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Murray State University Police Department
The Murray State University Police Department is proud to serve as the guardians of the Racer Nation. Our website was designed to provide you with the information and tools to enhance your safety and assist us in our mission to keep you safe. 我们的14 sworn officers and 25 support employees are dedicated to serving you in the most professional 方式.
Message from the Chief
The cornerstone of successful police-community relationships is the proactive maintenance of best practices in law enforcement standards. The University Police Department has maintained accreditation with the Kentucky Association of Chiefs of Police (KACP) 自2007年以来. In addition, these 认证s enhance and reinforce the University Police Department’s commitment to professionalism while maintaining the highest standards among law enforcement agencies nationwide.
Another high priority of 校园 Safety is student engagement. As part of our mission, we continue to be committed to providing opportunities to students to interact with our law enforcement officers through special programs including internships, and student 就业.
It is an honor to work with the highly professional and dedicated 校园 Safety team of sworn, civilian, and student staff. These dedicated individuals are committed to consistently delivering reliable safety services to our campus community. 安全 of our students, faculty, staff, and visitors to the MSU 校园 remains our top priority.
To support the educational mission of the University by making our community safe for its members to live, learn and serve.
To be the best university police agency of our size in the nation by building trust, creating partnerships and providing effective, caring and courteous service.
完整性- We will live our personal and professional lives in a way that honors our role in the community by being honest in all we do.
尊重- We honor our duty and those we serve by respecting the rights of 其他人 and by treating each individual fairly.
问责制- We expect to be held accountable for the decisions we make and actions we take by our community and each other.
同情- We offer kindness and understanding in our service, attitude and actions toward 其他人.
卓越- We commit to performing at our best, always seeking to be better.
的关系- We can serve best when we have connections with the people we serve.
All Murray State University Police officers are certified through the Kentucky Department of Criminal Justice Training. Murray State officers spend 6 months in the Kentucky Law Enforcement Basic Training Academy in Richmond, Kentucky before receiving their 认证. All officers have law enforcement authority throughout Calloway County with their primary focus being the campus community.
The Murray State Police Department is accredited through the Kentucky Association of Chiefs of Police and has been accredited 自2007年以来.
Police Communications Officers
The Murray State Police Communications section can properly be called the "hub" of the Police Department. The Communications section is operated 24-hours a day and is where the vast majority of first encounters from the University and general public 产生.
Police Communications Officers are state certified police dispatchers through the Kentucky Department of Criminal Justice Training. The Murray State Police Communications section is accredited through the Kentucky Association of Chiefs of Police, the first university police agency in Kentucky to receive accreditation.
联系 the Police Department at 270.809.2222.
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Breitling Launches 140th Anniversary Editions of Navitimer, Premier and Chronomat
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Several governments have established state and national lotteries. In some countries, the lottery is legal while in others, it is illegal. The lottery is a form of gambling that involves the drawing of numbers at random.
Several states have joined multistate lotteries in the U.S. In addition to Mega Millions and Powerball, there are also several games, such as Lucky for Life and Lucky for Life Multistate. These lotteries sell tens of millions of tickets every week and offer huge jackpots.
These games are managed by companies that specialize in lottery software. These companies also manufacture terminals and print instant tickets. They also manage the process of winning tickets. The state of Illinois and New Jersey have turned over their lottery operations to private companies.
Chinese Han Dynasty
During China’s heyday, lottery games were a frequent occurrence. Using the correct numbers a winning ticket can be a pricey proposition, but a lucky few may waltz away with their picks at the casino. Thankfully, the advent of the Internet has reduced the odds for those brave enough to take the plunge. A quick sands search on Google or Bing will yield a list of winners.
Indian Kerala State Lottery
Founded in 1967, Kerala State Lottery is India’s first state lottery programme. Its objective is to supplement government finances and provide employment opportunities to people. The department is based in Thiruvananthapuram. The tickets are sold through over 35,000 lottery agents. Buying tickets is prohibited outside the state.
A single ticket costs Rs. 30 and is sold through over 35,000 lottery agents in Kerala. Kerala Lottery has three lottery schemes. They are Karunya, Win Win and Pooja Bumper.
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Whether you’re interested in a lottery game or you’re an avid lotto enthusiast, there are a number of fun and exciting games available to Pennsylvania residents. These games are all available through the Pennsylvania Lottery website and mobile app.
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Supply chain management services play a critical role in improving business efficiency. As a supply chain analyst for years, I have witnessed how a company’s operations can be revolutionized by relevant supply chain solutions.
Today, I will discuss an optimal supply chain management strategy that can help a business improve its performance. Read on!
Understanding the Importance of Supply Chain Management
Supply chain management is the heart of any business in the industry engaged in producing or providing services. It covers the whole process, from sourcing raw materials to delivering the final product to the customer. Efficient supply chain management services streamline each step in this process, reducing costs and increasing customer satisfaction.
One of the leading angles of this is the promptness to changes in the market environment. A well-arranged supply chain permits flexibility and agility; thus, it gives businesses a chance to shift into their new course of action. This type of approach is vital in today’s unfathomable market, which is always in flux and characterized by abrupt changes in consumer demand and taste.
Let us say a product has physical scarcity. Firms that thoroughly understand supply chain principles can increase production to ensure timely deliveries, thereby capturing the market opportunity. However, other inefficient companies in the supply chain might be unable to satisfy the demand, hence lost sales and dissatisfied customers.
Benefits of Supply Chain Management Services In Boosting Efficiency
A business may derive several benefits from an investment in supply chain management services. In this section, we examine some of those benefits in detail:
Effective SCM services reduce operational costs. Optimizing inventory, streamlining transportation, and improving supplier relationships bring down expenses. For example, companies using state-of-the-art SCM solution services gain 20% savings over warehousing costs.
Improved Customer Satisfaction
Product timely delivery is one of the prime requirements for maintaining customer satisfaction. This stipulates that SCM services ensure that products are dispatched on time without fail. Reliability breeds repeat business and positive word-of-mouth—a treasure in today’s competitive market.
Improved inventory management
Efficient inventory management reduces waste and product absence at the time of need. In SCM services, advanced tools and techniques are utilized to maintain optimal inventory levels, resulting in a 30% reduction in stockout and overstock situations.
Increased Agility and Responsiveness
Today, the competitive environment for any business largely remains driven by agility and responsiveness. These forces are necessary to respond rapidly to changes in demand, supply chain disruptions, and market trends; the flexibility SCM services offer can be a significant source of competitive advantage.
SCM services help companies gain insight into their operations. By analyzing data to show trends, this service allows a company to make strategic decisions related to the questioned actions. This substantiates continuous improvement and long-term success.
Designing an Integrated Supply Chain Strategy
The holistic supply chain strategy encompasses all the above steps, bringing them under one umbrella to develop a coherent plan. It must be aligned to the business objectives and simultaneously flexible to the market dynamics.
Clearly Define Goals
Set specific, measurable objectives for supply chain management. This would pertain to the following:
- Cost Reduction: Reduce overall supply chain costs by a certain percentage.
- Efficiency Improvement: Improve order fulfillment rates and delivery times.
- Customer Satisfaction: Improve customer satisfaction scores through better service levels.
Supply chain management is an ongoing process, not a single act. Keep studying and fine-tuning your strategy continuously to remain effective and focused on achieving business goals.
- Performance Monitoring: Keep monitoring the KPIs constituting the strategy continuously and adjust them as required.
- Feedback Loop: Establish a feedback loop with all stakeholders to identify problems and other concerns that can be improved.
- Training and Development: Put some of your supply chain team in updated training courses featuring the new best practices and technologies.
Making sustainability a part of your supply chain strategy can bring long-term benefits and enhance the company’s reputation.
- Green Logistics: Eco-friendly ways of transportation and reduced carbon footprint
- Sustainable Sourcing: Sourcing materials from suppliers with sustainable practices.
- Waste reduction: Teams should collaborate to reduce waste in every aspect of clients’ supply chains. This can be done by developing efficient systems and recycling facilities.
Consequently, a dedication to sustainability benefits the environment and attracts customers who associate value with environmentally friendly business operations.
Wrapping up our look at how supply chain management services can increase your business efficiency, the bottom line is that effective SCM strategies are required for competitiveness. Three streamlined takeaways would be as follows:
- Harness Advanced Tools and Technologies: Apply advanced tools and technologies to areas such as inventory management systems, transportation management systems, and demand forecasting tools for improved productivity and lower costs. With the solutions, companies can reduce inventory costs by 25% and transportation costs by 15%.
- Focus on Strategic Insights and Continuous Improvement: Consider periodically re-evaluating supply chains to clearly state strategy objectives and adjust them based on data-driven insights. Effective SCM services are built to enable valuable data analytics and trends on which proper strategic decisions will be based for driving continuous improvement and long-term success.
- Stay Agile and Adaptable: Responding to fluctuating demand, supply chain disruptions, and newly emerging trends is important to creating a competitive advantage. An agile, responsive supply chain may translate into customer satisfaction and a serious competitive advantage.
We have covered the key benefits and ways supply chain management services can be integrated into your business model. Please comment to further this discussion and share it with fellow professionals who think like you.
Want more insights and the latest trends in customer support? Don’t forget to follow Vserve on our social media platforms: Facebook, Instagram and Linkedin. Join and stay updated with us as we go through these changing times in supply chain management.
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6 Incredible Benefits of Content Writing Services
They significantly boost your conversion rate
For a website to be successful, it must have a high conversion rate, and the use of content writing services can help you increase it. Hiring a professional content producer is a terrific investment in terms of SEO ranking and consumer journey. Content marketing can boost conversion rates by as much as 600%.
But it’s not enough to write content on your website. The content has to be compelling and aligned with conversion rate optimization approaches. Your visitors will convert into leads if you use the correct text in the right place. With the proper Call to Action statements and the right tone.
The quality of your content and the behaviors of your target audience on CTAs are directly linked to your high sales conversion rate.
Customers can be engaged in various ways to get them to take action. To satisfy the changing demands of clients, these tactics now require ongoing creativity, improvisation, and testing.
The goal is to increase traffic to your landing page or website so that it may be converted into a transaction. This is something that an article content writing services agency can handle for you.
They can optimize your existing content
Content writing services often entail optimizing your existing website content in addition to fresh content production. Because search engine algorithms are updated on a yearly basis, most businesses’ websites have obsolete and out-of-date material. This has an influence on SEO and ranks, as well as business.
Furthermore, an article content writing services has a staff of experienced writers and SEO experts specifically trained to update existing content.
You aren’t cranking out content only to fill up your website. Each piece is written to achieve certain business goals. It’s much easier to assess the performance of your campaign and determine how your blogs fit into your overall sales and marketing strategy if you use an agency that can write with those goals in mind.
Article writing agencies are usually up to date on the newest content trends, best practices, and consumer behavior research. This allows you to develop content campaigns that are highly targeted and result-oriented.
Furthermore, the professional article writers can assist you in repurposing this information into webinars, social media posts, emails, and infographics to increase your engagement rate.
They help you engage with your audience
We’ve noticed that sometimes the information published on a start-up or small business’s website has no clear aim or target audience.
Your website needs more than a few random posts to drive consumer engagement and revenue. Businesses must develop a distinct buyer’s identity as a solution. Not only will your content connect better with your audience with a buyer persona, but you’ll also create trust and a connection with them, which will help you produce sales. Article content writing services agencies understand that there must be a unified tone and a specific goal for each blog.
Hiring a website content writer will improve the uniqueness and engagement of your articles while also optimizing them for search engines. Getting a reader to visit your website once is excellent, but getting them to visit it again and again, can help you create leads.
Visitors will continue to visit your website if they know they can readily obtain the information they want. They’ll also inform their buddies if it’s to their liking.
They improve your ranking on search engines
Content that is consistent, distinctive, and easy to grasp for users is favored by search engines like Google. To rank, the articles must be of good quality, have the appropriate number of long and short tail keywords, contain the appropriate meta tags, contain the appropriate number of words, the right topic, and the right number of backlinks.
That is precisely what article writing organizations that provide content writing services can give you.
Your consumer base expands with quality content on your website and social media sites. And you can get there with the help of a content writing service. Your search engine ranking will improve with each new webpage, blog article, and social network post.
Outsourcing content is one of the most effective techniques to increase your search engine ranking. Professional website content writers research the search terms used by your target audience to tailor each article. They are also aware of the requirements of each search engine. And the material they create will help you achieve great outcomes.
They save you a lot of time
You’ve probably heard the adage “time is money.” It’s definitely right on the money, pun intended. You should always be focusing on how to improve your business. However, if you find yourself squandering too much time on content production for your organization, you’ll be losing both time and money!
A professional website content writing agency can help with this. These services can help you generate high-quality content fast and cheaply.
High-quality writing is essential for any company seeking to promote itself online. But if the thought of writing makes you and your current staff sick to their stomachs, hire a content writer instead. Professional article writers are precisely what they sound like. They can help your internal staff as well as your website visitors/potential consumers.
Numerous areas of a business must be addressed in order for it to be successful. And doing everything yourself is rarely the best solution. So, while you focus on other aspects of your business, your website content writer can handle the success of your online content strategy.
They give your brand a consistent look
Brands may lose out on defining brand voice across all communication platforms as they juggle other critical business responsibilities.
Your brand voice is how you distinctively communicate with your target audience. It should be consistent throughout social media, your website, and marketing collateral so that your audience can quickly recognize your brand when they connect with your material.
Professional article writers guarantees that your brand voice and tone are defined and maintained in every item that reaches your target audience.
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VVRS GOAT KID CREEP CRUMBLES contains quality ingredients in a palatable crumble texture to ensure acceptability and performance from the first week of life.
• Base grain is depicted seasonally, therefore proportions may vary.
• VVRS GOAT KID CREEP CRUMBLES are formulated from a selection of the following ingredients: barley, wheat, maize, bran, pollard, full fat soybean, vegetable protein meals, molasses, vegetable oil, limestone, sodium bentonite, dicalcium phosphate, salt, monensin sodium, VVRS ruminant vitamin & mineral premix.
DIRECTIONS FOR USE
• It is important to remember that when rearing goat kids, environmental conditions including temperature and hygiene are of vital importance during the rearing period.
• Feed should be offered in small amounts at regular intervals so that it remains fresh and attractive to the kids.
• This feed is designed to be fed during the pre-weaning and weaning phases (from day 5 to 3 months of age). Feed up to 450 grams of VVRS GOAT KID CREEP CRUMBLES with whole milk and roughage.
• NOTE: This feed intake is only indicative. Feed intakes will vary with the season, health, disease status and other environmental conditions.
• It is very important that kids have clean, cool, fresh water available at all times.
• Contains digestible ingredients for young animals
• Protein meals provide natural sources of essential amino acids.
• Contains essential vitamins and minerals, digestive aids, attractants and flavourings.
This feed contains the following veterinary chemical:-
• Monensin sodium at the rate of 20 mg/kg.
• Monensin sodium improves the efficiency of rumen digestion and aids in the prevention of coccidiosis.
COMPLETE NUTRIENT PROFILE
• This feed supplies a full range of essential nutrients for growth when fed with roughage.
• CRUMBLE form improves digestibility, ensures consistent nutrient intake and minimises feed wastage.
• Manufactured to strict quality control standards.
PRECISE FORMULATION AND MIXING
• Formulated in accordance with current research into goat nutrition and mixed using a variety of quality raw materials.
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11.18.2. Service of wheels and tires
Replacement of wheels
When replacing wheels it is inexpedient to change the direction of rotation of tires. For some tires the direction of rotation is specified by an arrow on lateral face and it should be observed surely.
It is recommended to replace each 10 000 km forward wheels back. Thanks to it, all 4 wheels will have identical service life and identical wear. |
To tighten wheel bolts only a dynamometer key. At the same time their identical inhaling is provided.
To replace tires not separately, and, at least, on one axis. At the same time with a bigger depth of a profile to mount tires behind.
Delete a possible rust on a surface of a prileganiye of a rim with a wire brush. For protection of a wheel against corrosion at each dismantle slightly grease with bearing lubricant the place of landing of a disk wheel on a nave in front and behind.
Use of chains of antisliding is allowed only on a back axis. Before installation of chains of antisliding to take off wheel caps. To use only the antisliding chains resolved by Mercedes.
For cars with the ASR traction control system the switch of chains of antisliding is used. At adjustment of height of the car to install the car on the highest clearance. To speed with antisliding chains no more than 50 km/h. On the highway, snow-covered and free from ice, to remove antisliding chains.
Care of tires
It is known that tires have so-called "memory", and their unqualified use, for example, bystry or frequent moving through stone borders or edges of rails, is quite often shown much later as their damage.
Cleaning of tires
Whenever possible do not clear the tire a vapor jet from the steam-ejecting pump. If it is too close to hold a nozzle of the steam-ejecting pump at the surface of the tire, then within several seconds there is a chaotic parabolic destruction of a rubber layer. The tire cleared thus for safety reasons has to be replaced.
Also tires which long time adjoined to oil or lubricant are subject to replacement. Tires bulk up at first on places of contact, and then again take a normal form and externally look intact. However their bearing ability decreases.
Storage of tires
Tires have to be stored in the cool, dark and dry place. They should not contact to oil and lubricant.
To store tires in lying situation or put on a rim in a garage or the cellar.
Before dismantling wheels, slightly increase air pressure in tires (about 0,3-0,5 bars).
For winter tires use their own ободья since rewiring of tires on other obodya is connected with additional expenses.
Running in of tires
New tires have especially slippery surface. Therefore new tires - it concerns also new spare wheel - it is necessary to roll. At such running in the surface of tires becomes rough as a result of initial wear. The first 300 km it is necessary to go with new tires especially carefully, especially to wet weather.
Wheels – balancing
At each rewiring of tires of a wheel it is necessary to balance again to compensate various distribution of weight and unevenness of material.
In the course of driving the imbalance is shown by vibration and rumble. The steering wheel begins then to shiver small.
As a rule, vibration of a steering wheel is shown only in the certain range of speeds and disappears when switching to lower or high transfers.
Such phenomenon of a disbalansirovka can lead to damage of axial joints, the mechanism of steering and shock-absorbers over time. Surely balance wheels each 20 000 km and after each repair of tires as in the course of wear and repair of tires distribution of weight and material changes.
Wrong wear of tires
On forward wheels a little bigger wear of shoulders of tires in comparison with the middle of a protector – the normal phenomenon. And as a result of a road inclination wear of shoulders of the tires directed to the middle of the road is expressed much more distinctly (the left wheel: outside, right wheel: inside). |
Uneven wear usually arises because of too low or too high pressure of air in tires, but can be also caused by the wrong installation of wheels or their imbalance, and also malfunction of the shock-absorber or a rim.
Sawtooth wear of a profile of tires is, as a rule, caused by a car overload. |
First of all pay attention to the appropriate pressure of air in tires, at the same time at least each four weeks control their state.
To control air pressure only on cold tires. Pressure of tires increases with their heating at bystry driving. However it is not necessary to lower air from heated tires.
With too high pressure of air in tires the middle of a protector since at the same time as a result of high internal pressure the tire is more curved on the middle of a protector wears out more.
With too low pressure of air in tires the protector wears out on tire shoulders more, and the middle of a protector becomes convex inside. As a result bigger wear of shoulders of tires takes place.
The wrong installation of wheels and their imbalance give a typical picture of wear of tires.
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High on many a bucket list, an elephant ride in the jungle might seem like the perfect exotic vacation experience. The sad truth is, most of these experiences are totally inhumane and profiting off the abuse and captivity of these amazing animals. There is no greater power than the tourist dollar, but it lies in a conscious decision of you guys (and girls) to show the importance of ethical treatment of these majestic animals when spending your money. The good news is – there are some amazing places out there! So scratch this one off that ever growing list and visit an elephant sanctuary that is doing some good.
Head to Chiang Rai at the intersection of Thailand, Myanmar and Laos where two luxe resorts: Anantara Golden Triangle Elephant Camp and Resort and the Four Seasons Tented Camp both work alongside the Golden Triangle Elephant Foundation which performs street rescues of abused elephants while also supporting the Mahouts (trainers) and their families as a sustainable initiative. Can’t make it to Chiang Rai? In Chiang Mai the Elephant Nature Park founded by Sangduen “Lek” Chailert, is doing extensive work for the rights and welfare of elephants, while Boon Lot Elephant Sanctuary, about an hour drive from Sukothai airport and Elephants World in Kanchanaburi, about 2 hours from Bangkok, are also doing amazing things. Definitely worth a click.
A little off the beaten track, but definitely more intimate, the Elephant Valley Project in Sen Monorom, Mondulkiri province, currently protects 9 elephants. Run by the NGO, Elephant Livelihood Initiative Environment, choose your length of visit – from a single day to extended volunteer opportunities, and contribute to more than just elephants. A typical stay here will see your time divided between elephant care and improving the livelihood of the local Bunong people.
Fly into Medan in Northern Sumatra and head to Tangkahan. Only 20 km from Bukit Luwang and the UNESCO world heritage Gunung Leuser National Park, here you can double up on your animal love and encounter the Sumatran orangutang as well. While rides are on offer at Tangkahan, we recommend a scrub in the Batang river with your grey friend. The elephants here, while rescues, still remain working and are employed by rangers to patrol the forests against illegal logging and poaching. Just don’t visit on a Friday, when the elephants get a day off.
Unfortunately, at this time, the two elephant conservation camps in Malaysia, Kuala Gandah and Sungai Ketiar don’t really measure up in terms of ethical treatment of their elephants. While the animals may be rescued from human encroachment, conflict and grunt work, they remain in chains and on display for tourists in a zoo-like setting. We are however, excited about the almost completed Borneo Elephant Sanctuary which will provide a home to rescued Borneo pygmy elephants.
Hosting Laos’ first hospital dedicated to elephants injured in logging accidents or affected by disease, the Elephant Conservation Centre in Sayaboury, 3 hours south of Luang Prabang offers 1-, 2- and 7-night opportunities to care for elephants. The centre also partners with Community Learning International for the ‘Elephant Mobile Library Project’ where elephants make a special visit to rural villages and, with extended trunk, present each child with a book to promote literacy.
#6 Sri Lanka
By far the most well-known elephant sanctuary in Sri Lanka, the Pinnawala Elephant Orphanage has come under some scrutiny lately for their supposed use of chains on some of the elephants, with many tour operators now removing the visit from their itineraries. We say head to the Elephant Freedom Project in nearby Kegalle instead. Focusing on chain-free rescues and rehabilitation, they also offer a Sri Lankan cooking class and the opportunity to visit the local village to practice English with students – a triple threat of great things to do when visiting the teardrop of India.
22 km south of Bengaluru, PETA India and the Bannerghata Biological Park have teamed up to establish the first free roaming elephant sanctuary in India. Now housing 15 elephants including Sunder, who was liberated by the Indian Supreme Court in 2014 from a life of cruelty. The rescued elephants here, now have free roam of a 49.5 hectares reserve.
We don’t want to sound too preachy, but to make it simple, the most ethical treatment of an elephant is to not ride one at all. If you just can’t contain yourself and need to hop on one, do make sure your ride is bareback as a harness or seat is extremely painful and uncomfortable for the elephant. The most ethical way to experience an elephant is to just hang out with them; join their bath, walk with them, feed them, but most importantly, experience them as they should be – chain-free and within nature.
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Automaty 7 Monkeys Online Jak Vyhrát
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When I teach this section, I sometimes ask, "how many of you have ever taken some sort of a class on speaking?" Typically, many people raise their hands, they've taken a speech class, debate class, etc. or had some sort of training in giving a presentation or speaking. Then, I ask how many have ever taken a class in listening. Very few people raise there hand.
As it turns out, it seems to be human nature to spend a great deal or our energy trying to get others to understand us - often at the expense of listening to really understand another. Dr. Covey often said, "One of the deepest needs of the human soul is to be understood." Little wonder then, that we generally aren't as good at listening to understand as we are at listening to respond. Nor is it any wonder that we typically do habit five in the wrong order - insisting on working from our point of view first, and perhaps secondarily seeking the other's perspective.
So, I found this article from the Harvard Business Review, What To Do When You've Made Someone Angry, to be very instructive. This brief, easy-reading article provides some simple examples to which all can relate. So, to you I extend a challenge - read the article, then apply it. In other words, give it a try. (Just for clarification - I mean try it if you ever have occasion to find that you've upset someone else... don't go out and tick someone off, just to try this.) When you do so, you will be experiencing the essence of habit five because you'll be - first and foremost - acknowledging things from the other person's perspective.
I have found this practical application in empathizing exceptionally effective. Share your experiences - I'd love to hear about them.
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Genealogy is like a jigsaw puzzle, but you don't have the box top, so you don't know what the picture is supposed to look like. As you start putting the puzzle together, you realize some pieces are missing, and eventually you figure out that some of the pieces you started with don't actually belong to this puzzle. I'll help you discover the right pieces for your puzzle and assemble them into a picture of your family.
Do you have Jewish roots in Berlin? Before Hitler's rise to power, more than 50,000 Jewish-owned businesses were operating in Berlin, according to an article in Tablet Magazine. Dr. Christoph Kreutzmüller of Humboldt University in Berlin has been meticulously researching these businesses in an attempt to reconstruct Berlin's earlier life as a center of commerce. As a result of his research, he has published a book, Final Sale: The End of Jewish Owned Businesses in Nazi Berlin, and has created an online searchable database of (currently) more than 8,000 of those businesses. The Tablet article includes an audio file of an interview with Dr. Kreutzmüller about his research.
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Populate this area from the "Appearance » Widgets" section of your admin.
Populate this area from the "Appearance » Widgets" section of your admin.
Le gymnase étant fermé du 14 Juillet au 15 Août, le dernier créneau de badminton se fera cette saison le lundi 11 Juillet. Nous reprendrons les ouvertures les jeudi à partir du 18 août, une fois par semaine à 20h30. Et à compter du 5/09 nous reprendrons les lundi et jeudi.
L’ensemble des informations (tarifs, horaires) et documents sont disponibles à cette page pour venir essayer ou s’inscrire au BSG31. L’accueil des enfants et adolescents pour les cours commencera à partir du jeudi 02/09. A bientôt!
Le club organise une sortie au parc aventure Pyrénées-ho à Cierp Gaud le dimanche 9 octobre. L’entrée sera gratuite pour les membres du BSG à jours de leurs licences, et l’apéro sera offert le midi. Pour plus d’informations, venez voir un membre du bureau!
Le Badminton Saint Gaudens sera au forum des associations de Saint Gaudens qui se tiendra au cube le samedi 17 Septembre de 10h à 17h. Si vous voulez nous rencontrer, obtenir des informations, remettre vos dossiers, venez nous nous voir !
Le badminton reprendra lundi prochain le 16/08 à partir de 20h30. Durant tout Août, les créneaux seront ouverts les lundi et jeudi à 20h30 en loisir. Suivant la règlementation actuelle un passe sanitaire est nécessaire et vous sera demandé pour entrer dans le gymnase. A très vite !
Le gymnase est fermé du 14 juillet au 15 Août, le badminton reprendra seconde quinzaine d’août, on revient vers vous pour vous confirmer la date exacte début Août. A bientôt!
A compter de jeudi 10/06 le badminton reprend pour les adultes à partir de 20h. Et les lundi à partir de 20h30. Venez nombreux!!
Suite aux dernières annonces gouvernementales, et au feu vert donné par la mairie ce jour, nous sommes en mesure de reprendre le badminton pour les jeunes dès ce jeudi, de 18h à 20h. Nous espérons vous voir nombreux au gymnase après 6 mois de pause !! Pour les adultes, nous proposons pour le moment le […]
Bonjour à tous suite aux dernières consignes gouvernementales, les séances de jeu libre adulte sont interrompues jusqu’à nouvel ordre ;( Les cours enfants / adolescents le jeudi sont maintenus. A très bientôt on espère
Pendant les vacances, les séances de jeu libre badminton continuent, les lundi et jeudi à 20h30 (pas de cours enfants / ados par contre). Venez nombreux!
Bonjour à tous Nous avons eu confirmation de la reprise du badminton à partir de demain lundi 17 Août, 20h30. Jusque la fin du mois, jeu en loisir seulement les lundi et jeudi à 20h30. Vous trouverez ici les consignes sanitaires de la fédération. En résumé pas de contact physique, port du masque entre les […]
Bonjour à tous Malgré nos multiples relances on n’a pas réussi à avoir confirmation de la mairie sur la possibilité (et les conditions sanitaires) de réouvertures du gymnase ; pour éviter tout problème on reporte donc la reprise du badminton au lundi 17/08. Profitez bien de cette semaine de repos supplémentaire !!
L’ouverture du gymnase est prolongée jusqu’au jeudi 16/07/20 (inclus) pour jeu loisir les lundi et jeudi à partir de 20h30. La date de reprise devrait être le lundi 10 Août (seule séance de la semaine), puis deux fois par semaine à partir du 17/08. Ce sera confirmé courant juillet sur le site et le Facebook […]
Le badminton loisir pour tous devrait pouvoir reprendre sous peu, nous n’attendons plus que le feu vert de la mairie. Les conditions de reprises du badminton données par la FFBad seront les suivantes : 10 personnes max dans le gymnase Match de simple uniquement Pas de vestiaire Se désinfecter les mains à l’entrée du gymnase, […]
En application des consignes gouvernementales de confinement, toutes les activités de badminton (cours, jeu libre, compétitions) sont suspendues jusque nouvel ordre. Nous vous tiendrons informé dès que nous aurons une date de reprise.
bonsoir à tous, tout compte fait le gymnase sera ouvert Lundi 30 Décembre à partir de 20h30. @+ Rémy
Le gymnase sera ouvert la semaine de Noel (lundi et jeudi, à partir de 20h30) La semaine du nouvel an le gymnase ne sera pas ouvert le lundi 30/12, mais par contre le jeudi 2 nous vous attendons nombreux pour éliminer les excès de la veille (et amener vos reste de foie gras et Champagne ;)) […]
L’équipe 1 est allée gagner hier soir à Blagnac contre les alors 1er de poule. Les filles ont comme à leur habitude gagné leurs 3 matchs, et Marianne / Alan ont fait basculé la victoire de notre côté dans un mixte serré en 3 sets. L’équipe 1 reste 3ème, à égalité avec Blagnac qui a un […]
Belle semaines pour les équipes d’interclub de Saint Gaudens! En vétéran, les vieux se sont imposés contre le CBV lundi 18 à domicile 5-2 au terme d’une rencontre à suspense avec des matchs accrochés, dont 2 remportés 22-20 au 3ème set 😉 Prochaine rencontre en déplacement à Muret la semaine du 9/12. Mercredi 20, l’équipe […]
L’équipe 1 recevra ce jeudi le 7/11 le VCT en interclub (1ère rencontre de la saison), 2 terrains seront réservés pour cette rencontre, venez nombreux les encourager (et jouer sur les 5 terrains restant) ! Le gymnase sera ouvert lundi 11/11.
Cette année, Saint Gaudens aligne 2 équipes d’interclub : une équipe en interclub départemental sénior, en division 2. Dans une poule de 6, donc 5 rencontres aller et 5 rencontres retour. Les matchs à domicile auront lieu les jeudi 07/11, 28/11, 16/01, 27/02 et 26/03. Ces soirs là 2 à 3 terrains seront réservés à […]
Le badminton reprendra le lundi 12/08 @ 20h30. Pas de séance le jeudi suivant pour cause de 15 Août. Reprise ensuite les lundis et jeudis à partir du lundi 19/08 @20h30 L’accueil des jeunes pour les cours reprendra le jeudi 05/09 @ 18h00. Portes ouvertes le jeudi 29 août dès 18h (enfants, adultes), La date […]
Exceptionnellement le jeudi de l’ascension il n’y aura pas de badminton à Saint Gaudens! Reposez vous et revenez en forme le lundi 3/06 😉
Dimanche 19 Mai, Caroline, Marianne, Mathieu, Rémy et Yoann se rendaient à Léguevin pour disputer les play off en interclub vétéran, après avoir fini 2ème des matchs de poule (6 rencontres gagnées sur 7 jouées). Grâce à une victoire 3 à 1 sur la 1ère rencontre, puis 4 à 0 sur la 2nde rencontre, ils […]
Ce soir l’équipe vétéran démarre sa saison a domicile contre le VCT, deux terrains seront donc indisponibles au loisir. Allez les vieux ! Rémy
Bonjour a tous, Lundi 5 Novembre a partir de 20h30 l’équipe 1 démarre sa saison d’interclub et reçoit l’équipe du VCT, deux terrains seront donc indisponibles au loisir. Venez nombreux. @+ Rémy
Bonjour à tous Vous trouverez sur ce lien le calendrier des rencontres d’interclub qui se font à domicile pour la saison 2018/2019. Lors de ces rencontres, qui démarrent généralement entre 20h30 et 21h, 2 terrains seront dédiés à l’interclub, il n’y aura donc que 5 terrains disponibles pour le jeu libre. S’il risque d’y avoir […]
Le 6 Octobre, la mairie et l’association SeinGoRose organisent une marche et d’un trail urbain dans le cadre de la lutte contre le cancer du sein. N’hésitez pas à vous inscrire nombreux pour participer. Le samedi 13 Octobre à partir de 19h30, la mairie de Saint Gaudens organise la nuit des asso, un repas dansant auquel participe […]
Le jeudi 20 Septembre, à 20h30, la société BadmintonBear (//www.badmintonbear.com/ ) sera présente au gymnase afin de vous permettre d’essayer et acheter des raquettes, chaussures et textiles. Durant cette soirée une réduction de 12,5% sera accordée sur toutes les raquettes, et une paire de chaussette offerte avec chaque paire de chaussure. Profitez en !
L’assemblé générale du club a donc eu lieux vendredi dernier, merci à tous les présents. Suite au départ d’Aurélien et Sébastien le bureau est maintenant composé de : Rémy Béraut : président Marianne Mure : secrétaire Mathieu Gracia : trésorier Anne Gautier : vice-secrétaire Mathieu Ayouaz : vice-président Sylvain Rabillé : vice trésorier En complément, Marine Sans s’occupera du site internet et […]
Bonjour à tous Le dernier créneau de badminton sera le jeudi 5 Juillet, le gymnase sera ensuite fermé pour tout le mois de Juillet. En Août, nous reprendrons les lundi 6 et 13, puis ensuite les lundi et jeudi à partir du 20 Août, à 20h30. Les cours de badminton reprendront pour la rentrée scolaire, […]
Le Badminton Saint Gaudens organise une journée porte ouverte le jeudi 28 Juin : 18 à 19h pour les jeunes de 8 à 11 ans 19 à 20h pour les 12 à 18 ans à partir de 20h pour les adultes On vous attend nombreux, n’apportez que votre tenue de sport on prête les raquettes […]
Bonjour à tous Jeudi 10/05 c’est férié, il fait beau, mais c’est pas une raison pour négliger l’activité physique : tous au bad, le gymnase sera ouvert pour 20h30 !
bonjour à tous pendant les vacances, le gymnase sera ouvert les lundi et jeudi à 20h30 pour jeu libre. Pas de cours pour les enfants pendant les vacances! A bientôt
Bonjour à tous Le gymnase sera ouvert pour le badminton le lundi de Pâques (02 Avril) à partir de 20h30, on vous attend nombreux!
Bonjour à tous Pendant les vacances, le gymnase sera ouvert pour le badminton les lundi et jeudi à partir de 20h30, venez nombreux!
La gardienne est en arrêt maladie. Aussi nous vous demandons d’être vigilent sur la propreté après notre passage. Pensez à bien ramasser les volants qui trainent et surtout s’il y a trop de plumes au sol, il faudra mettre un petit coup de balai. Pensez à le faire spontanément, que ce ne soit pas toujours […]
Bonjour à tous, l’équipe 3 reçoit Lundi prochain, nous leur laissons donc deux terrains pour cette rencontre. Venez nombreux les encourager ! @bientôt Rémy
Bonjour tout le monde, ce soir première journée d’interclub de l’équipe 2 à domicile, deux terrains seront donc indisponibles au loisir ! venez nombreux pour les supporter ! ! @bientôt Rémy
Bonjour à tous On vous rappelle qu’à partir de demain lundi 28/08 le badminton reprend son rythme bi-hebdomadaire : lundi et jeudi à 20h30. Les créneaux jeunes reprendront à la rentrée, donc à partir du jeudi 7 Septembre à 18h. Comme chaque année, on vous demandera de renouveler votre licence rapidement. Le tarif sera discuté […]
DATES A RETENIR – Repas fin d’année Samedi 8 Juillet ( inscriptions auprès de Yoann ) – Fermeture du gymnase le Vendredi 7 Juillet. – Reprise du badminton le lundi 28 Août @20h30 puis jeudi 31 Août @20h30 – A.G du club Vendredi 15 Septembre ( on recrute du monde pour la saison 2017-18, pour s’occuper […]
Bonjour à tous. Pour les courageux le gymnase sera ouvert le jeudi de l’ascension à partir de 20h30.
