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|---|---|---|---|---|---|---|---|---|---|
2,515durom.370
| 370 ll.jpg | data/raw/images/oriental/0000 | Wooden figure of a man riding on a cream/brown coloured horse. One hand is depicted holding the reigns at the side of the head whilst the other is depicted in a fist down at the side. The paint is discoloured all over with some dirt in the grooves. The horse is cream/brown in colour with a red saddle and green reigns. The man is wearing a red and black tunic with a gold collar. He wears a hat on his head with a partial metal spike attached here and poking out. | figures | null | wood | null | China |
|
2,515durom.370
| 370 ll.jpg | data/raw/images/oriental/0000 | Wooden figure of a man riding on a cream/brown coloured horse. One hand is depicted holding the reigns at the side of the head whilst the other is depicted in a fist down at the side. The paint is discoloured all over with some dirt in the grooves. The horse is cream/brown in colour with a red saddle and green reigns. The man is wearing a red and black tunic with a gold collar. He wears a hat on his head with a partial metal spike attached here and poking out. | figures | null | wood | null | China |
|
2,515durom.370
| 370 ll.jpg | data/raw/images/oriental/0000 | Wooden figure of a man riding on a cream/brown coloured horse. One hand is depicted holding the reigns at the side of the head whilst the other is depicted in a fist down at the side. The paint is discoloured all over with some dirt in the grooves. The horse is cream/brown in colour with a red saddle and green reigns. The man is wearing a red and black tunic with a gold collar. He wears a hat on his head with a partial metal spike attached here and poking out. | figures | null | wood | null | China |
|
2,515durom.370
| 370 ll.jpg | data/raw/images/oriental/0000 | Wooden figure of a man riding on a cream/brown coloured horse. One hand is depicted holding the reigns at the side of the head whilst the other is depicted in a fist down at the side. The paint is discoloured all over with some dirt in the grooves. The horse is cream/brown in colour with a red saddle and green reigns. The man is wearing a red and black tunic with a gold collar. He wears a hat on his head with a partial metal spike attached here and poking out. | figures | null | wood | null | China |
|
2,515durom.370
| 370 ll.jpg | data/raw/images/oriental/0000 | Wooden figure of a man riding on a cream/brown coloured horse. One hand is depicted holding the reigns at the side of the head whilst the other is depicted in a fist down at the side. The paint is discoloured all over with some dirt in the grooves. The horse is cream/brown in colour with a red saddle and green reigns. The man is wearing a red and black tunic with a gold collar. He wears a hat on his head with a partial metal spike attached here and poking out. | figures | null | wood | null | China |
|
1,164durom.1969.335
| 1969.335-uu.jpg | data/raw/images/oriental/1969 | Pocelain dish, decorated with overglaze enamel colours in famille rose style and partly gilt, Canton Enamel ware. The dish is hexagonal with folded and fluted sides. The well, painted with a domestic scene with three adult figures and a child: the master and mistress-a woman and a man dressed in Manchu style on the right standing next to a window, and the woman is holding a child in her hands; on the left, a female attendant standing by the door as if she is looking at the viewer from the back of the door. There is a square table among the figures, on the top of which there are teapot sets, a fan, and a flower basket. Outside the window there is a landscape with house, mountains, birds, and trees. There is a band of twinning scrolls around the corner where the sides fold. The interior of the sides are decorated with Trellis pattern; there is a border of key fret around the rim. Export ware. | dishes | 广彩清装人物图六方碟 | porcelain | Qianlong | Guangdong Province |
|
1,164durom.1969.335
| 1969.335-uu.jpg | data/raw/images/oriental/1969 | Pocelain dish, decorated with overglaze enamel colours in famille rose style and partly gilt, Canton Enamel ware. The dish is hexagonal with folded and fluted sides. The well, painted with a domestic scene with three adult figures and a child: the master and mistress-a woman and a man dressed in Manchu style on the right standing next to a window, and the woman is holding a child in her hands; on the left, a female attendant standing by the door as if she is looking at the viewer from the back of the door. There is a square table among the figures, on the top of which there are teapot sets, a fan, and a flower basket. Outside the window there is a landscape with house, mountains, birds, and trees. There is a band of twinning scrolls around the corner where the sides fold. The interior of the sides are decorated with Trellis pattern; there is a border of key fret around the rim. Export ware. | dishes | 广彩清装人物图六方碟 | porcelain | Qianlong | Guangdong Province |
|
1,164durom.1969.335
| 1969.335-uu.jpg | data/raw/images/oriental/1969 | Pocelain dish, decorated with overglaze enamel colours in famille rose style and partly gilt, Canton Enamel ware. The dish is hexagonal with folded and fluted sides. The well, painted with a domestic scene with three adult figures and a child: the master and mistress-a woman and a man dressed in Manchu style on the right standing next to a window, and the woman is holding a child in her hands; on the left, a female attendant standing by the door as if she is looking at the viewer from the back of the door. There is a square table among the figures, on the top of which there are teapot sets, a fan, and a flower basket. Outside the window there is a landscape with house, mountains, birds, and trees. There is a band of twinning scrolls around the corner where the sides fold. The interior of the sides are decorated with Trellis pattern; there is a border of key fret around the rim. Export ware. | dishes | 广彩清装人物图六方碟 | porcelain | Qianlong | Guangdong Province |
