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durom.2014.535 | 2014.535.jpg | data/raw/images/oriental/2014 | Waistcoat made for a man which has been made from woven and dyed cotton threads with an intricate, stylised fern pattern with orange, cream and black threads used within the pattern with an inside lining of black cotton. There is a fringe of tassels along the hem of the piece with the remaining fibres having been twisted and knotted at the end. Running across the bottom of the waistcoat is a line of black and white thread that ends in black and white tassels at the end of the waistcoat along the hem. This piece is a traditionally woven piece from the Iban tribes in the Sarawak regions of Borneo. There is a sticker stuck to the surface of the waistcoat for the charity 'CAFOD', which is the official aid agency of the Catholic Church in England and Wales (the item was donated by Reverend David Bingham) | waistcoats | null | 69cotton
| null | Sarawak State |
|
durom.2014.535 | 2014.535.jpg | data/raw/images/oriental/2014 | Waistcoat made for a man which has been made from woven and dyed cotton threads with an intricate, stylised fern pattern with orange, cream and black threads used within the pattern with an inside lining of black cotton. There is a fringe of tassels along the hem of the piece with the remaining fibres having been twisted and knotted at the end. Running across the bottom of the waistcoat is a line of black and white thread that ends in black and white tassels at the end of the waistcoat along the hem. This piece is a traditionally woven piece from the Iban tribes in the Sarawak regions of Borneo. There is a sticker stuck to the surface of the waistcoat for the charity 'CAFOD', which is the official aid agency of the Catholic Church in England and Wales (the item was donated by Reverend David Bingham) | waistcoats | null | 69cotton
| null | Sarawak State |
|
durom.2014.535 | 2014.535.jpg | data/raw/images/oriental/2014 | Waistcoat made for a man which has been made from woven and dyed cotton threads with an intricate, stylised fern pattern with orange, cream and black threads used within the pattern with an inside lining of black cotton. There is a fringe of tassels along the hem of the piece with the remaining fibres having been twisted and knotted at the end. Running across the bottom of the waistcoat is a line of black and white thread that ends in black and white tassels at the end of the waistcoat along the hem. This piece is a traditionally woven piece from the Iban tribes in the Sarawak regions of Borneo. There is a sticker stuck to the surface of the waistcoat for the charity 'CAFOD', which is the official aid agency of the Catholic Church in England and Wales (the item was donated by Reverend David Bingham) | waistcoats | null | 69cotton
| null | Sarawak State |
|
durom.2014.535 | 2014.535.jpg | data/raw/images/oriental/2014 | Waistcoat made for a man which has been made from woven and dyed cotton threads with an intricate, stylised fern pattern with orange, cream and black threads used within the pattern with an inside lining of black cotton. There is a fringe of tassels along the hem of the piece with the remaining fibres having been twisted and knotted at the end. Running across the bottom of the waistcoat is a line of black and white thread that ends in black and white tassels at the end of the waistcoat along the hem. This piece is a traditionally woven piece from the Iban tribes in the Sarawak regions of Borneo. There is a sticker stuck to the surface of the waistcoat for the charity 'CAFOD', which is the official aid agency of the Catholic Church in England and Wales (the item was donated by Reverend David Bingham) | waistcoats | null | 69cotton
| null | Sarawak State |
|
durom.2014.535 | 2014.535.jpg | data/raw/images/oriental/2014 | Waistcoat made for a man which has been made from woven and dyed cotton threads with an intricate, stylised fern pattern with orange, cream and black threads used within the pattern with an inside lining of black cotton. There is a fringe of tassels along the hem of the piece with the remaining fibres having been twisted and knotted at the end. Running across the bottom of the waistcoat is a line of black and white thread that ends in black and white tassels at the end of the waistcoat along the hem. This piece is a traditionally woven piece from the Iban tribes in the Sarawak regions of Borneo. There is a sticker stuck to the surface of the waistcoat for the charity 'CAFOD', which is the official aid agency of the Catholic Church in England and Wales (the item was donated by Reverend David Bingham) | waistcoats | null | 69cotton
| null | Sarawak State |
|
durom.2014.278 | 2014.278.jpg | data/raw/images/oriental/2014 | Sarawak silk textile panel known as a pua kumba. The dyed silk has a brown background, with a white and dark brown woven pattern throughout and has been woven into intricate loops, swirls and diamond shapes. There is a purple/blue highlight to some of the swirls and lines within the pattern. A fringe is located at either end of the piece and is secured by a hand sewn line of alternating black and white chevron shapes | Panel | Pua Kumba | 149silk
| null | Miri |
|
durom.2014.278 | 2014.278.jpg | data/raw/images/oriental/2014 | Sarawak silk textile panel known as a pua kumba. The dyed silk has a brown background, with a white and dark brown woven pattern throughout and has been woven into intricate loops, swirls and diamond shapes. There is a purple/blue highlight to some of the swirls and lines within the pattern. A fringe is located at either end of the piece and is secured by a hand sewn line of alternating black and white chevron shapes | Panel | Pua Kumba | 149silk
| null | Miri |
|
