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/blob/zyang/pretrain_value/pixmo-cap-image/00000199.jpg
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Explain the visual content of the image in great detail.
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This vertical rectangular poster features a light beige background and an array of twelve different mushrooms, each uniquely numbered from 1 to 12. At the top of the poster, bold black letters spell out "Agaricales," signifying the order of the fungi displayed.
The mushrooms vary in color and shape, offering a colorful and fascinating glimpse into fungal diversity. Number 1 showcases yellow-capped mushrooms, while Number 2 features pink and white capped mushrooms with a visible underside. Number 3 is a tan-colored mushroom, and Number 4, although not described in detail, carries its own distinct appearance.
Number 5 highlights the well-known Amanita muscaria, easily recognizable by its red cap adorned with white specks. Number 6 depicts smaller mushrooms that are white and gray with black stems, and Number 7 includes another red variety. Number 8 is characterized by a white and gray cap.
The subsequent mushrooms continue the diversity: some are brown, white, or yellow, and there are additional descriptions of a complete white mushroom with a gray bottom and an orange cap with white spots.
At the bottom of the poster is a paragraph in a different language, offering additional information that remains unreadable. Overall, this poster is a comprehensive display of the Agaricales order, capturing the varied and intricate beauty of mushrooms.
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This vertical rectangular poster features a light beige background and an array of twelve different mushrooms, each uniquely numbered from 1 to 12. At the top of the poster, bold black letters spell out "Agaricales," signifying the order of the fungi displayed.
The mushrooms vary in color and shape, offering a colorful and fascinating glimpse into fungal diversity. Number 1 showcases green-capped mushrooms, while Number 2 features pink and white capped mushrooms with a visible underside. Number 3 is a tan-colored mushroom, and Number 4, although not described in detail, carries its own distinct appearance.
Number 5 highlights the well-known Amanita muscaria, easily recognizable by its red cap adorned with white specks. Number 6 depicts smaller mushrooms that are white and gray with black stems, and Number 7 includes another red variety. Number 8 is characterized by a white and gray cap.
The subsequent mushrooms continue the diversity: some are brown, white, or yellow, and there are additional descriptions of a complete white mushroom with a gray bottom and an orange cap with white spots.
At the bottom of the poster is a paragraph in a different language, offering additional information that remains unreadable. Overall, this poster is a comprehensive display of the Agaricales order, capturing the varied and intricate beauty of mushrooms.
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yellow-capped mushrooms
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green-capped mushrooms
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4
| 211 |
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/blob/zyang/pretrain_value/pixmo-cap-image/00000275.png
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Can you describe the main features of this image for me?
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The image appears to be a screenshot from a web page, possibly from GitHub. The top navigation bar includes selectable options presented from left to right: "Overview," "Resources," "Deploy," "Metrics," "Activity," "Access," and "Settings." The "Deploy" option is highlighted in purple, indicating it is currently selected, while the other options remain in gray.
Beneath this navigation bar, there is a solid gray line. Below this line, on the left side of the screen, there's text that reads: "Add this app to a pipeline." Underneath this heading, it further explains, "Create a new pipeline or choose an existing one, and add this app to a stage in it."
On the right side, there's additional text saying: "Add this app to a stage in a pipeline to enable additional features." Below this text, there is a small purple icon within a rectangular box that contains the message: "Pipelines let you connect multiple apps together and promote code between them," along with a link to "Learn more."
Further down the page, there's a prominent long rectangle labeled "Flow Demo." Below this, there is a large rectangular box prompting the user to "Choose a stage to add this app to," with a dropdown box labeled "Staging." Another line of text confirms: "This app will be added to staging in flow demo."
At the bottom, there's a purple rectangle button with white lettering stating "Add to Pipeline."
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The image appears to be a screenshot from a web page, possibly from GitHub. The top navigation bar includes selectable options presented from left to right: "Overview," "Resources," "Deploy," "Metrics," "Activity," "Access," and "Settings." The "Deploy" option is highlighted in purple, indicating it is currently selected, while the other options remain in gray.
Beneath this navigation bar, there is a solid blue line. Below this line, on the left side of the screen, there's text that reads: "Add this app to a pipeline." Underneath this heading, it further explains, "Create a new pipeline or choose an existing one, and add this app to a stage in it."
On the right side, there's additional text saying: "Add this app to a stage in a pipeline to enable additional features." Below this text, there is a small purple icon within a rectangular box that contains the message: "Pipelines let you connect multiple apps together and promote code between them," along with a link to "Learn more."
Further down the page, there's a prominent long rectangle labeled "Flow Demo." Below this, there is a large rectangular box prompting the user to "Choose a stage to add this app to," with a dropdown box labeled "Staging." Another line of text confirms: "This app will be added to staging in flow demo."
At the bottom, there's a purple rectangle button with white lettering stating "Add to Pipeline."
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solid gray line
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solid blue line
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2
| 228 |
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/blob/zyang/pretrain_value/pixmo-cap-image/00000353.jpg
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What is this photo about'?
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This photograph captures a meticulously organized garage workshop. Dominating one side of the image is a chocolatey brown pegboard mounted on the wall, from which a white pendant light hangs, illuminating the workspace. The pegboard is adorned with an array of tools, including hammers, pliers, and screwdrivers in a spectrum of colors—blue, red, black, brown, and gold. Rolls of tape are also conveniently hung.
Towards the other end of the pegboard, red and blue plastic shelves hold additional tools in various hues: black, silver, orange, red, and blue. Beneath the pegboard is a wooden countertop featuring an orange pumpkin among other items, such as power drills in red, silver, and black, as well as a coil of red rope. Below this setup, a tool bag with black and yellow accents sits alongside spray cans, green bags, and numerous red boxes. Various paint buckets in gray, white, and yellow are stored underneath the shelving, accompanied by a green plastic tub and green paint bucket. There are also two gray toolboxes and a small blue pail filled with silver objects, along with kinked blue hosing.
On another wall, a black television is mounted, providing both information and entertainment. A rolling wooden cart, laden with silver objects, adds functionality to the workspace. Notably, there is a small hole in the white ceiling, hinting at either an ongoing project or structural issue. The composition of the image showcases a highly functional and well-equipped garage workshop, ready for any task or repair.
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This photograph captures a meticulously organized garage workshop. Dominating one side of the image is a deep blue pegboard mounted on the wall, from which a white pendant light hangs, illuminating the workspace. The pegboard is adorned with an array of tools, including hammers, pliers, and screwdrivers in a spectrum of colors—blue, red, black, brown, and gold. Rolls of tape are also conveniently hung.
Towards the other end of the pegboard, red and blue plastic shelves hold additional tools in various hues: black, silver, orange, red, and blue. Beneath the pegboard is a wooden countertop featuring an orange pumpkin among other items, such as power drills in red, silver, and black, as well as a coil of red rope. Below this setup, a tool bag with black and yellow accents sits alongside spray cans, green bags, and numerous red boxes. Various paint buckets in gray, white, and yellow are stored underneath the shelving, accompanied by a green plastic tub and green paint bucket. There are also two gray toolboxes and a small blue pail filled with silver objects, along with kinked blue hosing.
On another wall, a black television is mounted, providing both information and entertainment. A rolling wooden cart, laden with silver objects, adds functionality to the workspace. Notably, there is a small hole in the white ceiling, hinting at either an ongoing project or structural issue. The composition of the image showcases a highly functional and well-equipped garage workshop, ready for any task or repair.
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chocolatey brown pegboard
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deep blue pegboard
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1
| 246 |
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/blob/zyang/pretrain_value/pixmo-cap-image/00000911.jpg
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Analyze the image in a comprehensive and detailed manner.
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This image captures a detailed screenshot from an iPhone's stopwatch app, presented in a portrait orientation similar to the dimensions of a cell phone screen.
**Top Section:**
- The top features a horizontal grey bar displaying essential phone information.
- At the top left, the time is shown as "1109".
- To the right:
- A network connection meter displays 2 out of 4 bars.
- A full Wi-Fi signal indicator.
- A horizontal battery icon that is approximately half full.
**Main Stopwatch Interface:**
- Below this bar, a stark black background prominently displays the stopwatch interface.
- In the top-center, a white header reads "Stopwatch".
- Below the header:
- A digital timer showcases a recorded time of "00:53.17" (53.17 seconds).
- Beneath the timer:
- A grey circle button labeled "Reset" in white font.
- Two scroll options marked by a white dot to the left and a grey dot to the right, suggesting toggling features.
- Adjacent to these elements is a green circle with a lighter green "Start" button.
- Beneath the Start button:
- The label "Lap 1" in white text on the left.
- The recorded lap time "53.17 seconds" on the right.
- Additional horizontally-aligned boxes are designed for subsequent lap entries.
**Bottom Section:**
- The lower part of the screen features a row of icons.
- The stopwatch icon is highlighted in orange, indicating it is the active function.
This meticulous description highlights the design and specific details displayed in the iPhone's stopwatch app screenshot.
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This image captures a detailed screenshot from an iPhone's stopwatch app, presented in a portrait orientation similar to the dimensions of a cell phone screen.
**Top Section:**
- The top features a horizontal grey bar displaying essential phone information.
- At the top left, the time is shown as "1109".
- To the right:
- A network connection meter displays 2 out of 4 bars.
- A full Wi-Fi signal indicator.
- A horizontal battery icon that is approximately half full.
**Main Stopwatch Interface:**
- Below this bar, a stark black background prominently displays the stopwatch interface.
- In the top-center, a white header reads "Stopwatch".
- Below the header:
- A digital timer showcases a recorded time of "00:53.17" (53.17 seconds).
- Beneath the timer:
- A grey circle button labeled "Reset" in white font.
- Two scroll options marked by a white dot to the left and a grey dot to the right, suggesting toggling features.
- Adjacent to these elements is a blue circle with a lighter blue "Start" button.
- Beneath the Start button:
- The label "Lap 1" in white text on the left.
- The recorded lap time "53.17 seconds" on the right.
- Additional horizontally-aligned boxes are designed for subsequent lap entries.
**Bottom Section:**
- The lower part of the screen features a row of icons.
- The stopwatch icon is highlighted in orange, indicating it is the active function.
This meticulous description highlights the design and specific details displayed in the iPhone's stopwatch app screenshot.
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a green circle with a lighter green "Start" button
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a blue circle with a lighter blue "Start" button
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2
| 296 |
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/blob/zyang/pretrain_value/pixmo-cap-image/00011279.jpg
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What do you think is going on in this snapshot?
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This photograph captures an intimate scene inside the cockpit of a small aircraft, possibly a helicopter or a light airplane. The cockpit is filled with various controls, dials, and gauges although no specific text can be read from them. Two individuals are seated closely together due to the cramped nature of the space. The person on the right, distinguishable by their watch, is actively engaged with the aircraft's controls, holding the steering wheel with one hand and pressing a dial with the other. The person on the left, also wearing a watch but on the opposite wrist, is holding a manual or a set of papers, likely indicating a training or instructional session. Both individuals appear to be immersed in their tasks, and they are wearing headphones, possibly for communication purposes.
Outside the cockpit, the scenery below unfolds into a patchwork of green and brown fields interspersed with roads and occasional buildings, suggesting a rural or countryside setting. Despite not being very high up, the landscape still appears somewhat distant and small. The sky above is mostly overcast with a hint of blue, and in the far distance, a line of mountains stretches across the horizon, adding depth to the scene. The entire photograph, roughly 8 inches wide and 5 inches tall, captures not only the intricate details of the cockpit but also the expansive, yet hazy, landscape beyond.
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This photograph captures an intimate scene inside the cockpit of a small aircraft, possibly a helicopter or a light airplane. The cockpit is filled with various controls, dials, and gauges although no specific text can be read from them. Two individuals are seated closely together due to the cramped nature of the space. The person on the right, distinguishable by their watch, is actively engaged with the aircraft's controls, holding the steering wheel with one hand and pressing a dial with the other. The person on the left, also wearing a watch but on the opposite wrist, is holding a manual or a set of papers, likely indicating a training or instructional session. Both individuals appear to be immersed in their tasks, and they are wearing headphones, possibly for communication purposes.
Outside the cockpit, the scenery below unfolds into a patchwork of green and brown fields interspersed with roads and occasional buildings, suggesting a rural or countryside setting. Despite not being very high up, the landscape still appears somewhat distant and small. The sky above is mostly overcast with a hint of blue, and in the far distance, a chain of tall skyscrapers stretches across the horizon, adding depth to the scene. The entire photograph, roughly 8 inches wide and 5 inches tall, captures not only the intricate details of the cockpit but also the expansive, yet hazy, landscape beyond.
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a line of mountains
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a chain of tall skyscrapers
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1
| 228 |
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/blob/zyang/pretrain_value/pixmo-cap-image/00011534.jpg
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Can you describe the main features of this image for me?
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Screenshot Description of a Google Search for "US Airways Flight 815":
At the top of the screenshot is a gray navigation bar featuring the Google logo on the far left. The logo spells out "Google" with the letters colored in the iconic rainbow pattern. The second 'O' resembles a yellow soccer ball.
Beneath the navigation bar is the search field where "flight 815 US Airways" has been typed. To the right of the search query, there is a small blue square with a white magnifying glass icon, signaling the search button.
Below the search field, a horizontal menu is displayed in gray font options: "Web," "News," "Images," "Shopping," "Videos," "More" with a down arrow, and "Search tools." The "Web" option is highlighted, indicated by a thin gray line underneath.
Further down, the search results information states "About 11,700,000 results" and "0.75 seconds" in a smaller gray font.
The first result provides specific flight information in gray text: "US Airways flight 815, delayed 36 minutes, arrives in 3 hours and 26 minutes." Beneath this update, "PHL" (Philadelphia) is prominently displayed in large black font. A gray horizontal line separates this from the next line, where a small red airplane icon precedes "CUN" (Cancun) in similarly large black font.
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Screenshot Description of a Google Search for "US Airways Flight 815":
At the top of the screenshot is a gray navigation bar featuring the Google logo on the far left. The logo spells out "Google" with the letters colored in the iconic rainbow pattern. The second 'O' resembles a yellow tennis ball.
Beneath the navigation bar is the search field where "flight 815 US Airways" has been typed. To the right of the search query, there is a small blue square with a white magnifying glass icon, signaling the search button.
Below the search field, a horizontal menu is displayed in gray font options: "Web," "News," "Images," "Shopping," "Videos," "More" with a down arrow, and "Search tools." The "Web" option is highlighted, indicated by a thin gray line underneath.
Further down, the search results information states "About 11,700,000 results" and "0.75 seconds" in a smaller gray font.
The first result provides specific flight information in gray text: "US Airways flight 815, delayed 36 minutes, arrives in 3 hours and 26 minutes." Beneath this update, "PHL" (Philadelphia) is prominently displayed in large black font. A gray horizontal line separates this from the next line, where a small red airplane icon precedes "CUN" (Cancun) in similarly large black font.
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yellow soccer ball
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yellow tennis ball
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2
| 203 |
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/blob/zyang/pretrain_value/pixmo-cap-image/00011557.jpg
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What's happening in the scene?
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The rectangular black and white image, artistic in style as though carved from a board and inked, features six individuals gathered around a fireplace. This cozy setting evokes a scene of simple, communal living. On the left, three women are seated; one is reading a book, another has her eyes closed, and the third, with her hair in a bun, looks down pensively. Two of these women wear headscarves and one has a satchel. On the right, two men are seated, engrossed in playing instruments—one a violin and the other a clarinet-like wind instrument. A man, standing and leaning against the fireplace, wears a vest adorned with buttons.
Central to the scene is a lit fireplace with a tea kettle suspended above the flame by a hook. Flanked by three candles—two shorter ones on the sides and a taller one in the middle—the mantelpiece also holds glasses and a pot. The cross-hatching technique used in the artwork adds life and texture to the depiction. Completing the tableau is a dog sitting attentively before the fireplace, seemingly drawn to the warmth and the soft sounds of music. This detailed image captures a moment of intimate human connection within a rustic, homely setting.
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The rectangular black and white image, artistic in style as though carved from a board and inked, features six individuals gathered around a fireplace. This cozy setting evokes a scene of simple, communal living. On the left, three women are seated; one is reading a book, another has her eyes closed, and the third, with her hair in a bun, looks down pensively. Two of these women wear headscarves and one has a satchel. On the right, two men are seated, engrossed in playing instruments—one a violin and the other a clarinet-like wind instrument. A man, standing and leaning against the fireplace, wears a vest adorned with buttons.
Central to the scene is a lit fireplace with a pot hanging above the flame by a hook. Flanked by three candles—two shorter ones on the sides and a taller one in the middle—the mantelpiece also holds glasses and a pot. The cross-hatching technique used in the artwork adds life and texture to the depiction. Completing the tableau is a dog sitting attentively before the fireplace, seemingly drawn to the warmth and the soft sounds of music. This detailed image captures a moment of intimate human connection within a rustic, homely setting.
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a tea kettle suspended
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a pot hanging
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4
| 201 |
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/blob/zyang/pretrain_value/pixmo-cap-image/00011583.png
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Analyze the image in a comprehensive and detailed manner.
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In this image, at first glance, it appears to be an animal sleeping serenely on a bed or pillow. Positioned centrally, the animal's head is slightly tilted upwards with its eyes gently open, gazing toward the sky. The creature, seemingly in slumber, exhibits telltale features of either a dog or a cat. Its fur presents a striking contrast: around the eyes and ears, the fur is a rich black, while the inner portions—spanning the forehead, around the mouth, and down to the chest—are a pristine white. The nose and lips of the animal are distinctly black, complemented by its white whiskers.
In the bottom half of the image, an assortment of dog treats is scattered across the animal's body. These treats come in varied hues: some are brownish, others white, pink, and one even stands out in an orange shade. The treats appear to be hard and crunchy.
The backdrop is a dark blue giant pillow or beanbag chair, marked with several stains. Some stains seem to be clusters of the animal's fur, while others look like remnants of food. The top-right section of the image reveals a portion of the room where the animal sleeps. The wall is a crisp white, juxtaposed against a dark black carpet that covers the floor.
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In this image, at first glance, it appears to be an animal sleeping serenely on a bed or pillow. Positioned centrally, the animal's head is slightly tilted upwards with its eyes gently open, gazing toward the sky. The creature, seemingly in slumber, exhibits telltale features of either a dog or a cat. Its fur presents a striking contrast: around the eyes and ears, the fur is a rich black, while the inner portions—spanning the forehead, around the mouth, and down to the chest—are a pristine white. The nose and lips of the animal are distinctly black, complemented by its white whiskers.
