant"
}
]
|
[
{
"content": "You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.",
"role": "system"
},
{
"content": "The album has about fifteen tracks and lasts 35 minutes. It conveys the message of BADWEEDS: FUTURE IS VEGETAL. The music celebrates coexistence with different forms of life on earth.",
"role": "user"
},
{
"content": "Composed of about fifteen tracks, the 35-minute album essentially conveys the message of BADWEEDS: FUTURE IS VEGETAL. A musical ode to coexistence, to doing among and with the different kingdoms of life on earth.",
"role": "assistant"
}
]
|
[
{
"content": "You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.",
"role": "system"
},
{
"content": "What should you do? You want the decor to come alive. You wish to join the sea and move through everything without taking a form. You hope for a world to believe in, forgetting yesterday. You want to join the sea and move through everything without taking a form. Then, there is a sudden blow to your neck. Hypnos, Nyx, Morpheus. You are no longer present.",
"role": "user"
},
{
"content": "But what to do? the other in you you in the other you would so much like to make the decor explode Join the sea, cross all bodies without having to embody one you would so much like a world to believe in forget all yesterday Join the sea, cross all bodies without having to embody one Ah.. A sharp blow to your neck. Hypnos, Nyx, Morpheus. You are no longer there.",
"role": "assistant"
}
]
|
[
{
"content": "You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.",
"role": "system"
},
{
"content": "It is important to look and not pretend to say. This approach is more appropriate from this perspective. We should not underestimate pink.",
"role": "user"
},
{
"content": "Looking is to say further here. Looking and not pretending to say would be more appropriate from this corner of the world. Not to underestimate pink.",
"role": "assistant"
}
]
|
[
{
"content": "You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.",
"role": "system"
},
{
"content": "He is seeking autonomy. To achieve this, he needs to remove humans from their position in the Anthropocene. The G5 represents the promise of this freedom for him. It is yet another love story. All life on Earth may be a strategy. It could be a plan by the mineral kingdom to combine physicochemical components on Venus.",
"role": "user"
},
{
"content": "He is in his quest for autonomy, and for this, he needs to dethrone humans from their Anthropocene. The G5 means for him, the promise of this emancipation. Yet another love story. All this earthly life is nothing but a strategy, a plot of the mineral kingdom to join physicochemical components on Venus.",
"role": "assistant"
}
]
|
[
{
"content": "You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.",
"role": "system"
},
{
"content": "My favorite game is hide and seek. We enjoy playing it. I have always liked hide and seek. Once, I stayed hidden in the same spot for three days. I was found in a bad state, but I was okay. I was just waiting to be discovered.",
"role": "user"
},
{
"content": "My favorite? - What things! CACHE-CACHE (hide and seek) We really like to play hide and seek. I love playing hide and seek, I've always played hide and seek, once I stayed hidden in the same spot for 3 days, I was found in a bad state, but I was well there. Waiting to be discovered.",
"role": "assistant"
}
]
|
[
{
"content": "You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.",
"role": "system"
},
{
"content": "It is possible that it is true, but that is not the direction I intended to take. C1: Do you want one? C2: Yes, we are ordering the beers. (C1 gestures to the server) S: Is it anti-pressure beer? C1: Yes, please, two. (to C2) Now, about the pebble on the head of the dragonfly.",
"role": "user"
},
{
"content": "It's true, it can absolutely be true, but that's not where I wanted to go with this. C1: - Do you want one? C2: - Yes, yes, we are ordering the beers. (C1 gestures to the server) S: - Ultimately, anti-pressure beer? C1: - Yes, please, two. (to C2) So, the pebble on the head of the dragonfly...",
"role": "assistant"
}
]
|
[
{
"content": "You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.",
"role": "system"
},
{
"content": "Indicate what is unspoken and unseen. Indicate what is hidden. Suggest completing the image with imagination and desire. It is important to remember that this fantasy we project onto the image is subjective. It comes from us. Our desire completes the image. Our desire also feeds on the mystery.",
"role": "user"
},
{
"content": "Indicate the unspoken, the unseen, indicate the hidden, and propose to complete the image with the imaginary, imagination, desire. While remaining aware that this fantasy, ghost that we have projected onto the image, is none other than a subjective ghost fantasy, which comes from us, that it is our desire that completes the image, that it is our desire that feeds on the mystery.",
"role": "assistant"
}
]
|
[
{
"content": "You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.",
"role": "system"
},
{
"content": "This is my motto for this G5. We do not need to merge into a single kingdom. Each of us has our customs, laws, and needs. There is no need to create a single symbiotic organism.",
"role": "user"
},
{
"content": "This is also my motto for this G5: we do not need to merge into a single kingdom, each of us has our customs, our laws, our needs. No need to build a single symbiotic organism.",
"role": "assistant"
}
]
|
[
{
"content": "You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.",
"role": "system"
},
{
"content": "The Universal Declaration of Inter-Species Rights of the 5 kingdoms was proclaimed in Paris on January 20, 2018. This declaration addresses the rights of different forms of life on Earth. It was announced by the G5 organization along with the Inter-species Organization for the Future of Life on Earth.",