durom.2014.278 | 2014.278.jpg | data/raw/images/oriental/2014 | Sarawak silk textile panel known as a pua kumba. The dyed silk has a brown background, with a white and dark brown woven pattern throughout and has been woven into intricate loops, swirls and diamond shapes. There is a purple/blue highlight to some of the swirls and lines within the pattern. A fringe is located at either end of the piece and is secured by a hand sewn line of alternating black and white chevron shapes | Panel | Pua Kumba | 149silk
| null | Miri |
|
durom.2014.278 | 2014.278.jpg | data/raw/images/oriental/2014 | Sarawak silk textile panel known as a pua kumba. The dyed silk has a brown background, with a white and dark brown woven pattern throughout and has been woven into intricate loops, swirls and diamond shapes. There is a purple/blue highlight to some of the swirls and lines within the pattern. A fringe is located at either end of the piece and is secured by a hand sewn line of alternating black and white chevron shapes | Panel | Pua Kumba | 149silk
| null | Miri |
|
durom.2014.278 | 2014.278.jpg | data/raw/images/oriental/2014 | Sarawak silk textile panel known as a pua kumba. The dyed silk has a brown background, with a white and dark brown woven pattern throughout and has been woven into intricate loops, swirls and diamond shapes. There is a purple/blue highlight to some of the swirls and lines within the pattern. A fringe is located at either end of the piece and is secured by a hand sewn line of alternating black and white chevron shapes | Panel | Pua Kumba | 149silk
| null | Miri |
|
eg2472 | eg2472-uu.jpg | data/raw/images/egyptian/eg | Moulded faience amulet, depicting the Egyptian God Thoth with the head of an ibis, with feet on a plinth whilst in a striding pose with the figure's back against a pillar. | amulets | deity amulet | 77faience
| null | Egypt |
|
eg2472 | eg2472-uu.jpg | data/raw/images/egyptian/eg | Moulded faience amulet, depicting the Egyptian God Thoth with the head of an ibis, with feet on a plinth whilst in a striding pose with the figure's back against a pillar. | amulets | deity amulet | 77faience
| null | Egypt |
|
eg2472 | eg2472-uu.jpg | data/raw/images/egyptian/eg | Moulded faience amulet, depicting the Egyptian God Thoth with the head of an ibis, with feet on a plinth whilst in a striding pose with the figure's back against a pillar. | amulets | deity amulet | 77faience
| null | Egypt |
|
eg2472 | eg2472-uu.jpg | data/raw/images/egyptian/eg | Moulded faience amulet, depicting the Egyptian God Thoth with the head of an ibis, with feet on a plinth whilst in a striding pose with the figure's back against a pillar. | amulets | deity amulet | 77faience
| null | Egypt |
|
eg2472 | eg2472-uu.jpg | data/raw/images/egyptian/eg | Moulded faience amulet, depicting the Egyptian God Thoth with the head of an ibis, with feet on a plinth whilst in a striding pose with the figure's back against a pillar. | amulets | deity amulet | 77faience
| null | Egypt |
|
durom.1960.2062 | 1960.2062 pc rr.jpg | data/raw/images/oriental/1960 | Carving of a warrior, on horseback, on a stand, damaged. | figures | null | 92ivory
| null | China |
|
durom.1960.2062 | 1960.2062 pc rr.jpg | data/raw/images/oriental/1960 | Carving of a warrior, on horseback, on a stand, damaged. | figures | null | 92ivory
| null | China |
|
durom.1960.2062 | 1960.2062 pc rr.jpg | data/raw/images/oriental/1960 | Carving of a warrior, on horseback, on a stand, damaged. | figures | null | 92ivory
| null | China |
|
durom.1960.2062 | 1960.2062 pc rr.jpg | data/raw/images/oriental/1960 | Carving of a warrior, on horseback, on a stand, damaged. | figures | null | 92ivory
| null | China |
|
durom.1960.2062 | 1960.2062 pc rr.jpg | data/raw/images/oriental/1960 | Carving of a warrior, on horseback, on a stand, damaged. | figures | null | 92ivory
| null | China |
|
durom.1969.39 | durom.1969.39-h2.jpg | data/raw/images/oriental/1969 | The 2-character inscription reads fei ma (flying horse), and the eight character inscription reads 'Made in April of the first year of reign of Jianning (168), commissioned by Ma (?)' | brick | 建宁飞马画像砖 | 63clay
| Eastern Han Dynasty | North China |
|
durom.1969.39 | durom.1969.39-h2.jpg | data/raw/images/oriental/1969 | The 2-character inscription reads fei ma (flying horse), and the eight character inscription reads 'Made in April of the first year of reign of Jianning (168), commissioned by Ma (?)' | brick | 建宁飞马画像砖 | 63clay
| Eastern Han Dynasty | North China |
|
durom.1969.39 | durom.1969.39-h2.jpg | data/raw/images/oriental/1969 | The 2-character inscription reads fei ma (flying horse), and the eight character inscription reads 'Made in April of the first year of reign of Jianning (168), commissioned by Ma (?)' | brick | 建宁飞马画像砖 | 63clay
| Eastern Han Dynasty | North China |
|
durom.1969.39 | durom.1969.39-h2.jpg | data/raw/images/oriental/1969 | The 2-character inscription reads fei ma (flying horse), and the eight character inscription reads 'Made in April of the first year of reign of Jianning (168), commissioned by Ma (?)' | brick | 建宁飞马画像砖 | 63clay
| Eastern Han Dynasty | North China |
|
durom.1969.39 | durom.1969.39-h2.jpg | data/raw/images/oriental/1969 | The 2-character inscription reads fei ma (flying horse), and the eight character inscription reads 'Made in April of the first year of reign of Jianning (168), commissioned by Ma (?)' | brick | 建宁飞马画像砖 | 63clay
| Eastern Han Dynasty | North China |
|
durom.1965.53 | 1965.53 rr.jpg | data/raw/images/oriental/1965 | Beaten copper coffee pot with silver spout. Lotus shaped silver decoration is present around the neck of the vessel, bottom of the spout, edges of the handle and to the top of the lid | pots | null | 151silver
| Qing | Tibet Autonomous Region (China) |
|
