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durom.1969.406 | 1969.406-d219.jpg | data/raw/images/oriental/1969 | Palm-leaf manuscript, a Kamawa (extract from the Buddhist scriptures) written in Pali and Burmese glosses (nissaya) incised in the modern Burmese script. Strung and kept between 2 red painted wooden boards, with the edges painted gold with a red stripe in the centre. | 175books
| null | palm leaf | null | Myanmar | data/processed/OM_images_white/oriental/1969 |
|
duruc.1924.78 | duruc.1924.78-ll.jpg | data/raw/images/castle/1924 | sabres | 402swords
| null | null | 18th century | null | data/processed/OM_images_white/castle/1924 |
|
durom.2013.330.1 | 2013.330.1-bb.jpg | data/raw/images/oriental/2013 | Volume 1 from a box set of four volumes of Fruits Basket manga. 216 page paperback book containing black and white comic art and story. The text is in English with some special effects, sound effects and some written texts left in Japanese. The book is read in the Japanese fashion from the back to the front. The cover is white with a light green spine and stripe. The front has the title "Fruits Basket" in pink letters outlined in white. Beneath this is an image of the main character Tohru Honda. She is a girl with long brown hair and brown eyes wearing a high school uniform of a short pleated navy blue skirt and a navy and white sailor top with a white sailor collar. She is keeling on the ground looking happy and surrounded by a circle of pink bubbles. Inside each of the bubbles floats an animal from the Chinese zodiac, including the snake, rooster, monkey, horse, rabbit, rat, pig and tiger. | 175books
| Tankōbon | paper | Heisei Period | Japan (country) | data/processed/OM_images_white/oriental/2013 |
|
durom.1969.560 | 1969.560.cu3.jpg | data/raw/images/oriental/1969 | Shawl or headcover. Embroidered woman's shawl worked in silk threads of yellow, white, green, purple, blue, orange and aubergine on dark brown finely woven textile, probably cotton, with yellow silk edges. The shawl is made up of 2 halves sewn together across the centre. The stitches used are buttonhole stitch around the mirror work, chain stitch, herringbone stitch, and running stitch. In the centre of the shawl is an 8 pointed star medallion with a circular flower roundel in the middle, surrounded by intricate floral ornament. Each of the 8 points contains a flower stalk. The remaining background within the star is filled with small mirror roundels. Corresponding to the position of the central star there are two roundels at either edge of the shawl, each one filled with densely arranged mirror work. The overall field of the shawl is filled with individual fan-shaped flower stalks worked in two alternating colour schemes. | 373shawls
| odhni | silk | null | Jammu and Kashmir State | data/processed/OM_images_white/oriental/1969 |
|
durom.2006.53.5 | 2006.53.5-bb.jpg | data/raw/images/oriental/2006 | Wooden wall from a model Japanese doll's house. | 231doors
| null | wood | Showa Period | Japan (country) | data/processed/OM_images_white/oriental/2006 |
|
durom.1969.406 | 1969.406-d087.jpg | data/raw/images/oriental/1969 | Palm-leaf manuscript, a Kamawa (extract from the Buddhist scriptures) written in Pali and Burmese glosses (nissaya) incised in the modern Burmese script. Strung and kept between 2 red painted wooden boards, with the edges painted gold with a red stripe in the centre. | 175books
| null | palm leaf | null | Myanmar | data/processed/OM_images_white/oriental/1969 |
|
durom.2006.53.203 | 2006.53.203.jpg | data/raw/images/oriental/2006 | Box – packaging for doll’s house. | 88Part
| null | cardboard | Showa Period | Japan (country) | data/processed/OM_images_white/oriental/2006 |
|
eg1193 | eg1193.1-2-rr.jpg | data/raw/images/egyptian/eg | Tall pottery canopic jar with human headed lid (Imsety or an idealised portrait of the deceased). Nile silt B. Pottery has a red slip and is burnished vertically. Decoration (inscription panel, wig stripes, facial features) in black ink. The inscription in four columns is a speech of Neith for Itet, Scribe of the Treasury, and mentions Duamutef | 193canopic jars
| canopic jar | pottery | Hatshepsut/Maatkare | Egypt | data/processed/OM_images_white/egyptian/eg |
|
durom.2010.53 | 2010.53-tt.jpg | data/raw/images/oriental/2010 | Porcelain bowl, decorated with light green glaze in Qingbai style; thinly-potted with carved decoration of linear designs; partly translucent under transmitted light; rim and foot unglazed. | 177bowls
| 青白划花纹碗 | ceramic | null | China | data/processed/OM_images_white/oriental/2010 |
|
durom.1969.345 | 1969.345 d5.jpg | data/raw/images/oriental/1969 | Earthenware figure of a court lady riding a horse, unglazed. The court lady, wearing long dress which falls to her feet, is riding the horse with her hands holding up. The body of the figure is worn dark. | 245figures
| 素胎骑马仕女俑 | pottery | Northern Wei | China | data/processed/OM_images_white/oriental/1969 |
|
durom.2013.95.24 | 2013.95.24-ff.jpg | data/raw/images/oriental/2013 | Playing card. 6 of Hearts. Image of 6 hearts, with the 6 of hearts coloured in red. The reverse of the card has a central monochrome drawing of all four of the band members with the 2NE1 logo in the middle, this is surrounded by a black and white border which is comprised of a trellis pattern with all four suits depicted. | 330playing cards
| null | cards | Republic of Korea (period) | South Korea | data/processed/OM_images_white/oriental/2013 |
|
durom.1969.680.3 | 1969.680.3.jpg | data/raw/images/oriental/1969 | A postcard printed with a black and white photgraph of a tapestry woven in Peking in the 18th Century. The image is of a large structure within a sort of courtyard. At both sides there are arches which seem to lead into the rest of the garden. | 335postcards
| null | paper | null | Beijing | data/processed/OM_images_white/oriental/1969 |
|
durom.1970.106.5 | 1970.106.5 bb.jpg | data/raw/images/oriental/1970 | Teacup from a Japanese egg shell porcelain tea set in overglaze red, blue, pink, green, orange, black inglaze and gold. Cranes along the sides of the teacup with black, white and red plummage stood next to a water scene with traditional Japanese buildings in the background. The edges of the cup have a ribbed design, with a bamboo shaped handle on the edge. Attached to the base of the teacup are four feet each of which is decorated with a little gold swirl | 412teacups
| null | porcelain | Meiji Period | Japan (country) | data/processed/OM_images_white/oriental/1970 |
|
durom.2015.507 | 2015.507.1 d2.jpg | data/raw/images/oriental/2015 | Possibly a West Asian brass pipe used for smoking tobacco. The base is roughly circular in diameter with two prongs in four sections going across the piece like a cross. The pipe is covered in an etched detail that consists of birds, foliage, scroll designs and flowers. There is a long metal pole running through the base and the central brazier that ends in a hand holding onto a ring that is in the shape of a creature holding its tail in its mouth. The lid of the brazier lifts up to reveal an almost circular recess within the piece. There is a triangular attachment on the pipe which is not attached and has three chains coming off of it. On the end of each chain is a single instrument, which are a pair of tongs, a small poker and a small chess like piece with a hollow centre and a three leaf design on the top of the piece. There is evidence of what appears to be writing on the base of the stand but it is much worn and indecipherable. | 328pipes
| null | metal | null | West Asia | data/processed/OM_images_white/oriental/2015 |
|
durom.1969.72 | 1969.72-tt.jpg | data/raw/images/oriental/1969 | Stoneware jar, covered with buff white slip and decorated with brown colour of landscape and figurine design, Cizhou ware. | 282jars
| 磁州窑褐彩山水高士图罐 | stoneware | Yuan dynasty | Henan Province | data/processed/OM_images_white/oriental/1969 |
|
durom.1985.17 | 1985.17 ff.jpg | data/raw/images/oriental/1985 | 1.6 kilogram (= 1 viss) opium weight in the shape of a to-ang (bull/lion), square base, handle from centre of head to tail. Incised geometric markings. Animal has protrusions on head and small curling beard. Pointed yoke at neck. Flat base. | 437weight
| null | bronze | null | Myanmar | data/processed/OM_images_white/oriental/1985 |
|
durom.1969.78 | 1969.78 d1.jpg | data/raw/images/oriental/1969 | Jian ware. There is a 2-character potter's mark at the bottom of the exterior. Under the base there are vague incisions, probably another mark. | 409tea bowls
| 建窑黑釉兔毫撇口碗 | stoneware | Song | Jianning | data/processed/OM_images_white/oriental/1969 |
|
