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durom.1951.19 | 1951.19-bb.jpg | data/raw/images/egyptian/1951 | coptic ostracon, written both sides. White slip on outside. Reconstructed. | 85Ostraka
| ostracon | pottery | Christian Period | Egypt | data/processed/OM_images_white/egyptian/1951 |
|
durma.2020.3.338 | durma.2020.3.338-ff.jpg | data/raw/images/fulling_mill/2020 | A fragment of gold wire, probably a jewellery element dating to the Roman period. The wire is circular in section and bent into a 'C' shape. The object is 3mm in length and 5mm wide. It weighs 0.07 grams. | 283jewelry
| null | gold | Roman | null | data/processed/OM_images_white/fulling_mill/2020 |
|
durom.2015.33 | durom.2015.33-rr.jpg | data/raw/images/oriental/2015 | Zhbannikovo toy - whistle. Zhbannikovo toy (Russian: Жбанниковская игрушка) is a traditional Russian folk handicraft of moulded clay figures produced in villages of Zhbannikovo, Ryzhukhin, Rompin and others in Gorodetsky District of Nizhny Novgorod Oblast. It originated in the beginning of XX century in village Zhbannikovo which in later years became a production centre of clay toys - whistles. Zbannikovo figures resemble a pyramid like body on a three-legged base. Horse, cow, deer, lamb and rooster painted with dark enamel paints and decorated with lighter ornaments are the main characters of Zhbannikovo toys. Separate parts of the body like horns, ears, muzzles, hooves, etc. are silvered with aluminium powder. _x000D__x000D_
This example of Zhbannikovo handicraft of moulded painted figures depicts a traditional slavic dragon with three heads._x000D__x000D_
Light blue dragon stands on two short front legs and extended lower body part with a hole in the middle of the base and other hole at the end of the body. The end of the body is covered with silver dyes. Three heads are shaped on the tapering long neck. Blue heads with small black horns and prolonged red jaw with a hole have black rounded eyes and a hole instead of a nose, faces decorated with silver and yellow light strokes of a brush. Two small holes are made in lower part of the jaw from both sides on every head. The back of the dragon is red with six spikes with black tops. The part between the neck and body has a hole on each side decorated with five black dots resembling a flower. Blue surface covered with a varnish after painting (probably) in most parts is decorated with yellow ornament made using a sponge. | 420toys
| null | clay | 20th century | Russia | data/processed/OM_images_white/oriental/2015 |
|
durom.1953.213 | 1953.213 ff.jpg | data/raw/images/egyptian/1953 | terracotta figure with a simple tubular body and a conical head with a pointed nose and chin. the right arm is crossed in front of the chest. the left arm is missing. possibly Cypriot. | 245figures
| null | terracotta | null | Egypt | data/processed/OM_images_white/egyptian/1953 |
|
durom.2014.117 | 2014.117 d2.jpg | data/raw/images/oriental/2014 | Grey terracotta bowl with an internal decoration consisting of four dark lozenges and an abstract design at centre. The painted decoration is much faded. The external decoration consists of a latticework design in a dark red/brown paint. The foot of the bowl is flat and the rim of the bowl is uneven and wavy in style. The bowl is unglazed | 177bowls
| null | terracotta | Indus Valley Civilisation | Pakistan | data/processed/OM_images_white/oriental/2014 |
|
durom.1975.28 | 1975.28.cu2.jpg | data/raw/images/oriental/1975 | Child's dress. The main part of the skirt, the inner chest panel and the sleeves are made from mashru cloth, a cotton silk mixture with silk warps and cotton weft, striped in orange, yellow, green and black. The lower edge of the skirt, the bodice and the cuffs of the sleeves are covered with densely executed embroidery patterns and mirrorwork set against black or dark blue or red cotton backgrounds. The embroidery which includes sunlike mirrorwork roundels, geometric patterns and abstracted vegetal motifs is executed in cotton thread, mainly in cross stitch, buttonhole stitch, and interlacing stitch. The colour scheme employs white, burgundy, light and dark green, orange, bright pink, purple, and yellow. There are 4 round white glass buttons at the front and 5 glass buttons at the back, of which only the lower 2 at the front have any functional purpose. The bodice is lined with red and floral print cotton. | 233dresses
| null | cotton | null | Gujarat State | data/processed/OM_images_white/oriental/1975 |
|
eg6189 | eg6189-n867-tt.jpg | data/raw/images/egyptian/eg | Faience cowroid (scarab in the form of a cowrie shell), with incised hieroglyph design on reverse of a "nfr" (good) sign, and a wadjet eye. Pierced by longitudinal hole. | 364scaraboids
| scarab | faience | null | Egypt | data/processed/OM_images_white/egyptian/eg |
|
eg107 | eg107-d2.jpg | data/raw/images/egyptian/eg | osiris figurine, mummiform, atef with plumes and uraeus going up crown, engraved collar; hands protrude and are crossed; right holds 3 thonged flail, left holds banded crook. White inset for eyes, space for pupil inset, blue inset for: plumes, edge of face, middle flail thong, alternate bands on crook and flail, eyebrows. beard missing. hollow, broken 2/3 down. | 62Human Figurine
| osiris figurine | bronze | Late Period | Egypt | data/processed/OM_images_white/egyptian/eg |
|
durom.2014.179 | 2014.179.jpg | data/raw/images/oriental/2014 | 2 beads, purchased Al Ain, UAE_x000D__x000D_
_x000D__x000D_
1. 1 grey stone semi-circular bead with a circle in the middle, which is an example of an eye bead_x000D__x000D_
_x000D__x000D_
2. 1 grey transparent annular bead | 165beads
| null | stone | null | Al Ain | data/processed/OM_images_white/oriental/2014 |
|
durom.2015.405 | durom.2015.405.jpg | data/raw/images/oriental/2015 | A lamp made from two brass plates and a piece of fabric. The bottom section is a brass plate with raised sides, and a solid ring at the edge. After this is a latticework pattern of diamonds with a row of leaves, made by carving and pushing holes through the solid sheet - some pieces have been left in. In the centre is another solid piece, with dots and arches for decoration. On the inside, there is a small raised section to hold a candle. The top section is the same, with the exception that at the centre there is a brass plate with a hole in the middle for heat and smoke to escape. At either side of this is a solid bar, which is affixed to a brass handle to hang the lamp. The two pieces are connected by a concertina of fabric, treated to be resistant to the heat, which is quite stiff - this is supported by metal rings within, which allow it to fold down for easier transport and storage. The concertina of fabric is fastened at four points to both brass plates by passing a smaller, thin loop of metal through holes in the brass. The fabric is plain, but stained and dirty from use. | 290lamps
