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|---|---|---|---|---|---|---|---|---|---|
3,086eg609
| eg609-d4.jpg | data/raw/images/egyptian/eg | inscribed statuette of a seated man, senwosret son of ip. He sits wrapped in a cloak which reaches his ankles, his arms crossed right over left, on his chest, his right hand holding a handkerchief. Full shoulder length wig with pointed lappets. rectangular back pillar reaches from base of seat to bottom of wig. Titles: priest or overseer of priests in five shrines or temples dedicated to wadjet, hathor, anubis, min and khnum, and mayor of a town called horizon of king senwosret. | statuettes | statuette of an official | basalt | Amenemhat II/Nebukaure | Egypt |
|
3,086eg609
| eg609-d4.jpg | data/raw/images/egyptian/eg | inscribed statuette of a seated man, senwosret son of ip. He sits wrapped in a cloak which reaches his ankles, his arms crossed right over left, on his chest, his right hand holding a handkerchief. Full shoulder length wig with pointed lappets. rectangular back pillar reaches from base of seat to bottom of wig. Titles: priest or overseer of priests in five shrines or temples dedicated to wadjet, hathor, anubis, min and khnum, and mayor of a town called horizon of king senwosret. | statuettes | statuette of an official | basalt | Amenemhat II/Nebukaure | Egypt |
|
3,086eg609
| eg609-d4.jpg | data/raw/images/egyptian/eg | inscribed statuette of a seated man, senwosret son of ip. He sits wrapped in a cloak which reaches his ankles, his arms crossed right over left, on his chest, his right hand holding a handkerchief. Full shoulder length wig with pointed lappets. rectangular back pillar reaches from base of seat to bottom of wig. Titles: priest or overseer of priests in five shrines or temples dedicated to wadjet, hathor, anubis, min and khnum, and mayor of a town called horizon of king senwosret. | statuettes | statuette of an official | basalt | Amenemhat II/Nebukaure | Egypt |
|
3,086eg609
| eg609-d4.jpg | data/raw/images/egyptian/eg | inscribed statuette of a seated man, senwosret son of ip. He sits wrapped in a cloak which reaches his ankles, his arms crossed right over left, on his chest, his right hand holding a handkerchief. Full shoulder length wig with pointed lappets. rectangular back pillar reaches from base of seat to bottom of wig. Titles: priest or overseer of priests in five shrines or temples dedicated to wadjet, hathor, anubis, min and khnum, and mayor of a town called horizon of king senwosret. | statuettes | statuette of an official | basalt | Amenemhat II/Nebukaure | Egypt |
|
3,086eg609
| eg609-d4.jpg | data/raw/images/egyptian/eg | inscribed statuette of a seated man, senwosret son of ip. He sits wrapped in a cloak which reaches his ankles, his arms crossed right over left, on his chest, his right hand holding a handkerchief. Full shoulder length wig with pointed lappets. rectangular back pillar reaches from base of seat to bottom of wig. Titles: priest or overseer of priests in five shrines or temples dedicated to wadjet, hathor, anubis, min and khnum, and mayor of a town called horizon of king senwosret. | statuettes | statuette of an official | basalt | Amenemhat II/Nebukaure | Egypt |
|
481durom.1960.1795
| durom.1960.1795-bb.jpg | data/raw/images/oriental/1960 | in the form of a monkey with a water pot, bee and flower carved on top. | Water Pot | null | jade | null | China |
|
481durom.1960.1795
| durom.1960.1795-bb.jpg | data/raw/images/oriental/1960 | in the form of a monkey with a water pot, bee and flower carved on top. | Water Pot | null | jade | null | China |
|
481durom.1960.1795
| durom.1960.1795-bb.jpg | data/raw/images/oriental/1960 | in the form of a monkey with a water pot, bee and flower carved on top. | Water Pot | null | jade | null | China |
|
481durom.1960.1795
| durom.1960.1795-bb.jpg | data/raw/images/oriental/1960 | in the form of a monkey with a water pot, bee and flower carved on top. | Water Pot | null | jade | null | China |
|
481durom.1960.1795
| durom.1960.1795-bb.jpg | data/raw/images/oriental/1960 | in the form of a monkey with a water pot, bee and flower carved on top. | Water Pot | null | jade | null | China |
|
37DUROM.1960.891.c
| 1960.891.b-ff.jpg | data/raw/images/oriental/1960 | null | null | null | null | null | null |
|
37DUROM.1960.891.c
| 1960.891.b-ff.jpg | data/raw/images/oriental/1960 | null | null | null | null | null | null |
|
37DUROM.1960.891.c
| 1960.891.b-ff.jpg | data/raw/images/oriental/1960 | null | null | null | null | null | null |
|
37DUROM.1960.891.c
| 1960.891.b-ff.jpg | data/raw/images/oriental/1960 | null | null | null | null | null | null |
|
37DUROM.1960.891.c
| 1960.891.b-ff.jpg | data/raw/images/oriental/1960 | null | null | null | null | null | null |
|
787durom.1962.258
| 1962.258h.jpg | data/raw/images/oriental/1962 | Painting of Jain mythology. The subject matter refers to Jain mythology and shows the yakṣas 13 to 24, corresponding to Jinas 13 to 24. With 1962.246 which shows yakṣas 1 to 12, this forms a complete set. The sheet is divided into 12 compartments, each of which contains an image headed by an inscription in Devanagari script. From top left the images show: A white 12-armed male figure seated on a white bird, on a terrace with a balustrade behind. An orange-skinned, 6-armed and 3-headed male figure riding a fantastical green skinned quardaped through water with a green landscape behind. An orange-skinned, 6-armed and 3-headed male figure seated cross-legged on a green animal resembling a turtle, in water with a green landscape behind. A grey-skinned 4-armed figure with a boar's head, riding a grey boar through a green landscape. This is Varaha, an incarnation of Vishnu. A grey-skinned, 4-armed male figure seated on a white bird on a terrace with a balustrade behind. A grey-skinned, 12-armed, 6-headed male figure seated cross-legged on a mat on a terrace with a balustrade behind. A white skinned, 8-armed, 4-headed male figure, riding an elephant through a green landscape. A white-skinned, 8-armed, 4-headed male figure, riding a cow through a green landscape. An orange-skinned, 8-armed, 4-headed male figure, riding a cow through a green landscape. A grey-skinned, 3-headed, 6-armed male figure riding on a man's back through a green landscape. The elephant god Ganesh shown with blue skin and 4 arms, sitting cross-legged on a mat on a terrace with a balustrade behind. A grey-skinned figure riding an elephant through a green landscape. | Miniature Painting | null | paper | 19th century | Rajasthan State |