durom.1998.22 | 1998.22-ll.jpg | data/raw/images/oriental/1998 | Possible deity or Bodhisattva. The head is oval shaped with oval eyes and sharp heavy lids. A long thin nose with two defined nostrils leads to raised and parted lips with corner cavities at both ends. The head has a prominent voluminous rounded border, presumably hair that overhangs the face and is defined by rows of regular round depressions. Above this is a thick fillet and, from this, the hair is drawn up in straight grooves to a central chignon which is damaged. To the left side of the figure's face is a large curved feature which appears to be too low to represent an ear. | 245figures
| null | stucco | Gandhara Period | Asia, Indian Subcontinent, India, Gandhara | data/processed/OM_images_white/oriental/1998 |
|
durma.2020.3.52 | durma.2020.3.52-tt.jpg | data/raw/images/fulling_mill/2020 | A Roman copper-alloy hinged Headstud (Mackreth's Headstud Type 4) bow brooch dating to the late first or second century AD, part of the Piercebridge River Assemblage. The brooch possesses an integral head loop and extends to flat, rectangular wings which conceal a cylindrical extension plates to secure an axis bar and hinged pin. The pin and axis bar are intact. The wings are decorated with vertical ribs and grooves. The bow is distorted but rectangular in plan, tapering slightly to a forward-facing foot. At the top of the bow is a headstud, with central circular knop. The remainder of the bow is separated into a series of rectangular cells. These are empty or filled with discoloured enamel. The catchplate is trapezoidal and runs nearly the full length of the bow. The brooch measures 55mm in length. The wings measure 19mm in width. The bow at its widest measures 8mm in width and the foot measures 7mm in width. Compare with Butcher and Bayley's Type 149 - a simple hinged Headstud brooch with a fixed headloop (Butcher and Bayley 2004, 165) and Mackreth 2011, Vol. II, 75, no. 11860. Mackreth notes that the 'dating runs from the last quarter of the first century into the second with little sign that any should be dated after 125.'This brooch is distorted and may have been subject to fire or intense heat. | 182brooches
| Headstud (Mackreth's Headstud Type 4) bow brooch | metal | Roman | null | data/processed/OM_images_white/fulling_mill/2020 |
|
durom.2006.53.188 | 2006.53.188-d1.jpg | data/raw/images/oriental/2006 | A section of framework from a model Japanese doll's house. | 88Part
| null | wood | Showa Period | Japan (country) | data/processed/OM_images_white/oriental/2006 |
|
durom.2014.291 | durom.2014.291-bb.jpg | data/raw/images/oriental/2014 | Ceramic box with an off white glaze and blue decoration underneath the glaze. There are multiple metal bands going across the piece, which were added at a later date to cover up the chips to the box. The bands on the top of the box show a central seal with a dragon in the centre, which is then flanked by four dragons in a North, South, East and West direction. The bands continue underneath the box where there is a metal plate in the centre with openwork leaf and clover style patterns. Underneath the metal band on the top there is a man walking amongst an outdoor scene with trees on the right and a full moon overhead. To the left of the scene are four rows of Chinese script, slightly obscured by the metal bands. Along the edge of the box are geometric patterns in the shapes of leaves in a cross shape going all the way around the edge. Within the lid and base of the box are erotic scenes showing a man and a woman copulating. The base of the box shoes them copulating on a terrace with trees, rooftops and other foliage around them. The woman is holding onto the railing of the terrace and is still depicted wearing a floral jacket, whilst the man, situated behind the woman, is still wearing a hat and his shirt - both are nude from the waist down. The image on the inside of the lid shows another terrace scene with foliage at the front and trees to the left. The woman is turned sideways to partially face the man and appears to be holding one leg up in the air. The man is depicted behind her still wearing his shirt and hat. The underside of the box shows a seal consisting of four Chinese characters | 19Box
| null | ceramic | Qing | China | data/processed/OM_images_white/oriental/2014 |
|
eg3785 | eg3785-ff.jpg | data/raw/images/egyptian/eg | fragment from the side of a curved vessel in white faience inlaid in blue with the cartouches of Amenhotep I and Queen Tiy | 376sherds
| vessel fragment | faience | Amenhotep III/Amenophis III/Nebmaatre | Egypt | data/processed/OM_images_white/egyptian/eg |
|
durom.1964.128 | 1964.128a.jpg | data/raw/images/egyptian/1964 | grey and cream flint tool | 45Domestic Equipment and Utensils
| flint tool | Flint/Chert | null | Egypt | data/processed/OM_images_white/egyptian/1964 |
|
durom.2014.1.132 | 2014.1.132 d1.jpg | data/raw/images/fulling_mill/2014 | One of a collection of 162 flint tools. Brown, slightly curved flint with wear along the edges. One side smooth. Outer surface of stone present on base. Used as a blade tool. | 171blades
| null | Flint/Chert | Neolithic Period | Egypt | data/processed/OM_images_white/fulling_mill/2014 |
|
durom.2001.32.93 | 2001.32.93-uu.jpg | data/raw/images/oriental/2001 | One of a set of Ganjifa cards. The cards are circular and there are 120 in all. The cards are painted in the same colours as the box. These are divided up into different colours with different animals/ objects headed by two cards within each group of different deities and a warrior on horseback. Yellow represents mice, orange represents turtles, pale yellow represents a bow and arrow, green represents dogs, brown represents a circle pattern, grey represents shells, red represents fish, light brown represents an axe, black represents a sword and olive represents a crown. | 195cards
| ganjifa | Colour on Paper | Modern Period | India | data/processed/OM_images_white/oriental/2001 |
|
durom.1969.18 | 1969.18-rr.jpg | data/raw/images/oriental/1969 | Earthenware model of a Bactrian camel, covered in cream slip and brown, lead glaze, made for burial purpose. | 245figures
| 褐釉骆驼 | earthenware | Tang | North China | data/processed/OM_images_white/oriental/1969 |
|
durom.2001.32.99 | 2001.32.99-tt.jpg | data/raw/images/oriental/2001 | One of a set of Ganjifa cards. The cards are circular and there are 120 in all. The cards are painted in the same colours as the box. These are divided up into different colours with different animals/ objects headed by two cards within each group of different deities and a warrior on horseback. Yellow represents mice, orange represents turtles, pale yellow represents a bow and arrow, green represents dogs, brown represents a circle pattern, grey represents shells, red represents fish, light brown represents an axe, black represents a sword and olive represents a crown. | 195cards
| ganjifa | Colour on Paper | Modern Period | India | data/processed/OM_images_white/oriental/2001 |
|
durom.2013.181.10 | 2013.181.10 d2.jpg | data/raw/images/oriental/2013 | Number 8 in the blind sushi packet is the sushi 'Ebi Nigiri' or cooked shrimp. It has an oval plastic rice base with a white and pale pink cooked shrimp body with diagonal strips of cooked shrimp with a white line down the centre and an orange tail attached to the end. There is a loop attached to the base to allow the metal chain to be threaded through and attached to the item on the underside. | 420toys
| null | plastic | Heisei Period | Japan (country) | data/processed/OM_images_white/oriental/2013 |
|
durom.1979.16.21 | durom.1979.16.21-bb.jpg | data/raw/images/oriental/1979 | A page of photographs which might have been in an album, showing four black and white photographs, top left, showing simple building, at the centre showing people at the doorways of a simple building, as does the top right picture which has a x where Dr Mary Gell is standing, and the bottom right is the layout of a ward with patients. White writing on the page, notes "flood emergency hospital, Black Hill" | 325photographs
| null | paper | null | Asia, East Asia, China, Black Hill | data/processed/OM_images_white/oriental/1979 |
|
eg5106 | eg5106-uu.jpg | data/raw/images/egyptian/eg | green glass figurine of a woman squatting with her sexual organs displayed. Details picked out in yellow. | 145amulets
| fertility amulet | glass | Graeco-Roman Period | Egypt | data/processed/OM_images_white/egyptian/eg |
|
