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durom.1968.66 | 1968.66-ff.jpg | data/raw/images/oriental/1968 | Porcelain teapot with iron handle, decorated with overglaze enamel colours in famille rose style of Wushuang pu/无双谱 figurine design. Body, two historical figures - Tang dynasty prime minister Di Renjie/狄仁杰 and general Guo Ziyi/郭子仪, each accompanied by a text panel describing the person's life. Mouth of pot, mouth of spout, handle and part of decorations are gilt. Under the base, a 6-character Daoguang mark. | teapots | 道光款粉彩加金彩无双谱图提梁壶 | 133porcelain
| Daoguang reign | Jingdezhen |
|
durom.1968.66 | 1968.66-ff.jpg | data/raw/images/oriental/1968 | Porcelain teapot with iron handle, decorated with overglaze enamel colours in famille rose style of Wushuang pu/无双谱 figurine design. Body, two historical figures - Tang dynasty prime minister Di Renjie/狄仁杰 and general Guo Ziyi/郭子仪, each accompanied by a text panel describing the person's life. Mouth of pot, mouth of spout, handle and part of decorations are gilt. Under the base, a 6-character Daoguang mark. | teapots | 道光款粉彩加金彩无双谱图提梁壶 | 133porcelain
| Daoguang reign | Jingdezhen |
|
durom.1968.66 | 1968.66-ff.jpg | data/raw/images/oriental/1968 | Porcelain teapot with iron handle, decorated with overglaze enamel colours in famille rose style of Wushuang pu/无双谱 figurine design. Body, two historical figures - Tang dynasty prime minister Di Renjie/狄仁杰 and general Guo Ziyi/郭子仪, each accompanied by a text panel describing the person's life. Mouth of pot, mouth of spout, handle and part of decorations are gilt. Under the base, a 6-character Daoguang mark. | teapots | 道光款粉彩加金彩无双谱图提梁壶 | 133porcelain
| Daoguang reign | Jingdezhen |
|
durom.1968.66 | 1968.66-ff.jpg | data/raw/images/oriental/1968 | Porcelain teapot with iron handle, decorated with overglaze enamel colours in famille rose style of Wushuang pu/无双谱 figurine design. Body, two historical figures - Tang dynasty prime minister Di Renjie/狄仁杰 and general Guo Ziyi/郭子仪, each accompanied by a text panel describing the person's life. Mouth of pot, mouth of spout, handle and part of decorations are gilt. Under the base, a 6-character Daoguang mark. | teapots | 道光款粉彩加金彩无双谱图提梁壶 | 133porcelain
| Daoguang reign | Jingdezhen |
|
durom.1968.66 | 1968.66-ff.jpg | data/raw/images/oriental/1968 | Porcelain teapot with iron handle, decorated with overglaze enamel colours in famille rose style of Wushuang pu/无双谱 figurine design. Body, two historical figures - Tang dynasty prime minister Di Renjie/狄仁杰 and general Guo Ziyi/郭子仪, each accompanied by a text panel describing the person's life. Mouth of pot, mouth of spout, handle and part of decorations are gilt. Under the base, a 6-character Daoguang mark. | teapots | 道光款粉彩加金彩无双谱图提梁壶 | 133porcelain
| Daoguang reign | Jingdezhen |
|
durom.1962.230 | 1962.230.jpg | data/raw/images/oriental/1962 | Portrait of the first Mughal emperor of India, Babur, who ruled from 1526 to 1530, after defeating Ibrahim Lodi, the Afghan Sultan of Delhi. | Miniature Portrait | null | 21Opaque Watercolour on Paper
| null | India |
|
durom.1962.230 | 1962.230.jpg | data/raw/images/oriental/1962 | Portrait of the first Mughal emperor of India, Babur, who ruled from 1526 to 1530, after defeating Ibrahim Lodi, the Afghan Sultan of Delhi. | Miniature Portrait | null | 21Opaque Watercolour on Paper
| null | India |
|
durom.1962.230 | 1962.230.jpg | data/raw/images/oriental/1962 | Portrait of the first Mughal emperor of India, Babur, who ruled from 1526 to 1530, after defeating Ibrahim Lodi, the Afghan Sultan of Delhi. | Miniature Portrait | null | 21Opaque Watercolour on Paper
| null | India |
|
durom.1962.230 | 1962.230.jpg | data/raw/images/oriental/1962 | Portrait of the first Mughal emperor of India, Babur, who ruled from 1526 to 1530, after defeating Ibrahim Lodi, the Afghan Sultan of Delhi. | Miniature Portrait | null | 21Opaque Watercolour on Paper
| null | India |
|
durom.1962.230 | 1962.230.jpg | data/raw/images/oriental/1962 | Portrait of the first Mughal emperor of India, Babur, who ruled from 1526 to 1530, after defeating Ibrahim Lodi, the Afghan Sultan of Delhi. | Miniature Portrait | null | 21Opaque Watercolour on Paper
| null | India |
|
durom.2001.35.2 | 2001.35.2-tt.jpg | data/raw/images/oriental/2001 | Lacquered box with circular mother of pearl counters with various engravings of floral patterns and pictures of Chinese men within different occupations. Some of the counters feature the initial S or J on the back of it. On one of the larger counters it says on the back , 'In God is all my Trust'. The counters are kept in a small wooden lacquered box. This is black in colour with a gold painting of a landscape on top (this is kept with four similar boxes in a larger box, see 2001.35.1). The lid of the box is ill fitting to the body (the body is smaller than the other three boxes). There are 17 large counters, 2 medium and 9 smaller ones. | gaming counters | null | 110mother of pearl
| Qing | China |
|
durom.2001.35.2 | 2001.35.2-tt.jpg | data/raw/images/oriental/2001 | Lacquered box with circular mother of pearl counters with various engravings of floral patterns and pictures of Chinese men within different occupations. Some of the counters feature the initial S or J on the back of it. On one of the larger counters it says on the back , 'In God is all my Trust'. The counters are kept in a small wooden lacquered box. This is black in colour with a gold painting of a landscape on top (this is kept with four similar boxes in a larger box, see 2001.35.1). The lid of the box is ill fitting to the body (the body is smaller than the other three boxes). There are 17 large counters, 2 medium and 9 smaller ones. | gaming counters | null | 110mother of pearl
| Qing | China |
|
durom.2001.35.2 | 2001.35.2-tt.jpg | data/raw/images/oriental/2001 | Lacquered box with circular mother of pearl counters with various engravings of floral patterns and pictures of Chinese men within different occupations. Some of the counters feature the initial S or J on the back of it. On one of the larger counters it says on the back , 'In God is all my Trust'. The counters are kept in a small wooden lacquered box. This is black in colour with a gold painting of a landscape on top (this is kept with four similar boxes in a larger box, see 2001.35.1). The lid of the box is ill fitting to the body (the body is smaller than the other three boxes). There are 17 large counters, 2 medium and 9 smaller ones. | gaming counters | null | 110mother of pearl
| Qing | China |
|
durom.2001.35.2 | 2001.35.2-tt.jpg | data/raw/images/oriental/2001 | Lacquered box with circular mother of pearl counters with various engravings of floral patterns and pictures of Chinese men within different occupations. Some of the counters feature the initial S or J on the back of it. On one of the larger counters it says on the back , 'In God is all my Trust'. The counters are kept in a small wooden lacquered box. This is black in colour with a gold painting of a landscape on top (this is kept with four similar boxes in a larger box, see 2001.35.1). The lid of the box is ill fitting to the body (the body is smaller than the other three boxes). There are 17 large counters, 2 medium and 9 smaller ones. | gaming counters | null | 110mother of pearl
| Qing | China |
|
durom.2001.35.2 | 2001.35.2-tt.jpg | data/raw/images/oriental/2001 | Lacquered box with circular mother of pearl counters with various engravings of floral patterns and pictures of Chinese men within different occupations. Some of the counters feature the initial S or J on the back of it. On one of the larger counters it says on the back , 'In God is all my Trust'. The counters are kept in a small wooden lacquered box. This is black in colour with a gold painting of a landscape on top (this is kept with four similar boxes in a larger box, see 2001.35.1). The lid of the box is ill fitting to the body (the body is smaller than the other three boxes). There are 17 large counters, 2 medium and 9 smaller ones. | gaming counters | null | 110mother of pearl