|
1,164durom.1969.335
| 1969.335-uu.jpg | data/raw/images/oriental/1969 | Pocelain dish, decorated with overglaze enamel colours in famille rose style and partly gilt, Canton Enamel ware. The dish is hexagonal with folded and fluted sides. The well, painted with a domestic scene with three adult figures and a child: the master and mistress-a woman and a man dressed in Manchu style on the right standing next to a window, and the woman is holding a child in her hands; on the left, a female attendant standing by the door as if she is looking at the viewer from the back of the door. There is a square table among the figures, on the top of which there are teapot sets, a fan, and a flower basket. Outside the window there is a landscape with house, mountains, birds, and trees. There is a band of twinning scrolls around the corner where the sides fold. The interior of the sides are decorated with Trellis pattern; there is a border of key fret around the rim. Export ware. | dishes | 广彩清装人物图六方碟 | porcelain | Qianlong | Guangdong Province |
|
1,164durom.1969.335
| 1969.335-uu.jpg | data/raw/images/oriental/1969 | Pocelain dish, decorated with overglaze enamel colours in famille rose style and partly gilt, Canton Enamel ware. The dish is hexagonal with folded and fluted sides. The well, painted with a domestic scene with three adult figures and a child: the master and mistress-a woman and a man dressed in Manchu style on the right standing next to a window, and the woman is holding a child in her hands; on the left, a female attendant standing by the door as if she is looking at the viewer from the back of the door. There is a square table among the figures, on the top of which there are teapot sets, a fan, and a flower basket. Outside the window there is a landscape with house, mountains, birds, and trees. There is a band of twinning scrolls around the corner where the sides fold. The interior of the sides are decorated with Trellis pattern; there is a border of key fret around the rim. Export ware. | dishes | 广彩清装人物图六方碟 | porcelain | Qianlong | Guangdong Province |
|
1,915durom.2001.35.1
| 2001.35.1-ll.jpg | data/raw/images/oriental/2001 | Lacquered wooden box in black. Decorated with gold and brown painting of an Oriental landscape on the lid and floral patterns along the sides. Lid is attatched with hinges but one is missing. Lid is kept shut with a swinging brass clasp. The interior of the box is varnished. Kept inside are four little boxes that fit snugly inside, they are lacquered too and keep mother-of-pearl counters in them (see 2001.35.2/3/4/5). The containing big box is quite badly damaged, around the hinges, the clasp, the corners and the sides of the lid, the lacquer has cracked and chipped off. | Box | null | wood | Meiji Period | Japan (country) |
|
1,915durom.2001.35.1
| 2001.35.1-ll.jpg | data/raw/images/oriental/2001 | Lacquered wooden box in black. Decorated with gold and brown painting of an Oriental landscape on the lid and floral patterns along the sides. Lid is attatched with hinges but one is missing. Lid is kept shut with a swinging brass clasp. The interior of the box is varnished. Kept inside are four little boxes that fit snugly inside, they are lacquered too and keep mother-of-pearl counters in them (see 2001.35.2/3/4/5). The containing big box is quite badly damaged, around the hinges, the clasp, the corners and the sides of the lid, the lacquer has cracked and chipped off. | Box | null | wood | Meiji Period | Japan (country) |
|
1,915durom.2001.35.1
| 2001.35.1-ll.jpg | data/raw/images/oriental/2001 | Lacquered wooden box in black. Decorated with gold and brown painting of an Oriental landscape on the lid and floral patterns along the sides. Lid is attatched with hinges but one is missing. Lid is kept shut with a swinging brass clasp. The interior of the box is varnished. Kept inside are four little boxes that fit snugly inside, they are lacquered too and keep mother-of-pearl counters in them (see 2001.35.2/3/4/5). The containing big box is quite badly damaged, around the hinges, the clasp, the corners and the sides of the lid, the lacquer has cracked and chipped off. | Box | null | wood | Meiji Period | Japan (country) |
|
1,915durom.2001.35.1
| 2001.35.1-ll.jpg | data/raw/images/oriental/2001 | Lacquered wooden box in black. Decorated with gold and brown painting of an Oriental landscape on the lid and floral patterns along the sides. Lid is attatched with hinges but one is missing. Lid is kept shut with a swinging brass clasp. The interior of the box is varnished. Kept inside are four little boxes that fit snugly inside, they are lacquered too and keep mother-of-pearl counters in them (see 2001.35.2/3/4/5). The containing big box is quite badly damaged, around the hinges, the clasp, the corners and the sides of the lid, the lacquer has cracked and chipped off. | Box | null | wood | Meiji Period | Japan (country) |
|
1,915durom.2001.35.1
| 2001.35.1-ll.jpg | data/raw/images/oriental/2001 | Lacquered wooden box in black. Decorated with gold and brown painting of an Oriental landscape on the lid and floral patterns along the sides. Lid is attatched with hinges but one is missing. Lid is kept shut with a swinging brass clasp. The interior of the box is varnished. Kept inside are four little boxes that fit snugly inside, they are lacquered too and keep mother-of-pearl counters in them (see 2001.35.2/3/4/5). The containing big box is quite badly damaged, around the hinges, the clasp, the corners and the sides of the lid, the lacquer has cracked and chipped off. | Box | null | wood | Meiji Period | Japan (country) |