durom.2011.85 | 2011.85.jpg | data/raw/images/oriental/2011 | Japanese woodblock print by Hashimoto Chikanobu. Triptych showing the Meiji Emperor and other members of the royal family watching a Kabuki performance. The Emperor and Empress are shown seated at the far right hand side of the image, both in Western dress and seated upon elaborately carved gold western style chairs. In front of them are seated 10 other ladies, all in Western dress. On the left hand side of the image is a stage with 6 players in the middle of a performance. The title of the print is given at the top right hand corner of the right hand sheet. On the left hand sheet the artist's name is given in a box on the right hand side and additional information is given in a box in the bottom left hand corner. | 138Woodblock Print
| null | paper | Meiji Period | Japan (country) | data/processed/OM_images_white/oriental/2011 |
|
eg279 | eg279-rr.jpg | data/raw/images/egyptian/eg | painted pottery shabti: hair - blue, body - yellow, hoes - red, text - black, skin - orange; shown with tripartite wig | 431ushabti
| shabti | pottery | null | Egypt | data/processed/OM_images_white/egyptian/eg |
|
durom.2015.215 | 2015.215 d1.jpg | data/raw/images/oriental/2015 | Buddhist temple hanging, called pidan. Pidans are Khmer temple hangings that display Buddhist narrative iconography and were commissioned as pious donations. They were used as the wall-hangings or ceilings over sculptures. Pidan textiles were also presented on the passage rites ceremonies like weddings or funerals. During the period of Red Khmer terror almost all pidans in Cambodia were destroyed._x000D__x000D_
This example of a pidan in the shape of an oblong dark red silk cloth is intricately patterned using the weft resist tie-dyed method called ikat, in Khmer referred to as hol. The main section of the hanging is framed by a thin yellow stripe with two sets of four yellow stripes and short black warp fray along the length of the object. The pattern of the pidan consists of a repeating composition (in all five times). The composition can be divided into three parts from top to bottom to explain the image more easily. A dancing man holding some kind of ornaments (possibly flowers) and a temple with a curving roof and three people inside are located at the top part of the image. In the middle a man sitting on a platform in the lotus position (possibly Buddha) with a frame like structure above his head is accompanied with two standing people holding ornaments in their hands next to him. The bottom part consists of a man standing next to an elephant on a platform with raised trunk facing men, a donkey facing back of the elephant and another man sitting or standing on top of the elephant and holding ornaments in his hands. All above mentioned sections are integral parts of the composition_x000D__x000D_
The people pictured in the composition are wearing traditional Khmer clothing and headdresses. Various ornaments representing trees, candle sticks, etc. are also used to decorate the hanging. The colouring of the pidan consists of mainly white (people, elephants and horses), yellow and dark green on a black background. | 60Hanging
| null | silk | 20th century | Cambodia | data/processed/OM_images_white/oriental/2015 |
|
durom.1964.454 | durom.1964.454-rr.jpg | data/raw/images/oriental/1964 | Lamp with closed single spout, only the base, handle and part of the side survive, with imprinted decoration. | 290lamps
| null | pottery | Islamic | Jerusalem | data/processed/OM_images_white/oriental/1964 |
|
durom.2015.45 | durom.2015.45-ff.jpg | data/raw/images/oriental/2015 | Dymkovo toy. One of the oldest Russian folk art handicrafts, Dymkovo toys (Russian: Дымковская игрушка), also known as the Vyatka toys or Kirov toys are moulded painted clay figures of people, animals or imaginary creatures (sometimes in the form of a whistle) made in a village of Dymkovo, Kirov Oblast. About 400 years' worth of tradition of Dymkovo toys was transmitted from generation to generation exceptionally by women lineage and traces back its origin to agricultural calendar holidays. _x000D__x000D_
This example of Dymkovo toys depicts a vivid and cheerful cow. The figure stands on four long broadly spread legs (left leg in the back had been broken off, the part is present) which slightly narrows to the soles. The black interwoven tail is attached the right leg in the back. The cow has a proportional body with long neck and a nice head with pointed horns in orange. The top of the head is decorated with horizontal black braid. Nicely done ears are attached to an almost cylindrical muzzle in the same line as black painted eyes. A curved black dewlap goes from the muzzle to the end of the brisket. A yellow udder with four teats is moulded near the back legs. The figure is painted in white with patterns of orange circles and black shapes. It is traditionally decorated with now greyed square patches of gilt on the both horns and four legs._x000D__x000D_
A white paper sticker with Russian inscription which is indecipherable in some places is attached to the bottom of the cow's body. The Russian inscription: '... РСФСР г. Киров автор Ф. ...'; English translation 'RSFSR (stands for Russian Soviet Federative Socialist Republic) g. (stands for city) Kirov author F.'. According to this information the toy was made in the period 1917 - 1993 in city Kirov. | 420toys
| null | clay | 20th century | Russia | data/processed/OM_images_white/oriental/2015 |
|
durom.1979.16.6 | durom.1979.16.6-ff.jpg | data/raw/images/oriental/1979 | Black and white photograph, showing a number of tents on a bank overlooking another settlement on the other side across a river. Notes on back read "B2 nearly the same views as B1" | 325photographs
| null | paper | null | China | data/processed/OM_images_white/oriental/1979 |
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durom.1964.520 | durom.1964.520-rr.jpg | data/raw/images/oriental/1964 | Part of small hand made globular pot, reddish colour. | 337pots
| null | pottery | Early Bronze Age III | Jericho | data/processed/OM_images_white/oriental/1964 |
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durom.2015.298 | durom.2015.298-bb.jpg | data/raw/images/oriental/2015 | A silver container, with a painted mother of pearl design. The container itself is decorated around the outside with a design of 36 engraved triangles, alternating between pointing up and pointing down; these triangles are filled with small circles. The lid has a lacquered, painted mother of pearl disc at the centre, showing a countryside scene with hills, trees and grass. The focus is on four characters mounted on horseback - one wearing dark blue on a white horse, a second wearing light blue on a brown horse, the third wearing green on a black horse, and the fourth wearing the same shade of blue as the first on a yellow horse. All four figures are wearing traditional Persian robes and headwear. Additionally, all four appear to be wielding hammers, and there is a small dot in the middle of the scene which resembles a ball - it is likely that the figures are playing polo, which originated in Persia, Inside, there is no decoration, but there are some finger marks and what looks like the remnants of what the container once held. | 219containers
| null | silver | 20th century | Iran | data/processed/OM_images_white/oriental/2015 |
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durom.2015.340.26 | durom.2015.340.26.1-bb.jpg | data/raw/images/oriental/2015 | Horizontal Japanese hand tinted postcard with an image of Nara, Yamato. The photo was taken originally taken in black and white and has then been hand tinted at a later date. The image depicts a natural scene with trees in the distance and a cherry tree in blossom to the right of the page. Through the centre of the postcard is a long road with several deer walking towards the viewer and a man in traditional Japanese dress to the left of the photograph. There are several buildings and what appear to be statues on either side of the road. The edge of the photo has been blurred along the edges and is in an oval shape surrounded by a cream background. In the lower right corner is the title 'Nara, Yamato. Published by Haibara', which is printed in black text._x000D__x000D_
_x000D__x000D_
On the reverse is the title 'Union Postale Universelle - Carte Postale' in Romanised English and Japanese Kanji symbols. There is a blank space for the message and postage stamp here too. | 335postcards
| null | cards | Meiji Period | Kyoto (place) | data/processed/OM_images_white/oriental/2015 |