durom.1965.53 | 1965.53 rr.jpg | data/raw/images/oriental/1965 | Beaten copper coffee pot with silver spout. Lotus shaped silver decoration is present around the neck of the vessel, bottom of the spout, edges of the handle and to the top of the lid | pots | null | 151silver
| Qing | Tibet Autonomous Region (China) |
|
durom.1965.53 | 1965.53 rr.jpg | data/raw/images/oriental/1965 | Beaten copper coffee pot with silver spout. Lotus shaped silver decoration is present around the neck of the vessel, bottom of the spout, edges of the handle and to the top of the lid | pots | null | 151silver
| Qing | Tibet Autonomous Region (China) |
|
durom.1965.53 | 1965.53 rr.jpg | data/raw/images/oriental/1965 | Beaten copper coffee pot with silver spout. Lotus shaped silver decoration is present around the neck of the vessel, bottom of the spout, edges of the handle and to the top of the lid | pots | null | 151silver
| Qing | Tibet Autonomous Region (China) |
|
durom.1965.53 | 1965.53 rr.jpg | data/raw/images/oriental/1965 | Beaten copper coffee pot with silver spout. Lotus shaped silver decoration is present around the neck of the vessel, bottom of the spout, edges of the handle and to the top of the lid | pots | null | 151silver
| Qing | Tibet Autonomous Region (China) |
|
durom.1976.199 | 1976.199-tt.jpg | data/raw/images/oriental/1976 | A rabbit in kimono holding a paddle in the boat. | netsukes | Netsuke | 92ivory
| Meiji Period | Japan (country) |
|
durom.1976.199 | 1976.199-tt.jpg | data/raw/images/oriental/1976 | A rabbit in kimono holding a paddle in the boat. | netsukes | Netsuke | 92ivory
| Meiji Period | Japan (country) |
|
durom.1976.199 | 1976.199-tt.jpg | data/raw/images/oriental/1976 | A rabbit in kimono holding a paddle in the boat. | netsukes | Netsuke | 92ivory
| Meiji Period | Japan (country) |
|
durom.1976.199 | 1976.199-tt.jpg | data/raw/images/oriental/1976 | A rabbit in kimono holding a paddle in the boat. | netsukes | Netsuke | 92ivory
| Meiji Period | Japan (country) |
|
durom.1976.199 | 1976.199-tt.jpg | data/raw/images/oriental/1976 | A rabbit in kimono holding a paddle in the boat. | netsukes | Netsuke | 92ivory
| Meiji Period | Japan (country) |
|
durom.1969.35 | 1969.35.jpg | data/raw/images/oriental/1969 | Not depicting Yang Guifei (polo was a popular sport among the nobilities in Tang dynasty, see [Notes]). | models | 彩绘打马球俑 | 73earthenware
| Tang | North China |
|
durom.1969.35 | 1969.35.jpg | data/raw/images/oriental/1969 | Not depicting Yang Guifei (polo was a popular sport among the nobilities in Tang dynasty, see [Notes]). | models | 彩绘打马球俑 | 73earthenware
| Tang | North China |
|
durom.1969.35 | 1969.35.jpg | data/raw/images/oriental/1969 | Not depicting Yang Guifei (polo was a popular sport among the nobilities in Tang dynasty, see [Notes]). | models | 彩绘打马球俑 | 73earthenware
| Tang | North China |
|
durom.1969.35 | 1969.35.jpg | data/raw/images/oriental/1969 | Not depicting Yang Guifei (polo was a popular sport among the nobilities in Tang dynasty, see [Notes]). | models | 彩绘打马球俑 | 73earthenware
| Tang | North China |
|
durom.1969.35 | 1969.35.jpg | data/raw/images/oriental/1969 | Not depicting Yang Guifei (polo was a popular sport among the nobilities in Tang dynasty, see [Notes]). | models | 彩绘打马球俑 | 73earthenware
| Tang | North China |
|
durom.1999.10 | 1999.10 bb.jpg | data/raw/images/oriental/1999 | Figure in a Peking opera. One of a set of 13. | shadow puppets | null | 123parchment
| null | China |
|
durom.1999.10 | 1999.10 bb.jpg | data/raw/images/oriental/1999 | Figure in a Peking opera. One of a set of 13. | shadow puppets | null | 123parchment
| null | China |
|
durom.1999.10 | 1999.10 bb.jpg | data/raw/images/oriental/1999 | Figure in a Peking opera. One of a set of 13. | shadow puppets | null | 123parchment
| null | China |
|
durom.1999.10 | 1999.10 bb.jpg | data/raw/images/oriental/1999 | Figure in a Peking opera. One of a set of 13. | shadow puppets | null | 123parchment
| null | China |
|
durom.1999.10 | 1999.10 bb.jpg | data/raw/images/oriental/1999 | Figure in a Peking opera. One of a set of 13. | shadow puppets | null | 123parchment
| null | China |
|
durom.1970.26 | 1970.26-d3.jpg | data/raw/images/oriental/1970 | Tea jar, Agano ware made in imitation of Chinese Chin ware. | jars | null | 134pottery
| Edo Period | Japan (country) |
|
durom.1970.26 | 1970.26-d3.jpg | data/raw/images/oriental/1970 | Tea jar, Agano ware made in imitation of Chinese Chin ware. | jars | null | 134pottery
| Edo Period | Japan (country) |
|
durom.1970.26 | 1970.26-d3.jpg | data/raw/images/oriental/1970 | Tea jar, Agano ware made in imitation of Chinese Chin ware. | jars | null | 134pottery
| Edo Period | Japan (country) |
|
durom.1970.26 | 1970.26-d3.jpg | data/raw/images/oriental/1970 | Tea jar, Agano ware made in imitation of Chinese Chin ware. | jars | null | 134pottery
| Edo Period | Japan (country) |
|
durom.1970.26 | 1970.26-d3.jpg | data/raw/images/oriental/1970 | Tea jar, Agano ware made in imitation of Chinese Chin ware. | jars | null | 134pottery
| Edo Period | Japan (country) |
|
durom.1960.4c.2 | 1960.4c.2.jpg | data/raw/images/oriental/1960 | One of an extensive collection of slides and glass plates. Black and white glass plate with an image looking out over roof tops. Grand building with large windows on left-hand side. | Slide | null | 83glass
| null | England |
|
durom.1960.4c.2 | 1960.4c.2.jpg | data/raw/images/oriental/1960 | One of an extensive collection of slides and glass plates. Black and white glass plate with an image looking out over roof tops. Grand building with large windows on left-hand side. | Slide | null | 83glass
| null | England |
|
durom.1960.4c.2 | 1960.4c.2.jpg | data/raw/images/oriental/1960 | One of an extensive collection of slides and glass plates. Black and white glass plate with an image looking out over roof tops. Grand building with large windows on left-hand side. | Slide | null | 83glass
| null | England |
|