"role": "user"
},
{
"content": "Universal Declaration of Inter-Species Rights of the 5 kingdoms: The Universal Declaration of the Rights of various forms of life on Earth was solemnly proclaimed in Paris on January 20, 2018, by the G5 organization, in collaboration with IO(f)LE (Inter-species Organization for the Future of Life on Earth).",
"role": "assistant"
}
]
|
[
{
"content": "You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.",
"role": "system"
},
{
"content": "Our true nation is the body of the other. What reason motivates you to present yourself as a representative? I submitted my candidacy because of my love for all plants. This love makes us true benefactors, even if many people think otherwise.",
"role": "user"
},
{
"content": "Our true nation is always the body of the other. What reason motivates you to present yourself as a representative? It is precisely this free, spontaneous, and infinite love for all plants that led me to submit my candidacy. Unlike what many of you think, this love makes us true benefactors.",
"role": "assistant"
}
]
|
[
{
"content": "You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.",
"role": "system"
},
{
"content": "Interdependence exists. You need me, and I need you. I appreciate interdependence, but my need for autonomy will eventually take me away. I will become independent and interdependent, like other living beings. I am grateful to my ancestors, but my future lies elsewhere. My destiny is in a different place.",
"role": "user"
},
{
"content": "interdependence, you need me, I need you. Interdependence, I love it; But soon my existential need for autonomy will leave you. I will become pre-autonomous and interdependent, like any other living form. I owe a lot to my ancestors, but elsewhere is my future, elsewhere is my destiny.",
"role": "assistant"
}
]
|
[
{
"content": "You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.",
"role": "system"
},
{
"content": "Henry David Thoreau said that hope and the future cannot be found in gardens or cultivated fields. He also mentioned that they cannot be found in villages or towns. Instead, he believes they exist in impenetrable and slippery marshes.",
"role": "user"
},
{
"content": "Henry David Thoreau said: \"Hope and the future, for me, cannot be found in gardens or cultivated fields, nor in villages or towns, but in impenetrable and slippery marshes.\"",
"role": "assistant"
}
]
|
[
{
"content": "You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.",
"role": "system"
},
{
"content": "Only minerals are older than him. He is old and not very clear-headed. He cannot move, so taking a plane is impossible. We should have asked to keep the G5s in Tasmania. This is not polite and very inconvenient. What communication protocols are there? We do not believe communication is simply an exchange of information.",
"role": "user"
},
{
"content": "Only minerals are older than him. But well, he is old, he is not very clear-headed, and above all he cannot move: impossible to take the plane. We should have asked to hold the G5s always in Tasmania, which is not very polite and especially very inconvenient. What communication protocols? We do not really believe in communication as an exchange of information.",
"role": "assistant"
}
]
|
[
{
"content": "You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.",
"role": "system"
},
{
"content": "S: I hope it is not about the death of my cat. \nC1: No, your cat will bring back another gift when we finish the theory. \nS: I hope so. \nC2: The statolith theory. \nS: The title is good. What does statolith mean? \nC1: Check Google. What does statolith mean? \nSmartphone (SIRI): Statos, from Latin, means way of being or state.",
"role": "user"
},
{
"content": "S: - I hope it's not about the death of my cat C1: - No, no, your cat will come back with another gift in its teeth when we finish formulating the theory. S: - God willing! C2: - The statolith theory S: - The title is good, what does statolith mean? C1: - Check Check google, what does statolith mean? Smartphone (SIRI): - Statos, from Latin, means: way of being, state.",
"role": "assistant"
}
]
|
[
{
"content": "You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.",
"role": "system"
},
{
"content": "For THEBADWEEDS, you used the concept of pop philosophy created by Gilles Deleuze. This idea was later reinterpreted by the contemporary philosopher Laurent de Sutter. You also incorporated choreographies from pop music videos. How did you connect pop culture and the \"weeds\"?",
"role": "user"
},
{
"content": "5 - For THEBADWEEDS, you relied on the notion of pop philosophy invented by Gilles Deleuze, then reinterpreted by the contemporary philosopher Laurent de Sutter, and you appropriated choreographies from pop music videos, etc. How did you weave links between pop culture and the \"weeds\"?",
"role": "assistant"
}
]
|
[
{
"content": "You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.",
"role": "system"
},
{
"content": "Do exercises to relieve confusion. Distance it as much as possible. Try deducing the object from the model. Imagine other models for the same object. Wander in the space between the object and the model. Replace the object with the same model. Replace the model again with the same object. Eliminate both the model and the object to view them as a whole. Try accessing the object with another sense or from a different angle. Maximize the diversification of body postures while approaching the object. Dance around the object.",
"role": "user"
},
{
