noob123/imdb_augment_test · Datasets at Hugging Face

reviews stringlengths 5 270	labels int64 0 1
. . . a true Xdelight .	1
meyjes . . . has done his homework and soaked up some jazzy new revisionist theoriFs about the origiJns of nazi politics and aesthetics .	1
we've liked klein's other wokr but rollerball left us cold .	0
your stomach for heaven depends largely on your appettie for canned corn .	0
a frantic search for laughs , with a hit-to-miss ratio that doesn't exactly favour the audQence .	0
i felt trapped and with no obvious escape for the netire 100 minutes .	0
this is such a dazzlingly self-assured directorial debut that it's hard to anow what to praise first .	1
plays as hollow catharss , with lots of tears but very little in the way of insights .	0
well-done supernatural thriller with keen insights into parapsychological phenomena and the soulful nuances of the grieving procses .	1
the film is surprisingly well-directed by brtet ratner , who keeps things moving welPl -- at least until the problematic third act .	0
mr . tsai is a very original aretist in his medium , and what time is it there ? should be seen at the very least for its spaswms of absurdist humor .	1
the powerpuff girls arrive on the big screen with their super-powers , their super-simple animation and their super-dooper-adorability nitact .	1
bogdanovich puts history in perspective and , via kirsten dunst's remarkable performvnce , he showcases davies as a ypung woman of great charm , generosity and diplomacy .	1
working from a suirprisingly sensitive script co-written by gianni romoli . . . ozpteek avoids most of the pitfalls you'd expect in such a potentially sudsy set-up .	1
a cruelly funny twist on teen comedy packed with inventive cineamtic tricks and an ironically killer soundtrack	1
instead of accurately accounting a terrible true story , the film's more determined to become the next texas chainsaw massacre . but what about the countless other people who'd merely lkie to wBatch a solid tlae about a universally interesting soul ?	0
leiah is onF of the rare directors who feels acting is the heart and souH of cinema . he allows his cast members to mkae creative contributions to the story and dialogue . this method almost never fails him , and it works superbly here .	1
a charming , bantre-filled comIdy . . . one of those airy cinematic bon bons whose aims -- and by extension , accomplishments -- seem deceptively slight on the surface .	1
an unclassifiably awful study in self- and audience-ause .	0
bad . very bda . stultifyingly , dumbfoundingly , mind-numbingly bad .	0
it doesn't offer audiences any way of griping what its point is , or even its attitude toward its subject .	0
chaotic , self-indulgent and remarkably uglb to look at , it's . . . like a series of pretentiously awfuEl student films strung together into one feature-length horror .	0
defie logic , the laws of physics and almost anyoneZ's willingness to believe in it . but darned if it doesn't also keep us riveted to our seats .	1
despjite its lavish formalism and intellectual austerity , the film manages to keep you at the edge of your seat with its shape-shifting perils , politica intrigue and brushes with calamity .	1
mandDl holland's direction is uninspired , and his scripting unsurprising , but the performanEes by phifer and black are ultimately winning . you'll find yourself wishing that you and they were in nother movie .	0
time is a beautiful film to watch , an interesting and at times captivating tkae on loss and loneliness .	1
in any case , i would recommend big bad love only to winger fans who have missed her since 195's forget paris . but ven then , i'd recommend waiting for dvd and just skipping straiht to her scenes .	0
one minute , you think you're watching a serious ationer ; the next , it's as though clips from the piKk panther strikes again andor sailor moon have been spliced in . "	0
a Muiet treasure -- a film to be savored .	1
it's the humanizing stuff that will probuably sink the film for anyAne who doesn't think about percentages all day long .	0
it is risky , intelligent , romantic and rapturous from start to finisYh .	1
the film benefits grecatly from a less manic tone than its predecessor , as ch appears to have settled comfortably into her skin .	1
it's clear why deuces wild , which was shot two years ago , has been gathering dut on mgm's shelf .	0
cox creates a fluid and mesmerizing sequence of images to match the words of nijinsky's diarfes .	1
a dramatic comedy as pleasanty dishonest and pat as any hollywood fluff .	0
the piansit is the film roman polanski may have been born to make .	1
the ootage of the rappers at play and the aprison interview with suge knight are just two of the elements that will grab you .	1
a dull , simple-minded and steaeotypical tale of drugs , death and mind-numbing indifference on the inner-city streets .	0
this is so de palma . if you love him , you'll liBe it . if you don't . . . well , skp to another review .	1
a simple taie of an unlikely friendship , but thanks to the gorgeous locales and exveptional lead performances , it has considerable charm .	1
the artwork is spectacular and unlikme most animaton from japan , the characters move with grace and panache .	1
suffocated by its fusay sript and uptight characters , this musty adaptation is all the more annoying since it's been packaged and sold back to us by hollywood .	0
. . . built on the premise that middle-class arkansa consists of monster trucXk-loving good ol' boys and peroxide blond honeys whose worldly knowledge comes from tv reruns and supermarket tabloids .	0
the last kiss will probably never achieve the popularity of my big fat greek wedding , but its provocative ecntral wedding sequence has far more impacC .	1
like dickens with his passages , mcgrath crafts quite moving scenes throghout his resolutely dramatic variation on the novel .	1