| Qing | China |
|
durom.2015.296 | 2015.296 tt.jpg | data/raw/images/oriental/2015 | A small hexagonal jewellery box. It is made from lacquered papier-mâché. The bottom half is decorated with a similar pair of flowers on each of the six facings, a yellow centred flower on the right and a pink centred flower with two buds on the left. They are intended to be identical, but are not uniform due to the hand painted nature of the box. The top of the box is black, with an olive green, pink and white background designed to resemble flower buds. The main image is of two horsemen, one wearing a blue-grey tunic mounted on a burgundy horse, and the other wearing an orange tunic mounted on a blue-grey horse. The interior is painted black and has been varnished, but has been left undecorated. | Box | null | 121papier mâché
| 20th century | Iran |
|
durom.2015.296 | 2015.296 tt.jpg | data/raw/images/oriental/2015 | A small hexagonal jewellery box. It is made from lacquered papier-mâché. The bottom half is decorated with a similar pair of flowers on each of the six facings, a yellow centred flower on the right and a pink centred flower with two buds on the left. They are intended to be identical, but are not uniform due to the hand painted nature of the box. The top of the box is black, with an olive green, pink and white background designed to resemble flower buds. The main image is of two horsemen, one wearing a blue-grey tunic mounted on a burgundy horse, and the other wearing an orange tunic mounted on a blue-grey horse. The interior is painted black and has been varnished, but has been left undecorated. | Box | null | 121papier mâché
| 20th century | Iran |
|
durom.2015.296 | 2015.296 tt.jpg | data/raw/images/oriental/2015 | A small hexagonal jewellery box. It is made from lacquered papier-mâché. The bottom half is decorated with a similar pair of flowers on each of the six facings, a yellow centred flower on the right and a pink centred flower with two buds on the left. They are intended to be identical, but are not uniform due to the hand painted nature of the box. The top of the box is black, with an olive green, pink and white background designed to resemble flower buds. The main image is of two horsemen, one wearing a blue-grey tunic mounted on a burgundy horse, and the other wearing an orange tunic mounted on a blue-grey horse. The interior is painted black and has been varnished, but has been left undecorated. | Box | null | 121papier mâché
| 20th century | Iran |
|
durom.2015.296 | 2015.296 tt.jpg | data/raw/images/oriental/2015 | A small hexagonal jewellery box. It is made from lacquered papier-mâché. The bottom half is decorated with a similar pair of flowers on each of the six facings, a yellow centred flower on the right and a pink centred flower with two buds on the left. They are intended to be identical, but are not uniform due to the hand painted nature of the box. The top of the box is black, with an olive green, pink and white background designed to resemble flower buds. The main image is of two horsemen, one wearing a blue-grey tunic mounted on a burgundy horse, and the other wearing an orange tunic mounted on a blue-grey horse. The interior is painted black and has been varnished, but has been left undecorated. | Box | null | 121papier mâché
| 20th century | Iran |
|
durom.2015.296 | 2015.296 tt.jpg | data/raw/images/oriental/2015 | A small hexagonal jewellery box. It is made from lacquered papier-mâché. The bottom half is decorated with a similar pair of flowers on each of the six facings, a yellow centred flower on the right and a pink centred flower with two buds on the left. They are intended to be identical, but are not uniform due to the hand painted nature of the box. The top of the box is black, with an olive green, pink and white background designed to resemble flower buds. The main image is of two horsemen, one wearing a blue-grey tunic mounted on a burgundy horse, and the other wearing an orange tunic mounted on a blue-grey horse. The interior is painted black and has been varnished, but has been left undecorated. | Box | null | 121papier mâché
| 20th century | Iran |
|
durom.2002.11 | durom.2002.11.2-q2.jpg | data/raw/images/oriental/2002 | Mughal style jade bowl carved in shallow relief with quatrefoils containing triple lotuses divided by feathery arabesques. Wood stand. | bowls | null | 93jade
| Qing | Asia |
|
durom.2002.11 | durom.2002.11.2-q2.jpg | data/raw/images/oriental/2002 | Mughal style jade bowl carved in shallow relief with quatrefoils containing triple lotuses divided by feathery arabesques. Wood stand. | bowls | null | 93jade
| Qing | Asia |
|
durom.2002.11 | durom.2002.11.2-q2.jpg | data/raw/images/oriental/2002 | Mughal style jade bowl carved in shallow relief with quatrefoils containing triple lotuses divided by feathery arabesques. Wood stand. | bowls | null | 93jade
| Qing | Asia |
|
durom.2002.11 | durom.2002.11.2-q2.jpg | data/raw/images/oriental/2002 | Mughal style jade bowl carved in shallow relief with quatrefoils containing triple lotuses divided by feathery arabesques. Wood stand. | bowls | null | 93jade
| Qing | Asia |
|
durom.2002.11 | durom.2002.11.2-q2.jpg | data/raw/images/oriental/2002 | Mughal style jade bowl carved in shallow relief with quatrefoils containing triple lotuses divided by feathery arabesques. Wood stand. | bowls | null | 93jade
| Qing | Asia |
|
eg4393 | eg4393-pc1.jpg | data/raw/images/egyptian/eg | two part copper alloy toilet instrument with a broad flat blade and a narrow stick tapering to a point, hinged together with a pin. Probably used for arranging wigs and shaving | razors | toilette implement | 51bronze
| 18th Dynasty | Egypt |
|
eg4393 | eg4393-pc1.jpg | data/raw/images/egyptian/eg | two part copper alloy toilet instrument with a broad flat blade and a narrow stick tapering to a point, hinged together with a pin. Probably used for arranging wigs and shaving | razors | toilette implement | 51bronze
| 18th Dynasty | Egypt |
|
eg4393 | eg4393-pc1.jpg | data/raw/images/egyptian/eg | two part copper alloy toilet instrument with a broad flat blade and a narrow stick tapering to a point, hinged together with a pin. Probably used for arranging wigs and shaving | razors | toilette implement | 51bronze
| 18th Dynasty | Egypt |
|
eg4393 | eg4393-pc1.jpg | data/raw/images/egyptian/eg | two part copper alloy toilet instrument with a broad flat blade and a narrow stick tapering to a point, hinged together with a pin. Probably used for arranging wigs and shaving | razors | toilette implement | 51bronze
| 18th Dynasty | Egypt |
|
eg4393 | eg4393-pc1.jpg | data/raw/images/egyptian/eg | two part copper alloy toilet instrument with a broad flat blade and a narrow stick tapering to a point, hinged together with a pin. Probably used for arranging wigs and shaving | razors | toilette implement | 51bronze
| 18th Dynasty | Egypt |
|
durom.2001.161 | durom.2001.161-ff.jpg | data/raw/images/oriental/2001 | Lithograph boardgame entitled Sights of the Japan-British Exhibition: Tour Around the World (Nichiei hakurankai kenbutsu: Sekai isshu sugoroku): Japan, with images by Nakamura Fusetsu and text by Maeda Mokuho, published by Asahi Shinbun, Japan, 1910 | board games | Su Goroku | 120paper
| Meiji Period | Japan (country) |
|
durom.2001.161 | durom.2001.161-ff.jpg | data/raw/images/oriental/2001 | Lithograph boardgame entitled Sights of the Japan-British Exhibition: Tour Around the World (Nichiei hakurankai kenbutsu: Sekai isshu sugoroku): Japan, with images by Nakamura Fusetsu and text by Maeda Mokuho, published by Asahi Shinbun, Japan, 1910 | board games | Su Goroku | 120paper