|
787durom.1962.258
| 1962.258h.jpg | data/raw/images/oriental/1962 | Painting of Jain mythology. The subject matter refers to Jain mythology and shows the yakṣas 13 to 24, corresponding to Jinas 13 to 24. With 1962.246 which shows yakṣas 1 to 12, this forms a complete set. The sheet is divided into 12 compartments, each of which contains an image headed by an inscription in Devanagari script. From top left the images show: A white 12-armed male figure seated on a white bird, on a terrace with a balustrade behind. An orange-skinned, 6-armed and 3-headed male figure riding a fantastical green skinned quardaped through water with a green landscape behind. An orange-skinned, 6-armed and 3-headed male figure seated cross-legged on a green animal resembling a turtle, in water with a green landscape behind. A grey-skinned 4-armed figure with a boar's head, riding a grey boar through a green landscape. This is Varaha, an incarnation of Vishnu. A grey-skinned, 4-armed male figure seated on a white bird on a terrace with a balustrade behind. A grey-skinned, 12-armed, 6-headed male figure seated cross-legged on a mat on a terrace with a balustrade behind. A white skinned, 8-armed, 4-headed male figure, riding an elephant through a green landscape. A white-skinned, 8-armed, 4-headed male figure, riding a cow through a green landscape. An orange-skinned, 8-armed, 4-headed male figure, riding a cow through a green landscape. A grey-skinned, 3-headed, 6-armed male figure riding on a man's back through a green landscape. The elephant god Ganesh shown with blue skin and 4 arms, sitting cross-legged on a mat on a terrace with a balustrade behind. A grey-skinned figure riding an elephant through a green landscape. | Miniature Painting | null | paper | 19th century | Rajasthan State |
|
787durom.1962.258
| 1962.258h.jpg | data/raw/images/oriental/1962 | Painting of Jain mythology. The subject matter refers to Jain mythology and shows the yakṣas 13 to 24, corresponding to Jinas 13 to 24. With 1962.246 which shows yakṣas 1 to 12, this forms a complete set. The sheet is divided into 12 compartments, each of which contains an image headed by an inscription in Devanagari script. From top left the images show: A white 12-armed male figure seated on a white bird, on a terrace with a balustrade behind. An orange-skinned, 6-armed and 3-headed male figure riding a fantastical green skinned quardaped through water with a green landscape behind. An orange-skinned, 6-armed and 3-headed male figure seated cross-legged on a green animal resembling a turtle, in water with a green landscape behind. A grey-skinned 4-armed figure with a boar's head, riding a grey boar through a green landscape. This is Varaha, an incarnation of Vishnu. A grey-skinned, 4-armed male figure seated on a white bird on a terrace with a balustrade behind. A grey-skinned, 12-armed, 6-headed male figure seated cross-legged on a mat on a terrace with a balustrade behind. A white skinned, 8-armed, 4-headed male figure, riding an elephant through a green landscape. A white-skinned, 8-armed, 4-headed male figure, riding a cow through a green landscape. An orange-skinned, 8-armed, 4-headed male figure, riding a cow through a green landscape. A grey-skinned, 3-headed, 6-armed male figure riding on a man's back through a green landscape. The elephant god Ganesh shown with blue skin and 4 arms, sitting cross-legged on a mat on a terrace with a balustrade behind. A grey-skinned figure riding an elephant through a green landscape. | Miniature Painting | null | paper | 19th century | Rajasthan State |
|
787durom.1962.258
| 1962.258h.jpg | data/raw/images/oriental/1962 | Painting of Jain mythology. The subject matter refers to Jain mythology and shows the yakṣas 13 to 24, corresponding to Jinas 13 to 24. With 1962.246 which shows yakṣas 1 to 12, this forms a complete set. The sheet is divided into 12 compartments, each of which contains an image headed by an inscription in Devanagari script. From top left the images show: A white 12-armed male figure seated on a white bird, on a terrace with a balustrade behind. An orange-skinned, 6-armed and 3-headed male figure riding a fantastical green skinned quardaped through water with a green landscape behind. An orange-skinned, 6-armed and 3-headed male figure seated cross-legged on a green animal resembling a turtle, in water with a green landscape behind. A grey-skinned 4-armed figure with a boar's head, riding a grey boar through a green landscape. This is Varaha, an incarnation of Vishnu. A grey-skinned, 4-armed male figure seated on a white bird on a terrace with a balustrade behind. A grey-skinned, 12-armed, 6-headed male figure seated cross-legged on a mat on a terrace with a balustrade behind. A white skinned, 8-armed, 4-headed male figure, riding an elephant through a green landscape. A white-skinned, 8-armed, 4-headed male figure, riding a cow through a green landscape. An orange-skinned, 8-armed, 4-headed male figure, riding a cow through a green landscape. A grey-skinned, 3-headed, 6-armed male figure riding on a man's back through a green landscape. The elephant god Ganesh shown with blue skin and 4 arms, sitting cross-legged on a mat on a terrace with a balustrade behind. A grey-skinned figure riding an elephant through a green landscape. | Miniature Painting | null | paper | 19th century | Rajasthan State |
|
787durom.1962.258
