PKD is the problem. Most of his stories are a few action sequences (where he ruins the pace with internal dialog and flashbacks) padded by the main protagonist sitting around in some altered state, complaining about the women in his life. His male villains are to be revered: they are cunning and intelligent. But even his &quot;not evil&quot; female characters are meant to be loathed: duplicitous, unfaithful, nagging.<p>It would be one thing if this were just one book, you might argue those are just those particular characters. But it&#x27;s a theme across his books, one that thankfully often gets removed or toned down in the movie adaptations. PKD is a misogynist. He is the author who changed my mind about how misogyny works and just how pervasive it actually is.<p>In Blade Runner&#x27;s case, &quot;Do Android&#x27;s Dream of Electric Sheep&quot; is not a coherent book. Blade Runner went a long way towards improving the cohesiveness of the plot, even regarding the ambiguous components: they are intentionally ambiguous now. The action scenes that Deckard practically walks through in the book have real impact and danger in the movie. And Ridley Scott thankfully just killed Deckard&#x27;s wife off completely, making her a symbol of nostalgia and mourning, rather than contempt. Oh, and they completely skipped the weird religious VR experience sub-plot that never amounted to anything in the book anyway.