| Meiji Period | Japan (country) |
|
durom.2001.161 | durom.2001.161-ff.jpg | data/raw/images/oriental/2001 | Lithograph boardgame entitled Sights of the Japan-British Exhibition: Tour Around the World (Nichiei hakurankai kenbutsu: Sekai isshu sugoroku): Japan, with images by Nakamura Fusetsu and text by Maeda Mokuho, published by Asahi Shinbun, Japan, 1910 | board games | Su Goroku | 120paper
| Meiji Period | Japan (country) |
|
durom.2001.161 | durom.2001.161-ff.jpg | data/raw/images/oriental/2001 | Lithograph boardgame entitled Sights of the Japan-British Exhibition: Tour Around the World (Nichiei hakurankai kenbutsu: Sekai isshu sugoroku): Japan, with images by Nakamura Fusetsu and text by Maeda Mokuho, published by Asahi Shinbun, Japan, 1910 | board games | Su Goroku | 120paper
| Meiji Period | Japan (country) |
|
durom.2001.161 | durom.2001.161-ff.jpg | data/raw/images/oriental/2001 | Lithograph boardgame entitled Sights of the Japan-British Exhibition: Tour Around the World (Nichiei hakurankai kenbutsu: Sekai isshu sugoroku): Japan, with images by Nakamura Fusetsu and text by Maeda Mokuho, published by Asahi Shinbun, Japan, 1910 | board games | Su Goroku | 120paper
| Meiji Period | Japan (country) |
|
durom.1998.17 | durom.1998.17-tt.jpg | data/raw/images/egyptian/1998 | complete coptic hollow pottery figurine of a female saint with melon coiffure surmounted by a large halo, wearing a long dress with her hands resting on her stomach. Painted (red and blue remains). Mounted ona wooden block (not fixed) | female figurine | saint figurine (female) | 134pottery
| Coptic Period | Egypt |
|
durom.1998.17 | durom.1998.17-tt.jpg | data/raw/images/egyptian/1998 | complete coptic hollow pottery figurine of a female saint with melon coiffure surmounted by a large halo, wearing a long dress with her hands resting on her stomach. Painted (red and blue remains). Mounted ona wooden block (not fixed) | female figurine | saint figurine (female) | 134pottery
| Coptic Period | Egypt |
|
durom.1998.17 | durom.1998.17-tt.jpg | data/raw/images/egyptian/1998 | complete coptic hollow pottery figurine of a female saint with melon coiffure surmounted by a large halo, wearing a long dress with her hands resting on her stomach. Painted (red and blue remains). Mounted ona wooden block (not fixed) | female figurine | saint figurine (female) | 134pottery
| Coptic Period | Egypt |
|
durom.1998.17 | durom.1998.17-tt.jpg | data/raw/images/egyptian/1998 | complete coptic hollow pottery figurine of a female saint with melon coiffure surmounted by a large halo, wearing a long dress with her hands resting on her stomach. Painted (red and blue remains). Mounted ona wooden block (not fixed) | female figurine | saint figurine (female) | 134pottery
| Coptic Period | Egypt |
|
durom.1998.17 | durom.1998.17-tt.jpg | data/raw/images/egyptian/1998 | complete coptic hollow pottery figurine of a female saint with melon coiffure surmounted by a large halo, wearing a long dress with her hands resting on her stomach. Painted (red and blue remains). Mounted ona wooden block (not fixed) | female figurine | saint figurine (female) | 134pottery
| Coptic Period | Egypt |
|
durom.1969.406 | 1969.406-d027.jpg | data/raw/images/oriental/1969 | Palm-leaf manuscript, a Kamawa (extract from the Buddhist scriptures) written in Pali and Burmese glosses (nissaya) incised in the modern Burmese script. Strung and kept between 2 red painted wooden boards, with the edges painted gold with a red stripe in the centre. | books | null | 119palm leaf
| null | Myanmar |
|
durom.1969.406 | 1969.406-d027.jpg | data/raw/images/oriental/1969 | Palm-leaf manuscript, a Kamawa (extract from the Buddhist scriptures) written in Pali and Burmese glosses (nissaya) incised in the modern Burmese script. Strung and kept between 2 red painted wooden boards, with the edges painted gold with a red stripe in the centre. | books | null | 119palm leaf
| null | Myanmar |
|
durom.1969.406 | 1969.406-d027.jpg | data/raw/images/oriental/1969 | Palm-leaf manuscript, a Kamawa (extract from the Buddhist scriptures) written in Pali and Burmese glosses (nissaya) incised in the modern Burmese script. Strung and kept between 2 red painted wooden boards, with the edges painted gold with a red stripe in the centre. | books | null | 119palm leaf
| null | Myanmar |
|
durom.1969.406 | 1969.406-d027.jpg | data/raw/images/oriental/1969 | Palm-leaf manuscript, a Kamawa (extract from the Buddhist scriptures) written in Pali and Burmese glosses (nissaya) incised in the modern Burmese script. Strung and kept between 2 red painted wooden boards, with the edges painted gold with a red stripe in the centre. | books | null | 119palm leaf
| null | Myanmar |
|
durom.1969.406 | 1969.406-d027.jpg | data/raw/images/oriental/1969 | Palm-leaf manuscript, a Kamawa (extract from the Buddhist scriptures) written in Pali and Burmese glosses (nissaya) incised in the modern Burmese script. Strung and kept between 2 red painted wooden boards, with the edges painted gold with a red stripe in the centre. | books | null | 119palm leaf
| null | Myanmar |
|
durom.2012.10 | 2012.10-11-d2.jpg | data/raw/images/oriental/2012 | Japanese hexagonal stoneware vase with persimmon glaze with green splashed design. Tall hexagonal glazed vase with brown, black and turquoise pattern._x000D__x000D_
Accompanied by a presentation case of plain unvarnished wood. The lid is not hinged and lifts straight off. The inside of the lid has three lines of Japanese characters painted in black ink with a brown seal impression containing a further Japanese character at the end of the shortest line. The body of the box has slits in the base through which is threaded a narrow woven brown ribbon that fastens over the lid. | vases | null | 160stoneware
| Showa Period | Japan (country) |
|
durom.2012.10 | 2012.10-11-d2.jpg | data/raw/images/oriental/2012 | Japanese hexagonal stoneware vase with persimmon glaze with green splashed design. Tall hexagonal glazed vase with brown, black and turquoise pattern._x000D__x000D_
Accompanied by a presentation case of plain unvarnished wood. The lid is not hinged and lifts straight off. The inside of the lid has three lines of Japanese characters painted in black ink with a brown seal impression containing a further Japanese character at the end of the shortest line. The body of the box has slits in the base through which is threaded a narrow woven brown ribbon that fastens over the lid. | vases | null | 160stoneware
| Showa Period | Japan (country) |
|
durom.2012.10 | 2012.10-11-d2.jpg | data/raw/images/oriental/2012 | Japanese hexagonal stoneware vase with persimmon glaze with green splashed design. Tall hexagonal glazed vase with brown, black and turquoise pattern._x000D__x000D_
Accompanied by a presentation case of plain unvarnished wood. The lid is not hinged and lifts straight off. The inside of the lid has three lines of Japanese characters painted in black ink with a brown seal impression containing a further Japanese character at the end of the shortest line. The body of the box has slits in the base through which is threaded a narrow woven brown ribbon that fastens over the lid. | vases | null | 160stoneware
| Showa Period | Japan (country) |
|
durom.2012.10 | 2012.10-11-d2.jpg | data/raw/images/oriental/2012 | Japanese hexagonal stoneware vase with persimmon glaze with green splashed design. Tall hexagonal glazed vase with brown, black and turquoise pattern._x000D__x000D_