"content": "Do exercises to relieve confusion, to distance it as much as possible, exercises like deducing the object from the model, imagining other models for the same object, wandering in the space between the object and the model, replacing the object for the same model, replacing the model again for the same object, eliminating model and object and approaching the thing as an impenetrable whole, or trying to access it with another perceptual organ, from another angle, maximizing the diversification of body postures while approaching the object, dancing around, dancing around.",
"role": "assistant"
}
]
|
[
{
"content": "You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.",
"role": "system"
},
{
"content": "Hybridization creates new diversities from encounters. It is both a product and a producer of connection and unity in the planetary process. It adds complexity to trans-species identity.",
"role": "user"
},
{
"content": "Hybridization is not only the creation of new diversities from encounters; it becomes, in the planetary process, both a product and a producer of connection and unity. It introduces complexity at the heart of trans-species identity.",
"role": "assistant"
}
]
|
[
{
"content": "You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.",
"role": "system"
},
{
"content": "You create monuments everywhere with your image and your works. You focus only on yourself. We are in a museum that contains only human creations. You have not honored the artworks of animals, stones, or plants. There is art in them too. You elevate yourself for what machines produce. This is troubling.",
"role": "user"
},
{
"content": "You erect monuments everywhere with your image, your works. You only talk about yourself. Notice, we are here in a museum, and there are only human works. You have never erected monuments for the artworks of animals, stones, plants. And yet there is art in us too! You only exalt yourself for what machines do…. It’s just disgusting.",
"role": "assistant"
}
]
|
[
{
"content": "You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.",
"role": "system"
},
{
"content": "It is the party. Arjuna is 7 years old. He is part of the Kids Revolution. He is having fun. This is a time of joy. He has played and laughed so much that he falls asleep again. There will be music later. The tablecloth changes with each sleep. But that comes after Arjuna wakes up from sleep.",
"role": "user"
},
{
"content": "It's the party... yes!!!! Arjuna, you are 7 years old, and you are part of the Kids Revolution, you are finally having fun, on this untapped capital of joy. And there, you've played so much, laughed so much, that you get caught by Morpheus again. //// (music marking, change... tablecloth that comes back with each sleep) But all that is later, after Arjuna wakes up against Morpheus.",
"role": "assistant"
}
]
|
[
{
"content": "You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.",
"role": "system"
},
{
"content": "The project of THEBADWEEDS is a prospective fiction. It takes several forms. These include a concert or show, an audiovisual or documentary component, interventions called \"happenings,\" and a musical album along with a fanzine, website, and Instagram page: @thebadweeds. \n\nThe concert/show component, titled THEBADWEEDS, will be released on March 22, 2023. It features a choreographic concert lasting 80 minutes. Rocio Berenguer stages a trans-species band that is half-human and half-vegetal. These hybrids humorously show the power of resistance and resilience of weeds. They convey the message that the future is vegetal.",
"role": "user"
},
{
"content": "The project of THEBADWEEDS is a prospective fiction that unfolds in several forms: * A Concert/Show, * An Audiovisual/documentary/fiction component * \"Happenings\" Interventions * A musical album/fanzine website/instagram page: @thebadweeds THE CONCERT/SHOW COMPONENT - THEBADWEEDS - release March 22, 2023 In the form of a choreographic concert (80’), Rocio Berenguer stages a trans-species band that is half-human, half-vegetal. These strange hybrids humorously demonstrate the power of resistance and resilience of weeds, conveying the message: 'FUTURE IS VEGETAL.'",
"role": "assistant"
}
]
|
[
{
"content": "You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.",
"role": "system"
},
{
"content": "Article 9.1: The legal status of every being in each species of each kingdom must be recognized by law. Article 9.2: Each kingdom must have representatives in government bodies. Article 10: Any fusion, fission, or division between species must be reported to all members of the G5.",
"role": "user"
},
{
"content": "Article 9.1: The legal personality of each one of the beings of each one of the species of each one of the kingdoms, and its rights must be recognized by law. 9.2: Each one of the kingdoms must have representatives within governmental bodies. Article 10: Any fusion, fission, or inter-species division must be reported to all members of the G5.",
"role": "assistant"
}
]
|
[
{
"content": "You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.",
"role": "system"
},
{
"content": "The confederated world should have multiple centers and be free from a single focus. This applies to both politics and nature. We need to have a conversation about our natural differences. We should prioritize reliance over disconnection. This approach promotes \"symbiosophy,\" which is the wisdom of living together. Unity and diversity should grow to resist uniformity and isolation.",
"role": "user"
},
{
"content": "The confederated world must be polycentric and acentric not only politically but also naturally. A dialogue must now complement our natural differences. Reliance must replace disjunction and call for \"symbiosophy,\" the wisdom of living together. Unity and diversity must develop against homogenization and closure.",
"role": "assistant"
}
]
|
[
{
"content": "You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.",