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durom.2013.177 | 2013.177 uu.jpg | data/raw/images/oriental/2013 | Plastic toy food set which is meant to be a mystery choice and could be one of 10 different sets. This set is number 3 on the list which is for a 'Curry Dinner Set'. It contains a red cooking pot with white inside, black rim and small handles at the side with separate red lid with wooden handle on the top. A silver ladle with white handle decorated with flowers, small white bowl with brown hand painted sauce painted on, a packet of stock cubes with two small loose stock pieces and a larger rectangular one too within a red cardboard box with Japanese text on it and two small plastic bowls with food pieces in them - one dark brown the other clear. There are two small lids, one in pink the other in blue, to fit onto the clear plastic bowls. Within the packet there is a leaflet describing the other sets available which are Miso Soup set, Bento Box set, Homemade Plum Wine set, Fried Shrimp set, Grilled fish set, Pizza Toast set, Rolled Cabbage set, Fried Dumplings and finally Clean Kitchen, making ten possible 'random' choices to select from. There is also an 'Exclusive!' set which is not depicted as it will enable the finder to be a 'lucky winner' if they get it. There is a second leaflet detailing 'Set 3' and its contents which when opened depict the set in the centre with Japanese text on the surrounding pages._x000D__x000D_
_x000D__x000D_
The front of the white cardboard box shows the different sets available all set up underneath the title 'Is Dinner Ready?!' and then Japanese text underneath this, in the top right and left corner are the Re-Ment logo and the Puchi Petite Collections logo. On the reverse are the ten different sets available with Japanese text explaining what they are with the phrase 'View the Detail! See what surprise you find inside!' in the top left corner. On the base is the company contact information. On the side is choking hazard information and general warnings, on the parallel side is Information regarding Puchi Petites (see notes tab for more detailed information on these) | 420toys
| null | cardboard | Heisei Period | Japan (country) | data/processed/OM_images_white/oriental/2013 |
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durom.1971.34 | 1971.34 image 6.jpg | data/raw/images/oriental/1971 | Set of nine panels of varying length, with upper and lower plain borders, each 9cm in width. The panels came from a balcony of either a Burmese royal temple or monastery. Depicts popular stories. The stories are the Vidhura Pandita Jataka, the Ramayana and the U-Tain Zat. | 349reliefs
| null | null | null | Myanmar | data/processed/OM_images_white/oriental/1971 |
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durom.1998.21.1 | 1998.21.1-uu.jpg | data/raw/images/oriental/1998 | The figure is one of the four Buddhist guardians (also called the Four Heavenly Kings, in Sanskrit: Caturmaharajakayikas). The white face shows his is the Dhritarastra (Chiguo Tianwang/持国天王). There are two holes in the figure's hands, suggesting that the figure originally holds something in his hands. Possibly not Chinese. | 245figures
| 木雕彩绘东方持国天王像 | wood | Qing | China | data/processed/OM_images_white/oriental/1998 |
|
durma.2020.3.748 | durma.2020.3.748-ff.jpg | data/raw/images/fulling_mill/2020 | A fragment of a copper-alloy object, possibly the terminal of a scabbard slide of Miks' 'Delphin' type (Miks 2007, 289-292) dating to the mid second to very early third century AD, part of the Piercebridge River Assemblage. The object comprises a bar which is rectangular in plan and section which extends to a terminal plate which resembles a leaf with two curled extensions, possibly intended to represent a dolphin's tail. From the underside of the terminal plate, there extends a circular-section tapering lug. The stud measures 30mm in length and 15mm in width. The circular section stem tapers to a point and is a maximum of 3mm in diameter. The mount weighs 4.4 grams. For examples of scabbard slides with similar terminals, see Miks 2007, Taf. 215, particularly B 204.2 and B 308.15 and B 308.16._x000D__x000D_
_x000D__x000D_
Portable Antiquities Database: https://finds.org.uk/database/artefacts/record/id/736664 | 363scabbards
| null | copper alloy | Roman | null | data/processed/OM_images_white/fulling_mill/2020 |
|
durom.2006.46.42 | 2006.46.42.jpg | data/raw/images/oriental/2006 | Monochrome print of a landscape. In the foreground a group of people are bent over and tied together by rope. They appear to be collectively pulling a ship onto shore. Several figures also stand around them. On the right side is a rocky outcrop with 4 other figures standing on top of it. In the middle of the image is a river and in the background some hills. PLATE XLII - Trackers at the Hsin-Lung T'an from the book of the Grandeur of the Gorges. | 342prints
| null | paper | null | Yangtze River | data/processed/OM_images_white/oriental/2006 |
|
durom.1960.2998 | durom.1960.2998-ss.jpg | data/raw/images/oriental/1960 | umbilic disc, carved with tiger face and Ying-Yang symbol at the back | 44Disc
| null | jade | null | China | data/processed/OM_images_white/oriental/1960 |
|
durom.1960.3421 | durom.1960.3421.bb.jpg | data/raw/images/oriental/1960 | Chinese archer's thumb ring, carved with a floral design. The base has a row of waves, from which rise the stems of two plants, whose branches extend around the circumference of the ring. There are other symbols among the foliage, including three bats, each one above another symbol, either a diamond containing a swastika, a peach or a ruji sceptre. | 351rings
| null | tourmaline | null | China | data/processed/OM_images_white/oriental/1960 |
|
eg4393 | eg4393-8907.1936.jpg | data/raw/images/egyptian/eg | two part copper alloy toilet instrument with a broad flat blade and a narrow stick tapering to a point, hinged together with a pin. Probably used for arranging wigs and shaving | 348razors
| toilette implement | bronze | 18th Dynasty | Egypt | data/processed/OM_images_white/egyptian/eg |
|
durom.1952.1.38 | durom.1952.1.38-rr.jpg | data/raw/images/oriental/1952 | Leaf shaped lamp. There is a thick linear groove running from top to bottom on the reverse. On the upper surface of the lamp is a grooved line running around the circumference, which defines the rim from the decorative pattern. This pattern is interpreted as a lotus pod with three empty seed containers. An incised scrolling design emanates from three triangles placed next to the rim, to represent the lotus plant. The lip of the vessel is carved through one of these seed containers. | 290lamps
| null | schist | Gandhara Period | Asia, Indian Subcontinent, India, Gandhara | data/processed/OM_images_white/oriental/1952 |
|
durom.2014.1 | 2014.1.34d1.jpg | data/raw/images/fulling_mill/2014 | Collection of 162 flint tools. | 419tools
| null | null | Neolithic Period | Egypt | data/processed/OM_images_white/fulling_mill/2014 |
|
durom.1960.3816 | durom.1960.3816-ll.jpg | data/raw/images/oriental/1960 | carving of a crab on white marine growth and 3 dark grey shells | 245figures
| null | jade | null | China | data/processed/OM_images_white/oriental/1960 |
|
eg1188 | eg1188.1-2-n1991-bb.jpg | data/raw/images/egyptian/eg | tall canopic jar with baboon headed lid (Hapy) incised with five lines of hieroglyphs, painted blue, a speech of Neith, for the general wahibre | 193canopic jars
| Hapy canopic jar | travertine | 26th Dynasty | Egypt | data/processed/OM_images_white/egyptian/eg |
|
durom.2001.29.16 | 2001.29.16 ff.jpg | data/raw/images/oriental/2001 | white carved ivory chess piece. Part of Cantonese ivory chess set with the pieces mounted on ball-with-ball stems. | 205chessmen
| null | ivory | Qing | Guangzhou | data/processed/OM_images_white/oriental/2001 |
|
durom.2015.385.2 | durom.2015.385.2-bb.jpg | data/raw/images/oriental/2015 | Vietnamese ceramic incense holder or container with a blue and white glazed decoration to the surface. The container is round and squat in shape with straight sides that go inwards to a smaller foot. The lip of the container is rounded and curves inwards. On the sides of the container are two dragons with a flaming pearl of wisdom suspended in the air between them, which is itself decorated with the ying and yang symbol. There is a geometric border along the top edge of the container and a wave design along the bottom edge. There is a water motif underneath the pearls, which is often found on dragon robes. Clouds and other scroll motifs are depicted around the dragons. There is a maker's mark on the base of the vase, which consists of a red lotus shape with green leaves underneath it. | 63Incense Holder
| null | ceramic | null | Vietnam | data/processed/OM_images_white/oriental/2015 |
|
eg5452 | eg5452-ff.jpg | data/raw/images/egyptian/eg | Front: convex side of a reddish pottery sherd carrrying 5 lines of a Greek text (a tax receipt) dated dring the reign of the emperor Hadrian (cf. l. 4 *]ianou k?ai?saros*)._x000D__x000D_
Back: concave side of the same pottery sherd, uninscribed featuring a sticker carrrying the letter 'H'. | 85Ostraka
| ostracon | pottery | Coptic Period | Egypt | data/processed/OM_images_white/egyptian/eg |
|
