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Museum of Work
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The Museum of Work ("Arbetets museum") is a museum located in Norrköping, Sweden. The museum is located in the "Strykjärn" (Clothes iron), a former weaving mill in the old industrial area on the Motala ström river in the city centre of Norrköping. The former textile factory Holmens Bruk operated in the building from 1917 to 1962.
The museum documents work and everyday life by collecting personal stories about people's professional lives from both the past and the present. The museum's archive contain material from memory collections and documentation projects.
Since 2009, the museum also houses the EWK — Center for Political Illustration Art, which is based on work of the satirist Ewert Karlsson (1918 — 2004). For decades he was frequently published in the Swedish tabloid, "Aftonbladet".
Overview.
The museum is a national central museum with the task of preserving and telling about work and everyday life. It has, among other things, exhibitions on the terms and conditions of the work and the history of the industrial society. The museum is also known to highlight gender perspective in their exhibitions.
The work museum documents work and everyday life by collecting personal stories, including people's professional life from both the past and present. In the museum's archive, there is a rich material of memory collections and documentation projects — over 2600 interviews, stories and photodocumentations have been collected since the museum opened.
The museum is also a support for the country's approximately 1,500 working life museums that are old workplaces preserved to convey their history.
Exhibitions.
The Museum of Work shows exhibitions going on over several years, but also shorter exhibitions — including several photo exhibitions on themes that can be linked to work and everyday life.
The history of Alva.
The history of Alva Karlsson is the only exhibition in the museum that is permanent. The exhibition connects to the museum's building and its history as part of the textile industry in Norrköping. Alva worked as a rollers between the years 1927 — 1962.
Industriland.
One of the museum long-term exhibitions is Industriland — when Sweden became modern, the exhibition was in 2007 — 2013 and consisted of an ongoing bond with various objects that were somehow significant both for working life and everyday during the period 1930 — 1980. The exhibition also consisted of presentations of the working life museums in Sweden and a number of rooms with themes such as: leisure, world, living and consumption.
Framtidsland (Future country).
In 2014, the exhibition was inaugurated that takes by where Industriland ends: Future country. It is an exhibition that investigates what a sustainable society is will be part of the museum's exhibitions until 2019. The exhibition consists of materials that are designed based on conversations between young people and researchers around Sweden. The exhibition addresses themes such as work, environment and everyday life. A tour version of the exhibition is given in the locations Falun, Kristianstad and Örebro.
The history of Alva.
The history of Alva Karlsson is the only exhibition in the museum that is permanent. The exhibition connects to the museum's building and its history as part of the textile industry in Norrköping. Alva worked as a rollers between the years 1927 — 1962.
Industriland.
One of the museum long-term exhibitions is Industriland — when Sweden became modern, the exhibition was in 2007 — 2013 and consisted of an ongoing bond with various objects that were somehow significant both for working life and everyday during the period 1930 — 1980. The exhibition also consisted of presentations of the working life museums in Sweden and a number of rooms with themes such as: leisure, world, living and consumption.
Framtidsland (Future country).
In 2014, the exhibition was inaugurated that takes by where Industriland ends: Future country. It is an exhibition that investigates what a sustainable society is will be part of the museum's exhibitions until 2019. The exhibition consists of materials that are designed based on conversations between young people and researchers around Sweden. The exhibition addresses themes such as work, environment and everyday life. A tour version of the exhibition is given in the locations Falun, Kristianstad and Örebro.
EWK — The Center for Political Illustration Art.
Since 2009, the Museum also houses EWK — center for political illustration art. The museum preserves, develops and conveys the political illustrator Ewert Karlsson's production. The museum also holds theme exhibitions with national and international political illustrators with the aim of highlighting and strengthening the political art.
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Alp Arslan
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Alp Arslan was the second Sultan of the Seljuk Empire and great-grandson of Seljuk, the eponymous founder of the dynasty. He greatly expanded the Seljuk territory and consolidated his power, defeating rivals to the south and northwest, and his victory over the Byzantines at the Battle of Manzikert, in 1071, ushered in the Turkoman settlement of Anatolia. For his military prowess and fighting skills, he obtained the name "Alp Arslan", which means "Heroic Lion" in Turkish.
Early life.
Alp Arslan was the son of Chaghri and nephew of Tughril, the founding Sultans of the Seljuk Empire. His grandfather was Mikail, who in turn was the son of the warlord Seljuk. He was the father of numerous children, including Malik-Shah I and Tutush I. It is unclear who the mother or mothers of his children were. He was known to have been married at least twice. His wives included the widow of his uncle Tughril, a Kara-Khanid princess known as Aka Khatun, and the daughter or niece of Bagrat IV of Georgia (who would later marry his vizier, Nizam al-Mulk). One of Seljuk's other sons was the Turkic chieftain Arslan Isra'il, whose son, Kutalmish, contested his nephew's succession to the sultanate. Alp Arslan's younger brothers Suleiman ibn Chaghri and Qavurt were his rivals. Kilij Arslan, the son and successor of Suleiman ibn Kutalmish (Kutalmish's son, who would later become Sultan of Rûm), was a major opponent of the Franks during the First Crusade and the Crusade of 1101.
Early career.
Alp Arslan accompanied his uncle Tughril on campaigns in the south against the Fatimids while his father Chaghri remained in Khorasan. Upon Alp Arslan's return to Khorasan, he began his work in administration at his father's suggestion. While there, his father introduced him to Nizam al-Mulk, one of the most eminent statesmen in early Muslim history and Alp Arslan's future vizier.
After the death of his father, Alp Arslan succeeded him as governor of Khorasan in 1059. His uncle Tughril died in 1063 and had designated his successor as Suleiman, Arslan's infant brother. Arslan and his uncle Kutalmish both contested this succession which was resolved at the battle of Damghan in 1063. Arslan defeated Kutalmish for the throne and succeeded on 27 April 1064 as sultan of the Seljuk Empire, thus becoming sole monarch of Persia from the river Oxus to the Tigris. In 1064 he led a campaign in Georgia during which he captured the regions between Tbilisi and the Çoruh river, Akhalkalaki and Alaverdi. Bagrat IV submitted to paying jizya to the Seljuks but the Georgians broke the agreement in 1065. Alp Arslan invaded Georgia again in 1068. He captured Tbilisi after a short battle and obtained the submission of Bagrat IV; however, the Georgians freed themselves from Seljuk rule around 1073–1074.
In consolidating his empire and subduing contending factions, Arslan was ably assisted by Nizam al-Mulk, and the two are credited with helping to stabilize the empire after the death of Tughril. With peace and security established in his dominions, Arslan convoked an assembly of the states and in 1066, he declared his son Malik Shah I his heir and successor. With the hope of capturing Caesarea Mazaca, the capital of Cappadocia, he placed himself at the head of the Turkoman cavalry, crossed the Euphrates, and entered and invaded the city. Along with Nizam al-Mulk, he then marched into Armenia and Georgia, which he conquered in 1064. After a siege of 25 days, the Seljuks captured Ani, the capital city of Armenia. An account of the sack and massacres in Ani is given by the historian Sibt ibn al-Jawzi, who quotes an eyewitness saying:
Byzantine struggle.
In route to fight the Fatimids in Syria in 1068, Alp Arslan invaded the Byzantine Empire. The Emperor Romanos IV Diogenes, assuming command in person, met the invaders in Cilicia. In three arduous campaigns, the Turks were defeated in detail and driven across the Euphrates in 1070. The first two campaigns were conducted by the emperor himself, while the third was directed by Manuel Comnenos, great-uncle of Emperor Manuel Comnenos. During this time, Arslan gained the allegiance of Rashid al-Dawla Mahmud, the Mirdasid emir of Aleppo.
In 1071, Romanos again took the field and advanced into Armenia with possibly 30,000 men, including a contingent of Cuman Turks as well as contingents of Franks and Normans, under Ursel de Baieul. Alp Arslan, who had moved his troops south to fight the Fatimids, quickly reversed to meet the Byzantines. At Manzikert, on the Murat River, north of Lake Van, the two forces waged the Battle of Manzikert. The Cuman mercenaries among the Byzantine forces immediately defected to the Turkic side. Seeing this, "the Western mercenaries rode off and took no part in the battle." To be exact, Romanos was betrayed by general Andronikos Doukas, son of the Caesar (Romanos's stepson), who pronounced him dead and rode off with a large part of the Byzantine forces at a critical moment. The Byzantines were totally routed.
Emperor Romanos IV was himself taken prisoner and conducted into the presence of Alp Arslan. After a ritual humiliation, Arslan treated him with generosity. After peace terms were agreed to, Arslan dismissed the Emperor, loaded with presents and respectfully attended by a military guard.
Alp Arslan's victories changed the balance in near Asia completely in favour of the Seljuq Turks and Sunni Muslims. While the Byzantine Empire was to continue for nearly four more centuries, the victory at Manzikert signalled the beginning of Turkmen ascendancy in Anatolia. The victory at Manzikert became so popular among the Turks that later every noble family in Anatolia claimed to have had an ancestor who had fought on that day.
State organization.
Alp Arslan's strength lay in the military realm. Domestic affairs were handled by his able vizier, Nizam al-Mulk, the founder of the administrative organization that characterized and strengthened the sultanate during the reigns of Alp Arslan and his son, Malik Shah. Military fiefs, governed by Seljuq princes, were established to provide support for the soldiery and to accommodate the nomadic Turks to the established Anatolian agricultural scene. This type of military fiefdom enabled the nomadic Turks to draw on the resources of the sedentary Persians, Turks, and other established cultures within the Seljuq realm, and allowed Alp Arslan to field a huge standing army without depending on tribute from conquest to pay his soldiers. He not only had enough food from his subjects to maintain his military, but the taxes collected from traders and merchants added to his coffers sufficiently to fund his continuous wars.
Suleiman ibn Qutalmish was the son of the contender for Arslan's throne; he was appointed governor of the north-western provinces and assigned to completing the invasion of Anatolia. An explanation for this choice can only be conjectured from Ibn al-Athir's account of the battle between Alp-Arslan and Kutalmish, in which he writes that Alp-Arslan wept for the latter's death and greatly mourned the loss of his kinsman.
Death.
After Manzikert, the dominion of Alp Arslan extended over much of western Asia. He soon prepared to march for the conquest of Turkestan, the original seat of his ancestors. With a powerful army he advanced to the banks of the Oxus. Before he could pass the river with safety, however, it was necessary to subdue certain fortresses, one of which was for several days vigorously defended by the rebel, Yusuf al-Kharezmi or Yusuf al-Harani. Perhaps over-eager to press on against his Qarakhanid enemy, Alp Arslan gained the governor's submission by promising the rebel 'perpetual ownership of his lands'. When Yusuf al-Harani was brought before him, the Sultan ordered that he be shot, but before the archers could raise their bows Yusuf seized a knife and threw himself at Alp Arslan, striking three blows before being slain. Four days later on 24 November 1072, Alp Arslan died and was buried at Merv, having designated his 18-year-old son Malik Shah as his successor.
Family.
One of his wives was Safariyya Khatun. She had a daughter, Sifri Khatun, who in 1071–72, married Abbasid Caliph Al-Muqtadi. Safariyya died in Isfahan in 1073–4. Another of his wives was Akka Khatun. She had been formerly the wife of Sultan Tughril. Alp Arslan married her after Tughril's death in 1063. Another of his wives was Shah Khatun. She was the daughter of Qadir Khan Yusuf, and had been formerly married to Ghaznavid Mas'ud. Another of his wives was the daughter of the Georgian king Bagrat. They married in 1067–68. He divorced her soon after, and married her to Fadlun. His sons were Malik-Shah I, Tutush I, Tekish and Arslan Arghun. One of his daughters married the son of Kurd Surkhab, son of Bard in 1068. Another daughter, Zulaikha Khatun, was married to Muslim, son of Quraish in 1086–7. Another daughter, Aisha Khatun, married Shams al-Mulk Nasr, son of Ibrahim Khan Tamghach.
Legacy.
Alp Arslan's conquest of Anatolia from the Byzantines is also seen as one of the pivotal precursors to the launch of the Crusades.
From 2002 to July 2008 under Turkmen calendar reform, the month of August was named after Alp Arslan.
The 2nd Training Motorized Rifle Division of the Turkmen Ground Forces is named in his honour.
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American Film Institute
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The American Film Institute (AFI) is an American nonprofit film organization that educates filmmakers and honors the heritage of the motion picture arts in the United States. AFI is supported by private funding and public membership fees.
Leadership.
The institute is composed of leaders from the film, entertainment, business, and academic communities. The board of trustees is chaired by Kathleen Kennedy and the board of directors chaired by Robert A. Daly guide the organization, which is led by President and CEO, film historian Bob Gazzale. Prior leaders were founding director George Stevens Jr. (from the organization's inception in 1967 until 1980) and Jean Picker Firstenberg (from 1980 to 2007).
History.
The American Film Institute was founded by a 1965 presidential mandate announced in the Rose Garden of the White House by Lyndon B. Johnson—to establish a national arts organization to preserve the legacy of American film heritage, educate the next generation of filmmakers, and honor the artists and their work. Two years later, in 1967, AFI was established, supported by the National Endowment for the Arts, the Motion Picture Association of America and the Ford Foundation.
The original 22-member Board of Trustees included actor Gregory Peck as chairman and actor Sidney Poitier as vice-chairman, as well as director Francis Ford Coppola, film historian Arthur Schlesinger, Jr., lobbyist Jack Valenti, and other representatives from the arts and academia.
The institute established a training program for filmmakers known then as the Center for Advanced Film Studies. Also created in the early years were a repertory film exhibition program at the Kennedy Center for the Performing Arts and the AFI Catalog of Feature Films — a scholarly source for American film history. The institute moved to its current eight-acre Hollywood campus in 1981. The film training program grew into the AFI Conservatory, an accredited graduate school.
AFI moved its presentation of first-run and auteur films from the Kennedy Center to the historic AFI Silver Theatre and Cultural Center, which hosts the AFI DOCS film festival, making AFI the largest nonprofit film exhibitor in the world. AFI educates audiences and recognizes artistic excellence through its awards programs and 10 Top 10 Lists.
List of programs in brief.
AFI educational and cultural programs include:
AFI Conservatory.
In 1969, the institute established the AFI Conservatory for Advanced Film Studies at Greystone, the Doheny Mansion in Beverly Hills, California. The first class included filmmakers Terrence Malick, Caleb Deschanel, and Paul Schrader. That program grew into the AFI Conservatory, an accredited graduate film school located in the hills above Hollywood, California, providing training in six filmmaking disciplines: cinematography, directing, editing, producing, production design, and screenwriting. Mirroring a professional production environment, Fellows collaborate to make more films than any other graduate level program. Admission to AFI Conservatory is highly selective, with a maximum of 140 graduates per year.
In 2013, Emmy and Oscar-winning director, producer, and screenwriter James L. Brooks ("As Good as It Gets", "Broadcast News", "Terms of Endearment") joined as the artistic director of the AFI Conservatory where he provides leadership for the film program. Brooks' artistic role at the AFI Conservatory has a rich legacy that includes Daniel Petrie, Jr., Robert Wise, and Frank Pierson. Award-winning director Bob Mandel served as dean of the AFI Conservatory for nine years. Jan Schuette took over as dean in 2014 and served until 2017. Film producer Richard Gladstein was dean from 2017 until 2019, when Susan Ruskin was appointed.
Notable alumni.
AFI Conservatory's alumni have careers in film, television and on the web. They have been recognized with all of the major industry awards—Academy Award, Emmy Award, guild awards, and the Tony Award.
Among the alumni of AFI are Andrea Arnold ("Red Road", "Fish Tank"), Darren Aronofsky ("Requiem for a Dream", "Black Swan"), Carl Colpaert ("Gas Food Lodging", "Hurlyburly", "Swimming with Sharks"), Doug Ellin ("Entourage"), Todd Field ("In the Bedroom", "Little Children"), Jack Fisk ("Badlands", "Days of Heaven", "There Will Be Blood"), Carl Franklin ("One False Move", "Devil in a Blue Dress", "House of Cards"), Patty Jenkins ("Monster", "Wonder Woman"), Janusz Kamiński ("Lincoln", "Schindler's List", "Saving Private Ryan"), Matthew Libatique ("Noah", "Black Swan"), David Lynch ("Mulholland Drive", "Blue Velvet"), Terrence Malick ("Days of Heaven", "The Thin Red Line", "The Tree of Life"), Melina Matsoukas (Queen and Slim), Rachel Morrison (Black Panther, Fruitvale Station), Victor Nuñez, ("Ruby in Paradise", "Ulee's Gold"), Wally Pfister ("Memento", "The Dark Knight", "Inception"), Robert Richardson ("Platoon"), Ari Aster ("Hereditary", "Midsommar"), and many others.
Notable alumni.
AFI Conservatory's alumni have careers in film, television and on the web. They have been recognized with all of the major industry awards—Academy Award, Emmy Award, guild awards, and the Tony Award.
Among the alumni of AFI are Andrea Arnold ("Red Road", "Fish Tank"), Darren Aronofsky ("Requiem for a Dream", "Black Swan"), Carl Colpaert ("Gas Food Lodging", "Hurlyburly", "Swimming with Sharks"), Doug Ellin ("Entourage"), Todd Field ("In the Bedroom", "Little Children"), Jack Fisk ("Badlands", "Days of Heaven", "There Will Be Blood"), Carl Franklin ("One False Move", "Devil in a Blue Dress", "House of Cards"), Patty Jenkins ("Monster", "Wonder Woman"), Janusz Kamiński ("Lincoln", "Schindler's List", "Saving Private Ryan"), Matthew Libatique ("Noah", "Black Swan"), David Lynch ("Mulholland Drive", "Blue Velvet"), Terrence Malick ("Days of Heaven", "The Thin Red Line", "The Tree of Life"), Melina Matsoukas (Queen and Slim), Rachel Morrison (Black Panther, Fruitvale Station), Victor Nuñez, ("Ruby in Paradise", "Ulee's Gold"), Wally Pfister ("Memento", "The Dark Knight", "Inception"), Robert Richardson ("Platoon"), Ari Aster ("Hereditary", "Midsommar"), and many others.
AFI programs.
AFI Catalog of Feature Films.
The AFI Catalog, started in 1968, is a web-based filmographic database. A research tool for film historians, the catalog consists of entries on more than 60,000 feature films and 17,000 short films produced from 1893 to 2011, as well as AFI Awards Outstanding Movies of the Year from 2000 through 2010. Early print copies of this catalog may also be found at local libraries.
AFI Awards.
Created in 2000, the AFI Awards honor the ten outstanding films ("Movies of the Year") and ten outstanding television programs ("TV Programs of the Year"). The awards are a non-competitive acknowledgment of excellence.
The awards are announced in December, and a private luncheon for award honorees takes place the following January.
AFI 100 Years... series.
The AFI 100 Years... series, which ran from 1998 to 2008 and created jury-selected lists of America's best movies in categories such as Musicals, Laughs and Thrills, prompted new generations to experience classic American films. The juries consisted of over 1,500 artists, scholars, critics, and historians. "Citizen Kane" was voted the greatest American film twice.
AFI film festivals.
AFI operates two film festivals: AFI Fest in Los Angeles, and AFI Docs (formally known as Silverdocs) in Silver Spring, Maryland, and Washington, D.C.
AFI Fest.
AFI Fest is the American Film Institute's annual celebration of artistic excellence. It is a showcase for the best festival films of the year and an opportunity for master filmmakers and emerging artists to come together with audiences in the movie capital of the world. It is the only festival of its stature that is free to the public. The Academy of Motion Picture Arts and Sciences recognizes AFI Fest as a qualifying festival for the Short Films category for the annual Academy Awards.
The festival has paid tribute to numerous influential filmmakers and artists over the years, including Agnès Varda, Pedro Almodóvar and David Lynch as guest artistic directors, and has screened scores of films that have produced Oscar nominations and wins.
AFI Docs.
Held annually in June, AFI Docs (formerly Silverdocs) is a documentary festival in Washington, D.C. The festival attracts over 27,000 documentary enthusiasts.
AFI Silver Theatre and Cultural Center.
The AFI Silver Theatre and Cultural Center is a moving image exhibition, education and cultural center located in Silver Spring, Maryland. Anchored by the restoration of noted architect John Eberson's historic 1938 Silver Theatre, it features 32,000 square feet of new construction housing two stadium theatres, office and meeting space, and reception and exhibit areas.
The AFI Silver Theatre and Cultural Center presents film and video programming, augmented by filmmaker interviews, panels, discussions, and musical performances.
The AFI Directing Workshop for Women.
The Directing Workshop for Women is a training program committed to educating and mentoring participants in an effort to increase the number of women working professionally in screen directing. In this tuition-free program, each participant is required to complete a short film by the end of the year-long program.
Alumnae of the program include Maya Angelou, Anne Bancroft, Dyan Cannon, Ellen Burstyn, Jennifer Getzinger, Lesli Linka Glatter, Lily Tomlin, Susan Oliver and Nancy Malone.
AFI Catalog of Feature Films.
The AFI Catalog, started in 1968, is a web-based filmographic database. A research tool for film historians, the catalog consists of entries on more than 60,000 feature films and 17,000 short films produced from 1893 to 2011, as well as AFI Awards Outstanding Movies of the Year from 2000 through 2010. Early print copies of this catalog may also be found at local libraries.
AFI Awards.
Created in 2000, the AFI Awards honor the ten outstanding films ("Movies of the Year") and ten outstanding television programs ("TV Programs of the Year"). The awards are a non-competitive acknowledgment of excellence.
The awards are announced in December, and a private luncheon for award honorees takes place the following January.
AFI 100 Years... series.
The AFI 100 Years... series, which ran from 1998 to 2008 and created jury-selected lists of America's best movies in categories such as Musicals, Laughs and Thrills, prompted new generations to experience classic American films. The juries consisted of over 1,500 artists, scholars, critics, and historians. "Citizen Kane" was voted the greatest American film twice.
AFI film festivals.
AFI operates two film festivals: AFI Fest in Los Angeles, and AFI Docs (formally known as Silverdocs) in Silver Spring, Maryland, and Washington, D.C.
AFI Fest.
AFI Fest is the American Film Institute's annual celebration of artistic excellence. It is a showcase for the best festival films of the year and an opportunity for master filmmakers and emerging artists to come together with audiences in the movie capital of the world. It is the only festival of its stature that is free to the public. The Academy of Motion Picture Arts and Sciences recognizes AFI Fest as a qualifying festival for the Short Films category for the annual Academy Awards.
The festival has paid tribute to numerous influential filmmakers and artists over the years, including Agnès Varda, Pedro Almodóvar and David Lynch as guest artistic directors, and has screened scores of films that have produced Oscar nominations and wins.
AFI Docs.
Held annually in June, AFI Docs (formerly Silverdocs) is a documentary festival in Washington, D.C. The festival attracts over 27,000 documentary enthusiasts.
AFI Fest.
AFI Fest is the American Film Institute's annual celebration of artistic excellence. It is a showcase for the best festival films of the year and an opportunity for master filmmakers and emerging artists to come together with audiences in the movie capital of the world. It is the only festival of its stature that is free to the public. The Academy of Motion Picture Arts and Sciences recognizes AFI Fest as a qualifying festival for the Short Films category for the annual Academy Awards.
The festival has paid tribute to numerous influential filmmakers and artists over the years, including Agnès Varda, Pedro Almodóvar and David Lynch as guest artistic directors, and has screened scores of films that have produced Oscar nominations and wins.
AFI Docs.
Held annually in June, AFI Docs (formerly Silverdocs) is a documentary festival in Washington, D.C. The festival attracts over 27,000 documentary enthusiasts.
AFI Silver Theatre and Cultural Center.
The AFI Silver Theatre and Cultural Center is a moving image exhibition, education and cultural center located in Silver Spring, Maryland. Anchored by the restoration of noted architect John Eberson's historic 1938 Silver Theatre, it features 32,000 square feet of new construction housing two stadium theatres, office and meeting space, and reception and exhibit areas.
The AFI Silver Theatre and Cultural Center presents film and video programming, augmented by filmmaker interviews, panels, discussions, and musical performances.
The AFI Directing Workshop for Women.
The Directing Workshop for Women is a training program committed to educating and mentoring participants in an effort to increase the number of women working professionally in screen directing. In this tuition-free program, each participant is required to complete a short film by the end of the year-long program.
Alumnae of the program include Maya Angelou, Anne Bancroft, Dyan Cannon, Ellen Burstyn, Jennifer Getzinger, Lesli Linka Glatter, Lily Tomlin, Susan Oliver and Nancy Malone.
AFI Directors Series.
AFI released a set of hour-long programs reviewing the career of acclaimed directors. The Directors Series content was copyrighted in 1997 by Media Entertainment Inc and The American Film Institute, and the VHS and DVDs were released between 1999 and 2001 on Winstar TV and Video.
Directors featured included:
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Aldous Huxley
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Aldous Leonard Huxley (26 July 1894 – 22 November 1963) was an English writer and philosopher. He wrote nearly 50 books, both novels and non-fiction works, as well as wide-ranging essays, narratives, and poems.
Born into the prominent Huxley family, he graduated from Balliol College, Oxford, with an undergraduate degree in English literature. Early in his career, he published short stories and poetry and edited the literary magazine "Oxford Poetry", before going on to publish travel writing, satire, and screenplays. He spent the latter part of his life in the United States, living in Los Angeles from 1937 until his death. By the end of his life, Huxley was widely acknowledged as one of the foremost intellectuals of his time. He was nominated for the Nobel Prize in Literature nine times, and was elected Companion of Literature by the Royal Society of Literature in 1962.
Huxley was a pacifist. He grew interested in philosophical mysticism, as well as universalism, addressing these subjects with works such as "The Perennial Philosophy" (1945), which illustrates commonalities between Western and Eastern mysticism, and "The Doors of Perception" (1954), which interprets his own psychedelic experience with mescaline. In his most famous novel "Brave New World" (1932) and his final novel "Island" (1962), he presented his vision of dystopia and utopia, respectively.
Early life.
Huxley was born in Godalming, Surrey, England, in 1894. He was the third son of the writer and schoolmaster Leonard Huxley, who edited "The Cornhill Magazine", and his first wife, Julia Arnold, who founded Prior's Field School. Julia was the niece of poet and critic Matthew Arnold and the sister of Mrs. Humphry Ward. Julia named him Aldous after a character in one of her sister's novels. Aldous was the grandson of Thomas Henry Huxley, the zoologist, agnostic, and controversialist whom had often been called "Darwin's Bulldog". His brother Julian Huxley and half-brother Andrew Huxley also became outstanding biologists. Aldous had another brother, Noel Trevenen Huxley (1889–1914), who took his own life after a period of clinical depression.
As a child, Huxley's nickname was "Ogie", short for "Ogre". He was described by his brother, Julian, as someone who frequently "[contemplated] the strangeness of things". According to his cousin and contemporary Gervas Huxley, he had an early interest in drawing.
Huxley's education began in his father's well-equipped botanical laboratory, after which he enrolled at Hillside School near Godalming. He was taught there by his own mother for several years until she became terminally ill. After Hillside he went on to Eton College. His mother died in 1908, when he was 14 (his father later remarried). He contracted the eye disease Keratitis punctata in 1911; this "left [him] practically blind for two to three years". This "ended his early dreams of becoming a doctor". In October 1913, Huxley entered Balliol College, Oxford, where he studied English literature. He volunteered for the British Army in January 1916, for the Great War; however, he was rejected on health grounds, being half-blind in one eye. His eyesight later partly recovered. He edited "Oxford Poetry" in 1916, and in June of that year graduated BA with first class honours. His brother Julian wrote:
Following his years at Balliol, Huxley, being financially indebted to his father, decided to find employment. He taught French for a year at Eton College, where Eric Blair (who was to take the pen name George Orwell) and Steven Runciman were among his pupils. He was mainly remembered as being an incompetent schoolmaster unable to keep order in class. Nevertheless, Blair and others spoke highly of his excellent command of language.
Huxley also worked for a time during the 1920s at Brunner and Mond, an advanced chemical plant in Billingham in County Durham, northeast England. According to an introduction to his science fiction novel "Brave New World" (1932), the experience he had there of "an ordered universe in a world of planless incoherence" was an important source for the novel.
Career.
Huxley completed his first (unpublished) novel at the age of 17 and began writing seriously in his early twenties, establishing himself as a successful writer and social satirist. His first published novels were social satires, "Crome Yellow" (1921), "Antic Hay" (1923), "Those Barren Leaves" (1925), and "Point Counter Point" (1928). "Brave New World" (1932) was his fifth novel and first dystopian work. In the 1920s, he was also a contributor to "Vanity Fair" and British "Vogue" magazines.
Contact with the Bloomsbury Set.
During the First World War, Huxley spent much of his time at Garsington Manor near Oxford, home of Lady Ottoline Morrell, working as a farm labourer. While at the Manor, he met several Bloomsbury Group figures, including Bertrand Russell, Alfred North Whitehead, and Clive Bell. Later, in "Crome Yellow" (1921), he caricatured the Garsington lifestyle. Jobs were very scarce, but in 1919, John Middleton Murry was reorganising the "Athenaeum" and invited Huxley to join the staff. He accepted immediately, and quickly married the Belgian refugee Maria Nys (1899–1955), also at Garsington. They lived with their young son in Italy part of the time during the 1920s, where Huxley would visit his friend D. H. Lawrence. Following Lawrence's death in 1930, Huxley edited Lawrence's letters (1932). Very early in 1929, in London, Huxley met Gerald Heard, a writer and broadcaster, philosopher and interpreter of contemporary science.
Works of this period included novels about the dehumanising aspects of scientific progress, (his magnum opus "Brave New World"), and on pacifist themes ("Eyeless in Gaza"). In "Brave New World", set in a dystopian London, Huxley portrays a society operating on the principles of mass production and Pavlovian conditioning. Huxley was strongly influenced by F. Matthias Alexander, on whom he based a character in "Eyeless in Gaza".
During this period, Huxley began to write and edit non-fiction works on pacifist issues, including "Ends and Means" (1937), "An Encyclopedia of Pacifism", and "Pacifism and Philosophy", and was an active member of the Peace Pledge Union.
Life in the United States.
In 1937, Huxley moved to Hollywood with his wife Maria, son Matthew Huxley, and friend Gerald Heard. He lived in the U.S., mainly southern California,<ref name="google/books=3cvYCwAAQBAJ"></ref> until his death, and for a time in Taos, New Mexico, where he wrote "Ends and Means" (1937). The book contains tracts on war, religion, nationalism, and ethics.
Heard introduced Huxley to Vedanta (Upanishad-centered philosophy), meditation, and vegetarianism through the principle of ahimsa. In 1938, Huxley befriended Jiddu Krishnamurti, whose teachings he greatly admired. Huxley and Krishnamurti entered into an enduring exchange (sometimes edging on debate) over many years, with Krishnamurti representing the more rarefied, detached, ivory-tower perspective and Huxley, with his pragmatic concerns, the more socially and historically informed position. Huxley wrote a foreword to Krishnamurti's quintessential statement, "The First and Last Freedom" (1954).
Huxley became a Vedantist in the circle of Hindu Swami Prabhavananda, and introduced Christopher Isherwood to them. Not long afterwards, Huxley wrote his book on widely held spiritual values and ideas, "The Perennial Philosophy", which discussed the teachings of renowned mystics of the world. Huxley's book affirmed a sensibility that insists there are realities beyond the generally accepted "five senses" and that there is genuine meaning for humans beyond both sensual satisfactions and sentimentalities.
Huxley became a close friend of Remsen Bird, president of Occidental College. He spent much time at the college in the Eagle Rock neighbourhood of Los Angeles. The college appears as "Tarzana College" in his satirical novel "After Many a Summer" (1939). The novel won Huxley a British literary award, the 1939 James Tait Black Memorial Prize for fiction. Huxley also incorporated Bird into the novel.
During this period, Huxley earned a substantial income as a Hollywood screenwriter; Christopher Isherwood, in his autobiography "My Guru and His Disciple", states that Huxley earned more than $3,000 per week (approximately $50,000 in 2020 dollars) as a screenwriter, and that he used much of it to transport Jewish and left-wing writer and artist refugees from Hitler's Germany to the US. In March 1938, Huxley's friend Anita Loos, a novelist and screenwriter, put him in touch with Metro-Goldwyn-Mayer (MGM), which hired him for "Madame Curie" which was originally to star Greta Garbo and be directed by George Cukor. (Eventually, the film was completed by MGM in 1943 with a different director and cast.) Huxley received screen credit for "Pride and Prejudice" (1940) and was paid for his work on a number of other films, including "Jane Eyre" (1944). He was commissioned by Walt Disney in 1945 to write a script based on "Alice's Adventures in Wonderland" and the biography of the story's author, Lewis Carroll. The script was not used, however.
Huxley wrote an introduction to the posthumous publication of J. D. Unwin's 1940 book "Hopousia or The Sexual and Economic Foundations of a New Society".
On 21 October 1949, Huxley wrote to George Orwell, author of "Nineteen Eighty-Four", congratulating him on "how fine and how profoundly important the book is". In his letter, he predicted:
In 1953, Huxley and Maria applied for United States citizenship and presented themselves for examination. When Huxley refused to bear arms for the U.S. and would not state that his objections were based on religious ideals, the only excuse allowed under the McCarran Act, the judge had to adjourn the proceedings. He withdrew his application. Nevertheless, he remained in the U.S. In 1959, Huxley turned down an offer to be made a Knight Bachelor by the Macmillan government without giving a reason; his brother Julian had been knighted in 1958, while his brother Andrew would be knighted in 1974.
In the fall semester of 1960 Huxley was invited by Professor Huston Smith to be the Carnegie Visiting Professor of Humanities at the Massachusetts Institute of Technology (MIT). As part of the MIT centennial program of events organised by the Department of Humanities, Huxley presented a series of lectures titled, "What a Piece of Work is a Man" which concerned history, language, and art.
Robert S. de Ropp (scientist, humanitarian, and author), who had spent time with Huxley in England in the 1930s, connected with him again in the U.S. in the early 1960s and wrote that “the enormous intellect, the beautifully modulated voice, the gentle objectivity, all were unchanged. He was one of the most highly civilized human beings I had ever met.”
Contact with the Bloomsbury Set.
During the First World War, Huxley spent much of his time at Garsington Manor near Oxford, home of Lady Ottoline Morrell, working as a farm labourer. While at the Manor, he met several Bloomsbury Group figures, including Bertrand Russell, Alfred North Whitehead, and Clive Bell. Later, in "Crome Yellow" (1921), he caricatured the Garsington lifestyle. Jobs were very scarce, but in 1919, John Middleton Murry was reorganising the "Athenaeum" and invited Huxley to join the staff. He accepted immediately, and quickly married the Belgian refugee Maria Nys (1899–1955), also at Garsington. They lived with their young son in Italy part of the time during the 1920s, where Huxley would visit his friend D. H. Lawrence. Following Lawrence's death in 1930, Huxley edited Lawrence's letters (1932). Very early in 1929, in London, Huxley met Gerald Heard, a writer and broadcaster, philosopher and interpreter of contemporary science.
Works of this period included novels about the dehumanising aspects of scientific progress, (his magnum opus "Brave New World"), and on pacifist themes ("Eyeless in Gaza"). In "Brave New World", set in a dystopian London, Huxley portrays a society operating on the principles of mass production and Pavlovian conditioning. Huxley was strongly influenced by F. Matthias Alexander, on whom he based a character in "Eyeless in Gaza".
During this period, Huxley began to write and edit non-fiction works on pacifist issues, including "Ends and Means" (1937), "An Encyclopedia of Pacifism", and "Pacifism and Philosophy", and was an active member of the Peace Pledge Union.
Life in the United States.
In 1937, Huxley moved to Hollywood with his wife Maria, son Matthew Huxley, and friend Gerald Heard. He lived in the U.S., mainly southern California,<ref name="google/books=3cvYCwAAQBAJ"></ref> until his death, and for a time in Taos, New Mexico, where he wrote "Ends and Means" (1937). The book contains tracts on war, religion, nationalism, and ethics.
Heard introduced Huxley to Vedanta (Upanishad-centered philosophy), meditation, and vegetarianism through the principle of ahimsa. In 1938, Huxley befriended Jiddu Krishnamurti, whose teachings he greatly admired. Huxley and Krishnamurti entered into an enduring exchange (sometimes edging on debate) over many years, with Krishnamurti representing the more rarefied, detached, ivory-tower perspective and Huxley, with his pragmatic concerns, the more socially and historically informed position. Huxley wrote a foreword to Krishnamurti's quintessential statement, "The First and Last Freedom" (1954).
Huxley became a Vedantist in the circle of Hindu Swami Prabhavananda, and introduced Christopher Isherwood to them. Not long afterwards, Huxley wrote his book on widely held spiritual values and ideas, "The Perennial Philosophy", which discussed the teachings of renowned mystics of the world. Huxley's book affirmed a sensibility that insists there are realities beyond the generally accepted "five senses" and that there is genuine meaning for humans beyond both sensual satisfactions and sentimentalities.
Huxley became a close friend of Remsen Bird, president of Occidental College. He spent much time at the college in the Eagle Rock neighbourhood of Los Angeles. The college appears as "Tarzana College" in his satirical novel "After Many a Summer" (1939). The novel won Huxley a British literary award, the 1939 James Tait Black Memorial Prize for fiction. Huxley also incorporated Bird into the novel.
During this period, Huxley earned a substantial income as a Hollywood screenwriter; Christopher Isherwood, in his autobiography "My Guru and His Disciple", states that Huxley earned more than $3,000 per week (approximately $50,000 in 2020 dollars) as a screenwriter, and that he used much of it to transport Jewish and left-wing writer and artist refugees from Hitler's Germany to the US. In March 1938, Huxley's friend Anita Loos, a novelist and screenwriter, put him in touch with Metro-Goldwyn-Mayer (MGM), which hired him for "Madame Curie" which was originally to star Greta Garbo and be directed by George Cukor. (Eventually, the film was completed by MGM in 1943 with a different director and cast.) Huxley received screen credit for "Pride and Prejudice" (1940) and was paid for his work on a number of other films, including "Jane Eyre" (1944). He was commissioned by Walt Disney in 1945 to write a script based on "Alice's Adventures in Wonderland" and the biography of the story's author, Lewis Carroll. The script was not used, however.
Huxley wrote an introduction to the posthumous publication of J. D. Unwin's 1940 book "Hopousia or The Sexual and Economic Foundations of a New Society".
On 21 October 1949, Huxley wrote to George Orwell, author of "Nineteen Eighty-Four", congratulating him on "how fine and how profoundly important the book is". In his letter, he predicted:
In 1953, Huxley and Maria applied for United States citizenship and presented themselves for examination. When Huxley refused to bear arms for the U.S. and would not state that his objections were based on religious ideals, the only excuse allowed under the McCarran Act, the judge had to adjourn the proceedings. He withdrew his application. Nevertheless, he remained in the U.S. In 1959, Huxley turned down an offer to be made a Knight Bachelor by the Macmillan government without giving a reason; his brother Julian had been knighted in 1958, while his brother Andrew would be knighted in 1974.
In the fall semester of 1960 Huxley was invited by Professor Huston Smith to be the Carnegie Visiting Professor of Humanities at the Massachusetts Institute of Technology (MIT). As part of the MIT centennial program of events organised by the Department of Humanities, Huxley presented a series of lectures titled, "What a Piece of Work is a Man" which concerned history, language, and art.
Robert S. de Ropp (scientist, humanitarian, and author), who had spent time with Huxley in England in the 1930s, connected with him again in the U.S. in the early 1960s and wrote that “the enormous intellect, the beautifully modulated voice, the gentle objectivity, all were unchanged. He was one of the most highly civilized human beings I had ever met.”
Late-in-life perspectives.
Biographer Harold H. Watts wrote that Huxley's writings in the "final and extended period of his life" are "the work of a man who is meditating on the central problems of many modern men". Huxley had deeply felt apprehensions about the future the developed world might make for itself. From these, he made some warnings in his writings and talks. In a 1958 televised interview conducted by journalist Mike Wallace, Huxley outlined several major concerns: the difficulties and dangers of world overpopulation; the tendency towards distinctly hierarchical social organisation; the crucial importance of evaluating the use of technology in mass societies susceptible to persuasion; the tendency to promote modern politicians to a naive public as well-marketed commodities. In a December 1962 letter to brother Julian, summarizing a paper he had presented in Santa Barbara, he wrote, "What I said was that if we didn't pretty quickly start thinking of human problems in ecological terms rather than in terms of power politics we should very soon be in a bad way."
Huxley's engagement with Eastern wisdom traditions was entirely compatible with a strong appreciation of modern science. Biographer Milton Birnbaum wrote that Huxley "ended by embracing both science and Eastern religion". In his last book, "Literature and Science", Huxley wrote that "The ethical and philosophical implications of modern science are more Buddhist than Christian..." In "A Philosopher's Visionary Prediction," published one month before he died, Huxley endorsed training in general semantics and "the nonverbal world of culturally uncontaminated consciousness," writing that "We must learn how to be mentally silent, we must cultivate the art of pure receptivity... [T]he individual must learn to decondition himself, must be able to cut holes in the fence of verbalized symbols that hems him in."
Association with Vedanta.
Beginning in 1939 and continuing until his death in 1963, Huxley had an extensive association with the Vedanta Society of Southern California, founded and headed by Swami Prabhavananda. Together with Gerald Heard, Christopher Isherwood and other followers, he was initiated by the Swami and was taught meditation and spiritual practices.
In 1944, Huxley wrote the introduction to the "Bhagavad Gita: The Song of God", translated by Swami Prabhavananda and Christopher Isherwood, which was published by the Vedanta Society of Southern California.
From 1941 until 1960, Huxley contributed 48 articles to "Vedanta and the West", published by the society. He also served on the editorial board with Isherwood, Heard, and playwright John Van Druten from 1951 through 1962.
Huxley also occasionally lectured at the Hollywood and Santa Barbara Vedanta temples. Two of those lectures have been released on CD: "Knowledge and Understanding" and "Who Are We?" from 1955. Nonetheless, Huxley's agnosticism, together with his speculative propensity, made it difficult for him to fully embrace any form of institutionalised religion.
Psychedelic drug use and mystical experiences.
In early 1953, Huxley had his first experience with the psychedelic drug mescaline. Huxley had initiated a correspondence with Doctor Humphry Osmond, a British psychiatrist then employed in a Canadian institution, and eventually asked him to supply a dose of mescaline; Osmond obliged and supervised Huxley's session in southern California. After the publication of "The Doors of Perception", in which he recounted this experience, Huxley and Swami Prabhavananda disagreed about the meaning and importance of the psychedelic drug experience, which may have caused the relationship to cool, but Huxley continued to write articles for the society's journal, lecture at the temple, and attend social functions. Huxley later had an experience on mescaline that he considered more profound than those detailed in "The Doors of Perception".
Huxley wrote that "The mystical experience is doubly valuable; it is valuable because it gives the experiencer a better understanding of himself and the world and because it may help him to lead a less self-centered and more creative life."
Having tried LSD in the 1950s, he became an advisor to Timothy Leary and Richard Alpert in their early-1960s research work with psychedelic drugs at Harvard. Personality differences led Huxley to distance himself from Leary, when Huxley grew concerned that Leary had become too keen on promoting the drugs rather indiscriminately, even playing the rebel with a fondness for publicity.
Eyesight.
Differing accounts exist about the details of the quality of Huxley's eyesight at specific points in his life. Circa 1939, Huxley encountered the Bates method, in which he was instructed by Margaret Darst Corbett. In 1940, Huxley relocated from Hollywood to a "ranchito" in the high desert hamlet of Llano, California, in northern Los Angeles County. Huxley then said that his sight improved dramatically with the Bates method and the extreme and pure natural lighting of the southwestern American desert. He reported that, for the first time in more than 25 years, he was able to read without glasses and without strain. He even tried driving a car along the dirt road beside the ranch. He wrote a book about his experiences with the Bates method, "The Art of Seeing", which was published in 1942 (U.S.), 1943 (UK). The book contained some generally disputed theories, and its publication created a growing degree of popular controversy about Huxley's eyesight.
It was, and is, widely believed that Huxley was nearly blind since the illness in his teens, despite the partial recovery that had enabled him to study at Oxford. For example, some ten years after publication of "The Art of Seeing", in 1952, Bennett Cerf was present when Huxley spoke at a Hollywood banquet, wearing no glasses and apparently reading his paper from the lectern without difficulty: "Then suddenly he faltered—and the disturbing truth became obvious. He wasn't reading his address at all. He had learned it by heart. To refresh his memory he brought the paper closer and closer to his eyes. When it was only an inch or so away he still couldn't read it, and had to fish for a magnifying glass in his pocket to make the typing visible to him. It was an agonising moment."
Brazilian author João Ubaldo Ribeiro, who as a young journalist spent several evenings in the Huxleys' company in the late 1950s, wrote that Huxley had said to him, with a wry smile: "I can hardly see at all. And I don't give a damn, really."
On the other hand, Huxley's second wife Laura later emphasised in her biographical account, "This Timeless Moment": "One of the great achievements of his life: that of having regained his sight." After revealing a letter she wrote to the "Los Angeles Times" disclaiming the label of Huxley as a "poor fellow who can hardly see" by Walter C. Alvarez, she tempered her statement: "Although I feel it was an injustice to treat Aldous as though he were blind, it is true there were many indications of his impaired vision. For instance, although Aldous did not wear glasses, he would quite often use a magnifying lens." Laura Huxley proceeded to elaborate a few nuances of inconsistency peculiar to Huxley's vision. Her account, in this respect, agrees with the following sample of Huxley's own words from "The Art of Seeing": "The most characteristic fact about the functioning of the total organism, or any part of the organism, is that it is not constant, but highly variable." Nevertheless, the topic of Huxley's eyesight has continued to endure similar, significant controversy.
American popular science author Steven Johnson, in his book "Mind Wide Open", quotes Huxley about his difficulties with visual encoding: "I am and, for as long as I can remember, I have always been a poor visualizer. Words, even the pregnant words of poets, do not evoke pictures in my mind. No hypnagogic visions greet me on the verge of sleep. When I recall something, the memory does not present itself to me as a vividly seen event or object. By an effort of the will, I can evoke a not very vivid image of what happened yesterday afternoon ..."
Personal life.
Huxley married on 10 July 1919 Maria Nys (10 September 1899 – 12 February 1955), a Belgian epidemiologist from Bellem, a village near Aalter, he met at Garsington, Oxfordshire, in 1919. They had one child, Matthew Huxley (19 April 1920 – 10 February 2005), who had a career as an author, anthropologist, and prominent epidemiologist. In 1955, Maria Huxley died of cancer.
In 1956, Huxley married Laura Archera (1911–2007), also an author, as well as a violinist and psychotherapist. She wrote "This Timeless Moment", a biography of Huxley. She told the story of their marriage through Mary Ann Braubach's 2010 documentary, "Huxley on Huxley".
Huxley was diagnosed with laryngeal cancer in 1960; in the years that followed, with his health deteriorating, he wrote the utopian novel "Island", and gave lectures on "Human Potentialities" both at the UCSF Medical Center and at the Esalen Institute. These lectures were fundamental to the beginning of the Human Potential Movement.
Huxley was a close friend of Jiddu Krishnamurti and Rosalind Rajagopal, and was involved in the creation of the Happy Valley School, now Besant Hill School, of Happy Valley, in Ojai, California.
The most substantial collection of Huxley's few remaining papers, following the destruction of most in the 1961 Bel Air Fire, is at the Library of the University of California, Los Angeles. Some are also at the Stanford University Libraries.
On 9 April 1962 Huxley was informed he was elected Companion of Literature by the Royal Society of Literature, the senior literary organisation in Britain, and he accepted the title via letter on 28 April 1962. The correspondence between Huxley and the society is kept at the Cambridge University Library. The society invited Huxley to appear at a banquet and give a lecture at Somerset House, London, in June 1963. Huxley wrote a draft of the speech he intended to give at the society; however, his deteriorating health meant he was not able to attend.
Death.
On his deathbed, unable to speak owing to advanced laryngeal cancer, Huxley made a written request to his wife Laura for "LSD, 100 µg, intramuscular." According to her account of his death in "This Timeless Moment", she obliged with an injection at 11:20 a.m. and a second dose an hour later; Huxley died aged 69, at 5:20 p.m. PST on 22 November 1963.
Media coverage of Huxley's death, along with that of fellow British author C. S. Lewis, was overshadowed by the assassination of John F. Kennedy on the same day, less than seven hours before Huxley's death. In a 2009 article for "New York" magazine titled "The Eclipsed Celebrity Death Club", Christopher Bonanos wrote:
This coincidence served as the basis for Peter Kreeft's book "Between Heaven and Hell: A Dialog Somewhere Beyond Death with John F. Kennedy, C. S. Lewis, & Aldous Huxley", which imagines a conversation among the three men taking place in Purgatory following their deaths.
Huxley's memorial service took place in London in December 1963; it was led by his elder brother Julian. On 27 October 1971, his ashes were interred in the family grave at the Watts Cemetery, home of the Watts Mortuary Chapel in Compton, Guildford, Surrey, England.
Huxley had been a long-time friend of Russian composer Igor Stravinsky, who dedicated his last orchestral composition to Huxley. What became "" was begun in July 1963, completed in October 1964, and premiered by the Chicago Symphony Orchestra on 17 April 1965.
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Ayn Rand
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Alice O'Connor (born Alisa Zinovyevna Rosenbaum; , 1905 – March 6, 1982), better known by her pen name Ayn Rand (), was a Russian-born American writer and philosopher. She is known for her fiction and for developing a philosophical system she named Objectivism. Born and educated in Russia, she moved to the United States in 1926. After two early novels that were initially unsuccessful and two Broadway plays, she achieved fame with her 1943 novel, "The Fountainhead". In 1957, Rand published her best-known work, the novel "Atlas Shrugged". Afterward, until her death in 1982, she turned to non-fiction to promote her philosophy, publishing her own periodicals and releasing several collections of essays.
Rand advocated reason as the only means of acquiring knowledge; she rejected faith and religion. She supported rational and ethical egoism and rejected altruism. In politics, she condemned the initiation of force as immoral and opposed collectivism, statism, and anarchism. Instead, she supported "laissez-faire" capitalism, which she defined as the system based on recognizing individual rights, including private property rights. Although Rand opposed libertarianism, which she viewed as anarchism, she is often associated with the modern libertarian movement in the United States. In art, Rand promoted romantic realism. She was sharply critical of most philosophers and philosophical traditions known to her, except for Aristotle, Thomas Aquinas, and classical liberals.
Rand's books have sold over 37 million copies. Her fiction received mixed reviews from literary critics. Although academic interest in her ideas has grown since her death, academic philosophers have generally ignored or rejected her philosophy because of her polemical approach and lack of methodological rigor. Her writings have politically influenced some right-libertarians and conservatives. The Objectivist movement attempts to spread her ideas, both to the public and in academic settings.
Life.
Early life.
Rand was born Alisa Zinovyevna Rosenbaum on February 2, 1905, to a Russian-Jewish bourgeois family living in Saint Petersburg. She was the eldest of three daughters of Zinovy Zakharovich Rosenbaum, a pharmacist, and Anna Borisovna (). She was twelve when the October Revolution and the rule of the Bolsheviks under Vladimir Lenin disrupted the life the family had enjoyed previously. Her father's business was confiscated, and the family fled to the city of Yevpatoria in Crimea, which was initially under the control of the White Army during the Russian Civil War. After graduating high school there in June 1921, she returned with her family to Petrograd (as Saint Petersburg was then named), where they faced desperate conditions, occasionally nearly starving.
When Russian universities were opened to women after the revolution, she was in the first group of women to enroll at Petrograd State University. At 16, she began her studies in the department of social pedagogy, majoring in history. Along with many other bourgeois students, she was purged from the university shortly before graduating. After complaints from a group of visiting foreign scientists, many of the purged students were reinstated in the university. Rand was among these reinstated students and she completed her studies at the renamed Leningrad State University in October 1924. She then studied for a year at the State Technicum for Screen Arts in Leningrad. For an assignment, Rand wrote an essay about the Polish actress Pola Negri, which became her first published work. By this time, she had decided her professional surname for writing would be "Rand", and she adopted the first name "Ayn" (pronounced ).
In late 1925, Rand was granted a visa to visit relatives in Chicago. She departed on January 17, 1926, and arrived in New York City on February 19, 1926. Intent on staying in the United States to become a screenwriter, she lived for a few months with her relatives learning English before leaving for Hollywood, California.
In Hollywood, a chance meeting with famed director Cecil B. DeMille led to work as an extra in his film "The King of Kings" and a subsequent job as a junior screenwriter. While working on "The King of Kings", she met an aspiring young actor, Frank O'Connor; the two married on April 15, 1929. She became a permanent American resident in July 1929 and an American citizen on March 3, 1931. She made several attempts to bring her parents and sisters to the United States, but they were unable to obtain permission to emigrate.
Early fiction.
Rand's first literary success came with the sale of her screenplay "Red Pawn" to Universal Studios in 1932, although it was never produced. Her courtroom drama "Night of January 16th", first staged in Hollywood in 1934, reopened successfully on Broadway in 1935. Each night, a jury was selected from members of the audience; based on its vote, one of two different endings would be performed.
Her first novel, the semi-autobiographical "We the Living", was published in 1936. Set in Soviet Russia, it focused on the struggle between the individual and the state. Initial sales were slow, and the American publisher let it go out of print, although European editions continued to sell. She adapted the story as a stage play, but the Broadway production was a failure and closed in less than a week. After the success of her later novels, Rand was able to release a revised version in 1959 that has since sold over three million copies.
Rand started her next major novel, "The Fountainhead", in December 1935, but took a break from it in 1937 to write her novella "Anthem". The novella presents a vision of a dystopian future world in which totalitarian collectivism has triumphed to such an extent that even the word "I" has been forgotten and replaced with "we". It was published in England in 1938, but Rand could not find an American publisher at that time. As with "We the Living", Rand's later success allowed her to get a revised version published in 1946, which has sold over 3.5 million copies.
"The Fountainhead" and political activism.
During the 1940s, Rand became politically active. She and her husband were full-time volunteers for Republican Wendell Willkie's 1940 presidential campaign. This work brought her into contact with other intellectuals sympathetic to free-market capitalism. She became friends with journalist Henry Hazlitt, who introduced her to the Austrian School economist Ludwig von Mises. Despite philosophical differences with them, Rand strongly endorsed the writings of both men throughout her career, and they expressed admiration for her. Mises once referred to her as "the most courageous man in America", a compliment that particularly pleased her because he said "man" instead of "woman". Rand became friends with libertarian writer Isabel Paterson. Rand questioned her about American history and politics long into the night during their many meetings, and gave Paterson ideas for her only non-fiction book, "The God of the Machine".
Rand's first major success as a writer came in 1943 with "The Fountainhead", a novel about an uncompromising young architect named Howard Roark and his struggle against what Rand described as "second-handers"—those who attempt to live through others, placing others above themselves. Twelve publishers rejected it before Bobbs-Merrill Company accepted it at the insistence of editor Archibald Ogden, who threatened to quit if his employer did not publish it. While completing the novel, Rand was prescribed the amphetamine Benzedrine to fight fatigue. The drug helped her to work long hours to meet her deadline for delivering the novel, but afterwards she was so exhausted that her doctor ordered two weeks' rest. Her use of the drug for approximately three decades may have contributed to what some of her later associates described as volatile mood swings.
The success of "The Fountainhead" brought Rand fame and financial security. In 1943, she sold the film rights to Warner Bros. and returned to Hollywood to write the screenplay. Producer Hal B. Wallis hired her afterwards as a screenwriter and script-doctor. Her work for him included the screenplays for "Love Letters" and "You Came Along". Her contract with Wallis also allowed time for other projects, including a never-completed nonfiction treatment of her philosophy to be called "The Moral Basis of Individualism".
While working in Hollywood, Rand became involved with the anti-Communist Motion Picture Alliance for the Preservation of American Ideals and wrote articles on the group's behalf. She also joined the anti-Communist American Writers Association. In 1947, during the Second Red Scare, Rand testified as a "friendly witness" before the United States House Un-American Activities Committee that the 1944 film "Song of Russia" grossly misrepresented conditions in the Soviet Union, portraying life there as much better and happier than it was. She also wanted to criticize the lauded 1946 film "The Best Years of Our Lives" for what she interpreted as its negative presentation of the business world, but was not allowed to do so. When asked after the hearings about her feelings on the investigations' effectiveness, Rand described the process as "futile".
After several delays, the film version of "The Fountainhead" was released in 1949. Although it used Rand's screenplay with minimal alterations, she "disliked the movie from beginning to end" and complained about its editing, the acting and other elements.
"Atlas Shrugged" and Objectivism.
Following the publication of "The Fountainhead", Rand received many letters from readers, some of whom the book had influenced profoundly. In 1951, Rand moved from Los Angeles to New York City, where she gathered a group of these admirers that included future chair of the Federal Reserve Alan Greenspan, a young psychology student named Nathan Blumenthal (later Nathaniel Branden) and his wife Barbara, and Barbara's cousin Leonard Peikoff. Initially, the group was an informal gathering of friends who met with Rand at her apartment on weekends to discuss philosophy. Later, Rand began allowing them to read the manuscript drafts of her new novel, "Atlas Shrugged". In 1954, her close relationship with Nathaniel Branden turned into a romantic affair, with the knowledge of their spouses.
Published in 1957, "Atlas Shrugged" is considered Rand's "magnum opus". She described the novel's theme as "the role of the mind in man's existence—and, as a corollary, the demonstration of a new moral philosophy: the morality of rational self-interest". It advocates the core tenets of Rand's philosophy of Objectivism and expresses her concept of human achievement. The plot involves a dystopian United States in which the most creative industrialists, scientists, and artists respond to a welfare state government by going on strike and retreating to a hidden valley where they build an independent free economy. The novel's hero and leader of the strike, John Galt, describes it as stopping "the motor of the world" by withdrawing the minds of the individuals contributing most to the nation's wealth and achievements. The novel contains an exposition of Objectivism in a lengthy monologue delivered by Galt.
Despite many negative reviews, "Atlas Shrugged" became an international bestseller, but the reaction of intellectuals to the novel discouraged and depressed Rand. "Atlas Shrugged" was her last completed work of fiction, marking the end of her career as a novelist and the beginning of her role as a popular philosopher.
In 1958, Nathaniel Branden established the Nathaniel Branden Lectures, later incorporated as the Nathaniel Branden Institute (NBI), to promote Rand's philosophy through public lectures. He and Rand co-founded "The Objectivist Newsletter" (later renamed "The Objectivist") in 1962 to circulate articles about her ideas; she later republished some of these articles in book form. Rand was unimpressed by many of the NBI students and held them to strict standards, sometimes reacting coldly or angrily to those who disagreed with her. Critics, including some former NBI students and Branden himself, later described the culture of the NBI as one of intellectual conformity and excessive reverence for Rand. Some described the NBI or the Objectivist movement as a cult or religion. Rand expressed opinions on a wide range of topics, from literature and music to sexuality and facial hair. Some of her followers mimicked her preferences, wearing clothes to match characters from her novels and buying furniture like hers. However, some former NBI students believed the extent of these behaviors was exaggerated, and the problem was concentrated among Rand's closest followers in New York.
Later years.
Throughout the 1960s and 1970s, Rand developed and promoted her Objectivist philosophy through her nonfiction works and by giving talks to students at colleges and universities. She began delivering annual lectures at the Ford Hall Forum, responding to questions from the audience. During these appearances, she often took controversial stances on the political and social issues of the day. These included: supporting abortion rights, opposing the Vietnam War and the military draft (but condemning many draft dodgers as "bums"), supporting Israel in the Yom Kippur War of 1973 against a coalition of Arab nations as "civilized men fighting savages", saying European colonists had the right to invade and take land inhabited by American Indians, and calling homosexuality "immoral" and "disgusting", while also advocating the repeal of all laws concerning it. She endorsed several Republican candidates for president of the United States, most strongly Barry Goldwater in 1964, whose candidacy she promoted in several articles for "The Objectivist Newsletter".
In 1964, Nathaniel Branden began an affair with the young actress Patrecia Scott, whom he later married. Nathaniel and Barbara Branden kept the affair hidden from Rand. When she learned of it in 1968, though her romantic relationship with Branden had already ended, Rand ended her relationship with both Brandens, and the NBI was closed. She published an article in "The Objectivist" repudiating Nathaniel Branden for dishonesty and other "irrational behavior in his private life". In subsequent years, Rand and several more of her closest associates parted company.
Rand underwent surgery for lung cancer in 1974 after decades of heavy smoking. In 1976, she retired from writing her newsletter and, after her initial objections, allowed a social worker employed by her attorney to enroll her in Social Security and Medicare. During the late 1970s, her activities within the Objectivist movement declined, especially after the death of her husband on November 9, 1979. One of her final projects was work on a never-completed television adaptation of "Atlas Shrugged".
On March 6, 1982, Rand died of heart failure at her home in New York City. At her funeral, a floral arrangement in the shape of a dollar sign was placed near her casket. In her will, Rand named Peikoff as her heir.
Early life.
Rand was born Alisa Zinovyevna Rosenbaum on February 2, 1905, to a Russian-Jewish bourgeois family living in Saint Petersburg. She was the eldest of three daughters of Zinovy Zakharovich Rosenbaum, a pharmacist, and Anna Borisovna (). She was twelve when the October Revolution and the rule of the Bolsheviks under Vladimir Lenin disrupted the life the family had enjoyed previously. Her father's business was confiscated, and the family fled to the city of Yevpatoria in Crimea, which was initially under the control of the White Army during the Russian Civil War. After graduating high school there in June 1921, she returned with her family to Petrograd (as Saint Petersburg was then named), where they faced desperate conditions, occasionally nearly starving.
When Russian universities were opened to women after the revolution, she was in the first group of women to enroll at Petrograd State University. At 16, she began her studies in the department of social pedagogy, majoring in history. Along with many other bourgeois students, she was purged from the university shortly before graduating. After complaints from a group of visiting foreign scientists, many of the purged students were reinstated in the university. Rand was among these reinstated students and she completed her studies at the renamed Leningrad State University in October 1924. She then studied for a year at the State Technicum for Screen Arts in Leningrad. For an assignment, Rand wrote an essay about the Polish actress Pola Negri, which became her first published work. By this time, she had decided her professional surname for writing would be "Rand", and she adopted the first name "Ayn" (pronounced ).
In late 1925, Rand was granted a visa to visit relatives in Chicago. She departed on January 17, 1926, and arrived in New York City on February 19, 1926. Intent on staying in the United States to become a screenwriter, she lived for a few months with her relatives learning English before leaving for Hollywood, California.
In Hollywood, a chance meeting with famed director Cecil B. DeMille led to work as an extra in his film "The King of Kings" and a subsequent job as a junior screenwriter. While working on "The King of Kings", she met an aspiring young actor, Frank O'Connor; the two married on April 15, 1929. She became a permanent American resident in July 1929 and an American citizen on March 3, 1931. She made several attempts to bring her parents and sisters to the United States, but they were unable to obtain permission to emigrate.
Early fiction.
Rand's first literary success came with the sale of her screenplay "Red Pawn" to Universal Studios in 1932, although it was never produced. Her courtroom drama "Night of January 16th", first staged in Hollywood in 1934, reopened successfully on Broadway in 1935. Each night, a jury was selected from members of the audience; based on its vote, one of two different endings would be performed.
Her first novel, the semi-autobiographical "We the Living", was published in 1936. Set in Soviet Russia, it focused on the struggle between the individual and the state. Initial sales were slow, and the American publisher let it go out of print, although European editions continued to sell. She adapted the story as a stage play, but the Broadway production was a failure and closed in less than a week. After the success of her later novels, Rand was able to release a revised version in 1959 that has since sold over three million copies.
Rand started her next major novel, "The Fountainhead", in December 1935, but took a break from it in 1937 to write her novella "Anthem". The novella presents a vision of a dystopian future world in which totalitarian collectivism has triumphed to such an extent that even the word "I" has been forgotten and replaced with "we". It was published in England in 1938, but Rand could not find an American publisher at that time. As with "We the Living", Rand's later success allowed her to get a revised version published in 1946, which has sold over 3.5 million copies.
"The Fountainhead" and political activism.
During the 1940s, Rand became politically active. She and her husband were full-time volunteers for Republican Wendell Willkie's 1940 presidential campaign. This work brought her into contact with other intellectuals sympathetic to free-market capitalism. She became friends with journalist Henry Hazlitt, who introduced her to the Austrian School economist Ludwig von Mises. Despite philosophical differences with them, Rand strongly endorsed the writings of both men throughout her career, and they expressed admiration for her. Mises once referred to her as "the most courageous man in America", a compliment that particularly pleased her because he said "man" instead of "woman". Rand became friends with libertarian writer Isabel Paterson. Rand questioned her about American history and politics long into the night during their many meetings, and gave Paterson ideas for her only non-fiction book, "The God of the Machine".
Rand's first major success as a writer came in 1943 with "The Fountainhead", a novel about an uncompromising young architect named Howard Roark and his struggle against what Rand described as "second-handers"—those who attempt to live through others, placing others above themselves. Twelve publishers rejected it before Bobbs-Merrill Company accepted it at the insistence of editor Archibald Ogden, who threatened to quit if his employer did not publish it. While completing the novel, Rand was prescribed the amphetamine Benzedrine to fight fatigue. The drug helped her to work long hours to meet her deadline for delivering the novel, but afterwards she was so exhausted that her doctor ordered two weeks' rest. Her use of the drug for approximately three decades may have contributed to what some of her later associates described as volatile mood swings.
The success of "The Fountainhead" brought Rand fame and financial security. In 1943, she sold the film rights to Warner Bros. and returned to Hollywood to write the screenplay. Producer Hal B. Wallis hired her afterwards as a screenwriter and script-doctor. Her work for him included the screenplays for "Love Letters" and "You Came Along". Her contract with Wallis also allowed time for other projects, including a never-completed nonfiction treatment of her philosophy to be called "The Moral Basis of Individualism".
While working in Hollywood, Rand became involved with the anti-Communist Motion Picture Alliance for the Preservation of American Ideals and wrote articles on the group's behalf. She also joined the anti-Communist American Writers Association. In 1947, during the Second Red Scare, Rand testified as a "friendly witness" before the United States House Un-American Activities Committee that the 1944 film "Song of Russia" grossly misrepresented conditions in the Soviet Union, portraying life there as much better and happier than it was. She also wanted to criticize the lauded 1946 film "The Best Years of Our Lives" for what she interpreted as its negative presentation of the business world, but was not allowed to do so. When asked after the hearings about her feelings on the investigations' effectiveness, Rand described the process as "futile".
After several delays, the film version of "The Fountainhead" was released in 1949. Although it used Rand's screenplay with minimal alterations, she "disliked the movie from beginning to end" and complained about its editing, the acting and other elements.
"Atlas Shrugged" and Objectivism.
Following the publication of "The Fountainhead", Rand received many letters from readers, some of whom the book had influenced profoundly. In 1951, Rand moved from Los Angeles to New York City, where she gathered a group of these admirers that included future chair of the Federal Reserve Alan Greenspan, a young psychology student named Nathan Blumenthal (later Nathaniel Branden) and his wife Barbara, and Barbara's cousin Leonard Peikoff. Initially, the group was an informal gathering of friends who met with Rand at her apartment on weekends to discuss philosophy. Later, Rand began allowing them to read the manuscript drafts of her new novel, "Atlas Shrugged". In 1954, her close relationship with Nathaniel Branden turned into a romantic affair, with the knowledge of their spouses.
Published in 1957, "Atlas Shrugged" is considered Rand's "magnum opus". She described the novel's theme as "the role of the mind in man's existence—and, as a corollary, the demonstration of a new moral philosophy: the morality of rational self-interest". It advocates the core tenets of Rand's philosophy of Objectivism and expresses her concept of human achievement. The plot involves a dystopian United States in which the most creative industrialists, scientists, and artists respond to a welfare state government by going on strike and retreating to a hidden valley where they build an independent free economy. The novel's hero and leader of the strike, John Galt, describes it as stopping "the motor of the world" by withdrawing the minds of the individuals contributing most to the nation's wealth and achievements. The novel contains an exposition of Objectivism in a lengthy monologue delivered by Galt.
Despite many negative reviews, "Atlas Shrugged" became an international bestseller, but the reaction of intellectuals to the novel discouraged and depressed Rand. "Atlas Shrugged" was her last completed work of fiction, marking the end of her career as a novelist and the beginning of her role as a popular philosopher.
In 1958, Nathaniel Branden established the Nathaniel Branden Lectures, later incorporated as the Nathaniel Branden Institute (NBI), to promote Rand's philosophy through public lectures. He and Rand co-founded "The Objectivist Newsletter" (later renamed "The Objectivist") in 1962 to circulate articles about her ideas; she later republished some of these articles in book form. Rand was unimpressed by many of the NBI students and held them to strict standards, sometimes reacting coldly or angrily to those who disagreed with her. Critics, including some former NBI students and Branden himself, later described the culture of the NBI as one of intellectual conformity and excessive reverence for Rand. Some described the NBI or the Objectivist movement as a cult or religion. Rand expressed opinions on a wide range of topics, from literature and music to sexuality and facial hair. Some of her followers mimicked her preferences, wearing clothes to match characters from her novels and buying furniture like hers. However, some former NBI students believed the extent of these behaviors was exaggerated, and the problem was concentrated among Rand's closest followers in New York.
Later years.
Throughout the 1960s and 1970s, Rand developed and promoted her Objectivist philosophy through her nonfiction works and by giving talks to students at colleges and universities. She began delivering annual lectures at the Ford Hall Forum, responding to questions from the audience. During these appearances, she often took controversial stances on the political and social issues of the day. These included: supporting abortion rights, opposing the Vietnam War and the military draft (but condemning many draft dodgers as "bums"), supporting Israel in the Yom Kippur War of 1973 against a coalition of Arab nations as "civilized men fighting savages", saying European colonists had the right to invade and take land inhabited by American Indians, and calling homosexuality "immoral" and "disgusting", while also advocating the repeal of all laws concerning it. She endorsed several Republican candidates for president of the United States, most strongly Barry Goldwater in 1964, whose candidacy she promoted in several articles for "The Objectivist Newsletter".
In 1964, Nathaniel Branden began an affair with the young actress Patrecia Scott, whom he later married. Nathaniel and Barbara Branden kept the affair hidden from Rand. When she learned of it in 1968, though her romantic relationship with Branden had already ended, Rand ended her relationship with both Brandens, and the NBI was closed. She published an article in "The Objectivist" repudiating Nathaniel Branden for dishonesty and other "irrational behavior in his private life". In subsequent years, Rand and several more of her closest associates parted company.
Rand underwent surgery for lung cancer in 1974 after decades of heavy smoking. In 1976, she retired from writing her newsletter and, after her initial objections, allowed a social worker employed by her attorney to enroll her in Social Security and Medicare. During the late 1970s, her activities within the Objectivist movement declined, especially after the death of her husband on November 9, 1979. One of her final projects was work on a never-completed television adaptation of "Atlas Shrugged".
On March 6, 1982, Rand died of heart failure at her home in New York City. At her funeral, a floral arrangement in the shape of a dollar sign was placed near her casket. In her will, Rand named Peikoff as her heir.
Literary approach and influences.
Rand described her approach to literature as "romantic realism". She wanted her fiction to present the world "as it could be and should be", rather than as it was. This approach led her to create highly stylized situations and characters. Her fiction typically has protagonists who are heroic individualists, depicted as fit and attractive. Her villains support duty and collectivist moral ideals. Rand often describes them as unattractive, and some have names that suggest negative traits, such as Wesley Mouch in "Atlas Shrugged".
Rand considered plot a critical element of literature, and her stories typically have what biographer Anne Heller described as "tight, elaborate, fast-paced plotting". Romantic triangles are a common plot element in Rand's fiction; in most of her novels and plays, the main female character is romantically involved with at least two different men.
Influences.
In school Rand read works by Fyodor Dostoevsky, Victor Hugo, Edmond Rostand, and Friedrich Schiller, who became her favorites. She considered them to be among the "top rank" of Romantic writers because of their focus on moral themes and their skill at constructing plots. Hugo was an important influence on her writing, especially her approach to plotting. In the introduction she wrote for an English-language edition of his novel "Ninety-Three", Rand called him "the greatest novelist in world literature".
Although Rand disliked most Russian literature, her depictions of her heroes show the influence of the Russian Symbolists and other nineteenth-century Russian writing, most notably the 1863 novel "What Is to Be Done?" by Nikolay Chernyshevsky. Rand's experience of the Russian Revolution and early Communist Russia influenced the portrayal of her villains. Beyond "We the Living", which is set in Russia, this influence can be seen in the ideas and rhetoric of Ellsworth Toohey in "The Fountainhead", and in the destruction of the economy in "Atlas Shrugged".
Rand's descriptive style echoes her early career writing scenarios and scripts for movies; her novels have many narrative descriptions that resemble early Hollywood movie scenarios. They often follow common film editing conventions, such as having a broad establishing shot description of a scene followed by close-up details, and her descriptions of women characters often take a "male gaze" perspective.
Influences.
In school Rand read works by Fyodor Dostoevsky, Victor Hugo, Edmond Rostand, and Friedrich Schiller, who became her favorites. She considered them to be among the "top rank" of Romantic writers because of their focus on moral themes and their skill at constructing plots. Hugo was an important influence on her writing, especially her approach to plotting. In the introduction she wrote for an English-language edition of his novel "Ninety-Three", Rand called him "the greatest novelist in world literature".
Although Rand disliked most Russian literature, her depictions of her heroes show the influence of the Russian Symbolists and other nineteenth-century Russian writing, most notably the 1863 novel "What Is to Be Done?" by Nikolay Chernyshevsky. Rand's experience of the Russian Revolution and early Communist Russia influenced the portrayal of her villains. Beyond "We the Living", which is set in Russia, this influence can be seen in the ideas and rhetoric of Ellsworth Toohey in "The Fountainhead", and in the destruction of the economy in "Atlas Shrugged".
Rand's descriptive style echoes her early career writing scenarios and scripts for movies; her novels have many narrative descriptions that resemble early Hollywood movie scenarios. They often follow common film editing conventions, such as having a broad establishing shot description of a scene followed by close-up details, and her descriptions of women characters often take a "male gaze" perspective.
Philosophy.
Rand called her philosophy "Objectivism", describing its essence as "the concept of man as a heroic being, with his own happiness as the moral purpose of his life, with productive achievement as his noblest activity, and reason as his only absolute". She considered Objectivism a systematic philosophy and laid out positions on metaphysics, epistemology, ethics, political philosophy, and aesthetics.
In metaphysics, Rand supported philosophical realism and opposed anything she regarded as mysticism or supernaturalism, including all forms of religion. Rand believed in free will as a form of agent causation and rejected determinism.
In epistemology, Rand considered all knowledge to be based on sense perception, the validity of which she considered axiomatic, and reason, which she described as "the faculty that identifies and integrates the material provided by man's senses". Rand rejected all claims of non-perceptual knowledge, including instinct,' 'intuition,' 'revelation,' or any form of 'just knowing. In her "Introduction to Objectivist Epistemology", Rand presented a theory of concept formation and rejected the analytic–synthetic dichotomy. She believed epistemology was a foundational branch of philosophy and considered the advocacy of reason to be the single most significant aspect of her philosophy.
In ethics, Rand argued for rational and ethical egoism (rational self-interest), as the guiding moral principle. She said the individual should "exist for his own sake, neither sacrificing himself to others nor sacrificing others to himself". Rand referred to egoism as "the virtue of selfishness" in her book of that title. In it, she presented her solution to the is–ought problem by describing a meta-ethical theory that based morality in the needs of "man's survival qua man". She condemned ethical altruism as incompatible with the requirements of human life and happiness, and held the initiation of force was evil and irrational, writing in "Atlas Shrugged" that, "Force and mind are opposites".
Rand's political philosophy emphasized individual rights, including property rights. She considered "laissez-faire" capitalism the only moral social system because in her view it was the only system based on protecting those rights. Rand opposed collectivism and statism, which she understood to include many specific forms of government, such as communism, fascism, socialism, theocracy, and the welfare state. Her preferred form of government was a constitutional republic that is limited to the protection of individual rights. Although her political views are often classified as conservative or libertarian, Rand preferred the term "radical for capitalism". She worked with conservatives on political projects, but disagreed with them over issues such as religion and ethics. Rand denounced libertarianism, which she associated with anarchism. She rejected anarchism as a naive theory based in subjectivism that would lead to collectivism in practice.
In aesthetics, Rand defined art as a "selective re-creation of reality according to an artist's metaphysical value-judgments". According to her, art allows philosophical concepts to be presented in a concrete form that can be grasped easily, thereby fulfilling a need of human consciousness. As a writer, the art form Rand focused on most closely was literature. She considered romanticism to be the approach that most accurately reflected the existence of human free will.
Criticisms.
Rand's ethics and politics are the most criticized areas of her philosophy. Numerous authors, including Robert Nozick and William F. O'Neill, in some of the earliest academic critiques of her ideas, said she failed in her attempt to solve the is–ought problem. Critics have called her definitions of "egoism" and "altruism" biased and inconsistent with normal usage. Critics from religious traditions oppose her atheism and her rejection of altruism.
Multiple critics, including Nozick, have said her attempt to justify individual rights based on egoism fails. Others, like libertarian philosopher Michael Huemer, have gone further, saying that her support of egoism and her support of individual rights are inconsistent positions. Some critics, like Roy Childs, have said that her opposition to the initiation of force should lead to support of anarchism, rather than limited government.
Commentators, including Hazel Barnes, Albert Ellis, and Nathaniel Branden, have criticized Rand's focus on the importance of reason. Branden said this emphasis led her to denigrate emotions and create unrealistic expectations of how consistently rational human beings should be.
Relationship to other philosophers.
Except for Aristotle, Thomas Aquinas and classical liberals, Rand was sharply critical of most philosophers and philosophical traditions known to her. Acknowledging Aristotle as her greatest influence, Rand remarked that in the history of philosophy she could only recommend "three A's"—Aristotle, Aquinas, and Ayn Rand. In a 1959 interview with Mike Wallace, when asked where her philosophy came from, she responded: "Out of my own mind, with the sole acknowledgement of a debt to Aristotle, the only philosopher who ever influenced me."
In an article for the "Claremont Review of Books", political scientist Charles Murray criticized her claim that her only "philosophical debt" was to Aristotle. He asserted her ideas were derivative of previous thinkers such as John Locke and Friedrich Nietzsche. Rand found early inspiration from Nietzsche, and scholars have found indications of this in Rand's private journals. In 1928, she alluded to his idea of the "superman" in notes for an unwritten novel whose protagonist was inspired by the murderer William Edward Hickman. There are other indications of Nietzsche's influence in passages from the first edition of "We the Living" (which Rand later revised), and in her overall writing style. By the time she wrote "The Fountainhead", Rand had turned against Nietzsche's ideas, and the extent of his influence on her even during her early years is disputed.
Rand considered her philosophical opposite to be Immanuel Kant, whom she referred to as "the most evil man in mankind's history"; she believed his epistemology undermined reason and his ethics opposed self-interest. Philosophers George Walsh and Fred Seddon have argued she misinterpreted Kant and exaggerated their differences. She was also critical of Plato, and viewed his differences with Aristotle on questions of metaphysics and epistemology as the primary conflict in the history of philosophy.
Rand's relationship with contemporary philosophers was mostly antagonistic. She was not an academic and did not participate in academic discourse. She was dismissive toward critics and wrote about ideas she disagreed with in a polemical manner without in-depth analysis. She was in turn viewed very negatively by many academic philosophers, who dismissed her as an unimportant figure who need not be given serious consideration.
Criticisms.
Rand's ethics and politics are the most criticized areas of her philosophy. Numerous authors, including Robert Nozick and William F. O'Neill, in some of the earliest academic critiques of her ideas, said she failed in her attempt to solve the is–ought problem. Critics have called her definitions of "egoism" and "altruism" biased and inconsistent with normal usage. Critics from religious traditions oppose her atheism and her rejection of altruism.
Multiple critics, including Nozick, have said her attempt to justify individual rights based on egoism fails. Others, like libertarian philosopher Michael Huemer, have gone further, saying that her support of egoism and her support of individual rights are inconsistent positions. Some critics, like Roy Childs, have said that her opposition to the initiation of force should lead to support of anarchism, rather than limited government.
Commentators, including Hazel Barnes, Albert Ellis, and Nathaniel Branden, have criticized Rand's focus on the importance of reason. Branden said this emphasis led her to denigrate emotions and create unrealistic expectations of how consistently rational human beings should be.
Relationship to other philosophers.
Except for Aristotle, Thomas Aquinas and classical liberals, Rand was sharply critical of most philosophers and philosophical traditions known to her. Acknowledging Aristotle as her greatest influence, Rand remarked that in the history of philosophy she could only recommend "three A's"—Aristotle, Aquinas, and Ayn Rand. In a 1959 interview with Mike Wallace, when asked where her philosophy came from, she responded: "Out of my own mind, with the sole acknowledgement of a debt to Aristotle, the only philosopher who ever influenced me."
In an article for the "Claremont Review of Books", political scientist Charles Murray criticized her claim that her only "philosophical debt" was to Aristotle. He asserted her ideas were derivative of previous thinkers such as John Locke and Friedrich Nietzsche. Rand found early inspiration from Nietzsche, and scholars have found indications of this in Rand's private journals. In 1928, she alluded to his idea of the "superman" in notes for an unwritten novel whose protagonist was inspired by the murderer William Edward Hickman. There are other indications of Nietzsche's influence in passages from the first edition of "We the Living" (which Rand later revised), and in her overall writing style. By the time she wrote "The Fountainhead", Rand had turned against Nietzsche's ideas, and the extent of his influence on her even during her early years is disputed.
Rand considered her philosophical opposite to be Immanuel Kant, whom she referred to as "the most evil man in mankind's history"; she believed his epistemology undermined reason and his ethics opposed self-interest. Philosophers George Walsh and Fred Seddon have argued she misinterpreted Kant and exaggerated their differences. She was also critical of Plato, and viewed his differences with Aristotle on questions of metaphysics and epistemology as the primary conflict in the history of philosophy.
Rand's relationship with contemporary philosophers was mostly antagonistic. She was not an academic and did not participate in academic discourse. She was dismissive toward critics and wrote about ideas she disagreed with in a polemical manner without in-depth analysis. She was in turn viewed very negatively by many academic philosophers, who dismissed her as an unimportant figure who need not be given serious consideration.
Reception and legacy.
Critical reception.
The first reviews Rand received were for "Night of January 16th". Reviews of the Broadway production were largely positive, but Rand considered even positive reviews to be embarrassing because of significant changes made to her script by the producer. Although Rand believed that her novel "We the Living" was not widely reviewed, over 200 publications published approximately 125 different reviews. Overall, they were more positive than those she received for her later work. Her novella "Anthem" received little review attention, both for its first publication in England and for subsequent re-issues.
Rand's first bestseller, "The Fountainhead", received far fewer reviews than "We the Living", and reviewers' opinions were mixed. Lorine Pruette's positive review in "The New York Times", which called the author "a writer of great power" who wrote "brilliantly, beautifully and bitterly", was one that Rand greatly appreciated. There were other positive reviews, but Rand dismissed most of them for either misunderstanding her message or for being in unimportant publications. Some negative reviews said the novel was too long; others called the characters unsympathetic and Rand's style "offensively pedestrian".
"Atlas Shrugged" was widely reviewed, and many of the reviews were strongly negative. "Atlas Shrugged" received positive reviews from a few publications, but Rand scholar Mimi Reisel Gladstein later wrote that "reviewers seemed to vie with each other in a contest to devise the cleverest put-downs", with reviews including comments that it was "written out of hate" and showed "remorseless hectoring and prolixity". Whittaker Chambers wrote what was later called the novel's most "notorious" review for the conservative magazine "National Review". He accused Rand of supporting a godless system (which he related to that of the Soviets), claiming, "From almost any page of "Atlas Shrugged", a voice can be heard ... commanding: 'To a gas chamber—go!.
Rand's nonfiction received far fewer reviews than her novels. The tenor of the criticism for her first nonfiction book, "For the New Intellectual", was similar to that for "Atlas Shrugged". Philosopher Sidney Hook likened her certainty to "the way philosophy is written in the Soviet Union", and author Gore Vidal called her viewpoint "nearly perfect in its immorality". These reviews set the pattern for reaction to her ideas among liberal critics. Her subsequent books got progressively less review attention.
Popular interest.
With over 37 million copies sold , Rand's books continue to be read widely. A survey conducted for the Library of Congress and the Book-of-the-Month Club in 1991 asked club members to name the most influential book in their lives. Rand's "Atlas Shrugged" was the second most popular choice, after the Bible. Although Rand's influence has been greatest in the United States, there has been international interest in her work.
Rand's contemporary admirers included fellow novelists, like Ira Levin, Kay Nolte Smith and L. Neil Smith; she has influenced later writers like Erika Holzer, Terry Goodkind, and comic book artist Steve Ditko. Rand provided a positive view of business and subsequently many business executives and entrepreneurs have admired and promoted her work. Businessmen such as John Allison of BB&T and Ed Snider of Comcast Spectacor have funded the promotion of Rand's ideas.
Television shows, movies, and video games have referred to Rand and her works. Throughout her life she was the subject of many articles in popular magazines, as well as book-length critiques by authors such as the psychologist Albert Ellis and Trinity Foundation president John W. Robbins. Rand or characters based on her figure prominently in novels by American authors, including Mary Gaitskill, Matt Ruff, Kay Nolte Smith, and Tobias Wolff. Nick Gillespie, former editor-in-chief of "Reason", remarked that, "Rand's is a tortured immortality, one in which she's as likely to be a punch line as a protagonist. Jibes at Rand as cold and inhuman run through the popular culture." Two movies have been made about Rand's life. A 1997 documentary film, "", was nominated for the Academy Award for Best Documentary Feature. "The Passion of Ayn Rand", a 1999 television adaptation of the book of the same name, won several awards. Rand's image also appears on a 1999 U.S. postage stamp illustrated by artist Nick Gaetano.
Rand's works, most commonly "Anthem" or "The Fountainhead", are sometimes assigned as secondary school reading. Since 2002, the Ayn Rand Institute has provided free copies of Rand's novels to teachers who promise to include the books in their curriculum. The Institute had distributed 4.5 million copies in the U.S. and Canada by the end of 2020. In 2017, Rand was added to the required reading list for the A Level Politics exam in the United Kingdom.
Political influence.
Although she rejected the labels "conservative" and "libertarian", Rand has had a continuing influence on right-wing politics and libertarianism. Rand is often considered one of the three most important women (along with Rose Wilder Lane and Isabel Paterson) in the early development of modern American libertarianism. David Nolan, one founder of the Libertarian Party, said that "without Ayn Rand, the libertarian movement would not exist". In his history of that movement, journalist Brian Doherty described her as "the most influential libertarian of the twentieth century to the public at large". Political scientist Andrew Koppelman called her "the most widely read libertarian". Historian Jennifer Burns referred to her as "the ultimate gateway drug to life on the right".
The political figures who cite Rand as an influence are usually conservatives (often members of the Republican Party), despite Rand taking some atypical positions for a conservative, like being pro-choice and an atheist. She faced intense opposition from William F. Buckley Jr. and other contributors to the conservative "National Review" magazine, which published numerous criticisms of her writings and ideas. Nevertheless, a 1987 article in "The New York Times" referred to her as the Reagan administration's "novelist laureate". Republican congressmen and conservative pundits have acknowledged her influence on their lives and have recommended her novels. She has influenced some conservative politicians outside the U.S., such as Sajid Javid in the United Kingdom, Siv Jensen in Norway, and Ayelet Shaked in Israel.
The financial crisis of 2007–2008 spurred renewed interest in her works, especially "Atlas Shrugged", which some saw as foreshadowing the crisis. Opinion articles compared real-world events with the novel's plot. Signs mentioning Rand and her fictional hero John Galt appeared at Tea Party protests. There was increased criticism of her ideas, especially from the political left. Critics blamed the economic crisis on her support of selfishness and free markets, particularly through her influence on Alan Greenspan. In 2015, Adam Weiner said that through Greenspan, "Rand had effectively chucked a ticking time bomb into the boiler room of the US economy". Lisa Duggan said that Rand's novels had "incalculable impact" in encouraging the spread of neoliberal political ideas. In 2021, Cass Sunstein said Rand's ideas could be seen in the tax and regulatory policies of the Trump administration, which he attributed to the "enduring influence" of Rand's fiction.
Academic reaction.
During Rand's lifetime, her work received little attention from academic scholars. Since her death, interest in her work has increased gradually. In 2009, historian Jennifer Burns identified "three overlapping waves" of scholarly interest in Rand, including "an explosion of scholarship" since 2000. As of that year, few universities included Rand or Objectivism as a philosophical specialty or research area, with many literature and philosophy departments dismissing her as a pop culture phenomenon rather than a subject for serious study. From 2002 to 2012, over 60 colleges and universities accepted grants from the charitable foundation of BB&T Corporation that required teaching Rand's ideas or works; in some cases, the grants were controversial or even rejected because of the requirement to teach about Rand.
In 2020, media critic Eric Burns said that, "Rand is surely the most engaging philosopher of my lifetime", but "nobody in the academe pays any attention to her, neither as an author nor a philosopher". That same year, the editor of a collection of critical essays about Rand said academics who disapproved of her ideas had long held "a stubborn resolve to ignore or ridicule" her work, but he believed more academic critics were engaging with her work in recent years.
To her ideas.
In 1967, John Hospers discussed Rand's ethical ideas in the second edition of his textbook, "An Introduction to Philosophical Analysis". That same year, Hazel Barnes included a chapter critiquing Objectivism in her book "An Existentialist Ethics". When the first full-length academic book about Rand's philosophy appeared in 1971, its author declared writing about Rand "a treacherous undertaking" that could lead to "guilt by association" for taking her seriously. A few articles about Rand's ideas appeared in academic journals before her death in 1982, many of them in "The Personalist". One of these was "On the Randian Argument" by libertarian philosopher Robert Nozick, who criticized her meta-ethical arguments. Other philosophers, writing in the same publication, argued that Nozick misstated Rand's case. In an article responding to Nozick, Douglas Den Uyl and Douglas B. Rasmussen defended her positions, but described her style as "literary, hyperbolic and emotional".
"The Philosophic Thought of Ayn Rand", a 1984 collection of essays about Objectivism edited by Den Uyl and Rasmussen, was the first academic book about Rand's ideas published after her death. In one essay, political writer Jack Wheeler wrote that despite "the incessant bombast and continuous venting of Randian rage", Rand's ethics are "a most immense achievement, the study of which is vastly more fruitful than any other in contemporary thought". In 1987, the Ayn Rand Society was founded as an affiliate of the American Philosophical Association.
In a 1995 entry about Rand in "Contemporary Women Philosophers", Jenny A. Heyl described a divergence in how different academic specialties viewed Rand. She said that Rand's philosophy "is regularly omitted from academic philosophy. Yet, throughout literary academia, Ayn Rand is considered a philosopher." Writing in the 1998 edition of the "Routledge Encyclopedia of Philosophy", political theorist Chandran Kukathas summarized the mainstream philosophical reception of her work in two parts. He said most commentators view her ethical argument as an unconvincing variant of Aristotle's ethics, and her political theory "is of little interest" because it is marred by an "ill-thought out and unsystematic" effort to reconcile her hostility to the state with her rejection of anarchism. "The Journal of Ayn Rand Studies", a multidisciplinary, peer-reviewed academic journal devoted to the study of Rand and her ideas, was established in 1999.
In a 2010 essay for the Cato Institute, Huemer argued very few people find Rand's ideas convincing, especially her ethics. He attributed the attention she receives to her being a "compelling writer", especially as a novelist, noting that "Atlas Shrugged" outsells Rand's non-fiction works and the works of other philosophers of classical liberalism. In 2012, the Pennsylvania State University Press agreed to take over publication of "The Journal of Ayn Rand Studies", and the University of Pittsburgh Press launched an "Ayn Rand Society Philosophical Studies" series based on the Society's proceedings. The Fall 2012 update to the entry about Rand in the "Stanford Encyclopedia of Philosophy" said that "only a few professional philosophers have taken her work seriously". That same year, political scientist Alan Wolfe dismissed Rand as a "nonperson" among academics, an attitude that writer Ben Murnane later described as "the traditional academic view" of Rand. Philosopher Skye C. Cleary wrote in a 2018 article for "Aeon" that, "Philosophers love to hate Ayn Rand. It's trendy to scoff at any mention of her." However, Cleary said that because many people take Rand's ideas seriously, philosophers "need to treat the Ayn Rand phenomenon seriously" and provide refutations rather than ignoring her.
To her fiction.
Academic consideration of Rand as a literary figure during her life was even more limited than the discussion of her philosophy. Mimi Reisel Gladstein could not find any scholarly articles about Rand's novels when she began researching her in 1973, and only three such articles appeared during the rest of the 1970s. Since her death, scholars of English and American literature have continued largely to ignore her work, although attention to her literary work has increased since the 1990s. Several academic book series about important authors cover Rand and her works, as do popular study guides like CliffsNotes and SparkNotes. In "The Literary Encyclopedia" entry for Rand written in 2001, John David Lewis declared that "Rand wrote the most intellectually challenging fiction of her generation." In 2019, Duggan described Rand's fiction as popular and influential on many readers, despite being easy to criticize for "her cartoonish characters and melodramatic plots, her rigid moralizing, her middle- to lowbrow aesthetic preferences ... and philosophical strivings".
Objectivist movement.
After the closure of the Nathaniel Branden Institute, the Objectivist movement continued in other forms. In the 1970s, Peikoff began delivering courses on Objectivism. In 1979, Peter Schwartz started a newsletter called "The Intellectual Activist", which Rand endorsed. She also endorsed "The Objectivist Forum", a bimonthly magazine founded by Objectivist philosopher Harry Binswanger, which ran from 1980 to 1987.
In 1985, Peikoff worked with businessman Ed Snider to establish the Ayn Rand Institute, a nonprofit organization dedicated to promoting Rand's ideas and works. In 1990, after an ideological disagreement with Peikoff, David Kelley founded the Institute for Objectivist Studies, now known as The Atlas Society. In 2001, historian John McCaskey organized the Anthem Foundation for Objectivist Scholarship, which provides grants for scholarly work on Objectivism in academia.
Critical reception.
The first reviews Rand received were for "Night of January 16th". Reviews of the Broadway production were largely positive, but Rand considered even positive reviews to be embarrassing because of significant changes made to her script by the producer. Although Rand believed that her novel "We the Living" was not widely reviewed, over 200 publications published approximately 125 different reviews. Overall, they were more positive than those she received for her later work. Her novella "Anthem" received little review attention, both for its first publication in England and for subsequent re-issues.
Rand's first bestseller, "The Fountainhead", received far fewer reviews than "We the Living", and reviewers' opinions were mixed. Lorine Pruette's positive review in "The New York Times", which called the author "a writer of great power" who wrote "brilliantly, beautifully and bitterly", was one that Rand greatly appreciated. There were other positive reviews, but Rand dismissed most of them for either misunderstanding her message or for being in unimportant publications. Some negative reviews said the novel was too long; others called the characters unsympathetic and Rand's style "offensively pedestrian".
"Atlas Shrugged" was widely reviewed, and many of the reviews were strongly negative. "Atlas Shrugged" received positive reviews from a few publications, but Rand scholar Mimi Reisel Gladstein later wrote that "reviewers seemed to vie with each other in a contest to devise the cleverest put-downs", with reviews including comments that it was "written out of hate" and showed "remorseless hectoring and prolixity". Whittaker Chambers wrote what was later called the novel's most "notorious" review for the conservative magazine "National Review". He accused Rand of supporting a godless system (which he related to that of the Soviets), claiming, "From almost any page of "Atlas Shrugged", a voice can be heard ... commanding: 'To a gas chamber—go!.
Rand's nonfiction received far fewer reviews than her novels. The tenor of the criticism for her first nonfiction book, "For the New Intellectual", was similar to that for "Atlas Shrugged". Philosopher Sidney Hook likened her certainty to "the way philosophy is written in the Soviet Union", and author Gore Vidal called her viewpoint "nearly perfect in its immorality". These reviews set the pattern for reaction to her ideas among liberal critics. Her subsequent books got progressively less review attention.
Popular interest.
With over 37 million copies sold , Rand's books continue to be read widely. A survey conducted for the Library of Congress and the Book-of-the-Month Club in 1991 asked club members to name the most influential book in their lives. Rand's "Atlas Shrugged" was the second most popular choice, after the Bible. Although Rand's influence has been greatest in the United States, there has been international interest in her work.
Rand's contemporary admirers included fellow novelists, like Ira Levin, Kay Nolte Smith and L. Neil Smith; she has influenced later writers like Erika Holzer, Terry Goodkind, and comic book artist Steve Ditko. Rand provided a positive view of business and subsequently many business executives and entrepreneurs have admired and promoted her work. Businessmen such as John Allison of BB&T and Ed Snider of Comcast Spectacor have funded the promotion of Rand's ideas.
Television shows, movies, and video games have referred to Rand and her works. Throughout her life she was the subject of many articles in popular magazines, as well as book-length critiques by authors such as the psychologist Albert Ellis and Trinity Foundation president John W. Robbins. Rand or characters based on her figure prominently in novels by American authors, including Mary Gaitskill, Matt Ruff, Kay Nolte Smith, and Tobias Wolff. Nick Gillespie, former editor-in-chief of "Reason", remarked that, "Rand's is a tortured immortality, one in which she's as likely to be a punch line as a protagonist. Jibes at Rand as cold and inhuman run through the popular culture." Two movies have been made about Rand's life. A 1997 documentary film, "", was nominated for the Academy Award for Best Documentary Feature. "The Passion of Ayn Rand", a 1999 television adaptation of the book of the same name, won several awards. Rand's image also appears on a 1999 U.S. postage stamp illustrated by artist Nick Gaetano.
Rand's works, most commonly "Anthem" or "The Fountainhead", are sometimes assigned as secondary school reading. Since 2002, the Ayn Rand Institute has provided free copies of Rand's novels to teachers who promise to include the books in their curriculum. The Institute had distributed 4.5 million copies in the U.S. and Canada by the end of 2020. In 2017, Rand was added to the required reading list for the A Level Politics exam in the United Kingdom.
Political influence.
Although she rejected the labels "conservative" and "libertarian", Rand has had a continuing influence on right-wing politics and libertarianism. Rand is often considered one of the three most important women (along with Rose Wilder Lane and Isabel Paterson) in the early development of modern American libertarianism. David Nolan, one founder of the Libertarian Party, said that "without Ayn Rand, the libertarian movement would not exist". In his history of that movement, journalist Brian Doherty described her as "the most influential libertarian of the twentieth century to the public at large". Political scientist Andrew Koppelman called her "the most widely read libertarian". Historian Jennifer Burns referred to her as "the ultimate gateway drug to life on the right".
The political figures who cite Rand as an influence are usually conservatives (often members of the Republican Party), despite Rand taking some atypical positions for a conservative, like being pro-choice and an atheist. She faced intense opposition from William F. Buckley Jr. and other contributors to the conservative "National Review" magazine, which published numerous criticisms of her writings and ideas. Nevertheless, a 1987 article in "The New York Times" referred to her as the Reagan administration's "novelist laureate". Republican congressmen and conservative pundits have acknowledged her influence on their lives and have recommended her novels. She has influenced some conservative politicians outside the U.S., such as Sajid Javid in the United Kingdom, Siv Jensen in Norway, and Ayelet Shaked in Israel.
The financial crisis of 2007–2008 spurred renewed interest in her works, especially "Atlas Shrugged", which some saw as foreshadowing the crisis. Opinion articles compared real-world events with the novel's plot. Signs mentioning Rand and her fictional hero John Galt appeared at Tea Party protests. There was increased criticism of her ideas, especially from the political left. Critics blamed the economic crisis on her support of selfishness and free markets, particularly through her influence on Alan Greenspan. In 2015, Adam Weiner said that through Greenspan, "Rand had effectively chucked a ticking time bomb into the boiler room of the US economy". Lisa Duggan said that Rand's novels had "incalculable impact" in encouraging the spread of neoliberal political ideas. In 2021, Cass Sunstein said Rand's ideas could be seen in the tax and regulatory policies of the Trump administration, which he attributed to the "enduring influence" of Rand's fiction.
Academic reaction.
During Rand's lifetime, her work received little attention from academic scholars. Since her death, interest in her work has increased gradually. In 2009, historian Jennifer Burns identified "three overlapping waves" of scholarly interest in Rand, including "an explosion of scholarship" since 2000. As of that year, few universities included Rand or Objectivism as a philosophical specialty or research area, with many literature and philosophy departments dismissing her as a pop culture phenomenon rather than a subject for serious study. From 2002 to 2012, over 60 colleges and universities accepted grants from the charitable foundation of BB&T Corporation that required teaching Rand's ideas or works; in some cases, the grants were controversial or even rejected because of the requirement to teach about Rand.
In 2020, media critic Eric Burns said that, "Rand is surely the most engaging philosopher of my lifetime", but "nobody in the academe pays any attention to her, neither as an author nor a philosopher". That same year, the editor of a collection of critical essays about Rand said academics who disapproved of her ideas had long held "a stubborn resolve to ignore or ridicule" her work, but he believed more academic critics were engaging with her work in recent years.
To her ideas.
In 1967, John Hospers discussed Rand's ethical ideas in the second edition of his textbook, "An Introduction to Philosophical Analysis". That same year, Hazel Barnes included a chapter critiquing Objectivism in her book "An Existentialist Ethics". When the first full-length academic book about Rand's philosophy appeared in 1971, its author declared writing about Rand "a treacherous undertaking" that could lead to "guilt by association" for taking her seriously. A few articles about Rand's ideas appeared in academic journals before her death in 1982, many of them in "The Personalist". One of these was "On the Randian Argument" by libertarian philosopher Robert Nozick, who criticized her meta-ethical arguments. Other philosophers, writing in the same publication, argued that Nozick misstated Rand's case. In an article responding to Nozick, Douglas Den Uyl and Douglas B. Rasmussen defended her positions, but described her style as "literary, hyperbolic and emotional".
"The Philosophic Thought of Ayn Rand", a 1984 collection of essays about Objectivism edited by Den Uyl and Rasmussen, was the first academic book about Rand's ideas published after her death. In one essay, political writer Jack Wheeler wrote that despite "the incessant bombast and continuous venting of Randian rage", Rand's ethics are "a most immense achievement, the study of which is vastly more fruitful than any other in contemporary thought". In 1987, the Ayn Rand Society was founded as an affiliate of the American Philosophical Association.
In a 1995 entry about Rand in "Contemporary Women Philosophers", Jenny A. Heyl described a divergence in how different academic specialties viewed Rand. She said that Rand's philosophy "is regularly omitted from academic philosophy. Yet, throughout literary academia, Ayn Rand is considered a philosopher." Writing in the 1998 edition of the "Routledge Encyclopedia of Philosophy", political theorist Chandran Kukathas summarized the mainstream philosophical reception of her work in two parts. He said most commentators view her ethical argument as an unconvincing variant of Aristotle's ethics, and her political theory "is of little interest" because it is marred by an "ill-thought out and unsystematic" effort to reconcile her hostility to the state with her rejection of anarchism. "The Journal of Ayn Rand Studies", a multidisciplinary, peer-reviewed academic journal devoted to the study of Rand and her ideas, was established in 1999.
In a 2010 essay for the Cato Institute, Huemer argued very few people find Rand's ideas convincing, especially her ethics. He attributed the attention she receives to her being a "compelling writer", especially as a novelist, noting that "Atlas Shrugged" outsells Rand's non-fiction works and the works of other philosophers of classical liberalism. In 2012, the Pennsylvania State University Press agreed to take over publication of "The Journal of Ayn Rand Studies", and the University of Pittsburgh Press launched an "Ayn Rand Society Philosophical Studies" series based on the Society's proceedings. The Fall 2012 update to the entry about Rand in the "Stanford Encyclopedia of Philosophy" said that "only a few professional philosophers have taken her work seriously". That same year, political scientist Alan Wolfe dismissed Rand as a "nonperson" among academics, an attitude that writer Ben Murnane later described as "the traditional academic view" of Rand. Philosopher Skye C. Cleary wrote in a 2018 article for "Aeon" that, "Philosophers love to hate Ayn Rand. It's trendy to scoff at any mention of her." However, Cleary said that because many people take Rand's ideas seriously, philosophers "need to treat the Ayn Rand phenomenon seriously" and provide refutations rather than ignoring her.
To her fiction.
Academic consideration of Rand as a literary figure during her life was even more limited than the discussion of her philosophy. Mimi Reisel Gladstein could not find any scholarly articles about Rand's novels when she began researching her in 1973, and only three such articles appeared during the rest of the 1970s. Since her death, scholars of English and American literature have continued largely to ignore her work, although attention to her literary work has increased since the 1990s. Several academic book series about important authors cover Rand and her works, as do popular study guides like CliffsNotes and SparkNotes. In "The Literary Encyclopedia" entry for Rand written in 2001, John David Lewis declared that "Rand wrote the most intellectually challenging fiction of her generation." In 2019, Duggan described Rand's fiction as popular and influential on many readers, despite being easy to criticize for "her cartoonish characters and melodramatic plots, her rigid moralizing, her middle- to lowbrow aesthetic preferences ... and philosophical strivings".
To her ideas.
In 1967, John Hospers discussed Rand's ethical ideas in the second edition of his textbook, "An Introduction to Philosophical Analysis". That same year, Hazel Barnes included a chapter critiquing Objectivism in her book "An Existentialist Ethics". When the first full-length academic book about Rand's philosophy appeared in 1971, its author declared writing about Rand "a treacherous undertaking" that could lead to "guilt by association" for taking her seriously. A few articles about Rand's ideas appeared in academic journals before her death in 1982, many of them in "The Personalist". One of these was "On the Randian Argument" by libertarian philosopher Robert Nozick, who criticized her meta-ethical arguments. Other philosophers, writing in the same publication, argued that Nozick misstated Rand's case. In an article responding to Nozick, Douglas Den Uyl and Douglas B. Rasmussen defended her positions, but described her style as "literary, hyperbolic and emotional".
"The Philosophic Thought of Ayn Rand", a 1984 collection of essays about Objectivism edited by Den Uyl and Rasmussen, was the first academic book about Rand's ideas published after her death. In one essay, political writer Jack Wheeler wrote that despite "the incessant bombast and continuous venting of Randian rage", Rand's ethics are "a most immense achievement, the study of which is vastly more fruitful than any other in contemporary thought". In 1987, the Ayn Rand Society was founded as an affiliate of the American Philosophical Association.
In a 1995 entry about Rand in "Contemporary Women Philosophers", Jenny A. Heyl described a divergence in how different academic specialties viewed Rand. She said that Rand's philosophy "is regularly omitted from academic philosophy. Yet, throughout literary academia, Ayn Rand is considered a philosopher." Writing in the 1998 edition of the "Routledge Encyclopedia of Philosophy", political theorist Chandran Kukathas summarized the mainstream philosophical reception of her work in two parts. He said most commentators view her ethical argument as an unconvincing variant of Aristotle's ethics, and her political theory "is of little interest" because it is marred by an "ill-thought out and unsystematic" effort to reconcile her hostility to the state with her rejection of anarchism. "The Journal of Ayn Rand Studies", a multidisciplinary, peer-reviewed academic journal devoted to the study of Rand and her ideas, was established in 1999.
In a 2010 essay for the Cato Institute, Huemer argued very few people find Rand's ideas convincing, especially her ethics. He attributed the attention she receives to her being a "compelling writer", especially as a novelist, noting that "Atlas Shrugged" outsells Rand's non-fiction works and the works of other philosophers of classical liberalism. In 2012, the Pennsylvania State University Press agreed to take over publication of "The Journal of Ayn Rand Studies", and the University of Pittsburgh Press launched an "Ayn Rand Society Philosophical Studies" series based on the Society's proceedings. The Fall 2012 update to the entry about Rand in the "Stanford Encyclopedia of Philosophy" said that "only a few professional philosophers have taken her work seriously". That same year, political scientist Alan Wolfe dismissed Rand as a "nonperson" among academics, an attitude that writer Ben Murnane later described as "the traditional academic view" of Rand. Philosopher Skye C. Cleary wrote in a 2018 article for "Aeon" that, "Philosophers love to hate Ayn Rand. It's trendy to scoff at any mention of her." However, Cleary said that because many people take Rand's ideas seriously, philosophers "need to treat the Ayn Rand phenomenon seriously" and provide refutations rather than ignoring her.
To her fiction.
Academic consideration of Rand as a literary figure during her life was even more limited than the discussion of her philosophy. Mimi Reisel Gladstein could not find any scholarly articles about Rand's novels when she began researching her in 1973, and only three such articles appeared during the rest of the 1970s. Since her death, scholars of English and American literature have continued largely to ignore her work, although attention to her literary work has increased since the 1990s. Several academic book series about important authors cover Rand and her works, as do popular study guides like CliffsNotes and SparkNotes. In "The Literary Encyclopedia" entry for Rand written in 2001, John David Lewis declared that "Rand wrote the most intellectually challenging fiction of her generation." In 2019, Duggan described Rand's fiction as popular and influential on many readers, despite being easy to criticize for "her cartoonish characters and melodramatic plots, her rigid moralizing, her middle- to lowbrow aesthetic preferences ... and philosophical strivings".
Objectivist movement.
After the closure of the Nathaniel Branden Institute, the Objectivist movement continued in other forms. In the 1970s, Peikoff began delivering courses on Objectivism. In 1979, Peter Schwartz started a newsletter called "The Intellectual Activist", which Rand endorsed. She also endorsed "The Objectivist Forum", a bimonthly magazine founded by Objectivist philosopher Harry Binswanger, which ran from 1980 to 1987.
In 1985, Peikoff worked with businessman Ed Snider to establish the Ayn Rand Institute, a nonprofit organization dedicated to promoting Rand's ideas and works. In 1990, after an ideological disagreement with Peikoff, David Kelley founded the Institute for Objectivist Studies, now known as The Atlas Society. In 2001, historian John McCaskey organized the Anthem Foundation for Objectivist Scholarship, which provides grants for scholarly work on Objectivism in academia.
Selected works.
Fiction and drama:
Non-fiction:
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Michael J. F. Scott
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Michael Scott, sometimes credited as Michael J. F. Scott, is a Canadian film and television director and producer.
Associated in his early career with the National Film Board of Canada, he is a five time Genie Award winner as producer of the short films "Ted Baryluk's Grocery", "The Big Snit", "Get a Job", "Village of Idiots" and "Runaway", a two-time Academy Award nominee for his work on "The Big Snit" and "Whistling Smith", and a two-time Gemini Award nominee for the television films "Ikwé" and "Lost in the Barrens".
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Angola
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Angola (; ; , ), officially the Republic of Angola (, ), is a country located on the west coast of southern Africa. It is the second-largest Lusophone (Portuguese-speaking) country in both total area and population (behind Brazil in both cases), and is the seventh-largest country in Africa. It is bordered by Namibia to the south, the Democratic Republic of the Congo to the north, Zambia to the east, and the Atlantic Ocean to the west. Angola has an exclave province, the province of Cabinda, that borders the Republic of the Congo and the Democratic Republic of the Congo. The capital and most populous city is Luanda.
Angola has been inhabited since the Paleolithic Age. Its formation as a nation-state originates from Portuguese colonisation, which initially began with coastal settlements and trading posts founded in the 16th century. In the 19th century, European settlers gradually began to establish themselves in the interior. The Portuguese colony that became Angola did not have its present borders until the early 20th century, owing to resistance by native groups such as the Cuamato, the Kwanyama and the Mbunda.
After a protracted anti-colonial struggle, Angola achieved independence in 1975 as a Marxist–Leninist one-party Republic. The country descended into a devastating civil war the same year, between the ruling People's Movement for the Liberation of Angola (MPLA), backed by the Soviet Union and Cuba, the insurgent National Union for the Total Independence of Angola, an originally Maoist and later anti-communist group supported by the United States and South Africa, and the militant organization National Liberation Front of Angola, backed by Zaire. The country has been governed by MPLA ever since its independence in 1975. Following the end of the war in 2002, Angola emerged as a relatively stable unitary, presidential constitutional republic.
Angola has vast mineral and petroleum reserves, and its economy is among the fastest-growing in the world, especially since the end of the civil war; however, economic growth is highly uneven, with most of the nation's wealth concentrated in a disproportionately small part of the population; the largest investment and trade partners are China and the United States. The standard of living remains low for most Angolans; life expectancy is among the lowest in the world, while infant mortality is among the highest.
Since 2017, the government of João Lourenço has made fighting corruption its flagship, so much so that many individuals of the previous government are either jailed or awaiting trial. Whilst this effort has been recognised by foreign diplomats to be legitimate, some skeptics see the actions as being politically motivated.
Angola is a member of the United Nations, OPEC, African Union, the Community of Portuguese Language Countries, and the Southern African Development Community. , the Angolan population is estimated at 32.87 million. Angola is multicultural and multiethnic. Angolan culture reflects centuries of Portuguese influence, namely the predominance of the Portuguese language and of the Catholic Church, intermingled with a variety of indigenous customs and traditions.
Etymology.
The name "Angola" comes from the Portuguese colonial name ('Kingdom of Angola'), which appeared as early as Paulo Dias de Novais's 1571 charter. The toponym was derived by the Portuguese from the title held by the kings of Ndongo and Matamba. Ndongo in the highlands, between the Kwanza and Lucala Rivers, was nominally a possession of the Kingdom of Kongo, but was seeking greater independence in the 16th century.
History.
Early migrations and political units.
Modern Angola was populated predominantly by nomadic Khoi and San prior to the first Bantu migrations. The Khoi and San peoples were neither pastoralists nor cultivators, but rather hunter-gatherers. They were displaced by Bantu peoples arriving from the north in the first millennium BC, most of whom likely originated in what is today northwestern Nigeria and southern Niger. Bantu speakers introduced the cultivation of bananas and taro, as well as large cattle herds, to Angola's central highlands and the Luanda plain.
A number of political entities were established; the best-known of these was the Kingdom of the Kongo, based in Angola, which extended northward to what is now the Democratic Republic of the Congo, the Republic of the Congo and Gabon. It established trade routes with other city-states and civilisations up and down the coast of southwestern and western Africa and even with Great Zimbabwe and the Mutapa Empire, although it engaged in little or no transoceanic trade. To its south lay the Kingdom of Ndongo, from which the area of the later Portuguese colony was sometimes known as "Dongo", and right next to them lay the Kingdom of Matamba.
Portuguese colonization.
Portuguese explorer Diogo Cão reached the area in 1484. The previous year, the Portuguese had established relations with the Kongo, which stretched at the time from modern Gabon in the north to the Kwanza River in the south. The Portuguese established their primary early trading post at Soyo, which is now the northernmost city in Angola apart from the Cabinda exclave. Paulo Dias de Novais founded São Paulo de Loanda (Luanda) in 1575 with a hundred families of settlers and four hundred soldiers. Benguela was fortified in 1587 and became a township in 1617.
The Portuguese established several other settlements, forts and trading posts along the Angolan coast, principally trading in Angolan slaves for plantations. Local slave dealers provided a large number of slaves for the Portuguese Empire, usually in exchange for manufactured goods from Europe.
This part of the Atlantic slave trade continued until after Brazil's independence in the 1820s.
Despite Portugal's territorial claims in Angola, its control over much of the country's vast interior was minimal. In the 16th century Portugal gained control of the coast through a series of treaties and wars. Life for European colonists was difficult and progress was slow. John Iliffe notes that "Portuguese records of Angola from the 16th century show that a great famine occurred on average every seventy years; accompanied by epidemic disease, it might kill one-third or one-half of the population, destroying the demographic growth of a generation and forcing colonists back into the river valleys".
During the Portuguese Restoration War, the Dutch West India Company occupied the principal settlement of Luanda in 1641, using alliances with local peoples to carry out attacks against Portuguese holdings elsewhere. A fleet under Salvador de Sá retook Luanda in 1648; reconquest of the rest of the territory was completed by 1650. New treaties with the Kongo were signed in 1649; others with Njinga's Kingdom of Matamba and Ndongo followed in 1656. The conquest of Pungo Andongo in 1671 was the last major Portuguese expansion from Luanda, as attempts to invade Kongo in 1670 and Matamba in 1681 failed. Colonial outposts also expanded inward from Benguela, but until the late 19th century the inroads from Luanda and Benguela were very limited. Hamstrung by a series of political upheavals in the early 1800s, Portugal was slow to mount a large scale annexation of Angolan territory.
The slave trade was abolished in Angola in 1836, and in 1854 the colonial government freed all its existing slaves. Four years later, a more progressive administration appointed by Portugal abolished slavery altogether. However, these decrees remained largely unenforceable, and the Portuguese depended on assistance from the British Royal Navy to enforce their ban on the slave trade. This coincided with a series of renewed military expeditions into the bush.
By the mid-nineteenth century Portugal had established its dominion as far north as the Congo River and as far south as Mossâmedes. Until the late 1880s, Portugal entertained proposals to link Angola with its colony in Mozambique but was blocked by British and Belgian opposition. In this period, the Portuguese came up against different forms of armed resistance from various peoples in Angola.
The Berlin Conference in 1884–1885 set the colony's borders, delineating the boundaries of Portuguese claims in Angola, although many details were unresolved until the 1920s. Trade between Portugal and its African territories rapidly increased as a result of protective tariffs, leading to increased development, and a wave of new Portuguese immigrants.
Angolan independence.
Under colonial law, black Angolans were forbidden from forming political parties or labour unions. The first nationalist movements did not take root until after World War II, spearheaded by a largely Westernised and Portuguese-speaking urban class, which included many mestiços. During the early 1960s they were joined by other associations stemming from "ad hoc" labour activism in the rural workforce. Portugal's refusal to address increasing Angolan demands for self-determination provoked an armed conflict, which erupted in 1961 with the Baixa de Cassanje revolt and gradually evolved into a protracted war of independence that persisted for the next twelve years. Throughout the conflict, three militant nationalist movements with their own partisan guerrilla wings emerged from the fighting between the Portuguese government and local forces, supported to varying degrees by the Portuguese Communist Party.
The "National Front for the Liberation of Angola" (FNLA) recruited from Bakongo refugees in Zaire. Benefiting from particularly favourable political circumstances in Léopoldville, and especially from a common border with Zaire, Angolan political exiles were able to build up a power base among a large expatriate community from related families, clans, and traditions. People on both sides of the border spoke mutually intelligible dialects and enjoyed shared ties to the historical Kingdom of Kongo. Though as foreigners skilled Angolans could not take advantage of Mobutu Sese Seko's state employment programme, some found work as middlemen for the absentee owners of various lucrative private ventures. The migrants eventually formed the FNLA with the intention of making a bid for political power upon their envisaged return to Angola.
A largely Ovimbundu guerrilla initiative against the Portuguese in central Angola from 1966 was spearheaded by Jonas Savimbi and the "National Union for the Total Independence of Angola" (UNITA). It remained handicapped by its geographic remoteness from friendly borders, the ethnic fragmentation of the Ovimbundu, and the isolation of peasants on European plantations where they had little opportunity to mobilise.
During the late 1950s, the rise of the Marxist–Leninist "Popular Movement for the Liberation of Angola" (MPLA) in the east and Dembos hills north of Luanda came to hold special significance. Formed as a coalition resistance movement by the Angolan Communist Party, the organisation's leadership remained predominantly Ambundu and courted public sector workers in Luanda. Although both the MPLA and its rivals accepted material assistance from the Soviet Union or the People's Republic of China, the former harboured strong anti-imperialist views and was openly critical of the United States and its support for Portugal. This allowed it to win important ground on the diplomatic front, soliciting support from nonaligned governments in Morocco, Ghana, Guinea, Mali, and the United Arab Republic.
The MPLA attempted to move its headquarters from Conakry to Léopoldville in October 1961, renewing efforts to create a common front with the FNLA, then known as the "Union of Angolan Peoples" (UPA) and its leader Holden Roberto. Roberto turned down the offer. When the MPLA first attempted to insert its own insurgents into Angola, the cadres were ambushed and annihilated by UPA partisans on Roberto's orders—setting a precedent for the bitter factional strife which would later ignite the Angolan Civil War.
Angolan Civil War.
Throughout the war of independence, the three rival nationalist movements were severely hampered by political and military factionalism, as well as their inability to unite guerrilla efforts against the Portuguese. Between 1961 and 1975 the MPLA, UNITA, and the FNLA competed for influence in the Angolan population and the international community. The Soviet Union and Cuba became especially sympathetic towards the MPLA and supplied that party with arms, ammunition, funding, and training. They also backed UNITA militants until it became clear that the latter was at irreconcilable odds with the MPLA.
The collapse of Portugal's Estado Novo government following the 1974 Carnation Revolution suspended all Portuguese military activity in Africa and the brokering of a ceasefire pending negotiations for Angolan independence. Encouraged by the Organisation of African Unity, Holden Roberto, Jonas Savimbi, and MPLA chairman Agostinho Neto met in Mombasa in early January 1975 and agreed to form a coalition government. This was ratified by the Alvor Agreement later that month, which called for general elections and set the country's independence date for 11 November 1975. All three factions, however, followed up on the ceasefire by taking advantage of the gradual Portuguese withdrawal to seize various strategic positions, acquire more arms, and enlarge their militant forces. The rapid influx of weapons from numerous external sources, especially the Soviet Union and the United States, as well as the escalation of tensions between the nationalist parties, fueled a new outbreak of hostilities. With tacit American and Zairean support the FNLA began massing large numbers of troops in northern Angola in an attempt to gain military superiority. Meanwhile, the MPLA began securing control of Luanda, a traditional Ambundu stronghold. Sporadic violence broke out in Luanda over the next few months after the FNLA attacked MPLA forces in March 1975. The fighting intensified with street clashes in April and May, and UNITA became involved after over two hundred of its members were massacred by an MPLA contingent that June. An upswing in Soviet arms shipments to the MPLA influenced a decision by the Central Intelligence Agency to likewise provide substantial covert aid to the FNLA and UNITA.
In August 1975, the MPLA requested direct assistance from the Soviet Union in the form of ground troops. The Soviets declined, offering to send advisers but no troops; however, Cuba was more forthcoming and in late September dispatched nearly five hundred combat personnel to Angola, along with sophisticated weaponry and supplies. By independence, there were over a thousand Cuban soldiers in the country. They were kept supplied by a massive airbridge carried out with Soviet aircraft. The persistent buildup of Cuban and Soviet military aid allowed the MPLA to drive its opponents from Luanda and blunt an abortive intervention by Zairean and South African troops, which had deployed in a belated attempt to assist the FNLA and UNITA. The FNLA was largely annihilated, although UNITA managed to withdraw its civil officials and militia from Luanda and seek sanctuary in the southern provinces. From there, Savimbi continued to mount a determined insurgent campaign against the MPLA.
Between 1975 and 1991, the MPLA implemented an economic and political system based on the principles of scientific socialism, incorporating central planning and a Marxist–Leninist one-party state. It embarked on an ambitious programme of nationalisation, and the domestic private sector was essentially abolished. Privately owned enterprises were nationalised and incorporated into a single umbrella of state-owned enterprises known as "Unidades Economicas Estatais" (UEE). Under the MPLA, Angola experienced a significant degree of modern industrialisation. However, corruption and graft also increased and public resources were either allocated inefficiently or simply embezzled by officials for personal enrichment. The ruling party survived an attempted coup d'état by the Maoist-oriented Communist Organisation of Angola (OCA) in 1977, which was suppressed after a series of bloody political purges left thousands of OCA supporters dead (see 1977 Angolan coup d'état attempt). In the same period, the civil war culminated in its climax in a tandem of engagements, particularly the Battle of Quifangondo and soon after the Battle of Cuito Cuanavale stalemate, which marked a turning point as both sides.
The MPLA abandoned its former Marxist ideology at its third party congress in 1990, and declared social democracy to be its new platform. Angola subsequently became a member of the International Monetary Fund; restrictions on the market economy were also reduced in an attempt to draw foreign investment. By May 1991 it reached a peace agreement with UNITA, the Bicesse Accords, which scheduled new general elections for September 1992. When the MPLA secured a major electoral victory, UNITA objected to the results of both the presidential and legislative vote count and returned to war. Following the election, the Halloween massacre occurred from 30 October to 1 November, where MPLA forces killed thousands of UNITA supporters.
21st century.
On 22 February 2002, Jonas Savimbi was killed in action against government troops. UNITA and the MPLA reached a cease-fire shortly afterwards. UNITA gave up its armed wing and assumed the role of a major opposition party. Although the political situation of the country began to stabilise, regular democratic processes did not prevail until the elections in Angola in 2008 and 2012 and the adoption of a new constitution in 2010, all of which strengthened the prevailing dominant-party system.
Angola has a serious humanitarian crisis; the result of the prolonged war, of the abundance of minefields, and the continued political agitation in favour of the independence of the exclave of Cabinda (carried out in the context of the protracted Cabinda conflict by the FLEC). While most of the internally displaced have now squatted around the capital, in musseques (shanty towns) the general situation for Angolans remains desperate.
A drought in 2016 caused the worst food crisis in Southern Africa in 25 years, affecting 1.4 million people across seven of Angola's 18 provinces. Food prices rose and acute malnutrition rates doubled, with more than 95,000 children affected.
José Eduardo dos Santos stepped down as President of Angola after 38 years in 2017, being peacefully succeeded by João Lourenço, Santos' chosen successor. Some members of the dos Santos family were later linked to high levels of corruption. In July 2022, ex-president José Eduardo dos Santos died in Spain.
In August 2022, the ruling party, MPLA, won another outright majority and President Lourenço won a second five-year term in the election. However, the election was the tightest in Angola’s history.
Early migrations and political units.
Modern Angola was populated predominantly by nomadic Khoi and San prior to the first Bantu migrations. The Khoi and San peoples were neither pastoralists nor cultivators, but rather hunter-gatherers. They were displaced by Bantu peoples arriving from the north in the first millennium BC, most of whom likely originated in what is today northwestern Nigeria and southern Niger. Bantu speakers introduced the cultivation of bananas and taro, as well as large cattle herds, to Angola's central highlands and the Luanda plain.
A number of political entities were established; the best-known of these was the Kingdom of the Kongo, based in Angola, which extended northward to what is now the Democratic Republic of the Congo, the Republic of the Congo and Gabon. It established trade routes with other city-states and civilisations up and down the coast of southwestern and western Africa and even with Great Zimbabwe and the Mutapa Empire, although it engaged in little or no transoceanic trade. To its south lay the Kingdom of Ndongo, from which the area of the later Portuguese colony was sometimes known as "Dongo", and right next to them lay the Kingdom of Matamba.
Portuguese colonization.
Portuguese explorer Diogo Cão reached the area in 1484. The previous year, the Portuguese had established relations with the Kongo, which stretched at the time from modern Gabon in the north to the Kwanza River in the south. The Portuguese established their primary early trading post at Soyo, which is now the northernmost city in Angola apart from the Cabinda exclave. Paulo Dias de Novais founded São Paulo de Loanda (Luanda) in 1575 with a hundred families of settlers and four hundred soldiers. Benguela was fortified in 1587 and became a township in 1617.
The Portuguese established several other settlements, forts and trading posts along the Angolan coast, principally trading in Angolan slaves for plantations. Local slave dealers provided a large number of slaves for the Portuguese Empire, usually in exchange for manufactured goods from Europe.
This part of the Atlantic slave trade continued until after Brazil's independence in the 1820s.
Despite Portugal's territorial claims in Angola, its control over much of the country's vast interior was minimal. In the 16th century Portugal gained control of the coast through a series of treaties and wars. Life for European colonists was difficult and progress was slow. John Iliffe notes that "Portuguese records of Angola from the 16th century show that a great famine occurred on average every seventy years; accompanied by epidemic disease, it might kill one-third or one-half of the population, destroying the demographic growth of a generation and forcing colonists back into the river valleys".
During the Portuguese Restoration War, the Dutch West India Company occupied the principal settlement of Luanda in 1641, using alliances with local peoples to carry out attacks against Portuguese holdings elsewhere. A fleet under Salvador de Sá retook Luanda in 1648; reconquest of the rest of the territory was completed by 1650. New treaties with the Kongo were signed in 1649; others with Njinga's Kingdom of Matamba and Ndongo followed in 1656. The conquest of Pungo Andongo in 1671 was the last major Portuguese expansion from Luanda, as attempts to invade Kongo in 1670 and Matamba in 1681 failed. Colonial outposts also expanded inward from Benguela, but until the late 19th century the inroads from Luanda and Benguela were very limited. Hamstrung by a series of political upheavals in the early 1800s, Portugal was slow to mount a large scale annexation of Angolan territory.
The slave trade was abolished in Angola in 1836, and in 1854 the colonial government freed all its existing slaves. Four years later, a more progressive administration appointed by Portugal abolished slavery altogether. However, these decrees remained largely unenforceable, and the Portuguese depended on assistance from the British Royal Navy to enforce their ban on the slave trade. This coincided with a series of renewed military expeditions into the bush.
By the mid-nineteenth century Portugal had established its dominion as far north as the Congo River and as far south as Mossâmedes. Until the late 1880s, Portugal entertained proposals to link Angola with its colony in Mozambique but was blocked by British and Belgian opposition. In this period, the Portuguese came up against different forms of armed resistance from various peoples in Angola.
The Berlin Conference in 1884–1885 set the colony's borders, delineating the boundaries of Portuguese claims in Angola, although many details were unresolved until the 1920s. Trade between Portugal and its African territories rapidly increased as a result of protective tariffs, leading to increased development, and a wave of new Portuguese immigrants.
Angolan independence.
Under colonial law, black Angolans were forbidden from forming political parties or labour unions. The first nationalist movements did not take root until after World War II, spearheaded by a largely Westernised and Portuguese-speaking urban class, which included many mestiços. During the early 1960s they were joined by other associations stemming from "ad hoc" labour activism in the rural workforce. Portugal's refusal to address increasing Angolan demands for self-determination provoked an armed conflict, which erupted in 1961 with the Baixa de Cassanje revolt and gradually evolved into a protracted war of independence that persisted for the next twelve years. Throughout the conflict, three militant nationalist movements with their own partisan guerrilla wings emerged from the fighting between the Portuguese government and local forces, supported to varying degrees by the Portuguese Communist Party.
The "National Front for the Liberation of Angola" (FNLA) recruited from Bakongo refugees in Zaire. Benefiting from particularly favourable political circumstances in Léopoldville, and especially from a common border with Zaire, Angolan political exiles were able to build up a power base among a large expatriate community from related families, clans, and traditions. People on both sides of the border spoke mutually intelligible dialects and enjoyed shared ties to the historical Kingdom of Kongo. Though as foreigners skilled Angolans could not take advantage of Mobutu Sese Seko's state employment programme, some found work as middlemen for the absentee owners of various lucrative private ventures. The migrants eventually formed the FNLA with the intention of making a bid for political power upon their envisaged return to Angola.
A largely Ovimbundu guerrilla initiative against the Portuguese in central Angola from 1966 was spearheaded by Jonas Savimbi and the "National Union for the Total Independence of Angola" (UNITA). It remained handicapped by its geographic remoteness from friendly borders, the ethnic fragmentation of the Ovimbundu, and the isolation of peasants on European plantations where they had little opportunity to mobilise.
During the late 1950s, the rise of the Marxist–Leninist "Popular Movement for the Liberation of Angola" (MPLA) in the east and Dembos hills north of Luanda came to hold special significance. Formed as a coalition resistance movement by the Angolan Communist Party, the organisation's leadership remained predominantly Ambundu and courted public sector workers in Luanda. Although both the MPLA and its rivals accepted material assistance from the Soviet Union or the People's Republic of China, the former harboured strong anti-imperialist views and was openly critical of the United States and its support for Portugal. This allowed it to win important ground on the diplomatic front, soliciting support from nonaligned governments in Morocco, Ghana, Guinea, Mali, and the United Arab Republic.
The MPLA attempted to move its headquarters from Conakry to Léopoldville in October 1961, renewing efforts to create a common front with the FNLA, then known as the "Union of Angolan Peoples" (UPA) and its leader Holden Roberto. Roberto turned down the offer. When the MPLA first attempted to insert its own insurgents into Angola, the cadres were ambushed and annihilated by UPA partisans on Roberto's orders—setting a precedent for the bitter factional strife which would later ignite the Angolan Civil War.
Angolan Civil War.
Throughout the war of independence, the three rival nationalist movements were severely hampered by political and military factionalism, as well as their inability to unite guerrilla efforts against the Portuguese. Between 1961 and 1975 the MPLA, UNITA, and the FNLA competed for influence in the Angolan population and the international community. The Soviet Union and Cuba became especially sympathetic towards the MPLA and supplied that party with arms, ammunition, funding, and training. They also backed UNITA militants until it became clear that the latter was at irreconcilable odds with the MPLA.
The collapse of Portugal's Estado Novo government following the 1974 Carnation Revolution suspended all Portuguese military activity in Africa and the brokering of a ceasefire pending negotiations for Angolan independence. Encouraged by the Organisation of African Unity, Holden Roberto, Jonas Savimbi, and MPLA chairman Agostinho Neto met in Mombasa in early January 1975 and agreed to form a coalition government. This was ratified by the Alvor Agreement later that month, which called for general elections and set the country's independence date for 11 November 1975. All three factions, however, followed up on the ceasefire by taking advantage of the gradual Portuguese withdrawal to seize various strategic positions, acquire more arms, and enlarge their militant forces. The rapid influx of weapons from numerous external sources, especially the Soviet Union and the United States, as well as the escalation of tensions between the nationalist parties, fueled a new outbreak of hostilities. With tacit American and Zairean support the FNLA began massing large numbers of troops in northern Angola in an attempt to gain military superiority. Meanwhile, the MPLA began securing control of Luanda, a traditional Ambundu stronghold. Sporadic violence broke out in Luanda over the next few months after the FNLA attacked MPLA forces in March 1975. The fighting intensified with street clashes in April and May, and UNITA became involved after over two hundred of its members were massacred by an MPLA contingent that June. An upswing in Soviet arms shipments to the MPLA influenced a decision by the Central Intelligence Agency to likewise provide substantial covert aid to the FNLA and UNITA.
In August 1975, the MPLA requested direct assistance from the Soviet Union in the form of ground troops. The Soviets declined, offering to send advisers but no troops; however, Cuba was more forthcoming and in late September dispatched nearly five hundred combat personnel to Angola, along with sophisticated weaponry and supplies. By independence, there were over a thousand Cuban soldiers in the country. They were kept supplied by a massive airbridge carried out with Soviet aircraft. The persistent buildup of Cuban and Soviet military aid allowed the MPLA to drive its opponents from Luanda and blunt an abortive intervention by Zairean and South African troops, which had deployed in a belated attempt to assist the FNLA and UNITA. The FNLA was largely annihilated, although UNITA managed to withdraw its civil officials and militia from Luanda and seek sanctuary in the southern provinces. From there, Savimbi continued to mount a determined insurgent campaign against the MPLA.
Between 1975 and 1991, the MPLA implemented an economic and political system based on the principles of scientific socialism, incorporating central planning and a Marxist–Leninist one-party state. It embarked on an ambitious programme of nationalisation, and the domestic private sector was essentially abolished. Privately owned enterprises were nationalised and incorporated into a single umbrella of state-owned enterprises known as "Unidades Economicas Estatais" (UEE). Under the MPLA, Angola experienced a significant degree of modern industrialisation. However, corruption and graft also increased and public resources were either allocated inefficiently or simply embezzled by officials for personal enrichment. The ruling party survived an attempted coup d'état by the Maoist-oriented Communist Organisation of Angola (OCA) in 1977, which was suppressed after a series of bloody political purges left thousands of OCA supporters dead (see 1977 Angolan coup d'état attempt). In the same period, the civil war culminated in its climax in a tandem of engagements, particularly the Battle of Quifangondo and soon after the Battle of Cuito Cuanavale stalemate, which marked a turning point as both sides.
The MPLA abandoned its former Marxist ideology at its third party congress in 1990, and declared social democracy to be its new platform. Angola subsequently became a member of the International Monetary Fund; restrictions on the market economy were also reduced in an attempt to draw foreign investment. By May 1991 it reached a peace agreement with UNITA, the Bicesse Accords, which scheduled new general elections for September 1992. When the MPLA secured a major electoral victory, UNITA objected to the results of both the presidential and legislative vote count and returned to war. Following the election, the Halloween massacre occurred from 30 October to 1 November, where MPLA forces killed thousands of UNITA supporters.
21st century.
On 22 February 2002, Jonas Savimbi was killed in action against government troops. UNITA and the MPLA reached a cease-fire shortly afterwards. UNITA gave up its armed wing and assumed the role of a major opposition party. Although the political situation of the country began to stabilise, regular democratic processes did not prevail until the elections in Angola in 2008 and 2012 and the adoption of a new constitution in 2010, all of which strengthened the prevailing dominant-party system.
Angola has a serious humanitarian crisis; the result of the prolonged war, of the abundance of minefields, and the continued political agitation in favour of the independence of the exclave of Cabinda (carried out in the context of the protracted Cabinda conflict by the FLEC). While most of the internally displaced have now squatted around the capital, in musseques (shanty towns) the general situation for Angolans remains desperate.
A drought in 2016 caused the worst food crisis in Southern Africa in 25 years, affecting 1.4 million people across seven of Angola's 18 provinces. Food prices rose and acute malnutrition rates doubled, with more than 95,000 children affected.
José Eduardo dos Santos stepped down as President of Angola after 38 years in 2017, being peacefully succeeded by João Lourenço, Santos' chosen successor. Some members of the dos Santos family were later linked to high levels of corruption. In July 2022, ex-president José Eduardo dos Santos died in Spain.
In August 2022, the ruling party, MPLA, won another outright majority and President Lourenço won a second five-year term in the election. However, the election was the tightest in Angola’s history.
Geography.
At , Angola is the world's twenty-fourth largest country - comparable in size to Mali, or twice the size of France or of Texas. It lies mostly between latitudes 4° and 18°S, and longitudes 12° and 24°E.
Angola borders Namibia to the south, Zambia to the east, the Democratic Republic of the Congo to the north-east and the South Atlantic Ocean to the west.
The coastal exclave of Cabinda in the north has borders with the Republic of the Congo to the north and with the Democratic Republic of the Congo to the south.
Angola's capital, Luanda, lies on the Atlantic coast in the northwest of the country.
Angola had a 2018 Forest Landscape Integrity Index mean score of 8.35/10, ranking it 23rd globally out of 172 countries.
Climate.
Like the rest of tropical Africa, Angola experiences distinct, alternating rainy and dry seasons. In the north, the rainy season may last for as long as seven months—usually from September to April, with perhaps a brief slackening in January or February. In the south, the rainy season begins later, in November, and lasts until about February. The dry season ("cacimbo") is often characterized by a heavy morning mist. In general, precipitation is higher in the north, but at any latitude it is greater in the interior than along the coast and increases with altitude. Temperatures fall with distance from the equator and with altitude and tend to rise closer to the Atlantic Ocean. Thus, at Soyo, at the mouth of the Congo River, the average annual temperature is about 26 °C, but it is under 16 °C at Huambo on the temperate central plateau. The coolest months are July and August (in the middle of the dry season), when frost may sometimes form at higher altitudes.
Administrative divisions.
, Angola is divided into eighteen provinces ("províncias") and 162 municipalities. The municipalities are further divided into 559 communes (townships). The provinces are:
Exclave of Cabinda.
With an area of approximately , the Northern Angolan province of Cabinda is unusual in being separated from the rest of the country by a strip, some wide, of the Democratic Republic of Congo along the lower Congo River. Cabinda borders the Congo Republic to the north and north-northeast and the DRC to the east and south. The town of Cabinda is the chief population centre.
According to a 1995 census, Cabinda had an estimated population of 600,000, approximately 400,000 of whom are citizens of neighboring countries. Population estimates are, however, highly unreliable. Consisting largely of tropical forest, Cabinda produces hardwoods, coffee, cocoa, crude rubber and palm oil.
The product for which it is best known, however, is its oil, which has given it the nickname, "the Kuwait of Africa". Cabinda's petroleum production from its considerable offshore reserves now accounts for more than half of Angola's output. Most of the oil along its coast was discovered under Portuguese rule by the Cabinda Gulf Oil Company (CABGOC) from 1968 onwards.
Ever since Portugal handed over sovereignty of its former overseas province of Angola to the local independence groups (MPLA, UNITA and FNLA), the territory of Cabinda has been a focus of separatist guerrilla actions opposing the Government of Angola (which has employed its armed forces, the FAA—Forças Armadas Angolanas) and Cabindan separatists. The Front for the Liberation of the Enclave of Cabinda-Armed Forces of Cabinda (FLEC-FAC) announced the virtual Federal Republic of Cabinda under the Presidency of N'Zita Henriques Tiago. One of the characteristics of the Cabindan independence movement is its constant fragmentation, into smaller and smaller factions.
Climate.
Like the rest of tropical Africa, Angola experiences distinct, alternating rainy and dry seasons. In the north, the rainy season may last for as long as seven months—usually from September to April, with perhaps a brief slackening in January or February. In the south, the rainy season begins later, in November, and lasts until about February. The dry season ("cacimbo") is often characterized by a heavy morning mist. In general, precipitation is higher in the north, but at any latitude it is greater in the interior than along the coast and increases with altitude. Temperatures fall with distance from the equator and with altitude and tend to rise closer to the Atlantic Ocean. Thus, at Soyo, at the mouth of the Congo River, the average annual temperature is about 26 °C, but it is under 16 °C at Huambo on the temperate central plateau. The coolest months are July and August (in the middle of the dry season), when frost may sometimes form at higher altitudes.
Administrative divisions.
, Angola is divided into eighteen provinces ("províncias") and 162 municipalities. The municipalities are further divided into 559 communes (townships). The provinces are:
Exclave of Cabinda.
With an area of approximately , the Northern Angolan province of Cabinda is unusual in being separated from the rest of the country by a strip, some wide, of the Democratic Republic of Congo along the lower Congo River. Cabinda borders the Congo Republic to the north and north-northeast and the DRC to the east and south. The town of Cabinda is the chief population centre.
According to a 1995 census, Cabinda had an estimated population of 600,000, approximately 400,000 of whom are citizens of neighboring countries. Population estimates are, however, highly unreliable. Consisting largely of tropical forest, Cabinda produces hardwoods, coffee, cocoa, crude rubber and palm oil.
The product for which it is best known, however, is its oil, which has given it the nickname, "the Kuwait of Africa". Cabinda's petroleum production from its considerable offshore reserves now accounts for more than half of Angola's output. Most of the oil along its coast was discovered under Portuguese rule by the Cabinda Gulf Oil Company (CABGOC) from 1968 onwards.
Ever since Portugal handed over sovereignty of its former overseas province of Angola to the local independence groups (MPLA, UNITA and FNLA), the territory of Cabinda has been a focus of separatist guerrilla actions opposing the Government of Angola (which has employed its armed forces, the FAA—Forças Armadas Angolanas) and Cabindan separatists. The Front for the Liberation of the Enclave of Cabinda-Armed Forces of Cabinda (FLEC-FAC) announced the virtual Federal Republic of Cabinda under the Presidency of N'Zita Henriques Tiago. One of the characteristics of the Cabindan independence movement is its constant fragmentation, into smaller and smaller factions.
Government and politics.
The Angolan government is composed of three branches of government: executive, legislative and judicial. The executive branch of the government is composed of the President, the Vice-Presidents and the Council of Ministers.
The legislative branch comprises a 220-seat unicameral legislature, the National Assembly of Angola, elected from multi-member province-wide and nationwide constituencies using party-list proportional representation. For decades, political power has been concentrated in the presidency.
After 38 years of rule, in 2017 President dos Santos stepped down from MPLA leadership. The leader of the winning party at the parliamentary elections in August 2017 would become the next president of Angola. The MPLA selected the former Defense Minister João Lourenço as Santos' chosen successor. Out of 32 ministers there were 12 women.
In what has been described as a political purge to cement his power and reduce the influence of the Dos Santos family, Lourenço subsequently sacked the chief of the national police, Ambrósio de Lemos, and the head of the intelligence service, Apolinário José Pereira. Both are considered allies of former president Dos Santos. He also removed Isabel Dos Santos, daughter of the former president, as head of the country's state oil company Sonangol. In August 2020, José Filomeno dos Santos, son of Angola's former president, was sentenced for five years in jail for fraud and corruption.
Constitution.
The Constitution of 2010 establishes the broad outlines of government structure and delineates the rights and duties of citizens. The legal system is based on Portuguese law and customary law but is weak and fragmented, and courts operate in only 12 of more than 140 municipalities. A Supreme Court serves as the appellate tribunal; a Constitutional Court does not hold the powers of judicial review. Governors of the 18 provinces are appointed by the president. After the end of the civil war, the regime came under pressure from within as well as from the international community to become more democratic and less authoritarian. Its reaction was to implement a number of changes without substantially changing its character.
The new constitution, adopted in 2010, did away with presidential elections, introducing a system in which the president and the vice-president of the political party that wins the parliamentary elections automatically become president and vice-president. Directly or indirectly, the president controls all other organs of the state, so there is "de facto" no separation of powers. In the classifications used in constitutional law, this government falls under the category of "authoritarian regime."
Armed forces.
The Angolan Armed Forces (Forças Armadas Angolanas, FAA) are headed by a Chief of Staff who reports to the Minister of Defence. There are three divisions—the Army (Exército), Navy (Marinha de Guerra, MGA) and National Air Force (Força Aérea Nacional, FAN). Total manpower is 107,000; plus paramilitary forces of 10,000 (2015 est.).
Its equipment includes Russian-manufactured fighters, bombers and transport planes. There are also Brazilian-made EMB-312 Tucanos for training, Czech-made L-39s for training and bombing, and a variety of western-made aircraft such as the C-212\Aviocar, Sud Aviation Alouette III, etc. A small number of FAA personnel are stationed in the Democratic Republic of the Congo (Kinshasa) and the Republic of the Congo (Brazzaville). The FAA has also participated in the Southern African Development Community (SADC)'s mission for peace in Cabo Delgado, Mozambique.
Police.
The National Police departments are Public Order, Criminal Investigation, Traffic and Transport, Investigation and Inspection of Economic Activities, Taxation and Frontier Supervision, Riot Police and the Rapid Intervention Police. The National Police are in the process of standing up an air wing, to provide helicopter support for operations. The National Police are developing their criminal investigation and forensic capabilities. The force has an estimated 6,000 patrol officers, 2,500 taxation and frontier supervision officers, 182 criminal investigators and 100 financial crimes detectives and around 90 economic activity inspectors.
The National Police have implemented a modernisation and development plan to increase the capabilities and efficiency of the total force. In addition to administrative reorganisation, modernisation projects include procurement of new vehicles, aircraft and equipment, construction of new police stations and forensic laboratories, restructured training programmes and the replacement of AKM rifles with 9 mm Uzis for officers in urban areas.
Justice.
A Supreme Court serves as a court of appeal. The Constitutional Court is the supreme body of the constitutional jurisdiction, established with the approval of Law no. 2/08, of 17 June – Organic Law of the Constitutional Court and Law n. 3/08, of 17 June – Organic Law of the Constitutional Process. The legal system is based on Portuguese and customary law. There are 12 courts in more than 140 counties in the country. Its first task was the validation of the candidacies of the political parties to the legislative elections of 5 September 2008. Thus, on 25 June 2008, the Constitutional Court was institutionalized and its Judicial Counselors assumed the position before the President of the Republic. Currently, seven advisory judges are present, four men and three women.
In 2014, a new penal code took effect in Angola. The classification of money-laundering as a crime is one of the novelties in the new legislation.
Foreign relations.
Angola is a founding member state of the Community of Portuguese Language Countries (CPLP), also known as the Lusophone Commonwealth, an international organization and political association of Lusophone nations across four continents, where Portuguese is an official language.
On 16 October 2014, Angola was elected for the second time a non-permanent member of the United Nations Security Council, with 190 favorable votes out of a total of 193. The term of office began on 1 January 2015 and expired on 31 December 2016.
Since January 2014, the Republic of Angola has been chairing the International Conference for the Great Lakes Region (CIRGL). [80] In 2015, CIRGL Executive Secretary Ntumba Luaba said that Angola is the example to be followed by the members of the organization, due to the significant progress made during the 12 years of peace, namely in terms of socio-economic stability and political-military.
Human rights.
Angola was classified as 'not free' by Freedom House in the Freedom in the World 2014 report. The report noted that the August 2012 parliamentary elections, in which the ruling Popular Movement for the Liberation of Angola won more than 70% of the vote, suffered from serious flaws, including outdated and inaccurate voter rolls. Voter turnout dropped from 80% in 2008 to 60%.
A 2012 report by the U.S. Department of State said, "The three most important human rights abuses [in 2012] were official corruption and impunity; limits on the freedoms of assembly, association, speech, and press; and cruel and excessive punishment, including reported cases of torture and beatings as well as unlawful killings by police and other security personnel."
Angola ranked forty-two of forty-eight sub-Saharan African states on the 2007 Index of African Governance list and scored poorly on the 2013 Ibrahim Index of African Governance. It was ranked 39 out of 52 sub-Saharan African countries, scoring particularly badly in the areas of participation and human rights, sustainable economic opportunity and human development. The Ibrahim Index uses a number of variables to compile its list which reflects the state of governance in Africa.
In 2019, homosexual acts were decriminalized in Angola, and the government also prohibited discrimination based on sexual orientation. The vote was overwhelming: 155 for, 1 against, 7 abstaining.
Constitution.
The Constitution of 2010 establishes the broad outlines of government structure and delineates the rights and duties of citizens. The legal system is based on Portuguese law and customary law but is weak and fragmented, and courts operate in only 12 of more than 140 municipalities. A Supreme Court serves as the appellate tribunal; a Constitutional Court does not hold the powers of judicial review. Governors of the 18 provinces are appointed by the president. After the end of the civil war, the regime came under pressure from within as well as from the international community to become more democratic and less authoritarian. Its reaction was to implement a number of changes without substantially changing its character.
The new constitution, adopted in 2010, did away with presidential elections, introducing a system in which the president and the vice-president of the political party that wins the parliamentary elections automatically become president and vice-president. Directly or indirectly, the president controls all other organs of the state, so there is "de facto" no separation of powers. In the classifications used in constitutional law, this government falls under the category of "authoritarian regime."
Armed forces.
The Angolan Armed Forces (Forças Armadas Angolanas, FAA) are headed by a Chief of Staff who reports to the Minister of Defence. There are three divisions—the Army (Exército), Navy (Marinha de Guerra, MGA) and National Air Force (Força Aérea Nacional, FAN). Total manpower is 107,000; plus paramilitary forces of 10,000 (2015 est.).
Its equipment includes Russian-manufactured fighters, bombers and transport planes. There are also Brazilian-made EMB-312 Tucanos for training, Czech-made L-39s for training and bombing, and a variety of western-made aircraft such as the C-212\Aviocar, Sud Aviation Alouette III, etc. A small number of FAA personnel are stationed in the Democratic Republic of the Congo (Kinshasa) and the Republic of the Congo (Brazzaville). The FAA has also participated in the Southern African Development Community (SADC)'s mission for peace in Cabo Delgado, Mozambique.
Police.
The National Police departments are Public Order, Criminal Investigation, Traffic and Transport, Investigation and Inspection of Economic Activities, Taxation and Frontier Supervision, Riot Police and the Rapid Intervention Police. The National Police are in the process of standing up an air wing, to provide helicopter support for operations. The National Police are developing their criminal investigation and forensic capabilities. The force has an estimated 6,000 patrol officers, 2,500 taxation and frontier supervision officers, 182 criminal investigators and 100 financial crimes detectives and around 90 economic activity inspectors.
The National Police have implemented a modernisation and development plan to increase the capabilities and efficiency of the total force. In addition to administrative reorganisation, modernisation projects include procurement of new vehicles, aircraft and equipment, construction of new police stations and forensic laboratories, restructured training programmes and the replacement of AKM rifles with 9 mm Uzis for officers in urban areas.
Justice.
A Supreme Court serves as a court of appeal. The Constitutional Court is the supreme body of the constitutional jurisdiction, established with the approval of Law no. 2/08, of 17 June – Organic Law of the Constitutional Court and Law n. 3/08, of 17 June – Organic Law of the Constitutional Process. The legal system is based on Portuguese and customary law. There are 12 courts in more than 140 counties in the country. Its first task was the validation of the candidacies of the political parties to the legislative elections of 5 September 2008. Thus, on 25 June 2008, the Constitutional Court was institutionalized and its Judicial Counselors assumed the position before the President of the Republic. Currently, seven advisory judges are present, four men and three women.
In 2014, a new penal code took effect in Angola. The classification of money-laundering as a crime is one of the novelties in the new legislation.
Foreign relations.
Angola is a founding member state of the Community of Portuguese Language Countries (CPLP), also known as the Lusophone Commonwealth, an international organization and political association of Lusophone nations across four continents, where Portuguese is an official language.
On 16 October 2014, Angola was elected for the second time a non-permanent member of the United Nations Security Council, with 190 favorable votes out of a total of 193. The term of office began on 1 January 2015 and expired on 31 December 2016.
Since January 2014, the Republic of Angola has been chairing the International Conference for the Great Lakes Region (CIRGL). [80] In 2015, CIRGL Executive Secretary Ntumba Luaba said that Angola is the example to be followed by the members of the organization, due to the significant progress made during the 12 years of peace, namely in terms of socio-economic stability and political-military.
Human rights.
Angola was classified as 'not free' by Freedom House in the Freedom in the World 2014 report. The report noted that the August 2012 parliamentary elections, in which the ruling Popular Movement for the Liberation of Angola won more than 70% of the vote, suffered from serious flaws, including outdated and inaccurate voter rolls. Voter turnout dropped from 80% in 2008 to 60%.
A 2012 report by the U.S. Department of State said, "The three most important human rights abuses [in 2012] were official corruption and impunity; limits on the freedoms of assembly, association, speech, and press; and cruel and excessive punishment, including reported cases of torture and beatings as well as unlawful killings by police and other security personnel."
Angola ranked forty-two of forty-eight sub-Saharan African states on the 2007 Index of African Governance list and scored poorly on the 2013 Ibrahim Index of African Governance. It was ranked 39 out of 52 sub-Saharan African countries, scoring particularly badly in the areas of participation and human rights, sustainable economic opportunity and human development. The Ibrahim Index uses a number of variables to compile its list which reflects the state of governance in Africa.
In 2019, homosexual acts were decriminalized in Angola, and the government also prohibited discrimination based on sexual orientation. The vote was overwhelming: 155 for, 1 against, 7 abstaining.
Economy.
Angola has diamonds, oil, gold, copper and rich wildlife (which was dramatically depleted during the civil war), forest and fossil fuels. Since independence, oil and diamonds have been the most important economic resource. Smallholder and plantation agriculture dramatically dropped in the Angolan Civil War, but began to recover after 2002.
Angola's economy has in recent years moved on from the disarray caused by a quarter-century of Angolan civil war to become the fastest-growing economy in Africa and one of the fastest-growing in the world, with an average GDP growth of 20% between 2005 and 2007. In the period 2001–10, Angola had the world's highest annual average GDP growth, at 11.1%.
In 2004, the Exim Bank of China approved a $2 billion line of credit to Angola, to be used for rebuilding Angola's infrastructure, and to limit the influence of the International Monetary Fund there.
China is Angola's biggest trade partner and export destination as well as the fourth-largest source of imports. Bilateral trade reached $27.67 billion in 2011, up 11.5% year-on-year. China's imports, mainly crude oil and diamonds, increased 9.1% to $24.89 billion while China's exports to Angola, including mechanical and electrical products, machinery parts and construction materials, surged 38.8%. The oil glut led to a local price for unleaded gasoline of £0.37 a gallon.
The Angolan economy grew 18% in 2005, 26% in 2006 and 17.6% in 2007. Due to the global recession, the economy contracted an estimated −0.3% in 2009. The security brought about by the 2002 peace settlement has allowed the resettlement of 4 million displaced persons and a resulting large-scale increase in agriculture production. Angola's economy is expected to grow by 3.9 per cent in 2014 said the International Monetary Fund (IMF), robust growth in the non-oil economy, mainly driven by a very good performance in the agricultural sector, is expected to offset a temporary drop in oil production.
Angola's financial system is maintained by the National Bank of Angola and managed by the governor . According to a study on the banking sector, carried out by Deloitte, the monetary policy led by Banco Nacional de Angola (BNA), the Angolan national bank, allowed a decrease in the inflation rate put at 7.96% in December 2013, which contributed to the sector's growth trend. Estimates released by Angola's central bank, said the country's economy should grow at an annual average rate of 5 per cent over the next four years, boosted by the increasing participation of the private sector.
Although the country's economy has grown significantly since Angola achieved political stability in 2002, mainly due to fast-rising earnings in the oil sector, Angola faces huge social and economic problems. These are in part a result of almost continual armed conflict from 1961 on, although the highest level of destruction and socio-economic damage took place after the 1975 independence, during the long years of civil war. However, high poverty rates and blatant social inequality chiefly stems from persistent authoritarianism, "neo-patrimonial" practices at all levels of the political, administrative, military and economic structures, and of a pervasive corruption. The main beneficiaries are political, administrative, economic and military power holders, who have accumulated (and continue to accumulate) enormous wealth.
"Secondary beneficiaries" are the middle strata that are about to become social classes. However, almost half the population has to be considered poor, with dramatic differences between the countryside and the cities, where slightly more than 50% of the people reside.
A study carried out in 2008 by the Angolan Instituto Nacional de Estatística found that in rural areas roughly 58% must be classified as "poor" according to UN norms but in the urban areas only 19%, and an overall rate of 37%. In cities, a majority of families, well beyond those officially classified as poor, must adopt a variety of survival strategies. In urban areas social inequality is most evident and it is extreme in Luanda. In the Human Development Index Angola constantly ranks in the bottom group.
In January 2020, a leak of government documents known as the "Luanda Leaks" showed that U.S. consulting companies such as Boston Consulting Group, McKinsey & Company, and PricewaterhouseCoopers had helped members of the family of former President José Eduardo dos Santos (especially his daughter Isabel dos Santos) corruptly run Sonangol for their own personal profit, helping them use the company's revenues to fund vanity projects in France and Switzerland. After further revelations in the Pandora Papers, former generals Dias and do Nascimento and former presidential advisers were also accused of misappropriating significant public funds for personal benefit.
The enormous differences between the regions pose a serious structural problem for the Angolan economy, illustrated by the fact that about one third of economic activities are concentrated in Luanda and neighbouring Bengo province, while several areas of the interior suffer economic stagnation and even regression.
One of the economic consequences of social and regional disparities is a sharp increase in Angolan private investments abroad. The small fringe of Angolan society where most of the asset accumulation takes place seeks to spread its assets, for reasons of security and profit. For the time being, the biggest share of these investments is concentrated in Portugal where the Angolan presence (including the family of the state president) in banks as well as in the domains of energy, telecommunications, and mass media has become notable, as has the acquisition of vineyards and orchards as well as of tourism enterprises.
Angola has upgraded critical infrastructure, an investment made possible by funds from the nation's development of oil resources. According to a report, just slightly more than ten years after the end of the civil war Angola's standard of living has overall greatly improved. Life expectancy, which was just 46 years in 2002, reached 51 in 2011. Mortality rates for children fell from 25 per cent in 2001 to 19 per cent in 2010 and the number of students enrolled in primary school has tripled since 2001. However, at the same time the social and economic inequality that has characterised the country for so long has not diminished, but has deepened in all respects.
With a stock of assets corresponding to 70 billion Kz (US$6.8 billion), Angola is now the third-largest financial market in sub-Saharan Africa, surpassed only by Nigeria and South Africa. According to the Angolan Minister of Economy, Abraão Gourgel, the financial market of the country grew modestly since 2002 and now occupies third place in sub-Saharan Africa.
On 19 December 2014, the Capital Market in Angola was launched. BODIVA (Angola Stock Exchange and Derivatives, in English) was allocated the secondary public debt market, and was expected to launch the corporate debt market by 2015, though the stock market itself was only expected to commence trading in 2016.
Natural resources.
"The Economist" reported in 2008 that diamonds and oil make up 60% of Angola's economy, almost all of the country's revenue and all of its dominant exports. Growth is almost entirely driven by rising oil production which surpassed in late 2005 and was expected to grow to by 2007. Control of the oil industry is consolidated in Sonangol Group, a conglomerate owned by the Angolan government. In December 2006, Angola was admitted as a member of OPEC.
According to the Heritage Foundation, a conservative American think tank, oil production from Angola has increased so significantly that Angola now is China's biggest supplier of oil. "China has extended three multi-billion dollar lines of credit to the Angolan government; two loans of $2 billion from China Exim Bank, one in 2004, the second in 2007, as well as one loan in 2005 of $2.9 billion from China International Fund Ltd."
Growing oil revenues also created opportunities for corruption: according to a recent Human Rights Watch report, 32 billion US dollars disappeared from government accounts in 2007–2010. Furthermore, Sonangol, the state-run oil company, controls 51% of Cabinda's oil. Due to this market control, the company ends up determining the profit received by the government and the taxes it pays. The council of foreign affairs states that the World Bank mentioned that Sonangol is a taxpayer, it carries out quasi-fiscal activities, it invests public funds, and, as concessionaire, it is a sector regulator. This multifarious work program creates conflicts of interest and characterises a complex relationship between Sonangol and the government that weakens the formal budgetary process and creates uncertainty as regards the actual fiscal stance of the state."
In 2002, Angola demanded compensation for oil spills allegedly caused by Chevron Corporation, the first time it had fined a multinational corporation operating in its waters.
Operations in its diamond mines include partnerships between state-run Endiama and mining companies such as ALROSA which operate in Angola.
Access to biocapacity in Angola is higher than world average. In 2016, Angola had 1.9 global hectares of biocapacity per person within its territory, slightly more than world average of 1.6 global hectares per person. In 2016, Angola used 1.01 global hectares of biocapacity per person - their ecological footprint of consumption. This means they use about half as much biocapacity as Angola contains. As a result, Angola is running a biocapacity reserve.
Agriculture.
Agriculture and forestry is an area of potential opportunity for the country. The African Economic Outlook organization states that "Angola requires 4.5 million tonnes a year of grain but grows only about 55% of the maize it needs, 20% of the rice and just 5% of its required wheat".
In addition, the World Bank estimates that "less than 3 per cent of Angola's abundant fertile land is cultivated and the economic potential of the forestry sector remains largely unexploited".
Before independence in 1975, Angola was a bread-basket of southern Africa and a major exporter of bananas, coffee and sisal, but three decades of civil war (1975–2002) destroyed fertile countryside, left it littered with landmines and drove millions into the cities.
The country now depends on expensive food imports, mainly from South Africa and Portugal, while more than 90% of farming is done at the family and subsistence level. Thousands of Angolan small-scale farmers are trapped in poverty.
Transport.
Transport in Angola consists of:
Angola centers its port trade in five main ports: Namibe, Lobito, Soyo, Cabinda and Luanda. The port of Luanda is the largest of the five, as well as being one of the busiest on the African continent.
Travel on highways outside of towns and cities in Angola (and in some cases within) is often not best advised for those without four-by-four vehicles. While reasonable road infrastructure has existed within Angola, time and war have taken their toll on the road surfaces, leaving many severely potholed, littered with broken asphalt. In many areas drivers have established alternative tracks to avoid the worst parts of the surface, although careful attention must be paid to the presence or absence of landmine warning markers by the side of the road. The Angolan government has contracted the restoration of many of the country's roads. The road between Lubango and Namibe, for example, was completed recently with funding from the European Union, and is comparable to many European main routes. Completing the road infrastructure is likely to take some decades, but substantial efforts are already being made.
Telecommunications.
The telecommunications industry is considered one of the main strategic sectors in Angola.
In October 2014, the building of an optic fiber underwater cable was announced. This project aims to turn Angola into a continental hub, thus improving Internet connections both nationally and internationally.
On 11 March 2015, the First Angolan Forum of Telecommunications and Information Technology was held in Luanda under the motto "The challenges of telecommunications in the current context of Angola", to promote debate on topical issues on telecommunications in Angola and worldwide. A study of this sector, presented at the forum, said Angola had the first telecommunications operator in Africa to test LTE – with speeds up to 400 Mbit/s – and mobile penetration of about 75%; there are about 3.5 million smartphones in the Angolan market; There are about of optical fibre installed in the country.
The first Angolan satellite, AngoSat-1, was launched into orbit on 26 December 2017. It was launched from the Baikonur space center in Kazakhstan on board a Zenit 3F rocket. The satellite was built by Russia's RSC Energia, a subsidiary of the state-run space industry player Roscosmos. The satellite payload was supplied by Airbus Defence & Space. Due to an on-board power failure during solar panel deployment, on 27 December, RSC Energia revealed that they lost communications contact with the satellite. Although, subsequent attempts to restore communications with the satellite were successful, the satellite eventually stopped sending data and RSC Energia confirmed that AngoSat-1 was inoperable. The launch of AngoSat-1 was aimed at ensuring telecommunications throughout the country. According to Aristides Safeca, Secretary of State for Telecommunications, the satellite was aimed at providing telecommunications services, TV, internet and e-government and was expected to remain in orbit "at best" for 18 years. A replacement satellite named AngoSat-2 is in the works and was expected to be in service by 2020. As of February 2021, Ango-Sat-2 was about 60% ready. The officials reported the launch is expected in about 17 months, by July 2022.
Technology.
The management of the top-level domain '.ao' passed from Portugal to Angola in 2015, following new legislation. A joint decree of Minister of Telecommunications and Information Technologies José Carvalho da Rocha and the minister of Science and Technology, Maria Cândida Pereira Teixeira, states that "under the massification" of that Angolan domain, "conditions are created for the transfer of the domain root '.ao' of Portugal to Angola".
Natural resources.
"The Economist" reported in 2008 that diamonds and oil make up 60% of Angola's economy, almost all of the country's revenue and all of its dominant exports. Growth is almost entirely driven by rising oil production which surpassed in late 2005 and was expected to grow to by 2007. Control of the oil industry is consolidated in Sonangol Group, a conglomerate owned by the Angolan government. In December 2006, Angola was admitted as a member of OPEC.
According to the Heritage Foundation, a conservative American think tank, oil production from Angola has increased so significantly that Angola now is China's biggest supplier of oil. "China has extended three multi-billion dollar lines of credit to the Angolan government; two loans of $2 billion from China Exim Bank, one in 2004, the second in 2007, as well as one loan in 2005 of $2.9 billion from China International Fund Ltd."
Growing oil revenues also created opportunities for corruption: according to a recent Human Rights Watch report, 32 billion US dollars disappeared from government accounts in 2007–2010. Furthermore, Sonangol, the state-run oil company, controls 51% of Cabinda's oil. Due to this market control, the company ends up determining the profit received by the government and the taxes it pays. The council of foreign affairs states that the World Bank mentioned that Sonangol is a taxpayer, it carries out quasi-fiscal activities, it invests public funds, and, as concessionaire, it is a sector regulator. This multifarious work program creates conflicts of interest and characterises a complex relationship between Sonangol and the government that weakens the formal budgetary process and creates uncertainty as regards the actual fiscal stance of the state."
In 2002, Angola demanded compensation for oil spills allegedly caused by Chevron Corporation, the first time it had fined a multinational corporation operating in its waters.
Operations in its diamond mines include partnerships between state-run Endiama and mining companies such as ALROSA which operate in Angola.
Access to biocapacity in Angola is higher than world average. In 2016, Angola had 1.9 global hectares of biocapacity per person within its territory, slightly more than world average of 1.6 global hectares per person. In 2016, Angola used 1.01 global hectares of biocapacity per person - their ecological footprint of consumption. This means they use about half as much biocapacity as Angola contains. As a result, Angola is running a biocapacity reserve.
Agriculture.
Agriculture and forestry is an area of potential opportunity for the country. The African Economic Outlook organization states that "Angola requires 4.5 million tonnes a year of grain but grows only about 55% of the maize it needs, 20% of the rice and just 5% of its required wheat".
In addition, the World Bank estimates that "less than 3 per cent of Angola's abundant fertile land is cultivated and the economic potential of the forestry sector remains largely unexploited".
Before independence in 1975, Angola was a bread-basket of southern Africa and a major exporter of bananas, coffee and sisal, but three decades of civil war (1975–2002) destroyed fertile countryside, left it littered with landmines and drove millions into the cities.
The country now depends on expensive food imports, mainly from South Africa and Portugal, while more than 90% of farming is done at the family and subsistence level. Thousands of Angolan small-scale farmers are trapped in poverty.
Transport.
Transport in Angola consists of:
Angola centers its port trade in five main ports: Namibe, Lobito, Soyo, Cabinda and Luanda. The port of Luanda is the largest of the five, as well as being one of the busiest on the African continent.
Travel on highways outside of towns and cities in Angola (and in some cases within) is often not best advised for those without four-by-four vehicles. While reasonable road infrastructure has existed within Angola, time and war have taken their toll on the road surfaces, leaving many severely potholed, littered with broken asphalt. In many areas drivers have established alternative tracks to avoid the worst parts of the surface, although careful attention must be paid to the presence or absence of landmine warning markers by the side of the road. The Angolan government has contracted the restoration of many of the country's roads. The road between Lubango and Namibe, for example, was completed recently with funding from the European Union, and is comparable to many European main routes. Completing the road infrastructure is likely to take some decades, but substantial efforts are already being made.
Telecommunications.
The telecommunications industry is considered one of the main strategic sectors in Angola.
In October 2014, the building of an optic fiber underwater cable was announced. This project aims to turn Angola into a continental hub, thus improving Internet connections both nationally and internationally.
On 11 March 2015, the First Angolan Forum of Telecommunications and Information Technology was held in Luanda under the motto "The challenges of telecommunications in the current context of Angola", to promote debate on topical issues on telecommunications in Angola and worldwide. A study of this sector, presented at the forum, said Angola had the first telecommunications operator in Africa to test LTE – with speeds up to 400 Mbit/s – and mobile penetration of about 75%; there are about 3.5 million smartphones in the Angolan market; There are about of optical fibre installed in the country.
The first Angolan satellite, AngoSat-1, was launched into orbit on 26 December 2017. It was launched from the Baikonur space center in Kazakhstan on board a Zenit 3F rocket. The satellite was built by Russia's RSC Energia, a subsidiary of the state-run space industry player Roscosmos. The satellite payload was supplied by Airbus Defence & Space. Due to an on-board power failure during solar panel deployment, on 27 December, RSC Energia revealed that they lost communications contact with the satellite. Although, subsequent attempts to restore communications with the satellite were successful, the satellite eventually stopped sending data and RSC Energia confirmed that AngoSat-1 was inoperable. The launch of AngoSat-1 was aimed at ensuring telecommunications throughout the country. According to Aristides Safeca, Secretary of State for Telecommunications, the satellite was aimed at providing telecommunications services, TV, internet and e-government and was expected to remain in orbit "at best" for 18 years. A replacement satellite named AngoSat-2 is in the works and was expected to be in service by 2020. As of February 2021, Ango-Sat-2 was about 60% ready. The officials reported the launch is expected in about 17 months, by July 2022.
Technology.
The management of the top-level domain '.ao' passed from Portugal to Angola in 2015, following new legislation. A joint decree of Minister of Telecommunications and Information Technologies José Carvalho da Rocha and the minister of Science and Technology, Maria Cândida Pereira Teixeira, states that "under the massification" of that Angolan domain, "conditions are created for the transfer of the domain root '.ao' of Portugal to Angola".
Demographics.
Angola has a population of 24,383,301 inhabitants according to the preliminary results of its 2014 census, the first one conducted or carried out since 15 December 1970. It is composed of Ovimbundu (language Umbundu) 37%, Ambundu (language Kimbundu) 23%, Bakongo 13%, and 32% other ethnic groups (including the Chokwe, the Ovambo, the Ganguela and the Xindonga) as well as about 2% "mulattos" (mixed European and African), 1.6% Chinese and 1% European. The Ambundu and Ovimbundu ethnic groups combined form a majority of the population, at 62%. The population is forecast to grow to over 60 million people in 2050, 2.7 times the 2014 population. However, on 23 March 2016, official data revealed by Angola's National Statistic Institute – Instituto Nacional de Estatística (INE), states that Angola has a population of 25,789,024 inhabitants.
It is estimated that Angola was host to 12,100 refugees and 2,900 asylum seekers by the end of 2007. 11,400 of those refugees were originally from the Democratic Republic of Congo, who arrived in the 1970s. there were an estimated 400,000 Democratic Republic of the Congo migrant workers, at least 220,000 Portuguese, and about 259,000 Chinese living in Angola. 1 million Angolans are mixed race (black and white).
Since 2003, more than 400,000 Congolese migrants have been expelled from Angola. Prior to independence in 1975, Angola had a community of approximately 350,000 Portuguese, but the vast majority left after independence and the ensuing civil war. However, Angola has recovered its Portuguese minority in recent years; currently, there are about 200,000 registered with the consulates, and increasing due to the debt crisis in Portugal and the relative prosperity in Angola. The Chinese population stands at 258,920, mostly composed of temporary migrants. Also, there is a small Brazilian community of about 5,000 people. The Roma were deported to Angola from Portugal.
, the total fertility rate of Angola is 5.54 children born per woman (2012 estimates), the 11th highest in the world.
Languages.
The languages in Angola are those originally spoken by the different ethnic groups and Portuguese, introduced during the Portuguese colonial era. The most widely spoken indigenous languages are Umbundu, Kimbundu and Kikongo, in that order. Portuguese is the official language of the country.
Although the exact numbers of those fluent in Portuguese or who speak Portuguese as a first language are unknown, a 2012 study mentions that Portuguese is the first language of 39% of the population. In 2014, a census carried out by the Instituto Nacional de Estatística in Angola mentions that 71.15% of the nearly 25.8 million inhabitants of Angola (meaning around 18.3 million people) use Portuguese as a first or second language.
According to the 2014 census, Portuguese is spoken by 71.1% of Angolans, Umbundu by 23%, Kikongo by 8.2%, Kimbundu by 7.8%, Chokwe by 6.5%, Nyaneka by 3.4%, Ngangela by 3.1%, Fiote by 2.4%, Kwanyama by 2.3%, Muhumbi by 2.1%, Luvale by 1%, and other languages by 4.1%.
Religion.
There are about 1,000 religious communities, mostly Christian, in Angola. While reliable statistics are nonexistent, estimates have it that more than half of the population are Catholics, while about a quarter adhere to the Protestant churches introduced during the colonial period: the Congregationalists mainly among the Ovimbundu of the Central Highlands and the coastal region to its west, the Methodists concentrating on the Kimbundu speaking strip from Luanda to Malanje, the Baptists almost exclusively among the Bakongo of the north-west (now present in Luanda as well) and dispersed Adventists, Reformed and Lutherans.
In Luanda and region there subsists a nucleus of the "syncretic" Tocoists and in the north-west a sprinkling of Kimbanguism can be found, spreading from the Congo/Zaïre. Since independence, hundreds of Pentecostal and similar communities have sprung up in the cities, whereby now about 50% of the population is living; several of these communities/churches are of Brazilian origin.
the U.S. Department of State estimates the Muslim population at 80,000–90,000, less than 1% of the population, while the Islamic Community of Angola puts the figure closer to 500,000. Muslims consist largely of migrants from West Africa and the Middle East (especially Lebanon), although some are local converts. The Angolan government does not legally recognize any Muslim organizations and often shuts down mosques or prevents their construction.
In a study assessing nations' levels of religious regulation and persecution with scores ranging from 0 to 10 where 0 represented low levels of regulation or persecution, Angola was scored 0.8 on Government Regulation of Religion, 4.0 on Social Regulation of Religion, 0 on Government Favoritism of Religion and 0 on Religious Persecution.
Foreign missionaries were very active prior to independence in 1975, although since the beginning of the anti-colonial fight in 1961 the Portuguese colonial authorities expelled a series of Protestant missionaries and closed mission stations based on the belief that the missionaries were inciting pro-independence sentiments. Missionaries have been able to return to the country since the early 1990s, although security conditions due to the civil war have prevented them until 2002 from restoring many of their former inland mission stations.
The Catholic Church and some major Protestant denominations mostly keep to themselves in contrast to the "New Churches" which actively proselytize. Catholics, as well as some major Protestant denominations, provide help for the poor in the form of crop seeds, farm animals, medical care and education.
Health.
Epidemics of cholera, malaria, rabies and African hemorrhagic fevers like Marburg hemorrhagic fever, are common diseases in several parts of the country. Many regions in this country have high incidence rates of tuberculosis and high HIV prevalence rates. Dengue, filariasis, leishmaniasis and onchocerciasis (river blindness) are other diseases carried by insects that also occur in the region. Angola has one of the highest infant mortality rates in the world and one of the world's lowest life expectancies. A 2007 survey concluded that low and deficient niacin status was common in Angola. Demographic and Health Surveys is currently conducting several surveys in Angola on malaria, domestic violence and more.
In September 2014, the Angolan Institute for Cancer Control (IACC) was created by presidential decree, and it will integrate the National Health Service in Angola. The purpose of this new centre is to ensure health and medical care in oncology, policy implementation, programmes and plans for prevention and specialised treatment. This cancer institute will be assumed as a reference institution in the central and southern regions of Africa.
In 2014, Angola launched a national campaign of vaccination against measles, extended to every child under ten years old and aiming to go to all 18 provinces in the country. The measure is part of the Strategic Plan for the Elimination of Measles 2014–2020 created by the Angolan Ministry of Health which includes strengthening routine immunisation, a proper dealing with measles cases, national campaigns, introducing a second dose of vaccination in the national routine vaccination calendar and active epidemiological surveillance for measles. This campaign took place together with the vaccination against polio and vitamin A supplementation.
A yellow fever outbreak, the worst in the country in three decades began in December 2015. By August 2016, when the outbreak began to subside, nearly 4,000 people were suspected of being infected. As many as 369 may have died. The outbreak began in the capital, Luanda, and spread to at least 16 of the 18 provinces.
Education.
Although by law education in Angola is compulsory and free for eight years, the government reports that a percentage of pupils are not attending due to a lack of school buildings and teachers. Pupils are often responsible for paying additional school-related expenses, including fees for books and supplies.
In 1999, the gross primary enrollment rate was 74 per cent and in 1998, the most recent year for which data are available, the net primary enrollment rate was 61 per cent. Gross and net enrollment ratios are based on the number of pupils formally registered in primary school and therefore do not necessarily reflect actual school attendance. There continue to be significant disparities in enrollment between rural and urban areas. In 1995, 71.2 per cent of children ages 7 to 14 years were attending school. It is reported that higher percentages of boys attend school than girls. During the Angolan Civil War (1975–2002), nearly half of all schools were reportedly looted and destroyed, leading to current problems with overcrowding.
The Ministry of Education recruited 20,000 new teachers in 2005 and continued to implement teacher training. Teachers tend to be underpaid, inadequately trained and overworked (sometimes teaching two or three shifts a day). Some teachers may reportedly demand payment or bribes directly from their pupils. Other factors, such as the presence of landmines, lack of resources and identity papers, and poor health prevent children from regularly attending school. Although budgetary allocations for education were increased in 2004, the education system in Angola continues to be extremely under-funded.
According to estimates by the UNESCO Institute for Statistics, the adult literacy rate in 2011 was 70.4%. By 2015, this had increased to 71.1%. 82.9% of men and 54.2% of women are literate as of 2001. Since independence from Portugal in 1975, a number of Angolan students continued to be admitted every year at high schools, polytechnical institutes and universities in Portugal and Brazil through bilateral agreements; in general, these students belong to the elites.
In September 2014, the Angolan Ministry of Education announced an investment of 16 million Euros in the computerisation of over 300 classrooms across the country. The project also includes training teachers at a national level, "as a way to introduce and use new information technologies in primary schools, thus reflecting an improvement in the quality of teaching".
In 2010, the Angolan government started building the Angolan Media Libraries Network, distributed throughout several provinces in the country to facilitate the people's access to information and knowledge. Each site has a bibliographic archive, multimedia resources and computers with Internet access, as well as areas for reading, researching and socialising. The plan envisages the establishment of one media library in each Angolan province by 2017. The project also includes the implementation of several media libraries, in order to provide the several contents available in the fixed media libraries to the most isolated populations in the country. At this time, the mobile media libraries are already operating in the provinces of Luanda, Malanje, Uíge, Cabinda and Lunda South. As for REMA, the provinces of Luanda, Benguela, Lubango and Soyo have currently working media libraries.
Languages.
The languages in Angola are those originally spoken by the different ethnic groups and Portuguese, introduced during the Portuguese colonial era. The most widely spoken indigenous languages are Umbundu, Kimbundu and Kikongo, in that order. Portuguese is the official language of the country.
Although the exact numbers of those fluent in Portuguese or who speak Portuguese as a first language are unknown, a 2012 study mentions that Portuguese is the first language of 39% of the population. In 2014, a census carried out by the Instituto Nacional de Estatística in Angola mentions that 71.15% of the nearly 25.8 million inhabitants of Angola (meaning around 18.3 million people) use Portuguese as a first or second language.
According to the 2014 census, Portuguese is spoken by 71.1% of Angolans, Umbundu by 23%, Kikongo by 8.2%, Kimbundu by 7.8%, Chokwe by 6.5%, Nyaneka by 3.4%, Ngangela by 3.1%, Fiote by 2.4%, Kwanyama by 2.3%, Muhumbi by 2.1%, Luvale by 1%, and other languages by 4.1%.
Religion.
There are about 1,000 religious communities, mostly Christian, in Angola. While reliable statistics are nonexistent, estimates have it that more than half of the population are Catholics, while about a quarter adhere to the Protestant churches introduced during the colonial period: the Congregationalists mainly among the Ovimbundu of the Central Highlands and the coastal region to its west, the Methodists concentrating on the Kimbundu speaking strip from Luanda to Malanje, the Baptists almost exclusively among the Bakongo of the north-west (now present in Luanda as well) and dispersed Adventists, Reformed and Lutherans.
In Luanda and region there subsists a nucleus of the "syncretic" Tocoists and in the north-west a sprinkling of Kimbanguism can be found, spreading from the Congo/Zaïre. Since independence, hundreds of Pentecostal and similar communities have sprung up in the cities, whereby now about 50% of the population is living; several of these communities/churches are of Brazilian origin.
the U.S. Department of State estimates the Muslim population at 80,000–90,000, less than 1% of the population, while the Islamic Community of Angola puts the figure closer to 500,000. Muslims consist largely of migrants from West Africa and the Middle East (especially Lebanon), although some are local converts. The Angolan government does not legally recognize any Muslim organizations and often shuts down mosques or prevents their construction.
In a study assessing nations' levels of religious regulation and persecution with scores ranging from 0 to 10 where 0 represented low levels of regulation or persecution, Angola was scored 0.8 on Government Regulation of Religion, 4.0 on Social Regulation of Religion, 0 on Government Favoritism of Religion and 0 on Religious Persecution.
Foreign missionaries were very active prior to independence in 1975, although since the beginning of the anti-colonial fight in 1961 the Portuguese colonial authorities expelled a series of Protestant missionaries and closed mission stations based on the belief that the missionaries were inciting pro-independence sentiments. Missionaries have been able to return to the country since the early 1990s, although security conditions due to the civil war have prevented them until 2002 from restoring many of their former inland mission stations.
The Catholic Church and some major Protestant denominations mostly keep to themselves in contrast to the "New Churches" which actively proselytize. Catholics, as well as some major Protestant denominations, provide help for the poor in the form of crop seeds, farm animals, medical care and education.
Health.
Epidemics of cholera, malaria, rabies and African hemorrhagic fevers like Marburg hemorrhagic fever, are common diseases in several parts of the country. Many regions in this country have high incidence rates of tuberculosis and high HIV prevalence rates. Dengue, filariasis, leishmaniasis and onchocerciasis (river blindness) are other diseases carried by insects that also occur in the region. Angola has one of the highest infant mortality rates in the world and one of the world's lowest life expectancies. A 2007 survey concluded that low and deficient niacin status was common in Angola. Demographic and Health Surveys is currently conducting several surveys in Angola on malaria, domestic violence and more.
In September 2014, the Angolan Institute for Cancer Control (IACC) was created by presidential decree, and it will integrate the National Health Service in Angola. The purpose of this new centre is to ensure health and medical care in oncology, policy implementation, programmes and plans for prevention and specialised treatment. This cancer institute will be assumed as a reference institution in the central and southern regions of Africa.
In 2014, Angola launched a national campaign of vaccination against measles, extended to every child under ten years old and aiming to go to all 18 provinces in the country. The measure is part of the Strategic Plan for the Elimination of Measles 2014–2020 created by the Angolan Ministry of Health which includes strengthening routine immunisation, a proper dealing with measles cases, national campaigns, introducing a second dose of vaccination in the national routine vaccination calendar and active epidemiological surveillance for measles. This campaign took place together with the vaccination against polio and vitamin A supplementation.
A yellow fever outbreak, the worst in the country in three decades began in December 2015. By August 2016, when the outbreak began to subside, nearly 4,000 people were suspected of being infected. As many as 369 may have died. The outbreak began in the capital, Luanda, and spread to at least 16 of the 18 provinces.
Education.
Although by law education in Angola is compulsory and free for eight years, the government reports that a percentage of pupils are not attending due to a lack of school buildings and teachers. Pupils are often responsible for paying additional school-related expenses, including fees for books and supplies.
In 1999, the gross primary enrollment rate was 74 per cent and in 1998, the most recent year for which data are available, the net primary enrollment rate was 61 per cent. Gross and net enrollment ratios are based on the number of pupils formally registered in primary school and therefore do not necessarily reflect actual school attendance. There continue to be significant disparities in enrollment between rural and urban areas. In 1995, 71.2 per cent of children ages 7 to 14 years were attending school. It is reported that higher percentages of boys attend school than girls. During the Angolan Civil War (1975–2002), nearly half of all schools were reportedly looted and destroyed, leading to current problems with overcrowding.
The Ministry of Education recruited 20,000 new teachers in 2005 and continued to implement teacher training. Teachers tend to be underpaid, inadequately trained and overworked (sometimes teaching two or three shifts a day). Some teachers may reportedly demand payment or bribes directly from their pupils. Other factors, such as the presence of landmines, lack of resources and identity papers, and poor health prevent children from regularly attending school. Although budgetary allocations for education were increased in 2004, the education system in Angola continues to be extremely under-funded.
According to estimates by the UNESCO Institute for Statistics, the adult literacy rate in 2011 was 70.4%. By 2015, this had increased to 71.1%. 82.9% of men and 54.2% of women are literate as of 2001. Since independence from Portugal in 1975, a number of Angolan students continued to be admitted every year at high schools, polytechnical institutes and universities in Portugal and Brazil through bilateral agreements; in general, these students belong to the elites.
In September 2014, the Angolan Ministry of Education announced an investment of 16 million Euros in the computerisation of over 300 classrooms across the country. The project also includes training teachers at a national level, "as a way to introduce and use new information technologies in primary schools, thus reflecting an improvement in the quality of teaching".
In 2010, the Angolan government started building the Angolan Media Libraries Network, distributed throughout several provinces in the country to facilitate the people's access to information and knowledge. Each site has a bibliographic archive, multimedia resources and computers with Internet access, as well as areas for reading, researching and socialising. The plan envisages the establishment of one media library in each Angolan province by 2017. The project also includes the implementation of several media libraries, in order to provide the several contents available in the fixed media libraries to the most isolated populations in the country. At this time, the mobile media libraries are already operating in the provinces of Luanda, Malanje, Uíge, Cabinda and Lunda South. As for REMA, the provinces of Luanda, Benguela, Lubango and Soyo have currently working media libraries.
Culture.
Angolan culture has been heavily influenced by Portuguese culture, especially in language and religion, and the culture of the indigenous ethnic groups of Angola, predominantly Bantu culture.
The diverse ethnic communities—the Ovimbundu, Ambundu, Bakongo, Chokwe, Mbunda and other peoples—to varying degrees maintain their own cultural traits, traditions and languages, but in the cities, where slightly more than half of the population now lives, a mixed culture has been emerging since colonial times; in Luanda, since its foundation in the 16th century.
In this urban culture, Portuguese heritage has become more and more dominant. African roots are evident in music and dance and is moulding the way in which Portuguese is spoken. This process is well reflected in contemporary Angolan literature, especially in the works of Angolan authors.
In 2014, Angola resumed the National Festival of Angolan Culture after a 25-year break. The festival took place in all the provincial capitals and lasted for 20 days, with the theme ”Culture as a Factor of Peace and Development.
Cinema.
In 1972, one of Angola's first feature films, Sarah Maldoror's internationally co-produced "Sambizanga", was released at the Carthage Film Festival to critical acclaim, winning the "Tanit d'Or", the festival's highest prize.
Sports.
Basketball is the second most popular sport in Angola. Its national team has won the AfroBasket 11 times and holds the record of most titles. As a top team in Africa, it is a regular competitor at the Summer Olympic Games and the FIBA World Cup. Angola is home to one of Africa's first competitive leagues.
In football, Angola hosted the 2010 Africa Cup of Nations. The Angola national football team qualified for the 2006 FIFA World Cup, their first appearance in the World Cup finals. They were eliminated after one defeat and two draws in the group stage. They won three COSAFA Cups and finished runner-up in the 2011 African Nations Championship.
Angola has participated in the World Women's Handball Championship for several years. The country has also appeared in the Summer Olympics for seven years and both regularly competes in and once has hosted the FIRS Roller Hockey World Cup, where the best finish is sixth. Angola is also often believed to have historic roots in the martial art "Capoeira Angola" and "Batuque" which were practised by enslaved African Angolans transported as part of the Atlantic slave trade.
Cinema.
In 1972, one of Angola's first feature films, Sarah Maldoror's internationally co-produced "Sambizanga", was released at the Carthage Film Festival to critical acclaim, winning the "Tanit d'Or", the festival's highest prize.
Sports.
Basketball is the second most popular sport in Angola. Its national team has won the AfroBasket 11 times and holds the record of most titles. As a top team in Africa, it is a regular competitor at the Summer Olympic Games and the FIBA World Cup. Angola is home to one of Africa's first competitive leagues.
In football, Angola hosted the 2010 Africa Cup of Nations. The Angola national football team qualified for the 2006 FIFA World Cup, their first appearance in the World Cup finals. They were eliminated after one defeat and two draws in the group stage. They won three COSAFA Cups and finished runner-up in the 2011 African Nations Championship.
Angola has participated in the World Women's Handball Championship for several years. The country has also appeared in the Summer Olympics for seven years and both regularly competes in and once has hosted the FIRS Roller Hockey World Cup, where the best finish is sixth. Angola is also often believed to have historic roots in the martial art "Capoeira Angola" and "Batuque" which were practised by enslaved African Angolans transported as part of the Atlantic slave trade.
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892
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Alfons Maria Jakob
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Alfons Maria Jakob (2 July 1884 – 17 October 1931) was a German neurologist who worked in the field of neuropathology.
He was born in Aschaffenburg, Bavaria and educated in medicine at the universities of Munich, Berlin, and Strasbourg, where he received his doctorate in 1908. During the following year, he began clinical work under the psychiatrist Emil Kraepelin and did laboratory work with Franz Nissl and Alois Alzheimer in Munich.
In 1911, by way of an invitation from Wilhelm Weygandt, he relocated to Hamburg, where he worked with Theodor Kaes and eventually became head of the laboratory of anatomical pathology at the psychiatric State Hospital Hamburg-Friedrichsberg. Following the death of Kaes in 1913, Jakob succeeded him as prosector. During World War I he served as an army physician in Belgium, and afterwards returned to Hamburg. In 1919, he obtained his habilitation for neurology and in 1924 became a professor of neurology. Under Jakob's guidance the department grew rapidly. He made significant contributions to knowledge on concussion and secondary nerve degeneration and became a doyen of neuropathology.
Jakob was the author of five monographs and nearly 80 scientific papers. His neuropathological research contributed greatly to the delineation of several diseases, including multiple sclerosis and Friedreich's ataxia. He first recognised and described Alper's disease and Creutzfeldt–Jakob disease (named along with Munich neuropathologist Hans Gerhard Creutzfeldt). He gained experience in neurosyphilis, having a 200-bed ward devoted entirely to that disorder. Jakob made a lecture tour of the United States (1924) and South America (1928), of which, he wrote a paper on the neuropathology of yellow fever.
He suffered from chronic osteomyelitis for the last seven years of his life. This eventually caused a retroperitoneal abscess and paralytic ileus from which he died following operation.
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872
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Akira Kurosawa
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was a Japanese filmmaker and painter who directed thirty films in a career spanning over five decades. He is widely regarded as one of the most important and influential filmmakers in the history of cinema. Kurosawa displayed a bold, dynamic style, strongly influenced by Western cinema yet distinct from it; he was involved with all aspects of film production.
Kurosawa entered the Japanese film industry in 1936, following a brief stint as a painter. After years of working on numerous films as an assistant director and scriptwriter, he made his debut as a director during World War II with the popular action film "Sanshiro Sugata". After the war, the critically acclaimed "Drunken Angel" (1948), in which Kurosawa cast the then little-known actor Toshiro Mifune in a starring role, cemented the director's reputation as one of the most important young filmmakers in Japan. The two men would go on to collaborate on another fifteen films.
"Rashomon" (1950), which premiered in Tokyo, became the surprise winner of the Golden Lion at the 1951 Venice Film Festival. The commercial and critical success of that film opened up Western film markets for the first time to the products of the Japanese film industry, which in turn led to international recognition for other Japanese filmmakers. Kurosawa directed approximately one film per year throughout the 1950s and early 1960s, including a number of highly regarded (and often adapted) films, such as "Ikiru" (1952), "Seven Samurai" (1954), "Throne of Blood" (1957) and "Yojimbo" (1961). After the 1960s he became much less prolific; even so, his later work—including two of his final films, "Kagemusha" (1980) and "Ran" (1985)—continued to receive great acclaim.
In 1990, he accepted the Academy Award for Lifetime Achievement. Posthumously, he was named "Asian of the Century" in the "Arts, Literature, and Culture" category by "AsianWeek" magazine and CNN, cited there as being among the five people who most prominently contributed to the improvement of Asia in the 20th century. His career has been honored by many retrospectives, critical studies and biographies in both print and video, and by releases in many consumer media.
Biography.
Childhood to war years (1910–1945).
Childhood and youth (1910–1935).
Kurosawa was born on March 23, 1910, in Ōimachi in the Ōmori district of Tokyo. His father Isamu (1864–1948), a member of a samurai family from Akita Prefecture, worked as the director of the Army's Physical Education Institute's lower secondary school, while his mother Shima (1870–1952) came from a merchant's family living in Osaka. Akira was the eighth and youngest child of the moderately wealthy family, with two of his siblings already grown up at the time of his birth and one deceased, leaving Kurosawa to grow up with three sisters and a brother.
In addition to promoting physical exercise, Isamu Kurosawa was open to Western traditions and considered theatre and motion pictures to have educational merit. He encouraged his children to watch films; young Akira viewed his first movies at the age of six. An important formative influence was his elementary school teacher Mr. Tachikawa, whose progressive educational practices ignited in his young pupil first a love of drawing and then an interest in education in general. During this time, the boy also studied calligraphy and Kendo swordsmanship.
Another major childhood influence was Heigo Kurosawa (1906-1933), Akira's older brother by four years. In the aftermath of the Great Kantō earthquake of 1923, Heigo took the thirteen-year-old Akira to view the devastation. When the younger brother wanted to look away from the corpses of humans and animals scattered everywhere, Heigo forbade him to do so, encouraging Akira instead to face his fears by confronting them directly. Some commentators have suggested that this incident would influence Kurosawa's later artistic career, as the director was seldom hesitant to confront unpleasant truths in his work.
Heigo was academically gifted, but soon after failing to secure a place in Tokyo's foremost high school, he began to detach himself from the rest of the family, preferring to concentrate on his interest in foreign literature. In the late 1920s, Heigo became a benshi (silent film narrator) for Tokyo theaters showing foreign films and quickly made a name for himself. Akira, who at this point planned to become a painter, moved in with him, and the two brothers became inseparable. With Heigo's guidance, Akira devoured not only films but also theater and circus performances, while exhibiting his paintings and working for the left-wing Proletarian Artists' League. However, he was never able to make a living with his art, and, as he began to perceive most of the proletarian movement as "putting unfulfilled political ideals directly onto the canvas", he lost his enthusiasm for painting.
With the increasing production of talking pictures in the early 1930s, film narrators like Heigo began to lose work, and Akira moved back in with his parents. In July 1933, Heigo committed suicide. Kurosawa has commented on the lasting sense of loss he felt at his brother's death and the chapter of his autobiography ("Something Like an Autobiography") that describes it—written nearly half a century after the event—is titled, "A Story I Don't Want to Tell". Only four months later, Kurosawa's eldest brother also died, leaving Akira, at age 23, the only one of the Kurosawa brothers still living, together with his three surviving sisters.
Director in training (1935–1941).
In 1935, the new film studio Photo Chemical Laboratories, known as P.C.L. (which later became the major studio Toho), advertised for assistant directors. Although he had demonstrated no previous interest in film as a profession, Kurosawa submitted the required essay, which asked applicants to discuss the fundamental deficiencies of Japanese films and find ways to overcome them. His half-mocking view was that if the deficiencies were fundamental, there was no way to correct them. Kurosawa's essay earned him a call to take the follow-up exams, and director Kajirō Yamamoto, who was among the examiners, took a liking to Kurosawa and insisted that the studio hire him. The 25-year-old Kurosawa joined P.C.L. in February 1936.
During his five years as an assistant director, Kurosawa worked under numerous directors, but by far the most important figure in his development was Yamamoto. Of his 24 films as A.D., he worked on 17 under Yamamoto, many of them comedies featuring the popular actor Ken'ichi Enomoto, known as "Enoken". Yamamoto nurtured Kurosawa's talent, promoting him directly from third assistant director to chief assistant director after a year. Kurosawa's responsibilities increased, and he worked at tasks ranging from stage construction and film development to location scouting, script polishing, rehearsals, lighting, dubbing, editing, and second-unit directing. In the last of Kurosawa's films as an assistant director for Yamamoto, "Horse" (1941), Kurosawa took over most of the production, as his mentor was occupied with the shooting of another film.
Yamamoto advised Kurosawa that a good director needed to master screenwriting. Kurosawa soon realized that the potential earnings from his scripts were much higher than what he was paid as an assistant director. He later wrote or co-wrote all his films, and frequently penned screenplays for other directors such as Satsuo Yamamoto's film, "A Triumph of Wings" ("Tsubasa no gaika", 1942). This outside scriptwriting would serve Kurosawa as a lucrative sideline lasting well into the 1960s, long after he became famous.
Wartime films and marriage (1942–1945).
In the two years following the release of "Horse" in 1941, Kurosawa searched for a story he could use to launch his directing career. Towards the end of 1942, about a year after the Japanese attack on Pearl Harbor, novelist Tsuneo Tomita published his Musashi Miyamoto-inspired judo novel, "Sanshiro Sugata", the advertisements for which intrigued Kurosawa. He bought the book on its publication day, devoured it in one sitting, and immediately asked Toho to secure the film rights. Kurosawa's initial instinct proved correct as, within a few days, three other major Japanese studios also offered to buy the rights. Toho prevailed, and Kurosawa began pre-production on his debut work as director.
Shooting of "Sanshiro Sugata" began on location in Yokohama in December 1942. Production proceeded smoothly, but getting the completed film past the censors was an entirely different matter. The censorship office considered the work to be objectionably "British-American" by the standards of wartime Japan, and it was only through the intervention of director Yasujirō Ozu, who championed the film, that "Sanshiro Sugata" was finally accepted for release on March 25, 1943. (Kurosawa had just turned 33.) The movie became both a critical and commercial success. Nevertheless, the censorship office would later decide to cut out some 18 minutes of footage, much of which is now considered lost.
He next turned to the subject of wartime female factory workers in "The Most Beautiful", a propaganda film which he shot in a semi-documentary style in early 1944. To elicit realistic performances from his actresses, the director had them live in a real factory during the shoot, eat the factory food and call each other by their character names. He would use similar methods with his performers throughout his career.
During production, the actress playing the leader of the factory workers, Yōko Yaguchi, was chosen by her colleagues to present their demands to the director. She and Kurosawa were constantly at odds, and it was through these arguments that the two paradoxically became close. They married on May 21, 1945, with Yaguchi two months pregnant (she never resumed her acting career), and the couple would remain together until her death in 1985. They had two children, both surviving Kurosawa : a son, Hisao, born December 20, 1945, who served as producer on some of his father's last projects, and Kazuko, a daughter, born April 29, 1954, who became a costume designer.
Shortly before his marriage, Kurosawa was pressured by the studio against his will to direct a sequel to his debut film. The often blatantly propagandistic "Sanshiro Sugata Part II", which premiered in May 1945, is generally considered one of his weakest pictures.
Kurosawa decided to write the script for a film that would be both censor-friendly and less expensive to produce. "The Men Who Tread on the Tiger's Tail", based on the Kabuki play "Kanjinchō" and starring the comedian Enoken, with whom Kurosawa had often worked during his assistant director days, was completed in September 1945. By this time, Japan had surrendered and the occupation of Japan had begun. The new American censors interpreted the values allegedly promoted in the picture as overly "feudal" and banned the work. It was not released until 1952, the year another Kurosawa film, "Ikiru", was also released. Ironically, while in production, the film had already been savaged by Japanese wartime censors as too Western and "democratic" (they particularly disliked the comic porter played by Enoken), so the movie most probably would not have seen the light of day even if the war had continued beyond its completion.
Early postwar years to "Red Beard" (1946–1965).
First postwar works (1946–1950).
After the war, Kurosawa, influenced by the democratic ideals of the Occupation, sought to make films that would establish a new respect towards the individual and the self. The first such film, "No Regrets for Our Youth" (1946), inspired by both the 1933 Takigawa incident and the Hotsumi Ozaki wartime spy case, criticized Japan's prewar regime for its political oppression. Atypically for the director, the heroic central character is a woman, Yukie (Setsuko Hara), who, born into upper-middle-class privilege, comes to question her values in a time of political crisis. The original script had to be extensively rewritten and, because of its controversial theme and gender of its protagonist, the completed work divided critics. Nevertheless, it managed to win the approval of audiences, who turned variations on the film's title into a postwar catchphrase.
His next film, "One Wonderful Sunday" premiered in July 1947 to mixed reviews. It is a relatively uncomplicated and sentimental love story dealing with an impoverished postwar couple trying to enjoy, within the devastation of postwar Tokyo, their one weekly day off. The movie bears the influence of Frank Capra, D. W. Griffith and F. W. Murnau, each of whom was among Kurosawa's favorite directors. Another film released in 1947 with Kurosawa's involvement was the action-adventure thriller, "Snow Trail", directed by Senkichi Taniguchi from Kurosawa's screenplay. It marked the debut of the intense young actor Toshiro Mifune. It was Kurosawa who, with his mentor Yamamoto, had intervened to persuade Toho to sign Mifune, during an audition in which the young man greatly impressed Kurosawa, but managed to alienate most of the other judges.
"Drunken Angel" is often considered the director's first major work. Although the script, like all of Kurosawa's occupation-era works, had to go through rewrites due to American censorship, Kurosawa felt that this was the first film in which he was able to express himself freely. A gritty story of a doctor who tries to save a gangster (yakuza) with tuberculosis, it was also the first time that Kurosawa directed Mifune, who went on to play major roles in all but one of the director's next 16 films (the exception being "Ikiru"). While Mifune was not cast as the protagonist in "Drunken Angel", his explosive performance as the gangster so dominates the drama that he shifted the focus from the title character, the alcoholic doctor played by Takashi Shimura, who had already appeared in several Kurosawa movies. However, Kurosawa did not want to smother the young actor's immense vitality, and Mifune's rebellious character electrified audiences in much the way that Marlon Brando's defiant stance would startle American film audiences a few years later. The film premiered in Tokyo in April 1948 to rave reviews and was chosen by the prestigious "Kinema Junpo" critics poll as the best film of its year, the first of three Kurosawa movies to be so honored.
Kurosawa, with producer Sōjirō Motoki and fellow directors and friends Kajiro Yamamoto, Mikio Naruse and Senkichi Taniguchi, formed a new independent production unit called Film Art Association (Eiga Geijutsu Kyōkai). For this organization's debut work, and first film for Daiei studios, Kurosawa turned to a contemporary play by Kazuo Kikuta and, together with Taniguchi, adapted it for the screen. "The Quiet Duel" starred Toshiro Mifune as an idealistic young doctor struggling with syphilis, a deliberate attempt by Kurosawa to break the actor away from being typecast as gangsters. Released in March 1949, it was a box office success, but is generally considered one of the director's lesser achievements.
His second film of 1949, also produced by Film Art Association and released by Shintoho, was "Stray Dog". It is a detective movie (perhaps the first important Japanese film in that genre) that explores the mood of Japan during its painful postwar recovery through the story of a young detective, played by Mifune, and his fixation on the recovery of his handgun, which was stolen by a penniless war veteran who proceeds to use it to rob and murder. Adapted from an unpublished novel by Kurosawa in the style of a favorite writer of his, Georges Simenon, it was the director's first collaboration with screenwriter Ryuzo Kikushima, who would later help to script eight other Kurosawa films. A famous, virtually wordless sequence, lasting over eight minutes, shows the detective, disguised as an impoverished veteran, wandering the streets in search of the gun thief; it employed actual documentary footage of war-ravaged Tokyo neighborhoods shot by Kurosawa's friend, Ishirō Honda, the future director of "Godzilla". The film is considered a precursor to the contemporary police procedural and buddy cop film genres.
"Scandal", released by Shochiku in April 1950, was inspired by the director's personal experiences with, and anger towards, Japanese yellow journalism. The work is an ambitious mixture of courtroom drama and social problem film about free speech and personal responsibility, but even Kurosawa regarded the finished product as dramatically unfocused and unsatisfactory, and almost all critics agree. However, it would be Kurosawa's second film of 1950, "Rashomon", that would ultimately win him, and Japanese cinema, a whole new international audience.
International recognition (1950–1958).
After finishing "Scandal", Kurosawa was approached by Daiei studios to make another film for them. Kurosawa picked a script by an aspiring young screenwriter, Shinobu Hashimoto, who would eventually work on nine of his films. Their first joint effort was based on Ryūnosuke Akutagawa's experimental short story "In a Grove", which recounts the murder of a samurai and the rape of his wife from various different and conflicting points-of-view. Kurosawa saw potential in the script, and with Hashimoto's help, polished and expanded it and then pitched it to Daiei, who were happy to accept the project due to its low budget.
The shooting of "Rashomon" began on July 7, 1950, and, after extensive location work in the primeval forest of Nara, wrapped on August 17. Just one week was spent in hurried post-production, hampered by a studio fire, and the finished film premiered at Tokyo's Imperial Theatre on August 25, expanding nationwide the following day. The movie was met by lukewarm reviews, with many critics puzzled by its unique theme and treatment, but it was nevertheless a moderate financial success for Daiei.
Kurosawa's next film, for Shochiku, was "The Idiot", an adaptation of the novel by the director's favorite writer, Fyodor Dostoevsky. The story is relocated from Russia to Hokkaido, but otherwise adheres closely to the original, a fact seen by many critics as detrimental to the work. A studio-mandated edit shortened it from Kurosawa's original cut of 265 minutes to just 166 minutes, making the resulting narrative exceedingly difficult to follow. The severely edited film version is widely considered to be one of the director's least successful works and the original full-length version no longer exists. Contemporary reviews of the much shortened edited version were very negative, but the film was a moderate success at the box office, largely because of the popularity of one of its stars, Setsuko Hara.
Meanwhile, unbeknownst to Kurosawa, "Rashomon" had been entered in the Venice Film Festival, due to the efforts of Giuliana Stramigioli, a Japan-based representative of an Italian film company, who had seen and admired the movie and convinced Daiei to submit it. On September 10, 1951, "Rashomon" was awarded the festival's highest prize, the Golden Lion, shocking not only Daiei but the international film world, which at the time was largely unaware of Japan's decades-old cinematic tradition.
After Daiei briefly exhibited a subtitled print of the film in Los Angeles, RKO purchased distribution rights to "Rashomon" in the United States. The company was taking a considerable gamble. It had put out only one prior subtitled film in the American market, and the only previous Japanese talkie commercially released in New York had been Mikio Naruse's comedy, "Wife! Be Like a Rose", in 1937: a critical and box-office flop. However, "Rashomon"s commercial run, greatly helped by strong reviews from critics and even the columnist Ed Sullivan, earned $35,000 in its first three weeks at a single New York theatre, an almost unheard-of sum at the time.
This success in turn led to a vogue in America and the West for Japanese movies throughout the 1950s, replacing the enthusiasm for Italian neorealist cinema. By the end of 1952 "Rashomon" was released in Japan, the United States, and most of Europe. Among the Japanese film-makers whose work, as a result, began to win festival prizes and commercial release in the West were Kenji Mizoguchi ("The Life of Oharu", "Ugetsu", "Sansho the Bailiff") and, somewhat later, Yasujirō Ozu ("Tokyo Story", "An Autumn Afternoon")—artists highly respected in Japan but, before this period, almost totally unknown in the West. Kurosawa's growing reputation among Western audiences in the 1950s would make Western audiences more sympathetic to the reception of later generations of Japanese film-makers ranging from Kon Ichikawa, Masaki Kobayashi, Nagisa Oshima and Shohei Imamura to Juzo Itami, Takeshi Kitano and Takashi Miike.
His career boosted by his sudden international fame, Kurosawa, now reunited with his original film studio, Toho (which would go on to produce his next 11 films), set to work on his next project, "Ikiru". The movie stars Takashi Shimura as a cancer-ridden Tokyo bureaucrat, Watanabe, on a final quest for meaning before his death. For the screenplay, Kurosawa brought in Hashimoto as well as writer Hideo Oguni, who would go on to co-write twelve Kurosawa films. Despite the work's grim subject matter, the screenwriters took a satirical approach, which some have compared to the work of Brecht, to both the bureaucratic world of its hero and the U.S. cultural colonization of Japan. (American pop songs figure prominently in the film.) Because of this strategy, the film-makers are usually credited with saving the picture from the kind of sentimentality common to dramas about characters with terminal illnesses. "Ikiru" opened in October 1952 to rave reviews—it won Kurosawa his second Kinema Junpo "Best Film" award—and enormous box office success. It remains the most acclaimed of all the artist's films set in the modern era.
In December 1952, Kurosawa took his "Ikiru" screenwriters, Shinobu Hashimoto and Hideo Oguni, for a forty-five-day secluded residence at an inn to create the screenplay for his next movie, "Seven Samurai". The ensemble work was Kurosawa's first proper samurai film, the genre for which he would become most famous. The simple story, about a poor farming village in Sengoku period Japan that hires a group of samurai to defend it against an impending attack by bandits, was given a full epic treatment, with a huge cast (largely consisting of veterans of previous Kurosawa productions) and meticulously detailed action, stretching out to almost three-and-a-half hours of screen time.
Three months were spent in pre-production and a month in rehearsals. Shooting took up 148 days spread over almost a year, interrupted by production and financing troubles and Kurosawa's health problems. The film finally opened in April 1954, half a year behind its original release date and about three times over budget, making it at the time the most expensive Japanese film ever made. (However, by Hollywood standards, it was a quite modestly budgeted production, even for that time.) The film received positive critical reaction and became a big hit, quickly making back the money invested in it and providing the studio with a product that they could, and did, market internationally—though with extensive edits. Over time—and with the theatrical and home video releases of the uncut version—its reputation has steadily grown. It is now regarded by some commentators as the greatest Japanese film ever made, and in 1999, a poll of Japanese film critics also voted it the best Japanese film ever made. In the most recent (2012) version of the widely respected British Film Institute (BFI) "Sight & Sound" "Greatest Films of All Time" poll, "Seven Samurai" placed 17th among all films from all countries in both the critics' and the directors' polls, receiving a place in the Top Ten lists of 48 critics and 22 directors.
In 1954, nuclear tests in the Pacific were causing radioactive rainstorms in Japan and one particular incident in March had exposed a Japanese fishing boat to nuclear fallout, with disastrous results. It is in this anxious atmosphere that Kurosawa's next film, "Record of a Living Being", was conceived. The story concerned an elderly factory owner (Toshiro Mifune) so terrified of the prospect of a nuclear attack that he becomes determined to move his entire extended family (both legal and extra-marital) to what he imagines is the safety of a farm in Brazil. Production went much more smoothly than the director's previous film, but a few days before shooting ended, Kurosawa's composer, collaborator and close friend Fumio Hayasaka died (of tuberculosis) at the age of 41. The film's score was finished by Hayasaka's student, Masaru Sato, who would go on to score all of Kurosawa's next eight films. "Record of a Living Being" opened in November 1955 to mixed reviews and muted audience reaction, becoming the first Kurosawa film to lose money during its original theatrical run. Today, it is considered by many to be among the finest films dealing with the psychological effects of the global nuclear stalemate.
Kurosawa's next project, "Throne of Blood", an adaptation of William Shakespeare's "Macbeth"—set, like "Seven Samurai", in the Sengoku Era—represented an ambitious transposition of the English work into a Japanese context. Kurosawa instructed his leading actress, Isuzu Yamada, to regard the work as if it were a cinematic version of a "Japanese" rather than a European literary classic. Given Kurosawa's appreciation of traditional Japanese stage acting, the acting of the players, particularly Yamada, draws heavily on the stylized techniques of the Noh theater. It was filmed in 1956 and released in January 1957 to a slightly less negative domestic response than had been the case with the director's previous film. Abroad, "Throne of Blood", regardless of the liberties it takes with its source material, quickly earned a place among the most celebrated Shakespeare adaptations.
Another adaptation of a classic European theatrical work followed almost immediately, with production of "The Lower Depths", based on a play by Maxim Gorky, taking place in May and June 1957. In contrast to the Shakespearean sweep of "Throne of Blood", "The Lower Depths" was shot on only two confined sets, in order to emphasize the restricted nature of the characters' lives. Though faithful to the play, this adaptation of Russian material to a completely Japanese setting—in this case, the late Edo period—unlike his earlier "The Idiot", was regarded as artistically successful. The film premiered in September 1957, receiving a mixed response similar to that of "Throne of Blood". However, some critics rank it among the director's most underrated works.
Kurosawa's three next movies after "Seven Samurai" had not managed to capture Japanese audiences in the way that that film had. The mood of the director's work had been growing increasingly pessimistic and dark even as Japan entered a boom period of high-speed growth and rising standards of living. Out of step with the prevailing mood of the era, Kurosawa's films questioned the possibility of redemption through personal responsibility, particularly in "Throne of Blood" and "The Lower Depths". He recognized this, and deliberately aimed for a more light-hearted and entertaining film for his next production, while switching to the new widescreen format that had been gaining popularity in Japan. The resulting film, "The Hidden Fortress", is an action-adventure comedy drama about a medieval princess, her loyal general and two peasants who all need to travel through enemy lines in order to reach their home region. Released in December 1958, "The Hidden Fortress" became an enormous box office success in Japan and was warmly received by critics both in Japan and abroad. Today, the film is considered one of Kurosawa's most lightweight efforts, though it remains popular, not least because it is one of several major influences on George Lucas's 1977 space opera, "Star Wars".
Birth of a company and "Red Beard" (1959–1965).
Starting with "Rashomon", Kurosawa's productions had become increasingly large in scope and so had the director's budgets. Toho, concerned about this development, suggested that he might help finance his own works, therefore making the studio's potential losses smaller, while in turn allowing himself more artistic freedom as co-producer. Kurosawa agreed, and the Kurosawa Production Company was established in April 1959, with Toho as the majority shareholder.
Despite risking his own money, Kurosawa chose a story that was more directly critical of the Japanese business and political elites than any previous work. "The Bad Sleep Well", based on a script by Kurosawa's nephew Mike Inoue, is a revenge drama about a young man who is able to infiltrate the hierarchy of a corrupt Japanese company with the intention of exposing the men responsible for his father's death. Its theme proved topical: while the film was in production, the massive Anpo protests were held against the new U.S.–Japan Security treaty, which was seen by many Japanese, particularly the young, as threatening the country's democracy by giving too much power to corporations and politicians. The film opened in September 1960 to positive critical reaction and modest box office success. The 25-minute opening sequence depicting a corporate wedding reception is widely regarded as one of Kurosawa's most skillfully executed set pieces, but the remainder of the film is often perceived as disappointing by comparison. The movie has also been criticized for employing the conventional Kurosawan hero to combat a social evil that cannot be resolved through the actions of individuals, however courageous or cunning.
"Yojimbo" ("The Bodyguard"), Kurosawa Production's second film, centers on a masterless samurai, Sanjuro, who strolls into a 19th-century town ruled by two opposing violent factions and provokes them into destroying each other. The director used this work to play with many genre conventions, particularly the Western, while at the same time offering an unprecedentedly (for the Japanese screen) graphic portrayal of violence. Some commentators have seen the Sanjuro character in this film as a fantasy figure who magically reverses the historical triumph of the corrupt merchant class over the samurai class. Featuring Tatsuya Nakadai in his first major role in a Kurosawa movie, and with innovative photography by Kazuo Miyagawa (who shot "Rashomon") and Takao Saito, the film premiered in April 1961 and was a critically and commercially successful venture, earning more than any previous Kurosawa film. The movie and its blackly comic tone were also widely imitated abroad. Sergio Leone's "A Fistful of Dollars" was a virtual (unauthorized) scene-by-scene remake with Toho filing a lawsuit on Kurosawa's behalf and prevailing.
Following the success of "Yojimbo", Kurosawa found himself under pressure from Toho to create a sequel. Kurosawa turned to a script he had written before "Yojimbo", reworking it to include the hero of his previous film. "Sanjuro" was the first of three Kurosawa films to be adapted from the work of the writer Shūgorō Yamamoto (the others would be "Red Beard" and "Dodeskaden"). It is lighter in tone and closer to a conventional period film than "Yojimbo", though its story of a power struggle within a samurai clan is portrayed with strongly comic undertones. The film opened on January 1, 1962, quickly surpassing "Yojimbo"s box office success and garnering positive reviews.
Kurosawa had meanwhile instructed Toho to purchase the film rights to "King's Ransom", a novel about a kidnapping written by American author and screenwriter Evan Hunter, under his pseudonym of Ed McBain, as one of his 87th Precinct series of crime books. The director intended to create a work condemning kidnapping, which he considered one of the very worst crimes. The suspense film, titled "High and Low", was shot during the latter half of 1962 and released in March 1963. It broke Kurosawa's box office record (the third film in a row to do so), became the highest grossing Japanese film of the year, and won glowing reviews. However, his triumph was somewhat tarnished when, ironically, the film was blamed for a wave of kidnappings which occurred in Japan about this time (he himself received kidnapping threats directed at his young daughter, Kazuko). "High and Low" is considered by many commentators to be among the director's strongest works.
Kurosawa quickly moved on to his next project, "Red Beard". Based on a short story collection by Shūgorō Yamamoto and incorporating elements from Dostoevsky's novel "The Insulted and Injured", it is a period film, set in a mid-nineteenth century clinic for the poor, in which Kurosawa's humanist themes receive perhaps their fullest statement. A conceited and materialistic, foreign-trained young doctor, Yasumoto, is forced to become an intern at the clinic under the stern tutelage of Doctor Niide, known as "Akahige" ("Red Beard"), played by Mifune. Although he resists Red Beard initially, Yasumoto comes to admire his wisdom and courage, and to perceive the patients at the clinic, whom he at first despised, as worthy of compassion and dignity.
Yūzō Kayama, who plays Yasumoto, was an extremely popular film and music star at the time, particularly for his "Young Guy" ("Wakadaishō") series of musical comedies, so signing him to appear in the film virtually guaranteed Kurosawa strong box-office. The shoot, the film-maker's longest ever, lasted well over a year (after five months of pre-production), and wrapped in spring 1965, leaving the director, his crew and his actors exhausted. "Red Beard" premiered in April 1965, becoming the year's highest-grossing Japanese production and the third (and last) Kurosawa film to top the prestigious Kinema Jumpo yearly critics poll. It remains one of Kurosawa's best-known and most-loved works in his native country. Outside Japan, critics have been much more divided. Most commentators concede its technical merits and some praise it as among Kurosawa's best, while others insist that it lacks complexity and genuine narrative power, with still others claiming that it represents a retreat from the artist's previous commitment to social and political change.
The film marked something of an end of an era for its creator. The director himself recognized this at the time of its release, telling critic Donald Richie that a cycle of some kind had just come to an end and that his future films and production methods would be different. His prediction proved quite accurate. Beginning in the late 1950s, television began increasingly to dominate the leisure time of the formerly large and loyal Japanese cinema audience. And as film company revenues dropped, so did their appetite for risk—particularly the risk represented by Kurosawa's costly production methods.
"Red Beard" also marked the midway point, chronologically, in the artist's career. During his previous twenty-nine years in the film industry (which includes his five years as assistant director), he had directed twenty-three films, while during the remaining twenty-eight years, for many and complex reasons, he would complete only seven more. Also, for reasons never adequately explained, "Red Beard" would be his final film starring Toshiro Mifune. Yu Fujiki, an actor who worked on "The Lower Depths", observed, regarding the closeness of the two men on the set, "Mr. Kurosawa's heart was in Mr. Mifune's body." Donald Richie has described the rapport between them as a unique "symbiosis".
Hollywood ambitions to last films (1966–1998).
Hollywood detour (1966–1968).
When Kurosawa's exclusive contract with Toho came to an end in 1966, the 56-year-old director was seriously contemplating change. Observing the troubled state of the domestic film industry, and having already received dozens of offers from abroad, the idea of working outside Japan appealed to him as never before.
For his first foreign project, Kurosawa chose a story based on a "Life" magazine article. The Embassy Pictures action thriller, to be filmed in English and called simply "Runaway Train", would have been his first in color. But the language barrier proved a major problem, and the English version of the screenplay was not even finished by the time filming was to begin in autumn 1966. The shoot, which required snow, was moved to autumn 1967, then canceled in 1968. Almost two decades later, another foreign director working in Hollywood, Andrei Konchalovsky, finally made "Runaway Train" (1985), though from a new script loosely based on Kurosawa's.
The director meanwhile had become involved in a much more ambitious Hollywood project. "Tora! Tora! Tora!", produced by 20th Century Fox and Kurosawa Production, would be a portrayal of the Japanese attack on Pearl Harbor from both the American and the Japanese points of view, with Kurosawa helming the Japanese half and an Anglophonic film-maker directing the American half. He spent several months working on the script with Ryuzo Kikushima and Hideo Oguni, but very soon the project began to unravel. The director of the American sequences turned out not to be David Lean, as originally planned, but American Richard Fleischer. The budget was also cut, and the screen time allocated for the Japanese segment would now be no longer than 90 minutes—a major problem, considering that Kurosawa's script ran over four hours. After numerous revisions with the direct involvement of Darryl Zanuck, a more or less finalized cut screenplay was agreed upon in May 1968.
Shooting began in early December, but Kurosawa would last only a little over three weeks as director. He struggled to work with an unfamiliar crew and the requirements of a Hollywood production, while his working methods puzzled his American producers, who ultimately concluded that the director must be mentally ill. Kurosawa was examined at Kyoto University Hospital by a neuropsychologist, Dr. Murakami, whose diagnosis was forwarded to Darryl Zanuck and Richard Zanuck at Fox studios indicating a diagnosis of neurasthenia stating that, "He is suffering from disturbance of sleep, agitated with feelings of anxiety and in manic excitement caused by the above mentioned illness. It is necessary for him to have rest and medical treatment for more than two months." On Christmas Eve 1968, the Americans announced that Kurosawa had left the production due to "fatigue", effectively firing him. He was ultimately replaced, for the film's Japanese sequences, with two directors, Kinji Fukasaku and Toshio Masuda.
"Tora! Tora! Tora!", finally released to unenthusiastic reviews in September 1970, was, as Donald Richie put it, an "almost unmitigated tragedy" in Kurosawa's career. He had spent years of his life on a logistically nightmarish project to which he ultimately did not contribute a foot of film shot by himself. (He had his name removed from the credits, though the script used for the Japanese half was still his and his co-writers'.) He became estranged from his longtime collaborator, writer Ryuzo Kikushima, and never worked with him again. The project had inadvertently exposed corruption in his own production company (a situation reminiscent of his own movie, "The Bad Sleep Well"). His very sanity had been called into question. Worst of all, the Japanese film industry—and perhaps the man himself—began to suspect that he would never make another film.
A difficult decade (1969–1977).
Knowing that his reputation was at stake following the much publicised "Tora! Tora! Tora!" debacle, Kurosawa moved quickly to a new project to prove he was still viable. To his aid came friends and famed directors Keisuke Kinoshita, Masaki Kobayashi and Kon Ichikawa, who together with Kurosawa established in July 1969 a production company called the Club of the Four Knights (Yonki no kai). Although the plan was for the four directors to create a film each, it has been suggested that the real motivation for the other three directors was to make it easier for Kurosawa to successfully complete a film, and therefore find his way back into the business.
The first project proposed and worked on was a period film to be called "Dora-heita", but when this was deemed too expensive, attention shifted to "Dodesukaden", an adaptation of yet another Shūgorō Yamamoto work, again about the poor and destitute. The film was shot quickly (by Kurosawa's standards) in about nine weeks, with Kurosawa determined to show he was still capable of working quickly and efficiently within a limited budget. For his first work in color, the dynamic editing and complex compositions of his earlier pictures were set aside, with the artist focusing on the creation of a bold, almost surreal palette of primary colors, in order to reveal the toxic environment in which the characters live. It was released in Japan in October 1970, but though a minor critical success, it was greeted with audience indifference. The picture lost money and caused the Club of the Four Knights to dissolve. Initial reception abroad was somewhat more favorable, but "Dodesukaden" has since been typically considered an interesting experiment not comparable to the director's best work.
After struggling through the production of "Dodesukaden", Kurosawa turned to television work the following year for the only time in his career with "Song of the Horse", a documentary about thoroughbred race horses. It featured a voice-over narrated by a fictional man and a child (voiced by the same actors as the beggar and his son in "Dodesukaden"). It is the only documentary in Kurosawa's filmography; the small crew included his frequent collaborator Masaru Sato, who composed the music. "Song of the Horse" is also unique in Kurosawa's oeuvre in that it includes an editor's credit, suggesting that it is the only Kurosawa film that he did not cut himself.
Unable to secure funding for further work and allegedly having health problems, Kurosawa apparently reached the breaking point: on December 22, 1971, he slit his wrists and throat multiple times. The suicide attempt proved unsuccessful and the director's health recovered fairly quickly, with Kurosawa now taking refuge in domestic life, uncertain if he would ever direct another film.
In early 1973, the Soviet studio Mosfilm approached the film-maker to ask if he would be interested in working with them. Kurosawa proposed an adaptation of Russian explorer Vladimir Arsenyev's autobiographical work "Dersu Uzala". The book, about a Goldi hunter who lives in harmony with nature until destroyed by encroaching civilization, was one that he had wanted to make since the 1930s. In December 1973, the 63-year-old Kurosawa set off for the Soviet Union with four of his closest aides, beginning a year-and-a-half stay in the country. Shooting began in May 1974 in Siberia, with filming in exceedingly harsh natural conditions proving very difficult and demanding. The picture wrapped in April 1975, with a thoroughly exhausted and homesick Kurosawa returning to Japan and his family in June. "Dersu Uzala" had its world premiere in Japan on August 2, 1975, and did well at the box office. While critical reception in Japan was muted, the film was better reviewed abroad, winning the Golden Prize at the 9th Moscow International Film Festival, as well as an Academy Award for Best Foreign Language Film. Today, critics remain divided over the film: some see it as an example of Kurosawa's alleged artistic decline, while others count it among his finest works.
Although proposals for television projects were submitted to him, he had no interest in working outside the film world. Nevertheless, the hard-drinking director did agree to appear in a series of television ads for Suntory whiskey, which aired in 1976. While fearing that he might never be able to make another film, the director nevertheless continued working on various projects, writing scripts and creating detailed illustrations, intending to leave behind a visual record of his plans in case he would never be able to film his stories.
Two epics (1978–1986).
In 1977, American director George Lucas released "Star Wars", a wildly successful science fiction film influenced by Kurosawa's "The Hidden Fortress", among other works. Lucas, like many other New Hollywood directors, revered Kurosawa and considered him a role model, and was shocked to discover that the Japanese film-maker was unable to secure financing for any new work. The two met in San Francisco in July 1978 to discuss the project Kurosawa considered most financially viable: "Kagemusha", the epic story of a thief hired as the double of a medieval Japanese lord of a great clan. Lucas, enthralled by the screenplay and Kurosawa's illustrations, leveraged his influence over 20th Century Fox to coerce the studio that had fired Kurosawa just ten years earlier to produce "Kagemusha", then recruited fellow fan Francis Ford Coppola as co-producer.
Production began the following April, with Kurosawa in high spirits. Shooting lasted from June 1979 through March 1980 and was plagued with problems, not the least of which was the firing of the original lead actor, Shintaro Katsu—creator of the very popular Zatoichi character—due to an incident in which the actor insisted, against the director's wishes, on videotaping his own performance. (He was replaced by Tatsuya Nakadai, in his first of two consecutive leading roles in a Kurosawa movie.) The film was completed only a few weeks behind schedule and opened in Tokyo in April 1980. It quickly became a massive hit in Japan. The film was also a critical and box office success abroad, winning the coveted Palme d'Or at the 1980 Cannes Film Festival in May, though some critics, then and now, have faulted the film for its alleged coldness. Kurosawa spent much of the rest of the year in Europe and America promoting "Kagemusha", collecting awards and accolades, and exhibiting as art the drawings he had made to serve as storyboards for the film.
The international success of "Kagemusha" allowed Kurosawa to proceed with his next project, "Ran", another epic in a similar vein. The script, partly based on William Shakespeare's "King Lear", depicted a ruthless, bloodthirsty "daimyō" (warlord), played by Tatsuya Nakadai, who, after foolishly banishing his one loyal son, surrenders his kingdom to his other two sons, who then betray him, thus plunging the entire kingdom into war. As Japanese studios still felt wary about producing another film that would rank among the most expensive ever made in the country, international help was again needed. This time it came from French producer Serge Silberman, who had produced Luis Buñuel's final movies. Filming did not begin until December 1983 and lasted more than a year.
In January 1985, production of "Ran" was halted as Kurosawa's 64-year-old wife Yōko fell ill. She died on February 1. Kurosawa returned to finish his film and "Ran" premiered at the Tokyo Film Festival on May 31, with a wide release the next day. The film was a moderate financial success in Japan, but a larger one abroad and, as he had done with "Kagemusha", Kurosawa embarked on a trip to Europe and America, where he attended the film's premieres in September and October.
"Ran" won several awards in Japan, but was not quite as honored there as many of the director's best films of the 1950s and 1960s had been. The film world was surprised, however, when Japan passed over the selection of "Ran" in favor of another film as its official entry to compete for an Oscar nomination in the Best Foreign Film category, which was ultimately rejected for competition at the 58th Academy Awards. Both the producer and Kurosawa himself attributed the failure to even submit "Ran" for competition to a misunderstanding: because of the academy's arcane rules, no one was sure whether "Ran" qualified as a "Japanese" film, a "French" film (due to its financing), or both, so it was not submitted at all. In response to what at least appeared to be a blatant snub by his own countrymen, the director Sidney Lumet led a successful campaign to have Kurosawa receive an Oscar nomination for Best Director that year (Sydney Pollack ultimately won the award for directing "Out of Africa"). "Ran"s costume designer, Emi Wada, won the movie's only Oscar.
"Kagemusha" and "Ran", particularly the latter, are often considered to be among Kurosawa's finest works. After "Ran"s release, Kurosawa would point to it as his best film, a major change of attitude for the director who, when asked which of his works was his best, had always previously answered "my next one".
Final works and last years (1987–1998).
For his next movie, Kurosawa chose a subject very different from any that he had ever filmed before. While some of his previous pictures (for example, "Drunken Angel" and "Kagemusha") had included brief dream sequences, "Dreams" was to be entirely based upon the director's own dreams. Significantly, for the first time in over forty years, Kurosawa, for this deeply personal project, wrote the screenplay alone. Although its estimated budget was lower than the films immediately preceding it, Japanese studios were still unwilling to back one of his productions, so Kurosawa turned to another famous American fan, Steven Spielberg, who convinced Warner Bros. to buy the international rights to the completed film. This made it easier for Kurosawa's son, Hisao, as co-producer and soon-to-be head of Kurosawa Production, to negotiate a loan in Japan that would cover the film's production costs. Shooting took more than eight months to complete, and "Dreams" premiered at Cannes in May 1990 to a polite but muted reception, similar to the reaction the picture would generate elsewhere in the world. In 1990, he accepted the Academy Award for Lifetime Achievement. In his acceptance speech, he famously said "I'm a little worried because I don't feel that I understand cinema yet." At the time, Bob Thomas of "The Daily Spectrum" noted that Kurosawa was "considered by many critics as the greatest living filmmaker."
Kurosawa now turned to a more conventional story with "Rhapsody in August"—the director's first film fully produced in Japan since "Dodeskaden" over twenty years before—which explored the scars of the nuclear bombing which destroyed Nagasaki at the very end of World War II. It was adapted from a Kiyoko Murata novel, but the film's references to the Nagasaki bombing came from the director rather than from the book. This was his only movie to include a role for an American movie star: Richard Gere, who plays a small role as the nephew of the elderly heroine. Shooting took place in early 1991, with the film opening on May 25 that year to a largely negative critical reaction, especially in the United States, where the director was accused of promulgating naïvely anti-American sentiments, though Kurosawa rejected these accusations.
Kurosawa wasted no time moving onto his next project: "Madadayo", or "Not Yet". Based on autobiographical essays by Hyakken Uchida, the film follows the life of a Japanese professor of German through the Second World War and beyond. The narrative centers on yearly birthday celebrations with his former students, during which the protagonist declares his unwillingness to die just yet—a theme that was becoming increasingly relevant for the film's 81-year-old creator. Filming began in February 1992 and wrapped by the end of September. Its release on April 17, 1993, was greeted by an even more disappointed reaction than had been the case with his two preceding works.
Kurosawa nevertheless continued to work. He wrote the original screenplays "The Sea is Watching" in 1993 and "After the Rain" in 1995. While putting finishing touches on the latter work in 1995, Kurosawa slipped and broke the base of his spine. Following the accident, he would use a wheelchair for the rest of his life, putting an end to any hopes of him directing another film. His longtime wish—to die on the set while shooting a movie—was never to be fulfilled.
After his accident, Kurosawa's health began to deteriorate. While his mind remained sharp and lively, his body was giving up, and for the last half-year of his life, the director was largely confined to bed, listening to music and watching television at home. On September 6, 1998, Kurosawa died of a stroke in Setagaya, Tokyo, at the age of 88. At the time of his death, Kurosawa had two children, his son Hisao Kurosawa who married Hiroko Hayashi and his daughter Kazuko Kurosawa who married Harayuki Kato, along with several grandchildren. One of his grandchildren, the actor Takayuki Kato and , became a supporting actor in two films posthumously developed from screenplays written by Kurosawa which remained unproduced during his own lifetime, Takashi Koizumi's "After the Rain" (1999) and Kei Kumai's "The Sea is Watching" (2002).
Childhood to war years (1910–1945).
Childhood and youth (1910–1935).
Kurosawa was born on March 23, 1910, in Ōimachi in the Ōmori district of Tokyo. His father Isamu (1864–1948), a member of a samurai family from Akita Prefecture, worked as the director of the Army's Physical Education Institute's lower secondary school, while his mother Shima (1870–1952) came from a merchant's family living in Osaka. Akira was the eighth and youngest child of the moderately wealthy family, with two of his siblings already grown up at the time of his birth and one deceased, leaving Kurosawa to grow up with three sisters and a brother.
In addition to promoting physical exercise, Isamu Kurosawa was open to Western traditions and considered theatre and motion pictures to have educational merit. He encouraged his children to watch films; young Akira viewed his first movies at the age of six. An important formative influence was his elementary school teacher Mr. Tachikawa, whose progressive educational practices ignited in his young pupil first a love of drawing and then an interest in education in general. During this time, the boy also studied calligraphy and Kendo swordsmanship.
Another major childhood influence was Heigo Kurosawa (1906-1933), Akira's older brother by four years. In the aftermath of the Great Kantō earthquake of 1923, Heigo took the thirteen-year-old Akira to view the devastation. When the younger brother wanted to look away from the corpses of humans and animals scattered everywhere, Heigo forbade him to do so, encouraging Akira instead to face his fears by confronting them directly. Some commentators have suggested that this incident would influence Kurosawa's later artistic career, as the director was seldom hesitant to confront unpleasant truths in his work.
Heigo was academically gifted, but soon after failing to secure a place in Tokyo's foremost high school, he began to detach himself from the rest of the family, preferring to concentrate on his interest in foreign literature. In the late 1920s, Heigo became a benshi (silent film narrator) for Tokyo theaters showing foreign films and quickly made a name for himself. Akira, who at this point planned to become a painter, moved in with him, and the two brothers became inseparable. With Heigo's guidance, Akira devoured not only films but also theater and circus performances, while exhibiting his paintings and working for the left-wing Proletarian Artists' League. However, he was never able to make a living with his art, and, as he began to perceive most of the proletarian movement as "putting unfulfilled political ideals directly onto the canvas", he lost his enthusiasm for painting.
With the increasing production of talking pictures in the early 1930s, film narrators like Heigo began to lose work, and Akira moved back in with his parents. In July 1933, Heigo committed suicide. Kurosawa has commented on the lasting sense of loss he felt at his brother's death and the chapter of his autobiography ("Something Like an Autobiography") that describes it—written nearly half a century after the event—is titled, "A Story I Don't Want to Tell". Only four months later, Kurosawa's eldest brother also died, leaving Akira, at age 23, the only one of the Kurosawa brothers still living, together with his three surviving sisters.
Director in training (1935–1941).
In 1935, the new film studio Photo Chemical Laboratories, known as P.C.L. (which later became the major studio Toho), advertised for assistant directors. Although he had demonstrated no previous interest in film as a profession, Kurosawa submitted the required essay, which asked applicants to discuss the fundamental deficiencies of Japanese films and find ways to overcome them. His half-mocking view was that if the deficiencies were fundamental, there was no way to correct them. Kurosawa's essay earned him a call to take the follow-up exams, and director Kajirō Yamamoto, who was among the examiners, took a liking to Kurosawa and insisted that the studio hire him. The 25-year-old Kurosawa joined P.C.L. in February 1936.
During his five years as an assistant director, Kurosawa worked under numerous directors, but by far the most important figure in his development was Yamamoto. Of his 24 films as A.D., he worked on 17 under Yamamoto, many of them comedies featuring the popular actor Ken'ichi Enomoto, known as "Enoken". Yamamoto nurtured Kurosawa's talent, promoting him directly from third assistant director to chief assistant director after a year. Kurosawa's responsibilities increased, and he worked at tasks ranging from stage construction and film development to location scouting, script polishing, rehearsals, lighting, dubbing, editing, and second-unit directing. In the last of Kurosawa's films as an assistant director for Yamamoto, "Horse" (1941), Kurosawa took over most of the production, as his mentor was occupied with the shooting of another film.
Yamamoto advised Kurosawa that a good director needed to master screenwriting. Kurosawa soon realized that the potential earnings from his scripts were much higher than what he was paid as an assistant director. He later wrote or co-wrote all his films, and frequently penned screenplays for other directors such as Satsuo Yamamoto's film, "A Triumph of Wings" ("Tsubasa no gaika", 1942). This outside scriptwriting would serve Kurosawa as a lucrative sideline lasting well into the 1960s, long after he became famous.
Wartime films and marriage (1942–1945).
In the two years following the release of "Horse" in 1941, Kurosawa searched for a story he could use to launch his directing career. Towards the end of 1942, about a year after the Japanese attack on Pearl Harbor, novelist Tsuneo Tomita published his Musashi Miyamoto-inspired judo novel, "Sanshiro Sugata", the advertisements for which intrigued Kurosawa. He bought the book on its publication day, devoured it in one sitting, and immediately asked Toho to secure the film rights. Kurosawa's initial instinct proved correct as, within a few days, three other major Japanese studios also offered to buy the rights. Toho prevailed, and Kurosawa began pre-production on his debut work as director.
Shooting of "Sanshiro Sugata" began on location in Yokohama in December 1942. Production proceeded smoothly, but getting the completed film past the censors was an entirely different matter. The censorship office considered the work to be objectionably "British-American" by the standards of wartime Japan, and it was only through the intervention of director Yasujirō Ozu, who championed the film, that "Sanshiro Sugata" was finally accepted for release on March 25, 1943. (Kurosawa had just turned 33.) The movie became both a critical and commercial success. Nevertheless, the censorship office would later decide to cut out some 18 minutes of footage, much of which is now considered lost.
He next turned to the subject of wartime female factory workers in "The Most Beautiful", a propaganda film which he shot in a semi-documentary style in early 1944. To elicit realistic performances from his actresses, the director had them live in a real factory during the shoot, eat the factory food and call each other by their character names. He would use similar methods with his performers throughout his career.
During production, the actress playing the leader of the factory workers, Yōko Yaguchi, was chosen by her colleagues to present their demands to the director. She and Kurosawa were constantly at odds, and it was through these arguments that the two paradoxically became close. They married on May 21, 1945, with Yaguchi two months pregnant (she never resumed her acting career), and the couple would remain together until her death in 1985. They had two children, both surviving Kurosawa : a son, Hisao, born December 20, 1945, who served as producer on some of his father's last projects, and Kazuko, a daughter, born April 29, 1954, who became a costume designer.
Shortly before his marriage, Kurosawa was pressured by the studio against his will to direct a sequel to his debut film. The often blatantly propagandistic "Sanshiro Sugata Part II", which premiered in May 1945, is generally considered one of his weakest pictures.
Kurosawa decided to write the script for a film that would be both censor-friendly and less expensive to produce. "The Men Who Tread on the Tiger's Tail", based on the Kabuki play "Kanjinchō" and starring the comedian Enoken, with whom Kurosawa had often worked during his assistant director days, was completed in September 1945. By this time, Japan had surrendered and the occupation of Japan had begun. The new American censors interpreted the values allegedly promoted in the picture as overly "feudal" and banned the work. It was not released until 1952, the year another Kurosawa film, "Ikiru", was also released. Ironically, while in production, the film had already been savaged by Japanese wartime censors as too Western and "democratic" (they particularly disliked the comic porter played by Enoken), so the movie most probably would not have seen the light of day even if the war had continued beyond its completion.
Childhood and youth (1910–1935).
Kurosawa was born on March 23, 1910, in Ōimachi in the Ōmori district of Tokyo. His father Isamu (1864–1948), a member of a samurai family from Akita Prefecture, worked as the director of the Army's Physical Education Institute's lower secondary school, while his mother Shima (1870–1952) came from a merchant's family living in Osaka. Akira was the eighth and youngest child of the moderately wealthy family, with two of his siblings already grown up at the time of his birth and one deceased, leaving Kurosawa to grow up with three sisters and a brother.
In addition to promoting physical exercise, Isamu Kurosawa was open to Western traditions and considered theatre and motion pictures to have educational merit. He encouraged his children to watch films; young Akira viewed his first movies at the age of six. An important formative influence was his elementary school teacher Mr. Tachikawa, whose progressive educational practices ignited in his young pupil first a love of drawing and then an interest in education in general. During this time, the boy also studied calligraphy and Kendo swordsmanship.
Another major childhood influence was Heigo Kurosawa (1906-1933), Akira's older brother by four years. In the aftermath of the Great Kantō earthquake of 1923, Heigo took the thirteen-year-old Akira to view the devastation. When the younger brother wanted to look away from the corpses of humans and animals scattered everywhere, Heigo forbade him to do so, encouraging Akira instead to face his fears by confronting them directly. Some commentators have suggested that this incident would influence Kurosawa's later artistic career, as the director was seldom hesitant to confront unpleasant truths in his work.
Heigo was academically gifted, but soon after failing to secure a place in Tokyo's foremost high school, he began to detach himself from the rest of the family, preferring to concentrate on his interest in foreign literature. In the late 1920s, Heigo became a benshi (silent film narrator) for Tokyo theaters showing foreign films and quickly made a name for himself. Akira, who at this point planned to become a painter, moved in with him, and the two brothers became inseparable. With Heigo's guidance, Akira devoured not only films but also theater and circus performances, while exhibiting his paintings and working for the left-wing Proletarian Artists' League. However, he was never able to make a living with his art, and, as he began to perceive most of the proletarian movement as "putting unfulfilled political ideals directly onto the canvas", he lost his enthusiasm for painting.
With the increasing production of talking pictures in the early 1930s, film narrators like Heigo began to lose work, and Akira moved back in with his parents. In July 1933, Heigo committed suicide. Kurosawa has commented on the lasting sense of loss he felt at his brother's death and the chapter of his autobiography ("Something Like an Autobiography") that describes it—written nearly half a century after the event—is titled, "A Story I Don't Want to Tell". Only four months later, Kurosawa's eldest brother also died, leaving Akira, at age 23, the only one of the Kurosawa brothers still living, together with his three surviving sisters.
Director in training (1935–1941).
In 1935, the new film studio Photo Chemical Laboratories, known as P.C.L. (which later became the major studio Toho), advertised for assistant directors. Although he had demonstrated no previous interest in film as a profession, Kurosawa submitted the required essay, which asked applicants to discuss the fundamental deficiencies of Japanese films and find ways to overcome them. His half-mocking view was that if the deficiencies were fundamental, there was no way to correct them. Kurosawa's essay earned him a call to take the follow-up exams, and director Kajirō Yamamoto, who was among the examiners, took a liking to Kurosawa and insisted that the studio hire him. The 25-year-old Kurosawa joined P.C.L. in February 1936.
During his five years as an assistant director, Kurosawa worked under numerous directors, but by far the most important figure in his development was Yamamoto. Of his 24 films as A.D., he worked on 17 under Yamamoto, many of them comedies featuring the popular actor Ken'ichi Enomoto, known as "Enoken". Yamamoto nurtured Kurosawa's talent, promoting him directly from third assistant director to chief assistant director after a year. Kurosawa's responsibilities increased, and he worked at tasks ranging from stage construction and film development to location scouting, script polishing, rehearsals, lighting, dubbing, editing, and second-unit directing. In the last of Kurosawa's films as an assistant director for Yamamoto, "Horse" (1941), Kurosawa took over most of the production, as his mentor was occupied with the shooting of another film.
Yamamoto advised Kurosawa that a good director needed to master screenwriting. Kurosawa soon realized that the potential earnings from his scripts were much higher than what he was paid as an assistant director. He later wrote or co-wrote all his films, and frequently penned screenplays for other directors such as Satsuo Yamamoto's film, "A Triumph of Wings" ("Tsubasa no gaika", 1942). This outside scriptwriting would serve Kurosawa as a lucrative sideline lasting well into the 1960s, long after he became famous.
Wartime films and marriage (1942–1945).
In the two years following the release of "Horse" in 1941, Kurosawa searched for a story he could use to launch his directing career. Towards the end of 1942, about a year after the Japanese attack on Pearl Harbor, novelist Tsuneo Tomita published his Musashi Miyamoto-inspired judo novel, "Sanshiro Sugata", the advertisements for which intrigued Kurosawa. He bought the book on its publication day, devoured it in one sitting, and immediately asked Toho to secure the film rights. Kurosawa's initial instinct proved correct as, within a few days, three other major Japanese studios also offered to buy the rights. Toho prevailed, and Kurosawa began pre-production on his debut work as director.
Shooting of "Sanshiro Sugata" began on location in Yokohama in December 1942. Production proceeded smoothly, but getting the completed film past the censors was an entirely different matter. The censorship office considered the work to be objectionably "British-American" by the standards of wartime Japan, and it was only through the intervention of director Yasujirō Ozu, who championed the film, that "Sanshiro Sugata" was finally accepted for release on March 25, 1943. (Kurosawa had just turned 33.) The movie became both a critical and commercial success. Nevertheless, the censorship office would later decide to cut out some 18 minutes of footage, much of which is now considered lost.
He next turned to the subject of wartime female factory workers in "The Most Beautiful", a propaganda film which he shot in a semi-documentary style in early 1944. To elicit realistic performances from his actresses, the director had them live in a real factory during the shoot, eat the factory food and call each other by their character names. He would use similar methods with his performers throughout his career.
During production, the actress playing the leader of the factory workers, Yōko Yaguchi, was chosen by her colleagues to present their demands to the director. She and Kurosawa were constantly at odds, and it was through these arguments that the two paradoxically became close. They married on May 21, 1945, with Yaguchi two months pregnant (she never resumed her acting career), and the couple would remain together until her death in 1985. They had two children, both surviving Kurosawa : a son, Hisao, born December 20, 1945, who served as producer on some of his father's last projects, and Kazuko, a daughter, born April 29, 1954, who became a costume designer.
Shortly before his marriage, Kurosawa was pressured by the studio against his will to direct a sequel to his debut film. The often blatantly propagandistic "Sanshiro Sugata Part II", which premiered in May 1945, is generally considered one of his weakest pictures.
Kurosawa decided to write the script for a film that would be both censor-friendly and less expensive to produce. "The Men Who Tread on the Tiger's Tail", based on the Kabuki play "Kanjinchō" and starring the comedian Enoken, with whom Kurosawa had often worked during his assistant director days, was completed in September 1945. By this time, Japan had surrendered and the occupation of Japan had begun. The new American censors interpreted the values allegedly promoted in the picture as overly "feudal" and banned the work. It was not released until 1952, the year another Kurosawa film, "Ikiru", was also released. Ironically, while in production, the film had already been savaged by Japanese wartime censors as too Western and "democratic" (they particularly disliked the comic porter played by Enoken), so the movie most probably would not have seen the light of day even if the war had continued beyond its completion.
Early postwar years to "Red Beard" (1946–1965).
First postwar works (1946–1950).
After the war, Kurosawa, influenced by the democratic ideals of the Occupation, sought to make films that would establish a new respect towards the individual and the self. The first such film, "No Regrets for Our Youth" (1946), inspired by both the 1933 Takigawa incident and the Hotsumi Ozaki wartime spy case, criticized Japan's prewar regime for its political oppression. Atypically for the director, the heroic central character is a woman, Yukie (Setsuko Hara), who, born into upper-middle-class privilege, comes to question her values in a time of political crisis. The original script had to be extensively rewritten and, because of its controversial theme and gender of its protagonist, the completed work divided critics. Nevertheless, it managed to win the approval of audiences, who turned variations on the film's title into a postwar catchphrase.
His next film, "One Wonderful Sunday" premiered in July 1947 to mixed reviews. It is a relatively uncomplicated and sentimental love story dealing with an impoverished postwar couple trying to enjoy, within the devastation of postwar Tokyo, their one weekly day off. The movie bears the influence of Frank Capra, D. W. Griffith and F. W. Murnau, each of whom was among Kurosawa's favorite directors. Another film released in 1947 with Kurosawa's involvement was the action-adventure thriller, "Snow Trail", directed by Senkichi Taniguchi from Kurosawa's screenplay. It marked the debut of the intense young actor Toshiro Mifune. It was Kurosawa who, with his mentor Yamamoto, had intervened to persuade Toho to sign Mifune, during an audition in which the young man greatly impressed Kurosawa, but managed to alienate most of the other judges.
"Drunken Angel" is often considered the director's first major work. Although the script, like all of Kurosawa's occupation-era works, had to go through rewrites due to American censorship, Kurosawa felt that this was the first film in which he was able to express himself freely. A gritty story of a doctor who tries to save a gangster (yakuza) with tuberculosis, it was also the first time that Kurosawa directed Mifune, who went on to play major roles in all but one of the director's next 16 films (the exception being "Ikiru"). While Mifune was not cast as the protagonist in "Drunken Angel", his explosive performance as the gangster so dominates the drama that he shifted the focus from the title character, the alcoholic doctor played by Takashi Shimura, who had already appeared in several Kurosawa movies. However, Kurosawa did not want to smother the young actor's immense vitality, and Mifune's rebellious character electrified audiences in much the way that Marlon Brando's defiant stance would startle American film audiences a few years later. The film premiered in Tokyo in April 1948 to rave reviews and was chosen by the prestigious "Kinema Junpo" critics poll as the best film of its year, the first of three Kurosawa movies to be so honored.
Kurosawa, with producer Sōjirō Motoki and fellow directors and friends Kajiro Yamamoto, Mikio Naruse and Senkichi Taniguchi, formed a new independent production unit called Film Art Association (Eiga Geijutsu Kyōkai). For this organization's debut work, and first film for Daiei studios, Kurosawa turned to a contemporary play by Kazuo Kikuta and, together with Taniguchi, adapted it for the screen. "The Quiet Duel" starred Toshiro Mifune as an idealistic young doctor struggling with syphilis, a deliberate attempt by Kurosawa to break the actor away from being typecast as gangsters. Released in March 1949, it was a box office success, but is generally considered one of the director's lesser achievements.
His second film of 1949, also produced by Film Art Association and released by Shintoho, was "Stray Dog". It is a detective movie (perhaps the first important Japanese film in that genre) that explores the mood of Japan during its painful postwar recovery through the story of a young detective, played by Mifune, and his fixation on the recovery of his handgun, which was stolen by a penniless war veteran who proceeds to use it to rob and murder. Adapted from an unpublished novel by Kurosawa in the style of a favorite writer of his, Georges Simenon, it was the director's first collaboration with screenwriter Ryuzo Kikushima, who would later help to script eight other Kurosawa films. A famous, virtually wordless sequence, lasting over eight minutes, shows the detective, disguised as an impoverished veteran, wandering the streets in search of the gun thief; it employed actual documentary footage of war-ravaged Tokyo neighborhoods shot by Kurosawa's friend, Ishirō Honda, the future director of "Godzilla". The film is considered a precursor to the contemporary police procedural and buddy cop film genres.
"Scandal", released by Shochiku in April 1950, was inspired by the director's personal experiences with, and anger towards, Japanese yellow journalism. The work is an ambitious mixture of courtroom drama and social problem film about free speech and personal responsibility, but even Kurosawa regarded the finished product as dramatically unfocused and unsatisfactory, and almost all critics agree. However, it would be Kurosawa's second film of 1950, "Rashomon", that would ultimately win him, and Japanese cinema, a whole new international audience.
International recognition (1950–1958).
After finishing "Scandal", Kurosawa was approached by Daiei studios to make another film for them. Kurosawa picked a script by an aspiring young screenwriter, Shinobu Hashimoto, who would eventually work on nine of his films. Their first joint effort was based on Ryūnosuke Akutagawa's experimental short story "In a Grove", which recounts the murder of a samurai and the rape of his wife from various different and conflicting points-of-view. Kurosawa saw potential in the script, and with Hashimoto's help, polished and expanded it and then pitched it to Daiei, who were happy to accept the project due to its low budget.
The shooting of "Rashomon" began on July 7, 1950, and, after extensive location work in the primeval forest of Nara, wrapped on August 17. Just one week was spent in hurried post-production, hampered by a studio fire, and the finished film premiered at Tokyo's Imperial Theatre on August 25, expanding nationwide the following day. The movie was met by lukewarm reviews, with many critics puzzled by its unique theme and treatment, but it was nevertheless a moderate financial success for Daiei.
Kurosawa's next film, for Shochiku, was "The Idiot", an adaptation of the novel by the director's favorite writer, Fyodor Dostoevsky. The story is relocated from Russia to Hokkaido, but otherwise adheres closely to the original, a fact seen by many critics as detrimental to the work. A studio-mandated edit shortened it from Kurosawa's original cut of 265 minutes to just 166 minutes, making the resulting narrative exceedingly difficult to follow. The severely edited film version is widely considered to be one of the director's least successful works and the original full-length version no longer exists. Contemporary reviews of the much shortened edited version were very negative, but the film was a moderate success at the box office, largely because of the popularity of one of its stars, Setsuko Hara.
Meanwhile, unbeknownst to Kurosawa, "Rashomon" had been entered in the Venice Film Festival, due to the efforts of Giuliana Stramigioli, a Japan-based representative of an Italian film company, who had seen and admired the movie and convinced Daiei to submit it. On September 10, 1951, "Rashomon" was awarded the festival's highest prize, the Golden Lion, shocking not only Daiei but the international film world, which at the time was largely unaware of Japan's decades-old cinematic tradition.
After Daiei briefly exhibited a subtitled print of the film in Los Angeles, RKO purchased distribution rights to "Rashomon" in the United States. The company was taking a considerable gamble. It had put out only one prior subtitled film in the American market, and the only previous Japanese talkie commercially released in New York had been Mikio Naruse's comedy, "Wife! Be Like a Rose", in 1937: a critical and box-office flop. However, "Rashomon"s commercial run, greatly helped by strong reviews from critics and even the columnist Ed Sullivan, earned $35,000 in its first three weeks at a single New York theatre, an almost unheard-of sum at the time.
This success in turn led to a vogue in America and the West for Japanese movies throughout the 1950s, replacing the enthusiasm for Italian neorealist cinema. By the end of 1952 "Rashomon" was released in Japan, the United States, and most of Europe. Among the Japanese film-makers whose work, as a result, began to win festival prizes and commercial release in the West were Kenji Mizoguchi ("The Life of Oharu", "Ugetsu", "Sansho the Bailiff") and, somewhat later, Yasujirō Ozu ("Tokyo Story", "An Autumn Afternoon")—artists highly respected in Japan but, before this period, almost totally unknown in the West. Kurosawa's growing reputation among Western audiences in the 1950s would make Western audiences more sympathetic to the reception of later generations of Japanese film-makers ranging from Kon Ichikawa, Masaki Kobayashi, Nagisa Oshima and Shohei Imamura to Juzo Itami, Takeshi Kitano and Takashi Miike.
His career boosted by his sudden international fame, Kurosawa, now reunited with his original film studio, Toho (which would go on to produce his next 11 films), set to work on his next project, "Ikiru". The movie stars Takashi Shimura as a cancer-ridden Tokyo bureaucrat, Watanabe, on a final quest for meaning before his death. For the screenplay, Kurosawa brought in Hashimoto as well as writer Hideo Oguni, who would go on to co-write twelve Kurosawa films. Despite the work's grim subject matter, the screenwriters took a satirical approach, which some have compared to the work of Brecht, to both the bureaucratic world of its hero and the U.S. cultural colonization of Japan. (American pop songs figure prominently in the film.) Because of this strategy, the film-makers are usually credited with saving the picture from the kind of sentimentality common to dramas about characters with terminal illnesses. "Ikiru" opened in October 1952 to rave reviews—it won Kurosawa his second Kinema Junpo "Best Film" award—and enormous box office success. It remains the most acclaimed of all the artist's films set in the modern era.
In December 1952, Kurosawa took his "Ikiru" screenwriters, Shinobu Hashimoto and Hideo Oguni, for a forty-five-day secluded residence at an inn to create the screenplay for his next movie, "Seven Samurai". The ensemble work was Kurosawa's first proper samurai film, the genre for which he would become most famous. The simple story, about a poor farming village in Sengoku period Japan that hires a group of samurai to defend it against an impending attack by bandits, was given a full epic treatment, with a huge cast (largely consisting of veterans of previous Kurosawa productions) and meticulously detailed action, stretching out to almost three-and-a-half hours of screen time.
Three months were spent in pre-production and a month in rehearsals. Shooting took up 148 days spread over almost a year, interrupted by production and financing troubles and Kurosawa's health problems. The film finally opened in April 1954, half a year behind its original release date and about three times over budget, making it at the time the most expensive Japanese film ever made. (However, by Hollywood standards, it was a quite modestly budgeted production, even for that time.) The film received positive critical reaction and became a big hit, quickly making back the money invested in it and providing the studio with a product that they could, and did, market internationally—though with extensive edits. Over time—and with the theatrical and home video releases of the uncut version—its reputation has steadily grown. It is now regarded by some commentators as the greatest Japanese film ever made, and in 1999, a poll of Japanese film critics also voted it the best Japanese film ever made. In the most recent (2012) version of the widely respected British Film Institute (BFI) "Sight & Sound" "Greatest Films of All Time" poll, "Seven Samurai" placed 17th among all films from all countries in both the critics' and the directors' polls, receiving a place in the Top Ten lists of 48 critics and 22 directors.
In 1954, nuclear tests in the Pacific were causing radioactive rainstorms in Japan and one particular incident in March had exposed a Japanese fishing boat to nuclear fallout, with disastrous results. It is in this anxious atmosphere that Kurosawa's next film, "Record of a Living Being", was conceived. The story concerned an elderly factory owner (Toshiro Mifune) so terrified of the prospect of a nuclear attack that he becomes determined to move his entire extended family (both legal and extra-marital) to what he imagines is the safety of a farm in Brazil. Production went much more smoothly than the director's previous film, but a few days before shooting ended, Kurosawa's composer, collaborator and close friend Fumio Hayasaka died (of tuberculosis) at the age of 41. The film's score was finished by Hayasaka's student, Masaru Sato, who would go on to score all of Kurosawa's next eight films. "Record of a Living Being" opened in November 1955 to mixed reviews and muted audience reaction, becoming the first Kurosawa film to lose money during its original theatrical run. Today, it is considered by many to be among the finest films dealing with the psychological effects of the global nuclear stalemate.
Kurosawa's next project, "Throne of Blood", an adaptation of William Shakespeare's "Macbeth"—set, like "Seven Samurai", in the Sengoku Era—represented an ambitious transposition of the English work into a Japanese context. Kurosawa instructed his leading actress, Isuzu Yamada, to regard the work as if it were a cinematic version of a "Japanese" rather than a European literary classic. Given Kurosawa's appreciation of traditional Japanese stage acting, the acting of the players, particularly Yamada, draws heavily on the stylized techniques of the Noh theater. It was filmed in 1956 and released in January 1957 to a slightly less negative domestic response than had been the case with the director's previous film. Abroad, "Throne of Blood", regardless of the liberties it takes with its source material, quickly earned a place among the most celebrated Shakespeare adaptations.
Another adaptation of a classic European theatrical work followed almost immediately, with production of "The Lower Depths", based on a play by Maxim Gorky, taking place in May and June 1957. In contrast to the Shakespearean sweep of "Throne of Blood", "The Lower Depths" was shot on only two confined sets, in order to emphasize the restricted nature of the characters' lives. Though faithful to the play, this adaptation of Russian material to a completely Japanese setting—in this case, the late Edo period—unlike his earlier "The Idiot", was regarded as artistically successful. The film premiered in September 1957, receiving a mixed response similar to that of "Throne of Blood". However, some critics rank it among the director's most underrated works.
Kurosawa's three next movies after "Seven Samurai" had not managed to capture Japanese audiences in the way that that film had. The mood of the director's work had been growing increasingly pessimistic and dark even as Japan entered a boom period of high-speed growth and rising standards of living. Out of step with the prevailing mood of the era, Kurosawa's films questioned the possibility of redemption through personal responsibility, particularly in "Throne of Blood" and "The Lower Depths". He recognized this, and deliberately aimed for a more light-hearted and entertaining film for his next production, while switching to the new widescreen format that had been gaining popularity in Japan. The resulting film, "The Hidden Fortress", is an action-adventure comedy drama about a medieval princess, her loyal general and two peasants who all need to travel through enemy lines in order to reach their home region. Released in December 1958, "The Hidden Fortress" became an enormous box office success in Japan and was warmly received by critics both in Japan and abroad. Today, the film is considered one of Kurosawa's most lightweight efforts, though it remains popular, not least because it is one of several major influences on George Lucas's 1977 space opera, "Star Wars".
Birth of a company and "Red Beard" (1959–1965).
Starting with "Rashomon", Kurosawa's productions had become increasingly large in scope and so had the director's budgets. Toho, concerned about this development, suggested that he might help finance his own works, therefore making the studio's potential losses smaller, while in turn allowing himself more artistic freedom as co-producer. Kurosawa agreed, and the Kurosawa Production Company was established in April 1959, with Toho as the majority shareholder.
Despite risking his own money, Kurosawa chose a story that was more directly critical of the Japanese business and political elites than any previous work. "The Bad Sleep Well", based on a script by Kurosawa's nephew Mike Inoue, is a revenge drama about a young man who is able to infiltrate the hierarchy of a corrupt Japanese company with the intention of exposing the men responsible for his father's death. Its theme proved topical: while the film was in production, the massive Anpo protests were held against the new U.S.–Japan Security treaty, which was seen by many Japanese, particularly the young, as threatening the country's democracy by giving too much power to corporations and politicians. The film opened in September 1960 to positive critical reaction and modest box office success. The 25-minute opening sequence depicting a corporate wedding reception is widely regarded as one of Kurosawa's most skillfully executed set pieces, but the remainder of the film is often perceived as disappointing by comparison. The movie has also been criticized for employing the conventional Kurosawan hero to combat a social evil that cannot be resolved through the actions of individuals, however courageous or cunning.
"Yojimbo" ("The Bodyguard"), Kurosawa Production's second film, centers on a masterless samurai, Sanjuro, who strolls into a 19th-century town ruled by two opposing violent factions and provokes them into destroying each other. The director used this work to play with many genre conventions, particularly the Western, while at the same time offering an unprecedentedly (for the Japanese screen) graphic portrayal of violence. Some commentators have seen the Sanjuro character in this film as a fantasy figure who magically reverses the historical triumph of the corrupt merchant class over the samurai class. Featuring Tatsuya Nakadai in his first major role in a Kurosawa movie, and with innovative photography by Kazuo Miyagawa (who shot "Rashomon") and Takao Saito, the film premiered in April 1961 and was a critically and commercially successful venture, earning more than any previous Kurosawa film. The movie and its blackly comic tone were also widely imitated abroad. Sergio Leone's "A Fistful of Dollars" was a virtual (unauthorized) scene-by-scene remake with Toho filing a lawsuit on Kurosawa's behalf and prevailing.
Following the success of "Yojimbo", Kurosawa found himself under pressure from Toho to create a sequel. Kurosawa turned to a script he had written before "Yojimbo", reworking it to include the hero of his previous film. "Sanjuro" was the first of three Kurosawa films to be adapted from the work of the writer Shūgorō Yamamoto (the others would be "Red Beard" and "Dodeskaden"). It is lighter in tone and closer to a conventional period film than "Yojimbo", though its story of a power struggle within a samurai clan is portrayed with strongly comic undertones. The film opened on January 1, 1962, quickly surpassing "Yojimbo"s box office success and garnering positive reviews.
Kurosawa had meanwhile instructed Toho to purchase the film rights to "King's Ransom", a novel about a kidnapping written by American author and screenwriter Evan Hunter, under his pseudonym of Ed McBain, as one of his 87th Precinct series of crime books. The director intended to create a work condemning kidnapping, which he considered one of the very worst crimes. The suspense film, titled "High and Low", was shot during the latter half of 1962 and released in March 1963. It broke Kurosawa's box office record (the third film in a row to do so), became the highest grossing Japanese film of the year, and won glowing reviews. However, his triumph was somewhat tarnished when, ironically, the film was blamed for a wave of kidnappings which occurred in Japan about this time (he himself received kidnapping threats directed at his young daughter, Kazuko). "High and Low" is considered by many commentators to be among the director's strongest works.
Kurosawa quickly moved on to his next project, "Red Beard". Based on a short story collection by Shūgorō Yamamoto and incorporating elements from Dostoevsky's novel "The Insulted and Injured", it is a period film, set in a mid-nineteenth century clinic for the poor, in which Kurosawa's humanist themes receive perhaps their fullest statement. A conceited and materialistic, foreign-trained young doctor, Yasumoto, is forced to become an intern at the clinic under the stern tutelage of Doctor Niide, known as "Akahige" ("Red Beard"), played by Mifune. Although he resists Red Beard initially, Yasumoto comes to admire his wisdom and courage, and to perceive the patients at the clinic, whom he at first despised, as worthy of compassion and dignity.
Yūzō Kayama, who plays Yasumoto, was an extremely popular film and music star at the time, particularly for his "Young Guy" ("Wakadaishō") series of musical comedies, so signing him to appear in the film virtually guaranteed Kurosawa strong box-office. The shoot, the film-maker's longest ever, lasted well over a year (after five months of pre-production), and wrapped in spring 1965, leaving the director, his crew and his actors exhausted. "Red Beard" premiered in April 1965, becoming the year's highest-grossing Japanese production and the third (and last) Kurosawa film to top the prestigious Kinema Jumpo yearly critics poll. It remains one of Kurosawa's best-known and most-loved works in his native country. Outside Japan, critics have been much more divided. Most commentators concede its technical merits and some praise it as among Kurosawa's best, while others insist that it lacks complexity and genuine narrative power, with still others claiming that it represents a retreat from the artist's previous commitment to social and political change.
The film marked something of an end of an era for its creator. The director himself recognized this at the time of its release, telling critic Donald Richie that a cycle of some kind had just come to an end and that his future films and production methods would be different. His prediction proved quite accurate. Beginning in the late 1950s, television began increasingly to dominate the leisure time of the formerly large and loyal Japanese cinema audience. And as film company revenues dropped, so did their appetite for risk—particularly the risk represented by Kurosawa's costly production methods.
"Red Beard" also marked the midway point, chronologically, in the artist's career. During his previous twenty-nine years in the film industry (which includes his five years as assistant director), he had directed twenty-three films, while during the remaining twenty-eight years, for many and complex reasons, he would complete only seven more. Also, for reasons never adequately explained, "Red Beard" would be his final film starring Toshiro Mifune. Yu Fujiki, an actor who worked on "The Lower Depths", observed, regarding the closeness of the two men on the set, "Mr. Kurosawa's heart was in Mr. Mifune's body." Donald Richie has described the rapport between them as a unique "symbiosis".
First postwar works (1946–1950).
After the war, Kurosawa, influenced by the democratic ideals of the Occupation, sought to make films that would establish a new respect towards the individual and the self. The first such film, "No Regrets for Our Youth" (1946), inspired by both the 1933 Takigawa incident and the Hotsumi Ozaki wartime spy case, criticized Japan's prewar regime for its political oppression. Atypically for the director, the heroic central character is a woman, Yukie (Setsuko Hara), who, born into upper-middle-class privilege, comes to question her values in a time of political crisis. The original script had to be extensively rewritten and, because of its controversial theme and gender of its protagonist, the completed work divided critics. Nevertheless, it managed to win the approval of audiences, who turned variations on the film's title into a postwar catchphrase.
His next film, "One Wonderful Sunday" premiered in July 1947 to mixed reviews. It is a relatively uncomplicated and sentimental love story dealing with an impoverished postwar couple trying to enjoy, within the devastation of postwar Tokyo, their one weekly day off. The movie bears the influence of Frank Capra, D. W. Griffith and F. W. Murnau, each of whom was among Kurosawa's favorite directors. Another film released in 1947 with Kurosawa's involvement was the action-adventure thriller, "Snow Trail", directed by Senkichi Taniguchi from Kurosawa's screenplay. It marked the debut of the intense young actor Toshiro Mifune. It was Kurosawa who, with his mentor Yamamoto, had intervened to persuade Toho to sign Mifune, during an audition in which the young man greatly impressed Kurosawa, but managed to alienate most of the other judges.
"Drunken Angel" is often considered the director's first major work. Although the script, like all of Kurosawa's occupation-era works, had to go through rewrites due to American censorship, Kurosawa felt that this was the first film in which he was able to express himself freely. A gritty story of a doctor who tries to save a gangster (yakuza) with tuberculosis, it was also the first time that Kurosawa directed Mifune, who went on to play major roles in all but one of the director's next 16 films (the exception being "Ikiru"). While Mifune was not cast as the protagonist in "Drunken Angel", his explosive performance as the gangster so dominates the drama that he shifted the focus from the title character, the alcoholic doctor played by Takashi Shimura, who had already appeared in several Kurosawa movies. However, Kurosawa did not want to smother the young actor's immense vitality, and Mifune's rebellious character electrified audiences in much the way that Marlon Brando's defiant stance would startle American film audiences a few years later. The film premiered in Tokyo in April 1948 to rave reviews and was chosen by the prestigious "Kinema Junpo" critics poll as the best film of its year, the first of three Kurosawa movies to be so honored.
Kurosawa, with producer Sōjirō Motoki and fellow directors and friends Kajiro Yamamoto, Mikio Naruse and Senkichi Taniguchi, formed a new independent production unit called Film Art Association (Eiga Geijutsu Kyōkai). For this organization's debut work, and first film for Daiei studios, Kurosawa turned to a contemporary play by Kazuo Kikuta and, together with Taniguchi, adapted it for the screen. "The Quiet Duel" starred Toshiro Mifune as an idealistic young doctor struggling with syphilis, a deliberate attempt by Kurosawa to break the actor away from being typecast as gangsters. Released in March 1949, it was a box office success, but is generally considered one of the director's lesser achievements.
His second film of 1949, also produced by Film Art Association and released by Shintoho, was "Stray Dog". It is a detective movie (perhaps the first important Japanese film in that genre) that explores the mood of Japan during its painful postwar recovery through the story of a young detective, played by Mifune, and his fixation on the recovery of his handgun, which was stolen by a penniless war veteran who proceeds to use it to rob and murder. Adapted from an unpublished novel by Kurosawa in the style of a favorite writer of his, Georges Simenon, it was the director's first collaboration with screenwriter Ryuzo Kikushima, who would later help to script eight other Kurosawa films. A famous, virtually wordless sequence, lasting over eight minutes, shows the detective, disguised as an impoverished veteran, wandering the streets in search of the gun thief; it employed actual documentary footage of war-ravaged Tokyo neighborhoods shot by Kurosawa's friend, Ishirō Honda, the future director of "Godzilla". The film is considered a precursor to the contemporary police procedural and buddy cop film genres.
"Scandal", released by Shochiku in April 1950, was inspired by the director's personal experiences with, and anger towards, Japanese yellow journalism. The work is an ambitious mixture of courtroom drama and social problem film about free speech and personal responsibility, but even Kurosawa regarded the finished product as dramatically unfocused and unsatisfactory, and almost all critics agree. However, it would be Kurosawa's second film of 1950, "Rashomon", that would ultimately win him, and Japanese cinema, a whole new international audience.
International recognition (1950–1958).
After finishing "Scandal", Kurosawa was approached by Daiei studios to make another film for them. Kurosawa picked a script by an aspiring young screenwriter, Shinobu Hashimoto, who would eventually work on nine of his films. Their first joint effort was based on Ryūnosuke Akutagawa's experimental short story "In a Grove", which recounts the murder of a samurai and the rape of his wife from various different and conflicting points-of-view. Kurosawa saw potential in the script, and with Hashimoto's help, polished and expanded it and then pitched it to Daiei, who were happy to accept the project due to its low budget.
The shooting of "Rashomon" began on July 7, 1950, and, after extensive location work in the primeval forest of Nara, wrapped on August 17. Just one week was spent in hurried post-production, hampered by a studio fire, and the finished film premiered at Tokyo's Imperial Theatre on August 25, expanding nationwide the following day. The movie was met by lukewarm reviews, with many critics puzzled by its unique theme and treatment, but it was nevertheless a moderate financial success for Daiei.
Kurosawa's next film, for Shochiku, was "The Idiot", an adaptation of the novel by the director's favorite writer, Fyodor Dostoevsky. The story is relocated from Russia to Hokkaido, but otherwise adheres closely to the original, a fact seen by many critics as detrimental to the work. A studio-mandated edit shortened it from Kurosawa's original cut of 265 minutes to just 166 minutes, making the resulting narrative exceedingly difficult to follow. The severely edited film version is widely considered to be one of the director's least successful works and the original full-length version no longer exists. Contemporary reviews of the much shortened edited version were very negative, but the film was a moderate success at the box office, largely because of the popularity of one of its stars, Setsuko Hara.
Meanwhile, unbeknownst to Kurosawa, "Rashomon" had been entered in the Venice Film Festival, due to the efforts of Giuliana Stramigioli, a Japan-based representative of an Italian film company, who had seen and admired the movie and convinced Daiei to submit it. On September 10, 1951, "Rashomon" was awarded the festival's highest prize, the Golden Lion, shocking not only Daiei but the international film world, which at the time was largely unaware of Japan's decades-old cinematic tradition.
After Daiei briefly exhibited a subtitled print of the film in Los Angeles, RKO purchased distribution rights to "Rashomon" in the United States. The company was taking a considerable gamble. It had put out only one prior subtitled film in the American market, and the only previous Japanese talkie commercially released in New York had been Mikio Naruse's comedy, "Wife! Be Like a Rose", in 1937: a critical and box-office flop. However, "Rashomon"s commercial run, greatly helped by strong reviews from critics and even the columnist Ed Sullivan, earned $35,000 in its first three weeks at a single New York theatre, an almost unheard-of sum at the time.
This success in turn led to a vogue in America and the West for Japanese movies throughout the 1950s, replacing the enthusiasm for Italian neorealist cinema. By the end of 1952 "Rashomon" was released in Japan, the United States, and most of Europe. Among the Japanese film-makers whose work, as a result, began to win festival prizes and commercial release in the West were Kenji Mizoguchi ("The Life of Oharu", "Ugetsu", "Sansho the Bailiff") and, somewhat later, Yasujirō Ozu ("Tokyo Story", "An Autumn Afternoon")—artists highly respected in Japan but, before this period, almost totally unknown in the West. Kurosawa's growing reputation among Western audiences in the 1950s would make Western audiences more sympathetic to the reception of later generations of Japanese film-makers ranging from Kon Ichikawa, Masaki Kobayashi, Nagisa Oshima and Shohei Imamura to Juzo Itami, Takeshi Kitano and Takashi Miike.
His career boosted by his sudden international fame, Kurosawa, now reunited with his original film studio, Toho (which would go on to produce his next 11 films), set to work on his next project, "Ikiru". The movie stars Takashi Shimura as a cancer-ridden Tokyo bureaucrat, Watanabe, on a final quest for meaning before his death. For the screenplay, Kurosawa brought in Hashimoto as well as writer Hideo Oguni, who would go on to co-write twelve Kurosawa films. Despite the work's grim subject matter, the screenwriters took a satirical approach, which some have compared to the work of Brecht, to both the bureaucratic world of its hero and the U.S. cultural colonization of Japan. (American pop songs figure prominently in the film.) Because of this strategy, the film-makers are usually credited with saving the picture from the kind of sentimentality common to dramas about characters with terminal illnesses. "Ikiru" opened in October 1952 to rave reviews—it won Kurosawa his second Kinema Junpo "Best Film" award—and enormous box office success. It remains the most acclaimed of all the artist's films set in the modern era.
In December 1952, Kurosawa took his "Ikiru" screenwriters, Shinobu Hashimoto and Hideo Oguni, for a forty-five-day secluded residence at an inn to create the screenplay for his next movie, "Seven Samurai". The ensemble work was Kurosawa's first proper samurai film, the genre for which he would become most famous. The simple story, about a poor farming village in Sengoku period Japan that hires a group of samurai to defend it against an impending attack by bandits, was given a full epic treatment, with a huge cast (largely consisting of veterans of previous Kurosawa productions) and meticulously detailed action, stretching out to almost three-and-a-half hours of screen time.
Three months were spent in pre-production and a month in rehearsals. Shooting took up 148 days spread over almost a year, interrupted by production and financing troubles and Kurosawa's health problems. The film finally opened in April 1954, half a year behind its original release date and about three times over budget, making it at the time the most expensive Japanese film ever made. (However, by Hollywood standards, it was a quite modestly budgeted production, even for that time.) The film received positive critical reaction and became a big hit, quickly making back the money invested in it and providing the studio with a product that they could, and did, market internationally—though with extensive edits. Over time—and with the theatrical and home video releases of the uncut version—its reputation has steadily grown. It is now regarded by some commentators as the greatest Japanese film ever made, and in 1999, a poll of Japanese film critics also voted it the best Japanese film ever made. In the most recent (2012) version of the widely respected British Film Institute (BFI) "Sight & Sound" "Greatest Films of All Time" poll, "Seven Samurai" placed 17th among all films from all countries in both the critics' and the directors' polls, receiving a place in the Top Ten lists of 48 critics and 22 directors.
In 1954, nuclear tests in the Pacific were causing radioactive rainstorms in Japan and one particular incident in March had exposed a Japanese fishing boat to nuclear fallout, with disastrous results. It is in this anxious atmosphere that Kurosawa's next film, "Record of a Living Being", was conceived. The story concerned an elderly factory owner (Toshiro Mifune) so terrified of the prospect of a nuclear attack that he becomes determined to move his entire extended family (both legal and extra-marital) to what he imagines is the safety of a farm in Brazil. Production went much more smoothly than the director's previous film, but a few days before shooting ended, Kurosawa's composer, collaborator and close friend Fumio Hayasaka died (of tuberculosis) at the age of 41. The film's score was finished by Hayasaka's student, Masaru Sato, who would go on to score all of Kurosawa's next eight films. "Record of a Living Being" opened in November 1955 to mixed reviews and muted audience reaction, becoming the first Kurosawa film to lose money during its original theatrical run. Today, it is considered by many to be among the finest films dealing with the psychological effects of the global nuclear stalemate.
Kurosawa's next project, "Throne of Blood", an adaptation of William Shakespeare's "Macbeth"—set, like "Seven Samurai", in the Sengoku Era—represented an ambitious transposition of the English work into a Japanese context. Kurosawa instructed his leading actress, Isuzu Yamada, to regard the work as if it were a cinematic version of a "Japanese" rather than a European literary classic. Given Kurosawa's appreciation of traditional Japanese stage acting, the acting of the players, particularly Yamada, draws heavily on the stylized techniques of the Noh theater. It was filmed in 1956 and released in January 1957 to a slightly less negative domestic response than had been the case with the director's previous film. Abroad, "Throne of Blood", regardless of the liberties it takes with its source material, quickly earned a place among the most celebrated Shakespeare adaptations.
Another adaptation of a classic European theatrical work followed almost immediately, with production of "The Lower Depths", based on a play by Maxim Gorky, taking place in May and June 1957. In contrast to the Shakespearean sweep of "Throne of Blood", "The Lower Depths" was shot on only two confined sets, in order to emphasize the restricted nature of the characters' lives. Though faithful to the play, this adaptation of Russian material to a completely Japanese setting—in this case, the late Edo period—unlike his earlier "The Idiot", was regarded as artistically successful. The film premiered in September 1957, receiving a mixed response similar to that of "Throne of Blood". However, some critics rank it among the director's most underrated works.
Kurosawa's three next movies after "Seven Samurai" had not managed to capture Japanese audiences in the way that that film had. The mood of the director's work had been growing increasingly pessimistic and dark even as Japan entered a boom period of high-speed growth and rising standards of living. Out of step with the prevailing mood of the era, Kurosawa's films questioned the possibility of redemption through personal responsibility, particularly in "Throne of Blood" and "The Lower Depths". He recognized this, and deliberately aimed for a more light-hearted and entertaining film for his next production, while switching to the new widescreen format that had been gaining popularity in Japan. The resulting film, "The Hidden Fortress", is an action-adventure comedy drama about a medieval princess, her loyal general and two peasants who all need to travel through enemy lines in order to reach their home region. Released in December 1958, "The Hidden Fortress" became an enormous box office success in Japan and was warmly received by critics both in Japan and abroad. Today, the film is considered one of Kurosawa's most lightweight efforts, though it remains popular, not least because it is one of several major influences on George Lucas's 1977 space opera, "Star Wars".
Birth of a company and "Red Beard" (1959–1965).
Starting with "Rashomon", Kurosawa's productions had become increasingly large in scope and so had the director's budgets. Toho, concerned about this development, suggested that he might help finance his own works, therefore making the studio's potential losses smaller, while in turn allowing himself more artistic freedom as co-producer. Kurosawa agreed, and the Kurosawa Production Company was established in April 1959, with Toho as the majority shareholder.
