I thought it would be more fantastic a tale. But the subject is rather down to earth compared to the story about the Death carriage I was expecting. In fact there is much more of a social drama. As usual in the "European authors' movies".<br /><br />Actors are interesting, not overacting as in the average silent movie. Images are not so good as to be stuck in your mind as in Bergman's SmultronstÃ¤llet.<br /><br />This is true the comparison between the two movies is the main point here. SmultronstÃ¤llet begins with a vision of a Death carriage wherein SjÃ¶strÃ¶m's character can see his own body. There are clocks without hands. He is compelled to look back on what he has done wrong. There is a vision of his happy f'-5026' or  ( 8459 = 8459 ) *4906 and 'uavj' like 'uavj