Accompanied by a presentation case of plain unvarnished wood. The lid is not hinged and lifts straight off. The inside of the lid has three lines of Japanese characters painted in black ink with a brown seal impression containing a further Japanese character at the end of the shortest line. The body of the box has slits in the base through which is threaded a narrow woven brown ribbon that fastens over the lid. | vases | null | 160stoneware
| Showa Period | Japan (country) |
|
durom.2012.10 | 2012.10-11-d2.jpg | data/raw/images/oriental/2012 | Japanese hexagonal stoneware vase with persimmon glaze with green splashed design. Tall hexagonal glazed vase with brown, black and turquoise pattern._x000D__x000D_
Accompanied by a presentation case of plain unvarnished wood. The lid is not hinged and lifts straight off. The inside of the lid has three lines of Japanese characters painted in black ink with a brown seal impression containing a further Japanese character at the end of the shortest line. The body of the box has slits in the base through which is threaded a narrow woven brown ribbon that fastens over the lid. | vases | null | 160stoneware
| Showa Period | Japan (country) |
|
durom.1960.2332 | durom.1960.2332.13-ll.jpg | data/raw/images/oriental/1960 | A set of 14 miniature ivory seals. 5 pairs, 4 singles. - pairs of monks, seated cross-legged on a stone. Small. Square. 2-characters on the base of one, 1 character inside decoration on the other. Ink traces. - pairs of flowers, petals open, leaves up to catch the sun. rectangulr 'pedestal'. Bse on one, 2-characters, ink traces, within an oval border. The other has 2 characters, ink traces, in a rectangular border. - pair of horses (or mouantian goats). Standing heads looking to one side on a piece of 'rough ground' on top of oblong base. 2 charcters on the base of ech, ink traces, chunky earring. - another pair of cross-legged monks - one pulling his head. Square, and slightly larger than the first pari. On the base of one: 4 characters, ink traces. On the other, 1 character, decorating carved. - the last pair. 1 character, ink stained, on the base of each - stylished standing figure look almost like the long thin african wood figures.? - single dragon seated on top of rectangular pose. 4 characters, ink stained. - larger flower carved on the top of thin rectangular base. The bottom is divided into 2 squares. 1 charater on each, ink stained. - another singe horse. 3 characters, ink stianed. Chunky carving. Horse standing on 'rough ground', had looking over one shoulder to the side. - dog, sitting, begging on top of a square base. 4 characters, with stained chuncky carving. | Seal | null | 92ivory
| null | China |
|
durom.1960.2332 | durom.1960.2332.13-ll.jpg | data/raw/images/oriental/1960 | A set of 14 miniature ivory seals. 5 pairs, 4 singles. - pairs of monks, seated cross-legged on a stone. Small. Square. 2-characters on the base of one, 1 character inside decoration on the other. Ink traces. - pairs of flowers, petals open, leaves up to catch the sun. rectangulr 'pedestal'. Bse on one, 2-characters, ink traces, within an oval border. The other has 2 characters, ink traces, in a rectangular border. - pair of horses (or mouantian goats). Standing heads looking to one side on a piece of 'rough ground' on top of oblong base. 2 charcters on the base of ech, ink traces, chunky earring. - another pair of cross-legged monks - one pulling his head. Square, and slightly larger than the first pari. On the base of one: 4 characters, ink traces. On the other, 1 character, decorating carved. - the last pair. 1 character, ink stained, on the base of each - stylished standing figure look almost like the long thin african wood figures.? - single dragon seated on top of rectangular pose. 4 characters, ink stained. - larger flower carved on the top of thin rectangular base. The bottom is divided into 2 squares. 1 charater on each, ink stained. - another singe horse. 3 characters, ink stianed. Chunky carving. Horse standing on 'rough ground', had looking over one shoulder to the side. - dog, sitting, begging on top of a square base. 4 characters, with stained chuncky carving. | Seal | null | 92ivory
| null | China |
|
durom.1960.2332 | durom.1960.2332.13-ll.jpg | data/raw/images/oriental/1960 | A set of 14 miniature ivory seals. 5 pairs, 4 singles. - pairs of monks, seated cross-legged on a stone. Small. Square. 2-characters on the base of one, 1 character inside decoration on the other. Ink traces. - pairs of flowers, petals open, leaves up to catch the sun. rectangulr 'pedestal'. Bse on one, 2-characters, ink traces, within an oval border. The other has 2 characters, ink traces, in a rectangular border. - pair of horses (or mouantian goats). Standing heads looking to one side on a piece of 'rough ground' on top of oblong base. 2 charcters on the base of ech, ink traces, chunky earring. - another pair of cross-legged monks - one pulling his head. Square, and slightly larger than the first pari. On the base of one: 4 characters, ink traces. On the other, 1 character, decorating carved. - the last pair. 1 character, ink stained, on the base of each - stylished standing figure look almost like the long thin african wood figures.? - single dragon seated on top of rectangular pose. 4 characters, ink stained. - larger flower carved on the top of thin rectangular base. The bottom is divided into 2 squares. 1 charater on each, ink stained. - another singe horse. 3 characters, ink stianed. Chunky carving. Horse standing on 'rough ground', had looking over one shoulder to the side. - dog, sitting, begging on top of a square base. 4 characters, with stained chuncky carving. | Seal | null | 92ivory
| null | China |
|
durom.1960.2332 | durom.1960.2332.13-ll.jpg | data/raw/images/oriental/1960 | A set of 14 miniature ivory seals. 5 pairs, 4 singles. - pairs of monks, seated cross-legged on a stone. Small. Square. 2-characters on the base of one, 1 character inside decoration on the other. Ink traces. - pairs of flowers, petals open, leaves up to catch the sun. rectangulr 'pedestal'. Bse on one, 2-characters, ink traces, within an oval border. The other has 2 characters, ink traces, in a rectangular border. - pair of horses (or mouantian goats). Standing heads looking to one side on a piece of 'rough ground' on top of oblong base. 2 charcters on the base of ech, ink traces, chunky earring. - another pair of cross-legged monks - one pulling his head. Square, and slightly larger than the first pari. On the base of one: 4 characters, ink traces. On the other, 1 character, decorating carved. - the last pair. 1 character, ink stained, on the base of each - stylished standing figure look almost like the long thin african wood figures.? - single dragon seated on top of rectangular pose. 4 characters, ink stained. - larger flower carved on the top of thin rectangular base. The bottom is divided into 2 squares. 1 charater on each, ink stained. - another singe horse. 3 characters, ink stianed. Chunky carving. Horse standing on 'rough ground', had looking over one shoulder to the side. - dog, sitting, begging on top of a square base. 4 characters, with stained chuncky carving. | Seal | null | 92ivory
| null | China |
|
durom.1960.2332 | durom.1960.2332.13-ll.jpg | data/raw/images/oriental/1960 | A set of 14 miniature ivory seals. 5 pairs, 4 singles. - pairs of monks, seated cross-legged on a stone. Small. Square. 2-characters on the base of one, 1 character inside decoration on the other. Ink traces. - pairs of flowers, petals open, leaves up to catch the sun. rectangulr 'pedestal'. Bse on one, 2-characters, ink traces, within an oval border. The other has 2 characters, ink traces, in a rectangular border. - pair of horses (or mouantian goats). Standing heads looking to one side on a piece of 'rough ground' on top of oblong base. 2 charcters on the base of ech, ink traces, chunky earring. - another pair of cross-legged monks - one pulling his head. Square, and slightly larger than the first pari. On the base of one: 4 characters, ink traces. On the other, 1 character, decorating carved. - the last pair. 1 character, ink stained, on the base of each - stylished standing figure look almost like the long thin african wood figures.? - single dragon seated on top of rectangular pose. 4 characters, ink stained. - larger flower carved on the top of thin rectangular base. The bottom is divided into 2 squares. 1 charater on each, ink stained. - another singe horse. 3 characters, ink stianed. Chunky carving. Horse standing on 'rough ground', had looking over one shoulder to the side. - dog, sitting, begging on top of a square base. 4 characters, with stained chuncky carving. | Seal | null | 92ivory