In the bottom half of the image, an assortment of dog treats is scattered across the animal's body. These treats come in varied hues: some are brownish, others white, pink, and one even stands out in an orange shade. The treats appear to be hard and crunchy.
The backdrop is a bright yellow giant pillow or beanbag chair, marked with several stains. Some stains seem to be clusters of the animal's fur, while others look like remnants of food. The top-right section of the image reveals a portion of the room where the animal sleeps. The wall is a crisp white, juxtaposed against a dark black carpet that covers the floor.
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dark blue giant pillow
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bright yellow giant pillow
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1
| 210 |
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/blob/zyang/pretrain_value/pixmo-cap-image/00011653.jpg
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What is this photo about'?
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**Detailed Caption:**
This image is a screenshot of a mobile application displayed in portrait mode. The interface is presented as a single long column, featuring a predominantly blue-themed background. At the very top, the status indicators show "12:01" and "24 degrees" on the upper right, next to a fully charged battery icon.
Beneath this, the background transitions to a lighter shade of blue with the word "Help" prominently displayed. Following this section, a row with a gray background contains the option "Disable Android Notifications" in blue text. The next row, set against a white background, details "Double notification pop-ups" and the option to "Disable native Android heads-up notification (peeking pop-up)."
Continuing downward, another row discusses lock screen settings, specifically the ability to "Disable native Android notifications on lock screen." A subsequent section with a gray background and blue text labeled "Info" introduces the content below.
The first row within this gray background features a red circle with a Google Plus logo inside, alongside the text "Feedback and support: Got ideas or questions? Like to download the latest betas and releases? Join us."
Next, a blue circle containing "PRO" transitions into another note within a light purple circle encouraging users to "Get the pro version: Buy me a coffee, support development, and unlock all features."
Following this section, the "About" row introduces "Infos about Flotify (v11.6.1)." Then a "Share app" row invites users to "Share the app with your friends." The concluding row encourages users to "Give thanks: Give me some credits and leave a short rating on Play Store."
The screenshot indicates that this is the help section of an app called "Flotify," providing various informational and interactive options to the user.
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**Detailed Caption:**
This image is a screenshot of a mobile application displayed in portrait mode. The interface is presented as a single long column, featuring a predominantly blue-themed background. At the very top, the status indicators show "12:01" and "24 degrees" on the upper right, next to a half-charged battery icon.
Beneath this, the background transitions to a lighter shade of blue with the word "Help" prominently displayed. Following this section, a row with a gray background contains the option "Disable Android Notifications" in blue text. The next row, set against a white background, details "Double notification pop-ups" and the option to "Disable native Android heads-up notification (peeking pop-up)."
Continuing downward, another row discusses lock screen settings, specifically the ability to "Disable native Android notifications on lock screen." A subsequent section with a gray background and blue text labeled "Info" introduces the content below.
The first row within this gray background features a red circle with a Google Plus logo inside, alongside the text "Feedback and support: Got ideas or questions? Like to download the latest betas and releases? Join us."
Next, a blue circle containing "PRO" transitions into another note within a light purple circle encouraging users to "Get the pro version: Buy me a coffee, support development, and unlock all features."
Following this section, the "About" row introduces "Infos about Flotify (v11.6.1)." Then a "Share app" row invites users to "Share the app with your friends." The concluding row encourages users to "Give thanks: Give me some credits and leave a short rating on Play Store."
The screenshot indicates that this is the help section of an app called "Flotify," providing various informational and interactive options to the user.
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fully charged battery icon
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half-charged battery icon
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2
| 276 |
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/blob/zyang/pretrain_value/pixmo-cap-image/00011701.jpg
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Describe the following image.
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This illustration features a raccoon perched on a lightly textured, rough rock surface that blends beige and pinkish hues, resembling both sand and rock. The raccoon, positioned slightly off-center towards the upper left of the vertically aligned rectangular frame, is depicted in a detailed and artistic style. Its fur, displayed in a mix of spiky brown, medium and dark shades, and interspersed with white highlights, contributes to its realistic appearance.
The raccoon's body faces the viewer, while its head turns towards the right, showcasing a black nose and eye, a white snout, and a blend of brown and white fur. Its stomach and paws are notably whiter, with sharp, black claws evident on its front legs. The tail, a medium brown color ending in black, extends downwards to the lower right corner of the image.
The background at the top transitions into a lighter dirt color, a mix of medium or light brown with hints of pink, populated with small rocks and pebbles. Despite the initial confusion with a meerkat, the emphasis on the raccoon's distinct facial features, fur patterns, and tail confirm its identity. Overall, the image captures the raccoon in a serene, earthy setting, combining natural textures and colors to create a rich, illustrative scene.
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This illustration features a raccoon perched on a smooth, polished marble surface that blends beige and pinkish hues, resembling both sand and rock. The raccoon, positioned slightly off-center towards the upper left of the vertically aligned rectangular frame, is depicted in a detailed and artistic style. Its fur, displayed in a mix of spiky brown, medium and dark shades, and interspersed with white highlights, contributes to its realistic appearance.
The raccoon's body faces the viewer, while its head turns towards the right, showcasing a black nose and eye, a white snout, and a blend of brown and white fur. Its stomach and paws are notably whiter, with sharp, black claws evident on its front legs. The tail, a medium brown color ending in black, extends downwards to the lower right corner of the image.
The background at the top transitions into a lighter dirt color, a mix of medium or light brown with hints of pink, populated with small rocks and pebbles. Despite the initial confusion with a meerkat, the emphasis on the raccoon's distinct facial features, fur patterns, and tail confirm its identity. Overall, the image captures the raccoon in a serene, earthy setting, combining natural textures and colors to create a rich, illustrative scene.
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a lightly textured, rough rock surface
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a smooth, polished marble surface
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1
| 205 |
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/blob/zyang/pretrain_value/pixmo-cap-image/00011725.jpg
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What do you think is going on in this snapshot?
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In a grainy, deliberately stylized photograph, we see a bustling scene either before or after a marathon bike race, likely taking place on an overcast summer day. Central to the image is a young woman in her late 20s or early 30s, standing idly with her bike. She wears a bright yellow cyclist’s top with orange accents, blue jean shorts over cycle shorts, a black belt, and a black helmet. She is engrossed in her phone, holding a small piece of paper in her hand, possibly looking up race information. Her bike, distinguishable by its red handles, is secured between her legs.
Surrounding her are other cyclists, all wearing helmets and sporting a mix of shorts and colorful, sporty t-shirts. There is a notable competitor donning the number 58 on his bike's front tire. To her left, a cyclist in a white shirt adjusts his helmet, and to the right, partially obscured, is a biker dressed in all black.
In the backdrop, a mix of participants and onlookers are captured in their own moments - some are taking photos with their cell phones or GoPros, while others are preparing or winding down from the race. The atmosphere is a blend of anticipation and relief, with security in the background maintaining order. The overall ambiance suggests a well-orchestrated cycling event, captured in a uniquely vintage photographic style.
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In a grainy, deliberately stylized photograph, we see a bustling scene either before or after a marathon bike race, likely taking place on an overcast summer day. Central to the image is a young woman in her mid 20s or late 20s, standing idly with her bike. She wears a bright yellow cyclist’s top with orange accents, blue jean shorts over cycle shorts, a black belt, and a black helmet. She is engrossed in her phone, holding a small piece of paper in her hand, possibly looking up race information. Her bike, distinguishable by its red handles, is secured between her legs.
Surrounding her are other cyclists, all wearing helmets and sporting a mix of shorts and colorful, sporty t-shirts. There is a notable competitor donning the number 58 on his bike's front tire. To her left, a cyclist in a white shirt adjusts his helmet, and to the right, partially obscured, is a biker dressed in all black.
In the backdrop, a mix of participants and onlookers are captured in their own moments - some are taking photos with their cell phones or GoPros, while others are preparing or winding down from the race. The atmosphere is a blend of anticipation and relief, with security in the background maintaining order. The overall ambiance suggests a well-orchestrated cycling event, captured in a uniquely vintage photographic style.
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late 20s or early 30s
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mid 20s or late 20s
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1
| 226 |
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/blob/zyang/pretrain_value/pixmo-cap-image/00011853.png
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Explain the visual content of the image in great detail.
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The image portrays a detailed snapshot of a web page advertising the IEEE Global Communications Conference (IEEE Globecom) scheduled for December 7-11, 2020, in Taipei, Taiwan. Positioned at the top left is the prominent IEEE Globecom logo, which is a circular design in shades of blue and black. Next to the logo, the text reads "IEEE Global Communication Conference" with the dates and location clearly outlined.
Below the main banner, a tagline emphasizes the focus of the conference: "Communications for Human and Machine Intelligence." Adjacent to this, the blue IEEE ComSoc logo and the IEEE logo, recognized by their distinct diamond shape and black font, are displayed prominently.
The navigation tabs at the top of the page include options such as Home (highlighted in light blue), About, Committee, Authors, Programs, Registration, Hotel and Travel, Sponsors, and Exhibitors. To the right, a black search bar is available for quick navigation.
Central to the page is a photograph where an individual is seen typing on a keyboard with their left hand while holding a stylus in their right hand, suggesting an engaged and active work environment. Below this image, a bolded heading reads "COVID-19 Update," signaling important information about the event.
On the right-hand side, there is a list titled "Important Dates," specifying deadlines for various submissions and proposals, including paper submission, notification of acceptance, camera-ready submissions, tutorial proposals, workshop proposals, and technical panel proposals.
This detailed web page design effectively conveys essential information about the IEEE Globecom 2020 conference while providing easy navigation and highlighting crucial updates.
|
The image portrays a detailed snapshot of a web page advertising the IEEE Global Communications Conference (IEEE Globecom) scheduled for December 7-11, 2020, in Taipei, Taiwan. Positioned at the top left is the prominent IEEE Globecom logo, which is a circular design in shades of green and yellow. Next to the logo, the text reads "IEEE Global Communication Conference" with the dates and location clearly outlined.
Below the main banner, a tagline emphasizes the focus of the conference: "Communications for Human and Machine Intelligence." Adjacent to this, the blue IEEE ComSoc logo and the IEEE logo, recognized by their distinct diamond shape and black font, are displayed prominently.
The navigation tabs at the top of the page include options such as Home (highlighted in light blue), About, Committee, Authors, Programs, Registration, Hotel and Travel, Sponsors, and Exhibitors. To the right, a black search bar is available for quick navigation.
Central to the page is a photograph where an individual is seen typing on a keyboard with their left hand while holding a stylus in their right hand, suggesting an engaged and active work environment. Below this image, a bolded heading reads "COVID-19 Update," signaling important information about the event.
On the right-hand side, there is a list titled "Important Dates," specifying deadlines for various submissions and proposals, including paper submission, notification of acceptance, camera-ready submissions, tutorial proposals, workshop proposals, and technical panel proposals.
This detailed web page design effectively conveys essential information about the IEEE Globecom 2020 conference while providing easy navigation and highlighting crucial updates.
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blue and black
|
green and yellow
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2
| 251 |
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/blob/zyang/pretrain_value/pixmo-cap-image/00011880.jpg
|
Can you describe the main features of this image for me?
|
This image features a hierarchical chart consisting of three rows of rectangles against a white background. The rectangles in the bottom row have a very light gray background and are outlined in black. There are three rectangles in this row:
1. Bottom left: lowercase 'a'
2. Bottom center: lowercase 'c'
3. Bottom right: lowercase 'b'
The middle row has two rectangles:
1. Left: uppercase 'A'
2. Right: uppercase 'B'
The top center of the image holds a single rectangle labeled uppercase 'E'.
The chart uses blue arrows to depict relationships and dependencies between the rectangles. Details of these connections are as follows:
- Starting from the bottom, there are blue arrows showing that mixing 'a' and 'c' (bottom row) results in 'A' (middle left) and mixing 'c' and 'b' results in 'B' (middle right). Specifically:
- Lowercase 'a' has a blue arrow that goes up and merges with the arrow from lowercase 'c' (center) to reach uppercase 'A'.
- Lowercase 'b' has a blue arrow that goes up and converges with the arrow from lowercase 'c' to reach uppercase 'B'.
- From the middle row, uppercase 'A' has a blue arrow pointing upwards to uppercase 'E', and uppercase 'B' has a similar blue arrow merging with 'A' to reach 'E' at the top center.
In summary, the diagram demonstrates the following combinations:
- lowercase 'a' + lowercase 'c' = uppercase 'A'
- lowercase 'c' + lowercase 'b' = uppercase 'B'
- uppercase 'A' + uppercase 'B' = uppercase 'E'
|
This image features a hierarchical chart consisting of three rows of rectangles against a light yellow background. The rectangles in the bottom row have a very light gray background and are outlined in black. There are three rectangles in this row:
1. Bottom left: lowercase 'a'
2. Bottom center: lowercase 'c'
3. Bottom right: lowercase 'b'
The middle row has two rectangles:
1. Left: uppercase 'A'
2. Right: uppercase 'B'
The top center of the image holds a single rectangle labeled uppercase 'E'.
The chart uses blue arrows to depict relationships and dependencies between the rectangles. Details of these connections are as follows:
- Starting from the bottom, there are blue arrows showing that mixing 'a' and 'c' (bottom row) results in 'A' (middle left) and mixing 'c' and 'b' results in 'B' (middle right). Specifically:
- Lowercase 'a' has a blue arrow that goes up and merges with the arrow from lowercase 'c' (center) to reach uppercase 'A'.
- Lowercase 'b' has a blue arrow that goes up and converges with the arrow from lowercase 'c' to reach uppercase 'B'.
- From the middle row, uppercase 'A' has a blue arrow pointing upwards to uppercase 'E', and uppercase 'B' has a similar blue arrow merging with 'A' to reach 'E' at the top center.
In summary, the diagram demonstrates the following combinations:
- lowercase 'a' + lowercase 'c' = uppercase 'A'
- lowercase 'c' + lowercase 'b' = uppercase 'B'
- uppercase 'A' + uppercase 'B' = uppercase 'E'
|
white background
|
light yellow background
|
4
| 237 |
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/blob/zyang/pretrain_value/pixmo-cap-image/00011973.jpg
|
What is this photo about'?
|
This close-up photograph captures an incredibly adorable rabbit in a softly-lit room. The room features a simple white wall, and on the right-hand side, there's a white metal piece that appears to be part of a cage or enclosure, positioned near the floor. To the lower left, there is a box filled with grass, presumably meant for the rabbit.
The rabbit itself is exceptionally fluffy with predominantly white fur that is slightly longer than short hair, making him appear extraordinarily soft. This bunny, likely a young rabbit given his small size, is hunched up with all his legs tucked underneath, presenting a perfect left-profile view. His fur is primarily white but subtly enhanced by small gray spots and lines along his back.
Only his left ear is visible, standing upright with its back covered in a darker gray, bordered with lighter gray, and the inner side showing a gentle pink hue. His head, mostly white, contrasts beautifully with a striking black eye, ringed by darker gray fur that extends slightly upwards, resembling an eyebrow. What adds to this rabbit's uniqueness is a peculiar feature on his back, just behind his ears. It looks like two small, white wing-like projections, adding an enchanting touch to his overall appearance.
|
This close-up photograph captures an incredibly adorable rabbit in a softly-lit room. The room features a simple white wall, and on the right-hand side, there's a white metal piece that appears to be part of a cage or enclosure, positioned near the floor. To the lower left, there is a box filled with grass, presumably meant for the rabbit.
The rabbit itself is exceptionally fluffy with predominantly white fur that is slightly longer than short hair, making him appear extraordinarily soft. This bunny, likely a young rabbit given his small size, is hunched up with all his legs tucked underneath, presenting a perfect left-profile view. His fur is primarily white but subtly enhanced by small gray spots and lines along his back.
Only his left ear is visible, standing upright with its back covered in a darker gray, bordered with lighter gray, and the inner side showing a gentle pink hue. His head, mostly white, contrasts beautifully with a striking blue eye, ringed by darker gray fur that extends slightly upwards, resembling an eyebrow. What adds to this rabbit's uniqueness is a peculiar feature on his back, just behind his ears. It looks like two small, white wing-like projections, adding an enchanting touch to his overall appearance.
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striking black eye
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striking blue eye
|
1
| 206 |
|
/blob/zyang/pretrain_value/pixmo-cap-image/00012021.png
|
Can you describe the main features of this image for me?
|
The image features a white background with two main elements: a heartfelt letter on the left side and a striking illustration of a monstrous female figure on the right. In the upper left corner, the letter reads, "Happy birthday, Kim. I am so proud of you for how successful you’ve become. You have made a huge difference in my life for the good and you have saved my life. And I mean I was about gone, kind of save. You have inspired me to chase my dream of becoming an artist myself, so I have formed a band with some friends of mine." The next paragraph continues, "I want to let you know that when I listen to your music, talk about your music, or just anything to do with music, I see Kim Dracula. When it’s not about music, I talk and see you for who you are, not just an artist. You are very important to me and I deeply care about you. Don’t let those haters get to you. You are beautiful, loved, and very important. Those haters have no clue what they are missing out on." A final line adds, "Keep up the amazing work and rock on, Kim." Accompanying this text are two thumbs-up emojis.
The illustration on the right depicts a female creature with a distinctly gothic flair. She has two-toned hair: bright blue transitioning into black over her shoulders. A metal crown adorned with silver spikes sits on her head, which features several dark spots resembling blood. Her facial expression is intense, with heavily darkened eyes, possibly representing veins or scars, and a mouth outlined in black with a deep red interior. The creature wears a dark collared jacket and a chain necklace, adding to her edgy appearance. Her cracked, porcelain-like face and overall eerie demeanor encapsulate a dark, fantastical theme, mirroring the deeply emotional and supportive sentiments expressed in the letter.
|
The image features a white background with two main elements: a heartfelt letter on the left side and a striking illustration of a ghostly female figure on the right. In the upper left corner, the letter reads, "Happy birthday, Kim. I am so proud of you for how successful you’ve become. You have made a huge difference in my life for the good and you have saved my life. And I mean I was about gone, kind of save. You have inspired me to chase my dream of becoming an artist myself, so I have formed a band with some friends of mine." The next paragraph continues, "I want to let you know that when I listen to your music, talk about your music, or just anything to do with music, I see Kim Dracula. When it’s not about music, I talk and see you for who you are, not just an artist. You are very important to me and I deeply care about you. Don’t let those haters get to you. You are beautiful, loved, and very important. Those haters have no clue what they are missing out on." A final line adds, "Keep up the amazing work and rock on, Kim." Accompanying this text are two thumbs-up emojis.