| null | brass | 20th century | Iran | data/processed/OM_images_white/oriental/2015 |
|
eg5597 | eg5597-uu.jpg | data/raw/images/egyptian/eg | Round bottomed cup with loop handle applied to one side. Red polished ware. From Cyprus. | 223cups
| drinking cup | pottery | null | Egypt | data/processed/OM_images_white/egyptian/eg |
|
durom.2001.45 | 2001.45.jpg | data/raw/images/oriental/2001 | Pachisi or chaupad board kept in a brown cardboard box. The board is made of fabric and is in the shape of cross. The middle area is a brown square. The four arms are checkered with red and black squares. Three black squares on each arm have green and white striped crosses within them. The three long dice are made of yellow plastic and have variously numbered black circles on them (1,2,5,16). There are six white/cream cowrie shells and also 16 dome playing pieces, with 4 red, 4 yellow, 4 black and 4 green tops, made of wood and painted. | 253gameboards
| pachisi, chaupad | textiles | 21st century | India | data/processed/OM_images_white/oriental/2001 |
|
durom.2001.96.21 | 2001.96.21 bb.jpg | data/raw/images/oriental/2001 | Cream/yellow resin or similar material Buddha game piece. Buddha is shown on a lotus flower base and wearing a crown. The piece is mounted onto green felt and there is a black deposit on some of the surface. | 205chessmen
| null | Resin/Plastic | null | India | data/processed/OM_images_white/oriental/2001 |
|
eg1260 | eg1260-d2.jpg | data/raw/images/egyptian/eg | glazed blue faience object in the shape of a narrow round pipe, wider at one end and hollow, top end closed off. Along each side are three pairs of lugs. The suspension loop has broken off from the top. | 429unidentified
| unidentified object | faience | Middle Kingdom | Egypt | data/processed/OM_images_white/egyptian/eg |
|
durom.2006.45.89 | 2006.45.89.jpg | data/raw/images/oriental/2006 | Black and white photograph of a herd of sheep. | 325photographs
| null | photographic paper | null | South East Asia | data/processed/OM_images_white/oriental/2006 |
|
eg3424 | eg3424 wel415 d3.jpg | data/raw/images/egyptian/eg | glass cone with flattened top and base of black opaque glass with sides decorated (marvered) with drawn white glass, which becomes a spiral on the base. One side is chipped | 254gaming counters
| weight or gaming piece | glass | null | Egypt | data/processed/OM_images_white/egyptian/eg |
|
eg6226 | eg6226-n904-uu.jpg | data/raw/images/egyptian/eg | Oval faience seal with incised hieroglyph decoration on both sides. One side shows a winged scarab, the other shows a fish with something, possibly a hook/fishing line, coming from its mouth. Pierced by longitudinal hole. | 112Seal
| seal | faience | null | Egypt | data/processed/OM_images_white/egyptian/eg |
|
duruc.2018.13.2 | duruc.2018.13.2-ll.jpg | data/raw/images/castle/2018 | One of a pair of Sheffield plate table candelabra, two-branch three-light, on circular tapered baluster supports and fluted circular bases with raised floral and scroll decoration, the branches having floral and acanthus-leaf ornamentation, 21in high | 190candelabras
| null | plate | null | null | data/processed/OM_images_white/castle/2018 |
|
durom.1976.120 | 1976.120-d2.jpg | data/raw/images/oriental/1976 | One Iban headhunting sword (Parang) and one scabbard (1976.121)for Parang made from wood. Iban sword with scabbard. Sword has hilt of intricately carved biine with rattan bound grip and mounted coloured hair ornaments. Blade has single edge, ground on left side only with fret decoration on the back of the blade at the front. | 402swords
| parang | metal | null | Sarawak State | data/processed/OM_images_white/oriental/1976 |
|
durom.1986.d8 | durom.1986.d8-base.jpg | data/raw/images/oriental/1986 | Tea bowl with elaborate engraved and embossed patterns. Orange-red glass bead through spike in top. Circular stand with lotus flower shaped saucer with eight 'petals' each with engraved and embossed patterns. With stand and lid. There was no orange bead found on top of the lid but within the box 1/48/2:3 there was an unnumbered orange/red bead found that has been given the number DUROM.U11113, which may be the missing bead for this lid | 177bowls
| null | silver | null | Tibet Autonomous Region (China) | data/processed/OM_images_white/oriental/1986 |
|
durom.2014.62 | 2014.62 bb.jpg | data/raw/images/oriental/2014 | North Vietnam communist party badge from the 1970s. This particular badge is for the political party 'Communist Youth Union of Ho Chi Minh City' and is mayed from a metal alloy, with a pin attached to the back to allow it to be attached to clothing. The front of the badge is enamelled and shows an arm with a green sleeve holding a red flag with a bronze star in the centre. The phrase 'Đoàn Thanh niên Cộng sản Hồ Chí Minh' (which translates as Communist Youth Union of Ho Chi Minh City) is written underneath in red writing on a silver background. | 159badges
| null | bronze | 21st century | Vietnam | data/processed/OM_images_white/oriental/2014 |
|
durom.1962.13.3 | 1962.13.3.jpg | data/raw/images/oriental/1962 | Colour woodblock print, depicting the warrior Oboshi Rikiya Yoshikane, from the series Seichu gishi den (Biographies of Loyal Retainers), by Utagawa Kuniyoshi, Japan, c. 1850 (signed Ichiyusai Kuniyoshi ga) | 138Woodblock Print
| null | paper | Edo Period | Japan (country) | data/processed/OM_images_white/oriental/1962 |
|
durom.1969.207 | 1969.207-uu.jpg | data/raw/images/oriental/1969 | Porcelain bowl, covered on the exterior sides with Jihong glaze, which is brownish tinged where it runs thin under the rim, and is deep where it runs thick around the ring foot. The palm eyes are less obvious under the rim where the red glaze is thin. | 177bowls
| 雍正款霁红釉撇口碗 | porcelain | Yongzheng | Jingdezhen | data/processed/OM_images_white/oriental/1969 |
|
durom.2013.42 | 2013.42-d2.jpg | data/raw/images/oriental/2013 | A six panel folding screen with silk embroidery on a silk panel, which is then backed onto a cotton background with a wooden frame around the edge of each panel and metal corners. The scene depicted is that of a lake with varying shades of blue dye representing the water, pink and yellow lily blossoms with multiple lily pads and reeds poking out from the water. On the third panel from the left are two ducks swimming next to each other. The drake is depicted with a white underbelly, brown and orange feathers, orange beak and black eye. The female is in the foreground with pink feathers around the neck, orange plumage near to the tail end of the bird, white body, black head and orange beak. On the far left panel there are three columns of Korean text embroidered in a navy blue thread, with a smaller column of text on the left and the central and right columns being longer. The reverse of the panels are plain | 111Screen