durom.1960.4c.2 | 1960.4c.2.jpg | data/raw/images/oriental/1960 | One of an extensive collection of slides and glass plates. Black and white glass plate with an image looking out over roof tops. Grand building with large windows on left-hand side. | Slide | null | 83glass
| null | England |
|
durom.1960.4c.2 | 1960.4c.2.jpg | data/raw/images/oriental/1960 | One of an extensive collection of slides and glass plates. Black and white glass plate with an image looking out over roof tops. Grand building with large windows on left-hand side. | Slide | null | 83glass
| null | England |
|
durom.1965.46 | 1965.46 ff.jpg | data/raw/images/oriental/1965 | Woman's amulet. Star-shaped box decorated with inlaid silver and turquoise. Not good quality. Broken pieces of red decoration inside. Possible loose substance within the vessel as there is a rattling sound when the item is handled | amulets | null | 108metal
| null | Tibet Autonomous Region (China) |
|
durom.1965.46 | 1965.46 ff.jpg | data/raw/images/oriental/1965 | Woman's amulet. Star-shaped box decorated with inlaid silver and turquoise. Not good quality. Broken pieces of red decoration inside. Possible loose substance within the vessel as there is a rattling sound when the item is handled | amulets | null | 108metal
| null | Tibet Autonomous Region (China) |
|
durom.1965.46 | 1965.46 ff.jpg | data/raw/images/oriental/1965 | Woman's amulet. Star-shaped box decorated with inlaid silver and turquoise. Not good quality. Broken pieces of red decoration inside. Possible loose substance within the vessel as there is a rattling sound when the item is handled | amulets | null | 108metal
| null | Tibet Autonomous Region (China) |
|
durom.1965.46 | 1965.46 ff.jpg | data/raw/images/oriental/1965 | Woman's amulet. Star-shaped box decorated with inlaid silver and turquoise. Not good quality. Broken pieces of red decoration inside. Possible loose substance within the vessel as there is a rattling sound when the item is handled | amulets | null | 108metal
| null | Tibet Autonomous Region (China) |
|
durom.1965.46 | 1965.46 ff.jpg | data/raw/images/oriental/1965 | Woman's amulet. Star-shaped box decorated with inlaid silver and turquoise. Not good quality. Broken pieces of red decoration inside. Possible loose substance within the vessel as there is a rattling sound when the item is handled | amulets | null | 108metal
| null | Tibet Autonomous Region (China) |
|
durom.2016.10 | 2016.10 ff.jpg | data/raw/images/castle/2016 | Japanese glazed stoneware figure of a dragon. A modern art-deco style dragon standing on all fours, with his head and tail raised. A line of spines runs down the back, and there are further spurs on the back of the legs and on top of the head. The dragon's mouth is open showing teeth. The feet are designed as paws with four pads, rather than with claws showing. There is a maker's mark stamped on the underside at the start of the tail. | statues | null | 160stoneware
| Showa | Japan (country) |
|
durom.2016.10 | 2016.10 ff.jpg | data/raw/images/castle/2016 | Japanese glazed stoneware figure of a dragon. A modern art-deco style dragon standing on all fours, with his head and tail raised. A line of spines runs down the back, and there are further spurs on the back of the legs and on top of the head. The dragon's mouth is open showing teeth. The feet are designed as paws with four pads, rather than with claws showing. There is a maker's mark stamped on the underside at the start of the tail. | statues | null | 160stoneware
| Showa | Japan (country) |
|
durom.2016.10 | 2016.10 ff.jpg | data/raw/images/castle/2016 | Japanese glazed stoneware figure of a dragon. A modern art-deco style dragon standing on all fours, with his head and tail raised. A line of spines runs down the back, and there are further spurs on the back of the legs and on top of the head. The dragon's mouth is open showing teeth. The feet are designed as paws with four pads, rather than with claws showing. There is a maker's mark stamped on the underside at the start of the tail. | statues | null | 160stoneware
| Showa | Japan (country) |
|
durom.2016.10 | 2016.10 ff.jpg | data/raw/images/castle/2016 | Japanese glazed stoneware figure of a dragon. A modern art-deco style dragon standing on all fours, with his head and tail raised. A line of spines runs down the back, and there are further spurs on the back of the legs and on top of the head. The dragon's mouth is open showing teeth. The feet are designed as paws with four pads, rather than with claws showing. There is a maker's mark stamped on the underside at the start of the tail. | statues | null | 160stoneware
| Showa | Japan (country) |
|
durom.2016.10 | 2016.10 ff.jpg | data/raw/images/castle/2016 | Japanese glazed stoneware figure of a dragon. A modern art-deco style dragon standing on all fours, with his head and tail raised. A line of spines runs down the back, and there are further spurs on the back of the legs and on top of the head. The dragon's mouth is open showing teeth. The feet are designed as paws with four pads, rather than with claws showing. There is a maker's mark stamped on the underside at the start of the tail. | statues | null | 160stoneware
| Showa | Japan (country) |
|
durom.1968.163 | 1968.163-bb.jpg | data/raw/images/oriental/1968 | Copper-based flower-pot in octangle shape, filled in and painted with enamel colours of figurine design, Painted Falang Enamel ware. The folded rim is painted with peach design on the surface and classic scrolls on the sides. The body, four large panels: one painted with a man and a woman walking towards a bridge in a mountain landscape; one painted with a man fishing by a pine tree and a boy attendant carrying a fish basket aside; one painted with a bearded old man and a boy sitting under a pine tree; the last one painted with a lady sitting by a large peony branch and a boy sitting in front of her, holding a vase. The large panels are topped with a bat. Between the large panels there are small panels decorated with flowers including plum blossom, bamboo, peach, peony, lotus and promegrante. All the panels are decorated with lotus panels at the base. The pot stands on four feet which are decorated with fret on the outside. The ridges of the pot are bound with copper. | pots | 铜胎画珐琅人物故事图八方盆 | 108metal