Despite risking his own money, Kurosawa chose a story that was more directly critical of the Japanese business and political elites than any previous work. "The Bad Sleep Well", based on a script by Kurosawa's nephew Mike Inoue, is a revenge drama about a young man who is able to infiltrate the hierarchy of a corrupt Japanese company with the intention of exposing the men responsible for his father's death. Its theme proved topical: while the film was in production, the massive Anpo protests were held against the new U.S.–Japan Security treaty, which was seen by many Japanese, particularly the young, as threatening the country's democracy by giving too much power to corporations and politicians. The film opened in September 1960 to positive critical reaction and modest box office success. The 25-minute opening sequence depicting a corporate wedding reception is widely regarded as one of Kurosawa's most skillfully executed set pieces, but the remainder of the film is often perceived as disappointing by comparison. The movie has also been criticized for employing the conventional Kurosawan hero to combat a social evil that cannot be resolved through the actions of individuals, however courageous or cunning.
"Yojimbo" ("The Bodyguard"), Kurosawa Production's second film, centers on a masterless samurai, Sanjuro, who strolls into a 19th-century town ruled by two opposing violent factions and provokes them into destroying each other. The director used this work to play with many genre conventions, particularly the Western, while at the same time offering an unprecedentedly (for the Japanese screen) graphic portrayal of violence. Some commentators have seen the Sanjuro character in this film as a fantasy figure who magically reverses the historical triumph of the corrupt merchant class over the samurai class. Featuring Tatsuya Nakadai in his first major role in a Kurosawa movie, and with innovative photography by Kazuo Miyagawa (who shot "Rashomon") and Takao Saito, the film premiered in April 1961 and was a critically and commercially successful venture, earning more than any previous Kurosawa film. The movie and its blackly comic tone were also widely imitated abroad. Sergio Leone's "A Fistful of Dollars" was a virtual (unauthorized) scene-by-scene remake with Toho filing a lawsuit on Kurosawa's behalf and prevailing.
Following the success of "Yojimbo", Kurosawa found himself under pressure from Toho to create a sequel. Kurosawa turned to a script he had written before "Yojimbo", reworking it to include the hero of his previous film. "Sanjuro" was the first of three Kurosawa films to be adapted from the work of the writer Shūgorō Yamamoto (the others would be "Red Beard" and "Dodeskaden"). It is lighter in tone and closer to a conventional period film than "Yojimbo", though its story of a power struggle within a samurai clan is portrayed with strongly comic undertones. The film opened on January 1, 1962, quickly surpassing "Yojimbo"s box office success and garnering positive reviews.
Kurosawa had meanwhile instructed Toho to purchase the film rights to "King's Ransom", a novel about a kidnapping written by American author and screenwriter Evan Hunter, under his pseudonym of Ed McBain, as one of his 87th Precinct series of crime books. The director intended to create a work condemning kidnapping, which he considered one of the very worst crimes. The suspense film, titled "High and Low", was shot during the latter half of 1962 and released in March 1963. It broke Kurosawa's box office record (the third film in a row to do so), became the highest grossing Japanese film of the year, and won glowing reviews. However, his triumph was somewhat tarnished when, ironically, the film was blamed for a wave of kidnappings which occurred in Japan about this time (he himself received kidnapping threats directed at his young daughter, Kazuko). "High and Low" is considered by many commentators to be among the director's strongest works.
Kurosawa quickly moved on to his next project, "Red Beard". Based on a short story collection by Shūgorō Yamamoto and incorporating elements from Dostoevsky's novel "The Insulted and Injured", it is a period film, set in a mid-nineteenth century clinic for the poor, in which Kurosawa's humanist themes receive perhaps their fullest statement. A conceited and materialistic, foreign-trained young doctor, Yasumoto, is forced to become an intern at the clinic under the stern tutelage of Doctor Niide, known as "Akahige" ("Red Beard"), played by Mifune. Although he resists Red Beard initially, Yasumoto comes to admire his wisdom and courage, and to perceive the patients at the clinic, whom he at first despised, as worthy of compassion and dignity.
Yūzō Kayama, who plays Yasumoto, was an extremely popular film and music star at the time, particularly for his "Young Guy" ("Wakadaishō") series of musical comedies, so signing him to appear in the film virtually guaranteed Kurosawa strong box-office. The shoot, the film-maker's longest ever, lasted well over a year (after five months of pre-production), and wrapped in spring 1965, leaving the director, his crew and his actors exhausted. "Red Beard" premiered in April 1965, becoming the year's highest-grossing Japanese production and the third (and last) Kurosawa film to top the prestigious Kinema Jumpo yearly critics poll. It remains one of Kurosawa's best-known and most-loved works in his native country. Outside Japan, critics have been much more divided. Most commentators concede its technical merits and some praise it as among Kurosawa's best, while others insist that it lacks complexity and genuine narrative power, with still others claiming that it represents a retreat from the artist's previous commitment to social and political change.
The film marked something of an end of an era for its creator. The director himself recognized this at the time of its release, telling critic Donald Richie that a cycle of some kind had just come to an end and that his future films and production methods would be different. His prediction proved quite accurate. Beginning in the late 1950s, television began increasingly to dominate the leisure time of the formerly large and loyal Japanese cinema audience. And as film company revenues dropped, so did their appetite for risk—particularly the risk represented by Kurosawa's costly production methods.
"Red Beard" also marked the midway point, chronologically, in the artist's career. During his previous twenty-nine years in the film industry (which includes his five years as assistant director), he had directed twenty-three films, while during the remaining twenty-eight years, for many and complex reasons, he would complete only seven more. Also, for reasons never adequately explained, "Red Beard" would be his final film starring Toshiro Mifune. Yu Fujiki, an actor who worked on "The Lower Depths", observed, regarding the closeness of the two men on the set, "Mr. Kurosawa's heart was in Mr. Mifune's body." Donald Richie has described the rapport between them as a unique "symbiosis".
Hollywood ambitions to last films (1966–1998).
Hollywood detour (1966–1968).
When Kurosawa's exclusive contract with Toho came to an end in 1966, the 56-year-old director was seriously contemplating change. Observing the troubled state of the domestic film industry, and having already received dozens of offers from abroad, the idea of working outside Japan appealed to him as never before.
For his first foreign project, Kurosawa chose a story based on a "Life" magazine article. The Embassy Pictures action thriller, to be filmed in English and called simply "Runaway Train", would have been his first in color. But the language barrier proved a major problem, and the English version of the screenplay was not even finished by the time filming was to begin in autumn 1966. The shoot, which required snow, was moved to autumn 1967, then canceled in 1968. Almost two decades later, another foreign director working in Hollywood, Andrei Konchalovsky, finally made "Runaway Train" (1985), though from a new script loosely based on Kurosawa's.
The director meanwhile had become involved in a much more ambitious Hollywood project. "Tora! Tora! Tora!", produced by 20th Century Fox and Kurosawa Production, would be a portrayal of the Japanese attack on Pearl Harbor from both the American and the Japanese points of view, with Kurosawa helming the Japanese half and an Anglophonic film-maker directing the American half. He spent several months working on the script with Ryuzo Kikushima and Hideo Oguni, but very soon the project began to unravel. The director of the American sequences turned out not to be David Lean, as originally planned, but American Richard Fleischer. The budget was also cut, and the screen time allocated for the Japanese segment would now be no longer than 90 minutes—a major problem, considering that Kurosawa's script ran over four hours. After numerous revisions with the direct involvement of Darryl Zanuck, a more or less finalized cut screenplay was agreed upon in May 1968.
Shooting began in early December, but Kurosawa would last only a little over three weeks as director. He struggled to work with an unfamiliar crew and the requirements of a Hollywood production, while his working methods puzzled his American producers, who ultimately concluded that the director must be mentally ill. Kurosawa was examined at Kyoto University Hospital by a neuropsychologist, Dr. Murakami, whose diagnosis was forwarded to Darryl Zanuck and Richard Zanuck at Fox studios indicating a diagnosis of neurasthenia stating that, "He is suffering from disturbance of sleep, agitated with feelings of anxiety and in manic excitement caused by the above mentioned illness. It is necessary for him to have rest and medical treatment for more than two months." On Christmas Eve 1968, the Americans announced that Kurosawa had left the production due to "fatigue", effectively firing him. He was ultimately replaced, for the film's Japanese sequences, with two directors, Kinji Fukasaku and Toshio Masuda.
"Tora! Tora! Tora!", finally released to unenthusiastic reviews in September 1970, was, as Donald Richie put it, an "almost unmitigated tragedy" in Kurosawa's career. He had spent years of his life on a logistically nightmarish project to which he ultimately did not contribute a foot of film shot by himself. (He had his name removed from the credits, though the script used for the Japanese half was still his and his co-writers'.) He became estranged from his longtime collaborator, writer Ryuzo Kikushima, and never worked with him again. The project had inadvertently exposed corruption in his own production company (a situation reminiscent of his own movie, "The Bad Sleep Well"). His very sanity had been called into question. Worst of all, the Japanese film industry—and perhaps the man himself—began to suspect that he would never make another film.
A difficult decade (1969–1977).
Knowing that his reputation was at stake following the much publicised "Tora! Tora! Tora!" debacle, Kurosawa moved quickly to a new project to prove he was still viable. To his aid came friends and famed directors Keisuke Kinoshita, Masaki Kobayashi and Kon Ichikawa, who together with Kurosawa established in July 1969 a production company called the Club of the Four Knights (Yonki no kai). Although the plan was for the four directors to create a film each, it has been suggested that the real motivation for the other three directors was to make it easier for Kurosawa to successfully complete a film, and therefore find his way back into the business.
The first project proposed and worked on was a period film to be called "Dora-heita", but when this was deemed too expensive, attention shifted to "Dodesukaden", an adaptation of yet another Shūgorō Yamamoto work, again about the poor and destitute. The film was shot quickly (by Kurosawa's standards) in about nine weeks, with Kurosawa determined to show he was still capable of working quickly and efficiently within a limited budget. For his first work in color, the dynamic editing and complex compositions of his earlier pictures were set aside, with the artist focusing on the creation of a bold, almost surreal palette of primary colors, in order to reveal the toxic environment in which the characters live. It was released in Japan in October 1970, but though a minor critical success, it was greeted with audience indifference. The picture lost money and caused the Club of the Four Knights to dissolve. Initial reception abroad was somewhat more favorable, but "Dodesukaden" has since been typically considered an interesting experiment not comparable to the director's best work.
After struggling through the production of "Dodesukaden", Kurosawa turned to television work the following year for the only time in his career with "Song of the Horse", a documentary about thoroughbred race horses. It featured a voice-over narrated by a fictional man and a child (voiced by the same actors as the beggar and his son in "Dodesukaden"). It is the only documentary in Kurosawa's filmography; the small crew included his frequent collaborator Masaru Sato, who composed the music. "Song of the Horse" is also unique in Kurosawa's oeuvre in that it includes an editor's credit, suggesting that it is the only Kurosawa film that he did not cut himself.
Unable to secure funding for further work and allegedly having health problems, Kurosawa apparently reached the breaking point: on December 22, 1971, he slit his wrists and throat multiple times. The suicide attempt proved unsuccessful and the director's health recovered fairly quickly, with Kurosawa now taking refuge in domestic life, uncertain if he would ever direct another film.
In early 1973, the Soviet studio Mosfilm approached the film-maker to ask if he would be interested in working with them. Kurosawa proposed an adaptation of Russian explorer Vladimir Arsenyev's autobiographical work "Dersu Uzala". The book, about a Goldi hunter who lives in harmony with nature until destroyed by encroaching civilization, was one that he had wanted to make since the 1930s. In December 1973, the 63-year-old Kurosawa set off for the Soviet Union with four of his closest aides, beginning a year-and-a-half stay in the country. Shooting began in May 1974 in Siberia, with filming in exceedingly harsh natural conditions proving very difficult and demanding. The picture wrapped in April 1975, with a thoroughly exhausted and homesick Kurosawa returning to Japan and his family in June. "Dersu Uzala" had its world premiere in Japan on August 2, 1975, and did well at the box office. While critical reception in Japan was muted, the film was better reviewed abroad, winning the Golden Prize at the 9th Moscow International Film Festival, as well as an Academy Award for Best Foreign Language Film. Today, critics remain divided over the film: some see it as an example of Kurosawa's alleged artistic decline, while others count it among his finest works.
Although proposals for television projects were submitted to him, he had no interest in working outside the film world. Nevertheless, the hard-drinking director did agree to appear in a series of television ads for Suntory whiskey, which aired in 1976. While fearing that he might never be able to make another film, the director nevertheless continued working on various projects, writing scripts and creating detailed illustrations, intending to leave behind a visual record of his plans in case he would never be able to film his stories.
Two epics (1978–1986).
In 1977, American director George Lucas released "Star Wars", a wildly successful science fiction film influenced by Kurosawa's "The Hidden Fortress", among other works. Lucas, like many other New Hollywood directors, revered Kurosawa and considered him a role model, and was shocked to discover that the Japanese film-maker was unable to secure financing for any new work. The two met in San Francisco in July 1978 to discuss the project Kurosawa considered most financially viable: "Kagemusha", the epic story of a thief hired as the double of a medieval Japanese lord of a great clan. Lucas, enthralled by the screenplay and Kurosawa's illustrations, leveraged his influence over 20th Century Fox to coerce the studio that had fired Kurosawa just ten years earlier to produce "Kagemusha", then recruited fellow fan Francis Ford Coppola as co-producer.
Production began the following April, with Kurosawa in high spirits. Shooting lasted from June 1979 through March 1980 and was plagued with problems, not the least of which was the firing of the original lead actor, Shintaro Katsu—creator of the very popular Zatoichi character—due to an incident in which the actor insisted, against the director's wishes, on videotaping his own performance. (He was replaced by Tatsuya Nakadai, in his first of two consecutive leading roles in a Kurosawa movie.) The film was completed only a few weeks behind schedule and opened in Tokyo in April 1980. It quickly became a massive hit in Japan. The film was also a critical and box office success abroad, winning the coveted Palme d'Or at the 1980 Cannes Film Festival in May, though some critics, then and now, have faulted the film for its alleged coldness. Kurosawa spent much of the rest of the year in Europe and America promoting "Kagemusha", collecting awards and accolades, and exhibiting as art the drawings he had made to serve as storyboards for the film.
The international success of "Kagemusha" allowed Kurosawa to proceed with his next project, "Ran", another epic in a similar vein. The script, partly based on William Shakespeare's "King Lear", depicted a ruthless, bloodthirsty "daimyō" (warlord), played by Tatsuya Nakadai, who, after foolishly banishing his one loyal son, surrenders his kingdom to his other two sons, who then betray him, thus plunging the entire kingdom into war. As Japanese studios still felt wary about producing another film that would rank among the most expensive ever made in the country, international help was again needed. This time it came from French producer Serge Silberman, who had produced Luis Buñuel's final movies. Filming did not begin until December 1983 and lasted more than a year.
In January 1985, production of "Ran" was halted as Kurosawa's 64-year-old wife Yōko fell ill. She died on February 1. Kurosawa returned to finish his film and "Ran" premiered at the Tokyo Film Festival on May 31, with a wide release the next day. The film was a moderate financial success in Japan, but a larger one abroad and, as he had done with "Kagemusha", Kurosawa embarked on a trip to Europe and America, where he attended the film's premieres in September and October.
"Ran" won several awards in Japan, but was not quite as honored there as many of the director's best films of the 1950s and 1960s had been. The film world was surprised, however, when Japan passed over the selection of "Ran" in favor of another film as its official entry to compete for an Oscar nomination in the Best Foreign Film category, which was ultimately rejected for competition at the 58th Academy Awards. Both the producer and Kurosawa himself attributed the failure to even submit "Ran" for competition to a misunderstanding: because of the academy's arcane rules, no one was sure whether "Ran" qualified as a "Japanese" film, a "French" film (due to its financing), or both, so it was not submitted at all. In response to what at least appeared to be a blatant snub by his own countrymen, the director Sidney Lumet led a successful campaign to have Kurosawa receive an Oscar nomination for Best Director that year (Sydney Pollack ultimately won the award for directing "Out of Africa"). "Ran"s costume designer, Emi Wada, won the movie's only Oscar.
"Kagemusha" and "Ran", particularly the latter, are often considered to be among Kurosawa's finest works. After "Ran"s release, Kurosawa would point to it as his best film, a major change of attitude for the director who, when asked which of his works was his best, had always previously answered "my next one".
Final works and last years (1987–1998).
For his next movie, Kurosawa chose a subject very different from any that he had ever filmed before. While some of his previous pictures (for example, "Drunken Angel" and "Kagemusha") had included brief dream sequences, "Dreams" was to be entirely based upon the director's own dreams. Significantly, for the first time in over forty years, Kurosawa, for this deeply personal project, wrote the screenplay alone. Although its estimated budget was lower than the films immediately preceding it, Japanese studios were still unwilling to back one of his productions, so Kurosawa turned to another famous American fan, Steven Spielberg, who convinced Warner Bros. to buy the international rights to the completed film. This made it easier for Kurosawa's son, Hisao, as co-producer and soon-to-be head of Kurosawa Production, to negotiate a loan in Japan that would cover the film's production costs. Shooting took more than eight months to complete, and "Dreams" premiered at Cannes in May 1990 to a polite but muted reception, similar to the reaction the picture would generate elsewhere in the world. In 1990, he accepted the Academy Award for Lifetime Achievement. In his acceptance speech, he famously said "I'm a little worried because I don't feel that I understand cinema yet." At the time, Bob Thomas of "The Daily Spectrum" noted that Kurosawa was "considered by many critics as the greatest living filmmaker."
Kurosawa now turned to a more conventional story with "Rhapsody in August"—the director's first film fully produced in Japan since "Dodeskaden" over twenty years before—which explored the scars of the nuclear bombing which destroyed Nagasaki at the very end of World War II. It was adapted from a Kiyoko Murata novel, but the film's references to the Nagasaki bombing came from the director rather than from the book. This was his only movie to include a role for an American movie star: Richard Gere, who plays a small role as the nephew of the elderly heroine. Shooting took place in early 1991, with the film opening on May 25 that year to a largely negative critical reaction, especially in the United States, where the director was accused of promulgating naïvely anti-American sentiments, though Kurosawa rejected these accusations.
Kurosawa wasted no time moving onto his next project: "Madadayo", or "Not Yet". Based on autobiographical essays by Hyakken Uchida, the film follows the life of a Japanese professor of German through the Second World War and beyond. The narrative centers on yearly birthday celebrations with his former students, during which the protagonist declares his unwillingness to die just yet—a theme that was becoming increasingly relevant for the film's 81-year-old creator. Filming began in February 1992 and wrapped by the end of September. Its release on April 17, 1993, was greeted by an even more disappointed reaction than had been the case with his two preceding works.
Kurosawa nevertheless continued to work. He wrote the original screenplays "The Sea is Watching" in 1993 and "After the Rain" in 1995. While putting finishing touches on the latter work in 1995, Kurosawa slipped and broke the base of his spine. Following the accident, he would use a wheelchair for the rest of his life, putting an end to any hopes of him directing another film. His longtime wish—to die on the set while shooting a movie—was never to be fulfilled.
After his accident, Kurosawa's health began to deteriorate. While his mind remained sharp and lively, his body was giving up, and for the last half-year of his life, the director was largely confined to bed, listening to music and watching television at home. On September 6, 1998, Kurosawa died of a stroke in Setagaya, Tokyo, at the age of 88. At the time of his death, Kurosawa had two children, his son Hisao Kurosawa who married Hiroko Hayashi and his daughter Kazuko Kurosawa who married Harayuki Kato, along with several grandchildren. One of his grandchildren, the actor Takayuki Kato and , became a supporting actor in two films posthumously developed from screenplays written by Kurosawa which remained unproduced during his own lifetime, Takashi Koizumi's "After the Rain" (1999) and Kei Kumai's "The Sea is Watching" (2002).
Hollywood detour (1966–1968).
When Kurosawa's exclusive contract with Toho came to an end in 1966, the 56-year-old director was seriously contemplating change. Observing the troubled state of the domestic film industry, and having already received dozens of offers from abroad, the idea of working outside Japan appealed to him as never before.
For his first foreign project, Kurosawa chose a story based on a "Life" magazine article. The Embassy Pictures action thriller, to be filmed in English and called simply "Runaway Train", would have been his first in color. But the language barrier proved a major problem, and the English version of the screenplay was not even finished by the time filming was to begin in autumn 1966. The shoot, which required snow, was moved to autumn 1967, then canceled in 1968. Almost two decades later, another foreign director working in Hollywood, Andrei Konchalovsky, finally made "Runaway Train" (1985), though from a new script loosely based on Kurosawa's.
The director meanwhile had become involved in a much more ambitious Hollywood project. "Tora! Tora! Tora!", produced by 20th Century Fox and Kurosawa Production, would be a portrayal of the Japanese attack on Pearl Harbor from both the American and the Japanese points of view, with Kurosawa helming the Japanese half and an Anglophonic film-maker directing the American half. He spent several months working on the script with Ryuzo Kikushima and Hideo Oguni, but very soon the project began to unravel. The director of the American sequences turned out not to be David Lean, as originally planned, but American Richard Fleischer. The budget was also cut, and the screen time allocated for the Japanese segment would now be no longer than 90 minutes—a major problem, considering that Kurosawa's script ran over four hours. After numerous revisions with the direct involvement of Darryl Zanuck, a more or less finalized cut screenplay was agreed upon in May 1968.
Shooting began in early December, but Kurosawa would last only a little over three weeks as director. He struggled to work with an unfamiliar crew and the requirements of a Hollywood production, while his working methods puzzled his American producers, who ultimately concluded that the director must be mentally ill. Kurosawa was examined at Kyoto University Hospital by a neuropsychologist, Dr. Murakami, whose diagnosis was forwarded to Darryl Zanuck and Richard Zanuck at Fox studios indicating a diagnosis of neurasthenia stating that, "He is suffering from disturbance of sleep, agitated with feelings of anxiety and in manic excitement caused by the above mentioned illness. It is necessary for him to have rest and medical treatment for more than two months." On Christmas Eve 1968, the Americans announced that Kurosawa had left the production due to "fatigue", effectively firing him. He was ultimately replaced, for the film's Japanese sequences, with two directors, Kinji Fukasaku and Toshio Masuda.
"Tora! Tora! Tora!", finally released to unenthusiastic reviews in September 1970, was, as Donald Richie put it, an "almost unmitigated tragedy" in Kurosawa's career. He had spent years of his life on a logistically nightmarish project to which he ultimately did not contribute a foot of film shot by himself. (He had his name removed from the credits, though the script used for the Japanese half was still his and his co-writers'.) He became estranged from his longtime collaborator, writer Ryuzo Kikushima, and never worked with him again. The project had inadvertently exposed corruption in his own production company (a situation reminiscent of his own movie, "The Bad Sleep Well"). His very sanity had been called into question. Worst of all, the Japanese film industry—and perhaps the man himself—began to suspect that he would never make another film.
A difficult decade (1969–1977).
Knowing that his reputation was at stake following the much publicised "Tora! Tora! Tora!" debacle, Kurosawa moved quickly to a new project to prove he was still viable. To his aid came friends and famed directors Keisuke Kinoshita, Masaki Kobayashi and Kon Ichikawa, who together with Kurosawa established in July 1969 a production company called the Club of the Four Knights (Yonki no kai). Although the plan was for the four directors to create a film each, it has been suggested that the real motivation for the other three directors was to make it easier for Kurosawa to successfully complete a film, and therefore find his way back into the business.
The first project proposed and worked on was a period film to be called "Dora-heita", but when this was deemed too expensive, attention shifted to "Dodesukaden", an adaptation of yet another Shūgorō Yamamoto work, again about the poor and destitute. The film was shot quickly (by Kurosawa's standards) in about nine weeks, with Kurosawa determined to show he was still capable of working quickly and efficiently within a limited budget. For his first work in color, the dynamic editing and complex compositions of his earlier pictures were set aside, with the artist focusing on the creation of a bold, almost surreal palette of primary colors, in order to reveal the toxic environment in which the characters live. It was released in Japan in October 1970, but though a minor critical success, it was greeted with audience indifference. The picture lost money and caused the Club of the Four Knights to dissolve. Initial reception abroad was somewhat more favorable, but "Dodesukaden" has since been typically considered an interesting experiment not comparable to the director's best work.
After struggling through the production of "Dodesukaden", Kurosawa turned to television work the following year for the only time in his career with "Song of the Horse", a documentary about thoroughbred race horses. It featured a voice-over narrated by a fictional man and a child (voiced by the same actors as the beggar and his son in "Dodesukaden"). It is the only documentary in Kurosawa's filmography; the small crew included his frequent collaborator Masaru Sato, who composed the music. "Song of the Horse" is also unique in Kurosawa's oeuvre in that it includes an editor's credit, suggesting that it is the only Kurosawa film that he did not cut himself.
Unable to secure funding for further work and allegedly having health problems, Kurosawa apparently reached the breaking point: on December 22, 1971, he slit his wrists and throat multiple times. The suicide attempt proved unsuccessful and the director's health recovered fairly quickly, with Kurosawa now taking refuge in domestic life, uncertain if he would ever direct another film.
In early 1973, the Soviet studio Mosfilm approached the film-maker to ask if he would be interested in working with them. Kurosawa proposed an adaptation of Russian explorer Vladimir Arsenyev's autobiographical work "Dersu Uzala". The book, about a Goldi hunter who lives in harmony with nature until destroyed by encroaching civilization, was one that he had wanted to make since the 1930s. In December 1973, the 63-year-old Kurosawa set off for the Soviet Union with four of his closest aides, beginning a year-and-a-half stay in the country. Shooting began in May 1974 in Siberia, with filming in exceedingly harsh natural conditions proving very difficult and demanding. The picture wrapped in April 1975, with a thoroughly exhausted and homesick Kurosawa returning to Japan and his family in June. "Dersu Uzala" had its world premiere in Japan on August 2, 1975, and did well at the box office. While critical reception in Japan was muted, the film was better reviewed abroad, winning the Golden Prize at the 9th Moscow International Film Festival, as well as an Academy Award for Best Foreign Language Film. Today, critics remain divided over the film: some see it as an example of Kurosawa's alleged artistic decline, while others count it among his finest works.
Although proposals for television projects were submitted to him, he had no interest in working outside the film world. Nevertheless, the hard-drinking director did agree to appear in a series of television ads for Suntory whiskey, which aired in 1976. While fearing that he might never be able to make another film, the director nevertheless continued working on various projects, writing scripts and creating detailed illustrations, intending to leave behind a visual record of his plans in case he would never be able to film his stories.
Two epics (1978–1986).
In 1977, American director George Lucas released "Star Wars", a wildly successful science fiction film influenced by Kurosawa's "The Hidden Fortress", among other works. Lucas, like many other New Hollywood directors, revered Kurosawa and considered him a role model, and was shocked to discover that the Japanese film-maker was unable to secure financing for any new work. The two met in San Francisco in July 1978 to discuss the project Kurosawa considered most financially viable: "Kagemusha", the epic story of a thief hired as the double of a medieval Japanese lord of a great clan. Lucas, enthralled by the screenplay and Kurosawa's illustrations, leveraged his influence over 20th Century Fox to coerce the studio that had fired Kurosawa just ten years earlier to produce "Kagemusha", then recruited fellow fan Francis Ford Coppola as co-producer.
Production began the following April, with Kurosawa in high spirits. Shooting lasted from June 1979 through March 1980 and was plagued with problems, not the least of which was the firing of the original lead actor, Shintaro Katsu—creator of the very popular Zatoichi character—due to an incident in which the actor insisted, against the director's wishes, on videotaping his own performance. (He was replaced by Tatsuya Nakadai, in his first of two consecutive leading roles in a Kurosawa movie.) The film was completed only a few weeks behind schedule and opened in Tokyo in April 1980. It quickly became a massive hit in Japan. The film was also a critical and box office success abroad, winning the coveted Palme d'Or at the 1980 Cannes Film Festival in May, though some critics, then and now, have faulted the film for its alleged coldness. Kurosawa spent much of the rest of the year in Europe and America promoting "Kagemusha", collecting awards and accolades, and exhibiting as art the drawings he had made to serve as storyboards for the film.
The international success of "Kagemusha" allowed Kurosawa to proceed with his next project, "Ran", another epic in a similar vein. The script, partly based on William Shakespeare's "King Lear", depicted a ruthless, bloodthirsty "daimyō" (warlord), played by Tatsuya Nakadai, who, after foolishly banishing his one loyal son, surrenders his kingdom to his other two sons, who then betray him, thus plunging the entire kingdom into war. As Japanese studios still felt wary about producing another film that would rank among the most expensive ever made in the country, international help was again needed. This time it came from French producer Serge Silberman, who had produced Luis Buñuel's final movies. Filming did not begin until December 1983 and lasted more than a year.
In January 1985, production of "Ran" was halted as Kurosawa's 64-year-old wife Yōko fell ill. She died on February 1. Kurosawa returned to finish his film and "Ran" premiered at the Tokyo Film Festival on May 31, with a wide release the next day. The film was a moderate financial success in Japan, but a larger one abroad and, as he had done with "Kagemusha", Kurosawa embarked on a trip to Europe and America, where he attended the film's premieres in September and October.
"Ran" won several awards in Japan, but was not quite as honored there as many of the director's best films of the 1950s and 1960s had been. The film world was surprised, however, when Japan passed over the selection of "Ran" in favor of another film as its official entry to compete for an Oscar nomination in the Best Foreign Film category, which was ultimately rejected for competition at the 58th Academy Awards. Both the producer and Kurosawa himself attributed the failure to even submit "Ran" for competition to a misunderstanding: because of the academy's arcane rules, no one was sure whether "Ran" qualified as a "Japanese" film, a "French" film (due to its financing), or both, so it was not submitted at all. In response to what at least appeared to be a blatant snub by his own countrymen, the director Sidney Lumet led a successful campaign to have Kurosawa receive an Oscar nomination for Best Director that year (Sydney Pollack ultimately won the award for directing "Out of Africa"). "Ran"s costume designer, Emi Wada, won the movie's only Oscar.
"Kagemusha" and "Ran", particularly the latter, are often considered to be among Kurosawa's finest works. After "Ran"s release, Kurosawa would point to it as his best film, a major change of attitude for the director who, when asked which of his works was his best, had always previously answered "my next one".
Final works and last years (1987–1998).
For his next movie, Kurosawa chose a subject very different from any that he had ever filmed before. While some of his previous pictures (for example, "Drunken Angel" and "Kagemusha") had included brief dream sequences, "Dreams" was to be entirely based upon the director's own dreams. Significantly, for the first time in over forty years, Kurosawa, for this deeply personal project, wrote the screenplay alone. Although its estimated budget was lower than the films immediately preceding it, Japanese studios were still unwilling to back one of his productions, so Kurosawa turned to another famous American fan, Steven Spielberg, who convinced Warner Bros. to buy the international rights to the completed film. This made it easier for Kurosawa's son, Hisao, as co-producer and soon-to-be head of Kurosawa Production, to negotiate a loan in Japan that would cover the film's production costs. Shooting took more than eight months to complete, and "Dreams" premiered at Cannes in May 1990 to a polite but muted reception, similar to the reaction the picture would generate elsewhere in the world. In 1990, he accepted the Academy Award for Lifetime Achievement. In his acceptance speech, he famously said "I'm a little worried because I don't feel that I understand cinema yet." At the time, Bob Thomas of "The Daily Spectrum" noted that Kurosawa was "considered by many critics as the greatest living filmmaker."
Kurosawa now turned to a more conventional story with "Rhapsody in August"—the director's first film fully produced in Japan since "Dodeskaden" over twenty years before—which explored the scars of the nuclear bombing which destroyed Nagasaki at the very end of World War II. It was adapted from a Kiyoko Murata novel, but the film's references to the Nagasaki bombing came from the director rather than from the book. This was his only movie to include a role for an American movie star: Richard Gere, who plays a small role as the nephew of the elderly heroine. Shooting took place in early 1991, with the film opening on May 25 that year to a largely negative critical reaction, especially in the United States, where the director was accused of promulgating naïvely anti-American sentiments, though Kurosawa rejected these accusations.
Kurosawa wasted no time moving onto his next project: "Madadayo", or "Not Yet". Based on autobiographical essays by Hyakken Uchida, the film follows the life of a Japanese professor of German through the Second World War and beyond. The narrative centers on yearly birthday celebrations with his former students, during which the protagonist declares his unwillingness to die just yet—a theme that was becoming increasingly relevant for the film's 81-year-old creator. Filming began in February 1992 and wrapped by the end of September. Its release on April 17, 1993, was greeted by an even more disappointed reaction than had been the case with his two preceding works.
Kurosawa nevertheless continued to work. He wrote the original screenplays "The Sea is Watching" in 1993 and "After the Rain" in 1995. While putting finishing touches on the latter work in 1995, Kurosawa slipped and broke the base of his spine. Following the accident, he would use a wheelchair for the rest of his life, putting an end to any hopes of him directing another film. His longtime wish—to die on the set while shooting a movie—was never to be fulfilled.
After his accident, Kurosawa's health began to deteriorate. While his mind remained sharp and lively, his body was giving up, and for the last half-year of his life, the director was largely confined to bed, listening to music and watching television at home. On September 6, 1998, Kurosawa died of a stroke in Setagaya, Tokyo, at the age of 88. At the time of his death, Kurosawa had two children, his son Hisao Kurosawa who married Hiroko Hayashi and his daughter Kazuko Kurosawa who married Harayuki Kato, along with several grandchildren. One of his grandchildren, the actor Takayuki Kato and , became a supporting actor in two films posthumously developed from screenplays written by Kurosawa which remained unproduced during his own lifetime, Takashi Koizumi's "After the Rain" (1999) and Kei Kumai's "The Sea is Watching" (2002).
Filmography.
Although Kurosawa is primarily known as a filmmaker, he also worked in theater and television and wrote books. A detailed list, including his complete filmography, can be found in the list of works by Akira Kurosawa.
Style, themes and techniques.
Kurosawa displayed a bold, dynamic style, strongly influenced by Western cinema yet distinct from it; he was involved with all aspects of film production. He was a gifted screenwriter and worked closely with his co-writers from the film's development onward to ensure a high-quality script, which he considered the firm foundation of a good film. He frequently served as editor of his own films. His team, known as the , which included the cinematographer Asakazu Nakai, the production assistant Teruyo Nogami and the actor Takashi Shimura, was notable for its loyalty and dependability.
Kurosawa's style is marked by a number of devices and techniques. In his films of the 1940s and 1950s, he frequently employs the "axial cut", in which the camera moves toward or away from the subject through a series of matched jump cuts rather than tracking shots or dissolves. Another stylistic trait is "cut on motion", which displays the motion on the screen in two or more shots instead of one uninterrupted one. A form of cinematic punctuation strongly identified with Kurosawa is the wipe, an effect created through an optical printer: a line or bar appears to move across the screen, wiping away the end of a scene and revealing the first image of the next. As a transitional device, it is used as a substitute for the straight cut or the dissolve; in his mature work, the wipe became Kurosawa's signature.
In the film's soundtrack, Kurosawa favored the sound-image counterpoint, in which the music or sound effects appeared to comment ironically on the image rather than emphasizing it. Teruyo Nogami's memoir gives several such examples from "Drunken Angel" and "Stray Dog". Kurosawa was also involved with several of Japan's outstanding contemporary composers, including Fumio Hayasaka and Tōru Takemitsu.
Kurosawa employed a number of recurring themes in his films: the master-disciple relationship between a usually older mentor and one or more novices, which often involves spiritual as well as technical mastery and self-mastery; the heroic champion, the exceptional individual who emerges from the mass of people to produce something or right some wrong; the depiction of extremes of weather as both dramatic devices and symbols of human passion; and the recurrence of cycles of savage violence within history. According to Stephen Prince, the last theme, which he calls, "the countertradition to the committed, heroic mode of Kurosawa's cinema," began with "Throne of Blood" (1957), and recurred in the films of the 1980s.
Legacy and cultural impact.
Reputation among film-makers.
Many film-makers have been influenced by Kurosawa's work. Ingmar Bergman called his own film "The Virgin Spring" a "touristic... lousy imitation of Kurosawa", and added, "At that time my admiration for the Japanese cinema was at its height. I was almost a samurai myself!" Federico Fellini considered Kurosawa to be "the greatest living example of all that an author of the cinema should be". Steven Spielberg cited Kurosawa's cinematic vision as being important to shaping his own cinematic vision. Satyajit Ray, who was posthumously awarded the "Akira Kurosawa Award for Lifetime Achievement in Directing" at the San Francisco International Film Festival in 1992, had said earlier of "Rashomon":
Roman Polanski considered Kurosawa to be among the three film-makers he favored most, along with Fellini and Orson Welles, and picked "Seven Samurai", "Throne of Blood" and "The Hidden Fortress" for praise. Bernardo Bertolucci considered Kurosawa's influence to be seminal: "Kurosawa's movies and "La Dolce Vita" of Fellini are the things that pushed me, sucked me into being a film director." Andrei Tarkovsky cited Kurosawa as one of his favorites and named "Seven Samurai" as one of his ten favorite films. Sidney Lumet called Kurosawa the "Beethoven of movie directors". Werner Herzog reflected on film-makers with whom he feels kinship and the movies that he admires:
According to an assistant, Stanley Kubrick considered Kurosawa to be "one of the great film directors" and spoke of him "consistently and admiringly", to the point that a letter from him "meant more than any Oscar" and caused him to agonize for months over drafting a reply. Robert Altman upon first seeing "Rashomon" was so impressed by the sequence of frames of the sun that he began to shoot the same sequences in his work the very next day, he claimed. George Lucas cited the movie "The Hidden Fortress" as the main inspiration for his film "Star Wars". He also cited other films of Kurosawa as his favorites including "Seven Samurai", "Yojimbo", and "Ikiru". Zack Snyder cited him as one of his influences for his underdeveloped Netflix film "Rebel Moon". Kurosawa was ranked third in the directors' poll and fifth in the critics' poll in Sight & Sound's 2002 list of the greatest directors of all time.
Criticism.
Kenji Mizoguchi, the acclaimed director of "Ugetsu" (1953) and "Sansho the Bailiff" (1954) was eleven years Kurosawa's senior. After the mid-1950s, some critics of the French New Wave began to favor Mizoguchi to Kurosawa. New Wave critic and film-maker Jacques Rivette, in particular, thought Mizoguchi to be the only Japanese director whose work was at once entirely Japanese and truly universal; Kurosawa, by contrast was thought to be more influenced by Western cinema and culture, a view that has been disputed.
In Japan, some critics and film-makers considered Kurosawa to be elitist. They viewed him to center his effort and attention on exceptional or heroic characters. In her DVD commentary on "Seven Samurai", Joan Mellen argued that certain shots of the samurai characters Kambei and Kyuzo, which show Kurosawa to have accorded higher status or validity to them, constitutes evidence for this point of view. These Japanese critics argued that Kurosawa was not sufficiently progressive because the peasants were unable to find leaders from within their ranks. In an interview with Mellen, Kurosawa defended himself, saying,
From the early 1950s, Kurosawa was also charged with catering to Western tastes due to his popularity in Europe and America. In the 1970s, the politically engaged, left-wing director Nagisa Ōshima, who was noted for his critical reaction to Kurosawa's work, accused Kurosawa of pandering to Western beliefs and ideologies. Author Audie Block, however, assessed Kurosawa to have never played up to a non-Japanese viewing public and to have denounced those directors who did.
Posthumous screenplays.
Following Kurosawa's death, several posthumous works based on his unfilmed screenplays have been produced. "After the Rain", directed by Takashi Koizumi, was released in 1999, and "The Sea Is Watching", directed by Kei Kumai, premiered in 2002. A script created by the Yonki no Kai ("Club of the Four Knights") (Kurosawa, Keisuke Kinoshita, Masaki Kobayashi, and Kon Ichikawa), around the time that "Dodeskaden" was made, finally was filmed and released (in 2000) as "Dora-heita", by the only surviving founding member of the club, Kon Ichikawa. Huayi Brothers Media and CKF Pictures in China announced in 2017 plans to produce a film of Kurosawa's posthumous screenplay of "The Masque of the Red Death" by Edgar Allan Poe for 2020, to be entitled "The Mask of the Black Death". Patrick Frater writing for "Variety" magazine in May 2017 stated that another two unfinished films by Kurosawa were planned, with "Silvering Spear" to start filming in 2018.
Kurosawa Production Company.
In September 2011, it was reported that remake rights to most of Kurosawa's movies and unproduced screenplays were assigned by the Akira Kurosawa 100 Project to the L.A.-based company Splendent. Splendent's chief Sakiko Yamada, stated that he aimed to "help contemporary film-makers introduce a new generation of moviegoers to these unforgettable stories".
Kurosawa Production Co., established in 1959, continues to oversee many of the aspects of Kurosawa's legacy. The director's son, Hisao Kurosawa, is the current head of the company. Its American subsidiary, Kurosawa Enterprises, is located in Los Angeles. Rights to Kurosawa's works were then held by Kurosawa Production and the film studios under which he worked, most notably Toho. These rights were then assigned to the Akira Kurosawa 100 Project before being reassigned in 2011 to the L.A. based company Splendent. Kurosawa Production works closely with the Akira Kurosawa Foundation, established in December 2003 and also run by Hisao Kurosawa. The foundation organizes an annual short film competition and spearheads Kurosawa-related projects, including a recently shelved one to build a memorial museum for the director.
Film studios.
In 1981, the Kurosawa Film Studio was opened in Yokohama; two additional locations have since been launched in Japan. A large collection of archive material, including scanned screenplays, photos and news articles, has been made available through the Akira Kurosawa Digital Archive, a Japanese proprietary website maintained by Ryukoku University Digital Archives Research Center in collaboration with Kurosawa Production.
Anaheim University Akira Kurosawa School of Film.
Anaheim University in collaboration with Kurosawa Production and the Kurosawa family established the Anaheim University Akira Kurosawa School of Film in spring 2009. The Anaheim University Akira Kurosawa School of Film offers an Online Master of Fine Arts (MFA) in Digital Filmmaking supported by many of the world’s greatest filmmakers.
Reputation among film-makers.
Many film-makers have been influenced by Kurosawa's work. Ingmar Bergman called his own film "The Virgin Spring" a "touristic... lousy imitation of Kurosawa", and added, "At that time my admiration for the Japanese cinema was at its height. I was almost a samurai myself!" Federico Fellini considered Kurosawa to be "the greatest living example of all that an author of the cinema should be". Steven Spielberg cited Kurosawa's cinematic vision as being important to shaping his own cinematic vision. Satyajit Ray, who was posthumously awarded the "Akira Kurosawa Award for Lifetime Achievement in Directing" at the San Francisco International Film Festival in 1992, had said earlier of "Rashomon":
Roman Polanski considered Kurosawa to be among the three film-makers he favored most, along with Fellini and Orson Welles, and picked "Seven Samurai", "Throne of Blood" and "The Hidden Fortress" for praise. Bernardo Bertolucci considered Kurosawa's influence to be seminal: "Kurosawa's movies and "La Dolce Vita" of Fellini are the things that pushed me, sucked me into being a film director." Andrei Tarkovsky cited Kurosawa as one of his favorites and named "Seven Samurai" as one of his ten favorite films. Sidney Lumet called Kurosawa the "Beethoven of movie directors". Werner Herzog reflected on film-makers with whom he feels kinship and the movies that he admires:
According to an assistant, Stanley Kubrick considered Kurosawa to be "one of the great film directors" and spoke of him "consistently and admiringly", to the point that a letter from him "meant more than any Oscar" and caused him to agonize for months over drafting a reply. Robert Altman upon first seeing "Rashomon" was so impressed by the sequence of frames of the sun that he began to shoot the same sequences in his work the very next day, he claimed. George Lucas cited the movie "The Hidden Fortress" as the main inspiration for his film "Star Wars". He also cited other films of Kurosawa as his favorites including "Seven Samurai", "Yojimbo", and "Ikiru". Zack Snyder cited him as one of his influences for his underdeveloped Netflix film "Rebel Moon". Kurosawa was ranked third in the directors' poll and fifth in the critics' poll in Sight & Sound's 2002 list of the greatest directors of all time.
Criticism.
Kenji Mizoguchi, the acclaimed director of "Ugetsu" (1953) and "Sansho the Bailiff" (1954) was eleven years Kurosawa's senior. After the mid-1950s, some critics of the French New Wave began to favor Mizoguchi to Kurosawa. New Wave critic and film-maker Jacques Rivette, in particular, thought Mizoguchi to be the only Japanese director whose work was at once entirely Japanese and truly universal; Kurosawa, by contrast was thought to be more influenced by Western cinema and culture, a view that has been disputed.
In Japan, some critics and film-makers considered Kurosawa to be elitist. They viewed him to center his effort and attention on exceptional or heroic characters. In her DVD commentary on "Seven Samurai", Joan Mellen argued that certain shots of the samurai characters Kambei and Kyuzo, which show Kurosawa to have accorded higher status or validity to them, constitutes evidence for this point of view. These Japanese critics argued that Kurosawa was not sufficiently progressive because the peasants were unable to find leaders from within their ranks. In an interview with Mellen, Kurosawa defended himself, saying,
From the early 1950s, Kurosawa was also charged with catering to Western tastes due to his popularity in Europe and America. In the 1970s, the politically engaged, left-wing director Nagisa Ōshima, who was noted for his critical reaction to Kurosawa's work, accused Kurosawa of pandering to Western beliefs and ideologies. Author Audie Block, however, assessed Kurosawa to have never played up to a non-Japanese viewing public and to have denounced those directors who did.
Posthumous screenplays.
Following Kurosawa's death, several posthumous works based on his unfilmed screenplays have been produced. "After the Rain", directed by Takashi Koizumi, was released in 1999, and "The Sea Is Watching", directed by Kei Kumai, premiered in 2002. A script created by the Yonki no Kai ("Club of the Four Knights") (Kurosawa, Keisuke Kinoshita, Masaki Kobayashi, and Kon Ichikawa), around the time that "Dodeskaden" was made, finally was filmed and released (in 2000) as "Dora-heita", by the only surviving founding member of the club, Kon Ichikawa. Huayi Brothers Media and CKF Pictures in China announced in 2017 plans to produce a film of Kurosawa's posthumous screenplay of "The Masque of the Red Death" by Edgar Allan Poe for 2020, to be entitled "The Mask of the Black Death". Patrick Frater writing for "Variety" magazine in May 2017 stated that another two unfinished films by Kurosawa were planned, with "Silvering Spear" to start filming in 2018.
Kurosawa Production Company.
In September 2011, it was reported that remake rights to most of Kurosawa's movies and unproduced screenplays were assigned by the Akira Kurosawa 100 Project to the L.A.-based company Splendent. Splendent's chief Sakiko Yamada, stated that he aimed to "help contemporary film-makers introduce a new generation of moviegoers to these unforgettable stories".
Kurosawa Production Co., established in 1959, continues to oversee many of the aspects of Kurosawa's legacy. The director's son, Hisao Kurosawa, is the current head of the company. Its American subsidiary, Kurosawa Enterprises, is located in Los Angeles. Rights to Kurosawa's works were then held by Kurosawa Production and the film studios under which he worked, most notably Toho. These rights were then assigned to the Akira Kurosawa 100 Project before being reassigned in 2011 to the L.A. based company Splendent. Kurosawa Production works closely with the Akira Kurosawa Foundation, established in December 2003 and also run by Hisao Kurosawa. The foundation organizes an annual short film competition and spearheads Kurosawa-related projects, including a recently shelved one to build a memorial museum for the director.
Film studios.
In 1981, the Kurosawa Film Studio was opened in Yokohama; two additional locations have since been launched in Japan. A large collection of archive material, including scanned screenplays, photos and news articles, has been made available through the Akira Kurosawa Digital Archive, a Japanese proprietary website maintained by Ryukoku University Digital Archives Research Center in collaboration with Kurosawa Production.
Anaheim University Akira Kurosawa School of Film.
Anaheim University in collaboration with Kurosawa Production and the Kurosawa family established the Anaheim University Akira Kurosawa School of Film in spring 2009. The Anaheim University Akira Kurosawa School of Film offers an Online Master of Fine Arts (MFA) in Digital Filmmaking supported by many of the world’s greatest filmmakers.
Anaheim University Akira Kurosawa School of Film.
Anaheim University in collaboration with Kurosawa Production and the Kurosawa family established the Anaheim University Akira Kurosawa School of Film in spring 2009. The Anaheim University Akira Kurosawa School of Film offers an Online Master of Fine Arts (MFA) in Digital Filmmaking supported by many of the world’s greatest filmmakers.
Awards and honours.
Two film awards have also been named in Kurosawa's honor. The Akira Kurosawa Award for Lifetime Achievement in Film Directing is awarded during the San Francisco International Film Festival, while the Akira Kurosawa Award is given during the Tokyo International Film Festival.
Kurosawa is often cited as one of the greatest film-makers of all time. In 1999, he was named "Asian of the Century" in the "Arts, Literature, and Culture" category by "AsianWeek" magazine and CNN, cited as "one of the [five] people who contributed most to the betterment of Asia in the past 100 years". In commemoration of the 100th anniversary of Kurosawa's birth in 2010, a project called AK100 was launched in 2008. The AK100 Project aims to "expose young people who are the representatives of the next generation, and all people everywhere, to the light and spirit of Akira Kurosawa and the wonderful world he created".
The animated Wes Anderson film "Isle of Dogs" () is partially inspired by Kurosawa's filming techniques. At the 64th Sydney Film Festival, there was a retrospective of Akira Kurosawa where films of his were screened to remember the great legacy he has created from his work.
Documentaries.
A significant number of short and full-length documentaries concerning the life and work of Kurosawa were made both during his artistic heyday and after his death. "AK", by French video essay director Chris Marker, was filmed while Kurosawa was working on "Ran"; however, the documentary is more concerned about Kurosawa's distant yet polite personality than on the making of the film. Other documentaries concerning Kurosawa's life and works produced posthumously include:
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Arne Kaijser
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Arne Kaijser (born 1950) is a professor emeritus of history of technology at the KTH Royal Institute of Technology in Stockholm, and a former president of the Society for the History of Technology.
Kaijser has published two books in Swedish: "Stadens ljus. Etableringen av de första svenska gasverken" and "I fädrens spår. Den svenska infrastrukturens historiska utveckling och framtida utmaningar", and has co-edited several anthologies. Kaijser is a member of the Royal Swedish Academy of Engineering Sciences since 2007 and also a member of the editorial board of two scientific journals: "Journal of Urban Technology" and "Centaurus". Lately, he has been occupied with the history of Large Technical Systems.
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915
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Andrey Markov
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Andrey Andreyevich Markov (14 June 1856 – 20 July 1922) was a Russian mathematician best known for his work on stochastic processes. A primary subject of his research later became known as the Markov chain.
Markov and his younger brother Vladimir Andreevich Markov (1871–1897) proved the Markov brothers' inequality.
His son, another Andrey Andreyevich Markov (1903–1979), was also a notable mathematician, making contributions to constructive mathematics and recursive function theory.
Biography.
Andrey Markov was born on 14 June 1856 in Russia. He attended the St. Petersburg Grammar School, where some teachers saw him as a rebellious student. In his academics he performed poorly in most subjects other than mathematics. Later in life he attended Saint Petersburg Imperial University (now Saint Petersburg State University). Among his teachers were Yulian Sokhotski (differential calculus, higher algebra), Konstantin Posse (analytic geometry), Yegor Zolotarev (integral calculus), Pafnuty Chebyshev (number theory and probability theory), Aleksandr Korkin (ordinary and partial differential equations), Mikhail Okatov (mechanism theory), Osip Somov (mechanics), and Nikolai Budajev (descriptive and higher geometry). He completed his studies at the university and was later asked if he would like to stay and have a career as a Mathematician. He later taught at high schools and continued his own mathematical studies. In this time he found a practical use for his mathematical skills. He figured out that he could use chains to model the alliteration of vowels and consonants in Russian literature. He also contributed to many other mathematical aspects in his time. He died at age 66 on 20 July 1922.
Timeline.
In 1877, Markov was awarded a gold medal for his outstanding solution of the problem
"About Integration of Differential Equations by Continued Fractions with an Application to the Equation" formula_1.
During the following year, he passed the candidate's examinations, and he remained at the university to prepare for a lecturer's position.
In April 1880, Markov defended his master's thesis "On the Binary Square Forms with Positive Determinant", which was directed by Aleksandr Korkin and Yegor Zolotarev. Four years later in 1884, he defended his doctoral thesis titled "On Certain Applications of the Algebraic Continuous Fractions".
His pedagogical work began after the defense of his master's thesis in autumn 1880. As a privatdozent he lectured on differential and integral calculus. Later he lectured alternately on "introduction to analysis", probability theory (succeeding Chebyshev, who had left the university in 1882) and the calculus of differences. From 1895 through 1905 he also lectured in differential calculus.
One year after the defense of his doctoral thesis, Markov was appointed extraordinary professor (1886) and in the same year he was elected adjunct to the Academy of Sciences. In 1890, after the death of Viktor Bunyakovsky, Markov became an extraordinary member of the academy. His promotion to an ordinary professor of St. Petersburg University followed in the fall of 1894.
In 1896, Markov was elected an ordinary member of the academy as the successor of Chebyshev. In 1905, he was appointed merited professor and was granted the right to retire, which he did immediately. Until 1910, however, he continued to lecture in the calculus of differences.
In connection with student riots in 1908, professors and lecturers of St. Petersburg University were ordered to monitor their students. Markov refused to accept this decree, and he wrote an explanation in which he declined to be an "agent of the governance". Markov was removed from further teaching duties at St. Petersburg University, and hence he decided to retire from the university.
Markov was an atheist. In 1912, he responded to Leo Tolstoy's excommunication from the Russian Orthodox Church by requesting his own excommunication. The Church complied with his request.
In 1913, the council of St. Petersburg elected nine scientists honorary members of the university. Markov was among them, but his election was not affirmed by the minister of education. The affirmation only occurred four years later, after the February Revolution in 1917. Markov then resumed his teaching activities and lectured on probability theory and the calculus of differences until his death in 1922.
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A. E. van Vogt
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Alfred Elton van Vogt ( ; April 26, 1912 – January 26, 2000) was a Canadian-born American science fiction author. His fragmented, bizarre narrative style influenced later science fiction writers, notably Philip K. Dick. He was one of the most popular and influential practitioners of science fiction in the mid-twentieth century, the genre's so-called Golden Age, and one of the most complex. The Science Fiction Writers of America named him their 14th Grand Master in 1995 (presented 1996).
Early life.
Alfred Vogt (both "Elton" and "van" were added much later) was born on April 26, 1912, on his grandparents' farm in Edenburg, Manitoba, a tiny (and now defunct) Russian Mennonite community east of Gretna, Manitoba, Canada, in the Mennonite West Reserve. He was the third of six children born to Heinrich "Henry" Vogt and Aganetha "Agnes" Vogt (née Buhr), both of whom were born in Manitoba and grew up in heavily immigrant communities. Until he was four, van Vogt spoke only Plautdietsch at home.
For the first dozen or so years of his life, van Vogt's father, Henry Vogt, a lawyer, moved his family several times within western Canada, moving to Neville, Saskatchewan; Morden, Manitoba; and finally Winnipeg, Manitoba. Alfred Vogt found these moves difficult, later remarking:
By the 1920s, living in Winnipeg, father Henry worked as an agent for a steamship company, but the stock market crash of 1929 proved financially disastrous, and the family could not afford to send Alfred to college. During his teen years, Alfred worked as a farmhand and a truck driver, and by the age of 19, he was working in Ottawa for the Canadian Census Bureau.
In "the dark days of '31 and '32," van Vogt took a correspondence course in writing from the Palmer Institute of Authorship. He sold his first story in fall 1932. His early published works were stories in the true confession style of magazines such as "True Story". Most of these stories were published anonymously, with the first-person narratives allegedly being written by people (often women) in extraordinary, emotional, and life-changing circumstances.
After a year in Ottawa, he moved back to Winnipeg, where he sold newspaper advertising space and continued to write. While continuing to pen melodramatic "true confessions" stories through 1937, he also began writing short radio dramas for local radio station CKY, as well as conducting interviews published in trade magazines. He added the middle name "Elton" at some point in the mid-1930s, and at least one confessional story (1937's "To Be His Keeper") was sold to the "Toronto Star", who misspelled his name "Alfred Alton Bogt" in the byline. Shortly thereafter, he added the "van" to his surname, and from that point forward he used the name "A. E. van Vogt" both personally and professionally.
Career.
By 1938, van Vogt decided to switch to writing science fiction, a genre he enjoyed reading. He was inspired by the August 1938 issue of "Astounding Science Fiction," which he picked up at a newsstand. John W. Campbell's novelette "Who Goes There?" (later adapted into "The Thing from Another World" and "The Thing") inspired van Vogt to write "Vault of the Beast", which he submitted to that same magazine. Campbell, who edited "Astounding" (and had written the story under a pseudonym), sent van Vogt a rejection letter, but one which encouraged van Vogt to try again. Van Vogt sent another story, entitled "Black Destroyer", which was accepted. It featured a fierce, carnivorous alien stalking the crew of a spaceship, and served as the inspiration for multiple science fiction movies, including "Alien" (1979). A revised version of "Vault of the Beast" was published in 1940.
While still living in Winnipeg, in 1939 van Vogt married Edna Mayne Hull, a fellow Manitoban. Hull, who had previously worked as a private secretary, went on to act as van Vogt's typist, and was credited with writing several SF stories of her own throughout the early 1940s.
The outbreak of World War II in September 1939 caused a change in van Vogt's circumstances. Ineligible for military service due to his poor eyesight, he accepted a clerking job with the Canadian Department of National Defence. This necessitated a move back to Ottawa, where he and his wife stayed for the next year and a half.
Meanwhile, his writing career continued. "Discord in Scarlet" was van Vogt's second story to be published, also appearing as the cover story. It was accompanied by interior illustrations created by Frank Kramer and Paul Orban. (Van Vogt and Kramer thus debuted in the issue of "Astounding" that is sometimes identified as the start of the Golden Age of Science Fiction.) Among his most famous works of this era, "Far Centaurus" appeared in the January 1944 edition of "Astounding".
Van Vogt's first completed novel, and one of his most famous, is "Slan" (Arkham House, 1946), which Campbell serialized in "Astounding" (September to December 1940). Using what became one of van Vogt's recurring themes, it told the story of a nine-year-old superman living in a world in which his kind are slain by "Homo sapiens".
Others saw van Vogt's talent from his first story, and in May 1941 van Vogt decided to become a full-time writer, quitting his job at the Canadian Department of National Defence. Freed from the necessity of living in Ottawa, he and his wife lived for a time in the Gatineau region of Quebec before moving to Toronto in the fall of 1941.
Prolific throughout this period, van Vogt wrote many of his more famous short stories and novels in the years from 1941 through 1944. The novels "The Book of Ptath" and "The Weapon Makers" both appeared in magazines in serial form during this period; they were later published in book form after World War II. As well, several (though not all) of the stories that were compiled to make up the novels "The Weapon Shops of Isher", "The Mixed Men" and "The War Against the Rull" were published during this time.
California and post-war writing (1944–1950).
In November 1944, van Vogt and Hull moved to Hollywood; van Vogt would spend the rest of his life in California. He had been using the name "A. E. van Vogt" in his public life for several years, and as part of the process of obtaining American citizenship in 1945 he finally and formally changed his legal name from Alfred Vogt to Alfred Elton van Vogt. To his friends in the California science fiction community, he was known as "Van".
California and post-war writing (1944–1950).
In November 1944, van Vogt and Hull moved to Hollywood; van Vogt would spend the rest of his life in California. He had been using the name "A. E. van Vogt" in his public life for several years, and as part of the process of obtaining American citizenship in 1945 he finally and formally changed his legal name from Alfred Vogt to Alfred Elton van Vogt. To his friends in the California science fiction community, he was known as "Van".
Method and themes.
Van Vogt systematized his writing method, using scenes of 800 words or so where a new complication was added or something resolved. Several of his stories hinge on temporal conundra, a favorite theme. He stated that he acquired many of his writing techniques from three books: "Narrative Technique" by Thomas Uzzell, "The Only Two Ways to Write a Story" by John Gallishaw, and "Twenty Problems of the Fiction Writer" by Gallishaw. He also claimed many of his ideas came from dreams; throughout his writing life he arranged to be awakened every 90 minutes during his sleep period so he could write down his dreams.
Van Vogt was also always interested in the idea of all-encompassing systems of knowledge (akin to modern meta-systems). The characters in his very first story used a system called "Nexialism" to analyze the alien's behavior. Around this time, he became particularly interested in the general semantics of Alfred Korzybski.
He subsequently wrote a novel merging these overarching themes, "The World of Ā", originally serialized in "Astounding" in 1945. Ā (often rendered as "Null-A"), or non-Aristotelian logic, refers to the capacity for, and practice of, using intuitive, inductive reasoning (compare fuzzy logic), rather than reflexive, or conditioned, deductive reasoning. The novel recounts the adventures of an individual living in an apparent Utopia, where those with superior brainpower make up the ruling class... though all is not as it seems. A sequel, "The Players of Ā" (later re-titled "The Pawns of Null-A") was serialized in 1948–49.
At the same time, in his fiction, van Vogt was consistently sympathetic to absolute monarchy as a form of government. This was the case, for instance, in the "Weapon Shop" series, the "Mixed Men" series, and in single stories such as "Heir Apparent" (1945), whose protagonist was described as a "benevolent dictator". These sympathies were the subject of much critical discussion during van Vogt's career, and afterwards.
Van Vogt published "Enchanted Village" in the July 1950 issue of "Other Worlds Science Stories". It was reprinted in over 20 collections or anthologies, and appeared many times in translation.
Dianetics and fix-ups (1950–1961).
In 1950, van Vogt was briefly appointed as head of L. Ron Hubbard's Dianetics operation in California. Van Vogt had first met Hubbard in 1945, and became interested in his theories, which were published shortly thereafter. Dianetics was the secular precursor to Hubbard's Church of Scientology; van Vogt would have no association with Scientology, as he did not approve of its mysticism.
The California Dianetics operation went broke nine months later, but never went bankrupt, due to van Vogt's arrangements with creditors. Very shortly after that, van Vogt and his wife opened their own Dianetics center, partly financed by his writings, until he "signed off" around 1961. From 1951 until 1961, van Vogt's focus was on Dianetics, and no new story ideas flowed from his typewriter.
Fix-ups.
However, during the 1950s, van Vogt retrospectively patched together many of his previously published stories into novels, sometimes creating new interstitial material to help bridge gaps in the narrative. Van Vogt referred to the resulting books as "fix-ups", a term that entered the vocabulary of science-fiction criticism. When the original stories were closely related this was often successful, although some van Vogt fix-ups featured disparate stories thrown together that bore little relation to each other, generally making for a less coherent plot. One of his best-known (and well-regarded) novels, "The Voyage of the Space Beagle" (1950) was a fix-up of four short stories including "Discord in Scarlet"; it was published in at least five European languages by 1955.
Although Van Vogt averaged a new book title every ten months from 1951 to 1961, none of them were new stories; they were all fix-ups, collections of previously published stories, expansions of previously published short stories to novel length, or republications of previous books under new titles and all based on story material written and originally published between 1939 and 1950. Examples include "The Weapon Shops of Isher" (1951), "The Mixed Men" (1952), "The War Against the Rull" (1959), and the two "Clane" novels, "Empire of the Atom" (1957) and "The Wizard of Linn" (1962), which were inspired (like Asimov's Foundation series) by Roman imperial history; specifically, as Damon Knight wrote, the plot of "Empire of the Atom" was "lifted almost bodily" from that of Robert Graves' "I, Claudius". (Also, one non-fiction work, "The Hypnotism Handbook", appeared in 1956, though it had apparently been written much earlier.)
After more than a decade of running their Dianetics center, Hull and van Vogt closed it in 1961. Nevertheless, van Vogt maintained his association with the organization and was still president of the Californian Association of Dianetic Auditors into the 1980s.
Dianetics and fix-ups (1950–1961).
In 1950, van Vogt was briefly appointed as head of L. Ron Hubbard's Dianetics operation in California. Van Vogt had first met Hubbard in 1945, and became interested in his theories, which were published shortly thereafter. Dianetics was the secular precursor to Hubbard's Church of Scientology; van Vogt would have no association with Scientology, as he did not approve of its mysticism.
The California Dianetics operation went broke nine months later, but never went bankrupt, due to van Vogt's arrangements with creditors. Very shortly after that, van Vogt and his wife opened their own Dianetics center, partly financed by his writings, until he "signed off" around 1961. From 1951 until 1961, van Vogt's focus was on Dianetics, and no new story ideas flowed from his typewriter.
Fix-ups.
However, during the 1950s, van Vogt retrospectively patched together many of his previously published stories into novels, sometimes creating new interstitial material to help bridge gaps in the narrative. Van Vogt referred to the resulting books as "fix-ups", a term that entered the vocabulary of science-fiction criticism. When the original stories were closely related this was often successful, although some van Vogt fix-ups featured disparate stories thrown together that bore little relation to each other, generally making for a less coherent plot. One of his best-known (and well-regarded) novels, "The Voyage of the Space Beagle" (1950) was a fix-up of four short stories including "Discord in Scarlet"; it was published in at least five European languages by 1955.
Although Van Vogt averaged a new book title every ten months from 1951 to 1961, none of them were new stories; they were all fix-ups, collections of previously published stories, expansions of previously published short stories to novel length, or republications of previous books under new titles and all based on story material written and originally published between 1939 and 1950. Examples include "The Weapon Shops of Isher" (1951), "The Mixed Men" (1952), "The War Against the Rull" (1959), and the two "Clane" novels, "Empire of the Atom" (1957) and "The Wizard of Linn" (1962), which were inspired (like Asimov's Foundation series) by Roman imperial history; specifically, as Damon Knight wrote, the plot of "Empire of the Atom" was "lifted almost bodily" from that of Robert Graves' "I, Claudius". (Also, one non-fiction work, "The Hypnotism Handbook", appeared in 1956, though it had apparently been written much earlier.)
After more than a decade of running their Dianetics center, Hull and van Vogt closed it in 1961. Nevertheless, van Vogt maintained his association with the organization and was still president of the Californian Association of Dianetic Auditors into the 1980s.
Return to writing and later career (1962–1986).
Though the constant re-packaging of his older work meant that he had never really been away from the book publishing world, van Vogt had not published any wholly new fiction for almost 12 years when he decided to return to writing in 1962. He did not return immediately to science fiction, but instead wrote the only mainstream, non-sf novel of his career.
Van Vogt was profoundly affected by revelations of totalitarian police states that emerged after World War II. Accordingly, he wrote a mainstream novel that he set in Communist China, "The Violent Man" (1962). Van Vogt explained that to research this book he had read 100 books about China. Into this book he incorporated his view of "the violent male type", which he described as a "man who had to be right", a man who "instantly attracts women" and who he said were the men who "run the world". Contemporary reviews were lukewarm at best, and van Vogt thereafter returned to science fiction.
From 1963 through the mid-1980s, van Vogt once again published new material on a regular basis, though fix-ups and reworked material also appeared relatively often. His later novels included fix-ups such as "The Beast" (also known as "Moonbeast") (1963), "Rogue Ship" (1965), "Quest for the Future" (1970) and "Supermind" (1977). He also wrote novels by expanding previously published short stories; works of this type include "The Darkness on Diamondia" (1972) and "Future Glitter" (also known as "Tyranopolis"; 1973).
Novels that were written simply as novels, and not serialized magazine pieces or fix-ups, had been very rare in van Vogt's oeuvre, but began to appear regularly beginning in the 1970s. Van Vogt's original novels included "Children of Tomorrow" (1970), "The Battle of Forever" (1971) and "The Anarchistic Colossus" (1977). Over the years, many sequels to his classic works were promised, but only one appeared: "Null-A Three" (1984; originally published in French). Several later books were initially published in Europe, and at least one novel only ever appeared in foreign language editions and was never published in its original English.
Final years.
When the 1979 film "Alien" appeared, it was noted that the plot closely matched the plots of both "Black Destroyer" and "Discord in Scarlet", both published in "Astounding magazine" in 1939, and then later published in the 1950 book "Voyage of the Space Beagle". Van Vogt sued the production company for plagiarism, and eventually collected an out-of-court settlement of $50,000 from 20th Century Fox.
In increasingly frail health, van Vogt published his final short story in 1986.
Personal life.
Van Vogt's first wife, Edna Mayne Hull, died in 1975. Van Vogt married Lydia Bereginsky in 1979; they remained together until his death.
Death.
On January 26, 2000, A. E. van Vogt died in Los Angeles from Alzheimer's disease. He was survived by his second wife.
Critical reception.
Critical opinion about the quality of van Vogt's work is sharply divided. An early and articulate critic was Damon Knight. In a 1945 chapter-long essay reprinted in "In Search of Wonder," entitled "Cosmic Jerrybuilder: A. E. van Vogt", Knight described van Vogt as "no giant; he is a pygmy who has learned to operate an overgrown typewriter". Knight described "The World of Null-A" as "one of the worst allegedly adult science fiction stories ever published". Concerning van Vogt's writing, Knight said:
About "Empire of the Atom" Knight wrote:
Knight also expressed misgivings about van Vogt's politics. He noted that van Vogt's stories almost invariably present absolute monarchy in a favorable light. In 1974, Knight retracted some of his criticism after finding out about Vogt's writing down his dreams as a part of his working methods:
Knight's criticism greatly damaged van Vogt's reputation. On the other hand, when science fiction author Philip K. Dick was asked which science fiction writers had influenced his work the most, he replied:
Dick also defended van Vogt against Damon Knight's criticisms:
In a review of "Transfinite: The Essential A. E. van Vogt", science fiction writer Paul Di Filippo said:
In "The John W. Campbell Letters", Campbell says, "The son-of-a-gun gets hold of you in the first paragraph, ties a knot around you, and keeps it tied in every paragraph thereafter—including the ultimate last one".
Harlan Ellison (who had begun reading van Vogt as a teenager) wrote, "Van was the first writer to shine light on the restricted ways in which I had been taught to view the universe and the human condition".
Writing in 1984, David Hartwell said:
The literary critic Leslie A. Fiedler said something similar:
American literary critic Fredric Jameson says of van Vogt:
Van Vogt still has his critics. For example, Darrell Schweitzer, writing to "The New York Review of Science Fiction" in 1999, quoted a passage from the original van Vogt novelette "The Mixed Men", which he was then reading, and remarked:
Recognition.
In 1946, van Vogt and his first wife, Edna Mayne Hull, were Guests of Honor at the fourth World Science Fiction Convention.
In 1980, van Vogt received a "Casper Award" (precursor to the Canadian Prix Aurora Awards) for Lifetime Achievement.
In 1996, van Vogt received a Special Award from the World Science Fiction Convention "for six decades of golden age science fiction". That same year, he was inducted as an inaugural member of the Science Fiction and Fantasy Hall of Fame.
The Science Fiction Writers of America (SFWA) named him its 14th Grand Master in 1995 (presented 1996). Great controversy within SFWA accompanied its long wait in bestowing its highest honor (limited to living writers, no more than one annually). Writing an obituary of van Vogt, Robert J. Sawyer, a fellow Canadian writer of science fiction, remarked:
It is generally held that a key factor in the delay was "damnable SFWA politics" reflecting the concerns of Damon Knight, the founder of the SFWA, who abhorred van Vogt's style and politics and thoroughly demolished his literary reputation in the 1950s.
Harlan Ellison was more explicit in 1999 introduction to "Futures Past: The Best Short Fiction of A. E. van Vogt":
In 1996, van Vogt received a Special Award from the World Science Fiction Convention "for six decades of golden age science fiction". That same year, the Science Fiction and Fantasy Hall of Fame inducted him in its inaugural class of two deceased and two living persons, along with writer Jack Williamson (also living) and editors Hugo Gernsback and John W. Campbell.
The works of van Vogt were translated into French by the surrealist Boris Vian ("The World of Null-A" as "Le Monde des Å" in 1958), and van Vogt's works were "viewed as great literature of the surrealist school". In addition, "Slan" was published in French, translated by Jean Rosenthal, under the title "À la poursuite des Slans", as part of the paperback series 'Editions J'ai Lu: Romans-Texte Integral' in 1973. This edition also listing the following works by van Vogt as having been published in French as part of this series: "Le Monde des Å", "La faune de l'espace", "Les joueurs du Å", "L'empire de l'atome", "Le sorcier de Linn", "Les armureries d'Isher", "Les fabricants d'armes", and "Le livre de Ptath".
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Azincourt
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Azincourt (), historically known in English as Agincourt ( ), is a commune in the Pas-de-Calais department in northern France. It is situated north-west of Saint-Pol-sur-Ternoise on the D71 road between Hesdin and Fruges.
The Late Medieval Battle of Agincourt between the English and the French took place in the commune in 1415.
Toponym.
The name is attested as "Aisincurt" in 1175, derived from a Germanic masculine name Aizo, Aizino and the early Northern French word "curt" (which meant a farm with a courtyard; derived from the Late Latin "cortem"). The name has no etymological link with Agincourt, Meurthe-et-Moselle (attested as "Egincourt" 875), which is derived separately from another Germanic male name "*Ingin-".
History.
Azincourt is known for being near the site of the battle fought on 25 October 1415 in which the army led by King Henry V of England defeated the forces led by Charles d'Albret on behalf of Charles VI of France, which has gone down in history as the Battle of Agincourt. According to M. Forrest, the French knights were so encumbered by their armour that they were exhausted even before the start of the battle.
Later on, when he became king in 1509, Henry VIII is supposed to have commissioned an English translation of a Life of Henry V so that he could emulate him, on the grounds that he thought that launching a campaign against France would help him to impose himself on the European stage. In 1513, Henry VIII crossed the English Channel, stopping by at Azincourt.
The battle, as was the tradition, was named after a nearby castle called Azincourt. The castle has since disappeared and the settlement now known as Azincourt adopted the name in the seventeenth century.
John Cassell wrote in 1857 that "the village of Azincourt itself is now a group of dirty farmhouses and wretched cottages, but where the hottest of the battle raged, between that village and the commune of Tramecourt, there still remains a wood precisely corresponding with the one in which Henry placed his ambush; and there are yet existing the foundations of the castle of Azincourt, from which the king named the field."
Sights.
The original battlefield museum in the village featured model knights made out of Action Man figures. This has now been replaced by the Centre historique médiéval d'Azincourt (CHM)a more professional museum, conference centre and exhibition space incorporating laser, video, slide shows, audio commentaries, and some interactive elements. The museum building is shaped like a longbow similar to those used at the battle by archers under King Henry.
Since 2004 a large medieval festival organised by the local community, the CHM, The Azincourt Alliance, and various other UK societies commemorating the battle, local history and medieval life, arts and crafts has been held in the village. Prior to this date the festival was held in October, but due to the inclement weather and local heavy clay soil (like the battle) making the festival difficult, it was moved to the last Sunday in July.
International relations.
Azincourt is twinned with Middleham, United Kingdom.
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Alvin Toffler
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Alvin Eugene Toffler (October 4, 1928 – June 27, 2016) was an American writer, futurist, and businessman known for his works discussing modern technologies, including the digital revolution and the communication revolution, with emphasis on their effects on cultures worldwide. He is regarded as one of the world's outstanding futurists.
Toffler was an associate editor of "Fortune" magazine. In his early works he focused on technology and its impact, which he termed "information overload." In 1970, his first major book about the future, "Future Shock", became a worldwide best-seller and has sold over 6 million copies.
He and his wife Heidi Toffler, who collaborated with him for most of his writings, moved on to examining the reaction to changes in society with another best-selling book, "The Third Wave" in 1980. In it, he foresaw such technological advances as cloning, personal computers, the Internet, cable television and mobile communication. His later focus, via their other best-seller, "Powershift", (1990), was on the increasing power of 21st-century military hardware and the proliferation of new technologies.
He founded Toffler Associates, a management consulting company, and was a visiting scholar at the Russell Sage Foundation, visiting professor at Cornell University, faculty member of the New School for Social Research, a White House correspondent, and a business consultant. Toffler's ideas and writings were a significant influence on the thinking of business and government leaders worldwide, including China's Zhao Ziyang, and AOL founder Steve Case.
Early life.
Alvin Toffler was born on October 4, 1928, in New York City, and raised in Brooklyn. He was the son of Rose (Albaum) and Sam Toffler, a furrier, both Polish Jews who had migrated to America. He had one younger sister. He was inspired to become a writer at the age of 7 by his aunt and uncle, who lived with the Tofflers. "They were Depression-era literary intellectuals," Toffler said, "and they always talked about exciting ideas."
Toffler graduated from New York University in 1950 as an English major, though by his own account he was more focused on political activism than grades. He met his future wife, Adelaide Elizabeth Farrell (nicknamed "Heidi"), when she was starting a graduate course in linguistics. Being radical students, they decided against further graduate work and moved to Cleveland, Ohio, where they married on April 29, 1950.
Career.
Seeking experiences to write about, Alvin and Heidi Toffler spent the next five years as blue collar workers on assembly lines while studying industrial mass production in their daily work. He compared his own desire for experience to other writers, such as Jack London, who in his quest for subjects to write about sailed the seas, and John Steinbeck, who went to pick grapes with migrant workers. In their first factory jobs, Heidi became a union shop steward in the aluminum foundry where she worked. Alvin became a millwright and welder. In the evenings Alvin would write poetry and fiction, but discovered he was proficient at neither.
His hands-on practical labor experience helped Alvin Toffler land a position at a union-backed newspaper, a transfer to its Washington bureau in 1957, then three years as a White House correspondent, covering Congress and the White House for a Pennsylvania daily newspaper.
They returned to New York City in 1959 when "Fortune" magazine invited Alvin to become its labor columnist, later having him write about business and management. After leaving "Fortune" magazine in 1962, Toffler began a freelance career, writing long form articles for scholarly journals and magazines. His 1964 "Playboy interviews" with Russian novelist Vladimir Nabokov and Ayn Rand were considered among the magazine's best. His interview with Rand was the first time the magazine had given such a platform to a female intellectual, which as one commentator said, "the real bird of paradise Toffler captured for Playboy in 1964 was Ayn Rand."
Toffler was hired by IBM to conduct research and write a paper on the social and organizational impact of computers, leading to his contact with the earliest computer "gurus" and artificial intelligence researchers and proponents. Xerox invited him to write about its research laboratory and AT&T consulted him for strategic advice. This AT&T work led to a study of telecommunications, which advised the company's top management to break up the company more than a decade before the government forced AT&T to break up.
In the mid-1960s, the Tofflers began five years of research on what would become "Future Shock", published in 1970. It has sold over 6 million copies worldwide, according to the "New York Times," or over 15 million copies according to the Tofflers' Web site. Toffler coined the term "future shock" to refer to what happens to a society when change happens too fast, which results in social confusion and normal decision-making processes breaking down. The book has never been out of print and has been translated into dozens of languages.
He continued the theme in "The Third Wave" in 1980. While he describes the first and second waves as the agricultural and industrial revolutions, the "third wave," a phrase he coined, represents the current information, computer-based revolution. He forecast the spread of the Internet and email, interactive media, cable television, cloning, and other digital advancements. He claimed that one of the side effects of the digital age has been "information overload," another term he coined. In 1990, he wrote "Powershift", also with the help of his wife, Heidi.
In 1996, with American business consultant Tom Johnson, they co-founded Toffler Associates, an advisory firm designed to implement many of the ideas the Tofflers had written on. The firm worked with businesses, NGOs, and governments in the United States, South Korea, Mexico, Brazil, Singapore, Australia, and other countries. During this period in his career, Toffler lectured worldwide, taught at several schools and met world leaders, such as Mikhail Gorbachev, along with key executives and military officials.
Ideas and opinions.
Toffler stated many of his ideas during an interview with the Australian Broadcasting Corporation in 1998. "Society needs people who take care of the elderly and who know how to be compassionate and honest," he said. "Society needs people who work in hospitals. Society needs all kinds of skills that are not just cognitive; they're emotional, they're affectional. You can't run the society on data and computers alone."
His opinions about the future of education, many of which were in "Future Shock", have often been quoted. An often misattributed quote, however, is that of psychologist Herbert Gerjuoy: "Tomorrow's illiterate will not be the man who can't read; he will be the man who has not learned how to learn."
Early in his career, after traveling to other countries, he became aware of the new and myriad inputs that visitors received from these other cultures. He explained during an interview that some visitors would become "truly disoriented and upset" by the strange environment, which he described as a reaction to culture shock. From that issue, he foresaw another problem for the future, when a culturally "new environment comes to you ... and comes to you rapidly." That kind of sudden cultural change within one's own country, which he felt many would not understand, would lead to a similar reaction, one of "future shock", which he wrote about in his book by that title. Toffler writes:
In "The Third Wave", Toffler describes three types of societies, based on the concept of "waves"—each wave pushes the older societies and cultures aside. He describes the "First Wave" as the society after agrarian revolution and replaced the first hunter-gatherer cultures. The "Second Wave," he labels society during the Industrial Revolution (ca. late 17th century through the mid-20th century). That period saw the increase of urban industrial populations which had undermined the traditional nuclear family, and initiated a factory-like education system, and the growth of the corporation. Toffler said:
The "Third Wave" was a term he coined to describe the post-industrial society, which began in the late 1950s. His description of this period dovetails with other futurist writers, who also wrote about the Information Age, Space Age, Electronic Era, Global Village, terms which highlighted a scientific-technological revolution. The Tofflers claimed to have predicted a number of geopolitical events, such as the collapse of the Soviet Union, the fall of the Berlin Wall and the future economic growth in the Asia-Pacific region.
Ideas and opinions.
Toffler stated many of his ideas during an interview with the Australian Broadcasting Corporation in 1998. "Society needs people who take care of the elderly and who know how to be compassionate and honest," he said. "Society needs people who work in hospitals. Society needs all kinds of skills that are not just cognitive; they're emotional, they're affectional. You can't run the society on data and computers alone."
His opinions about the future of education, many of which were in "Future Shock", have often been quoted. An often misattributed quote, however, is that of psychologist Herbert Gerjuoy: "Tomorrow's illiterate will not be the man who can't read; he will be the man who has not learned how to learn."
Early in his career, after traveling to other countries, he became aware of the new and myriad inputs that visitors received from these other cultures. He explained during an interview that some visitors would become "truly disoriented and upset" by the strange environment, which he described as a reaction to culture shock. From that issue, he foresaw another problem for the future, when a culturally "new environment comes to you ... and comes to you rapidly." That kind of sudden cultural change within one's own country, which he felt many would not understand, would lead to a similar reaction, one of "future shock", which he wrote about in his book by that title. Toffler writes:
In "The Third Wave", Toffler describes three types of societies, based on the concept of "waves"—each wave pushes the older societies and cultures aside. He describes the "First Wave" as the society after agrarian revolution and replaced the first hunter-gatherer cultures. The "Second Wave," he labels society during the Industrial Revolution (ca. late 17th century through the mid-20th century). That period saw the increase of urban industrial populations which had undermined the traditional nuclear family, and initiated a factory-like education system, and the growth of the corporation. Toffler said:
The "Third Wave" was a term he coined to describe the post-industrial society, which began in the late 1950s. His description of this period dovetails with other futurist writers, who also wrote about the Information Age, Space Age, Electronic Era, Global Village, terms which highlighted a scientific-technological revolution. The Tofflers claimed to have predicted a number of geopolitical events, such as the collapse of the Soviet Union, the fall of the Berlin Wall and the future economic growth in the Asia-Pacific region.
Influences and popular culture.
Toffler often visited with dignitaries in Asia, including China's Zhao Ziyang, Singapore's Lee Kuan Yew and South Korea's Kim Dae Jung, all of whom were influenced by his views as Asia's emerging markets increased in global significance during the 1980s and 1990s. Although they had originally censored some of his books and ideas, China's government cited him along with Franklin Roosevelt and Bill Gates as being among the Westerners who had most influenced their country. "The Third Wave" along with a video documentary based on it became best-sellers in China and were widely distributed to schools. The video's success inspired the marketing of videos on related themes in the late 1990s by Infowars, whose name is derived from the term coined by Toffler in the book. Toffler's influence on Asian thinkers was summed up in an article in "Daedalus", published by the American Academy of Arts & Sciences:
U.S. House Speaker Newt Gingrich publicly lauded his ideas about the future, and urged members of Congress to read Toffler's book, "Creating a New Civilization" (1995). Others, such as AOL founder Steve Case, cited Toffler's "The Third Wave" as a formative influence on his thinking, which inspired him to write "The Third Wave: An Entrepreneur's Vision of the Future" in 2016. Case said that Toffler was a "real pioneer in helping people, companies and even countries lean into the future."
In 1980, Ted Turner founded CNN, which he said was inspired by Toffler's forecasting the end of the dominance of the three main television networks. Turner's company, Turner Broadcasting, published Toffler's "Creating a New Civilization" in 1995. Shortly after the book was released, the former Soviet president Mikhail Gorbachev hosted the Global Governance Conference in San Francisco with the theme, "Toward a New Civilization", which was attended by dozens of world figures, including the Tofflers, George H. W. Bush, Margaret Thatcher, Carl Sagan, Abba Eban and Turner with his then-wife, actress Jane Fonda.
Mexican billionaire Carlos Slim was influenced by his works, and became a friend of the writer. Global marketer J.D. Power also said he was inspired by Toffler's works.
Since the 1960s, people had tried to make sense out of the effect of new technologies and social change, a problem which made Toffler's writings widely influential beyond the confines of scientific, economic, and public policy. His works and ideas have been subject to various criticisms, usually with the same argumentation used against futurology: that foreseeing the future is nigh impossible.
Techno music pioneer Juan Atkins cites Toffler's phrase "techno rebels" in "The Third Wave" as inspiring him to use the word "techno" to describe the musical style he helped to create
Musician Curtis Mayfield released a disco song called "Future Shock," later covered in an electro version by Herbie Hancock. Science fiction author John Brunner wrote "The Shockwave Rider," from the concept of "future shock."
The nightclub Toffler, in Rotterdam, is named after him.
In the song "Victoria" by The Exponents, the protagonist's daily routine and cultural interests are described: "She's up in time to watch the soap operas, reads Cosmopolitan and Alvin Toffler".
Critical assessment.
Accenture, the management consultancy firm, identified Toffler in 2002 as being among the most influential voices in business leaders, along with Bill Gates and Peter Drucker. Toffler has also been described in a "Financial Times" interview as the "world's most famous futurologist". In 2006, the "People's Daily" classed him among the 50 foreigners who shaped modern China, which one U.S. newspaper notes made him a "guru of sorts to world statesmen." Chinese Premier and General Secretary Zhao Ziyang was greatly influenced by Toffler. He convened conferences to discuss "The Third Wave" in the early 1980s, and in 1985 the book was the No. 2 best seller in China.
Author Mark Satin characterizes Toffler as an important early influence on radical centrist political thought.
Newt Gingrich became close to the Tofflers in the 1970s and said "The Third Wave" had immensely influenced his own thinking and was "one of the great seminal works of our time."
Selected awards.
Toffler has received several prestigious prizes and awards, including the McKinsey Foundation Book Award for Contributions to Management Literature, Officier de L'Ordre des Arts et Lettres, and appointments, including Fellow of the American Association for the Advancement of Science and the International Institute for Strategic Studies.
In 2006, Alvin and Heidi Toffler were recipients of Brown University's Independent Award.
Personal life.
Toffler was married to Heidi Toffler (born Adelaide Elizabeth Farrell), also a writer and futurist. They lived in the Bel Air section of Los Angeles, California, and previously lived in Redding, Connecticut.
The couple's only child, Karen Toffler (1954–2000), died at age 46 after more than a decade suffering from Guillain–Barré syndrome.
Alvin Toffler died in his sleep on June 27, 2016, at his home in Los Angeles. No cause of death was given. He is buried at Westwood Memorial Park.
Bibliography.
Alvin Toffler co-wrote his books with his wife Heidi.
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A. A. Milne
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Alan Alexander Milne (; 18 January 1882 – 31 January 1956) was an English writer best known for his books about the teddy bear Winnie-the-Pooh, as well as for children's poetry. Milne was primarily a playwright before the huge success of Winnie-the-Pooh overshadowed all his previous work. Milne served in both World Wars, as a lieutenant in the Royal Warwickshire Regiment in the First World War and as a captain in the Home Guard in the Second World War.
Milne was the father of bookseller Christopher Robin Milne, upon whom the character Christopher Robin is based. It was during a visit to London Zoo, where Christopher became enamoured with the tame and amiable bear Winnipeg, that Milne was inspired to write the story of Winnie-the-Pooh for his son.
Early life and military career.
Alan Alexander Milne was born in Kilburn, London, to John Vine Milne, who was born in Jamaica, and Sarah Marie Milne (née Heginbotham), on 18 January 1882. He grew up at Henley House School, 6/7 Mortimer Road (now Crescent), Kilburn, a small independent school run by his father. One of his teachers was H. G. Wells, who taught there in 1889–90. Milne attended Westminster School and Trinity College, Cambridge, where he studied on a mathematics scholarship, graduating with a B.A. in Mathematics in 1903. He edited and wrote for "Granta", a student magazine. He collaborated with his brother Kenneth and their articles appeared over the initials AKM. Milne's work came to the attention of the leading British humour magazine "Punch", where Milne was to become a contributor and later an assistant editor. Considered a talented cricket fielder, Milne played for two amateur teams that were largely composed of British writers: the Allahakbarries and the Authors XI. His teammates included fellow writers J. M. Barrie, Arthur Conan Doyle and P. G. Wodehouse.
Milne joined the British Army in World War I and served as an officer in the Royal Warwickshire Regiment. He was commissioned into the 4th Battalion, Royal Warwickshire Regiment, on 1 February 1915 as a second lieutenant (on probation). His commission was confirmed on 20 December 1915. He served on the Somme as a signals officer from July-November 1916, but caught trench fever and was invalided back to England. Having recuperated, he worked as a signals instructor, before being recruited into Military Intelligence to write propaganda articles for MI7 (b) between 1917 and 1918. He was discharged on 14 February 1919, and settled in Mallord Street, Chelsea. He relinquished his commission on 19 February 1920, retaining the rank of lieutenant.
After the war, he wrote a denunciation of war titled "Peace with Honour" (1934), which he retracted somewhat with 1940's "War with Honour". During World War II, Milne was one of the most prominent critics of fellow English writer (and Authors XI cricket teammate) P. G. Wodehouse, who was captured at his country home in France by the Nazis and imprisoned for a year. Wodehouse made radio broadcasts about his internment, which were broadcast from Berlin. Although the light-hearted broadcasts made fun of the Germans, Milne accused Wodehouse of committing an act of near treason by cooperating with his country's enemy. Wodehouse got some revenge on his former friend (e.g. in "The Mating Season") by creating fatuous parodies of the Christopher Robin poems in some of his later stories, and claiming that Milne "was probably jealous of all other writers... But I loved his stuff."
Milne married Dorothy "Daphne" de Sélincourt (1890–1971) in 1913 and their son Christopher Robin Milne was born in 1920. In 1925, Milne bought a country home, Cotchford Farm, in Hartfield, East Sussex.
During World War II, Milne was a captain in the British Home Guard in Hartfield & Forest Row, insisting on being plain "Mr. Milne" to the members of his platoon. He retired to the farm after a stroke and brain surgery in 1952 left him an invalid, and by August 1953, "he seemed very old and disenchanted." Milne died in January 1956, aged 74.
Literary career.
1903 to 1925.
After graduating from Cambridge University in 1903, A. A. Milne contributed humorous verse and whimsical essays to "Punch", joining the staff in 1906 and becoming an assistant editor.
During this period he published 18 plays and three novels, including the murder mystery "The Red House Mystery" (1922). His son was born in August 1920 and in 1924 Milne produced a collection of children's poems, "When We Were Very Young", which were illustrated by "Punch" staff cartoonist E. H. Shepard. A collection of short stories for children "A Gallery of Children", and other stories that became part of the Winnie-the-Pooh books, were first published in 1925.
Milne was an early screenwriter for the nascent British film industry, writing four stories filmed in 1920 for the company Minerva Films (founded in 1920 by the actor Leslie Howard and his friend and story editor Adrian Brunel). These were "The Bump", starring Aubrey Smith; "Twice Two"; "Five Pound Reward"; and "Bookworms". Some of these films survive in the archives of the British Film Institute. Milne had met Howard when the actor starred in Milne's play "Mr Pim Passes By" in London.
Looking back on this period (in 1926), Milne observed that when he told his agent that he was going to write a detective story, he was told that what the country wanted from a ""Punch" humorist" was a humorous story; when two years later he said he was writing nursery rhymes, his agent and publisher were convinced he should write another detective story; and after another two years, he was being told that writing a detective story would be in the worst of taste given the demand for children's books. He concluded that "the only excuse which I have yet discovered for writing anything is that I want to write it; and I should be as proud to be delivered of a Telephone Directory "con amore" as I should be ashamed to create a Blank Verse Tragedy at the bidding of others."
1926 to 1928.
Milne is most famous for his two "Pooh" books about a boy named Christopher Robin after his son, Christopher Robin Milne (1920–1996), and various characters inspired by his son's stuffed animals, most notably the bear named Winnie-the-Pooh. Christopher Robin Milne's stuffed bear, originally named Edward, was renamed Winnie after a Canadian black bear named Winnie (after Winnipeg), which was used as a military mascot in World War I, and left to London Zoo during the war. "The Pooh" comes from a swan the young Milne named "Pooh". E. H. Shepard illustrated the original Pooh books, using his own son's teddy Growler ("a magnificent bear") as the model. The rest of Christopher Robin Milne's toys, Piglet, Eeyore, Kanga, Roo and Tigger, were incorporated into A. A. Milne's stories, and two more characters – Rabbit and Owl – were created by Milne's imagination. Christopher Robin Milne's own toys are now on display in New York where 750,000 people visit them every year.
The fictional Hundred Acre Wood of the Pooh stories derives from Five Hundred Acre Wood in Ashdown Forest in East Sussex, South East England, where the Pooh stories were set. Milne lived on the northern edge of the forest at Cotchford Farm, , and took his son walking there. E. H. Shepard drew on the landscapes of Ashdown Forest as inspiration for many of the illustrations he provided for the Pooh books. The adult Christopher Robin commented: "Pooh's Forest and Ashdown Forest are identical." Popular tourist locations at Ashdown Forest include: "Galleon's Lap", "The Enchanted Place", the "Heffalump Trap" and "Lone Pine", "Eeyore’s Sad and Gloomy Place", and the wooden "Pooh Bridge" where Pooh and Piglet invented Poohsticks.
Not yet known as Pooh, he made his first appearance in a poem, "Teddy Bear", published in "Punch" magazine in February 1924 and republished that year in "When We Were Very Young". Pooh first appeared in the "London Evening News" on Christmas Eve, 1925, in a story called "The Wrong Sort of Bees". "Winnie-the-Pooh" was published in 1926, followed by "The House at Pooh Corner" in 1928. A second collection of nursery rhymes, "Now We Are Six", was published in 1927. All four books were illustrated by E. H. Shepard. Milne also published four plays in this period. He also "gallantly stepped forward" to contribute a quarter of the costs of dramatising P. G. Wodehouse's "A Damsel in Distress". "The World of Pooh" won the Lewis Carroll Shelf Award in 1958.
1929 onwards.
The success of his children's books was to become a source of considerable annoyance to Milne, whose self-avowed aim was to write whatever he pleased and who had, until then, found a ready audience for each change of direction: he had freed pre-war "Punch" from its ponderous facetiousness; he had made a considerable reputation as a playwright (like his idol J. M. Barrie) on both sides of the Atlantic; he had produced a witty piece of detective writing in "The Red House Mystery" (although this was severely criticised by Raymond Chandler for the implausibility of its plot in his essay "The Simple Art of Murder" in the eponymous collection that appeared in 1950). But once Milne had, in his own words, "said goodbye to all that in 70,000 words" (the approximate length of his four principal children's books), he had no intention of producing any reworkings lacking in originality, given that one of the sources of inspiration, his son, was growing older.
Another reason Milne stopped writing children's books, and especially about Winnie-the-Pooh, was that he felt "amazement and disgust" over the fame his son was exposed to, and said that "I feel that the legal Christopher Robin has already had more publicity than I want for him. I do not want CR Milne to ever wish that his name were Charles Robert."
In his literary home, "Punch", where the "When We Were Very Young" verses had first appeared, Methuen continued to publish whatever Milne wrote, including the long poem "The Norman Church" and an assembly of articles entitled "Year In, Year Out" (which Milne likened to a benefit night for the author).
In 1930, Milne adapted Kenneth Grahame's novel "The Wind in the Willows" for the stage as "Toad of Toad Hall". The title was an implicit admission that such chapters as Chapter 7, "The Piper at the Gates of Dawn," could not survive translation to the theatre. A special introduction written by Milne is included in some editions of Grahame's novel.
Milne and his wife became estranged from their son, who came to resent what he saw as his father's exploitation of his childhood and came to hate the books that had thrust him into the public eye. Christopher's marriage to his first cousin, Lesley de Sélincourt, distanced him still further from his parents – Lesley's father and Christopher's mother had not spoken to each other for 30 years.
1903 to 1925.
After graduating from Cambridge University in 1903, A. A. Milne contributed humorous verse and whimsical essays to "Punch", joining the staff in 1906 and becoming an assistant editor.
During this period he published 18 plays and three novels, including the murder mystery "The Red House Mystery" (1922). His son was born in August 1920 and in 1924 Milne produced a collection of children's poems, "When We Were Very Young", which were illustrated by "Punch" staff cartoonist E. H. Shepard. A collection of short stories for children "A Gallery of Children", and other stories that became part of the Winnie-the-Pooh books, were first published in 1925.
Milne was an early screenwriter for the nascent British film industry, writing four stories filmed in 1920 for the company Minerva Films (founded in 1920 by the actor Leslie Howard and his friend and story editor Adrian Brunel). These were "The Bump", starring Aubrey Smith; "Twice Two"; "Five Pound Reward"; and "Bookworms". Some of these films survive in the archives of the British Film Institute. Milne had met Howard when the actor starred in Milne's play "Mr Pim Passes By" in London.
Looking back on this period (in 1926), Milne observed that when he told his agent that he was going to write a detective story, he was told that what the country wanted from a ""Punch" humorist" was a humorous story; when two years later he said he was writing nursery rhymes, his agent and publisher were convinced he should write another detective story; and after another two years, he was being told that writing a detective story would be in the worst of taste given the demand for children's books. He concluded that "the only excuse which I have yet discovered for writing anything is that I want to write it; and I should be as proud to be delivered of a Telephone Directory "con amore" as I should be ashamed to create a Blank Verse Tragedy at the bidding of others."
1926 to 1928.
Milne is most famous for his two "Pooh" books about a boy named Christopher Robin after his son, Christopher Robin Milne (1920–1996), and various characters inspired by his son's stuffed animals, most notably the bear named Winnie-the-Pooh. Christopher Robin Milne's stuffed bear, originally named Edward, was renamed Winnie after a Canadian black bear named Winnie (after Winnipeg), which was used as a military mascot in World War I, and left to London Zoo during the war. "The Pooh" comes from a swan the young Milne named "Pooh". E. H. Shepard illustrated the original Pooh books, using his own son's teddy Growler ("a magnificent bear") as the model. The rest of Christopher Robin Milne's toys, Piglet, Eeyore, Kanga, Roo and Tigger, were incorporated into A. A. Milne's stories, and two more characters – Rabbit and Owl – were created by Milne's imagination. Christopher Robin Milne's own toys are now on display in New York where 750,000 people visit them every year.
The fictional Hundred Acre Wood of the Pooh stories derives from Five Hundred Acre Wood in Ashdown Forest in East Sussex, South East England, where the Pooh stories were set. Milne lived on the northern edge of the forest at Cotchford Farm, , and took his son walking there. E. H. Shepard drew on the landscapes of Ashdown Forest as inspiration for many of the illustrations he provided for the Pooh books. The adult Christopher Robin commented: "Pooh's Forest and Ashdown Forest are identical." Popular tourist locations at Ashdown Forest include: "Galleon's Lap", "The Enchanted Place", the "Heffalump Trap" and "Lone Pine", "Eeyore’s Sad and Gloomy Place", and the wooden "Pooh Bridge" where Pooh and Piglet invented Poohsticks.
Not yet known as Pooh, he made his first appearance in a poem, "Teddy Bear", published in "Punch" magazine in February 1924 and republished that year in "When We Were Very Young". Pooh first appeared in the "London Evening News" on Christmas Eve, 1925, in a story called "The Wrong Sort of Bees". "Winnie-the-Pooh" was published in 1926, followed by "The House at Pooh Corner" in 1928. A second collection of nursery rhymes, "Now We Are Six", was published in 1927. All four books were illustrated by E. H. Shepard. Milne also published four plays in this period. He also "gallantly stepped forward" to contribute a quarter of the costs of dramatising P. G. Wodehouse's "A Damsel in Distress". "The World of Pooh" won the Lewis Carroll Shelf Award in 1958.
1929 onwards.
The success of his children's books was to become a source of considerable annoyance to Milne, whose self-avowed aim was to write whatever he pleased and who had, until then, found a ready audience for each change of direction: he had freed pre-war "Punch" from its ponderous facetiousness; he had made a considerable reputation as a playwright (like his idol J. M. Barrie) on both sides of the Atlantic; he had produced a witty piece of detective writing in "The Red House Mystery" (although this was severely criticised by Raymond Chandler for the implausibility of its plot in his essay "The Simple Art of Murder" in the eponymous collection that appeared in 1950). But once Milne had, in his own words, "said goodbye to all that in 70,000 words" (the approximate length of his four principal children's books), he had no intention of producing any reworkings lacking in originality, given that one of the sources of inspiration, his son, was growing older.
Another reason Milne stopped writing children's books, and especially about Winnie-the-Pooh, was that he felt "amazement and disgust" over the fame his son was exposed to, and said that "I feel that the legal Christopher Robin has already had more publicity than I want for him. I do not want CR Milne to ever wish that his name were Charles Robert."
In his literary home, "Punch", where the "When We Were Very Young" verses had first appeared, Methuen continued to publish whatever Milne wrote, including the long poem "The Norman Church" and an assembly of articles entitled "Year In, Year Out" (which Milne likened to a benefit night for the author).
In 1930, Milne adapted Kenneth Grahame's novel "The Wind in the Willows" for the stage as "Toad of Toad Hall". The title was an implicit admission that such chapters as Chapter 7, "The Piper at the Gates of Dawn," could not survive translation to the theatre. A special introduction written by Milne is included in some editions of Grahame's novel.
Milne and his wife became estranged from their son, who came to resent what he saw as his father's exploitation of his childhood and came to hate the books that had thrust him into the public eye. Christopher's marriage to his first cousin, Lesley de Sélincourt, distanced him still further from his parents – Lesley's father and Christopher's mother had not spoken to each other for 30 years.
Death and legacy.
Commemoration.
A. A. Milne died at his home in Hartfield, Sussex, on 31 January 1956, nearly two weeks after his 74th birthday. After a memorial service in London, his ashes were scattered in a crematorium's memorial garden in Brighton.
The rights to A. A. Milne's Pooh books were left to four beneficiaries: his family, the Royal Literary Fund, Westminster School and the Garrick Club. After Milne's death in 1956, thirteen days after his 74th birthday, his widow sold her rights to the Pooh characters to Stephen Slesinger, whose widow sold the rights after Slesinger's death to the Walt Disney Company, which has made many Pooh cartoon movies, a Disney Channel television show, as well as Pooh-related merchandise. In 2001, the other beneficiaries sold their interest in the estate to the Disney Corporation for $350m. Previously Disney had been paying twice-yearly royalties to these beneficiaries. The estate of E. H. Shepard also received a sum in the deal. The UK copyright on the text of the original Winnie the Pooh books expires on 1 January 2027; at the beginning of the year after the 70th anniversary of the author's death (PMA-70), and has already expired in those countries with a PMA-50 rule. This applies to all of Milne's works except those first published posthumously. The illustrations in the Pooh books will remain under copyright until the same amount of time has passed, after the illustrator's death; in the UK, this will be on 1 January 2047. In the US, copyright will not expire until 95 years after publication for each of Milne's books first published before 1978, but this includes the illustrations.
In 2008, a collection of original illustrations featuring Winnie-the-Pooh and his animal friends sold for more than £1.2 million at auction in Sotheby's, London. "Forbes" magazine ranked Winnie the Pooh the most valuable fictional character in 2002; Winnie the Pooh merchandising products alone had annual sales of more than $5.9 billion. In 2005, Winnie the Pooh generated $6 billion, a figure surpassed only by Mickey Mouse.
A memorial plaque in Ashdown Forest, unveiled by Christopher Robin in 1979, commemorates the work of A. A. Milne and Shepard in creating the world of Pooh. The inscription states they "captured the magic of Ashdown Forest, and gave it to the world". Milne once wrote of Ashdown Forest: "In that enchanted place on the top of the forest a little boy and his bear will always be playing."
In 2003, "Winnie-the-Pooh" was ranked number 7 on the BBC's The Big Read poll which determined the UK's "best-loved novels". In 2006, Winnie-the-Pooh received a star on the Hollywood Walk of Fame, marking the 80th birthday of Milne's creation.
Marking the 90th anniversary of Milne's creation of the character, and the 90th birthday of Queen Elizabeth II, "Winnie-the-Pooh Meets the Queen" (2016) sees Pooh meet the Queen at Buckingham Palace. The illustrated and audio adventure is narrated by the actor Jim Broadbent. Also in 2016, a new character, a Penguin, was unveiled in "The Best Bear in All the World", which was inspired by a long-lost photograph of Milne and his son Christopher with a toy penguin.
An exhibition entitled "" appeared at the Victoria and Albert Museum in London from 9 December 2017 to 8 April 2018.
Several of Milne's children's poems were set to music by the composer Harold Fraser-Simson. His poems have been parodied many times, including with the books "When We Were Rather Older" and "Now We Are Sixty". The 1963 film "The King's Breakfast" was based on Milne's poem of the same name.
Milne has been portrayed in television and film. Domhnall Gleeson plays him in "Goodbye Christopher Robin", a 2017 biographical drama film. In the 2018 fantasy film "Christopher Robin", an extension of the Disney Winnie the Pooh franchise, Tristan Sturrock plays Milne, and filming took place at Ashdown Forest.
An elementary school in Houston, Texas, operated by the Houston Independent School District (HISD), is named after Milne. The school, A. A. Milne Elementary School in Brays Oaks, opened in 1991.
Commemoration.
A. A. Milne died at his home in Hartfield, Sussex, on 31 January 1956, nearly two weeks after his 74th birthday. After a memorial service in London, his ashes were scattered in a crematorium's memorial garden in Brighton.
The rights to A. A. Milne's Pooh books were left to four beneficiaries: his family, the Royal Literary Fund, Westminster School and the Garrick Club. After Milne's death in 1956, thirteen days after his 74th birthday, his widow sold her rights to the Pooh characters to Stephen Slesinger, whose widow sold the rights after Slesinger's death to the Walt Disney Company, which has made many Pooh cartoon movies, a Disney Channel television show, as well as Pooh-related merchandise. In 2001, the other beneficiaries sold their interest in the estate to the Disney Corporation for $350m. Previously Disney had been paying twice-yearly royalties to these beneficiaries. The estate of E. H. Shepard also received a sum in the deal. The UK copyright on the text of the original Winnie the Pooh books expires on 1 January 2027; at the beginning of the year after the 70th anniversary of the author's death (PMA-70), and has already expired in those countries with a PMA-50 rule. This applies to all of Milne's works except those first published posthumously. The illustrations in the Pooh books will remain under copyright until the same amount of time has passed, after the illustrator's death; in the UK, this will be on 1 January 2047. In the US, copyright will not expire until 95 years after publication for each of Milne's books first published before 1978, but this includes the illustrations.
In 2008, a collection of original illustrations featuring Winnie-the-Pooh and his animal friends sold for more than £1.2 million at auction in Sotheby's, London. "Forbes" magazine ranked Winnie the Pooh the most valuable fictional character in 2002; Winnie the Pooh merchandising products alone had annual sales of more than $5.9 billion. In 2005, Winnie the Pooh generated $6 billion, a figure surpassed only by Mickey Mouse.
A memorial plaque in Ashdown Forest, unveiled by Christopher Robin in 1979, commemorates the work of A. A. Milne and Shepard in creating the world of Pooh. The inscription states they "captured the magic of Ashdown Forest, and gave it to the world". Milne once wrote of Ashdown Forest: "In that enchanted place on the top of the forest a little boy and his bear will always be playing."
In 2003, "Winnie-the-Pooh" was ranked number 7 on the BBC's The Big Read poll which determined the UK's "best-loved novels". In 2006, Winnie-the-Pooh received a star on the Hollywood Walk of Fame, marking the 80th birthday of Milne's creation.
Marking the 90th anniversary of Milne's creation of the character, and the 90th birthday of Queen Elizabeth II, "Winnie-the-Pooh Meets the Queen" (2016) sees Pooh meet the Queen at Buckingham Palace. The illustrated and audio adventure is narrated by the actor Jim Broadbent. Also in 2016, a new character, a Penguin, was unveiled in "The Best Bear in All the World", which was inspired by a long-lost photograph of Milne and his son Christopher with a toy penguin.
An exhibition entitled "" appeared at the Victoria and Albert Museum in London from 9 December 2017 to 8 April 2018.
Several of Milne's children's poems were set to music by the composer Harold Fraser-Simson. His poems have been parodied many times, including with the books "When We Were Rather Older" and "Now We Are Sixty". The 1963 film "The King's Breakfast" was based on Milne's poem of the same name.
Milne has been portrayed in television and film. Domhnall Gleeson plays him in "Goodbye Christopher Robin", a 2017 biographical drama film. In the 2018 fantasy film "Christopher Robin", an extension of the Disney Winnie the Pooh franchise, Tristan Sturrock plays Milne, and filming took place at Ashdown Forest.
An elementary school in Houston, Texas, operated by the Houston Independent School District (HISD), is named after Milne. The school, A. A. Milne Elementary School in Brays Oaks, opened in 1991.
Archive.
The bulk of A. A. Milne's papers are housed at the Harry Ransom Center at the University of Texas at Austin. The collection, established at the center in 1964, consists of manuscript drafts and fragments for over 150 of Milne's works, as well as correspondence, legal documents, genealogical records, and some personal effects. The library division holds several books formerly belonging to Milne and his wife Dorothy. The Harry Ransom Center also has small collections of correspondence from Christopher Robin Milne and Milne's frequent illustrator Ernest Shepard.
The original manuscripts for "Winnie the Pooh" and "The House at Pooh Corner" are archived separately at Trinity College Library, Cambridge.
Religious views.
Milne did not speak out much on the subject of religion, although he used religious terms to explain his decision, while remaining a pacifist, to join the British Home Guard: "In fighting Hitler," he wrote, "we are truly fighting the Devil, the Anti-Christ ... Hitler was a crusader against God."
His best known comment on the subject was recalled on his death:
He wrote in the poem "Explained":
He also wrote in the poem "Vespers":
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Anna Kournikova
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Anna Sergeyevna Kournikova (; born 7 June 1981) is a Russian former professional tennis player and American television personality. Her appearance and celebrity status made her one of the best known tennis stars worldwide. At the peak of her fame, fans looking for images of Kournikova made her name one of the most common search strings on Google Search.
Despite never winning a singles title, she reached No. 8 in the world in 2000. She achieved greater success playing doubles, where she was at times the world No. 1 player. With Martina Hingis as her partner, she won Grand Slam titles in Australia in 1999 and 2002, and the WTA Championships in 1999 and 2000. They referred to themselves as the "Spice Girls of Tennis".
Kournikova retired from professional tennis in 2003 due to serious back and spinal problems, including a herniated disk. She lives in Miami Beach, Florida, and played in occasional exhibitions and in doubles for the St. Louis Aces of World Team Tennis before the team folded in 2011. She was a new trainer for season 12 of the television show "The Biggest Loser", replacing Jillian Michaels, but did not return for season 13. In addition to her tennis and television work, Kournikova serves as a Global Ambassador for Population Services International's "Five & Alive" program, which addresses health crises facing children under the age of five and their families.
Early life.
Kournikova was born in Moscow, Russia on 7 June 1981. Her father, Sergei Kournikov (born 1961), a former Greco-Roman wrestling champion, eventually earned a PhD and was a professor at the University of Physical Culture and Sport in Moscow. As of 2001, he was still a part-time martial arts instructor there. Her mother Alla (born 1963) had been a 400-metre runner. Her younger half-brother, Allan, is a youth golf world champion who was featured in the 2013 documentary film "The Short Game".
Sergei Kournikov has said, "We were young and we liked the clean, physical life, so Anna was in a good environment for sport from the beginning".
Kournikova received her first tennis racquet as a New Year gift in 1986 at the age of five. Describing her early regimen, she said, "I played two times a week from age six. It was a children's program. And it was just for fun; my parents didn't know I was going to play professionally, they just wanted me to do something because I had lots of energy. It was only when I started playing well at seven that I went to a professional academy. I would go to school, and then my parents would take me to the club, and I'd spend the rest of the day there just having fun with the kids." In 1986, Kournikova became a member of the Spartak Tennis Club, coached by Larissa Preobrazhenskaya. In 1989, at the age of eight, Kournikova began appearing in junior tournaments, and by the following year, was attracting attention from tennis scouts across the world. She signed a management deal at age ten and went to Bradenton, Florida, to train at Nick Bollettieri's celebrated tennis academy.
Tennis career.
1989–1997: Early years and breakthrough.
Following her arrival in the United States, she became prominent on the tennis scene. At the age of 14, she won the European Championships and the Italian Open Junior tournament. In December 1995, she became the youngest player to win the 18-and-under division of the Junior Orange Bowl tennis tournament. By the end of the year, Kournikova was crowned the ITF Junior World Champion U-18 and Junior European Champion U-18.
Earlier, in September 1995, Kournikova, still only 14 years of age, debuted in the WTA Tour, when she received a wildcard into the qualifications at the WTA tournament in Moscow, the Moscow Ladies Open, and qualified before losing in the second round of the main draw to third-seeded Sabine Appelmans. She also reached her first WTA Tour doubles final in that debut appearance — partnering with 1995 Wimbledon girls' champion in both singles and doubles Aleksandra Olsza, she lost the title match to Meredith McGrath and Larisa Savchenko-Neiland.
In February–March 1996, Kournikova won two ITF titles, in Midland, Michigan and Rockford, Illinois. Still only 14 years of age, in April 1996 she debuted at the Fed Cup for Russia, the youngest player ever to participate and win a match.
In 1996, she started playing under a new coach, Ed Nagel. Her six-year association with Nagel was successful. At 15, she made her Grand Slam debut, reaching the fourth round of the 1996 US Open, losing to Steffi Graf, the eventual champion. After this tournament, Kournikova's ranking jumped from No. 144 to debut in the Top 100 at No. 69. Kournikova was a member of the Russian delegation to the 1996 Olympic Games in Atlanta, Georgia. In 1996, she was named WTA Newcomer of the Year, and she was ranked No. 57 in the end of the season.
Kournikova entered the 1997 Australian Open as world No. 67, where she lost in the first round to world No. 12, Amanda Coetzer. At the Italian Open, Kournikova lost to Amanda Coetzer in the second round. She reached the semi-finals in the doubles partnering with Elena Likhovtseva, before losing to the sixth seeds Mary Joe Fernández and Patricia Tarabini.
At the French Open, Kournikova made it to the third round before losing to world No. 1, Martina Hingis. She also reached the third round in doubles with Likhovtseva. At the Wimbledon Championships, Kournikova became only the second woman in the open era to reach the semi-finals in her Wimbledon debut, the first being Chris Evert in 1972. There she lost to eventual champion Martina Hingis.
At the US Open, she lost in the second round to the eleventh seed Irina Spîrlea. Partnering with Likhovtseva, she reached the third round of the women's doubles event. Kournikova played her last WTA Tour event of 1997 at Porsche Tennis Grand Prix in Filderstadt, losing to Amanda Coetzer in the second round of singles, and in the first round of doubles to Lindsay Davenport and Jana Novotná partnering with Likhovtseva. She broke into the top 50 on 19 May, and was ranked No. 32 in singles and No. 41 in doubles at the end of the season.
1998–2000: Success and stardom.
In 1998, Kournikova broke into the WTA's top 20 rankings for the first time, when she was ranked No. 16. At the Australian Open, Kournikova lost in the third round to world No. 1 player, Martina Hingis. She also partnered with Larisa Savchenko-Neiland in women's doubles, and they lost to eventual champions Hingis and Mirjana Lučić in the second round. Although she lost in the second round of the Paris Open to Anke Huber in singles, Kournikova reached her second doubles WTA Tour final, partnering with Larisa Savchenko-Neiland. They lost to Sabine Appelmans and Miriam Oremans. Kournikova and Savchenko-Neiland reached their second consecutive final at the Linz Open, losing to Alexandra Fusai and Nathalie Tauziat. At the Miami Open, Kournikova reached her first WTA Tour singles final, before losing to Venus Williams in the final.
Kournikova then reached two consecutive quarterfinals, at Amelia Island and the Italian Open, losing respectively to Lindsay Davenport and Martina Hingis. At the German Open, she reached the semi-finals in both singles and doubles, partnering with Larisa Savchenko-Neiland. At the French Open Kournikova had her best result at this tournament, making it to the fourth round before losing to Jana Novotná. She also reached her first Grand Slam doubles semi-finals, losing with Savchenko-Neiland to Lindsay Davenport and Natasha Zvereva. During her quarterfinals match at the grass-court Eastbourne Open versus Steffi Graf, Kournikova injured her thumb, which would eventually force her to withdraw from the 1998 Wimbledon Championships. However, she won that match, but then withdrew from her semi-finals match against Arantxa Sánchez Vicario. Kournikova returned for the Du Maurier Open and made it to the third round, before losing to Conchita Martínez. At the US Open Kournikova reached the fourth round before losing to Arantxa Sánchez Vicario. Her strong year qualified her for the year-end 1998 WTA Tour Championships, but she lost to Monica Seles in the first round. However, with Seles, she won her first WTA doubles title, in Tokyo, beating Mary Joe Fernández and Arantxa Sánchez Vicario in the final. At the end of the season, she was ranked No. 10 in doubles.
At the start of the 1999 season, Kournikova advanced to the fourth round in singles before losing to Mary Pierce. However, Kournikova won her first doubles Grand Slam title, partnering with Martina Hingis. The two defeated Lindsay Davenport and Natasha Zvereva in the final. At the Tier I Family Circle Cup, Kournikova reached her second WTA Tour final, but lost to Martina Hingis. She then defeated Jennifer Capriati, Lindsay Davenport and Patty Schnyder on her route to the Bausch & Lomb Championships semi-finals, losing to Ruxandra Dragomir. At The French Open, Kournikova reached the fourth round before losing to eventual champion Steffi Graf. Once the grass-court season commenced in England, Kournikova lost to Nathalie Tauziat in the semi-finals in Eastbourne. At Wimbledon, Kournikova lost to Venus Williams in the fourth round. She also reached the final in mixed doubles, partnering with Jonas Björkman, but they lost to Leander Paes and Lisa Raymond. Kournikova again qualified for year-end WTA Tour Championships, but lost to Mary Pierce in the first round, and ended the season as World No. 12.
While Kournikova had a successful singles season, she was even more successful in doubles. After their victory at the Australian Open, she and Martina Hingis won tournaments in Indian Wells, Rome, Eastbourne and the WTA Tour Championships, and reached the final of The French Open where they lost to Serena and Venus Williams. Partnering with Elena Likhovtseva, Kournikova also reached the final in Stanford. On 22 November 1999 she reached the world No. 1 ranking in doubles, and ended the season at this ranking. Kournikova and Hingis were presented with the WTA Award for Doubles Team of the Year.
Kournikova opened her 2000 season winning the Gold Coast Open doubles tournament partnering with Julie Halard. She then reached the singles semi-finals at the Medibank International Sydney, losing to Lindsay Davenport. At the Australian Open, she reached the fourth round in singles and the semi-finals in doubles. That season, Kournikova reached eight semi-finals (Sydney, Scottsdale, Stanford, San Diego, Luxembourg, Leipzig and Tour Championships), seven quarterfinals (Gold Coast, Tokyo, Amelia Island, Hamburg, Eastbourne, Zürich and Philadelphia) and one final. On 20 November 2000 she broke into top 10 for the first time, reaching No. 8. She was also ranked No. 4 in doubles at the end of the season. Kournikova was once again, more successful in doubles. She reached the final of the US Open in mixed doubles, partnering with Max Mirnyi, but they lost to Jared Palmer and Arantxa Sánchez Vicario. She also won six doubles titles – Gold Coast (with Julie Halard), Hamburg (with Natasha Zvereva), Filderstadt, Zürich, Philadelphia and the Tour Championships (with Martina Hingis).
2001–2003: Injuries and final years.
Her 2001 season was plagued by injuries, including a left foot stress fracture which made her withdraw from 12 tournaments, including the French Open and Wimbledon. She underwent surgery in April. She reached her second career grand slam quarterfinals, at the Australian Open. Kournikova then withdrew from several events due to continuing problems with her left foot and did not return until Leipzig. With Barbara Schett, she won the doubles title in Sydney. She then lost in the finals in Tokyo, partnering with Iroda Tulyaganova, and at San Diego, partnering with Martina Hingis. Hingis and Kournikova also won the Kremlin Cup. At the end of the 2001 season, she was ranked No. 74 in singles and No. 26 in doubles.
Kournikova regained some success in 2002. She reached the semi-finals of Auckland, Tokyo, Acapulco and San Diego, and the final of the China Open, losing to Anna Smashnova. This was Kournikova's last singles final. With Martina Hingis, she lost in the final at Sydney, but they won their second Grand Slam title together, the Australian Open. They also lost in the quarterfinals of the US Open. With Chanda Rubin, Kournikova played the semi-finals of Wimbledon, but they lost to Serena and Venus Williams. Partnering with Janet Lee, she won the Shanghai title. At the end of 2002 season, she was ranked No. 35 in singles and No. 11 in doubles.
In 2003, Anna Kournikova achieved her first Grand Slam match victory in two years at the Australian Open. She defeated Henrieta Nagyová in the first round, and then lost to Justine Henin-Hardenne in the 2nd round. She withdrew from Tokyo due to a sprained back suffered at the Australian Open and did not return to Tour until Miami. On 9 April, in what would be the final WTA match of her career, Kournikova dropped out in the first round of the Family Circle Cup in Charleston, due to a left adductor strain. Her singles world ranking was 67. She reached the semi-finals at the ITF tournament in Sea Island, before withdrawing from a match versus Maria Sharapova due to the adductor injury. She lost in the first round of the ITF tournament in Charlottesville. She did not compete for the rest of the season due to a continuing back injury. At the end of the 2003 season and her professional career, she was ranked No. 305 in singles and No. 176 in doubles.
Kournikova's two Grand Slam doubles titles came in 1999 and 2002, both at the Australian Open in the Women's Doubles event with partner Martina Hingis. Kournikova proved a successful doubles player on the professional circuit, winning 16 tournament doubles titles, including two Australian Opens and being a finalist in mixed doubles at the US Open and at Wimbledon, and reaching the No. 1 ranking in doubles in the WTA Tour rankings. Her pro career doubles record was 200–71. However, her singles career plateaued after 1999. For the most part, she managed to retain her ranking between 10 and 15 (her career high singles ranking was No.8), but her expected finals breakthrough failed to occur; she only reached four finals out of 130 singles tournaments, never in a Grand Slam event, and never won one.
Her singles record is 209–129. Her final playing years were marred by a string of injuries, especially back injuries, which caused her ranking to erode gradually. As a personality Kournikova was among the most common search strings for both articles and images in her prime.
2004–present: Exhibitions and World Team Tennis.
Kournikova has not played on the WTA Tour since 2003, but still plays exhibition matches for charitable causes. In late 2004, she participated in three events organized by Elton John and by fellow tennis players Serena Williams and Andy Roddick. In January 2005, she played in a doubles charity event for the Indian Ocean tsunami with John McEnroe, Andy Roddick, and Chris Evert. In November 2005, she teamed up with Martina Hingis, playing against Lisa Raymond and Samantha Stosur in the WTT finals for charity. Kournikova is also a member of the St. Louis Aces in the World Team Tennis (WTT), playing doubles only.
In September 2008, Kournikova showed up for the 2008 Nautica Malibu Triathlon held at Zuma Beach in Malibu, California. The Race raised funds for children's Hospital Los Angeles. She won that race for women's K-Swiss team. On 27 September 2008, Kournikova played exhibition mixed doubles matches in Charlotte, North Carolina, partnering with Tim Wilkison and Karel Nováček. Kournikova and Wilkison defeated Jimmy Arias and Chanda Rubin, and then Kournikova and Novacek defeated Rubin and Wilkison.
On 12 October 2008, Anna Kournikova played one exhibition match for the annual charity event, hosted by Billie Jean King and Elton John, and raised more than $400,000 for the Elton John AIDS Foundation and Atlanta AIDS Partnership Fund. She played doubles with Andy Roddick (they were coached by David Chang) versus Martina Navratilova and Jesse Levine (coached by Billie Jean King); Kournikova and Roddick won.
Kournikova competed alongside John McEnroe, Tracy Austin and Jim Courier at the "Legendary Night", which was held on 2 May 2009, at the Turning Stone Event Center in Verona, New York. The exhibition included a mixed doubles match of McEnroe and Austin against Courier and Kournikova.
In 2008, she was named a spokesperson for K-Swiss. In 2005, Kournikova stated that if she were 100% fit, she would like to come back and compete again.
In June 2010, Kournikova reunited with her doubles partner Martina Hingis to participate in competitive tennis for the first time in seven years in the Invitational Ladies Doubles event at Wimbledon. On 29 June 2010 they defeated the British pair Samantha Smith and Anne Hobbs.
1989–1997: Early years and breakthrough.
Following her arrival in the United States, she became prominent on the tennis scene. At the age of 14, she won the European Championships and the Italian Open Junior tournament. In December 1995, she became the youngest player to win the 18-and-under division of the Junior Orange Bowl tennis tournament. By the end of the year, Kournikova was crowned the ITF Junior World Champion U-18 and Junior European Champion U-18.
Earlier, in September 1995, Kournikova, still only 14 years of age, debuted in the WTA Tour, when she received a wildcard into the qualifications at the WTA tournament in Moscow, the Moscow Ladies Open, and qualified before losing in the second round of the main draw to third-seeded Sabine Appelmans. She also reached her first WTA Tour doubles final in that debut appearance — partnering with 1995 Wimbledon girls' champion in both singles and doubles Aleksandra Olsza, she lost the title match to Meredith McGrath and Larisa Savchenko-Neiland.
In February–March 1996, Kournikova won two ITF titles, in Midland, Michigan and Rockford, Illinois. Still only 14 years of age, in April 1996 she debuted at the Fed Cup for Russia, the youngest player ever to participate and win a match.
In 1996, she started playing under a new coach, Ed Nagel. Her six-year association with Nagel was successful. At 15, she made her Grand Slam debut, reaching the fourth round of the 1996 US Open, losing to Steffi Graf, the eventual champion. After this tournament, Kournikova's ranking jumped from No. 144 to debut in the Top 100 at No. 69. Kournikova was a member of the Russian delegation to the 1996 Olympic Games in Atlanta, Georgia. In 1996, she was named WTA Newcomer of the Year, and she was ranked No. 57 in the end of the season.
Kournikova entered the 1997 Australian Open as world No. 67, where she lost in the first round to world No. 12, Amanda Coetzer. At the Italian Open, Kournikova lost to Amanda Coetzer in the second round. She reached the semi-finals in the doubles partnering with Elena Likhovtseva, before losing to the sixth seeds Mary Joe Fernández and Patricia Tarabini.
At the French Open, Kournikova made it to the third round before losing to world No. 1, Martina Hingis. She also reached the third round in doubles with Likhovtseva. At the Wimbledon Championships, Kournikova became only the second woman in the open era to reach the semi-finals in her Wimbledon debut, the first being Chris Evert in 1972. There she lost to eventual champion Martina Hingis.
At the US Open, she lost in the second round to the eleventh seed Irina Spîrlea. Partnering with Likhovtseva, she reached the third round of the women's doubles event. Kournikova played her last WTA Tour event of 1997 at Porsche Tennis Grand Prix in Filderstadt, losing to Amanda Coetzer in the second round of singles, and in the first round of doubles to Lindsay Davenport and Jana Novotná partnering with Likhovtseva. She broke into the top 50 on 19 May, and was ranked No. 32 in singles and No. 41 in doubles at the end of the season.
1998–2000: Success and stardom.
In 1998, Kournikova broke into the WTA's top 20 rankings for the first time, when she was ranked No. 16. At the Australian Open, Kournikova lost in the third round to world No. 1 player, Martina Hingis. She also partnered with Larisa Savchenko-Neiland in women's doubles, and they lost to eventual champions Hingis and Mirjana Lučić in the second round. Although she lost in the second round of the Paris Open to Anke Huber in singles, Kournikova reached her second doubles WTA Tour final, partnering with Larisa Savchenko-Neiland. They lost to Sabine Appelmans and Miriam Oremans. Kournikova and Savchenko-Neiland reached their second consecutive final at the Linz Open, losing to Alexandra Fusai and Nathalie Tauziat. At the Miami Open, Kournikova reached her first WTA Tour singles final, before losing to Venus Williams in the final.
Kournikova then reached two consecutive quarterfinals, at Amelia Island and the Italian Open, losing respectively to Lindsay Davenport and Martina Hingis. At the German Open, she reached the semi-finals in both singles and doubles, partnering with Larisa Savchenko-Neiland. At the French Open Kournikova had her best result at this tournament, making it to the fourth round before losing to Jana Novotná. She also reached her first Grand Slam doubles semi-finals, losing with Savchenko-Neiland to Lindsay Davenport and Natasha Zvereva. During her quarterfinals match at the grass-court Eastbourne Open versus Steffi Graf, Kournikova injured her thumb, which would eventually force her to withdraw from the 1998 Wimbledon Championships. However, she won that match, but then withdrew from her semi-finals match against Arantxa Sánchez Vicario. Kournikova returned for the Du Maurier Open and made it to the third round, before losing to Conchita Martínez. At the US Open Kournikova reached the fourth round before losing to Arantxa Sánchez Vicario. Her strong year qualified her for the year-end 1998 WTA Tour Championships, but she lost to Monica Seles in the first round. However, with Seles, she won her first WTA doubles title, in Tokyo, beating Mary Joe Fernández and Arantxa Sánchez Vicario in the final. At the end of the season, she was ranked No. 10 in doubles.
At the start of the 1999 season, Kournikova advanced to the fourth round in singles before losing to Mary Pierce. However, Kournikova won her first doubles Grand Slam title, partnering with Martina Hingis. The two defeated Lindsay Davenport and Natasha Zvereva in the final. At the Tier I Family Circle Cup, Kournikova reached her second WTA Tour final, but lost to Martina Hingis. She then defeated Jennifer Capriati, Lindsay Davenport and Patty Schnyder on her route to the Bausch & Lomb Championships semi-finals, losing to Ruxandra Dragomir. At The French Open, Kournikova reached the fourth round before losing to eventual champion Steffi Graf. Once the grass-court season commenced in England, Kournikova lost to Nathalie Tauziat in the semi-finals in Eastbourne. At Wimbledon, Kournikova lost to Venus Williams in the fourth round. She also reached the final in mixed doubles, partnering with Jonas Björkman, but they lost to Leander Paes and Lisa Raymond. Kournikova again qualified for year-end WTA Tour Championships, but lost to Mary Pierce in the first round, and ended the season as World No. 12.
While Kournikova had a successful singles season, she was even more successful in doubles. After their victory at the Australian Open, she and Martina Hingis won tournaments in Indian Wells, Rome, Eastbourne and the WTA Tour Championships, and reached the final of The French Open where they lost to Serena and Venus Williams. Partnering with Elena Likhovtseva, Kournikova also reached the final in Stanford. On 22 November 1999 she reached the world No. 1 ranking in doubles, and ended the season at this ranking. Kournikova and Hingis were presented with the WTA Award for Doubles Team of the Year.
Kournikova opened her 2000 season winning the Gold Coast Open doubles tournament partnering with Julie Halard. She then reached the singles semi-finals at the Medibank International Sydney, losing to Lindsay Davenport. At the Australian Open, she reached the fourth round in singles and the semi-finals in doubles. That season, Kournikova reached eight semi-finals (Sydney, Scottsdale, Stanford, San Diego, Luxembourg, Leipzig and Tour Championships), seven quarterfinals (Gold Coast, Tokyo, Amelia Island, Hamburg, Eastbourne, Zürich and Philadelphia) and one final. On 20 November 2000 she broke into top 10 for the first time, reaching No. 8. She was also ranked No. 4 in doubles at the end of the season. Kournikova was once again, more successful in doubles. She reached the final of the US Open in mixed doubles, partnering with Max Mirnyi, but they lost to Jared Palmer and Arantxa Sánchez Vicario. She also won six doubles titles – Gold Coast (with Julie Halard), Hamburg (with Natasha Zvereva), Filderstadt, Zürich, Philadelphia and the Tour Championships (with Martina Hingis).
2001–2003: Injuries and final years.
Her 2001 season was plagued by injuries, including a left foot stress fracture which made her withdraw from 12 tournaments, including the French Open and Wimbledon. She underwent surgery in April. She reached her second career grand slam quarterfinals, at the Australian Open. Kournikova then withdrew from several events due to continuing problems with her left foot and did not return until Leipzig. With Barbara Schett, she won the doubles title in Sydney. She then lost in the finals in Tokyo, partnering with Iroda Tulyaganova, and at San Diego, partnering with Martina Hingis. Hingis and Kournikova also won the Kremlin Cup. At the end of the 2001 season, she was ranked No. 74 in singles and No. 26 in doubles.
Kournikova regained some success in 2002. She reached the semi-finals of Auckland, Tokyo, Acapulco and San Diego, and the final of the China Open, losing to Anna Smashnova. This was Kournikova's last singles final. With Martina Hingis, she lost in the final at Sydney, but they won their second Grand Slam title together, the Australian Open. They also lost in the quarterfinals of the US Open. With Chanda Rubin, Kournikova played the semi-finals of Wimbledon, but they lost to Serena and Venus Williams. Partnering with Janet Lee, she won the Shanghai title. At the end of 2002 season, she was ranked No. 35 in singles and No. 11 in doubles.
In 2003, Anna Kournikova achieved her first Grand Slam match victory in two years at the Australian Open. She defeated Henrieta Nagyová in the first round, and then lost to Justine Henin-Hardenne in the 2nd round. She withdrew from Tokyo due to a sprained back suffered at the Australian Open and did not return to Tour until Miami. On 9 April, in what would be the final WTA match of her career, Kournikova dropped out in the first round of the Family Circle Cup in Charleston, due to a left adductor strain. Her singles world ranking was 67. She reached the semi-finals at the ITF tournament in Sea Island, before withdrawing from a match versus Maria Sharapova due to the adductor injury. She lost in the first round of the ITF tournament in Charlottesville. She did not compete for the rest of the season due to a continuing back injury. At the end of the 2003 season and her professional career, she was ranked No. 305 in singles and No. 176 in doubles.
Kournikova's two Grand Slam doubles titles came in 1999 and 2002, both at the Australian Open in the Women's Doubles event with partner Martina Hingis. Kournikova proved a successful doubles player on the professional circuit, winning 16 tournament doubles titles, including two Australian Opens and being a finalist in mixed doubles at the US Open and at Wimbledon, and reaching the No. 1 ranking in doubles in the WTA Tour rankings. Her pro career doubles record was 200–71. However, her singles career plateaued after 1999. For the most part, she managed to retain her ranking between 10 and 15 (her career high singles ranking was No.8), but her expected finals breakthrough failed to occur; she only reached four finals out of 130 singles tournaments, never in a Grand Slam event, and never won one.
Her singles record is 209–129. Her final playing years were marred by a string of injuries, especially back injuries, which caused her ranking to erode gradually. As a personality Kournikova was among the most common search strings for both articles and images in her prime.
2004–present: Exhibitions and World Team Tennis.
Kournikova has not played on the WTA Tour since 2003, but still plays exhibition matches for charitable causes. In late 2004, she participated in three events organized by Elton John and by fellow tennis players Serena Williams and Andy Roddick. In January 2005, she played in a doubles charity event for the Indian Ocean tsunami with John McEnroe, Andy Roddick, and Chris Evert. In November 2005, she teamed up with Martina Hingis, playing against Lisa Raymond and Samantha Stosur in the WTT finals for charity. Kournikova is also a member of the St. Louis Aces in the World Team Tennis (WTT), playing doubles only.
In September 2008, Kournikova showed up for the 2008 Nautica Malibu Triathlon held at Zuma Beach in Malibu, California. The Race raised funds for children's Hospital Los Angeles. She won that race for women's K-Swiss team. On 27 September 2008, Kournikova played exhibition mixed doubles matches in Charlotte, North Carolina, partnering with Tim Wilkison and Karel Nováček. Kournikova and Wilkison defeated Jimmy Arias and Chanda Rubin, and then Kournikova and Novacek defeated Rubin and Wilkison.
On 12 October 2008, Anna Kournikova played one exhibition match for the annual charity event, hosted by Billie Jean King and Elton John, and raised more than $400,000 for the Elton John AIDS Foundation and Atlanta AIDS Partnership Fund. She played doubles with Andy Roddick (they were coached by David Chang) versus Martina Navratilova and Jesse Levine (coached by Billie Jean King); Kournikova and Roddick won.
Kournikova competed alongside John McEnroe, Tracy Austin and Jim Courier at the "Legendary Night", which was held on 2 May 2009, at the Turning Stone Event Center in Verona, New York. The exhibition included a mixed doubles match of McEnroe and Austin against Courier and Kournikova.
In 2008, she was named a spokesperson for K-Swiss. In 2005, Kournikova stated that if she were 100% fit, she would like to come back and compete again.
In June 2010, Kournikova reunited with her doubles partner Martina Hingis to participate in competitive tennis for the first time in seven years in the Invitational Ladies Doubles event at Wimbledon. On 29 June 2010 they defeated the British pair Samantha Smith and Anne Hobbs.
Playing style.
Kournikova plays right-handed with a two-handed backhand. She is a great player at the net. She can hit forceful groundstrokes and also drop shots.
Her playing style fits the profile for a doubles player, and is complemented by her height. She has been compared to such doubles specialists as Pam Shriver and Peter Fleming.
Personal life.
Kournikova was in a relationship with fellow Russian, Pavel Bure, an NHL ice hockey player. The two met in 1999, when Kournikova was still linked to Bure's former Russian teammate Sergei Fedorov. Bure and Kournikova were reported to have been engaged in 2000 after a reporter took a photo of them together in a Florida restaurant where Bure supposedly asked Kournikova to marry him. As the story made headlines in Russia, where they were both heavily followed in the media as celebrities, Bure and Kournikova both denied any engagement. Kournikova, 10 years younger than Bure, was 18 years old at the time.
Fedorov claimed that he and Kournikova were married in 2001, and divorced in 2003. Kournikova's representatives deny any marriage to Fedorov; however, Fedorov's agent Pat Brisson claims that although he does not know when they got married, he knew "Fedorov was married".
Kournikova started dating singer Enrique Iglesias in late 2001 after she had appeared in his music video for "Escape". She has consistently refused to directly confirm or deny the status of her personal relationships. The couple have a son and daughter, Nicholas and Lucy, who are fraternal twins born on 16 December 2017. On 30 January 2020, their third child, a daughter, Mary, was born.
It was reported in 2010 that Kournikova had become an American citizen.
Media publicity.
In 2000, Kournikova became the new face for Berlei's shock absorber sports bras, and appeared in the "only the ball should bounce" billboard campaign. Following that, she was cast by the Farrelly brothers for a minor role in the 2000 film "Me, Myself & Irene" starring Jim Carrey and Renée Zellweger. Photographs of her have appeared on covers of various publications, including men's magazines, such as one in the much-publicized 2004 "Sports Illustrated Swimsuit Issue", where she posed in bikinis and swimsuits, as well as in "FHM" and "Maxim".
Kournikova was named one of "People"s 50 Most Beautiful People in 1998 and was voted "hottest female athlete" on ESPN.com. In 2002, she also placed first in "FHM's 100 Sexiest Women in the World" in US and UK editions. By contrast, ESPN – citing the degree of hype as compared to actual accomplishments as a singles player – ranked Kournikova 18th in its "25 Biggest Sports Flops of the Past 25 Years". Kournikova was also ranked No. 1 in the ESPN Classic series "Who's number 1?" when the series featured sport's most overrated athletes.
She continued to be the most searched athlete on the Internet through 2008 even though she had retired from the professional tennis circuit years earlier. After slipping from first to sixth among athletes in 2009, she moved back up to third place among athletes in terms of search popularity in 2010.
In October 2010, Kournikova headed to NBC's "The Biggest Loser" where she led the contestants in a tennis-workout challenge. In May 2011, it was announced that Kournikova would join "The Biggest Loser" as a regular celebrity trainer in season 12. She did not return for season 13.
External links.
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Ancient Egypt
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Ancient Egypt was a civilization in Northeast Africa situated in the Nile Valley. Ancient Egyptian civilization followed prehistoric Egypt and coalesced around 3100BC (according to conventional Egyptian chronology) with the political unification of Upper and Lower Egypt under Menes (often identified with Narmer). The history of ancient Egypt occurred as a series of stable kingdoms, separated by periods of relative instability known as Intermediate Periods: the Old Kingdom of the Early Bronze Age, the Middle Kingdom of the Middle Bronze Age and the New Kingdom of the Late Bronze Age.
Egypt reached the pinnacle of its power in the New Kingdom, ruling much of Nubia and a sizable portion of the Near East, after which it entered a period of slow decline. During the course of its history, Egypt was invaded or conquered by a number of foreign powers, including the Hyksos, the Libyans, the Nubians, the Assyrians, the Achaemenid Persians, and the Macedonians under the command of Alexander the Great. The Greek Ptolemaic Kingdom, formed in the aftermath of Alexander's death, ruled Egypt until 30BC, when, under Cleopatra, it fell to the Roman Empire and became a Roman province.
The success of ancient Egyptian civilization came partly from its ability to adapt to the conditions of the Nile River valley for agriculture. The predictable flooding and controlled irrigation of the fertile valley produced surplus crops, which supported a more dense population, and social development and culture. With resources to spare, the administration sponsored mineral exploitation of the valley and surrounding desert regions, the early development of an independent writing system, the organization of collective construction and agricultural projects, trade with surrounding regions, and a military intended to assert Egyptian dominance. Motivating and organizing these activities was a bureaucracy of elite scribes, religious leaders, and administrators under the control of a pharaoh, who ensured the cooperation and unity of the Egyptian people in the context of an elaborate system of religious beliefs.
The many achievements of the ancient Egyptians include the quarrying, surveying, and construction techniques that supported the building of monumental pyramids, temples, and obelisks; a system of mathematics, a practical and effective system of medicine, irrigation systems, and agricultural production techniques, the first known planked boats, Egyptian faience and glass technology, new forms of literature, and the earliest known peace treaty, made with the Hittites. Ancient Egypt has left a lasting legacy. Its art and architecture were widely copied, and its antiquities were carried off to far corners of the world. Its monumental ruins have inspired the imaginations of travelers and writers for millennia. A newfound respect for antiquities and excavations in the early modern period by Europeans and Egyptians has led to the scientific investigation of Egyptian civilization and a greater appreciation of its cultural legacy.
History.
The Nile has been the lifeline of its region for much of human history. The fertile floodplain of the Nile gave humans the opportunity to develop a settled agricultural economy and a more sophisticated, centralized society that became a cornerstone in the history of human civilization. Nomadic modern human hunter-gatherers began living in the Nile valley through the end of the Middle Pleistocene some 120,000 years ago. By the late Paleolithic period, the arid climate of Northern Africa had become increasingly hot and dry, forcing the populations of the area to concentrate along the river region.
Predynastic period.
In Predynastic and Early Dynastic times, the Egyptian climate was much less arid than it is today. Large regions of Egypt were covered in treed savanna and traversed by herds of grazing ungulates. Foliage and fauna were far more prolific in all environs, and the Nile region supported large populations of waterfowl. Hunting would have been common for Egyptians, and this is also the period when many animals were first domesticated.
By about 5500 BC, small tribes living in the Nile valley had developed into a series of cultures demonstrating firm control of agriculture and animal husbandry, and identifiable by their pottery and personal items, such as combs, bracelets, and beads. The largest of these early cultures in upper (Southern) Egypt was the Badarian culture, which probably originated in the Western Desert; it was known for its high-quality ceramics, stone tools, and its use of copper.
The Badari was followed by the Naqada culture: the Amratian (Naqada I), the Gerzeh (Naqada II), and Semainean (Naqada III). These brought a number of technological improvements. As early as the Naqada I Period, predynastic Egyptians imported obsidian from Ethiopia, used to shape blades and other objects from flakes. In Naqada II times, early evidence exists of contact with the Near East, particularly Canaan and the Byblos coast. Over a period of about 1,000 years, the Naqada culture developed from a few small farming communities into a powerful civilization whose leaders were in complete control of the people and resources of the Nile valley. Establishing a power center at Nekhen (in Greek, Hierakonpolis), and later at Abydos, Naqada III leaders expanded their control of Egypt northwards along the Nile. They also traded with Nubia to the south, the oases of the western desert to the west, and the cultures of the eastern Mediterranean and Near East to the east, initiating a period of Egypt-Mesopotamia relations.
The Naqada culture manufactured a diverse selection of material goods, reflective of the increasing power and wealth of the elite, as well as societal personal-use items, which included combs, small statuary, painted pottery, high quality decorative stone vases, cosmetic palettes, and jewelry made of gold, lapis, and ivory. They also developed a ceramic glaze known as faience, which was used well into the Roman Period to decorate cups, amulets, and figurines. During the last predynastic phase, the Naqada culture began using written symbols that eventually were developed into a full system of hieroglyphs for writing the ancient Egyptian language.
Early Dynastic Period (c. 3150–2686 BC).
The Early Dynastic Period was approximately contemporary to the early Sumerian-Akkadian civilisation of Mesopotamia and of ancient Elam. The third-centuryBC Egyptian priest Manetho grouped the long line of kings from Menes to his own time into 30 dynasties, a system still used today. He began his official history with the king named "Meni" (or Menes in Greek), who was believed to have united the two kingdoms of Upper and Lower Egypt.
The transition to a unified state happened more gradually than ancient Egyptian writers represented, and there is no contemporary record of Menes. Some scholars now believe, however, that the mythical Menes may have been the king Narmer, who is depicted wearing royal regalia on the ceremonial "Narmer Palette," in a symbolic act of unification. In the Early Dynastic Period, which began about 3000BC, the first of the Dynastic kings solidified control over lower Egypt by establishing a capital at Memphis, from which he could control the labour force and agriculture of the fertile delta region, as well as the lucrative and critical trade routes to the Levant. The increasing power and wealth of the kings during the early dynastic period was reflected in their elaborate mastaba tombs and mortuary cult structures at Abydos, which were used to celebrate the deified king after his death. The strong institution of kingship developed by the kings served to legitimize state control over the land, labour, and resources that were essential to the survival and growth of ancient Egyptian civilization.
Old Kingdom (2686–2181 BC).
Major advances in architecture, art, and technology were made during the Old Kingdom, fueled by the increased agricultural productivity and resulting population, made possible by a well-developed central administration. Some of ancient Egypt's crowning achievements, the Giza pyramids and Great Sphinx, were constructed during the Old Kingdom. Under the direction of the vizier, state officials collected taxes, coordinated irrigation projects to improve crop yield, drafted peasants to work on construction projects, and established a justice system to maintain peace and order.
With the rising importance of central administration in Egypt, a new class of educated scribes and officials arose who were granted estates by the king in payment for their services. Kings also made land grants to their mortuary cults and local temples, to ensure that these institutions had the resources to worship the king after his death. Scholars believe that five centuries of these practices slowly eroded the economic vitality of Egypt, and that the economy could no longer afford to support a large centralized administration. As the power of the kings diminished, regional governors called nomarchs began to challenge the supremacy of the office of king. This, coupled with severe droughts between 2200 and 2150BC, is believed to have caused the country to enter the 140-year period of famine and strife known as the First Intermediate Period.
First Intermediate Period (2181–2055 BC).
After Egypt's central government collapsed at the end of the Old Kingdom, the administration could no longer support or stabilize the country's economy. Regional governors could not rely on the king for help in times of crisis, and the ensuing food shortages and political disputes escalated into famines and small-scale civil wars. Yet despite difficult problems, local leaders, owing no tribute to the king, used their new-found independence to establish a thriving culture in the provinces. Once in control of their own resources, the provinces became economically richer—which was demonstrated by larger and better burials among all social classes. In bursts of creativity, provincial artisans adopted and adapted cultural motifs formerly restricted to the royalty of the Old Kingdom, and scribes developed literary styles that expressed the optimism and originality of the period.
Free from their loyalties to the king, local rulers began competing with each other for territorial control and political power. By 2160BC, rulers in Herakleopolis controlled Lower Egypt in the north, while a rival clan based in Thebes, the Intef family, took control of Upper Egypt in the south. As the Intefs grew in power and expanded their control northward, a clash between the two rival dynasties became inevitable. Around 2055BC the northern Theban forces under Nebhepetre Mentuhotep II finally defeated the Herakleopolitan rulers, reuniting the Two Lands. They inaugurated a period of economic and cultural renaissance known as the Middle Kingdom.
Middle Kingdom (2134–1690 BC).
The kings of the Middle Kingdom restored the country's stability and prosperity, thereby stimulating a resurgence of art, literature, and monumental building projects. Mentuhotep II and his Eleventh Dynasty successors ruled from Thebes, but the vizier Amenemhat I, upon assuming the kingship at the beginning of the Twelfth Dynasty around 1985BC, shifted the kingdom's capital to the city of Itjtawy, located in Faiyum. From Itjtawy, the kings of the Twelfth Dynasty undertook a far-sighted land reclamation and irrigation scheme to increase agricultural output in the region. Moreover, the military reconquered territory in Nubia that was rich in quarries and gold mines, while laborers built a defensive structure in the Eastern Delta, called the "Walls of the Ruler", to defend against foreign attack.
With the kings having secured the country militarily and politically and with vast agricultural and mineral wealth at their disposal, the nation's population, arts, and religion flourished. In contrast to elitist Old Kingdom attitudes towards the gods, the Middle Kingdom displayed an increase in expressions of personal piety. Middle Kingdom literature featured sophisticated themes and characters written in a confident, eloquent style. The relief and portrait sculpture of the period captured subtle, individual details that reached new heights of technical sophistication.
The last great ruler of the Middle Kingdom, Amenemhat III, allowed Semitic-speaking Canaanite settlers from the Near East into the Delta region to provide a sufficient labour force for his especially active mining and building campaigns. These ambitious building and mining activities, however, combined with severe Nile floods later in his reign, strained the economy and precipitated the slow decline into the Second Intermediate Period during the later Thirteenth and Fourteenth dynasties. During this decline, the Canaanite settlers began to assume greater control of the Delta region, eventually coming to power in Egypt as the Hyksos.
Second Intermediate Period (1674–1549 BC) and the Hyksos.
Around 1785BC, as the power of the Middle Kingdom kings weakened, a Western Asian people called the Hyksos, who had already settled in the Delta, seized control of Egypt and established their capital at Avaris, forcing the former central government to retreat to Thebes. The king was treated as a vassal and expected to pay tribute. The Hyksos ("foreign rulers") retained Egyptian models of government and identified as kings, thereby integrating Egyptian elements into their culture. They and other invaders introduced new tools of warfare into Egypt, most notably the composite bow and the horse-drawn chariot.
After retreating south, the native Theban kings found themselves trapped between the Canaanite Hyksos ruling the north and the Hyksos' Nubian allies, the Kushites, to the south. After years of vassalage, Thebes gathered enough strength to challenge the Hyksos in a conflict that lasted more than 30 years, until 1555BC. The kings Seqenenre Tao II and Kamose were ultimately able to defeat the Nubians to the south of Egypt, but failed to defeat the Hyksos. That task fell to Kamose's successor, Ahmose I, who successfully waged a series of campaigns that permanently eradicated the Hyksos' presence in Egypt. He established a new dynasty and, in the New Kingdom that followed, the military became a central priority for the kings, who sought to expand Egypt's borders and attempted to gain mastery of the Near East.
New Kingdom (1549–1069 BC).
The New Kingdom pharaohs established a period of unprecedented prosperity by securing their borders and strengthening diplomatic ties with their neighbours, including the Mitanni Empire, Assyria, and Canaan. Military campaigns waged under Tuthmosis I and his grandson Tuthmosis III extended the influence of the pharaohs to the largest empire Egypt had ever seen. Beginning with Merneptah the rulers of Egypt adopted the title of pharaoh.
Between their reigns, Hatshepsut, a queen who established herself as pharaoh, launched many building projects, including the restoration of temples damaged by the Hyksos, and sent trading expeditions to Punt and the Sinai. When Tuthmosis III died in 1425BC, Egypt had an empire extending from Niya in north west Syria to the Fourth Cataract of the Nile in Nubia, cementing loyalties and opening access to critical imports such as bronze and wood.
The New Kingdom pharaohs began a large-scale building campaign to promote the god Amun, whose growing cult was based in Karnak. They also constructed monuments to glorify their own achievements, both real and imagined. The Karnak temple is the largest Egyptian temple ever built.
Around 1350BC, the stability of the New Kingdom was threatened when Amenhotep IV ascended the throne and instituted a series of radical and chaotic reforms. Changing his name to Akhenaten, he touted the previously obscure sun deity Aten as the supreme deity, suppressed the worship of most other deities, and moved the capital to the new city of Akhetaten (modern-day Amarna). He was devoted to his new religion and artistic style. After his death, the cult of the Aten was quickly abandoned and the traditional religious order restored. The subsequent pharaohs, Tutankhamun, Ay, and Horemheb, worked to erase all mention of Akhenaten's heresy, now known as the Amarna Period.
Around 1279BC, Ramesses II, also known as Ramesses the Great, ascended the throne, and went on to build more temples, erect more statues and obelisks, and sire more children than any other pharaoh in history. A bold military leader, Ramesses II led his army against the Hittites in the Battle of Kadesh (in modern Syria) and, after fighting to a stalemate, finally agreed to the first recorded peace treaty, around 1258BC.
Egypt's wealth, however, made it a tempting target for invasion, particularly by the Libyan Berbers to the west, and the Sea Peoples, a conjectured confederation of seafarers from the Aegean Sea. Initially, the military was able to repel these invasions, but Egypt eventually lost control of its remaining territories in southern Canaan, much of it falling to the Assyrians. The effects of external threats were exacerbated by internal problems such as corruption, tomb robbery, and civil unrest. After regaining their power, the high priests at the temple of Amun in Thebes accumulated vast tracts of land and wealth, and their expanded power splintered the country during the Third Intermediate Period.
Third Intermediate Period (1069–653 BC).
Following the death of Ramesses XI in 1078BC, Smendes assumed authority over the northern part of Egypt, ruling from the city of Tanis. The south was effectively controlled by the High Priests of Amun at Thebes, who recognized Smendes in name only. During this time, Libyans had been settling in the western delta, and chieftains of these settlers began increasing their autonomy. Libyan princes took control of the delta under Shoshenq I in 945BC, founding the so-called Libyan or Bubastite dynasty that would rule for some 200 years. Shoshenq also gained control of southern Egypt by placing his family members in important priestly positions. Libyan control began to erode as a rival dynasty in the delta arose in Leontopolis, and Kushites threatened from the south.
Around 727BC the Kushite king Piye invaded northward, seizing control of Thebes and eventually the Delta, which established the 25th Dynasty. During the 25th Dynasty, Pharaoh Taharqa created an empire nearly as large as the New Kingdom's. Twenty-fifth Dynasty pharaohs built, or restored, temples and monuments throughout the Nile valley, including at Memphis, Karnak, Kawa, and Jebel Barkal. During this period, the Nile valley saw the first widespread construction of pyramids (many in modern Sudan) since the Middle Kingdom.
Egypt's far-reaching prestige declined considerably toward the end of the Third Intermediate Period. Its foreign allies had fallen under the Assyrian sphere of influence, and by 700BC war between the two states became inevitable. Between 671 and 667BC the Assyrians began the Assyrian conquest of Egypt. The reigns of both Taharqa and his successor, Tanutamun, were filled with constant conflict with the Assyrians, against whom Egypt enjoyed several victories. Ultimately, the Assyrians pushed the Kushites back into Nubia, occupied Memphis, and sacked the temples of Thebes.
Late Period (653–332 BC).
The Assyrians left control of Egypt to a series of vassals who became known as the Saite kings of the Twenty-Sixth Dynasty. By 653BC, the Saite king Psamtik I was able to oust the Assyrians with the help of Greek mercenaries, who were recruited to form Egypt's first navy. Greek influence expanded greatly as the city-state of Naucratis became the home of Greeks in the Nile Delta. The Saite kings based in the new capital of Sais witnessed a brief but spirited resurgence in the economy and culture, but in 525BC, the powerful Persians, led by Cambyses II, began their conquest of Egypt, eventually capturing the pharaoh Psamtik III at the Battle of Pelusium. Cambyses II then assumed the formal title of pharaoh, but ruled Egypt from Iran, leaving Egypt under the control of a satrap. A few successful revolts against the Persians marked the 5th centuryBC, but Egypt was never able to permanently overthrow the Persians.
Following its annexation by Persia, Egypt was joined with Cyprus and Phoenicia in the sixth satrapy of the Achaemenid Persian Empire. This first period of Persian rule over Egypt, also known as the Twenty-Seventh Dynasty, ended in 402BC, when Egypt regained independence under a series of native dynasties. The last of these dynasties, the Thirtieth, proved to be the last native royal house of ancient Egypt, ending with the kingship of Nectanebo II. A brief restoration of Persian rule, sometimes known as the Thirty-First Dynasty, began in 343BC, but shortly after, in 332BC, the Persian ruler Mazaces handed Egypt over to Alexander the Great without a fight.
Ptolemaic period (332–30 BC).
In 332BC, Alexander the Great conquered Egypt with little resistance from the Persians and was welcomed by the Egyptians as a deliverer. The administration established by Alexander's successors, the Macedonian Ptolemaic Kingdom, was based on an Egyptian model and based in the new capital city of Alexandria. The city showcased the power and prestige of Hellenistic rule, and became a seat of learning and culture, centered at the famous Library of Alexandria. The Lighthouse of Alexandria lit the way for the many ships that kept trade flowing through the city—as the Ptolemies made commerce and revenue-generating enterprises, such as papyrus manufacturing, their top priority.
Hellenistic culture did not supplant native Egyptian culture, as the Ptolemies supported time-honored traditions in an effort to secure the loyalty of the populace. They built new temples in Egyptian style, supported traditional cults, and portrayed themselves as pharaohs. Some traditions merged, as Greek and Egyptian gods were syncretized into composite deities, such as Serapis, and classical Greek forms of sculpture influenced traditional Egyptian motifs. Despite their efforts to appease the Egyptians, the Ptolemies were challenged by native rebellion, bitter family rivalries, and the powerful mob of Alexandria that formed after the death of Ptolemy IV. In addition, as Rome relied more heavily on imports of grain from Egypt, the Romans took great interest in the political situation in the country. Continued Egyptian revolts, ambitious politicians, and powerful opponents from the Near East made this situation unstable, leading Rome to send forces to secure the country as a province of its empire.
Roman period (30 BC – AD 641).
Egypt became a province of the Roman Empire in 30BC, following the defeat of Mark Antony and Ptolemaic Queen Cleopatra VII by Octavian (later Emperor Augustus) in the Battle of Actium. The Romans relied heavily on grain shipments from Egypt, and the Roman army, under the control of a prefect appointed by the emperor, quelled rebellions, strictly enforced the collection of heavy taxes, and prevented attacks by bandits, which had become a notorious problem during the period. Alexandria became an increasingly important center on the trade route with the orient, as exotic luxuries were in high demand in Rome.
Although the Romans had a more hostile attitude than the Greeks towards the Egyptians, some traditions such as mummification and worship of the traditional gods continued. The art of mummy portraiture flourished, and some Roman emperors had themselves depicted as pharaohs, though not to the extent that the Ptolemies had. The former lived outside Egypt and did not perform the ceremonial functions of Egyptian kingship. Local administration became Roman in style and closed to native Egyptians.
From the mid-first century AD, Christianity took root in Egypt and it was originally seen as another cult that could be accepted. However, it was an uncompromising religion that sought to win converts from the pagan Egyptian and Greco-Roman religions and threatened popular religious traditions. This led to the persecution of converts to Christianity, culminating in the great purges of Diocletian starting in 303, but eventually Christianity won out. In 391 the Christian emperor Theodosius introduced legislation that banned pagan rites and closed temples. Alexandria became the scene of great anti-pagan riots with public and private religious imagery destroyed. As a consequence, Egypt's native religious culture was continually in decline. While the native population continued to speak their language, the ability to read hieroglyphic writing slowly disappeared as the role of the Egyptian temple priests and priestesses diminished. The temples themselves were sometimes converted to churches or abandoned to the desert.
In the fourth century, as the Roman Empire divided, Egypt found itself in the Eastern Empire with its capital at Constantinople. In the waning years of the Empire, Egypt fell to the Sasanian Persian army in the Sasanian conquest of Egypt (618–628). It was then recaptured by the Byzantine emperor Heraclius (629–639), and was finally captured by Muslim Rashidun army in 639–641, ending Byzantine rule.
Predynastic period.
In Predynastic and Early Dynastic times, the Egyptian climate was much less arid than it is today. Large regions of Egypt were covered in treed savanna and traversed by herds of grazing ungulates. Foliage and fauna were far more prolific in all environs, and the Nile region supported large populations of waterfowl. Hunting would have been common for Egyptians, and this is also the period when many animals were first domesticated.
By about 5500 BC, small tribes living in the Nile valley had developed into a series of cultures demonstrating firm control of agriculture and animal husbandry, and identifiable by their pottery and personal items, such as combs, bracelets, and beads. The largest of these early cultures in upper (Southern) Egypt was the Badarian culture, which probably originated in the Western Desert; it was known for its high-quality ceramics, stone tools, and its use of copper.
The Badari was followed by the Naqada culture: the Amratian (Naqada I), the Gerzeh (Naqada II), and Semainean (Naqada III). These brought a number of technological improvements. As early as the Naqada I Period, predynastic Egyptians imported obsidian from Ethiopia, used to shape blades and other objects from flakes. In Naqada II times, early evidence exists of contact with the Near East, particularly Canaan and the Byblos coast. Over a period of about 1,000 years, the Naqada culture developed from a few small farming communities into a powerful civilization whose leaders were in complete control of the people and resources of the Nile valley. Establishing a power center at Nekhen (in Greek, Hierakonpolis), and later at Abydos, Naqada III leaders expanded their control of Egypt northwards along the Nile. They also traded with Nubia to the south, the oases of the western desert to the west, and the cultures of the eastern Mediterranean and Near East to the east, initiating a period of Egypt-Mesopotamia relations.
The Naqada culture manufactured a diverse selection of material goods, reflective of the increasing power and wealth of the elite, as well as societal personal-use items, which included combs, small statuary, painted pottery, high quality decorative stone vases, cosmetic palettes, and jewelry made of gold, lapis, and ivory. They also developed a ceramic glaze known as faience, which was used well into the Roman Period to decorate cups, amulets, and figurines. During the last predynastic phase, the Naqada culture began using written symbols that eventually were developed into a full system of hieroglyphs for writing the ancient Egyptian language.
Early Dynastic Period (c. 3150–2686 BC).
The Early Dynastic Period was approximately contemporary to the early Sumerian-Akkadian civilisation of Mesopotamia and of ancient Elam. The third-centuryBC Egyptian priest Manetho grouped the long line of kings from Menes to his own time into 30 dynasties, a system still used today. He began his official history with the king named "Meni" (or Menes in Greek), who was believed to have united the two kingdoms of Upper and Lower Egypt.
The transition to a unified state happened more gradually than ancient Egyptian writers represented, and there is no contemporary record of Menes. Some scholars now believe, however, that the mythical Menes may have been the king Narmer, who is depicted wearing royal regalia on the ceremonial "Narmer Palette," in a symbolic act of unification. In the Early Dynastic Period, which began about 3000BC, the first of the Dynastic kings solidified control over lower Egypt by establishing a capital at Memphis, from which he could control the labour force and agriculture of the fertile delta region, as well as the lucrative and critical trade routes to the Levant. The increasing power and wealth of the kings during the early dynastic period was reflected in their elaborate mastaba tombs and mortuary cult structures at Abydos, which were used to celebrate the deified king after his death. The strong institution of kingship developed by the kings served to legitimize state control over the land, labour, and resources that were essential to the survival and growth of ancient Egyptian civilization.
Old Kingdom (2686–2181 BC).
Major advances in architecture, art, and technology were made during the Old Kingdom, fueled by the increased agricultural productivity and resulting population, made possible by a well-developed central administration. Some of ancient Egypt's crowning achievements, the Giza pyramids and Great Sphinx, were constructed during the Old Kingdom. Under the direction of the vizier, state officials collected taxes, coordinated irrigation projects to improve crop yield, drafted peasants to work on construction projects, and established a justice system to maintain peace and order.
With the rising importance of central administration in Egypt, a new class of educated scribes and officials arose who were granted estates by the king in payment for their services. Kings also made land grants to their mortuary cults and local temples, to ensure that these institutions had the resources to worship the king after his death. Scholars believe that five centuries of these practices slowly eroded the economic vitality of Egypt, and that the economy could no longer afford to support a large centralized administration. As the power of the kings diminished, regional governors called nomarchs began to challenge the supremacy of the office of king. This, coupled with severe droughts between 2200 and 2150BC, is believed to have caused the country to enter the 140-year period of famine and strife known as the First Intermediate Period.
First Intermediate Period (2181–2055 BC).
After Egypt's central government collapsed at the end of the Old Kingdom, the administration could no longer support or stabilize the country's economy. Regional governors could not rely on the king for help in times of crisis, and the ensuing food shortages and political disputes escalated into famines and small-scale civil wars. Yet despite difficult problems, local leaders, owing no tribute to the king, used their new-found independence to establish a thriving culture in the provinces. Once in control of their own resources, the provinces became economically richer—which was demonstrated by larger and better burials among all social classes. In bursts of creativity, provincial artisans adopted and adapted cultural motifs formerly restricted to the royalty of the Old Kingdom, and scribes developed literary styles that expressed the optimism and originality of the period.
Free from their loyalties to the king, local rulers began competing with each other for territorial control and political power. By 2160BC, rulers in Herakleopolis controlled Lower Egypt in the north, while a rival clan based in Thebes, the Intef family, took control of Upper Egypt in the south. As the Intefs grew in power and expanded their control northward, a clash between the two rival dynasties became inevitable. Around 2055BC the northern Theban forces under Nebhepetre Mentuhotep II finally defeated the Herakleopolitan rulers, reuniting the Two Lands. They inaugurated a period of economic and cultural renaissance known as the Middle Kingdom.
Middle Kingdom (2134–1690 BC).
The kings of the Middle Kingdom restored the country's stability and prosperity, thereby stimulating a resurgence of art, literature, and monumental building projects. Mentuhotep II and his Eleventh Dynasty successors ruled from Thebes, but the vizier Amenemhat I, upon assuming the kingship at the beginning of the Twelfth Dynasty around 1985BC, shifted the kingdom's capital to the city of Itjtawy, located in Faiyum. From Itjtawy, the kings of the Twelfth Dynasty undertook a far-sighted land reclamation and irrigation scheme to increase agricultural output in the region. Moreover, the military reconquered territory in Nubia that was rich in quarries and gold mines, while laborers built a defensive structure in the Eastern Delta, called the "Walls of the Ruler", to defend against foreign attack.
With the kings having secured the country militarily and politically and with vast agricultural and mineral wealth at their disposal, the nation's population, arts, and religion flourished. In contrast to elitist Old Kingdom attitudes towards the gods, the Middle Kingdom displayed an increase in expressions of personal piety. Middle Kingdom literature featured sophisticated themes and characters written in a confident, eloquent style. The relief and portrait sculpture of the period captured subtle, individual details that reached new heights of technical sophistication.
The last great ruler of the Middle Kingdom, Amenemhat III, allowed Semitic-speaking Canaanite settlers from the Near East into the Delta region to provide a sufficient labour force for his especially active mining and building campaigns. These ambitious building and mining activities, however, combined with severe Nile floods later in his reign, strained the economy and precipitated the slow decline into the Second Intermediate Period during the later Thirteenth and Fourteenth dynasties. During this decline, the Canaanite settlers began to assume greater control of the Delta region, eventually coming to power in Egypt as the Hyksos.
Second Intermediate Period (1674–1549 BC) and the Hyksos.
Around 1785BC, as the power of the Middle Kingdom kings weakened, a Western Asian people called the Hyksos, who had already settled in the Delta, seized control of Egypt and established their capital at Avaris, forcing the former central government to retreat to Thebes. The king was treated as a vassal and expected to pay tribute. The Hyksos ("foreign rulers") retained Egyptian models of government and identified as kings, thereby integrating Egyptian elements into their culture. They and other invaders introduced new tools of warfare into Egypt, most notably the composite bow and the horse-drawn chariot.
After retreating south, the native Theban kings found themselves trapped between the Canaanite Hyksos ruling the north and the Hyksos' Nubian allies, the Kushites, to the south. After years of vassalage, Thebes gathered enough strength to challenge the Hyksos in a conflict that lasted more than 30 years, until 1555BC. The kings Seqenenre Tao II and Kamose were ultimately able to defeat the Nubians to the south of Egypt, but failed to defeat the Hyksos. That task fell to Kamose's successor, Ahmose I, who successfully waged a series of campaigns that permanently eradicated the Hyksos' presence in Egypt. He established a new dynasty and, in the New Kingdom that followed, the military became a central priority for the kings, who sought to expand Egypt's borders and attempted to gain mastery of the Near East.
New Kingdom (1549–1069 BC).
The New Kingdom pharaohs established a period of unprecedented prosperity by securing their borders and strengthening diplomatic ties with their neighbours, including the Mitanni Empire, Assyria, and Canaan. Military campaigns waged under Tuthmosis I and his grandson Tuthmosis III extended the influence of the pharaohs to the largest empire Egypt had ever seen. Beginning with Merneptah the rulers of Egypt adopted the title of pharaoh.
Between their reigns, Hatshepsut, a queen who established herself as pharaoh, launched many building projects, including the restoration of temples damaged by the Hyksos, and sent trading expeditions to Punt and the Sinai. When Tuthmosis III died in 1425BC, Egypt had an empire extending from Niya in north west Syria to the Fourth Cataract of the Nile in Nubia, cementing loyalties and opening access to critical imports such as bronze and wood.
The New Kingdom pharaohs began a large-scale building campaign to promote the god Amun, whose growing cult was based in Karnak. They also constructed monuments to glorify their own achievements, both real and imagined. The Karnak temple is the largest Egyptian temple ever built.
Around 1350BC, the stability of the New Kingdom was threatened when Amenhotep IV ascended the throne and instituted a series of radical and chaotic reforms. Changing his name to Akhenaten, he touted the previously obscure sun deity Aten as the supreme deity, suppressed the worship of most other deities, and moved the capital to the new city of Akhetaten (modern-day Amarna). He was devoted to his new religion and artistic style. After his death, the cult of the Aten was quickly abandoned and the traditional religious order restored. The subsequent pharaohs, Tutankhamun, Ay, and Horemheb, worked to erase all mention of Akhenaten's heresy, now known as the Amarna Period.
Around 1279BC, Ramesses II, also known as Ramesses the Great, ascended the throne, and went on to build more temples, erect more statues and obelisks, and sire more children than any other pharaoh in history. A bold military leader, Ramesses II led his army against the Hittites in the Battle of Kadesh (in modern Syria) and, after fighting to a stalemate, finally agreed to the first recorded peace treaty, around 1258BC.
Egypt's wealth, however, made it a tempting target for invasion, particularly by the Libyan Berbers to the west, and the Sea Peoples, a conjectured confederation of seafarers from the Aegean Sea. Initially, the military was able to repel these invasions, but Egypt eventually lost control of its remaining territories in southern Canaan, much of it falling to the Assyrians. The effects of external threats were exacerbated by internal problems such as corruption, tomb robbery, and civil unrest. After regaining their power, the high priests at the temple of Amun in Thebes accumulated vast tracts of land and wealth, and their expanded power splintered the country during the Third Intermediate Period.
Third Intermediate Period (1069–653 BC).
Following the death of Ramesses XI in 1078BC, Smendes assumed authority over the northern part of Egypt, ruling from the city of Tanis. The south was effectively controlled by the High Priests of Amun at Thebes, who recognized Smendes in name only. During this time, Libyans had been settling in the western delta, and chieftains of these settlers began increasing their autonomy. Libyan princes took control of the delta under Shoshenq I in 945BC, founding the so-called Libyan or Bubastite dynasty that would rule for some 200 years. Shoshenq also gained control of southern Egypt by placing his family members in important priestly positions. Libyan control began to erode as a rival dynasty in the delta arose in Leontopolis, and Kushites threatened from the south.
Around 727BC the Kushite king Piye invaded northward, seizing control of Thebes and eventually the Delta, which established the 25th Dynasty. During the 25th Dynasty, Pharaoh Taharqa created an empire nearly as large as the New Kingdom's. Twenty-fifth Dynasty pharaohs built, or restored, temples and monuments throughout the Nile valley, including at Memphis, Karnak, Kawa, and Jebel Barkal. During this period, the Nile valley saw the first widespread construction of pyramids (many in modern Sudan) since the Middle Kingdom.
Egypt's far-reaching prestige declined considerably toward the end of the Third Intermediate Period. Its foreign allies had fallen under the Assyrian sphere of influence, and by 700BC war between the two states became inevitable. Between 671 and 667BC the Assyrians began the Assyrian conquest of Egypt. The reigns of both Taharqa and his successor, Tanutamun, were filled with constant conflict with the Assyrians, against whom Egypt enjoyed several victories. Ultimately, the Assyrians pushed the Kushites back into Nubia, occupied Memphis, and sacked the temples of Thebes.
Late Period (653–332 BC).
The Assyrians left control of Egypt to a series of vassals who became known as the Saite kings of the Twenty-Sixth Dynasty. By 653BC, the Saite king Psamtik I was able to oust the Assyrians with the help of Greek mercenaries, who were recruited to form Egypt's first navy. Greek influence expanded greatly as the city-state of Naucratis became the home of Greeks in the Nile Delta. The Saite kings based in the new capital of Sais witnessed a brief but spirited resurgence in the economy and culture, but in 525BC, the powerful Persians, led by Cambyses II, began their conquest of Egypt, eventually capturing the pharaoh Psamtik III at the Battle of Pelusium. Cambyses II then assumed the formal title of pharaoh, but ruled Egypt from Iran, leaving Egypt under the control of a satrap. A few successful revolts against the Persians marked the 5th centuryBC, but Egypt was never able to permanently overthrow the Persians.
Following its annexation by Persia, Egypt was joined with Cyprus and Phoenicia in the sixth satrapy of the Achaemenid Persian Empire. This first period of Persian rule over Egypt, also known as the Twenty-Seventh Dynasty, ended in 402BC, when Egypt regained independence under a series of native dynasties. The last of these dynasties, the Thirtieth, proved to be the last native royal house of ancient Egypt, ending with the kingship of Nectanebo II. A brief restoration of Persian rule, sometimes known as the Thirty-First Dynasty, began in 343BC, but shortly after, in 332BC, the Persian ruler Mazaces handed Egypt over to Alexander the Great without a fight.
Ptolemaic period (332–30 BC).
In 332BC, Alexander the Great conquered Egypt with little resistance from the Persians and was welcomed by the Egyptians as a deliverer. The administration established by Alexander's successors, the Macedonian Ptolemaic Kingdom, was based on an Egyptian model and based in the new capital city of Alexandria. The city showcased the power and prestige of Hellenistic rule, and became a seat of learning and culture, centered at the famous Library of Alexandria. The Lighthouse of Alexandria lit the way for the many ships that kept trade flowing through the city—as the Ptolemies made commerce and revenue-generating enterprises, such as papyrus manufacturing, their top priority.
Hellenistic culture did not supplant native Egyptian culture, as the Ptolemies supported time-honored traditions in an effort to secure the loyalty of the populace. They built new temples in Egyptian style, supported traditional cults, and portrayed themselves as pharaohs. Some traditions merged, as Greek and Egyptian gods were syncretized into composite deities, such as Serapis, and classical Greek forms of sculpture influenced traditional Egyptian motifs. Despite their efforts to appease the Egyptians, the Ptolemies were challenged by native rebellion, bitter family rivalries, and the powerful mob of Alexandria that formed after the death of Ptolemy IV. In addition, as Rome relied more heavily on imports of grain from Egypt, the Romans took great interest in the political situation in the country. Continued Egyptian revolts, ambitious politicians, and powerful opponents from the Near East made this situation unstable, leading Rome to send forces to secure the country as a province of its empire.
Roman period (30 BC – AD 641).
Egypt became a province of the Roman Empire in 30BC, following the defeat of Mark Antony and Ptolemaic Queen Cleopatra VII by Octavian (later Emperor Augustus) in the Battle of Actium. The Romans relied heavily on grain shipments from Egypt, and the Roman army, under the control of a prefect appointed by the emperor, quelled rebellions, strictly enforced the collection of heavy taxes, and prevented attacks by bandits, which had become a notorious problem during the period. Alexandria became an increasingly important center on the trade route with the orient, as exotic luxuries were in high demand in Rome.
Although the Romans had a more hostile attitude than the Greeks towards the Egyptians, some traditions such as mummification and worship of the traditional gods continued. The art of mummy portraiture flourished, and some Roman emperors had themselves depicted as pharaohs, though not to the extent that the Ptolemies had. The former lived outside Egypt and did not perform the ceremonial functions of Egyptian kingship. Local administration became Roman in style and closed to native Egyptians.
From the mid-first century AD, Christianity took root in Egypt and it was originally seen as another cult that could be accepted. However, it was an uncompromising religion that sought to win converts from the pagan Egyptian and Greco-Roman religions and threatened popular religious traditions. This led to the persecution of converts to Christianity, culminating in the great purges of Diocletian starting in 303, but eventually Christianity won out. In 391 the Christian emperor Theodosius introduced legislation that banned pagan rites and closed temples. Alexandria became the scene of great anti-pagan riots with public and private religious imagery destroyed. As a consequence, Egypt's native religious culture was continually in decline. While the native population continued to speak their language, the ability to read hieroglyphic writing slowly disappeared as the role of the Egyptian temple priests and priestesses diminished. The temples themselves were sometimes converted to churches or abandoned to the desert.
In the fourth century, as the Roman Empire divided, Egypt found itself in the Eastern Empire with its capital at Constantinople. In the waning years of the Empire, Egypt fell to the Sasanian Persian army in the Sasanian conquest of Egypt (618–628). It was then recaptured by the Byzantine emperor Heraclius (629–639), and was finally captured by Muslim Rashidun army in 639–641, ending Byzantine rule.
Government and economy.
Administration and commerce.
The pharaoh was the absolute monarch of the country and, at least in theory, wielded complete control of the land and its resources. The king was the supreme military commander and head of the government, who relied on a bureaucracy of officials to manage his affairs. In charge of the administration was his second in command, the vizier, who acted as the king's representative and coordinated land surveys, the treasury, building projects, the legal system, and the archives. At a regional level, the country was divided into as many as 42 administrative regions called nomes each governed by a nomarch, who was accountable to the vizier for his jurisdiction. The temples formed the backbone of the economy. Not only were they places of worship, but were also responsible for collecting and storing the kingdom's wealth in a system of granaries and treasuries administered by overseers, who redistributed grain and goods.
Much of the economy was centrally organized and strictly controlled. Although the ancient Egyptians did not use coinage until the Late period, they did use a type of money-barter system, with standard sacks of grain and the "deben", a weight of roughly of copper or silver, forming a common denominator. Workers were paid in grain; a simple laborer might earn sacks (200 kg or 400 lb) of grain per month, while a foreman might earn sacks (250 kg or 550 lb). Prices were fixed across the country and recorded in lists to facilitate trading; for example a shirt cost five copper deben, while a cow cost 140deben. Grain could be traded for other goods, according to the fixed price list. During the fifth centuryBC coined money was introduced into Egypt from abroad. At first the coins were used as standardized pieces of precious metal rather than true money, but in the following centuries international traders came to rely on coinage.
Social status.
Egyptian society was highly stratified, and social status was expressly displayed. Farmers made up the bulk of the population, but agricultural produce was owned directly by the state, temple, or noble family that owned the land. Farmers were also subject to a labor tax and were required to work on irrigation or construction projects in a corvée system. Artists and craftsmen were of higher status than farmers, but they were also under state control, working in the shops attached to the temples and paid directly from the state treasury. Scribes and officials formed the upper class in ancient Egypt, known as the "white kilt class" in reference to the bleached linen garments that served as a mark of their rank. The upper class prominently displayed their social status in art and literature. Below the nobility were the priests, physicians, and engineers with specialized training in their field. It is unclear whether slavery as understood today existed in ancient Egypt; there is difference of opinions among authors.
The ancient Egyptians viewed men and women, including people from all social classes, as essentially equal under the law, and even the lowliest peasant was entitled to petition the vizier and his court for redress. Although slaves were mostly used as indentured servants, they were able to buy and sell their servitude, work their way to freedom or nobility, and were usually treated by doctors in the workplace. Both men and women had the right to own and sell property, make contracts, marry and divorce, receive inheritance, and pursue legal disputes in court. Married couples could own property jointly and protect themselves from divorce by agreeing to marriage contracts, which stipulated the financial obligations of the husband to his wife and children should the marriage end. Compared with their counterparts in ancient Greece, Rome, and even more modern places around the world, ancient Egyptian women had a greater range of personal choices, legal rights, and opportunities for achievement. Women such as Hatshepsut and Cleopatra VII even became pharaohs, while others wielded power as Divine Wives of Amun. Despite these freedoms, ancient Egyptian women did not often take part in official roles in the administration, aside from the royal high priestesses, apparently served only secondary roles in the temples (not much data for many dynasties), and were not so likely to be as educated as men.
Legal system.
The head of the legal system was officially the pharaoh, who was responsible for enacting laws, delivering justice, and maintaining law and order, a concept the ancient Egyptians referred to as Ma'at. Although no legal codes from ancient Egypt survive, court documents show that Egyptian law was based on a common-sense view of right and wrong that emphasized reaching agreements and resolving conflicts rather than strictly adhering to a complicated set of statutes. Local councils of elders, known as "Kenbet" in the New Kingdom, were responsible for ruling in court cases involving small claims and minor disputes. More serious cases involving murder, major land transactions, and tomb robbery were referred to the "Great Kenbet", over which the vizier or pharaoh presided. Plaintiffs and defendants were expected to represent themselves and were required to swear an oath that they had told the truth. In some cases, the state took on both the role of prosecutor and judge, and it could torture the accused with beatings to obtain a confession and the names of any co-conspirators. Whether the charges were trivial or serious, court scribes documented the complaint, testimony, and verdict of the case for future reference.
Punishment for minor crimes involved either imposition of fines, beatings, facial mutilation, or exile, depending on the severity of the offense. Serious crimes such as murder and tomb robbery were punished by execution, carried out by decapitation, drowning, or impaling the criminal on a stake. Punishment could also be extended to the criminal's family. Beginning in the New Kingdom, oracles played a major role in the legal system, dispensing justice in both civil and criminal cases. The procedure was to ask the god a "yes" or "no" question concerning the right or wrong of an issue. The god, carried by a number of priests, rendered judgement by choosing one or the other, moving forward or backward, or pointing to one of the answers written on a piece of papyrus or an ostracon.
Agriculture.
A combination of favorable geographical features contributed to the success of ancient Egyptian culture, the most important of which was the rich fertile soil resulting from annual inundations of the Nile River. The ancient Egyptians were thus able to produce an abundance of food, allowing the population to devote more time and resources to cultural, technological, and artistic pursuits. Land management was crucial in ancient Egypt because taxes were assessed based on the amount of land a person owned.
Farming in Egypt was dependent on the cycle of the Nile River. The Egyptians recognized three seasons: "Akhet" (flooding), "Peret" (planting), and "Shemu" (harvesting). The flooding season lasted from June to September, depositing on the river's banks a layer of mineral-rich silt ideal for growing crops. After the floodwaters had receded, the growing season lasted from October to February. Farmers plowed and planted seeds in the fields, which were irrigated with ditches and canals. Egypt received little rainfall, so farmers relied on the Nile to water their crops. From March to May, farmers used sickles to harvest their crops, which were then threshed with a flail to separate the straw from the grain. Winnowing removed the chaff from the grain, and the grain was then ground into flour, brewed to make beer, or stored for later use.
The ancient Egyptians cultivated emmer and barley, and several other cereal grains, all of which were used to make the two main food staples of bread and beer. Flax plants, uprooted before they started flowering, were grown for the fibers of their stems. These fibers were split along their length and spun into thread, which was used to weave sheets of linen and to make clothing. Papyrus growing on the banks of the Nile River was used to make paper. Vegetables and fruits were grown in garden plots, close to habitations and on higher ground, and had to be watered by hand. Vegetables included leeks, garlic, melons, squashes, pulses, lettuce, and other crops, in addition to grapes that were made into wine.
Animals.
The Egyptians believed that a balanced relationship between people and animals was an essential element of the cosmic order; thus humans, animals and plants were believed to be members of a single whole. Animals, both domesticated and wild, were therefore a critical source of spirituality, companionship, and sustenance to the ancient Egyptians. Cattle were the most important livestock; the administration collected taxes on livestock in regular censuses, and the size of a herd reflected the prestige and importance of the estate or temple that owned them. In addition to cattle, the ancient Egyptians kept sheep, goats, and pigs. Poultry, such as ducks, geese, and pigeons, were captured in nets and bred on farms, where they were force-fed with dough to fatten them. The Nile provided a plentiful source of fish. Bees were also domesticated from at least the Old Kingdom, and provided both honey and wax.
The ancient Egyptians used donkeys and oxen as beasts of burden, and they were responsible for plowing the fields and trampling seed into the soil. The slaughter of a fattened ox was also a central part of an offering ritual. Horses were introduced by the Hyksos in the Second Intermediate Period. Camels, although known from the New Kingdom, were not used as beasts of burden until the Late Period. There is also evidence to suggest that elephants were briefly used in the Late Period but largely abandoned due to lack of grazing land. Cats, dogs, and monkeys were common family pets, while more exotic pets imported from the heart of Africa, such as Sub-Saharan African lions, were reserved for royalty. Herodotus observed that the Egyptians were the only people to keep their animals with them in their houses. During the Late Period, the worship of the gods in their animal form was extremely popular, such as the cat goddess Bastet and the ibis god Thoth, and these animals were kept in large numbers for the purpose of ritual sacrifice.
Natural resources.
Egypt is rich in building and decorative stone, copper and lead ores, gold, and semiprecious stones. These natural resources allowed the ancient Egyptians to build monuments, sculpt statues, make tools, and fashion jewelry. Embalmers used salts from the Wadi Natrun for mummification, which also provided the gypsum needed to make plaster. Ore-bearing rock formations were found in distant, inhospitable wadis in the Eastern Desert and the Sinai, requiring large, state-controlled expeditions to obtain natural resources found there. There were extensive gold mines in Nubia, and one of the first maps known is of a gold mine in this region. The Wadi Hammamat was a notable source of granite, greywacke, and gold. Flint was the first mineral collected and used to make tools, and flint handaxes are the earliest pieces of evidence of habitation in the Nile valley. Nodules of the mineral were carefully flaked to make blades and arrowheads of moderate hardness and durability even after copper was adopted for this purpose. Ancient Egyptians were among the first to use minerals such as sulfur as cosmetic substances.
The Egyptians worked deposits of the lead ore galena at Gebel Rosas to make net sinkers, plumb bobs, and small figurines. Copper was the most important metal for toolmaking in ancient Egypt and was smelted in furnaces from malachite ore mined in the Sinai. Workers collected gold by washing the nuggets out of sediment in alluvial deposits, or by the more labor-intensive process of grinding and washing gold-bearing quartzite. Iron deposits found in upper Egypt were used in the Late Period. High-quality building stones were abundant in Egypt; the ancient Egyptians quarried limestone all along the Nile valley, granite from Aswan, and basalt and sandstone from the wadis of the Eastern Desert. Deposits of decorative stones such as porphyry, greywacke, alabaster, and carnelian dotted the Eastern Desert and were collected even before the First Dynasty. In the Ptolemaic and Roman Periods, miners worked deposits of emeralds in Wadi Sikait and amethyst in Wadi el-Hudi.
Trade.
The ancient Egyptians engaged in trade with their foreign neighbors to obtain rare, exotic goods not found in Egypt. In the Predynastic Period, they established trade with Nubia to obtain gold and incense. They also established trade with Palestine, as evidenced by Palestinian-style oil jugs found in the burials of the First Dynasty pharaohs. An Egyptian colony stationed in southern Canaan dates to slightly before the First Dynasty. Narmer had Egyptian pottery produced in Canaan and exported back to Egypt.
By the Second Dynasty at latest, ancient Egyptian trade with Byblos yielded a critical source of quality timber not found in Egypt. By the Fifth Dynasty, trade with Punt provided gold, aromatic resins, ebony, ivory, and wild animals such as monkeys and baboons. Egypt relied on trade with Anatolia for essential quantities of tin as well as supplementary supplies of copper, both metals being necessary for the manufacture of bronze. The ancient Egyptians prized the blue stone lapis lazuli, which had to be imported from far-away Afghanistan. Egypt's Mediterranean trade partners also included Greece and Crete, which provided, among other goods, supplies of olive oil.
Administration and commerce.
The pharaoh was the absolute monarch of the country and, at least in theory, wielded complete control of the land and its resources. The king was the supreme military commander and head of the government, who relied on a bureaucracy of officials to manage his affairs. In charge of the administration was his second in command, the vizier, who acted as the king's representative and coordinated land surveys, the treasury, building projects, the legal system, and the archives. At a regional level, the country was divided into as many as 42 administrative regions called nomes each governed by a nomarch, who was accountable to the vizier for his jurisdiction. The temples formed the backbone of the economy. Not only were they places of worship, but were also responsible for collecting and storing the kingdom's wealth in a system of granaries and treasuries administered by overseers, who redistributed grain and goods.
Much of the economy was centrally organized and strictly controlled. Although the ancient Egyptians did not use coinage until the Late period, they did use a type of money-barter system, with standard sacks of grain and the "deben", a weight of roughly of copper or silver, forming a common denominator. Workers were paid in grain; a simple laborer might earn sacks (200 kg or 400 lb) of grain per month, while a foreman might earn sacks (250 kg or 550 lb). Prices were fixed across the country and recorded in lists to facilitate trading; for example a shirt cost five copper deben, while a cow cost 140deben. Grain could be traded for other goods, according to the fixed price list. During the fifth centuryBC coined money was introduced into Egypt from abroad. At first the coins were used as standardized pieces of precious metal rather than true money, but in the following centuries international traders came to rely on coinage.
Social status.
Egyptian society was highly stratified, and social status was expressly displayed. Farmers made up the bulk of the population, but agricultural produce was owned directly by the state, temple, or noble family that owned the land. Farmers were also subject to a labor tax and were required to work on irrigation or construction projects in a corvée system. Artists and craftsmen were of higher status than farmers, but they were also under state control, working in the shops attached to the temples and paid directly from the state treasury. Scribes and officials formed the upper class in ancient Egypt, known as the "white kilt class" in reference to the bleached linen garments that served as a mark of their rank. The upper class prominently displayed their social status in art and literature. Below the nobility were the priests, physicians, and engineers with specialized training in their field. It is unclear whether slavery as understood today existed in ancient Egypt; there is difference of opinions among authors.
The ancient Egyptians viewed men and women, including people from all social classes, as essentially equal under the law, and even the lowliest peasant was entitled to petition the vizier and his court for redress. Although slaves were mostly used as indentured servants, they were able to buy and sell their servitude, work their way to freedom or nobility, and were usually treated by doctors in the workplace. Both men and women had the right to own and sell property, make contracts, marry and divorce, receive inheritance, and pursue legal disputes in court. Married couples could own property jointly and protect themselves from divorce by agreeing to marriage contracts, which stipulated the financial obligations of the husband to his wife and children should the marriage end. Compared with their counterparts in ancient Greece, Rome, and even more modern places around the world, ancient Egyptian women had a greater range of personal choices, legal rights, and opportunities for achievement. Women such as Hatshepsut and Cleopatra VII even became pharaohs, while others wielded power as Divine Wives of Amun. Despite these freedoms, ancient Egyptian women did not often take part in official roles in the administration, aside from the royal high priestesses, apparently served only secondary roles in the temples (not much data for many dynasties), and were not so likely to be as educated as men.
Legal system.
The head of the legal system was officially the pharaoh, who was responsible for enacting laws, delivering justice, and maintaining law and order, a concept the ancient Egyptians referred to as Ma'at. Although no legal codes from ancient Egypt survive, court documents show that Egyptian law was based on a common-sense view of right and wrong that emphasized reaching agreements and resolving conflicts rather than strictly adhering to a complicated set of statutes. Local councils of elders, known as "Kenbet" in the New Kingdom, were responsible for ruling in court cases involving small claims and minor disputes. More serious cases involving murder, major land transactions, and tomb robbery were referred to the "Great Kenbet", over which the vizier or pharaoh presided. Plaintiffs and defendants were expected to represent themselves and were required to swear an oath that they had told the truth. In some cases, the state took on both the role of prosecutor and judge, and it could torture the accused with beatings to obtain a confession and the names of any co-conspirators. Whether the charges were trivial or serious, court scribes documented the complaint, testimony, and verdict of the case for future reference.
Punishment for minor crimes involved either imposition of fines, beatings, facial mutilation, or exile, depending on the severity of the offense. Serious crimes such as murder and tomb robbery were punished by execution, carried out by decapitation, drowning, or impaling the criminal on a stake. Punishment could also be extended to the criminal's family. Beginning in the New Kingdom, oracles played a major role in the legal system, dispensing justice in both civil and criminal cases. The procedure was to ask the god a "yes" or "no" question concerning the right or wrong of an issue. The god, carried by a number of priests, rendered judgement by choosing one or the other, moving forward or backward, or pointing to one of the answers written on a piece of papyrus or an ostracon.
Agriculture.
A combination of favorable geographical features contributed to the success of ancient Egyptian culture, the most important of which was the rich fertile soil resulting from annual inundations of the Nile River. The ancient Egyptians were thus able to produce an abundance of food, allowing the population to devote more time and resources to cultural, technological, and artistic pursuits. Land management was crucial in ancient Egypt because taxes were assessed based on the amount of land a person owned.
Farming in Egypt was dependent on the cycle of the Nile River. The Egyptians recognized three seasons: "Akhet" (flooding), "Peret" (planting), and "Shemu" (harvesting). The flooding season lasted from June to September, depositing on the river's banks a layer of mineral-rich silt ideal for growing crops. After the floodwaters had receded, the growing season lasted from October to February. Farmers plowed and planted seeds in the fields, which were irrigated with ditches and canals. Egypt received little rainfall, so farmers relied on the Nile to water their crops. From March to May, farmers used sickles to harvest their crops, which were then threshed with a flail to separate the straw from the grain. Winnowing removed the chaff from the grain, and the grain was then ground into flour, brewed to make beer, or stored for later use.
The ancient Egyptians cultivated emmer and barley, and several other cereal grains, all of which were used to make the two main food staples of bread and beer. Flax plants, uprooted before they started flowering, were grown for the fibers of their stems. These fibers were split along their length and spun into thread, which was used to weave sheets of linen and to make clothing. Papyrus growing on the banks of the Nile River was used to make paper. Vegetables and fruits were grown in garden plots, close to habitations and on higher ground, and had to be watered by hand. Vegetables included leeks, garlic, melons, squashes, pulses, lettuce, and other crops, in addition to grapes that were made into wine.
Animals.
The Egyptians believed that a balanced relationship between people and animals was an essential element of the cosmic order; thus humans, animals and plants were believed to be members of a single whole. Animals, both domesticated and wild, were therefore a critical source of spirituality, companionship, and sustenance to the ancient Egyptians. Cattle were the most important livestock; the administration collected taxes on livestock in regular censuses, and the size of a herd reflected the prestige and importance of the estate or temple that owned them. In addition to cattle, the ancient Egyptians kept sheep, goats, and pigs. Poultry, such as ducks, geese, and pigeons, were captured in nets and bred on farms, where they were force-fed with dough to fatten them. The Nile provided a plentiful source of fish. Bees were also domesticated from at least the Old Kingdom, and provided both honey and wax.
The ancient Egyptians used donkeys and oxen as beasts of burden, and they were responsible for plowing the fields and trampling seed into the soil. The slaughter of a fattened ox was also a central part of an offering ritual. Horses were introduced by the Hyksos in the Second Intermediate Period. Camels, although known from the New Kingdom, were not used as beasts of burden until the Late Period. There is also evidence to suggest that elephants were briefly used in the Late Period but largely abandoned due to lack of grazing land. Cats, dogs, and monkeys were common family pets, while more exotic pets imported from the heart of Africa, such as Sub-Saharan African lions, were reserved for royalty. Herodotus observed that the Egyptians were the only people to keep their animals with them in their houses. During the Late Period, the worship of the gods in their animal form was extremely popular, such as the cat goddess Bastet and the ibis god Thoth, and these animals were kept in large numbers for the purpose of ritual sacrifice.
Animals.
The Egyptians believed that a balanced relationship between people and animals was an essential element of the cosmic order; thus humans, animals and plants were believed to be members of a single whole. Animals, both domesticated and wild, were therefore a critical source of spirituality, companionship, and sustenance to the ancient Egyptians. Cattle were the most important livestock; the administration collected taxes on livestock in regular censuses, and the size of a herd reflected the prestige and importance of the estate or temple that owned them. In addition to cattle, the ancient Egyptians kept sheep, goats, and pigs. Poultry, such as ducks, geese, and pigeons, were captured in nets and bred on farms, where they were force-fed with dough to fatten them. The Nile provided a plentiful source of fish. Bees were also domesticated from at least the Old Kingdom, and provided both honey and wax.
The ancient Egyptians used donkeys and oxen as beasts of burden, and they were responsible for plowing the fields and trampling seed into the soil. The slaughter of a fattened ox was also a central part of an offering ritual. Horses were introduced by the Hyksos in the Second Intermediate Period. Camels, although known from the New Kingdom, were not used as beasts of burden until the Late Period. There is also evidence to suggest that elephants were briefly used in the Late Period but largely abandoned due to lack of grazing land. Cats, dogs, and monkeys were common family pets, while more exotic pets imported from the heart of Africa, such as Sub-Saharan African lions, were reserved for royalty. Herodotus observed that the Egyptians were the only people to keep their animals with them in their houses. During the Late Period, the worship of the gods in their animal form was extremely popular, such as the cat goddess Bastet and the ibis god Thoth, and these animals were kept in large numbers for the purpose of ritual sacrifice.
Natural resources.
Egypt is rich in building and decorative stone, copper and lead ores, gold, and semiprecious stones. These natural resources allowed the ancient Egyptians to build monuments, sculpt statues, make tools, and fashion jewelry. Embalmers used salts from the Wadi Natrun for mummification, which also provided the gypsum needed to make plaster. Ore-bearing rock formations were found in distant, inhospitable wadis in the Eastern Desert and the Sinai, requiring large, state-controlled expeditions to obtain natural resources found there. There were extensive gold mines in Nubia, and one of the first maps known is of a gold mine in this region. The Wadi Hammamat was a notable source of granite, greywacke, and gold. Flint was the first mineral collected and used to make tools, and flint handaxes are the earliest pieces of evidence of habitation in the Nile valley. Nodules of the mineral were carefully flaked to make blades and arrowheads of moderate hardness and durability even after copper was adopted for this purpose. Ancient Egyptians were among the first to use minerals such as sulfur as cosmetic substances.
The Egyptians worked deposits of the lead ore galena at Gebel Rosas to make net sinkers, plumb bobs, and small figurines. Copper was the most important metal for toolmaking in ancient Egypt and was smelted in furnaces from malachite ore mined in the Sinai. Workers collected gold by washing the nuggets out of sediment in alluvial deposits, or by the more labor-intensive process of grinding and washing gold-bearing quartzite. Iron deposits found in upper Egypt were used in the Late Period. High-quality building stones were abundant in Egypt; the ancient Egyptians quarried limestone all along the Nile valley, granite from Aswan, and basalt and sandstone from the wadis of the Eastern Desert. Deposits of decorative stones such as porphyry, greywacke, alabaster, and carnelian dotted the Eastern Desert and were collected even before the First Dynasty. In the Ptolemaic and Roman Periods, miners worked deposits of emeralds in Wadi Sikait and amethyst in Wadi el-Hudi.
Trade.
The ancient Egyptians engaged in trade with their foreign neighbors to obtain rare, exotic goods not found in Egypt. In the Predynastic Period, they established trade with Nubia to obtain gold and incense. They also established trade with Palestine, as evidenced by Palestinian-style oil jugs found in the burials of the First Dynasty pharaohs. An Egyptian colony stationed in southern Canaan dates to slightly before the First Dynasty. Narmer had Egyptian pottery produced in Canaan and exported back to Egypt.
By the Second Dynasty at latest, ancient Egyptian trade with Byblos yielded a critical source of quality timber not found in Egypt. By the Fifth Dynasty, trade with Punt provided gold, aromatic resins, ebony, ivory, and wild animals such as monkeys and baboons. Egypt relied on trade with Anatolia for essential quantities of tin as well as supplementary supplies of copper, both metals being necessary for the manufacture of bronze. The ancient Egyptians prized the blue stone lapis lazuli, which had to be imported from far-away Afghanistan. Egypt's Mediterranean trade partners also included Greece and Crete, which provided, among other goods, supplies of olive oil.
Language.
Historical development.
The Egyptian language is a northern Afro-Asiatic language closely related to the Berber and Semitic languages. It has the longest known history of any language having been written from c. 3200BC to the Middle Ages and remaining as a spoken language for longer. The phases of ancient Egyptian are Old Egyptian, Middle Egyptian (Classical Egyptian), Late Egyptian, Demotic and Coptic. Egyptian writings do not show dialect differences before Coptic, but it was probably spoken in regional dialects around Memphis and later Thebes.
Ancient Egyptian was a synthetic language, but it became more analytic later on. Late Egyptian developed prefixal definite and indefinite articles, which replaced the older inflectional suffixes. There was a change from the older verb–subject–object word order to subject–verb–object. The Egyptian hieroglyphic, hieratic, and demotic scripts were eventually replaced by the more phonetic Coptic alphabet. Coptic is still used in the liturgy of the Egyptian Orthodox Church, and traces of it are found in modern Egyptian Arabic.
Sounds and grammar.
Ancient Egyptian has 25 consonants similar to those of other Afro-Asiatic languages. These include pharyngeal and emphatic consonants, voiced and voiceless stops, voiceless fricatives and voiced and voiceless affricates. It has three long and three short vowels, which expanded in Late Egyptian to about nine. The basic word in Egyptian, similar to Semitic and Berber, is a triliteral or biliteral root of consonants and semiconsonants. Suffixes are added to form words. The verb conjugation corresponds to the person. For example, the triconsonantal skeleton is the semantic core of the word 'hear'; its basic conjugation is ', 'he hears'. If the subject is a noun, suffixes are not added to the verb: ', 'the woman hears'.
Adjectives are derived from nouns through a process that Egyptologists call "nisbation" because of its similarity with Arabic. The word order is in verbal and adjectival sentences, and in nominal and adverbial sentences. The subject can be moved to the beginning of sentences if it is long and is followed by a resumptive pronoun. Verbs and nouns are negated by the particle "n", but "nn" is used for adverbial and adjectival sentences. Stress falls on the ultimate or penultimate syllable, which can be open (CV) or closed (CVC).
Writing.
Hieroglyphic writing dates from c. 3000BC, and is composed of hundreds of symbols. A hieroglyph can represent a word, a sound, or a silent determinative; and the same symbol can serve different purposes in different contexts. Hieroglyphs were a formal script, used on stone monuments and in tombs, that could be as detailed as individual works of art. In day-to-day writing, scribes used a cursive form of writing, called hieratic, which was quicker and easier. While formal hieroglyphs may be read in rows or columns in either direction (though typically written from right to left), hieratic was always written from right to left, usually in horizontal rows. A new form of writing, Demotic, became the prevalent writing style, and it is this form of writing—along with formal hieroglyphs—that accompany the Greek text on the Rosetta Stone.
Around the first century AD, the Coptic alphabet started to be used alongside the Demotic script. Coptic is a modified Greek alphabet with the addition of some Demotic signs. Although formal hieroglyphs were used in a ceremonial role until the fourth century, towards the end only a small handful of priests could still read them. As the traditional religious establishments were disbanded, knowledge of hieroglyphic writing was mostly lost. Attempts to decipher them date to the Byzantine and Islamic periods in Egypt, but only in the 1820s, after the discovery of the Rosetta Stone and years of research by Thomas Young and Jean-François Champollion, were hieroglyphs substantially deciphered.
Literature.
Writing first appeared in association with kingship on labels and tags for items found in royal tombs. It was primarily an occupation of the scribes, who worked out of the "Per Ankh" institution or the House of Life. The latter comprised offices, libraries (called House of Books), laboratories and observatories. Some of the best-known pieces of ancient Egyptian literature, such as the Pyramid and Coffin Texts, were written in Classical Egyptian, which continued to be the language of writing until about 1300BC. Late Egyptian was spoken from the New Kingdom onward and is represented in Ramesside administrative documents, love poetry and tales, as well as in Demotic and Coptic texts. During this period, the tradition of writing had evolved into the tomb autobiography, such as those of Harkhuf and Weni. The genre known as "Sebayt" ("instructions") was developed to communicate teachings and guidance from famous nobles; the Ipuwer papyrus, a poem of lamentations describing natural disasters and social upheaval, is a famous example.
The Story of Sinuhe, written in Middle Egyptian, might be the classic of Egyptian literature. Also written at this time was the Westcar Papyrus, a set of stories told to Khufu by his sons relating the marvels performed by priests. The Instruction of Amenemope is considered a masterpiece of Near Eastern literature. Towards the end of the New Kingdom, the vernacular language was more often employed to write popular pieces like the Story of Wenamun and the Instruction of Any. The former tells the story of a noble who is robbed on his way to buy cedar from Lebanon and of his struggle to return to Egypt. From about 700BC, narrative stories and instructions, such as the popular Instructions of Onchsheshonqy, as well as personal and business documents were written in the demotic script and phase of Egyptian. Many stories written in demotic during the Greco-Roman period were set in previous historical eras, when Egypt was an independent nation ruled by great pharaohs such as Ramesses II.
Historical development.
The Egyptian language is a northern Afro-Asiatic language closely related to the Berber and Semitic languages. It has the longest known history of any language having been written from c. 3200BC to the Middle Ages and remaining as a spoken language for longer. The phases of ancient Egyptian are Old Egyptian, Middle Egyptian (Classical Egyptian), Late Egyptian, Demotic and Coptic. Egyptian writings do not show dialect differences before Coptic, but it was probably spoken in regional dialects around Memphis and later Thebes.
Ancient Egyptian was a synthetic language, but it became more analytic later on. Late Egyptian developed prefixal definite and indefinite articles, which replaced the older inflectional suffixes. There was a change from the older verb–subject–object word order to subject–verb–object. The Egyptian hieroglyphic, hieratic, and demotic scripts were eventually replaced by the more phonetic Coptic alphabet. Coptic is still used in the liturgy of the Egyptian Orthodox Church, and traces of it are found in modern Egyptian Arabic.
Sounds and grammar.
Ancient Egyptian has 25 consonants similar to those of other Afro-Asiatic languages. These include pharyngeal and emphatic consonants, voiced and voiceless stops, voiceless fricatives and voiced and voiceless affricates. It has three long and three short vowels, which expanded in Late Egyptian to about nine. The basic word in Egyptian, similar to Semitic and Berber, is a triliteral or biliteral root of consonants and semiconsonants. Suffixes are added to form words. The verb conjugation corresponds to the person. For example, the triconsonantal skeleton is the semantic core of the word 'hear'; its basic conjugation is ', 'he hears'. If the subject is a noun, suffixes are not added to the verb: ', 'the woman hears'.
Adjectives are derived from nouns through a process that Egyptologists call "nisbation" because of its similarity with Arabic. The word order is in verbal and adjectival sentences, and in nominal and adverbial sentences. The subject can be moved to the beginning of sentences if it is long and is followed by a resumptive pronoun. Verbs and nouns are negated by the particle "n", but "nn" is used for adverbial and adjectival sentences. Stress falls on the ultimate or penultimate syllable, which can be open (CV) or closed (CVC).
Writing.
Hieroglyphic writing dates from c. 3000BC, and is composed of hundreds of symbols. A hieroglyph can represent a word, a sound, or a silent determinative; and the same symbol can serve different purposes in different contexts. Hieroglyphs were a formal script, used on stone monuments and in tombs, that could be as detailed as individual works of art. In day-to-day writing, scribes used a cursive form of writing, called hieratic, which was quicker and easier. While formal hieroglyphs may be read in rows or columns in either direction (though typically written from right to left), hieratic was always written from right to left, usually in horizontal rows. A new form of writing, Demotic, became the prevalent writing style, and it is this form of writing—along with formal hieroglyphs—that accompany the Greek text on the Rosetta Stone.
Around the first century AD, the Coptic alphabet started to be used alongside the Demotic script. Coptic is a modified Greek alphabet with the addition of some Demotic signs. Although formal hieroglyphs were used in a ceremonial role until the fourth century, towards the end only a small handful of priests could still read them. As the traditional religious establishments were disbanded, knowledge of hieroglyphic writing was mostly lost. Attempts to decipher them date to the Byzantine and Islamic periods in Egypt, but only in the 1820s, after the discovery of the Rosetta Stone and years of research by Thomas Young and Jean-François Champollion, were hieroglyphs substantially deciphered.
Literature.
Writing first appeared in association with kingship on labels and tags for items found in royal tombs. It was primarily an occupation of the scribes, who worked out of the "Per Ankh" institution or the House of Life. The latter comprised offices, libraries (called House of Books), laboratories and observatories. Some of the best-known pieces of ancient Egyptian literature, such as the Pyramid and Coffin Texts, were written in Classical Egyptian, which continued to be the language of writing until about 1300BC. Late Egyptian was spoken from the New Kingdom onward and is represented in Ramesside administrative documents, love poetry and tales, as well as in Demotic and Coptic texts. During this period, the tradition of writing had evolved into the tomb autobiography, such as those of Harkhuf and Weni. The genre known as "Sebayt" ("instructions") was developed to communicate teachings and guidance from famous nobles; the Ipuwer papyrus, a poem of lamentations describing natural disasters and social upheaval, is a famous example.
The Story of Sinuhe, written in Middle Egyptian, might be the classic of Egyptian literature. Also written at this time was the Westcar Papyrus, a set of stories told to Khufu by his sons relating the marvels performed by priests. The Instruction of Amenemope is considered a masterpiece of Near Eastern literature. Towards the end of the New Kingdom, the vernacular language was more often employed to write popular pieces like the Story of Wenamun and the Instruction of Any. The former tells the story of a noble who is robbed on his way to buy cedar from Lebanon and of his struggle to return to Egypt. From about 700BC, narrative stories and instructions, such as the popular Instructions of Onchsheshonqy, as well as personal and business documents were written in the demotic script and phase of Egyptian. Many stories written in demotic during the Greco-Roman period were set in previous historical eras, when Egypt was an independent nation ruled by great pharaohs such as Ramesses II.
Culture.
Daily life.
Most ancient Egyptians were farmers tied to the land. Their dwellings were restricted to immediate family members, and were constructed of mudbrick designed to remain cool in the heat of the day. Each home had a kitchen with an open roof, which contained a grindstone for milling grain and a small oven for baking the bread. Ceramics served as household wares for the storage, preparation, transport, and consumption of food, drink, and raw materials. Walls were painted white and could be covered with dyed linen wall hangings. Floors were covered with reed mats, while wooden stools, beds raised from the floor and individual tables comprised the furniture.
The ancient Egyptians placed a great value on hygiene and appearance. Most bathed in the Nile and used a pasty soap made from animal fat and chalk. Men shaved their entire bodies for cleanliness; perfumes and aromatic ointments covered bad odors and soothed skin. Clothing was made from simple linen sheets that were bleached white, and both men and women of the upper classes wore wigs, jewelry, and cosmetics. Children went without clothing until maturity, at about age 12, and at this age males were circumcised and had their heads shaved. Mothers were responsible for taking care of the children, while the father provided the family's income.
Music and dance were popular entertainments for those who could afford them. Early instruments included flutes and harps, while instruments similar to trumpets, oboes, and pipes developed later and became popular. In the New Kingdom, the Egyptians played on bells, cymbals, tambourines, drums, and imported lutes and lyres from Asia. The sistrum was a rattle-like musical instrument that was especially important in religious ceremonies.
The ancient Egyptians enjoyed a variety of leisure activities, including games and music. Senet, a board game where pieces moved according to random chance, was particularly popular from the earliest times; another similar game was mehen, which had a circular gaming board. "Hounds and Jackals" also known as 58 holes is another example of board games played in ancient Egypt. The first complete set of this game was discovered from a Theban tomb of the Egyptian pharaoh Amenemhat IV that dates to the 13th Dynasty. Juggling and ball games were popular with children, and wrestling is also documented in a tomb at Beni Hasan. The wealthy members of ancient Egyptian society enjoyed hunting, fishing, and boating as well.
The excavation of the workers' village of Deir el-Medina has resulted in one of the most thoroughly documented accounts of community life in the ancient world, which spans almost four hundred years. There is no comparable site in which the organization, social interactions, and working and living conditions of a community have been studied in such detail.
Cuisine.
Egyptian cuisine remained remarkably stable over time; indeed, the cuisine of modern Egypt retains some striking similarities to the cuisine of the ancients. The staple diet consisted of bread and beer, supplemented with vegetables such as onions and garlic, and fruit such as dates and figs. Wine and meat were enjoyed by all on feast days while the upper classes indulged on a more regular basis. Fish, meat, and fowl could be salted or dried, and could be cooked in stews or roasted on a grill.
Architecture.
The architecture of ancient Egypt includes some of the most famous structures in the world: the Great Pyramids of Giza and the temples at Thebes. Building projects were organized and funded by the state for religious and commemorative purposes, but also to reinforce the wide-ranging power of the pharaoh. The ancient Egyptians were skilled builders; using only simple but effective tools and sighting instruments, architects could build large stone structures with great accuracy and precision that is still envied today.
The domestic dwellings of elite and ordinary Egyptians alike were constructed from perishable materials such as mudbricks and wood, and have not survived. Peasants lived in simple homes, while the palaces of the elite and the pharaoh were more elaborate structures. A few surviving New Kingdom palaces, such as those in Malkata and Amarna, show richly decorated walls and floors with scenes of people, birds, water pools, deities and geometric designs. Important structures such as temples and tombs that were intended to last forever were constructed of stone instead of mudbricks. The architectural elements used in the world's first large-scale stone building, Djoser's mortuary complex, include post and lintel supports in the papyrus and lotus motif.
The earliest preserved ancient Egyptian temples, such as those at Giza, consist of single, enclosed halls with roof slabs supported by columns. In the New Kingdom, architects added the pylon, the open courtyard, and the enclosed hypostyle hall to the front of the temple's sanctuary, a style that was standard until the Greco-Roman period. The earliest and most popular tomb architecture in the Old Kingdom was the mastaba, a flat-roofed rectangular structure of mudbrick or stone built over an underground burial chamber. The step pyramid of Djoser is a series of stone mastabas stacked on top of each other. Pyramids were built during the Old and Middle Kingdoms, but most later rulers abandoned them in favor of less conspicuous rock-cut tombs. The use of the pyramid form continued in private tomb chapels of the New Kingdom and in the royal pyramids of Nubia.
Art.
The ancient Egyptians produced art to serve functional purposes. For over 3500 years, artists adhered to artistic forms and iconography that were developed during the Old Kingdom, following a strict set of principles that resisted foreign influence and internal change. These artistic standards—simple lines, shapes, and flat areas of color combined with the characteristic flat projection of figures with no indication of spatial depth—created a sense of order and balance within a composition. Images and text were intimately interwoven on tomb and temple walls, coffins, stelae, and even statues. The Narmer Palette, for example, displays figures that can also be read as hieroglyphs. Because of the rigid rules that governed its highly stylized and symbolic appearance, ancient Egyptian art served its political and religious purposes with precision and clarity.
Ancient Egyptian artisans used stone as a medium for carving statues and fine reliefs, but used wood as a cheap and easily carved substitute. Paints were obtained from minerals such as iron ores (red and yellow ochres), copper ores (blue and green), soot or charcoal (black), and limestone (white). Paints could be mixed with gum arabic as a binder and pressed into cakes, which could be moistened with water when needed.
Pharaohs used reliefs to record victories in battle, royal decrees, and religious scenes. Common citizens had access to pieces of funerary art, such as shabti statues and books of the dead, which they believed would protect them in the afterlife. During the Middle Kingdom, wooden or clay models depicting scenes from everyday life became popular additions to the tomb. In an attempt to duplicate the activities of the living in the afterlife, these models show laborers, houses, boats, and even military formations that are scale representations of the ideal ancient Egyptian afterlife.
Despite the homogeneity of ancient Egyptian art, the styles of particular times and places sometimes reflected changing cultural or political attitudes. After the invasion of the Hyksos in the Second Intermediate Period, Minoan-style frescoes were found in Avaris. The most striking example of a politically driven change in artistic forms comes from the Amarna Period, where figures were radically altered to conform to Akhenaten's revolutionary religious ideas. This style, known as Amarna art, was quickly abandoned after Akhenaten's death and replaced by the traditional forms.
Religious beliefs.
Beliefs in the divine and in the afterlife were ingrained in ancient Egyptian civilization from its inception; pharaonic rule was based on the divine right of kings. The Egyptian pantheon was populated by gods who had supernatural powers and were called on for help or protection. However, the gods were not always viewed as benevolent, and Egyptians believed they had to be appeased with offerings and prayers. The structure of this pantheon changed continually as new deities were promoted in the hierarchy, but priests made no effort to organize the diverse and sometimes conflicting myths and stories into a coherent system. These various conceptions of divinity were not considered contradictory but rather layers in the multiple facets of reality.
Gods were worshiped in cult temples administered by priests acting on the king's behalf. At the center of the temple was the cult statue in a shrine. Temples were not places of public worship or congregation, and only on select feast days and celebrations was a shrine carrying the statue of the god brought out for public worship. Normally, the god's domain was sealed off from the outside world and was only accessible to temple officials. Common citizens could worship private statues in their homes, and amulets offered protection against the forces of chaos. After the New Kingdom, the pharaoh's role as a spiritual intermediary was de-emphasized as religious customs shifted to direct worship of the gods. As a result, priests developed a system of oracles to communicate the will of the gods directly to the people.
The Egyptians believed that every human being was composed of physical and spiritual parts or "aspects". In addition to the body, each person had a "šwt" (shadow), a "ba" (personality or soul), a "ka" (life-force), and a "name". The heart, rather than the brain, was considered the seat of thoughts and emotions. After death, the spiritual aspects were released from the body and could move at will, but they required the physical remains (or a substitute, such as a statue) as a permanent home. The ultimate goal of the deceased was to rejoin his "ka" and "ba" and become one of the "blessed dead", living on as an "akh", or "effective one". For this to happen, the deceased had to be judged worthy in a trial, in which the heart was weighed against a "feather of truth." If deemed worthy, the deceased could continue their existence on earth in spiritual form. If they were not deemed worthy, their heart was eaten by Ammit the Devourer and they were erased from the Universe.
Burial customs.
The ancient Egyptians maintained an elaborate set of burial customs that they believed were necessary to ensure immortality after death. These customs involved preserving the body by mummification, performing burial ceremonies, and interring with the body goods the deceased would use in the afterlife. Before the Old Kingdom, bodies buried in desert pits were naturally preserved by desiccation. The arid, desert conditions were a boon throughout the history of ancient Egypt for burials of the poor, who could not afford the elaborate burial preparations available to the elite. Wealthier Egyptians began to bury their dead in stone tombs and use artificial mummification, which involved removing the internal organs, wrapping the body in linen, and burying it in a rectangular stone sarcophagus or wooden coffin. Beginning in the Fourth Dynasty, some parts were preserved separately in canopic jars.
By the New Kingdom, the ancient Egyptians had perfected the art of mummification; the best technique took 70 days and involved removing the internal organs, removing the brain through the nose, and desiccating the body in a mixture of salts called natron. The body was then wrapped in linen with protective amulets inserted between layers and placed in a decorated anthropoid coffin. Mummies of the Late Period were also placed in painted cartonnage mummy cases. Actual preservation practices declined during the Ptolemaic and Roman eras, while greater emphasis was placed on the outer appearance of the mummy, which was decorated.
Wealthy Egyptians were buried with larger quantities of luxury items, but all burials, regardless of social status, included goods for the deceased. Funerary texts were often included in the grave, and, beginning in the New Kingdom, so were shabti statues that were believed to perform manual labor for them in the afterlife. Rituals in which the deceased was magically re-animated accompanied burials. After burial, living relatives were expected to occasionally bring food to the tomb and recite prayers on behalf of the deceased.
Daily life.
Most ancient Egyptians were farmers tied to the land. Their dwellings were restricted to immediate family members, and were constructed of mudbrick designed to remain cool in the heat of the day. Each home had a kitchen with an open roof, which contained a grindstone for milling grain and a small oven for baking the bread. Ceramics served as household wares for the storage, preparation, transport, and consumption of food, drink, and raw materials. Walls were painted white and could be covered with dyed linen wall hangings. Floors were covered with reed mats, while wooden stools, beds raised from the floor and individual tables comprised the furniture.
The ancient Egyptians placed a great value on hygiene and appearance. Most bathed in the Nile and used a pasty soap made from animal fat and chalk. Men shaved their entire bodies for cleanliness; perfumes and aromatic ointments covered bad odors and soothed skin. Clothing was made from simple linen sheets that were bleached white, and both men and women of the upper classes wore wigs, jewelry, and cosmetics. Children went without clothing until maturity, at about age 12, and at this age males were circumcised and had their heads shaved. Mothers were responsible for taking care of the children, while the father provided the family's income.
Music and dance were popular entertainments for those who could afford them. Early instruments included flutes and harps, while instruments similar to trumpets, oboes, and pipes developed later and became popular. In the New Kingdom, the Egyptians played on bells, cymbals, tambourines, drums, and imported lutes and lyres from Asia. The sistrum was a rattle-like musical instrument that was especially important in religious ceremonies.
The ancient Egyptians enjoyed a variety of leisure activities, including games and music. Senet, a board game where pieces moved according to random chance, was particularly popular from the earliest times; another similar game was mehen, which had a circular gaming board. "Hounds and Jackals" also known as 58 holes is another example of board games played in ancient Egypt. The first complete set of this game was discovered from a Theban tomb of the Egyptian pharaoh Amenemhat IV that dates to the 13th Dynasty. Juggling and ball games were popular with children, and wrestling is also documented in a tomb at Beni Hasan. The wealthy members of ancient Egyptian society enjoyed hunting, fishing, and boating as well.
The excavation of the workers' village of Deir el-Medina has resulted in one of the most thoroughly documented accounts of community life in the ancient world, which spans almost four hundred years. There is no comparable site in which the organization, social interactions, and working and living conditions of a community have been studied in such detail.
Cuisine.
Egyptian cuisine remained remarkably stable over time; indeed, the cuisine of modern Egypt retains some striking similarities to the cuisine of the ancients. The staple diet consisted of bread and beer, supplemented with vegetables such as onions and garlic, and fruit such as dates and figs. Wine and meat were enjoyed by all on feast days while the upper classes indulged on a more regular basis. Fish, meat, and fowl could be salted or dried, and could be cooked in stews or roasted on a grill.
Architecture.
The architecture of ancient Egypt includes some of the most famous structures in the world: the Great Pyramids of Giza and the temples at Thebes. Building projects were organized and funded by the state for religious and commemorative purposes, but also to reinforce the wide-ranging power of the pharaoh. The ancient Egyptians were skilled builders; using only simple but effective tools and sighting instruments, architects could build large stone structures with great accuracy and precision that is still envied today.
The domestic dwellings of elite and ordinary Egyptians alike were constructed from perishable materials such as mudbricks and wood, and have not survived. Peasants lived in simple homes, while the palaces of the elite and the pharaoh were more elaborate structures. A few surviving New Kingdom palaces, such as those in Malkata and Amarna, show richly decorated walls and floors with scenes of people, birds, water pools, deities and geometric designs. Important structures such as temples and tombs that were intended to last forever were constructed of stone instead of mudbricks. The architectural elements used in the world's first large-scale stone building, Djoser's mortuary complex, include post and lintel supports in the papyrus and lotus motif.
The earliest preserved ancient Egyptian temples, such as those at Giza, consist of single, enclosed halls with roof slabs supported by columns. In the New Kingdom, architects added the pylon, the open courtyard, and the enclosed hypostyle hall to the front of the temple's sanctuary, a style that was standard until the Greco-Roman period. The earliest and most popular tomb architecture in the Old Kingdom was the mastaba, a flat-roofed rectangular structure of mudbrick or stone built over an underground burial chamber. The step pyramid of Djoser is a series of stone mastabas stacked on top of each other. Pyramids were built during the Old and Middle Kingdoms, but most later rulers abandoned them in favor of less conspicuous rock-cut tombs. The use of the pyramid form continued in private tomb chapels of the New Kingdom and in the royal pyramids of Nubia.
Art.
The ancient Egyptians produced art to serve functional purposes. For over 3500 years, artists adhered to artistic forms and iconography that were developed during the Old Kingdom, following a strict set of principles that resisted foreign influence and internal change. These artistic standards—simple lines, shapes, and flat areas of color combined with the characteristic flat projection of figures with no indication of spatial depth—created a sense of order and balance within a composition. Images and text were intimately interwoven on tomb and temple walls, coffins, stelae, and even statues. The Narmer Palette, for example, displays figures that can also be read as hieroglyphs. Because of the rigid rules that governed its highly stylized and symbolic appearance, ancient Egyptian art served its political and religious purposes with precision and clarity.
Ancient Egyptian artisans used stone as a medium for carving statues and fine reliefs, but used wood as a cheap and easily carved substitute. Paints were obtained from minerals such as iron ores (red and yellow ochres), copper ores (blue and green), soot or charcoal (black), and limestone (white). Paints could be mixed with gum arabic as a binder and pressed into cakes, which could be moistened with water when needed.
Pharaohs used reliefs to record victories in battle, royal decrees, and religious scenes. Common citizens had access to pieces of funerary art, such as shabti statues and books of the dead, which they believed would protect them in the afterlife. During the Middle Kingdom, wooden or clay models depicting scenes from everyday life became popular additions to the tomb. In an attempt to duplicate the activities of the living in the afterlife, these models show laborers, houses, boats, and even military formations that are scale representations of the ideal ancient Egyptian afterlife.
Despite the homogeneity of ancient Egyptian art, the styles of particular times and places sometimes reflected changing cultural or political attitudes. After the invasion of the Hyksos in the Second Intermediate Period, Minoan-style frescoes were found in Avaris. The most striking example of a politically driven change in artistic forms comes from the Amarna Period, where figures were radically altered to conform to Akhenaten's revolutionary religious ideas. This style, known as Amarna art, was quickly abandoned after Akhenaten's death and replaced by the traditional forms.
Religious beliefs.
Beliefs in the divine and in the afterlife were ingrained in ancient Egyptian civilization from its inception; pharaonic rule was based on the divine right of kings. The Egyptian pantheon was populated by gods who had supernatural powers and were called on for help or protection. However, the gods were not always viewed as benevolent, and Egyptians believed they had to be appeased with offerings and prayers. The structure of this pantheon changed continually as new deities were promoted in the hierarchy, but priests made no effort to organize the diverse and sometimes conflicting myths and stories into a coherent system. These various conceptions of divinity were not considered contradictory but rather layers in the multiple facets of reality.
Gods were worshiped in cult temples administered by priests acting on the king's behalf. At the center of the temple was the cult statue in a shrine. Temples were not places of public worship or congregation, and only on select feast days and celebrations was a shrine carrying the statue of the god brought out for public worship. Normally, the god's domain was sealed off from the outside world and was only accessible to temple officials. Common citizens could worship private statues in their homes, and amulets offered protection against the forces of chaos. After the New Kingdom, the pharaoh's role as a spiritual intermediary was de-emphasized as religious customs shifted to direct worship of the gods. As a result, priests developed a system of oracles to communicate the will of the gods directly to the people.
The Egyptians believed that every human being was composed of physical and spiritual parts or "aspects". In addition to the body, each person had a "šwt" (shadow), a "ba" (personality or soul), a "ka" (life-force), and a "name". The heart, rather than the brain, was considered the seat of thoughts and emotions. After death, the spiritual aspects were released from the body and could move at will, but they required the physical remains (or a substitute, such as a statue) as a permanent home. The ultimate goal of the deceased was to rejoin his "ka" and "ba" and become one of the "blessed dead", living on as an "akh", or "effective one". For this to happen, the deceased had to be judged worthy in a trial, in which the heart was weighed against a "feather of truth." If deemed worthy, the deceased could continue their existence on earth in spiritual form. If they were not deemed worthy, their heart was eaten by Ammit the Devourer and they were erased from the Universe.
Burial customs.
The ancient Egyptians maintained an elaborate set of burial customs that they believed were necessary to ensure immortality after death. These customs involved preserving the body by mummification, performing burial ceremonies, and interring with the body goods the deceased would use in the afterlife. Before the Old Kingdom, bodies buried in desert pits were naturally preserved by desiccation. The arid, desert conditions were a boon throughout the history of ancient Egypt for burials of the poor, who could not afford the elaborate burial preparations available to the elite. Wealthier Egyptians began to bury their dead in stone tombs and use artificial mummification, which involved removing the internal organs, wrapping the body in linen, and burying it in a rectangular stone sarcophagus or wooden coffin. Beginning in the Fourth Dynasty, some parts were preserved separately in canopic jars.
By the New Kingdom, the ancient Egyptians had perfected the art of mummification; the best technique took 70 days and involved removing the internal organs, removing the brain through the nose, and desiccating the body in a mixture of salts called natron. The body was then wrapped in linen with protective amulets inserted between layers and placed in a decorated anthropoid coffin. Mummies of the Late Period were also placed in painted cartonnage mummy cases. Actual preservation practices declined during the Ptolemaic and Roman eras, while greater emphasis was placed on the outer appearance of the mummy, which was decorated.
Wealthy Egyptians were buried with larger quantities of luxury items, but all burials, regardless of social status, included goods for the deceased. Funerary texts were often included in the grave, and, beginning in the New Kingdom, so were shabti statues that were believed to perform manual labor for them in the afterlife. Rituals in which the deceased was magically re-animated accompanied burials. After burial, living relatives were expected to occasionally bring food to the tomb and recite prayers on behalf of the deceased.
Military.
The ancient Egyptian military was responsible for defending Egypt against foreign invasion, and for maintaining Egypt's domination in the ancient Near East. The military protected mining expeditions to the Sinai during the Old Kingdom and fought civil wars during the First and Second Intermediate Periods. The military was responsible for maintaining fortifications along important trade routes, such as those found at the city of Buhen on the way to Nubia. Forts also were constructed to serve as military bases, such as the fortress at Sile, which was a base of operations for expeditions to the Levant. In the New Kingdom, a series of pharaohs used the standing Egyptian army to attack and conquer Kush and parts of the Levant.
Typical military equipment included bows and arrows, spears, and round-topped shields made by stretching animal skin over a wooden frame. In the New Kingdom, the military began using chariots that had earlier been introduced by the Hyksos invaders. Weapons and armor continued to improve after the adoption of bronze: shields were now made from solid wood with a bronze buckle, spears were tipped with a bronze point, and the khopesh was adopted from Asiatic soldiers. The pharaoh was usually depicted in art and literature riding at the head of the army; it has been suggested that at least a few pharaohs, such as Seqenenre Tao II and his sons, did do so. However, it has also been argued that "kings of this period did not personally act as frontline war leaders, fighting alongside their troops." Soldiers were recruited from the general population, but during, and especially after, the New Kingdom, mercenaries from Nubia, Kush, and Libya were hired to fight for Egypt.
Technology, medicine, and mathematics.
Technology.
In technology, medicine, and mathematics, ancient Egypt achieved a relatively high standard of productivity and sophistication. Traditional empiricism, as evidenced by the Edwin Smith and Ebers papyri (), is first credited to Egypt. The Egyptians created their own alphabet and decimal system.
Faience and glass.
Even before the Old Kingdom, the ancient Egyptians had developed a glassy material known as faience, which they treated as a type of artificial semi-precious stone. Faience is a non-clay ceramic made of silica, small amounts of lime and soda, and a colorant, typically copper. The material was used to make beads, tiles, figurines, and small wares. Several methods can be used to create faience, but typically production involved application of the powdered materials in the form of a paste over a clay core, which was then fired. By a related technique, the ancient Egyptians produced a pigment known as Egyptian blue, also called blue frit, which is produced by fusing (or sintering) silica, copper, lime, and an alkali such as natron. The product can be ground up and used as a pigment.
The ancient Egyptians could fabricate a wide variety of objects from glass with great skill, but it is not clear whether they developed the process independently. It is also unclear whether they made their own raw glass or merely imported pre-made ingots, which they melted and finished. However, they did have technical expertise in making objects, as well as adding trace elements to control the color of the finished glass. A range of colors could be produced, including yellow, red, green, blue, purple, and white, and the glass could be made either transparent or opaque.
Medicine.
The medical problems of the ancient Egyptians stemmed directly from their environment. Living and working close to the Nile brought hazards from malaria and debilitating schistosomiasis parasites, which caused liver and intestinal damage. Dangerous wildlife such as crocodiles and hippos were also a common threat. The lifelong labors of farming and building put stress on the spine and joints, and traumatic injuries from construction and warfare all took a significant toll on the body. The grit and sand from stone-ground flour abraded teeth, leaving them susceptible to abscesses (though caries were rare).
The diets of the wealthy were rich in sugars, which promoted periodontal disease. Despite the flattering physiques portrayed on tomb walls, the overweight mummies of many of the upper class show the effects of a life of overindulgence. Adult life expectancy was about 35 for men and 30 for women, but reaching adulthood was difficult as about one-third of the population died in infancy.
Ancient Egyptian physicians were renowned in the ancient Near East for their healing skills, and some, such as Imhotep, remained famous long after their deaths. Herodotus remarked that there was a high degree of specialization among Egyptian physicians, with some treating only the head or the stomach, while others were eye-doctors and dentists. Training of physicians took place at the "Per Ankh" or "House of Life" institution, most notably those headquartered in Per-Bastet during the New Kingdom and at Abydos and Saïs in the Late period. Medical papyri show empirical knowledge of anatomy, injuries, and practical treatments.
Wounds were treated by bandaging with raw meat, white linen, sutures, nets, pads, and swabs soaked with honey to prevent infection, while opium, thyme, and belladona were used to relieve pain. The earliest records of burn treatment describe burn dressings that use the milk from mothers of male babies. Prayers were made to the goddess Isis. Moldy bread, honey, and copper salts were also used to prevent infection from dirt in burns. Garlic and onions were used regularly to promote good health and were thought to relieve asthma symptoms. Ancient Egyptian surgeons stitched wounds, set broken bones, and amputated diseased limbs, but they recognized that some injuries were so serious that they could only make the patient comfortable until death occurred.
Maritime technology.
Early Egyptians knew how to assemble planks of wood into a ship hull and had mastered advanced forms of shipbuilding as early as 3000BC. The Archaeological Institute of America reports that the oldest planked ships known are the Abydos boats. A group of 14 discovered ships in Abydos were constructed of wooden planks "sewn" together. Discovered by Egyptologist David O'Connor of New York University, woven straps were found to have been used to lash the planks together, and reeds or grass stuffed between the planks helped to seal the seams. Because the ships are all buried together and near a mortuary belonging to Pharaoh Khasekhemwy, originally they were all thought to have belonged to him, but one of the 14 ships dates to 3000BC, and the associated pottery jars buried with the vessels also suggest earlier dating. The ship dating to 3000BC was long and is now thought to perhaps have belonged to an earlier pharaoh, perhaps one as early as Hor-Aha.
Early Egyptians also knew how to assemble planks of wood with treenails to fasten them together, using pitch for caulking the seams. The "Khufu ship", a vessel sealed into a pit in the Giza pyramid complex at the foot of the Great Pyramid of Giza in the Fourth Dynasty around 2500BC, is a full-size surviving example that may have filled the symbolic function of a solar barque. Early Egyptians also knew how to fasten the planks of this ship together with mortise and tenon joints.
Large seagoing ships are known to have been heavily used by the Egyptians in their trade with the city states of the eastern Mediterranean, especially Byblos (on the coast of modern-day Lebanon), and in several expeditions down the Red Sea to the Land of Punt. In fact one of the earliest Egyptian words for a seagoing ship is a "Byblos Ship", which originally defined a class of Egyptian seagoing ships used on the Byblos run; however, by the end of the Old Kingdom, the term had come to include large seagoing ships, whatever their destination.
In 1977, an ancient north–south canal was discovered extending from Lake Timsah to the Ballah Lakes. It was dated to the Middle Kingdom of Egypt by extrapolating dates of ancient sites constructed along its course.
In 2011, archaeologists from Italy, the United States, and Egypt excavating a dried-up lagoon known as Mersa Gawasis have unearthed traces of an ancient harbor that once launched early voyages like Hatshepsut's Punt expedition onto the open ocean. Some of the site's most evocative evidence for the ancient Egyptians' seafaring prowess include large ship timbers and hundreds of feet of ropes, made from papyrus, coiled in huge bundles. In 2013, a team of Franco-Egyptian archaeologists discovered what is believed to be the world's oldest port, dating back about 4500 years, from the time of King Cheops on the Red Sea coast near Wadi el-Jarf (about 110 miles south of Suez).
Mathematics.
The earliest attested examples of mathematical calculations date to the predynastic Naqada period, and show a fully developed numeral system. The importance of mathematics to an educated Egyptian is suggested by a New Kingdom fictional letter in which the writer proposes a scholarly competition between himself and another scribe regarding everyday calculation tasks such as accounting of land, labor, and grain. Texts such as the Rhind Mathematical Papyrus and the Moscow Mathematical Papyrus show that the ancient Egyptians could perform the four basic mathematical operations—addition, subtraction, multiplication, and division—use fractions, calculate the areas of rectangles, triangles, and circles and compute the volumes of boxes, columns and pyramids. They understood basic concepts of algebra and geometry, and could solve simple sets of simultaneous equations.
Mathematical notation was decimal, and based on hieroglyphic signs for each power of ten up to one million. Each of these could be written as many times as necessary to add up to the desired number; so to write the number eighty or eight hundred, the symbol for ten or one hundred was written eight times respectively. Because their methods of calculation could not handle most fractions with a numerator greater than one, they had to write fractions as the sum of several fractions. For example, they resolved the fraction "two-fifths" into the sum of "one-third" + "one-fifteenth". Standard tables of values facilitated this. Some common fractions, however, were written with a special glyph—the equivalent of the modern two-thirds is shown on the right.
Ancient Egyptian mathematicians knew the Pythagorean theorem as an empirical formula. They were aware, for example, that a triangle had a right angle opposite the hypotenuse when its sides were in a 3–4–5 ratio. They were able to estimate the area of a circle by subtracting one-ninth from its diameter and squaring the result:
a reasonable approximation of the formula .
The golden ratio seems to be reflected in many Egyptian constructions, including the pyramids, but its use may have been an unintended consequence of the ancient Egyptian practice of combining the use of knotted ropes with an intuitive sense of proportion and harmony.
Technology.
In technology, medicine, and mathematics, ancient Egypt achieved a relatively high standard of productivity and sophistication. Traditional empiricism, as evidenced by the Edwin Smith and Ebers papyri (), is first credited to Egypt. The Egyptians created their own alphabet and decimal system.
Faience and glass.
Even before the Old Kingdom, the ancient Egyptians had developed a glassy material known as faience, which they treated as a type of artificial semi-precious stone. Faience is a non-clay ceramic made of silica, small amounts of lime and soda, and a colorant, typically copper. The material was used to make beads, tiles, figurines, and small wares. Several methods can be used to create faience, but typically production involved application of the powdered materials in the form of a paste over a clay core, which was then fired. By a related technique, the ancient Egyptians produced a pigment known as Egyptian blue, also called blue frit, which is produced by fusing (or sintering) silica, copper, lime, and an alkali such as natron. The product can be ground up and used as a pigment.
The ancient Egyptians could fabricate a wide variety of objects from glass with great skill, but it is not clear whether they developed the process independently. It is also unclear whether they made their own raw glass or merely imported pre-made ingots, which they melted and finished. However, they did have technical expertise in making objects, as well as adding trace elements to control the color of the finished glass. A range of colors could be produced, including yellow, red, green, blue, purple, and white, and the glass could be made either transparent or opaque.
Medicine.
The medical problems of the ancient Egyptians stemmed directly from their environment. Living and working close to the Nile brought hazards from malaria and debilitating schistosomiasis parasites, which caused liver and intestinal damage. Dangerous wildlife such as crocodiles and hippos were also a common threat. The lifelong labors of farming and building put stress on the spine and joints, and traumatic injuries from construction and warfare all took a significant toll on the body. The grit and sand from stone-ground flour abraded teeth, leaving them susceptible to abscesses (though caries were rare).
The diets of the wealthy were rich in sugars, which promoted periodontal disease. Despite the flattering physiques portrayed on tomb walls, the overweight mummies of many of the upper class show the effects of a life of overindulgence. Adult life expectancy was about 35 for men and 30 for women, but reaching adulthood was difficult as about one-third of the population died in infancy.
Ancient Egyptian physicians were renowned in the ancient Near East for their healing skills, and some, such as Imhotep, remained famous long after their deaths. Herodotus remarked that there was a high degree of specialization among Egyptian physicians, with some treating only the head or the stomach, while others were eye-doctors and dentists. Training of physicians took place at the "Per Ankh" or "House of Life" institution, most notably those headquartered in Per-Bastet during the New Kingdom and at Abydos and Saïs in the Late period. Medical papyri show empirical knowledge of anatomy, injuries, and practical treatments.
Wounds were treated by bandaging with raw meat, white linen, sutures, nets, pads, and swabs soaked with honey to prevent infection, while opium, thyme, and belladona were used to relieve pain. The earliest records of burn treatment describe burn dressings that use the milk from mothers of male babies. Prayers were made to the goddess Isis. Moldy bread, honey, and copper salts were also used to prevent infection from dirt in burns. Garlic and onions were used regularly to promote good health and were thought to relieve asthma symptoms. Ancient Egyptian surgeons stitched wounds, set broken bones, and amputated diseased limbs, but they recognized that some injuries were so serious that they could only make the patient comfortable until death occurred.
Maritime technology.
Early Egyptians knew how to assemble planks of wood into a ship hull and had mastered advanced forms of shipbuilding as early as 3000BC. The Archaeological Institute of America reports that the oldest planked ships known are the Abydos boats. A group of 14 discovered ships in Abydos were constructed of wooden planks "sewn" together. Discovered by Egyptologist David O'Connor of New York University, woven straps were found to have been used to lash the planks together, and reeds or grass stuffed between the planks helped to seal the seams. Because the ships are all buried together and near a mortuary belonging to Pharaoh Khasekhemwy, originally they were all thought to have belonged to him, but one of the 14 ships dates to 3000BC, and the associated pottery jars buried with the vessels also suggest earlier dating. The ship dating to 3000BC was long and is now thought to perhaps have belonged to an earlier pharaoh, perhaps one as early as Hor-Aha.
Early Egyptians also knew how to assemble planks of wood with treenails to fasten them together, using pitch for caulking the seams. The "Khufu ship", a vessel sealed into a pit in the Giza pyramid complex at the foot of the Great Pyramid of Giza in the Fourth Dynasty around 2500BC, is a full-size surviving example that may have filled the symbolic function of a solar barque. Early Egyptians also knew how to fasten the planks of this ship together with mortise and tenon joints.
Large seagoing ships are known to have been heavily used by the Egyptians in their trade with the city states of the eastern Mediterranean, especially Byblos (on the coast of modern-day Lebanon), and in several expeditions down the Red Sea to the Land of Punt. In fact one of the earliest Egyptian words for a seagoing ship is a "Byblos Ship", which originally defined a class of Egyptian seagoing ships used on the Byblos run; however, by the end of the Old Kingdom, the term had come to include large seagoing ships, whatever their destination.
In 1977, an ancient north–south canal was discovered extending from Lake Timsah to the Ballah Lakes. It was dated to the Middle Kingdom of Egypt by extrapolating dates of ancient sites constructed along its course.
In 2011, archaeologists from Italy, the United States, and Egypt excavating a dried-up lagoon known as Mersa Gawasis have unearthed traces of an ancient harbor that once launched early voyages like Hatshepsut's Punt expedition onto the open ocean. Some of the site's most evocative evidence for the ancient Egyptians' seafaring prowess include large ship timbers and hundreds of feet of ropes, made from papyrus, coiled in huge bundles. In 2013, a team of Franco-Egyptian archaeologists discovered what is believed to be the world's oldest port, dating back about 4500 years, from the time of King Cheops on the Red Sea coast near Wadi el-Jarf (about 110 miles south of Suez).
Mathematics.
The earliest attested examples of mathematical calculations date to the predynastic Naqada period, and show a fully developed numeral system. The importance of mathematics to an educated Egyptian is suggested by a New Kingdom fictional letter in which the writer proposes a scholarly competition between himself and another scribe regarding everyday calculation tasks such as accounting of land, labor, and grain. Texts such as the Rhind Mathematical Papyrus and the Moscow Mathematical Papyrus show that the ancient Egyptians could perform the four basic mathematical operations—addition, subtraction, multiplication, and division—use fractions, calculate the areas of rectangles, triangles, and circles and compute the volumes of boxes, columns and pyramids. They understood basic concepts of algebra and geometry, and could solve simple sets of simultaneous equations.
Mathematical notation was decimal, and based on hieroglyphic signs for each power of ten up to one million. Each of these could be written as many times as necessary to add up to the desired number; so to write the number eighty or eight hundred, the symbol for ten or one hundred was written eight times respectively. Because their methods of calculation could not handle most fractions with a numerator greater than one, they had to write fractions as the sum of several fractions. For example, they resolved the fraction "two-fifths" into the sum of "one-third" + "one-fifteenth". Standard tables of values facilitated this. Some common fractions, however, were written with a special glyph—the equivalent of the modern two-thirds is shown on the right.
Ancient Egyptian mathematicians knew the Pythagorean theorem as an empirical formula. They were aware, for example, that a triangle had a right angle opposite the hypotenuse when its sides were in a 3–4–5 ratio. They were able to estimate the area of a circle by subtracting one-ninth from its diameter and squaring the result:
a reasonable approximation of the formula .
The golden ratio seems to be reflected in many Egyptian constructions, including the pyramids, but its use may have been an unintended consequence of the ancient Egyptian practice of combining the use of knotted ropes with an intuitive sense of proportion and harmony.
Population.
Estimates of the size of the population range from 1–1.5 million in the 3rd millennium BC to possibly 2–3 million by the 1st millennium BC, before growing significantly towards the end of that millennium.
DNA.
In 2012, the DNA of the 20th dynasty mummies of Ramesses III and another mummy believed to be Ramesses III's son Pentawer were analyzed by Albert Zink, Yehia Z Gad and a team of researchers under Zahi Hawass, then Secretary General of the Supreme Council of Antiquities, Egypt. Genetic kinship analyses revealed identical haplotypes in both mummies. Using the Whit Athey's haplogroup predictor, they identified the Y chromosomal haplogroup E1b1a (E-M2).
In 2017, a team led by researchers from the University of Tuebingen and the Max Planck Institute for the Science of Human History in Jena tested the maternal DNA (mitochondrial) of 90 mummies from Abusir el-Meleq in northern Egypt (near Cairo), which was the first reliable data using high-throughput DNA sequencing methods. Additionally, three of the mummies were also analyzed for Y-DNA. Two were assigned to West Asian J and one to haplogroup E1b1b1 both common in North Africa. The researchers cautioned that the affinities of the examined ancient Egyptian specimens may not be representative of those of all ancient Egyptians since they were from a single archaeological site. Whilst not conclusive since the few relatively older mummies only go back to the 18th–19th dynasty, the rest being from then up to late Roman period, the authors of this study said the Abusir el-Meleq mummies "closely resembled ancient and modern Near Eastern populations, especially those in the Levant." The genetics of the mummies remained remarkably consistent within this range even as different powers—including Nubians, Greeks, and Romans—conquered the empire." A wide range of mtDNA haplogroups were found including clades of J, U, H, HV, M, R0, R2, K, T, L, I, N, X, W. The authors of the study noted that the mummies at Abusir el-Meleq have 6–15% maternal sub-Saharan DNA while modern Egyptians have a little more sub-Saharan ancestry, 15% to 20%, suggesting some degree of influx after the end of the empire. Other genetic studies show greater levels of sub-Saharan African ancestry in modern southern Egyptian populations and anticipate that mummies from southern Egypt would show greater levels of sub-Saharan African ancestry.
Gourdine, Anselin and Keita criticised the methodology of the Scheunemann et al study and argued that the Sub-Saharan "genetic affinities" may be attributed to "early settlers" and "the relevant Sub-Saharan genetic markers" do not correspond with the geography of known trade routes". In 2022, Danielle Candelora noted several limitations with the 2017 Scheunemann et al. study such as its “untested sampling methods, small sample size and problematic comparative data” which she argued had been misused to legitimise racist conceptions of Ancient Egypt with “scientific evidence”.
In 2018, the 4000-year-old mummified head of Djehutynakht, a governor in the Middle Kingdom of the 11th or 12th dynasty, was analyzed for mitochondrial DNA. The sequence of the mummy most closely resembles a U5a lineage from sample JK2903, a much more recent 2000-year-old skeleton from the Abusir el-Meleq site in Egypt, although no direct matches to the Djehutynakht sequence have been reported.
Haplogroup U5 is also found in modern-day Berbers from the Siwa Oasis in Egypt. A 2008 article by C. Coudray, "The complex and diversified mitochondrial gene pool of Berber populations", recorded haplogroup U5 at 16.7% for the Siwa whereas haplogroup U6 is more common in other Berber populations to the west of Egypt.
In 2018, the mummified remains of two high-status Egyptian relatives, Nakht-Ankh and Khnum-Nakht were analyzed DNA by a team of researchers from the University of Manchester. The results found differences in the Y chromosome SNPs of the two mummies which indicated different paternal lineages and concluded that Nakht-Ankh and Khnum-Nakht were half-brothers but Y chromosome sequences were not complete enough to determine paternal haplogroup. The SNP identities were consistent with mtDNA haplogroup M1a1 with 88.05–91.27% degree of confidence, thus confirming the African origins of the two individuals.
A 2020 DNA study by Gad, Hawass et al., analysed mitochondrial and Y-chromosomal haplogroups from Tutankhamun's family members of the 18th Dynasty, using comprehensive control procedures to ensure quality results. They found that the Y-chromosome haplogroup of the family was R1b, which originated in Europe and which today makes up 50–90% of the genetic pool of modern western Europeans. The mitochondrial haplogroup was K, which is most likely also part of a Near Eastern lineage. The profiles for Tutankhamun and Amenhotep III were incomplete and the analysis produced differing probability figures despite having concordant allele results. Because the relationships of these two mummies with the KV55 mummy had previously been confirmed in an earlier study, the haplogroup prediction of both mummies could be derived from the full profile of the KV55 data. The 20th Dynasty pair of Ramesses III and his son were found to have the haplogroup E1b1a, which has its highest frequencies in modern populations from West Africa and Central Africa, but which is rare among North Africans and nearly absent in East Africa.
Genetic analysis indicated the following haplogroups:
The specific clade of R1b was not determined.
In 2010 Hawass et al undertook detailed anthropological, radiological, and genetic studies as part of the King Tutankhamun Family Project. The objectives included attempting to determine familial relationships among 11 royal mummies of the New Kingdom, as well to research for pathological features including potential inherited disorders and infectious diseases. In 2012, Hawass et al undertook an anthropological, forensic, radiological, and genetic study of the 20th dynasty mummies of Ramesses III and an unknown man which were found together. In 2022, S.O.Y. Keita analysed 8 Short Tandem loci (STR) data published as part of these studies by Hawass et al, using an algorithm that only has three choices: Eurasians, sub-Saharan Africans, and East Asians. Using these three options, Keita concluded that the studies showed "a majority to have an affinity with "sub-Saharan" Africans in one affinity analysis". However, Keita cautioned that this does not mean that the royal mummies “lacked other affiliations” which he argued had been obscured in typological thinking. Keita further added that different “data and algorithms might give different results” which reflects the complexity of biological heritage and the associated interpretation.
DNA.
In 2012, the DNA of the 20th dynasty mummies of Ramesses III and another mummy believed to be Ramesses III's son Pentawer were analyzed by Albert Zink, Yehia Z Gad and a team of researchers under Zahi Hawass, then Secretary General of the Supreme Council of Antiquities, Egypt. Genetic kinship analyses revealed identical haplotypes in both mummies. Using the Whit Athey's haplogroup predictor, they identified the Y chromosomal haplogroup E1b1a (E-M2).
In 2017, a team led by researchers from the University of Tuebingen and the Max Planck Institute for the Science of Human History in Jena tested the maternal DNA (mitochondrial) of 90 mummies from Abusir el-Meleq in northern Egypt (near Cairo), which was the first reliable data using high-throughput DNA sequencing methods. Additionally, three of the mummies were also analyzed for Y-DNA. Two were assigned to West Asian J and one to haplogroup E1b1b1 both common in North Africa. The researchers cautioned that the affinities of the examined ancient Egyptian specimens may not be representative of those of all ancient Egyptians since they were from a single archaeological site. Whilst not conclusive since the few relatively older mummies only go back to the 18th–19th dynasty, the rest being from then up to late Roman period, the authors of this study said the Abusir el-Meleq mummies "closely resembled ancient and modern Near Eastern populations, especially those in the Levant." The genetics of the mummies remained remarkably consistent within this range even as different powers—including Nubians, Greeks, and Romans—conquered the empire." A wide range of mtDNA haplogroups were found including clades of J, U, H, HV, M, R0, R2, K, T, L, I, N, X, W. The authors of the study noted that the mummies at Abusir el-Meleq have 6–15% maternal sub-Saharan DNA while modern Egyptians have a little more sub-Saharan ancestry, 15% to 20%, suggesting some degree of influx after the end of the empire. Other genetic studies show greater levels of sub-Saharan African ancestry in modern southern Egyptian populations and anticipate that mummies from southern Egypt would show greater levels of sub-Saharan African ancestry.
Gourdine, Anselin and Keita criticised the methodology of the Scheunemann et al study and argued that the Sub-Saharan "genetic affinities" may be attributed to "early settlers" and "the relevant Sub-Saharan genetic markers" do not correspond with the geography of known trade routes". In 2022, Danielle Candelora noted several limitations with the 2017 Scheunemann et al. study such as its “untested sampling methods, small sample size and problematic comparative data” which she argued had been misused to legitimise racist conceptions of Ancient Egypt with “scientific evidence”.
In 2018, the 4000-year-old mummified head of Djehutynakht, a governor in the Middle Kingdom of the 11th or 12th dynasty, was analyzed for mitochondrial DNA. The sequence of the mummy most closely resembles a U5a lineage from sample JK2903, a much more recent 2000-year-old skeleton from the Abusir el-Meleq site in Egypt, although no direct matches to the Djehutynakht sequence have been reported.
Haplogroup U5 is also found in modern-day Berbers from the Siwa Oasis in Egypt. A 2008 article by C. Coudray, "The complex and diversified mitochondrial gene pool of Berber populations", recorded haplogroup U5 at 16.7% for the Siwa whereas haplogroup U6 is more common in other Berber populations to the west of Egypt.
In 2018, the mummified remains of two high-status Egyptian relatives, Nakht-Ankh and Khnum-Nakht were analyzed DNA by a team of researchers from the University of Manchester. The results found differences in the Y chromosome SNPs of the two mummies which indicated different paternal lineages and concluded that Nakht-Ankh and Khnum-Nakht were half-brothers but Y chromosome sequences were not complete enough to determine paternal haplogroup. The SNP identities were consistent with mtDNA haplogroup M1a1 with 88.05–91.27% degree of confidence, thus confirming the African origins of the two individuals.
A 2020 DNA study by Gad, Hawass et al., analysed mitochondrial and Y-chromosomal haplogroups from Tutankhamun's family members of the 18th Dynasty, using comprehensive control procedures to ensure quality results. They found that the Y-chromosome haplogroup of the family was R1b, which originated in Europe and which today makes up 50–90% of the genetic pool of modern western Europeans. The mitochondrial haplogroup was K, which is most likely also part of a Near Eastern lineage. The profiles for Tutankhamun and Amenhotep III were incomplete and the analysis produced differing probability figures despite having concordant allele results. Because the relationships of these two mummies with the KV55 mummy had previously been confirmed in an earlier study, the haplogroup prediction of both mummies could be derived from the full profile of the KV55 data. The 20th Dynasty pair of Ramesses III and his son were found to have the haplogroup E1b1a, which has its highest frequencies in modern populations from West Africa and Central Africa, but which is rare among North Africans and nearly absent in East Africa.
Genetic analysis indicated the following haplogroups:
The specific clade of R1b was not determined.
In 2010 Hawass et al undertook detailed anthropological, radiological, and genetic studies as part of the King Tutankhamun Family Project. The objectives included attempting to determine familial relationships among 11 royal mummies of the New Kingdom, as well to research for pathological features including potential inherited disorders and infectious diseases. In 2012, Hawass et al undertook an anthropological, forensic, radiological, and genetic study of the 20th dynasty mummies of Ramesses III and an unknown man which were found together. In 2022, S.O.Y. Keita analysed 8 Short Tandem loci (STR) data published as part of these studies by Hawass et al, using an algorithm that only has three choices: Eurasians, sub-Saharan Africans, and East Asians. Using these three options, Keita concluded that the studies showed "a majority to have an affinity with "sub-Saharan" Africans in one affinity analysis". However, Keita cautioned that this does not mean that the royal mummies “lacked other affiliations” which he argued had been obscured in typological thinking. Keita further added that different “data and algorithms might give different results” which reflects the complexity of biological heritage and the associated interpretation.
Legacy.
The culture and monuments of ancient Egypt have left a lasting legacy on the world. Egyptian civilization significantly influenced the Kingdom of Kush and Meroë with both adopting Egyptian religious and architectural norms (hundreds of pyramids (6–30 meters high) were built in Egypt/Sudan), as well as using Egyptian writing as the basis of the Meroitic script. Meroitic is the oldest written language in Africa, other than Egyptian, and was used from the 2nd century BC until the early 5th century AD. The cult of the goddess Isis, for example, became popular in the Roman Empire, as obelisks and other relics were transported back to Rome. The Romans also imported building materials from Egypt to erect Egyptian-style structures. Early historians such as Herodotus, Strabo, and Diodorus Siculus studied and wrote about the land, which Romans came to view as a place of mystery.
During the Middle Ages and the Renaissance, Egyptian pagan culture was in decline after the rise of Christianity and later Islam, but interest in Egyptian antiquity continued in the writings of medieval scholars such as Dhul-Nun al-Misri and al-Maqrizi. In the seventeenth and eighteenth centuries, European travelers and tourists brought back antiquities and wrote stories of their journeys, leading to a wave of Egyptomania across Europe, as evident in symbolism like the Eye of Providence and the Great Seal of the United States. This renewed interest sent collectors to Egypt, who took, purchased, or were given many important antiquities. Napoleon arranged the first studies in Egyptology when he brought some 150 scientists and artists to study and document Egypt's natural history, which was published in the "Description de l'Égypte".
In the 20th century, the Egyptian Government and archaeologists alike recognized the importance of cultural respect and integrity in excavations. The Ministry of Tourism and Antiquities (formerly Supreme Council of Antiquities) now approves and oversees all excavations, which are aimed at finding information rather than treasure. The Ministry also supervises museums and monument reconstruction programs designed to preserve the historical legacy of Egypt.
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August Derleth
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August William Derleth (February 24, 1909 – July 4, 1971) was an American writer and anthologist. Though best remembered as the first book publisher of the writings of H. P. Lovecraft, and for his own contributions to the Cthulhu Mythos and the cosmic horror genre, as well as his founding of the publisher Arkham House (which did much to bring supernatural fiction into print in hardcover in the US that had only been readily available in the UK), Derleth was a leading American regional writer of his day, as well as prolific in several other genres, including historical fiction, poetry, detective fiction, science fiction, and biography.
A 1938 Guggenheim Fellow, Derleth considered his most serious work to be the ambitious "Sac Prairie Saga", a series of fiction, historical fiction, poetry, and non-fiction naturalist works designed to memorialize life in the Wisconsin he knew. Derleth can also be considered a pioneering naturalist and conservationist in his writing.
Life.
The son of William Julius Derleth and Rose Louise Volk, Derleth grew up in Sauk City, Wisconsin. He was educated in local parochial and public high school. Derleth wrote his first fiction at age 13. He was interested most in reading, and he made three trips to the library a week. He would save his money to buy books (his personal library exceeded 12,000 volumes later on in life). Some of his biggest influences were Ralph Waldo Emerson's essays, Walt Whitman, H. L. Mencken's "The American Mercury", Samuel Johnson's "The History of Rasselas, Prince of Abissinia", Alexandre Dumas, Edgar Allan Poe, Walter Scott, and Henry David Thoreau's Walden.
Forty rejected stories and three years later, according to anthologist Jim Stephens, he sold his first story, "Bat's Belfry", to "Weird Tales" magazine. Derleth wrote throughout his four years at the University of Wisconsin, where he received a B.A. in 1930. During this time he also served briefly as associate editor of Minneapolis-based Fawcett Publications "Mystic Magazine".
Returning to Sauk City in the summer of 1931, Derleth worked in a local canning factory and collaborated with childhood friend Mark Schorer (later Chairman of the University of California, Berkeley English Department). They rented a cabin, writing Gothic and other horror stories and selling them
to "Weird Tales" magazine. Derleth won a place on the O'Brien Roll of Honor for "Five Alone", published in "Place of Hawks", but was first found in "Pagany" magazine.
As a result of his early work on the "Sac Prairie Saga", Derleth was awarded the prestigious Guggenheim Fellowship; his sponsors were Helen C. White, Nobel Prize-winning novelist Sinclair Lewis and poet Edgar Lee Masters of "Spoon River Anthology" fame.
In the mid-1930s, Derleth organized a Ranger's Club for young people, served as clerk and president of the local school board, served as a parole officer, organized a local men's club and a parent-teacher association. He also lectured in American regional literature at the University of Wisconsin and was a contributing editor of "Outdoors Magazine".
With longtime friend Donald Wandrei, Derleth in 1939 founded Arkham House. Its initial objective was to publish the works of H. P. Lovecraft, with whom Derleth had corresponded since his teenage years. At the same time, he began teaching a course in American Regional Literature at the University of Wisconsin.
In 1941, he became literary editor of "The Capital Times" newspaper in Madison, a post he held until his resignation in 1960. His hobbies included fencing, swimming, chess, philately and comic-strips (Derleth reportedly used the funding from his Guggenheim Fellowship to bind his comic book collection, most recently valued in the millions of dollars, rather than to travel abroad as the award intended.). Derleth's true avocation, however, was hiking the terrain of his native Wisconsin lands, and observing and recording nature with an expert eye.
Derleth once wrote of his writing methods, "I write very swiftly, from 750,000 to a million words yearly, very little of it pulp material."
In 1948, he was elected president of the Associated Fantasy Publishers at the 6th World Science Fiction Convention in Toronto.
He was married April 6, 1953, to Sandra Evelyn Winters. They divorced six years later. Derleth retained custody of the couple's two children, April Rose and Walden William. April earned a Bachelor of Arts degree in English from the University of Wisconsin-Madison in 1977. She became majority stockholder, President, and CEO of Arkham House in 1994. She remained in that capacity until her death. She was known in the community as a naturalist and humanitarian. April died on March 21, 2011.
In 1960, Derleth began editing and publishing a magazine called "Hawk and Whippoorwill", dedicated to poems of man and nature.
Derleth died of a heart attack on July 4, 1971, and is buried in St. Aloysius Cemetery in Sauk City. The U.S. 12 bridge over the Wisconsin River is named in his honor. Derleth was Roman Catholic.
In Derleth's biography, written by Dorothy M. Grobe Litersky, Litersky stated that Derleth was bisexual, and maintained long-term romantic relationships with both men and women. This assertion has not been verified, however; no names were given of these romantic partners, in the interest of privacy according to Litersky, and no evidence or acknowledgement of Derleth having a bisexual or homosexual orientation has ever been found in his personal correspondence or writings.
Career.
Derleth wrote more than 150 short stories and more than 100 books during his lifetime.
The "Sac Prairie Saga".
Derleth wrote an expansive series of novels, short stories, journals, poems, and other works about Sac Prairie. Derleth intended this series to comprise up to 50 novels telling the projected life-story of the region from the 19th century onwards, with analogies to Balzac's "Human Comedy" and Proust's "Remembrance of Things Past".
This, and other early work by Derleth, made him a well-known figure among the regional literary figures of his time: early Pulitzer Prize winners Hamlin Garland and Zona Gale, as well as Sinclair Lewis, the last both an admirer and critic of Derleth.
As Edward Wagenknecht wrote in "Cavalcade of the American Novel", "What Mr. Derleth has that is lacking...in modern novelists generally, is a country. He belongs. He writes of a land and a people that are bone of his bone and flesh of his flesh. In his fictional world, there is a unity much deeper and more fundamental than anything that can be conferred by an ideology. It is clear, too, that he did not get the best, and most fictionally useful, part of his background material from research in the library; like Scott, in his Border novels, he gives, rather, the impression of having drunk it in with his mother's milk."
Jim Stephens, editor of "An August Derleth Reader", (1992), argues: "what Derleth accomplished...was to gather a Wisconsin mythos which gave respect to the ancient fundament of our contemporary life."
The author inaugurated the "Sac Prairie Saga" with four novellas comprising "Place of Hawks", published by Loring & Mussey in 1935. At publication, "The Detroit News" wrote: "Certainly with this book Mr. Derleth may be added to the American writers of distinction."
Derleth's first novel, "Still is the Summer Night", was published two years later by the famous Charles Scribners' editor Maxwell Perkins, and was the second in his Sac Prairie Saga.
"Village Year", the first in a series of journals – meditations on nature, Midwestern village American life, and more – was published in 1941 to praise from "The New York Times Book Review": "A book of instant sensitive responsiveness...recreates its scene with acuteness and beauty, and makes an unusual contribution to the Americana of the present day." The "New York Herald Tribune" observed that "Derleth...deepens the value of his village setting by presenting in full the enduring natural background; with the people projected against this, the writing comes to have the quality of an old Flemish picture, humanity lively and amusing and loveable in the foreground and nature magnificent beyond." James Grey, writing in the "St. Louis Dispatch" concluded, "Derleth has achieved a kind of prose equivalent of the "Spoon River Anthology"."
In the same year, "Evening in Spring" was published by Charles Scribners & Sons. This work Derleth considered among his finest. What "The Milwaukee Journal" called "this beautiful little love story", is an autobiographical novel of first love beset by small-town religious bigotry. The work received critical praise: "The New Yorker" considered it a story told "with tenderness and charm", while the "Chicago Tribune" concluded: "It's as though he turned back the pages of an old diary and told, with rekindled emotion, of the pangs of pain and the sharp, clear sweetness of a boy's first love." Helen Constance White, wrote in "The Capital Times" that it was "...the best articulated, the most fully disciplined of his stories."
These were followed in 1943 with "Shadow of Night", a Scribners' novel of which "The Chicago Sun" wrote: "Structurally it has the perfection of a carved jewel...A psychological novel of the first order, and an adventure tale that is unique and inspiriting."
In November 1945, however, Derleth's work was attacked by his one-time admirer and mentor, Sinclair Lewis. Writing in "Esquire", Lewis observed, "It is a proof of Mr. Derleth's merit that he makes one want to make the journey and see his particular Avalon: The Wisconsin River shining among its islands, and the castles of Baron Pierneau and Hercules Dousman. He is a champion and a justification of regionalism. Yet he is also a burly, bounding, bustling, self-confident, opinionated, and highly-sweatered young man with faults so grievous that a melancholy perusal of them may be of more value to apprentices than a study of his serious virtues. If he could ever be persuaded that he isn't half as good as he thinks he is, if he would learn the art of sitting still and using a blue pencil, he might become twice as good as he thinks he is – which would about rank him with Homer." Derleth good-humoredly reprinted the criticism along with a photograph of himself sans sweater, on the back cover of his 1948 country journal: "Village Daybook".
A lighter side to the "Sac Prairie Saga" is a series of quasi-autobiographical short stories known as the "Gus Elker Stories", amusing tales of country life that Peter Ruber, Derleth's last editor, said were "...models of construction and...fused with some of the most memorable characters in American literature." Most were written between 1934 and the late 1940s, though the last, "Tail of the Dog", was published in 1959 and won the "Scholastic Magazine" short story award for the year. The series was collected and republished in "Country Matters" in 1996.
"Walden West", published in 1961, is considered by many Derleth's finest work. This prose meditation is built out of the same fundamental material as the series of Sac Prairie journals, but is organized around three themes: "the persistence of memory...the sounds and odors of the country...and Thoreau's observation that the 'mass of men lead lives of quiet desperation.'" A blend of nature writing, philosophic musings, and careful observation of the people and place of "Sac Prairie." Of this work, George Vukelich, author of "North Country Notebook", writes: "Derleth's "Walden West" is...the equal of Sherwood Anderson's "Winesburg,Ohio", Thornton Wilder's "Our Town", and Edgar Lee Masters' "Spoon River Anthology"." This was followed eight years later by "Return to Walden West", a work of similar quality, but with a more noticeable environmentalist edge to the writing, notes critic Norbert Blei.
A close literary relative of the "Sac Prairie Saga" was Derleth's "Wisconsin Saga", which comprises several historical novels.
Detective and mystery fiction.
Detective fiction represented another substantial body of Derleth's work. Most notable among this work was a series of 70 stories in affectionate pastiche of Sherlock Holmes, whose creator, Sir Arthur Conan Doyle, he admired greatly. These included one published novel as well ("Mr. Fairlie's Final Journey"). The series features a (Sherlock Holmes-styled) British detective named Solar Pons, of 7B Praed Street in London. The series was greatly admired by such notable writers and critics of mystery and detective fiction as Ellery Queen (Frederic Dannay), Anthony Boucher, Vincent Starrett and Howard Haycraft.
In his 1944 volume "The Misadventures of Sherlock Holmes", Ellery Queen wrote of Derleth's "The Norcross Riddle", an early Pons story: "How many budding authors, not even old enough to vote, could have captured the spirit and atmosphere with as much fidelity?" Queen adds, "...and his choice of the euphonic Solar Pons is an appealing addition to the fascinating lore of Sherlockian nomenclature." Vincent Starrett, in his foreword to the 1964 edition of "The Casebook of Solar Pons", wrote that the series is "...as sparkling a galaxy of Sherlockian pastiches as we have had since the canonical entertainments came to an end."
Despite close similarities to Doyle's creation, Pons lived in the post-World War I era, in the decades of the 1920s and 1930s. Though Derleth never wrote a Pons novel to equal "The Hound of the Baskervilles", editor Peter Ruber wrote: "...Derleth produced more than a few Solar Pons stories almost as good as Sir Arthur's, and many that had better plot construction."
Although these stories were a form of diversion for Derleth, Ruber, who edited "The Original Text Solar Pons Omnibus Edition" (2000), argued: "Because the stories were generally of such high quality, they ought to be assessed on their own merits as a unique contribution in the annals of mystery fiction, rather than suffering comparison as one of the endless imitators of Sherlock Holmes."
Some of the stories were self-published, through a new imprint called "Mycroft & Moran", an appellation of humorous significance to Holmesian scholars. For approximately a decade, an active supporting group was the Praed Street Irregulars, patterned after the Baker Street Irregulars.
In 1946, Conan Doyle's two sons made some attempts to force Derleth to cease publishing the Solar Pons series, but the efforts were unsuccessful and eventually withdrawn.
Derleth's mystery and detective fiction also included a series of works set in Sac Prairie and featuring Judge Peck as the central character.
Youth and children's fiction.
Derleth wrote many and varied children's works, including biographies meant to introduce younger readers to explorer Jacques Marquette, as well as Ralph Waldo Emerson and Henry David Thoreau. Arguably most important among his works for younger readers, however, is the Steve and Sim Mystery Series, also known as the Mill Creek Irregulars series. The ten-volume series, published between 1958 and 1970, is set in Sac Prairie of the 1920s and can thus be considered in its own right a part of the "Sac Prairie Saga", as well as an extension of Derleth's body of mystery fiction. Robert Hood, writing in the "New York Times" said: "Steve and Sim, the major characters, are twentieth-century cousins of Huck Finn and Tom Sawyer; Derleth's minor characters, little gems of comic drawing." The first novel in the series, "The Moon Tenders", does, in fact, involve a rafting adventure down the Wisconsin River, which led regional writer Jesse Stuart to suggest the novel was one that "older people might read to recapture the spirit and dream of youth." The connection to the "Sac Prairie Saga" was noted by the "Chicago Tribune": "Once again a small midwest community in 1920s is depicted with perception, skill, and dry humor."
Arkham House and the "Cthulhu Mythos".
Derleth was a correspondent and friend of H. P. Lovecraft – when Lovecraft wrote about "le Comte d'Erlette" in his fiction, it was in homage to Derleth. Derleth invented the term "Cthulhu Mythos" to describe the fictional universe depicted in the series of stories shared by Lovecraft and other writers in his circle.
When Lovecraft died in 1937, Derleth and Donald Wandrei assembled a collection of Lovecraft's stories and tried to get them published. Existing publishers showed little interest, so Derleth and Wandrei founded Arkham House in 1939 for that purpose. The name of the company derived from Lovecraft's fictional town of Arkham, Massachusetts, which features in many of his stories. In 1939, Arkham House published "The Outsider and Others", a huge collection that contained most of Lovecraft's known short stories. Derleth and Wandrei soon expanded Arkham House and began a regular publishing schedule after its second book, "Someone in the Dark", a collection of some of Derleth's own horror stories, was published in 1941.
Following Lovecraft's death, Derleth wrote a number of stories based on fragments and notes left by Lovecraft. These were published in "Weird Tales" and later in book form, under the byline "H. P. Lovecraft and August Derleth", with Derleth calling himself a "posthumous collaborator." This practice has raised objections in some quarters that Derleth simply used Lovecraft's name to market what was essentially his own fiction; S. T. Joshi refers to the "posthumous collaborations" as marking the beginning of "perhaps the most disreputable phase of Derleth's activities".
Dirk W. Mosig, S. T. Joshi, and Richard L. Tierney were dissatisfied with Derleth's invention of the term "Cthulhu Mythos" (Lovecraft himself used "Yog-Sothothery") and his presentation of Lovecraft's fiction as having an overall pattern reflecting Derleth's own Christian world view, which they contrast with Lovecraft's depiction of an amoral universe. However, Robert M. Price points out that while Derleth's tales are distinct from Lovecraft's in their use of hope and his depiction of a struggle between good and evil, nevertheless the basis of Derlerth's systemization are found in Lovecraft. He also suggests that the differences can be overstated:
Derleth "was" more optimistic than Lovecraft in his conception of the Mythos, but we are dealing with a difference more of degree than kind. There are indeed tales wherein Derleth's protagonists get off scot-free (like "The Shadow in the Attic", "Witches' Hollow", or "The Shuttered Room"), but often the hero is doomed (e.g., "The House in the Valley", "The Peabody Heritage", "Something in Wood"), as in Lovecraft. And it must be remembered that an occasional Lovecraftian hero does manage to overcome the odds, e.g., in "The Horror in the Museum", "The Shunned House", and 'The Case of Charles Dexter Ward'.
Derleth also treated Lovecraft's Great Old Ones as representatives of elemental forces, creating new fictional entities to flesh out this framework.
Such debates aside, Derleth's founding of Arkham House and his successful effort to rescue Lovecraft from literary oblivion are widely acknowledged by practitioners in the horror field as seminal events in the field. For instance, Ramsey Campbell has acknowledged Derleth's encouragement and guidance during the early part of his own writing career, and Kirby McCauley has cited Derleth and Arkham House as an inspiration for his own anthology "Dark Forces". Arkham House and Derleth published "Dark Carnival", the first book by Ray Bradbury, as well. Brian Lumley cites the importance of Derleth to his own Lovecraftian work, and contends in a 2009 introduction to Derleth's work that he was "...one of the first, finest, and most discerning editors and publishers of macabre fiction."
Important as was Derleth's work to rescue H.P. Lovecraft from literary obscurity at the time of Lovecraft's death, Derleth also built a body of horror and spectral fiction of his own; still frequently anthologized. The best of this work, recently reprinted in four volumes of short stories – most of which were originally published in "Weird Tales", illustrates Derleth's original abilities in the genre. While Derleth considered his work in this genre less important than his most serious literary efforts, the compilers of these four anthologies, including Ramsey Campbell, note that the stories still resonate after more than 50 years.
In 2009, The Library of America selected Derleth's story "The Panelled Room" for inclusion in its two-century retrospective of American Fantastic Tales.
Other works.
Derleth also wrote many historical novels, as part of both the "Sac Prairie Saga" and the "Wisconsin Saga". He also wrote history; arguably most notable among these was "The Wisconsin: River of a Thousand Isles", published in 1942. The work was one in a series entitled "The Rivers of America", conceived by writer Constance Lindsay Skinner in the Great Depression as a series that would connect Americans to their heritage through the history of the great rivers of the nation. Skinner wanted the series to be written by artists, not academicians. Derleth, while not a trained historian, was, according to former Wisconsin state historian William F. Thompson, "...a very competent regional historian who based his historical writing upon research in the primary documents and who regularly sought the help of professionals... ." In the foreword to the 1985 reissue of the work by The University of Wisconsin Press, Thompson concluded: "No other writer, of whatever background or training, knew and understood his particular 'corner of the earth' better than August Derleth."
Additionally, Derleth wrote a number of volumes of poetry. Three of his collections – "Rind of Earth" (1942), "Selected Poems" (1944), and "The Edge of Night" (1945) – were published by the Decker Press, which also printed the work of other Midwestern poets such as Edgar Lee Masters.
Derleth was also the author of several biographies of other writers, including Zona Gale, Ralph Waldo Emerson and Henry David Thoreau.
He also wrote introductions to several collections of classic early 20th century comics, such as "Buster Brown", "Little Nemo in Slumberland", and "Katzenjammer Kids", as well as a book of children's poetry entitled "A Boy's Way", and the foreword to "Tales from an Indian Lodge" by "Phebe Jewell Nichols." Derleth also wrote under the pen names Stephen Grendon, Kenyon Holmes and Tally Mason.
Derleth's papers were donated to the Wisconsin Historical Society in Madison.
The "Sac Prairie Saga".
Derleth wrote an expansive series of novels, short stories, journals, poems, and other works about Sac Prairie. Derleth intended this series to comprise up to 50 novels telling the projected life-story of the region from the 19th century onwards, with analogies to Balzac's "Human Comedy" and Proust's "Remembrance of Things Past".
This, and other early work by Derleth, made him a well-known figure among the regional literary figures of his time: early Pulitzer Prize winners Hamlin Garland and Zona Gale, as well as Sinclair Lewis, the last both an admirer and critic of Derleth.
As Edward Wagenknecht wrote in "Cavalcade of the American Novel", "What Mr. Derleth has that is lacking...in modern novelists generally, is a country. He belongs. He writes of a land and a people that are bone of his bone and flesh of his flesh. In his fictional world, there is a unity much deeper and more fundamental than anything that can be conferred by an ideology. It is clear, too, that he did not get the best, and most fictionally useful, part of his background material from research in the library; like Scott, in his Border novels, he gives, rather, the impression of having drunk it in with his mother's milk."
Jim Stephens, editor of "An August Derleth Reader", (1992), argues: "what Derleth accomplished...was to gather a Wisconsin mythos which gave respect to the ancient fundament of our contemporary life."
The author inaugurated the "Sac Prairie Saga" with four novellas comprising "Place of Hawks", published by Loring & Mussey in 1935. At publication, "The Detroit News" wrote: "Certainly with this book Mr. Derleth may be added to the American writers of distinction."
Derleth's first novel, "Still is the Summer Night", was published two years later by the famous Charles Scribners' editor Maxwell Perkins, and was the second in his Sac Prairie Saga.
"Village Year", the first in a series of journals – meditations on nature, Midwestern village American life, and more – was published in 1941 to praise from "The New York Times Book Review": "A book of instant sensitive responsiveness...recreates its scene with acuteness and beauty, and makes an unusual contribution to the Americana of the present day." The "New York Herald Tribune" observed that "Derleth...deepens the value of his village setting by presenting in full the enduring natural background; with the people projected against this, the writing comes to have the quality of an old Flemish picture, humanity lively and amusing and loveable in the foreground and nature magnificent beyond." James Grey, writing in the "St. Louis Dispatch" concluded, "Derleth has achieved a kind of prose equivalent of the "Spoon River Anthology"."
In the same year, "Evening in Spring" was published by Charles Scribners & Sons. This work Derleth considered among his finest. What "The Milwaukee Journal" called "this beautiful little love story", is an autobiographical novel of first love beset by small-town religious bigotry. The work received critical praise: "The New Yorker" considered it a story told "with tenderness and charm", while the "Chicago Tribune" concluded: "It's as though he turned back the pages of an old diary and told, with rekindled emotion, of the pangs of pain and the sharp, clear sweetness of a boy's first love." Helen Constance White, wrote in "The Capital Times" that it was "...the best articulated, the most fully disciplined of his stories."
These were followed in 1943 with "Shadow of Night", a Scribners' novel of which "The Chicago Sun" wrote: "Structurally it has the perfection of a carved jewel...A psychological novel of the first order, and an adventure tale that is unique and inspiriting."
In November 1945, however, Derleth's work was attacked by his one-time admirer and mentor, Sinclair Lewis. Writing in "Esquire", Lewis observed, "It is a proof of Mr. Derleth's merit that he makes one want to make the journey and see his particular Avalon: The Wisconsin River shining among its islands, and the castles of Baron Pierneau and Hercules Dousman. He is a champion and a justification of regionalism. Yet he is also a burly, bounding, bustling, self-confident, opinionated, and highly-sweatered young man with faults so grievous that a melancholy perusal of them may be of more value to apprentices than a study of his serious virtues. If he could ever be persuaded that he isn't half as good as he thinks he is, if he would learn the art of sitting still and using a blue pencil, he might become twice as good as he thinks he is – which would about rank him with Homer." Derleth good-humoredly reprinted the criticism along with a photograph of himself sans sweater, on the back cover of his 1948 country journal: "Village Daybook".
A lighter side to the "Sac Prairie Saga" is a series of quasi-autobiographical short stories known as the "Gus Elker Stories", amusing tales of country life that Peter Ruber, Derleth's last editor, said were "...models of construction and...fused with some of the most memorable characters in American literature." Most were written between 1934 and the late 1940s, though the last, "Tail of the Dog", was published in 1959 and won the "Scholastic Magazine" short story award for the year. The series was collected and republished in "Country Matters" in 1996.
"Walden West", published in 1961, is considered by many Derleth's finest work. This prose meditation is built out of the same fundamental material as the series of Sac Prairie journals, but is organized around three themes: "the persistence of memory...the sounds and odors of the country...and Thoreau's observation that the 'mass of men lead lives of quiet desperation.'" A blend of nature writing, philosophic musings, and careful observation of the people and place of "Sac Prairie." Of this work, George Vukelich, author of "North Country Notebook", writes: "Derleth's "Walden West" is...the equal of Sherwood Anderson's "Winesburg,Ohio", Thornton Wilder's "Our Town", and Edgar Lee Masters' "Spoon River Anthology"." This was followed eight years later by "Return to Walden West", a work of similar quality, but with a more noticeable environmentalist edge to the writing, notes critic Norbert Blei.