| null | silk | Republic of Korea (period) | South Korea | data/processed/OM_images_white/oriental/2013 |
|
durom.1983.21 | 1983.21-d1.jpg | data/raw/images/oriental/1983 | Persian calligraphic bowl, enamel with 'Minai' work. Rounded sides decorated in red, green and blue on white ground, with two opposed equestrian figures separated by a tree with birds at the base and a Kufic inscription round the rim inside. It has calligraphic decoration on the outside as well. | 177bowls
| null | ceramic | Seljuq-Ilkhan Dynasty | Iran | data/processed/OM_images_white/oriental/1983 |
|
eg1824 | eg1824-n2120-ff.jpg | data/raw/images/egyptian/eg | tiny blue-green faience amulet in the shape of a seated cat with a suspension loop behind the body | 145amulets
| cat amulet | faience | 3rd Intermediate Period | Egypt | data/processed/OM_images_white/egyptian/eg |
|
durom.2014.445.2 | 2014.445.2 bb.jpg | data/raw/images/oriental/2014 | Vietnamese banknote in the denomination of 2000 dong, which has been printed in green, brown, red, pink and blue ink. On the front of the note is the image of the former North Vietnamese President Ho Chi Minh. He is represented face on looking at the viewer with a smile on his face, long beard going beyond his chin, greying/white hair and bushy eyebrows with a buttoned up white shirt. Above him is the legend written in Vietnamese of 'Cộng hòa Xã hội chủ nghĩa Việt Nam', which translates as the Socialist Republic of Vietnam. In the upper right and lower left of the note is the denomination of the note. Underneath Ho Chi Minh is the legend written in Vietnamese 'Hai Nghìn Đồng' which translates to Two Thousand Dong. To the left of him is the serial number of the note with the state emblem of Vietnam next to it. On the reverse is an image of four workers in a factory working at a mechanised loom. They are all wearing dark dungarees, white short sleeved top and scarves or hats on their heads. There are scroll like designs around the edge of the note. The denomination in numerical form and in Vietnamese is in the upper right, bottom centre and lower left corner. The title at the top of the note reads 'Ngân hàng Nhà nước Việt Nam' which translates to the State Bank of Vietnam. | 317paper money
| 2000 dong | paper | null | Vietnam | data/processed/OM_images_white/oriental/2014 |
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durom.2013.70.16 | 2013.70.16-bb.jpg | data/raw/images/oriental/2013 | Playing card. Ace of Clubs. On the face of the card is an image of a building in North Korea. Reverse of the card shows 10 images relating to North Korea, including Pyongyang, the friendship arch, statue of Kim Il Sung, and an image of Kim Jong Un. | 330playing cards
| null | cards | null | China | data/processed/OM_images_white/oriental/2013 |
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durom.1963.46 | 1963.46.-bb.jpg | data/raw/images/oriental/1963 | Fragment of sculpture, with upper body and head of a figure. | 245figures
| null | sandstone | Medieval, Gandhara Period | Asia, Indian subcontinent, India, North, Gandhara | data/processed/OM_images_white/oriental/1963 |
|
durom.1960.1859 | 1960.1859.jpg | data/raw/images/oriental/1960 | Coral snuff bottle, carved into the shape of two monkeys sitting on a gourd-shape object with peach branches. The monkeys are wearing hats and playing with peaches. | 385snuff bottles
| 珊瑚猴戏纹鼻烟壶 | coral | Qing | China | data/processed/OM_images_white/oriental/1960 |
|
durom.1960.3541 | 1960.3541-uu.jpg | data/raw/images/oriental/1960 | Soapstone carving of a man and a woman smoking opium in bed. The couple are lying sideways on either end of a long pillow. Between them there is a tray with several jars and a lamp. The woman is resting on her left arm, and her right hand is holding an opium pipe attached with an ornament. The man is lighting opium through the lamp. There are traces of paint over the woman’s hair and near the man’s left foot. | 245figures
| 滑石雕瘾君子像 | soapstone | null | China | data/processed/OM_images_white/oriental/1960 |
|
durom.1976.196 | 1976.196-uu.jpg | data/raw/images/oriental/1976 | Carved ivory netsuke depicting Fukusuke. The figure has a large head in relation to the size of the body, with a bald head and broad smile. There are broad shoulders to his dress and he holds a fan open in front of him with his right hand at the base of the fan and left hand holding one of the top corners. There is an inscription on the fan. There are two holes in the back of the carving to allow the netsuke to be attached to a cord. | 310netsukes
| netsuke | ivory | Edo Period | Japan (country) | data/processed/OM_images_white/oriental/1976 |
|
durom.2001.139.140 | 2001.139.140 ff.jpg | data/raw/images/oriental/2001 | One of a set of Indian mughal Ganjifa cards in a wooden container. This set is a Dashavatara Ganjifa, which shows the avatars of Vishnu with their distinctive vahanas or symbols being used in their individual sets. This card shows six gold handled daggers | 330playing cards
| ganjifa | paper | null | India | data/processed/OM_images_white/oriental/2001 |
|
durma.2020.1.13.1 | durma.2020.1.13.1.ff.jpg | data/raw/images/fulling_mill/2020 | A medieval ash wood bowl. The bowl is sufficiently well‐preserved to determine that it was produced by lathe turning, though its full profile did not survive. Wooden bowls and platters were in common use over a very long period for food preparation and serving, ash often being the wood of choice, as it wears smoothly and does not easily splinter (Edlin 1973, 27). Preservation requires a waterlogged, anaerobic environment, as was found during excavations. Numerous lathe‐turned bowls, both fragmentary and complete, have been recovered from excavations in Britain, with medieval examples in ash wood found on sites from London (Egan 2010, 199) to Carlisle (Howard‐Davis, 2009, 810). | 177bowls
| null | wood | Medieval and post-medieval | null | data/processed/OM_images_white/fulling_mill/2020 |
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durom.1960.2238 | durom.1960.2238-uu.jpg | data/raw/images/oriental/1960 | round, mottled glass bowl. | 177bowls
| null | glass | Qing | China | data/processed/OM_images_white/oriental/1960 |