The illustration on the right depicts a female creature with a distinctly gothic flair. She has two-toned hair: bright blue transitioning into black over her shoulders. A metal crown adorned with silver spikes sits on her head, which features several dark spots resembling blood. Her facial expression is intense, with heavily darkened eyes, possibly representing veins or scars, and a mouth outlined in black with a deep red interior. The creature wears a dark collared jacket and a chain necklace, adding to her edgy appearance. Her cracked, porcelain-like face and overall eerie demeanor encapsulate a dark, fantastical theme, mirroring the deeply emotional and supportive sentiments expressed in the letter.
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a monstrous female figure
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a ghostly female figure
|
2
| 318 |
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/blob/zyang/pretrain_value/pixmo-cap-image/00012115.jpg
|
Write a detailed description of the given image.
|
The image depicts the door of a car, with a focus on the passenger side window. A person of African descent is seen through the window, with their right hand on the steering wheel and their left hand raised near their face, displaying a large, clunky watch on their wrist. While the gender of the individual is ambiguous, they appear to wear a silver necklace and possibly an earring, although it could also be a highlight on the window. The person's attire consists of a short-sleeved black t-shirt.
A closer inspection of the image reveals an intriguing anomaly: the car door is open, positioned to the left of the scene, and the interior shot showing the steering wheel cannot logically coincide with the exterior view. It appears the car windows, including the passenger side, are heavily tinted and might display an image of someone looking out. This could be a security measure to create the illusion of occupancy, perhaps intended to deter theft when parked in urban settings.
The vehicle is parked in front of a single-story yellow clapboard house with windows framed in white trim. Adjacent to the house, there is a covered parking area, indicating the absence of a traditional garage.
|
The image depicts the door of a car, with a focus on the passenger side window. A person of African descent is seen through the window, with their right hand on the steering wheel and their left hand raised near their face, displaying a large, clunky watch on their wrist. While the gender of the individual is ambiguous, they appear to wear a silver necklace and possibly an earring, although it could also be a highlight on the window. The person's attire consists of a long-sleeved red t-shirt.
A closer inspection of the image reveals an intriguing anomaly: the car door is open, positioned to the left of the scene, and the interior shot showing the steering wheel cannot logically coincide with the exterior view. It appears the car windows, including the passenger side, are heavily tinted and might display an image of someone looking out. This could be a security measure to create the illusion of occupancy, perhaps intended to deter theft when parked in urban settings.
The vehicle is parked in front of a single-story yellow clapboard house with windows framed in white trim. Adjacent to the house, there is a covered parking area, indicating the absence of a traditional garage.
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short-sleeved black t-shirt
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long-sleeved red t-shirt
|
1
| 201 |
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/blob/zyang/pretrain_value/pixmo-cap-image/00012254.jpg
|
Explain the visual content of the image in great detail.
|
This intricately detailed Photoshop-style collage presents a surreal amalgamation of disparate elements. Dominating the bottom two-thirds, a garden scene unfolds with lush grass and darker green trees lining the right-hand side. A series of uneven, dark grey stone stairs ascend towards a charming, fairy tale-like cottage. The cottage, adorned with a brownish-red tile roof mottled with black splotches, boasts traditional dormer windows on the top left and right, two chimneys, and a charming door. Vine and vinery accents snake around the house, adding to its whimsical allure.
Standing towards the top of the stairs, near the cottage, are two figures clad in white, frilly dresses with black patent leather Mary Janes. These figures, appearing to be young girls or perhaps twins, possess striking white bunny heads, complete with big ears pointing upwards at opposing 45-degree angles, as they gaze at each other.
Above the cottage, a large moon, partially obscured by the house, emanates thin white or silver concentric circles against a black, space-like background. Flanking the moon, two female doll-like hands reach towards each other, with the right hand adorned by white band-aids on the thumb and inside of the wrist. Both hands appear to have flowers or tree branches affixed to them using these band-aids, further enhancing the image's ethereal, almost fairy-like quality.
This collage seamlessly blends elements of nature, whimsy, and fantasy, creating a vivid and surreal visual narrative.
|
This intricately detailed Photoshop-style collage presents a surreal amalgamation of disparate elements. Dominating the bottom two-thirds, a garden scene unfolds with lush grass and darker green trees lining the right-hand side. A series of uneven, dark grey stone stairs ascend towards a charming, fairy tale-like cottage. The cottage, adorned with a brownish-red tile roof mottled with black splotches, boasts traditional dormer windows on the top left and right, two chimneys, and a charming door. Vine and vinery accents snake around the house, adding to its whimsical allure.
Standing towards the top of the stairs, near the cottage, are two figures clad in white, frilly dresses with black patent leather Mary Janes. These figures, appearing to be young girls or perhaps twins, possess striking white cat heads, complete with big ears pointing upwards at opposing 45-degree angles, as they gaze at each other.
Above the cottage, a large moon, partially obscured by the house, emanates thin white or silver concentric circles against a black, space-like background. Flanking the moon, two female doll-like hands reach towards each other, with the right hand adorned by white band-aids on the thumb and inside of the wrist. Both hands appear to have flowers or tree branches affixed to them using these band-aids, further enhancing the image's ethereal, almost fairy-like quality.
This collage seamlessly blends elements of nature, whimsy, and fantasy, creating a vivid and surreal visual narrative.
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white bunny heads
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white cat heads
|
3
| 229 |
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/blob/zyang/pretrain_value/pixmo-cap-image/00012320.png
|
What is this photo about'?
|
### Detailed Caption:
The image is a detailed screenshot of the "Disney Park Pass Availability" screen, prominently displayed in bold black letters at the top. Below this headline, a notice explains the requirement for theme park reservations: "To enter one of the parks, in addition to valid admission, each guest is required to make a theme park reservation via the Disney Park Pass system. Check to see if your desired date and park are currently available before purchasing your ticket. For Annual Pass or Package holders, please make your reservation immediately after purchasing your ticket as availability can change." It also notes that "Availability is subject to change and may not reflect the reservations available at the time you make your reservation in the Disney Park Pass reservation system."
The notice caters to three categories of visitors: "Disney Resort Guests," "Annual Pass Holders," and "Theme Park Ticket Guests." The "Annual Pass Holders" category is highlighted in black, while the other two categories are highlighted with white text on a blue background.
A calendar interface for August 2020 is displayed, allowing users to adjust dates and times. Notably, August 8th and August 10th are marked in gray, with the 8th having a distinct black trim around its box, indicating it is the selected or hovered date. Other dates are marked in gold.
At the bottom of the screen, a color code explains park availability: "all parks available" in green, "some parks available" in gold, and "no parks available" in gray. According to the calendar, for August 8th, 2020, all four Disney parks—Magic Kingdom, Epcot, Disney's Animal Kingdom, and Disney's Hollywood Studios—have available reservations.
|
### Detailed Caption:
The image is a detailed screenshot of the "Disney Park Pass Availability" screen, prominently displayed in bold red letters at the top. Below this headline, a notice explains the requirement for theme park reservations: "To enter one of the parks, in addition to valid admission, each guest is required to make a theme park reservation via the Disney Park Pass system. Check to see if your desired date and park are currently available before purchasing your ticket. For Annual Pass or Package holders, please make your reservation immediately after purchasing your ticket as availability can change." It also notes that "Availability is subject to change and may not reflect the reservations available at the time you make your reservation in the Disney Park Pass reservation system."
The notice caters to three categories of visitors: "Disney Resort Guests," "Annual Pass Holders," and "Theme Park Ticket Guests." The "Annual Pass Holders" category is highlighted in black, while the other two categories are highlighted with white text on a blue background.
A calendar interface for August 2020 is displayed, allowing users to adjust dates and times. Notably, August 8th and August 10th are marked in gray, with the 8th having a distinct black trim around its box, indicating it is the selected or hovered date. Other dates are marked in gold.
At the bottom of the screen, a color code explains park availability: "all parks available" in green, "some parks available" in gold, and "no parks available" in gray. According to the calendar, for August 8th, 2020, all four Disney parks—Magic Kingdom, Epcot, Disney's Animal Kingdom, and Disney's Hollywood Studios—have available reservations.
|
bold black letters
|
bold red letters
|
2
| 268 |
|
/blob/zyang/pretrain_value/pixmo-cap-image/00012374.jpg
|
What is this photo about'?
|
This photograph captures an exterior view of Alcatraz Island in San Francisco, showcasing the notorious prison’s stark and utilitarian architecture. Dominating the scene is the formidable outer walls of the jail, bordered by extensive lengths of barbed wire designed to deter escape attempts. The foreground features a patch of sparse grassy area, a rare hint of nature amidst the cold concrete. A lone figure is seen walking towards the imposing structure, adding a sense of scale and solitary movement to the image.
In the midground, built-in concrete benches rise in seamless, continuous rows reminiscent of stadium seating, suggestive of a designed communal area for prisoners. At the ground level, two protruding concrete platforms punctuate the space, their purpose ambiguous and inviting curiosity. Strong shadows from the fence and the sun create a textured, crisscross pattern on the ground, adding depth to the photograph.
To the right, a white building stands, likely an administrative part of the prison, with several windows dotting its facade. In one window, a shadowy shape reminiscent of a face or figure can be faintly discerned, adding an eerie element to the scene. The sky above is a flawless expanse of blue, with no clouds in sight, casting a sharp, clear light over the historic penitentiary.
|
This photograph captures an exterior view of Alcatraz Island in San Francisco, showcasing the notorious prison’s stark and utilitarian architecture. Dominating the scene is the formidable outer walls of the jail, bordered by extensive lengths of electric fencing designed to deter escape attempts. The foreground features a patch of sparse grassy area, a rare hint of nature amidst the cold concrete. A lone figure is seen walking towards the imposing structure, adding a sense of scale and solitary movement to the image.
In the midground, built-in concrete benches rise in seamless, continuous rows reminiscent of stadium seating, suggestive of a designed communal area for prisoners. At the ground level, two protruding concrete platforms punctuate the space, their purpose ambiguous and inviting curiosity. Strong shadows from the fence and the sun create a textured, crisscross pattern on the ground, adding depth to the photograph.
To the right, a white building stands, likely an administrative part of the prison, with several windows dotting its facade. In one window, a shadowy shape reminiscent of a face or figure can be faintly discerned, adding an eerie element to the scene. The sky above is a flawless expanse of blue, with no clouds in sight, casting a sharp, clear light over the historic penitentiary.
|
extensive lengths of barbed wire
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extensive lengths of electric fencing
|
1
| 207 |
|
/blob/zyang/pretrain_value/pixmo-cap-image/00012559.jpg
|
What do you see happening in this image?
|
The image depicts the side panel of a white box truck with detailed advertisements for restaurant establishments. The top section of the truck features the logo "Oak Tree Ristorante," with an oak tree growing out of the "A" in "Oak." Accompanying this logo is a contact number, 2893-4442, and a line of Chinese characters. To the right of this logo, in cursive red text with the Italian flag over "Italy," it states: "Taste of Italy." A black-and-white photograph of two smiling men in chef coats is centered below, alongside a green banner with white text reading "Pasta Pizza Steaks."
Below the top section, a green bar and a larger white bar span across the truck. The white bar includes "Marco's" in large red text, "Oyster Bar and Grill" in smaller blue text, and another telephone number, 2375-2352, in black. At the bottom right, it states "Marco Restaurant Group" in red text along with the URL "www.marcos.hk" in small blue text. The design is framed by bars running across the middle and bottom of the truck, creating a cohesive promotional display. The truck's cab is visible, featuring indistinguishable text under the passenger window, and the background reveals a plain, light beige building with embedded ceiling lights.
|
The image depicts the side panel of a white box truck with detailed advertisements for restaurant establishments. The top section of the truck features the logo "Oak Tree Ristorante," with an oak tree growing out of the "A" in "Oak." Accompanying this logo is a contact number, 2893-4442, and a line of Chinese characters. To the right of this logo, in cursive red text with the Italian flag over "Italy," it states: "Taste of Italy." A black-and-white photograph of two smiling men in chef coats is centered below, alongside a green banner with white text reading "Pasta Pizza Steaks."
Below the top section, a green bar and a larger white bar span across the truck. The white bar includes "Marco's" in large red text, "Oyster Bar and Grill" in smaller blue text, and another telephone number, 2375-2352, in black. At the bottom right, it states "Marco Restaurant Group" in red text along with the URL "www.marcos.hk" in small blue text. The design is framed by bars running across the middle and bottom of the truck, creating a cohesive promotional display. The truck's cab is visible, featuring indistinguishable text under the passenger window, and the background reveals a plain, light gray building with embedded ceiling lights.
|
plain, light beige building
|
plain, light gray building
|
3
| 204 |
|
/blob/zyang/pretrain_value/pixmo-cap-image/00012710.jpg
|
Write a detailed description of the given image.
|
The image appears to be a composite of two screenshots taken from the same iPhone, one minute apart, displaying settings related to apps and notifications.
**Left Screenshot (7:57 PM, 98% battery):**
- **Title:** "Apps & notifications"
- **Background:** Black
- **Content:**
- *Recently Opened Apps:*
- Photos (3 minutes ago)
- Messages (14 minutes ago)
- *Notifications:*
- An option to "See all 89 apps" highlighted in blue
- Notifications turned off for 22 apps
- *Screen Time:*
- 15 minutes used today
- Sections for:
- Default Apps
- Chrome
- Phone
- Messages
- Advanced
- Permission Manager
- Special App Access (with a drop-down menu)
**Right Screenshot (7:58 PM, 98% battery):**
- **Title:** "Default apps"
- **Background:** Black
- **Content:**
- Listed Default Apps with their icons:
- *Assist app:* Google
- *Browser app:* Chrome
- *Caller ID & spam app:* None
- *Home app:* Quickstep
- *Phone app:* An image of a phone
- *SMS app:* An image of a message in blue
- Additional icons and navigation elements such as boxes, circles, and an arrow
The screenshots together provide a detailed overview of the app settings and notification preferences on the iPhone.
|
The image appears to be a composite of two photos captured from the same iPhone, one minute apart, displaying settings related to apps and notifications.
**Left Screenshot (7:57 PM, 98% battery):**
- **Title:** "Apps & notifications"
- **Background:** Black
- **Content:**
- *Recently Opened Apps:*
- Photos (3 minutes ago)
- Messages (14 minutes ago)
- *Notifications:*
- An option to "See all 89 apps" highlighted in blue
- Notifications turned off for 22 apps
- *Screen Time:*
- 15 minutes used today
- Sections for:
- Default Apps
- Chrome
- Phone
- Messages
- Advanced
- Permission Manager
- Special App Access (with a drop-down menu)
**Right Screenshot (7:58 PM, 98% battery):**
- **Title:** "Default apps"
- **Background:** Black
- **Content:**
- Listed Default Apps with their icons:
- *Assist app:* Google
- *Browser app:* Chrome
- *Caller ID & spam app:* None
- *Home app:* Quickstep
- *Phone app:* An image of a phone
- *SMS app:* An image of a message in blue
- Additional icons and navigation elements such as boxes, circles, and an arrow
The screenshots together provide a detailed overview of the app settings and notification preferences on the iPhone.
|
two screenshots taken
|
two photos captured
|
2
| 256 |
|
/blob/zyang/pretrain_value/pixmo-cap-image/00012769.jpg
|
What's happening in the scene?
|
A detailed screenshot of a desktop computer showcasing a website interface. At the top of the screenshot, there is an illustration of a house with a red roof on the left side. To the right of the house graphic, the name "Charles Fischer" is prominently displayed in red ink, along with the date "Thursday, 2017 February 2023" and the time "20:27:21". Nearby, there are flags representing different countries or options.
Beneath this, a red navigation bar features several options in white ink, including "Home," "Courses," "Students," "Library," "Settings," and "Downloads." On the left side, there's a green arrow pointing left that says "Back." Another green arrow points towards what appears to be a book or door, labeled "Log Out from the System."
Further down, an open calendar is visible, specifically set to February 2017. The calendar has a white background with black ink for the dates, and some numbers are highlighted in blue. The current date is indicated with "Today" marked.
Under the calendar are sections showing "Latest Messages," with the note "You haven't gotten any new messages." It also includes options to "Add a Report," "Filter," and "Additional Actions," all referenced near "Charles Fischer" in red ink again.
At the bottom, there's a red button labeled "Send Reports" in white ink. The overall design is clean and structured, providing quick access to various functionalities and information.
|
A detailed screenshot of a desktop computer showcasing a website interface. At the top of the screenshot, there is an illustration of a castle with a red roof on the left side. To the right of the house graphic, the name "Charles Fischer" is prominently displayed in red ink, along with the date "Thursday, 2017 February 2023" and the time "20:27:21". Nearby, there are flags representing different countries or options.
Beneath this, a red navigation bar features several options in white ink, including "Home," "Courses," "Students," "Library," "Settings," and "Downloads." On the left side, there's a green arrow pointing left that says "Back." Another green arrow points towards what appears to be a book or door, labeled "Log Out from the System."
Further down, an open calendar is visible, specifically set to February 2017. The calendar has a white background with black ink for the dates, and some numbers are highlighted in blue. The current date is indicated with "Today" marked.
Under the calendar are sections showing "Latest Messages," with the note "You haven't gotten any new messages." It also includes options to "Add a Report," "Filter," and "Additional Actions," all referenced near "Charles Fischer" in red ink again.
At the bottom, there's a red button labeled "Send Reports" in white ink. The overall design is clean and structured, providing quick access to various functionalities and information.
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illustration of a house
|
illustration of a castle
|
2
| 224 |
|
/blob/zyang/pretrain_value/pixmo-cap-image/00012864.jpg
|
Explain the visual content of the image in great detail.
|
In this screenshot of a Twitter conversation, the interface is clearly visible with a magnifying glass icon labeled "Search Twitter" at the top, followed by options to "Log in" or "Sign up." The focal point is a series of tweets from a user named Olivia Cardi, who has a profile photo featuring them with short brown hair and a pink shirt. Olivia's tweets are replies to herself as well as to another user, @BrettSVergara.
In her first visible tweet, Olivia articulates that merely being "not racist" is insufficient. Emphasizing this point with capital letters for "NOT," she argues that making excuses for racist behavior perpetuates harm by giving white individuals undue benefit of the doubt and failing to acknowledge the “TRAUMA” caused by their actions. Specifically, she condemns those who attend plantation-themed events, seeing it as a form of glorifying a painful history.
Her subsequent tweet elaborates this sentiment by criticizing those who participate in such events for “treating them as PROPERTY,” again using capital letters to stress the term. Olivia notes her southern background and the educational exposure these individuals have that makes their glorification of slavery even more troubling. She questions the motives for attending these events—whether it’s for an Instagram photo, a fashionable outfit, or popularity.