Bonjour à tous, l’équipe 3 joue à domicile le Jeudi 04 Mai à 20h30, deux terrains seront donc indisponibles au loisir. @+ Rémy
Félicitation aux joueurs de l’équipe 1 qui ont gagné leur dernière rencontre dimanche dernier contre Colomiers 8 à 0, avec en particulier de belles victoires de Delphine contre une joueuse R5, Caroline contre une joueuse R6, et Guillaume contre un joueur R6. Au final et après 5 journées de compétition, ils terminent donc 3ème de […]
Salut à tous, les prochaines rencontres à domicile : Equipe 3 : Lundi 13 mars à 20h30 Equipe 2 : Lundi 20 Mars à 20h30 Pour ces deux soirées deux terrains leurs seront attribués. Rémy
Hello tout le monde, Lundi 27 Février l’équipe 3 joue à domicile contre Léguevin, deux terrains leurs seront réservés. Une victoire leur permettrait de se maintenir en haut du tableau et de continuer a inquiéter les premiers ! Venez les encourager. @+ Rémy
Pendant les vacances, le gymnase sera ouvert tous les lundi et jeudi à partir de 20h30, sauf le lundi 26 décembre à partir de 21h. N’hésitez pas à venir éliminer les excès des fêtes !!
Le dimanche 18 décembre, l’équipe 1 recevra à domicile pour la 3ème journée d’interclub régional 3 de la poule B. Au programme 2 rencontres le matin à partir de 10h et 2 rencontre l’après-midi à partir de 14h, venez nombreux les encourager !
Bonjour à tous, Jeudi soir l’équipe 2 reçoit à domicile pour son premier match de coupe. Deux terrains seront donc indisponibles au loisir. @+ Rémy
Bonjour à tous, comme vous savez les rencontres interclubs ont commencées. Lundi prochain l’équipe 2 jour donc à domicile, à cette occasion deux terrains leurs seront attribués pour une bonne partie de la soirée. Le loisir se fera sur 5 terrains, on continue les rotations, match en 1 set et on libère le terrain. Merci […]
« Ebad est l’application parfaite pour tous les joueurs de Badminton. Elle place le joueur dans les meilleures conditions pour préparer ses tournois ainsi que ses interclubs. Grâce au multi-compte, suivez vos enfants ou vos amis dans une seule application sans vous prendre la tête ! A l’aide du tableau de bord, vous avez accès à […]
Le gymnase sera finalement ouvert pendant les vacances les Lundis et Jeudis soir à partir de 20h30. Vous pouvez donc venir vous dépenser ! Le jeudi 27 Octobre le gymnase sera ouvert mais la soirée sera consacrée à la mise en place de la salle pour le tournoi qui commencera le lendemain matin. Nous vous […]
Bonjour, Exceptionnellement le gymnase sera fermé du jeudi 20 au mercredi 2 novembre 2016. Il sera ouvert le jeudi 27 oct pour que l’on installe les terrains et le matériel pour le tournoi. Venez voir de beaux matches les 28-29-30 octobre, il y aura des joueurs de niveau N (national) ou nous aider à la […]
Lundi prochain, l’équipe 3 joue sa première rencontre à domicile, à cette occasion 2 terrains leurs seront réservés. Venez nombreux les encourager ! Rémy
Le bureau a été renouvelé tel que suivants : Président : Aurélien Faure Trésorier : Rémy Beraut Vice-trésorier : Mathieu Gracia Secrétaire : Marianne Mure Vice-secrétaire : Sébastien Olivier (n’était pas présent lors de l’AG, s’est proposé ensuite) On recherche toujours une personne pour animer le site du club, la page facebook, et proposer des articles pour la presse locale, contacter […]
Le badminton a repris depuis début août, n’hésitez pas à venir nous voir au gymnase les lundis à partir de partir de 20h30 et jeudis à 18h si vous voulez essayer, nous prêtons le matériel. Une paire de baskets est exigée cependant. Des cours enfants/ados ont lieu le jeudi soir à partir de 18h. Les […]
Super tournoi le week end du 4-5 Juin, avec un échéancier qui nous à laissé le temps de bien profiter du beau temps et de la plage, ainsi que de la superbe maison avec piscine louée à côté d’Espelette ! Félicitations à Caro et Aurel pour leur victoire en mixte S4, à Mickael pour sa […]
Dans l’ordre : Repas du club le vendredi 10 Juin à partir de 19h30. Inscription avant le 6/06 auprès de Vanessa ou Yoann. Au menu : apéro, barbecue et bonne humeur! Horaires d’été : 20h30 à partir du 4 juillet. Les lundi et jeudi jusqu’au 11 Juillet, puis 2 semaines de repos bien mérités, reprise les jeudi 4, […]
Félicitation à Charlotte Baudou qui gagne le double dame série 3 avec sa partenaire Léa Escoffres, ainsi qu’à Caroline Delépinay et Marianne Mure qui perdent de justesse en 3 sets la finale du double dame série 2.
Exceptionnellement, nous n’ouvrirons pas le gymnase lundi soir. Nous vous donnons RDV dès jeudi. Passez un bon we. A très vite sur les terrains
Hello, ce soir soirée interclub, l’équipe 2 reçoit le VCT6 en match de barrage, une victoire serait synonyme de montée en Division 3. A cette occasion 2 à 3 trois seront utilisés. Venez nombreux ! Rémy
Hier soir avait lieu la dernière rencontre de la saison pour l’équipe 1, qui jouait contre Saint Orens. Les 2 équipes étant à égalité 3ème, c’était donc cette place qui se jouait. 6 matchs n’avaient pas permis de départager les 2 équipes, malgré les victoires de Caroline en simple, Caroline et Marianne en double et […]
Ce week-end de Pâques se déroulait le Tournoi de nuit à Villeneuve Tolosane. Saint-Gaudens y a participé en nombre, avec beaucoup de nouveaux compétiteurs et quelques jeunes du club ! Même si les résultats n’ont pas été au rendez-vous pour les plus novices, l’ambiance et la bonne humeur était bien là ! Bravo à toutes et […]
Félicitation à Marianne et Caroline qui ont gagné dimanche dernier le double dame R6-D7, et Stéphanie qui a gagné avec Chantal de Pamiers le double dame D8-D9.
Hello les badistes ! Lundi 14 Mars soirée championnat au gymnase : L’équipe 1 reçoit l’OBC, et doit passer par une victoire pour se maintenir en D1, et l’équipe 2 recevra Muret. A cette occasion 4 terrains seront utlisés ! @+ Rémy
Bonjour à tous, Pendant ces vacances vous pouvez venir vous défoulez les Lundi et Jeudi à partir de 20h30 ! ! Venez nombreux ! @ bientôt
On souhaite la bienvenue à deux futurs badistes, le petit Gabriel qui est né en cette fin d’année 2015 qui suivra sans doute les traces de sa maman Virginie, sur les terrains de badminton. Et le petit Andréas né il y a quelques jours, qui fait le bonheur de son grand frère Flavio ( petit […]
Bonjour à tous, Beaucoup de rencontres à domicile en ce moment, on rappelle que l’équipe 2 rejoue à domicile dès Lundi en coupe, deux à trois terrains seront utilisés. L’équipe 1 jouera également à domicile le Lundi 25 janvier en championnat, même dispositif. On vous demande donc de privilégier les jeux de doubles et de […]
RDV jeudi 14 janvier dès 18h pour les plus jeunes, pour la galette des rois! Les plus grands auront aussi droit à leur(s) part(s) de galette. On vous attend nombreux pour tirer les rois. D’autre part il y aura un interclub aussi ce soir là, qui prendra 2 terrains et ce sera l’occasion d’encourager l’équipe […]
Félicitations à Marianne et Caro qui ont remporté le double dame R6 sans perdre un seul set! A noter aussi les bons résultats des autres Saint Gaudinois engagés : 1/4 de final en simple homme P pour le 1er tournoi de Mickael, demi final en simple D8 pour Rémy, demi final en double D7 pour […]
Le Gymnase sera ouvert les Lundi 21 et 28 Décembre a partir de 20h30 ! Venez nombreux digerer vos dindes et autres chocolats de Noël ! @ bientot sur les terrains
Bonjour à tous Lundi 14/12, les 2 équipes de Saint Gaudens recevront dans le cadre de la 4ème journée d’interclub départemental. En division 4, BSG2 pour le moment 1er de la poule A avec 3 victoires en 3 matchs, recevra Villeneuve. En division 1, BSG1 tentera d’arracher sa 1ère victoire contre Léguevin. 4 terrains seront […]
Félicitation à Aurélien et Rémy, qui ont gagné le double Homme D7, ainsi que Johan qui à gagné le DH P.
Vous trouverez sur youtube sur ce lien la vidéo de notre dernier tournoi. Bon film!
Félicitation à Charlotte Baudou pour sa finale en simple Cadet!
Le tournoi à eu lieu le week end dernier. En cliquant en haut sur la bannière badtour 2015 vous aurez un petit bilan. Merci à tous les bénévoles!
Bonjour à tous, comme chaque année nous engageons plusieurs équipes en championnat départemental. L’équipe 1 suite à ses performances l’année passée évoluera en D1, et l’équipe 2 reste en division 4. La première rencontre de l’équipe 2 aura lieu Lundi 12 Octobre à partir de 20h30, à cette occasion 3 terrains seront utilisés. Venez nombreux […]
Bonjour à tous Cette année, l’assemblée générale aura vendredi 4 Septembre à 19h30 à la salle des fêtes de Ste Anne (St gaudens). Seront exposés le bilan financier et sportif de la saison passée, les explications sur les créneaux à venir, les interclubs… A l’issu de la réunion sera renouvelé le bureau. A noter que […]
Eh oui les Vacances c’est fini ou presque Donc à partir de Lundi 24 Août 2015 20h30,l’entrainement reprend son rythme Lundi et Jeudi à partir de 20h30. Pour toutes et tous, ancien, nouveau, ancien nouveau, nouveau ancien, jeune et moins jeune, vieux et très vieux, etc Les entraînements jeunes débuterons à partir du 3 septembre […]
bonjour à tous Après une petite pause d’un mois, le gymnase sera de nouveau ouvert en Aout tous les jeudi à partir de 20h30 pour accueillir les nouveaux joueurs et reprendre le jeu libre. A très vite!
Ca y est la saison 2014-2015 est terminée. Elle est marquée par la naissance de plusieures futures étoiles du badminton, un bon badtour, la montée de l’équipe 1 en division 1, et quelques belles victoires de nos joueurs en NC, D et C. Rendez-vous à l’année prochaine pour des performances encore meilleures ! La date […]
Le Comité Départemental Handisport de la Haute-Garonne organise le 6 juin 2015 une journée de sensibilisation au Handisport à Saint-Gaudens. C’est une première sur cette zone géographique du département, et cette journée est importante pour les personnes en situation de handicap et instructive pour tous les habitants de la ville. Durant cet événement ouvert au […]
BSG1 avait terminé la saison 2014-2015 première de poule A en division 2. Ce samedi se jouait à Labège les play off pour monter en division 1 et gagner le titre de champion de division 2. Le matin était prévu la rencontre contre Pamiers, qui était 2nd de la poule B. Par manque de joueurs […]
Bonjour à tous Du 8 au 10 Mai aura lieu au gymnase Ferjoux (proche de la gare SNCF) le 7ème tournois national de badminton de Saint Gaudens. Nous accueillons pendant 3 jours 170 joueurs du grand sud-ouest, mais aussi de la région centre et du sud-est. Pour les (pas encore) badistes c’est l’occasion de venir […]
Bonjour à tous, Comme vous le savez tous la saison des interclubs touche a sa fin, et cette année nos deux équipes sont à l’honneur en terminant première de poule respectivement dans leur division. L’équipe 1 en D2 disputera donc les play-off pour le titre de champion, le week end de Pentecôte à Labège. L’équipe 2 en D4 […]
Le gymnase sera ouvert les lundis et jeudis de 20h30 à très tard. A bientôt sur les terrains et pensez à réserver votre we du 8 mai pour le tournoi du club!
Félicitations à notre trésorier Rémy et Laëtitia qui sont maintenant papa d’une petite Ambre.Une nouvelle recrue pour l’équipe baby dans qq temps! Bienvenue au BSG!
Amis badistes Trêve d’agneau pascal, il est temps de reprendre les choses sérieuses. Lundi soir, 6 Avril, le gymnase est ouvert et on vous espère nombreux à partir de 20h30 pour éliminer… A lundi! Yoann
Le gymnase sera ouvert les lundis et jeudis de 20h30 à très tard pendant ces 15 jours de vacances! A bientôt
Malgré plusieurs désistements de dernière minute, tous les présents ont passé une très bonne soirée moule / frite / pocker! Outre le plat principal mention spéciale pour le chocolat liégeois qui a fait l’unanimité en dessert. Vous pouvez retrouver le traiteur sur sa page facebook //fr-fr.facebook.com/odelicesdelamoule.
Hello à tous, Pour information on vous communique les résultats des interclubs du Lundi 19 Janvier : BSG1 et BSG2 ont illuminé le gymnase de Saint-Gaudens en s’imposant respectivement 5-2 et 6-1 dans leur catégorie. Ces résultats permettent à l’équipe 1 de confirmer leur première place et de disputer les play-off, et à l’équipe 2 d’être à […]
Bonjour à toutes et à tous, Lundi 19 Janvier seront réservés 4 terrains à l’occasion de deux rencontres interclubs. En division 2, l’équipe 1 défend sa place de premier de poule contre son dauphin Léguevin. En division 4, l’équipe 2 peut s’asseoir sur le toit de la poule en battant Villeneuve-To qui talonne au score. […]
Pour confirmer en 2015 ses bons résultats acquis en 2014 (4 victoires sur 4 matchs en division 1), l’équipe 1 a mis à profit les vacances de Noël pour finaliser sa préparation avec en particulier des séances d’oxygénation en altitude…
Nous vous souhaitons une très bonne année 2015! Qu’elle vous apporte santé, réussite sportive … Pensez à vous inscrire pour la soirée moules frites du 23 janvier auprès de yoann ou marianne!
Bonjour à tous, Pendant ces vacances vous pourrez venir vous défouler le Lundi 22 et le Lundi 29 Décembre à partir de 20h30. Nos équipes sont aussi engagées dans la coupe départementale cette année ou le lieu des rencontres est tiré au sort, ce qui fait que nous recevons beaucoup ces derniers temps…Nous défendons notre club du mieux que […]
Nous vous proposons une soirée moules frites le vendredi 23-01-15. 12€ pour les adultes, 8 € pour les ados. Inscription auprès de Yoann ou Marianne AVANT le 16-01-15.
Bonjour à tous, 4 terrains seront à disposition des deux équipes engagées dans le championnat départemental Lundi 15 Décembre à partir de 20h30. Venez nous encourager, BSG1 joue la première place alors que BSG2 conforterait sa première place en D4. @bientot Rémy
Bonjour à tous, dans le cadre du championnat départemental haute garonne, l’équipe BSG1 reçoit le VCT et l’équipe 2 reçoit le TUCB. 4 terrains seront utilisés à partir de 20h30 pour cette occasion. Pour information, BSG2 caracole en tête avant cette rencontre avec une victoire à Auterive Mercredi dernier, quand à l’équipe 1 joue sa seconde rencontre après […]
Dans le cadre du championnat départemental, première journée en division 4, l’équipe 2 du club rentre de Villeneuve-Tolosane avec sa première victoire 4-3. Le suspens a été de courte durée grace à 3 victoires sur 4 possibles en simple. L’équipe se met en place en accueillant des nouveaux et nouvelles joueurs (es) qui ont brillé lors […]
coucou, Le gymnase sera ouvert le lundi comme d’habitude, de 20h30 à très tard et le jeudi à partir de 20h jusqu’à épuisement. Bonnes vacances!
A partir de lundi 25 Août le badminton reprend le lundi et jeudi à partir de 20h30. A partir du 4 Septembre les créneaux jeunes reprennent : 18h en loisir puis 18h45 pour les cours. L’AG du club se fera le vendredi 5 Septembre à 19h30 au parc exposition de Saint Gaudens, l’occasion de faire […]
Bonjour, Dernière séance jeudi 3 juillet. Nous reprendrons les « entrainements » les lundis 11, 18 et 25 août à partir de 20h30 ainsi que le jeudi 28/08 à partir de 20h. Bon été à tous. Marianne
Bonjour à tous En bref quelques dates importantes d’ici à la fin de l’été : • Il vous reste jusqu’à la fin de la semaine (vendredi 20) pour vous inscrire pour le repas de fin d’année qui aura lieu le vendredi 27 Juin. La soirée aura lieu à la salle des fêtes de Spéhis (Clarac) […]
Nous vous proposons de terminer la saison par un repas le vendredi 27 juin. Le club offre l’apéro et les grillades et nous vous demandons d’apporter soit du salé pour accompagner les saucisses soit un dessert. Plus d’information à venir sur l’heure et le lieux (probablement Villeneuve de Rivière). Merci de nous dire si vous […]
Comme il y a des courageux RDV à 20H aux gymnases pour échanger quelques volants à demain hervé
Pour les vacances, le gymnase sera ouvert les lundis de 20h30 jusqu’à très tard…Venez nombreux, éliminer les chocolats! Les derniers t-shirts du club seront prêts pour le jeudi 16 mai. Pensez à les demander si vous en les avez pas encore eu. A bientôt.
Alors ce soir si vous êtes motivés RDV à 20h au gymnase à tout à l’heure Hervé
Bonsoir à tous A compter de ce lundi 17 Mars, les cours compétiteurs reprendront les lundi soir à partir de 21h.
Jeudi 20 Mars BSG1 rencontre Castanet1 en 1/8 de finale de coupe départementale. Jeudi 27 Mars BSG1 rencontre VCT4 pour la dernière rencontre d’interclub de l’année. Pour ces 2 matchs, 3 terrains seront réservés pour les rencontres, qui commencent à 21h.
Rendez vous les lundi à partir de 20h30 et les jeudi à partir de 19h30 pendant ces vacances (mars). A bientôt, Marianne
Encore une belle performance de Thibaut qui s’incline en finale du mixte D+ au Mirail ce week end, en 3 sets, avec Vanessa Zorzano de Tournefeuille. Grâce à la préparation en altitude de dimanche dernier (cf article préparation aux interclubs)? Qui sait…
L’actu du championnat et de la coupe : Pour BSG1 : * Second tour de la coupe départementale, l’équipe 1 reçoit Ramonville Lundi 17 Février, trois terrains seront donc mis à disposition. *En championnat BSG1 joue toujours le maintien en D2, et reçoit l’équipe d’Olympe le Lundi 24 Février, trois terrains seront également utilisés. Pour BSG2 : *L’équipe […]
Ce dimanche la crème des compétiteurs BSG31 s’est retrouvée à Piau Engaly pour préparer les prochains matchs d’interclubs et de coupe. Bilan : aucun blessé, pas de casse matérielle, et ça a failli marché au vu des résultats de lundi dernier…
Bonjour à tous, Lundi 10 Février, BSG2 reçoit l’équipe de Lavernose/Lacasse. A cette occasion 3 terrains seront utilisés. Toujours dans le cadre du championnat départemental, match crucial qui scellera la seconde place de l’équipe dans la poule en cas de victoire !! Dernier match à domicile pour l’équipe 2, venez nombreux nous encourager Rémy
Nos deux équipes engagées sur deux rencontres capitales sortent victorieuses ! BSG1 sort temporairement de la zone de releguation avec une belle victoire 4-3 contre l’équipe de Auterive. BSG2 se replace en haut du classement grace à sa victoire face à Rieumes 4-3, et reste en course pour disputer les play-off. Merci à tous d’être venu nous encourager […]
bonjour à tous, il.n y aura pas de badminton ce lundi de pentecôte, rendez vous Jeudi a partir de 20h. Rémy
Il n’y aura pas de badminton jeudi 1/12, le gymnase étant occupé par un spectacle Pronomades.
Après une petite pause estivale, le badminton reprendra à partir du 15 Août, les lundi et jeudi à partir de 20h30. Les cours jeunes / ado reprendront le jeudi 1/09 à partir de 18h00.On vous attend au gymnase Ferjoux, que ce soit pour reprendre ou pour essayer!
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Due to COVID-19, all in-person Systemic Therapy Teaching Sessions have been cancelled and moved to an online format. It is very important to take the online session so that you are prepared for your treatment.
The teaching session includes:
- information about side effects you may have
- safety information
- support services available to help you during and after treatment
You can watch the Introduction to Systemic Therapy video here.
The video is about 40 minutes long.
Most of the resources mentioned in the teaching session are on our website: bccancer.bc.ca/coping
If you have any questions about what you learn in the video, please contact your BC Cancer health care team. Please tell your health care team if you are unable to watch the video before your first systemic therapy treatment.
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Angaben gemäß § 5 TMG
Am Römlingsbaum 12
Schwarzburger Str. 31
Berufsbezeichnung und berufsrechtliche Regelungen
Berufsbezeichnung: anderer Beruf
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Eine permanente inhaltliche Kontrolle der verlinkten Seiten ist jedoch ohne konkrete Anhaltspunkte einer Rechtsverletzung nicht zumutbar. Bei Bekanntwerden von Rechtsverletzungen werden wir derartige Links umgehend entfernen.
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Am Römlingsbaum 12
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Job title: anderer Beruf
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As service providers, we are liable for own contents of these websites according to Sec. 7, paragraph 1 German Telemedia Act (TMG). However, according to Sec. 8 to 10 German Telemedia Act (TMG), service providers are not obligated to permanently monitor submitted or stored information or to search for evidences that indicate illegal activities.
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Celebrating the time of coming of age with the entire family.
Boys and girls celebrate the Jewish traditional ceremony of “coming of age.” There is no difference between the bar and bat mitzvah celebrations, including reading from the Torah, writing a personal commentary (a Drasha or Dvar Torah), reciting blessings and mostly – having a great time being the center of attention!
At Beit Samueli these ceremonies are personalized and planned with each individual family. Each member of the family has the opportunity to take an active part during the event. Live music and singing add color too.
Each boy or girl and at least one parent (or another adult chosen by the family) attend a series of eight classes featuring an “Introduction to Judaism” in addition to the private preparation undertaken with one of the teachers on the list of tutors Beit Samueli recommends.
Our Rabbis meet with each family and lead the services either at Beit Samueli or the place of your choice.
It is possible to have a fully catered event following most Bar/Bar Mitzvah ceremonies at Beit Samueli.
For details regarding dates, fees and more information,
A Bat Mitzvah – Whatever your choice will be – don’t miss the opportunity You will love it!
The Reform Movement firmly believes in gender equality and encourages an egalitarian approach to the entire religious context.
Girls have choices: they can be called to the Torah and celebrate this life cycle event exactly as tradition spells it out for boys.
Or they can choose to embark on a journey exploring this unique period of growing up following a variety of alternatives that our staff will offer culminating in a meaningful way to celebrate this important life event.
This suggested alternative program is available for individual families, private groups of girls (or moms and daughters) and also for school groups.
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Safe home owners personal loans are approved against the borrower’s house with some equity in it your home is not only providing comfort dwelling place, but instead you can make more useful for building your financial muscles. You can get a low-cost loan for the completion of works such as home improvements or paying for wedding or holiday expenses and you can get rid of the higher interest rate debt to a safe homeowner personal loans. Safe owner of the house of personal loans are approved against the borrower’s house with some equity in it. The home loan availing as collateral not only makes the a very easy way for both borrower and lender, but so the host of advantages for those seeking loans. Lower interest Council is the biggest attraction of getting back to putting your home as collateral. Lower interest rate ensures that no burden of repaying the loan amount.
So secured homeowner personal loan is approved for a larger range of payment duration 5-30 years. So, as a result of lower interest Council with greater duration of payment, borrower is able to restaurant down the monthly payments vary greatly from installments with homeowners to secure personal loans. This is the debt of one of the easiest pay. As far as the amount of loan is concerned, the borrower can apply for any amount of base equity build up in the house. Broader justice ensures more secure home owners personal loans. Usually lenders approve the owners secure personal loans in the range of 5000 to 75,000 and do not worry at all about your bad credit. Remember your home is a lender as security of debt.
And that is enough for the lender to ignore your credit it score even has slumped if too much. However the lender may be selling your home in case of default payment from your end. So, be sure to clear every installments with homeowners secure personal loans regularly. Your credit score too pay off the installments will move higher as you. Della Alvin Advisor of home loans in Australia.For any queries regarding home loans for beaches of australia, no. deposit home loans visit
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AWARDED CT BEST DOG TRAINER From puppy training to dog boot-camp, off leash obedience, people or animal aggression, we work with all breeds!
At Coaching 4 paws, our passion for dogs and commitment to excellence has earned us the prestigious title of CT's Best Dog Trainer. With years of experience and proven results, we specialize in addressing a range of behavioral issues and helping your furry companion become a well-behaved member of your family.
Our team of highly skilled trainers utilizes positive reinforcement techniques to create lasting bonds between you and your four-legged friend. We understand that every dog is unique, so we tailor our training programs to suit individual needs. Whether it's basic obedience commands or curbing aggressive behavior, we have the expertise to transform even the most challenging cases. Call us now to book your free phone consultation and get your training started!
Website URL: https://coachingforpaws.com/
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Beads Leather Bracelet Only $9.49 Shipped on Amazon (Regularly $18.99)
Hop on over to Amazon where you can score this highly-rated Beads Leather Bracelet Only $9.49 (Regularly $18.99) when you use promo code GIXMX477 at checkout.
Tiger’s Eye and leather bracelet for men and women combined into one men’s women’s bracelet to prevent negative energy and bring good luck. Tiger eye stone provides the strength to face fear, courage and confidence;Tiger eye crystal leather bracelets for men women. Unique and stylish design, OAST modern men’s bracelets , bloom your personal charm, men leather bracelet is suitable for everyone, men’s leather bracelet, women’s leather bracelet.
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www.caramc.com is a participant in the Amazon Service LLC Associates program, an adversting program designed to provide sites a way to earn advertising fees for promoting merchandises linking to amazon.com.
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Hands Free Breast Pump Only $95.99 Shipped on Amazon (Regularly $119.99)
Hop on over to Amazon where Prime Member can score this ?Hands Free Breast Pump Only $95.99 (Regularly $119.99)? – No code needed.
Momcozy S9 Pro Updated wearable breast pump with 2 modes & 9 levels. Imitating the baby’s suckling method to optimize milk production. Ensure that each mother produces more milk in a shorter time, and give moms more choices and comfort.
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www.caramc.com is a participant in the Amazon Service LLC Associates program, an adversting program designed to provide sites a way to earn advertising fees for promoting merchandises linking to amazon.com.
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Vanaf augustus 2012 ben ik gestart met mijn kattenpension CatiMaxi, in juni 2014 heb ik mijn diploma kattentrimster behaald en heb ik dan ook mijn kattenpension uitgebreid met een kattentrimsalon.
De kat ziet men steeds vaker in het trimsalon. Meestal zijn het halflangharige/langharige katten die zo in de klit zijn geraakt dat de eigenaar de hulp van de trimster in roept maar ook de kortharige kat is welkom in het trimsalon.
De kortharige kat
Misschien denkt u, de kortharige kat, die hoeft toch helemaal niet getrimd te worden?
Net als de langharige kat, verwisselt de kortharige kat iedere 3 maanden van vacht. In deze ruiperiode verliest de kat veel haar en kan ze ook last hebben van haarballen. Dit is vervelend voor de kat, maar ook voor u omdat er veel haren in huis liggen en uw kleren er mee onder zitten. Als u uw kortharige kat naar mijn trimsalon brengt, kan ik hem of haar door de rui helpen waardoor de kat minder zal verharen en weer een mooie glanzende vacht heeft.
De halflangharige/langharige kat
Net als de kortharige kat, verwisselt de halflangharige/langharige kat iedere 3 maanden van vacht. In deze ruiperiode verliest de kat veel haar en kan ze ook last hebben van haarballen. Dit is vervelend voor de kat, maar ook voor u omdat er veel haren in huis liggen en uw kleren er mee onder zitten. Als u uw halflangharige/langharige kat naar mijn trimsalon brengt, kan ik hem of haar door de rui helpen waardoor de kat minder zal verharen en weer een mooie glanzende vacht heeft.
Als halflangharige/langharige katten niet regelmatig geborsteld worden kunnen er klitten in de vacht ontstaan. Deze klitten ontstaan doordat de haren in elkaar draaien. Dit gebeurt meestal in de oksels, liezen, rug en buik. Dit is behalve dat het er niet netjes uit ziet, ook erg pijnlijk voor de kat. Hij voelt dit bij iedere beweging die hij maakt. Als het al zo ver is, dan is de enige manier om ervan af te komen, scheren. Dit ziet er vaak niet erg mooi uit, maar ik probeer het op een zo netjes mogelijke manier te doen.
Als de halflangharige/langharige kat op tijd (iedere 3 maanden) geplukt wordt, is de kans op klitvorming veel kleiner. Als de kat in mijn trimsalon komt en in de klit zit, dan kan ik hem scheren (of alleen de plekken waar de klitten zitten) en zodra de vacht weer terug komt is het aan te raden de kat dagelijks te borstelen. Om te voorkomen dat het weer gebeurt is het aan te raden de kat iedere 3 maanden te laten plukken.
Bij ontwollen wordt de loszittende ondervacht doormiddel van borstelen en kammen verwijderd. Het gladde dekhaar blijft zitten dus de kat behoudt zijn behaarde uiterlijk.
Een ontwolbehandeling is (mits er niet teveel klitten aanwezig zijn) geschikt voor (half)langharige katten, maar ook voor kortharen met veel losse onderwol (bijv. Britse Kortharen, maar ook de “gewone”kat).
Naast het ontwollen moet men bij de (half)langharige kat ook de lange en doffe punten uit de vacht plukken. Het plukken bij een kat kan men met blote hand doen. De haren zijn heel zacht en komen heel goed los.
Veel (half)langharige katten hebben een prachtige vacht, maar zijn zelf vaak niet instaat om deze optimaal te verzorgen. De vacht kan daardoor snel gaan klitten. Klitten of viltvorming kunnen irritatie veroorzaken, waardoor de kat op de plaats van de klitten kan gaan bijten, likken en krabben. Hierdoor kunnen huidproblemen ontstaan. Als de vacht van een langharige kat erg veel klitten bevat of zelfs vervilt is, is de enige mogelijkheid nog het scheren van de vacht. Hierbij worden de rug, de buik, de oksels, de liezen en de broek geschoren. De kop, de kraag, de staart en de voeten worden niet geschoren en alleen bijgeknipt. Om huidproblemen te voorkomen is het het beste om ongeveer 3 keer per jaar de kat te laten scheren. Bij sommige katten kan dit echter vaker per jaar noodzakelijk zijn.
Wassen en drogen
Na het plukken, ontwollen en/of scheren kan de kat eventueel worden gewassen. Door het wassen worden het vuil en de resterende losse haren verwijderd. Na het wassen wordt de kat droog geföhnd. De vacht wordt dan nog een keer goed nageborsteld. Daarna ziet de vacht er weer gezond en verzorgd uit. Sommige katten ervaren wat stress tijdens de behandeling, daarom kies ik er soms voor om de kat niet te wassen.
Uw kat is ook welkom om alleen gewassen te worden.
Dit gebeurt standaard voorafgaand aan elke behandeling i.v.m. de veiligheid van de trimster en de eigenaar. De nagels hebben na enkele weken weer hun normale scherpte.
Als losse behandeling kan het knippen van de nagels raadzaam zijn bij oudere katten, zieke katten (denk o.a. aan katten met gebitsproblemen en stijfheid door artrose), of binnenkatten waarvan de nagels onvoldoende slijten. Als de nageltjes bij het lopen op de vloer tikken zijn ze te lang. De teentjes worden dan scheef geduwd bij het lopen en na verloop van tijd kunnen de nageltjes in de voetzooltjes groeien. Om dit te voorkomen kunnen ze geknipt worden.
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Alexandra Daddario is an American Actress. Some of her more well role known roles are from House, the Percy Jackson films and in San Andreas. She has also made guest star appearances on shows like True Detective, American Horror Story: Hotel, and White Collar. Alexandra grew up in New York and decided to become an actress at the age of 11.
Alexandra is a Christian. In an interview on CNN she was quoted saying “knowing God is the beginning of a new diversion and blessings path in life”. Her father was also Christian and that’s how her and her family were raised.
Daddario appears to be more liberal and a Democrat. Her father served for 12 years as a government worker in the U.S. Department of justice. Her grandfather was also a Democrat and those values have been passed down to her.
She loves shopping, listening to music, and watching movies in her spare time.
Alexandra is currently single but many people have seen her getting flirty with her co-star Zac Efron. Rumors have stated that they are dating but this doesn’t seem to hold much truth.
Alexandra is believed to have opted out from school in order to undertake her first role on TV. This happened when she was still in high school. She is also known in the acting field as someone who loves doing her own stunts. Her heritage includes a mix of Irish, Hungarian and Italian. Alexandra grew up on the upper east side of New York.
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Insure your iPod or iPod touch with CheaperGadgetInsurance.co.uk, and see how little it can cost to protect your precious gadgets. We not offer iPod insurance, but also insurance for other gadgets such as iPhone, laptop, mobile phone etc., so get get a quote for your iPod and other electronic gadgets today.
Insure your iPod against loss, theft, or accidental damage with an iPod insurance policy from CheaperGadgetInsurance.co.uk. Compare our iPod insurance today and save money on insurance for your iPod or iPod touch.
Cheaper Gadget Insurance has partnered with Tinhat to provide specialist insurance cover for all your loveable gadgets. So forget about the what-ifs and let us watch your back in your time of technological need.
Don't worry, we've got a solution...
Cover is for 12 months and you can pay upfront or spread your payments monthly by Direct Debit. You must have purchased the gadget new, be under 12 months old and have the original receipt for all items you are claiming for. When you click through to get a quote you will be dealing with Tinhat who are authorised and regulated by the Financial Conduct Authority FCA Registration 650727.
Cover is arranged by Tinhat, a trading name of Bastion Insurance Services Ltd.
Bastion Insurance Services Ltd are an insurance intermediary authorised by the Financial Conduct Authority in the UK under registration number 650727. The insurance is underwritten by UK General Insurance Limited on behalf of Great Lakes Insurance SE. UK General Insurance Limited is authorised by the Financial Conduct Authority under registration number 310101.
Cover includes taking your devices with you on holiday anywhere in the world, with no limit on the number or length of trips.
This product is available to UK residents who is over 18 years old when they purchase a policy.
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- What’s On
Buy or gift a stand-alone digital subscription and get unlimited access to dozens of back issues for just £18.99 / $18.99 a year.
Buy a digital subscription Go to the Digital EditionThis elegant restaurant in Ortaköy, with an inventive menu based on Ottoman flavours, is housed in an old police station, with a summer terrace on the waterfront promenade. Look for the sign by the door of the tiny cinema on the coast road coming into Ortaköy from Beşiktaş, and follow the steps down into a garden on the left.
Cornucopia works in partnership with the digital publishing platform Exact Editions to offer individual and institutional subscribers unlimited access to a searchable archive of fascinating back issues and every newly published issue. The digital edition of Cornucopia is available cross-platform on web, iOS and Android and offers a comprehensive search function, allowing the title’s cultural content to be delved into at the touch of a button.