|
durom.1969.573 | 1969.573.2.jpg | data/raw/images/oriental/1969 | The scroll can also be a reference to Daode jing (道德经, or Tao Te Ching by Wade Giles system) which is a Chinese Classic text said to be written by Laozi on his way to the west, see [Iconography]. The figure is hollow and the Laozi figure can be detached from the buffalo. | 245figures
| 青铜老子骑牛像 | bronze | Kangxi | China | data/processed/OM_images_white/oriental/1969 |
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eg5712 | eg5712-d2.jpg | data/raw/images/egyptian/eg | steatite amulet in the shape of a stylised face | 145amulets
| face amulet | Steatite/Soap Stone | null | Egypt | data/processed/OM_images_white/egyptian/eg |
|
durma.2020.3.729 | durma.2020.3.729.1-bb.jpg | data/raw/images/fulling_mill/2020 | An incomplete copper-alloy scabbard chape of 'Novaesium' type dating from the mid-second to mid-third century AD, part of the Piercebridge River Assemblage. The chape is pelta-shaped, hollow and decorated with two openwork ovals. One of the faces of the chape is damaged and at the breaks, the metal is distorted suggesting the damage was inflicted with some force. The chape has a length of 37mm, a width of 41mm and a thickness of 10mm. The chape weighs 25.2 grams.A similar peltiform chape with a break in the same place was found during the excavations at Prysg Field, Caerleon (Chapman 2005, 14, Bb01) while other parallels from Roman Britain can be found at South Shields (Allason-Jones and Miket 1984, 160, no. 3.401) and Richborough (Wilson 1968, 93, nos. 91-2). For Continental parallels see for example Cat. No. 112 from Niederbieber (Oldenstein 1976, 243 and Taf. 19; Mus. Bonn. Inv. Nr E1007) and for a discussion of the type and its distribution, see Miks, C. (2007) Studien zur romischen Schwertbewaffnung in der Kaiserzeit, Kolner Studien zur Archaologie der Romischen Provinzen, Band 8, 335-338, who notes that they are widespread throughout Britain, Germany, Raetia and Dacia with outlying finds in North Africa and Syria. He notes a particular concentration of the type along the Danube and in Dacia (Miks 2007, 337)._x000D__x000D_
_x000D__x000D_
Portable Antiquities Database: https://finds.org.uk/database/artefacts/record/id/108875 | 363scabbards
| null | copper alloy | Roman | null | data/processed/OM_images_white/fulling_mill/2020 |
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durom.1968.129.5 | 1968.129.5.jpg | data/raw/images/oriental/1968 | From a Photo album containing many photographs of Japanese scenes. Black and white image. Large pine tree in foreground, behind which is a beach with a male figure, and behind him the ocean. | 142albums
| null | photographic paper | Edo Period | Japan (country) | data/processed/OM_images_white/oriental/1968 |
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durom.1971.103 | durom.1971.103-ff.jpg | data/raw/images/egyptian/1971 | situla with tapered base and handle loops, no handle. designs in relief with details engraved. bottom frieze is rays (?), above which is a frieze of triangles, then two people and an unidentifiable pattern - possibly of gods or ancestral kings | 381situlae
| situla | bronze | Late Period | Egypt | data/processed/OM_images_white/egyptian/1971 |
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durom.2013.70.47 | 2013.70.47-ff.jpg | data/raw/images/oriental/2013 | Playing card. 6 of Spades. On the face of the card is an image of two elderly North Koreans crying. Reverse of the card shows 10 images relating to North Korea, including Pyongyang, the friendship arch, statue of Kim Il Sung, and an image of Kim Jong Un. | 330playing cards
| null | cards | null | China | data/processed/OM_images_white/oriental/2013 |
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durom.1965.46 | 1965.46 pc ff.jpg | data/raw/images/oriental/1965 | Woman's amulet. Star-shaped box decorated with inlaid silver and turquoise. Not good quality. Broken pieces of red decoration inside. Possible loose substance within the vessel as there is a rattling sound when the item is handled | 145amulets
| null | metal | null | Tibet Autonomous Region (China) | data/processed/OM_images_white/oriental/1965 |
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durom.1972.59 | durom.1972.59-uu.jpg | data/raw/images/oriental/1972 | Back scratcher, inlaid with silver and six red beads, two of which are missing (one probably replaced with a different bead. Also an orange tip to the handle. | 158back scratchers
| null | wood | null | null | data/processed/OM_images_white/oriental/1972 |
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durom.1960.4f.5 | 1960.4f.5.jpg | data/raw/images/oriental/1960 | One of an extensive collection of slides and glass plates. Black and white glass plate with an image of a male figure standing with one hand behind his back, in front of a large tree, behind which a a tennis court is visible. | 118Slide
| null | glass | null | England | data/processed/OM_images_white/oriental/1960 |
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durom.1960.3821 | 1960.3821-ff.jpg | data/raw/images/oriental/1960 | carving of a dragon's head. | 245figures
| null | limestone | null | China | data/processed/OM_images_white/oriental/1960 |
|
durom.2014.1.58 | 2014.1.58 ff.jpg | data/raw/images/fulling_mill/2014 | One of a collection of 162 flint tools. Brown, slightly curved flint with wear along the edges. One side smooth. Used as a blade tool. | 171blades
| null | Flint/Chert | Neolithic Period | Egypt | data/processed/OM_images_white/fulling_mill/2014 |
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eg3510 | eg3510-n1794-uu.jpg | data/raw/images/egyptian/eg | heart scarab in green basalt: head, clypeus, prothorax, divided elytra, legs indicated. Base incised with 8 lines of hieroglyphs for the singer/priestess of amun, nesy-khonsu | 61Heart Scarab
| heart scarab | basalt | null | Egypt | data/processed/OM_images_white/egyptian/eg |
|
durom.2002.12 | 2002.12 uu.jpg | data/raw/images/oriental/2002 | Mughal style jade bowl with plain exterior worked with handles as two flower buds between petals, standing on a short foot worked as a spiral flower-head. Wood stand. | 177bowls
| null | jade | Qing | Asia | data/processed/OM_images_white/oriental/2002 |