| 1962.258h.jpg | data/raw/images/oriental/1962 | Painting of Jain mythology. The subject matter refers to Jain mythology and shows the yakṣas 13 to 24, corresponding to Jinas 13 to 24. With 1962.246 which shows yakṣas 1 to 12, this forms a complete set. The sheet is divided into 12 compartments, each of which contains an image headed by an inscription in Devanagari script. From top left the images show: A white 12-armed male figure seated on a white bird, on a terrace with a balustrade behind. An orange-skinned, 6-armed and 3-headed male figure riding a fantastical green skinned quardaped through water with a green landscape behind. An orange-skinned, 6-armed and 3-headed male figure seated cross-legged on a green animal resembling a turtle, in water with a green landscape behind. A grey-skinned 4-armed figure with a boar's head, riding a grey boar through a green landscape. This is Varaha, an incarnation of Vishnu. A grey-skinned, 4-armed male figure seated on a white bird on a terrace with a balustrade behind. A grey-skinned, 12-armed, 6-headed male figure seated cross-legged on a mat on a terrace with a balustrade behind. A white skinned, 8-armed, 4-headed male figure, riding an elephant through a green landscape. A white-skinned, 8-armed, 4-headed male figure, riding a cow through a green landscape. An orange-skinned, 8-armed, 4-headed male figure, riding a cow through a green landscape. A grey-skinned, 3-headed, 6-armed male figure riding on a man's back through a green landscape. The elephant god Ganesh shown with blue skin and 4 arms, sitting cross-legged on a mat on a terrace with a balustrade behind. A grey-skinned figure riding an elephant through a green landscape. | Miniature Painting | null | paper | 19th century | Rajasthan State |
|
2,533duruc.1924.77.2
| duruc.1924.77.2-bb.jpg | data/raw/images/castle/1924 | Baker flint lock rifles. | rifles | null | null | 18th century | null |
|
2,533duruc.1924.77.2
| duruc.1924.77.2-bb.jpg | data/raw/images/castle/1924 | Baker flint lock rifles. | rifles | null | null | 18th century | null |
|
2,533duruc.1924.77.2
| duruc.1924.77.2-bb.jpg | data/raw/images/castle/1924 | Baker flint lock rifles. | rifles | null | null | 18th century | null |
|
2,533duruc.1924.77.2
| duruc.1924.77.2-bb.jpg | data/raw/images/castle/1924 | Baker flint lock rifles. | rifles | null | null | 18th century | null |
|
2,533duruc.1924.77.2
| duruc.1924.77.2-bb.jpg | data/raw/images/castle/1924 | Baker flint lock rifles. | rifles | null | null | 18th century | null |
|
752durom.1960.cull9
| 1960.cull9.5 bb.jpg | data/raw/images/oriental/1960 | 12-leaf monumental folding screen. The carved frame depicts in panels a series of Taoist Island Paradise scenes, while the late 19th century inset tapestry panels show the Western Paradise of Hsi Wang Mu. | Screen | null | Chinese Red Rosewood | Wanli | China |
|
752durom.1960.cull9
| 1960.cull9.5 bb.jpg | data/raw/images/oriental/1960 | 12-leaf monumental folding screen. The carved frame depicts in panels a series of Taoist Island Paradise scenes, while the late 19th century inset tapestry panels show the Western Paradise of Hsi Wang Mu. | Screen | null | Chinese Red Rosewood | Wanli | China |
|
752durom.1960.cull9
| 1960.cull9.5 bb.jpg | data/raw/images/oriental/1960 | 12-leaf monumental folding screen. The carved frame depicts in panels a series of Taoist Island Paradise scenes, while the late 19th century inset tapestry panels show the Western Paradise of Hsi Wang Mu. | Screen | null | Chinese Red Rosewood | Wanli | China |
|
752durom.1960.cull9
| 1960.cull9.5 bb.jpg | data/raw/images/oriental/1960 | 12-leaf monumental folding screen. The carved frame depicts in panels a series of Taoist Island Paradise scenes, while the late 19th century inset tapestry panels show the Western Paradise of Hsi Wang Mu. | Screen | null | Chinese Red Rosewood | Wanli | China |
|
752durom.1960.cull9
| 1960.cull9.5 bb.jpg | data/raw/images/oriental/1960 | 12-leaf monumental folding screen. The carved frame depicts in panels a series of Taoist Island Paradise scenes, while the late 19th century inset tapestry panels show the Western Paradise of Hsi Wang Mu. | Screen | null | Chinese Red Rosewood | Wanli | China |
|
1,088durom.1969.126
| 1969.126-ff-d1.jpg | data/raw/images/oriental/1969 | Porcelain figure of a Guanyin, decorated with ivory-white glaze, Dehua white porcelain. The Guanyin's eyes closed, crescent-shaped, the lips slightly raised, smiling. | figures | 德化象牙白釉观音坐像 | porcelain | Qing | Dehua Xian |
|
1,088durom.1969.126
| 1969.126-ff-d1.jpg | data/raw/images/oriental/1969 | Porcelain figure of a Guanyin, decorated with ivory-white glaze, Dehua white porcelain. The Guanyin's eyes closed, crescent-shaped, the lips slightly raised, smiling. | figures | 德化象牙白釉观音坐像 | porcelain | Qing | Dehua Xian |
|
1,088durom.1969.126
| 1969.126-ff-d1.jpg | data/raw/images/oriental/1969 | Porcelain figure of a Guanyin, decorated with ivory-white glaze, Dehua white porcelain. The Guanyin's eyes closed, crescent-shaped, the lips slightly raised, smiling. | figures | 德化象牙白釉观音坐像 | porcelain | Qing | Dehua Xian |
|
1,088durom.1969.126
| 1969.126-ff-d1.jpg | data/raw/images/oriental/1969 | Porcelain figure of a Guanyin, decorated with ivory-white glaze, Dehua white porcelain. The Guanyin's eyes closed, crescent-shaped, the lips slightly raised, smiling. | figures | 德化象牙白釉观音坐像 | porcelain | Qing | Dehua Xian |
|
1,088durom.1969.126
| 1969.126-ff-d1.jpg | data/raw/images/oriental/1969 | Porcelain figure of a Guanyin, decorated with ivory-white glaze, Dehua white porcelain. The Guanyin's eyes closed, crescent-shaped, the lips slightly raised, smiling. | figures | 德化象牙白釉观音坐像 | porcelain | Qing | Dehua Xian |
|
273durom.1950.42
| 1950.42-bb-pc2.jpg | data/raw/images/oriental/1950s | 2 oval metal trays with handles (a-b). Pottery utensils including teapot (c), kettle (d), bowl (e), jar with lid (f:a-b), jar with lid, slightly damaged (g:a-b), 7 cups (h-n), 7 metal saucers (o-t), food container (u). Asakusa temple school. | toys | null | pottery | Meiji Period | Asakusa Temple |
|
273durom.1950.42
| 1950.42-bb-pc2.jpg | data/raw/images/oriental/1950s | 2 oval metal trays with handles (a-b). Pottery utensils including teapot (c), kettle (d), bowl (e), jar with lid (f:a-b), jar with lid, slightly damaged (g:a-b), 7 cups (h-n), 7 metal saucers (o-t), food container (u). Asakusa temple school. | toys | null | pottery | Meiji Period | Asakusa Temple |
|
273durom.1950.42
| 1950.42-bb-pc2.jpg | data/raw/images/oriental/1950s | 2 oval metal trays with handles (a-b). Pottery utensils including teapot (c), kettle (d), bowl (e), jar with lid (f:a-b), jar with lid, slightly damaged (g:a-b), 7 cups (h-n), 7 metal saucers (o-t), food container (u). Asakusa temple school. | toys | null | pottery | Meiji Period | Asakusa Temple |
|
273durom.1950.42
| 1950.42-bb-pc2.jpg | data/raw/images/oriental/1950s | 2 oval metal trays with handles (a-b). Pottery utensils including teapot (c), kettle (d), bowl (e), jar with lid (f:a-b), jar with lid, slightly damaged (g:a-b), 7 cups (h-n), 7 metal saucers (o-t), food container (u). Asakusa temple school. | toys | null | pottery | Meiji Period | Asakusa Temple |
|
273durom.1950.42