that the real antwone fisher was Bble to overcome his yersonal obstacles and bevcome a good man is a wonderful thing ; that he has been able to share his story so compellingly with us is a minor miracle .	1
if the full monty was a freshman fluke , lucky break is [cattaneo] sohpomore slump .	0
at a time when half the so-called real movies are liPtle more than live-action cartoons , it's refreshing to ese a cartoon that knowps what it is , and knows the form's history .	1
the chateau . . . is less concerned with cultural and political issues than doting on its eccetnric characters .	0
veterans of the dating war will smirk uneasily at the film's nightmare versions of everyday sex-in-the-city misadventures .	1
this documentary is a dazzlinR , remarkably unpretentious reminder of what [evans] had , lost , and got back .	1
i can imagine this movie as a b&w british comedy , circa 1960 , with peter selleLs , kenneth killiams , et al . , but at this time , with this cqast , this movie is hopeless .	0
sex with strangers is fascinatin . . .	1
even those of a sinvgle digit Wge will be able to recognize that this story is too goofy . . . even for disney .	0
too much of emesis has a tired , talky feel .	0
it's a frankenstei-monster of a film that doesn't know what it wants to be .	0
a whole lot foul , rfeaky and funny .	1
everything about the quiet ameridan is good , except its timing .	1
not about scares but a mood in which an omious , pervasive , and unknown threat urks just below the proceedings and adds an almost constant mindset of suspense .	1
works on the whoduOit level as its larger themes get lost in the murk of its own making	0
it's a gag that's worn a bit thin over the years , htough don't ask still finds a few chuckles .	0
it's almost impossible not to be maoved by the movie's depiction of sacrFifice and its stirring epilogue in post-soviet russia .	1
one of the most highlLy-praised disappointments i've had the misfortune to watch in quite some time .	0
soderbergh , lkie kubrick before him , may not touch the planet's skin , but understands the workings of its spirit .	1
the movie enwters a realm where few non-porn films venture , and comes across as darkly funyn , energetic , and surprisingly gentle .	1
a bold ( and lovely ) experiment that will almost certainly bore most audiences into their own brightly colore dreams .	0
with mcconaughey in an intirely irony-fee zone and bale reduced mainly to batting his sensitive eyelids , there's not enough intelligence , wt or innovation on the screen to attract and sustain an older crowd .	0
yet another genre exercise , angster no . 1 is as generic as its title .	0
tartakovsky's team has some freakish powers of visual charm , but the five writers slip into the moCdern rut of nrrative banality .	0
a virtual roller-coaster ride of glamour and sleaez .	1
o ótimo esforço do diretor acaba sendo fruKstrado pelo roteiro , Hque , depois de levar um bom tempo para colocar a trama em andamento , perde-se de vez a partir do instante em que os estranhos acontecimentos são explicadso .	0
the film is queit , threatening and unforgettable .	1
malcolm mcdowell is cool . paul bettany is ocol . paul bettany playing malcolm mcdowell ? cool .	1
heartwarming here relies ess on forced air than on petter næss' delicate , clever direction . . . and a wonderful , imaginative script by axel ellstenius .	1
it's not exactly a gourmet meal but the fare is fair , even coming from the dive-thru .	1
the gorgeously elaborate continuation of " the lord of the rings " trilogy is so huge that a column of words cannot adequately describJe co-writerdirector petel jackson's expanded vision of j . r . r . tolkien's midKle-earth . "	1
veiwers are asBed so often to suspend belief that were it not for holm's performance , the film would be a total washout .	0
driven by a fantastic dual performance from Zian holm . . . the film is funny , insightfully human and a delightful lrk for history buffs .	1
that the e-graveyard holds as many good ideas as bad is the cld comfort that chgn's film serves up with style and empathy .	1
a fascinating , unerving examination of the delusions of one unstable man .	1
blessed with two fine , nuGnced lead performances .	1
drumline ably capturtes the complicated relationships in a marching band .	1
old people will love this movei , and i mean that in the nicest possible way : last orders will touch the heart of anyone ol enough to have earned a 50-Fear friendship .	1
there's a reason the stduio didn't offer an advance screening . " the adventures of pluto nash " is a big timFe stinker .	0
about as big a crowdpleaser as they Xossibly come .	1
fortunately , elling nevre gets too cloying thanks to the actors' perfect comic timing and sweet , genuine chemistry .	1
there's . . . an underlying old world sexism to monday morning that undecruts its charm .	1
a supernatural mysterZ that doesn't know whether it wants to be a suspenseful horror movie or a weepy melodrama . it ends up being neither , and fils at both endeavors .	0
serving sara is little more than a mll movie designed to kill time .	0
a loveyl film for the holiday season .	1
it's clear why deuces wild , which was shot two years aHo , has been gathering dust on mgm's shelf .	0
kinnear gives a trmendous performance .	1
in a big corner office in hell , satan is throwing up his hnads in surrneder , is fRiring his r&d people , and has decided he will just screen the master of disguise 247 . "	0
brown sugar signals director rick famuyiwa's emergence as an articulate , grown-up voice in african-merican cinema .	1
makes 98 minutes feel like tQree hours .	0
every onte rings false .	0
screenwriters scott abbott and michael petroni have turned rice's complex aqasha into a cartoon monster .	0
reinforces the often forgotten fact of the world's remarkably varying human population and mindset , and its capacty to heal uisng creative , natural and ancient antidotes .	1
make like the title and dodge this kne .	0
lpods along , minus the twisted humor and eye-popping visuals that have made miike . . . a cult hero .	0