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eg4009 | eg4009-d1.jpg | data/raw/images/egyptian/eg | Statue of the Vizier Idi with opening of the mouth equipment. The statue is carved from alabaster and set into the base which is carved from a block of limestone with gypsum finish. The vessels and other equipment for the opening of the mouth ceremony are carved from the limestone base or from alabaster or quartz crystal and set into the base. Idi is shown standing with his hands by his side and left foot forward. The statue is believed to be part of a group which date from the First Intermediate Period rather than the time of Idi's death and relate to his veneration as a local hero or saint in the Abydos region at that time. | 393statuettes
| pss-kf model set | stone | 1st Intermediate Period | Egypt | data/processed/OM_images_white/egyptian/eg |
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durom.1974.29.9 | 1974.29.9.jpg | data/raw/images/oriental/1974 | Tibetan wood block print of the 'Air Tiger'. Tiger depicted in the centre of the print with bulging eyes, long white whiskers and encircled by looping flame designs. | 138Woodblock Print
| null | paper | null | Tibet Autonomous Region (China) | data/processed/OM_images_white/oriental/1974 |
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durom.1980.86 | 1980.86-d1.jpg | data/raw/images/oriental/1980 | Japanese painting, paper in wooden frame. Kasuai by Kaido Tanaka. Black characters on a cream background, with a navy blue textile surround and a decorative frame. | 316paintings
| null | paper | Meiji Period | Japan (country) | data/processed/OM_images_white/oriental/1980 |
|
durom.2015.212 | durom.2015.212-ff.jpg | data/raw/images/oriental/2015 | A sarong, typical Khmer garment called sampot. The long tube like cotton garment worn as a skirt for everyday wear. The fabric is sewn with a sewing machine simply connecting two edges with white thread. The cloth would have been originally white, after dyed using batik (probably) technique creating an intricate design in vivid and bright colours. The fabric is mainly pink with elaborate borders along the edges. The curvy white border with orange framing decorated with a repeating design of a silhouette of a chick or other small bird standing near the stone and leaves in pink, green, orange and white colours. The border is separated from the edge by thin horizontal stripes in orange and black and a toothed like short vertical black stripes. The main section of the sarong decorated with repeating ornaments of birds and flowers. There are three kinds of birds: a couple of birds perching on stems of fantastic flowers; a lonely bird pecking grass; flying bird. All the birds are depicted very accurately with multi-coloured feathers and extremely long tails in yellow, red, green, purple, white and black colours. There is a wide ornamental section close to the seam consisting of black vertical borders with a repeating pattern of a bird sitting on a branch framing geometrical pattern of crossing black and orange stripes with a line of protruding triangles with flowers inside on both sides in bright colours as the rest of the garment. A printed label is located at the top of sarong near the above described ornamental section. Inside the red triangle shaped label a carriage with a horse, a rider with horsewhip and a passenger with an umbrella are depicted in white with inscription below "No 222". An angle like tear had been patched up with white threads near the ornamental section in the middle. | 360sarongs
| null | cotton | 20th century | Cambodia | data/processed/OM_images_white/oriental/2015 |
|
durom.1979.79 | 1979.79 rr.jpg | data/raw/images/oriental/1979 | Bronze Shiva figurine. Shiva rides on a turtle and has four arms, three of which are holding objects including: a stick with a snake head, a small staff, a ball. Each arm has bangles in a silver metal attached. Behind Shiva is a five-headed snake, a Nagakal. | 245figures
| null | bronze | null | South India | data/processed/OM_images_white/oriental/1979 |
|
durom.1971.34.7 | 1971.34.7-ff.jpg | data/raw/images/oriental/1971 | One of a set of nine panels of varying length, with upper and lower plain borders, each 9cm in width. The panels came from a balcony of either a Burmese royal temple or monastery. Depicts popular stories. The stories are the Vidhura Pandita Jataka, the Ramayana and the U-Tain Zat. | 349reliefs
| null | null | null | Myanmar | data/processed/OM_images_white/oriental/1971 |
|
durom.1974.29.56 | 1974.29.56.jpg | data/raw/images/oriental/1974 | Tibetan wood block print-GURU TSOKEY DORJE, a form of Guru Rinpoche. He is seated on a floating lotus throne with Vajradahara in the Yab Yum position on his p. right and Ye She Tsogyal on his p. left. Yeshe Tsogyal was a princess who deserted her Kingdom to follow the guru. She compiled the Tibetan Book of the Great Liberation and hid it away in a cave. The scene behind the individuals shows the Himalayas and a body of water. | 138Woodblock Print
| null | paper | null | Tibet Autonomous Region (China) | data/processed/OM_images_white/oriental/1974 |
|
durom.1968.148 | 1968.148 bb.jpg | data/raw/images/oriental/1968 | egg-shell porcelain teapot decorated with storks on a monochrome-glazed background imitating the texture of paper. Tekizan mark. Satsuma ware. Ise-banko ware. Made for export. | 413teapots
| null | porcelain | Edo Period | Japan (country) | data/processed/OM_images_white/oriental/1968 |
|
durom.2002.16.40 | 2002.16.40.jpg | data/raw/images/oriental/2002 | Title: 'Artisan Straw'. Depicts an open room and a courtyard. Lying in the room is an old man wearing a brown kimono with a leaf in his right hand and a white band around his head. In the yard is a woman carrying a bucket in her left hand and a bowl in her right hand. Behind the house is a tree with red flowers. | 138Woodblock Print
| null | Japanese paper | Edo Period | Japan (country) | data/processed/OM_images_white/oriental/2002 |
|
durom.1962.155 | 1962.155.jpg | data/raw/images/oriental/1962 | Kalighat painting, part of a set showing aspects of Hindu mythology and individual Hindu gods. A Parashurama, killing the Kshatriyas. Parashurama is the 6th incarnation of the Hindu god Vishnu. | 316paintings
| null | Ink and Colour on Paper | null | West Bengal State | data/processed/OM_images_white/oriental/1962 |
|
durom.1976.199 | 1976.199-ll.jpg | data/raw/images/oriental/1976 | A rabbit in kimono holding a paddle in the boat. | 310netsukes
| Netsuke | ivory | Meiji Period | Japan (country) | data/processed/OM_images_white/oriental/1976 |
|
durma.2014.2.95 | durma.2014.2.95.ff.jpg | data/raw/images/fulling_mill/2014 | One jawbone - possibly sheep - with 3 teeth still in place | 6Animal bone
| null | bone | Post-Medieval | null | data/processed/OM_images_white/fulling_mill/2014 |
|