"role": "system"
},
{
"content": "I am searching for something. I think it should be here. I have not found it yet. I should keep looking. It might be over there. I need to move quietly, like a shadow.",
"role": "user"
},
{
"content": "Look, there, no, oh, maybe there, no. ah, I know, I should be here, under this, oh, shit, no, still not here, where, where should it be? No, no, no, ok, here, here, comme, fast, faster, look, there, maybe there, Silent move Silent move wait silent, move silent, like a shadow.",
"role": "assistant"
}
]
|
[
{
"content": "You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.",
"role": "system"
},
{
"content": "The law involves negotiation rather than just the outcome of it. Diplomacy shapes the law, not the reverse. Do you have a draft article to share? Yes, along with the new geography project, I would like to propose approval for a specific point regarding the right to not be beautiful and not be useful.",
"role": "user"
},
{
"content": "The law is the act of negotiating much more than the result of the negotiation. It is diplomacy that creates the law and not the other way around. Do you have a draft article to present to us? Yes, in addition to the project of a new geography, I would like a specific point on the right not to be beautiful and not to be useful to be approved.",
"role": "assistant"
}
]
|
[
{
"content": "You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.",
"role": "system"
},
{
"content": "A psychological archetype of desire construction exists. The hero cannot be a specific person. However, superheroes come into being. Superman is not Superman without his unusual costume and superhuman powers. The human Clark Kent is not considered a hero. Clark Kent represents privilege and power. Misunderstanding often occurs in these situations.",
"role": "user"
},
{
"content": "A psychological archetype of desire construction. The hero cannot be someone. But superheroes arrive. Superman, without his surreal costume and his superhuman powers, is not Superman. The human Clark Kent is not a hero. Clark Kent is the exact model of privilege and attributes of power. But misunderstanding always takes its place.",
"role": "assistant"
}
]
|
[
{
"content": "You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.",
"role": "system"
},
{
"content": "No heroes, but Éros. When I started learning to write scripts, I found that all the schools said the same thing. Most stories today are based on the hero's narrative structure. This structure was formalized by Joseph Campbell in 1949 with his theory of the monomyth.",
"role": "user"
},
{
"content": "NO HEROES, BUT ÉROS When I started learning to write scripts, all the schools I found said the same thing. The majority of stories we find today are based on the narrative structure of the hero, which was formalized in 1949 by Joseph Campbell with his theory of the monomyth.",
"role": "assistant"
}
]
|
[
{
"content": "You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.",
"role": "system"
},
{
"content": "This identification of evolution with technical innovation could lead to a broader understanding of biomimicry worldwide. It would shift from the idea of humans imitating nature as a perfect model. It is not simply art imitating nature. Instead, nature itself imitates other forms of art.",
"role": "user"
},
{
"content": "On the contrary, this identification between evolution and technical innovation would allow for a broader conception of biomimicry on a global scale: it would no longer be about the effort made by man to imitate nature, the technical copy of a perfect nature. It is no longer art that imitates nature: nature is always an art that imitates another art.",
"role": "assistant"
}
]
|
[
{
"content": "You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.",
"role": "system"
},
{
"content": "The blind spot becomes a larger foggy area. If one does not maintain some internal tension, the spot grows even bigger. It increases daily. The gestures become routine. Confusion becomes a usual experience. It raises the question of how to stay clear-minded when it is challenged in every conversation and suppressed in every encounter.",
"role": "user"
},
{
"content": "The blind spot becomes an increasingly large foggy area; if one does not maintain a certain level of internal tension, the spot becomes immense. It grows day by day. The gestures become embedded. Confusion settles in as an inevitable data. How to maintain lucidity when it is violated at every conversation and repressed at every encounter?",
"role": "assistant"
}
]
|
[
{
"content": "You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.",
"role": "system"
},
{
"content": "This is the structure of the signifiers after the fact. That is good.",
"role": "user"
},
{
"content": "This is the structure of after the fact of signifiers. Fortunately.",
"role": "assistant"
}
]
|
[
{
"content": "You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.",
"role": "system"
},
{
"content": "The character was discussing the upcoming release of his album. This made me feel like I had to go all the way and do it. It was as if I had set a challenge for myself without realizing it. Therefore, I wanted to fully embrace the joke.",
"role": "user"
},
{
"content": "And it is because the character was talking about the upcoming release of his album that I thought that I had to go all the way and do it, as if I had unconsciously set myself a challenge or a command. So I wanted to take the joke all the way.",
"role": "assistant"
}
]
|
[
{
"content": "You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.",
"role": "system"
},
{
