As a writer familiar with SF&amp;F short fiction markets, I agree that more information is needed.<p>Including more biographical information on the website about yourself and any editors making acquisition decisions would help. You don&#x27;t need to have industry cred already (though that helps), but writers like to know that (a) you&#x27;re not a publisher&#x2F;editor known not to pay, has a bad rep, etc. and (b) that you&#x27;re a real person. It&#x27;s also very helpful to know how long the magazine is funded for when it&#x27;s not yet established -- so you have confidence that if you submit and are selected, it won&#x27;t go under before you get paid.<p>Also, you should include what the publication format is, what specific rights you&#x27;d be buying, whether they&#x27;re exclusive, etc. You say &quot;first English publication rights&quot; -- I&#x27;m assuming you mean exclusive First English Language serial rights? Print or digital? Or would it be nonexclusive? Are audio rights exclusive or nonexclusive? If you have a template contract you plan to use, you could link to it.<p>You have an expected response time, which is great; consider also including time to payment&#x2F;publication. If you have formatting guidelines&#x2F;preferences (i.e. standard manuscript format like Vonda McIntyre&#x27;s), include those.<p>You can take a look at the guidelines&#x2F;sites of established short fiction magazines to see what best practices are -- i.e. Asimov&#x27;s, Clarkesworld, Analog, Magazine of Fantasy &amp; Science Fiction, Strange Horizons, Daily Science Fiction, etc.<p>Hope that helps! Always exciting to see more short fiction markets!