| null | China |
|
durma.2020.3.226 | durma.2020.3.226-ff.jpg | data/raw/images/fulling_mill/2020 | An incomplete copper-alloy toilet article dating to the Roman period, this object is a part of the Piercebridge collection. It possesses a circular-section stem which at one end terminates in an elongated olivate probe. The join between probe and stem is extremely worn. At the other end, the stem is decorated with two beaded mouldings and circumferential grooves, before flattening to form a small trapezoidal plate, presumably part of a larger scoop now broken. The toilet article is 79mm in length and the stem has a maximum diameter of 3mm. The olivate terminal measures 13mm in length and has a maximum diameter of 3mm._x000D__x000D_
_x000D__x000D_
Portable Antiquities Record: https://finds.org.uk/database/artefacts/record/id/733603 | equipment for personal use: grooming, hygiene and health care | null | 108metal
| Roman | null |
|
durma.2020.3.226 | durma.2020.3.226-ff.jpg | data/raw/images/fulling_mill/2020 | An incomplete copper-alloy toilet article dating to the Roman period, this object is a part of the Piercebridge collection. It possesses a circular-section stem which at one end terminates in an elongated olivate probe. The join between probe and stem is extremely worn. At the other end, the stem is decorated with two beaded mouldings and circumferential grooves, before flattening to form a small trapezoidal plate, presumably part of a larger scoop now broken. The toilet article is 79mm in length and the stem has a maximum diameter of 3mm. The olivate terminal measures 13mm in length and has a maximum diameter of 3mm._x000D__x000D_
_x000D__x000D_
Portable Antiquities Record: https://finds.org.uk/database/artefacts/record/id/733603 | equipment for personal use: grooming, hygiene and health care | null | 108metal
| Roman | null |
|
durma.2020.3.226 | durma.2020.3.226-ff.jpg | data/raw/images/fulling_mill/2020 | An incomplete copper-alloy toilet article dating to the Roman period, this object is a part of the Piercebridge collection. It possesses a circular-section stem which at one end terminates in an elongated olivate probe. The join between probe and stem is extremely worn. At the other end, the stem is decorated with two beaded mouldings and circumferential grooves, before flattening to form a small trapezoidal plate, presumably part of a larger scoop now broken. The toilet article is 79mm in length and the stem has a maximum diameter of 3mm. The olivate terminal measures 13mm in length and has a maximum diameter of 3mm._x000D__x000D_
_x000D__x000D_
Portable Antiquities Record: https://finds.org.uk/database/artefacts/record/id/733603 | equipment for personal use: grooming, hygiene and health care | null | 108metal
| Roman | null |
|
durma.2020.3.226 | durma.2020.3.226-ff.jpg | data/raw/images/fulling_mill/2020 | An incomplete copper-alloy toilet article dating to the Roman period, this object is a part of the Piercebridge collection. It possesses a circular-section stem which at one end terminates in an elongated olivate probe. The join between probe and stem is extremely worn. At the other end, the stem is decorated with two beaded mouldings and circumferential grooves, before flattening to form a small trapezoidal plate, presumably part of a larger scoop now broken. The toilet article is 79mm in length and the stem has a maximum diameter of 3mm. The olivate terminal measures 13mm in length and has a maximum diameter of 3mm._x000D__x000D_
_x000D__x000D_
Portable Antiquities Record: https://finds.org.uk/database/artefacts/record/id/733603 | equipment for personal use: grooming, hygiene and health care | null | 108metal
| Roman | null |
|
durma.2020.3.226 | durma.2020.3.226-ff.jpg | data/raw/images/fulling_mill/2020 | An incomplete copper-alloy toilet article dating to the Roman period, this object is a part of the Piercebridge collection. It possesses a circular-section stem which at one end terminates in an elongated olivate probe. The join between probe and stem is extremely worn. At the other end, the stem is decorated with two beaded mouldings and circumferential grooves, before flattening to form a small trapezoidal plate, presumably part of a larger scoop now broken. The toilet article is 79mm in length and the stem has a maximum diameter of 3mm. The olivate terminal measures 13mm in length and has a maximum diameter of 3mm._x000D__x000D_
_x000D__x000D_
Portable Antiquities Record: https://finds.org.uk/database/artefacts/record/id/733603 | equipment for personal use: grooming, hygiene and health care | null | 108metal
| Roman | null |
|
durom.2014.457 | 2014.457-d2.jpg | data/raw/images/oriental/2014 | Red cotton banner with the embroidered medal from the Vietnam Peoples Republic called the Valiant Soldier Assault medal in the centre with a yellow fringed border and embroidered yellow writing. There is a machine embroidered legend that is split into two sections with the medal in the centre. The section above the badge reads 'Lực lượng vó trang giải Phóng miền Nam Việt Nam' (translating to 'Armed forces in the liberation of Southern Vietnam') and the section below the medal reads 'Lực lượng vô trang Hóc Môn Tỉnh gia đình. Quyết tâm chống Mỹ ngụy. Chiến thắng Hóc Môm, 1967' (which translates to 'Armed forces for Hoc Mon. Beat US aggressors. Victory Hoc Mon, 1967'). There is an open section on the left edge of the flag that will allow it to be attached to a pole so it can be used as a banner. The medal in the centre depicts a long, thin rectangle split into two colours (red on top, blue on the bottom) with a yellow star in the centre. Affixed to this is a circular medal with an image of a soldier in a yellow uniform and helmet running with a rifle in his hand. Behind him are palm trees and natural scenes. There is a legend above the soldier reading 'Dũng sĩ xung kích', which translates as 'Valiant Assault'. | flags | null | 69cotton
| null | Vietnam |
|
durom.2014.457 | 2014.457-d2.jpg | data/raw/images/oriental/2014 | Red cotton banner with the embroidered medal from the Vietnam Peoples Republic called the Valiant Soldier Assault medal in the centre with a yellow fringed border and embroidered yellow writing. There is a machine embroidered legend that is split into two sections with the medal in the centre. The section above the badge reads 'Lực lượng vó trang giải Phóng miền Nam Việt Nam' (translating to 'Armed forces in the liberation of Southern Vietnam') and the section below the medal reads 'Lực lượng vô trang Hóc Môn Tỉnh gia đình. Quyết tâm chống Mỹ ngụy. Chiến thắng Hóc Môm, 1967' (which translates to 'Armed forces for Hoc Mon. Beat US aggressors. Victory Hoc Mon, 1967'). There is an open section on the left edge of the flag that will allow it to be attached to a pole so it can be used as a banner. The medal in the centre depicts a long, thin rectangle split into two colours (red on top, blue on the bottom) with a yellow star in the centre. Affixed to this is a circular medal with an image of a soldier in a yellow uniform and helmet running with a rifle in his hand. Behind him are palm trees and natural scenes. There is a legend above the soldier reading 'Dũng sĩ xung kích', which translates as 'Valiant Assault'. | flags | null | 69cotton