| 1950.42-bb-pc2.jpg | data/raw/images/oriental/1950s | 2 oval metal trays with handles (a-b). Pottery utensils including teapot (c), kettle (d), bowl (e), jar with lid (f:a-b), jar with lid, slightly damaged (g:a-b), 7 cups (h-n), 7 metal saucers (o-t), food container (u). Asakusa temple school. | toys | null | pottery | Meiji Period | Asakusa Temple |
|
1,700durom.1991.59
| 1991.59-rr.jpg | data/raw/images/oriental/1991 | Light green/ jade coloured full length robe with 3/4 long sleeves which taper slightly at the cuffs. Durumagi is made out of a cotton with an all-over silver leaf design embroidered. The collar is bordered in a cream coloured cardboard thin lappel which is covered in a light blue thin cotton. The Durumagi ties on the wearer's right hand side through two sets of ties, one on the inside and a decorative tie on the outside of the jacket which runs the full length of the garment. The Durumagi is lined with a light green cotton and has one pocket on the left inside breast with Korean Hanja script in yellow-gold stitching. The inside collar also has embroidered text, this is in Korean Hangul script. Additionally, there are two slits in the jacket which serve as pockets. | coats | durumagi | textiles | Republic of Korea (period) | Korean peninsula |
|
1,700durom.1991.59
| 1991.59-rr.jpg | data/raw/images/oriental/1991 | Light green/ jade coloured full length robe with 3/4 long sleeves which taper slightly at the cuffs. Durumagi is made out of a cotton with an all-over silver leaf design embroidered. The collar is bordered in a cream coloured cardboard thin lappel which is covered in a light blue thin cotton. The Durumagi ties on the wearer's right hand side through two sets of ties, one on the inside and a decorative tie on the outside of the jacket which runs the full length of the garment. The Durumagi is lined with a light green cotton and has one pocket on the left inside breast with Korean Hanja script in yellow-gold stitching. The inside collar also has embroidered text, this is in Korean Hangul script. Additionally, there are two slits in the jacket which serve as pockets. | coats | durumagi | textiles | Republic of Korea (period) | Korean peninsula |
|
1,700durom.1991.59
| 1991.59-rr.jpg | data/raw/images/oriental/1991 | Light green/ jade coloured full length robe with 3/4 long sleeves which taper slightly at the cuffs. Durumagi is made out of a cotton with an all-over silver leaf design embroidered. The collar is bordered in a cream coloured cardboard thin lappel which is covered in a light blue thin cotton. The Durumagi ties on the wearer's right hand side through two sets of ties, one on the inside and a decorative tie on the outside of the jacket which runs the full length of the garment. The Durumagi is lined with a light green cotton and has one pocket on the left inside breast with Korean Hanja script in yellow-gold stitching. The inside collar also has embroidered text, this is in Korean Hangul script. Additionally, there are two slits in the jacket which serve as pockets. | coats | durumagi | textiles | Republic of Korea (period) | Korean peninsula |
|
1,700durom.1991.59
| 1991.59-rr.jpg | data/raw/images/oriental/1991 | Light green/ jade coloured full length robe with 3/4 long sleeves which taper slightly at the cuffs. Durumagi is made out of a cotton with an all-over silver leaf design embroidered. The collar is bordered in a cream coloured cardboard thin lappel which is covered in a light blue thin cotton. The Durumagi ties on the wearer's right hand side through two sets of ties, one on the inside and a decorative tie on the outside of the jacket which runs the full length of the garment. The Durumagi is lined with a light green cotton and has one pocket on the left inside breast with Korean Hanja script in yellow-gold stitching. The inside collar also has embroidered text, this is in Korean Hangul script. Additionally, there are two slits in the jacket which serve as pockets. | coats | durumagi | textiles | Republic of Korea (period) | Korean peninsula |
|
1,700durom.1991.59
| 1991.59-rr.jpg | data/raw/images/oriental/1991 | Light green/ jade coloured full length robe with 3/4 long sleeves which taper slightly at the cuffs. Durumagi is made out of a cotton with an all-over silver leaf design embroidered. The collar is bordered in a cream coloured cardboard thin lappel which is covered in a light blue thin cotton. The Durumagi ties on the wearer's right hand side through two sets of ties, one on the inside and a decorative tie on the outside of the jacket which runs the full length of the garment. The Durumagi is lined with a light green cotton and has one pocket on the left inside breast with Korean Hanja script in yellow-gold stitching. The inside collar also has embroidered text, this is in Korean Hangul script. Additionally, there are two slits in the jacket which serve as pockets. | coats | durumagi | textiles | Republic of Korea (period) | Korean peninsula |
|
503durom.1960.2115
| 1960.2115-q4.jpg | data/raw/images/oriental/1960 | Soapstone figure of Magu, a Daoist fairy of longevity, sitting, with a crane standing on one side holding a Lingzhi fungus in its mouth. | figures | 皂石麻姑献寿像 | soapstone | Qing | China |
|
503durom.1960.2115
| 1960.2115-q4.jpg | data/raw/images/oriental/1960 | Soapstone figure of Magu, a Daoist fairy of longevity, sitting, with a crane standing on one side holding a Lingzhi fungus in its mouth. | figures | 皂石麻姑献寿像 | soapstone | Qing | China |
|
503durom.1960.2115
| 1960.2115-q4.jpg | data/raw/images/oriental/1960 | Soapstone figure of Magu, a Daoist fairy of longevity, sitting, with a crane standing on one side holding a Lingzhi fungus in its mouth. | figures | 皂石麻姑献寿像 | soapstone | Qing | China |
|
503durom.1960.2115
| 1960.2115-q4.jpg | data/raw/images/oriental/1960 | Soapstone figure of Magu, a Daoist fairy of longevity, sitting, with a crane standing on one side holding a Lingzhi fungus in its mouth. | figures | 皂石麻姑献寿像 | soapstone | Qing | China |
|
503durom.1960.2115
| 1960.2115-q4.jpg | data/raw/images/oriental/1960 | Soapstone figure of Magu, a Daoist fairy of longevity, sitting, with a crane standing on one side holding a Lingzhi fungus in its mouth. | figures | 皂石麻姑献寿像 | soapstone | Qing | China |
|
2,885eg4004