In her final visible tweet, Olivia scrutinizes @BrettSVergara's previous statements regarding racial unity, criticizing the naiveté in saying “we should all love one another” without addressing the underlying issues of white privilege. She uses capital letters to highlight her disbelief and frustration with this viewpoint, noting that only part of the conversation is visible as the thread cuts off.
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In this screenshot of a Twitter conversation, the interface is clearly visible with a magnifying glass icon labeled "Search Twitter" at the top, followed by options to "Log in" or "Sign up." The focal point is a series of tweets from a user named Olivia Cardi, who has a profile photo featuring them with short brown hair and a yellow shirt. Olivia's tweets are replies to herself as well as to another user, @BrettSVergara.
In her first visible tweet, Olivia articulates that merely being "not racist" is insufficient. Emphasizing this point with capital letters for "NOT," she argues that making excuses for racist behavior perpetuates harm by giving white individuals undue benefit of the doubt and failing to acknowledge the “TRAUMA” caused by their actions. Specifically, she condemns those who attend plantation-themed events, seeing it as a form of glorifying a painful history.
Her subsequent tweet elaborates this sentiment by criticizing those who participate in such events for “treating them as PROPERTY,” again using capital letters to stress the term. Olivia notes her southern background and the educational exposure these individuals have that makes their glorification of slavery even more troubling. She questions the motives for attending these events—whether it’s for an Instagram photo, a fashionable outfit, or popularity.
In her final visible tweet, Olivia scrutinizes @BrettSVergara's previous statements regarding racial unity, criticizing the naiveté in saying “we should all love one another” without addressing the underlying issues of white privilege. She uses capital letters to highlight her disbelief and frustration with this viewpoint, noting that only part of the conversation is visible as the thread cuts off.
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pink shirt
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yellow shirt
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2
| 265 |
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/blob/zyang/pretrain_value/pixmo-cap-image/00012999.jpg
|
What is this photo about'?
|
**Detailed Caption:**
The image is a large, horizontally elongated rectangle consisting of two square photographs placed side by side.
**Left Photograph:**
The image on the left showcases a pristine white pedestal sink, identifiable by the absence of any visible cabinets beside it. Toward the bottom right of the image, part of the white tiled floor is visible, accompanied by a small section of gray carpet. The top of the silver faucet, rounded at the tip, appears in the upper part of the photo. A white toothbrush with green bristles lies angled in the sink basin, with its bristles oriented toward the center left of the image and the handle pointing right. The silver drain is positioned at the bottom of the sink bowl. Natural light from a window illuminates the top and right side of the sink's bowl.
**Right Photograph:**
The right photo is nearly identical to the left but appears slightly darker. This image reveals more of the long, silver faucet, including the slit-like opening at the top rim of the sink bowl toward the back. A red item, likely a towel or a shirt, hangs in the top right corner against the wall in the background, adding a splash of color to the scene.
|
**Detailed Caption:**
The image is a large, horizontally elongated rectangle consisting of two square photographs placed side by side.
**Left Photograph:**
The image on the left showcases a pristine white pedestal sink, identifiable by the absence of any visible cabinets beside it. Toward the bottom right of the image, part of the white tiled floor is visible, accompanied by a small section of gray carpet. The top of the silver faucet, rounded at the tip, appears in the upper part of the photo. A blue toothbrush with white bristles lies angled in the sink basin, with its bristles oriented toward the center left of the image and the handle pointing right. The silver drain is positioned at the bottom of the sink bowl. Natural light from a window illuminates the top and right side of the sink's bowl.
**Right Photograph:**
The right photo is nearly identical to the left but appears slightly darker. This image reveals more of the long, silver faucet, including the slit-like opening at the top rim of the sink bowl toward the back. A red item, likely a towel or a shirt, hangs in the top right corner against the wall in the background, adding a splash of color to the scene.
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white toothbrush with green bristles
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blue toothbrush with white bristles
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1
| 202 |
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/blob/zyang/pretrain_value/pixmo-cap-image/00013022.jpg
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Describe the following image.
|
This image captures a workshop scene featuring a metal stand that supports a complex piece of equipment, possibly a sander or a specialized tool. In the center of this machinery is a round appendage or container, filled halfway with brown dirt, suggesting it might be used for some sort of processing or sorting task. Extending from the top of this container is a sturdy, black metal pole with a larger top component, indicating additional structural or functional purposes.
The metal stand itself resembles a rectangular table supported by four metal legs, sitting in a slightly cluttered environment indicative of a workyard or workshop. The area appears to be a bit dirty, with scattered debris adding to the lived-in feel of the space. On the right side of the image, there seems to be a push track, hinting at the mobile or adjustable nature of some of the workshop's equipment.
To the left, an assortment of tools or sticks is bundled vertically, with a distinctive red tool standing out among the others. Among this bundle, one tool features a noticeable iron component in its center. Just beyond the primary equipment and towards the background, a small pile of neatly cut logs can be spotted to the right side of the image, contributing to the workshop atmosphere.
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This image captures a workshop scene featuring a metal stand that supports a complex piece of equipment, possibly a sander or a specialized tool. In the center of this machinery is a square appendage or container, filled halfway with brown dirt, suggesting it might be used for some sort of processing or sorting task. Extending from the top of this container is a sturdy, black metal pole with a larger top component, indicating additional structural or functional purposes.
The metal stand itself resembles a rectangular table supported by four metal legs, sitting in a slightly cluttered environment indicative of a workyard or workshop. The area appears to be a bit dirty, with scattered debris adding to the lived-in feel of the space. On the right side of the image, there seems to be a push track, hinting at the mobile or adjustable nature of some of the workshop's equipment.
To the left, an assortment of tools or sticks is bundled vertically, with a distinctive red tool standing out among the others. Among this bundle, one tool features a noticeable iron component in its center. Just beyond the primary equipment and towards the background, a small pile of neatly cut logs can be spotted to the right side of the image, contributing to the workshop atmosphere.
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a round appendage or container
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a square appendage or container
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1
| 213 |
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/blob/zyang/pretrain_value/pixmo-cap-image/00013244.jpg
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Analyze the image in a comprehensive and detailed manner.
|
This is a screenshot of a shopping webpage featuring four listings for the Steam Deck video game system, each offering different models and prices:
1. At the very top, the first listing showcases a "New Listing: Steam Deck 256GB NVMe," described as brand new and priced at $975 or best offer, with an additional $480 shipping fee. The listing includes an image of the Steam Deck set against a blue background.
2. The second listing below is titled "New Listing: New Valve Steam Deck 64GB Model, Confirmed Order Pre-Sale, Q1 2022." It is brand new, available for $1,399 or best offer, with free $40 shipping. The accompanying image features the Steam Deck with a white background.
3. The third listing, "New Listing: Q1 Valve Steam Deck 512GB Pre-Sale, 2022," offers a brand new unit for $1,500 or best offer, with free shipping. This listing also includes an image of the Steam Deck against a white backdrop.
4. The fourth and final listing is presented as "New Listing: Valve Steam Deck 256GB Gaming System Pre-Sale, Confirmed Order Pre-Sale, Q2 2022." Priced at $1,399 or best offer, it includes a $20 shipping fee. The image provided appears to be a screenshot from the official Steam webpage, presumably displaying the Steam Deck.
Each listing highlights a different configuration and shipping detail, offering potential buyers various options to choose from.
|
This is a screenshot of a shopping webpage featuring four listings for the Steam Deck video game system, each offering different models and prices:
1. At the very top, the first listing showcases a "New Listing: Steam Deck 256GB NVMe," described as brand new and priced at $975 or best offer, with an additional $200 shipping fee. The listing includes an image of the Steam Deck set against a blue background.
2. The second listing below is titled "New Listing: New Valve Steam Deck 64GB Model, Confirmed Order Pre-Sale, Q1 2022." It is brand new, available for $1,399 or best offer, with free $40 shipping. The accompanying image features the Steam Deck with a white background.
3. The third listing, "New Listing: Q1 Valve Steam Deck 512GB Pre-Sale, 2022," offers a brand new unit for $1,500 or best offer, with free shipping. This listing also includes an image of the Steam Deck against a white backdrop.
4. The fourth and final listing is presented as "New Listing: Valve Steam Deck 256GB Gaming System Pre-Sale, Confirmed Order Pre-Sale, Q2 2022." Priced at $1,399 or best offer, it includes a $20 shipping fee. The image provided appears to be a screenshot from the official Steam webpage, presumably displaying the Steam Deck.
Each listing highlights a different configuration and shipping detail, offering potential buyers various options to choose from.
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additional $480 shipping fee
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additional $200 shipping fee
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2
| 221 |
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/blob/zyang/pretrain_value/pixmo-cap-image/00013272.jpg
|
What do you see happening in this image?
|
**Descriptive Caption:**
The image is primarily set against a stark white background with bold black text that humorously critiques Americans. The text reads, "Americans, right after making jokes on British people for eating beans on toast," but humorously omits the letter 'T' from 'British.'
On the left side of the image, there is a somewhat exaggerated and cheesy cartoon-like face with wide eyes and a gaping mouth, giving off a comical yet surprised expression. To the upper right of this face, the phrase "Time 4 Cheese" is written.
In the bottom left corner, the logo "Made with Mematic" is visible, indicating the meme's creation source.
To the right side of the image, there is an actual digital photograph of a Kraft Singles cheese slice, freshly removed from its plastic wrapper, revealing its iconic square, yellow appearance. Next to it is the classic Kraft Singles package, with a predominantly blue background. The packaging features glass milk jugs pouring out milk in the upper right corner, the recognizable red Kraft logo with a white center and blue text. Beneath the logo, the word "Singles" is written in white cursive, bordered by a red line with "American" inscribed in white font below.
The caption humorously notes that Kraft Singles are often mocked globally, particularly highlighting that they are technically a "cheese-like product" rather than real cheese. The humor stems from the fact that, despite being one of the best-selling "cheeses" in the U.S., many Americans, including the meme creator, find Kraft Singles to be far from the high-quality cheeses actually available in the country.
|
**Descriptive Caption:**
The image is primarily set against a stark white background with bold black text that humorously critiques Americans. The text reads, "Americans, right after making jokes on British people for eating beans on toast," but humorously omits the letter 'T' from 'British.'
On the left side of the image, there is a somewhat exaggerated and cheesy cartoon-like face with wide eyes and a gaping mouth, giving off a comical yet surprised expression. To the upper right of this face, the phrase "Time 4 Cheese" is written.
In the bottom left corner, the logo "Made with Mematic" is visible, indicating the meme's creation source.
To the right side of the image, there is an actual digital photograph of a Kraft Singles cheese slice, freshly removed from its plastic wrapper, revealing its iconic square, yellow appearance. Next to it is the classic Kraft Singles package, with a predominantly blue background. The packaging features plastic milk bottles spilling out milk in the upper right corner, the recognizable red Kraft logo with a white center and blue text. Beneath the logo, the word "Singles" is written in white cursive, bordered by a red line with "American" inscribed in white font below.
The caption humorously notes that Kraft Singles are often mocked globally, particularly highlighting that they are technically a "cheese-like product" rather than real cheese. The humor stems from the fact that, despite being one of the best-selling "cheeses" in the U.S., many Americans, including the meme creator, find Kraft Singles to be far from the high-quality cheeses actually available in the country.
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glass milk jugs pouring out milk
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plastic milk bottles spilling out milk
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3
| 259 |
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/blob/zyang/pretrain_value/pixmo-cap-image/00013470.jpg
|
Can you describe the main features of this image for me?
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In this vibrant and lively photo, Taylor Swift is the focal point, capturing a selfie at a Kansas City Chiefs football game. She exudes game-day spirit, clad in a striking, shiny red Kansas City Chiefs zip-up jacket. Her accessories complement her outfit perfectly; she sports a gold choker necklace, matching gold dangling earrings, and bold red lipstick that highlights her signature look.
To Taylor Swift’s left, the partial face of another woman can be seen, who herself is dressed in a Kansas City Chiefs t-shirt, sharing in the fandom. Behind Taylor, a man in a white t-shirt adorned with a white skull graphic contributes to the diverse crowd. Directly behind her, another woman can be noticed, engaged and animated as she points towards the upper right. This woman holds both a cup and a glass in her hand, adding to the festive atmosphere.
Further back stands a lady in a sparkly black sweater, enjoying the game as well, and next to her is a bearded man who is turned slightly to his right. The scene is capped with a glimpse of another man at the top of the photo, dressed in an orange short-sleeved polo shirt, facing forward. Just in front of him, a woman with remarkably long, curly hair has her back turned to the camera, rounding out the dynamic and bustling scene of this football game gathering.
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In this vibrant and lively photo, Taylor Swift is the focal point, capturing a selfie at a Kansas City Chiefs football game. She exudes game-day spirit, clad in a striking, shiny red Kansas City Chiefs zip-up jacket. Her accessories complement her outfit perfectly; she sports a silver choker necklace, matching gold dangling earrings, and bold red lipstick that highlights her signature look.
To Taylor Swift’s left, the partial face of another woman can be seen, who herself is dressed in a Kansas City Chiefs t-shirt, sharing in the fandom. Behind Taylor, a man in a white t-shirt adorned with a white skull graphic contributes to the diverse crowd. Directly behind her, another woman can be noticed, engaged and animated as she points towards the upper right. This woman holds both a cup and a glass in her hand, adding to the festive atmosphere.
Further back stands a lady in a sparkly black sweater, enjoying the game as well, and next to her is a bearded man who is turned slightly to his right. The scene is capped with a glimpse of another man at the top of the photo, dressed in an orange short-sleeved polo shirt, facing forward. Just in front of him, a woman with remarkably long, curly hair has her back turned to the camera, rounding out the dynamic and bustling scene of this football game gathering.
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gold choker necklace
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silver choker necklace
|
1
| 227 |
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/blob/zyang/pretrain_value/pixmo-cap-image/00013527.png
|
What is this photo about'?
|
The mural on the light yellow brick wall features a striking, somber-faced figure that resembles an angelic or mythological entity. The figure's hair is a mixture of gray and teal, crowned with an elaborate headpiece adorned with gray spikes in all directions. Their piercing blue eyes lack pupils, giving them an ethereal quality, and their face and upper body up to the pectorals are portrayed. The neck and one shoulder feature intricate teal-colored lines and swirls.
Extending from behind the figure are large, detailed wings with feathers in shades of white, teal, blue, and hints of brown, creating a sense of movement as they spread upwards and outwards. The background around the figure is a radiant light that transitions from a bright white above the head to a more teal hue as it disperses. Among the decorative elements, abstract swirls and lines in similar teal and blue colors accentuate the design, creating a cohesive and vibrant aura around the figure.
Below the mural, the sidewalk appears littered, and remnants of paint suggest ongoing or unfinished artistic work. Overall, the mural’s intricate designs and color palette of teal, gray, blue, and white lend it a captivating and almost mystical appearance, resembling a Greek statue merged with angelic symbolism.
|
The mural on the light cream concrete wall features a striking, somber-faced figure that resembles an angelic or mythological entity. The figure's hair is a mixture of gray and teal, crowned with an elaborate headpiece adorned with gray spikes in all directions. Their piercing blue eyes lack pupils, giving them an ethereal quality, and their face and upper body up to the pectorals are portrayed. The neck and one shoulder feature intricate teal-colored lines and swirls.
Extending from behind the figure are large, detailed wings with feathers in shades of white, teal, blue, and hints of brown, creating a sense of movement as they spread upwards and outwards. The background around the figure is a radiant light that transitions from a bright white above the head to a more teal hue as it disperses. Among the decorative elements, abstract swirls and lines in similar teal and blue colors accentuate the design, creating a cohesive and vibrant aura around the figure.
Below the mural, the sidewalk appears littered, and remnants of paint suggest ongoing or unfinished artistic work. Overall, the mural’s intricate designs and color palette of teal, gray, blue, and white lend it a captivating and almost mystical appearance, resembling a Greek statue merged with angelic symbolism.
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light yellow brick wall
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light cream concrete wall
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1
| 207 |
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/blob/zyang/pretrain_value/pixmo-cap-image/00013574.jpg
|
Analyze the image in a comprehensive and detailed manner.
|
The photograph captures a scenic river flowing through a rugged canyon, flanked by mountains on each side, reminiscent of the Grand Canyon. The river, with its rust-colored, muddy water, winds diagonally from right to left in the foreground, revealing multicolored rocks ranging from slate gray to reddish hues along its shoreline. The sandy banks exhibit a similar reddish, rust-colored tint, indicative of sedimentary soil. The canyon's steep, somewhat weathered walls rise up with patches of light green foliage, likely shrubs and low bushes, and are punctuated by rocky outcroppings with shades of brown, gray, and reddish tones.
The upper sections of the canyon walls form a V-shape, with the sky visible in the middle, appearing lower on the right side. The sky is a dynamic mix of blues, grays, and whites, with clouds stretching across the frame, adding a dramatic contrast to the rugged landscape below. The stone walls, rough and bumpy, display signs of erosion, with loose rocks and fine greenery clinging to their surfaces. There's a notable bright red rock or sunlight reflection on the upper right side, contributing to the overall palette.
In the background, the canyon walls seem more vertical, displaying layers of rocks and greenery. The foreground on the left side shows larger, angular gray rocks, possibly recently fallen, with a muddy, silty bank that might contain some clay. Sprouting from the banks are thin-stalked shrubs with light green and yellow foliage. The entire scene, with its earthy colors and varied textures, hints at a southwestern U.S. location, captured in a photograph likely taken within the past 15 years.
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The photograph captures a scenic river flowing through a rugged canyon, flanked by mountains on each side, reminiscent of the Grand Canyon. The river, with its clear, turquoise water, winds diagonally from right to left in the foreground, revealing multicolored rocks ranging from slate gray to reddish hues along its shoreline. The sandy banks exhibit a similar reddish, rust-colored tint, indicative of sedimentary soil. The canyon's steep, somewhat weathered walls rise up with patches of light green foliage, likely shrubs and low bushes, and are punctuated by rocky outcroppings with shades of brown, gray, and reddish tones.
The upper sections of the canyon walls form a V-shape, with the sky visible in the middle, appearing lower on the right side. The sky is a dynamic mix of blues, grays, and whites, with clouds stretching across the frame, adding a dramatic contrast to the rugged landscape below. The stone walls, rough and bumpy, display signs of erosion, with loose rocks and fine greenery clinging to their surfaces. There's a notable bright red rock or sunlight reflection on the upper right side, contributing to the overall palette.