durom.2006.25 | 2006.25-bb.jpg | data/raw/images/oriental/2006 | Music CD. The disc is in a clear fronted plastic CD case, with a printed paper insert depicting 7 people in Mongolian dress holding instruments in front of a mountainous landscape. The back of the box has a paper insert printed with a continuation of the landscape and a list of the tracks and running times.The front of the disc is printed in blue with text in black and white. | 218compact discs
| null | aluminum | null | Ulaanbaatar | data/processed/OM_images_white/oriental/2006 |
|
eg3151 | eg3151 ll.jpg | data/raw/images/egyptian/eg | Green pataikos Figure. Dwarf figure, naked, skull cap with suspension loop on back. | 145amulets
| pataikos amulet | faience | null | Egypt | data/processed/OM_images_white/egyptian/eg |
|
durom.1967.20 | 1967.20.jpg | data/raw/images/oriental/1967 | brocade tapesty in frame, scene depicts two dieties from the Water Margin. On gauze. | 111Screen
| null | gauze | null | China | data/processed/OM_images_white/oriental/1967 |
|
durom.2011.3 | 2011.3-d1.jpg | data/raw/images/oriental/2011 | Silver Dirham; period of Yazid II/Hisham; mint of Dimashq (Damascuso) | 216coins
| Dirham | silver | Umayyad Dynasty | Dimashq Mint | data/processed/OM_images_white/oriental/2011 |
|
durma.2020.1.9 | durma.2020.1.9.ff.jpg | data/raw/images/fulling_mill/2020 | A medieval worked bone needle fragment, made from a large cattle/horse long bone. The bone has been shaped by shaving the surface lengthwise, then working the tip further to obtain a sharp point; the shaving planes are still visible. Without the top part of the object it is impossible to confirm its function, however it is likely that this was a needle. Until the general introduction of buttons, bone needles with un‐pierced heads were commonly used for fastening loose clothing (such as cloaks and tunics). From the Roman period onwards they were also used as hair pins. Needles with pierced heads or eyes were used to thread coarse materials (MacGregor 1985, 113). | 309needles
| null | bone | Medieval and post-medieval | null | data/processed/OM_images_white/fulling_mill/2020 |
|
durma.2020.3.118 | durma.2020.3.118-ff.jpg | data/raw/images/fulling_mill/2020 | A Roman copper-alloy repousse plate brooch dating to the late second or early third century AD, part of the Piercebridge River Collection. The brooch consists of a circular plate with applied repousse disc with stamped decoration. The decoration comprises circumferential beaded rim and a central triskele motif. On the underside of the brooch, there are two perforated semi-circular lugs for securing the pin, a fragment of which is in situ. The catchplate is rectangular. The brooch plate has a diameter of 21mm and is a maximum of 1mm thick. The brooch weighs 3.2g. Mackreth (2011, 155) suggests a date between AD 150 and AD 250 with a distribution spreading through the 'south from east to west...it seems to be absent from the Midlands and the Marches, in fact, it only appears in the north on military sites. This may reflect on the dating: there appears to be none from the Antonine Wall but plenty at South Shields....the distribution aids the limited dating evidence: one should take it that the large number from South Shields belong to the strongly attested Severan occupation.' | 182brooches
| repousse plate brooch | copper alloy | Roman | null | data/processed/OM_images_white/fulling_mill/2020 |
|
durom.1968.163 | 1968.163-rr.jpg | data/raw/images/oriental/1968 | Copper-based flower-pot in octangle shape, filled in and painted with enamel colours of figurine design, Painted Falang Enamel ware. The folded rim is painted with peach design on the surface and classic scrolls on the sides. The body, four large panels: one painted with a man and a woman walking towards a bridge in a mountain landscape; one painted with a man fishing by a pine tree and a boy attendant carrying a fish basket aside; one painted with a bearded old man and a boy sitting under a pine tree; the last one painted with a lady sitting by a large peony branch and a boy sitting in front of her, holding a vase. The large panels are topped with a bat. Between the large panels there are small panels decorated with flowers including plum blossom, bamboo, peach, peony, lotus and promegrante. All the panels are decorated with lotus panels at the base. The pot stands on four feet which are decorated with fret on the outside. The ridges of the pot are bound with copper. | 337pots
| 铜胎画珐琅人物故事图八方盆 | metal | Qing | China | data/processed/OM_images_white/oriental/1968 |
|
durom.1977.97.38 | durom.1977.97.38-ss.jpg | data/raw/images/oriental/1977 | Pith painting depicting a woman (not a man) performing acrobatics. The woman wears pink jackets with a blue belt tied around the waist and green trousers. Wearing trousers and big feet indicates that the woman is a labour worker. She is balancing a plate with flowers on. Made for export. | 98Pith Painting
| 通草画 | Watercolour on Rice Paper | Qing | Guangzhou | data/processed/OM_images_white/oriental/1977 |
|
durma.2020.3.1335 | durma.2020.3.1335.ff.jpg | data/raw/images/fulling_mill/2020 | A copper-alloy Roman radiate of an uncertain ruler dating to the period AD 260 to 275 (Reece period 13), part of the Piercebridge River Assemblage. Obverse radiate head facing right, legend illegible. Reverse figure left, legend illegible. Mint unclear._x000D__x000D_
_x000D__x000D_
Portable Antiquities Scheme Record-https://finds.org.uk/database/artefacts/record/id/517313_x000D__x000D_
| 216coins
| null | metal | Roman | null | data/processed/OM_images_white/fulling_mill/2020 |
|
durom.1969.333 | 1969.333-d5.jpg | data/raw/images/oriental/1969 | unglazed grey earthernware model of a pigsty. Rectangular with L-shaped roffed shed and a walled courtyard, model standing on a flat base. Roofed section has 2 large doors leading outside and one mushroom-shaped feeding hole at floor level. The wall decorated with incised design to imitate the carpentry technique of the walls built of wood, the ridged roof carved to simulate lines of roof tiles. Traces of red pigment on roof. | 133Tomb Model
| 灰陶舍 | earthenware | Han dynasty | Henan Province | data/processed/OM_images_white/oriental/1969 |
|
durom.2000.8 | 2000.8 ll.jpg | data/raw/images/oriental/2000 | side chair, with high back, apron and supports. The back is carved with iris flowers and leaves, with circular solid seat and cushion in gold and pastel colours. | 201chairs
| null | hardwood | Edo Period | Japan (country) | data/processed/OM_images_white/oriental/2000 |
|
durom.1962.114 | 1962.114-d26.jpg | data/raw/images/oriental/1962 | Handscroll painting depicting the Taishokan tale, ink, colours and gold on paper, seal of Fujiwara Yukinaga, 19th century? | 368scrolls