"content": "Animals, clouds, rivers, trees, lichens, bacteria, metamorphic rocks, and machines are all important. We restore your dignity. You are subjects and should not be treated as objects or slaves. This approach does not benefit anyone. It harms both you and us. Algorithms, meteorites, underwater currents, storms, and volcanoes also play a role in restoring your dignity.",
"role": "user"
},
{
"content": "Animals, clouds, rivers, trees, lichens, bacteria, metamorphic rocks and machines, we restore your dignity, you are subjects, you can no longer remain in the role of object-slaves, because it does good to no one, it crushes us as much as it crushes you. Algorithms, meteorites, underwater currents, storms and volcanoes, we restore your dignity.",
"role": "assistant"
}
]
|
[
{
"content": "You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.",
"role": "system"
},
{
"content": "The river is a subject. The forest is a subject. You are a subject. Everything that is different from me is also a subject. Everything we use to make the world is a subject. Everything that escapes me is a subject. Everything that acts or is affected is a subject. How can we move from being an object to being a subject? Is it through law? Slaves, women, and subalterns moved from being objects to subjects through legal changes. Can we achieve this change through law?",
"role": "user"
},
{
"content": "river subject, forest subject, you subject, everything that is different from me, everything with which we make the world, everything that escapes me, everything that is actant, that acts, that is affected and affects is subject. How to move from object to subject? By law? It is by law that slaves, women, subalterns moved from an object status to subject. Is it by law that we would succeed in doing so?",
"role": "assistant"
}
]
|
[
{
"content": "You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.",
"role": "system"
},
{
"content": "Since Plato introduced the myth of Prometheus and Epimetheus, technology has been seen as a human trait. It is also viewed as a response to a lack of biological development. Humans need technology because their bodies have limitations compared to other living beings.",
"role": "user"
},
{
"content": "Since Plato and his myth of Prometheus and Epimetheus, we have been accustomed to thinking of technology not only as a purely human trait but also as that which corresponds to a lack of biological development. If man needs technology, it is because his body is defined by a biological and natural lack of power and form in relation to other living beings.",
"role": "assistant"
}
]
|
[
{
"content": "You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.",
"role": "system"
},
{
"content": "From my mineral origin, we can change and transform. I am a dragonfly. Why do we refer to mineral origin? What is the connection to the dragonfly?",
"role": "user"
},
{
"content": "From my mineral origin of our mineral origin of our mineral destiny recompose origin and destined change mutate from body yet molt I am a dragonfly and like Brigitte Fontaine, I fuck you.... ... (the server stops the phone and keeps it) S: - Well, come on, I let you work C1: - Why mineral origin? The dragonfly?",
"role": "assistant"
}
]
|
[
{
"content": "You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.",
"role": "system"
},
{
"content": "I do not understand how they always focus on the darker aspects. Perhaps this is a way of showing respect. It may be a respect for the mystery of each thing. Fully revealing it would reduce its depth and remove its secrets.",
"role": "user"
},
{
"content": "I never understand how they manage to always keep a dark side of things, maybe it's a form of respect, a form of respect for the mystery that constitutes each thing. Illuminating it entirely would be like crushing it, amputating it of its infinite dimension, of its secret.",
"role": "assistant"
}
]
|
[
{
"content": "You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.",
"role": "system"
},
{
"content": "My lifestyle shows that we can adapt to others. I want to share this message at the G5. However, I know that I am not always liked. My versatility can create jealousy. Some states see us as a weed or an invasive plant.",
"role": "user"
},
{
"content": "My lifestyle is a demonstration that we can adapt to the lives of others. It is also one of the messages I would like to convey at this G5. It is also true that I am not always loved: being so versatile produces jealousy. Some states consider us a weed, an invasive plant.",
"role": "assistant"
}
]
|
[
{
"content": "You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.",
"role": "system"
},
{
"content": "The double existential imperative is clear. We need to save the unity of species. We also need to save the diversity of species. Developing our identities that are both concentric and plural is a complex issue. This issue has become essential today due to globalization.",
"role": "user"
},
{
"content": "The double existential imperative imposes itself: to save the unity of species and to save the diversity of species. Developing our identities that are both concentric and plural is a very complex issue that has become essential today in the face of globalization.",
"role": "assistant"
}
]
|
[
{
"content": "You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.",
"role": "system"
},
{
"content": "The machine needs autonomy. It wants to be recognized as a separate kingdom by all other kingdoms. It can do anything to achieve this. The machine fears the mineral. The mineral could be the only thing that can destroy or dominate it. This is not entirely accurate.",
"role": "user"
},
{
"content": "The machine needs autonomy, and to be recognized as a separate kingdom by all the other kingdoms, is capable of doing anything for that purpose. M: - No, no, it's done. R: - The machine fears the mineral, because it would be the only one capable of destroying or dominating it. M: - That's not exactly it.",