In the background, the canyon walls seem more vertical, displaying layers of rocks and greenery. The foreground on the left side shows larger, angular gray rocks, possibly recently fallen, with a muddy, silty bank that might contain some clay. Sprouting from the banks are thin-stalked shrubs with light green and yellow foliage. The entire scene, with its earthy colors and varied textures, hints at a southwestern U.S. location, captured in a photograph likely taken within the past 15 years.
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rust-colored, muddy water
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clear, turquoise water
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1
| 262 |
|
/blob/zyang/pretrain_value/pixmo-cap-image/00013643.jpg
|
Write a detailed description of the given image.
|
This image depicts a well-organized drum kit set up in a room, possibly within a house. The space features beautiful brown hardwood floors adorned with a white area rug, creating a cozy and inviting atmosphere. On one side of the room, part of a wooden table is visible, adding a touch of natural elegance to the space.
The drum kit itself is an impressive array of various drums and cymbals. A black leather stool is provided for the drummer's comfort. Scattered around the drum kit are essential accessories, including a pair of drumsticks, microphones, and headphones, suggesting this is a practice area or recording space.
An electric guitar rests on the floor near the drum kit, hinting at the presence of other musicians. The cymbals have a bronze or brass finish, glinting under the light, while the drums display a classic combination of white and black colors. An amplifier can also be seen in the background, reinforcing the idea that this is a dedicated practice area for a band.
Every element in the room, from the hardwood floor to the musical equipment, suggests a space designed for creativity and musical expression. The stage is set for a drummer to make some serious music, assuming they know how to handle the kit.
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This image depicts a well-organized drum kit set up in a room, possibly within a house. The space features beautiful grey marble floors adorned with a white area rug, creating a cozy and inviting atmosphere. On one side of the room, part of a wooden table is visible, adding a touch of natural elegance to the space.
The drum kit itself is an impressive array of various drums and cymbals. A black leather stool is provided for the drummer's comfort. Scattered around the drum kit are essential accessories, including a pair of drumsticks, microphones, and headphones, suggesting this is a practice area or recording space.
An electric guitar rests on the floor near the drum kit, hinting at the presence of other musicians. The cymbals have a bronze or brass finish, glinting under the light, while the drums display a classic combination of white and black colors. An amplifier can also be seen in the background, reinforcing the idea that this is a dedicated practice area for a band.
Every element in the room, from the hardwood floor to the musical equipment, suggests a space designed for creativity and musical expression. The stage is set for a drummer to make some serious music, assuming they know how to handle the kit.
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beautiful brown hardwood floors
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beautiful grey marble floors
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1
| 209 |
|
/blob/zyang/pretrain_value/pixmo-cap-image/00013667.jpg
|
What is this photo about'?
|
This image showcases a delectable no-knead bread sandwich filled with creamy Jarlsberg cheese and roasted cauliflower. The scene features two photographs of the same food item placed side by side.
On the right side, the photograph presents the sandwich on a clean, white plate set against a dark, black background that adds a dramatic contrast to the composition. The sandwich itself reveals a tantalizing glimpse of roasted cauliflower florets peeking out from between slices of rustic, brown bread adorned with specks of black and white seeds. The bread boasts a hearty, wholesome texture, balancing perfectly with the melted cheese and an enticing drizzle of sauce that adds an extra layer of flavor to the dish.
The left-side photograph mirrors the same sandwich on an identical white plate. A touch of the black background is visible in the top left corner, offering continuity between the two images. The lighting in this shot creates subtle shadows, emphasizing the intricate textures of the bread and the roasted cauliflower. These shadows add depth to the image, making the components of the sandwich pop even more against the pristine white plate.
Overall, the detailed composition of these photographs beautifully highlights the rustic elegance and mouthwatering appeal of the no-knead bread sandwich with Jarlsberg cheese and roasted cauliflower.
|
This image showcases a delectable no-knead bread sandwich filled with creamy Jarlsberg cheese and roasted cauliflower. The scene features two photographs of the same food item placed side by side.
On the right side, the photograph presents the sandwich on a clean, white plate set against a dark, black background that adds a dramatic contrast to the composition. The sandwich itself reveals a tantalizing glimpse of roasted cauliflower florets peeking out from between slices of crispy, golden toast adorned with specks of black and white seeds. The bread boasts a hearty, wholesome texture, balancing perfectly with the melted cheese and an enticing drizzle of sauce that adds an extra layer of flavor to the dish.
The left-side photograph mirrors the same sandwich on an identical white plate. A touch of the black background is visible in the top left corner, offering continuity between the two images. The lighting in this shot creates subtle shadows, emphasizing the intricate textures of the bread and the roasted cauliflower. These shadows add depth to the image, making the components of the sandwich pop even more against the pristine white plate.
Overall, the detailed composition of these photographs beautifully highlights the rustic elegance and mouthwatering appeal of the no-knead bread sandwich with Jarlsberg cheese and roasted cauliflower.
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rustic, brown bread
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crispy, golden toast
|
1
| 210 |
|
/blob/zyang/pretrain_value/pixmo-cap-image/00013930.jpg
|
What is this photo about'?
|
In this AI-generated black-and-white photo, a group of soldiers stands in an open field under a sky that culminates in a distant ridgeline of hills. On the left side, about an inch in, trees stretch across the background, interrupted by a small gap, with one sparse tree standing prominently in the middle distance.
In the forefront, four men are captured in peculiar detail. The first man, positioned toward the left, faces the camera with folded arms. An American flag is visible behind him, although only the red and white stripes are discernible, absent the iconic blue field and stars. His face is inexplicably blurred, obscuring his features. To his right stands another soldier, facing directly forward. He wears camouflage, and his arms hang straight by his sides, but like the first man, his face is blurred.
Further right, a much larger man is seen from behind, outfitted in camouflage and a beret. His left arm hangs at his side while his right arm extends in front of him. Beside him is a slightly shorter soldier who also faces away from the camera. While he appears mostly normal, his feet oddly point towards the viewer, and his right arm seems partially missing.
Below these figures, an anomalous arm extends from the bottom left and upwards, merging into a distorted hand resembling a misshapen ball. This arm, clad in a long-sleeved camouflage shirt, appears gnarled. The right hand, which comes from the lower right, crosses over the other hand, ending in a club-like form with a twisted knot at its top, adding to the surrealism of the scene.
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In this AI-generated black-and-white photo, a group of civilians stands in an open field under a sky that culminates in a distant ridgeline of hills. On the left side, about an inch in, trees stretch across the background, interrupted by a small gap, with one sparse tree standing prominently in the middle distance.
In the forefront, four men are captured in peculiar detail. The first man, positioned toward the left, faces the camera with folded arms. An American flag is visible behind him, although only the red and white stripes are discernible, absent the iconic blue field and stars. His face is inexplicably blurred, obscuring his features. To his right stands another soldier, facing directly forward. He wears camouflage, and his arms hang straight by his sides, but like the first man, his face is blurred.
Further right, a much larger man is seen from behind, outfitted in camouflage and a beret. His left arm hangs at his side while his right arm extends in front of him. Beside him is a slightly shorter soldier who also faces away from the camera. While he appears mostly normal, his feet oddly point towards the viewer, and his right arm seems partially missing.
Below these figures, an anomalous arm extends from the bottom left and upwards, merging into a distorted hand resembling a misshapen ball. This arm, clad in a long-sleeved camouflage shirt, appears gnarled. The right hand, which comes from the lower right, crosses over the other hand, ending in a club-like form with a twisted knot at its top, adding to the surrealism of the scene.
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a group of soldiers
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a group of civilians
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1
| 264 |
|
http://2.bp.blogspot.com/-g_XAd0gAmGE/UWgp0WWkpVI/AAAAAAAAAK4/rYaIJtfqNGM/s1600/cureforherpes.jpg
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/blob/zyang/pretrain_value/pixmo-cap-image/00013951.jpg
|
What do you see happening in this image?
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The image is an advertisement from a website promoting a natural and safe remedy for herpes. At the top of the advertisement, two green leaves adorned with dew drops set a fresh, natural tone. The prominent headline reads, "Get Rid of Herpes: Natural, Safe, Effective Herpes Remedy."
Below this, a smiling couple is featured; the woman has brown hair, and the man, also with brown hair, has a light amount of facial hair. Both look directly at the camera, exuding confidence and happiness.
The central part of the advertisement highlights three key benefits of the remedy with star icons:
1. "Relieves HSV2 Symptoms Fast"
2. "Effective HSV1 and HSV2 Remedy"
3. "Stops Further Outbreaks"
Further down, teal buttons for "Home" and "Order" are positioned on the left side. A heartfelt testimonial follows: "I suffered with Herpes Type 2 (HSV2) for almost two years before I found this simple and effective method of treatment. Now, I no longer need any medication to live a normal life without my embarrassing and stigmatized condition."
At the bottom, a woman's image is partially obscured by a white rectangle over her eyes, and a red print caption urges viewers, "Attention: Please click here now to read the rest of this herpes treatment information..."
|
The image is an advertisement from a website promoting a natural and safe remedy for herpes. At the top of the advertisement, two maple leaves adorned with dew drops set a fresh, natural tone. The prominent headline reads, "Get Rid of Herpes: Natural, Safe, Effective Herpes Remedy."
Below this, a smiling couple is featured; the woman has brown hair, and the man, also with brown hair, has a light amount of facial hair. Both look directly at the camera, exuding confidence and happiness.
The central part of the advertisement highlights three key benefits of the remedy with star icons:
1. "Relieves HSV2 Symptoms Fast"
2. "Effective HSV1 and HSV2 Remedy"
3. "Stops Further Outbreaks"
Further down, teal buttons for "Home" and "Order" are positioned on the left side. A heartfelt testimonial follows: "I suffered with Herpes Type 2 (HSV2) for almost two years before I found this simple and effective method of treatment. Now, I no longer need any medication to live a normal life without my embarrassing and stigmatized condition."
At the bottom, a woman's image is partially obscured by a white rectangle over her eyes, and a red print caption urges viewers, "Attention: Please click here now to read the rest of this herpes treatment information..."
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two green leaves
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two maple leaves
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2
| 202 |
/blob/zyang/pretrain_value/pixmo-cap-image/00013996.jpg
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Can you elaborate on the elements of the picture provided?
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In this captivating photograph, two pelicans are seen sharing a meal amidst a serene aquatic setting. The pelican on the left, likely a juvenile, is primarily black with a delicate patch of light gray feathers beneath its wings. Its head is an intricate blend of white and black feathers, with a striking thin line of black feathers tracing the sides of its head and a small tuft of black crowning its head. This bird, tilting its head slightly to the right, gazes with its black eyes, emphasizing the bright orange-yellow beak that mirrors the hue of its companion's beak, albeit adorned with a singular dark chocolate line.
The right pelican, significantly larger—perhaps 2.5 times the size of the left one—is mostly submerged in the dark blue, almost black, water, save for its vibrant orange-yellow beak and the under-chin area, which provides a stark contrast. The commotion in the water, splashing around them, suggests the recent landing of the larger pelican, adding a dynamic element to the tranquil scene.
In the background, the landscape evokes a swamp-like environment, with small patches of grass emerging from the water. These patches vary in color, from shades of brown to yellowish-green, providing a natural backdrop to the intimate moment between the two birds. The water's dark hues, reflecting the sky and surrounding elements, add depth to the frame.
In the lower right-hand corner, an emblem featuring the outline of a tiger's face in black accompanies the text "Fathrinvenville, M-A-T-H-I-E-U-V-A-N-D-E-W-I-E-L-E" in black, likely marking the photographer or the series. A subtle reflection on the water adds a final touch of realism and visual coherence to the image.
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In this captivating photograph, two pelicans are seen sharing a meal amidst a serene aquatic setting. The pelican on the left, likely a juvenile, is primarily black with a delicate patch of light gray feathers beneath its wings. Its head is an intricate blend of white and black feathers, with a striking thin line of white feathers tracing the sides of its head and a small tuft of black crowning its head. This bird, tilting its head slightly to the right, gazes with its black eyes, emphasizing the bright orange-yellow beak that mirrors the hue of its companion's beak, albeit adorned with a singular dark chocolate line.
The right pelican, significantly larger—perhaps 2.5 times the size of the left one—is mostly submerged in the dark blue, almost black, water, save for its vibrant orange-yellow beak and the under-chin area, which provides a stark contrast. The commotion in the water, splashing around them, suggests the recent landing of the larger pelican, adding a dynamic element to the tranquil scene.
In the background, the landscape evokes a swamp-like environment, with small patches of grass emerging from the water. These patches vary in color, from shades of brown to yellowish-green, providing a natural backdrop to the intimate moment between the two birds. The water's dark hues, reflecting the sky and surrounding elements, add depth to the frame.
In the lower right-hand corner, an emblem featuring the outline of a tiger's face in black accompanies the text "Fathrinvenville, M-A-T-H-I-E-U-V-A-N-D-E-W-I-E-L-E" in black, likely marking the photographer or the series. A subtle reflection on the water adds a final touch of realism and visual coherence to the image.
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striking thin line of black feathers
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striking thin line of white feathers
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1
| 269 |
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/blob/zyang/pretrain_value/pixmo-cap-image/00014019.jpg
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Write a detailed description of the given image.
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In this meme featuring anime characters, the background showcases a landscape with alternating rows of brown spots, short bushes, and patches of grass, creating a rustic field-like setting. The foreground reveals more grass and bushes, providing a natural scene for the characters.
To the left, a young Asian female character stands out with her shoulder-length dark hair and bangs framing her face. She has big brown eyes, dark-lined eyebrows, and a cute smile that complements her petite figure. Dressed in a green patchwork outfit complete with a hood, her appearance is both whimsical and endearing. An overlay text above her reads, "My horny girlfriend."
On the right, a larger illustration of a male character is seen from the torso up. He has dark brown spiky hair and oversized greenish eyes that convey a sense of amazement or shock. His mouth is open, revealing the top row of his teeth, and his hands are raised as he holds a glowing blue stone. He is wearing a teal-colored t-shirt, and the radiant stone he grips symbolizes "my virginity," as indicated by the text above the stone. The overlay text above him says, "Me," suggesting his astonished reaction to the situation.
The meme humorously depicts the dynamic between the "horny girlfriend" and the "me" character, with the glowing blue stone representing the boyfriend's vanishing virginity.
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In this meme featuring anime characters, the background showcases a landscape with alternating rows of brown spots, short bushes, and patches of grass, creating a rustic field-like setting. The foreground reveals more grass and bushes, providing a natural scene for the characters.
To the left, a young Asian female character stands out with her shoulder-length dark hair and bangs framing her face. She has big brown eyes, dark-lined eyebrows, and a cute smile that complements her petite figure. Dressed in a green patchwork outfit complete with a hood, her appearance is both whimsical and endearing. An overlay text above her reads, "My horny girlfriend."
On the right, a larger illustration of a male character is seen from the torso up. He has dark brown spiky hair and oversized greenish eyes that convey a sense of amazement or shock. His mouth is open, revealing the top row of his teeth, and his hands are raised as he holds a glowing blue stone. He is wearing a burgundy-colored t-shirt, and the radiant stone he grips symbolizes "my virginity," as indicated by the text above the stone. The overlay text above him says, "Me," suggesting his astonished reaction to the situation.
The meme humorously depicts the dynamic between the "horny girlfriend" and the "me" character, with the glowing blue stone representing the boyfriend's vanishing virginity.
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teal-colored t-shirt
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burgundy-colored t-shirt
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2
| 220 |
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/blob/zyang/pretrain_value/pixmo-cap-image/00014040.jpg
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Describe the following image.
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The image depicts a website interface with a predominantly white background. At the top of the page, there are two colored patterns: the one on the top left is green, and the one on the top right is blue. The text on the website appears blurry and unreadable, compromising its visibility.
Beneath these two patterns, there is a drop-down option labeled "Common Options" in black text. Accompanying this drop-down menu, an error message indicates that there is an issue with selecting an option. Below this section, several toggle switches are arranged in sequence.
The first toggle switch is turned on, displaying a green color. The second toggle switch is turned off and appears grey. The third toggle switch is also on and green. While the switches that are on display a green hue, the visibility of the accompanying text is compromised for the grey (off) switch.
Towards the bottom part, an additional toggle switch is in the on position with a green indicator. Alongside this, there is a list containing three options, all of which are off.
Lastly, the entire page's background transitions into a gradient of purple and green, with toggle switches in their respective colors of green for "on" and grey for "off." The text throughout the page is predominantly written in white, except for the "Common Options" text, which is in black. The overall presentation suggests a colorful but somewhat dysfunctional interface due to the blurriness and unreadable text.
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The image depicts a mobile application interface with a predominantly white background. At the top of the page, there are two colored patterns: the one on the top left is green, and the one on the top right is blue. The text on the website appears blurry and unreadable, compromising its visibility.
Beneath these two patterns, there is a drop-down option labeled "Common Options" in black text. Accompanying this drop-down menu, an error message indicates that there is an issue with selecting an option. Below this section, several toggle switches are arranged in sequence.
The first toggle switch is turned on, displaying a green color. The second toggle switch is turned off and appears grey. The third toggle switch is also on and green. While the switches that are on display a green hue, the visibility of the accompanying text is compromised for the grey (off) switch.
Towards the bottom part, an additional toggle switch is in the on position with a green indicator. Alongside this, there is a list containing three options, all of which are off.
Lastly, the entire page's background transitions into a gradient of purple and green, with toggle switches in their respective colors of green for "on" and grey for "off." The text throughout the page is predominantly written in white, except for the "Common Options" text, which is in black. The overall presentation suggests a colorful but somewhat dysfunctional interface due to the blurriness and unreadable text.
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website interface
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mobile application interface
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2
| 241 |
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/blob/zyang/pretrain_value/pixmo-cap-image/00014202.jpg
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Analyze the image in a comprehensive and detailed manner.
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This image appears to be a page from a soccer program or journal, prominently titled "Dazza's Diary" at the top, with a red background and black writing. A black and red checkerboard pattern decorates the right side of the page. On the left side, it says "United," and this is page 6. A small picture of a man, presumably Dazza, is located in the top-left corner. He welcomes readers to Somerset Park for the eagerly awaited CIS Insurance Cup match against Celtic, emphasizing that such a high-caliber game requires no extra motivation for the players. He mentions the team's professional preparation and expresses hope for a terrific occasion for both fans and players.
Dazza provides updates on player availability, noting that Nigel Jensen has signed until the end of the season and David Craig has come through the reserve match last week and is available for selection. He extends his gratitude to the supporters and encourages them to enjoy the match. The bottom of the page features a blue background with a white stripe, displaying an advertisement from BFM Sports. Two soccer uniforms are shown: a yellow and blue one on the right and a white and black one on the left. The ad promotes AYR United Football Club's home and away replica strips, as well as Scotland World Cup cricket tops, which are all available for purchase.