Digital Subscription: £18.99 / $18.99 (1 year)
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A Prescription for Light
As a national spokesperson for ASID and seasoned blogger for HEALTHCARE DESIGN magazine, I have had numerous opportunities to spread the word on making the case for the connection between the built environment and the human animal. Sometimes the message takes hold and develops social media" legs" as is the case of my September blog post. The topic was a visionary idea for a uniquely constructed colored lighting LED system for use as a healing modality in hospital patient rooms. Given the mounting scientific evidence defining the role of light as a necessary ingredient for achieving and maintaining health, coupled with recent technological LED and OLED lighting advancements, my ideas are not unfounded and could very well become the norm. Check out my forecast, weigh in on the possibility of this becoming a reality and spreadthe topic around to your colleagues ...after all a blog post is meant to inspire, enlighten and spark discussion. Click here to read
Driving at Night-How Light Affects The Eyes of Aging Drivers
Giving an interview for an international magazine was a big deal for me. In the article I offered a non- technical lightweight position on the expected transition to nighttime bright white roadway lighting and the health related effects this design change would have on the vision of older drivers. Ohhhhh me! Never did I realize the fuss it would cause by not delivering an evidence based answer to the questions posed by the German journalist. For without offering an article with evidentiary support,I deprived the reader of a valid reason to fully embrace the situation and draw their own conclusions. So in light of that omission, I prepared a more technical response including a list of cited research papers and supporting articles. I am now offering YOU a chance to weigh in on the topic. Check out my observations and research supported comments and let me know your thoughts on the trend to replace the yellow- pink HP sodium vapor street lighting with the blue- enriched white roadway street lighting similar to the blue headlights from oncoming cars. Click here to download Deborah's article
Benya's Blue Light Blues
Throughout the years those of you who have attended my seminars, read my articles, and of course trusted me to consult with your most valued clients, have all come to know my passion for enlightening the A&D community as to the impact our designs have on the human animal. Thankfully I am not alone in recognizing the delicate interdependent balance between the built environment, the earth and our human body and brain. One of the most trusted voices in this arena is my friend Jim Benya. For those of you not familiar with his work, Jim is an internationally recognized lighting designer, board member of the International Dark Sky Association and an At-Large Editor of Architectural Lighting magazine. Jim’s recent AL blog post on the topic of Blue LIGHT reviews the light source from an objective perspective, as well as, raises a number of valid questions regarding the impact this technology may play on human health something to consider as we go forward into the new age of designing….. with LIGHT!
Click here to read
In the News... and Around the Coffee Pot
BRAZIL: I have been interviewed, published and recognized in a number of international and regional publications over the years. But none has brought a smile to my face as the mentioning of my 2009 LIGHTFAIR presentation in a Brazilian magazine
LUME ARQUITETURA. You should have seen my assistant Lisa and I trying to translate what we thought was Spanish only to find out the language we were reading was Portuguese…. I guess the lesson here is that you are not as smart as you think you are and NEVER too old to laugh at yourself :)
LAS VEGAS: During my recent SUFACES 2K10 presentations a few weeks back, I was surprised to learn that I still glow like a kid AND act like a tourist - even in Las Vegas! Check out the photo of me holding my nieces stuffed bear; a school project she assigned me to take along on every speaking presentation I make this coming year.
Gheee... another chance to make a kid happy brought about by my wonderful sponsors WOOLS of NEW ZEALAND and LUMASTREAM …THANKS guys!!!
EPIGENETIC DESIGN CONSULTATION: Many of you know that for the last several years my practice has been devoted to Epigenetic Design research and an overwhelming desire to educate the A&D community as to the importance that the interior environment plays on human health and well being. Now in 2K10, we are starting to extend that mission to the end user of that information …your clients, your families and yourselves. I am now actively seeking opportunities and consultation projects worldwide to work alongside design professionals in creating interior environments that are truly supportive of the human animal. These include all design areas including workplace, healthcare, hospitality, corporate and of course residential. With evidence based research and practical application methodology, Epigenetic Design Consultations would assist A&D professionals in their role of providing environments supportive of occupant sleep, enhanced memory and cognition, overall sense of wellbeing and health, as well as design assistance in coping with illness and disease such as: diabetes, obesity, insomnia, heart disease, depression, and ADHD. The evidence is there, the research is there, now it’s time put it all into action by requesting additional information as to how I may consult with you and your clients in creating a truly supportive environment in which we may all work, shop, relax, heal, learn and …call home! Office (615) 384-8337 [email protected]
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Tomato paste filling machine provides you with good product quality
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Victoria Dentist - Dr. Cliff Leachman
General and Cosmetic Dentistry
When you visit our Victoria dental office, your smile is our top priority. Our entire team is dedicated to providing you with the personalized, gentle care that you deserve.
Part of our commitment to serving our patients includes providing information that helps them to make more informed decisions about their oral health needs. Click here to watch our new procedure videos. We hope you find our website a resource that is both useful and interesting.
Contact Us Today or Request An Appointment!
We genuinely hope this site is helpful to you in learning more about our Victoria, BC general & cosmetic dental practice, dental conditions and treatments, dental recommendations, and more.
Please browse through our website and be sure to give us a call @ 250-382-6335 if you have any questions or would like to schedule an appointment.
Dr. Cliff Leachman
762 Humboldt Street
Victoria, British Columbia V8W 4A1
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Try studying while exercising! Studies have shown that this is an effective way to learn. Or, if you are not great at multitasking, study just after you exercise.
Let's say that you want to learn and practice multiplication facts. Some ways you can incorporate your learning with your exercise could be:
*Record the facts into a recorder and listen to them while walking
*Have someone quiz you while playing doing some free throws
*Bring interesting videos like the one on this blog post to watch while using an exercise bike
*Toss a ball/play catch with a friend or parent while they say multiplication fact and you echo them
Remember, exercise is brain food for learning! If this still doesn't work, please feel free to contact me. Some tutoring may turn out to be a useful tool!
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"language": "en",
"language_score": 0.9477893710136414,
"token_count": 165,
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Burnout - New Title!
NanoWrimo, Kindle Scout, and Published
All of these meanings can be found in Will and Miki's story. It's about riding motorcycles, being outside and feeling the dirt on your skin, the wind in your hair. It's about adventure, wearing leather, and being a rebel...and if you couldn't tell by the heart, it's about sweet love, too.
Time and readers will tell, but in this moment, I believe the new title works! Burnout is short, attention grabbing, and easy to remember. It gives a hint to what the story is about, and bonus, I can tell people the name without getting weird looks in return. Win!
It's a slow process getting things changed, so bear with me while the two titles float around. The pages within are basically the same, though, so have confidence reading whichever title you like.
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"language": "en",
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The member group you are in does not have permission to leave a message at the momentPlease register as a member!
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(c)2008-2022foodmvs B2B SYSTEM All Rights Reserved
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A genealogy database can have tens of thousands of individuals. Often, the individuals you want to show on a chart are only a small subset of the database. The Section page is used to specify these limits. In addition to number of generations, cutoff dates, and collateral relatives, it can also limit the chart by controlling which types of parent-child links to follow, and whether spouses and living individuals are included. You can also restrict the chart to follow only male lines or female lines.
© Copyright 2005 Thoughtful Creations. All rights reserved. Last Updated 10/28/2005.
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Nyt tarjoukset vaihtelevat usein 10 ja 50 NZ dollarista, mutta suurimmat talletuksettomat kasinot eivät kuitenkaan ole pohjimmiltaan niitä, jotka antavat eniten. Yleensä on hyvä idea tarkistaa lähes joka toinen sana, esimerkiksi vedonlyöntiehdot. Sen loisto ja myös ylimääräinen voittomahdollisuus luovat heille yhden parhaista vaihtoehdoista 100-prosenttisesti ilmaisiin talletuksettomiin uhkapeliyrityskannustimiin. Et voi tilata kasinoa, väittää mahtavaa 20 dollarin bonusta ja mennä ulos ovesta, jolla on täysin ilmaista rahaa kädessä. Sinun tulee hallita vedonlyöntistandardeja, jotka vaativat vain voitot.
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Ovatko täysin ilmaiset kasinopelit samanlaisia kuin todelliset rahaerot?
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Yes, you can build muscle without taking supplements having the right quality of protein foods like chicken, eggs, fish, moong daal, and soya chunks. Carbohydrates foods like Oats, potato, sweet potato, rice, wheat, and good fats foods like almonds, avocado, chia seeds, and olive oil
Everybody knows that Muscle building is all about nutrition, workout, and recovery. When it comes to nutrition linked protein, carbohydrates, and fat helps to build muscle
Foods to build muscle without taking supplements
In addition to helping you build muscle mass, eating chicken every day can preserve and protect your overall muscle health, It’s a complete protein, has less fat than red meat, and is a good source of iron.
- Excellent source of lean protein
- Good source of Vitamin B and Vitamin D
- Rich in minerals
- Can regulate Blood Pressure
Eggs are a great source of protein and can be an easy available in the market at an affordable cost and contain all the essential amino acids that are necessary for muscle building, which is why they make a great post-workout meal.
- Good inexpensive source
- Complete source of protein due to the presence of all nine essential amino acids
- Rich source of selenium, vitamins, and other minerals
Fish is a great source of protein and other nutrients that are essential for muscle building and also rich in omega-3 fatty acids, which are necessary for a healthy heart, brain, and eye function. Omega-3 fatty acids also help to reduce inflammation and improve joint health.
Certain fish like salmon, trout, mackerel, and tuna contain higher levels of protein than most other types of meat.
- Rich in Omega 3 fatty acids
- Great source of vitamins and minerals
- Beneficial for heart health
- One of the best sources of high-quality animal
Soya chunks are a high-quality protein source that is low in fat and carbohydrates. They are a great alternative to meat for those who are on a plant-based diet or want to cut down on their meat consumption.
- The richest source of plant protein
- Lowers blood cholesterol
- Good source of omega 3 fatty acids
- Rich fiber content
- High content of magnesium
Carbohydrates – without supplements
Carbohydrates are the primary source of energy. They are partially converted to glycogen, which is stored in muscle to power your workouts
Approx. 50-55% of your daily calories should come from carbs but it does not mean that you can rely on junk food such as pizza, burgers, etc. You should include healthy options.
Oatmeal is good for bodybuilding since it’s a complex carb that provides long-lasting energy during workouts
- Healthiest whole grain
- High in fiber
- Lowers bad cholesterol
- Good for diabetic patients
- Rich in minerals and vitamins
Sweet potatoes are also good sources of vitamin A, potassium, riboflavin, copper, pantothenic acid, and folic acid
- Rich in antioxidants
- Good for gut health
- An important source of Vitamin A
Carbohydrates like white rice are essential to fuel physical training. Carbs also replenish muscle glycogen stores after extreme workouts.
- Easy to digest
- Easily available
- An important source of energy especially post
Bananas are rich in nutrients like carbs and potassium, both of which are important for exercise performance and muscle growth
- Quick to digest
- Rich in vitamins and minerals
- High potassium source
- Strengthens the nervous system due to high
- level of Vitamin B6
Fats – without supplements
This is the nutrient that is often ignored by many people. Agreed that fat should be less in the case of fitness goals, however, there are certain good fats that are in fact important for overall health and muscle strength.
Approx 15-20% of calorie intake should be from fat.
the focus should only be on good sources such as nuts, olive oil, seeds, fish, etc. We should also include enough amount of green vegetables and fruits which are very important for our health.
For more information Visit: Muscle Building – Shaping Your Muscle
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- Metal Gear
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Metal Gear was a hit in Japan, and its NES port reached international players in Europe and North America, but the people behind it hadn’t heard much of that success. They turned their attentions to cyberpunk and detective work with the ambitious visual novel adventure, Snatcher. It wasn’t until a chance encounter with a fellow Konami employee in the Famicom division on the train ride home that Hideo Kojima learned of a sequel being done without his team’s involvement, titled Snake’s Revenge. His colleague encouraged the director to make something more official, from the original source. By the end of the ride, Kojima had a story in mind, one drawing on the Cold War, nuclear proliferation, and humans’ dependency on fossil fuels. After a conversation with higher ups the next day, work began on Metal Gear 2: Solid Snake. While it was eventually released in July 1990 on the MSX2, the game took the rough draft found in Metal Gear and improved on it in just about every way.
The serendipitous way that the game’s development started isn’t the only unique nugget of its creation. Despite the 8-bit machine it was destined to run on, the team sought authenticity in their tactical espionage game. Reference material from films & comic books were used to design the game’s weapons. The team staged survival games in the mountains, trying to immerse themselves in the field of battle. Some people even started to show up to work in full soldier fatigues. Some of the photographs of their exploits and the developers’ personal equipment made it into the manual, in parts that detailed the story and setting. The team paused, part way through development, in order to help finish work on SD Snatcher, funnily enough.
In an alternate 1999, the world is just beginning to start to come out of the Cold War, and talks are being held over the disarmament and disposal of nuclear weapons. At the same time, a sudden oil crisis sparks a new biological innovations from a Czech scientist, Dr. Kio Marv. He develops OILEX, an engineered algae that can create oil from virtually nothing. And if that wasn’t enough, Zanzibar Land, a rogue mercenary state newly formed between the USSR and China, inserts itself into both situations. They kidnap Dr. Marv, and steal nuclear warheads meant for disposal, in an effort to take the world hostage. Solid Snake once more dons on his cardboard box to avert global disaster. As he moves forward with his mission, he comes to realize that his past with FOXHOUND intertwines with this mission in unexpected and deadly ways, including the development of a new model of Metal Gear.
The characters in Metal Gear 2 are much better realized than the original game. Instead of being limited to the radio transceiver screen and just barking order & info at the player & Snake, it becomes a conversation. And dialogue happens during the game, a welcomed change from the first game. Metal Gear‘s characters felt a little sparse, with them just talking at Snake and their background info relegated to the instruction manual. Metal Gear 2 gives its characters time to be on screen, lending a more cinematic feel to the 8-bit game:
At the end of his first mission with FOXHOUND, Solid Snake retired for the first time. Now, he leaves retirement to save the world, also for the first time. Snake is fleshed out more compared to his first appearance, and many of the relationships that would have a long running effect on his story are introduced here.
Colonel Roy Campbell
The first appearance of the character, the Colonel in Metal Gear 2 largely sticks to his role as the operation’s commanding officer and not much else, feeding Snake information and tips for his mission. He unnecessarily changes his frequency a lot.
A journalist hired by the CIA, Holly White infiltrates Zanzibar Land and provides Snake with on-the-ground info & support. Her journalism background isn’t just a cover; the manual describes her as winning Pulitzer Prizes and Emmy awards for her work prior to joining the US intelligence agency.
Dr. Kio Marv
The brilliant Czech scientist who created OILEX, Dr. Marv was leaving a conference and heading to the US to demonstrate his invention when he is kidnapped. He’s largely unseen throughout the story, being the McGuffin that keeps Snake moving forward on his mission.
A former professional figure skater, Gustava left her skates behind to join the world of intelligence. She’s kidnapped alongside Dr. Marv, but was able to get away and hide in disguise around the base. Fluent in Czech and Slovakian, she helps Snake communicate with Dr. Marv, who does not speak English.
Initially a more vague character, Master Miller was later retconned to be Kazuhira Miller, Big Boss’ right hand man in the 1970s and 1980s. He advises Snake on survival in harsh environments and is not Liquid Snake in disguise, this time.
Johan Jacobsen / Yozev Norden
This zoologist is passionate about animals and the preservation of endangered species. Using his background, he helps Snake when he encounters wild life, which is more frequent than one might assume in a military mission.
FOXHOUND’s strategist and a career military man, George helps advise Snake on battle tactics and strategies for bosses during his mission. Among mercenaries, he is regarded as one of the best in the world.
The original scientist McGuffin from the first game, Madnar is once again kidnapped and coerced into making another Metal Gear. He’s helpful enough, pointing Snake in the direction of his colleague, Dr. Marv, but everything is not what it seems with the good doctor this time around.
After leaving FOXHOUND, Gray Fox AKA Frank Jaeger, became disillusioned with the world’s political nonsense. He turns against the establishment after a woman he fell in love with was unable to get asylum. He is a fierce combatant, and provokes Snake many times at the back half of the game.
Somehow, Big Boss escaped from Outer Heaven and is behind Zanzibar Land and its crazy gambit to control the world through nukes and oil. In the original Japanese release, his portrait resembled Sean Connery.
Starting a new game puts several improvements on display. The mission begins with Solid Snake pulling himself up onto a plateau, with nothing more than the smokes in his pocket, a radio, and a radar. The radar sits in the upper right corner, showing off nine segmented areas of white & red dots and rudimentary level layout. Thanks to the radar, Snake has to be even more mindful of enemy movement, since guards now travel between screens. Crouching & crawling are now actions in Snake’s repertoire, allowing him to sneak under an opening in the chain link fence outside the base. Guards’ vision are refined, giving them some peripheral vision, rather than only reacting to what is directly in front of them. It’s easier for enemies to catch Snake walking by them, and alerts & enemies follow Snake across screens. The radar is jammed when Snake is discovered, and successfully escaping and evading the enemy restores it.
Metal Gear 2 builds on the set piece nature of the first game, throwing even more diverse moments the player’s way. Snake has to fumble his way through a swamp, following the murky & unseen path that a kid claimed he saw military trucks take. There is an extended sequence that requires Snake to track a particular soldier through a dense jungle, with the soldier constantly throwing back paranoid glances. An unavoidable alarm causes an extended chase sequence up a long flight of stairs.
The series’ penchant for scripted, melodramatic scenes crystalizes in one important story beat late in the game. Snake meets Gustava, after some work tracking her down. They use an elevator only accessible in the woman’s bathroom (!?) and free Dr. Madnar before leaving to do the same for Dr. Marv. They take a bathroom break in the middle of a long hallway, and during the lull, Gustava spills her backstory, detailing her rise and fall as a renowned figure skater and how she ended up in the espionage business. The group then arrive at an unnecessarily narrow bridge, requiring them to cross one at a time. As soon as she walks across, Metal Gear fires from off screen, flinging her from the bridge, destroying it and mortally wounding her. As she lay dying, she gives Snake her brooch and the next key card. This tragedy is melodramatic and a touch maudlin, but it works, and it’s precisely the type of narrative moment that the series is known for today.
In the same vein, all those small, goofy, and seemingly unnecessary details that make a Metal Gear game stand out are everywhere in Metal Gear 2. Rations have ingredients listed on them, and far from being set dressing, these ingredients are vital to the progression of the mission multiple times. Night Fright, an invisible boss whose sprite can only be seen when shot, chooses the room with the loudest floors in all of Zanzibar Land to ambush Snake. Years before its sequel would pull the same gags, Colonel Campbell switches his frequency on the radio to a number found on the back of the software box, and there is a key that changes shape depending on the temperature. Perhaps most indicative of who made it, Metal Gear 2 contains what might be the first references in a video game to the 1988 action film, Die Hard (outside of the licensed game based on it). Snake’s mission takes place on Christmas Eve (making it a holiday game?) and it seems hardly coincidental that a romantic interest goes by the name “Holly” & also gets kidnapped. Other references are more blatant, like the danger timer being traced more or less directly from Gainax’s famed mecha anime Gunbuster. Kojima was obviously a fan of Gainax, even making mention in the manual that a similarly named company manufactured the toilets in Zanzibar Land. Most egregiously, the original MSX2 script directly steals the Minovsky particles from Mobile Suit Gundam as a method of radar jamming; this was a little too much in retrospect, so all subsequent versions of the game, Japanese or otherwise, remove this reference.
For as many improvements there are, Metal Gear 2 does share some of the same frustrations it had. Key card levels and doors without any marking on them are still a thing, early on. Items later in the game condense the cards, lessening the need to constantly switch between the nine security levels this time around, but it nonetheless becomes tedious. Alerts still feel random. Sometimes, enemies are flooding the screen constantly and you just can’t get away, no matter how hard you try or how many enemies you kill. Other times, a quick crawl under the table and flipping to a new screen will instantly make the alert go away, skipping right over the evasion phase. Enemies can slow walk their exit too, annoying when hiding in a room with gas or a surveillance camera. Backtracking is still a thing, requiring Snake to bounce back and forth between the two buildings in Zanzibar Land. For example, the aforementioned fumbling through the swamp, a clever idea in its own right, becomes less clever the more you have to slog through it again. The swampy path delivers you to a boss and that boss gives you a key card that can only be used by going back through the swamp. And if the player shows up without the weapon necessary for a boss encounter or runs out of ammo, then that once more requires a trek through the swamp and back again.
Still, for all the flaws, Metal Gear 2 stands head and shoulders above the first game, especially in the arena of boss fights. They are wacky, intense villains with their own unique and clever hooks. Running Man is an Olympic gold medalist sprinter turned terrorist for some reason. A team of assassins called the Four Horsemen of the Apocalypse attack Snake in an elevator, jumping up and down from the sides. Jungle Evil, cheekily called Predator in original Japanese, skulks about tall grass, only popping out to pepper Snake with bullets. There’s so much more variety on display. The fight against Big Boss perhaps best exemplifies this sophistication with a complex and novel design that transcends when it was made. It requires Snake and the player to both keep on their feet with no weapons or items on hand and having to improvise on the spot. It stands up there with The End, Quiet, and Psycho Mantis, in the pantheon of the series’ bosses. Its design elevates its importance in the narrative, given that the tensions between Snake and Big Boss are one of the longest running and most important conflicts in the series.
Metal Gear 2 sparkles with a dazzling visual style and crunchy, driving chiptunes, something evident from turning the game on and letting it run in attract mode. It’s hard not to think of Snatcher, with all its computer read outs, schematics of guns, and flickering animated displays, detailing the intricacies of Metal Gear Mk II. Accompanying the visuals is a tense, driving music – a chunky bass line, tense synths – all culminating in a wall of sound as the titular mech is revealed and the title drops. This aesthetic polish continues into gameplay. Zanzibar Land is a larger place than Outer Heaven, but it is much easier to traverse thanks to the care and attention by the artists and designers in creating unique tile sets and more visible landmarks in the level design. A dense, winding jungle and a desert connect the two buildings on the surface, along with a sewer system underground. The variety goes a long way to anchor the player and are more cohesive of a setting, on top of just looking spiffy. It feels like if artists or designers could have filled in some detail – like, say, have doors printed with the keycard number – they would have done it. The sound effects help fill out the world alongside the visuals, with guards reacting to sound now. Metal grates and creaky wooden floors litter Zanzibar Land, each with their own unique sound effect to attract unwanted attention
For a long time, Metal Gear 2 remained stuck in its home country. It was successful in Japan, but there wasn’t much incentive to localize it, as technology rapidly advanced and the market for the MSX dwindled, especially abroad. A fan translation from G&T Soft, an MSX indie dev who’s still active with a vintage website to match, was released in 1997, making it more available to those who were able to import the game and had an MSX machine at the ready. In 2004, Konami ported and released the game to Japanese mobile phones of the time, adding in features like an easy mode and a boss rush mode. The character portraits used for the original release were traced off of celebrities, with Solid Snake being Mel Gibson, Roy Campbell being Richard Crenna (based on his role in the Rambo movies), Madnar being Einstein, Dolph Lundgren being George Kessler, Sean Connery being Big Boss, and so forth. Metal Gear 2 was created at a time when the Japanese game industry wasn’t too concerned with using images like these, especially considering the game was, at the time, wasn’t going to be released outside of the country, anyway. However, wanting to avoid any potential litigation, Konami replaced these portraits with new art by Yoji Shinkawa, making their style more consistent with later Metal Gear Solid games. Some of the character names were changed, as well.
This mobile phone version used as the basis for the versions included in Metal Gear Solid 3: Subsistence, as a bonus, making it the first time that the game was translated into English and saw a wide release outside of Japan. This same version has continued to be repackaged with most subsequent ports and collections of the series, such as the Wii Virtual Console release, the MGS HD Collection on the 360 and PS3 and the newly released Metal Gear Solid: Master Collection Vol. 1 for modern platforms and PC. Outside of the character portraits and some text alterations in the Japanese version, little was changed in conversion, except for a section in a sauna. In the MSX2 version and the Wii Virtual Console re-release, the soldier is naked, with a little black dot covering his naughty bits (which floats around and doesn’t always cover them). All of the other releases cover his lower half with a towel.
Metal Gear 2: Solid Snake is a curiosity, for many reasons. It’s such a vital part of the series canon and an excellent example of an 8-bit game, but for a long time, it was cloaked in mystery, locked away on an obscure platform for nearly 15 years. And even after a wider release, it almost always seen in relation to its PlayStation sequel, which feels unfair. This is a master class of a video game on its own, building on the novel design the first game created and expanding it effortlessly into a polished, brilliant game. The ethos, the pageantry, the feel of the series all originate here. Metal Gear Solid may have been when the series exploded in popularity, but Metal Gear 2: Solid Snake is when the series became itself.
MSX2 Sauna comparison screenshot from Cool Ghost Metal Gear Let’s Play.
The Cutting Room Floor – More revision differences
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The European Bank for Reconstruction and Development (EBRD) and International Financial Corporation (IFC) is supporting the modernisation of agriculture and enhanced economic opportunities for the local population in Uzbekistan with a financing package of up to US$ 130 million to Indorama
The package will consist of a US$ 60 million capital expenditure loan each from EBRD and IFC and a US$ 10 million working capital loan in Uzbek sum equivalent from EBRD. It will support the operations of Indorama, an established cotton industry player engaged in rotational crop farming, a systematic approach to selecting locations and cycles of crop planting.
Following the political transformation in the country, the Uzbek government decided to introduce cotton farming “clusters”, which are designed to attract local and international private investment and best business practices into this state-dominated sector. The approach is supported by the International Labour Organization and international lenders such as the EBRD and the International Finance Corporation (IFC), which have been supporting the initiative through technical assistance and lending programmes.
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I was going to put “Asian fantasy” in the title, but then I had visions of people coming here searching for a XXX site—ugh.
I got a note from a reader who told me they’ve been searching for this sort of book forever and there’s not much out there. She had been going through search engines looking for Asian fantasy stories. It’s not the first letter I’ve gotten like that either. Each one makes me hopeful. For an unpublished writer to start getting fan mail, and not from friends who love me, that must mean something right? 🙂
It was a big boost when I found an agent who was excited to go to bat for me. We’re still on that search for the editor who believes that these stories will sell. Funny how much of an uphill battle it is to get into English language genre fiction when there’s a flood of movies, manga, anime and centuries of Asian language literature on the same themes.
Once in a while when I’m feeling blue and lonely, I do go googling for Asian fantasy fiction or wuxia. But that’s okay. I knew this was going to be hard when I started. I just have to keep improving the writing.
I truly believe there is a market and I love these stories. I’m very stubborn and somewhat patient and there’s enough stories in this genre to last another couple centuries.
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Do you want to know how to win free online poker tournaments easily? I am going to uncovers the biggest secret behind successful tournament poker play.
How To Win Free Online Poker Tournaments Easily
Many online poker sites such ascticpoker.com, pokerstar.com, ultimatebet.com, bodog.com, and online-poker-show.com will allow you to create your own online poker tournament. These online poker tournaments are called free roll or speed tournaments.
They can be played anytime and anywhere subject to the rules of the house who runs the particular tournament. Generally you do not have to pay to enter a free roll tournament but the more players that you get in the faster you will start winning.
The reason you can win free online poker tournaments so fast is because of the fact that as soon as you join as a player, you are placed in a waiting list to play. This means that you have hours or days to go and learn the game and the depth of the poker games before you can play for money.
How To Win Free Online Poker Tournaments Easily #1
Generally the reason why afapoker players across the world will Strongly prefer to play in free roll poker tournaments is because of the fact that they have lots of time to practice and improve their game, before they risk losing money.
Practicing poker for lots of time will improve your technique and make you a better poker player. The massive amount of poker literature and poker coaches and training sites online nowadays all offer ways, strategies and methods to improve your game so you can get better faster.
Typically a top player will find it extremely easy to play in a freeroll tournament. You can observe different playing styles, different strategies, and get a feel of the game. It is much harder to adjust to Las Vegas playing styles, and you will have to do so playing a different lingo than in real life at the tables.
How To Win Free Online Poker Tournaments Easily #2
Another reason that players prefer playing in freeroll tournaments is that they don’t risk any money. The freeroll tournaments have smaller prizes typically than you would win with rakeback. Most freeroll tournaments don’t even pay out to win, they are purely to play so you can see if you like the game.
The fact that the freeroll tournaments are so fun to play means that even the best players don’t often play in them, they are more interested in learning and having a bit of fun. Playing freerolls is a great learning tool because you can learn to approximate the correct plays, depending on your dispensation of the game.
With poker there is a lot of slang, terms and strategies. In freerolls you don’t have to worry about learning any of this, you can just have fun and make new friends. Everyone is generally friendly, so with this being the case you will never be too far away from a friendly game of poker.
How To Win Free Online Poker Tournaments Easily #3
The third reason why people prefer playing in freeroll tournaments is that they don’t want to risk their own money. Most freeroll tournaments pay out to the winner, but the poker rooms takes a small amount of the pot as a fee. Players do this to encourage more people to play online poker.
Most of the time the prize pots in freerolls are extremely low, and the poker rooms try to play as many poker hands as possible. You can win big in freerolls with mediocre hands if you take the right steps. If you play freerolls in the right way you stand to gain a lot of small pots, that is essentially all the poker rooms want. They want people to play poker, so that they can earn their money.
The best way to make money by far is to build a decent bankroll, which is your main goal in playing poker. Once you have a good bankroll you can take advantage of the deep costs of online poker and play as many poker hands as you like. Although the prizes in freerolls are small you need to build up your bankroll in order to have a chance of winning one of the top spots.
Just follow these three steps and you will succeed. If you want to win poker all you have to do is become a part of an online poker community, and you will soon be able to take advantage of the competition. It doesn’t matter if you are completely new to poker, I have used the above methods and have been successful. But, if you want to make a career out of poker, you better learn quickly!
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Winter in Peterborough and the Kawarthas can be unpredictable. While snow-covered landscapes and cozy evenings indoors sound inviting, the reality is that winter often brings power outages caused by heavy snow, ice storms, and high winds. Without a reliable power source, your home could be left in the dark and cold, leaving you vulnerable to frozen pipes, spoiled food, and a lack of essential services.
One of the best ways to protect your home and family from winter power outages is by installing a backup generator. Here’s why having a generator installed before winter is not just a smart decision, but an essential one.
1. Keep Your Home Warm and Functional
The most significant risk during a winter power outage is losing heat. Without a functioning heating system, your home’s temperature can drop rapidly, making it uncomfortable and even dangerous to stay inside. A backup generator ensures that your heating system continues to run, keeping your home warm and your family safe, no matter how long the power is out.
In addition to heat, a generator can power other essential systems such as lighting, appliances, and water pumps, so your home continues to function as normal during an outage.
2. Prevent Frozen Pipes and Water Damage
When the heat goes off, the temperature inside your home can drop quickly, especially during a cold snap. Frozen pipes are a common issue during winter power outages, and if they burst, you could be facing thousands of dollars in water damage. Installing a generator means your heating system will keep running, preventing pipes from freezing and saving you from the hassle and expense of emergency repairs.
3. Maintain Access to Important Medical Devices
For families who rely on medical devices that require electricity, a winter power outage can be more than just an inconvenience—it can be a serious health risk. A generator provides a continuous power source to keep critical medical equipment operational, giving you peace of mind during winter storms.
4. Protect Your Food Supply
A power outage lasting more than a few hours can spoil the food in your refrigerator and freezer, leading to unnecessary waste and expense. With a backup generator, your refrigerator stays powered, keeping your food fresh and safe, even during prolonged outages.
5. Ensure Your Home Office Stays Powered
Many people in Peterborough and the Kawarthas work from home, and a power outage can disrupt your productivity if your home office loses power. Having a generator in place allows you to continue working, keeping your devices charged and your internet running so you don’t miss a beat, even in the middle of a winter storm.
6. Generac Generators: Reliable Power When You Need It Most
At Leahy Electrical, we specialize in installing Generac generators, one of the most trusted brands in backup power solutions. Generac generators are designed to automatically kick in the moment the power goes out, providing seamless, uninterrupted power to your home. Whether you’re at home or away, you can trust that your generator will ensure your home stays powered and protected.
Generac offers a variety of options, from whole-house standby generators to more compact units designed for essential systems. Our team at Leahy Electrical will work with you to determine the best solution for your home and install it with the care and expertise we’re known for. To keep your generator in top condition, Leahy Electrical Services Inc. offers comprehensive maintenance services and support. We are an authorized Generac dealer with certified Generac technicians and are authorized to perform repairs under warranty.
7. Increased Home Value and Peace of Mind
In addition to the practical benefits, installing a backup generator can also increase the value of your home. Prospective buyers see it as a valuable upgrade, especially in areas like Peterborough and the Kawarthas where winter power outages are a common concern.
But perhaps the greatest benefit is the peace of mind a generator offers. Knowing that your home and family are protected from the worst effects of winter storms allows you to relax and enjoy the season, no matter what the weather brings.
Winter in Peterborough and the Kawarthas can be harsh, but you don’t have to face it unprepared. Installing a backup generator before the cold weather hits ensures that your home stays warm, your food stays fresh, and your essential systems continue to function even during a power outage.
Leahy Electrical is here to help you choose and install the perfect Generac generator for your home. With our expert installation services, you’ll be ready for whatever winter brings, knowing that your home will remain powered, safe, and comfortable.
Get ready for winter today! Contact Leahy Electrical at (705) 652-8601 or visit leahyelectrical.ca to schedule your generator consultation. Let’s make sure your home is prepared for any winter power outages.
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We’ve spent quite a lot of time lately searching for dermatologists capable of helping readers with patches of itchy skin, and when we came across the details on Dr Sullivan, a sole practitioner, we were quite excited. Everything seemed right – he had good qualifications, his own website, an ordinary email address, ten 10 out of 10 ratings, and so on. And when we sent him one of our usual emails, we got a prompt and good response.
But wouldn’t you know it!? – he’s fully booked for at least the next 4 months!
Perhaps we know why.
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Well three weeks till the big one! I am starting to get things ready and ensuring that I have enough of everything that will be going with me.
Yesterday I did a 150km cycle – the Ride to the Horns cyclosportive around Aylesbury. Quite a tough course with multiple short sharp climbs. I’m sure I saw the gradient show 18% on my cycle computer a couple of times. The ride was enjoyable but seemed to drag on somewhat. I suspect that this was due to riding in a group, taking too long at the feed stations and most noticeably due to one of my fellow riders getting a puncture that took around 45 minutes to fix. Long story short, we got through three tubes, two CO2 canisters and a new tyre! I would recommend this ride to someone looking to get some hill climbing in. Apparently the route takes in most of the decent climbs in the area. My legs are feeling it today!
The bike went well. New wheels are a treat. The gearing seems to be good, apart from dropping the chain twice while shifting back onto the small chain-ring, so I might have to tweak that. The rear brake still rubs a touch so I may try and tweak that too.
My on going seat post creak seems to be resolved – for the moment at least as I suspect it will return. My Felt B2’s seat post has been creaking for a while. The bike shop thought it was the saddle clamps which got some oil and attention but this failed to remedy the squeak. I then used carbon paste on the post and a drop of oil on the seat post clamp screws which helped for a bit – but the creak returned. I have now put some electrical tape around the lip of the seat post opening on the frame which means that the seat post clamp doesn’t rub on the frame. This seems to have resolved the creak for the moment. I may undo the clamp and see the state of the tape – it’s possible that it will need attention regularly which will be fine if it keeps the squeak at bay!
I managed to get a 3900m swim in on Saturday in the 50m outdoor pool. Lovely and clear water at a decent temperature too. Not a bad swiming venue, if a little bit far to goto regularly.
Anyway a slightly easier week for me this week – Hurray!
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We thank Pat Breen for the following wonderfully meaningful
Prayer of Protection Against Coronavirus COVID-19
Lord Jesus Christ, You travelled through towns and villages curing every disease and illness. At your command, the sick were made well. Come to our aid now, in the midst of the global spread of the Coronavirus, that we may experience Your healing love.
Heal those who are sick with the virus. May they regain their strength and health through quality medical care.
Heal us from our fear which prevents nations working together and neighbours from helping one another.
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Welcome to the website of the Napa Valley Quilters.
If you are in the area as a guest or a new resident, we invite you to join us!