| Qing | China |
|
durom.1968.163 | 1968.163-bb.jpg | data/raw/images/oriental/1968 | Copper-based flower-pot in octangle shape, filled in and painted with enamel colours of figurine design, Painted Falang Enamel ware. The folded rim is painted with peach design on the surface and classic scrolls on the sides. The body, four large panels: one painted with a man and a woman walking towards a bridge in a mountain landscape; one painted with a man fishing by a pine tree and a boy attendant carrying a fish basket aside; one painted with a bearded old man and a boy sitting under a pine tree; the last one painted with a lady sitting by a large peony branch and a boy sitting in front of her, holding a vase. The large panels are topped with a bat. Between the large panels there are small panels decorated with flowers including plum blossom, bamboo, peach, peony, lotus and promegrante. All the panels are decorated with lotus panels at the base. The pot stands on four feet which are decorated with fret on the outside. The ridges of the pot are bound with copper. | pots | 铜胎画珐琅人物故事图八方盆 | 108metal
| Qing | China |
|
durom.1968.163 | 1968.163-bb.jpg | data/raw/images/oriental/1968 | Copper-based flower-pot in octangle shape, filled in and painted with enamel colours of figurine design, Painted Falang Enamel ware. The folded rim is painted with peach design on the surface and classic scrolls on the sides. The body, four large panels: one painted with a man and a woman walking towards a bridge in a mountain landscape; one painted with a man fishing by a pine tree and a boy attendant carrying a fish basket aside; one painted with a bearded old man and a boy sitting under a pine tree; the last one painted with a lady sitting by a large peony branch and a boy sitting in front of her, holding a vase. The large panels are topped with a bat. Between the large panels there are small panels decorated with flowers including plum blossom, bamboo, peach, peony, lotus and promegrante. All the panels are decorated with lotus panels at the base. The pot stands on four feet which are decorated with fret on the outside. The ridges of the pot are bound with copper. | pots | 铜胎画珐琅人物故事图八方盆 | 108metal
| Qing | China |
|
durom.1968.163 | 1968.163-bb.jpg | data/raw/images/oriental/1968 | Copper-based flower-pot in octangle shape, filled in and painted with enamel colours of figurine design, Painted Falang Enamel ware. The folded rim is painted with peach design on the surface and classic scrolls on the sides. The body, four large panels: one painted with a man and a woman walking towards a bridge in a mountain landscape; one painted with a man fishing by a pine tree and a boy attendant carrying a fish basket aside; one painted with a bearded old man and a boy sitting under a pine tree; the last one painted with a lady sitting by a large peony branch and a boy sitting in front of her, holding a vase. The large panels are topped with a bat. Between the large panels there are small panels decorated with flowers including plum blossom, bamboo, peach, peony, lotus and promegrante. All the panels are decorated with lotus panels at the base. The pot stands on four feet which are decorated with fret on the outside. The ridges of the pot are bound with copper. | pots | 铜胎画珐琅人物故事图八方盆 | 108metal
| Qing | China |
|
durom.1968.163 | 1968.163-bb.jpg | data/raw/images/oriental/1968 | Copper-based flower-pot in octangle shape, filled in and painted with enamel colours of figurine design, Painted Falang Enamel ware. The folded rim is painted with peach design on the surface and classic scrolls on the sides. The body, four large panels: one painted with a man and a woman walking towards a bridge in a mountain landscape; one painted with a man fishing by a pine tree and a boy attendant carrying a fish basket aside; one painted with a bearded old man and a boy sitting under a pine tree; the last one painted with a lady sitting by a large peony branch and a boy sitting in front of her, holding a vase. The large panels are topped with a bat. Between the large panels there are small panels decorated with flowers including plum blossom, bamboo, peach, peony, lotus and promegrante. All the panels are decorated with lotus panels at the base. The pot stands on four feet which are decorated with fret on the outside. The ridges of the pot are bound with copper. | pots | 铜胎画珐琅人物故事图八方盆 | 108metal
| Qing | China |
|
durom.1969.266 | durom.1969.266-h1.jpg | data/raw/images/oriental/1969 | Porcelain bowl in rectangular shape with straight flared walls, covered with translucent white glaze, and decorated with overglaze polychrome colours in Five-colours style with green as the dominant colour (or Famille verte by its French name). Each side is painted with a scene in the popular drama 'Romance of the West Chamber (Xixiang ji/西厢记)', see [Notes]. The first plot, a young scholar greeting 3 ladies with 2 attendants by his side; the second plot (to the left of the first plot), 2 military figures fighting on horses, another figure of a monk at the right corner; the third plot (to the left of the second plot), the young scholar departs on a horse with his attendant carrying his belongings, and the lady departs to the opposite direction a manual cart followed by her attendant; the fourth plot (to the left of the third plot), the young scholar napping by the window, dreaming (illustrated in the form of a picture in some smoke) about him meeting the lady. | bowls | 五彩西厢记人物故事图方斗杯 | 133porcelain