|
3,150eg749
| eg749-bb.jpg | data/raw/images/egyptian/eg | Phallic amulet, made from stone and bearing traces of paint. The amulet consists of a man seated or crouching with an outsized phallus. The figure was originally painted red, most of the paint has worn away to reveal the limestone underneath. The figure is quite detailed and the face remains many human features, he also appears to be wearing a pointed cap. The phallus extends away from the body and is anatomically detailed. Possibly circumcised. Structurally the piece is solid, the paint is very badly worn. | amulets | phallic amulet | limestone | Graeco-Roman Period | Egypt |
|
3,150eg749
| eg749-bb.jpg | data/raw/images/egyptian/eg | Phallic amulet, made from stone and bearing traces of paint. The amulet consists of a man seated or crouching with an outsized phallus. The figure was originally painted red, most of the paint has worn away to reveal the limestone underneath. The figure is quite detailed and the face remains many human features, he also appears to be wearing a pointed cap. The phallus extends away from the body and is anatomically detailed. Possibly circumcised. Structurally the piece is solid, the paint is very badly worn. | amulets | phallic amulet | limestone | Graeco-Roman Period | Egypt |
|
3,150eg749
| eg749-bb.jpg | data/raw/images/egyptian/eg | Phallic amulet, made from stone and bearing traces of paint. The amulet consists of a man seated or crouching with an outsized phallus. The figure was originally painted red, most of the paint has worn away to reveal the limestone underneath. The figure is quite detailed and the face remains many human features, he also appears to be wearing a pointed cap. The phallus extends away from the body and is anatomically detailed. Possibly circumcised. Structurally the piece is solid, the paint is very badly worn. | amulets | phallic amulet | limestone | Graeco-Roman Period | Egypt |
|
3,150eg749
| eg749-bb.jpg | data/raw/images/egyptian/eg | Phallic amulet, made from stone and bearing traces of paint. The amulet consists of a man seated or crouching with an outsized phallus. The figure was originally painted red, most of the paint has worn away to reveal the limestone underneath. The figure is quite detailed and the face remains many human features, he also appears to be wearing a pointed cap. The phallus extends away from the body and is anatomically detailed. Possibly circumcised. Structurally the piece is solid, the paint is very badly worn. | amulets | phallic amulet | limestone | Graeco-Roman Period | Egypt |
|
3,150eg749
| eg749-bb.jpg | data/raw/images/egyptian/eg | Phallic amulet, made from stone and bearing traces of paint. The amulet consists of a man seated or crouching with an outsized phallus. The figure was originally painted red, most of the paint has worn away to reveal the limestone underneath. The figure is quite detailed and the face remains many human features, he also appears to be wearing a pointed cap. The phallus extends away from the body and is anatomically detailed. Possibly circumcised. Structurally the piece is solid, the paint is very badly worn. | amulets | phallic amulet | limestone | Graeco-Roman Period | Egypt |
|
1,229durom.1969.534
| 1969.534.16.jpg | data/raw/images/oriental/1969 | An illuminated Divan, illustrated anthology of poems of Hafiz, copied by Muhammad Shah for Abd al Razzaq of Kashmir. The painted lacquer covers are contemporary. The end of the folio has inscriptions. At the top is '1270 AH/1854 AD' and a dedication to Abd al Razzaq. Below is '1271 AH/1855'. The painted lacquer covers are contemporary and are typical of Kashmiri work. | books | null | Ink and Opaque Watercolour on Paper | Mughal dynasty | null |
|
1,229durom.1969.534
| 1969.534.16.jpg | data/raw/images/oriental/1969 | An illuminated Divan, illustrated anthology of poems of Hafiz, copied by Muhammad Shah for Abd al Razzaq of Kashmir. The painted lacquer covers are contemporary. The end of the folio has inscriptions. At the top is '1270 AH/1854 AD' and a dedication to Abd al Razzaq. Below is '1271 AH/1855'. The painted lacquer covers are contemporary and are typical of Kashmiri work. | books | null | Ink and Opaque Watercolour on Paper | Mughal dynasty | null |
|
1,229durom.1969.534
| 1969.534.16.jpg | data/raw/images/oriental/1969 | An illuminated Divan, illustrated anthology of poems of Hafiz, copied by Muhammad Shah for Abd al Razzaq of Kashmir. The painted lacquer covers are contemporary. The end of the folio has inscriptions. At the top is '1270 AH/1854 AD' and a dedication to Abd al Razzaq. Below is '1271 AH/1855'. The painted lacquer covers are contemporary and are typical of Kashmiri work. | books | null | Ink and Opaque Watercolour on Paper | Mughal dynasty | null |
|
1,229durom.1969.534
| 1969.534.16.jpg | data/raw/images/oriental/1969 | An illuminated Divan, illustrated anthology of poems of Hafiz, copied by Muhammad Shah for Abd al Razzaq of Kashmir. The painted lacquer covers are contemporary. The end of the folio has inscriptions. At the top is '1270 AH/1854 AD' and a dedication to Abd al Razzaq. Below is '1271 AH/1855'. The painted lacquer covers are contemporary and are typical of Kashmiri work. | books | null | Ink and Opaque Watercolour on Paper | Mughal dynasty | null |
|
1,229durom.1969.534