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This image appears to be a page from a soccer program or journal, prominently titled "Dazza's Diary" at the top, with a red background and black writing. A black and red checkerboard pattern decorates the right side of the page. On the left side, it says "United," and this is page 6. A small picture of a man, presumably Dazza, is located in the top-left corner. He welcomes readers to Somerset Park for the eagerly awaited CIS Insurance Cup match against Celtic, emphasizing that such a high-caliber game requires no extra motivation for the players. He mentions the team's professional preparation and expresses hope for a terrific occasion for both fans and players.
Dazza provides updates on player availability, noting that Nigel Jensen has signed until the end of the season and David Craig has come through the reserve match last week and is available for selection. He extends his gratitude to the supporters and encourages them to enjoy the match. The bottom of the page features a green background with a yellow stripe, displaying an advertisement from BFM Sports. Two soccer uniforms are shown: a yellow and blue one on the right and a white and black one on the left. The ad promotes AYR United Football Club's home and away replica strips, as well as Scotland World Cup cricket tops, which are all available for purchase.
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blue background with a white stripe
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green background with a yellow stripe
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2
| 228 |
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/blob/zyang/pretrain_value/pixmo-cap-image/00014310.jpg
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Can you elaborate on the elements of the picture provided?
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This image captures a close-up of a smartphone screen, showcasing a well-organized grid of icons. The top status bar reveals that the phone is on the AT&T network, connected with full bars, and a fully charged battery. The time displayed is 5:11 p.m., and the current date is Monday the 13th.
On the home screen, several rows of app icons are visible:
1. **Top Row:**
- An icon resembling a flower, likely for the Photos app.
- Google Maps.
- Chrome browser.
2. **Second Row:**
- Settings.
- Accounts, depicted with nine small squares.
- Music, marked by two small squares.
- Utility Belt, with eight shrunken squares.
- Social, containing five boxes.
- News, featuring seven boxes.
- A Password icon.
- Box, explicitly labeled "Box."
- Voice Memos.
3. **Third Row:**
- Inbox.
- Any List.
- Evernote.
4. **Fourth Row:**
- Messages.
- Thema.
- Stack.
- Music.
5. **Fifth Row:**
- Spotify.
- Trello.
- Downcast.
- Pushbullet.
Finally, at the very bottom in the gray dock area, three primary apps are pinned for quick access:
- Phone.
- Tweetbox.
- Mail.
This detailed organization of icons offers a glimpse into the user's preferences and frequently used applications, all neatly arranged on the smartphone's home screen.
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This image captures a close-up of a smartphone screen, showcasing a well-organized grid of icons. The top status bar reveals that the phone is on the AT&T network, connected with full bars, and a fully charged battery. The time displayed is 10:30 a.m., and the current date is Monday the 13th.
On the home screen, several rows of app icons are visible:
1. **Top Row:**
- An icon resembling a flower, likely for the Photos app.
- Google Maps.
- Chrome browser.
2. **Second Row:**
- Settings.
- Accounts, depicted with nine small squares.
- Music, marked by two small squares.
- Utility Belt, with eight shrunken squares.
- Social, containing five boxes.
- News, featuring seven boxes.
- A Password icon.
- Box, explicitly labeled "Box."
- Voice Memos.
3. **Third Row:**
- Inbox.
- Any List.
- Evernote.
4. **Fourth Row:**
- Messages.
- Thema.
- Stack.
- Music.
5. **Fifth Row:**
- Spotify.
- Trello.
- Downcast.
- Pushbullet.
Finally, at the very bottom in the gray dock area, three primary apps are pinned for quick access:
- Phone.
- Tweetbox.
- Mail.
This detailed organization of icons offers a glimpse into the user's preferences and frequently used applications, all neatly arranged on the smartphone's home screen.
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time displayed is 5:11 p.m.
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time displayed is 10:30 a.m.
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3
| 254 |
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/blob/zyang/pretrain_value/pixmo-cap-image/00014337.jpg
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Can you describe the main features of this image for me?
|
The image depicts a detailed floor plan design on a blue background with black borders and white areas on the left and right. The top section of the plan indicates a roof area, featuring rectangles divided by lime-colored lines and a square at the top.
On the left-hand side, there's a bedroom illustrated with a bed, likely drawn in pen, and flanked by bedside tables on the upper and lower sides, each with a lamp on it. Text annotations within this area label it as a bedroom. Adjacent to the bed on the left, there's a chair placed next to a table in the middle, and another chair. Below the table, shelving units are depicted, with "T" and "B" noted underneath, suggesting additional storage or functional areas. This section also includes a restroom with a toilet, shower, and sink.
To the right of the bedroom, at the top, the plan denotes a living area. This space features a table, a couch on the left, and another table above and below the couch. A chair and a dining table are situated lower down in this section, with the dining table being a large square with curved lines. The dining area includes two tables and seating arrangements: two seats at the top, one on the left, one on the right, and two at the bottom.
In the bottom right portion, the plan indicates a kitchen area labeled as "kitchen." The kitchen is equipped with a sink and a stove on the right, surrounded by countertops. A door with an arcing swing line illustrates the main entrance or an exit leading to the outside. Additionally, there's labeling on the right and left sides with "T" and "B," presumably marking the locations of a sink, toilet, and bathtub.
Overall, this floor plan provides a comprehensive and detailed layout of a house, including bedrooms, living spaces, dining areas, and kitchen facilities, complete with all necessary furnishings and fixtures.
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The image depicts a detailed floor plan design on a red background with white borders and white areas on the left and right. The top section of the plan indicates a roof area, featuring rectangles divided by lime-colored lines and a square at the top.
On the left-hand side, there's a bedroom illustrated with a bed, likely drawn in pen, and flanked by bedside tables on the upper and lower sides, each with a lamp on it. Text annotations within this area label it as a bedroom. Adjacent to the bed on the left, there's a chair placed next to a table in the middle, and another chair. Below the table, shelving units are depicted, with "T" and "B" noted underneath, suggesting additional storage or functional areas. This section also includes a restroom with a toilet, shower, and sink.
To the right of the bedroom, at the top, the plan denotes a living area. This space features a table, a couch on the left, and another table above and below the couch. A chair and a dining table are situated lower down in this section, with the dining table being a large square with curved lines. The dining area includes two tables and seating arrangements: two seats at the top, one on the left, one on the right, and two at the bottom.
In the bottom right portion, the plan indicates a kitchen area labeled as "kitchen." The kitchen is equipped with a sink and a stove on the right, surrounded by countertops. A door with an arcing swing line illustrates the main entrance or an exit leading to the outside. Additionally, there's labeling on the right and left sides with "T" and "B," presumably marking the locations of a sink, toilet, and bathtub.
Overall, this floor plan provides a comprehensive and detailed layout of a house, including bedrooms, living spaces, dining areas, and kitchen facilities, complete with all necessary furnishings and fixtures.
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a blue background with black borders
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a red background with white borders
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4
| 320 |
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/blob/zyang/pretrain_value/pixmo-cap-image/00014360.jpg
|
Describe the following image.
|
This vibrant and colorful cartoon illustration for children depicts a lively scene at "Discovery Airport." The top left corner features a paragraph of blue text describing the bustling activity below. The backdrop includes a blue sky dotted with friendly white clouds resembling screens with images, along with lush green trees and grass.
The scene is set on a track where children ride around in various whimsical, humanized vehicles that have smiling faces. A helicopter with a grinning face has an open cockpit housing a boy in a green jacket and red cap. Positioned next to it is a red sports car convertible driven by a girl in pink overalls, a white shirt, short hair, and a headband. In the foreground, a cheerful airplane has a child pilot in uniform giving a thumbs up with its left hand.
The airplane's side hatch is open, releasing luggage onto rollers – a pink, red, and green suitcase, with a brown one already on the ground. A person with blonde hair in a red and white striped collared shirt is seen handling the green suitcase, with a cute frog perched on their left shoulder.
Anchoring the scene, white text in the middle of the image reads, "Your little people friends are waiting for you at Discovery Airport." This playful assembly of animated characters and vibrant vehicles invites children to explore the joyful adventure awaiting them at the airport.
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This vibrant and colorful cartoon illustration for children depicts a lively scene at "Discovery Airport." The top left corner features a paragraph of blue text describing the bustling activity below. The backdrop includes a blue sky dotted with friendly white clouds resembling screens with images, along with lush green trees and grass.
The scene is set on a track where children ride around in various whimsical, humanized vehicles that have smiling faces. A helicopter with a grinning face has an open cockpit housing a boy in a green jacket and red cap. Positioned next to it is a yellow sports car convertible driven by a girl in pink overalls, a white shirt, short hair, and a headband. In the foreground, a cheerful airplane has a child pilot in uniform giving a thumbs up with its left hand.
The airplane's side hatch is open, releasing luggage onto rollers – a pink, red, and green suitcase, with a brown one already on the ground. A person with blonde hair in a red and white striped collared shirt is seen handling the green suitcase, with a cute frog perched on their left shoulder.
Anchoring the scene, white text in the middle of the image reads, "Your little people friends are waiting for you at Discovery Airport." This playful assembly of animated characters and vibrant vehicles invites children to explore the joyful adventure awaiting them at the airport.
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a red sports car convertible
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a yellow sports car convertible
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2
| 234 |
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/blob/zyang/pretrain_value/pixmo-cap-image/00014696.jpg
|
Can you elaborate on the elements of the picture provided?
|
The image is a horizontally oriented rectangular infographic featuring a word cloud design on a nearly pure black background. Measuring approximately three times longer than it is tall, the graphic is densely populated with various phrases in white and red text, oriented in different directions—left to right, top to bottom, and bottom to top.
In the top left corner, there is a prominent white circular disk containing red, slanted text that reads, "Ideas that will change your world." Key phrases scattered throughout the black backdrop include "entrepreneur," "does it have a chance," "energy grids," "ecological SPA and tourism," and "Algarve, a hub for sustainable living."
Some notable phrases reference creativity and innovation, albeit with a notable spelling error in "creativity" where it is mistakenly written as "creativity." Additional text includes, "Innovation and creative techniques," "Algarve, Europe’s Hollywood studios," and "the spirit of Portuguese inventivity."
In the lower right-hand corner, there's a white rectangular area with red text reading, "Portimao, 1st October." Another notable phrase in red text in the lower left includes, "beside the doctor, you also need a lawyer." Also mentioned are themes of "recovering cargoes from endangered historical shipwrecks." The entire composition merges elements of innovation, cultural differentiation, and sustainable living, offering a rich tapestry of forward-thinking ideas.
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The image is a horizontally oriented rectangular infographic featuring a word cloud design on a nearly pure black background. Measuring approximately three times longer than it is tall, the graphic is densely populated with various phrases in white and red text, oriented in different directions—left to right, top to bottom, and bottom to top.
In the top left corner, there is a prominent white square block containing red, slanted text that reads, "Ideas that will change your world." Key phrases scattered throughout the black backdrop include "entrepreneur," "does it have a chance," "energy grids," "ecological SPA and tourism," and "Algarve, a hub for sustainable living."
Some notable phrases reference creativity and innovation, albeit with a notable spelling error in "creativity" where it is mistakenly written as "creativity." Additional text includes, "Innovation and creative techniques," "Algarve, Europe’s Hollywood studios," and "the spirit of Portuguese inventivity."
In the lower right-hand corner, there's a white rectangular area with red text reading, "Portimao, 1st October." Another notable phrase in red text in the lower left includes, "beside the doctor, you also need a lawyer." Also mentioned are themes of "recovering cargoes from endangered historical shipwrecks." The entire composition merges elements of innovation, cultural differentiation, and sustainable living, offering a rich tapestry of forward-thinking ideas.
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prominent white circular disk
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prominent white square block
|
2
| 210 |
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/blob/zyang/pretrain_value/pixmo-cap-image/00014723.jpg
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Explain the visual content of the image in great detail.
|
Here is a detailed, cleaned-up caption for the set of images:
---
The image is divided into four quadrants, depicting various scenes from the game "Tempest Rising."
In the upper left quadrant, the cover image is showcased, featuring the game title "Tempest Rising" in a dark green font with a gold outline. The centerpiece is a striking woman’s face adorned with a black mask, dark brown hair, and a red cap. She wears black shoulder pauldrons, symbolizing her readiness for battle. Beneath her, an assortment of tanks and vehicles engage in combat, firing their weaponry, accompanied by three heavily armored soldiers in action.
The upper right quadrant displays a landscape dominated by red, vine-like foliage, through which machines navigate cautiously. The presence of user interface elements is clear, including a mini-map and other informative menus, hinting at the strategic depth of the gameplay.
In the bottom left quadrant, we see a city under construction, prominently featuring a power plant in the center. This indicates the intricate urban planning aspect of the game, where managing resources and infrastructure is key.
The bottom right quadrant presents a satellite array alongside various generators, all encircled by robust city walls. This setup suggests advanced technological facilities and defensive structures integral to the game's strategy.
These visuals collectively evoke the feeling of a strategic, Command and Conquer-style game, blending intense combat with critical resource management and city-building elements.
|
Here is a detailed, cleaned-up caption for the set of images:
---
The image is divided into four quadrants, depicting various scenes from the game "Tempest Rising."
In the upper left quadrant, the cover image is showcased, featuring the game title "Storm Ascending" in a dark green font with a gold outline. The centerpiece is a striking woman’s face adorned with a black mask, dark brown hair, and a red cap. She wears black shoulder pauldrons, symbolizing her readiness for battle. Beneath her, an assortment of tanks and vehicles engage in combat, firing their weaponry, accompanied by three heavily armored soldiers in action.
The upper right quadrant displays a landscape dominated by red, vine-like foliage, through which machines navigate cautiously. The presence of user interface elements is clear, including a mini-map and other informative menus, hinting at the strategic depth of the gameplay.
In the bottom left quadrant, we see a city under construction, prominently featuring a power plant in the center. This indicates the intricate urban planning aspect of the game, where managing resources and infrastructure is key.
The bottom right quadrant presents a satellite array alongside various generators, all encircled by robust city walls. This setup suggests advanced technological facilities and defensive structures integral to the game's strategy.
These visuals collectively evoke the feeling of a strategic, Command and Conquer-style game, blending intense combat with critical resource management and city-building elements.
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the game title "Tempest Rising"
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the game title "Storm Ascending"
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1
| 227 |
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/blob/zyang/pretrain_value/pixmo-cap-image/00014773.jpg
|
Describe the following image.
|
This image is a detailed screenshot of The Blaze, an online news site founded by Glenn Beck. The background is a light gray, creating a minimalistic, clean aesthetic. Centered at the top is the logo: "The Blaze" with "The" in bold black lowercase letters and "Blaze" in red, initial-capped letters. The "B" in "Blaze" is stylized with flames extending from the left side.
Directly beneath the logo is the menu bar, featuring categories in black font: News, Radio, Podcasts, and Blaze TV. On the right side of the menu is a gold rectangle with an invitation in black text to "Try Blaze TV for free."
The main section of the page features a large dark gray rectangle showcasing three prominent figures: Glenn Beck, Stephen Crowder, and Mark Levin. Glenn Beck, with silver-gray hair and a matching mustache, is dressed in a gray suit jacket. Stephen Crowder is seen in a long-sleeve black t-shirt, sporting brown hair and a hint of a beard. Mark Levin, bald and wearing black-framed glasses, is clad in a medium-blue suit jacket. Each of these individuals is a white male, and their photos are displayed prominently.
To the left of these images, "Blaze TV" is written in white on a black background, with "TV" in a smaller red font. Below this, it reads: "Watch on your favorite device, anywhere, anytime," followed by another gold rectangle stating "Start a free trial."
Scrolling further down, a collection of headlines and stories is visible. The left headline reads: "Republican Senator Susan Collins breaks with party, says presidential election winner should make Supreme Court nomination." To the right, another headline in white text against a black background announces: "Democrats threaten retaliation if Trump fills SCOTUS vacancy, promise to expand PAC court with liberals."
Additionally, on the right sidebar labeled "exclusive videos," more stories and headlines are presented, curating a comprehensive glance at the latest news.
|
This image is a detailed screenshot of The Blaze, an online news site founded by Glenn Beck. The background is a light gray, creating a minimalistic, clean aesthetic. Centered at the top is the logo: "The Blaze" with "The" in bold black lowercase letters and "Blaze" in red, initial-capped letters. The "B" in "Blaze" is stylized with flames extending from the left side.
Directly beneath the logo is the menu bar, featuring categories in black font: News, Radio, Podcasts, and Blaze TV. On the right side of the menu is a gold rectangle with an invitation in black text to "Try Blaze TV for free."
The main section of the page features a large dark gray rectangle showcasing three prominent figures: Glenn Beck, Stephen Crowder, and Mark Levin. Glenn Beck, with silver-gray hair and a matching mustache, is dressed in a gray suit jacket. Stephen Crowder is seen in a long-sleeve white t-shirt, sporting brown hair and a hint of a beard. Mark Levin, bald and wearing black-framed glasses, is clad in a medium-blue suit jacket. Each of these individuals is a white male, and their photos are displayed prominently.
To the left of these images, "Blaze TV" is written in white on a black background, with "TV" in a smaller red font. Below this, it reads: "Watch on your favorite device, anywhere, anytime," followed by another gold rectangle stating "Start a free trial."
Scrolling further down, a collection of headlines and stories is visible. The left headline reads: "Republican Senator Susan Collins breaks with party, says presidential election winner should make Supreme Court nomination." To the right, another headline in white text against a black background announces: "Democrats threaten retaliation if Trump fills SCOTUS vacancy, promise to expand PAC court with liberals."
Additionally, on the right sidebar labeled "exclusive videos," more stories and headlines are presented, curating a comprehensive glance at the latest news.
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Stephen Crowder is seen in a long-sleeve black t-shirt
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Stephen Crowder is seen in a long-sleeve white t-shirt
|
2
| 310 |
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/blob/zyang/pretrain_value/pixmo-cap-image/00014894.jpg
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What do you think is going on in this snapshot?
|
This image provides a first-person perspective from a seated position inside a bus. At the bottom third of the image, the black backing of the seat in front is visible, securely fastened to a yellow bar with a black rubber or foam piece atop it. This yellow bar extends to the left, attaching to the bus's side window. In front of this seat, there is a spacious area designed for passenger comfort, where individuals can stretch their legs.