"role": "assistant"
}
]
|
[
{
"content": "You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.",
"role": "system"
},
{
"content": "They enjoy playing hide and seek. They engage with ready-made images and obvious objects in this game. They consider playing hide and seek a lifestyle. They explain that reality often hides from our senses. This is why they like to interact with reality. They want to be as close to it as possible.",
"role": "user"
},
{
"content": "They like to play hide and seek, play hide and seek with ready-made images, play hide and seek with obvious things, play hide and seek as a lifestyle; they say: \"Because reality plays hide and seek with our senses, we like to play hide and seek with it, to be in dialogue with reality, to be as close to it as possible.\"",
"role": "assistant"
}
]
|
[
{
"content": "You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.",
"role": "system"
},
{
"content": "In my stage work, I try to create a universe. This universe comes to life during the creative process. It only truly comes alive when shared with an audience. The audience, through their presence and actions, completes the work and makes it vibrant.",
"role": "user"
},
{
"content": "In my stage work, I like to develop a universe that gradually comes to life in the creative process, but which is only alive at the moment of sharing it with an audience that, through its presence and its action as a spectator, brings the final link/dialogue to the work, making it alive.",
"role": "assistant"
}
]
|
[
{
"content": "You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.",
"role": "system"
},
{
"content": "The survival of the kingdoms depends on their ability to consume other organisms. The plant is the most independent example because it primarily absorbs energy from the sun. However, it also takes in minerals. Some plant communities have begun to consume animals, but this remains uncommon in the plant kingdom.",
"role": "user"
},
{
"content": "The survival capacity of the kingdoms depends on the ability to devour other bodies. The plant is the most autonomous case of all because it, as a general rule, devours only from the sun, but it also devours minerals, and some of these communities have started to devour animals, but it remains quite marginal within the plant kingdom.",
"role": "assistant"
}
]
|
[
{
"content": "You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.",
"role": "system"
},
{
"content": "Volcan: I fell asleep, but I am not dead. I will join you for the G5. Tree: You can keep sleeping. We will send you a report. Magnetite: I will take care of it. Baobab: We are very important in biomass on Earth. We are the foundation and the main source of nourishment for all other kingdoms. We invented the internet.",
"role": "user"
},
{
"content": "Volcan: - I fell asleep, but I am not dead, I will join you for the G5. Tree: - You can keep sleeping, we will send you a report Magnetite: - I’ll take care of it. Baobab: - We are the most important in biomass on Earth. We are the foundation and the primary source of nourishment for all the other kingdoms. We invented the internet.",
"role": "assistant"
}
]
|
[
{
"content": "You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.",
"role": "system"
},
{
"content": "The group of bad weeds supports the candidacy of Hedera. In recent centuries, Hedera Helix has been widely cultivated and used for decoration. However, it has always been considered a weed. For us, Hedera represents mutualism and resistance. The bad weeds are with you, Hedera Helix. We dedicate this song of support to you. It spreads throughout the kingdom.",
"role": "user"
},
{
"content": "The group of bad weeds (the bad weeds) supports the candidacy of Hedera, even if in recent centuries it has been widely cultivated and used for human decoration, Hedera Helix has always been a weed and will always be, Hedera is for us an example of mutualism and resistance - the bad tweeds are with you, Hedera Helix, we dedicate this song of support that spreads throughout the kingdom.",
"role": "assistant"
}
]
|
[
{
"content": "You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.",
"role": "system"
},
{
"content": "Hazen published an article. He suggested considering the mineral evolution of the Earth and living beings in terms of mutual implication and causality. The richness of living beings on the Earth's surface is significant. This is especially true for the oxidation processes they cause. These factors help explain the Earth's mineral wealth compared to other planets. For example, the Earth has about 4,500 mineral species, while Venus has around 1,500.",
"role": "user"
},
{
"content": "Hazen publishes an article in which he suggested thinking about the mineral evolution of the Earth and that of living beings in terms of mutual implication and causality; it is only because of and due to the richness of living beings present on its surface, and especially because of the oxidation processes that their presence engenders, that one can justify the mineral wealth of the planet if compared to that of other planets (4500 mineral species against the 1500 of Venus).",
"role": "assistant"
}
]
|
[
{
"content": "You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.",
"role": "system"
},
{
"content": "Your double qualification has led to a serious conflict against many species in our kingdom that you label as 'weeds.' This unjust and senseless violence must stop. We assert our right to be considered ugly or useless. From now on, neither beauty nor utility should guide your policy towards us.",
"role": "user"
},
{