durom.1986.8 | 1986.8.jpg | data/raw/images/oriental/1986 | Rectangular dark red plain weave cotton piece, with a decorative edging of dark blue and dark red plain weave cotton stripes, edged by white toothed plain weave cotton applique. The edges of the decorative panels are highlighted by successions of silver beads. In the centre of the upper edge of the shawl there is T-shaped extension made up of plain weave cotton fragments in dotted terracotta and dark red. Again the edges are highlighted by white toothed applique work, with occasional crudely emboidered abstract star-shaped extensions. Along the horizontal area there are five mirrors, 2 small ones flanking a large square one. The mirrors are secured by crude buttonhole stitch executed in ornage and light green cotton thread, and there are very crudely embroidered linear connections between the mirrors, executed in cross stitch and using orange, light green and purple cotton thread. The vertical extension of this area holds three mirrors secured with crude buttonhole stitch executed in orange and light green cotton thread with additional light green cross stitch embroidery in between. The edges of the T shaped are are further enhanced by silver beads and silver tassles. In the centre of the right half of the scarf is a rectangular block-printed cartouche with characters, probably Gujarati. | 373shawls
| null | cotton | null | Gujarat State | data/processed/OM_images_white/oriental/1986 |
|
durom.1971.scott2 | durom.1971.scott2.10-bb.jpg | data/raw/images/oriental/1971 | 2 boxes of coins | 216coins
| null | metal | null | India | data/processed/OM_images_white/oriental/1971 |
|
durom.2014.46 | 2014.46 tt.jpg | data/raw/images/oriental/2014 | Iban sun hat used on ceremonial occasions or given to visitors. Wide brimmed, curved hat constructed of twelve triangular panels made up diagonally overlapping strips of palm leaf (visible on the underside), with a bamboo rim. The inside has a separately attached head section, which is lined with green, pink and yellow floral designed fabric and red flower fabric shapes on the outside. The upper surface has elaborate beadwork in the centre made up of a circular shape with geometric patterns of yellow, black, orange, green, red and white beads. In the centre of the circle and along the edge are tassels of beads which hang from the hat, secured at one end. The beadwork attached to the top also makes parallel lines giving the impression of twelve different panels made up of a bead edge. There are two small circular shapes of red and blue fabric attached to the surface (both now considerably faded) | 265hats
| null | glass | null | Sarawak State | data/processed/OM_images_white/oriental/2014 |
|
durom.2012.9 | 2012.9-11-d1.jpg | data/raw/images/oriental/2012 | Madara-kin shino ware tea ceremony bowl. Irregular circular bowl with thick walls and a shallow circular foot. The outside wall has an impressed design on the side, possibly a representation of a Japanese character, or the markers mark. The bowl is covered outside and inside with a metallic orange glaze with a pearlescent sheen and dark silvery patches. The outside base and foot are unglazed, showing pale brown shading to orange body. On the base is a small repeat of the design on the side, a single horizontal stroke with three small vertical strokes rising from it._x000D__x000D_
Accompanying the bowl are a hemmed square of dark purple ribbed satin, a larger oblong unhemmed piece of woven orange textile with a seal stamped in red ink in one corner, and a wooden presentation box. The dark purple fabric is in a small square box of white card with a circular hole cut out of the centre of the base. The lid is printed in green with 4 lines of white circular family crests (mon) and a line of black Japanese characters._x000D__x000D_
The unvarnished plain wooden box has a removable unhinged lid with three lines of Japanese characters in black ink, one with a seal in red ink below. This seal is the same as the one on the orange textile. The base of the box is also plain unvarnished wood but it has slits in the bottom edges through which is threaded a woven ribbon in with a central band on yellow gold colour bordered by thin black and white stripes at right angles to the central band. The ends of the ribbon are bound with white thread into tassels and the ribbon is tied into a bow._x000D__x000D_
Also with the bowl was a white envelope containing a small folded piece of white paper printed in Japanese in black ink, two long thin postcards showing colour montages of tea bowls and folded leaflet in Japanese with images of ceramics and of what may be the 2000 cranes studio. | 409tea bowls
| null | ceramic | Heisei Period | Japan (country) | data/processed/OM_images_white/oriental/2012 |
|
durom.1960.1076 | 1960.1076.2-bb.jpg | data/raw/images/oriental/1960 | Pewter set of jar with lid and paired handles, not Zhi or ritual vessel, decorated with chiseled patterns and inscriptions. The set is in three parts: a covered jar and two small cups. Cover of jar, a raised knob in the shape of a dog; around the sides, a 6-character inscription of ''for the precious use of (his) future generations''. Body of jar, borders of scroll patterns near the neck and the foot; sides, another 6-character inscription. The jar has a pair of handle in the form of mythical animal. Inside the jar, two cups-one in cylindrical shape with plain surface, placed at the bottom, the other in similar shape with everted lip and small ring foot, placed on top. The top one has chiseled decoration of camillia design and a 4-character inscription of ''hua si mei ren (flowers are like beauties)'' at the sides. Under the base of the covered jar, the cover and the cups, there is a 4-character maker's mark and 4-character material mark. | 282jars
| 恒吉昌号款锡制双耳盖罐 | pewter | Republic of China | China | data/processed/OM_images_white/oriental/1960 |
|
durom.1969.115 | 1969.115.jpg | data/raw/images/oriental/1969 | Stoneware statue of Guanyin, Longquan ware. | 245figures
| 龙泉窑青釉观音像 | stoneware | Ming | Longquan | data/processed/OM_images_white/oriental/1969 |
|
durom.1969.680.16 | 1969.680.16.jpg | data/raw/images/oriental/1969 | Postcard printed with a black and white photograph of a tapestry woven in Peking in the 18th Century. The photograph depicts a large building with elaborate paving leading up to it. On either side of the central path there are a series of trees. On the left hand side of the main building there is another small adjoining building. | 335postcards
| null | paper | null | Beijing | data/processed/OM_images_white/oriental/1969 |
|
durom.1960.4194 | durom.1960.4194-tt.jpg | data/raw/images/oriental/1960 | Mortuary pig. | 245figures
| null | jade | null | China | data/processed/OM_images_white/oriental/1960 |
|
durom.2014.67 | durom.2014.67.1.jpg | data/raw/images/oriental/2014 | A Japanese book of China's Traditional Festivals, which opens in the traditional Japanese way from the back to the front. The book is bound in a brown cotton cover with a column of Japanese text on the left side of the cover. The inside pages of the book have a mixture of Japanese script on the first half of the page, with an English translation underneath and the double pages have an illustration printed on paper with a silk backing adhered to the paper of the book. The introductory page is a summary of the books contents. The ten festivals are:_x000D__x000D_
_x000D__x000D_
1. Yuan-Tan (New Year) Greetings. Japanese text above an English translation on the right side and on the left is an image of four children lighting firecrackers in front of a traditional Chinese house which is decorated with red lanterns. There are two men bowing to each other in the centre of the image_x000D__x000D_
_x000D__x000D_
2. Lantern-show in Shang Yuan Festival. Japanese text above an English translation on the right side and on the left is an image of a procession of men carrying a blue dragon on sticks with a red face. Two men are in front of the dragon one holding a pink flag with Chinese script on and the other holding a pearl of wisdom_x000D__x000D_
_x000D__x000D_
3. Cleansing Tombs around Ching Ming Festival. Japanese text above an English translation on the right side and on the left is an image of a man praying in front of a white plaque or gravestone with Chinese text on. There are offering in front of the stone of food and candles with a red and yellow basket to the left of the man. There are two small children in the scene; a girl sweeping away leaves and a boy lighting a fire. The scene surrounding the people is mountainous with trees interspersed amongst the people and other tombs_x000D__x000D_
_x000D__x000D_