The bus features additional yellow bars for stability and support. Two such bars, attached to the left side of the bus at knee height, connect to a vertical yellow bar rising to the ceiling, where they link to horizontal bars running the bus's length. These vertical bars are equipped with hand straps, providing support for standing passengers in a crowded scenario.
Centrally, there is a black leather couch, indicating a possible modification to the bus's interior. This couch, perhaps a creative alternative to traditional seating, faces inward, similar to some bus designs where seats align along the bus’s walls, encouraging passengers to face each other. This setup offers a unique and spacious seating option, suggesting an effort to optimize the available space for added comfort and utility.
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This image provides a first-person perspective from a seated position inside a bus. At the bottom third of the image, the black backing of the seat in front is visible, securely fastened to a yellow bar with a black plastic or silicone piece atop it. This yellow bar extends to the left, attaching to the bus's side window. In front of this seat, there is a spacious area designed for passenger comfort, where individuals can stretch their legs.
The bus features additional yellow bars for stability and support. Two such bars, attached to the left side of the bus at knee height, connect to a vertical yellow bar rising to the ceiling, where they link to horizontal bars running the bus's length. These vertical bars are equipped with hand straps, providing support for standing passengers in a crowded scenario.
Centrally, there is a black leather couch, indicating a possible modification to the bus's interior. This couch, perhaps a creative alternative to traditional seating, faces inward, similar to some bus designs where seats align along the bus’s walls, encouraging passengers to face each other. This setup offers a unique and spacious seating option, suggesting an effort to optimize the available space for added comfort and utility.
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black rubber or foam piece
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black plastic or silicone piece
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1
| 203 |
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/blob/zyang/pretrain_value/pixmo-cap-image/00014922.jpg
|
Can you elaborate on the elements of the picture provided?
|
The image showcases five smartphones placed side by side, each displaying different screens of a financial mobile app interface, reminiscent of layouts found in the Play Store or App Store. The smartphones are black with visible front cameras centered at the top of each screen. Out of the five screens, four feature predominantly gray backgrounds with black and green text, while the center screen stands out with a bright green background.
1. The first screen on the left displays a tiny-font menu labeled "Personal."
2. The second screen features a bold name "David Johnson" with a green circular icon above it. Below the name is a username in a typical format, appearing as "$David_something_24."
3. The center screen is slightly larger than the others and is characterized by its vivid green background. At the top third of the screen, a white dollar sign followed by the number "0" is prominently displayed. Beneath this, there is a calculator interface with numbers 1 through 9 and 0 in white, accompanied by "Proceed" and "Pay" buttons.
4. The fourth screen is titled "Privacy and Security" and showcases a corresponding menu for these settings.
5. The fifth and final screen displays a white dollar symbol within a green block, labeled "Child Tax Credit." Below this, there is additional information regarding the child tax credit.
Each screen provides a distinct section of the app, from personal profiles and user interfaces to important financial functionalities and security settings.
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The image showcases five tablets arranged in a row, each displaying different screens of a financial mobile app interface, reminiscent of layouts found in the Play Store or App Store. The smartphones are black with visible front cameras centered at the top of each screen. Out of the five screens, four feature predominantly gray backgrounds with black and green text, while the center screen stands out with a bright green background.
1. The first screen on the left displays a tiny-font menu labeled "Personal."
2. The second screen features a bold name "David Johnson" with a green circular icon above it. Below the name is a username in a typical format, appearing as "$David_something_24."
3. The center screen is slightly larger than the others and is characterized by its vivid green background. At the top third of the screen, a white dollar sign followed by the number "0" is prominently displayed. Beneath this, there is a calculator interface with numbers 1 through 9 and 0 in white, accompanied by "Proceed" and "Pay" buttons.
4. The fourth screen is titled "Privacy and Security" and showcases a corresponding menu for these settings.
5. The fifth and final screen displays a white dollar symbol within a green block, labeled "Child Tax Credit." Below this, there is additional information regarding the child tax credit.
Each screen provides a distinct section of the app, from personal profiles and user interfaces to important financial functionalities and security settings.
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five smartphones placed side by side
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five tablets arranged in a row
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2
| 236 |
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/blob/zyang/pretrain_value/pixmo-cap-image/00014994.jpg
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What is this photo about'?
|
A captured screenshot of an Amazon webpage features various elements, beginning with a black header housing white text—a gold smiley is visible next to an indistinct delivery location. A blurred search term is entered in the search box, followed by a gold box encompassing a black magnifying glass icon. To the right, an American flag icon appears beside text that reads "Hello, Sign in, Accounts & Lists, Returns & Orders," accompanied by a shopping cart icon showing zero items.
Further down, a banner stating "Amazon's response to COVID-19" is prominent. A sub-menu below offers links to "All Today's Deals, Customer Service, Gift Cards, Sell, and Registry."
The main content area features a white background with black text, listing categories such as "Department," "Music Recording Equipment," "Stage Lights," "Electronics," and "Tools & Home Improvement," among others. Options to sort by review, indicated by gold star icons, or by brand—with each brand name next to a checkbox—are available.
Displayed product images show four items:
1. A "Moving Beam Lamp Stage Light" priced at $39.99, featuring shades of purple, clear, and green.
2. A "Moving Headlight for Stage Disco Club Lighting" in black, priced at $450.
3. Another "Moving Disco Stage Light," also black, priced approximately at $3.93 (possibly an error).
4. A "Moving Spotlight Lamp" priced at $86.98, depicted in silver and white alongside green and silver counterparts.
|
A captured screenshot of an Amazon webpage features various elements, beginning with a blue header housing white text—a gold smiley is visible next to an indistinct delivery location. A blurred search term is entered in the search box, followed by a gold box encompassing a black magnifying glass icon. To the right, an American flag icon appears beside text that reads "Hello, Sign in, Accounts & Lists, Returns & Orders," accompanied by a shopping cart icon showing zero items.
Further down, a banner stating "Amazon's response to COVID-19" is prominent. A sub-menu below offers links to "All Today's Deals, Customer Service, Gift Cards, Sell, and Registry."
The main content area features a white background with black text, listing categories such as "Department," "Music Recording Equipment," "Stage Lights," "Electronics," and "Tools & Home Improvement," among others. Options to sort by review, indicated by gold star icons, or by brand—with each brand name next to a checkbox—are available.
Displayed product images show four items:
1. A "Moving Beam Lamp Stage Light" priced at $39.99, featuring shades of purple, clear, and green.
2. A "Moving Headlight for Stage Disco Club Lighting" in black, priced at $450.
3. Another "Moving Disco Stage Light," also black, priced approximately at $3.93 (possibly an error).
4. A "Moving Spotlight Lamp" priced at $86.98, depicted in silver and white alongside green and silver counterparts.
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black header housing white text
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blue header housing white text
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2
| 220 |
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/blob/zyang/pretrain_value/pixmo-cap-image/00015178.png
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Describe the following image.
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The image is a screenshot from a smartphone, displaying a daily schedule in a well-organized app interface.
At the very top, a dark blue bar houses the essential status icons: the time (5:00), battery icon, and Wi-Fi signal strength, all in white font. Below this, a slightly lighter royal blue border features the word "Schedule" on the left in bold white text.
The main portion of the screen has a white background with gray text, detailing a sequence of scheduled events spread across three dates: May 17th, May 18th, and May 19th. The events for the current day start with "Badge Pickup" from 7:00 AM to 7:30 PM. Following this is "Breakfast" at 7:30 AM, marked by an icon with a spoon and fork crossed in a light gray color.
At 10:00 AM, the schedule lists the "Google Keynote," followed by "Lunch" at 11:30 AM, once again accompanied by the spoon and fork icon. The schedule continues with a "Sandbox" session and concludes the day with "App Reviews" and "App Consultations."
The footer is highlighted in black, indicating that the "Schedule" tab is active. This footer provides navigation options, with the "Schedule" button highlighted to reflect the current view. The layout is clean and user-friendly, making it easy to follow the day's activities at a glance.
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The image is a screenshot from a smartphone, displaying a daily schedule in a well-organized app interface.
At the very top, a light green bar houses the essential status icons: the time (5:00), battery icon, and Wi-Fi signal strength, all in white font. Below this, a slightly lighter royal blue border features the word "Schedule" on the left in bold white text.
The main portion of the screen has a white background with gray text, detailing a sequence of scheduled events spread across three dates: May 17th, May 18th, and May 19th. The events for the current day start with "Badge Pickup" from 7:00 AM to 7:30 PM. Following this is "Breakfast" at 7:30 AM, marked by an icon with a spoon and fork crossed in a light gray color.
At 10:00 AM, the schedule lists the "Google Keynote," followed by "Lunch" at 11:30 AM, once again accompanied by the spoon and fork icon. The schedule continues with a "Sandbox" session and concludes the day with "App Reviews" and "App Consultations."
The footer is highlighted in black, indicating that the "Schedule" tab is active. This footer provides navigation options, with the "Schedule" button highlighted to reflect the current view. The layout is clean and user-friendly, making it easy to follow the day's activities at a glance.
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dark blue bar
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light green bar
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2
| 213 |
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/blob/zyang/pretrain_value/pixmo-cap-image/00015203.jpg
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Can you describe the main features of this image for me?
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### Descriptive Caption
In this indoor digital photo, a poignant and detailed scene is captured, conveying a deep emotional message. The image is divided into two parts with textual elements and visual metaphors that evoke a story of romantic disappointment.
**Text Overlay:**
- At the top of the image, set against a white background, there's a bold black font that reads, "Me After Finding My Perfect Type Of Woman."
- Below that, in the same black font, it continues, "But Finding Out She Has Kids, So Rejecting Her."
**Visual Elements:**
- The bottom two-thirds of the image display a well-lit, indoor setting featuring a large wooden chopping board with light tan hues and darker brown grains.
- On the chopping board lies a raw steak, partially chopped into smaller pieces, displaying the vivid red of the meat and the white of the fat.
- Two Caucasian hands descend from the top of the photo. The left hand is larger and wears a silver wedding band on the ring finger, suggesting marital status or commitment.
- The meat on the left side of the board is finely chopped, with distinct chunks of red meat interspersed with white fat, while the right side, mostly covered by the hand, shows larger, less-chopped pieces.
**Additional Text:**
- At the bottom, in striking yellow text, it says, "See How That Heart Is All Nice And Chopped Up?"
**Concept Explanation:**
This image employs metaphorical elements to express the heartbreak of discovering one's ideal partner, only to reject them upon learning they have children. The finely chopped steak symbolizes a shattered heart, further emphasized by the textual commentary on the difficulties and preconceived notions surrounding relationships with single parents. The poignant combination of visuals and text encapsulates the emotional turmoil of unmet expectations and the pain of rejection.
|
### Descriptive Caption
In this indoor digital photo, a poignant and detailed scene is captured, conveying a deep emotional message. The image is divided into two parts with textual elements and visual metaphors that evoke a story of romantic disappointment.
**Text Overlay:**
- At the top of the image, set against a white background, there's a bold black font that reads, "Me After Finding My Perfect Type Of Woman."
- Below that, in the same black font, it continues, "But Finding Out She Has Kids, So Rejecting Her."
**Visual Elements:**
- The bottom two-thirds of the image display a well-lit, indoor setting featuring a large wooden chopping board with light tan hues and darker brown grains.
- On the chopping board lies a raw steak, partially chopped into smaller pieces, displaying the vivid red of the meat and the white of the fat.
- Two Caucasian hands descend from the top of the photo. The left hand is larger and wears a gold wedding band on the ring finger, suggesting marital status or commitment.
- The meat on the left side of the board is finely chopped, with distinct chunks of red meat interspersed with white fat, while the right side, mostly covered by the hand, shows larger, less-chopped pieces.
**Additional Text:**
- At the bottom, in striking yellow text, it says, "See How That Heart Is All Nice And Chopped Up?"
**Concept Explanation:**
This image employs metaphorical elements to express the heartbreak of discovering one's ideal partner, only to reject them upon learning they have children. The finely chopped steak symbolizes a shattered heart, further emphasized by the textual commentary on the difficulties and preconceived notions surrounding relationships with single parents. The poignant combination of visuals and text encapsulates the emotional turmoil of unmet expectations and the pain of rejection.
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silver wedding band
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gold wedding band
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2
| 288 |
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/blob/zyang/pretrain_value/pixmo-cap-image/00015274.png
|
Write a detailed description of the given image.
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The image features a black background adorned with a complex and organized array of letters, numbers, and symbols, spanning 13 distinct lines. The first line showcases the entire alphabet in capital letters, followed by lowercase letters starting from 'a' and ending at 'q'. Interspersed among these characters are sporadic highlights in orange, breaking the predominant white color without any discernible pattern.
The second line continues with 'r' and 's' and introduces a cursive 'b' before completing the alphabet with 't' through 'z', and includes digits from '0' to '9' along with a period and comma. Subsequent lines continue to vary, featuring a mix of standard symbols and accented letters, both uppercase and lowercase, over the next five lines.
Further down, the image displays a series of mathematical symbols such as the pi (π) and sum (Σ) symbols, alongside numbers encased in either filled or empty circles. It then transitions into fractions and various kinds of parentheses and brackets.
Additionally, the lower portion includes mathematical symbols like plus (+), minus (−), and asterisks (*), followed by an array of directional arrows pointing in multiple directions. The final row features fillable shapes such as diamonds, squares, and circles, completing the comprehensive collection of characters and symbols.
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The image features a black background adorned with a intricate and structured assortment of letters, numbers, and icons, spanning 13 distinct lines. The first line showcases the entire alphabet in capital letters, followed by lowercase letters starting from 'a' and ending at 'q'. Interspersed among these characters are sporadic highlights in orange, breaking the predominant white color without any discernible pattern.
The second line continues with 'r' and 's' and introduces a cursive 'b' before completing the alphabet with 't' through 'z', and includes digits from '0' to '9' along with a period and comma. Subsequent lines continue to vary, featuring a mix of standard symbols and accented letters, both uppercase and lowercase, over the next five lines.
Further down, the image displays a series of mathematical symbols such as the pi (π) and sum (Σ) symbols, alongside numbers encased in either filled or empty circles. It then transitions into fractions and various kinds of parentheses and brackets.
Additionally, the lower portion includes mathematical symbols like plus (+), minus (−), and asterisks (*), followed by an array of directional arrows pointing in multiple directions. The final row features fillable shapes such as diamonds, squares, and circles, completing the comprehensive collection of characters and symbols.
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complex and organized array of letters, numbers, and symbols
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intricate and structured assortment of letters, numbers, and icons
|
4
| 201 |
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/blob/zyang/pretrain_value/pixmo-cap-image/00015369.jpg
|
What is this photo about'?
|
The image depicts a detailed world map showing the legal status of homosexuality worldwide as of August 22, 2022. The background of the map is white, while countries are color-coded to represent their respective laws regarding homosexual activity. At the top of the map, there's a title that reads, "The legal status of homosexuality worldwide, global laws regarding homosexual activity in 2022."
Below this title, a color guide explains the significance of each color used on the map. It includes:
- Green for legal.
- Purple for male illegal, female legal.
- Yellow for illegal, with an additional penalty.
- Pink for illegal, leading to imprisonment.
- Red for illegal, with penalties up to life imprisonment.
- Brown for illegal, with the death penalty.
- Gray for unknown, not applicable, or ambiguous.
The map is predominantly green, but significant portions, particularly in Africa, display varying shades of yellow, red, and brown, indicating varying degrees of illegal status and penalties.
At the bottom of the map, text notes that the information is accurate as of August 22, 2022. There is a star symbol indicating special statuses for Eswatini and Jamaica, noting "female uncertain." The source is cited as Equal Dex. Additionally, in the bottom right-hand corner, there is the Statista logo featuring a black symbol with a white wavy line. On the left-hand side at the bottom, there are three gray circles; one with "CC" inside it, another with an image of a man, and the last with an equal sign.
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The image depicts a comprehensive globe representation showing the legal status of homosexuality worldwide as of August 22, 2022. The background of the map is white, while countries are color-coded to represent their respective laws regarding homosexual activity. At the top of the map, there's a title that reads, "The legal status of homosexuality worldwide, global laws regarding homosexual activity in 2022."
Below this title, a color guide explains the significance of each color used on the map. It includes:
- Green for legal.
- Purple for male illegal, female legal.
- Yellow for illegal, with an additional penalty.
- Pink for illegal, leading to imprisonment.
- Red for illegal, with penalties up to life imprisonment.
- Brown for illegal, with the death penalty.
- Gray for unknown, not applicable, or ambiguous.
The map is predominantly green, but significant portions, particularly in Africa, display varying shades of yellow, red, and brown, indicating varying degrees of illegal status and penalties.
At the bottom of the map, text notes that the information is accurate as of August 22, 2022. There is a star symbol indicating special statuses for Eswatini and Jamaica, noting "female uncertain." The source is cited as Equal Dex. Additionally, in the bottom right-hand corner, there is the Statista logo featuring a black symbol with a white wavy line. On the left-hand side at the bottom, there are three gray circles; one with "CC" inside it, another with an image of a man, and the last with an equal sign.
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a detailed world map
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a comprehensive globe representation
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2
| 241 |
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/blob/zyang/pretrain_value/pixmo-cap-image/00015484.jpg
|
What do you think is going on in this snapshot?
|
This image is a screenshot from a mobile phone, showcasing a notification-rich interface. The background features a variety of color gradients and blurs: starting with the top left corner in black, transitioning into a strip of yellow extending about two inches, then reverting to black along the edges. The middle section of the screen showcases a blend of gray, blue, pink, purple, and red hues, becoming green toward the bottom, all appearing slightly blurred.
About an inch down from the top, in small white text, there's a message that reads "Disconnecting Bluetooth devices until tomorrow." Below this message, a square contains four circular icons arranged in a 2x2 grid. Adjacent to this square, on the right, a smaller square displays the text "Not playing," accompanied by playback controls, including a white play button flanked by gray rewind and fast-forward buttons.
Further down on the screen's left side, there are two squares aligned vertically, followed by a rectangle that spans about halfway across the screen. On the right side, there are two vertically aligned rectangles as well. Below these elements, a section features a row of four square icons, three stacked vertically, each with distinct symbols, all on a black background with white iconography.
At the bottom center, flanked approximately an inch to the left and right, a white slider bar extends horizontally across the black background, completing the interface layout.
|
This image is a screenshot from a mobile phone, showcasing a notification-rich interface. The background features a mix of color waves and distortions: starting with the top left corner in black, transitioning into a strip of yellow extending about two inches, then reverting to black along the edges. The middle section of the screen showcases a blend of gray, blue, pink, purple, and red hues, becoming green toward the bottom, all appearing slightly blurred.