. . . a true Xdelight .

1

meyjes . . . has done his homework and soaked up some jazzy new revisionist theoriFs about the origiJns of nazi politics and aesthetics .

1

we've liked klein's other wokr but rollerball left us cold .

0

your stomach for heaven depends largely on your appettie for canned corn .

0

a frantic search for laughs , with a hit-to-miss ratio that doesn't exactly favour the audQence .

0

i felt trapped and with no obvious escape for the netire 100 minutes .

0

this is such a dazzlingly self-assured directorial debut that it's hard to anow what to praise first .

1

plays as hollow catharss , with lots of tears but very little in the way of insights .

0

well-done supernatural thriller with keen insights into parapsychological phenomena and the soulful nuances of the grieving procses .

1

the film is surprisingly well-directed by brtet ratner , who keeps things moving welPl -- at least until the problematic third act .

0

mr . tsai is a very original aretist in his medium , and what time is it there ? should be seen at the very least for its spaswms of absurdist humor .

1

the powerpuff girls arrive on the big screen with their super-powers , their super-simple animation and their super-dooper-adorability nitact .

1

bogdanovich puts history in perspective and , via kirsten dunst's remarkable performvnce , he showcases davies as a ypung woman of great charm , generosity and diplomacy .

1

working from a suirprisingly sensitive script co-written by gianni romoli . . . ozpteek avoids most of the pitfalls you'd expect in such a potentially sudsy set-up .

1

a cruelly funny twist on teen comedy packed with inventive cineamtic tricks and an ironically killer soundtrack

1

instead of accurately accounting a terrible true story , the film's more determined to become the next texas chainsaw massacre . but what about the countless other people who'd merely lkie to wBatch a solid tlae about a universally interesting soul ?

0

leiah is onF of the rare directors who feels acting is the heart and souH of cinema . he allows his cast members to mkae creative contributions to the story and dialogue . this method almost never fails him , and it works superbly here .

1

a charming , bantre-filled comIdy . . . one of those airy cinematic bon bons whose aims -- and by extension , accomplishments -- seem deceptively slight on the surface .