4. Dragon Boat racing in Tuan Yang Festival. Japanese text above an English translation on the right side and on the left is an image of two boats racing each other on a river with mountains in the background. There are two men stood at the front of each boat in front of the rowers; one man has a flag the other holds a yellow ball representing the pearl of wisdom. In the foreground are children and adults cheering on the boats_x000D__x000D_
_x000D__x000D_
5. Chung Yuan Festival in memory of deceased Family Members. Japanese text above an English translation on the right side and on the left is an image of a traditional Daoist shrine with five monks wearing yellow robes stood before an altar. In the foreground a child is burning paper clothing over a brazier and an adult is adding leaves to the flames._x000D__x000D_
_x000D__x000D_
6. 'Enjoying the Moonlight' at Mid-Autumn. Japanese text above an English translation on the right side and on the left is an image of a woman reading a text, whilst lounging on a white tatami couch. Stood next to her is a man wearing a red robe holding a tray of food in his hands. There are two men sat at a white table with writing equipment and books set before them. In the blue sky is a full yellow moon_x000D__x000D_
_x000D__x000D_
7. Going up to Hills on Double-ninth Day. Japanese text above an English translation on the right side and on the left is an image shows four children in brightly coloured clothing flying kites, which include butterfly and dragon designs. They are flying the kites high up on the side of a mountain with swirling clouds depicted around them. White stairs lead up to the terrace that the children are playing on_x000D__x000D_
_x000D__x000D_
8. Thanksgiving for Good Harvests. Japanese text above an English translation on the right side and on the left is an image of a house with traditional screen doors and elderly woman say at a table with two children, one of which is stood on a stool whilst the other stands on the floor next to her. They are kneading small white balls into rice dumplings on a yellow tray on the table. A woman stands on the grass outside the house and has her hands elbow deep in a bowl of white substance. A child is playing with a fishing rod next to her, with what looks like firecrackers attached to the pole. Swirling clouds are present just above the house_x000D__x000D_
_x000D__x000D_
9. Offering to the God of Kitchen for his Blessing. Japanese text above an English translation on the right side and on the left is an image shows a traditional house with screen doors. Inside the house are offerings of food, candles and flowers set out onto a table, with a small brazier just visible in front of the offerings. A man stands near to the entrance with an incense stick, a woman is stood next to him and a small child is kneeling and praying in front of the offering. Garden scene surrounds the outside of the house_x000D__x000D_
_x000D__x000D_
10. Thanks to Heaven in New Year's Eve. Japanese text above an English translation on the right side and on the left is an image of a man and woman bowing next to a small child holding his hands out to a man carrying a bamboo pole on his shoulders with food on trays at each end of the pole. The left of the pole looks to have fruit and the right of the pole looks to have meat and fish attached to the end. The family are stood in front of a house with Chinese text on a red background pasted outside of the doors. Walled off garden scene to the left of the house | 175books
| null | paper | Meiji Period | Japan (country) | data/processed/OM_images_white/oriental/2014 |
|
durom.1962.230 | 1962.230.a.jpg | data/raw/images/oriental/1962 | Portrait of the first Mughal emperor of India, Babur, who ruled from 1526 to 1530, after defeating Ibrahim Lodi, the Afghan Sultan of Delhi. | 75Miniature Portrait
| null | Opaque Watercolour on Paper | null | India | data/processed/OM_images_white/oriental/1962 |
|
durom.1976.148 | 1976.148 d2.jpg | data/raw/images/oriental/1976 | Small shoulder basket of finely plaited rattan made by the Penan Tribe, with a circular base and looped drawstring mouth. The rattan is natural tan and dyed black plaited to give bird decoration. With drawstring and two shoulder straps attached. Some fading at top. Sarawak. Penan, 1950-1970. | 164baskets
| null | plant fiber | null | Sarawak State | data/processed/OM_images_white/oriental/1976 |
|
durma.2020.3.734 | durma.2020.3.734.1-ss.jpg | data/raw/images/fulling_mill/2020 | A fragment of copper-alloy scale armour known as 'lorica squamata' dating to the second or third century AD, part of the Piercebridge River Assemblage. The fragment is tongue shaped with two circular perforations, one set with a link between them, along each edge, and four circular perforations at the straight end. The scale armour fragment has a length of 36mm, a width of 19mm and a thickness of less than 1mm. The scale armour fragment weighs 1.3 grams. This scale is of von Groller's Type VIII._x000D__x000D_
_x000D__x000D_
Portable Antiquities Database: https://finds.org.uk/database/artefacts/record/id/736568 | 151armor
| null | copper alloy | Roman | null | data/processed/OM_images_white/fulling_mill/2020 |
|
durom.2012.103 | durom.2012.103.jpg | data/raw/images/oriental/2012 | Print depicting a girl running along a street. The print is in tones of grey, black and white with bright red highlights. The background is two shop fronts with store rooms above. The upper windows are filled with stacked boxes. The shop fronts are open to the street. One has displays of electrical goods including fans. The girl runs along the pavement. She is wearing short black leggings to just below the knee, a short skirt, a short sleeved red top and has a bag slung over her shoulder. Her front foot has a shoe, but her back foot is bare, and there is a trail of abandoned shoes down the street behind her. All the eight shoes in the street are different, from high heels to trainers to boots. There are two Japanese characters printed on the front at the bottom left hand corner. | 336posters
| null | cards | Heisei Period | Japan (country) | data/processed/OM_images_white/oriental/2012 |
|
eg5331 | eg5331-n2116-tt.jpg | data/raw/images/egyptian/eg | Seated hare, ears swept back. Pierced through neck. Front of plinth broken off. Blue faience. | 145amulets
| hare amulet | faience | null | Egypt | data/processed/OM_images_white/egyptian/eg |
|
durom.1972.6.13 | 1972.6.13.jpg | data/raw/images/oriental/1972 | From a book of 100 colour photographs, illustrations of places in Japan. Pagoda type building with bell. Peole on steps of building. | 325photographs
| null | paper | Meiji Period | Japan (country) | data/processed/OM_images_white/oriental/1972 |
|
durom.2014.225 | 2014.225.2.jpg | data/raw/images/oriental/2014 | Silver bracelet, missing the pin to secure it closed. The design of the bracelet consists of two solid bands with a central band with an openwork pattern in a circle and scrollwork design. | 179bracelets
| null | silver | null | Al Ain | data/processed/OM_images_white/oriental/2014 |
|
durom.1960.2469 | durom.1960.2469-tt.jpg | data/raw/images/oriental/1960 | Small rectangular base. No name. Deep blue with golds and white marbling. Pig, standing, carved from one stone, on top. | 112Seal
| null | lapis lazuli | null | China | data/processed/OM_images_white/oriental/1960 |
|
durom.2001.32.77 | 2001.32.77-tt.jpg | data/raw/images/oriental/2001 | One of a set of Ganjifa cards. The cards are circular and there are 120 in all. The cards are painted in the same colours as the box. These are divided up into different colours with different animals/ objects headed by two cards within each group of different deities and a warrior on horseback. Yellow represents mice, orange represents turtles, pale yellow represents a bow and arrow, green represents dogs, brown represents a circle pattern, grey represents shells, red represents fish, light brown represents an axe, black represents a sword and olive represents a crown. | 195cards
| ganjifa | Colour on Paper | Modern Period | India | data/processed/OM_images_white/oriental/2001 |
|
durom.1969.245 | durom.1969.245-h1.jpg | data/raw/images/oriental/1969 | The figure is a candle holder. | 191candleholders
| 黄绿釉锦狮烛台 | porcelain | Kangxi | South China | data/processed/OM_images_white/oriental/1969 |
|
durom.1954.spalding33 | 1954.spalding33.d-k-tt.jpg | data/raw/images/oriental/1950s | Set of 6 cups and saucers. Each cup and saucer has a scalloped, gilded edge and the handles of the cups also have gilded lines down them. Each cup and saucer set is decorated with a different painted scene, the decoration of the cup showing a section of the larger scene on each saucer. Each saucer shows mountains in the background and then has different birds and flowers in the foreground. All have the same three character maker's mark on the base._x000D__x000D_