| 1969.534.16.jpg | data/raw/images/oriental/1969 | An illuminated Divan, illustrated anthology of poems of Hafiz, copied by Muhammad Shah for Abd al Razzaq of Kashmir. The painted lacquer covers are contemporary. The end of the folio has inscriptions. At the top is '1270 AH/1854 AD' and a dedication to Abd al Razzaq. Below is '1271 AH/1855'. The painted lacquer covers are contemporary and are typical of Kashmiri work. | books | null | Ink and Opaque Watercolour on Paper | Mughal dynasty | null |
|
1,189durom.1969.399
| durom.1969.399-ff.jpg | data/raw/images/oriental/1969 | Stoneware lantern in the shape of a summerhouse, covered with blue-green glaze, Longquan ware. | lanterns | 龙泉窑青釉凉亭式灯罩 | celadon | Yuan dynasty | Zhejiang Province |
|
1,189durom.1969.399
| durom.1969.399-ff.jpg | data/raw/images/oriental/1969 | Stoneware lantern in the shape of a summerhouse, covered with blue-green glaze, Longquan ware. | lanterns | 龙泉窑青釉凉亭式灯罩 | celadon | Yuan dynasty | Zhejiang Province |
|
1,189durom.1969.399
| durom.1969.399-ff.jpg | data/raw/images/oriental/1969 | Stoneware lantern in the shape of a summerhouse, covered with blue-green glaze, Longquan ware. | lanterns | 龙泉窑青釉凉亭式灯罩 | celadon | Yuan dynasty | Zhejiang Province |
|
1,189durom.1969.399
| durom.1969.399-ff.jpg | data/raw/images/oriental/1969 | Stoneware lantern in the shape of a summerhouse, covered with blue-green glaze, Longquan ware. | lanterns | 龙泉窑青釉凉亭式灯罩 | celadon | Yuan dynasty | Zhejiang Province |
|
1,189durom.1969.399
| durom.1969.399-ff.jpg | data/raw/images/oriental/1969 | Stoneware lantern in the shape of a summerhouse, covered with blue-green glaze, Longquan ware. | lanterns | 龙泉窑青釉凉亭式灯罩 | celadon | Yuan dynasty | Zhejiang Province |
|
1,799durom.1995.89
| 1995.89-uu.jpg | data/raw/images/oriental/1995 | cream and brown nephrite jade vessell in the form of a Cong | Brush Pot | 琮式玉笔筒 | nephrite | Ming-Qing dynasty | China |
|
1,799durom.1995.89
| 1995.89-uu.jpg | data/raw/images/oriental/1995 | cream and brown nephrite jade vessell in the form of a Cong | Brush Pot | 琮式玉笔筒 | nephrite | Ming-Qing dynasty | China |
|
1,799durom.1995.89
| 1995.89-uu.jpg | data/raw/images/oriental/1995 | cream and brown nephrite jade vessell in the form of a Cong | Brush Pot | 琮式玉笔筒 | nephrite | Ming-Qing dynasty | China |
|
1,799durom.1995.89
| 1995.89-uu.jpg | data/raw/images/oriental/1995 | cream and brown nephrite jade vessell in the form of a Cong | Brush Pot | 琮式玉笔筒 | nephrite | Ming-Qing dynasty | China |
|
1,799durom.1995.89
| 1995.89-uu.jpg | data/raw/images/oriental/1995 | cream and brown nephrite jade vessell in the form of a Cong | Brush Pot | 琮式玉笔筒 | nephrite | Ming-Qing dynasty | China |
|
676durom.1960.3816
| durom.1960.3816-ff.jpg | data/raw/images/oriental/1960 | carving of a crab on white marine growth and 3 dark grey shells | figures | null | jade | null | China |
|
676durom.1960.3816
| durom.1960.3816-ff.jpg | data/raw/images/oriental/1960 | carving of a crab on white marine growth and 3 dark grey shells | figures | null | jade | null | China |
|
676durom.1960.3816
| durom.1960.3816-ff.jpg | data/raw/images/oriental/1960 | carving of a crab on white marine growth and 3 dark grey shells | figures | null | jade | null | China |
|
676durom.1960.3816
| durom.1960.3816-ff.jpg | data/raw/images/oriental/1960 | carving of a crab on white marine growth and 3 dark grey shells | figures | null | jade | null | China |
|
676durom.1960.3816
| durom.1960.3816-ff.jpg | data/raw/images/oriental/1960 | carving of a crab on white marine growth and 3 dark grey shells | figures | null | jade | null | China |
|
3DUROM.1954.Spalding29.W
| 1954.spalding29.f tt.jpg | data/raw/images/oriental/1950s | null | null | null | null | null | null |
|
3DUROM.1954.Spalding29.W
| 1954.spalding29.f tt.jpg | data/raw/images/oriental/1950s | null | null | null | null | null | null |
|
3DUROM.1954.Spalding29.W
| 1954.spalding29.f tt.jpg | data/raw/images/oriental/1950s | null | null | null | null | null | null |
|
3DUROM.1954.Spalding29.W
| 1954.spalding29.f tt.jpg | data/raw/images/oriental/1950s | null | null | null | null | null | null |
|
3DUROM.1954.Spalding29.W
| 1954.spalding29.f tt.jpg | data/raw/images/oriental/1950s | null | null | null | null | null | null |
|
1,488durom.1977.82
| durom.1977.82-d3.jpg | data/raw/images/oriental/1977 | lacquered wooden figure of a demon (Oni) with red coloured flesh, tiger fur effect leg warmers and skirt, shoulder and back covering decorated with dragons among clouds. The demon has three fingered hands and three toed feet. He has inlaid eyes, two short horns and short bristly hair attached. | figures | null | wood | null | Japan (country) |
|
1,488durom.1977.82
| durom.1977.82-d3.jpg | data/raw/images/oriental/1977 | lacquered wooden figure of a demon (Oni) with red coloured flesh, tiger fur effect leg warmers and skirt, shoulder and back covering decorated with dragons among clouds. The demon has three fingered hands and three toed feet. He has inlaid eyes, two short horns and short bristly hair attached. | figures | null | wood | null | Japan (country) |
|
1,488durom.1977.82
| durom.1977.82-d3.jpg | data/raw/images/oriental/1977 | lacquered wooden figure of a demon (Oni) with red coloured flesh, tiger fur effect leg warmers and skirt, shoulder and back covering decorated with dragons among clouds. The demon has three fingered hands and three toed feet. He has inlaid eyes, two short horns and short bristly hair attached. | figures | null | wood | null | Japan (country) |
|
1,488durom.1977.82