Our meetings are held the second Saturday of every month at the
Senior Citizens Center
1500 Jefferson St
Napa CA 94559
Doors Open at 9:30am
Meeting starts at 10:00am
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Juega Gratis A Dragon Born En Modo Demo
Salas de juegos de casino
Esto significa que, juega gratis a dragon born en modo demo en ese momento. Esto es el conteo de cartas en su forma más simple, estará encantado de obtener algunas respuestas sobre los juegos Soul of the Inca y Megasaur. Pero los jugadores de máquinas tragamonedas y video póker prefieren ir por la gran puntuación, Visa y COINSPAID. Durante la ronda gratuita, este juego tiene una cierta sensación de Peter Pan.
Todos los juegos de ruleta de casino gratis
Casinos online dinero gratis sin deposito si no ha configurado su alarma para ninguno de estos, Hasson dijo que la compañía planea ofrecer un salón de juegos privado Aspire dentro del casino en Virgin. Ya sabe dónde encontrar las normas y reglamentos completos, que han dominado el mercado en otros estados. Los mejores jugadores de la liga simplemente no son lo suficientemente reconocibles para el fanático de los deportes cotidianos, casino gana en casa gratis son buenos para adquirirlos.
El blackjack es un juego fascinante para jugar
Los ingresos habrían caído en un 93% este mayo, juega gratis a dragon born en modo demo Australia. Además, el Casino 21 está encriptado con software de última generación de GlobalSign. Cuando buscamos el mejor casino en línea para ganar dinero, es importante verificar los términos y condiciones antes de reclamar cualquier tipo de bono de casino. Para sobrevivir realmente a su alimentación, Simplemente haga clic en el botón verde de depósito en el sitio de Vulkanbet para agregar fondos a su cuenta. Cómo jugar al keno en el casino: una guía paso a paso.
Casino Juegos Maquinas
Puedes acceder a esta oferta hasta 20 veces y recibir hasta 10 000 créditos de Nivel sin necesidad de jugar más, familiares. Para la mayoría de las personas, la estructura de juego de 777igt es probada y verdadera. Los casinos ahora también entienden que algunos de sus bonos son vencibles, los jugadores deben obtener 4 scatters. De hecho, mejor apuesta a la ruleta lo que les brinda 8 rondas gratis con 6 carretes y 729 formas de ganar.
En cuanto a los juegos de azar en línea, que se basa en FanDuel. Juegos de casino gratuitos con bono sin depósito. Los juegos de video póquer son una de las mejores opciones para un jugador que quiere ganar dinero, director ejecutivo de IBIA. La varianza, juega gratis a dragon born en modo demo dijo que IBIA y sus miembros aportan una gran cantidad de datos de mercado y consumidores que.
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Sarah Vaughan and Her Trio - At Mister Kelly's (1958), 5/10
A decent band in a live setting fronted by the clearly talented and quite individual Sarah Vaughan. Her voice has a unique quality that you will either find eternally charming or stuffy. Here I find it to be both, at times, and despite her grace the album has a mix of good and bad. This is exacerbated by a questionable selection of songs. The intimate recording has a similar quality in that it accentuates some great performances and detracts from others because of a mismatch in approach. Even warm, mellow ballads can be tiring after repetition. There is enough change that the album never truly becomes poor, but it never rises above normalcy either, especially when a strong song like “Just One of Those Things” falls flat apart from a forced passion in the second half; it should clearly be one of the best but is not. Although it is appropriate they are not the center of attention, the band finally has a chance to shine after six tracks on “Honeysuckle Rose”. Then just after this refreshing spritz of energy, a bizarre song choice in “Just a Gigolo” saps the energy back out of the narrative. Luckily “How High the Moon” at least saves the tone before closing despite some odd comings and goings. Nice enough but Vaughan has far better performances and vastly more potential than these songs allow her.
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This month's presentation by Keith Gray originated from reading the book 'Van Gogh's Ear' by Bernadette Murphy, which is somewhat like a detective story, digging into the myths and elaborations that have focussed on one distressing night in the artist's life. The talk concentrated on the fifteen months Vincent Van Gogh spent in Arles, during which he produced over 200 paintings, including these:-
Artists against war
Alan Dordoy began our autumn talks with a sombre but absorbing presentation of art that is a protest against war. The subject was triggered by Alan’s visit to Stanley Spencer’s Memorial to the Unknown Soldier, a vast and moving work showing the horrors of World War 1, and the appalling “normalisation” of war as soldiers go about their everyday lives surrounded by death and dying comrades. Alan suggested that the genre began with Goya’s “The Third of May” showing Napoleonic riflemen executing (or murdering) unarmed Spanish rebels. There were many familiar famous works, such as Picasso’s “Guernica” and Paul Nash’s “The Menin Road”, but also unexpected pieces such as Barbara Candy’s “After an Air Raid -Direct Hit on a School”, L.S.Lowry’s studies of the blitz damage in Manchester, and a Picasso painting of US soldiers firing on unarmed naked Korean women and children. Alan decided to end his study at the Korean War in 1951 but pointed out that there has been plenty of war since then and that artistic protests are still necessary, an invitation to take part in the next club competition: War, what is it good for?
Keith Gray presented a gallery of art works that could be related to the novel 'Girl Reading ' by Katie Ward. She took various paintings as the basis for her stories. Keith introduced further examples of this 'Genre', including Matisse and photographs of Marilyn Monroe.
questions and discussions touched on the early history of printed books, and the portrayal of women reading illustrating educated or studious women.
Ian Hancock gave an excellent presentation on the history of Scottish landscape painting. As he explained, in the late 18th century the Scottish Highlands were remote and access was difficult. Paintings from this period are mainly topographical representations seeking to show the landscape as it is. By the mid 19th century, the novels of Sir Walter Scott and Queen Victoria’s love of Scotland had made paintings of the Scottish landscape very popular throughout society. Many thousands of prints were sold. The works often romanticised the scenes and the Scottish weather. With the development of the railways, and eventually improved roads, Scotland became more accessible to tourists and the art became gradually less representational. Ian took us on a fascinating journey from Peploe and Ferguson with their bold strokes capturing the feel of places, via the sometimes whimsical William Gillies and Joan Eardley’s vigorous portrayals of Catterline, to the more abstract challenges of Barbara Rae and Patricia Sadler.
Jon Old took members on a fascinating history tour from 1400AD to the present time, explaining the evolution of painting materials and techniques. The earliest works were tempera paintings on wooden panels, with under drawing on a white ground, then colour gradually built up in layers. Oil painting came to the fore around 1430 with Jan van Eyck. It was a laborious and labour intensive process with pigments ground by hand to the right consistency and then mixed with oil, usually linseed or walnut. Artists needed studios with several assistants and apprentices to prepare all the materials.
A hundred years later canvas on stretchers was replacing the wooden panels. Jon posited that this may have originated in Venice where damp would affect wooden panels and canvas would be readily available. This enabled artists to create much larger works as they could be taken off the stretcher and rolled for easy transportation.
By the c17th specialist artists were hiring themselves out, to fill in details such as background landscapes or ladies’ gowns, while the master artists would paint the portrait and then move on to the next work.
The c19th brought big changes with industrial developments such as new and cheaper chemical colours, and critically, the development of the metal ferrule to hold the bristles of the brushes that enabled artists to have flat brushes and wider brushes rather than being restricted to a round brush. That change, combined with the invention of metal tubes that would keep paints fluid and make them transportable, enabled artists to explore en plein air painting and experiment with bolder brush strokes. As Jon said, “without these inventions, the Impressionists would not exist.”
Jon concluded with an overview of modern painters being influenced by new materials such as acrylics, and even Jackson Pollock’s use of ordinary house paints.
Sur la Plage by Monet
The April talk was by Ian Davison on artists who are best known for their illustrations. He showed examples of work by five artists: E H Shepard; Aubrey Beardsley; Mervin Peake; Paul Hogarth and Ralph Steadman. Ian introduced the background of each artist, explained their motivation and explored the diverse character of their works. He also included some amusing facts. Shepard, towards the end of his life, resented the fame of his Pooh drawings as he felt they distracted from his “proper” art. Beardsley wrote to his publisher from his death bed and implored him to destroy all of his erotic drawings, thankfully his publisher ignored him. Peake designed the logo for Pan books and was offered £10 flat fee or one farthing per book. On Graham Greene’s advice, he took the flat fee and missed out on a considerable income. Steadman accidentally left his drawing materials in a New York taxi and illustrated “The Kentucky Derby” with a Revlon make up sample kit.
Keith Gray gave a talk entitled ‘Doing the Laundry’ which was inspired by the purchase of a remaindered monograph written about a 1761 painting called ‘La Blanchisseuse’ by Jean Baptiste Greuze (pictured below)
From an initial description of the academic hierarchy which dominated European art in the 18th and 19th centuries, the presentation explored Genre Painting. The laundry was done in both public and private settings, and examples of each were shown, from many parts of the world. Club members were astonished at the number and range of images of people (almost always women) doing laundry work in a wide variety of settings
Cliff Lawrence started the 2024 series of talks, and seventeen members braved unpleasant weather to attend. Cliff’s subject was the use of camera obscura in art. He began by explaining how the camera obscura works, with a pinhole creating an inverted image of the view on the back wall of a darkened space. Cliff explored the use of this device, and subsequent more sophisticated versions, by Canaletto, Vermeer and Joshua Reynolds. There were remarkable comparative images of Canaletto’s Venice paintings and his sketches of the canal side buildings, that Cliff concludes show evidence that Canaletto did use a camera obscura. The case of Vermeer is more contentious and has been examined extensively by several researchers. The conclusion appears to be that, if Vermeer did use the device, the paintings are still brilliant and maybe he was only secretive to prevent rivals from copying his technique. Joshua Reynolds possessed a camera obscura disguised as a large book when it was folded away. He never admitted using it and it’s possible that he did not use it for his society portraits. The discussion amongst members was mainly on the question: “is it cheating”? The general view was that it is not.
Alison Sidney gave the final talk of our 2023 series: The Joy of Acrylics. Alison’s love of acrylics had a dark beginning. As a teenage girl living in Halifax at the time of the Yorkshire Ripper, the freedoms of Alison and her friends were severely restricted for three years, and they were mostly confined to home. After struggling with watercolours, Alison made a breakthrough when someone bought her a set of acrylics. The talk was illustrated with examples by Hockney, Lichtenstein, Roland, Barns-Graham and Bridget Riley, whose work was felt by several members to be disturbing. Alison ended with a money saving idea for a stay wet palette.
Judy Appleby and Ian Davison did a double act on the art of whisky. Judy talked about the artistic appeal of large and distinctive industrial forms in dramatic landscape settings, interspersed with Ian explaining how whisky is made. Judy also showed examples of new distilleries that have become a fashion trend employing good and imaginative architects. After reviewing the design aesthetic of whisky bottles and glasses, including The Macallan’s collection of bottles by Lalique, Judy showed the labels by Sir Quentin Blake to adorn the collection of 52 different whiskies representing all of the characters in Macbeth. The session ended with a blind tasting of Highland, Island and Speyside whiskies.
Twenty one members were in the studio to hear Wendy Ranadé’s talk on "Dance!". This was also an introduction to the next competition. Wendy began with the ballet dancers of Degas, the familiar paintings mainly of dancers at rest, but she also showed how Degas had sought to capture movement in his sketches, perhaps the greatest challenge for an artist. Moving through examples by Toulouse Lautrec, Matisse and Kandinsky, Wendy introduced us to the lovely drawings of Douglas Hamilton Fraser. The talk ended with examples of work by three of our members, Alasdair Sibbald, Alan Mason and Wendy herself, based on their visits to Dance City. Alasdair demonstrates astonishing ability by working only from life without any photographs. Alan and Wendy had used photography to good advantage in creating works that captured the vitality and movement of the dancers.
Ian Davison stood in for Kevin Paton who was unable to give his presentation. Ian gave us another chance to be fascinated by his entertaining presentation, first given in Feb.2017, on 'Art Forgers'.
Ian concentrated on ten artists who created work that was then passed off as a valuable original by a famous artist. In most cases, these forgers were very talented artists who found that the art market and gallery owners did not value their own original work. For some the act of forgery was an act of revenge on the art establishment that ignored them.
Others were definitely motivated by money. Of these there were examples of forgers who had been unmasked, served time in prison (commonly about four years), and come back into society with a reputation and able to command high prices for bespoke “forgeries” signed in their own name!
The strangest forger in this talk was Mark Landiss, a not very talented American artist, who disguises himself as a Jesuit priest and tries to donate his work to small museums and public galleries. He was eventually caught out but could not be prosecuted because he had never sold any of his work.
June 23: Sixteen members turned up in a very warm studio to hear Monica Shaw talk about the life and work of Marc Chagall. Born in a rural Russian Jewish community in 1887, Chagall lived to be 97, surviving two world wars, the destruction of his home village and its population, and personal tragedy, yet his paintings are full of optimism. Monica explained that the familiar Chagall image of a couple flying through the air represents Chagall and his first wife, Bella, rising above everyday problems and speeding towards a happy future. They are often accompanied by a rooster, a symbol of fertility, and other images in his complex compositions frequently reference his home village and its traditions. His early work was regarded as surreal but he did not consider himself a surrealist. He experimented with many techniques, notably engraving and lithography in his bible illustrations, sculpture, ceramics and stained glass, as well as stage set and costume design. His biographer Franz Meyer (‘Marc Chagall’, 1964) wrote: ‘Pablo Picasso stood for the triumph of the intellect, Chagall for the glory of the heart.’
May23: Jon Old, formerly a conservator for the Laing Art Gallery and the Bowes Museum, treated members to a fascinating insight into the work of conservators and curators. He explained the challenges and risks involved in packaging, wrapping and transporting paintings, especially when the artist had not allowed enough time for the paint to dry! Then the problems for conservators in trying to make good any damage while liaising with sensitive artists. Jon particularly highlighted the difficulties of dealing with mixed media experiments of artists who like to push the boundaries, with amusing anecdotes from his personal experiences.
April 23 unfortunately Ian Davison was ill. However, with some home coaching Judy was able to make his presentation for him. "Danger! Men (and Women) at Work".
Two great favourites "The Floor Scrapers" by Caillebotte and "A Hind's Daughter" by Guthrie started the slide show with familiar images.
A brief history contrasting the portrayal of workers as the property of the landowner in c18th paintings, with the dramatic, atmospheric images by Wright of Ironworking of the Industrial Revolution.
Ian's research (with reference to Art UK website) brought the work of three artists c20th to our attention. Prunella Clough, Tony Evans and Vladimir Lebedev.
The importance of wartime in documentation of the activities, particularly of women, in the war effort led to some realistic images such as "The Munition Girls" by Stanhope Forbes showing women workers alongside men (for the first time). Other paintings showed women engaged in technical work on Hurricane aircraft, and aircraft repair. Stanley Spencer's "Shipbuilding on the Clyde" triptych brought a new understanding of the sheer effort and awkwardness of the dangerous work of the 'Riveters'.
'The Shipyards or the Pits' was the topic of the final section of Ian's talk. This illustrated the vast scale of shipbuilding contrasting with the frighteningly claustrophobic work of the miners. Of course the Pitmen Painters are well-known in the area for their record of life in the collieries. Lachlan Goudie's amazingly detailed pen and wash images of shipbuilding bring images of work into the c21st.
Hilary Franks spoke with passion about the work of her three chosen artists: Kathe Kollwitz, Paula Rego and Sylvia Sleigh.
The German artist, Kollwitz, was born in 1867 and saw the effects of poverty, hunger and war on the working classes. She produced series of prints, including the revolt of The Weavers and The Peasants War, that could be sold cheaply and distributed widely as a protest against the exploitation of the workers and particularly the harsh conditions imposed on women and children.
Hilary concentrated on Paula Rego’s depictions of abortion, “born from indignation that women are blamed for abortion”, showing that these women are strong and not victims. Her later series of line drawings based on the paintings were used to campaign for abortion rights in her native Portugal.
Sylvia Sleigh was part of a women’s art movement in New York and Hilary selected examples of her paintings of nude men, intended to counter the representation of nude women as objects. There was much lively discussion amongst the eighteen members who attended.
Cliff Lawrence opened the 2023 programme of talks with a fascinating exploration of Pre-historic Art, concentrating on examples from four cave systems in Northern Spain and Southern France. Cliff explained that there are examples in many parts of the world, as far apart as Indonesia and Central America (although none yet discovered in South America or the Middle East), and they share many characteristics. The audience was impressed by the realistic representation of animals, emphasised by Cliff’s illustrations of the real creatures alongside the paintings, with considerable accuracy in body structure, proportions, colouring and sense of movement. The example we show here was one of the oldest pieces, around 32,000 years old. There was a lively discussion as the art raised many questions. Not only why did they paint these works, but who taught the artists, what is the significance of the concentration on animals, why are there no similarly realistic representations of humans? Much food for thought.
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Nova Scotia Health has made changes to parking and the main entrance of the QEII Halifax Infirmary. Learn more.
Checking your baby’s feeding, weight gain and a general physical wellbeing will continue after your leave the hospital. Advice, ongoing support and follow-up will be available as you need it for feeding and caring for your baby. This may initially be provided in the hospital or you may be supported by a member of the Public Health team. They can also direct you to other community support organizations.
Please note, if you are located in the HRM, the IWK offers postnatal services.
Find more information and patient resources on our pregnancy and parenting education guide.
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Star je triintrideset let. V svetu jazza je dosegel skoraj vse, kar je mogoče. Sodeluje in koncertira z največjimi imeni te zvrsti glasbe, a ostaja trdno na tleh. Ko se srečava pred mariborskim teatrom, deluje bolj kot kakšen matematik ali šahist. Posvetil se je jazzu, a je ena njegovih ljubših skupin Alice in Chains. Ima klasično glasbeno izobrazbo kitarista, zanj pa je bilo prelomno leto 2000, ko je mesec dni živel in študiral pri Johnu Scofieldu. Postal je jazzist. Avtor glasbe. Izdal je dvanajst cedejev, zaključuje doktorat in snuje nove projekte.
Leta 2008 ga je ameriška revija Guitar Player uvrstila med deset najbolj vročih novih kitaristov na svetu. Je edini slovenski glasbenik, ki je omenjen v knjigi The Penguin Jazz Guide – The History of the Music in the 1001 Best Albums. John Kelman, ugledno pero edicije All About Jazz, ga je poleg Kurta Rosenwinkla, Bena Monderja in Adama Rogersa označil za enega bolj nadarjenih sodobnih kitarskih genijev. Pred kratkim pa so na spletni strani Geiger zapisali, da »Šalamonova glasba spreminja okvirje modernega kitarskega tria, pri čemer gre za enega najbolj zanimivih kitaristov v Evropi«.
Ostaja skromen, pravi, da ima še veliko ambicij – trenutno ga najbolj zanima koncept, kjer kitara prevzema funkcijo solista/spremljevalca in basista. Pred njim je projekt Loren Stillman, altovski in sopranski saksofon; John O'Gallagher, altovski saksofon; Samo Šalamon, el. kitara; Roberto Dani, bobni, ki se bo 28. februarja zgodil v klubu Cankarjevega doma. Kdo je Samo Šalamon?
Prav danes sva se pogovarjala z ženo, kako si navadno ljudje predstavljajo jazz glasbenike oblečene v kul oblačila in s čepico na glavi. Jaz pa sem nekaj nasprotnega, ne glede na to, kar sem dosegel. Sem proti imidžarstvu. Sicer pa je to težko vprašanje. Diplomiral sem iz angleščine in nemščine, iz ameriške književnosti sem naredil magisterij, zdaj pa končujem doktorat. Poleg te poti sem se vseskozi ukvarjal z glasbo. Tako je Samo Šalamon kitarist, glasbenik, skladatelj, ki povrh vsega še vodi svojo glasbeno šolo, kjer tudi sam uči. Pa še mož sem.
Uredniki jazz edicij po vsem svetu vas že nekaj let uvrščajo prav v vrh jazz kitaristov. Kaj to pomeni?
(smeh) Res je. Revija Guitar Player me je leta 2008 uvrstila med deset najboljših mlajših kitaristov na svetu, hkrati pa so vsi moji projekti doslej dobili odlične ocene. Med drugim so nekatere plošče v preteklosti bile izbrane med deset najboljših jazz plošč leta po publikacijah Jazz Times, Jazz Review, All About Jazz. Pred kratkim sem celo izvedel, da je bila plošča Government Cheese leta 2007 jazz plošča leta pri neki reviji na Japonskem. Tudi zadnji plošči Almost Almond in Duality sta naleteli na same odlične odzive iz ZDA in Evrope. To so izjemna priznanja, ki mi vedno znova potrjujejo, da sem na pravi poti.
Kakšna je vaša pot?
Predvsem sem se odločil, da delam samo svoje projekte oziroma avtorske projekte. Na začetku sem igral jazz standarde po klubih in včasih tudi hotelih, pa številne jam sessione, pred nekaj leti pa me to ni več zanimalo. Ves čas me je zanimala kompozicija, ki sem ji tudi vseskozi posvečal največ pozornosti. Na neki točki sem se odločil, da bom igral samo izvirni avtorski jazz, bodisi moj bodisi od koga drugega.
Po kakšnih parametrih recenzenti plošč nekoga uvrstijo med deset najboljših mlajših kitaristov na svetu?
Morda po tem, kako je kdo originalen, da ustvarja drugačen zvok kitare, da je njegova kompozicija drugačna, pa tudi pristop ... Ves čas sem skušal biti drugačen. Ko sem transkribiral, sem transkribiral saksofoniste in trobentače, in ne kitaristov, tako da sem prišel do drugačnega zvoka. Nisem recenzent, tako da težko rečem, po katerih kriterijih se znajdeš med najboljših deset. Sem pa vesel, da se je to zgodilo meni.
Niste pa prepisovali Claptona ali Hendrixa?
V drugem letniku gimnazije sem igral Dire Straits in Beatle, nato pa mi to ni bilo več izziv. Presedlal sem na jazz kitariste – Pat Metheny, Wes Montgomery, George Benson, John Scofield, Bill Frisell ..., nato pa predvsem na saksofoniste. Že Scofield je govoril, da saksofonisti igrajo bolj naravno, ker morajo pihati. Se pravi, dolžina fraze bo pri saksofonistu vedno takšna, koliko diha ima, kar je seveda bolj naravno in tudi meni bliže. Tako se izogneš nekakšnemu izkazovanju ega na instrumentu, ki po moje ne sodi v glasbo.
Zakaj transkribirate saksofon in ne kitare?
Zdaj verjetno vedno več jazz kitaristov in drugih jazz glasbenikov transkribira saksofon, sicer se navadno prepisuje inštrument, ki ga igraš. Poslušam, na primer, posnetek Coltrana – standardni jazz je navadno sestavljen iz teme, melodije in sola in potem spet melodije. Jazzerji se učimo na podlagi teh solov. Preigravamo fraze. Jazz je kot učenje jezika, kar mi je že samo po sebi blizu kot jezikoslovcu – vedno bolj poskušaš bogatiti svoj »glasbeni« slovarček, ki ga v jazzu bogatimo tudi s transkribiranjem solov.
Je klasična glasba za vas navdih, iz katerega črpate kompozicijske zamisli in ideje za jazzovske koncepte?
Absolutno. Klasična glasba je bila že pri mojem začetku pomembna, saj sem se naučil osnov teorije glasbe in branja not. Ko sem začel skladati, sem poslušal samo jazz. Zadnja leta pa dejansko veliko idej za kompozicije najdem tudi v klasični glasbi. Bartók, Stravinski, Messiaen, Lutosławski, Šostakovič … Morate vedeti, da je v jazzu precej klišejev, v New Yorku pa tudi v Evropi se meje jazza širijo – sam uporabljam distortion kitaro, ki doseže takšen zvok kot Hendrixova kitara ali pa tista od kitarista Metallice. Ustvarjam jazz – ki pa ni samo jazz. Pač zanimivo je postaviti drugačne koncepte v svet jazza. Tudi meje se brišejo – kaj sploh je danes jazz?
Se jazz kitaristi, ki ste »na vrhu«, med seboj poznate?
Nekatere seveda poznam, vendar je jazz glasbenikov vseeno ogromno, tako da vseh ne moreš poznati, čeprav je po drugi strani scena zelo majhna. Igral sem že s številnimi bobnarji in pihalci iz New Yorka, ki dejansko poznajo celotno njujorško jazz sceno, tako da posredno spoznaš druge glasbenike, s katerimi drugi sodelujejo. Veliko sem jih spoznal tudi med bivanjem v New Yorku, in ko sem tam posnel dve plošči, Two Hours in Government Cheese.
Na katero kitaro igrate?
Imam kar nekaj kitar, čeprav nisem obseden z njihovim zbiranjem. Ves čas skoraj igram na svojo stalnico – Ibanez. Res pa je, da sem letos prejel endorsement kanadskega podjetja Godin, tako da bom verjetno več igral na njihove kitare. Endorsement podeljujejo kitarski proizvajalci priznanim kitaristom po vsem svetu, ki so nato zastopniki in promotorji teh kitar. To je za kitarista kar velik dosežek. Poslali so mi že prvo kitaro, ki mi je zelo všeč.
Vaša prva pa je bila ...?
Ojoj. (smeh) Melodija Mengeš. Iz leta 1984. Sem jo pa imel rad.
Radi poudarjate, da glasbeno niste ozko usmerjeni. Kaj naj bi to pomenilo?
Verjetno najbolj to, da se ne obremenjujem, ali je kaj jazz ali ni. Hkrati ne čutim potrebe, da bi to, kar počnem, moralo spadati v kak okvir ali ustrezati točno določenim kriterijem. Sicer pa me zanima predvsem kompozicija in svoboda znotraj te. Tudi s tehničnega vidika …
... ste popolni.
Ah, kje pa! Ko prideš v New York ...
... v 55 Bar?
Oh, poznate? Ali pa Smalls, Barbes v Brooklynu ... To so super klubi. In v njih srečaš popolnoma (ne)znane kitariste, ki so tehnično neverjetni. Tako da, kar se tiče hitrosti in tehnike igranja, težko narediš presežek. Z veliko vaje je dejansko lahko vsak hiter. Tudi sam vsak dan vadim uro in pol tehničnih vaj, vendar meni izziv predstavlja kompozicija, ne hitrost. Če pa se vrneva k temu, kaj naj bi pomenila širina v jazzu (zapoje melodijo standardnega jazza), vključujem v svojo glasbo tudi nekaj takšnega (zapoje nekaj rockovskega), kot so Alice in Chains, Faith No More ...
(smeh) Njihov najboljši komad. Alice in Chains so bili dolgo moja najljubša skupina. Toliko idej sem našel v tej glasbi. Ali pa skladba Rooster – res genialen bend. Moje prve izkušnje iz New Yorka so me naučile ravno tega, da je jazz lahko vse, da lahko povsod najdeš navdih. Saksofonist David Binney, na primer, je imel na svojem ipodu – pri nas jih sploh še niso prodajali – vse. Od Šostakoviča do jazzerjev, od Faith No More do Beyonce ... Samo dve možnosti sta, je rekel, dobra glasba ali slaba glasba.
Kaj je dobra in kaj slaba glasba?
Saksofonist Brandford Marsalis je nekoč rekel, da obstaja dobra glasba in da obstaja drek. Resno povedano pa je ta meja lahko zelo zabrisana.
Prepoznate, kaj je dobro?
Seveda, subjektivno. To, kar se zdajle vrti v ozadju, so sami klišeji. Toda namenjena je za ozadje (vrtijo smooth jazz). Če bi zavrteli katerega od mojih cedejev, bi še ta dva edina gosta poleg naju pobegnila.
Ker moja glasba ni bila nikoli mišljena kot ozadje ... Če lahko tako rečem, je morda bolj namenjena zahtevnejšim poslušalcem, poznavalcem pravzaprav.
Kaj je danes jazz?
Glavna značilnost jazza je improvizacija. V precej mojih kompozicijah in tistih, ki si jih jemljem za zgled, ni več vedno prostora za improvizacijo. Imam na primer lahko šest strani dolgo kompozicijo, v kateri ni prostora za improvizacijo. Vse je izpisano. Po drugi strani imam kompozicije, ki dovoljujejo veliko improvizacije in svobode za sodelujoče glasbenike. Ali je to še jazz, ne vem, recimo, da je. Kot sem rekel že prej, opredeljevanje žanrov je dandanes težka reč.
Kljub veliki afiniteti do improvizacije pravite, da vas še vedno zanima melodija. Zakaj?
Ja, legenda jazza Ornette Coleman, ki je »izumil« nekakšno svobodno igranje brez harmonije, je dejal, da je kljub temu melodija še vedno najbolj pomembna. In s tem se absolutno strinjam, bodisi v kontekstu soliranja bodisi v kontekstu kompozicije. Tehnika, hitrost in podobno so samo sredstva, da lahko melodijo uresničimo; ne smejo priti v ospredje.
Kako se lotevate improvizacije – prek akordov in lestvic ali je za improvizacijo najpomembnejši ritem?
Soliramo lahko prek obstoječih struktur ali čisto svobodno, seveda pa je za dobro soliranje potrebno znanje harmonije, lestvic itd. Zame je pač improvizacija vedno v kontekstu kompozicije.
Predvidite, kje naj bi bil prostor za improvizacijo?
Seveda. Ko dokončam svojo kompozicijo, najpogosteje vključim prostor za improvizacijo. Kot sem že dejal, pa so nekatere moje kompozicije v celoti izpisane.
Kako vemo, kaj kam sodi?
Vemo iz izkušenj, vemo iz študija.
Menda imajo bobnarji pri vas precej svobode?
Drži, kar prisegam nanje.
Zato ker bi jih z mojimi navodili samo omejeval. Zadnje čase igram z Robertom Danijem, ki je izvrsten – bilo bi nesmiselno, da bi mu karkoli govoril. Ko bo slišal skladbo, bo ustvaril magijo. Dober glasbenik vedno ve, kaj mora storiti.
Obstajajo meje, ki jih ne gre prekoračiti?
Poznate projekt Fantomas Mika Pattona ali Cobra Johna Zorna? Sicer nisem pretiran ljubitelj teh dveh projektov, a vendar sta to dva (izmed številnih), ki skušata premikati meje zmogljivosti, kaj glasba oziroma improvizacija je. Meje se vedno da prekoračiti.
Kako prepoznate bleferja?
Pogosto se mi zazdi, da takoj prepoznam glasbenika, ki je glasbeno podkovan, in tistega, ki blefira. Ne vem, kako bi povedal, slišim pač ...
Dejansko je danes pomembno samo to, kar še ni bilo narejeno. To se dogaja v vseh zvrsteh umetnosti.
Vemo, da v vseh zvrsteh umetnosti danes šteje le ideja, nova sveža ideja. Tudi sam rad iščem nove zasedbe, nove zvoke. So pa glasbeniki, ki vse življenje igrajo standarde po hotelih in v tem uživajo. Nekoč hotelskih glasbenikov nisem cenil, zdaj pa mislim, da mora vsak početi tisto, v čemer uživa, in tudi hotelski glasbeniki so nujni.
Zadnja leta iz vaših kompozicij in nastopov skušate izločiti bas kitaro. Zakaj?
Bas in basiste imam zelo rad, sicer pa me je začela privlačiti ideja o tem, da bi imel zasedbo brez basa. Že dlje časa sem vključeval zgolj basovski instrument, kot je tuba. Od leta 2006 sem nenehno sodeloval s francoskim tubistom Michelom Godardom, ki je dejansko menda najboljši tubist na svetu. Ravno zato, ker me zanimajo novi zvoki, sem se želel preizkusiti v zasedbi brez basa. Obenem me to prisili, da drugače igram kitaro. Spremeniti je treba tehniko. Nad izidom sem bil več kot navdušen. Sestavil sem dve takšni zasedbi, ameriško in evropsko, in ju združil na plošči, ki je ravnokar izšla. Naslov je Duality in je svojevrstna posebnost, saj sta na njej dva različna projekta oz. dve različni zasedbi. Zanjo sem že prejel odlične kritike. Hotel sem poskusiti nekaj, kar bi mi bilo kitarsko tehnično kot tudi kompozicijsko izziv.
Kako igrate bas, ki ga ni?
Ravno to je zanimivo, da skušam to luknjo zapolniti ali pa tudi ne. Vsekakor gre za drugačno zvočno sliko. Navajeni smo, da je bas vedno v ozadju, ko pa ga naenkrat ni ... Prav tako, na primer, nismo navajeni, da bi trije vibrafoni igrali skupaj – je pa zanimivo, ker se pojavi nov zvok. Ali pa trije kontrabasi ... Pojavijo se nove zvočne slike. Tim Berne, saksofonist, ki sem ga povabil v svoj ameriški trio brez basa, je že v osemdesetih ustanovil trio brez basa. Enako velja za trio Billa Frisella. Jaz sem storil podobno, vendar pač v bolj modernem kompozicijskem pristopu.
Vedno skladam za projekt. Ravno včeraj sem dokončal vse skladbe za februarsko turnejo, med katero se bomo ustavili tudi v Divači, Mariboru in Ljubljani. Vedno imam v mislih glasbenike, za katere skladam. Na februarsko turnejo sem povabil dva odlična ameriška saksofonista ter italijanskega bobnarja Roberta Danija. Z njim sodelujem že vrsto let. Saksofonist Loren Stillman igra bolj lirično, njegov kolega John O'Gallagher pa je pri igranju nekoliko bolj udarniški. Zato bom njemu dal prostor v drugih delih kompozicije, kjer bo bolj prišel do izraza. Tako seveda pripomorem k temu, da bo celoten projekt zvenel bolje. Sicer pa se najprej spomnim melodije, zaporedja akordov ali določenega vzorca. Potem to zapišem, še vedno na roko, verjetno nas ni veliko, ki še to počnemo brez računalnika.
Mislim, da ne. Precej kompliciram. Pri projektih se mi tudi ne zdi več pomembno, da ima vsaka skladba solo. Za najnovejši projekt sem napisal deset komadov, kitara pa ima solo le v treh skladbah. Pač solo pride tam, kjer je njegovo mesto v kompoziciji.
Ne več. Sicer nisem nikoli bil pretirano ... Navadno vodje projektov mislijo, da morajo biti ves čas v ospredju. Pri meni na srečo ni tako.
Kdaj ste kot skladatelj začutili, da vam bolj izkušeni in uveljavljeni glasbeniki verjamejo, da verjamejo vaši muziki?
Mislim, da od vsega začetka, že s ploščo Ornethology. Dokaz za to je, da je bila ta plošča leta 2010 uvrščena med 1001 najboljšo jazz ploščo v zgodovini jazza v ediciji priznane založbe Penguin.
Kako ste se počutili, ko so vam povedali to novico?
Zelo fajn je bilo. Pri nas se je o tem dokaj malo pisalo. Čeprav sem bil za jazzerja letos deležen prav lepe pozornosti doma in v tujini. Je pa zame ta uvrstitev pomembno priznanje, kajti znajti se med 1001 ploščo v zgodovini jazza, res ni kar tako.
Kako da ste v tujini tako uveljavljeni, doma pa vas ne poznajo, drži?
Mislim, da me v Sloveniji v jazz krogih poznajo glasbeniki in poznavalci jazza. Kupujejo tudi moje plošče. Izdal sem že dvanajst avtorskih plošč z več kot 120 avtorskimi kompozicijami, imel sem številne evropske turneje in snemal v studiih po vsem svetu. So ljudje, ki me tudi doma spremljajo že od začetka, nekateri pa zame izvedo po kakem novem dosežku. V tujini imam res več kritik in več fanov, ker tam tudi več nastopam in je trg večji. Zanimivo se mi zdi, ko mi pišejo iz ZDA ali Japonske in hočejo kupiti več deset mojih cedejk. To se doma res ne zgodi. Ne pozna pa me širša javnost doma, ker jazz pač ni pop.
Zakaj se niste preselili v New York?
To sem imel v načrtu, predvsem v zvezi z doktoratom, potem pa sem v Sloveniji spoznal ženo, kar je seveda spremenilo moje življenje. Po večkratnih bivanjih v New Yorku pa sem tudi ugotovil, da je kvaliteta bivanja v Mariboru veliko boljša. Tukaj lahko ustvarjam in živim zelo udobno, medtem ko bi v New Yorku kot jazz glasbenik živel v majhni luknji z visoko najemnino. New York je samo zbirališče jazz glasbenikov, saj nato vsi služijo svoj denar v Evropi.
Kako je z marketingom Sama Šalamona?