a-b, Mount Fuji in the background with cranes and bamboo in the foreground, two huts and a forest also visible in the background._x000D__x000D_
c-d, two huts and trees stand in front of Mount Fuji in the background, in the foreground are bamboo, camillias(?) and small black, white and brown birds._x000D__x000D_
e-f, two boats sail on the water in front of Mount Fuji, a building stands on the left, in the foreground on the right are purple and white irises and brown, black and white wading birds._x000D__x000D_
g-h, two huts and some trees stand in front of Mount Fuji in the background on the left, on the right are a range of pink and white flowers and two diving kingfishers._x000D__x000D_
j-j, two huts and some trees stand in front on Mount Fuji in the background on the left, on the right in the foreground is a bamboo trellis with crysanthamums trained over it and grasses growing around, there are two quail in front of the trellis and flowers_x000D__x000D_
k-l, two huts and a bridge over a river stand in front of moutains in the background on the left, on the right in the foreground and around the top of the saucer hangs wisteria branches and blossom, two black and white birds with red necks sit on one of the branches. | 38Cup, Saucer
| null | porcelain | null | Japan (country) | data/processed/OM_images_white/oriental/1950s |
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eg4389 | eg4389-tt.jpg | data/raw/images/egyptian/eg | ear stud in black and white glass with twisted glass thread design | 48Ear Stud
| ear stud | glass | New Kingdom | Egypt | data/processed/OM_images_white/egyptian/eg |
|
durom.1996.71 | 1996.71-bb.jpg | data/raw/images/oriental/1996 | Light reddish buff cylindrical pottery fragment, probably a handle sherd. | 251fragments
| null | pottery | null | Saudi Arabia | data/processed/OM_images_white/oriental/1996 |
|
eg4000 | eg4000-457r-ff.jpg | data/raw/images/egyptian/eg | Head and section of torso from a standing figure, on a modern mount. The head wears a short plaited wig. The features are worn. | 393statuettes
| head of a wooden figure | wood | Old Kingdom | Egypt | data/processed/OM_images_white/egyptian/eg |
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durom.2013.8 | 2013.8-ll.jpg | data/raw/images/oriental/2013 | Large shoulder bag designed in shiny black with zipper closure plus a fastener. It has two front zippered pockets and is fully lined. There are some Japanese letters printed on the right front pocket. The inside of the bag is lined in yellow plastic. There is a small zippered pocket with a mobile phone pocket in the right side of the bag. A green label is sewn into the bottom of the bag with the brand name "Hangin' Out" showing on one side and its website "www.hangin-out.eu" on the other side. It is waterproof and excellent wipe clean fabric. | 160bags
| null | plastic | Heisei Period | Netherlands | data/processed/OM_images_white/oriental/2013 |
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eg4014 | eg4014.jpg | data/raw/images/egyptian/eg | necklace consisting of spherical and cornflower (commonly described as poppy head) beads in red carnelian. Modern stringing. | 308necklaces
| carnelian necklace | carnelian | New Kingdom | Egypt | data/processed/OM_images_white/egyptian/eg |
|
durom.2006.53.170 | 2006.53.170-ff.jpg | data/raw/images/oriental/2006 | A wooden door with paper covering from a model Japanese doll's house. The paper has a black border and brown crack lines as part of its pattern. | 88Part
| null | wood | Showa Period | Japan (country) | data/processed/OM_images_white/oriental/2006 |
|
durom.2013.343 | 2013.343.1-2-ff.jpg | data/raw/images/oriental/2013 | Large figure of Mechagodzilla with card packaging._x000D__x000D_
_x000D__x000D_
The model is of a silvery grey plastic with details painted in dark grey and red, and yellow eyes with no pupils. The figure is largely shaped like a tyrannosaurus rex with two upright legs on large feet with four claws, an upright torso and two short arms, also with four claws. There is a long neck with a proportionally small head. There are spines running down the back of the head from a crest and along the length of a tail that runs along the ground behind the figure. The spines begin as a single line and spread across the shoulders to three parallel lines that run all the way to the tip of the tail, which divides into three points. The whole figure is in a robotic style, with hydraulic looking joints that include discs and hoses. There are rockets on the shoulders running down the back. The chest is moulded like an exaggerated human chest but with hinges at both sides. Most of the joints are not flexible, with the exception of the shoulder joints, which are opposable. The model is made up of distinct parts that have been joined; this includes the tail, which is joined at the back to the lower torso, the lower torso and legs which are joined at the waist to the upper torso, the upper torso, which is joined at the waist to the lower torso, the arms which are both joined at the shoulder to the upper torso, and the neck and head which are joined to the upper torso at the base of the neck._x000D__x000D_
_x000D__x000D_
The card packaging is an open card base with a tall backboard, coated in a glossy paper finish. The background is black, with red white and grey printing. The backboard shows a large grey image of Godzilla with his head facing to the left. In the background are red and white stylised images of a cityscape of high rise buildings. On the right is a line of large Japanese characters in white outlined in red reading ゴジラ , "Godzilla". On the front lip is a repeat of the red and white cityscape with a large central inscription in grey letters reading "Godzilla". On the sides of the base is the same cityscape with in front of it a black and white image of Godzilla and Mechagodzilla fighting each other. The rear of the backboard is black fading to red in the centre. Across the top is the inscription "Godzilla" in large grey letters. Beneath this is a series of images of model figures of characters from the Godzilla films that are available from the Bandai company. In the centre and larger are the "Deluxe Godzilla Figures" of Godzilla and Mechagodzilla. Below is a line, from left to right of Burning Godzilla, Mechagodzilla the First, King Caesar, Gigan, Rainbow Mothra and Godzilla 1968. | 420toys
| null | plastic | Heisei Period | Japan (country) | data/processed/OM_images_white/oriental/2013 |
|
durom.1968.103 | 1968.103-uu.jpg | data/raw/images/oriental/1968 | Porcelain vase in the form of Guanyin zun with two handles, covered with pale grey, crackled glaze, made in imitation of Song dynasty Ge ware. The vase has flared mouth, rounded shoulder, globular body and tapering foot. The handles are shaped as lion head and are covered with iron-rust glaze. The crackles are deep grey and vary in size on different parts of the vase: the crackles over and inside the mouth are large, while the crackles on the main body and foot are small. The foot base is also covered with crackled glaze whose crackles are very small. Amongst the deep grey crackles, there are faint, small crackles in brown. The foot rim is covered with brown protective glaze. | 433vases
| 仿哥釉铁花兽耳尊 | porcelain | Qianlong | China | data/processed/OM_images_white/oriental/1968 |
|
durom.1951.42 | 1951.42-uu.jpg | data/raw/images/egyptian/1951 | fired clay funerary cone with white slip. The inscription is in raised relief and very worn | 54Funerary Cone
| funerary cone | pottery | New Kingdom | Egypt | data/processed/OM_images_white/egyptian/1951 |
|
durom.2013.175 | 2013.175.13-14.jpg | data/raw/images/oriental/2013 | Plastic toy food set, which is the size and type to suit a doll's house all of which are hand-painted. The set consists of a white rice cooker decorated with orange and yellow chrysanthemums on the side and a green and yellow border along the base and silver pot lining the inside (both separate parts), rice to fit into the rice steamer, small white spoon, white rice bowl with blue border, rice to fit inside the bowl, blue scallop edged bowl with sliced lemon to be placed within it separately, long silver and brown fish with a small mound of rice on the side. To be placed on a white long rectangular dish with blue pattern. Brown bowl and miso soup (yellow in colour with green and black vegetables floating within it), bottle of soy sauce in a 'crystal' decanter. White and green pot with orange and green flowers on the side and two sets of dark brown chopsticks to be placed within the pot. There are 3 other sets within this series - all with different themed meals. There is also a cooking booklet with the set that contains images of the other sets in the collection alongside Japanese text, which possibly displays recipes._x000D__x000D_