| durom.1977.82-d3.jpg | data/raw/images/oriental/1977 | lacquered wooden figure of a demon (Oni) with red coloured flesh, tiger fur effect leg warmers and skirt, shoulder and back covering decorated with dragons among clouds. The demon has three fingered hands and three toed feet. He has inlaid eyes, two short horns and short bristly hair attached. | figures | null | wood | null | Japan (country) |
|
1,488durom.1977.82
| durom.1977.82-d3.jpg | data/raw/images/oriental/1977 | lacquered wooden figure of a demon (Oni) with red coloured flesh, tiger fur effect leg warmers and skirt, shoulder and back covering decorated with dragons among clouds. The demon has three fingered hands and three toed feet. He has inlaid eyes, two short horns and short bristly hair attached. | figures | null | wood | null | Japan (country) |
|
1,319durom.1970.70
| 1970.70-uu.jpg | data/raw/images/oriental/1970 | Fluted dish with waved rim with overglaze blue, inglaze red, yellow and guilding. Rim is coloured gold. A chrysanthemum in gold and red outlined on the centre of the dish's interior, with three roundels containing peonies, chrysanthemums and irises in the area surrounding this, the background filled with three tree branches with blossoms and flowers between the roundels. These continue over the rim onto the exterior, and there is a sprig of iris(?) on the base, and a band of spiral patterning around the foot rim. The colours are more vivid than on 1970.68 but otherwise very similar in design. | dishes | null | porcelain | Edo Period | Japan (country) |
|
1,319durom.1970.70
| 1970.70-uu.jpg | data/raw/images/oriental/1970 | Fluted dish with waved rim with overglaze blue, inglaze red, yellow and guilding. Rim is coloured gold. A chrysanthemum in gold and red outlined on the centre of the dish's interior, with three roundels containing peonies, chrysanthemums and irises in the area surrounding this, the background filled with three tree branches with blossoms and flowers between the roundels. These continue over the rim onto the exterior, and there is a sprig of iris(?) on the base, and a band of spiral patterning around the foot rim. The colours are more vivid than on 1970.68 but otherwise very similar in design. | dishes | null | porcelain | Edo Period | Japan (country) |
|
1,319durom.1970.70
| 1970.70-uu.jpg | data/raw/images/oriental/1970 | Fluted dish with waved rim with overglaze blue, inglaze red, yellow and guilding. Rim is coloured gold. A chrysanthemum in gold and red outlined on the centre of the dish's interior, with three roundels containing peonies, chrysanthemums and irises in the area surrounding this, the background filled with three tree branches with blossoms and flowers between the roundels. These continue over the rim onto the exterior, and there is a sprig of iris(?) on the base, and a band of spiral patterning around the foot rim. The colours are more vivid than on 1970.68 but otherwise very similar in design. | dishes | null | porcelain | Edo Period | Japan (country) |
|
1,319durom.1970.70
| 1970.70-uu.jpg | data/raw/images/oriental/1970 | Fluted dish with waved rim with overglaze blue, inglaze red, yellow and guilding. Rim is coloured gold. A chrysanthemum in gold and red outlined on the centre of the dish's interior, with three roundels containing peonies, chrysanthemums and irises in the area surrounding this, the background filled with three tree branches with blossoms and flowers between the roundels. These continue over the rim onto the exterior, and there is a sprig of iris(?) on the base, and a band of spiral patterning around the foot rim. The colours are more vivid than on 1970.68 but otherwise very similar in design. | dishes | null | porcelain | Edo Period | Japan (country) |
|
1,319durom.1970.70
| 1970.70-uu.jpg | data/raw/images/oriental/1970 | Fluted dish with waved rim with overglaze blue, inglaze red, yellow and guilding. Rim is coloured gold. A chrysanthemum in gold and red outlined on the centre of the dish's interior, with three roundels containing peonies, chrysanthemums and irises in the area surrounding this, the background filled with three tree branches with blossoms and flowers between the roundels. These continue over the rim onto the exterior, and there is a sprig of iris(?) on the base, and a band of spiral patterning around the foot rim. The colours are more vivid than on 1970.68 but otherwise very similar in design. | dishes | null | porcelain | Edo Period | Japan (country) |
|
2,687eg1814
| eg1814-n2117-ll.jpg | data/raw/images/egyptian/eg | mid blue glazed faience amulet of horus as a falcom wearing the double crown. There is a suspension loop behind the head. The amulet is set into a modern stone base (H: 6mm) | amulets | horus amulet | faience | null | Egypt |
|
2,687eg1814
| eg1814-n2117-ll.jpg | data/raw/images/egyptian/eg | mid blue glazed faience amulet of horus as a falcom wearing the double crown. There is a suspension loop behind the head. The amulet is set into a modern stone base (H: 6mm) | amulets | horus amulet | faience | null | Egypt |
|
2,687eg1814
| eg1814-n2117-ll.jpg | data/raw/images/egyptian/eg | mid blue glazed faience amulet of horus as a falcom wearing the double crown. There is a suspension loop behind the head. The amulet is set into a modern stone base (H: 6mm) | amulets | horus amulet | faience | null | Egypt |
|
2,687eg1814
| eg1814-n2117-ll.jpg | data/raw/images/egyptian/eg | mid blue glazed faience amulet of horus as a falcom wearing the double crown. There is a suspension loop behind the head. The amulet is set into a modern stone base (H: 6mm) | amulets | horus amulet | faience | null | Egypt |
|
2,687eg1814
| eg1814-n2117-ll.jpg | data/raw/images/egyptian/eg | mid blue glazed faience amulet of horus as a falcom wearing the double crown. There is a suspension loop behind the head. The amulet is set into a modern stone base (H: 6mm) | amulets | horus amulet | faience | null | Egypt |