A close literary relative of the "Sac Prairie Saga" was Derleth's "Wisconsin Saga", which comprises several historical novels.
Detective and mystery fiction.
Detective fiction represented another substantial body of Derleth's work. Most notable among this work was a series of 70 stories in affectionate pastiche of Sherlock Holmes, whose creator, Sir Arthur Conan Doyle, he admired greatly. These included one published novel as well ("Mr. Fairlie's Final Journey"). The series features a (Sherlock Holmes-styled) British detective named Solar Pons, of 7B Praed Street in London. The series was greatly admired by such notable writers and critics of mystery and detective fiction as Ellery Queen (Frederic Dannay), Anthony Boucher, Vincent Starrett and Howard Haycraft.
In his 1944 volume "The Misadventures of Sherlock Holmes", Ellery Queen wrote of Derleth's "The Norcross Riddle", an early Pons story: "How many budding authors, not even old enough to vote, could have captured the spirit and atmosphere with as much fidelity?" Queen adds, "...and his choice of the euphonic Solar Pons is an appealing addition to the fascinating lore of Sherlockian nomenclature." Vincent Starrett, in his foreword to the 1964 edition of "The Casebook of Solar Pons", wrote that the series is "...as sparkling a galaxy of Sherlockian pastiches as we have had since the canonical entertainments came to an end."
Despite close similarities to Doyle's creation, Pons lived in the post-World War I era, in the decades of the 1920s and 1930s. Though Derleth never wrote a Pons novel to equal "The Hound of the Baskervilles", editor Peter Ruber wrote: "...Derleth produced more than a few Solar Pons stories almost as good as Sir Arthur's, and many that had better plot construction."
Although these stories were a form of diversion for Derleth, Ruber, who edited "The Original Text Solar Pons Omnibus Edition" (2000), argued: "Because the stories were generally of such high quality, they ought to be assessed on their own merits as a unique contribution in the annals of mystery fiction, rather than suffering comparison as one of the endless imitators of Sherlock Holmes."
Some of the stories were self-published, through a new imprint called "Mycroft & Moran", an appellation of humorous significance to Holmesian scholars. For approximately a decade, an active supporting group was the Praed Street Irregulars, patterned after the Baker Street Irregulars.
In 1946, Conan Doyle's two sons made some attempts to force Derleth to cease publishing the Solar Pons series, but the efforts were unsuccessful and eventually withdrawn.
Derleth's mystery and detective fiction also included a series of works set in Sac Prairie and featuring Judge Peck as the central character.
Youth and children's fiction.
Derleth wrote many and varied children's works, including biographies meant to introduce younger readers to explorer Jacques Marquette, as well as Ralph Waldo Emerson and Henry David Thoreau. Arguably most important among his works for younger readers, however, is the Steve and Sim Mystery Series, also known as the Mill Creek Irregulars series. The ten-volume series, published between 1958 and 1970, is set in Sac Prairie of the 1920s and can thus be considered in its own right a part of the "Sac Prairie Saga", as well as an extension of Derleth's body of mystery fiction. Robert Hood, writing in the "New York Times" said: "Steve and Sim, the major characters, are twentieth-century cousins of Huck Finn and Tom Sawyer; Derleth's minor characters, little gems of comic drawing." The first novel in the series, "The Moon Tenders", does, in fact, involve a rafting adventure down the Wisconsin River, which led regional writer Jesse Stuart to suggest the novel was one that "older people might read to recapture the spirit and dream of youth." The connection to the "Sac Prairie Saga" was noted by the "Chicago Tribune": "Once again a small midwest community in 1920s is depicted with perception, skill, and dry humor."
Arkham House and the "Cthulhu Mythos".
Derleth was a correspondent and friend of H. P. Lovecraft – when Lovecraft wrote about "le Comte d'Erlette" in his fiction, it was in homage to Derleth. Derleth invented the term "Cthulhu Mythos" to describe the fictional universe depicted in the series of stories shared by Lovecraft and other writers in his circle.
When Lovecraft died in 1937, Derleth and Donald Wandrei assembled a collection of Lovecraft's stories and tried to get them published. Existing publishers showed little interest, so Derleth and Wandrei founded Arkham House in 1939 for that purpose. The name of the company derived from Lovecraft's fictional town of Arkham, Massachusetts, which features in many of his stories. In 1939, Arkham House published "The Outsider and Others", a huge collection that contained most of Lovecraft's known short stories. Derleth and Wandrei soon expanded Arkham House and began a regular publishing schedule after its second book, "Someone in the Dark", a collection of some of Derleth's own horror stories, was published in 1941.
Following Lovecraft's death, Derleth wrote a number of stories based on fragments and notes left by Lovecraft. These were published in "Weird Tales" and later in book form, under the byline "H. P. Lovecraft and August Derleth", with Derleth calling himself a "posthumous collaborator." This practice has raised objections in some quarters that Derleth simply used Lovecraft's name to market what was essentially his own fiction; S. T. Joshi refers to the "posthumous collaborations" as marking the beginning of "perhaps the most disreputable phase of Derleth's activities".
Dirk W. Mosig, S. T. Joshi, and Richard L. Tierney were dissatisfied with Derleth's invention of the term "Cthulhu Mythos" (Lovecraft himself used "Yog-Sothothery") and his presentation of Lovecraft's fiction as having an overall pattern reflecting Derleth's own Christian world view, which they contrast with Lovecraft's depiction of an amoral universe. However, Robert M. Price points out that while Derleth's tales are distinct from Lovecraft's in their use of hope and his depiction of a struggle between good and evil, nevertheless the basis of Derlerth's systemization are found in Lovecraft. He also suggests that the differences can be overstated:
Derleth "was" more optimistic than Lovecraft in his conception of the Mythos, but we are dealing with a difference more of degree than kind. There are indeed tales wherein Derleth's protagonists get off scot-free (like "The Shadow in the Attic", "Witches' Hollow", or "The Shuttered Room"), but often the hero is doomed (e.g., "The House in the Valley", "The Peabody Heritage", "Something in Wood"), as in Lovecraft. And it must be remembered that an occasional Lovecraftian hero does manage to overcome the odds, e.g., in "The Horror in the Museum", "The Shunned House", and 'The Case of Charles Dexter Ward'.
Derleth also treated Lovecraft's Great Old Ones as representatives of elemental forces, creating new fictional entities to flesh out this framework.
Such debates aside, Derleth's founding of Arkham House and his successful effort to rescue Lovecraft from literary oblivion are widely acknowledged by practitioners in the horror field as seminal events in the field. For instance, Ramsey Campbell has acknowledged Derleth's encouragement and guidance during the early part of his own writing career, and Kirby McCauley has cited Derleth and Arkham House as an inspiration for his own anthology "Dark Forces". Arkham House and Derleth published "Dark Carnival", the first book by Ray Bradbury, as well. Brian Lumley cites the importance of Derleth to his own Lovecraftian work, and contends in a 2009 introduction to Derleth's work that he was "...one of the first, finest, and most discerning editors and publishers of macabre fiction."
Important as was Derleth's work to rescue H.P. Lovecraft from literary obscurity at the time of Lovecraft's death, Derleth also built a body of horror and spectral fiction of his own; still frequently anthologized. The best of this work, recently reprinted in four volumes of short stories – most of which were originally published in "Weird Tales", illustrates Derleth's original abilities in the genre. While Derleth considered his work in this genre less important than his most serious literary efforts, the compilers of these four anthologies, including Ramsey Campbell, note that the stories still resonate after more than 50 years.
In 2009, The Library of America selected Derleth's story "The Panelled Room" for inclusion in its two-century retrospective of American Fantastic Tales.
Other works.
Derleth also wrote many historical novels, as part of both the "Sac Prairie Saga" and the "Wisconsin Saga". He also wrote history; arguably most notable among these was "The Wisconsin: River of a Thousand Isles", published in 1942. The work was one in a series entitled "The Rivers of America", conceived by writer Constance Lindsay Skinner in the Great Depression as a series that would connect Americans to their heritage through the history of the great rivers of the nation. Skinner wanted the series to be written by artists, not academicians. Derleth, while not a trained historian, was, according to former Wisconsin state historian William F. Thompson, "...a very competent regional historian who based his historical writing upon research in the primary documents and who regularly sought the help of professionals... ." In the foreword to the 1985 reissue of the work by The University of Wisconsin Press, Thompson concluded: "No other writer, of whatever background or training, knew and understood his particular 'corner of the earth' better than August Derleth."
Additionally, Derleth wrote a number of volumes of poetry. Three of his collections – "Rind of Earth" (1942), "Selected Poems" (1944), and "The Edge of Night" (1945) – were published by the Decker Press, which also printed the work of other Midwestern poets such as Edgar Lee Masters.
Derleth was also the author of several biographies of other writers, including Zona Gale, Ralph Waldo Emerson and Henry David Thoreau.
He also wrote introductions to several collections of classic early 20th century comics, such as "Buster Brown", "Little Nemo in Slumberland", and "Katzenjammer Kids", as well as a book of children's poetry entitled "A Boy's Way", and the foreword to "Tales from an Indian Lodge" by "Phebe Jewell Nichols." Derleth also wrote under the pen names Stephen Grendon, Kenyon Holmes and Tally Mason.
Derleth's papers were donated to the Wisconsin Historical Society in Madison.
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Aristotle
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Aristotle (; "Aristotélēs", ; 384–322 BC) was a Greek philosopher and polymath during the Classical period in Ancient Greece. Taught by Plato, he was the founder of the Peripatetic school of philosophy within the Lyceum and the wider Aristotelian tradition. His writings cover many subjects including physics, biology, zoology, metaphysics, logic, ethics, aesthetics, poetry, theatre, music, rhetoric, psychology, linguistics, economics, politics, meteorology, geology, and government. Aristotle provided a complex synthesis of the various philosophies existing prior to him. It was above all from his teachings that the West inherited its intellectual lexicon, as well as problems and methods of inquiry. As a result, his philosophy has exerted a unique influence on almost every form of knowledge in the West and it continues to be a subject of contemporary philosophical discussion.
Little is known about his life. Aristotle was born in the city of Stagira in Northern Greece. His father, Nicomachus, died when Aristotle was a child, and he was brought up by a guardian. At seventeen or eighteen years of age he joined Plato's Academy in Athens and remained there until the age of thirty-seven (). Shortly after Plato died, Aristotle left Athens and, at the request of Philip II of Macedon, tutored his son Alexander the Great beginning in 343 BC. He established a library in the Lyceum which helped him to produce many of his hundreds of books on papyrus scrolls. Though Aristotle wrote many elegant treatises and dialogues for publication, only around a third of his original output has survived, none of it intended for publication.
Aristotle's views profoundly shaped medieval scholarship. The influence of physical science extended from Late Antiquity and the Early Middle Ages into the Renaissance, and were not replaced systematically until the Enlightenment and theories such as classical mechanics were developed. Some of Aristotle's zoological observations found in his biology, such as on the hectocotyl (reproductive) arm of the octopus, were disbelieved until the 19th century. He also influenced Judeo-Islamic philosophies during the Middle Ages, as well as Christian theology, especially the Neoplatonism of the Early Church and the scholastic tradition of the Catholic Church. Aristotle was revered among medieval Muslim scholars as "The First Teacher", and among medieval Christians like Thomas Aquinas as simply "The Philosopher", while the poet Dante called him "the master of those who know". His works contain the earliest known formal study of logic, and were studied by medieval scholars such as Peter Abelard and John Buridan.
Aristotle's influence on logic continued well into the 19th century. In addition, his ethics, though always influential, gained renewed interest with the modern advent of virtue ethics. Aristotle has been called the father of logic, biology, political science, zoology, embryology, natural law, scientific method, rhetoric, psychology, realism, criticism, individualism, teleology, and meteorology.
Life.
In general, the details of Aristotle's life are not well-established. The biographies written in ancient times are often speculative and historians only agree on a few salient points.
Aristotle was born in 384 BC in Stagira, Chalcidice, about 55 km (34 miles) east of modern-day Thessaloniki. His father, Nicomachus, was the personal physician to King Amyntas of Macedon. While he was young, Aristotle learned about biology and medical information, which was taught by his father. Both of Aristotle's parents died when he was about thirteen, and Proxenus of Atarneus became his guardian. Although little information about Aristotle's childhood has survived, he probably spent some time within the Macedonian palace, making his first connections with the Macedonian monarchy.
At the age of seventeen or eighteen, Aristotle moved to Athens to continue his education at Plato's Academy. He probably experienced the Eleusinian Mysteries as he wrote when describing the sights one viewed at the Eleusinian Mysteries, "to experience is to learn" [παθείν μαθεĩν]. Aristotle remained in Athens for nearly twenty years before leaving in 348/47 BC. The traditional story about his departure records that he was disappointed with the Academy's direction after control passed to Plato's nephew Speusippus, although it is possible that he feared the anti-Macedonian sentiments in Athens at that time and left before Plato died. Aristotle then accompanied Xenocrates to the court of his friend Hermias of Atarneus in Asia Minor. After the death of Hermias, Aristotle travelled with his pupil Theophrastus to the island of Lesbos, where together they researched the botany and zoology of the island and its sheltered lagoon. While in Lesbos, Aristotle married Pythias, either Hermias's adoptive daughter or niece. She bore him a daughter, whom they also named Pythias. In 343 BC, Aristotle was invited by Philip II of Macedon to become the tutor to his son Alexander.
Aristotle was appointed as the head of the royal academy of Macedon. During Aristotle's time in the Macedonian court, he gave lessons not only to Alexander but also to two other future kings: Ptolemy and Cassander. Aristotle encouraged Alexander toward eastern conquest, and Aristotle's own attitude towards Persia was unabashedly ethnocentric. In one famous example, he counsels Alexander to be "a leader to the Greeks and a despot to the barbarians, to look after the former as after friends and relatives, and to deal with the latter as with beasts or plants". By 335 BC, Aristotle had returned to Athens, establishing his own school there known as the Lyceum. Aristotle conducted courses at the school for the next twelve years. While in Athens, his wife Pythias died and Aristotle became involved with Herpyllis of Stagira, who bore him a son whom he named after his father, Nicomachus. If the "Suda" an uncritical compilation from the Middle Ages is accurate, he may also have had an "erômenos", Palaephatus of Abydus.
This period in Athens, between 335 and 323 BC, is when Aristotle is believed to have composed many of his works. He wrote many dialogues, of which only fragments have survived. Those works that have survived are in treatise form and were not, for the most part, intended for widespread publication; they are generally thought to be lecture aids for his students. His most important treatises include "Physics", "Metaphysics", "Nicomachean Ethics", "Politics", "On the Soul" and "Poetics". Aristotle studied and made significant contributions to "logic, metaphysics, mathematics, physics, biology, botany, ethics, politics, agriculture, medicine, dance, and theatre."
Near the end of his life, Alexander and Aristotle became estranged over Alexander's relationship with Persia and Persians. A widespread tradition in antiquity suspected Aristotle of playing a role in Alexander's death, but the only evidence of this is an unlikely claim made some six years after the death. Following Alexander's death, anti-Macedonian sentiment in Athens was rekindled. In 322 BC, Demophilus and Eurymedon the Hierophant reportedly denounced Aristotle for impiety, prompting him to flee to his mother's family estate in Chalcis, on Euboea, at which occasion he was said to have stated: "I will not allow the Athenians to sin twice against philosophy" – a reference to Athens's trial and execution of Socrates. He died on Euboea of natural causes later that same year, having named his student Antipater as his chief executor and leaving a will in which he asked to be buried next to his wife.
Speculative philosophy.
Logic.
With the "Prior Analytics", Aristotle is credited with the earliest study of formal logic, and his conception of it was the dominant form of Western logic until 19th-century advances in mathematical logic. Kant stated in the "Critique of Pure Reason" that with Aristotle logic reached its completion.
"Organon".
What is today called "Aristotelian logic" with its types of syllogism (methods of logical argument), Aristotle himself would have labelled "analytics". The term "logic" he reserved to mean "dialectics". Most of Aristotle's work is probably not in its original form, because it was most likely edited by students and later lecturers. The logical works of Aristotle were compiled into a set of six books called the "Organon" around 40 BC by Andronicus of Rhodes or others among his followers. The books are:
The order of the books (or the teachings from which they are composed) is not certain, but this list was derived from analysis of Aristotle's writings. It goes from the basics, the analysis of simple terms in the "Categories," the analysis of propositions and their elementary relations in "On Interpretation", to the study of more complex forms, namely, syllogisms (in the "Analytics") and dialectics (in the "Topics" and "Sophistical Refutations"). The first three treatises form the core of the logical theory "stricto sensu": the grammar of the language of logic and the correct rules of reasoning. The "Rhetoric" is not conventionally included, but it states that it relies on the "Topics".
Metaphysics.
The word "metaphysics" appears to have been coined by the first century AD editor who assembled various small selections of Aristotle's works to the treatise we know by the name "Metaphysics". Aristotle called it "first philosophy", and distinguished it from mathematics and natural science (physics) as the contemplative ("theoretikē") philosophy which is "theological" and studies the divine. He wrote in his "Metaphysics" (1026a16):
Substance.
Aristotle examines the concepts of substance ("ousia") and essence ("to ti ên einai", "the what it was to be") in his "Metaphysics" (Book VII), and he concludes that a particular substance is a combination of both matter and form, a philosophical theory called hylomorphism. In Book VIII, he distinguishes the matter of the substance as the substratum, or the stuff of which it is composed. For example, the matter of a house is the bricks, stones, timbers, etc., or whatever constitutes the "potential" house, while the form of the substance is the "actual" house, namely 'covering for bodies and chattels' or any other differentia that let us define something as a house. The formula that gives the components is the account of the matter, and the formula that gives the differentia is the account of the form.
Immanent realism.
Like his teacher Plato, Aristotle's philosophy aims at the universal. Aristotle's ontology places the universal ("katholou") in particulars ("kath' hekaston"), things in the world, whereas for Plato the universal is a separately existing form which actual things imitate. For Aristotle, "form" is still what phenomena are based on, but is "instantiated" in a particular substance.
Plato argued that all things have a universal form, which could be either a property or a relation to other things. When one looks at an apple, for example, one sees an apple, and one can also analyse a form of an apple. In this distinction, there is a particular apple and a universal form of an apple. Moreover, one can place an apple next to a book, so that one can speak of both the book and apple as being next to each other. Plato argued that there are some universal forms that are not a part of particular things. For example, it is possible that there is no particular good in existence, but "good" is still a proper universal form. Aristotle disagreed with Plato on this point, arguing that all universals are instantiated at some period of time, and that there are no universals that are unattached to existing things. In addition, Aristotle disagreed with Plato about the location of universals. Where Plato spoke of the forms as existing separately from the things that participate in them, Aristotle maintained that universals exist within each thing on which each universal is predicated. So, according to Aristotle, the form of apple exists within each apple, rather than in the world of the forms.
Potentiality and actuality.
Concerning the nature of change ("kinesis") and its causes, as he outlines in his "Physics" and "On Generation and Corruption ("319b–320a), he distinguishes coming-to-be ("genesis", also translated as 'generation') from:
Coming-to-be is a change where the substrate of the thing that has undergone the change has itself changed. In that particular change he introduces the concept of potentiality ("dynamis") and actuality ("entelecheia") in association with the matter and the form. Referring to potentiality, this is what a thing is capable of doing or being acted upon if the conditions are right and it is not prevented by something else. For example, the seed of a plant in the soil is potentially ("dynamei") a plant, and if it is not prevented by something, it will become a plant. Potentially beings can either 'act' ("poiein") or 'be acted upon' ("paschein"), which can be either innate or learned. For example, the eyes possess the potentiality of sight (innate – being acted upon), while the capability of playing the flute can be possessed by learning (exercise – acting). Actuality is the fulfilment of the end of the potentiality. Because the end ("telos") is the principle of every change, and potentiality exists for the sake of the end, actuality, accordingly, is the end. Referring then to the previous example, it can be said that an actuality is when a plant does one of the activities that plants do.
In summary, the matter used to make a house has potentiality to be a house and both the activity of building and the form of the final house are actualities, which is also a final cause or end. Then Aristotle proceeds and concludes that the actuality is prior to potentiality in formula, in time and in substantiality. With this definition of the particular substance (i.e., matter and form), Aristotle tries to solve the problem of the unity of the beings, for example, "what is it that makes a man one"? Since, according to Plato there are two Ideas: animal and biped, how then is man a unity? However, according to Aristotle, the potential being (matter) and the actual one (form) are one and the same.
Epistemology.
Aristotle's immanent realism means his epistemology is based on the study of things that exist or happen in the world, and rises to knowledge of the universal, whereas for Plato epistemology begins with knowledge of universal Forms (or ideas) and descends to knowledge of particular imitations of these. Aristotle uses induction from examples alongside deduction, whereas Plato relies on deduction from "a priori" principles.
Logic.
With the "Prior Analytics", Aristotle is credited with the earliest study of formal logic, and his conception of it was the dominant form of Western logic until 19th-century advances in mathematical logic. Kant stated in the "Critique of Pure Reason" that with Aristotle logic reached its completion.
"Organon".
What is today called "Aristotelian logic" with its types of syllogism (methods of logical argument), Aristotle himself would have labelled "analytics". The term "logic" he reserved to mean "dialectics". Most of Aristotle's work is probably not in its original form, because it was most likely edited by students and later lecturers. The logical works of Aristotle were compiled into a set of six books called the "Organon" around 40 BC by Andronicus of Rhodes or others among his followers. The books are:
The order of the books (or the teachings from which they are composed) is not certain, but this list was derived from analysis of Aristotle's writings. It goes from the basics, the analysis of simple terms in the "Categories," the analysis of propositions and their elementary relations in "On Interpretation", to the study of more complex forms, namely, syllogisms (in the "Analytics") and dialectics (in the "Topics" and "Sophistical Refutations"). The first three treatises form the core of the logical theory "stricto sensu": the grammar of the language of logic and the correct rules of reasoning. The "Rhetoric" is not conventionally included, but it states that it relies on the "Topics".
"Organon".
What is today called "Aristotelian logic" with its types of syllogism (methods of logical argument), Aristotle himself would have labelled "analytics". The term "logic" he reserved to mean "dialectics". Most of Aristotle's work is probably not in its original form, because it was most likely edited by students and later lecturers. The logical works of Aristotle were compiled into a set of six books called the "Organon" around 40 BC by Andronicus of Rhodes or others among his followers. The books are:
The order of the books (or the teachings from which they are composed) is not certain, but this list was derived from analysis of Aristotle's writings. It goes from the basics, the analysis of simple terms in the "Categories," the analysis of propositions and their elementary relations in "On Interpretation", to the study of more complex forms, namely, syllogisms (in the "Analytics") and dialectics (in the "Topics" and "Sophistical Refutations"). The first three treatises form the core of the logical theory "stricto sensu": the grammar of the language of logic and the correct rules of reasoning. The "Rhetoric" is not conventionally included, but it states that it relies on the "Topics".
Metaphysics.
The word "metaphysics" appears to have been coined by the first century AD editor who assembled various small selections of Aristotle's works to the treatise we know by the name "Metaphysics". Aristotle called it "first philosophy", and distinguished it from mathematics and natural science (physics) as the contemplative ("theoretikē") philosophy which is "theological" and studies the divine. He wrote in his "Metaphysics" (1026a16):
Substance.
Aristotle examines the concepts of substance ("ousia") and essence ("to ti ên einai", "the what it was to be") in his "Metaphysics" (Book VII), and he concludes that a particular substance is a combination of both matter and form, a philosophical theory called hylomorphism. In Book VIII, he distinguishes the matter of the substance as the substratum, or the stuff of which it is composed. For example, the matter of a house is the bricks, stones, timbers, etc., or whatever constitutes the "potential" house, while the form of the substance is the "actual" house, namely 'covering for bodies and chattels' or any other differentia that let us define something as a house. The formula that gives the components is the account of the matter, and the formula that gives the differentia is the account of the form.
Immanent realism.
Like his teacher Plato, Aristotle's philosophy aims at the universal. Aristotle's ontology places the universal ("katholou") in particulars ("kath' hekaston"), things in the world, whereas for Plato the universal is a separately existing form which actual things imitate. For Aristotle, "form" is still what phenomena are based on, but is "instantiated" in a particular substance.
Plato argued that all things have a universal form, which could be either a property or a relation to other things. When one looks at an apple, for example, one sees an apple, and one can also analyse a form of an apple. In this distinction, there is a particular apple and a universal form of an apple. Moreover, one can place an apple next to a book, so that one can speak of both the book and apple as being next to each other. Plato argued that there are some universal forms that are not a part of particular things. For example, it is possible that there is no particular good in existence, but "good" is still a proper universal form. Aristotle disagreed with Plato on this point, arguing that all universals are instantiated at some period of time, and that there are no universals that are unattached to existing things. In addition, Aristotle disagreed with Plato about the location of universals. Where Plato spoke of the forms as existing separately from the things that participate in them, Aristotle maintained that universals exist within each thing on which each universal is predicated. So, according to Aristotle, the form of apple exists within each apple, rather than in the world of the forms.
Potentiality and actuality.
Concerning the nature of change ("kinesis") and its causes, as he outlines in his "Physics" and "On Generation and Corruption ("319b–320a), he distinguishes coming-to-be ("genesis", also translated as 'generation') from:
Coming-to-be is a change where the substrate of the thing that has undergone the change has itself changed. In that particular change he introduces the concept of potentiality ("dynamis") and actuality ("entelecheia") in association with the matter and the form. Referring to potentiality, this is what a thing is capable of doing or being acted upon if the conditions are right and it is not prevented by something else. For example, the seed of a plant in the soil is potentially ("dynamei") a plant, and if it is not prevented by something, it will become a plant. Potentially beings can either 'act' ("poiein") or 'be acted upon' ("paschein"), which can be either innate or learned. For example, the eyes possess the potentiality of sight (innate – being acted upon), while the capability of playing the flute can be possessed by learning (exercise – acting). Actuality is the fulfilment of the end of the potentiality. Because the end ("telos") is the principle of every change, and potentiality exists for the sake of the end, actuality, accordingly, is the end. Referring then to the previous example, it can be said that an actuality is when a plant does one of the activities that plants do.
In summary, the matter used to make a house has potentiality to be a house and both the activity of building and the form of the final house are actualities, which is also a final cause or end. Then Aristotle proceeds and concludes that the actuality is prior to potentiality in formula, in time and in substantiality. With this definition of the particular substance (i.e., matter and form), Aristotle tries to solve the problem of the unity of the beings, for example, "what is it that makes a man one"? Since, according to Plato there are two Ideas: animal and biped, how then is man a unity? However, according to Aristotle, the potential being (matter) and the actual one (form) are one and the same.
Substance.
Aristotle examines the concepts of substance ("ousia") and essence ("to ti ên einai", "the what it was to be") in his "Metaphysics" (Book VII), and he concludes that a particular substance is a combination of both matter and form, a philosophical theory called hylomorphism. In Book VIII, he distinguishes the matter of the substance as the substratum, or the stuff of which it is composed. For example, the matter of a house is the bricks, stones, timbers, etc., or whatever constitutes the "potential" house, while the form of the substance is the "actual" house, namely 'covering for bodies and chattels' or any other differentia that let us define something as a house. The formula that gives the components is the account of the matter, and the formula that gives the differentia is the account of the form.
Immanent realism.
Like his teacher Plato, Aristotle's philosophy aims at the universal. Aristotle's ontology places the universal ("katholou") in particulars ("kath' hekaston"), things in the world, whereas for Plato the universal is a separately existing form which actual things imitate. For Aristotle, "form" is still what phenomena are based on, but is "instantiated" in a particular substance.
Plato argued that all things have a universal form, which could be either a property or a relation to other things. When one looks at an apple, for example, one sees an apple, and one can also analyse a form of an apple. In this distinction, there is a particular apple and a universal form of an apple. Moreover, one can place an apple next to a book, so that one can speak of both the book and apple as being next to each other. Plato argued that there are some universal forms that are not a part of particular things. For example, it is possible that there is no particular good in existence, but "good" is still a proper universal form. Aristotle disagreed with Plato on this point, arguing that all universals are instantiated at some period of time, and that there are no universals that are unattached to existing things. In addition, Aristotle disagreed with Plato about the location of universals. Where Plato spoke of the forms as existing separately from the things that participate in them, Aristotle maintained that universals exist within each thing on which each universal is predicated. So, according to Aristotle, the form of apple exists within each apple, rather than in the world of the forms.
Potentiality and actuality.
Concerning the nature of change ("kinesis") and its causes, as he outlines in his "Physics" and "On Generation and Corruption ("319b–320a), he distinguishes coming-to-be ("genesis", also translated as 'generation') from:
Coming-to-be is a change where the substrate of the thing that has undergone the change has itself changed. In that particular change he introduces the concept of potentiality ("dynamis") and actuality ("entelecheia") in association with the matter and the form. Referring to potentiality, this is what a thing is capable of doing or being acted upon if the conditions are right and it is not prevented by something else. For example, the seed of a plant in the soil is potentially ("dynamei") a plant, and if it is not prevented by something, it will become a plant. Potentially beings can either 'act' ("poiein") or 'be acted upon' ("paschein"), which can be either innate or learned. For example, the eyes possess the potentiality of sight (innate – being acted upon), while the capability of playing the flute can be possessed by learning (exercise – acting). Actuality is the fulfilment of the end of the potentiality. Because the end ("telos") is the principle of every change, and potentiality exists for the sake of the end, actuality, accordingly, is the end. Referring then to the previous example, it can be said that an actuality is when a plant does one of the activities that plants do.
In summary, the matter used to make a house has potentiality to be a house and both the activity of building and the form of the final house are actualities, which is also a final cause or end. Then Aristotle proceeds and concludes that the actuality is prior to potentiality in formula, in time and in substantiality. With this definition of the particular substance (i.e., matter and form), Aristotle tries to solve the problem of the unity of the beings, for example, "what is it that makes a man one"? Since, according to Plato there are two Ideas: animal and biped, how then is man a unity? However, according to Aristotle, the potential being (matter) and the actual one (form) are one and the same.
Immanent realism.
Like his teacher Plato, Aristotle's philosophy aims at the universal. Aristotle's ontology places the universal ("katholou") in particulars ("kath' hekaston"), things in the world, whereas for Plato the universal is a separately existing form which actual things imitate. For Aristotle, "form" is still what phenomena are based on, but is "instantiated" in a particular substance.
Plato argued that all things have a universal form, which could be either a property or a relation to other things. When one looks at an apple, for example, one sees an apple, and one can also analyse a form of an apple. In this distinction, there is a particular apple and a universal form of an apple. Moreover, one can place an apple next to a book, so that one can speak of both the book and apple as being next to each other. Plato argued that there are some universal forms that are not a part of particular things. For example, it is possible that there is no particular good in existence, but "good" is still a proper universal form. Aristotle disagreed with Plato on this point, arguing that all universals are instantiated at some period of time, and that there are no universals that are unattached to existing things. In addition, Aristotle disagreed with Plato about the location of universals. Where Plato spoke of the forms as existing separately from the things that participate in them, Aristotle maintained that universals exist within each thing on which each universal is predicated. So, according to Aristotle, the form of apple exists within each apple, rather than in the world of the forms.
Potentiality and actuality.
Concerning the nature of change ("kinesis") and its causes, as he outlines in his "Physics" and "On Generation and Corruption ("319b–320a), he distinguishes coming-to-be ("genesis", also translated as 'generation') from:
Coming-to-be is a change where the substrate of the thing that has undergone the change has itself changed. In that particular change he introduces the concept of potentiality ("dynamis") and actuality ("entelecheia") in association with the matter and the form. Referring to potentiality, this is what a thing is capable of doing or being acted upon if the conditions are right and it is not prevented by something else. For example, the seed of a plant in the soil is potentially ("dynamei") a plant, and if it is not prevented by something, it will become a plant. Potentially beings can either 'act' ("poiein") or 'be acted upon' ("paschein"), which can be either innate or learned. For example, the eyes possess the potentiality of sight (innate – being acted upon), while the capability of playing the flute can be possessed by learning (exercise – acting). Actuality is the fulfilment of the end of the potentiality. Because the end ("telos") is the principle of every change, and potentiality exists for the sake of the end, actuality, accordingly, is the end. Referring then to the previous example, it can be said that an actuality is when a plant does one of the activities that plants do.
In summary, the matter used to make a house has potentiality to be a house and both the activity of building and the form of the final house are actualities, which is also a final cause or end. Then Aristotle proceeds and concludes that the actuality is prior to potentiality in formula, in time and in substantiality. With this definition of the particular substance (i.e., matter and form), Aristotle tries to solve the problem of the unity of the beings, for example, "what is it that makes a man one"? Since, according to Plato there are two Ideas: animal and biped, how then is man a unity? However, according to Aristotle, the potential being (matter) and the actual one (form) are one and the same.
Epistemology.
Aristotle's immanent realism means his epistemology is based on the study of things that exist or happen in the world, and rises to knowledge of the universal, whereas for Plato epistemology begins with knowledge of universal Forms (or ideas) and descends to knowledge of particular imitations of these. Aristotle uses induction from examples alongside deduction, whereas Plato relies on deduction from "a priori" principles.
Natural philosophy.
Aristotle's "natural philosophy" spans a wide range of natural phenomena including those now covered by physics, biology and other natural sciences. In Aristotle's terminology, "natural philosophy" is a branch of philosophy examining the phenomena of the natural world, and includes fields that would be regarded today as physics, biology and other natural sciences. Aristotle's work encompassed virtually all facets of intellectual inquiry. Aristotle makes philosophy in the broad sense coextensive with reasoning, which he also would describe as "science". However, his use of the term "science" carries a different meaning than that covered by the term "scientific method". For Aristotle, "all science ("dianoia") is either practical, poetical or theoretical" ("Metaphysics" 1025b25). His practical science includes ethics and politics; his poetical science means the study of fine arts including poetry; his theoretical science covers physics, mathematics and metaphysics.
Physics.
Five elements.
In his "On Generation and Corruption", Aristotle related each of the four elements proposed earlier by Empedocles, earth, water, air, and fire, to two of the four sensible qualities, hot, cold, wet, and dry. In the Empedoclean scheme, all matter was made of the four elements, in differing proportions. Aristotle's scheme added the heavenly aether, the divine substance of the heavenly spheres, stars and planets.
Motion.
Aristotle describes two kinds of motion: "violent" or "unnatural motion", such as that of a thrown stone, in the "Physics" (254b10), and "natural motion", such as of a falling object, in "On the Heavens" (300a20). In violent motion, as soon as the agent stops causing it, the motion stops also: in other words, the natural state of an object is to be at rest, since Aristotle does not address friction. With this understanding, it can be observed that, as Aristotle stated, heavy objects (on the ground, say) require more force to make them move; and objects pushed with greater force move faster. This would imply the equation
incorrect in modern physics.
Natural motion depends on the element concerned: the aether naturally moves in a circle around the heavens, while the 4 Empedoclean elements move vertically up (like fire, as is observed) or down (like earth) towards their natural resting places.
In the "Physics" (215a25), Aristotle effectively states a quantitative law, that the speed, v, of a falling body is proportional (say, with constant c) to its weight, W, and inversely proportional to the density, ρ, of the fluid in which it is falling:;
Aristotle implies that in a vacuum the speed of fall would become infinite, and concludes from this apparent absurdity that a vacuum is not possible. Opinions have varied on whether Aristotle intended to state quantitative laws. Henri Carteron held the "extreme view" that Aristotle's concept of force was basically qualitative, but other authors reject this.
Archimedes corrected Aristotle's theory that bodies move towards their natural resting places; metal boats can float if they displace enough water; floating depends in Archimedes' scheme on the mass and volume of the object, not, as Aristotle thought, its elementary composition.
Aristotle's writings on motion remained influential until the Early Modern period. John Philoponus (in the Middle Ages) and Galileo are said to have shown by experiment that Aristotle's claim that a heavier object falls faster than a lighter object is incorrect. A contrary opinion is given by Carlo Rovelli, who argues that Aristotle's physics of motion is correct within its domain of validity, that of objects in the Earth's gravitational field immersed in a fluid such as air. In this system, heavy bodies in steady fall indeed travel faster than light ones (whether friction is ignored, or not), and they do fall more slowly in a denser medium.
Newton's "forced" motion corresponds to Aristotle's "violent" motion with its external agent, but Aristotle's assumption that the agent's effect stops immediately it stops acting (e.g., the ball leaves the thrower's hand) has awkward consequences: he has to suppose that surrounding fluid helps to push the ball along to make it continue to rise even though the hand is no longer acting on it, resulting in the Medieval theory of impetus.
Four causes.
Aristotle suggested that the reason for anything coming about can be attributed to four different types of simultaneously active factors. His term "aitia" is traditionally translated as "cause", but it does not always refer to temporal sequence; it might be better translated as "explanation", but the traditional rendering will be employed here.
Optics.
Aristotle describes experiments in optics using a camera obscura in "Problems", book 15. The apparatus consisted of a dark chamber with a small aperture that let light in. With it, he saw that whatever shape he made the hole, the sun's image always remained circular. He also noted that increasing the distance between the aperture and the image surface magnified the image.
Chance and spontaneity.
According to Aristotle, spontaneity and chance are causes of some things, distinguishable from other types of cause such as simple necessity. Chance as an incidental cause lies in the realm of accidental things, "from what is spontaneous". There is also more a specific kind of chance, which Aristotle names "luck", that only applies to people's moral choices.
Astronomy.
In astronomy, Aristotle refuted Democritus's claim that the Milky Way was made up of "those stars which are shaded by the earth from the sun's rays," pointing out correctly that if "the size of the sun is greater than that of the earth and the distance of the stars from the earth many times greater than that of the sun, then... the sun shines on all the stars and the earth screens none of them."
Geology and natural sciences.
Aristotle was one of the first people to record any geological observations. He stated that geological change was too slow to be observed in one person's lifetime.
The geologist Charles Lyell noted that Aristotle described such change, including "lakes that had dried up" and "deserts that had become watered by rivers", giving as examples the growth of the Nile delta since the time of Homer, and "the upheaving of one of the Aeolian islands, previous to a volcanic eruption."'
Aristotle also made many observations about the hydrologic cycle and meteorology (including his major writings "Meteorologica"). For example, he made some of the earliest observations about desalination: he observed early – and correctly – that when seawater is heated, freshwater evaporates and that the oceans are then replenished by the cycle of rainfall and river runoff ("I have proved by experiment that salt water evaporated forms fresh and the vapor does not when it condenses condense into sea water again.")
Biology.
Empirical research.
Aristotle was the first person to study biology systematically, and biology forms a large part of his writings. He spent two years observing and describing the zoology of Lesbos and the surrounding seas, including in particular the Pyrrha lagoon in the centre of Lesbos. His data in "History of Animals", "Generation of Animals", "Movement of Animals", and "Parts of Animals" are assembled from his own observations, statements given by people with specialized knowledge such as beekeepers and fishermen, and less accurate accounts provided by travellers from overseas. His apparent emphasis on animals rather than plants is a historical accident: his works on botany have been lost, but two books on plants by his pupil Theophrastus have survived.
Aristotle reports on the sea-life visible from observation on Lesbos and the catches of fishermen. He describes the catfish, electric ray, and frogfish in detail, as well as cephalopods such as the octopus and paper nautilus. His description of the hectocotyl arm of cephalopods, used in sexual reproduction, was widely disbelieved until the 19th century. He gives accurate descriptions of the four-chambered fore-stomachs of ruminants, and of the ovoviviparous embryological development of the hound shark.
He notes that an animal's structure is well matched to function, so, among birds, the heron, which lives in marshes with soft mud and lives by catching fish, has a long neck and long legs, and a sharp spear-like beak, whereas ducks that swim have short legs and webbed feet. Darwin, too, noted these sorts of differences between similar kinds of animal, but unlike Aristotle used the data to come to the theory of evolution. Aristotle's writings can seem to modern readers close to implying evolution, but while Aristotle was aware that new mutations or hybridizations could occur, he saw these as rare accidents. For Aristotle, accidents, like heat waves in winter, must be considered distinct from natural causes. He was thus critical of Empedocles's materialist theory of a "survival of the fittest" origin of living things and their organs, and ridiculed the idea that accidents could lead to orderly results. To put his views into modern terms, he nowhere says that different species can have a common ancestor, or that one kind can change into another, or that kinds can become extinct.
Scientific style.
Aristotle did not do experiments in the modern sense. He used the ancient Greek term "pepeiramenoi" to mean observations, or at most investigative procedures like dissection. In "Generation of Animals", he finds a fertilized hen's egg of a suitable stage and opens it to see the embryo's heart beating inside.
Instead, he practiced a different style of science: systematically gathering data, discovering patterns common to whole groups of animals, and inferring possible causal explanations from these.; This style is common in modern biology when large amounts of data become available in a new field, such as genomics. It does not result in the same certainty as experimental science, but it sets out testable hypotheses and constructs a narrative explanation of what is observed. In this sense, Aristotle's biology is scientific.
From the data he collected and documented, Aristotle inferred quite a number of rules relating the life-history features of the live-bearing tetrapods (terrestrial placental mammals) that he studied. Among these correct predictions are the following. Brood size decreases with (adult) body mass, so that an elephant has fewer young (usually just one) per brood than a mouse. Lifespan increases with gestation period, and also with body mass, so that elephants live longer than mice, have a longer period of gestation, and are heavier. As a final example, fecundity decreases with lifespan, so long-lived kinds like elephants have fewer young in total than short-lived kinds like mice.
Classification of living things.
Aristotle distinguished about 500 species of animals, arranging these in the "History of Animals" in a graded scale of perfection, a nonreligious version of the "scala naturae", with man at the top. His system had eleven grades of animal, from highest potential to lowest, expressed in their form at birth: the highest gave live birth to hot and wet creatures, the lowest laid cold, dry mineral-like eggs. Animals came above plants, and these in turn were above minerals. He grouped what the modern zoologist would call vertebrates as the hotter "animals with blood", and below them the colder invertebrates as "animals without blood". Those with blood were divided into the live-bearing (mammals), and the egg-laying (birds, reptiles, fish). Those without blood were insects, crustacea (non-shelled – cephalopods, and shelled) and the hard-shelled molluscs (bivalves and gastropods). He recognised that animals did not exactly fit into a linear scale, and noted various exceptions, such as that sharks had a placenta like the tetrapods. To a modern biologist, the explanation, not available to Aristotle, is convergent evolution. Philosophers of science have generally concluded that Aristotle was not interested in taxonomy, but zoologists who studied this question recently think otherwise. He believed that purposive final causes guided all natural processes; this teleological view justified his observed data as an expression of formal design.
Psychology.
Soul.
Aristotle's psychology, given in his treatise "On the Soul" ("peri psychēs"), posits three kinds of soul ("psyches"): the vegetative soul, the sensitive soul, and the rational soul. Humans have a rational soul. The human soul incorporates the powers of the other kinds: Like the vegetative soul it can grow and nourish itself; like the sensitive soul it can experience sensations and move locally. The unique part of the human, rational soul is its ability to receive forms of other things and to compare them using the "nous" (intellect) and "logos" (reason).
For Aristotle, the soul is the form of a living being. Because all beings are composites of form and matter, the form of living beings is that which endows them with what is specific to living beings, e.g. the ability to initiate movement (or in the case of plants, growth and chemical transformations, which Aristotle considers types of movement). In contrast to earlier philosophers, but in accordance with the Egyptians, he placed the rational soul in the heart, rather than the brain. Notable is Aristotle's division of sensation and thought, which generally differed from the concepts of previous philosophers, with the exception of Alcmaeon.
In "On the Soul", Aristotle famously criticizes Plato's theory of the soul and develops his own in response to Plato's. The first criticism is against Plato's view of the soul in the "Timaeus" that the soul takes up space and is able to come into physical contact with bodies. 20th-century scholarship overwhelmingly opposed Aristotle's interpretation of Plato and maintained that he had misunderstood Plato. Today's scholars have tended to re-assess Aristotle's interpretation and have warmed up to it. Aristotle's other criticism is that Plato's view of reincarnation entails that it is possible for a soul and its body to be mis-matched; in principle, Aristotle alleges, any soul can go with any body, according to Plato's theory. Aristotle's claim that the soul is the form of a living being is meant to eliminate that possibility and thus rule out reincarnation.
Memory.
According to Aristotle in "On the Soul", memory is the ability to hold a perceived experience in the mind and to distinguish between the internal "appearance" and an occurrence in the past. In other words, a memory is a mental picture (phantasm) that can be recovered. Aristotle believed an impression is left on a semi-fluid bodily organ that undergoes several changes in order to make a memory. A memory occurs when stimuli such as sights or sounds are so complex that the nervous system cannot receive all the impressions at once. These changes are the same as those involved in the operations of sensation, Aristotelian , and thinking.
Aristotle uses the term 'memory' for the actual retaining of an experience in the impression that can develop from sensation, and for the intellectual anxiety that comes with the impression because it is formed at a particular time and processing specific contents. Memory is of the past, prediction is of the future, and sensation is of the present. Retrieval of impressions cannot be performed suddenly. A transitional channel is needed and located in past experiences, both for previous experience and present experience.
Because Aristotle believes people receive all kinds of sense perceptions and perceive them as impressions, people are continually weaving together new impressions of experiences. To search for these impressions, people search the memory itself. Within the memory, if one experience is offered instead of a specific memory, that person will reject this experience until they find what they are looking for. Recollection occurs when one retrieved experience naturally follows another. If the chain of "images" is needed, one memory will stimulate the next. When people recall experiences, they stimulate certain previous experiences until they reach the one that is needed. Recollection is thus the self-directed activity of retrieving the information stored in a memory impression. Only humans can remember impressions of intellectual activity, such as numbers and words. Animals that have perception of time can retrieve memories of their past observations. Remembering involves only perception of the things remembered and of the time passed.
Aristotle believed the chain of thought, which ends in recollection of certain impressions, was connected systematically in relationships such as similarity, contrast, and contiguity, described in his laws of association. Aristotle believed that past experiences are hidden within the mind. A force operates to awaken the hidden material to bring up the actual experience. According to Aristotle, association is the power innate in a mental state, which operates upon the unexpressed remains of former experiences, allowing them to rise and be recalled.
Dreams.
Aristotle describes sleep in "On Sleep and Wakefulness". Sleep takes place as a result of overuse of the senses or of digestion, so it is vital to the body. While a person is asleep, the critical activities, which include thinking, sensing, recalling and remembering, do not function as they do during wakefulness. Since a person cannot sense during sleep they cannot have desire, which is the result of sensation. However, the senses are able to work during sleep, albeit differently, unless they are weary.
Dreams do not involve actually sensing a stimulus. In dreams, sensation is still involved, but in an altered manner. Aristotle explains that when a person stares at a moving stimulus such as the waves in a body of water, and then looks away, the next thing they look at appears to have a wavelike motion. When a person perceives a stimulus and the stimulus is no longer the focus of their attention, it leaves an impression. When the body is awake and the senses are functioning properly, a person constantly encounters new stimuli to sense and so the impressions of previously perceived stimuli are ignored. However, during sleep the impressions made throughout the day are noticed as there are no new distracting sensory experiences. So, dreams result from these lasting impressions. Since impressions are all that are left and not the exact stimuli, dreams do not resemble the actual waking experience. During sleep, a person is in an altered state of mind. Aristotle compares a sleeping person to a person who is overtaken by strong feelings toward a stimulus. For example, a person who has a strong infatuation with someone may begin to think they see that person everywhere because they are so overtaken by their feelings. Since a person sleeping is in a suggestible state and unable to make judgements, they become easily deceived by what appears in their dreams, like the infatuated person. This leads the person to believe the dream is real, even when the dreams are absurd in nature. In "De Anima" iii 3, Aristotle ascribes the ability to create, to store, and to recall images in the absence of perception to the faculty of imagination, "phantasia".
One component of Aristotle's theory of dreams disagrees with previously held beliefs. He claimed that dreams are not foretelling and not sent by a divine being. Aristotle reasoned naturalistically that instances in which dreams do resemble future events are simply coincidences. Aristotle claimed that a dream is first established by the fact that the person is asleep when they experience it. If a person had an image appear for a moment after waking up or if they see something in the dark it is not considered a dream because they were awake when it occurred. Secondly, any sensory experience that is perceived while a person is asleep does not qualify as part of a dream. For example, if, while a person is sleeping, a door shuts and in their dream they hear a door is shut, this sensory experience is not part of the dream. Lastly, the images of dreams must be a result of lasting impressions of waking sensory experiences.
Physics.
Five elements.
In his "On Generation and Corruption", Aristotle related each of the four elements proposed earlier by Empedocles, earth, water, air, and fire, to two of the four sensible qualities, hot, cold, wet, and dry. In the Empedoclean scheme, all matter was made of the four elements, in differing proportions. Aristotle's scheme added the heavenly aether, the divine substance of the heavenly spheres, stars and planets.
Motion.
Aristotle describes two kinds of motion: "violent" or "unnatural motion", such as that of a thrown stone, in the "Physics" (254b10), and "natural motion", such as of a falling object, in "On the Heavens" (300a20). In violent motion, as soon as the agent stops causing it, the motion stops also: in other words, the natural state of an object is to be at rest, since Aristotle does not address friction. With this understanding, it can be observed that, as Aristotle stated, heavy objects (on the ground, say) require more force to make them move; and objects pushed with greater force move faster. This would imply the equation
incorrect in modern physics.
Natural motion depends on the element concerned: the aether naturally moves in a circle around the heavens, while the 4 Empedoclean elements move vertically up (like fire, as is observed) or down (like earth) towards their natural resting places.
In the "Physics" (215a25), Aristotle effectively states a quantitative law, that the speed, v, of a falling body is proportional (say, with constant c) to its weight, W, and inversely proportional to the density, ρ, of the fluid in which it is falling:;
Aristotle implies that in a vacuum the speed of fall would become infinite, and concludes from this apparent absurdity that a vacuum is not possible. Opinions have varied on whether Aristotle intended to state quantitative laws. Henri Carteron held the "extreme view" that Aristotle's concept of force was basically qualitative, but other authors reject this.
Archimedes corrected Aristotle's theory that bodies move towards their natural resting places; metal boats can float if they displace enough water; floating depends in Archimedes' scheme on the mass and volume of the object, not, as Aristotle thought, its elementary composition.
Aristotle's writings on motion remained influential until the Early Modern period. John Philoponus (in the Middle Ages) and Galileo are said to have shown by experiment that Aristotle's claim that a heavier object falls faster than a lighter object is incorrect. A contrary opinion is given by Carlo Rovelli, who argues that Aristotle's physics of motion is correct within its domain of validity, that of objects in the Earth's gravitational field immersed in a fluid such as air. In this system, heavy bodies in steady fall indeed travel faster than light ones (whether friction is ignored, or not), and they do fall more slowly in a denser medium.
Newton's "forced" motion corresponds to Aristotle's "violent" motion with its external agent, but Aristotle's assumption that the agent's effect stops immediately it stops acting (e.g., the ball leaves the thrower's hand) has awkward consequences: he has to suppose that surrounding fluid helps to push the ball along to make it continue to rise even though the hand is no longer acting on it, resulting in the Medieval theory of impetus.
Four causes.
Aristotle suggested that the reason for anything coming about can be attributed to four different types of simultaneously active factors. His term "aitia" is traditionally translated as "cause", but it does not always refer to temporal sequence; it might be better translated as "explanation", but the traditional rendering will be employed here.
Optics.
Aristotle describes experiments in optics using a camera obscura in "Problems", book 15. The apparatus consisted of a dark chamber with a small aperture that let light in. With it, he saw that whatever shape he made the hole, the sun's image always remained circular. He also noted that increasing the distance between the aperture and the image surface magnified the image.
Chance and spontaneity.
According to Aristotle, spontaneity and chance are causes of some things, distinguishable from other types of cause such as simple necessity. Chance as an incidental cause lies in the realm of accidental things, "from what is spontaneous". There is also more a specific kind of chance, which Aristotle names "luck", that only applies to people's moral choices.
Five elements.
In his "On Generation and Corruption", Aristotle related each of the four elements proposed earlier by Empedocles, earth, water, air, and fire, to two of the four sensible qualities, hot, cold, wet, and dry. In the Empedoclean scheme, all matter was made of the four elements, in differing proportions. Aristotle's scheme added the heavenly aether, the divine substance of the heavenly spheres, stars and planets.
Motion.
Aristotle describes two kinds of motion: "violent" or "unnatural motion", such as that of a thrown stone, in the "Physics" (254b10), and "natural motion", such as of a falling object, in "On the Heavens" (300a20). In violent motion, as soon as the agent stops causing it, the motion stops also: in other words, the natural state of an object is to be at rest, since Aristotle does not address friction. With this understanding, it can be observed that, as Aristotle stated, heavy objects (on the ground, say) require more force to make them move; and objects pushed with greater force move faster. This would imply the equation
incorrect in modern physics.
Natural motion depends on the element concerned: the aether naturally moves in a circle around the heavens, while the 4 Empedoclean elements move vertically up (like fire, as is observed) or down (like earth) towards their natural resting places.
In the "Physics" (215a25), Aristotle effectively states a quantitative law, that the speed, v, of a falling body is proportional (say, with constant c) to its weight, W, and inversely proportional to the density, ρ, of the fluid in which it is falling:;
Aristotle implies that in a vacuum the speed of fall would become infinite, and concludes from this apparent absurdity that a vacuum is not possible. Opinions have varied on whether Aristotle intended to state quantitative laws. Henri Carteron held the "extreme view" that Aristotle's concept of force was basically qualitative, but other authors reject this.
Archimedes corrected Aristotle's theory that bodies move towards their natural resting places; metal boats can float if they displace enough water; floating depends in Archimedes' scheme on the mass and volume of the object, not, as Aristotle thought, its elementary composition.
Aristotle's writings on motion remained influential until the Early Modern period. John Philoponus (in the Middle Ages) and Galileo are said to have shown by experiment that Aristotle's claim that a heavier object falls faster than a lighter object is incorrect. A contrary opinion is given by Carlo Rovelli, who argues that Aristotle's physics of motion is correct within its domain of validity, that of objects in the Earth's gravitational field immersed in a fluid such as air. In this system, heavy bodies in steady fall indeed travel faster than light ones (whether friction is ignored, or not), and they do fall more slowly in a denser medium.
Newton's "forced" motion corresponds to Aristotle's "violent" motion with its external agent, but Aristotle's assumption that the agent's effect stops immediately it stops acting (e.g., the ball leaves the thrower's hand) has awkward consequences: he has to suppose that surrounding fluid helps to push the ball along to make it continue to rise even though the hand is no longer acting on it, resulting in the Medieval theory of impetus.
Four causes.
Aristotle suggested that the reason for anything coming about can be attributed to four different types of simultaneously active factors. His term "aitia" is traditionally translated as "cause", but it does not always refer to temporal sequence; it might be better translated as "explanation", but the traditional rendering will be employed here.
Optics.
Aristotle describes experiments in optics using a camera obscura in "Problems", book 15. The apparatus consisted of a dark chamber with a small aperture that let light in. With it, he saw that whatever shape he made the hole, the sun's image always remained circular. He also noted that increasing the distance between the aperture and the image surface magnified the image.
Chance and spontaneity.
According to Aristotle, spontaneity and chance are causes of some things, distinguishable from other types of cause such as simple necessity. Chance as an incidental cause lies in the realm of accidental things, "from what is spontaneous". There is also more a specific kind of chance, which Aristotle names "luck", that only applies to people's moral choices.
Astronomy.
In astronomy, Aristotle refuted Democritus's claim that the Milky Way was made up of "those stars which are shaded by the earth from the sun's rays," pointing out correctly that if "the size of the sun is greater than that of the earth and the distance of the stars from the earth many times greater than that of the sun, then... the sun shines on all the stars and the earth screens none of them."
Geology and natural sciences.
Aristotle was one of the first people to record any geological observations. He stated that geological change was too slow to be observed in one person's lifetime.
The geologist Charles Lyell noted that Aristotle described such change, including "lakes that had dried up" and "deserts that had become watered by rivers", giving as examples the growth of the Nile delta since the time of Homer, and "the upheaving of one of the Aeolian islands, previous to a volcanic eruption."'
Aristotle also made many observations about the hydrologic cycle and meteorology (including his major writings "Meteorologica"). For example, he made some of the earliest observations about desalination: he observed early – and correctly – that when seawater is heated, freshwater evaporates and that the oceans are then replenished by the cycle of rainfall and river runoff ("I have proved by experiment that salt water evaporated forms fresh and the vapor does not when it condenses condense into sea water again.")
Biology.
Empirical research.
Aristotle was the first person to study biology systematically, and biology forms a large part of his writings. He spent two years observing and describing the zoology of Lesbos and the surrounding seas, including in particular the Pyrrha lagoon in the centre of Lesbos. His data in "History of Animals", "Generation of Animals", "Movement of Animals", and "Parts of Animals" are assembled from his own observations, statements given by people with specialized knowledge such as beekeepers and fishermen, and less accurate accounts provided by travellers from overseas. His apparent emphasis on animals rather than plants is a historical accident: his works on botany have been lost, but two books on plants by his pupil Theophrastus have survived.
Aristotle reports on the sea-life visible from observation on Lesbos and the catches of fishermen. He describes the catfish, electric ray, and frogfish in detail, as well as cephalopods such as the octopus and paper nautilus. His description of the hectocotyl arm of cephalopods, used in sexual reproduction, was widely disbelieved until the 19th century. He gives accurate descriptions of the four-chambered fore-stomachs of ruminants, and of the ovoviviparous embryological development of the hound shark.
He notes that an animal's structure is well matched to function, so, among birds, the heron, which lives in marshes with soft mud and lives by catching fish, has a long neck and long legs, and a sharp spear-like beak, whereas ducks that swim have short legs and webbed feet. Darwin, too, noted these sorts of differences between similar kinds of animal, but unlike Aristotle used the data to come to the theory of evolution. Aristotle's writings can seem to modern readers close to implying evolution, but while Aristotle was aware that new mutations or hybridizations could occur, he saw these as rare accidents. For Aristotle, accidents, like heat waves in winter, must be considered distinct from natural causes. He was thus critical of Empedocles's materialist theory of a "survival of the fittest" origin of living things and their organs, and ridiculed the idea that accidents could lead to orderly results. To put his views into modern terms, he nowhere says that different species can have a common ancestor, or that one kind can change into another, or that kinds can become extinct.
Scientific style.
Aristotle did not do experiments in the modern sense. He used the ancient Greek term "pepeiramenoi" to mean observations, or at most investigative procedures like dissection. In "Generation of Animals", he finds a fertilized hen's egg of a suitable stage and opens it to see the embryo's heart beating inside.
Instead, he practiced a different style of science: systematically gathering data, discovering patterns common to whole groups of animals, and inferring possible causal explanations from these.; This style is common in modern biology when large amounts of data become available in a new field, such as genomics. It does not result in the same certainty as experimental science, but it sets out testable hypotheses and constructs a narrative explanation of what is observed. In this sense, Aristotle's biology is scientific.
From the data he collected and documented, Aristotle inferred quite a number of rules relating the life-history features of the live-bearing tetrapods (terrestrial placental mammals) that he studied. Among these correct predictions are the following. Brood size decreases with (adult) body mass, so that an elephant has fewer young (usually just one) per brood than a mouse. Lifespan increases with gestation period, and also with body mass, so that elephants live longer than mice, have a longer period of gestation, and are heavier. As a final example, fecundity decreases with lifespan, so long-lived kinds like elephants have fewer young in total than short-lived kinds like mice.
Classification of living things.
Aristotle distinguished about 500 species of animals, arranging these in the "History of Animals" in a graded scale of perfection, a nonreligious version of the "scala naturae", with man at the top. His system had eleven grades of animal, from highest potential to lowest, expressed in their form at birth: the highest gave live birth to hot and wet creatures, the lowest laid cold, dry mineral-like eggs. Animals came above plants, and these in turn were above minerals. He grouped what the modern zoologist would call vertebrates as the hotter "animals with blood", and below them the colder invertebrates as "animals without blood". Those with blood were divided into the live-bearing (mammals), and the egg-laying (birds, reptiles, fish). Those without blood were insects, crustacea (non-shelled – cephalopods, and shelled) and the hard-shelled molluscs (bivalves and gastropods). He recognised that animals did not exactly fit into a linear scale, and noted various exceptions, such as that sharks had a placenta like the tetrapods. To a modern biologist, the explanation, not available to Aristotle, is convergent evolution. Philosophers of science have generally concluded that Aristotle was not interested in taxonomy, but zoologists who studied this question recently think otherwise. He believed that purposive final causes guided all natural processes; this teleological view justified his observed data as an expression of formal design.
Empirical research.
Aristotle was the first person to study biology systematically, and biology forms a large part of his writings. He spent two years observing and describing the zoology of Lesbos and the surrounding seas, including in particular the Pyrrha lagoon in the centre of Lesbos. His data in "History of Animals", "Generation of Animals", "Movement of Animals", and "Parts of Animals" are assembled from his own observations, statements given by people with specialized knowledge such as beekeepers and fishermen, and less accurate accounts provided by travellers from overseas. His apparent emphasis on animals rather than plants is a historical accident: his works on botany have been lost, but two books on plants by his pupil Theophrastus have survived.
Aristotle reports on the sea-life visible from observation on Lesbos and the catches of fishermen. He describes the catfish, electric ray, and frogfish in detail, as well as cephalopods such as the octopus and paper nautilus. His description of the hectocotyl arm of cephalopods, used in sexual reproduction, was widely disbelieved until the 19th century. He gives accurate descriptions of the four-chambered fore-stomachs of ruminants, and of the ovoviviparous embryological development of the hound shark.
He notes that an animal's structure is well matched to function, so, among birds, the heron, which lives in marshes with soft mud and lives by catching fish, has a long neck and long legs, and a sharp spear-like beak, whereas ducks that swim have short legs and webbed feet. Darwin, too, noted these sorts of differences between similar kinds of animal, but unlike Aristotle used the data to come to the theory of evolution. Aristotle's writings can seem to modern readers close to implying evolution, but while Aristotle was aware that new mutations or hybridizations could occur, he saw these as rare accidents. For Aristotle, accidents, like heat waves in winter, must be considered distinct from natural causes. He was thus critical of Empedocles's materialist theory of a "survival of the fittest" origin of living things and their organs, and ridiculed the idea that accidents could lead to orderly results. To put his views into modern terms, he nowhere says that different species can have a common ancestor, or that one kind can change into another, or that kinds can become extinct.
Scientific style.
Aristotle did not do experiments in the modern sense. He used the ancient Greek term "pepeiramenoi" to mean observations, or at most investigative procedures like dissection. In "Generation of Animals", he finds a fertilized hen's egg of a suitable stage and opens it to see the embryo's heart beating inside.
Instead, he practiced a different style of science: systematically gathering data, discovering patterns common to whole groups of animals, and inferring possible causal explanations from these.; This style is common in modern biology when large amounts of data become available in a new field, such as genomics. It does not result in the same certainty as experimental science, but it sets out testable hypotheses and constructs a narrative explanation of what is observed. In this sense, Aristotle's biology is scientific.
From the data he collected and documented, Aristotle inferred quite a number of rules relating the life-history features of the live-bearing tetrapods (terrestrial placental mammals) that he studied. Among these correct predictions are the following. Brood size decreases with (adult) body mass, so that an elephant has fewer young (usually just one) per brood than a mouse. Lifespan increases with gestation period, and also with body mass, so that elephants live longer than mice, have a longer period of gestation, and are heavier. As a final example, fecundity decreases with lifespan, so long-lived kinds like elephants have fewer young in total than short-lived kinds like mice.
Classification of living things.
Aristotle distinguished about 500 species of animals, arranging these in the "History of Animals" in a graded scale of perfection, a nonreligious version of the "scala naturae", with man at the top. His system had eleven grades of animal, from highest potential to lowest, expressed in their form at birth: the highest gave live birth to hot and wet creatures, the lowest laid cold, dry mineral-like eggs. Animals came above plants, and these in turn were above minerals. He grouped what the modern zoologist would call vertebrates as the hotter "animals with blood", and below them the colder invertebrates as "animals without blood". Those with blood were divided into the live-bearing (mammals), and the egg-laying (birds, reptiles, fish). Those without blood were insects, crustacea (non-shelled – cephalopods, and shelled) and the hard-shelled molluscs (bivalves and gastropods). He recognised that animals did not exactly fit into a linear scale, and noted various exceptions, such as that sharks had a placenta like the tetrapods. To a modern biologist, the explanation, not available to Aristotle, is convergent evolution. Philosophers of science have generally concluded that Aristotle was not interested in taxonomy, but zoologists who studied this question recently think otherwise. He believed that purposive final causes guided all natural processes; this teleological view justified his observed data as an expression of formal design.
Psychology.
Soul.
Aristotle's psychology, given in his treatise "On the Soul" ("peri psychēs"), posits three kinds of soul ("psyches"): the vegetative soul, the sensitive soul, and the rational soul. Humans have a rational soul. The human soul incorporates the powers of the other kinds: Like the vegetative soul it can grow and nourish itself; like the sensitive soul it can experience sensations and move locally. The unique part of the human, rational soul is its ability to receive forms of other things and to compare them using the "nous" (intellect) and "logos" (reason).
For Aristotle, the soul is the form of a living being. Because all beings are composites of form and matter, the form of living beings is that which endows them with what is specific to living beings, e.g. the ability to initiate movement (or in the case of plants, growth and chemical transformations, which Aristotle considers types of movement). In contrast to earlier philosophers, but in accordance with the Egyptians, he placed the rational soul in the heart, rather than the brain. Notable is Aristotle's division of sensation and thought, which generally differed from the concepts of previous philosophers, with the exception of Alcmaeon.
In "On the Soul", Aristotle famously criticizes Plato's theory of the soul and develops his own in response to Plato's. The first criticism is against Plato's view of the soul in the "Timaeus" that the soul takes up space and is able to come into physical contact with bodies. 20th-century scholarship overwhelmingly opposed Aristotle's interpretation of Plato and maintained that he had misunderstood Plato. Today's scholars have tended to re-assess Aristotle's interpretation and have warmed up to it. Aristotle's other criticism is that Plato's view of reincarnation entails that it is possible for a soul and its body to be mis-matched; in principle, Aristotle alleges, any soul can go with any body, according to Plato's theory. Aristotle's claim that the soul is the form of a living being is meant to eliminate that possibility and thus rule out reincarnation.
Memory.
According to Aristotle in "On the Soul", memory is the ability to hold a perceived experience in the mind and to distinguish between the internal "appearance" and an occurrence in the past. In other words, a memory is a mental picture (phantasm) that can be recovered. Aristotle believed an impression is left on a semi-fluid bodily organ that undergoes several changes in order to make a memory. A memory occurs when stimuli such as sights or sounds are so complex that the nervous system cannot receive all the impressions at once. These changes are the same as those involved in the operations of sensation, Aristotelian , and thinking.
Aristotle uses the term 'memory' for the actual retaining of an experience in the impression that can develop from sensation, and for the intellectual anxiety that comes with the impression because it is formed at a particular time and processing specific contents. Memory is of the past, prediction is of the future, and sensation is of the present. Retrieval of impressions cannot be performed suddenly. A transitional channel is needed and located in past experiences, both for previous experience and present experience.
Because Aristotle believes people receive all kinds of sense perceptions and perceive them as impressions, people are continually weaving together new impressions of experiences. To search for these impressions, people search the memory itself. Within the memory, if one experience is offered instead of a specific memory, that person will reject this experience until they find what they are looking for. Recollection occurs when one retrieved experience naturally follows another. If the chain of "images" is needed, one memory will stimulate the next. When people recall experiences, they stimulate certain previous experiences until they reach the one that is needed. Recollection is thus the self-directed activity of retrieving the information stored in a memory impression. Only humans can remember impressions of intellectual activity, such as numbers and words. Animals that have perception of time can retrieve memories of their past observations. Remembering involves only perception of the things remembered and of the time passed.
Aristotle believed the chain of thought, which ends in recollection of certain impressions, was connected systematically in relationships such as similarity, contrast, and contiguity, described in his laws of association. Aristotle believed that past experiences are hidden within the mind. A force operates to awaken the hidden material to bring up the actual experience. According to Aristotle, association is the power innate in a mental state, which operates upon the unexpressed remains of former experiences, allowing them to rise and be recalled.
Dreams.
Aristotle describes sleep in "On Sleep and Wakefulness". Sleep takes place as a result of overuse of the senses or of digestion, so it is vital to the body. While a person is asleep, the critical activities, which include thinking, sensing, recalling and remembering, do not function as they do during wakefulness. Since a person cannot sense during sleep they cannot have desire, which is the result of sensation. However, the senses are able to work during sleep, albeit differently, unless they are weary.
Dreams do not involve actually sensing a stimulus. In dreams, sensation is still involved, but in an altered manner. Aristotle explains that when a person stares at a moving stimulus such as the waves in a body of water, and then looks away, the next thing they look at appears to have a wavelike motion. When a person perceives a stimulus and the stimulus is no longer the focus of their attention, it leaves an impression. When the body is awake and the senses are functioning properly, a person constantly encounters new stimuli to sense and so the impressions of previously perceived stimuli are ignored. However, during sleep the impressions made throughout the day are noticed as there are no new distracting sensory experiences. So, dreams result from these lasting impressions. Since impressions are all that are left and not the exact stimuli, dreams do not resemble the actual waking experience. During sleep, a person is in an altered state of mind. Aristotle compares a sleeping person to a person who is overtaken by strong feelings toward a stimulus. For example, a person who has a strong infatuation with someone may begin to think they see that person everywhere because they are so overtaken by their feelings. Since a person sleeping is in a suggestible state and unable to make judgements, they become easily deceived by what appears in their dreams, like the infatuated person. This leads the person to believe the dream is real, even when the dreams are absurd in nature. In "De Anima" iii 3, Aristotle ascribes the ability to create, to store, and to recall images in the absence of perception to the faculty of imagination, "phantasia".
One component of Aristotle's theory of dreams disagrees with previously held beliefs. He claimed that dreams are not foretelling and not sent by a divine being. Aristotle reasoned naturalistically that instances in which dreams do resemble future events are simply coincidences. Aristotle claimed that a dream is first established by the fact that the person is asleep when they experience it. If a person had an image appear for a moment after waking up or if they see something in the dark it is not considered a dream because they were awake when it occurred. Secondly, any sensory experience that is perceived while a person is asleep does not qualify as part of a dream. For example, if, while a person is sleeping, a door shuts and in their dream they hear a door is shut, this sensory experience is not part of the dream. Lastly, the images of dreams must be a result of lasting impressions of waking sensory experiences.
Soul.
Aristotle's psychology, given in his treatise "On the Soul" ("peri psychēs"), posits three kinds of soul ("psyches"): the vegetative soul, the sensitive soul, and the rational soul. Humans have a rational soul. The human soul incorporates the powers of the other kinds: Like the vegetative soul it can grow and nourish itself; like the sensitive soul it can experience sensations and move locally. The unique part of the human, rational soul is its ability to receive forms of other things and to compare them using the "nous" (intellect) and "logos" (reason).
For Aristotle, the soul is the form of a living being. Because all beings are composites of form and matter, the form of living beings is that which endows them with what is specific to living beings, e.g. the ability to initiate movement (or in the case of plants, growth and chemical transformations, which Aristotle considers types of movement). In contrast to earlier philosophers, but in accordance with the Egyptians, he placed the rational soul in the heart, rather than the brain. Notable is Aristotle's division of sensation and thought, which generally differed from the concepts of previous philosophers, with the exception of Alcmaeon.
In "On the Soul", Aristotle famously criticizes Plato's theory of the soul and develops his own in response to Plato's. The first criticism is against Plato's view of the soul in the "Timaeus" that the soul takes up space and is able to come into physical contact with bodies. 20th-century scholarship overwhelmingly opposed Aristotle's interpretation of Plato and maintained that he had misunderstood Plato. Today's scholars have tended to re-assess Aristotle's interpretation and have warmed up to it. Aristotle's other criticism is that Plato's view of reincarnation entails that it is possible for a soul and its body to be mis-matched; in principle, Aristotle alleges, any soul can go with any body, according to Plato's theory. Aristotle's claim that the soul is the form of a living being is meant to eliminate that possibility and thus rule out reincarnation.
Memory.
According to Aristotle in "On the Soul", memory is the ability to hold a perceived experience in the mind and to distinguish between the internal "appearance" and an occurrence in the past. In other words, a memory is a mental picture (phantasm) that can be recovered. Aristotle believed an impression is left on a semi-fluid bodily organ that undergoes several changes in order to make a memory. A memory occurs when stimuli such as sights or sounds are so complex that the nervous system cannot receive all the impressions at once. These changes are the same as those involved in the operations of sensation, Aristotelian , and thinking.
Aristotle uses the term 'memory' for the actual retaining of an experience in the impression that can develop from sensation, and for the intellectual anxiety that comes with the impression because it is formed at a particular time and processing specific contents. Memory is of the past, prediction is of the future, and sensation is of the present. Retrieval of impressions cannot be performed suddenly. A transitional channel is needed and located in past experiences, both for previous experience and present experience.
Because Aristotle believes people receive all kinds of sense perceptions and perceive them as impressions, people are continually weaving together new impressions of experiences. To search for these impressions, people search the memory itself. Within the memory, if one experience is offered instead of a specific memory, that person will reject this experience until they find what they are looking for. Recollection occurs when one retrieved experience naturally follows another. If the chain of "images" is needed, one memory will stimulate the next. When people recall experiences, they stimulate certain previous experiences until they reach the one that is needed. Recollection is thus the self-directed activity of retrieving the information stored in a memory impression. Only humans can remember impressions of intellectual activity, such as numbers and words. Animals that have perception of time can retrieve memories of their past observations. Remembering involves only perception of the things remembered and of the time passed.
Aristotle believed the chain of thought, which ends in recollection of certain impressions, was connected systematically in relationships such as similarity, contrast, and contiguity, described in his laws of association. Aristotle believed that past experiences are hidden within the mind. A force operates to awaken the hidden material to bring up the actual experience. According to Aristotle, association is the power innate in a mental state, which operates upon the unexpressed remains of former experiences, allowing them to rise and be recalled.
Dreams.
Aristotle describes sleep in "On Sleep and Wakefulness". Sleep takes place as a result of overuse of the senses or of digestion, so it is vital to the body. While a person is asleep, the critical activities, which include thinking, sensing, recalling and remembering, do not function as they do during wakefulness. Since a person cannot sense during sleep they cannot have desire, which is the result of sensation. However, the senses are able to work during sleep, albeit differently, unless they are weary.
Dreams do not involve actually sensing a stimulus. In dreams, sensation is still involved, but in an altered manner. Aristotle explains that when a person stares at a moving stimulus such as the waves in a body of water, and then looks away, the next thing they look at appears to have a wavelike motion. When a person perceives a stimulus and the stimulus is no longer the focus of their attention, it leaves an impression. When the body is awake and the senses are functioning properly, a person constantly encounters new stimuli to sense and so the impressions of previously perceived stimuli are ignored. However, during sleep the impressions made throughout the day are noticed as there are no new distracting sensory experiences. So, dreams result from these lasting impressions. Since impressions are all that are left and not the exact stimuli, dreams do not resemble the actual waking experience. During sleep, a person is in an altered state of mind. Aristotle compares a sleeping person to a person who is overtaken by strong feelings toward a stimulus. For example, a person who has a strong infatuation with someone may begin to think they see that person everywhere because they are so overtaken by their feelings. Since a person sleeping is in a suggestible state and unable to make judgements, they become easily deceived by what appears in their dreams, like the infatuated person. This leads the person to believe the dream is real, even when the dreams are absurd in nature. In "De Anima" iii 3, Aristotle ascribes the ability to create, to store, and to recall images in the absence of perception to the faculty of imagination, "phantasia".
One component of Aristotle's theory of dreams disagrees with previously held beliefs. He claimed that dreams are not foretelling and not sent by a divine being. Aristotle reasoned naturalistically that instances in which dreams do resemble future events are simply coincidences. Aristotle claimed that a dream is first established by the fact that the person is asleep when they experience it. If a person had an image appear for a moment after waking up or if they see something in the dark it is not considered a dream because they were awake when it occurred. Secondly, any sensory experience that is perceived while a person is asleep does not qualify as part of a dream. For example, if, while a person is sleeping, a door shuts and in their dream they hear a door is shut, this sensory experience is not part of the dream. Lastly, the images of dreams must be a result of lasting impressions of waking sensory experiences.
Practical philosophy.
Aristotle's practical philosophy covers areas such as ethics, politics, economics, and rhetoric.
Ethics.
Aristotle considered ethics to be a practical rather than theoretical study, i.e., one aimed at becoming good and doing good rather than knowing for its own sake. He wrote several treatises on ethics, most notably including the "Nicomachean Ethics".
Aristotle taught that virtue has to do with the proper function ("ergon") of a thing. An eye is only a good eye in so much as it can see, because the proper function of an eye is sight. Aristotle reasoned that humans must have a function specific to humans, and that this function must be an activity of the "psuchē" ("soul") in accordance with reason ("logos"). Aristotle identified such an optimum activity (the virtuous mean, between the accompanying vices of excess or deficiency) of the soul as the aim of all human deliberate action, "eudaimonia", generally translated as "happiness" or sometimes "well-being". To have the potential of ever being happy in this way necessarily requires a good character ("ēthikē" "aretē"), often translated as moral or ethical virtue or excellence.
Aristotle taught that to achieve a virtuous and potentially happy character requires a first stage of having the fortune to be habituated not deliberately, but by teachers, and experience, leading to a later stage in which one consciously chooses to do the best things. When the best people come to live life this way their practical wisdom ("phronesis") and their intellect ("nous") can develop with each other towards the highest possible human virtue, the wisdom of an accomplished theoretical or speculative thinker, or in other words, a philosopher.
Politics.
In addition to his works on ethics, which address the individual, Aristotle addressed the city in his work titled "Politics". Aristotle considered the city to be a natural community. Moreover, he considered the city to be prior in importance to the family, which in turn is prior to the individual, "for the whole must of necessity be prior to the part". He famously stated that "man is by nature a political animal" and argued that humanity's defining factor among others in the animal kingdom is its rationality. Aristotle conceived of politics as being like an organism rather than like a machine, and as a collection of parts none of which can exist without the others. Aristotle's conception of the city is organic, and he is considered one of the first to conceive of the city in this manner.
The common modern understanding of a political community as a modern state is quite different from Aristotle's understanding. Although he was aware of the existence and potential of larger empires, the natural community according to Aristotle was the city ("polis") which functions as a political "community" or "partnership" ("koinōnia"). The aim of the city is not just to avoid injustice or for economic stability, but rather to allow at least some citizens the possibility to live a good life, and to perform beautiful acts: "The political partnership must be regarded, therefore, as being for the sake of noble actions, not for the sake of living together." This is distinguished from modern approaches, beginning with social contract theory, according to which individuals leave the state of nature because of "fear of violent death" or its "inconveniences".
In "Protrepticus", the character 'Aristotle' states:
As Plato's disciple Aristotle was rather critical concerning democracy and, following the outline of certain ideas from Plato's "Statesman", he developed a coherent theory of integrating various forms of power into a so-called mixed state:
To illustrate this approach, Aristotle proposed a first-of-its-kind mathematical model of voting, albeit textually described, where the democratic principle of "one voter–one vote" is combined with the oligarchic "merit-weighted voting"; for relevant quotes and their translation into mathematical formulas see.
Economics.
Aristotle made substantial contributions to economic thought, especially to thought in the Middle Ages. In "Politics", Aristotle addresses the city, property, and trade. His response to criticisms of private property, in Lionel Robbins's view, anticipated later proponents of private property among philosophers and economists, as it related to the overall utility of social arrangements. Aristotle believed that although communal arrangements may seem beneficial to society, and that although private property is often blamed for social strife, such evils in fact come from human nature. In "Politics", Aristotle offers one of the earliest accounts of the origin of money. Money came into use because people became dependent on one another, importing what they needed and exporting the surplus. For the sake of convenience, people then agreed to deal in something that is intrinsically useful and easily applicable, such as iron or silver.
Aristotle's discussions on retail and interest was a major influence on economic thought in the Middle Ages. He had a low opinion of retail, believing that contrary to using money to procure things one needs in managing the household, retail trade seeks to make a profit. It thus uses goods as a means to an end, rather than as an end unto itself. He believed that retail trade was in this way unnatural. Similarly, Aristotle considered making a profit through interest unnatural, as it makes a gain out of the money itself, and not from its use.
Aristotle gave a summary of the function of money that was perhaps remarkably precocious for his time. He wrote that because it is impossible to determine the value of every good through a count of the number of other goods it is worth, the necessity arises of a single universal standard of measurement. Money thus allows for the association of different goods and makes them "commensurable". He goes on to state that money is also useful for future exchange, making it a sort of security. That is, "if we do not want a thing now, we shall be able to get it when we do want it".
Rhetoric and poetics.
Aristotle's "Rhetoric" proposes that a speaker can use three basic kinds of appeals to persuade his audience: "ethos" (an appeal to the speaker's character), "pathos" (an appeal to the audience's emotion), and "logos" (an appeal to logical reasoning). He also categorizes rhetoric into three genres: epideictic (ceremonial speeches dealing with praise or blame), forensic (judicial speeches over guilt or innocence), and deliberative (speeches calling on an audience to make a decision on an issue). Aristotle also outlines two kinds of rhetorical proofs: "enthymeme" (proof by syllogism) and "paradeigma" (proof by example).
Aristotle writes in his "Poetics" that epic poetry, tragedy, comedy, dithyrambic poetry, painting, sculpture, music, and dance are all fundamentally acts of "mimesis" ("imitation"), each varying in imitation by medium, object, and manner. He applies the term "mimesis" both as a property of a work of art and also as the product of the artist's intention and contends that the audience's realisation of the "mimesis" is vital to understanding the work itself. Aristotle states that "mimesis" is a natural instinct of humanity that separates humans from animals and that all human artistry "follows the pattern of nature". Because of this, Aristotle believed that each of the mimetic arts possesses what Stephen Halliwell calls "highly structured procedures for the achievement of their purposes." For example, music imitates with the media of rhythm and harmony, whereas dance imitates with rhythm alone, and poetry with language. The forms also differ in their object of imitation. Comedy, for instance, is a dramatic imitation of men worse than average; whereas tragedy imitates men slightly better than average. Lastly, the forms differ in their manner of imitation – through narrative or character, through change or no change, and through drama or no drama.
While it is believed that Aristotle's "Poetics" originally comprised two books – one on comedy and one on tragedy – only the portion that focuses on tragedy has survived. Aristotle taught that tragedy is composed of six elements: plot-structure, character, style, thought, spectacle, and lyric poetry. The characters in a tragedy are merely a means of driving the story; and the plot, not the characters, is the chief focus of tragedy. Tragedy is the imitation of action arousing pity and fear, and is meant to effect the catharsis of those same emotions. Aristotle concludes "Poetics" with a discussion on which, if either, is superior: epic or tragic mimesis. He suggests that because tragedy possesses all the attributes of an epic, possibly possesses additional attributes such as spectacle and music, is more unified, and achieves the aim of its mimesis in shorter scope, it can be considered superior to epic. Aristotle was a keen systematic collector of riddles, folklore, and proverbs; he and his school had a special interest in the riddles of the Delphic Oracle and studied the fables of Aesop.
Views on women.
Aristotle's analysis of procreation describes an active, ensouling masculine element bringing life to an inert, passive female element. The biological differences are a result of the fact that the female body is well-suited for reproduction, which changes her body temperature, which in turn makes her, in Aristotle's view, incapable of participating in political life. On this ground, proponents of feminist metaphysics have accused Aristotle of misogyny and sexism. However, Aristotle gave equal weight to women's happiness as he did to men's, and commented in his "Rhetoric" that the things that lead to happiness need to be in women as well as men.
Ethics.
Aristotle considered ethics to be a practical rather than theoretical study, i.e., one aimed at becoming good and doing good rather than knowing for its own sake. He wrote several treatises on ethics, most notably including the "Nicomachean Ethics".
Aristotle taught that virtue has to do with the proper function ("ergon") of a thing. An eye is only a good eye in so much as it can see, because the proper function of an eye is sight. Aristotle reasoned that humans must have a function specific to humans, and that this function must be an activity of the "psuchē" ("soul") in accordance with reason ("logos"). Aristotle identified such an optimum activity (the virtuous mean, between the accompanying vices of excess or deficiency) of the soul as the aim of all human deliberate action, "eudaimonia", generally translated as "happiness" or sometimes "well-being". To have the potential of ever being happy in this way necessarily requires a good character ("ēthikē" "aretē"), often translated as moral or ethical virtue or excellence.
Aristotle taught that to achieve a virtuous and potentially happy character requires a first stage of having the fortune to be habituated not deliberately, but by teachers, and experience, leading to a later stage in which one consciously chooses to do the best things. When the best people come to live life this way their practical wisdom ("phronesis") and their intellect ("nous") can develop with each other towards the highest possible human virtue, the wisdom of an accomplished theoretical or speculative thinker, or in other words, a philosopher.
Politics.
In addition to his works on ethics, which address the individual, Aristotle addressed the city in his work titled "Politics". Aristotle considered the city to be a natural community. Moreover, he considered the city to be prior in importance to the family, which in turn is prior to the individual, "for the whole must of necessity be prior to the part". He famously stated that "man is by nature a political animal" and argued that humanity's defining factor among others in the animal kingdom is its rationality. Aristotle conceived of politics as being like an organism rather than like a machine, and as a collection of parts none of which can exist without the others. Aristotle's conception of the city is organic, and he is considered one of the first to conceive of the city in this manner.
The common modern understanding of a political community as a modern state is quite different from Aristotle's understanding. Although he was aware of the existence and potential of larger empires, the natural community according to Aristotle was the city ("polis") which functions as a political "community" or "partnership" ("koinōnia"). The aim of the city is not just to avoid injustice or for economic stability, but rather to allow at least some citizens the possibility to live a good life, and to perform beautiful acts: "The political partnership must be regarded, therefore, as being for the sake of noble actions, not for the sake of living together." This is distinguished from modern approaches, beginning with social contract theory, according to which individuals leave the state of nature because of "fear of violent death" or its "inconveniences".
In "Protrepticus", the character 'Aristotle' states:
As Plato's disciple Aristotle was rather critical concerning democracy and, following the outline of certain ideas from Plato's "Statesman", he developed a coherent theory of integrating various forms of power into a so-called mixed state:
To illustrate this approach, Aristotle proposed a first-of-its-kind mathematical model of voting, albeit textually described, where the democratic principle of "one voter–one vote" is combined with the oligarchic "merit-weighted voting"; for relevant quotes and their translation into mathematical formulas see.
Economics.
Aristotle made substantial contributions to economic thought, especially to thought in the Middle Ages. In "Politics", Aristotle addresses the city, property, and trade. His response to criticisms of private property, in Lionel Robbins's view, anticipated later proponents of private property among philosophers and economists, as it related to the overall utility of social arrangements. Aristotle believed that although communal arrangements may seem beneficial to society, and that although private property is often blamed for social strife, such evils in fact come from human nature. In "Politics", Aristotle offers one of the earliest accounts of the origin of money. Money came into use because people became dependent on one another, importing what they needed and exporting the surplus. For the sake of convenience, people then agreed to deal in something that is intrinsically useful and easily applicable, such as iron or silver.
Aristotle's discussions on retail and interest was a major influence on economic thought in the Middle Ages. He had a low opinion of retail, believing that contrary to using money to procure things one needs in managing the household, retail trade seeks to make a profit. It thus uses goods as a means to an end, rather than as an end unto itself. He believed that retail trade was in this way unnatural. Similarly, Aristotle considered making a profit through interest unnatural, as it makes a gain out of the money itself, and not from its use.
Aristotle gave a summary of the function of money that was perhaps remarkably precocious for his time. He wrote that because it is impossible to determine the value of every good through a count of the number of other goods it is worth, the necessity arises of a single universal standard of measurement. Money thus allows for the association of different goods and makes them "commensurable". He goes on to state that money is also useful for future exchange, making it a sort of security. That is, "if we do not want a thing now, we shall be able to get it when we do want it".
Rhetoric and poetics.
Aristotle's "Rhetoric" proposes that a speaker can use three basic kinds of appeals to persuade his audience: "ethos" (an appeal to the speaker's character), "pathos" (an appeal to the audience's emotion), and "logos" (an appeal to logical reasoning). He also categorizes rhetoric into three genres: epideictic (ceremonial speeches dealing with praise or blame), forensic (judicial speeches over guilt or innocence), and deliberative (speeches calling on an audience to make a decision on an issue). Aristotle also outlines two kinds of rhetorical proofs: "enthymeme" (proof by syllogism) and "paradeigma" (proof by example).
Aristotle writes in his "Poetics" that epic poetry, tragedy, comedy, dithyrambic poetry, painting, sculpture, music, and dance are all fundamentally acts of "mimesis" ("imitation"), each varying in imitation by medium, object, and manner. He applies the term "mimesis" both as a property of a work of art and also as the product of the artist's intention and contends that the audience's realisation of the "mimesis" is vital to understanding the work itself. Aristotle states that "mimesis" is a natural instinct of humanity that separates humans from animals and that all human artistry "follows the pattern of nature". Because of this, Aristotle believed that each of the mimetic arts possesses what Stephen Halliwell calls "highly structured procedures for the achievement of their purposes." For example, music imitates with the media of rhythm and harmony, whereas dance imitates with rhythm alone, and poetry with language. The forms also differ in their object of imitation. Comedy, for instance, is a dramatic imitation of men worse than average; whereas tragedy imitates men slightly better than average. Lastly, the forms differ in their manner of imitation – through narrative or character, through change or no change, and through drama or no drama.
While it is believed that Aristotle's "Poetics" originally comprised two books – one on comedy and one on tragedy – only the portion that focuses on tragedy has survived. Aristotle taught that tragedy is composed of six elements: plot-structure, character, style, thought, spectacle, and lyric poetry. The characters in a tragedy are merely a means of driving the story; and the plot, not the characters, is the chief focus of tragedy. Tragedy is the imitation of action arousing pity and fear, and is meant to effect the catharsis of those same emotions. Aristotle concludes "Poetics" with a discussion on which, if either, is superior: epic or tragic mimesis. He suggests that because tragedy possesses all the attributes of an epic, possibly possesses additional attributes such as spectacle and music, is more unified, and achieves the aim of its mimesis in shorter scope, it can be considered superior to epic. Aristotle was a keen systematic collector of riddles, folklore, and proverbs; he and his school had a special interest in the riddles of the Delphic Oracle and studied the fables of Aesop.
Views on women.
Aristotle's analysis of procreation describes an active, ensouling masculine element bringing life to an inert, passive female element. The biological differences are a result of the fact that the female body is well-suited for reproduction, which changes her body temperature, which in turn makes her, in Aristotle's view, incapable of participating in political life. On this ground, proponents of feminist metaphysics have accused Aristotle of misogyny and sexism. However, Aristotle gave equal weight to women's happiness as he did to men's, and commented in his "Rhetoric" that the things that lead to happiness need to be in women as well as men.
Influence.
More than 2300 years after his death, Aristotle remains one of the most influential people who ever lived. He contributed to almost every field of human knowledge then in existence, and he was the founder of many new fields. According to the philosopher Bryan Magee, "it is doubtful whether any human being has ever known as much as he did". Among countless other achievements, Aristotle was the founder of formal logic, pioneered the study of zoology, and left every future scientist and philosopher in his debt through his contributions to the scientific method. Taneli Kukkonen, writing in "The Classical Tradition", observes that his achievement in founding two sciences is unmatched, and his reach in influencing "every branch of intellectual enterprise" including Western ethical and political theory, theology, rhetoric and literary analysis is equally long. As a result, Kukkonen argues, any analysis of reality today "will almost certainly carry Aristotelian overtones ... evidence of an exceptionally forceful mind." Jonathan Barnes wrote that "an account of Aristotle's intellectual afterlife would be little less than a history of European thought".
On his successor, Theophrastus.
Aristotle's pupil and successor, Theophrastus, wrote the "History of Plants", a pioneering work in botany. Some of his technical terms remain in use, such as carpel from "carpos", fruit, and pericarp, from "pericarpion", seed chamber.
Theophrastus was much less concerned with formal causes than Aristotle was, instead pragmatically describing how plants functioned.
On later Greek philosophers.
The immediate influence of Aristotle's work was felt as the Lyceum grew into the Peripatetic school. Aristotle's students included Aristoxenus, Dicaearchus, Demetrius of Phalerum, Eudemos of Rhodes, Harpalus, Hephaestion, Mnason of Phocis, Nicomachus, and Theophrastus. Aristotle's influence over Alexander the Great is seen in the latter's bringing with him on his expedition a host of zoologists, botanists, and researchers. He had also learned a great deal about Persian customs and traditions from his teacher. Although his respect for Aristotle was diminished as his travels made it clear that much of Aristotle's geography was clearly wrong, when the old philosopher released his works to the public, Alexander complained "Thou hast not done well to publish thy acroamatic doctrines; for in what shall I surpass other men if those doctrines wherein I have been trained are to be all men's common property?"
On Hellenistic science.
After Theophrastus, the Lyceum failed to produce any original work. Though interest in Aristotle's ideas survived, they were generally taken unquestioningly. It is not until the age of Alexandria under the Ptolemies that advances in biology can be again found.
The first medical teacher at Alexandria, Herophilus of Chalcedon, corrected Aristotle, placing intelligence in the brain, and connected the nervous system to motion and sensation. Herophilus also distinguished between veins and arteries, noting that the latter pulse while the former do not. Though a few ancient atomists such as Lucretius challenged the teleological viewpoint of Aristotelian ideas about life, teleology (and after the rise of Christianity, natural theology) would remain central to biological thought essentially until the 18th and 19th centuries. Ernst Mayr states that there was "nothing of any real consequence in biology after Lucretius and Galen until the Renaissance."
On Byzantine scholars.
Greek Christian scribes played a crucial role in the preservation of Aristotle by copying all the extant Greek language manuscripts of the corpus. The first Greek Christians to comment extensively on Aristotle were Philoponus, Elias, and David in the sixth century, and Stephen of Alexandria in the early seventh century. John Philoponus stands out for having attempted a fundamental critique of Aristotle's views on the eternity of the world, movement, and other elements of Aristotelian thought. Philoponus questioned Aristotle's teaching of physics, noting its flaws and introducing the theory of impetus to explain his observations.
After a hiatus of several centuries, formal commentary by Eustratius and Michael of Ephesus reappeared in the late eleventh and early twelfth centuries, apparently sponsored by Anna Comnena.
On the medieval Islamic world.
Aristotle was one of the most revered Western thinkers in early Islamic theology. Most of the still extant works of Aristotle, as well as a number of the original Greek commentaries, were translated into Arabic and studied by Muslim philosophers, scientists and scholars. Averroes, Avicenna and Alpharabius, who wrote on Aristotle in great depth, also influenced Thomas Aquinas and other Western Christian scholastic philosophers. Alkindus greatly admired Aristotle's philosophy, and Averroes spoke of Aristotle as the "exemplar" for all future philosophers. Medieval Muslim scholars regularly described Aristotle as the "First Teacher". The title was later used by Western philosophers (as in the famous poem of Dante) who were influenced by the tradition of Islamic philosophy.
On medieval Europe.
With the loss of the study of ancient Greek in the early medieval Latin West, Aristotle was practically unknown there from c. AD 600 to c. 1100 except through the Latin translation of the "Organon" made by Boethius. In the twelfth and thirteenth centuries, interest in Aristotle revived and Latin Christians had translations made, both from Arabic translations, such as those by Gerard of Cremona, and from the original Greek, such as those by James of Venice and William of Moerbeke. After the Scholastic Thomas Aquinas wrote his "Summa Theologica", working from Moerbeke's translations and calling Aristotle "The Philosopher", the demand for Aristotle's writings grew, and the Greek manuscripts returned to the West, stimulating a revival of Aristotelianism in Europe that continued into the Renaissance. These thinkers blended Aristotelian philosophy with Christianity, bringing the thought of Ancient Greece into the Middle Ages. Scholars such as Boethius, Peter Abelard, and John Buridan worked on Aristotelian logic.
The medieval English poet Chaucer describes his student as being happy by having
A cautionary medieval tale held that Aristotle advised his pupil Alexander to avoid the king's seductive mistress, Phyllis, but was himself captivated by her, and allowed her to ride him. Phyllis had secretly told Alexander what to expect, and he witnessed Phyllis proving that a woman's charms could overcome even the greatest philosopher's male intellect. Artists such as Hans Baldung produced a series of illustrations of the popular theme.
The Italian poet Dante says of Aristotle in "The Divine Comedy":
Besides Dante's fellow poets, the classical figure that most influenced the "Comedy" is Aristotle. Dante built up the philosophy of the "Comedy" with the works of Aristotle as a foundation, just as the scholastics used Aristotle as the basis for their thinking. Dante knew Aristotle directly from Latin translations of his works and indirectly through quotations in the works of Albert Magnus. Dante even acknowledges Aristotle's influence explicitly in the poem, specifically when Virgil justifies the Inferno's structure by citing the "Nicomachean Ethics".
On medieval Judaism.
Moses Maimonides (considered to be the foremost intellectual figure of medieval Judaism) adopted Aristotelianism from the Islamic scholars and based his "Guide for the Perplexed" on it and that became the basis of Jewish scholastic philosophy. Maimonides also considered Aristotle to be the greatest philosopher that ever lived, and styled him as the "chief of the philosophers". Also, in his letter to Samuel ibn Tibbon, Maimonides observes that there is no need for Samuel to study the writings of philosophers who preceded Aristotle because the works of the latter are "sufficient by themselves and [superior] to all that were written before them. His intellect, Aristotle's is the extreme limit of human intellect, apart from him upon whom the divine emanation has flowed forth to such an extent that they reach the level of prophecy, there being no level higher".
On Early Modern scientists.
In the Early Modern period, scientists such as William Harvey in England and Galileo Galilei in Italy reacted against the theories of Aristotle and other classical era thinkers like Galen, establishing new theories based to some degree on observation and experiment. Harvey demonstrated the circulation of the blood, establishing that the heart functioned as a pump rather than being the seat of the soul and the controller of the body's heat, as Aristotle thought. Galileo used more doubtful arguments to displace Aristotle's physics, proposing that bodies all fall at the same speed whatever their weight.
On 18th/19th-century thinkers.
The 19th-century German philosopher Friedrich Nietzsche has been said to have taken nearly all of his political philosophy from Aristotle. Aristotle rigidly separated action from production, and argued for the deserved subservience of some people ("natural slaves"), and the natural superiority (virtue, "arete") of others. It was Martin Heidegger, not Nietzsche, who elaborated a new interpretation of Aristotle, intended to warrant his deconstruction of scholastic and philosophical tradition.
The English mathematician George Boole fully accepted Aristotle's logic, but decided "to go under, over, and beyond" it with his system of algebraic logic in his 1854 book "The Laws of Thought". This gives logic a mathematical foundation with equations, enables it to solve equations as well as check validity, and allows it to handle a wider class of problems by expanding propositions of any number of terms, not just two.
Charles Darwin regarded Aristotle as the most important contributor to the subject of biology. In an 1882 letter he wrote that "Linnaeus and Cuvier have been my two gods, though in very different ways, but they were mere schoolboys to old Aristotle". Also, in later editions of the book "On the Origin of Species', Darwin traced evolutionary ideas as far back as Aristotle; the text he cites is a summary by Aristotle of the ideas of the earlier Greek philosopher Empedocles.
James Joyce's favoured philosopher was Aristotle, whom he considered to be "the greatest thinker of all times". Samuel Taylor Coleridge said: Everybody is born either a Platonist or an Aristotelian. Ayn Rand acknowledged Aristotle as her greatest influence and remarked that in the history of philosophy she could only recommend "three A's"—Aristotle, Aquinas, and Ayn Rand. She also regarded Aristotle as the greatest of all philosophers.
Karl Marx considered Aristotle to be the "greatest thinker of antiquity", and called him a "giant thinker", a "genius", and "the great scholar".
Modern rejection and rehabilitation.
During the 20th century, Aristotle's work was widely criticized. The philosopher Bertrand Russell
argued that "almost every serious intellectual advance has had to begin with an attack on some Aristotelian doctrine". Russell called Aristotle's ethics "repulsive", and labelled his logic "as definitely antiquated as Ptolemaic astronomy". Russell stated that these errors made it difficult to do historical justice to Aristotle, until one remembered what an advance he made upon all of his predecessors.
The Dutch historian of science Eduard Jan Dijksterhuis wrote that Aristotle and his predecessors showed the difficulty of science by "proceed[ing] so readily to frame a theory of such a general character" on limited evidence from their senses. In 1985, the biologist Peter Medawar could still state in "pure seventeenth century" tones that Aristotle had assembled "a strange and generally speaking rather tiresome farrago of hearsay, imperfect observation, wishful thinking and credulity amounting to downright gullibility".
By the start of the 21st century, however, Aristotle was taken more seriously: Kukkonen noted that "In the best 20th-century scholarship Aristotle comes alive as a thinker wrestling with the full weight of the Greek philosophical tradition." Alasdair MacIntyre has attempted to reform what he calls the Aristotelian tradition in a way that is anti-elitist and capable of disputing the claims of both liberals and Nietzscheans. Kukkonen observed, too, that "that most enduring of romantic images, Aristotle tutoring the future conqueror Alexander" remained current, as in the 2004 film "Alexander", while the "firm rules" of Aristotle's theory of drama have ensured a role for the "Poetics" in Hollywood.
Biologists continue to be interested in Aristotle's thinking. Armand Marie Leroi has reconstructed Aristotle's biology, while Niko Tinbergen's four questions, based on Aristotle's four causes, are used to analyse animal behaviour; they examine function, phylogeny, mechanism, and ontogeny.
On his successor, Theophrastus.
Aristotle's pupil and successor, Theophrastus, wrote the "History of Plants", a pioneering work in botany. Some of his technical terms remain in use, such as carpel from "carpos", fruit, and pericarp, from "pericarpion", seed chamber.
Theophrastus was much less concerned with formal causes than Aristotle was, instead pragmatically describing how plants functioned.
On later Greek philosophers.
The immediate influence of Aristotle's work was felt as the Lyceum grew into the Peripatetic school. Aristotle's students included Aristoxenus, Dicaearchus, Demetrius of Phalerum, Eudemos of Rhodes, Harpalus, Hephaestion, Mnason of Phocis, Nicomachus, and Theophrastus. Aristotle's influence over Alexander the Great is seen in the latter's bringing with him on his expedition a host of zoologists, botanists, and researchers. He had also learned a great deal about Persian customs and traditions from his teacher. Although his respect for Aristotle was diminished as his travels made it clear that much of Aristotle's geography was clearly wrong, when the old philosopher released his works to the public, Alexander complained "Thou hast not done well to publish thy acroamatic doctrines; for in what shall I surpass other men if those doctrines wherein I have been trained are to be all men's common property?"
On Hellenistic science.
After Theophrastus, the Lyceum failed to produce any original work. Though interest in Aristotle's ideas survived, they were generally taken unquestioningly. It is not until the age of Alexandria under the Ptolemies that advances in biology can be again found.
The first medical teacher at Alexandria, Herophilus of Chalcedon, corrected Aristotle, placing intelligence in the brain, and connected the nervous system to motion and sensation. Herophilus also distinguished between veins and arteries, noting that the latter pulse while the former do not. Though a few ancient atomists such as Lucretius challenged the teleological viewpoint of Aristotelian ideas about life, teleology (and after the rise of Christianity, natural theology) would remain central to biological thought essentially until the 18th and 19th centuries. Ernst Mayr states that there was "nothing of any real consequence in biology after Lucretius and Galen until the Renaissance."
On Byzantine scholars.
Greek Christian scribes played a crucial role in the preservation of Aristotle by copying all the extant Greek language manuscripts of the corpus. The first Greek Christians to comment extensively on Aristotle were Philoponus, Elias, and David in the sixth century, and Stephen of Alexandria in the early seventh century. John Philoponus stands out for having attempted a fundamental critique of Aristotle's views on the eternity of the world, movement, and other elements of Aristotelian thought. Philoponus questioned Aristotle's teaching of physics, noting its flaws and introducing the theory of impetus to explain his observations.
After a hiatus of several centuries, formal commentary by Eustratius and Michael of Ephesus reappeared in the late eleventh and early twelfth centuries, apparently sponsored by Anna Comnena.
On the medieval Islamic world.
Aristotle was one of the most revered Western thinkers in early Islamic theology. Most of the still extant works of Aristotle, as well as a number of the original Greek commentaries, were translated into Arabic and studied by Muslim philosophers, scientists and scholars. Averroes, Avicenna and Alpharabius, who wrote on Aristotle in great depth, also influenced Thomas Aquinas and other Western Christian scholastic philosophers. Alkindus greatly admired Aristotle's philosophy, and Averroes spoke of Aristotle as the "exemplar" for all future philosophers. Medieval Muslim scholars regularly described Aristotle as the "First Teacher". The title was later used by Western philosophers (as in the famous poem of Dante) who were influenced by the tradition of Islamic philosophy.
On medieval Europe.
With the loss of the study of ancient Greek in the early medieval Latin West, Aristotle was practically unknown there from c. AD 600 to c. 1100 except through the Latin translation of the "Organon" made by Boethius. In the twelfth and thirteenth centuries, interest in Aristotle revived and Latin Christians had translations made, both from Arabic translations, such as those by Gerard of Cremona, and from the original Greek, such as those by James of Venice and William of Moerbeke. After the Scholastic Thomas Aquinas wrote his "Summa Theologica", working from Moerbeke's translations and calling Aristotle "The Philosopher", the demand for Aristotle's writings grew, and the Greek manuscripts returned to the West, stimulating a revival of Aristotelianism in Europe that continued into the Renaissance. These thinkers blended Aristotelian philosophy with Christianity, bringing the thought of Ancient Greece into the Middle Ages. Scholars such as Boethius, Peter Abelard, and John Buridan worked on Aristotelian logic.
The medieval English poet Chaucer describes his student as being happy by having
A cautionary medieval tale held that Aristotle advised his pupil Alexander to avoid the king's seductive mistress, Phyllis, but was himself captivated by her, and allowed her to ride him. Phyllis had secretly told Alexander what to expect, and he witnessed Phyllis proving that a woman's charms could overcome even the greatest philosopher's male intellect. Artists such as Hans Baldung produced a series of illustrations of the popular theme.
The Italian poet Dante says of Aristotle in "The Divine Comedy":
Besides Dante's fellow poets, the classical figure that most influenced the "Comedy" is Aristotle. Dante built up the philosophy of the "Comedy" with the works of Aristotle as a foundation, just as the scholastics used Aristotle as the basis for their thinking. Dante knew Aristotle directly from Latin translations of his works and indirectly through quotations in the works of Albert Magnus. Dante even acknowledges Aristotle's influence explicitly in the poem, specifically when Virgil justifies the Inferno's structure by citing the "Nicomachean Ethics".
On medieval Judaism.
Moses Maimonides (considered to be the foremost intellectual figure of medieval Judaism) adopted Aristotelianism from the Islamic scholars and based his "Guide for the Perplexed" on it and that became the basis of Jewish scholastic philosophy. Maimonides also considered Aristotle to be the greatest philosopher that ever lived, and styled him as the "chief of the philosophers". Also, in his letter to Samuel ibn Tibbon, Maimonides observes that there is no need for Samuel to study the writings of philosophers who preceded Aristotle because the works of the latter are "sufficient by themselves and [superior] to all that were written before them. His intellect, Aristotle's is the extreme limit of human intellect, apart from him upon whom the divine emanation has flowed forth to such an extent that they reach the level of prophecy, there being no level higher".
On Early Modern scientists.
In the Early Modern period, scientists such as William Harvey in England and Galileo Galilei in Italy reacted against the theories of Aristotle and other classical era thinkers like Galen, establishing new theories based to some degree on observation and experiment. Harvey demonstrated the circulation of the blood, establishing that the heart functioned as a pump rather than being the seat of the soul and the controller of the body's heat, as Aristotle thought. Galileo used more doubtful arguments to displace Aristotle's physics, proposing that bodies all fall at the same speed whatever their weight.
On 18th/19th-century thinkers.
The 19th-century German philosopher Friedrich Nietzsche has been said to have taken nearly all of his political philosophy from Aristotle. Aristotle rigidly separated action from production, and argued for the deserved subservience of some people ("natural slaves"), and the natural superiority (virtue, "arete") of others. It was Martin Heidegger, not Nietzsche, who elaborated a new interpretation of Aristotle, intended to warrant his deconstruction of scholastic and philosophical tradition.
The English mathematician George Boole fully accepted Aristotle's logic, but decided "to go under, over, and beyond" it with his system of algebraic logic in his 1854 book "The Laws of Thought". This gives logic a mathematical foundation with equations, enables it to solve equations as well as check validity, and allows it to handle a wider class of problems by expanding propositions of any number of terms, not just two.
Charles Darwin regarded Aristotle as the most important contributor to the subject of biology. In an 1882 letter he wrote that "Linnaeus and Cuvier have been my two gods, though in very different ways, but they were mere schoolboys to old Aristotle". Also, in later editions of the book "On the Origin of Species', Darwin traced evolutionary ideas as far back as Aristotle; the text he cites is a summary by Aristotle of the ideas of the earlier Greek philosopher Empedocles.
James Joyce's favoured philosopher was Aristotle, whom he considered to be "the greatest thinker of all times". Samuel Taylor Coleridge said: Everybody is born either a Platonist or an Aristotelian. Ayn Rand acknowledged Aristotle as her greatest influence and remarked that in the history of philosophy she could only recommend "three A's"—Aristotle, Aquinas, and Ayn Rand. She also regarded Aristotle as the greatest of all philosophers.
Karl Marx considered Aristotle to be the "greatest thinker of antiquity", and called him a "giant thinker", a "genius", and "the great scholar".
Modern rejection and rehabilitation.
During the 20th century, Aristotle's work was widely criticized. The philosopher Bertrand Russell
argued that "almost every serious intellectual advance has had to begin with an attack on some Aristotelian doctrine". Russell called Aristotle's ethics "repulsive", and labelled his logic "as definitely antiquated as Ptolemaic astronomy". Russell stated that these errors made it difficult to do historical justice to Aristotle, until one remembered what an advance he made upon all of his predecessors.
The Dutch historian of science Eduard Jan Dijksterhuis wrote that Aristotle and his predecessors showed the difficulty of science by "proceed[ing] so readily to frame a theory of such a general character" on limited evidence from their senses. In 1985, the biologist Peter Medawar could still state in "pure seventeenth century" tones that Aristotle had assembled "a strange and generally speaking rather tiresome farrago of hearsay, imperfect observation, wishful thinking and credulity amounting to downright gullibility".
By the start of the 21st century, however, Aristotle was taken more seriously: Kukkonen noted that "In the best 20th-century scholarship Aristotle comes alive as a thinker wrestling with the full weight of the Greek philosophical tradition." Alasdair MacIntyre has attempted to reform what he calls the Aristotelian tradition in a way that is anti-elitist and capable of disputing the claims of both liberals and Nietzscheans. Kukkonen observed, too, that "that most enduring of romantic images, Aristotle tutoring the future conqueror Alexander" remained current, as in the 2004 film "Alexander", while the "firm rules" of Aristotle's theory of drama have ensured a role for the "Poetics" in Hollywood.
Biologists continue to be interested in Aristotle's thinking. Armand Marie Leroi has reconstructed Aristotle's biology, while Niko Tinbergen's four questions, based on Aristotle's four causes, are used to analyse animal behaviour; they examine function, phylogeny, mechanism, and ontogeny.
Surviving works.
Corpus Aristotelicum.
The works of Aristotle that have survived from antiquity through medieval manuscript transmission are collected in the Corpus Aristotelicum. These texts, as opposed to Aristotle's lost works, are technical philosophical treatises from within Aristotle's school. Reference to them is made according to the organization of Immanuel Bekker's Royal Prussian Academy edition ("Aristotelis Opera edidit Academia Regia Borussica", Berlin, 1831–1870), which in turn is based on ancient classifications of these works.
Loss and preservation.
Aristotle wrote his works on papyrus scrolls, the common writing medium of that era. His writings are divisible into two groups: the "exoteric", intended for the public, and the "esoteric", for use within the Lyceum school. Aristotle's "lost" works stray considerably in characterization from the surviving Aristotelian corpus. Whereas the lost works appear to have been originally written with a view to subsequent publication, the surviving works mostly resemble lecture notes not intended for publication. Cicero's description of Aristotle's literary style as "a river of gold" must have applied to the published works, not the surviving notes. A major question in the history of Aristotle's works is how the exoteric writings were all lost, and how the ones now possessed came to be found. The consensus is that Andronicus of Rhodes collected the esoteric works of Aristotle's school which existed in the form of smaller, separate works, distinguished them from those of Theophrastus and other Peripatetics, edited them, and finally compiled them into the more cohesive, larger works as they are known today.
Corpus Aristotelicum.
The works of Aristotle that have survived from antiquity through medieval manuscript transmission are collected in the Corpus Aristotelicum. These texts, as opposed to Aristotle's lost works, are technical philosophical treatises from within Aristotle's school. Reference to them is made according to the organization of Immanuel Bekker's Royal Prussian Academy edition ("Aristotelis Opera edidit Academia Regia Borussica", Berlin, 1831–1870), which in turn is based on ancient classifications of these works.
Loss and preservation.
Aristotle wrote his works on papyrus scrolls, the common writing medium of that era. His writings are divisible into two groups: the "exoteric", intended for the public, and the "esoteric", for use within the Lyceum school. Aristotle's "lost" works stray considerably in characterization from the surviving Aristotelian corpus. Whereas the lost works appear to have been originally written with a view to subsequent publication, the surviving works mostly resemble lecture notes not intended for publication. Cicero's description of Aristotle's literary style as "a river of gold" must have applied to the published works, not the surviving notes. A major question in the history of Aristotle's works is how the exoteric writings were all lost, and how the ones now possessed came to be found. The consensus is that Andronicus of Rhodes collected the esoteric works of Aristotle's school which existed in the form of smaller, separate works, distinguished them from those of Theophrastus and other Peripatetics, edited them, and finally compiled them into the more cohesive, larger works as they are known today.
Legacy.
Depictions.
Aristotle has been depicted by major artists including Lucas Cranach the Elder, Justus van Gent, Raphael, Paolo Veronese, Jusepe de Ribera, Rembrandt, and Francesco Hayez over the centuries. Among the best-known depictions is Raphael's fresco "The School of Athens", in the Vatican's Apostolic Palace, where the figures of Plato and Aristotle are central to the image, at the architectural vanishing point, reflecting their importance. Rembrandt's "Aristotle with a Bust of Homer", too, is a celebrated work, showing the knowing philosopher and the blind Homer from an earlier age: as the art critic Jonathan Jones writes, "this painting will remain one of the greatest and most mysterious in the world, ensnaring us in its musty, glowing, pitch-black, terrible knowledge of time."
Eponyms.
The Aristotle Mountains in Antarctica are named after Aristotle. He was the first person known to conjecture, in his book "Meteorology", the existence of a landmass in the southern high-latitude region and called it "Antarctica". Aristoteles is a crater on the Moon bearing the classical form of Aristotle's name.
Depictions.
Aristotle has been depicted by major artists including Lucas Cranach the Elder, Justus van Gent, Raphael, Paolo Veronese, Jusepe de Ribera, Rembrandt, and Francesco Hayez over the centuries. Among the best-known depictions is Raphael's fresco "The School of Athens", in the Vatican's Apostolic Palace, where the figures of Plato and Aristotle are central to the image, at the architectural vanishing point, reflecting their importance. Rembrandt's "Aristotle with a Bust of Homer", too, is a celebrated work, showing the knowing philosopher and the blind Homer from an earlier age: as the art critic Jonathan Jones writes, "this painting will remain one of the greatest and most mysterious in the world, ensnaring us in its musty, glowing, pitch-black, terrible knowledge of time."
Eponyms.
The Aristotle Mountains in Antarctica are named after Aristotle. He was the first person known to conjecture, in his book "Meteorology", the existence of a landmass in the southern high-latitude region and called it "Antarctica". Aristoteles is a crater on the Moon bearing the classical form of Aristotle's name.
Further reading.
The secondary literature on Aristotle is vast. The following is only a small selection.
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Alexander Graham Bell
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Alexander Graham Bell (, born Alexander Bell; March 3, 1847 – August 2, 1922) was a Scottish-born inventor, scientist and engineer who is credited with patenting the first practical telephone. He also co-founded the American Telephone and Telegraph Company (AT&T) in 1885.
Bell's father, grandfather, and brother had all been associated with work on elocution and speech, and both his mother and wife were deaf; profoundly influencing Bell's life's work. His research on hearing and speech further led him to experiment with hearing devices which eventually culminated in Bell being awarded the first U.S. patent for the telephone, on March 7, 1876. Bell considered his invention an intrusion on his real work as a scientist and refused to have a telephone in his study.
Many other inventions marked Bell's later life, including groundbreaking work in optical telecommunications, hydrofoils, and aeronautics. Bell also had a strong influence on the National Geographic Society and its magazine while serving as the second president from January 7, 1898, until 1903.
Beyond his work in engineering, Bell had a deep interest in the emerging science of heredity.
Early life.
Bell was born in Edinburgh, Scotland, on March 3, 1847. The family home was at South Charlotte Street, and has a stone inscription marking it as Bell's birthplace. He had two brothers: Melville James Bell (1845–1870) and Edward Charles Bell (1848–1867), both of whom would die of tuberculosis. His father was Alexander Melville Bell, a phonetician, and his mother was Eliza Grace Bell ("née" Symonds). Born as just "Alexander Bell", at age 10, he made a plea to his father to have a middle name like his two brothers. For his 11th birthday, his father acquiesced and allowed him to adopt the name "Graham", chosen out of respect for Alexander Graham, a Canadian being treated by his father who had become a family friend. To close relatives and friends he remained "Aleck". Bell and his siblings attended a Presbyterian Church in their youth.
First invention.
As a child, Bell displayed a curiosity about his world; he gathered botanical specimens and ran experiments at an early age. His best friend was Ben Herdman, a neighbour whose family operated a flour mill. At the age of 12, Bell built a homemade device that combined rotating paddles with sets of nail brushes, creating a simple dehusking machine that was put into operation at the mill and used steadily for a number of years. In return, Ben's father John Herdman gave both boys the run of a small workshop in which to "invent".
From his early years, Bell showed a sensitive nature and a talent for art, poetry, and music that was encouraged by his mother. With no formal training, he mastered the piano and became the family's pianist. Despite being normally quiet and introspective, he revelled in mimicry and "voice tricks" akin to ventriloquism that continually entertained family guests during their occasional visits. Bell was also deeply affected by his mother's gradual deafness (she began to lose her hearing when he was 12), and learned a manual finger language so he could sit at her side and tap out silently the conversations swirling around the family parlour. He also developed a technique of speaking in clear, modulated tones directly into his mother's forehead wherein she would hear him with reasonable clarity. Bell's preoccupation with his mother's deafness led him to study acoustics.
His family was long associated with the teaching of elocution: his grandfather, Alexander Bell, in London, his uncle in Dublin, and his father, in Edinburgh, were all elocutionists. His father published a variety of works on the subject, several of which are still well known, especially his "The Standard Elocutionist" (1860), which appeared in Edinburgh in 1868. "The Standard Elocutionist" appeared in 168 British editions and sold over a quarter of a million copies in the United States alone. In this treatise, his father explains his methods of how to instruct deaf-mutes (as they were then known) to articulate words and read other people's lip movements to decipher meaning. Bell's father taught him and his brothers not only to write Visible Speech but to identify any symbol and its accompanying sound. Bell became so proficient that he became a part of his father's public demonstrations and astounded audiences with his abilities. He could decipher Visible Speech representing virtually every language, including Latin, Scottish Gaelic, and even Sanskrit, accurately reciting written tracts without any prior knowledge of their pronunciation.
Education.
As a young child, Bell, like his brothers, received his early schooling at home from his father. At an early age, he was enrolled at the Royal High School, Edinburgh, Scotland, which he left at the age of 15, having completed only the first four forms. His school record was undistinguished, marked by absenteeism and lacklustre grades. His main interest remained in the sciences, especially biology, while he treated other school subjects with indifference, to the dismay of his father. Upon leaving school, Bell travelled to London to live with his grandfather, Alexander Bell, on Harrington Square. During the year he spent with his grandfather, a love of learning was born, with long hours spent in serious discussion and study. The elder Bell took great efforts to have his young pupil learn to speak clearly and with conviction, the attributes that his pupil would need to become a teacher himself. At the age of 16, Bell secured a position as a "pupil-teacher" of elocution and music, in Weston House Academy at Elgin, Moray, Scotland. Although he was enrolled as a student in Latin and Greek, he instructed classes himself in return for board and £10 per session. The following year, he attended the University of Edinburgh, joining his older brother Melville who had enrolled there the previous year. In 1868, not long before he departed for Canada with his family, Bell completed his matriculation exams and was accepted for admission to University College London.
First experiments with sound.
His father encouraged Bell's interest in speech and, in 1863, took his sons to see a unique automaton developed by Sir Charles Wheatstone based on the earlier work of Baron Wolfgang von Kempelen. The rudimentary "mechanical man" simulated a human voice. Bell was fascinated by the machine and after he obtained a copy of von Kempelen's book, published in German, and had laboriously translated it, he and his older brother Melville built their own automaton head. Their father, highly interested in their project, offered to pay for any supplies and spurred the boys on with the enticement of a "big prize" if they were successful. While his brother constructed the throat and larynx, Bell tackled the more difficult task of recreating a realistic skull. His efforts resulted in a remarkably lifelike head that could "speak", albeit only a few words. The boys would carefully adjust the "lips" and when a bellows forced air through the windpipe, a very recognizable "Mama" ensued, to the delight of neighbours who came to see the Bell invention.
Intrigued by the results of the automaton, Bell continued to experiment with a live subject, the family's Skye Terrier, Trouve. After he taught it to growl continuously, Bell would reach into its mouth and manipulate the dog's lips and vocal cords to produce a crude-sounding "Ow ah oo ga ma ma". With little convincing, visitors believed his dog could articulate "How are you, grandmama?" Indicative of his playful nature, his experiments convinced onlookers that they saw a "talking dog". These initial forays into experimentation with sound led Bell to undertake his first serious work on the transmission of sound, using tuning forks to explore resonance.
At age 19, Bell wrote a report on his work and sent it to philologist Alexander Ellis, a colleague of his father. Ellis immediately wrote back indicating that the experiments were similar to existing work in Germany, and also lent Bell a copy of Hermann von Helmholtz's work, "The Sensations of Tone as a Physiological Basis for the Theory of Music".
Dismayed to find that groundbreaking work had already been undertaken by Helmholtz who had conveyed vowel sounds by means of a similar tuning fork "contraption", Bell pored over the German scientist's book. Working from his own erroneous mistranslation of a French edition, Bell fortuitously then made a deduction that would be the underpinning of all his future work on transmitting sound, reporting: "Without knowing much about the subject, it seemed to me that if vowel sounds could be produced by electrical means, so could consonants, so could articulate speech." He also later remarked: "I thought that Helmholtz had done it ... and that my failure was due only to my ignorance of electricity. It was a valuable blunder ... If I had been able to read German in those days, I might never have commenced my experiments!"
Family tragedy.
In 1865, when the Bell family moved to London, Bell returned to Weston House as an assistant master and, in his spare hours, continued experiments on sound using a minimum of laboratory equipment. Bell concentrated on experimenting with electricity to convey sound and later installed a telegraph wire from his room in Somerset College to that of a friend. Throughout late 1867, his health faltered mainly through exhaustion. His younger brother, Edward "Ted," was similarly affected by tuberculosis. While Bell recovered (by then referring to himself in correspondence as "A. G. Bell") and served the next year as an instructor at Somerset College, Bath, England, his brother's condition deteriorated. Edward would never recover. Upon his brother's death, Bell returned home in 1867. His older brother Melville had married and moved out. With aspirations to obtain a degree at University College London, Bell considered his next years as preparation for the degree examinations, devoting his spare time at his family's residence to studying.
Helping his father in Visible Speech demonstrations and lectures brought Bell to Susanna E. Hull's private school for the deaf in South Kensington, London. His first two pupils were deaf-mute girls who made remarkable progress under his tutelage. While his older brother seemed to achieve success on many fronts including opening his own elocution school, applying for a patent on an invention, and starting a family, Bell continued as a teacher. However, in May 1870, Melville died from complications due to tuberculosis, causing a family crisis. His father had also experienced a debilitating illness earlier in life and had been restored to health by a convalescence in Newfoundland. Bell's parents embarked upon a long-planned move when they realized that their remaining son was also sickly. Acting decisively, Alexander Melville Bell asked Bell to arrange for the sale of all the family property, conclude all of his brother's affairs (Bell took over his last student, curing a pronounced lisp), and join his father and mother in setting out for the "New World". Reluctantly, Bell also had to conclude a relationship with Marie Eccleston, who, as he had surmised, was not prepared to leave England with him.
First invention.
As a child, Bell displayed a curiosity about his world; he gathered botanical specimens and ran experiments at an early age. His best friend was Ben Herdman, a neighbour whose family operated a flour mill. At the age of 12, Bell built a homemade device that combined rotating paddles with sets of nail brushes, creating a simple dehusking machine that was put into operation at the mill and used steadily for a number of years. In return, Ben's father John Herdman gave both boys the run of a small workshop in which to "invent".
From his early years, Bell showed a sensitive nature and a talent for art, poetry, and music that was encouraged by his mother. With no formal training, he mastered the piano and became the family's pianist. Despite being normally quiet and introspective, he revelled in mimicry and "voice tricks" akin to ventriloquism that continually entertained family guests during their occasional visits. Bell was also deeply affected by his mother's gradual deafness (she began to lose her hearing when he was 12), and learned a manual finger language so he could sit at her side and tap out silently the conversations swirling around the family parlour. He also developed a technique of speaking in clear, modulated tones directly into his mother's forehead wherein she would hear him with reasonable clarity. Bell's preoccupation with his mother's deafness led him to study acoustics.
His family was long associated with the teaching of elocution: his grandfather, Alexander Bell, in London, his uncle in Dublin, and his father, in Edinburgh, were all elocutionists. His father published a variety of works on the subject, several of which are still well known, especially his "The Standard Elocutionist" (1860), which appeared in Edinburgh in 1868. "The Standard Elocutionist" appeared in 168 British editions and sold over a quarter of a million copies in the United States alone. In this treatise, his father explains his methods of how to instruct deaf-mutes (as they were then known) to articulate words and read other people's lip movements to decipher meaning. Bell's father taught him and his brothers not only to write Visible Speech but to identify any symbol and its accompanying sound. Bell became so proficient that he became a part of his father's public demonstrations and astounded audiences with his abilities. He could decipher Visible Speech representing virtually every language, including Latin, Scottish Gaelic, and even Sanskrit, accurately reciting written tracts without any prior knowledge of their pronunciation.
Education.
As a young child, Bell, like his brothers, received his early schooling at home from his father. At an early age, he was enrolled at the Royal High School, Edinburgh, Scotland, which he left at the age of 15, having completed only the first four forms. His school record was undistinguished, marked by absenteeism and lacklustre grades. His main interest remained in the sciences, especially biology, while he treated other school subjects with indifference, to the dismay of his father. Upon leaving school, Bell travelled to London to live with his grandfather, Alexander Bell, on Harrington Square. During the year he spent with his grandfather, a love of learning was born, with long hours spent in serious discussion and study. The elder Bell took great efforts to have his young pupil learn to speak clearly and with conviction, the attributes that his pupil would need to become a teacher himself. At the age of 16, Bell secured a position as a "pupil-teacher" of elocution and music, in Weston House Academy at Elgin, Moray, Scotland. Although he was enrolled as a student in Latin and Greek, he instructed classes himself in return for board and £10 per session. The following year, he attended the University of Edinburgh, joining his older brother Melville who had enrolled there the previous year. In 1868, not long before he departed for Canada with his family, Bell completed his matriculation exams and was accepted for admission to University College London.
First experiments with sound.
His father encouraged Bell's interest in speech and, in 1863, took his sons to see a unique automaton developed by Sir Charles Wheatstone based on the earlier work of Baron Wolfgang von Kempelen. The rudimentary "mechanical man" simulated a human voice. Bell was fascinated by the machine and after he obtained a copy of von Kempelen's book, published in German, and had laboriously translated it, he and his older brother Melville built their own automaton head. Their father, highly interested in their project, offered to pay for any supplies and spurred the boys on with the enticement of a "big prize" if they were successful. While his brother constructed the throat and larynx, Bell tackled the more difficult task of recreating a realistic skull. His efforts resulted in a remarkably lifelike head that could "speak", albeit only a few words. The boys would carefully adjust the "lips" and when a bellows forced air through the windpipe, a very recognizable "Mama" ensued, to the delight of neighbours who came to see the Bell invention.
Intrigued by the results of the automaton, Bell continued to experiment with a live subject, the family's Skye Terrier, Trouve. After he taught it to growl continuously, Bell would reach into its mouth and manipulate the dog's lips and vocal cords to produce a crude-sounding "Ow ah oo ga ma ma". With little convincing, visitors believed his dog could articulate "How are you, grandmama?" Indicative of his playful nature, his experiments convinced onlookers that they saw a "talking dog". These initial forays into experimentation with sound led Bell to undertake his first serious work on the transmission of sound, using tuning forks to explore resonance.
At age 19, Bell wrote a report on his work and sent it to philologist Alexander Ellis, a colleague of his father. Ellis immediately wrote back indicating that the experiments were similar to existing work in Germany, and also lent Bell a copy of Hermann von Helmholtz's work, "The Sensations of Tone as a Physiological Basis for the Theory of Music".
Dismayed to find that groundbreaking work had already been undertaken by Helmholtz who had conveyed vowel sounds by means of a similar tuning fork "contraption", Bell pored over the German scientist's book. Working from his own erroneous mistranslation of a French edition, Bell fortuitously then made a deduction that would be the underpinning of all his future work on transmitting sound, reporting: "Without knowing much about the subject, it seemed to me that if vowel sounds could be produced by electrical means, so could consonants, so could articulate speech." He also later remarked: "I thought that Helmholtz had done it ... and that my failure was due only to my ignorance of electricity. It was a valuable blunder ... If I had been able to read German in those days, I might never have commenced my experiments!"
Family tragedy.
In 1865, when the Bell family moved to London, Bell returned to Weston House as an assistant master and, in his spare hours, continued experiments on sound using a minimum of laboratory equipment. Bell concentrated on experimenting with electricity to convey sound and later installed a telegraph wire from his room in Somerset College to that of a friend. Throughout late 1867, his health faltered mainly through exhaustion. His younger brother, Edward "Ted," was similarly affected by tuberculosis. While Bell recovered (by then referring to himself in correspondence as "A. G. Bell") and served the next year as an instructor at Somerset College, Bath, England, his brother's condition deteriorated. Edward would never recover. Upon his brother's death, Bell returned home in 1867. His older brother Melville had married and moved out. With aspirations to obtain a degree at University College London, Bell considered his next years as preparation for the degree examinations, devoting his spare time at his family's residence to studying.
Helping his father in Visible Speech demonstrations and lectures brought Bell to Susanna E. Hull's private school for the deaf in South Kensington, London. His first two pupils were deaf-mute girls who made remarkable progress under his tutelage. While his older brother seemed to achieve success on many fronts including opening his own elocution school, applying for a patent on an invention, and starting a family, Bell continued as a teacher. However, in May 1870, Melville died from complications due to tuberculosis, causing a family crisis. His father had also experienced a debilitating illness earlier in life and had been restored to health by a convalescence in Newfoundland. Bell's parents embarked upon a long-planned move when they realized that their remaining son was also sickly. Acting decisively, Alexander Melville Bell asked Bell to arrange for the sale of all the family property, conclude all of his brother's affairs (Bell took over his last student, curing a pronounced lisp), and join his father and mother in setting out for the "New World". Reluctantly, Bell also had to conclude a relationship with Marie Eccleston, who, as he had surmised, was not prepared to leave England with him.
Canada.
In 1870, 23-year-old Bell travelled with his parents and his brother's widow, Caroline Margaret Ottaway, to Paris, Ontario, to stay with Thomas Henderson, a Baptist minister and family friend. The Bell family soon purchased a farm of at Tutelo Heights (now called Tutela Heights), near Brantford, Ontario. The property consisted of an orchard, large farmhouse, stable, pigsty, hen-house, and a carriage house, which bordered the Grand River.
At the homestead, Bell set up his own workshop in the converted carriage house near to what he called his "dreaming place", a large hollow nestled in trees at the back of the property above the river. Despite his frail condition upon arriving in Canada, Bell found the climate and environs to his liking, and rapidly improved. He continued his interest in the study of the human voice and when he discovered the Six Nations Reserve across the river at Onondaga, he learned the Mohawk language and translated its unwritten vocabulary into Visible Speech symbols. For his work, Bell was awarded the title of Honorary Chief and participated in a ceremony where he donned a Mohawk headdress and danced traditional dances.
After setting up his workshop, Bell continued experiments based on Helmholtz's work with electricity and sound. He also modified a melodeon (a type of pump organ) so that it could transmit its music electrically over a distance. Once the family was settled in, both Bell and his father made plans to establish a teaching practice and in 1871, he accompanied his father to Montreal, where Melville was offered a position to teach his System of Visible Speech.
Work with the deaf.
Bell's father was invited by Sarah Fuller, principal of the Boston School for Deaf Mutes (later to become the public Horace Mann School for the Deaf) to introduce the Visible Speech System by providing training for Fuller's instructors, but he declined the post in favour of his son. Travelling to Boston in April 1871, Bell proved successful in training the school's instructors. He was subsequently asked to repeat the programme at the American Asylum for Deaf-mutes in Hartford, Connecticut, and the Clarke School for the Deaf in Northampton, Massachusetts.
Returning home to Brantford after six months abroad, Bell continued his experiments with his "harmonic telegraph". The basic concept behind his device was that messages could be sent through a single wire if each message was transmitted at a different pitch, but work on both the transmitter and receiver was needed.
Unsure of his future, he contemplated returning to London to complete his studies, but decided to return to Boston as a teacher. His father helped him set up his private practice by contacting Gardiner Greene Hubbard, the president of the Clarke School for the Deaf for a recommendation. Teaching his father's system, in October 1872, Alexander Bell opened his "School of Vocal Physiology and Mechanics of Speech" in Boston, which attracted a large number of deaf pupils, with his first class numbering 30 students. While he was working as a private tutor, one of his pupils was Helen Keller, who came to him as a young child unable to see, hear, or speak. She was later to say that Bell dedicated his life to the penetration of that "inhuman silence which separates and estranges". In 1893, Keller performed the sod-breaking ceremony for the construction of Bell's new Volta Bureau, dedicated to "the increase and diffusion of knowledge relating to the deaf".
Throughout his lifetime, Bell sought to integrate the deaf and hard of hearing with the hearing world. Bell encouraged speech therapy and lip reading over sign language. He outlined this in a 1898 paper detailing his belief that with resources and effort, the deaf could be taught to read lips and speak (known as oralism) thus enabling their integration within the wider society. Bell has been criticised by members of the Deaf community for supporting ideas that could cause the closure of dozens of deaf schools, and what some consider eugenicist ideas. Bell did not support a ban on deaf people marrying each other, an idea articulated by the National Association of the Deaf (United States). Although, in his memoir "Memoir upon the Formation of a Deaf Variety of the Human Race", Bell observed that if deaf people tended to marry other deaf people, this could result in the emergence of a "deaf race". Ultimately, in 1880, the Second International Congress on Education of the Deaf passed a resolution preferring the teaching of oral communication rather than signing in schools.
Continuing experimentation.
In 1872, Bell became professor of Vocal Physiology and Elocution at the Boston University School of Oratory. During this period, he alternated between Boston and Brantford, spending summers in his Canadian home. At Boston University, Bell was "swept up" by the excitement engendered by the many scientists and inventors residing in the city. He continued his research in sound and endeavored to find a way to transmit musical notes and articulate speech, but although absorbed by his experiments, he found it difficult to devote enough time to experimentation. While days and evenings were occupied by his teaching and private classes, Bell began to stay awake late into the night, running experiment after experiment in rented facilities at his boarding house. Keeping "night owl" hours, he worried that his work would be discovered and took great pains to lock up his notebooks and laboratory equipment. Bell had a specially made table where he could place his notes and equipment inside a locking cover. Worse still, his health deteriorated as he had severe headaches. Returning to Boston in fall 1873, Bell made a far-reaching decision to concentrate on his experiments in sound.
Deciding to give up his lucrative private Boston practice, Bell retained only two students, six-year-old "Georgie" Sanders, deaf from birth, and 15-year-old Mabel Hubbard. Each pupil would play an important role in the next developments. George's father, Thomas Sanders, a wealthy businessman, offered Bell a place to stay in nearby Salem with Georgie's grandmother, complete with a room to "experiment". Although the offer was made by George's mother and followed the year-long arrangement in 1872 where her son and his nurse had moved to quarters next to Bell's boarding house, it was clear that Mr. Sanders was backing the proposal. The arrangement was for teacher and student to continue their work together, with free room and board thrown in. Mabel was a bright, attractive girl who was ten years Bell's junior but became the object of his affection. Having lost her hearing after a near-fatal bout of scarlet fever close to her fifth birthday, she had learned to read lips but her father, Gardiner Greene Hubbard, Bell's benefactor and personal friend, wanted her to work directly with her teacher.
The telephone.
By 1874, Bell's initial work on the harmonic telegraph had entered a formative stage, with progress made both at his new Boston "laboratory" (a rented facility) and at his family home in Canada a big success. While working that summer in Brantford, Bell experimented with a "phonautograph", a pen-like machine that could draw shapes of sound waves on smoked glass by tracing their vibrations. Bell thought it might be possible to generate undulating electrical currents that corresponded to sound waves. Bell also thought that multiple metal reeds tuned to different frequencies like a harp would be able to convert the undulating currents back into sound. But he had no working model to demonstrate the feasibility of these ideas.
In 1874, telegraph message traffic was rapidly expanding and in the words of Western Union President William Orton, had become "the nervous system of commerce". Orton had contracted with inventors Thomas Edison and Elisha Gray to find a way to send multiple telegraph messages on each telegraph line to avoid the great cost of constructing new lines. When Bell mentioned to Gardiner Hubbard and Thomas Sanders that he was working on a method of sending multiple tones on a telegraph wire using a multi-reed device, the two wealthy patrons began to financially support Bell's experiments. Patent matters would be handled by Hubbard's patent attorney, Anthony Pollok.
In March 1875, Bell and Pollok visited the scientist Joseph Henry, who was then director of the Smithsonian Institution, and asked Henry's advice on the electrical multi-reed apparatus that Bell hoped would transmit the human voice by telegraph. Henry replied that Bell had "the germ of a great invention". When Bell said that he did not have the necessary knowledge, Henry replied, "Get it!" That declaration greatly encouraged Bell to keep trying, even though he did not have the equipment needed to continue his experiments, nor the ability to create a working model of his ideas. However, a chance meeting in 1874 between Bell and Thomas A. Watson, an experienced electrical designer and mechanic at the electrical machine shop of Charles Williams, changed all that.
With financial support from Sanders and Hubbard, Bell hired Thomas Watson as his assistant, and the two of them experimented with acoustic telegraphy. On June 2, 1875, Watson accidentally plucked one of the reeds and Bell, at the receiving end of the wire, heard the overtones of the reed; overtones that would be necessary for transmitting speech. That demonstrated to Bell that only one reed or armature was necessary, not multiple reeds. This led to the "gallows" sound-powered telephone, which could transmit indistinct, voice-like sounds, but not clear speech.
The race to the patent office.
In 1875, Bell developed an acoustic telegraph and drew up a patent application for it. Since he had agreed to share U.S. profits with his investors Gardiner Hubbard and Thomas Sanders, Bell requested that an associate in Ontario, George Brown, attempt to patent it in Britain, instructing his lawyers to apply for a patent in the U.S. only after they received word from Britain (Britain would issue patents only for discoveries not previously patented elsewhere).
Meanwhile, Elisha Gray was also experimenting with acoustic telegraphy and thought of a way to transmit speech using a water transmitter. On February 14, 1876, Gray filed a caveat with the U.S. Patent Office for a telephone design that used a water transmitter. That same morning, Bell's lawyer filed Bell's application with the patent office. There is considerable debate about who arrived first and Gray later challenged the primacy of Bell's patent. Bell was in Boston on February 14 and did not arrive in Washington until February 26.
Bell's patent 174,465, was issued to Bell on March 7, 1876, by the U.S. Patent Office. Bell's patent covered "the method of, and apparatus for, transmitting vocal or other sounds telegraphically ... by causing electrical undulations, similar in form to the vibrations of the air accompanying the said vocal or other sound" Bell returned to Boston the same day and the next day resumed work, drawing in his notebook a diagram similar to that in Gray's patent caveat.
On March 10, 1876, three days after his patent was issued, Bell succeeded in getting his telephone to work, using a liquid transmitter similar to Gray's design. Vibration of the diaphragm caused a needle to vibrate in the water, varying the electrical resistance in the circuit. When Bell spoke the sentence "Mr. Watson—Come here—I want to see you" into the liquid transmitter, Watson, listening at the receiving end in an adjoining room, heard the words clearly.
Although Bell was, and still is, accused of stealing the telephone from Gray, Bell used Gray's water transmitter design only after Bell's patent had been granted, and only as a proof of concept scientific experiment, to prove to his own satisfaction that intelligible "articulate speech" (Bell's words) could be electrically transmitted. After March 1876, Bell focused on improving the electromagnetic telephone and never used Gray's liquid transmitter in public demonstrations or commercial use.
The question of priority for the variable resistance feature of the telephone was raised by the examiner before he approved Bell's patent application. He told Bell that his claim for the variable resistance feature was also described in Gray's caveat. Bell pointed to a variable resistance device in his previous application in which he described a cup of mercury, not water. He had filed the mercury application at the patent office a year earlier on February 25, 1875, long before Elisha Gray described the water device. In addition, Gray abandoned his caveat, and because he did not contest Bell's priority, the examiner approved Bell's patent on March 3, 1876. Gray had reinvented the variable resistance telephone, but Bell was the first to write down the idea and the first to test it in a telephone.
The patent examiner, Zenas Fisk Wilber, later stated in an affidavit that he was an alcoholic who was much in debt to Bell's lawyer, Marcellus Bailey, with whom he had served in the Civil War. He claimed he showed Gray's patent caveat to Bailey. Wilber also claimed (after Bell arrived in Washington D.C. from Boston) that he showed Gray's caveat to Bell and that Bell paid him $100 (). Bell claimed they discussed the patent only in general terms, although in a letter to Gray, Bell admitted that he learned some of the technical details. Bell denied in an affidavit that he ever gave Wilber any money.
Later developments.
On March 10, 1876, Bell used "the instrument" in Boston to call Thomas Watson who was in another room but out of earshot. He said, "Mr. Watson, come here – I want to see you" and Watson soon appeared at his side.
Continuing his experiments in Brantford, Bell brought home a working model of his telephone. On August 3, 1876, from the telegraph office in Brantford, Ontario, Bell sent a tentative telegram to the village of Mount Pleasant distant, indicating that he was ready. He made a telephone call via telegraph wires and faint voices were heard replying. The following night, he amazed guests as well as his family with a call between the Bell Homestead and the office of the Dominion Telegraph Company in Brantford along an improvised wire strung up along telegraph lines and fences, and laid through a tunnel. This time, guests at the household distinctly heard people in Brantford reading and singing. The third test on August 10, 1876, was made via the telegraph line between Brantford and Paris, Ontario, distant. This test was said by many sources to be the "world's first long-distance call". The final test certainly proved that the telephone could work over long distances, at least as a one-way call.
The first two-way (reciprocal) conversation over a line occurred between Cambridge and Boston (roughly 2.5 miles) on October 9, 1876. During that conversation, Bell was on Kilby Street in Boston and Watson was at the offices of the Walworth Manufacturing Company.
Bell and his partners, Hubbard and Sanders, offered to sell the patent outright to Western Union for $100,000, equal to $ today. The president of Western Union balked, countering that the telephone was nothing but a toy. Two years later, he told colleagues that if he could get the patent for $25 million (equal to $ today), he would consider it a bargain. By then, the Bell company no longer wanted to sell the patent. Bell's investors would become millionaires while he fared well from residuals and at one point had assets of nearly one million dollars.
Bell began a series of public demonstrations and lectures to introduce the new invention to the scientific community as well as the general public. A short time later, his demonstration of an early telephone prototype at the 1876 Centennial Exposition in Philadelphia brought the telephone to international attention. Influential visitors to the exhibition included Emperor Pedro II of Brazil. One of the judges at the Exhibition, Sir William Thomson (later, Lord Kelvin), a renowned Scottish scientist, described the telephone as "the greatest by far of all the marvels of the electric telegraph".
On January 14, 1878, at Osborne House, on the Isle of Wight, Bell demonstrated the device to Queen Victoria, placing calls to Cowes, Southampton and London. These were the first publicly witnessed long-distance telephone calls in the UK. The queen considered the process to be "quite extraordinary" although the sound was "rather faint". She later asked to buy the equipment that was used, but Bell offered to make "a set of telephones" specifically for her.
The Bell Telephone Company was created in 1877, and by 1886, more than 150,000 people in the U.S. owned telephones. Bell Company engineers made numerous other improvements to the telephone, which emerged as one of the most successful products ever. In 1879, the Bell company acquired Edison's patents for the carbon microphone from Western Union. This made the telephone practical for longer distances, and it was no longer necessary to shout to be heard at the receiving telephone.
Emperor Pedro II of Brazil was the first person to buy stock in Bell's company, the Bell Telephone Company. One of the first telephones in a private residence was installed in his palace in Petrópolis, his summer retreat from Rio de Janeiro.
In January 1915, Bell made the first ceremonial transcontinental telephone call. Calling from the AT&T head office at 15 Dey Street in New York City, Bell was heard by Thomas Watson at 333 Grant Avenue in San Francisco. "The New York Times" reported:
Competitors.
As is sometimes common in scientific discoveries, simultaneous developments can occur, as evidenced by a number of inventors who were at work on the telephone. Over a period of 18 years, the Bell Telephone Company faced 587 court challenges to its patents, including five that went to the U.S. Supreme Court, but none was successful in establishing priority over the original Bell patent and the Bell Telephone Company never lost a case that had proceeded to a final trial stage. Bell's laboratory notes and family letters were the key to establishing a long lineage to his experiments. The Bell company lawyers successfully fought off myriad lawsuits generated initially around the challenges by Elisha Gray and Amos Dolbear. In personal correspondence to Bell, both Gray and Dolbear had acknowledged his prior work, which considerably weakened their later claims.
On January 13, 1887, the U.S. Government moved to annul the patent issued to Bell on the grounds of fraud and misrepresentation. After a series of decisions and reversals, the Bell company won a decision in the Supreme Court, though a couple of the original claims from the lower court cases were left undecided. By the time that the trial wound its way through nine years of legal battles, the U.S. prosecuting attorney had died and the two Bell patents (No. 174,465 dated March 7, 1876, and No. 186,787 dated January 30, 1877) were no longer in effect, although the presiding judges agreed to continue the proceedings due to the case's importance as a precedent. With a change in administration and charges of conflict of interest (on both sides) arising from the original trial, the US Attorney General dropped the lawsuit on November 30, 1897, leaving several issues undecided on the merits.
During a deposition filed for the 1887 trial, Italian inventor Antonio Meucci also claimed to have created the first working model of a telephone in Italy in 1834. In 1886, in the first of three cases in which he was involved, Meucci took the stand as a witness in the hope of establishing his invention's priority. Meucci's testimony in this case was disputed due to a lack of material evidence for his inventions, as his working models were purportedly lost at the laboratory of American District Telegraph (ADT) of New York, which was later incorporated as a subsidiary of Western Union in 1901. Meucci's work, like many other inventors of the period, was based on earlier acoustic principles and despite evidence of earlier experiments, the final case involving Meucci was eventually dropped upon Meucci's death. However, due to the efforts of Congressman Vito Fossella, the U.S. House of Representatives on June 11, 2002, stated that Meucci's "work in the invention of the telephone should be acknowledged". This did not put an end to the still-contentious issue. Some modern scholars do not agree with the claims that Bell's work on the telephone was influenced by Meucci's inventions.
The value of the Bell patent was acknowledged throughout the world, and patent applications were made in most major countries, but when Bell delayed the German patent application, the electrical firm of Siemens & Halske set up a rival manufacturer of Bell telephones under their own patent. The Siemens company produced near-identical copies of the Bell telephone without having to pay royalties. The establishment of the International Bell Telephone Company in Brussels, Belgium in 1880, as well as a series of agreements in other countries eventually consolidated a global telephone operation. The strain put on Bell by his constant appearances in court, necessitated by the legal battles, eventually resulted in his resignation from the company.
The race to the patent office.
In 1875, Bell developed an acoustic telegraph and drew up a patent application for it. Since he had agreed to share U.S. profits with his investors Gardiner Hubbard and Thomas Sanders, Bell requested that an associate in Ontario, George Brown, attempt to patent it in Britain, instructing his lawyers to apply for a patent in the U.S. only after they received word from Britain (Britain would issue patents only for discoveries not previously patented elsewhere).
Meanwhile, Elisha Gray was also experimenting with acoustic telegraphy and thought of a way to transmit speech using a water transmitter. On February 14, 1876, Gray filed a caveat with the U.S. Patent Office for a telephone design that used a water transmitter. That same morning, Bell's lawyer filed Bell's application with the patent office. There is considerable debate about who arrived first and Gray later challenged the primacy of Bell's patent. Bell was in Boston on February 14 and did not arrive in Washington until February 26.
Bell's patent 174,465, was issued to Bell on March 7, 1876, by the U.S. Patent Office. Bell's patent covered "the method of, and apparatus for, transmitting vocal or other sounds telegraphically ... by causing electrical undulations, similar in form to the vibrations of the air accompanying the said vocal or other sound" Bell returned to Boston the same day and the next day resumed work, drawing in his notebook a diagram similar to that in Gray's patent caveat.
On March 10, 1876, three days after his patent was issued, Bell succeeded in getting his telephone to work, using a liquid transmitter similar to Gray's design. Vibration of the diaphragm caused a needle to vibrate in the water, varying the electrical resistance in the circuit. When Bell spoke the sentence "Mr. Watson—Come here—I want to see you" into the liquid transmitter, Watson, listening at the receiving end in an adjoining room, heard the words clearly.
Although Bell was, and still is, accused of stealing the telephone from Gray, Bell used Gray's water transmitter design only after Bell's patent had been granted, and only as a proof of concept scientific experiment, to prove to his own satisfaction that intelligible "articulate speech" (Bell's words) could be electrically transmitted. After March 1876, Bell focused on improving the electromagnetic telephone and never used Gray's liquid transmitter in public demonstrations or commercial use.
The question of priority for the variable resistance feature of the telephone was raised by the examiner before he approved Bell's patent application. He told Bell that his claim for the variable resistance feature was also described in Gray's caveat. Bell pointed to a variable resistance device in his previous application in which he described a cup of mercury, not water. He had filed the mercury application at the patent office a year earlier on February 25, 1875, long before Elisha Gray described the water device. In addition, Gray abandoned his caveat, and because he did not contest Bell's priority, the examiner approved Bell's patent on March 3, 1876. Gray had reinvented the variable resistance telephone, but Bell was the first to write down the idea and the first to test it in a telephone.
The patent examiner, Zenas Fisk Wilber, later stated in an affidavit that he was an alcoholic who was much in debt to Bell's lawyer, Marcellus Bailey, with whom he had served in the Civil War. He claimed he showed Gray's patent caveat to Bailey. Wilber also claimed (after Bell arrived in Washington D.C. from Boston) that he showed Gray's caveat to Bell and that Bell paid him $100 (). Bell claimed they discussed the patent only in general terms, although in a letter to Gray, Bell admitted that he learned some of the technical details. Bell denied in an affidavit that he ever gave Wilber any money.
Later developments.
On March 10, 1876, Bell used "the instrument" in Boston to call Thomas Watson who was in another room but out of earshot. He said, "Mr. Watson, come here – I want to see you" and Watson soon appeared at his side.
Continuing his experiments in Brantford, Bell brought home a working model of his telephone. On August 3, 1876, from the telegraph office in Brantford, Ontario, Bell sent a tentative telegram to the village of Mount Pleasant distant, indicating that he was ready. He made a telephone call via telegraph wires and faint voices were heard replying. The following night, he amazed guests as well as his family with a call between the Bell Homestead and the office of the Dominion Telegraph Company in Brantford along an improvised wire strung up along telegraph lines and fences, and laid through a tunnel. This time, guests at the household distinctly heard people in Brantford reading and singing. The third test on August 10, 1876, was made via the telegraph line between Brantford and Paris, Ontario, distant. This test was said by many sources to be the "world's first long-distance call". The final test certainly proved that the telephone could work over long distances, at least as a one-way call.
The first two-way (reciprocal) conversation over a line occurred between Cambridge and Boston (roughly 2.5 miles) on October 9, 1876. During that conversation, Bell was on Kilby Street in Boston and Watson was at the offices of the Walworth Manufacturing Company.
Bell and his partners, Hubbard and Sanders, offered to sell the patent outright to Western Union for $100,000, equal to $ today. The president of Western Union balked, countering that the telephone was nothing but a toy. Two years later, he told colleagues that if he could get the patent for $25 million (equal to $ today), he would consider it a bargain. By then, the Bell company no longer wanted to sell the patent. Bell's investors would become millionaires while he fared well from residuals and at one point had assets of nearly one million dollars.
Bell began a series of public demonstrations and lectures to introduce the new invention to the scientific community as well as the general public. A short time later, his demonstration of an early telephone prototype at the 1876 Centennial Exposition in Philadelphia brought the telephone to international attention. Influential visitors to the exhibition included Emperor Pedro II of Brazil. One of the judges at the Exhibition, Sir William Thomson (later, Lord Kelvin), a renowned Scottish scientist, described the telephone as "the greatest by far of all the marvels of the electric telegraph".
On January 14, 1878, at Osborne House, on the Isle of Wight, Bell demonstrated the device to Queen Victoria, placing calls to Cowes, Southampton and London. These were the first publicly witnessed long-distance telephone calls in the UK. The queen considered the process to be "quite extraordinary" although the sound was "rather faint". She later asked to buy the equipment that was used, but Bell offered to make "a set of telephones" specifically for her.
The Bell Telephone Company was created in 1877, and by 1886, more than 150,000 people in the U.S. owned telephones. Bell Company engineers made numerous other improvements to the telephone, which emerged as one of the most successful products ever. In 1879, the Bell company acquired Edison's patents for the carbon microphone from Western Union. This made the telephone practical for longer distances, and it was no longer necessary to shout to be heard at the receiving telephone.
Emperor Pedro II of Brazil was the first person to buy stock in Bell's company, the Bell Telephone Company. One of the first telephones in a private residence was installed in his palace in Petrópolis, his summer retreat from Rio de Janeiro.
In January 1915, Bell made the first ceremonial transcontinental telephone call. Calling from the AT&T head office at 15 Dey Street in New York City, Bell was heard by Thomas Watson at 333 Grant Avenue in San Francisco. "The New York Times" reported:
Competitors.
As is sometimes common in scientific discoveries, simultaneous developments can occur, as evidenced by a number of inventors who were at work on the telephone. Over a period of 18 years, the Bell Telephone Company faced 587 court challenges to its patents, including five that went to the U.S. Supreme Court, but none was successful in establishing priority over the original Bell patent and the Bell Telephone Company never lost a case that had proceeded to a final trial stage. Bell's laboratory notes and family letters were the key to establishing a long lineage to his experiments. The Bell company lawyers successfully fought off myriad lawsuits generated initially around the challenges by Elisha Gray and Amos Dolbear. In personal correspondence to Bell, both Gray and Dolbear had acknowledged his prior work, which considerably weakened their later claims.
On January 13, 1887, the U.S. Government moved to annul the patent issued to Bell on the grounds of fraud and misrepresentation. After a series of decisions and reversals, the Bell company won a decision in the Supreme Court, though a couple of the original claims from the lower court cases were left undecided. By the time that the trial wound its way through nine years of legal battles, the U.S. prosecuting attorney had died and the two Bell patents (No. 174,465 dated March 7, 1876, and No. 186,787 dated January 30, 1877) were no longer in effect, although the presiding judges agreed to continue the proceedings due to the case's importance as a precedent. With a change in administration and charges of conflict of interest (on both sides) arising from the original trial, the US Attorney General dropped the lawsuit on November 30, 1897, leaving several issues undecided on the merits.
During a deposition filed for the 1887 trial, Italian inventor Antonio Meucci also claimed to have created the first working model of a telephone in Italy in 1834. In 1886, in the first of three cases in which he was involved, Meucci took the stand as a witness in the hope of establishing his invention's priority. Meucci's testimony in this case was disputed due to a lack of material evidence for his inventions, as his working models were purportedly lost at the laboratory of American District Telegraph (ADT) of New York, which was later incorporated as a subsidiary of Western Union in 1901. Meucci's work, like many other inventors of the period, was based on earlier acoustic principles and despite evidence of earlier experiments, the final case involving Meucci was eventually dropped upon Meucci's death. However, due to the efforts of Congressman Vito Fossella, the U.S. House of Representatives on June 11, 2002, stated that Meucci's "work in the invention of the telephone should be acknowledged". This did not put an end to the still-contentious issue. Some modern scholars do not agree with the claims that Bell's work on the telephone was influenced by Meucci's inventions.
The value of the Bell patent was acknowledged throughout the world, and patent applications were made in most major countries, but when Bell delayed the German patent application, the electrical firm of Siemens & Halske set up a rival manufacturer of Bell telephones under their own patent. The Siemens company produced near-identical copies of the Bell telephone without having to pay royalties. The establishment of the International Bell Telephone Company in Brussels, Belgium in 1880, as well as a series of agreements in other countries eventually consolidated a global telephone operation. The strain put on Bell by his constant appearances in court, necessitated by the legal battles, eventually resulted in his resignation from the company.
Family life.
On July 11, 1877, a few days after the Bell Telephone Company was established, Bell married Mabel Hubbard (1857–1923) at the Hubbard estate in Cambridge, Massachusetts. His wedding present to his bride was to turn over 1,487 of his 1,497 shares in the newly formed Bell Telephone Company. Shortly thereafter, the newlyweds embarked on a year-long honeymoon in Europe. During that excursion, Bell took a handmade model of his telephone with him, making it a "working holiday". The courtship had begun years earlier; however, Bell waited until he was more financially secure before marrying. Although the telephone appeared to be an "instant" success, it was not initially a profitable venture and Bell's main sources of income were from lectures until after 1897. One unusual request exacted by his fiancée was that he use "Alec" rather than the family's earlier familiar name of "Aleck". From 1876, he would sign his name "Alec Bell". They had four children:
The Bell family home was in Cambridge, Massachusetts, until 1880 when Bell's father-in-law bought a house in Washington, D.C.; in 1882 he bought a home in the same city for Bell's family, so they could be with him while he attended to the numerous court cases involving patent disputes.
Bell was a British subject throughout his early life in Scotland and later in Canada until 1882 when he became a naturalized citizen of the United States. In 1915, he characterized his status as: "I am not one of those hyphenated Americans who claim allegiance to two countries." Despite this declaration, Bell has been proudly claimed as a "native son" by all three countries he resided in: the United States, Canada, and the United Kingdom.
By 1885, a new summer retreat was contemplated. That summer, the Bells had a vacation on Cape Breton Island in Nova Scotia, spending time at the small village of Baddeck. Returning in 1886, Bell started building an estate on a point across from Baddeck, overlooking Bras d'Or Lake. By 1889, a large house, christened "The Lodge" was completed and two years later, a larger complex of buildings, including a new laboratory, were begun that the Bells would name Beinn Bhreagh (Gaelic: "Beautiful Mountain") after Bell's ancestral Scottish highlands. Bell also built the Bell Boatyard on the estate, employing up to 40 people building experimental craft as well as wartime lifeboats and workboats for the Royal Canadian Navy and pleasure craft for the Bell family. He was an enthusiastic boater, and Bell and his family sailed or rowed a long series of vessels on Bras d'Or Lake, ordering additional vessels from the H.W. Embree and Sons boatyard in Port Hawkesbury, Nova Scotia. In his final, and some of his most productive years, Bell split his residency between Washington, D.C., where he and his family initially resided for most of the year, and Beinn Bhreagh, where they spent increasing amounts of time.
Until the end of his life, Bell and his family would alternate between the two homes, but "Beinn Bhreagh" would, over the next 30 years, become more than a summer home as Bell became so absorbed in his experiments that his annual stays lengthened. Both Mabel and Bell became immersed in the Baddeck community and were accepted by the villagers as "their own". The Bells were still in residence at "Beinn Bhreagh" when the Halifax Explosion occurred on December 6, 1917. Mabel and Bell mobilized the community to help victims in Halifax.
Later inventions.
Although Alexander Graham Bell is most often associated with the invention of the telephone, his interests were extremely varied. According to one of his biographers, Charlotte Gray, Bell's work ranged "unfettered across the scientific landscape" and he often went to bed voraciously reading the "Encyclopædia Britannica", scouring it for new areas of interest. The range of Bell's inventive genius is represented only in part by the 18 patents granted in his name alone and the 12 he shared with his collaborators. These included 14 for the telephone and telegraph, four for the photophone, one for the phonograph, five for aerial vehicles, four for "hydroairplanes", and two for selenium cells. Bell's inventions spanned a wide range of interests and included a metal jacket to assist in breathing, the audiometer to detect minor hearing problems, a device to locate icebergs, investigations on how to separate salt from seawater, and work on finding alternative fuels.
Bell worked extensively in medical research and invented techniques for teaching speech to the deaf. During his Volta Laboratory period, Bell and his associates considered impressing a magnetic field on a record as a means of reproducing sound. Although the trio briefly experimented with the concept, they could not develop a workable prototype. They abandoned the idea, never realizing they had glimpsed a basic principle which would one day find its application in the tape recorder, the hard disc and floppy disc drive, and other magnetic media.
Bell's own home used a primitive form of air conditioning, in which fans blew currents of air across great blocks of ice. He also anticipated modern concerns with fuel shortages and industrial pollution. Methane gas, he reasoned, could be produced from the waste of farms and factories. At his Canadian estate in Nova Scotia, he experimented with composting toilets and devices to capture water from the atmosphere. In a magazine interview published shortly before his death, he reflected on the possibility of using solar panels to heat houses.
Photophone.
Bell and his assistant Charles Sumner Tainter jointly invented a wireless telephone, named a photophone, which allowed for the transmission of both sounds and normal human conversations on a beam of light. Both men later became full associates in the Volta Laboratory Association.
On June 21, 1880, Bell's assistant transmitted a wireless voice telephone message a considerable distance, from the roof of the Franklin School in Washington, D.C., to Bell at the window of his laboratory, some away, 19 years before the first voice radio transmissions.
Bell believed the photophone's principles were his life's "greatest achievement", telling a reporter shortly before his death that the photophone was "the greatest invention [I have] ever made, greater than the telephone". The photophone was a precursor to the fiber-optic communication systems which achieved popular worldwide usage in the 1980s. Its master patent was issued in December 1880, many decades before the photophone's principles came into popular use.
Metal detector.
Bell is also credited with developing one of the early versions of a metal detector through the use of an induction balance, after the shooting of U.S. President James A. Garfield in 1881. According to some accounts, the metal detector worked flawlessly in tests but did not find Guiteau's bullet, partly because the metal bed frame on which the President was lying disturbed the instrument, resulting in static. Garfield's surgeons, led by self-appointed chief physician Doctor Willard Bliss, were skeptical of the device, and ignored Bell's requests to move the President to a bed not fitted with metal springs. Alternatively, although Bell had detected a slight sound on his first test, the bullet may have been lodged too deeply to be detected by the crude apparatus.
Bell's own detailed account, presented to the American Association for the Advancement of Science in 1882, differs in several particulars from most of the many and varied versions now in circulation, by concluding that extraneous metal was not to blame for failure to locate the bullet. Perplexed by the peculiar results he had obtained during an examination of Garfield, Bell "proceeded to the Executive Mansion the next morning ... to ascertain from the surgeons whether they were perfectly sure that all metal had been removed from the neighborhood of the bed. It was then recollected that underneath the horse-hair mattress on which the President lay was another mattress composed of steel wires. Upon obtaining a duplicate, the mattress was found to consist of a sort of net of woven steel wires, with large meshes. The extent of the [area that produced a response from the detector] having been so small, as compared with the area of the bed, it seemed reasonable to conclude that the steel mattress had produced no detrimental effect." In a footnote, Bell adds, "The death of President Garfield and the subsequent "post-mortem" examination, however, proved that the bullet was at too great a distance from the surface to have affected our apparatus."
Hydrofoils.
The March 1906 "Scientific American" article by American pioneer William E. Meacham explained the basic principle of hydrofoils and hydroplanes. Bell considered the invention of the hydroplane as a very significant achievement. Based on information gained from that article, he began to sketch concepts of what is now called a hydrofoil boat. Bell and assistant Frederick W. "Casey" Baldwin began hydrofoil experimentation in the summer of 1908 as a possible aid to airplane takeoff from water. Baldwin studied the work of the Italian inventor Enrico Forlanini and began testing models. This led him and Bell to the development of practical hydrofoil watercraft.
During his world tour of 1910–11, Bell and Baldwin met with Forlanini in France. They had rides in the Forlanini hydrofoil boat over Lake Maggiore. Baldwin described it as being as smooth as flying. On returning to Baddeck, a number of initial concepts were built as experimental models, including the "Dhonnas Beag" (Scottish Gaelic for 'little devil'), the first self-propelled Bell-Baldwin hydrofoil. The experimental boats were essentially proof-of-concept prototypes that culminated in the more substantial HD-4, powered by Renault engines. A top speed of was achieved, with the hydrofoil exhibiting rapid acceleration, good stability, and steering, along with the ability to take waves without difficulty. In 1913, Dr. Bell hired Walter Pinaud, a Sydney yacht designer and builder as well as the proprietor of Pinaud's Yacht Yard in Westmount, Nova Scotia, to work on the pontoons of the HD-4. Pinaud soon took over the boatyard at Bell Laboratories on Beinn Bhreagh, Bell's estate near Baddeck, Nova Scotia. Pinaud's experience in boatbuilding enabled him to make useful design changes to the HD-4. After the First World War, work began again on the HD-4. Bell's report to the U.S. Navy permitted him to obtain two engines in July 1919. On September 9, 1919, the HD-4 set a world marine speed record of , a record which stood for ten years.
Aeronautics.
In 1891, Bell had begun experiments to develop motor-powered heavier-than-air aircraft. The AEA was first formed as Bell shared the vision to fly with his wife, who advised him to seek "young" help as Bell was at the age of 60.
In 1898, Bell experimented with tetrahedral box kites and wings constructed of multiple compound tetrahedral kites covered in maroon silk. The tetrahedral wings were named "Cygnet" I, II, and III, and were flown both unmanned and manned ("Cygnet I" crashed during a flight carrying Selfridge) in the period from 1907 to 1912. Some of Bell's kites are on display at the Alexander Graham Bell National Historic Site.
Bell was a supporter of aerospace engineering research through the Aerial Experiment Association (AEA), officially formed at Baddeck, Nova Scotia, in October 1907 at the suggestion of his wife Mabel and with her financial support after the sale of some of her real estate. The AEA was headed by Bell and the founding members were four young men: American Glenn H. Curtiss, a motorcycle manufacturer at the time and who held the title "world's fastest man", having ridden his self-constructed motor bicycle around in the shortest time, and who was later awarded the Scientific American Trophy for the first official one-kilometre flight in the Western hemisphere, and who later became a world-renowned airplane manufacturer; Lieutenant Thomas Selfridge, an official observer from the U.S. Federal government and one of the few people in the army who believed that aviation was the future; Frederick W. Baldwin, the first Canadian and first British subject to pilot a public flight in Hammondsport, New York; and J. A. D. McCurdy–Baldwin and McCurdy being new engineering graduates from the University of Toronto.
The AEA's work progressed to heavier-than-air machines, applying their knowledge of kites to gliders. Moving to Hammondsport, the group then designed and built the "Red Wing", framed in bamboo and covered in red silk and powered by a small air-cooled engine. On March 12, 1908, over Keuka Lake, the biplane lifted off on the first public flight in North America. The innovations that were incorporated into this design included a cockpit enclosure and tail rudder (later variations on the original design would add ailerons as a means of control). One of the AEA's inventions, a practical wingtip form of the aileron, was to become a standard component on all aircraft. The "White Wing" and "June Bug" were to follow and by the end of 1908, over 150 flights without mishap had been accomplished. However, the AEA had depleted its initial reserves and only a $15,000 grant from Mrs. Bell allowed it to continue with experiments. Lt. Selfridge had also become the first person killed in a powered heavier-than-air flight in a crash of the Wright Flyer at Fort Myer, Virginia, on September 17, 1908.
Their final aircraft design, the "Silver Dart", embodied all of the advancements found in the earlier machines. On February 23, 1909, Bell was present as the "Silver Dart" flown by J. A. D. McCurdy from the frozen ice of Bras d'Or made the first aircraft flight in Canada. Bell had worried that the flight was too dangerous and had arranged for a doctor to be on hand. With the successful flight, the AEA disbanded and the "Silver Dart" would revert to Baldwin and McCurdy, who began the Canadian Aerodrome Company and would later demonstrate the aircraft to the Canadian Army.
Photophone.
Bell and his assistant Charles Sumner Tainter jointly invented a wireless telephone, named a photophone, which allowed for the transmission of both sounds and normal human conversations on a beam of light. Both men later became full associates in the Volta Laboratory Association.
On June 21, 1880, Bell's assistant transmitted a wireless voice telephone message a considerable distance, from the roof of the Franklin School in Washington, D.C., to Bell at the window of his laboratory, some away, 19 years before the first voice radio transmissions.
Bell believed the photophone's principles were his life's "greatest achievement", telling a reporter shortly before his death that the photophone was "the greatest invention [I have] ever made, greater than the telephone". The photophone was a precursor to the fiber-optic communication systems which achieved popular worldwide usage in the 1980s. Its master patent was issued in December 1880, many decades before the photophone's principles came into popular use.
Metal detector.
Bell is also credited with developing one of the early versions of a metal detector through the use of an induction balance, after the shooting of U.S. President James A. Garfield in 1881. According to some accounts, the metal detector worked flawlessly in tests but did not find Guiteau's bullet, partly because the metal bed frame on which the President was lying disturbed the instrument, resulting in static. Garfield's surgeons, led by self-appointed chief physician Doctor Willard Bliss, were skeptical of the device, and ignored Bell's requests to move the President to a bed not fitted with metal springs. Alternatively, although Bell had detected a slight sound on his first test, the bullet may have been lodged too deeply to be detected by the crude apparatus.
Bell's own detailed account, presented to the American Association for the Advancement of Science in 1882, differs in several particulars from most of the many and varied versions now in circulation, by concluding that extraneous metal was not to blame for failure to locate the bullet. Perplexed by the peculiar results he had obtained during an examination of Garfield, Bell "proceeded to the Executive Mansion the next morning ... to ascertain from the surgeons whether they were perfectly sure that all metal had been removed from the neighborhood of the bed. It was then recollected that underneath the horse-hair mattress on which the President lay was another mattress composed of steel wires. Upon obtaining a duplicate, the mattress was found to consist of a sort of net of woven steel wires, with large meshes. The extent of the [area that produced a response from the detector] having been so small, as compared with the area of the bed, it seemed reasonable to conclude that the steel mattress had produced no detrimental effect." In a footnote, Bell adds, "The death of President Garfield and the subsequent "post-mortem" examination, however, proved that the bullet was at too great a distance from the surface to have affected our apparatus."
Hydrofoils.
The March 1906 "Scientific American" article by American pioneer William E. Meacham explained the basic principle of hydrofoils and hydroplanes. Bell considered the invention of the hydroplane as a very significant achievement. Based on information gained from that article, he began to sketch concepts of what is now called a hydrofoil boat. Bell and assistant Frederick W. "Casey" Baldwin began hydrofoil experimentation in the summer of 1908 as a possible aid to airplane takeoff from water. Baldwin studied the work of the Italian inventor Enrico Forlanini and began testing models. This led him and Bell to the development of practical hydrofoil watercraft.
During his world tour of 1910–11, Bell and Baldwin met with Forlanini in France. They had rides in the Forlanini hydrofoil boat over Lake Maggiore. Baldwin described it as being as smooth as flying. On returning to Baddeck, a number of initial concepts were built as experimental models, including the "Dhonnas Beag" (Scottish Gaelic for 'little devil'), the first self-propelled Bell-Baldwin hydrofoil. The experimental boats were essentially proof-of-concept prototypes that culminated in the more substantial HD-4, powered by Renault engines. A top speed of was achieved, with the hydrofoil exhibiting rapid acceleration, good stability, and steering, along with the ability to take waves without difficulty. In 1913, Dr. Bell hired Walter Pinaud, a Sydney yacht designer and builder as well as the proprietor of Pinaud's Yacht Yard in Westmount, Nova Scotia, to work on the pontoons of the HD-4. Pinaud soon took over the boatyard at Bell Laboratories on Beinn Bhreagh, Bell's estate near Baddeck, Nova Scotia. Pinaud's experience in boatbuilding enabled him to make useful design changes to the HD-4. After the First World War, work began again on the HD-4. Bell's report to the U.S. Navy permitted him to obtain two engines in July 1919. On September 9, 1919, the HD-4 set a world marine speed record of , a record which stood for ten years.
Aeronautics.
In 1891, Bell had begun experiments to develop motor-powered heavier-than-air aircraft. The AEA was first formed as Bell shared the vision to fly with his wife, who advised him to seek "young" help as Bell was at the age of 60.
In 1898, Bell experimented with tetrahedral box kites and wings constructed of multiple compound tetrahedral kites covered in maroon silk. The tetrahedral wings were named "Cygnet" I, II, and III, and were flown both unmanned and manned ("Cygnet I" crashed during a flight carrying Selfridge) in the period from 1907 to 1912. Some of Bell's kites are on display at the Alexander Graham Bell National Historic Site.
Bell was a supporter of aerospace engineering research through the Aerial Experiment Association (AEA), officially formed at Baddeck, Nova Scotia, in October 1907 at the suggestion of his wife Mabel and with her financial support after the sale of some of her real estate. The AEA was headed by Bell and the founding members were four young men: American Glenn H. Curtiss, a motorcycle manufacturer at the time and who held the title "world's fastest man", having ridden his self-constructed motor bicycle around in the shortest time, and who was later awarded the Scientific American Trophy for the first official one-kilometre flight in the Western hemisphere, and who later became a world-renowned airplane manufacturer; Lieutenant Thomas Selfridge, an official observer from the U.S. Federal government and one of the few people in the army who believed that aviation was the future; Frederick W. Baldwin, the first Canadian and first British subject to pilot a public flight in Hammondsport, New York; and J. A. D. McCurdy–Baldwin and McCurdy being new engineering graduates from the University of Toronto.
The AEA's work progressed to heavier-than-air machines, applying their knowledge of kites to gliders. Moving to Hammondsport, the group then designed and built the "Red Wing", framed in bamboo and covered in red silk and powered by a small air-cooled engine. On March 12, 1908, over Keuka Lake, the biplane lifted off on the first public flight in North America. The innovations that were incorporated into this design included a cockpit enclosure and tail rudder (later variations on the original design would add ailerons as a means of control). One of the AEA's inventions, a practical wingtip form of the aileron, was to become a standard component on all aircraft. The "White Wing" and "June Bug" were to follow and by the end of 1908, over 150 flights without mishap had been accomplished. However, the AEA had depleted its initial reserves and only a $15,000 grant from Mrs. Bell allowed it to continue with experiments. Lt. Selfridge had also become the first person killed in a powered heavier-than-air flight in a crash of the Wright Flyer at Fort Myer, Virginia, on September 17, 1908.
Their final aircraft design, the "Silver Dart", embodied all of the advancements found in the earlier machines. On February 23, 1909, Bell was present as the "Silver Dart" flown by J. A. D. McCurdy from the frozen ice of Bras d'Or made the first aircraft flight in Canada. Bell had worried that the flight was too dangerous and had arranged for a doctor to be on hand. With the successful flight, the AEA disbanded and the "Silver Dart" would revert to Baldwin and McCurdy, who began the Canadian Aerodrome Company and would later demonstrate the aircraft to the Canadian Army.
Heredity and genetics.
Bell, along with many members of the scientific community at the time, took an interest in the popular science of heredity which grew out of the publication of Charles Darwin's book "On the Origin of Species" in 1859. On his estate in Nova Scotia, Bell conducted meticulously recorded breeding experiments with rams and ewes. Over the course of more than 30 years, Bell sought to produce a breed of sheep with multiple nipples that would bear twins. He specifically wanted to see if selective breeding could produce sheep with four functional nipples with enough milk for twin lambs. This interest in animal breeding caught the attention of scientists focused on the study of heredity and genetics in humans.
In November 1883, Bell presented a paper at a meeting of the National Academy of Sciences titled "Upon the Formation of a Deaf Variety of the Human Race". The paper is a compilation of data on the hereditary aspects of deafness. Bell's research indicated that a hereditary tendency toward deafness, as indicated by the possession of deaf relatives, was an important element in determining the production of deaf offspring. He noted that the proportion of deaf children born to deaf parents was many times greater than the proportion of deaf children born to the general population. In the paper, Bell delved into social commentary and discussed hypothetical public policies to bring an end to deafness. He also criticized educational practices that segregated deaf children rather than integrated them fulling into mainstream classrooms. The paper did not propose sterilization of deaf people or prohibition on intermarriage, noting that "We cannot dictate to men and women whom they should marry and natural selection no longer influences mankind to any great extent."
A review of Bell's "Memoir upon the Formation of a Deaf Variety of the Human Race" appearing in an 1885 issue of the "American Annals of the Deaf and Dumb" states that "Dr. Bell does not advocate legislative interference with the marriages of the deaf for several reasons one of which is that the results of such marriages have not yet been sufficiently investigated." The article goes on to say that "the editorial remarks based thereon did injustice to the author." The paper's author concludes by saying "A wiser way to prevent the extension of hereditary deafness, it seems to us, would be to continue the investigations which Dr. Bell has so admirable begun until the laws of the transmission of the tendency to deafness are fully understood, and then by explaining those laws to the pupils of our schools to lead them to choose their partners in marriage in such a way that deaf-mute offspring will not be the result."
Historians have noted that Bell explicitly opposed laws regulating marriage, and never mentioned sterilization in any of his writings. Even after Bell agreed to engage with scientists conducting eugenic research, he consistently refused to support public policy that limited the rights or privileges of the deaf.
Bell's interest and research on heredity attracted the interest of Charles Davenport, a Harvard professor and head of the Cold Spring Harbor Laboratory. In 1906, Davenport, who was also the founder of the American Breeder's Association, approached Bell about joining a new committee on eugenics chaired by David Starr Jordan. In 1910, Davenport opened the Eugenics Records office at Cold Spring Harbor. To give the organization scientific credibility, Davenport set up a Board of Scientific Directors naming Bell as chairman. Other members of the board included Luther Burbank, Roswell H. Johnson, Vernon L. Kellogg, and William E. Castle.
In 1921, a Second International Congress of Eugenics was held in New York at the Museum of Natural History and chaired by Davenport. Although Bell did not present any research or speak as part of the proceedings, he was named as honorary president as a means to attract other scientists to attend the event. A summary of the event notes that Bell was a "pioneering investigator in the field of human heredity".
Death.
Bell died of complications arising from diabetes on August 2, 1922, at his private estate in Cape Breton, Nova Scotia, at age 75. Bell had also been affected by pernicious anemia. His last view of the land he had inhabited was by moonlight on his mountain estate at 2:00 a.m. While tending to him after his long illness, Mabel, his wife, whispered, "Don't leave me." By way of reply, Bell signed "no...", lost consciousness, and died shortly after.
On learning of Bell's death, the Canadian Prime Minister, Mackenzie King, cabled Mrs. Bell, saying:
Bell's coffin was constructed of Beinn Bhreagh pine by his laboratory staff, lined with the same red silk fabric used in his tetrahedral kite experiments. To help celebrate his life, his wife asked guests not to wear black (the traditional funeral color) while attending his service, during which soloist Jean MacDonald sang a verse of Robert Louis Stevenson's "Requiem":
Upon the conclusion of Bell's funeral, for one minute at 6:25 p.m. Eastern Time, "every phone on the continent of North America was silenced in honor of the man who had given to mankind the means for direct communication at a distance".
Alexander Graham Bell was buried atop Beinn Bhreagh mountain, on his estate where he had resided increasingly for the last 35 years of his life, overlooking Bras d'Or Lake. He was survived by his wife Mabel, his two daughters, Elsie May and Marian, and nine of his grandchildren.
Legacy and honors.
Honors and tributes flowed to Bell in increasing numbers as his invention became ubiquitous and his personal fame grew. Bell received numerous honorary degrees from colleges and universities to the point that the requests almost became burdensome. During his life, he also received dozens of major awards, medals, and other tributes. These included statuary monuments to both him and the new form of communication his telephone created, including the Bell Telephone Memorial erected in his honor in "Alexander Graham Bell Gardens" in Brantford, Ontario, in 1917.
A large number of Bell's writings, personal correspondence, notebooks, papers, and other documents reside in both the United States Library of Congress Manuscript Division (as the "Alexander Graham Bell Family Papers"), and at the Alexander Graham Bell Institute, Cape Breton University, Nova Scotia; major portions of which are available for online viewing.
A number of historic sites and other marks commemorate Bell in North America and Europe, including the first telephone companies in the United States and Canada. Among the major sites are:
In 1880, Bell received the Volta Prize with a purse of 50,000 French francs (approximately US$ in today's dollars) for the invention of the telephone from the French government. Among the luminaries who judged were Victor Hugo and Alexandre Dumas, "fils". The Volta Prize was conceived by Napoleon III in 1852, and named in honor of Alessandro Volta, with Bell becoming the second recipient of the grand prize in its history. Since Bell was becoming increasingly affluent, he used his prize money to create endowment funds (the 'Volta Fund') and institutions in and around the United States capital of Washington, D.C.. These included the prestigious" 'Volta Laboratory Association' "(1880), also known as the" Volta Laboratory "and as the" 'Alexander Graham Bell Laboratory', "and which eventually led to the Volta Bureau (1887) as a center for studies on deafness which is still in operation in Georgetown, Washington, D.C. The Volta Laboratory became an experimental facility devoted to scientific discovery, and the very next year it improved Edison's phonograph by substituting wax for tinfoil as the recording medium and incising the recording rather than indenting it, key upgrades that Edison himself later adopted. The laboratory was also the site where he and his associate invented his "proudest achievement", "the photophone", the "optical telephone" which presaged fibre optical telecommunications while the Volta Bureau would later evolve into the Alexander Graham Bell Association for the Deaf and Hard of Hearing (the AG Bell), a leading center for the research and pedagogy of deafness.
In partnership with Gardiner Greene Hubbard, Bell helped establish the publication "Science" during the early 1880s. In 1898, Bell was elected as the second president of the National Geographic Society, serving until 1903, and was primarily responsible for the extensive use of illustrations, including photography, in the magazine. He also served for many years as a Regent of the Smithsonian Institution (1898–1922). The French government conferred on him the decoration of the Légion d'honneur (Legion of Honor); the Royal Society of Arts in London awarded him the Albert Medal in 1902; the University of Würzburg, Bavaria, granted him a PhD, and he was awarded the Franklin Institute's Elliott Cresson Medal in 1912. He was one of the founders of the American Institute of Electrical Engineers in 1884 and served as its president from 1891 to 1892. Bell was later awarded the AIEE's Edison Medal in 1914 "For meritorious achievement in the invention of the telephone".
The "bel" (B) and the smaller "decibel" (dB) are units of measurement of sound pressure level (SPL) invented by Bell Labs and named after him. Since 1976, the IEEE's Alexander Graham Bell Medal has been awarded to honor outstanding contributions in the field of telecommunications.
In 1936, the US Patent Office declared Bell first on its list of the country's greatest inventors, leading to the US Post Office issuing a commemorative stamp honoring Bell in 1940 as part of its 'Famous Americans Series'. The First Day of Issue ceremony was held on October 28 in Boston, Massachusetts, the city where Bell spent considerable time on research and working with the deaf. The Bell stamp became very popular and sold out in little time. The stamp became, and remains to this day, the most valuable one of the series.
The 150th anniversary of Bell's birth in 1997 was marked by a special issue of commemorative £1 banknotes from the Royal Bank of Scotland. The illustrations on the reverse of the note include Bell's face in profile, his signature, and objects from Bell's life and career: users of the telephone over the ages; an audio wave signal; a diagram of a telephone receiver; geometric shapes from engineering structures; representations of sign language and the phonetic alphabet; the geese which helped him to understand flight; and the sheep which he studied to understand genetics. Additionally, the Government of Canada honored Bell in 1997 with a C$100 gold coin, in tribute also to the 150th anniversary of his birth, and with a silver dollar coin in 2009 in honor of the 100th anniversary of flight in Canada. That first flight was made by an airplane designed under Dr. Bell's tutelage, named the Silver Dart. Bell's image, and also those of his many inventions have graced paper money, coinage, and postal stamps in numerous countries worldwide for many dozens of years.
Alexander Graham Bell was ranked 57th among the 100 Greatest Britons (2002) in an official BBC nationwide poll, and among the Top Ten Greatest Canadians (2004), and the 100 Greatest Americans (2005). In 2006, Bell was also named as one of the 10 greatest Scottish scientists in history after having been listed in the National Library of Scotland's 'Scottish Science Hall of Fame'. Bell's name is still widely known and used as part of the names of dozens of educational institutes, corporate namesakes, street and place names around the world.
Honorary degrees.
Alexander Graham Bell, who could not complete the university program of his youth, received at least a dozen honorary degrees from academic institutions, including eight honorary LL.D.s (Doctorate of Laws), two Ph.D.s, a D.Sc., and an M.D.:
Honorary degrees.
Alexander Graham Bell, who could not complete the university program of his youth, received at least a dozen honorary degrees from academic institutions, including eight honorary LL.D.s (Doctorate of Laws), two Ph.D.s, a D.Sc., and an M.D.:
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Miss Marple
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Miss Marple is a fictional character in Agatha Christie's crime novels and short stories. Jane Marple lives in the village of St. Mary Mead and acts as an amateur consulting detective. Often characterized as an elderly spinster, she is one of Christie's best-known characters and has been portrayed numerous times on screen. Her first appearance was in a short story published in "The Royal Magazine" in December 1927, "The Tuesday Night Club", which later became the first chapter of "The Thirteen Problems" (1932). Her first appearance in a full-length novel was in "The Murder at the Vicarage" in 1930, and her last appearance was in "Sleeping Murder" in 1976.
Origins.
The character of Miss Marple is based on friends of Christie's step grandmother/aunt (Margaret Miller, née West). Christie attributed the inspiration for the character to multiple sources, stating that Miss Marple was "the sort of old lady who would have been rather like some of my step grandmother's Ealing cronies – old ladies whom I have met in so many villages where I have gone to stay as a girl". Christie also used material from her fictional creation, spinster Caroline Sheppard, who appeared in "The Murder of Roger Ackroyd". When Michael Morton adapted the novel for the stage, he replaced the character of Caroline with a young girl. This change saddened Christie and she determined to give old maids a voice: Miss Marple was born.
Christie is popularly believed to have taken the name from Marple railway station, through which she passed, though a letter she wrote to a fan appears to prove that the name was inspired by a visit to a sale at Marple Hall in the same town, near her sister Margaret Watts' home at Abney Hall.
Character.
The character of Jane Marple in the first Miss Marple book, "The Murder at the Vicarage", is markedly different from how she appears in later books. This early version of Miss Marple is a gleeful gossip and not an especially nice woman. The citizens of St. Mary Mead like her but are often tired of her nosy nature and the fact she seems to expect the worst of everyone. In later books, she becomes a kinder and more modern person.
Miss Marple solves difficult crimes thanks to her shrewd intelligence, and St. Mary Mead, over her lifetime, has given her seemingly infinite examples of the negative side of human nature. Crimes always remind her of a previous incident, although acquaintances may be bored by analogies that often lead her to a deeper realisation about the true nature of a crime. She also has a remarkable ability to latch onto a casual comment and connect it to the case at hand. In several stories, she is able to rely on her acquaintance with Sir Henry Clithering, a retired commissioner of the Metropolitan Police, for official information when required.
Miss Marple never married and has no close living relatives. Her nephew, the "well-known author" Raymond West ("A Caribbean Mystery", 1964), appears in some stories, including "The Thirteen Problems", "Sleeping Murder", and "Ingots of Gold" (which also feature his wife, Joyce Lemprière). Raymond overestimates himself and underestimates his aunt's mental acuity. Miss Marple employs young women (including Clara, Emily, Alice, Esther, Gwenda, and Amy) from a nearby orphanage, whom she trains for service as general housemaids after the retirement of her long-time maid-housekeeper, faithful Florence. She was briefly looked after by her irritating companion, Miss Knight. In her later years, companion Cherry Baker, first introduced in "The Mirror Crack'd From Side to Side", lives in.
Miss Marple has never worked for her living and is of independent means, although she benefits in her old age from the financial support of her nephew Raymond. She is not from the aristocracy or landed gentry, but is quite at home among them; as a gentlewoman, Miss Marple may thus be considered a female version of the gentleman detective, a staple of British detective fiction. She demonstrates a remarkably thorough education, including some art courses that involved the study of human anatomy using human cadavers. In "They Do It with Mirrors" (1952), it is revealed that Miss Marple grew up in a cathedral close, and that she studied at an Italian finishing school with Americans Ruth Van Rydock and Caroline "Carrie" Louise Serrocold.
While Miss Marple is described as "an old lady" in many of the stories, her age is rarely mentioned and is not consistently presented. In "At Bertram's Hotel", published in 1965, it is said she visited the hotel when she was 14 and almost 60 years have passed since then, implying that she's nearly 75 years old but in "4:50 from Paddington", published almost a decade earlier in 1957, she says she will be "90 next year."
Excluding "Sleeping Murder", 41 years passed between the first and last-written novels, and many characters grow and age. An example would be the Vicar's nephew: in "The Murder at the Vicarage", the Reverend Mr Clement's nephew Dennis is a teenager; in "The Mirror Crack'd from Side to Side", it is mentioned that the nephew is now an adult and has a successful career. The effects of ageing are seen on Miss Marple, such as needing a holiday after illness in "A Caribbean Mystery", but she is if anything more agile in "Nemesis", set only 16 months later.
Miss Marple's background is described in some detail, albeit in glimpses across the novels and short stories in which she appears. She has a very large family, including a sister, the mother of Raymond, and Mabel Denham, a young woman who was accused of poisoning her husband Geoffrey ("The Thumb Mark of St. Peter").
Bibliography.
Miss Marple short story collections.
Miss Marple also appears in "Greenshaw's Folly", a short story included as part of the Poirot collection "The Adventure of the Christmas Pudding" (1960). Four stories in the "Three Blind Mice" collection (1950) feature Miss Marple: "Strange Jest", "Tape-Measure Murder", "The Case of the Caretaker", and "The Case of the Perfect Maid".
The Autograph edition of "Miss Marple's Final Cases" includes the eight in the original plus "Greenshaw's Folly".
Miss Marple short story collections.
Miss Marple also appears in "Greenshaw's Folly", a short story included as part of the Poirot collection "The Adventure of the Christmas Pudding" (1960). Four stories in the "Three Blind Mice" collection (1950) feature Miss Marple: "Strange Jest", "Tape-Measure Murder", "The Case of the Caretaker", and "The Case of the Perfect Maid".
The Autograph edition of "Miss Marple's Final Cases" includes the eight in the original plus "Greenshaw's Folly".
Stage.
A stage adaptation of "Murder at the Vicarage", by Moie Charles and Barbara Toy, was first seen at Northampton on 17 October 1949; it was directed by Reginald Tate, starred the 35-year-old Barbara Mullen as Miss Marple, and after touring, reached the Playhouse Theatre in London's West End on 14 December. Having run till late March 1950, it then went on tour again.
In July 1974, Mullen (by then 60) returned to the role in another national tour of the same play, culminating 12 months later when the show opened at London's Savoy Theatre on 28 July 1975. At the end of March 1976, the Miss Marple role was taken over by Avril Angers, after which the production transferred to the Fortune Theatre on 5 July. The role then passed to Muriel Pavlow in June 1977 and to Gabrielle Hamilton late the following year; the production finally closed in October 1979.
On 21 September 1977, while "Murder at the Vicarage" was still running at the Fortune, a stage adaptation by Leslie Darbon of "A Murder Is Announced" opened at the Vaudeville Theatre, with Dulcie Gray as Miss Marple. The show ran to the end of September 1978 and then toured.
Films.
Margaret Rutherford.
Margaret Rutherford played Miss Marple in four films directed by George Pollock between 1961 and 1964. These were successful light comedies, but Christie herself was disappointed with them. Nevertheless, Agatha Christie dedicated the novel "The Mirror Crack'd from Side to Side" to Rutherford.
Rutherford presented the character as a bold and eccentric old lady, different from the prim and birdlike character Christie created in her novels. As penned by Christie, Miss Marple has never worked for a living, but the character as portrayed by Margaret Rutherford briefly works as a cook-housekeeper, a stage actress, a sailor and criminal reformer, and is offered the chance to run a riding establishment-cum-hotel. Her education and genteel background are hinted at when she mentions her awards at marksmanship, fencing, and equestrianism (although these hints are played for comedic value).
"Murder, She Said" (1961) was the first of the four British MGM productions starring Rutherford. This film was based on the 1957 novel "4:50 from Paddington" (U.S. title, "What Mrs. McGillicuddy Saw!"), and the changes made in the plot were typical of the series. In the film, Mrs. McGillicuddy is cut from the plot. Miss Marple herself sees an apparent murder committed on a train running alongside hers. Actress Joan Hickson, who played Marple in the 1984–1992 television adaptations, has a role as a housekeeper in this movie.
"Murder at the Gallop" (1963), based on the 1953 Hercule Poirot novel "After the Funeral" (in this film, she is identified as Miss JTV Marple, though there was no indication as to what the extra initials might stand for).
"Murder Most Foul" (1964), based on the 1952 Poirot novel "Mrs McGinty's Dead".
"Murder Ahoy!" (1964). The last film is not based on any Christie work but displays a few plot elements from "They Do It With Mirrors" (viz., the ship is used as a reform school for wayward boys and one of the teachers uses them as a crime force), and there is a kind of salute to "The Mousetrap".
The music to all four films was composed and conducted by Ron Goodwin. The same theme is used on all four films with slight variations in each. The score was written within a couple of weeks by Goodwin who was approached by Pollock after Pollock had heard about him from Stanley Black. Black had worked with Pollock on "Stranger in Town" in 1957 and had previously hired Goodwin as his orchestrator.
Rutherford, who was 68 years old when the first film was shot in February 1961, insisted that she wear her own clothes during the filming of the movie, as well as having her husband, Stringer Davis, appear alongside her as the character Mr Stringer. The Rutherford films are frequently repeated on television in Germany, and in that country Miss Marple is generally identified with Rutherford's quirky portrayal.
Rutherford also appeared briefly as Miss Marple in the parodic Hercule Poirot adventure "The Alphabet Murders" (1965).
Angela Lansbury.
In 1980, Angela Lansbury played Miss Marple in "The Mirror Crack'd" (EMI, directed by Guy Hamilton), based on Christie's 1962 novel. The film featured an all-star cast that included Elizabeth Taylor, Rock Hudson, Geraldine Chaplin, Tony Curtis, and Kim Novak. Edward Fox appeared as Inspector Craddock, who did Miss Marple's legwork. Lansbury's Marple was a crisp, intelligent woman who moved stiffly and spoke in clipped tones. Unlike most incarnations of Miss Marple, this one smoked cigarettes. Lansbury was later cast as Jessica Fletcher in "Murder, She Wrote", a similar role.
Ita Ever.
In 1983, Estonian stage and film actress Ita Ever starred in the Russian language Mosfilm adaptation of Agatha Christie's novel "A Pocket Full of Rye" (using the Russian edition's translated title, "The Secret of the Blackbirds") as the character of Miss Marple. Ever has also portrayed the character of Miss Marple in the Eesti Televisioon (ETV) series "Miss Marple Stories" in 1990, and onstage at the Tallinn City Theatre in a production of "The Mirror Crack'd from Side to Side" in 2005.
Margaret Rutherford.
Margaret Rutherford played Miss Marple in four films directed by George Pollock between 1961 and 1964. These were successful light comedies, but Christie herself was disappointed with them. Nevertheless, Agatha Christie dedicated the novel "The Mirror Crack'd from Side to Side" to Rutherford.
Rutherford presented the character as a bold and eccentric old lady, different from the prim and birdlike character Christie created in her novels. As penned by Christie, Miss Marple has never worked for a living, but the character as portrayed by Margaret Rutherford briefly works as a cook-housekeeper, a stage actress, a sailor and criminal reformer, and is offered the chance to run a riding establishment-cum-hotel. Her education and genteel background are hinted at when she mentions her awards at marksmanship, fencing, and equestrianism (although these hints are played for comedic value).
"Murder, She Said" (1961) was the first of the four British MGM productions starring Rutherford. This film was based on the 1957 novel "4:50 from Paddington" (U.S. title, "What Mrs. McGillicuddy Saw!"), and the changes made in the plot were typical of the series. In the film, Mrs. McGillicuddy is cut from the plot. Miss Marple herself sees an apparent murder committed on a train running alongside hers. Actress Joan Hickson, who played Marple in the 1984–1992 television adaptations, has a role as a housekeeper in this movie.
"Murder at the Gallop" (1963), based on the 1953 Hercule Poirot novel "After the Funeral" (in this film, she is identified as Miss JTV Marple, though there was no indication as to what the extra initials might stand for).
"Murder Most Foul" (1964), based on the 1952 Poirot novel "Mrs McGinty's Dead".
"Murder Ahoy!" (1964). The last film is not based on any Christie work but displays a few plot elements from "They Do It With Mirrors" (viz., the ship is used as a reform school for wayward boys and one of the teachers uses them as a crime force), and there is a kind of salute to "The Mousetrap".
The music to all four films was composed and conducted by Ron Goodwin. The same theme is used on all four films with slight variations in each. The score was written within a couple of weeks by Goodwin who was approached by Pollock after Pollock had heard about him from Stanley Black. Black had worked with Pollock on "Stranger in Town" in 1957 and had previously hired Goodwin as his orchestrator.
Rutherford, who was 68 years old when the first film was shot in February 1961, insisted that she wear her own clothes during the filming of the movie, as well as having her husband, Stringer Davis, appear alongside her as the character Mr Stringer. The Rutherford films are frequently repeated on television in Germany, and in that country Miss Marple is generally identified with Rutherford's quirky portrayal.
Rutherford also appeared briefly as Miss Marple in the parodic Hercule Poirot adventure "The Alphabet Murders" (1965).
Angela Lansbury.
In 1980, Angela Lansbury played Miss Marple in "The Mirror Crack'd" (EMI, directed by Guy Hamilton), based on Christie's 1962 novel. The film featured an all-star cast that included Elizabeth Taylor, Rock Hudson, Geraldine Chaplin, Tony Curtis, and Kim Novak. Edward Fox appeared as Inspector Craddock, who did Miss Marple's legwork. Lansbury's Marple was a crisp, intelligent woman who moved stiffly and spoke in clipped tones. Unlike most incarnations of Miss Marple, this one smoked cigarettes. Lansbury was later cast as Jessica Fletcher in "Murder, She Wrote", a similar role.
Ita Ever.
In 1983, Estonian stage and film actress Ita Ever starred in the Russian language Mosfilm adaptation of Agatha Christie's novel "A Pocket Full of Rye" (using the Russian edition's translated title, "The Secret of the Blackbirds") as the character of Miss Marple. Ever has also portrayed the character of Miss Marple in the Eesti Televisioon (ETV) series "Miss Marple Stories" in 1990, and onstage at the Tallinn City Theatre in a production of "The Mirror Crack'd from Side to Side" in 2005.
Television.
American TV was the setting for the first screen portrayal of Miss Marple with Gracie Fields, the British actress and singer, playing her in a 1956 episode of "Goodyear TV Playhouse" based on "A Murder Is Announced", the 1950 Christie novel.
In 1970, the character of Miss Marple was portrayed by Inge Langen in a West German television adaptation of "The Murder at the Vicarage " ("Mord im Pfarrhaus").
In 2015, CBS planned a "much younger" version of the character, a granddaughter who takes over a California bookstore.
In 2018, Miss Marple was portrayed by Yunjin Kim in the South Korean television series "Ms. Ma, Nemesis".
Helen Hayes.
American stage and screen actress Helen Hayes portrayed Miss Marple in two American television films near the end of her decades-long acting career, both for CBS: "A Caribbean Mystery" (1983) and "Murder with Mirrors" (1985). Sue Grafton contributed to the screenplay of the former. Hayes's Marple was benign and chirpy. She had earlier appeared in a television film adaptation of the non-Marple Christie story "Murder Is Easy", playing an elderly lady somewhat similar to Miss Marple.
Joan Hickson.
From 1984 to 1992, the BBC adapted all of the original Miss Marple novels as a series titled "Miss Marple". Joan Hickson played the lead role. In the 1940s, she had appeared on stage in an Agatha Christie play, "Appointment with Death", which was seen by Christie who wrote in a note to her, "I hope one day you will play my dear Miss Marple". She portrayed a maid in the 1937 film, "Love from a Stranger", which starred Ann Harding and Basil Rathbone, another Agatha Christie play adaptation. As well as portraying Miss Marple on television, Hickson narrated Miss Marple stories for audio books. In the "Binge!" article of "Entertainment Weekly" Issue #1343–1344 (26 December 2014 – 3 January 2015), the writers picked Hickson as "Best Marple" in the "Hercule Poirot & Miss Marple" timeline.
Listing of the TV series featuring Joan Hickson:
Geraldine McEwan (2004–2008)/Julia McKenzie (2009–2013).
Beginning in 2004, ITV broadcast a series of adaptations of Agatha Christie's books under the title "Agatha Christie's Marple", usually referred to as "Marple." Geraldine McEwan starred in the first three series. Julia McKenzie took over the role in the fourth season.
The adaptations change the plots and characters of the original books (e.g. incorporating lesbian affairs, changing the identities of some killers, renaming or removing significant characters, and even using stories from other books in which Miss Marple did not originally feature). In the Geraldine McEwan series it is revealed that when she was young (portrayed by Julie Cox in a flashback), Miss Marple had an affair with a married soldier, Captain Ainsworth, who was killed in action in World War I, in December 1915. It is also said (in "A Murder Is Announced") that she served as an ambulance driver during World War I.
Listing of the TV series featuring Geraldine McEwan and Julia McKenzie:
Anime.
From 2004 to 2005, Japanese TV network NHK produced a 39 episode anime series titled "Agatha Christie's Great Detectives Poirot and Marple", which features both Miss Marple and Hercule Poirot. Miss Marple's voice is provided by Kaoru Yachigusa. Episodes adapted both short stories and novels.
The anime series dramatised the following Miss Marple stories:
Helen Hayes.
American stage and screen actress Helen Hayes portrayed Miss Marple in two American television films near the end of her decades-long acting career, both for CBS: "A Caribbean Mystery" (1983) and "Murder with Mirrors" (1985). Sue Grafton contributed to the screenplay of the former. Hayes's Marple was benign and chirpy. She had earlier appeared in a television film adaptation of the non-Marple Christie story "Murder Is Easy", playing an elderly lady somewhat similar to Miss Marple.
Joan Hickson.
From 1984 to 1992, the BBC adapted all of the original Miss Marple novels as a series titled "Miss Marple". Joan Hickson played the lead role. In the 1940s, she had appeared on stage in an Agatha Christie play, "Appointment with Death", which was seen by Christie who wrote in a note to her, "I hope one day you will play my dear Miss Marple". She portrayed a maid in the 1937 film, "Love from a Stranger", which starred Ann Harding and Basil Rathbone, another Agatha Christie play adaptation. As well as portraying Miss Marple on television, Hickson narrated Miss Marple stories for audio books. In the "Binge!" article of "Entertainment Weekly" Issue #1343–1344 (26 December 2014 – 3 January 2015), the writers picked Hickson as "Best Marple" in the "Hercule Poirot & Miss Marple" timeline.
Listing of the TV series featuring Joan Hickson:
Geraldine McEwan (2004–2008)/Julia McKenzie (2009–2013).
Beginning in 2004, ITV broadcast a series of adaptations of Agatha Christie's books under the title "Agatha Christie's Marple", usually referred to as "Marple." Geraldine McEwan starred in the first three series. Julia McKenzie took over the role in the fourth season.
The adaptations change the plots and characters of the original books (e.g. incorporating lesbian affairs, changing the identities of some killers, renaming or removing significant characters, and even using stories from other books in which Miss Marple did not originally feature). In the Geraldine McEwan series it is revealed that when she was young (portrayed by Julie Cox in a flashback), Miss Marple had an affair with a married soldier, Captain Ainsworth, who was killed in action in World War I, in December 1915. It is also said (in "A Murder Is Announced") that she served as an ambulance driver during World War I.
Listing of the TV series featuring Geraldine McEwan and Julia McKenzie:
Anime.
From 2004 to 2005, Japanese TV network NHK produced a 39 episode anime series titled "Agatha Christie's Great Detectives Poirot and Marple", which features both Miss Marple and Hercule Poirot. Miss Marple's voice is provided by Kaoru Yachigusa. Episodes adapted both short stories and novels.
The anime series dramatised the following Miss Marple stories:
Radio.
June Whitfield starred as Miss Marple in Michael Bakewell's adaptations of all twelve novels, broadcast on BBC Radio 4 between 1993 and 2001.
Three short stories with Whitfield ("Tape-Measure Murder", "The Case of the Perfect Maid" and "Sanctuary") were later broadcast under the collective title "Miss Marple's Final Cases" weekly 16 – 30 September 2015.
Other appearances.
Marple was highlighted in volume 20 of the "Case Closed" manga's edition of "Gosho Aoyama's Mystery Library", a section of the graphic novels (usually the last page) where the author introduces a different detective (or occasionally, a villain) from mystery literature, television, or other media.
In the 1976 Neil Simon spoof "Murder by Death", Miss Marple is parodied as "Miss Marbles" by Elsa Lanchester.
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Aaron
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According to Abrahamic religions, Aaron ( or ; "’Ahărōn") was a prophet, a high priest, and the elder brother of Moses. Knowledge of Aaron, along with his brother Moses, exclusively comes from religious texts, such as the Hebrew Bible and the Quran.
The Hebrew Bible relates that, unlike Moses, who grew up in the Egyptian royal court, Aaron and his elder sister Miriam remained with their kinsmen in the eastern border-land of Egypt (Goshen). When Moses first confronted the Egyptian king about the enslavement of the Israelites, Aaron served as his brother's spokesman ("prophet") to the Pharaoh (). Part of the Law given to Moses at Sinai granted Aaron the priesthood for himself and his male descendants, and he became the first High Priest of the Israelites.
Aaron died before the Israelites crossed the Jordan river. According to the Book of Numbers, he died and was buried on Mount Hor, Deuteronomy however places these events at Moserah. Aaron is also mentioned in the New Testament of the Bible (Luke, Acts, and Hebrews).
Biblical narrative.
According to the Book of Exodus, Aaron first functioned as Moses' assistant. Because Moses complained that he could not speak well, God appointed Aaron as Moses' "prophet" (). At the command of Moses, he let his rod turn into a snake. Then he stretched out his rod in order to bring on the first three plagues. After that, Moses tended to act and speak for himself.
During the journey in the wilderness, Aaron was not always prominent or active. At the battle with Amalek, he was chosen with Hur to support the hand of Moses that held the "rod of God". When the revelation was given to Moses at Mount Sinai, he headed the elders of Israel who accompanied Moses on the way to the summit. While Joshua went with Moses to the top, however, Aaron and Hur remained below to look after the people. From here on in Exodus, Leviticus and Numbers, Joshua appears in the role of Moses' assistant while Aaron functions instead as the first high priest.
High Priest.
The books of Exodus, Leviticus and Numbers maintain that Aaron received from God a monopoly over the priesthood for himself and his male descendants. The family of Aaron had the exclusive right and responsibility to make offerings on the altar to Yahweh. The rest of his tribe, the Levites, were given subordinate responsibilities within the sanctuary. Moses anointed and consecrated Aaron and his sons to the priesthood, and arrayed them in the robes of office. He also related to them God's detailed instructions for performing their duties while the rest of the Israelites listened. Aaron and his successors as high priest were given control over the Urim and Thummim by which the will of God could be determined. God commissioned the Aaronide priests to distinguish the holy from the common and the clean from the unclean, and to teach the divine laws (the Torah) to the Israelites. The priests were also commissioned to bless the people. When Aaron completed the altar offerings for the first time and, with Moses, "blessed the people: and the glory of the appeared unto all the people: And there came a fire out from before the , and consumed upon the altar the burnt offering and the fat [which] when all the people saw, they shouted, and fell on their faces". In this way, the institution of the Aaronide priesthood was established.
In later books of the Hebrew Bible, Aaron and his kin are not mentioned very often except in literature dating to the Babylonian captivity and later. The books of Judges, Samuel and Kings mention priests and Levites, but do not mention the Aaronides in particular. The Book of Ezekiel, which devotes much attention to priestly matters, calls the priestly upper class the Zadokites after one of King David's priests. It does reflect a two-tier priesthood with the Levites in subordinate position. A two-tier hierarchy of Aaronides and Levites appears in Ezra, Nehemiah and Chronicles. As a result, many historians think that Aaronide families did not control the priesthood in pre-exilic Israel. What is clear is that high priests claiming Aaronide descent dominated the Second Temple period. Most scholars think the Torah reached its final form early in this period, which may account for Aaron's prominence in Exodus, Leviticus and Numbers.
Conflicts.
Aaron plays a leading role in several stories of conflicts during Israel's wilderness wanderings. During the prolonged absence of Moses on Mount Sinai, the people provoked Aaron to make a golden calf. This incident nearly caused God to destroy the Israelites. Moses successfully intervened, but then led the loyal Levites in executing many of the culprits; a plague afflicted those who were left. Aaron, however, escaped punishment for his role in the affair, because of the intercession of Moses according to Deuteronomy 9:20. Later retellings of this story almost always excuse Aaron for his role. For example, in rabbinic sources and in the Quran, Aaron was not the idol-maker and upon Moses' return begged his pardon because he felt mortally threatened by the Israelites.
On the day of Aaron's consecration, his oldest sons, Nadab and Abihu, were burned up by divine fire because they offered "strange" incense. Most interpreters think this story reflects a conflict between priestly families some time in Israel's past. Others argue that the story simply shows what can happen if the priests do not follow God's instructions given through Moses.
The Torah generally depicts the siblings, Moses, Aaron, and Miriam, as the leaders of Israel after the Exodus, a view also reflected in the biblical Book of Micah. Numbers 12, however, reports that on one occasion, Aaron and Miriam complained about Moses' exclusive claim to be the 's prophet. Their presumption was rebuffed by God who affirmed Moses' uniqueness as the one with whom the spoke face to face. Miriam was punished with a skin disease ("tzaraath") that turned her skin white. Aaron pleaded with Moses to intercede for her, and Miriam, after seven days' quarantine, was healed. Aaron once again escaped any retribution.
According to Numbers 16–17, a Levite named Korah led many in challenging Aaron's exclusive claim to the priesthood. When the rebels were punished by being swallowed up by the earth, Eleazar, the son of Aaron, was commissioned to take charge of the censers of the dead priests. And when a plague broke out among the people who had sympathized with the rebels, Aaron, at the command of Moses, took his censer and stood between the living and the dead till the plague abated ().
To emphasize the validity of the Levites' claim to the offerings and tithes of the Israelites, Moses collected a rod from the leaders of each tribe in Israel and laid the twelve rods overnight in the tent of meeting. The next morning, Aaron's rod was found to have budded and blossomed and produced ripe almonds. The following chapter then details the distinction between Aaron's family and the rest of the Levites: while all the Levites (and only Levites) were devoted to the care of the sanctuary, charge of its interior and the altar was committed to the Aaronites alone.
Death.
Aaron, like Moses, was not permitted to enter Canaan with the Israelites because the two brothers showed impatience at Meribah (Kadesh) in the last year of the desert pilgrimage, when Moses brought water out of a rock to quench the people's thirst. Although they had been commanded to speak to the rock, Moses struck it with the staff twice, which was construed as displaying a lack of deference to the .
There are two accounts of the death of Aaron in the Torah. Numbers says that soon after the incident at Meribah, Aaron with his son Eleazar and Moses ascended Mount Hor. There Moses stripped Aaron of his priestly garments and transferred them to Eleazar. Aaron died on the summit of the mountain, and the people mourned him for thirty days. The other account is found in Deuteronomy 10:6, where Aaron died at Moserah and was buried. There is a significant amount of travel between these two points, as the itinerary in Numbers 33:31–37 records seven stages between Moseroth (Mosera) and Mount Hor. Aaron died on the 1st of Av and was 123 at the time of his death.
Descendants.
Aaron married Elisheba, daughter of Amminadab and sister of Nahshon of the tribe of Judah. The sons of Aaron were Nadab, Abihu, Eleazar and Itamar; only the latter two had progeny. A descendant of Aaron is an Aaronite, or Kohen, meaning Priest. Any non-Aaronic Levite—i.e., descended from Levi but not from Aaron—assisted the Levitical priests of the family of Aaron in the care of the tabernacle; later of the temple.
The Gospel of Luke records that both Zechariah and Elizabeth and therefore their son John the Baptist were descendants of Aaron.
High Priest.
The books of Exodus, Leviticus and Numbers maintain that Aaron received from God a monopoly over the priesthood for himself and his male descendants. The family of Aaron had the exclusive right and responsibility to make offerings on the altar to Yahweh. The rest of his tribe, the Levites, were given subordinate responsibilities within the sanctuary. Moses anointed and consecrated Aaron and his sons to the priesthood, and arrayed them in the robes of office. He also related to them God's detailed instructions for performing their duties while the rest of the Israelites listened. Aaron and his successors as high priest were given control over the Urim and Thummim by which the will of God could be determined. God commissioned the Aaronide priests to distinguish the holy from the common and the clean from the unclean, and to teach the divine laws (the Torah) to the Israelites. The priests were also commissioned to bless the people. When Aaron completed the altar offerings for the first time and, with Moses, "blessed the people: and the glory of the appeared unto all the people: And there came a fire out from before the , and consumed upon the altar the burnt offering and the fat [which] when all the people saw, they shouted, and fell on their faces". In this way, the institution of the Aaronide priesthood was established.
In later books of the Hebrew Bible, Aaron and his kin are not mentioned very often except in literature dating to the Babylonian captivity and later. The books of Judges, Samuel and Kings mention priests and Levites, but do not mention the Aaronides in particular. The Book of Ezekiel, which devotes much attention to priestly matters, calls the priestly upper class the Zadokites after one of King David's priests. It does reflect a two-tier priesthood with the Levites in subordinate position. A two-tier hierarchy of Aaronides and Levites appears in Ezra, Nehemiah and Chronicles. As a result, many historians think that Aaronide families did not control the priesthood in pre-exilic Israel. What is clear is that high priests claiming Aaronide descent dominated the Second Temple period. Most scholars think the Torah reached its final form early in this period, which may account for Aaron's prominence in Exodus, Leviticus and Numbers.
Conflicts.
Aaron plays a leading role in several stories of conflicts during Israel's wilderness wanderings. During the prolonged absence of Moses on Mount Sinai, the people provoked Aaron to make a golden calf. This incident nearly caused God to destroy the Israelites. Moses successfully intervened, but then led the loyal Levites in executing many of the culprits; a plague afflicted those who were left. Aaron, however, escaped punishment for his role in the affair, because of the intercession of Moses according to Deuteronomy 9:20. Later retellings of this story almost always excuse Aaron for his role. For example, in rabbinic sources and in the Quran, Aaron was not the idol-maker and upon Moses' return begged his pardon because he felt mortally threatened by the Israelites.
On the day of Aaron's consecration, his oldest sons, Nadab and Abihu, were burned up by divine fire because they offered "strange" incense. Most interpreters think this story reflects a conflict between priestly families some time in Israel's past. Others argue that the story simply shows what can happen if the priests do not follow God's instructions given through Moses.
The Torah generally depicts the siblings, Moses, Aaron, and Miriam, as the leaders of Israel after the Exodus, a view also reflected in the biblical Book of Micah. Numbers 12, however, reports that on one occasion, Aaron and Miriam complained about Moses' exclusive claim to be the 's prophet. Their presumption was rebuffed by God who affirmed Moses' uniqueness as the one with whom the spoke face to face. Miriam was punished with a skin disease ("tzaraath") that turned her skin white. Aaron pleaded with Moses to intercede for her, and Miriam, after seven days' quarantine, was healed. Aaron once again escaped any retribution.
According to Numbers 16–17, a Levite named Korah led many in challenging Aaron's exclusive claim to the priesthood. When the rebels were punished by being swallowed up by the earth, Eleazar, the son of Aaron, was commissioned to take charge of the censers of the dead priests. And when a plague broke out among the people who had sympathized with the rebels, Aaron, at the command of Moses, took his censer and stood between the living and the dead till the plague abated ().
To emphasize the validity of the Levites' claim to the offerings and tithes of the Israelites, Moses collected a rod from the leaders of each tribe in Israel and laid the twelve rods overnight in the tent of meeting. The next morning, Aaron's rod was found to have budded and blossomed and produced ripe almonds. The following chapter then details the distinction between Aaron's family and the rest of the Levites: while all the Levites (and only Levites) were devoted to the care of the sanctuary, charge of its interior and the altar was committed to the Aaronites alone.
Death.
Aaron, like Moses, was not permitted to enter Canaan with the Israelites because the two brothers showed impatience at Meribah (Kadesh) in the last year of the desert pilgrimage, when Moses brought water out of a rock to quench the people's thirst. Although they had been commanded to speak to the rock, Moses struck it with the staff twice, which was construed as displaying a lack of deference to the .
There are two accounts of the death of Aaron in the Torah. Numbers says that soon after the incident at Meribah, Aaron with his son Eleazar and Moses ascended Mount Hor. There Moses stripped Aaron of his priestly garments and transferred them to Eleazar. Aaron died on the summit of the mountain, and the people mourned him for thirty days. The other account is found in Deuteronomy 10:6, where Aaron died at Moserah and was buried. There is a significant amount of travel between these two points, as the itinerary in Numbers 33:31–37 records seven stages between Moseroth (Mosera) and Mount Hor. Aaron died on the 1st of Av and was 123 at the time of his death.
Descendants.
Aaron married Elisheba, daughter of Amminadab and sister of Nahshon of the tribe of Judah. The sons of Aaron were Nadab, Abihu, Eleazar and Itamar; only the latter two had progeny. A descendant of Aaron is an Aaronite, or Kohen, meaning Priest. Any non-Aaronic Levite—i.e., descended from Levi but not from Aaron—assisted the Levitical priests of the family of Aaron in the care of the tabernacle; later of the temple.
The Gospel of Luke records that both Zechariah and Elizabeth and therefore their son John the Baptist were descendants of Aaron.
In religious traditions.
Jewish rabbinic literature.
The older prophets and prophetical writers beheld in their priests the representatives of a religious form inferior to the prophetic truth; men without the spirit of God and lacking the will-power requisite to resist the multitude in its idolatrous proclivities. Thus Aaron, the first priest, ranks below Moses: he is his mouthpiece, and the executor of the will of God revealed through Moses, although it is pointed out that it is said fifteen times in the Torah that "the Lord spoke to Moses "and" Aaron."
Under the influence of the priesthood that shaped the destinies of the nation under Persian rule, a different ideal of the priest was formed, according to Malachi 2:4-7, and the prevailing tendency was to place Aaron on a footing equal with Moses. "At times Aaron, and at other times Moses, is mentioned first in Scripture—this is to show that they were of equal rank," says the Mekhilta of Rabbi Ishmael, which strongly implies this when introducing in its record of renowned men the glowing description of Aaron's ministration.
In fulfillment of the promise of peaceful life, symbolized by the pouring of oil upon his head, Aaron's death, as described in the aggadah, was of a wonderful tranquility. Accompanied by Moses, his brother, and by Eleazar, his son, Aaron went to the summit of Mount Hor, where the rock suddenly opened before him and a beautiful cave lit by a lamp presented itself to his view. Moses said, "Take off your priestly raiment and place it upon your son Eleazar! and then follow me." Aaron did as commanded; and they entered the cave, where was prepared a bed around which angels stood. "Go lie down upon thy bed, my brother," Moses continued; and Aaron obeyed without a murmur. Then his soul departed as if by a kiss from God. The cave closed behind Moses as he left; and he went down the hill with Eleazar, with garments rent, and crying: "Alas, Aaron, my brother! thou, the pillar of supplication of Israel!" When the Israelites cried in bewilderment, "Where is Aaron?" angels were seen carrying Aaron's bier through the air. A voice was then heard saying: "The law of truth was in his mouth, and iniquity was not found on his lips: he walked with me in righteousness, and brought many back from sin." He died on the first of Av. The pillar of cloud which proceeded in front of Israel's camp disappeared at Aaron's death. The seeming contradiction between Numbers 20:22 et seq. and Deuteronomy 10:6 is solved by the rabbis in the following manner: Aaron's death on Mount Hor was marked by the defeat of the people in a war with the king of Arad, in consequence of which the Israelites fled, marching seven stations backward to Mosera, where they performed the rites of mourning for Aaron; wherefore it is said: "There [at Mosera] died Aaron."
The rabbis particularly praise the brotherly sentiment between Aaron and Moses. When Moses was appointed ruler and Aaron high priest, neither betrayed any jealousy; instead they rejoiced in each other's greatness. When Moses at first declined to go to Pharaoh, saying: "O my Lord, send, I pray, by the hand of him whom you will send", he was unwilling to deprive Aaron of the high position the latter had held for so many years; but the Lord reassured him, saying: "Behold, when he sees you, he will be glad in his heart." Indeed, Aaron was to find his reward, says Shimon bar Yochai; for that heart which had leaped with joy over his younger brother's rise to glory greater than his was decorated with the Urim and Thummim, which were to "be upon Aaron's heart when he goeth in before the Lord". Moses and Aaron met in gladness of heart, kissing each other as true brothers, and of them it is written: "Behold how good and how pleasant [it is] for brethren to dwell together in unity!" Of them it is said: "Mercy and truth are met together; righteousness and peace have kissed [each other]"; for Moses stood for righteousness and Aaron for peace. Again, mercy was personified in Aaron, according to Deuteronomy 33:8, and truth in Moses, according to Numbers 12:7.
When Moses poured the oil of anointment upon the head of Aaron, Aaron modestly shrank back and said: "Who knows whether I have not cast some blemish upon this sacred oil so as to forfeit this high office." Then the Shekhinah spoke the words: "Behold the precious ointment upon the head, that ran down upon the beard of Aaron, that even went down to the skirts of his garment, is as pure as the dew of Hermon."
According to Tanhuma, Aaron's activity as a prophet began earlier than that of Moses. Hillel held Aaron up as an example, saying: "Be of the disciples of Aaron, loving peace and pursuing peace; love your fellow creatures and draw them nigh unto the Law!" This is further illustrated by the tradition that Aaron was an ideal priest of the people, far more beloved for his kindly ways than was Moses. While Moses was stern and uncompromising, brooking no wrong, Aaron went about as peacemaker, reconciling man and wife when he saw them estranged, or a man with his neighbor when they quarreled, and winning evil-doers back into the right way by his friendly intercourse. As a result, Aaron's death was more intensely mourned than Moses': when Aaron died the whole house of Israel wept, including the women, while Moses was bewailed by "the sons of Israel" only. Even in the making of the Golden Calf the rabbis find extenuating circumstances for Aaron. His fortitude and silent submission to the will of God on the loss of his two sons are referred to as an excellent example to men how to glorify God in the midst of great affliction. Especially significant are the words represented as being spoken by God after the princes of the Twelve Tribes had brought their dedication offerings into the newly reared Tabernacle: "Say to thy brother Aaron: Greater than the gifts of the princes is thy gift; for thou art called upon to kindle the light, and, while the sacrifices shall last only as long as the Temple lasts, thy light shall last forever."
Christianity.
In the Eastern Orthodox and Maronite churches, Aaron is venerated as a saint whose feast day is shared with his brother Moses and celebrated on September 4. (Those churches that follow the traditional Julian calendar celebrate this day on September 17 of the modern Gregorian calendar). Aaron is also commemorated with other Old Testament saints on the Sunday of the Holy Fathers, the Sunday before Christmas.
In Eastern Orthodox Church he is commemorated on 20 July, 12 March, Sunday of the Forefathers, Sunday of the Fathers and on April 14 with all saint Sinai monks.
Aaron is commemorated as one of the Holy Forefathers in the Calendar of Saints of the Armenian Apostolic Church on July 30. He is commemorated on July 1 in the modern Latin calendar and in the Syriac Calendar.
The "Moses and Aaron Church" (), in the Waterlooplein neighborhood of Amsterdam, is one of the most well known Catholic churches in the city.
Mormonism.
In the Church of Jesus Christ of Latter-day Saints, the Aaronic priesthood is the lesser order of priesthood under the higher order of the Melchizedek priesthood. Those ordained to this priesthood have the authority to act in God's name in certain responsibilities in the church such as the administration of the sacrament and baptism.
In the Community of Christ, the Aaronic order of priesthood is regarded as an appendage to the Melchisedec order, and consists of the priesthood offices of deacon, teacher, and priest. While differing in responsibilities, these offices, along with those of the Melchisidec order, are regarded as equal before God.
Islam.
Aaron (Arabic: هارون, "Hārūn") is mentioned in the Quran as a prophet of God. The Quran praises Aaron repeatedly, calling him a "believing servant" as well as one who was "guided" and one of the "victors". Aaron is important in Islam for his role in the events of the Exodus, in which, according to the Quran and Islamic belief, he preached with his elder brother, Moses to the Pharaoh of the Exodus.
Aaron's significance in Islam, however, is not limited to his role as the helper of Moses. Islamic tradition also accords Aaron the role of a patriarch, as tradition records that the priestly descent came through Aaron's lineage, which included the entire House of Amran.
Baháʼí Faith.
In the Baháʼí Faith, although his father is described as both an apostle and a prophet, Aaron is merely described as a prophet. The "Kitáb-i-Íqán" describes Imran as his father.
Jewish rabbinic literature.
The older prophets and prophetical writers beheld in their priests the representatives of a religious form inferior to the prophetic truth; men without the spirit of God and lacking the will-power requisite to resist the multitude in its idolatrous proclivities. Thus Aaron, the first priest, ranks below Moses: he is his mouthpiece, and the executor of the will of God revealed through Moses, although it is pointed out that it is said fifteen times in the Torah that "the Lord spoke to Moses "and" Aaron."
Under the influence of the priesthood that shaped the destinies of the nation under Persian rule, a different ideal of the priest was formed, according to Malachi 2:4-7, and the prevailing tendency was to place Aaron on a footing equal with Moses. "At times Aaron, and at other times Moses, is mentioned first in Scripture—this is to show that they were of equal rank," says the Mekhilta of Rabbi Ishmael, which strongly implies this when introducing in its record of renowned men the glowing description of Aaron's ministration.
In fulfillment of the promise of peaceful life, symbolized by the pouring of oil upon his head, Aaron's death, as described in the aggadah, was of a wonderful tranquility. Accompanied by Moses, his brother, and by Eleazar, his son, Aaron went to the summit of Mount Hor, where the rock suddenly opened before him and a beautiful cave lit by a lamp presented itself to his view. Moses said, "Take off your priestly raiment and place it upon your son Eleazar! and then follow me." Aaron did as commanded; and they entered the cave, where was prepared a bed around which angels stood. "Go lie down upon thy bed, my brother," Moses continued; and Aaron obeyed without a murmur. Then his soul departed as if by a kiss from God. The cave closed behind Moses as he left; and he went down the hill with Eleazar, with garments rent, and crying: "Alas, Aaron, my brother! thou, the pillar of supplication of Israel!" When the Israelites cried in bewilderment, "Where is Aaron?" angels were seen carrying Aaron's bier through the air. A voice was then heard saying: "The law of truth was in his mouth, and iniquity was not found on his lips: he walked with me in righteousness, and brought many back from sin." He died on the first of Av. The pillar of cloud which proceeded in front of Israel's camp disappeared at Aaron's death. The seeming contradiction between Numbers 20:22 et seq. and Deuteronomy 10:6 is solved by the rabbis in the following manner: Aaron's death on Mount Hor was marked by the defeat of the people in a war with the king of Arad, in consequence of which the Israelites fled, marching seven stations backward to Mosera, where they performed the rites of mourning for Aaron; wherefore it is said: "There [at Mosera] died Aaron."
The rabbis particularly praise the brotherly sentiment between Aaron and Moses. When Moses was appointed ruler and Aaron high priest, neither betrayed any jealousy; instead they rejoiced in each other's greatness. When Moses at first declined to go to Pharaoh, saying: "O my Lord, send, I pray, by the hand of him whom you will send", he was unwilling to deprive Aaron of the high position the latter had held for so many years; but the Lord reassured him, saying: "Behold, when he sees you, he will be glad in his heart." Indeed, Aaron was to find his reward, says Shimon bar Yochai; for that heart which had leaped with joy over his younger brother's rise to glory greater than his was decorated with the Urim and Thummim, which were to "be upon Aaron's heart when he goeth in before the Lord". Moses and Aaron met in gladness of heart, kissing each other as true brothers, and of them it is written: "Behold how good and how pleasant [it is] for brethren to dwell together in unity!" Of them it is said: "Mercy and truth are met together; righteousness and peace have kissed [each other]"; for Moses stood for righteousness and Aaron for peace. Again, mercy was personified in Aaron, according to Deuteronomy 33:8, and truth in Moses, according to Numbers 12:7.
When Moses poured the oil of anointment upon the head of Aaron, Aaron modestly shrank back and said: "Who knows whether I have not cast some blemish upon this sacred oil so as to forfeit this high office." Then the Shekhinah spoke the words: "Behold the precious ointment upon the head, that ran down upon the beard of Aaron, that even went down to the skirts of his garment, is as pure as the dew of Hermon."
According to Tanhuma, Aaron's activity as a prophet began earlier than that of Moses. Hillel held Aaron up as an example, saying: "Be of the disciples of Aaron, loving peace and pursuing peace; love your fellow creatures and draw them nigh unto the Law!" This is further illustrated by the tradition that Aaron was an ideal priest of the people, far more beloved for his kindly ways than was Moses. While Moses was stern and uncompromising, brooking no wrong, Aaron went about as peacemaker, reconciling man and wife when he saw them estranged, or a man with his neighbor when they quarreled, and winning evil-doers back into the right way by his friendly intercourse. As a result, Aaron's death was more intensely mourned than Moses': when Aaron died the whole house of Israel wept, including the women, while Moses was bewailed by "the sons of Israel" only. Even in the making of the Golden Calf the rabbis find extenuating circumstances for Aaron. His fortitude and silent submission to the will of God on the loss of his two sons are referred to as an excellent example to men how to glorify God in the midst of great affliction. Especially significant are the words represented as being spoken by God after the princes of the Twelve Tribes had brought their dedication offerings into the newly reared Tabernacle: "Say to thy brother Aaron: Greater than the gifts of the princes is thy gift; for thou art called upon to kindle the light, and, while the sacrifices shall last only as long as the Temple lasts, thy light shall last forever."
Christianity.
In the Eastern Orthodox and Maronite churches, Aaron is venerated as a saint whose feast day is shared with his brother Moses and celebrated on September 4. (Those churches that follow the traditional Julian calendar celebrate this day on September 17 of the modern Gregorian calendar). Aaron is also commemorated with other Old Testament saints on the Sunday of the Holy Fathers, the Sunday before Christmas.
In Eastern Orthodox Church he is commemorated on 20 July, 12 March, Sunday of the Forefathers, Sunday of the Fathers and on April 14 with all saint Sinai monks.
Aaron is commemorated as one of the Holy Forefathers in the Calendar of Saints of the Armenian Apostolic Church on July 30. He is commemorated on July 1 in the modern Latin calendar and in the Syriac Calendar.
The "Moses and Aaron Church" (), in the Waterlooplein neighborhood of Amsterdam, is one of the most well known Catholic churches in the city.
Mormonism.
In the Church of Jesus Christ of Latter-day Saints, the Aaronic priesthood is the lesser order of priesthood under the higher order of the Melchizedek priesthood. Those ordained to this priesthood have the authority to act in God's name in certain responsibilities in the church such as the administration of the sacrament and baptism.
In the Community of Christ, the Aaronic order of priesthood is regarded as an appendage to the Melchisedec order, and consists of the priesthood offices of deacon, teacher, and priest. While differing in responsibilities, these offices, along with those of the Melchisidec order, are regarded as equal before God.
Mormonism.
In the Church of Jesus Christ of Latter-day Saints, the Aaronic priesthood is the lesser order of priesthood under the higher order of the Melchizedek priesthood. Those ordained to this priesthood have the authority to act in God's name in certain responsibilities in the church such as the administration of the sacrament and baptism.
In the Community of Christ, the Aaronic order of priesthood is regarded as an appendage to the Melchisedec order, and consists of the priesthood offices of deacon, teacher, and priest. While differing in responsibilities, these offices, along with those of the Melchisidec order, are regarded as equal before God.
Islam.
Aaron (Arabic: هارون, "Hārūn") is mentioned in the Quran as a prophet of God. The Quran praises Aaron repeatedly, calling him a "believing servant" as well as one who was "guided" and one of the "victors". Aaron is important in Islam for his role in the events of the Exodus, in which, according to the Quran and Islamic belief, he preached with his elder brother, Moses to the Pharaoh of the Exodus.
Aaron's significance in Islam, however, is not limited to his role as the helper of Moses. Islamic tradition also accords Aaron the role of a patriarch, as tradition records that the priestly descent came through Aaron's lineage, which included the entire House of Amran.
Baháʼí Faith.
In the Baháʼí Faith, although his father is described as both an apostle and a prophet, Aaron is merely described as a prophet. The "Kitáb-i-Íqán" describes Imran as his father.
In art.
Aaron appears paired with Moses frequently in Jewish and Christian art, especially in the illustrations of manuscript and printed Bibles. He can usually be distinguished by his priestly vestments, especially his turban or miter and jeweled breastplate. He frequently holds a censer or, sometimes, his flowering rod. Aaron also appears in scenes depicting the wilderness Tabernacle and its altar, as already in the third-century frescos in the synagogue at Dura-Europos in Syria. An eleventh-century portable silver altar from Fulda, Germany depicts Aaron with his censor, and is located in the Musée de Cluny in Paris. This is also how he appears in the frontispieces of early printed Passover Haggadot and occasionally in church sculptures. Aaron has rarely been the subject of portraits, such as those by Anton Kern [1710–1747] and by Pier Francesco Mola [c. 1650]. Christian artists sometimes portray Aaron as a prophet holding a scroll, as in a twelfth-century sculpture from the Cathedral of Noyon in the Metropolitan Museum of Art, New York and often in Eastern Orthodox icons. Illustrations of the Golden Calf story usually include him as well – most notably in Nicolas Poussin's "The Adoration of the Golden Calf" (ca. 1633–34, National Gallery, London). Finally, some artists interested in validating later priesthoods have painted the ordination of Aaron and his sons (Leviticus 8). Harry Anderson's realistic portrayal is often reproduced in the literature of the Latter Day Saints.
Further reading.
References in the Qur'an
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Deli Zal ow Bek
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Anatoly Karpov
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Anatoly Yevgenyevich Karpov (; born May 23, 1951) is a Russian and former Soviet chess grandmaster, former World Chess Champion, and politician. He was the 12th World Chess Champion from 1975 to 1985, a three-time FIDE World Champion (1993, 1996, 1998), twice World Chess champion as a member of the USSR team (1985, 1989), and a six-time winner of Chess Olympiads as a member of the USSR team (1972, 1974, 1980, 1982, 1986, 1988). The International Association of Chess Press awarded him nine Chess Oscars (1973, 1974, 1975, 1976, 1977, 1979, 1980, 1981, 1984).
Karpov's chess tournament successes include over 160 first-place finishes. He had a peak Elo rating of 2780, and his 102 total months at world number one is the third-longest of all time, behind Magnus Carlsen and Garry Kasparov, since the inception of the FIDE ranking list in 1970.
Karpov is also an elected Member of the State Duma in Russia. Since 2006, he has chaired the Commission for Ecological Safety and Environmental Protection of the Civic Chamber of the Russian Federation, and since 2007, he has been a member of the Public Council under the Ministry of Defence.
Early life.
Karpov was born into a Russian family on May 23, 1951, in Zlatoust, in the Urals region of the former Soviet Union, and learned to play chess at the age of four. His early rise in chess was swift, as he became a candidate master by age 11. At 12, he was accepted into Mikhail Botvinnik's prestigious chess school, though Botvinnik made the following remark about the young Karpov: "The boy does not have a clue about chess, and there's no future at all for him in this profession."
Karpov acknowledged that his understanding of chess theory was very confused at that time, and later wrote that the homework Botvinnik assigned greatly helped him, since it required that he consult chess books and work diligently. Karpov improved so quickly under Botvinnik's tutelage that he became the youngest Soviet master in history at the age of fifteen in 1966; this tied the record established by Boris Spassky in 1952.
Career.
Young master.
Karpov finished first in his first international tournament, in Třinec, several months later, ahead of Viktor Kupreichik. In 1967, he won the annual Niemeyer Tournament in Groningen. Karpov won a gold medal for academic excellence in high school, and entered Moscow State University in 1968 to study mathematics. He later transferred to Leningrad State University, eventually graduating from there in economics. One reason for the transfer was to be closer to his coach, grandmaster Semyon Furman, who lived in Leningrad. In his writings, Karpov credits Furman as a major influence on his development as a world-class player.
In 1969, Karpov became the first Soviet player since Spassky (1955) to win the World Junior Championship, scoring an undefeated 10/11 in the final A group at Stockholm. This victory earned him the International Master title. In 1970, Karpov tied for fourth and fifth places with Pal Benko at an international tournament in Caracas, Venezuela, and earned the international grandmaster title. FIDE awarded him the title during its 41st congress, held during the Chess Olympiad in Siegen, West Germany in September 1970.
Grandmaster.
Karpov won the 1971 Alekhine Memorial tournament in Moscow (jointly with Leonid Stein), ahead of a star-studded field, for his first significant adult victory. His Elo rating shot from 2540 in 1971 to 2660 in 1973, during which he shared second place in the 1973 Soviet championship, one point behind Spassky, and qualified for the Leningrad Interzonal.
Candidate.
Karpov's world junior championship qualified him for one of the two Interzonals, a stage in the 1975 World Championship cycle to choose the challenger to play world champion Bobby Fischer. He finished equal first in the Leningrad Interzonal, qualifying for the 1974 Candidates Matches.
Karpov defeated Lev Polugaevsky by the score of +3=5 in the first Candidates' match, earning the right to face former champion Boris Spassky in the semifinal round. Karpov was on record saying that he believed Spassky would easily beat him and win the Candidates' cycle to face Fischer, and that he (Karpov) would win the following Candidates' cycle in 1977. Spassky won the first game as Black in good style, but tenacious, aggressive play from Karpov secured him overall victory by +4−1=6.
The Candidates' final was played in Moscow with Victor Korchnoi. Karpov took an early lead, winning the second game against the Sicilian Dragon, then scoring another victory in the sixth game. Following ten consecutive draws, Korchnoi threw away a winning position in the seventeenth game to give Karpov a 3–0 lead. In game 19, Korchnoi succeeded in winning a long endgame, then notched a speedy victory after a blunder by Karpov two games later. Three more draws, the last agreed by Karpov in a clearly better position, closed the match, as he thus prevailed +3−2=19, moving on to challenge Fischer for the world title.
Match with Fischer in 1975.
Though a world championship match between Karpov and Fischer was highly anticipated, those hopes were never realised. Fischer not only insisted that the match be the first to ten wins (draws not counting), but also that the champion retain the crown if the score was tied 9–9. FIDE, the International Chess Federation, refused to allow this proviso, and gave both players a deadline of April 1, 1975, to agree to play the match under the FIDE-approved rules. When Fischer did not agree, FIDE President Max Euwe declared on April 3, 1975, that Fischer had forfeited his title and Karpov was the new World Champion. Karpov later attempted to set up another match with Fischer, but the negotiations fell through. This thrust the young Karpov into the role of World Champion without having faced the reigning champion.
Garry Kasparov argued that Karpov would have had good chances because he had beaten Spassky convincingly and was a new breed of tough professional, and indeed had higher quality games, while Fischer had been inactive for three years. This view is echoed by Karpov himself. Spassky thought that Fischer would have won in 1975, but Karpov would have qualified again and beaten Fischer in 1978.
Karpov has said that if he had had the opportunity to play Fischer for the championship in his twenties, he could have been a much better player as a result.
World champion.
Determined to prove himself a legitimate champion, Karpov participated in nearly every major tournament for the next ten years. He convincingly won the Milan tournament in 1975, and captured his first of three Soviet titles in 1976. He created a phenomenal streak of tournament wins against the strongest players in the world. Karpov held the record for most consecutive tournament victories (9) until it was shattered by Garry Kasparov (14). As a result, most chess professionals soon agreed that Karpov was a legitimate world champion.
In 1978, Karpov's first title defence was against Viktor Korchnoi, the opponent he had defeated in the 1973–75 Candidates' cycle; the match was played at Baguio, Philippines, with the winner needing six victories.
As in 1974, Karpov took an early lead, winning the eighth game after seven draws to open the match. When the score was +5−2=20 in Karpov's favour, Korchnoi staged a comeback, and won three of the next four games to draw level with Karpov. Karpov then won the very next game to retain the title (+6−5=21).
Three years later, Korchnoi reemerged as the Candidates' winner against German finalist Robert Hübner to challenge Karpov in Merano, Italy. Karpov handily won this match, 11–7 (+6−2=10), in what is remembered as the "Massacre in Merano".
Karpov's tournament career reached a peak at the Montreal "Tournament of Stars" tournament in 1979, where he finished joint first (+7−1=10) with Mikhail Tal ahead of a field of strong grandmasters completed by Jan Timman, Ljubomir Ljubojević, Boris Spassky, Vlastimil Hort, Lajos Portisch, Robert Hübner, Bent Larsen and Lubomir Kavalek. He dominated Las Palmas in 1977 with 13½/15. He also won the prestigious Bugojno tournament in 1978 (shared), 1980 and 1986, the Linares tournament in 1981 (shared with Larry Christiansen) and 1994, the Tilburg tournament in 1977, 1979, 1980, 1982, and 1983, and the Soviet Championship in 1976, 1983, and 1988.
Karpov represented the Soviet Union at six Chess Olympiads, in all of which the USSR won the team gold medal. He played as the first reserve at Skopje 1972, winning the board prize with 13/15. At Nice 1974, he advanced to board one and again won the board prize with 12/14. At La Valletta 1980, he was again board one and scored 9/12. At Lucerne 1982, he scored 6½/8 on board one. At Dubai 1986, he scored 6/9 on board two. His last was Thessaloniki 1988, where on board two he scored 8/10. In Olympiad play, Karpov lost only two games out of 68 played.
To illustrate Karpov's dominance over his peers as champion, his score was +11−2=20 versus Spassky, +5=12 versus Robert Hübner, +6−1=16 versus Ulf Andersson, +3−1=10 versus Vasily Smyslov, +1=16 versus Mikhail Tal, and +10−2=13 versus Ljubomir Ljubojević.
Rivalry with Kasparov.
Karpov had cemented his position as the world's best player and world champion by the time Garry Kasparov arrived on the scene. In their first match, the World Chess Championship 1984 in Moscow, the first player to win six games would win the match. Karpov built a 4–0 lead after nine games. The next 17 games were drawn, setting a record for world title matches, and it took Karpov until game 27 to gain his fifth win. In game 31, Karpov had a winning position but failed to take advantage and settled for a draw. He lost the next game, after which 14 more draws ensued. Karpov held a solidly winning position in Game 41, but again blundered and had to settle for a draw. After Kasparov won games 47 and 48, FIDE President Florencio Campomanes unilaterally terminated the match, citing the players' health. Karpov is said to have lost 10 kg over the course of the match. The match had lasted an unprecedented five months, with five wins for Karpov, three for Kasparov, and 40 draws.
A rematch was set for later in 1985, also in Moscow. The events of the so-called Marathon Match forced FIDE to return to the previous format, with a match limited to 24 games (with Karpov remaining champion if the match finished 12–12). Karpov needed to win the final game to draw the match and retain his title, but lost, surrendering the title to his opponent. The final score was 13–11 (+3−5=16) in favour of Kasparov.
Karpov remained a formidable opponent (and the world No. 2) until the mid-1990s. He fought Kasparov in three more world championship matches in 1986 (held in London and Leningrad), 1987 (in Seville), and 1990 (in New York City and Lyon). All three matches were extremely close: the scores were 11½–12½ (+4−5=15), 12–12 (+4−4=16), and 11½–12½ (+3−4=17). In all three matches, Karpov had winning chances up to the last games. The ending of the 1987 Seville match was particularly dramatic. Karpov won the 23rd game when Kasparov miscalculated a combination. In the final game, needing only a draw to win the title, Karpov cracked under time pressure at the end of the first session of play, missed a variation leading to an almost forced draw, and allowed Kasparov to adjourn the game with an extra pawn. After a further mistake in the second session, Karpov was slowly ground down and resigned on move 64, ending the match and allowing Kasparov to keep the title.
In their five world championship matches, Karpov scored 19 wins, 21 losses, and 104 draws in 144 games. Overall, Karpov played five matches against Kasparov for the title from 1984 to 1990 without ever defeating him in a match.
FIDE champion again (1993–1999).
In 1992, Karpov lost a Candidates Match against Nigel Short. But in the World Chess Championship 1993, Karpov reacquired the FIDE World Champion title when Kasparov and Short split from FIDE. Karpov defeated Timman – the loser of the Candidates' final against Short.
The next major meeting of Kasparov and Karpov was the 1994 Linares chess tournament. The field, in eventual finishing order, was Karpov, Kasparov, Shirov, Bareev, Kramnik, Lautier, Anand, Kamsky, Topalov, Ivanchuk, Gelfand, Illescas, Judit Polgár, and Beliavsky; with an average Elo rating of 2685, the highest ever at that time. Impressed by the strength of the tournament, Kasparov had said several days before the tournament that the winner could rightly be called the world champion of tournaments. Perhaps spurred on by this comment, Karpov played the best tournament of his life. He was undefeated and earned 11 points out of 13 (the best world-class tournament winning percentage since Alekhine won San Remo in 1930), finishing 2½ points ahead of second-place Kasparov and Shirov. Many of his wins were spectacular (in particular, his win over Topalov is considered possibly the finest of his career). This performance against the best players in the world put his Elo rating tournament performance at 2985, the highest performance rating of any player in history up until 2009, when Magnus Carlsen won the category XXI Pearl Spring chess tournament with a performance of 3002. Chess statistician Jeff Sonas considers Karpov's Linares performance the best tournament result in history.
Karpov defended his FIDE title against the rising star Gata Kamsky (+6−3=9) in 1996. In 1998, FIDE largely scrapped the old system of Candidates' Matches, instead having a large knockout event in which a large number of players contested short matches against each other over just a few weeks. In the first of these events, the FIDE World Chess Championship 1998, champion Karpov was seeded straight into the final, defeating Viswanathan Anand (+2−2=2, rapid tiebreak 2–0). In the subsequent cycle, the format was changed, with the champion having to qualify. Karpov refused to defend his title, and ceased to be FIDE World Champion after the FIDE World Chess Championship 1999.
Towards retirement.
Karpov's classical tournament play has been seriously limited since 1997, since he prefers to be more involved in Russian politics. He had been a member of the Supreme Soviet Commission for Foreign Affairs and the president of the Soviet Peace Fund before the Soviet Union dissolved. In addition, he has been involved in several disputes with FIDE. In the September 2009 FIDE rating list, he dropped out of the world's Top 100 for the first time.
Karpov usually limits his play to exhibition events, and has revamped his style to specialize in rapid chess. In 2002, he won a match against Kasparov, defeating him in a rapid time control match 2½–1½. In 2006, he tied for first with Kasparov in a blitz tournament, ahead of Korchnoi and Judit Polgár.
Karpov and Kasparov played a mixed 12-game match from September 21–24, 2009, in Valencia, Spain. It consisted of four rapid (or semi-rapid) and eight blitz games and took place exactly 25 years after the two players' legendary encounter at the World Chess Championship 1984. Kasparov won the match 9–3.
Karpov played a match against Yasser Seirawan in 2012 in St. Louis, Missouri, an important center of the North American chess scene, winning 8–6 (+5−3=6).
In November 2012, he won the Cap d'Agde rapid tournament that bears his name (Anatoly Karpov Trophy), beating Vasyl Ivanchuk (ranked 9th in the October 2012 FIDE world rankings) in the final.
Young master.
Karpov finished first in his first international tournament, in Třinec, several months later, ahead of Viktor Kupreichik. In 1967, he won the annual Niemeyer Tournament in Groningen. Karpov won a gold medal for academic excellence in high school, and entered Moscow State University in 1968 to study mathematics. He later transferred to Leningrad State University, eventually graduating from there in economics. One reason for the transfer was to be closer to his coach, grandmaster Semyon Furman, who lived in Leningrad. In his writings, Karpov credits Furman as a major influence on his development as a world-class player.
In 1969, Karpov became the first Soviet player since Spassky (1955) to win the World Junior Championship, scoring an undefeated 10/11 in the final A group at Stockholm. This victory earned him the International Master title. In 1970, Karpov tied for fourth and fifth places with Pal Benko at an international tournament in Caracas, Venezuela, and earned the international grandmaster title. FIDE awarded him the title during its 41st congress, held during the Chess Olympiad in Siegen, West Germany in September 1970.
Grandmaster.
Karpov won the 1971 Alekhine Memorial tournament in Moscow (jointly with Leonid Stein), ahead of a star-studded field, for his first significant adult victory. His Elo rating shot from 2540 in 1971 to 2660 in 1973, during which he shared second place in the 1973 Soviet championship, one point behind Spassky, and qualified for the Leningrad Interzonal.
Candidate.
Karpov's world junior championship qualified him for one of the two Interzonals, a stage in the 1975 World Championship cycle to choose the challenger to play world champion Bobby Fischer. He finished equal first in the Leningrad Interzonal, qualifying for the 1974 Candidates Matches.
Karpov defeated Lev Polugaevsky by the score of +3=5 in the first Candidates' match, earning the right to face former champion Boris Spassky in the semifinal round. Karpov was on record saying that he believed Spassky would easily beat him and win the Candidates' cycle to face Fischer, and that he (Karpov) would win the following Candidates' cycle in 1977. Spassky won the first game as Black in good style, but tenacious, aggressive play from Karpov secured him overall victory by +4−1=6.
The Candidates' final was played in Moscow with Victor Korchnoi. Karpov took an early lead, winning the second game against the Sicilian Dragon, then scoring another victory in the sixth game. Following ten consecutive draws, Korchnoi threw away a winning position in the seventeenth game to give Karpov a 3–0 lead. In game 19, Korchnoi succeeded in winning a long endgame, then notched a speedy victory after a blunder by Karpov two games later. Three more draws, the last agreed by Karpov in a clearly better position, closed the match, as he thus prevailed +3−2=19, moving on to challenge Fischer for the world title.
Match with Fischer in 1975.
Though a world championship match between Karpov and Fischer was highly anticipated, those hopes were never realised. Fischer not only insisted that the match be the first to ten wins (draws not counting), but also that the champion retain the crown if the score was tied 9–9. FIDE, the International Chess Federation, refused to allow this proviso, and gave both players a deadline of April 1, 1975, to agree to play the match under the FIDE-approved rules. When Fischer did not agree, FIDE President Max Euwe declared on April 3, 1975, that Fischer had forfeited his title and Karpov was the new World Champion. Karpov later attempted to set up another match with Fischer, but the negotiations fell through. This thrust the young Karpov into the role of World Champion without having faced the reigning champion.
Garry Kasparov argued that Karpov would have had good chances because he had beaten Spassky convincingly and was a new breed of tough professional, and indeed had higher quality games, while Fischer had been inactive for three years. This view is echoed by Karpov himself. Spassky thought that Fischer would have won in 1975, but Karpov would have qualified again and beaten Fischer in 1978.
Karpov has said that if he had had the opportunity to play Fischer for the championship in his twenties, he could have been a much better player as a result.
World champion.
Determined to prove himself a legitimate champion, Karpov participated in nearly every major tournament for the next ten years. He convincingly won the Milan tournament in 1975, and captured his first of three Soviet titles in 1976. He created a phenomenal streak of tournament wins against the strongest players in the world. Karpov held the record for most consecutive tournament victories (9) until it was shattered by Garry Kasparov (14). As a result, most chess professionals soon agreed that Karpov was a legitimate world champion.
In 1978, Karpov's first title defence was against Viktor Korchnoi, the opponent he had defeated in the 1973–75 Candidates' cycle; the match was played at Baguio, Philippines, with the winner needing six victories.
As in 1974, Karpov took an early lead, winning the eighth game after seven draws to open the match. When the score was +5−2=20 in Karpov's favour, Korchnoi staged a comeback, and won three of the next four games to draw level with Karpov. Karpov then won the very next game to retain the title (+6−5=21).
Three years later, Korchnoi reemerged as the Candidates' winner against German finalist Robert Hübner to challenge Karpov in Merano, Italy. Karpov handily won this match, 11–7 (+6−2=10), in what is remembered as the "Massacre in Merano".
Karpov's tournament career reached a peak at the Montreal "Tournament of Stars" tournament in 1979, where he finished joint first (+7−1=10) with Mikhail Tal ahead of a field of strong grandmasters completed by Jan Timman, Ljubomir Ljubojević, Boris Spassky, Vlastimil Hort, Lajos Portisch, Robert Hübner, Bent Larsen and Lubomir Kavalek. He dominated Las Palmas in 1977 with 13½/15. He also won the prestigious Bugojno tournament in 1978 (shared), 1980 and 1986, the Linares tournament in 1981 (shared with Larry Christiansen) and 1994, the Tilburg tournament in 1977, 1979, 1980, 1982, and 1983, and the Soviet Championship in 1976, 1983, and 1988.
Karpov represented the Soviet Union at six Chess Olympiads, in all of which the USSR won the team gold medal. He played as the first reserve at Skopje 1972, winning the board prize with 13/15. At Nice 1974, he advanced to board one and again won the board prize with 12/14. At La Valletta 1980, he was again board one and scored 9/12. At Lucerne 1982, he scored 6½/8 on board one. At Dubai 1986, he scored 6/9 on board two. His last was Thessaloniki 1988, where on board two he scored 8/10. In Olympiad play, Karpov lost only two games out of 68 played.
To illustrate Karpov's dominance over his peers as champion, his score was +11−2=20 versus Spassky, +5=12 versus Robert Hübner, +6−1=16 versus Ulf Andersson, +3−1=10 versus Vasily Smyslov, +1=16 versus Mikhail Tal, and +10−2=13 versus Ljubomir Ljubojević.
Rivalry with Kasparov.
Karpov had cemented his position as the world's best player and world champion by the time Garry Kasparov arrived on the scene. In their first match, the World Chess Championship 1984 in Moscow, the first player to win six games would win the match. Karpov built a 4–0 lead after nine games. The next 17 games were drawn, setting a record for world title matches, and it took Karpov until game 27 to gain his fifth win. In game 31, Karpov had a winning position but failed to take advantage and settled for a draw. He lost the next game, after which 14 more draws ensued. Karpov held a solidly winning position in Game 41, but again blundered and had to settle for a draw. After Kasparov won games 47 and 48, FIDE President Florencio Campomanes unilaterally terminated the match, citing the players' health. Karpov is said to have lost 10 kg over the course of the match. The match had lasted an unprecedented five months, with five wins for Karpov, three for Kasparov, and 40 draws.
A rematch was set for later in 1985, also in Moscow. The events of the so-called Marathon Match forced FIDE to return to the previous format, with a match limited to 24 games (with Karpov remaining champion if the match finished 12–12). Karpov needed to win the final game to draw the match and retain his title, but lost, surrendering the title to his opponent. The final score was 13–11 (+3−5=16) in favour of Kasparov.
Karpov remained a formidable opponent (and the world No. 2) until the mid-1990s. He fought Kasparov in three more world championship matches in 1986 (held in London and Leningrad), 1987 (in Seville), and 1990 (in New York City and Lyon). All three matches were extremely close: the scores were 11½–12½ (+4−5=15), 12–12 (+4−4=16), and 11½–12½ (+3−4=17). In all three matches, Karpov had winning chances up to the last games. The ending of the 1987 Seville match was particularly dramatic. Karpov won the 23rd game when Kasparov miscalculated a combination. In the final game, needing only a draw to win the title, Karpov cracked under time pressure at the end of the first session of play, missed a variation leading to an almost forced draw, and allowed Kasparov to adjourn the game with an extra pawn. After a further mistake in the second session, Karpov was slowly ground down and resigned on move 64, ending the match and allowing Kasparov to keep the title.
In their five world championship matches, Karpov scored 19 wins, 21 losses, and 104 draws in 144 games. Overall, Karpov played five matches against Kasparov for the title from 1984 to 1990 without ever defeating him in a match.
FIDE champion again (1993–1999).
In 1992, Karpov lost a Candidates Match against Nigel Short. But in the World Chess Championship 1993, Karpov reacquired the FIDE World Champion title when Kasparov and Short split from FIDE. Karpov defeated Timman – the loser of the Candidates' final against Short.
The next major meeting of Kasparov and Karpov was the 1994 Linares chess tournament. The field, in eventual finishing order, was Karpov, Kasparov, Shirov, Bareev, Kramnik, Lautier, Anand, Kamsky, Topalov, Ivanchuk, Gelfand, Illescas, Judit Polgár, and Beliavsky; with an average Elo rating of 2685, the highest ever at that time. Impressed by the strength of the tournament, Kasparov had said several days before the tournament that the winner could rightly be called the world champion of tournaments. Perhaps spurred on by this comment, Karpov played the best tournament of his life. He was undefeated and earned 11 points out of 13 (the best world-class tournament winning percentage since Alekhine won San Remo in 1930), finishing 2½ points ahead of second-place Kasparov and Shirov. Many of his wins were spectacular (in particular, his win over Topalov is considered possibly the finest of his career). This performance against the best players in the world put his Elo rating tournament performance at 2985, the highest performance rating of any player in history up until 2009, when Magnus Carlsen won the category XXI Pearl Spring chess tournament with a performance of 3002. Chess statistician Jeff Sonas considers Karpov's Linares performance the best tournament result in history.
Karpov defended his FIDE title against the rising star Gata Kamsky (+6−3=9) in 1996. In 1998, FIDE largely scrapped the old system of Candidates' Matches, instead having a large knockout event in which a large number of players contested short matches against each other over just a few weeks. In the first of these events, the FIDE World Chess Championship 1998, champion Karpov was seeded straight into the final, defeating Viswanathan Anand (+2−2=2, rapid tiebreak 2–0). In the subsequent cycle, the format was changed, with the champion having to qualify. Karpov refused to defend his title, and ceased to be FIDE World Champion after the FIDE World Chess Championship 1999.
Towards retirement.
Karpov's classical tournament play has been seriously limited since 1997, since he prefers to be more involved in Russian politics. He had been a member of the Supreme Soviet Commission for Foreign Affairs and the president of the Soviet Peace Fund before the Soviet Union dissolved. In addition, he has been involved in several disputes with FIDE. In the September 2009 FIDE rating list, he dropped out of the world's Top 100 for the first time.
Karpov usually limits his play to exhibition events, and has revamped his style to specialize in rapid chess. In 2002, he won a match against Kasparov, defeating him in a rapid time control match 2½–1½. In 2006, he tied for first with Kasparov in a blitz tournament, ahead of Korchnoi and Judit Polgár.
Karpov and Kasparov played a mixed 12-game match from September 21–24, 2009, in Valencia, Spain. It consisted of four rapid (or semi-rapid) and eight blitz games and took place exactly 25 years after the two players' legendary encounter at the World Chess Championship 1984. Kasparov won the match 9–3.
Karpov played a match against Yasser Seirawan in 2012 in St. Louis, Missouri, an important center of the North American chess scene, winning 8–6 (+5−3=6).
In November 2012, he won the Cap d'Agde rapid tournament that bears his name (Anatoly Karpov Trophy), beating Vasyl Ivanchuk (ranked 9th in the October 2012 FIDE world rankings) in the final.
Professional and political career after retirement from chess.
In 2003, Karpov opened his first American chess school in Lindsborg, Kansas. On March 2, 2022, the school announced a name change to International School of Chess of the Midwest due to the 2022 Russian invasion of Ukraine.
Karpov has been a member of the sixth, seventh and eighth Russian State Dumas. Since 2005, he has been a member of the Public Chamber of Russia. He has involved himself in several humanitarian causes, such as advocating the use of iodised salt. On December 17, 2012, Karpov supported the law in the Russian Parliament banning adoption of Russian orphans by U.S. citizens.
Karpov expressed support of the annexation of Crimea by the Russian Federation, and accused Europe of trying to demonize Putin. In August 2019, Maxim Dlugy said that Karpov had been waiting since March for the approval of a non-immigrant visa to the United States, despite frequently visiting the country since 1972. Karpov had been scheduled to teach a summer camp at the Chess Max Academy. Dlugy said that Karpov had been questioned at the US embassy in Moscow about whether he planned to communicate with American politicians. Karpov was among the Russian State Duma members placed under sanctions by the EU during the prelude to the 2022 Russian invasion of Ukraine. In March 2022, after the start of the invasion, the FIDE Council suspended Karpov's title of FIDE Ambassador for Life.
In November 2022, Karpov received a head injury that left him concussed; according to some sources, he was placed in an induced coma. Sources vary on the cause of the injury, including allegations that he was attacked while heavily intoxicated. Karpov's daughter Sofia claimed that he had accidentally fallen; this was echoed by the Russian Chess Federation.
Candidate for FIDE presidency.
In March 2010 Karpov announced that he would be a candidate for the presidency of FIDE. The election took place in September 2010 at the 39th Chess Olympiad. In May, a fund-raising event took place in New York with the participation of Kasparov and of Magnus Carlsen, both of whom supported his bid and campaigned for him. Nigel Short also supported Karpov's candidacy. On September 29, 2010, Kirsan Ilyumzhinov was reelected as president of FIDE, 95 votes to 55.
Style.
Karpov's "boa constrictor" playing style is solidly positional, taking minimal risks but reacting mercilessly to the slightest error by his opponent. As a result, he is often compared to José Raúl Capablanca, the third world champion. Karpov himself describes his style as follows:Let us say the game may be continued in two ways: one of them is a beautiful tactical blow that gives rise to variations that don't yield to precise calculations; the other is clear positional pressure that leads to an endgame with microscopic chances of victory... I would choose [the latter] without thinking twice. If the opponent offers keen play I don't object; but in such cases I get less satisfaction, even if I win, than from a game conducted according to all the rules of strategy with its ruthless logic.
Hobbies.
Karpov's extensive stamp collection of Belgian philately and Belgian Congo stamps and postal history covering mail from 1742 through 1980 was sold by David Feldman's auction company between December 2011 and 2012. He is also known to have large chess stamp and chess book collections. His private chess library consists of 9,000 books.
Books.
Karpov has authored or co-authored several books, most of which have been translated into English.
External links.
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Aristophanes
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Aristophanes (; , ; c. 446 – c. 386 BC), son of Philippus, of the deme Kydathenaion (), was a comic playwright or comedy-writer of ancient Athens and a poet of Old Attic Comedy. Eleven of his forty plays survive virtually complete. These provide the most valuable examples of a genre of comic drama known as Old Comedy and are used to define it, along with fragments from dozens of lost plays by Aristophanes and his contemporaries.
Also known as "The Father of Comedy" and "the Prince of Ancient Comedy", Aristophanes has been said to recreate the life of ancient Athens more convincingly than any other author. His powers of ridicule were feared and acknowledged by influential contemporaries; Plato singled out Aristophanes' play "The Clouds" as slander that contributed to the trial and subsequent condemning to death of Socrates, although other satirical playwrights had also caricatured the philosopher.
Aristophanes' second play, "The Babylonians" (now lost), was denounced by Cleon as a slander against the Athenian "polis". It is possible that the case was argued in court, but details of the trial are not recorded and Aristophanes caricatured Cleon mercilessly in his subsequent plays, especially "The Knights", the first of many plays that he directed himself. "In my opinion," he says through that play's Chorus, "the author-director of comedies has the hardest job of all."
Etymology.
Aristophanes's name means the perfect one that appears, from the greek 'Aριστος' (Aristos) meaning "perfect" and the 'Φάνης' (Phanes), meaning one who appears and shines.
Biography.
Less is known about Aristophanes than about his plays. In fact, his plays are the main source of information about him and his life. It was conventional in Old Comedy for the chorus to speak on behalf of the author during an address called the parabasis and thus some biographical facts can be found there. However, these facts relate almost entirely to his career as a dramatist and the plays contain few clear and unambiguous clues about his personal beliefs or his private life. He was a comic poet in an age when it was conventional for a poet to assume the role of teacher (didaskalos), and though this specifically referred to his training of the Chorus in rehearsal, it also covered his relationship with the audience as a commentator on significant issues.
Aristophanes claimed to be writing for a clever and discerning audience, yet he also declared that "other times" would judge the audience according to its reception of his plays. He sometimes boasts of his originality as a dramatist yet his plays consistently espouse opposition to radical new influences in Athenian society. He caricatured leading figures in the arts (notably Euripides, whose influence on his own work however he once grudgingly acknowledged), in politics (especially the populist Cleon), and in philosophy/religion (where Socrates was the most obvious target). Such caricatures seem to imply that Aristophanes was an old-fashioned conservative, yet that view of him leads to contradictions.
It has been argued that Aristophanes produced plays mainly to entertain the audience and to win prestigious competitions. His plays were written for production at the great dramatic festivals of Athens, the Lenaia and City Dionysia, where they were judged and awarded prizes in competition with the works of other comic dramatists. An elaborate series of lotteries, designed to prevent prejudice and corruption, reduced the voting judges at the City Dionysia to just five. These judges probably reflected the mood of the audiences yet there is much uncertainty about the composition of those audiences. The theatres were certainly huge, with seating for at least 10,000 at the Theatre of Dionysus. The day's program at the City Dionysia for example was crowded, with three tragedies and a satyr play ahead of a comedy, but it is possible that many of the poorer citizens (typically the main supporters of demagogues like Cleon) occupied the festival holiday with other pursuits. The conservative views expressed in the plays might therefore reflect the attitudes of the dominant group in an unrepresentative audience.
The production process might also have influenced the views expressed in the plays. Throughout most of Aristophanes' career, the Chorus was essential to a play's success and it was recruited and funded by a "choregus", a wealthy citizen appointed to the task by one of the archons. A choregus could regard his personal expenditure on the Chorus as a civic duty and a public honour, but Aristophanes showed in "The Knights" that wealthy citizens might regard civic responsibilities as punishment imposed on them by demagogues and populists like Cleon. Thus the political conservatism of the plays may reflect the views of the wealthiest section of Athenian society, on whose generosity all dramatists depended for putting on their plays.
When Aristophanes' first play "The Banqueters" was produced, Athens was an ambitious, imperial power and the Peloponnesian War was only in its fourth year. His plays often express pride in the achievement of the older generation (the victors at Marathon) yet they are not jingoistic, and they are staunchly opposed to the war with Sparta. The plays are particularly scathing in criticism of war profiteers, among whom populists such as Cleon figure prominently. By the time his last play was produced (around 386 BC) Athens had been defeated in war, its empire had been dismantled and it had undergone a transformation from being the political to the intellectual centre of Greece. Aristophanes was part of this transformation and he shared in the intellectual fashions of the period—the structure of his plays evolves from Old Comedy until, in his last surviving play, "Wealth II", it more closely resembles New Comedy. However it is uncertain whether he led or merely responded to changes in audience expectations.
Aristophanes won second prize at the City Dionysia in 427 BC with his first play "The Banqueters" (now lost). He won first prize there with his next play, "The Babylonians" (also now lost). It was usual for foreign dignitaries to attend the City Dionysia, and "The Babylonians" caused some embarrassment for the Athenian authorities since it depicted the cities of the Delian League as slaves grinding at a mill. Some influential citizens, notably Cleon, reviled the play as slander against the "polis" and possibly took legal action against the author. The details of the trial are unrecorded but, speaking through the hero of his third play "The Acharnians" (staged at the Lenaia, where there were few or no foreign dignitaries), the poet carefully distinguishes between the "polis" and the real targets of his acerbic wit:
Aristophanes repeatedly savages Cleon in his later plays. But these satirical diatribes appear to have had no effect on Cleon's political career—a few weeks after the performance of "The Knights"—a play full of anti-Cleon jokes—Cleon was elected to the prestigious board of ten generals. Cleon also seems to have had no real power to limit or control Aristophanes: the caricatures of him continued up to and even beyond his death.
In the absence of clear biographical facts about Aristophanes, scholars make educated guesses based on interpretation of the language in the plays. Inscriptions and summaries or comments by Hellenistic and Byzantine scholars can also provide useful clues. We know from a combination of these sources, and especially from comments in "The Knights" and "The Clouds", that Aristophanes' first three plays were not directed by him—they were instead directed by Callistratus and Philoneides, an arrangement that seemed to suit Aristophanes since he appears to have used these same directors in many later plays as well (Philoneides for example later directed "The Frogs" and he was also credited, perhaps wrongly, with directing "The Wasps".) Aristophanes's use of directors complicates our reliance on the plays as sources of biographical information because apparent self-references might have been made with reference to his directors instead. Thus for example a statement by the chorus in "The Acharnians" seems to indicate that the "poet" had a close, personal association with the island of Aegina. Similarly, the hero in "The Acharnians" complains about Cleon "dragging me into court" over "last year's play."
Comments made by the Chorus referring to Aristophanes in "The Clouds" have been interpreted as evidence that he can hardly have been more than 18 years old when his first play "The Banqueters" was produced. The second parabasis in "Wasps" appears to indicate that he reached some kind of temporary accommodation with Cleon following either the controversy over "The Babylonians" or a subsequent controversy over "The Knights". It has been inferred from statements in "The Clouds" and "Peace" that Aristophanes was prematurely bald.
Aristophanes was probably victorious at least once at the City Dionysia (with "Babylonians" in 427) and at least three times at the Lenaia, with "The Acharnians" in 425, "Knights" in 424, and "Frogs" in 405. "Frogs" in fact won the unique distinction of a repeat performance at a subsequent festival. A son of Aristophanes, Araros, was also a comic poet and he could have been heavily involved in the production of his father's play "Wealth II" in 388. Araros is also thought to have been responsible for the posthumous performances of the now lost plays "Aeolosicon II" and "Cocalus", and it is possible that the last of these won the prize at the City Dionysia in 387. It appears that a second son, Philippus, was twice victorious at the Lenaia and he could have directed some of Eubulus’ comedies. A third son was called either Nicostratus or Philetaerus, and a man by the latter name appears in the catalogue of Lenaia victors with two victories, the first probably in the late 370s.
Plato's "The Symposium" appears to be a useful source of biographical information about Aristophanes, but its reliability is open to doubt. It purports to be a record of conversations at a dinner party at which both Aristophanes and Socrates are guests, held some seven years after the performance of "The Clouds", the play in which Socrates was cruelly caricatured. One of the guests, Alcibiades, even quotes from the play when teasing Socrates over his appearance and yet there is no indication of any ill-feeling between Socrates and Aristophanes. Plato's Aristophanes is in fact a genial character and this has been interpreted as evidence of Plato's own friendship with him (their friendship appears to be corroborated by an epitaph for Aristophanes, "reputedly" written by Plato, in which the playwright's soul is compared to an eternal shrine for the Graces). Plato was only a boy when the events in "The Symposium" are supposed to have occurred and it is possible that his Aristophanes is in fact based on a reading of the plays. For example, conversation among the guests turns to the subject of Love and Aristophanes explains his notion of it in terms of an amusing allegory, a device he often uses in his plays. He is represented as suffering an attack of hiccups and this might be a humorous reference to the crude physical jokes in his plays. He tells the other guests that he is quite happy to be thought amusing but he is wary of appearing ridiculous. This fear of being ridiculed is consistent with his declaration in "The Knights" that he embarked on the career of comic playwright warily after witnessing the public contempt and ridicule that other dramatists had incurred.
Aristophanes survived The Peloponnesian War, two oligarchic revolutions and two democratic restorations; this has been interpreted as evidence that he was not actively involved in politics despite his highly political plays. He was probably appointed to the Council of Five Hundred for a year at the beginning of the fourth century but such appointments were very common in democratic Athens.
Use of language.
The language of Aristophanes' plays, and in Old Comedy generally, was valued by ancient commentators as a model of the Attic dialect. The orator Quintilian believed that the charm and grandeur of the Attic dialect made Old Comedy an example for orators to study and follow, and he considered it inferior in these respects only to the works of Homer. A revival of interest in the Attic dialect may have been responsible for the recovery and circulation of Aristophanes' plays during the fourth and fifth centuries AD, resulting in their survival today. In Aristophanes' plays, the Attic dialect is couched in verse and his plays can be appreciated for their poetic qualities.
For Aristophanes' contemporaries the works of Homer and Hesiod formed the cornerstones of Hellenic history and culture. Thus poetry had a moral and social significance that made it an inevitable topic of comic satire. Aristophanes was very conscious of literary fashions and traditions and his plays feature numerous references to other poets. These include not only rival comic dramatists such as Eupolis and Hermippus and predecessors such as Magnes, Crates and Cratinus, but also tragedians, notably Aeschylus, Sophocles and Euripides, all three of whom are mentioned in e.g. "The Frogs". Aristophanes was the equal of these great tragedians in his subtle use of lyrics. He appears to have modelled his approach to language on that of Euripides in particular, so much so that the comic dramatist Cratinus labelled him a 'Euripidaristophanist' addicted to hair-splitting niceties.
A full appreciation of Aristophanes' plays requires an understanding of the poetic forms he employed with virtuoso skill, and of their different rhythms and associations. There were three broad poetic forms: iambic dialogue, tetrameter verses and lyrics:
The rhythm begins at a typical anapestic gallop, slows down to consider the revered poets Hesiod and Homer, then gallops off again to its comic conclusion at the expense of the unfortunate Pantocles. Such subtle variations in rhythm are common in the plays, allowing for serious points to be made while still whetting the audience's appetite for the next joke.
<poem style="margin-left:2em">
Though to myself I often seem
None comes close to Amynias,
Clan, a man I once saw
Now as poor as Antiphon,
Yet he got himself appointed
Way up there in Thessaly,
Happy to be where everyone
It can be argued that the most important feature of the language of the plays is imagery, particularly the use of similes, metaphors and pictorial expressions. In "The Knights", for example, the ears of a character with selective hearing are represented as parasols that open and close. In "The Frogs", Aeschylus is said to compose verses in the manner of a horse rolling in a sandpit. Some plays feature revelations of human perfectibility that are poetic rather than religious in character, such as the marriage of the hero Pisthetairos to Zeus's paramour in "The Birds" and the "recreation" of old Athens, crowned with roses, at the end of "The Knights".
Rhetoric.
It is widely believed that Aristophanes condemned rhetoric on both moral and political grounds. He states, "a speaker trained in the new rhetoric may use his talents to deceive the jury and bewilder his opponents so thoroughly that the trial loses all semblance of fairness" He is speaking to the "art" of flattery, and evidence points towards the fact that many of Aristophanes' plays were actually created with the intent to attack the view of rhetoric. The most noticeable attack can be seen in his play Banqueters, in which two brothers from different educational backgrounds argue over which education is better. One brother comes from a background of "old-fashioned" education while the other brother appears to be a product of the sophistic education
The chorus was mainly used by Aristophanes as a defense against rhetoric and would often talk about topics such as the civic duty of those who were educated in classical teachings. In Aristophanes' opinion it was the job of those educated adults to protect the public from deception and to stand as a beacon of light for those who were more gullible than others. One of the main reasons why Aristophanes was so against the sophists came into existence from the requirements listed by the leaders of the organization. Money was essential, which meant that roughly all of the pupils studying with the sophists came from upper-class backgrounds and excluded the rest of the polis. Aristophanes believed that education and knowledge was a public service and that anything that excluded willing minds was nothing but an abomination. He concludes that all politicians that study rhetoric must have "doubtful citizenships, unspeakable morals, and too much arrogance".
Aristophanes and Old Comedy.
The plays of Aristophanes are among the defining examples of Old Comedy. For this reason, an understanding of Old Comedy and Aristophanes' place in it is useful to comprehend his plays in their historical and cultural context. The themes of Old Comedy included:
Dramatic structure of Aristophanes' plots.
The structural elements of a typical Aristophanic plot can be summarized as follows:
The rules of competition did not prevent a playwright arranging and adjusting these elements to suit his particular needs. In "The Acharnians" and "Peace", for example, there is no formal agon whereas in "The Clouds" there are two agons.
Parabasis.
The parabasis is an address to the audience by the chorus or chorus leader while the actors leave or have left the stage. In this role, the chorus is sometimes out of character, as the author's voice, and sometimes in character, although these capacities are often difficult to distinguish. Generally the parabasis occurs somewhere in the middle of a play and often there is a second parabasis towards the end. The elements of a parabasis have been defined and named by scholars but it is probable that Aristophanes' own understanding was less formal. The selection of elements can vary from play to play and it varies considerably within plays between first and second parabasis. The early plays ("The Acharnians" to "The Birds") are fairly uniform in their approach however and the following elements of a parabasis can be found within them.
"The Wasps" is thought to offer the best example of a conventional approach and the elements of a parabasis can be identified and located in that play as follows.
Textual corruption is probably the reason for the absence of the antistrophe in the second parabasis.
However, there are several variations from the ideal even within the early plays. For example, the parabasis proper in "The Clouds" (lines 518–562) is composed in eupolidean meter rather than in anapests and the second parabasis includes a kommation but it lacks strophe, antistrophe and antepirrhema ("The Clouds" lines 1113–1130). The second parabasis in "The Acharnians" lines 971–999 can be considered a hybrid parabasis/song (i.e. the declaimed sections are merely continuations of the strophe and antistrophe) and, unlike the typical parabasis, it seems to comment on actions that occur on stage during the address. An understanding of Old Comedy conventions such as the parabasis is necessary for a proper understanding of Aristophanes' plays; on the other hand, a sensitive appreciation of the plays is necessary for a proper understanding of the conventions.
Dramatic structure of Aristophanes' plots.
The structural elements of a typical Aristophanic plot can be summarized as follows:
The rules of competition did not prevent a playwright arranging and adjusting these elements to suit his particular needs. In "The Acharnians" and "Peace", for example, there is no formal agon whereas in "The Clouds" there are two agons.
Parabasis.
The parabasis is an address to the audience by the chorus or chorus leader while the actors leave or have left the stage. In this role, the chorus is sometimes out of character, as the author's voice, and sometimes in character, although these capacities are often difficult to distinguish. Generally the parabasis occurs somewhere in the middle of a play and often there is a second parabasis towards the end. The elements of a parabasis have been defined and named by scholars but it is probable that Aristophanes' own understanding was less formal. The selection of elements can vary from play to play and it varies considerably within plays between first and second parabasis. The early plays ("The Acharnians" to "The Birds") are fairly uniform in their approach however and the following elements of a parabasis can be found within them.
"The Wasps" is thought to offer the best example of a conventional approach and the elements of a parabasis can be identified and located in that play as follows.
Textual corruption is probably the reason for the absence of the antistrophe in the second parabasis.
However, there are several variations from the ideal even within the early plays. For example, the parabasis proper in "The Clouds" (lines 518–562) is composed in eupolidean meter rather than in anapests and the second parabasis includes a kommation but it lacks strophe, antistrophe and antepirrhema ("The Clouds" lines 1113–1130). The second parabasis in "The Acharnians" lines 971–999 can be considered a hybrid parabasis/song (i.e. the declaimed sections are merely continuations of the strophe and antistrophe) and, unlike the typical parabasis, it seems to comment on actions that occur on stage during the address. An understanding of Old Comedy conventions such as the parabasis is necessary for a proper understanding of Aristophanes' plays; on the other hand, a sensitive appreciation of the plays is necessary for a proper understanding of the conventions.
Parabasis.
The parabasis is an address to the audience by the chorus or chorus leader while the actors leave or have left the stage. In this role, the chorus is sometimes out of character, as the author's voice, and sometimes in character, although these capacities are often difficult to distinguish. Generally the parabasis occurs somewhere in the middle of a play and often there is a second parabasis towards the end. The elements of a parabasis have been defined and named by scholars but it is probable that Aristophanes' own understanding was less formal. The selection of elements can vary from play to play and it varies considerably within plays between first and second parabasis. The early plays ("The Acharnians" to "The Birds") are fairly uniform in their approach however and the following elements of a parabasis can be found within them.
"The Wasps" is thought to offer the best example of a conventional approach and the elements of a parabasis can be identified and located in that play as follows.
Textual corruption is probably the reason for the absence of the antistrophe in the second parabasis.
However, there are several variations from the ideal even within the early plays. For example, the parabasis proper in "The Clouds" (lines 518–562) is composed in eupolidean meter rather than in anapests and the second parabasis includes a kommation but it lacks strophe, antistrophe and antepirrhema ("The Clouds" lines 1113–1130). The second parabasis in "The Acharnians" lines 971–999 can be considered a hybrid parabasis/song (i.e. the declaimed sections are merely continuations of the strophe and antistrophe) and, unlike the typical parabasis, it seems to comment on actions that occur on stage during the address. An understanding of Old Comedy conventions such as the parabasis is necessary for a proper understanding of Aristophanes' plays; on the other hand, a sensitive appreciation of the plays is necessary for a proper understanding of the conventions.
Influence and legacy.
The tragic dramatists, Sophocles and Euripides, died near the end of the Peloponnesian War and the art of tragedy thereafter ceased to develop, yet comedy did continue to evolve after the defeat of Athens and it is possible that it did so because, in Aristophanes, it had a master craftsman who lived long enough to help usher it into a new age. Indeed, according to one ancient source (Platonius, c.9th Century AD), one of Aristophanes's last plays, "Aioliskon", had neither a parabasis nor any choral lyrics (making it a type of Middle Comedy), while "Kolakos" anticipated all the elements of New Comedy, including a rape and a recognition scene. Aristophanes seems to have had some appreciation of his formative role in the development of comedy, as indicated by his comment in "Clouds" that his audience would be judged by other times according to its reception of his plays. "Clouds" was awarded third (i.e. last) place after its original performance and the text that has come down to the modern age was a subsequent draft that Aristophanes intended to be read rather than acted. The circulation of his plays in manuscript extended their influence beyond the original audience, over whom in fact they seem to have had little or no practical influence: they did not affect the career of Cleon, they failed to persuade the Athenians to pursue an honourable peace with Sparta and it is not clear that they were instrumental in the trial and execution of Socrates, whose death probably resulted from public animosity towards the philosopher's disgraced associates (such as Alcibiades), exacerbated of course by his own intransigence during the trial. The plays, in manuscript form, have been put to some surprising uses—as indicated earlier, they were used in the study of rhetoric on the recommendation of Quintilian and by students of the Attic dialect in the Fourth and Fifth Centuries AD. It is possible that Plato sent copies of the plays to Dionysius of Syracuse so that he might learn about Athenian life and government.