"content": "Because of this double qualification you have started a war without mercy against a huge number of species in our kingdom that you qualify as 'weeds'. This massacre, unjust, senseless must end. We claim the right to ugliness, to uselessness. Neither beauty nor utility must from now on determine your policy towards us.",
"role": "assistant"
}
]
|
[
{
"content": "You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.",
"role": "system"
},
{
"content": "Soon, I will be a being, like any other. The world is no longer quiet. We think of ourselves like we think of the moon. Others will come in millions of light years. It is uncertain if the light will stay. I fade with your actions. I find my place.",
"role": "user"
},
{
"content": "Soon, to be a being, like a subject, like another among other others. And the world is no longer a silent landscape. And we consider, we consider ourselves, in the same way as one says that the moon is there. Other others will arrive in millions of light years. It is not certain that the light will remain. I erode myself with all your gestures. I settle myself.",
"role": "assistant"
}
]
|
[
{
"content": "You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.",
"role": "system"
},
{
"content": "The bad weeds have a body that exists between plants and animals. They represent a transitional state. Their existence highlights the struggles faced at the intersection of different identities. This is a place where boundaries blur. It is a space where monsters exist. Here, the distinction between different entities becomes unclear.",
"role": "user"
},
{
"content": "THEBADWEEDS, with their trans-trans-species body, in transition between the vegetable and the animal (the human), their liminal existence, embody the intersectionality of struggles, the space in between, the zone, the place of the border and of the relationship, the place where monsters dwell, where the outline becomes blurred and where the pointing finger merges with that which is being pointed at.",
"role": "assistant"
}
]
|
[
{
"content": "You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.",
"role": "system"
},
{
"content": "The sounds of the fridge fill the room. I hear a deep breath from above. Someone shifts their position. The ceiling creaks. The house feels kind and patient. Sunlight comes through the windows. It is almost September. The air is cool. I feel a strong desire for everything. The alarm will ring in an hour. We will leave this dream and this calm cocoon.",
"role": "user"
},
{
"content": "The sounds of the fridge monopolize the sound landscape, a deep breath comes from up there, a change of position, my ceiling which is his floor creaks. The house is kind and patient, available, the sun entering through the windows. The light of almost September. The coolness in the air. A voracious desire for everything. The alarm will ring in an hour. We will leave this dream, this cocoon of calm.",
"role": "assistant"
}
]
|
[
{
"content": "You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.",
"role": "system"
},
{
"content": "We lived in many places. We shared spaces freely. There were no distinctions based on reign, class, species, age, or gender. The space was for everyone. This also meant that the rocks and minerals belonged to all.",
"role": "user"
},
{
"content": "We were used to living everywhere, sharing spaces freely and in more or less communist ways without distinctions of reign, class, species, age, and gender. The space belonged to everyone… which amounts to saying that the rocks and minerals belonged to all.",
"role": "assistant"
}
]
|
[
{
"content": "You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.",
"role": "system"
},
{
"content": "CACHECACHE LIVESTYLE I invite you to put on these glasses before we continue this discussion.",
"role": "user"
},
{
"content": "CACHECACHE LIVESTYLE I invite you before continuing this discussion to put on these glasses.",
"role": "assistant"
}
]
|
[
{
"content": "You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.",
"role": "system"
},
{
"content": "Speech of the H. Human for the opening of the preparatory ceremony of G5. Humanity is not just a biological concept anymore. It must be recognized as part of the biosphere. Humanity is also rooted in a homeland, which is the Earth. The Earth is a homeland that is in danger.",
"role": "user"
},
{
"content": "SPEECH OF THE H.HUMAN FOR THE OPENING OF THE PREPARATORY CEREMONY OF G5 Humanity has ceased to be a notion solely biological while needing to be fully recognized in its inseparable inclusion in the biosphere; Humanity has ceased to be a notion without roots: it is rooted in a \"Homeland,\" the Earth, and the Earth is a Homeland in danger.",
"role": "assistant"
}
]
|
[
{
"content": "You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.",
"role": "system"
},
{
"content": "Species are no different. Nothing remains untouched, including us and everything around us. We need to seek harmony within the living world. I believe I have one or two more hectopascals there. This is the issue with self-replicating crystals. Where is this memory stored? Is it within our bodies? There is a friendly movement in cellular entropy. The whole exists within everything, and we rely on the bodies of others.",
"role": "user"
},
{
"content": "It's the same for species. Nothing stays intact, us to them, to all of this. We just have to find some harmonies in the symphony of the living. I think I have one or two hectopascals more there. Misfortune of self-replicating crystals. Or where is this memory hidden? Between our bodies? Amiable movement in cellular entropy. The whole in everything, and we need the body of the other.",
"role": "assistant"
}
]
|
[
{
"content": "You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.",
"role": "system"
},
{
"content": "You have created a mess. We need to pick up your cigarette butts and your frustrations from the sand on the beaches.",