|
3,103eg64
| eg64-d2.jpg | data/raw/images/egyptian/eg | axe-head | axes: woodworking tools | axe-head | granite | null | Egypt |
|
3,103eg64
| eg64-d2.jpg | data/raw/images/egyptian/eg | axe-head | axes: woodworking tools | axe-head | granite | null | Egypt |
|
3,103eg64
| eg64-d2.jpg | data/raw/images/egyptian/eg | axe-head | axes: woodworking tools | axe-head | granite | null | Egypt |
|
3,103eg64
| eg64-d2.jpg | data/raw/images/egyptian/eg | axe-head | axes: woodworking tools | axe-head | granite | null | Egypt |
|
3,103eg64
| eg64-d2.jpg | data/raw/images/egyptian/eg | axe-head | axes: woodworking tools | axe-head | granite | null | Egypt |
|
907durom.1964.499
| durom.1964.499-bb.jpg | data/raw/images/oriental/1964 | Restored upper part of a jug with remains of a strap handle, burnished. | jugs | null | pottery | Early Bronze Age III | Jericho |
|
907durom.1964.499
| durom.1964.499-bb.jpg | data/raw/images/oriental/1964 | Restored upper part of a jug with remains of a strap handle, burnished. | jugs | null | pottery | Early Bronze Age III | Jericho |
|
907durom.1964.499
| durom.1964.499-bb.jpg | data/raw/images/oriental/1964 | Restored upper part of a jug with remains of a strap handle, burnished. | jugs | null | pottery | Early Bronze Age III | Jericho |
|
907durom.1964.499
| durom.1964.499-bb.jpg | data/raw/images/oriental/1964 | Restored upper part of a jug with remains of a strap handle, burnished. | jugs | null | pottery | Early Bronze Age III | Jericho |
|
907durom.1964.499
| durom.1964.499-bb.jpg | data/raw/images/oriental/1964 | Restored upper part of a jug with remains of a strap handle, burnished. | jugs | null | pottery | Early Bronze Age III | Jericho |
|
2,693eg1842
| eg1842-n1807-uu.jpg | data/raw/images/egyptian/eg | dark steatite hear scarab, smooth polishd upper with notched elytra. Plain underside, unpolished. | Heart Scarab | heart scarab | Steatite/Soap Stone | null | Egypt |
|
2,693eg1842
| eg1842-n1807-uu.jpg | data/raw/images/egyptian/eg | dark steatite hear scarab, smooth polishd upper with notched elytra. Plain underside, unpolished. | Heart Scarab | heart scarab | Steatite/Soap Stone | null | Egypt |
|
2,693eg1842
| eg1842-n1807-uu.jpg | data/raw/images/egyptian/eg | dark steatite hear scarab, smooth polishd upper with notched elytra. Plain underside, unpolished. | Heart Scarab | heart scarab | Steatite/Soap Stone | null | Egypt |
|
2,693eg1842
| eg1842-n1807-uu.jpg | data/raw/images/egyptian/eg | dark steatite hear scarab, smooth polishd upper with notched elytra. Plain underside, unpolished. | Heart Scarab | heart scarab | Steatite/Soap Stone | null | Egypt |
|
2,693eg1842
| eg1842-n1807-uu.jpg | data/raw/images/egyptian/eg | dark steatite hear scarab, smooth polishd upper with notched elytra. Plain underside, unpolished. | Heart Scarab | heart scarab | Steatite/Soap Stone | null | Egypt |
|
687durom.1960.3898
| 1960.3898-d1.jpg | data/raw/images/oriental/1960 | Bronze dagger in the form of Jian, handle inlaid with turqoise | Dagger | 青铜剑 | bronze | Late Western Zhou dynasty to mid Eastern Zhou dynasty (Spring and Autum period) | China |
|
687durom.1960.3898
| 1960.3898-d1.jpg | data/raw/images/oriental/1960 | Bronze dagger in the form of Jian, handle inlaid with turqoise | Dagger | 青铜剑 | bronze | Late Western Zhou dynasty to mid Eastern Zhou dynasty (Spring and Autum period) | China |
|
687durom.1960.3898
| 1960.3898-d1.jpg | data/raw/images/oriental/1960 | Bronze dagger in the form of Jian, handle inlaid with turqoise | Dagger | 青铜剑 | bronze | Late Western Zhou dynasty to mid Eastern Zhou dynasty (Spring and Autum period) | China |
|
687durom.1960.3898
| 1960.3898-d1.jpg | data/raw/images/oriental/1960 | Bronze dagger in the form of Jian, handle inlaid with turqoise | Dagger | 青铜剑 | bronze | Late Western Zhou dynasty to mid Eastern Zhou dynasty (Spring and Autum period) | China |
|
687durom.1960.3898
| 1960.3898-d1.jpg | data/raw/images/oriental/1960 | Bronze dagger in the form of Jian, handle inlaid with turqoise | Dagger | 青铜剑 | bronze | Late Western Zhou dynasty to mid Eastern Zhou dynasty (Spring and Autum period) | China |
|
702durom.1960.3964
| 1960.3964-uu.jpg | data/raw/images/oriental/1960 | Earthenware, covered with pale green glaze. | models | 绿釉羊 | pottery | Han dynasty | China |
|
702durom.1960.3964
| 1960.3964-uu.jpg | data/raw/images/oriental/1960 | Earthenware, covered with pale green glaze. | models | 绿釉羊 | pottery | Han dynasty | China |
|
702durom.1960.3964
| 1960.3964-uu.jpg | data/raw/images/oriental/1960 | Earthenware, covered with pale green glaze. | models | 绿釉羊 | pottery | Han dynasty | China |
|
702durom.1960.3964
| 1960.3964-uu.jpg | data/raw/images/oriental/1960 | Earthenware, covered with pale green glaze. | models | 绿釉羊 | pottery | Han dynasty | China |
|
702durom.1960.3964
| 1960.3964-uu.jpg | data/raw/images/oriental/1960 | Earthenware, covered with pale green glaze. | models | 绿釉羊 | pottery | Han dynasty | China |
|
492durom.1960.1941