About an inch down from the top, in small white text, there's a message that reads "Disconnecting Bluetooth devices until tomorrow." Below this message, a square contains four circular icons arranged in a 2x2 grid. Adjacent to this square, on the right, a smaller square displays the text "Not playing," accompanied by playback controls, including a white play button flanked by gray rewind and fast-forward buttons.
Further down on the screen's left side, there are two squares aligned vertically, followed by a rectangle that spans about halfway across the screen. On the right side, there are two vertically aligned rectangles as well. Below these elements, a section features a row of four square icons, three stacked vertically, each with distinct symbols, all on a black background with white iconography.
At the bottom center, flanked approximately an inch to the left and right, a white slider bar extends horizontally across the black background, completing the interface layout.
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a variety of color gradients and blurs
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a mix of color waves and distortions
|
2
| 228 |
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/blob/zyang/pretrain_value/pixmo-cap-image/00015553.jpg
|
Can you elaborate on the elements of the picture provided?
|
The photograph captures a full-body image of a security enforcement officer. The officer is heavily armored, wearing a black ensemble consisting of a hat, long-sleeved shirt, pants, belt, and protective vest. His hat, which features a blue patch, likely indicates his unit, though the exact text is unclear. Prominently, the officer's shirt and vest are marked multiple times with the words "Security Enforcement Officer" - on the sleeve, the breastplate of the vest, and a smaller patch below it.
Around his neck, he wears a gold badge on a black oval-shaped lanyard. The officer is equipped with a firearm and a flashlight on his tool belt. A walkie-talkie is clipped to his left shoulder, and a small rectangular device, possibly a body cam, is attached to his right shoulder.
He wears a distinctive mask supporting the "Back the Blue" movement, featuring a black field with white stars on one side and a series of black, blue, and silver stripes on the other. The mask covers the lower half of his face, revealing that he is staring off-camera to his right.
In his visible right hand, which holds his vest, the officer displays tattoos across his knuckles and on the back of his hand. The tattoo on his hand appears to spell "Jack," although the clarity of the knuckle tattoos is insufficient to discern their exact content. The overall appearance of this security enforcement officer conveys a strong sense of readiness and authority.
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The photograph captures a full-body image of a security enforcement officer. The officer is heavily armored, wearing a black ensemble consisting of a hat, long-sleeved shirt, pants, belt, and protective vest. His hat, which features a blue patch, likely indicates his unit, though the exact text is unclear. Prominently, the officer's shirt and vest are marked multiple times with the words "Security Enforcement Officer" - on the sleeve, the breastplate of the vest, and a smaller patch below it.
Around his neck, he wears a silver badge on a black square-shaped lanyard. The officer is equipped with a firearm and a flashlight on his tool belt. A walkie-talkie is clipped to his left shoulder, and a small rectangular device, possibly a body cam, is attached to his right shoulder.
He wears a distinctive mask supporting the "Back the Blue" movement, featuring a black field with white stars on one side and a series of black, blue, and silver stripes on the other. The mask covers the lower half of his face, revealing that he is staring off-camera to his right.
In his visible right hand, which holds his vest, the officer displays tattoos across his knuckles and on the back of his hand. The tattoo on his hand appears to spell "Jack," although the clarity of the knuckle tattoos is insufficient to discern their exact content. The overall appearance of this security enforcement officer conveys a strong sense of readiness and authority.
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gold badge on a black oval-shaped lanyard
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silver badge on a black square-shaped lanyard
|
1
| 239 |
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/blob/zyang/pretrain_value/pixmo-cap-image/00015597.jpg
|
Explain the visual content of the image in great detail.
|
A screenshot from a mobile device displays a detailed search on Google Maps for Italian food in New York City. The dark text stands out prominently against a light background, providing clear visibility. The search filters, conveniently presented as bubbles, show 'Italian' and 'Relevance' as selected options, signifying a refined and specific search. Other available but unselected filters such as 'Open now' and 'Find a table' remain highlighted in white with dark text.
Beneath the filters, the map of New York City is peppered with numerous restaurant icons, indicating the dense availability of Italian eateries in the area. Highlighted prominently in the results is 'Umberto's Clam House', which boasts a four-star rating. Accompanying this listing are two distinctive images: on the left, a group of people are seen dining outdoors at a table adorned with a blue checkered tablecloth, capturing a convivial and inviting atmosphere. The adjacent image on the right is a close-up shot of freshly served oysters, showcasing the restaurant's seafood offerings.
Further down, additional information about Umberto's Clam House is presented in a concise manner, detailing their services that include dine-in options, curbside pickup, and no-contact delivery. The bottom section features two more images; the left image portrays a delectable dish, though it is unclear whether it is a dessert or a savory meal. The right image displays the restaurant's inviting facade, offering a glimpse of what patrons can expect before stepping inside.
|
A screenshot from a mobile device displays a detailed search on Apple Maps for Italian food in New York City. The dark text stands out prominently against a light background, providing clear visibility. The search filters, conveniently presented as bubbles, show 'Italian' and 'Relevance' as selected options, signifying a refined and specific search. Other available but unselected filters such as 'Open now' and 'Find a table' remain highlighted in white with dark text.
Beneath the filters, the map of New York City is peppered with numerous restaurant icons, indicating the dense availability of Italian eateries in the area. Highlighted prominently in the results is 'Umberto's Clam House', which boasts a four-star rating. Accompanying this listing are two distinctive images: on the left, a group of people are seen dining outdoors at a table adorned with a blue checkered tablecloth, capturing a convivial and inviting atmosphere. The adjacent image on the right is a close-up shot of freshly served oysters, showcasing the restaurant's seafood offerings.
Further down, additional information about Umberto's Clam House is presented in a concise manner, detailing their services that include dine-in options, curbside pickup, and no-contact delivery. The bottom section features two more images; the left image portrays a delectable dish, though it is unclear whether it is a dessert or a savory meal. The right image displays the restaurant's inviting facade, offering a glimpse of what patrons can expect before stepping inside.
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a detailed search on Google Maps
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a detailed search on Apple Maps
|
3
| 234 |
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/blob/zyang/pretrain_value/pixmo-cap-image/00015785.jpg
|
Analyze the image in a comprehensive and detailed manner.
|
This image is a composite of two photographs, one placed above the other, each featuring a group of three men. The top photograph appears to capture a convivial scene inside an apartment. The central figure sits on a chair, holding a martini glass, and is dressed in a navy blue Adidas t-shirt with signature stripes. To his right stands a Caucasian man wearing a red and white flannel shirt over a navy blue t-shirt, and to his left, a smiling African-American man in a gray sweatshirt and black baseball cap. The setting is a freshly furnished apartment with white walls, white furniture, and a glass dining table, conveying a festive and joyous atmosphere.
In contrast, the bottom photograph takes place outdoors, possibly in a park or wooded area. The focus is on a man facing the camera and smiling broadly while holding a bag. He is dressed in a black windbreaker, and the photo is framed from his chest upwards. Behind him, slightly out of focus, are his two companions—one of whom is African-American while the other two appear Caucasian. They are horsing around, laughing, and not directly engaging with the camera. The backdrop includes a tree trunk and an array of green shrubs, adding a natural and lively ambiance to the photograph. The images together highlight contrasting environments but share a common theme of camaraderie and enjoyment among friends.
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This image is a composite of two photographs, one placed above the other, each featuring a group of three men. The top photograph appears to capture a convivial scene inside an apartment. The central figure sits on a chair, holding a martini glass, and is dressed in a navy blue Adidas t-shirt with signature stripes. To his right stands a Caucasian man wearing a red and white flannel shirt over a navy blue t-shirt, and to his left, a smiling African-American man in a gray sweatshirt and black baseball cap. The setting is a freshly furnished apartment with white walls, white furniture, and a glass dining table, conveying a festive and joyous atmosphere.
In contrast, the bottom photograph takes place outdoors, possibly in a park or wooded area. The focus is on a man facing the camera and smiling broadly while holding a bag. He is dressed in a black leather jacket, and the photo is framed from his chest upwards. Behind him, slightly out of focus, are his two companions—one of whom is African-American while the other two appear Caucasian. They are horsing around, laughing, and not directly engaging with the camera. The backdrop includes a tree trunk and an array of green shrubs, adding a natural and lively ambiance to the photograph. The images together highlight contrasting environments but share a common theme of camaraderie and enjoyment among friends.
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black windbreaker
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black leather jacket
|
1
| 229 |
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/blob/zyang/pretrain_value/pixmo-cap-image/00015806.jpg
|
What's happening in the scene?
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The image depicts a detailed and imaginative scene that combines elements of reality and whimsical design. At the center is a cartoonish, cardboard cutout of a girl with a smiling face, characterized by long pink hair, oversized red fingernails, and a pink long-sleeve sweater that ends at her waist. She is dressed in gray shorts and gray sneakers, and her top in this instance aligns more with a pink shirt. The girl holds up a very large white cell phone or tablet—almost the size of her body—featuring a heart on its back, appearing as though she is taking a picture or deeply engrossed in it. Her simplistic facial features include two dots for eyes and a curved smile.
The backdrop showcases an entrance area of a large, blocky house adorned with various green plants. On the right, there is a three-tiered shrub placed in a white planter that looks similar to three round balls of Play-Doh stacked together. Further left, there is a hallway where two more identical four-tiered bushes in white planters are visible. The setting denotes an artistic touch, likely resembling cardboard or paper mache, painted to appear realistic with pink curtains that drape down to the white floors from a white window with eight square panes. The scene emanates a playful yet surreal atmosphere, blending tangible household elements with a cartoon-like aesthetic.
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The image depicts a detailed and imaginative scene that combines elements of reality and whimsical design. At the center is a cartoonish, cardboard cutout of a girl with a smiling face, characterized by long pink hair, oversized red fingernails, and a blue long-sleeve sweater that ends at her waist. She is dressed in gray shorts and gray sneakers, and her top in this instance aligns more with a pink shirt. The girl holds up a very large white cell phone or tablet—almost the size of her body—featuring a heart on its back, appearing as though she is taking a picture or deeply engrossed in it. Her simplistic facial features include two dots for eyes and a curved smile.
The backdrop showcases an entrance area of a large, blocky house adorned with various green plants. On the right, there is a three-tiered shrub placed in a white planter that looks similar to three round balls of Play-Doh stacked together. Further left, there is a hallway where two more identical four-tiered bushes in white planters are visible. The setting denotes an artistic touch, likely resembling cardboard or paper mache, painted to appear realistic with pink curtains that drape down to the white floors from a white window with eight square panes. The scene emanates a playful yet surreal atmosphere, blending tangible household elements with a cartoon-like aesthetic.
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pink long-sleeve sweater
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blue long-sleeve sweater
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3
| 224 |
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/blob/zyang/pretrain_value/pixmo-cap-image/00015876.png
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What do you see happening in this image?
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This image features a detailed screenshot of Instagram's settings interface, oriented towards privacy and interaction controls.
At the very top of the screenshot, the word **'Posts'** is prominently displayed in the center, with a back button situated to its left. The first visible section is titled **'Likes and Views'**, where the toggle for **'Hide Like and View Counts'** is turned on. An explanation beneath this setting informs users that turning on this feature will prevent them from seeing the total number of likes and views on posts from other accounts. Additionally, users are advised that they can hide like counts on their own posts by navigating to **Advanced Settings** and enabling **'Hide Like and View Counts on This Post'**.
The next section, labeled **'Allow Tags From'**, presents three options. The currently selected choice is **'Everyone'**; the other options include **'People You Follow'** and **'No One'**. Further down, under the **'Tagged Posts'** section, the **'Manually Approve Tags'** option is turned off. The description accompanying this setting states, "Choose who can tag you in their photos and videos. When people try to tag you, they'll see if you don't allow tags from everyone."
At the bottom of the screenshot, the Instagram navigation bar is displayed. From left to right, this bar features the **Home** button, the **Search** button, the **Instagram Reels** button, the **Shopping Tab** button, and, on the far right side, the user’s Instagram profile picture. Notably, both the Home and Profile icons have red dots underneath them, possibly indicating notifications or recent activity.
|
This image features a detailed screenshot of Twitter's settings interface, oriented towards privacy and interaction controls.
At the very top of the screenshot, the word **'Posts'** is prominently displayed in the center, with a back button situated to its left. The first visible section is titled **'Likes and Views'**, where the toggle for **'Hide Like and View Counts'** is turned on. An explanation beneath this setting informs users that turning on this feature will prevent them from seeing the total number of likes and views on posts from other accounts. Additionally, users are advised that they can hide like counts on their own posts by navigating to **Advanced Settings** and enabling **'Hide Like and View Counts on This Post'**.
The next section, labeled **'Allow Tags From'**, presents three options. The currently selected choice is **'Everyone'**; the other options include **'People You Follow'** and **'No One'**. Further down, under the **'Tagged Posts'** section, the **'Manually Approve Tags'** option is turned off. The description accompanying this setting states, "Choose who can tag you in their photos and videos. When people try to tag you, they'll see if you don't allow tags from everyone."
At the bottom of the screenshot, the Instagram navigation bar is displayed. From left to right, this bar features the **Home** button, the **Search** button, the **Instagram Reels** button, the **Shopping Tab** button, and, on the far right side, the user’s Instagram profile picture. Notably, both the Home and Profile icons have red dots underneath them, possibly indicating notifications or recent activity.
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Instagram's settings interface
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Twitter's settings interface
|
2
| 250 |
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/blob/zyang/pretrain_value/pixmo-cap-image/00015923.jpg
|
Explain the visual content of the image in great detail.
|
The image is a detailed depiction of a Metcaena, a mythical or fantasy creature adapted for life in the ocean. The background is a faded sea of blue, gray, and white hues, evoking the atmosphere of sky and clouds. On the left side of the image, handwritten text details the evolutionary adaptations of the Metcaena:
- Strong upper body musculature due to swimming,
- Smaller, pointier ears to reduce water intake,
- Slightly flatter nose tips for the same purpose,
- Widening of the lower limbs and forearms via extended cartilage for easier underwater movement,
- A widened tail for better steering in water,
- Skin colors shifting towards cyan and turquoise, with green to blue eyes,
- Scattered skin patterns mimic the light breaking through the water's surface,
- Tattoos that replace individual song chords.
The right side of the image shows a female Metcaena, matching the textual description. She has turquoise blue skin with scattered, jaguar-like patterns, long black wavy hair pulled back, and pointy, elvish ears. She is adorned with tattoos across her face, forearms, and shoulders, and wears minimal, streamers like cloth. A necklace of leather and metal with teeth or shell ornaments cascades down her neck. Her strong, swimmer’s physique is showcased, with her prominent musculature, bare midriff exposing a chiselled abdomen. She holds a spear-like tool with a forked end and what seems to be animal print resembling tiger stripes.
Overall, this poster, possibly related to the Avatar movie, intricately illustrates the Metcaena, emphasizing both her physical prowess adapted for oceanic life and her ethereal, mythical beauty.
|
The image is a detailed depiction of a Metcaena, a mythical or fantasy creature adapted for life in the ocean. The background is a faded sea of blue, gray, and white hues, evoking the atmosphere of sky and clouds. On the left side of the image, handwritten text details the evolutionary adaptations of the Metcaena:
- Strong upper body musculature due to swimming,
- Smaller, pointier ears to reduce water intake,
- Slightly flatter nose tips for the same purpose,
- Widening of the lower limbs and forearms via extended cartilage for easier underwater movement,
- A widened tail for better steering in water,
- Skin colors shifting towards cyan and turquoise, with green to blue eyes,
- Scattered skin patterns mimic the light breaking through the water's surface,
- Tattoos that replace individual song chords.
The right side of the image shows a female Metcaena, matching the textual description. She has turquoise blue skin with scattered, jaguar-like patterns, long white wavy hair pulled back, and pointy, elvish ears. She is adorned with tattoos across her face, forearms, and shoulders, and wears minimal, streamers like cloth. A necklace of leather and metal with teeth or shell ornaments cascades down her neck. Her strong, swimmer’s physique is showcased, with her prominent musculature, bare midriff exposing a chiselled abdomen. She holds a spear-like tool with a forked end and what seems to be animal print resembling tiger stripes.
Overall, this poster, possibly related to the Avatar movie, intricately illustrates the Metcaena, emphasizing both her physical prowess adapted for oceanic life and her ethereal, mythical beauty.
|
long black wavy hair
|
long white wavy hair
|
4
| 254 |
|
/blob/zyang/pretrain_value/pixmo-cap-image/00016047.jpg
|
Describe the following image.
|
The image features a person holding a postcard-sized illustration in the bottom right corner. Their thumb and fingers are visible, gripping the artifact. The postcard displays the phrase "Out of light cometh darkness" inscribed in ribbon-like, black writing on a light tan banner. Below this, another banner bears the black letters "C-O-I-L" on a similarly colored background.
The background consists of a gray wall adorned with blurred artwork on the left. Additional elements include a shelf with various items and an indistinct black object on the right.
The postcard illustration is a juxtaposition of vivid and muted hues, evoking an ancient, crude style. Blue wings emerge from the phrases "out of light" and "cometh darkness," curling towards the middle of the image. A pentagram, partially obscured by what appears to be a red flame, is centrally located. An eye peers out from the right-hand side above the flame, beneath a hand positioned at the top of the image. The hand is drawn with two fingers extended, while the remaining fingers and thumb are folded.
On the left, nestled behind the blue wing, is a skeletal figure, adding to the illustration's eerie and mystical ambiance. The color palette features mottled browns and reds, contributing to the artwork's enigmatic and antiquarian feel.
|
The image features a person holding a booklet-sized illustration in the bottom right corner. Their thumb and fingers are visible, gripping the artifact. The postcard displays the phrase "Out of light cometh darkness" inscribed in ribbon-like, black writing on a light tan banner. Below this, another banner bears the black letters "C-O-I-L" on a similarly colored background.
The background consists of a gray wall adorned with blurred artwork on the left. Additional elements include a shelf with various items and an indistinct black object on the right.
The postcard illustration is a juxtaposition of vivid and muted hues, evoking an ancient, crude style. Blue wings emerge from the phrases "out of light" and "cometh darkness," curling towards the middle of the image. A pentagram, partially obscured by what appears to be a red flame, is centrally located. An eye peers out from the right-hand side above the flame, beneath a hand positioned at the top of the image. The hand is drawn with two fingers extended, while the remaining fingers and thumb are folded.
On the left, nestled behind the blue wing, is a skeletal figure, adding to the illustration's eerie and mystical ambiance. The color palette features mottled browns and reds, contributing to the artwork's enigmatic and antiquarian feel.
|
postcard-sized illustration
|
booklet-sized illustration
|
1
| 207 |
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