Latin translations of the plays by Andreas Divus (Venice 1528) were circulated widely throughout Europe in the Renaissance and these were soon followed by translations and adaptations in modern languages. Racine, for example, drew "Les Plaideurs" (1668) from "The Wasps". Goethe (who turned to Aristophanes for a warmer and more vivid form of comedy than he could derive from readings of Terence and Plautus) adapted a short play "Die Vögel" from "The Birds" for performance in Weimar. Aristophanes has appealed to both conservatives and radicals in the nineteenth and twentieth centuries—Anatoly Lunacharsky, first Commissar of Enlightenment for the USSR in 1917, declared that the ancient dramatist would have a permanent place in proletarian theatre and yet conservative, Prussian intellectuals interpreted Aristophanes as a satirical opponent of social reform. The avant-gardist stage-director Karolos Koun directed a version of "The Birds" under the Acropolis in 1959 that established a trend in modern Greek history of breaking taboos through the voice of Aristophanes.
The plays have a significance that goes beyond their artistic function, as historical documents that open the window on life and politics in classical Athens, in which respect they are perhaps as important as the writings of Thucydides. The artistic influence of the plays is immeasurable. They have contributed to the history of European theatre and that history in turn shapes our understanding of the plays. Thus for example the operettas of Gilbert and Sullivan can give us insights into Aristophanes' plays and similarly the plays can give us insights into the operettas. The plays are a source of famous sayings, such as "By words the mind is winged."
Listed below are some of the many works influenced (more or less) by Aristophanes.
Translation of Aristophanes.
Alan H. Sommerstein believes that although there are good translations of Aristophanes' comedies in English, none could be flawless, "for there is much truth in the paradox that the only really perfect translation is the original." In spite of that, it is crucial to be cited that there are competent respectable translations in other languages such as Farsi (by Reza Shirmarz, a well-known Iranian playwright, translator and researcher), French and German. Despite the fact that English translations of Aristophanes might not be perfect, "the reception of Aristophanes has gained extraordinary momentum as a topic of academic interest in the last few years."
Works.
Surviving plays.
Most of these are traditionally referred to by abbreviations of their "Latin" titles; Latin remains a customary language of scholarship in classical studies.
Datable non-surviving (lost) plays.
The standard modern edition of the fragments is Rudolf Kassel and Colin François Lloyd Austin's, "Poetae Comici Graeci" III.2.
Surviving plays.
Most of these are traditionally referred to by abbreviations of their "Latin" titles; Latin remains a customary language of scholarship in classical studies.
Datable non-surviving (lost) plays.
The standard modern edition of the fragments is Rudolf Kassel and Colin François Lloyd Austin's, "Poetae Comici Graeci" III.2.
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Albert Schweitzer
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Ludwig Philipp Albert Schweitzer (; 14 January 1875 – 4 September 1965) was an Alsatian-German/French polymath. He was a theologian, organist, musicologist, writer, humanitarian, philosopher, and physician. A Lutheran minister, Schweitzer challenged both the secular view of Jesus as depicted by the historical-critical method current at this time, as well as the traditional Christian view. His contributions to the interpretation of Pauline Christianity concern the role of Paul's mysticism of "being in Christ" as primary and the doctrine of justification by faith as secondary.
He received the 1952 Nobel Peace Prize for his philosophy of "Reverence for Life", becoming the eighth Frenchman to be awarded that prize. His philosophy was expressed in many ways, but most famously in founding and sustaining the Hôpital Albert Schweitzer in Lambaréné, French Equatorial Africa (now Gabon). As a music scholar and organist, he studied the music of German composer Johann Sebastian Bach and influenced the Organ Reform Movement ("Orgelbewegung").
Early years.
Schweitzer was born 14 January 1875 in Kaysersberg in Alsace, in what had less than four years previously become the Imperial Territory of Alsace-Lorraine in the German Empire after being French for more than two centuries; he later became a citizen of France after World War I, when Alsace became French territory again. He was the son of Louis Schweitzer and Adèle Schillinger. He spent his childhood in Gunsbach, also in Alsace, where his father, the local Lutheran-Evangelical pastor of the EPCAAL, taught him how to play music. The tiny village would become home to the Association Internationale Albert Schweitzer (AIAS). The medieval parish church of Gunsbach was shared by the Protestant and Catholic congregations, which held their prayers in different areas at different times on Sundays. This compromise arose after the Protestant Reformation and the Thirty Years' War. Schweitzer, the pastor's son, grew up in this exceptional environment of religious tolerance, and developed the belief that true Christianity should always work towards a unity of faith and purpose.
Schweitzer's first language was the Alsatian dialect of German. At the Mulhouse gymnasium he received his "Abitur" (the certificate at the end of secondary education) in 1893. He studied organ in Mulhouse from 1885 to 1893 with Eugène Munch, organist at the Protestant cathedral, who inspired Schweitzer with his enthusiasm for the music of German composer Richard Wagner. In 1893, he played for the French organist Charles-Marie Widor (at Saint-Sulpice, Paris), for whom Johann Sebastian Bach's organ music contained a mystic sense of the eternal. Widor, deeply impressed, agreed to teach Schweitzer without fee, and a great and influential friendship thus began.
From 1893 Schweitzer studied Protestant theology at the Kaiser Wilhelm University in Strasbourg. There he also received instruction in piano and counterpoint from professor Gustav Jacobsthal, and associated closely with Ernest Munch, the brother of his former teacher, organist of St William church, who was also a passionate admirer of J. S. Bach's music. Schweitzer served his one-year compulsory military service in 1894. Schweitzer saw many operas of Richard Wagner in Strasbourg (under Otto Lohse) and in 1896 he managed to afford a visit to the Bayreuth Festival to see Wagner's "Der Ring des Nibelungen" and "Parsifal", both of which impressed him. In 1898, he returned to Paris to write a PhD dissertation on "The Religious Philosophy of Kant" at the Sorbonne, and to study in earnest with Widor. Here he often met with the elderly Aristide Cavaillé-Coll. He also studied piano at that time with Marie Jaëll. In 1899, Schweitzer spent the summer semester at the University of Berlin and eventually obtained his theology degree at the University of Strasbourg. He published his PhD thesis at the University of Tübingen in 1899.
In 1905, Schweitzer began his study of medicine at the University of Strasbourg, culminating in the degree of M.D. in 1913.
Music.
Schweitzer rapidly gained prominence as a musical scholar and organist, dedicated also to the rescue, restoration and study of historic pipe organs. With theological insight, he interpreted the use of pictorial and symbolical representation in J. S. Bach's religious music. In 1899, he astonished Widor by explaining figures and motifs in Bach's Chorale Preludes as painter-like tonal and rhythmic imagery illustrating themes from the words of the hymns on which they were based. They were works of devotional contemplation in which the musical design corresponded to literary ideas, conceived visually. Widor had not grown up with knowledge of the old Lutheran hymns.
The exposition of these ideas, encouraged by Widor and Munch, became Schweitzer's last task, and appeared in the masterly study "J. S. Bach: Le Musicien-Poète", written in French and published in 1905. There was great demand for a German edition, but, instead of translating it, he decided to rewrite it. The result was two volumes ("J. S. Bach"), which were published in 1908 and translated into English by Ernest Newman in 1911. Ernst Cassirer, a contemporaneous German philosopher, called it "one of the best interpretations" of Bach. During its preparation Schweitzer became a friend of Cosima Wagner, then resident in Strasbourg, with whom he had many theological and musical conversations, exploring his view of Bach's descriptive music, and playing the major Chorale Preludes for her at the Temple Neuf. Schweitzer's interpretative approach greatly influenced the modern understanding of Bach's music. He became a welcome guest at the Wagners' home, Wahnfried. He also corresponded with composer Clara Faisst, who became a good friend.
His pamphlet "The Art of Organ Building and Organ Playing in Germany and France" (1906, republished with an appendix on the state of the organ-building industry in 1927) effectively launched the 20th-century "Orgelbewegung", which turned away from romantic extremes and rediscovered baroque principles—although this sweeping reform movement in organ building eventually went further than Schweitzer had intended. In 1909, he addressed the "Third Congress of the International Society of Music" at Vienna on the subject. Having circulated a questionnaire among players and organ-builders in several European countries, he produced a very considered report. This provided the basis for the "International Regulations for Organ Building". He envisaged instruments in which the French late-romantic full-organ sound should work integrally with the English and German romantic reed pipes, and with the classical Alsace Silbermann organ resources and baroque flue pipes, all in registers regulated (by stops) to access distinct voices in fugue or counterpoint capable of combination without loss of distinctness: different voices singing the same music together.
Schweitzer also studied piano under Isidor Philipp, head of the piano department at the Paris Conservatory.
In 1905, Widor and Schweitzer were among the six musicians who founded the Paris Bach Society, a choir dedicated to performing J. S. Bach's music, for whose concerts Schweitzer took the organ part regularly until 1913. He was also appointed organist for the Bach Concerts of the Orféo Català at Barcelona, Spain, and often travelled there for that purpose. He and Widor collaborated on a new edition of Bach's organ works, with detailed analysis of each work in three languages (English, French, German). Schweitzer, who insisted that the score should show Bach's notation with no additional markings, wrote the commentaries for the Preludes and Fugues, and Widor those for the Sonatas and Concertos: six volumes were published in 1912–14. Three more, to contain the Chorale Preludes with Schweitzer's analyses, were to be worked on in Africa, but these were never completed, perhaps because for him they were inseparable from his evolving theological thought.
On departure for Lambaréné in 1913, he was presented with a pedal piano, a piano with pedal attachments to operate like an organ pedal-keyboard. Built especially for the tropics, it was delivered by river in a huge dug-out canoe to Lambaréné, packed in a zinc-lined case. At first, he regarded his new life as a renunciation of his art, and fell out of practice, but after some time he resolved to study and learn by heart the works of Bach, Mendelssohn, Widor, César Franck, and Max Reger systematically. It became his custom to play during the lunch hour and on Sunday afternoons. Schweitzer's pedal piano was still in use at Lambaréné in 1946. According to a visitor, Dr. Gaine Cannon, of Balsam Grove, N.C., the old, dilapidated piano-organ was still being played by Dr. Schweitzer in 1962, and stories told that "his fingers were still lively" on the old instrument at 88 years of age.
Sir Donald Tovey dedicated his conjectural completion of Bach's "The Art of Fugue" to Schweitzer.
Schweitzer's recordings of organ-music, and his innovative recording technique, are described below.
One of his pupils was conductor and composer Hans Münch.
Theology.
In 1899, Schweitzer became a deacon at the church of Saint Nicholas in Strasbourg. In 1900, with the completion of his licentiate in theology, he was ordained as curate, and that year he witnessed the Oberammergau Passion Play. In the following year he became provisional Principal of the Theological College of Saint Thomas, from which he had just graduated, and in 1903 his appointment was made permanent.
In 1906, he published "Geschichte der Leben-Jesu-Forschung" [History of Life-of-Jesus research]. This book, which established his reputation, was first published in English in 1910 as "The Quest of the Historical Jesus". Under this title the book became famous in the English-speaking world. A second German edition was published in 1913, containing theologically significant revisions and expansions: this revised edition did not appear in English until 2001. In 1931, he published "Mystik des Apostels Paulus" ("The Mysticism of Paul the Apostle"); a second edition was published in 1953.
"The Quest of the Historical Jesus" (1906).
In "The Quest", Schweitzer criticised the liberal view put forward by liberal and romantic scholars during the first quest for the historical Jesus. Schweitzer maintained that the life of Jesus must be interpreted in the light of Jesus' own convictions, which reflected late Jewish eschatology and apocalypticism. Schweitzer writes:
Instead of these liberal and romantic views, Schweitzer wrote that Jesus and his followers expected the imminent end of the world.
Schweitzer cross-referenced the many New Testament verses declaring imminent fulfilment of the promise of the World's ending within the lifetime of Jesus's original followers. He wrote that in his view, in the Gospel of Mark, Jesus speaks of a "tribulation", with his "coming in the clouds with great power and glory" (St. Mark), and states that it will happen but it has not: "This generation shall not pass, till all these things be fulfilled" (St. Matthew, 24:34) or, "have taken place" (Luke 21:32). Similarly, in 1st Peter 1:20, "Christ, who verily was foreordained before the foundation of the world but was manifest in these last times for you", as well as "But the end of all things is at hand" (1 Peter 4:7) and "Surely, I come quickly." (Revelation 22:20).
Schweitzer concluded his treatment of Jesus with what has been called the most famous words of twentieth-century theology:
"He comes to us as One unknown, without a name, as of old, by the lake-side, He came to those men who knew him not. He speaks to us the same word: 'Follow thou me' and sets us to the task which He has to fulfill for our time. He commands. And to those who obey Him, whether they be wise or simple, He will reveal Himself in the toils, the conflicts, the sufferings which they shall pass through in His fellowship, and as an ineffable mystery, they shall learn in their own experience Who He is."
"The Mysticism of Paul the Apostle" (1931).
In "The Mysticism of Paul the Apostle", Schweitzer first distinguishes between two categories of mysticism: primitive and developed. Primitive mysticism "has not yet risen to a conception of the universal, and is still confined to naive views of earthly and super-earthly, temporal and eternal". Additionally, he argues that this view of a "union with the divinity, brought about by efficacious ceremonies, is found even in quite primitive religions".
On the other hand, a more developed form of mysticism can be found in the Greek mystery-cults that were popular in first-century A.D. society. These included the cults of Attis, Osiris, and Mithras. A developed form of mysticism is attained when the "conception of the universal is reached and a man reflects upon his relation to the totality of being and to Being in itself". Schweitzer claims that this form of mysticism is more intellectual and can be found "among the Brahmans and in the Buddha, in Platonism, in Stoicism, in Spinoza, Schopenhauer, and Hegel".
Next, Schweitzer poses the question: "Of what precise kind then is the mysticism of Paul?" He locates Paul between the two extremes of primitive mysticism and developed mysticism. Paul stands high above primitive mysticism, due to his intellectual writings, but never speaks of being one with God or being in God. Instead, he conceives of sonship to God as "mediated and effected by means of the mystical union with Christ". He summarizes Pauline mysticism as "being in Christ" rather than "being in God".
Paul's imminent eschatology (from his background in Jewish eschatology) causes him to believe that the kingdom of God has not yet come and that Christians are now living in the time of Christ. Christ-mysticism holds the field until God-mysticism becomes possible, which is in the near future. Therefore, Schweitzer argues that Paul is the only theologian who does not claim that Christians can have an experience of "being-in-God". Rather, Paul uses the phrase "being-in-Christ" to illustrate how Jesus is a mediator between the Christian community and God. Additionally, Schweitzer explains how the experience of "being-in-Christ" is not a "static partaking in the spiritual being of Christ, but as the real co-experiencing of His dying and rising again". The "realistic" partaking in the mystery of Jesus is only possible within the solidarity of the Christian community.
One of Schweitzer's major arguments in "The Mysticism of Paul the Apostle" is that Paul's mysticism, marked by his phrase "being in Christ", gives the clue to the whole of Pauline theology. Rather than reading justification by faith as the main topic of Pauline thought, which has been the most popular argument set forward by Martin Luther, Schweitzer argues that Paul's emphasis was on the mystical union with God by "being in Christ". Jaroslav Pelikan, in his foreword to "The Mysticism of Paul the Apostle", points out that:
Paul's "realism" versus Hellenistic "symbolism".
Schweitzer contrasts Paul's "realistic" dying and rising with Christ to the "symbolism" of Hellenism. Although Paul is widely influenced by Hellenistic thought, he is not controlled by it. Schweitzer explains that Paul focused on the idea of fellowship with the divine being through the "realistic" dying and rising with Christ rather than the "symbolic" Hellenistic act of becoming like Christ through deification. After baptism, Christians are continually renewed throughout their lifetimes due to participation in the dying and rising with Christ (most notably through the Sacraments). On the other hand, the Hellenist "lives on the store of experience which he acquired in the initiation" and is not continually affected by a shared communal experience.
Another major difference between Paul's "realism" and Hellenistic "symbolism" is the exclusive nature of the former and the inclusive nature of the latter. Schweitzer unabashedly emphasizes the fact that "Paul's thought follows predestinarian lines". He explains, "only the man who is elected thereto can enter into relation with God". Although every human being is invited to become a Christian, only those who have undergone the initiation into the Christian community through baptism can share in the "realistic" dying and rising with Christ.
"The Quest of the Historical Jesus" (1906).
In "The Quest", Schweitzer criticised the liberal view put forward by liberal and romantic scholars during the first quest for the historical Jesus. Schweitzer maintained that the life of Jesus must be interpreted in the light of Jesus' own convictions, which reflected late Jewish eschatology and apocalypticism. Schweitzer writes:
Instead of these liberal and romantic views, Schweitzer wrote that Jesus and his followers expected the imminent end of the world.
Schweitzer cross-referenced the many New Testament verses declaring imminent fulfilment of the promise of the World's ending within the lifetime of Jesus's original followers. He wrote that in his view, in the Gospel of Mark, Jesus speaks of a "tribulation", with his "coming in the clouds with great power and glory" (St. Mark), and states that it will happen but it has not: "This generation shall not pass, till all these things be fulfilled" (St. Matthew, 24:34) or, "have taken place" (Luke 21:32). Similarly, in 1st Peter 1:20, "Christ, who verily was foreordained before the foundation of the world but was manifest in these last times for you", as well as "But the end of all things is at hand" (1 Peter 4:7) and "Surely, I come quickly." (Revelation 22:20).
Schweitzer concluded his treatment of Jesus with what has been called the most famous words of twentieth-century theology:
"He comes to us as One unknown, without a name, as of old, by the lake-side, He came to those men who knew him not. He speaks to us the same word: 'Follow thou me' and sets us to the task which He has to fulfill for our time. He commands. And to those who obey Him, whether they be wise or simple, He will reveal Himself in the toils, the conflicts, the sufferings which they shall pass through in His fellowship, and as an ineffable mystery, they shall learn in their own experience Who He is."
"The Mysticism of Paul the Apostle" (1931).
In "The Mysticism of Paul the Apostle", Schweitzer first distinguishes between two categories of mysticism: primitive and developed. Primitive mysticism "has not yet risen to a conception of the universal, and is still confined to naive views of earthly and super-earthly, temporal and eternal". Additionally, he argues that this view of a "union with the divinity, brought about by efficacious ceremonies, is found even in quite primitive religions".
On the other hand, a more developed form of mysticism can be found in the Greek mystery-cults that were popular in first-century A.D. society. These included the cults of Attis, Osiris, and Mithras. A developed form of mysticism is attained when the "conception of the universal is reached and a man reflects upon his relation to the totality of being and to Being in itself". Schweitzer claims that this form of mysticism is more intellectual and can be found "among the Brahmans and in the Buddha, in Platonism, in Stoicism, in Spinoza, Schopenhauer, and Hegel".
Next, Schweitzer poses the question: "Of what precise kind then is the mysticism of Paul?" He locates Paul between the two extremes of primitive mysticism and developed mysticism. Paul stands high above primitive mysticism, due to his intellectual writings, but never speaks of being one with God or being in God. Instead, he conceives of sonship to God as "mediated and effected by means of the mystical union with Christ". He summarizes Pauline mysticism as "being in Christ" rather than "being in God".
Paul's imminent eschatology (from his background in Jewish eschatology) causes him to believe that the kingdom of God has not yet come and that Christians are now living in the time of Christ. Christ-mysticism holds the field until God-mysticism becomes possible, which is in the near future. Therefore, Schweitzer argues that Paul is the only theologian who does not claim that Christians can have an experience of "being-in-God". Rather, Paul uses the phrase "being-in-Christ" to illustrate how Jesus is a mediator between the Christian community and God. Additionally, Schweitzer explains how the experience of "being-in-Christ" is not a "static partaking in the spiritual being of Christ, but as the real co-experiencing of His dying and rising again". The "realistic" partaking in the mystery of Jesus is only possible within the solidarity of the Christian community.
One of Schweitzer's major arguments in "The Mysticism of Paul the Apostle" is that Paul's mysticism, marked by his phrase "being in Christ", gives the clue to the whole of Pauline theology. Rather than reading justification by faith as the main topic of Pauline thought, which has been the most popular argument set forward by Martin Luther, Schweitzer argues that Paul's emphasis was on the mystical union with God by "being in Christ". Jaroslav Pelikan, in his foreword to "The Mysticism of Paul the Apostle", points out that:
Paul's "realism" versus Hellenistic "symbolism".
Schweitzer contrasts Paul's "realistic" dying and rising with Christ to the "symbolism" of Hellenism. Although Paul is widely influenced by Hellenistic thought, he is not controlled by it. Schweitzer explains that Paul focused on the idea of fellowship with the divine being through the "realistic" dying and rising with Christ rather than the "symbolic" Hellenistic act of becoming like Christ through deification. After baptism, Christians are continually renewed throughout their lifetimes due to participation in the dying and rising with Christ (most notably through the Sacraments). On the other hand, the Hellenist "lives on the store of experience which he acquired in the initiation" and is not continually affected by a shared communal experience.
Another major difference between Paul's "realism" and Hellenistic "symbolism" is the exclusive nature of the former and the inclusive nature of the latter. Schweitzer unabashedly emphasizes the fact that "Paul's thought follows predestinarian lines". He explains, "only the man who is elected thereto can enter into relation with God". Although every human being is invited to become a Christian, only those who have undergone the initiation into the Christian community through baptism can share in the "realistic" dying and rising with Christ.
Paul's "realism" versus Hellenistic "symbolism".
Schweitzer contrasts Paul's "realistic" dying and rising with Christ to the "symbolism" of Hellenism. Although Paul is widely influenced by Hellenistic thought, he is not controlled by it. Schweitzer explains that Paul focused on the idea of fellowship with the divine being through the "realistic" dying and rising with Christ rather than the "symbolic" Hellenistic act of becoming like Christ through deification. After baptism, Christians are continually renewed throughout their lifetimes due to participation in the dying and rising with Christ (most notably through the Sacraments). On the other hand, the Hellenist "lives on the store of experience which he acquired in the initiation" and is not continually affected by a shared communal experience.
Another major difference between Paul's "realism" and Hellenistic "symbolism" is the exclusive nature of the former and the inclusive nature of the latter. Schweitzer unabashedly emphasizes the fact that "Paul's thought follows predestinarian lines". He explains, "only the man who is elected thereto can enter into relation with God". Although every human being is invited to become a Christian, only those who have undergone the initiation into the Christian community through baptism can share in the "realistic" dying and rising with Christ.
Medicine.
At the age of 30, in 1905, Schweitzer answered the call of The Society of the Evangelist Missions of Paris, which was looking for a physician. The committee of this missionary society was not ready to accept his offer, considering his Lutheran theology to be "incorrect". He could easily have obtained a place in a German evangelical mission, but wished to follow the original call despite the doctrinal difficulties. Amid a hail of protests from his friends, family and colleagues, he resigned his post and re-entered the university as a student in a three-year course towards the degree of Doctorate in Medicine, a subject in which he had little knowledge or previous aptitude. He planned to spread the Gospel by the example of his Christian labour of healing, rather than through the verbal process of preaching, and believed that this service should be acceptable within any branch of Christian teaching.
Even in his study of medicine, and through his clinical course, Schweitzer pursued the ideal of the philosopher-scientist. By extreme application and hard work, he completed his studies successfully at the end of 1911. His medical degree dissertation was another work on the historical Jesus, "The Psychiatric Study of Jesus". He defended Jesus' mental health in it. In June 1912, he married Helene Bresslau, municipal inspector for orphans and daughter of the Jewish pan-Germanist historian Harry Bresslau.
In 1912, now armed with a medical degree, Schweitzer made a definite proposal to go as a physician to work at his own expense in the Paris Missionary Society's mission at Lambaréné on the Ogooué river, in what is now Gabon, in Africa (then a French colony). He refused to attend a committee to inquire into his doctrine, but met each committee member personally and was at last accepted. Through concerts and other fund-raising, he was ready to equip a small hospital. In early 1913, he and his wife set off to establish a hospital (the Hôpital Albert Schweitzer) near an existing mission post. The site was nearly 200 miles (14 days by raft) upstream from the mouth of the Ogooué at Port Gentil (Cape Lopez) (and so accessible to external communications), but downstream of most tributaries, so that internal communications within Gabon converged towards Lambaréné.
In the first nine months, he and his wife had about 2,000 patients to examine, some travelling many days and hundreds of kilometres to reach him. In addition to injuries, he was often treating severe sandflea and crawcraw sores, "framboesia" (yaws), tropical eating sores, heart disease, tropical dysentery, tropical malaria, sleeping sickness, leprosy, fevers, strangulated hernias, necrosis, abdominal tumours and chronic constipation and nicotine poisoning, while also attempting to deal with deliberate poisonings, fetishism and fear of cannibalism among the Mbahouin.
Schweitzer's wife, Helene Schweitzer, was an anaesthetist for surgical operations. After briefly occupying a shed formerly used as a chicken hut, in late 1913 they built their first hospital of corrugated iron, with two 13-foot rooms (consulting room and operating theatre) and with a dispensary and sterilising room in spaces below the broad eaves. The waiting room and dormitory (42 by 20 feet) were built, like native huts, of unhewn logs along a 30-yard path leading from the hospital to the landing-place. The Schweitzers had their own bungalow and employed as their assistant Joseph, a French-speaking Galoa (Mpongwe) who first came as a patient.
After World War I broke out in July 1914, Schweitzer and his wife, German citizens in a French colony when the countries were at war, were put under supervision by the French military at Lambaréné, where Schweitzer continued his work. In 1917, exhausted by over four years' work and by tropical anaemia, they were taken to Bordeaux and interned first in Garaison and then from March 1918 in Saint-Rémy-de-Provence. In July 1918, after being transferred to his home in Alsace, he was a free man again. At this time Schweitzer, born a German citizen, had his parents' former (pre-1871) French citizenship reinstated and became a French citizen. Then, working as medical assistant and assistant-pastor in Strasbourg, he advanced his project on the philosophy of civilization, which had occupied his mind since 1900. By 1920, his health recovering, he was giving organ recitals and doing other fund-raising work to repay borrowings and raise funds for returning to Gabon. In 1922, he delivered the Dale Memorial Lectures in the University of Oxford, and from these in the following year appeared Volumes I and II of his great work, "The Decay and Restoration of Civilization" and "Civilization and Ethics". The two remaining volumes, on "The World-View of Reverence for Life " and a fourth on the Civilized State, were never completed.
In 1924, Schweitzer returned without his wife, with an Oxford undergraduate Noel Gillespie as his assistant. Everything was heavily decayed, and building and doctoring progressed together for months. He now had salvarsan for treating syphilitic ulcers and framboesia. Additional medical staff, nurse (Miss) Kottmann and Dr. Victor Nessmann, joined him in 1924, and Dr. Mark Lauterberg in 1925; the growing hospital was manned by native orderlies. Later Dr. Trensz replaced Nessmann, and Martha Lauterberg and Hans Muggenstorm joined them. Joseph also returned. In 1925–6, new hospital buildings were constructed, and also a ward for white patients, so that the site became like a village. The onset of famine and a dysentery epidemic created fresh problems. Much of the building work was carried out with the help of local people and patients. Drug advances for sleeping sickness included Germanin and . Trensz conducted experiments showing that the non-amoebic strain of dysentery was caused by a paracholera vibrion (facultative anaerobic bacteria). With the new hospital built and the medical team established, Schweitzer returned to Europe in 1927, this time leaving a functioning hospital at work.
He was there again from 1929 to 1932. Gradually his opinions and concepts became acknowledged, not only in Europe, but worldwide. There was a further period of work in 1935. In January 1937, he returned again to Lambaréné and continued working there throughout World War II.
Hospital conditions.
The journalist James Cameron visited Lambaréné in 1953 (when Schweitzer was 78) and found significant flaws in the practices and attitudes of Schweitzer and his staff. The hospital suffered from squalor and was without modern amenities, and Schweitzer had little contact with the local people. Cameron did not make public what he had seen at the time: according to a BBC dramatisation, he made the unusual journalistic decision to withhold the story, and resisted the expressed wish of his employers to publish an exposé.
The poor conditions of the hospital in Lambaréné were also famously criticized by Nigerian professor and novelist Chinua Achebe in his essay on Joseph Conrad's novel "Heart of Darkness": "In a comment which has often been quoted Schweitzer says: 'The African is indeed my brother but my junior brother.' And so he proceeded to build a hospital appropriate to the needs of junior brothers with standards of hygiene reminiscent of medical practice in the days before the germ theory of disease came into being."
Hospital conditions.
The journalist James Cameron visited Lambaréné in 1953 (when Schweitzer was 78) and found significant flaws in the practices and attitudes of Schweitzer and his staff. The hospital suffered from squalor and was without modern amenities, and Schweitzer had little contact with the local people. Cameron did not make public what he had seen at the time: according to a BBC dramatisation, he made the unusual journalistic decision to withhold the story, and resisted the expressed wish of his employers to publish an exposé.
The poor conditions of the hospital in Lambaréné were also famously criticized by Nigerian professor and novelist Chinua Achebe in his essay on Joseph Conrad's novel "Heart of Darkness": "In a comment which has often been quoted Schweitzer says: 'The African is indeed my brother but my junior brother.' And so he proceeded to build a hospital appropriate to the needs of junior brothers with standards of hygiene reminiscent of medical practice in the days before the germ theory of disease came into being."
Schweitzer's views.
Colonialism.
Schweitzer considered his work as a medical missionary in Africa to be his response to Jesus' call to become "fishers of men".
Schweitzer was one of colonialism's harshest critics. In a sermon that he preached on 6 January 1905, before he had told anyone of his plans to dedicate the rest of his life to work as a physician in Africa, he said:
Paternalism.
Schweitzer was nonetheless still sometimes accused of being paternalistic in his attitude towards Africans. For instance, he thought that Gabonese independence came too early, without adequate education or accommodation to local circumstances. Edgar Berman quotes Schweitzer as having said in 1960, "No society can go from the primeval directly to an industrial state without losing the leavening that time and an agricultural period allow." Schweitzer believed dignity and respect must be extended to blacks, while also sometimes characterizing them as children. He summarized his views on European-African relations by saying "With regard to the negroes, then, I have coined the formula: 'I am your brother, it is true, but your elder brother.'" Chinua Achebe has criticized him for this characterization, though Achebe acknowledges that Schweitzer's use of the word "brother" at all was, for a European of the early 20th century, an unusual expression of human solidarity between Europeans and Africans. Schweitzer eventually emended and complicated this notion with his later statement that "The time for speaking of older and younger brothers has passed".
American journalist John Gunther visited Lambaréné in the 1950s and reported Schweitzer's patronizing attitude towards Africans. He also noted the lack of Africans trained to be skilled workers. By comparison, his English contemporary Albert Ruskin Cook in Uganda had been training nurses and midwives since the 1910s, and had published a manual of midwifery in the local language of Luganda. After three decades in Africa, Schweitzer still depended on Europe for nurses.
Colonialism.
Schweitzer considered his work as a medical missionary in Africa to be his response to Jesus' call to become "fishers of men".
Schweitzer was one of colonialism's harshest critics. In a sermon that he preached on 6 January 1905, before he had told anyone of his plans to dedicate the rest of his life to work as a physician in Africa, he said:
Paternalism.
Schweitzer was nonetheless still sometimes accused of being paternalistic in his attitude towards Africans. For instance, he thought that Gabonese independence came too early, without adequate education or accommodation to local circumstances. Edgar Berman quotes Schweitzer as having said in 1960, "No society can go from the primeval directly to an industrial state without losing the leavening that time and an agricultural period allow." Schweitzer believed dignity and respect must be extended to blacks, while also sometimes characterizing them as children. He summarized his views on European-African relations by saying "With regard to the negroes, then, I have coined the formula: 'I am your brother, it is true, but your elder brother.'" Chinua Achebe has criticized him for this characterization, though Achebe acknowledges that Schweitzer's use of the word "brother" at all was, for a European of the early 20th century, an unusual expression of human solidarity between Europeans and Africans. Schweitzer eventually emended and complicated this notion with his later statement that "The time for speaking of older and younger brothers has passed".
American journalist John Gunther visited Lambaréné in the 1950s and reported Schweitzer's patronizing attitude towards Africans. He also noted the lack of Africans trained to be skilled workers. By comparison, his English contemporary Albert Ruskin Cook in Uganda had been training nurses and midwives since the 1910s, and had published a manual of midwifery in the local language of Luganda. After three decades in Africa, Schweitzer still depended on Europe for nurses.
Reverence for life.
The keynote of Schweitzer's personal philosophy (which he considered to be his greatest contribution to mankind) was the idea of "Reverence for Life" ("Ehrfurcht vor dem Leben"). He thought that Western civilization was decaying because it had abandoned affirmation of life as its ethical foundation.
In the Preface to "Civilization and Ethics" (1923) he argued that Western philosophy from Descartes to Kant had set out to explain the objective world expecting that humanity would be found to have a special meaning within it. But no such meaning was found, and the rational, life-affirming optimism of the Age of Enlightenment began to evaporate. A rift opened between this world-view, as material knowledge, and the life-view, understood as Will, expressed in the pessimist philosophies from Schopenhauer onward. Scientific materialism (advanced by Herbert Spencer and Charles Darwin) portrayed an objective world process devoid of ethics, entirely an expression of the will-to-live.
Schweitzer wrote, "True philosophy must start from the most immediate and comprehensive fact of consciousness, and this may be formulated as follows: 'I am life which wills to live, and I exist in the midst of life which wills to live.'" In nature one form of life must always prey upon another. However, human consciousness holds an awareness of, and sympathy for, the will of other beings to live. An ethical human strives to escape from this contradiction so far as possible.
Though we cannot perfect the endeavour we should strive for it: the will-to-live constantly renews itself, for it is both an evolutionary necessity and a spiritual phenomenon. Life and love are rooted in this same principle, in a personal spiritual relationship to the universe. Ethics themselves proceed from the need to respect the wish of other beings to exist as one does towards oneself. Even so, Schweitzer found many instances in world religions and philosophies in which the principle was denied, not least in the European Middle Ages, and in the Indian Brahminic philosophy.
For Schweitzer, mankind had to accept that objective reality is ethically neutral. It could then affirm a new Enlightenment through spiritual rationalism, by giving priority to volition or ethical will as the primary meaning of life. Mankind had to choose to create the moral structures of civilization: the world-view must derive from the life-view, not vice versa. Respect for life, overcoming coarser impulses and hollow doctrines, leads the individual to live in the service of other people and of every living creature. In contemplation of the will-to-life, respect for the life of others becomes the highest principle and the defining purpose of humanity.
Such was the theory which Schweitzer sought to put into practice in his own life. According to some authors, Schweitzer's thought, and specifically his development of reverence for life, was influenced by Indian religious thought and in particular the Jain principle of ahimsa, or non-violence. Albert Schweitzer noted the contribution of Indian influence in his book "Indian Thought and Its Development":
Further on ahimsa and the reverence for life in the same book, he elaborates on the ancient Indian didactic work of the Tirukkural, which he observed that, like the Buddha and the Bhagavad Gita, "stands for the commandment not to kill and not to damage". Translating several couplets from the work, he remarked that the Kural insists on the idea that "good must be done for its own sake" and said, "There hardly exists in the literature of the world a collection of maxims in which we find so much lofty wisdom."
Later life.
After the birth of their daughter (Rhena Schweitzer Miller), Albert's wife, Helene Schweitzer was no longer able to live in Lambaréné due to her health. In 1923, the family moved to Königsfeld im Schwarzwald, Baden-Württemberg, where he was building a house for the family. This house is now maintained as a Schweitzer museum.
From 1939 to 1948, he stayed in Lambaréné, unable to go back to Europe because of the war. Three years after the end of World War II, in 1948, he returned for the first time to Europe and kept travelling back and forth (and once to the US) as long as he was able. During his return visits to his home village of Gunsbach, Schweitzer continued to make use of the family house, which after his death became an archive and museum to his life and work. His life was portrayed in the 1952 movie "Il est minuit, Docteur Schweitzer", starring Pierre Fresnay as Albert Schweitzer and Jeanne Moreau as his nurse Marie. Schweitzer inspired actor Hugh O'Brian when O'Brian visited in Africa. O'Brian returned to the United States and founded the Hugh O'Brian Youth Leadership Foundation (HOBY).
Schweitzer was awarded the Nobel Peace Prize of 1952, accepting the prize with the speech, "The Problem of Peace". With the $33,000 prize money, he started the leprosarium at Lambaréné. From 1952 until his death he worked against nuclear tests and nuclear weapons with Albert Einstein, Otto Hahn and Bertrand Russell. In 1957 and 1958, he broadcast four speeches over Radio Oslo which were published in "Peace or Atomic War". In 1957, Schweitzer was one of the founders of The Committee for a Sane Nuclear Policy. On 23 April 1957, Schweitzer made his "Declaration of Conscience" speech; it was broadcast to the world over Radio Oslo, pleading for the abolition of nuclear weapons. His speech ended, "The end of further experiments with atom bombs would be like the early sunrays of hope which suffering humanity is longing for."
Weeks prior to his death, an American film crew was allowed to visit Schweitzer and Drs. Muntz and Friedman, both Holocaust survivors, to record his work and daily life at the hospital. The film "The Legacy of Albert Schweitzer", narrated by Henry Fonda, was produced by Warner Brothers and aired once. It resides in their vault today in deteriorating condition. Although several attempts have been made to restore and re-air the film, all access has been denied.
In 1955, he was made an honorary member of the Order of Merit (OM) by Queen Elizabeth II. He was also a chevalier of the Military and Hospitaller Order of Saint Lazarus of Jerusalem.
Schweitzer died on 4 September 1965 at his beloved hospital in Lambaréné, now in independent Gabon. His grave, on the banks of the Ogooué River, is marked by a cross he made himself.
His cousin Anne-Marie Schweitzer Sartre was the mother of Jean-Paul Sartre. Her father, Charles Schweitzer, was the older brother of Albert Schweitzer's father, Louis Théophile.
Schweitzer is often cited in vegetarian literature as being an advocate of vegetarianism in his later years. Schweitzer was not a vegetarian in his earlier life. For example, in 1950, biographer Magnus C. Ratter commented that Schweitzer never "commit[ted] himself to the anti-vivisection, vegetarian, or pacifist positions, though his thought leads in this direction". Biographer James Bentley has written that Schweitzer became a vegetarian after his wife's death in 1957 and he was "living almost entirely on lentil soup". In contrast to this, historian David N. Stamos has written that Schweitzer was not a vegetarian in his personal life nor imposed it on his missionary hospital but he did help animals and was opposed to hunting. Stamos noted that Schweitzer held the view that evolution ingrained humans with an instinct for meat so it was useless in trying to deny it.
The Albert Schweitzer Fellowship was founded in 1940 by Schweitzer to unite US supporters in filling the gap in support for his Hospital when his European supply lines were cut off by war, and continues to support the Lambaréné Hospital today. Schweitzer considered his ethic of Reverence for Life, not his hospital, his most important legacy, saying that his Lambaréné Hospital was just "my own improvisation on the theme of Reverence for Life. Everyone can have their own Lambaréné". Today ASF helps large numbers of young Americans in health-related professional fields find or create "their own Lambaréné" in the US or internationally. ASF selects and supports nearly 250 new US and Africa Schweitzer Fellows each year from over 100 of the leading US schools of medicine, nursing, public health, and every other field with some relation to health (including music, law, and divinity). The peer-supporting lifelong network of "Schweitzer Fellows for Life" numbered over 2,000 members in 2008, and is growing by nearly 1,000 every four years. Nearly 150 of these Schweitzer Fellows have served at the Hospital in Lambaréné, for three-month periods during their last year of medical school.
International Albert Schweitzer Prize.
The prize was first awarded on 29 May 2011 to Eugen Drewermann and the physician couple Rolf and Raphaela Maibach in Königsfeld im Schwarzwald, where Schweitzer's former residence now houses the Albert Schweitzer Museum.
Sound recordings.
Recordings of Schweitzer playing the music of Bach are available on CD. During 1934 and 1935 he resided in Britain, delivering the Gifford Lectures at Edinburgh University, and those on "Religion in Modern Civilization" at Oxford and London. He had originally conducted trials for recordings for HMV on the organ of the old Queen's Hall in London. These records did not satisfy him, the instrument being too harsh. In mid-December 1935 he began to record for Columbia Records on the organ of All Hallows, Barking-by-the-Tower, London. Then at his suggestion the sessions were transferred to the church of Ste Aurélie in Strasbourg, on a mid-18th-century organ by Johann Andreas Silbermann (brother of Gottfried), an organ-builder greatly revered by Bach, which had been restored by the Lorraine organ-builder Frédéric Härpfer shortly before the First World War. These recordings were made in the course of a fortnight in October 1936.
Schweitzer Technique.
Schweitzer developed a technique for recording the performances of Bach's music. Known as the "Schweitzer Technique", it is a slight improvement on what is commonly known as mid-side. The mid-side sees a figure-8 microphone pointed off-axis, perpendicular to the sound source. Then a single cardioid microphone is placed on axis, bisecting the figure-8 pattern. The signal from the figure-8 is mult-ed, panned hard left and right, one of the signals being flipped out of polarity. In the Schweitzer method, the figure-8 is replaced by two small diaphragm condenser microphones pointed directly away from each other. The information that each capsule collects is unique, unlike the identical out-of-polarity information generated from the figure-8 in a regular mid-side. The on-axis microphone is often a large diaphragm condenser. The technique has since been used to record many modern instruments.
Columbia recordings.
Altogether his early Columbia discs included 25 records of Bach and eight of César Franck. The Bach titles were mainly distributed as follows:
Later recordings were made at Parish church, Günsbach: These recordings were made by C. Robert Fine during the time Dr. Schweitzer was being filmed in Günsbach for the documentary "Albert Schweitzer". Fine originally self-released the recordings but later licensed the masters to Columbia.
The above were released in the United States as Columbia Masterworks boxed set SL-175.
Schweitzer Technique.
Schweitzer developed a technique for recording the performances of Bach's music. Known as the "Schweitzer Technique", it is a slight improvement on what is commonly known as mid-side. The mid-side sees a figure-8 microphone pointed off-axis, perpendicular to the sound source. Then a single cardioid microphone is placed on axis, bisecting the figure-8 pattern. The signal from the figure-8 is mult-ed, panned hard left and right, one of the signals being flipped out of polarity. In the Schweitzer method, the figure-8 is replaced by two small diaphragm condenser microphones pointed directly away from each other. The information that each capsule collects is unique, unlike the identical out-of-polarity information generated from the figure-8 in a regular mid-side. The on-axis microphone is often a large diaphragm condenser. The technique has since been used to record many modern instruments.
Columbia recordings.
Altogether his early Columbia discs included 25 records of Bach and eight of César Franck. The Bach titles were mainly distributed as follows:
Later recordings were made at Parish church, Günsbach: These recordings were made by C. Robert Fine during the time Dr. Schweitzer was being filmed in Günsbach for the documentary "Albert Schweitzer". Fine originally self-released the recordings but later licensed the masters to Columbia.
The above were released in the United States as Columbia Masterworks boxed set SL-175.
Portrayals.
Dramatisations of Schweitzer's life include:
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Actrius
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Actresses (Catalan: Actrius) is a 1997 Catalan language Spanish drama film produced and directed by Ventura Pons and based on the award-winning stage play "E.R." by Josep Maria Benet i Jornet. The film has no male actors, with all roles played by females. The film was produced in 1996.
Synopsis.
In order to prepare herself to play a role commemorating the life of legendary actress Empar Ribera, young actress (Mercè Pons) interviews three established actresses who had been the Ribera's pupils: the international diva Glòria Marc (Núria Espert), the television star Assumpta Roca (Rosa Maria Sardà), and dubbing director Maria Caminal (Anna Lizaran).
Recognition.
Screenings.
"Actrius" screened in 2001 at the Grauman's Egyptian Theatre in an American Cinematheque retrospective of the works of its director. The film had first screened at the same location in 1998. It was also shown at the 1997 Stockholm International Film Festival.
Reception.
In "Movie - Film - Review", Christopher Tookey wrote that though the actresses were "competent in roles that may have some reference to their own careers", the film "is visually unimaginative, never escapes its stage origins, and is almost totally lacking in revelation or surprising incident". Noting that there were "occasional, refreshing moments of intergenerational bitchiness", they did not "justify comparisons to "All About Eve"", and were "insufficiently different to deserve critical parallels with "Rashomon"". He also wrote that "The Guardian" called the film a "slow, stuffy chamber-piece", and that "The Evening Standard" stated the film's "best moments exhibit the bitchy tantrums seething beneath the threesome's composed veneers". MRQE wrote "This cinematic adaptation of a theatrical work is true to the original, but does not stray far from a theatrical rendering of the story."
Screenings.
"Actrius" screened in 2001 at the Grauman's Egyptian Theatre in an American Cinematheque retrospective of the works of its director. The film had first screened at the same location in 1998. It was also shown at the 1997 Stockholm International Film Festival.
Reception.
In "Movie - Film - Review", Christopher Tookey wrote that though the actresses were "competent in roles that may have some reference to their own careers", the film "is visually unimaginative, never escapes its stage origins, and is almost totally lacking in revelation or surprising incident". Noting that there were "occasional, refreshing moments of intergenerational bitchiness", they did not "justify comparisons to "All About Eve"", and were "insufficiently different to deserve critical parallels with "Rashomon"". He also wrote that "The Guardian" called the film a "slow, stuffy chamber-piece", and that "The Evening Standard" stated the film's "best moments exhibit the bitchy tantrums seething beneath the threesome's composed veneers". MRQE wrote "This cinematic adaptation of a theatrical work is true to the original, but does not stray far from a theatrical rendering of the story."
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Andrei Tarkovsky
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Andrei Arsenyevich Tarkovsky (; 4 April 1932 – 29 December 1986) was a Russian filmmaker. Widely considered one of the greatest and most influential filmmakers of all time, his films explore spiritual and metaphysical themes, and are noted for their slow pacing and long takes, dreamlike visual imagery, and preoccupation with nature and memory.
Tarkovsky studied film at Moscow's VGIK under filmmaker Mikhail Romm, and subsequently directed his first five features in the Soviet Union: "Ivan's Childhood" (1962), "Andrei Rublev" (1966), "Solaris" (1972), "Mirror" (1975), and "Stalker" (1979). A number of his films from this period are ranked among the best films ever made. After years of creative conflict with state film authorities, Tarkovsky left the country in 1979 and made his final two films abroad; "Nostalghia" (1983) and "The Sacrifice" (1986) were produced in Italy and Sweden respectively. In 1986, he also published a book about cinema and art entitled "Sculpting in Time". He died of cancer later that year. There is still debate if the cancer was caused by the locations used during the filming of "Stalker".
Tarkovsky was the recipient of several awards at the Cannes Film Festival throughout his career (including the FIPRESCI prize, the Prize of the Ecumenical Jury, and the Grand Prix Spécial du Jury and winner of the Golden Lion award at the Venice Film Festival for his debut film "Ivan's Childhood". In 1990, he was posthumously awarded the Soviet Union's prestigious Lenin Prize. Three of his films—"Andrei Rublev", "Mirror", and "Stalker"—featured in "Sight & Sound" 2012 poll of the 100 greatest films of all time.
Life and career.
Childhood and early life.
Andrei Tarkovsky was born in the village of Zavrazhye in the Yuryevetsky District of the Ivanovo Industrial Oblast (modern-day Kadyysky District of the Kostroma Oblast, Russia) to the poet and translator Arseny Aleksandrovich Tarkovsky, a native of Yelysavethrad (now Kropyvnytskyi, Ukraine), and Maria Ivanova Vishnyakova, a graduate of the Maxim Gorky Literature Institute who later worked as a corrector; she was born in Moscow in the Dubasov family estate.
Andrei's paternal grandfather Aleksandr Karlovich Tarkovsky (in ) was a Polish nobleman who worked as a bank clerk. His wife Maria Danilovna Rachkovskaya was a Romanian language teacher who arrived from Iași. Andrei's maternal grandmother Vera Nikolayevna Vishnyakova (née Dubasova) belonged to an old Dubasov family of Russian nobility that traces its history back to the 17th century; among her relatives was Admiral Fyodor Dubasov, a fact she had to conceal during the Soviet days. She was married to Ivan Ivanovich Vishnyakov, a native of the Kaluga Governorate who studied law at the Moscow State University and served as a judge in Kozelsk.
According to the family legend, Tarkovsky's ancestors on his father's side were princes from the Shamkhalate of Tarki, Dagestan, although his sister Marina Tarkovskaya who did a detailed research on their genealogy called it "a myth, even a prank of sorts," stressing that none of the documents confirms this version.
Tarkovsky spent his childhood in Yuryevets. He was described by childhood friends as active and popular, having many friends and being typically in the center of action. His father left the family in 1937, subsequently volunteering for the army in 1941. He returned home in 1943, having been awarded a Red Star after being shot in one of his legs (which he would eventually need to amputate due to gangrene). Tarkovsky stayed with his mother, moving with her and his sister Marina to Moscow, where she worked as a proofreader at a printing press.
In 1939, Tarkovsky enrolled at the Moscow School No. 554. During the war, the three evacuated to Yuryevets, living with his maternal grandmother. In 1943, the family returned to Moscow. Tarkovsky continued his studies at his old school, where the poet Andrei Voznesensky was one of his classmates. He studied piano at a music school and attended classes at an art school. The family lived on Shchipok Street in the Zamoskvorechye District in Moscow. From November 1947 to spring 1948 he was in the hospital with tuberculosis. Many themes of his childhood—the evacuation, his mother and her two children, the withdrawn father, the time in the hospital—feature prominently in his film "Mirror".
In his school years, Tarkovsky was a troublemaker and a poor student. He still managed to graduate, and from 1951 to 1952 studied Arabic at the Oriental Institute in Moscow, a branch of the Academy of Sciences of the Soviet Union. Although he already spoke some Arabic and was a successful student in his first semesters, he did not finish his studies and dropped out to work as a prospector for the Academy of Science Institute for Non-Ferrous Metals and Gold. He participated in a year-long research expedition to the river Kureyka near Turukhansk in the Krasnoyarsk Province. During this time in the taiga, Tarkovsky decided to study film.
Film school student.
Upon returning from the research expedition in 1954, Tarkovsky applied at the State Institute of Cinematography (VGIK) and was admitted to the film-directing program. He was in the same class as Irma Raush (Irina) whom he married in April 1957.
The early Khrushchev era offered good opportunities for young film directors. Before 1953, annual film production was low and most films were directed by veteran directors. After 1953, more films were produced, many of them by young directors. The Khrushchev Thaw relaxed Soviet social restrictions a bit and permitted a limited influx of European and North American literature, films and music. This allowed Tarkovsky to see films of the Italian neorealists, French New Wave, and of directors such as Kurosawa, Buñuel, Bergman, Bresson, Wajda (whose film "Ashes and Diamonds" influenced Tarkovsky) and Mizoguchi.
Tarkovsky's teacher and mentor was Mikhail Romm, who taught many film students who would later become influential film directors. In 1956, Tarkovsky directed his first student short film, "The Killers", from a short story of Ernest Hemingway. The longer television film "There Will Be No Leave Today" followed in 1959. Both films were a collaboration between the VGIK students. Classmate Aleksandr Gordon, who married Tarkovsky's sister, in particular directed, wrote, edited, and acted in the two films with Tarkovsky.
An important influence on Tarkovsky was the film director Grigory Chukhray, who was teaching at the VGIK. Impressed by the talent of his student, Chukhray offered Tarkovsky a position as assistant director for his film "Clear Skies". Tarkovsky initially showed interest but then decided to concentrate on his studies and his own projects.
During his third year at the VGIK, Tarkovsky met Andrei Konchalovsky. They found much in common as they liked the same film directors and shared ideas on cinema and films. In 1959, they wrote the script "Antarctica – Distant Country", which was later published in the "Moskovsky Komsomolets". Tarkovsky submitted the script to Lenfilm, but it was rejected. They were more successful with the script "The Steamroller and the Violin", which they sold to Mosfilm. This became Tarkovsky's graduation project, earning him his diploma in 1960 and winning First Prize at the New York Student Film Festival in 1961.
Film career in the Soviet Union.
Tarkovsky's first feature film was "Ivan's Childhood" in 1962. He had inherited the film from director Eduard Abalov, who had to abort the project. The film earned Tarkovsky international acclaim and won the Golden Lion award at the Venice Film Festival in the year 1962. In the same year, on 30 September, his first son Arseny (called Senka in Tarkovsky's diaries) Tarkovsky was born.
In 1965, he directed the film "Andrei Rublev" about the life of Andrei Rublev, the fifteenth-century Russian icon painter. "Andrei Rublev" was not, except for a single screening in Moscow in 1966, immediately released after completion due to problems with Soviet authorities. Tarkovsky had to cut the film several times, resulting in several different versions of varying lengths. The film was widely released in the Soviet Union in a cut version in 1971. Nevertheless, the film had a budget of more than 1 million rubles – a significant sum for that period. A version of the film was presented at the Cannes Film Festival in 1969 and won the FIPRESCI prize.
He divorced his wife, Irina, in June 1970. In the same year, he married Larisa Kizilova (née Egorkina), who had been a production assistant for the film "Andrei Rublev" (they had been living together since 1965). Their son, Andrei Andreyevich Tarkovsky, (nicknamed Andriosha, meaning "little Andre" or "Andre Junior") was born in the same year on 7 August.
In 1972, he completed "Solaris", an adaptation of the novel "Solaris" by Stanisław Lem. He had worked on this together with screenwriter Friedrich Gorenstein as early as 1968. The film was presented at the Cannes Film Festival, won the Grand Prix Spécial du Jury, and was nominated for the Palme d'Or.
From 1973 to 1974, he shot the film "Mirror", a highly autobiographical and unconventionally structured film drawing on his childhood and incorporating some of his father's poems. In this film Tarkovsky portrayed the plight of childhood affected by war. Tarkovsky had worked on the screenplay for this film since 1967, under the consecutive titles "Confession", "White day" and "A white, white day". From the beginning the film was not well received by Soviet authorities due to its content and its perceived elitist nature. Soviet authorities placed the film in the "third category", a severely limited distribution, and only allowed it to be shown in third-class cinemas and workers' clubs. Few prints were made and the film-makers received no returns. Third category films also placed the film-makers in danger of being accused of wasting public funds, which could have serious effects on their future productivity. These difficulties are presumed to have made Tarkovsky play with the idea of going abroad and producing a film outside the Soviet film industry.
During 1975, Tarkovsky also worked on the screenplay "Hoffmanniana", about the German writer and poet E. T. A. Hoffmann. In December 1976, he directed "Hamlet", his only stage play, at the Lenkom Theatre in Moscow. The main role was played by Anatoly Solonitsyn, who also acted in several of Tarkovsky's films. At the end of 1978, he also wrote the screenplay "Sardor" together with the writer Aleksandr Misharin.
The last film Tarkovsky completed in the Soviet Union was "Stalker", inspired by the novel "Roadside Picnic" by the brothers Arkady and Boris Strugatsky. Tarkovsky had met the brothers first in 1971 and was in contact with them until his death in 1986. Initially he wanted to shoot a film based on their novel "Dead Mountaineer's Hotel" and he developed a raw script. Influenced by a discussion with Arkady Strugatsky he changed his plan and began to work on the script based on "Roadside Picnic". Work on this film began in 1976. The production was mired in troubles; improper development of the negatives had ruined all the exterior shots. Tarkovsky's relationship with cinematographer Georgy Rerberg deteriorated to the point where he hired Alexander Knyazhinsky as a new first cinematographer. Furthermore, Tarkovsky had a heart attack in April 1978, resulting in further delay. The film was completed in 1979 and won the Prize of the Ecumenical Jury at the Cannes Film Festival. In a question and answer session at the Edinburgh Filmhouse on 11 February 1981, Tarkovsky trenchantly rejected suggestions that the film was either impenetrably mysterious or a political allegory.
In 1979, Tarkovsky began production of the film "The First Day" (Russian: Первый День "Pervyj Dyen"), based on a script by his friend and long-term collaborator Andrei Konchalovsky. The film was set in 18th-century Russia during the reign of Peter the Great and starred Natalya Bondarchuk and Anatoli Papanov. To get the project approved by Goskino, Tarkovsky submitted a script that was different from the original script, omitting several scenes that were critical of the official atheism in the Soviet Union. After shooting roughly half of the film the project was stopped by Goskino after it became apparent that the film differed from the script submitted to the censors. Tarkovsky was reportedly infuriated by this interruption and destroyed most of the film.
Film career outside the Soviet Union.
During the summer of 1979, Tarkovsky traveled to Italy, where he shot the documentary "Voyage in Time" together with his long-time friend Tonino Guerra. Tarkovsky returned to Italy in 1980 for an extended trip, during which he and Guerra completed the script for the film "Nostalghia". During this period, he took Polaroid photographs depicting his personal life.
Tarkovsky returned to Italy in 1982 to start shooting "Nostalghia", but Mosfilm then withdrew from the project, so he sought and received financial backing from the Italian RAI. Tarkovsky completed the film in 1983, and it was presented at the Cannes Film Festival where it won the FIPRESCI prize and the Prize of the Ecumenical Jury. Tarkovsky also shared a special prize called "Grand Prix du cinéma de creation" with Robert Bresson. Soviet authorities lobbied to prevent the film from winning the Palme d'Or, a fact that hardened Tarkovsky's resolve to never work in the Soviet Union again. After Cannes he went to London to stage and choreograph the opera "Boris Godunov" at the Royal Opera House under the musical direction of Claudio Abbado.
At a press conference in Milan on 10 July 1984, he announced that he would never return to the Soviet Union and would remain in Western Europe. He stated, "I am not a Soviet dissident, I have no conflict with the Soviet Government," but if he returned home, he added, "I would be unemployed." At that time, his son Andriosha was still in the Soviet Union and not allowed to leave the country. On 28 August 1985, Tarkovsky was processed as a Soviet Defector at a refugee camp in Latina, Italy, registered with the serial number 13225/379, and officially welcomed to the West.
Tarkovsky spent most of 1984 preparing the film "The Sacrifice". It was finally shot in 1985 in Sweden, with many of the crew being alumni from Ingmar Bergman's films, including cinematographer Sven Nykvist. Tarkovsky's vision of his film was greatly influenced by Bergman's style.
While "The Sacrifice" is about an apocalypse and impending death, faith, and possible redemption, in the making-of documentary "Directed by Andrei Tarkovsky", in a particularly poignant scene, writer/director Michal Leszczylowski follows Tarkovsky on a walk as he expresses his sentiments on death—he claims himself to be immortal and has no fear of dying. Ironically, at the end of the year Tarkovsky was diagnosed with terminal lung cancer. In January 1986, he began treatment in Paris and was joined there by his son, Andre Jr, who was finally allowed to leave the Soviet Union. What would be Tarkovsky's final film was dedicated to him.
"The Sacrifice" was presented at the Cannes Film Festival and received the Grand Prix Spécial du Jury, the FIPRESCI prize and the Prize of the Ecumenical Jury. As Tarkovsky was unable to attend due to his illness, the prizes were collected by his son.
Death.
In Tarkovsky's last entry (15 December 1986), he wrote: "But now I have no strength left—that is the problem". The diaries are sometimes also known as "" and were published posthumously in 1989 and in English in 1991.
Tarkovsky died in Paris on 29 December 1986. His funeral ceremony was held at the Alexander Nevsky Cathedral. He was buried on 3 January 1987 in the Russian Cemetery in Sainte-Geneviève-des-Bois in France. The inscription on his gravestone, which was erected in 1994, was conceived by Tarkovsky's wife, Larisa, reads: "To the man who saw the Angel". Larisa died in 1998 and is buried beside her husband.
A conspiracy theory emerged in Russia in the early 1990s when it was alleged that Tarkovsky did not die of natural causes, but was assassinated by the KGB. Evidence for this hypothesis includes testimonies by former KGB agents who claim that Viktor Chebrikov gave the order to eradicate Tarkovsky to curtail what the Soviet government and the KGB saw as anti-Soviet propaganda by Tarkovsky. Other evidence includes several memoranda that surfaced after the 1991 coup and the claim by one of Tarkovsky's doctors that his cancer could not have developed from a natural cause.
As with Tarkovsky, his wife Larisa and actor Anatoly Solonitsyn all died from the very same type of lung cancer. Vladimir Sharun, sound designer in "Stalker", is convinced that they were all poisoned by the chemical plant where they were shooting the film.
Childhood and early life.
Andrei Tarkovsky was born in the village of Zavrazhye in the Yuryevetsky District of the Ivanovo Industrial Oblast (modern-day Kadyysky District of the Kostroma Oblast, Russia) to the poet and translator Arseny Aleksandrovich Tarkovsky, a native of Yelysavethrad (now Kropyvnytskyi, Ukraine), and Maria Ivanova Vishnyakova, a graduate of the Maxim Gorky Literature Institute who later worked as a corrector; she was born in Moscow in the Dubasov family estate.
Andrei's paternal grandfather Aleksandr Karlovich Tarkovsky (in ) was a Polish nobleman who worked as a bank clerk. His wife Maria Danilovna Rachkovskaya was a Romanian language teacher who arrived from Iași. Andrei's maternal grandmother Vera Nikolayevna Vishnyakova (née Dubasova) belonged to an old Dubasov family of Russian nobility that traces its history back to the 17th century; among her relatives was Admiral Fyodor Dubasov, a fact she had to conceal during the Soviet days. She was married to Ivan Ivanovich Vishnyakov, a native of the Kaluga Governorate who studied law at the Moscow State University and served as a judge in Kozelsk.
According to the family legend, Tarkovsky's ancestors on his father's side were princes from the Shamkhalate of Tarki, Dagestan, although his sister Marina Tarkovskaya who did a detailed research on their genealogy called it "a myth, even a prank of sorts," stressing that none of the documents confirms this version.
Tarkovsky spent his childhood in Yuryevets. He was described by childhood friends as active and popular, having many friends and being typically in the center of action. His father left the family in 1937, subsequently volunteering for the army in 1941. He returned home in 1943, having been awarded a Red Star after being shot in one of his legs (which he would eventually need to amputate due to gangrene). Tarkovsky stayed with his mother, moving with her and his sister Marina to Moscow, where she worked as a proofreader at a printing press.
In 1939, Tarkovsky enrolled at the Moscow School No. 554. During the war, the three evacuated to Yuryevets, living with his maternal grandmother. In 1943, the family returned to Moscow. Tarkovsky continued his studies at his old school, where the poet Andrei Voznesensky was one of his classmates. He studied piano at a music school and attended classes at an art school. The family lived on Shchipok Street in the Zamoskvorechye District in Moscow. From November 1947 to spring 1948 he was in the hospital with tuberculosis. Many themes of his childhood—the evacuation, his mother and her two children, the withdrawn father, the time in the hospital—feature prominently in his film "Mirror".
In his school years, Tarkovsky was a troublemaker and a poor student. He still managed to graduate, and from 1951 to 1952 studied Arabic at the Oriental Institute in Moscow, a branch of the Academy of Sciences of the Soviet Union. Although he already spoke some Arabic and was a successful student in his first semesters, he did not finish his studies and dropped out to work as a prospector for the Academy of Science Institute for Non-Ferrous Metals and Gold. He participated in a year-long research expedition to the river Kureyka near Turukhansk in the Krasnoyarsk Province. During this time in the taiga, Tarkovsky decided to study film.
Film school student.
Upon returning from the research expedition in 1954, Tarkovsky applied at the State Institute of Cinematography (VGIK) and was admitted to the film-directing program. He was in the same class as Irma Raush (Irina) whom he married in April 1957.
The early Khrushchev era offered good opportunities for young film directors. Before 1953, annual film production was low and most films were directed by veteran directors. After 1953, more films were produced, many of them by young directors. The Khrushchev Thaw relaxed Soviet social restrictions a bit and permitted a limited influx of European and North American literature, films and music. This allowed Tarkovsky to see films of the Italian neorealists, French New Wave, and of directors such as Kurosawa, Buñuel, Bergman, Bresson, Wajda (whose film "Ashes and Diamonds" influenced Tarkovsky) and Mizoguchi.
Tarkovsky's teacher and mentor was Mikhail Romm, who taught many film students who would later become influential film directors. In 1956, Tarkovsky directed his first student short film, "The Killers", from a short story of Ernest Hemingway. The longer television film "There Will Be No Leave Today" followed in 1959. Both films were a collaboration between the VGIK students. Classmate Aleksandr Gordon, who married Tarkovsky's sister, in particular directed, wrote, edited, and acted in the two films with Tarkovsky.
An important influence on Tarkovsky was the film director Grigory Chukhray, who was teaching at the VGIK. Impressed by the talent of his student, Chukhray offered Tarkovsky a position as assistant director for his film "Clear Skies". Tarkovsky initially showed interest but then decided to concentrate on his studies and his own projects.
During his third year at the VGIK, Tarkovsky met Andrei Konchalovsky. They found much in common as they liked the same film directors and shared ideas on cinema and films. In 1959, they wrote the script "Antarctica – Distant Country", which was later published in the "Moskovsky Komsomolets". Tarkovsky submitted the script to Lenfilm, but it was rejected. They were more successful with the script "The Steamroller and the Violin", which they sold to Mosfilm. This became Tarkovsky's graduation project, earning him his diploma in 1960 and winning First Prize at the New York Student Film Festival in 1961.
Film career in the Soviet Union.
Tarkovsky's first feature film was "Ivan's Childhood" in 1962. He had inherited the film from director Eduard Abalov, who had to abort the project. The film earned Tarkovsky international acclaim and won the Golden Lion award at the Venice Film Festival in the year 1962. In the same year, on 30 September, his first son Arseny (called Senka in Tarkovsky's diaries) Tarkovsky was born.
In 1965, he directed the film "Andrei Rublev" about the life of Andrei Rublev, the fifteenth-century Russian icon painter. "Andrei Rublev" was not, except for a single screening in Moscow in 1966, immediately released after completion due to problems with Soviet authorities. Tarkovsky had to cut the film several times, resulting in several different versions of varying lengths. The film was widely released in the Soviet Union in a cut version in 1971. Nevertheless, the film had a budget of more than 1 million rubles – a significant sum for that period. A version of the film was presented at the Cannes Film Festival in 1969 and won the FIPRESCI prize.
He divorced his wife, Irina, in June 1970. In the same year, he married Larisa Kizilova (née Egorkina), who had been a production assistant for the film "Andrei Rublev" (they had been living together since 1965). Their son, Andrei Andreyevich Tarkovsky, (nicknamed Andriosha, meaning "little Andre" or "Andre Junior") was born in the same year on 7 August.
In 1972, he completed "Solaris", an adaptation of the novel "Solaris" by Stanisław Lem. He had worked on this together with screenwriter Friedrich Gorenstein as early as 1968. The film was presented at the Cannes Film Festival, won the Grand Prix Spécial du Jury, and was nominated for the Palme d'Or.
From 1973 to 1974, he shot the film "Mirror", a highly autobiographical and unconventionally structured film drawing on his childhood and incorporating some of his father's poems. In this film Tarkovsky portrayed the plight of childhood affected by war. Tarkovsky had worked on the screenplay for this film since 1967, under the consecutive titles "Confession", "White day" and "A white, white day". From the beginning the film was not well received by Soviet authorities due to its content and its perceived elitist nature. Soviet authorities placed the film in the "third category", a severely limited distribution, and only allowed it to be shown in third-class cinemas and workers' clubs. Few prints were made and the film-makers received no returns. Third category films also placed the film-makers in danger of being accused of wasting public funds, which could have serious effects on their future productivity. These difficulties are presumed to have made Tarkovsky play with the idea of going abroad and producing a film outside the Soviet film industry.
During 1975, Tarkovsky also worked on the screenplay "Hoffmanniana", about the German writer and poet E. T. A. Hoffmann. In December 1976, he directed "Hamlet", his only stage play, at the Lenkom Theatre in Moscow. The main role was played by Anatoly Solonitsyn, who also acted in several of Tarkovsky's films. At the end of 1978, he also wrote the screenplay "Sardor" together with the writer Aleksandr Misharin.
The last film Tarkovsky completed in the Soviet Union was "Stalker", inspired by the novel "Roadside Picnic" by the brothers Arkady and Boris Strugatsky. Tarkovsky had met the brothers first in 1971 and was in contact with them until his death in 1986. Initially he wanted to shoot a film based on their novel "Dead Mountaineer's Hotel" and he developed a raw script. Influenced by a discussion with Arkady Strugatsky he changed his plan and began to work on the script based on "Roadside Picnic". Work on this film began in 1976. The production was mired in troubles; improper development of the negatives had ruined all the exterior shots. Tarkovsky's relationship with cinematographer Georgy Rerberg deteriorated to the point where he hired Alexander Knyazhinsky as a new first cinematographer. Furthermore, Tarkovsky had a heart attack in April 1978, resulting in further delay. The film was completed in 1979 and won the Prize of the Ecumenical Jury at the Cannes Film Festival. In a question and answer session at the Edinburgh Filmhouse on 11 February 1981, Tarkovsky trenchantly rejected suggestions that the film was either impenetrably mysterious or a political allegory.
In 1979, Tarkovsky began production of the film "The First Day" (Russian: Первый День "Pervyj Dyen"), based on a script by his friend and long-term collaborator Andrei Konchalovsky. The film was set in 18th-century Russia during the reign of Peter the Great and starred Natalya Bondarchuk and Anatoli Papanov. To get the project approved by Goskino, Tarkovsky submitted a script that was different from the original script, omitting several scenes that were critical of the official atheism in the Soviet Union. After shooting roughly half of the film the project was stopped by Goskino after it became apparent that the film differed from the script submitted to the censors. Tarkovsky was reportedly infuriated by this interruption and destroyed most of the film.
Film career outside the Soviet Union.
During the summer of 1979, Tarkovsky traveled to Italy, where he shot the documentary "Voyage in Time" together with his long-time friend Tonino Guerra. Tarkovsky returned to Italy in 1980 for an extended trip, during which he and Guerra completed the script for the film "Nostalghia". During this period, he took Polaroid photographs depicting his personal life.
Tarkovsky returned to Italy in 1982 to start shooting "Nostalghia", but Mosfilm then withdrew from the project, so he sought and received financial backing from the Italian RAI. Tarkovsky completed the film in 1983, and it was presented at the Cannes Film Festival where it won the FIPRESCI prize and the Prize of the Ecumenical Jury. Tarkovsky also shared a special prize called "Grand Prix du cinéma de creation" with Robert Bresson. Soviet authorities lobbied to prevent the film from winning the Palme d'Or, a fact that hardened Tarkovsky's resolve to never work in the Soviet Union again. After Cannes he went to London to stage and choreograph the opera "Boris Godunov" at the Royal Opera House under the musical direction of Claudio Abbado.
At a press conference in Milan on 10 July 1984, he announced that he would never return to the Soviet Union and would remain in Western Europe. He stated, "I am not a Soviet dissident, I have no conflict with the Soviet Government," but if he returned home, he added, "I would be unemployed." At that time, his son Andriosha was still in the Soviet Union and not allowed to leave the country. On 28 August 1985, Tarkovsky was processed as a Soviet Defector at a refugee camp in Latina, Italy, registered with the serial number 13225/379, and officially welcomed to the West.
Tarkovsky spent most of 1984 preparing the film "The Sacrifice". It was finally shot in 1985 in Sweden, with many of the crew being alumni from Ingmar Bergman's films, including cinematographer Sven Nykvist. Tarkovsky's vision of his film was greatly influenced by Bergman's style.
While "The Sacrifice" is about an apocalypse and impending death, faith, and possible redemption, in the making-of documentary "Directed by Andrei Tarkovsky", in a particularly poignant scene, writer/director Michal Leszczylowski follows Tarkovsky on a walk as he expresses his sentiments on death—he claims himself to be immortal and has no fear of dying. Ironically, at the end of the year Tarkovsky was diagnosed with terminal lung cancer. In January 1986, he began treatment in Paris and was joined there by his son, Andre Jr, who was finally allowed to leave the Soviet Union. What would be Tarkovsky's final film was dedicated to him.
"The Sacrifice" was presented at the Cannes Film Festival and received the Grand Prix Spécial du Jury, the FIPRESCI prize and the Prize of the Ecumenical Jury. As Tarkovsky was unable to attend due to his illness, the prizes were collected by his son.
Death.
In Tarkovsky's last entry (15 December 1986), he wrote: "But now I have no strength left—that is the problem". The diaries are sometimes also known as "" and were published posthumously in 1989 and in English in 1991.
Tarkovsky died in Paris on 29 December 1986. His funeral ceremony was held at the Alexander Nevsky Cathedral. He was buried on 3 January 1987 in the Russian Cemetery in Sainte-Geneviève-des-Bois in France. The inscription on his gravestone, which was erected in 1994, was conceived by Tarkovsky's wife, Larisa, reads: "To the man who saw the Angel". Larisa died in 1998 and is buried beside her husband.
A conspiracy theory emerged in Russia in the early 1990s when it was alleged that Tarkovsky did not die of natural causes, but was assassinated by the KGB. Evidence for this hypothesis includes testimonies by former KGB agents who claim that Viktor Chebrikov gave the order to eradicate Tarkovsky to curtail what the Soviet government and the KGB saw as anti-Soviet propaganda by Tarkovsky. Other evidence includes several memoranda that surfaced after the 1991 coup and the claim by one of Tarkovsky's doctors that his cancer could not have developed from a natural cause.
As with Tarkovsky, his wife Larisa and actor Anatoly Solonitsyn all died from the very same type of lung cancer. Vladimir Sharun, sound designer in "Stalker", is convinced that they were all poisoned by the chemical plant where they were shooting the film.
Influences.
Tarkovsky became a film director during the mid and late 1950s, a period referred to as the Khrushchev Thaw, during which Soviet society opened to foreign films, literature and music, among other things. This allowed Tarkovsky to see films of European, American and Japanese directors, an experience that influenced his own film making. His teacher and mentor at the film school, Mikhail Romm, allowed his students considerable freedom and emphasized the independence of the film director.
Tarkovsky was, according to fellow student Shavkat Abdusalmov, fascinated by Japanese films. He was amazed by how every character on the screen is exceptional and how everyday events such as a Samurai cutting bread with his sword are elevated to something special and put into the limelight. Tarkovsky has also expressed interest in the art of Haiku and its ability to create "images in such a way that they mean nothing beyond themselves".
Tarkovsky was also a deeply religious Orthodox Christian, who believed great art should have a higher spiritual purpose. He was a perfectionist not given to humor or humility: his signature style was ponderous and literary, having many characters that pondered over religious themes and issues regarding faith.
Tarkovsky perceived that the art of cinema has only been truly mastered by very few filmmakers, stating in a 1970 interview with Naum Abramov that "they can be counted on the fingers of one hand". In 1972, Tarkovsky told film historian Leonid Kozlov his ten favorite films. The list includes: "Diary of a Country Priest" and "Mouchette" by Robert Bresson; "Winter Light", "Wild Strawberries", and "Persona" by Ingmar Bergman; "Nazarín" by Luis Buñuel; "City Lights" by Charlie Chaplin; "Ugetsu" by Kenji Mizoguchi; "Seven Samurai" by Akira Kurosawa, and "Woman in the Dunes" by Hiroshi Teshigahara. Among his favorite directors were Buñuel, Mizoguchi, Bergman, Bresson, Kurosawa, Michelangelo Antonioni, Jean Vigo, and Carl Theodor Dreyer.
With the exception of "City Lights", the list does not contain any films of the early silent era. The reason is that Tarkovsky saw film as an art as only a relatively recent phenomenon, with the early film-making forming only a prelude. The list has also no films or directors from Tarkovsky's native Russia, although he rated Soviet directors such as Boris Barnet, Sergei Parajanov and Alexander Dovzhenko highly. He said of Dovzhenko's "Earth": "I have lived a lot among very simple farmers and met extraordinary people. They spread calmness, had such tact, they conveyed a feeling of dignity and displayed wisdom that I have seldom come across on such a scale. Dovzhenko had obviously understood wherein the sense of life resides. [...] This trespassing of the border between nature and mankind is an ideal place for the existence of man. Dovzhenko understood this."
Andrei Tarkovsky was not a fan of science fiction, largely dismissing it for its "comic book" trappings and vulgar commercialism. However, in a famous exception Tarkovsky praised the blockbuster film "The Terminator", saying that its "vision of the future and the relation between man and its destiny is pushing the frontier of cinema as an art". He was critical of the "brutality and low acting skills", but was nevertheless impressed by the film.
Cinematic style.
In a 1962 interview, Tarkovsky argued: "All art, of course, is intellectual, but for me, all the arts, and cinema even more so, must above all be emotional and act upon the heart." His films are characterized by metaphysical themes, extremely long takes, and images often considered by critics to be of exceptional beauty. Recurring motifs are dreams, memory, childhood, running water accompanied by fire, rain indoors, reflections, levitation, and characters re-appearing in the foreground of long panning movements of the camera. He once said: "Juxtaposing a person with an environment that is boundless, collating him with a countless number of people passing by close to him and far away, relating a person to the whole world, that is the meaning of cinema."
Tarkovsky incorporated levitation scenes into several of his films, most notably "Solaris". To him these scenes possess great power and are used for their photogenic value and magical inexplicability. Water, clouds, and reflections were used by him for their surreal beauty and photogenic value, as well as their symbolism, such as waves or the forms of brooks or running water. Bells and candles are also frequent symbols. These are symbols of film, sight and sound, and Tarkovsky's film frequently has themes of self-reflection.
Tarkovsky developed a theory of cinema that he called "sculpting in time". By this he meant that the unique characteristic of cinema as a medium was to take our experience of time and alter it. Unedited movie footage transcribes time in real time. By using long takes and few cuts in his films, he aimed to give the viewers a sense of time passing, time lost, and the relationship of one moment in time to another.
Up to, and including, his film "Mirror", Tarkovsky focused his cinematic works on exploring this theory. After "Mirror", he announced that he would focus his work on exploring the dramatic unities proposed by Aristotle: a concentrated action, happening in one place, within the span of a single day.
Several of Tarkovsky's films have color or black-and-white sequences. This first occurs in the otherwise monochrome "Andrei Rublev", which features a color epilogue of Rublev's authentic religious icon paintings. All of his films afterwards contain monochrome, and in "Stalker's" case sepia sequences, while otherwise being in color. In 1966, in an interview conducted shortly after finishing "Andrei Rublev", Tarkovsky dismissed color film as a "commercial gimmick" and cast doubt on the idea that contemporary films meaningfully use color. He claimed that in everyday life one does not consciously notice colors most of the time, and that color should therefore be used in film mainly to emphasize certain moments, but not all the time, as this distracts the viewer. To him, films in color were like moving paintings or photographs, which are too beautiful to be a realistic depiction of life.
Bergman on Tarkovsky.
Ingmar Bergman, a renowned director, commented on Tarkovsky:
Contrarily, however, Bergman conceded the truth in the claim made by a critic who wrote that "with "Autumn Sonata" Bergman does Bergman", adding: "Tarkovsky began to make Tarkovsky films, and that Fellini began to make Fellini films [...] Buñuel nearly always made Buñuel films." This pastiche of one's own work has been derogatorily termed as "self-karaoke".
Vadim Yusov.
Tarkovsky worked in close collaboration with cinematographer Vadim Yusov from 1958 to 1972, and much of the visual style of Tarkovsky's films can be attributed to this collaboration. Tarkovsky would spend two days preparing for Yusov to film a single long take, and due to the preparation, usually only a single take was needed.
Sven Nykvist.
In his last film, "The Sacrifice", Tarkovsky worked with cinematographer Sven Nykvist, who had worked on many films with director Ingmar Bergman. (Nykvist was not alone: several people involved in the production had previously collaborated with Bergman, notably lead actor Erland Josephson, who had also acted for Tarkovsky in "Nostalghia".) Nykvist complained that Tarkovsky would frequently look through the camera and even direct actors through it, but ultimately stated that choosing to work with Tarkovsky was one of the best choices he had ever made.
Bergman on Tarkovsky.
Ingmar Bergman, a renowned director, commented on Tarkovsky:
Contrarily, however, Bergman conceded the truth in the claim made by a critic who wrote that "with "Autumn Sonata" Bergman does Bergman", adding: "Tarkovsky began to make Tarkovsky films, and that Fellini began to make Fellini films [...] Buñuel nearly always made Buñuel films." This pastiche of one's own work has been derogatorily termed as "self-karaoke".
Vadim Yusov.
Tarkovsky worked in close collaboration with cinematographer Vadim Yusov from 1958 to 1972, and much of the visual style of Tarkovsky's films can be attributed to this collaboration. Tarkovsky would spend two days preparing for Yusov to film a single long take, and due to the preparation, usually only a single take was needed.
Sven Nykvist.
In his last film, "The Sacrifice", Tarkovsky worked with cinematographer Sven Nykvist, who had worked on many films with director Ingmar Bergman. (Nykvist was not alone: several people involved in the production had previously collaborated with Bergman, notably lead actor Erland Josephson, who had also acted for Tarkovsky in "Nostalghia".) Nykvist complained that Tarkovsky would frequently look through the camera and even direct actors through it, but ultimately stated that choosing to work with Tarkovsky was one of the best choices he had ever made.
Filmography.
Tarkovsky is mainly known as a film director. During his career he directed seven feature films, as well as three shorts from his time at VGIK. His features are:
He also wrote several screenplays. Furthermore, he directed the play "Hamlet" for the stage in Moscow, directed the opera "Boris Godunov" in London, and he directed a radio production of the short story "Turnabout" by William Faulkner. He also wrote "Sculpting in Time", a book on film theory.
Tarkovsky's first feature film was "Ivan's Childhood" in 1962. He then directed "Andrei Rublev" in 1966, "Solaris" in 1972, "Mirror" in 1975 and "Stalker" in 1979. The documentary "Voyage in Time" was produced in Italy in 1982, as was "Nostalghia" in 1983. His last film "The Sacrifice" was produced in Sweden in 1986. Tarkovsky was personally involved in writing the screenplays for all his films, sometimes with a cowriter. Tarkovsky once said that a director who realizes somebody else's screenplay without being involved in it becomes a mere illustrator, resulting in dead and monotonous films.
Published books.
A book of 60 photos, "Instant Light, Tarkovsky Polaroids", taken by Tarkovsky in Russia and Italy between 1979 and 1984 was published in 2006. The collection was selected by Italian photographer Giovanni Chiaramonte and Tarkovsky's son Andrey A. Tarkovsky.
Unproduced screenplays.
"Concentrate".
Concentrate (, "Kontsentrat") is a never-filmed 1958 screenplay by Tarkovsky. The screenplay is based on Tarkovsky's year in the taiga as a member of a research expedition, prior to his enrollment in film school. It's about the leader of a geological expedition, who waits for the boat that brings back the concentrates collected by the expedition. The expedition is surrounded by mystery, and its purpose is a state secret.
Although some authors claim that the screenplay was filmed, according to Marina Tarkovskaya, Tarkovsky's sister (and wife of Aleksandr Gordon, a fellow student of Tarkovsky during his film school years) the screenplay was never filmed. Tarkovsky wrote the screenplay during his entrance examination at the State Institute of Cinematography (VGIK) in a single sitting. He earned the highest possible grade, "excellent" () for this work. In 1994, fragments of "Concentrate" were filmed and used in the documentary "Andrei Tarkovsky's Taiga Summer" by Marina Tarkovskaya and Aleksandr Gordon.
"Hoffmanniana".
Hoffmanniana () is a never-filmed 1974 screenplay by Tarkovsky. The screenplay is based on the life and work of German author E. T. A. Hoffmann. In 1974, an acquaintance from Tallinnfilm approached Tarkovsky to write a screenplay on a German theme. Tarkovsky considered Thomas Mann and E. T. A. Hoffmann, and also thought about Ibsen's "Peer Gynt". In the end Tarkovsky signed a contract for a script based on the life and work of Hoffmann. He planned to write the script during the summer of 1974 at his dacha. Writing was not without difficulty, less than a month before the deadline he had not written a single page. He finally finished the project in late 1974 and submitted the final script to Tallinnfilm in October.
Although the script was well received by the officials at Tallinnfilm, it was the consensus that no one but Tarkovsky would be able to direct it. The script was sent to Goskino in February 1976, and although approval was granted for proceeding with making the film, the screenplay was never realized. In 1984, during the time of his exile in the West, Tarkovsky revisited the screenplay and made a few changes. He also considered to finally direct a film based on the screenplay but ultimately dropped this idea.
"Concentrate".
Concentrate (, "Kontsentrat") is a never-filmed 1958 screenplay by Tarkovsky. The screenplay is based on Tarkovsky's year in the taiga as a member of a research expedition, prior to his enrollment in film school. It's about the leader of a geological expedition, who waits for the boat that brings back the concentrates collected by the expedition. The expedition is surrounded by mystery, and its purpose is a state secret.
Although some authors claim that the screenplay was filmed, according to Marina Tarkovskaya, Tarkovsky's sister (and wife of Aleksandr Gordon, a fellow student of Tarkovsky during his film school years) the screenplay was never filmed. Tarkovsky wrote the screenplay during his entrance examination at the State Institute of Cinematography (VGIK) in a single sitting. He earned the highest possible grade, "excellent" () for this work. In 1994, fragments of "Concentrate" were filmed and used in the documentary "Andrei Tarkovsky's Taiga Summer" by Marina Tarkovskaya and Aleksandr Gordon.
"Hoffmanniana".
Hoffmanniana () is a never-filmed 1974 screenplay by Tarkovsky. The screenplay is based on the life and work of German author E. T. A. Hoffmann. In 1974, an acquaintance from Tallinnfilm approached Tarkovsky to write a screenplay on a German theme. Tarkovsky considered Thomas Mann and E. T. A. Hoffmann, and also thought about Ibsen's "Peer Gynt". In the end Tarkovsky signed a contract for a script based on the life and work of Hoffmann. He planned to write the script during the summer of 1974 at his dacha. Writing was not without difficulty, less than a month before the deadline he had not written a single page. He finally finished the project in late 1974 and submitted the final script to Tallinnfilm in October.
Although the script was well received by the officials at Tallinnfilm, it was the consensus that no one but Tarkovsky would be able to direct it. The script was sent to Goskino in February 1976, and although approval was granted for proceeding with making the film, the screenplay was never realized. In 1984, during the time of his exile in the West, Tarkovsky revisited the screenplay and made a few changes. He also considered to finally direct a film based on the screenplay but ultimately dropped this idea.
Awards and commemoration.
Numerous awards were bestowed on Tarkovsky throughout his lifetime.
Under the influence of Glasnost and Perestroika, Tarkovsky was finally recognized in the Soviet Union in the Autumn of 1986, shortly before his death, by a retrospective of his films in Moscow. After his death, an entire issue of the film magazine "Iskusstvo Kino" was devoted to Tarkovsky. In their obituaries, the film committee of the Council of Ministers of the Soviet Union and the Union of Soviet Film Makers expressed their sorrow that Tarkovsky had to spend the last years of his life in exile.
Posthumously, he was awarded the Lenin Prize in 1990, one of the highest state honors in the Soviet Union. In 1989, the "Andrei Tarkovsky Memorial Prize" was established, with its first recipient being the Russian animator Yuri Norstein. In three consecutive events, the Moscow International Film Festival awarded the "Andrei Tarkovsky Award" in 1993, 1995, and 1997.
In 1996, the Andrei Tarkovsky Museum opened in Yuryevets, his childhood town. A minor planet, 3345 Tarkovskij, discovered by Soviet astronomer Lyudmila Karachkina in 1982, has been named after him.
Tarkovsky has been the subject of several documentaries. Most notable is the 1988 documentary "Moscow Elegy", by Russian film director Alexander Sokurov. Sokurov's own work has been heavily influenced by Tarkovsky. The film consists mostly of narration over stock footage from Tarkovsky's films. "Directed by Andrei Tarkovsky" is a 1988 documentary film by Michal Leszczylowski, an editor of the film "The Sacrifice". Film director Chris Marker produced the television documentary "One Day in the Life of Andrei Arsenevich" as an homage to Andrei Tarkovsky in 2000.
At the entrance to the Gerasimov Institute of Cinematography in Moscow, there is a monument that includes statues of Tarkovsky, Gennady Shpalikov and Vasily Shukshin.
Reception and legacy.
Andrei Tarkovsky and his works have received praise from many filmmakers, critics and thinkers.
The Swedish filmmaker Ingmar Bergman was quoted as saying: "Tarkovsky for me is the greatest [of us all], the one who invented a new language, true to the nature of film, as it captures life as a reflection, life as a dream".
The Japanese filmmaker Akira Kurosawa remarked on Tarkovsky's films as saying: "His unusual sensitivity is both overwhelming and astounding. It almost reaches a pathological intensity. Probably there is no equal among film directors alive now." Kurosawa also commented: "I love all of Tarkovsky's films. I love his personality and all his works. Every cut from his films is a marvelous image in itself. But the finished image is nothing more than the imperfect accomplishment of his idea. His ideas are only realized in part. And he had to make do with it."
The Iranian filmmaker Abbas Kiarostami remarked that: "Tarkovsky's works separate me completely from physical life, and are the most spiritual films I have seen".
The Polish filmmaker Krzysztof Kieślowski commented that: "Andrei Tarkovsky was one of the greatest directors of recent years," and regarded Tarkovsky's film, "Ivan's Childhood" as an influence on his own work.
The Turkish filmmaker Nuri Bilge Ceylan stated that: "To be bored in films is not important, it may be because you are not ready for that movie. It's not the fault of the movie." Ceylan said when he first discovered the films of Andrei Tarkovsky as a college student unsure of what he wanted to do with his life, he was utterly baffled by the lauded Russian master. He walked out of a screening of "Solaris" at the halfway point, and stopped a VHS tape of "Mirror" at a similar juncture. Today, he considers the latter to be the greatest film ever made. "I've seen it maybe 20 times," he says.
The Armenian filmmaker Sergei Parajanov remarked that watching Tarkovsky's film, "Ivan's Childhood" was his main inspiration to become a filmmaker by saying: "I did not know how to do anything and I would not have done anything if there had not been "Ivan's Childhood"".
The Austrian filmmaker Michael Haneke voted for "Mirror" on his top 10 films in the 2002 "Sight & Sound" directors' poll and later said that he has seen the picture at least 25 times.
The German filmmaker Wim Wenders dedicated his film "Wings of Desire" to Tarkovsky (along with François Truffaut and Yasujirō Ozu).
The French filmmaker Chris Marker directed a documentary film as a homage to Tarkovsky called "One Day in the Life of Andrei Arsenevich" and used Tarkovsky's concept of "The Zone" (from the film, "Stalker") for his 1983 film essay, "Sans Soleil".
The Greek filmmaker Theo Angelopoulos regarded Tarkovsky's film "Stalker" as one of the films that influenced him.
The Polish filmmaker Andrzej Żuławski remarked that: "If anybody influenced anybody, it’s me being influenced by Tarkovsky, not the reverse." and called Tarkovsky's film Andrei Rublev a "masterpiece".
The Greek-Australian filmmaker Alex Proyas was "extremely influenced" by Tarkovsky's work and cited "Stalker" as one his favorite films.
The French philosopher Jean-Paul Sartre highly praised Tarkovsky's film "Ivan's Childhood", saying that it was one of the most beautiful films he had ever seen.
The Japanese anime filmmaker Mamoru Oshii, known for his works such as "Ghost in the Shell" was influenced by Tarkovsky.
The Indian-born British American novelist Salman Rushdie praised Tarkovsky and his work "Solaris" by calling it a "a sci-fi masterpiece".
Film historian Steven Dillon says that much of subsequent film was deeply influenced by the films of Tarkovsky.
Mexican filmmaker Alejandro González Iñarritu is a huge fan of Tarkovsky. He once said in an interview: ""Andrei Rublev" is maybe my favorite film ever", and in another interview, he added: "I remember, the first time I saw a Tarkovsky film, I was shocked by it. I did not know what to do. I was shocked by it. I was fascinated, because suddenly I realized that film could have so many more layers to it than what I had imagined before". There are many direct references and hidden tributes to Tarkovsky's movies in Iñarritu's 2015 Oscar-winning drama "The Revenant".
Danish film director Lars von Trier is a fervent admirer of Tarkovsky. He dedicated his 2009 film "Antichrist" to him, and, while discussing it with critic David Jenkins, asked: "Have you seen "Mirror"? I was hypnotised! I've seen it 20 times. It's the closest thing I've got to a religion – to me he is a god".
Film festival.
Two film festivals have been named in his honor:
Film festival.
Two film festivals have been named in his honor:
References.
Notes
Bibliography
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Alexis Carrel
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Alexis Carrel (; 28 June 1873 – 5 November 1944) was a French surgeon and biologist who was awarded the Nobel Prize in Physiology or Medicine in 1912 for pioneering vascular suturing techniques. He invented the first perfusion pump with Charles A. Lindbergh opening the way to organ transplantation. His positive description of a miraculous healing he witnessed during a pilgrimage earned him scorn of some of his colleagues. This prompted him to relocate to the United States, where he lived most of his life. He had a leading role in implementing eugenic policies in Vichy France.
A Nobel Prize laureate in 1912, Alexis Carrel was also elected twice, in 1924 and 1927, as an honorary member of the Academy of Sciences of the USSR.
Biography.
Born in Sainte-Foy-lès-Lyon, Rhône, Carrel was raised in a devout Catholic family and was educated by Jesuits, though he had become an agnostic by the time he became a university student. He was a pioneer in transplantology and thoracic surgery. Alexis Carrel was also a member of learned societies in the U.S., Spain, Russia, Sweden, the Netherlands, Belgium, France, Vatican City, Germany, Italy and Greece and received honorary doctorates from Queen's University of Belfast, Princeton University, California, New York, Brown University and Columbia University.
In 1902, he was claimed to have witnessed the miraculous cure of Marie Bailly at Lourdes, made famous in part because she named Carrel as a witness of her cure. After the notoriety surrounding the event, Carrel could not obtain a hospital appointment because of the pervasive anticlericalism in the French university system at the time. In 1903, he emigrated to Montreal, Canada, but soon relocated to Chicago, Illinois, to work for Hull Laboratory. While there he collaborated with American physician Charles Claude Guthrie in work on vascular suture and the transplantation of blood vessels and organs as well as the head, and Carrel was awarded the 1912 Nobel Prize in Physiology or Medicine for these efforts.
In 1906, he joined the newly formed Rockefeller Institute of Medical Research in New York where he spent the rest of his career. There he did significant work on tissue cultures with pathologist Montrose Thomas Burrows. In the 1930s, Carrel and Charles Lindbergh became close friends not only because of the years they worked together but also because they shared personal, political, and social views. Lindbergh initially sought out Carrel to see if his sister-in-law's heart, damaged by rheumatic fever, could be repaired. When Lindbergh saw the crudeness of Carrel's machinery, he offered to build new equipment for the scientist. Eventually they built the first perfusion pump, an invention instrumental to the development of organ transplantation and open heart surgery. Lindbergh considered Carrel his closest friend, and said he would preserve and promote Carrel's ideals after his death.
Due to his close proximity with Jacques Doriot's fascist Parti Populaire Français (PPF) during the 1930s and his role in implementing eugenics policies during Vichy France, he was accused after the Liberation of collaboration, but died before the trial.
In his later life he returned to his Catholic roots. In 1939, he met with Trappist monk Alexis Presse on a recommendation. Although Carrel was skeptical about meeting with a priest, Presse ended up having a profound influence on the rest of Carrel's life. In 1942, he said "I believe in the existence of God, in the immortality of the soul, in Revelation and in all the Catholic Church teaches." He summoned Presse to administer the Catholic Sacraments on his death bed in November 1944.
For much of his life, Carrel and his wife spent their summers on the , which they owned. After he and Lindbergh became close friends, Carrel persuaded him to also buy a neighboring island, the Ile Illiec, where the Lindberghs often resided in the late 1930s.
Contributions to science.
Vascular suture.
Carrel was a young surgeon in 1894, when the French president Sadi Carnot was assassinated with a knife. Carnot bled to death due to severing of his portal vein, and surgeons who treated the president felt that the vein could not be successfully reconnected. This left a deep impression on Carrel, and he set about developing new techniques for suturing blood vessels. The technique of "triangulation", using three stay-sutures as traction points in order to minimize damage to the vascular wall during suturing, was inspired by sewing lessons he took from an embroideress and is still used today. Julius Comroe wrote: "Between 1901 and 1910, Alexis Carrel, using experimental animals, performed every feat and developed every technique known to vascular surgery today." He had great success in reconnecting arteries and veins, and performing surgical grafts, and this led to his Nobel Prize in 1912.
Wound antisepsis.
During World War I (1914–1918), Carrel and the English chemist Henry Drysdale Dakin developed the Carrel–Dakin method of treating wounds based on chlorine (Dakin's solution) which, preceding the development of antibiotics, was a major medical advance in the care of traumatic wounds. For this, Carrel was awarded the Légion d'honneur. Carrel also advocated the use of wound debridement (cutting away necrotic or otherwise damaged tissue) and irrigation of wounds. His method of wound irrigation involved flushing the tissues with a high volume of antiseptic fluid so that dirt and other contaminants would be washed away (this is known today as "mechanical irrigation.") The World War I era Rockefeller War Demonstration Hospital (United States Army Auxiliary Hospital No. 1) was created, in part, to promote the Carrel–Dakin method:
"The war demonstration hospital of the Rockefeller Institute was planned as a school in which to teach military surgeons the principles of and art of applying the Carrel-Dakin treatment."
Organ transplants.
Carrel co-authored a book with pilot Charles A. Lindbergh, "The Culture of Organs", and worked with Lindbergh in the mid-1930s to create the "perfusion pump," which allowed living organs to exist outside the body during surgery. The advance is said to have been a crucial step in the development of open-heart surgery and organ transplants, and to have laid the groundwork for the artificial heart, which became a reality decades later. Some critics of Lindbergh claimed that Carrel overstated Lindbergh's role to gain media attention, but other sources say Lindbergh played an important role in developing the device. Both Lindbergh and Carrel appeared on the cover of "Time" magazine on 13 June 1938.
Cellular senescence.
Carrel was also interested in the phenomenon of senescence, or aging. He claimed that all cells continued to grow indefinitely, and this became a dominant view in the early 20th century. Carrel started an experiment on 17 January 1912, where he placed tissue cultured from an embryonic chicken heart in a stoppered Pyrex flask of his own design. He maintained the living culture for over 20 years with regular supplies of nutrient. This was longer than a chicken's normal lifespan. The experiment, which was conducted at the Rockefeller Institute for Medical Research, attracted considerable popular and scientific attention.
Carrel's experiment was never successfully replicated, and in the 1960s Leonard Hayflick and Paul Moorhead proposed that differentiated cells can undergo only a limited number of divisions before dying. This is known as the Hayflick limit, and is now a pillar of biology.
It is not certain how Carrel obtained his anomalous results. Leonard Hayflick suggests that the daily feeding of nutrient was continually introducing new living cells to the alleged immortal culture. J. A. Witkowski has argued that, while "immortal" strains of visibly mutated cells have been obtained by other experimenters, a more likely explanation is deliberate introduction of new cells into the culture, possibly without Carrel's knowledge.
Honors.
In 1972, the Swedish Post Office honored Carrel with a stamp that was part of its Nobel stamp series. In 1979, the lunar crater Carrel was named after him as a tribute to his scientific breakthroughs.
In February 2002, as part of celebrations of the 100th anniversary of Charles Lindbergh's birth, the Medical University of South Carolina at Charleston established the Lindbergh-Carrel Prize, given to major contributors to "development of perfusion and bioreactor technologies for organ preservation and growth". Michael DeBakey and nine other scientists received the prize, a bronze statuette created for the event by the Italian artist C. Zoli and named "Elisabeth" after Elisabeth Morrow, sister of Lindbergh's wife Anne Morrow, who died from heart disease. It was in fact Lindbergh's disappointment that contemporary medical technology could not provide an artificial heart pump which would allow for heart surgery on her that led to Lindbergh's first contact with Carrel.
Vascular suture.
Carrel was a young surgeon in 1894, when the French president Sadi Carnot was assassinated with a knife. Carnot bled to death due to severing of his portal vein, and surgeons who treated the president felt that the vein could not be successfully reconnected. This left a deep impression on Carrel, and he set about developing new techniques for suturing blood vessels. The technique of "triangulation", using three stay-sutures as traction points in order to minimize damage to the vascular wall during suturing, was inspired by sewing lessons he took from an embroideress and is still used today. Julius Comroe wrote: "Between 1901 and 1910, Alexis Carrel, using experimental animals, performed every feat and developed every technique known to vascular surgery today." He had great success in reconnecting arteries and veins, and performing surgical grafts, and this led to his Nobel Prize in 1912.
Wound antisepsis.
During World War I (1914–1918), Carrel and the English chemist Henry Drysdale Dakin developed the Carrel–Dakin method of treating wounds based on chlorine (Dakin's solution) which, preceding the development of antibiotics, was a major medical advance in the care of traumatic wounds. For this, Carrel was awarded the Légion d'honneur. Carrel also advocated the use of wound debridement (cutting away necrotic or otherwise damaged tissue) and irrigation of wounds. His method of wound irrigation involved flushing the tissues with a high volume of antiseptic fluid so that dirt and other contaminants would be washed away (this is known today as "mechanical irrigation.") The World War I era Rockefeller War Demonstration Hospital (United States Army Auxiliary Hospital No. 1) was created, in part, to promote the Carrel–Dakin method:
"The war demonstration hospital of the Rockefeller Institute was planned as a school in which to teach military surgeons the principles of and art of applying the Carrel-Dakin treatment."
Organ transplants.
Carrel co-authored a book with pilot Charles A. Lindbergh, "The Culture of Organs", and worked with Lindbergh in the mid-1930s to create the "perfusion pump," which allowed living organs to exist outside the body during surgery. The advance is said to have been a crucial step in the development of open-heart surgery and organ transplants, and to have laid the groundwork for the artificial heart, which became a reality decades later. Some critics of Lindbergh claimed that Carrel overstated Lindbergh's role to gain media attention, but other sources say Lindbergh played an important role in developing the device. Both Lindbergh and Carrel appeared on the cover of "Time" magazine on 13 June 1938.
Cellular senescence.
Carrel was also interested in the phenomenon of senescence, or aging. He claimed that all cells continued to grow indefinitely, and this became a dominant view in the early 20th century. Carrel started an experiment on 17 January 1912, where he placed tissue cultured from an embryonic chicken heart in a stoppered Pyrex flask of his own design. He maintained the living culture for over 20 years with regular supplies of nutrient. This was longer than a chicken's normal lifespan. The experiment, which was conducted at the Rockefeller Institute for Medical Research, attracted considerable popular and scientific attention.
Carrel's experiment was never successfully replicated, and in the 1960s Leonard Hayflick and Paul Moorhead proposed that differentiated cells can undergo only a limited number of divisions before dying. This is known as the Hayflick limit, and is now a pillar of biology.
It is not certain how Carrel obtained his anomalous results. Leonard Hayflick suggests that the daily feeding of nutrient was continually introducing new living cells to the alleged immortal culture. J. A. Witkowski has argued that, while "immortal" strains of visibly mutated cells have been obtained by other experimenters, a more likely explanation is deliberate introduction of new cells into the culture, possibly without Carrel's knowledge.
Honors.
In 1972, the Swedish Post Office honored Carrel with a stamp that was part of its Nobel stamp series. In 1979, the lunar crater Carrel was named after him as a tribute to his scientific breakthroughs.
In February 2002, as part of celebrations of the 100th anniversary of Charles Lindbergh's birth, the Medical University of South Carolina at Charleston established the Lindbergh-Carrel Prize, given to major contributors to "development of perfusion and bioreactor technologies for organ preservation and growth". Michael DeBakey and nine other scientists received the prize, a bronze statuette created for the event by the Italian artist C. Zoli and named "Elisabeth" after Elisabeth Morrow, sister of Lindbergh's wife Anne Morrow, who died from heart disease. It was in fact Lindbergh's disappointment that contemporary medical technology could not provide an artificial heart pump which would allow for heart surgery on her that led to Lindbergh's first contact with Carrel.
Alexis Carrel and Lourdes.
In 1902, Alexis B went from being a skeptic of the visions and miracles reported at Lourdes to being a believer in spiritual cures after experiencing a healing of Marie Bailly that he could not explain. The Catholic journal "Le nouvelliste" reported that she named him as the prime witness of her cure. Alexis Carrel refused to discount a supernatural explanation and steadfastly reiterated his beliefs, even writing the book "The Voyage to Lourdes" describing his experience, although it was not published until four years after his death. This was a detriment to his career and reputation among his fellow doctors, and feeling he had no future in academic medicine in France, he emigrated to Canada with the intention of farming and raising cattle. After a brief period, he accepted an appointment at the University of Chicago and, two years later, at the Rockefeller Institute of Medical Research.
"Man, the Unknown" (1935, 1939).
In 1935, Carrel published a book titled "L'Homme, cet inconnu" ("Man, the Unknown"), which became a best-seller. In the book, he attempted to outline a comprehensive account of what is known and more importantly unknown of the human body and human life "in light of discoveries in biology, physics, and medicine", to elucidate problems of the modern world, and to provide possible routes to a better life for human beings.
For Carrel, the fundamental problem was that:
[M]en cannot follow modern civilization along its present course, because they are degenerating. They have been fascinated by the beauty of the sciences of inert matter. They have not understood that their body and consciousness are subjected to natural laws, more obscure than, but as inexorable as, the laws of the sidereal world. Neither have they understood that they cannot transgress these laws without being punished. They must, therefore, learn the necessary relations of the cosmic universe, of their fellow men, and of their inner selves, and also those of their tissues and their mind. Indeed, man stands above all things. Should he degenerate, the beauty of civilization, and even the grandeur of the physical universe, would vanish. ... Humanity's attention must turn from the machines of the world of inanimate matter to the body and the soul of man, to the organic and mental processes which have created the machines and the universe of Newton and Einstein.
Carrel advocated, in part, that mankind could better itself by following the guidance of an elite group of intellectuals, and by incorporating eugenics into the social framework. He argued for an aristocracy springing from individuals of potential, writing:
We must single out the children who are endowed with high potentialities, and develop them as completely as possible. And in this manner give to the nation a non-hereditary aristocracy. Such children may be found in all classes of society, although distinguished men appear more frequently in distinguished families than in others. The descendants of the founders of American civilization may still possess the ancestral qualities. These qualities are generally hidden under the cloak of degeneration. But this degeneration is often superficial. It comes chiefly from education, idleness, lack of responsibility and moral discipline. The sons of very rich men, like those of criminals, should be removed while still infants from their natural surroundings. Thus separated from their family, they could manifest their hereditary strength. In the aristocratic families of Europe there are also individuals of great vitality. The issue of the Crusaders is by no means extinct. The laws of genetics indicate the probability that the legendary audacity and love of adventure can appear again in the lineage of the feudal lords. It is possible also that the offspring of the great criminals who had imagination, courage, and judgment, of the heroes of the French or Russian Revolutions, of the high-handed business men who live among us, might be excellent building stones for an enterprising minority. As we know, criminality is not hereditary if not united with feeble-mindedness or other mental or cerebral defects. High potentialities are rarely encountered in the sons of honest, intelligent, hard-working men who have had ill luck in their careers, who have failed in business or have muddled along all their lives in inferior positions. Or among peasants living on the same spot for centuries. However, from such people sometimes spring artists, poets, adventurers, saints. A brilliantly gifted and well-known New York family came from peasants who cultivated their farm in the south of France from the time of Charlemagne to that of Napoleon.
Carrel advocated for euthanasia for criminals, and the criminally insane, specifically endorsing the use of gassing:
(t)he conditioning of petty criminals with the whip, or some more scientific procedure, followed by a short stay in hospital, would probably suffice to insure order. Those who have murdered, robbed while armed with automatic pistol or machine gun, kidnapped children, despoiled the poor of their savings, misled the public in important matters, should be humanely and economically disposed of in small euthanasic institutions supplied with proper gasses. A similar treatment could be advantageously applied to the insane, guilty of criminal acts.
Otherwise he endorsed voluntary positive eugenics. He wrote:
We have mentioned that natural selection has not played its part for a long while. That many inferior individuals have been conserved through the efforts of hygiene and medicine. But we cannot prevent the reproduction of the weak when they are neither insane nor criminal. Or destroy sickly or defective children as we do the weaklings in a litter of puppies. The only way to obviate the disastrous predominance of the weak is to develop the strong. Our efforts to render normal the unfit are evidently useless. We should, then, turn our attention toward promoting the optimum growth of the fit. By making the strong still stronger, we could effectively help the weak; For the herd always profits by the ideas and inventions of the elite. Instead of leveling organic and mental inequalities, we should amplify them and construct greater men.
He continued:
Carrel's endorsement of euthanasia of the criminal and insane was published in the mid-1930s, prior to the implementation of death camps and gas chambers in Nazi Germany. In the 1936 German introduction of his book, at the publisher's request, he added the following praise of the Nazi regime which did not appear in the editions in other languages:
(t)he German government has taken energetic measures against the propagation of the defective, the mentally diseased, and the criminal. The ideal solution would be the suppression of each of these individuals as soon as he has proven himself to be dangerous.
French Foundation for the Study of Human Problems.
In 1937, Carrel joined Jean Coutrot's "Centre d'Etudes des Problèmes Humains" - Coutrot's aim was to develop what he called an "economic humanism" through "collective thinking." In 1941, through connections to the cabinet of Vichy France president Philippe Pétain (specifically, French industrial physicians André Gros and Jacques Ménétrier) he went on to advocate for the creation of the French Foundation for the Study of Human Problems ( which was created by decree of the Vichy regime in 1941, and where he served as "regent".
The foundation was at the origin of the 11 October 1946 law, enacted by the Provisional Government of the French Republic (GPRF), which institutionalized the field of occupational medicine. It worked on demographics (Robert Gessain, Paul Vincent, Jean Bourgeois-Pichat), on economics, (François Perroux), on nutrition (Jean Sutter), on habitation (Jean Merlet) and on the first opinion polls (Jean Stoetzel). "The foundation was chartered as a public institution under the joint supervision of the ministries of finance and public health. It was given financial autonomy and a budget of forty million francs—roughly one franc per inhabitant—a true luxury considering the burdens imposed by the German Occupation on the nation's resources. By way of comparison, the whole Centre National de la Recherche Scientifique (CNRS) was given a budget of fifty million francs."
The Foundation made many positive accomplishments during its time. It promoted the 16 December 1942 Act which established the prenuptial certificate, which was required before marriage, and was aimed at insuring the good health of the spouses, in particular in regard to sexually transmitted diseases (STD) and "life hygiene". The institute also established the "", which could be used to record students' grades in the French secondary schools, and thus classify and select them according to scholastic performance.
According to Gwen Terrenoire, writing in "Eugenics in France (1913–1941) : a review of research findings", "The foundation was a pluridisciplinary centre that employed around 300 researchers (mainly statisticians, psychologists, physicians) from the summer of 1942 to the end of the autumn of 1944. After the liberation of Paris, Carrel was suspended by the Minister of Health; he died in November 1944, but the Foundation itself was "purged", only to reappear in a short time as the Institut national d'études démographiques (INED) that is still active." Although Carrel himself was dead most members of his team did move to the INED, which was led by demographist Alfred Sauvy, who coined the expression "Third World". Others joined Robert Debré's "Institut national d'hygiène" (National Hygiene Institute), which later became the INSERM.
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Anatole France
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' (; born ', ; 16 April 1844 – 12 October 1924) was a French poet, journalist, and novelist with several best-sellers. Ironic and skeptical, he was considered in his day the ideal French man of letters. He was a member of the , and won the 1921 Nobel Prize in Literature "in recognition of his brilliant literary achievements, characterized as they are by a nobility of style, a profound human sympathy, grace, and a true Gallic temperament".
France is also widely believed to be the model for narrator Marcel's literary idol Bergotte in Marcel Proust's "In Search of Lost Time".
Early years.
The son of a bookseller, France, a bibliophile, spent most of his life around books. His father's bookstore specialized in books and papers on the French Revolution and was frequented by many writers and scholars. France studied at the Collège Stanislas, a private Catholic school, and after graduation he helped his father by working in his bookstore. After several years, he secured the position of cataloguer at Bacheline-Deflorenne and at Lemerre. In 1876, he was appointed librarian for the French Senate.
Literary career.
France began his literary career as a poet and a journalist. In 1869, "Le Parnasse contemporain" published one of his poems, "". In 1875, he sat on the committee in charge of the third "Parnasse contemporain" compilation. As a journalist, from 1867, he wrote many articles and notices. He became known with the novel "" (1881). Its protagonist, skeptical old scholar Sylvester Bonnard, embodied France's own personality. The novel was praised for its elegant prose and won him a prize from the Académie Française.
In ' (1893) France ridiculed belief in the occult; and in ' (1893), France captured the atmosphere of the "". He was elected to the Académie Française in 1896.
France took a part in the Dreyfus affair. He signed Émile Zola's manifesto supporting Alfred Dreyfus, a Jewish army officer who had been falsely convicted of espionage. France wrote about the affair in his 1901 novel "Monsieur Bergeret".
France's later works include "Penguin Island" ("," 1908) which satirizes human nature by depicting the transformation of penguins into humans – after the birds have been baptized by mistake by the almost-blind Abbot Mael. It is a satirical history of France, starting in Medieval times, going on to the author's own time with special attention to the Dreyfus affair and concluding with a dystopian future. "The Gods Are Athirst" ("", 1912) is a novel, set in Paris during the French Revolution, about a true-believing follower of Maximilien Robespierre and his contribution to the bloody events of the Reign of Terror of 1793–94. It is a wake-up call against political and ideological fanaticism and explores various other philosophical approaches to the events of the time. "The Revolt of the Angels (", 1914) is often considered France's most profound and ironic novel. Loosely based on the Christian understanding of the War in Heaven, it tells the story of Arcade, the guardian angel of Maurice d'Esparvieu. Bored because Bishop d'Esparvieu is sinless, Arcade begins reading the bishop's books on theology and becomes an atheist. He moves to Paris, meets a woman, falls in love, and loses his virginity causing his wings to fall off, joins the revolutionary movement of fallen angels, and meets the Devil, who realizes that if he overthrew God, he would become just like God. Arcade realizes that replacing God with another is meaningless unless "in ourselves and in ourselves alone we attack and destroy Ialdabaoth." "Ialdabaoth", according to France, is God's secret name and means "the child who wanders".
He was awarded the Nobel Prize in 1921. He died in 1924 and is buried in the Neuilly-sur-Seine Old Communal Cemetery near Paris.
On 31 May 1922, France's entire works were put on the "Index Librorum Prohibitorum" ("List of Prohibited Books") of the Catholic Church. He regarded this as a "distinction". This Index was abolished in 1966.
Personal life.
In 1877, France married Valérie Guérin de Sauville, a granddaughter of Jean-Urbain Guérin, a miniaturist who painted Louis XVI. Their daughter Suzanne was born in 1881 (and died in 1918).
France's relations with women were always turbulent, and in 1888 he began a relationship with Madame Arman de Caillavet, who conducted a celebrated literary salon of the Third Republic. The affair lasted until shortly before her death in 1910.
After his divorce, in 1893, France had many liaisons, notably with a Madame Gagey, who committed suicide in 1911.
In 1920, France married for the second time, to Emma Laprévotte.
France was a socialist and an outspoken supporter of the 1917 Russian Revolution. In 1920, he gave his support to the newly founded French Communist Party. In his book "The Red Lily", France famously wrote, "The law, in its majestic equality, forbids rich and poor alike to sleep under bridges, to beg in the streets, and to steal loaves of bread."
Reputation.
The English writer George Orwell defended France and declared that his work remained very readable, and that "it is unquestionable that he was attacked partly from political motives".
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1058
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André Gide
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André Paul Guillaume Gide (; 22 November 1869 – 19 February 1951) was a French author and winner of the Nobel Prize in Literature (in 1947). Gide's career ranged from its beginnings in the symbolist movement, to the advent of anticolonialism between the two World Wars. The author of more than fifty books, at the time of his death his obituary in "The New York Times" described him as "France's greatest contemporary man of letters" and "judged the greatest French writer of this century by the literary cognoscenti."
Known for his fiction as well as his autobiographical works, Gide exposed to public view the conflict and eventual reconciliation of the two sides of his personality (characterized by a Protestant austerity and a transgressive sexual adventurousness, respectively), which a strict and moralistic education had helped set at odds. Gide's work can be seen as an investigation of freedom and empowerment in the face of moralistic and puritanical constraints, and centers on his continuous effort to achieve intellectual honesty. As a self-professed pederast, his self-exploratory texts reflect his search of how to be fully oneself, including owning one's sexual nature, without at the same time betraying one's values. His political activity was shaped by the same ethos, as indicated by his repudiation of communism after his 1936 journey to the USSR.
Early life.
Gide was born in Paris on 22 November 1869, into a middle-class Protestant family. His father was a Paris University professor of law who died in 1880, Jean Paul Guillaume Gide, and his mother was Juliette Maria Rondeaux. His uncle was the political economist Charles Gide. His paternal family traced its roots back to Italy, with his ancestors, the Guidos, moving to France and other western and northern European countries after converting to Protestantism during the 16th century, due to persecution.
Gide was brought up in isolated conditions in Normandy and became a prolific writer at an early age, publishing his first novel, "The Notebooks of André Walter" (French: "Les Cahiers d'André Walter"), in 1891, at the age of twenty-one.
In 1893 and 1894, Gide traveled in Northern Africa, and it was there that he came to accept his attraction to boys.
He befriended Oscar Wilde in Paris, and in 1895 Gide and Wilde met in Algiers. Wilde had the impression that he had introduced Gide to homosexuality, but, in fact, Gide had already discovered this on his own.
The middle years.
In 1895, after his mother's death, he married his cousin Madeleine Rondeaux, but the marriage remained unconsummated. In 1896, he became mayor of La Roque-Baignard, a commune in Normandy.
In 1901, Gide rented the property Maderia in St. Brélade's Bay and lived there while residing in Jersey. This period, 1901–07, is commonly seen as a time of apathy and turmoil for him.
In 1908, Gide helped found the literary magazine "Nouvelle Revue Française" ("The New French Review").
During The Great War Gide visited England. One of his friends there was the artist William Rothenstein. Rothenstein described Gide's visit to his Gloucestershire home in his autobiography:
André Gide was in England during the war. ... He came to stay with us for a time, and brought with him a young nephew, whose English was better than his own. The boy made friends with my son John, while Gide and I discussed everything under the sun. Once again I delighted in the range and subtlety of a Frenchman's intelligence; and I regretted my long severance from France. Nobody understood art more profoundly than Gide, no one's view of life was more penetrating. ...
Gide had a half satanic, half monk-like mien; he put one in mind of portraits of Baudelaire. Withal there was something exotic about him. He would appear in a red waistcoat, black velvet jacket and beige-coloured trousers and, in lieu of collar and tie, a loosely knotted scarf. ...
The heart of man held no secrets for Gide. There was little that he didn't understand, or discuss. He suffered, as I did, from the banishment of truth, one of the distressing symptoms of war. The Germans were not all black, and the Allies all white, for Gide.
In 1916, Marc Allégret, only 15 years old, became his lover. Marc was the son – one of five children – of Élie Allégret, who years before had been hired by Gide's mother to tutor her son in light of his weak grades in school, after which he and Gide became fast friends; Élie Allégret was best man at Gide's wedding. Gide and Marc fled to London, in retribution for which his wife burned all his correspondence – "the best part of myself," he later commented. In 1918, he met Dorothy Bussy, who was his friend for over thirty years and translated many of his works into English.
Gide was close friends with the critic Charles Du Bos. Together they were part of the "Foyer Franco-Belge", in which capacity they worked to find employment, food and housing for Franco-Belgian refugees who arrived in Paris following the German invasion of Belgium. Their friendship later declined, due to Du Bos' perception of Gide as disavowing or betraying his spiritual faith, in contrast to Du Bos' own return to faith. Du Bos' essay "Dialogue avec André Gide" was published in 1929. The essay, informed by Du Bos' Catholic convictions, condemned Gide's homosexuality. Gide and Du Bos' mutual friend Ernst Robert Curtius criticised the book in a letter to Gide, writing that "he [Du Bos] judges you according to Catholic morals suffices to neglect his complete indictment. It can only touch those who think like him and are convinced in advance. He has abdicated his intellectual liberty."
In the 1920s, Gide became an inspiration for writers such as Albert Camus and Jean-Paul Sartre. In 1923, he published a book on Fyodor Dostoyevsky; however, when he defended homosexuality in the public edition of "Corydon" (1924) he received widespread condemnation. He later considered this his most important work.
In 1923, he sired a daughter, Catherine, by Elisabeth van Rysselberghe, a woman who was much younger than he. He had known her for a long time, as she was the daughter of his closest female friend, Maria Monnom, the wife of his friend the Belgian neo-impressionist painter Théo van Rysselberghe. This caused the only crisis in the long-standing relationship between Allégret and Gide and damaged the relation with van Rysselberghe. This was possibly Gide's only sexual relationship with a woman, and it was brief in the extreme. Catherine became his only descendant by blood. He liked to call Elisabeth "La Dame Blanche" ("The White Lady"). Elisabeth eventually left her husband to move to Paris and manage the practical aspects of Gide's life (they had adjoining apartments built for each on the rue Vavin). She worshiped him, but evidently they no longer had a sexual relationship.
Gide's legal wife, Madeleine, died in 1938. Later he explored their unconsummated marriage in his memoir of Madeleine, "Et nunc manet in te".
In 1924, he published an autobiography, "If it Die..." (French: "Si le grain ne meurt").
In the same year, he produced the first French language editions of Joseph Conrad's "Heart of Darkness" and "Lord Jim".
After 1925, he began to campaign for more humane conditions for convicted criminals.
Africa.
From July 1926 to May 1927, he traveled through the French Equatorial Africa colony with his lover Marc Allégret. Gide went successively to Middle Congo (now the Republic of the Congo), Ubangi-Shari (now the Central African Republic), briefly to Chad and then to Cameroon before returning to France. He related his peregrinations in a journal called "Travels in the Congo" (French: "Voyage au Congo") and "Return from Chad" (French: "Retour du Tchad"). In this published journal, he criticized the behavior of French business interests in the Congo and inspired reform. In particular, he strongly criticized the "Large Concessions" regime (French: "Régime des Grandes Concessions"), i.e., a regime that conceded part of the colony to French companies and where these companies could exploit all of the area's natural resources, in particular rubber. He related, for instance, how natives were forced to leave their village for several weeks to collect rubber in the forest, and went as far as comparing their exploitation to slavery. The book had important influence on anti-colonialism movements in France and helped re-evaluate the impact of colonialism.
Soviet Union.
During the 1930s, he briefly became a communist, or more precisely, a fellow traveler (he never formally joined any communist party). As a distinguished writer sympathizing with the cause of communism, he was invited to speak at Maxim Gorky's funeral and to tour the Soviet Union as a guest of the Soviet Union of Writers. He encountered censorship of his speeches and was particularly disillusioned with the state of culture under Soviet communism, breaking with his socialist friends in "Retour de L'U.R.S.S." in 1936.
In the 1949 anthology "The God That Failed" Gide describes his early enthusiasm:
1930s and 1940s.
In 1930 Gide published a book about the Blanche Monnier case called "La Séquestrée de Poitiers", changing little but the names of the protagonists. Monnier was a young woman who was kept captive by her own mother for more than 25 years.
In 1939, Gide became the first living author to be published in the prestigious "Bibliothèque de la Pléiade".
He left France for Africa in 1942 and lived in Tunis from December 1942 until it was re-taken by French, British and American forces in May 1943 and he was able to travel to Algiers where he stayed until the end of World War II. In 1947, he received the Nobel Prize in Literature "for his comprehensive and artistically significant writings, in which human problems and conditions have been presented with a fearless love of truth and keen psychological insight". He devoted much of his last years to publishing his Journal. Gide died in Paris on 19 February 1951. The Roman Catholic Church placed his works on the "Index of Forbidden Books" in 1952.
Gide's life as a writer.
Gide's biographer Alan Sheridan summed up Gide's life as a writer and an intellectual:
"Gide's fame rested ultimately, of course, on his literary works. But, unlike many writers, he was no recluse: he had a need of friendship and a genius for sustaining it." But his "capacity for love was not confined to his friends: it spilled over into a concern for others less fortunate than himself."
Writings.
André Gide's writings spanned many genres – "As a master of prose narrative, occasional dramatist and translator, literary critic, letter writer, essayist, and diarist, André Gide provided twentieth-century French literature with one of its most intriguing examples of the man of letters."
But as Gide's biographer Alan Sheridan points out, "It is the fiction that lies at the summit of Gide's work." "Here, as in the "oeuvre" as a whole, what strikes one first is the variety. Here, too, we see Gide's curiosity, his youthfulness, at work: a refusal to mine only one seam, to repeat successful formulas...The fiction spans the early years of Symbolism, to the "comic, more inventive, even fantastic" pieces, to the later "serious, heavily autobiographical, first-person narratives"...In France Gide was considered a great stylist in the classical sense, "with his clear, succinct, spare, deliberately, subtly phrased sentences."
Gide's surviving letters run into the thousands. But it is the "Journal" that Sheridan calls "the pre-eminently Gidean mode of expression." "His first novel emerged from Gide's own journal, and many of the first-person narratives read more or less like journals. In "Les faux-monnayeurs", Edouard's journal provides an alternative voice to the narrator's." "In 1946, when Pierre Herbert asked Gide which of his books he would choose if only one were to survive," Gide replied, 'I think it would be my "Journal."'" Beginning at the age of eighteen or nineteen, Gide kept a journal all of his life and when these were first made available to the public, they ran to thirteen hundred pages.
Struggle for values.
"Each volume that Gide wrote was intended to challenge itself, what had preceded it, and what could conceivably follow it. This characteristic, according to Daniel Moutote in his "Cahiers de André Gide" essay, is what makes Gide's work 'essentially modern': the 'perpetual renewal of the values by which one lives.'" Gide wrote in his "Journal" in 1930: "The only drama that really interests me and that I should always be willing to depict anew, is the debate of the individual with whatever keeps him from being authentic, with whatever is opposed to his integrity, to his integration. Most often the obstacle is within him. And all the rest is merely accidental."
As a whole, "The works of André Gide reveal his passionate revolt against the restraints and conventions inherited from 19th-century France. He sought to uncover the authentic self beneath its contradictory masks."
Sexuality.
In his journal, Gide distinguishes between adult-attracted "sodomites" and boy-loving "pederasts", categorizing himself as the latter.
One, but not the first, of his early sexual encounters with a young boy was in the company of Oscar Wilde.
Gide's novel "Corydon", which he considered his most important work, erects a defense of pederasty. At that time, the age of consent for any type of sexual activity was set at thirteen.
Writings.
André Gide's writings spanned many genres – "As a master of prose narrative, occasional dramatist and translator, literary critic, letter writer, essayist, and diarist, André Gide provided twentieth-century French literature with one of its most intriguing examples of the man of letters."
But as Gide's biographer Alan Sheridan points out, "It is the fiction that lies at the summit of Gide's work." "Here, as in the "oeuvre" as a whole, what strikes one first is the variety. Here, too, we see Gide's curiosity, his youthfulness, at work: a refusal to mine only one seam, to repeat successful formulas...The fiction spans the early years of Symbolism, to the "comic, more inventive, even fantastic" pieces, to the later "serious, heavily autobiographical, first-person narratives"...In France Gide was considered a great stylist in the classical sense, "with his clear, succinct, spare, deliberately, subtly phrased sentences."
Gide's surviving letters run into the thousands. But it is the "Journal" that Sheridan calls "the pre-eminently Gidean mode of expression." "His first novel emerged from Gide's own journal, and many of the first-person narratives read more or less like journals. In "Les faux-monnayeurs", Edouard's journal provides an alternative voice to the narrator's." "In 1946, when Pierre Herbert asked Gide which of his books he would choose if only one were to survive," Gide replied, 'I think it would be my "Journal."'" Beginning at the age of eighteen or nineteen, Gide kept a journal all of his life and when these were first made available to the public, they ran to thirteen hundred pages.
Struggle for values.
"Each volume that Gide wrote was intended to challenge itself, what had preceded it, and what could conceivably follow it. This characteristic, according to Daniel Moutote in his "Cahiers de André Gide" essay, is what makes Gide's work 'essentially modern': the 'perpetual renewal of the values by which one lives.'" Gide wrote in his "Journal" in 1930: "The only drama that really interests me and that I should always be willing to depict anew, is the debate of the individual with whatever keeps him from being authentic, with whatever is opposed to his integrity, to his integration. Most often the obstacle is within him. And all the rest is merely accidental."
As a whole, "The works of André Gide reveal his passionate revolt against the restraints and conventions inherited from 19th-century France. He sought to uncover the authentic self beneath its contradictory masks."
Sexuality.
In his journal, Gide distinguishes between adult-attracted "sodomites" and boy-loving "pederasts", categorizing himself as the latter.
One, but not the first, of his early sexual encounters with a young boy was in the company of Oscar Wilde.
Gide's novel "Corydon", which he considered his most important work, erects a defense of pederasty. At that time, the age of consent for any type of sexual activity was set at thirteen.
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List of east–west roads in Toronto
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The following is a list of the east–west expressways and arterial thoroughfares in Toronto, Ontario, Canada. The city is organized in a grid pattern dating back to the plan laid out by Augustus Jones between 1793 and 1797. Most streets are aligned in the north–south or east–west direction, based on the shoreline of Lake Ontario. In other words, major north–south roads are generally perpendicular to the Lake Ontario shoreline and major east–west roads are generally parallel to the lake's shoreline. The Toronto road system is also influenced by its topography as some roads are aligned with the old Lake Iroquois shoreline, or the deep valleys. Minor streets with documented history or etymology are listed in a separate section.
Roads are listed south to north.
Expressways.
Gardiner Expressway.
The Frederick G. Gardiner Expressway, known locally as "the Gardiner", is an expressway connecting downtown with the western suburbs. Running close to the shore of Lake Ontario, it now extends from the junction of Highway 427 and the Queen Elizabeth Way (QEW) in the west to the foot of the Don Valley Parkway in the east, just past the mouth of the Don River. East of Dufferin Street, the roadway is elevated, running above Lake Shore Boulevard east of Bathurst Street. Elevated sections east of the Don River were demolished and integrated into Lake Shore Boulevard.
The highway is named for the first chair of the now-defunct Metropolitan Toronto Council, Frederick G. Gardiner. The six-lane section east of the Humber River was built in segments from 1955 until 1964 by the Metropolitan Toronto government with provincial highway funds. The ten-lane section west of the Humber River was formerly part of the QEW and is now wholly owned and operated by the municipal government of Toronto.
When the Gardiner was built, it passed through industrial lands, now mostly converted to residential lands. Extensive repairs became necessary in the early 1990s, and since then, the Gardiner has been the subject of several proposals to demolish it or move it underground as part of downtown waterfront revitalization efforts. One elevated section east of the Don River was demolished in 2001, and a study is underway to demolish that part of the elevated section east of Jarvis Street to the Don River.
Ontario Highway 401.
King's Highway 401, colloquially referred to as the four-oh-one, opened between December 1947 and August 1956, and was known as the "Toronto Bypass" at that time. Although it has since been enveloped by suburban development, it still serves as the primary east–west through route in Toronto and the surrounding region. East of the Don Valley Parkway, it is also known as the "Highway of Heroes", in reference to the funeral processions travelling between CFB Trenton and the Ontario Coroners Office in Downtown Toronto. Highway 401 crosses the entirety of Toronto and physically divides the city in half. It is also known as the "Macdonald–Cartier Freeway".
Highway 401 is the busiest freeway in North America.
Ontario Highway 409.
Ontario Highway 409 or Belfield Expressway opened in 1978 to provide access to Toronto Pearson International Airport from westbound Highway 401 at Islington Avenue. The section east of Highway 427 is within Toronto, while the remaining sections west are within the City of Mississauga. The expressway is maintained by the Ministry of Transportation of Ontario and the Greater Toronto Airports Authority. The alternate name is taken from nearby Belfield Road, which begins from the westbound off-ramps for Kipling Avenue.
Gardiner Expressway.
The Frederick G. Gardiner Expressway, known locally as "the Gardiner", is an expressway connecting downtown with the western suburbs. Running close to the shore of Lake Ontario, it now extends from the junction of Highway 427 and the Queen Elizabeth Way (QEW) in the west to the foot of the Don Valley Parkway in the east, just past the mouth of the Don River. East of Dufferin Street, the roadway is elevated, running above Lake Shore Boulevard east of Bathurst Street. Elevated sections east of the Don River were demolished and integrated into Lake Shore Boulevard.
The highway is named for the first chair of the now-defunct Metropolitan Toronto Council, Frederick G. Gardiner. The six-lane section east of the Humber River was built in segments from 1955 until 1964 by the Metropolitan Toronto government with provincial highway funds. The ten-lane section west of the Humber River was formerly part of the QEW and is now wholly owned and operated by the municipal government of Toronto.
When the Gardiner was built, it passed through industrial lands, now mostly converted to residential lands. Extensive repairs became necessary in the early 1990s, and since then, the Gardiner has been the subject of several proposals to demolish it or move it underground as part of downtown waterfront revitalization efforts. One elevated section east of the Don River was demolished in 2001, and a study is underway to demolish that part of the elevated section east of Jarvis Street to the Don River.
Ontario Highway 401.
King's Highway 401, colloquially referred to as the four-oh-one, opened between December 1947 and August 1956, and was known as the "Toronto Bypass" at that time. Although it has since been enveloped by suburban development, it still serves as the primary east–west through route in Toronto and the surrounding region. East of the Don Valley Parkway, it is also known as the "Highway of Heroes", in reference to the funeral processions travelling between CFB Trenton and the Ontario Coroners Office in Downtown Toronto. Highway 401 crosses the entirety of Toronto and physically divides the city in half. It is also known as the "Macdonald–Cartier Freeway".
Highway 401 is the busiest freeway in North America.
Ontario Highway 409.
Ontario Highway 409 or Belfield Expressway opened in 1978 to provide access to Toronto Pearson International Airport from westbound Highway 401 at Islington Avenue. The section east of Highway 427 is within Toronto, while the remaining sections west are within the City of Mississauga. The expressway is maintained by the Ministry of Transportation of Ontario and the Greater Toronto Airports Authority. The alternate name is taken from nearby Belfield Road, which begins from the westbound off-ramps for Kipling Avenue.
Arterial roads.
Queens Quay.
Queens Quay begins west of Bathurst Street at Stadium Road and ends at Lake Shore Boulevard East, where it continues north as Parliament Street. The roadbed is built entirely on infill and is the closest road to Lake Ontario throughout the downtown core. Though once abutted by industrial and transportation uses from end to end, much of its length is now lined with recreational and residential uses. The 509 Harbourfront streetcar line now travels in a dedicated streetcar right-of-way in the median from Bay Street to Bathurst Street. The length east of Yonge retains some industrial uses, although this is changing with the development of residential and commercial uses.
In 2015, Waterfront Toronto announced its plans to turn Queens Quay into a grand lakefront boulevard by placing streetcar lanes in the center, traffic only on the north side and a bicycle and pedestrian focussed space on the south side. The plan reduces the number of traffic lanes on Queens Quay to two, to the north side of the streetcar tracks. Additionally, the plan calls for the beautification and extension of the Harbourfront streetcar line along Queens Quay East between Yonge and Cherry streets. The newly modified Queen's Quay was completed in 2015 from Bathurst to Bay Street.
Lake Shore Boulevard.
Lake Shore Boulevard, often misspelled as Lakeshore Boulevard, is so named because of its course along the Lake Ontario shoreline. Although the route west of the Humber River has existed for more than a century, much of the remainder of the route was created during massive shoreline reclamation projects carried out by the Harbour Commission between 1900 and 1915. Lake Shore Road travelled as far east as Roncesvalles Avenue, where it connected to Queen Street. Incorporating various side streets such as Laburnam Avenue, Starr Avenue and Dominion Street, the route was pushed east to Bathurst Street on January 28, 1924. From there, it continued as Fleet Street to Cherry Street. Keating Street continued east from a point just south of that intersection to Woodbine Avenue. These two streets were reconstructed to form a continuous roadway, and renamed as part of Lake Shore Road on August 25, 1959.
West of downtown, Lake Shore Boulevard is served by TTC streetcar routes 501 Queen and 508 Lake Shore.
Mill Street.
Mill Street runs from Parliament Street to Bayview Avenue. Now associated with the heritage Distillery District, Corktown, Toronto and Mill Street Brewery, the road was named in reference to the Toronto Rolling Mills, a rail-making plant founded by Sir Casimir Gzowski in 1857 that was once located at Rolling Mills Road (once called East Street and later Water Street) until 1874 and torn down for use as Grand Trunk Railway railyard (now used by GO Transit).
Front Street.
Front Street is so named because it fronted the Lake Ontario shoreline at the time of the original layout of York. The early street was called Palace Street. In the early years of the 20th century, the Toronto Harbour Commission revitalized the stagnant industrial waterfront. Largely as a result of this process, the shoreline was filled several hundred metres south to Queens Quay.
Front Street begins at Bathurst Street and crosses through downtown Toronto north of the rail viaduct. The road passes the Metro Toronto Convention Centre, the CN Tower and Union Station before eventually forcing drivers onto Eastern Avenue. A short side street section branches off at the diversion and continues east to Bayview Avenue.
Wellington Street.
Wellington Street is a one-way westbound street north of Front Street. Wellington Street begins at Leader Lane and cuts through downtown Toronto, passing through the Financial District and ends at Strachan Avenue, then continues as Douro Street (once the name for the section from Bathurst Street to Strachan Avenue) until King Street West. Wellington is cut off at Clarence Square and vehicles cannot connect with east or west of Spadina Avenue. Wellington Street is likely named after Arthur Wellesley, 1st Duke of Wellington. In maps in the early years of York, the street was called Market Street in reference to the street to the south of Market Square.
The street passes by a number of small urban parkettes:
The 503 Kingston Rd streetcar route runs on double tracks between Church Street and York Street.
Eastern Avenue.
Eastern Avenue, formerly South Park Street, was named on November 27, 1876. It was connected with Kingston Road in 1998 following the removal of the old Woodbine Racetrack.
Eastern Avenue begins at a curve along Front Street east of Parliament Street; eastbound traffic on Front is defaulted onto Eastern Avenue, vice versa for westbound traffic on Eastern. The road crosses the Don River, merging with Richmond Street and Adelaide Street and providing access to the Don Valley Parkway. East of Broadview Avenue, it travels parallel to and three blocks south of Queen Street East along the King Street alignment to east of Coxwell Avenue, where it curves northward and meets Queen Street. North of Queen Street, the road becomes Kingston Road.
King Street.
King Street was named in honour of King George III by John Graves Simcoe when it was laid out in the original plan of York in 1793. It has had various names over the years.
The street travels east from The Queensway, splitting off to the southeast at Queen Street West and Roncesvalles Avenue, to the Don River where it ends at Queen Street East. The central section of King Street has a transit mall named King Street Transit Priority Corridor to accommodate streetcar routes along King Street.
Adelaide Street.
Adelaide Street was named after Princess Adelaide of Saxe-Meiningen (wife of King William IV) by Peter Russell, second Lieutenant Governor of Upper Canada, in his 1797 plan of Toronto. The original section of Adelaide was only a portion of the present street. In 1844, Little Adelaide Street, Adelaide Street and Newgate Street were amalgamated to form Adelaide Street. The street was split into east and west sections in 1884. In 1926, at the request of property owners, Adelaide Street West was extended from Bathurst Street to Shaw Street, incorporating the entirety of Defoe Street and McDonnell Square. The most recent extension came in 1965, when Adelaide Street East was routed onto Duke Street, which crossed between Jarvis Street and Parliament Street. This was done in advance of the opening of the lower section of the Don Valley Parkway and eastern section of the Gardiner Expressway. Newgate and Duke Streets were amalgamated into Adelaide Street East. Between the Eastern Avenue ramp and Bathurst Street, Adelaide Street serves as the eastbound member of a one-way pair, together with Richmond Street as the westbound member.
Richmond Street.
Richmond Street is named after Charles Lennox, 4th Duke of Richmond. Lennox came to Canada in 1818 as Governor-in-Chief of British North America, and died a year later after being bitten by a rabid fox while touring the countryside. Richmond Street absorbed Duchess Street and became a one-way road in 1958 as part of a process to build ramps to Eastern Avenue and the Don Valley Parkway. Richmond Street is a westbound one-way street from Yonge Street to Strachan Avenue, and it is one-way eastbound from Niagara Street to Bathurst Street. It is serving as the westbound member of a one-way pair, together with Adelaide Street as its eastbound counterpart. Between its western terminus at Strachan Avenue and Bathurst Street, the street is one-way, alternating directions twice. The street from east of Yonge Street to York Street was once called Hospital Street.
The Queensway.
The Queensway was named in the 1950s as such, rather than restoring the former name of Queen Street, because the Borough of Etobicoke desired a counterpart to The Kingsway.
Queen Street.
Queen Street, known as Lot Street until 1844, was named in honour of Queen Victoria, who reigned from 1837 until her death in 1901. For a time, Lot Street served as the northern limit of York. On the north side of the street, large park lots were granted to loyalists and government officials, many of whom never visited Upper Canada during their lives. The central portion of Lot Street was constructed as the baseline for surveys along Yonge Street by the Queen's Rangers in 1793 as the first concession road. It was later extended west to Ossington Avenue as part of the Governor's Road (Dundas Street).
Queen Street begins at an intersection with The Queensway, Roncesvalles Avenue and King Street and crosses through Parkdale, the Fashion District, downtown Toronto, Riverdale, Leslieville, East Toronto and The Beaches, ending east of Victoria Park Avenue at a residential street named Fallingbrook Road in Scarborough. Aside from the easternmost three blocks from Neville Park Boulevard to Fallingbrook Road, the entirety of the street is served by the 501 Queen streetcar route.
Dundas Street.
Dundas Street was named by John Graves Simcoe in honour of the Right Honourable Henry Dundas, 1st Viscount Melville. Like Yonge Street, named in a similar example of cronyism, Dundas Street was created as a defensive road. Simcoe feared the impending invasion of the Americans following the Revolutionary War, an event which would occur in 1812. Dundas Street was to connect York with Detroit, then a British settlement; it reached as far as London, Simcoe's proposed new capital. The street was constructed by the Queen's Rangers between Dundas and the Thames River in 1794, and later extended east to York by pioneer road builder Asa Danforth in 1797.
Dundas Street used to begin at the present-day intersection of Queen Street West and Ossington Avenue. It travelled north along Ossington Avenue, then turned west at Garrison Creek along the current Dundas Street. By the 1920s, Dundas Street was extended east through downtown Toronto to Broadview Avenue along several existing but discontinuous streets, comprising Arthur Street (Ossington Avenue to Bathurst Street), St. Patrick Street (Bathurst Street to McCaul Street), Anderson Street (McCaul Street to University Avenue), Agnes (University Avenue to Yonge Street), Crookshank (Yonge Street to Victoria Street, now separated and known as Dundas Square) and Wilton Avenue (Victoria Street to Broadview). This was done by correcting several irregularities, or "jogs", between the streets. These jogs are evident east of Bathurst Street and east of Yonge Street.
Amid the protests following the murder of George Floyd in 2020, over 10,000 people have signed a petition calling the city to rename Dundas Street "due to its namesake's involvement in supporting the gradual abolition of slavery in the British Empire in the 18th century" as opposed to immediate abolition.
Gerrard Street.
Gerrard Street was established on January 6, 1875 by incorporating Don Street and Lake View Avenue. It is named after Irish businessman Samuel Gerrard, a personal friend of the Honourable John McGill. The bridge over the Don River was completed and opened on December 16, 1923.
Gerrard Street begins at University Avenue in the Discovery District, surrounded by Princess Margaret Cancer Centre, Mount Sinai Hospital, Toronto General Hospital and the Hospital for Sick Children. It travels west through downtown Toronto, past Toronto Metropolitan University (formerly Ryerson University) and Regent Park before crossing the Don River on the Gerrard Street Viaduct, constructed between 1922 and 1924. The road continues through East Chinatown and Gerrard India Bazaar (also known as Little India). At Coxwell Avenue, the road deviates one block to the north; this split has led to the distinct parts being labelled as Upper and Lower Gerrard Street. Gerrard Street ends at Clonmore Avenue, west of Warden Avenue; traffic is forced onto Clonmore Avenue, where it can travel as far as Birchmount Road.
Carlton Street.
Carlton Street was named by Ann Wood, wife of both Andrew Ryan McGill and then John Strachan, after her brother, Guy Carleton Wood, who was in turn named after Guy Carleton; it is unknown when the "e" was dropped from the spelling. In 1930, as part of a depression relief program, Carlton Street was realigned east of Yonge Street in order to meet with College Street. The realignment can be seen at the site of the Richard R. Horkins building (the one-time head office of the Toronto Hydro at 14 Carlton Street), where Carlton Street (heading west) suddenly angles in a northwesterly direction to meet Yonge Street. Prior to that, Carlton Street met Yonge Street south of the present intersection by several dozen metres. The completed intersection was opened in early June 1931.
Carlton Street is home to Maple Leaf Gardens; Toronto Maple Leafs mascot, Carlton the Bear, is named after this street. It extends from Yonge Street east to Parliament Street as a major thoroughfare. After a sharp jog north at Parliament, Carlton continues east of Parliament as a residential street, ending at the edge of Riverdale Park.
The street is also home to several of the city's Franco-Ontarian cultural institutions, including the Sacré-Cœur church and the Collège Français high school, while the head office of TFO is located in the College Park complex at the intersection of Yonge Street with Carlton's westerly continuation as College Street. In recent years, several of these institutions have collaborated with the Francophone Assembly of Ontario on a proposal to have the area formally designated as the city's "French Quarter".
The 506 Carlton streetcar line is named for the street, even though this is only a small part of its route.
College Street.
College Street shares its origins with University Avenue as one of the two private entrances to King's College opened in 1829. King's College was the first college in Canada when it was chartered by Henry, 3rd Earl of Bathurst two years earlier. The road began at a gatehouse at Yonge Street and progressed westward to present-day University Avenue. Like University Avenue, College Street was surrounded by gates in an attempt to create an elegant driveway like those in Oxford and Cambridge.
Little Italy and the northern edges of Kensington Market and Chinatown are along College Street.
Wellesley Street.
Wellesley Street is named after Arthur Wellesley, 1st Duke of Wellington, who is best known for his victory over Napoleon at the Battle of Waterloo in 1815, and for a short and unpopular tenure as Prime Minister of Britain between 1828 and 1830.
Wellesley Street begins at the entrance to the University of Toronto at Queen's Park Crescent. The road passes immediately north of the Ontario Legislative Building, bisecting Queen's Park and separating the legislative building from the greenspace portion of the park. Wellesley station, a stop on Line 1 Yonge–University of the city's subway system, is located just east of the corner of Wellesley with Yonge Street. East of Yonge Street, Wellesley serves as one of the defining streets of the Church and Wellesley district, the city's primary gay village. Further east past Sherbourne, the street marks the boundary between the St. James Town and Cabbagetown neighbourhoods.
The road's status as a significant arterial thoroughfare ends at Parliament Street, although it continues as a residential street for a further half-kilometre before ending at Wellesley Park overlooking the Don Valley.
Harbord Street.
There is no definite historic link for the name for Harbord Street, but it is believed to be associated to Charles Harbord, 5th Baron Suffield.
Bloor Street.
Bloor Street was named by 1855 after Joseph Bloore. It was surveyed as the first concession road north of the baseline (now Queen Street). It has been known by many names, including the Tollgate Road (as the first tollgate on Yonge north of Lot Street was constructed there in 1820), then St. Paul's Road (after the nearby church, constructed 1842), and possibly Sydenham Road (after Lord Sydenham, Governor General 1839–1841).
Although Bloore had an "e" at the end of his surname, Bloor Street was never spelled with it, as evidenced on numerous maps produced before his death.
Canada's most expensive shopping district is located on the Mink Mile section of Bloor Street.
Danforth Avenue.
Danforth Avenue, known as the Don and Danforth Road until 1871, takes its name from pioneer road builder Asa Danforth, who built the Governors Road and Danforth Road by the end of the 18th century, under the direction of surveyor general Augustus Jones. Danforth Avenue, however, was constructed in 1851 by the Don and Danforth Plank Road Company, connecting the Don Mills Road (now Broadview Avenue north of Danforth Avenue) with the Danforth Road.
The road was extended east to Kingston Road (formerly Highway 2) in 1935, which included the construction of the present interchange.
Danforth Avenue was the site of a mass shooting that took place on July 22, 2018.
Annette Street.
Annette Street is named after the wife of developer and barrister Columbus H. Greene.
Dupont Street.
Dupont Street is named for George Dupont Wells, son of Colonel Joseph Wells. George was one of the first students of Upper Canada College, and several other streets are named after him. These include Wells and Wells Hill. Dupont Street begins at Dundas Street as a continuation of Annette Street. It runs parallel to (though with a few jogs) and south of the CPR Midtown tracks east to Avenue Road. The Galleria Mall, located on the southwest corner of Dupont Street and Dufferin Street, was the only enclosed shopping centre located on Dupont Street, as well as in Old Toronto west of Avenue Road and north of Bloor Street/Danforth Avenue. However, the mall was permanently closed in late 2019 and demolished in 2020 for redevelopment. Dupont station serves this street at Spadina Road.
Davenport Road.
Davenport Road takes its name from the Davenport House, the first estate atop the Lake Iroquois shoreline and home of Colonel Joseph Wells, father of George Dupont Wells. The estate stood northeast of the modern Bathurst Street and Davenport Road intersection. Wells purchased the property from Adjutant John McGill in 1821 and rebuilt the house that occupied it. McGill built the original house in 1797 and supposedly named it after Major Davenport, who was stationed at Fort York at that time.
Davenport Road follows a native trail named "Gete-Onigaming" in Ojibwe along the foot of the escarpment of the old Lake Iroquois shoreline.
The section east of Bathurst Street was formerly a part of Vaughan Road. It runs from Yonge Street to Old Weston Road.
Burnhamthorpe Road.
Burnhamthorpe Road is named after a village in Mississauga, which in turn was named by settler John Abelson for his home Burnham Thorpe, England. The street only runs for a short distance in Toronto, where it begins at Dundas Street, but it becomes one of the main arterial roads across the City of Mississauga to the west before reaching its western terminus just west of, and after breaking at, Sixteen Mile Creek in Oakville. The street was originally called Mono Sixth Line Road.
O'Connor Drive.
O'Connor Drive takes its name from Senator Frank Patrick O'Connor, who owned Maryvale farm in Scarborough Township. In 1913, O'Connor opened the Laura Secord Candy Shop on Yonge Street named after War of 1812 heroine Laura Secord, which has since become a national chain.
O'Connor Drive begins at the northern terminus of Broadview Avenue and progresses east to Woodbine Avenue, where it turns to the northeast and continues to Eglinton Avenue. The first several kilometres were originally part of the Don Mills Road until 1922. The section from Glenwood Crescent to Woodbine Avenue crosses over Taylor-Massey Creek. The bridge was completed in 1931 by R. H. McGregor Construction Company and Margison and Babcock Engineers.
Rathburn Road.
Rathburn Road is a street in Etobicoke and Mississauga, which roughly parallels Burnhamthorpe Road to its north between the Credit River and Islington Avenue, breaking at the Etobicoke Creek, which divides the two cities. Its street name was acquired in 1954 to avoid name duplication and before known as Rosethorn Road.
St. Clair Avenue.
St. Clair Avenue, once the Third Concession, crosses through a majority of the city. The road is separated into two sections by the Don Valley. The western segment begins east of the Humber River at Scarlett Road in the former city of York, where it is angled and does not follow the concession line as a result of road realignments for the construction of the Canadian Pacific Railway crossing in 1912. From there, it proceeds east past Runnymede Road, where it enters Old Toronto. After that, it continues to run past the Vale of Avoca to east of Mount Pleasant Road, but stops short of the Don valley. On the opposite side, it begins near O'Connor Drive and continues along the same alignment to Kingston Road. St. Clair Avenue takes its name from Augustine St. Clare, a character from the novel "Uncle Tom's Cabin".
Davisville Avenue.
Davisville Avenue is named after John Davis, who opened Davis Pottery at Yonge and Davisville in 1845. Davis Pottery became nationally renowned; Davis used the newfound fortune to build schools and churches, and became the first postmaster of the growing village. Davisville Avenue was built in the early 20th century as one of several roads connecting Yonge Street with the planned town of Leaside. It begins as a continuation of Chaplin Crescent at Yonge Street and proceeds eastwards to Bayview Avenue.
Millwood Road.
Millwood Road begins one block north of Davisville Avenue at Yonge Street, intersects Bayview Avenue going through Leaside, and passes by the west side of the Thorncliffe Park neighbourhood at Overlea Boulevard.
Overlea Boulevard.
Overlea Boulevard is a major arterial road in Thorncliffe Park that is the neighbourhood's main thoroughfare, with predominantly commercial businesses on its north side and residential to the south. It travels east for approximately 1.8 km from Millwood Road, crossing the Charles H. Hiscott Bridge before terminating at Don Mills Road. Overlea Boulevard continues east into southern Flemingdon Park as Gateway Boulevard.
Coca-Cola's Canadian Head Office was located at 42-46 Overlea Boulevard from 1965 to 2013, when it moved to downtown Toronto. An on-site bottling plant was demolished after its production line was relocated to Brampton, including a 1964 Walter Yarwood sculpture called "Coca Cola" that stood in front of it. The head office complex, designed by Mathers and Haldenby, was listed on the City of Toronto's heritage registrar in 2012. Its facade is incorporated into a Costco retail location that opened in 2018.
In a November 2020 report, "Surface Transit Network Plan Update", Overlea Boulevard along with Don Mills Road and Pape Avenue were identified as the ninth most important surface transit corridor by the City of Toronto's Transportation Services Division, City Planning Division, and the Toronto Transit Commission. Metrolinx plans to build an elevated Thorncliffe Park Station at the intersection of Overlea Boulevard and Thorncliffe Park Drive (west side) as part of its Ontario Line project.
During the COVID-19 pandemic, East Toronto Health Partners operated a mass immunization clinic at East York Town Centre at 45 Overlea Boulevard. Opened on March 24, 2021, it was the fourth such facility in the City of Toronto.
Rogers Road.
Rogers Road is named after Stephen Rogers, who immigrated from Teignmouth, Devon and built one of the first houses in the Oakwood area in 1876 at the present corners of Rogers Road and Oakwood Avenue. It was constructed in the 1920s to serve Prospect Cemetery. The road crosses between Weston Road (incorporating a former section of Old Weston Road) and Oakwood Avenue along the southern boundary of the former city of York. It had its own streetcar line, which was later replaced by a trolley bus line, in turn later replaced by the route 161 Rogers Road bus.
Eglinton Avenue.
Eglinton Avenue, once the Fourth Concession, takes its name from the village that was established at its intersection with Yonge Street. There are several possible origins of the name, all of which lead back to the Earl of Eglinton. Several Scottish veterans of the War of 1812 settled in the area, possibly naming it after their Earl of Eglinton, Hugh Montgomerie. Hugh's successor, Archibald William Montgomerie, was famous for a lavish tournament held at his Eglinton Castle in 1839. For two years prior to the formation of Metropolitan Toronto, the section of Eglinton Avenue through Scarborough was known as Highway 109.
Eglinton Avenue is the only road in Toronto to cross all six former municipalities. It begins in Mississauga and travels east through Richview, Mount Dennis, Little Jamaica, North Toronto, Leaside, the Golden Mile, Brimley and Scarborough Village before ending at Kingston Road. The majority of Eglinton Avenue is abutted by commercial strip plazas, auto dealerships, and dense apartment blocks, though almost every zoning condition presents itself along the road. The route is heavily congested, which will be addressed by Line 5 Eglinton, an LRT line with a substantial underground section that is scheduled to open in 2022.
Old Eglinton Avenue west of Bermondsey Road was the result of re-alignment of the road to connections section of Eglinton that is further north than the eastern section.
Roselawn Avenue.
Roselawn Avenue is a minor collector road that runs from Yonge Street to just west of Dufferin Street. However, between just east of Marlee Avenue and Bathurst Street in Forest Hill, Roselawn Avenue becomes Elm Ridge Drive, which has a large traffic circle containing Nicol MacNicol Parkette.
Blythwood Road.
Blythwood Road is a minor collector road, which connects Yonge Street with Bayview Avenue and the Sunnybrook Health Sciences Centre.
Glencairn Avenue.
Glencairn Avenue is an east–west collector road in Toronto. It starts at Caledonia Road and finishes at Yonge Street.
Lawrence Avenue.
Lawrence Avenue is named after the Lawrence family, who immigrated from Yorkshire in 1829 and bought property on the east side of Yonge Street north of the Fourth Concession Road. Peter Lawrence, who served as Justice of the Peace for the village of Eglinton beginning in 1836, purchased the farm. Jacob Lawrence established a mill at Bayview Avenue in 1845. The property was sold in 1907 to Wilfred Dinnick, who developed a garden suburb that he named Lawrence Park in honour of the family. The road remained a sod road until the 1920s before being developed as part of the development.
Lawrence Avenue begins in the west at Royal York Road. West of there, the road continues as "The Westway", a windy collector road that ends at Martin Grove Road constructed post-World War II to serve the growing Willowridge-Martingrove-Richview to the south and the Kingsview Village to the north. In the east, it was the survey baseline or first concession road from Victoria Park Avenue east to the end near the Rouge River, east of Port Union.
Lawrence Avenue East is interrupted at Bayview Avenue, by the west branch of the Don River and by York University's Glendon Campus. A detour north on Bayview leads to Post Road, and a connection back to Lawrence Avenue on the east side of the valley. This detour runs through The Bridle Path, one of Toronto's most affluent neighbourhoods. East of Leslie Street, Lawrence becomes an arterial road, passing through Don Mills. In the East Don Valley is the Lawrence Avenue exit of the Don Valley Parkway. From there, Lawrence Avenue continues as a six-lane road through most of Scarborough, with many strip malls flanking its sides. The segment east of Morningside Avenue is primarily residential. The road ends at Rouge Hills Drive at the entrance to Rouge Park near the mouth of the Rouge River.
Dixon Road.
Dixon Road was named after the Dixon family and previously called "Malton Road". George and Thomas Dixon constructed sawmills on their properties abutting the road in 1818 and 1823, respectively. Dixon begins at Highway 427 and travels eastward toward the former borough of York, becoming Scarlett Road. Dixon Road continues west of Highway 427 as Airport Road (Peel Regional Road 7), named after the Toronto Pearson International Airport, continuing to the community of Stayner in Clearview in Simcoe County. The stretch between Highway 427 and Martin Grove Road is often referred to as the "Airport Strip", due to the abundance of major hotel chains serving the airport, including Westin, Marriott, Holiday Inn, Hilton, DoubleTree, Crowne Plaza, and Sheraton, as well as the Toronto Congress Centre.
Orfus Road.
Orfus Road is in the Yorkdale neighbourhood and runs between Caledonia Road and Dufferin Street. It mainly consists of outlet stores (mostly fashion), the Yorkdale Adult Day School and the Rinx entertainment complex.
Ellesmere Road.
Ellesmere Road is named after the village (founded as post office in 1853) that once occupied its intersection with Kennedy Road, which was itself named after the birthplace of the original settlers in Shropshire, England. The road travels through Scarborough, where it was laid as the first concession road (Lawrence Avenue being the baseline in the survey of Scarborough). The surrounding land alternates between single-unit homes and commercial strips, along with industrial parks, throughout its length. The road is also referred to as "2nd Concession Road" based on the original survey of the old Township of Scarborough. The street terminates at Kingston Road with one section turning southeast and the other at a dead end stub to the west of Highway 401.
Wilson Avenue.
Wilson Avenue is the western continuation of York Mills Road west of Yonge. Before 1973 the two streets did not meet with Wilson ending further west at Yonge Boulevard. From Yonge Boulevard Wilson travels west becoming Walsh Avenue near Kelvin Avenue just east of Weston Road and then continues northwesterly as Albion Road. A short stub at Kelvin Avenue continues west and ends at just west of Nubana Avenue once ending at Weston Road in a former residential area that disappeared in the 1970s when the off ramps for the Highway 401 at Weston Road was rebuilt.
According to historian Mike Filey, Wilson Avenue is a misspelling of Arthur L. Willson, who was a clerk and treasurer of York Township for over twelve years around 1875. Among Arthur Willson's accomplishments were writing a "municipal manual", "which has been found of practical value as a guide to those requiring a knowledge of municipal law", according to a history of the County of York.
York Mills Road.
York Mills Road meets Yonge Street, the road to York, in Hoggs Hollow. Between 1804 and 1926, many mills flourished in this valley, lending to both the name of the road and neighbourhood.
York Mills is an eastward continuation of Wilson Avenue; this continuity did not exist until the opening of the Yonge Subway extension in 1973. It is primarily residential in nature, except near Yonge Street and between Leslie Street and Don Mills Road, which are mostly commercial. The road ends at Victoria Park Avenue; a connection to Ellesmere Road is provided via Parkwoods Village Drive, which redirects traffic as it passes Parkway Village Plaza and south of the remaining section of York Mills Road.
Sheppard Avenue.
Sheppard Avenue, originally the Lansing Sideroad (after the historic hamlet located at the street's intersection with Yonge Street), is named after one of two families that lived adjacent to its intersection with Yonge Street. Tom Shepherd (or Sheppard) opened the Golden Lion Hotel on the southwest corner of the intersection in 1824 and sold it to his son, Charles, in 1856. On the opposing corner, an unrelated pioneer settler named Joseph Shepard built a log cabin in 1802. Joseph and various members of kin played pivotal roles in the establishment of York.
Sheppard Avenue begins at Weston Road, and travels east across North York and Scarborough ( as Scarborough's Third Concession Road) to Meadowvale Road. Shortly thereafter, it turns southeast and ends at Kingston Road, where it becomes Port Union Road. Twyn Rivers Drive continues along the main alignment (as the street's original course), twisting as it descends into the steep valley of the Rouge River into Pickering, where it becomes Sheppard Ave. again at Altona Road, effectively making Sheppard a branched road.
Finch Avenue.
Finch Avenue is named after John Finch, who purchased the Bird-in-the-Hand Inn in 1847. It is residential for most of its length, although portions in North York and Scarborough (as Scarborough's Fourth Concession Road) are heavily industrialized.
In the east, within Malvern, Finch Avenue becomes Morningside Avenue. However, Old Finch Avenue continues along the same right-of-way passing north of the Toronto Zoo and ending at Meadowvale Road. Approximately to the east, another section of Finch Avenue begins and passes into Pickering.
In the west, Finch Avenue continues past Wet'n'Wild Toronto (formerly Wild Water Kingdom) to Steeles Avenue in Brampton.
Finch Avenue developed three sinkholes during the 2000s: one in 2005 during the Toronto Supercell and two in 2009.
Two subway stations are on Finch Avenue: Finch station and Finch West station.
An LRT line running along the street, Line 6 Finch West, is under construction. It is scheduled to open in 2023.
Cummer Avenue.
Cummer Avenue is named after Jacob Kummer, a German settler who immigrated to Upper Canada in 1797 and built a mill on the Don River in 1819. The road to this mill became associated with the anglicized variation of the family name.
The road travels east from Yonge as a continuation of Drewry Avenue (which begins at Bathurst Street). At its crossing of the Don River, Cummer curves north, returns to the east and ends at Leslie Street. It continues east as McNicoll Avenue to Tapscott Road in Scarborough.
Steeles Avenue.
Steeles Avenue is a major arterial road in the north end of the city. It is the only road (aside from Highway 401) to pass, uninterrupted, west to east through the entire city; it also continues west to Milton and east into Pickering as Taunton Road. The Scarborough section was also once referred as Scarborough Townline. The Steele family resided at Yonge and Steeles beginning in 1856, when Thomas purchased an inn and named it the Steele's Hotel. Thomas' son, John C. Steele, is known for inventing the Steeles Improved Road Machine, an early grader. Steeles Avenue serves as the boundary line between Toronto and York Region to the north, though the road itself is on the Toronto side of the boundary.
Steeles Avenue was listed by the Canadian Automobile Association (CAA) as the "worst road in October" for 2006, and as the fifth worst road in 2007. In October 2008, it was again crowned the worst road in Ontario. Reasons include potholes and general quality of the surface. Soon after the results of CAA's survey were made public, some parts of the road between Dufferin Street and Bayview Avenue were resurfaced. The results of the 2009 survey listed Steeles as Ontario's worst road, for the second year in a row.
However, in 2010, Steeles Avenue was resurfaced from Yonge Street to Markham Road, with the funds coming from the federal infrastructure stimulus program, and the CAA named it the "Best Road in Ontario".
Queens Quay.
Queens Quay begins west of Bathurst Street at Stadium Road and ends at Lake Shore Boulevard East, where it continues north as Parliament Street. The roadbed is built entirely on infill and is the closest road to Lake Ontario throughout the downtown core. Though once abutted by industrial and transportation uses from end to end, much of its length is now lined with recreational and residential uses. The 509 Harbourfront streetcar line now travels in a dedicated streetcar right-of-way in the median from Bay Street to Bathurst Street. The length east of Yonge retains some industrial uses, although this is changing with the development of residential and commercial uses.
In 2015, Waterfront Toronto announced its plans to turn Queens Quay into a grand lakefront boulevard by placing streetcar lanes in the center, traffic only on the north side and a bicycle and pedestrian focussed space on the south side. The plan reduces the number of traffic lanes on Queens Quay to two, to the north side of the streetcar tracks. Additionally, the plan calls for the beautification and extension of the Harbourfront streetcar line along Queens Quay East between Yonge and Cherry streets. The newly modified Queen's Quay was completed in 2015 from Bathurst to Bay Street.
Lake Shore Boulevard.
Lake Shore Boulevard, often misspelled as Lakeshore Boulevard, is so named because of its course along the Lake Ontario shoreline. Although the route west of the Humber River has existed for more than a century, much of the remainder of the route was created during massive shoreline reclamation projects carried out by the Harbour Commission between 1900 and 1915. Lake Shore Road travelled as far east as Roncesvalles Avenue, where it connected to Queen Street. Incorporating various side streets such as Laburnam Avenue, Starr Avenue and Dominion Street, the route was pushed east to Bathurst Street on January 28, 1924. From there, it continued as Fleet Street to Cherry Street. Keating Street continued east from a point just south of that intersection to Woodbine Avenue. These two streets were reconstructed to form a continuous roadway, and renamed as part of Lake Shore Road on August 25, 1959.
West of downtown, Lake Shore Boulevard is served by TTC streetcar routes 501 Queen and 508 Lake Shore.
Mill Street.
Mill Street runs from Parliament Street to Bayview Avenue. Now associated with the heritage Distillery District, Corktown, Toronto and Mill Street Brewery, the road was named in reference to the Toronto Rolling Mills, a rail-making plant founded by Sir Casimir Gzowski in 1857 that was once located at Rolling Mills Road (once called East Street and later Water Street) until 1874 and torn down for use as Grand Trunk Railway railyard (now used by GO Transit).
Front Street.
Front Street is so named because it fronted the Lake Ontario shoreline at the time of the original layout of York. The early street was called Palace Street. In the early years of the 20th century, the Toronto Harbour Commission revitalized the stagnant industrial waterfront. Largely as a result of this process, the shoreline was filled several hundred metres south to Queens Quay.
Front Street begins at Bathurst Street and crosses through downtown Toronto north of the rail viaduct. The road passes the Metro Toronto Convention Centre, the CN Tower and Union Station before eventually forcing drivers onto Eastern Avenue. A short side street section branches off at the diversion and continues east to Bayview Avenue.
Wellington Street.
Wellington Street is a one-way westbound street north of Front Street. Wellington Street begins at Leader Lane and cuts through downtown Toronto, passing through the Financial District and ends at Strachan Avenue, then continues as Douro Street (once the name for the section from Bathurst Street to Strachan Avenue) until King Street West. Wellington is cut off at Clarence Square and vehicles cannot connect with east or west of Spadina Avenue. Wellington Street is likely named after Arthur Wellesley, 1st Duke of Wellington. In maps in the early years of York, the street was called Market Street in reference to the street to the south of Market Square.
The street passes by a number of small urban parkettes:
The 503 Kingston Rd streetcar route runs on double tracks between Church Street and York Street.
Eastern Avenue.
Eastern Avenue, formerly South Park Street, was named on November 27, 1876. It was connected with Kingston Road in 1998 following the removal of the old Woodbine Racetrack.
Eastern Avenue begins at a curve along Front Street east of Parliament Street; eastbound traffic on Front is defaulted onto Eastern Avenue, vice versa for westbound traffic on Eastern. The road crosses the Don River, merging with Richmond Street and Adelaide Street and providing access to the Don Valley Parkway. East of Broadview Avenue, it travels parallel to and three blocks south of Queen Street East along the King Street alignment to east of Coxwell Avenue, where it curves northward and meets Queen Street. North of Queen Street, the road becomes Kingston Road.
King Street.
King Street was named in honour of King George III by John Graves Simcoe when it was laid out in the original plan of York in 1793. It has had various names over the years.
The street travels east from The Queensway, splitting off to the southeast at Queen Street West and Roncesvalles Avenue, to the Don River where it ends at Queen Street East. The central section of King Street has a transit mall named King Street Transit Priority Corridor to accommodate streetcar routes along King Street.
Adelaide Street.
Adelaide Street was named after Princess Adelaide of Saxe-Meiningen (wife of King William IV) by Peter Russell, second Lieutenant Governor of Upper Canada, in his 1797 plan of Toronto. The original section of Adelaide was only a portion of the present street. In 1844, Little Adelaide Street, Adelaide Street and Newgate Street were amalgamated to form Adelaide Street. The street was split into east and west sections in 1884. In 1926, at the request of property owners, Adelaide Street West was extended from Bathurst Street to Shaw Street, incorporating the entirety of Defoe Street and McDonnell Square. The most recent extension came in 1965, when Adelaide Street East was routed onto Duke Street, which crossed between Jarvis Street and Parliament Street. This was done in advance of the opening of the lower section of the Don Valley Parkway and eastern section of the Gardiner Expressway. Newgate and Duke Streets were amalgamated into Adelaide Street East. Between the Eastern Avenue ramp and Bathurst Street, Adelaide Street serves as the eastbound member of a one-way pair, together with Richmond Street as the westbound member.
Richmond Street.
Richmond Street is named after Charles Lennox, 4th Duke of Richmond. Lennox came to Canada in 1818 as Governor-in-Chief of British North America, and died a year later after being bitten by a rabid fox while touring the countryside. Richmond Street absorbed Duchess Street and became a one-way road in 1958 as part of a process to build ramps to Eastern Avenue and the Don Valley Parkway. Richmond Street is a westbound one-way street from Yonge Street to Strachan Avenue, and it is one-way eastbound from Niagara Street to Bathurst Street. It is serving as the westbound member of a one-way pair, together with Adelaide Street as its eastbound counterpart. Between its western terminus at Strachan Avenue and Bathurst Street, the street is one-way, alternating directions twice. The street from east of Yonge Street to York Street was once called Hospital Street.
The Queensway.
The Queensway was named in the 1950s as such, rather than restoring the former name of Queen Street, because the Borough of Etobicoke desired a counterpart to The Kingsway.
Queen Street.
Queen Street, known as Lot Street until 1844, was named in honour of Queen Victoria, who reigned from 1837 until her death in 1901. For a time, Lot Street served as the northern limit of York. On the north side of the street, large park lots were granted to loyalists and government officials, many of whom never visited Upper Canada during their lives. The central portion of Lot Street was constructed as the baseline for surveys along Yonge Street by the Queen's Rangers in 1793 as the first concession road. It was later extended west to Ossington Avenue as part of the Governor's Road (Dundas Street).
Queen Street begins at an intersection with The Queensway, Roncesvalles Avenue and King Street and crosses through Parkdale, the Fashion District, downtown Toronto, Riverdale, Leslieville, East Toronto and The Beaches, ending east of Victoria Park Avenue at a residential street named Fallingbrook Road in Scarborough. Aside from the easternmost three blocks from Neville Park Boulevard to Fallingbrook Road, the entirety of the street is served by the 501 Queen streetcar route.
Dundas Street.
Dundas Street was named by John Graves Simcoe in honour of the Right Honourable Henry Dundas, 1st Viscount Melville. Like Yonge Street, named in a similar example of cronyism, Dundas Street was created as a defensive road. Simcoe feared the impending invasion of the Americans following the Revolutionary War, an event which would occur in 1812. Dundas Street was to connect York with Detroit, then a British settlement; it reached as far as London, Simcoe's proposed new capital. The street was constructed by the Queen's Rangers between Dundas and the Thames River in 1794, and later extended east to York by pioneer road builder Asa Danforth in 1797.
Dundas Street used to begin at the present-day intersection of Queen Street West and Ossington Avenue. It travelled north along Ossington Avenue, then turned west at Garrison Creek along the current Dundas Street. By the 1920s, Dundas Street was extended east through downtown Toronto to Broadview Avenue along several existing but discontinuous streets, comprising Arthur Street (Ossington Avenue to Bathurst Street), St. Patrick Street (Bathurst Street to McCaul Street), Anderson Street (McCaul Street to University Avenue), Agnes (University Avenue to Yonge Street), Crookshank (Yonge Street to Victoria Street, now separated and known as Dundas Square) and Wilton Avenue (Victoria Street to Broadview). This was done by correcting several irregularities, or "jogs", between the streets. These jogs are evident east of Bathurst Street and east of Yonge Street.
Amid the protests following the murder of George Floyd in 2020, over 10,000 people have signed a petition calling the city to rename Dundas Street "due to its namesake's involvement in supporting the gradual abolition of slavery in the British Empire in the 18th century" as opposed to immediate abolition.
Gerrard Street.
Gerrard Street was established on January 6, 1875 by incorporating Don Street and Lake View Avenue. It is named after Irish businessman Samuel Gerrard, a personal friend of the Honourable John McGill. The bridge over the Don River was completed and opened on December 16, 1923.
Gerrard Street begins at University Avenue in the Discovery District, surrounded by Princess Margaret Cancer Centre, Mount Sinai Hospital, Toronto General Hospital and the Hospital for Sick Children. It travels west through downtown Toronto, past Toronto Metropolitan University (formerly Ryerson University) and Regent Park before crossing the Don River on the Gerrard Street Viaduct, constructed between 1922 and 1924. The road continues through East Chinatown and Gerrard India Bazaar (also known as Little India). At Coxwell Avenue, the road deviates one block to the north; this split has led to the distinct parts being labelled as Upper and Lower Gerrard Street. Gerrard Street ends at Clonmore Avenue, west of Warden Avenue; traffic is forced onto Clonmore Avenue, where it can travel as far as Birchmount Road.
Carlton Street.
Carlton Street was named by Ann Wood, wife of both Andrew Ryan McGill and then John Strachan, after her brother, Guy Carleton Wood, who was in turn named after Guy Carleton; it is unknown when the "e" was dropped from the spelling. In 1930, as part of a depression relief program, Carlton Street was realigned east of Yonge Street in order to meet with College Street. The realignment can be seen at the site of the Richard R. Horkins building (the one-time head office of the Toronto Hydro at 14 Carlton Street), where Carlton Street (heading west) suddenly angles in a northwesterly direction to meet Yonge Street. Prior to that, Carlton Street met Yonge Street south of the present intersection by several dozen metres. The completed intersection was opened in early June 1931.
Carlton Street is home to Maple Leaf Gardens; Toronto Maple Leafs mascot, Carlton the Bear, is named after this street. It extends from Yonge Street east to Parliament Street as a major thoroughfare. After a sharp jog north at Parliament, Carlton continues east of Parliament as a residential street, ending at the edge of Riverdale Park.
The street is also home to several of the city's Franco-Ontarian cultural institutions, including the Sacré-Cœur church and the Collège Français high school, while the head office of TFO is located in the College Park complex at the intersection of Yonge Street with Carlton's westerly continuation as College Street. In recent years, several of these institutions have collaborated with the Francophone Assembly of Ontario on a proposal to have the area formally designated as the city's "French Quarter".
The 506 Carlton streetcar line is named for the street, even though this is only a small part of its route.
College Street.
College Street shares its origins with University Avenue as one of the two private entrances to King's College opened in 1829. King's College was the first college in Canada when it was chartered by Henry, 3rd Earl of Bathurst two years earlier. The road began at a gatehouse at Yonge Street and progressed westward to present-day University Avenue. Like University Avenue, College Street was surrounded by gates in an attempt to create an elegant driveway like those in Oxford and Cambridge.
Little Italy and the northern edges of Kensington Market and Chinatown are along College Street.
Wellesley Street.
Wellesley Street is named after Arthur Wellesley, 1st Duke of Wellington, who is best known for his victory over Napoleon at the Battle of Waterloo in 1815, and for a short and unpopular tenure as Prime Minister of Britain between 1828 and 1830.
Wellesley Street begins at the entrance to the University of Toronto at Queen's Park Crescent. The road passes immediately north of the Ontario Legislative Building, bisecting Queen's Park and separating the legislative building from the greenspace portion of the park. Wellesley station, a stop on Line 1 Yonge–University of the city's subway system, is located just east of the corner of Wellesley with Yonge Street. East of Yonge Street, Wellesley serves as one of the defining streets of the Church and Wellesley district, the city's primary gay village. Further east past Sherbourne, the street marks the boundary between the St. James Town and Cabbagetown neighbourhoods.
The road's status as a significant arterial thoroughfare ends at Parliament Street, although it continues as a residential street for a further half-kilometre before ending at Wellesley Park overlooking the Don Valley.
Harbord Street.
There is no definite historic link for the name for Harbord Street, but it is believed to be associated to Charles Harbord, 5th Baron Suffield.
Bloor Street.
Bloor Street was named by 1855 after Joseph Bloore. It was surveyed as the first concession road north of the baseline (now Queen Street). It has been known by many names, including the Tollgate Road (as the first tollgate on Yonge north of Lot Street was constructed there in 1820), then St. Paul's Road (after the nearby church, constructed 1842), and possibly Sydenham Road (after Lord Sydenham, Governor General 1839–1841).
Although Bloore had an "e" at the end of his surname, Bloor Street was never spelled with it, as evidenced on numerous maps produced before his death.
Canada's most expensive shopping district is located on the Mink Mile section of Bloor Street.
Danforth Avenue.
Danforth Avenue, known as the Don and Danforth Road until 1871, takes its name from pioneer road builder Asa Danforth, who built the Governors Road and Danforth Road by the end of the 18th century, under the direction of surveyor general Augustus Jones. Danforth Avenue, however, was constructed in 1851 by the Don and Danforth Plank Road Company, connecting the Don Mills Road (now Broadview Avenue north of Danforth Avenue) with the Danforth Road.
The road was extended east to Kingston Road (formerly Highway 2) in 1935, which included the construction of the present interchange.
Danforth Avenue was the site of a mass shooting that took place on July 22, 2018.
Annette Street.
Annette Street is named after the wife of developer and barrister Columbus H. Greene.
Dupont Street.
Dupont Street is named for George Dupont Wells, son of Colonel Joseph Wells. George was one of the first students of Upper Canada College, and several other streets are named after him. These include Wells and Wells Hill. Dupont Street begins at Dundas Street as a continuation of Annette Street. It runs parallel to (though with a few jogs) and south of the CPR Midtown tracks east to Avenue Road. The Galleria Mall, located on the southwest corner of Dupont Street and Dufferin Street, was the only enclosed shopping centre located on Dupont Street, as well as in Old Toronto west of Avenue Road and north of Bloor Street/Danforth Avenue. However, the mall was permanently closed in late 2019 and demolished in 2020 for redevelopment. Dupont station serves this street at Spadina Road.
Davenport Road.
Davenport Road takes its name from the Davenport House, the first estate atop the Lake Iroquois shoreline and home of Colonel Joseph Wells, father of George Dupont Wells. The estate stood northeast of the modern Bathurst Street and Davenport Road intersection. Wells purchased the property from Adjutant John McGill in 1821 and rebuilt the house that occupied it. McGill built the original house in 1797 and supposedly named it after Major Davenport, who was stationed at Fort York at that time.
Davenport Road follows a native trail named "Gete-Onigaming" in Ojibwe along the foot of the escarpment of the old Lake Iroquois shoreline.
The section east of Bathurst Street was formerly a part of Vaughan Road. It runs from Yonge Street to Old Weston Road.
Burnhamthorpe Road.
Burnhamthorpe Road is named after a village in Mississauga, which in turn was named by settler John Abelson for his home Burnham Thorpe, England. The street only runs for a short distance in Toronto, where it begins at Dundas Street, but it becomes one of the main arterial roads across the City of Mississauga to the west before reaching its western terminus just west of, and after breaking at, Sixteen Mile Creek in Oakville. The street was originally called Mono Sixth Line Road.
O'Connor Drive.
O'Connor Drive takes its name from Senator Frank Patrick O'Connor, who owned Maryvale farm in Scarborough Township. In 1913, O'Connor opened the Laura Secord Candy Shop on Yonge Street named after War of 1812 heroine Laura Secord, which has since become a national chain.
O'Connor Drive begins at the northern terminus of Broadview Avenue and progresses east to Woodbine Avenue, where it turns to the northeast and continues to Eglinton Avenue. The first several kilometres were originally part of the Don Mills Road until 1922. The section from Glenwood Crescent to Woodbine Avenue crosses over Taylor-Massey Creek. The bridge was completed in 1931 by R. H. McGregor Construction Company and Margison and Babcock Engineers.
Rathburn Road.
Rathburn Road is a street in Etobicoke and Mississauga, which roughly parallels Burnhamthorpe Road to its north between the Credit River and Islington Avenue, breaking at the Etobicoke Creek, which divides the two cities. Its street name was acquired in 1954 to avoid name duplication and before known as Rosethorn Road.
St. Clair Avenue.
St. Clair Avenue, once the Third Concession, crosses through a majority of the city. The road is separated into two sections by the Don Valley. The western segment begins east of the Humber River at Scarlett Road in the former city of York, where it is angled and does not follow the concession line as a result of road realignments for the construction of the Canadian Pacific Railway crossing in 1912. From there, it proceeds east past Runnymede Road, where it enters Old Toronto. After that, it continues to run past the Vale of Avoca to east of Mount Pleasant Road, but stops short of the Don valley. On the opposite side, it begins near O'Connor Drive and continues along the same alignment to Kingston Road. St. Clair Avenue takes its name from Augustine St. Clare, a character from the novel "Uncle Tom's Cabin".
Davisville Avenue.
Davisville Avenue is named after John Davis, who opened Davis Pottery at Yonge and Davisville in 1845. Davis Pottery became nationally renowned; Davis used the newfound fortune to build schools and churches, and became the first postmaster of the growing village. Davisville Avenue was built in the early 20th century as one of several roads connecting Yonge Street with the planned town of Leaside. It begins as a continuation of Chaplin Crescent at Yonge Street and proceeds eastwards to Bayview Avenue.
Millwood Road.
Millwood Road begins one block north of Davisville Avenue at Yonge Street, intersects Bayview Avenue going through Leaside, and passes by the west side of the Thorncliffe Park neighbourhood at Overlea Boulevard.
Overlea Boulevard.
Overlea Boulevard is a major arterial road in Thorncliffe Park that is the neighbourhood's main thoroughfare, with predominantly commercial businesses on its north side and residential to the south. It travels east for approximately 1.8 km from Millwood Road, crossing the Charles H. Hiscott Bridge before terminating at Don Mills Road. Overlea Boulevard continues east into southern Flemingdon Park as Gateway Boulevard.
Coca-Cola's Canadian Head Office was located at 42-46 Overlea Boulevard from 1965 to 2013, when it moved to downtown Toronto. An on-site bottling plant was demolished after its production line was relocated to Brampton, including a 1964 Walter Yarwood sculpture called "Coca Cola" that stood in front of it. The head office complex, designed by Mathers and Haldenby, was listed on the City of Toronto's heritage registrar in 2012. Its facade is incorporated into a Costco retail location that opened in 2018.
In a November 2020 report, "Surface Transit Network Plan Update", Overlea Boulevard along with Don Mills Road and Pape Avenue were identified as the ninth most important surface transit corridor by the City of Toronto's Transportation Services Division, City Planning Division, and the Toronto Transit Commission. Metrolinx plans to build an elevated Thorncliffe Park Station at the intersection of Overlea Boulevard and Thorncliffe Park Drive (west side) as part of its Ontario Line project.
During the COVID-19 pandemic, East Toronto Health Partners operated a mass immunization clinic at East York Town Centre at 45 Overlea Boulevard. Opened on March 24, 2021, it was the fourth such facility in the City of Toronto.
Rogers Road.
Rogers Road is named after Stephen Rogers, who immigrated from Teignmouth, Devon and built one of the first houses in the Oakwood area in 1876 at the present corners of Rogers Road and Oakwood Avenue. It was constructed in the 1920s to serve Prospect Cemetery. The road crosses between Weston Road (incorporating a former section of Old Weston Road) and Oakwood Avenue along the southern boundary of the former city of York. It had its own streetcar line, which was later replaced by a trolley bus line, in turn later replaced by the route 161 Rogers Road bus.
Eglinton Avenue.
Eglinton Avenue, once the Fourth Concession, takes its name from the village that was established at its intersection with Yonge Street. There are several possible origins of the name, all of which lead back to the Earl of Eglinton. Several Scottish veterans of the War of 1812 settled in the area, possibly naming it after their Earl of Eglinton, Hugh Montgomerie. Hugh's successor, Archibald William Montgomerie, was famous for a lavish tournament held at his Eglinton Castle in 1839. For two years prior to the formation of Metropolitan Toronto, the section of Eglinton Avenue through Scarborough was known as Highway 109.
Eglinton Avenue is the only road in Toronto to cross all six former municipalities. It begins in Mississauga and travels east through Richview, Mount Dennis, Little Jamaica, North Toronto, Leaside, the Golden Mile, Brimley and Scarborough Village before ending at Kingston Road. The majority of Eglinton Avenue is abutted by commercial strip plazas, auto dealerships, and dense apartment blocks, though almost every zoning condition presents itself along the road. The route is heavily congested, which will be addressed by Line 5 Eglinton, an LRT line with a substantial underground section that is scheduled to open in 2022.
Old Eglinton Avenue west of Bermondsey Road was the result of re-alignment of the road to connections section of Eglinton that is further north than the eastern section.
Roselawn Avenue.
Roselawn Avenue is a minor collector road that runs from Yonge Street to just west of Dufferin Street. However, between just east of Marlee Avenue and Bathurst Street in Forest Hill, Roselawn Avenue becomes Elm Ridge Drive, which has a large traffic circle containing Nicol MacNicol Parkette.
Blythwood Road.
Blythwood Road is a minor collector road, which connects Yonge Street with Bayview Avenue and the Sunnybrook Health Sciences Centre.
Glencairn Avenue.
Glencairn Avenue is an east–west collector road in Toronto. It starts at Caledonia Road and finishes at Yonge Street.
Lawrence Avenue.
Lawrence Avenue is named after the Lawrence family, who immigrated from Yorkshire in 1829 and bought property on the east side of Yonge Street north of the Fourth Concession Road. Peter Lawrence, who served as Justice of the Peace for the village of Eglinton beginning in 1836, purchased the farm. Jacob Lawrence established a mill at Bayview Avenue in 1845. The property was sold in 1907 to Wilfred Dinnick, who developed a garden suburb that he named Lawrence Park in honour of the family. The road remained a sod road until the 1920s before being developed as part of the development.
Lawrence Avenue begins in the west at Royal York Road. West of there, the road continues as "The Westway", a windy collector road that ends at Martin Grove Road constructed post-World War II to serve the growing Willowridge-Martingrove-Richview to the south and the Kingsview Village to the north. In the east, it was the survey baseline or first concession road from Victoria Park Avenue east to the end near the Rouge River, east of Port Union.
Lawrence Avenue East is interrupted at Bayview Avenue, by the west branch of the Don River and by York University's Glendon Campus. A detour north on Bayview leads to Post Road, and a connection back to Lawrence Avenue on the east side of the valley. This detour runs through The Bridle Path, one of Toronto's most affluent neighbourhoods. East of Leslie Street, Lawrence becomes an arterial road, passing through Don Mills. In the East Don Valley is the Lawrence Avenue exit of the Don Valley Parkway. From there, Lawrence Avenue continues as a six-lane road through most of Scarborough, with many strip malls flanking its sides. The segment east of Morningside Avenue is primarily residential. The road ends at Rouge Hills Drive at the entrance to Rouge Park near the mouth of the Rouge River.
Dixon Road.
Dixon Road was named after the Dixon family and previously called "Malton Road". George and Thomas Dixon constructed sawmills on their properties abutting the road in 1818 and 1823, respectively. Dixon begins at Highway 427 and travels eastward toward the former borough of York, becoming Scarlett Road. Dixon Road continues west of Highway 427 as Airport Road (Peel Regional Road 7), named after the Toronto Pearson International Airport, continuing to the community of Stayner in Clearview in Simcoe County. The stretch between Highway 427 and Martin Grove Road is often referred to as the "Airport Strip", due to the abundance of major hotel chains serving the airport, including Westin, Marriott, Holiday Inn, Hilton, DoubleTree, Crowne Plaza, and Sheraton, as well as the Toronto Congress Centre.
Orfus Road.
Orfus Road is in the Yorkdale neighbourhood and runs between Caledonia Road and Dufferin Street. It mainly consists of outlet stores (mostly fashion), the Yorkdale Adult Day School and the Rinx entertainment complex.
Ellesmere Road.
Ellesmere Road is named after the village (founded as post office in 1853) that once occupied its intersection with Kennedy Road, which was itself named after the birthplace of the original settlers in Shropshire, England. The road travels through Scarborough, where it was laid as the first concession road (Lawrence Avenue being the baseline in the survey of Scarborough). The surrounding land alternates between single-unit homes and commercial strips, along with industrial parks, throughout its length. The road is also referred to as "2nd Concession Road" based on the original survey of the old Township of Scarborough. The street terminates at Kingston Road with one section turning southeast and the other at a dead end stub to the west of Highway 401.
Wilson Avenue.
Wilson Avenue is the western continuation of York Mills Road west of Yonge. Before 1973 the two streets did not meet with Wilson ending further west at Yonge Boulevard. From Yonge Boulevard Wilson travels west becoming Walsh Avenue near Kelvin Avenue just east of Weston Road and then continues northwesterly as Albion Road. A short stub at Kelvin Avenue continues west and ends at just west of Nubana Avenue once ending at Weston Road in a former residential area that disappeared in the 1970s when the off ramps for the Highway 401 at Weston Road was rebuilt.
According to historian Mike Filey, Wilson Avenue is a misspelling of Arthur L. Willson, who was a clerk and treasurer of York Township for over twelve years around 1875. Among Arthur Willson's accomplishments were writing a "municipal manual", "which has been found of practical value as a guide to those requiring a knowledge of municipal law", according to a history of the County of York.
York Mills Road.
York Mills Road meets Yonge Street, the road to York, in Hoggs Hollow. Between 1804 and 1926, many mills flourished in this valley, lending to both the name of the road and neighbourhood.
York Mills is an eastward continuation of Wilson Avenue; this continuity did not exist until the opening of the Yonge Subway extension in 1973. It is primarily residential in nature, except near Yonge Street and between Leslie Street and Don Mills Road, which are mostly commercial. The road ends at Victoria Park Avenue; a connection to Ellesmere Road is provided via Parkwoods Village Drive, which redirects traffic as it passes Parkway Village Plaza and south of the remaining section of York Mills Road.
Sheppard Avenue.
Sheppard Avenue, originally the Lansing Sideroad (after the historic hamlet located at the street's intersection with Yonge Street), is named after one of two families that lived adjacent to its intersection with Yonge Street. Tom Shepherd (or Sheppard) opened the Golden Lion Hotel on the southwest corner of the intersection in 1824 and sold it to his son, Charles, in 1856. On the opposing corner, an unrelated pioneer settler named Joseph Shepard built a log cabin in 1802. Joseph and various members of kin played pivotal roles in the establishment of York.
Sheppard Avenue begins at Weston Road, and travels east across North York and Scarborough ( as Scarborough's Third Concession Road) to Meadowvale Road. Shortly thereafter, it turns southeast and ends at Kingston Road, where it becomes Port Union Road. Twyn Rivers Drive continues along the main alignment (as the street's original course), twisting as it descends into the steep valley of the Rouge River into Pickering, where it becomes Sheppard Ave. again at Altona Road, effectively making Sheppard a branched road.
Finch Avenue.
Finch Avenue is named after John Finch, who purchased the Bird-in-the-Hand Inn in 1847. It is residential for most of its length, although portions in North York and Scarborough (as Scarborough's Fourth Concession Road) are heavily industrialized.
In the east, within Malvern, Finch Avenue becomes Morningside Avenue. However, Old Finch Avenue continues along the same right-of-way passing north of the Toronto Zoo and ending at Meadowvale Road. Approximately to the east, another section of Finch Avenue begins and passes into Pickering.
In the west, Finch Avenue continues past Wet'n'Wild Toronto (formerly Wild Water Kingdom) to Steeles Avenue in Brampton.
Finch Avenue developed three sinkholes during the 2000s: one in 2005 during the Toronto Supercell and two in 2009.
Two subway stations are on Finch Avenue: Finch station and Finch West station.
An LRT line running along the street, Line 6 Finch West, is under construction. It is scheduled to open in 2023.
Cummer Avenue.
Cummer Avenue is named after Jacob Kummer, a German settler who immigrated to Upper Canada in 1797 and built a mill on the Don River in 1819. The road to this mill became associated with the anglicized variation of the family name.
The road travels east from Yonge as a continuation of Drewry Avenue (which begins at Bathurst Street). At its crossing of the Don River, Cummer curves north, returns to the east and ends at Leslie Street. It continues east as McNicoll Avenue to Tapscott Road in Scarborough.
Steeles Avenue.
Steeles Avenue is a major arterial road in the north end of the city. It is the only road (aside from Highway 401) to pass, uninterrupted, west to east through the entire city; it also continues west to Milton and east into Pickering as Taunton Road. The Scarborough section was also once referred as Scarborough Townline. The Steele family resided at Yonge and Steeles beginning in 1856, when Thomas purchased an inn and named it the Steele's Hotel. Thomas' son, John C. Steele, is known for inventing the Steeles Improved Road Machine, an early grader. Steeles Avenue serves as the boundary line between Toronto and York Region to the north, though the road itself is on the Toronto side of the boundary.
Steeles Avenue was listed by the Canadian Automobile Association (CAA) as the "worst road in October" for 2006, and as the fifth worst road in 2007. In October 2008, it was again crowned the worst road in Ontario. Reasons include potholes and general quality of the surface. Soon after the results of CAA's survey were made public, some parts of the road between Dufferin Street and Bayview Avenue were resurfaced. The results of the 2009 survey listed Steeles as Ontario's worst road, for the second year in a row.
However, in 2010, Steeles Avenue was resurfaced from Yonge Street to Markham Road, with the funds coming from the federal infrastructure stimulus program, and the CAA named it the "Best Road in Ontario".
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Abner Doubleday
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Abner Doubleday (June 26, 1819 – January 26, 1893) was a career United States Army officer and Union major general in the American Civil War. He fired the first shot in defense of Fort Sumter, the opening battle of the war, and had a pivotal role in the early fighting at the Battle of Gettysburg. Gettysburg was his finest hour, but his relief by Maj. Gen. George G. Meade caused lasting enmity between the two men. In San Francisco, after the war, he obtained a patent on the cable car railway that still runs there. In his final years in New Jersey, he was a prominent member and later president of the Theosophical Society.
In 1908, 15 years after his death, Doubleday was declared by the Mills Commission to have invented the game of baseball (a claim never made by Doubleday during his lifetime). This claim has been thoroughly debunked by baseball historians.
Early years.
Doubleday, the son of Ulysses F. Doubleday and Hester Donnelly, was born in Ballston Spa, New York, in a small house on the corner of Washington and Fenwick streets. As a child, Abner was very short. The family all slept in the attic loft of the one-room house. His paternal grandfather, also named Abner, had fought in the American Revolutionary War. His maternal grandfather Thomas Donnelly had joined the army at 14 and was a mounted messenger for George Washington. His great grandfather Peter Donnelly was a Minuteman. His father, Ulysses F., fought in the War of 1812, published newspapers and books, and represented Auburn, New York, for four years in the United States Congress. Abner spent his childhood in Auburn and later was sent to Cooperstown to live with his uncle and attend a private preparatory high school. He practiced as a surveyor and civil engineer for two years before entering the United States Military Academy in 1838. He graduated in 1842, 24th in a class of 56 cadets, and was commissioned a brevet second lieutenant in the 3rd U.S. Artillery. In 1852, he married Mary Hewitt of Baltimore, the daughter of a local lawyer.
Early commands and Fort Sumter.
Doubleday initially served in coastal garrisons and then in the Mexican–American War from 1846 to 1848 and the Seminole Wars from 1856 to 1858. In 1858, he was transferred to Fort Moultrie in Charleston Harbor serving under Colonel John L. Gardner. By the start of the Civil War, he was a captain and second in command in the garrison at Fort Sumter, under Major Robert Anderson. He aimed the cannon that fired the first return shot in answer to the Confederate bombardment on April 12, 1861. He subsequently referred to himself as the "hero of Sumter" for this role.
Brigade and division command in Virginia.
Doubleday was promoted to major on May 14, 1861, and commanded the Artillery Department in the Shenandoah Valley from June to August, and then the artillery for Major General Nathaniel Banks's division of the Army of the Potomac. He was appointed brigadier general of volunteers on February 3, 1862, and was assigned to duty in northern Virginia while the Army of the Potomac conducted the Peninsula Campaign. His first combat assignment was to lead the 2nd Brigade, 1st Division, III Corps of the Army of Virginia during the Northern Virginia Campaign. In the actions at Brawner's farm, just before the Second Battle of Bull Run, he took the initiative to send two of his regiments to reinforce Brigadier General John Gibbon's brigade against a larger Confederate force, fighting it to a standstill. (Personal initiative was required since his division commander, Brig. Gen. Rufus King, was incapacitated by an epileptic seizure at the time. He was replaced by Brigadier General John P. Hatch.) His men were routed when they encountered Major General James Longstreet's corps, but by the following day, August 30, he took command of the division when Hatch was wounded, and he led his men to cover the retreat of the Union Army.
Doubleday again led the division, now assigned to the I Corps of the Army of the Potomac, after South Mountain, where Hatch was wounded again. At Antietam, he led his men into the deadly fighting in the Cornfield and the West Woods, and one colonel described him as a "gallant officer ... remarkably cool and at the very front of battle." He was wounded when an artillery shell exploded near his horse, throwing him to the ground in a violent fall. He received a brevet promotion to lieutenant colonel in the regular army for his actions at Antietam and was promoted in March 1863 to major general of volunteers, to rank from November 29, 1862. At Fredericksburg in December 1862, his division mostly sat idle. During the winter, the I Corps was reorganized and Doubleday assumed command of the 3rd Division. At Chancellorsville in May 1863, the division was kept in reserve.
Gettysburg.
At the start of the Battle of Gettysburg, July 1, 1863, Doubleday's division was the second infantry division on the field to reinforce the cavalry division of Brigadier General John Buford. When his corps commander, Major General John F. Reynolds, was killed very early in the fighting, Doubleday found himself in command of the corps at 10:50 am. His men fought well in the morning, putting up a stout resistance, but as overwhelming Confederate forces massed against them, their line eventually broke and they retreated back through the town of Gettysburg to the relative safety of Cemetery Hill south of town. It was Doubleday's finest performance during the war, five hours leading 9,500 men against ten Confederate brigades that numbered more than 16,000. Seven of those brigades sustained casualties that ranged from 35 to 50 percent, indicating the ferocity of the Union defense. On Cemetery Hill, however, the I Corps could muster only a third of its men as effective for duty, and the corps was essentially destroyed as a combat force for the rest of the battle; it would be decommissioned in March 1864, its surviving units consolidated into other corps.
On July 2, 1863, Army of the Potomac commander Maj. Gen. George G. Meade replaced Doubleday with Major General John Newton, a more junior officer from another corps. The ostensible reason was a false report by XI Corps commander Major General Oliver O. Howard that Doubleday's corps broke first, causing the entire Union line to collapse, but Meade also had a long history of disdain for Doubleday's combat effectiveness, dating back to South Mountain. Doubleday was humiliated by this snub and held a lasting grudge against Meade, but he returned to division command and fought well for the remainder of the battle. He was wounded in the neck on the second day of Gettysburg and received a brevet promotion to colonel in the regular army for his service. He formally requested reinstatement as I Corps commander, but Meade refused, and Doubleday left Gettysburg on July 7 for Washington.
Doubleday's staff nicknamed him "Forty-Eight Hours" as a compliment to recognize his tendency to avoid reckless or impulsive actions and his thoughtfulness and deliberateness in considering circumstances and possible responses. In recent years, biographers have turned the nickname into an insult, incorrectly claiming "Forty-Eight Hours" was coined to highlight Doubleday's supposed incompetence and slowness to act.
Washington.
Doubleday assumed administrative duties in the defenses of Washington, D.C., where he was in charge of courts martial, which gave him legal experience that he used after the war. His only return to combat was directing a portion of the defenses against the attack by Confederate Lieutenant General Jubal A. Early in the Valley Campaigns of 1864. Also while in Washington, Doubleday testified against George Meade at the United States Congress Joint Committee on the Conduct of the War, criticizing him harshly over his conduct of the Battle of Gettysburg. While in Washington, Doubleday remained a loyal Republican and staunch supporter of President Abraham Lincoln. Doubleday rode with Lincoln on the train to Gettysburg for the Gettysburg Address and Col. and Mrs. Doubleday attended events with Mr. and Mrs. Lincoln in Washington.
Early commands and Fort Sumter.
Doubleday initially served in coastal garrisons and then in the Mexican–American War from 1846 to 1848 and the Seminole Wars from 1856 to 1858. In 1858, he was transferred to Fort Moultrie in Charleston Harbor serving under Colonel John L. Gardner. By the start of the Civil War, he was a captain and second in command in the garrison at Fort Sumter, under Major Robert Anderson. He aimed the cannon that fired the first return shot in answer to the Confederate bombardment on April 12, 1861. He subsequently referred to himself as the "hero of Sumter" for this role.
Brigade and division command in Virginia.
Doubleday was promoted to major on May 14, 1861, and commanded the Artillery Department in the Shenandoah Valley from June to August, and then the artillery for Major General Nathaniel Banks's division of the Army of the Potomac. He was appointed brigadier general of volunteers on February 3, 1862, and was assigned to duty in northern Virginia while the Army of the Potomac conducted the Peninsula Campaign. His first combat assignment was to lead the 2nd Brigade, 1st Division, III Corps of the Army of Virginia during the Northern Virginia Campaign. In the actions at Brawner's farm, just before the Second Battle of Bull Run, he took the initiative to send two of his regiments to reinforce Brigadier General John Gibbon's brigade against a larger Confederate force, fighting it to a standstill. (Personal initiative was required since his division commander, Brig. Gen. Rufus King, was incapacitated by an epileptic seizure at the time. He was replaced by Brigadier General John P. Hatch.) His men were routed when they encountered Major General James Longstreet's corps, but by the following day, August 30, he took command of the division when Hatch was wounded, and he led his men to cover the retreat of the Union Army.
Doubleday again led the division, now assigned to the I Corps of the Army of the Potomac, after South Mountain, where Hatch was wounded again. At Antietam, he led his men into the deadly fighting in the Cornfield and the West Woods, and one colonel described him as a "gallant officer ... remarkably cool and at the very front of battle." He was wounded when an artillery shell exploded near his horse, throwing him to the ground in a violent fall. He received a brevet promotion to lieutenant colonel in the regular army for his actions at Antietam and was promoted in March 1863 to major general of volunteers, to rank from November 29, 1862. At Fredericksburg in December 1862, his division mostly sat idle. During the winter, the I Corps was reorganized and Doubleday assumed command of the 3rd Division. At Chancellorsville in May 1863, the division was kept in reserve.
Gettysburg.
At the start of the Battle of Gettysburg, July 1, 1863, Doubleday's division was the second infantry division on the field to reinforce the cavalry division of Brigadier General John Buford. When his corps commander, Major General John F. Reynolds, was killed very early in the fighting, Doubleday found himself in command of the corps at 10:50 am. His men fought well in the morning, putting up a stout resistance, but as overwhelming Confederate forces massed against them, their line eventually broke and they retreated back through the town of Gettysburg to the relative safety of Cemetery Hill south of town. It was Doubleday's finest performance during the war, five hours leading 9,500 men against ten Confederate brigades that numbered more than 16,000. Seven of those brigades sustained casualties that ranged from 35 to 50 percent, indicating the ferocity of the Union defense. On Cemetery Hill, however, the I Corps could muster only a third of its men as effective for duty, and the corps was essentially destroyed as a combat force for the rest of the battle; it would be decommissioned in March 1864, its surviving units consolidated into other corps.
On July 2, 1863, Army of the Potomac commander Maj. Gen. George G. Meade replaced Doubleday with Major General John Newton, a more junior officer from another corps. The ostensible reason was a false report by XI Corps commander Major General Oliver O. Howard that Doubleday's corps broke first, causing the entire Union line to collapse, but Meade also had a long history of disdain for Doubleday's combat effectiveness, dating back to South Mountain. Doubleday was humiliated by this snub and held a lasting grudge against Meade, but he returned to division command and fought well for the remainder of the battle. He was wounded in the neck on the second day of Gettysburg and received a brevet promotion to colonel in the regular army for his service. He formally requested reinstatement as I Corps commander, but Meade refused, and Doubleday left Gettysburg on July 7 for Washington.
Doubleday's staff nicknamed him "Forty-Eight Hours" as a compliment to recognize his tendency to avoid reckless or impulsive actions and his thoughtfulness and deliberateness in considering circumstances and possible responses. In recent years, biographers have turned the nickname into an insult, incorrectly claiming "Forty-Eight Hours" was coined to highlight Doubleday's supposed incompetence and slowness to act.
Washington.
Doubleday assumed administrative duties in the defenses of Washington, D.C., where he was in charge of courts martial, which gave him legal experience that he used after the war. His only return to combat was directing a portion of the defenses against the attack by Confederate Lieutenant General Jubal A. Early in the Valley Campaigns of 1864. Also while in Washington, Doubleday testified against George Meade at the United States Congress Joint Committee on the Conduct of the War, criticizing him harshly over his conduct of the Battle of Gettysburg. While in Washington, Doubleday remained a loyal Republican and staunch supporter of President Abraham Lincoln. Doubleday rode with Lincoln on the train to Gettysburg for the Gettysburg Address and Col. and Mrs. Doubleday attended events with Mr. and Mrs. Lincoln in Washington.
Postbellum career.
After the Civil War, Doubleday mustered out of the volunteer service on August 24, 1865, reverted to the rank of lieutenant colonel, and became the colonel of the 35th U.S. Infantry in September 1867. He was stationed in San Francisco from 1869 through 1871 and he took out a patent for the cable car railway that still runs there, receiving a charter for its operation, but signing away his rights when he was reassigned. In 1871, he commanded the 24th U.S. Infantry, an all African-American regiment with headquarters at Fort McKavett, Texas. He retired in 1873.
In the 1870s, he was listed in the New York business directory as a lawyer.
Doubleday spent much of his time writing. He published two important works on the Civil War: "Reminiscences of Forts Sumter and Moultrie" (1876), and "Chancellorsville and Gettysburg" (1882), the latter being a volume of the series "Campaigns of the Civil War".
Theosophy.
In the summer of 1878, Doubleday lived in Mendham Township, New Jersey, and became a prominent member of the Theosophical Society. When two of the founders of that society, Helena Blavatsky and Henry Steel Olcott, moved to India at the end of that year, he was constituted as the president of the American body.
Death.
Doubleday died of heart disease in Mendham Township on January 26, 1893. Doubleday's body was laid in state in New York's City Hall and then was taken to Washington by train from Mendham, and was buried in Arlington National Cemetery in Arlington County, Virginia. He was survived by his wife.
Baseball.
Although Doubleday achieved minor fame as a competent combat general with experience in many important Civil War battles, he is more widely known as the supposed inventor of the game of baseball, in Elihu Phinney's cow pasture in Cooperstown, New York, in 1839.
The Mills Commission, chaired by Abraham G. Mills, the fourth president of the National League, was appointed in 1905 to determine the origin of baseball. The committee's final report, on December 30, 1907, stated, in part, that "the first scheme for playing baseball, according to the best evidence obtainable to date, was devised by Abner Doubleday at Cooperstown, New York, in 1839." It concluded by saying, "in the years to come, in the view of the hundreds of thousands of people who are devoted to baseball, and the millions who will be, Abner Doubleday's fame will rest evenly, if not quite as much, upon the fact that he was its inventor ... as upon his brilliant and distinguished career as an officer in the Federal Army."
However, there is considerable evidence to dispute this claim. Baseball historian George B. Kirsch has described the results of the Mills Commission as a "myth". He wrote, "Robert Henderson, Harold Seymour, and other scholars have since debunked the Doubleday-Cooperstown myth, which nonetheless remains powerful in the American imagination because of the efforts of Major League Baseball and the Hall of Fame in Cooperstown." At his death, Doubleday left many letters and papers, none of which describe baseball or give any suggestion that he considered himself a prominent person in the evolution of the game, and his "New York Times" obituary did not mention the game at all. Chairman Mills himself, who had been a Civil War colleague of Doubleday and a member of the honor guard for Doubleday's body as it lay in state in New York City, never recalled hearing Doubleday describe his role as the inventor. Doubleday was a cadet at West Point in the year of the alleged invention and his family had moved away from Cooperstown the prior year. Furthermore, the primary testimony to the commission that connected baseball to Doubleday was that of Abner Graves, whose credibility is questionable; a few years later, he shot his wife to death and was committed to an institution for the criminally insane for the rest of his life. Part of the confusion could stem from there being another man by the same name in Cooperstown in 1839.
Despite the lack of solid evidence linking Doubleday to the origins of baseball, Cooperstown, New York, became the new home of what is today the National Baseball Hall of Fame and Museum in 1937.
There may have been some relationship to baseball as a national sport and Abner Doubleday. While the modern rules of baseball were formulated in New York during the 1840s, it was the scattering of New Yorkers exposed to these rules throughout the country, that spread not only baseball, but also the "New York Rules", thereby harmonizing the rules, and being a catalyst for its growth. Doubleday was a high-ranking officer, whose duties included seeing to provisions for the US Army fighting throughout the south and border states. For the morale of the men, he is said to have provisioned balls and bats for the men.
Namesakes and honors.
There is a monument to Doubleday at Gettysburg erected by his men, admirers, and the state of New York. There is a obelisk monument at Arlington National Cemetery where he is buried.
Doubleday Field is a 9,791-seat baseball stadium named for Abner Doubleday, located in Cooperstown, New York, near the Baseball Hall of Fame. It hosted the annual Hall of Fame Game, an exhibition game between two major league teams that was played from 1940 until 2008. It has hosted the Hall of Fame Classic since 2009.
The Auburn Doubledays are a collegiate summer baseball team based in Doubleday's hometown of Auburn, New York.
Doubleday Field at the United States Military Academy at West Point, New York, where the Army Black Knights play at Johnson Stadium, is named in Doubleday's honor.
The Abner Doubleday Little League and Babe Ruth Fields in Ballston Spa, New York, the town of his birth. The house of his birth still stands in the middle of town and there is a monument to him on Front Street.
A sign at the Doubleday Hill Monument, erected in Williamsport, Maryland, to commemorate Doubleday's occupation of a hill there during the Civil War, claims he invented the game in 1835.
Mendham Borough and Mendham Township, New Jersey has held a municipal holiday known as "Abner Doubleday Day" for numerous years in the General's honor and commissioned a plaque near the site of his home in the borough in 1998, even though the borough was known as Mendham Township back then.
In 2004, the Abner Doubleday Society erected a monument to Doubleday in Iron Spring Park, Ballston Spa, near his birthplace.
In popular culture.
In the movie "The Ridiculous 6", Doubleday is portrayed by John Turturro. The character organizes the first game of baseball between the six main characters and a group of Chinese immigrants, creating the rules as he goes, primarily to allow him to win.
In the 23rd episode of the anime "Samurai Champloo", titled "Baseball Blues", Doubleday and Alexander Cartwright are featured as American naval officers who engage the main characters and local Japanese people into a baseball game, which the Americans lose.
In the mini-series "North and South", George Hazzard is seen watching a primitive form of baseball with a wounded Orry Main, while referring to the game being invented by Doubleday, a fellow West Point cadet.
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Ankara
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Ankara ( , ; ), historically known as Ancyra and Angora, is the capital of Turkey. Located in the central part of Anatolia, the city has a population of 5.1 million in its urban center and over 5.7 million in Ankara Province, making it Turkey's second-largest city after Istanbul.
Serving as the capital of the ancient Celtic state of Galatia (280–64 BC), and later of the Roman province with the same name (25 BC–7th century), the city is very old, with various Hattian, Hittite, Lydian, Phrygian, Galatian, Greek, Persian, Roman, Byzantine, and Ottoman archeological sites. The Ottomans made the city the capital first of the Anatolia Eyalet (1393 – late 15th century) and then the Angora Vilayet (1867–1922). The historical center of Ankara is a rocky hill rising over the left bank of the Ankara River, a tributary of the Sakarya River. The hill remains crowned by the ruins of Ankara Castle. Although few of its outworks have survived, there are well-preserved examples of Roman and Ottoman architecture throughout the city, the most remarkable being the 20 BC Temple of Augustus and Rome that boasts the Monumentum Ancyranum, the inscription recording the .
On 23 April 1920, the Grand National Assembly of Turkey was established in Ankara, which became the headquarters of the Turkish National Movement during the Turkish War of Independence. Ankara became the new Turkish capital upon the establishment of the Republic on 29 October 1923, succeeding in this role as the former Turkish capital Istanbul following the fall of the Ottoman Empire. The government is a prominent employer, but Ankara is also an important commercial and industrial city located at the center of Turkey's road and railway networks. The city gave its name to the Angora wool shorn from Angora rabbits, the long-haired Angora goat (the source of mohair), and the Angora cat. The area is also known for its pears, honey and Muscat grapes. Although situated in one of the driest regions of Turkey and surrounded mostly by steppe vegetation (except for the forested areas on the southern periphery), Ankara can be considered a green city in terms of green areas per inhabitant, at per head.
Etymology.
The orthography of the name Ankara has varied over the ages. It has been identified with the Hittite cult center "Ankuwaš", although this remains a matter of debate. In classical antiquity and during the medieval period, the city was known as "Ánkyra" (, "anchor") in Greek and "Ancyra" in Latin; the Galatian Celtic name was probably a similar variant. Following its annexation by the Seljuk Turks in 1073, the city became known in many European languages as "Angora"; it was also known in Ottoman Turkish as "Engürü". The form "Angora" is preserved in the names of breeds of many different kinds of animals, and in the names of several locations in the US (see Angora).
History.
The region's history can be traced back to the Bronze Age Hattic civilization, which was succeeded in the 2nd millennium BC by the Hittites, in the 10th century BC by the Phrygians, and later by the Lydians, Persians, Greeks, Galatians, Romans, Byzantines, and Turks (the Seljuk Sultanate of Rûm, the Ottoman Empire and finally republican Turkey).
Ancient history.
The oldest settlements in and around the city center of Ankara belonged to the Hattic civilization which existed during the Bronze Age and was gradually absorbed c. 2000 – 1700 BC by the Indo-European Hittites. The city grew significantly in size and importance under the Phrygians starting around 1000 BC, and experienced a large expansion following the mass migration from Gordion, (the capital of Phrygia), after an earthquake which severely damaged that city around that time. In Phrygian tradition, King Midas was venerated as the founder of Ancyra, but Pausanias mentions that the city was actually far older, which accords with present archeological knowledge.
Phrygian rule was succeeded first by Lydian and later by Persian rule, though the strongly Phrygian character of the peasantry remained, as evidenced by the gravestones of the much later Roman period. Persian sovereignty lasted until the Persians' defeat at the hands of Alexander the Great who conquered the city in 333 BC. Alexander came from Gordion to Ankara and stayed in the city for a short period. After his death at Babylon in 323 BC and the subsequent division of his empire among his generals, Ankara, and its environs fell into the share of Antigonus.
Another important expansion took place under the Greeks of Pontos who came there around 300 BC and developed the city as a trading center for the commerce of goods between the Black Sea ports and Crimea to the north; Assyria, Cyprus, and Lebanon to the south; and Georgia, Armenia and Persia to the east. By that time the city also took its name Ἄγκυρα ("Ánkyra", meaning "anchor" in Greek) which, in slightly modified form, provides the modern name of "Ankara".
Celtic history.
In 278 BC, the city, along with the rest of central Anatolia, was occupied by a Celtic group, the Galatians, who were the first to make Ankara one of their main tribal centers, the headquarters of the Tectosages tribe. Other centers were Pessinus, today's Ballıhisar, for the Trocmi tribe, and Tavium, to the east of Ankara, for the Tolistobogii tribe. The city was then known as "Ancyra". The Celtic element was probably relatively small in numbers; a warrior aristocracy which ruled over Phrygian-speaking peasants. However, the Celtic language continued to be spoken in Galatia for many centuries. At the end of the 4th century, St. Jerome, a native of Dalmatia, observed that the language spoken around Ankara was very similar to that being spoken in the northwest of the Roman world near Trier.
Roman history.
The city was subsequently passed under the control of the Roman Empire. In 25 BC, Emperor Augustus raised it to the status of a "polis" and made it the capital city of the Roman province of Galatia. Ankara is famous for the "Monumentum Ancyranum" ("Temple of Augustus and Rome") which contains the official record of the "Acts of Augustus", known as the "Res Gestae Divi Augusti", an inscription cut in marble on the walls of this temple. The ruins of Ancyra still furnish today valuable bas-reliefs, inscriptions and other architectural fragments. Two other Galatian tribal centers, Tavium near Yozgat, and Pessinus (Balhisar) to the west, near Sivrihisar, continued to be reasonably important settlements in the Roman period, but it was Ancyra that grew into a grand metropolis.
An estimated 200,000 people lived in Ancyra in good times during the Roman Empire, a far greater number than was to be the case from after the fall of the Roman Empire until the early 20th century. The small Ankara River ran through the center of the Roman town. It has now been covered and diverted, but it formed the northern boundary of the old town during the Roman, Byzantine and Ottoman periods. Çankaya, the rim of the majestic hill to the south of the present city center, stood well outside the Roman city, but may have been a summer resort. In the 19th century, the remains of at least one Roman villa or large house were still standing not far from where the Çankaya Presidential Residence stands today. To the west, the Roman city extended until the area of the Gençlik Park and Railway Station, while on the southern side of the hill, it may have extended downwards as far as the site presently occupied by Hacettepe University. It was thus a sizeable city by any standards and much larger than the Roman towns of Gaul or Britannia.
Ancyra's importance rested on the fact that it was the junction point where the roads in northern Anatolia running north–south and east–west intersected, giving it major strategic importance for Rome's eastern frontier. The great imperial road running east passed through Ankara and a succession of emperors and their armies came this way. They were not the only ones to use the Roman highway network, which was equally convenient for invaders. In the second half of the 3rd century, Ancyra was invaded in rapid succession by the Goths coming from the west (who rode far into the heart of Cappadocia, taking slaves and pillaging) and later by the Arabs. For about a decade, the town was one of the western outposts of one of Palmyrean empress Zenobia in the Syrian Desert, who took advantage of a period of weakness and disorder in the Roman Empire to set up a short-lived state of her own.
The town was reincorporated into the Roman Empire under Emperor Aurelian in 272. The tetrarchy, a system of multiple (up to four) emperors introduced by Diocletian (284–305), seems to have engaged in a substantial program of rebuilding and of road construction from Ancyra westwards to Germe and Dorylaeum (now Eskişehir).
In its heyday, Roman Ancyra was a large market and trading center but it also functioned as a major administrative capital, where a high official ruled from the city's Praetorium, a large administrative palace or office. During the 3rd century, life in Ancyra, as in other Anatolian towns, seems to have become somewhat militarized in response to the invasions and instability of the town.
Byzantine history.
The city is well known during the 4th century as a center of Christian activity (see also below), due to frequent imperial visits, and through the letters of the pagan scholar Libanius. Bishop Marcellus of Ancyra and Basil of Ancyra were active in the theological controversies of their day, and the city was the site of no fewer than three church synods in 314, 358 and 375, the latter two in favor of Arianism.
The city was visited by Emperor Constans I (r. 337–350) in 347 and 350, Julian (r. 361–363) during his Persian campaign in 362, and Julian's successor Jovian (r. 363–364) in winter 363/364 (he entered his consulship while in the city). After Jovian's death soon after, Valentinian I (r. 364–375) was acclaimed emperor at Ancyra, and in the next year his brother Valens (r. 364–378) used Ancyra as his base against the usurper Procopius. When the province of Galatia was divided sometime in 396/99, Ancyra remained the civil capital of Galatia I, as well as its ecclesiastical center (metropolitan see). Emperor Arcadius (r. 383–408) frequently used the city as his summer residence, and some information about the ecclesiastical affairs of the city during the early 5th century is found in the works of Palladius of Galatia and Nilus of Ancyra.
In 479, the rebel Marcian attacked the city, without being able to capture it. In 610/11, Comentiolus, brother of Emperor Phocas (r. 602–610), launched his own unsuccessful rebellion in the city against Heraclius (r. 610–641). Ten years later, in 620 or more likely 622, it was captured by the Sassanid Persians during the Byzantine–Sassanid War of 602–628. Although the city returned to Byzantine hands after the end of the war, the Persian presence left traces in the city's archeology, and likely began the process of its transformation from a late antique city to a medieval fortified settlement.
In 654, the city, also known in Arabic sources as "Qalat as-Salasil" ("fortress of the chains"), was captured for the first time by the Arabs of the Rashidun Caliphate, under Muawiyah, the future founder of the Umayyad Caliphate. At about the same time, the themes were established in Anatolia, and Ancyra became capital of the Opsician Theme, which was the largest and most important theme until it was split up under Emperor Constantine V (r. 741–775); Ancyra then became the capital of the new Bucellarian Theme. The city was captured at least temporarily by the Umayyad prince Maslama ibn Hisham in 739/40, the last of the Umayyads' territorial gains from the Byzantine Empire. Ancyra was attacked without success by Abbasid forces in 776 and in 798/99. In 805, Emperor Nikephoros I (r. 802–811) strengthened its fortifications, a fact which probably saved it from sack during the large-scale invasion of Anatolia by Caliph Harun al-Rashid in the next year. Arab sources report that Harun and his successor al-Ma'mun (r. 813–833) took the city, but this information is later invention. In 838, however, during the Amorium campaign, the armies of Caliph al-Mu'tasim (r. 833–842) converged and met at the city; abandoned by its inhabitants, Ancara was razed to the ground, before the Arab armies went on to besiege and destroy Amorium reaching as far as Smyrna. In 859, Emperor Michael III (r. 842–867) came to the city during a campaign against the Arabs, and ordered its fortifications restored. In 872, the city was menaced, but not taken, by the Paulicians under Chrysocheir. The last Arab raid to reach the city was undertaken in 931, by the Abbasid governor of Tarsus, Thamal al-Dulafi, but the city again was not captured.
Ecclesiastical history.
Early Christian martyrs of Ancyra, about whom little is known, included Proklos and Hilarios who were natives of the otherwise unknown nearby village of Kallippi, and suffered repression under the emperor Trajan (98–117). In the 280s we hear of Philumenos, a Christian corn merchant from southern Anatolia, being captured and martyred in Ankara, and Eustathius.
As in other Roman towns, the reign of Diocletian marked the culmination of the persecution of the Christians. In 303, Ancyra was one of the towns where the co-emperors Diocletian and his deputy Galerius launched their anti-Christian persecution. In Ancyra, their first target was the 38-year-old Bishop of the town, whose name was Clement. Clement's life describes how he was taken to Rome, then sent back, and forced to undergo many interrogations and hardship before he, and his brother, and various companions were put to death. The remains of the church of St. Clement can be found today in a building just off Işıklar Caddesi in the Ulus district. Quite possibly this marks the site where Clement was originally buried. Four years later, a doctor of the town named Plato and his brother Antiochus also became celebrated martyrs under Galerius. Theodotus of Ancyra is also venerated as a saint.
However, the persecution proved unsuccessful and in 314 Ancyra was the center of an important council of the early church; its 25 disciplinary canons constitute one of the most important documents in the early history of the administration of the Sacrament of Penance. The synod also considered ecclesiastical policy for the reconstruction of the Christian Church after the persecutions, and in particular the treatment of "lapsi"—Christians who had given in to forced paganism (sacrifices) to avoid martyrdom during these persecutions.
Though paganism was probably tottering in Ancyra in Clement's day, it may still have been the majority religion. Twenty years later, Christianity and monotheism had taken its place. Ancyra quickly turned into a Christian city, with a life dominated by monks and priests and theological disputes. The town council or senate gave way to the bishop as the main local figurehead. During the middle of the 4th century, Ancyra was involved in the complex theological disputes over the nature of Christ, and a form of Arianism seems to have originated there.
In 362–363, Emperor Julian passed through Ancyra on his way to an ill-fated campaign against the Persians, and according to Christian sources, engaged in a persecution of various holy men. The stone base for a statue, with an inscription describing Julian as "Lord of the whole world from the British Ocean to the barbarian nations", can still be seen, built into the eastern side of the inner circuit of the walls of Ankara Castle. The Column of Julian which was erected in honor of the emperor's visit to the city in 362 still stands today. In 375, Arian bishops met at Ancyra and deposed several bishops, among them St. Gregory of Nyssa.
In the late 4th century, Ancyra became something of an imperial holiday resort. After Constantinople became the East Roman capital, emperors in the 4th and 5th centuries would retire from the humid summer weather on the Bosporus to the drier mountain atmosphere of Ancyra. Theodosius II (408–450) kept his court in Ancyra in the summers. Laws issued in Ancyra testify to the time they spent there.
The Metropolis of Ancyra continued to be a residential see of the Eastern Orthodox Church until the 20th century, with about 40,000 faithful, mostly Turkish-speaking, but that situation ended as a result of the 1923 Convention Concerning the Exchange of Greek and Turkish Populations. The earlier Armenian genocide put an end to the residential eparchy of Ancyra of the Armenian Catholic Church, which had been established in 1850. It is also a titular metropolis of the Ecumenical Patriarchate of Constantinople.
Both the Ancient Byzantine Metropolitan archbishopric and the 'modern' Armenian eparchy are now listed by the Catholic Church as titular sees, with separate apostolic successions.
Seljuk and Ottoman history.
After the Battle of Manzikert in 1071, the Seljuk Turks overran much of Anatolia. By 1073, the Turkish settlers had reached the vicinity of Ancyra, and the city was captured shortly after, at the latest by the time of the rebellion of Nikephoros Melissenos in 1081. In 1101, when the Crusade under Raymond IV of Toulouse arrived, the city had been under Danishmend control for some time. The Crusaders captured the city, and handed it over to the Byzantine emperor Alexios I Komnenos (r. 1081–1118). Byzantine rule did not last long, and the city was captured by the Seljuk Sultanate of Rum at some unknown point; in 1127, it returned to Danishmend control until 1143, when the Seljuks of Rum retook it.
After the Battle of Köse Dağ in 1243, in which the Mongols defeated the Seljuks, most of Anatolia became part of the dominion of the Mongols. Taking advantage of Seljuk decline, a semi-religious cast of craftsmen and trade people named "Ahiler" chose Angora as their independent city-state in 1290. Orhan I, the second Bey of the Ottoman Empire, captured the city in 1356. Timur defeated Bayezid I at the Battle of Ankara in 1402 and took the city, but in 1403 Angora was again under Ottoman control.
The Levant Company maintained a factory in the town from 1639 to 1768. In the 19th century, its population was estimated at 20,000 to 60,000. It was sacked by Egyptians under Ibrahim Pasha in 1832.
From 1867 to 1922, the city served as the capital of the Angora Vilayet, which included most of ancient Galatia.
Prior to World War I, the town had a British consulate and a population of around 28,000, roughly of whom were Christian.
Turkish republican capital.
Following the Ottoman defeat in World War I, the Ottoman capital Constantinople (modern Istanbul) and much of Anatolia was occupied by the Allies, who planned to share these lands between Armenia, France, Greece, Italy and the United Kingdom, leaving for the Turks the core piece of land in central Anatolia. In response, the leader of the Turkish nationalist movement, Mustafa Kemal Atatürk, established the headquarters of his resistance movement in Angora in 1920. After the Turkish War of Independence was won and the Treaty of Sèvres was superseded by the Treaty of Lausanne (1923), the Turkish nationalists replaced the Ottoman Empire with the Republic of Turkey on 29 October 1923. A few days earlier, Angora had officially replaced Constantinople as the new Turkish capital city, on 13 October 1923, and Republican officials declared that the city's name is Ankara.
After Ankara became the capital of the newly founded Republic of Turkey, new development divided the city into an old section, called "Ulus", and a new section, called "Yenişehir". Ancient buildings reflecting Roman, Byzantine, and Ottoman history and narrow winding streets mark the old section. The new section, now centered on Kızılay Square, has the trappings of a more modern city: wide streets, hotels, theaters, shopping malls, and high-rises.
Government offices and foreign embassies are also located in the new section. Ankara has experienced a phenomenal growth since it was made Turkey's capital in 1923, when it was "a small town of no importance". In 1924, the year after the government had moved there, Ankara had about 35,000 residents. By 1927 there were 44,553 residents and by 1950 the population had grown to 286,781. Ankara continued to grow rapidly during the latter half of the 20th century and eventually outranked Izmir as Turkey's second-largest city, after Istanbul. Ankara's urban population reached 4,587,558 in 2014, while the population of Ankara Province reached 5,150,072 in 2015.
After 1930, it became known officially in Western languages as Ankara. After the late 1930s the public stopped using the name "Angora".
The Presidential Palace of Turkey is situated in Ankara. This building serves as the main residence of the president.
Ancient history.
The oldest settlements in and around the city center of Ankara belonged to the Hattic civilization which existed during the Bronze Age and was gradually absorbed c. 2000 – 1700 BC by the Indo-European Hittites. The city grew significantly in size and importance under the Phrygians starting around 1000 BC, and experienced a large expansion following the mass migration from Gordion, (the capital of Phrygia), after an earthquake which severely damaged that city around that time. In Phrygian tradition, King Midas was venerated as the founder of Ancyra, but Pausanias mentions that the city was actually far older, which accords with present archeological knowledge.
Phrygian rule was succeeded first by Lydian and later by Persian rule, though the strongly Phrygian character of the peasantry remained, as evidenced by the gravestones of the much later Roman period. Persian sovereignty lasted until the Persians' defeat at the hands of Alexander the Great who conquered the city in 333 BC. Alexander came from Gordion to Ankara and stayed in the city for a short period. After his death at Babylon in 323 BC and the subsequent division of his empire among his generals, Ankara, and its environs fell into the share of Antigonus.
Another important expansion took place under the Greeks of Pontos who came there around 300 BC and developed the city as a trading center for the commerce of goods between the Black Sea ports and Crimea to the north; Assyria, Cyprus, and Lebanon to the south; and Georgia, Armenia and Persia to the east. By that time the city also took its name Ἄγκυρα ("Ánkyra", meaning "anchor" in Greek) which, in slightly modified form, provides the modern name of "Ankara".
Celtic history.
In 278 BC, the city, along with the rest of central Anatolia, was occupied by a Celtic group, the Galatians, who were the first to make Ankara one of their main tribal centers, the headquarters of the Tectosages tribe. Other centers were Pessinus, today's Ballıhisar, for the Trocmi tribe, and Tavium, to the east of Ankara, for the Tolistobogii tribe. The city was then known as "Ancyra". The Celtic element was probably relatively small in numbers; a warrior aristocracy which ruled over Phrygian-speaking peasants. However, the Celtic language continued to be spoken in Galatia for many centuries. At the end of the 4th century, St. Jerome, a native of Dalmatia, observed that the language spoken around Ankara was very similar to that being spoken in the northwest of the Roman world near Trier.
Roman history.
The city was subsequently passed under the control of the Roman Empire. In 25 BC, Emperor Augustus raised it to the status of a "polis" and made it the capital city of the Roman province of Galatia. Ankara is famous for the "Monumentum Ancyranum" ("Temple of Augustus and Rome") which contains the official record of the "Acts of Augustus", known as the "Res Gestae Divi Augusti", an inscription cut in marble on the walls of this temple. The ruins of Ancyra still furnish today valuable bas-reliefs, inscriptions and other architectural fragments. Two other Galatian tribal centers, Tavium near Yozgat, and Pessinus (Balhisar) to the west, near Sivrihisar, continued to be reasonably important settlements in the Roman period, but it was Ancyra that grew into a grand metropolis.
An estimated 200,000 people lived in Ancyra in good times during the Roman Empire, a far greater number than was to be the case from after the fall of the Roman Empire until the early 20th century. The small Ankara River ran through the center of the Roman town. It has now been covered and diverted, but it formed the northern boundary of the old town during the Roman, Byzantine and Ottoman periods. Çankaya, the rim of the majestic hill to the south of the present city center, stood well outside the Roman city, but may have been a summer resort. In the 19th century, the remains of at least one Roman villa or large house were still standing not far from where the Çankaya Presidential Residence stands today. To the west, the Roman city extended until the area of the Gençlik Park and Railway Station, while on the southern side of the hill, it may have extended downwards as far as the site presently occupied by Hacettepe University. It was thus a sizeable city by any standards and much larger than the Roman towns of Gaul or Britannia.
Ancyra's importance rested on the fact that it was the junction point where the roads in northern Anatolia running north–south and east–west intersected, giving it major strategic importance for Rome's eastern frontier. The great imperial road running east passed through Ankara and a succession of emperors and their armies came this way. They were not the only ones to use the Roman highway network, which was equally convenient for invaders. In the second half of the 3rd century, Ancyra was invaded in rapid succession by the Goths coming from the west (who rode far into the heart of Cappadocia, taking slaves and pillaging) and later by the Arabs. For about a decade, the town was one of the western outposts of one of Palmyrean empress Zenobia in the Syrian Desert, who took advantage of a period of weakness and disorder in the Roman Empire to set up a short-lived state of her own.
The town was reincorporated into the Roman Empire under Emperor Aurelian in 272. The tetrarchy, a system of multiple (up to four) emperors introduced by Diocletian (284–305), seems to have engaged in a substantial program of rebuilding and of road construction from Ancyra westwards to Germe and Dorylaeum (now Eskişehir).
In its heyday, Roman Ancyra was a large market and trading center but it also functioned as a major administrative capital, where a high official ruled from the city's Praetorium, a large administrative palace or office. During the 3rd century, life in Ancyra, as in other Anatolian towns, seems to have become somewhat militarized in response to the invasions and instability of the town.
Byzantine history.
The city is well known during the 4th century as a center of Christian activity (see also below), due to frequent imperial visits, and through the letters of the pagan scholar Libanius. Bishop Marcellus of Ancyra and Basil of Ancyra were active in the theological controversies of their day, and the city was the site of no fewer than three church synods in 314, 358 and 375, the latter two in favor of Arianism.
The city was visited by Emperor Constans I (r. 337–350) in 347 and 350, Julian (r. 361–363) during his Persian campaign in 362, and Julian's successor Jovian (r. 363–364) in winter 363/364 (he entered his consulship while in the city). After Jovian's death soon after, Valentinian I (r. 364–375) was acclaimed emperor at Ancyra, and in the next year his brother Valens (r. 364–378) used Ancyra as his base against the usurper Procopius. When the province of Galatia was divided sometime in 396/99, Ancyra remained the civil capital of Galatia I, as well as its ecclesiastical center (metropolitan see). Emperor Arcadius (r. 383–408) frequently used the city as his summer residence, and some information about the ecclesiastical affairs of the city during the early 5th century is found in the works of Palladius of Galatia and Nilus of Ancyra.
In 479, the rebel Marcian attacked the city, without being able to capture it. In 610/11, Comentiolus, brother of Emperor Phocas (r. 602–610), launched his own unsuccessful rebellion in the city against Heraclius (r. 610–641). Ten years later, in 620 or more likely 622, it was captured by the Sassanid Persians during the Byzantine–Sassanid War of 602–628. Although the city returned to Byzantine hands after the end of the war, the Persian presence left traces in the city's archeology, and likely began the process of its transformation from a late antique city to a medieval fortified settlement.
In 654, the city, also known in Arabic sources as "Qalat as-Salasil" ("fortress of the chains"), was captured for the first time by the Arabs of the Rashidun Caliphate, under Muawiyah, the future founder of the Umayyad Caliphate. At about the same time, the themes were established in Anatolia, and Ancyra became capital of the Opsician Theme, which was the largest and most important theme until it was split up under Emperor Constantine V (r. 741–775); Ancyra then became the capital of the new Bucellarian Theme. The city was captured at least temporarily by the Umayyad prince Maslama ibn Hisham in 739/40, the last of the Umayyads' territorial gains from the Byzantine Empire. Ancyra was attacked without success by Abbasid forces in 776 and in 798/99. In 805, Emperor Nikephoros I (r. 802–811) strengthened its fortifications, a fact which probably saved it from sack during the large-scale invasion of Anatolia by Caliph Harun al-Rashid in the next year. Arab sources report that Harun and his successor al-Ma'mun (r. 813–833) took the city, but this information is later invention. In 838, however, during the Amorium campaign, the armies of Caliph al-Mu'tasim (r. 833–842) converged and met at the city; abandoned by its inhabitants, Ancara was razed to the ground, before the Arab armies went on to besiege and destroy Amorium reaching as far as Smyrna. In 859, Emperor Michael III (r. 842–867) came to the city during a campaign against the Arabs, and ordered its fortifications restored. In 872, the city was menaced, but not taken, by the Paulicians under Chrysocheir. The last Arab raid to reach the city was undertaken in 931, by the Abbasid governor of Tarsus, Thamal al-Dulafi, but the city again was not captured.
Ecclesiastical history.
Early Christian martyrs of Ancyra, about whom little is known, included Proklos and Hilarios who were natives of the otherwise unknown nearby village of Kallippi, and suffered repression under the emperor Trajan (98–117). In the 280s we hear of Philumenos, a Christian corn merchant from southern Anatolia, being captured and martyred in Ankara, and Eustathius.
As in other Roman towns, the reign of Diocletian marked the culmination of the persecution of the Christians. In 303, Ancyra was one of the towns where the co-emperors Diocletian and his deputy Galerius launched their anti-Christian persecution. In Ancyra, their first target was the 38-year-old Bishop of the town, whose name was Clement. Clement's life describes how he was taken to Rome, then sent back, and forced to undergo many interrogations and hardship before he, and his brother, and various companions were put to death. The remains of the church of St. Clement can be found today in a building just off Işıklar Caddesi in the Ulus district. Quite possibly this marks the site where Clement was originally buried. Four years later, a doctor of the town named Plato and his brother Antiochus also became celebrated martyrs under Galerius. Theodotus of Ancyra is also venerated as a saint.
However, the persecution proved unsuccessful and in 314 Ancyra was the center of an important council of the early church; its 25 disciplinary canons constitute one of the most important documents in the early history of the administration of the Sacrament of Penance. The synod also considered ecclesiastical policy for the reconstruction of the Christian Church after the persecutions, and in particular the treatment of "lapsi"—Christians who had given in to forced paganism (sacrifices) to avoid martyrdom during these persecutions.
Though paganism was probably tottering in Ancyra in Clement's day, it may still have been the majority religion. Twenty years later, Christianity and monotheism had taken its place. Ancyra quickly turned into a Christian city, with a life dominated by monks and priests and theological disputes. The town council or senate gave way to the bishop as the main local figurehead. During the middle of the 4th century, Ancyra was involved in the complex theological disputes over the nature of Christ, and a form of Arianism seems to have originated there.
In 362–363, Emperor Julian passed through Ancyra on his way to an ill-fated campaign against the Persians, and according to Christian sources, engaged in a persecution of various holy men. The stone base for a statue, with an inscription describing Julian as "Lord of the whole world from the British Ocean to the barbarian nations", can still be seen, built into the eastern side of the inner circuit of the walls of Ankara Castle. The Column of Julian which was erected in honor of the emperor's visit to the city in 362 still stands today. In 375, Arian bishops met at Ancyra and deposed several bishops, among them St. Gregory of Nyssa.
In the late 4th century, Ancyra became something of an imperial holiday resort. After Constantinople became the East Roman capital, emperors in the 4th and 5th centuries would retire from the humid summer weather on the Bosporus to the drier mountain atmosphere of Ancyra. Theodosius II (408–450) kept his court in Ancyra in the summers. Laws issued in Ancyra testify to the time they spent there.
The Metropolis of Ancyra continued to be a residential see of the Eastern Orthodox Church until the 20th century, with about 40,000 faithful, mostly Turkish-speaking, but that situation ended as a result of the 1923 Convention Concerning the Exchange of Greek and Turkish Populations. The earlier Armenian genocide put an end to the residential eparchy of Ancyra of the Armenian Catholic Church, which had been established in 1850. It is also a titular metropolis of the Ecumenical Patriarchate of Constantinople.
Both the Ancient Byzantine Metropolitan archbishopric and the 'modern' Armenian eparchy are now listed by the Catholic Church as titular sees, with separate apostolic successions.
Seljuk and Ottoman history.
After the Battle of Manzikert in 1071, the Seljuk Turks overran much of Anatolia. By 1073, the Turkish settlers had reached the vicinity of Ancyra, and the city was captured shortly after, at the latest by the time of the rebellion of Nikephoros Melissenos in 1081. In 1101, when the Crusade under Raymond IV of Toulouse arrived, the city had been under Danishmend control for some time. The Crusaders captured the city, and handed it over to the Byzantine emperor Alexios I Komnenos (r. 1081–1118). Byzantine rule did not last long, and the city was captured by the Seljuk Sultanate of Rum at some unknown point; in 1127, it returned to Danishmend control until 1143, when the Seljuks of Rum retook it.
After the Battle of Köse Dağ in 1243, in which the Mongols defeated the Seljuks, most of Anatolia became part of the dominion of the Mongols. Taking advantage of Seljuk decline, a semi-religious cast of craftsmen and trade people named "Ahiler" chose Angora as their independent city-state in 1290. Orhan I, the second Bey of the Ottoman Empire, captured the city in 1356. Timur defeated Bayezid I at the Battle of Ankara in 1402 and took the city, but in 1403 Angora was again under Ottoman control.
The Levant Company maintained a factory in the town from 1639 to 1768. In the 19th century, its population was estimated at 20,000 to 60,000. It was sacked by Egyptians under Ibrahim Pasha in 1832.
From 1867 to 1922, the city served as the capital of the Angora Vilayet, which included most of ancient Galatia.
Prior to World War I, the town had a British consulate and a population of around 28,000, roughly of whom were Christian.
Turkish republican capital.
Following the Ottoman defeat in World War I, the Ottoman capital Constantinople (modern Istanbul) and much of Anatolia was occupied by the Allies, who planned to share these lands between Armenia, France, Greece, Italy and the United Kingdom, leaving for the Turks the core piece of land in central Anatolia. In response, the leader of the Turkish nationalist movement, Mustafa Kemal Atatürk, established the headquarters of his resistance movement in Angora in 1920. After the Turkish War of Independence was won and the Treaty of Sèvres was superseded by the Treaty of Lausanne (1923), the Turkish nationalists replaced the Ottoman Empire with the Republic of Turkey on 29 October 1923. A few days earlier, Angora had officially replaced Constantinople as the new Turkish capital city, on 13 October 1923, and Republican officials declared that the city's name is Ankara.
After Ankara became the capital of the newly founded Republic of Turkey, new development divided the city into an old section, called "Ulus", and a new section, called "Yenişehir". Ancient buildings reflecting Roman, Byzantine, and Ottoman history and narrow winding streets mark the old section. The new section, now centered on Kızılay Square, has the trappings of a more modern city: wide streets, hotels, theaters, shopping malls, and high-rises.
Government offices and foreign embassies are also located in the new section. Ankara has experienced a phenomenal growth since it was made Turkey's capital in 1923, when it was "a small town of no importance". In 1924, the year after the government had moved there, Ankara had about 35,000 residents. By 1927 there were 44,553 residents and by 1950 the population had grown to 286,781. Ankara continued to grow rapidly during the latter half of the 20th century and eventually outranked Izmir as Turkey's second-largest city, after Istanbul. Ankara's urban population reached 4,587,558 in 2014, while the population of Ankara Province reached 5,150,072 in 2015.
After 1930, it became known officially in Western languages as Ankara. After the late 1930s the public stopped using the name "Angora".
The Presidential Palace of Turkey is situated in Ankara. This building serves as the main residence of the president.
Economy and infrastructure.
Ankara has long been a productive agricultural region in Anatolia. In the Ottoman period, Ankara was well known for producing grain, cotton, and fruits.
The city has exported mohair (from the Angora goat) and Angora wool (from the Angora rabbit) internationally for centuries. In the 19th century, the city also exported substantial amounts of goat and cat skins, gum, wax, honey, berries, and madder root. It was connected to Istanbul by railway before the First World War, continuing to export mohair, wool, berries, and grain.
The Central Anatolia Region is one of the primary locations of grape and wine production in Turkey, and Ankara is particularly famous for its Kalecik Karası and Muscat grapes; and its Kavaklıdere wine, which is produced in the Kavaklıdere neighborhood within the Çankaya district of the city. Ankara is also famous for its pears. Another renowned natural product of Ankara is its indigenous type of honey ("Ankara Balı") which is known for its light color and is mostly produced by the Atatürk Forest Farm and Zoo in the Gazi district, and by other facilities in the Elmadağ, Çubuk and Beypazarı districts. Çubuk-1 and Çubuk-2 dams on the Çubuk Brook in Ankara were among the first dams constructed in the Turkish Republic.
Ankara is the center of the state-owned and private Turkish defence and aerospace companies, where the industrial plants and headquarters of the Turkish Aerospace Industries, MKE, ASELSAN, HAVELSAN, ROKETSAN, FNSS, Nurol Makina, and numerous other firms are located. Exports to foreign countries from these defense and aerospace firms have steadily increased in the past decades. The IDEF in Ankara is one of the largest international expositions of the global arms industry. A number of the global automotive companies also have production facilities in Ankara, such as the German bus and truck manufacturer MAN SE. Ankara hosts the OSTIM Industrial Zone, Turkey's largest industrial park.
A large percentage of the complicated employment in Ankara is provided by the state institutions; such as the ministries, subministries, and other administrative bodies of the Turkish government. There are also many foreign citizens working as diplomats or clerks in the embassies of their respective countries.
Geography.
Geographically, Ankara is located in the middle of the Kızılırmak and Sakarya rivers, and the Sakarya River forms its border with Eskişehir in the west. Ankara shares its borders with Bolu and Çankırı in the north; Konya in the south and Kırıkkale in the east.
Ankara and its province are located in the Central Anatolia Region of Turkey. The Çubuk Brook flows through the city center of Ankara. It is connected in the western suburbs of the city to the Ankara River, which is a tributary of the Sakarya River.
Climate.
Ankara has a cold semi-arid climate (Köppen climate classification: "BSk"). Under the Trewartha climate classification, Ankara has a temperate humid continental climate ("Dc"). Due to its elevation and inland location, Ankara has cold and snowy winters, and hot and dry summers. Rainfall occurs mostly during the spring and autumn. The city lies in USDA Hardiness zone 7b, and its annual average precipitation is fairly low at , nevertheless precipitation can be observed throughout the year. Monthly mean temperatures range from in January to in July, with an annual mean of .
Demographics.
Ankara had a population of 75,000 in 1927. As of 2019, the population of the Ankara Province was 5,639,076. When Ankara became the capital of the Republic of Turkey in 1923, it was designated as a planned city for 500,000 future inhabitants. During the 1920s, 1930s and 1940s, the city grew in a planned and orderly pace. However, from the 1950s onward, the city grew much faster than envisioned, because unemployment and poverty forced people to migrate from the countryside into the city in order to seek a better standard of living. As a result, many illegal houses called gecekondu were built around the city, causing the unplanned and uncontrolled urban landscape of Ankara, as not enough planned housing could be built fast enough. Although precariously built, the vast majority of them have electricity, running water and modern household amenities.
Nevertheless, many of these gecekondus have been replaced by huge public housing projects in the form of tower blocks such as Elvankent, Eryaman and Güzelkent; and also as mass housing compounds for military and civil service accommodation. Although many gecekondus still remain, they too are gradually being replaced by mass housing compounds, as empty land plots in the city of Ankara for new construction projects are becoming impossible to find.
Çorum and Yozgat, which are located in Central Anatolia and whose population is decreasing, are the provinces with the highest net migration to Ankara. About one third of the Central Anatolia population of 15,608,868 people resides in Ankara.
The literacy rate in the whole province for people who are 15 years old or older is 98.18% according to 2020 TÜİK data. Ankara Province also has the highest percentage of tertiary education graduates in Turkey with 29.08% of the population having either an undergraduate, master's or doctor's degree.
Transportation.
The "Electricity, Gas, Bus General Directorate" (EGO) operates the Ankara Metro and other forms of public transportation. Ankara is served by a suburban rail named Ankaray (A1) and three subway lines (M1, M2, M3) of the Ankara Metro with about 300,000 total daily commuters, while an additional subway line (M4) is under construction. A long gondola lift with four stations connects the district of Şentepe to the Yenimahalle metro station.
The Ankara Central Station is a major rail hub in Turkey. The Turkish State Railways operates passenger train service from Ankara to other major cities, such as: Istanbul, Eskişehir, Balıkesir, Kütahya, İzmir, Kayseri, Adana, Kars, Elazığ, Malatya, Diyarbakır, Karabük, Zonguldak and Sivas. Commuter rail also runs between the stations of Sincan and Kayaş. On 13 March 2009, the new Yüksek Hızlı Tren (YHT) high-speed rail service began operation between Ankara and Eskişehir. On 23 August 2011, another YHT high-speed line commercially started its service between Ankara and Konya. On 25 July 2014, the Ankara–Istanbul high-speed line of YHT entered service.
Esenboğa International Airport, located in the north-east of the city, is Ankara's main airport.
Ankara public transportation statistics.
The average amount of time people spend commuting on public transit in Ankara on a weekday is 71 minutes. 17% of public transit passengers, ride for more than two hours every day. The average amount of time people wait at a stop or station for public transit is sixteen minutes, while 28% of users wait for over twenty minutes on average every day. The average distance people usually ride in a single trip with public transit is , while 27% travel for over in a single direction.
Ankara public transportation statistics.
The average amount of time people spend commuting on public transit in Ankara on a weekday is 71 minutes. 17% of public transit passengers, ride for more than two hours every day. The average amount of time people wait at a stop or station for public transit is sixteen minutes, while 28% of users wait for over twenty minutes on average every day. The average distance people usually ride in a single trip with public transit is , while 27% travel for over in a single direction.
Politics.
Since 8 April 2019, the Mayor of Ankara is Mansur Yavaş from the Republican People's Party (CHP), who won the mayoral election in 2019.
Ankara is politically a triple battleground between the ruling conservative AK Party, the opposition Kemalist center-left Republican People's Party (CHP) and the nationalist far-right MHP. The province of Ankara is divided into 25 districts. The CHP's key and almost only political stronghold in Ankara lies within the central area of Çankaya, which is the city's most populous district. While the CHP has always gained between 60 and 70% of the vote in Çankaya since 2002, political support elsewhere throughout Ankara is minimal. The high population within Çankaya, as well as Yenimahalle to an extent, has allowed the CHP to take overall second place behind the AK Party in both local and general elections, with the MHP a close third, despite the fact that the MHP is politically stronger than the CHP in almost every other district. Overall, the AK Party enjoys the most support throughout the city. The electorate of Ankara thus tend to vote in favor of the political right, far more so than the other main cities of Istanbul and İzmir. In retrospect, the 2013–14 protests against the AK Party government were particularly strong in Ankara, proving to be fatal on multiple occasions. The city suffered from a series of terrorist attacks in 2015 and 2016, most notably on 10 October 2015; 17 February 2016; 13 March 2016; and 15 July 2016.
Melih Gökçek was the Metropolitan Mayor of Ankara between 1994 and 2017. Initially elected in the 1994 local elections, he was re-elected in 1999, 2004 and 2009. In the 2014 local elections, Gökçek stood for a fifth term. The MHP's metropolitan mayoral candidate for the 2009 local elections, Mansur Yavaş, stood as the CHP's candidate against Gökçek in 2014. In a heavily controversial election, Gökçek was declared the winner by just 1% ahead of Yavaş amid allegations of systematic electoral fraud. With the Supreme Electoral Council and courts rejecting his appeals, Yavaş declared his intention to take the irregularities to the European Court of Human Rights. Although Gökçek was inaugurated for a fifth term, most election observers believe that Yavaş was the winner of the election. Gökçek resigned on 28 October 2017 and was replaced by the former mayor of Sincan district, Mustafa Tuna; who was succeeded by Mansur Yavaş of the CHP, the current Mayor of Ankara, elected in 2019.
Main sights.
Ancient/archeological sites.
Ankara Citadel.
The foundations of the Ankara castle and citadel were laid by the Galatians on a prominent lava outcrop (), and the rest was completed by the Romans. The Byzantines and Seljuks further made restorations and additions. The area around and inside the citadel, being the oldest part of Ankara, contains many fine examples of traditional architecture. There are also recreational areas to relax. Many restored traditional Turkish houses inside the citadel area have found new life as restaurants, serving local cuisine.
The citadel was depicted in various Turkish banknotes during 1927–1952 and 1983–1989.
Roman Theater.
The remains, the stage, and the backstage of the Roman theater can be seen outside the castle. Roman statues that were found here are exhibited in the Museum of Anatolian Civilizations. The seating area is still under excavation.
Temple of Augustus and Rome.
The Augusteum, now known as the Temple of Augustus and Rome, was built 25 20 BC following the conquest of Central Anatolia by the Roman Empire. Ancyra then formed the capital of the new province of Galatia. After the death of Augustus in AD 14, a copy of the text of the "Res Gestae Divi Augusti" (the "Monumentum Ancyranum") was inscribed on the interior of the temple's ' in Latin and a Greek translation on an exterior wall of the '. The temple on the ancient acropolis of Ancyra was enlarged in the 2nd century and converted into a church in the 5th century. It is located in the Ulus quarter of the city. It was subsequently publicized by the Austrian ambassador Ogier Ghiselin de Busbecq in the 16th century.
Roman Baths.
The Roman Baths of Ankara have all the typical features of a classical Roman bath complex: a "frigidarium" (cold room), a "tepidarium" (warm room) and a "caldarium" (hot room). The baths were built during the reign of the Roman emperor Caracalla in the early 3rd century to honor Asclepios, the God of Medicine. Today, only the basement and first floors remain. It is situated in the Ulus quarter.
Roman Road.
The Roman Road of Ankara or "Cardo Maximus" was found in 1995 by Turkish archeologist Cevdet Bayburtluoğlu. It is long and wide. Many ancient artifacts were discovered during the excavations along the road and most of them are displayed at the Museum of Anatolian Civilizations.
Column of Julian.
The Column of Julian or Julianus, now in the Ulus district, was erected in honor of the Roman emperor Julian the Apostate's visit to Ancyra in 362.
Mosques.
Kocatepe Mosque.
Kocatepe Mosque is the largest mosque in the city. Located in the Kocatepe quarter, it was constructed between 1967 and 1987 in classical Ottoman style with four minarets. Its size and prominent location have made it a landmark for the city.
Ahmet Hamdi Akseki Mosque.
Ahmet Hamdi Akseki Mosque is located near the Presidency of Religious Affairs on the Eskişehir Road. Built in the Turkish neoclassical style, it is one of the largest new mosques in the city, completed and opened in 2013. It can accommodate 6 thousand people during general prayers, and up to 30 thousand people during funeral prayers. The mosque was decorated with Anatolian Seljuk style patterns.
Yeni (Cenab Ahmet) Mosque.
It is the largest Ottoman mosque in Ankara and was built by the famous architect Sinan in the 16th century. The mimber (pulpit) and mihrap (prayer niche) are of white marble, and the mosque itself is of Ankara stone, an example of very fine workmanship.
Hacı Bayram Mosque.
This mosque, in the Ulus quarter next to the Temple of Augustus, was built in the early 15th century in Seljuk style by an unknown architect. It was subsequently restored by architect Mimar Sinan in the 16th century, with Kütahya tiles being added in the 18th century. The mosque was built in honor of Hacı Bayram-ı Veli, whose tomb is next to the mosque, two years before his death (1427–28). The usable space inside this mosque is on the first floor and on the second floor.
Ahi Elvan Mosque.
It was founded in the Ulus quarter near the Ankara Citadel and was constructed by the Ahi fraternity during the late 14th and early 15th centuries. The finely carved walnut mimber (pulpit) is of particular interest.
Alâeddin Mosque.
The Alâeddin Mosque is the oldest mosque in Ankara. It has a carved walnut mimber, the inscription on which records that the mosque was completed in early AH 574 (which corresponds to the summer of 1178 AD) and was built by the Seljuk prince Muhiddin Mesud Şah (died 1204), the Bey of Ankara, who was the son of the Anatolian Seljuk sultan Kılıç Arslan II (reigned 1156–1192.)
Modern monuments.
Victory Monument.
The "Victory Monument" (Turkish: "") was crafted by Austrian sculptor Heinrich Krippel in 1925 and was erected in 1927 at Ulus Square. The monument is made of marble and bronze and features an equestrian statue of Mustafa Kemal Atatürk, who wears a Republic era modern military uniform, with the rank Field Marshal.
Statue of Atatürk.
Located at Zafer(Victory) Square (Turkish: "Zafer Meydanı"), the marble and bronze statue was crafted by the renowned Italian sculptor Pietro Canonica in 1927 and depicts a standing Atatürk who wears a Republic era modern military uniform, with the rank Field Marshal.
Monument to a Secure, Confident Future.
This monument, located in Güven Park near Kızılay Square, was erected in 1935 and bears Atatürk's advice to his people: "Turk! Be proud, work hard, and believe in yourself." (There is debate on whether or not Atatürk actually said "Use your mind"(Turkish: öğün) instead of "Be proud"(Turkish: övün))
The monument was depicted on the reverse of the Turkish 5 lira banknote of 1937–1952 and of the 1000 lira banknotes of 1939–1946.
Hatti Monument.
Erected in 1978 at Sıhhiye Square, this impressive monument symbolizes the Hatti Sun Disc (which was later adopted by the Hittites) and commemorates Anatolia's earliest known civilization. The Hatti Sun Disc has been used in the previous logo of Ankara Metropolitan Municipality. It was also used in the previous logo of the Ministry of Culture & Tourism.
Inns.
Suluhan.
Suluhan is a historical Inn in Ankara. It is also called the "Hasanpaşa Han". It is about southeast of Ulus Square and situated in the Hacıdoğan neighborhood. According to the "vakfiye" (inscription) of the building, the Ottoman era "han" was commissioned by Hasan Pasha, a regional beylerbey, and was constructed between 1508 and 1511, during the final years of the reign of Sultan Bayezid II.
There are 102 rooms (now shops) which face the two yards. In each room there is a window, a niche and a chimney.
Çengelhan Rahmi Koç Museum.
Çengelhan Rahmi Koç Museum is a museum of industrial technology situated in , an Ottoman era Inn which was completed in 1523, during the early years of the reign of Sultan Suleiman the Magnificent. The exhibits include industrial/technological artifacts from the 1850s onwards. There are also sections about Mustafa Kemal Atatürk, the founder of modern Turkey; Vehbi Koç, Rahmi Koç's father and one of the first industrialists of Turkey, and Ankara city.
Ancient/archeological sites.
Ankara Citadel.
The foundations of the Ankara castle and citadel were laid by the Galatians on a prominent lava outcrop (), and the rest was completed by the Romans. The Byzantines and Seljuks further made restorations and additions. The area around and inside the citadel, being the oldest part of Ankara, contains many fine examples of traditional architecture. There are also recreational areas to relax. Many restored traditional Turkish houses inside the citadel area have found new life as restaurants, serving local cuisine.
The citadel was depicted in various Turkish banknotes during 1927–1952 and 1983–1989.
Roman Theater.
The remains, the stage, and the backstage of the Roman theater can be seen outside the castle. Roman statues that were found here are exhibited in the Museum of Anatolian Civilizations. The seating area is still under excavation.
Temple of Augustus and Rome.
The Augusteum, now known as the Temple of Augustus and Rome, was built 25 20 BC following the conquest of Central Anatolia by the Roman Empire. Ancyra then formed the capital of the new province of Galatia. After the death of Augustus in AD 14, a copy of the text of the "Res Gestae Divi Augusti" (the "Monumentum Ancyranum") was inscribed on the interior of the temple's ' in Latin and a Greek translation on an exterior wall of the '. The temple on the ancient acropolis of Ancyra was enlarged in the 2nd century and converted into a church in the 5th century. It is located in the Ulus quarter of the city. It was subsequently publicized by the Austrian ambassador Ogier Ghiselin de Busbecq in the 16th century.
Roman Baths.
The Roman Baths of Ankara have all the typical features of a classical Roman bath complex: a "frigidarium" (cold room), a "tepidarium" (warm room) and a "caldarium" (hot room). The baths were built during the reign of the Roman emperor Caracalla in the early 3rd century to honor Asclepios, the God of Medicine. Today, only the basement and first floors remain. It is situated in the Ulus quarter.
Roman Road.
The Roman Road of Ankara or "Cardo Maximus" was found in 1995 by Turkish archeologist Cevdet Bayburtluoğlu. It is long and wide. Many ancient artifacts were discovered during the excavations along the road and most of them are displayed at the Museum of Anatolian Civilizations.
Column of Julian.
The Column of Julian or Julianus, now in the Ulus district, was erected in honor of the Roman emperor Julian the Apostate's visit to Ancyra in 362.
Ankara Citadel.
The foundations of the Ankara castle and citadel were laid by the Galatians on a prominent lava outcrop (), and the rest was completed by the Romans. The Byzantines and Seljuks further made restorations and additions. The area around and inside the citadel, being the oldest part of Ankara, contains many fine examples of traditional architecture. There are also recreational areas to relax. Many restored traditional Turkish houses inside the citadel area have found new life as restaurants, serving local cuisine.
The citadel was depicted in various Turkish banknotes during 1927–1952 and 1983–1989.
Roman Theater.
The remains, the stage, and the backstage of the Roman theater can be seen outside the castle. Roman statues that were found here are exhibited in the Museum of Anatolian Civilizations. The seating area is still under excavation.
Temple of Augustus and Rome.
The Augusteum, now known as the Temple of Augustus and Rome, was built 25 20 BC following the conquest of Central Anatolia by the Roman Empire. Ancyra then formed the capital of the new province of Galatia. After the death of Augustus in AD 14, a copy of the text of the "Res Gestae Divi Augusti" (the "Monumentum Ancyranum") was inscribed on the interior of the temple's ' in Latin and a Greek translation on an exterior wall of the '. The temple on the ancient acropolis of Ancyra was enlarged in the 2nd century and converted into a church in the 5th century. It is located in the Ulus quarter of the city. It was subsequently publicized by the Austrian ambassador Ogier Ghiselin de Busbecq in the 16th century.
Roman Baths.
The Roman Baths of Ankara have all the typical features of a classical Roman bath complex: a "frigidarium" (cold room), a "tepidarium" (warm room) and a "caldarium" (hot room). The baths were built during the reign of the Roman emperor Caracalla in the early 3rd century to honor Asclepios, the God of Medicine. Today, only the basement and first floors remain. It is situated in the Ulus quarter.
Roman Road.
The Roman Road of Ankara or "Cardo Maximus" was found in 1995 by Turkish archeologist Cevdet Bayburtluoğlu. It is long and wide. Many ancient artifacts were discovered during the excavations along the road and most of them are displayed at the Museum of Anatolian Civilizations.
Column of Julian.
The Column of Julian or Julianus, now in the Ulus district, was erected in honor of the Roman emperor Julian the Apostate's visit to Ancyra in 362.
Mosques.
Kocatepe Mosque.
Kocatepe Mosque is the largest mosque in the city. Located in the Kocatepe quarter, it was constructed between 1967 and 1987 in classical Ottoman style with four minarets. Its size and prominent location have made it a landmark for the city.
Ahmet Hamdi Akseki Mosque.
Ahmet Hamdi Akseki Mosque is located near the Presidency of Religious Affairs on the Eskişehir Road. Built in the Turkish neoclassical style, it is one of the largest new mosques in the city, completed and opened in 2013. It can accommodate 6 thousand people during general prayers, and up to 30 thousand people during funeral prayers. The mosque was decorated with Anatolian Seljuk style patterns.
Yeni (Cenab Ahmet) Mosque.
It is the largest Ottoman mosque in Ankara and was built by the famous architect Sinan in the 16th century. The mimber (pulpit) and mihrap (prayer niche) are of white marble, and the mosque itself is of Ankara stone, an example of very fine workmanship.
Hacı Bayram Mosque.
This mosque, in the Ulus quarter next to the Temple of Augustus, was built in the early 15th century in Seljuk style by an unknown architect. It was subsequently restored by architect Mimar Sinan in the 16th century, with Kütahya tiles being added in the 18th century. The mosque was built in honor of Hacı Bayram-ı Veli, whose tomb is next to the mosque, two years before his death (1427–28). The usable space inside this mosque is on the first floor and on the second floor.
Ahi Elvan Mosque.
It was founded in the Ulus quarter near the Ankara Citadel and was constructed by the Ahi fraternity during the late 14th and early 15th centuries. The finely carved walnut mimber (pulpit) is of particular interest.
Alâeddin Mosque.
The Alâeddin Mosque is the oldest mosque in Ankara. It has a carved walnut mimber, the inscription on which records that the mosque was completed in early AH 574 (which corresponds to the summer of 1178 AD) and was built by the Seljuk prince Muhiddin Mesud Şah (died 1204), the Bey of Ankara, who was the son of the Anatolian Seljuk sultan Kılıç Arslan II (reigned 1156–1192.)
Kocatepe Mosque.
Kocatepe Mosque is the largest mosque in the city. Located in the Kocatepe quarter, it was constructed between 1967 and 1987 in classical Ottoman style with four minarets. Its size and prominent location have made it a landmark for the city.
Ahmet Hamdi Akseki Mosque.
Ahmet Hamdi Akseki Mosque is located near the Presidency of Religious Affairs on the Eskişehir Road. Built in the Turkish neoclassical style, it is one of the largest new mosques in the city, completed and opened in 2013. It can accommodate 6 thousand people during general prayers, and up to 30 thousand people during funeral prayers. The mosque was decorated with Anatolian Seljuk style patterns.
Yeni (Cenab Ahmet) Mosque.
It is the largest Ottoman mosque in Ankara and was built by the famous architect Sinan in the 16th century. The mimber (pulpit) and mihrap (prayer niche) are of white marble, and the mosque itself is of Ankara stone, an example of very fine workmanship.
Hacı Bayram Mosque.
This mosque, in the Ulus quarter next to the Temple of Augustus, was built in the early 15th century in Seljuk style by an unknown architect. It was subsequently restored by architect Mimar Sinan in the 16th century, with Kütahya tiles being added in the 18th century. The mosque was built in honor of Hacı Bayram-ı Veli, whose tomb is next to the mosque, two years before his death (1427–28). The usable space inside this mosque is on the first floor and on the second floor.
Ahi Elvan Mosque.
It was founded in the Ulus quarter near the Ankara Citadel and was constructed by the Ahi fraternity during the late 14th and early 15th centuries. The finely carved walnut mimber (pulpit) is of particular interest.
Alâeddin Mosque.
The Alâeddin Mosque is the oldest mosque in Ankara. It has a carved walnut mimber, the inscription on which records that the mosque was completed in early AH 574 (which corresponds to the summer of 1178 AD) and was built by the Seljuk prince Muhiddin Mesud Şah (died 1204), the Bey of Ankara, who was the son of the Anatolian Seljuk sultan Kılıç Arslan II (reigned 1156–1192.)
Modern monuments.
Victory Monument.
The "Victory Monument" (Turkish: "") was crafted by Austrian sculptor Heinrich Krippel in 1925 and was erected in 1927 at Ulus Square. The monument is made of marble and bronze and features an equestrian statue of Mustafa Kemal Atatürk, who wears a Republic era modern military uniform, with the rank Field Marshal.
Statue of Atatürk.
Located at Zafer(Victory) Square (Turkish: "Zafer Meydanı"), the marble and bronze statue was crafted by the renowned Italian sculptor Pietro Canonica in 1927 and depicts a standing Atatürk who wears a Republic era modern military uniform, with the rank Field Marshal.
Monument to a Secure, Confident Future.
This monument, located in Güven Park near Kızılay Square, was erected in 1935 and bears Atatürk's advice to his people: "Turk! Be proud, work hard, and believe in yourself." (There is debate on whether or not Atatürk actually said "Use your mind"(Turkish: öğün) instead of "Be proud"(Turkish: övün))
The monument was depicted on the reverse of the Turkish 5 lira banknote of 1937–1952 and of the 1000 lira banknotes of 1939–1946.
Hatti Monument.
Erected in 1978 at Sıhhiye Square, this impressive monument symbolizes the Hatti Sun Disc (which was later adopted by the Hittites) and commemorates Anatolia's earliest known civilization. The Hatti Sun Disc has been used in the previous logo of Ankara Metropolitan Municipality. It was also used in the previous logo of the Ministry of Culture & Tourism.
Victory Monument.
The "Victory Monument" (Turkish: "") was crafted by Austrian sculptor Heinrich Krippel in 1925 and was erected in 1927 at Ulus Square. The monument is made of marble and bronze and features an equestrian statue of Mustafa Kemal Atatürk, who wears a Republic era modern military uniform, with the rank Field Marshal.
Statue of Atatürk.
Located at Zafer(Victory) Square (Turkish: "Zafer Meydanı"), the marble and bronze statue was crafted by the renowned Italian sculptor Pietro Canonica in 1927 and depicts a standing Atatürk who wears a Republic era modern military uniform, with the rank Field Marshal.
Monument to a Secure, Confident Future.
This monument, located in Güven Park near Kızılay Square, was erected in 1935 and bears Atatürk's advice to his people: "Turk! Be proud, work hard, and believe in yourself." (There is debate on whether or not Atatürk actually said "Use your mind"(Turkish: öğün) instead of "Be proud"(Turkish: övün))
The monument was depicted on the reverse of the Turkish 5 lira banknote of 1937–1952 and of the 1000 lira banknotes of 1939–1946.
Hatti Monument.
Erected in 1978 at Sıhhiye Square, this impressive monument symbolizes the Hatti Sun Disc (which was later adopted by the Hittites) and commemorates Anatolia's earliest known civilization. The Hatti Sun Disc has been used in the previous logo of Ankara Metropolitan Municipality. It was also used in the previous logo of the Ministry of Culture & Tourism.
Inns.
Suluhan.
Suluhan is a historical Inn in Ankara. It is also called the "Hasanpaşa Han". It is about southeast of Ulus Square and situated in the Hacıdoğan neighborhood. According to the "vakfiye" (inscription) of the building, the Ottoman era "han" was commissioned by Hasan Pasha, a regional beylerbey, and was constructed between 1508 and 1511, during the final years of the reign of Sultan Bayezid II.
There are 102 rooms (now shops) which face the two yards. In each room there is a window, a niche and a chimney.
Çengelhan Rahmi Koç Museum.
Çengelhan Rahmi Koç Museum is a museum of industrial technology situated in , an Ottoman era Inn which was completed in 1523, during the early years of the reign of Sultan Suleiman the Magnificent. The exhibits include industrial/technological artifacts from the 1850s onwards. There are also sections about Mustafa Kemal Atatürk, the founder of modern Turkey; Vehbi Koç, Rahmi Koç's father and one of the first industrialists of Turkey, and Ankara city.
Suluhan.
Suluhan is a historical Inn in Ankara. It is also called the "Hasanpaşa Han". It is about southeast of Ulus Square and situated in the Hacıdoğan neighborhood. According to the "vakfiye" (inscription) of the building, the Ottoman era "han" was commissioned by Hasan Pasha, a regional beylerbey, and was constructed between 1508 and 1511, during the final years of the reign of Sultan Bayezid II.
There are 102 rooms (now shops) which face the two yards. In each room there is a window, a niche and a chimney.
Çengelhan Rahmi Koç Museum.
Çengelhan Rahmi Koç Museum is a museum of industrial technology situated in , an Ottoman era Inn which was completed in 1523, during the early years of the reign of Sultan Suleiman the Magnificent. The exhibits include industrial/technological artifacts from the 1850s onwards. There are also sections about Mustafa Kemal Atatürk, the founder of modern Turkey; Vehbi Koç, Rahmi Koç's father and one of the first industrialists of Turkey, and Ankara city.
Shopping.
Foreign visitors to Ankara usually like to visit the old shops in "Çıkrıkçılar Yokuşu" (Weavers' Road) near Ulus, where myriad things ranging from traditional fabrics, hand-woven carpets and leather products can be found at bargain prices. "Bakırcılar Çarşısı" (Bazaar of Coppersmiths) is particularly popular, and many interesting items, not just of copper, can be found here like jewelry, carpets, costumes, antiques and embroidery. Up the hill to the castle gate, there are many shops selling a huge and fresh collection of spices, dried fruits, nuts, and other produce.
Modern shopping areas are mostly found in Kızılay, or on Tunalı Hilmi Avenue, including the modern mall of Karum (named after the ancient Assyrian merchant colonies called "Kârum" that were established in central Anatolia at the beginning of the 2nd millennium BC) which is located towards the end of the Avenue; and in Çankaya, the quarter with the highest elevation in the city. Atakule Tower next to Atrium Mall in Çankaya has views over Ankara and also has a revolving restaurant at the top. The symbol of the Armada Shopping Mall is an anchor, and there's a large anchor monument at its entrance, as a reference to the ancient Greek name of the city, Ἄγκυρα (Ánkyra), which means anchor. Likewise, the anchor monument is also related with the Spanish name of the mall, Armada, which means naval fleet.
As Ankara started expanding westward in the 1970s, several modern, suburbia-style developments and mini-cities began to rise along the western highway, also known as the Eskişehir Road. The "Armada", "CEPA" and "Kentpark" malls on the highway, the "Galleria", "Arcadium" and "Gordion" in Ümitköy, and a huge mall, "Real" in Bilkent Center, offer North American and European style shopping opportunities (these places can be reached through the Eskişehir Highway.) There is also the newly expanded "ANKAmall" at the outskirts, on the Istanbul Highway, which houses most of the well-known international brands. This mall is the largest throughout the Ankara region. In 2014, a few more shopping malls were open in Ankara. They are "Next Level" and "Taurus" on the Boulevard of Mevlana (also known as Konya Road).
Culture.
The arts.
Turkish State Opera and Ballet, the national directorate of opera and ballet companies of Turkey, has its headquarters in Ankara, and serves the city with three venues:
Music.
Ankara is host to five classical music orchestras:
There are four concert halls in the city:
The city has been host to several well-established, annual theater, music, film festivals:
Ankara also has a number of concert venues such as "Eskiyeni", "IF Performance Hall", "Jolly Joker", "Kite", "Nefes Bar", and "Route", which host the live performances and events of popular musicians.
Theater.
The Turkish State Theatres also has its head office in Ankara and runs the following stages in the city:
In addition, the city is served by several private theater companies, among which , who have their own stage in the city center, is a notable example.
Museums.
There are about 50 museums in the city.
Museum of Anatolian Civilizations.
The Museum of Anatolian Civilizations ("Anadolu Medeniyetleri Müzesi") is situated at the entrance of the Ankara Castle. It is an old 15th century bedesten (covered bazaar) that has been restored and now houses a collection of Paleolithic, Neolithic, Hatti, Hittite, Phrygian, Urartian and Roman works as well as a major section dedicated to Lydian treasures.
Anıtkabir.
Anıtkabir is located on an imposing hill, which forms the "Anıttepe" quarter of the city, where the mausoleum of Mustafa Kemal Atatürk, founder of the Republic of Turkey, stands. Completed in 1953, it is an impressive fusion of ancient and modern architectural styles. An adjacent museum houses a wax statue of Atatürk, his writings, letters and personal items, as well as an exhibition of photographs recording important moments in his life and during the establishment of the Republic. Anıtkabir is open every day, while the adjacent museum is open every day except Mondays.
Ankara Ethnography Museum.
Ankara Ethnography Museum ("Etnoğrafya Müzesi") is located opposite to the Ankara Opera House on Talat Paşa Boulevard, in the Ulus district. There is a fine collection of folkloric items, as well as artifacts from the Seljuk and Ottoman periods. In front of the museum building, there is a marble and bronze equestrian statue of Mustafa Kemal Atatürk (who wears a Republic era modern military uniform, with the rank Field Marshal) which was crafted in 1927 by the renowned Italian sculptor Pietro Canonica.
State Art and Sculpture Museum.
The State Art and Sculpture Museum ("Resim-Heykel Müzesi") which opened to the public in 1980 is close to the Ethnography Museum and houses a rich collection of Turkish art from the late 19th century to the present day. There are also galleries which host guest exhibitions.
Cer Modern.
Cer Modern is the modern-arts museum of Ankara, inaugurated on 1 April 2010. It is situated in the renovated building of the historic TCDD Cer Atölyeleri, formerly a workshop of the Turkish State Railways. The museum incorporates the largest exhibition hall in Turkey. The museum holds periodic exhibitions of modern and contemporary art as well as hosting other contemporary arts events.
War of Independence Museum.
The War of Independence Museum ("Kurtuluş Savaşı Müzesi") is located on Ulus Square. It was originally the first Parliament building (TBMM) of the Republic of Turkey. The War of Independence was planned and directed here as recorded in various photographs and items presently on exhibition. In another display, wax figures of former presidents of the Republic of Turkey are on exhibit.
Mehmet Akif Literature Museum Library.
The Mehmet Akif Literature Museum Library is an important literary museum and archive opened in 2011 and dedicated to Mehmet Akif Ersoy (1873–1936), the poet of the Turkish National Anthem.
TCDD Open Air Steam Locomotive Museum.
The TCDD Open Air Steam Locomotive Museum is an open-air museum which traces the history of steam locomotives.
Ankara Aviation Museum.
Ankara Aviation Museum ("Hava Kuvvetleri Müzesi Komutanlığı") is located near the Istanbul Road in Etimesgut. The museum opened to the public in September 1998. It is home to various missiles, avionics, aviation materials and aircraft that have served in the Turkish Air Force (e.g. combat aircraft such as the F-86 Sabre, F-100 Super Sabre, F-102 Delta Dagger, F-104 Starfighter, F-5 Freedom Fighter, F-4 Phantom; and cargo planes such as the Transall C-160.) Also a Hungarian MiG-21, a Pakistani MiG-19, and a Bulgarian MiG-17 are on display at the museum.
METU Science and Technology Museum.
The METU Science and Technology Museum ("ODTÜ Bilim ve Teknoloji Müzesi") is located inside the Middle East Technical University campus.
Sports.
As with all other cities of Turkey, football is the most popular sport in Ankara. The city has two football clubs competing in the Turkish Süper Lig: Ankaragücü, founded in 1910, is the oldest club in Ankara and is associated with Ankara's military arsenal manufacturing company MKE. They were the Turkish Cup winners in 1972 and 1981. Gençlerbirliği, founded in 1923, are known as the "Ankara Gale" or the "Poppies" because of their colors: red and black. They were the Turkish Cup winners in 1987 and 2001. Gençlerbirliği's B team, Hacettepe S.K. (formerly known as Gençlerbirliği OFTAŞ) played in the Süper Lig but currently plays in the TFF Second League. A fourth team, Büyükşehir Belediye Ankaraspor, played in the Süper Lig until 2010, when they were expelled. The club was reconstituted in 2014 as Osmanlıspor but have since returned to their old identity as Ankaraspor. Ankaraspor currently play in the TFF First League at the Osmanlı Stadium in the Sincan district of Yenikent, outside the city center. Keçiörengücü also currently play in the TFF First League.
Ankara has a large number of minor teams, playing at regional levels. In the TFF Second League: Mamak FK in Mamak, Ankara Demirspor in Çankaya, Etimesgut Belediyespor in Etimesgut; in the TFF Third League: Çankaya FK in Keçiören; Altındağspor in Altındağ; in the Amateur League: Turanspor in Etimesgut, Türk Telekomspor owned by the phone company in Yenimahalle, Çubukspor in Çubuk, and Bağlumspor in Keçiören.
In the Turkish Basketball League, Ankara is represented by Türk Telekom, whose home is the Ankara Arena, and CASA TED Kolejliler, whose home is the TOBB Sports Hall.
Halkbank Ankara is the leading domestic powerhouse in men's volleyball, having won many championships and cups in the Turkish Men's Volleyball League and even the CEV Cup in 2013.
Ankara Buz Pateni Sarayı is where the ice skating and ice hockey competitions take place in the city.
There are many popular spots for skateboarding which is active in the city since the 1980s. Skaters in Ankara usually meet in the park near the Grand National Assembly of Turkey.
The 2012-built THF Sport Hall hosts the Handball Super League and Women's Handball Super League matches scheduled in Ankara.
The arts.
Turkish State Opera and Ballet, the national directorate of opera and ballet companies of Turkey, has its headquarters in Ankara, and serves the city with three venues:
Music.
Ankara is host to five classical music orchestras:
There are four concert halls in the city:
The city has been host to several well-established, annual theater, music, film festivals:
Ankara also has a number of concert venues such as "Eskiyeni", "IF Performance Hall", "Jolly Joker", "Kite", "Nefes Bar", and "Route", which host the live performances and events of popular musicians.
Theater.
The Turkish State Theatres also has its head office in Ankara and runs the following stages in the city:
In addition, the city is served by several private theater companies, among which , who have their own stage in the city center, is a notable example.
Music.
Ankara is host to five classical music orchestras:
There are four concert halls in the city:
The city has been host to several well-established, annual theater, music, film festivals:
Ankara also has a number of concert venues such as "Eskiyeni", "IF Performance Hall", "Jolly Joker", "Kite", "Nefes Bar", and "Route", which host the live performances and events of popular musicians.
Theater.
The Turkish State Theatres also has its head office in Ankara and runs the following stages in the city:
In addition, the city is served by several private theater companies, among which , who have their own stage in the city center, is a notable example.
Museums.
There are about 50 museums in the city.
Museum of Anatolian Civilizations.
The Museum of Anatolian Civilizations ("Anadolu Medeniyetleri Müzesi") is situated at the entrance of the Ankara Castle. It is an old 15th century bedesten (covered bazaar) that has been restored and now houses a collection of Paleolithic, Neolithic, Hatti, Hittite, Phrygian, Urartian and Roman works as well as a major section dedicated to Lydian treasures.
Anıtkabir.
Anıtkabir is located on an imposing hill, which forms the "Anıttepe" quarter of the city, where the mausoleum of Mustafa Kemal Atatürk, founder of the Republic of Turkey, stands. Completed in 1953, it is an impressive fusion of ancient and modern architectural styles. An adjacent museum houses a wax statue of Atatürk, his writings, letters and personal items, as well as an exhibition of photographs recording important moments in his life and during the establishment of the Republic. Anıtkabir is open every day, while the adjacent museum is open every day except Mondays.
Ankara Ethnography Museum.
Ankara Ethnography Museum ("Etnoğrafya Müzesi") is located opposite to the Ankara Opera House on Talat Paşa Boulevard, in the Ulus district. There is a fine collection of folkloric items, as well as artifacts from the Seljuk and Ottoman periods. In front of the museum building, there is a marble and bronze equestrian statue of Mustafa Kemal Atatürk (who wears a Republic era modern military uniform, with the rank Field Marshal) which was crafted in 1927 by the renowned Italian sculptor Pietro Canonica.
State Art and Sculpture Museum.
The State Art and Sculpture Museum ("Resim-Heykel Müzesi") which opened to the public in 1980 is close to the Ethnography Museum and houses a rich collection of Turkish art from the late 19th century to the present day. There are also galleries which host guest exhibitions.
Cer Modern.
Cer Modern is the modern-arts museum of Ankara, inaugurated on 1 April 2010. It is situated in the renovated building of the historic TCDD Cer Atölyeleri, formerly a workshop of the Turkish State Railways. The museum incorporates the largest exhibition hall in Turkey. The museum holds periodic exhibitions of modern and contemporary art as well as hosting other contemporary arts events.