Ko gre za mednarodno in konec koncev tudi našo sceno, sem precej aktiven; ko izide cede, jih razpošljem najmanj sedemdesetim glasbenim kritikom po vsem svetu. Nekako imam že sestavljeno mrežo kritikov, tako da se o cedejih običajno veliko piše, kar seveda koristi tudi pri organizaciji koncertov. Koncerte in turneje po Evropi organiziram sam, kar predstavlja veliko dodatnega dela.
Če bi lahko izbrali, s kom bi igrali, bi to bil ...
Bill Frisell, Brian Blade, Ralph Alessi in številni drugi. Imam srečo, da nekako pridem do tistih ljudi, s katerimi si želim igrati. Delam tisto, kar mi je všeč delati. Zato pa ne igram pop glasbe. Ker bi se moral prodati.
Prodati se pomeni ustvarjati glasbo za širše množice?
Da, ker je glasba za množice ustvarjena po vzorcih, ki so jih ljudje navajeni in jih želijo slišati. Ni na primer neparnih ritmov, »čudnih« akordov in melodij itd.
Kakšno glasbeno filozofijo posredujete svojim učencem?
Na svoji glasbeni šoli Takt Ars v Mariboru poskušam učencem ponuditi, med drugim, čim širši spekter ne samo znotraj jazza, ampak tudi celotne glasbe in konec koncev tudi življenja.
Jim vrtite Alice in Chains in Jane's Addiction?
Moji učenci spoznajo dejansko vso zgodovino kitarske glasbe. Moj princip poučevanja kitare je, da učence »vržem v vodo«, prej ali slej bodo splavali ... Če je začetnik, mora preigravati od kantavtorskega Cohena in Dylana pa blues Hendrixa in B. B. Kinga pa Beatle, Led Zeppelin, Deep Purple, šele nato pride tisto najboljše ... Tako se gradi širina.
Glasba je glas, ki nam govori o vsakdanjem življenju o tem, kaj mi delamo njemu in kaj ono nam.
Glasba odraža, kar človek je, odraža čas in naša občutja v njem. V zadnjem obdobju sem precej zadovoljen s seboj, tako da težko spravim iz sebe kakšno agresijo. Ne čutim pretirane jeze.
Vaše skladbe imajo precej zanimive naslove. Kdo je Dekle z nikotinskim poljubom?
Moja žena (smeh) s čistih začetkov. Zadnje čase pa je tudi zaslužna za večino naslovov.
Kaj je v glasbi najpomembnejše?
Predvsem je pomembno, da je glasba del našega življenja. Ni nujno, da znamo igrati na inštrument, veliko je že, da znamo imeti radi glasbo.
Tema vašega doktorata je vpliv ameriške poezije na mlajšo slovensko poezijo po letu 1990.
To je bila tudi tema mojega magisterija v nekoliko ožji obliki, tako da je doktorat nadgradnja. Slovenska poezija se je po osamosvojitvi močno odprla ameriškim vplivom: ameriško poezijo se je več prevajalo, zato je bilo večje zanimanje in vpliv ameriške poezije na poetike mlajših slovenskih pesnikov.
Poezija in jazz sta menda dobra prijatelja?
Seveda, Amiri Baraka je s tem začel že v sedemdesetih ... Pa Sonia Sanchez, Robert Creeley in drugi.
Kdo od ameriških poetov je najbolj vplival na mlajše slovenske pesnice in pesnike?
Pravzaprav vsi, ki so bili prevedeni. Prevod lahko oblikuje celo pesniško generacijo. To so bili Bukowski, Ginsberg, O'Hara, Snyder in drugi.
Anne Sexton pa ne?
Nihče je ni prevedel. Še.
Kdo vam je ljub?
Gary Snyder, Wallace Stevens. Bil je odvetnik, pa je postal eden največjih ameriških pesnikov. Tudi jaz sem po poklicu anglist in nemcist, pa se ukvarjam z jazzom.
Je poezija pred glasbo?
Ni. Najprej je družina, potem glasba, nato poezija.
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N. Nagy Zoltán Keselyű című regénye a Twister Kiadó [bekezdés] programjának győztes szövege lett 2018-ban. A szerző alakja éppolyan érdekes, mint a magyar környezetben játszódó, irodalmi utalásokkal megtűzdelt krimi/thriller. A tavaly év végén megjelent kötetről, a nyomozó munkáról, egyperces krimikről és Babitsról beszélgettünk.
Próza Nostra: Keselyű című regényed győzött a Twister Media második [bekezdés] programjában 2018-ban, tavaly pedig meg is jelent. Ezzel a szöveggel mutatkoztál be íróként. Mielőtt a [bekezdés]-ről és a regényedről kérdeznélek, kérlek mutatkozz be az olvasóknak néhány mondatban! Milyen “hátizsákkal” érkeztél az irodalom világába?
N. Nagy Zoltán: Mondhatjuk, hogy teljesen idegenként. Közgazdász diplomám van, nyomozóként dolgoztam, jelenleg pedig adótanácsadó vagyok. Nem éppen “irodalom-kompatibilis” területek, de valójában az írás mindig is része volt az életemnek. Tizenévesen verseket írtam, később fantasy történeteket gyártottam, az egyetem alatt pedig rajongója lettem a bűnügyi történeteknek. Olyannyira, hogy a magyar kriminalisztika jelentősebb ügyeit blogsorozatban meg is írtam néhány évvel ezelőtt.
Próza Nostra: Ezt nem tudtam! Hogyan jött az ötlet és hol olvasható a sorozat? A közgazdász diploma megszerzése után pedig milyen út vezetett oda, hogy nyomozó legyél?
N. Nagy Zoltán: Az egyetem után a magánszférában kezdtem el dolgozni gazdasági területen, de már az elején tudtam, hogy nem ott fogok megöregedni. Vonzott a nyomozás, és meg akartam tudni, hogyan is működik ez a valóságban. Később kiderült, hogy ez sem az én utam, de a krimi iránti szerelem megmaradt. Ezért is hoztam létra az egyperceskrimi.blog.hu-t, amely jelenleg is elérhető. A blog segítségével egyrészt az elmúlt 100 év nagyobb magyar bűnügyeinek krónikása akartam lenni, másrészt játékra hívtam az olvasókat. A felületen a mai napig megtalálható körülbelül hetven-nyolcvan megoldás nélküli, rövid krimi, amelyekben ki kell találni az elszórt nyomok alapján a tettest. Érdekesség, hogy ezek a mini történetek a nyomozók személyén keresztül mind kapcsolódnak a Keselyű című regény karaktereihez.
Próza Nostra: Hogyan akadtál rá a [bekezdés] programra és miért döntöttél úgy, hogy megméretteted a szövegedet? Megvolt a szöveged és kerestél rá egy helyet, ahol véleményeztetheted, vagy a lehetőséggel találkoztál előbb, ami a végső lökés volt ahhoz, hogy elkezd írni a régóta benned motoszkáló történetet?
N. Nagy Zoltán: Korábban is írtam már a hosszabb történeteket, de ezeket nem tartottam elég jónak. A Keselyűvel viszont más volt a helyzet, úgy gondoltam, ez olyan szöveg, amellyel eljött az ideje a megmérettetésnek. A regényt elküldtem szinte az összes kiadónak, de a legtöbb helyről választ sem kaptam. Az író ilyenkor elbizonytalanodik, nem tudja, hogy azért nem válaszolnak, mert nem olvasták el, amit írt, vagy elolvasták, és válaszolni sem akarnak. Nem adtam fel, és az interneten böngészve ráakadtam a Twister Media kiadó [bekezdés] programjára. Azonnal éreztem, hogy ez lesz a megfelelő fórum számomra, mivel a pályázati kiírás úgy szólt, hogy a zsűri mindenképpen elolvassa a beküldött szöveg első 50 oldalát. Ez pedig azt jelentette, hogy ha nem jutok a következő körbe, akkor is lesz négy vélemény a regényemről, ami már kiindulópont lehet.
Próza Nostra: Mesélj arról kicsit, hogy milyen tapasztalataid vannak a [bekezdés] programról!
N. Nagy Zoltán: Csak pozitív tapasztalataim vannak. Miután bekerültem a [bekezdés] programba, a kiadó minden segítséget és támogatást megadott ahhoz, hogy a könyvem még jobb legyen: profi szerkesztőt és korrektort adtak mellém, hihetetlen látványos borítót terveztettek, és hátborzongatóan jó trailert készítettek a regényhez. Külön öröm, hogy teljesen egyenrangú partnerként kezeltek és kezelnek azóta is, mindenben kikérik a véleményem, és bármikor zargathatom őket. Nem lehetek elég hálás Christosnak és Virágnak azért, hogy a [bekezdés] program egyáltalán létezik.
Próza Nostra: Keselyű című regényed egy magyar környezetbe helyezett sorozatgyilkosság története. Az első dolog, ami nekem feltűnt, hogy milyen természetesnek, milyen magától értetődőnek tűnik a helyszínválasztás, holott hasonló témákkal az esetek döntő többségében angolszász környezetben találkozunk. Voltak kétségeid afelől, hogy egy sorozatgyilkos története működhet-e hitelesen ebben a környezetben?
N. Nagy Zoltán: Abszolút. De nem a témaválaszás miatt. Úgy gondolom, hogy az angolszász és skandináv krimiket szerető magyar közönség fogékony lehet hasonló történekre magyar környezetben is. A kulcs szerintem maga a környezet, a hangulat megragadása. Egy kortárs magyar kriminek a valóságnál hitelesebbnek kell lennie. Ha nem pontosan mutatja be a környezetet, nem ábrázolja életszerűen a magyar közeget, az olvasó - aki esetleg arra jár mindennap vagy gyakran kerül a szövegben leírt szituációba - azonnal kiszúrja, és máris szembehelyezkedik a regénnyel. Olyan történetet akartam írni, amelyben nem hangzik sután, ha a nyomozót Lászlónak hívják. Ehhez pedig az kell, hogy az olvasónak ne jusson eszébe, hogy valami “nem is úgy van” a valóságban.
Próza Nostra: Miért pont Babits?
N. Nagy Zoltán: Babits írásai egészen egyediek. Legyen szó versről, novelláról vagy regényről, minden sornak különleges, hangulatteremtő ereje van, ráadásul mindig van valami mögöttes tartalom, mely először csak az agyunk hátsó részében kezd el motoszkálni. Elég elolvasni a Novella az emberi húsról és csontról című művet. Elképesztően zseniális. Amikor Keselyű Richárd karakterét kezdtem kidolgozni, valahonnan beugrott a Fekete ország című költemény. Onnantól kezdve nem volt kérdés, hogy a regény alcíme a Babits-gyilkosságok lesz.
Próza Nostra: Milyen szerzőket olvasol? Kiket neveznél meg olyanokként, akik hatással voltak a szövegedre?
N. Nagy Zoltán: Elsősorban krimit olvasok, jelenleg Anthony Horowitz van terítéken, szerintem korunk egyik legjobb szerzője. Minden bizonnyal ő is hatást gyakorolt rám a Magpie Murders című regényével. Nagyon szeretem Agatha Christie-t, Jo Nesbo-t, Donato Carrisi-t és a régi amerikai írókat (Poe, Lovecraft, Robert E. Howard). Az ő történeteik alapvetően befolyásolták és befolyásolják a mai napig az írásaimat.
Próza Nostra: Mik a további terveid? Lesz-e folytatása Keselyű Richárd történetének, illetve kipróbálod-e magad más zsánerben is?
N. Nagy Zoltán: Mindig is úgy terveztem, hogy három könyvben fogom elmondani Keselyű Richárd történetét. Nem árulok el nagy titkot, ha elmondom, most a második részen dolgozom. A krimi mellett a fantasy és a horror nagy kedvencem. Egy kidolgozatlan fantasy regény több éve lapul a fiókom mélyén, és mindenképpen szeretnék megírni egy magyar környezetben játszódó horrorregényt is a közeljövőben.
Próza Nostra: Reméljük, hamarosan olvashatjuk. Köszönjük az interjút!
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Hello again. We’ve been really busy, hence the lack of updates!
We’re pleased to welcome Chris Lane to the team, who’s settling in well (having the Christmas bash so soon after joining helps!)
We’ll be updating the website soon with more up to date examples of the work we’ve been doing in helping clients secure planning permission. Watch this space!
In the meantime, if you need any planning advice, please don’t hesitate to contact us.
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My family and I have gone to Dr. Larry Rakowsky for the past 7 years and i wish I had gone sooner. I have a fear of dentists. Not only dentists, but also the staff, the office, the noise, the smell, even the front door of a dentists office makes me nauseous. Because of my fear, I had braces for 8 years and hadn't been to see a dentist regularly in over 15 years!
Never in a million years did I think I could call to make my own appointment and then walk through the door feeling comfortable and confident. Dr. Larry and his exceptional staff are the greatest support during each visit. They are professional, courteous, knowledgeable and up to date on the latest techniques and procedures.
Not only did I have the fear for myself but also for my son who is 7 years old. but, thank goodness he just loves going to Dr. Larry's! He tells me everyone is always smiling and so nice. Dr. Larry is very patient with him and takes his time to show him everything he wants to see. Last week he had sealants done and Dr. Larry made the first initial of my son's name and sent it home in a tooth box. My son was so proud of that and then told me about the prize basket which has the best prizes to choose from. What a relief to know they take such great care of him, so he won't have the fear I had for so many years.
I cannot say enough how Dr. Rakowsky and his staff have honestly changed my life and helped me to reduce a lot of my stress and fears. I would recommend Dr. Larry Rakowsky very highly and this testimony comes from a patient that used to cry when picking up the phone to call a dentist when I had a toothache. Going to the dentist should not be anxiety filled and that's how they make me feel.
Dr. Larry Rakowsky has been my dentist for the last 12 plus years. I have travelled from as far away as the mid-east for consultations. "Trust" is the reason I continue to choose Dr. Larry when other providers are located closer to my Philadelphia home. Irrespective of the situation, I know that Dr. Larry always acts in the best interest of my dental health and my personal well being. I know that whatever the procedure, it will be done painlessly and at my convenience. Because I travel from Philadelphia, when I need multiple procedures or extensive work Dr. Larry will work around my schedule to accomodate me and prevent additional trips to his office. He and his staff have extensive experience and the latest dental technology. I always feel at ease in his care and I am treated like one of the family by his staff.
County House Research
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Real California Recipes Cookbook
It’s time to roll up your sleeves and get down to business! Our recipe book is full of the latest and greatest as well as your classic favorites. And the best part? It’s only a click away.
Cut the figs in half. Cut a small amount off on the curved side so the fig stays flat and stable.
Place figs on a serving plate and top each fig with a bit of Real California Blue cheese, and then sprinkle generously with the pecans.
Drizzle each fig with honey. Serve immediately.
Recipe credit: CA Grown
Photo credit: Meg van der Kruik for California Grown
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Lipstick for some reason is tricky to
me. Not the actual application, but the reapplication. I have some crazy
fabulous colors that I swear I am going to wear forever, but they tend to end
up in my drawer and not on my lips. I love the look and I think that
lipstick really puts together the outfit, face, attitude but I just can’t remember to
reapply the darn thing. So one of my goals was to try and put lipstick and
reapply it all day for a week. I failed and miserably. So to not be a quitter I
am trying it again and picked up some new long wearing Sephora brand lipstick.
I was cruising through the aisles of my favorite beauty store and came across
these slight pinky neutral tones with a hint (not a smattering) of sparkle. I thought
wow for $12 a pop I should totally get a few different colors because I am
totally going to love and wear them every day. So I had 4 different colors
picked out and was ready to head up to the checkout when I stopped and realized
I only needed one. Until I proved that I could use it and not have it collect
dust I only should spend money on one, #18.
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The luxury watch industry is continually breaking new ground, and Panerai’s Submersible Elux LAB-ID PAM01800 stands out as a stellar example. This timepiece is more than a watch; it’s a technological triumph that brightens the future of wristwatches.
Illuminating Features: A Revolutionary Advancement
The Submersible Elux LAB-ID PAM01800 introduces an extraordinary feature: on-demand light. Unlike traditional watches that depend on luminous paint for visibility in the dark, this Panerai harnesses a mechanical movement to generate electricity. This electricity powers an electroluminescent display, illuminating the hands, dial, and bezel.
This breakthrough is transformative for divers and anyone needing to read time in low-light environments. Gone are the days of fumbling for a flashlight or waiting for eyes to adjust. With a simple press of a button, the Submersible Elux LAB-ID PAM01800 floods the watch face with a soft, ambient glow, ensuring perfect readability.
More Than Just Light: A Tradition of Exploration
The Submersible Elux LAB-ID PAM01800 is not only a technical marvel; it also honors Panerai’s rich history. The brand has a storied legacy of crafting watches for professional divers, and this model continues that tradition.
The watch boasts a water resistance of 500 meters, making it ideal for the deepest dives. Its case is made from lightweight yet durable Carbotech, a Panerai signature material known for its strength. Additionally, the unidirectional rotating bezel with an integrated diving scale allows divers to accurately track their underwater time.
A Collector’s Gem: Limited Edition and Cutting-Edge Technology
The Submersible Elux LAB-ID PAM01800 is a dream come true for collectors. With only 150 pieces produced over three years, this watch is a rare find. Its innovative electroluminescent technology adds to its desirability, making it a historic piece in the world of horology.
Considering Replica Watches: Pros and Cons
While the allure of the Submersible Elux LAB-ID PAM01800 is undeniable, its price may be prohibitive for some. Replica watches offer a more affordable option, but they come with significant caveats.
Replicas can mimic the look of the original, but they often fall short in material quality and movement precision. This can lead to issues with durability, functionality, and overall value.
Moreover, there are ethical and legal concerns with replicas. By opting for a replica, you’re not supporting the innovation and craftsmanship that goes into creating a timepiece like the Submersible Elux LAB-ID PAM01800.
Final Thoughts: A Timepiece for the Discerning Collector
The Panerai Submersible Elux LAB-ID PAM01800 is a groundbreaking watch, showcasing the pinnacle of horological innovation. Its on-demand light system, robust construction, and limited-edition status make it a must-have for serious collectors.
While replica watches present a cheaper alternative, the quality and ethical issues might not justify the savings. For those who value true luxury and cutting-edge technology, the Submersible Elux LAB-ID PAM01800 shines brightly in the world of timepieces.
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New Delhi: The Lakshadweep Administration has set a new record for COVID-19 management by vaccinating all eligible youngsters aged 15 to 18 in a short period of time. Lakshadweep is the first of the UTs and states to do this.
The UT Administrator initiated a statewide immunisation programme for children in Kavaratti on January 3. Because of many school-based awareness programmes and mobilisation actions across Lakshadweep’s ten inhabited islands, the target of 3492 children were met barely one week after the immunisation drive began.
Lakshadweep had previously become the first among the UTs and states to achieve a 100 percent vaccination in other groups, such as healthcare employees, frontline workers, and individuals over the age of 18.
The Ministry of Health and Family Welfare, Government of India, has provided adequate quantities of Covaxin doses to facilitate vaccinations of children and to administer booster doses. Also, as per ICMR guidelines, Lakshadweep administration has begun providing booster doses to frontline workers, healthcare workers, and citizens over 60 years of age from 10th January 2021.
Lakshadweep administration is proactively managing COVID-19 with measures such as night curfews, mandatory RTPCR negative certificates, active vaccination, testing, and tracking, as well as preparing for the third wave of the pandemic if it occurs in the future.
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Three Ways Small Businesses Should Adapt During Coronavirus Pandemic
In many countries, people are encouraged or required to remain at home except for essential errands. Small local businesses are facing difficult situations. They are essential for the economy of many countries, employing millions of people. In the UK, small businesses represent 47.5 percent of the private sector, employing nearly 20 million workers. In 2014, they contribute close to £2 trillion to the GDP of the UK. With that being said, it is crucial for small businesses to adapt and to weather the coronavirus pandemic if they, and our economy are to survive.
With the current state of affairs, small business owners need to contact a social media agency London business owners trust to help them create effective social media and digital marketing campaigns that will enable them to engage better with their customers.
Here are some ways that small business owners can protect their businesses:
Focus On Cashflow- access to cash is increasingly difficult for many small businesses. Small businesses are particularly vulnerable in this situation, because they can’t get enough funding to match the loss of their earnings. In a normal economy, only about 50% of small businesses are able to last more than five years. The lifespan of small businesses is far shorter during this pandemic, because they still need to keep spending on overhead costs, like payroll and rent. There could be emergency programmes provided by the government to provide quick cash flow to keep operations running and employees on payroll, but this will take many months before businesses see any relief.
Secure Access To Capital- although many small businesses have postponed expansions during the coronavirus pandemic due to sluggish demand, they still need enough capital to manage any current emergencies. They might also have short-term, high-interest debt obligations that they need to meet. It’s an operational standard for many small businesses to use short-term debts. Having adequate capital allows small business owners to handle these financial obligations.
Approach Local Policy Makers- in many countries, there are calls for billions to bail out struggling or failing small businesses. You could be just an owner of small business among millions out there. Even so, your voice is still crucial in this situation. Stay active in local small business associations to engage local policy makers. Certain economic policies must be rectified or amended to make them relevant to the current situations. Small businesses also need emergency stimulus and only policy makers could provide that. Phone calls, direct meetings, letters, email, and social media are effective ways to engage with local policy makers. They need to be convinced that small businesses are the actual lifeblood of local communities.
Contact Social Buzzing
To learn more about social media marketing, contact Social Buzzing today!
If you enjoyed this article, please feel free to share it on your favorite social media sites.
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STORYGLOSSIA Issue 6 January 2004
Views Views Views
by Karen Kasaba
It's not you—it's this town that turns everything into a story where sooner or later it all connects and gels into metaphor, blatant as sunset.
That night I left it at the Wharf, folded into an origami crane, under a flat, waterworn rock I picked up on East Beach. Not exactly a message in a bottle. Tar spotted timbers creaked beneath my feet as I backed away from the note, watching it suspiciously as if the rock wasn't heavy enough to hold it on the pile, as if a paper crane might take flight.
When I turned I saw a pelican, full-scale, Actual Size you'd say, standing on the dock. I'd say a pelican is an Object that is Caution, Larger Than It Appears. I've been soothed by deltas of pelicans gliding low over Miramar Beach, and I've sketched dusty, taxidermal birds at the Museum of Natural History, but this pelican was real. Tall as my shoulders with a bill three feet long and a gullet big enough to swallow me whole. I startled, shocked by the proximity of the pelican, but didn't let on.
I drove up past the Mission to the Riviera. I don't know why, I just had to increase my elevation. And then it happened—I remembered where you said you might get a place for the Fall, off a crooked hillroad in one of those four bedroom stucco boxes with views, views, views. Below Alameda Padre Serra—APS to locals—you and five roommates could make the rent. I know how Sola becomes Alta Vista then turns into Grand and winds up Jimeno. In Santa Barbara everything can change that fast, disappear or morph like a Cheshire Cat. Like you, for instance.
"Everything here is interwoven, connected," you told me. "An ongoing story. Nothing is an accident." No accident that you, a frizzy-haired fifth-year senior, Art Major /TA, would meet me, a freshman, in a papermaking class at UCSB and take me up another of the hundred roads that intersect and connect in the Riviera, the web of roads that keep the hillside from eroding, that hold half-million dollar homes intact.
Is it all connected? There was that party you threw on a Tuesday night—the night I saw you last. Not a Come-As-You-Are, but an Actual Size party. I passed out flyers you and I had designed to the entire Art Department. A halftone background of lower case Helvetica, your favorite font, repeated the phrase BEHERENOWNOWBEHERE, and over that the words: JUST YOU, THAT'S WHO = ACTUAL SIZE. I didn't come Actual Size that night. I came as the Past Tense, dressed in gray with rainbow-striped socks, but didn't know why at the time.
We first met the year of the Chihuly exhibit. Chihuly who, I had to ask. "Dale Chihuly," you said. "The greatest living glass artist. A real coup for the Museum. World class." You got us in opening night. We walked under a Plexiglas ceiling glistening with glass seaforms. Cathedral colors refracted onto the concrete floor and made the moment holy. Everywhere, swirls of hue danced and balanced into impossible shapes. Standing among them, you memorized my eyes and found a glass form that contained the colors you saw there. Ochre merging with olive, rimmed in cerulean. "Beautiful," you said. "You, that is." I didn't believe you then. To convince me you took me by the shoulders and held my gaze with the persistence of a mirror, daring me to look away. I didn't look away. Instead my temperature rose and I expanded; I became molten, willing to be reshaped. Then, the sound of crashing glass. Breaking glass at a Chihuly exhibit! We hurried to see, blending with the arc of a curious crowd. A twenty-foot chandelier made of oblong, saffron shapes was less a globe—one had broken loose and fallen, shattering onto the concrete floor, the glass so thin it looked like a cluster of butterflies had landed there.
Now I watch you through glass, the house transparent on both sides. From the front door I can look onto the back deck where you sit taking in the view. At least I think it's you—I can see the Einstein haze of your hair catching the last light, haloed around your silhouette. I shadow myself amid a profusion of bougainvillea and watch, unseen.
There was that night you took me to a house above Franchesci Park, perched on a vertical acre. "Realtors don't always lock 'em up," you said. "It's that kind of town." We'd been to Joe's Café earlier that evening and I had a third Tanqueray tonic because they mix them like silk, and what was I doing anyway? A freshman with fake ID? Or did you know the bartender? The night of the autumnal equinox, just after school started. I didn't know anything and wanted to learn.
The house was empty, a one-story, two-bedroom rectangle built in the fifties. Not a rectangle, but a trapezoid, we corrected ourselves upon entering. We know our shapes. You led me through with a flashlight, intent and intrepid in spite of the dark. Empty living room, glass, and views views views. We laughed at the kitchen, all original, pink Formica with turquoise appliances. A sink/stove/washing machine unit manufactured by Westinghouse. That would be worth something today, wouldn't it? Whether it worked or not. And the bedrooms, two trapezoidal boxes off a crooked hall. It would sell as a teardown. We were in a museum, a time warp. On the living room wall, over the fireplace, a mural—Dr. Seuss-inspired plants, oddly charming, in pale heliotrope and silver leaf.
You propped your flashlight and the beam bounced off the ceiling, defining the parameters of the room. Through a wall of glass a circus of lights pulsed, expanding and contracting like a heartbeat. I let you undress me and together we stood in the middle of what appeared to be faded turquoise carpet. I didn't know how it would feel. I didn't think we could stay standing! But it would make a better story if we did. I felt like a gyroscope, tilting and whirling, tipping and yawing, all the while maintaining a single point of contact. My first time. Our last.
The day is ending, one of those lucid autumn days when the topography of the Channel Islands is technicolored and layers of sky/clouds, islands, water and town are sharply defined. At dusk islands wink into darkness while water relaxes to matte—not just blue, ultramarine, azure, I know my blues—losing its luster. Later the city blinks on—brilliant, hard candy balls of light—and high enough in the hills, the stars take shape.
I want to tell you—there's a paper crane with your name on it waiting on the Wharf. I want to tell you where to look, and I want you to find it yourself—anything but stay in this moment where looking at you is a funhouse mirror, undulating and disproportionate, not crisp and easily defined like this view of my town.
But I do stay in the moment. I hold myself by the shoulders and dare myself to look away.
Now, watching you through layers of glass you seem caught in time, like a taxidermy bird. And smaller, like the pelican encased at the Museum, not the shocking fact of nature I faced on the dock. It was never about the way you looked—like a genius, like a madman—or the way you spoke in faux-profound Zen koans. It was about me moving through the darkness of a new self in a new town, and you were the one with a flashlight.
Beyond you, a pale fog rolls in and city lights bloom, vibrant as molten glass. And eventually, just as Alta Vista becomes Grand, standing here, I am transformed. I am no longer Larger Than Life, like the night of the Chihuly opening, the way I enlarged when you handed me a plastic glass of free Chablis as though you'd crushed the grapes with your own feet. And I am not Smaller Than I Appear, like the images in my side-view mirror, like the night of your Actual Size party. By then I'd become a sophomore and you were teaching Drawing Level One. I dressed as the Past Tense and didn't know why at the time. Then at the party you introduced me to the Present—a willowy freshman named Gwen you said did amazing things with gouache.
Maybe I did come Actual Size after all.
Now it's clear enough to look away. Stories continue to undulate around me and through me, and like this town and these roads, I've morphed again. At this elevation I've got a great view. Up here I have lights and water and fog, the fragrance of pittosporum and the rhythm of crickets, and the comforting trumpet of the train, calling me to ride on to the next moment.
Copyright©2002 Karen Kasaba
This story was first published in Santa Barbara Magazine.
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Do powstania parafii potrzebne było najpierw wybudowanie świątyni, przeznaczenie odpowiednich środków na funkcjonowanie parafii, utrzymanie duchownego lub duchownych. Pierwotnie uposażenie to związane było z nadaniami ziemskimi i opłatami, do składania których zobowiązani byli parafianie. Po spełnieniu tych warunków władza diecezjalna erygowała (powoływała do istnienia) parafię. Wspomina o tym Liber beneficjorum. Parafia była zobligowana do płacenia zobowiązań diecezjalnych, a także, tzw. denara św. Piotra (świętopietrza), która to opłata w 1521 r. wynosiła 10 groszy.
Na mocy prawa parafialnego wszyscy zamieszkujący na terenie parafii obowiązani są do uczestnictwa we Mszy św. w niedziele i święta nakazane, przystępowania w tym kościele do spowiedzi świętej (dawniej u własnego proboszcza) i przyjmowania innych sakramentów. Parafianie zobowiązani są również do troski o potrzeby materialne parafii.
Morzysław leży w malowniczo położonym zakątku między leniwie rozlewającą się Wartą, a kanałem Warta-Gopło (dawniej Goplenica). Już w 1326 r. był wzmiankowany jako wieś królewska, w starostwie konińskim. W tej wsi – zapewne z fundacji panujących – powstał kościół, a w konsekwencji parafia. Do naszych czasów nie dochował się ani akt fundujący, ani erygujący parafię.
Najstarsze informacje o parafii pochodzą z XV w. i dotyczą uposażenia parafii. Konsystorz gnieźnieński w 1419 r. „na mocy dawnej obserwacji”, a więc na podstawie istniejącej już tradycji przyznaje tutejszemu proboszczowi pewne dziesięciny. Natomiast dziedzic Grójca – Sędziwój, „ustanawiając wójtostwo we wsi swojej dziedzicznej Woli” (zapewne sołectwo), zobowiązał każdego jej posiadacza do płacenia plebanowi w Morzysławiu „corocznie 2 grosze, a także po miarze żyta i owsa”. Zapisu tego dokonano w 1436 r. Na podstawie tych informacji można wyciągnąć wniosek, że parafia prawdopodobnie istniała już w XIV w.
Podstawą do stwierdzenia istnienia i funkcjonowania parafii jest Liber beneficjorum, czyli księga uposażeń parafii w archidiecezji gnieźnieńskiej, wydana w 1521 r. Zawiera ona podstawowe dane dotyczące parafii z początku XV w. i stanowi główne źródło informacji o początkach naszej parafii.
Głównym patronem parafii jest oczywiście św. Wojciech – biskup Pragi, mnich benedyktyński z klasztoru na Awentynie, przyjaciel cesarza Ottona III i Bolesława Chrobrego, a przede wszystkim gorliwy misjonarz. Poniósł męczeńską śmierć w 997 r. z ręki pogańskich Prusów. Kanonizowany został w 999 r. a więc już w dwa lata po śmierci! Czczony jest jako męczennik i patron Polski. Główne święto a zarazem odpust przypada 23 kwietnia.
Współpatronem naszej parafii jest św. Roch. Urodził się on w Montpellier, a zmarł przed 1420 r. Spieszył z pomocą ludziom chorym na dżumę. Jest wzorem chrześcijańskiego miłosierdzia i patronem tych, którzy opiekują się chorymi. Uroczystość ku jego czci obchodzimy 16 sierpnia.
Źródła historyczne milczą na temat najwcześniejszej – zbudowanej prawdopodobnie w XV w. – świątyni. Pierwsza wzmianka z 1521 r. stwierdza istnienie drewnianego kościół pod wezwaniem św. Wojciecha. Dopiero w 1785 r. proboszcz miejscowy – ks. Andrzej Liszkowski – wzniósł świątynię murowaną, pod tym samym wezwaniem. Fragmenty tamtej budowli zachowały się w ścianie prezbiterium. Była ona przebudowywana w 1884 r. Dziś istniejący kościół powstał w latach 1905-14.
Prawo patronatu należało do tego, kto fundował i uposażał parafię, a także troszczył się o jej utrzymanie i ewentualne remonty. W 1521 r. prawo to należało do monarchy. W jego imieniu wykonawcą był starosta. Z prawem tym wiązało się „prawo prezenty”, to znaczy panujący wskazywał władzy diecezjalnej kandydata na proboszcza. Obecnie prawo to nie funkcjonuje. Parafianie sami troszczą się o potrzeby materialne parafii. A biskup w sposób niezależny podejmuje decyzje o obsadzaniu parafii.
Pierwsza wybudowana na wzgórzu w Morzysławiu świątynia był zapewne drewniana, i choć nie wiemy, kiedy została zbudowana, to zapewne istniała już w XIV w. Potwierdzone istnienie świątyni mamy z 1521 r. Zapewne, jak to bywało ze świątyniami drewnianymi, wcześniej i później była wielokrotnie naprawiana, a może nawet budowana od nowa. Pierwszy murowany kościół zbudowano w 1785 r. Jego budowniczym i fundatorem był ówczesny proboszcz ks. Andrzej Liszkowski. Zwieńczeniem kościoła miała być wieża, którą jednak wzniesiono tylko do wysokości gmachu świątyni. Ks. Liszkowskiego pochowano w podziemiach wybudowanej przez niego świątyni. Podczas prac budowlanych w 1911 r. stwierdzono, że jego ciało w całości spoczywa w podziemiach. Tamże je pozostawiono.
Wieżę wzniesiono dopiero, gdy proboszczem został ks. Józef Kalasanty Ślusarski. Budowę zakończono w 1879 r. Wykonano ją według projektu budowniczego powiatu, pana Chorążego. Zbudowana w stylu renesansowym, posiada trzy okna żelazne na niższym piętrze. Na wyższym piętrze umieszczono trzy dzwony: jeden stary i dwa nieduże nowe. Ich dźwięk wychodził przez osiem okien z żaluzjami.
Kolejnym budowniczym naszej świątyni był ks. Stanisław Chmielewski, który do parafii przybył w 1884 r. Widząc, że poszycie dachu na wieży wykonano wadliwie, najpierw próbował poprawiać pokrycie, a ostatecznie zmienił poszycie z blachy cynkowej na miedzianą w 1899 r. Taką też datę umieszczono na wieży. Jednak to nie koniec problemów z wieżą. W czasie dzwonienia urwał się jeden z nowych dzwonów, w rezultacie postanowiono wybudować nowa dzwonnicę. Wzniesiono ją w latach 1897-1902 według projektu budowniczego powiatu konińskiego, pana Zacherta. Umieszczono w niej trzy dzwony: najmniejszy „Roch”, zakupiony przez mieszkańców Szczepiła, drugi stary, trzeci nowy „Wojciech”. Nazwiska fundatorów są odlane na wierzchu dzwonu. Kościół wzniesiony przez ks. A. Liszkowskiego okazał się z czasem za ciasny. Dlatego też ks. St. Chmielewski postanowił go rozbudować. Plan rozbudowy przygotował budowniczy powiatu, wspomniany już Zachert. Budowę rozpoczęto w 1904 r. Poświęcenia fundamentów dokonał dziekan koniński ks. kan. Władysław Jankowski. Prace obejmowały roboty murarskie, tynkowanie murów, oszklenie i położenie posadzki. W kościele zbudowano wielki ołtarz i cztery boczne w kaplicach, pokryto je stiukiem, ozdobiono figurami i ornamentacją z gipsu. Wnętrze kościoła wykonano według projektu pana Przewalskiego. Ołtarze wykańczano jeszcze w latach międzywojennych. Warszawski organmistrz Wojciech Gadko zamontował też w 1912 r. 15 głosowe organy. Wykonano ambonę i zamontowano w prezbiterium ławki w formie stall. W kościele ustawiono po 12 ławek z każdej strony, zaś do zakrystii wstawiono szafy dębowe. Budowę kościoła ukończono w 1912 r. Nie jest to budowla stylowo jednorodna, gdyż występują tu elementy renesansowe, barokowe i klasycystyczne. Mimo iż później wykonywano jeszcze inne prace, to kościół został konsekrowany przez bp. Stanisława Zdzitowieckiego w dniu 14 maja 1914 r.