| null | Vietnam |
|
durom.2014.457 | 2014.457-d2.jpg | data/raw/images/oriental/2014 | Red cotton banner with the embroidered medal from the Vietnam Peoples Republic called the Valiant Soldier Assault medal in the centre with a yellow fringed border and embroidered yellow writing. There is a machine embroidered legend that is split into two sections with the medal in the centre. The section above the badge reads 'Lực lượng vó trang giải Phóng miền Nam Việt Nam' (translating to 'Armed forces in the liberation of Southern Vietnam') and the section below the medal reads 'Lực lượng vô trang Hóc Môn Tỉnh gia đình. Quyết tâm chống Mỹ ngụy. Chiến thắng Hóc Môm, 1967' (which translates to 'Armed forces for Hoc Mon. Beat US aggressors. Victory Hoc Mon, 1967'). There is an open section on the left edge of the flag that will allow it to be attached to a pole so it can be used as a banner. The medal in the centre depicts a long, thin rectangle split into two colours (red on top, blue on the bottom) with a yellow star in the centre. Affixed to this is a circular medal with an image of a soldier in a yellow uniform and helmet running with a rifle in his hand. Behind him are palm trees and natural scenes. There is a legend above the soldier reading 'Dũng sĩ xung kích', which translates as 'Valiant Assault'. | flags | null | 69cotton
| null | Vietnam |
|
durom.2014.457 | 2014.457-d2.jpg | data/raw/images/oriental/2014 | Red cotton banner with the embroidered medal from the Vietnam Peoples Republic called the Valiant Soldier Assault medal in the centre with a yellow fringed border and embroidered yellow writing. There is a machine embroidered legend that is split into two sections with the medal in the centre. The section above the badge reads 'Lực lượng vó trang giải Phóng miền Nam Việt Nam' (translating to 'Armed forces in the liberation of Southern Vietnam') and the section below the medal reads 'Lực lượng vô trang Hóc Môn Tỉnh gia đình. Quyết tâm chống Mỹ ngụy. Chiến thắng Hóc Môm, 1967' (which translates to 'Armed forces for Hoc Mon. Beat US aggressors. Victory Hoc Mon, 1967'). There is an open section on the left edge of the flag that will allow it to be attached to a pole so it can be used as a banner. The medal in the centre depicts a long, thin rectangle split into two colours (red on top, blue on the bottom) with a yellow star in the centre. Affixed to this is a circular medal with an image of a soldier in a yellow uniform and helmet running with a rifle in his hand. Behind him are palm trees and natural scenes. There is a legend above the soldier reading 'Dũng sĩ xung kích', which translates as 'Valiant Assault'. | flags | null | 69cotton
| null | Vietnam |
|
durom.2014.457 | 2014.457-d2.jpg | data/raw/images/oriental/2014 | Red cotton banner with the embroidered medal from the Vietnam Peoples Republic called the Valiant Soldier Assault medal in the centre with a yellow fringed border and embroidered yellow writing. There is a machine embroidered legend that is split into two sections with the medal in the centre. The section above the badge reads 'Lực lượng vó trang giải Phóng miền Nam Việt Nam' (translating to 'Armed forces in the liberation of Southern Vietnam') and the section below the medal reads 'Lực lượng vô trang Hóc Môn Tỉnh gia đình. Quyết tâm chống Mỹ ngụy. Chiến thắng Hóc Môm, 1967' (which translates to 'Armed forces for Hoc Mon. Beat US aggressors. Victory Hoc Mon, 1967'). There is an open section on the left edge of the flag that will allow it to be attached to a pole so it can be used as a banner. The medal in the centre depicts a long, thin rectangle split into two colours (red on top, blue on the bottom) with a yellow star in the centre. Affixed to this is a circular medal with an image of a soldier in a yellow uniform and helmet running with a rifle in his hand. Behind him are palm trees and natural scenes. There is a legend above the soldier reading 'Dũng sĩ xung kích', which translates as 'Valiant Assault'. | flags | null | 69cotton
| null | Vietnam |
|
eg6857 | eg6857 ll.jpg | data/raw/images/egyptian/eg | Light blue/green faience phallic amulet, which shows a man on his knees lying flat on the ground and a giant phallus entering him from the rear. The figures hands are supporting the sides of his body and the face is side on. Very detailed moulding with a darker glaze representing the hair. Base is flat | amulets | phallic amulet | 77faience
| null | Egypt |
|
eg6857 | eg6857 ll.jpg | data/raw/images/egyptian/eg | Light blue/green faience phallic amulet, which shows a man on his knees lying flat on the ground and a giant phallus entering him from the rear. The figures hands are supporting the sides of his body and the face is side on. Very detailed moulding with a darker glaze representing the hair. Base is flat | amulets | phallic amulet | 77faience
| null | Egypt |
|
eg6857 | eg6857 ll.jpg | data/raw/images/egyptian/eg | Light blue/green faience phallic amulet, which shows a man on his knees lying flat on the ground and a giant phallus entering him from the rear. The figures hands are supporting the sides of his body and the face is side on. Very detailed moulding with a darker glaze representing the hair. Base is flat | amulets | phallic amulet | 77faience
| null | Egypt |
|
eg6857 | eg6857 ll.jpg | data/raw/images/egyptian/eg | Light blue/green faience phallic amulet, which shows a man on his knees lying flat on the ground and a giant phallus entering him from the rear. The figures hands are supporting the sides of his body and the face is side on. Very detailed moulding with a darker glaze representing the hair. Base is flat | amulets | phallic amulet | 77faience
| null | Egypt |
|
eg6857 | eg6857 ll.jpg | data/raw/images/egyptian/eg | Light blue/green faience phallic amulet, which shows a man on his knees lying flat on the ground and a giant phallus entering him from the rear. The figures hands are supporting the sides of his body and the face is side on. Very detailed moulding with a darker glaze representing the hair. Base is flat | amulets | phallic amulet | 77faience
| null | Egypt |
|
durma.2020.3.170 | durma.2020.3.170.ff.jpg | data/raw/images/fulling_mill/2020 | A fragment of copper-alloy wire, probably the stem of a pin dating to the Roman period, part of the Piercebridge River Assemblage. The fragment is circular in section and tapers at one end to a rounded point; the other end is broken. The wire is bent. The wire measures 53mm in length and 2mm in diameter. | pins | null | 67copper alloy
| Roman | null |
|
durma.2020.3.170 | durma.2020.3.170.ff.jpg | data/raw/images/fulling_mill/2020 | A fragment of copper-alloy wire, probably the stem of a pin dating to the Roman period, part of the Piercebridge River Assemblage. The fragment is circular in section and tapers at one end to a rounded point; the other end is broken. The wire is bent. The wire measures 53mm in length and 2mm in diameter. | pins | null | 67copper alloy
| Roman | null |
|
durma.2020.3.170 | durma.2020.3.170.ff.jpg | data/raw/images/fulling_mill/2020 | A fragment of copper-alloy wire, probably the stem of a pin dating to the Roman period, part of the Piercebridge River Assemblage. The fragment is circular in section and tapers at one end to a rounded point; the other end is broken. The wire is bent. The wire measures 53mm in length and 2mm in diameter. | pins | null | 67copper alloy
| Roman | null |
|
durma.2020.3.170 | durma.2020.3.170.ff.jpg | data/raw/images/fulling_mill/2020 | A fragment of copper-alloy wire, probably the stem of a pin dating to the Roman period, part of the Piercebridge River Assemblage. The fragment is circular in section and tapers at one end to a rounded point; the other end is broken. The wire is bent. The wire measures 53mm in length and 2mm in diameter. | pins | null | 67copper alloy