War of Independence Museum.
The War of Independence Museum ("Kurtuluş Savaşı Müzesi") is located on Ulus Square. It was originally the first Parliament building (TBMM) of the Republic of Turkey. The War of Independence was planned and directed here as recorded in various photographs and items presently on exhibition. In another display, wax figures of former presidents of the Republic of Turkey are on exhibit.
Mehmet Akif Literature Museum Library.
The Mehmet Akif Literature Museum Library is an important literary museum and archive opened in 2011 and dedicated to Mehmet Akif Ersoy (1873–1936), the poet of the Turkish National Anthem.
TCDD Open Air Steam Locomotive Museum.
The TCDD Open Air Steam Locomotive Museum is an open-air museum which traces the history of steam locomotives.
Ankara Aviation Museum.
Ankara Aviation Museum ("Hava Kuvvetleri Müzesi Komutanlığı") is located near the Istanbul Road in Etimesgut. The museum opened to the public in September 1998. It is home to various missiles, avionics, aviation materials and aircraft that have served in the Turkish Air Force (e.g. combat aircraft such as the F-86 Sabre, F-100 Super Sabre, F-102 Delta Dagger, F-104 Starfighter, F-5 Freedom Fighter, F-4 Phantom; and cargo planes such as the Transall C-160.) Also a Hungarian MiG-21, a Pakistani MiG-19, and a Bulgarian MiG-17 are on display at the museum.
METU Science and Technology Museum.
The METU Science and Technology Museum ("ODTÜ Bilim ve Teknoloji Müzesi") is located inside the Middle East Technical University campus.
Museum of Anatolian Civilizations.
The Museum of Anatolian Civilizations ("Anadolu Medeniyetleri Müzesi") is situated at the entrance of the Ankara Castle. It is an old 15th century bedesten (covered bazaar) that has been restored and now houses a collection of Paleolithic, Neolithic, Hatti, Hittite, Phrygian, Urartian and Roman works as well as a major section dedicated to Lydian treasures.
Anıtkabir.
Anıtkabir is located on an imposing hill, which forms the "Anıttepe" quarter of the city, where the mausoleum of Mustafa Kemal Atatürk, founder of the Republic of Turkey, stands. Completed in 1953, it is an impressive fusion of ancient and modern architectural styles. An adjacent museum houses a wax statue of Atatürk, his writings, letters and personal items, as well as an exhibition of photographs recording important moments in his life and during the establishment of the Republic. Anıtkabir is open every day, while the adjacent museum is open every day except Mondays.
Ankara Ethnography Museum.
Ankara Ethnography Museum ("Etnoğrafya Müzesi") is located opposite to the Ankara Opera House on Talat Paşa Boulevard, in the Ulus district. There is a fine collection of folkloric items, as well as artifacts from the Seljuk and Ottoman periods. In front of the museum building, there is a marble and bronze equestrian statue of Mustafa Kemal Atatürk (who wears a Republic era modern military uniform, with the rank Field Marshal) which was crafted in 1927 by the renowned Italian sculptor Pietro Canonica.
State Art and Sculpture Museum.
The State Art and Sculpture Museum ("Resim-Heykel Müzesi") which opened to the public in 1980 is close to the Ethnography Museum and houses a rich collection of Turkish art from the late 19th century to the present day. There are also galleries which host guest exhibitions.
Cer Modern.
Cer Modern is the modern-arts museum of Ankara, inaugurated on 1 April 2010. It is situated in the renovated building of the historic TCDD Cer Atölyeleri, formerly a workshop of the Turkish State Railways. The museum incorporates the largest exhibition hall in Turkey. The museum holds periodic exhibitions of modern and contemporary art as well as hosting other contemporary arts events.
War of Independence Museum.
The War of Independence Museum ("Kurtuluş Savaşı Müzesi") is located on Ulus Square. It was originally the first Parliament building (TBMM) of the Republic of Turkey. The War of Independence was planned and directed here as recorded in various photographs and items presently on exhibition. In another display, wax figures of former presidents of the Republic of Turkey are on exhibit.
Mehmet Akif Literature Museum Library.
The Mehmet Akif Literature Museum Library is an important literary museum and archive opened in 2011 and dedicated to Mehmet Akif Ersoy (1873–1936), the poet of the Turkish National Anthem.
TCDD Open Air Steam Locomotive Museum.
The TCDD Open Air Steam Locomotive Museum is an open-air museum which traces the history of steam locomotives.
Ankara Aviation Museum.
Ankara Aviation Museum ("Hava Kuvvetleri Müzesi Komutanlığı") is located near the Istanbul Road in Etimesgut. The museum opened to the public in September 1998. It is home to various missiles, avionics, aviation materials and aircraft that have served in the Turkish Air Force (e.g. combat aircraft such as the F-86 Sabre, F-100 Super Sabre, F-102 Delta Dagger, F-104 Starfighter, F-5 Freedom Fighter, F-4 Phantom; and cargo planes such as the Transall C-160.) Also a Hungarian MiG-21, a Pakistani MiG-19, and a Bulgarian MiG-17 are on display at the museum.
METU Science and Technology Museum.
The METU Science and Technology Museum ("ODTÜ Bilim ve Teknoloji Müzesi") is located inside the Middle East Technical University campus.
Sports.
As with all other cities of Turkey, football is the most popular sport in Ankara. The city has two football clubs competing in the Turkish Süper Lig: Ankaragücü, founded in 1910, is the oldest club in Ankara and is associated with Ankara's military arsenal manufacturing company MKE. They were the Turkish Cup winners in 1972 and 1981. Gençlerbirliği, founded in 1923, are known as the "Ankara Gale" or the "Poppies" because of their colors: red and black. They were the Turkish Cup winners in 1987 and 2001. Gençlerbirliği's B team, Hacettepe S.K. (formerly known as Gençlerbirliği OFTAŞ) played in the Süper Lig but currently plays in the TFF Second League. A fourth team, Büyükşehir Belediye Ankaraspor, played in the Süper Lig until 2010, when they were expelled. The club was reconstituted in 2014 as Osmanlıspor but have since returned to their old identity as Ankaraspor. Ankaraspor currently play in the TFF First League at the Osmanlı Stadium in the Sincan district of Yenikent, outside the city center. Keçiörengücü also currently play in the TFF First League.
Ankara has a large number of minor teams, playing at regional levels. In the TFF Second League: Mamak FK in Mamak, Ankara Demirspor in Çankaya, Etimesgut Belediyespor in Etimesgut; in the TFF Third League: Çankaya FK in Keçiören; Altındağspor in Altındağ; in the Amateur League: Turanspor in Etimesgut, Türk Telekomspor owned by the phone company in Yenimahalle, Çubukspor in Çubuk, and Bağlumspor in Keçiören.
In the Turkish Basketball League, Ankara is represented by Türk Telekom, whose home is the Ankara Arena, and CASA TED Kolejliler, whose home is the TOBB Sports Hall.
Halkbank Ankara is the leading domestic powerhouse in men's volleyball, having won many championships and cups in the Turkish Men's Volleyball League and even the CEV Cup in 2013.
Ankara Buz Pateni Sarayı is where the ice skating and ice hockey competitions take place in the city.
There are many popular spots for skateboarding which is active in the city since the 1980s. Skaters in Ankara usually meet in the park near the Grand National Assembly of Turkey.
The 2012-built THF Sport Hall hosts the Handball Super League and Women's Handball Super League matches scheduled in Ankara.
Parks.
Ankara has many parks and open spaces mainly established in the early years of the Republic and well maintained and expanded thereafter. The most important of these parks are: Gençlik Parkı (houses an amusement park with a large pond for rowing), the Botanical garden, Seğmenler Park, Anayasa Park, Kuğulu Park (famous for the swans received as a gift from the Chinese government), Abdi İpekçi Park, Esertepe Parkı, Güven Park (see above for the monument), Kurtuluş Park (has an ice-skating rink), Altınpark (also a prominent exposition/fair area), Harikalar Diyarı (claimed to be Biggest Park of Europe inside city borders) and Göksu Park. Dikmen Vadisi (Dikmen Valley) is a park and recreation area situated in Çankaya district.
Gençlik Park was depicted on the reverse of the Turkish 100 lira banknotes of 1952–1976.
Atatürk Forest Farm and Zoo ("Atatürk Orman Çiftliği") is an expansive recreational farming area which houses a zoo, several small agricultural farms, greenhouses, restaurants, a dairy farm and a brewery. It is a pleasant place to spend a day with family, be it for having picnics, hiking, biking or simply enjoying good food and nature. There is also an exact replica of the house where Atatürk was born in 1881, in Thessaloniki, Greece. Visitors to the "Çiftlik" (farm) as it is affectionately called by Ankarans, can sample such famous products of the farm such as old-fashioned beer and ice cream, fresh dairy products and meat rolls/kebabs made on charcoal, at a traditional restaurant ("Merkez Lokantası", Central Restaurant), cafés and other establishments scattered around the farm.
Education.
Universities.
Ankara is noted, within Turkey, for the multitude of universities it is home to. These include the following, several of them being among the most reputable in the country:
Universities.
Ankara is noted, within Turkey, for the multitude of universities it is home to. These include the following, several of them being among the most reputable in the country:
Fauna.
Angora cat.
Ankara is home to a world-famous domestic cat breed – the Turkish Angora, called "Ankara kedisi" (Ankara cat) in Turkish. Turkish Angoras are one of the ancient, naturally occurring cat breeds, having originated in Ankara and its surrounding region in central Anatolia.
They mostly have a white, silky, medium to long length coat, no undercoat and a fine bone structure. There seems to be a connection between the Angora Cats and Persians, and the Turkish Angora is also a distant cousin of the Turkish Van. Although they are known for their shimmery white coat, there are more than twenty varieties including black, blue and reddish fur. They come in tabby and tabby-white, along with smoke varieties, and are in every color other than pointed, lavender, and cinnamon (all of which would indicate breeding to an outcross.)
Eyes may be blue, green, or amber, or even one blue and one amber or green. The W gene which is responsible for the white coat and blue eye is closely related to the hearing ability, and the presence of a blue eye can indicate that the cat is deaf to the side the blue eye is located. However, a great many blue and odd-eyed white cats have normal hearing, and even deaf cats lead a very normal life if kept indoors.
Ears are pointed and large, eyes are almond shaped and the head is massive with a two plane profile. Another characteristic is the tail, which is often kept parallel to the back.
Angora goat.
The Angora goat () is a breed of domestic goat that originated in Ankara and its surrounding region in central Anatolia.
This breed was first mentioned in the time of Moses, roughly in 1500 BC. The first Angora goats were brought to Europe by Charles V, Holy Roman Emperor, about 1554, but, like later imports, were not very successful. Angora goats were first introduced in the United States in 1849 by Dr. James P. Davis. Seven adult goats were a gift from Sultan Abdülmecid I in appreciation for his services and advice on the raising of cotton.
The fleece taken from an Angora goat is called mohair. A single goat produces between of hair per year. Angoras are shorn twice a year, unlike sheep, which are shorn only once. Angoras have high nutritional requirements due to their rapid hair growth. A poor quality diet will curtail mohair development. The United States, Turkey, and South Africa are the top producers of mohair.
For a long period of time, Angora goats were bred for their white coat. In 1998, the Colored Angora Goat Breeders Association was set up to promote breeding of colored Angoras. Today, Angora goats produce white, black (deep black to greys and silver), red (the color fades significantly as the goat gets older), and brownish fiber.
Angora goats were depicted on the reverse of the Turkish 50 lira banknotes of 1938–1952.
Angora rabbit.
The Angora rabbit () is a variety of domestic rabbit bred for its long, soft hair. The Angora is one of the oldest types of domestic rabbit, originating in Ankara and its surrounding region in central Anatolia, along with the Angora cat and Angora goat. The rabbits were popular pets with French royalty in the mid-18th century, and spread to other parts of Europe by the end of the century. They first appeared in the United States in the early 20th century. They are bred largely for their long Angora wool, which may be removed by shearing, combing, or plucking (gently pulling loose wool.)
Angoras are bred mainly for their wool because it is silky and soft. They have a humorous appearance, as they oddly resemble a fur ball. Most are calm and docile but should be handled carefully. Grooming is necessary to prevent the fiber from matting and felting on the rabbit. A condition called "wool block" is common in Angora rabbits and should be treated quickly. Sometimes they are shorn in the summer as the long fur can cause the rabbits to overheat.
Angora cat.
Ankara is home to a world-famous domestic cat breed – the Turkish Angora, called "Ankara kedisi" (Ankara cat) in Turkish. Turkish Angoras are one of the ancient, naturally occurring cat breeds, having originated in Ankara and its surrounding region in central Anatolia.
They mostly have a white, silky, medium to long length coat, no undercoat and a fine bone structure. There seems to be a connection between the Angora Cats and Persians, and the Turkish Angora is also a distant cousin of the Turkish Van. Although they are known for their shimmery white coat, there are more than twenty varieties including black, blue and reddish fur. They come in tabby and tabby-white, along with smoke varieties, and are in every color other than pointed, lavender, and cinnamon (all of which would indicate breeding to an outcross.)
Eyes may be blue, green, or amber, or even one blue and one amber or green. The W gene which is responsible for the white coat and blue eye is closely related to the hearing ability, and the presence of a blue eye can indicate that the cat is deaf to the side the blue eye is located. However, a great many blue and odd-eyed white cats have normal hearing, and even deaf cats lead a very normal life if kept indoors.
Ears are pointed and large, eyes are almond shaped and the head is massive with a two plane profile. Another characteristic is the tail, which is often kept parallel to the back.
Angora goat.
The Angora goat () is a breed of domestic goat that originated in Ankara and its surrounding region in central Anatolia.
This breed was first mentioned in the time of Moses, roughly in 1500 BC. The first Angora goats were brought to Europe by Charles V, Holy Roman Emperor, about 1554, but, like later imports, were not very successful. Angora goats were first introduced in the United States in 1849 by Dr. James P. Davis. Seven adult goats were a gift from Sultan Abdülmecid I in appreciation for his services and advice on the raising of cotton.
The fleece taken from an Angora goat is called mohair. A single goat produces between of hair per year. Angoras are shorn twice a year, unlike sheep, which are shorn only once. Angoras have high nutritional requirements due to their rapid hair growth. A poor quality diet will curtail mohair development. The United States, Turkey, and South Africa are the top producers of mohair.
For a long period of time, Angora goats were bred for their white coat. In 1998, the Colored Angora Goat Breeders Association was set up to promote breeding of colored Angoras. Today, Angora goats produce white, black (deep black to greys and silver), red (the color fades significantly as the goat gets older), and brownish fiber.
Angora goats were depicted on the reverse of the Turkish 50 lira banknotes of 1938–1952.
Angora rabbit.
The Angora rabbit () is a variety of domestic rabbit bred for its long, soft hair. The Angora is one of the oldest types of domestic rabbit, originating in Ankara and its surrounding region in central Anatolia, along with the Angora cat and Angora goat. The rabbits were popular pets with French royalty in the mid-18th century, and spread to other parts of Europe by the end of the century. They first appeared in the United States in the early 20th century. They are bred largely for their long Angora wool, which may be removed by shearing, combing, or plucking (gently pulling loose wool.)
Angoras are bred mainly for their wool because it is silky and soft. They have a humorous appearance, as they oddly resemble a fur ball. Most are calm and docile but should be handled carefully. Grooming is necessary to prevent the fiber from matting and felting on the rabbit. A condition called "wool block" is common in Angora rabbits and should be treated quickly. Sometimes they are shorn in the summer as the long fur can cause the rabbits to overheat.
International relations.
Twin towns and sister cities.
Ankara is twinned with:
Twin towns and sister cities.
Ankara is twinned with:
References.
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Andorra
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Andorra, officially the Principality of Andorra, is a sovereign landlocked microstate on the Iberian Peninsula, in the eastern Pyrenees, bordered by France to the north and Spain to the south. Believed to have been created by Charlemagne, Andorra was ruled by the count of Urgell until 988, when it was transferred to the Roman Catholic Diocese of Urgell. The present principality was formed by a charter in 1278. It is headed by two co-princes: the bishop of Urgell in Catalonia, Spain and the president of France. Its capital and largest city is Andorra la Vella.
Andorra is the sixth-smallest state in Europe, with an area of and a population of approximately . The Andorran people are a Romance ethnic group of originally Catalan descent. Andorra is the world's 16th-smallest country by land and 11th-smallest by population. Its capital, Andorra la Vella, is the highest capital city in Europe, at an elevation of above sea level. The official language is Catalan, but Spanish, Portuguese, and French are also commonly spoken.
Tourism in Andorra brings an estimated 10.2 million visitors to the country annually. Andorra is not a member state of the European Union. It has been a member of the United Nations since 1993.
Etymology.
The origin of the word Andorra is unknown, although several hypotheses have been proposed. The oldest is one put forward by the Greek historian Polybius ("The Histories" III, 35, 1), who describes the Andosins, an Iberian Pre-Roman tribe, as historically located in the valleys of Andorra and facing the Carthaginian army in its passage through the Pyrenees during the Punic Wars. The word Andosini or Andosins () may derive from the Basque ', meaning "big" or "giant". The Andorran toponymy shows evidence of Basque language in the area. Another theory suggests that the word Andorra may derive from the old word Anorra that contains the Basque word ' (water).
Another theory suggests that Andorra may derive from , meaning "the thickly wooded place". When the Arabs and Moors conquered the Iberian Peninsula, the valleys of the High Pyrenees were covered by large tracts of forest. These regions were not administered by Muslims, because of the geographic difficulty of direct rule.
Other theories suggest that the term derives from the Navarro-Aragonese "andurrial", which means "land covered with bushes" or "scrubland".
The folk etymology holds that Charlemagne had named the region as a reference to the Biblical Canaanite valley of Endor or Andor (where the Midianites had been defeated), a name bestowed by his heir and son Louis the Pious after defeating the Moors in the "wild valleys of Hell".
History.
Prehistory.
La Balma de la Margineda, found by archaeologists at Sant Julià de Lòria, was settled in 9,500 BCE as a passing place between the two sides of the Pyrenees. The seasonal camp was perfectly located for hunting and fishing by the groups of hunter-gatherers from Ariege and Segre.
During the Neolithic Age, a group of people moved to the Valley of Madriu (the present-day Natural Park located in Escaldes-Engordany declared UNESCO World Heritage Site) as a permanent camp in 6640 BCE. The population of the valley grew cereals, raised domestic livestock, and developed a commercial trade with people from the Segre and Occitania.
Other archaeological deposits include the Tombs of Segudet (Ordino) and Feixa del Moro (Sant Julià de Lòria), both dated in 4900–4300 BCE as an example of the Urn culture in Andorra. The model of small settlements began to evolve to a complex urbanism during the Bronze Age. Metallurgical items of iron, ancient coins, and relicaries can be found in the ancient sanctuaries scattered around the country.
The sanctuary of Roc de les Bruixes (Stone of the Witches) is perhaps the most important archeological complex of this age in Andorra, located in the parish of Canillo, about the rituals of funerals, ancient scripture and engraved stone murals.
Iberian and Roman Andorra.
The inhabitants of the valleys were traditionally associated with the Iberians and historically located in Andorra as the Iberian tribe Andosins or Andosini () during the 7th and 2nd centuries BC. Influenced by the Aquitanian, Basque and Iberian languages, the locals developed some current toponyms. Early writings and documents relating to this group of people goes back to the second century BC by the Greek writer Polybius in his "Histories" during the Punic Wars.
Some of the most significant remains of this era are the Castle of the Roc d'Enclar (part of the early Marca Hispanica), l'Anxiu in Les Escaldes and Roc de L'Oral in Encamp.
The presence of Roman influence is recorded from the 2nd century BCE to the 5th century CE. The places with the most Roman presence are in Camp Vermell (Red Field) in Sant Julià de Lòria, and in some places in Encamp, as well as in the Roc d'Enclar. People continued trading, mainly with wine and cereals, with the Roman cities of Urgellet (the present-day La Seu d'Urgell) and all across Segre through the "via romana" Strata Ceretana (also known as Strata Confluetana).
Visigoths and Carolingians: the legend of Charlemagne.
After the fall of the Roman Empire, Andorra came under the influence of the Visigoths, the Kingdom of Toledo, and the Diocese of Urgell. The Visigoths remained in the valleys for 200 years, during which time Christianity spread. When the Muslim Empire of Al-Andalus replaced the ruling Visigoths in most of the Iberian Peninsula, Andorra was sheltered from these Arab invaders by the Franks.
Tradition holds that Charles the Great (Charlemagne) granted a charter to the Andorran people for a contingent of 5,000 soldiers under the command of Marc Almugaver, in return for fighting against the Moors near Porté-Puymorens (Cerdanya).
Andorra remained part of the Frankish "Marca Hispanica", the buffer zone between the Frankish Empire and the Muslim territories, Andorra being part of the territory ruled by the Count of Urgell and eventually the bishop of the Diocese of Urgell. Tradition also holds that it was guaranteed by the son of Charlemagne, Louis the Pious, writing the "Carta de Poblament" or a local municipal charter circa 805.
In 988, Count Borrell II of Urgell gave the Andorran valleys to the Diocese of Urgell in exchange for land in Cerdanya. Since then, the bishop of Urgell, based in Seu d'Urgell, has been co-prince of Andorra.
The first document that mentions Andorra as a territory is the "Acta de Consagració i Dotació de la Catedral de la Seu d'Urgell" (Deed of Consecration and Endowment of the Cathedral of La Seu d'Urgell). The document, dated 839, depicts the six old parishes of the Andorran valleys that made up the country's administrative division.
Medieval Age: The Paréages and the founding of the Co-Principality.
Before 1095, Andorra had no military protection, and the bishop of Urgell, who knew that the count of Urgell wanted to reclaim the Andorran valleys, asked the Lord of Caboet for help and protection. In 1095, the lord of Caboet and the bishop of Urgell signed under oath a declaration of their co-sovereignty over Andorra. Arnalda, daughter of Arnau of Caboet, married the viscount of Castellbò. Their daughter, Ermessenda, married the count of Foix, Roger-Bernard II. Roger-Bernard II and Ermessenda shared rule over Andorra with the bishop of Urgell.
In the 13th century, a military dispute arose between the bishop of Urgell and the count of Foix as aftermath of the Cathar Crusade. The conflict was resolved in 1278 with the mediation of the king of Aragon, Peter III, between the bishop and the count, by the signing of the first paréage, which provided that Andorra's sovereignty be shared between the count of Foix (whose title would ultimately transfer to the French head of state) and the bishop of Urgell, in Catalonia. This gave the principality its territory and political form.
A second paréage was signed in 1288 after a dispute when the count of Foix ordered the construction of a castle in Roc d'Enclar. The document was ratified by the noble notary Jaume Orig of Puigcerdà, and construction of military structures in the country was prohibited.
In 1364, the political organization of the country named the figure of the syndic (now spokesman and president of the parliament) as representative of the Andorrans to their co-princes, making possible the creation of local departments (comuns, quarts and veïnats). After being ratified by Bishop Francesc Tovia and Count John I, the Consell de la Terra or Consell General de les Valls (General Council of the Valleys) was founded in 1419, the second oldest parliament in Europe. The syndic Andreu d'Alàs and the General Council organized the creation of the Justice Courts (La Cort de Justicia) in 1433 with the co-princes and the collection of taxes like foc i lloc (literally "fire and site", a national tax active since then).
Although there are remains of ecclesiastical works dating before the 9th century (Sant Vicenç d'Enclar or Església de Santa Coloma), Andorra developed exquisite Romanesque Art during the 9th through 14th centuries, particularly in the construction of churches, bridges, religious murals and statues of the Virgin and Child (Our Lady of Meritxell being the most important). Nowadays, the Romanesque buildings that form part of Andorra's cultural heritage stand out in a remarkable way, with an emphasis on Església de Sant Esteve, Sant Joan de Caselles, Església de Sant Miquel d'Engolasters, Sant Martí de la Cortinada and the medieval bridges of Margineda and Escalls among many others.
The Catalan Pyrenees were embryonic of the Catalan language at the end of the 11th century. Andorra was influenced by this language, which was adopted locally decades before it expanded to the rest of the Crown of Aragon.
The local economy during the Middle Ages was based on livestock, agriculture, furs and weavers. Later, at the end of the 11th century, the first iron foundries began to appear in Northern Parishes like Ordino, much appreciated by the master artisans who developed the art of the forges, an important economic activity in the country from the 15th century.
16th to 18th centuries.
In 1601 the Tribunal de Corts (High Court of Justice) was created as a result of Huguenot rebellions in France, Inquisition courts coming from Spain and witchcraft-related beliefs native to the area, in the context of the Reformation and Counter-Reformation.
With the passage of time, the co-title to Andorra passed to the kings of Navarre. After Henry III of Navarre became king of France, he issued an edict in 1607 that established the head of the French state and the bishop of Urgell as co-princes of Andorra, a political arrangement that still holds.
During 1617, communal councils form the sometent (popular militia or army) to deal with the rise of bandolerisme (brigandage) and the Consell de la Terra was defined and structured in terms of its composition, organization and competences current today.
Andorra continued with the same economic system that it had during the 12th–14th centuries with a large production of metallurgy (fargues, a system similar to Farga Catalana) and with the introduction of tobacco circa 1692 and import trade. In 1371 and 1448, the co-princes ratified the fair of Andorra la Vella, the most important annual national festival commercially ever since.
The country had a unique and experienced guild of weavers, Confraria de Paraires i Teixidors, in Escaldes-Engordany. Founded in 1604, it took advantage of the local thermal waters. By this time, the country was characterized by the social system of prohoms (wealthy society) and casalers (rest of the population with smaller economic acquisition), deriving from the tradition of pubilla and hereu.
Three centuries after its foundation, the Consell de la Terra located its headquarters and the Tribunal de Corts in Casa de la Vall in 1702. The manor house built in 1580 served as a noble fortress of the Busquets family. Inside the parliament was placed the Closet of the six keys (Armari de les sis claus), representative of each Andorran parish, where the Andorran constitution and other documents and laws were later kept.
In both the Reapers' War and the War of the Spanish Succession, the Andorran people (while professing to be a neutral country) supported the Catalans who saw their rights reduced in 1716. The reaction was the promotion of Catalan writings in Andorra, with cultural works such as the "Book of Privileges" ("Llibre de Privilegis de 1674"), "Manual Digest" (1748) by Antoni Fiter i Rossell or the "Polità andorrà" (1763) by Antoni Puig.
19th century: the New Reform and the Andorran Question.
After the French Revolution, Napoleon I reestablished the Co-Principate in 1809 and removed the French medieval title. In 1812–1813, the First French Empire annexed Catalonia during the Peninsular War () and divided the region into four départements, with Andorra as a part of the district of Puigcerdà. In 1814, an imperial decree reestablished the independence and economy of Andorra.
During this period, Andorra's late medieval institutions and rural culture remained largely unchanged. In 1866, the syndic Guillem d'Areny-Plandolit led the reformist group in a Council General of 24 members elected by suffrage limited to heads of families. The Council General replaced the aristocratic oligarchy that previously ruled the state.
The New Reform () began after ratification by both Co-Princes and established the basis of the constitution and symbolssuch as the tricolour flagof Andorra. A new service economy arose as a demand of the valley inhabitants and began to build infrastructure such as hotels, spa resorts, roads and telegraph lines.
The authorities of the Co-Princes banned casinos and betting houses throughout the country. The ban resulted in an economic conflict and the Revolution of 1881, which began when revolutionaries assaulted the house of the syndic on 8 December 1880, and established the Provisional Revolutionary Council led by Joan Pla i Calvo and Pere Baró i Mas. The Provisional Revolutionary Council allowed for the construction of casinos and spas by foreign companies. From 7 to 9 June 1881, the loyalists of Canillo and Encamp reconquered the parishes of Ordino and La Massana by establishing contact with the revolutionary forces in Escaldes-Engordany. After a day of combat the Treaty of the Bridge of Escalls was signed on 10 June. The council was replaced and new elections were held. The economic situation worsened, as the populace was divided over the – the "Andorran Question" in relation to the Eastern Question. The struggles continued between pro-bishops, pro-French, and nationalists based on the troubles of Canillo in 1882 and 1885.
Andorra participated in the cultural movement of the Catalan Renaixença. Between 1882 and 1887, the first academic schools were formed where trilingualism coexisted with the official language, Catalan. Romantic authors from France and Spain reported the awakening of the national consciousness of the country. Jacint Verdaguer lived in Ordino during the 1880s where he wrote and shared works related to the Renaixença with writer and photographer, Joaquim de Riba.
In 1848, Fromental Halévy had premiered the opera "Le Val d'Andorre" to great success in Europe, where the national consciousness of the valleys was exposed in the romantic work during the Peninsular War.
20th and 21st century: Modernisation of the country and the Constitutional Andorra.
In 1933 France occupied Andorra following social unrest which occurred before elections due to the Revolution of 1933 and the FHASA strikes (Vagues de FHASA); the revolt led by Joves Andorrans (a labour union group related to the Spanish CNT and FAI) called for political reforms, the universal suffrage vote of all Andorrans and acted in defense of the rights of local and foreign workers during the construction of FHASA's hydroelectric power station in Encamp. On 5 April 1933 Joves Andorrans seized the Andorran Parliament. These actions were preceded by the arrival of Colonel René-Jules Baulard with 50 gendarmes and the mobilization of 200 local militias or sometent led by the Síndic Francesc Cairat.
On 6 July 1934, adventurer and nobleman Boris Skossyreff, with his promise of freedoms and modernization of the country and wealth through the establishment of a tax haven and foreign investments, received the support of the members of the General Council to proclaim himself the sovereign of Andorra. On 8 July 1934 Boris issued a proclamation in Urgell, declaring himself Boris I, King of Andorra, simultaneously declaring war on the Bishop of Urgell and approving the King's constitution on 10 July. He was arrested by the Co-Prince and Bishop Justí Guitart i Vilardebó and their authorities on 20 July and ultimately expelled from Spain. From 1936 until 1940, a French military detachment of Garde Mobile led by well-known Colonel René-Jules Baulard was garrisoned in Andorra to secure the principality against disruption from the Spanish Civil War and Francoist Spain and also face the rise of Republicanism in the aftermath of the 1933 Revolution. During the Spanish Civil War, the inhabitants of Andorra welcomed refugees from both sides, and many of them settled permanently in the country thus contributing to the subsequent economic boom and the entry into the capitalist era of Andorra. Francoist troops reached the Andorran border in the later stages of the war.
During World War II, Andorra remained neutral and was an important smuggling route between Vichy France and Francoist Spain, two fascist states. Many Andorrans criticized the passivity of the General Council for impeding both the entry and expulsion of foreigners and refugees, committing economic crimes, reducing the rights of citizens and sympathy with Francoism. General Council members justified the council's political and diplomatic actions as necessary for Andorra's survival and the protection of its sovereignty. Andorra was relatively unscathed by the two world wars and the Spanish Civil War. Certain groups formed to help victims of oppression in Nazi-occupied countries, while participating in smuggling to help Andorra survive. Among the most prominent was the Hostal Palanques Evasion Network Command, which, in contact with the British Mi6, helped almost 400 fugitives, among whom were Allied military personnel. The Command remained active between 1941 and 1944, although there were struggles with pro-Axis informers and Gestapo agents in Andorra.
In the capital city there was a smuggling black market of propaganda, culture and cinematic art not favorable to totalitarian regimes, promulgated in such places as the Hotel Mirador or the Casino Hotel, as a meeting place for Free French forces and a route for escorting crashed Allied pilots out of Europe. The network was maintained after the war, when film societies were formed, where movies, music and books censored in Franco's Spain were imported, becoming an anti-censorship attraction for the Catalan or foreign public even within Andorra. Andorran Group (Agrupament Andorrà), an anti-fascist organization linked to the Occitanie's French Resistance, accused the French representative (veguer) of collaboration with Nazism.
The Andorran opening to the capitalist economy resulted in two axes: mass tourism and the country's tax exemption. The first steps toward the capitalist boom date from the 1930s, with the construction of FHASA and the creation of professional banking with Banc Agrícol (1930) and Crèdit Andorrà (1949), later with Banca Mora (1952), Banca Cassany (1958) and SOBANCA (1960). Shortly after activities such as skiing and shopping become a tourist attraction, with the inauguration of ski resorts and cultural entities in the late 1930s. All in all, a renovated hotel industry has developed. In April 1968 a social health insurance system was created (CASS).
The Andorran government necessarily involved planning, projection and forecasts for the future: with the official visit of the French co-prince Charles de Gaulle in 1967 and 1969, it was given approval for the economic boom and national demands within the framework of human rights and international openness.
Andorra lived an era commonly known as "Andorran dream" (in relation to the American dream) along with the Trente Glorieuses: the mass culture rooted the country experiencing radical changes in the economy and culture. Proof of this was Ràdio Andorra, the top musical radio station in Europe in this period, with guests and speakers of great importance promoting musical hits of chanson française, swing, rhythm & blues, jazz, rock and roll and American country music. During this period Andorra achieved a GDP per capita and a life expectancy higher than the most standard countries of the current economy.
Given its relative isolation, Andorra has existed outside the mainstream of European history, with few ties to countries other than France, Spain and Portugal. But in recent times its thriving tourist industry along with developments in transport and communications have removed the country from its isolation. Since 1976 the country has seen the need to reform Andorran institutions due to anachronisms in sovereignty, human rights and the balance of powers as well as the need to adapt legislation to modern demands. In 1982 a first separation of powers took place when instituting the Govern d'Andorra, under the name of Executive Board (Consell Executiu), chaired by the first prime minister Òscar Ribas Reig with the co-princes' approval. In 1989 the Principality signed an agreement with the European Economic Community to regularize trade relations.
Its political system was modernized in 1993 after the Andorran constitutional referendum, when the constitution was drafted by the co-princes and the General Council and approved on 14 March by 74.2% of voters, with a 76% turnout. The first elections under the new constitution were held later in the year. The same year, Andorra became a member of the United Nations and the Council of Europe.
Andorra formalized diplomatic relations with the United States in 1996, participating in the 51st UN General Assembly. First General Syndic Marc Forné took part on a speech in Catalan in the General Assembly to defend the reform of the organization, and after three days he took part in the parliamentary assembly of the Council of Europe to defend Andorra's linguistic rights and economy. In 2006 a monetary agreement with the European Union was formalized that allows Andorra to use the euro in an official way, as well as coin its own euro currency.
Prehistory.
La Balma de la Margineda, found by archaeologists at Sant Julià de Lòria, was settled in 9,500 BCE as a passing place between the two sides of the Pyrenees. The seasonal camp was perfectly located for hunting and fishing by the groups of hunter-gatherers from Ariege and Segre.
During the Neolithic Age, a group of people moved to the Valley of Madriu (the present-day Natural Park located in Escaldes-Engordany declared UNESCO World Heritage Site) as a permanent camp in 6640 BCE. The population of the valley grew cereals, raised domestic livestock, and developed a commercial trade with people from the Segre and Occitania.
Other archaeological deposits include the Tombs of Segudet (Ordino) and Feixa del Moro (Sant Julià de Lòria), both dated in 4900–4300 BCE as an example of the Urn culture in Andorra. The model of small settlements began to evolve to a complex urbanism during the Bronze Age. Metallurgical items of iron, ancient coins, and relicaries can be found in the ancient sanctuaries scattered around the country.
The sanctuary of Roc de les Bruixes (Stone of the Witches) is perhaps the most important archeological complex of this age in Andorra, located in the parish of Canillo, about the rituals of funerals, ancient scripture and engraved stone murals.
Iberian and Roman Andorra.
The inhabitants of the valleys were traditionally associated with the Iberians and historically located in Andorra as the Iberian tribe Andosins or Andosini () during the 7th and 2nd centuries BC. Influenced by the Aquitanian, Basque and Iberian languages, the locals developed some current toponyms. Early writings and documents relating to this group of people goes back to the second century BC by the Greek writer Polybius in his "Histories" during the Punic Wars.
Some of the most significant remains of this era are the Castle of the Roc d'Enclar (part of the early Marca Hispanica), l'Anxiu in Les Escaldes and Roc de L'Oral in Encamp.
The presence of Roman influence is recorded from the 2nd century BCE to the 5th century CE. The places with the most Roman presence are in Camp Vermell (Red Field) in Sant Julià de Lòria, and in some places in Encamp, as well as in the Roc d'Enclar. People continued trading, mainly with wine and cereals, with the Roman cities of Urgellet (the present-day La Seu d'Urgell) and all across Segre through the "via romana" Strata Ceretana (also known as Strata Confluetana).
Visigoths and Carolingians: the legend of Charlemagne.
After the fall of the Roman Empire, Andorra came under the influence of the Visigoths, the Kingdom of Toledo, and the Diocese of Urgell. The Visigoths remained in the valleys for 200 years, during which time Christianity spread. When the Muslim Empire of Al-Andalus replaced the ruling Visigoths in most of the Iberian Peninsula, Andorra was sheltered from these Arab invaders by the Franks.
Tradition holds that Charles the Great (Charlemagne) granted a charter to the Andorran people for a contingent of 5,000 soldiers under the command of Marc Almugaver, in return for fighting against the Moors near Porté-Puymorens (Cerdanya).
Andorra remained part of the Frankish "Marca Hispanica", the buffer zone between the Frankish Empire and the Muslim territories, Andorra being part of the territory ruled by the Count of Urgell and eventually the bishop of the Diocese of Urgell. Tradition also holds that it was guaranteed by the son of Charlemagne, Louis the Pious, writing the "Carta de Poblament" or a local municipal charter circa 805.
In 988, Count Borrell II of Urgell gave the Andorran valleys to the Diocese of Urgell in exchange for land in Cerdanya. Since then, the bishop of Urgell, based in Seu d'Urgell, has been co-prince of Andorra.
The first document that mentions Andorra as a territory is the "Acta de Consagració i Dotació de la Catedral de la Seu d'Urgell" (Deed of Consecration and Endowment of the Cathedral of La Seu d'Urgell). The document, dated 839, depicts the six old parishes of the Andorran valleys that made up the country's administrative division.
Medieval Age: The Paréages and the founding of the Co-Principality.
Before 1095, Andorra had no military protection, and the bishop of Urgell, who knew that the count of Urgell wanted to reclaim the Andorran valleys, asked the Lord of Caboet for help and protection. In 1095, the lord of Caboet and the bishop of Urgell signed under oath a declaration of their co-sovereignty over Andorra. Arnalda, daughter of Arnau of Caboet, married the viscount of Castellbò. Their daughter, Ermessenda, married the count of Foix, Roger-Bernard II. Roger-Bernard II and Ermessenda shared rule over Andorra with the bishop of Urgell.
In the 13th century, a military dispute arose between the bishop of Urgell and the count of Foix as aftermath of the Cathar Crusade. The conflict was resolved in 1278 with the mediation of the king of Aragon, Peter III, between the bishop and the count, by the signing of the first paréage, which provided that Andorra's sovereignty be shared between the count of Foix (whose title would ultimately transfer to the French head of state) and the bishop of Urgell, in Catalonia. This gave the principality its territory and political form.
A second paréage was signed in 1288 after a dispute when the count of Foix ordered the construction of a castle in Roc d'Enclar. The document was ratified by the noble notary Jaume Orig of Puigcerdà, and construction of military structures in the country was prohibited.
In 1364, the political organization of the country named the figure of the syndic (now spokesman and president of the parliament) as representative of the Andorrans to their co-princes, making possible the creation of local departments (comuns, quarts and veïnats). After being ratified by Bishop Francesc Tovia and Count John I, the Consell de la Terra or Consell General de les Valls (General Council of the Valleys) was founded in 1419, the second oldest parliament in Europe. The syndic Andreu d'Alàs and the General Council organized the creation of the Justice Courts (La Cort de Justicia) in 1433 with the co-princes and the collection of taxes like foc i lloc (literally "fire and site", a national tax active since then).
Although there are remains of ecclesiastical works dating before the 9th century (Sant Vicenç d'Enclar or Església de Santa Coloma), Andorra developed exquisite Romanesque Art during the 9th through 14th centuries, particularly in the construction of churches, bridges, religious murals and statues of the Virgin and Child (Our Lady of Meritxell being the most important). Nowadays, the Romanesque buildings that form part of Andorra's cultural heritage stand out in a remarkable way, with an emphasis on Església de Sant Esteve, Sant Joan de Caselles, Església de Sant Miquel d'Engolasters, Sant Martí de la Cortinada and the medieval bridges of Margineda and Escalls among many others.
The Catalan Pyrenees were embryonic of the Catalan language at the end of the 11th century. Andorra was influenced by this language, which was adopted locally decades before it expanded to the rest of the Crown of Aragon.
The local economy during the Middle Ages was based on livestock, agriculture, furs and weavers. Later, at the end of the 11th century, the first iron foundries began to appear in Northern Parishes like Ordino, much appreciated by the master artisans who developed the art of the forges, an important economic activity in the country from the 15th century.
16th to 18th centuries.
In 1601 the Tribunal de Corts (High Court of Justice) was created as a result of Huguenot rebellions in France, Inquisition courts coming from Spain and witchcraft-related beliefs native to the area, in the context of the Reformation and Counter-Reformation.
With the passage of time, the co-title to Andorra passed to the kings of Navarre. After Henry III of Navarre became king of France, he issued an edict in 1607 that established the head of the French state and the bishop of Urgell as co-princes of Andorra, a political arrangement that still holds.
During 1617, communal councils form the sometent (popular militia or army) to deal with the rise of bandolerisme (brigandage) and the Consell de la Terra was defined and structured in terms of its composition, organization and competences current today.
Andorra continued with the same economic system that it had during the 12th–14th centuries with a large production of metallurgy (fargues, a system similar to Farga Catalana) and with the introduction of tobacco circa 1692 and import trade. In 1371 and 1448, the co-princes ratified the fair of Andorra la Vella, the most important annual national festival commercially ever since.
The country had a unique and experienced guild of weavers, Confraria de Paraires i Teixidors, in Escaldes-Engordany. Founded in 1604, it took advantage of the local thermal waters. By this time, the country was characterized by the social system of prohoms (wealthy society) and casalers (rest of the population with smaller economic acquisition), deriving from the tradition of pubilla and hereu.
Three centuries after its foundation, the Consell de la Terra located its headquarters and the Tribunal de Corts in Casa de la Vall in 1702. The manor house built in 1580 served as a noble fortress of the Busquets family. Inside the parliament was placed the Closet of the six keys (Armari de les sis claus), representative of each Andorran parish, where the Andorran constitution and other documents and laws were later kept.
In both the Reapers' War and the War of the Spanish Succession, the Andorran people (while professing to be a neutral country) supported the Catalans who saw their rights reduced in 1716. The reaction was the promotion of Catalan writings in Andorra, with cultural works such as the "Book of Privileges" ("Llibre de Privilegis de 1674"), "Manual Digest" (1748) by Antoni Fiter i Rossell or the "Polità andorrà" (1763) by Antoni Puig.
19th century: the New Reform and the Andorran Question.
After the French Revolution, Napoleon I reestablished the Co-Principate in 1809 and removed the French medieval title. In 1812–1813, the First French Empire annexed Catalonia during the Peninsular War () and divided the region into four départements, with Andorra as a part of the district of Puigcerdà. In 1814, an imperial decree reestablished the independence and economy of Andorra.
During this period, Andorra's late medieval institutions and rural culture remained largely unchanged. In 1866, the syndic Guillem d'Areny-Plandolit led the reformist group in a Council General of 24 members elected by suffrage limited to heads of families. The Council General replaced the aristocratic oligarchy that previously ruled the state.
The New Reform () began after ratification by both Co-Princes and established the basis of the constitution and symbolssuch as the tricolour flagof Andorra. A new service economy arose as a demand of the valley inhabitants and began to build infrastructure such as hotels, spa resorts, roads and telegraph lines.
The authorities of the Co-Princes banned casinos and betting houses throughout the country. The ban resulted in an economic conflict and the Revolution of 1881, which began when revolutionaries assaulted the house of the syndic on 8 December 1880, and established the Provisional Revolutionary Council led by Joan Pla i Calvo and Pere Baró i Mas. The Provisional Revolutionary Council allowed for the construction of casinos and spas by foreign companies. From 7 to 9 June 1881, the loyalists of Canillo and Encamp reconquered the parishes of Ordino and La Massana by establishing contact with the revolutionary forces in Escaldes-Engordany. After a day of combat the Treaty of the Bridge of Escalls was signed on 10 June. The council was replaced and new elections were held. The economic situation worsened, as the populace was divided over the – the "Andorran Question" in relation to the Eastern Question. The struggles continued between pro-bishops, pro-French, and nationalists based on the troubles of Canillo in 1882 and 1885.
Andorra participated in the cultural movement of the Catalan Renaixença. Between 1882 and 1887, the first academic schools were formed where trilingualism coexisted with the official language, Catalan. Romantic authors from France and Spain reported the awakening of the national consciousness of the country. Jacint Verdaguer lived in Ordino during the 1880s where he wrote and shared works related to the Renaixença with writer and photographer, Joaquim de Riba.
In 1848, Fromental Halévy had premiered the opera "Le Val d'Andorre" to great success in Europe, where the national consciousness of the valleys was exposed in the romantic work during the Peninsular War.
20th and 21st century: Modernisation of the country and the Constitutional Andorra.
In 1933 France occupied Andorra following social unrest which occurred before elections due to the Revolution of 1933 and the FHASA strikes (Vagues de FHASA); the revolt led by Joves Andorrans (a labour union group related to the Spanish CNT and FAI) called for political reforms, the universal suffrage vote of all Andorrans and acted in defense of the rights of local and foreign workers during the construction of FHASA's hydroelectric power station in Encamp. On 5 April 1933 Joves Andorrans seized the Andorran Parliament. These actions were preceded by the arrival of Colonel René-Jules Baulard with 50 gendarmes and the mobilization of 200 local militias or sometent led by the Síndic Francesc Cairat.
On 6 July 1934, adventurer and nobleman Boris Skossyreff, with his promise of freedoms and modernization of the country and wealth through the establishment of a tax haven and foreign investments, received the support of the members of the General Council to proclaim himself the sovereign of Andorra. On 8 July 1934 Boris issued a proclamation in Urgell, declaring himself Boris I, King of Andorra, simultaneously declaring war on the Bishop of Urgell and approving the King's constitution on 10 July. He was arrested by the Co-Prince and Bishop Justí Guitart i Vilardebó and their authorities on 20 July and ultimately expelled from Spain. From 1936 until 1940, a French military detachment of Garde Mobile led by well-known Colonel René-Jules Baulard was garrisoned in Andorra to secure the principality against disruption from the Spanish Civil War and Francoist Spain and also face the rise of Republicanism in the aftermath of the 1933 Revolution. During the Spanish Civil War, the inhabitants of Andorra welcomed refugees from both sides, and many of them settled permanently in the country thus contributing to the subsequent economic boom and the entry into the capitalist era of Andorra. Francoist troops reached the Andorran border in the later stages of the war.
During World War II, Andorra remained neutral and was an important smuggling route between Vichy France and Francoist Spain, two fascist states. Many Andorrans criticized the passivity of the General Council for impeding both the entry and expulsion of foreigners and refugees, committing economic crimes, reducing the rights of citizens and sympathy with Francoism. General Council members justified the council's political and diplomatic actions as necessary for Andorra's survival and the protection of its sovereignty. Andorra was relatively unscathed by the two world wars and the Spanish Civil War. Certain groups formed to help victims of oppression in Nazi-occupied countries, while participating in smuggling to help Andorra survive. Among the most prominent was the Hostal Palanques Evasion Network Command, which, in contact with the British Mi6, helped almost 400 fugitives, among whom were Allied military personnel. The Command remained active between 1941 and 1944, although there were struggles with pro-Axis informers and Gestapo agents in Andorra.
In the capital city there was a smuggling black market of propaganda, culture and cinematic art not favorable to totalitarian regimes, promulgated in such places as the Hotel Mirador or the Casino Hotel, as a meeting place for Free French forces and a route for escorting crashed Allied pilots out of Europe. The network was maintained after the war, when film societies were formed, where movies, music and books censored in Franco's Spain were imported, becoming an anti-censorship attraction for the Catalan or foreign public even within Andorra. Andorran Group (Agrupament Andorrà), an anti-fascist organization linked to the Occitanie's French Resistance, accused the French representative (veguer) of collaboration with Nazism.
The Andorran opening to the capitalist economy resulted in two axes: mass tourism and the country's tax exemption. The first steps toward the capitalist boom date from the 1930s, with the construction of FHASA and the creation of professional banking with Banc Agrícol (1930) and Crèdit Andorrà (1949), later with Banca Mora (1952), Banca Cassany (1958) and SOBANCA (1960). Shortly after activities such as skiing and shopping become a tourist attraction, with the inauguration of ski resorts and cultural entities in the late 1930s. All in all, a renovated hotel industry has developed. In April 1968 a social health insurance system was created (CASS).
The Andorran government necessarily involved planning, projection and forecasts for the future: with the official visit of the French co-prince Charles de Gaulle in 1967 and 1969, it was given approval for the economic boom and national demands within the framework of human rights and international openness.
Andorra lived an era commonly known as "Andorran dream" (in relation to the American dream) along with the Trente Glorieuses: the mass culture rooted the country experiencing radical changes in the economy and culture. Proof of this was Ràdio Andorra, the top musical radio station in Europe in this period, with guests and speakers of great importance promoting musical hits of chanson française, swing, rhythm & blues, jazz, rock and roll and American country music. During this period Andorra achieved a GDP per capita and a life expectancy higher than the most standard countries of the current economy.
Given its relative isolation, Andorra has existed outside the mainstream of European history, with few ties to countries other than France, Spain and Portugal. But in recent times its thriving tourist industry along with developments in transport and communications have removed the country from its isolation. Since 1976 the country has seen the need to reform Andorran institutions due to anachronisms in sovereignty, human rights and the balance of powers as well as the need to adapt legislation to modern demands. In 1982 a first separation of powers took place when instituting the Govern d'Andorra, under the name of Executive Board (Consell Executiu), chaired by the first prime minister Òscar Ribas Reig with the co-princes' approval. In 1989 the Principality signed an agreement with the European Economic Community to regularize trade relations.
Its political system was modernized in 1993 after the Andorran constitutional referendum, when the constitution was drafted by the co-princes and the General Council and approved on 14 March by 74.2% of voters, with a 76% turnout. The first elections under the new constitution were held later in the year. The same year, Andorra became a member of the United Nations and the Council of Europe.
Andorra formalized diplomatic relations with the United States in 1996, participating in the 51st UN General Assembly. First General Syndic Marc Forné took part on a speech in Catalan in the General Assembly to defend the reform of the organization, and after three days he took part in the parliamentary assembly of the Council of Europe to defend Andorra's linguistic rights and economy. In 2006 a monetary agreement with the European Union was formalized that allows Andorra to use the euro in an official way, as well as coin its own euro currency.
Politics.
Andorra is a parliamentary co-principality with the Bishop of Urgell and the president of France as co-princes. This peculiarity makes the president of France, in his capacity as prince of Andorra, an elected monarch, although he is not elected by a popular vote of the Andorran people. The politics of Andorra take place in a framework of a parliamentary representative democracy with a unicameral legislature, and of a pluriform multi-party system. The prime minister is the chief executive.
The current Prime Minister is Xavier Espot Zamora of the Democrats for Andorra (DA). Executive power is exercised by the government. Legislative power is vested in both government and parliament.
The Parliament of Andorra is known as the General Council. The General Council consists of between 28 and 42 councillors. The councillors serve for four-year terms, and elections are held between the 30th and 40th days following the dissolution of the previous Council.
Half are elected in equal numbers by each of the seven administrative parishes, and the other half of the councillors are elected in a single national constituency. Fifteen days after the election, the councillors hold their inauguration. During this session, the General Syndic, who is the head of the General Council, and the Subsyndic General, his assistant, are elected. Eight days later, the Council convenes once more. During this session, the prime minister is chosen from among the councillors.
Candidates can be proposed by a minimum of one-fifth of the councillors. The Council then elects the candidate with the absolute majority of votes to be prime minister. The Syndic General then notifies the co-princes, who in turn appoint the elected candidate as the prime minister of Andorra. The General Council is also responsible for proposing and passing laws. Bills may be presented to the council as Private Members' Bills by three of the local Parish Councils jointly or by at least one tenth of the citizens of Andorra.
The council also approves the annual budget of the principality. The government must submit the proposed budget for parliamentary approval at least two months before the previous budget expires. If the budget is not approved by the first day of the next year, the previous budget is extended until a new one is approved. Once any bill is approved, the Syndic General is responsible for presenting it to the co-princes so that they may sign and enact it.
If the prime minister is not satisfied with the council, he may request that the co-princes dissolve the council and order new elections. In turn, the councillors have the power to remove the prime minister from office. After a motion of censure is approved by at least one-fifth of the councillors, the council will vote and if it receives the absolute majority of votes, the prime minister is removed.
Law and criminal justice.
The judiciary is composed of the Magistrates Court, the Criminal Law Court, the High Court of Andorra, and the Constitutional Court. The High Court of Justice is composed of five judges: one appointed by the prime minister, one each by the co-princes, one by the Syndic General, and one by the judges and magistrates. It is presided over by the member appointed by the Syndic General and the judges hold office for six-year terms.
The magistrates and judges are appointed by the High Court, as is the president of the Criminal Law Court. The High Court also appoints members of the Office of the Attorney General. The Constitutional Court is responsible for interpreting the Constitution and reviewing all appeals of unconstitutionality against laws and treaties. It is composed of four judges, one appointed by each of the co-princes and two by the General Council. They serve eight-year terms. The Court is presided over by one of the judges on a two-year rotation so that each judge at one point will preside over the Court.
Foreign relations, defence and security.
Andorra does not have its own armed forces, although there is a small ceremonial army. Responsibility for defending the nation rests primarily with France and Spain. However, in case of emergencies or natural disasters, the Sometent (an alarm) is called and all able-bodied men between 21 and 60 of Andorran nationality must serve. This is why all Andorrans, and especially the head of each house (usually the eldest able-bodied man of a house) should, by law, keep a rifle, even though the law also states that the police will offer a firearm in case of need. Andorra is a full member of the United Nations (UN), the Organization for Security and Co-operation in Europe (OSCE), and has a special agreement with the European Union (EU), it also has observer status at the World Trade Organization (WTO). On 16 October 2020, Andorra became the 190th member of the International Monetary Fund (IMF), during the COVID-19 pandemic.
Military.
Andorra has a small army, which has historically been raised or reconstituted at various dates, but has never in modern times amounted to a standing army. The basic principle of Andorran defence is that all able-bodied men are available to fight if called upon by the summoning of the Sometent (a civil defense organization of Andorra, made up of the heads of households). Being a landlocked country, Andorra has no navy.
Before World War I, Andorra maintained an armed militia force of about 600 part-time militiamen under the supervision of a Captain (Capità or Cap de Sometent) and a Lieutenant (Desener or Lloctinent del Capità). This body was not liable for service outside the principality and was commanded by two officials (veguers) appointed by France and the Bishop of Urgell.
In the modern era, the army has consisted of a very small body of volunteers willing to undertake ceremonial duties. Uniforms and weaponry were handed down from generation to generation within families and communities.
The army's role in internal security was largely taken over by the formation of the Police Corps of Andorra in 1931. Brief civil disorder associated with the elections of 1933 led to assistance being sought from the French National Gendarmerie, with a detachment resident in Andorra for two months under the command of René-Jules Baulard. The Andorran Police was reformed in the following year, with eleven soldiers appointed to supervisory roles. The force consisted of six Corporals, one for each parish (although there are currently seven parishes, there were only six until 1978), plus four junior staff officers to co-ordinate action, and a commander with the rank of major. It was the responsibility of the six corporals, each in his own parish, to be able to raise a fighting force from among the able-bodied men of the parish.
The only permanent section of the present-day Sometent is a twelve-man ceremonial unit. However, all able-bodied men are technically available for military service, with a requirement for each family to have access to a firearm. An area weapon such as a Shotgun per household is unregulated, however ranged weapons such as Pistols and Rifles require a license. The army has not fought for more than 700 years, and its main responsibility is to present the flag of Andorra at official ceremonial functions. According to Marc Forné Molné, Andorra's military budget is strictly from voluntary donations, and the availability of full-time volunteers.
In more recent times there has only been a general emergency call to the popular army of Sometent during the floods of 1982 in the Catalan Pyrenees, where 12 citizens perished in Andorra, to help the population and establish a public order along with the Local Police units.
Police Corps.
Andorra maintains a small but modern and well-equipped internal police force, with around 240 police officers supported by civilian assistants. The principal services supplied by the corps are uniformed community policing, criminal detection, border control, and traffic policing. There are also small specialist units including police dogs, mountain rescue, and a bomb disposal team.
GIPA.
The "Grup d'Intervenció Policia d'Andorra" (GIPA) is a small special forces squad trained in counter-terrorism, and hostage recovery tasks. Although it is the closest in style to an active military force, it is part of the Police Corps, and not the army. As terrorist and hostage situations are a rare threat to the country, the GIPA is commonly assigned to prisoner escort duties, and at other times to routine policing.
Fire brigade.
The Andorran Fire Brigade, with headquarters at Santa Coloma, operates from four modern fire stations, and has a staff of around 120 firefighters. The service is equipped with 16 heavy appliances (fire tenders, turntable ladders, and specialist four-wheel drive vehicles), four light support vehicles (cars and vans) and four ambulances.
Historically, the families of the six ancient parishes of Andorra maintained local arrangements to assist each other in fighting fires. The first fire pump purchased by the government was acquired in 1943. Serious fires which lasted for two days in December 1959 led to calls for a permanent fire service, and the Andorran Fire Brigade was formed on 21 April 1961.
The fire service maintains full-time cover with five fire crews on duty at any time: two at the brigade's headquarters in Santa Coloma, and one crew at each of the other three fire stations.
Military.
Andorra has a small army, which has historically been raised or reconstituted at various dates, but has never in modern times amounted to a standing army. The basic principle of Andorran defence is that all able-bodied men are available to fight if called upon by the summoning of the Sometent (a civil defense organization of Andorra, made up of the heads of households). Being a landlocked country, Andorra has no navy.
Before World War I, Andorra maintained an armed militia force of about 600 part-time militiamen under the supervision of a Captain (Capità or Cap de Sometent) and a Lieutenant (Desener or Lloctinent del Capità). This body was not liable for service outside the principality and was commanded by two officials (veguers) appointed by France and the Bishop of Urgell.
In the modern era, the army has consisted of a very small body of volunteers willing to undertake ceremonial duties. Uniforms and weaponry were handed down from generation to generation within families and communities.
The army's role in internal security was largely taken over by the formation of the Police Corps of Andorra in 1931. Brief civil disorder associated with the elections of 1933 led to assistance being sought from the French National Gendarmerie, with a detachment resident in Andorra for two months under the command of René-Jules Baulard. The Andorran Police was reformed in the following year, with eleven soldiers appointed to supervisory roles. The force consisted of six Corporals, one for each parish (although there are currently seven parishes, there were only six until 1978), plus four junior staff officers to co-ordinate action, and a commander with the rank of major. It was the responsibility of the six corporals, each in his own parish, to be able to raise a fighting force from among the able-bodied men of the parish.
The only permanent section of the present-day Sometent is a twelve-man ceremonial unit. However, all able-bodied men are technically available for military service, with a requirement for each family to have access to a firearm. An area weapon such as a Shotgun per household is unregulated, however ranged weapons such as Pistols and Rifles require a license. The army has not fought for more than 700 years, and its main responsibility is to present the flag of Andorra at official ceremonial functions. According to Marc Forné Molné, Andorra's military budget is strictly from voluntary donations, and the availability of full-time volunteers.
In more recent times there has only been a general emergency call to the popular army of Sometent during the floods of 1982 in the Catalan Pyrenees, where 12 citizens perished in Andorra, to help the population and establish a public order along with the Local Police units.
Police Corps.
Andorra maintains a small but modern and well-equipped internal police force, with around 240 police officers supported by civilian assistants. The principal services supplied by the corps are uniformed community policing, criminal detection, border control, and traffic policing. There are also small specialist units including police dogs, mountain rescue, and a bomb disposal team.
GIPA.
The "Grup d'Intervenció Policia d'Andorra" (GIPA) is a small special forces squad trained in counter-terrorism, and hostage recovery tasks. Although it is the closest in style to an active military force, it is part of the Police Corps, and not the army. As terrorist and hostage situations are a rare threat to the country, the GIPA is commonly assigned to prisoner escort duties, and at other times to routine policing.
GIPA.
The "Grup d'Intervenció Policia d'Andorra" (GIPA) is a small special forces squad trained in counter-terrorism, and hostage recovery tasks. Although it is the closest in style to an active military force, it is part of the Police Corps, and not the army. As terrorist and hostage situations are a rare threat to the country, the GIPA is commonly assigned to prisoner escort duties, and at other times to routine policing.
Fire brigade.
The Andorran Fire Brigade, with headquarters at Santa Coloma, operates from four modern fire stations, and has a staff of around 120 firefighters. The service is equipped with 16 heavy appliances (fire tenders, turntable ladders, and specialist four-wheel drive vehicles), four light support vehicles (cars and vans) and four ambulances.
Historically, the families of the six ancient parishes of Andorra maintained local arrangements to assist each other in fighting fires. The first fire pump purchased by the government was acquired in 1943. Serious fires which lasted for two days in December 1959 led to calls for a permanent fire service, and the Andorran Fire Brigade was formed on 21 April 1961.
The fire service maintains full-time cover with five fire crews on duty at any time: two at the brigade's headquarters in Santa Coloma, and one crew at each of the other three fire stations.
Geography.
Parishes.
Andorra consists of seven parishes:
Physical geography.
Due to its location in the eastern Pyrenees mountain range, Andorra consists predominantly of rugged mountains, the highest being the Coma Pedrosa at , and the average elevation of Andorra is . These are dissected by three narrow valleys in a Y shape that combine into one as the main stream, the Gran Valira river, leaves the country for Spain (at Andorra's lowest point of ). Andorra's land area is .
Environment.
Phytogeographically, Andorra belongs to the Atlantic European province of the Circumboreal Region within the Boreal Kingdom. According to the WWF, the territory of Andorra belongs to the ecoregion of Pyrenees conifer and mixed forests. Andorra had a 2018 Forest Landscape Integrity Index mean score of 4.45/10, ranking it 127th globally out of 172 countries.
Important Bird Area.
The whole country has been recognised as a single Important Bird Area (IBA) by BirdLife International, because it is important for forest and mountain birds and supports populations of red-billed choughs, citril finches and rock buntings.
Climate.
Andorra has alpine, continental and oceanic climates, depending on altitude. Its higher elevation means there is, on average, more snow in winter and it is slightly cooler in summer. The diversity of landmarks, the different orientation of the valleys and the irregularity relief typical of the Mediterranean climates make the country have a great diversity of microclimates that hinder the general dominance of the high mountain climate. The great differences of altitude in the minimum and maximum points, together with the influence of a Mediterranean climate, develop the climate of the Andorran Pyrenees.
When in precipitation, a global model characterized by convective and abundant rains can be defined during spring and summer, which can last until autumn (May, June and August are usually the rainiest months). In winter, however, it is less rainy, except in the highlands, subject to the influence of fronts from the Atlantic, which explains the great amount of snowfall in the Andorran mountains. The temperature regime is characterized, broadly, by a temperate summer and a long and cold winter, in accordance with the mountainous condition of the Principality.
Parishes.
Andorra consists of seven parishes:
Physical geography.
Due to its location in the eastern Pyrenees mountain range, Andorra consists predominantly of rugged mountains, the highest being the Coma Pedrosa at , and the average elevation of Andorra is . These are dissected by three narrow valleys in a Y shape that combine into one as the main stream, the Gran Valira river, leaves the country for Spain (at Andorra's lowest point of ). Andorra's land area is .
Environment.
Phytogeographically, Andorra belongs to the Atlantic European province of the Circumboreal Region within the Boreal Kingdom. According to the WWF, the territory of Andorra belongs to the ecoregion of Pyrenees conifer and mixed forests. Andorra had a 2018 Forest Landscape Integrity Index mean score of 4.45/10, ranking it 127th globally out of 172 countries.
Important Bird Area.
The whole country has been recognised as a single Important Bird Area (IBA) by BirdLife International, because it is important for forest and mountain birds and supports populations of red-billed choughs, citril finches and rock buntings.
Climate.
Andorra has alpine, continental and oceanic climates, depending on altitude. Its higher elevation means there is, on average, more snow in winter and it is slightly cooler in summer. The diversity of landmarks, the different orientation of the valleys and the irregularity relief typical of the Mediterranean climates make the country have a great diversity of microclimates that hinder the general dominance of the high mountain climate. The great differences of altitude in the minimum and maximum points, together with the influence of a Mediterranean climate, develop the climate of the Andorran Pyrenees.
When in precipitation, a global model characterized by convective and abundant rains can be defined during spring and summer, which can last until autumn (May, June and August are usually the rainiest months). In winter, however, it is less rainy, except in the highlands, subject to the influence of fronts from the Atlantic, which explains the great amount of snowfall in the Andorran mountains. The temperature regime is characterized, broadly, by a temperate summer and a long and cold winter, in accordance with the mountainous condition of the Principality.
Economy.
Tourism, the mainstay of Andorra's tiny, well-to-do economy, accounts for roughly 80% of GDP. An estimated 10.2 million tourists visit annually, attracted by Andorra's duty-free status and by its summer and winter resorts.
One of the main sources of income in Andorra is tourism from ski resorts which total over of ski ground. The sport brings in over 7 million visitors annually and an estimated 340 million euros per year, sustaining 2,000 direct and 10,000 indirect jobs at present since 2007.
The banking sector, with its tax haven status, also contributes substantially to the economy with revenues raised exclusively through import tariffs (the financial and insurance sector accounts for approximately 19% of GDP). However, during the European sovereign-debt crisis of the 21st century, the tourist industry suffered a decline, partly caused by a drop in the prices of goods in Spain, undercutting duty-free shopping and increasing unemployment. On 1 January 2012, a business tax of 10% was introduced, followed by a sales tax of 2% a year later, which raised just over 14 million euros in its first quarter.
Agricultural production is limited; only 1.7% of the land is arable, and most food has to be imported. Some tobacco is grown locally. The principal livestock activity is domestic sheep raising. Manufacturing output consists mainly of cigarettes, cigars, and furniture. Andorra's natural resources include hydroelectric power, mineral water, timber, iron ore, and lead.
Andorra is not a member of the European Union, but enjoys a special relationship with it, such as being treated as an EU member for trade in manufactured goods (no tariffs) and as a non-EU member for agricultural products. Andorra lacked a currency of its own and used both the French franc and the Spanish peseta in banking transactions until 31 December 1999, when both currencies were replaced by the EU's single currency, the euro. Coins and notes of both the franc and the peseta remained legal tender in Andorra until 31 December 2002. Andorra negotiated to issue its own euro coins, beginning in 2014.
Andorra has historically had one of the world's lowest unemployment rates. In 2019 it stood at 2%.
On 31 May 2013, it was announced that Andorra intended to legislate for the introduction of an income tax by the end of June, against a background of increasing dissatisfaction with the existence of tax havens among EU members. The announcement was made following a meeting in Paris between the Prime Minister Antoni Martí and the French President and Prince of Andorra François Hollande. Hollande welcomed the move as part of a process of Andorra "bringing its taxation in line with international standards".
By the mid-2010s, the financial system comprised five banking groups, one specialised credit entity, eight investment undertaking management entities, three asset management companies, and 29 insurance companies, 14 of which are branches of foreign insurance companies authorised to operate in the principality.
Demographics.
Population.
The population of Andorra is estimated at (). The Andorrans are a Romance ethnic group of originally Catalan descent. The population has grown from 5,000 in 1900.
Two-thirds of residents lack Andorran nationality and do not have the right to vote in communal elections. Moreover, they are not allowed to be elected as prime minister or to own more than 33% of the capital stock of a privately held company.
Languages.
The historic and official language is Catalan, a Romance language. The Andorran government encourages the use of Catalan. It funds a Commission for Catalan Toponymy in Andorra (Catalan: ), and provides free Catalan classes to assist immigrants. Andorran television and radio stations use Catalan.
Because of immigration, historical links, and close geographic proximity, Spanish, Portuguese and French are commonly spoken. Most Andorran residents can speak one or more of these, in addition to Catalan. English is less commonly spoken among the general population, though it is understood to varying degrees in the major tourist resorts. Andorra is one of only four European countries (together with France, Monaco, and Turkey) that have never signed the Council of Europe Framework Convention on National Minorities.
According to mother tongue percentage statistics by the Andorran Government released in 2018 the principality has the following:
Religion.
The population of Andorra is predominantly (88.2%) Catholic. Their patron saint is Our Lady of Meritxell. There are also members of various Protestant denominations. There are also small numbers of Muslims, Hindus, and Bahá'ís, and roughly 100 Jews. (See History of the Jews in Andorra.)
Population.
The population of Andorra is estimated at (). The Andorrans are a Romance ethnic group of originally Catalan descent. The population has grown from 5,000 in 1900.
Two-thirds of residents lack Andorran nationality and do not have the right to vote in communal elections. Moreover, they are not allowed to be elected as prime minister or to own more than 33% of the capital stock of a privately held company.
Languages.
The historic and official language is Catalan, a Romance language. The Andorran government encourages the use of Catalan. It funds a Commission for Catalan Toponymy in Andorra (Catalan: ), and provides free Catalan classes to assist immigrants. Andorran television and radio stations use Catalan.
Because of immigration, historical links, and close geographic proximity, Spanish, Portuguese and French are commonly spoken. Most Andorran residents can speak one or more of these, in addition to Catalan. English is less commonly spoken among the general population, though it is understood to varying degrees in the major tourist resorts. Andorra is one of only four European countries (together with France, Monaco, and Turkey) that have never signed the Council of Europe Framework Convention on National Minorities.
According to mother tongue percentage statistics by the Andorran Government released in 2018 the principality has the following:
Religion.
The population of Andorra is predominantly (88.2%) Catholic. Their patron saint is Our Lady of Meritxell. There are also members of various Protestant denominations. There are also small numbers of Muslims, Hindus, and Bahá'ís, and roughly 100 Jews. (See History of the Jews in Andorra.)
Education.
Schools.
Children between the ages of 6 and 16 are required by law to have full-time education. Education up to secondary level is provided free of charge by the government.
There are three systems of school, Andorran, French and Spanish, which use Catalan, French and Spanish languages respectively, as the main language of instruction. Parents may choose which system their children attend. All schools are built and maintained by Andorran authorities, but teachers in the French and Spanish schools are paid for the most part by France and Spain. 39% of Andorran children attend Andorran schools, 33% attend French schools, and 28% Spanish schools.
University of Andorra.
The Universitat d'Andorra (UdA) is the state public university and is the only university in Andorra. It was established in 1997. The university provides first-level degrees in nursing, computer science, business administration, and educational sciences, in addition to higher professional education courses. The only two graduate schools in Andorra are the Nursing School and the School of Computer Science, the latter having a PhD programme.
Virtual Studies Centre.
The geographical complexity of the country as well as the small number of students prevents the University of Andorra from developing a full academic programme, and it serves principally as a centre for virtual studies, connected to Spanish and French universities. The Virtual Studies Centre (Centre d'Estudis Virtuals) at the university runs approximately 20 different academic degrees at both undergraduate and postgraduate levels in fields including tourism, law, Catalan philology, humanities, psychology, political sciences, audiovisual communication, telecommunications engineering, and East Asia studies. The centre also runs various postgraduate programmes and continuing-education courses for professionals.
Schools.
Children between the ages of 6 and 16 are required by law to have full-time education. Education up to secondary level is provided free of charge by the government.
There are three systems of school, Andorran, French and Spanish, which use Catalan, French and Spanish languages respectively, as the main language of instruction. Parents may choose which system their children attend. All schools are built and maintained by Andorran authorities, but teachers in the French and Spanish schools are paid for the most part by France and Spain. 39% of Andorran children attend Andorran schools, 33% attend French schools, and 28% Spanish schools.
University of Andorra.
The Universitat d'Andorra (UdA) is the state public university and is the only university in Andorra. It was established in 1997. The university provides first-level degrees in nursing, computer science, business administration, and educational sciences, in addition to higher professional education courses. The only two graduate schools in Andorra are the Nursing School and the School of Computer Science, the latter having a PhD programme.
Virtual Studies Centre.
The geographical complexity of the country as well as the small number of students prevents the University of Andorra from developing a full academic programme, and it serves principally as a centre for virtual studies, connected to Spanish and French universities. The Virtual Studies Centre (Centre d'Estudis Virtuals) at the university runs approximately 20 different academic degrees at both undergraduate and postgraduate levels in fields including tourism, law, Catalan philology, humanities, psychology, political sciences, audiovisual communication, telecommunications engineering, and East Asia studies. The centre also runs various postgraduate programmes and continuing-education courses for professionals.
Virtual Studies Centre.
The geographical complexity of the country as well as the small number of students prevents the University of Andorra from developing a full academic programme, and it serves principally as a centre for virtual studies, connected to Spanish and French universities. The Virtual Studies Centre (Centre d'Estudis Virtuals) at the university runs approximately 20 different academic degrees at both undergraduate and postgraduate levels in fields including tourism, law, Catalan philology, humanities, psychology, political sciences, audiovisual communication, telecommunications engineering, and East Asia studies. The centre also runs various postgraduate programmes and continuing-education courses for professionals.
Transport.
Until the 20th century, Andorra had very limited transport links to the outside world, and development of the country was affected by its physical isolation. Even now, the nearest major airports at Toulouse and Barcelona are both three hours' drive from Andorra.
Andorra has a road network of , of which is unpaved. The two main roads out of Andorra la Vella are the CG-1 to the Spanish border near Sant Julià de Lòria, and the CG-2 to the French border via the Envalira Tunnel near El Pas de la Casa. Bus services cover all metropolitan areas and many rural communities, with services on most major routes running half-hourly or more frequently during peak travel times. There are frequent long-distance bus services from Andorra to Barcelona and Toulouse, plus a daily tour from the former city. Bus services mostly are run by private companies, but some local ones are operated by the government.
There are no airports for fixed-wing aircraft within Andorra's borders but there are, however, heliports in La Massana (Camí Heliport), Arinsal and Escaldes-Engordany with commercial helicopter services and an airport located in the neighbouring Spanish comarca of Alt Urgell, south of the Andorran-Spanish border. Since July 2015, Andorra–La Seu d'Urgell Airport has operated commercial flights to Madrid and Palma de Mallorca, and is the main hub for Air Andorra and Andorra Airlines. As of 11 July 2018, there are no regular commercial flights at the airport.
Nearby airports located in Spain and France provide access to international flights for the principality. The nearest airports are at Perpignan, France ( from Andorra) and Lleida, Spain ( from Andorra). The largest nearby airports are at Toulouse, France ( from Andorra) and Barcelona, Spain ( from Andorra). There are hourly bus services from both Barcelona and Toulouse airports to Andorra.
The nearest railway station is Andorre-L'Hospitalet station east of Andorra which is on the -gauge line from Latour-de-Carol () southeast of Andorra, to Toulouse and on to Paris by the French high-speed trains. This line is operated by the SNCF. Latour-de-Carol has a scenic trainline to Villefranche-de-Conflent, as well as the SNCF's gauge line connecting to Perpignan, and the RENFE's -gauge line to Barcelona. There are also direct Intercités de Nuit trains between L'Hospitalet-près-l'Andorre and Paris on certain dates.
Media and telecommunications.
In Andorra, mobile and fixed telephone and internet services are operated exclusively by the Andorran national telecommunications company, SOM, also known as Andorra Telecom (STA). The same company also manages the technical infrastructure for national broadcasting of digital television and radio. In 2010 Andorra became the first country to provide a direct optical fiber link to all homes (FTTH) and businesses.
The first commercial radio station to broadcast was Radio Andorra, which was active from 1939 to 1981. On 12 October 1989, the General Council established radio and television as essential public services creating and managing the entity ORTA, becoming on 13 April 2000, in the public company Ràdio i Televisió d'Andorra (RTVA). In 1990, the public radio was founded on the Radio Nacional d'Andorra. As an autochthonous television channel, there is only the national public television network Andorra Televisió, created in 1995. Additional TV and radio stations from Spain and France are available via digital terrestrial television and IPTV.
There are three national newspapers, "Diari d'Andorra", "El Periòdic d'Andorra", and "Bondia" as well as several local newspapers. The history of the Andorran press begins in the period between 1917 and 1937 with the appearance of several periodicals papers such as "Les Valls d'Andorra" (1917), "Nova Andorra" (1932) and "Andorra Agrícola" (1933). In 1974, the "Poble Andorrà" became the first regular newspaper in Andorra. There is also an amateur radio society and news agency ANA with independent management.
Culture.
Andorra is home to folk dances like the contrapàs and marratxa, which survive in Sant Julià de Lòria especially. Andorran folk music has similarities to the music of its neighbours, but is especially Catalan in character, especially in the presence of dances such as the sardana. Other Andorran folk dances include contrapàs in Andorra la Vella and Saint Anne's dance in Escaldes-Engordany. Andorra's national holiday is Our Lady of Meritxell Day, 8 September.
Among the more important festivals and traditions are the Canólich Gathering in May, the Roser d'Ordino in July, the Meritxell Day (National Day of Andorra), the Andorra la Vella Fair, the Sant Jordi Day, the Santa Llúcia Fair, the Festivity from La Candelera to Canillo, the Carnival of Encamp, the sung of caramelles, the Festivity of Sant Esteve and the Festa del Poble.
Andorra participated regularly in the Eurovision Song Contest between 2004 and 2009, being the only participating country presenting songs in Catalan.
In popular folklore, the best-known Andorran legends are the legend of Charlemagne, according to which this Frankish King would have founded the country, the White Lady of Auvinyà, the Buner d'Ordino, the legend of Engolasters Lake and the legend of Our Lady of Meritxell.
Andorran gastronomy is mainly Catalan, although it has also adopted other elements of French and Italian cuisines. The cuisine of the country has similar characteristics with the neighbours of Cerdanya and Alt Urgell, with whom it has strong cultural ties. Andorra's cuisine is marked by its nature as mountain valleys. Typical dishes of the country are quince all-i-oli, duck with winter pear, roast lamb with nuts, pork civet, massegada cake, escarole with pears, duck confit and mushrooms, escudella, spinach with raisins and pine nuts, jelly marmalade, stuffed murgues (mushrooms) with pork, dandelion salad, and Andorran river trout. To drink, mulled wine and beer are also popular. Some of the dishes are very common in the mountainous regions of Catalonia, such as trinxat, embotits, cooked snails, rice with mushrooms, mountain rice and mató.
Pre-Romanesque and Romanesque art are one of the most important artistic manifestations and characteristics of the Principality. The Romanesque one allows to know the formation of the parochial communities, the relations of (social and political) power and the national culture. There are a total of forty Romanesque churches that stand out as being small austere ornamentation constructions, as well as bridges, fortresses and manor houses of the same period.
Summer solstice fire festivals in the Pyrenees was included as UNESCO Intangible cultural heritage in 2015. Also the Madriu-Perafita-Claror Valley became Andorra's first, and to date its only, UNESCO World Heritage Site in 2004, with a small extension in 2006.
Sports.
Andorra is famous for the practice of winter sports. Andorra has the largest territory of ski slopes in the Pyrenees (3100 hectares and about 350 km of slopes) and two ski resorts. Grandvalira is the largest and most popular resort. Other popular sports played in Andorra include football, rugby union, basketball, and roller hockey.
For roller hockey, Andorra usually plays in CERH Euro Cup and in FIRS Roller Hockey World Cup. In 2011, Andorra was the host country to the 2011 European League Final Eight.
The country is represented in association football by the Andorra national football team. The team gained its first competitive win in a European Championship qualifier on 11 October 2019, against Moldova. Football is governed in Andorra by the Andorran Football Federation – founded in 1994, it organizes the national competitions of association football (Primera Divisió, Copa Constitució and Supercopa) and futsal. Andorra was admitted to UEFA and FIFA in the same year, 1996. FC Andorra, a club based in Andorra la Vella founded in 1942, compete in the Spanish football league system.
Rugby is a traditional sport in Andorra, mainly influenced by the popularity in southern France. The Andorra national rugby union team, nicknamed Els Isards, plays on the international stage in rugby union and rugby sevens. VPC Andorra XV is a rugby team based in Andorra la Vella, which actually plays in the French championship.
Basketball popularity has increased in the country since the 1990s, when the Andorran team BC Andorra played in the top league of Spain (Liga ACB). After 18 years the club returned to the top league in 2014.
Other sports practised in Andorra include cycling, volleyball, judo, Australian Rules football, handball, swimming, gymnastics, tennis, and motorsports. In 2012, Andorra raised its first national cricket team and played a home match against the Dutch Fellowship of Fairly Odd Places Cricket Club, the first match played in the history of Andorra at an altitude of .
Andorra first participated at the Olympic Games in 1976. The country has appeared in every Winter Olympic Games since 1976. Andorra competes in the Games of the Small States of Europe, being twice the host country, in 1991 and 2005.
As one of the Catalan Countries, Andorra is home to a team of castellers, or Catalan human tower builders. The , based in the town of Santa Coloma d'Andorra, are recognized by the , the governing body of castells.
Sports.
Andorra is famous for the practice of winter sports. Andorra has the largest territory of ski slopes in the Pyrenees (3100 hectares and about 350 km of slopes) and two ski resorts. Grandvalira is the largest and most popular resort. Other popular sports played in Andorra include football, rugby union, basketball, and roller hockey.
For roller hockey, Andorra usually plays in CERH Euro Cup and in FIRS Roller Hockey World Cup. In 2011, Andorra was the host country to the 2011 European League Final Eight.
The country is represented in association football by the Andorra national football team. The team gained its first competitive win in a European Championship qualifier on 11 October 2019, against Moldova. Football is governed in Andorra by the Andorran Football Federation – founded in 1994, it organizes the national competitions of association football (Primera Divisió, Copa Constitució and Supercopa) and futsal. Andorra was admitted to UEFA and FIFA in the same year, 1996. FC Andorra, a club based in Andorra la Vella founded in 1942, compete in the Spanish football league system.
Rugby is a traditional sport in Andorra, mainly influenced by the popularity in southern France. The Andorra national rugby union team, nicknamed Els Isards, plays on the international stage in rugby union and rugby sevens. VPC Andorra XV is a rugby team based in Andorra la Vella, which actually plays in the French championship.
Basketball popularity has increased in the country since the 1990s, when the Andorran team BC Andorra played in the top league of Spain (Liga ACB). After 18 years the club returned to the top league in 2014.
Other sports practised in Andorra include cycling, volleyball, judo, Australian Rules football, handball, swimming, gymnastics, tennis, and motorsports. In 2012, Andorra raised its first national cricket team and played a home match against the Dutch Fellowship of Fairly Odd Places Cricket Club, the first match played in the history of Andorra at an altitude of .
Andorra first participated at the Olympic Games in 1976. The country has appeared in every Winter Olympic Games since 1976. Andorra competes in the Games of the Small States of Europe, being twice the host country, in 1991 and 2005.
As one of the Catalan Countries, Andorra is home to a team of castellers, or Catalan human tower builders. The , based in the town of Santa Coloma d'Andorra, are recognized by the , the governing body of castells.
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Attila
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Attila (, ; ), frequently called Attila the Hun, was the ruler of the Huns from 434 until his death in March 453. He was also the leader of a tribal empire consisting of Huns, Ostrogoths, Alans, and Bulgars, among others, in Central and Eastern Europe.
During his reign, he was one of the most feared enemies of the Western and Eastern Roman Empires. He crossed the Danube twice and plundered the Balkans, but was unable to take Constantinople. His unsuccessful campaign in Persia was followed in 441 by an invasion of the Eastern Roman (Byzantine) Empire, the success of which emboldened Attila to invade the West. He also attempted to conquer Roman Gaul (modern France), crossing the Rhine in 451 and marching as far as Aurelianum (Orléans), before being stopped in the Battle of the Catalaunian Plains.
He subsequently invaded Italy, devastating the northern provinces, but was unable to take Rome. He planned for further campaigns against the Romans, but died in 453. After Attila's death, his close adviser, Ardaric of the Gepids, led a Germanic revolt against Hunnic rule, after which the Hunnic Empire quickly collapsed. Attila lived on as a character in Germanic heroic legend.
Etymology.
Many scholars have argued that the name Attila derives from East Germanic origin; "Attila" is formed from the Gothic or Gepidic noun "atta", "father", by means of the diminutive suffix "-ila", meaning "little father", compare Wulfila from "wulfs" "wolf" and "-ila", i.e. "little wolf". The Gothic etymology was first proposed by Jacob and Wilhelm Grimm in the early 19th century. Maenchen-Helfen notes that this derivation of the name "offers neither phonetic nor semantic difficulties", and Gerhard Doerfer notes that the name is simply correct Gothic. Alexander Savelyev and Choongwon Jeong (2020) similarly state that Attila's name "must have been Gothic in origin." The name has sometimes been interpreted as a Germanization of a name of Hunnic origin.
Other scholars have argued for a Turkic origin of the name. Omeljan Pritsak considered "Ἀττίλα" (Attíla) a composite title-name which derived from Turkic *"es" (great, old), and *"til" (sea, ocean), and the suffix /a/. The stressed back syllabic "til" assimilated the front member "es", so it became *"as". It is a nominative, in form of "attíl-" (< *"etsíl" < *"es tíl") with the meaning "the oceanic, universal ruler". J. J. Mikkola connected it with Turkic "āt" (name, fame).
As another Turkic possibility, H. Althof (1902) considered it was related to Turkish "atli" (horseman, cavalier), or Turkish "at" (horse) and "dil" (tongue). Maenchen-Helfen argues that Pritsak's derivation is "ingenious but for many reasons unacceptable", while dismissing Mikkola's as "too farfetched to be taken seriously". M. Snædal similarly notes that none of these proposals has achieved wide acceptance.
Criticizing the proposals of finding Turkic or other etymologies for Attila, Doerfer notes that King George VI of the United Kingdom had a name of Greek origin, and Süleyman the Magnificent had a name of Arabic origin, yet that does not make them Greeks or Arabs: it is therefore plausible that Attila would have a name not of Hunnic origin. Historian Hyun Jin Kim, however, has argued that the Turkic etymology is "more probable".
M. Snædal, in a paper that rejects the Germanic derivation but notes the problems with the existing proposed Turkic etymologies, argues that Attila's name could have originated from Turkic-Mongolian "at", "adyy/agta" (gelding, warhorse) and Turkish "atlı" (horseman, cavalier), meaning "possessor of geldings, provider of warhorses".
Historiography and source.
The historiography of Attila is faced with a major challenge, in that the only complete sources are written in Greek and Latin by the enemies of the Huns. Attila's contemporaries left many testimonials of his life, but only fragments of these remain. Priscus was a Byzantine diplomat and historian who wrote in Greek, and he was both a witness to and an actor in the story of Attila, as a member of the embassy of Theodosius II at the Hunnic court in 449. He was obviously biased by his political position, but his writing is a major source for information on the life of Attila, and he is the only person known to have recorded a physical description of him. He wrote a history of the late Roman Empire in eight books covering the period from 430 to 476.
Only fragments of Priscus' work remain. It was cited extensively by 6th-century historians Procopius and Jordanes, especially in Jordanes' "The Origin and Deeds of the Goths", which contains numerous references to Priscus's history, and it is also an important source of information about the Hunnic empire and its neighbors. He describes the legacy of Attila and the Hunnic people for a century after Attila's death. Marcellinus Comes, a chancellor of Justinian during the same era, also describes the relations between the Huns and the Eastern Roman Empire.
Numerous ecclesiastical writings contain useful but scattered information, sometimes difficult to authenticate or distorted by years of hand-copying between the 6th and 17th centuries. The Hungarian writers of the 12th century wished to portray the Huns in a positive light as their glorious ancestors, and so repressed certain historical elements and added their own legends.
The literature and knowledge of the Huns themselves was transmitted orally, by means of epics and chanted poems that were handed down from generation to generation. Indirectly, fragments of this oral history have reached us via the literature of the Scandinavians and Germans, neighbors of the Huns who wrote between the 9th and 13th centuries. Attila is a major character in many Medieval epics, such as the Nibelungenlied, as well as various Eddas and sagas.
Archaeological investigation has uncovered some details about the lifestyle, art, and warfare of the Huns. There are a few traces of battles and sieges, but the tomb of Attila and the location of his capital have not yet been found.
Early life and background.
The Huns were a group of Eurasian nomads, appearing from east of the Volga, who migrated further into Western Europe c. 370 and built up an enormous empire there. Their main military techniques were mounted archery and javelin throwing. They were in the process of developing settlements before their arrival in Western Europe, yet the Huns were a society of pastoral warriors whose primary form of nourishment was meat and milk, products of their herds.
The origin and language of the Huns has been the subject of debate for centuries. According to some theories, their leaders at least may have spoken a Turkic language, perhaps closest to the modern Chuvash language. One scholar suggests a relationship to the Xiongnu via Yeniseian. According to the "Encyclopedia of European Peoples", "the Huns, especially those who migrated to the west, may have been a combination of central Asian Turkic, Mongolic, and Ugric stocks".
Attila's father Mundzuk was the brother of kings Octar and Ruga, who reigned jointly over the Hunnic empire in the early fifth century. This form of diarchy was recurrent with the Huns, but historians are unsure whether it was institutionalized, merely customary, or an occasional occurrence. His family was from a noble lineage, but it is uncertain whether they constituted a royal dynasty. Attila's birthdate is debated; journalist Éric Deschodt and writer Herman Schreiber have proposed a date of 395. However, historian Iaroslav Lebedynsky and archaeologist Katalin Escher prefer an estimate between the 390s and the first decade of the fifth century. Several historians have proposed 406 as the date.
Attila grew up in a rapidly changing world. His people were nomads who had only recently arrived in Europe. They crossed the Volga river during the 370s and annexed the territory of the Alans, then attacked the Gothic kingdom between the Carpathian mountains and the Danube. They were a very mobile people, whose mounted archers had acquired a reputation for invincibility, and the Germanic tribes seemed unable to withstand them. Vast populations fleeing the Huns moved from Germania into the Roman Empire in the west and south, and along the banks of the Rhine and Danube. In 376, the Goths crossed the Danube, initially submitting to the Romans but soon rebelling against Emperor Valens, whom they killed in the Battle of Adrianople in 378. Large numbers of Vandals, Alans, Suebi, and Burgundians crossed the Rhine and invaded Roman Gaul on December 31, 406 to escape the Huns. The Roman Empire had been split in half since 395 and was ruled by two distinct governments, one based in Ravenna in the West, and the other in Constantinople in the East. The Roman Emperors, both East and West, were generally from the Theodosian family in Attila's lifetime (despite several power struggles).
The Huns dominated a vast territory with nebulous borders determined by the will of a constellation of ethnically varied peoples. Some were assimilated to Hunnic nationality, whereas many retained their own identities and rulers but acknowledged the suzerainty of the king of the Huns. The Huns were also the indirect source of many of the Romans' problems, driving various Germanic tribes into Roman territory, yet relations between the two empires were cordial: the Romans used the Huns as mercenaries against the Germans and even in their civil wars. Thus, the usurper Joannes was able to recruit thousands of Huns for his army against Valentinian III in 424. It was Aëtius, later Patrician of the West, who managed this operation. They exchanged ambassadors and hostages, the alliance lasting from 401 to 450 and permitting the Romans numerous military victories. The Huns considered the Romans to be paying them tribute, whereas the Romans preferred to view this as payment for services rendered. The Huns had become a great power by the time that Attila came of age during the reign of his uncle Ruga, to the point that Nestorius, the Patriarch of Constantinople, deplored the situation with these words: "They have become both masters and slaves of the Romans".
Campaigns against the Eastern Roman Empire.
The death of Rugila (also known as Rua or Ruga) in 434 left the sons of his brother Mundzuk, Attila and Bleda, in control of the united Hun tribes. At the time of the two brothers' accession, the Hun tribes were bargaining with Eastern Roman Emperor Theodosius II's envoys for the return of several renegades who had taken refuge within the Eastern Roman Empire, possibly Hunnic nobles who disagreed with the brothers' assumption of leadership.
The following year, Attila and Bleda met with the imperial legation at Margus (Požarevac), all seated on horseback in the Hunnic manner, and negotiated an advantageous treaty. The Romans agreed to return the fugitives, to double their previous tribute of 350 Roman pounds (c. 115 kg) of gold, to open their markets to Hunnish traders, and to pay a ransom of eight "solidi" for each Roman taken prisoner by the Huns. The Huns, satisfied with the treaty, decamped from the Roman Empire and returned to their home in the Great Hungarian Plain, perhaps to consolidate and strengthen their empire. Theodosius used this opportunity to strengthen the walls of Constantinople, building the city's first sea wall, and to build up his border defenses along the Danube.
The Huns remained out of Roman sight for the next few years while they invaded the Sassanid Empire. They were defeated in Armenia by the Sassanids, abandoned their invasion, and turned their attentions back to Europe. In 440, they reappeared in force on the borders of the Roman Empire, attacking the merchants at the market on the north bank of the Danube that had been established by the treaty of 435.
Crossing the Danube, they laid waste to the cities of Illyricum and forts on the river, including (according to Priscus) Viminacium, a city of Moesia. Their advance began at Margus, where they demanded that the Romans turn over a bishop who had retained property that Attila regarded as his. While the Romans discussed the bishop's fate, he slipped away secretly to the Huns and betrayed the city to them.
While the Huns attacked city-states along the Danube, the Vandals (led by Geiseric) captured the Western Roman province of Africa and its capital of Carthage. Africa was the richest province of the Western Empire and a main source of food for Rome. The Sassanid Shah Yazdegerd II invaded Armenia in 441.
The Romans stripped the Balkan area of forces, sending them to Sicily in order to mount an expedition against the Vandals in Africa. This left Attila and Bleda a clear path through Illyricum into the Balkans, which they invaded in 441. The Hunnish army sacked Margus and Viminacium, and then took Singidunum (Belgrade) and Sirmium. During 442, Theodosius recalled his troops from Sicily and ordered a large issue of new coins to finance operations against the Huns. He believed that he could defeat the Huns and refused the Hunnish kings' demands.
Attila responded with a campaign in 443. For the first time (as far as the Romans knew) his forces were equipped with battering rams and rolling siege towers, with which they successfully assaulted the military centers of Ratiara and Naissus (Niš) and massacred the inhabitants. Priscus said "When we arrived at Naissus we found the city deserted, as though it had been sacked; only a few sick persons lay in the churches. We halted at a short distance from the river, in an open space, for all the ground adjacent to the bank was full of the bones of men slain in war."
Advancing along the Nišava River, the Huns next took Serdica (Sofia), Philippopolis (Plovdiv), and Arcadiopolis (Lüleburgaz). They encountered and destroyed a Roman army outside Constantinople but were stopped by the double walls of the Eastern capital. They defeated a second army near Callipolis (Gelibolu).
Theodosius, unable to make effective armed resistance, admitted defeat, sending the "Magister militum per Orientem" Anatolius to negotiate peace terms. The terms were harsher than the previous treaty: the Emperor agreed to hand over 6,000 Roman pounds (c. 2000 kg) of gold as punishment for having disobeyed the terms of the treaty during the invasion; the yearly tribute was tripled, rising to 2,100 Roman pounds (c. 700 kg) in gold; and the ransom for each Roman prisoner rose to 12 "solidi".
Their demands were met for a time, and the Hun kings withdrew into the interior of their empire. Bleda died following the Huns' withdrawal from Byzantium (probably around 445). Attila then took the throne for himself, becoming the sole ruler of the Huns.
Solitary kingship.
In 447, Attila again rode south into the Eastern Roman Empire through Moesia. The Roman army, under Gothic "magister militum" Arnegisclus, met him in the Battle of the Utus and was defeated, though not without inflicting heavy losses. The Huns were left unopposed and rampaged through the Balkans as far as Thermopylae.
Constantinople itself was saved by the Isaurian troops of "magister militum per Orientem" Zeno and protected by the intervention of prefect Constantinus, who organized the reconstruction of the walls that had been previously damaged by earthquakes and, in some places, to construct a new line of fortification in front of the old. Callinicus, in his "Life of Saint Hypatius", wrote:
In the west.
In 450, Attila proclaimed his intent to attack the Visigoth kingdom of Toulouse by making an alliance with Emperor Valentinian III. He had previously been on good terms with the Western Roman Empire and its influential general Flavius Aëtius. Aëtius had spent a brief exile among the Huns in 433, and the troops that Attila provided against the Goths and Bagaudae had helped earn him the largely honorary title of "magister militum" in the west. The gifts and diplomatic efforts of Geiseric, who opposed and feared the Visigoths, may also have influenced Attila's plans.
However, Valentinian's sister was Honoria, who had sent the Hunnish king a plea for help—and her engagement ring—in order to escape her forced betrothal to a Roman senator in the spring of 450. Honoria may not have intended a proposal of marriage, but Attila chose to interpret her message as such. He accepted, asking for half of the western Empire as dowry.
When Valentinian discovered the plan, only the influence of his mother Galla Placidia convinced him to exile Honoria, rather than killing her. He also wrote to Attila, strenuously denying the legitimacy of the supposed marriage proposal. Attila sent an emissary to Ravenna to proclaim that Honoria was innocent, that the proposal had been legitimate, and that he would come to claim what was rightfully his.
Attila interfered in a succession struggle after the death of a Frankish ruler. Attila supported the elder son, while Aëtius supported the younger. (The location and identity of these kings is not known and subject to conjecture.) Attila gathered his vassals—Gepids, Ostrogoths, Rugians, Scirians, Heruls, Thuringians, Alans, Burgundians, among others—and began his march west. In 451, he arrived in Belgica with an army exaggerated by Jordanes to half a million strong.
On April 7, he captured Metz. Other cities attacked can be determined by the hagiographic "vitae" written to commemorate their bishops: Nicasius was slaughtered before the altar of his church in Rheims; Servatus is alleged to have saved Tongeren with his prayers, as Saint Genevieve is said to have saved Paris. Lupus, bishop of Troyes, is also credited with saving his city by meeting Attila in person.
Aëtius moved to oppose Attila, gathering troops from among the Franks, the Burgundians, and the Celts. A mission by Avitus and Attila's continued westward advance convinced the Visigoth king Theodoric I (Theodorid) to ally with the Romans. The combined armies reached Orléans ahead of Attila, thus checking and turning back the Hunnish advance. Aëtius gave chase and caught the Huns at a place usually assumed to be near Catalaunum (modern Châlons-en-Champagne). Attila decided to fight the Romans on plains where he could use his cavalry.
The two armies clashed in the Battle of the Catalaunian Plains, the outcome of which is commonly considered to be a strategic victory for the Visigothic-Roman alliance. Theodoric was killed in the fighting, and Aëtius failed to press his advantage, according to Edward Gibbon and Edward Creasy, because he feared the consequences of an overwhelming Visigothic triumph as much as he did a defeat. From Aëtius' point of view, the best outcome was what occurred: Theodoric died, Attila was in retreat and disarray, and the Romans had the benefit of appearing victorious.
Invasion of Italy and death.
Attila returned in 452 to renew his marriage claim with Honoria, invading and ravaging Italy along the way. Communities became established in what would later become Venice as a result of these attacks when the residents fled to small islands in the Venetian Lagoon. His army sacked numerous cities and razed Aquileia so completely that it was afterwards hard to recognize its original site. Aëtius lacked the strength to offer battle, but managed to harass and slow Attila's advance with only a shadow force. Attila finally halted at the River Po. By this point, disease and starvation may have taken hold in Attila's camp, thus hindering his war efforts and potentially contributing to the cessation of invasion.
Emperor Valentinian III sent three envoys, the high civilian officers Gennadius Avienus and Trigetius, as well as the Bishop of Rome Leo I, who met Attila at Mincio in the vicinity of Mantua and obtained from him the promise that he would withdraw from Italy and negotiate peace with the Emperor. Prosper of Aquitaine gives a short description of the historic meeting, but gives all the credit to Leo for the successful negotiation. Priscus reports that superstitious fear of the fate of Alaric gave him pause—as Alaric died shortly after sacking Rome in 410.
Italy had suffered from a terrible famine in 451 and her crops were faring little better in 452. Attila's devastating invasion of the plains of northern Italy this year did not improve the harvest. To advance on Rome would have required supplies which were not available in Italy, and taking the city would not have improved Attila's supply situation. Therefore, it was more profitable for Attila to conclude peace and retreat to his homeland.
Furthermore, an East Roman force had crossed the Danube under the command of another officer also named Aetius—who had participated in the Council of Chalcedon the previous year—and proceeded to defeat the Huns who had been left behind by Attila to safeguard their home territories. Attila, hence, faced heavy human and natural pressures to retire "from Italy without ever setting foot south of the Po". As Hydatius writes in his "Chronica Minora":
Death.
In the Eastern Roman Empire, Emperor Marcian succeeded Theodosius II, and stopped paying tribute to the Huns. Attila withdrew from Italy to his palace across the Danube, while making plans to strike at Constantinople once more to reclaim tribute.
However, he died in the early months of 453.
The conventional account from Priscus says that Attila was at a feast celebrating his latest marriage, this time to the beautiful young Ildico (the name suggests Gothic or Ostrogoth origins). In the midst of the revels, however, he suffered severe bleeding and died. He may have had a nosebleed and choked to death in a stupor. Or he may have succumbed to internal bleeding, possibly due to ruptured esophageal varices. Esophageal varices are dilated veins that form in the lower part of the esophagus, often caused by years of excessive alcohol consumption; they are fragile and can easily rupture, leading to death by hemorrhage.
Another account of his death was first recorded 80 years after the events by Roman chronicler Marcellinus Comes. It reports that "Attila, King of the Huns and ravager of the provinces of Europe, was pierced by the hand and blade of his wife". One modern analyst suggests that he was assassinated, but most reject these accounts as no more than hearsay, preferring instead the account given by Attila's contemporary Priscus, recounted in the 6th century by Jordanes:
Attila's sons Ellac, Dengizich and Ernak, "in their rash eagerness to rule they all alike destroyed his empire". They "were clamoring that the nations should be divided among them equally and that warlike kings with their peoples should be apportioned to them by lot like a family estate". Against the treatment as "slaves of the basest condition" a Germanic alliance led by the Gepid ruler Ardaric (who was noted for great loyalty to Attila) revolted and fought with the Huns in Pannonia in the Battle of Nedao 454 AD. Attila's eldest son Ellac was killed in that battle. Attila's sons "regarding the Goths as deserters from their rule, came against them as though they were seeking fugitive slaves", attacked Ostrogothic co-ruler Valamir (who also fought alongside Ardaric and Attila at the Catalaunian Plains), but were repelled, and some group of Huns moved to Scythia (probably those of Ernak). His brother Dengizich attempted a renewed invasion across the Danube in 468 AD, but was defeated at the Battle of Bassianae by the Ostrogoths. Dengizich was killed by Roman-Gothic general Anagast the following year, after which the Hunnic dominion ended.
Attila's many children and relatives are known by name and some even by deeds, but soon valid genealogical sources all but dried up, and there seems to be no verifiable way to trace Attila's descendants. This has not stopped many genealogists from attempting to reconstruct a valid line of descent for various medieval rulers. One of the most credible claims has been that of the "Nominalia of the Bulgarian khans" for mythological Avitohol and Irnik from the Dulo clan of the Bulgars.
Death.
In the Eastern Roman Empire, Emperor Marcian succeeded Theodosius II, and stopped paying tribute to the Huns. Attila withdrew from Italy to his palace across the Danube, while making plans to strike at Constantinople once more to reclaim tribute.
However, he died in the early months of 453.
The conventional account from Priscus says that Attila was at a feast celebrating his latest marriage, this time to the beautiful young Ildico (the name suggests Gothic or Ostrogoth origins). In the midst of the revels, however, he suffered severe bleeding and died. He may have had a nosebleed and choked to death in a stupor. Or he may have succumbed to internal bleeding, possibly due to ruptured esophageal varices. Esophageal varices are dilated veins that form in the lower part of the esophagus, often caused by years of excessive alcohol consumption; they are fragile and can easily rupture, leading to death by hemorrhage.
Another account of his death was first recorded 80 years after the events by Roman chronicler Marcellinus Comes. It reports that "Attila, King of the Huns and ravager of the provinces of Europe, was pierced by the hand and blade of his wife". One modern analyst suggests that he was assassinated, but most reject these accounts as no more than hearsay, preferring instead the account given by Attila's contemporary Priscus, recounted in the 6th century by Jordanes:
Attila's sons Ellac, Dengizich and Ernak, "in their rash eagerness to rule they all alike destroyed his empire". They "were clamoring that the nations should be divided among them equally and that warlike kings with their peoples should be apportioned to them by lot like a family estate". Against the treatment as "slaves of the basest condition" a Germanic alliance led by the Gepid ruler Ardaric (who was noted for great loyalty to Attila) revolted and fought with the Huns in Pannonia in the Battle of Nedao 454 AD. Attila's eldest son Ellac was killed in that battle. Attila's sons "regarding the Goths as deserters from their rule, came against them as though they were seeking fugitive slaves", attacked Ostrogothic co-ruler Valamir (who also fought alongside Ardaric and Attila at the Catalaunian Plains), but were repelled, and some group of Huns moved to Scythia (probably those of Ernak). His brother Dengizich attempted a renewed invasion across the Danube in 468 AD, but was defeated at the Battle of Bassianae by the Ostrogoths. Dengizich was killed by Roman-Gothic general Anagast the following year, after which the Hunnic dominion ended.
Attila's many children and relatives are known by name and some even by deeds, but soon valid genealogical sources all but dried up, and there seems to be no verifiable way to trace Attila's descendants. This has not stopped many genealogists from attempting to reconstruct a valid line of descent for various medieval rulers. One of the most credible claims has been that of the "Nominalia of the Bulgarian khans" for mythological Avitohol and Irnik from the Dulo clan of the Bulgars.
Appearance and character.
There is no surviving first-hand account of Attila's appearance, but there is a possible second-hand source provided by Jordanes, who cites a description given by Priscus.
Some scholars have suggested that these features are typically East Asian, because in combination they fit the physical type of people from Eastern Asia, so Attila's ancestors may have come from there. Other historians have suggested that the same features may have been typical of some Scythian people.
Later folklore and iconography.
The name has many variants in several languages: Atli and Atle in Old Norse; Etzel in Middle High German (Nibelungenlied); Ætla in Old English; Attila, Atilla, and Etele in Hungarian (Attila is the most popular); Attila, Atilla, Atilay, or Atila in Turkish; and Adil and Edil in Kazakh or Adil ("same/similar") or Edil ("to use") in Mongolian.
Legends about Attila and the sword of Mars.
Jordanes embellished the report of Priscus, reporting that Attila had possessed the "Holy War Sword of the Scythians", which was given to him by Mars and made him a "prince of the entire world".
By the end of the 12th century the royal court of Hungary proclaimed their descent from Attila. Lampert of Hersfeld's contemporary chronicles report that shortly before the year 1071, the Sword of Attila had been presented to Otto of Nordheim by the exiled queen of Hungary, Anastasia of Kiev. This sword, a cavalry sabre now in the Kunsthistorisches Museum in Vienna, appears to be the work of Hungarian goldsmiths of the ninth or tenth century.
Legends about Attila and his meeting with pope Leo I.
An anonymous chronicler of the medieval period represented the meeting of Pope Leo and Atilla as attended also by Saint Peter and Saint Paul, "a miraculous tale calculated to meet the taste of the time" This apotheosis was later portrayed artistically by the Renaissance artist Raphael and sculptor Algardi, whom eighteenth-century historian Edward Gibbon praised for establishing "one of the noblest legends of ecclesiastical tradition".
According to a version of this narrative related in the Chronicon Pictum, a mediaeval Hungarian chronicle, the Pope promised Attila that if he left Rome in peace, one of his successors would receive a holy crown (which has been understood as referring to the Holy Crown of Hungary).
Attila in Germanic heroic legend.
Some histories and chronicles describe Attila as a great and noble king, and he plays major roles in three Norse texts: "Atlakviða", "Volsunga saga", and "Atlamál". The "Polish Chronicle" represents Attila's name as "Aquila".
Frutolf of Michelsberg and Otto of Freising pointed out that some songs as "vulgar fables" and made Theoderic the Great, Attila and Ermanaric contemporaries, when any reader of Jordanes knew that this was not the case. This refers to the so-called historical poems about Dietrich von Bern (Theoderic), in which Etzel (German for Attila) is Dietrich's refuge in exile from his wicked uncle Ermenrich (Ermanaric). Etzel is most prominent in the poems "Dietrichs Flucht" and the "Rabenschlacht". Etzel also appears as Kriemhild's second noble husband in the "Nibelungenlied", in which Kriemhild causes the destruction of both the Hunnish kingdom and that of her Burgundian relatives.
Early modern and modern reception.
In 1812, Ludwig van Beethoven conceived the idea of writing an opera about Attila and approached August von Kotzebue to write the libretto. It was, however, never written. In 1846, Giuseppe Verdi wrote the opera, loosely based on episodes in Attila's invasion of Italy.
In World War I, Allied propaganda referred to Germans as the "Huns", based on a 1900 speech by Emperor Wilhelm II praising Attila the Hun's military prowess, according to Jawaharlal Nehru's "Glimpses of World History". "Der Spiegel" commented on 6 November 1948, that the Sword of Attila was hanging menacingly over Austria.
American writer Cecelia Holland wrote "The Death of Attila" (1973), a historical novel in which Attila appears as a powerful background figure whose life and death deeply affect the protagonists, a young Hunnic warrior and a Germanic one.
In modern Hungary and in Turkey, "Attila" and its Turkish variation "Atilla" are commonly used as a male first name. In Hungary, several public places are named after Attila; for instance, in Budapest there are 10 Attila Streets, one of which is an important street behind the Buda Castle. When the Turkish Armed Forces invaded Cyprus in 1974, the operations were named after Attila ("The Attila Plan").
The 1954 Universal International film "Sign of the Pagan" starred Jack Palance as Attila.
Legends about Attila and the sword of Mars.
Jordanes embellished the report of Priscus, reporting that Attila had possessed the "Holy War Sword of the Scythians", which was given to him by Mars and made him a "prince of the entire world".
By the end of the 12th century the royal court of Hungary proclaimed their descent from Attila. Lampert of Hersfeld's contemporary chronicles report that shortly before the year 1071, the Sword of Attila had been presented to Otto of Nordheim by the exiled queen of Hungary, Anastasia of Kiev. This sword, a cavalry sabre now in the Kunsthistorisches Museum in Vienna, appears to be the work of Hungarian goldsmiths of the ninth or tenth century.
Legends about Attila and his meeting with pope Leo I.
An anonymous chronicler of the medieval period represented the meeting of Pope Leo and Atilla as attended also by Saint Peter and Saint Paul, "a miraculous tale calculated to meet the taste of the time" This apotheosis was later portrayed artistically by the Renaissance artist Raphael and sculptor Algardi, whom eighteenth-century historian Edward Gibbon praised for establishing "one of the noblest legends of ecclesiastical tradition".
According to a version of this narrative related in the Chronicon Pictum, a mediaeval Hungarian chronicle, the Pope promised Attila that if he left Rome in peace, one of his successors would receive a holy crown (which has been understood as referring to the Holy Crown of Hungary).
Attila in Germanic heroic legend.
Some histories and chronicles describe Attila as a great and noble king, and he plays major roles in three Norse texts: "Atlakviða", "Volsunga saga", and "Atlamál". The "Polish Chronicle" represents Attila's name as "Aquila".
Frutolf of Michelsberg and Otto of Freising pointed out that some songs as "vulgar fables" and made Theoderic the Great, Attila and Ermanaric contemporaries, when any reader of Jordanes knew that this was not the case. This refers to the so-called historical poems about Dietrich von Bern (Theoderic), in which Etzel (German for Attila) is Dietrich's refuge in exile from his wicked uncle Ermenrich (Ermanaric). Etzel is most prominent in the poems "Dietrichs Flucht" and the "Rabenschlacht". Etzel also appears as Kriemhild's second noble husband in the "Nibelungenlied", in which Kriemhild causes the destruction of both the Hunnish kingdom and that of her Burgundian relatives.
Early modern and modern reception.
In 1812, Ludwig van Beethoven conceived the idea of writing an opera about Attila and approached August von Kotzebue to write the libretto. It was, however, never written. In 1846, Giuseppe Verdi wrote the opera, loosely based on episodes in Attila's invasion of Italy.
In World War I, Allied propaganda referred to Germans as the "Huns", based on a 1900 speech by Emperor Wilhelm II praising Attila the Hun's military prowess, according to Jawaharlal Nehru's "Glimpses of World History". "Der Spiegel" commented on 6 November 1948, that the Sword of Attila was hanging menacingly over Austria.
American writer Cecelia Holland wrote "The Death of Attila" (1973), a historical novel in which Attila appears as a powerful background figure whose life and death deeply affect the protagonists, a young Hunnic warrior and a Germanic one.
In modern Hungary and in Turkey, "Attila" and its Turkish variation "Atilla" are commonly used as a male first name. In Hungary, several public places are named after Attila; for instance, in Budapest there are 10 Attila Streets, one of which is an important street behind the Buda Castle. When the Turkish Armed Forces invaded Cyprus in 1974, the operations were named after Attila ("The Attila Plan").
The 1954 Universal International film "Sign of the Pagan" starred Jack Palance as Attila.
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Amsterdam
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Amsterdam ( , , , lit. "The Dam on the River Amstel") is the capital and most populous city of the Netherlands, with The Hague being the seat of government. It has a population of 919,845 within the city proper, 1,457,018 in the urban area and 2,480,394 in the metropolitan area. Located in the Dutch province of North Holland, Amsterdam is colloquially referred to as the "Venice of the North", for its large number of canals, now designated a UNESCO World Heritage Site.
Amsterdam was founded at the mouth of the Amstel River that was dammed to control flooding; the city's name derives from the Amstel dam. Originally a small fishing village in the late 12th century, Amsterdam became a major world port during the Dutch Golden Age of the 17th century, when the Netherlands was an economic powerhouse. Amsterdam is the leading center for finance and trade, as well as a hub of production of secular art. In the 19th and 20th centuries, the city expanded and many new neighborhoods and suburbs were planned and built. The canals of Amsterdam and the 19-20th century Defence Line of Amsterdam are both on the UNESCO World Heritage List. Sloten, annexed in 1921 by the municipality of Amsterdam, is the oldest part of the city, dating to the 9th century. The city has a long tradition of openness, liberalism, and tolerance. Cycling is key to the city's modern character, and there are numerous biking paths and lanes spread throughout the entire city.
Amsterdam's main attractions include its historic canals; the , the state museum with a vast collection of Dutch Golden Age art; the Van Gogh Museum; the Dam Square, where the Royal Palace of Amsterdam and former city hall () are located; the Amsterdam Museum; Stedelijk Museum, with modern art; Hermitage Amsterdam, the concert hall; the Anne Frank House; the , the Heineken Experience, the ; Hortus Botanicus, NEMO, the red-light district and many cannabis coffee shops. The city is also well known for its nightlife and festival activity; with several of its nightclubs (, Paradiso) among the world's most famous. Primarily known for its artistic heritage, elaborate canal system and narrow canal houses with gabled façades; well-preserved legacies of the city's 17th-century Golden Age, and the establishment of the Van Gogh Museum, displaying the work of the famous Dutch modern artist, have attracted millions of visitors to Amsterdam annually.
The Amsterdam Stock Exchange is considered the oldest "modern" securities market stock exchange in the world. As the commercial capital of the Netherlands and one of the top financial centres in Europe, Amsterdam is considered an alpha world city by the Globalization and World Cities Research Network. The city is also the cultural capital of the Netherlands. Many large Dutch institutions have their headquarters in the city, including: the Philips conglomerate, AkzoNobel, Booking.com, TomTom, and ING. Many of the world's largest companies are based in Amsterdam or have established their European headquarters in the city, such as leading technology companies Uber, Netflix and Tesla. In 2022, Amsterdam was ranked the ninth-best city in the world to live in by the Economist Intelligence Unit and 12th globally on quality of living for environment and infrastructure by Mercer. The city was ranked 4th place globally as top tech hub in the Savills Tech Cities 2019 report (2nd in Europe), and 3rd in innovation by Australian innovation agency 2thinknow in their Innovation Cities Index 2009. The Port of Amsterdam is the fifth largest in Europe. The KLM hub and Amsterdam's main airport, Schiphol, is the busiest airport in the Netherlands, the third busiest in Europe, and the 11th busiest airport in the world. The Dutch capital is considered one of the most multicultural cities in the world, with at least 177 nationalities represented. Immigration and ethnic segregation in Amsterdam is a current issue.
A few of Amsterdam's notable residents throughout its history include painters Rembrandt and Vincent van Gogh, seventeenth-century philosopher Baruch Spinoza, and the Holocaust victim and diarist Anne Frank.
History.
Prehistory.
Due to its geographical location in what used to be wet peatland, the founding of Amsterdam is later than other urban centers in the Low Countries. In and around the area of what later became Amsterdam, farmers settled as early as three millennia ago. They lived along the prehistoric IJ river and upstream of its tributary Amstel. The prehistoric IJ was a shallow and quiet stream in peatland behind beach ridges. This secluded area was able to grow into an important local settlement center, especially in the late Bronze Age, the Iron Age and the Roman Age. Neolithic and Roman artefacts have been found in the prehistoric Amstel bedding under Amsterdam's Damrak and Rokin, such as shards of Bell Beaker culture pottery (2200-2000 BC) and a granite grinding stone (2700-2750 BC). But the location of these artefacts around the river banks of the Amstel probably point to a presence of a modest semi-permanent or seasonal settlement. Until water issues were controlled, a permanent settlement would not have been possible, since the river mouth and the banks of the Amstel in this period in time were too wet for permanent habitation.
Founding.
The origins of Amsterdam is linked to the development of the peatland called "Amestelle", meaning 'watery area', from "Aa(m)" 'river' + "stelle" 'site at a shoreline', 'river bank'. In this area, land reclamation started as early as the late 10th century. Amestelle was located along a side arm of the IJ. This side arm took the name from the eponymous land: Amstel. Amestelle was inhabited by farmers, who lived more inland and more upstream, where the land was not as wet as at the banks of the downstream river mouth. These farmers were starting the reclamation around upstream Ouderkerk aan de Amstel, and later at the other side of the river at Amstelveen. The Van Amstel family, known in documents by this name since 1019, held the stewardship in this northwestern nook of the ecclesiastical district of the bishop of Utrecht. The family later served also under the count of Holland.
A major turning point in the development of the Amstel river mouth was the All Saint's Flood of 1170. In an extremely short period of time, the shallow river IJ turned into a wide estuary, which from then on offered the Amstel an open connection to the Zuiderzee, IJssel and waterways further afield. This made the water flow of the Amstel more active, so excess water could be drained better. With drier banks, the downstream Amstel mouth became attractive for permanent habitation. Moreover, the river had grown from an insignificant peat stream into a junction of international waterways. A settlement was built here immediately after the landscape change of 1170, and right from the start of its foundation it focused on traffic, production and trade; not on farming, as opposed to how communities had lived further upstream for the past 200 years and northward for thousands of years. The construction of a dam at the mouth of the Amstel, eponymously named Dam, is historically estimated to have occurred between 1264 and 1275. The settlement first appeared in a document concerning a road toll granted by the count of Holland Floris V to the residents "apud Amestelledamme" 'at the dam in the Amstel' or 'at the dam of Amstelland'. This allowed the inhabitants of the village to travel freely through the County of Holland, paying no tolls at bridges, locks and dams. By 1327, the name had developed into "Aemsterdam".
Middle Ages.
Amsterdam was granted city rights in either 1300 or 1306. From the 14th century on, Amsterdam flourished, largely from trade with the Hanseatic League. In 1345, what is known as Eucharistic miracle in Kalverstraat rendered the city an important place of pilgrimage until the Protestant Reformation. The Miracle devotion went underground but was kept alive. In the 19th century, especially after the jubilee of 1845, the devotion was revitalized and became an important national point of reference for Dutch Catholics. The "Stille Omgang"—a silent walk or procession in civil attire—is the expression of the pilgrimage within the Protestant Netherlands since the late 19th century. In the heyday of the Silent Walk, up to 90,000 pilgrims came to Amsterdam. In the 21st century, this has reduced to about 5,000.
Conflict with Spain.
The Low Countries were part of the Hapsburg inheritance and came under the Spanish monarchy in the early sixteenth century. The Dutch rebelled against Philip II of Spain, who led a defense of Catholicism during the Protestant Reformation. The main reasons for the uprising were the imposition of new taxes, the tenth penny, and the religious persecution of Protestants by the newly introduced Inquisition. The revolt escalated into the Eighty Years' War, which ultimately led to Dutch independence. Strongly pushed by Dutch Revolt leader William the Silent, the Dutch Republic became known for its relative religious tolerance. Jews from the Iberian Peninsula, Protestant Huguenots from France, prosperous merchants and printers from Flanders, and economic and religious refugees from the Spanish-controlled parts of the Low Countries found safety in Amsterdam. The influx of Flemish printers and the city's intellectual tolerance made Amsterdam a center for the European free press.
Center of the Dutch Golden Age.
During the 17th century, Amsterdam experienced what is considered its "Golden Age", during which it became the wealthiest city in the Western world. Ships sailed from Amsterdam to the Baltic Sea, the Caribbean, North America, and Africa, as well as present-day Indonesia, India, Sri Lanka, and Brazil, forming the basis of a worldwide trading network. Amsterdam's merchants had the largest share in both the Dutch East India Company (VOC) and the Dutch West India Company. These companies acquired overseas possessions that later became Dutch colonies.
Amsterdam was Europe's most important hub for the shipment of goods and was the leading financial center of the western world. In 1602, the Amsterdam office of the Dutch East India Company became the world's first stock exchange by trading in its own shares. The Bank of Amsterdam started operations in 1609, acting as a full-service bank for Dutch merchant bankers and as a reserve bank.
Beginning during this period, Amsterdam also became involved in the trade in African slaves. The city was a major destination port for Dutch slave ships beginning in the 17th century, which lasted until the United Netherlands abolished the Dutch involvement in the trade in 1814 under pressure by the British government. Amsterdam was also a member of the Society of Suriname, an organization founded to oversee the management of Surinam, a Dutch slave colony. On 1 July 2021, the mayor of Amsterdam, Femke Halsema, apologized for the city's involvement in the African slave trade, which had contributed to the city's wealth.
Decline and modernization.
Amsterdam's prosperity declined during the 18th and early 19th centuries. The wars of the Dutch Republic with England (latterly, Great Britain) and France took their toll on the city. During the Napoleonic Wars, Amsterdam's significance reached its lowest point, with Holland being absorbed into the French Empire. However, the later establishment of the United Kingdom of the Netherlands in 1815 marked a turning point.
The end of the 19th century is sometimes called Amsterdam's second Golden Age. New museums, a railway station, and the were built; in this same time, the Industrial Revolution reached the city. The Amsterdam–Rhine Canal was dug to give Amsterdam a direct connection to the Rhine, and the North Sea Canal was dug to give the port a shorter connection to the North Sea. Both projects dramatically improved commerce with the rest of Europe and the world. In 1906, Joseph Conrad gave a brief description of Amsterdam as seen from the seaside, in "The Mirror of the Sea".
20th century–present.
Shortly before the First World War, the city started to expand again, and new suburbs were built. Even though the Netherlands remained neutral in this war, Amsterdam suffered a food shortage, and heating fuel became scarce. The shortages sparked riots in which several people were killed. These riots are known as the "Aardappeloproer" (Potato rebellion). People started looting stores and warehouses in order to get supplies, mainly food.
On 1 January 1921, after a flood in 1916, the depleted municipalities of Durgerdam, Holysloot, Zunderdorp and Schellingwoude, all lying north of Amsterdam, were, at their own request, annexed to the city. Between the wars, the city continued to expand, most notably to the west of the Jordaan district in the Frederik Hendrikbuurt and surrounding neighbourhoods.
Nazi Germany invaded the Netherlands on 10 May 1940 and took control of the country. Some Amsterdam citizens sheltered Jews, thereby exposing themselves and their families to a high risk of being imprisoned or sent to concentration camps. More than 100,000 Dutch Jews were deported to Nazi concentration camps, of whom some 60,000 lived in Amsterdam. In response, the Dutch Communist Party organized the February strike attended by 300,000 people to protest against the raids. The most famous deportee was the young Jewish girl Anne Frank, who died in the Bergen-Belsen concentration camp. At the end of the Second World War, communication with the rest of the country broke down, and food and fuel became scarce. Many citizens traveled to the countryside to forage. Dogs, cats, raw sugar beets, and tulip bulbs—cooked to a pulp—were consumed to stay alive. Many trees in Amsterdam were cut down for fuel, and wood was taken from the houses, apartments and other buildings of deported Jews.
Many new suburbs, such as Osdorp, Slotervaart, Slotermeer and Geuzenveld, were built in the years after the Second World War.
These suburbs contained many public parks and wide-open spaces, and the new buildings provided improved housing conditions with larger and brighter rooms, gardens, and balconies. Because of the war and other events of the 20th century, almost the entire city centre had fallen into disrepair. As society was changing, politicians and other influential figures made plans to redesign large parts of it. There was an increasing demand for office buildings, and also for new roads, as the automobile became available to most people. A metro started operating in 1977 between the new suburb of Bijlmermeer in the city's Zuidoost (southeast) exclave and the centre of Amsterdam. Further plans were to build a new highway above the metro to connect Amsterdam Centraal and the city centre with other parts of the city.
The required large-scale demolitions began in Amsterdam's former Jewish neighborhood. Smaller streets, such as the Jodenbreestraat and Weesperstraat, were widened and almost all houses and buildings were demolished. At the peak of the demolition, the "Nieuwmarktrellen" (Nieuwmarkt Riots) broke out; the rioters expressed their fury about the demolition caused by the restructuring of the city.
As a result, the demolition was stopped and the highway into the city's centre was never fully built; only the metro was completed. Only a few streets remained widened. The new city hall was built on the almost completely demolished Waterlooplein. Meanwhile, large private organizations, such as "Stadsherstel Amsterdam", were founded to restore the entire city centre. Although the success of this struggle is visible today, efforts for further restoration are still ongoing. The entire city centre has reattained its former splendour and, as a whole, is now a protected area. Many of its buildings have become monuments, and in July 2010 the Grachtengordel (the three concentric canals: Herengracht, Keizersgracht, and Prinsengracht) was added to the UNESCO World Heritage List.
In the 21st century, the Amsterdam city centre has attracted large numbers of tourists: between 2012 and 2015, the annual number of visitors rose from 10 to 17 million. Real estate prices have surged, and local shops are making way for tourist-oriented ones, making the centre unaffordable for the city's inhabitants. These developments have evoked comparisons with Venice, a city thought to be overwhelmed by the tourist influx.
Construction of a new metro line connecting the part of the city north of the IJ to its southern part was started in 2003. The project was controversial because its cost had exceeded its budget by a factor of three by 2008, because of fears of damage to buildings in the centre, and because construction had to be halted and restarted multiple times. The new metro line was completed in 2018.
Since 2014, renewed focus has been given to urban regeneration and renewal, especially in areas directly bordering the city centre, such as Frederik Hendrikbuurt. This urban renewal and expansion of the traditional centre of the city—with the construction on artificial islands of the new eastern IJburg neighbourhood—is part of the Structural Vision Amsterdam 2040 initiative.
Prehistory.
Due to its geographical location in what used to be wet peatland, the founding of Amsterdam is later than other urban centers in the Low Countries. In and around the area of what later became Amsterdam, farmers settled as early as three millennia ago. They lived along the prehistoric IJ river and upstream of its tributary Amstel. The prehistoric IJ was a shallow and quiet stream in peatland behind beach ridges. This secluded area was able to grow into an important local settlement center, especially in the late Bronze Age, the Iron Age and the Roman Age. Neolithic and Roman artefacts have been found in the prehistoric Amstel bedding under Amsterdam's Damrak and Rokin, such as shards of Bell Beaker culture pottery (2200-2000 BC) and a granite grinding stone (2700-2750 BC). But the location of these artefacts around the river banks of the Amstel probably point to a presence of a modest semi-permanent or seasonal settlement. Until water issues were controlled, a permanent settlement would not have been possible, since the river mouth and the banks of the Amstel in this period in time were too wet for permanent habitation.
Founding.
The origins of Amsterdam is linked to the development of the peatland called "Amestelle", meaning 'watery area', from "Aa(m)" 'river' + "stelle" 'site at a shoreline', 'river bank'. In this area, land reclamation started as early as the late 10th century. Amestelle was located along a side arm of the IJ. This side arm took the name from the eponymous land: Amstel. Amestelle was inhabited by farmers, who lived more inland and more upstream, where the land was not as wet as at the banks of the downstream river mouth. These farmers were starting the reclamation around upstream Ouderkerk aan de Amstel, and later at the other side of the river at Amstelveen. The Van Amstel family, known in documents by this name since 1019, held the stewardship in this northwestern nook of the ecclesiastical district of the bishop of Utrecht. The family later served also under the count of Holland.
A major turning point in the development of the Amstel river mouth was the All Saint's Flood of 1170. In an extremely short period of time, the shallow river IJ turned into a wide estuary, which from then on offered the Amstel an open connection to the Zuiderzee, IJssel and waterways further afield. This made the water flow of the Amstel more active, so excess water could be drained better. With drier banks, the downstream Amstel mouth became attractive for permanent habitation. Moreover, the river had grown from an insignificant peat stream into a junction of international waterways. A settlement was built here immediately after the landscape change of 1170, and right from the start of its foundation it focused on traffic, production and trade; not on farming, as opposed to how communities had lived further upstream for the past 200 years and northward for thousands of years. The construction of a dam at the mouth of the Amstel, eponymously named Dam, is historically estimated to have occurred between 1264 and 1275. The settlement first appeared in a document concerning a road toll granted by the count of Holland Floris V to the residents "apud Amestelledamme" 'at the dam in the Amstel' or 'at the dam of Amstelland'. This allowed the inhabitants of the village to travel freely through the County of Holland, paying no tolls at bridges, locks and dams. By 1327, the name had developed into "Aemsterdam".
Middle Ages.
Amsterdam was granted city rights in either 1300 or 1306. From the 14th century on, Amsterdam flourished, largely from trade with the Hanseatic League. In 1345, what is known as Eucharistic miracle in Kalverstraat rendered the city an important place of pilgrimage until the Protestant Reformation. The Miracle devotion went underground but was kept alive. In the 19th century, especially after the jubilee of 1845, the devotion was revitalized and became an important national point of reference for Dutch Catholics. The "Stille Omgang"—a silent walk or procession in civil attire—is the expression of the pilgrimage within the Protestant Netherlands since the late 19th century. In the heyday of the Silent Walk, up to 90,000 pilgrims came to Amsterdam. In the 21st century, this has reduced to about 5,000.
Conflict with Spain.
The Low Countries were part of the Hapsburg inheritance and came under the Spanish monarchy in the early sixteenth century. The Dutch rebelled against Philip II of Spain, who led a defense of Catholicism during the Protestant Reformation. The main reasons for the uprising were the imposition of new taxes, the tenth penny, and the religious persecution of Protestants by the newly introduced Inquisition. The revolt escalated into the Eighty Years' War, which ultimately led to Dutch independence. Strongly pushed by Dutch Revolt leader William the Silent, the Dutch Republic became known for its relative religious tolerance. Jews from the Iberian Peninsula, Protestant Huguenots from France, prosperous merchants and printers from Flanders, and economic and religious refugees from the Spanish-controlled parts of the Low Countries found safety in Amsterdam. The influx of Flemish printers and the city's intellectual tolerance made Amsterdam a center for the European free press.
Center of the Dutch Golden Age.
During the 17th century, Amsterdam experienced what is considered its "Golden Age", during which it became the wealthiest city in the Western world. Ships sailed from Amsterdam to the Baltic Sea, the Caribbean, North America, and Africa, as well as present-day Indonesia, India, Sri Lanka, and Brazil, forming the basis of a worldwide trading network. Amsterdam's merchants had the largest share in both the Dutch East India Company (VOC) and the Dutch West India Company. These companies acquired overseas possessions that later became Dutch colonies.
Amsterdam was Europe's most important hub for the shipment of goods and was the leading financial center of the western world. In 1602, the Amsterdam office of the Dutch East India Company became the world's first stock exchange by trading in its own shares. The Bank of Amsterdam started operations in 1609, acting as a full-service bank for Dutch merchant bankers and as a reserve bank.
Beginning during this period, Amsterdam also became involved in the trade in African slaves. The city was a major destination port for Dutch slave ships beginning in the 17th century, which lasted until the United Netherlands abolished the Dutch involvement in the trade in 1814 under pressure by the British government. Amsterdam was also a member of the Society of Suriname, an organization founded to oversee the management of Surinam, a Dutch slave colony. On 1 July 2021, the mayor of Amsterdam, Femke Halsema, apologized for the city's involvement in the African slave trade, which had contributed to the city's wealth.
Decline and modernization.
Amsterdam's prosperity declined during the 18th and early 19th centuries. The wars of the Dutch Republic with England (latterly, Great Britain) and France took their toll on the city. During the Napoleonic Wars, Amsterdam's significance reached its lowest point, with Holland being absorbed into the French Empire. However, the later establishment of the United Kingdom of the Netherlands in 1815 marked a turning point.
The end of the 19th century is sometimes called Amsterdam's second Golden Age. New museums, a railway station, and the were built; in this same time, the Industrial Revolution reached the city. The Amsterdam–Rhine Canal was dug to give Amsterdam a direct connection to the Rhine, and the North Sea Canal was dug to give the port a shorter connection to the North Sea. Both projects dramatically improved commerce with the rest of Europe and the world. In 1906, Joseph Conrad gave a brief description of Amsterdam as seen from the seaside, in "The Mirror of the Sea".
20th century–present.
Shortly before the First World War, the city started to expand again, and new suburbs were built. Even though the Netherlands remained neutral in this war, Amsterdam suffered a food shortage, and heating fuel became scarce. The shortages sparked riots in which several people were killed. These riots are known as the "Aardappeloproer" (Potato rebellion). People started looting stores and warehouses in order to get supplies, mainly food.
On 1 January 1921, after a flood in 1916, the depleted municipalities of Durgerdam, Holysloot, Zunderdorp and Schellingwoude, all lying north of Amsterdam, were, at their own request, annexed to the city. Between the wars, the city continued to expand, most notably to the west of the Jordaan district in the Frederik Hendrikbuurt and surrounding neighbourhoods.
Nazi Germany invaded the Netherlands on 10 May 1940 and took control of the country. Some Amsterdam citizens sheltered Jews, thereby exposing themselves and their families to a high risk of being imprisoned or sent to concentration camps. More than 100,000 Dutch Jews were deported to Nazi concentration camps, of whom some 60,000 lived in Amsterdam. In response, the Dutch Communist Party organized the February strike attended by 300,000 people to protest against the raids. The most famous deportee was the young Jewish girl Anne Frank, who died in the Bergen-Belsen concentration camp. At the end of the Second World War, communication with the rest of the country broke down, and food and fuel became scarce. Many citizens traveled to the countryside to forage. Dogs, cats, raw sugar beets, and tulip bulbs—cooked to a pulp—were consumed to stay alive. Many trees in Amsterdam were cut down for fuel, and wood was taken from the houses, apartments and other buildings of deported Jews.
Many new suburbs, such as Osdorp, Slotervaart, Slotermeer and Geuzenveld, were built in the years after the Second World War.
These suburbs contained many public parks and wide-open spaces, and the new buildings provided improved housing conditions with larger and brighter rooms, gardens, and balconies. Because of the war and other events of the 20th century, almost the entire city centre had fallen into disrepair. As society was changing, politicians and other influential figures made plans to redesign large parts of it. There was an increasing demand for office buildings, and also for new roads, as the automobile became available to most people. A metro started operating in 1977 between the new suburb of Bijlmermeer in the city's Zuidoost (southeast) exclave and the centre of Amsterdam. Further plans were to build a new highway above the metro to connect Amsterdam Centraal and the city centre with other parts of the city.
The required large-scale demolitions began in Amsterdam's former Jewish neighborhood. Smaller streets, such as the Jodenbreestraat and Weesperstraat, were widened and almost all houses and buildings were demolished. At the peak of the demolition, the "Nieuwmarktrellen" (Nieuwmarkt Riots) broke out; the rioters expressed their fury about the demolition caused by the restructuring of the city.
As a result, the demolition was stopped and the highway into the city's centre was never fully built; only the metro was completed. Only a few streets remained widened. The new city hall was built on the almost completely demolished Waterlooplein. Meanwhile, large private organizations, such as "Stadsherstel Amsterdam", were founded to restore the entire city centre. Although the success of this struggle is visible today, efforts for further restoration are still ongoing. The entire city centre has reattained its former splendour and, as a whole, is now a protected area. Many of its buildings have become monuments, and in July 2010 the Grachtengordel (the three concentric canals: Herengracht, Keizersgracht, and Prinsengracht) was added to the UNESCO World Heritage List.
In the 21st century, the Amsterdam city centre has attracted large numbers of tourists: between 2012 and 2015, the annual number of visitors rose from 10 to 17 million. Real estate prices have surged, and local shops are making way for tourist-oriented ones, making the centre unaffordable for the city's inhabitants. These developments have evoked comparisons with Venice, a city thought to be overwhelmed by the tourist influx.
Construction of a new metro line connecting the part of the city north of the IJ to its southern part was started in 2003. The project was controversial because its cost had exceeded its budget by a factor of three by 2008, because of fears of damage to buildings in the centre, and because construction had to be halted and restarted multiple times. The new metro line was completed in 2018.
Since 2014, renewed focus has been given to urban regeneration and renewal, especially in areas directly bordering the city centre, such as Frederik Hendrikbuurt. This urban renewal and expansion of the traditional centre of the city—with the construction on artificial islands of the new eastern IJburg neighbourhood—is part of the Structural Vision Amsterdam 2040 initiative.
Geography.
Amsterdam is located in the Western Netherlands, in the province of North Holland, the capital of which is not Amsterdam, but rather Haarlem. The river Amstel ends in the city centre and connects to a large number of canals that eventually terminate in the IJ. Amsterdam is about below sea level. The surrounding land is flat as it is formed of large polders. An artificial forest, Amsterdamse Bos, is in the southwest. Amsterdam is connected to the North Sea through the long North Sea Canal.
Amsterdam is intensely urbanised, as is the Amsterdam metropolitan area surrounding the city. Comprising of land, the city proper has 4,457 inhabitants per km2 and 2,275 houses per km2. Parks and nature reserves make up 12% of Amsterdam's land area.
Water.
Amsterdam has more than of canals, most of which are navigable by boat. The city's three main canals are the Prinsengracht, Herengracht and Keizersgracht.
In the Middle Ages, Amsterdam was surrounded by a moat, called the Singel, which now forms the innermost ring in the city, and gives the city centre a horseshoe shape. The city is also served by a seaport. It has been compared with Venice, due to its division into about 90 islands, which are linked by more than 1,200 bridges.
Climate.
Amsterdam has an oceanic climate (Köppen: "Cfb") strongly influenced by its proximity to the North Sea to the west, with prevailing westerly winds.
Amsterdam, as well as most of the North Holland province, lies in USDA Hardiness zone 8b. Frosts mainly occur during spells of easterly or northeasterly winds from the inner European continent. Even then, because Amsterdam is surrounded on three sides by large bodies of water, as well as having a significant heat-island effect, nights rarely fall below , while it could easily be in Hilversum, southeast.
Summers are moderately warm with a number of hot and humid days with occasional rain every month. The average daily high in August is , and or higher is only measured on average on 2.5 days, placing Amsterdam in AHS Heat Zone 2. The record extremes range from to .
Days with more than of precipitation are common, on average 133 days per year.
Amsterdam's average annual precipitation is . A large part of this precipitation falls as light rain or brief showers. Cloudy and damp days are common during the cooler months of October through March.
Water.
Amsterdam has more than of canals, most of which are navigable by boat. The city's three main canals are the Prinsengracht, Herengracht and Keizersgracht.
In the Middle Ages, Amsterdam was surrounded by a moat, called the Singel, which now forms the innermost ring in the city, and gives the city centre a horseshoe shape. The city is also served by a seaport. It has been compared with Venice, due to its division into about 90 islands, which are linked by more than 1,200 bridges.
Climate.
Amsterdam has an oceanic climate (Köppen: "Cfb") strongly influenced by its proximity to the North Sea to the west, with prevailing westerly winds.
Amsterdam, as well as most of the North Holland province, lies in USDA Hardiness zone 8b. Frosts mainly occur during spells of easterly or northeasterly winds from the inner European continent. Even then, because Amsterdam is surrounded on three sides by large bodies of water, as well as having a significant heat-island effect, nights rarely fall below , while it could easily be in Hilversum, southeast.
Summers are moderately warm with a number of hot and humid days with occasional rain every month. The average daily high in August is , and or higher is only measured on average on 2.5 days, placing Amsterdam in AHS Heat Zone 2. The record extremes range from to .
Days with more than of precipitation are common, on average 133 days per year.
Amsterdam's average annual precipitation is . A large part of this precipitation falls as light rain or brief showers. Cloudy and damp days are common during the cooler months of October through March.
Demographics.
Historical population.
In 1300, Amsterdam's population was around 1,000 people. While many towns in Holland experienced population decline during the 15th and 16th centuries, Amsterdam's population grew, mainly due to the rise of the profitable Baltic maritime trade especially in grain after the Burgundian victory in the Dutch–Hanseatic War in 1441. The population of Amsterdam was only modest compared to the towns and cities of Flanders and Brabant, which comprised the most urbanized area of the Low Countries.
This changed when, during the Dutch Revolt, many people from the Southern Netherlands fled to the North, especially after Antwerp fell to Spanish forces in 1585. Jews from Spain, Portugal and Eastern Europe similarly settled in Amsterdam, as did Germans and Scandinavians. In thirty years, Amsterdam's population more than doubled between 1585 and 1610. By 1600, its population was around 50,000. During the 1660s, Amsterdam's population reached 200,000. The city's growth levelled off and the population stabilized around 240,000 for most of the 18th century.
In 1750, Amsterdam was the fourth largest city in Western Europe, behind London (676,000), Paris (560,000) and Naples (324,000). This was all the more remarkable as Amsterdam was neither the capital city nor the seat of government of the Dutch Republic, which itself was a much smaller state than Great Britain, France or the Ottoman Empire. In contrast to those other metropolises, Amsterdam was also surrounded by large towns such as Leiden (about 67,000), Rotterdam (45,000), Haarlem (38,000) and Utrecht (30,000).
The city's population declined in the early 19th century, dipping under 200,000 in 1820. By the second half of the 19th century, industrialization spurred renewed growth. Amsterdam's population hit an all-time high of 872,000 in 1959, before declining in the following decades due to government-sponsored suburbanisation to so-called "groeikernen" (growth centres) such as Purmerend and Almere. Between 1970 and 1980, Amsterdam experienced its sharp population decline, peaking at a net loss of 25,000 people in 1973. By 1985 the city had only 675,570 residents. This was soon followed by reurbanization and gentrification, leading to renewed population growth in the 2010s. Also in the 2010s, much of Amsterdam's population growth was due to immigration to the city.
Immigration.
In the 16th and 17th century, non-Dutch immigrants to Amsterdam were mostly Protestant Huguenots and Flemings, Sephardic Jews, and Westphalians. Huguenots came after the Edict of Fontainebleau in 1685, while the Flemish Protestants came during the Eighty Years' War against Catholic Spain. The Westphalians came to Amsterdam mostly for economic reasons; their influx continued through the 18th and 19th centuries. Before the Second World War, 10% of the city population was Jewish. Just twenty percent of them survived the Holocaust.
The first mass immigration in the 20th century was by people from Indonesia, who came to Amsterdam after the independence of the Dutch East Indies in the 1940s and 1950s. In the 1960s guest workers from Turkey, Morocco, Italy, and Spain emigrated to Amsterdam. After the independence of Suriname in 1975, a large wave of Surinamese settled in Amsterdam, mostly in the Bijlmer area. Other immigrants, including refugees asylum seekers and undocumented immigrants, came from Europe, the Americas, Asia and Africa. In the 1970s and 1980s, many 'old' Amsterdammers moved to 'new' cities like Almere and Purmerend, prompted by the third Land-use planning bill of the Dutch Government. This bill promoted suburbanization and arranged for new developments in so-called "groeikernen", literally "cores of growth". Young professionals and artists moved into neighborhoods De Pijp and the Jordaan abandoned by these Amsterdammers. The non-Western immigrants settled mostly in the social housing projects in Amsterdam-West and the Bijlmer. Today, people of non-Western origin make up approximately one-fifth of the population of Amsterdam, and more than 30% of the city's children. Ethnic Dutch (as defined by the Dutch census) now make up a minority of the total population, although by far the largest one. Only one in three inhabitants under 15 is an "autochthon", or a person who has two parents of Dutch origin. Segregation along ethnic lines is clearly visible, with people of non-Western origin, considered a separate group by Statistics Netherlands, concentrating in specific neighborhoods especially in Nieuw-West, Zeeburg, Bijlmer and in certain areas of Amsterdam-Noord.
In 2000, Christians formed the largest religious group in the city (28% of the population). The next largest religion was Islam (8%), most of whose followers were Sunni. In 2015, Christians formed the largest religious group in the city (28% of the population). The next largest religion was Islam (7.1%), most of whose followers were Sunni.
Religion.
In 1578, the largely Catholic city of Amsterdam joined the revolt against Spanish rule, late in comparison to other major northern Dutch cities. Catholic priests were driven out of the city. Following the Dutch takeover, all churches were converted to Protestant worship. Calvinism was declared the main religion; although Catholicism was not forbidden and priests allowed to serve, the Catholic hierarchy was prohibited. This led to the establishment of "schuilkerken", covert religious buildings that were hidden in pre-existing buildings. Catholics, some Jewish and dissenting Protestants worshiped in such buildings. A large influx of foreigners of many religions came to 17th-century Amsterdam, in particular Sefardic Jews from Spain and Portugal, Huguenots from France, Lutherans, Mennonites, as well as Protestants from across the Netherlands. This led to the establishment of many non-Dutch-speaking churches. In 1603, the Jewish received permission to practice their religion in the city. In 1639, the first synagogue was consecrated. The Jews came to call the town 'Jerusalem of the West'.
As they became established in the city, other Christian denominations used converted Catholic chapels to conduct their own services. The oldest English-language church congregation in the world outside the United Kingdom is found at the Begijnhof. Regular services there are still offered in English under the auspices of the Church of Scotland. Being Calvinists, the Huguenots soon integrated into the Dutch Reformed Church, though often retaining their own congregations. Some, commonly referred by the moniker 'Walloon', are recognizable today as they offer occasional services in French.
In the second half of the 17th century, Amsterdam experienced an influx of Ashkenazim, Jews from Central and Eastern Europe. Jews often fled the pogroms in those areas. The first Ashkenazis who arrived in Amsterdam were refugees from the Khmelnytsky Uprising occurring in Ukraine and the Thirty Years' War, which devastated much of Central Europe. They not only founded their own synagogues, but had a strong influence on the 'Amsterdam dialect' adding a large Yiddish local vocabulary. Despite an absence of an official Jewish ghetto, most Jews preferred to live in the eastern part, which used to be the center of medieval Amsterdam. The main street of this Jewish neighbourhood was Jodenbreestraat. The neighbourhood comprised the Waterlooplein and the Nieuwmarkt. Buildings in this neighbourhood fell into disrepair after the Second World War a large section of the neighbourhood was demolished during the construction of the metro system. This led to riots, and as a result the original plans for large-scale reconstruction were abandoned by the government. The neighbourhood was rebuilt with smaller-scale residence buildings on the basis of its original layout.
Catholic churches in Amsterdam have been constructed since the restoration of the episcopal hierarchy in 1853. One of the principal architects behind the city's Catholic churches, Cuypers, was also responsible for the Amsterdam Centraal station and the .
In 1924, the Catholic Church hosted the International Eucharistic Congress in Amsterdam; numerous Catholic prelates visited the city, where festivities were held in churches and stadiums. Catholic processions on the public streets, however, were still forbidden under law at the time. Only in the 20th century was Amsterdam's relation to Catholicism normalised, but despite its far larger population size, the episcopal see of the city was placed in the provincial town of Haarlem.
Historically, Amsterdam has been predominantly Christian, in 1900 Christians formed the largest religious group in the city (70% of the population), Dutch Reformed Church formed 45% of the city population, while the Catholic Church formed 25% of the city population.
In recent times, religious demographics in Amsterdam have been changed by immigration from former colonies. Hinduism has been introduced from the Hindu diaspora from Suriname and several distinct branches of Islam have been brought from various parts of the world. Islam is now the largest non-Christian religion in Amsterdam. The large community of Ghanaian immigrants have established African churches, often in parking garages in the Bijlmer area.
Diversity and immigration.
Amsterdam experienced an influx of religions and cultures after the Second World War. With 180 different nationalities, Amsterdam is home to one of the widest varieties of nationalities of any city in the world. The proportion of the population of immigrant origin in the city proper is about 50% and 88% of the population are Dutch citizens.
Amsterdam has been one of the municipalities in the Netherlands which provided immigrants with extensive and free Dutch-language courses, which have benefited many immigrants.
Historical population.
In 1300, Amsterdam's population was around 1,000 people. While many towns in Holland experienced population decline during the 15th and 16th centuries, Amsterdam's population grew, mainly due to the rise of the profitable Baltic maritime trade especially in grain after the Burgundian victory in the Dutch–Hanseatic War in 1441. The population of Amsterdam was only modest compared to the towns and cities of Flanders and Brabant, which comprised the most urbanized area of the Low Countries.
This changed when, during the Dutch Revolt, many people from the Southern Netherlands fled to the North, especially after Antwerp fell to Spanish forces in 1585. Jews from Spain, Portugal and Eastern Europe similarly settled in Amsterdam, as did Germans and Scandinavians. In thirty years, Amsterdam's population more than doubled between 1585 and 1610. By 1600, its population was around 50,000. During the 1660s, Amsterdam's population reached 200,000. The city's growth levelled off and the population stabilized around 240,000 for most of the 18th century.
In 1750, Amsterdam was the fourth largest city in Western Europe, behind London (676,000), Paris (560,000) and Naples (324,000). This was all the more remarkable as Amsterdam was neither the capital city nor the seat of government of the Dutch Republic, which itself was a much smaller state than Great Britain, France or the Ottoman Empire. In contrast to those other metropolises, Amsterdam was also surrounded by large towns such as Leiden (about 67,000), Rotterdam (45,000), Haarlem (38,000) and Utrecht (30,000).
The city's population declined in the early 19th century, dipping under 200,000 in 1820. By the second half of the 19th century, industrialization spurred renewed growth. Amsterdam's population hit an all-time high of 872,000 in 1959, before declining in the following decades due to government-sponsored suburbanisation to so-called "groeikernen" (growth centres) such as Purmerend and Almere. Between 1970 and 1980, Amsterdam experienced its sharp population decline, peaking at a net loss of 25,000 people in 1973. By 1985 the city had only 675,570 residents. This was soon followed by reurbanization and gentrification, leading to renewed population growth in the 2010s. Also in the 2010s, much of Amsterdam's population growth was due to immigration to the city.
Immigration.
In the 16th and 17th century, non-Dutch immigrants to Amsterdam were mostly Protestant Huguenots and Flemings, Sephardic Jews, and Westphalians. Huguenots came after the Edict of Fontainebleau in 1685, while the Flemish Protestants came during the Eighty Years' War against Catholic Spain. The Westphalians came to Amsterdam mostly for economic reasons; their influx continued through the 18th and 19th centuries. Before the Second World War, 10% of the city population was Jewish. Just twenty percent of them survived the Holocaust.
The first mass immigration in the 20th century was by people from Indonesia, who came to Amsterdam after the independence of the Dutch East Indies in the 1940s and 1950s. In the 1960s guest workers from Turkey, Morocco, Italy, and Spain emigrated to Amsterdam. After the independence of Suriname in 1975, a large wave of Surinamese settled in Amsterdam, mostly in the Bijlmer area. Other immigrants, including refugees asylum seekers and undocumented immigrants, came from Europe, the Americas, Asia and Africa. In the 1970s and 1980s, many 'old' Amsterdammers moved to 'new' cities like Almere and Purmerend, prompted by the third Land-use planning bill of the Dutch Government. This bill promoted suburbanization and arranged for new developments in so-called "groeikernen", literally "cores of growth". Young professionals and artists moved into neighborhoods De Pijp and the Jordaan abandoned by these Amsterdammers. The non-Western immigrants settled mostly in the social housing projects in Amsterdam-West and the Bijlmer. Today, people of non-Western origin make up approximately one-fifth of the population of Amsterdam, and more than 30% of the city's children. Ethnic Dutch (as defined by the Dutch census) now make up a minority of the total population, although by far the largest one. Only one in three inhabitants under 15 is an "autochthon", or a person who has two parents of Dutch origin. Segregation along ethnic lines is clearly visible, with people of non-Western origin, considered a separate group by Statistics Netherlands, concentrating in specific neighborhoods especially in Nieuw-West, Zeeburg, Bijlmer and in certain areas of Amsterdam-Noord.
In 2000, Christians formed the largest religious group in the city (28% of the population). The next largest religion was Islam (8%), most of whose followers were Sunni. In 2015, Christians formed the largest religious group in the city (28% of the population). The next largest religion was Islam (7.1%), most of whose followers were Sunni.
Religion.
In 1578, the largely Catholic city of Amsterdam joined the revolt against Spanish rule, late in comparison to other major northern Dutch cities. Catholic priests were driven out of the city. Following the Dutch takeover, all churches were converted to Protestant worship. Calvinism was declared the main religion; although Catholicism was not forbidden and priests allowed to serve, the Catholic hierarchy was prohibited. This led to the establishment of "schuilkerken", covert religious buildings that were hidden in pre-existing buildings. Catholics, some Jewish and dissenting Protestants worshiped in such buildings. A large influx of foreigners of many religions came to 17th-century Amsterdam, in particular Sefardic Jews from Spain and Portugal, Huguenots from France, Lutherans, Mennonites, as well as Protestants from across the Netherlands. This led to the establishment of many non-Dutch-speaking churches. In 1603, the Jewish received permission to practice their religion in the city. In 1639, the first synagogue was consecrated. The Jews came to call the town 'Jerusalem of the West'.
As they became established in the city, other Christian denominations used converted Catholic chapels to conduct their own services. The oldest English-language church congregation in the world outside the United Kingdom is found at the Begijnhof. Regular services there are still offered in English under the auspices of the Church of Scotland. Being Calvinists, the Huguenots soon integrated into the Dutch Reformed Church, though often retaining their own congregations. Some, commonly referred by the moniker 'Walloon', are recognizable today as they offer occasional services in French.
In the second half of the 17th century, Amsterdam experienced an influx of Ashkenazim, Jews from Central and Eastern Europe. Jews often fled the pogroms in those areas. The first Ashkenazis who arrived in Amsterdam were refugees from the Khmelnytsky Uprising occurring in Ukraine and the Thirty Years' War, which devastated much of Central Europe. They not only founded their own synagogues, but had a strong influence on the 'Amsterdam dialect' adding a large Yiddish local vocabulary. Despite an absence of an official Jewish ghetto, most Jews preferred to live in the eastern part, which used to be the center of medieval Amsterdam. The main street of this Jewish neighbourhood was Jodenbreestraat. The neighbourhood comprised the Waterlooplein and the Nieuwmarkt. Buildings in this neighbourhood fell into disrepair after the Second World War a large section of the neighbourhood was demolished during the construction of the metro system. This led to riots, and as a result the original plans for large-scale reconstruction were abandoned by the government. The neighbourhood was rebuilt with smaller-scale residence buildings on the basis of its original layout.
Catholic churches in Amsterdam have been constructed since the restoration of the episcopal hierarchy in 1853. One of the principal architects behind the city's Catholic churches, Cuypers, was also responsible for the Amsterdam Centraal station and the .
In 1924, the Catholic Church hosted the International Eucharistic Congress in Amsterdam; numerous Catholic prelates visited the city, where festivities were held in churches and stadiums. Catholic processions on the public streets, however, were still forbidden under law at the time. Only in the 20th century was Amsterdam's relation to Catholicism normalised, but despite its far larger population size, the episcopal see of the city was placed in the provincial town of Haarlem.
Historically, Amsterdam has been predominantly Christian, in 1900 Christians formed the largest religious group in the city (70% of the population), Dutch Reformed Church formed 45% of the city population, while the Catholic Church formed 25% of the city population.
In recent times, religious demographics in Amsterdam have been changed by immigration from former colonies. Hinduism has been introduced from the Hindu diaspora from Suriname and several distinct branches of Islam have been brought from various parts of the world. Islam is now the largest non-Christian religion in Amsterdam. The large community of Ghanaian immigrants have established African churches, often in parking garages in the Bijlmer area.
Diversity and immigration.
Amsterdam experienced an influx of religions and cultures after the Second World War. With 180 different nationalities, Amsterdam is home to one of the widest varieties of nationalities of any city in the world. The proportion of the population of immigrant origin in the city proper is about 50% and 88% of the population are Dutch citizens.
Amsterdam has been one of the municipalities in the Netherlands which provided immigrants with extensive and free Dutch-language courses, which have benefited many immigrants.
Cityscape and architecture.
Amsterdam fans out south from the Amsterdam Centraal station and Damrak, the main street off the station. The oldest area of the town is known as De Wallen (English: "The Quays"). It lies to the east of Damrak and contains the city's famous red-light district. To the south of De Wallen is the old Jewish quarter of Waterlooplein.
The medieval and colonial age canals of Amsterdam, known as "grachten", embraces the heart of the city where homes have interesting gables. Beyond the Grachtengordel are the former working-class areas of Jordaan and de Pijp. The Museumplein with the city's major museums, the Vondelpark, a 19th-century park named after the Dutch writer Joost van den Vondel, as well as the Plantage neighbourhood, with the zoo, are also located outside the Grachtengordel.
Several parts of the city and the surrounding urban area are polders. This can be recognised by the suffix "-meer" which means "lake", as in Aalsmeer, Bijlmermeer, Haarlemmermeer and Watergraafsmeer.
Canals.
The Amsterdam canal system is the result of conscious city planning. In the early 17th century, when immigration was at a peak, a comprehensive plan was developed that was based on four concentric half-circles of canals with their ends emerging at the IJ bay. Known as the Grachtengordel, three of the canals were mostly for residential development: the Herengracht (where "Heren" refers to "Heren Regeerders van de stad Amsterdam", ruling lords of Amsterdam, whilst "gracht" means canal, so that the name can be roughly translated as "Canal of the Lords"), Keizersgracht (Emperor's Canal) and Prinsengracht (Prince's Canal). The fourth and outermost canal is the Singelgracht, which is often not mentioned on maps because it is a collective name for all canals in the outer ring. The Singelgracht should not be confused with the oldest and innermost canal, the Singel.
The canals served for defense, water management and transport. The defenses took the form of a moat and earthen dikes, with gates at transit points, but otherwise no masonry superstructures. The original plans have been lost, so historians, such as Ed Taverne, need to speculate on the original intentions: it is thought that the considerations of the layout were purely practical and defensive rather than ornamental.
Construction started in 1613 and proceeded from west to east, across the breadth of the layout, like a gigantic windshield wiper as the historian Geert Mak calls it – and not from the centre outwards, as a popular myth has it. The canal construction in the southern sector was completed by 1656. Subsequently, the construction of residential buildings proceeded slowly. The eastern part of the concentric canal plan, covering the area between the Amstel river and the IJ bay, has never been implemented. In the following centuries, the land was used for parks, senior citizens' homes, theatres, other public facilities, and waterways without much planning. Over the years, several canals have been filled in, becoming streets or squares, such as the Nieuwezijds Voorburgwal and the Spui.
Expansion.
After the development of Amsterdam's canals in the 17th century, the city did not grow beyond its borders for two centuries. During the 19th century, Samuel Sarphati devised a plan based on the grandeur of Paris and London at that time. The plan envisaged the construction of new houses, public buildings and streets just outside the Grachtengordel. The main aim of the plan, however, was to improve public health. Although the plan did not expand the city, it did produce some of the largest public buildings to date, like the "Paleis voor Volksvlijt".
Following Sarphati, civil engineers Jacobus van Niftrik and Jan Kalff designed an entire ring of 19th-century neighbourhoods surrounding the city's centre, with the city preserving the ownership of all land outside the 17th-century limit, thus firmly controlling development. Most of these neighbourhoods became home to the working class.
In response to overcrowding, two plans were designed at the beginning of the 20th century which were very different from anything Amsterdam had ever seen before: "Plan Zuid" (designed by the architect Berlage) and "West". These plans involved the development of new neighbourhoods consisting of housing blocks for all social classes.
After the Second World War, large new neighbourhoods were built in the western, southeastern, and northern parts of the city. These new neighbourhoods were built to relieve the city's shortage of living space and give people affordable houses with modern conveniences. The neighbourhoods consisted mainly of large housing blocks located among green spaces, connected to wide roads, making the neighbourhoods easily accessible by motor car. The western suburbs which were built in that period are collectively called the Westelijke Tuinsteden. The area to the southeast of the city built during the same period is known as the Bijlmer.
Architecture.
Amsterdam has a rich architectural history. The oldest building in Amsterdam is the Oude Kerk (English: Old Church), at the heart of the Wallen, consecrated in 1306. The oldest wooden building is "Het Houten Huys" at the Begijnhof. It was constructed around 1425 and is one of only two existing wooden buildings. It is also one of the few examples of Gothic architecture in Amsterdam. The oldest stone building of the Netherlands, The Moriaan is built in 's-Hertogenbosch.
In the 16th century, wooden buildings were razed and replaced with brick ones. During this period, many buildings were constructed in the architectural style of the Renaissance. Buildings of this period are very recognisable with their stepped gable façades, which is the common Dutch Renaissance style. Amsterdam quickly developed its own Renaissance architecture. These buildings were built according to the principles of the architect Hendrick de Keyser. One of the most striking buildings designed by Hendrick de Keyser is the Westerkerk. In the 17th century baroque architecture became very popular, as it was elsewhere in Europe. This roughly coincided with Amsterdam's Golden Age. The leading architects of this style in Amsterdam were Jacob van Campen, Philips Vingboons and Daniel Stalpaert.
Philip Vingboons designed splendid merchants' houses throughout the city. A famous building in baroque style in Amsterdam is the Royal Palace on Dam Square. Throughout the 18th century, Amsterdam was heavily influenced by French culture. This is reflected in the architecture of that period. Around 1815, architects broke with the baroque style and started building in different neo-styles. Most Gothic style buildings date from that era and are therefore said to be built in a neo-gothic style. At the end of the 19th century, the Jugendstil or Art Nouveau style became popular and many new buildings were constructed in this architectural style. Since Amsterdam expanded rapidly during this period, new buildings adjacent to the city centre were also built in this style. The houses in the vicinity of the Museum Square in Amsterdam Oud-Zuid are an example of Jugendstil. The last style that was popular in Amsterdam before the modern era was Art Deco. Amsterdam had its own version of the style, which was called the Amsterdamse School. Whole districts were built this style, such as the "Rivierenbuurt". A notable feature of the façades of buildings designed in Amsterdamse School is that they are highly decorated and ornate, with oddly shaped windows and doors.
The old city centre is the focal point of all the architectural styles before the end of the 19th century.
Jugendstil and Georgian are mostly found outside the city's centre in the neighbourhoods built in the early
20th century, although there are also some striking examples of these styles in the city centre.
Most historic buildings in the city centre and nearby are houses, such as the famous merchants' houses lining the canals.
Parks and recreational areas.
Amsterdam has many parks, open spaces, and squares throughout the city. The Vondelpark, the largest park in the city, is located in the Oud-Zuid neighbourhood and is named after the 17th-century Amsterdam author Joost van den Vondel. Yearly, the park has around 10 million visitors. In the park is an open-air theatre, a playground and several horeca facilities. In the Zuid borough, is the Beatrixpark, named after Queen Beatrix. Between Amsterdam and Amstelveen is the Amsterdamse Bos ("Amsterdam Forest"), the largest recreational area in Amsterdam. Annually, almost 4.5 million people visit the park, which has a size of 1.000 hectares and is approximately three times the size of Central Park. The Amstelpark in the Zuid borough houses the Rieker windmill, which dates to 1636. Other parks include the Sarphatipark in the De Pijp neighbourhood, the Oosterpark in the Oost borough and the Westerpark in the Westerpark neighbourhood. The city has three beaches: Nemo Beach, Citybeach "Het stenen hoofd" (Silodam) and Blijburg, all located in the Centrum borough.
The city has many open squares ("plein" in Dutch). The namesake of the city as the site of the original dam, Dam Square, is the main city square and has the Royal Palace and National Monument. Museumplein hosts various museums, including the , Van Gogh Museum, and Stedelijk Museum. Other squares include Rembrandtplein, Muntplein, Nieuwmarkt, Leidseplein, Spui and Waterlooplein. Also, near to Amsterdam is the Nekkeveld estate conservation project.
Canals.
The Amsterdam canal system is the result of conscious city planning. In the early 17th century, when immigration was at a peak, a comprehensive plan was developed that was based on four concentric half-circles of canals with their ends emerging at the IJ bay. Known as the Grachtengordel, three of the canals were mostly for residential development: the Herengracht (where "Heren" refers to "Heren Regeerders van de stad Amsterdam", ruling lords of Amsterdam, whilst "gracht" means canal, so that the name can be roughly translated as "Canal of the Lords"), Keizersgracht (Emperor's Canal) and Prinsengracht (Prince's Canal). The fourth and outermost canal is the Singelgracht, which is often not mentioned on maps because it is a collective name for all canals in the outer ring. The Singelgracht should not be confused with the oldest and innermost canal, the Singel.
The canals served for defense, water management and transport. The defenses took the form of a moat and earthen dikes, with gates at transit points, but otherwise no masonry superstructures. The original plans have been lost, so historians, such as Ed Taverne, need to speculate on the original intentions: it is thought that the considerations of the layout were purely practical and defensive rather than ornamental.
Construction started in 1613 and proceeded from west to east, across the breadth of the layout, like a gigantic windshield wiper as the historian Geert Mak calls it – and not from the centre outwards, as a popular myth has it. The canal construction in the southern sector was completed by 1656. Subsequently, the construction of residential buildings proceeded slowly. The eastern part of the concentric canal plan, covering the area between the Amstel river and the IJ bay, has never been implemented. In the following centuries, the land was used for parks, senior citizens' homes, theatres, other public facilities, and waterways without much planning. Over the years, several canals have been filled in, becoming streets or squares, such as the Nieuwezijds Voorburgwal and the Spui.
Expansion.
After the development of Amsterdam's canals in the 17th century, the city did not grow beyond its borders for two centuries. During the 19th century, Samuel Sarphati devised a plan based on the grandeur of Paris and London at that time. The plan envisaged the construction of new houses, public buildings and streets just outside the Grachtengordel. The main aim of the plan, however, was to improve public health. Although the plan did not expand the city, it did produce some of the largest public buildings to date, like the "Paleis voor Volksvlijt".
Following Sarphati, civil engineers Jacobus van Niftrik and Jan Kalff designed an entire ring of 19th-century neighbourhoods surrounding the city's centre, with the city preserving the ownership of all land outside the 17th-century limit, thus firmly controlling development. Most of these neighbourhoods became home to the working class.
In response to overcrowding, two plans were designed at the beginning of the 20th century which were very different from anything Amsterdam had ever seen before: "Plan Zuid" (designed by the architect Berlage) and "West". These plans involved the development of new neighbourhoods consisting of housing blocks for all social classes.
After the Second World War, large new neighbourhoods were built in the western, southeastern, and northern parts of the city. These new neighbourhoods were built to relieve the city's shortage of living space and give people affordable houses with modern conveniences. The neighbourhoods consisted mainly of large housing blocks located among green spaces, connected to wide roads, making the neighbourhoods easily accessible by motor car. The western suburbs which were built in that period are collectively called the Westelijke Tuinsteden. The area to the southeast of the city built during the same period is known as the Bijlmer.
Architecture.
Amsterdam has a rich architectural history. The oldest building in Amsterdam is the Oude Kerk (English: Old Church), at the heart of the Wallen, consecrated in 1306. The oldest wooden building is "Het Houten Huys" at the Begijnhof. It was constructed around 1425 and is one of only two existing wooden buildings. It is also one of the few examples of Gothic architecture in Amsterdam. The oldest stone building of the Netherlands, The Moriaan is built in 's-Hertogenbosch.
In the 16th century, wooden buildings were razed and replaced with brick ones. During this period, many buildings were constructed in the architectural style of the Renaissance. Buildings of this period are very recognisable with their stepped gable façades, which is the common Dutch Renaissance style. Amsterdam quickly developed its own Renaissance architecture. These buildings were built according to the principles of the architect Hendrick de Keyser. One of the most striking buildings designed by Hendrick de Keyser is the Westerkerk. In the 17th century baroque architecture became very popular, as it was elsewhere in Europe. This roughly coincided with Amsterdam's Golden Age. The leading architects of this style in Amsterdam were Jacob van Campen, Philips Vingboons and Daniel Stalpaert.
Philip Vingboons designed splendid merchants' houses throughout the city. A famous building in baroque style in Amsterdam is the Royal Palace on Dam Square. Throughout the 18th century, Amsterdam was heavily influenced by French culture. This is reflected in the architecture of that period. Around 1815, architects broke with the baroque style and started building in different neo-styles. Most Gothic style buildings date from that era and are therefore said to be built in a neo-gothic style. At the end of the 19th century, the Jugendstil or Art Nouveau style became popular and many new buildings were constructed in this architectural style. Since Amsterdam expanded rapidly during this period, new buildings adjacent to the city centre were also built in this style. The houses in the vicinity of the Museum Square in Amsterdam Oud-Zuid are an example of Jugendstil. The last style that was popular in Amsterdam before the modern era was Art Deco. Amsterdam had its own version of the style, which was called the Amsterdamse School. Whole districts were built this style, such as the "Rivierenbuurt". A notable feature of the façades of buildings designed in Amsterdamse School is that they are highly decorated and ornate, with oddly shaped windows and doors.
The old city centre is the focal point of all the architectural styles before the end of the 19th century.
Jugendstil and Georgian are mostly found outside the city's centre in the neighbourhoods built in the early
20th century, although there are also some striking examples of these styles in the city centre.
Most historic buildings in the city centre and nearby are houses, such as the famous merchants' houses lining the canals.
Parks and recreational areas.
Amsterdam has many parks, open spaces, and squares throughout the city. The Vondelpark, the largest park in the city, is located in the Oud-Zuid neighbourhood and is named after the 17th-century Amsterdam author Joost van den Vondel. Yearly, the park has around 10 million visitors. In the park is an open-air theatre, a playground and several horeca facilities. In the Zuid borough, is the Beatrixpark, named after Queen Beatrix. Between Amsterdam and Amstelveen is the Amsterdamse Bos ("Amsterdam Forest"), the largest recreational area in Amsterdam. Annually, almost 4.5 million people visit the park, which has a size of 1.000 hectares and is approximately three times the size of Central Park. The Amstelpark in the Zuid borough houses the Rieker windmill, which dates to 1636. Other parks include the Sarphatipark in the De Pijp neighbourhood, the Oosterpark in the Oost borough and the Westerpark in the Westerpark neighbourhood. The city has three beaches: Nemo Beach, Citybeach "Het stenen hoofd" (Silodam) and Blijburg, all located in the Centrum borough.
The city has many open squares ("plein" in Dutch). The namesake of the city as the site of the original dam, Dam Square, is the main city square and has the Royal Palace and National Monument. Museumplein hosts various museums, including the , Van Gogh Museum, and Stedelijk Museum. Other squares include Rembrandtplein, Muntplein, Nieuwmarkt, Leidseplein, Spui and Waterlooplein. Also, near to Amsterdam is the Nekkeveld estate conservation project.
Economy.
Amsterdam is the financial and business capital of the Netherlands.
According to the 2007 European Cities Monitor (ECM) – an annual location survey of Europe's leading companies carried out by global real estate consultant Cushman & Wakefield – Amsterdam is one of the top European cities in which to locate an international business, ranking fifth in the survey. with the survey determining London, Paris, Frankfurt and Barcelona as the four European cities surpassing Amsterdam in this regard.
A substantial number of large corporations and banks' headquarters are located in the Amsterdam area, including: AkzoNobel, Heineken International, ING Group, ABN AMRO, TomTom, Delta Lloyd Group, Booking.com and Philips.
Although many small offices remain along the historic canals, centrally based companies have increasingly relocated outside Amsterdam's city centre. Consequently, the Zuidas (English: South Axis) has become the new financial and legal hub of Amsterdam, with the country's five largest law firms and several subsidiaries of large consulting firms, such as Boston Consulting Group and Accenture, as well as the World Trade Centre (Amsterdam) located in the Zuidas district. In addition to the Zuidas, there are three smaller financial districts in Amsterdam:
The adjoining municipality of Amstelveen is the location of KPMG International's global headquarters. Other non-Dutch companies have chosen to settle in communities surrounding Amsterdam since they allow freehold property ownership, whereas Amsterdam retains ground rent.
The Amsterdam Stock Exchange (AEX), now part of Euronext, is the world's oldest stock exchange and, due to Brexit, has overtaken LSE as the largest bourse in Europe. It is near Dam Square in the city centre.
Port of Amsterdam.
The Port of Amsterdam is the fourth-largest port in Europe, the 38th largest port in the world and the second-largest port in the Netherlands by metric tons of cargo. In 2014, the Port of Amsterdam had a cargo throughput of 97,4 million tons of cargo, which was mostly bulk cargo.
Amsterdam has the biggest cruise port in the Netherlands with more than 150 cruise ships every year.
In 2019, the new lock in IJmuiden opened; since then, the port has been able to grow to 125 million tonnes in capacity.
Tourism.
Amsterdam is one of the most popular tourist destinations in Europe, receiving more than 5.34 million international visitors annually; this is excluding the 16 million day-trippers visiting the city every year. The number of visitors has been growing steadily over the past decade. This can be attributed to an increasing number of European visitors. Two-thirds of the hotels are located in the city's centre. Hotels with 4 or 5 stars contribute 42% of the total beds available and 41% of the overnight stays in Amsterdam. The room occupation rate was 85% in 2017, up from 78% in 2006. The majority of tourists (74%) originate from Europe. The largest group of non-European visitors come from the United States, accounting for 14% of the total. Certain years have a theme in Amsterdam to attract extra tourists. For example, the year 2006 was designated "Rembrandt 400", to celebrate the 400th birthday of Rembrandt van Rijn. Some hotels offer special arrangements or activities during these years. The average number of guests per year staying at the four campsites around the city range from 12,000 to 65,000.
De Wallen (red-light district).
De Wallen, also known as Walletjes or Rosse Buurt, is a designated area for legalised prostitution and is Amsterdam's largest and best-known red-light district. This neighbourhood has become a famous attraction for tourists. It consists of a network of canals, streets, and alleys containing several hundred small, one-room apartments rented by sex workers who offer their services from behind a window or glass door, typically illuminated with red lights. In recent years, the city government has been closing and repurposing the famous red-light district windows in an effort to clean up the area and reduce the amount of party and sex tourism.
Retail.
Shops in Amsterdam range from large high-end department stores such as De Bijenkorf founded in 1870 to small speciality shops. Amsterdam's high-end shops are found in the streets P.C. Hooftstraat and "Cornelis Schuytstraat", which are located in the vicinity of the Vondelpark. One of Amsterdam's busiest high streets is the narrow, medieval Kalverstraat in the heart of the city. Other shopping areas include the "Negen Straatjes" and Haarlemmerdijk and Haarlemmerstraat. "Negen Straatjes" are nine narrow streets within the "Grachtengordel", the concentric canal system of Amsterdam. The Negen Straatjes differ from other shopping districts with the presence of a large diversity of privately owned shops. The Haarlemmerstraat and Haarlemmerdijk were voted best shopping street in the Netherlands in 2011. These streets have as the "Negen Straatjes" a large diversity of privately owned shops. However, as the "Negen Straatjes" are dominated by fashion stores, the Haarlemmerstraat and Haarlemmerdijk offer a wide variety of stores, just to name some specialities: candy and other food-related stores, lingerie, sneakers, wedding clothing, interior shops, books, Italian deli's, racing and mountain bikes, skatewear, etc.
The city also features a large number of open-air markets such as the Albert Cuyp Market, Westerstraat-markt, Ten Katemarkt, and Dappermarkt. Some of these markets are held daily, like the Albert Cuypmarkt and the Dappermarkt. Others, like the Westerstraatmarkt, are held every week.
Fashion.
Several fashion brands and designers are based in Amsterdam. Fashion designers include Iris van Herpen, Mart Visser, Viktor & Rolf, Marlies Dekkers and Frans Molenaar. Fashion models like Yfke Sturm, Doutzen Kroes and Kim Noorda started their careers in Amsterdam. Amsterdam has its garment centre in the World Fashion Center. Fashion photographers Inez van Lamsweerde and Vinoodh Matadin were born in Amsterdam.
Port of Amsterdam.
The Port of Amsterdam is the fourth-largest port in Europe, the 38th largest port in the world and the second-largest port in the Netherlands by metric tons of cargo. In 2014, the Port of Amsterdam had a cargo throughput of 97,4 million tons of cargo, which was mostly bulk cargo.
Amsterdam has the biggest cruise port in the Netherlands with more than 150 cruise ships every year.
In 2019, the new lock in IJmuiden opened; since then, the port has been able to grow to 125 million tonnes in capacity.
Tourism.
Amsterdam is one of the most popular tourist destinations in Europe, receiving more than 5.34 million international visitors annually; this is excluding the 16 million day-trippers visiting the city every year. The number of visitors has been growing steadily over the past decade. This can be attributed to an increasing number of European visitors. Two-thirds of the hotels are located in the city's centre. Hotels with 4 or 5 stars contribute 42% of the total beds available and 41% of the overnight stays in Amsterdam. The room occupation rate was 85% in 2017, up from 78% in 2006. The majority of tourists (74%) originate from Europe. The largest group of non-European visitors come from the United States, accounting for 14% of the total. Certain years have a theme in Amsterdam to attract extra tourists. For example, the year 2006 was designated "Rembrandt 400", to celebrate the 400th birthday of Rembrandt van Rijn. Some hotels offer special arrangements or activities during these years. The average number of guests per year staying at the four campsites around the city range from 12,000 to 65,000.
De Wallen (red-light district).
De Wallen, also known as Walletjes or Rosse Buurt, is a designated area for legalised prostitution and is Amsterdam's largest and best-known red-light district. This neighbourhood has become a famous attraction for tourists. It consists of a network of canals, streets, and alleys containing several hundred small, one-room apartments rented by sex workers who offer their services from behind a window or glass door, typically illuminated with red lights. In recent years, the city government has been closing and repurposing the famous red-light district windows in an effort to clean up the area and reduce the amount of party and sex tourism.
De Wallen (red-light district).
De Wallen, also known as Walletjes or Rosse Buurt, is a designated area for legalised prostitution and is Amsterdam's largest and best-known red-light district. This neighbourhood has become a famous attraction for tourists. It consists of a network of canals, streets, and alleys containing several hundred small, one-room apartments rented by sex workers who offer their services from behind a window or glass door, typically illuminated with red lights. In recent years, the city government has been closing and repurposing the famous red-light district windows in an effort to clean up the area and reduce the amount of party and sex tourism.
Retail.
Shops in Amsterdam range from large high-end department stores such as De Bijenkorf founded in 1870 to small speciality shops. Amsterdam's high-end shops are found in the streets P.C. Hooftstraat and "Cornelis Schuytstraat", which are located in the vicinity of the Vondelpark. One of Amsterdam's busiest high streets is the narrow, medieval Kalverstraat in the heart of the city. Other shopping areas include the "Negen Straatjes" and Haarlemmerdijk and Haarlemmerstraat. "Negen Straatjes" are nine narrow streets within the "Grachtengordel", the concentric canal system of Amsterdam. The Negen Straatjes differ from other shopping districts with the presence of a large diversity of privately owned shops. The Haarlemmerstraat and Haarlemmerdijk were voted best shopping street in the Netherlands in 2011. These streets have as the "Negen Straatjes" a large diversity of privately owned shops. However, as the "Negen Straatjes" are dominated by fashion stores, the Haarlemmerstraat and Haarlemmerdijk offer a wide variety of stores, just to name some specialities: candy and other food-related stores, lingerie, sneakers, wedding clothing, interior shops, books, Italian deli's, racing and mountain bikes, skatewear, etc.
The city also features a large number of open-air markets such as the Albert Cuyp Market, Westerstraat-markt, Ten Katemarkt, and Dappermarkt. Some of these markets are held daily, like the Albert Cuypmarkt and the Dappermarkt. Others, like the Westerstraatmarkt, are held every week.
Fashion.
Several fashion brands and designers are based in Amsterdam. Fashion designers include Iris van Herpen, Mart Visser, Viktor & Rolf, Marlies Dekkers and Frans Molenaar. Fashion models like Yfke Sturm, Doutzen Kroes and Kim Noorda started their careers in Amsterdam. Amsterdam has its garment centre in the World Fashion Center. Fashion photographers Inez van Lamsweerde and Vinoodh Matadin were born in Amsterdam.
Culture.
During the later part of the 16th century, Amsterdam's Rederijkerskamer (Chamber of rhetoric) organised contests between different Chambers in the reading of poetry and drama. In 1637, Schouwburg, the first theatre in Amsterdam was built, opening on 3 January 1638. The first ballet performances in the Netherlands were given in Schouwburg in 1642 with the "Ballet of the Five Senses". In the 18th century, French theatre became popular. While Amsterdam was under the influence of German music in the 19th century there were few national opera productions; the Hollandse Opera of Amsterdam was built in 1888 for the specific purpose of promoting Dutch opera. In the 19th century, popular culture was centred on the Nes area in Amsterdam (mainly vaudeville and music-hall). An improved metronome was invented in 1812 by Dietrich Nikolaus Winkel. The (1885) and Stedelijk Museum (1895) were built and opened. In 1888, the Concertgebouworkest orchestra was established. With the 20th century came cinema, radio and television. Though most studios are located in Hilversum and Aalsmeer, Amsterdam's influence on programming is very strong. Many people who work in the television industry live in Amsterdam. Also, the headquarters of the Dutch SBS Broadcasting Group is located in Amsterdam.
Museums.
The most important museums of Amsterdam are located on the Museumplein (Museum Square), located at the southwestern side of the Rijksmuseum. It was created in the last quarter of the 19th century on the grounds of the former World's fair. The northeastern part of the square is bordered by the large Rijksmuseum. In front of the Rijksmuseum on the square itself is a long, rectangular pond. This is transformed into an ice rink in winter. The northwestern part of the square is bordered by the Van Gogh Museum, House of Bols Cocktail & Genever Experience and Coster Diamonds. The southwestern border of the Museum Square is the Van Baerlestraat, which is a major thoroughfare in this part of Amsterdam. The Concertgebouw is located across this street from the square. To the southeast of the square are several large houses, one of which contains the American consulate. A parking garage can be found underneath the square, as well as a supermarket. The Museumplein is covered almost entirely with a lawn, except for the northeastern part of the square which is covered with gravel. The current appearance of the square was realised in 1999, when the square was remodelled. The square itself is the most prominent site in Amsterdam for festivals and outdoor concerts, especially in the summer. Plans were made in 2008 to remodel the square again because many inhabitants of Amsterdam are not happy with its current appearance.
The possesses the largest and most important collection of classical Dutch art.
It opened in 1885. Its collection consists of nearly one million objects. The artist most associated with Amsterdam is Rembrandt, whose work, and the work of his pupils, is displayed in the Rijksmuseum. Rembrandt's masterpiece "The Night Watch" is one of the top pieces of art of the museum. It also houses paintings from artists like Bartholomeus van der Helst, Johannes Vermeer, Frans Hals, Ferdinand Bol, Albert Cuyp, Jacob van Ruisdael and Paulus Potter. Aside from paintings, the collection consists of a large variety of decorative art. This ranges from Delftware to giant doll-houses from the 17th century. The architect of the gothic revival building was P.J.H. Cuypers. The museum underwent a 10-year, 375 million euro renovation starting in 2003. The full collection was reopened to the public on 13 April 2013 and the Rijksmuseum has remained the most visited museum in Amsterdam with 2.2 million visitors in 2016 and 2.16 million in 2017.
Van Gogh lived in Amsterdam for a short while and there is a museum dedicated to his work. The museum is housed in one of the few modern buildings in this area of Amsterdam. The building was designed by Gerrit Rietveld. This building is where the permanent collection is displayed. A new building was added to the museum in 1999. This building, known as the performance wing, was designed by Japanese architect Kisho Kurokawa. Its purpose is to house temporary exhibitions of the museum. Some of Van Gogh's most famous paintings, like "The Potato Eaters" and "Sunflowers", are in the collection. The Van Gogh museum is the second most visited museum in Amsterdam, not far behind the Rijksmuseum in terms of the number of visits, being approximately 2.1 million in 2016, for example.
Next to the Van Gogh museum stands the Stedelijk Museum. This is Amsterdam's most important museum of modern art. The museum is as old as the square it borders and was opened in 1895. The permanent collection consists of works of art from artists like Piet Mondrian, Karel Appel, and Kazimir Malevich. After renovations lasting several years, the museum opened in September 2012 with a new composite extension that has been called 'The Bathtub' due to its resemblance to one.
Amsterdam contains many other museums throughout the city. They range from small museums such as the Verzetsmuseum (Resistance Museum), the Anne Frank House, and the Rembrandt House Museum, to the very large, like the Tropenmuseum (Museum of the Tropics), Amsterdam Museum (formerly known as Amsterdam Historical Museum), Hermitage Amsterdam (a dependency of the Hermitage Museum in Saint Petersburg) and the Joods Historisch Museum (Jewish Historical Museum). The modern-styled Nemo is dedicated to child-friendly science exhibitions.
Music.
Amsterdam's musical culture includes a large collection of songs that treat the city nostalgically and lovingly. The 1949 song "Aan de Amsterdamse grachten" ("On the canals of Amsterdam") was performed and recorded by many artists, including John Kraaijkamp Sr.; the best-known version is probably that by Wim Sonneveld (1962). In the 1950s Johnny Jordaan rose to fame with "Geef mij maar Amsterdam" ("I prefer Amsterdam"), which praises the city above all others (explicitly Paris); Jordaan sang especially about his own neighbourhood, the Jordaan ("Bij ons in de Jordaan"). Colleagues and contemporaries of Johnny include Tante Leen and Manke Nelis. Another notable Amsterdam song is "Amsterdam" by Jacques Brel (1964). A 2011 poll by Amsterdam newspaper "Het Parool" that Trio Bier's "Oude Wolf" was voted "Amsterdams lijflied". Notable Amsterdam bands from the modern era include the Osdorp Posse and The Ex.
AFAS Live (formerly known as the Heineken Music Hall) is a concert hall located near the Johan Cruyff Arena (known as the Amsterdam Arena until 2018). Its main purpose is to serve as a podium for pop concerts for big audiences. Many famous international artists have performed there. Two other notable venues, Paradiso and the are located near the Leidseplein. Both focus on broad programming, ranging from indie rock to hip hop, R&B, and other popular genres. Other more subcultural music venues are OCCII, OT301, De Nieuwe Anita, Winston Kingdom, and Zaal 100. Jazz has a strong following in Amsterdam, with the Bimhuis being the premier venue. In 2012, Ziggo Dome was opened, also near Amsterdam Arena, a state-of-the-art indoor music arena.
AFAS Live is also host to many electronic dance music festivals, alongside many other venues. Armin van Buuren and Tiesto, some of the worlds leading Trance DJ's hail from the Netherlands and frequently perform in Amsterdam. Each year in October, the city hosts the Amsterdam Dance Event (ADE) which is one of the leading electronic music conferences and one of the biggest club festivals for electronic music in the world, attracting over 350,000 visitors each year. Another popular dance festival is 5daysoff, which takes place in the venues Paradiso and . In the summertime, there are several big outdoor dance parties in or nearby Amsterdam, such as Awakenings, Dance Valley, Mystery Land, Loveland, A Day at the Park, Welcome to the Future, and Valtifest.
Amsterdam has a world-class symphony orchestra, the Royal Concertgebouw Orchestra. Their home is the , which is across the Van Baerlestraat from the Museum Square. It is considered by critics to be a concert hall with some of the best acoustics in the world. The building contains three halls, Grote Zaal, Kleine Zaal, and Spiegelzaal. Some nine hundred concerts and other events per year take place in the Concertgebouw, for a public of over 700,000, making it one of the most-visited concert halls in the world. The opera house of Amsterdam is located adjacent to the city hall. Therefore, the two buildings combined are often called the Stopera, (a word originally coined by protesters against it very construction: "Stop the Opera[-house]"). This huge modern complex, opened in 1986, lies in the former Jewish neighbourhood at "Waterlooplein" next to the river Amstel. The "Stopera" is the home base of Dutch National Opera, Dutch National Ballet and the Holland Symfonia. Muziekgebouw aan 't IJ is a concert hall, which is located in the IJ near the central station. Its concerts perform mostly modern classical music. Located adjacent to it, is the "Bimhuis", a concert hall for improvised and Jazz music.
Performing arts.
Amsterdam has three main theatre buildings.
The Stadsschouwburg at the Leidseplein is the home base of Toneelgroep Amsterdam. The current building dates from 1894. Most plays are performed in the Grote Zaal (Great Hall). The normal program of events encompasses all sorts of theatrical forms. In 2009, the new hall of the Stadsschouwburg Amsterdam, Toneelgroep Amsterdam and Melkweg opened, and the renovation of the front end of the theatre was ready.
The Dutch National Opera and Ballet (formerly known as "Het Muziektheater"), dating from 1986, is the principal opera house and home to Dutch National Opera and Dutch National Ballet. Royal Theatre Carré was built as a permanent circus theatre in 1887 and is currently mainly used for musicals, cabaret performances, and pop concerts.
The recently re-opened DeLaMar Theater houses more commercial plays and musicals. A new theatre has also moved into the Amsterdam scene in 2014, joining other established venues: Theater Amsterdam is located in the west part of Amsterdam, on the Danzigerkade. It is housed in a modern building with a panoramic view over the harbour. The theatre is the first-ever purpose-built venue to showcase a single play entitled ANNE, the play based on Anne Frank's life.
On the east side of town, there is a small theatre in a converted bathhouse, the Badhuistheater. The theatre often has English programming.
The Netherlands has a tradition of cabaret or "kleinkunst", which combines music, storytelling, commentary, theatre and comedy. Cabaret dates back to the 1930s and artists like Wim Kan, Wim Sonneveld and Toon Hermans were pioneers of this form of art in the Netherlands. In Amsterdam is the Kleinkunstacademie (English: Cabaret Academy) and Nederlied Kleinkunstkoor (English: Cabaret Choir). Contemporary popular artists are Youp van 't Hek, Freek de Jonge, Herman Finkers, Hans Teeuwen, Theo Maassen, Herman van Veen, Najib Amhali, Raoul Heertje, Jörgen Raymann, Brigitte Kaandorp and Comedytrain. The English spoken comedy scene was established with the founding of Boom Chicago in 1993. They have their own theatre at Leidseplein.
Nightlife.
Amsterdam is famous for its vibrant and diverse nightlife. Amsterdam has many "cafés" (bars). They range from large and modern to small and cosy. The typical "Bruine Kroeg" (brown "café") breathe a more old fashioned atmosphere with dimmed lights, candles, and somewhat older clientele. These brown cafés mostly offer a wide range of local and international artisanal beers. Most "cafés" have terraces in summertime. A common sight on the Leidseplein during summer is a square full of terraces packed with people drinking beer or wine. Many restaurants can be found in Amsterdam as well. Since Amsterdam is a multicultural city, a lot of different ethnic restaurants can be found. Restaurants range from being rather luxurious and expensive to being ordinary and affordable. Amsterdam also possesses many discothèques. The two main nightlife areas for tourists are the Leidseplein and the Rembrandtplein. The Paradiso, and Sugar Factory are cultural centres, which turn into discothèques on some nights. Examples of discothèques near the Rembrandtplein are the Escape, Air, John Doe and Club Abe. Also noteworthy are Panama, Hotel Arena (East), TrouwAmsterdam and Studio 80. In recent years '24-hour' clubs opened their doors, most notably Radion De School, Shelter and Marktkantine. Bimhuis located near the Central Station, with its rich programming hosting the best in the field is considered one of the best jazz clubs in the world. The Reguliersdwarsstraat is the main street for the LGBT community and nightlife.
Festivals.
In 2008, there were 140 festivals and events in Amsterdam. During the same year, Amsterdam was designated as the World Book Capital for one year by UNESCO.
Famous festivals and events in Amsterdam include: "Koningsdag" (which was named "Koninginnedag" until the crowning of King Willem-Alexander in 2013) (King's Day – Queen's Day); the Holland Festival for the performing arts; the yearly Prinsengrachtconcert (classical concerto on the Prinsen canal) in August; the 'Stille Omgang' (a silent Roman Catholic evening procession held every March); Amsterdam Gay Pride; The Cannabis Cup; and the Uitmarkt. On Koningsdag—that is held each year on 27 April—hundreds of thousands of people travel to Amsterdam to celebrate with the city's residents. The entire city becomes overcrowded with people buying products from the "freemarket," or visiting one of the many music concerts.
The yearly Holland Festival attracts international artists and visitors from all over Europe. Amsterdam Gay Pride is a yearly local LGBT parade of boats in Amsterdam's canals, held on the first Saturday in August. The annual Uitmarkt is a three-day cultural event at the start of the cultural season in late August. It offers previews of many different artists, such as musicians and poets, who perform on podia.
Museums.
The most important museums of Amsterdam are located on the Museumplein (Museum Square), located at the southwestern side of the Rijksmuseum. It was created in the last quarter of the 19th century on the grounds of the former World's fair. The northeastern part of the square is bordered by the large Rijksmuseum. In front of the Rijksmuseum on the square itself is a long, rectangular pond. This is transformed into an ice rink in winter. The northwestern part of the square is bordered by the Van Gogh Museum, House of Bols Cocktail & Genever Experience and Coster Diamonds. The southwestern border of the Museum Square is the Van Baerlestraat, which is a major thoroughfare in this part of Amsterdam. The Concertgebouw is located across this street from the square. To the southeast of the square are several large houses, one of which contains the American consulate. A parking garage can be found underneath the square, as well as a supermarket. The Museumplein is covered almost entirely with a lawn, except for the northeastern part of the square which is covered with gravel. The current appearance of the square was realised in 1999, when the square was remodelled. The square itself is the most prominent site in Amsterdam for festivals and outdoor concerts, especially in the summer. Plans were made in 2008 to remodel the square again because many inhabitants of Amsterdam are not happy with its current appearance.
The possesses the largest and most important collection of classical Dutch art.
It opened in 1885. Its collection consists of nearly one million objects. The artist most associated with Amsterdam is Rembrandt, whose work, and the work of his pupils, is displayed in the Rijksmuseum. Rembrandt's masterpiece "The Night Watch" is one of the top pieces of art of the museum. It also houses paintings from artists like Bartholomeus van der Helst, Johannes Vermeer, Frans Hals, Ferdinand Bol, Albert Cuyp, Jacob van Ruisdael and Paulus Potter. Aside from paintings, the collection consists of a large variety of decorative art. This ranges from Delftware to giant doll-houses from the 17th century. The architect of the gothic revival building was P.J.H. Cuypers. The museum underwent a 10-year, 375 million euro renovation starting in 2003. The full collection was reopened to the public on 13 April 2013 and the Rijksmuseum has remained the most visited museum in Amsterdam with 2.2 million visitors in 2016 and 2.16 million in 2017.
Van Gogh lived in Amsterdam for a short while and there is a museum dedicated to his work. The museum is housed in one of the few modern buildings in this area of Amsterdam. The building was designed by Gerrit Rietveld. This building is where the permanent collection is displayed. A new building was added to the museum in 1999. This building, known as the performance wing, was designed by Japanese architect Kisho Kurokawa. Its purpose is to house temporary exhibitions of the museum. Some of Van Gogh's most famous paintings, like "The Potato Eaters" and "Sunflowers", are in the collection. The Van Gogh museum is the second most visited museum in Amsterdam, not far behind the Rijksmuseum in terms of the number of visits, being approximately 2.1 million in 2016, for example.
Next to the Van Gogh museum stands the Stedelijk Museum. This is Amsterdam's most important museum of modern art. The museum is as old as the square it borders and was opened in 1895. The permanent collection consists of works of art from artists like Piet Mondrian, Karel Appel, and Kazimir Malevich. After renovations lasting several years, the museum opened in September 2012 with a new composite extension that has been called 'The Bathtub' due to its resemblance to one.
Amsterdam contains many other museums throughout the city. They range from small museums such as the Verzetsmuseum (Resistance Museum), the Anne Frank House, and the Rembrandt House Museum, to the very large, like the Tropenmuseum (Museum of the Tropics), Amsterdam Museum (formerly known as Amsterdam Historical Museum), Hermitage Amsterdam (a dependency of the Hermitage Museum in Saint Petersburg) and the Joods Historisch Museum (Jewish Historical Museum). The modern-styled Nemo is dedicated to child-friendly science exhibitions.
Music.
Amsterdam's musical culture includes a large collection of songs that treat the city nostalgically and lovingly. The 1949 song "Aan de Amsterdamse grachten" ("On the canals of Amsterdam") was performed and recorded by many artists, including John Kraaijkamp Sr.; the best-known version is probably that by Wim Sonneveld (1962). In the 1950s Johnny Jordaan rose to fame with "Geef mij maar Amsterdam" ("I prefer Amsterdam"), which praises the city above all others (explicitly Paris); Jordaan sang especially about his own neighbourhood, the Jordaan ("Bij ons in de Jordaan"). Colleagues and contemporaries of Johnny include Tante Leen and Manke Nelis. Another notable Amsterdam song is "Amsterdam" by Jacques Brel (1964). A 2011 poll by Amsterdam newspaper "Het Parool" that Trio Bier's "Oude Wolf" was voted "Amsterdams lijflied". Notable Amsterdam bands from the modern era include the Osdorp Posse and The Ex.
AFAS Live (formerly known as the Heineken Music Hall) is a concert hall located near the Johan Cruyff Arena (known as the Amsterdam Arena until 2018). Its main purpose is to serve as a podium for pop concerts for big audiences. Many famous international artists have performed there. Two other notable venues, Paradiso and the are located near the Leidseplein. Both focus on broad programming, ranging from indie rock to hip hop, R&B, and other popular genres. Other more subcultural music venues are OCCII, OT301, De Nieuwe Anita, Winston Kingdom, and Zaal 100. Jazz has a strong following in Amsterdam, with the Bimhuis being the premier venue. In 2012, Ziggo Dome was opened, also near Amsterdam Arena, a state-of-the-art indoor music arena.
AFAS Live is also host to many electronic dance music festivals, alongside many other venues. Armin van Buuren and Tiesto, some of the worlds leading Trance DJ's hail from the Netherlands and frequently perform in Amsterdam. Each year in October, the city hosts the Amsterdam Dance Event (ADE) which is one of the leading electronic music conferences and one of the biggest club festivals for electronic music in the world, attracting over 350,000 visitors each year. Another popular dance festival is 5daysoff, which takes place in the venues Paradiso and . In the summertime, there are several big outdoor dance parties in or nearby Amsterdam, such as Awakenings, Dance Valley, Mystery Land, Loveland, A Day at the Park, Welcome to the Future, and Valtifest.
Amsterdam has a world-class symphony orchestra, the Royal Concertgebouw Orchestra. Their home is the , which is across the Van Baerlestraat from the Museum Square. It is considered by critics to be a concert hall with some of the best acoustics in the world. The building contains three halls, Grote Zaal, Kleine Zaal, and Spiegelzaal. Some nine hundred concerts and other events per year take place in the Concertgebouw, for a public of over 700,000, making it one of the most-visited concert halls in the world. The opera house of Amsterdam is located adjacent to the city hall. Therefore, the two buildings combined are often called the Stopera, (a word originally coined by protesters against it very construction: "Stop the Opera[-house]"). This huge modern complex, opened in 1986, lies in the former Jewish neighbourhood at "Waterlooplein" next to the river Amstel. The "Stopera" is the home base of Dutch National Opera, Dutch National Ballet and the Holland Symfonia. Muziekgebouw aan 't IJ is a concert hall, which is located in the IJ near the central station. Its concerts perform mostly modern classical music. Located adjacent to it, is the "Bimhuis", a concert hall for improvised and Jazz music.
Performing arts.
Amsterdam has three main theatre buildings.
The Stadsschouwburg at the Leidseplein is the home base of Toneelgroep Amsterdam. The current building dates from 1894. Most plays are performed in the Grote Zaal (Great Hall). The normal program of events encompasses all sorts of theatrical forms. In 2009, the new hall of the Stadsschouwburg Amsterdam, Toneelgroep Amsterdam and Melkweg opened, and the renovation of the front end of the theatre was ready.
The Dutch National Opera and Ballet (formerly known as "Het Muziektheater"), dating from 1986, is the principal opera house and home to Dutch National Opera and Dutch National Ballet. Royal Theatre Carré was built as a permanent circus theatre in 1887 and is currently mainly used for musicals, cabaret performances, and pop concerts.
The recently re-opened DeLaMar Theater houses more commercial plays and musicals. A new theatre has also moved into the Amsterdam scene in 2014, joining other established venues: Theater Amsterdam is located in the west part of Amsterdam, on the Danzigerkade. It is housed in a modern building with a panoramic view over the harbour. The theatre is the first-ever purpose-built venue to showcase a single play entitled ANNE, the play based on Anne Frank's life.
On the east side of town, there is a small theatre in a converted bathhouse, the Badhuistheater. The theatre often has English programming.
The Netherlands has a tradition of cabaret or "kleinkunst", which combines music, storytelling, commentary, theatre and comedy. Cabaret dates back to the 1930s and artists like Wim Kan, Wim Sonneveld and Toon Hermans were pioneers of this form of art in the Netherlands. In Amsterdam is the Kleinkunstacademie (English: Cabaret Academy) and Nederlied Kleinkunstkoor (English: Cabaret Choir). Contemporary popular artists are Youp van 't Hek, Freek de Jonge, Herman Finkers, Hans Teeuwen, Theo Maassen, Herman van Veen, Najib Amhali, Raoul Heertje, Jörgen Raymann, Brigitte Kaandorp and Comedytrain. The English spoken comedy scene was established with the founding of Boom Chicago in 1993. They have their own theatre at Leidseplein.
Nightlife.
Amsterdam is famous for its vibrant and diverse nightlife. Amsterdam has many "cafés" (bars). They range from large and modern to small and cosy. The typical "Bruine Kroeg" (brown "café") breathe a more old fashioned atmosphere with dimmed lights, candles, and somewhat older clientele. These brown cafés mostly offer a wide range of local and international artisanal beers. Most "cafés" have terraces in summertime. A common sight on the Leidseplein during summer is a square full of terraces packed with people drinking beer or wine. Many restaurants can be found in Amsterdam as well. Since Amsterdam is a multicultural city, a lot of different ethnic restaurants can be found. Restaurants range from being rather luxurious and expensive to being ordinary and affordable. Amsterdam also possesses many discothèques. The two main nightlife areas for tourists are the Leidseplein and the Rembrandtplein. The Paradiso, and Sugar Factory are cultural centres, which turn into discothèques on some nights. Examples of discothèques near the Rembrandtplein are the Escape, Air, John Doe and Club Abe. Also noteworthy are Panama, Hotel Arena (East), TrouwAmsterdam and Studio 80. In recent years '24-hour' clubs opened their doors, most notably Radion De School, Shelter and Marktkantine. Bimhuis located near the Central Station, with its rich programming hosting the best in the field is considered one of the best jazz clubs in the world. The Reguliersdwarsstraat is the main street for the LGBT community and nightlife.
Festivals.
In 2008, there were 140 festivals and events in Amsterdam. During the same year, Amsterdam was designated as the World Book Capital for one year by UNESCO.
Famous festivals and events in Amsterdam include: "Koningsdag" (which was named "Koninginnedag" until the crowning of King Willem-Alexander in 2013) (King's Day – Queen's Day); the Holland Festival for the performing arts; the yearly Prinsengrachtconcert (classical concerto on the Prinsen canal) in August; the 'Stille Omgang' (a silent Roman Catholic evening procession held every March); Amsterdam Gay Pride; The Cannabis Cup; and the Uitmarkt. On Koningsdag—that is held each year on 27 April—hundreds of thousands of people travel to Amsterdam to celebrate with the city's residents. The entire city becomes overcrowded with people buying products from the "freemarket," or visiting one of the many music concerts.
The yearly Holland Festival attracts international artists and visitors from all over Europe. Amsterdam Gay Pride is a yearly local LGBT parade of boats in Amsterdam's canals, held on the first Saturday in August. The annual Uitmarkt is a three-day cultural event at the start of the cultural season in late August. It offers previews of many different artists, such as musicians and poets, who perform on podia.
Sports.
Amsterdam is home of the "Eredivisie" football club AFC Ajax. The stadium Johan Cruyff Arena is the home of Ajax. It is located in the south-east of the city next to the new Amsterdam Bijlmer ArenA railway station. Before moving to their current location in 1996, Ajax played their regular matches in the now demolished De Meer Stadion in the eastern part of the city or in the Olympic Stadium.
In 1928, Amsterdam hosted the Summer Olympics. The Olympic Stadium built for the occasion has been completely restored and is now used for cultural and sporting events, such as the Amsterdam Marathon. In 1920, Amsterdam assisted in hosting some of the sailing events for the Summer Olympics held in neighbouring Antwerp, Belgium by hosting events at Buiten IJ.
The city holds the Dam to Dam Run, a race from Amsterdam to Zaandam, as well as the Amsterdam Marathon. The ice hockey team Amstel Tijgers play in the Jaap Eden ice rink. The team competes in the Dutch ice hockey premier league. Speed skating championships have been held on the 400-meter lane of this ice rink.
Amsterdam holds two American football franchises: the Amsterdam Crusaders and the Amsterdam Panthers. The Amsterdam Pirates baseball team competes in the Dutch Major League. There are three field hockey teams: Amsterdam, Pinoké and Hurley, who play their matches around the Wagener Stadium in the nearby city of Amstelveen. The basketball team MyGuide Amsterdam competes in the Dutch premier division and play their games in the Sporthallen Zuid.
There is one rugby club in Amsterdam, which also hosts sports training classes such as RTC (Rugby Talenten Centrum or Rugby Talent Centre) and the National Rugby stadium.
Since 1999, the city of Amsterdam honours the best sportsmen and women at the Amsterdam Sports Awards. Boxer Raymond Joval and field hockey midfielder Carole Thate were the first to receive the awards, in 1999.
Amsterdam hosted the World Gymnaestrada in 1991 and will do so again in 2023.
Politics.
The city of Amsterdam is a municipality under the Dutch Municipalities Act. It is governed by a directly elected municipal council, a municipal executive board and a mayor. Since 1981, the municipality of Amsterdam has gradually been divided into semi-autonomous boroughs, called "stadsdelen" or 'districts'. Over time, a total of 15 boroughs were created. In May 2010, under a major reform, the number of Amsterdam boroughs was reduced to eight: Amsterdam-Centrum covering the city centre including the canal belt, Amsterdam-Noord consisting of the neighbourhoods north of the IJ lake, Amsterdam-Oost in the east, Amsterdam-Zuid in the south, Amsterdam-West in the west, Amsterdam Nieuw-West in the far west, Amsterdam Zuidoost in the southeast, and Westpoort covering the Port of Amsterdam area.
City government.
As with all Dutch municipalities, Amsterdam is governed by a directly elected municipal council, a municipal executive board and a government appointed mayor ("burgemeester"). The mayor is a member of the municipal executive board, but also has individual responsibilities in maintaining public order. On 27 June 2018, Femke Halsema (former member of House of Representatives for GroenLinks from 1998 to 2011) was appointed as the first woman to be Mayor of Amsterdam by the King's Commissioner of North Holland for a six-year term after being nominated by the Amsterdam municipal council and began serving a six-year term on 12 July 2018. She replaces Eberhard van der Laan (Labour Party) who was the Mayor of Amsterdam from 2010 until his death in October 2017. After the 2014 municipal council elections, a governing majority of D66, VVD and SP was formed – the first coalition without the Labour Party since World War II. Next to the Mayor, the municipal executive board consists of eight "wethouders" ('alderpersons') appointed by the municipal council: four D66 alderpersons, two VVD alderpersons and two SP alderpersons.
On 18 September 2017, it was announced by Eberhard van der Laan in an open letter to Amsterdam citizens that Kajsa Ollongren would take up his office as acting Mayor of Amsterdam with immediate effect due to ill health. Ollongren was succeeded as acting Mayor by Eric van der Burg on 26 October 2017 and by Jozias van Aartsen on 4 December 2017.
Unlike most other Dutch municipalities, Amsterdam is subdivided into eight boroughs, called "stadsdelen" or 'districts', and the urban area of Weesp, a system that was implemented gradually in the 1980s to improve local governance. The boroughs are responsible for many activities that had previously been run by the central city. In 2010, the number of Amsterdam boroughs reached fifteen. Fourteen of those had their own district council ("deelraad"), elected by a popular vote. The fifteenth, Westpoort, covers the harbour of Amsterdam and had very few residents. Therefore, it was governed by the central municipal council.
Under the borough system, municipal decisions are made at borough level, except for those affairs pertaining to the whole city such as major infrastructure projects, which are the jurisdiction of the central municipal authorities. In 2010, the borough system was restructured, in which many smaller boroughs merged into larger boroughs. In 2014, under a reform of the Dutch Municipalities Act, the Amsterdam boroughs lost much of their autonomous status, as their district councils were abolished.
The municipal council of Amsterdam voted to maintain the borough system by replacing the district councils with smaller, but still directly elected district committees ("bestuurscommissies"). Under a municipal ordinance, the new district committees were granted responsibilities through delegation of regulatory and executive powers by the central municipal council.
Metropolitan area.
"Amsterdam" is usually understood to refer to the municipality of Amsterdam. Colloquially, some areas within the municipality, such as the town of Durgerdam, may not be considered part of Amsterdam.
Statistics Netherlands uses three other definitions of Amsterdam: metropolitan agglomeration Amsterdam ("Grootstedelijke Agglomeratie Amsterdam", not to be confused with "Grootstedelijk Gebied Amsterdam", a synonym of "Groot Amsterdam"), Greater Amsterdam ("Groot Amsterdam", a COROP region) and the urban region Amsterdam ("Stadsgewest Amsterdam"). The Amsterdam Department for Research and Statistics uses a fourth conurbation, namely the "Stadsregio Amsterdam" ('City Region of Amsterdam'). The city region is similar to Greater Amsterdam but includes the municipalities of Zaanstad and Wormerland. It excludes Graft-De Rijp.
The smallest of these areas is the municipality of Amsterdam with a population of 802,938 in 2013. The conurbation had a population of 1,096,042 in 2013. It includes the municipalities of Zaanstad, Wormerland, Oostzaan, Diemen and Amstelveen only, as well as the municipality of Amsterdam. Greater Amsterdam includes 15 municipalities, and had a population of 1,293,208 in 2013. Though much larger in area, the population of this area is only slightly larger, because the definition excludes the relatively populous municipality of Zaanstad. The largest area by population, the Amsterdam Metropolitan Area (Dutch: Metropoolregio Amsterdam), has a population of 2,33 million. It includes for instance Zaanstad, Wormerland, Muiden, Abcoude, Haarlem, Almere and Lelystad but excludes Graft-De Rijp. Amsterdam is part of the conglomerate metropolitan area Randstad, with a total population of 6,659,300 inhabitants.
Of these various metropolitan area configurations, only the "Stadsregio Amsterdam" (City Region of Amsterdam) has a formal governmental status. Its responsibilities include regional spatial planning and the metropolitan public transport concessions.
National capital.
Under the Dutch Constitution, Amsterdam is the capital of the Netherlands. Since the 1983 constitutional revision, the constitution mentions "Amsterdam" and "capital" in chapter 2, article 32: The king's confirmation by oath and his coronation take place in "the capital Amsterdam" ("de hoofdstad Amsterdam"). Previous versions of the constitution only mentioned "the city of Amsterdam" ("de stad Amsterdam"). For a royal investiture, therefore, the States General of the Netherlands (the Dutch Parliament) meets for a ceremonial joint session in Amsterdam. The ceremony traditionally takes place at the Nieuwe Kerk on Dam Square, immediately after the former monarch has signed the act of abdication at the nearby Royal Palace of Amsterdam. Normally, however, the Parliament sits in The Hague, the city which has historically been the seat of the Dutch government, the Dutch monarchy, and the Dutch supreme court. Foreign embassies are also located in The Hague.
Symbols.
The coat of arms of Amsterdam is composed of several historical elements. First and centre are three St Andrew's crosses, aligned in a vertical band on the city's shield (although Amsterdam's patron saint was Saint Nicholas). These St Andrew's crosses can also be found on the city shields of neighbours Amstelveen and Ouder-Amstel. This part of the coat of arms is the basis of the flag of Amsterdam, flown by the city government, but also as civil ensign for ships registered in Amsterdam. Second is the Imperial Crown of Austria. In 1489, out of gratitude for services and loans, Maximilian I awarded Amsterdam the right to adorn its coat of arms with the king's crown. Then, in 1508, this was replaced with Maximilian's imperial crown when he was crowned Holy Roman Emperor. In the early years of the 17th century, Maximilian's crown in Amsterdam's coat of arms was again replaced, this time with the crown of Emperor Rudolph II, a crown that became the Imperial Crown of Austria. The lions date from the late 16th century, when city and province became part of the Republic of the Seven United Netherlands. Last came the city's official motto: "Heldhaftig, Vastberaden, Barmhartig" ("Heroic, Determined, Merciful"), bestowed on the city in 1947 by Queen Wilhelmina, in recognition of the city's bravery during the Second World War.
City government.
As with all Dutch municipalities, Amsterdam is governed by a directly elected municipal council, a municipal executive board and a government appointed mayor ("burgemeester"). The mayor is a member of the municipal executive board, but also has individual responsibilities in maintaining public order. On 27 June 2018, Femke Halsema (former member of House of Representatives for GroenLinks from 1998 to 2011) was appointed as the first woman to be Mayor of Amsterdam by the King's Commissioner of North Holland for a six-year term after being nominated by the Amsterdam municipal council and began serving a six-year term on 12 July 2018. She replaces Eberhard van der Laan (Labour Party) who was the Mayor of Amsterdam from 2010 until his death in October 2017. After the 2014 municipal council elections, a governing majority of D66, VVD and SP was formed – the first coalition without the Labour Party since World War II. Next to the Mayor, the municipal executive board consists of eight "wethouders" ('alderpersons') appointed by the municipal council: four D66 alderpersons, two VVD alderpersons and two SP alderpersons.
On 18 September 2017, it was announced by Eberhard van der Laan in an open letter to Amsterdam citizens that Kajsa Ollongren would take up his office as acting Mayor of Amsterdam with immediate effect due to ill health. Ollongren was succeeded as acting Mayor by Eric van der Burg on 26 October 2017 and by Jozias van Aartsen on 4 December 2017.
Unlike most other Dutch municipalities, Amsterdam is subdivided into eight boroughs, called "stadsdelen" or 'districts', and the urban area of Weesp, a system that was implemented gradually in the 1980s to improve local governance. The boroughs are responsible for many activities that had previously been run by the central city. In 2010, the number of Amsterdam boroughs reached fifteen. Fourteen of those had their own district council ("deelraad"), elected by a popular vote. The fifteenth, Westpoort, covers the harbour of Amsterdam and had very few residents. Therefore, it was governed by the central municipal council.
Under the borough system, municipal decisions are made at borough level, except for those affairs pertaining to the whole city such as major infrastructure projects, which are the jurisdiction of the central municipal authorities. In 2010, the borough system was restructured, in which many smaller boroughs merged into larger boroughs. In 2014, under a reform of the Dutch Municipalities Act, the Amsterdam boroughs lost much of their autonomous status, as their district councils were abolished.
The municipal council of Amsterdam voted to maintain the borough system by replacing the district councils with smaller, but still directly elected district committees ("bestuurscommissies"). Under a municipal ordinance, the new district committees were granted responsibilities through delegation of regulatory and executive powers by the central municipal council.
Metropolitan area.
"Amsterdam" is usually understood to refer to the municipality of Amsterdam. Colloquially, some areas within the municipality, such as the town of Durgerdam, may not be considered part of Amsterdam.
Statistics Netherlands uses three other definitions of Amsterdam: metropolitan agglomeration Amsterdam ("Grootstedelijke Agglomeratie Amsterdam", not to be confused with "Grootstedelijk Gebied Amsterdam", a synonym of "Groot Amsterdam"), Greater Amsterdam ("Groot Amsterdam", a COROP region) and the urban region Amsterdam ("Stadsgewest Amsterdam"). The Amsterdam Department for Research and Statistics uses a fourth conurbation, namely the "Stadsregio Amsterdam" ('City Region of Amsterdam'). The city region is similar to Greater Amsterdam but includes the municipalities of Zaanstad and Wormerland. It excludes Graft-De Rijp.
The smallest of these areas is the municipality of Amsterdam with a population of 802,938 in 2013. The conurbation had a population of 1,096,042 in 2013. It includes the municipalities of Zaanstad, Wormerland, Oostzaan, Diemen and Amstelveen only, as well as the municipality of Amsterdam. Greater Amsterdam includes 15 municipalities, and had a population of 1,293,208 in 2013. Though much larger in area, the population of this area is only slightly larger, because the definition excludes the relatively populous municipality of Zaanstad. The largest area by population, the Amsterdam Metropolitan Area (Dutch: Metropoolregio Amsterdam), has a population of 2,33 million. It includes for instance Zaanstad, Wormerland, Muiden, Abcoude, Haarlem, Almere and Lelystad but excludes Graft-De Rijp. Amsterdam is part of the conglomerate metropolitan area Randstad, with a total population of 6,659,300 inhabitants.
Of these various metropolitan area configurations, only the "Stadsregio Amsterdam" (City Region of Amsterdam) has a formal governmental status. Its responsibilities include regional spatial planning and the metropolitan public transport concessions.
National capital.
Under the Dutch Constitution, Amsterdam is the capital of the Netherlands. Since the 1983 constitutional revision, the constitution mentions "Amsterdam" and "capital" in chapter 2, article 32: The king's confirmation by oath and his coronation take place in "the capital Amsterdam" ("de hoofdstad Amsterdam"). Previous versions of the constitution only mentioned "the city of Amsterdam" ("de stad Amsterdam"). For a royal investiture, therefore, the States General of the Netherlands (the Dutch Parliament) meets for a ceremonial joint session in Amsterdam. The ceremony traditionally takes place at the Nieuwe Kerk on Dam Square, immediately after the former monarch has signed the act of abdication at the nearby Royal Palace of Amsterdam. Normally, however, the Parliament sits in The Hague, the city which has historically been the seat of the Dutch government, the Dutch monarchy, and the Dutch supreme court. Foreign embassies are also located in The Hague.
Symbols.
The coat of arms of Amsterdam is composed of several historical elements. First and centre are three St Andrew's crosses, aligned in a vertical band on the city's shield (although Amsterdam's patron saint was Saint Nicholas). These St Andrew's crosses can also be found on the city shields of neighbours Amstelveen and Ouder-Amstel. This part of the coat of arms is the basis of the flag of Amsterdam, flown by the city government, but also as civil ensign for ships registered in Amsterdam. Second is the Imperial Crown of Austria. In 1489, out of gratitude for services and loans, Maximilian I awarded Amsterdam the right to adorn its coat of arms with the king's crown. Then, in 1508, this was replaced with Maximilian's imperial crown when he was crowned Holy Roman Emperor. In the early years of the 17th century, Maximilian's crown in Amsterdam's coat of arms was again replaced, this time with the crown of Emperor Rudolph II, a crown that became the Imperial Crown of Austria. The lions date from the late 16th century, when city and province became part of the Republic of the Seven United Netherlands. Last came the city's official motto: "Heldhaftig, Vastberaden, Barmhartig" ("Heroic, Determined, Merciful"), bestowed on the city in 1947 by Queen Wilhelmina, in recognition of the city's bravery during the Second World War.
Transport.
Metro, tram and bus.
Currently, there are sixteen tram routes and five metro routes. All are operated by municipal public transport operator Gemeentelijk Vervoerbedrijf (GVB), which also runs the city bus network.
Four fare-free GVB ferries carry pedestrians and cyclists across the IJ lake to the borough of Amsterdam-Noord, and two fare-charging ferries run east and west along the harbour. There are also privately operated water taxis, a water bus, a boat sharing operation, electric rental boats and canal cruises, that transport people along Amsterdam's waterways.
Regional buses, and some suburban buses, are operated by Connexxion and EBS. International coach services are provided by Eurolines from Amsterdam Amstel railway station, IDBUS from Amsterdam Sloterdijk railway station, and Megabus from the Zuiderzeeweg in the east of the city.
In order to facilitate easier transport to the centre of Amsterdam, the city has various P+R Locations where people can park their car at an affordable price and transfer to one of the numerous public transport lines.
Car.
Amsterdam was intended in 1932 to be the hub, a kind of Kilometre Zero, of the highway system of the Netherlands, with freeways numbered One to Eight planned to originate from the city. The outbreak of the Second World War and shifting priorities led to the current situation, where only roads A1, A2, and A4 originate from Amsterdam according to the original plan. The A3 to Rotterdam was cancelled in 1970 in order to conserve the Groene Hart. Road A8, leading north to Zaandam and the A10 Ringroad were opened between 1968 and 1974. Besides the A1, A2, A4 and A8, several freeways, such as the A7 and A6, carry traffic mainly bound for Amsterdam.
The A10 ringroad surrounding the city connects Amsterdam with the Dutch national network of freeways. Interchanges on the A10 allow cars to enter the city by transferring to one of the 18 "city roads", numbered S101 through to S118. These city roads are regional roads without grade separation, and sometimes without a central reservation. Most are accessible by cyclists. The S100 "Centrumring" is a smaller ringroad circumnavigating the city's centre.
In the city centre, driving a car is discouraged. Parking fees are expensive, and many streets are closed to cars or are one-way. The local government sponsors carsharing and carpooling initiatives such as "Autodelen" and "Meerijden.nu". The local government has also started removing parking spaces in the city, with the goal of removing 10,000 spaces (roughly 1,500 per year) by 2025.
National rail.
Amsterdam is served by ten stations of the Nederlandse Spoorwegen (Dutch Railways). Five are intercity stops: Sloterdijk, Zuid, Amstel, Bijlmer ArenA and Amsterdam Centraal. The stations for local services are: Lelylaan, RAI, Holendrecht, Muiderpoort and Science Park. Amsterdam Centraal is also an international railway station. From the station there are regular services to destinations such as Austria, Belarus, Belgium, Czech Republic, Denmark, France, Germany, Hungary, Poland, Russia, Switzerland and the United Kingdom. Among these trains are international trains of the Nederlandse Spoorwegen (Amsterdam-Berlin), the Eurostar (Amsterdam-Brussels-London), Thalys (Amsterdam-Brussels-Paris/Lille), and Intercity-Express (Amsterdam–Cologne–Frankfurt).
Airport.
Amsterdam Airport Schiphol is less than 20 minutes by train from Amsterdam Centraal station and is served by domestic and international intercity trains, such as Thalys, Eurostar and Intercity Brussel. Schiphol is the largest airport in the Netherlands, the third-largest in Europe, and the 14th-largest in the world in terms of passengers. It handles over 68 million passengers per year and is the home base of four airlines, KLM, Transavia, Martinair and Arkefly. , Schiphol was the fifth busiest airport in the world measured by international passenger numbers. This airport is 4 meters below sea level. Although Schiphol is internationally known as Amsterdam Schiphol Airport it actually lies in the neighbouring municipality of Haarlemmermeer, southwest of the city.
Cycling.
Amsterdam is one of the most bicycle-friendly large cities in the world and is a centre of bicycle culture with good facilities for cyclists such as bike paths and bike racks, and several guarded bike storage garages ("fietsenstalling") which can be used.
According to the most recent figures published by Central Bureau of Statistics (CBS), in 2015 the 442.693 households (850.000 residents) in Amsterdam together owned 847.000 bicycles – 1.91 bicycle per household. Theft is widespreadin 2011, about 83,000 bicycles were stolen in Amsterdam. Bicycles are used by all socio-economic groups because of their convenience, Amsterdam's small size, the of bike paths, the flat terrain, and the inconvenience of driving an automobile.
Metro, tram and bus.
Currently, there are sixteen tram routes and five metro routes. All are operated by municipal public transport operator Gemeentelijk Vervoerbedrijf (GVB), which also runs the city bus network.
Four fare-free GVB ferries carry pedestrians and cyclists across the IJ lake to the borough of Amsterdam-Noord, and two fare-charging ferries run east and west along the harbour. There are also privately operated water taxis, a water bus, a boat sharing operation, electric rental boats and canal cruises, that transport people along Amsterdam's waterways.
Regional buses, and some suburban buses, are operated by Connexxion and EBS. International coach services are provided by Eurolines from Amsterdam Amstel railway station, IDBUS from Amsterdam Sloterdijk railway station, and Megabus from the Zuiderzeeweg in the east of the city.
In order to facilitate easier transport to the centre of Amsterdam, the city has various P+R Locations where people can park their car at an affordable price and transfer to one of the numerous public transport lines.
Car.
Amsterdam was intended in 1932 to be the hub, a kind of Kilometre Zero, of the highway system of the Netherlands, with freeways numbered One to Eight planned to originate from the city. The outbreak of the Second World War and shifting priorities led to the current situation, where only roads A1, A2, and A4 originate from Amsterdam according to the original plan. The A3 to Rotterdam was cancelled in 1970 in order to conserve the Groene Hart. Road A8, leading north to Zaandam and the A10 Ringroad were opened between 1968 and 1974. Besides the A1, A2, A4 and A8, several freeways, such as the A7 and A6, carry traffic mainly bound for Amsterdam.
The A10 ringroad surrounding the city connects Amsterdam with the Dutch national network of freeways. Interchanges on the A10 allow cars to enter the city by transferring to one of the 18 "city roads", numbered S101 through to S118. These city roads are regional roads without grade separation, and sometimes without a central reservation. Most are accessible by cyclists. The S100 "Centrumring" is a smaller ringroad circumnavigating the city's centre.
In the city centre, driving a car is discouraged. Parking fees are expensive, and many streets are closed to cars or are one-way. The local government sponsors carsharing and carpooling initiatives such as "Autodelen" and "Meerijden.nu". The local government has also started removing parking spaces in the city, with the goal of removing 10,000 spaces (roughly 1,500 per year) by 2025.
National rail.
Amsterdam is served by ten stations of the Nederlandse Spoorwegen (Dutch Railways). Five are intercity stops: Sloterdijk, Zuid, Amstel, Bijlmer ArenA and Amsterdam Centraal. The stations for local services are: Lelylaan, RAI, Holendrecht, Muiderpoort and Science Park. Amsterdam Centraal is also an international railway station. From the station there are regular services to destinations such as Austria, Belarus, Belgium, Czech Republic, Denmark, France, Germany, Hungary, Poland, Russia, Switzerland and the United Kingdom. Among these trains are international trains of the Nederlandse Spoorwegen (Amsterdam-Berlin), the Eurostar (Amsterdam-Brussels-London), Thalys (Amsterdam-Brussels-Paris/Lille), and Intercity-Express (Amsterdam–Cologne–Frankfurt).
Airport.
Amsterdam Airport Schiphol is less than 20 minutes by train from Amsterdam Centraal station and is served by domestic and international intercity trains, such as Thalys, Eurostar and Intercity Brussel. Schiphol is the largest airport in the Netherlands, the third-largest in Europe, and the 14th-largest in the world in terms of passengers. It handles over 68 million passengers per year and is the home base of four airlines, KLM, Transavia, Martinair and Arkefly. , Schiphol was the fifth busiest airport in the world measured by international passenger numbers. This airport is 4 meters below sea level. Although Schiphol is internationally known as Amsterdam Schiphol Airport it actually lies in the neighbouring municipality of Haarlemmermeer, southwest of the city.
Cycling.
Amsterdam is one of the most bicycle-friendly large cities in the world and is a centre of bicycle culture with good facilities for cyclists such as bike paths and bike racks, and several guarded bike storage garages ("fietsenstalling") which can be used.
According to the most recent figures published by Central Bureau of Statistics (CBS), in 2015 the 442.693 households (850.000 residents) in Amsterdam together owned 847.000 bicycles – 1.91 bicycle per household. Theft is widespreadin 2011, about 83,000 bicycles were stolen in Amsterdam. Bicycles are used by all socio-economic groups because of their convenience, Amsterdam's small size, the of bike paths, the flat terrain, and the inconvenience of driving an automobile.
Education.
Amsterdam has two universities: the University of Amsterdam ("Universiteit van Amsterdam", UvA), and the "Vrije Universiteit Amsterdam" (VU). Other institutions for higher education include an art school – Gerrit Rietveld Academie, a university of applied sciences – the Hogeschool van Amsterdam, and the Amsterdamse Hogeschool voor de Kunsten. Amsterdam's International Institute of Social History is one of the world's largest documentary and research institutions concerning social history, and especially the history of the labour movement. Amsterdam's Hortus Botanicus, founded in the early 17th century, is one of the oldest botanical gardens in the world, with many old and rare specimens, among them the coffee plant that served as the parent for the entire coffee culture in Central and South America.
There are over 200 primary schools in Amsterdam. Some of these primary schools base their teachings on particular pedagogic theories like the various Montessori schools. The biggest Montessori high school in Amsterdam is the Montessori Lyceum Amsterdam. Many schools, however, are based on religion. This used to be primarily Roman Catholicism and various Protestant denominations, but with the influx of Muslim immigrants, there has been a rise in the number of Islamic schools. Jewish schools can be found in the southern suburbs of Amsterdam.
Amsterdam is noted for having five independent grammar schools (Dutch: gymnasia), the Vossius Gymnasium, Barlaeus Gymnasium, St. Ignatius Gymnasium, Het 4e Gymnasium and the Cygnus Gymnasium where a classical curriculum including Latin and classical Greek is taught. Though believed until recently by many to be an anachronistic and elitist concept that would soon die out, the gymnasia have recently experienced a revival, leading to the formation of a fourth and fifth grammar school in which the three aforementioned schools participate. Most secondary schools in Amsterdam offer a variety of different levels of education in the same school. The city also has various colleges ranging from art and design to politics and economics which are mostly also available for students coming from other countries.
Schools for foreign nationals in Amsterdam include the Amsterdam International Community School, British School of Amsterdam, Albert Einstein International School Amsterdam, Lycée Vincent van Gogh La Haye-Amsterdam primary campus (French school), International School of Amsterdam, and the Japanese School of Amsterdam.
Media.
Amsterdam is a prominent centre for national and international media. Some locally based newspapers include "Het Parool", a national daily paper; "De Telegraaf", the largest Dutch daily newspaper; the daily newspapers "Trouw", "de Volkskrant" and "NRC"; "De Groene Amsterdammer", a weekly newspaper; the free newspapers "Metro" and "The Holland Times" (printed in English).
Amsterdam is home to the second-largest Dutch commercial TV group SBS Broadcasting Group, consisting of TV-stations SBS 6, Net 5 and Veronica. However, Amsterdam is not considered 'the media city of the Netherlands'. The town of Hilversum, south-east of Amsterdam, has been crowned with this unofficial title. Hilversum is the principal centre for radio and television broadcasting in the Netherlands. Radio Netherlands, heard worldwide via shortwave radio since the 1920s, is also based there. Hilversum is home to an extensive complex of audio and television studios belonging to the national broadcast production company NOS, as well as to the studios and offices of all the Dutch public broadcasting organisations and many commercial TV production companies.
In 2012, the music video of Far East Movement, 'Live My Life', was filmed in various parts of Amsterdam.
Also, several movies were filmed in Amsterdam, such as James Bond's Diamonds Are Forever, Ocean's Twelve, Girl with a Pearl Earring and The Hitman's Bodyguard. Amsterdam is also featured in John Green's book "The Fault in Our Stars", which has been made into a film as well that partly takes place in Amsterdam.
Housing.
From the late 1960s onwards many buildings in Amsterdam have been squatted both for housing and for using as social centres. A number of these squats have legalised and become well known, such as OCCII, OT301, Paradiso and Vrankrijk.
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Alan Garner
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Alan Garner (born 17 October 1934) is an English novelist best known for his children's fantasy novels and his retellings of traditional British folk tales. Much of his work is rooted in the landscape, history and folklore of his native county of Cheshire, North West England, being set in the region and making use of the native Cheshire dialect.
Born in Congleton, Garner grew up around the nearby town of Alderley Edge, and spent much of his youth in the wooded area known locally as "The Edge", where he gained an early interest in the folklore of the region. Studying at Manchester Grammar School and then briefly at Oxford University, in 1957 he moved to the village of Blackden, where he bought and renovated an Early Modern Period (circa 1590) building known as Toad Hall. His first novel, "The Weirdstone of Brisingamen", was published in 1960. A children's fantasy novel set on the Edge, it incorporated elements of local folklore in its plot and characters. Garner wrote a sequel, "The Moon of Gomrath" (1963), and a third book, "Boneland" (2012). He wrote several fantasy novels, including "Elidor" (1965), "The Owl Service" (1967) and "Red Shift" (1973).
Turning away from fantasy as a genre, Garner produced "The Stone Book Quartet" (1979), a series of four short novellas detailing a day in the life of four generations of his family. He also published a series of British folk tales which he had rewritten in a series of books entitled "Alan Garner's Fairy Tales of Gold" (1979), "Alan Garner's Book of British Fairy Tales" (1984) and "A Bag of Moonshine" (1986). In his subsequent novels, "Strandloper" (1996) and "Thursbitch" (2003), he continued writing tales revolving around Cheshire, although without the fantasy elements which had characterised his earlier work.
Biography.
Early life: 1934–56.
Garner was born in the front room of his grandmother's house in Congleton, Cheshire, on 17 October 1934. He was raised in nearby Alderley Edge, a well-to-do village that had effectively become a suburb of Manchester. His "rural working-class family", had been connected to Alderley Edge since at least the sixteenth century and could be traced back to the death of William Garner in 1592. Garner has stated that his family had passed on "a genuine oral tradition" involving folk tales about The Edge, which included a description of a king and his army of knights who slept under it, guarded by a wizard. In the mid-nineteenth century Alan's great-great-grandfather Robert had carved the face of a bearded wizard onto the face of a cliff next to a well, known locally at that time as the Wizard's Well.
Robert Garner and his other relatives had all been craftsmen, and, according to Garner, each successive generation had tried to "improve on, or do something different from, the previous generation". Garner's grandfather, Joseph Garner, "could read, but didn't and so was virtually unlettered". Instead, he taught his grandson the folk tales he knew about The Edge. Garner later remarked that as a result, he was "aware of [the Edge's] magic" as a child, and he and his friends often played there. The story of the king and the wizard living under the hill played an important part in his life, becoming, he explained, "deeply embedded in my psyche" and heavily influencing his later novels.
Garner faced several life-threatening childhood illnesses, which left him bed ridden for much of the time. He attended a local village school, where he found that, despite being praised for his intelligence, he was punished for speaking in his native Cheshire dialect; for instance, when he was six his primary school teacher washed his mouth out with soapy water. Garner then won a place at Manchester Grammar School, where he received his secondary education; entry was means-tested, resulting in his school fees being waived. Rather than focusing his interest on creative writing, it was here that he excelled at sprinting. He used to go jogging along the highway, and later claimed that in doing so he was sometimes accompanied by the mathematician Alan Turing, who shared his fascination for the Disney film "Snow White and the Seven Dwarfs". Garner was then conscripted into national service, serving for a time with the Royal Artillery while posted to Woolwich in Southeast London.
At school, Garner had developed a keen interest in the work of Aeschylus and Homer, as well as the Ancient Greek language. Thus, he decided to pursue the study of Classics at Magdalen College, Oxford, passing his entrance exams in January 1953; at the time he had thoughts of becoming a professional academic. He was the first member of his family to receive anything more than a basic education, and he noted that this removed him from his "cultural background" and led to something of a schism with other members of his family, who "could not cope with me, and I could not cope with" them. Looking back, he remarked, "I soon learned that it was not a good idea to come home excited over irregular verbs". In 1955, he joined the university theatrical society, playing the role of Mark Antony in a performance of William Shakespeare's "Antony and Cleopatra" where he co-starred alongside Dudley Moore and where Kenneth Baker was the stage manager. In August 1956, he decided that he wished to devote himself to novel writing, and decided to abandon his university education without taking a degree; he left Oxford in late 1956. He nevertheless felt that the academic rigour which he learned during his university studies has remained "a permanent strength through all my life".
"The Weirdstone of Brisingamen" and "The Moon of Gomrath": 1957–64.
Aged 22, Garner was out cycling when he came across a hand-painted sign announcing that an agricultural cottage in Toad Hall – a late medieval building situated in Blackden, seven miles from Alderley Edge – was on sale for £510. Although he personally could not afford it, he was lent the money by the local Oddfellow lodge, enabling him to purchase and move into the cottage in June 1957. In the late nineteenth century the Hall had been divided into two agricultural labourers' cottages, but Garner was able to purchase the second for £150 about a year later; he proceeded to knock down the dividing walls and convert both halves back into a single home.
Garner had begun writing his first novel, "The Weirdstone of Brisingamen: A Tale of Alderley", in September 1956. However it was while at Toad Hall that he finished the book. Set in Alderley Edge, it revolves around two children, Susan and Colin, who are sent to live in the area with their mother's old nursemaid, Bess, and her husband, Gowther Mossock. While exploring the Edge, they encounter a race of malevolent creatures, the "svart alfar", who dwell in the Edge's abandoned mines and who seem intent on capturing them. They are rescued by the wizard Cadellin, who reveals that the forces of darkness are massing at the Edge in search of a powerful magical talisman, the eponymous "weirdstone of Brisingamen".
Whilst writing in his spare time Garner attempted to gain employment as a teacher, but soon gave that up, believing that "I couldn't write and teach; the energies were too similar." Instead, he worked off and on as a general labourer for four years, remaining unemployed for much of that time.
Garner sent his debut novel to the publishing company Collins, where it was picked up by the company's head, Sir William Collins, who was on the lookout for new fantasy novels following the recent commercial and critical success of J. R. R. Tolkien's "The Lord of the Rings" (1954–55). Garner, who went on to become a personal friend of Collins, would later relate that "Billy Collins saw a title with funny-looking words in it on the stockpile, and he decided to publish it." On its release in 1960, "The Weirdstone of Brisingamen" proved to be a critical and commercial success, later being described as "a tour de force of the imagination, a novel that showed almost every writer who came afterwards what it was possible to achieve in novels ostensibly published for children." Garner himself however would later denounce his first novel as "a fairly bad book" in 1968.
With his first book published, Garner abandoned his work as a labourer and gained a job as a freelance television reporter, living a "hand to mouth" lifestyle on a "shoestring" budget. He also began a sequel to "The Weirdstone of Brisingamen", which would be known as "The Moon of Gomrath". "The Moon of Gomrath" also revolves around the adventures of Colin and Susan, with the latter being possessed by a malevolent creature called the Brollachan who has recently entered the world. With the help of the wizard Cadellin, the Brollachan is exorcised, but Susan's soul also leaves her body, being sent to another dimension, leaving Colin to find a way to bring it back. Critic Neil Philip characterised it as "an artistic advance" but "a less satisfying story". In a 1989 interview, Garner stated that he had left scope for a third book following the adventures of Colin and Susan, envisioning a trilogy, but that he had intentionally decided not to write it, instead moving on to write something different. However "Boneland", the conclusion to the sequence, was belatedly published in August 2012.
"Elidor", "The Owl Service" and "Red Shift": 1964–73.
In 1962, Garner began work on a radio play entitled "Elidor", which eventually became a novel of the same name. Set in contemporary Manchester, "Elidor" tells the story of four children who enter a derelict Victorian church and find a portal to the magical realm of Elidor. In Elidor, they are entrusted by King Malebron to help rescue four treasures which have been stolen by the forces of evil, who are attempting to take control of the kingdom. The children succeed and return to Manchester with the treasures, but are pursued by the malevolent forces who need the items to seal their victory.
Before writing "Elidor", Garner had seen a dinner service set which could be arranged to make pictures of either flowers or owls. Inspired by this design, he produced his fourth novel, "The Owl Service". The story, which was heavily influenced by the Medieval Welsh tale of Math fab Mathonwy from the "Mabinogion", was critically acclaimed, winning both the Carnegie Medal and Guardian Children's Fiction Prize. It also sparked discussions among critics as to whether Garner should properly be considered a children's writer, given that this book in particular was deemed equally suitable for an adult readership.
It took Garner six years to write his next novel, "Red Shift". The book centres on three intertwined love stories, one set in the present, another during the English Civil War, and the third in the second century CE. Philip referred to it as "a complex book but not a complicated one: the bare lines of story and emotion stand clear".
Academic specialist in children's literature Maria Nikolajeva characterised "Red Shift" as "a difficult book" for an unprepared reader, identifying its main themes as those of "loneliness and failure to communicate". Ultimately, she thought that repeated re-readings of the novel bring about the realisation that "it is a perfectly realistic story with much more depth and psychologically more credible than the most so-called "realistic" juvenile novels."
"The Stone Book" series and folkloric collections: 1974–94.
From 1976 to 1978, Garner published a series of four novellas, which have come to be collectively known as "The Stone Book" quartet: "The Stone Book", "Granny Reardun", "The Aimer Gate", and "Tom Fobble's Day". Each focused on a day in the life of a child in the Garner family, each from a different generation.
In a 1989 interview, Garner noted that although writing "The Stone Book Quartet" had been "exhausting", it had been "the most rewarding of everything" he'd done to date. Philip described the quartet as "a complete command of the material he had been working and reworking since the start of his career".
Garner pays particular attention to language, and strives to render the cadence of the Cheshire tongue in modern English. This he explains by the sense of anger he felt on reading "Sir Gawain and the Green Knight": the footnotes would not have been needed by his father.
In 1981, the literary critic Neil Philip published an analysis of Garner's novels as "A Fine Anger", which was based on his doctoral thesis, produced for the University of London in 1980. In this study he noted that ""The Stone Book" quartet marks a watershed in Garner's writing career, and provides a suitable moment for an evaluation of his work thus far."
"Strandloper", "Thursbitch", "Boneland", "Where Shall We Run To?" and "Treacle Walker": 1996–present.
In 1996, Garner's novel "Strandloper" was published.
In 1997, he next wrote "The Voice That Thunders, a" collection of essays and public talks that contains much autobiographical material (including an account of his life with bipolar disorder), as well as critical reflection upon folklore and language, literature and education, the nature of myth and time. In "The Voice That Thunders," he reveals the commercial pressure placed upon him during the decade-long drought which preceded "Strandloper" to 'forsake "literature", and become instead a "popular" writer, cashing in on my established name by producing sequels to, and making series of, the earlier books'. Garner feared that "making series ... would render sterile the existing work, the life that produced it, and bring about my artistic and spiritual death" and felt unable to comply.
Garner's novel "Thursbitch" was published in 2003.
The novel "Boneland" was published in 2012, nominally completing a trilogy begun some 50 years earlier with "The Weirdstone of Brisingamen".
In August 2018, Garner published his only set of memoirs, "Where Shall We Run To?", which describes his childhood during the Second World War.
The novel "Treacle Walker" was published in October 2021 and nominated to the shortlist for the 2022 Booker Prize.
Early life: 1934–56.
Garner was born in the front room of his grandmother's house in Congleton, Cheshire, on 17 October 1934. He was raised in nearby Alderley Edge, a well-to-do village that had effectively become a suburb of Manchester. His "rural working-class family", had been connected to Alderley Edge since at least the sixteenth century and could be traced back to the death of William Garner in 1592. Garner has stated that his family had passed on "a genuine oral tradition" involving folk tales about The Edge, which included a description of a king and his army of knights who slept under it, guarded by a wizard. In the mid-nineteenth century Alan's great-great-grandfather Robert had carved the face of a bearded wizard onto the face of a cliff next to a well, known locally at that time as the Wizard's Well.
Robert Garner and his other relatives had all been craftsmen, and, according to Garner, each successive generation had tried to "improve on, or do something different from, the previous generation". Garner's grandfather, Joseph Garner, "could read, but didn't and so was virtually unlettered". Instead, he taught his grandson the folk tales he knew about The Edge. Garner later remarked that as a result, he was "aware of [the Edge's] magic" as a child, and he and his friends often played there. The story of the king and the wizard living under the hill played an important part in his life, becoming, he explained, "deeply embedded in my psyche" and heavily influencing his later novels.
Garner faced several life-threatening childhood illnesses, which left him bed ridden for much of the time. He attended a local village school, where he found that, despite being praised for his intelligence, he was punished for speaking in his native Cheshire dialect; for instance, when he was six his primary school teacher washed his mouth out with soapy water. Garner then won a place at Manchester Grammar School, where he received his secondary education; entry was means-tested, resulting in his school fees being waived. Rather than focusing his interest on creative writing, it was here that he excelled at sprinting. He used to go jogging along the highway, and later claimed that in doing so he was sometimes accompanied by the mathematician Alan Turing, who shared his fascination for the Disney film "Snow White and the Seven Dwarfs". Garner was then conscripted into national service, serving for a time with the Royal Artillery while posted to Woolwich in Southeast London.
At school, Garner had developed a keen interest in the work of Aeschylus and Homer, as well as the Ancient Greek language. Thus, he decided to pursue the study of Classics at Magdalen College, Oxford, passing his entrance exams in January 1953; at the time he had thoughts of becoming a professional academic. He was the first member of his family to receive anything more than a basic education, and he noted that this removed him from his "cultural background" and led to something of a schism with other members of his family, who "could not cope with me, and I could not cope with" them. Looking back, he remarked, "I soon learned that it was not a good idea to come home excited over irregular verbs". In 1955, he joined the university theatrical society, playing the role of Mark Antony in a performance of William Shakespeare's "Antony and Cleopatra" where he co-starred alongside Dudley Moore and where Kenneth Baker was the stage manager. In August 1956, he decided that he wished to devote himself to novel writing, and decided to abandon his university education without taking a degree; he left Oxford in late 1956. He nevertheless felt that the academic rigour which he learned during his university studies has remained "a permanent strength through all my life".
"The Weirdstone of Brisingamen" and "The Moon of Gomrath": 1957–64.
Aged 22, Garner was out cycling when he came across a hand-painted sign announcing that an agricultural cottage in Toad Hall – a late medieval building situated in Blackden, seven miles from Alderley Edge – was on sale for £510. Although he personally could not afford it, he was lent the money by the local Oddfellow lodge, enabling him to purchase and move into the cottage in June 1957. In the late nineteenth century the Hall had been divided into two agricultural labourers' cottages, but Garner was able to purchase the second for £150 about a year later; he proceeded to knock down the dividing walls and convert both halves back into a single home.
Garner had begun writing his first novel, "The Weirdstone of Brisingamen: A Tale of Alderley", in September 1956. However it was while at Toad Hall that he finished the book. Set in Alderley Edge, it revolves around two children, Susan and Colin, who are sent to live in the area with their mother's old nursemaid, Bess, and her husband, Gowther Mossock. While exploring the Edge, they encounter a race of malevolent creatures, the "svart alfar", who dwell in the Edge's abandoned mines and who seem intent on capturing them. They are rescued by the wizard Cadellin, who reveals that the forces of darkness are massing at the Edge in search of a powerful magical talisman, the eponymous "weirdstone of Brisingamen".
Whilst writing in his spare time Garner attempted to gain employment as a teacher, but soon gave that up, believing that "I couldn't write and teach; the energies were too similar." Instead, he worked off and on as a general labourer for four years, remaining unemployed for much of that time.
Garner sent his debut novel to the publishing company Collins, where it was picked up by the company's head, Sir William Collins, who was on the lookout for new fantasy novels following the recent commercial and critical success of J. R. R. Tolkien's "The Lord of the Rings" (1954–55). Garner, who went on to become a personal friend of Collins, would later relate that "Billy Collins saw a title with funny-looking words in it on the stockpile, and he decided to publish it." On its release in 1960, "The Weirdstone of Brisingamen" proved to be a critical and commercial success, later being described as "a tour de force of the imagination, a novel that showed almost every writer who came afterwards what it was possible to achieve in novels ostensibly published for children." Garner himself however would later denounce his first novel as "a fairly bad book" in 1968.
With his first book published, Garner abandoned his work as a labourer and gained a job as a freelance television reporter, living a "hand to mouth" lifestyle on a "shoestring" budget. He also began a sequel to "The Weirdstone of Brisingamen", which would be known as "The Moon of Gomrath". "The Moon of Gomrath" also revolves around the adventures of Colin and Susan, with the latter being possessed by a malevolent creature called the Brollachan who has recently entered the world. With the help of the wizard Cadellin, the Brollachan is exorcised, but Susan's soul also leaves her body, being sent to another dimension, leaving Colin to find a way to bring it back. Critic Neil Philip characterised it as "an artistic advance" but "a less satisfying story". In a 1989 interview, Garner stated that he had left scope for a third book following the adventures of Colin and Susan, envisioning a trilogy, but that he had intentionally decided not to write it, instead moving on to write something different. However "Boneland", the conclusion to the sequence, was belatedly published in August 2012.
"Elidor", "The Owl Service" and "Red Shift": 1964–73.
In 1962, Garner began work on a radio play entitled "Elidor", which eventually became a novel of the same name. Set in contemporary Manchester, "Elidor" tells the story of four children who enter a derelict Victorian church and find a portal to the magical realm of Elidor. In Elidor, they are entrusted by King Malebron to help rescue four treasures which have been stolen by the forces of evil, who are attempting to take control of the kingdom. The children succeed and return to Manchester with the treasures, but are pursued by the malevolent forces who need the items to seal their victory.
Before writing "Elidor", Garner had seen a dinner service set which could be arranged to make pictures of either flowers or owls. Inspired by this design, he produced his fourth novel, "The Owl Service". The story, which was heavily influenced by the Medieval Welsh tale of Math fab Mathonwy from the "Mabinogion", was critically acclaimed, winning both the Carnegie Medal and Guardian Children's Fiction Prize. It also sparked discussions among critics as to whether Garner should properly be considered a children's writer, given that this book in particular was deemed equally suitable for an adult readership.
It took Garner six years to write his next novel, "Red Shift". The book centres on three intertwined love stories, one set in the present, another during the English Civil War, and the third in the second century CE. Philip referred to it as "a complex book but not a complicated one: the bare lines of story and emotion stand clear".
Academic specialist in children's literature Maria Nikolajeva characterised "Red Shift" as "a difficult book" for an unprepared reader, identifying its main themes as those of "loneliness and failure to communicate". Ultimately, she thought that repeated re-readings of the novel bring about the realisation that "it is a perfectly realistic story with much more depth and psychologically more credible than the most so-called "realistic" juvenile novels."
"The Stone Book" series and folkloric collections: 1974–94.
From 1976 to 1978, Garner published a series of four novellas, which have come to be collectively known as "The Stone Book" quartet: "The Stone Book", "Granny Reardun", "The Aimer Gate", and "Tom Fobble's Day". Each focused on a day in the life of a child in the Garner family, each from a different generation.
In a 1989 interview, Garner noted that although writing "The Stone Book Quartet" had been "exhausting", it had been "the most rewarding of everything" he'd done to date. Philip described the quartet as "a complete command of the material he had been working and reworking since the start of his career".
Garner pays particular attention to language, and strives to render the cadence of the Cheshire tongue in modern English. This he explains by the sense of anger he felt on reading "Sir Gawain and the Green Knight": the footnotes would not have been needed by his father.
In 1981, the literary critic Neil Philip published an analysis of Garner's novels as "A Fine Anger", which was based on his doctoral thesis, produced for the University of London in 1980. In this study he noted that ""The Stone Book" quartet marks a watershed in Garner's writing career, and provides a suitable moment for an evaluation of his work thus far."
"Strandloper", "Thursbitch", "Boneland", "Where Shall We Run To?" and "Treacle Walker": 1996–present.
In 1996, Garner's novel "Strandloper" was published.
In 1997, he next wrote "The Voice That Thunders, a" collection of essays and public talks that contains much autobiographical material (including an account of his life with bipolar disorder), as well as critical reflection upon folklore and language, literature and education, the nature of myth and time. In "The Voice That Thunders," he reveals the commercial pressure placed upon him during the decade-long drought which preceded "Strandloper" to 'forsake "literature", and become instead a "popular" writer, cashing in on my established name by producing sequels to, and making series of, the earlier books'. Garner feared that "making series ... would render sterile the existing work, the life that produced it, and bring about my artistic and spiritual death" and felt unable to comply.
Garner's novel "Thursbitch" was published in 2003.
The novel "Boneland" was published in 2012, nominally completing a trilogy begun some 50 years earlier with "The Weirdstone of Brisingamen".
In August 2018, Garner published his only set of memoirs, "Where Shall We Run To?", which describes his childhood during the Second World War.
The novel "Treacle Walker" was published in October 2021 and nominated to the shortlist for the 2022 Booker Prize.
Personal life.
With his first wife Ann Cook he had three children. In 1972, he married for a second time, this time to Griselda Greaves, a teacher and critic with whom he had two children. In a 2014 interview conducted with Mike Pitts for "British Archaeology" magazine, Garner stated that "I don't have anything to do with the literary world. I avoid writers. I don't like them. Most of my close personal friends are professional archaeologists."
Literary style.
Although Garner's early work is often labelled as "children's literature", Garner himself rejects such a description, informing one interviewer that "I certainly have never written for children" but that instead, he has always written purely for himself. Neil Philip, in his critical study of Garner's work (1981), commented that up until that point "Everything Alan Garner has published has been published for children", although he went on to relate that "It may be that Garner's is a case" where the division between children's and adults' literature is "meaningless" and that his fiction is instead "enjoyed by a type of person, no matter what their age." The "Oxford Companion to Children's Literature" quotes him as saying "An adult point of view would not give me the ability to be as fresh in my vision as a child's point of view, because the child is still discovering the universe and many adults are not."
Philip offered the opinion that the "essence of his work" was "the struggle to render the complex in simple, bare terms; to couch the abstract in the concrete and communicate it directly to the reader". He added that Garner's work is "intensely autobiographical, in both obvious and subtle ways". Highlighting Garner's use of mythological and folkloric sources, Philip stated that his work explores "the disjointed and troubled psychological and emotional landscape of the twentieth century through the symbolism of myth and folklore." He also expressed the opinion that "Time is Garner's most consistent theme".
The English author and academic Catherine Butler noted that Garner was attentive to the "geological, archaeological and cultural history of his settings, and careful to integrate his fiction with the physical reality beyond the page." As a part of this, Garner had included maps of Alderley Edge in both "The Weirdstone of Brisingamen" and "The Moon of Gomrath". Garner has spent much time investigating the areas that he deals with in his books; writing in the "Times Literary Supplement" in 1968, Garner commented that in preparation for writing his book "Elidor":
I had to read extensively textbooks on physics, Celtic symbolism, unicorns, medieval watermarks, megalithic archaeology; study the writings of Jung; brush up my Plato; visit Avebury, Silbury and Coventry Cathedral; spend a lot of time with demolition gangs on slum clearance sites; and listen to the whole of Britten's "War Requiem" nearly every day.
Recognition and legacy.
In a paper published in the "Children's Literature Association Quarterly", Maria Nikolajeva characterised Garner as "one of the most controversial" authors of modern children's literature.
In the fiftieth anniversary edition of "The Weirdstone of Brisingamen", published by HarperCollins in 2010, several notable British fantasy novelists praised Garner and his work. Susan Cooper related that "The power and range of Alan Garner's astounding talent has grown with every book he's written", whilst David Almond called him one of Britain's "greatest writers" whose works "really matter". Philip Pullman, the author of the "His Dark Materials" trilogy, went further when he remarked that:
Garner is indisputably the great originator, the most important British writer of fantasy since Tolkien, and in many respects better than Tolkien, because deeper and more truthful... Any country except Britain would have long ago recognised his importance, and celebrated it with postage stamps and statues and street-names. But that's the way with us: our greatest prophets go unnoticed by the politicians and the owners of media empires. I salute him with the most heartfelt respect and admiration.
Another British fantasy writer, Neil Gaiman, claimed that "Garner's fiction is something special" in that it was "smart and challenging, based in the here and the now, in which real English places emerged from the shadows of folklore, and in which people found themselves walking, living and battling their way through the dreams and patterns of myth." Praise also came from Nick Lake, the editorial director of HarperCollins Children's Books, who proclaimed that "Garner is, quite simply, one of the greatest and most influential writers this country has ever produced."
Awards.
The biennial Hans Christian Andersen Award conferred by the International Board on Books for Young People is the highest recognition available to a writer or illustrator of children's books. Garner was the sole runner-up for the writing award in 1978.
Garner was appointed Officer of the Order of the British Empire (OBE) for services to literature in the 2001 New Year's Honours list. He received the British Fantasy Society's occasional Karl Edward Wagner Award in 2003 and the World Fantasy Award for Life Achievement in 2012. In January 2011, the University of Warwick awarded the degree of Doctor of Letters (honoris causa). On that occasion he gave a half-hour interview about his work. He has also been awarded honorary doctorates from the University of Salford (2011) and the University of Huddersfield in (2012).
He has been recognised several times for particular works.
Awards.
The biennial Hans Christian Andersen Award conferred by the International Board on Books for Young People is the highest recognition available to a writer or illustrator of children's books. Garner was the sole runner-up for the writing award in 1978.
Garner was appointed Officer of the Order of the British Empire (OBE) for services to literature in the 2001 New Year's Honours list. He received the British Fantasy Society's occasional Karl Edward Wagner Award in 2003 and the World Fantasy Award for Life Achievement in 2012. In January 2011, the University of Warwick awarded the degree of Doctor of Letters (honoris causa). On that occasion he gave a half-hour interview about his work. He has also been awarded honorary doctorates from the University of Salford (2011) and the University of Huddersfield in (2012).
He has been recognised several times for particular works.
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Avicenna
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Ibn Sina (; 980 – June 1037 CE), commonly known in the West as Avicenna (), was a Persian polymath who is regarded as one of the most significant physicians, astronomers, philosophers, and writers of the Islamic Golden Age, and the father of early modern medicine. Sajjad H. Rizvi has called Avicenna "arguably the most influential philosopher of the pre-modern era". He was a Muslim Peripatetic philosopher influenced by Greek Aristotelian philosophy. Of the 450 works he is believed to have written, around 240 have survived, including 150 on philosophy and 40 on medicine.
His most famous works are "The Book of Healing", a philosophical and scientific encyclopedia, and "The Canon of Medicine", a medical encyclopedia which became a standard medical text at many medieval universities and remained in use as late as 1650. Besides philosophy and medicine, Avicenna's corpus includes writings on astronomy, alchemy, geography and geology, psychology, Islamic theology, logic, mathematics, physics, and works of poetry.
Name.
' is a Latin corruption of the Arabic patronym Ibn Sīnā (), meaning "Son of Sina". However, Avicenna was not the son but the great-great-grandson of a man named Sina. His formal Arabic name was Abū ʿAlī al-Ḥusayn bin ʿAbdullāh ibn al-Ḥasan bin ʿAlī bin Sīnā al-Balkhi al-Bukhari ().
Circumstances.
Avicenna created an extensive corpus of works during what is commonly known as the Islamic Golden Age, in which the translations of Byzantine Greco-Roman, Persian and Indian texts were studied extensively. Greco-Roman (Mid- and Neo-Platonic, and Aristotelian) texts translated by the Kindi school were commented, redacted and developed substantially by Islamic intellectuals, who also built upon Persian and Indian mathematical systems, astronomy, algebra, trigonometry and medicine.
The Samanid dynasty in the eastern part of Persia, Greater Khorasan and Central Asia as well as the Buyid dynasty in the western part of Persia and Iraq provided a thriving atmosphere for scholarly and cultural development. Under the Samanids, Bukhara rivaled Baghdad as a cultural capital of the Islamic world. There, Avicenna had access to the great libraries of Balkh, Khwarezm, Gorgan, Rey, Isfahan and Hamadan.
Various texts (such as the 'Ahd with Bahmanyar) show that Avicenna debated philosophical points with the greatest scholars of the time. Aruzi Samarqandi describes how before Avicenna left Khwarezm he had met Al-Biruni (a famous scientist and astronomer), Abu Nasr Iraqi (a renowned mathematician), Abu Sahl Masihi (a respected philosopher) and Abu al-Khayr Khammar (a great physician). The study of the Quran and the Hadith also thrived, and Islamic philosophy, "fiqh" and theology ("kalaam") were all further developed by Avicenna and his opponents at this time.
Biography.
Early life and education.
Avicenna was born in in the village of Afshana in Transoxiana to a family of Persian stock. The village was near the Samanid capital of Bukhara, which was his mother's hometown. His father Abd Allah was a native of the city of Balkh in Tukharistan. An official of the Samanid bureaucracy, he had served as the governor of a village of the royal estate of Harmaytan (near Bukhara) during the reign of Nuh II (). Avicenna also had a younger brother. A few years later, the family settled in Bukhara, a center of learning, which attracted many scholars. It was there that Avicenna was educated, which early on was seemingly administered by his father. Although both Avicenna's father and brother had converted to Ismailism, he himself did not follow the faith. He was instead an adherent of the Sunni Hanafi school, which was also followed by the Samanids.
Avicenna was first schooled in the Quran and literature, and by the age of 10, he had memorized the entire Quran. He was later sent by his father to an Indian greengrocer, who taught him arithmetic. Afterwards, he was schooled in Jurisprudence by the Hanafi jurist Ismail al-Zahid. Some time later, Avicenna's father invited the physician and philosopher Abu Abdallah al-Natili to their house to educate Avicenna. Together, they studied the "Isagoge" of Porphyry (died 305) and possibly the "Categories" of Aristotle (died 322 BC) as well. After Avicenna had read the "Almagest" of Ptolemy (died 170) and "Euclid's Elements", Natili told him to continue his research independently. By the time Avicenna was eighteen, he was well-educated in Greek sciences. Although Avicenna only mentions Natili as his teacher in his autobiography, he most likely had other teachers as well, such as the physicians Abu Mansur Qumri and Abu Sahl al-Masihi.
Career.
In Bukhara and Gurganj.
At the age of seventeen, Avicenna was made a physician of Nuh II. By the time Avicenna was at least 21 years old, his father died. He was subsequently given an administrative post, possibly succeeding his father as the governor of Harmaytan. Avicenna later moved to Gurganj, the capital of Khwarazm, which he reports that he did due to "necessity". The date he went to the place is uncertain, as he reports that he served the "Khwarazmshah" (ruler) of the region, the Ma'munid Abu al-Hasan Ali. The latter ruled from 997 to 1009, which indicates that Avicenna moved sometime during that period. He may have moved in 999, the year which the Samanid state fell after the Turkic Qarakhanids captured Bukhara and imprisoned the Samanid ruler Abd al-Malik II. Due to his high position and strong connection with the Samanids, Avicenna may have found himself in an unfavorable position after the fall of his suzerain. It was through the minister of Gurganj, Abu'l-Husayn as-Sahi, a patron of Greek sciences, that Avicenna entered into the service of Abu al-Hasan Ali. Under the Ma'munids, Gurganj became a centre of learning, attracting many prominent figures, such as Avicenna and his former teacher Abu Sahl al-Masihi, the mathematician Abu Nasr Mansur, the physician Ibn al-Khammar, and the philologist al-Tha'alibi.
In Gurgan.
Avicenna later moved due to "necessity" once more (in 1012), this time to the west. There he travelled through the Khurasani cities of Nasa, Abivard, Tus, Samangan and Jajarm. He was planning to visit the ruler of the city of Gurgan, the Ziyarid Qabus (), a cultivated patron of writing, whose court attracted many distinguished poets and scholars. However, when Avicenna eventually arrived, he discovered that the ruler had been dead since the winter of 1013. Avicenna then left Gurgan for Dihistan, but returned after becoming ill. There he met Abu 'Ubayd al-Juzjani (died 1070) who became his pupil and companion. Avicenna stayed briefly in Gurgan, reportedly serving Qabus' son and successor Manuchihr () and resided in the house of a patron.
In Ray and Hamadan.
In , Avicenna went to the city of Ray, where he entered into the service of the Buyid "amir" (ruler) Majd al-Dawla () and his mother Sayyida Shirin, the "de facto" ruler of the realm. There he served as the physician at the court, treating Majd al-Dawla, who was suffering from melancholia. Avicenna reportedly later served as the "business manager" of Sayyida Shirin in Qazvin and Hamadan, though details regarding this tenure are unclear. During this period, Avicenna finished his "Canon of Medicine", and started writing his "Book of Healing".
In 1015, during Avicenna's stay in Hamadan, he participated in a public debate, as was custom for newly arrived scholars in western Iran at that time. The purpose of the debate was to examine one's reputation against a prominent local resident. The person whom Avicenna debated against was Abu'l-Qasim al-Kirmani, a member of the school of philosophers of Baghdad. The debate became heated, resulting in Avicenna accusing Abu'l-Qasim of lack of basic knowledge in logic, while Abu'l-Qasim accused Avicenna of impoliteness. After the debate, Avicenna sent a letter to the Baghdad Peripatetics, asking if Abu'l-Qasim's claim that he shared the same opinion as them was true. Abu'l-Qasim later retaliated by writing a letter to an unknown person, in which he made accusations so serious, that Avicenna wrote to a deputy of Majd al-Dawla, named Abu Sa'd, to investigate the matter. The accusation made towards Avicenna may have been the same as he had received earlier, in which he was accused by the people of Hamadan of copying the stylistic structures of the Quran in his "Sermons on Divine Unity". The seriousness of this charge, in the words of the historian Peter Adamson, "cannot be underestimated in the larger Muslim culture."
Not long afterwards, Avicenna shifted his allegiance to the rising Buyid "amir" Shams al-Dawla (the younger brother of Majd al-Dawla), which Adamson suggests was due to Abu'l-Qasim also working under Sayyida Shirin. Avicenna had been called upon by Shams al-Dawla to treat him, but after the latters campaign in the same year against his former ally, the Annazid ruler Abu Shawk (), he forced Avicenna to become his vizier. Although Avicenna would sometimes clash with Shams al-Dawla's troops, he remained vizier until the latter died of colic in 1021. Avicenna was asked by Shams al-Dawla's son and successor Sama' al-Dawla () to stay as vizier, but instead went into hiding with his patron Abu Ghalib al-Attar, to wait for better opportunities to emerge. It was during this period that Avicenna was secretly in contact with Ala al-Dawla Muhammad (), the Kakuyid ruler of Isfahan and uncle of Sayyida Shirin.
It was during his stay at Attar's home that Avicenna completed his "Book of Healing", writing 50 pages a day. The Buyid court in Hamadan, particularly the Kurdish vizier Taj al-Mulk, suspected Avicenna of correspondence with Ala al-Dawla, and as result had the house of Attar ransacked and Avicenna imprisoned in the fortress of Fardajan, outside Hamadan. Juzjani blames one of Avicenna's informers for his capture. Avicenna was imprisoned for four months, until Ala al-Dawla captured Hamadan, thus putting an end to Sama al-Dawla's reign.
In Isfahan.
Avicenna was subsequently released, and went to Isfahan, where he was well received by Ala al-Dawla. In the words of Juzjani, the Kakuyid ruler gave Avicenna "the respect and esteem which someone like him deserved." Adamson also says that Avicenna's service under Ala al-Dawla "proved to be the most stable period of his life." Avicenna served as the advisor, if not vizier of Ala al-Dawla, accompanying him in many of his military expeditions and travels. Avicenna dedicated two Persian works to him, a philosophical treatise named "Danish-nama-yi Ala'i" ("Book of Science for Ala"), and a medical treatise about the pulse.
During the brief occupation of Isfahan by the Ghaznavids in January 1030, Avicenna and Ala al-Dawla relocated to the southwestern Iranian region of Khuzistan, where they stayed until the death of the Ghaznavid ruler Mahmud (), which occurred two months later. It was seemingly when Avicenna returned to Isfahan that he started writing his "Pointers and Reminders". In 1037, while Avicenna was accompanying Ala al-Dawla to a battle near Isfahan, he was hit by a severe colic, which he had been constantly suffering from throughout his life. He died shortly afterwards in Hamadan, where he was buried.
Early life and education.
Avicenna was born in in the village of Afshana in Transoxiana to a family of Persian stock. The village was near the Samanid capital of Bukhara, which was his mother's hometown. His father Abd Allah was a native of the city of Balkh in Tukharistan. An official of the Samanid bureaucracy, he had served as the governor of a village of the royal estate of Harmaytan (near Bukhara) during the reign of Nuh II (). Avicenna also had a younger brother. A few years later, the family settled in Bukhara, a center of learning, which attracted many scholars. It was there that Avicenna was educated, which early on was seemingly administered by his father. Although both Avicenna's father and brother had converted to Ismailism, he himself did not follow the faith. He was instead an adherent of the Sunni Hanafi school, which was also followed by the Samanids.
Avicenna was first schooled in the Quran and literature, and by the age of 10, he had memorized the entire Quran. He was later sent by his father to an Indian greengrocer, who taught him arithmetic. Afterwards, he was schooled in Jurisprudence by the Hanafi jurist Ismail al-Zahid. Some time later, Avicenna's father invited the physician and philosopher Abu Abdallah al-Natili to their house to educate Avicenna. Together, they studied the "Isagoge" of Porphyry (died 305) and possibly the "Categories" of Aristotle (died 322 BC) as well. After Avicenna had read the "Almagest" of Ptolemy (died 170) and "Euclid's Elements", Natili told him to continue his research independently. By the time Avicenna was eighteen, he was well-educated in Greek sciences. Although Avicenna only mentions Natili as his teacher in his autobiography, he most likely had other teachers as well, such as the physicians Abu Mansur Qumri and Abu Sahl al-Masihi.
Career.
In Bukhara and Gurganj.
At the age of seventeen, Avicenna was made a physician of Nuh II. By the time Avicenna was at least 21 years old, his father died. He was subsequently given an administrative post, possibly succeeding his father as the governor of Harmaytan. Avicenna later moved to Gurganj, the capital of Khwarazm, which he reports that he did due to "necessity". The date he went to the place is uncertain, as he reports that he served the "Khwarazmshah" (ruler) of the region, the Ma'munid Abu al-Hasan Ali. The latter ruled from 997 to 1009, which indicates that Avicenna moved sometime during that period. He may have moved in 999, the year which the Samanid state fell after the Turkic Qarakhanids captured Bukhara and imprisoned the Samanid ruler Abd al-Malik II. Due to his high position and strong connection with the Samanids, Avicenna may have found himself in an unfavorable position after the fall of his suzerain. It was through the minister of Gurganj, Abu'l-Husayn as-Sahi, a patron of Greek sciences, that Avicenna entered into the service of Abu al-Hasan Ali. Under the Ma'munids, Gurganj became a centre of learning, attracting many prominent figures, such as Avicenna and his former teacher Abu Sahl al-Masihi, the mathematician Abu Nasr Mansur, the physician Ibn al-Khammar, and the philologist al-Tha'alibi.
In Gurgan.
Avicenna later moved due to "necessity" once more (in 1012), this time to the west. There he travelled through the Khurasani cities of Nasa, Abivard, Tus, Samangan and Jajarm. He was planning to visit the ruler of the city of Gurgan, the Ziyarid Qabus (), a cultivated patron of writing, whose court attracted many distinguished poets and scholars. However, when Avicenna eventually arrived, he discovered that the ruler had been dead since the winter of 1013. Avicenna then left Gurgan for Dihistan, but returned after becoming ill. There he met Abu 'Ubayd al-Juzjani (died 1070) who became his pupil and companion. Avicenna stayed briefly in Gurgan, reportedly serving Qabus' son and successor Manuchihr () and resided in the house of a patron.
In Ray and Hamadan.
In , Avicenna went to the city of Ray, where he entered into the service of the Buyid "amir" (ruler) Majd al-Dawla () and his mother Sayyida Shirin, the "de facto" ruler of the realm. There he served as the physician at the court, treating Majd al-Dawla, who was suffering from melancholia. Avicenna reportedly later served as the "business manager" of Sayyida Shirin in Qazvin and Hamadan, though details regarding this tenure are unclear. During this period, Avicenna finished his "Canon of Medicine", and started writing his "Book of Healing".
In 1015, during Avicenna's stay in Hamadan, he participated in a public debate, as was custom for newly arrived scholars in western Iran at that time. The purpose of the debate was to examine one's reputation against a prominent local resident. The person whom Avicenna debated against was Abu'l-Qasim al-Kirmani, a member of the school of philosophers of Baghdad. The debate became heated, resulting in Avicenna accusing Abu'l-Qasim of lack of basic knowledge in logic, while Abu'l-Qasim accused Avicenna of impoliteness. After the debate, Avicenna sent a letter to the Baghdad Peripatetics, asking if Abu'l-Qasim's claim that he shared the same opinion as them was true. Abu'l-Qasim later retaliated by writing a letter to an unknown person, in which he made accusations so serious, that Avicenna wrote to a deputy of Majd al-Dawla, named Abu Sa'd, to investigate the matter. The accusation made towards Avicenna may have been the same as he had received earlier, in which he was accused by the people of Hamadan of copying the stylistic structures of the Quran in his "Sermons on Divine Unity". The seriousness of this charge, in the words of the historian Peter Adamson, "cannot be underestimated in the larger Muslim culture."
Not long afterwards, Avicenna shifted his allegiance to the rising Buyid "amir" Shams al-Dawla (the younger brother of Majd al-Dawla), which Adamson suggests was due to Abu'l-Qasim also working under Sayyida Shirin. Avicenna had been called upon by Shams al-Dawla to treat him, but after the latters campaign in the same year against his former ally, the Annazid ruler Abu Shawk (), he forced Avicenna to become his vizier. Although Avicenna would sometimes clash with Shams al-Dawla's troops, he remained vizier until the latter died of colic in 1021. Avicenna was asked by Shams al-Dawla's son and successor Sama' al-Dawla () to stay as vizier, but instead went into hiding with his patron Abu Ghalib al-Attar, to wait for better opportunities to emerge. It was during this period that Avicenna was secretly in contact with Ala al-Dawla Muhammad (), the Kakuyid ruler of Isfahan and uncle of Sayyida Shirin.
It was during his stay at Attar's home that Avicenna completed his "Book of Healing", writing 50 pages a day. The Buyid court in Hamadan, particularly the Kurdish vizier Taj al-Mulk, suspected Avicenna of correspondence with Ala al-Dawla, and as result had the house of Attar ransacked and Avicenna imprisoned in the fortress of Fardajan, outside Hamadan. Juzjani blames one of Avicenna's informers for his capture. Avicenna was imprisoned for four months, until Ala al-Dawla captured Hamadan, thus putting an end to Sama al-Dawla's reign.
In Isfahan.
Avicenna was subsequently released, and went to Isfahan, where he was well received by Ala al-Dawla. In the words of Juzjani, the Kakuyid ruler gave Avicenna "the respect and esteem which someone like him deserved." Adamson also says that Avicenna's service under Ala al-Dawla "proved to be the most stable period of his life." Avicenna served as the advisor, if not vizier of Ala al-Dawla, accompanying him in many of his military expeditions and travels. Avicenna dedicated two Persian works to him, a philosophical treatise named "Danish-nama-yi Ala'i" ("Book of Science for Ala"), and a medical treatise about the pulse.
During the brief occupation of Isfahan by the Ghaznavids in January 1030, Avicenna and Ala al-Dawla relocated to the southwestern Iranian region of Khuzistan, where they stayed until the death of the Ghaznavid ruler Mahmud (), which occurred two months later. It was seemingly when Avicenna returned to Isfahan that he started writing his "Pointers and Reminders". In 1037, while Avicenna was accompanying Ala al-Dawla to a battle near Isfahan, he was hit by a severe colic, which he had been constantly suffering from throughout his life. He died shortly afterwards in Hamadan, where he was buried.
In Bukhara and Gurganj.
At the age of seventeen, Avicenna was made a physician of Nuh II. By the time Avicenna was at least 21 years old, his father died. He was subsequently given an administrative post, possibly succeeding his father as the governor of Harmaytan. Avicenna later moved to Gurganj, the capital of Khwarazm, which he reports that he did due to "necessity". The date he went to the place is uncertain, as he reports that he served the "Khwarazmshah" (ruler) of the region, the Ma'munid Abu al-Hasan Ali. The latter ruled from 997 to 1009, which indicates that Avicenna moved sometime during that period. He may have moved in 999, the year which the Samanid state fell after the Turkic Qarakhanids captured Bukhara and imprisoned the Samanid ruler Abd al-Malik II. Due to his high position and strong connection with the Samanids, Avicenna may have found himself in an unfavorable position after the fall of his suzerain. It was through the minister of Gurganj, Abu'l-Husayn as-Sahi, a patron of Greek sciences, that Avicenna entered into the service of Abu al-Hasan Ali. Under the Ma'munids, Gurganj became a centre of learning, attracting many prominent figures, such as Avicenna and his former teacher Abu Sahl al-Masihi, the mathematician Abu Nasr Mansur, the physician Ibn al-Khammar, and the philologist al-Tha'alibi.
In Gurgan.
Avicenna later moved due to "necessity" once more (in 1012), this time to the west. There he travelled through the Khurasani cities of Nasa, Abivard, Tus, Samangan and Jajarm. He was planning to visit the ruler of the city of Gurgan, the Ziyarid Qabus (), a cultivated patron of writing, whose court attracted many distinguished poets and scholars. However, when Avicenna eventually arrived, he discovered that the ruler had been dead since the winter of 1013. Avicenna then left Gurgan for Dihistan, but returned after becoming ill. There he met Abu 'Ubayd al-Juzjani (died 1070) who became his pupil and companion. Avicenna stayed briefly in Gurgan, reportedly serving Qabus' son and successor Manuchihr () and resided in the house of a patron.
In Ray and Hamadan.
In , Avicenna went to the city of Ray, where he entered into the service of the Buyid "amir" (ruler) Majd al-Dawla () and his mother Sayyida Shirin, the "de facto" ruler of the realm. There he served as the physician at the court, treating Majd al-Dawla, who was suffering from melancholia. Avicenna reportedly later served as the "business manager" of Sayyida Shirin in Qazvin and Hamadan, though details regarding this tenure are unclear. During this period, Avicenna finished his "Canon of Medicine", and started writing his "Book of Healing".
In 1015, during Avicenna's stay in Hamadan, he participated in a public debate, as was custom for newly arrived scholars in western Iran at that time. The purpose of the debate was to examine one's reputation against a prominent local resident. The person whom Avicenna debated against was Abu'l-Qasim al-Kirmani, a member of the school of philosophers of Baghdad. The debate became heated, resulting in Avicenna accusing Abu'l-Qasim of lack of basic knowledge in logic, while Abu'l-Qasim accused Avicenna of impoliteness. After the debate, Avicenna sent a letter to the Baghdad Peripatetics, asking if Abu'l-Qasim's claim that he shared the same opinion as them was true. Abu'l-Qasim later retaliated by writing a letter to an unknown person, in which he made accusations so serious, that Avicenna wrote to a deputy of Majd al-Dawla, named Abu Sa'd, to investigate the matter. The accusation made towards Avicenna may have been the same as he had received earlier, in which he was accused by the people of Hamadan of copying the stylistic structures of the Quran in his "Sermons on Divine Unity". The seriousness of this charge, in the words of the historian Peter Adamson, "cannot be underestimated in the larger Muslim culture."
Not long afterwards, Avicenna shifted his allegiance to the rising Buyid "amir" Shams al-Dawla (the younger brother of Majd al-Dawla), which Adamson suggests was due to Abu'l-Qasim also working under Sayyida Shirin. Avicenna had been called upon by Shams al-Dawla to treat him, but after the latters campaign in the same year against his former ally, the Annazid ruler Abu Shawk (), he forced Avicenna to become his vizier. Although Avicenna would sometimes clash with Shams al-Dawla's troops, he remained vizier until the latter died of colic in 1021. Avicenna was asked by Shams al-Dawla's son and successor Sama' al-Dawla () to stay as vizier, but instead went into hiding with his patron Abu Ghalib al-Attar, to wait for better opportunities to emerge. It was during this period that Avicenna was secretly in contact with Ala al-Dawla Muhammad (), the Kakuyid ruler of Isfahan and uncle of Sayyida Shirin.
It was during his stay at Attar's home that Avicenna completed his "Book of Healing", writing 50 pages a day. The Buyid court in Hamadan, particularly the Kurdish vizier Taj al-Mulk, suspected Avicenna of correspondence with Ala al-Dawla, and as result had the house of Attar ransacked and Avicenna imprisoned in the fortress of Fardajan, outside Hamadan. Juzjani blames one of Avicenna's informers for his capture. Avicenna was imprisoned for four months, until Ala al-Dawla captured Hamadan, thus putting an end to Sama al-Dawla's reign.
In Isfahan.
Avicenna was subsequently released, and went to Isfahan, where he was well received by Ala al-Dawla. In the words of Juzjani, the Kakuyid ruler gave Avicenna "the respect and esteem which someone like him deserved." Adamson also says that Avicenna's service under Ala al-Dawla "proved to be the most stable period of his life." Avicenna served as the advisor, if not vizier of Ala al-Dawla, accompanying him in many of his military expeditions and travels. Avicenna dedicated two Persian works to him, a philosophical treatise named "Danish-nama-yi Ala'i" ("Book of Science for Ala"), and a medical treatise about the pulse.
During the brief occupation of Isfahan by the Ghaznavids in January 1030, Avicenna and Ala al-Dawla relocated to the southwestern Iranian region of Khuzistan, where they stayed until the death of the Ghaznavid ruler Mahmud (), which occurred two months later. It was seemingly when Avicenna returned to Isfahan that he started writing his "Pointers and Reminders". In 1037, while Avicenna was accompanying Ala al-Dawla to a battle near Isfahan, he was hit by a severe colic, which he had been constantly suffering from throughout his life. He died shortly afterwards in Hamadan, where he was buried.
Philosophy.
Avicenna wrote extensively on early Islamic philosophy, especially the subjects logic, ethics and metaphysics, including treatises named "Logic" and "Metaphysics". Most of his works were written in Arabic—then the language of science in the Middle East—and some in Persian. Of linguistic significance even to this day are a few books that he wrote in nearly pure Persian language (particularly the Danishnamah-yi 'Ala', Philosophy for Ala' ad-Dawla'). Avicenna's commentaries on Aristotle often criticized the philosopher, encouraging a lively debate in the spirit of ijtihad.
Avicenna's Neoplatonic scheme of "emanations" became fundamental in the "Kalam" (school of theological discourse) in the 12th century.
His "Book of Healing" became available in Europe in partial Latin translation some fifty years after its composition, under the title "Sufficientia", and some authors have identified a "Latin Avicennism" as flourishing for some time, paralleling the more influential Latin Averroism, but suppressed by the Parisian decrees of 1210 and 1215.
Avicenna's psychology and theory of knowledge influenced William of Auvergne, Bishop of Paris and Albertus Magnus, while his metaphysics influenced the thought of Thomas Aquinas.
Metaphysical doctrine.
Early Islamic philosophy and Islamic metaphysics, imbued as it is with Islamic theology, distinguishes more clearly than Aristotelianism between essence and existence. Whereas existence is the domain of the contingent and the accidental, essence endures within a being beyond the accidental. The philosophy of Avicenna, particularly that part relating to metaphysics, owes much to al-Farabi. The search for a definitive Islamic philosophy separate from Occasionalism can be seen in what is left of his work.
Following al-Farabi's lead, Avicenna initiated a full-fledged inquiry into the question of being, in which he distinguished between essence ("Mahiat") and existence ("Wujud"). He argued that the fact of existence cannot be inferred from or accounted for by the essence of existing things, and that form and matter by themselves cannot interact and originate the movement of the universe or the progressive actualization of existing things. Existence must, therefore, be due to an agent-cause that necessitates, imparts, gives, or adds existence to an essence. To do so, the cause must be an existing thing and coexist with its effect.