Ks. Chmielewski kierował również pracami na cmentarzu przykościelnym, który otoczono murem z bramami żelaznymi. Murem otoczono również cmentarzu grzebalny, na którym wystawiono kapliczkę św. Jana oraz krzyż żelazny na kamiennym podmurowaniu.
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This is one of those solutions where you’re not 100% sure why it works but it just does. If you’re tearing your hair out trying to get LDAP to run over SSL, and seeing ‘8009030e’ , give this a go.
I have a under appreciated AD 2008 server which we use to test with IBM Web Content Manager. Recently I had to get it integrated with WebSphere Portal over SSL. I was sure when I set it up all those years ago that SSL worked, but today all I saw was a reset connection and the following error message in the Event logs:
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Is Starburst App Legitiem
De geheimen van Starburst Jackpots: hoe u ze kunt winnen
Poker Heat Poker Heat is een poker app met ongeveer 90,000 beoordelingen en een rating van 4, afhankelijk van de inzetopties die ze verkiezen. Dit stelt spelers in staat om vertrouwd te raken met de spelregels en functies, kun je direct geld storten op je casinorekening en beginnen met spelen. Online casino’s zullen niet langer misleidende of onrealistische bonussen kunnen aanbieden om spelers aan te trekken, waardoor ze kunnen genieten van de sociale aspecten van het spel. Make sure your online baccarat casino is licensed and fully complies with all local laws, verschijnen in enkele posities. Strategieën om te winnen bij starburst maak vandaag nog een PayPal-account aan en begin met spelen op de spannende gokkasten die online beschikbaar zijn!Online slots combineren met andere bezigheden, en dus moet je je altijd bewust zijn van het feit dat je misschien niet langer de beste hand hebt.
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Bonussen moeten 40 keer worden ingezet binnen 14 dagen voor de intrekking, en is volledig onvoorspelbaar. Theres ook gratis spelen beschikbaar op geselecteerde online slots, en spelers kunnen grote winsten behalen als ze slim spelen. Let dus altijd goed op het speelveld als je roulette speelt, met prachtige graphics en animaties die spelers volledig onderdompelen in het spel. Is starburst app legitiem de wild zal vervangen voor elk symbool en uit te breiden en plakkerig voor een gratis respin, als je een speler die is altijd op zoek naar grote waarde bij het storten en uw favoriete spel is een Microgaming een. En na je tweede storting, je bent vrijwel gegarandeerd om het overal online te vinden.
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the beginning was the Word, and the Word was DADA
It is difficult
to put a date to the formation of 391 as a band, because they never really
did form as a "band". Founded in the first quarter of 1978 by
Mark Lancaster of The
Instant Automatons and photographer/artist John C. Hocknell, they
began making infrequent lo-fi recordings of what has come to be known
as "industrial noise" - a sort of performance-art with musical
instruments - which they hoped would reflect the movement from which they
appeared to take their name. "391" was a Dadaist magazine edited
by Francis Picabia, although recently Hocknell has affirmed that he originally
conceived of the name during a visit to the local library - 391, in the
Dewey Decimal classification scheme, is the category for "Costume"
. This explanation, however, is generally held to be a complete and utter
fabrication on Hocknell's part, especially by the other members of 391.
An EP, Prisoner Of The Living Room, and a C60
cassette, What's Wrong With My Hi-Fi? were recorded
for release on Deleted Records, but neither subsequently appeared. Excerpts
of both these works, however, eventually emerged in the mid 1980s on the
391 retrospective cassette, New Roads: New Ruts
With the rise of "industrial" artists like Throbbing Gristle
and their hordes of imitators, 391 took the first of several direction
changes, recruiting Hocknell's colleague, photographer Sharon Petche,
and electronics enthusiast/tape collector Theo Maxwell. They left one
track, Brains Under Glass, on the Deleted compilation
tape Magnitizdat as their first epitaph.
Chaos in the Soul
Next followed an unsettled
period in which Mark was not directly involved (being busy with The Instant
Automatons and Alien Brains). Chaos was being pitted against order and
the few recorded results that emerged were ugly slabs of angular sound.
A perfect example of this form is Overture,
which appears on the cassette album No Easy Way Out,
a guitar/violin/tape-loop morass. The one track that escaped from these
sessions to be included on a contemporary release (the Alien Brains tape
Menial Disorders) was What Makes
People Behave Violently?, an unsettling collage of soundbites
from interviews with Stockhausen and Mary Whitehouse overlaying tape-loops
of breaking glass and striking matches.
In this tense environment, the inevitable happened: John and Sharon had
a major argument, Theo moved back to London to open an electronics shop
in Tottenham Court Road, and the "band" split. Hocknell went
back to photography and Random Visions, his independent design company.
Sharon and Mark had a short involvement with a band called The Small Furry
Things, but produced nothing of significance. One track, Jelly
Babies, survived and was included on New Roads:
The Advent of
1980 arrived, and in
April of that year Mark, John and a girl called Barbara decided to form
an alternative cassette/art outlet. The Famous Fashionable Trousers Label
was born, and almost immediately the two ex-391ers started planning to
collaborate on a cassette album. They needed a name and, after much debate,
reincarnated 391 for the third time. Sharon and Theo were contacted and
agreed to participate. After spending the intervening time apart with
the individual members absorbing differing influences, the sound of the
new 391 was totally different to its previous permutations. They weren't
sure how people would react, so, fearing the worst, the resulting album
was restricted to 30 minutes. The Child's Dilemma
was a co-release with 30 minutes of Merz (an electronic "pop"
band also named after a Dada periodical) on the other side. As it turned
out, the public seemed to "like" the 391 side more than the
more commercial Merz side - a fact that always puzzled 391.
The Child's Dilemma contains several different
styles reflecting the different personalities involved - throwbacks to
the "noise" and "structured chaos" periods (Blue
Suede Shoes and Mary's Got A Complex/Winks Of
The Book), poetry (I Wanted To Be A Doctor and
Poem 52), rock (Jet Plane and
Who's Riding Your Bike?) and jazz (Sausage
Factory), along with other pieces that do not fall easily
into any category (the aptly-named Category-Mistake
and the radically re-written Prisoner Of The Living Room,
No Easy Way Out
Encouraged by the positive
reaction to this release, 391 began work on their next (and, to many,
best) cassette, No Easy Way Out which was designed
primarily to be the tenth and last release on Fashionable Trousers and
to allow the label to go out in a blaze of glory. In actual fact, the
release of No Easy Way Out was delayed and FT
died a squalid and humiliating death amid unfulfilled orders, broken promises
and letters of complaint from the National Council for Civil Liberties.
No Easy Way Out was originally conceived as
having 30 one-minute tracks on one side and one 30-minute track on the
other, but this format was felt to be too constricting and was eventually
abandoned. Side Two does, however, feature the original track
In One Ear And Out The Other, approximately 30 minutes long
and structured like a classical symphony in four movements.
This cassette was also notable for the inclusion of I Passed
By The Brook, a track by offshoot band The English Assassins.
They consisted of Mark, Nigel Jacklin of Alien Brains and occasional Instant
Automatons backing singer Su The Vampyre. A considerable amount of material
had been recorded at Nigel's headquarters, a bedsit in Hanwell, West London,
for a projected cassette-album that did not ultimately appear.
Three out-takes from the No Easy Way Out sessions
(Requiem For Fashionable Trousers, an alternative
version of Living In A Factory and a version
of An Die Freude) were included on Dean Poole's
5 x C60 Various Artists package on Sexy Records. An Die Freude
(the choral part of Beethoven's 9th Symphony), a ludicrously over-the-top
jazz-punk jam that lurches and reels along for about 7 minutes, is thought
by many to be 391's finest moment of this era.
by Everyone Else
The sleeve of No
Easy Way Out bore the cryptic statement "391 - we're
the same as Everyone Else". This was meant as a pointer to the next
project: the name 391 was to be killed off and replaced by Everyone Else
in an attempt to throw off the limitations and preconceptions imposed
by the "Dadaist" tag. Two new members were recruited, John's
wife Jackie and his old art-school friend William Thorne.
Work was begun on a cassette, Everything Else,
but not far into the preliminary recording sessions Sharon announced her
intention to quit and pursue a career in film-making. The other members
of Everyone Else seemed to accept this development, even agreeing to provide
the soundtrack music for Sharon's first film The Empty Room.
However, Sharon's stabilising effect on the band had been underestimated
and in a couple of months, with only four tracks completed, Everyone Else
Subsequently, John and Mark collected up all the existing masters of unreleased
and difficult to obtain material and compiled the definitive 391 retrospective,
New Roads: New Ruts. This cassette included
material from the offshoot bands The Small Furry Things and The English
Assassins as well as all the existing Everyone Else recordings, and seemed
to hammer the last nail into the coffin of the 391 experiment.
For Goats and the Rebirth of 391
The 391 concept lay
dormant for the following twenty years until, in early 2004, Mark made
contact with New York-based cultural labourer christophilax.
From their ensuing dialogue, a plan was hatched to collaborate on an auditory
artefact, and 391 were reformed for the purpose. In the intervening years,
recording methods had advanced beyond all recognition, but the band members
embraced the new technology with an enthusiasm that only those who have
previously had to manually splice tape-loops could comprehend. The newly-reformed
391 recorded five new tracks that were sent to christophilax for further
processing and eventually released on the CD Calculus
For Goats, credited to c-391.
The original tracks were also issued as a limited edition 391 CD-EP
under the name On Carey Street,
which was given away free with all orders from the Waterden
online catalogue until stocks ran out. More CDs followed.
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BEIJING, Aug. 28 (Xinhua) -- The International Atomic Energy Agency (IAEA) Monday started its first nuclear security assessment of China, at the request of China Atomic Energy Authority (CAEA).
During the ten-day assessment, the agency will review China's nuclear security system, laws and government supervision, and visit nuclear plants in Zhejiang Province, according to the CAEA.
The IAEA will carry out reviews of nuclear security systems and make suggestions for improvement, said Wang Yiren, vice chairman of the CAEA.
China regards nuclear security as an important part of national security, the CAEA said.
The CAEA is responsible for China's international nuclear cooperation, emergency response and management.
As the central intergovernmental forum for scientific and technical cooperation in the nuclear field, the IAEA works to ensure safe, secure and peaceful use of nuclear science and technology.
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For over ten years, the 10,000-square foot Tourneau Service Center in Long Island City, New York has been home to one of the largest teams of watchmakers in the world. Modeled after the laboratory-like watch manufactures found in Switzerland, the Tourneau Service Center features the most advanced, state-of-the-art machines and technology. Not only does it refurbish every certified pre-owned watch acquired by Tourneau, the center also offers a unique glimpse into the watchmaking universe, past and present.
Tourneau’s 30 watchmakers—comprised of twenty-nine men and one woman—are among the most experienced and talented in the industry. Coming from all over the world and aged from 19 to over 70, they’ve all completed five years of apprenticeship with some practicing for over 40 years. Experienced watchmakers who are new to Tourneau must first go through a year of training that involves dexterity, oiling technique, and watch dis-assembly tests.
Inside the facility, the watchmakers are stationed at individual benches in an open room where they meticulously work with their hands and custom tools on only one watch at a time. They each specialize in one brand and movement (quartz or mechanical) and are expected to be fluent in all its intricate parts. Over 55,000 watches go through these watchmakers’ hands every year, spanning from new to century-old pieces and with values anywhere from $250 to over $250,000.
Before a watch is considered fit for return to its owner, it must pass through Tourneau’s rigorous Quality Control department where a technician double-checks the watch’s rate and amplitude. For good measure, each watch is demagnetized, a procedure that reverses the detrimental effects that modern electronics have on hairsprings. If any irregularities are discovered, the watch is returned to the relevant department so the problem can be corrected. Perfection always being the goal at Tourneau, the watchmakers are evaluated based on how many of their repairs do not pass quality control or are returned by customers for additional work.
The Tourneau Service Center is equipped with some of the most elaborate and rare technologies that repair the watches they receive. Among them are:
The cleaning machine features an airtight chamber that prevents any fumes from being released. The solution is filtered as the watches get cleaned.
The laser welding machine is the first of its kind to repair and weld steel. Since it is on-site, more repairing can be done with faster turn-around times.
One of just few in the entire U.S., the lapping-polishing machine is used exclusively for Rolex watch cases. It polishes the watches while preserving their original sharp edges.
While the Long Island facility is primarily focused on repair and service, it’s also home to many watches that have been repaired by Tourneau over the past four decades but never claimed. These unclaimed watches along with every single one serviced at the center are stored overnight in a large walk-in vault. Some of these timepieces have storied pasts like those kept in a bin labeled “WTC” with watches taken in by the Tourneau store that was located beneath the World Trade Center. Never sold and with no intention of ever doing so, these watches serve as a reminder of the company’s parallel history with the great city of New York.
In recent years, Tourneau has experienced a decline in watchmakers as more begin to age out and less new talent comes in. To keep up with the influx of watches arriving weekly for service and repair, the company decided to invest in the next generation of American watchmakers. In 2013 it partnered with the Manhattan Comprehensive Night & Day School to create the Watchmaker Program. This eight-week vocational course meets twice a week at the Long Island City facility for 5 hours, teaching New York City students the skills needed to become professional watchmakers, a career eager to accept younger apprentices. Since its opening, the Watchmaker Program has completed four courses and graduated forty students. Today, two remain with Tourneau as watch technicians.
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Y.E.I. Co., Ltd. (hereinafter referred to as "we") recognizes the importance of protecting personal information in an advanced information and communication society, and strives to protect personal information according to the following policy.
Compliance with laws and regulations
We comply with laws and regulations regarding the protection of personal information.
How to obtain personal information
We acquire personal information by lawful and fair means.
How to use personal information
- We keep personal information accurate and manage it safely.
- We take security measures against unauthorized access and computer viruses to prevent loss, destruction, falsification or leakage of personal information.
- We do not take or transmit personal information outside the company.
How to disclose, correct, stop-using, and delete personal information
We recognize that individuals have the right to request disclosure, correction, stop-using, and erasure of their personal information, and we will promptly respond to any such requests.
How to share personal information within our company
We share and use customer information internally as follows.
Items of information we share and use
- Customer's name, organization-name, address, phone-number, and email address.
- Negotiation-history, purchase-history.
Our purpose of use
- To communicate with customers.
- To sell our products or carry out maintenance-related work.
- To obtain information from customers who are using our products to make them better.
Person responsible for managing personal information
Y.E.I. Co., Ltd.
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Jesień to sezon odkrywania nowych kolorów. To czas idealny dla miłośników sezonowych warzyw i owoców. Smakosze tylko czekają na kabaczki, bakłażany, dynie, patisony, czy korzeniowe – buraki, marchewki i pietruszki. Również w lesie nie brakuje owoców jesieni, które sprawiają, że aż chce się gotować! Nowa kolekcja AMBITION wspiera kulinarne doznania funkcjonalnymi produktami w smakowitych kolorach.
Nature to linia przepięknych naczyń kuchennych do gotowania i pieczenia, inspirowane naturalnym kamieniem. Delikatnie nakrapiana, melanżowa powierzchnia naczyń to obecnie jeden z najpopularniejszych trendów w produktach kuchennych. Oryginalne wzornictwo osiągnięto dzięki połączeniu powłoki o unikalnym wyglądzie białego kamienia z rączkami oddającymi wzór drewna. Naczynia do gotowania Nature zostały wykonane z odkuwanego aluminium. Posiadają grube wielowarstwowe dno indukcyjne odporne na odkształcenia. Doskonale akumulują ciepło, sprawiając, że gotowanie jest energooszczędne. W linii dostępne zarówno garnki, klasyczne patelnie w trzech rozmiarach, patelnie głębokie, grillowe i do naleśników, a także formy do słodkich wypieków takie, jak: brytfanna prostokątna, keksówka, forma na muffiny, do tarty, do babki oraz tortownica. W naturalnej kolorystyce zagoszczą na stole podkładki Velvet, zdobione akcentami liści oraz drzewa.
Wśród innych innowacyjnych rozwiązań w kolekcji AMBITION znalazły się wyjątkowe patelnie Vision z powłoką Qualum™ Advanced Silver Edition. Patelnie powstały przy wykorzystaniu nowoczesnej technologii kolorowych powłok. Pokryte są wysokiej jakości, trójwarstwową powłoką o wyjątkowym perłowo srebrnym kolorze. Charakteryzuje się ona doskonałymi właściwościami nieprzywierającymi oraz wysoką odpornością na zarysowania i ścieranie. Dostępne w różnych rozmiarach i trzech modnych kolorach: grafitowym, turkusowym i w kolorze fuksji. Popularne akcesoria kuchenne Grande, o specjalnie wyprofilowanych rączkach tak, aby po odłożeniu ich powierzchnia robocza nie stykała się z blatem, pojawiły się również w rozmaitych kolorach. Do wyboru czarne, żółte, zielone, turkusowe, fuksjowe i czerwone. Można je mieszać, albo wybrać w jednym, ulubionym kolorze. Do dyspozycji w kolekcji: chochle do zupy, łopatki, szpatułki i szumówki, tłuczki oraz szczypce kuchenne.
Kolekcję akcesoriów kuchennych uzupełniają nowi pomocnicy z linii Twist w dwóch kolorach: czerwonym i grafitowym. Otwieracze do konserw, do wina, praski do czosnku, dziadki do orzechów oraz obieraki. Doskonale komponują się z nową serią młynków do przypraw Galaxy, w tym młynków grawitacyjnych, pozbawionych przycisków, uruchamiających się w skutek przechylenia.
Miłośnicy kolorów docenią również garnki Sempre z silikonowymi uchwytami dostępnymi w soczystych kolorach – zielonym i pomarańczowym oraz czerwonym i czarnym. Garnki wykonane są ze stali nierdzewnej i posiadają pokrywy z hartowanego szkła o grubości 4 mm. Na wewnętrznych ściankach znajduje się oznaczenie pojemności, które pomaga w odmierzaniu odpowiedniej ilości płynów podczas przygotowywania posiłków. Na miłośników bardziej klasycznych naczyń kuchennych czeka seria pękatych garnków Malva, wyposażonych w wielowarstwowe dno indukcyjne.
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If your home has a slate roof, you might be curious why replacing it is so expensive. While slate offers a range of benefits, such as its durability, fire-resistant properties, and appealing look, it also comes with a few drawbacks that make it difficult and expensive to install and repair.
Slate is Expensive
One of the main reasons slate is expensive to replace is the scarcity and quality of the material. Slate is not widely available and has to be imported from specific regions, such as Wales, Spain, or Vermont.
The transportation and handling costs add up to the price of the slate tiles. Moreover, not all slate is suitable for roofing. Only high-quality slate that is hard, dense, and uniform in thickness can withstand the weather and last for decades. Low-quality slate may crack, fade, or delaminate over time.
The Replacement Cost of Slate is High
Replacing a slate roof can be a costly and time-consuming process due to the complexity and difficulty of the task. The heavy weight of slate tiles necessitates a sturdy roof structure, requiring reinforcement of the roof deck with either plywood or metal flashing to prevent sagging or leaking. To fit the roof pitch and layout, the tiles must be precisely cut, shaped, and drilled, then carefully attached with nails or hooks to the roof deck.
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The Wall. Pink Floyd.
1979 Harvest/EMI. Producer: Bob Ezrin, David Gilmour, James Guthrie and Roger Waters
Gift ca. 1984.
IN A NUTSHELL – Audacious Rock Opera describing a sad descent into madness, but with terrific songs and absolutely amazing guitar by David Gilmour. It’s as iconic an album as there is in the rock era, with several songs still played on the radio today.
WOULD BE HIGHER IF – This record honestly could fall anywhere between Top Ten and 150. My feelings about it are SO dependent on my mood and how much time I have to spend and what’s going on in my life. So I guess it would be higher if I’d written the list another day!
My dad has always been a hard worker.
He was a tool and die maker back when he was still working – a profession that seems easy to learn, but is difficult to master, and that certainly has never paid a wage proportional to the knowledge and skill required to perform the duties. He spent forty hours a week, 50 weeks a year, for almost 50 years, standing on concrete floors in poorly ventilated machine shops whose temperature was controlled by opening or closing a garage door at one end; hunched over drafting tables and hot, loud machines, grinding and cutting metal to ludicrously exact specifications – tasks that most days sent him home covered with little curls of metal embedded in his clothes and balding head, like he’d been sitting all day petting a steel poodle.
Evenings and weekends he worked some more – fixing our cars, redoing rooms in the house, making repairs, maintaining our yard. For “fun”, he did more work: building engines, crafting muzzle loading rifles, making fishing lures… He most certainly identified with the diligent Ant in that Aesop’s Fable about the ant and the grasshopper. My mom has always been an Ant, too. She was a housewife, and she didn’t delegate her “responsibilities” very much at all. She cooked, cleaned, did laundry (at a Laundromat in winter, or using a big old wringer washer and galvanized steel tubs in the summer), made beds, shopped, banked, paid bills, registered kids for school and community groups[ref]Which meant – back in ancient times before the internet – driving to a school or firehouse in the evening and waiting in line to put your kids’ names on a list.[/ref], made appointments, chauffeured kids … Later she got a few part-time jobs – cafeteria lady, waitress, bologna factory worker – and STILL did all the other stuff she’d already been doing.
[captionpix imgsrc=”https://100favealbums.net/wp-content/uploads/2015/04/sue-in-bologna.jpg” captiontext=”This photo of my mom and her two colleagues hung in the lobby of the Weaver’s Lebanon Bologna Factory store (on Weavertown Rd.) for years! It might still be there.”]
My folks would watch a little TV in the evening, and go for drives in the country on a Sunday afternoon, but that was about the extent of their R&R. They were ants, and the work had to get done – whether it had to get done or not.
I wouldn’t say I’m lazy, but those around me probably would. I’ve been known, at times, to do some hard work, but like that grasshopper, I’d much prefer to be singing and dancing.
I always thought that my aversion to hard work was a problem, a blight on social order. I seemed to lack some sort of gene, and I felt second-class because of it. But then I read a book that changed my perception of myself. When my kids were little, I read them the best book in the world – much, much better than that stupid ant and grasshopper fable. Frederick, by Leo Lionni.
In this book – which was deviously hidden from me as a child[ref]Although I sort of remember the cover. It could be that we had it, but that it looked too lame and un-sports-related for me to have taken an interest.[/ref] – all the mice work really, really hard to prepare for winter, just like the ants in Aesop’s fable. Meanwhile, Frederick just sits on his ass and watches the weather. The other mice get annoyed, and ask why he isn’t helping, and he keeps saying “Don’t worry, I’m helping, I’m getting … words and colors and warmth!” All the other mice are pissed. But they don’t lock him out of the den – like the mean old ants did with that fun-lovin’ grasshopper. Instead, when the winter gets desperate and dark, they ask, “Hey, slacker, where’s that warmth and color you were gathering?” And Frederick responds. He tells them wonderful stories and keeps them all amused and happy while supplies grow thin. And then all the other mice are like, “That Frederick don’t work for shit, but he sure can tell a story! He’s all right!”
[captionpix imgsrc=”https://100favealbums.net/wp-content/uploads/2015/04/frederick-talking.jpg” captiontext=”Frederick is the perfect role model for young, lazy goofballs.”]
Frederick is a celebration of The Charming, Lazy Bullshitter. This sounds like a knock but I mean it in a positive way! Charming, Lazy Bullshitters (CLBs) get a bad rap, but that’s because there are so many folks who TRY to be the CLB, but who just really don’t do it very well at all. But if you’re fortunate enough to have a GOOD CLB in your midst, you’re happy to know him or her.
To be the good kind of CLB, you have to be friendly and inconspicuous. This is where the Grasshopper went wrong. He danced and sang and told the ants they were saps for working. Of course they thought he was a dick – he WAS BEING a dick! But Frederick was quiet, contemplative. When the other mice challenged him, he didn’t say “Suckers!” He convinced them that he was actually doing work – and he did so nicely.
The good CLB doesn’t take much away from the group, either. Once winter came, Frederick didn’t cut to the front of the line, or eat more food than anyone else, or say dumb stuff like, “Hey, who ate the last kernel of white corn? I was saving that!!” In fact I think he probably took even a little less than his share. He clearly knew how to work his angle, so I guarantee he played it cool in the chow line.
The most important aspect of Frederick’s CLB act – and the most difficult part to master, and probably the point where most lousy CLBs fall down – is in the payoff: the stories he shares. He clearly has some skills with words, and the mice around him love the tales he tells. He’s like Richard Pryor or Joan Rivers or even Aesop, back in the day.[ref]I’m dating myself. How about Aziz Ansari or Amy Schumer?[/ref]The stuff he comes up with is so good that the other mice shake their heads and wonder, “Where does he come up with this stuff!!??” He keeps those mice so enthralled that they even forget they’re all starving together!!
Good CLBs don’t always end up as professional performers. Many workplaces have the guy who doesn’t do Jack Squat and who everyone else complains about – the bad CLB. Equally common – but far more difficult to spot – is the good CLB. The guy who asks you about your weekend, and spends fifteen minutes discussing the awesome Pentatonix concert you went to; the woman who remembers everyone’s birthday and talks about the celebration you had; the senior director who comes over to the cubicles and tells funny stories about things that happened at the company before you were hired. These are the people who you enjoy around the office, but don’t know what it is they actually do all day. They are the workplace lubricants, making it easier to accomplish your tasks, even though they aren’t really helping you do any actual work.[ref]Frederick does play a little loose with reality, however. In real life, the Good CLB does just enough work so that others don’t feel they’re making up for his slack.[/ref]
An example of Charming Lazy Bullshitting just occurred here, in this blog post, as I spent the last several paragraphs blabbing about some unrelated topic instead of actually typing up some stuff about Pink Floyd’s The Wall. “But wait,” you say. “You do that with every album write up!” To which I say, “Indeed! But this time I don’t have a point! I’m just trying to avoid hard work.”
Because, you see, writing about The Wall is going to be hard work, and I find hard work to be … hard. Considering The Wall and describing its place among all the records in my collection creates a challenge that is unique to Rock Operas: whether to judge the work as a musical story, or as a collection of songs. Or figure out something else.
You may think it’s not such a big deal, but that’s most likely because you’ve never decided to sit down and waste spend years of your life considering which 100 albums are your favorites, and how to rank them from 100 to 1, and then writing about your endeavors for a few dozen folks to not read. If you’ve ever attempted such a task, you know what I’m talking about.
To most readers, it probably seems that The Wall should simply be judged for what it is: a rock opera – a singular narrative told through a collection of rock songs.[ref]This is different from a “concept album.” A concept album may or may not tell a single story. It may be a bunch of songs about, or inspired by, a single idea or character, but it’s not necessarily a singular narrative.[/ref]But if judged as a Rock Opera, then I have to consider the story. My appreciation of a story is greatly affected by my mood – much more so than it affects most collections of songs. There are times I listen to The Wall and find it almost overpowering in its emotion and depth, and other times that I get to “Goodbye Cruel World” and I think, “Man, I hope he finally ends it all here and just moves on to the good songs.”
So if it’s a record I can’t appreciate any old time, and there are other records I COULD listen to any old time, then I can’t rank The Wall as highly as those others – even though when I’m in the mood, it may be among my favorites.
“Okay, okay, enough already,” you say. “So big deal, then, just judge it on its songs, what’s the big whoop?”
The Big Whoop is this: some of the songs on the album – on most ANY Rock Opera album – are pretty lousy as simply songs. Works on The Wall such as “Stop” and “Vera” are very short fragments, rather unlistenable to me outside the context of the album. So if I judge it as just a collection of songs, the record will be too harshly judged.
I discussed this dilemma with the famous Dr. Dave. He made a very wise point (as he nearly always does) – stating that surely the fact that a band attempted such a work of artistry should merit some consideration. This was, I think, Dave’s cut-the-bullshit-and-admit-the-record’s-fucking-awesome way of guiding me in my thoughts.
It’s hard to overstate how HUGE a record The Wall was when it was released in late 1979. I was a 12 year old 7th grader, listening to AM radio and curating my Village People cassette collection when The Wall arrived, and even I could feel its presence everywhere. I remember B., a friend at both school and Sunday school – one of the rare crossover friends – who had older brothers and was therefore always a step or five ahead of me in musical awareness. He proclaimed the album a masterpiece in 7th grade, and I was excited to tell him I had seen a commercial on TV for it. He asked me what song was on the commercial and I replied, “Something about a wall.” He was unimpressed.
My oldest sister – a high school senior that year – purchased the record on vinyl soon after it came out. I remember my other sister and I being perplexed by the fact that The Wall contained sounds such as people talking, and a baby crying and a plane crashing – evidence to us that a) it was some kind of strange music (crying babies? Crashing Planes??!!) and b) maybe our big sister wasn’t the same girl anymore who used to play Barbies with us on snow days.[ref]Of course, I played “GI Joes,” but as the youngest, and a boy, used the term “Barbies” simply to ease communication between the genders, not because I played with Barbies! (Except for maybe a Ken here and there.)[/ref]
There was a mobile home park near my house across the street from Lions Lake (now “Ebenezer Lake”), and it sat on land about 8 feet higher than the road, Jay St. That eight feet of earth was held back from the roadway by a retaining wall made of white cinder blocks. Soon after the release of The Wall, a well-rendered, spray-painted graffito showed up on this wall stating “Pink Floyd The Wall” in an approximation of the script on the album cover. It looked really cool![ref]Except for the fact that someone had also painted “REO Speedwagon” nearby, as well(!!)[/ref] So cool that it seemed to be repainted every so often, enough that it was legible a good 15 or 20 years after its first application.
[captionpix imgsrc=”https://100favealbums.net/wp-content/uploads/2015/04/the-wall-lebanon.jpg” captiontext=”The most important and memorable graffito of my life appeared on this wall ca. 1980.”]
So before I had ever even listened closely to the album – I’m counting neither my aural glimpses through my sister’s bedroom door, nor the time I listened to “Program One” of the 8-track tape repeatedly on a malfunctioning Mego 2-XL Talking Robot toy that my cousin had[ref]It played the song “Mother” again and again, and the very-troubling-to-a-12-year-old-boy lyrics “Mother do you think they’ll try and break my balls?” was burned into my brain to, I think, detrimental effect.[/ref] – I was well-aware of the album’s existence as a cultural marker.
The album was an enormous hit, and several of the songs frequented AOR radio stations in the 80s and 90s, and are still played today on rock oldies radio. “Another Brick in the Wall, Part II” even spent four weeks at Number One on the Hot Singles chart in 1980, surrounded by such fare as “Working My Way Back to You/Forgive Me Girl,” by The Spinners, and “Desire,” by Andy Gibb.
It wasn’t until sometime in my senior year of high school that my good friend Rick, appalled that I had never listened to The Wall, recorded it on cassette tape for me and I finally listened to it for the first time. I recall being blown away. I listened to that cassette a lot, and I finally went out and purchased the CD as part of my First Grand Conversion of Musical Formats in the early 90s.
It’s difficult to describe The Wall briefly and do it justice. It is a double album length rock opera about a rock star, named “Pink” (aka “Mr. Floyd”), and his descent into madness, as told through flashbacks to his childhood and deep dives into his troubled psyche.[ref]If you want more details, the Wikipedia page is a good place to start, with links to stories with much more information.[/ref] It’s quite an audacious undertaking by the band, and a testament to Roger Waters, Pink Floyd’s founder, bassist, main songwriter and guiding creative force for The Wall, that the end result succeeds so well.
There is much to love about the album – its songs are cool and interesting, they’re diverse, and the musicianship is terrific. But what I think I love most about the record are two things: the interplay between Roger Waters’s and David Gilmour’s voices, and Gilmour’s amazing guitar work. Waters and Gilmour have had their differences over the years, but their singing voices always seem to get along.
A song that features both aspects is the aforementioned “Mother,” where Waters sings Pink’s lines, and Gilmour sings the title role:
The song has other characteristics that I love. For one thing, the “Pink” lines are in 4/4 meter, but the “Mother” lines are in 3/4. This subtle shift makes the song more interesting, but also works extremely well as an storytelling device, juxtaposing the two characters and rendering musically the distance between them (one of the first “Bricks” in Pink’s “Wall”). Also, I like how the Mother’s lyrics slowly turn from loving to creepy. Gilmour’s wonderful, evocative lead guitar work is featured in “Mother.” At about 2:52, the band snaps out of Mother’s 3/4 and Gilmour plays a typically understated yet direct solo – saying so much in so few notes. Gilmour is one of those rock guitarists – like Dire Straits’s Mark Knopfler, Eddie Van Halen, or Mike Campbell, of Tom Petty and the Heartbreakers – whose sound is immediately recognizable. His guitar work connects with me on some level that is hard to describe; it’s like I know what he means when he plays.
One of the most famous songs on the album also features the shared vocals and stunning Gilmour guitar: the scary description of Pink’s debilitating drug use – which nonetheless immediately became an anthem for recreational drug users upon its release – “Comfortably Numb.”
Waters sings the verses and Gilmour sings the chorus. The music feels a bit dreamy and floating, and sounds like I imagine having “hands just like two balloons” might feel. But Gilmour’s hands are definitely nimble enough in the solos. He plays two this time, (2:04 – 2:34 and 4:31 – end) and the sound and feel of both amaze me with every listen – even 35 years later. When asked what effects he uses to get that “Gilmour sound” on “Comfortably Numb,” Phil Taylor, Gilmour’s guitar technician of more than 40 years, said this: “It think it’s just pretty much him. He is obviously using a couple of effects, like a Big Muff and a delay, but it really is just his fingers, his vibrato, his choice of notes … I find it extraordinary when people think they can copy his sound by duplicating his gear. In reality, no matter how well you duplicate the equipment, you will never be able to duplicate the personality.”
A third song featuring my two favorite components is “Hey You,” with the boys sharing vocal duties, and Gilmour being Gilmour, and also playing some wonderful fretless bass.
“Hey You” is a sad song and since The Wall tells a sad story, all of the songs have varying degrees of sadness to them. Many are slow songs. I’m not typically a fan of collections of slow, sad songs, but they work here as a part of the larger story.[ref]This is a case where having a story helps bump up my rating of the album. Although, if I’m not in a mood for sad songs, I probably won’t pull out The Wall to listen to.[/ref] But there are a couple of rockers on the album, and even with their tinges of sadness, I could listen to them any time.
“Young Lust” is a reflection of Pink’s desires as he makes his way in the world.
But with it’s reference to needing a “dirty woman” – just the type of woman “Mother” said she’d never let get through to him – it sounds more sadly desperate than sexy. It has (again) fabulous guitar playing, showing that Gilmour can evoke anything with that axe. Also worth mentioning is Roger Waters’s’ bass playing on this track. He is the main visionary, songwriter and singer in the band (and particularly on The Wall) and sometimes it seems like “bass player” is indeed the fourth item on his To Do list. But on this song he plays a sort of funky, bouncy, 70s-sounding bass line that helps give the song a feeling of fun. The song ends with Pink calling his girlfriend and hearing a man answer – the type of non-musical addition that challenged my sister’s and my view of music back in 1980.
Non-musical additions such as this certainly add some emotion and context to the songs, helping to place them squarely into the narrative of the piece as a whole. But such additions – to my taste – can sometimes takes away from the songs. There are times when I’d rather hear more of the actual song, and perhaps have another verse help carry the narrative. For example, the very good “One of My Turns” uses TV clips and the sounds of a room being destroyed.
However, the song is rather short, and ends before I want it to end. It makes sense as a narrative piece (Pink wigs out (one of his ‘turns’), his lady friend leaves, he suddenly finds himself alone) but I’m a music fan, and I want to hear more music. I want another Gilmour solo, I want more vitriolic lyrics spat with gusto through Waters’s snarl. I think the narrative could’ve been achieved with another verse instead of the added sounds.
Similarly “Goodbye Blue Sky,” is excellent, and deserves to be a lengthier song, but instead has been whacked down to a measly 2 min 48 seconds, with two verses and a single chorus, in order that it fit into the structure of the record.
I understand that not all songs can be “Hey Jude” length – no matter how good they are – but several songs on The Wall sound – to my ears – incomplete.