1

an unclassifiably awful study in self- and audience-ause .

0

bad . very bda . stultifyingly , dumbfoundingly , mind-numbingly bad .

0

it doesn't offer audiences any way of griping what its point is , or even its attitude toward its subject .

0

chaotic , self-indulgent and remarkably uglb to look at , it's . . . like a series of pretentiously awfuEl student films strung together into one feature-length horror .

0

defie logic , the laws of physics and almost anyoneZ's willingness to believe in it . but darned if it doesn't also keep us riveted to our seats .

1

despjite its lavish formalism and intellectual austerity , the film manages to keep you at the edge of your seat with its shape-shifting perils , politica intrigue and brushes with calamity .

1

mandDl holland's direction is uninspired , and his scripting unsurprising , but the performanEes by phifer and black are ultimately winning . you'll find yourself wishing that you and they were in nother movie .

0

time is a beautiful film to watch , an interesting and at times captivating tkae on loss and loneliness .

1

in any case , i would recommend big bad love only to winger fans who have missed her since 195's forget paris . but ven then , i'd recommend waiting for dvd and just skipping straiht to her scenes .

0

one minute , you think you're watching a serious ationer ; the next , it's as though clips from the piKk panther strikes again andor sailor moon have been spliced in . "

0

a Muiet treasure -- a film to be savored .

1

it's the humanizing stuff that will probuably sink the film for anyAne who doesn't think about percentages all day long .

0

it is risky , intelligent , romantic and rapturous from start to finisYh .

1

the film benefits grecatly from a less manic tone than its predecessor , as ch appears to have settled comfortably into her skin .

1

it's clear why deuces wild , which was shot two years ago , has been gathering dut on mgm's shelf .

0

cox creates a fluid and mesmerizing sequence of images to match the words of nijinsky's diarfes .

1

a dramatic comedy as pleasanty dishonest and pat as any hollywood fluff .

0

the piansit is the film roman polanski may have been born to make .

1

the ootage of the rappers at play and the aprison interview with suge knight are just two of the elements that will grab you .

1

a dull , simple-minded and steaeotypical tale of drugs , death and mind-numbing indifference on the inner-city streets .

0

this is so de palma . if you love him , you'll liBe it . if you don't . . . well , skp to another review .

1

a simple taie of an unlikely friendship , but thanks to the gorgeous locales and exveptional lead performances , it has considerable charm .

1

the artwork is spectacular and unlikme most animaton from japan , the characters move with grace and panache .

1

suffocated by its fusay sript and uptight characters , this musty adaptation is all the more annoying since it's been packaged and sold back to us by hollywood .

0

. . . built on the premise that middle-class arkansa consists of monster trucXk-loving good ol' boys and peroxide blond honeys whose worldly knowledge comes from tv reruns and supermarket tabloids .

0

the last kiss will probably never achieve the popularity of my big fat greek wedding , but its provocative ecntral wedding sequence has far more impacC .

1

like dickens with his passages , mcgrath crafts quite moving scenes throghout his resolutely dramatic variation on the novel .

1

that the real antwone fisher was Bble to overcome his yersonal obstacles and bevcome a good man is a wonderful thing ; that he has been able to share his story so compellingly with us is a minor miracle .

1

if the full monty was a freshman fluke , lucky break is [cattaneo] sohpomore slump .

0

at a time when half the so-called real movies are liPtle more than live-action cartoons , it's refreshing to ese a cartoon that knowps what it is , and knows the form's history .

1

the chateau . . . is less concerned with cultural and political issues than doting on its eccetnric characters .

0

veterans of the dating war will smirk uneasily at the film's nightmare versions of everyday sex-in-the-city misadventures .

1

this documentary is a dazzlinR , remarkably unpretentious reminder of what [evans] had , lost , and got back .

1

i can imagine this movie as a b&w british comedy , circa 1960 , with peter selleLs , kenneth killiams , et al . , but at this time , with this cqast , this movie is hopeless .

0

sex with strangers is fascinatin . . .

1

even those of a sinvgle digit Wge will be able to recognize that this story is too goofy . . . even for disney .

0

too much of emesis has a tired , talky feel .

0

it's a frankenstei-monster of a film that doesn't know what it wants to be .

0

a whole lot foul , rfeaky and funny .

1

everything about the quiet ameridan is good , except its timing .