Avicenna's consideration of the essence-attributes question may be elucidated in terms of his ontological analysis of the modalities of being; namely impossibility, contingency and necessity. Avicenna argued that the impossible being is that which cannot exist, while the contingent in itself ("mumkin bi-dhatihi") has the potentiality to be or not to be without entailing a contradiction. When actualized, the contingent becomes a 'necessary existent due to what is other than itself' ("wajib al-wujud bi-ghayrihi"). Thus, contingency-in-itself is potential beingness that could eventually be actualized by an external cause other than itself. The metaphysical structures of necessity and contingency are different. Necessary being due to itself ("wajib al-wujud bi-dhatihi") is true in itself, while the contingent being is 'false in itself' and 'true due to something else other than itself'. The necessary is the source of its own being without borrowed existence. It is what always exists.
The Necessary exists 'due-to-Its-Self', and has no quiddity/essence ("mahiyya") other than existence ("wujud"). Furthermore, It is 'One' ("wahid ahad") since there cannot be more than one 'Necessary-Existent-due-to-Itself' without differentia (fasl) to distinguish them from each other. Yet, to require differentia entails that they exist 'due-to-themselves' as well as 'due to what is other than themselves'; and this is contradictory. However, if no differentia distinguishes them from each other, then there is no sense in which these 'Existents' are not one and the same. Avicenna adds that the 'Necessary-Existent-due-to-Itself' has no genus ("jins"), nor a definition ("hadd"), nor a counterpart ("nadd"), nor an opposite ("did"), and is detached ("bari") from matter ("madda"), quality ("kayf"), quantity ("kam"), place ("ayn"), situation ("wad") and time ("waqt").
Avicenna's theology on metaphysical issues ("ilāhiyyāt") has been criticized by some Islamic scholars, among them al-Ghazali, Ibn Taymiyya and Ibn al-Qayyim. While discussing the views of the theists among the Greek philosophers, namely Socrates, Plato and Aristotle in "Al-Munqidh min ad-Dalal" ("Deliverance from Error"), al-Ghazali noted that the Greek philosophers "must be taxed with unbelief, as must their partisans among the Muslim philosophers, such as Avicenna and al-Farabi and their likes." He added that "None, however, of the Muslim philosophers engaged so much in transmitting Aristotle's lore as did the two men just mentioned. [...] The sum of what we regard as the authentic philosophy of Aristotle, as transmitted by al-Farabi and Avicenna, can be reduced to three parts: a part which must be branded as unbelief; a part which must be stigmatized as innovation; and a part which need not be repudiated at all."
Argument for God's existence.
Avicenna made an argument for the existence of God which would be known as the "Proof of the Truthful" (Arabic: "burhan al-siddiqin"). Avicenna argued that there must be a "necessary existent" (Arabic: "wajib al-wujud"), an entity that cannot "not" exist and through a series of arguments, he identified it with the Islamic conception of God. Present-day historian of philosophy Peter Adamson called this argument one of the most influential medieval arguments for God's existence, and Avicenna's biggest contribution to the history of philosophy.
Al-Biruni correspondence.
Correspondence between Avicenna (with his student Ahmad ibn 'Ali al-Ma'sumi) and Al-Biruni has survived in which they debated Aristotelian natural philosophy and the Peripatetic school. Abu Rayhan began by asking Avicenna eighteen questions, ten of which were criticisms of Aristotle's "On the Heavens".
Theology.
Avicenna was a devout Muslim and sought to reconcile rational philosophy with Islamic theology. His aim was to prove the existence of God and His creation of the world scientifically and through reason and logic. Avicenna's views on Islamic theology (and philosophy) were enormously influential, forming part of the core of the curriculum at Islamic religious schools until the 19th century. Avicenna wrote a number of short treatises dealing with Islamic theology. These included treatises on the prophets (whom he viewed as "inspired philosophers"), and also on various scientific and philosophical interpretations of the Quran, such as how Quranic cosmology corresponds to his own philosophical system. In general these treatises linked his philosophical writings to Islamic religious ideas; for example, the body's afterlife.
There are occasional brief hints and allusions in his longer works, however, that Avicenna considered philosophy as the only sensible way to distinguish real prophecy from illusion. He did not state this more clearly because of the political implications of such a theory, if prophecy could be questioned, and also because most of the time he was writing shorter works which concentrated on explaining his theories on philosophy and theology clearly, without digressing to consider epistemological matters which could only be properly considered by other philosophers.
Later interpretations of Avicenna's philosophy split into three different schools; those (such as al-Tusi) who continued to apply his philosophy as a system to interpret later political events and scientific advances; those (such as al-Razi) who considered Avicenna's theological works in isolation from his wider philosophical concerns; and those (such as al-Ghazali) who selectively used parts of his philosophy to support their own attempts to gain greater spiritual insights through a variety of mystical means. It was the theological interpretation championed by those such as al-Razi which eventually came to predominate in the madrasahs.
Avicenna memorized the Quran by the age of ten, and as an adult, he wrote five treatises commenting on suras from the Quran. One of these texts included the "Proof of Prophecies", in which he comments on several Quranic verses and holds the Quran in high esteem. Avicenna argued that the Islamic prophets should be considered higher than philosophers.
Avicenna is generally understood to have been aligned with the Sunni Hanafi school of thought. Avicenna studied Hanafi law, many of his notable teachers were Hanafi jurists, and he served under the Hanafi court of Ali ibn Mamun. Avicenna said at an early age that he remained "unconvinced" by Ismaili missionary attempts to convert him. Medieval historian Ẓahīr al-dīn al-Bayhaqī (d. 1169) also believed Avicenna to be a follower of the Brethren of Purity.
Thought experiments.
While he was imprisoned in the castle of Fardajan near Hamadhan, Avicenna wrote his famous "floating man"—literally falling man—a thought experiment to demonstrate human self-awareness and the substantiality and immateriality of the soul. Avicenna believed his "Floating Man" thought experiment demonstrated that the soul is a substance, and claimed humans cannot doubt their own consciousness, even in a situation that prevents all sensory data input. The thought experiment told its readers to imagine themselves created all at once while suspended in the air, isolated from all , which includes no sensory contact with even their own bodies. He argued that, in this scenario, one would still have self-consciousness. Because it is conceivable that a person, suspended in air while cut off from sense experience, would still be capable of determining his own existence, the thought experiment points to the conclusions that the soul is a perfection, independent of the body, and an immaterial substance. The conceivability of this "Floating Man" indicates that the soul is perceived intellectually, which entails the soul's separateness from the body. Avicenna referred to the living human intelligence, particularly the active intellect, which he believed to be the hypostasis by which God communicates truth to the human mind and imparts order and intelligibility to nature. Following is an English translation of the argument:
However, Avicenna posited the brain as the place where reason interacts with sensation. Sensation prepares the soul to receive rational concepts from the universal Agent Intellect. The first knowledge of the flying person would be "I am," affirming his or her essence. That essence could not be the body, obviously, as the flying person has no sensation. Thus, the knowledge that "I am" is the core of a human being: the soul exists and is self-aware. Avicenna thus concluded that the idea of the self is not logically dependent on any physical thing, and that the soul should not be seen in relative terms, but as a primary given, a substance. The body is unnecessary; in relation to it, the soul is its perfection. In itself, the soul is an immaterial substance.
Metaphysical doctrine.
Early Islamic philosophy and Islamic metaphysics, imbued as it is with Islamic theology, distinguishes more clearly than Aristotelianism between essence and existence. Whereas existence is the domain of the contingent and the accidental, essence endures within a being beyond the accidental. The philosophy of Avicenna, particularly that part relating to metaphysics, owes much to al-Farabi. The search for a definitive Islamic philosophy separate from Occasionalism can be seen in what is left of his work.
Following al-Farabi's lead, Avicenna initiated a full-fledged inquiry into the question of being, in which he distinguished between essence ("Mahiat") and existence ("Wujud"). He argued that the fact of existence cannot be inferred from or accounted for by the essence of existing things, and that form and matter by themselves cannot interact and originate the movement of the universe or the progressive actualization of existing things. Existence must, therefore, be due to an agent-cause that necessitates, imparts, gives, or adds existence to an essence. To do so, the cause must be an existing thing and coexist with its effect.
Avicenna's consideration of the essence-attributes question may be elucidated in terms of his ontological analysis of the modalities of being; namely impossibility, contingency and necessity. Avicenna argued that the impossible being is that which cannot exist, while the contingent in itself ("mumkin bi-dhatihi") has the potentiality to be or not to be without entailing a contradiction. When actualized, the contingent becomes a 'necessary existent due to what is other than itself' ("wajib al-wujud bi-ghayrihi"). Thus, contingency-in-itself is potential beingness that could eventually be actualized by an external cause other than itself. The metaphysical structures of necessity and contingency are different. Necessary being due to itself ("wajib al-wujud bi-dhatihi") is true in itself, while the contingent being is 'false in itself' and 'true due to something else other than itself'. The necessary is the source of its own being without borrowed existence. It is what always exists.
The Necessary exists 'due-to-Its-Self', and has no quiddity/essence ("mahiyya") other than existence ("wujud"). Furthermore, It is 'One' ("wahid ahad") since there cannot be more than one 'Necessary-Existent-due-to-Itself' without differentia (fasl) to distinguish them from each other. Yet, to require differentia entails that they exist 'due-to-themselves' as well as 'due to what is other than themselves'; and this is contradictory. However, if no differentia distinguishes them from each other, then there is no sense in which these 'Existents' are not one and the same. Avicenna adds that the 'Necessary-Existent-due-to-Itself' has no genus ("jins"), nor a definition ("hadd"), nor a counterpart ("nadd"), nor an opposite ("did"), and is detached ("bari") from matter ("madda"), quality ("kayf"), quantity ("kam"), place ("ayn"), situation ("wad") and time ("waqt").
Avicenna's theology on metaphysical issues ("ilāhiyyāt") has been criticized by some Islamic scholars, among them al-Ghazali, Ibn Taymiyya and Ibn al-Qayyim. While discussing the views of the theists among the Greek philosophers, namely Socrates, Plato and Aristotle in "Al-Munqidh min ad-Dalal" ("Deliverance from Error"), al-Ghazali noted that the Greek philosophers "must be taxed with unbelief, as must their partisans among the Muslim philosophers, such as Avicenna and al-Farabi and their likes." He added that "None, however, of the Muslim philosophers engaged so much in transmitting Aristotle's lore as did the two men just mentioned. [...] The sum of what we regard as the authentic philosophy of Aristotle, as transmitted by al-Farabi and Avicenna, can be reduced to three parts: a part which must be branded as unbelief; a part which must be stigmatized as innovation; and a part which need not be repudiated at all."
Argument for God's existence.
Avicenna made an argument for the existence of God which would be known as the "Proof of the Truthful" (Arabic: "burhan al-siddiqin"). Avicenna argued that there must be a "necessary existent" (Arabic: "wajib al-wujud"), an entity that cannot "not" exist and through a series of arguments, he identified it with the Islamic conception of God. Present-day historian of philosophy Peter Adamson called this argument one of the most influential medieval arguments for God's existence, and Avicenna's biggest contribution to the history of philosophy.
Al-Biruni correspondence.
Correspondence between Avicenna (with his student Ahmad ibn 'Ali al-Ma'sumi) and Al-Biruni has survived in which they debated Aristotelian natural philosophy and the Peripatetic school. Abu Rayhan began by asking Avicenna eighteen questions, ten of which were criticisms of Aristotle's "On the Heavens".
Theology.
Avicenna was a devout Muslim and sought to reconcile rational philosophy with Islamic theology. His aim was to prove the existence of God and His creation of the world scientifically and through reason and logic. Avicenna's views on Islamic theology (and philosophy) were enormously influential, forming part of the core of the curriculum at Islamic religious schools until the 19th century. Avicenna wrote a number of short treatises dealing with Islamic theology. These included treatises on the prophets (whom he viewed as "inspired philosophers"), and also on various scientific and philosophical interpretations of the Quran, such as how Quranic cosmology corresponds to his own philosophical system. In general these treatises linked his philosophical writings to Islamic religious ideas; for example, the body's afterlife.
There are occasional brief hints and allusions in his longer works, however, that Avicenna considered philosophy as the only sensible way to distinguish real prophecy from illusion. He did not state this more clearly because of the political implications of such a theory, if prophecy could be questioned, and also because most of the time he was writing shorter works which concentrated on explaining his theories on philosophy and theology clearly, without digressing to consider epistemological matters which could only be properly considered by other philosophers.
Later interpretations of Avicenna's philosophy split into three different schools; those (such as al-Tusi) who continued to apply his philosophy as a system to interpret later political events and scientific advances; those (such as al-Razi) who considered Avicenna's theological works in isolation from his wider philosophical concerns; and those (such as al-Ghazali) who selectively used parts of his philosophy to support their own attempts to gain greater spiritual insights through a variety of mystical means. It was the theological interpretation championed by those such as al-Razi which eventually came to predominate in the madrasahs.
Avicenna memorized the Quran by the age of ten, and as an adult, he wrote five treatises commenting on suras from the Quran. One of these texts included the "Proof of Prophecies", in which he comments on several Quranic verses and holds the Quran in high esteem. Avicenna argued that the Islamic prophets should be considered higher than philosophers.
Avicenna is generally understood to have been aligned with the Sunni Hanafi school of thought. Avicenna studied Hanafi law, many of his notable teachers were Hanafi jurists, and he served under the Hanafi court of Ali ibn Mamun. Avicenna said at an early age that he remained "unconvinced" by Ismaili missionary attempts to convert him. Medieval historian Ẓahīr al-dīn al-Bayhaqī (d. 1169) also believed Avicenna to be a follower of the Brethren of Purity.
Thought experiments.
While he was imprisoned in the castle of Fardajan near Hamadhan, Avicenna wrote his famous "floating man"—literally falling man—a thought experiment to demonstrate human self-awareness and the substantiality and immateriality of the soul. Avicenna believed his "Floating Man" thought experiment demonstrated that the soul is a substance, and claimed humans cannot doubt their own consciousness, even in a situation that prevents all sensory data input. The thought experiment told its readers to imagine themselves created all at once while suspended in the air, isolated from all , which includes no sensory contact with even their own bodies. He argued that, in this scenario, one would still have self-consciousness. Because it is conceivable that a person, suspended in air while cut off from sense experience, would still be capable of determining his own existence, the thought experiment points to the conclusions that the soul is a perfection, independent of the body, and an immaterial substance. The conceivability of this "Floating Man" indicates that the soul is perceived intellectually, which entails the soul's separateness from the body. Avicenna referred to the living human intelligence, particularly the active intellect, which he believed to be the hypostasis by which God communicates truth to the human mind and imparts order and intelligibility to nature. Following is an English translation of the argument:
However, Avicenna posited the brain as the place where reason interacts with sensation. Sensation prepares the soul to receive rational concepts from the universal Agent Intellect. The first knowledge of the flying person would be "I am," affirming his or her essence. That essence could not be the body, obviously, as the flying person has no sensation. Thus, the knowledge that "I am" is the core of a human being: the soul exists and is self-aware. Avicenna thus concluded that the idea of the self is not logically dependent on any physical thing, and that the soul should not be seen in relative terms, but as a primary given, a substance. The body is unnecessary; in relation to it, the soul is its perfection. In itself, the soul is an immaterial substance.
Principal works.
"The Canon of Medicine".
Avicenna authored a five-volume medical encyclopedia: "The Canon of Medicine" ("Al-Qanun fi't-Tibb"). It was used as the standard medical textbook in the Islamic world and Europe up to the 18th century. The "Canon" still plays an important role in Unani medicine.
"Liber Primus Naturalium".
Avicenna considered whether events like rare diseases or disorders have natural causes. He used the example of polydactyly to explain his perception that causal reasons exist for all medical events. This view of medical phenomena anticipated developments in the Enlightenment by seven centuries.
"The Book of Healing".
Earth sciences.
Avicenna wrote on Earth sciences such as geology in "The Book of Healing". While discussing the formation of mountains, he explained:
Philosophy of science.
In the "Al-Burhan" ("On Demonstration") section of "The Book of Healing", Avicenna discussed the philosophy of science and described an early scientific method of inquiry. He discussed Aristotle's "Posterior Analytics" and significantly diverged from it on several points. Avicenna discussed the issue of a proper methodology for scientific inquiry and the question of "How does one acquire the first principles of a science?" He asked how a scientist would arrive at "the initial axioms or hypotheses of a deductive science without inferring them from some more basic premises?" He explained that the ideal situation is when one grasps that a "relation holds between the terms, which would allow for absolute, universal certainty". Avicenna then added two further methods for arriving at the first principles: the ancient Aristotelian method of induction ("istiqra"), and the method of examination and experimentation ("tajriba"). Avicenna criticized Aristotelian induction, arguing that "it does not lead to the absolute, universal, and certain premises that it purports to provide." In its place, he developed a "method of experimentation as a means for scientific inquiry."
Logic.
An early formal system of temporal logic was studied by Avicenna. Although he did not develop a real theory of temporal propositions, he did study the relationship between "temporalis" and the implication. Avicenna's work was further developed by Najm al-Dīn al-Qazwīnī al-Kātibī and became the dominant system of Islamic logic until modern times. Avicennian logic also influenced several early European logicians such as Albertus Magnus and William of Ockham. Avicenna endorsed the law of non-contradiction proposed by Aristotle, that a fact could not be both true and false at the same time and in the same sense of the terminology used. He stated, "Anyone who denies the law of non-contradiction should be beaten and burned until he admits that to be beaten is not the same as not to be beaten, and to be burned is not the same as not to be burned."
Physics.
In mechanics, Avicenna, in "The Book of Healing", developed a theory of motion, in which he made a distinction between the inclination (tendency to motion) and force of a projectile, and concluded that motion was a result of an inclination ("mayl") transferred to the projectile by the thrower, and that projectile motion in a vacuum would not cease. He viewed inclination as a permanent force whose effect is dissipated by external forces such as air resistance.
The theory of motion presented by Avicenna was probably influenced by the 6th-century Alexandrian scholar John Philoponus. Avicenna's is a less sophisticated variant of the theory of impetus developed by Buridan in the 14th century. It is unclear if Buridan was influenced by Avicenna, or by Philoponus directly.
In optics, Avicenna was among those who argued that light had a speed, observing that "if the perception of light is due to the emission of some sort of particles by a luminous source, the speed of light must be finite." He also provided a wrong explanation of the rainbow phenomenon. Carl Benjamin Boyer described Avicenna's ("Ibn Sīnā") theory on the rainbow as follows:
In 1253, a Latin text entitled "Speculum Tripartitum" stated the following regarding Avicenna's theory on heat:
Psychology.
Avicenna's legacy in classical psychology is primarily embodied in the "Kitab al-nafs" parts of his "Kitab al-shifa" ("The Book of Healing") and "Kitab al-najat" ("The Book of Deliverance"). These were known in Latin under the title De Anima (treatises "on the soul"). Notably, Avicenna develops what is called the Flying Man argument in the Psychology of "The Cure" I.1.7 as defence of the argument that the soul is without quantitative extension, which has an affinity with Descartes's "cogito" argument (or what phenomenology designates as a form of an "epoche").
Avicenna's psychology requires that connection between the body and soul be strong enough to ensure the soul's individuation, but weak enough to allow for its immortality. Avicenna grounds his psychology on physiology, which means his account of the soul is one that deals almost entirely with the natural science of the body and its abilities of perception. Thus, the philosopher's connection between the soul and body is explained almost entirely by his understanding of perception; in this way, bodily perception interrelates with the immaterial human intellect. In sense perception, the perceiver senses the form of the object; first, by perceiving features of the object by our external senses. This sensory information is supplied to the internal senses, which merge all the pieces into a whole, unified conscious experience. This process of perception and abstraction is the nexus of the soul and body, for the material body may only perceive material objects, while the immaterial soul may only receive the immaterial, universal forms. The way the soul and body interact in the final abstraction of the universal from the concrete particular is the key to their relationship and interaction, which takes place in the physical body.
The soul completes the action of intellection by accepting forms that have been abstracted from matter. This process requires a concrete particular (material) to be abstracted into the universal intelligible (immaterial). The material and immaterial interact through the Active Intellect, which is a "divine light" containing the intelligible forms. The Active Intellect reveals the universals concealed in material objects much like the sun makes colour available to our eyes.
"The Canon of Medicine".
Avicenna authored a five-volume medical encyclopedia: "The Canon of Medicine" ("Al-Qanun fi't-Tibb"). It was used as the standard medical textbook in the Islamic world and Europe up to the 18th century. The "Canon" still plays an important role in Unani medicine.
"Liber Primus Naturalium".
Avicenna considered whether events like rare diseases or disorders have natural causes. He used the example of polydactyly to explain his perception that causal reasons exist for all medical events. This view of medical phenomena anticipated developments in the Enlightenment by seven centuries.
"The Book of Healing".
Earth sciences.
Avicenna wrote on Earth sciences such as geology in "The Book of Healing". While discussing the formation of mountains, he explained:
Philosophy of science.
In the "Al-Burhan" ("On Demonstration") section of "The Book of Healing", Avicenna discussed the philosophy of science and described an early scientific method of inquiry. He discussed Aristotle's "Posterior Analytics" and significantly diverged from it on several points. Avicenna discussed the issue of a proper methodology for scientific inquiry and the question of "How does one acquire the first principles of a science?" He asked how a scientist would arrive at "the initial axioms or hypotheses of a deductive science without inferring them from some more basic premises?" He explained that the ideal situation is when one grasps that a "relation holds between the terms, which would allow for absolute, universal certainty". Avicenna then added two further methods for arriving at the first principles: the ancient Aristotelian method of induction ("istiqra"), and the method of examination and experimentation ("tajriba"). Avicenna criticized Aristotelian induction, arguing that "it does not lead to the absolute, universal, and certain premises that it purports to provide." In its place, he developed a "method of experimentation as a means for scientific inquiry."
Logic.
An early formal system of temporal logic was studied by Avicenna. Although he did not develop a real theory of temporal propositions, he did study the relationship between "temporalis" and the implication. Avicenna's work was further developed by Najm al-Dīn al-Qazwīnī al-Kātibī and became the dominant system of Islamic logic until modern times. Avicennian logic also influenced several early European logicians such as Albertus Magnus and William of Ockham. Avicenna endorsed the law of non-contradiction proposed by Aristotle, that a fact could not be both true and false at the same time and in the same sense of the terminology used. He stated, "Anyone who denies the law of non-contradiction should be beaten and burned until he admits that to be beaten is not the same as not to be beaten, and to be burned is not the same as not to be burned."
Physics.
In mechanics, Avicenna, in "The Book of Healing", developed a theory of motion, in which he made a distinction between the inclination (tendency to motion) and force of a projectile, and concluded that motion was a result of an inclination ("mayl") transferred to the projectile by the thrower, and that projectile motion in a vacuum would not cease. He viewed inclination as a permanent force whose effect is dissipated by external forces such as air resistance.
The theory of motion presented by Avicenna was probably influenced by the 6th-century Alexandrian scholar John Philoponus. Avicenna's is a less sophisticated variant of the theory of impetus developed by Buridan in the 14th century. It is unclear if Buridan was influenced by Avicenna, or by Philoponus directly.
In optics, Avicenna was among those who argued that light had a speed, observing that "if the perception of light is due to the emission of some sort of particles by a luminous source, the speed of light must be finite." He also provided a wrong explanation of the rainbow phenomenon. Carl Benjamin Boyer described Avicenna's ("Ibn Sīnā") theory on the rainbow as follows:
In 1253, a Latin text entitled "Speculum Tripartitum" stated the following regarding Avicenna's theory on heat:
Psychology.
Avicenna's legacy in classical psychology is primarily embodied in the "Kitab al-nafs" parts of his "Kitab al-shifa" ("The Book of Healing") and "Kitab al-najat" ("The Book of Deliverance"). These were known in Latin under the title De Anima (treatises "on the soul"). Notably, Avicenna develops what is called the Flying Man argument in the Psychology of "The Cure" I.1.7 as defence of the argument that the soul is without quantitative extension, which has an affinity with Descartes's "cogito" argument (or what phenomenology designates as a form of an "epoche").
Avicenna's psychology requires that connection between the body and soul be strong enough to ensure the soul's individuation, but weak enough to allow for its immortality. Avicenna grounds his psychology on physiology, which means his account of the soul is one that deals almost entirely with the natural science of the body and its abilities of perception. Thus, the philosopher's connection between the soul and body is explained almost entirely by his understanding of perception; in this way, bodily perception interrelates with the immaterial human intellect. In sense perception, the perceiver senses the form of the object; first, by perceiving features of the object by our external senses. This sensory information is supplied to the internal senses, which merge all the pieces into a whole, unified conscious experience. This process of perception and abstraction is the nexus of the soul and body, for the material body may only perceive material objects, while the immaterial soul may only receive the immaterial, universal forms. The way the soul and body interact in the final abstraction of the universal from the concrete particular is the key to their relationship and interaction, which takes place in the physical body.
The soul completes the action of intellection by accepting forms that have been abstracted from matter. This process requires a concrete particular (material) to be abstracted into the universal intelligible (immaterial). The material and immaterial interact through the Active Intellect, which is a "divine light" containing the intelligible forms. The Active Intellect reveals the universals concealed in material objects much like the sun makes colour available to our eyes.
Earth sciences.
Avicenna wrote on Earth sciences such as geology in "The Book of Healing". While discussing the formation of mountains, he explained:
Philosophy of science.
In the "Al-Burhan" ("On Demonstration") section of "The Book of Healing", Avicenna discussed the philosophy of science and described an early scientific method of inquiry. He discussed Aristotle's "Posterior Analytics" and significantly diverged from it on several points. Avicenna discussed the issue of a proper methodology for scientific inquiry and the question of "How does one acquire the first principles of a science?" He asked how a scientist would arrive at "the initial axioms or hypotheses of a deductive science without inferring them from some more basic premises?" He explained that the ideal situation is when one grasps that a "relation holds between the terms, which would allow for absolute, universal certainty". Avicenna then added two further methods for arriving at the first principles: the ancient Aristotelian method of induction ("istiqra"), and the method of examination and experimentation ("tajriba"). Avicenna criticized Aristotelian induction, arguing that "it does not lead to the absolute, universal, and certain premises that it purports to provide." In its place, he developed a "method of experimentation as a means for scientific inquiry."
Logic.
An early formal system of temporal logic was studied by Avicenna. Although he did not develop a real theory of temporal propositions, he did study the relationship between "temporalis" and the implication. Avicenna's work was further developed by Najm al-Dīn al-Qazwīnī al-Kātibī and became the dominant system of Islamic logic until modern times. Avicennian logic also influenced several early European logicians such as Albertus Magnus and William of Ockham. Avicenna endorsed the law of non-contradiction proposed by Aristotle, that a fact could not be both true and false at the same time and in the same sense of the terminology used. He stated, "Anyone who denies the law of non-contradiction should be beaten and burned until he admits that to be beaten is not the same as not to be beaten, and to be burned is not the same as not to be burned."
Physics.
In mechanics, Avicenna, in "The Book of Healing", developed a theory of motion, in which he made a distinction between the inclination (tendency to motion) and force of a projectile, and concluded that motion was a result of an inclination ("mayl") transferred to the projectile by the thrower, and that projectile motion in a vacuum would not cease. He viewed inclination as a permanent force whose effect is dissipated by external forces such as air resistance.
The theory of motion presented by Avicenna was probably influenced by the 6th-century Alexandrian scholar John Philoponus. Avicenna's is a less sophisticated variant of the theory of impetus developed by Buridan in the 14th century. It is unclear if Buridan was influenced by Avicenna, or by Philoponus directly.
In optics, Avicenna was among those who argued that light had a speed, observing that "if the perception of light is due to the emission of some sort of particles by a luminous source, the speed of light must be finite." He also provided a wrong explanation of the rainbow phenomenon. Carl Benjamin Boyer described Avicenna's ("Ibn Sīnā") theory on the rainbow as follows:
In 1253, a Latin text entitled "Speculum Tripartitum" stated the following regarding Avicenna's theory on heat:
Psychology.
Avicenna's legacy in classical psychology is primarily embodied in the "Kitab al-nafs" parts of his "Kitab al-shifa" ("The Book of Healing") and "Kitab al-najat" ("The Book of Deliverance"). These were known in Latin under the title De Anima (treatises "on the soul"). Notably, Avicenna develops what is called the Flying Man argument in the Psychology of "The Cure" I.1.7 as defence of the argument that the soul is without quantitative extension, which has an affinity with Descartes's "cogito" argument (or what phenomenology designates as a form of an "epoche").
Avicenna's psychology requires that connection between the body and soul be strong enough to ensure the soul's individuation, but weak enough to allow for its immortality. Avicenna grounds his psychology on physiology, which means his account of the soul is one that deals almost entirely with the natural science of the body and its abilities of perception. Thus, the philosopher's connection between the soul and body is explained almost entirely by his understanding of perception; in this way, bodily perception interrelates with the immaterial human intellect. In sense perception, the perceiver senses the form of the object; first, by perceiving features of the object by our external senses. This sensory information is supplied to the internal senses, which merge all the pieces into a whole, unified conscious experience. This process of perception and abstraction is the nexus of the soul and body, for the material body may only perceive material objects, while the immaterial soul may only receive the immaterial, universal forms. The way the soul and body interact in the final abstraction of the universal from the concrete particular is the key to their relationship and interaction, which takes place in the physical body.
The soul completes the action of intellection by accepting forms that have been abstracted from matter. This process requires a concrete particular (material) to be abstracted into the universal intelligible (immaterial). The material and immaterial interact through the Active Intellect, which is a "divine light" containing the intelligible forms. The Active Intellect reveals the universals concealed in material objects much like the sun makes colour available to our eyes.
Other contributions.
Astronomy and astrology.
Avicenna wrote an attack on astrology titled "Resāla fī ebṭāl aḥkām al-nojūm", in which he cited passages from the Quran to dispute the power of astrology to foretell the future. He believed that each planet had some influence on the earth, but argued against astrologers being able to determine the exact effects.
Avicenna's astronomical writings had some influence on later writers, although in general his work could be considered less developed than Alhazen or Al-Biruni. One important feature of his writing is that he considers mathematical astronomy as a separate discipline to astrology. He criticized Aristotle's view of the stars receiving their light from the Sun, stating that the stars are self-luminous, and believed that the planets are also self-luminous. He claimed to have observed Venus as a spot on the Sun. This is possible, as there was a transit on 24 May 1032, but Avicenna did not give the date of his observation, and modern scholars have questioned whether he could have observed the transit from his location at that time; he may have mistaken a sunspot for Venus. He used his transit observation to help establish that Venus was, at least sometimes, below the Sun in Ptolemaic cosmology, i.e. the sphere of Venus comes before the sphere of the Sun when moving out from the Earth in the prevailing geocentric model.
He also wrote the "Summary of the Almagest", (based on Ptolemy's "Almagest"), with an appended treatise "to bring that which is stated in the Almagest and what is understood from Natural Science into conformity". For example, Avicenna considers the motion of the solar apogee, which Ptolemy had taken to be fixed.
Chemistry.
Avicenna was first to derive the attar of flowers from distillation and used steam distillation to produce essential oils such as rose essence, which he used as aromatherapeutic treatments for heart conditions.
Unlike al-Razi, Avicenna explicitly disputed the theory of the transmutation of substances commonly believed by alchemists:
Four works on alchemy attributed to Avicenna were translated into Latin as:
was the most influential, having influenced later medieval chemists and alchemists such as Vincent of Beauvais. However, Anawati argues (following Ruska) that the de Anima is a fake by a Spanish author. Similarly the Declaratio is believed not to be actually by Avicenna. The third work ("The Book of Minerals") is agreed to be Avicenna's writing, adapted from the "Kitab al-Shifa" ("Book of the Remedy"). Avicenna classified minerals into stones, fusible substances, sulfurs and salts, building on the ideas of Aristotle and Jabir. The "epistola de Re recta" is somewhat less sceptical of alchemy; Anawati argues that it is by Avicenna, but written earlier in his career when he had not yet firmly decided that transmutation was impossible.
Poetry.
Almost half of Avicenna's works are versified. His poems appear in both Arabic and Persian. As an example, Edward Granville Browne claims that the following Persian verses are incorrectly attributed to Omar Khayyám, and were originally written by Ibn Sīnā:
Astronomy and astrology.
Avicenna wrote an attack on astrology titled "Resāla fī ebṭāl aḥkām al-nojūm", in which he cited passages from the Quran to dispute the power of astrology to foretell the future. He believed that each planet had some influence on the earth, but argued against astrologers being able to determine the exact effects.
Avicenna's astronomical writings had some influence on later writers, although in general his work could be considered less developed than Alhazen or Al-Biruni. One important feature of his writing is that he considers mathematical astronomy as a separate discipline to astrology. He criticized Aristotle's view of the stars receiving their light from the Sun, stating that the stars are self-luminous, and believed that the planets are also self-luminous. He claimed to have observed Venus as a spot on the Sun. This is possible, as there was a transit on 24 May 1032, but Avicenna did not give the date of his observation, and modern scholars have questioned whether he could have observed the transit from his location at that time; he may have mistaken a sunspot for Venus. He used his transit observation to help establish that Venus was, at least sometimes, below the Sun in Ptolemaic cosmology, i.e. the sphere of Venus comes before the sphere of the Sun when moving out from the Earth in the prevailing geocentric model.
He also wrote the "Summary of the Almagest", (based on Ptolemy's "Almagest"), with an appended treatise "to bring that which is stated in the Almagest and what is understood from Natural Science into conformity". For example, Avicenna considers the motion of the solar apogee, which Ptolemy had taken to be fixed.
Chemistry.
Avicenna was first to derive the attar of flowers from distillation and used steam distillation to produce essential oils such as rose essence, which he used as aromatherapeutic treatments for heart conditions.
Unlike al-Razi, Avicenna explicitly disputed the theory of the transmutation of substances commonly believed by alchemists:
Four works on alchemy attributed to Avicenna were translated into Latin as:
was the most influential, having influenced later medieval chemists and alchemists such as Vincent of Beauvais. However, Anawati argues (following Ruska) that the de Anima is a fake by a Spanish author. Similarly the Declaratio is believed not to be actually by Avicenna. The third work ("The Book of Minerals") is agreed to be Avicenna's writing, adapted from the "Kitab al-Shifa" ("Book of the Remedy"). Avicenna classified minerals into stones, fusible substances, sulfurs and salts, building on the ideas of Aristotle and Jabir. The "epistola de Re recta" is somewhat less sceptical of alchemy; Anawati argues that it is by Avicenna, but written earlier in his career when he had not yet firmly decided that transmutation was impossible.
Poetry.
Almost half of Avicenna's works are versified. His poems appear in both Arabic and Persian. As an example, Edward Granville Browne claims that the following Persian verses are incorrectly attributed to Omar Khayyám, and were originally written by Ibn Sīnā:
Legacy.
Classical Islamic civilization.
Robert Wisnovsky, a scholar of Avicenna attached to McGill University, says that "Avicenna was the central figure in the long history of the rational sciences in Islam, particularly in the fields of metaphysics, logic and medicine" but that his works didn't only have an influence in these "secular" fields of knowledge alone, as "these works, or portions of them, were read, taught, copied, commented upon, quoted, paraphrased and cited by thousands of post-Avicennian scholars—not only philosophers, logicians, physicians and specialists in the mathematical or exact sciences, but also by those who specialized in the disciplines of ʿilm al-kalām (rational theology, but understood to include natural philosophy, epistemology and philosophy of mind) and usūl al-fiqh (jurisprudence, but understood to include philosophy of law, dialectic, and philosophy of language)."
Middle Ages and Renaissance.
As early as the 14th century when Dante Alighieri depicted him in Limbo alongside the virtuous non-Christian thinkers in his "Divine Comedy" such as Virgil, Averroes, Homer, Horace, Ovid, Lucan, Socrates, Plato and Saladin. Avicenna has been recognized by both East and West as one of the great figures in intellectual history. Johannes Kepler cites Avicenna's opinion when discussing the causes of planetary motions in Chapter 2 of "Astronomia Nova".
George Sarton, the author of "The History of Science", described Avicenna as "one of the greatest thinkers and medical scholars in history" and called him "the most famous scientist of Islam and one of the most famous of all races, places, and times". He was one of the Islamic world's leading writers in the field of medicine.
Along with Rhazes, Abulcasis, Ibn al-Nafis and al-Ibadi, Avicenna is considered an important compiler of early Muslim medicine. He is remembered in the Western history of medicine as a major historical figure who made important contributions to medicine and the European Renaissance. His medical texts were unusual in that where controversy existed between Galen and Aristotle's views on medical matters (such as anatomy), he preferred to side with Aristotle, where necessary updating Aristotle's position to take into account post-Aristotelian advances in anatomical knowledge. Aristotle's dominant intellectual influence among medieval European scholars meant that Avicenna's linking of Galen's medical writings with Aristotle's philosophical writings in the "Canon of Medicine" (along with its comprehensive and logical organisation of knowledge) significantly increased Avicenna's importance in medieval Europe in comparison to other Islamic writers on medicine. His influence following translation of the "Canon" was such that from the early fourteenth to the mid-sixteenth centuries he was ranked with Hippocrates and Galen as one of the acknowledged authorities, ("prince of physicians").
Modern reception.
In present-day Iran, Afghanistan and Tajikistan, he is considered a national icon, and is often regarded as among the greatest Persians. A monument was erected outside the Bukhara museum. The Avicenna Mausoleum and Museum in Hamadan was built in 1952. Bu-Ali Sina University in Hamadan (Iran), the biotechnology Avicenna Research Institute in Tehran (Iran), the "ibn Sīnā" Tajik State Medical University in Dushanbe, Ibn Sina Academy of Medieval Medicine and Sciences at Aligarh, India, Avicenna School in Karachi and Avicenna Medical College in Lahore, Pakistan, Ibn Sina Balkh Medical School in his native province of Balkh in Afghanistan, Ibni Sina Faculty Of Medicine of Ankara University Ankara, Turkey, the main classroom building (the Avicenna Building) of the Sharif University of Technology, and Ibn Sina Integrated School in Marawi City (Philippines) are all named in his honour. His portrait hangs in the Hall of the Avicenna Faculty of Medicine in the University of Paris. There is a crater on the Moon named Avicenna and a mangrove genus.
In 1980, the Soviet Union, which then ruled his birthplace Bukhara, celebrated the thousandth anniversary of Avicenna's birth by circulating various commemorative stamps with artistic illustrations, and by erecting a bust of Avicenna based on anthropological research by Soviet scholars. Near his birthplace in Qishlak Afshona, some north of Bukhara, a training college for medical staff has been named for him. On the grounds is a museum dedicated to his life, times and work.
The Avicenna Prize, established in 2003, is awarded every two years by UNESCO and rewards individuals and groups for their achievements in the field of ethics in science. The aim of the award is to promote ethical reflection on issues raised by advances in science and technology, and to raise global awareness of the importance of ethics in science.
The Avicenna Directories (2008–15; now the World Directory of Medical Schools) list universities and schools where doctors, public health practitioners, pharmacists and others, are educated. The original project team stated "Why Avicenna? Avicenna ... was ... noted for his synthesis of knowledge from both east and west. He has had a lasting influence on the development of medicine and health sciences. The use of Avicenna's name symbolises the worldwide partnership that is needed for the promotion of health services of high quality."
In June 2009, Iran donated a "Persian Scholars Pavilion" to United Nations Office in Vienna which is placed in the central Memorial Plaza of the Vienna International Center. The "Persian Scholars Pavilion" at United Nations in Vienna, Austria is featuring the statues of four prominent Iranian figures. Highlighting the Iranian architectural features, the pavilion is adorned with Persian art forms and includes the statues of renowned Iranian scientists Avicenna, Al-Biruni, Zakariya Razi (Rhazes) and Omar Khayyam.
The 1982 Soviet film "Youth of Genius" () by recounts Avicenna's younger years. The film is set in Bukhara at the turn of the millennium.
In Louis L'Amour's 1985 historical novel "The Walking Drum", Kerbouchard studies and discusses Avicenna's "The Canon of Medicine".
In his book "The Physician" (1988) Noah Gordon tells the story of a young English medical apprentice who disguises himself as a Jew to travel from England to Persia and learn from Avicenna, the great master of his time. The novel was adapted into a feature film, "The Physician", in 2013. Avicenna was played by Ben Kingsley.
Classical Islamic civilization.
Robert Wisnovsky, a scholar of Avicenna attached to McGill University, says that "Avicenna was the central figure in the long history of the rational sciences in Islam, particularly in the fields of metaphysics, logic and medicine" but that his works didn't only have an influence in these "secular" fields of knowledge alone, as "these works, or portions of them, were read, taught, copied, commented upon, quoted, paraphrased and cited by thousands of post-Avicennian scholars—not only philosophers, logicians, physicians and specialists in the mathematical or exact sciences, but also by those who specialized in the disciplines of ʿilm al-kalām (rational theology, but understood to include natural philosophy, epistemology and philosophy of mind) and usūl al-fiqh (jurisprudence, but understood to include philosophy of law, dialectic, and philosophy of language)."
Middle Ages and Renaissance.
As early as the 14th century when Dante Alighieri depicted him in Limbo alongside the virtuous non-Christian thinkers in his "Divine Comedy" such as Virgil, Averroes, Homer, Horace, Ovid, Lucan, Socrates, Plato and Saladin. Avicenna has been recognized by both East and West as one of the great figures in intellectual history. Johannes Kepler cites Avicenna's opinion when discussing the causes of planetary motions in Chapter 2 of "Astronomia Nova".
George Sarton, the author of "The History of Science", described Avicenna as "one of the greatest thinkers and medical scholars in history" and called him "the most famous scientist of Islam and one of the most famous of all races, places, and times". He was one of the Islamic world's leading writers in the field of medicine.
Along with Rhazes, Abulcasis, Ibn al-Nafis and al-Ibadi, Avicenna is considered an important compiler of early Muslim medicine. He is remembered in the Western history of medicine as a major historical figure who made important contributions to medicine and the European Renaissance. His medical texts were unusual in that where controversy existed between Galen and Aristotle's views on medical matters (such as anatomy), he preferred to side with Aristotle, where necessary updating Aristotle's position to take into account post-Aristotelian advances in anatomical knowledge. Aristotle's dominant intellectual influence among medieval European scholars meant that Avicenna's linking of Galen's medical writings with Aristotle's philosophical writings in the "Canon of Medicine" (along with its comprehensive and logical organisation of knowledge) significantly increased Avicenna's importance in medieval Europe in comparison to other Islamic writers on medicine. His influence following translation of the "Canon" was such that from the early fourteenth to the mid-sixteenth centuries he was ranked with Hippocrates and Galen as one of the acknowledged authorities, ("prince of physicians").
Modern reception.
In present-day Iran, Afghanistan and Tajikistan, he is considered a national icon, and is often regarded as among the greatest Persians. A monument was erected outside the Bukhara museum. The Avicenna Mausoleum and Museum in Hamadan was built in 1952. Bu-Ali Sina University in Hamadan (Iran), the biotechnology Avicenna Research Institute in Tehran (Iran), the "ibn Sīnā" Tajik State Medical University in Dushanbe, Ibn Sina Academy of Medieval Medicine and Sciences at Aligarh, India, Avicenna School in Karachi and Avicenna Medical College in Lahore, Pakistan, Ibn Sina Balkh Medical School in his native province of Balkh in Afghanistan, Ibni Sina Faculty Of Medicine of Ankara University Ankara, Turkey, the main classroom building (the Avicenna Building) of the Sharif University of Technology, and Ibn Sina Integrated School in Marawi City (Philippines) are all named in his honour. His portrait hangs in the Hall of the Avicenna Faculty of Medicine in the University of Paris. There is a crater on the Moon named Avicenna and a mangrove genus.
In 1980, the Soviet Union, which then ruled his birthplace Bukhara, celebrated the thousandth anniversary of Avicenna's birth by circulating various commemorative stamps with artistic illustrations, and by erecting a bust of Avicenna based on anthropological research by Soviet scholars. Near his birthplace in Qishlak Afshona, some north of Bukhara, a training college for medical staff has been named for him. On the grounds is a museum dedicated to his life, times and work.
The Avicenna Prize, established in 2003, is awarded every two years by UNESCO and rewards individuals and groups for their achievements in the field of ethics in science. The aim of the award is to promote ethical reflection on issues raised by advances in science and technology, and to raise global awareness of the importance of ethics in science.
The Avicenna Directories (2008–15; now the World Directory of Medical Schools) list universities and schools where doctors, public health practitioners, pharmacists and others, are educated. The original project team stated "Why Avicenna? Avicenna ... was ... noted for his synthesis of knowledge from both east and west. He has had a lasting influence on the development of medicine and health sciences. The use of Avicenna's name symbolises the worldwide partnership that is needed for the promotion of health services of high quality."
In June 2009, Iran donated a "Persian Scholars Pavilion" to United Nations Office in Vienna which is placed in the central Memorial Plaza of the Vienna International Center. The "Persian Scholars Pavilion" at United Nations in Vienna, Austria is featuring the statues of four prominent Iranian figures. Highlighting the Iranian architectural features, the pavilion is adorned with Persian art forms and includes the statues of renowned Iranian scientists Avicenna, Al-Biruni, Zakariya Razi (Rhazes) and Omar Khayyam.
The 1982 Soviet film "Youth of Genius" () by recounts Avicenna's younger years. The film is set in Bukhara at the turn of the millennium.
In Louis L'Amour's 1985 historical novel "The Walking Drum", Kerbouchard studies and discusses Avicenna's "The Canon of Medicine".
In his book "The Physician" (1988) Noah Gordon tells the story of a young English medical apprentice who disguises himself as a Jew to travel from England to Persia and learn from Avicenna, the great master of his time. The novel was adapted into a feature film, "The Physician", in 2013. Avicenna was played by Ben Kingsley.
List of works.
The treatises of Avicenna influenced later Muslim thinkers in many areas including theology, philology, mathematics, astronomy, physics and music. His works numbered almost 450 volumes on a wide range of subjects, of which around 240 have survived. In particular, 150 volumes of his surviving works concentrate on philosophy and 40 of them concentrate on medicine.
His most famous works are "The Book of Healing", and "The Canon of Medicine".
Avicenna wrote at least one treatise on alchemy, but several others have been falsely attributed to him. His "Logic", "Metaphysics", "Physics", and "De Caelo", are treatises giving a synoptic view of Aristotelian doctrine, though "Metaphysics" demonstrates a significant departure from the brand of Neoplatonism known as Aristotelianism in Avicenna's world; Arabic philosophers have hinted at the idea that Avicenna was attempting to "re-Aristotelianise" Muslim philosophy in its entirety, unlike his predecessors, who accepted the conflation of Platonic, Aristotelian, Neo- and Middle-Platonic works transmitted into the Muslim world.
The "Logic" and "Metaphysics" have been extensively reprinted, the latter, e.g., at Venice in 1493, 1495 and 1546. Some of his shorter essays on medicine, logic, etc., take a poetical form (the poem on logic was published by Schmoelders in 1836). Two encyclopedic treatises, dealing with philosophy, are often mentioned. The larger, "Al-Shifa"' ("Sanatio"), exists nearly complete in manuscript in the Bodleian Library and elsewhere; part of it on the "De Anima" appeared at Pavia (1490) as the "Liber Sextus Naturalium", and the long account of Avicenna's philosophy given by Muhammad al-Shahrastani seems to be mainly an analysis, and in many places a reproduction, of the Al-Shifa'. A shorter form of the work is known as the An-najat ("Liberatio"). The Latin editions of part of these works have been modified by the corrections which the monastic editors confess that they applied. There is also a ("hikmat-al-mashriqqiyya", in Latin "Philosophia Orientalis"), mentioned by Roger Bacon, the majority of which is lost in antiquity, which according to Averroes was pantheistic in tone.
Avicenna's works further include:
Persian works.
Avicenna's most important Persian work is the "Danishnama-i 'Alai" (, "the Book of Knowledge for [Prince] 'Ala ad-Daulah"). Avicenna created new scientific vocabulary that had not previously existed in Persian. The Danishnama covers such topics as logic, metaphysics, music theory and other sciences of his time. It has been translated into English by Parwiz Morewedge in 1977. The book is also important in respect to Persian scientific works.
"Andar Danesh-e Rag" (, "On the Science of the Pulse") contains nine chapters on the science of the pulse and is a condensed synopsis.
Persian poetry from Avicenna is recorded in various manuscripts and later anthologies such as "Nozhat al-Majales".
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Academy Awards
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The Academy Awards, better known as the Oscars, are awards for artistic and technical merit for the American and international film industry. The awards are regarded by many as the most prestigious, significant awards in the entertainment industry worldwide. Given annually by the Academy of Motion Picture Arts and Sciences (AMPAS), the awards are an international recognition of excellence in cinematic achievements, as assessed by the Academy's voting membership. The various category winners are awarded a copy of a golden statuette as a trophy, officially called the "Academy Award of Merit", although more commonly referred to by its nickname, the "Oscar". The statuette, depicting a knight rendered in the Art Deco style, was originally sculpted by Los Angeles artist George Stanley from a design sketch by art director Cedric Gibbons.
The 1st Academy Awards were held in 1929 at a private dinner hosted by Douglas Fairbanks in The Hollywood Roosevelt Hotel. The Academy Awards ceremony was first broadcast by radio in 1930 and was televised for the first time in 1953. It is the oldest worldwide entertainment awards ceremony and is now televised live worldwide. It is also the oldest of the four major annual American entertainment awards; its equivalents – the Emmy Awards for television, the Tony Awards for theater, and the Grammy Awards for music – are modeled after the Academy Awards. A total of 3,140 Oscar statuettes have been awarded since its inception in 1929.
History.
The first Academy Awards presentation was held on May 16, 1929, at a private dinner function at The Hollywood Roosevelt Hotel with an audience of about 270 people.
The post-awards party was held at the Mayfair Hotel. The cost of guest tickets for that night's ceremony was $5 ($ at 2020 prices). Fifteen statuettes were awarded, honoring artists, directors and other participants in the film-making industry of the time, for their works during the 1927–28 period. The ceremony ran for 15 minutes.
For this first ceremony, winners were announced to the media three months earlier. For the second ceremony in 1930, and the rest of the first decade, the results were given to newspapers for publication at 11:00 pm on the night of the awards. In 1940, the "Los Angeles Times" announced the winners before the ceremony began; as a result, the following year the Academy started using a sealed envelope to reveal the names of the winners.
The term "Oscar" is a registered trademark of the AMPAS; however, in the Italian language, it is used generically to refer to any award or award ceremony, regardless of which field.
Milestones.
The first Best Actor awarded was Emil Jannings, for his performances in "The Last Command" and "The Way of All Flesh". He had to return to Europe before the ceremony, so the Academy agreed to give him the prize earlier; this made him the first Academy Award winner in history. At that time, winners were recognized for the entirety of their work done in a certain category during the qualifying period; for example, Jannings received the award for two movies in which he starred during that period, and Janet Gaynor later won a single Oscar for performances in three films. With the fourth ceremony, however, the system changed, and professionals were honored for a specific performance in a single film. For the first six ceremonies, the eligibility period spanned two calendar years.
At the 29th ceremony, held in 1957, the Best Foreign Language Film category, now known as Best International Feature Film, was introduced. Until then, foreign-language films had been honored with the Special Achievement Award.
Perhaps the most widely seen streaker in history was 34-year-old Robert Opel, who streaked across the stage of The Dorothy Chandler Pavilion in Los Angeles flashing a peace sign on national US television at the 46th Academy Awards in 1974. Bemused host David Niven quipped, "Isn't it fascinating to think that probably the only laugh that man will ever get in his life is by stripping off and showing his shortcomings?" Later, evidence arose suggesting that Opel's appearance was facilitated as a publicity stunt by the show's producer Jack Haley Jr. Robert Metzler, the show's business manager, believed that the incident had been planned in some way; during the dress rehearsal Niven had asked Metzler's wife to borrow a pen so he could write down the famous line, which was thus not the ad-lib it appeared to be.
The 74th Academy Awards, held in 2002, presented the first Academy Award for Best Animated Feature.
From 1973 to 2020, all Academy Awards ceremonies have ended with the Academy Award for Best Picture. For 2021, this tradition was broken as the ceremony ended with the Academy Award for Best Actor.
Traditionally, the previous year's winner for Best Actor and Best Supporting Actor present the awards for Best Actress and Best Supporting Actress, while the previous year's winner for Best Actress and Best Supporting Actress present the awards for Best Actor and Best Supporting Actor.
On February 9, 2020, "Parasite" became the first foreign-language film to win Best Picture at the award ceremony of 92nd Academy Awards.
Tom Hanks announced at the 2020 Oscar Ceremony, the opening of the Academy Museum of Motion Pictures on December 14, 2020. The museum development started in 2017 under Kerry Brougher, but is now led by Bill Kramer. The industry curated exhibits will be geared toward the history of motion picture, the art & science of film making, exhibiting trailblazing directors, actors, film-makers, sound editors and more, and will house famous artifacts from acclaimed movies like Dorothy's Ruby Red Slippers.
The 93rd Academy Awards ceremony, honoring the best films of 2020 and early 2021, was held on April 25, 2021, after it was postponed from its original February 28, 2021, schedule due to the impact of the COVID-19 pandemic on cinema. As with two previous ceremonies, there was no host. The ceremony was broadcast on ABC. It took place at the Dolby Theatre in Los Angeles, California for the 19th consecutive year, along with satellite location taking place at the Union Station also in Los Angeles. Because of the virus impact on films and TV industries, Academy president David Rubin and CEO Dawn Hudson announced that for the 2021 Oscar Ceremony, streaming movies not shown in theaters would be eligible, though at some point the requirement that movies be shown in theaters would return.
Milestones.
The first Best Actor awarded was Emil Jannings, for his performances in "The Last Command" and "The Way of All Flesh". He had to return to Europe before the ceremony, so the Academy agreed to give him the prize earlier; this made him the first Academy Award winner in history. At that time, winners were recognized for the entirety of their work done in a certain category during the qualifying period; for example, Jannings received the award for two movies in which he starred during that period, and Janet Gaynor later won a single Oscar for performances in three films. With the fourth ceremony, however, the system changed, and professionals were honored for a specific performance in a single film. For the first six ceremonies, the eligibility period spanned two calendar years.
At the 29th ceremony, held in 1957, the Best Foreign Language Film category, now known as Best International Feature Film, was introduced. Until then, foreign-language films had been honored with the Special Achievement Award.
Perhaps the most widely seen streaker in history was 34-year-old Robert Opel, who streaked across the stage of The Dorothy Chandler Pavilion in Los Angeles flashing a peace sign on national US television at the 46th Academy Awards in 1974. Bemused host David Niven quipped, "Isn't it fascinating to think that probably the only laugh that man will ever get in his life is by stripping off and showing his shortcomings?" Later, evidence arose suggesting that Opel's appearance was facilitated as a publicity stunt by the show's producer Jack Haley Jr. Robert Metzler, the show's business manager, believed that the incident had been planned in some way; during the dress rehearsal Niven had asked Metzler's wife to borrow a pen so he could write down the famous line, which was thus not the ad-lib it appeared to be.
The 74th Academy Awards, held in 2002, presented the first Academy Award for Best Animated Feature.
From 1973 to 2020, all Academy Awards ceremonies have ended with the Academy Award for Best Picture. For 2021, this tradition was broken as the ceremony ended with the Academy Award for Best Actor.
Traditionally, the previous year's winner for Best Actor and Best Supporting Actor present the awards for Best Actress and Best Supporting Actress, while the previous year's winner for Best Actress and Best Supporting Actress present the awards for Best Actor and Best Supporting Actor.
On February 9, 2020, "Parasite" became the first foreign-language film to win Best Picture at the award ceremony of 92nd Academy Awards.
Tom Hanks announced at the 2020 Oscar Ceremony, the opening of the Academy Museum of Motion Pictures on December 14, 2020. The museum development started in 2017 under Kerry Brougher, but is now led by Bill Kramer. The industry curated exhibits will be geared toward the history of motion picture, the art & science of film making, exhibiting trailblazing directors, actors, film-makers, sound editors and more, and will house famous artifacts from acclaimed movies like Dorothy's Ruby Red Slippers.
The 93rd Academy Awards ceremony, honoring the best films of 2020 and early 2021, was held on April 25, 2021, after it was postponed from its original February 28, 2021, schedule due to the impact of the COVID-19 pandemic on cinema. As with two previous ceremonies, there was no host. The ceremony was broadcast on ABC. It took place at the Dolby Theatre in Los Angeles, California for the 19th consecutive year, along with satellite location taking place at the Union Station also in Los Angeles. Because of the virus impact on films and TV industries, Academy president David Rubin and CEO Dawn Hudson announced that for the 2021 Oscar Ceremony, streaming movies not shown in theaters would be eligible, though at some point the requirement that movies be shown in theaters would return.
Oscar statuette.
Academy Award of Merit.
The best known award is the Academy Award of Merit, more popularly known as the Oscar statuette. Made of gold-plated bronze on a black metal base, it is 13.5 in (34.3 cm) tall, weighs 8.5 lb (3.856 kg), and depicts a knight rendered in Art Deco style holding a sword standing on a reel of film with five spokes. The five spokes represent the original branches of the Academy: Actors, Writers, Directors, Producers, and Technicians.
Sculptor George Stanley (who also did the Muse Fountain at the Hollywood Bowl) sculpted Cedric Gibbons' design. The statuettes presented at the initial ceremonies were gold-plated solid bronze. Within a few years, the bronze was abandoned in favor of Britannia metal, a pewter-like alloy which is then plated in copper, nickel silver, and finally, 24-karat gold. Due to a metal shortage during World War II, Oscars were made of painted plaster for three years. Following the war, the Academy invited recipients to redeem the plaster figures for gold-plated metal ones. The only addition to the Oscar since it was created is a minor streamlining of the base. The original Oscar mold was cast in 1928 at the C.W. Shumway & Sons Foundry in Batavia, Illinois, which also contributed to casting the molds for the Vince Lombardi Trophy and Emmy Award's statuettes. From 1983 to 2015, approximately 50 Oscars in a tin alloy with gold plating were made each year in Chicago by Illinois manufacturer R.S. Owens & Company. It would take between three and four weeks to manufacture 50 statuettes. In 2016, the Academy returned to bronze as the core metal of the statuettes, handing manufacturing duties to Walden, New York-based Polich Tallix Fine Art Foundry. While based on a digital scan of an original 1929 Oscar, the statuettes retain their modern-era dimensions and black pedestal. Cast in liquid bronze from 3D-printed ceramic molds and polished, they are then electroplated in 24-karat gold by Brooklyn, New York–based Epner Technology. The time required to produce 50 such statuettes is roughly three months. R.S. Owens is expected to continue producing other awards for the Academy and service existing Oscars that need replating.
Naming.
The Academy officially adopted the name "Oscar" for the trophies in 1939. However, the origin of the nickname is disputed.
One biography of Bette Davis, who was a president of the Academy in 1941, claims she named the award after her first husband, band leader Harmon Oscar Nelson. A frequently mentioned originator is Margaret Herrick, the Academy executive director, who, when she first saw the award in 1931, said the statuette reminded her of "Uncle Oscar", a nickname for her cousin Oscar Pierce.
Columnist Sidney Skolsky, who was present during Herrick's naming in 1931, wrote that "Employees have affectionately dubbed their famous statuette 'Oscar'." The Academy credits Skolsky with "the first confirmed newspaper reference" to "Oscar" in his column on March 16, 1934, which was written about that year's 6th Academy Awards. The 1934 awards appeared again in another early media mention of "Oscar": a "Time" magazine story. In the ceremonies that year, Walt Disney was the first to thank the Academy for his "Oscar" during his acceptance speech.
Bruce Davis, in preparing a history of the awards for his book "The Academy and the Award", found that the term "Oscar" had come from Eleanore Lilleberg, a secretary within the Academy when the award was first introduced, as she had been in charge of pre-ceremony handling of the awards. Davis found in an autobiography of Einar Lilleberg, Eleanore's brother, that Einar had referenced a Norwegian army veteran named Oscar the two knew in Chicago, who Einar described as "stood straight and tall".
In 2021, Brazilian researcher Dr. Waldemar Dalenogare Neto found the likely first public mention of the name "Oscar", in journalist Relman Morin's column "Cinematters" in the "Los Angeles Evening Post-Record" on December 5, 1933. As the award did not take place that year, Relman Morin wrote: "What's happened to the annual Academy banquet? As a rule, the banquet and the awarding of "Oscar" the bronze statuette given for best performances, is all over long before this." This information changes the question of Sidney Skolsky as the first to publicly name the name.
Engraving.
To prevent information identifying the Oscar winners from leaking ahead of the ceremony, Oscar statuettes presented at the ceremony have blank baseplates. Until 2010, winners returned their statuettes to the Academy and had to wait several weeks to have their names inscribed on their respective Oscars. Since 2010, winners have had the option of having engraved nameplates applied to their statuettes at an inscription-processing station at the Governor's Ball, a party held immediately after the Oscar ceremony. The R.S. Owens company has engraved nameplates made before the ceremony, bearing the name of every potential winner. The nameplates for the non-winning nominees are later recycled.
Ownership of Oscar statuettes.
Prior to 1950, Oscar statuettes were (and remain) the property of the recipient. Since then the statuettes have been legally encumbered by the requirement that the statuette be first offered for sale back to the Academy for US$1. If a winner refuses to agree to this stipulation, then the Academy keeps the statuette. Academy Awards predating this agreement have been sold in public auctions and private deals for six-figure sums.
In 1989, Michael Todd's grandson tried to sell Todd's Best Picture Oscar for his 1956 production of "Around the World in 80 Days" to a movie prop collector. The Academy earned enforcement of its statuette contract by gaining a permanent injunction against the sale.
In 1992, Harold Russell consigned his 1946 Oscar for Best Supporting Actor for "The Best Years of Our Lives" to auction to raise money for his wife's medical expenses. Though his decision caused controversy, the first-ever Oscar to be sold passed to a private collector on August 6, 1992 for $60,500 ($ today). Russell defended his action, saying, "I don't know why anybody would be critical. My wife's health is much more important than sentimental reasons. The movie will be here, even if Oscar isn't."
In December 2011, Orson Welles' 1941 Oscar for "Citizen Kane" (Academy Award for Best Original Screenplay) was put up for auction, after his heirs won a 2004 court decision contending that Welles did not sign any agreement to return the statue to the Academy. On December 20, 2011, it sold in an online auction for US$861,542 ($ today).
Some buyers have subsequently returned the statuettes to the Academy, which keeps them in its treasury.
Other awards presented by the Academy.
In addition to the Academy Award of Merit (Oscar award), there are nine honorary (non-competitive) awards presented by the Academy from time to time (except for the Academy Honorary Award, the Technical Achievement Award, and the Student Academy Awards, which are presented annually):
The Academy also awards Nicholl Fellowships in Screenwriting.
Academy Award of Merit.
The best known award is the Academy Award of Merit, more popularly known as the Oscar statuette. Made of gold-plated bronze on a black metal base, it is 13.5 in (34.3 cm) tall, weighs 8.5 lb (3.856 kg), and depicts a knight rendered in Art Deco style holding a sword standing on a reel of film with five spokes. The five spokes represent the original branches of the Academy: Actors, Writers, Directors, Producers, and Technicians.
Sculptor George Stanley (who also did the Muse Fountain at the Hollywood Bowl) sculpted Cedric Gibbons' design. The statuettes presented at the initial ceremonies were gold-plated solid bronze. Within a few years, the bronze was abandoned in favor of Britannia metal, a pewter-like alloy which is then plated in copper, nickel silver, and finally, 24-karat gold. Due to a metal shortage during World War II, Oscars were made of painted plaster for three years. Following the war, the Academy invited recipients to redeem the plaster figures for gold-plated metal ones. The only addition to the Oscar since it was created is a minor streamlining of the base. The original Oscar mold was cast in 1928 at the C.W. Shumway & Sons Foundry in Batavia, Illinois, which also contributed to casting the molds for the Vince Lombardi Trophy and Emmy Award's statuettes. From 1983 to 2015, approximately 50 Oscars in a tin alloy with gold plating were made each year in Chicago by Illinois manufacturer R.S. Owens & Company. It would take between three and four weeks to manufacture 50 statuettes. In 2016, the Academy returned to bronze as the core metal of the statuettes, handing manufacturing duties to Walden, New York-based Polich Tallix Fine Art Foundry. While based on a digital scan of an original 1929 Oscar, the statuettes retain their modern-era dimensions and black pedestal. Cast in liquid bronze from 3D-printed ceramic molds and polished, they are then electroplated in 24-karat gold by Brooklyn, New York–based Epner Technology. The time required to produce 50 such statuettes is roughly three months. R.S. Owens is expected to continue producing other awards for the Academy and service existing Oscars that need replating.
Naming.
The Academy officially adopted the name "Oscar" for the trophies in 1939. However, the origin of the nickname is disputed.
One biography of Bette Davis, who was a president of the Academy in 1941, claims she named the award after her first husband, band leader Harmon Oscar Nelson. A frequently mentioned originator is Margaret Herrick, the Academy executive director, who, when she first saw the award in 1931, said the statuette reminded her of "Uncle Oscar", a nickname for her cousin Oscar Pierce.
Columnist Sidney Skolsky, who was present during Herrick's naming in 1931, wrote that "Employees have affectionately dubbed their famous statuette 'Oscar'." The Academy credits Skolsky with "the first confirmed newspaper reference" to "Oscar" in his column on March 16, 1934, which was written about that year's 6th Academy Awards. The 1934 awards appeared again in another early media mention of "Oscar": a "Time" magazine story. In the ceremonies that year, Walt Disney was the first to thank the Academy for his "Oscar" during his acceptance speech.
Bruce Davis, in preparing a history of the awards for his book "The Academy and the Award", found that the term "Oscar" had come from Eleanore Lilleberg, a secretary within the Academy when the award was first introduced, as she had been in charge of pre-ceremony handling of the awards. Davis found in an autobiography of Einar Lilleberg, Eleanore's brother, that Einar had referenced a Norwegian army veteran named Oscar the two knew in Chicago, who Einar described as "stood straight and tall".
In 2021, Brazilian researcher Dr. Waldemar Dalenogare Neto found the likely first public mention of the name "Oscar", in journalist Relman Morin's column "Cinematters" in the "Los Angeles Evening Post-Record" on December 5, 1933. As the award did not take place that year, Relman Morin wrote: "What's happened to the annual Academy banquet? As a rule, the banquet and the awarding of "Oscar" the bronze statuette given for best performances, is all over long before this." This information changes the question of Sidney Skolsky as the first to publicly name the name.
Engraving.
To prevent information identifying the Oscar winners from leaking ahead of the ceremony, Oscar statuettes presented at the ceremony have blank baseplates. Until 2010, winners returned their statuettes to the Academy and had to wait several weeks to have their names inscribed on their respective Oscars. Since 2010, winners have had the option of having engraved nameplates applied to their statuettes at an inscription-processing station at the Governor's Ball, a party held immediately after the Oscar ceremony. The R.S. Owens company has engraved nameplates made before the ceremony, bearing the name of every potential winner. The nameplates for the non-winning nominees are later recycled.
Ownership of Oscar statuettes.
Prior to 1950, Oscar statuettes were (and remain) the property of the recipient. Since then the statuettes have been legally encumbered by the requirement that the statuette be first offered for sale back to the Academy for US$1. If a winner refuses to agree to this stipulation, then the Academy keeps the statuette. Academy Awards predating this agreement have been sold in public auctions and private deals for six-figure sums.
In 1989, Michael Todd's grandson tried to sell Todd's Best Picture Oscar for his 1956 production of "Around the World in 80 Days" to a movie prop collector. The Academy earned enforcement of its statuette contract by gaining a permanent injunction against the sale.
In 1992, Harold Russell consigned his 1946 Oscar for Best Supporting Actor for "The Best Years of Our Lives" to auction to raise money for his wife's medical expenses. Though his decision caused controversy, the first-ever Oscar to be sold passed to a private collector on August 6, 1992 for $60,500 ($ today). Russell defended his action, saying, "I don't know why anybody would be critical. My wife's health is much more important than sentimental reasons. The movie will be here, even if Oscar isn't."
In December 2011, Orson Welles' 1941 Oscar for "Citizen Kane" (Academy Award for Best Original Screenplay) was put up for auction, after his heirs won a 2004 court decision contending that Welles did not sign any agreement to return the statue to the Academy. On December 20, 2011, it sold in an online auction for US$861,542 ($ today).
Some buyers have subsequently returned the statuettes to the Academy, which keeps them in its treasury.
Other awards presented by the Academy.
In addition to the Academy Award of Merit (Oscar award), there are nine honorary (non-competitive) awards presented by the Academy from time to time (except for the Academy Honorary Award, the Technical Achievement Award, and the Student Academy Awards, which are presented annually):
The Academy also awards Nicholl Fellowships in Screenwriting.
Nomination.
From 2004 to 2020, the Academy Award nomination results were announced to the public in mid-January. Prior to that, the results were announced in early February. In 2021, the nominees were announced in March. In 2022, the nominees were announced in early February for the first time since 2003.
Voters.
The Academy of Motion Picture Arts and Sciences (AMPAS), a professional honorary organization, maintains a voting membership of over 7,000 .
Academy membership is divided into different branches, with each representing a different discipline in film production. Actors constitute the largest voting bloc, numbering 1,311 members (22 percent) of the Academy's composition. Votes have been certified by the auditing firm PricewaterhouseCoopers (and its predecessor Price Waterhouse) since the 7th Academy Awards in 1935. The firm mails the ballots of eligible nominees to members of the Academy in December to reflect the previous eligible year with a due date sometime in January of the next year, then tabulates the votes in a process that takes thousands of hours.
All AMPAS members must be invited to join by the Board of Governors, on behalf of Academy Branch Executive Committees. Membership eligibility may be achieved by a competitive nomination or a member may submit a name based on other significant contributions to the field of motion pictures.
New membership proposals are considered annually. The Academy does not publicly disclose its membership, although as recently as 2007 press releases have announced the names of those who have been invited to join. The 2007 release also stated that it has just under 6,000 voting members. While the membership had been growing, stricter policies have kept its size steady since then.
In 2012, the results of a study conducted by the "Los Angeles Times" were published describing the demographic breakdown of approximately 88% of AMPAS' voting membership. Of the 5,100+ active voters confirmed, 94% were Caucasian, 77% were male, and 54% were found to be over the age of 60. 33% of voting members are former nominees (14%) and winners (19%).
In May 2011, the Academy sent a letter advising its 6,000 or so voting members that an online system for Oscar voting would be implemented in 2013.
Rules.
According to Rules 2 and 3 of the official Academy Awards Rules, a film must open in the previous calendar year, from midnight at the start of January 1 to midnight at the end of December 31, in Los Angeles County, California, and play for seven consecutive days, to qualify (except for the Best International Feature Film, Best Documentary Feature, and awards in short film categories). Additionally, the film must be shown at least three times on each day of its qualifying run, with at least one of the daily showings starting between 6 pm and 10 pm local time.
For example, the 2009 Best Picture winner, "The Hurt Locker", was originally first released in 2008, but did not qualify for the 2008 awards, as it did not play its Oscar-qualifying run in Los Angeles until mid-2009, thus qualifying for the 2009 awards. Foreign films must include English subtitles, and each country can submit only one film for consideration in the International Feature Film category per year.
Rule 2 states that a film must be feature-length, defined as a minimum of 40 minutes, except for short-subject awards, and it must exist either on a 35 mm or 70 mm film print or in 24 frame/s or 48 frame/s progressive scan digital cinema format with a minimum projector resolution of 2048 by 1080 pixels. Since the 90th Academy Awards, presented in 2018, multi-part and limited series have been ineligible for the Best Documentary Feature award. This followed the win of "", an eight-hour presentation that was screened in a limited release before being broadcast in five parts on ABC and ESPN, in that category in 2017. The Academy's announcement of the new rule made no direct mention of that film.
The Best International Feature Film award does not require a U.S. release. It requires the film to be submitted as its country's official selection.
The Best Documentary Feature award requires either week-long releases in both Los Angeles County and New York City during the previous calendar year, or a qualifying award at a competitive film festival from the Documentary Feature Qualifying Festival list (regardless of any public exhibition or distribution), or submission in the International Feature Film category as its country's official selection. The qualifying theatrical runs must meet the same requirements as those for non-documentary films regarding numbers and times of screenings. Additionally, a film must have been reviewed by a critic from "The New York Times", "Time Out New York", the "Los Angeles Times", or "LA Weekly".
Producers must submit an Official Screen Credits online form before the deadline; in case it is not submitted by the defined deadline, the film will be ineligible for Academy Awards in any year. The form includes the production credits for all related categories. Then, each form is checked and put in a Reminder List of Eligible Releases.
Awards in short film categories (Best Documentary Short Subject, Best Animated Short Film, and Best Live Action Short Film) have noticeably different eligibility rules from most other competitive awards. First, the qualifying period for release does not coincide with a calendar year, instead of covering one year starting on October 1 and ending on September 30 of the calendar year before the ceremony. Second, there are multiple methods of qualification. The main method is a week-long theatrical release in "either" Los Angeles County "or" New York City during the eligibility period. Films also can qualify by winning specified awards at one of several competitive film festivals designated by the Academy, also without regard to prior public distribution. Finally, a film that is selected as a gold, silver, or bronze medal winner in an appropriate category of the immediately previous Student Academy Awards is also eligible (Documentary category for that award, and Animation, Narrative, Alternative, or International for the other awards). The requirements for the qualifying theatrical run are also different from those for other awards. Only one screening per day is required. For the Documentary award, the screening must start between noon and 10 pm local time; for other awards, no specific start time is required, but the film must appear in regular theater listings with dates and screening times.
In late December, ballots, and copies of the Reminder List of Eligible Releases are mailed to around 6,000 active members. For most categories, members from each of the branches vote to determine the nominees only in their respective categories (i.e. only directors vote for directors, writers for writers, actors for actors, etc.). In the special case of Best Picture, all voting members are eligible to select the nominees. In all major categories, a variant of the single transferable vote is used, with each member casting a ballot with up to five nominees (ten for Best Picture) ranked preferentially. In certain categories, including International Feature Film, Documentary and Animated Feature, nominees are selected by special screening committees made up of members from all branches.
In most categories, the winner is selected from among the nominees by plurality voting of all members. Since 2009, the Best Picture winner has been chosen by instant runoff voting. Since 2013, re-weighted range voting has been used to select the nominees for the Best Visual Effects.
Film companies will spend as much as several million dollars on marketing to awards voters for a movie in the running for Best Picture, in attempts to improve chances of receiving Oscars and other movie awards conferred in Oscar season. The Academy enforces rules to limit overt campaigning by its members to try to eliminate excesses and prevent the process from becoming undignified. It has an awards czar on staff who advises members on allowed practices and levies penalties on offenders. For example, a producer of the 2009 Best Picture nominee "The Hurt Locker" was disqualified as a producer in the category when he contacted associates urging them to vote for his film and not another that was seen as the front-runner ("The Hurt Locker" eventually won).
Academy Screening Room.
The Academy Screening Room or Academy Digital Screening Room is a secure streaming platform which allows voting members of the Academy to view all eligible films (except, initially, those in the International category) in one place. It was introduced in 2019, for the 2020 Oscars, though DVD screeners and Academy in-person screenings were still provided. For films to be included on the platform, the North American distributor must pay $12,500, including a watermarking fee, and a digital copy of the film to be prepared for streaming by the Academy. The platform can be accessed via Apple TV and Roku players. The watermarking process involved several video security firms, creating a forensic watermark and restricting the ability to take screenshots or screen recordings.
In 2021, for the 2022 Oscars, the Academy banned all physical screeners and in-person screenings, restricting official membership viewing to the Academy Screening Room. Films eligible in the Documentary and International categories were made available in different sections of the platform. Distributors can also pay an extra fee to add video featurettes to promote their films on the platform. The in-person screenings were said to be cancelled because of the COVID-19 pandemic. Eligible films do not have to be added to the platform, but the Academy advertises them to voting members when they are.
Voters.
The Academy of Motion Picture Arts and Sciences (AMPAS), a professional honorary organization, maintains a voting membership of over 7,000 .
Academy membership is divided into different branches, with each representing a different discipline in film production. Actors constitute the largest voting bloc, numbering 1,311 members (22 percent) of the Academy's composition. Votes have been certified by the auditing firm PricewaterhouseCoopers (and its predecessor Price Waterhouse) since the 7th Academy Awards in 1935. The firm mails the ballots of eligible nominees to members of the Academy in December to reflect the previous eligible year with a due date sometime in January of the next year, then tabulates the votes in a process that takes thousands of hours.
All AMPAS members must be invited to join by the Board of Governors, on behalf of Academy Branch Executive Committees. Membership eligibility may be achieved by a competitive nomination or a member may submit a name based on other significant contributions to the field of motion pictures.
New membership proposals are considered annually. The Academy does not publicly disclose its membership, although as recently as 2007 press releases have announced the names of those who have been invited to join. The 2007 release also stated that it has just under 6,000 voting members. While the membership had been growing, stricter policies have kept its size steady since then.
In 2012, the results of a study conducted by the "Los Angeles Times" were published describing the demographic breakdown of approximately 88% of AMPAS' voting membership. Of the 5,100+ active voters confirmed, 94% were Caucasian, 77% were male, and 54% were found to be over the age of 60. 33% of voting members are former nominees (14%) and winners (19%).
In May 2011, the Academy sent a letter advising its 6,000 or so voting members that an online system for Oscar voting would be implemented in 2013.
Rules.
According to Rules 2 and 3 of the official Academy Awards Rules, a film must open in the previous calendar year, from midnight at the start of January 1 to midnight at the end of December 31, in Los Angeles County, California, and play for seven consecutive days, to qualify (except for the Best International Feature Film, Best Documentary Feature, and awards in short film categories). Additionally, the film must be shown at least three times on each day of its qualifying run, with at least one of the daily showings starting between 6 pm and 10 pm local time.
For example, the 2009 Best Picture winner, "The Hurt Locker", was originally first released in 2008, but did not qualify for the 2008 awards, as it did not play its Oscar-qualifying run in Los Angeles until mid-2009, thus qualifying for the 2009 awards. Foreign films must include English subtitles, and each country can submit only one film for consideration in the International Feature Film category per year.
Rule 2 states that a film must be feature-length, defined as a minimum of 40 minutes, except for short-subject awards, and it must exist either on a 35 mm or 70 mm film print or in 24 frame/s or 48 frame/s progressive scan digital cinema format with a minimum projector resolution of 2048 by 1080 pixels. Since the 90th Academy Awards, presented in 2018, multi-part and limited series have been ineligible for the Best Documentary Feature award. This followed the win of "", an eight-hour presentation that was screened in a limited release before being broadcast in five parts on ABC and ESPN, in that category in 2017. The Academy's announcement of the new rule made no direct mention of that film.
The Best International Feature Film award does not require a U.S. release. It requires the film to be submitted as its country's official selection.
The Best Documentary Feature award requires either week-long releases in both Los Angeles County and New York City during the previous calendar year, or a qualifying award at a competitive film festival from the Documentary Feature Qualifying Festival list (regardless of any public exhibition or distribution), or submission in the International Feature Film category as its country's official selection. The qualifying theatrical runs must meet the same requirements as those for non-documentary films regarding numbers and times of screenings. Additionally, a film must have been reviewed by a critic from "The New York Times", "Time Out New York", the "Los Angeles Times", or "LA Weekly".
Producers must submit an Official Screen Credits online form before the deadline; in case it is not submitted by the defined deadline, the film will be ineligible for Academy Awards in any year. The form includes the production credits for all related categories. Then, each form is checked and put in a Reminder List of Eligible Releases.
Awards in short film categories (Best Documentary Short Subject, Best Animated Short Film, and Best Live Action Short Film) have noticeably different eligibility rules from most other competitive awards. First, the qualifying period for release does not coincide with a calendar year, instead of covering one year starting on October 1 and ending on September 30 of the calendar year before the ceremony. Second, there are multiple methods of qualification. The main method is a week-long theatrical release in "either" Los Angeles County "or" New York City during the eligibility period. Films also can qualify by winning specified awards at one of several competitive film festivals designated by the Academy, also without regard to prior public distribution. Finally, a film that is selected as a gold, silver, or bronze medal winner in an appropriate category of the immediately previous Student Academy Awards is also eligible (Documentary category for that award, and Animation, Narrative, Alternative, or International for the other awards). The requirements for the qualifying theatrical run are also different from those for other awards. Only one screening per day is required. For the Documentary award, the screening must start between noon and 10 pm local time; for other awards, no specific start time is required, but the film must appear in regular theater listings with dates and screening times.
In late December, ballots, and copies of the Reminder List of Eligible Releases are mailed to around 6,000 active members. For most categories, members from each of the branches vote to determine the nominees only in their respective categories (i.e. only directors vote for directors, writers for writers, actors for actors, etc.). In the special case of Best Picture, all voting members are eligible to select the nominees. In all major categories, a variant of the single transferable vote is used, with each member casting a ballot with up to five nominees (ten for Best Picture) ranked preferentially. In certain categories, including International Feature Film, Documentary and Animated Feature, nominees are selected by special screening committees made up of members from all branches.
In most categories, the winner is selected from among the nominees by plurality voting of all members. Since 2009, the Best Picture winner has been chosen by instant runoff voting. Since 2013, re-weighted range voting has been used to select the nominees for the Best Visual Effects.
Film companies will spend as much as several million dollars on marketing to awards voters for a movie in the running for Best Picture, in attempts to improve chances of receiving Oscars and other movie awards conferred in Oscar season. The Academy enforces rules to limit overt campaigning by its members to try to eliminate excesses and prevent the process from becoming undignified. It has an awards czar on staff who advises members on allowed practices and levies penalties on offenders. For example, a producer of the 2009 Best Picture nominee "The Hurt Locker" was disqualified as a producer in the category when he contacted associates urging them to vote for his film and not another that was seen as the front-runner ("The Hurt Locker" eventually won).
Academy Screening Room.
The Academy Screening Room or Academy Digital Screening Room is a secure streaming platform which allows voting members of the Academy to view all eligible films (except, initially, those in the International category) in one place. It was introduced in 2019, for the 2020 Oscars, though DVD screeners and Academy in-person screenings were still provided. For films to be included on the platform, the North American distributor must pay $12,500, including a watermarking fee, and a digital copy of the film to be prepared for streaming by the Academy. The platform can be accessed via Apple TV and Roku players. The watermarking process involved several video security firms, creating a forensic watermark and restricting the ability to take screenshots or screen recordings.
In 2021, for the 2022 Oscars, the Academy banned all physical screeners and in-person screenings, restricting official membership viewing to the Academy Screening Room. Films eligible in the Documentary and International categories were made available in different sections of the platform. Distributors can also pay an extra fee to add video featurettes to promote their films on the platform. The in-person screenings were said to be cancelled because of the COVID-19 pandemic. Eligible films do not have to be added to the platform, but the Academy advertises them to voting members when they are.
Awards ceremonies.
Telecast.
The major awards are presented at a live televised ceremony, commonly in late February or early March following the relevant calendar year, and six weeks after the announcement of the nominees. It is the culmination of the film awards season, which usually begins during November or December of the previous year. This is an elaborate extravaganza, with the invited guests walking up the red carpet in the creations of the most prominent fashion designers of the day. Black tie dress is the most common outfit for men, although fashion may dictate not wearing a bow-tie, and musical performers sometimes do not adhere to this. (The artists who recorded the nominees for Best Original Song quite often perform those songs live at the awards ceremony, and the fact that they are performing is often used to promote the television broadcast.)
The Academy Awards is the world's longest-running awards show televised live from the U.S. to all-time zones in North America and worldwide, and gathers billions of viewers elsewhere throughout the world. The Oscars were first televised in 1953 by NBC, which continued to broadcast the event until 1960, when ABC took over, televising the festivities (including the first color broadcast of the event in 1966) through 1970. NBC regained the rights for five years then ABC resumed broadcast duties in 1976 and its current contract with the Academy runs through 2028. The Academy has also produced condensed versions of the ceremony for broadcast in international markets (especially those outside of the Americas) in more desirable local timeslots. The ceremony was broadcast live internationally for the first time via satellite since 1970, but only two South American countries, Chile and Brazil, purchased the rights to air the broadcast. By that time, the television rights to the Academy Awards had been sold in 50 countries. A decade later, the rights were already being sold to 60 countries, and by 1984, the TV rights to the Awards were licensed in 76 countries.
The ceremonies were moved up from late March/early April to late February, since 2004, to help disrupt and shorten the intense lobbying and ad campaigns associated with Oscar season in the film industry. Another reason was because of the growing TV ratings success coinciding with the NCAA basketball tournament, which would cut into the Academy Awards audience. (In 1976 and 1977, ABC's regained Oscars were moved from Tuesday to Monday and went directly opposite NBC's NCAA title game.) The earlier date is also to the advantage of ABC, as it now usually occurs during the highly profitable and important February sweeps period. Some years, the ceremony is moved into the first Sunday of March to avoid a clash with the Winter Olympic Games. Another reason for the move to late February and early March is also to avoid the awards ceremony occurring so close to the religious holidays of Passover and Easter, which for decades had been a grievance from members and the general public. Advertising is somewhat restricted, however, as traditionally no movie studios or competitors of official Academy Award sponsors may advertise during the telecast. The production of the Academy Awards telecast currently holds the distinction of winning the most Emmys in history, with 47 wins and 195 nominations overall since that award's own launch in 1949.
After many years of being held on Mondays at 9:00 pm Eastern/6:00 p.m Pacific, since the 1999 ceremonies, it was moved to Sundays at 8:30 pm ET/5:30 pm PT. The reasons given for the move were that more viewers would tune in on Sundays, that Los Angeles rush-hour traffic jams could be avoided, and an earlier start time would allow viewers on the East Coast to go to bed earlier. For many years the film industry opposed a Sunday broadcast because it would cut into the weekend box office. In 2010, the Academy contemplated moving the ceremony even further back into January, citing TV viewers' fatigue with the film industry's long awards season. However, such an accelerated schedule would dramatically decrease the voting period for its members, to the point where some voters would only have time to view the contending films streamed on their computers (as opposed to traditionally receiving the films and ballots in the mail). Furthermore, a January ceremony on Sunday would clash with National Football League playoff games. In 2018, the Academy announced that the ceremony would be moved from late February to mid February beginning with the 92nd Academy Awards in 2020.
Originally scheduled for April 8, 1968, the 40th Academy Awards ceremony was postponed for two days, because of the assassination of Dr. Martin Luther King, Jr. On March 30, 1981, the 53rd Academy Awards was postponed for one day, after the shooting of President Ronald Reagan and others in Washington, D.C.
In 1993, an "In Memoriam" segment was introduced, honoring those who had made a significant contribution to cinema who had died in the preceding 12 months, a selection compiled by a small committee of Academy members. This segment has drawn criticism over the years for the omission of some names. Criticism was also levied for many years regarding another aspect, with the segment having a "popularity contest" feel as the audience varied their applause to those who had died by the subject's cultural impact; the applause has since been muted during the telecast, and the audience is discouraged from clapping during the segment and giving silent reflection instead. This segment was later followed by a commercial break.
In terms of broadcast length, the ceremony generally averages three and a half hours. The first Oscars, in 1929, lasted 15 minutes. At the other end of the spectrum, the 2002 ceremony lasted four hours and twenty-three minutes. In 2010, the organizers of the Academy Awards announced winners' acceptance speeches must not run past 45 seconds. This, according to organizer Bill Mechanic, was to ensure the elimination of what he termed "the single most hated thing on the show" – overly long and embarrassing displays of emotion. In 2016, in a further effort to streamline speeches, winners' dedications were displayed on an on-screen ticker. During the 2018 ceremony, host Jimmy Kimmel acknowledged how long the ceremony had become, by announcing that he would give a brand-new jet ski to whoever gave the shortest speech of the night (a reward won by Mark Bridges when accepting his Best Costume Design award for "Phantom Thread"). "The Wall Street Journal" analyzed the average minutes spent across the 2014–2018 telecasts as follows: 14 on song performances; 25 on the hosts' speeches; 38 on prerecorded clips; and 78 on the awards themselves, broken into 24 on the introduction and announcement, 24 on winners walking to the stage, and 30 on their acceptance speeches.
Although still dominant in ratings, the viewership of the Academy Awards has steadily dropped; the 88th Academy Awards were the lowest-rated in the past eight years (although with increases in male and 18–49 viewership), while the show itself also faced mixed reception. Following the show, "Variety" reported that ABC was, in negotiating an extension to its contract to broadcast the Oscars, seeking to have more creative control over the broadcast itself. Currently and nominally, AMPAS is responsible for most aspects of the telecast, including the choice of production staff and hosting, although ABC is allowed to have some input on their decisions. In August 2016, AMPAS extended its contract with ABC through 2028: the contract neither contains any notable changes nor gives ABC any further creative control over the telecast.
TV ratings.
Historically, the telecast's viewership is higher when box-office hits are favored to win the Best Picture award. More than 57.25 million viewers tuned to the telecast for the 70th Academy Awards in 1998, the year of "Titanic", which generated a box office haul during its initial 1997–98 run of US$600.8 million in the US, a box office record that would remain unsurpassed for years. The 76th Academy Awards ceremony, in which "" (pre-telecast box office earnings of US$368 million) received 11 Awards including Best Picture, drew 43.56 million viewers. The most watched ceremony based on Nielsen ratings to date, however, was the 42nd Academy Awards (Best Picture "Midnight Cowboy") which drew a 43.4% household rating on April 7, 1970.
By contrast, ceremonies honoring films that have not performed well at the box office tend to show weaker ratings, despite how much critical acclaim those films have received. The 78th Academy Awards which awarded low-budget independent film "Crash" (with a pre-Oscar gross of US$53.4 million) generated an audience of 38.64 million with a household rating of 22.91%. In 2008, the 80th Academy Awards telecast was watched by 31.76 million viewers on average with an 18.66% household rating, the lowest-rated and least-watched ceremony at the time, in spite of celebrating 80 years of the Academy Awards. The Best Picture winner of that particular ceremony was another independent film ("No Country for Old Men").
Whereas the 92nd Academy Awards drew an average of 23.6 million viewers, the 93rd Academy Awards drew an even lower viewership of 10.4 million. That is the lowest viewership recorded by Nielsen since it started recording audience totals in 1974.
Archive.
The Academy Film Archive holds copies of every Academy Awards ceremony since the 1949 Oscars and material on many prior ceremonies, along with ancillary material related to more recent shows. Copies are held in a variety of film, video, and digital formats.
Telecast.
The major awards are presented at a live televised ceremony, commonly in late February or early March following the relevant calendar year, and six weeks after the announcement of the nominees. It is the culmination of the film awards season, which usually begins during November or December of the previous year. This is an elaborate extravaganza, with the invited guests walking up the red carpet in the creations of the most prominent fashion designers of the day. Black tie dress is the most common outfit for men, although fashion may dictate not wearing a bow-tie, and musical performers sometimes do not adhere to this. (The artists who recorded the nominees for Best Original Song quite often perform those songs live at the awards ceremony, and the fact that they are performing is often used to promote the television broadcast.)
The Academy Awards is the world's longest-running awards show televised live from the U.S. to all-time zones in North America and worldwide, and gathers billions of viewers elsewhere throughout the world. The Oscars were first televised in 1953 by NBC, which continued to broadcast the event until 1960, when ABC took over, televising the festivities (including the first color broadcast of the event in 1966) through 1970. NBC regained the rights for five years then ABC resumed broadcast duties in 1976 and its current contract with the Academy runs through 2028. The Academy has also produced condensed versions of the ceremony for broadcast in international markets (especially those outside of the Americas) in more desirable local timeslots. The ceremony was broadcast live internationally for the first time via satellite since 1970, but only two South American countries, Chile and Brazil, purchased the rights to air the broadcast. By that time, the television rights to the Academy Awards had been sold in 50 countries. A decade later, the rights were already being sold to 60 countries, and by 1984, the TV rights to the Awards were licensed in 76 countries.
The ceremonies were moved up from late March/early April to late February, since 2004, to help disrupt and shorten the intense lobbying and ad campaigns associated with Oscar season in the film industry. Another reason was because of the growing TV ratings success coinciding with the NCAA basketball tournament, which would cut into the Academy Awards audience. (In 1976 and 1977, ABC's regained Oscars were moved from Tuesday to Monday and went directly opposite NBC's NCAA title game.) The earlier date is also to the advantage of ABC, as it now usually occurs during the highly profitable and important February sweeps period. Some years, the ceremony is moved into the first Sunday of March to avoid a clash with the Winter Olympic Games. Another reason for the move to late February and early March is also to avoid the awards ceremony occurring so close to the religious holidays of Passover and Easter, which for decades had been a grievance from members and the general public. Advertising is somewhat restricted, however, as traditionally no movie studios or competitors of official Academy Award sponsors may advertise during the telecast. The production of the Academy Awards telecast currently holds the distinction of winning the most Emmys in history, with 47 wins and 195 nominations overall since that award's own launch in 1949.
After many years of being held on Mondays at 9:00 pm Eastern/6:00 p.m Pacific, since the 1999 ceremonies, it was moved to Sundays at 8:30 pm ET/5:30 pm PT. The reasons given for the move were that more viewers would tune in on Sundays, that Los Angeles rush-hour traffic jams could be avoided, and an earlier start time would allow viewers on the East Coast to go to bed earlier. For many years the film industry opposed a Sunday broadcast because it would cut into the weekend box office. In 2010, the Academy contemplated moving the ceremony even further back into January, citing TV viewers' fatigue with the film industry's long awards season. However, such an accelerated schedule would dramatically decrease the voting period for its members, to the point where some voters would only have time to view the contending films streamed on their computers (as opposed to traditionally receiving the films and ballots in the mail). Furthermore, a January ceremony on Sunday would clash with National Football League playoff games. In 2018, the Academy announced that the ceremony would be moved from late February to mid February beginning with the 92nd Academy Awards in 2020.
Originally scheduled for April 8, 1968, the 40th Academy Awards ceremony was postponed for two days, because of the assassination of Dr. Martin Luther King, Jr. On March 30, 1981, the 53rd Academy Awards was postponed for one day, after the shooting of President Ronald Reagan and others in Washington, D.C.
In 1993, an "In Memoriam" segment was introduced, honoring those who had made a significant contribution to cinema who had died in the preceding 12 months, a selection compiled by a small committee of Academy members. This segment has drawn criticism over the years for the omission of some names. Criticism was also levied for many years regarding another aspect, with the segment having a "popularity contest" feel as the audience varied their applause to those who had died by the subject's cultural impact; the applause has since been muted during the telecast, and the audience is discouraged from clapping during the segment and giving silent reflection instead. This segment was later followed by a commercial break.
In terms of broadcast length, the ceremony generally averages three and a half hours. The first Oscars, in 1929, lasted 15 minutes. At the other end of the spectrum, the 2002 ceremony lasted four hours and twenty-three minutes. In 2010, the organizers of the Academy Awards announced winners' acceptance speeches must not run past 45 seconds. This, according to organizer Bill Mechanic, was to ensure the elimination of what he termed "the single most hated thing on the show" – overly long and embarrassing displays of emotion. In 2016, in a further effort to streamline speeches, winners' dedications were displayed on an on-screen ticker. During the 2018 ceremony, host Jimmy Kimmel acknowledged how long the ceremony had become, by announcing that he would give a brand-new jet ski to whoever gave the shortest speech of the night (a reward won by Mark Bridges when accepting his Best Costume Design award for "Phantom Thread"). "The Wall Street Journal" analyzed the average minutes spent across the 2014–2018 telecasts as follows: 14 on song performances; 25 on the hosts' speeches; 38 on prerecorded clips; and 78 on the awards themselves, broken into 24 on the introduction and announcement, 24 on winners walking to the stage, and 30 on their acceptance speeches.
Although still dominant in ratings, the viewership of the Academy Awards has steadily dropped; the 88th Academy Awards were the lowest-rated in the past eight years (although with increases in male and 18–49 viewership), while the show itself also faced mixed reception. Following the show, "Variety" reported that ABC was, in negotiating an extension to its contract to broadcast the Oscars, seeking to have more creative control over the broadcast itself. Currently and nominally, AMPAS is responsible for most aspects of the telecast, including the choice of production staff and hosting, although ABC is allowed to have some input on their decisions. In August 2016, AMPAS extended its contract with ABC through 2028: the contract neither contains any notable changes nor gives ABC any further creative control over the telecast.
TV ratings.
Historically, the telecast's viewership is higher when box-office hits are favored to win the Best Picture award. More than 57.25 million viewers tuned to the telecast for the 70th Academy Awards in 1998, the year of "Titanic", which generated a box office haul during its initial 1997–98 run of US$600.8 million in the US, a box office record that would remain unsurpassed for years. The 76th Academy Awards ceremony, in which "" (pre-telecast box office earnings of US$368 million) received 11 Awards including Best Picture, drew 43.56 million viewers. The most watched ceremony based on Nielsen ratings to date, however, was the 42nd Academy Awards (Best Picture "Midnight Cowboy") which drew a 43.4% household rating on April 7, 1970.
By contrast, ceremonies honoring films that have not performed well at the box office tend to show weaker ratings, despite how much critical acclaim those films have received. The 78th Academy Awards which awarded low-budget independent film "Crash" (with a pre-Oscar gross of US$53.4 million) generated an audience of 38.64 million with a household rating of 22.91%. In 2008, the 80th Academy Awards telecast was watched by 31.76 million viewers on average with an 18.66% household rating, the lowest-rated and least-watched ceremony at the time, in spite of celebrating 80 years of the Academy Awards. The Best Picture winner of that particular ceremony was another independent film ("No Country for Old Men").
Whereas the 92nd Academy Awards drew an average of 23.6 million viewers, the 93rd Academy Awards drew an even lower viewership of 10.4 million. That is the lowest viewership recorded by Nielsen since it started recording audience totals in 1974.
Archive.
The Academy Film Archive holds copies of every Academy Awards ceremony since the 1949 Oscars and material on many prior ceremonies, along with ancillary material related to more recent shows. Copies are held in a variety of film, video, and digital formats.
Venues.
In 1929, the first Academy Awards were presented at a banquet dinner at The Hollywood Roosevelt Hotel. From 1930 to 1943, the ceremony alternated between two venues: the Ambassador Hotel on Wilshire Boulevard and the Biltmore Hotel in downtown Los Angeles.
Grauman's Chinese Theatre in Hollywood then hosted the awards from 1944 to 1946, followed by the Shrine Auditorium in Los Angeles from 1947 to 1948. The 21st Academy Awards in 1949 were held at the Academy Award Theatre at what had been the Academy's headquarters on Melrose Avenue in Hollywood.
From 1950 to 1960, the awards were presented at Hollywood's Pantages Theatre. With the advent of television, the awards from 1953 to 1957 took place simultaneously in Hollywood and New York, first at the NBC International Theatre (1953) and then at the NBC Century Theatre, after which the ceremony took place solely in Los Angeles. The Oscars moved to the Santa Monica Civic Auditorium in Santa Monica, California, in 1961. By 1969, the Academy decided to move the ceremonies back to Downtown Los Angeles, this time to the Dorothy Chandler Pavilion at the Los Angeles County Music Center. In the late 1990s and early 2000s, the ceremony returned to the Shrine.
In 2002, Hollywood's Dolby Theatre (previously known as the Kodak Theatre) became the presentation's current venue.
Awards of Merit categories.
Current categories.
In the first year of the awards, the Best Directing award was split into two categories (Drama and Comedy). At times, the Best Original Score award has also been split into separate categories (Drama and Comedy/Musical). From the 1930s through the 1960s, the Art Direction (now Production Design), Cinematography, and Costume Design awards were likewise split into two categories (black-and-white films and color films). Prior to 2012, the Production Design award was called Art Direction, while the Makeup and Hairstyling award was called Makeup.
In August 2018, the Academy announced that several categories would not be televised live, but rather be recorded during commercial breaks and aired later in the ceremony.
Following dissent from Academy members, they announced that they would indeed air all 24 categories live. This followed several proposals (among them, the introduction of a Popular Film category) that the Academy had announced but did not implement.
Proposed categories.
The Board of Governors meets each year and considers new award categories. To date, the following categories have been proposed:
Current categories.
In the first year of the awards, the Best Directing award was split into two categories (Drama and Comedy). At times, the Best Original Score award has also been split into separate categories (Drama and Comedy/Musical). From the 1930s through the 1960s, the Art Direction (now Production Design), Cinematography, and Costume Design awards were likewise split into two categories (black-and-white films and color films). Prior to 2012, the Production Design award was called Art Direction, while the Makeup and Hairstyling award was called Makeup.
In August 2018, the Academy announced that several categories would not be televised live, but rather be recorded during commercial breaks and aired later in the ceremony.
Following dissent from Academy members, they announced that they would indeed air all 24 categories live. This followed several proposals (among them, the introduction of a Popular Film category) that the Academy had announced but did not implement.
Proposed categories.
The Board of Governors meets each year and considers new award categories. To date, the following categories have been proposed:
Special categories.
The Special Academy Awards are voted on by special committees, rather than by the Academy membership as a whole. They are not always presented on an annual basis.
Criticism.
Accusations of commercialism.
Due to the positive exposure and prestige of the Academy Awards, many studios spend millions of dollars and hire publicists specifically to promote their films during what is typically called the "Oscar season". This has generated accusations of the Academy Awards being influenced more by marketing than by quality. William Friedkin, an Academy Award-winning film director and former producer of the ceremony, expressed this sentiment at a conference in New York in 2009, describing it as "the greatest promotion scheme that any industry ever devised for itself".
Tim Dirks, editor of AMC's filmsite.org, has written of the Academy Awards:
A recent technique that has been claimed to be used during the Oscar season is the whisper campaign. These campaigns are intended to spread negative perceptions of other movies nominated and are believed to be perpetrated by those that were involved in creating the movie. Examples of whisper campaigns include the allegations against "Zero Dark Thirty" suggesting that it justifies torture and the claim that "Lincoln" distorts history.
Accusations of bias.
Typical criticism of the Academy Awards for Best Picture is that among the winners and nominees there is an over-representation of romantic historical epics, biographical dramas, romantic dramedies and family melodramas, most of which are released in the U.S. in the last three months of the calendar year. The Oscars have been infamously known for selecting specific genres of movies to be awarded. The term "Oscar bait" was coined to describe such movies. This has led, at times, to more specific criticisms that the Academy is disconnected from the audience, e.g., by favoring "Oscar bait" over audience favorites or favoring historical melodramas over critically acclaimed movies that depict current life issues.
Allegations of a lack of diversity.
The Academy Awards have long received criticism over its lack of diversity among the nominees. This criticism is based on the statistics from every Academy Awards since 1929, which shows us that only 6.4% of academy award nominees have been non-white and since 1991, 11.2% of nominees have been non-white, with the rate of winners being even more polarizing. Due to a variety of reasons, including marketability and historical bans on interracial couples, a number of high-profile Oscars have been given to yellowface portrayals, as well as performances of Asian characters rewritten for white characters. The 88th awards ceremony became the target of a boycott, popularized on social media with the hashtag #OscarsSoWhite, based on activists' perception that its all-white acting nominee list reflected bias. In response, the Academy initiated "historic" changes in membership by 2020. Media critics find the Academy's efforts to address its racial, gender, and national biases are merely distractions. Some question whether the Academy's definition of "merit" is unjust and disempowering for BIPOC and non-Americans.
Symbolism or sentimentalization.
Acting prizes in certain years have been criticized for not recognizing superior performances so much as being awarded for personal popularity, to make up for a "snub" for a work that proved in time to be more popular or renowned than the one awarded, or presented as a "career honor" to recognize a distinguished nominee's entire body of work.
Recognition of streaming media film.
Following the 91st Academy Awards in February 2019 in which the Netflix-broadcast film "Roma" had been nominated for ten awards including the Best Picture category, Steven Spielberg and other members of the Academy discussed changing the requirements through the Board of Governors for films as to exclude those from Netflix and other media streaming services. Spielberg had been concerned that Netflix as a movie production and distribution studio could spend much more than typical Oscar-winning films and have much wider and earlier distribution than other Best Picture-nominated films, while still being able to meet the minimal theatrical-run status to qualify for an Oscar. The United States Department of Justice, having heard of this potential rule change, wrote a letter to the Academy in March 2019, cautioning them that placing additional restrictions on films that originate from streaming media services without proper justification could raise anti-trust concerns against the Academy. Following its April 2019 board meeting, the Academy Board of Governors agreed to retain the current rules that allow for streaming media films to be eligible for Oscars as long as they enjoy limited theatrical runs.
2022 Will Smith and Chris Rock slapping incident.
During the 94th Academy Awards on March 27, 2022, Chris Rock joked about Jada Pinkett Smith's shaved head, with a "G.I. Jane" reference. Will Smith walked onstage and slapped Rock across the face, then returned to his seat and told Rock, twice, to "Keep my wife's name out [of] your fucking mouth!" While later accepting the Best Actor award for "King Richard", Smith apologized to the Academy and the other nominees, but not to Rock. Rock decided not to press charges against Smith. On April 8, 2022, the Academy made an announcement on a letter sent by president David Rubin and CEO Dawn Hudson informing the public that Will Smith is banned from the Oscars for 10 years in result from the slap.
Refusals of the award.
Some winners critical of the Academy Awards have boycotted the ceremonies and refused to accept their Oscars. The first to do so was screenwriter Dudley Nichols (Best Writing in 1935 for "The Informer"). Nichols boycotted the 8th Academy Awards ceremony because of conflicts between the Academy and the Writers' Guild. Nichols eventually accepted the 1935 award three years later, at the 1938 ceremony. Nichols was nominated for three further Academy Awards during his career.
George C. Scott became the second person to refuse his award (Best Actor in 1970 for "Patton") at the 43rd Academy Awards ceremony. Scott described it as a "meat parade", saying, "I don't want any part of it."
The third person to refuse the award was Marlon Brando, who refused his award (Best Actor for 1972's "The Godfather"), citing the film industry's discrimination and mistreatment of Native Americans. At the 45th Academy Awards ceremony, Brando asked actress and civil rights activist Sacheen Littlefeather to read a 15-page speech in his place, detailing his criticisms, for which there was booing and cheering by the audience.
Disqualifications.
Six films have had nominations revoked before the official award ceremony:
One film was disqualified after winning the award, and had the winner return the Oscar:
One film had its nomination revoked after the award ceremony when it had not won the Oscar:
Gender segregation.
Some advocates of gender equality and non-binary people have criticized the separation of male and female acting categories in the Academy Awards, Emmy Awards and Tony Awards. Though some commentators worry that gender discrimination would cause men to dominate unsegregated categories, other categories are unsegregated.
Accusations of commercialism.
Due to the positive exposure and prestige of the Academy Awards, many studios spend millions of dollars and hire publicists specifically to promote their films during what is typically called the "Oscar season". This has generated accusations of the Academy Awards being influenced more by marketing than by quality. William Friedkin, an Academy Award-winning film director and former producer of the ceremony, expressed this sentiment at a conference in New York in 2009, describing it as "the greatest promotion scheme that any industry ever devised for itself".
Tim Dirks, editor of AMC's filmsite.org, has written of the Academy Awards:
A recent technique that has been claimed to be used during the Oscar season is the whisper campaign. These campaigns are intended to spread negative perceptions of other movies nominated and are believed to be perpetrated by those that were involved in creating the movie. Examples of whisper campaigns include the allegations against "Zero Dark Thirty" suggesting that it justifies torture and the claim that "Lincoln" distorts history.
Accusations of bias.
Typical criticism of the Academy Awards for Best Picture is that among the winners and nominees there is an over-representation of romantic historical epics, biographical dramas, romantic dramedies and family melodramas, most of which are released in the U.S. in the last three months of the calendar year. The Oscars have been infamously known for selecting specific genres of movies to be awarded. The term "Oscar bait" was coined to describe such movies. This has led, at times, to more specific criticisms that the Academy is disconnected from the audience, e.g., by favoring "Oscar bait" over audience favorites or favoring historical melodramas over critically acclaimed movies that depict current life issues.
Allegations of a lack of diversity.
The Academy Awards have long received criticism over its lack of diversity among the nominees. This criticism is based on the statistics from every Academy Awards since 1929, which shows us that only 6.4% of academy award nominees have been non-white and since 1991, 11.2% of nominees have been non-white, with the rate of winners being even more polarizing. Due to a variety of reasons, including marketability and historical bans on interracial couples, a number of high-profile Oscars have been given to yellowface portrayals, as well as performances of Asian characters rewritten for white characters. The 88th awards ceremony became the target of a boycott, popularized on social media with the hashtag #OscarsSoWhite, based on activists' perception that its all-white acting nominee list reflected bias. In response, the Academy initiated "historic" changes in membership by 2020. Media critics find the Academy's efforts to address its racial, gender, and national biases are merely distractions. Some question whether the Academy's definition of "merit" is unjust and disempowering for BIPOC and non-Americans.
Symbolism or sentimentalization.
Acting prizes in certain years have been criticized for not recognizing superior performances so much as being awarded for personal popularity, to make up for a "snub" for a work that proved in time to be more popular or renowned than the one awarded, or presented as a "career honor" to recognize a distinguished nominee's entire body of work.
Recognition of streaming media film.
Following the 91st Academy Awards in February 2019 in which the Netflix-broadcast film "Roma" had been nominated for ten awards including the Best Picture category, Steven Spielberg and other members of the Academy discussed changing the requirements through the Board of Governors for films as to exclude those from Netflix and other media streaming services. Spielberg had been concerned that Netflix as a movie production and distribution studio could spend much more than typical Oscar-winning films and have much wider and earlier distribution than other Best Picture-nominated films, while still being able to meet the minimal theatrical-run status to qualify for an Oscar. The United States Department of Justice, having heard of this potential rule change, wrote a letter to the Academy in March 2019, cautioning them that placing additional restrictions on films that originate from streaming media services without proper justification could raise anti-trust concerns against the Academy. Following its April 2019 board meeting, the Academy Board of Governors agreed to retain the current rules that allow for streaming media films to be eligible for Oscars as long as they enjoy limited theatrical runs.
2022 Will Smith and Chris Rock slapping incident.
During the 94th Academy Awards on March 27, 2022, Chris Rock joked about Jada Pinkett Smith's shaved head, with a "G.I. Jane" reference. Will Smith walked onstage and slapped Rock across the face, then returned to his seat and told Rock, twice, to "Keep my wife's name out [of] your fucking mouth!" While later accepting the Best Actor award for "King Richard", Smith apologized to the Academy and the other nominees, but not to Rock. Rock decided not to press charges against Smith. On April 8, 2022, the Academy made an announcement on a letter sent by president David Rubin and CEO Dawn Hudson informing the public that Will Smith is banned from the Oscars for 10 years in result from the slap.
Refusals of the award.
Some winners critical of the Academy Awards have boycotted the ceremonies and refused to accept their Oscars. The first to do so was screenwriter Dudley Nichols (Best Writing in 1935 for "The Informer"). Nichols boycotted the 8th Academy Awards ceremony because of conflicts between the Academy and the Writers' Guild. Nichols eventually accepted the 1935 award three years later, at the 1938 ceremony. Nichols was nominated for three further Academy Awards during his career.
George C. Scott became the second person to refuse his award (Best Actor in 1970 for "Patton") at the 43rd Academy Awards ceremony. Scott described it as a "meat parade", saying, "I don't want any part of it."
The third person to refuse the award was Marlon Brando, who refused his award (Best Actor for 1972's "The Godfather"), citing the film industry's discrimination and mistreatment of Native Americans. At the 45th Academy Awards ceremony, Brando asked actress and civil rights activist Sacheen Littlefeather to read a 15-page speech in his place, detailing his criticisms, for which there was booing and cheering by the audience.
Disqualifications.
Six films have had nominations revoked before the official award ceremony:
One film was disqualified after winning the award, and had the winner return the Oscar:
One film had its nomination revoked after the award ceremony when it had not won the Oscar:
Gender segregation.
Some advocates of gender equality and non-binary people have criticized the separation of male and female acting categories in the Academy Awards, Emmy Awards and Tony Awards. Though some commentators worry that gender discrimination would cause men to dominate unsegregated categories, other categories are unsegregated.
Associated events.
The following events are closely associated with the annual Academy Awards:
Presenter and performer gifts.
It has become a tradition to give out gift bags to the presenters and performers at the Oscars. In recent years, these gifts have also been extended to award nominees and winners. The value of each of these gift bags can reach into the tens of thousands of dollars. In 2014, the value was reported to be as high as US$80,000. The value has risen to the point where the U.S. Internal Revenue Service issued a statement regarding the gifts and their taxable status.
Oscar gift bags have included vacation packages to Hawaii and Mexico and Japan, a private dinner party for the recipient and friends at a restaurant, videophones, a four-night stay at a hotel, watches, bracelets, spa treatments, bottles of vodka, maple salad dressing, weight-loss gummie candy and up to $25,000 worth of cosmetic treatments and rejuvenation procedures such as lip fillers and chemical peels from New York City facial plastic surgeon Konstantin Vasyukevich. Some of the gifts have even had a "risque" element to them; in 2014, the adult products retailer Adam & Eve had a "Secret Room Gifting Suite". Celebrities visiting the gifting suite included Judith Hoag, Carolyn Hennesy, Kate Linder, Chris Mulkey, Jim O'Heir, and John Salley.
Television ratings and advertisement prices.
From 2006 onwards, results are Live+SD; all previous years are live viewing.
Notable highest wins and nominees.
By franchises.
The following nominees received multiple nominations (5 or more):
The following winners received multiple awards (2 or more):
By people.
The following nominees received multiple nominations (5 or more):
The following winners received multiple awards including honorary or non-competitive (3 or more):
By franchises.
The following nominees received multiple nominations (5 or more):
The following winners received multiple awards (2 or more):
By people.
The following nominees received multiple nominations (5 or more):
The following winners received multiple awards including honorary or non-competitive (3 or more):
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Azerbaijan
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Azerbaijan (, ; ), officially the Republic of Azerbaijan, is a transcontinental country located at the boundary of Eastern Europe and Western Asia. It is a part of the South Caucasus region and is bounded by the Caspian Sea to the east, Russia (Republic of Dagestan) to the north, Georgia to the northwest, Armenia and Turkey to the west, and Iran to the south. Baku is the capital and largest city.
The Azerbaijan Democratic Republic proclaimed its independence from the Transcaucasian Democratic Federative Republic in 1918 and became the first secular democratic Muslim-majority state. In 1920, the country was incorporated into the Soviet Union as the Azerbaijan SSR. The modern Republic of Azerbaijan proclaimed its independence on 30 August 1991, shortly before the dissolution of the Soviet Union in the same year. In September 1991, the ethnic Armenian majority of the Nagorno-Karabakh region formed the self-proclaimed Republic of Artsakh. The region and seven surrounding districts are internationally recognized as part of Azerbaijan pending a solution to the status of the Nagorno-Karabakh through negotiations facilitated by the OSCE, although became "de facto" independent with the end of the First Nagorno-Karabakh War in 1994. Following the Second Nagorno-Karabakh War in 2020, the seven districts and parts of Nagorno-Karabakh were returned to Azerbaijani control.
Azerbaijan is a unitary semi-presidential republic. It is one of six independent Turkic states and an active member of the Organization of Turkic States and the TÜRKSOY community. Azerbaijan has diplomatic relations with 182 countries and holds membership in 38 international organizations, including the United Nations, the Council of Europe, the Non-Aligned Movement, the OSCE, and the NATO PfP program. It is one of the founding members of GUAM, the CIS, and the OPCW. Azerbaijan is also an observer state of the WTO.
The vast majority of the country's population (97%) is nominally Muslim, but the constitution does not declare an official religion and all major political forces in the country are secularist. Azerbaijan is a developing country and ranks 88th on the Human Development Index. It has a high rate of economic development, literacy, and a low rate of unemployment. However, the ruling New Azerbaijan Party, in power since 1993, has been accused of authoritarian leadership under the leadership of both Heydar Aliyev and his son Ilham Aliyev, and deteriorating the country's human rights record, including increasing restrictions on civil liberties, particularly on press freedom and political repression.
Etymology.
According to a modern etymology, the term "Azerbaijan" derives from that of "Atropates", a Persian satrap under the Achaemenid Empire, who was later reinstated as the satrap of Media under Alexander the Great. The original etymology of this name is thought to have its roots in the once-dominant Zoroastrianism. In the Avesta's "Frawardin Yasht" ("Hymn to the Guardian Angels"), there is a mention of , which literally translates from Avestan as "we worship the fravashi of the holy Atropatene". The name "Atropates" itself is the Greek transliteration of an Old Iranian, probably Median, compounded name with the meaning "Protected by the (Holy) Fire" or "The Land of the (Holy) Fire". The Greek name was mentioned by Diodorus Siculus and Strabo. Over the span of millennia, the name evolved to (Middle Persian), then to , , (New Persian) and present-day "Azerbaijan".
The name "Azerbaijan" was first adopted for the area of the present-day Republic of Azerbaijan by the government of Musavat in 1918, after the collapse of the Russian Empire, when the independent Azerbaijan Democratic Republic was established. Until then, the designation had been used exclusively to identify the adjacent region of contemporary northwestern Iran, while the area of the Azerbaijan Democratic Republic was formerly referred to as "Arran" and "Shirvan". On that basis Iran protested the newly adopted country name.
During the Soviet rule, the country was also spelled in Latin from the Russian transliteration as ' (). The country's name was also spelled in Cyrillic script from 1940 to 1991 as '.
History.
Antiquity.
The earliest evidence of human settlement in the territory of Azerbaijan dates back to the late Stone Age and is related to the Guruchay culture of Azykh Cave.
Early settlements included the Scythians during the 9th century BC. Following the Scythians, Iranian Medes came to dominate the area to the south of the Aras river. The Medes forged a vast empire between 900 and 700 BC, which was integrated into the Achaemenid Empire around 550 BC. The area was conquered by the Achaemenids leading to the spread of Zoroastrianism.
From the Sasanid period to the Safavid period.
The Sasanian Empire turned Caucasian Albania into a vassal state in 252, while King Urnayr officially adopted Christianity as the state religion in the 4th century. Despite Sassanid rule, Albania remained an entity in the region until the 9th century, while fully subordinate to Sassanid Iran, and retained its monarchy. Despite being one of the chief vassals of the Sasanian emperor, the Albanian king had only a semblance of authority, and the Sasanian marzban (military governor) held most civil, religious, and military authority.
In the first half of the 7th century, Caucasian Albania, as a vassal of the Sasanians, came under nominal Muslim rule due to the Muslim conquest of Persia. The Umayyad Caliphate repulsed both the Sasanians and Byzantines from the South Caucasus and turned Caucasian Albania into a vassal state after Christian resistance led by King Javanshir was suppressed in 667. The power vacuum left by the decline of the Abbasid Caliphate was filled by numerous local dynasties such as the Sallarids, Sajids, and Shaddadids. At the beginning of the 11th century, the territory was gradually seized by the waves of Oghuz Turks from Central Asia, who adopted a Turkoman ethnonym at the time. The first of these Turkic dynasties established was the Seljuk Empire, which entered the area now known as Azerbaijan by 1067.
The pre-Turkic population that lived on the territory of modern Azerbaijan spoke several Indo-European and Caucasian languages, among them Armenian and an Iranian language, Old Azeri, which was gradually replaced by a Turkic language, the early precursor of the Azerbaijani language of today. Some linguists have also stated that the Tati dialects of Iranian Azerbaijan and the Republic of Azerbaijan, like those spoken by the Tats, are descended from Old Azeri.
Locally, the possessions of the subsequent Seljuk Empire were ruled by Eldiguzids, technically vassals of the Seljuk sultans, but sometimes "de facto" rulers themselves. Under the Seljuks, local poets such as Nizami Ganjavi and Khaqani gave rise to a blossoming of Persian literature on the territory of present-day Azerbaijan.
The local dynasty of the Shirvanshahs became a vassal state of Timur's empire and assisted him in his war with the ruler of the Golden Horde Tokhtamysh. Following Timur's death, two independent and rival states emerged: Qara Qoyunlu and Aq Qoyunlu. The Shirvanshahs returned, maintaining for numerous centuries to come a high degree of autonomy as local rulers and vassals as they had done since 861. In 1501, the Safavid dynasty of Iran subdued the Shirvanshahs and gained its possessions. In the course of the next century, the Safavids converted the formerly Sunni population to Shia Islam, as they did with the population in what is modern-day Iran. The Safavids allowed the Shirvanshahs to remain in power, under Safavid suzerainty, until 1538, when Safavid king Tahmasp I (r. 1524–1576) completely deposed them, and made the area into the Safavid province of Shirvan. The Sunni Ottomans briefly managed to occupy parts of present-day Azerbaijan as a result of the Ottoman–Safavid War of 1578–1590; by the early 17th century, they were ousted by Safavid Iranian ruler Abbas I (r. 1588–1629). In the wake of the demise of the Safavid Empire, Baku and its environs were briefly occupied by the Russians as a consequence of the Russo-Persian War of 1722–1723. Despite brief intermissions such as these by Safavid Iran's neighboring rivals, the land of what is today Azerbaijan remained under Iranian rule from the earliest advent of the Safavids up to the course of the 19th century.
Modern history.
After the Safavids, the area was ruled by the Iranian Afsharid dynasty. After the death of Nader Shah (r. 1736–1747), many of his former subjects capitalized on the eruption of instability. Numerous self-ruling khanates with various forms of autonomy emerged in the area. The rulers of these khanates were directly related to the ruling dynasties of Iran and were vassals and subjects of the Iranian shah. The khanates exercised control over their affairs via international trade routes between Central Asia and the West.
Thereafter, the area was under the successive rule of the Iranian Zands and Qajars. From the late 18th century, Imperial Russia switched to a more aggressive geo-political stance towards its two neighbors and rivals to the south, namely Iran and the Ottoman Empire. Russia now actively tried to gain possession of the Caucasus region which was, for the most part, in the hands of Iran. In 1804, the Russians invaded and sacked the Iranian town of Ganja, sparking the Russo-Persian War of 1804–1813. The militarily superior Russians ended the Russo-Persian War of 1804–1813 with a victory.
Following Qajar Iran's loss in the 1804–1813 war, it was forced to concede suzerainty over most of the khanates, along with Georgia and Dagestan to the Russian Empire, per the Treaty of Gulistan.
The area to the north of the river Aras, amongst which territory lies the contemporary Republic of Azerbaijan, was Iranian territory until Russia occupied it in the 19th century. About a decade later, in violation of the Gulistan treaty, the Russians invaded Iran's Erivan Khanate. This sparked the final bout of hostilities between the two, the Russo-Persian War of 1826–1828. The resulting Treaty of Turkmenchay, forced Qajar Iran to cede sovereignty over the Erivan Khanate, the Nakhchivan Khanate and the remainder of the Talysh Khanate, comprising the last parts of the soil of the contemporary Azerbaijani Republic that were still in Iranian hands. After the incorporation of all Caucasian territories from Iran into Russia, the new border between the two was set at the Aras River, which, upon the Soviet Union's disintegration, subsequently became part of the border between Iran and the Azerbaijan Republic.
Qajar Iran was forced to cede its Caucasian territories to Russia in the 19th century, which thus included the territory of the modern-day Azerbaijan Republic, while as a result of that cession, the Azerbaijani ethnic group is nowadays parted between two nations: Iran and Azerbaijan.
Despite the Russian conquest, throughout the entire 19th century, preoccupation with Iranian culture, literature, and language remained widespread amongst Shia and Sunni intellectuals in the Russian-held cities of Baku, Ganja and Tiflis (Tbilisi, now Georgia). Within the same century, in post-Iranian Russian-held East Caucasia, an Azerbaijani national identity emerged at the end of the 19th century.
After the collapse of the Russian Empire during World War I, the short-lived Transcaucasian Democratic Federative Republic was declared, constituting the present-day republics of Azerbaijan, Georgia, and Armenia.
It was followed by the March Days massacres that took place between 30 March and 2 April 1918 in the city of Baku and adjacent areas of the Baku Governorate of the Russian Empire. When the republic dissolved in May 1918, the leading Musavat party declared independence as the Azerbaijan Democratic Republic (ADR), adopting the name of "Azerbaijan" for the new republic; a name that prior to the proclamation of the ADR was solely used to refer to the adjacent northwestern region of contemporary Iran. The ADR was the first modern parliamentary republic in the Muslim world. Among the important accomplishments of the Parliament was the extension of suffrage to women, making Azerbaijan the first Muslim nation to grant women equal political rights with men. Another important accomplishment of ADR was the establishment of Baku State University, which was the first modern-type university founded in the Muslim East.
By March 1920, it was obvious that Soviet Russia would attack Baku. Vladimir Lenin said that the invasion was justified as Soviet Russia could not survive without Baku's oil. Independent Azerbaijan lasted only 23 months until the Bolshevik 11th Soviet Red Army invaded it, establishing the Azerbaijan SSR on 28 April 1920. Although the bulk of the newly formed Azerbaijani army was engaged in putting down an Armenian revolt that had just broken out in Karabakh, Azerbaijanis did not surrender their brief independence of 1918–20 quickly or easily. As many as 20,000 Azerbaijani soldiers died resisting what was effectively a Russian reconquest. Within the ensuing early Soviet period, the Azerbaijani national identity was finally forged.
On 13 October 1921, the Soviet republics of Russia, Armenia, Azerbaijan, and Georgia signed an agreement with Turkey known as the Treaty of Kars. The previously independent Republic of Aras would also become the Nakhchivan Autonomous Soviet Socialist Republic within the Azerbaijan SSR by the treaty of Kars. On the other hand, Armenia was awarded the region of Zangezur and Turkey agreed to return Gyumri (then known as Alexandropol).
During World War II, Azerbaijan played a crucial role in the strategic energy policy of the Soviet Union, with 80 percent of the Soviet Union's oil on the Eastern Front being supplied by Baku. By the Decree of the Supreme Soviet of the USSR in February 1942, the commitment of more than 500 workers and employees of the oil industry of Azerbaijan were awarded orders and medals. Operation Edelweiss carried out by the German Wehrmacht targeted Baku because of its importance as the energy (petroleum) dynamo of the USSR. A fifth of all Azerbaijanis fought in the Second World War from 1941 to 1945. Approximately 681,000 people with over 100,000 of them women, went to the front, while the total population of Azerbaijan was 3.4 million at the time. Some 250,000 people from Azerbaijan were killed on the front. More than 130 Azerbaijanis were named Heroes of the Soviet Union. Azerbaijani Major-General Azi Aslanov was twice awarded the Hero of the Soviet Union.
Independence.
Following the politics of "glasnost", initiated by Mikhail Gorbachev, civil unrest and ethnic strife grew in various regions of the Soviet Union, including Nagorno-Karabakh, an autonomous region of the Azerbaijan SSR. The disturbances in Azerbaijan, in response to Moscow's indifference to an already heated conflict, resulted in calls for independence and secession, which culminated in the Black January events in Baku. Later in 1990, the Supreme Council of the Azerbaijan SSR dropped the words "Soviet Socialist" from the title, adopted the "Declaration of Sovereignty of the Azerbaijan Republic" and restored the flag of the Azerbaijan Democratic Republic as the state flag. As a consequence of the failed 1991 Soviet coup d'état attempt in Moscow, the Supreme Council of Azerbaijan adopted a Declaration of Independence on 18 October 1991, which was affirmed by a nationwide referendum in December 1991, while the Soviet Union officially ceased to exist on 26 December 1991. The country now celebrates its Independence Day on 18 October.
The early years of independence were overshadowed by the First Nagorno-Karabakh war with the ethnic Armenian majority of Nagorno-Karabakh backed by Armenia. By the end of the hostilities in 1994, Armenians controlled up to 14–16 percent of Azerbaijani territory, including Nagorno-Karabakh itself. During the war many atrocities and pogroms by both sides were committed including the massacres at Malibeyli and Gushchular, the Garadaghly massacre and the Khojaly massacres, along with the Baku pogrom, the Maraga massacre and the Kirovabad pogrom. Furthermore, an estimated 30,000 people have been killed and more than a million people have been displaced, more than 800,000 Azerbaijanis and 300,000 Armenians. Four United Nations Security Council Resolutions (822, 853, 874, and 884) demand for "the immediate withdrawal of all Armenian forces from all occupied territories of Azerbaijan." Many Russians and Armenians left and fled Azerbaijan as refugees during the 1990s. According to the 1970 census, there were 510,000 ethnic Russians and 484,000 Armenians in Azerbaijan.
Heydar Aliyev, 1993–today.
In 1993, democratically elected president Abulfaz Elchibey was overthrown by a military insurrection led by Colonel Surat Huseynov, which resulted in the rise to power of the former leader of Soviet Azerbaijan, Heydar Aliyev. In 1994, Surat Huseynov, by that time the prime minister, attempted another military coup against Heydar Aliyev, but he was arrested and charged with treason. A year later, in 1995, another coup was attempted against Aliyev, this time by the commander of the OMON special unit, Rovshan Javadov. The coup was averted, resulting in the killing of the latter and disbanding of Azerbaijan's OMON units. At the same time, the country was tainted by rampant corruption in the governing bureaucracy. In October 1998, Aliyev was reelected for a second term. Despite the much improved economy, particularly with the exploitation of the Azeri–Chirag–Guneshli oil field and Shah Deniz gas field, Aliyev's presidency was criticized due to suspected election fraud, high levels of economic inequality and domestic corruption.
Ilham Aliyev, Heydar Aliyev's son, became chairman of the New Azerbaijan Party as well as President of Azerbaijan when his father died in 2003. He was reelected to a third term as president in October 2013. In April 2018, President Ilham Aliyev secured his fourth consecutive term in the election that was boycotted by the main opposition parties as fraudulent. On 27 September 2020, new clashes in the unresolved Nagorno-Karabakh conflict resumed along the Nagorno-Karabakh Line of Contact. Both the armed forces of Azerbaijan and Armenia reported military and civilian casualties. The Nagorno-Karabakh ceasefire agreement and the end of the six-week war between Azerbaijan and Armenia was widely celebrated in Azerbaijan, as they made significant territorial gains.
Antiquity.
The earliest evidence of human settlement in the territory of Azerbaijan dates back to the late Stone Age and is related to the Guruchay culture of Azykh Cave.
Early settlements included the Scythians during the 9th century BC. Following the Scythians, Iranian Medes came to dominate the area to the south of the Aras river. The Medes forged a vast empire between 900 and 700 BC, which was integrated into the Achaemenid Empire around 550 BC. The area was conquered by the Achaemenids leading to the spread of Zoroastrianism.
From the Sasanid period to the Safavid period.
The Sasanian Empire turned Caucasian Albania into a vassal state in 252, while King Urnayr officially adopted Christianity as the state religion in the 4th century. Despite Sassanid rule, Albania remained an entity in the region until the 9th century, while fully subordinate to Sassanid Iran, and retained its monarchy. Despite being one of the chief vassals of the Sasanian emperor, the Albanian king had only a semblance of authority, and the Sasanian marzban (military governor) held most civil, religious, and military authority.
In the first half of the 7th century, Caucasian Albania, as a vassal of the Sasanians, came under nominal Muslim rule due to the Muslim conquest of Persia. The Umayyad Caliphate repulsed both the Sasanians and Byzantines from the South Caucasus and turned Caucasian Albania into a vassal state after Christian resistance led by King Javanshir was suppressed in 667. The power vacuum left by the decline of the Abbasid Caliphate was filled by numerous local dynasties such as the Sallarids, Sajids, and Shaddadids. At the beginning of the 11th century, the territory was gradually seized by the waves of Oghuz Turks from Central Asia, who adopted a Turkoman ethnonym at the time. The first of these Turkic dynasties established was the Seljuk Empire, which entered the area now known as Azerbaijan by 1067.
The pre-Turkic population that lived on the territory of modern Azerbaijan spoke several Indo-European and Caucasian languages, among them Armenian and an Iranian language, Old Azeri, which was gradually replaced by a Turkic language, the early precursor of the Azerbaijani language of today. Some linguists have also stated that the Tati dialects of Iranian Azerbaijan and the Republic of Azerbaijan, like those spoken by the Tats, are descended from Old Azeri.
Locally, the possessions of the subsequent Seljuk Empire were ruled by Eldiguzids, technically vassals of the Seljuk sultans, but sometimes "de facto" rulers themselves. Under the Seljuks, local poets such as Nizami Ganjavi and Khaqani gave rise to a blossoming of Persian literature on the territory of present-day Azerbaijan.
The local dynasty of the Shirvanshahs became a vassal state of Timur's empire and assisted him in his war with the ruler of the Golden Horde Tokhtamysh. Following Timur's death, two independent and rival states emerged: Qara Qoyunlu and Aq Qoyunlu. The Shirvanshahs returned, maintaining for numerous centuries to come a high degree of autonomy as local rulers and vassals as they had done since 861. In 1501, the Safavid dynasty of Iran subdued the Shirvanshahs and gained its possessions. In the course of the next century, the Safavids converted the formerly Sunni population to Shia Islam, as they did with the population in what is modern-day Iran. The Safavids allowed the Shirvanshahs to remain in power, under Safavid suzerainty, until 1538, when Safavid king Tahmasp I (r. 1524–1576) completely deposed them, and made the area into the Safavid province of Shirvan. The Sunni Ottomans briefly managed to occupy parts of present-day Azerbaijan as a result of the Ottoman–Safavid War of 1578–1590; by the early 17th century, they were ousted by Safavid Iranian ruler Abbas I (r. 1588–1629). In the wake of the demise of the Safavid Empire, Baku and its environs were briefly occupied by the Russians as a consequence of the Russo-Persian War of 1722–1723. Despite brief intermissions such as these by Safavid Iran's neighboring rivals, the land of what is today Azerbaijan remained under Iranian rule from the earliest advent of the Safavids up to the course of the 19th century.
Modern history.
After the Safavids, the area was ruled by the Iranian Afsharid dynasty. After the death of Nader Shah (r. 1736–1747), many of his former subjects capitalized on the eruption of instability. Numerous self-ruling khanates with various forms of autonomy emerged in the area. The rulers of these khanates were directly related to the ruling dynasties of Iran and were vassals and subjects of the Iranian shah. The khanates exercised control over their affairs via international trade routes between Central Asia and the West.
Thereafter, the area was under the successive rule of the Iranian Zands and Qajars. From the late 18th century, Imperial Russia switched to a more aggressive geo-political stance towards its two neighbors and rivals to the south, namely Iran and the Ottoman Empire. Russia now actively tried to gain possession of the Caucasus region which was, for the most part, in the hands of Iran. In 1804, the Russians invaded and sacked the Iranian town of Ganja, sparking the Russo-Persian War of 1804–1813. The militarily superior Russians ended the Russo-Persian War of 1804–1813 with a victory.
Following Qajar Iran's loss in the 1804–1813 war, it was forced to concede suzerainty over most of the khanates, along with Georgia and Dagestan to the Russian Empire, per the Treaty of Gulistan.
The area to the north of the river Aras, amongst which territory lies the contemporary Republic of Azerbaijan, was Iranian territory until Russia occupied it in the 19th century. About a decade later, in violation of the Gulistan treaty, the Russians invaded Iran's Erivan Khanate. This sparked the final bout of hostilities between the two, the Russo-Persian War of 1826–1828. The resulting Treaty of Turkmenchay, forced Qajar Iran to cede sovereignty over the Erivan Khanate, the Nakhchivan Khanate and the remainder of the Talysh Khanate, comprising the last parts of the soil of the contemporary Azerbaijani Republic that were still in Iranian hands. After the incorporation of all Caucasian territories from Iran into Russia, the new border between the two was set at the Aras River, which, upon the Soviet Union's disintegration, subsequently became part of the border between Iran and the Azerbaijan Republic.
Qajar Iran was forced to cede its Caucasian territories to Russia in the 19th century, which thus included the territory of the modern-day Azerbaijan Republic, while as a result of that cession, the Azerbaijani ethnic group is nowadays parted between two nations: Iran and Azerbaijan.
Despite the Russian conquest, throughout the entire 19th century, preoccupation with Iranian culture, literature, and language remained widespread amongst Shia and Sunni intellectuals in the Russian-held cities of Baku, Ganja and Tiflis (Tbilisi, now Georgia). Within the same century, in post-Iranian Russian-held East Caucasia, an Azerbaijani national identity emerged at the end of the 19th century.
After the collapse of the Russian Empire during World War I, the short-lived Transcaucasian Democratic Federative Republic was declared, constituting the present-day republics of Azerbaijan, Georgia, and Armenia.
It was followed by the March Days massacres that took place between 30 March and 2 April 1918 in the city of Baku and adjacent areas of the Baku Governorate of the Russian Empire. When the republic dissolved in May 1918, the leading Musavat party declared independence as the Azerbaijan Democratic Republic (ADR), adopting the name of "Azerbaijan" for the new republic; a name that prior to the proclamation of the ADR was solely used to refer to the adjacent northwestern region of contemporary Iran. The ADR was the first modern parliamentary republic in the Muslim world. Among the important accomplishments of the Parliament was the extension of suffrage to women, making Azerbaijan the first Muslim nation to grant women equal political rights with men. Another important accomplishment of ADR was the establishment of Baku State University, which was the first modern-type university founded in the Muslim East.
By March 1920, it was obvious that Soviet Russia would attack Baku. Vladimir Lenin said that the invasion was justified as Soviet Russia could not survive without Baku's oil. Independent Azerbaijan lasted only 23 months until the Bolshevik 11th Soviet Red Army invaded it, establishing the Azerbaijan SSR on 28 April 1920. Although the bulk of the newly formed Azerbaijani army was engaged in putting down an Armenian revolt that had just broken out in Karabakh, Azerbaijanis did not surrender their brief independence of 1918–20 quickly or easily. As many as 20,000 Azerbaijani soldiers died resisting what was effectively a Russian reconquest. Within the ensuing early Soviet period, the Azerbaijani national identity was finally forged.
On 13 October 1921, the Soviet republics of Russia, Armenia, Azerbaijan, and Georgia signed an agreement with Turkey known as the Treaty of Kars. The previously independent Republic of Aras would also become the Nakhchivan Autonomous Soviet Socialist Republic within the Azerbaijan SSR by the treaty of Kars. On the other hand, Armenia was awarded the region of Zangezur and Turkey agreed to return Gyumri (then known as Alexandropol).
During World War II, Azerbaijan played a crucial role in the strategic energy policy of the Soviet Union, with 80 percent of the Soviet Union's oil on the Eastern Front being supplied by Baku. By the Decree of the Supreme Soviet of the USSR in February 1942, the commitment of more than 500 workers and employees of the oil industry of Azerbaijan were awarded orders and medals. Operation Edelweiss carried out by the German Wehrmacht targeted Baku because of its importance as the energy (petroleum) dynamo of the USSR. A fifth of all Azerbaijanis fought in the Second World War from 1941 to 1945. Approximately 681,000 people with over 100,000 of them women, went to the front, while the total population of Azerbaijan was 3.4 million at the time. Some 250,000 people from Azerbaijan were killed on the front. More than 130 Azerbaijanis were named Heroes of the Soviet Union. Azerbaijani Major-General Azi Aslanov was twice awarded the Hero of the Soviet Union.
Independence.
Following the politics of "glasnost", initiated by Mikhail Gorbachev, civil unrest and ethnic strife grew in various regions of the Soviet Union, including Nagorno-Karabakh, an autonomous region of the Azerbaijan SSR. The disturbances in Azerbaijan, in response to Moscow's indifference to an already heated conflict, resulted in calls for independence and secession, which culminated in the Black January events in Baku. Later in 1990, the Supreme Council of the Azerbaijan SSR dropped the words "Soviet Socialist" from the title, adopted the "Declaration of Sovereignty of the Azerbaijan Republic" and restored the flag of the Azerbaijan Democratic Republic as the state flag. As a consequence of the failed 1991 Soviet coup d'état attempt in Moscow, the Supreme Council of Azerbaijan adopted a Declaration of Independence on 18 October 1991, which was affirmed by a nationwide referendum in December 1991, while the Soviet Union officially ceased to exist on 26 December 1991. The country now celebrates its Independence Day on 18 October.
The early years of independence were overshadowed by the First Nagorno-Karabakh war with the ethnic Armenian majority of Nagorno-Karabakh backed by Armenia. By the end of the hostilities in 1994, Armenians controlled up to 14–16 percent of Azerbaijani territory, including Nagorno-Karabakh itself. During the war many atrocities and pogroms by both sides were committed including the massacres at Malibeyli and Gushchular, the Garadaghly massacre and the Khojaly massacres, along with the Baku pogrom, the Maraga massacre and the Kirovabad pogrom. Furthermore, an estimated 30,000 people have been killed and more than a million people have been displaced, more than 800,000 Azerbaijanis and 300,000 Armenians. Four United Nations Security Council Resolutions (822, 853, 874, and 884) demand for "the immediate withdrawal of all Armenian forces from all occupied territories of Azerbaijan." Many Russians and Armenians left and fled Azerbaijan as refugees during the 1990s. According to the 1970 census, there were 510,000 ethnic Russians and 484,000 Armenians in Azerbaijan.
Heydar Aliyev, 1993–today.
In 1993, democratically elected president Abulfaz Elchibey was overthrown by a military insurrection led by Colonel Surat Huseynov, which resulted in the rise to power of the former leader of Soviet Azerbaijan, Heydar Aliyev. In 1994, Surat Huseynov, by that time the prime minister, attempted another military coup against Heydar Aliyev, but he was arrested and charged with treason. A year later, in 1995, another coup was attempted against Aliyev, this time by the commander of the OMON special unit, Rovshan Javadov. The coup was averted, resulting in the killing of the latter and disbanding of Azerbaijan's OMON units. At the same time, the country was tainted by rampant corruption in the governing bureaucracy. In October 1998, Aliyev was reelected for a second term. Despite the much improved economy, particularly with the exploitation of the Azeri–Chirag–Guneshli oil field and Shah Deniz gas field, Aliyev's presidency was criticized due to suspected election fraud, high levels of economic inequality and domestic corruption.
Ilham Aliyev, Heydar Aliyev's son, became chairman of the New Azerbaijan Party as well as President of Azerbaijan when his father died in 2003. He was reelected to a third term as president in October 2013. In April 2018, President Ilham Aliyev secured his fourth consecutive term in the election that was boycotted by the main opposition parties as fraudulent. On 27 September 2020, new clashes in the unresolved Nagorno-Karabakh conflict resumed along the Nagorno-Karabakh Line of Contact. Both the armed forces of Azerbaijan and Armenia reported military and civilian casualties. The Nagorno-Karabakh ceasefire agreement and the end of the six-week war between Azerbaijan and Armenia was widely celebrated in Azerbaijan, as they made significant territorial gains.
Geography.
Geographically, Azerbaijan is located in the South Caucasus region of Eurasia, straddling Western Asia and Eastern Europe. It lies between latitudes 38° and 42° N, and longitudes 44° and 51° E. The total length of Azerbaijan's land borders is , of which are with Armenia, with Iran, 480 kilometers with Georgia, with Russia and with Turkey. The coastline stretches for , and the length of the widest area of the Azerbaijani section of the Caspian Sea is . The country has a landlocked exclave, the Nakhchivan Autonomous Republic.
Three physical features dominate Azerbaijan: the Caspian Sea, whose shoreline forms a natural boundary to the east; the Greater Caucasus mountain range to the north; and the extensive flatlands at the country's center. There are also three mountain ranges, the Greater and Lesser Caucasus, and the Talysh Mountains, together covering approximately 40% of the country. The highest peak of Azerbaijan is Mount Bazardüzü , while the lowest point lies in the Caspian Sea . Nearly half of all the mud volcanoes on Earth are concentrated in Azerbaijan, these volcanoes were also among nominees for the New7Wonders of Nature.
The main water sources are surface waters. Only 24 of the 8,350 rivers are greater than in length. All the rivers drain into the Caspian Sea in the east of the country. The largest lake is Sarysu , and the longest river is Kur , which is transboundary with Armenia. Azerbaijan has several islands along the Caspian sea, mostly located in the Baku Archipelago.
Since the independence of Azerbaijan in 1991, the Azerbaijani government has taken measures to preserve the environment of Azerbaijan. National protection of the environment accelerated after 2001 when the state budget increased due to new revenues provided by the Baku–Tbilisi–Ceyhan pipeline. Within four years, protected areas doubled and now make up eight percent of the country's territory. Since 2001 the government has set up seven large reserves and almost doubled the sector of the budget earmarked for environmental protection.
Landscape.
Azerbaijan is home to a wide variety of landscapes. Over half of Azerbaijan's landmass consists of mountain ridges, crests, highlands, and plateaus which rise up to hypsometric levels of 400–1000 meters (including the Middle and Lower lowlands), in some places (Talis, Jeyranchol-Ajinohur and Langabiz-Alat foreranges) up to 100–120 meters, and others from 0–50 meters and up (Qobustan, Absheron). The rest of Azerbaijan's terrain consists of plains and lowlands. Hypsometric marks within the Caucasus region vary from about −28 meters at the Caspian Sea shoreline up to 4,466 meters (Bazardüzü peak).
The formation of climate in Azerbaijan is influenced particularly by cold arctic air masses of Scandinavian anticyclone, temperate air masses of Siberian anticyclone, and Central Asian anticyclone. Azerbaijan's diverse landscape affects the ways air masses enter the country. The Greater Caucasus protects the country from direct influences of cold air masses coming from the north. That leads to the formation of subtropical climate on most foothills and plains of the country. Meanwhile, plains and foothills are characterized by high solar radiation rates.
Nine out of eleven existing climate zones are present in Azerbaijan. Both the absolute minimum temperature ( ) and the absolute maximum temperature were observed in Julfa and Ordubad – regions of Nakhchivan Autonomous Republic. The maximum annual precipitation falls in Lankaran () and the minimum in Absheron ().
Rivers and lakes form the principal part of the water systems of Azerbaijan, they were formed over a long geological timeframe and changed significantly throughout that period. This is particularly evidenced by remnants of ancient rivers found throughout the country. The country's water systems are continually changing under the influence of natural forces and human-introduced industrial activities. Artificial rivers (canals) and ponds are a part of Azerbaijan's water systems. In terms of water supply, Azerbaijan is below the average in the world with approximately per year of water per square kilometer. All big water reservoirs are built on Kur. The hydrography of Azerbaijan basically belongs to the Caspian Sea basin.
The Kura and Aras are the major rivers in Azerbaijan. They run through the Kura-Aras Lowland. The rivers that directly flow into the Caspian Sea, originate mainly from the north-eastern slope of the Major Caucasus and Talysh Mountains and run along the Samur–Devechi and Lankaran lowlands.
Yanar Dag, translated as "burning mountain", is a natural gas fire which blazes continuously on a hillside on the Absheron Peninsula on the Caspian Sea near Baku, which itself is known as the "land of fire." Flames jet out into the air from a thin, porous sandstone layer. It is a tourist attraction to visitors to the Baku area.
Biodiversity.
The first reports on the richness and diversity of animal life in Azerbaijan can be found in travel notes of Eastern travelers. Animal carvings on architectural monuments, ancient rocks, and stones survived up to the present times. The first information on flora and fauna of Azerbaijan was collected during the visits of naturalists to Azerbaijan in the 17th century.
There are 106 species of mammals, 97 species of fish, 363 species of birds, 10 species of amphibians, and 52 species of reptiles which have been recorded and classified in Azerbaijan. The national animal of Azerbaijan is the Karabakh horse, a mountain-steppe racing and riding horse endemic to Azerbaijan. The Karabakh horse has a reputation for its good temper, speed, elegance, and intelligence. It is one of the oldest breeds, with ancestry dating to the ancient world, but today the horse is an endangered species.
Azerbaijan's flora consists of more than 4,500 species of higher plants. Due to the unique climate in Azerbaijan, the flora is much richer in the number of species than the flora of the other republics of the South Caucasus. 66 percent of the species growing in the whole Caucasus can be found in Azerbaijan. The country lies within four ecoregions: Caspian Hyrcanian mixed forests, Caucasus mixed forests, Eastern Anatolian montane steppe, and Azerbaijan shrub desert and steppe. Azerbaijan had a 2018 Forest Landscape Integrity Index mean score of 6.55/10, ranking it 72nd globally out of 172 countries.
Landscape.
Azerbaijan is home to a wide variety of landscapes. Over half of Azerbaijan's landmass consists of mountain ridges, crests, highlands, and plateaus which rise up to hypsometric levels of 400–1000 meters (including the Middle and Lower lowlands), in some places (Talis, Jeyranchol-Ajinohur and Langabiz-Alat foreranges) up to 100–120 meters, and others from 0–50 meters and up (Qobustan, Absheron). The rest of Azerbaijan's terrain consists of plains and lowlands. Hypsometric marks within the Caucasus region vary from about −28 meters at the Caspian Sea shoreline up to 4,466 meters (Bazardüzü peak).
The formation of climate in Azerbaijan is influenced particularly by cold arctic air masses of Scandinavian anticyclone, temperate air masses of Siberian anticyclone, and Central Asian anticyclone. Azerbaijan's diverse landscape affects the ways air masses enter the country. The Greater Caucasus protects the country from direct influences of cold air masses coming from the north. That leads to the formation of subtropical climate on most foothills and plains of the country. Meanwhile, plains and foothills are characterized by high solar radiation rates.
Nine out of eleven existing climate zones are present in Azerbaijan. Both the absolute minimum temperature ( ) and the absolute maximum temperature were observed in Julfa and Ordubad – regions of Nakhchivan Autonomous Republic. The maximum annual precipitation falls in Lankaran () and the minimum in Absheron ().
Rivers and lakes form the principal part of the water systems of Azerbaijan, they were formed over a long geological timeframe and changed significantly throughout that period. This is particularly evidenced by remnants of ancient rivers found throughout the country. The country's water systems are continually changing under the influence of natural forces and human-introduced industrial activities. Artificial rivers (canals) and ponds are a part of Azerbaijan's water systems. In terms of water supply, Azerbaijan is below the average in the world with approximately per year of water per square kilometer. All big water reservoirs are built on Kur. The hydrography of Azerbaijan basically belongs to the Caspian Sea basin.
The Kura and Aras are the major rivers in Azerbaijan. They run through the Kura-Aras Lowland. The rivers that directly flow into the Caspian Sea, originate mainly from the north-eastern slope of the Major Caucasus and Talysh Mountains and run along the Samur–Devechi and Lankaran lowlands.
Yanar Dag, translated as "burning mountain", is a natural gas fire which blazes continuously on a hillside on the Absheron Peninsula on the Caspian Sea near Baku, which itself is known as the "land of fire." Flames jet out into the air from a thin, porous sandstone layer. It is a tourist attraction to visitors to the Baku area.
Biodiversity.
The first reports on the richness and diversity of animal life in Azerbaijan can be found in travel notes of Eastern travelers. Animal carvings on architectural monuments, ancient rocks, and stones survived up to the present times. The first information on flora and fauna of Azerbaijan was collected during the visits of naturalists to Azerbaijan in the 17th century.
There are 106 species of mammals, 97 species of fish, 363 species of birds, 10 species of amphibians, and 52 species of reptiles which have been recorded and classified in Azerbaijan. The national animal of Azerbaijan is the Karabakh horse, a mountain-steppe racing and riding horse endemic to Azerbaijan. The Karabakh horse has a reputation for its good temper, speed, elegance, and intelligence. It is one of the oldest breeds, with ancestry dating to the ancient world, but today the horse is an endangered species.
Azerbaijan's flora consists of more than 4,500 species of higher plants. Due to the unique climate in Azerbaijan, the flora is much richer in the number of species than the flora of the other republics of the South Caucasus. 66 percent of the species growing in the whole Caucasus can be found in Azerbaijan. The country lies within four ecoregions: Caspian Hyrcanian mixed forests, Caucasus mixed forests, Eastern Anatolian montane steppe, and Azerbaijan shrub desert and steppe. Azerbaijan had a 2018 Forest Landscape Integrity Index mean score of 6.55/10, ranking it 72nd globally out of 172 countries.
Government and politics.
The structural formation of Azerbaijan's political system was completed by the adoption of the new Constitution on 12 November 1995. According to Article 23 of the Constitution, the state symbols of the Azerbaijan Republic are the flag, the coat of arms, and the national anthem. The state power in Azerbaijan is limited only by law for internal issues, but international affairs are also limited by international agreements' provisions.
The Constitution of Azerbaijan states that it is a presidential republic with three branches of power – Executive, Legislative, and Judicial. The legislative power is held by the unicameral National Assembly and the Supreme National Assembly in the Nakhchivan Autonomous Republic. The Parliament of Azerbaijan, called Milli Majlis, consists of 125 deputies elected based on majority vote, with a term of five years for each elected member. The elections are held every five years, on the first Sunday of November. The Parliament is not responsible for the formation of the government, but the Constitution requires the approval of the Cabinet of Ministers by Milli Majlis. The New Azerbaijan Party, and independents loyal to the ruling government, currently hold almost all of the Parliament's 125 seats. During the 2010 Parliamentary election, the opposition parties, Musavat and Azerbaijani Popular Front Party, failed to win a single seat. European observers found numerous irregularities in the run-up to the election and on election day.
The executive power is held by the President, who is elected for a seven-year term by direct elections, and the Prime Minister. The president is authorized to form the Cabinet, a collective executive body accountable to both the President and the National Assembly. The Cabinet of Azerbaijan consists primarily of the prime minister, his deputies, and ministers. The 8th Government of Azerbaijan is the administration in its current formation. The president does not have the right to dissolve the National Assembly but has the right to veto its decisions. To override the presidential veto, the parliament must have a majority of 95 votes. The judicial power is vested in the Constitutional Court, Supreme Court, and the Economic Court. The president nominates the judges in these courts. The European Commission for the Efficiency of Justice (CEPEJ) report refers to the Azerbaijani justice model on the selection of new judges as best practice, reflecting the particular features and the course of development towards ensuring the independence and quality of the judiciary in a new democracy.
Azerbaijan's system of governance nominally can be called two-tiered. The top or highest tier of the government is the Executive Power headed by President. The President appoints the Cabinet of Ministers and other high-ranking officials. The Local Executive Authority is merely a continuation of Executive Power. The Provision determines the legal status of local state administration in Azerbaijan on Local Executive Authority ("Yerli Icra Hakimiyati"), adopted 16 June 1999. In June 2012, the President approved the new Regulation, which granted additional powers to Local Executive Authorities, strengthening their dominant position in Azerbaijan's local affairs Chapter 9 of the Constitution of the Azerbaijan Republic addresses major issues of local self-government, such as the legal status of municipalities, types of local self-government bodies, their basic powers and relationships to other official entities. The other nominal tier of governance is municipalities ("Bələdiyə"), and members of municipalities are elected by a general vote in Municipal elections every five years. Currently, there are 1,607 municipalities across the country. The Law on Municipal Elections and the Law on the Status of Municipalities were the first to be adopted in the field of local government (2 July 1999). The Law on Municipal Service regulates the activities of municipal employees, their rights, duties, labor conditions, and social benefits and outlines the structure of the executive apparatus and the organization of municipal service. The Law on the Status of Municipalities regulates the role and structure of municipal bodies and outlines state guarantees of legal and financial autonomy. The law pays special attention to the adoption and execution of municipal programs concerning social protection, social and economic development, and the local environment.
The Security Council is the deliberative body under the president, and he organizes it according to the Constitution. It was established on 10 April 1997. The administrative department is not a part of the president's office but manages the financial, technical and pecuniary activities of both the president and his office.
Called a "dynastic dictatorship", the country has been led by Heydar Aliyev (who led Soviet Azerbaijan from 1969 to 1982) and then his son Ilham Aliyev since 1993. Although Azerbaijan has held several elections since regaining its independence and it has many of the formal institutions of democracy, it remains categorised as "not free" by Freedom House, who ranked it 9/100 on Global Freedom Score in 2022, calling it a "consolidated authoritarian regime". In recent years, large numbers of Azerbaijani journalists, bloggers, lawyers, and human rights activists have been rounded up and jailed for their criticism of President Aliyev and government authorities. A resolution adopted by the European Parliament in September 2015 described Azerbaijan as "having suffered the greatest decline in democratic governance in all of Eurasia over the past ten years," noting as well that its dialogue with the country on human rights has "not made any substantial progress." On 17 March 2016, the President of Azerbaijan signed a decree pardoning more than a dozen of the persons regarded as political prisoners by some NGOs. This decree was welcomed as a positive step by the US State Department. On 16 March 2017 another pardon decree was signed, which led to the release of additional persons regarded as political prisoners.
Azerbaijan has been harshly criticized for bribing foreign officials and diplomats to promote its causes abroad and legitimize its elections at home, a practice termed caviar diplomacy. However, on 6 March 2017, the European Strategic Intelligence and Security Center ESISC) published a report called "The Armenian Connection", in which it attacked human rights NGOs and research organisations criticising human rights violations and corruption in Azerbaijan.
ESISC in that report asserted that the "Caviar Diplomacy" report elaborated by ESI aimed to create a climate of suspicion based on slander to form a network of MPs that would engage in a political war against Azerbaijan and that the network, composed of European PMs, Armenian officials, and some NGOs (Human Rights Watch, Amnesty International, "Human Rights House Foundation", "Open Dialog, European Stability Initiative, and Helsinki Committee for Human Rights) was financed by the Soros Foundation. According to Robert Coalson (Radio Free Europe), ESISC is a part of Baku's lobbying efforts to extend the use of front think tanks to shift public opinion. Freedom Files Analytical Centre said that "The report is written in the worst traditions of authoritarian propaganda".
Foreign relations.
The short-lived Azerbaijan Democratic Republic succeeded in establishing diplomatic relations with six countries, sending diplomatic representatives to Germany and Finland. The process of international recognition of Azerbaijan's independence from the collapsing Soviet Union lasted roughly one year. The most recent country to recognize Azerbaijan was Bahrain, on 6 November 1996. Full diplomatic relations, including mutual exchanges of missions, were first established with Turkey, Pakistan, the United States, Iran and Israel. Azerbaijan has placed a particular emphasis on its "special relationship" with Turkey.
Azerbaijan has diplomatic relations with 158 countries so far and holds membership in 38 international organizations. It holds observer status in the Non-Aligned Movement and World Trade Organization and is a correspondent at the International Telecommunication Union. On 9 May 2006 Azerbaijan was elected to membership in the newly established Human Rights Council by the United Nations General Assembly. The term of office began on 19 June 2006. Azerbaijan was first elected as a non-permanent member of the UN Security Council in 2011 with the support of 155 countries.
Foreign policy priorities of Azerbaijan include, first of all, the restoration of its territorial integrity; elimination of the consequences of occupation of Nagorno-Karabakh and seven other regions of Azerbaijan surrounding Nagorno-Karabakh; integration into European and Euro-Atlantic structure; contribution to international security; cooperation with international organizations; regional cooperation and bilateral relations; strengthening of defense capability; promotion of security by domestic policy means; strengthening of democracy; preservation of ethnic and religious tolerance; scientific, educational, and cultural policy and preservation of moral values; economic and social development; enhancing internal and border security; and migration, energy, and transportation security policy.
Azerbaijan is an active member of international coalitions fighting international terrorism. Azerbaijan was one of the first countries to offer support after the September 11 attacks. The country is contributing to peacekeeping efforts in Kosovo, Afghanistan and Iraq. Azerbaijan is an active member of NATO's Partnership for Peace program. It also maintains good relations with the European Union and could potentially one day apply for membership.
On 1 July 2021, the US Congress advanced legislation that will have an impact on the military aid that Washington has sent to Azerbaijan since 2012. This was due to the fact that the packages to Armenia, instead are significantly smaller.
Military.
The history of the modern Azerbaijan army dates back to Azerbaijan Democratic Republic in 1918 when the National Army of the newly formed Azerbaijan Democratic Republic was created on 26 June 1918. When Azerbaijan gained independence after the dissolution of the Soviet Union, the Armed Forces of the Republic of Azerbaijan were created according to the Law on the Armed Forces of 9 October 1991. The original date of the establishment of the short-lived National Army is celebrated as Army Day (26 June) in today's Azerbaijan.
As of 2021, Azerbaijan had 126,000 active personnel in its armed forces. There are also 17,000 paramilitary troops and 330,00 reserve personnel. The armed forces have three branches: the Land Forces, the Air Forces and the Navy. Additionally the armed forces embrace several military sub-groups that can be involved in state defense when needed. These are the Internal Troops of the Ministry of Internal Affairs and the State Border Service, which includes the Coast Guard as well. The Azerbaijan National Guard is a further paramilitary force. It operates as a semi-independent entity of the Special State Protection Service, an agency subordinate to the President.
Azerbaijan adheres to the Treaty on Conventional Armed Forces in Europe and has signed all major international arms and weapons treaties. Azerbaijan closely cooperates with NATO in programs such as Partnership for Peace and Individual Partnership Action Plan/pfp and ipa. Azerbaijan has deployed 151 of its Peacekeeping Forces in Iraq and another 184 in Afghanistan.
Azerbaijan spent $2.24 billion on its defence budget , which amounted to 5.4% of its total GDP, and some 12.7% of general government expenditure. Azerbaijani defense industry manufactures small arms, artillery systems, tanks, armors and noctovision devices, aviation bombs, UAV'S/unmanned aerial vehicle, various military vehicles and military planes and helicopters.
Administrative divisions.
Azerbaijan is administratively divided into 14 economic regions; 66 rayons (, singular ) and 11 cities (, singular ) under the direct authority of the republic. Moreover, Azerbaijan includes the Autonomous Republic () of Nakhchivan. The President of Azerbaijan appoints the governors of these units, while the government of Nakhchivan is elected and approved by the parliament of Nakhchivan Autonomous Republic.
Foreign relations.
The short-lived Azerbaijan Democratic Republic succeeded in establishing diplomatic relations with six countries, sending diplomatic representatives to Germany and Finland. The process of international recognition of Azerbaijan's independence from the collapsing Soviet Union lasted roughly one year. The most recent country to recognize Azerbaijan was Bahrain, on 6 November 1996. Full diplomatic relations, including mutual exchanges of missions, were first established with Turkey, Pakistan, the United States, Iran and Israel. Azerbaijan has placed a particular emphasis on its "special relationship" with Turkey.
Azerbaijan has diplomatic relations with 158 countries so far and holds membership in 38 international organizations. It holds observer status in the Non-Aligned Movement and World Trade Organization and is a correspondent at the International Telecommunication Union. On 9 May 2006 Azerbaijan was elected to membership in the newly established Human Rights Council by the United Nations General Assembly. The term of office began on 19 June 2006. Azerbaijan was first elected as a non-permanent member of the UN Security Council in 2011 with the support of 155 countries.
Foreign policy priorities of Azerbaijan include, first of all, the restoration of its territorial integrity; elimination of the consequences of occupation of Nagorno-Karabakh and seven other regions of Azerbaijan surrounding Nagorno-Karabakh; integration into European and Euro-Atlantic structure; contribution to international security; cooperation with international organizations; regional cooperation and bilateral relations; strengthening of defense capability; promotion of security by domestic policy means; strengthening of democracy; preservation of ethnic and religious tolerance; scientific, educational, and cultural policy and preservation of moral values; economic and social development; enhancing internal and border security; and migration, energy, and transportation security policy.
Azerbaijan is an active member of international coalitions fighting international terrorism. Azerbaijan was one of the first countries to offer support after the September 11 attacks. The country is contributing to peacekeeping efforts in Kosovo, Afghanistan and Iraq. Azerbaijan is an active member of NATO's Partnership for Peace program. It also maintains good relations with the European Union and could potentially one day apply for membership.
On 1 July 2021, the US Congress advanced legislation that will have an impact on the military aid that Washington has sent to Azerbaijan since 2012. This was due to the fact that the packages to Armenia, instead are significantly smaller.
Military.
The history of the modern Azerbaijan army dates back to Azerbaijan Democratic Republic in 1918 when the National Army of the newly formed Azerbaijan Democratic Republic was created on 26 June 1918. When Azerbaijan gained independence after the dissolution of the Soviet Union, the Armed Forces of the Republic of Azerbaijan were created according to the Law on the Armed Forces of 9 October 1991. The original date of the establishment of the short-lived National Army is celebrated as Army Day (26 June) in today's Azerbaijan.
As of 2021, Azerbaijan had 126,000 active personnel in its armed forces. There are also 17,000 paramilitary troops and 330,00 reserve personnel. The armed forces have three branches: the Land Forces, the Air Forces and the Navy. Additionally the armed forces embrace several military sub-groups that can be involved in state defense when needed. These are the Internal Troops of the Ministry of Internal Affairs and the State Border Service, which includes the Coast Guard as well. The Azerbaijan National Guard is a further paramilitary force. It operates as a semi-independent entity of the Special State Protection Service, an agency subordinate to the President.
Azerbaijan adheres to the Treaty on Conventional Armed Forces in Europe and has signed all major international arms and weapons treaties. Azerbaijan closely cooperates with NATO in programs such as Partnership for Peace and Individual Partnership Action Plan/pfp and ipa. Azerbaijan has deployed 151 of its Peacekeeping Forces in Iraq and another 184 in Afghanistan.
Azerbaijan spent $2.24 billion on its defence budget , which amounted to 5.4% of its total GDP, and some 12.7% of general government expenditure. Azerbaijani defense industry manufactures small arms, artillery systems, tanks, armors and noctovision devices, aviation bombs, UAV'S/unmanned aerial vehicle, various military vehicles and military planes and helicopters.
Administrative divisions.
Azerbaijan is administratively divided into 14 economic regions; 66 rayons (, singular ) and 11 cities (, singular ) under the direct authority of the republic. Moreover, Azerbaijan includes the Autonomous Republic () of Nakhchivan. The President of Azerbaijan appoints the governors of these units, while the government of Nakhchivan is elected and approved by the parliament of Nakhchivan Autonomous Republic.
Economy.
After gaining independence in 1991, Azerbaijan became a member of the International Monetary Fund, the World Bank, the European Bank for Reconstruction and Development, the Islamic Development Bank, and the Asian Development Bank. The banking system of Azerbaijan consists of the Central Bank of Azerbaijan, commercial banks, and non-banking credit organizations. The National (now Central) Bank was created in 1992 based on the Azerbaijan State Savings Bank, an affiliate of the former State Savings Bank of the USSR. The Central Bank serves as Azerbaijan's central bank, empowered to issue the national currency, the Azerbaijani manat, and to supervise all commercial banks. Two major commercial banks are UniBank and the state-owned International Bank of Azerbaijan, run by Abbas Ibrahimov.
Pushed up by spending and demand growth, the 2007 Q1 inflation rate reached 16.6%. Nominal incomes and monthly wages climbed 29% and 25% respectively against this figure, but price increases in the non-oil industry encouraged inflation. Azerbaijan shows some signs of the so-called "Dutch disease" because of its fast-growing energy sector, which causes inflation and makes non-energy exports more expensive.
In the early 2000s, chronically high inflation was brought under control. This led to the launch of a new currency, the new Azerbaijani manat, on 1 January 2006, to cement the economic reforms and erase the vestiges of an unstable economy.
Azerbaijan is also ranked 57th in the Global Competitiveness Report for 2010–2011, above other CIS countries. By 2012 the GDP of Azerbaijan had increased 20-fold from its 1995 level.
Energy and natural resources.
Two-thirds of Azerbaijan is rich in oil and natural gas.
The history of the oil industry of Azerbaijan dates back to the ancient period. Arabian historian and traveler Ahmad Al-Baladhuri discussed the economy of the Absheron peninsula in antiquity, mentioning its oil in particular. There are many pipelines in Azerbaijan. The goal of the Southern Gas Corridor, which connects the giant Shah Deniz gas field in Azerbaijan to Europe, is to reduce European Union's dependency on Russian gas.
The region of the Lesser Caucasus accounts for most of the country's gold, silver, iron, copper, titanium, chromium, manganese, cobalt, molybdenum, complex ore and antimony. In September 1994, a 30-year contract was signed between the State Oil Company of Azerbaijan Republic (SOCAR) and 13 oil companies, among them Amoco, BP, ExxonMobil, Lukoil and Equinor. As Western oil companies are able to tap deepwater oilfields untouched by the Soviet exploitation, Azerbaijan is considered one of the most important spots in the world for oil exploration and development. Meanwhile, the State Oil Fund of Azerbaijan was established as an extra-budgetary fund to ensure macroeconomic stability, transparency in the management of oil revenue, and safeguarding of resources for future generations.
Access to biocapacity in Azerbaijan is less than world average. In 2016, Azerbaijan had 0.8 global hectares of biocapacity per person within its territory, half the world average of 1.6 global hectares per person. In 2016 Azerbaijan used 2.1 global hectares of biocapacity per person – their ecological footprint of consumption. This means they use more biocapacity than Azerbaijan contains. As a result, Azerbaijan is running a biocapacity deficit.
Azeriqaz, a sub-company of SOCAR, intends to ensure full gasification of the country by 2021.
Azerbaijan is one of the sponsors of the east–west and north–south energy transport corridors. Baku–Tbilisi–Kars railway line will connect the Caspian region with Turkey, which is expected to be completed in July 2017. The Trans-Anatolian gas pipeline (TANAP) and Trans Adriatic Pipeline (TAP) will deliver natural gas from Azerbaijan's Shah Deniz gas to Turkey and Europe.
Azerbaijan extended the agreement on development of ACG until 2050 according to the amended PSA signed on 14 September 2017 by SOCAR and co-ventures (BP, Chevron, Inpex, Equinor, ExxonMobil, TP, ITOCHU and ONGC Videsh).
Agriculture.
Azerbaijan has the largest agricultural basin in the region. About 54.9 percent of Azerbaijan is agricultural land. At the beginning of 2007 there were 4,755,100 hectares of utilized agricultural area. In the same year the total wood resources counted 136 million m3. Azerbaijan's agricultural scientific research institutes are focused on meadows and pastures, horticulture and subtropical crops, green vegetables, viticulture and wine-making, cotton growing and medicinal plants. In some areas it is profitable to grow grain, potatoes, sugar beets, cotton and tobacco. Livestock, dairy products, and wine and spirits are also important farm products. The Caspian fishing industry concentrates on the dwindling stocks of sturgeon and beluga. In 2002 the Azerbaijani merchant marine had 54 ships.
Some products previously imported from abroad have begun to be produced locally. Among them are Coca-Cola by Coca-Cola Bottlers LTD., beer by Baki-Kastel, parquet by Nehir and oil pipes by EUPEC Pipe Coating Azerbaijan.
Tourism.
Tourism is an important part of the economy of Azerbaijan. The country was a well-known tourist spot in the 1980s. The fall of the Soviet Union, and the First Nagorno-Karabakh War during the 1990s, damaged the tourist industry and the image of Azerbaijan as a tourist destination.
It was not until the 2000s that the tourism industry began to recover, and the country has since experienced a high rate of growth in the number of tourist visits and overnight stays. In the recent years, Azerbaijan has also become a popular destination for religious, spa, and health care tourism. During winter, the Shahdag Mountain Resort offers skiing with state of the art facilities.
The government of Azerbaijan has set the development of Azerbaijan as an elite tourist destination as a top priority. It is a national strategy to make tourism a major, if not the single largest, contributor to the Azerbaijani economy. These activities are regulated by the Ministry of Culture and Tourism of Azerbaijan.
There are 63 countries which have a visa-free score.
E-visa – for a visit of foreigners of visa-required countries to the Republic of Azerbaijan.
According to the Travel and Tourism Competitiveness Report 2015 of the World Economic Forum, Azerbaijan holds 84th place.
According to a report by the World Travel and Tourism Council, Azerbaijan was among the top ten countries showing the strongest growth in visitor exports between 2010 and 2016, In addition, Azerbaijan placed first (46.1%) among countries with the fastest-developing travel and tourism economies, with strong indicators for inbound international visitor spending last year.
Transportation.
The convenient location of Azerbaijan on the crossroad of major international traffic arteries, such as the Silk Road and the south–north corridor, highlights the strategic importance of the transportation sector for the country's economy. The transport sector in the country includes roads, railways, aviation, and maritime transport.
Azerbaijan is also an important economic hub in the transportation of raw materials. The Baku–Tbilisi–Ceyhan pipeline (BTC) became operational in May 2006 and extends more than through the territories of Azerbaijan, Georgia, and Turkey. The BTC is designed to transport up to 50 million tons of crude oil annually and carries oil from the Caspian Sea oilfields to global markets. The South Caucasus Pipeline, also stretching through the territory of Azerbaijan, Georgia, and Turkey, became operational at the end of 2006 and offers additional gas supplies to the European market from the Shah Deniz gas field. Shah Deniz is expected to produce up to 296 billion cubic meters of natural gas per year. Azerbaijan also plays a major role in the EU-sponsored Silk Road Project.
In 2002, the Azerbaijani government established the Ministry of Transport with a broad range of policy and regulatory functions. In the same year, the country became a member of the Vienna Convention on Road Traffic. Priorities are upgrading the transport network and improving transportation services to better facilitate the development of other sectors of the economy.
The 2012 construction of Kars–Tbilisi–Baku railway was meant to improve transportation between Asia and Europe by connecting the railways of China and Kazakhstan in the east to the European railway system in the west via Turkey. In 2010 Broad-gauge railways and electrified railways stretched for and respectively. By 2010, there were 35 airports and one heliport.
Science and technology.
In the 21st century, a new oil and gas boom helped improve the situation in Azerbaijan's science and technology sectors. The government launched a campaign aimed at modernization and innovation. The government estimates that profits from the information technology and communication industry will grow and become comparable to those from oil production.
Azerbaijan has a large and steadily growing Internet sector, mostly uninfluenced by the financial crisis of 2007–2008; rapid growth is forecast for at least five more years. Azerbaijan was ranked 80th in the Global Innovation Index in 2021, up from 84th in 2019.
The country has also been making progress in developing its telecoms sector. The Ministry of Communications & Information Technologies (MCIT) and an operator through its role in Aztelekom are both policy-makers and regulators. Public payphones are available for local calls and require the purchase of a token from the telephone exchange or some shops and kiosks. Tokens allow a call of indefinite duration. , there were 1,397,000 main telephone lines and 1,485,000 internet users. There are four GSM providers: Azercell, , Azerfon (Nar Mobile), Nakhtel mobile network operators and one CDMA.
In the 21st century a number of prominent Azerbaijani geodynamics and geotectonics scientists, inspired by the fundamental works of Elchin Khalilov and others, designed hundreds of earthquake prediction stations and earthquake-resistant buildings that now constitute the bulk of The Republican Center of Seismic Service.
The Azerbaijan National Aerospace Agency launched its first satellite AzerSat 1 into orbit on 7 February 2013 from Guiana Space Centre in French Guiana at orbital positions 46° East. The satellite covers Europe and a significant part of Asia and Africa and serves the transmission of TV and radio broadcasting as well as the Internet. The launching of a satellite into orbit is Azerbaijan's first step in realizing its goal of becoming a nation with its own space industry, capable of successfully implementing more projects in the future.
Energy and natural resources.
Two-thirds of Azerbaijan is rich in oil and natural gas.
The history of the oil industry of Azerbaijan dates back to the ancient period. Arabian historian and traveler Ahmad Al-Baladhuri discussed the economy of the Absheron peninsula in antiquity, mentioning its oil in particular. There are many pipelines in Azerbaijan. The goal of the Southern Gas Corridor, which connects the giant Shah Deniz gas field in Azerbaijan to Europe, is to reduce European Union's dependency on Russian gas.
The region of the Lesser Caucasus accounts for most of the country's gold, silver, iron, copper, titanium, chromium, manganese, cobalt, molybdenum, complex ore and antimony. In September 1994, a 30-year contract was signed between the State Oil Company of Azerbaijan Republic (SOCAR) and 13 oil companies, among them Amoco, BP, ExxonMobil, Lukoil and Equinor. As Western oil companies are able to tap deepwater oilfields untouched by the Soviet exploitation, Azerbaijan is considered one of the most important spots in the world for oil exploration and development. Meanwhile, the State Oil Fund of Azerbaijan was established as an extra-budgetary fund to ensure macroeconomic stability, transparency in the management of oil revenue, and safeguarding of resources for future generations.
Access to biocapacity in Azerbaijan is less than world average. In 2016, Azerbaijan had 0.8 global hectares of biocapacity per person within its territory, half the world average of 1.6 global hectares per person. In 2016 Azerbaijan used 2.1 global hectares of biocapacity per person – their ecological footprint of consumption. This means they use more biocapacity than Azerbaijan contains. As a result, Azerbaijan is running a biocapacity deficit.
Azeriqaz, a sub-company of SOCAR, intends to ensure full gasification of the country by 2021.
Azerbaijan is one of the sponsors of the east–west and north–south energy transport corridors. Baku–Tbilisi–Kars railway line will connect the Caspian region with Turkey, which is expected to be completed in July 2017. The Trans-Anatolian gas pipeline (TANAP) and Trans Adriatic Pipeline (TAP) will deliver natural gas from Azerbaijan's Shah Deniz gas to Turkey and Europe.
Azerbaijan extended the agreement on development of ACG until 2050 according to the amended PSA signed on 14 September 2017 by SOCAR and co-ventures (BP, Chevron, Inpex, Equinor, ExxonMobil, TP, ITOCHU and ONGC Videsh).
Agriculture.
Azerbaijan has the largest agricultural basin in the region. About 54.9 percent of Azerbaijan is agricultural land. At the beginning of 2007 there were 4,755,100 hectares of utilized agricultural area. In the same year the total wood resources counted 136 million m3. Azerbaijan's agricultural scientific research institutes are focused on meadows and pastures, horticulture and subtropical crops, green vegetables, viticulture and wine-making, cotton growing and medicinal plants. In some areas it is profitable to grow grain, potatoes, sugar beets, cotton and tobacco. Livestock, dairy products, and wine and spirits are also important farm products. The Caspian fishing industry concentrates on the dwindling stocks of sturgeon and beluga. In 2002 the Azerbaijani merchant marine had 54 ships.
Some products previously imported from abroad have begun to be produced locally. Among them are Coca-Cola by Coca-Cola Bottlers LTD., beer by Baki-Kastel, parquet by Nehir and oil pipes by EUPEC Pipe Coating Azerbaijan.
Tourism.
Tourism is an important part of the economy of Azerbaijan. The country was a well-known tourist spot in the 1980s. The fall of the Soviet Union, and the First Nagorno-Karabakh War during the 1990s, damaged the tourist industry and the image of Azerbaijan as a tourist destination.
It was not until the 2000s that the tourism industry began to recover, and the country has since experienced a high rate of growth in the number of tourist visits and overnight stays. In the recent years, Azerbaijan has also become a popular destination for religious, spa, and health care tourism. During winter, the Shahdag Mountain Resort offers skiing with state of the art facilities.
The government of Azerbaijan has set the development of Azerbaijan as an elite tourist destination as a top priority. It is a national strategy to make tourism a major, if not the single largest, contributor to the Azerbaijani economy. These activities are regulated by the Ministry of Culture and Tourism of Azerbaijan.
There are 63 countries which have a visa-free score.
E-visa – for a visit of foreigners of visa-required countries to the Republic of Azerbaijan.
According to the Travel and Tourism Competitiveness Report 2015 of the World Economic Forum, Azerbaijan holds 84th place.
According to a report by the World Travel and Tourism Council, Azerbaijan was among the top ten countries showing the strongest growth in visitor exports between 2010 and 2016, In addition, Azerbaijan placed first (46.1%) among countries with the fastest-developing travel and tourism economies, with strong indicators for inbound international visitor spending last year.
Transportation.
The convenient location of Azerbaijan on the crossroad of major international traffic arteries, such as the Silk Road and the south–north corridor, highlights the strategic importance of the transportation sector for the country's economy. The transport sector in the country includes roads, railways, aviation, and maritime transport.
Azerbaijan is also an important economic hub in the transportation of raw materials. The Baku–Tbilisi–Ceyhan pipeline (BTC) became operational in May 2006 and extends more than through the territories of Azerbaijan, Georgia, and Turkey. The BTC is designed to transport up to 50 million tons of crude oil annually and carries oil from the Caspian Sea oilfields to global markets. The South Caucasus Pipeline, also stretching through the territory of Azerbaijan, Georgia, and Turkey, became operational at the end of 2006 and offers additional gas supplies to the European market from the Shah Deniz gas field. Shah Deniz is expected to produce up to 296 billion cubic meters of natural gas per year. Azerbaijan also plays a major role in the EU-sponsored Silk Road Project.
In 2002, the Azerbaijani government established the Ministry of Transport with a broad range of policy and regulatory functions. In the same year, the country became a member of the Vienna Convention on Road Traffic. Priorities are upgrading the transport network and improving transportation services to better facilitate the development of other sectors of the economy.
The 2012 construction of Kars–Tbilisi–Baku railway was meant to improve transportation between Asia and Europe by connecting the railways of China and Kazakhstan in the east to the European railway system in the west via Turkey. In 2010 Broad-gauge railways and electrified railways stretched for and respectively. By 2010, there were 35 airports and one heliport.
Science and technology.
In the 21st century, a new oil and gas boom helped improve the situation in Azerbaijan's science and technology sectors. The government launched a campaign aimed at modernization and innovation. The government estimates that profits from the information technology and communication industry will grow and become comparable to those from oil production.
Azerbaijan has a large and steadily growing Internet sector, mostly uninfluenced by the financial crisis of 2007–2008; rapid growth is forecast for at least five more years. Azerbaijan was ranked 80th in the Global Innovation Index in 2021, up from 84th in 2019.
The country has also been making progress in developing its telecoms sector. The Ministry of Communications & Information Technologies (MCIT) and an operator through its role in Aztelekom are both policy-makers and regulators. Public payphones are available for local calls and require the purchase of a token from the telephone exchange or some shops and kiosks. Tokens allow a call of indefinite duration. , there were 1,397,000 main telephone lines and 1,485,000 internet users. There are four GSM providers: Azercell, , Azerfon (Nar Mobile), Nakhtel mobile network operators and one CDMA.
In the 21st century a number of prominent Azerbaijani geodynamics and geotectonics scientists, inspired by the fundamental works of Elchin Khalilov and others, designed hundreds of earthquake prediction stations and earthquake-resistant buildings that now constitute the bulk of The Republican Center of Seismic Service.
The Azerbaijan National Aerospace Agency launched its first satellite AzerSat 1 into orbit on 7 February 2013 from Guiana Space Centre in French Guiana at orbital positions 46° East. The satellite covers Europe and a significant part of Asia and Africa and serves the transmission of TV and radio broadcasting as well as the Internet. The launching of a satellite into orbit is Azerbaijan's first step in realizing its goal of becoming a nation with its own space industry, capable of successfully implementing more projects in the future.
Demographics.
As of March 2022, 52.9% of Azerbaijan's total population of 10,164,464 is urban, with the remaining 47.1% being rural. In January 2019, the 50.1% of the total population was female. The sex ratio in the same year was 0.99 males per female.
The 2011 population growth-rate was 0.85%, compared to 1.09% worldwide. A significant factor restricting population growth is a high level of migration. In 2011 Azerbaijan saw a migration of −1.14/1,000 people.
The Azerbaijani diaspora is found in 42 countries and in turn there are many centers for ethnic minorities inside Azerbaijan, including the German cultural society "Karelhaus", Slavic cultural center, Azerbaijani-Israeli community, Kurdish cultural center, International Talysh Association, Lezgin national center "Samur", Azerbaijani-Tatar community, Crimean Tatars society, etc.
In total, Azerbaijan has 78 cities, 63 city districts, and one special legal status city. 261 urban-type settlements and 4248 villages follow these.
Ethnicity.
The ethnic composition of the population according to the 2009 population census: 91.6% Azerbaijanis, 2.0% Lezgins, 1.4% Armenians (almost all Armenians live in the break-away region of Nagorno-Karabakh), 1.3% Russians, 1.3% Talysh, 0.6% Avars, 0.4% Turks, 0.3% Tatars, 0.3% Tats, 0.2% Ukrainians, 0.1% Tsakhurs, 0.1% Georgians, 0.1% Jews, 0.1% Kurds, other 0.2%.
Languages.
The official language is Azerbaijani, which is a Turkic language. Azerbaijani is spoken by approximately 92% of the population as a mother tongue. Russian and Armenian (only in Nagorno-Karabakh) are also spoken, and each are the mother tongue of around 1.5% of the population respectively. There are a dozen other minority languages spoken natively in the country. Avar, Budukh, Georgian, Juhuri, Khinalug, Kryts, Lezgin, Rutul, Talysh, Tat, Tsakhur, and Udi are all spoken by small minorities. Some of these language communities are very small and their numbers are decreasing. Armenian was the majority language in Nagorno-Karabakh with around 76% in 1989. After the first Nagorno-Karabakh war, the population is almost exclusively Armenian at around 95%.
Religion.
Azerbaijan is considered the most secular Muslim-majority country. Around 97% of the population are Muslims. 85% of the Muslims are Shia and 15% Sunni; the Republic of Azerbaijan has the second-highest proportion of Shia Muslims of any country in the world. Other faiths are practised by the country's various ethnic groups. Under article 48 of its Constitution, Azerbaijan is a secular state and ensures religious freedom. In a 2006–2008 Gallup poll, only 21% of respondents from Azerbaijan stated that religion is an important part of their daily lives.
Of the nation's religious minorities, the estimated 280,000 Christians (3.1%) are mostly Russian and Georgian Orthodox and Armenian Apostolic (almost all Armenians live in the break-away region of Nagorno-Karabakh). In 2003, there were 250 Roman Catholics. Other Christian denominations as of 2002 include Lutherans, Baptists and Molokans. There is also a small Protestant community. Azerbaijan also has an ancient Jewish population with a 2,000-year history; Jewish organizations estimate that 12,000 Jews remain in Azerbaijan, which is home to the only Jewish-majority town outside of Israel and the United States. Azerbaijan also is home to members of the Baháʼí, Hare Krishna and Jehovah's Witnesses communities, as well as adherents of the other religious communities. Some religious communities have been unofficially restricted from religious freedom. A U.S. State Department report on the matter mentions detention of members of certain Muslim and Christian groups, and many groups have difficulty registering with the agency who regulates religion, The State Committee on Religious Associations of the Republic of Azerbaijan (SCWRA).
Education.
A relatively high percentage of Azerbaijanis have obtained some form of higher education, most notably in scientific and technical subjects. In the Soviet era, literacy and average education levels rose dramatically from their very low starting point, despite two changes in the standard alphabet, from Perso-Arabic script to Latin in the 1920s and from Roman to Cyrillic in the 1930s. According to Soviet data, 100 percent of males and females (ages nine to forty-nine) were literate in 1970. According to the United Nations Development Program Report 2009, the literacy rate in Azerbaijan is 99.5 percent.
Since independence, one of the first laws that Azerbaijan's Parliament passed to disassociate itself from the Soviet Union was to adopt a modified-Latin alphabet to replace Cyrillic. Other than that the Azerbaijani system has undergone little structural change. Initial alterations have included the reestablishment of religious education (banned during the Soviet period) and curriculum changes that have reemphasized the use of the Azerbaijani language and have eliminated ideological content. In addition to elementary schools, the education institutions include thousands of preschools, general secondary schools, and vocational schools, including specialized secondary schools and technical schools. Education through the ninth grade is compulsory.
Ethnicity.
The ethnic composition of the population according to the 2009 population census: 91.6% Azerbaijanis, 2.0% Lezgins, 1.4% Armenians (almost all Armenians live in the break-away region of Nagorno-Karabakh), 1.3% Russians, 1.3% Talysh, 0.6% Avars, 0.4% Turks, 0.3% Tatars, 0.3% Tats, 0.2% Ukrainians, 0.1% Tsakhurs, 0.1% Georgians, 0.1% Jews, 0.1% Kurds, other 0.2%.
Languages.
The official language is Azerbaijani, which is a Turkic language. Azerbaijani is spoken by approximately 92% of the population as a mother tongue. Russian and Armenian (only in Nagorno-Karabakh) are also spoken, and each are the mother tongue of around 1.5% of the population respectively. There are a dozen other minority languages spoken natively in the country. Avar, Budukh, Georgian, Juhuri, Khinalug, Kryts, Lezgin, Rutul, Talysh, Tat, Tsakhur, and Udi are all spoken by small minorities. Some of these language communities are very small and their numbers are decreasing. Armenian was the majority language in Nagorno-Karabakh with around 76% in 1989. After the first Nagorno-Karabakh war, the population is almost exclusively Armenian at around 95%.
Religion.
Azerbaijan is considered the most secular Muslim-majority country. Around 97% of the population are Muslims. 85% of the Muslims are Shia and 15% Sunni; the Republic of Azerbaijan has the second-highest proportion of Shia Muslims of any country in the world. Other faiths are practised by the country's various ethnic groups. Under article 48 of its Constitution, Azerbaijan is a secular state and ensures religious freedom. In a 2006–2008 Gallup poll, only 21% of respondents from Azerbaijan stated that religion is an important part of their daily lives.
Of the nation's religious minorities, the estimated 280,000 Christians (3.1%) are mostly Russian and Georgian Orthodox and Armenian Apostolic (almost all Armenians live in the break-away region of Nagorno-Karabakh). In 2003, there were 250 Roman Catholics. Other Christian denominations as of 2002 include Lutherans, Baptists and Molokans. There is also a small Protestant community. Azerbaijan also has an ancient Jewish population with a 2,000-year history; Jewish organizations estimate that 12,000 Jews remain in Azerbaijan, which is home to the only Jewish-majority town outside of Israel and the United States. Azerbaijan also is home to members of the Baháʼí, Hare Krishna and Jehovah's Witnesses communities, as well as adherents of the other religious communities. Some religious communities have been unofficially restricted from religious freedom. A U.S. State Department report on the matter mentions detention of members of certain Muslim and Christian groups, and many groups have difficulty registering with the agency who regulates religion, The State Committee on Religious Associations of the Republic of Azerbaijan (SCWRA).
Education.
A relatively high percentage of Azerbaijanis have obtained some form of higher education, most notably in scientific and technical subjects. In the Soviet era, literacy and average education levels rose dramatically from their very low starting point, despite two changes in the standard alphabet, from Perso-Arabic script to Latin in the 1920s and from Roman to Cyrillic in the 1930s. According to Soviet data, 100 percent of males and females (ages nine to forty-nine) were literate in 1970. According to the United Nations Development Program Report 2009, the literacy rate in Azerbaijan is 99.5 percent.
Since independence, one of the first laws that Azerbaijan's Parliament passed to disassociate itself from the Soviet Union was to adopt a modified-Latin alphabet to replace Cyrillic. Other than that the Azerbaijani system has undergone little structural change. Initial alterations have included the reestablishment of religious education (banned during the Soviet period) and curriculum changes that have reemphasized the use of the Azerbaijani language and have eliminated ideological content. In addition to elementary schools, the education institutions include thousands of preschools, general secondary schools, and vocational schools, including specialized secondary schools and technical schools. Education through the ninth grade is compulsory.
Culture.
The culture of Azerbaijan has developed as a result of many influences; that's why Azerbaijanis are, in many ways, bi-cultural. Today, national traditions are well preserved in the country despite Western influences, including globalized consumer culture. Some of the main elements of the Azerbaijani culture are: music, literature, folk dances and art, cuisine, architecture, cinematography and Novruz Bayram. The latter is derived from the traditional celebration of the New Year in the ancient Iranian religion of Zoroastrianism. Novruz is a family holiday.
The profile of Azerbaijan's population consists, as stated above, of Azerbaijanis, as well as other nationalities or ethnic groups, compactly living in various areas of the country. Azerbaijani national and traditional dresses are the Chokha and Papakhi. There are radio broadcasts in Russian, Georgian, Kurdish, Lezgian and Talysh languages, which are financed from the state budget. Some local radio stations in Balakan and Khachmaz organize broadcasts in Avar and Tat. In Baku several newspapers are published in Russian, Kurdish ("Dengi Kurd"), Lezgian ("Samur") and Talysh languages. Jewish society "Sokhnut" publishes the newspaper "Aziz".
Music and folk dances.
Music of Azerbaijan builds on folk traditions that reach back nearly a thousand years. For centuries Azerbaijani music has evolved under the badge of monody, producing rhythmically diverse melodies. Azerbaijani music has a branchy mode system, where chromatization of major and minor scales is of great importance. Among national musical instruments there are 14 string instruments, eight percussion instruments and six wind instruments. According to "The Grove Dictionary of Music and Musicians", "in terms of ethnicity, culture and religion the Azerbaijani are musically much closer to Iran than Turkey."
Mugham, meykhana and ashiq art are among the many musical traditions of Azerbaijan. Mugham is usually a suite with poetry and instrumental interludes. When performing mugham, the singers have to transform their emotions into singing and music. In contrast to the mugham traditions of Central Asian countries, Azerbaijani mugham is more free-form and less rigid; it is often compared to the improvised field of jazz. UNESCO proclaimed the Azerbaijani mugham tradition a Masterpiece of the Oral and Intangible Heritage of Humanity on 7 November 2003. Meykhana is a kind of traditional Azerbaijani distinctive folk unaccompanied song, usually performed by several people improvising on a particular subject.
Ashiq combines poetry, storytelling, dance, and vocal and instrumental music into a traditional performance art that stands as a symbol of Azerbaijani culture. It is a mystic troubadour or traveling bard who sings and plays the saz. This tradition has its origin in the Shamanistic beliefs of ancient Turkic peoples. Ashiqs' songs are semi-improvised around common bases. Azerbaijan's ashiq art was included in the list of Intangible Cultural Heritage by the UNESCO on 30 September 2009.
Since the mid-1960s, Western-influenced Azerbaijani pop music, in its various forms, that has been growing in popularity in Azerbaijan, while genres such as rock and hip hop are widely produced and enjoyed. Azerbaijani pop and Azerbaijani folk music arose with the international popularity of performers like Alim Qasimov, Rashid Behbudov, Vagif Mustafazadeh, Muslim Magomayev, Shovkat Alakbarova and Rubaba Muradova. Azerbaijan is an enthusiastic participant in the Eurovision Song Contest. Azerbaijan made its debut appearance at the 2008 Eurovision Song Contest. The country's entry gained third place in 2009 and fifth the following year. Ell and Nikki won the first place at the Eurovision Song Contest 2011 with the song "Running Scared", entitling Azerbaijan to host the contest in 2012, in Baku. They have qualified for every Grand Final up until the 2018 edition of the contest, entering with X My Heart by singer Aisel.
There are dozens of Azerbaijani folk dances. They are performed at formal celebrations and the dancers wear national clothes like the Chokha, which is well-preserved within the national dances. Most dances have a very fast rhythm.
Literature.
Among the medieval authors born within the territorial limits of modern Azerbaijani Republic was Persian poet and philosopher Nizami, called Ganjavi after his place of birth, Ganja, who was the author of the Khamsa ("The Quintuplet"), composed of five romantic poems, including "The Treasure of Mysteries", "Khosrow and Shīrīn", and "Leyli and Mejnūn".
The earliest known figure in written Azerbaijani literature was Izzeddin Hasanoghlu, who composed a divan consisting of Persian and Azerbaijani ghazals. In Persian ghazals he used his pen-name, while his Azerbaijani ghazals were composed under his own name of Hasanoghlu.
Classical literature in Azerbaijani was formed in the 14th century based on the various Early Middle Ages dialects of Tabriz and Shirvan. Among the poets of this period were Gazi Burhanaddin, Haqiqi (pen-name of Jahan Shah Qara Qoyunlu), and Habibi. The end of the 14th century was also the period of starting literary activity of Imadaddin Nasimi, one of the greatest Azerbaijani Hurufi mystical poets of the late 14th and early 15th centuries and one of the most prominent early divan masters in Turkic literary history, who also composed poetry in Persian and Arabic. The divan and ghazal styles were further developed by poets Qasem-e Anvar, Fuzuli and Khatai (pen-name of Safavid Shah Ismail I).
The "Book of Dede Korkut" consists of two manuscripts copied in the 16th century, and was not written earlier than the 15th century. It is a collection of 12 stories reflecting the oral tradition of Oghuz nomads. The 16th-century poet, Muhammed Fuzuli produced his timeless philosophical and lyrical "Qazals" in Arabic, Persian, and Azerbaijani. Benefiting immensely from the fine literary traditions of his environment, and building upon the legacy of his predecessors, Fuzuli was destined to become the leading literary figure of his society. His major works include "The Divan of Ghazals" and "The Qasidas". In the same century, Azerbaijani literature further flourished with the development of Ashik () poetic genre of bards. During the same period, under the pen-name of Khatāī ( for "sinner") Shah Ismail I wrote about 1400 verses in Azerbaijani, which were later published as his "Divan". A unique literary style known as "qoshma" ( for "improvisation") was introduced in this period, and developed by Shah Ismail and later by his son and successor, Shah Tahmasp I.
In the span of the 17th and 18th centuries, Fuzuli's unique genres as well Ashik poetry were taken up by prominent poets and writers such as Qovsi of Tabriz, Shah Abbas Sani, , Nishat, Molla Vali Vidadi, Molla Panah Vagif, Amani, Zafar and others. Along with Turks, Turkmens and Uzbeks, Azerbaijanis also celebrate the Epic of Koroglu (from for "blind man's son"), a legendary folk hero. Several documented versions of Koroglu epic remain at the Institute for Manuscripts of the National Academy of Sciences of Azerbaijan.
Modern Azerbaijani literature in Azerbaijan is based on the Shirvani dialect mainly, while in Iran it is based on the Tabrizi one. The first newspaper in Azerbaijani, "Akinchi" was published in 1875. In the mid-19th century, it was taught in the schools of Baku, Ganja, Shaki, Tbilisi, and Yerevan. Since 1845, it was also taught in the University of Saint Petersburg in Russia.
Folk art.
Azerbaijanis have a rich and distinctive culture, a major part of which is decorative and applied art. This art form is represented by a wide range of handicrafts, such as chasing, jeweling, engraving in metal, carving in wood, stone, bone, carpet-making, lasing, pattern weaving and printing, and knitting and embroidery. Each of these types of decorative art, evidence of the endowments of the Azerbaijan nation, is very much in favor here. Many interesting facts pertaining to the development of arts and crafts in Azerbaijan were reported by numerous merchants, travelers, and diplomats who had visited these places at different times.
The Azerbaijani carpet is a traditional handmade textile of various sizes, with a dense texture and a pile or pile-less surface, whose patterns are characteristic of Azerbaijan's many carpet-making regions. In November 2010 the Azerbaijani carpet was proclaimed a Masterpiece of Intangible Heritage by UNESCO.
Azerbaijan has been since ancient times known as a center of a large variety of crafts. The archeological dig on the territory of Azerbaijan testifies to the well-developed agriculture, stock raising, metalworking, pottery, ceramics, and carpet-weaving that date as far back as to the 2nd millennium BC. Archeological sites in Dashbulaq, Hasansu, Zayamchai, and Tovuzchai uncovered from the BTC pipeline have revealed early Iron Age artifacts.
Azerbaijani carpets can be categorized under several large groups and a multitude of subgroups. Scientific research of the Azerbaijani carpet is connected with the name of Latif Karimov, a prominent scientist and artist. It was his classification that related the four large groups of carpets with the four geographical zones of Azerbaijan, Guba-Shirvan, Ganja-Kazakh, Karabakh and Tabriz.
Cuisine.
The traditional cuisine is famous for an abundance of vegetables and greens used seasonally in the dishes. Fresh herbs, including mint, cilantro (coriander), dill, basil, parsley, tarragon, leeks, chives, thyme, marjoram, green onion, and watercress, are very popular and often accompany main dishes on the table. Climatic diversity and fertility of the land are reflected in the national dishes, which are based on fish from the Caspian Sea, local meat (mainly mutton and beef), and an abundance of seasonal vegetables and greens. Saffron-rice plov is the flagship food in Azerbaijan and black tea is the national beverage. Azerbaijanis often use traditional armudu (pear-shaped) glass as they have very strong tea culture. Popular traditional dishes include bozbash (lamb soup that exists in several regional varieties with the addition of different vegetables), qutab (fried turnover with a filling of greens or minced meat) and dushbara (sort of dumplings of dough filled with ground meat and flavor).
Architecture.
Azerbaijani architecture typically combines elements of East and West. Azerbaijani architecture has heavy influences from Persian architecture. Many ancient architectural treasures such as the Maiden Tower and Palace of the Shirvanshahs in the Walled City of Baku survive in modern Azerbaijan. Entries submitted on the UNESCO World Heritage tentative list include the Ateshgah of Baku, Momine Khatun Mausoleum, Hirkan National Park, Binagadi asphalt lake, Lökbatan Mud Volcano, Shusha State Historical and Architectural Reserve, Baku Stage Mountain, Caspian Shore Defensive Constructions, Ordubad National Reserve and the Palace of Shaki Khans.
Among other architectural treasures are Quadrangular Castle in Mardakan, Parigala in Yukhary Chardaglar, a number of bridges spanning the Aras River, and several mausoleums. In the 19th and early 20th centuries, little monumental architecture was created, but distinctive residences were built in Baku and elsewhere. Among the most recent architectural monuments, the Baku subways are noted for their lavish decor.
The task for modern Azerbaijani architecture is diverse application of modern aesthetics, the search for an architect's own artistic style and inclusion of the existing historico-cultural environment. Major projects such as Heydar Aliyev Cultural Center, Flame Towers, Baku Crystal Hall, Baku White City and SOCAR Tower have transformed the country's skyline and promotes its contemporary identity.
Visual art.
The Gamigaya Petroglyphs, which date back to the 1st to 4th millennium BC, are located in Azerbaijan's Ordubad District. They consist of some 1500 dislodged and carved rock paintings with images of deer, goats, bulls, dogs, snakes, birds, fantastic beings, and people, carriages, and various symbols were found on basalt rocks. Norwegian ethnographer and adventurer Thor Heyerdahl was convinced that people from the area went to Scandinavia in about 100 AD, took their boat building skills with them, and transmuted them into the Viking boats in Northern Europe.
Over the centuries, Azerbaijani art has gone through many stylistic changes. Azerbaijani painting is traditionally characterized by a warmth of colour and light, as exemplified in the works of Azim Azimzade and Bahruz Kangarli, and a preoccupation with religious figures and cultural motifs. Azerbaijani painting enjoyed preeminence in Caucasus for hundreds of years, from the Romanesque and Ottoman periods, and through the Soviet and Baroque periods, the latter two of which saw fruition in Azerbaijan. Other notable artists who fall within these periods include Sattar Bahlulzade, Togrul Narimanbekov, Tahir Salahov, Alakbar Rezaguliyev, Mirza Gadim Iravani, Mikayil Abdullayev and Boyukagha Mirzazade.
Cinema.
The film industry in Azerbaijan dates back to 1898. Azerbaijan was among the first countries involved in cinematography, with the apparatus first showing up in Baku. In 1919, during the Azerbaijan Democratic Republic, a documentary "The Celebration of the Anniversary of Azerbaijani Independence" was filmed on the first anniversary of Azerbaijan's independence from Russia, 27 May, and premiered in June 1919 at several theatres in Baku. After the Soviet power was established in 1920, Nariman Narimanov, Chairman of the Revolutionary Committee of Azerbaijan, signed a decree nationalizing Azerbaijan's cinema. This also influenced the creation of Azerbaijani animation.
In 1991, after Azerbaijan gained its independence from the Soviet Union, the first Baku International Film Festival East-West was held in Baku. In December 2000, the former President of Azerbaijan, Heydar Aliyev, signed a decree proclaiming 2 August to be the professional holiday of filmmakers of Azerbaijan. Today Azerbaijani filmmakers are again dealing with issues similar to those faced by cinematographers prior to the establishment of the Soviet Union in 1920. Once again, both choices of content and sponsorship of films are largely left up to the initiative of the filmmaker.
Television.
There are three state-owned television channels: AzTV, Idman TV and Medeniyyet TV. There is one public channel and 6 private channels: İctimai Television, Space TV, Lider TV, Azad Azerbaijan TV, , and ARB.
Human rights.
The Constitution of Azerbaijan claims to guarantee freedom of speech, but this is denied in practice. After several years of decline in press and media freedom, in 2014, the media environment in Azerbaijan deteriorated rapidly under a governmental campaign to silence any opposition and criticism, even while the country led the Committee of Ministers of the Council of Europe (May–November 2014). Spurious legal charges and impunity in violence against journalists have remained the norm. All foreign broadcasts are banned in the country.
According to the 2013 Freedom House Freedom of the Press report, Azerbaijan's press freedom status is "not free", and Azerbaijan ranks 177th out of 196 countries.
Christianity is officially recognized. All religious communities are required to register to be allowed to meet, under the risk of imprisonment. This registration is often denied. "Racial discrimination contributes to the country's lack of religious freedom, since many of the Christians are ethnic Armenian or Russian, rather than Azeri Muslim."
Radio Free Europe/Radio Liberty and Voice of America are banned in Azerbaijan. Discrimination against LGBT people in Azerbaijan is widespread.
During the last few years, three journalists were killed and several prosecuted in trials described as unfair by international human rights organizations. Azerbaijan had the biggest number of journalists imprisoned in Europe in 2015, according to the Committee to Protect Journalists, and is the 5th most censored country in the world, ahead of Iran and China. Some critical journalists have been arrested for their coverage of the COVID-19 pandemic in Azerbaijan.
A report by an Amnesty International researcher in October 2015 points to "...the severe deterioration of human rights in Azerbaijan over the past few years. Sadly Azerbaijan has been allowed to get away with unprecedented levels of repression and in the process almost wipe out its civil society". Amnesty's 2015/16 annual report on the country stated "... persecution of political dissent continued. Human rights organizations remained unable to resume their work. At least 18 prisoners of conscience remained in detention at the end of the year. Reprisals against independent journalists and activists persisted both in the country and abroad, while their family members also faced harassment and arrests. International human rights monitors were barred and expelled from the country. Reports of torture and other ill-treatment persisted.
"The Guardian" reported in April 2017 that "Azerbaijan's ruling elite operated a secret $2.9bn (£2.2bn) scheme to pay prominent Europeans, buy luxury goods and launder money through a network of opaque British companies ... Leaked data shows that the Azerbaijani leadership, accused of serial human rights abuses, systemic corruption and rigging elections, made more than 16,000 covert payments from 2012 to 2014. Some of this money went to politicians and journalists, as part of an international lobbying operation to deflect criticism of Azerbaijan's president, Ilham Aliyev, and to promote a positive image of his oil-rich country." There was no suggestion that all recipients were aware of the source of the money as it arrived via a disguised route.
Sport.
Freestyle wrestling has been traditionally regarded as Azerbaijan's national sport, in which Azerbaijan won up to fourteen medals, including four golds since joining the International Olympic Committee. Currently, the most popular sports include football and wrestling.
Football is the most popular sport in Azerbaijan, and the Association of Football Federations of Azerbaijan with 9,122 registered players, is the largest sporting association in the country. The national football team of Azerbaijan demonstrates relatively low performance in the international arena compared to the nation football clubs. The most successful Azerbaijani football clubs are Neftçi, Qarabağ, and Gabala. In 2012, Neftchi Baku became the first Azerbaijani team to advance to the group stage of a European competition, beating APOEL of Cyprus 4–2 on aggregate in the play-off round of the 2012–13 UEFA Europa League. In 2014, Qarabağ became the second Azerbaijani club advancing to the group stage of UEFA Europa League. In 2017, after beating Copenhagen 2–2 (a) in the play-off round of the UEFA Champions League, Qarabağ became the first Azerbaijani club to reach the Group stage. Futsal is another popular sport in Azerbaijan. The Azerbaijan national futsal team reached fourth place in the 2010 UEFA Futsal Championship, while domestic club Araz Naxçivan clinched bronze medals at the 2009–10 UEFA Futsal Cup and 2013–14 UEFA Futsal Cup. Azerbaijan was the main sponsor of Spanish football club Atlético de Madrid during seasons 2013/2014 and 2014/2015, a partnership that the club described should 'promote the image of Azerbaijan in the world'.
Azerbaijan is one of the traditional powerhouses of world chess, having hosted many international chess tournaments and competitions and became European Team Chess Championship winners in 2009, 2013 and 2017. Notable chess players from the country's chess schools that have made a great impact on the game include Teimour Radjabov, Shahriyar Mammadyarov, Vladimir Makogonov, Vugar Gashimov and former World Chess Champion Garry Kasparov. , country's home of Shamkir Chess a category 22 event and one of the highest rated tournaments of all time.
Backgammon also plays a major role in Azerbaijani culture. The game is very popular in Azerbaijan and is widely played among the local public. There are also different variations of backgammon developed and analyzed by Azerbaijani experts.
Azerbaijan Women's Volleyball Super League is one of the strongest women leagues in the world. Its women's national team came fourth at the 2005 European Championship. Over the last years, clubs like Rabita Baku and Azerrail Baku achieved great success at European cups. Azerbaijani volleyball players include likes of Valeriya Korotenko, Oksana Parkhomenko, Inessa Korkmaz, Natalya Mammadova and Alla Hasanova.
Other Azerbaijani athletes are Namig Abdullayev, Toghrul Asgarov, Rovshan Bayramov, Sharif Sharifov, Mariya Stadnik and Farid Mansurov in wrestling, Nazim Huseynov, Elnur Mammadli, Elkhan Mammadov and Rustam Orujov in judo, Rafael Aghayev in karate, Magomedrasul Majidov and Aghasi Mammadov in boxing, Nizami Pashayev in Olympic weightlifting, Azad Asgarov in pankration, Eduard Mammadov in kickboxing, and K-1 fighter Zabit Samedov.
Azerbaijan has a Formula One race-track, made in June 2012, and the country hosted its first Formula One Grand Prix on 19 June 2016 and the Azerbaijan Grand Prix in 2017, 2018, 2019, 2021 and 2022. Other annual sporting events held in the country are the Baku Cup tennis tournament and the Tour d'Azerbaïdjan cycling race.
Azerbaijan hosted several major sport competitions since the late 2000s, including the 2013 F1 Powerboat World Championship, 2012 FIFA U-17 Women's World Cup, 2011 AIBA World Boxing Championships, 2010 European Wrestling Championships, 2009 Rhythmic Gymnastics European Championships, 2014 European Taekwondo Championships, 2014 Rhythmic Gymnastics European Championships, and 2016 World Chess Olympiad. On 8 December 2012, Baku was selected to host the 2015 European Games, the first to be held in the competition's history. Baku also hosted the fourth Islamic Solidarity Games in 2017 and the 2019 European Youth Summer Olympic Festival, and it is also one of the hosts of UEFA Euro 2020, which because of Covid-19 is being held in 2021.
Music and folk dances.
Music of Azerbaijan builds on folk traditions that reach back nearly a thousand years. For centuries Azerbaijani music has evolved under the badge of monody, producing rhythmically diverse melodies. Azerbaijani music has a branchy mode system, where chromatization of major and minor scales is of great importance. Among national musical instruments there are 14 string instruments, eight percussion instruments and six wind instruments. According to "The Grove Dictionary of Music and Musicians", "in terms of ethnicity, culture and religion the Azerbaijani are musically much closer to Iran than Turkey."
Mugham, meykhana and ashiq art are among the many musical traditions of Azerbaijan. Mugham is usually a suite with poetry and instrumental interludes. When performing mugham, the singers have to transform their emotions into singing and music. In contrast to the mugham traditions of Central Asian countries, Azerbaijani mugham is more free-form and less rigid; it is often compared to the improvised field of jazz. UNESCO proclaimed the Azerbaijani mugham tradition a Masterpiece of the Oral and Intangible Heritage of Humanity on 7 November 2003. Meykhana is a kind of traditional Azerbaijani distinctive folk unaccompanied song, usually performed by several people improvising on a particular subject.
Ashiq combines poetry, storytelling, dance, and vocal and instrumental music into a traditional performance art that stands as a symbol of Azerbaijani culture. It is a mystic troubadour or traveling bard who sings and plays the saz. This tradition has its origin in the Shamanistic beliefs of ancient Turkic peoples. Ashiqs' songs are semi-improvised around common bases. Azerbaijan's ashiq art was included in the list of Intangible Cultural Heritage by the UNESCO on 30 September 2009.
Since the mid-1960s, Western-influenced Azerbaijani pop music, in its various forms, that has been growing in popularity in Azerbaijan, while genres such as rock and hip hop are widely produced and enjoyed. Azerbaijani pop and Azerbaijani folk music arose with the international popularity of performers like Alim Qasimov, Rashid Behbudov, Vagif Mustafazadeh, Muslim Magomayev, Shovkat Alakbarova and Rubaba Muradova. Azerbaijan is an enthusiastic participant in the Eurovision Song Contest. Azerbaijan made its debut appearance at the 2008 Eurovision Song Contest. The country's entry gained third place in 2009 and fifth the following year. Ell and Nikki won the first place at the Eurovision Song Contest 2011 with the song "Running Scared", entitling Azerbaijan to host the contest in 2012, in Baku. They have qualified for every Grand Final up until the 2018 edition of the contest, entering with X My Heart by singer Aisel.
There are dozens of Azerbaijani folk dances. They are performed at formal celebrations and the dancers wear national clothes like the Chokha, which is well-preserved within the national dances. Most dances have a very fast rhythm.
Literature.
Among the medieval authors born within the territorial limits of modern Azerbaijani Republic was Persian poet and philosopher Nizami, called Ganjavi after his place of birth, Ganja, who was the author of the Khamsa ("The Quintuplet"), composed of five romantic poems, including "The Treasure of Mysteries", "Khosrow and Shīrīn", and "Leyli and Mejnūn".
The earliest known figure in written Azerbaijani literature was Izzeddin Hasanoghlu, who composed a divan consisting of Persian and Azerbaijani ghazals. In Persian ghazals he used his pen-name, while his Azerbaijani ghazals were composed under his own name of Hasanoghlu.
Classical literature in Azerbaijani was formed in the 14th century based on the various Early Middle Ages dialects of Tabriz and Shirvan. Among the poets of this period were Gazi Burhanaddin, Haqiqi (pen-name of Jahan Shah Qara Qoyunlu), and Habibi. The end of the 14th century was also the period of starting literary activity of Imadaddin Nasimi, one of the greatest Azerbaijani Hurufi mystical poets of the late 14th and early 15th centuries and one of the most prominent early divan masters in Turkic literary history, who also composed poetry in Persian and Arabic. The divan and ghazal styles were further developed by poets Qasem-e Anvar, Fuzuli and Khatai (pen-name of Safavid Shah Ismail I).
The "Book of Dede Korkut" consists of two manuscripts copied in the 16th century, and was not written earlier than the 15th century. It is a collection of 12 stories reflecting the oral tradition of Oghuz nomads. The 16th-century poet, Muhammed Fuzuli produced his timeless philosophical and lyrical "Qazals" in Arabic, Persian, and Azerbaijani. Benefiting immensely from the fine literary traditions of his environment, and building upon the legacy of his predecessors, Fuzuli was destined to become the leading literary figure of his society. His major works include "The Divan of Ghazals" and "The Qasidas". In the same century, Azerbaijani literature further flourished with the development of Ashik () poetic genre of bards. During the same period, under the pen-name of Khatāī ( for "sinner") Shah Ismail I wrote about 1400 verses in Azerbaijani, which were later published as his "Divan". A unique literary style known as "qoshma" ( for "improvisation") was introduced in this period, and developed by Shah Ismail and later by his son and successor, Shah Tahmasp I.
In the span of the 17th and 18th centuries, Fuzuli's unique genres as well Ashik poetry were taken up by prominent poets and writers such as Qovsi of Tabriz, Shah Abbas Sani, , Nishat, Molla Vali Vidadi, Molla Panah Vagif, Amani, Zafar and others. Along with Turks, Turkmens and Uzbeks, Azerbaijanis also celebrate the Epic of Koroglu (from for "blind man's son"), a legendary folk hero. Several documented versions of Koroglu epic remain at the Institute for Manuscripts of the National Academy of Sciences of Azerbaijan.
Modern Azerbaijani literature in Azerbaijan is based on the Shirvani dialect mainly, while in Iran it is based on the Tabrizi one. The first newspaper in Azerbaijani, "Akinchi" was published in 1875. In the mid-19th century, it was taught in the schools of Baku, Ganja, Shaki, Tbilisi, and Yerevan. Since 1845, it was also taught in the University of Saint Petersburg in Russia.
Folk art.
Azerbaijanis have a rich and distinctive culture, a major part of which is decorative and applied art. This art form is represented by a wide range of handicrafts, such as chasing, jeweling, engraving in metal, carving in wood, stone, bone, carpet-making, lasing, pattern weaving and printing, and knitting and embroidery. Each of these types of decorative art, evidence of the endowments of the Azerbaijan nation, is very much in favor here. Many interesting facts pertaining to the development of arts and crafts in Azerbaijan were reported by numerous merchants, travelers, and diplomats who had visited these places at different times.
The Azerbaijani carpet is a traditional handmade textile of various sizes, with a dense texture and a pile or pile-less surface, whose patterns are characteristic of Azerbaijan's many carpet-making regions. In November 2010 the Azerbaijani carpet was proclaimed a Masterpiece of Intangible Heritage by UNESCO.
Azerbaijan has been since ancient times known as a center of a large variety of crafts. The archeological dig on the territory of Azerbaijan testifies to the well-developed agriculture, stock raising, metalworking, pottery, ceramics, and carpet-weaving that date as far back as to the 2nd millennium BC. Archeological sites in Dashbulaq, Hasansu, Zayamchai, and Tovuzchai uncovered from the BTC pipeline have revealed early Iron Age artifacts.
Azerbaijani carpets can be categorized under several large groups and a multitude of subgroups. Scientific research of the Azerbaijani carpet is connected with the name of Latif Karimov, a prominent scientist and artist. It was his classification that related the four large groups of carpets with the four geographical zones of Azerbaijan, Guba-Shirvan, Ganja-Kazakh, Karabakh and Tabriz.
Cuisine.
The traditional cuisine is famous for an abundance of vegetables and greens used seasonally in the dishes. Fresh herbs, including mint, cilantro (coriander), dill, basil, parsley, tarragon, leeks, chives, thyme, marjoram, green onion, and watercress, are very popular and often accompany main dishes on the table. Climatic diversity and fertility of the land are reflected in the national dishes, which are based on fish from the Caspian Sea, local meat (mainly mutton and beef), and an abundance of seasonal vegetables and greens. Saffron-rice plov is the flagship food in Azerbaijan and black tea is the national beverage. Azerbaijanis often use traditional armudu (pear-shaped) glass as they have very strong tea culture. Popular traditional dishes include bozbash (lamb soup that exists in several regional varieties with the addition of different vegetables), qutab (fried turnover with a filling of greens or minced meat) and dushbara (sort of dumplings of dough filled with ground meat and flavor).
Architecture.
Azerbaijani architecture typically combines elements of East and West. Azerbaijani architecture has heavy influences from Persian architecture. Many ancient architectural treasures such as the Maiden Tower and Palace of the Shirvanshahs in the Walled City of Baku survive in modern Azerbaijan. Entries submitted on the UNESCO World Heritage tentative list include the Ateshgah of Baku, Momine Khatun Mausoleum, Hirkan National Park, Binagadi asphalt lake, Lökbatan Mud Volcano, Shusha State Historical and Architectural Reserve, Baku Stage Mountain, Caspian Shore Defensive Constructions, Ordubad National Reserve and the Palace of Shaki Khans.
Among other architectural treasures are Quadrangular Castle in Mardakan, Parigala in Yukhary Chardaglar, a number of bridges spanning the Aras River, and several mausoleums. In the 19th and early 20th centuries, little monumental architecture was created, but distinctive residences were built in Baku and elsewhere. Among the most recent architectural monuments, the Baku subways are noted for their lavish decor.
The task for modern Azerbaijani architecture is diverse application of modern aesthetics, the search for an architect's own artistic style and inclusion of the existing historico-cultural environment. Major projects such as Heydar Aliyev Cultural Center, Flame Towers, Baku Crystal Hall, Baku White City and SOCAR Tower have transformed the country's skyline and promotes its contemporary identity.
Visual art.
The Gamigaya Petroglyphs, which date back to the 1st to 4th millennium BC, are located in Azerbaijan's Ordubad District. They consist of some 1500 dislodged and carved rock paintings with images of deer, goats, bulls, dogs, snakes, birds, fantastic beings, and people, carriages, and various symbols were found on basalt rocks. Norwegian ethnographer and adventurer Thor Heyerdahl was convinced that people from the area went to Scandinavia in about 100 AD, took their boat building skills with them, and transmuted them into the Viking boats in Northern Europe.
Over the centuries, Azerbaijani art has gone through many stylistic changes. Azerbaijani painting is traditionally characterized by a warmth of colour and light, as exemplified in the works of Azim Azimzade and Bahruz Kangarli, and a preoccupation with religious figures and cultural motifs. Azerbaijani painting enjoyed preeminence in Caucasus for hundreds of years, from the Romanesque and Ottoman periods, and through the Soviet and Baroque periods, the latter two of which saw fruition in Azerbaijan. Other notable artists who fall within these periods include Sattar Bahlulzade, Togrul Narimanbekov, Tahir Salahov, Alakbar Rezaguliyev, Mirza Gadim Iravani, Mikayil Abdullayev and Boyukagha Mirzazade.
Cinema.
The film industry in Azerbaijan dates back to 1898. Azerbaijan was among the first countries involved in cinematography, with the apparatus first showing up in Baku. In 1919, during the Azerbaijan Democratic Republic, a documentary "The Celebration of the Anniversary of Azerbaijani Independence" was filmed on the first anniversary of Azerbaijan's independence from Russia, 27 May, and premiered in June 1919 at several theatres in Baku. After the Soviet power was established in 1920, Nariman Narimanov, Chairman of the Revolutionary Committee of Azerbaijan, signed a decree nationalizing Azerbaijan's cinema. This also influenced the creation of Azerbaijani animation.
In 1991, after Azerbaijan gained its independence from the Soviet Union, the first Baku International Film Festival East-West was held in Baku. In December 2000, the former President of Azerbaijan, Heydar Aliyev, signed a decree proclaiming 2 August to be the professional holiday of filmmakers of Azerbaijan. Today Azerbaijani filmmakers are again dealing with issues similar to those faced by cinematographers prior to the establishment of the Soviet Union in 1920. Once again, both choices of content and sponsorship of films are largely left up to the initiative of the filmmaker.
Television.
There are three state-owned television channels: AzTV, Idman TV and Medeniyyet TV. There is one public channel and 6 private channels: İctimai Television, Space TV, Lider TV, Azad Azerbaijan TV, , and ARB.
Human rights.
The Constitution of Azerbaijan claims to guarantee freedom of speech, but this is denied in practice. After several years of decline in press and media freedom, in 2014, the media environment in Azerbaijan deteriorated rapidly under a governmental campaign to silence any opposition and criticism, even while the country led the Committee of Ministers of the Council of Europe (May–November 2014). Spurious legal charges and impunity in violence against journalists have remained the norm. All foreign broadcasts are banned in the country.
According to the 2013 Freedom House Freedom of the Press report, Azerbaijan's press freedom status is "not free", and Azerbaijan ranks 177th out of 196 countries.
Christianity is officially recognized. All religious communities are required to register to be allowed to meet, under the risk of imprisonment. This registration is often denied. "Racial discrimination contributes to the country's lack of religious freedom, since many of the Christians are ethnic Armenian or Russian, rather than Azeri Muslim."
Radio Free Europe/Radio Liberty and Voice of America are banned in Azerbaijan. Discrimination against LGBT people in Azerbaijan is widespread.
During the last few years, three journalists were killed and several prosecuted in trials described as unfair by international human rights organizations. Azerbaijan had the biggest number of journalists imprisoned in Europe in 2015, according to the Committee to Protect Journalists, and is the 5th most censored country in the world, ahead of Iran and China. Some critical journalists have been arrested for their coverage of the COVID-19 pandemic in Azerbaijan.
A report by an Amnesty International researcher in October 2015 points to "...the severe deterioration of human rights in Azerbaijan over the past few years. Sadly Azerbaijan has been allowed to get away with unprecedented levels of repression and in the process almost wipe out its civil society". Amnesty's 2015/16 annual report on the country stated "... persecution of political dissent continued. Human rights organizations remained unable to resume their work. At least 18 prisoners of conscience remained in detention at the end of the year. Reprisals against independent journalists and activists persisted both in the country and abroad, while their family members also faced harassment and arrests. International human rights monitors were barred and expelled from the country. Reports of torture and other ill-treatment persisted.
"The Guardian" reported in April 2017 that "Azerbaijan's ruling elite operated a secret $2.9bn (£2.2bn) scheme to pay prominent Europeans, buy luxury goods and launder money through a network of opaque British companies ... Leaked data shows that the Azerbaijani leadership, accused of serial human rights abuses, systemic corruption and rigging elections, made more than 16,000 covert payments from 2012 to 2014. Some of this money went to politicians and journalists, as part of an international lobbying operation to deflect criticism of Azerbaijan's president, Ilham Aliyev, and to promote a positive image of his oil-rich country." There was no suggestion that all recipients were aware of the source of the money as it arrived via a disguised route.
Sport.
Freestyle wrestling has been traditionally regarded as Azerbaijan's national sport, in which Azerbaijan won up to fourteen medals, including four golds since joining the International Olympic Committee. Currently, the most popular sports include football and wrestling.
Football is the most popular sport in Azerbaijan, and the Association of Football Federations of Azerbaijan with 9,122 registered players, is the largest sporting association in the country. The national football team of Azerbaijan demonstrates relatively low performance in the international arena compared to the nation football clubs. The most successful Azerbaijani football clubs are Neftçi, Qarabağ, and Gabala. In 2012, Neftchi Baku became the first Azerbaijani team to advance to the group stage of a European competition, beating APOEL of Cyprus 4–2 on aggregate in the play-off round of the 2012–13 UEFA Europa League. In 2014, Qarabağ became the second Azerbaijani club advancing to the group stage of UEFA Europa League. In 2017, after beating Copenhagen 2–2 (a) in the play-off round of the UEFA Champions League, Qarabağ became the first Azerbaijani club to reach the Group stage. Futsal is another popular sport in Azerbaijan. The Azerbaijan national futsal team reached fourth place in the 2010 UEFA Futsal Championship, while domestic club Araz Naxçivan clinched bronze medals at the 2009–10 UEFA Futsal Cup and 2013–14 UEFA Futsal Cup. Azerbaijan was the main sponsor of Spanish football club Atlético de Madrid during seasons 2013/2014 and 2014/2015, a partnership that the club described should 'promote the image of Azerbaijan in the world'.
Azerbaijan is one of the traditional powerhouses of world chess, having hosted many international chess tournaments and competitions and became European Team Chess Championship winners in 2009, 2013 and 2017. Notable chess players from the country's chess schools that have made a great impact on the game include Teimour Radjabov, Shahriyar Mammadyarov, Vladimir Makogonov, Vugar Gashimov and former World Chess Champion Garry Kasparov. , country's home of Shamkir Chess a category 22 event and one of the highest rated tournaments of all time.
Backgammon also plays a major role in Azerbaijani culture. The game is very popular in Azerbaijan and is widely played among the local public. There are also different variations of backgammon developed and analyzed by Azerbaijani experts.
Azerbaijan Women's Volleyball Super League is one of the strongest women leagues in the world. Its women's national team came fourth at the 2005 European Championship. Over the last years, clubs like Rabita Baku and Azerrail Baku achieved great success at European cups. Azerbaijani volleyball players include likes of Valeriya Korotenko, Oksana Parkhomenko, Inessa Korkmaz, Natalya Mammadova and Alla Hasanova.
Other Azerbaijani athletes are Namig Abdullayev, Toghrul Asgarov, Rovshan Bayramov, Sharif Sharifov, Mariya Stadnik and Farid Mansurov in wrestling, Nazim Huseynov, Elnur Mammadli, Elkhan Mammadov and Rustam Orujov in judo, Rafael Aghayev in karate, Magomedrasul Majidov and Aghasi Mammadov in boxing, Nizami Pashayev in Olympic weightlifting, Azad Asgarov in pankration, Eduard Mammadov in kickboxing, and K-1 fighter Zabit Samedov.
Azerbaijan has a Formula One race-track, made in June 2012, and the country hosted its first Formula One Grand Prix on 19 June 2016 and the Azerbaijan Grand Prix in 2017, 2018, 2019, 2021 and 2022. Other annual sporting events held in the country are the Baku Cup tennis tournament and the Tour d'Azerbaïdjan cycling race.
Azerbaijan hosted several major sport competitions since the late 2000s, including the 2013 F1 Powerboat World Championship, 2012 FIFA U-17 Women's World Cup, 2011 AIBA World Boxing Championships, 2010 European Wrestling Championships, 2009 Rhythmic Gymnastics European Championships, 2014 European Taekwondo Championships, 2014 Rhythmic Gymnastics European Championships, and 2016 World Chess Olympiad. On 8 December 2012, Baku was selected to host the 2015 European Games, the first to be held in the competition's history. Baku also hosted the fourth Islamic Solidarity Games in 2017 and the 2019 European Youth Summer Olympic Festival, and it is also one of the hosts of UEFA Euro 2020, which because of Covid-19 is being held in 2021.
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Anaximander
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Anaximander (; "Anaximandros"; ) was a pre-Socratic Greek philosopher who lived in Miletus, a city of Ionia (in modern-day Turkey). He belonged to the Milesian school and learned the teachings of his master Thales. He succeeded Thales and became the second master of that school where he counted Anaximenes and, arguably, Pythagoras amongst his pupils.
Little of his life and work is known today. According to available historical documents, he is the first philosopher known to have written down his studies, although only one fragment of his work remains. Fragmentary testimonies found in documents after his death provide a portrait of the man.
Anaximander was an early proponent of science and tried to observe and explain different aspects of the universe, with a particular interest in its origins, claiming that nature is ruled by laws, just like human societies, and anything that disturbs the balance of nature does not last long. Like many thinkers of his time, Anaximander's philosophy included contributions to many disciplines. In astronomy, he attempted to describe the mechanics of celestial bodies in relation to the Earth. In physics, his postulation that the indefinite (or apeiron) was the source of all things led Greek philosophy to a new level of conceptual abstraction. His knowledge of geometry allowed him to introduce the gnomon in Greece. He created a map of the world that contributed greatly to the advancement of geography. He was also involved in the politics of Miletus and was sent as a leader to one of its colonies.
Biography.
Anaximander, son of Praxiades, was born in the third year of the 42nd Olympiad (610 BC). According to Apollodorus of Athens, Greek grammarian of the 2nd century BC, he was sixty-four years old during the second year of the 58th Olympiad (547–546 BC), and died shortly afterwards.
Establishing a timeline of his work is now impossible, since no document provides chronological references. Themistius, a 4th-century Byzantine rhetorician, mentions that he was the "first of the known Greeks to publish a written document on nature." Therefore, his texts would be amongst the earliest written in prose, at least in the Western world. By the time of Plato, his philosophy was almost forgotten, and Aristotle, his successor Theophrastus and a few doxographers provide us with the little information that remains. However, we know from Aristotle that Thales, also from Miletus, precedes Anaximander. It is debatable whether Thales actually was the teacher of Anaximander, but there is no doubt that Anaximander was influenced by Thales' theory that everything is derived from water. One thing that is not debatable is that even the ancient Greeks considered Anaximander to be from the Monist school which began in Miletus, with Thales followed by Anaximander and which ended with Anaximenes. 3rd-century Roman rhetorician Aelian depicts Anaximander as leader of the Milesian colony to Apollonia on the Black Sea coast, and hence some have inferred that he was a prominent citizen. Indeed, "Various History" (III, 17) explains that philosophers sometimes also dealt with political matters. It is very likely that leaders of Miletus sent him there as a legislator to create a constitution or simply to maintain the colony's allegiance.
Anaximander lived the final few years of his life as a subject of the Persian Achaemenid Empire.
Theories.
Anaximander's theories were influenced by the Greek mythical tradition, and by some ideas of Thales – the father of Western philosophy – as well as by observations made by older civilizations in the Near East, especially Babylon. All these were developed rationally. In his desire to find some universal principle, he assumed, like traditional religion, the existence of a cosmic order; and his ideas on this used the old language of myths which ascribed divine control to various spheres of reality. This was a common practice for the Greek philosophers in a society which saw gods everywhere, and therefore could fit their ideas into a tolerably elastic system.
Some scholars see a gap between the existing mythical and the new rational way of thought which is the main characteristic of the archaic period (8th to 6th century BC) in the Greek city-states. This has given rise to the phrase "Greek miracle". But if we follow carefully the course of Anaximander's ideas, we will notice that there was not such an abrupt break as initially appears. The basic elements of nature (water, air, fire, earth) which the first Greek philosophers believed made up the universe in fact represent the primordial forces imagined in earlier ways of thinking. Their collision produced what the mythical tradition had called cosmic harmony. In the old cosmogonies – Hesiod (8th – 7th century BC) and Pherecydes (6th century BC) – Zeus establishes his order in the world by destroying the powers which were threatening this harmony (the Titans). Anaximander claimed that the cosmic order is not monarchic but geometric, and that this causes the equilibrium of the earth, which is lying in the centre of the universe. This is the projection on nature of a new political order and a new space organized around a centre which is the static point of the system in the society as in nature. In this space there is "isonomy" (equal rights) and all the forces are symmetrical and transferable. The decisions are now taken by the assembly of "demos" in the "agora" which is lying in the middle of the city.
The same "rational" way of thought led him to introduce the abstract "apeiron" (indefinite, infinite, boundless, unlimited) as an origin of the universe, a concept that is probably influenced by the original Chaos (gaping void, abyss, formless state) from which everything else appeared in the mythical Greek cosmogony. It also takes notice of the mutual changes between the four elements. Origin, then, must be something else unlimited in its source, that could create without experiencing decay, so that genesis would never stop.
Apeiron.
The "Refutation" attributed to Hippolytus of Rome (I, 5), and the later 6th century Byzantine philosopher Simplicius of Cilicia, attribute to Anaximander the earliest use of the word "apeiron" ( "infinite" or "limitless") to designate the original principle. He was the first philosopher to employ, in a philosophical context, the term "archē" (), which until then had meant beginning or origin.
"That Anaximander called this something by the name of is the natural interpretation of what Theophrastos says; the current statement that the term was introduced by him appears to be due to a misunderstanding."
And "Hippolytos, however, is not an independent authority, and the only question is what Theophrastos wrote."
For him, it became no longer a mere point in time, but a source that could perpetually give birth to whatever will be. The indefiniteness is spatial in early usages as in Homer (indefinite sea) and as in Xenophanes (6th century BC) who said that the earth went down indefinitely (to "apeiron") i.e. beyond the imagination or concept of men.
Burnet (1930) in "Early Greek Philosophy" says:
"Nearly all we know of Anaximander’s system is derived in the last resort from Theophrastos, who certainly knew his book. He seems once at least to have quoted Anaximander's own words, and he criticised his style. Here are the remains of what he said of him in the First Book:
"Anaximander of Miletos, son of Praxiades, a fellow-citizen and associate of Thales, said that the material cause and first element of things was the Infinite, he being the first to introduce this name of the material cause. He says it is neither water nor any other of the so-called elements, but a substance different from them which is infinite" [apeiron, or ] "from which arise all the heavens and the worlds within them.—Phys, Op. fr. 2 (Dox. p. 476; R. P. 16)."
Burnet's quote from the "First Book" is his translation of Theophrastos' "Physic Opinion" fragment 2 as it appears in p. 476 of "Historia Philosophiae Graecae" (1898) by Ritter and Preller and section 16 of "Doxographi Graeci" (1879) by Diels.
By ascribing the "Infinite" with a "material cause", Theophrastos is following the Aristotelian tradition of "nearly always discussing the facts from the point of view of his own system".
Aristotle writes ("Metaphysics", I.III 3–4) that the Pre-Socratics were searching for the element that constitutes all things. While each pre-Socratic philosopher gave a different answer as to the identity of this element (water for Thales and air for Anaximenes), Anaximander understood the beginning or first principle to be an endless, unlimited primordial mass ("apeiron"), subject to neither old age nor decay, that perpetually yielded fresh materials from which everything we perceive is derived. He proposed the theory of the "apeiron" in direct response to the earlier theory of his teacher, Thales, who had claimed that the primary substance was water. The notion of temporal infinity was familiar to the Greek mind from remote antiquity in the religious concept of immortality, and Anaximander's description was in terms appropriate to this conception. This "archē" is called "eternal and ageless". (Hippolytus (?), "Refutation", I,6,I;DK B2)""Aristotle puts things in his own way regardless of historical considerations, and it is difficult to see that it is more of an anachronism to call the Boundless “ intermediate between the elements ” than to say that it is " distinct from the elements.” Indeed, if once we introduce the elements at all, the former description is the more adequate of the two. At any rate, if we refuse to understand these passages as referring to Anaximander, we shall have to say that Aristotle paid a great deal of attention to some one whose very name has been lost, and who not only agreed with some of Anaximander’s views, but also used some of his most characteristic expressions. We may add that in one or two places Aristotle certainly seems to identify the “ intermediate ” with the something “ distinct from ” the elements".""It is certain that he [Anaximander] cannot have said anything about elements, which no one thought of before Empedokles, and no one could think of before Parmenides. The question has only been mentioned because it has given rise to a lengthy controversy, and because it throws light on the historical value of Aristotle’s statements. From the point of view of his own system, these may be justified; but we shall have to remember in other cases that, when he seems to attribute an idea to some earlier thinker, we are not bound to take what he says in an historical sense."For Anaximander, the principle of things, the constituent of all substances, is nothing determined and not an element such as water in Thales' view. Neither is it something halfway between air and water, or between air and fire, thicker than air and fire, or more subtle than water and earth. Anaximander argues that water cannot embrace all of the opposites found in nature — for example, water can only be wet, never dry — and therefore cannot be the one primary substance; nor could any of the other candidates. He postulated the "apeiron" as a substance that, although not directly perceptible to us, could explain the opposites he saw around him."If Thales had been right in saying that water was the fundamental reality, it would not be easy to see how anything else could ever have existed. One side of the opposition, the cold and moist, would have had its way unchecked, and the warm and dry would have been driven from the field long ago. We must, then, have something not itself one of the warring opposites, something more primitive, out of which they arise, and into which they once more pass away."Anaximander explains how the four elements of ancient physics (air, earth, water and fire) are formed, and how Earth and terrestrial beings are formed through their interactions. Unlike other Pre-Socratics, he never defines this principle precisely, and it has generally been understood (e.g., by Aristotle and by Saint Augustine) as a sort of primal chaos. According to him, the Universe originates in the separation of opposites in the primordial matter. It embraces the opposites of hot and cold, wet and dry, and directs the movement of things; an entire host of shapes and differences then grow that are found in "all the worlds" (for he believed there were many)."Anaximander taught, then, that there was an eternal. The indestructible something out of which everything arises, and into which everything returns; a boundless stock from which the waste of existence is continually made good, “elements.”. That is only the natural development of the thought we have ascribed to Thales, and there can be no doubt that Anaximander at least formulated it distinctly. Indeed, we can still follow to some extent the reasoning which led him to do so. Thales had regarded water as the most likely thing to be that of which all others are forms; Anaximander appears to have asked how the primary substance could be one of these particular things. His argument seems to be preserved by Aristotle, who has the following passage in his discussion of the Infinite: "Further, there cannot be a single, simple body which is infinite, either, as some hold, one distinct from the elements, which they then derive from it, or without this qualification. For there are some who make this. (i.e. a body distinct from the elements). the infinite, and not air or water, in order that the other things may not be destroyed by their infinity. They are in opposition one to another. air is cold, water moist, and fire hot. and therefore, if any one of them were infinite, the rest would have ceased to be by this time. Accordingly they say that what is infinite is something other than the elements, and from it the elements arise.'—Aristotle Physics. F, 5 204 b 22 (Ritter and Preller (1898) Historia Philosophiae Graecae, section 16 b)."Anaximander maintains that all dying things are returning to the element from which they came ("apeiron"). The one surviving fragment of Anaximander's writing deals with this matter. Simplicius transmitted it as a quotation, which describes the balanced and mutual changes of the elements:
Whence things have their origin,
Thence also their destruction happens,
According to necessity;
For they give to each other justice and recompense
For their injustice
In conformity with the ordinance of Time.
Simplicius mentions that Anaximander said all these "in poetic terms", meaning that he used the old mythical language. The goddess Justice (Dike) keeps the cosmic order. This concept of returning to the element of origin was often revisited afterwards, notably by Aristotle, and by the Greek tragedian Euripides: "what comes from earth must return to earth." Friedrich Nietzsche, in his "Philosophy in the Tragic Age of the Greeks", stated that Anaximander viewed "... all coming-to-be as though it were an illegitimate emancipation from eternal being, a wrong for which destruction is the only penance." Physicist Max Born, in commenting upon Werner Heisenberg's arriving at the idea that the elementary particles of quantum mechanics are to be seen as different manifestations, different quantum states, of one and the same “primordial substance,”' proposed that this primordial substance be called "apeiron".
Cosmology.
Anaximander's bold use of non-mythological explanatory hypotheses considerably distinguishes him from previous cosmology writers such as Hesiod. It confirms that pre-Socratic philosophers were making an early effort to demystify physical processes. His major contribution to history was writing the oldest prose document about the Universe and the origins of life; for this he is often called the "Father of Cosmology" and founder of astronomy. However, pseudo-Plutarch states that he still viewed celestial bodies as deities.
Anaximander was the first to conceive a mechanical model of the world. In his model, the Earth floats very still in the centre of the infinite, not supported by anything. It remains "in the same place because of its indifference", a point of view that Aristotle considered ingenious, but false, in "On the Heavens". Its curious shape is that of a cylinder with a height one-third of its diameter. The flat top forms the inhabited world, which is surrounded by a circular oceanic mass.
Anaximander's realization that the Earth floats free without falling and does not need to be resting on something has been indicated by many as the first cosmological revolution and the starting point of scientific thinking. Karl Popper calls this idea "one of the boldest, most revolutionary, and most portentous ideas in the whole history of human thinking." Such a model allowed the concept that celestial bodies could pass under the Earth, opening the way to Greek astronomy.
At the origin, after the separation of hot and cold, a ball of flame appeared that surrounded Earth like bark on a tree. This ball broke apart to form the rest of the Universe. It resembled a system of hollow concentric wheels, filled with fire, with the rims pierced by holes like those of a flute. Consequently, the Sun was the fire that one could see through a hole the same size as the Earth on the farthest wheel, and an eclipse corresponded with the occlusion of that hole. The diameter of the solar wheel was twenty-seven times that of the Earth (or twenty-eight, depending on the sources) and the lunar wheel, whose fire was less intense, eighteen (or nineteen) times. Its hole could change shape, thus explaining lunar phases. The stars and the planets, located closer, followed the same model.
Anaximander was the first astronomer to consider the Sun as a huge mass, and consequently, to realize how far from Earth it might be, and the first to present a system where the celestial bodies turned at different distances. Furthermore, according to Diogenes Laertius (II, 2), he built a celestial sphere. This invention undoubtedly made him the first to realize the obliquity of the Zodiac as the Roman philosopher Pliny the Elder reports in "Natural History" (II, 8). It is a little early to use the term ecliptic, but his knowledge and work on astronomy confirm that he must have observed the inclination of the celestial sphere in relation to the plane of the Earth to explain the seasons. The doxographer and theologian Aetius attributes to Pythagoras the exact measurement of the obliquity.
Multiple worlds.
According to Simplicius, Anaximander already speculated on the plurality of worlds, similar to atomists Leucippus and Democritus, and later philosopher Epicurus. These thinkers supposed that worlds appeared and disappeared for a while, and that some were born when others perished. They claimed that this movement was eternal, "for without movement, there can be no generation, no destruction".
In addition to Simplicius, Hippolytus reports Anaximander's claim that from the infinite comes the principle of beings, which themselves come from the heavens and the worlds (several doxographers use the plural when this philosopher is referring to the worlds within, which are often infinite in quantity). Cicero writes that he attributes different gods to the countless worlds.
This theory places Anaximander close to the Atomists and the Epicureans who, more than a century later, also claimed that an infinity of worlds appeared and disappeared. In the timeline of the Greek history of thought, some thinkers conceptualized a single world (Plato, Aristotle, Anaxagoras and Archelaus), while others instead speculated on the existence of a series of worlds, continuous or non-continuous (Anaximenes, Heraclitus, Empedocles and Diogenes).
Meteorological phenomena.
Anaximander attributed some phenomena, such as thunder and lightning, to the intervention of elements, rather than to divine causes. In his system, thunder results from the shock of clouds hitting each other; the loudness of the sound is proportionate with that of the shock. Thunder without lightning is the result of the wind being too weak to emit any flame, but strong enough to produce a sound. A flash of lightning without thunder is a jolt of the air that disperses and falls, allowing a less active fire to break free. Thunderbolts are the result of a thicker and more violent air flow.
He saw the sea as a remnant of the mass of humidity that once surrounded Earth. A part of that mass evaporated under the sun's action, thus causing the winds and even the rotation of the celestial bodies, which he believed were attracted to places where water is more abundant. He explained rain as a product of the humidity pumped up from Earth by the sun. For him, the Earth was slowly drying up and water only remained in the deepest regions, which someday would go dry as well. According to Aristotle's "Meteorology" (II, 3), Democritus also shared this opinion.
Origin of humankind.
Anaximander speculated about the beginnings and origin of animal life, and that humans came from other animals in waters. According to his evolutionary theory, animals sprang out of the sea long ago, born trapped in a spiny bark, but as they got older, the bark would dry up and animals would be able to break it. As the early humidity evaporated, dry land emerged and, in time, humankind had to adapt. The 3rd century Roman writer Censorinus reports:
Anaximander put forward the idea that humans had to spend part of this transition inside the mouths of big fish to protect themselves from the Earth's climate until they could come out in open air and lose their scales. He thought that, considering humans' extended infancy, we could not have survived in the primeval world in the same manner we do presently.
Apeiron.
The "Refutation" attributed to Hippolytus of Rome (I, 5), and the later 6th century Byzantine philosopher Simplicius of Cilicia, attribute to Anaximander the earliest use of the word "apeiron" ( "infinite" or "limitless") to designate the original principle. He was the first philosopher to employ, in a philosophical context, the term "archē" (), which until then had meant beginning or origin.
"That Anaximander called this something by the name of is the natural interpretation of what Theophrastos says; the current statement that the term was introduced by him appears to be due to a misunderstanding."
And "Hippolytos, however, is not an independent authority, and the only question is what Theophrastos wrote."
For him, it became no longer a mere point in time, but a source that could perpetually give birth to whatever will be. The indefiniteness is spatial in early usages as in Homer (indefinite sea) and as in Xenophanes (6th century BC) who said that the earth went down indefinitely (to "apeiron") i.e. beyond the imagination or concept of men.
Burnet (1930) in "Early Greek Philosophy" says:
"Nearly all we know of Anaximander’s system is derived in the last resort from Theophrastos, who certainly knew his book. He seems once at least to have quoted Anaximander's own words, and he criticised his style. Here are the remains of what he said of him in the First Book:
"Anaximander of Miletos, son of Praxiades, a fellow-citizen and associate of Thales, said that the material cause and first element of things was the Infinite, he being the first to introduce this name of the material cause. He says it is neither water nor any other of the so-called elements, but a substance different from them which is infinite" [apeiron, or ] "from which arise all the heavens and the worlds within them.—Phys, Op. fr. 2 (Dox. p. 476; R. P. 16)."
Burnet's quote from the "First Book" is his translation of Theophrastos' "Physic Opinion" fragment 2 as it appears in p. 476 of "Historia Philosophiae Graecae" (1898) by Ritter and Preller and section 16 of "Doxographi Graeci" (1879) by Diels.
By ascribing the "Infinite" with a "material cause", Theophrastos is following the Aristotelian tradition of "nearly always discussing the facts from the point of view of his own system".
Aristotle writes ("Metaphysics", I.III 3–4) that the Pre-Socratics were searching for the element that constitutes all things. While each pre-Socratic philosopher gave a different answer as to the identity of this element (water for Thales and air for Anaximenes), Anaximander understood the beginning or first principle to be an endless, unlimited primordial mass ("apeiron"), subject to neither old age nor decay, that perpetually yielded fresh materials from which everything we perceive is derived. He proposed the theory of the "apeiron" in direct response to the earlier theory of his teacher, Thales, who had claimed that the primary substance was water. The notion of temporal infinity was familiar to the Greek mind from remote antiquity in the religious concept of immortality, and Anaximander's description was in terms appropriate to this conception. This "archē" is called "eternal and ageless". (Hippolytus (?), "Refutation", I,6,I;DK B2)""Aristotle puts things in his own way regardless of historical considerations, and it is difficult to see that it is more of an anachronism to call the Boundless “ intermediate between the elements ” than to say that it is " distinct from the elements.” Indeed, if once we introduce the elements at all, the former description is the more adequate of the two. At any rate, if we refuse to understand these passages as referring to Anaximander, we shall have to say that Aristotle paid a great deal of attention to some one whose very name has been lost, and who not only agreed with some of Anaximander’s views, but also used some of his most characteristic expressions. We may add that in one or two places Aristotle certainly seems to identify the “ intermediate ” with the something “ distinct from ” the elements".""It is certain that he [Anaximander] cannot have said anything about elements, which no one thought of before Empedokles, and no one could think of before Parmenides. The question has only been mentioned because it has given rise to a lengthy controversy, and because it throws light on the historical value of Aristotle’s statements. From the point of view of his own system, these may be justified; but we shall have to remember in other cases that, when he seems to attribute an idea to some earlier thinker, we are not bound to take what he says in an historical sense."For Anaximander, the principle of things, the constituent of all substances, is nothing determined and not an element such as water in Thales' view. Neither is it something halfway between air and water, or between air and fire, thicker than air and fire, or more subtle than water and earth. Anaximander argues that water cannot embrace all of the opposites found in nature — for example, water can only be wet, never dry — and therefore cannot be the one primary substance; nor could any of the other candidates. He postulated the "apeiron" as a substance that, although not directly perceptible to us, could explain the opposites he saw around him."If Thales had been right in saying that water was the fundamental reality, it would not be easy to see how anything else could ever have existed. One side of the opposition, the cold and moist, would have had its way unchecked, and the warm and dry would have been driven from the field long ago. We must, then, have something not itself one of the warring opposites, something more primitive, out of which they arise, and into which they once more pass away."Anaximander explains how the four elements of ancient physics (air, earth, water and fire) are formed, and how Earth and terrestrial beings are formed through their interactions. Unlike other Pre-Socratics, he never defines this principle precisely, and it has generally been understood (e.g., by Aristotle and by Saint Augustine) as a sort of primal chaos. According to him, the Universe originates in the separation of opposites in the primordial matter. It embraces the opposites of hot and cold, wet and dry, and directs the movement of things; an entire host of shapes and differences then grow that are found in "all the worlds" (for he believed there were many)."Anaximander taught, then, that there was an eternal. The indestructible something out of which everything arises, and into which everything returns; a boundless stock from which the waste of existence is continually made good, “elements.”. That is only the natural development of the thought we have ascribed to Thales, and there can be no doubt that Anaximander at least formulated it distinctly. Indeed, we can still follow to some extent the reasoning which led him to do so. Thales had regarded water as the most likely thing to be that of which all others are forms; Anaximander appears to have asked how the primary substance could be one of these particular things. His argument seems to be preserved by Aristotle, who has the following passage in his discussion of the Infinite: "Further, there cannot be a single, simple body which is infinite, either, as some hold, one distinct from the elements, which they then derive from it, or without this qualification. For there are some who make this. (i.e. a body distinct from the elements). the infinite, and not air or water, in order that the other things may not be destroyed by their infinity. They are in opposition one to another. air is cold, water moist, and fire hot. and therefore, if any one of them were infinite, the rest would have ceased to be by this time. Accordingly they say that what is infinite is something other than the elements, and from it the elements arise.'—Aristotle Physics. F, 5 204 b 22 (Ritter and Preller (1898) Historia Philosophiae Graecae, section 16 b)."Anaximander maintains that all dying things are returning to the element from which they came ("apeiron"). The one surviving fragment of Anaximander's writing deals with this matter. Simplicius transmitted it as a quotation, which describes the balanced and mutual changes of the elements:
Whence things have their origin,
Thence also their destruction happens,
According to necessity;
For they give to each other justice and recompense
For their injustice
In conformity with the ordinance of Time.
Simplicius mentions that Anaximander said all these "in poetic terms", meaning that he used the old mythical language. The goddess Justice (Dike) keeps the cosmic order. This concept of returning to the element of origin was often revisited afterwards, notably by Aristotle, and by the Greek tragedian Euripides: "what comes from earth must return to earth." Friedrich Nietzsche, in his "Philosophy in the Tragic Age of the Greeks", stated that Anaximander viewed "... all coming-to-be as though it were an illegitimate emancipation from eternal being, a wrong for which destruction is the only penance." Physicist Max Born, in commenting upon Werner Heisenberg's arriving at the idea that the elementary particles of quantum mechanics are to be seen as different manifestations, different quantum states, of one and the same “primordial substance,”' proposed that this primordial substance be called "apeiron".
Cosmology.
Anaximander's bold use of non-mythological explanatory hypotheses considerably distinguishes him from previous cosmology writers such as Hesiod. It confirms that pre-Socratic philosophers were making an early effort to demystify physical processes. His major contribution to history was writing the oldest prose document about the Universe and the origins of life; for this he is often called the "Father of Cosmology" and founder of astronomy. However, pseudo-Plutarch states that he still viewed celestial bodies as deities.
Anaximander was the first to conceive a mechanical model of the world. In his model, the Earth floats very still in the centre of the infinite, not supported by anything. It remains "in the same place because of its indifference", a point of view that Aristotle considered ingenious, but false, in "On the Heavens". Its curious shape is that of a cylinder with a height one-third of its diameter. The flat top forms the inhabited world, which is surrounded by a circular oceanic mass.
Anaximander's realization that the Earth floats free without falling and does not need to be resting on something has been indicated by many as the first cosmological revolution and the starting point of scientific thinking. Karl Popper calls this idea "one of the boldest, most revolutionary, and most portentous ideas in the whole history of human thinking." Such a model allowed the concept that celestial bodies could pass under the Earth, opening the way to Greek astronomy.
At the origin, after the separation of hot and cold, a ball of flame appeared that surrounded Earth like bark on a tree. This ball broke apart to form the rest of the Universe. It resembled a system of hollow concentric wheels, filled with fire, with the rims pierced by holes like those of a flute. Consequently, the Sun was the fire that one could see through a hole the same size as the Earth on the farthest wheel, and an eclipse corresponded with the occlusion of that hole. The diameter of the solar wheel was twenty-seven times that of the Earth (or twenty-eight, depending on the sources) and the lunar wheel, whose fire was less intense, eighteen (or nineteen) times. Its hole could change shape, thus explaining lunar phases. The stars and the planets, located closer, followed the same model.
Anaximander was the first astronomer to consider the Sun as a huge mass, and consequently, to realize how far from Earth it might be, and the first to present a system where the celestial bodies turned at different distances. Furthermore, according to Diogenes Laertius (II, 2), he built a celestial sphere. This invention undoubtedly made him the first to realize the obliquity of the Zodiac as the Roman philosopher Pliny the Elder reports in "Natural History" (II, 8). It is a little early to use the term ecliptic, but his knowledge and work on astronomy confirm that he must have observed the inclination of the celestial sphere in relation to the plane of the Earth to explain the seasons. The doxographer and theologian Aetius attributes to Pythagoras the exact measurement of the obliquity.
Multiple worlds.
According to Simplicius, Anaximander already speculated on the plurality of worlds, similar to atomists Leucippus and Democritus, and later philosopher Epicurus. These thinkers supposed that worlds appeared and disappeared for a while, and that some were born when others perished. They claimed that this movement was eternal, "for without movement, there can be no generation, no destruction".
In addition to Simplicius, Hippolytus reports Anaximander's claim that from the infinite comes the principle of beings, which themselves come from the heavens and the worlds (several doxographers use the plural when this philosopher is referring to the worlds within, which are often infinite in quantity). Cicero writes that he attributes different gods to the countless worlds.
This theory places Anaximander close to the Atomists and the Epicureans who, more than a century later, also claimed that an infinity of worlds appeared and disappeared. In the timeline of the Greek history of thought, some thinkers conceptualized a single world (Plato, Aristotle, Anaxagoras and Archelaus), while others instead speculated on the existence of a series of worlds, continuous or non-continuous (Anaximenes, Heraclitus, Empedocles and Diogenes).
Meteorological phenomena.
Anaximander attributed some phenomena, such as thunder and lightning, to the intervention of elements, rather than to divine causes. In his system, thunder results from the shock of clouds hitting each other; the loudness of the sound is proportionate with that of the shock. Thunder without lightning is the result of the wind being too weak to emit any flame, but strong enough to produce a sound. A flash of lightning without thunder is a jolt of the air that disperses and falls, allowing a less active fire to break free. Thunderbolts are the result of a thicker and more violent air flow.
He saw the sea as a remnant of the mass of humidity that once surrounded Earth. A part of that mass evaporated under the sun's action, thus causing the winds and even the rotation of the celestial bodies, which he believed were attracted to places where water is more abundant. He explained rain as a product of the humidity pumped up from Earth by the sun. For him, the Earth was slowly drying up and water only remained in the deepest regions, which someday would go dry as well. According to Aristotle's "Meteorology" (II, 3), Democritus also shared this opinion.
Origin of humankind.
Anaximander speculated about the beginnings and origin of animal life, and that humans came from other animals in waters. According to his evolutionary theory, animals sprang out of the sea long ago, born trapped in a spiny bark, but as they got older, the bark would dry up and animals would be able to break it. As the early humidity evaporated, dry land emerged and, in time, humankind had to adapt. The 3rd century Roman writer Censorinus reports:
Anaximander put forward the idea that humans had to spend part of this transition inside the mouths of big fish to protect themselves from the Earth's climate until they could come out in open air and lose their scales. He thought that, considering humans' extended infancy, we could not have survived in the primeval world in the same manner we do presently.
Other accomplishments.
Cartography.
Both Strabo and Agathemerus (later Greek geographers) claim that, according to the geographer Eratosthenes, Anaximander was the first to publish a map of the world. The map probably inspired the Greek historian Hecataeus of Miletus to draw a more accurate version. Strabo viewed both as the first geographers after Homer.
Maps were produced in ancient times, also notably in Egypt, Lydia, the Middle East, and Babylon. Only some small examples survived until today. The unique example of a world map comes from late Babylonian tablet BM 92687 later than 9th century BC but is based probably on a much older map. These maps indicated directions, roads, towns, borders, and geological features. Anaximander's innovation was to represent the entire inhabited land known to the ancient Greeks.
Such an accomplishment is more significant than it at first appears. Anaximander most likely drew this map for three reasons. First, it could be used to improve navigation and trade between Miletus's colonies and other colonies around the Mediterranean Sea and Black Sea. Second, Thales would probably have found it easier to convince the Ionian city-states to join in a federation in order to push the Median threat away if he possessed such a tool. Finally, the philosophical idea of a global representation of the world simply for the sake of knowledge was reason enough to design one.
Surely aware of the sea's convexity, he may have designed his map on a slightly rounded metal surface. The centre or “navel” of the world ( "omphalós gẽs") could have been Delphi, but is more likely in Anaximander's time to have been located near Miletus. The Aegean Sea was near the map's centre and enclosed by three continents, themselves located in the middle of the ocean and isolated like islands by sea and rivers. Europe was bordered on the south by the Mediterranean Sea and was separated from Asia by the Black Sea, the Lake Maeotis, and, further east, either by the Phasis River (now called the Rioni in Georgia) or the Tanais. The Nile flowed south into the ocean, separating Libya (which was the name for the part of the then-known African continent) from Asia.
Gnomon.
The "Suda" relates that Anaximander explained some basic notions of geometry. It also mentions his interest in the measurement of time and associates him with the introduction in Greece of the gnomon. In Lacedaemon, he participated in the construction, or at least in the adjustment, of sundials to indicate solstices and equinoxes. Indeed, a gnomon required adjustments from a place to another because of the difference in latitude.
In his time, the gnomon was simply a vertical pillar or rod mounted on a horizontal plane. The position of its shadow on the plane indicated the time of day. As it moves through its apparent course, the Sun draws a curve with the tip of the projected shadow, which is shortest at noon, when pointing due south. The variation in the tip's position at noon indicates the solar time and the seasons; the shadow is longest on the winter solstice and shortest on the summer solstice.
The invention of the gnomon itself cannot be attributed to Anaximander because its use, as well as the division of days into twelve parts, came from the Babylonians. It is they, according to Herodotus' Histories (II, 109), who gave the Greeks the art of time measurement. It is likely that he was not the first to determine the solstices, because no calculation is necessary. On the other hand, equinoxes do not correspond to the middle point between the positions during solstices, as the Babylonians thought. As the "Suda" seems to suggest, it is very likely that with his knowledge of geometry, he became the first Greek to determine accurately the equinoxes.
Prediction of an earthquake.
In his philosophical work "De Divinatione" (I, 50, 112), Cicero states that Anaximander convinced the inhabitants of Lacedaemon to abandon their city and spend the night in the country with their weapons because an earthquake was near. The city collapsed when the top of the Taygetus split like the stern of a ship. Pliny the Elder also mentions this anecdote (II, 81), suggesting that it came from an "admirable inspiration", as opposed to Cicero, who did not associate the prediction with divination.
Cartography.
Both Strabo and Agathemerus (later Greek geographers) claim that, according to the geographer Eratosthenes, Anaximander was the first to publish a map of the world. The map probably inspired the Greek historian Hecataeus of Miletus to draw a more accurate version. Strabo viewed both as the first geographers after Homer.
Maps were produced in ancient times, also notably in Egypt, Lydia, the Middle East, and Babylon. Only some small examples survived until today. The unique example of a world map comes from late Babylonian tablet BM 92687 later than 9th century BC but is based probably on a much older map. These maps indicated directions, roads, towns, borders, and geological features. Anaximander's innovation was to represent the entire inhabited land known to the ancient Greeks.
Such an accomplishment is more significant than it at first appears. Anaximander most likely drew this map for three reasons. First, it could be used to improve navigation and trade between Miletus's colonies and other colonies around the Mediterranean Sea and Black Sea. Second, Thales would probably have found it easier to convince the Ionian city-states to join in a federation in order to push the Median threat away if he possessed such a tool. Finally, the philosophical idea of a global representation of the world simply for the sake of knowledge was reason enough to design one.
Surely aware of the sea's convexity, he may have designed his map on a slightly rounded metal surface. The centre or “navel” of the world ( "omphalós gẽs") could have been Delphi, but is more likely in Anaximander's time to have been located near Miletus. The Aegean Sea was near the map's centre and enclosed by three continents, themselves located in the middle of the ocean and isolated like islands by sea and rivers. Europe was bordered on the south by the Mediterranean Sea and was separated from Asia by the Black Sea, the Lake Maeotis, and, further east, either by the Phasis River (now called the Rioni in Georgia) or the Tanais. The Nile flowed south into the ocean, separating Libya (which was the name for the part of the then-known African continent) from Asia.
Gnomon.
The "Suda" relates that Anaximander explained some basic notions of geometry. It also mentions his interest in the measurement of time and associates him with the introduction in Greece of the gnomon. In Lacedaemon, he participated in the construction, or at least in the adjustment, of sundials to indicate solstices and equinoxes. Indeed, a gnomon required adjustments from a place to another because of the difference in latitude.
In his time, the gnomon was simply a vertical pillar or rod mounted on a horizontal plane. The position of its shadow on the plane indicated the time of day. As it moves through its apparent course, the Sun draws a curve with the tip of the projected shadow, which is shortest at noon, when pointing due south. The variation in the tip's position at noon indicates the solar time and the seasons; the shadow is longest on the winter solstice and shortest on the summer solstice.
The invention of the gnomon itself cannot be attributed to Anaximander because its use, as well as the division of days into twelve parts, came from the Babylonians. It is they, according to Herodotus' Histories (II, 109), who gave the Greeks the art of time measurement. It is likely that he was not the first to determine the solstices, because no calculation is necessary. On the other hand, equinoxes do not correspond to the middle point between the positions during solstices, as the Babylonians thought. As the "Suda" seems to suggest, it is very likely that with his knowledge of geometry, he became the first Greek to determine accurately the equinoxes.
Prediction of an earthquake.
In his philosophical work "De Divinatione" (I, 50, 112), Cicero states that Anaximander convinced the inhabitants of Lacedaemon to abandon their city and spend the night in the country with their weapons because an earthquake was near. The city collapsed when the top of the Taygetus split like the stern of a ship. Pliny the Elder also mentions this anecdote (II, 81), suggesting that it came from an "admirable inspiration", as opposed to Cicero, who did not associate the prediction with divination.
Interpretations.
Bertrand Russell in the "History of Western Philosophy" interprets Anaximander's theories as an assertion of the necessity of an appropriate balance between earth, fire, and water, all of which may be independently seeking to aggrandize their proportions relative to the others. Anaximander seems to express his belief that a natural order ensures balance among these elements, that where there was fire, ashes (earth) now exist. His Greek peers echoed this sentiment with their belief in natural boundaries beyond which not even the gods could operate.
Friedrich Nietzsche, in "Philosophy in the Tragic Age of the Greeks", claimed that Anaximander was a pessimist who asserted that the primal being of the world was a state of indefiniteness. In accordance with this, anything definite has to eventually pass back into indefiniteness. In other words, Anaximander viewed "...all coming-to-be as though it were an illegitimate emancipation from eternal being, a wrong for which destruction is the only penance". ("Ibid.", § 4) The world of individual objects, in this way of thinking, has no worth and should perish.
Martin Heidegger lectured extensively on Anaximander, and delivered a lecture entitled "Anaximander's Saying" which was subsequently included in "Off the Beaten Track". The lecture examines the ontological difference and the oblivion of Being or "Dasein" in the context of the Anaximander fragment. Heidegger's lecture is, in turn, an important influence on the French philosopher Jacques Derrida.
Works.
According to the "Suda":
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Albert Einstein
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Albert Einstein ( ; ; 14 March 1879 – 18 April 1955) was a German-born theoretical physicist, widely acknowledged to be one of the greatest and most influential physicists of all time. Einstein is best known for developing the theory of relativity, but he also made important contributions to the development of the theory of quantum mechanics. Relativity and quantum mechanics are the two pillars of modern physics. His mass–energy equivalence formula , which arises from relativity theory, has been dubbed "the world's most famous equation". His work is also known for its influence on the philosophy of science. He received the 1921 Nobel Prize in Physics "for his services to theoretical physics, and especially for his discovery of the law of the photoelectric effect", a pivotal step in the development of quantum theory. His intellectual achievements and originality resulted in "Einstein" becoming synonymous with "genius". Einsteinium, one of the synthetic elements in the periodic table, was named in his honor.
In 1905, a year sometimes described as his "annus mirabilis" ('miracle year'), Einstein published four groundbreaking papers. These outlined the theory of the photoelectric effect, explained Brownian motion, introduced special relativity, and demonstrated mass-energy equivalence. Einstein thought that the laws of classical mechanics could no longer be reconciled with those of the electromagnetic field, which led him to develop his special theory of relativity. He then extended the theory to gravitational fields; he published a paper on general relativity in 1916, introducing his theory of gravitation. In 1917, he applied the general theory of relativity to model the structure of the universe. He continued to deal with problems of statistical mechanics and quantum theory, which led to his explanations of particle theory and the motion of molecules. He also investigated the thermal properties of light and the quantum theory of radiation, which laid the foundation of the photon theory of light.
However, for much of the later part of his career, he worked on two ultimately unsuccessful endeavors. First, despite his great contributions to quantum mechanics, he opposed what it evolved into, objecting that "God does not play dice". Second, he attempted to devise a unified field theory by generalizing his geometric theory of gravitation to include electromagnetism. As a result, he became increasingly isolated from the mainstream of modern physics.
Einstein was born in the German Empire, but moved to Switzerland in 1895, forsaking his German citizenship (as a subject of the Kingdom of Württemberg) the following year. In 1897, at the age of 17, he enrolled in the mathematics and physics teaching diploma program at the Swiss Federal polytechnic school in Zürich, graduating in 1900. In 1901, he acquired Swiss citizenship, which he kept for the rest of his life, and in 1903 he secured a permanent position at the Swiss Patent Office in Bern. In 1905, he was awarded a PhD by the University of Zurich. In 1914, Einstein moved to Berlin in order to join the Prussian Academy of Sciences and the Humboldt University of Berlin. In 1917, Einstein became director of the Kaiser Wilhelm Institute for Physics; he also became a German citizen again, this time Prussian.
In 1933, while Einstein was visiting the United States, Adolf Hitler came to power in Germany. Einstein, as a Jew, objected to the policies of the newly elected Nazi government; he settled in the United States and became an American citizen in 1940. On the eve of World War II, he endorsed a letter to President Franklin D. Roosevelt alerting him to the potential German nuclear weapons program and recommending that the US begin similar research. Einstein supported the Allies but generally denounced the idea of nuclear weapons.
Life and career.
Early life and education.
Albert Einstein was born in Ulm, in the Kingdom of Württemberg in the German Empire, on 14 March 1879 into a family of secular Ashkenazi Jews. His parents were Hermann Einstein, a salesman and engineer, and Pauline Koch. In 1880, the family moved to Munich, where Einstein's father and his uncle Jakob founded "Elektrotechnische Fabrik J. Einstein & Cie", a company that manufactured electrical equipment based on direct current.
Albert attended a Catholic elementary school in Munich, from the age of five, for three years. At the age of eight, he was transferred to the Luitpold-Gymnasium (now known as the Albert-Einstein-Gymnasium), where he received advanced primary and secondary school education until he left the German Empire seven years later.
In 1894, Hermann and Jakob's company lost a bid to supply the city of Munich with electrical lighting because they lacked the capital to convert their equipment from the direct current (DC) standard to the more efficient alternating current (AC) standard. The loss forced the sale of the Munich factory. In search of business, the Einstein family moved to Italy, first to Milan and a few months later to Pavia. When the family moved to Pavia, Einstein, then 15, stayed in Munich to finish his studies at the Luitpold Gymnasium. His father intended for him to pursue electrical engineering, but Einstein clashed with the authorities and resented the school's regimen and teaching method. He later wrote that the spirit of learning and creative thought was lost in strict rote learning. At the end of December 1894, he traveled to Italy to join his family in Pavia, convincing the school to let him go by using a doctor's note. During his time in Italy he wrote a short essay with the title "On the Investigation of the State of the Ether in a Magnetic Field".
Einstein excelled at math and physics from a young age, reaching a mathematical level years ahead of his peers. The 12-year-old Einstein taught himself algebra and Euclidean geometry over a single summer. Einstein also independently discovered his own original proof of the Pythagorean theorem aged 12. A family tutor Max Talmud says that after he had given the 12-year-old Einstein a geometry textbook, after a short time "[Einstein] had worked through the whole book. He thereupon devoted himself to higher mathematics ... Soon the flight of his mathematical genius was so high I could not follow." His passion for geometry and algebra led the 12-year-old to become convinced that nature could be understood as a "mathematical structure". Einstein started teaching himself calculus at 12, and as a 14-year-old he says he had "mastered integral and differential calculus".
At the age of 13, when he had become more seriously interested in philosophy (and music), Einstein was introduced to Kant's "Critique of Pure Reason". Kant became his favorite philosopher, his tutor stating: "At the time he was still a child, only thirteen years old, yet Kant's works, incomprehensible to ordinary mortals, seemed to be clear to him."
In 1895, at the age of 16, Einstein took the entrance examinations for the Swiss Federal polytechnic school in Zürich (later the Eidgenössische Technische Hochschule, ETH). He failed to reach the required standard in the general part of the examination, but obtained exceptional grades in physics and mathematics. On the advice of the principal of the polytechnic school, he attended the Argovian cantonal school ("gymnasium") in Aarau, Switzerland, in 1895 and 1896 to complete his secondary schooling. While lodging with the family of Jost Winteler, he fell in love with Winteler's daughter, Marie. Albert's sister Maja later married Winteler's son Paul. In January 1896, with his father's approval, Einstein renounced his citizenship in the German Kingdom of Württemberg to avoid military service. In September 1896 he passed the Swiss "Matura" with mostly good grades, including a top grade of 6 in physics and mathematical subjects, on a scale of 1–6. At 17, he enrolled in the four-year mathematics and physics teaching diploma program at the Federal polytechnic school. Marie Winteler, who was a year older, moved to Olsberg, Switzerland, for a teaching post.
Einstein's future wife, a 20-year-old Serbian named Mileva Marić, also enrolled at the polytechnic school that year. She was the only woman among the six students in the mathematics and physics section of the teaching diploma course. Over the next few years, Einstein's and Marić's friendship developed into a romance, and they spent countless hours debating and reading books together on extra-curricular physics in which they were both interested. Einstein wrote in his letters to Marić that he preferred studying alongside her. In 1900, Einstein passed the exams in Maths and Physics and was awarded a Federal teaching diploma. There is eyewitness evidence and several letters over many years that indicate Marić might have collaborated with Einstein prior to his landmark 1905 papers, known as the "Annus Mirabilis" papers, and that they developed some of the concepts together during their studies, although some historians of physics who have studied the issue disagree that she made any substantive contributions.
Marriages and children.
Early correspondence between Einstein and Marić was discovered and published in 1987 which revealed that the couple had a daughter named "Lieserl", born in early 1902 in Novi Sad where Marić was staying with her parents. Marić returned to Switzerland without the child, whose real name and fate are unknown. The contents of Einstein's letter in September 1903 suggest that the girl was either given up for adoption or died of scarlet fever in infancy.
Einstein and Marić married in January 1903. In May 1904, their son Hans Albert Einstein was born in Bern, Switzerland. Their son Eduard was born in Zürich in July 1910. The couple moved to Berlin in April 1914, but Marić returned to Zürich with their sons after learning that, despite their close relationship before, Einstein's chief romantic attraction was now his cousin Elsa Löwenthal; she was his first cousin maternally and second cousin paternally. Einstein and Marić divorced on 14 February 1919, having lived apart for five years. As part of the divorce settlement, Einstein agreed to give Marić any future (in the event, 1921) Nobel Prize money.
In letters revealed in 2015, Einstein wrote to his early love Marie Winteler about his marriage and his strong feelings for her. He wrote in 1910, while his wife was pregnant with their second child: "I think of you in heartfelt love every spare minute and am so unhappy as only a man can be." He spoke about a "misguided love" and a "missed life" regarding his love for Marie.
Einstein married Löwenthal in 1919, after having had a relationship with her since 1912. They emigrated to the United States in 1933. Elsa was diagnosed with heart and kidney problems in 1935 and died in December 1936.
In 1923, Einstein fell in love with a secretary named Betty Neumann, the niece of a close friend, Hans Mühsam. In a volume of letters released by Hebrew University of Jerusalem in 2006, Einstein described about six women, including Margarete Lebach (a blonde Austrian), Estella Katzenellenbogen (the rich owner of a florist business), Toni Mendel (a wealthy Jewish widow) and Ethel Michanowski (a Berlin socialite), with whom he spent time and from whom he received gifts while being married to Elsa. Later, after the death of his second wife Elsa, Einstein was briefly in a relationship with Margarita Konenkova. Konenkova was a Russian spy who was married to the Russian sculptor Sergei Konenkov (who created the bronze bust of Einstein at the Institute for Advanced Study at Princeton).
Einstein's son Eduard had a breakdown at about age 20 and was diagnosed with schizophrenia. His mother cared for him and he was also committed to asylums for several periods, finally, after her death, being committed permanently to Burghölzli, the Psychiatric University Hospital in Zürich.
Patent office.
After graduating in 1900, Einstein spent almost two years searching for a teaching post. He acquired Swiss citizenship in February 1901, but was not conscripted for medical reasons. With the help of Marcel Grossmann's father, he secured a job in Bern at the Swiss Patent Office, as an assistant examiner – level III.
Einstein evaluated patent applications for a variety of devices including a gravel sorter and an electromechanical typewriter. In 1903, his position at the Swiss Patent Office became permanent, although he was passed over for promotion until he "fully mastered machine technology".
Much of his work at the patent office related to questions about transmission of electric signals and electrical-mechanical synchronization of time, two technical problems that show up conspicuously in the thought experiments that eventually led Einstein to his radical conclusions about the nature of light and the fundamental connection between space and time.
With a few friends he had met in Bern, Einstein started a small discussion group in 1902, self-mockingly named "The Olympia Academy", which met regularly to discuss science and philosophy. Sometimes they were joined by Mileva who attentively listened but did not participate. Their readings included the works of Henri Poincaré, Ernst Mach, and David Hume, which influenced his scientific and philosophical outlook.
First scientific papers.
In 1900, Einstein's paper "Folgerungen aus den Capillaritätserscheinungen" ("Conclusions from the Capillarity Phenomena") was published in the journal "Annalen der Physik". On 30 April 1905 Einstein completed his dissertation, "A New Determination of Molecular Dimensions" with Alfred Kleiner, serving as "pro-forma" advisor. His thesis was accepted in July 1905, and Einstein was awarded a PhD on 15 January 1906.
Also in 1905, which has been called Einstein's "annus mirabilis" (amazing year), he published four groundbreaking papers, on the photoelectric effect, Brownian motion, special relativity, and the equivalence of mass and energy, which were to bring him to the notice of the academic world, at the age of 26.
Academic career.
By 1908, he was recognized as a leading scientist and was appointed lecturer at the University of Bern. The following year, after he gave a lecture on electrodynamics and the relativity principle at the University of Zurich, Alfred Kleiner recommended him to the faculty for a newly created professorship in theoretical physics. Einstein was appointed associate professor in 1909.
Einstein became a full professor at the German Charles-Ferdinand University in Prague in April 1911, accepting Austrian citizenship in the Austro-Hungarian Empire to do so. During his Prague stay, he wrote 11 scientific works, five of them on radiation mathematics and on the quantum theory of solids.
In July 1912, he returned to his alma mater in Zürich. From 1912 until 1914, he was a professor of theoretical physics at the ETH Zurich, where he taught analytical mechanics and thermodynamics. He also studied continuum mechanics, the molecular theory of heat, and the problem of gravitation, on which he worked with mathematician and friend Marcel Grossmann.
When the "Manifesto of the Ninety-Three" was published in October 1914—a document signed by a host of prominent German intellectuals that justified Germany's militarism and position during the First World War—Einstein was one of the few German intellectuals to rebut its contents and sign the pacifistic "Manifesto to the Europeans".
In the spring of 1913, Einstein was enticed to move to Berlin with an offer that included membership in the Prussian Academy of Sciences, and a linked University of Berlin professorship, enabling him to concentrate exclusively on research. On 3 July 1913, he became a member of the Prussian Academy of Sciences in Berlin. Max Planck and Walther Nernst visited him the next week in Zurich to persuade him to join the academy, additionally offering him the post of director at the Kaiser Wilhelm Institute for Physics, which was soon to be established. Membership in the academy included paid salary and professorship without teaching duties at Humboldt University of Berlin. He was officially elected to the academy on 24 July, and he moved to Berlin the following year. His decision to move to Berlin was also influenced by the prospect of living near his cousin Elsa, with whom he had started a romantic affair. Einstein assumed his position with the academy, and Berlin University, after moving into his Dahlem apartment on 1 April 1914. As World War I broke out that year, the plan for Kaiser Wilhelm Institute for Physics was delayed. The institute was established on 1 October 1917, with Einstein as its director. In 1916, Einstein was elected president of the German Physical Society (1916–1918).
In 1911, Einstein used his 1907 Equivalence principle to calculate the deflection of light from another star by the Sun's gravity. In 1913, Einstein improved upon those calculations by using Riemannian space-time to represent the gravity field. By the fall of 1915, Einstein had successfully completed his general theory of relativity, which he used to calculate that deflection, and the perihelion precession of Mercury. In 1919, that deflection prediction was confirmed by Sir Arthur Eddington during the solar eclipse of 29 May 1919. Those observations were published in the international media, making Einstein world-famous. On 7 November 1919, the leading British newspaper "The Times" printed a banner headline that read: "Revolution in Science – New Theory of the Universe – Newtonian Ideas Overthrown".
In 1920, he became a Foreign Member of the Royal Netherlands Academy of Arts and Sciences. In 1922, he was awarded the 1921 Nobel Prize in Physics "for his services to Theoretical Physics, and especially for his discovery of the law of the photoelectric effect". While the general theory of relativity was still considered somewhat controversial, the citation also does not treat even the cited photoelectric work as an "explanation" but merely as a "discovery of the law", as the idea of photons was considered outlandish and did not receive universal acceptance until the 1924 derivation of the Planck spectrum by S. N. Bose. Einstein was elected a Foreign Member of the Royal Society (ForMemRS) in 1921. He also received the Copley Medal from the Royal Society in 1925.
Einstein resigned from the Prussian Academy in March 1933. Einstein's scientific accomplishments while in Berlin, included finishing the general theory of relativity, proving the gyromagnetic effect, contributing to the quantum theory of radiation, and Bose–Einstein statistics.
1921–1922: Travels abroad.
Einstein visited New York City for the first time on 2 April 1921, where he received an official welcome by Mayor John Francis Hylan, followed by three weeks of lectures and receptions. He went on to deliver several lectures at Columbia University and Princeton University, and in Washington, he accompanied representatives of the National Academy of Sciences on a visit to the White House. On his return to Europe he was the guest of the British statesman and philosopher Viscount Haldane in London, where he met several renowned scientific, intellectual, and political figures, and delivered a lecture at King's College London.
He also published an essay, "My First Impression of the U.S.A.", in July 1921, in which he tried briefly to describe some characteristics of Americans, much as had Alexis de Tocqueville, who published his own impressions in "Democracy in America" (1835). For some of his observations, Einstein was clearly surprised: "What strikes a visitor is the joyous, positive attitude to life ... The American is friendly, self-confident, optimistic, and without envy."
In 1922, his travels took him to Asia and later to Palestine, as part of a six-month excursion and speaking tour, as he visited Singapore, Ceylon and Japan, where he gave a series of lectures to thousands of Japanese. After his first public lecture, he met the emperor and empress at the Imperial Palace, where thousands came to watch. In a letter to his sons, he described his impression of the Japanese as being modest, intelligent, considerate, and having a true feel for art. In his own travel diaries from his 1922–23 visit to Asia, he expresses some views on the Chinese, Japanese and Indian people, which have been described as xenophobic and racist judgments when they were rediscovered in 2018.
Because of Einstein's travels to the Far East, he was unable to personally accept the Nobel Prize for Physics at the Stockholm award ceremony in December 1922. In his place, the banquet speech was made by a German diplomat, who praised Einstein not only as a scientist but also as an international peacemaker and activist.
On his return voyage, he visited Palestine for 12 days, his only visit to that region. He was greeted as if he were a head of state, rather than a physicist, which included a cannon salute upon arriving at the home of the British high commissioner, Sir Herbert Samuel. During one reception, the building was stormed by people who wanted to see and hear him. In Einstein's talk to the audience, he expressed happiness that the Jewish people were beginning to be recognized as a force in the world.
Einstein visited Spain for two weeks in 1923, where he briefly met Santiago Ramón y Cajal and also received a diploma from King Alfonso XIII naming him a member of the Spanish Academy of Sciences.
From 1922 to 1932, Einstein was a member of the International Committee on Intellectual Cooperation of the League of Nations in Geneva (with a few months of interruption in 1923–1924), a body created to promote international exchange between scientists, researchers, teachers, artists, and intellectuals. Originally slated to serve as the Swiss delegate, Secretary-General Eric Drummond was persuaded by Catholic activists Oskar Halecki and Giuseppe Motta to instead have him become the German delegate, thus allowing Gonzague de Reynold to take the Swiss spot, from which he promoted traditionalist Catholic values. Einstein's former physics professor Hendrik Lorentz and the Polish chemist Marie Curie were also members of the committee.
1925: Visit to South America.
In the months of March and April 1925, Einstein visited South America, where he spent about a month in Argentina, a week in Uruguay, and a week in Rio de Janeiro, Brazil. Einstein's visit was initiated by Jorge Duclout (1856–1927) and Mauricio Nirenstein (1877–1935) with the support of several Argentine scholars, including Julio Rey Pastor, Jakob Laub, and Leopoldo Lugones. The visit by Einstein and his wife was financed primarily by the Council of the University of Buenos Aires and the "Asociación Hebraica Argentina" (Argentine Hebraic Association) with a smaller contribution from the Argentine-Germanic Cultural Institution.