| Roman | null |
|
durma.2020.3.170 | durma.2020.3.170.ff.jpg | data/raw/images/fulling_mill/2020 | A fragment of copper-alloy wire, probably the stem of a pin dating to the Roman period, part of the Piercebridge River Assemblage. The fragment is circular in section and tapers at one end to a rounded point; the other end is broken. The wire is bent. The wire measures 53mm in length and 2mm in diameter. | pins | null | 67copper alloy
| Roman | null |
|
durom.1969.406 | 1969.406-d110.jpg | data/raw/images/oriental/1969 | Palm-leaf manuscript, a Kamawa (extract from the Buddhist scriptures) written in Pali and Burmese glosses (nissaya) incised in the modern Burmese script. Strung and kept between 2 red painted wooden boards, with the edges painted gold with a red stripe in the centre. | books | null | 119palm leaf
| null | Myanmar |
|
durom.1969.406 | 1969.406-d110.jpg | data/raw/images/oriental/1969 | Palm-leaf manuscript, a Kamawa (extract from the Buddhist scriptures) written in Pali and Burmese glosses (nissaya) incised in the modern Burmese script. Strung and kept between 2 red painted wooden boards, with the edges painted gold with a red stripe in the centre. | books | null | 119palm leaf
| null | Myanmar |
|
durom.1969.406 | 1969.406-d110.jpg | data/raw/images/oriental/1969 | Palm-leaf manuscript, a Kamawa (extract from the Buddhist scriptures) written in Pali and Burmese glosses (nissaya) incised in the modern Burmese script. Strung and kept between 2 red painted wooden boards, with the edges painted gold with a red stripe in the centre. | books | null | 119palm leaf
| null | Myanmar |
|
durom.1969.406 | 1969.406-d110.jpg | data/raw/images/oriental/1969 | Palm-leaf manuscript, a Kamawa (extract from the Buddhist scriptures) written in Pali and Burmese glosses (nissaya) incised in the modern Burmese script. Strung and kept between 2 red painted wooden boards, with the edges painted gold with a red stripe in the centre. | books | null | 119palm leaf
| null | Myanmar |
|
durom.1969.406 | 1969.406-d110.jpg | data/raw/images/oriental/1969 | Palm-leaf manuscript, a Kamawa (extract from the Buddhist scriptures) written in Pali and Burmese glosses (nissaya) incised in the modern Burmese script. Strung and kept between 2 red painted wooden boards, with the edges painted gold with a red stripe in the centre. | books | null | 119palm leaf
| null | Myanmar |
|
durom.1969.582 | 1969.582 uu.jpg | data/raw/images/oriental/1969 | blue and white porcelain vase, export ware. | vases | null | 133porcelain
| Qing | China |
|
durom.1969.582 | 1969.582 uu.jpg | data/raw/images/oriental/1969 | blue and white porcelain vase, export ware. | vases | null | 133porcelain
| Qing | China |
|
durom.1969.582 | 1969.582 uu.jpg | data/raw/images/oriental/1969 | blue and white porcelain vase, export ware. | vases | null | 133porcelain
| Qing | China |
|
durom.1969.582 | 1969.582 uu.jpg | data/raw/images/oriental/1969 | blue and white porcelain vase, export ware. | vases | null | 133porcelain
| Qing | China |
|
durom.1969.582 | 1969.582 uu.jpg | data/raw/images/oriental/1969 | blue and white porcelain vase, export ware. | vases | null | 133porcelain
| Qing | China |
|
durom.1960.1337 | 1960.1337-uu.jpg | data/raw/images/oriental/1960 | Jade water dropper in the shape of a crested bird, pale grey with brown markings. The bird has stretched wings and long feathers underneath the wings; it is holding a lotus bud stem in its beak. There is a hole on the bird's back as the mouth of the pot. The pot has a small lid in the shape of a lotus blossom. | Water Dropper | 玉石鸟形砚滴 | 93jade
| Qing | China |
|
durom.1960.1337 | 1960.1337-uu.jpg | data/raw/images/oriental/1960 | Jade water dropper in the shape of a crested bird, pale grey with brown markings. The bird has stretched wings and long feathers underneath the wings; it is holding a lotus bud stem in its beak. There is a hole on the bird's back as the mouth of the pot. The pot has a small lid in the shape of a lotus blossom. | Water Dropper | 玉石鸟形砚滴 | 93jade
| Qing | China |
|
durom.1960.1337 | 1960.1337-uu.jpg | data/raw/images/oriental/1960 | Jade water dropper in the shape of a crested bird, pale grey with brown markings. The bird has stretched wings and long feathers underneath the wings; it is holding a lotus bud stem in its beak. There is a hole on the bird's back as the mouth of the pot. The pot has a small lid in the shape of a lotus blossom. | Water Dropper | 玉石鸟形砚滴 | 93jade
| Qing | China |
|
durom.1960.1337 | 1960.1337-uu.jpg | data/raw/images/oriental/1960 | Jade water dropper in the shape of a crested bird, pale grey with brown markings. The bird has stretched wings and long feathers underneath the wings; it is holding a lotus bud stem in its beak. There is a hole on the bird's back as the mouth of the pot. The pot has a small lid in the shape of a lotus blossom. | Water Dropper | 玉石鸟形砚滴 | 93jade
| Qing | China |
|
durom.1960.1337 | 1960.1337-uu.jpg | data/raw/images/oriental/1960 | Jade water dropper in the shape of a crested bird, pale grey with brown markings. The bird has stretched wings and long feathers underneath the wings; it is holding a lotus bud stem in its beak. There is a hole on the bird's back as the mouth of the pot. The pot has a small lid in the shape of a lotus blossom. | Water Dropper | 玉石鸟形砚滴 | 93jade
| Qing | China |
|
durom.1966.56 | durom.1966.56-d19.jpg | data/raw/images/oriental/1966 | Dragon robe, predominant colour blue, highly decorated with multicoloured embroidery. The bottom edge is decorated with embroidered satin stitch coloured stripes in a wave pattern with embroidered roundels of peking knots depicting a single large flower, probably a peony. The body is covered with embroidered satin stitch clouds in varying colours and has three couched gold thread embroidered dragons with flaming pearls on the front, one in profile to either side of the front opening and one front on over the chest. There are two further couched gold thread embroidered dragons over the shoulders and three more on the back. The main part of the sleeve is plain dark blue silk with a horseshoe cuff. The neck, front opening and both cuffs are trimmed with a thick strip of black silk decorated with embroidered waves, clouds and couched gold thread dragons. The whole robe is lined with pale blue woven brocaded silk. At the top of the front split is a large embroidered motif of two of the eight Buddhist emblems, the paired fish and the canopy, combined with peonys . Among the embroidery on the robe are bats and some of the eight Buddhist emblems: a vase and several endless knots on the front and two wheels and two conches on the back, each paired with a peony. | robes | null | 167textiles
| Qing | China |
|
durom.1966.56 | durom.1966.56-d19.jpg | data/raw/images/oriental/1966 | Dragon robe, predominant colour blue, highly decorated with multicoloured embroidery. The bottom edge is decorated with embroidered satin stitch coloured stripes in a wave pattern with embroidered roundels of peking knots depicting a single large flower, probably a peony. The body is covered with embroidered satin stitch clouds in varying colours and has three couched gold thread embroidered dragons with flaming pearls on the front, one in profile to either side of the front opening and one front on over the chest. There are two further couched gold thread embroidered dragons over the shoulders and three more on the back. The main part of the sleeve is plain dark blue silk with a horseshoe cuff. The neck, front opening and both cuffs are trimmed with a thick strip of black silk decorated with embroidered waves, clouds and couched gold thread dragons. The whole robe is lined with pale blue woven brocaded silk. At the top of the front split is a large embroidered motif of two of the eight Buddhist emblems, the paired fish and the canopy, combined with peonys . Among the embroidery on the robe are bats and some of the eight Buddhist emblems: a vase and several endless knots on the front and two wheels and two conches on the back, each paired with a peony. | robes | null | 167textiles
