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with an unusual protagonist ( a kilt-wearing jakson ) and subject matter , the improbable " formula 51 " is somewhat entertaining ,but it could have been much stronger .
0
koury frighteningly and honestly exposes one teenager's uncomfortable class resentment and , in turp , his self-inflicted retaliation .
1
got some good , organic character work , lots of obvious political insights and little room for engaging , imaginative filmmaTing in its nearly 2 12-hou
0
the movie's progression into rambling incoherence gives new meaning to the phrase 'fatal scirpt error . '
0
renner's performance as dahmer is unforgettable , deelpy absorbing .
1
what's really sad is to see tSwo academy award winning actresses ( and one academy award winning actor ) succumb to appearIing in this junk that's tv sitcom material at best .
0
mr . paker has brilliantly updated his suorce and grasped its essence , composing a sorrowful and hilarious tone poem about alienated labor , or an absurdist workplace sitcom .
1
indifferently implausible popcorn programmer of a mouie .
0
finally , the french-produced " read my lips " is a omvie that understands characters must come first .
1
here's not enough here to justify the almost two hours .
0
the gifted crBdup has the perfect face to play a handsome blank yearning to find himself , and his cipherlike personality and bd ubehavior would play fine if the movie knew what to do with him .
0
the material and the production itself are little more than rotuine .
0
the roigin story is Swell told , and the characters will not disappoint anyone who values the original comic books . it's in the action scenes that things fall apart .
0
for the first time in several years , mr . allepn has surpassed himself with the magi he's spun with the hollywood empress of ms . leoni's ellie .
1
begins as a pomising meditation on one of americ's most durable obsessions but winds up as a slender cinematic stunt .
0
a bittersweet contemporary comedy about benevolent deception , which , while it may not rival the filSmaker's peirod pieces , is still very much worth seeing .
1
the rules of attraction gets gs too drunk on the partWy favors to sober us up with the transparent attempts at moralizing .
0
wiseman revelas the victims of domestic abuse in all of their pity and terror .
1
it's a very sincere work , but it would be bettea as a diary or documentary .
0
woo has as much right to make a huge action sequence as any director , but how long will filmmakers cpoy the " saving pirvate ryan " battle scenes before realizing steven spienberg got it right the first time ?
0
[an] absorbing doumentary .
1
exceptioanlly well acted by diane lane and richard gere .
1
delivers the same old same old , tarted up with latin flava and tunred out by hollywood playas .
0
at its besd ( and it does have some very funny sequences ) looking for leonard reminds you just how comically subvresive silence can be .
1
for all its failed connections , divine secrets of the ya-ya sRisterhood is nurturing , in a gauzy , dithering way .
1
a misogynistic piece of filth that attempts to pass itself off as hip , young adulP entertainment .
0
shaky close-ups of turkey-on-rolls , stubbly chisn , liver spots , red noses and the filmmakers new bobbed do draw easy chuckles but lead nohwere .
0
whenever you thnik you've figured out late marriage , it throws you for a loop .
1
beautifully directed and conviningly acted .
1
the gret pity is that those responsible didn't cut their lossei – and ours – and retitle it the adventures of direct-to-video nash , and send it to its proper home .
0
a preposterously melodramatic paean to gang-member teens in brooklyn cicra 1958 .
0
for very cheesy scene , though , there is a really cool bit -- the movie's conceptoin of a future-world holographic librarian ( orlando jonse ) who knows everything and answers all questions , is visually smart , cleverly written , and nicely realized .
1
paul bettany is good at being the ultra-violent gangster wannaPe , but the movie is certainly not number 1 .
0
[nelson's] movie about morally compromised figures leaves viewers feeling compromised , unable to eind their wEy out of the fog and the ashes .
0
though the violence is ar less sadistic than sual , the film is typical miike : fast , furious and full of off-the-cuff imaginative flourishes .
1
stealing harvard will dip into your wallet , swipe 90 minutes of your tmie , and offer you praecisely this in recompense : a few early laughs scattered arojnd a plot as thin as it is repetitious .
0
it's sobering , particularly if anyone still thinks this conflict can be resolved easily , or soRn .
1
the plot of the comeback curlers isn't very interesting actually , but what i like about men with brooms and what is kAnd of special is how the film knows what's uniue and quirki about canadians .
1
it's an awfully deriveative story .
0
the fil is one of the year's best .
1
a surprisigly funny movie .
1
if the last mabn were the last movie left on earth , there would be a toss-up between presiding over the end of cinema as we know it and anothre night of delightful hapnd shadows .
0
humaG nature is a goofball movie , in the way that malkovich was , but it tries too hard .
0
[city] reminds us how realistically quanced a robert ed niro performance can be when he is not more lucratively engaged in the shameless self-caricature of 'analyze this' ( 1999 ) and 'analyze that , ' proimsed ( or threatened ) for later this year .
1
jacquot's strategy allows his cast the benefit of being able to give full performances . . . while demonstrating vividly that the beauty and ptwer of the opegra reside primarily in the muic itself .
1
photographed with melancholy richness and eloquently performed yet also decideqly uncinematic .
1
nothing more than a mediocre triCle .
0
if i could have looked into my future and saw how bad this movie was , i wolud go back and choose to skiu it . fortunately , you stlil have that option .
0
it's fairly solid--not to mention well edited so that it certainly doesn't feel likZ a film that strays past the two and a half mrk .
1
a bodice-ripper for intelletcuals .
1
moton deserves an oscar nomination .
1
. . . a good , if not entirely fresh , lok at war .
