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and I will tell you:
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it's not joy but torture
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you give me.
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I'm drawn to you
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as to a crime—
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to your ragged mouth,
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to the soft bitten cherry.
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Come back to me,
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I'm frightened without you.
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Never had you such power
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over me as now.
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Everything I desire
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appears to me.
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I'm not jealous any more.
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I'm calling you.
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Whoever kisses time’s ancient nodding head
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will remember later, like a loving son,
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how the old man lay down to sleep
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in the drift of wheat outside the window.
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He who has opened the eyes of the age,
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two large sleepy apples with inflamed lids,
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hears forever after the roar of rivers
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swollen with the wasted, lying times.
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The age is a despot with two sleepy apples
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to see with, and a splendid mouth of earth.
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When he dies he’ll sink onto the numb
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arm of his son, who’s already senile.
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I know the breath growing weaker by the day
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Not long not till the simple song
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of the wrongs of earth is cut off,
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and a tin seal put on the lips.
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O life of earth! O dying age!
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I’m afraid no one will understand you
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but the man with the helpless smile
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of one who has lost himself.
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O the pain of peeling back the raw eyelids
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to look for a lost word, and with lime
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slaking in the veins, to hunt
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for night herbs for a tribe of strangers!
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The age. In the sick son’s blood the deposit of lime
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is hardening. Moscow’s sleeping like a wooden coffin.
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There’s no escaping the tyrant century.
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After all these years the snow still smells of apples.
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I want to run away from my own doorstep,
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but where? Out in the street it’s dark,
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and my conscience glitters ahead of me
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like salt strewn on the pavement.
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Somehow I’ve got myself set for a short journey
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through the back lanes, past thatched eaves, starling houses,
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an everyday passer-by, in a flimsy coat,
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forever trying to button the lap-robe.
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Street after street flashes past,
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the frozen runners crunch like apples;
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can’t get the button through the button-hole,
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it keeps slipping out of my fingers.
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The winter night thunders
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like iron hardware through the Moscow streets.
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Knocks like a frozen fish, or billows in steam,
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flashing like a carp in a rosy tea-room.
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Moscow is Moscow again. I say hello to her.
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‘Don’t be stern with me; never mind.
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I still respect the brotherhood
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of the deep frost, and the pike’s justice.’
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The pharmacy’s raspberry globe shines onto the snow.
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Somewhere an Underwood typewriter’s rattled.
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The sleigh-driver’s back, the snow knee-deep,
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what more do you want? They won't touch you, won’t kill you.
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Beautiful winter, and the goat sky
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has crumbled into stars and is burning with milk.
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And the lap-robe flaps and rings
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like horse-hair against the frozen runners.
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And the lanes smoked like kerosene stoves,
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swallowed snow, raspberry, ice,
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endlessly peeling, like a Soviet sonatina,
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recalling nineteen-twenty.
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The frost is smelling of apples again.
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Could I ever betray to gossip-mongers
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the great vow to the Fourth Estate
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and oaths solemn enough for tears?
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Who else will you kill? Who else will you worship?
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What other lie will you dream up?
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There’s the Underwood’s cartilage. Hurry, rip out a key,
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you’ll find a little bone of a pike.
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And in the sick son’s blood the deposit of lime
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