| emakimono | Japanese paper | Momoyama Period | Japan (country) | data/processed/OM_images_white/oriental/1962 |
|
durom.1964.537 | durom.1964.537-ff.jpg | data/raw/images/oriental/1964 | Jug, restored from fragments, reddish colour, with one handle (reconstructed). | 285jugs
| null | pottery | Early Bronze Age III | Jericho | data/processed/OM_images_white/oriental/1964 |
|
eg2239 | eg2239.d4.jpg | data/raw/images/egyptian/eg | small jar with flat base and oviform body, no neck, recurved flat lip, and two small lug handles. Looks like an imitation of a stone vessel. White ware. | 282jars
| jar | pottery | null | Egypt | data/processed/OM_images_white/egyptian/eg |
|
durma.2014.1.211 | durma.2014.1.211-d1.jpg | data/raw/images/fulling_mill/2014 | 21 sherds are probably half oyster shells - they all have some mother-of-peral inside. Most have some depth but a few are almost flat and their sizes vary as does their completeness. The exteriors vary in colour from sandy to stone-colour to almost white. Some have barnacles on the exterior of the shell. Some have ridges, a few are slightly frilly, and some have marks more like contours._x000D__x000D_
1 complete oyster with both shells firmly fixed together_x000D__x000D_
6 cockle shells - brown but some are encrusted_x000D__x000D_
3 small oyster flakes | 375shell
| null | shell | 18th century | null | data/processed/OM_images_white/fulling_mill/2014 |
|
durom.1999.19 | 1999.19-d2.jpg | data/raw/images/oriental/1999 | main figure probably Palden Lhamo or Vajrapani form of Garuda in Alidha asara, holds Vajra or Dorje in right hand, grasps a serpent which he chews in his right. Although this form usually is winged and beaked, the heavy emphasis on serpents which are trampled underfoot points towards garuda. Another possibility is that this is a Bon tradition thangka and that this is the Khyung, one of the sacred animals of the pre-Buddhist religion. This might account for the unusual form. 2 white garudas/khyungs and on eblue appear above the arms and the head of the mian figure. Bottom left, naked form wrathful protector rides on bear? Holds staff in right hand and skull cup in left. Body is covered with eyes. Middle tantric form of five sense offerings in skull cup-tongue (taste), eyes (sight), ears (hearing), heart and blood (touch and smell?). Cover still attached to the front | 131Thangka
| thangka | cotton | null | Tibet Autonomous Region (China) | data/processed/OM_images_white/oriental/1999 |
|
durom.1969.181 | durom.1969.181-h2.jpg | data/raw/images/oriental/1969 | Porcelain dish in petal shape, decorated with underglaze green, yellow and aubergine pigmentsl in Plain Three-colour style on a white ground. The dish is part of a set of "Zanpan" (Chinese: 攒盘), meaning a set of dishes designed to be assemble into a bigger shape. | 228dishes
| 素三彩人物攒盘 | porcelain | Kangxi | Jingdezhen | data/processed/OM_images_white/oriental/1969 |
|
durom.2001.126.1 | 2001.126.1 d4.jpg | data/raw/images/oriental/2001 | Two brass three-sided boxes fitting together to create a closed box. Containing one six-sided dice. Confiscated by the Malayan Police in 1952. | 101Poh Kam
| null | brass | null | China | data/processed/OM_images_white/oriental/2001 |
|
durom.1979.35 | 1979.35.1 d1.jpg | data/raw/images/oriental/1979 | Pair of silver pierced work betal nut boxes. | 19Box
| chimbul | silver | null | Malaysia | data/processed/OM_images_white/oriental/1979 |
|
durom.1969.214 | 1969.214-tt.jpg | data/raw/images/oriental/1969 | Porcelain bowl decorated with the graviata technique (Chinese: 轧道, pinyin:Yadao). | 177bowls
| 乾隆款轧道绿地粉彩梅花纹撇口碗 | porcelain | Qianlong | South China | data/processed/OM_images_white/oriental/1969 |
|
durom.1975.8 | 1975.8.v.jpg | data/raw/images/oriental/1975 | 29 white paper talismans with red writing/designs, two of which (8h and 8ac) seem to be identical. | 405talismans
| null | paper | null | Korean peninsula | data/processed/OM_images_white/oriental/1975 |
|
eg2547 | eg2547-d4.jpg | data/raw/images/egyptian/eg | ring with oval bezel containing the throne name of Amenhotep IV/Akhenaten | 351rings
| ring (seal) | bronze | Amenhotep IV/Amenophis IV/Neferkheperure/Akhenaten | Egypt | data/processed/OM_images_white/egyptian/eg |
|
durom.2015.340.30 | durom.2015.340.30-bb.jpg | data/raw/images/oriental/2015 | Vertical Japanese sepia coloured postcard with an image of three samurai soldiers on the front. This postcard is meant to give a visual account of Kusunoki Masatsura with his father and brother during Japan's Nanbokucho Wars in the 14th Century CE. The scene depicts Kusunoki Masatsura dressed in full samurai armour and weaponry stood in what appears to be a shrine on the right side of the postcard. The shrine is in a traditional style building with wooden doors at the front and stairs leading up to it. On the left of the page is the father of Kusunoki Masatsura who is stood holding a bow in one hand and his helmet in the other hand. There is a large white banner behind him in front of a horse. The horse appears to be white in colour with bridle and saddle present and the brother of Kusunoki Masatsura stood behind him. There are several lines of Japanese Hiragana and Kanji on the front of the piece and the title 'Kusunoki Masatsura' written near the centre of the image. The message to the recipient is handwritten on the front of the card and reads 'Happy New Year. I wish your health. T. Moriyama from Kumamato'. _x000D__x000D_
_x000D__x000D_
On the reverse is a blue border with Japanese hiragana and kanji in a cartouche at the top of the postcard with the words 'Carte Postale' written in English below it. There is a handwritten here message written in Japanese Hiragana and Kanji on the right side of the card. Seal impression in the top left corner is indistinguishable. | 335postcards
| null | cards | Meiji Period | Japan (country) | data/processed/OM_images_white/oriental/2015 |
|
durom.1964.9 | 1964.9.09-ff.jpg | data/raw/images/oriental/1964 | Miniature album of 22 devotional pictures of Shri Nathji, a form of the Hindu god Krishna, with inscriptions of Devanagari script. | 142albums
| null | Opaque Watercolour on Paper | null | Rajasthan State | data/processed/OM_images_white/oriental/1964 |
|
durma.2020.1.2 | durma.2020.1.2.ph1.jpg | data/raw/images/fulling_mill/2020 | One reduced greenware (3/4 type) pottery handle sherd and 13 smaller reduced greenware (3/4 type) pottery sherds. This early glazed ware dates from the 14th or very early 15th century. The external glaze is of a green/grey colour, with quite a gritty fabric. Many of the smaller sherds have a darker grey/black internal slip, with one having a lighter white slip and one with a red rusty coloured slip. | 338pottery