| Kangxi | Jingdezhen |
|
durom.1969.266 | durom.1969.266-h1.jpg | data/raw/images/oriental/1969 | Porcelain bowl in rectangular shape with straight flared walls, covered with translucent white glaze, and decorated with overglaze polychrome colours in Five-colours style with green as the dominant colour (or Famille verte by its French name). Each side is painted with a scene in the popular drama 'Romance of the West Chamber (Xixiang ji/西厢记)', see [Notes]. The first plot, a young scholar greeting 3 ladies with 2 attendants by his side; the second plot (to the left of the first plot), 2 military figures fighting on horses, another figure of a monk at the right corner; the third plot (to the left of the second plot), the young scholar departs on a horse with his attendant carrying his belongings, and the lady departs to the opposite direction a manual cart followed by her attendant; the fourth plot (to the left of the third plot), the young scholar napping by the window, dreaming (illustrated in the form of a picture in some smoke) about him meeting the lady. | bowls | 五彩西厢记人物故事图方斗杯 | 133porcelain
| Kangxi | Jingdezhen |
|
durom.1969.266 | durom.1969.266-h1.jpg | data/raw/images/oriental/1969 | Porcelain bowl in rectangular shape with straight flared walls, covered with translucent white glaze, and decorated with overglaze polychrome colours in Five-colours style with green as the dominant colour (or Famille verte by its French name). Each side is painted with a scene in the popular drama 'Romance of the West Chamber (Xixiang ji/西厢记)', see [Notes]. The first plot, a young scholar greeting 3 ladies with 2 attendants by his side; the second plot (to the left of the first plot), 2 military figures fighting on horses, another figure of a monk at the right corner; the third plot (to the left of the second plot), the young scholar departs on a horse with his attendant carrying his belongings, and the lady departs to the opposite direction a manual cart followed by her attendant; the fourth plot (to the left of the third plot), the young scholar napping by the window, dreaming (illustrated in the form of a picture in some smoke) about him meeting the lady. | bowls | 五彩西厢记人物故事图方斗杯 | 133porcelain
| Kangxi | Jingdezhen |
|
durom.1969.266 | durom.1969.266-h1.jpg | data/raw/images/oriental/1969 | Porcelain bowl in rectangular shape with straight flared walls, covered with translucent white glaze, and decorated with overglaze polychrome colours in Five-colours style with green as the dominant colour (or Famille verte by its French name). Each side is painted with a scene in the popular drama 'Romance of the West Chamber (Xixiang ji/西厢记)', see [Notes]. The first plot, a young scholar greeting 3 ladies with 2 attendants by his side; the second plot (to the left of the first plot), 2 military figures fighting on horses, another figure of a monk at the right corner; the third plot (to the left of the second plot), the young scholar departs on a horse with his attendant carrying his belongings, and the lady departs to the opposite direction a manual cart followed by her attendant; the fourth plot (to the left of the third plot), the young scholar napping by the window, dreaming (illustrated in the form of a picture in some smoke) about him meeting the lady. | bowls | 五彩西厢记人物故事图方斗杯 | 133porcelain
| Kangxi | Jingdezhen |
|
durom.1969.266 | durom.1969.266-h1.jpg | data/raw/images/oriental/1969 | Porcelain bowl in rectangular shape with straight flared walls, covered with translucent white glaze, and decorated with overglaze polychrome colours in Five-colours style with green as the dominant colour (or Famille verte by its French name). Each side is painted with a scene in the popular drama 'Romance of the West Chamber (Xixiang ji/西厢记)', see [Notes]. The first plot, a young scholar greeting 3 ladies with 2 attendants by his side; the second plot (to the left of the first plot), 2 military figures fighting on horses, another figure of a monk at the right corner; the third plot (to the left of the second plot), the young scholar departs on a horse with his attendant carrying his belongings, and the lady departs to the opposite direction a manual cart followed by her attendant; the fourth plot (to the left of the third plot), the young scholar napping by the window, dreaming (illustrated in the form of a picture in some smoke) about him meeting the lady. | bowls | 五彩西厢记人物故事图方斗杯 | 133porcelain
| Kangxi | Jingdezhen |
|
durom.1993.79 | 1993.79.jpg | data/raw/images/oriental/1993 | red child's robe made with western silk and make up. | robes | null | 149silk
| null | China |
|
durom.1993.79 | 1993.79.jpg | data/raw/images/oriental/1993 | red child's robe made with western silk and make up. | robes | null | 149silk
| null | China |
|
durom.1993.79 | 1993.79.jpg | data/raw/images/oriental/1993 | red child's robe made with western silk and make up. | robes | null | 149silk
| null | China |
|
durom.1993.79 | 1993.79.jpg | data/raw/images/oriental/1993 | red child's robe made with western silk and make up. | robes | null | 149silk
| null | China |
|
durom.1993.79 | 1993.79.jpg | data/raw/images/oriental/1993 | red child's robe made with western silk and make up. | robes | null | 149silk
| null | China |
|
durom.1969.434 | 1969.434-d4.jpg | data/raw/images/oriental/1969 | Porcelain vase, part of a rare ''Reverse Vase'' type (not incense burner), covered with pale celadon glaze, mouth bound with copper. The shape ressembles an archaic vessel Dou: with a slightly compressed upper body, high leg and spreading foot. There is a band of dots in applied-relied around the shoulder and another band around the bottom of the compressed body. The glaze colour imitates Longquan ware. Under the base, a 6-character Qianlong mark. | vases | 乾隆款粉青釉铜扣倒栽瓶 | 58celadon