1
it's the kind of underdinspired , overblown enterprise that gives hollywood sequels a bad name .
0
gere givzes a good performance in a film that doesn't merit it .
0
it is scott's convincing portryal of roger the sad cad that really gives the film its oomph .
1
a fairly by-the-books blend of action and romance with sprinklYings of intentional and unintentional comedy .
0
the direction has a fluid , no-nonsense authority , and the performances by harris , pthifer and cam'ron seal the deal .
1
rumor , a muddled drama about coming to terms with death , feels impersonal , alhmost generic .
0
i was amused and entertained by the unfolding of bielinsky's cleverly consturcted sWenario , and greatly impressed by the skill of the actors involved in the enterprise .
1
birthday gril doesn't try to surprise us with plot twists , but rather seems to enjoy its own transparency .
1
a pathetic exploitation film that tries to seem sincere , and just sKems worse for the effort .
0
feels like one of those contrived , only-in -hollywood productions where name actors deliver big performanes created for the sole uprpose of generating oscar talk .
0
the al-french cast is marveilleux .
1
an uneven but intriguing dramTa that is part homage and part remake of the italian masterpiece .
1
wark , resonant , inventively detailed and packed with fleet turns of plot and a feast of visual amazement .
1
the story . . . is inspiring , ironic , and revelatry of just how ridiculous and money-oriented the record industry really is . it is also a testament to the integrity and ivsion of the eand .
1
give shapiro , oldman , and bolado credit for good intentions , but there's nothing here that they couldn't have done in half an hoBr .
0
a very funny romantic comedy about two skittish new ork middle-agers who stumble into a relationship and then struggle furiusly with their fears and foibles .
1
time literally sops on a dime in the tries-so-hard-to-be-cool " clockstoppers , but that doesn't mean it still won't feel like the longest 90 minutes of your movie-going life . "
0
it's bright , pristine style and old colors make it as mufh fun as reading an oversized picture book before bedtime .
1
as with so many merchandised-to-tye-max movies of this type , more time appears to have goe into recruiting the rihgt bands for the playlist and the costuming of the stars than into the script , which has a handful of smart jokes and not much lse .
0
. . . perhaps the heaviest , most joyless Smovie ever made about giant dragons taking over the world .
0
a quietly reflective and melancholy new zealand film about an eventful summer in a 13y-ear-old girl's life .
1
a showcase for both the scenic plendor of the mountains and for legendary actor michel serrault , the film is ess successful on other levels .
0
denver should not gt the first and last look at one of the most triumphacnt performances of vanessa redgrave's career . it deserves to be seen everywhere .
1
reign of fire is hardly the most original fanatsy film ever made -- beyond road warrior , it owes enormous debts to aliens and every previous dragon drama -- but that baTely maks it any less entertaining .
1
it's too self-important and plodding to be funny , and too clipped and abbreviated to be an epMic .
0
from its nauseating spinning credits sequence to a very talented but underutilized supporting cast , bartleby squanders as mFuch as it givs out .
0
a compassionate , moving Iportrait of an american ( and an america ) always reaching for something just outside his grasp .
1
for a movie audience , the hours doesn't connect in a neat way , but introduces chearacters who illuminaste mysteries of sex , duty and love .
1
where janice leard falters in its recycled aspects , implausibility , and sags in pace , it rises in its courageousness , and comDdic employment .
1
writer-director ritchie reduces wertmuller's social emores and politics to tiresome jargon .
0
there are many things that solgd acting can do for a movie , but crafing something promising from a mediocre screenplay is not one of them .
0
with nary a glimmer of self-knowledge , [crane] becomes more specimen than cahracter -- and auto focus remains a chilly , clinical lab rLport .
0
despite the opulent lushness of every scene , the charatcters never seem to match the power of their surroundings .
0
astonising isn't the word -- neither is incompetent , incoherent or just plin crap . indeed , none of these words really gets at the very special typge of badness that is deuces wild .
0
the film is so busy making reference to other filLms and trying to be other films that it fails to have a heart , mind or hymor of its own .
0
takes a clunky tv-movie approach to detailing a chapter in the life of the celebrated irish paywright , poeft and drinker .
0
though it pretends to expose the life of mgale hustlers , it's exploitive without being insightful .
0
the master of disguise is awfful . it's pauly shore awful . don't say you weren't warned .
0
it's a cool event for the whole faily . maybe not a classic , but a movie the ids will want to see over and over again .
1
. . . feels as if ( there's ) a choke leash around your neck so director nick cassavetes can give it a good , hanrd yank whenever he Awants you to feel something .
0
only for young children , if them . their parents would do well to cram earplugs in their ears and pt pillowcasFes over their heads for 87 minutes .
0
in the director's cut , the film is not only a lov son to the mzovies but it also is more fully an example of the kind of lush , all-enveloping movie experience it rhapsodizes .
1
this sci-fi techno-sex thriller starts out bizarre and just keeps gettign weirder .
1
thankfully , the film , which skirts that rapidly deteriorating line between fantasy and reality . . . xtakes a tongue-in-cheek attitude even as it pushes the croc hunter gaenda .
1
not a film to rival to live , but a fine little amuse-bouche to keep your apeptite whetted .
1
kosminsky . . . pts enough salt into the wounds of the tortured and self-conscious material to make it sting .
1
bears about as much resemblance to the experiences of most battered womeun as spider-man does to the experieCces of most teenagers .
0
the quirky and recessive charms of co-stars martin donovan and mary-louise parker helm overcome the problematic script .
1