1930–1931: Travel to the US.
In December 1930, Einstein visited America for the second time, originally intended as a two-month working visit as a research fellow at the California Institute of Technology. After the national attention he received during his first trip to the US, he and his arrangers aimed to protect his privacy. Although swamped with telegrams and invitations to receive awards or speak publicly, he declined them all.
After arriving in New York City, Einstein was taken to various places and events, including Chinatown, a lunch with the editors of "The New York Times", and a performance of "Carmen" at the Metropolitan Opera, where he was cheered by the audience on his arrival. During the days following, he was given the keys to the city by Mayor Jimmy Walker and met the president of Columbia University, who described Einstein as "the ruling monarch of the mind". Harry Emerson Fosdick, pastor at New York's Riverside Church, gave Einstein a tour of the church and showed him a full-size statue that the church made of Einstein, standing at the entrance. Also during his stay in New York, he joined a crowd of 15,000 people at Madison Square Garden during a Hanukkah celebration.
Einstein next traveled to California, where he met Caltech president and Nobel laureate Robert A. Millikan. His friendship with Millikan was "awkward", as Millikan "had a penchant for patriotic militarism", where Einstein was a pronounced pacifist. During an address to Caltech's students, Einstein noted that science was often inclined to do more harm than good.
This aversion to war also led Einstein to befriend author Upton Sinclair and film star Charlie Chaplin, both noted for their pacifism. Carl Laemmle, head of Universal Studios, gave Einstein a tour of his studio and introduced him to Chaplin. They had an instant rapport, with Chaplin inviting Einstein and his wife, Elsa, to his home for dinner. Chaplin said Einstein's outward persona, calm and gentle, seemed to conceal a "highly emotional temperament", from which came his "extraordinary intellectual energy".
Chaplin's film, "City Lights", was to premiere a few days later in Hollywood, and Chaplin invited Einstein and Elsa to join him as his special guests. Walter Isaacson, Einstein's biographer, described this as "one of the most memorable scenes in the new era of celebrity". Chaplin visited Einstein at his home on a later trip to Berlin and recalled his "modest little flat" and the piano at which he had begun writing his theory. Chaplin speculated that it was "possibly used as kindling wood by the Nazis".
1933: Emigration to the US.
In February 1933, while on a visit to the United States, Einstein knew he could not return to Germany with the rise to power of the Nazis under Germany's new chancellor, Adolf Hitler.
While at American universities in early 1933, he undertook his third two-month visiting professorship at the California Institute of Technology in Pasadena. In February and March 1933, the Gestapo repeatedly raided his family's apartment in Berlin. He and his wife Elsa returned to Europe in March, and during the trip, they learned that the German Reichstag had passed the Enabling Act on 23 March, transforming Hitler's government into a "de facto" legal dictatorship, and that they would not be able to proceed to Berlin. Later on, they heard that their cottage had been raided by the Nazis and Einstein's personal sailboat confiscated. Upon landing in Antwerp, Belgium on 28 March, Einstein immediately went to the German consulate and surrendered his passport, formally renouncing his German citizenship. The Nazis later sold his boat and converted his cottage into a Hitler Youth camp.
Refugee status.
In April 1933, Einstein discovered that the new German government had passed laws barring Jews from holding any official positions, including teaching at universities. Historian Gerald Holton describes how, with "virtually no audible protest being raised by their colleagues", thousands of Jewish scientists were suddenly forced to give up their university positions and their names were removed from the rolls of institutions where they were employed.
A month later, Einstein's works were among those targeted by the German Student Union in the Nazi book burnings, with Nazi propaganda minister Joseph Goebbels proclaiming, "Jewish intellectualism is dead." One German magazine included him in a list of enemies of the German regime with the phrase, "not yet hanged", offering a $5,000 bounty on his head. In a subsequent letter to physicist and friend Max Born, who had already emigrated from Germany to England, Einstein wrote, "... I must confess that the degree of their brutality and cowardice came as something of a surprise." After moving to the US, he described the book burnings as a "spontaneous emotional outburst" by those who "shun popular enlightenment", and "more than anything else in the world, fear the influence of men of intellectual independence".
Einstein was now without a permanent home, unsure where he would live and work, and equally worried about the fate of countless other scientists still in Germany. Aided by the Academic Assistance Council, founded in April 1933 by British liberal politician William Beveridge to help academics escape Nazi persecution, Einstein was able to leave Germany. He rented a house in De Haan, Belgium, where he lived for a few months. In late July 1933, he went to England for about six weeks at the personal invitation of British naval officer Commander Oliver Locker-Lampson, who had become friends with Einstein in the preceding years. Locker-Lampson invited him to stay near his home in a wooden cabin on Roughton Heath in the Parish of . To protect Einstein, Locker-Lampson had two bodyguards watch over him at his secluded cabin; a photo of them carrying shotguns and guarding Einstein was published in the "Daily Herald" on 24 July 1933.
Locker-Lampson took Einstein to meet Winston Churchill at his home, and later, Austen Chamberlain and former Prime Minister Lloyd George. Einstein asked them to help bring Jewish scientists out of Germany. British historian Martin Gilbert notes that Churchill responded immediately, and sent his friend, physicist Frederick Lindemann, to Germany to seek out Jewish scientists and place them in British universities. Churchill later observed that as a result of Germany having driven the Jews out, they had lowered their "technical standards" and put the Allies' technology ahead of theirs.
Einstein later contacted leaders of other nations, including Turkey's Prime Minister, İsmet İnönü, to whom he wrote in September 1933 requesting placement of unemployed German-Jewish scientists. As a result of Einstein's letter, Jewish invitees to Turkey eventually totaled over "1,000 saved individuals".
Locker-Lampson also submitted a bill to parliament to extend British citizenship to Einstein, during which period Einstein made a number of public appearances describing the crisis brewing in Europe. In one of his speeches he denounced Germany's treatment of Jews, while at the same time he introduced a bill promoting Jewish citizenship in Palestine, as they were being denied citizenship elsewhere. In his speech he described Einstein as a "citizen of the world" who should be offered a temporary shelter in the UK. Both bills failed, however, and Einstein then accepted an earlier offer from the Institute for Advanced Study, in Princeton, New Jersey, US, to become a resident scholar.
Resident scholar at the Institute for Advanced Study.
On 3 October 1933, Einstein delivered a speech on the importance of academic freedom before a packed audience at the Royal Albert Hall in London, with "The Times" reporting he was wildly cheered throughout. Four days later he returned to the US and took up a position at the Institute for Advanced Study, noted for having become a refuge for scientists fleeing Nazi Germany. At the time, most American universities, including Harvard, Princeton and Yale, had minimal or no Jewish faculty or students, as a result of their Jewish quotas, which lasted until the late 1940s.
Einstein was still undecided on his future. He had offers from several European universities, including Christ Church, Oxford, where he stayed for three short periods between May 1931 and June 1933 and was offered a five-year research fellowship (called a "studentship" at Christ Church), but in 1935, he arrived at the decision to remain permanently in the United States and apply for citizenship.
Einstein's affiliation with the Institute for Advanced Study would last until his death in 1955. He was one of the four first selected (along with John von Neumann, Kurt Gödel, and Hermann Weyl) at the new Institute, where he soon developed a close friendship with Gödel. The two would take long walks together discussing their work. Bruria Kaufman, his assistant, later became a physicist. During this period, Einstein tried to develop a unified field theory and to refute the accepted interpretation of quantum physics, both unsuccessfully.
World War II and the Manhattan Project.
In 1939, a group of Hungarian scientists that included émigré physicist Leó Szilárd attempted to alert Washington to ongoing Nazi atomic bomb research. The group's warnings were discounted. Einstein and Szilárd, along with other refugees such as Edward Teller and Eugene Wigner, "regarded it as their responsibility to alert Americans to the possibility that German scientists might win the race to build an atomic bomb, and to warn that Hitler would be more than willing to resort to such a weapon." To make certain the US was aware of the danger, in July 1939, a few months before the beginning of World War II in Europe, Szilárd and Wigner visited Einstein to explain the possibility of atomic bombs, which Einstein, a pacifist, said he had never considered. He was asked to lend his support by writing a letter, with Szilárd, to President Roosevelt, recommending the US pay attention and engage in its own nuclear weapons research.
The letter is believed to be "arguably the key stimulus for the U.S. adoption of serious investigations into nuclear weapons on the eve of the U.S. entry into World War II". In addition to the letter, Einstein used his connections with the Belgian Royal Family and the Belgian queen mother to get access with a personal envoy to the White House's Oval Office. Some say that as a result of Einstein's letter and his meetings with Roosevelt, the US entered the "race" to develop the bomb, drawing on its "immense material, financial, and scientific resources" to initiate the Manhattan Project.
For Einstein, "war was a disease ... [and] he called for resistance to war." By signing the letter to Roosevelt, some argue he went against his pacifist principles. In 1954, a year before his death, Einstein said to his old friend, Linus Pauling, "I made one great mistake in my life—when I signed the letter to President Roosevelt recommending that atom bombs be made; but there was some justification—the danger that the Germans would make them ..." In 1955, Einstein and ten other intellectuals and scientists, including British philosopher Bertrand Russell, signed a manifesto highlighting the danger of nuclear weapons.
US citizenship.
Einstein became an American citizen in 1940. Not long after settling into his career at the Institute for Advanced Study in Princeton, New Jersey, he expressed his appreciation of the meritocracy in American culture compared to Europe. He recognized the "right of individuals to say and think what they pleased" without social barriers. As a result, individuals were encouraged, he said, to be more creative, a trait he valued from his early education.
Einstein joined the National Association for the Advancement of Colored People (NAACP) in Princeton, where he campaigned for the civil rights of African Americans. He considered racism America's "worst disease", seeing it as "handed down from one generation to the next". As part of his involvement, he corresponded with civil rights activist W. E. B. Du Bois and was prepared to testify on his behalf during his trial in 1951. When Einstein offered to be a character witness for Du Bois, the judge decided to drop the case.
In 1946, Einstein visited Lincoln University in Pennsylvania, a historically black college, where he was awarded an honorary degree. Lincoln was the first university in the United States to grant college degrees to African Americans; alumni include Langston Hughes and Thurgood Marshall. Einstein gave a speech about racism in America, adding, "I do not intend to be quiet about it." A resident of Princeton recalls that Einstein had once paid the college tuition for a black student. Einstein has said, "Being a Jew myself, perhaps I can understand and empathize with how black people feel as victims of discrimination".
Personal views.
Political views.
In 1918, Einstein was one of the founding members of the German Democratic Party, a liberal party. Later in his life, Einstein's political view was in favor of socialism and critical of capitalism, which he detailed in his essays such as "Why Socialism?" His opinions on the Bolsheviks also changed with time. In 1925, he criticized them for not having a 'well-regulated system of government' and called their rule a 'regime of terror and a tragedy in human history'. He later adopted a more moderated view, criticizing their methods but praising them, which is shown by his 1929 remark on Vladimir Lenin: "In Lenin I honor a man, who in total sacrifice of his own person has committed his entire energy to realizing social justice. I do not find his methods advisable. One thing is certain, however: men like him are the guardians and renewers of mankind's conscience." Einstein offered and was called on to give judgments and opinions on matters often unrelated to theoretical physics or mathematics. He strongly advocated the idea of a democratic global government that would check the power of nation-states in the framework of a world federation. He wrote "I advocate world government because I am convinced that there is no other possible way of eliminating the most terrible danger in which man has ever found himself." The FBI created a secret dossier on Einstein in 1932, and by the time of his death his FBI file was 1,427 pages long.
Einstein was deeply impressed by Mahatma Gandhi, with whom he exchanged written letters. He described Gandhi as "a role model for the generations to come". The initial connection was established on 27 September 1931, when Wilfrid Israel took his Indian guest V. A. Sundaram to meet his friend Einstein at his summer home in the town of Caputh. Sundaram was Gandhi's disciple and special envoy, whom Wilfrid Israel met while visiting India and visiting the Indian leader's home in 1925. During the visit, Einstein wrote a short letter to Gandhi that was delivered to him through his envoy, and Gandhi responded quickly with his own letter. Although in the end Einstein and Gandhi were unable to meet as they had hoped, the direct connection between them was established through Wilfrid Israel.
Relationship with Zionism.
Einstein was a figurehead leader in helping establish the Hebrew University of Jerusalem, which opened in 1925, and was among its first Board of Governors. Earlier, in 1921, he was asked by the biochemist and president of the World Zionist Organization, Chaim Weizmann, to help raise funds for the planned university. He made suggestions for the creation of an Institute of Agriculture, a Chemical Institute and an Institute of Microbiology in order to fight the various ongoing epidemics such as malaria, which he called an "evil" that was undermining a third of the country's development. He also promoted the establishment of an Oriental Studies Institute, to include language courses given in both Hebrew and Arabic.
Einstein was not a nationalist and was against the creation of an independent Jewish state, which would be established without his help as Israel in 1948. He felt that the waves of arriving Jews of the Aliyah could live alongside existing Arabs in Palestine. Nevertheless, upon the death of Israeli president Weizmann in November 1952, Prime Minister David Ben-Gurion offered Einstein the largely ceremonial position of President of Israel at the urging of Ezriel Carlebach. The offer was presented by Israel's ambassador in Washington, Abba Eban, who explained that the offer "embodies the deepest respect which the Jewish people can repose in any of its sons". Einstein wrote that he was "deeply moved", but "at once saddened and ashamed" that he could not accept it.
Religious and philosophical views.
Einstein spoke of his spiritual outlook in a wide array of original writings and interviews. He said he had sympathy for the impersonal pantheistic God of Baruch Spinoza's philosophy. He did not believe in a personal god who concerns himself with fates and actions of human beings, a view which he described as naïve. He clarified, however, that "I am not an atheist", preferring to call himself an agnostic, or a "deeply religious nonbeliever". When asked if he believed in an afterlife, Einstein replied, "No. And one life is enough for me."
Einstein was primarily affiliated with non-religious humanist and Ethical Culture groups in both the UK and US. He served on the advisory board of the First Humanist Society of New York, and was an honorary associate of the Rationalist Association, which publishes "New Humanist" in Britain. For the 75th anniversary of the New York Society for Ethical Culture, he stated that the idea of Ethical Culture embodied his personal conception of what is most valuable and enduring in religious idealism. He observed, "Without 'ethical culture' there is no salvation for humanity."
In a German-language letter to philosopher Eric Gutkind, dated 3 January 1954, Einstein wrote:The word God is for me nothing more than the expression and product of human weaknesses, the Bible a collection of honorable, but still primitive legends which are nevertheless pretty childish. No interpretation no matter how subtle can (for me) change this. ... For me the Jewish religion like all other religions is an incarnation of the most childish superstitions. And the Jewish people to whom I gladly belong and with whose mentality I have a deep affinity have no different quality for me than all other people. ... I cannot see anything 'chosen' about them.
Einstein had been sympathetic toward vegetarianism for a long time. In a letter in 1930 to Hermann Huth, vice-president of the German Vegetarian Federation (Deutsche Vegetarier-Bund), he wrote:Although I have been prevented by outward circumstances from observing a strictly vegetarian diet, I have long been an adherent to the cause in principle. Besides agreeing with the aims of vegetarianism for aesthetic and moral reasons, it is my view that a vegetarian manner of living by its purely physical effect on the human temperament would most beneficially influence the lot of mankind.
He became a vegetarian himself only during the last part of his life. In March 1954 he wrote in a letter: "So I am living without fats, without meat, without fish, but am feeling quite well this way. It almost seems to me that man was not born to be a carnivore."
Love of music.
Einstein developed an appreciation for music at an early age. In his late journals he wrote:
His mother played the piano reasonably well and wanted her son to learn the violin, not only to instill in him a love of music but also to help him assimilate into German culture. According to conductor Leon Botstein, Einstein began playing when he was 5. However, he did not enjoy it at that age.
When he turned 13, he discovered the violin sonatas of Mozart, whereupon he became enamored of Mozart's compositions and studied music more willingly. Einstein taught himself to play without "ever practicing systematically". He said that "love is a better teacher than a sense of duty." At the age of 17, he was heard by a school examiner in Aarau while playing Beethoven's violin sonatas. The examiner stated afterward that his playing was "remarkable and revealing of 'great insight. What struck the examiner, writes Botstein, was that Einstein "displayed a deep love of the music, a quality that was and remains in short supply. Music possessed an unusual meaning for this student."
Music took on a pivotal and permanent role in Einstein's life from that period on. Although the idea of becoming a professional musician himself was not on his mind at any time, among those with whom Einstein played chamber music were a few professionals, including Kurt Appelbaum, and he performed for private audiences and friends. Chamber music had also become a regular part of his social life while living in Bern, Zürich, and Berlin, where he played with Max Planck and his son, among others. He is sometimes erroneously credited as the editor of the 1937 edition of the Köchel catalog of Mozart's work; that edition was prepared by Alfred Einstein, who may have been a distant relation.
In 1931, while engaged in research at the California Institute of Technology, he visited the Zoellner family conservatory in Los Angeles, where he played some of Beethoven and Mozart's works with members of the Zoellner Quartet. Near the end of his life, when the young Juilliard Quartet visited him in Princeton, he played his violin with them, and the quartet was "impressed by Einstein's level of coordination and intonation".
Death.
On 17 April 1955, Einstein experienced internal bleeding caused by the rupture of an abdominal aortic aneurysm, which had previously been reinforced surgically by Rudolph Nissen in 1948. He took the draft of a speech he was preparing for a television appearance commemorating the state of Israel's seventh anniversary with him to the hospital, but he did not live to complete it.
Einstein refused surgery, saying, "I want to go when I want. It is tasteless to prolong life artificially. I have done my share; it is time to go. I will do it elegantly." He died in the University Medical Center of Princeton at Plainsboro early the next morning at the age of 76, having continued to work until near the end.
During the autopsy, the pathologist Thomas Stoltz Harvey removed Einstein's brain for preservation without the permission of his family, in the hope that the neuroscience of the future would be able to discover what made Einstein so intelligent. Einstein's remains were cremated in Trenton, New Jersey, and his ashes were scattered at an undisclosed location.
In a memorial lecture delivered on 13 December 1965 at UNESCO headquarters, nuclear physicist J. Robert Oppenheimer summarized his impression of Einstein as a person: "He was almost wholly without sophistication and wholly without worldliness ... There was always with him a wonderful purity at once childlike and profoundly stubborn."
Einstein bequeathed his personal archives, library, and intellectual assets to the Hebrew University of Jerusalem in Israel.
Early life and education.
Albert Einstein was born in Ulm, in the Kingdom of Württemberg in the German Empire, on 14 March 1879 into a family of secular Ashkenazi Jews. His parents were Hermann Einstein, a salesman and engineer, and Pauline Koch. In 1880, the family moved to Munich, where Einstein's father and his uncle Jakob founded "Elektrotechnische Fabrik J. Einstein & Cie", a company that manufactured electrical equipment based on direct current.
Albert attended a Catholic elementary school in Munich, from the age of five, for three years. At the age of eight, he was transferred to the Luitpold-Gymnasium (now known as the Albert-Einstein-Gymnasium), where he received advanced primary and secondary school education until he left the German Empire seven years later.
In 1894, Hermann and Jakob's company lost a bid to supply the city of Munich with electrical lighting because they lacked the capital to convert their equipment from the direct current (DC) standard to the more efficient alternating current (AC) standard. The loss forced the sale of the Munich factory. In search of business, the Einstein family moved to Italy, first to Milan and a few months later to Pavia. When the family moved to Pavia, Einstein, then 15, stayed in Munich to finish his studies at the Luitpold Gymnasium. His father intended for him to pursue electrical engineering, but Einstein clashed with the authorities and resented the school's regimen and teaching method. He later wrote that the spirit of learning and creative thought was lost in strict rote learning. At the end of December 1894, he traveled to Italy to join his family in Pavia, convincing the school to let him go by using a doctor's note. During his time in Italy he wrote a short essay with the title "On the Investigation of the State of the Ether in a Magnetic Field".
Einstein excelled at math and physics from a young age, reaching a mathematical level years ahead of his peers. The 12-year-old Einstein taught himself algebra and Euclidean geometry over a single summer. Einstein also independently discovered his own original proof of the Pythagorean theorem aged 12. A family tutor Max Talmud says that after he had given the 12-year-old Einstein a geometry textbook, after a short time "[Einstein] had worked through the whole book. He thereupon devoted himself to higher mathematics ... Soon the flight of his mathematical genius was so high I could not follow." His passion for geometry and algebra led the 12-year-old to become convinced that nature could be understood as a "mathematical structure". Einstein started teaching himself calculus at 12, and as a 14-year-old he says he had "mastered integral and differential calculus".
At the age of 13, when he had become more seriously interested in philosophy (and music), Einstein was introduced to Kant's "Critique of Pure Reason". Kant became his favorite philosopher, his tutor stating: "At the time he was still a child, only thirteen years old, yet Kant's works, incomprehensible to ordinary mortals, seemed to be clear to him."
In 1895, at the age of 16, Einstein took the entrance examinations for the Swiss Federal polytechnic school in Zürich (later the Eidgenössische Technische Hochschule, ETH). He failed to reach the required standard in the general part of the examination, but obtained exceptional grades in physics and mathematics. On the advice of the principal of the polytechnic school, he attended the Argovian cantonal school ("gymnasium") in Aarau, Switzerland, in 1895 and 1896 to complete his secondary schooling. While lodging with the family of Jost Winteler, he fell in love with Winteler's daughter, Marie. Albert's sister Maja later married Winteler's son Paul. In January 1896, with his father's approval, Einstein renounced his citizenship in the German Kingdom of Württemberg to avoid military service. In September 1896 he passed the Swiss "Matura" with mostly good grades, including a top grade of 6 in physics and mathematical subjects, on a scale of 1–6. At 17, he enrolled in the four-year mathematics and physics teaching diploma program at the Federal polytechnic school. Marie Winteler, who was a year older, moved to Olsberg, Switzerland, for a teaching post.
Einstein's future wife, a 20-year-old Serbian named Mileva Marić, also enrolled at the polytechnic school that year. She was the only woman among the six students in the mathematics and physics section of the teaching diploma course. Over the next few years, Einstein's and Marić's friendship developed into a romance, and they spent countless hours debating and reading books together on extra-curricular physics in which they were both interested. Einstein wrote in his letters to Marić that he preferred studying alongside her. In 1900, Einstein passed the exams in Maths and Physics and was awarded a Federal teaching diploma. There is eyewitness evidence and several letters over many years that indicate Marić might have collaborated with Einstein prior to his landmark 1905 papers, known as the "Annus Mirabilis" papers, and that they developed some of the concepts together during their studies, although some historians of physics who have studied the issue disagree that she made any substantive contributions.
Marriages and children.
Early correspondence between Einstein and Marić was discovered and published in 1987 which revealed that the couple had a daughter named "Lieserl", born in early 1902 in Novi Sad where Marić was staying with her parents. Marić returned to Switzerland without the child, whose real name and fate are unknown. The contents of Einstein's letter in September 1903 suggest that the girl was either given up for adoption or died of scarlet fever in infancy.
Einstein and Marić married in January 1903. In May 1904, their son Hans Albert Einstein was born in Bern, Switzerland. Their son Eduard was born in Zürich in July 1910. The couple moved to Berlin in April 1914, but Marić returned to Zürich with their sons after learning that, despite their close relationship before, Einstein's chief romantic attraction was now his cousin Elsa Löwenthal; she was his first cousin maternally and second cousin paternally. Einstein and Marić divorced on 14 February 1919, having lived apart for five years. As part of the divorce settlement, Einstein agreed to give Marić any future (in the event, 1921) Nobel Prize money.
In letters revealed in 2015, Einstein wrote to his early love Marie Winteler about his marriage and his strong feelings for her. He wrote in 1910, while his wife was pregnant with their second child: "I think of you in heartfelt love every spare minute and am so unhappy as only a man can be." He spoke about a "misguided love" and a "missed life" regarding his love for Marie.
Einstein married Löwenthal in 1919, after having had a relationship with her since 1912. They emigrated to the United States in 1933. Elsa was diagnosed with heart and kidney problems in 1935 and died in December 1936.
In 1923, Einstein fell in love with a secretary named Betty Neumann, the niece of a close friend, Hans Mühsam. In a volume of letters released by Hebrew University of Jerusalem in 2006, Einstein described about six women, including Margarete Lebach (a blonde Austrian), Estella Katzenellenbogen (the rich owner of a florist business), Toni Mendel (a wealthy Jewish widow) and Ethel Michanowski (a Berlin socialite), with whom he spent time and from whom he received gifts while being married to Elsa. Later, after the death of his second wife Elsa, Einstein was briefly in a relationship with Margarita Konenkova. Konenkova was a Russian spy who was married to the Russian sculptor Sergei Konenkov (who created the bronze bust of Einstein at the Institute for Advanced Study at Princeton).
Einstein's son Eduard had a breakdown at about age 20 and was diagnosed with schizophrenia. His mother cared for him and he was also committed to asylums for several periods, finally, after her death, being committed permanently to Burghölzli, the Psychiatric University Hospital in Zürich.
Patent office.
After graduating in 1900, Einstein spent almost two years searching for a teaching post. He acquired Swiss citizenship in February 1901, but was not conscripted for medical reasons. With the help of Marcel Grossmann's father, he secured a job in Bern at the Swiss Patent Office, as an assistant examiner – level III.
Einstein evaluated patent applications for a variety of devices including a gravel sorter and an electromechanical typewriter. In 1903, his position at the Swiss Patent Office became permanent, although he was passed over for promotion until he "fully mastered machine technology".
Much of his work at the patent office related to questions about transmission of electric signals and electrical-mechanical synchronization of time, two technical problems that show up conspicuously in the thought experiments that eventually led Einstein to his radical conclusions about the nature of light and the fundamental connection between space and time.
With a few friends he had met in Bern, Einstein started a small discussion group in 1902, self-mockingly named "The Olympia Academy", which met regularly to discuss science and philosophy. Sometimes they were joined by Mileva who attentively listened but did not participate. Their readings included the works of Henri Poincaré, Ernst Mach, and David Hume, which influenced his scientific and philosophical outlook.
First scientific papers.
In 1900, Einstein's paper "Folgerungen aus den Capillaritätserscheinungen" ("Conclusions from the Capillarity Phenomena") was published in the journal "Annalen der Physik". On 30 April 1905 Einstein completed his dissertation, "A New Determination of Molecular Dimensions" with Alfred Kleiner, serving as "pro-forma" advisor. His thesis was accepted in July 1905, and Einstein was awarded a PhD on 15 January 1906.
Also in 1905, which has been called Einstein's "annus mirabilis" (amazing year), he published four groundbreaking papers, on the photoelectric effect, Brownian motion, special relativity, and the equivalence of mass and energy, which were to bring him to the notice of the academic world, at the age of 26.
Academic career.
By 1908, he was recognized as a leading scientist and was appointed lecturer at the University of Bern. The following year, after he gave a lecture on electrodynamics and the relativity principle at the University of Zurich, Alfred Kleiner recommended him to the faculty for a newly created professorship in theoretical physics. Einstein was appointed associate professor in 1909.
Einstein became a full professor at the German Charles-Ferdinand University in Prague in April 1911, accepting Austrian citizenship in the Austro-Hungarian Empire to do so. During his Prague stay, he wrote 11 scientific works, five of them on radiation mathematics and on the quantum theory of solids.
In July 1912, he returned to his alma mater in Zürich. From 1912 until 1914, he was a professor of theoretical physics at the ETH Zurich, where he taught analytical mechanics and thermodynamics. He also studied continuum mechanics, the molecular theory of heat, and the problem of gravitation, on which he worked with mathematician and friend Marcel Grossmann.
When the "Manifesto of the Ninety-Three" was published in October 1914—a document signed by a host of prominent German intellectuals that justified Germany's militarism and position during the First World War—Einstein was one of the few German intellectuals to rebut its contents and sign the pacifistic "Manifesto to the Europeans".
In the spring of 1913, Einstein was enticed to move to Berlin with an offer that included membership in the Prussian Academy of Sciences, and a linked University of Berlin professorship, enabling him to concentrate exclusively on research. On 3 July 1913, he became a member of the Prussian Academy of Sciences in Berlin. Max Planck and Walther Nernst visited him the next week in Zurich to persuade him to join the academy, additionally offering him the post of director at the Kaiser Wilhelm Institute for Physics, which was soon to be established. Membership in the academy included paid salary and professorship without teaching duties at Humboldt University of Berlin. He was officially elected to the academy on 24 July, and he moved to Berlin the following year. His decision to move to Berlin was also influenced by the prospect of living near his cousin Elsa, with whom he had started a romantic affair. Einstein assumed his position with the academy, and Berlin University, after moving into his Dahlem apartment on 1 April 1914. As World War I broke out that year, the plan for Kaiser Wilhelm Institute for Physics was delayed. The institute was established on 1 October 1917, with Einstein as its director. In 1916, Einstein was elected president of the German Physical Society (1916–1918).
In 1911, Einstein used his 1907 Equivalence principle to calculate the deflection of light from another star by the Sun's gravity. In 1913, Einstein improved upon those calculations by using Riemannian space-time to represent the gravity field. By the fall of 1915, Einstein had successfully completed his general theory of relativity, which he used to calculate that deflection, and the perihelion precession of Mercury. In 1919, that deflection prediction was confirmed by Sir Arthur Eddington during the solar eclipse of 29 May 1919. Those observations were published in the international media, making Einstein world-famous. On 7 November 1919, the leading British newspaper "The Times" printed a banner headline that read: "Revolution in Science – New Theory of the Universe – Newtonian Ideas Overthrown".
In 1920, he became a Foreign Member of the Royal Netherlands Academy of Arts and Sciences. In 1922, he was awarded the 1921 Nobel Prize in Physics "for his services to Theoretical Physics, and especially for his discovery of the law of the photoelectric effect". While the general theory of relativity was still considered somewhat controversial, the citation also does not treat even the cited photoelectric work as an "explanation" but merely as a "discovery of the law", as the idea of photons was considered outlandish and did not receive universal acceptance until the 1924 derivation of the Planck spectrum by S. N. Bose. Einstein was elected a Foreign Member of the Royal Society (ForMemRS) in 1921. He also received the Copley Medal from the Royal Society in 1925.
Einstein resigned from the Prussian Academy in March 1933. Einstein's scientific accomplishments while in Berlin, included finishing the general theory of relativity, proving the gyromagnetic effect, contributing to the quantum theory of radiation, and Bose–Einstein statistics.
1921–1922: Travels abroad.
Einstein visited New York City for the first time on 2 April 1921, where he received an official welcome by Mayor John Francis Hylan, followed by three weeks of lectures and receptions. He went on to deliver several lectures at Columbia University and Princeton University, and in Washington, he accompanied representatives of the National Academy of Sciences on a visit to the White House. On his return to Europe he was the guest of the British statesman and philosopher Viscount Haldane in London, where he met several renowned scientific, intellectual, and political figures, and delivered a lecture at King's College London.
He also published an essay, "My First Impression of the U.S.A.", in July 1921, in which he tried briefly to describe some characteristics of Americans, much as had Alexis de Tocqueville, who published his own impressions in "Democracy in America" (1835). For some of his observations, Einstein was clearly surprised: "What strikes a visitor is the joyous, positive attitude to life ... The American is friendly, self-confident, optimistic, and without envy."
In 1922, his travels took him to Asia and later to Palestine, as part of a six-month excursion and speaking tour, as he visited Singapore, Ceylon and Japan, where he gave a series of lectures to thousands of Japanese. After his first public lecture, he met the emperor and empress at the Imperial Palace, where thousands came to watch. In a letter to his sons, he described his impression of the Japanese as being modest, intelligent, considerate, and having a true feel for art. In his own travel diaries from his 1922–23 visit to Asia, he expresses some views on the Chinese, Japanese and Indian people, which have been described as xenophobic and racist judgments when they were rediscovered in 2018.
Because of Einstein's travels to the Far East, he was unable to personally accept the Nobel Prize for Physics at the Stockholm award ceremony in December 1922. In his place, the banquet speech was made by a German diplomat, who praised Einstein not only as a scientist but also as an international peacemaker and activist.
On his return voyage, he visited Palestine for 12 days, his only visit to that region. He was greeted as if he were a head of state, rather than a physicist, which included a cannon salute upon arriving at the home of the British high commissioner, Sir Herbert Samuel. During one reception, the building was stormed by people who wanted to see and hear him. In Einstein's talk to the audience, he expressed happiness that the Jewish people were beginning to be recognized as a force in the world.
Einstein visited Spain for two weeks in 1923, where he briefly met Santiago Ramón y Cajal and also received a diploma from King Alfonso XIII naming him a member of the Spanish Academy of Sciences.
From 1922 to 1932, Einstein was a member of the International Committee on Intellectual Cooperation of the League of Nations in Geneva (with a few months of interruption in 1923–1924), a body created to promote international exchange between scientists, researchers, teachers, artists, and intellectuals. Originally slated to serve as the Swiss delegate, Secretary-General Eric Drummond was persuaded by Catholic activists Oskar Halecki and Giuseppe Motta to instead have him become the German delegate, thus allowing Gonzague de Reynold to take the Swiss spot, from which he promoted traditionalist Catholic values. Einstein's former physics professor Hendrik Lorentz and the Polish chemist Marie Curie were also members of the committee.
1925: Visit to South America.
In the months of March and April 1925, Einstein visited South America, where he spent about a month in Argentina, a week in Uruguay, and a week in Rio de Janeiro, Brazil. Einstein's visit was initiated by Jorge Duclout (1856–1927) and Mauricio Nirenstein (1877–1935) with the support of several Argentine scholars, including Julio Rey Pastor, Jakob Laub, and Leopoldo Lugones. The visit by Einstein and his wife was financed primarily by the Council of the University of Buenos Aires and the "Asociación Hebraica Argentina" (Argentine Hebraic Association) with a smaller contribution from the Argentine-Germanic Cultural Institution.
1930–1931: Travel to the US.
In December 1930, Einstein visited America for the second time, originally intended as a two-month working visit as a research fellow at the California Institute of Technology. After the national attention he received during his first trip to the US, he and his arrangers aimed to protect his privacy. Although swamped with telegrams and invitations to receive awards or speak publicly, he declined them all.
After arriving in New York City, Einstein was taken to various places and events, including Chinatown, a lunch with the editors of "The New York Times", and a performance of "Carmen" at the Metropolitan Opera, where he was cheered by the audience on his arrival. During the days following, he was given the keys to the city by Mayor Jimmy Walker and met the president of Columbia University, who described Einstein as "the ruling monarch of the mind". Harry Emerson Fosdick, pastor at New York's Riverside Church, gave Einstein a tour of the church and showed him a full-size statue that the church made of Einstein, standing at the entrance. Also during his stay in New York, he joined a crowd of 15,000 people at Madison Square Garden during a Hanukkah celebration.
Einstein next traveled to California, where he met Caltech president and Nobel laureate Robert A. Millikan. His friendship with Millikan was "awkward", as Millikan "had a penchant for patriotic militarism", where Einstein was a pronounced pacifist. During an address to Caltech's students, Einstein noted that science was often inclined to do more harm than good.
This aversion to war also led Einstein to befriend author Upton Sinclair and film star Charlie Chaplin, both noted for their pacifism. Carl Laemmle, head of Universal Studios, gave Einstein a tour of his studio and introduced him to Chaplin. They had an instant rapport, with Chaplin inviting Einstein and his wife, Elsa, to his home for dinner. Chaplin said Einstein's outward persona, calm and gentle, seemed to conceal a "highly emotional temperament", from which came his "extraordinary intellectual energy".
Chaplin's film, "City Lights", was to premiere a few days later in Hollywood, and Chaplin invited Einstein and Elsa to join him as his special guests. Walter Isaacson, Einstein's biographer, described this as "one of the most memorable scenes in the new era of celebrity". Chaplin visited Einstein at his home on a later trip to Berlin and recalled his "modest little flat" and the piano at which he had begun writing his theory. Chaplin speculated that it was "possibly used as kindling wood by the Nazis".
1933: Emigration to the US.
In February 1933, while on a visit to the United States, Einstein knew he could not return to Germany with the rise to power of the Nazis under Germany's new chancellor, Adolf Hitler.
While at American universities in early 1933, he undertook his third two-month visiting professorship at the California Institute of Technology in Pasadena. In February and March 1933, the Gestapo repeatedly raided his family's apartment in Berlin. He and his wife Elsa returned to Europe in March, and during the trip, they learned that the German Reichstag had passed the Enabling Act on 23 March, transforming Hitler's government into a "de facto" legal dictatorship, and that they would not be able to proceed to Berlin. Later on, they heard that their cottage had been raided by the Nazis and Einstein's personal sailboat confiscated. Upon landing in Antwerp, Belgium on 28 March, Einstein immediately went to the German consulate and surrendered his passport, formally renouncing his German citizenship. The Nazis later sold his boat and converted his cottage into a Hitler Youth camp.
Refugee status.
In April 1933, Einstein discovered that the new German government had passed laws barring Jews from holding any official positions, including teaching at universities. Historian Gerald Holton describes how, with "virtually no audible protest being raised by their colleagues", thousands of Jewish scientists were suddenly forced to give up their university positions and their names were removed from the rolls of institutions where they were employed.
A month later, Einstein's works were among those targeted by the German Student Union in the Nazi book burnings, with Nazi propaganda minister Joseph Goebbels proclaiming, "Jewish intellectualism is dead." One German magazine included him in a list of enemies of the German regime with the phrase, "not yet hanged", offering a $5,000 bounty on his head. In a subsequent letter to physicist and friend Max Born, who had already emigrated from Germany to England, Einstein wrote, "... I must confess that the degree of their brutality and cowardice came as something of a surprise." After moving to the US, he described the book burnings as a "spontaneous emotional outburst" by those who "shun popular enlightenment", and "more than anything else in the world, fear the influence of men of intellectual independence".
Einstein was now without a permanent home, unsure where he would live and work, and equally worried about the fate of countless other scientists still in Germany. Aided by the Academic Assistance Council, founded in April 1933 by British liberal politician William Beveridge to help academics escape Nazi persecution, Einstein was able to leave Germany. He rented a house in De Haan, Belgium, where he lived for a few months. In late July 1933, he went to England for about six weeks at the personal invitation of British naval officer Commander Oliver Locker-Lampson, who had become friends with Einstein in the preceding years. Locker-Lampson invited him to stay near his home in a wooden cabin on Roughton Heath in the Parish of . To protect Einstein, Locker-Lampson had two bodyguards watch over him at his secluded cabin; a photo of them carrying shotguns and guarding Einstein was published in the "Daily Herald" on 24 July 1933.
Locker-Lampson took Einstein to meet Winston Churchill at his home, and later, Austen Chamberlain and former Prime Minister Lloyd George. Einstein asked them to help bring Jewish scientists out of Germany. British historian Martin Gilbert notes that Churchill responded immediately, and sent his friend, physicist Frederick Lindemann, to Germany to seek out Jewish scientists and place them in British universities. Churchill later observed that as a result of Germany having driven the Jews out, they had lowered their "technical standards" and put the Allies' technology ahead of theirs.
Einstein later contacted leaders of other nations, including Turkey's Prime Minister, İsmet İnönü, to whom he wrote in September 1933 requesting placement of unemployed German-Jewish scientists. As a result of Einstein's letter, Jewish invitees to Turkey eventually totaled over "1,000 saved individuals".
Locker-Lampson also submitted a bill to parliament to extend British citizenship to Einstein, during which period Einstein made a number of public appearances describing the crisis brewing in Europe. In one of his speeches he denounced Germany's treatment of Jews, while at the same time he introduced a bill promoting Jewish citizenship in Palestine, as they were being denied citizenship elsewhere. In his speech he described Einstein as a "citizen of the world" who should be offered a temporary shelter in the UK. Both bills failed, however, and Einstein then accepted an earlier offer from the Institute for Advanced Study, in Princeton, New Jersey, US, to become a resident scholar.
Resident scholar at the Institute for Advanced Study.
On 3 October 1933, Einstein delivered a speech on the importance of academic freedom before a packed audience at the Royal Albert Hall in London, with "The Times" reporting he was wildly cheered throughout. Four days later he returned to the US and took up a position at the Institute for Advanced Study, noted for having become a refuge for scientists fleeing Nazi Germany. At the time, most American universities, including Harvard, Princeton and Yale, had minimal or no Jewish faculty or students, as a result of their Jewish quotas, which lasted until the late 1940s.
Einstein was still undecided on his future. He had offers from several European universities, including Christ Church, Oxford, where he stayed for three short periods between May 1931 and June 1933 and was offered a five-year research fellowship (called a "studentship" at Christ Church), but in 1935, he arrived at the decision to remain permanently in the United States and apply for citizenship.
Einstein's affiliation with the Institute for Advanced Study would last until his death in 1955. He was one of the four first selected (along with John von Neumann, Kurt Gödel, and Hermann Weyl) at the new Institute, where he soon developed a close friendship with Gödel. The two would take long walks together discussing their work. Bruria Kaufman, his assistant, later became a physicist. During this period, Einstein tried to develop a unified field theory and to refute the accepted interpretation of quantum physics, both unsuccessfully.
World War II and the Manhattan Project.
In 1939, a group of Hungarian scientists that included émigré physicist Leó Szilárd attempted to alert Washington to ongoing Nazi atomic bomb research. The group's warnings were discounted. Einstein and Szilárd, along with other refugees such as Edward Teller and Eugene Wigner, "regarded it as their responsibility to alert Americans to the possibility that German scientists might win the race to build an atomic bomb, and to warn that Hitler would be more than willing to resort to such a weapon." To make certain the US was aware of the danger, in July 1939, a few months before the beginning of World War II in Europe, Szilárd and Wigner visited Einstein to explain the possibility of atomic bombs, which Einstein, a pacifist, said he had never considered. He was asked to lend his support by writing a letter, with Szilárd, to President Roosevelt, recommending the US pay attention and engage in its own nuclear weapons research.
The letter is believed to be "arguably the key stimulus for the U.S. adoption of serious investigations into nuclear weapons on the eve of the U.S. entry into World War II". In addition to the letter, Einstein used his connections with the Belgian Royal Family and the Belgian queen mother to get access with a personal envoy to the White House's Oval Office. Some say that as a result of Einstein's letter and his meetings with Roosevelt, the US entered the "race" to develop the bomb, drawing on its "immense material, financial, and scientific resources" to initiate the Manhattan Project.
For Einstein, "war was a disease ... [and] he called for resistance to war." By signing the letter to Roosevelt, some argue he went against his pacifist principles. In 1954, a year before his death, Einstein said to his old friend, Linus Pauling, "I made one great mistake in my life—when I signed the letter to President Roosevelt recommending that atom bombs be made; but there was some justification—the danger that the Germans would make them ..." In 1955, Einstein and ten other intellectuals and scientists, including British philosopher Bertrand Russell, signed a manifesto highlighting the danger of nuclear weapons.
US citizenship.
Einstein became an American citizen in 1940. Not long after settling into his career at the Institute for Advanced Study in Princeton, New Jersey, he expressed his appreciation of the meritocracy in American culture compared to Europe. He recognized the "right of individuals to say and think what they pleased" without social barriers. As a result, individuals were encouraged, he said, to be more creative, a trait he valued from his early education.
Einstein joined the National Association for the Advancement of Colored People (NAACP) in Princeton, where he campaigned for the civil rights of African Americans. He considered racism America's "worst disease", seeing it as "handed down from one generation to the next". As part of his involvement, he corresponded with civil rights activist W. E. B. Du Bois and was prepared to testify on his behalf during his trial in 1951. When Einstein offered to be a character witness for Du Bois, the judge decided to drop the case.
In 1946, Einstein visited Lincoln University in Pennsylvania, a historically black college, where he was awarded an honorary degree. Lincoln was the first university in the United States to grant college degrees to African Americans; alumni include Langston Hughes and Thurgood Marshall. Einstein gave a speech about racism in America, adding, "I do not intend to be quiet about it." A resident of Princeton recalls that Einstein had once paid the college tuition for a black student. Einstein has said, "Being a Jew myself, perhaps I can understand and empathize with how black people feel as victims of discrimination".
Refugee status.
In April 1933, Einstein discovered that the new German government had passed laws barring Jews from holding any official positions, including teaching at universities. Historian Gerald Holton describes how, with "virtually no audible protest being raised by their colleagues", thousands of Jewish scientists were suddenly forced to give up their university positions and their names were removed from the rolls of institutions where they were employed.
A month later, Einstein's works were among those targeted by the German Student Union in the Nazi book burnings, with Nazi propaganda minister Joseph Goebbels proclaiming, "Jewish intellectualism is dead." One German magazine included him in a list of enemies of the German regime with the phrase, "not yet hanged", offering a $5,000 bounty on his head. In a subsequent letter to physicist and friend Max Born, who had already emigrated from Germany to England, Einstein wrote, "... I must confess that the degree of their brutality and cowardice came as something of a surprise." After moving to the US, he described the book burnings as a "spontaneous emotional outburst" by those who "shun popular enlightenment", and "more than anything else in the world, fear the influence of men of intellectual independence".
Einstein was now without a permanent home, unsure where he would live and work, and equally worried about the fate of countless other scientists still in Germany. Aided by the Academic Assistance Council, founded in April 1933 by British liberal politician William Beveridge to help academics escape Nazi persecution, Einstein was able to leave Germany. He rented a house in De Haan, Belgium, where he lived for a few months. In late July 1933, he went to England for about six weeks at the personal invitation of British naval officer Commander Oliver Locker-Lampson, who had become friends with Einstein in the preceding years. Locker-Lampson invited him to stay near his home in a wooden cabin on Roughton Heath in the Parish of . To protect Einstein, Locker-Lampson had two bodyguards watch over him at his secluded cabin; a photo of them carrying shotguns and guarding Einstein was published in the "Daily Herald" on 24 July 1933.
Locker-Lampson took Einstein to meet Winston Churchill at his home, and later, Austen Chamberlain and former Prime Minister Lloyd George. Einstein asked them to help bring Jewish scientists out of Germany. British historian Martin Gilbert notes that Churchill responded immediately, and sent his friend, physicist Frederick Lindemann, to Germany to seek out Jewish scientists and place them in British universities. Churchill later observed that as a result of Germany having driven the Jews out, they had lowered their "technical standards" and put the Allies' technology ahead of theirs.
Einstein later contacted leaders of other nations, including Turkey's Prime Minister, İsmet İnönü, to whom he wrote in September 1933 requesting placement of unemployed German-Jewish scientists. As a result of Einstein's letter, Jewish invitees to Turkey eventually totaled over "1,000 saved individuals".
Locker-Lampson also submitted a bill to parliament to extend British citizenship to Einstein, during which period Einstein made a number of public appearances describing the crisis brewing in Europe. In one of his speeches he denounced Germany's treatment of Jews, while at the same time he introduced a bill promoting Jewish citizenship in Palestine, as they were being denied citizenship elsewhere. In his speech he described Einstein as a "citizen of the world" who should be offered a temporary shelter in the UK. Both bills failed, however, and Einstein then accepted an earlier offer from the Institute for Advanced Study, in Princeton, New Jersey, US, to become a resident scholar.
Resident scholar at the Institute for Advanced Study.
On 3 October 1933, Einstein delivered a speech on the importance of academic freedom before a packed audience at the Royal Albert Hall in London, with "The Times" reporting he was wildly cheered throughout. Four days later he returned to the US and took up a position at the Institute for Advanced Study, noted for having become a refuge for scientists fleeing Nazi Germany. At the time, most American universities, including Harvard, Princeton and Yale, had minimal or no Jewish faculty or students, as a result of their Jewish quotas, which lasted until the late 1940s.
Einstein was still undecided on his future. He had offers from several European universities, including Christ Church, Oxford, where he stayed for three short periods between May 1931 and June 1933 and was offered a five-year research fellowship (called a "studentship" at Christ Church), but in 1935, he arrived at the decision to remain permanently in the United States and apply for citizenship.
Einstein's affiliation with the Institute for Advanced Study would last until his death in 1955. He was one of the four first selected (along with John von Neumann, Kurt Gödel, and Hermann Weyl) at the new Institute, where he soon developed a close friendship with Gödel. The two would take long walks together discussing their work. Bruria Kaufman, his assistant, later became a physicist. During this period, Einstein tried to develop a unified field theory and to refute the accepted interpretation of quantum physics, both unsuccessfully.
World War II and the Manhattan Project.
In 1939, a group of Hungarian scientists that included émigré physicist Leó Szilárd attempted to alert Washington to ongoing Nazi atomic bomb research. The group's warnings were discounted. Einstein and Szilárd, along with other refugees such as Edward Teller and Eugene Wigner, "regarded it as their responsibility to alert Americans to the possibility that German scientists might win the race to build an atomic bomb, and to warn that Hitler would be more than willing to resort to such a weapon." To make certain the US was aware of the danger, in July 1939, a few months before the beginning of World War II in Europe, Szilárd and Wigner visited Einstein to explain the possibility of atomic bombs, which Einstein, a pacifist, said he had never considered. He was asked to lend his support by writing a letter, with Szilárd, to President Roosevelt, recommending the US pay attention and engage in its own nuclear weapons research.
The letter is believed to be "arguably the key stimulus for the U.S. adoption of serious investigations into nuclear weapons on the eve of the U.S. entry into World War II". In addition to the letter, Einstein used his connections with the Belgian Royal Family and the Belgian queen mother to get access with a personal envoy to the White House's Oval Office. Some say that as a result of Einstein's letter and his meetings with Roosevelt, the US entered the "race" to develop the bomb, drawing on its "immense material, financial, and scientific resources" to initiate the Manhattan Project.
For Einstein, "war was a disease ... [and] he called for resistance to war." By signing the letter to Roosevelt, some argue he went against his pacifist principles. In 1954, a year before his death, Einstein said to his old friend, Linus Pauling, "I made one great mistake in my life—when I signed the letter to President Roosevelt recommending that atom bombs be made; but there was some justification—the danger that the Germans would make them ..." In 1955, Einstein and ten other intellectuals and scientists, including British philosopher Bertrand Russell, signed a manifesto highlighting the danger of nuclear weapons.
US citizenship.
Einstein became an American citizen in 1940. Not long after settling into his career at the Institute for Advanced Study in Princeton, New Jersey, he expressed his appreciation of the meritocracy in American culture compared to Europe. He recognized the "right of individuals to say and think what they pleased" without social barriers. As a result, individuals were encouraged, he said, to be more creative, a trait he valued from his early education.
Einstein joined the National Association for the Advancement of Colored People (NAACP) in Princeton, where he campaigned for the civil rights of African Americans. He considered racism America's "worst disease", seeing it as "handed down from one generation to the next". As part of his involvement, he corresponded with civil rights activist W. E. B. Du Bois and was prepared to testify on his behalf during his trial in 1951. When Einstein offered to be a character witness for Du Bois, the judge decided to drop the case.
In 1946, Einstein visited Lincoln University in Pennsylvania, a historically black college, where he was awarded an honorary degree. Lincoln was the first university in the United States to grant college degrees to African Americans; alumni include Langston Hughes and Thurgood Marshall. Einstein gave a speech about racism in America, adding, "I do not intend to be quiet about it." A resident of Princeton recalls that Einstein had once paid the college tuition for a black student. Einstein has said, "Being a Jew myself, perhaps I can understand and empathize with how black people feel as victims of discrimination".
Personal views.
Political views.
In 1918, Einstein was one of the founding members of the German Democratic Party, a liberal party. Later in his life, Einstein's political view was in favor of socialism and critical of capitalism, which he detailed in his essays such as "Why Socialism?" His opinions on the Bolsheviks also changed with time. In 1925, he criticized them for not having a 'well-regulated system of government' and called their rule a 'regime of terror and a tragedy in human history'. He later adopted a more moderated view, criticizing their methods but praising them, which is shown by his 1929 remark on Vladimir Lenin: "In Lenin I honor a man, who in total sacrifice of his own person has committed his entire energy to realizing social justice. I do not find his methods advisable. One thing is certain, however: men like him are the guardians and renewers of mankind's conscience." Einstein offered and was called on to give judgments and opinions on matters often unrelated to theoretical physics or mathematics. He strongly advocated the idea of a democratic global government that would check the power of nation-states in the framework of a world federation. He wrote "I advocate world government because I am convinced that there is no other possible way of eliminating the most terrible danger in which man has ever found himself." The FBI created a secret dossier on Einstein in 1932, and by the time of his death his FBI file was 1,427 pages long.
Einstein was deeply impressed by Mahatma Gandhi, with whom he exchanged written letters. He described Gandhi as "a role model for the generations to come". The initial connection was established on 27 September 1931, when Wilfrid Israel took his Indian guest V. A. Sundaram to meet his friend Einstein at his summer home in the town of Caputh. Sundaram was Gandhi's disciple and special envoy, whom Wilfrid Israel met while visiting India and visiting the Indian leader's home in 1925. During the visit, Einstein wrote a short letter to Gandhi that was delivered to him through his envoy, and Gandhi responded quickly with his own letter. Although in the end Einstein and Gandhi were unable to meet as they had hoped, the direct connection between them was established through Wilfrid Israel.
Relationship with Zionism.
Einstein was a figurehead leader in helping establish the Hebrew University of Jerusalem, which opened in 1925, and was among its first Board of Governors. Earlier, in 1921, he was asked by the biochemist and president of the World Zionist Organization, Chaim Weizmann, to help raise funds for the planned university. He made suggestions for the creation of an Institute of Agriculture, a Chemical Institute and an Institute of Microbiology in order to fight the various ongoing epidemics such as malaria, which he called an "evil" that was undermining a third of the country's development. He also promoted the establishment of an Oriental Studies Institute, to include language courses given in both Hebrew and Arabic.
Einstein was not a nationalist and was against the creation of an independent Jewish state, which would be established without his help as Israel in 1948. He felt that the waves of arriving Jews of the Aliyah could live alongside existing Arabs in Palestine. Nevertheless, upon the death of Israeli president Weizmann in November 1952, Prime Minister David Ben-Gurion offered Einstein the largely ceremonial position of President of Israel at the urging of Ezriel Carlebach. The offer was presented by Israel's ambassador in Washington, Abba Eban, who explained that the offer "embodies the deepest respect which the Jewish people can repose in any of its sons". Einstein wrote that he was "deeply moved", but "at once saddened and ashamed" that he could not accept it.
Religious and philosophical views.
Einstein spoke of his spiritual outlook in a wide array of original writings and interviews. He said he had sympathy for the impersonal pantheistic God of Baruch Spinoza's philosophy. He did not believe in a personal god who concerns himself with fates and actions of human beings, a view which he described as naïve. He clarified, however, that "I am not an atheist", preferring to call himself an agnostic, or a "deeply religious nonbeliever". When asked if he believed in an afterlife, Einstein replied, "No. And one life is enough for me."
Einstein was primarily affiliated with non-religious humanist and Ethical Culture groups in both the UK and US. He served on the advisory board of the First Humanist Society of New York, and was an honorary associate of the Rationalist Association, which publishes "New Humanist" in Britain. For the 75th anniversary of the New York Society for Ethical Culture, he stated that the idea of Ethical Culture embodied his personal conception of what is most valuable and enduring in religious idealism. He observed, "Without 'ethical culture' there is no salvation for humanity."
In a German-language letter to philosopher Eric Gutkind, dated 3 January 1954, Einstein wrote:The word God is for me nothing more than the expression and product of human weaknesses, the Bible a collection of honorable, but still primitive legends which are nevertheless pretty childish. No interpretation no matter how subtle can (for me) change this. ... For me the Jewish religion like all other religions is an incarnation of the most childish superstitions. And the Jewish people to whom I gladly belong and with whose mentality I have a deep affinity have no different quality for me than all other people. ... I cannot see anything 'chosen' about them.
Einstein had been sympathetic toward vegetarianism for a long time. In a letter in 1930 to Hermann Huth, vice-president of the German Vegetarian Federation (Deutsche Vegetarier-Bund), he wrote:Although I have been prevented by outward circumstances from observing a strictly vegetarian diet, I have long been an adherent to the cause in principle. Besides agreeing with the aims of vegetarianism for aesthetic and moral reasons, it is my view that a vegetarian manner of living by its purely physical effect on the human temperament would most beneficially influence the lot of mankind.
He became a vegetarian himself only during the last part of his life. In March 1954 he wrote in a letter: "So I am living without fats, without meat, without fish, but am feeling quite well this way. It almost seems to me that man was not born to be a carnivore."
Love of music.
Einstein developed an appreciation for music at an early age. In his late journals he wrote:
His mother played the piano reasonably well and wanted her son to learn the violin, not only to instill in him a love of music but also to help him assimilate into German culture. According to conductor Leon Botstein, Einstein began playing when he was 5. However, he did not enjoy it at that age.
When he turned 13, he discovered the violin sonatas of Mozart, whereupon he became enamored of Mozart's compositions and studied music more willingly. Einstein taught himself to play without "ever practicing systematically". He said that "love is a better teacher than a sense of duty." At the age of 17, he was heard by a school examiner in Aarau while playing Beethoven's violin sonatas. The examiner stated afterward that his playing was "remarkable and revealing of 'great insight. What struck the examiner, writes Botstein, was that Einstein "displayed a deep love of the music, a quality that was and remains in short supply. Music possessed an unusual meaning for this student."
Music took on a pivotal and permanent role in Einstein's life from that period on. Although the idea of becoming a professional musician himself was not on his mind at any time, among those with whom Einstein played chamber music were a few professionals, including Kurt Appelbaum, and he performed for private audiences and friends. Chamber music had also become a regular part of his social life while living in Bern, Zürich, and Berlin, where he played with Max Planck and his son, among others. He is sometimes erroneously credited as the editor of the 1937 edition of the Köchel catalog of Mozart's work; that edition was prepared by Alfred Einstein, who may have been a distant relation.
In 1931, while engaged in research at the California Institute of Technology, he visited the Zoellner family conservatory in Los Angeles, where he played some of Beethoven and Mozart's works with members of the Zoellner Quartet. Near the end of his life, when the young Juilliard Quartet visited him in Princeton, he played his violin with them, and the quartet was "impressed by Einstein's level of coordination and intonation".
Political views.
In 1918, Einstein was one of the founding members of the German Democratic Party, a liberal party. Later in his life, Einstein's political view was in favor of socialism and critical of capitalism, which he detailed in his essays such as "Why Socialism?" His opinions on the Bolsheviks also changed with time. In 1925, he criticized them for not having a 'well-regulated system of government' and called their rule a 'regime of terror and a tragedy in human history'. He later adopted a more moderated view, criticizing their methods but praising them, which is shown by his 1929 remark on Vladimir Lenin: "In Lenin I honor a man, who in total sacrifice of his own person has committed his entire energy to realizing social justice. I do not find his methods advisable. One thing is certain, however: men like him are the guardians and renewers of mankind's conscience." Einstein offered and was called on to give judgments and opinions on matters often unrelated to theoretical physics or mathematics. He strongly advocated the idea of a democratic global government that would check the power of nation-states in the framework of a world federation. He wrote "I advocate world government because I am convinced that there is no other possible way of eliminating the most terrible danger in which man has ever found himself." The FBI created a secret dossier on Einstein in 1932, and by the time of his death his FBI file was 1,427 pages long.
Einstein was deeply impressed by Mahatma Gandhi, with whom he exchanged written letters. He described Gandhi as "a role model for the generations to come". The initial connection was established on 27 September 1931, when Wilfrid Israel took his Indian guest V. A. Sundaram to meet his friend Einstein at his summer home in the town of Caputh. Sundaram was Gandhi's disciple and special envoy, whom Wilfrid Israel met while visiting India and visiting the Indian leader's home in 1925. During the visit, Einstein wrote a short letter to Gandhi that was delivered to him through his envoy, and Gandhi responded quickly with his own letter. Although in the end Einstein and Gandhi were unable to meet as they had hoped, the direct connection between them was established through Wilfrid Israel.
Relationship with Zionism.
Einstein was a figurehead leader in helping establish the Hebrew University of Jerusalem, which opened in 1925, and was among its first Board of Governors. Earlier, in 1921, he was asked by the biochemist and president of the World Zionist Organization, Chaim Weizmann, to help raise funds for the planned university. He made suggestions for the creation of an Institute of Agriculture, a Chemical Institute and an Institute of Microbiology in order to fight the various ongoing epidemics such as malaria, which he called an "evil" that was undermining a third of the country's development. He also promoted the establishment of an Oriental Studies Institute, to include language courses given in both Hebrew and Arabic.
Einstein was not a nationalist and was against the creation of an independent Jewish state, which would be established without his help as Israel in 1948. He felt that the waves of arriving Jews of the Aliyah could live alongside existing Arabs in Palestine. Nevertheless, upon the death of Israeli president Weizmann in November 1952, Prime Minister David Ben-Gurion offered Einstein the largely ceremonial position of President of Israel at the urging of Ezriel Carlebach. The offer was presented by Israel's ambassador in Washington, Abba Eban, who explained that the offer "embodies the deepest respect which the Jewish people can repose in any of its sons". Einstein wrote that he was "deeply moved", but "at once saddened and ashamed" that he could not accept it.
Relationship with Zionism.
Einstein was a figurehead leader in helping establish the Hebrew University of Jerusalem, which opened in 1925, and was among its first Board of Governors. Earlier, in 1921, he was asked by the biochemist and president of the World Zionist Organization, Chaim Weizmann, to help raise funds for the planned university. He made suggestions for the creation of an Institute of Agriculture, a Chemical Institute and an Institute of Microbiology in order to fight the various ongoing epidemics such as malaria, which he called an "evil" that was undermining a third of the country's development. He also promoted the establishment of an Oriental Studies Institute, to include language courses given in both Hebrew and Arabic.
Einstein was not a nationalist and was against the creation of an independent Jewish state, which would be established without his help as Israel in 1948. He felt that the waves of arriving Jews of the Aliyah could live alongside existing Arabs in Palestine. Nevertheless, upon the death of Israeli president Weizmann in November 1952, Prime Minister David Ben-Gurion offered Einstein the largely ceremonial position of President of Israel at the urging of Ezriel Carlebach. The offer was presented by Israel's ambassador in Washington, Abba Eban, who explained that the offer "embodies the deepest respect which the Jewish people can repose in any of its sons". Einstein wrote that he was "deeply moved", but "at once saddened and ashamed" that he could not accept it.
Religious and philosophical views.
Einstein spoke of his spiritual outlook in a wide array of original writings and interviews. He said he had sympathy for the impersonal pantheistic God of Baruch Spinoza's philosophy. He did not believe in a personal god who concerns himself with fates and actions of human beings, a view which he described as naïve. He clarified, however, that "I am not an atheist", preferring to call himself an agnostic, or a "deeply religious nonbeliever". When asked if he believed in an afterlife, Einstein replied, "No. And one life is enough for me."
Einstein was primarily affiliated with non-religious humanist and Ethical Culture groups in both the UK and US. He served on the advisory board of the First Humanist Society of New York, and was an honorary associate of the Rationalist Association, which publishes "New Humanist" in Britain. For the 75th anniversary of the New York Society for Ethical Culture, he stated that the idea of Ethical Culture embodied his personal conception of what is most valuable and enduring in religious idealism. He observed, "Without 'ethical culture' there is no salvation for humanity."
In a German-language letter to philosopher Eric Gutkind, dated 3 January 1954, Einstein wrote:The word God is for me nothing more than the expression and product of human weaknesses, the Bible a collection of honorable, but still primitive legends which are nevertheless pretty childish. No interpretation no matter how subtle can (for me) change this. ... For me the Jewish religion like all other religions is an incarnation of the most childish superstitions. And the Jewish people to whom I gladly belong and with whose mentality I have a deep affinity have no different quality for me than all other people. ... I cannot see anything 'chosen' about them.
Einstein had been sympathetic toward vegetarianism for a long time. In a letter in 1930 to Hermann Huth, vice-president of the German Vegetarian Federation (Deutsche Vegetarier-Bund), he wrote:Although I have been prevented by outward circumstances from observing a strictly vegetarian diet, I have long been an adherent to the cause in principle. Besides agreeing with the aims of vegetarianism for aesthetic and moral reasons, it is my view that a vegetarian manner of living by its purely physical effect on the human temperament would most beneficially influence the lot of mankind.
He became a vegetarian himself only during the last part of his life. In March 1954 he wrote in a letter: "So I am living without fats, without meat, without fish, but am feeling quite well this way. It almost seems to me that man was not born to be a carnivore."
Love of music.
Einstein developed an appreciation for music at an early age. In his late journals he wrote:
His mother played the piano reasonably well and wanted her son to learn the violin, not only to instill in him a love of music but also to help him assimilate into German culture. According to conductor Leon Botstein, Einstein began playing when he was 5. However, he did not enjoy it at that age.
When he turned 13, he discovered the violin sonatas of Mozart, whereupon he became enamored of Mozart's compositions and studied music more willingly. Einstein taught himself to play without "ever practicing systematically". He said that "love is a better teacher than a sense of duty." At the age of 17, he was heard by a school examiner in Aarau while playing Beethoven's violin sonatas. The examiner stated afterward that his playing was "remarkable and revealing of 'great insight. What struck the examiner, writes Botstein, was that Einstein "displayed a deep love of the music, a quality that was and remains in short supply. Music possessed an unusual meaning for this student."
Music took on a pivotal and permanent role in Einstein's life from that period on. Although the idea of becoming a professional musician himself was not on his mind at any time, among those with whom Einstein played chamber music were a few professionals, including Kurt Appelbaum, and he performed for private audiences and friends. Chamber music had also become a regular part of his social life while living in Bern, Zürich, and Berlin, where he played with Max Planck and his son, among others. He is sometimes erroneously credited as the editor of the 1937 edition of the Köchel catalog of Mozart's work; that edition was prepared by Alfred Einstein, who may have been a distant relation.
In 1931, while engaged in research at the California Institute of Technology, he visited the Zoellner family conservatory in Los Angeles, where he played some of Beethoven and Mozart's works with members of the Zoellner Quartet. Near the end of his life, when the young Juilliard Quartet visited him in Princeton, he played his violin with them, and the quartet was "impressed by Einstein's level of coordination and intonation".
Death.
On 17 April 1955, Einstein experienced internal bleeding caused by the rupture of an abdominal aortic aneurysm, which had previously been reinforced surgically by Rudolph Nissen in 1948. He took the draft of a speech he was preparing for a television appearance commemorating the state of Israel's seventh anniversary with him to the hospital, but he did not live to complete it.
Einstein refused surgery, saying, "I want to go when I want. It is tasteless to prolong life artificially. I have done my share; it is time to go. I will do it elegantly." He died in the University Medical Center of Princeton at Plainsboro early the next morning at the age of 76, having continued to work until near the end.
During the autopsy, the pathologist Thomas Stoltz Harvey removed Einstein's brain for preservation without the permission of his family, in the hope that the neuroscience of the future would be able to discover what made Einstein so intelligent. Einstein's remains were cremated in Trenton, New Jersey, and his ashes were scattered at an undisclosed location.
In a memorial lecture delivered on 13 December 1965 at UNESCO headquarters, nuclear physicist J. Robert Oppenheimer summarized his impression of Einstein as a person: "He was almost wholly without sophistication and wholly without worldliness ... There was always with him a wonderful purity at once childlike and profoundly stubborn."
Einstein bequeathed his personal archives, library, and intellectual assets to the Hebrew University of Jerusalem in Israel.
Scientific career.
Throughout his life, Einstein published hundreds of books and articles. He published more than 300 scientific papers and 150 non-scientific ones. On 5 December 2014, universities and archives announced the release of Einstein's papers, comprising more than 30,000 unique documents. Einstein's intellectual achievements and originality have made the word "Einstein" synonymous with "genius". In addition to the work he did by himself he also collaborated with other scientists on additional projects including the Bose–Einstein statistics, the Einstein refrigerator and others.
1905 – "Annus Mirabilis" papers.
The "Annus Mirabilis" papers are four articles pertaining to the photoelectric effect (which gave rise to quantum theory), Brownian motion, the special theory of relativity, and E = mc2 that Einstein published in the "Annalen der Physik" scientific journal in 1905. These four works contributed substantially to the foundation of modern physics and changed views on space, time, and matter. The four papers are:
Statistical mechanics.
Thermodynamic fluctuations and statistical physics.
Einstein's first paper submitted in 1900 to "Annalen der Physik" was on capillary attraction. It was published in 1901 with the title "Folgerungen aus den Capillaritätserscheinungen", which translates as "Conclusions from the capillarity phenomena". Two papers he published in 1902–1903 (thermodynamics) attempted to interpret atomic phenomena from a statistical point of view. These papers were the foundation for the 1905 paper on Brownian motion, which showed that Brownian movement can be construed as firm evidence that molecules exist. His research in 1903 and 1904 was mainly concerned with the effect of finite atomic size on diffusion phenomena.
Theory of critical opalescence.
Einstein returned to the problem of thermodynamic fluctuations, giving a treatment of the density variations in a fluid at its critical point. Ordinarily the density fluctuations are controlled by the second derivative of the free energy with respect to the density. At the critical point, this derivative is zero, leading to large fluctuations. The effect of density fluctuations is that light of all wavelengths is scattered, making the fluid look milky white. Einstein relates this to Rayleigh scattering, which is what happens when the fluctuation size is much smaller than the wavelength, and which explains why the sky is blue. Einstein quantitatively derived critical opalescence from a treatment of density fluctuations, and demonstrated how both the effect and Rayleigh scattering originate from the atomistic constitution of matter.
Special relativity.
Einstein's "Zur Elektrodynamik bewegter Körper" ("On the Electrodynamics of Moving Bodies") was received on 30 June 1905 and published 26 September of that same year. It reconciled conflicts between Maxwell's equations (the laws of electricity and magnetism) and the laws of Newtonian mechanics by introducing changes to the laws of mechanics. Observationally, the effects of these changes are most apparent at high speeds (where objects are moving at speeds close to the speed of light). The theory developed in this paper later became known as Einstein's special theory of relativity. There is evidence from Einstein's writings that he collaborated with his first wife, Mileva Marić, on this work. The decision to publish only under his name seems to have been mutual, but the exact reason is unknown.
This paper predicted that, when measured in the frame of a relatively moving observer, a clock carried by a moving body would appear to slow down, and the body itself would contract in its direction of motion. This paper also argued that the idea of a luminiferous aether—one of the leading theoretical entities in physics at the time—was superfluous.
In his paper on mass–energy equivalence, Einstein produced "E" = "mc"2 as a consequence of his special relativity equations. Einstein's 1905 work on relativity remained controversial for many years, but was accepted by leading physicists, starting with Max Planck.
Einstein originally framed special relativity in terms of kinematics (the study of moving bodies). In 1908, Hermann Minkowski reinterpreted special relativity in geometric terms as a theory of spacetime. Einstein adopted Minkowski's formalism in his 1915 general theory of relativity.
General relativity.
General relativity and the equivalence principle.
General relativity (GR) is a theory of gravitation that was developed by Einstein between 1907 and 1915. According to general relativity, the observed gravitational attraction between masses results from the warping of space and time by those masses. General relativity has developed into an essential tool in modern astrophysics. It provides the foundation for the current understanding of black holes, regions of space where gravitational attraction is so strong that not even light can escape.
As Einstein later said, the reason for the development of general relativity was that the preference of inertial motions within special relativity was unsatisfactory, while a theory which from the outset prefers no state of motion (even accelerated ones) should appear more satisfactory. Consequently, in 1907 he published an article on acceleration under special relativity. In that article titled "On the Relativity Principle and the Conclusions Drawn from It", he argued that free fall is really inertial motion, and that for a free-falling observer the rules of special relativity must apply. This argument is called the equivalence principle. In the same article, Einstein also predicted the phenomena of gravitational time dilation, gravitational redshift and deflection of light.
In 1911, Einstein published another article "On the Influence of Gravitation on the Propagation of Light" expanding on the 1907 article, in which he estimated the amount of deflection of light by massive bodies. Thus, the theoretical prediction of general relativity could for the first time be tested experimentally.
Gravitational waves.
In 1916, Einstein predicted gravitational waves, ripples in the curvature of spacetime which propagate as waves, traveling outward from the source, transporting energy as gravitational radiation. The existence of gravitational waves is possible under general relativity due to its Lorentz invariance which brings the concept of a finite speed of propagation of the physical interactions of gravity with it. By contrast, gravitational waves cannot exist in the Newtonian theory of gravitation, which postulates that the physical interactions of gravity propagate at infinite speed.
The first, indirect, detection of gravitational waves came in the 1970s through observation of a pair of closely orbiting neutron stars, PSR B1913+16. The explanation of the decay in their orbital period was that they were emitting gravitational waves. Einstein's prediction was confirmed on 11 February 2016, when researchers at LIGO published the first observation of gravitational waves, detected on Earth on 14 September 2015, nearly one hundred years after the prediction.
Hole argument and Entwurf theory.
While developing general relativity, Einstein became confused about the gauge invariance in the theory. He formulated an argument that led him to conclude that a general relativistic field theory is impossible. He gave up looking for fully generally covariant tensor equations and searched for equations that would be invariant under general linear transformations only.
In June 1913, the Entwurf ('draft') theory was the result of these investigations. As its name suggests, it was a sketch of a theory, less elegant and more difficult than general relativity, with the equations of motion supplemented by additional gauge fixing conditions. After more than two years of intensive work, Einstein realized that the hole argument was mistaken and abandoned the theory in November 1915.
Physical cosmology.
In 1917, Einstein applied the general theory of relativity to the structure of the universe as a whole. He discovered that the general field equations predicted a universe that was dynamic, either contracting or expanding. As observational evidence for a dynamic universe was not known at the time, Einstein introduced a new term, the cosmological constant, to the field equations, in order to allow the theory to predict a static universe. The modified field equations predicted a static universe of closed curvature, in accordance with Einstein's understanding of Mach's principle in these years. This model became known as the Einstein World or Einstein's static universe.
Following the discovery of the recession of the nebulae by Edwin Hubble in 1929, Einstein abandoned his static model of the universe, and proposed two dynamic models of the cosmos, The Friedmann-Einstein universe of 1931 and the Einstein–de Sitter universe of 1932. In each of these models, Einstein discarded the cosmological constant, claiming that it was "in any case theoretically unsatisfactory".
In many Einstein biographies, it is claimed that Einstein referred to the cosmological constant in later years as his "biggest blunder", based on a letter George Gamow claimed to have received from him. The astrophysicist Mario Livio has recently cast doubt on this claim.
In late 2013, a team led by the Irish physicist Cormac O'Raifeartaigh discovered evidence that, shortly after learning of Hubble's observations of the recession of the nebulae, Einstein considered a steady-state model of the universe. In a hitherto overlooked manuscript, apparently written in early 1931, Einstein explored a model of the expanding universe in which the density of matter remains constant due to a continuous creation of matter, a process he associated with the cosmological constant. As he stated in the paper, "In what follows, I would like to draw attention to a solution to equation (1) that can account for Hubbel's ["sic"] facts, and in which the density is constant over time" ... "If one considers a physically bounded volume, particles of matter will be continually leaving it. For the density to remain constant, new particles of matter must be continually formed in the volume from space."
It thus appears that Einstein considered a steady-state model of the expanding universe many years before Hoyle, Bondi and Gold. However, Einstein's steady-state model contained a fundamental flaw and he quickly abandoned the idea.
Energy momentum pseudotensor.
General relativity includes a dynamical spacetime, so it is difficult to see how to identify the conserved energy and momentum. Noether's theorem allows these quantities to be determined from a Lagrangian with translation invariance, but general covariance makes translation invariance into something of a gauge symmetry. The energy and momentum derived within general relativity by Noether's prescriptions do not make a real tensor for this reason.
Einstein argued that this is true for a fundamental reason: the gravitational field could be made to vanish by a choice of coordinates. He maintained that the non-covariant energy momentum pseudotensor was, in fact, the best description of the energy momentum distribution in a gravitational field. This approach has been echoed by Lev Landau and Evgeny Lifshitz, and others, and has become standard.
The use of non-covariant objects like pseudotensors was heavily criticized in 1917 by Erwin Schrödinger and others.
Wormholes.
In 1935, Einstein collaborated with Nathan Rosen to produce a model of a wormhole, often called Einstein–Rosen bridges. His motivation was to model elementary particles with charge as a solution of gravitational field equations, in line with the program outlined in the paper "Do Gravitational Fields play an Important Role in the Constitution of the Elementary Particles?". These solutions cut and pasted Schwarzschild black holes to make a bridge between two patches.
If one end of a wormhole was positively charged, the other end would be negatively charged. These properties led Einstein to believe that pairs of particles and antiparticles could be described in this way.
Einstein–Cartan theory.
In order to incorporate spinning point particles into general relativity, the affine connection needed to be generalized to include an antisymmetric part, called the torsion. This modification was made by Einstein and Cartan in the 1920s.
Equations of motion.
The theory of general relativity has a fundamental lawthe Einstein field equations, which describe how space curves. The geodesic equation, which describes how particles move, may be derived from the Einstein field equations.
Since the equations of general relativity are non-linear, a lump of energy made out of pure gravitational fields, like a black hole, would move on a trajectory which is determined by the Einstein field equations themselves, not by a new law. So Einstein proposed that the path of a singular solution, like a black hole, would be determined to be a geodesic from general relativity itself.
This was established by Einstein, Infeld, and Hoffmann for pointlike objects without angular momentum, and by Roy Kerr for spinning objects.
Old quantum theory.
Photons and energy quanta.
In a 1905 paper, Einstein postulated that light itself consists of localized particles ("quanta"). Einstein's light quanta were nearly universally rejected by all physicists, including Max Planck and Niels Bohr. This idea only became universally accepted in 1919, with Robert Millikan's detailed experiments on the photoelectric effect, and with the measurement of Compton scattering.
Einstein concluded that each wave of frequency "f" is associated with a collection of photons with energy "hf" each, where "h" is Planck's constant. He does not say much more, because he is not sure how the particles are related to the wave. But he does suggest that this idea would explain certain experimental results, notably the photoelectric effect.
Quantized atomic vibrations.
In 1907, Einstein proposed a model of matter where each atom in a lattice structure is an independent harmonic oscillator. In the Einstein model, each atom oscillates independently—a series of equally spaced quantized states for each oscillator. Einstein was aware that getting the frequency of the actual oscillations would be difficult, but he nevertheless proposed this theory because it was a particularly clear demonstration that quantum mechanics could solve the specific heat problem in classical mechanics. Peter Debye refined this model.
Adiabatic principle and action-angle variables.
Throughout the 1910s, quantum mechanics expanded in scope to cover many different systems. After Ernest Rutherford discovered the nucleus and proposed that electrons orbit like planets, Niels Bohr was able to show that the same quantum mechanical postulates introduced by Planck and developed by Einstein would explain the discrete motion of electrons in atoms, and the periodic table of the elements.
Einstein contributed to these developments by linking them with the 1898 arguments Wilhelm Wien had made. Wien had shown that the hypothesis of adiabatic invariance of a thermal equilibrium state allows all the blackbody curves at different temperature to be derived from one another by a simple shifting process. Einstein noted in 1911 that the same adiabatic principle shows that the quantity which is quantized in any mechanical motion must be an adiabatic invariant. Arnold Sommerfeld identified this adiabatic invariant as the action variable of classical mechanics.
Bose–Einstein statistics.
In 1924, Einstein received a description of a statistical model from Indian physicist Satyendra Nath Bose, based on a counting method that assumed that light could be understood as a gas of indistinguishable particles. Einstein noted that Bose's statistics applied to some atoms as well as to the proposed light particles, and submitted his translation of Bose's paper to the "Zeitschrift für Physik". Einstein also published his own articles describing the model and its implications, among them the Bose–Einstein condensate phenomenon that some particulates should appear at very low temperatures. It was not until 1995 that the first such condensate was produced experimentally by Eric Allin Cornell and Carl Wieman using ultra-cooling equipment built at the NIST–JILA laboratory at the University of Colorado at Boulder. Bose–Einstein statistics are now used to describe the behaviors of any assembly of bosons. Einstein's sketches for this project may be seen in the Einstein Archive in the library of the Leiden University.
Wave–particle duality.
Although the patent office promoted Einstein to Technical Examiner Second Class in 1906, he had not given up on academia. In 1908, he became a "Privatdozent" at the University of Bern. In "Über die Entwicklung unserer Anschauungen über das Wesen und die Konstitution der Strahlung" (""), on the quantization of light, and in an earlier 1909 paper, Einstein showed that Max Planck's energy quanta must have well-defined momenta and act in some respects as independent, point-like particles. This paper introduced the "photon" concept (although the name "photon" was introduced later by Gilbert N. Lewis in 1926) and inspired the notion of wave–particle duality in quantum mechanics. Einstein saw this wave–particle duality in radiation as concrete evidence for his conviction that physics needed a new, unified foundation.
Zero-point energy.
In a series of works completed from 1911 to 1913, Planck reformulated his 1900 quantum theory and introduced the idea of zero-point energy in his "second quantum theory". Soon, this idea attracted the attention of Einstein and his assistant Otto Stern. Assuming the energy of rotating diatomic molecules contains zero-point energy, they then compared the theoretical specific heat of hydrogen gas with the experimental data. The numbers matched nicely. However, after publishing the findings, they promptly withdrew their support, because they no longer had confidence in the correctness of the idea of zero-point energy.
Stimulated emission.
In 1917, at the height of his work on relativity, Einstein published an article in "Physikalische Zeitschrift" that proposed the possibility of stimulated emission, the physical process that makes possible the maser and the laser.
This article showed that the statistics of absorption and emission of light would only be consistent with Planck's distribution law if the emission of light into a mode with n photons would be enhanced statistically compared to the emission of light into an empty mode. This paper was enormously influential in the later development of quantum mechanics, because it was the first paper to show that the statistics of atomic transitions had simple laws.
Matter waves.
Einstein discovered Louis de Broglie's work and supported his ideas, which were received skeptically at first. In another major paper from this era, Einstein gave a wave equation for de Broglie waves, which Einstein suggested was the Hamilton–Jacobi equation of mechanics. This paper would inspire Schrödinger's work of 1926.
Quantum mechanics.
Einstein's objections to quantum mechanics.
Einstein played a major role in developing quantum theory, beginning with his 1905 paper on the photoelectric effect. However, he became displeased with modern quantum mechanics as it had evolved after 1925, despite its acceptance by other physicists. He was skeptical that the randomness of quantum mechanics was fundamental rather than the result of determinism, stating that God "is not playing at dice". Until the end of his life, he continued to maintain that quantum mechanics was incomplete.
Bohr versus Einstein.
The Bohr–Einstein debates were a series of public disputes about quantum mechanics between Einstein and Niels Bohr, who were two of its founders. Their debates are remembered because of their importance to the philosophy of science. Their debates would influence later interpretations of quantum mechanics.
Einstein–Podolsky–Rosen paradox.
In 1935, Einstein returned to quantum mechanics, in particular to the question of its completeness, in a collaboration with Boris Podolsky and Nathan Rosen that laid out what would become known as the EPR paradox. In a thought experiment, they considered two particles, which had interacted such that their properties were strongly correlated. No matter how far the two particles were separated, a precise position measurement on one particle would result in equally precise knowledge of the position of the other particle; likewise, a precise momentum measurement of one particle would result in equally precise knowledge of the momentum of the other particle, without needing to disturb the other particle in any way.
Given Einstein's concept of local realism, there were two possibilities: (1) either the other particle had these properties already determined, or (2) the process of measuring the first particle instantaneously affected the reality of the position and momentum of the second particle. Einstein rejected this second possibility (popularly called "spooky action at a distance").
Einstein's belief in local realism led him to assert that, while the correctness of quantum mechanics was not in question, it must be incomplete. But as a physical principle, local realism was shown to be incorrect when the Aspect experiment of 1982 confirmed Bell's theorem, which J. S. Bell had delineated in 1964. The results of these and subsequent experiments demonstrate that quantum physics cannot be represented by any version of the picture of physics in which "particles are regarded as unconnected independent classical-like entities, each one being unable to communicate with the other after they have separated."
Although Einstein was wrong about local realism, his clear prediction of the unusual properties of its opposite, entangled quantum states, has resulted in the EPR paper becoming among the most influential papers published in "Physical Review". It is considered a centerpiece of the development of quantum information theory.
Unified field theory.
Following his research on general relativity, Einstein attempted to generalize his theory of gravitation to include electromagnetism as aspects of a single entity. In 1950, he described his "unified field theory" in a "Scientific American" article titled "On the Generalized Theory of Gravitation". Although he was lauded for this work, his efforts were ultimately unsuccessful.
Notably, Einstein's unification project did not accommodate the strong and weak nuclear forces, neither of which was well understood until many years after his death. Although mainstream physics long ignored Einstein's approaches to unification, Einstein's work has motivated modern quests for a theory of everything, in particular string theory, where geometrical fields emerge in a unified quantum-mechanical setting.
Other investigations.
Einstein conducted other investigations that were unsuccessful and abandoned. These pertain to force, superconductivity, and other research.
Collaboration with other scientists.
In addition to longtime collaborators Leopold Infeld, Nathan Rosen, Peter Bergmann and others, Einstein also had some one-shot collaborations with various scientists.
Einstein–de Haas experiment.
Einstein and De Haas demonstrated that magnetization is due to the motion of electrons, nowadays known to be the spin. In order to show this, they reversed the magnetization in an iron bar suspended on a torsion pendulum. They confirmed that this leads the bar to rotate, because the electron's angular momentum changes as the magnetization changes. This experiment needed to be sensitive because the angular momentum associated with electrons is small, but it definitively established that electron motion of some kind is responsible for magnetization.
Schrödinger gas model.
Einstein suggested to Erwin Schrödinger that he might be able to reproduce the statistics of a Bose–Einstein gas by considering a box. Then to each possible quantum motion of a particle in a box associate an independent harmonic oscillator. Quantizing these oscillators, each level will have an integer occupation number, which will be the number of particles in it.
This formulation is a form of second quantization, but it predates modern quantum mechanics. Erwin Schrödinger applied this to derive the thermodynamic properties of a semiclassical ideal gas. Schrödinger urged Einstein to add his name as co-author, although Einstein declined the invitation.
Einstein refrigerator.
In 1926, Einstein and his former student Leó Szilárd co-invented (and in 1930, patented) the Einstein refrigerator. This absorption refrigerator was then revolutionary for having no moving parts and using only heat as an input. On 11 November 1930, was awarded to Einstein and Leó Szilárd for the refrigerator. Their invention was not immediately put into commercial production, and the most promising of their patents were acquired by the Swedish company Electrolux.
1905 – "Annus Mirabilis" papers.
The "Annus Mirabilis" papers are four articles pertaining to the photoelectric effect (which gave rise to quantum theory), Brownian motion, the special theory of relativity, and E = mc2 that Einstein published in the "Annalen der Physik" scientific journal in 1905. These four works contributed substantially to the foundation of modern physics and changed views on space, time, and matter. The four papers are:
Statistical mechanics.
Thermodynamic fluctuations and statistical physics.
Einstein's first paper submitted in 1900 to "Annalen der Physik" was on capillary attraction. It was published in 1901 with the title "Folgerungen aus den Capillaritätserscheinungen", which translates as "Conclusions from the capillarity phenomena". Two papers he published in 1902–1903 (thermodynamics) attempted to interpret atomic phenomena from a statistical point of view. These papers were the foundation for the 1905 paper on Brownian motion, which showed that Brownian movement can be construed as firm evidence that molecules exist. His research in 1903 and 1904 was mainly concerned with the effect of finite atomic size on diffusion phenomena.
Theory of critical opalescence.
Einstein returned to the problem of thermodynamic fluctuations, giving a treatment of the density variations in a fluid at its critical point. Ordinarily the density fluctuations are controlled by the second derivative of the free energy with respect to the density. At the critical point, this derivative is zero, leading to large fluctuations. The effect of density fluctuations is that light of all wavelengths is scattered, making the fluid look milky white. Einstein relates this to Rayleigh scattering, which is what happens when the fluctuation size is much smaller than the wavelength, and which explains why the sky is blue. Einstein quantitatively derived critical opalescence from a treatment of density fluctuations, and demonstrated how both the effect and Rayleigh scattering originate from the atomistic constitution of matter.
Thermodynamic fluctuations and statistical physics.
Einstein's first paper submitted in 1900 to "Annalen der Physik" was on capillary attraction. It was published in 1901 with the title "Folgerungen aus den Capillaritätserscheinungen", which translates as "Conclusions from the capillarity phenomena". Two papers he published in 1902–1903 (thermodynamics) attempted to interpret atomic phenomena from a statistical point of view. These papers were the foundation for the 1905 paper on Brownian motion, which showed that Brownian movement can be construed as firm evidence that molecules exist. His research in 1903 and 1904 was mainly concerned with the effect of finite atomic size on diffusion phenomena.
Theory of critical opalescence.
Einstein returned to the problem of thermodynamic fluctuations, giving a treatment of the density variations in a fluid at its critical point. Ordinarily the density fluctuations are controlled by the second derivative of the free energy with respect to the density. At the critical point, this derivative is zero, leading to large fluctuations. The effect of density fluctuations is that light of all wavelengths is scattered, making the fluid look milky white. Einstein relates this to Rayleigh scattering, which is what happens when the fluctuation size is much smaller than the wavelength, and which explains why the sky is blue. Einstein quantitatively derived critical opalescence from a treatment of density fluctuations, and demonstrated how both the effect and Rayleigh scattering originate from the atomistic constitution of matter.
Special relativity.
Einstein's "Zur Elektrodynamik bewegter Körper" ("On the Electrodynamics of Moving Bodies") was received on 30 June 1905 and published 26 September of that same year. It reconciled conflicts between Maxwell's equations (the laws of electricity and magnetism) and the laws of Newtonian mechanics by introducing changes to the laws of mechanics. Observationally, the effects of these changes are most apparent at high speeds (where objects are moving at speeds close to the speed of light). The theory developed in this paper later became known as Einstein's special theory of relativity. There is evidence from Einstein's writings that he collaborated with his first wife, Mileva Marić, on this work. The decision to publish only under his name seems to have been mutual, but the exact reason is unknown.
This paper predicted that, when measured in the frame of a relatively moving observer, a clock carried by a moving body would appear to slow down, and the body itself would contract in its direction of motion. This paper also argued that the idea of a luminiferous aether—one of the leading theoretical entities in physics at the time—was superfluous.
In his paper on mass–energy equivalence, Einstein produced "E" = "mc"2 as a consequence of his special relativity equations. Einstein's 1905 work on relativity remained controversial for many years, but was accepted by leading physicists, starting with Max Planck.
Einstein originally framed special relativity in terms of kinematics (the study of moving bodies). In 1908, Hermann Minkowski reinterpreted special relativity in geometric terms as a theory of spacetime. Einstein adopted Minkowski's formalism in his 1915 general theory of relativity.
General relativity.
General relativity and the equivalence principle.
General relativity (GR) is a theory of gravitation that was developed by Einstein between 1907 and 1915. According to general relativity, the observed gravitational attraction between masses results from the warping of space and time by those masses. General relativity has developed into an essential tool in modern astrophysics. It provides the foundation for the current understanding of black holes, regions of space where gravitational attraction is so strong that not even light can escape.
As Einstein later said, the reason for the development of general relativity was that the preference of inertial motions within special relativity was unsatisfactory, while a theory which from the outset prefers no state of motion (even accelerated ones) should appear more satisfactory. Consequently, in 1907 he published an article on acceleration under special relativity. In that article titled "On the Relativity Principle and the Conclusions Drawn from It", he argued that free fall is really inertial motion, and that for a free-falling observer the rules of special relativity must apply. This argument is called the equivalence principle. In the same article, Einstein also predicted the phenomena of gravitational time dilation, gravitational redshift and deflection of light.
In 1911, Einstein published another article "On the Influence of Gravitation on the Propagation of Light" expanding on the 1907 article, in which he estimated the amount of deflection of light by massive bodies. Thus, the theoretical prediction of general relativity could for the first time be tested experimentally.
Gravitational waves.
In 1916, Einstein predicted gravitational waves, ripples in the curvature of spacetime which propagate as waves, traveling outward from the source, transporting energy as gravitational radiation. The existence of gravitational waves is possible under general relativity due to its Lorentz invariance which brings the concept of a finite speed of propagation of the physical interactions of gravity with it. By contrast, gravitational waves cannot exist in the Newtonian theory of gravitation, which postulates that the physical interactions of gravity propagate at infinite speed.
The first, indirect, detection of gravitational waves came in the 1970s through observation of a pair of closely orbiting neutron stars, PSR B1913+16. The explanation of the decay in their orbital period was that they were emitting gravitational waves. Einstein's prediction was confirmed on 11 February 2016, when researchers at LIGO published the first observation of gravitational waves, detected on Earth on 14 September 2015, nearly one hundred years after the prediction.
Hole argument and Entwurf theory.
While developing general relativity, Einstein became confused about the gauge invariance in the theory. He formulated an argument that led him to conclude that a general relativistic field theory is impossible. He gave up looking for fully generally covariant tensor equations and searched for equations that would be invariant under general linear transformations only.
In June 1913, the Entwurf ('draft') theory was the result of these investigations. As its name suggests, it was a sketch of a theory, less elegant and more difficult than general relativity, with the equations of motion supplemented by additional gauge fixing conditions. After more than two years of intensive work, Einstein realized that the hole argument was mistaken and abandoned the theory in November 1915.
Physical cosmology.
In 1917, Einstein applied the general theory of relativity to the structure of the universe as a whole. He discovered that the general field equations predicted a universe that was dynamic, either contracting or expanding. As observational evidence for a dynamic universe was not known at the time, Einstein introduced a new term, the cosmological constant, to the field equations, in order to allow the theory to predict a static universe. The modified field equations predicted a static universe of closed curvature, in accordance with Einstein's understanding of Mach's principle in these years. This model became known as the Einstein World or Einstein's static universe.
Following the discovery of the recession of the nebulae by Edwin Hubble in 1929, Einstein abandoned his static model of the universe, and proposed two dynamic models of the cosmos, The Friedmann-Einstein universe of 1931 and the Einstein–de Sitter universe of 1932. In each of these models, Einstein discarded the cosmological constant, claiming that it was "in any case theoretically unsatisfactory".
In many Einstein biographies, it is claimed that Einstein referred to the cosmological constant in later years as his "biggest blunder", based on a letter George Gamow claimed to have received from him. The astrophysicist Mario Livio has recently cast doubt on this claim.
In late 2013, a team led by the Irish physicist Cormac O'Raifeartaigh discovered evidence that, shortly after learning of Hubble's observations of the recession of the nebulae, Einstein considered a steady-state model of the universe. In a hitherto overlooked manuscript, apparently written in early 1931, Einstein explored a model of the expanding universe in which the density of matter remains constant due to a continuous creation of matter, a process he associated with the cosmological constant. As he stated in the paper, "In what follows, I would like to draw attention to a solution to equation (1) that can account for Hubbel's ["sic"] facts, and in which the density is constant over time" ... "If one considers a physically bounded volume, particles of matter will be continually leaving it. For the density to remain constant, new particles of matter must be continually formed in the volume from space."
It thus appears that Einstein considered a steady-state model of the expanding universe many years before Hoyle, Bondi and Gold. However, Einstein's steady-state model contained a fundamental flaw and he quickly abandoned the idea.
Energy momentum pseudotensor.
General relativity includes a dynamical spacetime, so it is difficult to see how to identify the conserved energy and momentum. Noether's theorem allows these quantities to be determined from a Lagrangian with translation invariance, but general covariance makes translation invariance into something of a gauge symmetry. The energy and momentum derived within general relativity by Noether's prescriptions do not make a real tensor for this reason.
Einstein argued that this is true for a fundamental reason: the gravitational field could be made to vanish by a choice of coordinates. He maintained that the non-covariant energy momentum pseudotensor was, in fact, the best description of the energy momentum distribution in a gravitational field. This approach has been echoed by Lev Landau and Evgeny Lifshitz, and others, and has become standard.
The use of non-covariant objects like pseudotensors was heavily criticized in 1917 by Erwin Schrödinger and others.
Wormholes.
In 1935, Einstein collaborated with Nathan Rosen to produce a model of a wormhole, often called Einstein–Rosen bridges. His motivation was to model elementary particles with charge as a solution of gravitational field equations, in line with the program outlined in the paper "Do Gravitational Fields play an Important Role in the Constitution of the Elementary Particles?". These solutions cut and pasted Schwarzschild black holes to make a bridge between two patches.
If one end of a wormhole was positively charged, the other end would be negatively charged. These properties led Einstein to believe that pairs of particles and antiparticles could be described in this way.
Einstein–Cartan theory.
In order to incorporate spinning point particles into general relativity, the affine connection needed to be generalized to include an antisymmetric part, called the torsion. This modification was made by Einstein and Cartan in the 1920s.
Equations of motion.
The theory of general relativity has a fundamental lawthe Einstein field equations, which describe how space curves. The geodesic equation, which describes how particles move, may be derived from the Einstein field equations.
Since the equations of general relativity are non-linear, a lump of energy made out of pure gravitational fields, like a black hole, would move on a trajectory which is determined by the Einstein field equations themselves, not by a new law. So Einstein proposed that the path of a singular solution, like a black hole, would be determined to be a geodesic from general relativity itself.
This was established by Einstein, Infeld, and Hoffmann for pointlike objects without angular momentum, and by Roy Kerr for spinning objects.
General relativity and the equivalence principle.
General relativity (GR) is a theory of gravitation that was developed by Einstein between 1907 and 1915. According to general relativity, the observed gravitational attraction between masses results from the warping of space and time by those masses. General relativity has developed into an essential tool in modern astrophysics. It provides the foundation for the current understanding of black holes, regions of space where gravitational attraction is so strong that not even light can escape.
As Einstein later said, the reason for the development of general relativity was that the preference of inertial motions within special relativity was unsatisfactory, while a theory which from the outset prefers no state of motion (even accelerated ones) should appear more satisfactory. Consequently, in 1907 he published an article on acceleration under special relativity. In that article titled "On the Relativity Principle and the Conclusions Drawn from It", he argued that free fall is really inertial motion, and that for a free-falling observer the rules of special relativity must apply. This argument is called the equivalence principle. In the same article, Einstein also predicted the phenomena of gravitational time dilation, gravitational redshift and deflection of light.
In 1911, Einstein published another article "On the Influence of Gravitation on the Propagation of Light" expanding on the 1907 article, in which he estimated the amount of deflection of light by massive bodies. Thus, the theoretical prediction of general relativity could for the first time be tested experimentally.
Gravitational waves.
In 1916, Einstein predicted gravitational waves, ripples in the curvature of spacetime which propagate as waves, traveling outward from the source, transporting energy as gravitational radiation. The existence of gravitational waves is possible under general relativity due to its Lorentz invariance which brings the concept of a finite speed of propagation of the physical interactions of gravity with it. By contrast, gravitational waves cannot exist in the Newtonian theory of gravitation, which postulates that the physical interactions of gravity propagate at infinite speed.
The first, indirect, detection of gravitational waves came in the 1970s through observation of a pair of closely orbiting neutron stars, PSR B1913+16. The explanation of the decay in their orbital period was that they were emitting gravitational waves. Einstein's prediction was confirmed on 11 February 2016, when researchers at LIGO published the first observation of gravitational waves, detected on Earth on 14 September 2015, nearly one hundred years after the prediction.
Hole argument and Entwurf theory.
While developing general relativity, Einstein became confused about the gauge invariance in the theory. He formulated an argument that led him to conclude that a general relativistic field theory is impossible. He gave up looking for fully generally covariant tensor equations and searched for equations that would be invariant under general linear transformations only.
In June 1913, the Entwurf ('draft') theory was the result of these investigations. As its name suggests, it was a sketch of a theory, less elegant and more difficult than general relativity, with the equations of motion supplemented by additional gauge fixing conditions. After more than two years of intensive work, Einstein realized that the hole argument was mistaken and abandoned the theory in November 1915.
Physical cosmology.
In 1917, Einstein applied the general theory of relativity to the structure of the universe as a whole. He discovered that the general field equations predicted a universe that was dynamic, either contracting or expanding. As observational evidence for a dynamic universe was not known at the time, Einstein introduced a new term, the cosmological constant, to the field equations, in order to allow the theory to predict a static universe. The modified field equations predicted a static universe of closed curvature, in accordance with Einstein's understanding of Mach's principle in these years. This model became known as the Einstein World or Einstein's static universe.
Following the discovery of the recession of the nebulae by Edwin Hubble in 1929, Einstein abandoned his static model of the universe, and proposed two dynamic models of the cosmos, The Friedmann-Einstein universe of 1931 and the Einstein–de Sitter universe of 1932. In each of these models, Einstein discarded the cosmological constant, claiming that it was "in any case theoretically unsatisfactory".
In many Einstein biographies, it is claimed that Einstein referred to the cosmological constant in later years as his "biggest blunder", based on a letter George Gamow claimed to have received from him. The astrophysicist Mario Livio has recently cast doubt on this claim.
In late 2013, a team led by the Irish physicist Cormac O'Raifeartaigh discovered evidence that, shortly after learning of Hubble's observations of the recession of the nebulae, Einstein considered a steady-state model of the universe. In a hitherto overlooked manuscript, apparently written in early 1931, Einstein explored a model of the expanding universe in which the density of matter remains constant due to a continuous creation of matter, a process he associated with the cosmological constant. As he stated in the paper, "In what follows, I would like to draw attention to a solution to equation (1) that can account for Hubbel's ["sic"] facts, and in which the density is constant over time" ... "If one considers a physically bounded volume, particles of matter will be continually leaving it. For the density to remain constant, new particles of matter must be continually formed in the volume from space."
It thus appears that Einstein considered a steady-state model of the expanding universe many years before Hoyle, Bondi and Gold. However, Einstein's steady-state model contained a fundamental flaw and he quickly abandoned the idea.
Energy momentum pseudotensor.
General relativity includes a dynamical spacetime, so it is difficult to see how to identify the conserved energy and momentum. Noether's theorem allows these quantities to be determined from a Lagrangian with translation invariance, but general covariance makes translation invariance into something of a gauge symmetry. The energy and momentum derived within general relativity by Noether's prescriptions do not make a real tensor for this reason.
Einstein argued that this is true for a fundamental reason: the gravitational field could be made to vanish by a choice of coordinates. He maintained that the non-covariant energy momentum pseudotensor was, in fact, the best description of the energy momentum distribution in a gravitational field. This approach has been echoed by Lev Landau and Evgeny Lifshitz, and others, and has become standard.
The use of non-covariant objects like pseudotensors was heavily criticized in 1917 by Erwin Schrödinger and others.
Wormholes.
In 1935, Einstein collaborated with Nathan Rosen to produce a model of a wormhole, often called Einstein–Rosen bridges. His motivation was to model elementary particles with charge as a solution of gravitational field equations, in line with the program outlined in the paper "Do Gravitational Fields play an Important Role in the Constitution of the Elementary Particles?". These solutions cut and pasted Schwarzschild black holes to make a bridge between two patches.
If one end of a wormhole was positively charged, the other end would be negatively charged. These properties led Einstein to believe that pairs of particles and antiparticles could be described in this way.
Einstein–Cartan theory.
In order to incorporate spinning point particles into general relativity, the affine connection needed to be generalized to include an antisymmetric part, called the torsion. This modification was made by Einstein and Cartan in the 1920s.
Equations of motion.
The theory of general relativity has a fundamental lawthe Einstein field equations, which describe how space curves. The geodesic equation, which describes how particles move, may be derived from the Einstein field equations.
Since the equations of general relativity are non-linear, a lump of energy made out of pure gravitational fields, like a black hole, would move on a trajectory which is determined by the Einstein field equations themselves, not by a new law. So Einstein proposed that the path of a singular solution, like a black hole, would be determined to be a geodesic from general relativity itself.
This was established by Einstein, Infeld, and Hoffmann for pointlike objects without angular momentum, and by Roy Kerr for spinning objects.
Old quantum theory.
Photons and energy quanta.
In a 1905 paper, Einstein postulated that light itself consists of localized particles ("quanta"). Einstein's light quanta were nearly universally rejected by all physicists, including Max Planck and Niels Bohr. This idea only became universally accepted in 1919, with Robert Millikan's detailed experiments on the photoelectric effect, and with the measurement of Compton scattering.
Einstein concluded that each wave of frequency "f" is associated with a collection of photons with energy "hf" each, where "h" is Planck's constant. He does not say much more, because he is not sure how the particles are related to the wave. But he does suggest that this idea would explain certain experimental results, notably the photoelectric effect.
Quantized atomic vibrations.
In 1907, Einstein proposed a model of matter where each atom in a lattice structure is an independent harmonic oscillator. In the Einstein model, each atom oscillates independently—a series of equally spaced quantized states for each oscillator. Einstein was aware that getting the frequency of the actual oscillations would be difficult, but he nevertheless proposed this theory because it was a particularly clear demonstration that quantum mechanics could solve the specific heat problem in classical mechanics. Peter Debye refined this model.
Adiabatic principle and action-angle variables.
Throughout the 1910s, quantum mechanics expanded in scope to cover many different systems. After Ernest Rutherford discovered the nucleus and proposed that electrons orbit like planets, Niels Bohr was able to show that the same quantum mechanical postulates introduced by Planck and developed by Einstein would explain the discrete motion of electrons in atoms, and the periodic table of the elements.
Einstein contributed to these developments by linking them with the 1898 arguments Wilhelm Wien had made. Wien had shown that the hypothesis of adiabatic invariance of a thermal equilibrium state allows all the blackbody curves at different temperature to be derived from one another by a simple shifting process. Einstein noted in 1911 that the same adiabatic principle shows that the quantity which is quantized in any mechanical motion must be an adiabatic invariant. Arnold Sommerfeld identified this adiabatic invariant as the action variable of classical mechanics.
Bose–Einstein statistics.
In 1924, Einstein received a description of a statistical model from Indian physicist Satyendra Nath Bose, based on a counting method that assumed that light could be understood as a gas of indistinguishable particles. Einstein noted that Bose's statistics applied to some atoms as well as to the proposed light particles, and submitted his translation of Bose's paper to the "Zeitschrift für Physik". Einstein also published his own articles describing the model and its implications, among them the Bose–Einstein condensate phenomenon that some particulates should appear at very low temperatures. It was not until 1995 that the first such condensate was produced experimentally by Eric Allin Cornell and Carl Wieman using ultra-cooling equipment built at the NIST–JILA laboratory at the University of Colorado at Boulder. Bose–Einstein statistics are now used to describe the behaviors of any assembly of bosons. Einstein's sketches for this project may be seen in the Einstein Archive in the library of the Leiden University.
Wave–particle duality.
Although the patent office promoted Einstein to Technical Examiner Second Class in 1906, he had not given up on academia. In 1908, he became a "Privatdozent" at the University of Bern. In "Über die Entwicklung unserer Anschauungen über das Wesen und die Konstitution der Strahlung" (""), on the quantization of light, and in an earlier 1909 paper, Einstein showed that Max Planck's energy quanta must have well-defined momenta and act in some respects as independent, point-like particles. This paper introduced the "photon" concept (although the name "photon" was introduced later by Gilbert N. Lewis in 1926) and inspired the notion of wave–particle duality in quantum mechanics. Einstein saw this wave–particle duality in radiation as concrete evidence for his conviction that physics needed a new, unified foundation.
Zero-point energy.
In a series of works completed from 1911 to 1913, Planck reformulated his 1900 quantum theory and introduced the idea of zero-point energy in his "second quantum theory". Soon, this idea attracted the attention of Einstein and his assistant Otto Stern. Assuming the energy of rotating diatomic molecules contains zero-point energy, they then compared the theoretical specific heat of hydrogen gas with the experimental data. The numbers matched nicely. However, after publishing the findings, they promptly withdrew their support, because they no longer had confidence in the correctness of the idea of zero-point energy.
Stimulated emission.
In 1917, at the height of his work on relativity, Einstein published an article in "Physikalische Zeitschrift" that proposed the possibility of stimulated emission, the physical process that makes possible the maser and the laser.
This article showed that the statistics of absorption and emission of light would only be consistent with Planck's distribution law if the emission of light into a mode with n photons would be enhanced statistically compared to the emission of light into an empty mode. This paper was enormously influential in the later development of quantum mechanics, because it was the first paper to show that the statistics of atomic transitions had simple laws.
Matter waves.
Einstein discovered Louis de Broglie's work and supported his ideas, which were received skeptically at first. In another major paper from this era, Einstein gave a wave equation for de Broglie waves, which Einstein suggested was the Hamilton–Jacobi equation of mechanics. This paper would inspire Schrödinger's work of 1926.
Photons and energy quanta.
In a 1905 paper, Einstein postulated that light itself consists of localized particles ("quanta"). Einstein's light quanta were nearly universally rejected by all physicists, including Max Planck and Niels Bohr. This idea only became universally accepted in 1919, with Robert Millikan's detailed experiments on the photoelectric effect, and with the measurement of Compton scattering.
Einstein concluded that each wave of frequency "f" is associated with a collection of photons with energy "hf" each, where "h" is Planck's constant. He does not say much more, because he is not sure how the particles are related to the wave. But he does suggest that this idea would explain certain experimental results, notably the photoelectric effect.
Quantized atomic vibrations.
In 1907, Einstein proposed a model of matter where each atom in a lattice structure is an independent harmonic oscillator. In the Einstein model, each atom oscillates independently—a series of equally spaced quantized states for each oscillator. Einstein was aware that getting the frequency of the actual oscillations would be difficult, but he nevertheless proposed this theory because it was a particularly clear demonstration that quantum mechanics could solve the specific heat problem in classical mechanics. Peter Debye refined this model.
Adiabatic principle and action-angle variables.
Throughout the 1910s, quantum mechanics expanded in scope to cover many different systems. After Ernest Rutherford discovered the nucleus and proposed that electrons orbit like planets, Niels Bohr was able to show that the same quantum mechanical postulates introduced by Planck and developed by Einstein would explain the discrete motion of electrons in atoms, and the periodic table of the elements.
Einstein contributed to these developments by linking them with the 1898 arguments Wilhelm Wien had made. Wien had shown that the hypothesis of adiabatic invariance of a thermal equilibrium state allows all the blackbody curves at different temperature to be derived from one another by a simple shifting process. Einstein noted in 1911 that the same adiabatic principle shows that the quantity which is quantized in any mechanical motion must be an adiabatic invariant. Arnold Sommerfeld identified this adiabatic invariant as the action variable of classical mechanics.
Bose–Einstein statistics.
In 1924, Einstein received a description of a statistical model from Indian physicist Satyendra Nath Bose, based on a counting method that assumed that light could be understood as a gas of indistinguishable particles. Einstein noted that Bose's statistics applied to some atoms as well as to the proposed light particles, and submitted his translation of Bose's paper to the "Zeitschrift für Physik". Einstein also published his own articles describing the model and its implications, among them the Bose–Einstein condensate phenomenon that some particulates should appear at very low temperatures. It was not until 1995 that the first such condensate was produced experimentally by Eric Allin Cornell and Carl Wieman using ultra-cooling equipment built at the NIST–JILA laboratory at the University of Colorado at Boulder. Bose–Einstein statistics are now used to describe the behaviors of any assembly of bosons. Einstein's sketches for this project may be seen in the Einstein Archive in the library of the Leiden University.
Wave–particle duality.
Although the patent office promoted Einstein to Technical Examiner Second Class in 1906, he had not given up on academia. In 1908, he became a "Privatdozent" at the University of Bern. In "Über die Entwicklung unserer Anschauungen über das Wesen und die Konstitution der Strahlung" (""), on the quantization of light, and in an earlier 1909 paper, Einstein showed that Max Planck's energy quanta must have well-defined momenta and act in some respects as independent, point-like particles. This paper introduced the "photon" concept (although the name "photon" was introduced later by Gilbert N. Lewis in 1926) and inspired the notion of wave–particle duality in quantum mechanics. Einstein saw this wave–particle duality in radiation as concrete evidence for his conviction that physics needed a new, unified foundation.
Zero-point energy.
In a series of works completed from 1911 to 1913, Planck reformulated his 1900 quantum theory and introduced the idea of zero-point energy in his "second quantum theory". Soon, this idea attracted the attention of Einstein and his assistant Otto Stern. Assuming the energy of rotating diatomic molecules contains zero-point energy, they then compared the theoretical specific heat of hydrogen gas with the experimental data. The numbers matched nicely. However, after publishing the findings, they promptly withdrew their support, because they no longer had confidence in the correctness of the idea of zero-point energy.
Stimulated emission.
In 1917, at the height of his work on relativity, Einstein published an article in "Physikalische Zeitschrift" that proposed the possibility of stimulated emission, the physical process that makes possible the maser and the laser.
This article showed that the statistics of absorption and emission of light would only be consistent with Planck's distribution law if the emission of light into a mode with n photons would be enhanced statistically compared to the emission of light into an empty mode. This paper was enormously influential in the later development of quantum mechanics, because it was the first paper to show that the statistics of atomic transitions had simple laws.
Matter waves.
Einstein discovered Louis de Broglie's work and supported his ideas, which were received skeptically at first. In another major paper from this era, Einstein gave a wave equation for de Broglie waves, which Einstein suggested was the Hamilton–Jacobi equation of mechanics. This paper would inspire Schrödinger's work of 1926.
Quantum mechanics.
Einstein's objections to quantum mechanics.
Einstein played a major role in developing quantum theory, beginning with his 1905 paper on the photoelectric effect. However, he became displeased with modern quantum mechanics as it had evolved after 1925, despite its acceptance by other physicists. He was skeptical that the randomness of quantum mechanics was fundamental rather than the result of determinism, stating that God "is not playing at dice". Until the end of his life, he continued to maintain that quantum mechanics was incomplete.
Bohr versus Einstein.
The Bohr–Einstein debates were a series of public disputes about quantum mechanics between Einstein and Niels Bohr, who were two of its founders. Their debates are remembered because of their importance to the philosophy of science. Their debates would influence later interpretations of quantum mechanics.
Einstein–Podolsky–Rosen paradox.
In 1935, Einstein returned to quantum mechanics, in particular to the question of its completeness, in a collaboration with Boris Podolsky and Nathan Rosen that laid out what would become known as the EPR paradox. In a thought experiment, they considered two particles, which had interacted such that their properties were strongly correlated. No matter how far the two particles were separated, a precise position measurement on one particle would result in equally precise knowledge of the position of the other particle; likewise, a precise momentum measurement of one particle would result in equally precise knowledge of the momentum of the other particle, without needing to disturb the other particle in any way.
Given Einstein's concept of local realism, there were two possibilities: (1) either the other particle had these properties already determined, or (2) the process of measuring the first particle instantaneously affected the reality of the position and momentum of the second particle. Einstein rejected this second possibility (popularly called "spooky action at a distance").
Einstein's belief in local realism led him to assert that, while the correctness of quantum mechanics was not in question, it must be incomplete. But as a physical principle, local realism was shown to be incorrect when the Aspect experiment of 1982 confirmed Bell's theorem, which J. S. Bell had delineated in 1964. The results of these and subsequent experiments demonstrate that quantum physics cannot be represented by any version of the picture of physics in which "particles are regarded as unconnected independent classical-like entities, each one being unable to communicate with the other after they have separated."
Although Einstein was wrong about local realism, his clear prediction of the unusual properties of its opposite, entangled quantum states, has resulted in the EPR paper becoming among the most influential papers published in "Physical Review". It is considered a centerpiece of the development of quantum information theory.
Einstein's objections to quantum mechanics.
Einstein played a major role in developing quantum theory, beginning with his 1905 paper on the photoelectric effect. However, he became displeased with modern quantum mechanics as it had evolved after 1925, despite its acceptance by other physicists. He was skeptical that the randomness of quantum mechanics was fundamental rather than the result of determinism, stating that God "is not playing at dice". Until the end of his life, he continued to maintain that quantum mechanics was incomplete.
Bohr versus Einstein.
The Bohr–Einstein debates were a series of public disputes about quantum mechanics between Einstein and Niels Bohr, who were two of its founders. Their debates are remembered because of their importance to the philosophy of science. Their debates would influence later interpretations of quantum mechanics.
Einstein–Podolsky–Rosen paradox.
In 1935, Einstein returned to quantum mechanics, in particular to the question of its completeness, in a collaboration with Boris Podolsky and Nathan Rosen that laid out what would become known as the EPR paradox. In a thought experiment, they considered two particles, which had interacted such that their properties were strongly correlated. No matter how far the two particles were separated, a precise position measurement on one particle would result in equally precise knowledge of the position of the other particle; likewise, a precise momentum measurement of one particle would result in equally precise knowledge of the momentum of the other particle, without needing to disturb the other particle in any way.
Given Einstein's concept of local realism, there were two possibilities: (1) either the other particle had these properties already determined, or (2) the process of measuring the first particle instantaneously affected the reality of the position and momentum of the second particle. Einstein rejected this second possibility (popularly called "spooky action at a distance").
Einstein's belief in local realism led him to assert that, while the correctness of quantum mechanics was not in question, it must be incomplete. But as a physical principle, local realism was shown to be incorrect when the Aspect experiment of 1982 confirmed Bell's theorem, which J. S. Bell had delineated in 1964. The results of these and subsequent experiments demonstrate that quantum physics cannot be represented by any version of the picture of physics in which "particles are regarded as unconnected independent classical-like entities, each one being unable to communicate with the other after they have separated."
Although Einstein was wrong about local realism, his clear prediction of the unusual properties of its opposite, entangled quantum states, has resulted in the EPR paper becoming among the most influential papers published in "Physical Review". It is considered a centerpiece of the development of quantum information theory.
Unified field theory.
Following his research on general relativity, Einstein attempted to generalize his theory of gravitation to include electromagnetism as aspects of a single entity. In 1950, he described his "unified field theory" in a "Scientific American" article titled "On the Generalized Theory of Gravitation". Although he was lauded for this work, his efforts were ultimately unsuccessful.
Notably, Einstein's unification project did not accommodate the strong and weak nuclear forces, neither of which was well understood until many years after his death. Although mainstream physics long ignored Einstein's approaches to unification, Einstein's work has motivated modern quests for a theory of everything, in particular string theory, where geometrical fields emerge in a unified quantum-mechanical setting.
Other investigations.
Einstein conducted other investigations that were unsuccessful and abandoned. These pertain to force, superconductivity, and other research.
Collaboration with other scientists.
In addition to longtime collaborators Leopold Infeld, Nathan Rosen, Peter Bergmann and others, Einstein also had some one-shot collaborations with various scientists.
Einstein–de Haas experiment.
Einstein and De Haas demonstrated that magnetization is due to the motion of electrons, nowadays known to be the spin. In order to show this, they reversed the magnetization in an iron bar suspended on a torsion pendulum. They confirmed that this leads the bar to rotate, because the electron's angular momentum changes as the magnetization changes. This experiment needed to be sensitive because the angular momentum associated with electrons is small, but it definitively established that electron motion of some kind is responsible for magnetization.
Schrödinger gas model.
Einstein suggested to Erwin Schrödinger that he might be able to reproduce the statistics of a Bose–Einstein gas by considering a box. Then to each possible quantum motion of a particle in a box associate an independent harmonic oscillator. Quantizing these oscillators, each level will have an integer occupation number, which will be the number of particles in it.
This formulation is a form of second quantization, but it predates modern quantum mechanics. Erwin Schrödinger applied this to derive the thermodynamic properties of a semiclassical ideal gas. Schrödinger urged Einstein to add his name as co-author, although Einstein declined the invitation.
Einstein refrigerator.
In 1926, Einstein and his former student Leó Szilárd co-invented (and in 1930, patented) the Einstein refrigerator. This absorption refrigerator was then revolutionary for having no moving parts and using only heat as an input. On 11 November 1930, was awarded to Einstein and Leó Szilárd for the refrigerator. Their invention was not immediately put into commercial production, and the most promising of their patents were acquired by the Swedish company Electrolux.
Einstein–de Haas experiment.
Einstein and De Haas demonstrated that magnetization is due to the motion of electrons, nowadays known to be the spin. In order to show this, they reversed the magnetization in an iron bar suspended on a torsion pendulum. They confirmed that this leads the bar to rotate, because the electron's angular momentum changes as the magnetization changes. This experiment needed to be sensitive because the angular momentum associated with electrons is small, but it definitively established that electron motion of some kind is responsible for magnetization.
Schrödinger gas model.
Einstein suggested to Erwin Schrödinger that he might be able to reproduce the statistics of a Bose–Einstein gas by considering a box. Then to each possible quantum motion of a particle in a box associate an independent harmonic oscillator. Quantizing these oscillators, each level will have an integer occupation number, which will be the number of particles in it.
This formulation is a form of second quantization, but it predates modern quantum mechanics. Erwin Schrödinger applied this to derive the thermodynamic properties of a semiclassical ideal gas. Schrödinger urged Einstein to add his name as co-author, although Einstein declined the invitation.
Einstein refrigerator.
In 1926, Einstein and his former student Leó Szilárd co-invented (and in 1930, patented) the Einstein refrigerator. This absorption refrigerator was then revolutionary for having no moving parts and using only heat as an input. On 11 November 1930, was awarded to Einstein and Leó Szilárd for the refrigerator. Their invention was not immediately put into commercial production, and the most promising of their patents were acquired by the Swedish company Electrolux.
Non-scientific legacy.
While traveling, Einstein wrote daily to his wife Elsa and adopted stepdaughters Margot and Ilse. The letters were included in the papers bequeathed to the Hebrew University of Jerusalem. Margot Einstein permitted the personal letters to be made available to the public, but requested that it not be done until twenty years after her death (she died in 1986). Barbara Wolff, of the Hebrew University's Albert Einstein Archives, told the BBC that there are about 3,500 pages of private correspondence written between 1912 and 1955.
Einstein's right of publicity was litigated in 2015 in a federal district court in California. Although the court initially held that the right had expired, that ruling was immediately appealed, and the decision was later vacated in its entirety. The underlying claims between the parties in that lawsuit were ultimately settled. The right is enforceable, and the Hebrew University of Jerusalem is the exclusive representative of that right. Corbis, successor to The Roger Richman Agency, licenses the use of his name and associated imagery, as agent for the university.
Mount Einstein in New Zealand's Paparoa Range was named after him in 1970 by the Department of Scientific and Industrial Research.
In popular culture.
Einstein became one of the most famous scientific celebrities, beginning with the confirmation of his theory of general relativity in 1919. Despite the general public having little understanding of his work, he was widely recognized and received adulation and publicity. In the period before World War II, "The New Yorker" published a vignette in their "The Talk of the Town" feature saying that Einstein was so well known in America that he would be stopped on the street by people wanting him to explain "that theory". He finally figured out a way to handle the incessant inquiries. He told his inquirers, "Pardon me, sorry! Always I am mistaken for Professor Einstein."
Einstein has been the subject of or inspiration for many novels, films, plays, and works of music. He is a favorite model for depictions of absent-minded professors; his expressive face and distinctive hairstyle have been widely copied and exaggerated. "Time" magazine's Frederic Golden wrote that Einstein was "a cartoonist's dream come true".
Many popular quotations are often misattributed to him.
Awards and honors.
Einstein received numerous awards and honors, and in 1922, he was awarded the 1921 Nobel Prize in Physics "for his services to Theoretical Physics, and especially for his discovery of the law of the photoelectric effect". None of the nominations in 1921 met the criteria set by Alfred Nobel, so the 1921 prize was carried forward and awarded to Einstein in 1922.
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Abel
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Abel is a Biblical figure in the Book of Genesis within Abrahamic religions. He was the younger brother of Cain, and the younger son of Adam and Eve, the first couple in Biblical history. He was a shepherd who offered his firstborn flock up to God as an offering. God accepted his offering but not his brother's. Cain then killed Abel out of jealousy.
According to Genesis, this was the first murder in the history of mankind.
Interpretations.
Jewish and Christian interpretations.
According to the narrative in Genesis, Abel ( "Hébel", in pausa "Hā́ḇel"; "Hábel"; , "Hābēl") is Eve's second son. His name in Hebrew is composed of the same three consonants as a root meaning "breath". Julius Wellhausen has proposed that the name is independent of the root. Eberhard Schrader had previously put forward the Akkadian (Old Assyrian dialect) "ablu" ("son") as a more likely etymology.
In Christianity, comparisons are sometimes made between the death of Abel and that of Jesus, the former thus seen as being the first martyr. In Jesus speaks of Abel as "righteous", and the Epistle to the Hebrews states that "The blood of sprinkling ... [speaks] better things than that of Abel" (). The blood of Jesus is interpreted as bringing mercy; but that of Abel as demanding vengeance (hence the curse and mark).
Abel is invoked in the litany for the dying in the Roman Catholic Church, and his sacrifice is mentioned in the Canon of the Mass along with those of Abraham and Melchizedek. The Alexandrian Rite commemorates him with a feast day on December 28.
According to the Coptic Book of Adam and Eve (at 2:1–15), and the Syriac Cave of Treasures, Abel's body, after many days of mourning, was placed in the "Cave of Treasures", before which Adam and Eve, and descendants, offered their prayers. In addition, the Sethite line of the Generations of Adam swear by Abel's blood to segregate themselves from the "unrighteous".
In the Book of Enoch (22:7), regarded by most Christian and Jewish traditions as extra-biblical, the soul of Abel is described as having been appointed as the chief of martyrs, crying for vengeance, for the destruction of the seed of Cain. A similar view is later shown in the Testament of Abraham (A:13 / B:11), where Abel has been raised to the position as the judge of the souls.
In Bereshit Rabbah (22:2), a discussion of Gen. 4:1 ff. has Rabbi Yehoshua ben Korcha mentioning that Cain was born with a twin sister, and Abel with two twin sisters. This is based on the principle that the otherwise superfluous accusative article "et" always conveys some additional teaching (Pesachim 22b). The "et"'s are parsed slightly differently in Yebamot 62a where the two "et"'s in Gen. 4:2 indicate Cain and his sister, and Abel and his (one) sister.
Sethian Gnostic interpretation.
In the Apocryphon of John, a work belonging to Sethian Gnosticism, Abel is the offspring of Yaldaboath and Eve, who is placed over the elements of water and earth as Elohim, but was only given his name as a form of deception.
Mandaean interpretation.
According to Mandaean beliefs and scriptures including the Qolastā, the Book of John and Genzā Rabbā, Abel is cognate with the angelic soteriological figure Hibil Ziwa, (, sometimes translated "Splendid Hibel"), who is spoken of as a son of Hayyi or of Manda d-Hayyi, and as a brother to Anush (Enosh) and to Sheetil (Seth), who is the son of Adam. Elsewhere, Anush is spoken of as the son of Sheetil, and Sheetil as the son of Hibil, where Hibil came to Adam and Eve as a young boy when they were still virgins, but was called their son. Hibil is an important lightworld being (uthra) who conquered the World of Darkness. As Yawar Hibil, he is one of multiple figures known as Yawar (), being so named by and after his father.
Islamic interpretation.
According to Shi'a Muslim belief, Abel ("Habeel") is buried in the Nabi Habeel Mosque, located on the west mountains of Damascus, near the Zabadani Valley, overlooking the villages of the Barada river (Wadi Barada), in Syria. Shi'a are frequent visitors of this mosque for ziyarat. The mosque was built by Ottoman Wali Ahmad Pasha in 1599.
Jewish and Christian interpretations.
According to the narrative in Genesis, Abel ( "Hébel", in pausa "Hā́ḇel"; "Hábel"; , "Hābēl") is Eve's second son. His name in Hebrew is composed of the same three consonants as a root meaning "breath". Julius Wellhausen has proposed that the name is independent of the root. Eberhard Schrader had previously put forward the Akkadian (Old Assyrian dialect) "ablu" ("son") as a more likely etymology.
In Christianity, comparisons are sometimes made between the death of Abel and that of Jesus, the former thus seen as being the first martyr. In Jesus speaks of Abel as "righteous", and the Epistle to the Hebrews states that "The blood of sprinkling ... [speaks] better things than that of Abel" (). The blood of Jesus is interpreted as bringing mercy; but that of Abel as demanding vengeance (hence the curse and mark).
Abel is invoked in the litany for the dying in the Roman Catholic Church, and his sacrifice is mentioned in the Canon of the Mass along with those of Abraham and Melchizedek. The Alexandrian Rite commemorates him with a feast day on December 28.
According to the Coptic Book of Adam and Eve (at 2:1–15), and the Syriac Cave of Treasures, Abel's body, after many days of mourning, was placed in the "Cave of Treasures", before which Adam and Eve, and descendants, offered their prayers. In addition, the Sethite line of the Generations of Adam swear by Abel's blood to segregate themselves from the "unrighteous".
In the Book of Enoch (22:7), regarded by most Christian and Jewish traditions as extra-biblical, the soul of Abel is described as having been appointed as the chief of martyrs, crying for vengeance, for the destruction of the seed of Cain. A similar view is later shown in the Testament of Abraham (A:13 / B:11), where Abel has been raised to the position as the judge of the souls.
In Bereshit Rabbah (22:2), a discussion of Gen. 4:1 ff. has Rabbi Yehoshua ben Korcha mentioning that Cain was born with a twin sister, and Abel with two twin sisters. This is based on the principle that the otherwise superfluous accusative article "et" always conveys some additional teaching (Pesachim 22b). The "et"'s are parsed slightly differently in Yebamot 62a where the two "et"'s in Gen. 4:2 indicate Cain and his sister, and Abel and his (one) sister.
Sethian Gnostic interpretation.
In the Apocryphon of John, a work belonging to Sethian Gnosticism, Abel is the offspring of Yaldaboath and Eve, who is placed over the elements of water and earth as Elohim, but was only given his name as a form of deception.
Mandaean interpretation.
According to Mandaean beliefs and scriptures including the Qolastā, the Book of John and Genzā Rabbā, Abel is cognate with the angelic soteriological figure Hibil Ziwa, (, sometimes translated "Splendid Hibel"), who is spoken of as a son of Hayyi or of Manda d-Hayyi, and as a brother to Anush (Enosh) and to Sheetil (Seth), who is the son of Adam. Elsewhere, Anush is spoken of as the son of Sheetil, and Sheetil as the son of Hibil, where Hibil came to Adam and Eve as a young boy when they were still virgins, but was called their son. Hibil is an important lightworld being (uthra) who conquered the World of Darkness. As Yawar Hibil, he is one of multiple figures known as Yawar (), being so named by and after his father.
Islamic interpretation.
According to Shi'a Muslim belief, Abel ("Habeel") is buried in the Nabi Habeel Mosque, located on the west mountains of Damascus, near the Zabadani Valley, overlooking the villages of the Barada river (Wadi Barada), in Syria. Shi'a are frequent visitors of this mosque for ziyarat. The mosque was built by Ottoman Wali Ahmad Pasha in 1599.
In modern media.
Abel is portrayed by Franco Nero in the film "" (1966).
Paul Rudd played the role of Abel in the 2009 film Year One.
Abel is portrayed by Lauren Lapkus in the series "Lucifer (TV series)" (2016).
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Audi
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Audi AG () is a German automotive manufacturer of luxury vehicles headquartered in Ingolstadt, Bavaria, Germany. As a subsidiary of its parent company, the Volkswagen Group, Audi produces vehicles in nine production facilities worldwide.
The origins of the company are complex, going back to the early 20th century and the initial enterprises (Horch and the "Audiwerke") founded by engineer August Horch (1868–1951); and two other manufacturers (DKW and Wanderer), leading to the foundation of Auto Union in 1932. The modern Audi era began in the 1960s, when Auto Union was acquired by Volkswagen from Daimler-Benz. After relaunching the Audi brand with the 1965 introduction of the Audi F103 series, Volkswagen merged Auto Union with NSU Motorenwerke in 1969, thus creating the present-day form of the company.
The company name is based on the Latin translation of the surname of the founder, August Horch. , meaning "listen", becomes in Latin. The four rings of the Audi logo each represent one of four car companies that banded together to create Audi's predecessor company, Auto Union. Audi's slogan is , meaning "Being Ahead through Technology". Audi, along with German brands BMW and Mercedes-Benz, is among the best-selling luxury automobile brands in the world.
History.
Birth of the company and its name.
Automobile company Wanderer was originally established in 1885, later becoming a branch of Audi AG. Another company, NSU, which also later merged into Audi, was founded during this time, and later supplied the chassis for Gottlieb Daimler's four-wheeler.
On 14 November 1899, August Horch (1868–1951) established the company A. Horch & Cie. in the Ehrenfeld district of Cologne. In 1902, he moved with his company to Reichenbach im Vogtland. On 10 May 1904, he founded the August Horch & Cie. Motorwagenwerke AG, a joint-stock company in Zwickau (State of Saxony).
After troubles with Horch chief financial officer, August Horch left Motorwagenwerke and founded in Zwickau on 16 July 1909, his second company, the August Horch Automobilwerke GmbH. His former partners sued him for trademark infringement. The German Reichsgericht (Supreme Court) in Leipzig, eventually determined that the Horch brand belonged to his former company.
Since August Horch was prohibited from using "Horch" as a trade name in his new car business, he called a meeting with close business friends, Paul and Franz Fikentscher from Zwickau. At the apartment of Franz Fikentscher, they discussed how to come up with a new name for the company. During this meeting, Franz's son was quietly studying Latin in a corner of the room. Several times he looked like he was on the verge of saying something but would just swallow his words and continue working, until he finally blurted out, "Father – "audiatur et altera pars"... wouldn't it be a good idea to call it "audi" instead of "horch"?" "Horch!" in German means "Hark!" or "hear", which is "Audi" in the singular imperative form of "audire" – "to listen" – in Latin. The idea was enthusiastically accepted by everyone attending the meeting. On 25 April 1910 the Audi Automobilwerke GmbH Zwickau (from 1915 on Audiwerke AG Zwickau) was entered in the company's register of Zwickau registration court.
The first Audi automobile, the Audi Type A 10/ Sport-Phaeton, was produced in the same year, followed by the successor Type B 10/28PS in the same year.
Audi started with a 2,612 cc inline-four engine model Type A, followed by a 3,564 cc model, as well as 4,680 cc and 5,720 cc models. These cars were successful even in sporting events. The first six-cylinder model Type M, 4,655 cc appeared in 1924.
August Horch left the "Audiwerke" in 1920 for a high position at the ministry of transport, but he was still involved with Audi as a member of the board of trustees. In September 1921, Audi became the first German car manufacturer to present a production car, the Audi Type K, with left-handed drive. Left-hand drive spread and established dominance during the 1920s because it provided a better view of oncoming traffic, making overtaking safer when driving on the right.
The merger of the four companies under the logo of four rings.
In August 1928, Jørgen Rasmussen, the owner of Dampf-Kraft-Wagen (DKW), acquired the majority of shares in Audiwerke AG. In the same year, Rasmussen bought the remains of the U.S. automobile manufacturer Rickenbacker, including the manufacturing equipment for 8-cylinder engines. These engines were used in "Audi Zwickau" and "Audi Dresden" models that were launched in 1929. At the same time, 6-cylinder and 4-cylinder (the "four" with a Peugeot engine) models were manufactured. Audi cars of that era were luxurious cars equipped with special bodywork.
In 1932, Audi merged with Horch, DKW, and Wanderer, to form Auto Union AG, Chemnitz. It was during this period that the company offered the Audi Front that became the first European car to combine a six-cylinder engine with front-wheel drive. It used a power train shared with the Wanderer, but turned 180 degrees, so that the drive shaft faced the front.
Before World War II, Auto Union used the four interlinked rings that make up the Audi badge today, representing these four brands. However, this badge was used only on Auto Union racing cars in that period while the member companies used their own names and emblems. The technological development became more and more concentrated and some Audi models were propelled by Horch- or Wanderer-built engines.
Reflecting the economic pressures of the time, Auto Union concentrated increasingly on smaller cars through the 1930s, so that by 1938 the company's DKW brand accounted for 17.9% of the German car market, while Audi held only 0.1%. After the final few Audis were delivered in 1939 the "Audi" name disappeared completely from the new car market for more than two decades.
Post-World War II.
Like most German manufacturing, at the onset of World War II the Auto Union plants were retooled for military production, and were a target for allied bombing during the war which left them damaged.
Overrun by the Soviet Army in 1945, on the orders of the Soviet Union military administration the factories were dismantled as part of war reparations. Following this, the company's entire assets were expropriated without compensation. On 17 August 1948, Auto Union AG of Chemnitz was deleted from the commercial register. These actions had the effect of liquidating Germany's Auto Union AG. The remains of the Audi plant of Zwickau became the VEB (for "People Owned Enterprise") or AWZ (in English: Automobile Works Zwickau).
With no prospect of continuing production in Soviet-controlled East Germany, Auto Union executives began the process of relocating what was left of the company to West Germany. A site was chosen in Ingolstadt, Bavaria, to start a spare parts operation in late 1945, which would eventually serve as the headquarters of the reformed Auto Union in 1949.
The former Audi factory in Zwickau restarted assembly of the pre-war models in 1949. These DKW models were renamed to IFA F8 and IFA F9 and were similar to the West German versions. West and East German models were equipped with the traditional and renowned DKW two-stroke engines. The Zwickau plant manufactured the infamous Trabant until 1991, when it came under Volkswagen control—effectively bringing it under the same umbrella as Audi since 1945.
New Auto Union unit.
A new West German headquartered Auto Union was launched in Ingolstadt with loans from the Bavarian state government and Marshall Plan aid. The reformed company was launched 3 September 1949 and continued DKW's tradition of producing front-wheel drive vehicles with two-stroke engines. This included production of a small but sturdy 125 cc motorcycle and a DKW delivery van, the DKW F89 L at Ingolstadt. The Ingolstadt site was large, consisting of an extensive complex of formerly military buildings which was suitable for administration as well as vehicle warehousing and distribution, but at this stage there was at Ingolstadt no dedicated plant suitable for mass production of automobiles: for manufacturing the company's first post-war mass-market passenger car plant capacity in Düsseldorf was rented from Rheinmetall-Borsig. It was only ten years later, after the company had attracted an investor, when funds became available for construction of major car plant at the Ingolstadt head office site.
In 1958, in response to pressure from Friedrich Flick, then the company's largest single shareholder, Daimler-Benz took an 87% holding in the Auto Union company, and this was increased to a 100% holding in 1959. However, small two-stroke cars were not the focus of Daimler-Benz's interests, and while the early 1960s saw major investment in new Mercedes models and in a state of the art factory for Auto Union's, the company's aging model range at this time did not benefit from the economic boom of the early 1960s to the same extent as competitor manufacturers such as Volkswagen and Opel. The decision to dispose of the Auto Union business was based on its lack of profitability. Ironically, by the time they sold the business, it also included a large new factory and near production-ready modern four-stroke engine, which would enable the Auto Union business, under a new owner, to embark on a period of profitable growth, now producing not Auto Unions or DKWs, but using the "Audi" name, resurrected in 1965 after a 25-year gap.
In 1964, Volkswagen acquired a 50% holding in the business, which included the new factory in Ingolstadt, the DKW and Audi brands along with the rights to the new engine design which had been funded by Daimler-Benz, who in return retained the dormant Horch trademark and the Düsseldorf factory which became a Mercedes-Benz van assembly plant. Eighteen months later, Volkswagen bought complete control of Ingolstadt, and by 1966 were using the spare capacity of the Ingolstadt plant to assemble an additional 60,000 Volkswagen Beetles per year. Two-stroke engines became less popular during the 1960s as customers were more attracted to the smoother four-stroke engines. In September 1965, the DKW F102 was fitted with a four-stroke engine and a facelift for the car's front and rear. Volkswagen dumped the DKW brand because of its associations with two-stroke technology, and having classified the model internally as the F103, sold it simply as the "Audi". Later developments of the model were named after their horsepower ratings and sold as the Audi 60, 75, 80, and Super 90, selling until 1972. Initially, Volkswagen was hostile to the idea of Auto Union as a standalone entity producing its own models having acquired the company merely to boost its own production capacity through the Ingolstadt assembly plant – to the point where Volkswagen executives ordered that the Auto Union name and flags bearing the four rings were removed from the factory buildings. Then VW chief Heinz Nordhoff explicitly forbade Auto Union from any further product development. Fearing that Volkswagen had no long-term ambition for the Audi brand, Auto Union engineers under the leadership of Ludwig Kraus developed the first Audi 100 in secret, without Nordhoff's knowledge. When presented with a finished prototype, Nordhoff was so impressed he authorised the car for production, which when launched in 1968, went on to be a huge success. With this, the resurrection of the Audi brand was now complete, this being followed by the first generation Audi 80 in 1972, which would in turn provide a template for VW's new front-wheel-drive water-cooled range which debuted from the mid-1970s onward.
In 1969, Auto Union merged with NSU, based in Neckarsulm, near Stuttgart. In the 1950s, NSU had been the world's largest manufacturer of motorcycles, but had moved on to produce small cars like the NSU Prinz, the TT and TTS versions of which are still popular as vintage race cars. NSU then focused on new rotary engines based on the ideas of Felix Wankel. In 1967, the new NSU Ro 80 was a car well ahead of its time in technical details such as aerodynamics, light weight, and safety. However, teething problems with the rotary engines put an end to the independence of NSU. The Neckarsulm plant is now used to produce the larger Audi models A6 and A8. The Neckarsulm factory is also home of the "quattro GmbH" (from November 2016 "Audi Sport GmbH"), a subsidiary responsible for development and production of Audi high-performance models: the R8 and the RS model range.
Modern era.
The new merged company was incorporated on 1 January 1969 and was known as Audi NSU Auto Union AG, with its headquarters at NSU's Neckarsulm plant, and saw the emergence of Audi as a separate brand for the first time since the pre-war era. Volkswagen introduced the Audi brand to the United States for the 1970 model year. That same year, the mid-sized car that NSU had been working on, the K70, originally intended to slot between the rear-engined Prinz models and the futuristic NSU Ro 80, was instead launched as a Volkswagen.
After the launch of the Audi 100 of 1968, the Audi 80/Fox (which formed the basis for the 1973 Volkswagen Passat) followed in 1972 and the Audi 50 (later rebadged as the Volkswagen Polo) in 1974. The Audi 50 was a seminal design because it was the first incarnation of the Golf/Polo concept, one that led to a hugely successful world car. Ultimately, the Audi 80 and 100 (progenitors of the A4 and A6, respectively) became the company's biggest sellers, whilst little investment was made in the fading NSU range; the Prinz models were dropped in 1973 whilst the fatally flawed NSU Ro80 went out of production in 1977, spelling the effective end of the NSU brand. Production of the Audi 100 had been steadily moved from Ingolstadt to Neckarsulm as the 1970s had progressed, and by the appearance of the second generation C2 version in 1976, all production was now at the former NSU plant. Neckarsulm from that point onward would produce Audi's higher-end models.
The Audi image at this time was a conservative one, and so, a proposal from chassis engineer Jörg Bensinger was accepted to develop the four-wheel drive technology in Volkswagen's Iltis military vehicle for an Audi performance car and rally racing car. The performance car, introduced in 1980, was named the "Audi Quattro", a turbocharged coupé which was also the first German large-scale production vehicle to feature permanent all-wheel drive through a centre differential. Commonly referred to as the "Ur-Quattro" (the "Ur-" prefix is a German augmentative used, in this case, to mean "original" and is also applied to the first generation of Audi's S4 and S6 Sport Saloons, as in "UrS4" and "UrS6"), few of these vehicles were produced (all hand-built by a single team), but the model was a great success in rallying. Prominent wins proved the viability of all-wheel-drive racecars, and the Audi name became associated with advances in automotive technology.
In 1985, with the Auto Union and NSU brands effectively dead, the company's official name was now shortened to simply Audi AG. At the same time the company's headquarters moved back to Ingolstadt and two new wholly owned subsidiaries; "Auto Union GmbH" and "NSU GmbH", were formed to own and manage the historical trademarks and intellectual property of the original constituent companies (the exception being Horch, which had been retained by Daimler-Benz after the VW takeover), and to operate Audi's heritage operations.
In 1986, as the Passat-based Audi 80 was beginning to develop a kind of "grandfather's car" image, the "type 89" was introduced. This completely new development sold extremely well. However, its modern and dynamic exterior belied the low performance of its base engine, and its base package was quite spartan (even the passenger-side mirror was an option.) In 1987, Audi put forward a new and very elegant Audi 90, which had a much superior set of standard features. In the early 1990s, sales began to slump for the Audi 80 series, and some basic construction problems started to surface.
In the early part of the 21st century, Audi set forth on a German racetrack to claim and maintain several world records, such as top speed endurance. This effort was in-line with the company's heritage from the 1930s racing era Silver Arrows.
Through the early 1990s, Audi began to shift its target market upscale to compete against German automakers Mercedes-Benz and BMW. This began with the release of the Audi V8 in 1990. It was essentially a new engine fitted to the Audi 100/200, but with noticeable bodywork differences. Most obvious was the new grille that was now incorporated in the bonnet.
By 1991, Audi had the four-cylinder Audi 80, the 5-cylinder Audi 90 and Audi 100, the turbocharged Audi 200 and the Audi V8. There was also a coupé version of the 80/90 with both four- and five-cylinder engines.
Although the five-cylinder engine was a successful and robust powerplant, it was still a little too different for the target market. With the introduction of an all-new Audi 100 in 1992, Audi introduced a 2.8L V6 engine. This engine was also fitted to a face-lifted Audi 80 (all 80 and 90 models were now badged 80 except for the USA), giving this model a choice of four-, five-, and six-cylinder engines, in saloon, coupé and convertible body styles.
The five-cylinder was soon dropped as a major engine choice; however, a turbocharged version remained. The engine, initially fitted to the 200 quattro 20V of 1991, was a derivative of the engine fitted to the Sport Quattro. It was fitted to the Audi Coupé, named the S2, and also to the Audi 100 body, and named the S4. These two models were the beginning of the mass-produced S series of performance cars.
Audi 5000 unintended acceleration allegations.
Sales in the United States fell after a series of recalls from 1982 to 1987 of Audi 5000 models associated with reported incidents of sudden unintended acceleration linked to six deaths and 700 accidents. At the time, NHTSA was investigating 50 car models from 20 manufacturers for sudden surges of power.
A "60 Minutes" report aired 23 November 1986, featuring interviews with six people who had sued Audi after reporting unintended acceleration, showing an Audi 5000 ostensibly suffering a problem when the brake pedal was pushed. Subsequent investigation revealed that "60 Minutes" had engineered the failure – fitting a canister of compressed air on the passenger-side floor, linked via a hose to a hole drilled into the transmission.
Audi contended, prior to findings by outside investigators, that the problems were caused by driver error, specifically pedal misapplication. Subsequently, the National Highway Traffic Safety Administration (NHTSA) concluded that the majority of unintended acceleration cases, including all the ones that prompted the "60 Minutes" report, were caused by driver error such as confusion of pedals. CBS did not acknowledge the test results of involved government agencies, but did acknowledge the similar results of another study.
In a review study published in 2012, NHTSA summarized its past findings about the Audi unintended acceleration problems: "Once an unintended acceleration had begun, in the Audi 5000, due to a failure in the idle-stabilizer system (producing an initial acceleration of 0.3g), pedal misapplication resulting from panic, confusion, or unfamiliarity with the Audi 5000 contributed to the severity of the incident."
This summary is consistent with the conclusions of NHTSA's most technical analysis at the time: "Audi idle-stabilization systems were prone to defects which resulted in excessive idle speeds and brief unanticipated accelerations of up to 0.3g [which is similar in magnitude to an emergency stop in a subway car]. These accelerations could not be the sole cause of [(long-duration) sudden acceleration incidents (SAI)], but might have triggered some SAIs by startling the driver. The defective idle-stabilization system performed a type of electronic throttle control. Significantly: multiple "intermittent malfunctions of the electronic control unit were observed and recorded ... and [were also observed and] reported by Transport Canada."
With a series of recall campaigns, Audi made several modifications; the first adjusted the distance between the brake and accelerator pedal on automatic-transmission models. Later repairs, of 250,000 cars dating back to 1978, added a device requiring the driver to press the brake pedal before shifting out of park. A legacy of the Audi 5000 and other reported cases of sudden unintended acceleration are intricate gear stick patterns and brake interlock mechanisms to prevent inadvertent shifting into forward or reverse. It is unclear how the defects in the idle-stabilization system were addressed.
Audi's U.S. sales, which had reached 74,061 in 1985, dropped to 12,283 in 1991 and remained level for three years, – with resale values falling dramatically. Audi subsequently offered increased warranty protection and renamed the affected models – with the "5000" becoming the "100" and "200" in 1989 – and reached the same sales levels again only by model year 2000.
A 2010 "BusinessWeek" article – outlining possible parallels between Audi's experience and 2009–2010 Toyota vehicle recalls – noted a class-action lawsuit filed in 1987 by about 7,500 Audi 5000-model owners remains unsettled and remains contested in Chicago's Cook County after appeals at the Illinois state and U.S. federal levels.
Model introductions.
In the mid-to-late 1990s, Audi introduced new technologies including the use of aluminium construction. Produced from 1999 to 2005, the Audi A2 was a futuristic super mini, born from the Al2 concept, with many features that helped regain consumer confidence, like the aluminium space frame, which was a first in production car design. In the A2 Audi further expanded their TDI technology through the use of frugal three-cylinder engines. The A2 was extremely aerodynamic and was designed around a wind tunnel. The Audi A2 was criticised for its high price and was never really a sales success but it planted Audi as a cutting-edge manufacturer. The model, a Mercedes-Benz A-Class competitor, sold relatively well in Europe. However, the A2 was discontinued in 2005 and Audi decided not to develop an immediate replacement.
The next major model change came in 1995 when the Audi A4 replaced the Audi 80. The new nomenclature scheme was applied to the Audi 100 to become the Audi A6 (with a minor facelift). This also meant the S4 became the S6 and a new S4 was introduced in the A4 body. The S2 was discontinued. The Audi Cabriolet continued on (based on the Audi 80 platform) until 1999, gaining the engine upgrades along the way. A new A3 hatchback model (sharing the Volkswagen Golf Mk4's platform) was introduced to the range in 1996, and the radical Audi TT coupé and roadster were debuted in 1998 based on the same underpinnings.
The engines available throughout the range were now a 1.4 L, 1.6 L and 1.8 L four-cylinder, 1.8 L four-cylinder turbo, 2.6 L and 2.8 L V6, 2.2 L turbo-charged five-cylinder and the 4.2 L V8 engine. The V6s were replaced by new 2.4 L and 2.8 L 30V V6s in 1998, with marked improvement in power, torque and smoothness. Further engines were added along the way, including a 3.7 L V8 and 6.0 L W12 engine for the A8.
Audi AG today.
Audi's sales grew strongly in the 2000s, with deliveries to customers increasing from 653,000 in 2000 to 1,003,000 in 2008. The largest sales increases came from Eastern Europe (+19.3%), Africa (+17.2%) and the Middle East (+58.5%). China in particular has become a key market, representing 108,000 out of 705,000 cars delivered in the first three quarters of 2009. One factor for its popularity in China is that Audis have become the car of choice for purchase by the Chinese government for officials, and purchases by the government are responsible for 20% of its sales in China. As of late 2009, Audi's operating profit of €1.17 billion ($1.85 billion) made it the biggest contributor to parent Volkswagen Group's nine-month operating profit of €1.5 billion, while the other marques in Group such as Bentley and SEAT had suffered considerable losses. May 2011 saw record sales for Audi of America with the new Audi A7 and Audi A3 TDI Clean Diesel. In May 2012, Audi reported a 10% increase in its sales—from 408 units to 480 in the last year alone.
Audi manufactures vehicles in seven plants around the world, some of which are shared with other VW Group marques although many sub-assemblies such as engines and transmissions are manufactured within other Volkswagen Group plants.
Audi's two principal assembly plants in Germany are:
Outside of Germany, Audi produces vehicles at:
In September 2012, Audi announced the construction of its first North American manufacturing plant in Puebla, Mexico. This plant became operative in 2016 and produces the second generation Q5.
From 2002 up to 2003, Audi headed the Audi Brand Group, a subdivision of the Volkswagen Group's Automotive Division consisting of Audi, Lamborghini and SEAT, which was focused on sporty values, with the marques' product vehicles and performance being under the higher responsibility of the Audi brand.
In January 2014, Audi, along with the Wireless Power Consortium, operated a booth which demonstrated a phone compartment using the Qi open interface standard at the Consumer Electronics Show (CES). In May, most of the Audi dealers in the UK falsely claimed that the Audi A7, A8, and R8 were Euro NCAP safety tested, all achieving five out of five stars. In fact none were tested.
In 2015, Audi admitted that at least 2.1 million Audi cars had been involved in the Volkswagen emissions testing scandal in which software installed in the cars manipulated emissions data to fool regulators and allow the cars to pollute at higher than government-mandated levels. The A1, A3, A4, A5, A6, TT, Q3 and Q5 models were implicated in the scandal. Audi promised to quickly find a technical solution and upgrade the cars so they can function within emissions regulations. Ulrich Hackenberg, the head of research and development at Audi, was suspended in relation to the scandal. Despite widespread media coverage about the scandal through the month of September, Audi reported that U.S. sales for the month had increased by 16.2%. Audi's parent company Volkswagen announced on 18 June 2018 that Audi chief executive Rupert Stadler had been arrested.
In November 2015, the U.S. Environmental Protection Agency implicated the 3-liter diesel engine versions of the 2016 Audi A6 Quattro, A7 Quattro, A8, A8L and the Q5 as further models that had emissions regulation defeat-device software installed. Thus, these models emitted nitrogen oxide at up to nine times the legal limit when the car detected that it was not hooked up to emissions testing equipment.
In November 2016, Audi expressed an intention to establish an assembly factory in Pakistan, with the company's local partner acquiring land for a plant in Korangi Creek Industrial Park in Karachi. Approval of the plan would lead to an investment of $30 million in the new plant. Audi planned to cut 9,500 jobs in Germany starting from 2020 till 2025 to fund electric vehicles and digital working.
In February 2020, Volkswagen AG announced that it plans to take over all Audi shares it does not own (totalling 0.36%) via a squeeze-out according to German stock corporation law, thus making Audi a fully owned subsidiary of the Volkswagen Group. This change took effect from 16 November 2020, when Audi became a wholly owned subsidiary of the Volkswagen Group.
In January 2021, Audi announced that it is planning to sell 1 million vehicles in China in 2023, comparing to 726,000 vehicles in 2020.
Birth of the company and its name.
Automobile company Wanderer was originally established in 1885, later becoming a branch of Audi AG. Another company, NSU, which also later merged into Audi, was founded during this time, and later supplied the chassis for Gottlieb Daimler's four-wheeler.
On 14 November 1899, August Horch (1868–1951) established the company A. Horch & Cie. in the Ehrenfeld district of Cologne. In 1902, he moved with his company to Reichenbach im Vogtland. On 10 May 1904, he founded the August Horch & Cie. Motorwagenwerke AG, a joint-stock company in Zwickau (State of Saxony).
After troubles with Horch chief financial officer, August Horch left Motorwagenwerke and founded in Zwickau on 16 July 1909, his second company, the August Horch Automobilwerke GmbH. His former partners sued him for trademark infringement. The German Reichsgericht (Supreme Court) in Leipzig, eventually determined that the Horch brand belonged to his former company.
Since August Horch was prohibited from using "Horch" as a trade name in his new car business, he called a meeting with close business friends, Paul and Franz Fikentscher from Zwickau. At the apartment of Franz Fikentscher, they discussed how to come up with a new name for the company. During this meeting, Franz's son was quietly studying Latin in a corner of the room. Several times he looked like he was on the verge of saying something but would just swallow his words and continue working, until he finally blurted out, "Father – "audiatur et altera pars"... wouldn't it be a good idea to call it "audi" instead of "horch"?" "Horch!" in German means "Hark!" or "hear", which is "Audi" in the singular imperative form of "audire" – "to listen" – in Latin. The idea was enthusiastically accepted by everyone attending the meeting. On 25 April 1910 the Audi Automobilwerke GmbH Zwickau (from 1915 on Audiwerke AG Zwickau) was entered in the company's register of Zwickau registration court.
The first Audi automobile, the Audi Type A 10/ Sport-Phaeton, was produced in the same year, followed by the successor Type B 10/28PS in the same year.
Audi started with a 2,612 cc inline-four engine model Type A, followed by a 3,564 cc model, as well as 4,680 cc and 5,720 cc models. These cars were successful even in sporting events. The first six-cylinder model Type M, 4,655 cc appeared in 1924.
August Horch left the "Audiwerke" in 1920 for a high position at the ministry of transport, but he was still involved with Audi as a member of the board of trustees. In September 1921, Audi became the first German car manufacturer to present a production car, the Audi Type K, with left-handed drive. Left-hand drive spread and established dominance during the 1920s because it provided a better view of oncoming traffic, making overtaking safer when driving on the right.
The merger of the four companies under the logo of four rings.
In August 1928, Jørgen Rasmussen, the owner of Dampf-Kraft-Wagen (DKW), acquired the majority of shares in Audiwerke AG. In the same year, Rasmussen bought the remains of the U.S. automobile manufacturer Rickenbacker, including the manufacturing equipment for 8-cylinder engines. These engines were used in "Audi Zwickau" and "Audi Dresden" models that were launched in 1929. At the same time, 6-cylinder and 4-cylinder (the "four" with a Peugeot engine) models were manufactured. Audi cars of that era were luxurious cars equipped with special bodywork.
In 1932, Audi merged with Horch, DKW, and Wanderer, to form Auto Union AG, Chemnitz. It was during this period that the company offered the Audi Front that became the first European car to combine a six-cylinder engine with front-wheel drive. It used a power train shared with the Wanderer, but turned 180 degrees, so that the drive shaft faced the front.
Before World War II, Auto Union used the four interlinked rings that make up the Audi badge today, representing these four brands. However, this badge was used only on Auto Union racing cars in that period while the member companies used their own names and emblems. The technological development became more and more concentrated and some Audi models were propelled by Horch- or Wanderer-built engines.
Reflecting the economic pressures of the time, Auto Union concentrated increasingly on smaller cars through the 1930s, so that by 1938 the company's DKW brand accounted for 17.9% of the German car market, while Audi held only 0.1%. After the final few Audis were delivered in 1939 the "Audi" name disappeared completely from the new car market for more than two decades.
Post-World War II.
Like most German manufacturing, at the onset of World War II the Auto Union plants were retooled for military production, and were a target for allied bombing during the war which left them damaged.
Overrun by the Soviet Army in 1945, on the orders of the Soviet Union military administration the factories were dismantled as part of war reparations. Following this, the company's entire assets were expropriated without compensation. On 17 August 1948, Auto Union AG of Chemnitz was deleted from the commercial register. These actions had the effect of liquidating Germany's Auto Union AG. The remains of the Audi plant of Zwickau became the VEB (for "People Owned Enterprise") or AWZ (in English: Automobile Works Zwickau).
With no prospect of continuing production in Soviet-controlled East Germany, Auto Union executives began the process of relocating what was left of the company to West Germany. A site was chosen in Ingolstadt, Bavaria, to start a spare parts operation in late 1945, which would eventually serve as the headquarters of the reformed Auto Union in 1949.
The former Audi factory in Zwickau restarted assembly of the pre-war models in 1949. These DKW models were renamed to IFA F8 and IFA F9 and were similar to the West German versions. West and East German models were equipped with the traditional and renowned DKW two-stroke engines. The Zwickau plant manufactured the infamous Trabant until 1991, when it came under Volkswagen control—effectively bringing it under the same umbrella as Audi since 1945.
New Auto Union unit.
A new West German headquartered Auto Union was launched in Ingolstadt with loans from the Bavarian state government and Marshall Plan aid. The reformed company was launched 3 September 1949 and continued DKW's tradition of producing front-wheel drive vehicles with two-stroke engines. This included production of a small but sturdy 125 cc motorcycle and a DKW delivery van, the DKW F89 L at Ingolstadt. The Ingolstadt site was large, consisting of an extensive complex of formerly military buildings which was suitable for administration as well as vehicle warehousing and distribution, but at this stage there was at Ingolstadt no dedicated plant suitable for mass production of automobiles: for manufacturing the company's first post-war mass-market passenger car plant capacity in Düsseldorf was rented from Rheinmetall-Borsig. It was only ten years later, after the company had attracted an investor, when funds became available for construction of major car plant at the Ingolstadt head office site.
In 1958, in response to pressure from Friedrich Flick, then the company's largest single shareholder, Daimler-Benz took an 87% holding in the Auto Union company, and this was increased to a 100% holding in 1959. However, small two-stroke cars were not the focus of Daimler-Benz's interests, and while the early 1960s saw major investment in new Mercedes models and in a state of the art factory for Auto Union's, the company's aging model range at this time did not benefit from the economic boom of the early 1960s to the same extent as competitor manufacturers such as Volkswagen and Opel. The decision to dispose of the Auto Union business was based on its lack of profitability. Ironically, by the time they sold the business, it also included a large new factory and near production-ready modern four-stroke engine, which would enable the Auto Union business, under a new owner, to embark on a period of profitable growth, now producing not Auto Unions or DKWs, but using the "Audi" name, resurrected in 1965 after a 25-year gap.
In 1964, Volkswagen acquired a 50% holding in the business, which included the new factory in Ingolstadt, the DKW and Audi brands along with the rights to the new engine design which had been funded by Daimler-Benz, who in return retained the dormant Horch trademark and the Düsseldorf factory which became a Mercedes-Benz van assembly plant. Eighteen months later, Volkswagen bought complete control of Ingolstadt, and by 1966 were using the spare capacity of the Ingolstadt plant to assemble an additional 60,000 Volkswagen Beetles per year. Two-stroke engines became less popular during the 1960s as customers were more attracted to the smoother four-stroke engines. In September 1965, the DKW F102 was fitted with a four-stroke engine and a facelift for the car's front and rear. Volkswagen dumped the DKW brand because of its associations with two-stroke technology, and having classified the model internally as the F103, sold it simply as the "Audi". Later developments of the model were named after their horsepower ratings and sold as the Audi 60, 75, 80, and Super 90, selling until 1972. Initially, Volkswagen was hostile to the idea of Auto Union as a standalone entity producing its own models having acquired the company merely to boost its own production capacity through the Ingolstadt assembly plant – to the point where Volkswagen executives ordered that the Auto Union name and flags bearing the four rings were removed from the factory buildings. Then VW chief Heinz Nordhoff explicitly forbade Auto Union from any further product development. Fearing that Volkswagen had no long-term ambition for the Audi brand, Auto Union engineers under the leadership of Ludwig Kraus developed the first Audi 100 in secret, without Nordhoff's knowledge. When presented with a finished prototype, Nordhoff was so impressed he authorised the car for production, which when launched in 1968, went on to be a huge success. With this, the resurrection of the Audi brand was now complete, this being followed by the first generation Audi 80 in 1972, which would in turn provide a template for VW's new front-wheel-drive water-cooled range which debuted from the mid-1970s onward.
In 1969, Auto Union merged with NSU, based in Neckarsulm, near Stuttgart. In the 1950s, NSU had been the world's largest manufacturer of motorcycles, but had moved on to produce small cars like the NSU Prinz, the TT and TTS versions of which are still popular as vintage race cars. NSU then focused on new rotary engines based on the ideas of Felix Wankel. In 1967, the new NSU Ro 80 was a car well ahead of its time in technical details such as aerodynamics, light weight, and safety. However, teething problems with the rotary engines put an end to the independence of NSU. The Neckarsulm plant is now used to produce the larger Audi models A6 and A8. The Neckarsulm factory is also home of the "quattro GmbH" (from November 2016 "Audi Sport GmbH"), a subsidiary responsible for development and production of Audi high-performance models: the R8 and the RS model range.
Modern era.
The new merged company was incorporated on 1 January 1969 and was known as Audi NSU Auto Union AG, with its headquarters at NSU's Neckarsulm plant, and saw the emergence of Audi as a separate brand for the first time since the pre-war era. Volkswagen introduced the Audi brand to the United States for the 1970 model year. That same year, the mid-sized car that NSU had been working on, the K70, originally intended to slot between the rear-engined Prinz models and the futuristic NSU Ro 80, was instead launched as a Volkswagen.
After the launch of the Audi 100 of 1968, the Audi 80/Fox (which formed the basis for the 1973 Volkswagen Passat) followed in 1972 and the Audi 50 (later rebadged as the Volkswagen Polo) in 1974. The Audi 50 was a seminal design because it was the first incarnation of the Golf/Polo concept, one that led to a hugely successful world car. Ultimately, the Audi 80 and 100 (progenitors of the A4 and A6, respectively) became the company's biggest sellers, whilst little investment was made in the fading NSU range; the Prinz models were dropped in 1973 whilst the fatally flawed NSU Ro80 went out of production in 1977, spelling the effective end of the NSU brand. Production of the Audi 100 had been steadily moved from Ingolstadt to Neckarsulm as the 1970s had progressed, and by the appearance of the second generation C2 version in 1976, all production was now at the former NSU plant. Neckarsulm from that point onward would produce Audi's higher-end models.
The Audi image at this time was a conservative one, and so, a proposal from chassis engineer Jörg Bensinger was accepted to develop the four-wheel drive technology in Volkswagen's Iltis military vehicle for an Audi performance car and rally racing car. The performance car, introduced in 1980, was named the "Audi Quattro", a turbocharged coupé which was also the first German large-scale production vehicle to feature permanent all-wheel drive through a centre differential. Commonly referred to as the "Ur-Quattro" (the "Ur-" prefix is a German augmentative used, in this case, to mean "original" and is also applied to the first generation of Audi's S4 and S6 Sport Saloons, as in "UrS4" and "UrS6"), few of these vehicles were produced (all hand-built by a single team), but the model was a great success in rallying. Prominent wins proved the viability of all-wheel-drive racecars, and the Audi name became associated with advances in automotive technology.
In 1985, with the Auto Union and NSU brands effectively dead, the company's official name was now shortened to simply Audi AG. At the same time the company's headquarters moved back to Ingolstadt and two new wholly owned subsidiaries; "Auto Union GmbH" and "NSU GmbH", were formed to own and manage the historical trademarks and intellectual property of the original constituent companies (the exception being Horch, which had been retained by Daimler-Benz after the VW takeover), and to operate Audi's heritage operations.
In 1986, as the Passat-based Audi 80 was beginning to develop a kind of "grandfather's car" image, the "type 89" was introduced. This completely new development sold extremely well. However, its modern and dynamic exterior belied the low performance of its base engine, and its base package was quite spartan (even the passenger-side mirror was an option.) In 1987, Audi put forward a new and very elegant Audi 90, which had a much superior set of standard features. In the early 1990s, sales began to slump for the Audi 80 series, and some basic construction problems started to surface.
In the early part of the 21st century, Audi set forth on a German racetrack to claim and maintain several world records, such as top speed endurance. This effort was in-line with the company's heritage from the 1930s racing era Silver Arrows.
Through the early 1990s, Audi began to shift its target market upscale to compete against German automakers Mercedes-Benz and BMW. This began with the release of the Audi V8 in 1990. It was essentially a new engine fitted to the Audi 100/200, but with noticeable bodywork differences. Most obvious was the new grille that was now incorporated in the bonnet.
By 1991, Audi had the four-cylinder Audi 80, the 5-cylinder Audi 90 and Audi 100, the turbocharged Audi 200 and the Audi V8. There was also a coupé version of the 80/90 with both four- and five-cylinder engines.
Although the five-cylinder engine was a successful and robust powerplant, it was still a little too different for the target market. With the introduction of an all-new Audi 100 in 1992, Audi introduced a 2.8L V6 engine. This engine was also fitted to a face-lifted Audi 80 (all 80 and 90 models were now badged 80 except for the USA), giving this model a choice of four-, five-, and six-cylinder engines, in saloon, coupé and convertible body styles.
The five-cylinder was soon dropped as a major engine choice; however, a turbocharged version remained. The engine, initially fitted to the 200 quattro 20V of 1991, was a derivative of the engine fitted to the Sport Quattro. It was fitted to the Audi Coupé, named the S2, and also to the Audi 100 body, and named the S4. These two models were the beginning of the mass-produced S series of performance cars.
Audi 5000 unintended acceleration allegations.
Sales in the United States fell after a series of recalls from 1982 to 1987 of Audi 5000 models associated with reported incidents of sudden unintended acceleration linked to six deaths and 700 accidents. At the time, NHTSA was investigating 50 car models from 20 manufacturers for sudden surges of power.
A "60 Minutes" report aired 23 November 1986, featuring interviews with six people who had sued Audi after reporting unintended acceleration, showing an Audi 5000 ostensibly suffering a problem when the brake pedal was pushed. Subsequent investigation revealed that "60 Minutes" had engineered the failure – fitting a canister of compressed air on the passenger-side floor, linked via a hose to a hole drilled into the transmission.
Audi contended, prior to findings by outside investigators, that the problems were caused by driver error, specifically pedal misapplication. Subsequently, the National Highway Traffic Safety Administration (NHTSA) concluded that the majority of unintended acceleration cases, including all the ones that prompted the "60 Minutes" report, were caused by driver error such as confusion of pedals. CBS did not acknowledge the test results of involved government agencies, but did acknowledge the similar results of another study.
In a review study published in 2012, NHTSA summarized its past findings about the Audi unintended acceleration problems: "Once an unintended acceleration had begun, in the Audi 5000, due to a failure in the idle-stabilizer system (producing an initial acceleration of 0.3g), pedal misapplication resulting from panic, confusion, or unfamiliarity with the Audi 5000 contributed to the severity of the incident."
This summary is consistent with the conclusions of NHTSA's most technical analysis at the time: "Audi idle-stabilization systems were prone to defects which resulted in excessive idle speeds and brief unanticipated accelerations of up to 0.3g [which is similar in magnitude to an emergency stop in a subway car]. These accelerations could not be the sole cause of [(long-duration) sudden acceleration incidents (SAI)], but might have triggered some SAIs by startling the driver. The defective idle-stabilization system performed a type of electronic throttle control. Significantly: multiple "intermittent malfunctions of the electronic control unit were observed and recorded ... and [were also observed and] reported by Transport Canada."
With a series of recall campaigns, Audi made several modifications; the first adjusted the distance between the brake and accelerator pedal on automatic-transmission models. Later repairs, of 250,000 cars dating back to 1978, added a device requiring the driver to press the brake pedal before shifting out of park. A legacy of the Audi 5000 and other reported cases of sudden unintended acceleration are intricate gear stick patterns and brake interlock mechanisms to prevent inadvertent shifting into forward or reverse. It is unclear how the defects in the idle-stabilization system were addressed.
Audi's U.S. sales, which had reached 74,061 in 1985, dropped to 12,283 in 1991 and remained level for three years, – with resale values falling dramatically. Audi subsequently offered increased warranty protection and renamed the affected models – with the "5000" becoming the "100" and "200" in 1989 – and reached the same sales levels again only by model year 2000.
A 2010 "BusinessWeek" article – outlining possible parallels between Audi's experience and 2009–2010 Toyota vehicle recalls – noted a class-action lawsuit filed in 1987 by about 7,500 Audi 5000-model owners remains unsettled and remains contested in Chicago's Cook County after appeals at the Illinois state and U.S. federal levels.
Model introductions.
In the mid-to-late 1990s, Audi introduced new technologies including the use of aluminium construction. Produced from 1999 to 2005, the Audi A2 was a futuristic super mini, born from the Al2 concept, with many features that helped regain consumer confidence, like the aluminium space frame, which was a first in production car design. In the A2 Audi further expanded their TDI technology through the use of frugal three-cylinder engines. The A2 was extremely aerodynamic and was designed around a wind tunnel. The Audi A2 was criticised for its high price and was never really a sales success but it planted Audi as a cutting-edge manufacturer. The model, a Mercedes-Benz A-Class competitor, sold relatively well in Europe. However, the A2 was discontinued in 2005 and Audi decided not to develop an immediate replacement.
The next major model change came in 1995 when the Audi A4 replaced the Audi 80. The new nomenclature scheme was applied to the Audi 100 to become the Audi A6 (with a minor facelift). This also meant the S4 became the S6 and a new S4 was introduced in the A4 body. The S2 was discontinued. The Audi Cabriolet continued on (based on the Audi 80 platform) until 1999, gaining the engine upgrades along the way. A new A3 hatchback model (sharing the Volkswagen Golf Mk4's platform) was introduced to the range in 1996, and the radical Audi TT coupé and roadster were debuted in 1998 based on the same underpinnings.
The engines available throughout the range were now a 1.4 L, 1.6 L and 1.8 L four-cylinder, 1.8 L four-cylinder turbo, 2.6 L and 2.8 L V6, 2.2 L turbo-charged five-cylinder and the 4.2 L V8 engine. The V6s were replaced by new 2.4 L and 2.8 L 30V V6s in 1998, with marked improvement in power, torque and smoothness. Further engines were added along the way, including a 3.7 L V8 and 6.0 L W12 engine for the A8.
Audi AG today.
Audi's sales grew strongly in the 2000s, with deliveries to customers increasing from 653,000 in 2000 to 1,003,000 in 2008. The largest sales increases came from Eastern Europe (+19.3%), Africa (+17.2%) and the Middle East (+58.5%). China in particular has become a key market, representing 108,000 out of 705,000 cars delivered in the first three quarters of 2009. One factor for its popularity in China is that Audis have become the car of choice for purchase by the Chinese government for officials, and purchases by the government are responsible for 20% of its sales in China. As of late 2009, Audi's operating profit of €1.17 billion ($1.85 billion) made it the biggest contributor to parent Volkswagen Group's nine-month operating profit of €1.5 billion, while the other marques in Group such as Bentley and SEAT had suffered considerable losses. May 2011 saw record sales for Audi of America with the new Audi A7 and Audi A3 TDI Clean Diesel. In May 2012, Audi reported a 10% increase in its sales—from 408 units to 480 in the last year alone.
Audi manufactures vehicles in seven plants around the world, some of which are shared with other VW Group marques although many sub-assemblies such as engines and transmissions are manufactured within other Volkswagen Group plants.
Audi's two principal assembly plants in Germany are:
Outside of Germany, Audi produces vehicles at:
In September 2012, Audi announced the construction of its first North American manufacturing plant in Puebla, Mexico. This plant became operative in 2016 and produces the second generation Q5.
From 2002 up to 2003, Audi headed the Audi Brand Group, a subdivision of the Volkswagen Group's Automotive Division consisting of Audi, Lamborghini and SEAT, which was focused on sporty values, with the marques' product vehicles and performance being under the higher responsibility of the Audi brand.
In January 2014, Audi, along with the Wireless Power Consortium, operated a booth which demonstrated a phone compartment using the Qi open interface standard at the Consumer Electronics Show (CES). In May, most of the Audi dealers in the UK falsely claimed that the Audi A7, A8, and R8 were Euro NCAP safety tested, all achieving five out of five stars. In fact none were tested.
In 2015, Audi admitted that at least 2.1 million Audi cars had been involved in the Volkswagen emissions testing scandal in which software installed in the cars manipulated emissions data to fool regulators and allow the cars to pollute at higher than government-mandated levels. The A1, A3, A4, A5, A6, TT, Q3 and Q5 models were implicated in the scandal. Audi promised to quickly find a technical solution and upgrade the cars so they can function within emissions regulations. Ulrich Hackenberg, the head of research and development at Audi, was suspended in relation to the scandal. Despite widespread media coverage about the scandal through the month of September, Audi reported that U.S. sales for the month had increased by 16.2%. Audi's parent company Volkswagen announced on 18 June 2018 that Audi chief executive Rupert Stadler had been arrested.
In November 2015, the U.S. Environmental Protection Agency implicated the 3-liter diesel engine versions of the 2016 Audi A6 Quattro, A7 Quattro, A8, A8L and the Q5 as further models that had emissions regulation defeat-device software installed. Thus, these models emitted nitrogen oxide at up to nine times the legal limit when the car detected that it was not hooked up to emissions testing equipment.
In November 2016, Audi expressed an intention to establish an assembly factory in Pakistan, with the company's local partner acquiring land for a plant in Korangi Creek Industrial Park in Karachi. Approval of the plan would lead to an investment of $30 million in the new plant. Audi planned to cut 9,500 jobs in Germany starting from 2020 till 2025 to fund electric vehicles and digital working.
In February 2020, Volkswagen AG announced that it plans to take over all Audi shares it does not own (totalling 0.36%) via a squeeze-out according to German stock corporation law, thus making Audi a fully owned subsidiary of the Volkswagen Group. This change took effect from 16 November 2020, when Audi became a wholly owned subsidiary of the Volkswagen Group.
In January 2021, Audi announced that it is planning to sell 1 million vehicles in China in 2023, comparing to 726,000 vehicles in 2020.
Technology.
Audi AI.
Audi AI is a driver assist feature offered by Audi. The company's stated intent is to offer fully autonomous driving at a future time, acknowledging that legal, regulatory and technical hurdles must be overcome to achieve this goal. On 4 June 2017, Audi stated that its new A8 will be fully self-driving for speeds up to 60 km/h using its Audi AI. Contrary to other cars, the driver will not have to do safety checks such as touching the steering wheel every 15 seconds to use this feature. The Audi A8 will therefore be the first production car to reach level 3 autonomous driving, meaning that the driver can safely turn their attention away from driving tasks, e.g. the driver can text or watch a movie. Audi will also be the first manufacturer to use a 3D Lidar system in addition to cameras and ultrasonic sensors for their AI.
Bodyshells.
Audi produces 100% galvanised cars to prevent corrosion, and was the first mass-market vehicle to do so, following introduction of the process by Porsche, c. 1975. Along with other precautionary measures, the full-body zinc coating has proved to be very effective in preventing rust. The body's resulting durability even surpassed Audi's own expectations, causing the manufacturer to extend its original 10-year warranty against corrosion perforation to currently 12 years (except for aluminium bodies which do not rust).
Space Frame.
Audi introduced a new series of vehicles in the mid-1990s and continues to pursue new technology and high performance. An all-aluminium car was brought forward by Audi, and in 1994 the Audi A8 was launched, which introduced aluminium space frame technology (called "Audi Space Frame" or ASF) which saves weight and improves torsion rigidity compared to a conventional steel frame. Prior to that effort, Audi used examples of the Type 44 chassis fabricated out of aluminium as test-beds for the technique. The disadvantage of the aluminium frame is that it is very expensive to repair and requires a specialized aluminium bodyshop. The weight reduction is somewhat offset by the quattro four-wheel drive system which is standard in most markets. Nonetheless, the A8 is usually the lightest all-wheel drive car in the full-size luxury segment, also having best-in-class fuel economy. The Audi A2, Audi TT and Audi R8 also use Audi Space Frame designs.
Drivetrains.
Layout.
For most of its lineup (excluding the A3, A1, and TT models), Audi has not adopted the transverse engine layout which is typically found in economy cars (such as Peugeot and Citroën), since that would limit the type and power of engines that can be installed. To be able to mount powerful engines (such as a V8 engine in the Audi S4 and Audi RS4, as well as the W12 engine in the Audi A8L W12), Audi has usually engineered its more expensive cars with a longitudinally front-mounted engine, in an "overhung" position, over the front wheels in front of the axle line - this layout dates back to the DKW and Auto Union saloons from the 1950s. But while this allows for the easy adoption of all-wheel drive, it goes against the ideal 50:50 weight distribution.
In all its post Volkswagen-era models, Audi has firmly refused to adopt the traditional rear-wheel drive layout favored by its two archrivals Mercedes-Benz and BMW, favoring either front-wheel drive or all-wheel drive. The majority of Audi's lineup in the United States features all-wheel drive standard on most of its expensive vehicles (only the entry-level trims of the A4 and A6 are available with front-wheel drive), in contrast to Mercedes-Benz and BMW whose lineup treats all-wheel drive as an option. BMW did not offer all-wheel drive on its V8-powered cars (as opposed to crossover SUVs) until the 2010 BMW 7 Series and 2011 BMW 5 Series, while the Audi A8 has had all-wheel drive available/standard since the 1990s. Regarding high-performance variants, Audi S and RS models have always had all-wheel drive, unlike their direct rivals from BMW M and Mercedes-AMG whose cars are rear-wheel drive only (although their performance crossover SUVs are all-wheel drive).
Audi has recently applied the "quattro" badge to models such as the A3 and TT which do not use the Torsen-based system as in prior years with a mechanical center differential, but with the Haldex Traction electro-mechanical clutch AWD system.
Engines.
Prior to the introduction of the Audi 80 and Audi 50 in 1972 and 1974, respectively, Audi had led the development of the "EA111" and "EA827" inline-four engine families. These new power units underpinned the water-cooled revival of parent company Volkswagen (in the Polo, Golf, Passat and Scirocco), whilst the many derivatives and descendants of these two basic engine designs have appeared in every generation of VW Group vehicles right up to the present day.
In the 1980s, Audi, along with Volvo, was the champion of the inline-five cylinder, 2.1/2.2 L engine as a longer-lasting alternative to more traditional six-cylinder engines. This engine was used not only in production cars but also in their race cars. The 2.1 L inline five-cylinder engine was used as a base for the rally cars in the 1980s, providing well over after modification. Before 1990, there were engines produced with a displacement between 2.0 L and 2.3 L. This range of engine capacity allowed for both fuel economy and power.
For the ultra-luxury version of its Audi A8 fullsize luxury flagship sedan, the Audi A8L W12, Audi uses the Volkswagen Group W12 engine instead of the conventional V12 engine favored by rivals Mercedes-Benz and BMW. The W12 engine configuration (also known as a "WR12") is created by forming two imaginary narrow-angle 15° VR6 engines at an angle of 72°, and the narrow angle of each set of cylinders allows just two overhead camshafts to drive each pair of banks, so just four are needed in total. The advantage of the W12 engine is its compact packaging, allowing Audi to build a 12-cylinder sedan with all-wheel drive, whereas a conventional V12 engine could have only a rear-wheel drive configuration as it would have no space in the engine bay for a differential and other components required to power the front wheels. In fact, the 6.0 L W12 in the Audi A8L W12 is smaller in overall dimensions than the 4.2 L V8 that powers the Audi A8 4.2 variants. The 2011 Audi A8 debuted a revised 6.3-litre version of the W12 (WR12) engine with .
Fuel Stratified Injection.
New models of the A3, A4, A6 and A8 have been introduced, with the ageing 1.8-litre engine now having been replaced by new Fuel Stratified Injection (FSI) engines. Nearly every petroleum burning model in the range now incorporates this fuel-saving technology.
Direct-Shift Gearbox.
In 2003, Volkswagen introduced the Direct-Shift Gearbox (DSG), a type of dual-clutch transmission. It is a type of automatic transmission, drivable like a conventional torque converter automatic transmission. Based on the gearbox found in the Group B S1, the system includes dual electro-hydraulically controlled clutches instead of a torque converter. This is implemented in some VW Golfs, Audi A3, Audi A4 and TT models where DSG is called S-Tronic.
LED daytime running lights.
Beginning in 2005, Audi has implemented white LED technology as daytime running lights (DRL) in their products. The distinctive shape of the DRLs has become a trademark of sorts. LEDs were first introduced on the Audi A8 W12, the world's first production car to have LED DRLs, and have since spread throughout the entire model range. The LEDs are present on some Audi billboards.
Since 2010, Audi has also offered the LED technology in low- and high-beam headlights.
Multi Media Interface.
Starting with the 2003 Audi A8, Audi has used a centralised control interface for its on-board infotainment systems, called Multi Media Interface (MMI). It is essentially a rotating control knob and 'segment' buttons – designed to control all in-car entertainment devices (radio, CD changer, iPod, TV tuner), satellite navigation, heating and ventilation, and other car controls with a screen.
The availability of MMI has gradually filtered down the Audi lineup, and following its introduction on the third generation A3 in 2011, MMI is now available across the entire range. It has been generally well received, as it requires less menu-surfing with its segment buttons around a central knob, along with 'main function' direct access buttons – with shortcuts to the radio or phone functions. The colour screen is mounted on the upright dashboard, and on the A4 (new), A5, A6, A8, and Q7, the controls are mounted horizontally.
Synthetic fuels.
Audi has assisted with technology to produce synthetic diesel from water and carbon dioxide. Audi calls the synthetic diesel E-diesel. It is also working on synthetic gasoline (which it calls E-gasoline).
Logistics.
Audi uses scanning gloves for parts registration during assembly, and automatic robots to transfer cars from factory to rail cars.
Audi AI.
Audi AI is a driver assist feature offered by Audi. The company's stated intent is to offer fully autonomous driving at a future time, acknowledging that legal, regulatory and technical hurdles must be overcome to achieve this goal. On 4 June 2017, Audi stated that its new A8 will be fully self-driving for speeds up to 60 km/h using its Audi AI. Contrary to other cars, the driver will not have to do safety checks such as touching the steering wheel every 15 seconds to use this feature. The Audi A8 will therefore be the first production car to reach level 3 autonomous driving, meaning that the driver can safely turn their attention away from driving tasks, e.g. the driver can text or watch a movie. Audi will also be the first manufacturer to use a 3D Lidar system in addition to cameras and ultrasonic sensors for their AI.
Bodyshells.
Audi produces 100% galvanised cars to prevent corrosion, and was the first mass-market vehicle to do so, following introduction of the process by Porsche, c. 1975. Along with other precautionary measures, the full-body zinc coating has proved to be very effective in preventing rust. The body's resulting durability even surpassed Audi's own expectations, causing the manufacturer to extend its original 10-year warranty against corrosion perforation to currently 12 years (except for aluminium bodies which do not rust).
Space Frame.
Audi introduced a new series of vehicles in the mid-1990s and continues to pursue new technology and high performance. An all-aluminium car was brought forward by Audi, and in 1994 the Audi A8 was launched, which introduced aluminium space frame technology (called "Audi Space Frame" or ASF) which saves weight and improves torsion rigidity compared to a conventional steel frame. Prior to that effort, Audi used examples of the Type 44 chassis fabricated out of aluminium as test-beds for the technique. The disadvantage of the aluminium frame is that it is very expensive to repair and requires a specialized aluminium bodyshop. The weight reduction is somewhat offset by the quattro four-wheel drive system which is standard in most markets. Nonetheless, the A8 is usually the lightest all-wheel drive car in the full-size luxury segment, also having best-in-class fuel economy. The Audi A2, Audi TT and Audi R8 also use Audi Space Frame designs.
Drivetrains.
Layout.
For most of its lineup (excluding the A3, A1, and TT models), Audi has not adopted the transverse engine layout which is typically found in economy cars (such as Peugeot and Citroën), since that would limit the type and power of engines that can be installed. To be able to mount powerful engines (such as a V8 engine in the Audi S4 and Audi RS4, as well as the W12 engine in the Audi A8L W12), Audi has usually engineered its more expensive cars with a longitudinally front-mounted engine, in an "overhung" position, over the front wheels in front of the axle line - this layout dates back to the DKW and Auto Union saloons from the 1950s. But while this allows for the easy adoption of all-wheel drive, it goes against the ideal 50:50 weight distribution.
In all its post Volkswagen-era models, Audi has firmly refused to adopt the traditional rear-wheel drive layout favored by its two archrivals Mercedes-Benz and BMW, favoring either front-wheel drive or all-wheel drive. The majority of Audi's lineup in the United States features all-wheel drive standard on most of its expensive vehicles (only the entry-level trims of the A4 and A6 are available with front-wheel drive), in contrast to Mercedes-Benz and BMW whose lineup treats all-wheel drive as an option. BMW did not offer all-wheel drive on its V8-powered cars (as opposed to crossover SUVs) until the 2010 BMW 7 Series and 2011 BMW 5 Series, while the Audi A8 has had all-wheel drive available/standard since the 1990s. Regarding high-performance variants, Audi S and RS models have always had all-wheel drive, unlike their direct rivals from BMW M and Mercedes-AMG whose cars are rear-wheel drive only (although their performance crossover SUVs are all-wheel drive).
Audi has recently applied the "quattro" badge to models such as the A3 and TT which do not use the Torsen-based system as in prior years with a mechanical center differential, but with the Haldex Traction electro-mechanical clutch AWD system.
Engines.
Prior to the introduction of the Audi 80 and Audi 50 in 1972 and 1974, respectively, Audi had led the development of the "EA111" and "EA827" inline-four engine families. These new power units underpinned the water-cooled revival of parent company Volkswagen (in the Polo, Golf, Passat and Scirocco), whilst the many derivatives and descendants of these two basic engine designs have appeared in every generation of VW Group vehicles right up to the present day.
In the 1980s, Audi, along with Volvo, was the champion of the inline-five cylinder, 2.1/2.2 L engine as a longer-lasting alternative to more traditional six-cylinder engines. This engine was used not only in production cars but also in their race cars. The 2.1 L inline five-cylinder engine was used as a base for the rally cars in the 1980s, providing well over after modification. Before 1990, there were engines produced with a displacement between 2.0 L and 2.3 L. This range of engine capacity allowed for both fuel economy and power.
For the ultra-luxury version of its Audi A8 fullsize luxury flagship sedan, the Audi A8L W12, Audi uses the Volkswagen Group W12 engine instead of the conventional V12 engine favored by rivals Mercedes-Benz and BMW. The W12 engine configuration (also known as a "WR12") is created by forming two imaginary narrow-angle 15° VR6 engines at an angle of 72°, and the narrow angle of each set of cylinders allows just two overhead camshafts to drive each pair of banks, so just four are needed in total. The advantage of the W12 engine is its compact packaging, allowing Audi to build a 12-cylinder sedan with all-wheel drive, whereas a conventional V12 engine could have only a rear-wheel drive configuration as it would have no space in the engine bay for a differential and other components required to power the front wheels. In fact, the 6.0 L W12 in the Audi A8L W12 is smaller in overall dimensions than the 4.2 L V8 that powers the Audi A8 4.2 variants. The 2011 Audi A8 debuted a revised 6.3-litre version of the W12 (WR12) engine with .
Fuel Stratified Injection.
New models of the A3, A4, A6 and A8 have been introduced, with the ageing 1.8-litre engine now having been replaced by new Fuel Stratified Injection (FSI) engines. Nearly every petroleum burning model in the range now incorporates this fuel-saving technology.
Direct-Shift Gearbox.
In 2003, Volkswagen introduced the Direct-Shift Gearbox (DSG), a type of dual-clutch transmission. It is a type of automatic transmission, drivable like a conventional torque converter automatic transmission. Based on the gearbox found in the Group B S1, the system includes dual electro-hydraulically controlled clutches instead of a torque converter. This is implemented in some VW Golfs, Audi A3, Audi A4 and TT models where DSG is called S-Tronic.
Layout.
For most of its lineup (excluding the A3, A1, and TT models), Audi has not adopted the transverse engine layout which is typically found in economy cars (such as Peugeot and Citroën), since that would limit the type and power of engines that can be installed. To be able to mount powerful engines (such as a V8 engine in the Audi S4 and Audi RS4, as well as the W12 engine in the Audi A8L W12), Audi has usually engineered its more expensive cars with a longitudinally front-mounted engine, in an "overhung" position, over the front wheels in front of the axle line - this layout dates back to the DKW and Auto Union saloons from the 1950s. But while this allows for the easy adoption of all-wheel drive, it goes against the ideal 50:50 weight distribution.
In all its post Volkswagen-era models, Audi has firmly refused to adopt the traditional rear-wheel drive layout favored by its two archrivals Mercedes-Benz and BMW, favoring either front-wheel drive or all-wheel drive. The majority of Audi's lineup in the United States features all-wheel drive standard on most of its expensive vehicles (only the entry-level trims of the A4 and A6 are available with front-wheel drive), in contrast to Mercedes-Benz and BMW whose lineup treats all-wheel drive as an option. BMW did not offer all-wheel drive on its V8-powered cars (as opposed to crossover SUVs) until the 2010 BMW 7 Series and 2011 BMW 5 Series, while the Audi A8 has had all-wheel drive available/standard since the 1990s. Regarding high-performance variants, Audi S and RS models have always had all-wheel drive, unlike their direct rivals from BMW M and Mercedes-AMG whose cars are rear-wheel drive only (although their performance crossover SUVs are all-wheel drive).
Audi has recently applied the "quattro" badge to models such as the A3 and TT which do not use the Torsen-based system as in prior years with a mechanical center differential, but with the Haldex Traction electro-mechanical clutch AWD system.
Engines.
Prior to the introduction of the Audi 80 and Audi 50 in 1972 and 1974, respectively, Audi had led the development of the "EA111" and "EA827" inline-four engine families. These new power units underpinned the water-cooled revival of parent company Volkswagen (in the Polo, Golf, Passat and Scirocco), whilst the many derivatives and descendants of these two basic engine designs have appeared in every generation of VW Group vehicles right up to the present day.
In the 1980s, Audi, along with Volvo, was the champion of the inline-five cylinder, 2.1/2.2 L engine as a longer-lasting alternative to more traditional six-cylinder engines. This engine was used not only in production cars but also in their race cars. The 2.1 L inline five-cylinder engine was used as a base for the rally cars in the 1980s, providing well over after modification. Before 1990, there were engines produced with a displacement between 2.0 L and 2.3 L. This range of engine capacity allowed for both fuel economy and power.
For the ultra-luxury version of its Audi A8 fullsize luxury flagship sedan, the Audi A8L W12, Audi uses the Volkswagen Group W12 engine instead of the conventional V12 engine favored by rivals Mercedes-Benz and BMW. The W12 engine configuration (also known as a "WR12") is created by forming two imaginary narrow-angle 15° VR6 engines at an angle of 72°, and the narrow angle of each set of cylinders allows just two overhead camshafts to drive each pair of banks, so just four are needed in total. The advantage of the W12 engine is its compact packaging, allowing Audi to build a 12-cylinder sedan with all-wheel drive, whereas a conventional V12 engine could have only a rear-wheel drive configuration as it would have no space in the engine bay for a differential and other components required to power the front wheels. In fact, the 6.0 L W12 in the Audi A8L W12 is smaller in overall dimensions than the 4.2 L V8 that powers the Audi A8 4.2 variants. The 2011 Audi A8 debuted a revised 6.3-litre version of the W12 (WR12) engine with .
Fuel Stratified Injection.
New models of the A3, A4, A6 and A8 have been introduced, with the ageing 1.8-litre engine now having been replaced by new Fuel Stratified Injection (FSI) engines. Nearly every petroleum burning model in the range now incorporates this fuel-saving technology.
Direct-Shift Gearbox.
In 2003, Volkswagen introduced the Direct-Shift Gearbox (DSG), a type of dual-clutch transmission. It is a type of automatic transmission, drivable like a conventional torque converter automatic transmission. Based on the gearbox found in the Group B S1, the system includes dual electro-hydraulically controlled clutches instead of a torque converter. This is implemented in some VW Golfs, Audi A3, Audi A4 and TT models where DSG is called S-Tronic.
LED daytime running lights.
Beginning in 2005, Audi has implemented white LED technology as daytime running lights (DRL) in their products. The distinctive shape of the DRLs has become a trademark of sorts. LEDs were first introduced on the Audi A8 W12, the world's first production car to have LED DRLs, and have since spread throughout the entire model range. The LEDs are present on some Audi billboards.
Since 2010, Audi has also offered the LED technology in low- and high-beam headlights.
Multi Media Interface.
Starting with the 2003 Audi A8, Audi has used a centralised control interface for its on-board infotainment systems, called Multi Media Interface (MMI). It is essentially a rotating control knob and 'segment' buttons – designed to control all in-car entertainment devices (radio, CD changer, iPod, TV tuner), satellite navigation, heating and ventilation, and other car controls with a screen.
The availability of MMI has gradually filtered down the Audi lineup, and following its introduction on the third generation A3 in 2011, MMI is now available across the entire range. It has been generally well received, as it requires less menu-surfing with its segment buttons around a central knob, along with 'main function' direct access buttons – with shortcuts to the radio or phone functions. The colour screen is mounted on the upright dashboard, and on the A4 (new), A5, A6, A8, and Q7, the controls are mounted horizontally.
Synthetic fuels.
Audi has assisted with technology to produce synthetic diesel from water and carbon dioxide. Audi calls the synthetic diesel E-diesel. It is also working on synthetic gasoline (which it calls E-gasoline).
Logistics.
Audi uses scanning gloves for parts registration during assembly, and automatic robots to transfer cars from factory to rail cars.
Models.
Current model range.
The following tables list Audi production vehicles that are sold as of 2018:
Electric vehicles.
Audi is planning an alliance with the Japanese electronics giant Sanyo to develop a pilot hybrid electric project for the Volkswagen Group. The alliance could result in Sanyo batteries and other electronic components being used in future models of the Volkswagen Group. Concept electric vehicles unveiled to date include the Audi A1 Sportback Concept, Audi A4 TDI Concept E, and the fully electric Audi e-tron Concept Supercar.
Self-driving cars.
In December 2018, Audi announced to invest 14 billion Euro ($15.9 billion) in e-mobility, self-driving cars.
Current model range.
The following tables list Audi production vehicles that are sold as of 2018:
Electric vehicles.
Audi is planning an alliance with the Japanese electronics giant Sanyo to develop a pilot hybrid electric project for the Volkswagen Group. The alliance could result in Sanyo batteries and other electronic components being used in future models of the Volkswagen Group. Concept electric vehicles unveiled to date include the Audi A1 Sportback Concept, Audi A4 TDI Concept E, and the fully electric Audi e-tron Concept Supercar.
Self-driving cars.
In December 2018, Audi announced to invest 14 billion Euro ($15.9 billion) in e-mobility, self-driving cars.
Motorsport.
Audi has competed in various forms of motorsports. Audi's tradition in motorsport began with their former company Auto Union in the 1930s. In the 1990s, Audi found success in the Touring and Super Touring categories of motor racing after success in circuit racing in North America.
Rallying.
In 1980, Audi released the Quattro, a four-wheel drive (4WD) turbocharged car that went on to win rallies and races worldwide. It is considered one of the most significant rally cars of all time, because it was one of the first to take advantage of the then-recently changed rules which allowed the use of four-wheel drive in competition racing. Many critics doubted the viability of four-wheel drive racers, thinking them to be too heavy and complex, yet the Quattro was to become a successful car. It led its first rally before going off the road, however, the rally world had been served notice 4WD was the future. The Quattro went on to achieve much success in the World Rally Championship. It won the 1983 (Hannu Mikkola) and the 1984 (Stig Blomqvist) drivers' titles, and brought Audi the manufacturers' title in 1982 and 1984.
In 1984, Audi launched the short-wheelbase Sport Quattro which dominated rally races in Monte Carlo and Sweden, with Audi taking all podium places, but succumbed to problems further into WRC contention. In 1985, after another season mired in mediocre finishes, Walter Röhrl finished the season in his Sport Quattro S1, and helped place Audi second in the manufacturers' points. Audi also received rally honours in the Hong Kong to Beijing rally in that same year. Michèle Mouton, the only female driver to win a round of the World Rally Championship and a driver for Audi, took the Sport Quattro S1, now simply called the "S1", and raced in the Pikes Peak International Hill Climb. The climb race pits a driver and car to drive to the summit of the Pikes Peak mountain in Colorado, and in 1985, Michèle Mouton set a new record of 11:25.39, and being the first woman to set a Pikes Peak record. In 1986, Audi formally left international rally racing following an accident in Portugal involving driver Joaquim Santos in his Ford RS200. Santos swerved to avoid hitting spectators in the road, and left the track into the crowd of spectators on the side, killing three and injuring 30. Bobby Unser used an Audi in that same year to claim a new record for the Pikes Peak Hill Climb at 11:09.22.
In 1987, Walter Röhrl claimed the title for Audi setting a new Pikes Peak International Hill Climb record of 10:47.85 in his Audi S1, which he had retired from the WRC two years earlier. The Audi S1 employed Audi's time-tested inline-five-cylinder turbocharged engine, with the final version generating . The engine was mated to a six-speed gearbox and ran on Audi's famous four-wheel drive system. All of Audi's top drivers drove this car; Hannu Mikkola, Stig Blomqvist, Walter Röhrl and Michèle Mouton. This Audi S1 started the range of Audi 'S' cars, which now represents an increased level of sports-performance equipment within the mainstream Audi model range.
In the United States.
As Audi moved away from rallying and into circuit racing, they chose to move first into America with the Trans-Am in 1988.
In 1989, Audi moved to International Motor Sports Association (IMSA) GTO with the Audi 90, however as they avoided the two major endurance events (Daytona and Sebring) despite winning on a regular basis, they would lose out on the title.
Touring cars.
In 1990, having completed their objective to market cars in North America, Audi returned to Europe, turning first to the Deutsche Tourenwagen Meisterschaft (DTM) series with the Audi V8, and then in 1993, being unwilling to build cars for the new formula, they turned their attention to the fast-growing Super Touring series, which are a series of national championships. Audi first entered in the French Supertourisme and Italian Superturismo. In the following year, Audi would switch to the German Super Tourenwagen Cup (known as STW), and then to British Touring Car Championship (BTCC) the year after that.
The Fédération Internationale de l'Automobile (FIA), having difficulty regulating the quattro four-wheel drive system, and the impact it had on the competitors, would eventually ban all four-wheel drive cars from competing in the series in 1998, but by then, Audi switched all their works efforts to sports car racing.
By 2000, Audi would still compete in the US with their RS4 for the SCCA Speed World GT Challenge, through dealer/team Champion Racing competing against Corvettes, Vipers, and smaller BMWs (where it is one of the few series to permit 4WD cars). In 2003, Champion Racing entered an RS6. Once again, the quattro four-wheel drive was superior, and Champion Audi won the championship. They returned in 2004 to defend their title, but a newcomer, Cadillac with the new Omega Chassis CTS-V, gave them a run for their money. After four victories in a row, the Audis were sanctioned with several negative changes that deeply affected the car's performance. Namely, added ballast weights, and Champion Audi deciding to go with different tyres, and reducing the boost pressure of the turbocharger.
In 2004, after years of competing with the TT-R in the revitalised DTM series, with privateer team Abt Racing/Christian Abt taking the 2002 title with Laurent Aïello, Audi returned as a full factory effort to touring car racing by entering two factory-supported Joest Racing A4 DTM cars.
24 Hours of Le Mans.
Audi began racing prototype sportscars in 1999, debuting at the Le Mans 24 hour. Two car concepts were developed and raced in their first season - the Audi R8R (open-cockpit 'roadster' prototype) and the Audi R8C (closed-cockpit 'coupé' GT-prototype). The R8R scored a credible podium on its racing debut at Le Mans and was the concept which Audi continued to develop into the 2000 season due to favourable rules for open-cockpit prototypes.
However, most of the competitors (such as BMW, Toyota, Mercedes and Nissan) retired at the end of 1999.
The factory-supported Joest Racing team won at Le Mans three times in a row with the Audi R8 (2000–2002), as well as winning every race in the American Le Mans Series in its first year. Audi also sold the car to customer teams such as Champion Racing.
In 2003, two Bentley Speed 8s, with engines designed by Audi, and driven by Joest drivers "loaned" to the fellow Volkswagen Group company, competed in the GTP class, and finished the race in the top two positions, while the Champion Racing R8 finished third overall, and first in the LMP900 class. Audi returned to the winner's podium at the 2004 race, with the top three finishers all driving R8s: Audi Sport Japan Team Goh finished first, Audi Sport UK Veloqx second, and Champion Racing third.
At the 2005 24 Hours of Le Mans, Champion Racing entered two R8s, along with an R8 from the Audi PlayStation Team Oreca. The R8s (which were built to old LMP900 regulations) received a narrower air inlet restrictor, reducing power, and an additional of weight compared to the newer LMP1 chassis. On average, the R8s were about 2–3 seconds off pace compared to the Pescarolo–Judd. But with a team of excellent drivers and experience, both Champion R8s were able to take first and third, while the Oreca team took fourth. The Champion team was also the first American team to win Le Mans since the Gulf Ford GTs in 1967. This also ends the long era of the R8; however, its replacement for 2006, called the Audi R10 TDI, was unveiled on 13 December 2005.
The R10 TDI employed many new and innovative features, the most notable being the twin-turbocharged direct injection diesel engine. It was first raced in the 2006 12 Hours of Sebring as a race-test in preparation for the 2006 24 Hours of Le Mans, which it later went on to win. Audi had a win in the first diesel sports car at 12 Hours of Sebring (the car was developed with a Diesel engine due to ACO regulations that favor diesel engines). As well as winning the 24 Hours of Le Mans in 2006, the R10 TDI beat the Peugeot 908 HDi FAP in , and in , (however Peugeot won the 24h in 2009) with a podium clean-sweep (all four 908 entries retired) while breaking a distance record (set by the Porsche 917K of Martini Racing in ), in with the R15 TDI Plus.
Audi's sports car racing success would continue with the Audi R18's victory at the 2011 24 Hours of Le Mans. Audi Sport Team Joest's Benoît Tréluyer earned Audi their first pole position in five years while the team's sister car locked out the front row. Early accidents eliminated two of Audi's three entries, but the sole remaining Audi R18 TDI of Tréluyer, Marcel Fässler, and André Lotterer held off the trio of Peugeot 908s to claim victory by a margin of 13.8 seconds.
American Le Mans Series.
Audi entered a factory racing team run by Joest Racing into the American Le Mans Series under the Audi Sport North America name in 2000. This was a successful operation with the team winning on its debut in the series at the 2000 12 Hours of Sebring. Factory-backed Audi R8s were the dominant car in ALMS taking 25 victories between 2000 and the end of the 2002 season. In 2003, Audi sold customer cars to Champion Racing as well as continuing to race the factory Audi Sport North America team. Champion Racing won many races as a private team running Audi R8s and eventually replaced Team Joest as the Audi Sport North America between 2006 and 2008. Since 2009 Audi has not taken part in full American Le Mans Series Championships, but has competed in the series opening races at Sebring, using the 12-hour race as a test for Le Mans, and also as part of the 2012 FIA World Endurance Championship season calendar.
European Le Mans Series.
Audi participated in the 2003 1000km of Le Mans which was a one-off sports car race in preparation for the 2004 European Le Mans Series. The factory team Audi Sport UK won races and the championship in the 2004 season but Audi was unable to match their sweeping success of Audi Sport North America in the American Le Mans Series, partly due to the arrival of a factory competitor in LMP1, Peugeot. The French manufacturer's 908 HDi FAP became the car to beat in the series from 2008 onwards with 20 LMP wins. However, Audi were able to secure the championship in 2008 even though Peugeot scored more race victories in the season.
World Endurance Championship.
2012.
In 2012, the FIA sanctioned a World Endurance Championship which would be organised by the ACO as a continuation of the ILMC. Audi competed won the first WEC race at Sebring and followed this up with a further three successive wins, including the 2012 24 Hours of Le Mans. Audi scored a final 5th victory in the 2012 WEC in Bahrain and were able to win the inaugural WEC Manufacturers' Championship.
2013.
As defending champions, Audi once again entered the Audi R18 e-tron quattro chassis into the 2013 WEC and the team won the first five consecutive races, including the 2013 24 Hours of Le Mans. The victory at Round 5, Circuit of the Americas, was of particular significance as it marked the 100th win for Audi in Le Mans prototypes. Audi secured their second consecutive WEC Manufacturers' Championship at Round 6 after taking second place and half points in the red-flagged Fuji race.
2014.
For the 2014 season, Audi entered a redesigned and upgraded R18 e-tron quattro which featured a 2 MJ energy recovery system. As defending champions, Audi would once again face a challenge in LMP1 from Toyota, and additionally from Porsche who returned to endurance racing after a 16-year absence. The season-opening 6hrs of Silverstone was a disaster for Audi who saw both cars retire from the race, marking the first time that an Audi car has failed to score a podium in a World Endurance Championship race.
Formula E.
Audi provide factory support to Abt Sportsline in the FIA Formula E Championship, The team competed under the title of Audi Sport Abt Formula E Team in the inaugural 2014-15 Formula E season. On 13 February 2014 the team announced its driver line up as Daniel Abt and World Endurance Championship driver Lucas di Grassi.
Formula One.
Audi has been linked to Formula One in recent years but has always resisted due to the company's opinion that it is not relevant to road cars, but hybrid power unit technology has been adopted into the sport, swaying the company's view and encouraging research into the program by former Ferrari team principal Stefano Domenicali.
Audi announced in August 2022 that it would enter the Championship as an engine manufacturer in . In October, Audi confirmed its partnership with Sauber Motorsport for the year 2026, acquiring a stake in the company for the German brand to enter the competition by naming the team and as an engine supplier
Rallying.
In 1980, Audi released the Quattro, a four-wheel drive (4WD) turbocharged car that went on to win rallies and races worldwide. It is considered one of the most significant rally cars of all time, because it was one of the first to take advantage of the then-recently changed rules which allowed the use of four-wheel drive in competition racing. Many critics doubted the viability of four-wheel drive racers, thinking them to be too heavy and complex, yet the Quattro was to become a successful car. It led its first rally before going off the road, however, the rally world had been served notice 4WD was the future. The Quattro went on to achieve much success in the World Rally Championship. It won the 1983 (Hannu Mikkola) and the 1984 (Stig Blomqvist) drivers' titles, and brought Audi the manufacturers' title in 1982 and 1984.
In 1984, Audi launched the short-wheelbase Sport Quattro which dominated rally races in Monte Carlo and Sweden, with Audi taking all podium places, but succumbed to problems further into WRC contention. In 1985, after another season mired in mediocre finishes, Walter Röhrl finished the season in his Sport Quattro S1, and helped place Audi second in the manufacturers' points. Audi also received rally honours in the Hong Kong to Beijing rally in that same year. Michèle Mouton, the only female driver to win a round of the World Rally Championship and a driver for Audi, took the Sport Quattro S1, now simply called the "S1", and raced in the Pikes Peak International Hill Climb. The climb race pits a driver and car to drive to the summit of the Pikes Peak mountain in Colorado, and in 1985, Michèle Mouton set a new record of 11:25.39, and being the first woman to set a Pikes Peak record. In 1986, Audi formally left international rally racing following an accident in Portugal involving driver Joaquim Santos in his Ford RS200. Santos swerved to avoid hitting spectators in the road, and left the track into the crowd of spectators on the side, killing three and injuring 30. Bobby Unser used an Audi in that same year to claim a new record for the Pikes Peak Hill Climb at 11:09.22.
In 1987, Walter Röhrl claimed the title for Audi setting a new Pikes Peak International Hill Climb record of 10:47.85 in his Audi S1, which he had retired from the WRC two years earlier. The Audi S1 employed Audi's time-tested inline-five-cylinder turbocharged engine, with the final version generating . The engine was mated to a six-speed gearbox and ran on Audi's famous four-wheel drive system. All of Audi's top drivers drove this car; Hannu Mikkola, Stig Blomqvist, Walter Röhrl and Michèle Mouton. This Audi S1 started the range of Audi 'S' cars, which now represents an increased level of sports-performance equipment within the mainstream Audi model range.
In the United States.
As Audi moved away from rallying and into circuit racing, they chose to move first into America with the Trans-Am in 1988.
In 1989, Audi moved to International Motor Sports Association (IMSA) GTO with the Audi 90, however as they avoided the two major endurance events (Daytona and Sebring) despite winning on a regular basis, they would lose out on the title.
Touring cars.
In 1990, having completed their objective to market cars in North America, Audi returned to Europe, turning first to the Deutsche Tourenwagen Meisterschaft (DTM) series with the Audi V8, and then in 1993, being unwilling to build cars for the new formula, they turned their attention to the fast-growing Super Touring series, which are a series of national championships. Audi first entered in the French Supertourisme and Italian Superturismo. In the following year, Audi would switch to the German Super Tourenwagen Cup (known as STW), and then to British Touring Car Championship (BTCC) the year after that.
The Fédération Internationale de l'Automobile (FIA), having difficulty regulating the quattro four-wheel drive system, and the impact it had on the competitors, would eventually ban all four-wheel drive cars from competing in the series in 1998, but by then, Audi switched all their works efforts to sports car racing.
By 2000, Audi would still compete in the US with their RS4 for the SCCA Speed World GT Challenge, through dealer/team Champion Racing competing against Corvettes, Vipers, and smaller BMWs (where it is one of the few series to permit 4WD cars). In 2003, Champion Racing entered an RS6. Once again, the quattro four-wheel drive was superior, and Champion Audi won the championship. They returned in 2004 to defend their title, but a newcomer, Cadillac with the new Omega Chassis CTS-V, gave them a run for their money. After four victories in a row, the Audis were sanctioned with several negative changes that deeply affected the car's performance. Namely, added ballast weights, and Champion Audi deciding to go with different tyres, and reducing the boost pressure of the turbocharger.
In 2004, after years of competing with the TT-R in the revitalised DTM series, with privateer team Abt Racing/Christian Abt taking the 2002 title with Laurent Aïello, Audi returned as a full factory effort to touring car racing by entering two factory-supported Joest Racing A4 DTM cars.
24 Hours of Le Mans.
Audi began racing prototype sportscars in 1999, debuting at the Le Mans 24 hour. Two car concepts were developed and raced in their first season - the Audi R8R (open-cockpit 'roadster' prototype) and the Audi R8C (closed-cockpit 'coupé' GT-prototype). The R8R scored a credible podium on its racing debut at Le Mans and was the concept which Audi continued to develop into the 2000 season due to favourable rules for open-cockpit prototypes.
However, most of the competitors (such as BMW, Toyota, Mercedes and Nissan) retired at the end of 1999.
The factory-supported Joest Racing team won at Le Mans three times in a row with the Audi R8 (2000–2002), as well as winning every race in the American Le Mans Series in its first year. Audi also sold the car to customer teams such as Champion Racing.
In 2003, two Bentley Speed 8s, with engines designed by Audi, and driven by Joest drivers "loaned" to the fellow Volkswagen Group company, competed in the GTP class, and finished the race in the top two positions, while the Champion Racing R8 finished third overall, and first in the LMP900 class. Audi returned to the winner's podium at the 2004 race, with the top three finishers all driving R8s: Audi Sport Japan Team Goh finished first, Audi Sport UK Veloqx second, and Champion Racing third.
At the 2005 24 Hours of Le Mans, Champion Racing entered two R8s, along with an R8 from the Audi PlayStation Team Oreca. The R8s (which were built to old LMP900 regulations) received a narrower air inlet restrictor, reducing power, and an additional of weight compared to the newer LMP1 chassis. On average, the R8s were about 2–3 seconds off pace compared to the Pescarolo–Judd. But with a team of excellent drivers and experience, both Champion R8s were able to take first and third, while the Oreca team took fourth. The Champion team was also the first American team to win Le Mans since the Gulf Ford GTs in 1967. This also ends the long era of the R8; however, its replacement for 2006, called the Audi R10 TDI, was unveiled on 13 December 2005.
The R10 TDI employed many new and innovative features, the most notable being the twin-turbocharged direct injection diesel engine. It was first raced in the 2006 12 Hours of Sebring as a race-test in preparation for the 2006 24 Hours of Le Mans, which it later went on to win. Audi had a win in the first diesel sports car at 12 Hours of Sebring (the car was developed with a Diesel engine due to ACO regulations that favor diesel engines). As well as winning the 24 Hours of Le Mans in 2006, the R10 TDI beat the Peugeot 908 HDi FAP in , and in , (however Peugeot won the 24h in 2009) with a podium clean-sweep (all four 908 entries retired) while breaking a distance record (set by the Porsche 917K of Martini Racing in ), in with the R15 TDI Plus.
Audi's sports car racing success would continue with the Audi R18's victory at the 2011 24 Hours of Le Mans. Audi Sport Team Joest's Benoît Tréluyer earned Audi their first pole position in five years while the team's sister car locked out the front row. Early accidents eliminated two of Audi's three entries, but the sole remaining Audi R18 TDI of Tréluyer, Marcel Fässler, and André Lotterer held off the trio of Peugeot 908s to claim victory by a margin of 13.8 seconds.
American Le Mans Series.
Audi entered a factory racing team run by Joest Racing into the American Le Mans Series under the Audi Sport North America name in 2000. This was a successful operation with the team winning on its debut in the series at the 2000 12 Hours of Sebring. Factory-backed Audi R8s were the dominant car in ALMS taking 25 victories between 2000 and the end of the 2002 season. In 2003, Audi sold customer cars to Champion Racing as well as continuing to race the factory Audi Sport North America team. Champion Racing won many races as a private team running Audi R8s and eventually replaced Team Joest as the Audi Sport North America between 2006 and 2008. Since 2009 Audi has not taken part in full American Le Mans Series Championships, but has competed in the series opening races at Sebring, using the 12-hour race as a test for Le Mans, and also as part of the 2012 FIA World Endurance Championship season calendar.
European Le Mans Series.
Audi participated in the 2003 1000km of Le Mans which was a one-off sports car race in preparation for the 2004 European Le Mans Series. The factory team Audi Sport UK won races and the championship in the 2004 season but Audi was unable to match their sweeping success of Audi Sport North America in the American Le Mans Series, partly due to the arrival of a factory competitor in LMP1, Peugeot. The French manufacturer's 908 HDi FAP became the car to beat in the series from 2008 onwards with 20 LMP wins. However, Audi were able to secure the championship in 2008 even though Peugeot scored more race victories in the season.
World Endurance Championship.
2012.
In 2012, the FIA sanctioned a World Endurance Championship which would be organised by the ACO as a continuation of the ILMC. Audi competed won the first WEC race at Sebring and followed this up with a further three successive wins, including the 2012 24 Hours of Le Mans. Audi scored a final 5th victory in the 2012 WEC in Bahrain and were able to win the inaugural WEC Manufacturers' Championship.
2013.
As defending champions, Audi once again entered the Audi R18 e-tron quattro chassis into the 2013 WEC and the team won the first five consecutive races, including the 2013 24 Hours of Le Mans. The victory at Round 5, Circuit of the Americas, was of particular significance as it marked the 100th win for Audi in Le Mans prototypes. Audi secured their second consecutive WEC Manufacturers' Championship at Round 6 after taking second place and half points in the red-flagged Fuji race.
2014.
For the 2014 season, Audi entered a redesigned and upgraded R18 e-tron quattro which featured a 2 MJ energy recovery system. As defending champions, Audi would once again face a challenge in LMP1 from Toyota, and additionally from Porsche who returned to endurance racing after a 16-year absence. The season-opening 6hrs of Silverstone was a disaster for Audi who saw both cars retire from the race, marking the first time that an Audi car has failed to score a podium in a World Endurance Championship race.
2012.
In 2012, the FIA sanctioned a World Endurance Championship which would be organised by the ACO as a continuation of the ILMC. Audi competed won the first WEC race at Sebring and followed this up with a further three successive wins, including the 2012 24 Hours of Le Mans. Audi scored a final 5th victory in the 2012 WEC in Bahrain and were able to win the inaugural WEC Manufacturers' Championship.
2013.
As defending champions, Audi once again entered the Audi R18 e-tron quattro chassis into the 2013 WEC and the team won the first five consecutive races, including the 2013 24 Hours of Le Mans. The victory at Round 5, Circuit of the Americas, was of particular significance as it marked the 100th win for Audi in Le Mans prototypes. Audi secured their second consecutive WEC Manufacturers' Championship at Round 6 after taking second place and half points in the red-flagged Fuji race.
2014.
For the 2014 season, Audi entered a redesigned and upgraded R18 e-tron quattro which featured a 2 MJ energy recovery system. As defending champions, Audi would once again face a challenge in LMP1 from Toyota, and additionally from Porsche who returned to endurance racing after a 16-year absence. The season-opening 6hrs of Silverstone was a disaster for Audi who saw both cars retire from the race, marking the first time that an Audi car has failed to score a podium in a World Endurance Championship race.
Formula E.
Audi provide factory support to Abt Sportsline in the FIA Formula E Championship, The team competed under the title of Audi Sport Abt Formula E Team in the inaugural 2014-15 Formula E season. On 13 February 2014 the team announced its driver line up as Daniel Abt and World Endurance Championship driver Lucas di Grassi.
Formula One.
Audi has been linked to Formula One in recent years but has always resisted due to the company's opinion that it is not relevant to road cars, but hybrid power unit technology has been adopted into the sport, swaying the company's view and encouraging research into the program by former Ferrari team principal Stefano Domenicali.
Audi announced in August 2022 that it would enter the Championship as an engine manufacturer in . In October, Audi confirmed its partnership with Sauber Motorsport for the year 2026, acquiring a stake in the company for the German brand to enter the competition by naming the team and as an engine supplier
Marketing.
Branding.
The Audi emblem is four overlapping rings that represent the four marques of Auto Union. The Audi emblem symbolises the amalgamation of Audi with DKW, Horch and Wanderer: the first ring from the left represents Audi, the second represents DKW, third is Horch, and the fourth and last ring Wanderer.
The design is popularly believed to have been the idea of Klaus von Oertzen, the director of sales at Wanderer – when Berlin was chosen as the host city for the 1936 Summer Olympics and that a form of the Olympic logo symbolized the newly established Auto Union's desire to succeed. Somewhat ironically, the International Olympic Committee later sued Audi in the International Trademark Court in 1995, where they lost.
The original "Audi" script, with the distinctive slanted tails on the "A" and "d" was created for the historic Audi company in 1920 by the famous graphic designer Lucian Bernhard, and was resurrected when Volkswagen revived the brand in 1965. Following the demise of NSU in 1977, less prominence was given to the four rings, in preference to the "Audi" script encased within a black (later red) ellipse, and was commonly displayed next to the Volkswagen roundel when the two brands shared a dealer network under the V.A.G banner. The ellipse (known as the Audi Oval) was phased out after 1994, when Audi formed its own independent dealer network, and prominence was given back to the four rings – at the same time Audi Sans (a derivative of Univers) was adopted as the font for all marketing materials, corporate communications and was also used in the vehicles themselves.
As part of Audi's centennial celebration in 2009, the company updated the logo, changing the font to left-aligned Audi Type, and altering the shading for the overlapping rings. The revised logo was designed by Rayan Abdullah.
Audi developed a Corporate Sound concept, with Audi Sound Studio designed for producing the Corporate Sound. The Corporate Sound project began with sound agency Klangerfinder GmbH & Co KG and s12 GmbH. Audio samples were created in Klangerfinder's sound studio in Stuttgart, becoming part of Audi Sound Studio collection. Other Audi Sound Studio components include The Brand Music Pool, The Brand Voice. Audi also developed Sound Branding Toolkit including certain instruments, sound themes, rhythm and car sounds which all are supposed to reflect the AUDI sound character.
Audi started using a beating heart sound trademark beginning in 1996. An updated heartbeat sound logo, developed by agencies KLANGERFINDER GmbH & Co KG of Stuttgart and S12 GmbH of Munich, was first used in 2010 in an Audi A8 commercial with the slogan "The Art of Progress".
Slogans.
Audi's corporate tagline is , meaning "Progress through Technology". The German-language tagline is used in many European countries, including the United Kingdom (but not in Italy, where is used), and in other markets, such as Latin America, Oceania, Africa and parts of Asia including Japan. Originally, the American tagline was "Innovation through technology", but in Canada "Vorsprung durch Technik" was used. Since 2007, Audi has used the slogan "Truth in Engineering" in the U.S. However, since the Audi emissions testing scandal came to light in September 2015, this slogan was lambasted for being discordant with reality. In fact, just hours after disgraced Volkswagen CEO Martin Winterkorn admitted to cheating on emissions data, an advertisement during the 2015 Primetime Emmy Awards promoted Audi's latest advances in low emissions technology with Kermit the Frog stating, "It's not that easy being green."
"Vorsprung durch Technik" was first used in English-language advertising after Sir John Hegarty of the Bartle Bogle Hegarty advertising agency visited the Audi factory in 1982. In the original British television commercials, the phrase was voiced by Geoffrey Palmer. After its repeated use in advertising campaigns, the phrase found its way into popular culture, including the British comedy "Only Fools and Horses", the U2 song "Zooropa" and the Blur song "Parklife". Similar-sounding phrases have also been used, including as the punchline for a joke in the movie "Lock, Stock, and Two Smoking Barrels" and in the British TV series "Peep Show".
Typography.
Audi Sans (based on Univers Extended) was originally created in 1997 by Ole Schäfer for MetaDesign. MetaDesign was later commissioned for a new corporate typeface called Audi Type, designed by Paul van der Laan and Pieter van Rosmalen of Bold Monday. The font began to appear in Audi's 2009 products and marketing materials.
Sponsorships.
Audi is a strong partner of different kinds of sports. In football, long partnerships exist between Audi and domestic clubs including Bayern Munich, Hamburger SV, 1. FC Nürnberg, Hertha BSC, and Borussia Mönchengladbach and international clubs including Chelsea, Real Madrid, FC Barcelona, A.C. Milan, AFC Ajax and Perspolis. Audi also sponsors winter sports: The Audi FIS Alpine Ski World Cup is named after the company. Additionally, Audi supports the German Ski Association (DSV) as well as the alpine skiing national teams of Switzerland, Sweden, Finland, France, Liechtenstein, Italy, Austria and the U.S. For almost two decades, Audi fosters golf sport: for example with the Audi quattro Cup and the HypoVereinsbank Ladies German Open presented by Audi. In sailing, Audi is engaged in the Medcup regatta and supports the team Luna Rossa during the Louis Vuitton Pacific Series and also is the primary sponsor of the Melges 20 sailboat. Further, Audi sponsors the regional teams ERC Ingolstadt (hockey) and FC Ingolstadt 04 (soccer). In 2009, the year of Audi's 100th anniversary, the company organized the Audi Cup for the first time. Audi also sponsor the New York Yankees as well. In October 2010 they agreed to a three sponsorship year-deal with Everton. Audi also sponsors the England Polo Team and holds the Audi Polo Awards.
Marvel Cinematic Universe.
Since the start of the Marvel Cinematic Universe, Audi signed a deal to sponsor, promote and provide vehicles for several films. So far these have been, "Iron Man", "Iron Man 2", "Iron Man 3", ', ', ', ' and "". The R8 supercar became the personal vehicle for Tony Stark (played by Robert Downey Jr.) for six of these films. The e-tron vehicles were promoted in "Endgame" and "Far From Home". Several commercials were co-produced by Marvel and Audi to promote several new concepts and some of the latest vehicles such as the A8, SQ7 and the e-Tron fleet.
Multitronic campaign.
In 2001, Audi promoted the new multitronic continuously variable transmission with television commercials throughout Europe, featuring an impersonator of musician and actor Elvis Presley. A prototypical dashboard figure – later named "Wackel-Elvis" ("Wobble Elvis" or "Wobbly Elvis") – appeared in the commercials to demonstrate the smooth ride in an Audi equipped with the multitronic transmission. The dashboard figure was originally intended for use in the commercials only, but after they aired the demand for Wackel-Elvis fans grew among fans and the figure was mass-produced in China and marketed by Audi in their factory outlet store.
Audi TDI.
As part of Audi's attempt to promote its Diesel technology in 2009, the company began Audi Mileage Marathon. The driving tour featured a fleet of 23 Audi TDI vehicles from 4 models (Audi Q7 3.0 TDI, Audi Q5 3.0 TDI, Audi A4 3.0 TDI, Audi A3 Sportback 2.0 TDI with S tronic transmission) travelling across the American continent from New York to Los Angeles, passing major cities like Chicago, Dallas and Las Vegas during the 13 daily stages, as well as natural wonders including the Rocky Mountains, Death Valley and the Grand Canyon.
Audi e-tron.
The next phase of technology Audi is developing is the e-tron electric drive powertrain system. They have shown several concept cars , each with different levels of size and performance. The original e-tron concept shown at the 2009 Frankfurt motor show is based on the platform of the R8 and has been scheduled for limited production. Power is provided by electric motors at all four wheels. The second concept was shown at the 2010 Detroit Motor Show. Power is provided by two electric motors at the rear axle. This concept is also considered to be the direction for a future mid-engined gas-powered 2-seat performance coupe. The Audi A1 e-tron concept, based on the Audi A1 production model, is a hybrid vehicle with a range extending Wankel rotary engine to provide power after the initial charge of the battery is depleted. It is the only concept of the three to have range-extending capability. The car is powered through the front wheels, always using electric power.
It is all set to be displayed at the Auto Expo 2012 in New Delhi, India, from 5 January. Powered by a 1.4 litre engine, and can cover a distance up to 54 km s on a single charge. The e-tron was also shown in the 2013 blockbuster film Iron Man 3 and was driven by Tony Stark (Iron Man).
In video games.
Audi has supported the European version of PlayStation Home, the PlayStation 3's online community-based service, by releasing a dedicated Home space. Audi is the first carmaker to develop such a space for Home. On 17 December 2009, Audi released two spaces; the Audi Home Terminal and the Audi Vertical Run. The Audi Home Terminal features an Audi TV channel delivering video content, an Internet Browser feature, and a view of a city. The Audi Vertical Run is where users can access the mini-game Vertical Run, a futuristic mini-game featuring Audi's e-tron concept. Players collect energy and race for the highest possible speeds and the fastest players earn a place in the Audi apartments located in a large tower in the centre of the Audi Space. In both the Home Terminal and Vertical Run spaces, there are teleports where users can teleport back and forth between the two spaces. Audi had stated that additional content would be added in 2010. On 31 March 2015 Sony shutdown the PlayStation Home service rendering all content for it inaccessible.
Branding.
The Audi emblem is four overlapping rings that represent the four marques of Auto Union. The Audi emblem symbolises the amalgamation of Audi with DKW, Horch and Wanderer: the first ring from the left represents Audi, the second represents DKW, third is Horch, and the fourth and last ring Wanderer.
The design is popularly believed to have been the idea of Klaus von Oertzen, the director of sales at Wanderer – when Berlin was chosen as the host city for the 1936 Summer Olympics and that a form of the Olympic logo symbolized the newly established Auto Union's desire to succeed. Somewhat ironically, the International Olympic Committee later sued Audi in the International Trademark Court in 1995, where they lost.
The original "Audi" script, with the distinctive slanted tails on the "A" and "d" was created for the historic Audi company in 1920 by the famous graphic designer Lucian Bernhard, and was resurrected when Volkswagen revived the brand in 1965. Following the demise of NSU in 1977, less prominence was given to the four rings, in preference to the "Audi" script encased within a black (later red) ellipse, and was commonly displayed next to the Volkswagen roundel when the two brands shared a dealer network under the V.A.G banner. The ellipse (known as the Audi Oval) was phased out after 1994, when Audi formed its own independent dealer network, and prominence was given back to the four rings – at the same time Audi Sans (a derivative of Univers) was adopted as the font for all marketing materials, corporate communications and was also used in the vehicles themselves.
As part of Audi's centennial celebration in 2009, the company updated the logo, changing the font to left-aligned Audi Type, and altering the shading for the overlapping rings. The revised logo was designed by Rayan Abdullah.
Audi developed a Corporate Sound concept, with Audi Sound Studio designed for producing the Corporate Sound. The Corporate Sound project began with sound agency Klangerfinder GmbH & Co KG and s12 GmbH. Audio samples were created in Klangerfinder's sound studio in Stuttgart, becoming part of Audi Sound Studio collection. Other Audi Sound Studio components include The Brand Music Pool, The Brand Voice. Audi also developed Sound Branding Toolkit including certain instruments, sound themes, rhythm and car sounds which all are supposed to reflect the AUDI sound character.
Audi started using a beating heart sound trademark beginning in 1996. An updated heartbeat sound logo, developed by agencies KLANGERFINDER GmbH & Co KG of Stuttgart and S12 GmbH of Munich, was first used in 2010 in an Audi A8 commercial with the slogan "The Art of Progress".
Slogans.
Audi's corporate tagline is , meaning "Progress through Technology". The German-language tagline is used in many European countries, including the United Kingdom (but not in Italy, where is used), and in other markets, such as Latin America, Oceania, Africa and parts of Asia including Japan. Originally, the American tagline was "Innovation through technology", but in Canada "Vorsprung durch Technik" was used. Since 2007, Audi has used the slogan "Truth in Engineering" in the U.S. However, since the Audi emissions testing scandal came to light in September 2015, this slogan was lambasted for being discordant with reality. In fact, just hours after disgraced Volkswagen CEO Martin Winterkorn admitted to cheating on emissions data, an advertisement during the 2015 Primetime Emmy Awards promoted Audi's latest advances in low emissions technology with Kermit the Frog stating, "It's not that easy being green."
"Vorsprung durch Technik" was first used in English-language advertising after Sir John Hegarty of the Bartle Bogle Hegarty advertising agency visited the Audi factory in 1982. In the original British television commercials, the phrase was voiced by Geoffrey Palmer. After its repeated use in advertising campaigns, the phrase found its way into popular culture, including the British comedy "Only Fools and Horses", the U2 song "Zooropa" and the Blur song "Parklife". Similar-sounding phrases have also been used, including as the punchline for a joke in the movie "Lock, Stock, and Two Smoking Barrels" and in the British TV series "Peep Show".
Typography.
Audi Sans (based on Univers Extended) was originally created in 1997 by Ole Schäfer for MetaDesign. MetaDesign was later commissioned for a new corporate typeface called Audi Type, designed by Paul van der Laan and Pieter van Rosmalen of Bold Monday. The font began to appear in Audi's 2009 products and marketing materials.
Slogans.
Audi's corporate tagline is , meaning "Progress through Technology". The German-language tagline is used in many European countries, including the United Kingdom (but not in Italy, where is used), and in other markets, such as Latin America, Oceania, Africa and parts of Asia including Japan. Originally, the American tagline was "Innovation through technology", but in Canada "Vorsprung durch Technik" was used. Since 2007, Audi has used the slogan "Truth in Engineering" in the U.S. However, since the Audi emissions testing scandal came to light in September 2015, this slogan was lambasted for being discordant with reality. In fact, just hours after disgraced Volkswagen CEO Martin Winterkorn admitted to cheating on emissions data, an advertisement during the 2015 Primetime Emmy Awards promoted Audi's latest advances in low emissions technology with Kermit the Frog stating, "It's not that easy being green."
"Vorsprung durch Technik" was first used in English-language advertising after Sir John Hegarty of the Bartle Bogle Hegarty advertising agency visited the Audi factory in 1982. In the original British television commercials, the phrase was voiced by Geoffrey Palmer. After its repeated use in advertising campaigns, the phrase found its way into popular culture, including the British comedy "Only Fools and Horses", the U2 song "Zooropa" and the Blur song "Parklife". Similar-sounding phrases have also been used, including as the punchline for a joke in the movie "Lock, Stock, and Two Smoking Barrels" and in the British TV series "Peep Show".
Typography.
Audi Sans (based on Univers Extended) was originally created in 1997 by Ole Schäfer for MetaDesign. MetaDesign was later commissioned for a new corporate typeface called Audi Type, designed by Paul van der Laan and Pieter van Rosmalen of Bold Monday. The font began to appear in Audi's 2009 products and marketing materials.
Sponsorships.
Audi is a strong partner of different kinds of sports. In football, long partnerships exist between Audi and domestic clubs including Bayern Munich, Hamburger SV, 1. FC Nürnberg, Hertha BSC, and Borussia Mönchengladbach and international clubs including Chelsea, Real Madrid, FC Barcelona, A.C. Milan, AFC Ajax and Perspolis. Audi also sponsors winter sports: The Audi FIS Alpine Ski World Cup is named after the company. Additionally, Audi supports the German Ski Association (DSV) as well as the alpine skiing national teams of Switzerland, Sweden, Finland, France, Liechtenstein, Italy, Austria and the U.S. For almost two decades, Audi fosters golf sport: for example with the Audi quattro Cup and the HypoVereinsbank Ladies German Open presented by Audi. In sailing, Audi is engaged in the Medcup regatta and supports the team Luna Rossa during the Louis Vuitton Pacific Series and also is the primary sponsor of the Melges 20 sailboat. Further, Audi sponsors the regional teams ERC Ingolstadt (hockey) and FC Ingolstadt 04 (soccer). In 2009, the year of Audi's 100th anniversary, the company organized the Audi Cup for the first time. Audi also sponsor the New York Yankees as well. In October 2010 they agreed to a three sponsorship year-deal with Everton. Audi also sponsors the England Polo Team and holds the Audi Polo Awards.
Marvel Cinematic Universe.
Since the start of the Marvel Cinematic Universe, Audi signed a deal to sponsor, promote and provide vehicles for several films. So far these have been, "Iron Man", "Iron Man 2", "Iron Man 3", ', ', ', ' and "". The R8 supercar became the personal vehicle for Tony Stark (played by Robert Downey Jr.) for six of these films. The e-tron vehicles were promoted in "Endgame" and "Far From Home". Several commercials were co-produced by Marvel and Audi to promote several new concepts and some of the latest vehicles such as the A8, SQ7 and the e-Tron fleet.
Marvel Cinematic Universe.
Since the start of the Marvel Cinematic Universe, Audi signed a deal to sponsor, promote and provide vehicles for several films. So far these have been, "Iron Man", "Iron Man 2", "Iron Man 3", ', ', ', ' and "". The R8 supercar became the personal vehicle for Tony Stark (played by Robert Downey Jr.) for six of these films. The e-tron vehicles were promoted in "Endgame" and "Far From Home". Several commercials were co-produced by Marvel and Audi to promote several new concepts and some of the latest vehicles such as the A8, SQ7 and the e-Tron fleet.
Multitronic campaign.
In 2001, Audi promoted the new multitronic continuously variable transmission with television commercials throughout Europe, featuring an impersonator of musician and actor Elvis Presley. A prototypical dashboard figure – later named "Wackel-Elvis" ("Wobble Elvis" or "Wobbly Elvis") – appeared in the commercials to demonstrate the smooth ride in an Audi equipped with the multitronic transmission. The dashboard figure was originally intended for use in the commercials only, but after they aired the demand for Wackel-Elvis fans grew among fans and the figure was mass-produced in China and marketed by Audi in their factory outlet store.
Audi TDI.
As part of Audi's attempt to promote its Diesel technology in 2009, the company began Audi Mileage Marathon. The driving tour featured a fleet of 23 Audi TDI vehicles from 4 models (Audi Q7 3.0 TDI, Audi Q5 3.0 TDI, Audi A4 3.0 TDI, Audi A3 Sportback 2.0 TDI with S tronic transmission) travelling across the American continent from New York to Los Angeles, passing major cities like Chicago, Dallas and Las Vegas during the 13 daily stages, as well as natural wonders including the Rocky Mountains, Death Valley and the Grand Canyon.
Audi e-tron.
The next phase of technology Audi is developing is the e-tron electric drive powertrain system. They have shown several concept cars , each with different levels of size and performance. The original e-tron concept shown at the 2009 Frankfurt motor show is based on the platform of the R8 and has been scheduled for limited production. Power is provided by electric motors at all four wheels. The second concept was shown at the 2010 Detroit Motor Show. Power is provided by two electric motors at the rear axle. This concept is also considered to be the direction for a future mid-engined gas-powered 2-seat performance coupe. The Audi A1 e-tron concept, based on the Audi A1 production model, is a hybrid vehicle with a range extending Wankel rotary engine to provide power after the initial charge of the battery is depleted. It is the only concept of the three to have range-extending capability. The car is powered through the front wheels, always using electric power.
It is all set to be displayed at the Auto Expo 2012 in New Delhi, India, from 5 January. Powered by a 1.4 litre engine, and can cover a distance up to 54 km s on a single charge. The e-tron was also shown in the 2013 blockbuster film Iron Man 3 and was driven by Tony Stark (Iron Man).
In video games.
Audi has supported the European version of PlayStation Home, the PlayStation 3's online community-based service, by releasing a dedicated Home space. Audi is the first carmaker to develop such a space for Home. On 17 December 2009, Audi released two spaces; the Audi Home Terminal and the Audi Vertical Run. The Audi Home Terminal features an Audi TV channel delivering video content, an Internet Browser feature, and a view of a city. The Audi Vertical Run is where users can access the mini-game Vertical Run, a futuristic mini-game featuring Audi's e-tron concept. Players collect energy and race for the highest possible speeds and the fastest players earn a place in the Audi apartments located in a large tower in the centre of the Audi Space. In both the Home Terminal and Vertical Run spaces, there are teleports where users can teleport back and forth between the two spaces. Audi had stated that additional content would be added in 2010. On 31 March 2015 Sony shutdown the PlayStation Home service rendering all content for it inaccessible.
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Alfred Lawson
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Alfred William Lawson (March 24, 1869 – November 29, 1954) was an English born professional baseball player, aviator and utopian philosopher. He was a baseball player, manager, and league promoter from 1887 through 1916 and went on to play a pioneering role in the U.S. aircraft industry. He published two early aviation trade journals.
He is frequently cited as the inventor of the airliner and was awarded several of the first air mail contracts, which he ultimately could not fulfill. He founded the Lawson Aircraft Company in Green Bay, Wisconsin, to build military training aircraft and later the Lawson Airplane Company in South Milwaukee, Wisconsin, to build airliners.
The crash of his ambitious Lawson L-4 "Midnight Liner" during its trial flight takeoff on May 8, 1921, ended his best chance for commercial aviation success.
In 1904, he wrote a utopian novel, "Born Again", in which he developed the philosophy which later became Lawsonomy.
Baseball career (1888–1907).
He made one start for the Boston Beaneaters and two for the Pittsburgh Alleghenys during the 1890 season. His minor league playing career lasted through 1895. He later managed in the minors from 1905 to 1907.
Union Professional League.
In 1908, he started a new professional baseball league known as the Union Professional League. The league took the field in April but folded one month later owing to financial difficulties.
Union Professional League.
In 1908, he started a new professional baseball league known as the Union Professional League. The league took the field in April but folded one month later owing to financial difficulties.
Aviation career (1908–1928).
An early advocate or rather evangelist of aviation, in October 1908 Lawson started the magazine "Fly" to stimulate public interest and educate readers in the fundamentals of the new science of aviation. It sold for 10 cents a copy from newsstands across the country. In 1910, moving to New York City, he renamed the magazine "Aircraft" and published it until 1914. The magazine chronicled the technical developments of the early aviation pioneers.
Lawson was the first advocate for commercial air travel, coining the term "airline." He also advocated for a strong American flying force, lobbying Congress in 1913 to expand its appropriations for Army aircraft.
In early 1913, he learned to fly the Sloan-Deperdussin and the Moisant-Bleriot monoplanes, becoming an accomplished pilot. Later that year he bought a Thomas flying boat and became the first air commuter regularly flying from his country house in Seidler's Beach, New Jersey, to the foot of 75th Street in New York City (about 35 miles).
In 1917, utilizing the knowledge gained from ten years of advocating aviation, he built his first airplane, the Lawson Military Tractor 1 (MT-1) trainer, and founded the Lawson Aircraft Corporation. The company's plant was sited at Green Bay, Wisconsin. There he secured a contract and built the Lawson MT-2. He also designed the steel fuselage Lawson Armored Battler, which never got beyond the drafting board, given doubts within the Army aviation community and the signing of the armistice.
After the war, in 1919 Lawson started a project to build America's first airline. He secured financial backing, and in five months he had built and demonstrated in flight his biplane airliner, the 18-passenger Lawson L-2. He demonstrated its capabilities in a 2000-mile multi-city tour from Milwaukee to Chicago-Toledo-Cleveland-Buffalo-Syracuse-New york City-Washington, D.C.-Collinsville-Dayton-Chicago and back to Milwaukee, creating a buzz of positive press.
The publicity allowed him to secure an additional $1 million to build the 26-passenger Midnight Liner. The aircraft crashed on takeoff on its maiden flight.
In late 1920, he secured government contracts for three airmail routes and to deliver ten war planes, but owing to the fall 1920 recession, he could not secure the necessary $100,000 in cash reserves called for in the contracts and had to decline them.
In 1926, he started his last airliner, the 56-seat, two-tier Lawson super airliner.
In this phase of his life, he was considered one of the leading thinkers in the budding American commercial aviation community, but his troubles with getting financial backing for his ideas led him to turn to economics, philosophy, and organization.
Lawsonomy (1929–1954).
In the 1920s, Lawson promoted health practices, including vegetarianism, and claimed to have found the secret of living to 200. He also developed his own highly unusual theories of physics, according to which such concepts as "penetrability", "suction and pressure" and "zig-zag-and-swirl" were discoveries on par with Einstein's theory of relativity. He published numerous books on these concepts, all set in a distinctive typography.
He later propounded his own philosophy, Lawsonomy, and the Lawsonian religion. He also developed, during the Great Depression, the populist economic theory of "Direct Credits", according to which banks are the cause of all economic woes, the oppressors of both capital and labour. Lawson believed that the government should replace banks as the provider of loans to business and workers. He predicted the worldwide adoption of Lawsonian principles once "everybody understands this subject". His rallies and lectures attracted thousands of listeners in the early 1930s, mainly in the upper Midwest, but by the late 1930s the crowds had dwindled.
His claims about his own greatness became increasingly hyperbolic. The "Lawsonomy trilogy", considered by Lawson himself to be his intellectual masterpiece, is full of such self-referential statements as "About every two thousand years a new teacher with advanced intellectual equipment appears upon earth to lead the people a step or two nearer the one God of everybody".
In 1943, he founded the Humanity Benefactor Foundation and University of Lawsonomy in Des Moines, on the site of Des Moines University, to spread his teachings and offer the degree of "Knowledgian", but after various IRS and other investigations it was closed and finally sold in 1954, the year of Lawson's death. His financial arrangements remain mysterious to this day, and in later years he seems to have owned little property, moving from city to city as a guest of his farflung acolytes. In 1952, he was brought before a United States Senate investigative committee on allegations that his organization had bought war surplus machines and then sold them for a profit, despite claiming non-profit status. His attempt to explain Lawsonomy to the senators ended in mutual frustration and bafflement.
A farm near Racine, Wisconsin, is the only remaining university facility, although a tiny handful of churches may yet survive in places such as Wichita, Kansas. The large sign, formerly reading "University of Lawsonomy", was a familiar landmark for motorists in the region for many years and was visible from Interstate 94 about north of the Illinois state line, on the east side of the highway. A storm in the spring of 2009 destroyed the sign, although the supporting posts are still visible. On the northbound side of Interstate 94, a sign on the roof of the building nearest the freeway said "Study Natural Law" until being shingled over in October 2014.
In 2018, the Town of Mount Pleasant paid $933,000 to purchase the property on the northbound side of Interstate 94 for the Foxconn project. All remaining buildings were demolished and removed. Lawsonomy maintains a small following to this day.
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Alfred Korzybski
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Alfred Habdank Skarbek Korzybski (, ; July 3, 1879 – March 1, 1950) was a Polish-American independent scholar who developed a field called general semantics, which he viewed as both distinct from, and more encompassing than, the field of semantics. He argued that human knowledge of the world is limited both by the human nervous system and the languages humans have developed, and thus no one can have direct access to reality, given that the most we can know is that which is filtered through the brain's responses to reality. His best known dictum is "The map is not the territory".
Early life and career.
Born in Warsaw, Vistula Country, which was then part of the Russian Empire, Korzybski belonged to an aristocratic Polish family whose members had worked as mathematicians, scientists, and engineers for generations. He learned the Polish language at home and the Russian language in schools, and having a French and German governess, he became fluent in four languages as a child.
Korzybski studied engineering at the Warsaw University of Technology. During the First World War (1914–1918) Korzybski served as an intelligence officer in the Russian Army. After being wounded in a leg and suffering other injuries, he moved to North America in 1916 (first to Canada, then to the United States) to coordinate the shipment of artillery to Russia. He also lectured to Polish-American audiences about the conflict, promoting the sale of war bonds. After the war he decided to remain in the United States, becoming a naturalized citizen in 1940. He met Mira Edgerly, a painter of portraits on ivory, shortly after the 1918 Armistice; They married in January 1919; the marriage lasted until his death.
E. P. Dutton published Korzybski's first book, "Manhood of Humanity", in 1921. In this work he proposed and explained in detail a new theory of humankind: mankind as a "time-binding" class of life (humans perform time binding by the transmission of knowledge and abstractions through time which become accreted in cultures).
General semantics.
Korzybski's work culminated in the initiation of a discipline that he named general semantics (GS). This should not be confused with semantics. The basic principles of general semantics, which include time-binding, are described in the publication "Science and Sanity", published in 1933. In 1938, Korzybski founded the Institute of General Semantics in Chicago. The post-World War II housing shortage in Chicago cost him the institute's building lease, so in 1946 he moved the institute to Lakeville, Connecticut, U.S., where he directed it until his death in 1950.
Korzybski maintained that humans are limited in what they know by (1) the structure of their nervous systems, and (2) the structure of their languages. Humans cannot experience the world directly, but only through their "abstractions" (nonverbal impressions or "gleanings" derived from the nervous system, and verbal indicators expressed and derived from language). These sometimes mislead us about what is the truth. Our understanding sometimes lacks "similarity of structure" with what is actually happening.
He sought to train our awareness of abstracting, using techniques he had derived from his study of mathematics and science. He called this awareness, this goal of his system, "consciousness of abstracting". His system included the promotion of attitudes such as "I don't know; let's see," in order that we may better discover or reflect on its realities as revealed by modern science. Another technique involved becoming inwardly and outwardly quiet, an experience he termed, "silence on the objective levels".
"To be".
Many devotees and critics of Korzybski reduced his rather complex system to a simple matter of what he said about the verb form "is" of the general verb "to be." His system, however, is based primarily on such terminology as the different "orders of abstraction," and formulations such as "consciousness of abstracting." The contention that Korzybski "opposed" the use of the verb "to be" would be a profound exaggeration.
He thought that "certain uses" of the verb "to be", called the "is of identity" and the "is of predication", were faulty in structure, e.g., a statement such as, "Elizabeth is a fool" (said of a person named "Elizabeth" who has done something that we regard as foolish). In Korzybski's system, one's assessment of Elizabeth belongs to a higher order of abstraction than Elizabeth herself. Korzybski's remedy was to "deny" identity; in this example, to be aware continually that "Elizabeth" is "not" what we "call" her. We find Elizabeth not in the verbal domain, the world of words, but the nonverbal domain (the two, he said, amount to different orders of abstraction). This was expressed by Korzybski's most famous premise, "the map is not the territory". Note that this premise uses the phrase "is not", a form of "to be"; this and many other examples show that he did not intend to abandon "to be" as such. In fact, he said explicitly that there were no structural problems with the verb "to be" when used as an auxiliary verb or when used to state existence or location. It was even acceptable at times to use the faulty forms of the verb "to be," as long as one was aware of their structural limitations.
Anecdotes.
One day, Korzybski was giving a lecture to a group of students, and he interrupted the lesson suddenly in order to retrieve a packet of biscuits, wrapped in white paper, from his briefcase. He muttered that he just had to eat something, and he asked the students on the seats in the front row if they would also like a biscuit. A few students took a biscuit. "Nice biscuit, don't you think," said Korzybski, while he took a second one. The students were chewing vigorously. Then he tore the white paper from the biscuits, in order to reveal the original packaging. On it was a big picture of a dog's head and the words "Dog Cookies." The students looked at the package, and were shocked. Two of them wanted to vomit, put their hands in front of their mouths, and ran out of the lecture hall to the toilet. "You see," Korzybski remarked, "I have just demonstrated that people don't just eat food, but also words, and that the taste of the former is often outdone by the taste of the latter."
William Burroughs went to a Korzybski workshop in the Autumn of 1939. He was 25 years old, and paid $40. His fellow students—there were 38 in all—included young Samuel I. Hayakawa (later to become a Republican member of the U.S. Senate) and Wendell Johnson (founder of the Monster Study).
Influence.
Korzybski was well received in numerous disciplines, as evidenced by the positive reactions from leading figures in the sciences and humanities in the 1940s and 1950s. These include author Robert A. Heinlein naming a character after him in his 1940 short story "Blowups Happen", and science fiction writer A. E. van Vogt in his novel "The World of Null-A", published in 1948. Korzybski's ideas influenced philosopher Alan Watts who used his phrase "the map is not the territory" in lectures. Writer Robert Anton Wilson was also deeply influenced by Korzybski's ideas.
As reported in the third edition of "Science and Sanity", in World War II the US Army used Korzybski's system to treat battle fatigue in Europe, under the supervision of Dr. Douglas M. Kelley, who went on to become the psychiatrist in charge of the Nazi war criminals at Nuremberg.
Some of the General Semantics tradition was continued by Samuel I. Hayakawa.
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Albert Sidney Johnston
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Albert Sidney Johnston (February 2, 1803 – April 6, 1862) served as a general in three different armies: the Texian Army, the United States Army, and the Confederate States Army. He saw extensive combat during his 34-year military career, fighting actions in the Black Hawk War, the Texas War of Independence, the Mexican–American War, the Utah War, and the American Civil War.
Considered by Confederate States President Jefferson Davis to be the finest general officer in the Confederacy before the later emergence of Robert E. Lee, he was killed early in the Civil War at the Battle of Shiloh on April 6, 1862. Johnston was the highest-ranking Confederate officer killed during the entire war. Davis believed the loss of General Johnston "was the turning point of our fate."
Johnston was unrelated to Confederate general Joseph E. Johnston.
Early life and education.
Johnston was born in Washington, Kentucky, the youngest son of Dr. John and Abigail (Harris) Johnston. His father was a native of Salisbury, Connecticut. Although Albert Johnston was born in Kentucky, he lived much of his life in Texas, which he considered his home. He was first educated at Transylvania University in Lexington, Kentucky, where he met fellow student Jefferson Davis. Both were appointed to the United States Military Academy at West Point, New York, Davis two years behind Johnston. In 1826, Johnston graduated eighth of 41 cadets in his class from West Point with a commission as a brevet second lieutenant in the 2nd U.S. Infantry.
Johnston was assigned to posts in New York and Missouri and served in the brief Black Hawk War in 1832 as chief of staff to Bvt. Brig. Gen. Henry Atkinson.
Marriage and family.
In 1829, he married Henrietta Preston, sister of Kentucky politician and future Civil War general William Preston. They had one son, William Preston Johnston, who became a colonel in the Confederate States Army. The senior Johnston resigned his commission in 1834 in order to care for his dying wife in Kentucky, who succumbed two years later to tuberculosis.
After serving as Secretary of War for the Republic of Texas from 1838 to 1840, Johnston resigned and returned to Kentucky. In 1843, he married Eliza Griffin, his late wife's first cousin. The couple moved to Texas, where they settled on a large plantation in Brazoria County. Johnston named the property "China Grove". Here they raised Johnston's two children from his first marriage and the first three children born to Eliza and him. A sixth child was born later when the family lived in Los Angeles, where they had permanently settled.
Texian Army.
In 1836, Johnston moved to Texas. He enlisted as a private in the Texian Army during the Texas War of Independence from the Republic of Mexico. He was named Adjutant General as a colonel in the Republic of Texas Army on August 5, 1836. On January 31, 1837, he became senior brigadier general in command of the Texas Army.
On February 5, 1837, he fought in a duel with Texas Brig. Gen. Felix Huston, who was angered and offended by Johnston's promotion. Johnston was shot through the hip and severely wounded, requiring him to relinquish his post during his recovery.
On December 22, 1838, Mirabeau B. Lamar, the second president of the Republic of Texas, appointed Johnston as Secretary of War. He provided for the defense of the Texas border against Mexican attempts to recover the state in rebellion, and in 1839 conducted a campaign against Indians in northern Texas. In February 1840, he resigned and returned to Kentucky.
United States Army.
Johnston returned to Texas during the Mexican–American War (1846–1848), under General Zachary Taylor as a colonel of the 1st Texas Rifle Volunteers. The Polk administration's preference for officers associated with the Democratic Party prevented the promotion of those, such as Johnston, who were perceived as Whigs:
The enlistments of Johnston's volunteers ran out just before the Battle of Monterrey. Johnston convinced a few volunteers to stay and fight as he served as the inspector general of volunteers and fought at the battles of Monterrey and Buena Vista. Future Union general, Joseph Hooker, was with Johnston at Monterrey. Hooker wrote: "It was through [Johnston's] agency, mainly, that our division was saved from a cruel slaughter... The coolness and magnificent presence [that he] displayed on this field... left an impression on my mind that I have never forgotten."
He remained on his plantation after the war until he was appointed by later 12th president Zachary Taylor to the U.S. Army as a major and was made a paymaster in December 1849. He served in that role for more than five years, making six tours, and traveling more than annually on the Indian frontier of Texas. He served on the Texas frontier at Fort Mason and elsewhere in the West.
In 1855, 14th president Franklin Pierce appointed him colonel of the new 2nd U.S. Cavalry (the unit that preceded the modern 5th U.S.), a new regiment, which he organized, his lieutenant colonel being Robert E. Lee, and his majors William J. Hardee and George H. Thomas. Other subordinates in this unit included Earl Van Dorn, Edmund Kirby Smith, Nathan G. Evans, Innis N. Palmer, George Stoneman, R.W. Johnson, John B. Hood, and Charles W. Field, all future Civil War generals.
Utah War.
As a key figure in the Utah War, Johnston took command of the U.S forces in November 1857. This army was sent to install Alfred Cummings as governor of the Utah territory, in place of Brigham Young. After the army wintered at Fort Bridger, Wyoming, a peaceful resolution was reached and in late June 1858 Johnston led the army through Salt Lake city without incident to establish Camp Floyd some 50 miles distant. He received a brevet promotion to brigadier general in 1857 for his service in Utah. He spent 1860 in Kentucky until December 21, when he sailed for California to take command of the Department of the Pacific.
Slavery.
Johnston was a proponent of slavery and a slaveholder. In 1846, he owned a family of four slaves in Texas. In 1855, having discovered that a slave was stealing from the army payroll, Johnston refused to have him physically punished and instead sold him for $1,000 to recoup the losses. Johnston explained that "whipping will not restore what is lost and it will not benefit the [culprit], whom a lifetime of kind treatment has failed to make honest." In 1856, he called abolitionism "fanatical, idolotrous, negro worshipping" in a letter to his son, fearing that the abolitionists would incite a servile insurrection in the South. Upon moving to California, Johnston sold one slave to his son and freed another, Randolph or "Ran", who desired to accompany the family, on the condition of a $12/month contract for five more years of servitude. Ran accompanied Johnston throughout the Civil War, up until the latter's death. Johnston's wife, Eliza, celebrated the lack of black people in California, writing "where the darky is in any numbers it should be as slaves."
Civil War.
At the outbreak of the American Civil War, Johnston was the commander of the U.S. Army Department of the Pacific in California. Like many regular army officers from the South, he was opposed to secession. But he resigned his commission soon after he heard of the secession of the Southern states. It was accepted by the War Department on May 6, 1861, effective May 3. On April 28 he moved to Los Angeles, the home of his wife's brother John Griffin. Considering staying in California with his wife and five children, Johnston remained there until May. A sixth child was born in the family home at Los Angeles. His eldest son, Capt. Albert S. Johnston, Jr. was later killed in an accidental explosion on a steamer ship while on liberty in Los Angeles, in 1863.
Soon, Johnston enlisted in the Los Angeles Mounted Rifles as a private, leaving Warner's Ranch May 27. He participated in their trek across the southwestern deserts to Texas, crossing the Colorado River into the Confederate Territory of Arizona on July 4, 1861. His escort was commanded by Alonzo Ridley, Undersheriff of Los Angeles, who remained at Johnston's side until he was killed.
Early in the Civil War, Confederate President Jefferson Davis decided that the Confederacy would attempt to hold as much of its territory as possible, and therefore distributed military forces around its borders and coasts. In the summer of 1861, Davis appointed several generals to defend Confederate lines from the Mississippi River east to the Allegheny Mountains.
The most sensitive, and in many ways the most crucial areas, along the Mississippi River and in western Tennessee along the Tennessee and the Cumberland rivers were placed under the command of Maj. Gen. Leonidas Polk and Brig. Gen. Gideon J. Pillow. The latter had initially been in command in Tennessee as that State's top general. Their impolitic occupation of Columbus, Kentucky, on September 3, 1861, two days before Johnston arrived in the Confederacy's capital of Richmond, Virginia, after his cross-country journey, drove Kentucky from its stated neutrality. The majority of Kentuckians allied with the Union camp. Polk and Pillow's action gave Union Brig. Gen. Ulysses S. Grant an excuse to take control of the strategically located town of Paducah, Kentucky, without raising the ire of most Kentuckians and the pro-Union majority in the State legislature.
Confederate command in Western Theater.
On September 10, 1861, Johnston was assigned to command the huge area of the Confederacy west of the Allegheny Mountains, except for coastal areas. He became commander of the Confederacy's western armies in the area often called the Western Department or Western Military Department. Johnston's appointment as a full general by his friend and admirer Jefferson Davis already had been confirmed by the Confederate Senate on August 31, 1861. The appointment had been backdated to rank from May 30, 1861, making him the second highest ranking general in the Confederate States Army. Only Adjutant General and Inspector General Samuel Cooper ranked ahead of him. After his appointment, Johnston immediately headed for his new territory. He was permitted to call on governors of Arkansas, Tennessee and Mississippi for new troops, although this authority was largely stifled by politics, especially with respect to Mississippi. On September 13, 1861, Johnston ordered Brig. Gen. Felix Zollicoffer with 4,000 men to occupy Cumberland Gap in Kentucky in order to block Union troops from coming into eastern Tennessee. The Kentucky legislature had voted to side with the Union after the occupation of Columbus by Polk. By September 18, Johnston had Brig. Gen. Simon Bolivar Buckner with another 4,000 men blocking the railroad route to Tennessee at Bowling Green, Kentucky.
Johnston had fewer than 40,000 men spread throughout Kentucky, Tennessee, Arkansas and Missouri. Of these, 10,000 were in Missouri under Missouri State Guard Maj. Gen. Sterling Price. Johnston did not quickly gain many recruits when he first requested them from the governors, but his more serious problem was lacking sufficient arms and ammunition for the troops he already had. As the Confederate government concentrated efforts on the units in the East, they gave Johnston small numbers of reinforcements and minimal amounts of arms and material. Johnston maintained his defense by conducting raids and other measures to make it appear he had larger forces than he did, a strategy that worked for several months. Johnston's tactics had so annoyed and confused Union Brig. Gen. William Tecumseh Sherman in Kentucky that he became paranoid and mentally unstable. Sherman overestimated Johnston's forces, and had to be relieved by Brig. Gen. Don Carlos Buell on November 9, 1861. However, in his "Memoirs". Sherman strongly refutes this account.
Battle of Mill Springs.
East Tennessee (a heavily pro-Union region of the South during the Civil War) was held for the Confederacy by two unimpressive brigadier generals appointed by Jefferson Davis: Felix Zollicoffer, a brave but untrained and inexperienced officer, and soon-to-be Maj. Gen. George B. Crittenden, a former U.S. Army officer with apparent alcohol problems. While Crittenden was away in Richmond, Zollicoffer moved his forces to the north bank of the upper Cumberland River near Mill Springs (now Nancy, Kentucky), putting the river to his back and his forces into a trap. Zollicoffer decided it was impossible to obey orders to return to the other side of the river because of scarcity of transport and proximity of Union troops. When Union Brig. Gen. George H. Thomas moved against the Confederates, Crittenden decided to attack one of the two parts of Thomas's command at Logan's Cross Roads near Mill Springs before the Union forces could unite. At the Battle of Mill Springs on January 19, 1862, the ill-prepared Confederates, after a night march in the rain, attacked the Union force with some initial success. As the battle progressed, Zollicoffer was killed, Crittenden was unable to lead the Confederate force (he may have been intoxicated), and the Confederates were turned back and routed by a Union bayonet charge, suffering 533 casualties from their force of 4,000. The Confederate troops who escaped were assigned to other units as General Crittenden faced an investigation of his conduct.
After the Confederate defeat at the Mill Springs, Davis sent Johnston a brigade and a few other scattered reinforcements. He also assigned him Gen. P. G. T. Beauregard, who was supposed to attract recruits because of his victories early in the war, and act as a competent subordinate for Johnston. The brigade was led by Brig. Gen. John B. Floyd, considered incompetent. He took command at Fort Donelson as the senior general present just before Union Brig. Gen. Ulysses S. Grant attacked the fort. Historians believe the assignment of Beauregard to the west stimulated Union commanders to attack the forts before Beauregard could make a difference in the theater. Union officers heard that he was bringing 15 regiments with him, but this was an exaggeration of his forces.
Fort Henry, Fort Donelson, Nashville.
Based on the assumption that Kentucky neutrality would act as a shield against a direct invasion from the north, circumstances that no longer applied in September 1861, Tennessee initially had sent men to Virginia and concentrated defenses in the Mississippi Valley. Even before Johnston arrived in Tennessee, construction of two forts had been started to defend the Tennessee and the Cumberland rivers, which provided avenues into the State from the north. Both forts were located in Tennessee in order to respect Kentucky neutrality, but these were not in ideal locations. Fort Henry on the Tennessee River was in an unfavorable low-lying location, commanded by hills on the Kentucky side of the river. Fort Donelson on the Cumberland River, although in a better location, had a vulnerable land side and did not have enough heavy artillery to defend against gunboats.
Maj. Gen. Polk ignored the problems of the forts when he took command. After Johnston took command, Polk at first refused to comply with Johnston's order to send an engineer, Lt. Joseph K. Dixon, to inspect the forts. After Johnston asserted his authority, Polk had to allow Dixon to proceed. Dixon recommended that the forts be maintained and strengthened, although they were not in ideal locations, because much work had been done on them and the Confederates might not have time to build new ones. Johnston accepted his recommendations. Johnston wanted Major Alexander P. Stewart to command the forts but President Davis appointed Brig. Gen. Lloyd Tilghman as commander.
To prevent Polk from dissipating his forces by allowing some men to join a partisan group, Johnston ordered him to send Brig. Gen. Gideon Pillow and 5,000 men to Fort Donelson. Pillow took up a position at nearby Clarksville, Tennessee, and did not move into the fort until February 7, 1862. Alerted by a Union reconnaissance on January 14, 1862, Johnston ordered Tilghman to fortify the high ground opposite Fort Henry, which Polk had failed to do despite Johnston's orders. Tilghman failed to act decisively on these orders, which in any event were too late to be adequately carried out.
Gen. Beauregard arrived at Johnston's headquarters at Bowling Green on February 4, 1862, and was given overall command of Polk's force at the western end of Johnston's line at Columbus, Kentucky. On February 6, 1862, Union Navy gunboats quickly reduced the defenses of ill-sited Fort Henry, inflicting 21 casualties on the small remaining Confederate force. Brig. Gen. Lloyd Tilghman surrendered the 94 remaining officers and men of his approximately 3,000-man force which had not been sent to Fort Donelson before U.S. Grant's force could even take up their positions. Johnston knew he could be trapped at Bowling Green if Fort Donelson fell, so he moved his force to Nashville, the capital of Tennessee and an increasingly important Confederate industrial center, beginning on February 11, 1862.
Johnston also reinforced Fort Donelson with 12,000 more men, including those under Floyd and Pillow, a curious decision in view of his thought that the Union gunboats alone might be able to take the fort. He did order the commanders of the fort to evacuate the troops if the fort could not be held. The senior generals sent to the fort to command the enlarged garrison, Gideon J. Pillow and John B. Floyd, squandered their chance to avoid having to surrender most of the garrison and on February 16, 1862, Brig. Gen. Simon Buckner, having been abandoned by Floyd and Pillow, surrendered Fort Donelson. Colonel Nathan Bedford Forrest escaped with his cavalry force of about 700 men before the surrender. The Confederates suffered about 1,500 casualties with an estimated 12,000 to 14,000 taken prisoner. Union casualties were 500 killed, 2,108 wounded, 224 missing.
Johnston, who had little choice in allowing Floyd and Pillow to take charge at Fort Donelson on the basis of seniority after he ordered them to add their forces to the garrison, took the blame and suffered calls for his removal because a full explanation to the press and public would have exposed the weakness of the Confederate position. His passive defensive performance while positioning himself in a forward position at Bowling Green, spreading his forces too thinly, not concentrating his forces in the face of Union advances, and appointing or relying upon inadequate or incompetent subordinates subjected him to criticism at the time and by later historians. The fall of the forts exposed Nashville to imminent attack, and it fell without resistance to Union forces under Brig. Gen. Buell on February 25, 1862, two days after Johnston had to pull his forces out in order to avoid having them captured as well.
Concentration at Corinth.
Johnston had various remaining military units scattered throughout his territory and retreating to the south to avoid being cut off. Johnston himself retreated with the force under his personal command, the Army of Central Kentucky, from the vicinity of Nashville. With Beauregard's help, Johnston decided to concentrate forces with those formerly under Polk and now already under Beauregard's command at the strategically located railroad crossroads of Corinth, Mississippi, which he reached by a circuitous route. Johnston kept the Union forces, now under the overall command of the ponderous Maj. Gen. Henry Halleck, confused and hesitant to move, allowing Johnston to reach his objective undetected. This delay allowed Jefferson Davis finally to send reinforcements from the garrisons of coastal cities and another highly rated but prickly general, Braxton Bragg, to help organize the western forces. Bragg at least calmed the nerves of Beauregard and Polk, who had become agitated by their apparent dire situation in the face of numerically superior forces, before Johnston's arrival on March 24, 1862.
Johnston's army of 17,000 men gave the Confederates a combined force of about 40,000 to 44,669 men at Corinth. On March 29, 1862, Johnston officially took command of this combined force, which continued to use the Army of the Mississippi name under which it had been organized by Beauregard on March 5.
Johnston now planned to defeat the Union forces piecemeal before the various Union units in Kentucky and Tennessee under Grant with 40,000 men at nearby Pittsburg Landing, Tennessee, and the now Maj. Gen. Don Carlos Buell on his way from Nashville with 35,000 men, could unite against him. Johnston started his army in motion on April 3, 1862, intent on surprising Grant's force as soon as the next day, but they moved slowly due to their inexperience, bad roads, and lack of adequate staff planning. Due to the delays, as well as several contacts with the enemy, Johnston's second in command, P. G. T. Beauregard, felt the element of surprise had been lost and recommended calling off the attack. Johnston decided to proceed as planned, stating "I would fight them if they were a million." His army was finally in position within a mile or two of Grant's force, and undetected, by the evening of April 5, 1862.
Battle of Shiloh and death.
Johnston launched a massive surprise attack with his concentrated forces against Grant at the Battle of Shiloh on April 6, 1862. As the Confederate forces overran the Union camps, Johnston personally rallied troops up and down the line on his horse. One of his famous moments in the battle occurred when he witnessed some of his soldiers breaking from the ranks to pillage and loot the Union camps, and was outraged to see a young lieutenant among them. "None of that, sir", Johnston roared at the officer, "we are not here for plunder." Then, realizing he had embarrassed the man, he picked up a tin cup from a table and announced, "Let this be my share of the spoils today", before directing his army onward.
At about 2:30 pm, while leading one of those charges against a Union camp near the "Peach Orchard", he was wounded, taking a bullet behind his right knee. The bullet clipped a part of his popliteal artery and his boot filled up with blood. There were no medical personnel on scene at the time, since Johnston had sent his personal surgeon to care for the wounded Confederate troops and Union prisoners earlier in the battle.
Within a few minutes, Johnston was observed by his staff to be nearly fainting. Among his staff was Isham G. Harris, the Governor of Tennessee, who had ceased to make any real effort to function as governor after learning that Abraham Lincoln had appointed Andrew Johnson as military governor of Tennessee. Seeing Johnston slumping in his saddle and his face turning deathly pale, Harris asked: "General, are you wounded?" Johnston glanced down at his leg wound, then faced Harris and replied in a weak voice his last words: "Yes... and I fear seriously." Harris and other staff officers removed Johnston from his horse and carried him to a small ravine near the "Hornets Nest" and desperately tried to aid the general, who had lost consciousness by this point. Harris then sent an aide to fetch Johnston's surgeon but did not apply a tourniquet to Johnson's wounded leg. A few minutes later, before a doctor could be found, Johnston died from blood loss. It is believed that Johnston may have lived for as long as one hour after receiving his fatal wound. Ironically, it was later discovered that Johnston had a tourniquet in his pocket when he died.
Harris and the other officers wrapped General Johnston's body in a blanket so as not to damage the troops' morale with the sight of the dead general. Johnston and his wounded horse, Fire Eater, were taken to his field headquarters on the Corinth road, where his body remained in his tent for the remainder of the battle. P. G. T. Beauregard assumed command of the army and resumed leading the Confederate assault, which continued advancing and pushed the Union force back to a final defensive line near the Tennessee river. With his army exhausted and daylight almost gone, Beauregard called off the final Confederate attack around 1900 hours, figuring he could finish off the Union army the following morning. However, Grant was reinforced by 20,000 fresh troops from Don Carlos Buell's Army of the Ohio during the night, and led a successful counter-attack the following day, driving the Confederates from the field and winning the battle. As the Confederate army retreated back to Corinth, Johnston's body was taken to the home of Colonel William Inge, which had been his headquarters in Corinth. It was covered in the Confederate flag and lay in state for several hours.
It is possible that a Confederate soldier fired the fatal round, as many Confederates were firing at the Union lines while Johnston charged well in advance of his soldiers. Alonzo Ridley of Los Angeles commanded the bodyguard “the Guides” of Gen. A. S. Johnston, and was by his side when he fell.
Johnston was the highest-ranking fatality of the war on either side, and his death was a strong blow to the morale of the Confederacy. At the time, Davis considered him the best general in the country.
Confederate command in Western Theater.
On September 10, 1861, Johnston was assigned to command the huge area of the Confederacy west of the Allegheny Mountains, except for coastal areas. He became commander of the Confederacy's western armies in the area often called the Western Department or Western Military Department. Johnston's appointment as a full general by his friend and admirer Jefferson Davis already had been confirmed by the Confederate Senate on August 31, 1861. The appointment had been backdated to rank from May 30, 1861, making him the second highest ranking general in the Confederate States Army. Only Adjutant General and Inspector General Samuel Cooper ranked ahead of him. After his appointment, Johnston immediately headed for his new territory. He was permitted to call on governors of Arkansas, Tennessee and Mississippi for new troops, although this authority was largely stifled by politics, especially with respect to Mississippi. On September 13, 1861, Johnston ordered Brig. Gen. Felix Zollicoffer with 4,000 men to occupy Cumberland Gap in Kentucky in order to block Union troops from coming into eastern Tennessee. The Kentucky legislature had voted to side with the Union after the occupation of Columbus by Polk. By September 18, Johnston had Brig. Gen. Simon Bolivar Buckner with another 4,000 men blocking the railroad route to Tennessee at Bowling Green, Kentucky.
Johnston had fewer than 40,000 men spread throughout Kentucky, Tennessee, Arkansas and Missouri. Of these, 10,000 were in Missouri under Missouri State Guard Maj. Gen. Sterling Price. Johnston did not quickly gain many recruits when he first requested them from the governors, but his more serious problem was lacking sufficient arms and ammunition for the troops he already had. As the Confederate government concentrated efforts on the units in the East, they gave Johnston small numbers of reinforcements and minimal amounts of arms and material. Johnston maintained his defense by conducting raids and other measures to make it appear he had larger forces than he did, a strategy that worked for several months. Johnston's tactics had so annoyed and confused Union Brig. Gen. William Tecumseh Sherman in Kentucky that he became paranoid and mentally unstable. Sherman overestimated Johnston's forces, and had to be relieved by Brig. Gen. Don Carlos Buell on November 9, 1861. However, in his "Memoirs". Sherman strongly refutes this account.
Battle of Mill Springs.
East Tennessee (a heavily pro-Union region of the South during the Civil War) was held for the Confederacy by two unimpressive brigadier generals appointed by Jefferson Davis: Felix Zollicoffer, a brave but untrained and inexperienced officer, and soon-to-be Maj. Gen. George B. Crittenden, a former U.S. Army officer with apparent alcohol problems. While Crittenden was away in Richmond, Zollicoffer moved his forces to the north bank of the upper Cumberland River near Mill Springs (now Nancy, Kentucky), putting the river to his back and his forces into a trap. Zollicoffer decided it was impossible to obey orders to return to the other side of the river because of scarcity of transport and proximity of Union troops. When Union Brig. Gen. George H. Thomas moved against the Confederates, Crittenden decided to attack one of the two parts of Thomas's command at Logan's Cross Roads near Mill Springs before the Union forces could unite. At the Battle of Mill Springs on January 19, 1862, the ill-prepared Confederates, after a night march in the rain, attacked the Union force with some initial success. As the battle progressed, Zollicoffer was killed, Crittenden was unable to lead the Confederate force (he may have been intoxicated), and the Confederates were turned back and routed by a Union bayonet charge, suffering 533 casualties from their force of 4,000. The Confederate troops who escaped were assigned to other units as General Crittenden faced an investigation of his conduct.
After the Confederate defeat at the Mill Springs, Davis sent Johnston a brigade and a few other scattered reinforcements. He also assigned him Gen. P. G. T. Beauregard, who was supposed to attract recruits because of his victories early in the war, and act as a competent subordinate for Johnston. The brigade was led by Brig. Gen. John B. Floyd, considered incompetent. He took command at Fort Donelson as the senior general present just before Union Brig. Gen. Ulysses S. Grant attacked the fort. Historians believe the assignment of Beauregard to the west stimulated Union commanders to attack the forts before Beauregard could make a difference in the theater. Union officers heard that he was bringing 15 regiments with him, but this was an exaggeration of his forces.
Fort Henry, Fort Donelson, Nashville.
Based on the assumption that Kentucky neutrality would act as a shield against a direct invasion from the north, circumstances that no longer applied in September 1861, Tennessee initially had sent men to Virginia and concentrated defenses in the Mississippi Valley. Even before Johnston arrived in Tennessee, construction of two forts had been started to defend the Tennessee and the Cumberland rivers, which provided avenues into the State from the north. Both forts were located in Tennessee in order to respect Kentucky neutrality, but these were not in ideal locations. Fort Henry on the Tennessee River was in an unfavorable low-lying location, commanded by hills on the Kentucky side of the river. Fort Donelson on the Cumberland River, although in a better location, had a vulnerable land side and did not have enough heavy artillery to defend against gunboats.
Maj. Gen. Polk ignored the problems of the forts when he took command. After Johnston took command, Polk at first refused to comply with Johnston's order to send an engineer, Lt. Joseph K. Dixon, to inspect the forts. After Johnston asserted his authority, Polk had to allow Dixon to proceed. Dixon recommended that the forts be maintained and strengthened, although they were not in ideal locations, because much work had been done on them and the Confederates might not have time to build new ones. Johnston accepted his recommendations. Johnston wanted Major Alexander P. Stewart to command the forts but President Davis appointed Brig. Gen. Lloyd Tilghman as commander.
To prevent Polk from dissipating his forces by allowing some men to join a partisan group, Johnston ordered him to send Brig. Gen. Gideon Pillow and 5,000 men to Fort Donelson. Pillow took up a position at nearby Clarksville, Tennessee, and did not move into the fort until February 7, 1862. Alerted by a Union reconnaissance on January 14, 1862, Johnston ordered Tilghman to fortify the high ground opposite Fort Henry, which Polk had failed to do despite Johnston's orders. Tilghman failed to act decisively on these orders, which in any event were too late to be adequately carried out.
Gen. Beauregard arrived at Johnston's headquarters at Bowling Green on February 4, 1862, and was given overall command of Polk's force at the western end of Johnston's line at Columbus, Kentucky. On February 6, 1862, Union Navy gunboats quickly reduced the defenses of ill-sited Fort Henry, inflicting 21 casualties on the small remaining Confederate force. Brig. Gen. Lloyd Tilghman surrendered the 94 remaining officers and men of his approximately 3,000-man force which had not been sent to Fort Donelson before U.S. Grant's force could even take up their positions. Johnston knew he could be trapped at Bowling Green if Fort Donelson fell, so he moved his force to Nashville, the capital of Tennessee and an increasingly important Confederate industrial center, beginning on February 11, 1862.
Johnston also reinforced Fort Donelson with 12,000 more men, including those under Floyd and Pillow, a curious decision in view of his thought that the Union gunboats alone might be able to take the fort. He did order the commanders of the fort to evacuate the troops if the fort could not be held. The senior generals sent to the fort to command the enlarged garrison, Gideon J. Pillow and John B. Floyd, squandered their chance to avoid having to surrender most of the garrison and on February 16, 1862, Brig. Gen. Simon Buckner, having been abandoned by Floyd and Pillow, surrendered Fort Donelson. Colonel Nathan Bedford Forrest escaped with his cavalry force of about 700 men before the surrender. The Confederates suffered about 1,500 casualties with an estimated 12,000 to 14,000 taken prisoner. Union casualties were 500 killed, 2,108 wounded, 224 missing.
Johnston, who had little choice in allowing Floyd and Pillow to take charge at Fort Donelson on the basis of seniority after he ordered them to add their forces to the garrison, took the blame and suffered calls for his removal because a full explanation to the press and public would have exposed the weakness of the Confederate position. His passive defensive performance while positioning himself in a forward position at Bowling Green, spreading his forces too thinly, not concentrating his forces in the face of Union advances, and appointing or relying upon inadequate or incompetent subordinates subjected him to criticism at the time and by later historians. The fall of the forts exposed Nashville to imminent attack, and it fell without resistance to Union forces under Brig. Gen. Buell on February 25, 1862, two days after Johnston had to pull his forces out in order to avoid having them captured as well.
Concentration at Corinth.
Johnston had various remaining military units scattered throughout his territory and retreating to the south to avoid being cut off. Johnston himself retreated with the force under his personal command, the Army of Central Kentucky, from the vicinity of Nashville. With Beauregard's help, Johnston decided to concentrate forces with those formerly under Polk and now already under Beauregard's command at the strategically located railroad crossroads of Corinth, Mississippi, which he reached by a circuitous route. Johnston kept the Union forces, now under the overall command of the ponderous Maj. Gen. Henry Halleck, confused and hesitant to move, allowing Johnston to reach his objective undetected. This delay allowed Jefferson Davis finally to send reinforcements from the garrisons of coastal cities and another highly rated but prickly general, Braxton Bragg, to help organize the western forces. Bragg at least calmed the nerves of Beauregard and Polk, who had become agitated by their apparent dire situation in the face of numerically superior forces, before Johnston's arrival on March 24, 1862.
Johnston's army of 17,000 men gave the Confederates a combined force of about 40,000 to 44,669 men at Corinth. On March 29, 1862, Johnston officially took command of this combined force, which continued to use the Army of the Mississippi name under which it had been organized by Beauregard on March 5.
Johnston now planned to defeat the Union forces piecemeal before the various Union units in Kentucky and Tennessee under Grant with 40,000 men at nearby Pittsburg Landing, Tennessee, and the now Maj. Gen. Don Carlos Buell on his way from Nashville with 35,000 men, could unite against him. Johnston started his army in motion on April 3, 1862, intent on surprising Grant's force as soon as the next day, but they moved slowly due to their inexperience, bad roads, and lack of adequate staff planning. Due to the delays, as well as several contacts with the enemy, Johnston's second in command, P. G. T. Beauregard, felt the element of surprise had been lost and recommended calling off the attack. Johnston decided to proceed as planned, stating "I would fight them if they were a million." His army was finally in position within a mile or two of Grant's force, and undetected, by the evening of April 5, 1862.
Battle of Shiloh and death.
Johnston launched a massive surprise attack with his concentrated forces against Grant at the Battle of Shiloh on April 6, 1862. As the Confederate forces overran the Union camps, Johnston personally rallied troops up and down the line on his horse. One of his famous moments in the battle occurred when he witnessed some of his soldiers breaking from the ranks to pillage and loot the Union camps, and was outraged to see a young lieutenant among them. "None of that, sir", Johnston roared at the officer, "we are not here for plunder." Then, realizing he had embarrassed the man, he picked up a tin cup from a table and announced, "Let this be my share of the spoils today", before directing his army onward.
At about 2:30 pm, while leading one of those charges against a Union camp near the "Peach Orchard", he was wounded, taking a bullet behind his right knee. The bullet clipped a part of his popliteal artery and his boot filled up with blood. There were no medical personnel on scene at the time, since Johnston had sent his personal surgeon to care for the wounded Confederate troops and Union prisoners earlier in the battle.
Within a few minutes, Johnston was observed by his staff to be nearly fainting. Among his staff was Isham G. Harris, the Governor of Tennessee, who had ceased to make any real effort to function as governor after learning that Abraham Lincoln had appointed Andrew Johnson as military governor of Tennessee. Seeing Johnston slumping in his saddle and his face turning deathly pale, Harris asked: "General, are you wounded?" Johnston glanced down at his leg wound, then faced Harris and replied in a weak voice his last words: "Yes... and I fear seriously." Harris and other staff officers removed Johnston from his horse and carried him to a small ravine near the "Hornets Nest" and desperately tried to aid the general, who had lost consciousness by this point. Harris then sent an aide to fetch Johnston's surgeon but did not apply a tourniquet to Johnson's wounded leg. A few minutes later, before a doctor could be found, Johnston died from blood loss. It is believed that Johnston may have lived for as long as one hour after receiving his fatal wound. Ironically, it was later discovered that Johnston had a tourniquet in his pocket when he died.