| Qianlong | Jingdezhen |
|
durom.1969.434 | 1969.434-d4.jpg | data/raw/images/oriental/1969 | Porcelain vase, part of a rare ''Reverse Vase'' type (not incense burner), covered with pale celadon glaze, mouth bound with copper. The shape ressembles an archaic vessel Dou: with a slightly compressed upper body, high leg and spreading foot. There is a band of dots in applied-relied around the shoulder and another band around the bottom of the compressed body. The glaze colour imitates Longquan ware. Under the base, a 6-character Qianlong mark. | vases | 乾隆款粉青釉铜扣倒栽瓶 | 58celadon
| Qianlong | Jingdezhen |
|
durom.1969.434 | 1969.434-d4.jpg | data/raw/images/oriental/1969 | Porcelain vase, part of a rare ''Reverse Vase'' type (not incense burner), covered with pale celadon glaze, mouth bound with copper. The shape ressembles an archaic vessel Dou: with a slightly compressed upper body, high leg and spreading foot. There is a band of dots in applied-relied around the shoulder and another band around the bottom of the compressed body. The glaze colour imitates Longquan ware. Under the base, a 6-character Qianlong mark. | vases | 乾隆款粉青釉铜扣倒栽瓶 | 58celadon
| Qianlong | Jingdezhen |
|
durom.1969.434 | 1969.434-d4.jpg | data/raw/images/oriental/1969 | Porcelain vase, part of a rare ''Reverse Vase'' type (not incense burner), covered with pale celadon glaze, mouth bound with copper. The shape ressembles an archaic vessel Dou: with a slightly compressed upper body, high leg and spreading foot. There is a band of dots in applied-relied around the shoulder and another band around the bottom of the compressed body. The glaze colour imitates Longquan ware. Under the base, a 6-character Qianlong mark. | vases | 乾隆款粉青釉铜扣倒栽瓶 | 58celadon
| Qianlong | Jingdezhen |
|
durom.1969.434 | 1969.434-d4.jpg | data/raw/images/oriental/1969 | Porcelain vase, part of a rare ''Reverse Vase'' type (not incense burner), covered with pale celadon glaze, mouth bound with copper. The shape ressembles an archaic vessel Dou: with a slightly compressed upper body, high leg and spreading foot. There is a band of dots in applied-relied around the shoulder and another band around the bottom of the compressed body. The glaze colour imitates Longquan ware. Under the base, a 6-character Qianlong mark. | vases | 乾隆款粉青釉铜扣倒栽瓶 | 58celadon
| Qianlong | Jingdezhen |
|
durom.2013.307.28 | 2013.307.28 bb.jpg | data/raw/images/oriental/2013 | A light novel from a box set of twenty seven volumes of Fullmetal Alchemist manga. 200 page book of printed text in English, reading from left to right in the European style. The cover is printed with a blue background. The front has a large colour image of the characters Edward and Alphonse Elric and Roy Mustang. Edward Elric is at the bottom left, wearing a black shirt trimmed in white covered by a red hooded robe and with white gloves. In the centre is Alphonse Elric, a large grey spiky suit of armour. In the top left is Roy Mustang wearing a long black robe that trails behind him. The title is across the top and the authors names are on a grey bar across the bottom. The back cover is blue on the left with the title at the top and a large symbol silhouette below. On the left is a white panel filled with text summarising the plot. | books | Tankōbon | 120paper
| Heisei Period | Japan (country) |
|
durom.2013.307.28 | 2013.307.28 bb.jpg | data/raw/images/oriental/2013 | A light novel from a box set of twenty seven volumes of Fullmetal Alchemist manga. 200 page book of printed text in English, reading from left to right in the European style. The cover is printed with a blue background. The front has a large colour image of the characters Edward and Alphonse Elric and Roy Mustang. Edward Elric is at the bottom left, wearing a black shirt trimmed in white covered by a red hooded robe and with white gloves. In the centre is Alphonse Elric, a large grey spiky suit of armour. In the top left is Roy Mustang wearing a long black robe that trails behind him. The title is across the top and the authors names are on a grey bar across the bottom. The back cover is blue on the left with the title at the top and a large symbol silhouette below. On the left is a white panel filled with text summarising the plot. | books | Tankōbon | 120paper
| Heisei Period | Japan (country) |
|
durom.2013.307.28 | 2013.307.28 bb.jpg | data/raw/images/oriental/2013 | A light novel from a box set of twenty seven volumes of Fullmetal Alchemist manga. 200 page book of printed text in English, reading from left to right in the European style. The cover is printed with a blue background. The front has a large colour image of the characters Edward and Alphonse Elric and Roy Mustang. Edward Elric is at the bottom left, wearing a black shirt trimmed in white covered by a red hooded robe and with white gloves. In the centre is Alphonse Elric, a large grey spiky suit of armour. In the top left is Roy Mustang wearing a long black robe that trails behind him. The title is across the top and the authors names are on a grey bar across the bottom. The back cover is blue on the left with the title at the top and a large symbol silhouette below. On the left is a white panel filled with text summarising the plot. | books | Tankōbon | 120paper
| Heisei Period | Japan (country) |
|
durom.2013.307.28 | 2013.307.28 bb.jpg | data/raw/images/oriental/2013 | A light novel from a box set of twenty seven volumes of Fullmetal Alchemist manga. 200 page book of printed text in English, reading from left to right in the European style. The cover is printed with a blue background. The front has a large colour image of the characters Edward and Alphonse Elric and Roy Mustang. Edward Elric is at the bottom left, wearing a black shirt trimmed in white covered by a red hooded robe and with white gloves. In the centre is Alphonse Elric, a large grey spiky suit of armour. In the top left is Roy Mustang wearing a long black robe that trails behind him. The title is across the top and the authors names are on a grey bar across the bottom. The back cover is blue on the left with the title at the top and a large symbol silhouette below. On the left is a white panel filled with text summarising the plot. | books | Tankōbon | 120paper
