Right, I&#x27;m not saying that anyone&#x27;s at fault for the string of events that led to that review or even the review itself. I think at the height of Pitchfork&#x27;s anti-establishment power, it wielded that power in a callous manner that ended up making careers for of some bad artists and ending careers of some good artists. So I think the charge that Pitchfork in the 1999-2006 era existed as a meritless gatekeeper stands. Whether or not Schrieber intended that is an open question, though the n+1 piece suggests that he did.