| durom.1960.1941.jpg | data/raw/images/oriental/1960 | Carved and incised tan hardstone with brown bands. The figure is likely a bi xie seated in a twisted manner, with the head turned to face proper right and both hind legs raised, tiled to face proper left; with the right hind leg connected to the side of the bi xie's head. The bi xie has detailed carved facial features, including protruding eyes with a wide brow, and a lump carved in relief between the two eyebrows. The two ears are carved and prominent, the proper right ear connected to the right hind leg. Along the back are rows of incised lines extending down the back of the bi xie's neck to denote the mane, which then splits into three flares. The front paws have carved details that define the claws individually. Along the main body of the figure is a line of ridges carved in high relief. The claws on both hind legs are carved in low relief. The tail of the bi xie is flared and features open work, extending from the main body of the figure. The underside of the figure bears a penis carved in low relief, ridges denoting the twisted main body, and some incisions to denote fur. | figures | null | jade | null | China |
|
492durom.1960.1941
| durom.1960.1941.jpg | data/raw/images/oriental/1960 | Carved and incised tan hardstone with brown bands. The figure is likely a bi xie seated in a twisted manner, with the head turned to face proper right and both hind legs raised, tiled to face proper left; with the right hind leg connected to the side of the bi xie's head. The bi xie has detailed carved facial features, including protruding eyes with a wide brow, and a lump carved in relief between the two eyebrows. The two ears are carved and prominent, the proper right ear connected to the right hind leg. Along the back are rows of incised lines extending down the back of the bi xie's neck to denote the mane, which then splits into three flares. The front paws have carved details that define the claws individually. Along the main body of the figure is a line of ridges carved in high relief. The claws on both hind legs are carved in low relief. The tail of the bi xie is flared and features open work, extending from the main body of the figure. The underside of the figure bears a penis carved in low relief, ridges denoting the twisted main body, and some incisions to denote fur. | figures | null | jade | null | China |
|
492durom.1960.1941
| durom.1960.1941.jpg | data/raw/images/oriental/1960 | Carved and incised tan hardstone with brown bands. The figure is likely a bi xie seated in a twisted manner, with the head turned to face proper right and both hind legs raised, tiled to face proper left; with the right hind leg connected to the side of the bi xie's head. The bi xie has detailed carved facial features, including protruding eyes with a wide brow, and a lump carved in relief between the two eyebrows. The two ears are carved and prominent, the proper right ear connected to the right hind leg. Along the back are rows of incised lines extending down the back of the bi xie's neck to denote the mane, which then splits into three flares. The front paws have carved details that define the claws individually. Along the main body of the figure is a line of ridges carved in high relief. The claws on both hind legs are carved in low relief. The tail of the bi xie is flared and features open work, extending from the main body of the figure. The underside of the figure bears a penis carved in low relief, ridges denoting the twisted main body, and some incisions to denote fur. | figures | null | jade | null | China |
|
492durom.1960.1941
| durom.1960.1941.jpg | data/raw/images/oriental/1960 | Carved and incised tan hardstone with brown bands. The figure is likely a bi xie seated in a twisted manner, with the head turned to face proper right and both hind legs raised, tiled to face proper left; with the right hind leg connected to the side of the bi xie's head. The bi xie has detailed carved facial features, including protruding eyes with a wide brow, and a lump carved in relief between the two eyebrows. The two ears are carved and prominent, the proper right ear connected to the right hind leg. Along the back are rows of incised lines extending down the back of the bi xie's neck to denote the mane, which then splits into three flares. The front paws have carved details that define the claws individually. Along the main body of the figure is a line of ridges carved in high relief. The claws on both hind legs are carved in low relief. The tail of the bi xie is flared and features open work, extending from the main body of the figure. The underside of the figure bears a penis carved in low relief, ridges denoting the twisted main body, and some incisions to denote fur. | figures | null | jade | null | China |
|
492durom.1960.1941
| durom.1960.1941.jpg | data/raw/images/oriental/1960 | Carved and incised tan hardstone with brown bands. The figure is likely a bi xie seated in a twisted manner, with the head turned to face proper right and both hind legs raised, tiled to face proper left; with the right hind leg connected to the side of the bi xie's head. The bi xie has detailed carved facial features, including protruding eyes with a wide brow, and a lump carved in relief between the two eyebrows. The two ears are carved and prominent, the proper right ear connected to the right hind leg. Along the back are rows of incised lines extending down the back of the bi xie's neck to denote the mane, which then splits into three flares. The front paws have carved details that define the claws individually. Along the main body of the figure is a line of ridges carved in high relief. The claws on both hind legs are carved in low relief. The tail of the bi xie is flared and features open work, extending from the main body of the figure. The underside of the figure bears a penis carved in low relief, ridges denoting the twisted main body, and some incisions to denote fur. | figures | null | jade | null | China |
|
1,457durom.1976.195
| 1976.195-rr.jpg | data/raw/images/oriental/1976 | netsuke: early figure of a foreigner blowing a trumpet. | netsukes | netsuke | ivory | Edo Period | Japan (country) |
|
1,457durom.1976.195