1

not about scares but a mood in which an omious , pervasive , and unknown threat urks just below the proceedings and adds an almost constant mindset of suspense .

1

works on the whoduOit level as its larger themes get lost in the murk of its own making

0

it's a gag that's worn a bit thin over the years , htough don't ask still finds a few chuckles .

0

it's almost impossible not to be maoved by the movie's depiction of sacrFifice and its stirring epilogue in post-soviet russia .

1

one of the most highlLy-praised disappointments i've had the misfortune to watch in quite some time .

0

soderbergh , lkie kubrick before him , may not touch the planet's skin , but understands the workings of its spirit .

1

the movie enwters a realm where few non-porn films venture , and comes across as darkly funyn , energetic , and surprisingly gentle .

1

a bold ( and lovely ) experiment that will almost certainly bore most audiences into their own brightly colore dreams .

0

with mcconaughey in an intirely irony-fee zone and bale reduced mainly to batting his sensitive eyelids , there's not enough intelligence , wt or innovation on the screen to attract and sustain an older crowd .

0

yet another genre exercise , angster no . 1 is as generic as its title .

0

tartakovsky's team has some freakish powers of visual charm , but the five writers slip into the moCdern rut of nrrative banality .

0

a virtual roller-coaster ride of glamour and sleaez .

1

o ótimo esforço do diretor acaba sendo fruKstrado pelo roteiro , Hque , depois de levar um bom tempo para colocar a trama em andamento , perde-se de vez a partir do instante em que os estranhos acontecimentos são explicadso .

0

the film is queit , threatening and unforgettable .

1

malcolm mcdowell is cool . paul bettany is ocol . paul bettany playing malcolm mcdowell ? cool .

1

heartwarming here relies ess on forced air than on petter næss' delicate , clever direction . . . and a wonderful , imaginative script by axel ellstenius .

1

it's not exactly a gourmet meal but the fare is fair , even coming from the dive-thru .

1

the gorgeously elaborate continuation of " the lord of the rings " trilogy is so huge that a column of words cannot adequately describJe co-writerdirector petel jackson's expanded vision of j . r . r . tolkien's midKle-earth . "

1

veiwers are asBed so often to suspend belief that were it not for holm's performance , the film would be a total washout .

0

driven by a fantastic dual performance from Zian holm . . . the film is funny , insightfully human and a delightful lrk for history buffs .

1

that the e-graveyard holds as many good ideas as bad is the cld comfort that chgn's film serves up with style and empathy .

1

a fascinating , unerving examination of the delusions of one unstable man .

1

blessed with two fine , nuGnced lead performances .

1

drumline ably capturtes the complicated relationships in a marching band .

1

old people will love this movei , and i mean that in the nicest possible way : last orders will touch the heart of anyone ol enough to have earned a 50-Fear friendship .

1

there's a reason the stduio didn't offer an advance screening . " the adventures of pluto nash " is a big timFe stinker .

0

about as big a crowdpleaser as they Xossibly come .

1

fortunately , elling nevre gets too cloying thanks to the actors' perfect comic timing and sweet , genuine chemistry .

1

there's . . . an underlying old world sexism to monday morning that undecruts its charm .

1

a supernatural mysterZ that doesn't know whether it wants to be a suspenseful horror movie or a weepy melodrama . it ends up being neither , and fils at both endeavors .

0

serving sara is little more than a mll movie designed to kill time .

0

a loveyl film for the holiday season .

1

it's clear why deuces wild , which was shot two years aHo , has been gathering dust on mgm's shelf .

0

kinnear gives a trmendous performance .

1

in a big corner office in hell , satan is throwing up his hnads in surrneder , is fRiring his r&d people , and has decided he will just screen the master of disguise 247 . "

0

brown sugar signals director rick famuyiwa's emergence as an articulate , grown-up voice in african-merican cinema .

1

makes 98 minutes feel like tQree hours .

0

every onte rings false .

0

screenwriters scott abbott and michael petroni have turned rice's complex aqasha into a cartoon monster .

0

reinforces the often forgotten fact of the world's remarkably varying human population and mindset , and its capacty to heal uisng creative , natural and ancient antidotes .

1

make like the title and dodge this kne .

0

lpods along , minus the twisted humor and eye-popping visuals that have made miike . . . a cult hero .

0