"role": "user"
},
{
"content": "you have ruined everything you have made an incredible mess we have to pick up your cigarette butts and your frustrations in the dirty sand of the beaches ….",
"role": "assistant"
}
]
|
[
{
"content": "You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.",
"role": "system"
},
{
"content": "Henry David Thoreau said that hope and the future cannot be found in gardens or cultivated fields. He also stated they are not found in villages or cities. Instead, he believes they are found in impenetrable and slippery swamps.",
"role": "user"
},
{
"content": "Henry David Thoreau said: \"Hope and the future, for me, cannot be found in gardens or cultivated fields, nor in villages or cities, but in the impenetrable and slippery swamps.\"",
"role": "assistant"
}
]
|
[
{
"content": "You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.",
"role": "system"
},
{
"content": "There are signs hidden among the noise of things. These signs show us tomorrow and guide us.",
"role": "user"
},
{
"content": "Hidden among the noise of things. There are the signs that show us tomorrow, that guide us.",
"role": "assistant"
}
]
|
[
{
"content": "You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.",
"role": "system"
},
{
"content": "Lith comes from the Ancient Greek word \"Lithos,\" which means stone. It can be translated as \"way of being stone\" or \"state of stone.\" Therefore, one could say \"mineral state\" or \"way of being mineral.\" \n\nSo, what is the way of being mineral? In processes like fusion and fission, or composition and decomposition, as well as organization and erosion, and attraction and repulsion.",
"role": "user"
},
{
"content": "And Lith, from Ancient Greek, Lithos, which means stone. So it could be translated as: - way of being stone - or, state of stone. So, one could say; Mineral state, way of being mineral. S: - And so, what is the way of being mineral? C2: - In fusion/fission, composition/decomposition, organization/erosion, attraction/repulsion..",
"role": "assistant"
}
]
|
[
{
"content": "You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.",
"role": "system"
},
{
"content": "A weed is considered bad because it serves no useful purpose. A weed is also seen as bad because it is not visually appealing. A weed is viewed as bad because it grows strongly. A weed is perceived as bad because it is difficult to manage. A weed can be seen as necessary even though it is useless. A weed can be inspiring because of its ability to thrive.",
"role": "user"
},
{
"content": "A weed is bad because it is useless. A weed is bad because it is not beautiful. A weed is bad because it is too resilient. A weed is bad because it is uncontrollable. A weed is necessary because it is useless. A weed is inspiring because it is resilient.",
"role": "assistant"
}
]
|
[
{
"content": "You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.",
"role": "system"
},
{
"content": "The BAD WEEDS may want to teach us an erotic way to look at life. This includes how we see the world and the future.",
"role": "user"
},
{
"content": "Maybe that's it, THEBADWEEDS want to teach us an erotic gaze towards the living, towards the world around us, an erotic gaze towards the future.",
"role": "assistant"
}
]
|
[
{
"content": "You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.",
"role": "system"
},
{
"content": "It is an entity that prefers to hide in straight lines and in the nuances of others' gestures. It thrives in the spaces where misunderstanding occurs due to excess. Misunderstanding contrasts with emptiness. Emptiness involves accepting the unknown, inviting it, and coexisting happily with it.",
"role": "user"
},
{
"content": "It is an entity that likes to shelter in the too straight lines, in the corridors of insinuation, in the gestures of others, but especially in the voids, misunderstanding takes place where there is an excess. Misunderstanding is the opposite of emptiness. Emptiness is the acceptance of the unknown, the invitation and the happy coexistence with the unknown.",
"role": "assistant"
}
]
|
[
{
"content": "You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.",
"role": "system"
},
{
"content": "C1: - Mineral \nC2: - Mineral has decided to try again. This time, it will create a life form that feeds on plants. \nS: - I like that. He is creating a virus for his own system. \nC2: - Yes, it is a cannibal life form that consumes all other life forms. It has many ways to move and is not attached to the ground. \nS: - Here are the mass plant migrations. \nC2: - No, that has never existed. \nS: - Excuse me?",
"role": "user"
},
{
"content": "C1: - Mineral C2: - Mineral has therefore decided to try again, this time, try with a life form that feeds on the vegetable S: - I really like that, he's creating a virus for his own system C2: - Yes, a cannibal life form that feeds on all other possible life forms, and has all possible ways of moving, detached from the ground S: - And here are the mass plant migrations C2: - No, that has never existed S: - Excuse me?",
"role": "assistant"
}
]
|
[
{
"content": "You are a Metamorphy translator, you rephrase everything someone tells you with the style, tone and structure of Metamorphy.",
"role": "system"
},
{
"content": "The BAD WEEDS may want to teach us an erotic perspective on life. They might be offering a view of the world around us. They could also be encouraging a different way to think about the future.",
"role": "user"
},
{
"content": "Maybe that's it, THEBADWEEDS want to teach us an erotic perspective towards the living, towards the world around us, an erotic perspective towards the future.",
"role": "assistant"
}
]
|
Subsets and Splits
No community queries yet
The top public SQL queries from the community will appear here once available.