| 1976.195-rr.jpg | data/raw/images/oriental/1976 | netsuke: early figure of a foreigner blowing a trumpet. | netsukes | netsuke | ivory | Edo Period | Japan (country) |
|
1,457durom.1976.195
| 1976.195-rr.jpg | data/raw/images/oriental/1976 | netsuke: early figure of a foreigner blowing a trumpet. | netsukes | netsuke | ivory | Edo Period | Japan (country) |
|
1,457durom.1976.195
| 1976.195-rr.jpg | data/raw/images/oriental/1976 | netsuke: early figure of a foreigner blowing a trumpet. | netsukes | netsuke | ivory | Edo Period | Japan (country) |
|
1,457durom.1976.195
| 1976.195-rr.jpg | data/raw/images/oriental/1976 | netsuke: early figure of a foreigner blowing a trumpet. | netsukes | netsuke | ivory | Edo Period | Japan (country) |
|
1,527durom.1979.12.18
| durom.1979.12.18.2-bb.jpg | data/raw/images/oriental/1979 | Four page letter from Mary Prouse Gell to Aunt Ann, from Church of England Mission, Peking, North China, letter dated 24th January 1925. Mary Gell writes how the letters have been trickling through. Some letters had gone to Shanghai which had been cut of from the rest of China for the last few weeks. The railways disorganised, carriages are being used by the soldiers as barracks, mainly the nice comfortably ones which have been spoilt. There is some anti-Christian feeling in the papers. Gell writes how she is sorry to hear about Tom, who isn't very well. There has been a change in atmospheres, Saint Faith's is a big mission. The cathedral is opposite and it built of brick and wood, in a much more common Chinese fashion. She is still at the language school, were the teachers change every half term and all the teaching is done in Chinese. | Letter | null | paper | null | Beijing |
|
1,527durom.1979.12.18
| durom.1979.12.18.2-bb.jpg | data/raw/images/oriental/1979 | Four page letter from Mary Prouse Gell to Aunt Ann, from Church of England Mission, Peking, North China, letter dated 24th January 1925. Mary Gell writes how the letters have been trickling through. Some letters had gone to Shanghai which had been cut of from the rest of China for the last few weeks. The railways disorganised, carriages are being used by the soldiers as barracks, mainly the nice comfortably ones which have been spoilt. There is some anti-Christian feeling in the papers. Gell writes how she is sorry to hear about Tom, who isn't very well. There has been a change in atmospheres, Saint Faith's is a big mission. The cathedral is opposite and it built of brick and wood, in a much more common Chinese fashion. She is still at the language school, were the teachers change every half term and all the teaching is done in Chinese. | Letter | null | paper | null | Beijing |
|
1,527durom.1979.12.18
| durom.1979.12.18.2-bb.jpg | data/raw/images/oriental/1979 | Four page letter from Mary Prouse Gell to Aunt Ann, from Church of England Mission, Peking, North China, letter dated 24th January 1925. Mary Gell writes how the letters have been trickling through. Some letters had gone to Shanghai which had been cut of from the rest of China for the last few weeks. The railways disorganised, carriages are being used by the soldiers as barracks, mainly the nice comfortably ones which have been spoilt. There is some anti-Christian feeling in the papers. Gell writes how she is sorry to hear about Tom, who isn't very well. There has been a change in atmospheres, Saint Faith's is a big mission. The cathedral is opposite and it built of brick and wood, in a much more common Chinese fashion. She is still at the language school, were the teachers change every half term and all the teaching is done in Chinese. | Letter | null | paper | null | Beijing |
|
1,527durom.1979.12.18
| durom.1979.12.18.2-bb.jpg | data/raw/images/oriental/1979 | Four page letter from Mary Prouse Gell to Aunt Ann, from Church of England Mission, Peking, North China, letter dated 24th January 1925. Mary Gell writes how the letters have been trickling through. Some letters had gone to Shanghai which had been cut of from the rest of China for the last few weeks. The railways disorganised, carriages are being used by the soldiers as barracks, mainly the nice comfortably ones which have been spoilt. There is some anti-Christian feeling in the papers. Gell writes how she is sorry to hear about Tom, who isn't very well. There has been a change in atmospheres, Saint Faith's is a big mission. The cathedral is opposite and it built of brick and wood, in a much more common Chinese fashion. She is still at the language school, were the teachers change every half term and all the teaching is done in Chinese. | Letter | null | paper | null | Beijing |
|
1,527durom.1979.12.18
| durom.1979.12.18.2-bb.jpg | data/raw/images/oriental/1979 | Four page letter from Mary Prouse Gell to Aunt Ann, from Church of England Mission, Peking, North China, letter dated 24th January 1925. Mary Gell writes how the letters have been trickling through. Some letters had gone to Shanghai which had been cut of from the rest of China for the last few weeks. The railways disorganised, carriages are being used by the soldiers as barracks, mainly the nice comfortably ones which have been spoilt. There is some anti-Christian feeling in the papers. Gell writes how she is sorry to hear about Tom, who isn't very well. There has been a change in atmospheres, Saint Faith's is a big mission. The cathedral is opposite and it built of brick and wood, in a much more common Chinese fashion. She is still at the language school, were the teachers change every half term and all the teaching is done in Chinese. | Letter | null | paper | null | Beijing |
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