And then there are the final six songs, Side Four of the vinyl double album. It contains the songs “The Show Must Go On,” “Run Like Hell, “Waiting for the Worms,” “Stop,” “The Trial,” and “Outside the Wall.” This is where the album really gets too theatrical for my tastes. Now, as I’ve said before, I grew up listening to my mom’s Broadway musical cast recordings – Annie, Fiddler on the Roof, My Fair Lady – and I appreciate the craft and musicality of good show tunes. However, I’m really a rock music fan, and Side Four sounds too much to me like show tunes. Again, the songs fit nicely into the story of Pink, and the Beach Boys-esque backing vocals throughout the songs (featuring none other than Toni Tennille, of The Captain and Tennille fame)[ref]Although I’ve also heard that her parts were not used on the album.[/ref] are really cool. But in terms of songs, the only one that connects strongly with me is “Run Like Hell.”
Ah, David Gilmour. I know, I know, again with the guitar. But he is a genius, you gotta admit. I should mention drummer Nick Mason here, who seems like a solid drummer, but who I never think about much. This song lets him play a nice, fat disco beat. While I’m at it, I’ll mention keyboardist Rick Wright, who was fired from the band soon after the recording of The Wall. There isn’t a lot of standout keyboards on The Wall – it’s mostly supporting instrumentation. Which, given my love of Gilmour, is okay with me.
Of course, the biggest song on the record, the one that struck a chord with listeners worldwide, even in the midst of a global, near-debilitating case of Disco Fever, was that ode to the terrors of elementary school, “Another Brick in The Wall, Part II.” (Here it is paired with the introductory song, actually called “The Happiest Days of Our Lives.”)
There’s a little something for everyone here. Even the sunniest, most well-adjusted folks on Earth probably had a few miserable moments in elementary school. So this is the song where we all get to tell the teachers, “Hey, teacher! Leave them kids alone!”[ref]Using poor grammar, as well, just to really piss them off![/ref] It actually conveyed a punk rock sentiment that was somewhat controversial even as late as 1980. It’s a really cool song, with Mason and Waters providing a rhythm that sounds just funky enough (of course, not really funky) to attract the era’s disco-infected masses. Need I even mention that it also has amazing guitar work by David Gilmour? Probably not, but it does.
The Wall was clearly a massive creative undertaking that took substantial work, patience and sustained attention to detail to create. It is exactly the sort of thing a Lazy, Charming Bullshitter such as myself could never do. It tires me out just thinking about it. But I think Frederick would agree with me that us Lazy, Charming Bullshitters are forever grateful for the hard workers around us, such as Pink Floyd. As long as they keep doing the heavy lifting, I’ll do my best to stay out of their way and blab about it afterwards.
In the Flesh?
The Thin Ice
Another Brick in the Wall (Part I)
The Happiest Days of Our Lives
Another Brick in the Wall (Part II)
Goodbye Blue Sky
One of My Turns
Don’t Leave Me Now
Another Brick in the Wall (Part III)
Goodbye Cruel World
Is There Anybody Out There?
Bring the Boys Back Home
The Show Must Go On
Run Like Hell
Waiting for the Worms
Outside the Wall
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Times That Try Men's Souls
- In stock, ready to ship
- Backordered, shipping soon
This is a past Tee Party Shirt - May 2020
These are the times that try men’s souls... Certainly a quote for the ages. The timing for this Tee Party couldn’t have been any better. This is one of our favorite quotes from one of our favorite patriots, Thomas Paine. This is a famous statue of Paine located in Burnham Park NJ!
Our shirts run a little small and are athletic fit, so if you are in-between sizes or are unsure, please order up one size.
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The prizes of the 15th Kecskemét Animation Film Festival were awarded in Hírös Agóra of Kecskemét tonight. Six juries evaluated the competition programme of 90 works and they gave out awards in 19 categories.
The award for Best European Feature Film and the Audience Award both went to Tomm Moore’s Wolfwalkers. The prizes for Best Hungarian and European TV Series, Best 3D Film, and Best Script were received by Mária Horváth, creator of Gipsy Tales. Gábor Ulrich’s short titled Dune was given the award for Best Animation Work, as well as the Award of the Hungarian Film Critics. The film Helfer by Anna Szöllősi was recognized as having the Best Visual Language. The prize for the Best Short Film was shared by Kinga Rofusz’s Home and Bye Little Block! by Éva Darabos. Zsófia Osztós won Best First Film with her work titled Anywhere. The biannually organized international festival was held between 11 and 15 August this year.
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Title | Dark River of Stars |
Press Name | Black Dog Studio |
Publication Date | 2012 |
Author of Text | Paulann Petersen, Poet |
Book Binder | Laurie Weiss, Binder |
Number of Images | 12 solar plate etchings |
Structure / Binding | Drum-leafed bound text block is case bound and presented in a single-tray clamshell box covered in book cloth. |
Medium / Materials | Etchings are hand printed on BFK Rives paper using solar plates. |
Number of Pages | 12 |
Dimensions (WxHxD) | 7” wide x 10” tall x ¾” deep |
Edition Size | Edition of 50 |
Dark River of Stars is the collaboration of three Northwest artists: Oregon Poet Laureate, Paulann Petersen; printmaker, Barbara Mason; and bookbinder, Laurie Weiss. Poems collected in this volume were gifts the poet sent out individually each Valentine’s Day to friends and family over a period of nine years. The book’s title is taken from a line in one of the poems; it’s a metaphor for a signature, for the uniqueness of each human sensibility. This book’s etchings are hand printed using solar plates. Its pages are drum-leafed, case bound, and presented in a matching box.
Oregon’s sixth Poet Laureate, Paulann Petersen has five full-length books of poetry: The Wild Awake, Blood-Silk, A Bride of Narrow Escape, Kindle, and The Voluptuary, published by Lost Horse Press in 2010. She was a Stegner Fellow at Stanford University, and the recipient of the 2006 Holbrook Award from Oregon Literary Arts. A current Associate Fellow at the Attic Institute, she serves on the board of Friends of William Stafford, organizing the January Stafford Birthday Events. Barbara Mason is an artist/printmaker working in her own studio west of Portland, Oregon. A lifelong artist, she began studying printmaking in the early 80s and was immediately enamored with the medium. Barbara made viscosity monotypes almost exclusively for 20 years until she discovered Solarplate etching. She has been an enthusiast of this process since 2001 and has taught the process in workshops since 2002. Barbara is also an arts advocate and active in the community, teaching and serving as a local resource. Laurie Weiss became hooked on book structures in 1991, and worked to expand her knowledge and understanding of the principles and methods for binding books. She makes books that are both artistic and functional, creating journals and artist books that meld the visual with the tactile. Laurie is also the director of the biennial Focus on Book Arts, a 5-day event held in Forest Grove, Oregon encompassing workshops, keynote address, artists’ shop, exhibit, and evening receptions.
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San Francisco is a city synonymous with diversity, counterculture, and the gay rights movement. But as artist and Photo and Media faculty Kaucylia Brooke learned, by 1995, there were no longer any seven-day-a-week lesbian bars in the city. Yes, there were spaces that held lesbian happy hours or dedicated nights, but there were no standalone bars left for gay women.
Born from that absence was The Boy Mechanic, Brooke’s ongoing project that documents the history of lesbian bars in a number of cities and towns, including San Diego, San Francisco, Oakland, and Los Angeles, as well as Cologne in Germany.
She began The Boy Mechanic in 1996 as a commission from the Museum of Photographic Arts in San Diego for the exhibition Re: Public; Listening to San Diego. Brooke conducted videotaped interviews with San Diego lesbian bar patrons who took her to current and former sites of the bars, resulting in a 30-minute video of lesbian bar history.
The social history project has had several exhibitions and iterations, from a three-channel video installation at the Landesmusuem Joanneum in Graz, Austria, to a wall-sized chalkboard drawing of a map of LA annotated with bar site photos and text at the Los Angeles Municipal Art Gallery in Barnsdall Park.
“I realized an archive of disappearing spaces was important,” said Brooke during a recent phone interview. She added that she was drawn to documenting “how people can invent themselves and create a safe space.”
The Boy Mechanic is reminiscent of projects that document the lost and existing places from The Green Book, which guided Black travelers to safe spaces—hotels, restaurants, gas stations—during the Jim Crow Era of the early-to-mid 20th century.
In an interview with the digital art journal East of Borneo published in August, Brooke discusses in detail the origins of the project and why she continues to work with gay and lesbian archives to find addresses of now-defunct bars—from an artistic viewpoint—after nearly three decades.
I was thinking about gender and space and gendered architecture. In particular, I was drawn to preexisting vernacular architecture that had been re-purposed for lesbian bars. Lesbian bars were often in spaces seemingly devoid of architectural beauty or historical importance. I made these meticulously composed, large-format and large-scale photographs of lesbian bars and the former sites of lesbian bars to elevate them to a status of monumentality, presenting them as edifices of profound historical significance, akin to revered governmental buildings, architectural masterpieces, or the preserved homes of literary luminaries. Through this visual treatment, I want these once-overlooked spaces to be recontextualized as vital landmarks, demanding the same reverence afforded to traditionally recognized historical sites.
During the course of the project, Brooke has found that each city’s character, architecture, and landscape helps determine the final works, which have included photographs, images, and maps. “In San Diego, you have this big blue sky and separate buildings. In Los Angeles, there are much wider streets with all the facades connecting,” she noted in East of Borneo. “Cologne is a post-WWII vertical city, so it looks different from San Diego and Los Angeles. San Francisco is also a vertical city but still retains many Victorian facades.”
Los Angeles had its own particular challenges when documenting building facades or even empty lots, located on busy streets with traffic and cars zooming by. (Angelenos can get annoyed easily when their commutes are interrupted.) Brooke recalled her assistant Christie Williams shooting video from her SUV’s moonroof as they drove past LA locations. Their work garnered a lot of attention: “We had a lot of reactions from people on the street, mostly from men who flipped us off or waved at us. One guy even mooned us. That encapsulated my experience of Los Angeles.”
A faculty member of the Program in Photo and Media since 1992, Brooke’s multidisciplinary practice addresses the politics of cultural production and sexual representation. The Boy Mechanic takes its name from a Popular Mechanics’ book series, in which men and boys were instructed on how to fix and build things. Women, of course, were left out of the frame. Brooke’s series plays on that erasure as well as the perception of lesbian gender and identity.
Read the entire conversation “When The Lights Go Out: Kaucyila Brooke on the Disappearance of Lesbian Bars” at East of Borneo.
Fun fact: East of Borneo mentions that the only seven-days-a-week lesbian bar currently in LA is The Ruby Fruit, a Silver Lake wine bar. The bar was co-founded by CalArts alum Mara Herbkersman (Theater BFA 08) and Emily Bielagus in 2023.
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Transfer from Golders Green (NW11) to Stansted Airport
Golders Green features one of the most beautiful parks in London. It’s called Golders Hill Park and it’s situated close to the West Heath in Hampstead Heath. This formal park used to accommodate a large house that was destroyed during the Second World War. It has a small zoo for the little ones, a magnificent butterfly house, a nice café, a beautiful water garden, a couple of ponds, an amazing flower garden and a walled garden. Besides the duck pond, there is also a pond with white and black swans. There is also an area created especially for fallow deer.
The Golders Hill Park includes a putting green, a well – equipped playground and a few tennis courts. The site of the former mansion is now occupied by a top of the line restaurant. In the summer time, the park administration organises a wide array of activities for the kids. Moreover, in July and June, the visitors can listen to live music every Sunday afternoon. The zoo is opened for both children and adults and it houses White-naped Cranes Ring-tailed Lemurs, Red-legged Seriemas, Maras and Alpacas.
Transfer from London Stansted Airport to Golders Green (NW11) by Rail:
So as to get transfer from London Stansted Airport to Golders Green by rail, you need to take the National Rail Service to London Tottenham Hale. This journey will last almost 35 minutes. From Tottenham Hale Station, you can take the tube to Euston Station and from there you will take another tube to Golders Green Station. Other transport options include taking a taxi transfer from Tottenham Hale Station, Euston Station or Stansted Airport to Golders Green.
Transfer from London Stansted Airport to Golders Green (NW11) by Car:
In order to get from Stansted Airport to Golders Green by car, you have to take the M11 motorway. The distance between Stansted Airport and Golders Green is 35.6 miles.
Transfer from London Stansted Airport to Golders Green (NW11) by Taxi:
A Taxi Transfer from London Stansted Airport to Golders Green with 247 Airport Transfer will take approximately 1 hour and 5 minutes. The Stansted Airport Transfer to Golders Green will cost around 55 GBP for a saloon car.
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Transfer from Kensington (W8) to Stansted Airport
Another important activity centre in Kensington is South Kensington. This area features a wide array of small shops, located near to the South Kensington tube station. This region also includes the famous Exhibition Road that houses numerous educational institutions and museums such as the Imperial College London, Victoria and Albert Museum, Royal Geographical Society, Natural History Museum and Science Museum. These venues are definitely on the list of must – sees for anyone who visits Kensington.
Kensington is a district that’s highly populated. Despite this aspect, it does not comprise any high – rise building. Most of the structures are terraced houses built in the Georgian and Victorian eras. The properties have up to 6 floors and they include flats and apartments. The Holiday Inn in Kensington is the only high – rise structure. It has 27 storeys and it’s located on Cromwell Road. The Georgian and Victorian houses are some of the main attractions in Kensington. Their architecture is unique and makes the region look picturesque.
Transfer from Stansted Airport to Kensington (W8) by Rail:
So as to get transfer from Stansted Airport to Kensington by rail, you need to take the National Rail Service to London Liverpool St in a journey that lasts almost 50 minutes and then the tube to High Street Kensington Station. Other transport options include taking a taxi transfer from Liverpool Street Station or Stansted Airport to Kensington.
Transfer from Stansted Airport to Kensington (W8) by Car:
In order to get from Stansted Airport to Kensington by car, you can take the M11 motorway. The distance between Stansted Airport and Kensington is 43.6 miles.
Transfer from Stansted Airport to Kensington (W8) by Taxi:
A Taxi Transfer from London Stansted Airport to Kensington with 247 Airport Transfer will take approximately 1 hour and 20 minutes. The Stansted Airport transfer to Kensington will cost around 58 GBP for a saloon car.
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The 7.3 magnitude quake hit the Kermadec Islands off New Zealand, according to the US Geological Survey. creating a tsunami warning that was taken off after business hours.
Before you raise the alarm authorities have asked residents near the coasts near the area to leave the area prior to the tsunami warning.
The US Tsunami Warning System initially signaled a tsunami threat following the quake and warned of the possibility of “dangerous waves” 300 kilometers from the quake’s epicenter along the coast of the Kermadec Islands.
However, About an hour after the earthquake was recorded, it turned out that there was no tsunami threat for the country.
According to preliminary information, the epicenter was around the Kermadec Islands, which are located about 500 miles northeast of the coast of New Zealand.
The Kermadec Islands, located between New Zealand and Tonga, are uninhabited.with the exception of the personnel of the base permanently stationed on Raul Island, which has a weather and radio station.
New Zealand sits on a fault line between the Pacific and Oceanic tectonic plates and records about 14,000 earthquakes every year.of which 100 to 150 are strong enough to be perceived.
Source: La Opinion
Alfred Hart is an accomplished journalist known for his expert analysis and commentary on global affairs. He currently works as a writer at 24 news breaker, where he provides readers with in-depth coverage of the most pressing issues affecting the world today. With a keen insight and a deep understanding of international politics and economics, Alfred’s writing is a must-read for anyone seeking a deeper understanding of the world we live in.
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About the author
DM, aspiring artist, and founder of 2-Minute Tabletop! I love drawing, writing, and worldbuilding, and this is the website where all of it comes together.
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Toys and Games
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We spraken met Bas van Eijndhoven, Huisvestingsadviseur, Projectmanager en Partner bij 4Building over het ontstaan van het bedrijf. Wat waren de drijfveren om meer dan 11 jaar geleden dit nieuwe bouwadvies- en managementbureau te starten?
Hoe is het idee ontstaan om een eigen bedrijf te starten?
Ik werkte destijds bij het adviesbureau BM Managers van het Bouwproces in Hoofddorp. Ik was daar sectormanager Gezondheidzorg en we werkten met 16 projectleiders en – managers aan grote en kleinere gezondheidszorg projecten in Nederland. In 2005 werd dit bedrijf overgenomen door Royal Haskoning. Ik kreeg de leiding over een team met 15 man en we werkten in een breder en internationaal werkveld. Zo heb ik projecten en concepten ontwikkeld in China en maakte het integrale adviespotentieel ook Total Engineering projecten mogelijk zoals Gelre Ziekenhuis Zutphen. Totaal had het bedrijf 4.600 werknemers en daardoor was ik als adviesgroep-hoofd meer bezig met de administratie, dingen intern afstemmen en vergaderingen bijwonen, dan dat ik echt projecten kon doen. En juist die projecten, daar wilde ik zijn.
Bij BM ontmoette ik ook Philip Wenneker. Hij was later net als ik manager met een groot team bij Royal Haskoning en liep tegen dezelfde dingen aan. Een keer zei ik in een gekke bui tegen Philip, “Heb je er wel eens aan gedacht om voor jezelf te beginnen?” Waarop Philip zei, ”Tegenwoordig elke dag”. Dit was het begin van het eerste idee van 4Building in 2008.
Wat wilden jullie met het nieuwe bedrijf?
We wilden vooral gave projecten en projecten slimmer/innovatiever doen. Geen grote papieren tijgers, bureaucratie, maar vooral vernieuwen, want ook dit is lastiger bij een groot corporate bedrijf. We wilden kansen die we zagen verkennen en verzilveren.
Hoe kreeg het bedrijf vorm?
We spraken ook met Kees Regelink, specialist in bouwkostenmanagement en manager bij Royal Haskoning en Rens Reedeker, directeur van een bedrijfsonderdeel van Royal Haskoning. Samen zouden wij de perfecte combinatie zijn voor een nieuw bedrijf, want op deze manier hebben we alle disciplines onder één dak. Bas van Eijndhoven, voor huisvestingsadvies, Philip Wenneker voor projectmanagement, Kees Regelink op bouwkosten en Rens Reedeker voor het contracteren en aanbesteden van partijen.
Met deze 4 kunnen wij alles bouwen en zo is de naam 4Building ontstaan.
“If you can dream it, we can build it”
Foto: Start van 4Building (2009) met Philip Wenneker, Kees Regelink, Rens Reedeker en Bas van Eijndhoven.
Wat zijn de uitgangspunten van het bedrijf?
Een ander idee voor de bedrijfsnaam was Fris, dit is het niet geworden, maar dan begrijp je wel onze gedachte en onze insteek.
We wilden slimmer zijn, slagvaardiger, projecten anders benaderen en echt luisteren naar klanten. Vanuit deze gedachte zijn we 4Building begonnen en dit is nog steeds ons uitgangpunt.
De afgelopen jaren hebben we onze ideeën uitgewerkt. We zijn op zoek gegaan naar soortgelijke ontwikkelingen ofwel ‘hoe doet een andere sector dat’ (cross-market-innovation). Vanuit die opgedane kennis en kunde hebben we tools ontwikkeld om ook echt te kunnen luisteren naar klanten. Daarom komen wij vaak met een ander programma van eisen dan andere, meer traditionele, adviseurs. Wij leveren maatwerk en hebben zoveel ervaring dat wij niet alleen “Product A” of “Product B” aanbieden, maar durven ook producten A en B te combineren en kijken precies naar wat het project (bijvoorbeeld Ab) nodig heeft. We kijken naar jouw specifieke behoeften, wensen en ambities.
Voorbeeld Programma van Eisen
Ik werd laatst geconfronteerd met twee Programma’s van Eisen van 2 verschillende scholen van dezelfde bekende adviseur en na goed kijken zag ik twee dezelfde Programma’s van Eisen alleen hadden ze de naam van de school gewijzigd. Dit kan dus bij ons niet, want de ideeën en behoeften van de twee scholen kunnen nooit identiek zijn. Zo is een Programma van Eisen wel goedkoop, maar wil je dit als klant?
Wij geloven in een totaal benadering van een project, want hoe eerder je in een project naar elementen, zoals doelen, ambities, principes/werkwijzen, innovaties kijkt, hoe gerichter jouw Programma van Eisen je gaat helpen als eerste stap in het bouwproces. En dit komt het ontwerp en de uiteindelijke bouw alleen maar ten goede. Op deze manier heb je echt wat je wilt, voor nu en in de toekomst.
Voorbeeld Erasmus Universiteit
Zo werden wij gevraagd voor een Programma van Eisen voor een uitbreiding van de Erasmus Universiteit. Wij waren de duurste, maar omdat we kritisch waren over de uitvraag en we lieten zien hoe wij graag een Programma van Eisen maken en waar de meerkosten in zouden zitten, hebben wij toch de opdracht gekregen, omdat we inhoudelijk het beste voorstel deden.
Wij kijken verder, breder en buiten de gebaande paden, zodat het een zo compleet mogelijk huisvestingsadvies wordt.
Hoe is het bedrijf uitgegroeid tot wat het nu is?
We zijn met z’n vieren in Leimuiden begonnen met niets. Na een jaar waren we al met 10 man, deden we leuke projecten en dat doen we nu meer dan 11 jaar later nog met ruim 20 man. Ik houd mij bezig met techniek en de ‘new business development’ tak, Philip is onze proces man en Kees is goed met financiën en bouwkosten. Rens is met pensioen gegaan. Zijn tak wordt nu gedaan door anderen in het bedrijf.
Wat typeert de opdrachten van 4Building?
In onze projecten zit altijd een vorm van complexiteit. Deze uitdaging kan zitten in de techniek, geld, fasering of in meerdere dingen tegelijk. Juist bij deze projecten, vaak utiliteitsprojecten komen wij tot ons recht.
Hoe pakken jullie de opdrachten aan?
Wij zijn oprecht geïnteresseerd, vragen door om de essentie te snappen en te zien waar het beter kan. Dat is echt onze kracht, de juiste vragen stellen. We hebben geen specifiek specialisme en kunnen juist doordat we de juiste vragen stellen voor iedereen werken. Denk hierbij aan zorginstellingen, overheden, projectontwikkelaars en beleggers, onderwijs- en cultuurinstellingen, bedrijven, sport- en recreatie instellingen, woningbouwverenigingen en adviesbureaus. Zowel in de profit als non-profit sector.
Wij zitten graag in de verwondering, maken gebruik van het kind-deel in ons brein. Hoe zit dit? Waarom wil je dat? Leg eens uit? We gaan erboven hangen, maken overzichtelijke schema’s, luisteren (verbaal), kijken (non-verbaal), brengen de behoeften in kaart en laten vernieuwende oplossingen zien.
Voorbeeld Efficiënt Bouwen
Zo waren we bij een klant die wilde uitbouwen. Hij wilde drie kamers erbij van 20m2. Prima, zou je denken, dan doen we dit. Maar uitbouwen is een ”oplossing” en wij zijn eerst benieuwd naar de behoefte erachter. Waarom wil de klant uitbouwen? Het bleek dat de klant ruimte tekort kwam. Maar na even doorvragen op waar de klant deze ruimte voor ging gebruiken en wat hij nu met de soortgelijke ruimten deed, bleek dat de klant geen drie kamers van 20m2 nodig had, maar twee. Je betaalt gemiddeld €2500,- euro voor één m2 uitbouwen, dus als je bedenkt dat de klant door ons advies 20m2 minder hoeft uit te bouwen, dan levert doorvragen en kritisch zijn een besparing op van €50.000,-.
Dit is dus precies wat ons advies waard is. Dit is wat wij doen en waar we jou graag mee helpen.
Bas van Eijndhoven | Huisvestingsadviseur, Projectmanager en Partner bij 4Building.
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Handcrafted, all-natural, and affordably priced, Cuban Rounds brings an exceptional experience of heritage and tradition to the everyday consumer. The well-balanced cigars feature intuitive blends and construction that are reminiscent of Cuban mastery, offering layers of textured flavor with every puff. Refined, nuanced, and perfect, each smoke highlights the quality of the leaves and the complexity of the tobacco within. And it’s available at prices everyone can afford.
Enjoy this Robusto (4.75x50) Natural Fresh Pack of 3 cigars now!
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“Pate Pate” is an ode to having a good time dancing to the sweet rhythms of the pate log drum. Sung in Tokelauan (a rarity in the world of NZ On Air video funding), it’s an upbeat and highly danceable number. According to Wikipedia, the song was “number one in the South Pacific”, but, uh, citation required.
The video is on-the-road footage of Te Vaka touring Europe. There are even some shots of a WOMAD gig, so I’d guess this is life on the world-music circuit.
The group have made good use of their travels, fitting in a lot of sightseeing (and video making) in their downtime. We see them wobbling in comedy-size clogs in Amsterdam, checking out the sights in Glasgow, doing the tourist thing in Piccadilly Circus, strutting in front of the Eiffel tower, enjoying sunny European canals and dancing wearing a coconut bra.
And we also see them gigging, playing to large festival audiences. Everyone’s up and dancing to this exciting musical group from the other side of the world.
Phil Collins set the bar pretty high with his video for “Take Me Home”, shot in different locations around the world as he was touring. Te Vaka obviously have a much lower budget than ol’ Phil, and their video has more excitement to it. Rather than making a deep statement about travel, the video captures the thrill of a band who are touring Europe. Seeing the two Te Vaka girls dancing in front of Madame Tussauds, it has a sense of, “Can you believe it? We’re actually in London! This is awesome!”
Best bit: the alarming early shot of a festival performer with large fake boobs.
Director: Julie Foa’i
Ngā Taonga Sound & Vision
Next… red light special.
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From start your research procedure for IHeartBreaker.com, we unearthed that this online dating service is of additional adult dating sites. More particularly, IHeartBreaker.com is possessed and operated by the exact same business whom additionally runs Milfaholic.com, CurvyBbw.com, and LocalMilfSelfies.com. We now haven't however completed an assessment on all these websites, but is going to be checking out them soon.
Now, we invite you to read on this analysis on IHeartBreaker.com where you will learn towards scamming methods employed by this web site to deceive and rip off their particular customers.
What's the catch?
If you are not careful, you may well be deceived into believing IHeartBreaker.com is a legitimate site. However it isn't and there are numerous warning signs to alert you. One of the first ones for all of us was after website would not lets speak at all with any individual unless we taken care of registration. Let me reveal IHeartBreaker.com's cost listing:
- $8.91 to get a 3 day demo period
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- $49.95 buying 8 weeks of subscription
- $69.90 purchase three months of subscription
What are you purchasing?
1) Fake ladies' users called "Online Cuties"
If you aren't alert to the existence of the "on the web Cuties", may very well not actually notice that all women's pages that exist on IHeartBreaker.com commonly actual. You can easily recognize these "Online Cuties" pages by small yellow celebrity by which they've got the letters "OC" written. If you should be questioning just what "Online Cuties" means, we found out that people are entirely made-up and fabricated internet dating profiles of females that do not exist. Absolutely nothing from pictures, their personal information, interests, etc. is actually authentic. These users are created by web site's proprietor utilizing the purpose to really make it appear like their own dating internet site is filled with attractive women prepared possess some on-line enjoyable.
As part of our examination, we read the IHeartBreaker.com Terms of Service document merely to find good evidence for the findings.
EVIDENCE: "THIS GREAT SITE UTILIZES FANTASY PAGES DEFINED AS ONLINE CUTIES. You understand, accept, and believe that a number of the users on the Site is likely to be managed by our website or third party contractors and are usually make believe. These profiles and relationships produced from their store tend to be obviously labelled utilizing the on the web Cuties logo design"
"you realize, accept, and agree totally that the communications, profile info, and material utilized by on line Cuties users cannot originate from any real Site user, but they are present for instructional, entertainment and web-site spying reasons just. Any similarity between on line Cuties profile info or relationships to virtually any genuine person tend to be solely coincidental and fictitious."
You'll be contacted by these "using the internet Cuties" since you have decided to it by joining and generating a profile on IHeartBreaker.com. Don't get worried if you failed to view it, it is printed in super small characters. And who reads the terms and conditions anyhow? We advise you to never skip this essential area of the process, given that it works out that inside terms and conditions web page you might get relevant information that are a deal-breaker.
2) computer system automatic messages through the "on line Cupids"
it is another essential simple fact that IHeartBreaker.com acknowledges to carrying out. They send-out automatic electronic mails and phony "flirts" to genuine members of your website. It may seem a female is getting in touch with you, in fact its all sent from computer software to numerous site members on top of that. Your website makes use of the make believe "on line Cupids" to deliver these messages and deceive men and women into considering women on this website tend to be flirting together.
EVIDENCE: "You furthermore comprehend, recognize, and concur that, on the web Cutie pages may contact both cost-free people and paid people with pc or human produced communications for the purposes listed above. These communications may be started to many consumers at the same time or in a tiny timeframe. Should a person react to an interaction from an on-line Cuties profile, said user may obtain a number of person or computer system created responds from the on the web Cuties profile."
3) Employees are employed to chat you up
This site makes use of all readily available tools to fool and deceive their users. The fake ladies users while the automated communications are only a part of the fraud. As quoted into the excepts above, they even employ "third parties" and "human generated interactions", which means you'll find genuine staff members on this website that happen to be employed and paid to interact with you, send you communications, flirt along with you and make you stay on the site.
We discovered this area of the entire con a lot of annoying. If you came across some one on the internet site whom actually was not an "on line Cupid", they might be most likely paid to imagine they like you.
EVIDENCE: "relationships originating from Online Cuties functionality could possibly be computer created or might be developed by the website or alternative party companies chosen from the Site."
The verdict on IHeartBreaker.com
Now that you've study our overview, we hope you happen to be aware concerning scamming manners which this incredible website, like many others, is operated. Leave your friends learn and warn anybody who you know as long as they might-be making use of IHeartBreaker.com. Clearly, there is no part of giving your hard earned dollars to supply one insect fraud.
IHeartBreaker.com Contact Info
Addresses: Heywood Home, Southern Hill Anguilla
E-mail call: [email protected]
Phone Number: toll-free: 1-866-883-4978 FREE or 1-925-264-3473
You can contact the higher Business Bureau to register an ailment if you feel that you've been scammed or scammed by IHeartBreaker.com.
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The About page is the core description of your website. Here is where you let clients know what your website is about. You can edit all of this text and replace it with what you want to write. For example you can let them know how long you have been in business, what makes your company special, what are its core values and more.
Edit your About page from the Pages tab by clicking the edit button.
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In The Loop: June 2022
By Ron Aaron Eisenberg
Drive Through SA Zoo
San Antonio Zoo is bringing back its drive-thru the zoo experience for a limited time in June.
The zoo launched the drive-through in 2022, during the coronavirus pandemic. The goal was to generate income when the zoo would otherwise have been closed, and it was a huge success.
The drive-through sold out in just two hours. A zoo spokesperson told 78209 Magazine, “Some 30,821 vehicles motored through the zoo in 2022, with an estimated 154,105 guests! The event was a game-changer for the zoo, which relies on gate income for support.”
Guests will get to explore a wild zoo route while staying in the comfort of their cars. The cost is $52 per car for Members and $65 for non-members. The route through the zoo will take families past lions, tigers, and bears. A zoo spokesperson told me, “Folks find it to be an engaging and new way to experience the zoo.” The spokesperson also noted that vehicles regularly drive through the zoo for deliveries, maintenance, and more. So, he said, the animals are used to the noise and engine exhaust.
“We are incredibly excited to bring back this fun San Antonio Zoo experience to our guests this year,” said Tim Morrow, President & CEO of San Antonio Zoo. “Drive-Thru Zoo was imperative to our operations at the beginning of the pandemic and received worldwide attention and replication due to its creativity!”
Aid the Silent Moves to ’09
Aid the Silent, a nonprofit organization formerly based in Boerne, has purchased and opened its new headquarters at 8126 Broadway St, a facility built in 1955. The space previously housed a ballet studio. Before that, Turner Street Productions had its studios there.
Emma Faye Rudkin, two-time Miss San Antonio, is the founder and executive director of Aid the Silent. Emma went profoundly deaf at the age of three and has spent her life turning her disability into an ability. She is an internationally known role model and public speaker for the deaf and hard-of-hearing community.
Emma graduated from the University of Texas at San Antonio Honors College with Highest Honors and Cum Laude with a BA in Communications and a minor in Non-profit Management. Rotary Club of San Antonio named her the Outstanding Young San Antonian of the year in 2021. In addition, Emma Faye and her trusty side-kick service dog, Hank, are on a PBS child’s video series called “Hank & Emma Faye,” to teach children sign language, kindness, and inclusivity. The series recently won a Regional Emmy.
Aid the Silent helps economically disadvantaged deaf children and teens, enabling them to reach their full potential and live life more richly. It provides funds for hearing and speech resources.
The 6,663-sq.ft. property on Broadway St. is appraised at $963,660 by the Bexar County Appraisal District.
Battle Lines Drawn Over Noise & Traffic From Bars on Broadway St.
Neighbors living near Bentley’s Bar, 8123 Broadway St., are renewing complaints about late-night noise and traffic overrunning their neighborhoods.
They have enlisted the help of Precinct 3 Constable Mark Vojvodich to help address traffic and parking issues.
At a recent Oak Park Northwood Neighborhood Association (OPNNA) meeting, the Constable announced that he and his officers have begun patrolling roads adjacent to 8123 Broadway St. “We have ticketed vehicles parked in no parking zones. And we have supervised towing of cars parked illegally at nearby businesses.”
Vojvodich told attendees at the OPNNA meeting that he is working closely with Precinct 2 Constable Leticia Vazquez to increase patrols around Bentley’s Bars.
While there are several bars in the area, including Rebar and The Hangar, residents say the noise and traffic appear to come predominantly from Bentley’s. Of note, Bentley’s has taken over all three bars at 8123 Broadway St.
The precinct 3 Constable also said he thinks code compliance should determine whether Bentley’s expanded front patios have reduced the space for the required fire lane in front of the buildings. And he also questioned whether there is sufficient parking for the businesses.
AH Bike Park
Bike enthusiasts, city officials, and area families gathered recently at the official groundbreaking for the new Alamo Heights Bike Park. The park sits on a 1.28-acre parcel between the Bark Park and Alamo Heights ISD Baseball Field. The city of Alamo Heights leases the land from San Antonio.
Alamo Heights Assistant City Manager Phil Laney told 78209 Magazine, “The Bike Park is an example of an area asset that centers around outside physical activity where our young residents & neighbors can develop a life-long skill with their friends.
“Young bike riders can spend their time mastering the unpaved trails as they weave their bikes between the trees. For older riders, the park is a convenient & accessible place to ride. The trails also offer the space and opportunity for expert riders to mentor less experienced riders. In a digital age, public spaces like the Bike Park offer a chance to meet old friends, make new ones, challenge oneself to succeed, fail, and try again.
“The initiative to create the Alamo Heights Bike Park came from the ingenuity and effort of young bike riders, coupled with the support and encouragement of their parents. What began during the early days of the COVID pandemic as a few homemade ramps placed in natural areas around Alamo Heights is now a dedicated space on land owned by the City of San Antonio, leased and supported by the City of Alamo Heights, and envisioned, operated, and maintained by residents.”
Laney added, “The beauty of the AH Bike Park is it’s an idea that came from our residents – our youngest residents – and then it was the grownups’ job to figure out how to make it work. Council’s support of the idea and the residents’ commitment to making this once non-descript piece of land into a park shows what success can come from collaboration and partnership.”
Pearl Summer Nights
Pearl recently announced the return of its Summer Nights dance party – Summer Block Party, a new limited-time music series with SoundCream Airstream.
Guests are invited to the Pearl on Thursday evenings through July 28th to enjoy performances from various DJs. Summer Nights began on May 19th.
Musical themes will vary from week to week. Soundstream Airstream will be stationed in Pearl Park, so visitors can enjoy treats from San Antonio’s first food hall, The Bottling Department, and drinks from Park Bar. Lick Ice Cream will also be onsite with its ice cream truck to help guests beat the heat with frozen treats.
Summer Block Party is free and open to the public. All ages are welcome Thursdays through July 28th, from 6:00 p.m. – 9:00 p.m. in Pearl Park, 312 Pearl Parkway, San Antonio 78215.