| eg4004-n381-ll.jpg | data/raw/images/egyptian/eg | sphinx wearing the nemes headdress with ureaus on the front, tail around right side. Surface in poor condition. | statues | sphinx | limestone | Graeco-Roman Period | Egypt |
|
2,885eg4004
| eg4004-n381-ll.jpg | data/raw/images/egyptian/eg | sphinx wearing the nemes headdress with ureaus on the front, tail around right side. Surface in poor condition. | statues | sphinx | limestone | Graeco-Roman Period | Egypt |
|
2,885eg4004
| eg4004-n381-ll.jpg | data/raw/images/egyptian/eg | sphinx wearing the nemes headdress with ureaus on the front, tail around right side. Surface in poor condition. | statues | sphinx | limestone | Graeco-Roman Period | Egypt |
|
2,885eg4004
| eg4004-n381-ll.jpg | data/raw/images/egyptian/eg | sphinx wearing the nemes headdress with ureaus on the front, tail around right side. Surface in poor condition. | statues | sphinx | limestone | Graeco-Roman Period | Egypt |
|
2,885eg4004
| eg4004-n381-ll.jpg | data/raw/images/egyptian/eg | sphinx wearing the nemes headdress with ureaus on the front, tail around right side. Surface in poor condition. | statues | sphinx | limestone | Graeco-Roman Period | Egypt |
|
727durom.1960.4194
| durom.1960.4194-bb.jpg | data/raw/images/oriental/1960 | Mortuary pig. | figures | null | jade | null | China |
|
727durom.1960.4194
| durom.1960.4194-bb.jpg | data/raw/images/oriental/1960 | Mortuary pig. | figures | null | jade | null | China |
|
727durom.1960.4194
| durom.1960.4194-bb.jpg | data/raw/images/oriental/1960 | Mortuary pig. | figures | null | jade | null | China |
|
727durom.1960.4194
| durom.1960.4194-bb.jpg | data/raw/images/oriental/1960 | Mortuary pig. | figures | null | jade | null | China |
|
727durom.1960.4194
| durom.1960.4194-bb.jpg | data/raw/images/oriental/1960 | Mortuary pig. | figures | null | jade | null | China |
|
2,196durom.2013.96.5
| 2013.96.5-d03.jpg | data/raw/images/oriental/2013 | CD of Girl's Generation's 4th album 'I got a boy' with accompanying artwork booklet and poster._x000D__x000D_
_x000D__x000D_
Booklet. 38 page colour booklet containing individual images of the band members alongside group shots and song lyrics. | booklets | null | paper | Republic of Korea (period) | South Korea |
|
2,196durom.2013.96.5
| 2013.96.5-d03.jpg | data/raw/images/oriental/2013 | CD of Girl's Generation's 4th album 'I got a boy' with accompanying artwork booklet and poster._x000D__x000D_
_x000D__x000D_
Booklet. 38 page colour booklet containing individual images of the band members alongside group shots and song lyrics. | booklets | null | paper | Republic of Korea (period) | South Korea |
|
2,196durom.2013.96.5
| 2013.96.5-d03.jpg | data/raw/images/oriental/2013 | CD of Girl's Generation's 4th album 'I got a boy' with accompanying artwork booklet and poster._x000D__x000D_
_x000D__x000D_
Booklet. 38 page colour booklet containing individual images of the band members alongside group shots and song lyrics. | booklets | null | paper | Republic of Korea (period) | South Korea |
|
2,196durom.2013.96.5
| 2013.96.5-d03.jpg | data/raw/images/oriental/2013 | CD of Girl's Generation's 4th album 'I got a boy' with accompanying artwork booklet and poster._x000D__x000D_
_x000D__x000D_
Booklet. 38 page colour booklet containing individual images of the band members alongside group shots and song lyrics. | booklets | null | paper | Republic of Korea (period) | South Korea |
|
2,196durom.2013.96.5
| 2013.96.5-d03.jpg | data/raw/images/oriental/2013 | CD of Girl's Generation's 4th album 'I got a boy' with accompanying artwork booklet and poster._x000D__x000D_
_x000D__x000D_
Booklet. 38 page colour booklet containing individual images of the band members alongside group shots and song lyrics. | booklets | null | paper | Republic of Korea (period) | South Korea |
|
2,490durom.2017.22
| 2017.22.16-d1.jpg | data/raw/images/fulling_mill/2017 | Grey/white rice measure - shaped vessel, a dragon sits on the bar across the top, central. 斗(Dou) is a measurement tool of cereals in ancient China, commonly made of wood. | vessels | 玉斗 | jade | Qing | China |
|
2,490durom.2017.22
| 2017.22.16-d1.jpg | data/raw/images/fulling_mill/2017 | Grey/white rice measure - shaped vessel, a dragon sits on the bar across the top, central. 斗(Dou) is a measurement tool of cereals in ancient China, commonly made of wood. | vessels | 玉斗 | jade | Qing | China |
|
2,490durom.2017.22
| 2017.22.16-d1.jpg | data/raw/images/fulling_mill/2017 | Grey/white rice measure - shaped vessel, a dragon sits on the bar across the top, central. 斗(Dou) is a measurement tool of cereals in ancient China, commonly made of wood. | vessels | 玉斗 | jade | Qing | China |
|
2,490durom.2017.22
| 2017.22.16-d1.jpg | data/raw/images/fulling_mill/2017 | Grey/white rice measure - shaped vessel, a dragon sits on the bar across the top, central. 斗(Dou) is a measurement tool of cereals in ancient China, commonly made of wood. | vessels | 玉斗 | jade | Qing | China |
|
2,490durom.2017.22
| 2017.22.16-d1.jpg | data/raw/images/fulling_mill/2017 | Grey/white rice measure - shaped vessel, a dragon sits on the bar across the top, central. 斗(Dou) is a measurement tool of cereals in ancient China, commonly made of wood. | vessels | 玉斗 | jade | Qing | China |
|
35DUROM.1960.592.a-b
| durom.1960.592.a-b-ss.jpg | data/raw/images/oriental/1960 | null | null | null | null | null | null |
|
35DUROM.1960.592.a-b
| durom.1960.592.a-b-ss.jpg | data/raw/images/oriental/1960 | null | null | null | null | null | null |
|
35DUROM.1960.592.a-b
| durom.1960.592.a-b-ss.jpg | data/raw/images/oriental/1960 | null | null | null | null | null | null |
|
35DUROM.1960.592.a-b
| durom.1960.592.a-b-ss.jpg | data/raw/images/oriental/1960 | null | null | null | null | null | null |
|
35DUROM.1960.592.a-b
| durom.1960.592.a-b-ss.jpg | data/raw/images/oriental/1960 | null | null | null | null | null | null |
|
2,358durom.2015.267
| durom.2015.267-d3.jpg | data/raw/images/oriental/2015 | A square quilt. The quilt with padding covered with cotton fabric in printed floral pattern in pink, yellow, blue with red outline on green background. In the middle on one side of the duvet is a big square patch in red satin. The padding of the object is secured in its place by stitching it using the running stitch in various directions at the same time creating a geometrical pattern. It is hand and machine stitched with white thread. There is an oblong white cotton label sewn to one corner of the cotton side of the duvet with a hand written inscription 'A30' in black ink. | quilts | null | cotton | 20th century | null |