_x000D__x000D_
_x000D__x000D_
This record consists of the packaging only (all of the other items are in part records), which consists of a green cardboard box with an image of the above food on the front with Japanese text on the upper third along with a large '3' in red. On the side is a more detailed description of the plastic food inside with the parallel side showing the other themed sets available too. On the reverse is the company information written mostly in Japanese and some English. | 420toys
| null | cardboard | Heisei Period | Japan (country) | data/processed/OM_images_white/oriental/2013 |
|
durom.1960.4b.10 | 1960.4b.10.jpg | data/raw/images/oriental/1960 | One of an extensive collection of slides and glass plates. Black and white glass plate with an image of a river bank with a line of large two masted wooden sailing ships moored along it. | 118Slide
| null | glass | null | England | data/processed/OM_images_white/oriental/1960 |
|
durom.2006.53.199 | 2006.53.199-d2.jpg | data/raw/images/oriental/2006 | Sealed cylindrical box painted beige. It looks like a hat box and has the number 922 in black ink on its top | 88Part
| null | cardboard | Showa Period | Japan (country) | data/processed/OM_images_white/oriental/2006 |
|
eg4572 | eg4572-d5.jpg | data/raw/images/egyptian/eg | Box/Chest/Casket. Rectangular four-legged box with a gabled lid painted in the manner of a Theban tomb with geometric patterns on the roof and family offering scenes on the sides. The box's short ends depict two versions of the western Asiatic motif: on one end an ornate plant is nibbled by rampant female gazelle's nursing fawns; on the other, nearly full grown fawns with short antlers nibble a composite plant. There is a knob near one end of the roof and another below it on the short side to be used as lashing posts to secure the lid. The box belongs to a man called Perpawty, and is unusual in being painted on all four sides. On one side of the box the figures of Perpawty and his son are depicted in black (silhouette figures). | 19Box
| decorated box of Perpawty and his wife Ady | sycamore | Amenhotep III/Amenophis III/Nebmaatre | Egypt | data/processed/OM_images_white/egyptian/eg |
|
durom.1960.3743 | durom.1960.3743-tt.jpg | data/raw/images/oriental/1960 | Undecorated, deep high-sided bowl with tall stem and flaring foot carved from green stone. | 125Stem Bowl
| dou | jade | Yuan dynasty | China | data/processed/OM_images_white/oriental/1960 |
|
durom.1960.4168 | 1960.4168 bb.jpg | data/raw/images/oriental/1960 | The flower is not lotus. | 245figures
| 石鹿 | burnt jade | null | China | data/processed/OM_images_white/oriental/1960 |
|
durom.2015.211 | 2015.211.jpg | data/raw/images/oriental/2015 | A sarong, typical Khmer garment called sampot. The long tube like cotton garment worn as a skirt for everyday wear. The fabric is sewn with a sewing machine simply connecting two edges. The cloth would have been originally white (a section of white cloth along the seam on one side) after dyed using batik (probably) technique creating an intricate design in vivid and bright colours. The design of geometrical and flower like pattern consists of horizontal and vertical lines crossing each other and creating rhombus pattern with flowers inside in orange white, dark blue, black and red. The sarong has small borders along the edges consisting of black horizontal stripe with toothed like pattern of short black vertical stripes. At the top of the garment almost in the middle is a label like ornament in the shape of a square with circle on top. In the orange square with thin white borders is an inscription in Khmer and 'SATIPUSA No10322'. Inside the circle is depicted a face with neck of a woman (probably) with a tall single-spire Cambodian headdress and jewellery. | 360sarongs
| null | cotton | 20th century | Cambodia | data/processed/OM_images_white/oriental/2015 |
|
durom.2014.429 | 2014.429.jpg | data/raw/images/oriental/2014 | A gold coloured metal brooch, circular in shape. Around the edge of the brooch are a series of small blue balls, surrounding the entire circumference of the brooch. There is some gold engravings, and then the centre of the brooch are the same blue balls, smaller in size and arranged to resemble a flower. | 182brooches
| null | metal | null | West Asia | data/processed/OM_images_white/oriental/2014 |
|
durom.1977.72 | 1977.72.a-bb.jpg | data/raw/images/oriental/1977 | Pair of monster brass figures, inlaid with glass. | 245figures
| null | brass | null | Thailand | data/processed/OM_images_white/oriental/1977 |
|
durom.1969.610 | 1969.610-d1.jpg | data/raw/images/oriental/1969 | Small sake cup decorated with landscape of Yoshino in cherry blossoms. | 223cups
| null | porcelain | Edo Period | Japan (country) | data/processed/OM_images_white/oriental/1969 |
|
eg1039 | eg1039-n1451-tt.jpg | data/raw/images/egyptian/eg | wooden scribal palette with two inkwells at the top in the usual order. The inkwells are outlined with cartouches, with two vertical lines of hieroglyphs reading down the length of the palette, towards the sides. The area for the reed pens is only partially carved, suggesting it was used for tomb equipment. | 86Palette
| scribe's palette | cedar | null | Egypt | data/processed/OM_images_white/egyptian/eg |
|
durom.2013.95 | 2013.95.01-ff.jpg | data/raw/images/oriental/2013 | Pack of 2NE1 New evolution branded playing cards. Box is made from laminated cardboard with a black and white pattern which includes images of the four sets of cards (hearts, clubs, spades and diamonds) along with the name of the cards. The top is sealed with a YG entertainment sticker. Inside are 56 laminated cards, including a full deck and 2 jokers and an additional 9 of clubs and Jack of Diamonds cards. | 330playing cards
| null | cards | Republic of Korea (period) | South Korea | data/processed/OM_images_white/oriental/2013 |
|
durom.2001.32.94 | 2001.32.94-uu.jpg | data/raw/images/oriental/2001 | One of a set of Ganjifa cards. The cards are circular and there are 120 in all. The cards are painted in the same colours as the box. These are divided up into different colours with different animals/ objects headed by two cards within each group of different deities and a warrior on horseback. Yellow represents mice, orange represents turtles, pale yellow represents a bow and arrow, green represents dogs, brown represents a circle pattern, grey represents shells, red represents fish, light brown represents an axe, black represents a sword and olive represents a crown. | 195cards
| ganjifa | Colour on Paper | Modern Period | India | data/processed/OM_images_white/oriental/2001 |
|
durom.2011.21 | 2011.21-ff.jpg | data/raw/images/oriental/2011 | Envelope "Hongbao" for Chinese new year lucky money. The front is gilt with lucky sayings in large and small characters. At the top left corner and to the right edge there are lucky characters and sayings printed in the form of seal marks. The background is printed with grape vines in water colour style. Reverse, gilt mark and logo of the Tianma Travel Agency. Business organisations distribute Red Envelopes with their logo as an advertisement. Near the bottom, another production mark. | 239envelopes
| 红包 | paper | null | Guangdong Province | data/processed/OM_images_white/oriental/2011 |
|
durom.1993.26.2 | 1993.26.2.jpg | data/raw/images/oriental/1993 | Page of Arabic grammer in black and red ink. | 315pages
| null | Ink on Paper | null | West Asia | data/processed/OM_images_white/oriental/1993 |
|
durom.2013.102 | 2013.102-bb.jpg | data/raw/images/oriental/2013 | Plastic mobile phone accessory depicting an Eastern Grass Owl. The item is made from pink plastic with white and yellow decorations. This is designed to slot into the aerial of a mobile phone. The accessory is packaged in a plastic sleeve which is backed with a piece of card, on the front is a computer generated image of a tree and night sky with information about the product on the front and reverse [see inscriptions/marks]. | 140accessories
| null | null | Republic of Korea (period) | South Korea | data/processed/OM_images_white/oriental/2013 |
|
durom.1977.82 | 1977.82-ff.jpg | data/raw/images/oriental/1977 | lacquered wooden figure of a demon (Oni) with red coloured flesh, tiger fur effect leg warmers and skirt, shoulder and back covering decorated with dragons among clouds. The demon has three fingered hands and three toed feet. He has inlaid eyes, two short horns and short bristly hair attached. | 245figures
| null | wood | null | Japan (country) | data/processed/OM_images_white/oriental/1977 |
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