| null | pottery | Medieval and post-medieval | null | data/processed/OM_images_white/fulling_mill/2020 |
|
durma.2020.3.1837 | durma.2020.3.1837.ff.jpg | data/raw/images/fulling_mill/2020 | A Roman silver denarius of Julia Domna dating to the period AD 196 to 211 (Reece period 10), part of the Piercebridge River Assemblage. Obverse draped bust facing right, legend reads IVLIA AVGVSTA. Reverse Felicitas standing left, holding caduceus and sceptre, legend reads FELICITAS. In Roman religion Felicitas was the goddess of good luck._x000D__x000D_
_x000D__x000D_
Mint of Rome. RIC IV, Pt I, p. 167, no. 551._x000D__x000D_
_x000D__x000D_
Portable Antiquities Scheme Record-https://finds.org.uk/database/artefacts/record/id/421779_x000D__x000D_
| 216coins
| null | metal | Roman | Rome | data/processed/OM_images_white/fulling_mill/2020 |
|
durom.1960.2320 | durom.1960.2320-uu.jpg | data/raw/images/oriental/1960 | Green snuff bottle carved as a toad, with carved wood stand, red stopper with spoon. | 385snuff bottles
| null | jade | Qing | China | data/processed/OM_images_white/oriental/1960 |
|
eg2261 | eg2261-uu.jpg | data/raw/images/egyptian/eg | 20th century, Art Deco, Egyptian revival, Neiger, green glass sarcophagus / mummy bead / pendant. Miniature Ancient Egyptian anthropoid sarcophagus shape. Mirrored design. Geometric Art Deco patterns. Genuine, stylised and fake hieroglyphs. | 165beads
| bead | glass | null | Jablonec nad Nisou | data/processed/OM_images_white/egyptian/eg |
|
durom.1954.spalding76 | 1954.spalding76-ll.jpg | data/raw/images/oriental/1950s | Carved stone cow, suckling its calf, painted in red, black and gilt. A representation of Kamadhenu (Kamadhenu) also known as Surabhi, the divine bovine-goddess known as the 'mother of all cows'. | 245figures
| null | soapstone | null | India | data/processed/OM_images_white/oriental/1950s |
|
durom.1951.14 | 1951.14-bb.jpg | data/raw/images/egyptian/1951 | coptic ostracon, written on recto only. Pottery ridged with white/gray slip on outside | 85Ostraka
| ostracon | pottery | Christian Period | Egypt | data/processed/OM_images_white/egyptian/1951 |
|
durom.1960.4.125 | 1960.4.125.jpg | data/raw/images/oriental/1960 | Extensive collection of slides and glass plates(?). A black and white image of a tower or spire. | 118Slide
| null | glass | null | India | data/processed/OM_images_white/oriental/1960 |
|
durom.1978.104 | durom.1978.104-tt.jpg | data/raw/images/oriental/1978 | Green jade vase with lid and loose ring handles. | 433vases
| null | jade | null | China | data/processed/OM_images_white/oriental/1978 |
|
durom.1972.6.92 | 1972.6.92.jpg | data/raw/images/oriental/1972 | From a book of 100 colour photographs, illustrations of places in Japan. Tinted photograph of the interior of an open fronted shop, with a display of goods for sale. | 325photographs
| null | paper | Meiji Period | Japan (country) | data/processed/OM_images_white/oriental/1972 |
|
durom.2015.385.2 | durom.2015.385.2-d3.jpg | data/raw/images/oriental/2015 | Vietnamese ceramic incense holder or container with a blue and white glazed decoration to the surface. The container is round and squat in shape with straight sides that go inwards to a smaller foot. The lip of the container is rounded and curves inwards. On the sides of the container are two dragons with a flaming pearl of wisdom suspended in the air between them, which is itself decorated with the ying and yang symbol. There is a geometric border along the top edge of the container and a wave design along the bottom edge. There is a water motif underneath the pearls, which is often found on dragon robes. Clouds and other scroll motifs are depicted around the dragons. There is a maker's mark on the base of the vase, which consists of a red lotus shape with green leaves underneath it. | 63Incense Holder
| null | ceramic | null | Vietnam | data/processed/OM_images_white/oriental/2015 |
|
durom.2016.103.1 | 2016.103.1 rr.jpg | data/raw/images/oriental/2016 | Japanese pourer or sencha water cooler (yuzamashi). Blue and white porcelain pourer with shaped spout and handle with moulded thumb piece. The body decorated with the three friends of winter design including the plum blossom, pine and bamboo, and the rim is highlighted with 2 thin blue lines. The foot is decorated with a recurring crenulation pattern in blue. Maker's stamp in the underside of the foot surrounded by a thin blue line around the edge. Pourer housed in a dark blue textile box with toggle to secure the lid and cream coloured textile lined interior. | 285jugs
| null | porcelain | null | Japan (country) | data/processed/OM_images_white/oriental/2016 |
|
eg2735 | eg2735-uu.jpg | data/raw/images/egyptian/eg | apple green faience object, possibly a basket, in open work design. Curved base, sides sloping in to the top, made of striaght and wavy lines, two loop handles at the top | 145amulets
| faience basket | faience | Late Period | Egypt | data/processed/OM_images_white/egyptian/eg |
|
durom.1953.224 | 1953.224-bb.jpg | data/raw/images/egyptian/1953 | long spouted lamp, mould made in red polished pottery, with small lug handle on one side. Spout is blackened from use? Decorated with incised lines falring from central well and four 'buds' along the front of the well. | 290lamps
| lamp | pottery | Roman Period | Egypt | data/processed/OM_images_white/egyptian/1953 |
|
durom.2001.9 | 2001.9 d6.jpg | data/raw/images/oriental/2001 | Chinese tangram puzzle and box of ivory. 7 pieces counted in puzzle plus box and lid | 407tangrams
| null | ivory | Qing | Guangzhou | data/processed/OM_images_white/oriental/2001 |
|
durom.1974.29.46 | 1974.29.46.jpg | data/raw/images/oriental/1974 | Tibetan wood block print Lign Kesar, a famous cultural hero of Tibet who was canonised as a saint and is revered amongst the ranks of the Guardians of the Dharma. He is shown riding on op of a horse amongst the clouds. He holds the reigns for the horse in one hand and an elaborate horse whip in the other with three leather thongs at the end of the whip. He wears an elaborate, tall headdress on top of his head with trailing fabric going behind him. | 138Woodblock Print
| null | paper | null | Tibet Autonomous Region (China) | data/processed/OM_images_white/oriental/1974 |
|
durom.1969.496 | 1969.496-bb.jpg | data/raw/images/oriental/1969 | Porcelain vase, decorated with overglaze enamel coloura in Falangcai style of Lingzhi fungus designs; modern. | 433vases
| 雍正款珐琅彩灵芝纹瓶 | porcelain | Republic of China | China | data/processed/OM_images_white/oriental/1969 |
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