|
2,358durom.2015.267
| durom.2015.267-d3.jpg | data/raw/images/oriental/2015 | A square quilt. The quilt with padding covered with cotton fabric in printed floral pattern in pink, yellow, blue with red outline on green background. In the middle on one side of the duvet is a big square patch in red satin. The padding of the object is secured in its place by stitching it using the running stitch in various directions at the same time creating a geometrical pattern. It is hand and machine stitched with white thread. There is an oblong white cotton label sewn to one corner of the cotton side of the duvet with a hand written inscription 'A30' in black ink. | quilts | null | cotton | 20th century | null |
|
2,358durom.2015.267
| durom.2015.267-d3.jpg | data/raw/images/oriental/2015 | A square quilt. The quilt with padding covered with cotton fabric in printed floral pattern in pink, yellow, blue with red outline on green background. In the middle on one side of the duvet is a big square patch in red satin. The padding of the object is secured in its place by stitching it using the running stitch in various directions at the same time creating a geometrical pattern. It is hand and machine stitched with white thread. There is an oblong white cotton label sewn to one corner of the cotton side of the duvet with a hand written inscription 'A30' in black ink. | quilts | null | cotton | 20th century | null |
|
2,358durom.2015.267
| durom.2015.267-d3.jpg | data/raw/images/oriental/2015 | A square quilt. The quilt with padding covered with cotton fabric in printed floral pattern in pink, yellow, blue with red outline on green background. In the middle on one side of the duvet is a big square patch in red satin. The padding of the object is secured in its place by stitching it using the running stitch in various directions at the same time creating a geometrical pattern. It is hand and machine stitched with white thread. There is an oblong white cotton label sewn to one corner of the cotton side of the duvet with a hand written inscription 'A30' in black ink. | quilts | null | cotton | 20th century | null |
|
2,358durom.2015.267
| durom.2015.267-d3.jpg | data/raw/images/oriental/2015 | A square quilt. The quilt with padding covered with cotton fabric in printed floral pattern in pink, yellow, blue with red outline on green background. In the middle on one side of the duvet is a big square patch in red satin. The padding of the object is secured in its place by stitching it using the running stitch in various directions at the same time creating a geometrical pattern. It is hand and machine stitched with white thread. There is an oblong white cotton label sewn to one corner of the cotton side of the duvet with a hand written inscription 'A30' in black ink. | quilts | null | cotton | 20th century | null |
|
1,681durom.1991.103
| 1991.103.03-bb.jpg | data/raw/images/oriental/1991 | 37 strips of cardboard with an image handpainted in black ink either side of the strip. On one side, all the strips have the same feather-like image, this marks the reverse side of the card. The other side of the cards has the 'suit' mark, there are approximately 8-9 different suits represented on these cards. Since the last check, three of these cards have gone missing. There are varying degrees of fading, discolouration and staining on each card. | playing cards | Htou-tjyen | paper | Republic of Korea (period) | Korean peninsula |
|
1,681durom.1991.103
| 1991.103.03-bb.jpg | data/raw/images/oriental/1991 | 37 strips of cardboard with an image handpainted in black ink either side of the strip. On one side, all the strips have the same feather-like image, this marks the reverse side of the card. The other side of the cards has the 'suit' mark, there are approximately 8-9 different suits represented on these cards. Since the last check, three of these cards have gone missing. There are varying degrees of fading, discolouration and staining on each card. | playing cards | Htou-tjyen | paper | Republic of Korea (period) | Korean peninsula |
|
1,681durom.1991.103
| 1991.103.03-bb.jpg | data/raw/images/oriental/1991 | 37 strips of cardboard with an image handpainted in black ink either side of the strip. On one side, all the strips have the same feather-like image, this marks the reverse side of the card. The other side of the cards has the 'suit' mark, there are approximately 8-9 different suits represented on these cards. Since the last check, three of these cards have gone missing. There are varying degrees of fading, discolouration and staining on each card. | playing cards | Htou-tjyen | paper | Republic of Korea (period) | Korean peninsula |
|
1,681durom.1991.103
| 1991.103.03-bb.jpg | data/raw/images/oriental/1991 | 37 strips of cardboard with an image handpainted in black ink either side of the strip. On one side, all the strips have the same feather-like image, this marks the reverse side of the card. The other side of the cards has the 'suit' mark, there are approximately 8-9 different suits represented on these cards. Since the last check, three of these cards have gone missing. There are varying degrees of fading, discolouration and staining on each card. | playing cards | Htou-tjyen | paper | Republic of Korea (period) | Korean peninsula |
|
1,681durom.1991.103
| 1991.103.03-bb.jpg | data/raw/images/oriental/1991 | 37 strips of cardboard with an image handpainted in black ink either side of the strip. On one side, all the strips have the same feather-like image, this marks the reverse side of the card. The other side of the cards has the 'suit' mark, there are approximately 8-9 different suits represented on these cards. Since the last check, three of these cards have gone missing. There are varying degrees of fading, discolouration and staining on each card. | playing cards | Htou-tjyen | paper | Republic of Korea (period) | Korean peninsula |
|
1,776durom.1993.149
| durom.1993.149-tt.jpg | data/raw/images/oriental/1993 | L-shaped hilt made of soft fine grain light yellowish wood. Hole at the base to permit attachment to the other part of the kriss. Top of the object carved as a lion. Incised/carved decorations along the object include flowers, zigzags, hatching, circular rings, and dents. | finials | null | wood | 20th century | Borneo |