| Heisei Period | Japan (country) |
|
durom.2013.307.28 | 2013.307.28 bb.jpg | data/raw/images/oriental/2013 | A light novel from a box set of twenty seven volumes of Fullmetal Alchemist manga. 200 page book of printed text in English, reading from left to right in the European style. The cover is printed with a blue background. The front has a large colour image of the characters Edward and Alphonse Elric and Roy Mustang. Edward Elric is at the bottom left, wearing a black shirt trimmed in white covered by a red hooded robe and with white gloves. In the centre is Alphonse Elric, a large grey spiky suit of armour. In the top left is Roy Mustang wearing a long black robe that trails behind him. The title is across the top and the authors names are on a grey bar across the bottom. The back cover is blue on the left with the title at the top and a large symbol silhouette below. On the left is a white panel filled with text summarising the plot. | books | Tankōbon | 120paper
| Heisei Period | Japan (country) |
|
durom.2006.53.83 | 2006.53.83-d1.jpg | data/raw/images/oriental/2006 | Small black boot from a model Japanese doll's house. | Part | null | 28Rubber
| Showa Period | Japan (country) |
|
durom.2006.53.83 | 2006.53.83-d1.jpg | data/raw/images/oriental/2006 | Small black boot from a model Japanese doll's house. | Part | null | 28Rubber
| Showa Period | Japan (country) |
|
durom.2006.53.83 | 2006.53.83-d1.jpg | data/raw/images/oriental/2006 | Small black boot from a model Japanese doll's house. | Part | null | 28Rubber
| Showa Period | Japan (country) |
|
durom.2006.53.83 | 2006.53.83-d1.jpg | data/raw/images/oriental/2006 | Small black boot from a model Japanese doll's house. | Part | null | 28Rubber
| Showa Period | Japan (country) |
|
durom.2006.53.83 | 2006.53.83-d1.jpg | data/raw/images/oriental/2006 | Small black boot from a model Japanese doll's house. | Part | null | 28Rubber
| Showa Period | Japan (country) |
|
durom.2013.33.1 | 2013.33.1-uu.jpg | data/raw/images/oriental/2013 | Re-Ment miniature uniform set with a miniature maid's outfit including cap and apron, box decorated with Kanji and various other outfits within the collection and a miniature tag decorated with an image of a cartoon girl dressed in the maid's outfit._x000D__x000D_
_x000D__x000D_
Miniature uniform set- The dress is plain black with an attached white collar and a separate apron that is lined in lace. The short sleeves have white cuffs. The dress comes with a white cap in the same lace that lines the apron and is fasted around the head with a tie. | models | null | 69cotton
| Heisei Period | Japan (country) |
|
durom.2013.33.1 | 2013.33.1-uu.jpg | data/raw/images/oriental/2013 | Re-Ment miniature uniform set with a miniature maid's outfit including cap and apron, box decorated with Kanji and various other outfits within the collection and a miniature tag decorated with an image of a cartoon girl dressed in the maid's outfit._x000D__x000D_
_x000D__x000D_
Miniature uniform set- The dress is plain black with an attached white collar and a separate apron that is lined in lace. The short sleeves have white cuffs. The dress comes with a white cap in the same lace that lines the apron and is fasted around the head with a tie. | models | null | 69cotton
| Heisei Period | Japan (country) |
|
durom.2013.33.1 | 2013.33.1-uu.jpg | data/raw/images/oriental/2013 | Re-Ment miniature uniform set with a miniature maid's outfit including cap and apron, box decorated with Kanji and various other outfits within the collection and a miniature tag decorated with an image of a cartoon girl dressed in the maid's outfit._x000D__x000D_
_x000D__x000D_
Miniature uniform set- The dress is plain black with an attached white collar and a separate apron that is lined in lace. The short sleeves have white cuffs. The dress comes with a white cap in the same lace that lines the apron and is fasted around the head with a tie. | models | null | 69cotton
| Heisei Period | Japan (country) |
|
durom.2013.33.1 | 2013.33.1-uu.jpg | data/raw/images/oriental/2013 | Re-Ment miniature uniform set with a miniature maid's outfit including cap and apron, box decorated with Kanji and various other outfits within the collection and a miniature tag decorated with an image of a cartoon girl dressed in the maid's outfit._x000D__x000D_
_x000D__x000D_
Miniature uniform set- The dress is plain black with an attached white collar and a separate apron that is lined in lace. The short sleeves have white cuffs. The dress comes with a white cap in the same lace that lines the apron and is fasted around the head with a tie. | models | null | 69cotton
| Heisei Period | Japan (country) |
|
durom.2013.33.1 | 2013.33.1-uu.jpg | data/raw/images/oriental/2013 | Re-Ment miniature uniform set with a miniature maid's outfit including cap and apron, box decorated with Kanji and various other outfits within the collection and a miniature tag decorated with an image of a cartoon girl dressed in the maid's outfit._x000D__x000D_
_x000D__x000D_
Miniature uniform set- The dress is plain black with an attached white collar and a separate apron that is lined in lace. The short sleeves have white cuffs. The dress comes with a white cap in the same lace that lines the apron and is fasted around the head with a tie. | models | null | 69cotton
| Heisei Period | Japan (country) |
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