All art criticism is political because all art has political implications. Clearly, the critic who chooses to address overtly an artwork' s political implications is engaged in political discourse. But those critics who attempt a purely aesthetic evaluation of a work, and ttherefore ignore the work' s political implications, necessarily, though perhaps inadvertently, end up endorsing the politics of the artist. If the statements above are all true, which one of the following must also be true?
A: A political critique of a work of art has more value than any other sort of critique of that work.
B: Art that makes an overt social or political statement is the sort of art with which critics are typically concerned.
C: Art criticism that is intended to evaluate a work on purely aesthetic grounds never ends up rejecting the politics of the artist whose work is under review.
D: Critics who are politically naive always attempt purely apolitical critiques of art.
Choose A, B, C or D as your solution.
C