|
1,776durom.1993.149
| durom.1993.149-tt.jpg | data/raw/images/oriental/1993 | L-shaped hilt made of soft fine grain light yellowish wood. Hole at the base to permit attachment to the other part of the kriss. Top of the object carved as a lion. Incised/carved decorations along the object include flowers, zigzags, hatching, circular rings, and dents. | finials | null | wood | 20th century | Borneo |
|
1,776durom.1993.149
| durom.1993.149-tt.jpg | data/raw/images/oriental/1993 | L-shaped hilt made of soft fine grain light yellowish wood. Hole at the base to permit attachment to the other part of the kriss. Top of the object carved as a lion. Incised/carved decorations along the object include flowers, zigzags, hatching, circular rings, and dents. | finials | null | wood | 20th century | Borneo |
|
1,776durom.1993.149
| durom.1993.149-tt.jpg | data/raw/images/oriental/1993 | L-shaped hilt made of soft fine grain light yellowish wood. Hole at the base to permit attachment to the other part of the kriss. Top of the object carved as a lion. Incised/carved decorations along the object include flowers, zigzags, hatching, circular rings, and dents. | finials | null | wood | 20th century | Borneo |
|
1,776durom.1993.149
| durom.1993.149-tt.jpg | data/raw/images/oriental/1993 | L-shaped hilt made of soft fine grain light yellowish wood. Hole at the base to permit attachment to the other part of the kriss. Top of the object carved as a lion. Incised/carved decorations along the object include flowers, zigzags, hatching, circular rings, and dents. | finials | null | wood | 20th century | Borneo |
|
1,035durom.1968.27
| 1968.27-d3.jpg | data/raw/images/oriental/1968 | Large porcelain basin, decorated with overglaze colour enamels in famille rose style of 'Romance of the West Chamber' motives, Canton Enamels ware. Centre, a large panel with four standing figures in a garden setting; the enamel is partly torn off. Around the sides, four panels with different figure designs, each depicting a scene of the Romance of the West Chamber'. The panel on the upper side of the central panel depicts a young scholar and three female figures; the young scholar Zhang Sheng is greeting lady Cui Yingying who is sitting in an armchair and reading a book. Her maid Hong Niang is standing behind her. The panel on the left of the central panel depicts three male and one female figures; the male figure who dressed in military uniform is General Baima. The panel below the central panel depicts two male and two female figures; the female figure is seeing off the male figure; somehow the male figures are dressed in Manchu official style. The panel on the right of the central panel depicts a woman sending a piece of red leave onto the river, which is a symbol of expressing love to the receiver. The rest of the space is filled with butterflies and floral patterns, forming the 'Die lian hua/蝶恋花 (literally, the butterfly in love with flower)' motif. Reverse, three flower sprays on the sides, including camellia, Chinese Rose, and peony. | Basin | 广彩西厢记人物故事图折沿盆 | porcelain | Qing | Guangzhou |
|
1,035durom.1968.27
| 1968.27-d3.jpg | data/raw/images/oriental/1968 | Large porcelain basin, decorated with overglaze colour enamels in famille rose style of 'Romance of the West Chamber' motives, Canton Enamels ware. Centre, a large panel with four standing figures in a garden setting; the enamel is partly torn off. Around the sides, four panels with different figure designs, each depicting a scene of the Romance of the West Chamber'. The panel on the upper side of the central panel depicts a young scholar and three female figures; the young scholar Zhang Sheng is greeting lady Cui Yingying who is sitting in an armchair and reading a book. Her maid Hong Niang is standing behind her. The panel on the left of the central panel depicts three male and one female figures; the male figure who dressed in military uniform is General Baima. The panel below the central panel depicts two male and two female figures; the female figure is seeing off the male figure; somehow the male figures are dressed in Manchu official style. The panel on the right of the central panel depicts a woman sending a piece of red leave onto the river, which is a symbol of expressing love to the receiver. The rest of the space is filled with butterflies and floral patterns, forming the 'Die lian hua/蝶恋花 (literally, the butterfly in love with flower)' motif. Reverse, three flower sprays on the sides, including camellia, Chinese Rose, and peony. | Basin | 广彩西厢记人物故事图折沿盆 | porcelain | Qing | Guangzhou |
|
1,035durom.1968.27
| 1968.27-d3.jpg | data/raw/images/oriental/1968 | Large porcelain basin, decorated with overglaze colour enamels in famille rose style of 'Romance of the West Chamber' motives, Canton Enamels ware. Centre, a large panel with four standing figures in a garden setting; the enamel is partly torn off. Around the sides, four panels with different figure designs, each depicting a scene of the Romance of the West Chamber'. The panel on the upper side of the central panel depicts a young scholar and three female figures; the young scholar Zhang Sheng is greeting lady Cui Yingying who is sitting in an armchair and reading a book. Her maid Hong Niang is standing behind her. The panel on the left of the central panel depicts three male and one female figures; the male figure who dressed in military uniform is General Baima. The panel below the central panel depicts two male and two female figures; the female figure is seeing off the male figure; somehow the male figures are dressed in Manchu official style. The panel on the right of the central panel depicts a woman sending a piece of red leave onto the river, which is a symbol of expressing love to the receiver. The rest of the space is filled with butterflies and floral patterns, forming the 'Die lian hua/蝶恋花 (literally, the butterfly in love with flower)' motif. Reverse, three flower sprays on the sides, including camellia, Chinese Rose, and peony. | Basin | 广彩西厢记人物故事图折沿盆 | porcelain | Qing | Guangzhou |
|
1,035durom.1968.27