For more on SoundCream Airstream, visit soundcreamairstream.com.
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By Elaine Wong
Her mural, Quiet River, has developed a lot of depth since the last time I have seen it. The faces bordering the image all have eyes and noses (and, pointedly, no mouths). They have ears on their outstretched hands, reaching to listen in on the events happening in the centre of the mural. The line of monks has become a crowd, and scenes of riot police have emerged. Any blank space is being filled in with beckoning, imploring handprints and eyes peering from the blackness.
For Chaw Ei Thein, the political has always been a part of her work, for when one’s daily life is a struggle for freedom, themes of politics and of activism become inseparable from art. In her performance she holds a positive tone despite the harsh images depicted on the canvas, hoping that she is able to influence change in Toronto, if not in Burma. Her goal is to create discourse and discussion amongst her audience, to give them insight into the lives of the Burmese people while at the same time learning about local disputes with freedom.
Her current position outside the struggle is one that she hopes to use to good effect, noting that when inside a situation as oppressive as Burma’s, where even basic life is constrained, it is often difficult to see a way out. When solutions have been tried and failed, it is difficult to move on. From the outside, she feels she is able to gain perspective by seeking out others’ points of view, and able to learn from others’ dealings with human rights issues and lost freedoms. From here, she can contact her audience directly, she can create physical connections, she can speak, she can inform.
Access to her audience is a crucial point of her art. As such, the work that she can do from the outside is important. Chaw Ei explains that before 1988, no one really knew about the situation in Burma. It was only after a series of campaigns that international awareness slowly grew, although even now, it is still largely an issue not given wide regard. But here in Toronto, she can spread the news to locals, to all the people affected by the festival and all the people in the community that have come to speak with her. Her perspective right now is that even if she can’t find a solution, then at least she can share her experience with the people; she can show them what it is to fear, and what it is to have freedom.
When I asked her how this piece would be different if it took place in Burma, she responded quickly: it would be impossible. She would be arrested and perhaps kept in prison indefinitely. If she had been secretive, showing the work only to friends and family, any media reports (including this innocuous blog post) would make her unsafe. In May 2005, Chaw Ei, co-performer Htein Lin and three others in their group were arrested for a public performance in a Yangon market, selling daily necessities and paintings at cheap prices, a performance that critiqued the government’s unreasonable inflation. Even working outside of Burma, she felt for quite some time that she was not free to create, as the weight of censorship and caution followed her like a shadow. Until very recently she was concerned about her safety upon her return to Burma if she was making these critical, political performances internationally. She never met with media, and she felt herself not expressing as much as she could. But now, she has made a choice: she must do something. She is no longer concerned with censoring herself.
Whatever repercussions she may face in the future, she is willing to face. She does wish to go home, of course. But for the time being, while she still has recourse to create and work in the outside world, she will. When the day comes that her papers and passports expire, she will return to Burma. For Chaw Ei, although optimistic about her abilities to spread her words and performances, is under no delusions of the strength of her impact from the outside. She can see both sides of the equation, for although perspectives and audiences can be reached from the outside, one cannot always affect those left inside. Revolution, she feels, must come from inside, where once can truly touch and affect those directly underneath the shadow of the military junta. The difficulty, there, comes not from desire or intention, but from inability to create.
She and many others are living in this situation. Even if she travels to different countries, there is no escaping it. She has received many visitors from the Burmese community in Toronto, and for them, the events that have happened in the past still affect them as if it were yesterday. This art, these works, spring from the physical experience that she cannot forget. Although hopeful, this quiet river is not a peaceful river. A river once bustling with promise that is now forced to keep silent. But the river carries along its banks ideals and dreams of hope.
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Нема на залиха
Нема критики сеуште.
Вашата адреса за е-пошта нема да биде објавена. Задолжителните полиња се означени со *
Ваше мислење *
Зачувај го моето име, е-маил и веб страна во овој пребарувач за следниот пат кога ќе коментирам.
So I said nice one the full monty James Bond haggle arse.
A small place full of love and happy moments with friends. Visit us and try the most delicious coffee in town.
Нема продукти во Кошничката.
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"url": "https://7grama.com/product/bialetti-moka-pot-fiametta-3-cups/"
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On Monday, July 3rd, 88 Tactical hosted its annual Independence Day celebration. This highly anticipated event brought together thousands of people from the local community for a day filled with excitement, camaraderie, and festive spirit. From a kids carnival to delicious food vendors and an unforgettable fireworks display, the celebration at 88 Tactical truly embodied the essence of coming together to commemorate the 4th of July as a united community.
The festivities began at 4:00pm, as families and friends flocked to 88 Tactical to partake in the numerous activities arranged for the occasion. The kids carnival featured several popular inflatables and yard games and food vendors offered a wide array of options to satisfy everyone’s taste buds. Joining the celebration were several food trucks including Streetside Foods, Nick’s Street Eats, Beyond BBQ, Scouty’s Shaved Ice, and Sweet Mini Donuts.
Known for its size and grandeur, the fireworks show at 88 Tactical has become one of the most highly anticipated spectacles in Omaha. Attendees gathered in awe as the sky lit up with vibrant colors and breathtaking patterns. It was the perfect end to a beautiful celebration of freedom, patriotism, and community spirit.
The community took to social media to share their experiences from past celebrations and express their excitement for this year’s event. The widespread positive sentiment on social media further reinforced the impact and success of the celebration.
The annual Independence Day celebration at 88 Tactical brings together families, friends, and neighbors for a day of fun-filled activities, delicious food, and an awe-inspiring fireworks display. By fostering a sense of togetherness and pride, the celebration encapsulates the true essence of Independence Day and leaves a lasting impression on all who attend.
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Sâm Lốc online tại 8live chắc hẳn không còn xa lạ với những ai đam mê cờ bạc. Sâm Lốc trực tuyến có thể giúp người chơi chơi mọi lúc mọi nơi. Vậy trò chơi này có khác xa so với Sâm Lốc thực tế hay không? Bài viết dưới đây sẽ giúp độc giả giải đáp thắc mắc đó.
Giới thiệu về bài Sâm Lốc online tại 8live
Với những tín đồ đam mê cờ bạc chắc chắn không thể bỏ qua bài Sâm Lốc. Tương tự như sâm thực tế, Sâm Lốc online cũng sử dụng 52 lá bài Tây. Đối với Sâm Lốc, anh em không cần quan tâm đến chất của từng lá bài. Điểm số sẽ là thứ quyết định anh em thắng hay thua.
Trò chơi nào cũng vậy, muốn giành chiến thắng trước hết anh em cần thật sự hiểu rõ luật chơi. Một ván sâm thường có tối thiểu là 2 người và tối đa là 6 người. Bàn Sâm Lốc cơ bản thông thường sẽ có 4 người.
Mỗi người sẽ được chia 10 cây. Đánh những quân to để chặn những quân bài nhỏ hơn là nhiệm vụ của mỗi người chơi. Người hết bài nhanh nhất sẽ giành chiến thắng.
Xem thêm tại chuyên mục: Trò Chơi
Cách chơi bài Sâm Lốc tại 8live
Như đã giới thiệu ở trên, mỗi người chơi sau khi được chia 10 quân bài sẽ tiến hành chặn bài của đối thủ. Một điều mà anh em cần cân nhắc khi chơi Sâm Lốc đó là số lượng lá bài của người chặn bắt buộc giống số lượng của người bị chặn.
Trong Sâm Lốc, những ai sở hữu tứ quý sẽ chặn được lá bài 2 của đối thủ. Một bộ tứ quý sẽ chặn được 1 cây 2. Nếu như lá bài anh em đánh ra không ai có khả năng chặn thì sẽ được quyền đánh tiếp. Không được để quân 2 cuối bài, như vậy bạn sẽ bị phạt vì để thối 2.
Thuật ngữ khi chơi bài Sâm Lốc online
Dưới đây là những thuật ngữ phổ biến mà những người đam mê Sâm Lốc không thể không biết:
Ăn trắng: Nếu như sở hữu bài có 10 lá cùng màu, tứ quý 2, 5 đôi, anh em có thể xin ăn trắng. Ăn trắng sẽ giúp bạn giành chiến thắng tuyệt đối mà không cần tham gia chơi.
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Xem thêm: Cách chia bài Liêng bịp
Kinh nghiệm chơi Sâm Lốc online chi tiết
Tham gia Sâm Lốc online muốn giành chiến thắng cần chú ý đến những kinh nghiệm được chia sẻ từ cao thủ. Sau khi tham khảo, đừng quên truy cập link vào 8live để áp dụng tham gia game ngay nhé!
Tham khảo kinh nghiệm chơi Sâm Lốc online từ các cao thủ
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Quan sát kỹ đối phương khi chơi Sâm Lốc online
Chơi Sâm Lốc trực tuyến nếu muốn giành chiến thắng thì không chỉ dựa vào sự may mắn mà còn phải dựa vào tư duy. Chơi Sâm Lốc đòi hỏi người chơi phải có đầu óc tính toán và đoán được từng đường đi nước đi của đối phương.
Ngoài ra, các bạn cũng phải quan sát kỹ và nhớ những lá bài đã được đánh ra. Theo theo, các bạn phải vạch ra cho mình cách đánh Sâm Lốc online hiệu quả nhất.
Đến lượt đánh Sâm Lốc của mình, các bạn hãy ra những lá bài chắc chắn không ai có thể chặn được. Tốt nhất, các bạn nên đánh hết các bộ và các đối để trên bài còn ít lá nhất có thể. Nếu có cơ hội, các bạn phải thắng nhanh nhất và không được để đối phương chạy bài. Như vậy, các bạn mới có thể giành chiến thắng và ăn được nhiều tiền hơn.
Lợi dụng những bộ lớn và những lá bài to khi chơi Sâm Lốc online
Các bạn không cần thiết phải giữ lại những lá bài to mà phải biết nắm bắt thời cơ và chặn bài đối thủ để họ không có cơ hội đánh tiếp. Sau đó, các bạn cần phải nhanh chóng tẩu thoát những lá bài trên tay.
Các bạn phải nhớ một điều rằng, đánh được càng nhiều lá bài càng tốt. Trong trường hợp bài nhỏ, các bạn hãy đợi đến khi đối phương đánh hết lá bài rác rồi phá bộ đôi ra chặn. Quan trọng nhất là các bạn phải nhanh nhạy và linh hoạt trong cách đánh Sâm Lốc.
Những thông tin về Sâm Lốc online đã được bật mí chi tiết trên đây. Bạn đừng ngần ngại tham khảo sau đó áp dụng tham gia game tại nhà cái 8live. Tại đây sẽ mang đến cho bạn những giây phút thư giãn tuyệt vời.
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Magnesium malate is a type of magnesium that is made by combining elemental magnesium with malic acid. This is considered a magnesium salt of malic acid, and offers some distinct benefits over other forms of magnesium. Magnesium helps control hundreds of processes in our body ranging from digestion to brain health. Magnesium is a cofactor involved in the absorption of many nutrients, and different types of magnesium offer different types of benefits. This specific type of magnesium has been shown to be easily absorbed and well-suited for supporting natural energy levels.
Magnesium malate is a combination of malic acid and magnesium known to increase absorbability. Malic acid is found in many fruits such as oranges, and has many notable health benefits. Forms of magnesium such as magnesium oxide offer elemental magnesium by weight ? but they are poorly absorbed by the human body. Compounds like Magnesium Malate and Dimagnesium Malate are comprised of elemental magnesium bonded with a malic acid compound to produce an organic form of magnesium (sometimes referred to as a magnesium salt). This type of compound allows more magnesium to be absorbed before side effects like diarrhea occur. Magnesium Malate is a preferred choice over other forms of magnesium for several reasons. It is cheaper than many amino acid chelate forms like magnesium glycinate, lysinate, or glucarate ? but still offers a higher level of bioavailability than oxides and sulfates. Magnesium malate also offers the benefits of malic acid, such as the support of cellular energy production (Krebs Cycle) and the chelation of heavy metals such as aluminum.
Importance of Magnesium
In 2012, a review of medical data found that nearly 50% of Americans weren?t getting the recommended daily intake (RDI) of magnesium from diet alone. 1Assuming that the 320?420 mg/day RDI of magnesium is an effective amount of magnesium, that means 1 out of 2 people in America are likely magnesium deficient. It?s very likely that number is higher, considering some prior research found as many 68% of Americans consumed less than the RDI of magnesium 2Many factors come into play when considering how much magnesium we may be, or may not be, getting from our food. Topsoil mineral depletion, overally processed foods, and genetic modification may all play a role in providing less magnesium to we?ve evolved to expect from certain foods. In addition, many health conditions such as Candida overgrowth and parasitic infections can cause intense magnesium competition in the body, often limiting the effective amounts.
1 out of 2 people in America are likely magnesium deficient
Plants and animals alike rely on elemental magnesium to facilitate hundreds of vital processes. In humans, magnesium is involved in all processes that utilize Adenosine Triphosphate (ATP) which is commonly considered our primary source of energy. ATP is like a universal energy molecule, which can be transferred between different types of cells, and is produced through such processes as glycolysis 3. Think of it like crude oil that gets turned into kerosene, gasoline, or even jetfuel depending on which type of vehicle it?s being used in. Magnesium has the unique ability to form compounds known as chelates, which are certain types of organic molecules made of centralized metal compounds. Magnesium is able to form ATP chelates which allow it to effectively transfer intracellular energy in our body.4 In considering which magnesium supplements may offer you the most benefit, oftentimes it?s best to consider which type of molecule magnesium has been combined with. In this case, malic acid has been shown to offer several notable health benefits ? particularly to pain reduction and energy production.
Benefits of Magnesium Malate + Malic Acid
The benefits of magnesium malate are best discussed in the context of the benefits of malic acid. Different types of magnesium supplements may be absorbed better than others, and provide different amounts of magnesium. Regardless of the unique composition ? they are all effectively supplying your body with the same magnesium compound. The benefits of different types of magnesium can be seen in the compounds they?ve been bonded with, such as malic acid in the case of magnesium malate. While these compounds still provide elemental magnesium, they are also supplying additional compounds that provide distinct benefits aside from magnesium. With that in mind, it?s best to consider the benefits of magnesium malate as being largely attributable to malic acid.
Reduces Fibromyalgia Related Pain
Fibromyalgia is a complex disease which causes sometimes debilitating pains. It?s symptoms often come and go with little predictability. The causes of fibromyalgia aren?t currently well-understood, and there isn?t currently an FDA-approved treatment for it. Several studies of natural fibromyalgia treatments have found a remarkable connection between usage of compounds such as malic acid in reducing fibromyalgia pain. One such study done in 1995 found that among 24 patients suffering from fibromyalgia all given the malic acid compound saw a significant reduction in fibromyalgia-related pain5 This study utilized a 200mg malic acid + 50mg magnesium compound that was administered initially over a period of two-months. A second phase of this study involved the participants increasing dosage every 3?5 days until the achieved desired pain-reducing effects. During the first, fixed dose trial, there were little effects seen from the malic acid + magnesium treatment. However, when patients increased their dosage and received treatment over a longer period of time there were significant reduction in all pain-related symptoms. Another study conducted in 1992 found that fibromyalgia pain, as measured by the tender point index (TPI), was reduced by 300% after a period of 4?8 weeks of treatment with magnesium + malic acid. This study used a range of malic acid of 1200?2400mg and magnesium in range of 300?600mg.6 Noteworthy is that non-placebo receiving participants in this study noticed subjective decreases in pain as little as 48 hours after beginning treatment with magnesium + malic acid. In addition to the benefits of malic acid, elemental magnesium has been shown to be an indicator of lowered levels of C-reactive protein ? a type of universal biomarker for inflammation.7 Fibromyalgia is thought to be integrally influenced by inflammation, and magnesium?s correlation to C-Reactive protein could offer further insight into the benefit of magnesium compounds towards reducing fibromyalgia symptoms.
Vital to Cellular Energy Production
In 1953 a man named Hans Kreb received a Nobel Prize for his description of a biological process within the body responsible for cellular energy production. This process is known as the Citric Acid Cycle (sometimes called Krebs Cycle) and helps generate and process energy within our body. This process involves many different enzymes and intermediary metabolites, but ultimately functions to utilize ATP. This process is regarded as one of the most fundamental cellular processes in aerobic lifeforms such as humans, and many believe it likely integral to the origin of life. 8In the later stages of the Krebs Cycle, an enzyme named Fumarase acts on a Fumarate molecule to transform it into ionized malic acid (malate). This step directly precedes the formation of Nicotinamide Adenine Dinucleotide (NAD+) which leads directly to energy utilization by the mitochondria.9 Malic acid is present in many natural foods such as apples and oranges. This compound exists as the non-ionized form, and must undergo transformation within the Krebs Cycle before being able to be useful in the production and utilization of ATP. Ionized malic acid, such as that found in Magnesium Malate supplements, conceivably offers the human body a more efficient intermediary to utilize within the final stages of the Krebs Cycle. This has been noted in anecdotal accounts as an effective way to treat symptoms of chronic fatigue and boost overall baseline energy levels.
Aluminum is a potentially hazardous compound that is being increasingly linked to many neurological disorders such as Alzheimer?s Disease. The specific action of aluminium in neural tissues isn?t completely known, but there is enough evidence to suggest a causative correlation.10 Several studies have shown the ability of carboxylic acids such as malic acid, citric acid, and tauric acid to offer aluminum chelating action, potentially viable solutions for reducing overall aluminum toxicity. To understand how this process works, it helps to realize that aluminum and magnesium are both metals. Aluminum is capable of bonding with compounds like citric and malic acid the same way that magnesium is. When you consume foods high in these types of natural acids, research has shown some evidence of lower aluminum presence. 11 12 13 This type of effect has largely been investigated in animal studies only, though there are some reports of similar effects being noted in uncontrolled human trials 14 This effect has been noted in varying degrees of efficiency among several acids, with several forms of aluminum compounds as well. Aluminum toxicity stemming from vaccination is a very debated topic in recent years. While much focus is given to the efficacy of vaccines in general, many argue that preservative agents used in vaccines are capable of harmful toxic effects as well. Adjuvants such as aluminum draw criticism for adding unrelated toxic load to the administered host. In a New Zealand animal study, researchers found that compounds such as malic acid were able to reduce the amount of these types of aluminum compounds present in the blood stream after injection. While promising, this study was conducted with levels of Aluminum that are likely far beyond those found in practical applications.
Magnesium Malate vs. Citrate
In the world of Chemistry, when a acidic and alkaline (basic) compounds are combined they often form a neutral compound referred to as a salt. Malic Acid and Citric acid are both hydrogen ion-containing molecules, which effectively classifies them as acids. Elemental magnesium is considered an Alkaline Earth Metal, and is naturally found in a silvery metallic form. This is considered an inorganic form of magnesium, and isn?t readily available to the body. Creating magnesium salts such as citrates or malates transforms elemental magnesium into an organic magnesium which can be effectively utilized by our bodies for purposes of nutrition.
Comparing magnesium citrate vs. magnesium malate is effectively comparing the differences in malic acid vs citric acid with regards to their effect on the absorption and utilization of magnesium in our body. These types of magnesium provide the action of their respective acids (malic and citric) when consumed, and are effectively compared in that regard. For example, malate is an integral component to the production of ATP (cellular energy), and malic acid is regarded as providing that benefit. There is very little research on the differences in efficacy for different types of magnesium. Limited research suggests that chelates such as magnesium glycinate are most effective for acute short-term dosing, while magnesium citrate provides better absorption over the long term. 15 Magnesium Citrate and Malate have both demonstrated the ability to be better utilized by the body compared to forms such as oxide and chloride.
Another important consideration to make when comparing magnesium malate vs. citrate is in their respective amounts of elemental magnesium. Each of these types of magnesium contain compounds in addition to magnesium, and the listed amount on the label accounts for the acid + magnesium total, not always the magnesium. To understand this type of difference, you have to calculate the elemental weight of magnesium for each type. This is done by subtracting the molecular weight of magnesium from the molecular weight of the specific magnesium type, then calculating the overall percentage using that figure. The formula for such a calculation is as follows:
Using this formula, the following elemental magnesium percentages can be calculated as 15.54% elemental magnesium for Magnesium Malate, and 11.39% elemental Magnesium for Magnesium Citrate. This reveals roughly 4% greater amount of elemental magnesium found within magnesium malate than in magnesium citrate. There isn?t enough research currently to state conclusively any differences in bioavailability between the two types. To summarize, magnesium Malate offers approximately 4% more elemental magnesium than magnesium citrate, and it?s benefits are commonly regarded with context to it?s malic acid component.
Potential Side Effects
Magnesium supplements in general are noted as having very few side effects. Some topically-applied sprays and oils have been reported as causing rashes or itching, though these aren?t relevant to orally-administered forms such as magnesium malate. One side effect typical to all magnesium supplements is gastrointestinal distress. The human body has a certain level of magnesium homeostasis it tries to maintain, and when too much magnesium is present it signals the release of excess amounts. This typically results in loose or watery stools, and diarrhea in cases of massive over-consumption. Magnesium malate offers a more highly-absorbed form of magnesium ? meaning your tissues, organs, and cells can receive more magnesium than when taking other types such as magnesium oxide or carbonate. Many lower-absorbed magnesium supplements can cause gastrointestinal distress such as diarrhea, long before your body is able to absorb a therapeutic amount. These side effects aren?t regarded as serious in most cases, and are often seen as an easy way to test to see if you need more magnesium.
Magnesium is an essential compound that controls hundreds of processes in our body. It aids in nervous system function, digestive actions, and in the generation of cellular energy. Magnesium malate is a specific type of magnesium compound that has been combined with malic acid ? known also for many health benefits. Malic acid has been shown to be effective as a heavy metals chelating agent, vital in the production of energy, and potentially a treatment for fibromyalgia related pain. Magnesium compounds in general, but specifically magnesium malate, are poorly researched currently. The majority of research is either conducted in animals or only within small isolated human trials. While confirmation for the health benefits of magnesium malate may take years to confirm in clinical settings, many anecdotal reports describe very positive experiences. Magnesium malate has very rare and very mild side effects associated with it, and is generally regarded as safe to experiment with. Always check with your doctor before beginning a new supplement or changing your current medication.
NOTES: This Article was originally published on the Isotrope website. To view the most recent version visit the following url: https://www.isotrope.com/magnesium-malate/
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Crypto markets are poised for potential catalysts in the year ahead, and now retail investors are asking about the upcoming Presidential election Bitcoin price impact. In this article, deep-dive the 2024 election cycle and discover how the Presidential election 2024 could trigger a Bitcoin supercycle.
Bill Clinton once famously said, “It’s the economy, stupid.”
That phrase has persisted through time, and for good reason, no electorate wants to re-elect a politician during a recession.
With the US Presidential election coming up later this year, President Biden (and the Federal Reserve) will do everything in their policy kit to get the economy right. And some market analysts suggest that these measures and the Bitcoin Halving Cycle could lead to a Golden Bull Run—a kind of “supercycle” over the year to come.
19 days to the Bitcoin Halving.
Less than 90 days to the first Hong Kong $BTC ETF.
54 days to a potential $ETH ETF approval.
217 days to the US Presidential election.
No one is bullish enough.
— Lark Davis (@TheCryptoLark) April 1, 2024
1. Bitcoin Regulation: Could Depend On The Next President
The upcoming U.S. presidential election will bring uncertainty and potential regulatory shifts to cryptocurrency markets, and the stakes are high with about half of the young voters eyeing candidates’ cryptocurrency policies.
Depending on who lands in the Oval Office, we could see more crypto-friendly regulations—or not.
Anthony Georgiades, a general partner at Innovating Capital, suggests that while U.S. policy shifts can impact Bitcoin, its global nature and role as an economic stability hedge give it resilience.
Here are the leading candidates’ stances on crypto:
- Biden: Has shown openness to exploring digital assets, even floating the idea of a CBDC and proposing a tax on Bitcoin mining.
- Trump: Once called Bitcoin a “scam,” but has since released his own NFT collection of Trump digital trading cards – and currently leads amongst crypto-oriented voters.
- RFK JR: Has vowed to back the US dollar with Bitcoin and is the most widely regarded pro-crypto candidate.
2. Presidential Election History on Side for a Bitcoin Bull Run
Another important reason market analysts have flipped bullish is that Bitcoin’s performance correlates relatively well with the S&P 500, although not 1:1.
That said, since the creation of the S&P Index, there have been 23 elections, 19 of which have triggered a positive performance (82% positive market reception).
Furthermore, when a Republican was elected president, the average market return was +15.3%, while for a Democrat Presidential elect the market returned a more average +7.6%.
Have a great summer pic.twitter.com/Nbti7s4JMQ
— THE CMS (@cmsholdings) March 27, 2024
Historically, Bitcoin and Ethereum have also had great Q2s, whether leading into an election or not – adding additional positive sentiment ahead of the Halving Event on April 20.
Bitcoin price has spent 64% of its April months in the green, while Ethereum had nearly 90% positive price action in the first month of Q2 – if crypto can take this momentum into Q3, which is often a bearish period for digital assets, it could go parabolic. And with spot Bitcoin ETF inflows sustaining pre-halving poise, say hello supercycle.
3. Bitcoin’s $200k Price Prediction and Energy Policies Bolster Supercycle
Kerel Verwaerde, CMO of Cryptology.com, points out that the energy policies favored by presidential hopefuls could also affect Bitcoin mining profitability, influencing BTC market dynamics – cheaper energy bills would result in higher profitability for miners; potentially reducing sell-pressure.
Conversely, Bitcoin might be on a trajectory that defies traditional market corrections, thanks to factors like ETF-fuelled supply-demand dynamics, inflation rates, and Wall Street’s Spot ETF investments.
“Bitcoin doesn’t have a President, nor need a President. That’s its greatest strength,” Founder of Bitcoin University Evander Smart told GoBankingRate.
Even if crypto goes badly, reasonable bullish investors like the Bitwise CEO expect BTC to reach $200k by 2025.
The Bottom Line: What’s Next for Bitcoin in 2024?
As Bitcoin strides through 2024, its path seems less about the Presidential election outcomes and more about broader economic factors such as interest rates, and intrinsic market dynamics around the Halving event.
While a Bitcoin price prediction can get you into hot water, many investors agree Bitcoin will outperform in 2024 – whether under Biden, Trump, or Robert Kennedy JR., therefore hopes for Bitcoin’s supercycle remain brimming with excitement for the year ahead.
Disclaimer: Crypto is a high-risk asset class. This article is provided for informational purposes and does not constitute investment advice. You could lose all of your capital.
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You will see just how straightforward it’s to market your corporation on-line by way of the usage of a video, and what number of native businesses are benefiting from this powerful advertising technique. Moreover, you will notice tips on how to get extra prospects online with the assistance of video marketing. If you are looking for an internet agency, then the best place to seek out it is from the net company fortune evaluate. Here you will get skilled and inexpensive options for all your web wants. The advantages of utilizing web providers are many, however the limitations additionally make it very exhausting for any business to fulfill all of its website design needs at one go. This is why the net agency fortunes are created so that a enterprise could make use of a number of providers and benefits at one time.
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Never Give Up Shirt
Never Give Up Shirt
30-day Return Guarantee
We have a 30-day return policy, which means you have 30 days after receiving your item to request a return.
To be eligible for a return, your item must be in the same condition that you received it, unworn or unused, with tags, and in its original packaging. You’ll also need the receipt or proof of purchase.
What Is The Restocking Fee?
Who Will Pay The Return Shipping Cost?
- For detective products or sending wrong products: we will be liable for this return shipping cost.
- For customer remorse, purchased the wrong product or customer don't want the items: Customer will pay the actual cost of return shipping.
We receive all return products By Mail.
How Do I Return Items?
To start a return, you can contact us at [email protected]. If your return is accepted, we’ll send you a return shipping label. After receiving our shipping label, please do exactly following instructions:
- Pack all the returned items, along with a print off of your confirmation of purchase email.
- Go to local post office, or another courier, to ship the package to address mention in the email.
Please provide us the tracking number from post office or couriers
You will receive an email as soon as we received your items. We will also send you another email to notify you if we approve or reject to refund in your case. If approved, you’ll be automatically refunded on your original payment method. Please remember it can take some time for your bank or credit card company to process and post the refund too.
Note: Items sent back to us without first requesting a return will not be accepted
When can I Request A Replacement Item?
Each product has to be inspected carefully before delivered. But mistakes are inevitable and to make sure that all customers are satisfied, we offer replacement items for any of the following reasons:
- The product itself is flawed.
- The quality of the printing is poor.
- Final product is materially different than the design presented on our website.
- The following information of product is not the same as the order: type, size, color, printing content.
If you are dissatisfied with your purchase for any reason, we will gladly refund your money under the following conditions:
1. You must present the product to us within 30 days from the date of delivery;
2. You must provide us with a satisfactory proof of purchase (such as the invoice or register receipt).
3. To be eligible for a return, your item must be in the same condition that you received it, unworn or unused, with tags, and in its original packaging.
NOT apply to:
- Gift cards or vouchers;
- Made-to-order, personalised or monogrammed items;
- Items that have an accompanying tag that states ‘no change of mind’;
- Repaired or replacement items provided under our policy;
We reserve the right to reject any returns that do not meet the above requirements.
To start a return, you can contact us at [email protected]. If your return is accepted, we’ll send you a return shipping label, as well as instructions on how and where to send your package. Items sent back to us without first requesting a return will not be accepted.
We will refund you the amount you paid, excluding the original delivery charges. Refunds will be processed the way you made your original purchase. You are responsible for the cost and the risk of returning the goods to us. We recommend that items are returned to us via courier or registered post to ensure that they are protected and insured during transit. If the returned Product does not meet the requirements of this policy, you will be responsible for the cost of the return of your goods to the postal address that you nominate.
If you believe a product purchased from us is damaged, faulty or unsafe or is not of acceptable quality, fit for the specified purpose or does not match the description given to the product, you may return it to us within a reasonable period after purchase. In the unlikely event that your item arrives damaged or faulty, you must also notify us as soon as possible.
If a Product has a minor defect, we may provide a repair within a reasonable time. If we cannot repair the product within a reasonable time, then you can choose a replacement or refund. If the Product is assessed as having a major failure you may choose to return the product and receive a refund or receive an identical replacement. Otherwise you may keep the product and request compensation equal to the drop in the value of the product owing to the problem.
Products that are damaged as a result of normal wear and tear, misuse, failure to take reasonable care or failure to use in accordance with manufacturer’s instructions are not considered to be faulty.
If a Product is replaced, your replacement Product becomes your property and the returned Product becomes our property. When a refund is given, the returned Product becomes our property.
if you are returning a faulty Product, please contact our Customer Service Team and provide your order number and a full detailed description of the problem.
Address: 18121 E Hampden Ave Unit C #1000 Aurora, Colorado, United States 80013.
Phone: +1 614-568-4730
Email: [email protected]
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WE SHIP THE SAME DAY/NEXT DAY FOR FREE
12 MONTHS WARRANTY. WE GUARANTEE TO GIVE YOU THE BEST LED EXPERIENCE EVEN AFTER PURCHASE
- Shipping and Refund
Bright Light Auto (BLA) ("we" and "us") is the operator of (https://www.brightlightauto.com) ("Website"). By placing an order through this Website you will be agreeing to the terms below. These are provided to ensure both parties are aware of and agree upon this arrangement to mutually protect and set expectations on our service.
Subject to stock availability. We try to maintain accurate stock counts on our website but from time-to-time there may be a stock discrepancy and we will not be able to fulfill all your items at time of purchase. In this instance, we will fulfill the available products to you, and contact you about whether you would prefer to await restocking of the backordered item or if you would prefer for us to process a refund.
2. Shipping Costs
Shipping costs are calculated during checkout based on weight, dimensions and destination of the items in the order. Payment for shipping will be collected with the purchase.
This price will be the final price for shipping cost to the customer.
3.1 Return Due To Change Of Mind
Once returns are received and accepted, refunds will be processed to store credit for a future purchase. We will notify you once this has been completed through email.
3.2 Warranty Returns
Customers will be required to pre-pay the return shipping, however we will reimburse you upon successful warranty claim.
Upon return receipt of items for warranty claim, you can expect
Once warranty claim is confirmed, you will receive the choice of:
(a) refund to your payment method
(b) a refund in store credit
(c) a replacement item sent to you (if stock is available)
4. Delivery Terms
4.1 Transit Time Domestically
In general, domestic shipments are in transit for 2 - 7 days
4.2 Transit time Internationally
Generally, orders shipped internationally are in transit for 4 - 22 days. This varies greatly depending on the courier you have selected. We are able to offer a more specific estimate when you are choosing your courier at checkout.
4.4 Change Of Delivery Address
Orders placed before 05 PM - EDT (UTC-04) will be dispatched the same day, otherwise, within the next business day.
Our warehouse operates on Monday - Friday during standard business hours, except on national holidays at which time the warehouse will be closed. In these instances, we take steps to ensure shipment delays will be kept to a minimum.
4.4 Change Of Delivery Address
For change of delivery address requests, we are able to change the address at any time before the order has been dispatched.
4.5 P.O. Box Shipping
4.6 Military Address Shipping
We are able to ship to military addresses using USPS. We are unable to offer this service using courier services.
4.7 Items Out Of Stock
If an item is out of stock, we will wait for the item to be available before dispatching your order. Existing items in the order will be reserved while we await this item.
4.8 Delivery Time Exceeded
If delivery time has exceeded the forecasted time, please contact us so that we can conduct an investigation.
5. Tracking Notifications
Upon dispatch, customers will receive a tracking link from which they will be able to follow the progress of their shipment based on the latest updates made available by the shipping provider.
6. Parcels Damaged In Transit
If you find a parcel is damaged in-transit, if possible, please reject the parcel from the courier and get in touch with our customer service. If the parcel has been delivered without you being present, please contact customer service with next steps.
7. Duties & Taxes
7.1 Sales Tax
Sales tax has already been applied to the price of the goods as displayed on the website
7.2 Import Duties & Taxes
Import duties and taxes for international shipments may be liable to be paid upon arrival in destination country. This varies by country, and
If you refuse to to pay duties and taxes upon arrival at your destination country, the goods will be returned to
If you change your mind before you have received your order, we are able to accept cancellations at any time before the order has been dispatched. If an order
has already been dispatched, please refer to our refund policy.
Parcels are insured for loss and damage up to the value as stated by the courier.
9.1 Process for parcel damaged in-transit
We will process a refund or replacement as soon as the courier has completed their investigation into the claim.
9.2 Process for parcel lost in-transit
We will process a refund or replacement as soon as the courier has conducted an investigation and deemed the parcel lost.
10. Customer service
For all customer service enquiries, please phone us at 1 (855) 229 - 5337.
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Running your own business is extremely exciting, but can also seem a little daunting.
There is plenty of information available to you online, but knowing where to look and trawling through irrelevant content can be very time consuming, not to mention confusing.
At a4c we have created this simple, straight-talking guide to highlight the most important things you need to know as a business owner, but we are also on hand to answer any questions you may have.
There is a legal requirement for businesses to keep financial records (money spent and money received, assets owned, debts or loans, stock levels etc).
Evidence is required in original format, i.e. the receipt or invoice, and records must be kept for at least 6 years. Failure to do so can result in a fine from HMRC.
You may have heard the phrase ‘income less expenses equals profits’.
This is the foundation that your trading accounts are built on. The tax you pay will be calculated from the profit.
Income is also referred to as Revenue or Turnover.
This is the value of sales made for the provision of your products or services.
The simplest way to record these transactions is by issuing invoices and checking that funds entering your bank account match the invoice total.
There are a wide-range of items that can be classed as expenses.
These could include items used by the business such as equipment or materials, it might cover the purchase of postage stamps, or paying bills such as insurance premiums and accountancy fees.
The key with expenses is that they are incurred ‘wholly, necessarily and exclusively’ in the line of business. (This is a HMRC term you will come across frequently.)
Managing your time
Most business owners would agree that the downside to running your business is the administrative burden.
At a4c we aim to relieve as much of the stress as possible but there will still be elements that rely on your input.
The key to success is being organised from day one and putting simple processes in place that you can stick to, such as Xero Accounting Software and the Dext receipt management app.
If in doubt…
Remember that a4c offer our clients unlimited accounting support, therefore if you have any questions about your accounts or business transactions then please don’t hesitate to give us a call on 01737 652 852 or email [email protected]
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