| Qing | China |
|
durom.1966.56 | durom.1966.56-d19.jpg | data/raw/images/oriental/1966 | Dragon robe, predominant colour blue, highly decorated with multicoloured embroidery. The bottom edge is decorated with embroidered satin stitch coloured stripes in a wave pattern with embroidered roundels of peking knots depicting a single large flower, probably a peony. The body is covered with embroidered satin stitch clouds in varying colours and has three couched gold thread embroidered dragons with flaming pearls on the front, one in profile to either side of the front opening and one front on over the chest. There are two further couched gold thread embroidered dragons over the shoulders and three more on the back. The main part of the sleeve is plain dark blue silk with a horseshoe cuff. The neck, front opening and both cuffs are trimmed with a thick strip of black silk decorated with embroidered waves, clouds and couched gold thread dragons. The whole robe is lined with pale blue woven brocaded silk. At the top of the front split is a large embroidered motif of two of the eight Buddhist emblems, the paired fish and the canopy, combined with peonys . Among the embroidery on the robe are bats and some of the eight Buddhist emblems: a vase and several endless knots on the front and two wheels and two conches on the back, each paired with a peony. | robes | null | 167textiles
| Qing | China |
|
durom.1966.56 | durom.1966.56-d19.jpg | data/raw/images/oriental/1966 | Dragon robe, predominant colour blue, highly decorated with multicoloured embroidery. The bottom edge is decorated with embroidered satin stitch coloured stripes in a wave pattern with embroidered roundels of peking knots depicting a single large flower, probably a peony. The body is covered with embroidered satin stitch clouds in varying colours and has three couched gold thread embroidered dragons with flaming pearls on the front, one in profile to either side of the front opening and one front on over the chest. There are two further couched gold thread embroidered dragons over the shoulders and three more on the back. The main part of the sleeve is plain dark blue silk with a horseshoe cuff. The neck, front opening and both cuffs are trimmed with a thick strip of black silk decorated with embroidered waves, clouds and couched gold thread dragons. The whole robe is lined with pale blue woven brocaded silk. At the top of the front split is a large embroidered motif of two of the eight Buddhist emblems, the paired fish and the canopy, combined with peonys . Among the embroidery on the robe are bats and some of the eight Buddhist emblems: a vase and several endless knots on the front and two wheels and two conches on the back, each paired with a peony. | robes | null | 167textiles
| Qing | China |
|
durom.1966.56 | durom.1966.56-d19.jpg | data/raw/images/oriental/1966 | Dragon robe, predominant colour blue, highly decorated with multicoloured embroidery. The bottom edge is decorated with embroidered satin stitch coloured stripes in a wave pattern with embroidered roundels of peking knots depicting a single large flower, probably a peony. The body is covered with embroidered satin stitch clouds in varying colours and has three couched gold thread embroidered dragons with flaming pearls on the front, one in profile to either side of the front opening and one front on over the chest. There are two further couched gold thread embroidered dragons over the shoulders and three more on the back. The main part of the sleeve is plain dark blue silk with a horseshoe cuff. The neck, front opening and both cuffs are trimmed with a thick strip of black silk decorated with embroidered waves, clouds and couched gold thread dragons. The whole robe is lined with pale blue woven brocaded silk. At the top of the front split is a large embroidered motif of two of the eight Buddhist emblems, the paired fish and the canopy, combined with peonys . Among the embroidery on the robe are bats and some of the eight Buddhist emblems: a vase and several endless knots on the front and two wheels and two conches on the back, each paired with a peony. | robes | null | 167textiles
| Qing | China |
|
eg2251 | eg2251-676-uu.jpg | data/raw/images/egyptian/eg | base ring ware globular jar with widest point just above halfway, curving in to a central opening marked with a flat rim, no neck. The jar has polychrome decorative and figural decoration consisting of a lotus flower decoration on the lower half, a central band with animals and figures in foliage, and an upper section with a moulded face (Hathor?) in a painted broad collar flanked by four painted loops. There are the remains of some hieroglyphs on the right side of the moulded face | jars | jar | 134pottery
| Amenhotep III/Amenophis III/Nebmaatre | Egypt |
|
eg2251 | eg2251-676-uu.jpg | data/raw/images/egyptian/eg | base ring ware globular jar with widest point just above halfway, curving in to a central opening marked with a flat rim, no neck. The jar has polychrome decorative and figural decoration consisting of a lotus flower decoration on the lower half, a central band with animals and figures in foliage, and an upper section with a moulded face (Hathor?) in a painted broad collar flanked by four painted loops. There are the remains of some hieroglyphs on the right side of the moulded face | jars | jar | 134pottery
| Amenhotep III/Amenophis III/Nebmaatre | Egypt |
|
eg2251 | eg2251-676-uu.jpg | data/raw/images/egyptian/eg | base ring ware globular jar with widest point just above halfway, curving in to a central opening marked with a flat rim, no neck. The jar has polychrome decorative and figural decoration consisting of a lotus flower decoration on the lower half, a central band with animals and figures in foliage, and an upper section with a moulded face (Hathor?) in a painted broad collar flanked by four painted loops. There are the remains of some hieroglyphs on the right side of the moulded face | jars | jar | 134pottery
| Amenhotep III/Amenophis III/Nebmaatre | Egypt |
|
eg2251 | eg2251-676-uu.jpg | data/raw/images/egyptian/eg | base ring ware globular jar with widest point just above halfway, curving in to a central opening marked with a flat rim, no neck. The jar has polychrome decorative and figural decoration consisting of a lotus flower decoration on the lower half, a central band with animals and figures in foliage, and an upper section with a moulded face (Hathor?) in a painted broad collar flanked by four painted loops. There are the remains of some hieroglyphs on the right side of the moulded face | jars | jar | 134pottery
| Amenhotep III/Amenophis III/Nebmaatre | Egypt |
|
eg2251 | eg2251-676-uu.jpg | data/raw/images/egyptian/eg | base ring ware globular jar with widest point just above halfway, curving in to a central opening marked with a flat rim, no neck. The jar has polychrome decorative and figural decoration consisting of a lotus flower decoration on the lower half, a central band with animals and figures in foliage, and an upper section with a moulded face (Hathor?) in a painted broad collar flanked by four painted loops. There are the remains of some hieroglyphs on the right side of the moulded face | jars | jar | 134pottery
| Amenhotep III/Amenophis III/Nebmaatre | Egypt |
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