| 1968.27-d3.jpg | data/raw/images/oriental/1968 | Large porcelain basin, decorated with overglaze colour enamels in famille rose style of 'Romance of the West Chamber' motives, Canton Enamels ware. Centre, a large panel with four standing figures in a garden setting; the enamel is partly torn off. Around the sides, four panels with different figure designs, each depicting a scene of the Romance of the West Chamber'. The panel on the upper side of the central panel depicts a young scholar and three female figures; the young scholar Zhang Sheng is greeting lady Cui Yingying who is sitting in an armchair and reading a book. Her maid Hong Niang is standing behind her. The panel on the left of the central panel depicts three male and one female figures; the male figure who dressed in military uniform is General Baima. The panel below the central panel depicts two male and two female figures; the female figure is seeing off the male figure; somehow the male figures are dressed in Manchu official style. The panel on the right of the central panel depicts a woman sending a piece of red leave onto the river, which is a symbol of expressing love to the receiver. The rest of the space is filled with butterflies and floral patterns, forming the 'Die lian hua/蝶恋花 (literally, the butterfly in love with flower)' motif. Reverse, three flower sprays on the sides, including camellia, Chinese Rose, and peony. | Basin | 广彩西厢记人物故事图折沿盆 | porcelain | Qing | Guangzhou |
|
1,035durom.1968.27
| 1968.27-d3.jpg | data/raw/images/oriental/1968 | Large porcelain basin, decorated with overglaze colour enamels in famille rose style of 'Romance of the West Chamber' motives, Canton Enamels ware. Centre, a large panel with four standing figures in a garden setting; the enamel is partly torn off. Around the sides, four panels with different figure designs, each depicting a scene of the Romance of the West Chamber'. The panel on the upper side of the central panel depicts a young scholar and three female figures; the young scholar Zhang Sheng is greeting lady Cui Yingying who is sitting in an armchair and reading a book. Her maid Hong Niang is standing behind her. The panel on the left of the central panel depicts three male and one female figures; the male figure who dressed in military uniform is General Baima. The panel below the central panel depicts two male and two female figures; the female figure is seeing off the male figure; somehow the male figures are dressed in Manchu official style. The panel on the right of the central panel depicts a woman sending a piece of red leave onto the river, which is a symbol of expressing love to the receiver. The rest of the space is filled with butterflies and floral patterns, forming the 'Die lian hua/蝶恋花 (literally, the butterfly in love with flower)' motif. Reverse, three flower sprays on the sides, including camellia, Chinese Rose, and peony. | Basin | 广彩西厢记人物故事图折沿盆 | porcelain | Qing | Guangzhou |
|
2,313durom.2014.510
| durom.2014.510-bb.jpg | data/raw/images/oriental/2014 | Woven panel that has been sewn together at the ends to create a skirt. This piece was woven by a member of the Iban tribe from the Sarawak region of Borneo. The colours within the skirt mostly consist of red, orange, yellow, black, cream and blue. The hem and waist band of the skirt has multiple rows of coloured bands in various widths mostly consisting of alternating red, yellow and black and white strips. The central panel has an intricate design of stylised ferns and foliage that are native to Borneo, woven into geometric shapes with chevrons, swirls and blocks of colour present within the design. | skirts | null | cotton | null | Sarawak State |
|
2,313durom.2014.510
| durom.2014.510-bb.jpg | data/raw/images/oriental/2014 | Woven panel that has been sewn together at the ends to create a skirt. This piece was woven by a member of the Iban tribe from the Sarawak region of Borneo. The colours within the skirt mostly consist of red, orange, yellow, black, cream and blue. The hem and waist band of the skirt has multiple rows of coloured bands in various widths mostly consisting of alternating red, yellow and black and white strips. The central panel has an intricate design of stylised ferns and foliage that are native to Borneo, woven into geometric shapes with chevrons, swirls and blocks of colour present within the design. | skirts | null | cotton | null | Sarawak State |
|
2,313durom.2014.510
| durom.2014.510-bb.jpg | data/raw/images/oriental/2014 | Woven panel that has been sewn together at the ends to create a skirt. This piece was woven by a member of the Iban tribe from the Sarawak region of Borneo. The colours within the skirt mostly consist of red, orange, yellow, black, cream and blue. The hem and waist band of the skirt has multiple rows of coloured bands in various widths mostly consisting of alternating red, yellow and black and white strips. The central panel has an intricate design of stylised ferns and foliage that are native to Borneo, woven into geometric shapes with chevrons, swirls and blocks of colour present within the design. | skirts | null | cotton | null | Sarawak State |
|
2,313durom.2014.510
| durom.2014.510-bb.jpg | data/raw/images/oriental/2014 | Woven panel that has been sewn together at the ends to create a skirt. This piece was woven by a member of the Iban tribe from the Sarawak region of Borneo. The colours within the skirt mostly consist of red, orange, yellow, black, cream and blue. The hem and waist band of the skirt has multiple rows of coloured bands in various widths mostly consisting of alternating red, yellow and black and white strips. The central panel has an intricate design of stylised ferns and foliage that are native to Borneo, woven into geometric shapes with chevrons, swirls and blocks of colour present within the design. | skirts | null | cotton | null | Sarawak State |
|
2,313durom.2014.510
| durom.2014.510-bb.jpg | data/raw/images/oriental/2014 | Woven panel that has been sewn together at the ends to create a skirt. This piece was woven by a member of the Iban tribe from the Sarawak region of Borneo. The colours within the skirt mostly consist of red, orange, yellow, black, cream and blue. The hem and waist band of the skirt has multiple rows of coloured bands in various widths mostly consisting of alternating red, yellow and black and white strips. The central panel has an intricate design of stylised ferns and foliage that are native to Borneo, woven into geometric shapes with chevrons, swirls and blocks of colour present within the design. | skirts | null | cotton | null | Sarawak State |
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