Harris and the other officers wrapped General Johnston's body in a blanket so as not to damage the troops' morale with the sight of the dead general. Johnston and his wounded horse, Fire Eater, were taken to his field headquarters on the Corinth road, where his body remained in his tent for the remainder of the battle. P. G. T. Beauregard assumed command of the army and resumed leading the Confederate assault, which continued advancing and pushed the Union force back to a final defensive line near the Tennessee river. With his army exhausted and daylight almost gone, Beauregard called off the final Confederate attack around 1900 hours, figuring he could finish off the Union army the following morning. However, Grant was reinforced by 20,000 fresh troops from Don Carlos Buell's Army of the Ohio during the night, and led a successful counter-attack the following day, driving the Confederates from the field and winning the battle. As the Confederate army retreated back to Corinth, Johnston's body was taken to the home of Colonel William Inge, which had been his headquarters in Corinth. It was covered in the Confederate flag and lay in state for several hours.
It is possible that a Confederate soldier fired the fatal round, as many Confederates were firing at the Union lines while Johnston charged well in advance of his soldiers. Alonzo Ridley of Los Angeles commanded the bodyguard “the Guides” of Gen. A. S. Johnston, and was by his side when he fell.
Johnston was the highest-ranking fatality of the war on either side, and his death was a strong blow to the morale of the Confederacy. At the time, Davis considered him the best general in the country.
Legacy and honors.
Johnston was survived by his wife Eliza and six children. His wife and five younger children, including one born after he went to war, chose to live out their days at home in Los Angeles with Eliza's brother, Dr. John Strother Griffin. Johnston's eldest son, Albert Sidney Jr. (born in Texas), had already followed him into the Confederate States Army. In 1863, after taking home leave in Los Angeles, Albert Jr. was on his way out of San Pedro harbor on a ferry. While a steamer was taking on passengers from the ferry, a wave swamped the smaller boat, causing its boilers to explode. Albert Jr. was killed in the accident.
Upon his passing General Johnston received the highest praise ever given by the Confederate government: accounts were published, on December 20, 1862, and thereafter, in the Los Angeles "Star" of his family's hometown. Johnston Street, Hancock Street, and Griffin Avenue, each in northeast Los Angeles, are named after the general and his family, who lived in the neighborhood.
Johnston was initially buried in New Orleans. In 1866, a joint resolution of the Texas Legislature was passed to have his body moved and reinterred at the Texas State Cemetery in Austin. The re-interment occurred in 1867. Forty years later, the state appointed Elisabet Ney to design a monument and sculpture of him to be erected at the grave site, installed in 1905.
The Texas Historical Commission has erected a historical marker near the entrance of what was once Johnston's plantation. An adjacent marker was erected by the San Jacinto Chapter of the Daughters of The Republic of Texas and the Lee, Roberts, and Davis Chapter of the United Daughters of the Confederate States of America.
In 1916, the University of Texas at Austin recognized several confederate veterans (including Johnston) with statues on its South Mall. On August 21, 2017, as part of the wave of confederate monument removals in America, Johnston's statue was taken down. Plans were announced to add it to the Briscoe Center for American History on the east side of the university campus.
Johnston was inducted to the Texas Military Hall of Honor in 1980.
In the fall of 2018, A. S. Johnston Elementary School in Dallas, Texas, was renamed Cedar Crest Elementary. Johnston Middle School in Houston, Texas, was also renamed to Meyerland Middle School. Three additional elementary schools named for Confederate veterans were renamed at the same time.
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Abensberg
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Abensberg () is a town in the Lower Bavarian district of Kelheim, in Bavaria, Germany, lying around southwest of Regensburg, east of Ingolstadt, northwest of Landshut and north of Munich. It is situated on the river Abens, a tributary of the Danube.
Geography.
The town lies on the Abens river, a tributary of the Danube, around eight kilometres from the river's source. The area around Abensberg is characterized by the narrow valley of the Danube, where the Weltenburg Abbey stands, the valley of the Altmühl in the north, a left tributary of the Danube, and the famous Hallertau hops-planting region in the south. The town is divided into the municipalities of Abensberg, Arnhofen, Holzharlanden, Hörlbach, Offenstetten, Pullach and Sandharland.
Divisions.
Since the administrative reforms in Bavaria in the 1970s, the town also encompasses the following "Ortsteile":
Divisions.
Since the administrative reforms in Bavaria in the 1970s, the town also encompasses the following "Ortsteile":
History.
There had been settlement on this part of the Abens river since long before the High Middle Ages, dating back to Neolithic times. Of particular interest and national importance are the Neolithic flint mines at Arnhofen, where, around 7,000 years ago, Stone Age people made flint, which was fashioned into drills, blades and arrowheads, and was regarded as the steel of the Stone Age. Traces of over 20,000 individuals were found on this site. The modern history of Abensberg, which is often incorrectly compared with that of the third century Roman castra (military outpost) of Abusina, begins with Gebhard, who was the first to mention Abensberg as a town, in the middle of the 12th century. The earliest written reference to the town, under the name of "Habensperch", came from this time, in around 1138. Gebhard was from the Babonen clan.
In 1256, the castrum of "Abensprech" was first mentioned, and on 12 June 1348, Margrave Ludwig of Brandenburg, and his brother, Duke Stephen of Bavaria, raised Abensberg to the status of a city, giving it the right to operate lower courts, enclose itself with a wall and hold markets. The wall was built by Count Ulrich III of Abensberg. Some of the thirty-two round towers and eight turrets are still preserved to this day.
In the Middle Ages, the people of Abensberg enjoyed a level of autonomy above their lord. They elected a city council, although only a small number of rich families were eligible for election.
In around 1390, the Carmelite Monastery of Our Lady of Abensberg was founded by Count John II and his wife, Agnes. Although Abensberg was an autonomous city, it remained dependent on the powerful Dukes of Bavaria. The last Lord of Abensberg, Niclas, Graf von Abensberg, supposedly named after his godfather, Nicholas of Kues, a Catholic cardinal, was murdered in 1485 by Christopher, a Duke of Bavaria-Munich. The year before, Niclas had unchivalrously taken Christopher captive as he bathed before a tournament in Munich. Although Christopher renounced his claim for revenge, he lay in wait for Niclas in Freising. When the latter arrived, he was killed by Seitz von Frauenberg. He is buried in the former convent of Abensberg.
Abensberg then lost its independence and became a part of the Duchy of Bavaria, and from then on was administered by a ducal official, the so-called caretaker. The castle of Abensberg was destroyed during the Thirty Years' War, although the city had bought a guarantee of protection from the Swedish general, Carl Gustaf Wrangel. During the War of the Spanish Succession emperor Leopold I, who had occupied Bavaria, granted the fief of Abensberg to count Ernst von Abensperg und Traun (1608–1668) from an Austrian noble family named Traun that now received the name of the former counts of Abensberg (who were believed to be distant relatives). After the occupation ended, he was however dispossessed.
Johannes Aventinus (1477–1534) is the city's most famous son, the founder of the study of history in Bavaria. Aventinus, whose name was real name is Johann or Johannes Turmair ("Aventinus" being the Latin name of his birthplace) wrote the "Annals of Bavaria", a valuable record of the early history of Germany and the first major written work on the subject. He is commemorated in the Walhalla temple, a monument near Regensburg to the distinguished figures of German history. Until 1800, Abensberg was a municipality belonging to the Straubing district of the Electorate of Bavaria. Abensberg also contained a magistrates' court. In the Battle of Abensberg on 19–20 April 1809, Napoleon gained a significant victory over the Austrians under Archduke Ludwig of Austria and General Johann von Hiller.
Coat of arms.
The arms of the city are divided into two halves. On the left are the blue and white rhombuses of Bavaria, while the right half is split into two silver and black triangles. Two diagonally-crossed silver swords with golden handles rest on top.
The town has had a coat of arms since 1338, that of the Counts of Abensberg. With the death of the last Count, Nicholas of Abensberg, in 1485, the estates fell to the Duchy of Bavaria-Munich, meaning that henceforth only the Bavarian coat of arms was ever used.
On 31 December 1809, a decree of King Maximilian of Bavaria granted the city a new coat of arms, as a recognition of their (mainly humanitarian and logistic) services in the Battle of Abensberg the same year. The diagonally divided field in silver and black came from the old crest of the Counts of Abensberg, while the white and blue diamonds came from that of the House of Wittelsbach, the rulers of Bavaria. The swords recall the Battle of Abensberg.
The district of Offenstetten previously possessed its own coat of arms.
Coat of arms.
The arms of the city are divided into two halves. On the left are the blue and white rhombuses of Bavaria, while the right half is split into two silver and black triangles. Two diagonally-crossed silver swords with golden handles rest on top.
The town has had a coat of arms since 1338, that of the Counts of Abensberg. With the death of the last Count, Nicholas of Abensberg, in 1485, the estates fell to the Duchy of Bavaria-Munich, meaning that henceforth only the Bavarian coat of arms was ever used.
On 31 December 1809, a decree of King Maximilian of Bavaria granted the city a new coat of arms, as a recognition of their (mainly humanitarian and logistic) services in the Battle of Abensberg the same year. The diagonally divided field in silver and black came from the old crest of the Counts of Abensberg, while the white and blue diamonds came from that of the House of Wittelsbach, the rulers of Bavaria. The swords recall the Battle of Abensberg.
The district of Offenstetten previously possessed its own coat of arms.
Economy and Infrastructure.
The area around Abensberg, the so-called sand belt between Siegburg, Neustadt an der Donau, Abensberg and Langquaid, is used for the intensive farming of asparagus, due to the optimal soil condition and climate. 212 hectares of land can produce ninety-four asparagus plants. Abensberg asparagus enjoys a reputation among connoisseurs as a particular delicacy. In addition to asparagus, the production of hops plays a major role locally, the region having its own label, and there are still three independent breweries in the area. The town of Abensberg marks the start of the "Deutsche Hopfenstraße" ("German Hops Road"), a nickname given to the Bundesstraße 301, a German federal highway which runs through the heartland of Germany's hops-growing industry, ending in Freising.
Transport.
The Abensberg railway station is located on the Regensburg–Ingolstadt railway from Regensburg to Ingolstadt. The city can be reached via the A-93 Holledau-Regensburg road (exit Abensberg). Three Bundesstraße (German federal highways) cross south of Abensberg: B 16, B 299 and B 301.
Transport.
The Abensberg railway station is located on the Regensburg–Ingolstadt railway from Regensburg to Ingolstadt. The city can be reached via the A-93 Holledau-Regensburg road (exit Abensberg). Three Bundesstraße (German federal highways) cross south of Abensberg: B 16, B 299 and B 301.
Public facilities.
Schools.
Abensberg has a Grundschule (primary school) and Hauptschule (open admission secondary school), and the Johann-Turmair-Realschule (secondary modern school). There is also a College of Agriculture and Home Economics. Since 2007, the Kelheim Berufsschule has had a campus in Abensberg, and outside the state sector is the St. Francis Vocational Training Centre, run by a Catholic youth organisation.
Schools.
Abensberg has a Grundschule (primary school) and Hauptschule (open admission secondary school), and the Johann-Turmair-Realschule (secondary modern school). There is also a College of Agriculture and Home Economics. Since 2007, the Kelheim Berufsschule has had a campus in Abensberg, and outside the state sector is the St. Francis Vocational Training Centre, run by a Catholic youth organisation.
Culture and sightseeing.
Theatre.
In 2008, a former goods shed by the main railway station of Abensberg was converted into a theatre by local volunteers. The "Theater am Bahnhof" ("Theatre at the Railway Station") is mostly used by the "Theatergruppe Lampenfieber" and was opened on 19 October 2008.
Museums.
Abensberg has a long tradition of museums. In the nineteenth century, Nicholas Stark und Peter Paul Dollinger began a collection based on local history. This collection and the collection of the "Heimatverein" (local history society) were united in 1963 into the Aventinus Museum, in the cloister of the former Carmelite monastery. On 7 July 2006, the new Town Museum of Abensberg was opened in the former duke's castle in the town.
Kuchlbauer Brewery.
Two blocks west of the Old Town is the Kuchlbauer Brewery and beer garden featuring the Kuchlbauer Tower, a colorful and unconventional observation tower designed by Viennese architect Friedensreich Hundertwasser. The brewery and tower are open to the public.
Missing memorial.
Up until the 1950s, Abensberg and the surrounding villages contained a number of graves of victims of a Death March in the Spring of 1945 from the Hersbruck sub-camp of the Dachau concentration camp, who were either murdered by the SS or died of exhaustion. They were originally buried where they died, but were later moved on the orders of the US military government to the cemeteries of their previous homes. At the cemetery in what is now the district of Pullach stood a memorial stone which was mentioned as recently as 1967, but which is no longer at the site. The suffering of ten unknown victims of the camp was recorded on the stone.
Theatre.
In 2008, a former goods shed by the main railway station of Abensberg was converted into a theatre by local volunteers. The "Theater am Bahnhof" ("Theatre at the Railway Station") is mostly used by the "Theatergruppe Lampenfieber" and was opened on 19 October 2008.
Museums.
Abensberg has a long tradition of museums. In the nineteenth century, Nicholas Stark und Peter Paul Dollinger began a collection based on local history. This collection and the collection of the "Heimatverein" (local history society) were united in 1963 into the Aventinus Museum, in the cloister of the former Carmelite monastery. On 7 July 2006, the new Town Museum of Abensberg was opened in the former duke's castle in the town.
Kuchlbauer Brewery.
Two blocks west of the Old Town is the Kuchlbauer Brewery and beer garden featuring the Kuchlbauer Tower, a colorful and unconventional observation tower designed by Viennese architect Friedensreich Hundertwasser. The brewery and tower are open to the public.
Missing memorial.
Up until the 1950s, Abensberg and the surrounding villages contained a number of graves of victims of a Death March in the Spring of 1945 from the Hersbruck sub-camp of the Dachau concentration camp, who were either murdered by the SS or died of exhaustion. They were originally buried where they died, but were later moved on the orders of the US military government to the cemeteries of their previous homes. At the cemetery in what is now the district of Pullach stood a memorial stone which was mentioned as recently as 1967, but which is no longer at the site. The suffering of ten unknown victims of the camp was recorded on the stone.
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Park Güell
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Parc Güell ( ; ) is a privatized park system composed of gardens and architectural elements located on Carmel Hill, in Barcelona, Catalonia, Spain. Carmel Hill belongs to the mountain range of Collserola – the Parc del Carmel is located on the northern face. Park Güell is located in La Salut, a neighborhood in the Gràcia district of Barcelona. With urbanization in mind, Eusebi Güell assigned the design of the park to Antoni Gaudí, a renowned architect and the face of Catalan modernism.
The park was built from 1900 to 1914 and was officially opened as a public park in 1926. In 1984, UNESCO declared the park a World Heritage Site under "Works of Antoni Gaudí".
Description.
Park Güell is the reflection of Gaudí's artistic plenitude, which belongs to his naturalist phase (first decade of the 20th century). During this period, the architect perfected his personal style through inspiration from organic shapes. He put into practice a series of new structural solutions rooted in the analysis of geometry. To that, the Catalan artist adds creative liberty and an imaginative, ornamental creation. Starting from a sort of baroquism, his works acquire a structural richness of forms and volumes, free of the rational rigidity or any sort of classic premises. In the design of Park Güell, Gaudí unleashed all his architectonic genius and put to practice much of his innovative structural solutions that would become the symbol of his organic style and that would culminate in the creation of the Basilica and Expiatory Church of the Holy Family (Catalan: Sagrada Família).
Güell and Gaudí conceived this park, situated within a natural park. They imagined an organized grouping of high-quality homes, decked out with all the latest technological advancements to ensure maximum comfort, finished off with an artistic touch. They also envisioned a community strongly influenced by symbolism, since, in the common elements of the park, they were trying to synthesize many of the political and religious ideals shared by patron and architect: therefore there are noticeable concepts originating from political Catalanism – especially in the entrance stairway where the Catalan countries are represented – and from Catholicism – the Monumento al Calvario, originally designed to be a chapel. The mythological elements are so important: apparently Güell and Gaudí's conception of the park was also inspired by the Temple of Apollo of Delphi.
On the other hand, many experts have tried to link the park to various symbols because of the complex iconography that Gaudí applied to the urban project. Such references go from political vindication to religious exaltation, passing through mythology, history and philosophy. Specifically, many studies claim to see references to Freemasonry, despite the deep religious beliefs of both Gaudí and Count Güell. These references have not been proven in the historiography of the modern architect. The multiplicity of symbols found in the Park Güell is, as previously mentioned, associated to political and religious signs, with a touch of mystery according to the preferences of that time for enigmas and puzzles.
Origins as a housing development.
The park was originally part of a commercially unsuccessful housing site, the idea of Count Eusebi Güell, after whom the park was named. It was inspired by the English garden city movement; the original English name "Park" (in Catalan the name is "Parc Güell"; in Spanish, "Parque Güell"). The site was a rocky hill with little vegetation and few trees, called "Muntanya Pelada" (Bare Mountain). It already included a large country house called Larrard House or Muntaner de Dalt House and was next to a neighbourhood of upper-class houses called "La Salut" (The Health). The intention was to exploit the fresh air (well away from smoky factories) and beautiful views from the site, with sixty triangular lots being provided for luxury houses. Count Eusebi Güell added to the prestige of the development by moving in 1906 to live in Larrard House. Ultimately, only two houses were built, neither designed by Gaudí. One was intended to be a show house, but on being completed in 1904 was put up for sale, and as no buyers came forward, Gaudí, at Güell's suggestion, bought it with his savings and moved in with his family and his father in 1906. This house, where Gaudí lived from 1906 to 1926 (his death), was built by Francesc Berenguer in 1904. It contains original works by Gaudí and several of his collaborators. It is now the Gaudí House Museum (Casa Museu Gaudí) since 1963. In 1969, it was declared a historical artistic monument of national interest.
Municipal garden.
It has since been converted into a municipal garden. It can be reached by underground railway (although the stations are at a distance from the Park and at a much lower level below the hill), by city buses, or by commercial tourist buses. Since October 2013 there is an entrance fee to visit the Monumental Zone (main entrance, terrace, viaducts, and the parts containing mosaics), so the entrance to the Park is no longer free. Limited tickets are available that often sell out in advance. Gaudí's house, "la Torre Rosa," – containing furniture that he designed – can be only visited for another entrance fee. There is a reduced rate for those wishing to see both Gaudí's house and the Sagrada Família Church.
Park Güell is designed and composed to bring the peace and calm that one would expect from a park. The buildings flanking the entrance, though very original and remarkable with fantastically shaped roofs with unusual pinnacles, fit in well with the use of the park as pleasure gardens and seem relatively inconspicuous in the landscape when one considers the flamboyance of other buildings designed by Gaudí. These two buildings make up the Porter's Lodge pavilion. One of these buildings contains a small room with a telephone booth. The other, while once being the porter's house, is now a permanent exhibition of the Barcelona City History Museum MUHBA focused on the building itself, the park and the city.
The focal point of the park is the main terrace, surrounded by a long bench in the form of a sea serpent. The curves of the serpent bench form a number of enclaves, creating a more social atmosphere. Gaudí incorporated many motifs of Catalan nationalism, and elements from religious mysticism and ancient poetry, into the Park. Much of the design of the benches was the work not of Gaudí but of his often overlooked collaborator Josep Maria Jujol.
Roadways around the park to service the intended houses were designed by Gaudí as structures jutting out from the steep hillside or running on viaducts, with separate footpaths in arcades formed under these structures. This minimized the intrusion of the roads, and Gaudí designed them using local stone in a way that integrates them closely into the landscape. His structures echo natural forms, with columns like tree trunks supporting branching vaulting under the roadway, and the curves of vaulting and alignment of sloping columns designed in a similar way to his Church of Colònia Güell so that the inverted catenary arch shapes form perfect compression structures.
At the park's high-point, there is a stone hill composed of steps leading up to a platform which holds three large crosses. The official name of this is "El Turó de les Tres Creus," however many tourists choose to call it Calvary. Two of the crosses point north–south and east–west, the third, and tallest cross, points skyward. This lookout offers the most complete view of Barcelona and the bay. It is possible to view the main city in panorama, with the Sagrada Família (another one of Antoni Guadí's famous creations), the Agbar Tower, and the Montjuïc area visible at a distance.
The park supports a wide variety of wildlife, notably several of the non-native species of parrot found in the Barcelona area. Other birds can be seen from the park, with records including short-toed eagle. The park also supports a population of hummingbird hawk moths.
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Casa Batlló
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() is a building in the center of Barcelona. It was designed by Antoni Gaudí, and is considered one of his masterpieces. A remodel of a previously built house, it was redesigned in 1904 by Gaudí and has been refurbished several times after that. Gaudí's assistants Domènec Sugrañes i Gras, Josep Canaleta and Joan Rubió also contributed to the renovation project.
The local name for the building is ' (House of Bones), as it has a visceral, skeletal organic quality. It is located on the in the Eixample district, and forms part of a row of houses known as the ' (or ', the "Block of Discord"), which consists of four buildings by noted ' architects of Barcelona.
Like everything Gaudí designed, is only identifiable as or Art Nouveau in the broadest sense. The ground floor, in particular, has unusual tracery, irregular oval windows and flowing sculpted stone work. There are few straight lines, and much of the façade is decorated with a colorful mosaic made of broken ceramic tiles (). The roof is arched and was likened to the back of a dragon or dinosaur. A common theory about the building is that the rounded feature to the left of centre, terminating at the top in a turret and cross, represents the lance of Saint George (patron saint of Catalonia, Gaudí's home), which has been plunged into the back of the dragon.
In 2005, became an UNESCO World Heritage Site among the other Works of Antoni Gaudí, and is visited by people from around the world.
History.
Initial construction (1877).
The building that is now was built in 1877, commissioned by Lluís Sala Sánchez. It was a classical building without remarkable characteristics within the eclecticism traditional by the end of the 19th century. The building had a basement, a ground floor, four other floors and a garden in the back.
Batlló family.
The house was bought by Josep Batlló in 1903. The design of the house made the home undesirable to buyers but the Batlló family decided to buy the place due to its centralized location. It is located in the middle of , which in the early 20th century was known as a very prestigious and fashionable area. It was an area where the prestigious family could draw attention to themselves.
In 1906, Josep Batlló still owned the home. The Batlló family was very well known in Barcelona for its contribution to the textile industry in the city. Mr. Josep Batlló i Casanovas was a textile industrialist who owned a few factories in the city. Mr. Batlló married Amàlia Godó Belaunzarán, from the family that founded the newspaper "La Vanguardia". Josep wanted an architect that would design a house that was like no other and stood out as being audacious and creative. Both Josep and his wife were open to anything and they decided not to limit Gaudí. Josep did not want his house to resemble any of the houses of the rest of the Batlló family, such as Casa Pía, built by the Josep Vilaseca. He chose the architect who had designed Park Güell because he wanted him to come up with a risky plan. The family lived on the principal floor of until the middle of the 1950s.
Renovation (1904-1906).
In 1904, Josep Batlló hired Gaudí to design his home; at first his plans were to tear down the building and construct a completely new house. Gaudí convinced Josep that a renovation was sufficient and was also able to submit the planning application the same year. The building was completed and refurbished in 1906. He completely changed the main apartment which became the residence for the Batlló family. He expanded the central well in order to supply light to the whole building and also added new floors. In the same year the Barcelona City Council selected the house as a candidate for that year's best building award. The award was given to another architect that year despite Gaudí's design.
Refurbishments.
Josep Batlló died in 1934 and the house was kept in order by the wife until her death in 1940. After the death of the two parents, the house was kept and managed by the children until 1954. In 1954, an insurance company named Seguros Iberia acquired Casa Batlló and set up offices there. In 1970, the first refurbishment occurred mainly in several of the interior rooms of the house. In 1983, the exterior balconies were restored to their original colour and a year later the exterior façade was illuminated in the ceremony of La Mercè.
Multiple uses.
In 1993, the current owners of Casa Batlló bought the home and continued refurbishments throughout the whole building. Two years later, in 1995, Casa Batlló began to hire out its facilities for different events. More than 2,500 square meters of rooms within the building were rented out for many different functions. Due to the building's location and the beauty of the facilities being rented, the rooms of Casa Batlló were in very high demand and hosted many important events for the city.
Initial construction (1877).
The building that is now was built in 1877, commissioned by Lluís Sala Sánchez. It was a classical building without remarkable characteristics within the eclecticism traditional by the end of the 19th century. The building had a basement, a ground floor, four other floors and a garden in the back.
Batlló family.
The house was bought by Josep Batlló in 1903. The design of the house made the home undesirable to buyers but the Batlló family decided to buy the place due to its centralized location. It is located in the middle of , which in the early 20th century was known as a very prestigious and fashionable area. It was an area where the prestigious family could draw attention to themselves.
In 1906, Josep Batlló still owned the home. The Batlló family was very well known in Barcelona for its contribution to the textile industry in the city. Mr. Josep Batlló i Casanovas was a textile industrialist who owned a few factories in the city. Mr. Batlló married Amàlia Godó Belaunzarán, from the family that founded the newspaper "La Vanguardia". Josep wanted an architect that would design a house that was like no other and stood out as being audacious and creative. Both Josep and his wife were open to anything and they decided not to limit Gaudí. Josep did not want his house to resemble any of the houses of the rest of the Batlló family, such as Casa Pía, built by the Josep Vilaseca. He chose the architect who had designed Park Güell because he wanted him to come up with a risky plan. The family lived on the principal floor of until the middle of the 1950s.
Renovation (1904-1906).
In 1904, Josep Batlló hired Gaudí to design his home; at first his plans were to tear down the building and construct a completely new house. Gaudí convinced Josep that a renovation was sufficient and was also able to submit the planning application the same year. The building was completed and refurbished in 1906. He completely changed the main apartment which became the residence for the Batlló family. He expanded the central well in order to supply light to the whole building and also added new floors. In the same year the Barcelona City Council selected the house as a candidate for that year's best building award. The award was given to another architect that year despite Gaudí's design.
Refurbishments.
Josep Batlló died in 1934 and the house was kept in order by the wife until her death in 1940. After the death of the two parents, the house was kept and managed by the children until 1954. In 1954, an insurance company named Seguros Iberia acquired Casa Batlló and set up offices there. In 1970, the first refurbishment occurred mainly in several of the interior rooms of the house. In 1983, the exterior balconies were restored to their original colour and a year later the exterior façade was illuminated in the ceremony of La Mercè.
Multiple uses.
In 1993, the current owners of Casa Batlló bought the home and continued refurbishments throughout the whole building. Two years later, in 1995, Casa Batlló began to hire out its facilities for different events. More than 2,500 square meters of rooms within the building were rented out for many different functions. Due to the building's location and the beauty of the facilities being rented, the rooms of Casa Batlló were in very high demand and hosted many important events for the city.
Design.
Overview.
The local name for the building is "Casa dels ossos" (House of Bones), as it has a visceral, skeletal organic quality. The building looks very remarkable — like everything Gaudí designed, only identifiable as Modernisme or Art Nouveau in the broadest sense. The ground floor, in particular, is rather astonishing with tracery, irregular oval windows and flowing sculpted stone work.
It seems that the goal of the designer was to avoid straight lines completely. Much of the façade is decorated with a mosaic made of broken ceramic tiles (trencadís) that starts in shades of golden orange moving into greenish blues. The roof is arched and was likened to the back of a dragon or dinosaur. A common theory about the building is that the rounded feature to the left of centre, terminating at the top in a turret and cross, represents the lance of Saint George (patron saint of Catalonia, Gaudí's home), which has been plunged into the back of the dragon.
Loft.
The loft is considered to be one of the most unusual spaces. It was formerly a service area for the tenants of the different apartments in the building which contained laundry rooms and storage areas. It is known for its simplicity of shapes and its Mediterranean influence through the use of white on the walls. It contains a series of sixty catenary arches that creates a space which represents the ribcage of an animal. Some people believe that the “ribcage” design of the arches is a ribcage for the dragon's spine that is represented in the roof.
Noble floor and museum.
The noble floor is larger than seven-hundred square meters. It is the main floor of the building. The noble floor is accessed through a private entrance hall that utilizes skylights resembling tortoise shells and vaulted walls in curving shapes. On the noble floor, there is a spacious landing with direct views to the blue tiling of the building well. On the Passeig de Gracia side is Mr. Batlló's study, a dining room, and a secluded spot for courting couples, decorated with a mushroom-shaped fireplace. The elaborate and animal-like décor continues throughout the whole noble floor.
In 2002, the house opened its doors to the public, and people were allowed to visit the noble floor. The building was opened to the public as part of the celebration of the International Year of Gaudí. Casa Batlló met with very much unanticipated success, and visitors became eager to see the rest of the house. Two years later, in celebration of the one hundredth anniversary of the beginning of work on Casa Batlló, the fifth floor was restored and the house extended its visit to the loft and the well. In 2005, Casa Batlló became a UNESCO World Heritage Site.
Roof.
The roof terrace is one of the most popular features of the entire house due to its famous dragon back design. Gaudí represents an animal's spine by using tiles of different colors on one side. The roof is decorated with four chimney stacks, that are designed to prevent backdraughts.
Exterior façade.
The façade has three distinct sections which are harmoniously integrated. The lower ground floor with the main floor and two first-floor galleries are contained in a structure of Montjuïc sandstone with undulating lines. The central part, which reaches the last floor, is a multicolored section with protruding balconies. The top of the building is a crown, like a huge gable, which is at the same level as the roof and helps to conceal the room where there used to be water tanks. This room is currently empty. The top displays a trim with ceramic pieces that has attracted multiple interpretations.
The roof's arched profile recalls the spine of a dragon with ceramic tiles for scales, and a small triangular window towards the right of the structure simulates the eye. Legend has it that it was once possible to see the Sagrada Família through this window, which was being built simultaneously. As of 2022, the partial view of the Sagrada Família is available from this vantage point, with its spires visible over newer buildings. The tiles were given a metallic sheen to simulate the varying scales of the monster, with the color grading from green on the right side, where the head begins, to deep blue and violet in the center, to red and pink on the left side of the building.
One of the highlights of the façade is a tower topped with a cross of four arms oriented to the cardinal directions. It is a bulbous, root-like structure that evokes plant life. There is a second bulb-shaped structure similarly reminiscent of a thalamus flower, which is represented by a cross with arms that are actually buds announcing the next flowering. The tower is decorated with monograms of Jesus (JHS), Maria (M with the ducal crown) and Joseph (JHP), made of ceramic pieces that stand out golden on the green background that covers the façade. These symbols show the deep religiosity of Gaudí, who was inspired by the contemporaneous construction of his basilica to choose the theme of the holy family.
The bulb was broken when it was delivered, perhaps during transportation. Although the manufacturer committed to re-do the broken parts, Gaudí liked the aesthetic of the broken masonry and asked that the pieces be stuck to the main structure with lime mortar and held in with a brass ring.
The central part of the façade evokes the surface of a lake with water lilies, reminiscent of Monet's "Nymphéas", with gentle ripples and reflections caused by the glass and ceramic mosaic. It is a great undulating surface covered with plaster fragments of colored glass discs combined with 330 rounds of polychrome pottery. The discs were designed by Gaudí and Jujol between tests during their stay in Majorca, while working on the restoration of the Cathedral of Palma.
Finally, above the central part of the façade is a smaller balcony, also iron, with a different exterior aesthetic, closer to a local type of lily. Two iron arms were installed here to support a pulley to raise and lower furniture.
The façade of the main floor, made entirely in sandstone, and is supported by two columns. The design is complemented by joinery windows set with multicolored stained glass. In front of the large windows, as if they were pillars that support the complex stone structure, there are six fine columns that seem to simulate the bones of a limb, with an apparent central articulation; in fact, this is a floral decoration. The rounded shapes of the gaps and the lip-like edges carved into the stone surrounding them create a semblance of a fully open mouth, for which the Casa Batlló has been nicknamed the "house of yawns". The structure repeats on the first floor and in the design of two windows at the ends forming galleries, but on the large central window there are two balconies as described above.
Overview.
The local name for the building is "Casa dels ossos" (House of Bones), as it has a visceral, skeletal organic quality. The building looks very remarkable — like everything Gaudí designed, only identifiable as Modernisme or Art Nouveau in the broadest sense. The ground floor, in particular, is rather astonishing with tracery, irregular oval windows and flowing sculpted stone work.
It seems that the goal of the designer was to avoid straight lines completely. Much of the façade is decorated with a mosaic made of broken ceramic tiles (trencadís) that starts in shades of golden orange moving into greenish blues. The roof is arched and was likened to the back of a dragon or dinosaur. A common theory about the building is that the rounded feature to the left of centre, terminating at the top in a turret and cross, represents the lance of Saint George (patron saint of Catalonia, Gaudí's home), which has been plunged into the back of the dragon.
Loft.
The loft is considered to be one of the most unusual spaces. It was formerly a service area for the tenants of the different apartments in the building which contained laundry rooms and storage areas. It is known for its simplicity of shapes and its Mediterranean influence through the use of white on the walls. It contains a series of sixty catenary arches that creates a space which represents the ribcage of an animal. Some people believe that the “ribcage” design of the arches is a ribcage for the dragon's spine that is represented in the roof.
Noble floor and museum.
The noble floor is larger than seven-hundred square meters. It is the main floor of the building. The noble floor is accessed through a private entrance hall that utilizes skylights resembling tortoise shells and vaulted walls in curving shapes. On the noble floor, there is a spacious landing with direct views to the blue tiling of the building well. On the Passeig de Gracia side is Mr. Batlló's study, a dining room, and a secluded spot for courting couples, decorated with a mushroom-shaped fireplace. The elaborate and animal-like décor continues throughout the whole noble floor.
In 2002, the house opened its doors to the public, and people were allowed to visit the noble floor. The building was opened to the public as part of the celebration of the International Year of Gaudí. Casa Batlló met with very much unanticipated success, and visitors became eager to see the rest of the house. Two years later, in celebration of the one hundredth anniversary of the beginning of work on Casa Batlló, the fifth floor was restored and the house extended its visit to the loft and the well. In 2005, Casa Batlló became a UNESCO World Heritage Site.
Roof.
The roof terrace is one of the most popular features of the entire house due to its famous dragon back design. Gaudí represents an animal's spine by using tiles of different colors on one side. The roof is decorated with four chimney stacks, that are designed to prevent backdraughts.
Exterior façade.
The façade has three distinct sections which are harmoniously integrated. The lower ground floor with the main floor and two first-floor galleries are contained in a structure of Montjuïc sandstone with undulating lines. The central part, which reaches the last floor, is a multicolored section with protruding balconies. The top of the building is a crown, like a huge gable, which is at the same level as the roof and helps to conceal the room where there used to be water tanks. This room is currently empty. The top displays a trim with ceramic pieces that has attracted multiple interpretations.
The roof's arched profile recalls the spine of a dragon with ceramic tiles for scales, and a small triangular window towards the right of the structure simulates the eye. Legend has it that it was once possible to see the Sagrada Família through this window, which was being built simultaneously. As of 2022, the partial view of the Sagrada Família is available from this vantage point, with its spires visible over newer buildings. The tiles were given a metallic sheen to simulate the varying scales of the monster, with the color grading from green on the right side, where the head begins, to deep blue and violet in the center, to red and pink on the left side of the building.
One of the highlights of the façade is a tower topped with a cross of four arms oriented to the cardinal directions. It is a bulbous, root-like structure that evokes plant life. There is a second bulb-shaped structure similarly reminiscent of a thalamus flower, which is represented by a cross with arms that are actually buds announcing the next flowering. The tower is decorated with monograms of Jesus (JHS), Maria (M with the ducal crown) and Joseph (JHP), made of ceramic pieces that stand out golden on the green background that covers the façade. These symbols show the deep religiosity of Gaudí, who was inspired by the contemporaneous construction of his basilica to choose the theme of the holy family.
The bulb was broken when it was delivered, perhaps during transportation. Although the manufacturer committed to re-do the broken parts, Gaudí liked the aesthetic of the broken masonry and asked that the pieces be stuck to the main structure with lime mortar and held in with a brass ring.
The central part of the façade evokes the surface of a lake with water lilies, reminiscent of Monet's "Nymphéas", with gentle ripples and reflections caused by the glass and ceramic mosaic. It is a great undulating surface covered with plaster fragments of colored glass discs combined with 330 rounds of polychrome pottery. The discs were designed by Gaudí and Jujol between tests during their stay in Majorca, while working on the restoration of the Cathedral of Palma.
Finally, above the central part of the façade is a smaller balcony, also iron, with a different exterior aesthetic, closer to a local type of lily. Two iron arms were installed here to support a pulley to raise and lower furniture.
The façade of the main floor, made entirely in sandstone, and is supported by two columns. The design is complemented by joinery windows set with multicolored stained glass. In front of the large windows, as if they were pillars that support the complex stone structure, there are six fine columns that seem to simulate the bones of a limb, with an apparent central articulation; in fact, this is a floral decoration. The rounded shapes of the gaps and the lip-like edges carved into the stone surrounding them create a semblance of a fully open mouth, for which the Casa Batlló has been nicknamed the "house of yawns". The structure repeats on the first floor and in the design of two windows at the ends forming galleries, but on the large central window there are two balconies as described above.
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1331
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Arabian Prince
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Kim Renard Nazel (born June 17, 1965), better known by his stage names Arabian Prince or Professor X, is an American rapper, singer, songwriter, record producer, and DJ. He is best known as a founding member of N.W.A.
Early life.
Nazel was born in Compton, California to the son of Joseph "Skippy" Nazel Jr., a prominent African-American author and radio talk show host. His musical background came from his mother, a piano teacher and classical musician. His family tried its best to shelter him, sending him to a Catholic school and keeping him busy with football to keep him away from the gangs. The younger Nazel got his first experience with making music at the radio station his father hosted his talk show on; Nazel used the radio station's equipment to put together mixtapes that he would sell at school. Nazel went on to graduate from Junípero Serra High School in nearby Gardena.
Music career.
Nazel took the stage name of DJ Prince and started selling mixtapes at school. While working at a luggage store at the Del Amo Mall, its owner, Sam Nassif, asked him to DJ a party at a community center. He kept performing there for several weekends and the success persuaded Nassif to invest even more in the place, renaming it "The Cave", where Nazel would continue to host for over three years and even after his N.W.A. days. Nassif also funded DJ Prince's first record, "Strange Life".
He changed his stage name when he was 15 years old at the Skateland USA, the same skating venue credited for launching the NWA a few years later, due to a fan's suggestion. He said about his name:
Arabian Prince started working with Bobby Jimmy & the Critters in 1984. He also produced the hit single and album for J.J. Fad, "Supersonic".
In 1986, he was a founding member of N.W.A, but soon after fellow member Ice Cube came back from the Phoenix Institute of Technology in 1988, Arabian Prince left over royalty and contract disagreements. "I started off as a solo artist", he said, "so I was aware of what a royalty statement was. I knew that when these many records were sold, there is a quarterly statement. When you look at it, you can see how much money was paid and then share it. This was not the case. We were also never paid for touring." Eazy-E, Ice Cube and MC Ren remained as the main performers, DJ Yella was the turntablist and Dr. Dre was the main producer.
After leaving N.W.A, Arabian Prince began a solo career. His first album, "Brother Arab", was released in 1989 with the single "She's Got A Big Posse"; "Where's My Bytches" followed in 1993.
In the mid-2000s, he started releasing music again, with his Professor X project on the Dutch label Clone Records. "I could not release the record under Arabian Prince", he said, "because I already had a single out, so I called myself Professor X on that record." In 2007, he performed as a DJ on the 2K Sports Holiday Bounce Tour with artists from the Stones Throw label. In 2008, Stones Throw released a compilation of his electro-rap material from the 1980s. One of his songs was included on the 2007 video game, "College Hoops 2K8".
In 2015, a biopic about N.W.A. titled "Straight Outta Compton" was released; however, Arabian Prince was not portrayed in the film, and his role was omitted completely. The following year, N.W.A. was inducted into the Rock and Roll Hall of Fame, but again, Arabian Prince was not included nor mentioned.
In 2018, Arabian Prince appeared on the "AmeriKKKant" album of industrial-metal band Ministry. He made a second appearance on Ministry's 2021 album "Moral Hygiene".
Other ventures.
Aside from his music career, he worked in special effects, 3D animation and video games.
"Straight Outta Compton" movie controversy.
After the release of the NWA film, "Straight Outta Compton", in 2015, Arabian Prince said to VladTV: "A lot of the scenes in real life, I was there -I'm just not there in the film, which I'm like, if you're gonna write me out of a movie, shoot some other scenes. Don't write scenes where I was there." Some of the pivotal scenes would be choosing the name for the band, the tour and the infamous Detroit concert. He also remembers himself as the main opposer to Jerry Heller about the royalties and the money, a role that in the movie was instead given to Ice Cube.
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1325
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Casa Milà
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Casa Milà (, ), popularly known as "La Pedrera" (, ; "the stone quarry") in reference to its unconventional rough-hewn appearance, is a "Modernista" building in Barcelona, Catalonia, Spain. It was the last private residence designed by architect Antoni Gaudí and was built between 1906 and 1912.
The building was commissioned in 1906 by and his wife . At the time, it was controversial because of its undulating stone facade, twisting wrought iron balconies and designed by Josep Maria Jujol. Several structural innovations include a self-supporting stone façade, and a free-plan floor, underground garage and the spectacular terrace on the roof.
In 1984, it was declared a World Heritage Site by UNESCO. Since 2013 it has been the headquarters of the Fundació Catalunya La Pedrera, which manages visits to the building, exhibitions and other cultural and educational activities at Casa Milà.
Building history.
Architect.
Antoni Gaudí i Cornet was born on June 25, 1852 in Catalonia, Spain. As a child, Gaudí's health was poor, suffering from rheumatism. Because of this, he was afforded lengthy periods of time resting at his summer house in Riudoms. Here he spent a large portion of his time outdoors, allowing him to deeply study nature. This would become one of the major influences in his architecture to come.
Gaudí was a very practical man and a craftsman at his core. In his work he followed impulses and turned creative plans into reality. His openness to embrace new styles combined with a vivid imagination helped mold new styles of architecture and consequently helped push the limits of construction. Today he is regarded as a pioneer of the modern architecture style.
In 1870, Gaudí moved to Barcelona to study architecture. He was an inconsistent student who showed flashes of brilliance. It took him eight years to graduate due to a mix of health complications, military service as well as other activities.
After completion of his education he became a prolific architect as well as designing gardens, sculptures and all other decorative arts. Gaudí's most famous works consisted of several buildings: Parque Güell; Palacio Güell; Casa Mila; Casa Vicens. He also is contributed for his work on the Crypt of La Sagrada Familia and the Nativity facade. Gaudí's work at the time was both admired and criticized for his bold, innovative solutions.
Gaudí was injured on June 7, 1926 when he was run over by a tram. He later died in the hospital due to his injuries on June 10, 1926 at the age of 73. A few years after his death, his fame became renowned by critics and the general public alike.
Building owners.
Casa Milà was built for Roser Segimón and her husband Pere Milà. Roser Segimón was the wealthy widow of Josep Guardiola, an "Indiano" or "Americano", or former colonist returned from South America, who had made his fortune with a coffee plantation in Guatemala. Her second husband, Pere Milà was a developer known for his flamboyant lifestyle.
Construction process.
In 1905, Milà and Segimón married and on June 9, Roser Segimón bought a house with garden which occupied an area of 1,835 square meters, located on Paseo de Gracia, 92. In September, they commissioned Gaudí for building them a new house with the idea of living in the main floor and renting out the rest of the apartments. On February 2, 1906, the project was presented to the Barcelona City Council and the works began, demolishing the pre-existing building instead of reforming it, as in the case of the Casa Batlló.
The building was completed in December 1910 and the owner asked Gaudí to make a certificate to inhabit the main floor, which the City Council authorized in October 1911, and the couple moved in. On October 31, 1912, Gaudí issued the certificate stating that, in accordance with his plans and his direction, the work had been completed and the whole house was ready to be rented.
Critics and controversies.
The building did not respect any rules of conventional style, for which Gaudí received much criticism. To begin with, the name "La Pedrera" is in fact a nickname assigned by the citizens who disapproved of its unusualness. The unique structure of the building and the relationship between the building's architect and Pere Milà became the object of ridicule for the people of Barcelona and many humorous publications of the time.
Catholic symbols.
Gaudí, a Catholic and a devotee of the Virgin Mary, planned for the Casa Milà to be a spiritual symbol. Overt religious elements include an excerpt from the Rosary on the cornice and planned statues of Mary, specifically Our Lady of the Rosary, and two archangels, St. Michael and St. Gabriel.
However, the Casa Milà was not built entirely to Gaudí's specifications. The local government ordered the demolition of elements that exceeded the height standard for the city, and fined the Milàs for many infractions of building codes. After Semana Trágica, an outbreak of anticlericalism in the city, Milà prudently decided to forgo the religious statues. Gaudí contemplated abandoning the project but a priest persuaded him to continue.
Change of ownership.
In 1940, Milà died. Segimon sold the property in 1946 for 18 million pesetas to Josep Ballvé i Pellisé, known for his department stores on , in partnership with the family of Pío Rubert Laporta. The Compañía Inmobiliaria Provenza, SA (CIPSA) was founded to administer the building. Roser Segimon continued to live on the main floor until her death in 1964.
The new owners divided the first floor facing into five apartments instead of the original two. In 1953, they commissioned to convert 13 rubbish-filled attic laundry rooms to street-facing apartments, leaving a communal hallway on the side facing the courtyards. Some of these two or three room apartments had a loft and were designed and furnished in a typical early 1950s style using brick, ceramic and wood. Items of furniture, such as the , were reminiscent of Eero Saarinen's work.
The insurance company Northern took over the main floor in 1966. By then, Casa Milà had housed a bingo hall, an academy and the offices of Cementos Molins and Inoxcrom among others. Maintenance costs were high and the owners had allowed the building to become dilapidated, causing stones to loosen in 1971. Josep Anton Comas made some emergency repairs, especially to the paintings in the courtyards, while respecting the original design.
Restoration.
Gaudí's work was designated a historic and artistic monument on July 24, 1969. Casa Milà was in poor condition in the early 1980s. It had been painted a dreary brown and many of its interior color schemes had been abandoned or allowed to deteriorate, but it has been restored since and many of the original colors revived.
In 1984, the building became part of a World Heritage Site encompassing some of Gaudí's works. The Barcelonan city council tried to rent the main floor as an office for the 1992 Olympic bid. Finally, the day before Christmas 1986, Caixa Catalunya bought La Pedrera for 900 million pesetas. On February 19, 1987, urgently needed work began on the restoration and cleaning of the façade. The work was done by the architects Joseph Emilio Hernández-Cros and Rafael Vila. The renovated main floor opened in 1990 as part of the Cultural Olympiad of Barcelona. The floor became an exhibition room with an example of modernism in the Eixample.
Architect.
Antoni Gaudí i Cornet was born on June 25, 1852 in Catalonia, Spain. As a child, Gaudí's health was poor, suffering from rheumatism. Because of this, he was afforded lengthy periods of time resting at his summer house in Riudoms. Here he spent a large portion of his time outdoors, allowing him to deeply study nature. This would become one of the major influences in his architecture to come.
Gaudí was a very practical man and a craftsman at his core. In his work he followed impulses and turned creative plans into reality. His openness to embrace new styles combined with a vivid imagination helped mold new styles of architecture and consequently helped push the limits of construction. Today he is regarded as a pioneer of the modern architecture style.
In 1870, Gaudí moved to Barcelona to study architecture. He was an inconsistent student who showed flashes of brilliance. It took him eight years to graduate due to a mix of health complications, military service as well as other activities.
After completion of his education he became a prolific architect as well as designing gardens, sculptures and all other decorative arts. Gaudí's most famous works consisted of several buildings: Parque Güell; Palacio Güell; Casa Mila; Casa Vicens. He also is contributed for his work on the Crypt of La Sagrada Familia and the Nativity facade. Gaudí's work at the time was both admired and criticized for his bold, innovative solutions.
Gaudí was injured on June 7, 1926 when he was run over by a tram. He later died in the hospital due to his injuries on June 10, 1926 at the age of 73. A few years after his death, his fame became renowned by critics and the general public alike.
Building owners.
Casa Milà was built for Roser Segimón and her husband Pere Milà. Roser Segimón was the wealthy widow of Josep Guardiola, an "Indiano" or "Americano", or former colonist returned from South America, who had made his fortune with a coffee plantation in Guatemala. Her second husband, Pere Milà was a developer known for his flamboyant lifestyle.
Construction process.
In 1905, Milà and Segimón married and on June 9, Roser Segimón bought a house with garden which occupied an area of 1,835 square meters, located on Paseo de Gracia, 92. In September, they commissioned Gaudí for building them a new house with the idea of living in the main floor and renting out the rest of the apartments. On February 2, 1906, the project was presented to the Barcelona City Council and the works began, demolishing the pre-existing building instead of reforming it, as in the case of the Casa Batlló.
The building was completed in December 1910 and the owner asked Gaudí to make a certificate to inhabit the main floor, which the City Council authorized in October 1911, and the couple moved in. On October 31, 1912, Gaudí issued the certificate stating that, in accordance with his plans and his direction, the work had been completed and the whole house was ready to be rented.
Critics and controversies.
The building did not respect any rules of conventional style, for which Gaudí received much criticism. To begin with, the name "La Pedrera" is in fact a nickname assigned by the citizens who disapproved of its unusualness. The unique structure of the building and the relationship between the building's architect and Pere Milà became the object of ridicule for the people of Barcelona and many humorous publications of the time.
Catholic symbols.
Gaudí, a Catholic and a devotee of the Virgin Mary, planned for the Casa Milà to be a spiritual symbol. Overt religious elements include an excerpt from the Rosary on the cornice and planned statues of Mary, specifically Our Lady of the Rosary, and two archangels, St. Michael and St. Gabriel.
However, the Casa Milà was not built entirely to Gaudí's specifications. The local government ordered the demolition of elements that exceeded the height standard for the city, and fined the Milàs for many infractions of building codes. After Semana Trágica, an outbreak of anticlericalism in the city, Milà prudently decided to forgo the religious statues. Gaudí contemplated abandoning the project but a priest persuaded him to continue.
Catholic symbols.
Gaudí, a Catholic and a devotee of the Virgin Mary, planned for the Casa Milà to be a spiritual symbol. Overt religious elements include an excerpt from the Rosary on the cornice and planned statues of Mary, specifically Our Lady of the Rosary, and two archangels, St. Michael and St. Gabriel.
However, the Casa Milà was not built entirely to Gaudí's specifications. The local government ordered the demolition of elements that exceeded the height standard for the city, and fined the Milàs for many infractions of building codes. After Semana Trágica, an outbreak of anticlericalism in the city, Milà prudently decided to forgo the religious statues. Gaudí contemplated abandoning the project but a priest persuaded him to continue.
Change of ownership.
In 1940, Milà died. Segimon sold the property in 1946 for 18 million pesetas to Josep Ballvé i Pellisé, known for his department stores on , in partnership with the family of Pío Rubert Laporta. The Compañía Inmobiliaria Provenza, SA (CIPSA) was founded to administer the building. Roser Segimon continued to live on the main floor until her death in 1964.
The new owners divided the first floor facing into five apartments instead of the original two. In 1953, they commissioned to convert 13 rubbish-filled attic laundry rooms to street-facing apartments, leaving a communal hallway on the side facing the courtyards. Some of these two or three room apartments had a loft and were designed and furnished in a typical early 1950s style using brick, ceramic and wood. Items of furniture, such as the , were reminiscent of Eero Saarinen's work.
The insurance company Northern took over the main floor in 1966. By then, Casa Milà had housed a bingo hall, an academy and the offices of Cementos Molins and Inoxcrom among others. Maintenance costs were high and the owners had allowed the building to become dilapidated, causing stones to loosen in 1971. Josep Anton Comas made some emergency repairs, especially to the paintings in the courtyards, while respecting the original design.
Restoration.
Gaudí's work was designated a historic and artistic monument on July 24, 1969. Casa Milà was in poor condition in the early 1980s. It had been painted a dreary brown and many of its interior color schemes had been abandoned or allowed to deteriorate, but it has been restored since and many of the original colors revived.
In 1984, the building became part of a World Heritage Site encompassing some of Gaudí's works. The Barcelonan city council tried to rent the main floor as an office for the 1992 Olympic bid. Finally, the day before Christmas 1986, Caixa Catalunya bought La Pedrera for 900 million pesetas. On February 19, 1987, urgently needed work began on the restoration and cleaning of the façade. The work was done by the architects Joseph Emilio Hernández-Cros and Rafael Vila. The renovated main floor opened in 1990 as part of the Cultural Olympiad of Barcelona. The floor became an exhibition room with an example of modernism in the Eixample.
Design.
The building is 1,323 m2 per floor on a plot of 1,620 m2. Gaudí made the first sketches in his workshop in the Sagrada Família. He designed the house as a constant curve, both outside and inside, incorporating ruled geometry and naturalistic elements.
Casa Milà consists of two buildings, which are structured around two courtyards that provide light to the nine stories: basement, ground floor, mezzanine, main (or noble) floor, four upper floors, and an attic. The basement was intended to be the garage, the main floor the residence of the Milàs (a flat of all 1,323 m2), and the rest distributed over 20 apartments. The resulting layout is shaped like an asymmetrical "8" because of the different shapes and sizes of the courtyards. The attic housed the laundry and drying areas, forming an insulating space for the building and simultaneously determining the levels of the roof.
One of the most notable elements of the building is the roof, crowned with skylights, staircase exits, fans, and chimneys. All of these elements, constructed out of brick covered with lime, broken marble, or glass have a specific architectural function but are also real sculptures integrated into the building.
The apartments feature plastered ceilings with dynamic reliefs, handcrafted wooden doors, windows, and furniture, as well as hydraulic tiles and various ornamental elements.
The stairways were intended as service entries, with the main access to the apartments by elevator except for the noble floor, where Gaudí added a prominent interior staircase. Gaudí wanted the people who lived in the flats to all know each other. Therefore, there were only elevators on every other floor, so people on different floors would meet one another.
Structure.
Casa Milà is characterized by its self-supporting stone facade, meaning that it is free of load-bearing walls. The facade connects to the internal structure of each floor by means of curved iron beams surrounding the perimeter of each floor. This construction system allows, on one hand, large openings in the facade which give light to the homes, and on the other, free structuring of the different levels, so that internal walls can be added and demolished without affecting the stability of the building. This allows the owners to change their minds at will and to modify, without problems, the interior layout of the homes.
Constructive and decorative items.
Facade.
The facade is composed of large blocks of limestone from the Garraf Massif on the first floor and from the Villefranche quarry for the higher levels. The blocks were cut to follow the plot of the projection of the model, then raised to their location and adjusted to align in a continuous curve to the pieces around them.
Viewed from the outside the building has three parts: the main body of the six-storey blocks with winding stone floors, two floors set a block back with a different curve, similar to waves, a smoother texture and whiter color, and with small holes that look like embrasures, and finally the body of the roof.
Gaudí's original facade had some of its lower-level ironwork removed. In 1928, the tailor Mosella opened the first store in La Pedrera, and he eliminated the bars. This did not concern anyone, because in the middle of twentieth century, wrought ironwork had little importance. The ironwork was lost until a few years later, when Americans donated one of them to the MoMa, where it is on display.
With restoration initiatives launched in 1987, the facade was rejoined to some pieces of stone that had fallen. In order to respect the fidelity of the original, material was obtained from the Villefranche quarry, even though by then it was no longer operating.
Hall and courtyards.
The building uses a completely original solution to solve the issue of a lobby being too closed and dark. Its open and airy courtyards provide a place of transit and are directly visible to those accessing the building. There are two patios on the side of the Passeig de Gracia and of the street Provence.
Patios, structurally, are key as supporting loads of interior facades. The floor of the courtyard is supported by pillars of cast iron. In the courtyard, there are traditional elliptical beams and girders but Gaudí applied an ingenious solution of using two concentric cylindrical beams with stretched radial beams, like the spokes of a bicycle. They form a point outside of the beam to two points above and below, making the function of the central girder a keystone and working in tension and compression simultaneously. This supported structure is twelve feet in diameter and is considered "the soul of the building" with a clear resemblance to Gothic crypts. The centerpiece was built in a shipyard by Josep Maria Carandell who copied a steering wheel, interpreting Gaudí's intent as to represent the helm of the ship of life.
Access is protected by a massive iron gate with a design attributed to Jujol. It was originally used by both people and cars, as access to the garage is in the basement, now an auditorium.
The two halls are fully polychrome with oil paintings on the plaster surfaces, with eclectic references to mythology and flowers.
During construction there was a problem including a basement as a garage for cars, the new invention that was thrilling the bourgeois at the time. The future neighbor Felix Anthony Meadows, owner of Industrial Linera, requested a change because his Rolls-Royce could not access it. Gaudí agreed to remove a pillar on the ramp that led into the garage so that Felix, who was establishing sales and factory in Walls of Valles, could go to both places with his car from La Pedrera.
For the floors of Casa Milà, Gaudí used a model of floor forms of square timbers with two colors, and the hydraulic pavement hexagonal pieces of blue and sea motifs that had originally been designed for the Batllo house. The wax was designed in gray by John Bertrand under the supervision of Gaudí who "touched up with their own fingers," in the words of the manufacturer Josep Bay.
Loft.
Like in Casa Batlló, Gaudí shows the application of the catenary arch as a support structure for the roof, a form which he had already used shortly after graduating in the wood frameworks of Mataró's cooperative known as "L'Obrera Mataronense." In this case, Gaudí used the Catalan technique of timbrel, imported from Italy in the fourteenth century.
The attic, where the laundry rooms were located, was a clear room under a Catalan vault roof supported by 270 parabolic vaults of different heights and spaced by about 80 cm. The roof resembles both the ribs of a huge animal and a palm, giving the roof-deck a very unconventional shape similar to a landscape of hills and valleys. The shape and location of the courtyards makes the arches higher when the space is narrowed and lower when the space expands.
The builder Bayó explained its construction: "First the face of a wide wall was filled with mortar and plastered. Then Canaleta indicated the opening of each arch and Bayó put a nail at each starting point of the arch at the top of the wall. From these nails was dangled a chain so that the lowest point coincided with the deflection of the arch. Then the profile displayed on the wall by the chain was drawn and on this profile the carpenter marked and placed the corresponding centering, and the timbrel vault was started with three rows of plane bricks. Gaudí wanted to add a longitudinal axis of bricks connecting all vaults at their keystones".
Roof and chimneys.
The work of Gaudí on the rooftop of La Pedrera brought his experience at Palau Güell together with solutions that were clearly more innovative – this time creating shapes and volumes with more body, more prominence, and less polychromasia.
On the rooftop there are six skylights/staircase exits (four of which were covered with broken pottery and some that ended in a double cross typical of Gaudí), twenty-eight chimneys in several groupings, two half-hidden vents whose function is to renew the air in the building, and four domes that discharged to the facade. The staircases also house the water tanks; some of which are snail-shaped.
The stepped roof of La Pedrera, called "the garden of warriors" by the poet Pere Gimferrer because the chimneys appear to be protecting the skylights, has undergone a radical restoration, removing chimneys added in interventions after Gaudí, television antennas, and other elements that degraded the space. The restoration brought back the splendor to the chimneys and the skylights that were covered with fragments of marble and broken Valencia tiles. One of the chimneys was topped with glass pieces – it was said that Gaudí did that the day after the inauguration of the building, taking advantage of the empty bottles from the party. It was restored with the bases of champagne bottles from the early twentieth century. The repair work has enabled the restoration of the original impact of the overhangs made of stone from Ulldecona with fragments of tiles. This whole set is more colorful than the facade, although here the creamy tones are dominant.
Furniture.
Gaudí, as he had done in Casa Batlló, designed furniture specifically for the main floor. This was part of the concept artwork itself integral to modernism in which the architect assumed responsibility for global issues such as the structure and the facade, as well as every detail of the decor, designing furniture and accessories such as lamps, planters, floors or ceilings.
This was another point of friction with Segimon, who complained that there was no straight wall to place her Steinway piano. Gaudí's response was blunt: "So play the violin." The result of these disagreements has been the loss of the decorative legacy of Gaudí, as most of the furniture was removed due to climate change and the changes she made to the main floor when Gaudí died. Some remain in private collections, including a curtain made of oak 4 m. long by 1.96 m. high in the Museum of Catalan Modernism; and a chair and desktop of Milà.
Gaudí carved oak doors similar to what he had done for the Casa y Bardes, but these were only included on two floors as when Segimon discovered the price, she decided there would be no more at that quality.
Structure.
Casa Milà is characterized by its self-supporting stone facade, meaning that it is free of load-bearing walls. The facade connects to the internal structure of each floor by means of curved iron beams surrounding the perimeter of each floor. This construction system allows, on one hand, large openings in the facade which give light to the homes, and on the other, free structuring of the different levels, so that internal walls can be added and demolished without affecting the stability of the building. This allows the owners to change their minds at will and to modify, without problems, the interior layout of the homes.
Constructive and decorative items.
Facade.
The facade is composed of large blocks of limestone from the Garraf Massif on the first floor and from the Villefranche quarry for the higher levels. The blocks were cut to follow the plot of the projection of the model, then raised to their location and adjusted to align in a continuous curve to the pieces around them.
Viewed from the outside the building has three parts: the main body of the six-storey blocks with winding stone floors, two floors set a block back with a different curve, similar to waves, a smoother texture and whiter color, and with small holes that look like embrasures, and finally the body of the roof.
Gaudí's original facade had some of its lower-level ironwork removed. In 1928, the tailor Mosella opened the first store in La Pedrera, and he eliminated the bars. This did not concern anyone, because in the middle of twentieth century, wrought ironwork had little importance. The ironwork was lost until a few years later, when Americans donated one of them to the MoMa, where it is on display.
With restoration initiatives launched in 1987, the facade was rejoined to some pieces of stone that had fallen. In order to respect the fidelity of the original, material was obtained from the Villefranche quarry, even though by then it was no longer operating.
Hall and courtyards.
The building uses a completely original solution to solve the issue of a lobby being too closed and dark. Its open and airy courtyards provide a place of transit and are directly visible to those accessing the building. There are two patios on the side of the Passeig de Gracia and of the street Provence.
Patios, structurally, are key as supporting loads of interior facades. The floor of the courtyard is supported by pillars of cast iron. In the courtyard, there are traditional elliptical beams and girders but Gaudí applied an ingenious solution of using two concentric cylindrical beams with stretched radial beams, like the spokes of a bicycle. They form a point outside of the beam to two points above and below, making the function of the central girder a keystone and working in tension and compression simultaneously. This supported structure is twelve feet in diameter and is considered "the soul of the building" with a clear resemblance to Gothic crypts. The centerpiece was built in a shipyard by Josep Maria Carandell who copied a steering wheel, interpreting Gaudí's intent as to represent the helm of the ship of life.
Access is protected by a massive iron gate with a design attributed to Jujol. It was originally used by both people and cars, as access to the garage is in the basement, now an auditorium.
The two halls are fully polychrome with oil paintings on the plaster surfaces, with eclectic references to mythology and flowers.
During construction there was a problem including a basement as a garage for cars, the new invention that was thrilling the bourgeois at the time. The future neighbor Felix Anthony Meadows, owner of Industrial Linera, requested a change because his Rolls-Royce could not access it. Gaudí agreed to remove a pillar on the ramp that led into the garage so that Felix, who was establishing sales and factory in Walls of Valles, could go to both places with his car from La Pedrera.
For the floors of Casa Milà, Gaudí used a model of floor forms of square timbers with two colors, and the hydraulic pavement hexagonal pieces of blue and sea motifs that had originally been designed for the Batllo house. The wax was designed in gray by John Bertrand under the supervision of Gaudí who "touched up with their own fingers," in the words of the manufacturer Josep Bay.
Loft.
Like in Casa Batlló, Gaudí shows the application of the catenary arch as a support structure for the roof, a form which he had already used shortly after graduating in the wood frameworks of Mataró's cooperative known as "L'Obrera Mataronense." In this case, Gaudí used the Catalan technique of timbrel, imported from Italy in the fourteenth century.
The attic, where the laundry rooms were located, was a clear room under a Catalan vault roof supported by 270 parabolic vaults of different heights and spaced by about 80 cm. The roof resembles both the ribs of a huge animal and a palm, giving the roof-deck a very unconventional shape similar to a landscape of hills and valleys. The shape and location of the courtyards makes the arches higher when the space is narrowed and lower when the space expands.
The builder Bayó explained its construction: "First the face of a wide wall was filled with mortar and plastered. Then Canaleta indicated the opening of each arch and Bayó put a nail at each starting point of the arch at the top of the wall. From these nails was dangled a chain so that the lowest point coincided with the deflection of the arch. Then the profile displayed on the wall by the chain was drawn and on this profile the carpenter marked and placed the corresponding centering, and the timbrel vault was started with three rows of plane bricks. Gaudí wanted to add a longitudinal axis of bricks connecting all vaults at their keystones".
Roof and chimneys.
The work of Gaudí on the rooftop of La Pedrera brought his experience at Palau Güell together with solutions that were clearly more innovative – this time creating shapes and volumes with more body, more prominence, and less polychromasia.
On the rooftop there are six skylights/staircase exits (four of which were covered with broken pottery and some that ended in a double cross typical of Gaudí), twenty-eight chimneys in several groupings, two half-hidden vents whose function is to renew the air in the building, and four domes that discharged to the facade. The staircases also house the water tanks; some of which are snail-shaped.
The stepped roof of La Pedrera, called "the garden of warriors" by the poet Pere Gimferrer because the chimneys appear to be protecting the skylights, has undergone a radical restoration, removing chimneys added in interventions after Gaudí, television antennas, and other elements that degraded the space. The restoration brought back the splendor to the chimneys and the skylights that were covered with fragments of marble and broken Valencia tiles. One of the chimneys was topped with glass pieces – it was said that Gaudí did that the day after the inauguration of the building, taking advantage of the empty bottles from the party. It was restored with the bases of champagne bottles from the early twentieth century. The repair work has enabled the restoration of the original impact of the overhangs made of stone from Ulldecona with fragments of tiles. This whole set is more colorful than the facade, although here the creamy tones are dominant.
Furniture.
Gaudí, as he had done in Casa Batlló, designed furniture specifically for the main floor. This was part of the concept artwork itself integral to modernism in which the architect assumed responsibility for global issues such as the structure and the facade, as well as every detail of the decor, designing furniture and accessories such as lamps, planters, floors or ceilings.
This was another point of friction with Segimon, who complained that there was no straight wall to place her Steinway piano. Gaudí's response was blunt: "So play the violin." The result of these disagreements has been the loss of the decorative legacy of Gaudí, as most of the furniture was removed due to climate change and the changes she made to the main floor when Gaudí died. Some remain in private collections, including a curtain made of oak 4 m. long by 1.96 m. high in the Museum of Catalan Modernism; and a chair and desktop of Milà.
Gaudí carved oak doors similar to what he had done for the Casa y Bardes, but these were only included on two floors as when Segimon discovered the price, she decided there would be no more at that quality.
Facade.
The facade is composed of large blocks of limestone from the Garraf Massif on the first floor and from the Villefranche quarry for the higher levels. The blocks were cut to follow the plot of the projection of the model, then raised to their location and adjusted to align in a continuous curve to the pieces around them.
Viewed from the outside the building has three parts: the main body of the six-storey blocks with winding stone floors, two floors set a block back with a different curve, similar to waves, a smoother texture and whiter color, and with small holes that look like embrasures, and finally the body of the roof.
Gaudí's original facade had some of its lower-level ironwork removed. In 1928, the tailor Mosella opened the first store in La Pedrera, and he eliminated the bars. This did not concern anyone, because in the middle of twentieth century, wrought ironwork had little importance. The ironwork was lost until a few years later, when Americans donated one of them to the MoMa, where it is on display.
With restoration initiatives launched in 1987, the facade was rejoined to some pieces of stone that had fallen. In order to respect the fidelity of the original, material was obtained from the Villefranche quarry, even though by then it was no longer operating.
Hall and courtyards.
The building uses a completely original solution to solve the issue of a lobby being too closed and dark. Its open and airy courtyards provide a place of transit and are directly visible to those accessing the building. There are two patios on the side of the Passeig de Gracia and of the street Provence.
Patios, structurally, are key as supporting loads of interior facades. The floor of the courtyard is supported by pillars of cast iron. In the courtyard, there are traditional elliptical beams and girders but Gaudí applied an ingenious solution of using two concentric cylindrical beams with stretched radial beams, like the spokes of a bicycle. They form a point outside of the beam to two points above and below, making the function of the central girder a keystone and working in tension and compression simultaneously. This supported structure is twelve feet in diameter and is considered "the soul of the building" with a clear resemblance to Gothic crypts. The centerpiece was built in a shipyard by Josep Maria Carandell who copied a steering wheel, interpreting Gaudí's intent as to represent the helm of the ship of life.
Access is protected by a massive iron gate with a design attributed to Jujol. It was originally used by both people and cars, as access to the garage is in the basement, now an auditorium.
The two halls are fully polychrome with oil paintings on the plaster surfaces, with eclectic references to mythology and flowers.
During construction there was a problem including a basement as a garage for cars, the new invention that was thrilling the bourgeois at the time. The future neighbor Felix Anthony Meadows, owner of Industrial Linera, requested a change because his Rolls-Royce could not access it. Gaudí agreed to remove a pillar on the ramp that led into the garage so that Felix, who was establishing sales and factory in Walls of Valles, could go to both places with his car from La Pedrera.
For the floors of Casa Milà, Gaudí used a model of floor forms of square timbers with two colors, and the hydraulic pavement hexagonal pieces of blue and sea motifs that had originally been designed for the Batllo house. The wax was designed in gray by John Bertrand under the supervision of Gaudí who "touched up with their own fingers," in the words of the manufacturer Josep Bay.
Loft.
Like in Casa Batlló, Gaudí shows the application of the catenary arch as a support structure for the roof, a form which he had already used shortly after graduating in the wood frameworks of Mataró's cooperative known as "L'Obrera Mataronense." In this case, Gaudí used the Catalan technique of timbrel, imported from Italy in the fourteenth century.
The attic, where the laundry rooms were located, was a clear room under a Catalan vault roof supported by 270 parabolic vaults of different heights and spaced by about 80 cm. The roof resembles both the ribs of a huge animal and a palm, giving the roof-deck a very unconventional shape similar to a landscape of hills and valleys. The shape and location of the courtyards makes the arches higher when the space is narrowed and lower when the space expands.
The builder Bayó explained its construction: "First the face of a wide wall was filled with mortar and plastered. Then Canaleta indicated the opening of each arch and Bayó put a nail at each starting point of the arch at the top of the wall. From these nails was dangled a chain so that the lowest point coincided with the deflection of the arch. Then the profile displayed on the wall by the chain was drawn and on this profile the carpenter marked and placed the corresponding centering, and the timbrel vault was started with three rows of plane bricks. Gaudí wanted to add a longitudinal axis of bricks connecting all vaults at their keystones".
Roof and chimneys.
The work of Gaudí on the rooftop of La Pedrera brought his experience at Palau Güell together with solutions that were clearly more innovative – this time creating shapes and volumes with more body, more prominence, and less polychromasia.
On the rooftop there are six skylights/staircase exits (four of which were covered with broken pottery and some that ended in a double cross typical of Gaudí), twenty-eight chimneys in several groupings, two half-hidden vents whose function is to renew the air in the building, and four domes that discharged to the facade. The staircases also house the water tanks; some of which are snail-shaped.
The stepped roof of La Pedrera, called "the garden of warriors" by the poet Pere Gimferrer because the chimneys appear to be protecting the skylights, has undergone a radical restoration, removing chimneys added in interventions after Gaudí, television antennas, and other elements that degraded the space. The restoration brought back the splendor to the chimneys and the skylights that were covered with fragments of marble and broken Valencia tiles. One of the chimneys was topped with glass pieces – it was said that Gaudí did that the day after the inauguration of the building, taking advantage of the empty bottles from the party. It was restored with the bases of champagne bottles from the early twentieth century. The repair work has enabled the restoration of the original impact of the overhangs made of stone from Ulldecona with fragments of tiles. This whole set is more colorful than the facade, although here the creamy tones are dominant.
Furniture.
Gaudí, as he had done in Casa Batlló, designed furniture specifically for the main floor. This was part of the concept artwork itself integral to modernism in which the architect assumed responsibility for global issues such as the structure and the facade, as well as every detail of the decor, designing furniture and accessories such as lamps, planters, floors or ceilings.
This was another point of friction with Segimon, who complained that there was no straight wall to place her Steinway piano. Gaudí's response was blunt: "So play the violin." The result of these disagreements has been the loss of the decorative legacy of Gaudí, as most of the furniture was removed due to climate change and the changes she made to the main floor when Gaudí died. Some remain in private collections, including a curtain made of oak 4 m. long by 1.96 m. high in the Museum of Catalan Modernism; and a chair and desktop of Milà.
Gaudí carved oak doors similar to what he had done for the Casa y Bardes, but these were only included on two floors as when Segimon discovered the price, she decided there would be no more at that quality.
Architecture.
"Casa Milà" is part of the UNESCO World Heritage Site "Works of Antoni Gaudí". It was a predecessor of some buildings with a similar biomorphic appearance:
Free exhibitions often are held on the first floor, which also provides some opportunity to see the interior design. There is a charge for entrance to the apartment on the fourth floor and the roof. The other floors are not open to visitors.
Constructive similarities.
Gaudí's La Pedrera was inspired by a mountain, but there is no agreement as to which mountain was the reference model. Joan Bergós thought it was the rocks of Fray Guerau in Prades mountains. Joan Matamala thought that the model could have been St. Miquel del Fai, while the sculptor Vicente Vilarubias believed it was inspired by the cliffs Torrent Pareis in Menorca. Other options include the mountains of Uçhisar in Cappadocia, suggested by Juan Goytisolo, or Mola Gallifa, suggested by Louis Permanyer, based on the fact that Gaudí visited the area in 1885 to escape an outbreak of cholera in Barcelona.
Some people say that the interior layout of La Pedrera comes from studies that Gaudí made of medieval fortresses. This image is reinforced by the seeming appearance of the rooftop chimneys as "sentinels" with great helmets. The structure of the iron door in the lobby does not follow any symmetry, straight or repetitive pattern. Rather, it evokes bubbles of soap that are formed between the hands or the structures of a plant cell.
Constructive similarities.
Gaudí's La Pedrera was inspired by a mountain, but there is no agreement as to which mountain was the reference model. Joan Bergós thought it was the rocks of Fray Guerau in Prades mountains. Joan Matamala thought that the model could have been St. Miquel del Fai, while the sculptor Vicente Vilarubias believed it was inspired by the cliffs Torrent Pareis in Menorca. Other options include the mountains of Uçhisar in Cappadocia, suggested by Juan Goytisolo, or Mola Gallifa, suggested by Louis Permanyer, based on the fact that Gaudí visited the area in 1885 to escape an outbreak of cholera in Barcelona.
Some people say that the interior layout of La Pedrera comes from studies that Gaudí made of medieval fortresses. This image is reinforced by the seeming appearance of the rooftop chimneys as "sentinels" with great helmets. The structure of the iron door in the lobby does not follow any symmetry, straight or repetitive pattern. Rather, it evokes bubbles of soap that are formed between the hands or the structures of a plant cell.
Criticism and controversy.
The building's unconventional style made it the subject of much criticism. It was given the nickname "La Pedrera", meaning "the quarry". Casa Milà appeared in many satirical magazines. Joan Junceda presented it as a traditional "Easter cake" by means of cartoons in "Patufet". Joaquim Garcia made a joke about the difficulty of setting the damask wrought iron balconies in his magazine. Homeowners in Passeig de Gracia became angry with Milà and ceased to greet him, arguing that the weird building by Gaudí would lower the price of land in the area.
Administrative problems.
Casa Milà also caused some administrative problems. In December 1907 the City Hall stopped work on the building because of a pillar which occupied part of the sidewalk, not respecting the alignment of facades. Again on August 17, 1908, more problems occurred when the building surpassed the predicted height and borders of its construction site by . The Council called for a fine of 100,000 pesetas (approximately 25% of the cost of work) or for the demolition of the attic and roof. The dispute was resolved a year and a half later, December 28, 1909, when the Commission certified that it was a monumental building and thus not required to have a 'strict compliance' with the bylaws.
Design competitions.
The owner entered La Pedrera in the annual sponsored by the Barcelona City Council ("Ayuntament"). Other entries in the competition included two works by Sagnier (Calle Mallorca 264, and one on Corsica and Av. Diagonal), the by architect , and the , designed by . Although the most dramatic and clear favorite was Casa Milà, the jury opined that even though the facades were complete, "there's still a lot left to do before it's fully completed, finalized and in a perfect state of appreciation." The winner in 1910 was Samanillo Perez, for his building which now houses the headquarters of the Circulo Ecuestre.
Design disagreements.
Gaudí's relations with Segimon deteriorated during the construction and decoration of the house. There were many disagreements between them, one example was the monumental bronze virgin del Rosario, which Gaudí wanted as the statue on the front of the building in homage to the name of the owner, that the artist Carles Mani i Roig was to sculpt. The statue was not made although the words "Ave gratia M plena Dominus tecum" were written at the top of the facade. Continuing disagreements led Gaudí to take Milà to court over his fees. The lawsuit was won by Gaudí in 1916, and he gave the 105,000 pesetas he won in the case to charity, stating that "the principles mattered more than money." Milà was having to pay the mortgage.
After Gaudí's death in 1926, Segimon got rid of most of the furniture that Gaudí had designed and covered over parts of Gaudí's designs with new decorations in the style of Louis XVI. La Pedrera was acquired in 1986 by and when restoration was done four years later, some of the original decorations re-emerged.
When the Civil War broke out in July 1936, the Milàs were on vacation. Part of the building was collectivized by the Unified Socialist Party of Catalonia; the Milàs fled the area with some artwork.
Administrative problems.
Casa Milà also caused some administrative problems. In December 1907 the City Hall stopped work on the building because of a pillar which occupied part of the sidewalk, not respecting the alignment of facades. Again on August 17, 1908, more problems occurred when the building surpassed the predicted height and borders of its construction site by . The Council called for a fine of 100,000 pesetas (approximately 25% of the cost of work) or for the demolition of the attic and roof. The dispute was resolved a year and a half later, December 28, 1909, when the Commission certified that it was a monumental building and thus not required to have a 'strict compliance' with the bylaws.
Design competitions.
The owner entered La Pedrera in the annual sponsored by the Barcelona City Council ("Ayuntament"). Other entries in the competition included two works by Sagnier (Calle Mallorca 264, and one on Corsica and Av. Diagonal), the by architect , and the , designed by . Although the most dramatic and clear favorite was Casa Milà, the jury opined that even though the facades were complete, "there's still a lot left to do before it's fully completed, finalized and in a perfect state of appreciation." The winner in 1910 was Samanillo Perez, for his building which now houses the headquarters of the Circulo Ecuestre.
Design disagreements.
Gaudí's relations with Segimon deteriorated during the construction and decoration of the house. There were many disagreements between them, one example was the monumental bronze virgin del Rosario, which Gaudí wanted as the statue on the front of the building in homage to the name of the owner, that the artist Carles Mani i Roig was to sculpt. The statue was not made although the words "Ave gratia M plena Dominus tecum" were written at the top of the facade. Continuing disagreements led Gaudí to take Milà to court over his fees. The lawsuit was won by Gaudí in 1916, and he gave the 105,000 pesetas he won in the case to charity, stating that "the principles mattered more than money." Milà was having to pay the mortgage.
After Gaudí's death in 1926, Segimon got rid of most of the furniture that Gaudí had designed and covered over parts of Gaudí's designs with new decorations in the style of Louis XVI. La Pedrera was acquired in 1986 by and when restoration was done four years later, some of the original decorations re-emerged.
When the Civil War broke out in July 1936, the Milàs were on vacation. Part of the building was collectivized by the Unified Socialist Party of Catalonia; the Milàs fled the area with some artwork.
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1359
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Anbar (town)
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Anbar (, ,) also known by its original ancient name, Peroz-Shapur, was an ancient and medieval town in central Iraq. It played a role in the Roman–Persian Wars of the 3rd–4th centuries, and briefly became the capital of the Abbasid Caliphate before the founding of Baghdad in 762. It remained a moderately prosperous town through the 10th century, but quickly declined thereafter. As a local administrative centre, it survived until the 14th century, but was later abandoned.
Its ruins are near modern Fallujah. The city gives its name to the Al-Anbar Governorate.
History.
Origins.
The city is located on the left bank of the Middle Euphrates, at the junction with the Nahr Isa canal, the first of the navigable canals that link the Euphrates to the River Tigris to the east. The origins of the city are unknown, but ancient, perhaps dating to the Babylonian era and even earlier: the local artificial mound of Tell Aswad dates to .
Sasanian period.
The town was originally known as Misiche (Greek: ), Mesiche (), or Massice ( mšyk; mšyk). As a major crossing point of the Euphrates, and occupying the northernmost point of the complex irrigation network of the Sawad, the town was of considerable strategic significance. As the western gate to central Mesopotamia, it was fortified by the Sasanian ruler Shapur I () to shield his capital, Ctesiphon, from the Roman Empire. After his decisive defeat of the Roman emperor Gordian III at the Battle of Misiche in 244, Shapur renamed the town to Peroz-Shapur ("Pērōz-Šāpūr" or "Pērōz-Šābuhr", from , meaning "victorious Shapur"; in ; in ). It became known as Pirisapora or Bersabora () to the Greeks and Romans.
The city was fortified by a double wall, possibly through the use of Roman prisoner labour; it was sacked and burned after an agreement with its garrison in March 363 by the Roman emperor Julian during his invasion of the Sasanian Empire. It was rebuilt by Shapur II. By 420, it is attested as a bishopric, both for the Church of the East and for the Syriac Orthodox Church. The town's garrison was Persian, but it also contained sizeable Arab and Jewish populations. Anbar was adjacent or identical to the Babylonian Jewish center of Nehardea (), and lies a short distance from the present-day town of Fallujah, formerly the Babylonian Jewish center of Pumbedita ().
Islamic period.
The city fell to the Rashidun Caliphate in July 633, after a fiercely fought siege. The Arabs retained the name ("Fīrūz Shābūr") for the surrounding district, but the town itself became known as Anbar (Middle Persian word for "granary" or "storehouse") from the granaries in its citadel, a name that had appeared already during the 6th century. According to Baladhuri, the third mosque to be built in Iraq was erected in the city by Sa'd ibn Abi Waqqas. Ibn Abi Waqqas initially considered Anbar as a candidate for the location of one of the first Muslim garrison towns, but the fever and fleas endemic in the area persuaded him otherwise.
According to medieval Arabic sources, most of the inhabitants of the town migrated north to found the city of Hdatta south of Mosul. The famous governor al-Hajjaj ibn Yusuf cleared the canals of the city.
Abu'l-Abbas as-Saffah (), the founder of the Abbasid Caliphate, made it his capital in 752, constructing a new town half a "farsakh" () to the north for his Khurasani troops. There he died and was buried at the palace he had built. His successor, al-Mansur (), remained in the city until the founding of Baghdad in 762. The Abbasids also dug the great Nahr Isa canal to the south of the city, which carried water and commerce east to Baghdad. The Nahr al-Saqlawiyya or Nahr al-Qarma canal, which branches off from the Euphrates to the west of the city, is sometimes erroneously held to be the Nahr Isa, but it is more likely that it is to be identified with the pre-Islamic Nahr al-Rufayl.
It continued to be a place of much importance throughout the Abbasid period. Caliph Harun al-Rashid () stayed at the town in 799 and in 803. The town's prosperity was founded on agricultural activities, but also on trade between Iraq and Syria. The town was still prosperous in the early 9th century, but the decline of Abbasid authority during the later 9th century exposed it to Bedouin attacks in 882 and 899. In 927, the Qarmatians under Abu Tahir al-Jannabi sacked the city during their invasion of Iraq, and the devastation was compounded by another Bedouin attack two years later. The town's decline accelerated after that: while the early 10th-century geographer Istakhri still calls the town modest but populous, with the ruins of the buildings of as-Saffah still visible, Ibn Hawqal and al-Maqdisi, who wrote a generation later, attest to its decline, and the diminution of its population.
The town was sacked again in 1262 by the Mongols under Kerboka. The Ilkhanids retained Anbar as an administrative centre, a role it retained until the first half of the 14th century; the Ilkhanid minister Shams al-Din Juvayni had a canal dug from the city to Najaf, and the city was surrounded by a wall of sun-dried bricks.
Origins.
The city is located on the left bank of the Middle Euphrates, at the junction with the Nahr Isa canal, the first of the navigable canals that link the Euphrates to the River Tigris to the east. The origins of the city are unknown, but ancient, perhaps dating to the Babylonian era and even earlier: the local artificial mound of Tell Aswad dates to .
Sasanian period.
The town was originally known as Misiche (Greek: ), Mesiche (), or Massice ( mšyk; mšyk). As a major crossing point of the Euphrates, and occupying the northernmost point of the complex irrigation network of the Sawad, the town was of considerable strategic significance. As the western gate to central Mesopotamia, it was fortified by the Sasanian ruler Shapur I () to shield his capital, Ctesiphon, from the Roman Empire. After his decisive defeat of the Roman emperor Gordian III at the Battle of Misiche in 244, Shapur renamed the town to Peroz-Shapur ("Pērōz-Šāpūr" or "Pērōz-Šābuhr", from , meaning "victorious Shapur"; in ; in ). It became known as Pirisapora or Bersabora () to the Greeks and Romans.
The city was fortified by a double wall, possibly through the use of Roman prisoner labour; it was sacked and burned after an agreement with its garrison in March 363 by the Roman emperor Julian during his invasion of the Sasanian Empire. It was rebuilt by Shapur II. By 420, it is attested as a bishopric, both for the Church of the East and for the Syriac Orthodox Church. The town's garrison was Persian, but it also contained sizeable Arab and Jewish populations. Anbar was adjacent or identical to the Babylonian Jewish center of Nehardea (), and lies a short distance from the present-day town of Fallujah, formerly the Babylonian Jewish center of Pumbedita ().
Islamic period.
The city fell to the Rashidun Caliphate in July 633, after a fiercely fought siege. The Arabs retained the name ("Fīrūz Shābūr") for the surrounding district, but the town itself became known as Anbar (Middle Persian word for "granary" or "storehouse") from the granaries in its citadel, a name that had appeared already during the 6th century. According to Baladhuri, the third mosque to be built in Iraq was erected in the city by Sa'd ibn Abi Waqqas. Ibn Abi Waqqas initially considered Anbar as a candidate for the location of one of the first Muslim garrison towns, but the fever and fleas endemic in the area persuaded him otherwise.
According to medieval Arabic sources, most of the inhabitants of the town migrated north to found the city of Hdatta south of Mosul. The famous governor al-Hajjaj ibn Yusuf cleared the canals of the city.
Abu'l-Abbas as-Saffah (), the founder of the Abbasid Caliphate, made it his capital in 752, constructing a new town half a "farsakh" () to the north for his Khurasani troops. There he died and was buried at the palace he had built. His successor, al-Mansur (), remained in the city until the founding of Baghdad in 762. The Abbasids also dug the great Nahr Isa canal to the south of the city, which carried water and commerce east to Baghdad. The Nahr al-Saqlawiyya or Nahr al-Qarma canal, which branches off from the Euphrates to the west of the city, is sometimes erroneously held to be the Nahr Isa, but it is more likely that it is to be identified with the pre-Islamic Nahr al-Rufayl.
It continued to be a place of much importance throughout the Abbasid period. Caliph Harun al-Rashid () stayed at the town in 799 and in 803. The town's prosperity was founded on agricultural activities, but also on trade between Iraq and Syria. The town was still prosperous in the early 9th century, but the decline of Abbasid authority during the later 9th century exposed it to Bedouin attacks in 882 and 899. In 927, the Qarmatians under Abu Tahir al-Jannabi sacked the city during their invasion of Iraq, and the devastation was compounded by another Bedouin attack two years later. The town's decline accelerated after that: while the early 10th-century geographer Istakhri still calls the town modest but populous, with the ruins of the buildings of as-Saffah still visible, Ibn Hawqal and al-Maqdisi, who wrote a generation later, attest to its decline, and the diminution of its population.
The town was sacked again in 1262 by the Mongols under Kerboka. The Ilkhanids retained Anbar as an administrative centre, a role it retained until the first half of the 14th century; the Ilkhanid minister Shams al-Din Juvayni had a canal dug from the city to Najaf, and the city was surrounded by a wall of sun-dried bricks.
Ecclesiastical history.
Anbar used to host an Assyrian community from the fifth century: the town was the seat of a bishopric of the Church of the East. The names of fourteen of its bishops of the period 486–1074 are known, three of whom became Chaldean Patriarchs of Babylon.
Titular see.
Anbar is listed by the Catholic Church as a titular see of the Chaldean Catholic Church, established as titular bishopric in 1980.
It has had the following incumbents:
Titular see.
Anbar is listed by the Catholic Church as a titular see of the Chaldean Catholic Church, established as titular bishopric in 1980.
It has had the following incumbents:
Today.
It is now entirely deserted, occupied only by mounds of ruins, whose great number indicate the city's former importance. Its ruins are northwest of Fallujah, with a circumference of some . The remains include traces of the late medieval wall, a square fortification, and the early Islamic mosque.
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1360
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Anazarbus
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Anazarbus (, medieval Ain Zarba; modern Anavarza; ) was an ancient Cilician city. Under the late Roman Empire, it was the capital of Cilicia Secunda. Roman emperor Justinian I rebuilt the city in 527 after a strong earthquake hit it. It was destroyed in 1374 by the forces of Mamluk Empire, after their conquest of Armenia.
Location.
It was situated in Anatolia in modern Turkey, in the present Çukurova (or classical Aleian plain) about 15 km west of the main stream of the present Ceyhan River (or classical Pyramus river) and near its tributary the Sempas Su.
A lofty isolated ridge formed its acropolis. Though some of the masonry in the ruins is certainly pre-Roman, the Suda's identification of it with Cyinda, famous as a treasure city in the wars of Eumenes of Cardia, cannot be accepted in the face of Strabo's express location of Cyinda in western Cilicia.
History.
According to the "Suda", the original name of the place was Cyinda or Kyinda or Quinda (); and that it was next called Diocaesarea (Διοκαισάρεια). A city in Cilicia called Kundu rebelled against the Assyrian king Esarhaddon in 7th century BC, but it's unclear if there is a connection. At least it's known a city called Anazarbus (Ἀνάζαρβος) and Anazarba (Ἀνάζαρβα) and Anazarbon (Ἀνάζαρβον), situated on the river Pyramus, existed in the first century BC and was a part of the small client-kingdom of Tarcondimotus I until it was annexed by Rome. How the city obtained the name is a matter of conjecture. According to Stephanus of Byzantium, after the city was destroyed by an earthquake, the emperor Nerva sent thither one Anazarbus, a man of senatorial rank, who rebuilt the city, and gave to it his own name. This account cannot be accurate, as Valesius remarks, for it was called Anazarbus in Pliny's time. Dioscorides is called a native of Anazarbus; but the period of Dioscorides is not certain. It was also the home of the poet Oppian. Its later name was Caesarea ad Anazarbum, and there are many medals of the place in which it is both named Anazarbus and Caesarea at or under Anazarbus. On the division of Cilicia it became the chief place of the Roman province of Cilicia Secunda, with the title of Metropolis. Early in the sixth century, in the reign of Eastern Roman emperor Justin I, it was named Justinopolis or Ioustinoupolis (Ἰουστινούπολις). The city suffered from an earthquake in 526 and was rebuilt by Justinian I and renamed Justinianopolis or Ioustinianoupolis (Ἰουστινιανούπολις); but the old name persisted, and when Thoros I, king of Lesser Armenia, made it his capital early in the 12th century, it was known as Anazarva.
Its great natural strength and situation, not far from the mouth of the Sis pass, and near the great road which debouched from the Cilician Gates, made Anazarbus play a considerable part in the struggles between the Eastern Roman Empire and the early Muslim invaders. It had been rebuilt by Harun al-Rashid in 796, refortified at great expense by the Hamdanid Sayf al-Dawla (mid-10th century) and again destroyed in 962 by Nikephoros II Phokas. In the 11th century it was again a major fortress, comparable to Tarsos and Marash, and belonged to the realm of Philaretos Brachamios before it was captured around 1084 by the Seljuk Turks. In late 1097 or early 1098 it was captured by the armies of the First Crusade and after the conquest of Antioch it was incorporated into Bohemond of Taranto's Principality of Antioch.
The site briefly exchanged hands between the Byzantine Empire and Armenians, until it was formally part of the Armenian Kingdom of Cilicia. Anazarbus was one of a chain of Armenian fortifications stretching through Cilicia. The castle of Sis (modern Kozan, Adana) lies to the north while Tumlu Castle and Yilankale are to the south, and the fortresses of Amouda and Sarvandikar are to the east. The Mamluk Empire of Egypt finally destroyed the city in 1374.
Remains.
The Crusaders are probably responsible for the construction of an impressive donjon atop the center of the outcrop. Most of the remaining fortifications, including the curtain walls, massive horse-shaped towers, undercrofts, cisterns, and free-standing structures date from the Armenian periods of occupation, which began with the arrival of the Rubenid Baron T‛oros I, . Within the fortress are two Armenian chapels and the magnificent (but severely damaged) three-aisle church built by T‛oros I to celebrate his conquests. The church was once surrounded by a continuous, well-executed dedicatory inscription in Armenian.
The present wall of the lower city is of late construction. It encloses a mass of ruins conspicuous in which are a fine triumphal arch, the colonnades of two streets, a gymnasium, etc. A stadium and a theatre lie outside the walls to the south. The remains of the acropolis fortifications are very interesting, including roads and ditches hewn in the rock. There are no notable structures in the upper town. For picturesqueness the site is not equaled in Cilicia, and it is worthwhile to trace the three fine aqueducts to their sources. A necropolis on the escarpment to the south of the curtain wall can also be seen complete with signs of illegal modern excavations.
A modest Turkish farming village (Dilekkaya) lies to the southwest of the ancient city. A small outdoor museum with some of the artifacts collected in the area can be viewed for a small fee. Also nearby are some beautiful mosaics discovered in a farmers field.
A visit in December 2002 showed that the three aqueducts mentioned above have been nearly completely destroyed. Only small, isolated sections are left standing with the largest portion lying in a pile of rubble that stretches the length of where the aqueducts once stood. A powerful earthquake that struck the area in 1945 is thought to be responsible for the destruction.
In 2013, excavations uncovered the first known colonnaded double-lane road of the ancient world, 34 meters wide and 2700 meters long, also uncovered the ruins of a church and a bathhouse.
In 2017, archaeologists discovered a limestone statue of the goddess Hygieia and the god Eros. The statue is thought to date to the third or fourth century B.C.
Ecclesiastical history.
Anazarbus was the capital and so also from 553 (the date of the Second Council of Constantinople) the metropolitan see of the Late Roman province of Cilicia Secunda.
In the 4th century, one of the bishops of Anazarbus was Athanasius, a "consistent expounder of the theology of Arius." His theological opponent, Athanasius of Alexandria, in "De Synodis" 17, 1 refers to Anazarbus as Ναζαρβῶν.
Maximin of Anazarbus attended the Council of Chalcedon.
A 6th century "Notitia Episcopatuum" indicates that it had as suffragan sees Epiphania, Alexandria Minor, Irenopolis, Flavias, Castabala and Aegeae. Rhosus was also subject to Anazarbus, but after the 6th century was made exempt, and Mopsuestia was raised to the rank of autocephalous metropolitan see, though without suffragans.
Latin Catholic titular see.
The titular archbishopric was revived in the 18th century as a see of the Latin Catholic church, Anazarbus.
It is vacant, having had the following incumbents, generally of the highest (Metropolitan) rank, "with an episcopal (lowest rank) exception:"
Armenian Catholic titular see.
In the 19th century, an Armenian Catholic titular bishopric of Anazarbus (of the Armenians) (Anazarbus degli Armeni in Curiate Italian) was established.
It was a suppressed in 1933, having had a single incumbent, of the intermediary (archiepiscopal) rank :
Latin Catholic titular see.
The titular archbishopric was revived in the 18th century as a see of the Latin Catholic church, Anazarbus.
It is vacant, having had the following incumbents, generally of the highest (Metropolitan) rank, "with an episcopal (lowest rank) exception:"
Armenian Catholic titular see.
In the 19th century, an Armenian Catholic titular bishopric of Anazarbus (of the Armenians) (Anazarbus degli Armeni in Curiate Italian) was established.
It was a suppressed in 1933, having had a single incumbent, of the intermediary (archiepiscopal) rank :
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1363
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André-Marie Ampère
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André-Marie Ampère (, ; ; 20 January 177510 June 1836) was a French physicist and mathematician who was one of the founders of the science of classical electromagnetism, which he referred to as "electrodynamics". He is also the inventor of numerous applications, such as the solenoid (a term coined by him) and the electrical telegraph. As an autodidact, Ampère was a member of the French Academy of Sciences and professor at the École polytechnique and the Collège de France.
The SI unit of measurement of electric current, the ampere, is named after him. His name is also one of the 72 names inscribed on the Eiffel Tower.
Early life.
André-Marie Ampère was born on 20 January 1775 to Jean-Jacques Ampère, a prosperous businessman, and Jeanne Antoinette Desutières-Sarcey Ampère, during the height of the French Enlightenment. He spent his childhood and adolescence at the family property at Poleymieux-au-Mont-d'Or near Lyon. Jean-Jacques Ampère, a successful merchant, was an admirer of the philosophy of Jean-Jacques Rousseau, whose theories of education (as outlined in his treatise Émile) were the basis of Ampère's education. Rousseau believed that young boys should avoid formal schooling and pursue instead a "direct education from nature." Ampère's father actualized this ideal by allowing his son to educate himself within the walls of his well-stocked library. French Enlightenment masterpieces such as Georges-Louis Leclerc, comte de Buffon's "Histoire naturelle, générale et particulière" (begun in 1749) and Denis Diderot and Jean le Rond d'Alembert's "Encyclopédie" (volumes added between 1751 and 1772) thus became Ampère's schoolmasters. The young Ampère, however, soon resumed his Latin lessons, which enabled him to master the works of Leonhard Euler and Daniel Bernoulli.
French Revolution.
In addition, Ampère used his access to the latest books to begin teaching himself advanced mathematics at age 12. In later life Ampère claimed that he knew as much about mathematics and science when he was eighteen as ever he knew, but as a polymath, his reading embraced history, travels, poetry, philosophy, and the natural sciences. His mother was a devout Catholic, so Ampère was also initiated into the Catholic faith along with Enlightenment science. The French Revolution (1789–99) that began during his youth was also influential: Ampère's father was called into public service by the new revolutionary government, becoming a justice of the peace in a small town near Lyon. When the Jacobin faction seized control of the Revolutionary government in 1792, his father Jean-Jacques Ampère resisted the new political tides, and he was guillotined on 24 November 1793, as part of the Jacobin purges of the period.
In 1796, Ampère met Julie Carron and, in 1799, they were married. Ampère took his first regular job in 1799 as a mathematics teacher, which gave him the financial security to marry Carron and father his first child, Jean-Jacques (named after his father), the next year. (Jean-Jacques Ampère eventually achieved his own fame as a scholar of languages.) Ampère's maturation corresponded with the transition to the Napoleonic regime in France, and the young father and teacher found new opportunities for success within the technocratic structures favoured by the new French First Consul. In 1802, Ampère was appointed a professor of physics and chemistry at the École Centrale in Bourg-en-Bresse, leaving his ailing wife and infant son Jean-Jacques Antoine Ampère in Lyon. He used his time in Bourg to research mathematics, producing "Considérations sur la théorie mathématique du jeu" (1802; "Considerations on the Mathematical Theory of Games"), a treatise on mathematical probability that he sent to the Paris Academy of Sciences in 1803.
Teaching career.
After the death of his wife in July 1803, Ampère moved to Paris, where he began a tutoring post at the new École Polytechnique in 1804. Despite his lack of formal qualifications, Ampère was appointed a professor of mathematics at the school in 1809. As well as holding positions at this school until 1828, in 1819 and 1820 Ampère offered courses in philosophy and astronomy, respectively, at the University of Paris, and in 1824 he was elected to the prestigious chair in experimental physics at the Collège de France. In 1814, Ampère was invited to join the class of mathematicians in the new "Institut Impérial", the umbrella under which the reformed state Academy of Sciences would sit.
Ampère engaged in a diverse array of scientific inquiries during the years leading up to his election to the academy—writing papers and engaging in topics from mathematics and philosophy to chemistry and astronomy, which was customary among the leading scientific intellectuals of the day. Ampère claimed that "at eighteen years he found three culminating points in his life, his First Communion, the reading of Antoine Leonard Thomas's "Eulogy of Descartes", and the Taking of the Bastille. On the day of his wife's death he wrote two verses from the Psalms, and the prayer, 'O Lord, God of Mercy, unite me in Heaven with those whom you have permitted me to love on earth.' In times of duress he would take refuge in the reading of the Bible and the Fathers of the Church."
A lay Catholic, he took for a time into his family the young student Frédéric Ozanam (1813–1853), one of the founders of the Conference of Charity, later known as the Society of Saint Vincent de Paul. Ozanam would much later be beatified by Pope John Paul II in 1998. Through Ampère, Ozanam had contact with leaders of the neo-Catholic movement, such as François-René de Chateaubriand, Jean-Baptiste Henri Lacordaire, and Charles Forbes René de Montalembert.
Work in electromagnetism.
In September 1820, Ampère's friend and eventual eulogist François Arago showed the members of the French Academy of Sciences the surprising discovery by Danish physicist Hans Christian Ørsted that a magnetic needle is deflected by an adjacent electric current. Ampère began developing a mathematical and physical theory to understand the relationship between electricity and magnetism. Furthering Ørsted's experimental work, Ampère showed that two parallel wires carrying electric currents attract or repel each other, depending on whether the currents flow in the same or opposite directions, respectively - this laid the foundation of electrodynamics. He also applied mathematics in generalizing physical laws from these experimental results. The most important of these was the principle that came to be called Ampère's law, which states that the mutual action of two lengths of current-carrying wire is proportional to their lengths and to the intensities of their currents. Ampère also applied this same principle to magnetism, showing the harmony between his law and French physicist Charles Augustin de Coulomb's law of electric action. Ampère's devotion to, and skill with, experimental techniques anchored his science within the emerging fields of experimental physics.
Ampère also provided a physical understanding of the electromagnetic relationship, theorizing the existence of an "electrodynamic molecule" (the forerunner of the idea of the electron) that served as the component element of both electricity and magnetism. Using this physical explanation of electromagnetic motion, Ampère developed a physical account of electromagnetic phenomena that was both empirically demonstrable and mathematically predictive. In 1827, Ampère published his magnum opus, "Mémoire sur la théorie mathématique des phénomènes électrodynamiques uniquement déduite de l'experience" (Memoir on the Mathematical Theory of Electrodynamic Phenomena, Uniquely Deduced from Experience), the work that coined the name of his new science, "electrodynamics", and became known ever after as its founding treatise.
In 1827, Ampère was elected a Foreign Member of the Royal Society and in 1828, a foreign member of the Royal Swedish Academy of Science. Probably the highest recognition came, as a reward for his mathematical representations in his publication, ‘Memoir on the Mathematical Theory of electrodynamic phenomena deduced solely from experiment,’ for which Ampère was awarded the title of the "Newton of electricity".
Honours.
Legacy.
An international convention, signed at the 1881 International Exposition of Electricity, established the ampere as one of the standard units of electrical measurement, in recognition of his contribution to the creation of modern electrical science and along with the coulomb, volt, ohm, watt and farad, which are named, respectively, after Ampère's contemporaries Charles-Augustin de Coulomb of France, Alessandro Volta of Italy, Georg Ohm of Germany, James Watt of Scotland and Michael Faraday of England. Ampère's name is one of the 72 names inscribed on the Eiffel Tower.
Many streets and squares are named after Ampère, as are schools, a Lyon metro station, a graphics processing unit microarchitecture, a mountain on the moon and an electric ferry in Norway.
Legacy.
An international convention, signed at the 1881 International Exposition of Electricity, established the ampere as one of the standard units of electrical measurement, in recognition of his contribution to the creation of modern electrical science and along with the coulomb, volt, ohm, watt and farad, which are named, respectively, after Ampère's contemporaries Charles-Augustin de Coulomb of France, Alessandro Volta of Italy, Georg Ohm of Germany, James Watt of Scotland and Michael Faraday of England. Ampère's name is one of the 72 names inscribed on the Eiffel Tower.
Many streets and squares are named after Ampère, as are schools, a Lyon metro station, a graphics processing unit microarchitecture, a mountain on the moon and an electric ferry in Norway.
Writings.
Partial translations:
Complete translations:
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1371
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Ambracia
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Ambracia (; , occasionally , "Ampracia") was a city of ancient Greece on the site of modern Arta. It was captured by the Corinthians in 625 BC and was situated about from the Ambracian Gulf, on a bend of the navigable river Arachthos (or Aratthus), in the midst of a fertile wooded plain.
History.
Ambracia was founded between 650 and 625 BC by Gorgus, son of the Corinthian tyrant Cypselus, at which time its economy was based on farmlands, fishing, timber for shipbuilding, and the exportation of the produce of Epirus. After the expulsion of Gorgus's son Periander its government developed into a strong democracy. The early policy of Ambracia was determined by its loyalty to Corinth (for which it probably served as an entrepot in the Epirus trade), and its consequent aversion to Corcyra (as Ambracia participated on the Corinthian side at the Battle of Sybota, which took place in 433 BC between the rebellious Corinthian colony of Corcyra (modern Corfu) and Corinth).
Ambraciot politics featured many frontier disputes with the Amphilochians and Acarnanians. Hence it took a prominent part in the Peloponnesian War until the crushing defeat at Idomene (426), which crippled its resources.
In the 4th century BC it continued its traditional policy, but in 338 was besieged by Philip II of Macedon. With the assistance of Corinth and Athens, it escaped complete domination at Philip's hands, but was nevertheless forced to accept a Macedonian garrison. In 294 BC, after forty-three years of semi-autonomy under Macedonian suzerainty, Ambracia was given by the son of Cassander to Pyrrhus, king of Epirus, who made it his capital, and adorned it with palace, temples and theatres. In the wars of Philip V of Macedon and the Epirotes against the Aetolian League (220–205) Ambracia passed from one alliance to the other, but ultimately joined the latter confederacy. During the struggle of the Aetolians against Rome, it stood a stubborn siege, including the first known use of poison gas against the Romans' siege tunnels.
Ambracia was captured and plundered by Marcus Fulvius Nobilior in 189 BC, after which it was declared by Rome a "free city", and gradually fell into insignificance. The foundation by Augustus of Nicopolis, into which the remaining inhabitants were drafted, left the site desolate. In Byzantine times a new settlement took its place under the name of Arta. Some fragmentary walls of large, well-dressed blocks near this latter town indicate the early prosperity of Ambracia.
References.
Attribution:
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1306
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Arminianism
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Arminianism is a branch of Protestantism based on the theological ideas of the Dutch Reformed theologian Jacobus Arminius (1560–1609) and his historic supporters known as Remonstrants. Dutch Arminianism was originally articulated in the "Remonstrance" (1610), a theological statement submitted to the States General of the Netherlands. This expressed an attempt to moderate the doctrines of Calvinism related to its interpretation of predestination. The Synod of Dort (1618–19) was called by the States General to consider the "Five Articles of Remonstrance".
Classical Arminianism, to which Arminius is the main contributor, and Wesleyan Arminianism, to which John Wesley is the main contributor, are the two main schools of thought.
Many Christian denominations have been influenced by Arminian views on the will of man being freed by grace prior to regeneration, notably the Baptists in 17th century, the Methodists in the 18th century, and the Pentecostals in the 20th century.
History.
Precursor movements and theological influences.
According to Roger E. Olson, Arminius’ beliefs, i.e. Arminianism, did not begin with him. Denominations such as the Waldensians and other groups prior to the Reformation have similarly to Arminianism affirmed that each person may choose the contingent response of either resisting God's grace or yielding to it. Anabaptist theologian Balthasar Hubmaier also promoted much the same view as Arminius nearly a century before him. The soteriological doctrines of Arminianism and Anabaptism are roughly equivalent. In particular, Mennonites have been historically Arminian whether they distinctly espoused the Arminian viewpoint or not, and rejected Calvinism soteriology. Anabaptist theology seems to have influenced Jacobus Arminius. At least, he was "sympathetic to the Anabaptist point of view, and Anabaptists were commonly in attendance on his preaching." Similarly, Arminius mentions Danish Lutheran theologian Niels Hemmingsen as holding the basic view of soteriology he held and he may have been influenced by Hemmingsen.
Emergence of Arminianism.
Jacobus Arminius was a Dutch pastor and theologian in the late 16th and early 17th centuries. He was taught by Theodore Beza, Calvin's hand-picked successor, but after examination of the scriptures, he rejected his teacher's theology that it is God who unconditionally elects some for salvation. Instead Arminius proposed that the election of God was "of believers", thereby making it conditional on faith. Arminius's views were challenged by the Dutch Calvinists, especially Franciscus Gomarus, but Arminius died before a national synod could occur.
Arminius died before he could satisfy Holland's State General's request for a 14-page paper outlining his views. Arminius's followers replied in his stead crafting the "Five articles of Remonstrance" (1610), in which they express their points of divergence with the stricter Calvinism of the "Belgic Confession". This is how Arminius's followers were called Remonstrants, and following a "Counter Remonstrance" in 1611, Gomarus' followers were called Counter-Remonstrants.
After some political maneuvering, the Dutch Calvinists were able to convince Prince Maurice of Nassau to deal with the situation. Maurice systematically removed Arminian magistrates from office and called a national synod at Dordrecht. This Synod of Dort was open primarily to Dutch Calvinists (102 people), while the Arminians were excluded (13 people banned from voting), with Calvinist representatives from other countries (28 people), and in 1618 published a condemnation of Arminius and his followers as heretics. Part of this publication was the famous Five points of Calvinism in response to the five articles of Remonstrance.
Arminians across Holland were removed from office, imprisoned, banished, and sworn to silence. Twelve years later Holland officially granted Arminianism protection as a religion, although animosity between Arminians and Calvinists continued. Most of the early Remonstrants followed a classical version of Arminianism. However, some of them such as Philipp van Limborch, moved in the direction of semi-Pelagianism and rationalism.
Arminianism in the Church of England.
In England, the so-labelled Arminian doctrines were held, in substance, before and in parallel of Arminius. The Thirty-nine Articles of Religion (finalised in 1571), were sufficiently ambiguous that they were compatible with either Arminian or Calvinistic interpretations. Arminianism in the Church of England was fundamentally an expression of negation of Calvinism, and only some theologians held to classical Arminianism, but for the rest they were either semi-Pelagian or Pelagian. In this specific context, contemporary historians prefer to use the term "proto-Arminians" rather than "Arminians" to designate the leanings of divines who didn't follow classical Arminianism. English Arminianism was represented by Arminian Puritans such as John Goodwin or High Anglican Arminians such as Jeremy Taylor and Henry Hammond. Anglican Arminians of the 17th century such as William Laud fought Calvinist Puritans. They actually saw Arminianism in terms of a state church, idea that was completely alien to the views of Arminius. This position became particularly evident under the reign (1625-1649) of Charles I of England. Following the English Civil War (1642–1651) Charles II of England, who tolerated the Presbyterians, re-instituted Arminian thought in the Church of England. It was dominant there for some fifty years, and mostly after the Restoration (1660).
Baptists.
The debate between Calvin's followers and Arminius's followers is characteristic of post-Reformation church history. The emerging Baptist movement in 17th-century England, for example, was a microcosm of the historic debate between Calvinists and Arminians. The first Baptists—called "General Baptists" because of their confession of a "general" or unlimited atonement—were Arminians. The Baptist movement originated with Thomas Helwys, who left his mentor John Smyth (who had moved into shared belief and other distinctives of the Dutch Waterlander Mennonites of Amsterdam) and returned to London to start the first English Baptist Church in 1611. Later General Baptists such as John Griffith, Samuel Loveday, and Thomas Grantham defended a Reformed Arminian theology that reflected the Arminianism of Arminius. The General Baptists encapsulated their Arminian views in numerous confessions, the most influential of which was the Standard Confession of 1660. In the 1640s the Particular Baptists were formed, diverging strongly from Arminian doctrine and embracing the strong Calvinism of the Presbyterians and Independents. Their robust Calvinism was publicized in such confessions as the London Baptist Confession of 1644 and the Second London Confession of 1689. The London Confession of 1689 was later used by Calvinistic Baptists in America (called the Philadelphia Baptist Confession), whereas the Standard Confession of 1660 was used by the American heirs of the English General Baptists, who soon came to be known as Free Will Baptists.
Methodists.
This same dynamic between Arminianism and Calvinism can be seen in the heated discussions between friends and fellow Anglican ministers John Wesley and George Whitefield. Wesley was highly influenced by 17th-century English Arminianism and thinkers such as John Goodwin, Jeremy Taylor and Henry Hammond of the Anglican "Holy Living" school, and the Remonstrant Hugo Grotius. Wesley knew very little about the beliefs of Jacobus Arminius and arrived at his religious views independently of Arminius. Wesley acknowledged late in life, with the 1778 publication of a periodical titled "The Arminian", that he and Arminius were in general agreement. Theology Professor W. Stephen Gunther concludes he was "a faithful representative" of Arminius' beliefs. Wesley was a champion of Arminian teachings, defending his soteriology in "The Arminian" and writing articles such as "Predestination Calmly Considered". He defended Arminianism against charges of semi-Pelagianism, holding strongly to beliefs in original sin and total depravity. At the same time, Wesley attacked the determinism that he claimed characterized Calvinistic doctrines of unconditional election and reprobation and maintained a belief in the ability to lose salvation. Wesley also clarified the doctrine of prevenient grace and preached the ability of Christians to attain to perfection (fully mature, not "sinlessness"). His system of thought has become known as Wesleyan Arminianism, the foundations of which were laid by Wesley and his fellow preacher John William Fletcher.
Pentecostals.
Pentecostalism has its background in the activity of Charles Parham (1873–1929). Its origin as a movement was in the Azusa Street Revival in Los Angeles in 1906. This revival was led by William J. Seymour (1870–1922). Due to the Methodist and Holiness background of many early Pentecostal preachers, the Pentecostal churches usually possessed practices that arose from the Wesleyan Arminianism. During the 20th century, as Pentecostal churches began to settle and incorporate more standard forms, they started to formulate theology that was fully Arminian. Currently, the two largest Pentecostal denominations in the world, the Assemblies of God and the Pentecostal Church of God denominations, hold officially to Arminian views such as resistible grace, conditional election, or conditional security of the believer for the first.
Precursor movements and theological influences.
According to Roger E. Olson, Arminius’ beliefs, i.e. Arminianism, did not begin with him. Denominations such as the Waldensians and other groups prior to the Reformation have similarly to Arminianism affirmed that each person may choose the contingent response of either resisting God's grace or yielding to it. Anabaptist theologian Balthasar Hubmaier also promoted much the same view as Arminius nearly a century before him. The soteriological doctrines of Arminianism and Anabaptism are roughly equivalent. In particular, Mennonites have been historically Arminian whether they distinctly espoused the Arminian viewpoint or not, and rejected Calvinism soteriology. Anabaptist theology seems to have influenced Jacobus Arminius. At least, he was "sympathetic to the Anabaptist point of view, and Anabaptists were commonly in attendance on his preaching." Similarly, Arminius mentions Danish Lutheran theologian Niels Hemmingsen as holding the basic view of soteriology he held and he may have been influenced by Hemmingsen.
Emergence of Arminianism.
Jacobus Arminius was a Dutch pastor and theologian in the late 16th and early 17th centuries. He was taught by Theodore Beza, Calvin's hand-picked successor, but after examination of the scriptures, he rejected his teacher's theology that it is God who unconditionally elects some for salvation. Instead Arminius proposed that the election of God was "of believers", thereby making it conditional on faith. Arminius's views were challenged by the Dutch Calvinists, especially Franciscus Gomarus, but Arminius died before a national synod could occur.
Arminius died before he could satisfy Holland's State General's request for a 14-page paper outlining his views. Arminius's followers replied in his stead crafting the "Five articles of Remonstrance" (1610), in which they express their points of divergence with the stricter Calvinism of the "Belgic Confession". This is how Arminius's followers were called Remonstrants, and following a "Counter Remonstrance" in 1611, Gomarus' followers were called Counter-Remonstrants.
After some political maneuvering, the Dutch Calvinists were able to convince Prince Maurice of Nassau to deal with the situation. Maurice systematically removed Arminian magistrates from office and called a national synod at Dordrecht. This Synod of Dort was open primarily to Dutch Calvinists (102 people), while the Arminians were excluded (13 people banned from voting), with Calvinist representatives from other countries (28 people), and in 1618 published a condemnation of Arminius and his followers as heretics. Part of this publication was the famous Five points of Calvinism in response to the five articles of Remonstrance.
Arminians across Holland were removed from office, imprisoned, banished, and sworn to silence. Twelve years later Holland officially granted Arminianism protection as a religion, although animosity between Arminians and Calvinists continued. Most of the early Remonstrants followed a classical version of Arminianism. However, some of them such as Philipp van Limborch, moved in the direction of semi-Pelagianism and rationalism.
Arminianism in the Church of England.
In England, the so-labelled Arminian doctrines were held, in substance, before and in parallel of Arminius. The Thirty-nine Articles of Religion (finalised in 1571), were sufficiently ambiguous that they were compatible with either Arminian or Calvinistic interpretations. Arminianism in the Church of England was fundamentally an expression of negation of Calvinism, and only some theologians held to classical Arminianism, but for the rest they were either semi-Pelagian or Pelagian. In this specific context, contemporary historians prefer to use the term "proto-Arminians" rather than "Arminians" to designate the leanings of divines who didn't follow classical Arminianism. English Arminianism was represented by Arminian Puritans such as John Goodwin or High Anglican Arminians such as Jeremy Taylor and Henry Hammond. Anglican Arminians of the 17th century such as William Laud fought Calvinist Puritans. They actually saw Arminianism in terms of a state church, idea that was completely alien to the views of Arminius. This position became particularly evident under the reign (1625-1649) of Charles I of England. Following the English Civil War (1642–1651) Charles II of England, who tolerated the Presbyterians, re-instituted Arminian thought in the Church of England. It was dominant there for some fifty years, and mostly after the Restoration (1660).
Baptists.
The debate between Calvin's followers and Arminius's followers is characteristic of post-Reformation church history. The emerging Baptist movement in 17th-century England, for example, was a microcosm of the historic debate between Calvinists and Arminians. The first Baptists—called "General Baptists" because of their confession of a "general" or unlimited atonement—were Arminians. The Baptist movement originated with Thomas Helwys, who left his mentor John Smyth (who had moved into shared belief and other distinctives of the Dutch Waterlander Mennonites of Amsterdam) and returned to London to start the first English Baptist Church in 1611. Later General Baptists such as John Griffith, Samuel Loveday, and Thomas Grantham defended a Reformed Arminian theology that reflected the Arminianism of Arminius. The General Baptists encapsulated their Arminian views in numerous confessions, the most influential of which was the Standard Confession of 1660. In the 1640s the Particular Baptists were formed, diverging strongly from Arminian doctrine and embracing the strong Calvinism of the Presbyterians and Independents. Their robust Calvinism was publicized in such confessions as the London Baptist Confession of 1644 and the Second London Confession of 1689. The London Confession of 1689 was later used by Calvinistic Baptists in America (called the Philadelphia Baptist Confession), whereas the Standard Confession of 1660 was used by the American heirs of the English General Baptists, who soon came to be known as Free Will Baptists.
Methodists.
This same dynamic between Arminianism and Calvinism can be seen in the heated discussions between friends and fellow Anglican ministers John Wesley and George Whitefield. Wesley was highly influenced by 17th-century English Arminianism and thinkers such as John Goodwin, Jeremy Taylor and Henry Hammond of the Anglican "Holy Living" school, and the Remonstrant Hugo Grotius. Wesley knew very little about the beliefs of Jacobus Arminius and arrived at his religious views independently of Arminius. Wesley acknowledged late in life, with the 1778 publication of a periodical titled "The Arminian", that he and Arminius were in general agreement. Theology Professor W. Stephen Gunther concludes he was "a faithful representative" of Arminius' beliefs. Wesley was a champion of Arminian teachings, defending his soteriology in "The Arminian" and writing articles such as "Predestination Calmly Considered". He defended Arminianism against charges of semi-Pelagianism, holding strongly to beliefs in original sin and total depravity. At the same time, Wesley attacked the determinism that he claimed characterized Calvinistic doctrines of unconditional election and reprobation and maintained a belief in the ability to lose salvation. Wesley also clarified the doctrine of prevenient grace and preached the ability of Christians to attain to perfection (fully mature, not "sinlessness"). His system of thought has become known as Wesleyan Arminianism, the foundations of which were laid by Wesley and his fellow preacher John William Fletcher.
Pentecostals.
Pentecostalism has its background in the activity of Charles Parham (1873–1929). Its origin as a movement was in the Azusa Street Revival in Los Angeles in 1906. This revival was led by William J. Seymour (1870–1922). Due to the Methodist and Holiness background of many early Pentecostal preachers, the Pentecostal churches usually possessed practices that arose from the Wesleyan Arminianism. During the 20th century, as Pentecostal churches began to settle and incorporate more standard forms, they started to formulate theology that was fully Arminian. Currently, the two largest Pentecostal denominations in the world, the Assemblies of God and the Pentecostal Church of God denominations, hold officially to Arminian views such as resistible grace, conditional election, or conditional security of the believer for the first.
Current landscape.
Protestant denominations.
Advocates of Arminianism find a home in many Protestant denominations, and sometimes other beliefs such as Calvinism exist within the same denomination. The Lutheran theological tradition bears certain similarities to Arminianism and there may be some Lutheran churches that are open to it. Faiths leaning at least in part in the Arminian direction include some of high-church Anglicanism. Anabaptist denominations, such as the Mennonites, Hutterites, Amish and Schwarzenau Brethren, adhere to Anabaptist theology, which espouses a soteriology that is similar to Arminianism "in some respects". Arminianism is found within the General Baptists, including the subset of General Baptists known as Free Will Baptists. The majority of Southern Baptists accept Arminianism, with an exception allowing for a doctrine of eternal security, though many see Calvinism as growing in acceptance. Certain proponents of Arminianism may be found within the Restoration movement in the Christian Churches and Churches of Christ. Additionally, it is found in the Seventh-day Adventist Church. Arminianism (specifically Wesleyan-Arminian theology) is taught in the Methodist churches, inclusive of those denominations aligned with the holiness movement such as the Evangelical Methodist Church, Church of the Nazarene, the Free Methodist Church, the Wesleyan Church, and the Salvation Army. It is also found in a part of the Charismatics, including the Pentecostals.
Scholarly support.
The current scholarly support for Arminianism is varied: Among Baptist theologians, Roger E. Olson, F. Leroy Forlines, Robert Picirilli, and J. Matthew Pinson are four supporters of a return to the teachings of Arminius. Methodist theologian Thomas Oden, "Evangelical Methodists" Bible scholar Ben Witherington III, and Christian apologist David Pawson are generally Arminian in their theologies. Holiness movement theologians Henry Orton Wiley, Carl O. Bangs and J. Kenneth Grider can also be mentioned among recent proponents of Arminianism. Various other theologians or Bible scholars as B. J. Oropeza, Keith D. Stanglin, Craig S. Keener, Thomas H. McCall, and Grant R. Osborne can be mentioned as well.
Protestant denominations.
Advocates of Arminianism find a home in many Protestant denominations, and sometimes other beliefs such as Calvinism exist within the same denomination. The Lutheran theological tradition bears certain similarities to Arminianism and there may be some Lutheran churches that are open to it. Faiths leaning at least in part in the Arminian direction include some of high-church Anglicanism. Anabaptist denominations, such as the Mennonites, Hutterites, Amish and Schwarzenau Brethren, adhere to Anabaptist theology, which espouses a soteriology that is similar to Arminianism "in some respects". Arminianism is found within the General Baptists, including the subset of General Baptists known as Free Will Baptists. The majority of Southern Baptists accept Arminianism, with an exception allowing for a doctrine of eternal security, though many see Calvinism as growing in acceptance. Certain proponents of Arminianism may be found within the Restoration movement in the Christian Churches and Churches of Christ. Additionally, it is found in the Seventh-day Adventist Church. Arminianism (specifically Wesleyan-Arminian theology) is taught in the Methodist churches, inclusive of those denominations aligned with the holiness movement such as the Evangelical Methodist Church, Church of the Nazarene, the Free Methodist Church, the Wesleyan Church, and the Salvation Army. It is also found in a part of the Charismatics, including the Pentecostals.
Scholarly support.
The current scholarly support for Arminianism is varied: Among Baptist theologians, Roger E. Olson, F. Leroy Forlines, Robert Picirilli, and J. Matthew Pinson are four supporters of a return to the teachings of Arminius. Methodist theologian Thomas Oden, "Evangelical Methodists" Bible scholar Ben Witherington III, and Christian apologist David Pawson are generally Arminian in their theologies. Holiness movement theologians Henry Orton Wiley, Carl O. Bangs and J. Kenneth Grider can also be mentioned among recent proponents of Arminianism. Various other theologians or Bible scholars as B. J. Oropeza, Keith D. Stanglin, Craig S. Keener, Thomas H. McCall, and Grant R. Osborne can be mentioned as well.
Theology.
Theological legacy.
The original beliefs of Jacobus Arminius are commonly called Arminianism, but more broadly, the term may embrace the teachings of Simon Episcopius, Hugo Grotius, John Wesley, and others. Arminian theology usually falls into one of two groups: Classical Arminianism, drawn from the teaching of Jacobus Arminius, and Wesleyan Arminian, drawing primarily from Wesley. The two groups overlap substantially.
In 529, at the Second Council of Orange, the question at hand was whether the doctrines of Augustine on God's providence were to be affirmed, or if semi-Pelagianism could be affirmed. Semi-Pelagianism was a moderate form of Pelagianism that teaches that the first step of salvation is by human will and not the grace of God. The determination of the Council could be considered "semi-Augustinian". It defined that faith, though a free act of man, resulted, even in its beginnings, from the grace of God, enlightening the human mind and enabling belief. This describes the operation of prevenient grace allowing the unregenerate to repent in faith. On the other hand, the Council of Orange condemned the Augustinian teaching of predestination to damnation. Since Arminianism is aligned with those characteristic semi-Augustinian views it has been seen by some as a reclamation of early church theological consensus. Moreover, Arminianism can also be seen as a soteriological diversification of Calvinism or more specifically, as a theological middle ground between Calvinism and semi-Pelagianism.
Classical Arminianism.
Classical Arminianism is the theological system that was presented by Jacobus Arminius and maintained by some of the Remonstrants. Theologians as Forlines and Olson have referred to this system as "classical Arminianism", while others as Picirilli and Pinson prefer to term it "Reformation Arminianism" or "Reformed Arminianism".
The teachings of Arminius held to "Sola fide" and "Sola gratia" of the Reformation, but they were distinct from particular teachings of Martin Luther, Huldrych Zwingli, John Calvin, and other Protestant Reformers.
Classical Arminianism was originally articulated in the "Five Articles of Remonstrance". "These points", note Keith D. Stanglin and Thomas H. McCall, "are consistent with the views of Arminius; indeed, some come verbatim from his "Declaration of Sentiments"." A list of beliefs of classical Arminianism is given below:
God's providence and human free will.
The majority Arminian view accepts classical theism, which states that God is omnipresent, omnipotent, and omniscient. In that view, God's power, knowledge, and presence have no external limitations, that is, outside of his divine nature and character.
Besides, Arminianism view on God's sovereignty is based on postulates stemming from God's character, especially as fully revealed in Jesus Christ. On the first hand, divine election must be defined in such a way that God is not in any case, and even in a secondary way, the author of evil. It would not correspond to the character of God. On the other hand, man's responsibility for evil must be absolutely preserved. Those two postulates require a specific way by which God chooses to manifest his sovereignty when interacting with his creatures:
On one hand, it requires for God to operate according to a limited mode of providence. This means that God purposely exercises his sovereignty in ways that do not illustrate the full extent of his omnipotence. On the other hand, it requires for God's election to be a "predestination by foreknowledge".
In that respect, God's foreknowledge reconciles with human free will in the following way: Human free will is limited by original sin, though God's prevenient grace restores to humanity the ability to accept God's call of salvation. God's foreknowledge of the future is exhaustive and complete, and therefore the future is certain and not contingent on human action. God does not determine the future, but He does know it. God's certainty and human contingency are compatible.
Roger Olson expressed those defining ideas in a more practical way:""Arminianism," [...] is simply a term we use in theology for the view, held by some people before Arminius and many after him, that sinners who hear the gospel have the free will to accept or reject God’s offer of saving grace and that nobody is excluded by God from the possibility of salvation except those who freely exclude themselves. But true, historical, classical Arminianism includes the belief that this free will [to repent and believe unto salvation] is itself a gift of God through prevenient grace."
Condition of humanity.
Depravity is total: Arminius states "In this [fallen] state, the free will of man towards the true good is not only wounded, infirm, bent, and weakened; but it is also imprisoned, destroyed, and lost. And its powers are not only debilitated and useless unless they be assisted by grace, but it has no powers whatever except such as are excited by Divine grace."
Extent and nature of the atonement.
Atonement is intended for all: Jesus's death was for all people, Jesus draws all people to himself, and all people have opportunity for salvation through faith.
Jesus's death satisfies God's justice: The penalty for the sins of the elect is paid in full through the crucifixion of Christ. Thus Christ's death atones for the sins of all, but requires faith to be effected. Arminius states that "Justification, when used for the act of a Judge, is either purely the imputation of righteousness through mercy [...] or that man is justified before God [...] according to the rigor of justice without any forgiveness." Stephen Ashby clarifies: "Arminius allowed for only two possible ways in which the sinner might be justified: (1) by our absolute and perfect adherence to the law, or (2) purely by God's imputation of Christ's righteousness." W. Stephen Gunter concurs that Arminius would not take a rigid position on the doctrine of imputed righteousness (the righteousness of Christ is imputed for righteousness of the believer). For Keith D. Stanglin and Thomas H. McCall, Arminius would not object to saying rather that "the righteousness of Christ is imputed to righteousness". Forlines put it this way: "On the condition of faith, we are placed in union with Christ. Based on that union, we receive His death and righteousness".
Christ's atonement has a substitutionary effect which is limited only to the elect. Arminius held that God's justice was satisfied by penal substitution. Hugo Grotius taught that it was satisfied governmentally. According to Roger Olson, historical and contemporary Arminians have held to one of these views.
Conversion of man.
Grace is resistible: God takes initiative in the salvation process and his grace comes to all people. This grace (often called "prevenient" or pre-regenerating grace) acts on all people to convince them of the Gospel, draw them strongly towards salvation, and enable the possibility of sincere faith. Picirilli states that "indeed this grace is so close to regeneration that it inevitably leads to regeneration unless finally resisted." The offer of salvation through grace does not act irresistibly in a purely cause-effect, deterministic method but rather in an influence-and-response fashion that can be both freely accepted and freely denied.
Man has a freed will to respond or resist: Free will is granted and limited by God's sovereignty, but God's sovereignty allows all men the choice to accept the Gospel of Jesus through faith, simultaneously allowing all men to resist.
Conversion is synergistic: As Roger Olson put it: "[Arminius]' evangelical synergism reserves all the power, ability and efficacy in salvation to grace, but allows humans the God-granted ability to resist or not resist it. The only "contribution" humans make is nonresistance to grace."
Election of man.
Election is conditional: Arminius defined "election" as "the decree of God by which, of Himself, from eternity, He decreed to justify in Christ, believers, and to accept them unto eternal life." God alone determines who will be saved and his determination is that all who believe Jesus through faith will be justified. According to Arminius, "God regards no one in Christ unless they are engrafted in him by faith."
God predestines the elect to a glorious future: Predestination is not the predetermination of who will believe, but rather the predetermination of the believer's future inheritance. The elect are therefore predestined to sonship through adoption, glorification, and eternal life.
Preservation of man.
Related to eschatological considerations, Jacobus Arminius and the first Remonstrants, including Simon Episcopius believed in everlasting fire where the wicked are thrown by God at judgment day.
Preservation is conditional: All believers have full assurance of salvation with the condition that they remain in Christ. Salvation is conditioned on faith, therefore perseverance is also conditioned. Arminius believed the Scriptures taught that believers are graciously empowered by Christ and the Holy Spirit "to fight against Satan, sin, the world and their own flesh, and to gain the victory over these enemies." Furthermore, Christ and the Spirit are ever present to aid and assist believers through various temptations. But this security was not unconditional but conditional—"provided they [believers] stand prepared for the battle, implore his help, and be not wanting to themselves, Christ preserves them from falling."
Possibility of apostasy.
Arminius believed in the possibility for a believer to commit apostasy (i.e., desert Christ by cleaving again to this evil world, losing a good conscience, or by failing to hold on to sound doctrine). However, over the period of time Arminius wrote on this question, he expressed sometimes more prudently. For instance, Arminius declared in 1599 that this matter required further study in the Scriptures. Arminius said also in his "Declaration of Sentiments" (1607), "I never taught that a true believer can, either totally or finally fall away from the faith, and perish; yet I will not conceal, that there are passages of scripture which seem to me to wear this aspect; and those answers to them which I have been permitted to see, are not of such a kind as to approve themselves on all points to my understanding."
But in his other writings he expressed certainty about the possibility of falling away: Arminius wrote in ca. 1602, that "a person who is being 'built' into the church of Christ may resist the continuation of this process". Concerning the believers he said "It may suffice to encourage them, if they know that no power or prudence can dislodge them from the rock, unless they of their own will forsake their position." He continued by saying that the covenant of God (Jeremiah 23) "does not contain in itself an impossibility of defection from God, but a promise of the gift of fear, whereby they shall be hindered from going away from God so long as that shall flourish in their hearts." He then taught that had King David died in his sins he would have been lost. In 1602, Arminius also wrote: "A believing member of Christ may become slothful, give place to sin, and gradually die altogether, ceasing to be a member".
For Arminius, certain class of sin would cause a believer to fall, especially sin motivated by malice. In 1605 Arminius wrote: “But it is possible for a believer to fall into a mortal sin, as is seen in David. Therefore he can fall at that moment in which if he were to die, he would be condemned". Stanglin, along with McCall, point out that Arminius clearly sets forth two paths to apostasy 1. "rejection", or 2. "malicious sinning". Oropeza concludes: "If there is any consistency in Arminius' position, he did not seem to deny the possibility of falling away".
After the death of Arminius in 1609, his followers wrote a "Remonstrance" (1610) based quite literally on their leader's "Declaration of Sentiments" (1607) which expressed prudence on the possibility of apostasy. In particular, its fifth article expressed the necessity of further study on the possibility of apostasy. Sometime between 1610 and the official proceeding of the Synod of Dort (1618), the Remonstrants became fully persuaded in their minds that the Scriptures taught that a true believer was capable of falling away from faith and perishing eternally as an unbeliever. They formalized their views in "The Opinion of the Remonstrants" (1618) which was their official stand during the Synod of Dort. Picirilli remarks: "Ever since that early period, then, when the issue was being examined again, Arminians have taught that those who are truly saved need to be warned against apostasy as a real and possible danger." They later expressed this same view in the "Remonstrant Confession" (1621).
Forgivability of apostasy.
Stanglin points out that Arminius held that if the apostasy came from "malicious" sin, then it was forgivable. If it came from "rejection" it was not. Following Arminius, the Remonstrants believed that, though possible, apostasy was not in general irremediable. However, other classical Arminians as the Free Will Baptists have taught that apostasy is irremediable.
Wesleyan Arminianism.
John Wesley thoroughly agreed with the vast majority of what Arminius himself taught. Wesleyan Arminianism is classical Arminianism with the addition of Wesleyan perfectionism. Here are mentioned some positions on specific issues within Wesleyan Arminianism:
Nature of the atonement.
Steven Harper proposed that Wesley's atonement is a hybrid of the penal substitution theory and the governmental theory. However, theologians as Robert Picirilli, Roger Olson and Darren Cushman Wood consider that the view of Wesley concerning atonement is by penal substitution. Wesleyan Arminians have historically adopted either penal or governmental theory of the atonement.
Preservation and apostasy of man.
Wesley fully accepted the Arminian view that genuine Christians could apostatize and lose their salvation, as his famous sermon "A Call to Backsliders" clearly demonstrates. Harper summarizes as follows: "the act of committing sin is not in itself ground for the loss of salvation [...] the loss of salvation is much more related to experiences that are profound and prolonged. Wesley sees two primary pathways that could result in a permanent fall from grace: unconfessed sin and the actual expression of apostasy." Wesley believed that such apostasy was not irremediable. When talking about those who have made "shipwreck" of their faith,(1 Tim 1:19) Wesley claims that "not one, or a hundred only, but I am persuaded, several thousands [...] innumerable are the instances [...] of those who had fallen but now stand upright."
Christian perfection.
One issue that typify Wesleyan Arminianism is Christian perfection. According to Wesley's teaching, Christians could attain a state of practical perfection, meaning a lack of all voluntary sin by the empowerment of the Holy Spirit, in this life. Christian perfection (or "entire sanctification"), according to Wesley, is "purity of intention, dedicating all the life to God" and "the mind which was in Christ, enabling us to walk as Christ walked." It is "loving God with all our heart, and our neighbor as ourselves". It is "a restoration not only to the favour, but likewise to the image of God," our "being filled with the fullness of God". Wesley was clear that Christian perfection did not imply perfection of bodily health or an infallibility of judgment. It also does not mean we no longer violate the will of God, for involuntary transgressions remain. Perfected Christians remain subject to temptation, and have continued need to pray for forgiveness and holiness. It is not an absolute perfection but a perfection in love. Furthermore, Wesley did not teach a salvation by perfection, but rather says that, "Even perfect holiness is acceptable to God only through Jesus Christ."
Other variations.
Some doctrines adhere among other to the Arminian foundation and, while minority views, are highlighted below.
Open theism.
The doctrine of open theism states that God is omnipresent, omnipotent, and omniscient, but differs on the nature of the future. Open theists claim that the future is not completely determined (or "settled") because people have not made their free decisions yet. God therefore knows the future partially in possibilities (human free actions) rather than solely certainties (divinely determined events). Some Arminians, such as professor and theologian Robert Picirilli, reject the doctrine of open theism as a "deformed Arminianism". Joseph Dongell stated that "open theism actually moves beyond classical Arminianism towards process theology." There are also some Arminians, like Roger Olson, who believe Open theism to be an alternative view that a Christian can have.
Corporate view of election.
The majority Arminian view is that election is individual and based on God's foreknowledge of faith, but a second perspective deserves mention. These Arminians reject the concept of individual election entirely, preferring to understand the doctrine in corporate terms. According to this corporate election, God never chose individuals to elect to salvation, but rather He chose to elect the believing church to salvation. Dutch Reformed theologian Herman Ridderbos says "[The certainty of salvation] does not rest on the fact that the church belongs to a certain "number", but that it belongs to Christ, from before the foundation of the world. Fixity does not lie in a hidden decree, therefore, but in corporate unity of the Church with Christ, whom it has come to know in the gospel and has learned to embrace in faith."
Corporate election draws support from a similar concept of corporate election found in the Old Testament and Jewish law. Indeed most biblical scholarship is in agreement that Judeo-Greco-Roman thought in the 1st century was opposite of the Western world's "individual first" mantra—it was very collectivist or communitarian in nature. Identity stemmed from membership in a group more than individuality. According to Romans 9–11, supporters claim, Jewish election as the chosen people ceased with their national rejection of Jesus as Messiah. As a result of the new covenant, God's chosen people are now the corporate body of Christ, the church (sometimes called "spiritual Israel"—see also Covenant theology). The pastor and theologian Brian Abasciano claims "What Paul says about Jews, Gentiles, and Christians, whether of their place in God’s plan, or their election, or their salvation, or how they should think or behave, he says from a corporate perspective which views the group as primary and those he speaks about as embedded in the group. These individuals act as members of the group to which they belong, and what happens to them happens by virtue of their membership in the group."
These scholars also maintain that Jesus was the only human ever elected and that individuals must be "in Christ" through faith to be part of the elect. This was, in fact, Swiss Reformed theologian, Karl Barth's, understanding of the doctrine of election. Joseph Dongell, professor at Asbury Theological Seminary, states "the most conspicuous feature of Ephesians 1:3–2:10 is the phrase 'in Christ', which occurs twelve times in Ephesians 1:3–14 alone [...] this means that Jesus Christ himself is the chosen one, the predestined one. Whenever one is incorporated into him by grace through faith, one comes to share in Jesus' special status as chosen of God." Markus Barth illustrates the inter-connectedness: "Election in Christ must be understood as the election of God's people. Only as members of that community do individuals share in the benefits of God's gracious choice."
Theological legacy.
The original beliefs of Jacobus Arminius are commonly called Arminianism, but more broadly, the term may embrace the teachings of Simon Episcopius, Hugo Grotius, John Wesley, and others. Arminian theology usually falls into one of two groups: Classical Arminianism, drawn from the teaching of Jacobus Arminius, and Wesleyan Arminian, drawing primarily from Wesley. The two groups overlap substantially.
In 529, at the Second Council of Orange, the question at hand was whether the doctrines of Augustine on God's providence were to be affirmed, or if semi-Pelagianism could be affirmed. Semi-Pelagianism was a moderate form of Pelagianism that teaches that the first step of salvation is by human will and not the grace of God. The determination of the Council could be considered "semi-Augustinian". It defined that faith, though a free act of man, resulted, even in its beginnings, from the grace of God, enlightening the human mind and enabling belief. This describes the operation of prevenient grace allowing the unregenerate to repent in faith. On the other hand, the Council of Orange condemned the Augustinian teaching of predestination to damnation. Since Arminianism is aligned with those characteristic semi-Augustinian views it has been seen by some as a reclamation of early church theological consensus. Moreover, Arminianism can also be seen as a soteriological diversification of Calvinism or more specifically, as a theological middle ground between Calvinism and semi-Pelagianism.
Classical Arminianism.
Classical Arminianism is the theological system that was presented by Jacobus Arminius and maintained by some of the Remonstrants. Theologians as Forlines and Olson have referred to this system as "classical Arminianism", while others as Picirilli and Pinson prefer to term it "Reformation Arminianism" or "Reformed Arminianism".
The teachings of Arminius held to "Sola fide" and "Sola gratia" of the Reformation, but they were distinct from particular teachings of Martin Luther, Huldrych Zwingli, John Calvin, and other Protestant Reformers.
Classical Arminianism was originally articulated in the "Five Articles of Remonstrance". "These points", note Keith D. Stanglin and Thomas H. McCall, "are consistent with the views of Arminius; indeed, some come verbatim from his "Declaration of Sentiments"." A list of beliefs of classical Arminianism is given below:
God's providence and human free will.
The majority Arminian view accepts classical theism, which states that God is omnipresent, omnipotent, and omniscient. In that view, God's power, knowledge, and presence have no external limitations, that is, outside of his divine nature and character.
Besides, Arminianism view on God's sovereignty is based on postulates stemming from God's character, especially as fully revealed in Jesus Christ. On the first hand, divine election must be defined in such a way that God is not in any case, and even in a secondary way, the author of evil. It would not correspond to the character of God. On the other hand, man's responsibility for evil must be absolutely preserved. Those two postulates require a specific way by which God chooses to manifest his sovereignty when interacting with his creatures:
On one hand, it requires for God to operate according to a limited mode of providence. This means that God purposely exercises his sovereignty in ways that do not illustrate the full extent of his omnipotence. On the other hand, it requires for God's election to be a "predestination by foreknowledge".
In that respect, God's foreknowledge reconciles with human free will in the following way: Human free will is limited by original sin, though God's prevenient grace restores to humanity the ability to accept God's call of salvation. God's foreknowledge of the future is exhaustive and complete, and therefore the future is certain and not contingent on human action. God does not determine the future, but He does know it. God's certainty and human contingency are compatible.
Roger Olson expressed those defining ideas in a more practical way:""Arminianism," [...] is simply a term we use in theology for the view, held by some people before Arminius and many after him, that sinners who hear the gospel have the free will to accept or reject God’s offer of saving grace and that nobody is excluded by God from the possibility of salvation except those who freely exclude themselves. But true, historical, classical Arminianism includes the belief that this free will [to repent and believe unto salvation] is itself a gift of God through prevenient grace."
Condition of humanity.
Depravity is total: Arminius states "In this [fallen] state, the free will of man towards the true good is not only wounded, infirm, bent, and weakened; but it is also imprisoned, destroyed, and lost. And its powers are not only debilitated and useless unless they be assisted by grace, but it has no powers whatever except such as are excited by Divine grace."
Extent and nature of the atonement.
Atonement is intended for all: Jesus's death was for all people, Jesus draws all people to himself, and all people have opportunity for salvation through faith.
Jesus's death satisfies God's justice: The penalty for the sins of the elect is paid in full through the crucifixion of Christ. Thus Christ's death atones for the sins of all, but requires faith to be effected. Arminius states that "Justification, when used for the act of a Judge, is either purely the imputation of righteousness through mercy [...] or that man is justified before God [...] according to the rigor of justice without any forgiveness." Stephen Ashby clarifies: "Arminius allowed for only two possible ways in which the sinner might be justified: (1) by our absolute and perfect adherence to the law, or (2) purely by God's imputation of Christ's righteousness." W. Stephen Gunter concurs that Arminius would not take a rigid position on the doctrine of imputed righteousness (the righteousness of Christ is imputed for righteousness of the believer). For Keith D. Stanglin and Thomas H. McCall, Arminius would not object to saying rather that "the righteousness of Christ is imputed to righteousness". Forlines put it this way: "On the condition of faith, we are placed in union with Christ. Based on that union, we receive His death and righteousness".
Christ's atonement has a substitutionary effect which is limited only to the elect. Arminius held that God's justice was satisfied by penal substitution. Hugo Grotius taught that it was satisfied governmentally. According to Roger Olson, historical and contemporary Arminians have held to one of these views.
Conversion of man.
Grace is resistible: God takes initiative in the salvation process and his grace comes to all people. This grace (often called "prevenient" or pre-regenerating grace) acts on all people to convince them of the Gospel, draw them strongly towards salvation, and enable the possibility of sincere faith. Picirilli states that "indeed this grace is so close to regeneration that it inevitably leads to regeneration unless finally resisted." The offer of salvation through grace does not act irresistibly in a purely cause-effect, deterministic method but rather in an influence-and-response fashion that can be both freely accepted and freely denied.
Man has a freed will to respond or resist: Free will is granted and limited by God's sovereignty, but God's sovereignty allows all men the choice to accept the Gospel of Jesus through faith, simultaneously allowing all men to resist.
Conversion is synergistic: As Roger Olson put it: "[Arminius]' evangelical synergism reserves all the power, ability and efficacy in salvation to grace, but allows humans the God-granted ability to resist or not resist it. The only "contribution" humans make is nonresistance to grace."
Election of man.
Election is conditional: Arminius defined "election" as "the decree of God by which, of Himself, from eternity, He decreed to justify in Christ, believers, and to accept them unto eternal life." God alone determines who will be saved and his determination is that all who believe Jesus through faith will be justified. According to Arminius, "God regards no one in Christ unless they are engrafted in him by faith."
God predestines the elect to a glorious future: Predestination is not the predetermination of who will believe, but rather the predetermination of the believer's future inheritance. The elect are therefore predestined to sonship through adoption, glorification, and eternal life.
Preservation of man.
Related to eschatological considerations, Jacobus Arminius and the first Remonstrants, including Simon Episcopius believed in everlasting fire where the wicked are thrown by God at judgment day.
Preservation is conditional: All believers have full assurance of salvation with the condition that they remain in Christ. Salvation is conditioned on faith, therefore perseverance is also conditioned. Arminius believed the Scriptures taught that believers are graciously empowered by Christ and the Holy Spirit "to fight against Satan, sin, the world and their own flesh, and to gain the victory over these enemies." Furthermore, Christ and the Spirit are ever present to aid and assist believers through various temptations. But this security was not unconditional but conditional—"provided they [believers] stand prepared for the battle, implore his help, and be not wanting to themselves, Christ preserves them from falling."
Possibility of apostasy.
Arminius believed in the possibility for a believer to commit apostasy (i.e., desert Christ by cleaving again to this evil world, losing a good conscience, or by failing to hold on to sound doctrine). However, over the period of time Arminius wrote on this question, he expressed sometimes more prudently. For instance, Arminius declared in 1599 that this matter required further study in the Scriptures. Arminius said also in his "Declaration of Sentiments" (1607), "I never taught that a true believer can, either totally or finally fall away from the faith, and perish; yet I will not conceal, that there are passages of scripture which seem to me to wear this aspect; and those answers to them which I have been permitted to see, are not of such a kind as to approve themselves on all points to my understanding."
But in his other writings he expressed certainty about the possibility of falling away: Arminius wrote in ca. 1602, that "a person who is being 'built' into the church of Christ may resist the continuation of this process". Concerning the believers he said "It may suffice to encourage them, if they know that no power or prudence can dislodge them from the rock, unless they of their own will forsake their position." He continued by saying that the covenant of God (Jeremiah 23) "does not contain in itself an impossibility of defection from God, but a promise of the gift of fear, whereby they shall be hindered from going away from God so long as that shall flourish in their hearts." He then taught that had King David died in his sins he would have been lost. In 1602, Arminius also wrote: "A believing member of Christ may become slothful, give place to sin, and gradually die altogether, ceasing to be a member".
For Arminius, certain class of sin would cause a believer to fall, especially sin motivated by malice. In 1605 Arminius wrote: “But it is possible for a believer to fall into a mortal sin, as is seen in David. Therefore he can fall at that moment in which if he were to die, he would be condemned". Stanglin, along with McCall, point out that Arminius clearly sets forth two paths to apostasy 1. "rejection", or 2. "malicious sinning". Oropeza concludes: "If there is any consistency in Arminius' position, he did not seem to deny the possibility of falling away".
After the death of Arminius in 1609, his followers wrote a "Remonstrance" (1610) based quite literally on their leader's "Declaration of Sentiments" (1607) which expressed prudence on the possibility of apostasy. In particular, its fifth article expressed the necessity of further study on the possibility of apostasy. Sometime between 1610 and the official proceeding of the Synod of Dort (1618), the Remonstrants became fully persuaded in their minds that the Scriptures taught that a true believer was capable of falling away from faith and perishing eternally as an unbeliever. They formalized their views in "The Opinion of the Remonstrants" (1618) which was their official stand during the Synod of Dort. Picirilli remarks: "Ever since that early period, then, when the issue was being examined again, Arminians have taught that those who are truly saved need to be warned against apostasy as a real and possible danger." They later expressed this same view in the "Remonstrant Confession" (1621).
Forgivability of apostasy.
Stanglin points out that Arminius held that if the apostasy came from "malicious" sin, then it was forgivable. If it came from "rejection" it was not. Following Arminius, the Remonstrants believed that, though possible, apostasy was not in general irremediable. However, other classical Arminians as the Free Will Baptists have taught that apostasy is irremediable.
God's providence and human free will.
The majority Arminian view accepts classical theism, which states that God is omnipresent, omnipotent, and omniscient. In that view, God's power, knowledge, and presence have no external limitations, that is, outside of his divine nature and character.
Besides, Arminianism view on God's sovereignty is based on postulates stemming from God's character, especially as fully revealed in Jesus Christ. On the first hand, divine election must be defined in such a way that God is not in any case, and even in a secondary way, the author of evil. It would not correspond to the character of God. On the other hand, man's responsibility for evil must be absolutely preserved. Those two postulates require a specific way by which God chooses to manifest his sovereignty when interacting with his creatures:
On one hand, it requires for God to operate according to a limited mode of providence. This means that God purposely exercises his sovereignty in ways that do not illustrate the full extent of his omnipotence. On the other hand, it requires for God's election to be a "predestination by foreknowledge".
In that respect, God's foreknowledge reconciles with human free will in the following way: Human free will is limited by original sin, though God's prevenient grace restores to humanity the ability to accept God's call of salvation. God's foreknowledge of the future is exhaustive and complete, and therefore the future is certain and not contingent on human action. God does not determine the future, but He does know it. God's certainty and human contingency are compatible.
Roger Olson expressed those defining ideas in a more practical way:""Arminianism," [...] is simply a term we use in theology for the view, held by some people before Arminius and many after him, that sinners who hear the gospel have the free will to accept or reject God’s offer of saving grace and that nobody is excluded by God from the possibility of salvation except those who freely exclude themselves. But true, historical, classical Arminianism includes the belief that this free will [to repent and believe unto salvation] is itself a gift of God through prevenient grace."
Condition of humanity.
Depravity is total: Arminius states "In this [fallen] state, the free will of man towards the true good is not only wounded, infirm, bent, and weakened; but it is also imprisoned, destroyed, and lost. And its powers are not only debilitated and useless unless they be assisted by grace, but it has no powers whatever except such as are excited by Divine grace."
Extent and nature of the atonement.
Atonement is intended for all: Jesus's death was for all people, Jesus draws all people to himself, and all people have opportunity for salvation through faith.
Jesus's death satisfies God's justice: The penalty for the sins of the elect is paid in full through the crucifixion of Christ. Thus Christ's death atones for the sins of all, but requires faith to be effected. Arminius states that "Justification, when used for the act of a Judge, is either purely the imputation of righteousness through mercy [...] or that man is justified before God [...] according to the rigor of justice without any forgiveness." Stephen Ashby clarifies: "Arminius allowed for only two possible ways in which the sinner might be justified: (1) by our absolute and perfect adherence to the law, or (2) purely by God's imputation of Christ's righteousness." W. Stephen Gunter concurs that Arminius would not take a rigid position on the doctrine of imputed righteousness (the righteousness of Christ is imputed for righteousness of the believer). For Keith D. Stanglin and Thomas H. McCall, Arminius would not object to saying rather that "the righteousness of Christ is imputed to righteousness". Forlines put it this way: "On the condition of faith, we are placed in union with Christ. Based on that union, we receive His death and righteousness".
Christ's atonement has a substitutionary effect which is limited only to the elect. Arminius held that God's justice was satisfied by penal substitution. Hugo Grotius taught that it was satisfied governmentally. According to Roger Olson, historical and contemporary Arminians have held to one of these views.
Conversion of man.
Grace is resistible: God takes initiative in the salvation process and his grace comes to all people. This grace (often called "prevenient" or pre-regenerating grace) acts on all people to convince them of the Gospel, draw them strongly towards salvation, and enable the possibility of sincere faith. Picirilli states that "indeed this grace is so close to regeneration that it inevitably leads to regeneration unless finally resisted." The offer of salvation through grace does not act irresistibly in a purely cause-effect, deterministic method but rather in an influence-and-response fashion that can be both freely accepted and freely denied.
Man has a freed will to respond or resist: Free will is granted and limited by God's sovereignty, but God's sovereignty allows all men the choice to accept the Gospel of Jesus through faith, simultaneously allowing all men to resist.
Conversion is synergistic: As Roger Olson put it: "[Arminius]' evangelical synergism reserves all the power, ability and efficacy in salvation to grace, but allows humans the God-granted ability to resist or not resist it. The only "contribution" humans make is nonresistance to grace."
Election of man.
Election is conditional: Arminius defined "election" as "the decree of God by which, of Himself, from eternity, He decreed to justify in Christ, believers, and to accept them unto eternal life." God alone determines who will be saved and his determination is that all who believe Jesus through faith will be justified. According to Arminius, "God regards no one in Christ unless they are engrafted in him by faith."
God predestines the elect to a glorious future: Predestination is not the predetermination of who will believe, but rather the predetermination of the believer's future inheritance. The elect are therefore predestined to sonship through adoption, glorification, and eternal life.
Preservation of man.
Related to eschatological considerations, Jacobus Arminius and the first Remonstrants, including Simon Episcopius believed in everlasting fire where the wicked are thrown by God at judgment day.
Preservation is conditional: All believers have full assurance of salvation with the condition that they remain in Christ. Salvation is conditioned on faith, therefore perseverance is also conditioned. Arminius believed the Scriptures taught that believers are graciously empowered by Christ and the Holy Spirit "to fight against Satan, sin, the world and their own flesh, and to gain the victory over these enemies." Furthermore, Christ and the Spirit are ever present to aid and assist believers through various temptations. But this security was not unconditional but conditional—"provided they [believers] stand prepared for the battle, implore his help, and be not wanting to themselves, Christ preserves them from falling."
Possibility of apostasy.
Arminius believed in the possibility for a believer to commit apostasy (i.e., desert Christ by cleaving again to this evil world, losing a good conscience, or by failing to hold on to sound doctrine). However, over the period of time Arminius wrote on this question, he expressed sometimes more prudently. For instance, Arminius declared in 1599 that this matter required further study in the Scriptures. Arminius said also in his "Declaration of Sentiments" (1607), "I never taught that a true believer can, either totally or finally fall away from the faith, and perish; yet I will not conceal, that there are passages of scripture which seem to me to wear this aspect; and those answers to them which I have been permitted to see, are not of such a kind as to approve themselves on all points to my understanding."
But in his other writings he expressed certainty about the possibility of falling away: Arminius wrote in ca. 1602, that "a person who is being 'built' into the church of Christ may resist the continuation of this process". Concerning the believers he said "It may suffice to encourage them, if they know that no power or prudence can dislodge them from the rock, unless they of their own will forsake their position." He continued by saying that the covenant of God (Jeremiah 23) "does not contain in itself an impossibility of defection from God, but a promise of the gift of fear, whereby they shall be hindered from going away from God so long as that shall flourish in their hearts." He then taught that had King David died in his sins he would have been lost. In 1602, Arminius also wrote: "A believing member of Christ may become slothful, give place to sin, and gradually die altogether, ceasing to be a member".
For Arminius, certain class of sin would cause a believer to fall, especially sin motivated by malice. In 1605 Arminius wrote: “But it is possible for a believer to fall into a mortal sin, as is seen in David. Therefore he can fall at that moment in which if he were to die, he would be condemned". Stanglin, along with McCall, point out that Arminius clearly sets forth two paths to apostasy 1. "rejection", or 2. "malicious sinning". Oropeza concludes: "If there is any consistency in Arminius' position, he did not seem to deny the possibility of falling away".
After the death of Arminius in 1609, his followers wrote a "Remonstrance" (1610) based quite literally on their leader's "Declaration of Sentiments" (1607) which expressed prudence on the possibility of apostasy. In particular, its fifth article expressed the necessity of further study on the possibility of apostasy. Sometime between 1610 and the official proceeding of the Synod of Dort (1618), the Remonstrants became fully persuaded in their minds that the Scriptures taught that a true believer was capable of falling away from faith and perishing eternally as an unbeliever. They formalized their views in "The Opinion of the Remonstrants" (1618) which was their official stand during the Synod of Dort. Picirilli remarks: "Ever since that early period, then, when the issue was being examined again, Arminians have taught that those who are truly saved need to be warned against apostasy as a real and possible danger." They later expressed this same view in the "Remonstrant Confession" (1621).
Forgivability of apostasy.
Stanglin points out that Arminius held that if the apostasy came from "malicious" sin, then it was forgivable. If it came from "rejection" it was not. Following Arminius, the Remonstrants believed that, though possible, apostasy was not in general irremediable. However, other classical Arminians as the Free Will Baptists have taught that apostasy is irremediable.
Wesleyan Arminianism.
John Wesley thoroughly agreed with the vast majority of what Arminius himself taught. Wesleyan Arminianism is classical Arminianism with the addition of Wesleyan perfectionism. Here are mentioned some positions on specific issues within Wesleyan Arminianism:
Nature of the atonement.
Steven Harper proposed that Wesley's atonement is a hybrid of the penal substitution theory and the governmental theory. However, theologians as Robert Picirilli, Roger Olson and Darren Cushman Wood consider that the view of Wesley concerning atonement is by penal substitution. Wesleyan Arminians have historically adopted either penal or governmental theory of the atonement.
Preservation and apostasy of man.
Wesley fully accepted the Arminian view that genuine Christians could apostatize and lose their salvation, as his famous sermon "A Call to Backsliders" clearly demonstrates. Harper summarizes as follows: "the act of committing sin is not in itself ground for the loss of salvation [...] the loss of salvation is much more related to experiences that are profound and prolonged. Wesley sees two primary pathways that could result in a permanent fall from grace: unconfessed sin and the actual expression of apostasy." Wesley believed that such apostasy was not irremediable. When talking about those who have made "shipwreck" of their faith,(1 Tim 1:19) Wesley claims that "not one, or a hundred only, but I am persuaded, several thousands [...] innumerable are the instances [...] of those who had fallen but now stand upright."
Christian perfection.
One issue that typify Wesleyan Arminianism is Christian perfection. According to Wesley's teaching, Christians could attain a state of practical perfection, meaning a lack of all voluntary sin by the empowerment of the Holy Spirit, in this life. Christian perfection (or "entire sanctification"), according to Wesley, is "purity of intention, dedicating all the life to God" and "the mind which was in Christ, enabling us to walk as Christ walked." It is "loving God with all our heart, and our neighbor as ourselves". It is "a restoration not only to the favour, but likewise to the image of God," our "being filled with the fullness of God". Wesley was clear that Christian perfection did not imply perfection of bodily health or an infallibility of judgment. It also does not mean we no longer violate the will of God, for involuntary transgressions remain. Perfected Christians remain subject to temptation, and have continued need to pray for forgiveness and holiness. It is not an absolute perfection but a perfection in love. Furthermore, Wesley did not teach a salvation by perfection, but rather says that, "Even perfect holiness is acceptable to God only through Jesus Christ."
Nature of the atonement.
Steven Harper proposed that Wesley's atonement is a hybrid of the penal substitution theory and the governmental theory. However, theologians as Robert Picirilli, Roger Olson and Darren Cushman Wood consider that the view of Wesley concerning atonement is by penal substitution. Wesleyan Arminians have historically adopted either penal or governmental theory of the atonement.
Preservation and apostasy of man.
Wesley fully accepted the Arminian view that genuine Christians could apostatize and lose their salvation, as his famous sermon "A Call to Backsliders" clearly demonstrates. Harper summarizes as follows: "the act of committing sin is not in itself ground for the loss of salvation [...] the loss of salvation is much more related to experiences that are profound and prolonged. Wesley sees two primary pathways that could result in a permanent fall from grace: unconfessed sin and the actual expression of apostasy." Wesley believed that such apostasy was not irremediable. When talking about those who have made "shipwreck" of their faith,(1 Tim 1:19) Wesley claims that "not one, or a hundred only, but I am persuaded, several thousands [...] innumerable are the instances [...] of those who had fallen but now stand upright."
Christian perfection.
One issue that typify Wesleyan Arminianism is Christian perfection. According to Wesley's teaching, Christians could attain a state of practical perfection, meaning a lack of all voluntary sin by the empowerment of the Holy Spirit, in this life. Christian perfection (or "entire sanctification"), according to Wesley, is "purity of intention, dedicating all the life to God" and "the mind which was in Christ, enabling us to walk as Christ walked." It is "loving God with all our heart, and our neighbor as ourselves". It is "a restoration not only to the favour, but likewise to the image of God," our "being filled with the fullness of God". Wesley was clear that Christian perfection did not imply perfection of bodily health or an infallibility of judgment. It also does not mean we no longer violate the will of God, for involuntary transgressions remain. Perfected Christians remain subject to temptation, and have continued need to pray for forgiveness and holiness. It is not an absolute perfection but a perfection in love. Furthermore, Wesley did not teach a salvation by perfection, but rather says that, "Even perfect holiness is acceptable to God only through Jesus Christ."
Other variations.
Some doctrines adhere among other to the Arminian foundation and, while minority views, are highlighted below.
Open theism.
The doctrine of open theism states that God is omnipresent, omnipotent, and omniscient, but differs on the nature of the future. Open theists claim that the future is not completely determined (or "settled") because people have not made their free decisions yet. God therefore knows the future partially in possibilities (human free actions) rather than solely certainties (divinely determined events). Some Arminians, such as professor and theologian Robert Picirilli, reject the doctrine of open theism as a "deformed Arminianism". Joseph Dongell stated that "open theism actually moves beyond classical Arminianism towards process theology." There are also some Arminians, like Roger Olson, who believe Open theism to be an alternative view that a Christian can have.
Corporate view of election.
The majority Arminian view is that election is individual and based on God's foreknowledge of faith, but a second perspective deserves mention. These Arminians reject the concept of individual election entirely, preferring to understand the doctrine in corporate terms. According to this corporate election, God never chose individuals to elect to salvation, but rather He chose to elect the believing church to salvation. Dutch Reformed theologian Herman Ridderbos says "[The certainty of salvation] does not rest on the fact that the church belongs to a certain "number", but that it belongs to Christ, from before the foundation of the world. Fixity does not lie in a hidden decree, therefore, but in corporate unity of the Church with Christ, whom it has come to know in the gospel and has learned to embrace in faith."
Corporate election draws support from a similar concept of corporate election found in the Old Testament and Jewish law. Indeed most biblical scholarship is in agreement that Judeo-Greco-Roman thought in the 1st century was opposite of the Western world's "individual first" mantra—it was very collectivist or communitarian in nature. Identity stemmed from membership in a group more than individuality. According to Romans 9–11, supporters claim, Jewish election as the chosen people ceased with their national rejection of Jesus as Messiah. As a result of the new covenant, God's chosen people are now the corporate body of Christ, the church (sometimes called "spiritual Israel"—see also Covenant theology). The pastor and theologian Brian Abasciano claims "What Paul says about Jews, Gentiles, and Christians, whether of their place in God’s plan, or their election, or their salvation, or how they should think or behave, he says from a corporate perspective which views the group as primary and those he speaks about as embedded in the group. These individuals act as members of the group to which they belong, and what happens to them happens by virtue of their membership in the group."
These scholars also maintain that Jesus was the only human ever elected and that individuals must be "in Christ" through faith to be part of the elect. This was, in fact, Swiss Reformed theologian, Karl Barth's, understanding of the doctrine of election. Joseph Dongell, professor at Asbury Theological Seminary, states "the most conspicuous feature of Ephesians 1:3–2:10 is the phrase 'in Christ', which occurs twelve times in Ephesians 1:3–14 alone [...] this means that Jesus Christ himself is the chosen one, the predestined one. Whenever one is incorporated into him by grace through faith, one comes to share in Jesus' special status as chosen of God." Markus Barth illustrates the inter-connectedness: "Election in Christ must be understood as the election of God's people. Only as members of that community do individuals share in the benefits of God's gracious choice."
Open theism.
The doctrine of open theism states that God is omnipresent, omnipotent, and omniscient, but differs on the nature of the future. Open theists claim that the future is not completely determined (or "settled") because people have not made their free decisions yet. God therefore knows the future partially in possibilities (human free actions) rather than solely certainties (divinely determined events). Some Arminians, such as professor and theologian Robert Picirilli, reject the doctrine of open theism as a "deformed Arminianism". Joseph Dongell stated that "open theism actually moves beyond classical Arminianism towards process theology." There are also some Arminians, like Roger Olson, who believe Open theism to be an alternative view that a Christian can have.
Corporate view of election.
The majority Arminian view is that election is individual and based on God's foreknowledge of faith, but a second perspective deserves mention. These Arminians reject the concept of individual election entirely, preferring to understand the doctrine in corporate terms. According to this corporate election, God never chose individuals to elect to salvation, but rather He chose to elect the believing church to salvation. Dutch Reformed theologian Herman Ridderbos says "[The certainty of salvation] does not rest on the fact that the church belongs to a certain "number", but that it belongs to Christ, from before the foundation of the world. Fixity does not lie in a hidden decree, therefore, but in corporate unity of the Church with Christ, whom it has come to know in the gospel and has learned to embrace in faith."
Corporate election draws support from a similar concept of corporate election found in the Old Testament and Jewish law. Indeed most biblical scholarship is in agreement that Judeo-Greco-Roman thought in the 1st century was opposite of the Western world's "individual first" mantra—it was very collectivist or communitarian in nature. Identity stemmed from membership in a group more than individuality. According to Romans 9–11, supporters claim, Jewish election as the chosen people ceased with their national rejection of Jesus as Messiah. As a result of the new covenant, God's chosen people are now the corporate body of Christ, the church (sometimes called "spiritual Israel"—see also Covenant theology). The pastor and theologian Brian Abasciano claims "What Paul says about Jews, Gentiles, and Christians, whether of their place in God’s plan, or their election, or their salvation, or how they should think or behave, he says from a corporate perspective which views the group as primary and those he speaks about as embedded in the group. These individuals act as members of the group to which they belong, and what happens to them happens by virtue of their membership in the group."
These scholars also maintain that Jesus was the only human ever elected and that individuals must be "in Christ" through faith to be part of the elect. This was, in fact, Swiss Reformed theologian, Karl Barth's, understanding of the doctrine of election. Joseph Dongell, professor at Asbury Theological Seminary, states "the most conspicuous feature of Ephesians 1:3–2:10 is the phrase 'in Christ', which occurs twelve times in Ephesians 1:3–14 alone [...] this means that Jesus Christ himself is the chosen one, the predestined one. Whenever one is incorporated into him by grace through faith, one comes to share in Jesus' special status as chosen of God." Markus Barth illustrates the inter-connectedness: "Election in Christ must be understood as the election of God's people. Only as members of that community do individuals share in the benefits of God's gracious choice."
Arminianism and other views.
Divergence with Pelagianism.
Pelagianism is a doctrine denying original sin and total depravity. No system of Arminianism founded on Arminius or Wesley denies original sin or total depravity; both Arminius and Wesley "strongly" affirmed that man's basic condition is one in which he cannot be righteous, understand God, or seek God. Arminius referred to Pelagianism as "the grand falsehood" and stated that he "must confess that I detest, from my heart, the consequences [of that theology]." David Pawson, a British pastor, decries this association as "libelous" when attributed to Arminius' or Wesley's doctrine. Indeed, most Arminians reject all accusations of Pelagianism.
Divergence with semi-Pelagianism.
Some schools of thought, notably semi-Pelagianism, which teaches that the first step of Salvation is by human will, are confused as being Arminian in nature. But classical Arminianism and Wesleyan Arminianism hold that the first step of Salvation is through the prevenient grace of God, though "the subsequent grace entails a cooperative relationship."
Divergence with Calvinism.
The two systems of Calvinism and Arminianism share both history and many doctrines, and the history of Christian theology. However, because of their differences over the doctrines of divine predestination and election, many people view these schools of thought as opposed to each other. The distinction is whether God desires to save all yet allows individuals to resist the grace offered (in the Arminian doctrine) or if God desires to save only some and grace is irresistible to those chosen (in the Calvinist doctrine). Many consider the theological differences to be crucial differences in doctrine, while others find them to be relatively minor.
Divergence with Pelagianism.
Pelagianism is a doctrine denying original sin and total depravity. No system of Arminianism founded on Arminius or Wesley denies original sin or total depravity; both Arminius and Wesley "strongly" affirmed that man's basic condition is one in which he cannot be righteous, understand God, or seek God. Arminius referred to Pelagianism as "the grand falsehood" and stated that he "must confess that I detest, from my heart, the consequences [of that theology]." David Pawson, a British pastor, decries this association as "libelous" when attributed to Arminius' or Wesley's doctrine. Indeed, most Arminians reject all accusations of Pelagianism.
Divergence with semi-Pelagianism.
Some schools of thought, notably semi-Pelagianism, which teaches that the first step of Salvation is by human will, are confused as being Arminian in nature. But classical Arminianism and Wesleyan Arminianism hold that the first step of Salvation is through the prevenient grace of God, though "the subsequent grace entails a cooperative relationship."
Divergence with Calvinism.
The two systems of Calvinism and Arminianism share both history and many doctrines, and the history of Christian theology. However, because of their differences over the doctrines of divine predestination and election, many people view these schools of thought as opposed to each other. The distinction is whether God desires to save all yet allows individuals to resist the grace offered (in the Arminian doctrine) or if God desires to save only some and grace is irresistible to those chosen (in the Calvinist doctrine). Many consider the theological differences to be crucial differences in doctrine, while others find them to be relatively minor.
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1373
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Amalaric
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Amalaric (; Spanish and Portuguese: "Amalarico"; 502–531) was king of the Visigoths from 522 until his death in battle in 531. He was a son of king Alaric II and his first wife Theodegotha, daughter of Theoderic the Great.
Biography.
When Alaric II was killed while fighting Clovis I, king of the Franks, in the Battle of Vouillé (507), his kingdom fell into disarray. "More serious than the destruction of the Gothic army," writes Herwig Wolfram, "than the loss of both Aquitanian provinces and the capital of Toulose, was the death of the king." Alaric had made no provision for a successor, and although he had two sons, one was of age but illegitimate and the other, Amalaric, the offspring of a legal marriage but still a child. Amalaric was carried for safety into Spain, which country and Provence were thenceforth ruled by his maternal grandfather, Theodoric the Great, acting through his vice-regent, an Ostrogothic nobleman named Theudis. The older son, Gesalec, was chosen as king but his reign was disastrous. King Theoderic of the Ostrogoths sent an army, led by his sword-bearer Theudis, against Gesalec, ostensibly on behalf of Amalaric; Gesalec fled to Africa. The Ostrogoths then drove back the Franks and their Burgundian allies, regaining possession of "the south of Novempopulana, Rodez, probably even Albi, and even Toulose". Following the 511 death of Clovis, Theoderic negotiated a peace with Clovis' successors, securing Visigothic control of the southernmost portion of Gaul for the rest of the existence of their kingdom.
In 522, the young Amalaric was proclaimed king, and four years later, on Theoderic's death, he assumed full royal power, although relinquishing Provence to his cousin Athalaric. His kingdom was faced with a Frankish threat from the north; according to Peter Heather, this was his motivation for marrying Chrotilda, the daughter of Clovis. However, this was not successful, for according to Gregory of Tours, Amalaric pressured her to forsake Orthodoxy and convert to Arian Christianity, at one point beating her until she bled; she sent to her brother Childebert I, king of Paris, a towel stained with her own blood. It is worth noting Ian Wood's advice that although Gregory provides the fullest information for this period, where it touches Merovingian affairs, he often "allowed his religious bias to determine his interpretation of the events." Peter Heather agrees with Wood's implication in this instance: "I doubt that this is the full story, but the effects of Frankish intervention are clear enough."
Childebert defeated the Visigothic army and took Narbonne. Amalaric fled south to Barcelona, where according to Isidore of Seville, he was assassinated by his own men. According to Peter Heather, Theoderic's former governor Theudis was implicated in Amalaric's murder, "and was certainly its prime beneficiary." As for Chrotilda, in Gregory's words, she died on the journey home "by some ill chance". Childebert had her body brought to Paris where she was buried alongside her father Clovis.
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864
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Andy Warhol
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Andy Warhol (; born Andrew Warhola Jr.; August 6, 1928 – February 22, 1987) was an American visual artist, film director, and producer who was a leading figure in the visual art movement known as pop art. His works explore the relationship between artistic expression, advertising, and celebrity culture that flourished by the 1960s, and span a variety of media, including painting, silkscreening, photography, film, and sculpture. Some of his best-known works include the silkscreen paintings "Campbell's Soup Cans" (1962) and "Marilyn Diptych" (1962), the experimental films "Empire" (1964) and "Chelsea Girls" (1966), and the multimedia events known as the "Exploding Plastic Inevitable" (1966–67).
Born and raised in Pittsburgh, Warhol initially pursued a successful career as a commercial illustrator. After exhibiting his work in several galleries in the late 1950s, he began to receive recognition as an influential and controversial artist. His New York studio, The Factory, became a well-known gathering place that brought together distinguished intellectuals, drag queens, playwrights, Bohemian street people, Hollywood celebrities, and wealthy patrons. He promoted a collection of personalities known as Warhol superstars, and is credited with inspiring the widely used expression "15 minutes of fame". In the late 1960s he managed and produced the experimental rock band The Velvet Underground and founded "Interview" magazine. He authored numerous books, including "The Philosophy of Andy Warhol" and "". He lived openly as a gay man before the gay liberation movement. In June 1968, he was almost killed by radical feminist Valerie Solanas, who shot him inside his studio. After gallbladder surgery, Warhol died of cardiac arrhythmia in February 1987 at the age of 58 in New York City.
Warhol has been the subject of numerous retrospective exhibitions, books, and feature and documentary films. The Andy Warhol Museum in his native city of Pittsburgh, which holds an extensive permanent collection of art and archives, is the largest museum in the United States dedicated to a single artist. Warhol has been described as the "bellwether of the art market". Many of his creations are very collectible and highly valuable. His works include some of the most expensive paintings ever sold. In 2013, a 1963 serigraph titled "Silver Car Crash (Double Disaster)" sold for $105 million. In 2022, "Shot Sage Blue Marilyn" (1964) sold for $195 million, which is the most expensive work of art sold at auction by an American artist.
Biography.
Early life and beginnings (1928–1949).
Warhol was born on August 6, 1928, in Pittsburgh, Pennsylvania. He was the fourth child of Ondrej Warhola (Americanized as Andrew Warhola Sr. 1889–1942) and Julia ("née" Zavacká, 1892–1972), whose first child was born in their homeland of Austria-Hungary and died before their move to the U.S.
His parents were working-class Lemko emigrants from Mikó, Austria-Hungary (now called Miková, located in today's northeastern Slovakia). Warhol's father emigrated to the United States in 1914, and his mother joined him in 1921, after the death of Warhol's grandparents. Warhol's father worked in a coal mine. The family lived at 55 Beelen Street and later at 3252 Dawson Street in the Oakland neighborhood of Pittsburgh. The family was Ruthenian Catholic and attended St. John Chrysostom Byzantine Catholic Church. Andy Warhol had two elder brothers—Pavol (Paul), the eldest, was born before the family emigrated; Ján was born in Pittsburgh. Pavol's son, James Warhola, became a successful children's book illustrator.
In third grade, Warhol had Sydenham's chorea (also known as St. Vitus' Dance), the nervous system disease that causes involuntary movements of the extremities, which is believed to be a complication of scarlet fever which causes skin pigmentation blotchiness. At times when he was confined to bed, he drew, listened to the radio and collected pictures of movie stars around his bed. Warhol later described this period as very important in the development of his personality, skill-set and preferences. When Warhol was 13, his father died in an accident.
As a teenager, Warhol graduated from Schenley High School in 1945, and also won a Scholastic Art and Writing Award. After graduating from high school, his intentions were to study art education at the University of Pittsburgh in the hope of becoming an art teacher, but his plans changed and he enrolled in the Carnegie Institute of Technology, now Carnegie Mellon University in Pittsburgh, where he studied commercial art. During his time there, Warhol joined the campus Modern Dance Club and Beaux Arts Society. He also served as art director of the student art magazine, "Cano", illustrating a cover in 1948 and a full-page interior illustration in 1949. These are believed to be his first two published artworks. Warhol earned a Bachelor of Fine Arts in pictorial design in 1949. Later that year, he moved to New York City and began a career in magazine illustration and advertising.
1950s.
Warhol's early career was dedicated to commercial and advertising art, where his first commission had been to draw shoes for "Glamour" magazine in the late 1940s. In the 1950s, Warhol worked as a designer for shoe manufacturer Israel Miller. While working in the shoe industry, Warhol developed his "blotted line" technique, applying ink to paper and then blotting the ink while still wet, which was akin to a printmaking process on the most rudimentary scale. His use of tracing paper and ink allowed him to repeat the basic image and also to create endless variations on the theme. American photographer John Coplans recalled that
In 1952, Warhol had his first solo show at the Hugo Gallery in New York, and although that show was not well received, by 1956, he was included in his first group exhibition at the Museum of Modern Art, New York. Warhol's "whimsical" ink drawings of shoe advertisements figured in some of his earliest showings at the Bodley Gallery in New York in 1957.
Warhol habitually used the expedient of tracing photographs projected with an epidiascope. Using prints by Edward Wallowitch, his "first boyfriend," the photographs would undergo a subtle transformation during Warhol's often cursory tracing of contours and hatching of shadows. Warhol used Wallowitch's photograph "Young Man Smoking a Cigarette" (), for a 1958 design for a book cover he submitted to Simon and Schuster for the Walter Ross pulp novel "The Immortal", and later used others for his series of paintings.
With the rapid expansion of the record industry, RCA Records hired Warhol, along with another freelance artist, Sid Maurer, to design album covers and promotional materials.
1960s.
Warhol was an early adopter of the silk screen printmaking process as a technique for making paintings. In 1962, Warhol was taught silk screen printmaking techniques by Max Arthur Cohn at his graphic arts business in Manhattan. In his book "", Warhol writes: "When you do something exactly wrong, you always turn up something."
In May 1962, Warhol was featured in an article in "Time" magazine with his painting "Big Campbell's Soup Can with Can Opener (Vegetable)" (1962), which initiated his most sustained motif, the Campbell's soup can. That painting became Warhol's first to be shown in a museum when it was exhibited at the Wadsworth Atheneum in Hartford in July 1962. On July 9, 1962, Warhol's exhibition opened at the Ferus Gallery in Los Angeles with "Campbell's Soup Cans", marking his West Coast debut of pop art.
In November 1962, Warhol had an exhibition at Eleanor Ward's Stable Gallery in New York. The exhibit included the works "Gold Marilyn", eight of the classic "Marilyn" series also named "Flavor Marilyns", "Marilyn Diptych", "100 Soup Cans", "100 Coke Bottles", and "100 Dollar Bills". "Gold Marilyn", was bought by the architect Philip Johnson and donated to the Museum of Modern Art. At the exhibit, Warhol met poet John Giorno, who would star in Warhol's first film, "Sleep" (1964).
In December 1962, New York City's Museum of Modern Art hosted a symposium on pop art, during which artists such as Warhol were attacked for "capitulating" to consumerism. Critics were appalled by Warhol's open acceptance of market culture, which set the tone for his reception.
In early 1963, Warhol rented his first studio, an old firehouse at 159 East 87th Street. At this studio, he created his "Elvis" series, which included "Eight Elvises" (1963) and "Triple Elvis" (1963). These portraits along with a series of Elizabeth Taylor portraits were shown at his second exhibition at the Ferus Gallery in Los Angeles. Later that year, Warhol relocated his studio to East 47th Street, which would turn into The Factory. The Factory became a popular gathering spot for a wide range of artists, writers, musicians, and underground celebrities.
Warhol had his second exhibition at the Stable Gallery in the spring of 1964, which featured sculptures of commercial boxes stacked and scattered throughout the space to resemble a warehouse. For the exhibition, Warhol custom ordered wooden boxes and silkscreened graphics onto them. The sculptures—"Brillo Box", "Del Monte Peach Box", "Heinz Tomato Ketchup Box", "Kellogg's Cornflakes Box", "Campbell's Tomato Juice Box", and "Mott's Apple Juice Box"—sold for $200 to $400 depending on the size of the box.
A pivotal event was "The American Supermarket" exhibition at Paul Bianchini's Upper East Side gallery in the fall of 1964. The show was presented as a typical small supermarket environment, except that everything in it—from the produce, canned goods, meat, posters on the wall, etc.—was created by prominent pop artists of the time, among them sculptor Claes Oldenburg, Mary Inman and Bob Watts. Warhol designed a $12 paper shopping bag—plain white with a red Campbell's soup can. His painting of a can of a Campbell's soup cost $1,500 while each autographed can sold for 3 for $18, $6.50 each. The exhibit was one of the first mass events that directly confronted the general public with both pop art and the perennial question of what art is.
As an advertisement illustrator in the 1950s, Warhol used assistants to increase his productivity. Collaboration would remain a defining (and controversial) aspect of his working methods throughout his career; this was particularly true in the 1960s. One of the most important collaborators during this period was Gerard Malanga. Malanga assisted the artist with the production of silkscreens, films, sculpture, and other works at "The Factory", Warhol's aluminum foil-and-silver-paint-lined studio on 47th Street (later moved to Broadway). Other members of Warhol's Factory crowd included Freddie Herko, Ondine, Ronald Tavel, Mary Woronov, Billy Name, and Brigid Berlin (from whom he apparently got the idea to tape-record his phone conversations).
During the 1960s, Warhol also groomed a retinue of bohemian and counterculture eccentrics upon whom he bestowed the designation "superstars", including Nico, Joe Dallesandro, Edie Sedgwick, Viva, Ultra Violet, Holly Woodlawn, Jackie Curtis, and Candy Darling. These people all participated in the Factory films, and some—like Berlin—remained friends with Warhol until his death. Important figures in the New York underground art/cinema world, such as writer John Giorno and film-maker Jack Smith, also appear in Warhol films (many premiering at the New Andy Warhol Garrick Theatre and 55th Street Playhouse) of the 1960s, revealing Warhol's connections to a diverse range of artistic scenes during this time. Less well known was his support and collaboration with several teenagers during this era, who would achieve prominence later in life including writer David Dalton, photographer Stephen Shore and artist Bibbe Hansen (mother of pop musician Beck).
1968 assassination attempt.
On June 3, 1968, radical feminist writer Valerie Solanas shot Warhol and Mario Amaya, art critic and curator, at Warhol's studio, The Factory. Before the shooting, Solanas had been a marginal figure in the Factory scene. She authored in 1967 the "SCUM Manifesto", a separatist feminist tract that advocated the elimination of men; and appeared in the 1968 Warhol film "I, a Man". Earlier on the day of the attack, Solanas had been turned away from the Factory after asking for the return of a script she had given to Warhol. The script had apparently been misplaced.
Amaya received only minor injuries and was released from the hospital later the same day. Warhol was seriously wounded by the attack and barely survived. He had physical effects for the rest of his life, including being required to wear a surgical corset. The shooting had a profound effect on Warhol's life and art.
Solanas was arrested the day after the assault, after turning herself in to police. By way of explanation, she said that Warhol "had too much control over my life". She was subsequently diagnosed with paranoid schizophrenia and eventually sentenced to three years under the control of the Department of Corrections. After the shooting, the Factory scene heavily increased its security, and for many the "Factory 60s" ended ("The superstars from the old Factory days didn't come around to the new Factory much").
Warhol had this to say about the attack:
In 1969, Warhol and British journalist John Wilcock founded "Interview" magazine.
1970s.
Warhol had a retrospective exhibition at the Whitney Museum of American Art in 1971. His famous portrait of Chinese Communist leader Mao Zedong was created in 1973. In 1975, he published "The Philosophy of Andy Warhol" (1975). An idea expressed in the book: "Making money is art, and working is art and good business is the best art."
Compared to the success and scandal of Warhol's work in the 1960s, the 1970s were a much quieter decade, as he became more entrepreneurial. He socialized at various nightspots in New York City, including Max's Kansas City and, later in the 1970s, Studio 54. He was generally regarded as quiet, shy, and a meticulous observer. Art critic Robert Hughes called him "the white mole of Union Square". In 1977, Warhol was commissioned by art collector Richard Weisman to create "Athletes", ten portraits consisting of the leading athletes of the day.
According to Bob Colacello, Warhol devoted much of his time to rounding up new, rich patrons for portrait commissions—including Shah of Iran Mohammad Reza Pahlavi, his wife Empress Farah Pahlavi, his sister Princess Ashraf Pahlavi, Mick Jagger, Liza Minnelli, John Lennon, Diana Ross, and Brigitte Bardot. In 1979, reviewers disliked his exhibits of portraits of 1970s personalities and celebrities, calling them superficial, facile and commercial, with no depth or indication of the significance of the subjects. In 1979, Warhol and his longtime friend Stuart Pivar founded the New York Academy of Art.
1980s.
Warhol had a re-emergence of critical and financial success in the 1980s, partially due to his affiliation and friendships with a number of prolific younger artists, who were dominating the "bull market" of 1980s New York art: Jean-Michel Basquiat, Julian Schnabel, David Salle and other so-called Neo-Expressionists, as well as members of the Transavantgarde movement in Europe, including Francesco Clemente and Enzo Cucchi. Warhol also earned street credibility and graffiti artist Fab Five Freddy paid homage to Warhol by painting an entire train with Campbell soup cans.
Warhol was also being criticized for becoming merely a "business artist". Critics panned his 1980 exhibition "Ten Portraits of Jews of the Twentieth Century" at the Jewish Museum in Manhattan, which Warhol—who was uninterested in Judaism and Jews—had described in his diary as "They're going to sell." In hindsight, however, some critics have come to view Warhol's superficiality and commerciality as "the most brilliant mirror of our times," contending that "Warhol had captured something irresistible about the zeitgeist of American culture in the 1970s."
Warhol also had an appreciation for intense Hollywood glamour. He once said: "I love Los Angeles. I love Hollywood. They're so beautiful. Everything's plastic, but I love plastic. I want to be plastic." Warhol occasionally walked the fashion runways and did product endorsements, represented by Zoli Agency and later Ford Models.
Before the 1984 Sarajevo Winter Olympics, he teamed with 15 other artists, including David Hockney and Cy Twombly, and contributed a Speed Skater print to the Art and Sport collection. The Speed Skater was used for the official Sarajevo Winter Olympics poster.
In 1984, "Vanity Fair" commissioned Warhol to produce a portrait of Prince, in order to accompany an article that celebrated the success of "Purple Rain" and its accompanying movie. Referencing the many celebrity portraits produced by Warhol across his career, "Orange" "Prince (1984)" was created using a similar composition to the Marilyn "Flavors" series from 1962, among some of Warhol's first celebrity portraits. Prince is depicted in a pop color palette commonly used by Warhol, in bright orange with highlights of bright green and blue. The facial features and hair are screen-printed in black over the orange background.
In September 1985, Warhol's joint exhibition with Basquiat, "Paintings", opened to negative reviews at the Tony Shafrazi Gallery. That month, despite apprehension from Warhol, his silkscreen series "Reigning Queens" was shown at the Leo Castelli Gallery. In the "Andy Warhol Diaries", Warhol wrote, "They were supposed to be only for Europe—nobody here cares about royalty and it'll be another bad review."
In January 1987, Warhol traveled to Milan for the opening of his last exhibition, "Last Supper", at the Palazzo delle Stelline. The next month, Warhol and jazz musician Miles Davis modeled for Koshin Satoh's fashion show at the Tunnel in New York City on February 17, 1987.
Death.
Warhol died in Manhattan at 6:32 a.m. on February 22, 1987, at age 58. According to news reports, he had been making a good recovery from gallbladder surgery at New York Hospital before dying in his sleep from a sudden post-operative irregular heartbeat. Prior to his diagnosis and operation, Warhol delayed having his recurring gallbladder problems checked, as he was afraid to enter hospitals and see doctors. His family sued the hospital for inadequate care, saying that the arrhythmia was caused by improper care and water intoxication. The malpractice case was quickly settled out of court; Warhol's family received an undisclosed sum of money.
Shortly before Warhol's death, doctors expected Warhol to survive the surgery, though a re-evaluation of the case about thirty years after his death showed many indications that Warhol's surgery was in fact riskier than originally thought. It was widely reported at the time that Warhol had died of a "routine" surgery, though when considering factors such as his age, a family history of gallbladder problems, his previous gunshot wound, and his medical state in the weeks leading up to the procedure, the potential risk of death following the surgery appeared to have been significant.
Warhol's brothers took his body back to Pittsburgh, where an open-coffin wake was held at the Thomas P. Kunsak Funeral Home. The solid bronze casket had gold-plated rails and white upholstery. Warhol was dressed in a black cashmere suit, a paisley tie, a platinum wig, and sunglasses. He was laid out holding a small prayer book and a red rose. The funeral liturgy was held at the Holy Ghost Byzantine Catholic Church on Pittsburgh's North Side on February 27, 1987. The eulogy was given by Monsignor Peter Tay. Yoko Ono and John Richardson were speakers. The coffin was covered with white roses and asparagus ferns. After the liturgy, the coffin was driven to St. John the Baptist Byzantine Catholic Cemetery in Bethel Park, a south suburb of Pittsburgh, where Warhol was buried near his parents. The priest said a brief prayer at the graveside and sprinkled holy water on the casket. Before the coffin was lowered, Warhol's close friend and associate publisher of "Interview", Paige Powell, dropped a copy of the magazine and a bottle of Beautiful Eau de Parfum by Estée Lauder into the grave. A memorial service was held in Manhattan for Warhol at St. Patrick's Cathedral on April 1, 1987.
Early life and beginnings (1928–1949).
Warhol was born on August 6, 1928, in Pittsburgh, Pennsylvania. He was the fourth child of Ondrej Warhola (Americanized as Andrew Warhola Sr. 1889–1942) and Julia ("née" Zavacká, 1892–1972), whose first child was born in their homeland of Austria-Hungary and died before their move to the U.S.
His parents were working-class Lemko emigrants from Mikó, Austria-Hungary (now called Miková, located in today's northeastern Slovakia). Warhol's father emigrated to the United States in 1914, and his mother joined him in 1921, after the death of Warhol's grandparents. Warhol's father worked in a coal mine. The family lived at 55 Beelen Street and later at 3252 Dawson Street in the Oakland neighborhood of Pittsburgh. The family was Ruthenian Catholic and attended St. John Chrysostom Byzantine Catholic Church. Andy Warhol had two elder brothers—Pavol (Paul), the eldest, was born before the family emigrated; Ján was born in Pittsburgh. Pavol's son, James Warhola, became a successful children's book illustrator.
In third grade, Warhol had Sydenham's chorea (also known as St. Vitus' Dance), the nervous system disease that causes involuntary movements of the extremities, which is believed to be a complication of scarlet fever which causes skin pigmentation blotchiness. At times when he was confined to bed, he drew, listened to the radio and collected pictures of movie stars around his bed. Warhol later described this period as very important in the development of his personality, skill-set and preferences. When Warhol was 13, his father died in an accident.
As a teenager, Warhol graduated from Schenley High School in 1945, and also won a Scholastic Art and Writing Award. After graduating from high school, his intentions were to study art education at the University of Pittsburgh in the hope of becoming an art teacher, but his plans changed and he enrolled in the Carnegie Institute of Technology, now Carnegie Mellon University in Pittsburgh, where he studied commercial art. During his time there, Warhol joined the campus Modern Dance Club and Beaux Arts Society. He also served as art director of the student art magazine, "Cano", illustrating a cover in 1948 and a full-page interior illustration in 1949. These are believed to be his first two published artworks. Warhol earned a Bachelor of Fine Arts in pictorial design in 1949. Later that year, he moved to New York City and began a career in magazine illustration and advertising.
1950s.
Warhol's early career was dedicated to commercial and advertising art, where his first commission had been to draw shoes for "Glamour" magazine in the late 1940s. In the 1950s, Warhol worked as a designer for shoe manufacturer Israel Miller. While working in the shoe industry, Warhol developed his "blotted line" technique, applying ink to paper and then blotting the ink while still wet, which was akin to a printmaking process on the most rudimentary scale. His use of tracing paper and ink allowed him to repeat the basic image and also to create endless variations on the theme. American photographer John Coplans recalled that
In 1952, Warhol had his first solo show at the Hugo Gallery in New York, and although that show was not well received, by 1956, he was included in his first group exhibition at the Museum of Modern Art, New York. Warhol's "whimsical" ink drawings of shoe advertisements figured in some of his earliest showings at the Bodley Gallery in New York in 1957.
Warhol habitually used the expedient of tracing photographs projected with an epidiascope. Using prints by Edward Wallowitch, his "first boyfriend," the photographs would undergo a subtle transformation during Warhol's often cursory tracing of contours and hatching of shadows. Warhol used Wallowitch's photograph "Young Man Smoking a Cigarette" (), for a 1958 design for a book cover he submitted to Simon and Schuster for the Walter Ross pulp novel "The Immortal", and later used others for his series of paintings.
With the rapid expansion of the record industry, RCA Records hired Warhol, along with another freelance artist, Sid Maurer, to design album covers and promotional materials.
1960s.
Warhol was an early adopter of the silk screen printmaking process as a technique for making paintings. In 1962, Warhol was taught silk screen printmaking techniques by Max Arthur Cohn at his graphic arts business in Manhattan. In his book "", Warhol writes: "When you do something exactly wrong, you always turn up something."
In May 1962, Warhol was featured in an article in "Time" magazine with his painting "Big Campbell's Soup Can with Can Opener (Vegetable)" (1962), which initiated his most sustained motif, the Campbell's soup can. That painting became Warhol's first to be shown in a museum when it was exhibited at the Wadsworth Atheneum in Hartford in July 1962. On July 9, 1962, Warhol's exhibition opened at the Ferus Gallery in Los Angeles with "Campbell's Soup Cans", marking his West Coast debut of pop art.
In November 1962, Warhol had an exhibition at Eleanor Ward's Stable Gallery in New York. The exhibit included the works "Gold Marilyn", eight of the classic "Marilyn" series also named "Flavor Marilyns", "Marilyn Diptych", "100 Soup Cans", "100 Coke Bottles", and "100 Dollar Bills". "Gold Marilyn", was bought by the architect Philip Johnson and donated to the Museum of Modern Art. At the exhibit, Warhol met poet John Giorno, who would star in Warhol's first film, "Sleep" (1964).
In December 1962, New York City's Museum of Modern Art hosted a symposium on pop art, during which artists such as Warhol were attacked for "capitulating" to consumerism. Critics were appalled by Warhol's open acceptance of market culture, which set the tone for his reception.
In early 1963, Warhol rented his first studio, an old firehouse at 159 East 87th Street. At this studio, he created his "Elvis" series, which included "Eight Elvises" (1963) and "Triple Elvis" (1963). These portraits along with a series of Elizabeth Taylor portraits were shown at his second exhibition at the Ferus Gallery in Los Angeles. Later that year, Warhol relocated his studio to East 47th Street, which would turn into The Factory. The Factory became a popular gathering spot for a wide range of artists, writers, musicians, and underground celebrities.
Warhol had his second exhibition at the Stable Gallery in the spring of 1964, which featured sculptures of commercial boxes stacked and scattered throughout the space to resemble a warehouse. For the exhibition, Warhol custom ordered wooden boxes and silkscreened graphics onto them. The sculptures—"Brillo Box", "Del Monte Peach Box", "Heinz Tomato Ketchup Box", "Kellogg's Cornflakes Box", "Campbell's Tomato Juice Box", and "Mott's Apple Juice Box"—sold for $200 to $400 depending on the size of the box.
A pivotal event was "The American Supermarket" exhibition at Paul Bianchini's Upper East Side gallery in the fall of 1964. The show was presented as a typical small supermarket environment, except that everything in it—from the produce, canned goods, meat, posters on the wall, etc.—was created by prominent pop artists of the time, among them sculptor Claes Oldenburg, Mary Inman and Bob Watts. Warhol designed a $12 paper shopping bag—plain white with a red Campbell's soup can. His painting of a can of a Campbell's soup cost $1,500 while each autographed can sold for 3 for $18, $6.50 each. The exhibit was one of the first mass events that directly confronted the general public with both pop art and the perennial question of what art is.
As an advertisement illustrator in the 1950s, Warhol used assistants to increase his productivity. Collaboration would remain a defining (and controversial) aspect of his working methods throughout his career; this was particularly true in the 1960s. One of the most important collaborators during this period was Gerard Malanga. Malanga assisted the artist with the production of silkscreens, films, sculpture, and other works at "The Factory", Warhol's aluminum foil-and-silver-paint-lined studio on 47th Street (later moved to Broadway). Other members of Warhol's Factory crowd included Freddie Herko, Ondine, Ronald Tavel, Mary Woronov, Billy Name, and Brigid Berlin (from whom he apparently got the idea to tape-record his phone conversations).
During the 1960s, Warhol also groomed a retinue of bohemian and counterculture eccentrics upon whom he bestowed the designation "superstars", including Nico, Joe Dallesandro, Edie Sedgwick, Viva, Ultra Violet, Holly Woodlawn, Jackie Curtis, and Candy Darling. These people all participated in the Factory films, and some—like Berlin—remained friends with Warhol until his death. Important figures in the New York underground art/cinema world, such as writer John Giorno and film-maker Jack Smith, also appear in Warhol films (many premiering at the New Andy Warhol Garrick Theatre and 55th Street Playhouse) of the 1960s, revealing Warhol's connections to a diverse range of artistic scenes during this time. Less well known was his support and collaboration with several teenagers during this era, who would achieve prominence later in life including writer David Dalton, photographer Stephen Shore and artist Bibbe Hansen (mother of pop musician Beck).
1968 assassination attempt.
On June 3, 1968, radical feminist writer Valerie Solanas shot Warhol and Mario Amaya, art critic and curator, at Warhol's studio, The Factory. Before the shooting, Solanas had been a marginal figure in the Factory scene. She authored in 1967 the "SCUM Manifesto", a separatist feminist tract that advocated the elimination of men; and appeared in the 1968 Warhol film "I, a Man". Earlier on the day of the attack, Solanas had been turned away from the Factory after asking for the return of a script she had given to Warhol. The script had apparently been misplaced.
Amaya received only minor injuries and was released from the hospital later the same day. Warhol was seriously wounded by the attack and barely survived. He had physical effects for the rest of his life, including being required to wear a surgical corset. The shooting had a profound effect on Warhol's life and art.
Solanas was arrested the day after the assault, after turning herself in to police. By way of explanation, she said that Warhol "had too much control over my life". She was subsequently diagnosed with paranoid schizophrenia and eventually sentenced to three years under the control of the Department of Corrections. After the shooting, the Factory scene heavily increased its security, and for many the "Factory 60s" ended ("The superstars from the old Factory days didn't come around to the new Factory much").
Warhol had this to say about the attack:
In 1969, Warhol and British journalist John Wilcock founded "Interview" magazine.
1968 assassination attempt.
On June 3, 1968, radical feminist writer Valerie Solanas shot Warhol and Mario Amaya, art critic and curator, at Warhol's studio, The Factory. Before the shooting, Solanas had been a marginal figure in the Factory scene. She authored in 1967 the "SCUM Manifesto", a separatist feminist tract that advocated the elimination of men; and appeared in the 1968 Warhol film "I, a Man". Earlier on the day of the attack, Solanas had been turned away from the Factory after asking for the return of a script she had given to Warhol. The script had apparently been misplaced.
Amaya received only minor injuries and was released from the hospital later the same day. Warhol was seriously wounded by the attack and barely survived. He had physical effects for the rest of his life, including being required to wear a surgical corset. The shooting had a profound effect on Warhol's life and art.
Solanas was arrested the day after the assault, after turning herself in to police. By way of explanation, she said that Warhol "had too much control over my life". She was subsequently diagnosed with paranoid schizophrenia and eventually sentenced to three years under the control of the Department of Corrections. After the shooting, the Factory scene heavily increased its security, and for many the "Factory 60s" ended ("The superstars from the old Factory days didn't come around to the new Factory much").
Warhol had this to say about the attack:
In 1969, Warhol and British journalist John Wilcock founded "Interview" magazine.
1970s.
Warhol had a retrospective exhibition at the Whitney Museum of American Art in 1971. His famous portrait of Chinese Communist leader Mao Zedong was created in 1973. In 1975, he published "The Philosophy of Andy Warhol" (1975). An idea expressed in the book: "Making money is art, and working is art and good business is the best art."
Compared to the success and scandal of Warhol's work in the 1960s, the 1970s were a much quieter decade, as he became more entrepreneurial. He socialized at various nightspots in New York City, including Max's Kansas City and, later in the 1970s, Studio 54. He was generally regarded as quiet, shy, and a meticulous observer. Art critic Robert Hughes called him "the white mole of Union Square". In 1977, Warhol was commissioned by art collector Richard Weisman to create "Athletes", ten portraits consisting of the leading athletes of the day.
According to Bob Colacello, Warhol devoted much of his time to rounding up new, rich patrons for portrait commissions—including Shah of Iran Mohammad Reza Pahlavi, his wife Empress Farah Pahlavi, his sister Princess Ashraf Pahlavi, Mick Jagger, Liza Minnelli, John Lennon, Diana Ross, and Brigitte Bardot. In 1979, reviewers disliked his exhibits of portraits of 1970s personalities and celebrities, calling them superficial, facile and commercial, with no depth or indication of the significance of the subjects. In 1979, Warhol and his longtime friend Stuart Pivar founded the New York Academy of Art.
1980s.
Warhol had a re-emergence of critical and financial success in the 1980s, partially due to his affiliation and friendships with a number of prolific younger artists, who were dominating the "bull market" of 1980s New York art: Jean-Michel Basquiat, Julian Schnabel, David Salle and other so-called Neo-Expressionists, as well as members of the Transavantgarde movement in Europe, including Francesco Clemente and Enzo Cucchi. Warhol also earned street credibility and graffiti artist Fab Five Freddy paid homage to Warhol by painting an entire train with Campbell soup cans.
Warhol was also being criticized for becoming merely a "business artist". Critics panned his 1980 exhibition "Ten Portraits of Jews of the Twentieth Century" at the Jewish Museum in Manhattan, which Warhol—who was uninterested in Judaism and Jews—had described in his diary as "They're going to sell." In hindsight, however, some critics have come to view Warhol's superficiality and commerciality as "the most brilliant mirror of our times," contending that "Warhol had captured something irresistible about the zeitgeist of American culture in the 1970s."
Warhol also had an appreciation for intense Hollywood glamour. He once said: "I love Los Angeles. I love Hollywood. They're so beautiful. Everything's plastic, but I love plastic. I want to be plastic." Warhol occasionally walked the fashion runways and did product endorsements, represented by Zoli Agency and later Ford Models.
Before the 1984 Sarajevo Winter Olympics, he teamed with 15 other artists, including David Hockney and Cy Twombly, and contributed a Speed Skater print to the Art and Sport collection. The Speed Skater was used for the official Sarajevo Winter Olympics poster.
In 1984, "Vanity Fair" commissioned Warhol to produce a portrait of Prince, in order to accompany an article that celebrated the success of "Purple Rain" and its accompanying movie. Referencing the many celebrity portraits produced by Warhol across his career, "Orange" "Prince (1984)" was created using a similar composition to the Marilyn "Flavors" series from 1962, among some of Warhol's first celebrity portraits. Prince is depicted in a pop color palette commonly used by Warhol, in bright orange with highlights of bright green and blue. The facial features and hair are screen-printed in black over the orange background.
In September 1985, Warhol's joint exhibition with Basquiat, "Paintings", opened to negative reviews at the Tony Shafrazi Gallery. That month, despite apprehension from Warhol, his silkscreen series "Reigning Queens" was shown at the Leo Castelli Gallery. In the "Andy Warhol Diaries", Warhol wrote, "They were supposed to be only for Europe—nobody here cares about royalty and it'll be another bad review."
In January 1987, Warhol traveled to Milan for the opening of his last exhibition, "Last Supper", at the Palazzo delle Stelline. The next month, Warhol and jazz musician Miles Davis modeled for Koshin Satoh's fashion show at the Tunnel in New York City on February 17, 1987.
Death.
Warhol died in Manhattan at 6:32 a.m. on February 22, 1987, at age 58. According to news reports, he had been making a good recovery from gallbladder surgery at New York Hospital before dying in his sleep from a sudden post-operative irregular heartbeat. Prior to his diagnosis and operation, Warhol delayed having his recurring gallbladder problems checked, as he was afraid to enter hospitals and see doctors. His family sued the hospital for inadequate care, saying that the arrhythmia was caused by improper care and water intoxication. The malpractice case was quickly settled out of court; Warhol's family received an undisclosed sum of money.
Shortly before Warhol's death, doctors expected Warhol to survive the surgery, though a re-evaluation of the case about thirty years after his death showed many indications that Warhol's surgery was in fact riskier than originally thought. It was widely reported at the time that Warhol had died of a "routine" surgery, though when considering factors such as his age, a family history of gallbladder problems, his previous gunshot wound, and his medical state in the weeks leading up to the procedure, the potential risk of death following the surgery appeared to have been significant.
Warhol's brothers took his body back to Pittsburgh, where an open-coffin wake was held at the Thomas P. Kunsak Funeral Home. The solid bronze casket had gold-plated rails and white upholstery. Warhol was dressed in a black cashmere suit, a paisley tie, a platinum wig, and sunglasses. He was laid out holding a small prayer book and a red rose. The funeral liturgy was held at the Holy Ghost Byzantine Catholic Church on Pittsburgh's North Side on February 27, 1987. The eulogy was given by Monsignor Peter Tay. Yoko Ono and John Richardson were speakers. The coffin was covered with white roses and asparagus ferns. After the liturgy, the coffin was driven to St. John the Baptist Byzantine Catholic Cemetery in Bethel Park, a south suburb of Pittsburgh, where Warhol was buried near his parents. The priest said a brief prayer at the graveside and sprinkled holy water on the casket. Before the coffin was lowered, Warhol's close friend and associate publisher of "Interview", Paige Powell, dropped a copy of the magazine and a bottle of Beautiful Eau de Parfum by Estée Lauder into the grave. A memorial service was held in Manhattan for Warhol at St. Patrick's Cathedral on April 1, 1987.
Art works.
Paintings.
By the beginning of the 1960s, pop art was an experimental form that several artists were independently adopting; some of these pioneers, such as Roy Lichtenstein, would later become synonymous with the movement. Warhol, who would become famous as the "Pope of Pop", turned to this new style, where popular subjects could be part of the artist's palette. His early paintings show images taken from cartoons and advertisements, hand-painted with paint drips. Those drips emulated the style of successful abstract expressionists such as Willem de Kooning.
From these beginnings, he developed his later style and subjects. Instead of working on a signature subject matter, as he started out to do, he worked more and more on a signature style, slowly eliminating the handmade from the artistic process. Warhol frequently used silk-screening; his later drawings were traced from slide projections. At the height of his fame as a painter, Warhol had several assistants who produced his silk-screen multiples, following his directions to make different versions and variations.
Warhol's first pop art paintings were displayed in April 1961, serving as the backdrop for New York Department Store Bonwit Teller's window display. This was the same stage his Pop Art contemporaries Jasper Johns, James Rosenquist and Robert Rauschenberg had also once graced. It was the gallerist Muriel Latow who came up with the ideas for both the soup cans and Warhol's dollar paintings. On November 23, 1961, Warhol wrote Latow a check for $50 which, according to the 2009 Warhol biography, "Pop, The Genius of Warhol", was payment for coming up with the idea of the soup cans as subject matter. For his first major exhibition, Warhol painted his famous cans of Campbell's soup, which he claimed to have had for lunch for most of his life.
It was during the 1960s that Warhol began to make paintings of iconic American objects such as dollar bills, mushroom clouds, electric chairs, Campbell's soup cans, Coca-Cola bottles, celebrities such as Marilyn Monroe, Elvis Presley, and Elizabeth Taylor, as well as newspaper headlines or photographs of police dogs attacking African-American protesters during the Birmingham campaign in the civil rights movement. His work became popular and controversial. Warhol had this to say about Coca-Cola: In 1962, Warhol created his famous "Marilyn" series. The Flavor Marilyns were selected from a group of fourteen canvases in the sub-series, each measuring 20" x 16". Some of the canvases were named after various candy Life Savers flavors, including "Cherry Marilyn", "Lemon Marilyn", and "Licorice Marilyn". The others are identified by their background colors.
Warhol produced both comic and serious works; his subject could be a soup can or an electric chair. Warhol used the same techniques—silkscreens, reproduced serially, and often painted with bright colors—whether he painted celebrities, everyday objects, or images of suicide, car crashes, and disasters, as in the 1962–63 "Death and Disaster" series.
In 1979, Warhol was commissioned to paint a BMW M1 Group 4 racing version for the fourth installment of the BMW Art Car project. He was initially asked to paint a BMW 320i in 1978, but the car model was changed and it didn't qualify for the race that year. Warhol was the first artist to paint directly onto the automobile himself instead of letting technicians transfer a scale-model design to the car. Reportedly, it took him only 23 minutes to paint the entire car. Racecar drivers Hervé Poulain, Manfred Winkelhock and Marcel Mignot drove the car at the 1979 24 Hours of Le Mans.
Some of Warhol's work, as well as his own personality, has been described as being Keatonesque. Warhol has been described as playing dumb to the media. He sometimes refused to explain his work. He has suggested that all one needs to know about his work is "already there 'on the surface.
His Rorschach inkblots are intended as pop comments on art and what art could be. His cow wallpaper (literally, wallpaper with a cow motif) and his oxidation paintings (canvases prepared with copper paint that was then oxidized with urine) are also noteworthy in this context. Equally noteworthy is the way these works—and their means of production—mirrored the atmosphere at Andy's New York "Factory". Biographer Bob Colacello provides some details on Andy's "piss paintings":
Warhol's 1982 portrait of Basquiat, "Jean-Michel Basquiat", is a silkscreen over an oxidized copper "piss painting." After many years of silkscreen, oxidation, photography, etc., Warhol returned to painting with a brush in hand. In 1983, Warhol began collaborating with Basquiat and Clemente. Warhol and Basquiat created a series of more than 50 large collaborative works between 1984 and 1985. Despite criticism when these were first shown, Warhol called some of them "masterpieces," and they were influential for his later work.
In 1984, Warhol was commissioned by collector and gallerist Alexander Iolas to produce work based on Leonardo da Vinci's "The Last Supper" for an exhibition at the old refectory of the Palazzo delle Stelline in Milan, opposite from the Santa Maria delle Grazie where Leonardo da Vinci's mural can be seen. Warhol exceeded the demands of the commission and produced nearly 100 variations on the theme, mostly silkscreens and paintings, and among them a collaborative sculpture with Basquiat, the "Ten Punching Bags (Last Supper)".
The Milan exhibition that opened in January 1987 with a set of 22 silk-screens, was the last exhibition for both the artist and the gallerist. The series of "The Last Supper" was seen by some as "arguably his greatest," but by others as "wishy-washy, religiose" and "spiritless". It is the largest series of religious-themed works by any U.S. artist.
Artist Maurizio Cattelan describes that it is difficult to separate daily encounters from the art of Andy Warhol: "That's probably the greatest thing about Warhol: the way he penetrated and summarized our world, to the point that distinguishing between him and our everyday life is basically impossible, and in any case useless." Warhol was an inspiration towards Cattelan's magazine and photography compilations, such as "Permanent Food, Charley", and "Toilet Paper".
In the period just before his death, Warhol was working on "Cars", a series of paintings for Mercedes-Benz.
Art market.
The value of Andy Warhol's work has been on an endless upward trajectory since his death in 1987. In 2014, his works accumulated $569 million at auction, which accounted for more than a sixth of the global art market. However, there have been some dips. According to art dealer Dominique Lévy, "The Warhol trade moves something like a seesaw being pulled uphill: it rises and falls, but each new high and low is above the last one." She attributes this to the consistent influx of new collectors intrigued by Warhol. "At different moments, you've had different groups of collectors entering the Warhol market, and that resulted in peaks in demand, then satisfaction and a slow down," before the process repeats another demographic or the next generation.
In 1998, "Orange Marilyn" (1964), a depiction of Marilyn Monroe, sold for $17.3 million, which at the time set a new record as the highest price paid for a Warhol artwork. In 2007, one of Warhol's 1963 paintings of Elizabeth Taylor, "Liz (Colored Liz)", which was owned by actor Hugh Grant, sold for $23.7 million at Christie's.
In 2007, Stefan Edlis and Gael Neeson sold Warhol's "Turquoise Marilyn" (1964) to financier Steven A. Cohen for $80 million. In May 2007, "Green Car Crash" (1963) sold for $71.1 million and "Lemon Marilyn" (1962) sold for $28 million at Christie's post-war and contemporary art auction. In 2007, "Large Campbell's Soup Can" (1964) was sold at a Sotheby's auction to a South American collector for 7.4 million. In November 2009, "200 One Dollar Bills" (1962) at Sotheby's for $43.8 million.
In 2008, "Eight Elvises" (1963) was sold by Annibale Berlingieri for $100 million to a private buyer. The work depicts Elvis Presley in a gunslinger pose. It was first exhibited in 1963 at the Ferus Gallery in Los Angeles. Warhol made 22 versions of the "Elvis" portraits, 11 of which are held in museums. In May 2012, "Double Elvis (Ferus Type)" sold at auction at Sotheby's for $37 million. In November 2014, "Triple Elvis (Ferus Type)" sold for $81.9 million at Christie's.
In May 2010, a purple self-portrait of Warhol from 1986 that was owned by fashion designer Tom Ford sold for $32.6 million at Sotheby's. In November 2010, "Men in Her Life" (1962), based on Elizabeth Taylor, sold for $63.4 million at Phillips de Pury and "Coca-Cola" "(4)" (1962) sold for $35.3 million at Sotheby's. In May 2011, Warhol's first self-portrait from 1963 to 1964 sold for $38.4 million and a red self-portrait from 1986 sold for $27.5 million at Christie's. In May 2011, "Liz #5 (Early Colored Liz)" sold for $26.9 million at Phillips.
In November 2013, Warhol's rarely seen 1963 diptych, "Silver Car Crash (Double Disaster)", sold at Sotheby's for $105.4 million, a new record for the artist. In November 2013, "Coca-Cola" "(3)" (1962) sold for $57.3 million at Christie's. In May 2014, "White Marilyn" (1962) sold for $41 million at Christie's. In November 2014, "Four Marlons" (1964), which depicts Marlon Brando, sold for $69.6 million at Christie's. In May 2015, "Silver Liz (diptych)", painted in 1963, sold for $28 million and "Colored Mona Lisa" (1963) sold for $56.2 million at Christie's. In May 2017, Warhol's 1962 painting "Big Campbell's Soup Can With Can Opener (Vegetable)" sold for $27.5 million at Christie's. In 2017, billionaire hedge-fund manager Ken Griffin purchased "Orange Marilyn" privately for around $200 million. In March 2022, "Silver Liz (Ferus Type)" sold for 2.3 billion yen ($18.9 million) at Shinwa Auction, which set a new record for the highest bid ever at auction in Japan. In May 2022, "Shot Sage Blue Marilyn" (1964) sold for $195 million at Christie's, becoming the most expensive American artwork sold at auction.
Collectors.
Among Warhol's early collectors and influential supporters were Emily and Burton Tremaine. Among the over 15 artworks purchased, "Marilyn Diptych" (now at Tate Modern, London) and "A boy for Meg" (now at the National Gallery of Art in Washington, DC), were purchased directly out of Warhol's studio in 1962. One Christmas, Warhol left a small "Head of Marilyn Monroe" by the Tremaine's door at their New York apartment in gratitude for their support and encouragement.
Paintings.
By the beginning of the 1960s, pop art was an experimental form that several artists were independently adopting; some of these pioneers, such as Roy Lichtenstein, would later become synonymous with the movement. Warhol, who would become famous as the "Pope of Pop", turned to this new style, where popular subjects could be part of the artist's palette. His early paintings show images taken from cartoons and advertisements, hand-painted with paint drips. Those drips emulated the style of successful abstract expressionists such as Willem de Kooning.
From these beginnings, he developed his later style and subjects. Instead of working on a signature subject matter, as he started out to do, he worked more and more on a signature style, slowly eliminating the handmade from the artistic process. Warhol frequently used silk-screening; his later drawings were traced from slide projections. At the height of his fame as a painter, Warhol had several assistants who produced his silk-screen multiples, following his directions to make different versions and variations.
Warhol's first pop art paintings were displayed in April 1961, serving as the backdrop for New York Department Store Bonwit Teller's window display. This was the same stage his Pop Art contemporaries Jasper Johns, James Rosenquist and Robert Rauschenberg had also once graced. It was the gallerist Muriel Latow who came up with the ideas for both the soup cans and Warhol's dollar paintings. On November 23, 1961, Warhol wrote Latow a check for $50 which, according to the 2009 Warhol biography, "Pop, The Genius of Warhol", was payment for coming up with the idea of the soup cans as subject matter. For his first major exhibition, Warhol painted his famous cans of Campbell's soup, which he claimed to have had for lunch for most of his life.
It was during the 1960s that Warhol began to make paintings of iconic American objects such as dollar bills, mushroom clouds, electric chairs, Campbell's soup cans, Coca-Cola bottles, celebrities such as Marilyn Monroe, Elvis Presley, and Elizabeth Taylor, as well as newspaper headlines or photographs of police dogs attacking African-American protesters during the Birmingham campaign in the civil rights movement. His work became popular and controversial. Warhol had this to say about Coca-Cola: In 1962, Warhol created his famous "Marilyn" series. The Flavor Marilyns were selected from a group of fourteen canvases in the sub-series, each measuring 20" x 16". Some of the canvases were named after various candy Life Savers flavors, including "Cherry Marilyn", "Lemon Marilyn", and "Licorice Marilyn". The others are identified by their background colors.
Warhol produced both comic and serious works; his subject could be a soup can or an electric chair. Warhol used the same techniques—silkscreens, reproduced serially, and often painted with bright colors—whether he painted celebrities, everyday objects, or images of suicide, car crashes, and disasters, as in the 1962–63 "Death and Disaster" series.
In 1979, Warhol was commissioned to paint a BMW M1 Group 4 racing version for the fourth installment of the BMW Art Car project. He was initially asked to paint a BMW 320i in 1978, but the car model was changed and it didn't qualify for the race that year. Warhol was the first artist to paint directly onto the automobile himself instead of letting technicians transfer a scale-model design to the car. Reportedly, it took him only 23 minutes to paint the entire car. Racecar drivers Hervé Poulain, Manfred Winkelhock and Marcel Mignot drove the car at the 1979 24 Hours of Le Mans.
Some of Warhol's work, as well as his own personality, has been described as being Keatonesque. Warhol has been described as playing dumb to the media. He sometimes refused to explain his work. He has suggested that all one needs to know about his work is "already there 'on the surface.
His Rorschach inkblots are intended as pop comments on art and what art could be. His cow wallpaper (literally, wallpaper with a cow motif) and his oxidation paintings (canvases prepared with copper paint that was then oxidized with urine) are also noteworthy in this context. Equally noteworthy is the way these works—and their means of production—mirrored the atmosphere at Andy's New York "Factory". Biographer Bob Colacello provides some details on Andy's "piss paintings":
Warhol's 1982 portrait of Basquiat, "Jean-Michel Basquiat", is a silkscreen over an oxidized copper "piss painting." After many years of silkscreen, oxidation, photography, etc., Warhol returned to painting with a brush in hand. In 1983, Warhol began collaborating with Basquiat and Clemente. Warhol and Basquiat created a series of more than 50 large collaborative works between 1984 and 1985. Despite criticism when these were first shown, Warhol called some of them "masterpieces," and they were influential for his later work.
In 1984, Warhol was commissioned by collector and gallerist Alexander Iolas to produce work based on Leonardo da Vinci's "The Last Supper" for an exhibition at the old refectory of the Palazzo delle Stelline in Milan, opposite from the Santa Maria delle Grazie where Leonardo da Vinci's mural can be seen. Warhol exceeded the demands of the commission and produced nearly 100 variations on the theme, mostly silkscreens and paintings, and among them a collaborative sculpture with Basquiat, the "Ten Punching Bags (Last Supper)".
The Milan exhibition that opened in January 1987 with a set of 22 silk-screens, was the last exhibition for both the artist and the gallerist. The series of "The Last Supper" was seen by some as "arguably his greatest," but by others as "wishy-washy, religiose" and "spiritless". It is the largest series of religious-themed works by any U.S. artist.
Artist Maurizio Cattelan describes that it is difficult to separate daily encounters from the art of Andy Warhol: "That's probably the greatest thing about Warhol: the way he penetrated and summarized our world, to the point that distinguishing between him and our everyday life is basically impossible, and in any case useless." Warhol was an inspiration towards Cattelan's magazine and photography compilations, such as "Permanent Food, Charley", and "Toilet Paper".
In the period just before his death, Warhol was working on "Cars", a series of paintings for Mercedes-Benz.
Art market.
The value of Andy Warhol's work has been on an endless upward trajectory since his death in 1987. In 2014, his works accumulated $569 million at auction, which accounted for more than a sixth of the global art market. However, there have been some dips. According to art dealer Dominique Lévy, "The Warhol trade moves something like a seesaw being pulled uphill: it rises and falls, but each new high and low is above the last one." She attributes this to the consistent influx of new collectors intrigued by Warhol. "At different moments, you've had different groups of collectors entering the Warhol market, and that resulted in peaks in demand, then satisfaction and a slow down," before the process repeats another demographic or the next generation.
In 1998, "Orange Marilyn" (1964), a depiction of Marilyn Monroe, sold for $17.3 million, which at the time set a new record as the highest price paid for a Warhol artwork. In 2007, one of Warhol's 1963 paintings of Elizabeth Taylor, "Liz (Colored Liz)", which was owned by actor Hugh Grant, sold for $23.7 million at Christie's.
In 2007, Stefan Edlis and Gael Neeson sold Warhol's "Turquoise Marilyn" (1964) to financier Steven A. Cohen for $80 million. In May 2007, "Green Car Crash" (1963) sold for $71.1 million and "Lemon Marilyn" (1962) sold for $28 million at Christie's post-war and contemporary art auction. In 2007, "Large Campbell's Soup Can" (1964) was sold at a Sotheby's auction to a South American collector for 7.4 million. In November 2009, "200 One Dollar Bills" (1962) at Sotheby's for $43.8 million.
In 2008, "Eight Elvises" (1963) was sold by Annibale Berlingieri for $100 million to a private buyer. The work depicts Elvis Presley in a gunslinger pose. It was first exhibited in 1963 at the Ferus Gallery in Los Angeles. Warhol made 22 versions of the "Elvis" portraits, 11 of which are held in museums. In May 2012, "Double Elvis (Ferus Type)" sold at auction at Sotheby's for $37 million. In November 2014, "Triple Elvis (Ferus Type)" sold for $81.9 million at Christie's.
In May 2010, a purple self-portrait of Warhol from 1986 that was owned by fashion designer Tom Ford sold for $32.6 million at Sotheby's. In November 2010, "Men in Her Life" (1962), based on Elizabeth Taylor, sold for $63.4 million at Phillips de Pury and "Coca-Cola" "(4)" (1962) sold for $35.3 million at Sotheby's. In May 2011, Warhol's first self-portrait from 1963 to 1964 sold for $38.4 million and a red self-portrait from 1986 sold for $27.5 million at Christie's. In May 2011, "Liz #5 (Early Colored Liz)" sold for $26.9 million at Phillips.
In November 2013, Warhol's rarely seen 1963 diptych, "Silver Car Crash (Double Disaster)", sold at Sotheby's for $105.4 million, a new record for the artist. In November 2013, "Coca-Cola" "(3)" (1962) sold for $57.3 million at Christie's. In May 2014, "White Marilyn" (1962) sold for $41 million at Christie's. In November 2014, "Four Marlons" (1964), which depicts Marlon Brando, sold for $69.6 million at Christie's. In May 2015, "Silver Liz (diptych)", painted in 1963, sold for $28 million and "Colored Mona Lisa" (1963) sold for $56.2 million at Christie's. In May 2017, Warhol's 1962 painting "Big Campbell's Soup Can With Can Opener (Vegetable)" sold for $27.5 million at Christie's. In 2017, billionaire hedge-fund manager Ken Griffin purchased "Orange Marilyn" privately for around $200 million. In March 2022, "Silver Liz (Ferus Type)" sold for 2.3 billion yen ($18.9 million) at Shinwa Auction, which set a new record for the highest bid ever at auction in Japan. In May 2022, "Shot Sage Blue Marilyn" (1964) sold for $195 million at Christie's, becoming the most expensive American artwork sold at auction.
Collectors.
Among Warhol's early collectors and influential supporters were Emily and Burton Tremaine. Among the over 15 artworks purchased, "Marilyn Diptych" (now at Tate Modern, London) and "A boy for Meg" (now at the National Gallery of Art in Washington, DC), were purchased directly out of Warhol's studio in 1962. One Christmas, Warhol left a small "Head of Marilyn Monroe" by the Tremaine's door at their New York apartment in gratitude for their support and encouragement.
Works.
Filmography.
Warhol attended the 1962 premiere of the static composition by La Monte Young called "Trio for Strings" and subsequently created his famous series of static films. Filmmaker Jonas Mekas, who accompanied Warhol to the Trio premiere, claims Warhol's static films were directly inspired by the performance. Between 1963 and 1968, he made more than 60 films, plus some 500 short black-and-white "screen test" portraits of Factory visitors. One of his most famous films, "Sleep", monitors poet John Giorno sleeping for six hours. The 35-minute film "Blow Job" is one continuous shot of the face of DeVeren Bookwalter supposedly receiving oral sex from filmmaker Willard Maas, although the camera never tilts down to see this. Another, "Empire" (1964), consists of eight hours of footage of the Empire State Building in New York City at dusk. The film "Eat" consists of a man eating a mushroom for 45 minutes.
"Batman Dracula" is a 1964 film that was produced and directed by Warhol, without the permission of DC Comics. It was screened only at his art exhibits. A fan of the "Batman" series, Warhol's movie was an "homage" to the series, and is considered the first appearance of a blatantly campy Batman. The film was until recently thought to have been lost, until scenes from the picture were shown at some length in the 2006 documentary "Jack Smith and the Destruction of Atlantis".
Warhol's 1965 film "Vinyl" is an adaptation of Anthony Burgess' popular dystopian novel "A Clockwork Orange". Others record improvised encounters between Factory regulars such as Brigid Berlin, Viva, Edie Sedgwick, Candy Darling, Holly Woodlawn, Ondine, Nico and Jackie Curtis. The underground artist Jack Smith appears in the film "Camp".
His most popular and critically successful film was "Chelsea Girls" (1966). The film was highly innovative in that it consisted of two 16 mm-films being projected simultaneously, with two different stories being shown in tandem. From the projection booth, the sound would be raised for one film to elucidate that "story" while it was lowered for the other. The multiplication of images evoked Warhol's seminal silk-screen works of the early 1960s.
Warhol was a fan of filmmaker Radley Metzger film work and commented that Metzger's film, "The Lickerish Quartet", was "an outrageously kinky masterpiece". "Blue Movie"—a film in which Warhol superstar Viva makes love in bed with Louis Waldon, another Warhol superstar—was Warhol's last film as director. The film, a seminal film in the Golden Age of Porn, was, at the time, controversial for its frank approach to a sexual encounter. "Blue Movie" was publicly screened in New York City in 2005, for the first time in more than 30 years.
In the wake of the 1968 shooting, a reclusive Warhol relinquished his personal involvement in film making. His acolyte and assistant director, Paul Morrissey, took over the film-making chores for the Factory collective, steering Warhol-branded cinema towards more mainstream, narrative-based, B-movie exploitation fare with "Flesh", "Trash", and "Heat". All of these films, including the later "Andy Warhol's Dracula" and "Andy Warhol's Frankenstein", were far more mainstream than anything Warhol as a director had attempted. These latter "Warhol" films starred Joe Dallesandro—more of a Morrissey star than a true Warhol superstar.
In the early 1970s, most of the films directed by Warhol were pulled out of circulation by Warhol and the people around him who ran his business. After Warhol's death, the films were slowly restored by the Whitney Museum and are occasionally projected at museums and film festivals. Few of the Warhol-directed films are available on video or DVD.
Music.
In the mid-1960s, Warhol adopted the band the Velvet Underground, making them a crucial element of the Exploding Plastic Inevitable multimedia performance art show. Warhol, with Paul Morrissey, acted as the band's manager, introducing them to Nico (who would perform with the band at Warhol's request). While managing The Velvet Underground, Andy would have them dressed in all black to perform in front of movies that he was also presenting. In 1966, he "produced" their first album "The Velvet Underground & Nico", as well as providing its album art. His actual participation in the album's production amounted to simply paying for the studio time. After the band's first album, Warhol and band leader Lou Reed started to disagree more about the direction the band should take, and their artistic friendship ended. In 1989, after Warhol's death, Reed and John Cale re-united for the first time since 1972 to write, perform, record and release the concept album "Songs for Drella", a tribute to Warhol. In October 2019, an audio tape of publicly unknown music by Reed, based on Warhols' 1975 book, "The Philosophy of Andy Warhol: From A to B and Back Again", was reported to have been discovered in an archive at the Andy Warhol Museum in Pittsburgh.
Warhol designed many album covers for various artists starting with the photographic cover of John Wallowitch's debut album, "This Is John Wallowitch!!!" (1964). He designed the cover art for The Rolling Stones' albums "Sticky Fingers" (1971) and "Love You Live" (1977), and the John Cale albums "The Academy in Peril" (1972) and "Honi Soit" in 1981. One of Warhol's last works was a portrait of Aretha Franklin for the cover of her 1986 gold album "Aretha".
Warhol co-directed the music video "Hello Again" by the Cars, and he appeared in the video as a bartender.
Books and print.
Beginning in the early 1950s, Warhol produced several unbound portfolios of his work.
The first of several bound self-published books by Warhol was "25 Cats Name Sam and One Blue Pussy", printed in 1954 by Seymour Berlin on Arches brand watermarked paper using his blotted line technique for the lithographs. The original edition was limited to 190 numbered, hand-colored copies, using Dr. Martin's ink washes. Most of these were given by Warhol as gifts to clients and friends. Copy No. 4, inscribed "Jerry" on the front cover and given to Geraldine Stutz, was used for a facsimile printing in 1987, and the original was auctioned in May 2006 for US$35,000 by Doyle New York.
Other self-published books by Warhol include:
Warhol's book "A La Recherche du Shoe Perdu" (1955) marked his "transition from commercial to gallery artist". (The title is a play on words by Warhol on the title of French author Marcel Proust's "À la recherche du temps perdu".)
After gaining fame, Warhol "wrote" several books that were commercially published:
Warhol created the fashion magazine "Interview" that is still published. The loopy title script on the cover is thought to be either his own handwriting or that of his mother, Julia Warhola, who would often do text work for his early commercial pieces.
Other media.
Although Andy Warhol is most known for his paintings and films, he authored works in many different media.
Filmography.
Warhol attended the 1962 premiere of the static composition by La Monte Young called "Trio for Strings" and subsequently created his famous series of static films. Filmmaker Jonas Mekas, who accompanied Warhol to the Trio premiere, claims Warhol's static films were directly inspired by the performance. Between 1963 and 1968, he made more than 60 films, plus some 500 short black-and-white "screen test" portraits of Factory visitors. One of his most famous films, "Sleep", monitors poet John Giorno sleeping for six hours. The 35-minute film "Blow Job" is one continuous shot of the face of DeVeren Bookwalter supposedly receiving oral sex from filmmaker Willard Maas, although the camera never tilts down to see this. Another, "Empire" (1964), consists of eight hours of footage of the Empire State Building in New York City at dusk. The film "Eat" consists of a man eating a mushroom for 45 minutes.
"Batman Dracula" is a 1964 film that was produced and directed by Warhol, without the permission of DC Comics. It was screened only at his art exhibits. A fan of the "Batman" series, Warhol's movie was an "homage" to the series, and is considered the first appearance of a blatantly campy Batman. The film was until recently thought to have been lost, until scenes from the picture were shown at some length in the 2006 documentary "Jack Smith and the Destruction of Atlantis".
Warhol's 1965 film "Vinyl" is an adaptation of Anthony Burgess' popular dystopian novel "A Clockwork Orange". Others record improvised encounters between Factory regulars such as Brigid Berlin, Viva, Edie Sedgwick, Candy Darling, Holly Woodlawn, Ondine, Nico and Jackie Curtis. The underground artist Jack Smith appears in the film "Camp".
His most popular and critically successful film was "Chelsea Girls" (1966). The film was highly innovative in that it consisted of two 16 mm-films being projected simultaneously, with two different stories being shown in tandem. From the projection booth, the sound would be raised for one film to elucidate that "story" while it was lowered for the other. The multiplication of images evoked Warhol's seminal silk-screen works of the early 1960s.
Warhol was a fan of filmmaker Radley Metzger film work and commented that Metzger's film, "The Lickerish Quartet", was "an outrageously kinky masterpiece". "Blue Movie"—a film in which Warhol superstar Viva makes love in bed with Louis Waldon, another Warhol superstar—was Warhol's last film as director. The film, a seminal film in the Golden Age of Porn, was, at the time, controversial for its frank approach to a sexual encounter. "Blue Movie" was publicly screened in New York City in 2005, for the first time in more than 30 years.
In the wake of the 1968 shooting, a reclusive Warhol relinquished his personal involvement in film making. His acolyte and assistant director, Paul Morrissey, took over the film-making chores for the Factory collective, steering Warhol-branded cinema towards more mainstream, narrative-based, B-movie exploitation fare with "Flesh", "Trash", and "Heat". All of these films, including the later "Andy Warhol's Dracula" and "Andy Warhol's Frankenstein", were far more mainstream than anything Warhol as a director had attempted. These latter "Warhol" films starred Joe Dallesandro—more of a Morrissey star than a true Warhol superstar.
In the early 1970s, most of the films directed by Warhol were pulled out of circulation by Warhol and the people around him who ran his business. After Warhol's death, the films were slowly restored by the Whitney Museum and are occasionally projected at museums and film festivals. Few of the Warhol-directed films are available on video or DVD.
Music.
In the mid-1960s, Warhol adopted the band the Velvet Underground, making them a crucial element of the Exploding Plastic Inevitable multimedia performance art show. Warhol, with Paul Morrissey, acted as the band's manager, introducing them to Nico (who would perform with the band at Warhol's request). While managing The Velvet Underground, Andy would have them dressed in all black to perform in front of movies that he was also presenting. In 1966, he "produced" their first album "The Velvet Underground & Nico", as well as providing its album art. His actual participation in the album's production amounted to simply paying for the studio time. After the band's first album, Warhol and band leader Lou Reed started to disagree more about the direction the band should take, and their artistic friendship ended. In 1989, after Warhol's death, Reed and John Cale re-united for the first time since 1972 to write, perform, record and release the concept album "Songs for Drella", a tribute to Warhol. In October 2019, an audio tape of publicly unknown music by Reed, based on Warhols' 1975 book, "The Philosophy of Andy Warhol: From A to B and Back Again", was reported to have been discovered in an archive at the Andy Warhol Museum in Pittsburgh.
Warhol designed many album covers for various artists starting with the photographic cover of John Wallowitch's debut album, "This Is John Wallowitch!!!" (1964). He designed the cover art for The Rolling Stones' albums "Sticky Fingers" (1971) and "Love You Live" (1977), and the John Cale albums "The Academy in Peril" (1972) and "Honi Soit" in 1981. One of Warhol's last works was a portrait of Aretha Franklin for the cover of her 1986 gold album "Aretha".
Warhol co-directed the music video "Hello Again" by the Cars, and he appeared in the video as a bartender.
Books and print.
Beginning in the early 1950s, Warhol produced several unbound portfolios of his work.
The first of several bound self-published books by Warhol was "25 Cats Name Sam and One Blue Pussy", printed in 1954 by Seymour Berlin on Arches brand watermarked paper using his blotted line technique for the lithographs. The original edition was limited to 190 numbered, hand-colored copies, using Dr. Martin's ink washes. Most of these were given by Warhol as gifts to clients and friends. Copy No. 4, inscribed "Jerry" on the front cover and given to Geraldine Stutz, was used for a facsimile printing in 1987, and the original was auctioned in May 2006 for US$35,000 by Doyle New York.
Other self-published books by Warhol include:
Warhol's book "A La Recherche du Shoe Perdu" (1955) marked his "transition from commercial to gallery artist". (The title is a play on words by Warhol on the title of French author Marcel Proust's "À la recherche du temps perdu".)
After gaining fame, Warhol "wrote" several books that were commercially published:
Warhol created the fashion magazine "Interview" that is still published. The loopy title script on the cover is thought to be either his own handwriting or that of his mother, Julia Warhola, who would often do text work for his early commercial pieces.
Other media.
Although Andy Warhol is most known for his paintings and films, he authored works in many different media.
Personal life.
Sexuality.
Warhol was homosexual. In 1980, he told an interviewer that he was still a virgin. Biographer Bob Colacello, who was present at the interview, felt it was probably true and that what little sex he had was probably "a mixture of voyeurism and masturbation—to use [Andy's] word "abstract"". Warhol's assertion of virginity would seem to be contradicted by his hospital treatment in 1960 for condylomata, a sexually transmitted disease. It has also been contradicted by his lovers, including Warhol muse BillyBoy, who has said they had sex to orgasm: "When he wasn't being Andy Warhol and when you were just alone with him he was an incredibly generous and very kind person. What seduced me was the Andy Warhol who I saw alone. In fact when I was with him in public he kind of got on my nerves...I'd say: 'You're just obnoxious, I can't bear you.'" Billy Name also denied that Warhol was only a voyeur, saying: "He was the essence of sexuality. It permeated everything. Andy exuded it, along with his great artistic creativity...It brought a joy to the whole art world in New York." "But his personality was so vulnerable that it became a defense to put up the blank front." Warhol's lovers included John Giorno, Billy Name, Charles Lisanby, and Jon Gould. His boyfriend of 12 years was Jed Johnson, whom he met in 1968, and who later achieved fame as an interior designer.
The fact that Warhol's homosexuality influenced his work and shaped his relationship to the art world is a major subject of scholarship on the artist and is an issue that Warhol himself addressed in interviews, in conversation with his contemporaries, and in his publications ("e.g.", "Popism: The Warhol 1960s"). Throughout his career, Warhol produced erotic photography and drawings of male nudes. Many of his most famous works (portraits of Liza Minnelli, Judy Garland, and Elizabeth Taylor and films such as "Blow Job", "My Hustler" and "Lonesome Cowboys") draw from gay underground culture or openly explore the complexity of sexuality and desire. As has been addressed by a range of scholars, many of his films premiered in gay porn theaters, including the New Andy Warhol Garrick Theatre and 55th Street Playhouse, in the late 1960s.
The first works that Warhol submitted to a fine art gallery, homoerotic drawings of male nudes, were rejected for being too openly gay. In "Popism", furthermore, the artist recalls a conversation with the filmmaker Emile de Antonio about the difficulty Warhol had being accepted socially by the then-more-famous (but closeted) gay artists Jasper Johns and Robert Rauschenberg. De Antonio explained that Warhol was "too swish and that upsets them". In response to this, Warhol writes, "There was nothing I could say to that. It was all too true. So I decided I just wasn't going to care, because those were all the things that I didn't want to change anyway, that I didn't think I 'should' want to change ... Other people could change their attitudes but not me". In exploring Warhol's biography, many turn to this period—the late 1950s and early 1960s—as a key moment in the development of his persona. Some have suggested that his frequent refusal to comment on his work, to speak about himself (confining himself in interviews to responses like "Um, no" and "Um, yes", and often allowing others to speak for him)—and even the evolution of his pop style—can be traced to the years when Warhol was first dismissed by the inner circles of the New York art world.
Religion.
Warhol was a practicing Ruthenian Catholic. He regularly volunteered at homeless shelters in New York City, particularly during the busier times of the year, and described himself as a religious person. Many of Warhol's later works depicted religious subjects, including two series, "Details of Renaissance Paintings" (1984) and "The Last Supper" (1986). In addition, a body of religious-themed works was found posthumously in his estate.
Warhol regularly attended Liturgy, and the priest at Warhol's church, Saint Vincent Ferrer, said that the artist went there almost daily, although he was not observed taking Communion or going to Confession and sat or knelt in the pews at the back. The priest thought he was afraid of being recognized; Warhol said he was self-conscious about being seen in a Roman Rite church crossing himself "in the Orthodox way" (right to left instead of the reverse). His art is noticeably influenced by the Eastern Christian tradition which was so evident in his places of worship. Warhol's brother has described the artist as "really religious, but he didn't want people to know about that because [it was] private". Despite the private nature of his faith, in Warhol's eulogy John Richardson depicted it as devout: "To my certain knowledge, he was responsible for at least one conversion. He took considerable pride in financing his nephew's studies for the priesthood".
Collections.
Warhol was an avid collector. His friends referred to his numerous collections, which filled not only his four-story townhouse, but also a nearby storage unit, as "Andy's Stuff". The true extent of his collections was not discovered until after his death, when The Andy Warhol Museum in Pittsburgh took in 641 boxes of his "Stuff".
Warhol's collections included a Coca-Cola memorabilia sign, and 19th century paintings along with airplane menus, unpaid invoices, pizza dough, pornographic pulp novels, newspapers, stamps, supermarket flyers, and cookie jars, among other eccentricities. It also included significant works of art, such as George Bellows's "Miss Bentham". One of his main collections was his wigs. Warhol owned more than 40 and felt very protective of his hairpieces, which were sewn by a New York wig-maker from hair imported from Italy. In 1985, a girl snatched Warhol's wig off his head. It was later discovered in Warhol's diary entry for that day that he wrote: "I don't know what held me back from pushing her over the balcony."
In 1960, he had bought a drawing of a light bulb by Jasper Johns. Another item found in Warhol's boxes at the museum in Pittsburgh was a mummified human foot from Ancient Egypt. The curator of anthropology at Carnegie Museum of Natural History felt that Warhol most likely found it at a flea market.
Warhol collected many books, with more than 1,200 titles in his collection. Of these, 139 titles have been publicly identified through a 1988 Sotheby's Auction catalog, "The Andy Warhol Collection" and can be viewed online. His book collection reflects his eclectic taste and interests, and includes books written by and about some of his acquaintances and friends. Some of the titles in his collection include "The Two Mrs. Grenvilles: A Novel" by Dominick Dunne, "Artists in Uniform" by Max Eastman, "Andrews' Diseases of the Skin: Clinical Dermatology" by George Clinton Andrews, "D.V." by Diana Vreeland, "Blood of a Poet" by Jean Cocteau, "Watercolours" by Francesco Clemente, "Little World, Hello!" by Jimmy Savo, "Hidden Faces" by Salvador Dalí, and "The Dinah Shore Cookbook".
Sexuality.
Warhol was homosexual. In 1980, he told an interviewer that he was still a virgin. Biographer Bob Colacello, who was present at the interview, felt it was probably true and that what little sex he had was probably "a mixture of voyeurism and masturbation—to use [Andy's] word "abstract"". Warhol's assertion of virginity would seem to be contradicted by his hospital treatment in 1960 for condylomata, a sexually transmitted disease. It has also been contradicted by his lovers, including Warhol muse BillyBoy, who has said they had sex to orgasm: "When he wasn't being Andy Warhol and when you were just alone with him he was an incredibly generous and very kind person. What seduced me was the Andy Warhol who I saw alone. In fact when I was with him in public he kind of got on my nerves...I'd say: 'You're just obnoxious, I can't bear you.'" Billy Name also denied that Warhol was only a voyeur, saying: "He was the essence of sexuality. It permeated everything. Andy exuded it, along with his great artistic creativity...It brought a joy to the whole art world in New York." "But his personality was so vulnerable that it became a defense to put up the blank front." Warhol's lovers included John Giorno, Billy Name, Charles Lisanby, and Jon Gould. His boyfriend of 12 years was Jed Johnson, whom he met in 1968, and who later achieved fame as an interior designer.
The fact that Warhol's homosexuality influenced his work and shaped his relationship to the art world is a major subject of scholarship on the artist and is an issue that Warhol himself addressed in interviews, in conversation with his contemporaries, and in his publications ("e.g.", "Popism: The Warhol 1960s"). Throughout his career, Warhol produced erotic photography and drawings of male nudes. Many of his most famous works (portraits of Liza Minnelli, Judy Garland, and Elizabeth Taylor and films such as "Blow Job", "My Hustler" and "Lonesome Cowboys") draw from gay underground culture or openly explore the complexity of sexuality and desire. As has been addressed by a range of scholars, many of his films premiered in gay porn theaters, including the New Andy Warhol Garrick Theatre and 55th Street Playhouse, in the late 1960s.
The first works that Warhol submitted to a fine art gallery, homoerotic drawings of male nudes, were rejected for being too openly gay. In "Popism", furthermore, the artist recalls a conversation with the filmmaker Emile de Antonio about the difficulty Warhol had being accepted socially by the then-more-famous (but closeted) gay artists Jasper Johns and Robert Rauschenberg. De Antonio explained that Warhol was "too swish and that upsets them". In response to this, Warhol writes, "There was nothing I could say to that. It was all too true. So I decided I just wasn't going to care, because those were all the things that I didn't want to change anyway, that I didn't think I 'should' want to change ... Other people could change their attitudes but not me". In exploring Warhol's biography, many turn to this period—the late 1950s and early 1960s—as a key moment in the development of his persona. Some have suggested that his frequent refusal to comment on his work, to speak about himself (confining himself in interviews to responses like "Um, no" and "Um, yes", and often allowing others to speak for him)—and even the evolution of his pop style—can be traced to the years when Warhol was first dismissed by the inner circles of the New York art world.
Religion.
Warhol was a practicing Ruthenian Catholic. He regularly volunteered at homeless shelters in New York City, particularly during the busier times of the year, and described himself as a religious person. Many of Warhol's later works depicted religious subjects, including two series, "Details of Renaissance Paintings" (1984) and "The Last Supper" (1986). In addition, a body of religious-themed works was found posthumously in his estate.
Warhol regularly attended Liturgy, and the priest at Warhol's church, Saint Vincent Ferrer, said that the artist went there almost daily, although he was not observed taking Communion or going to Confession and sat or knelt in the pews at the back. The priest thought he was afraid of being recognized; Warhol said he was self-conscious about being seen in a Roman Rite church crossing himself "in the Orthodox way" (right to left instead of the reverse). His art is noticeably influenced by the Eastern Christian tradition which was so evident in his places of worship. Warhol's brother has described the artist as "really religious, but he didn't want people to know about that because [it was] private". Despite the private nature of his faith, in Warhol's eulogy John Richardson depicted it as devout: "To my certain knowledge, he was responsible for at least one conversion. He took considerable pride in financing his nephew's studies for the priesthood".
Collections.
Warhol was an avid collector. His friends referred to his numerous collections, which filled not only his four-story townhouse, but also a nearby storage unit, as "Andy's Stuff". The true extent of his collections was not discovered until after his death, when The Andy Warhol Museum in Pittsburgh took in 641 boxes of his "Stuff".
Warhol's collections included a Coca-Cola memorabilia sign, and 19th century paintings along with airplane menus, unpaid invoices, pizza dough, pornographic pulp novels, newspapers, stamps, supermarket flyers, and cookie jars, among other eccentricities. It also included significant works of art, such as George Bellows's "Miss Bentham". One of his main collections was his wigs. Warhol owned more than 40 and felt very protective of his hairpieces, which were sewn by a New York wig-maker from hair imported from Italy. In 1985, a girl snatched Warhol's wig off his head. It was later discovered in Warhol's diary entry for that day that he wrote: "I don't know what held me back from pushing her over the balcony."
In 1960, he had bought a drawing of a light bulb by Jasper Johns. Another item found in Warhol's boxes at the museum in Pittsburgh was a mummified human foot from Ancient Egypt. The curator of anthropology at Carnegie Museum of Natural History felt that Warhol most likely found it at a flea market.
Warhol collected many books, with more than 1,200 titles in his collection. Of these, 139 titles have been publicly identified through a 1988 Sotheby's Auction catalog, "The Andy Warhol Collection" and can be viewed online. His book collection reflects his eclectic taste and interests, and includes books written by and about some of his acquaintances and friends. Some of the titles in his collection include "The Two Mrs. Grenvilles: A Novel" by Dominick Dunne, "Artists in Uniform" by Max Eastman, "Andrews' Diseases of the Skin: Clinical Dermatology" by George Clinton Andrews, "D.V." by Diana Vreeland, "Blood of a Poet" by Jean Cocteau, "Watercolours" by Francesco Clemente, "Little World, Hello!" by Jimmy Savo, "Hidden Faces" by Salvador Dalí, and "The Dinah Shore Cookbook".
Legacy.
In 2002, the U.S. Postal Service issued an 18-cent stamp commemorating Warhol. Designed by Richard Sheaff of Scottsdale, Arizona, the stamp was unveiled at a ceremony at The Andy Warhol Museum and features Warhol's painting "Self-Portrait, 1964". In March 2011, a chrome statue of Andy Warhol and his Polaroid camera was revealed at Union Square in New York City.
A crater on Mercury was named after Warhol in 2012.
In 2013, to honor the 85th anniversary of Warhol's birthday, The Andy Warhol Museum and EarthCam launched a collaborative project titled "Figment", a live feed of Warhol's gravesite.
Warhol Foundation.
Warhol's will dictated that his entire estate—with the exception of a few modest legacies to family members—would go to create a foundation dedicated to the "advancement of the visual arts". Warhol had so many possessions that it took Sotheby's nine days to auction his estate after his death; the auction grossed more than US$20 million.
In 1987, in accordance with Warhol's will, the Andy Warhol Foundation for the Visual Arts began. The foundation serves as the estate of Andy Warhol, but also has a mission "to foster innovative artistic expression and the creative process" and is "focused primarily on supporting work of a challenging and often experimental nature".
The Artists Rights Society is the U.S. copyright representative for the Andy Warhol Foundation for the Visual Arts for all Warhol works with the exception of Warhol film stills. The U.S. copyright representative for Warhol film stills is the Warhol Museum in Pittsburgh. Additionally, the Andy Warhol Foundation for the Visual Arts has agreements in place for its image archive. All digital images of Warhol are exclusively managed by Corbis, while all transparency images of Warhol are managed by Art Resource.
The Andy Warhol Foundation released its "20th Anniversary Annual Report" as a three-volume set in 2007: Vol. I, 1987–2007; Vol. II, Grants & Exhibitions; and Vol. III, Legacy Program.
The Foundation is in the process of compiling its catalogue raisonné of paintings and sculptures in volumes covering blocks of years of the artist's career. Volumes IV and V were released in 2019. The subsequent volumes are still in the process of being compiled.
The Foundation remains one of the largest grant-giving organizations for the visual arts in the U.S.
Many of Warhol's works and possessions are on display at the Andy Warhol Museum in Pittsburgh. The foundation donated more than 3,000 works of art to the museum.
"Revelation" in Brooklyn.
From November 19, 2021 – June 19, 2022, the Brooklyn Museum will display the "Andy Warhol: Revelation" exhibition. "Revelation" examines themes such as life and death, power and desire, the role and representation of women, Renaissance imagery, family and immigrant traditions and rituals, depictions and duplications of Christ, and the Catholic body and queer desire. Among the more than one hundred objects on view are rare source materials and newly discovered items that provide a fresh and intimate look at Warhol's creative process, as well as major paintings from his epic Last Supper series (1986), the experimental film The Chelsea Girls (1966), an unfinished film depicting the setting sun commissioned by the de Menil family and funded by the Roman Catholic Church, and drawings created by Warhol's mother, Julia Warhola, when she lived with her son in New York City.
Warhol Foundation.
Warhol's will dictated that his entire estate—with the exception of a few modest legacies to family members—would go to create a foundation dedicated to the "advancement of the visual arts". Warhol had so many possessions that it took Sotheby's nine days to auction his estate after his death; the auction grossed more than US$20 million.
In 1987, in accordance with Warhol's will, the Andy Warhol Foundation for the Visual Arts began. The foundation serves as the estate of Andy Warhol, but also has a mission "to foster innovative artistic expression and the creative process" and is "focused primarily on supporting work of a challenging and often experimental nature".
The Artists Rights Society is the U.S. copyright representative for the Andy Warhol Foundation for the Visual Arts for all Warhol works with the exception of Warhol film stills. The U.S. copyright representative for Warhol film stills is the Warhol Museum in Pittsburgh. Additionally, the Andy Warhol Foundation for the Visual Arts has agreements in place for its image archive. All digital images of Warhol are exclusively managed by Corbis, while all transparency images of Warhol are managed by Art Resource.
The Andy Warhol Foundation released its "20th Anniversary Annual Report" as a three-volume set in 2007: Vol. I, 1987–2007; Vol. II, Grants & Exhibitions; and Vol. III, Legacy Program.
The Foundation is in the process of compiling its catalogue raisonné of paintings and sculptures in volumes covering blocks of years of the artist's career. Volumes IV and V were released in 2019. The subsequent volumes are still in the process of being compiled.
The Foundation remains one of the largest grant-giving organizations for the visual arts in the U.S.
Many of Warhol's works and possessions are on display at the Andy Warhol Museum in Pittsburgh. The foundation donated more than 3,000 works of art to the museum.
"Revelation" in Brooklyn.
From November 19, 2021 – June 19, 2022, the Brooklyn Museum will display the "Andy Warhol: Revelation" exhibition. "Revelation" examines themes such as life and death, power and desire, the role and representation of women, Renaissance imagery, family and immigrant traditions and rituals, depictions and duplications of Christ, and the Catholic body and queer desire. Among the more than one hundred objects on view are rare source materials and newly discovered items that provide a fresh and intimate look at Warhol's creative process, as well as major paintings from his epic Last Supper series (1986), the experimental film The Chelsea Girls (1966), an unfinished film depicting the setting sun commissioned by the de Menil family and funded by the Roman Catholic Church, and drawings created by Warhol's mother, Julia Warhola, when she lived with her son in New York City.
In pop culture.
Warhol founded "Interview" magazine, a stage for celebrities he "endorsed" and a business staffed by his friends. He collaborated with others on all of his books (some of which were written with Pat Hackett.) One might even say that he produced people (as in the Warholian "Superstar" and the Warholian portrait). Warhol endorsed products, appeared in commercials, and made frequent celebrity guest appearances on television shows and in films (he appeared in everything from "Love Boat" to "Saturday Night Live" and the Richard Pryor movie "Dynamite Chicken").
In this respect Warhol was a fan of "Art Business" and "Business Art"—he, in fact, wrote about his interest in thinking about art as business in "The Philosophy of Andy Warhol from A to B and Back Again".
Films.
Warhol appeared as himself in the film "Cocaine Cowboys" (1979) and in the film "Tootsie" (1982).
After his death, Warhol was portrayed by Crispin Glover in Oliver Stone's film "The Doors" (1991), by Jared Harris in Mary Harron's film "I Shot Andy Warhol" (1996), and by David Bowie in Julian Schnabel's film "Basquiat" (1996). Bowie recalled how meeting Warhol in real life helped him in the role, and recounted his early meetings with him:
Warhol appears as a character in Michael Daugherty's opera "Jackie O" (1997). Actor Mark Bringleson makes a brief cameo as Warhol in "" (1997). Many films by avant-garde cineast Jonas Mekas have caught the moments of Warhol's life. Sean Gregory Sullivan depicted Warhol in the film "54" (1998). Guy Pearce portrayed Warhol in the film "Factory Girl" (2007) about Edie Sedgwick's life. Actor Greg Travis portrays Warhol in a brief scene from the film "Watchmen" (2009).
In the movie "Highway to Hell" a group of Andy Warhols are part of the "Good Intentions Paving Company" where good-intentioned souls are ground into pavement. In the film "Men in Black 3" (2012) Andy Warhol turns out to really be undercover MIB Agent W (played by Bill Hader). Warhol is throwing a party at The Factory in 1969, where he is looked up by MIB Agents K and J (J from the future). Agent W is desperate to end his undercover job ("I'm so out of ideas I'm painting soup cans and bananas, for Christ sakes!", "You gotta fake my death, okay? I can't listen to sitar music anymore." and "I can't tell the women from the men.").
Andy Warhol (portrayed by Tom Meeten) is one of main characters of the 2012 British television show "Noel Fielding's Luxury Comedy". The character is portrayed as having robot-like mannerisms. In the 2017 feature "The Billionaire Boys Club" Cary Elwes portrays Warhol in a film based on the true story about Ron Levin (portrayed by Kevin Spacey) a friend of Warhol's who was murdered in 1986. In September 2016, it was announced that Jared Leto would portray the title character in "Warhol", an upcoming American biographical drama film produced by Michael De Luca and written by Terence Winter, based on the book "Warhol: The Biography" by Victor Bockris.
Television.
Warhol appeared as a recurring character in TV series "Vinyl", played by John Cameron Mitchell. Warhol was portrayed by Evan Peters in the " episode ". The episode depicts the attempted assassination of Warhol by Valerie Solanas (Lena Dunham).
In early 1969, Andy Warhol was commissioned by Braniff International to appear in two television commercials to promote the luxury airline's "When You Got It – Flaunt It" campaign. The campaign was created by the advertising agency Lois Holland Calloway, which was led by George Lois, creator of a famed series of Esquire Magazine covers. The first commercial series involved pairing unlikely people who shared the fact that they both flew Braniff Airways. Warhol was paired with boxing legend Sonny Liston. The odd commercial worked as did the others that featured unlikely fellow travelers such as painter Salvador Dalí and baseball legend Whitey Ford.
Two additional commercials for Braniff were created that featured famous persons entering a Braniff jet and being greeted by a Braniff hostess while espousing their like for flying Braniff. Warhol was also featured in the first of these commercials that were also produced by Lois and were released in the summer of 1969. Lois has incorrectly stated that he was commissioned by Braniff in 1967 for representation during that year, but at that time Madison Avenue advertising doyenne Mary Wells Lawrence, who was married to Braniff's chairman and president Harding Lawrence, was representing the Dallas-based carrier at that time. Lois succeeded Wells Rich Greene Agency on December 1, 1968. The rights to Warhol's films for Braniff and his signed contracts are owned by a private trust and are administered by Braniff Airways Foundation in Dallas, Texas.
Music.
Warhol strongly influenced the new wave/punk rock band Devo, as well as David Bowie. Bowie recorded a song called "Andy Warhol" for his 1971 album "Hunky Dory". Lou Reed wrote the song "Andy's Chest", about Valerie Solanas, the woman who shot Warhol, in 1968. He recorded it with the Velvet Underground, and this version was released on the "VU" album in 1985. The band Triumph also wrote a song about Andy Warhol, "Stranger In A Strange Land" off their 1984 album Thunder Seven.
Books.
A biography of Andy Warhol written by art critic Blake Gopnik was published in 2020 under the title "Warhol".
Films.
Warhol appeared as himself in the film "Cocaine Cowboys" (1979) and in the film "Tootsie" (1982).
After his death, Warhol was portrayed by Crispin Glover in Oliver Stone's film "The Doors" (1991), by Jared Harris in Mary Harron's film "I Shot Andy Warhol" (1996), and by David Bowie in Julian Schnabel's film "Basquiat" (1996). Bowie recalled how meeting Warhol in real life helped him in the role, and recounted his early meetings with him:
Warhol appears as a character in Michael Daugherty's opera "Jackie O" (1997). Actor Mark Bringleson makes a brief cameo as Warhol in "" (1997). Many films by avant-garde cineast Jonas Mekas have caught the moments of Warhol's life. Sean Gregory Sullivan depicted Warhol in the film "54" (1998). Guy Pearce portrayed Warhol in the film "Factory Girl" (2007) about Edie Sedgwick's life. Actor Greg Travis portrays Warhol in a brief scene from the film "Watchmen" (2009).
In the movie "Highway to Hell" a group of Andy Warhols are part of the "Good Intentions Paving Company" where good-intentioned souls are ground into pavement. In the film "Men in Black 3" (2012) Andy Warhol turns out to really be undercover MIB Agent W (played by Bill Hader). Warhol is throwing a party at The Factory in 1969, where he is looked up by MIB Agents K and J (J from the future). Agent W is desperate to end his undercover job ("I'm so out of ideas I'm painting soup cans and bananas, for Christ sakes!", "You gotta fake my death, okay? I can't listen to sitar music anymore." and "I can't tell the women from the men.").
Andy Warhol (portrayed by Tom Meeten) is one of main characters of the 2012 British television show "Noel Fielding's Luxury Comedy". The character is portrayed as having robot-like mannerisms. In the 2017 feature "The Billionaire Boys Club" Cary Elwes portrays Warhol in a film based on the true story about Ron Levin (portrayed by Kevin Spacey) a friend of Warhol's who was murdered in 1986. In September 2016, it was announced that Jared Leto would portray the title character in "Warhol", an upcoming American biographical drama film produced by Michael De Luca and written by Terence Winter, based on the book "Warhol: The Biography" by Victor Bockris.
Television.
Warhol appeared as a recurring character in TV series "Vinyl", played by John Cameron Mitchell. Warhol was portrayed by Evan Peters in the " episode ". The episode depicts the attempted assassination of Warhol by Valerie Solanas (Lena Dunham).
In early 1969, Andy Warhol was commissioned by Braniff International to appear in two television commercials to promote the luxury airline's "When You Got It – Flaunt It" campaign. The campaign was created by the advertising agency Lois Holland Calloway, which was led by George Lois, creator of a famed series of Esquire Magazine covers. The first commercial series involved pairing unlikely people who shared the fact that they both flew Braniff Airways. Warhol was paired with boxing legend Sonny Liston. The odd commercial worked as did the others that featured unlikely fellow travelers such as painter Salvador Dalí and baseball legend Whitey Ford.
Two additional commercials for Braniff were created that featured famous persons entering a Braniff jet and being greeted by a Braniff hostess while espousing their like for flying Braniff. Warhol was also featured in the first of these commercials that were also produced by Lois and were released in the summer of 1969. Lois has incorrectly stated that he was commissioned by Braniff in 1967 for representation during that year, but at that time Madison Avenue advertising doyenne Mary Wells Lawrence, who was married to Braniff's chairman and president Harding Lawrence, was representing the Dallas-based carrier at that time. Lois succeeded Wells Rich Greene Agency on December 1, 1968. The rights to Warhol's films for Braniff and his signed contracts are owned by a private trust and are administered by Braniff Airways Foundation in Dallas, Texas.
Music.
Warhol strongly influenced the new wave/punk rock band Devo, as well as David Bowie. Bowie recorded a song called "Andy Warhol" for his 1971 album "Hunky Dory". Lou Reed wrote the song "Andy's Chest", about Valerie Solanas, the woman who shot Warhol, in 1968. He recorded it with the Velvet Underground, and this version was released on the "VU" album in 1985. The band Triumph also wrote a song about Andy Warhol, "Stranger In A Strange Land" off their 1984 album Thunder Seven.
Books.
A biography of Andy Warhol written by art critic Blake Gopnik was published in 2020 under the title "Warhol".
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Ahab
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Ahab (; "Aḫâbbu" ["a-ḫa-ab-bu"]; "Achaáb"; ) was the seventh king of Israel, the son and successor of King Omri and the husband of Jezebel of Sidon, according to the Hebrew Bible. The Hebrew Bible presents Ahab as a wicked king, particularly for condoning Jezebel's influence on religious policies and his principal role behind Naboth's arbitrary execution.
The existence of Ahab is historically supported outside the Bible. Shalmaneser III of Assyria documented in 853 BC that he defeated an alliance of a dozen kings in the Battle of Qarqar; one of these was Ahab. He is also mentioned on the inscriptions of the Mesha Stele.
Ahab became king of Israel in the thirty-eighth year of King Asa of Judah, and reigned for twenty-two years, according to 1 Kings. William F. Albright dated his reign to 869–850 BC, while Edwin R. Thiele offered the dates 874–853 BC. Most recently, Michael Coogan has dated Ahab's reign to 871–852 BC.
Reign.
King Omri, Ahab's father and founder of the short-lived Omri dynasty, seems to have been a successful military leader; he is reported in the text of the Moabite Mesha Stele to have "oppressed Moab for many days." During Ahab's reign, Moab, which had been conquered by his father, remained tributary. Ahab was allied by marriage with Jehoshaphat, who was king of Judah. Only with Aram-Damascus is he believed to have had strained relations, though the two kingdoms also shared an alliance for some years.
Ahab married Jezebel, the daughter of the King of Tyre. tells the story of Ahab and Jezebel, and indicates that Jezebel was a dominant influence on Ahab, persuading him to abandon Yahweh and establish the religion of Baal in Israel. Ahab lived in Samaria, the royal capital established by Omri, and built a temple and altar to Baal there. These actions were said to have led to severe consequences for Israel, including a drought that lasted for several years and Jezebel's fanatical religious persecution of the prophets of Yahweh, which Ahab condoned. His reputation was so negative that in 1 Kings 16:34, the author attributed to his reign the deaths of Abiram and Segub, the sons of Hiel of Bethel, caused by their father's invocation of Joshua's curse several centuries before.
According to , war later erupted between Ahab and king Hadadezer of Aram-Damascus (which the Bible refers to as "Ben-Hadad II") and that Ahab was able to defeat and capture him; however, soon after that, a peace treaty was made between the two and alliance between Israel and Aram-Damascus was formed.
Battle of Qarqar.
The Battle of Qarqar is mentioned in extra-biblical records, and was perhaps at Apamea, where Shalmaneser III of Assyria fought a great confederation of princes from Cilicia, Northern Syria, Israel, Ammon, and the tribes of the Syrian desert (853 BCE), including Ahab the Israelite ("A-ha-ab-bu matSir-'a-la-a-a") and Hadadezer ("Adad-'idri").
Ahab's contribution was estimated at 2000 chariots and 10,000 men. In reality, however, the number of chariots in Ahab's forces was probably closer to a number in the hundreds (based upon archaeological excavations of the area and the foundations of stables that have been found). If, however, the numbers are referring to allies, they could possibly include forces from Tyre, Judah, Edom, and Moab. The Assyrian king claimed a victory, but his immediate return and subsequent expeditions in 849 BC and 846 BC against a similar but unspecified coalition seem to show that he met with no lasting success.
Jezreel has been identified as Ahab's fortified chariot and cavalry base.
Ahab and the prophets.
In the Biblical text, Ahab has five important encounters with prophets:
Death of Ahab.
After some years, Ahab with Jehoshaphat of Judah went to recover Ramoth-Gilead from the Arameans. During this battle, Ahab disguised himself, but he was mortally wounded by an unaimed arrow. The Hebrew Bible says that dogs licked his blood, according to the prophecy of Elijah. But the Septuagint adds that pigs also licked his blood, symbolically making him unclean to the Israelites, who abstained from pork. Ahab was succeeded by his sons, Ahaziah and Jehoram.
Jezebel's death, however, was more dramatic than Ahab's. As recorded in , Jehu had her servants throw Jezebel out of a window, causing her death. The dogs ate Jezebel's body, leaving nothing but her skull, her feet, and the palms of her hands, as prophesied by Elijah.
Battle of Qarqar.
The Battle of Qarqar is mentioned in extra-biblical records, and was perhaps at Apamea, where Shalmaneser III of Assyria fought a great confederation of princes from Cilicia, Northern Syria, Israel, Ammon, and the tribes of the Syrian desert (853 BCE), including Ahab the Israelite ("A-ha-ab-bu matSir-'a-la-a-a") and Hadadezer ("Adad-'idri").
Ahab's contribution was estimated at 2000 chariots and 10,000 men. In reality, however, the number of chariots in Ahab's forces was probably closer to a number in the hundreds (based upon archaeological excavations of the area and the foundations of stables that have been found). If, however, the numbers are referring to allies, they could possibly include forces from Tyre, Judah, Edom, and Moab. The Assyrian king claimed a victory, but his immediate return and subsequent expeditions in 849 BC and 846 BC against a similar but unspecified coalition seem to show that he met with no lasting success.
Jezreel has been identified as Ahab's fortified chariot and cavalry base.
Ahab and the prophets.
In the Biblical text, Ahab has five important encounters with prophets:
Death of Ahab.
After some years, Ahab with Jehoshaphat of Judah went to recover Ramoth-Gilead from the Arameans. During this battle, Ahab disguised himself, but he was mortally wounded by an unaimed arrow. The Hebrew Bible says that dogs licked his blood, according to the prophecy of Elijah. But the Septuagint adds that pigs also licked his blood, symbolically making him unclean to the Israelites, who abstained from pork. Ahab was succeeded by his sons, Ahaziah and Jehoram.
Jezebel's death, however, was more dramatic than Ahab's. As recorded in , Jehu had her servants throw Jezebel out of a window, causing her death. The dogs ate Jezebel's body, leaving nothing but her skull, her feet, and the palms of her hands, as prophesied by Elijah.
Legacy.
1 Kings 16:29 through 22:40 contains the narrative of Ahab's reign. His reign was slightly more emphasised upon than the previous kings, due to his blatant trivialization of the "sins of Jeroboam", which the previous kings of Israel were plagued by, and his subsequent marriage with a pagan princess, the nationwide institution of Baal worship, the persecution of Yahweh's prophets and Naboth's shocking murder. These offenses and atrocities stirred up populist resentment from figures such as Elijah and Micaiah. Indeed, he is referred to by the author of Kings as being "more evil than all the kings before him".
Nonetheless, there were achievements that the author took note of, including his ability to fortify numerous Israelite cities and build an ivory palace. Adherents of the Yahwist religion found their principal champion in Elijah. His denunciation of the royal dynasty of Israel and his emphatic insistence on the worship of Yahweh and Yahweh alone, illustrated by the contest between Yahweh and Baal on Mount Carmel, form the keynote to a period which culminated in the accession of Jehu, an event in which Elijah's chosen disciple Elisha was the leading figure and the Omride Dynasty was brutally defeated.
In Rabbinic literature.
Ahab was one of the three or four wicked kings of Israel singled out by tradition as being excluded from the future world of bliss (Sanh. x. 2; Tosef., Sanh. xii. 11). Midrash Konen places him in the fifth department of Gehenna, as having the heathen under his charge. Though held up as a warning to sinners, Ahab is also described as displaying noble traits of character (Sanh. 102b; Yer. Sanh. xi. 29b). Talmudic literature represents him as an enthusiastic idolater who left no hilltop in the Land of Israel without an idol before which he bowed, and to which he or his wife, Jezebel, brought his weight in gold as a daily offering. So defiant in his apostasy was he that he had inscribed on all the doors of the city of Samaria the words, "Ahab hath abjured the living God of Israel." Nevertheless, he paid great respect to the representatives of learning, "to the Torah given in twenty-two letters," for which reason he was permitted to reign for twenty-two successive years. He generously supported the students of the Law out of his royal treasury, in consequence of which half his sins were forgiven him. A type of worldliness (Ber. 61b), the Crœsus of his time, he was, according to ancient tradition (Meg. 11a), ruler over the whole world. Two hundred and thirty subject kings had initiated a rebellion; but he brought their sons as hostages to Samaria and Jerusalem. All the latter turned from idolaters into worshipers of the God of Israel (Tanna debe Eliyahu, i. 9). Each of his seventy sons had an ivory palace built for him. Since, however, it was Ahab's idolatrous wife who was the chief instigator of his crimes (B. M. 59a), some of the ancient teachers gave him the same position in the world to come as a sinner who had repented (Sanh. 104b, Num. R. xiv). Like Manasseh, he was made a type of repentance (I Kings, xxi. 29). Accordingly, he is described as undergoing fasts and penances for a long time; praying thrice a day to God for forgiveness, until his prayer was heard (PirḲe R. El. xliii). Hence, the name of Ahab in the list of wicked kings was changed to Ahaz (Yer. Sanh. x. 28b; Tanna debe Eliyahu Rabba ix, Zuṭṭa xxiv.).
Pseudo-Epiphanius ("Opera," ii. 245) makes Micah an Ephraimite. Confounding him with Micaiah, son of Imlah, he states that Micah, for his inauspicious prophecy, was killed by order of Ahab through being thrown from a precipice, and was buried at Morathi (Maroth?; Mic. i. 12), near the cemetery of Enakim (Ένακεὶμ Septuagint rendering of ; ib. i. 10). According to "Gelilot Ereẓ Yisrael" (quoted in "Seder ha-Dorot," i. 118, Warsaw, 1889), Micah was buried in Chesil, a town in southern Judah (Josh. xv. 30). Naboth's soul was the lying spirit that was permitted to deceive Ahab to his death.
In popular culture.
Ahab is portrayed by Eduard Franz in the film Sins of Jezebel (1953). He is also the namesake of Captain Ahab in Moby Dick.
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Alfred Nobel
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Alfred Bernhard Nobel ( , ; 21 October 1833 – 10 December 1896) was a Swedish chemist, engineer, inventor, businessman, and philanthropist. He is best known for having bequeathed his fortune to establish the Nobel Prize, though he also made several important contributions to science, holding 355 patents in his lifetime. Nobel's most famous invention was dynamite, a safer and easier means of harnessing the explosive power of nitroglycerin; it was patented in 1867.
Nobel displayed an early aptitude for science and learning, particularly in chemistry and languages; he became fluent in six languages and filed his first patent at age 24. He embarked on many business ventures with his family, most notably owning Bofors, an iron and steel producer that he developed into a major manufacturer of cannons and other armaments.
Nobel was later inspired to donate his fortune to the Nobel Prize institution, which would annually recognize those who "conferred the greatest benefit to humankind". The synthetic element nobelium was named after him, and his name and legacy also survives in companies such as Dynamit Nobel and AkzoNobel, which descend from mergers with companies he founded.
Nobel was elected a member of the Royal Swedish Academy of Sciences, which, pursuant to his will, would be responsible for choosing the Nobel laureates in physics and in chemistry.
Personal life.
Early life and education.
Alfred Nobel was born in Stockholm, United Kingdoms of Sweden and Norway on 21 October 1833. He was the third son of Immanuel Nobel (1801–1872), an inventor and engineer, and Karolina Andriette Nobel (née Ahlsell 1805–1889). The couple married in 1827 and had eight children. The family was impoverished and only Alfred and his three brothers survived beyond childhood. Through his father, Alfred Nobel was a descendant of the Swedish scientist Olaus Rudbeck (1630–1702), and in his turn, the boy was interested in engineering, particularly explosives, learning the basic principles from his father at a young age. Alfred Nobel's interest in technology was inherited from his father, an alumnus of Royal Institute of Technology in Stockholm.Following various business failures, Nobel's father moved to Saint Petersburg, Russia and grew successful there as a manufacturer of machine tools and explosives. He invented the veneer lathe (which made possible the production of modern plywood) and started work on the torpedo. In 1842, the family joined him in the city. Now prosperous, his parents were able to send Nobel to private tutors and the boy excelled in his studies, particularly in chemistry and languages, achieving fluency in English, French, German and Russian. For 18 months, from 1841 to 1842, Nobel went to the only school he ever attended as a child, in Stockholm.
Nobel gained proficiency in Swedish, French, Russian, English, German, and Italian. He also developed sufficient literary skill to write poetry in English. His "Nemesis" is a prose tragedy in four acts about the Italian noblewoman Beatrice Cenci. It was printed while he was dying, but the entire stock was destroyed immediately after his death except for three copies, being regarded as scandalous and blasphemous. It was published in Sweden in 2003 and has been translated into Slovenian, French, Italian, and Spanish.
Religion.
Nobel was Lutheran and regularly attended the Church of Sweden Abroad during his Paris years, led by pastor Nathan Söderblom who received the Nobel Peace Prize in 1930. He became an agnostic in youth and was an atheist later in life, though still donated generously to the Church.
Health and relationships.
Nobel travelled for much of his business life, maintaining companies in Europe and America while keeping a home in Paris from 1873 to 1891. He remained a solitary character, given to periods of depression. He remained unmarried, although his biographers note that he had at least three loves, the first in Russia with a girl named Alexandra who rejected his proposal. In 1876, Austro-Bohemian Countess Bertha Kinsky became his secretary, but she left him after a brief stay to marry her previous lover Baron Arthur Gundaccar von Suttner. Her contact with Nobel was brief, yet she corresponded with him until his death in 1896, and probably influenced his decision to include a peace prize in his will. She was awarded the 1905 Nobel Peace prize "for her sincere peace activities". Nobel's longest-lasting relationship was with Sofija Hess from Celje whom he met in 1876. The liaison lasted for 18 years.
Residences.
In the years of 1865 to 1873, Alfred Nobel had his home in Krümmel, Hamburg, he afterward moved to a house in the Avenue Malakoff in Paris that same year.
In 1894, when he acquired Bofors-Gullspång, the Björkborn Manor was included, he stayed at his manor house in Sweden during the summers. The manor house became his very last residence in Sweden and has after his death functioned as a museum.
Alfred Nobel died on 10 December 1896, in Sanremo, Italy, at his very last residence, Villa Nobel, overlooking the Mediterranean Sea.
Early life and education.
Alfred Nobel was born in Stockholm, United Kingdoms of Sweden and Norway on 21 October 1833. He was the third son of Immanuel Nobel (1801–1872), an inventor and engineer, and Karolina Andriette Nobel (née Ahlsell 1805–1889). The couple married in 1827 and had eight children. The family was impoverished and only Alfred and his three brothers survived beyond childhood. Through his father, Alfred Nobel was a descendant of the Swedish scientist Olaus Rudbeck (1630–1702), and in his turn, the boy was interested in engineering, particularly explosives, learning the basic principles from his father at a young age. Alfred Nobel's interest in technology was inherited from his father, an alumnus of Royal Institute of Technology in Stockholm.Following various business failures, Nobel's father moved to Saint Petersburg, Russia and grew successful there as a manufacturer of machine tools and explosives. He invented the veneer lathe (which made possible the production of modern plywood) and started work on the torpedo. In 1842, the family joined him in the city. Now prosperous, his parents were able to send Nobel to private tutors and the boy excelled in his studies, particularly in chemistry and languages, achieving fluency in English, French, German and Russian. For 18 months, from 1841 to 1842, Nobel went to the only school he ever attended as a child, in Stockholm.
Nobel gained proficiency in Swedish, French, Russian, English, German, and Italian. He also developed sufficient literary skill to write poetry in English. His "Nemesis" is a prose tragedy in four acts about the Italian noblewoman Beatrice Cenci. It was printed while he was dying, but the entire stock was destroyed immediately after his death except for three copies, being regarded as scandalous and blasphemous. It was published in Sweden in 2003 and has been translated into Slovenian, French, Italian, and Spanish.
Religion.
Nobel was Lutheran and regularly attended the Church of Sweden Abroad during his Paris years, led by pastor Nathan Söderblom who received the Nobel Peace Prize in 1930. He became an agnostic in youth and was an atheist later in life, though still donated generously to the Church.
Health and relationships.
Nobel travelled for much of his business life, maintaining companies in Europe and America while keeping a home in Paris from 1873 to 1891. He remained a solitary character, given to periods of depression. He remained unmarried, although his biographers note that he had at least three loves, the first in Russia with a girl named Alexandra who rejected his proposal. In 1876, Austro-Bohemian Countess Bertha Kinsky became his secretary, but she left him after a brief stay to marry her previous lover Baron Arthur Gundaccar von Suttner. Her contact with Nobel was brief, yet she corresponded with him until his death in 1896, and probably influenced his decision to include a peace prize in his will. She was awarded the 1905 Nobel Peace prize "for her sincere peace activities". Nobel's longest-lasting relationship was with Sofija Hess from Celje whom he met in 1876. The liaison lasted for 18 years.
Residences.
In the years of 1865 to 1873, Alfred Nobel had his home in Krümmel, Hamburg, he afterward moved to a house in the Avenue Malakoff in Paris that same year.
In 1894, when he acquired Bofors-Gullspång, the Björkborn Manor was included, he stayed at his manor house in Sweden during the summers. The manor house became his very last residence in Sweden and has after his death functioned as a museum.
Alfred Nobel died on 10 December 1896, in Sanremo, Italy, at his very last residence, Villa Nobel, overlooking the Mediterranean Sea.
Scientific career.
As a young man, Nobel studied with chemist Nikolai Zinin; then, in 1850, went to Paris to further the work. There he met Ascanio Sobrero, who had invented nitroglycerin three years before. Sobrero strongly opposed the use of nitroglycerin because it was unpredictable, exploding when subjected to variable heat or pressure. But Nobel became interested in finding a way to control and use nitroglycerin as a commercially usable explosive; it had much more power than gunpowder. In 1851 at age 18, he went to the United States for one year to study, working for a short period under Swedish-American inventor John Ericsson, who designed the American Civil War ironclad, USS "Monitor". Nobel filed his first patent, an English patent for a gas meter, in 1857, while his first Swedish patent, which he received in 1863, was on "ways to prepare gunpowder".The family factory produced armaments for the Crimean War (1853–1856), but had difficulty switching back to regular domestic production when the fighting ended and they filed for bankruptcy. In 1859, Nobel's father left his factory in the care of the second son, Ludvig Nobel (1831–1888), who greatly improved the business. Nobel and his parents returned to Sweden from Russia and Nobel devoted himself to the study of explosives, and especially to the safe manufacture and use of nitroglycerin. Nobel invented a detonator in 1863, and in 1865 designed the blasting cap.
On 3 September 1864, a shed used for preparation of nitroglycerin exploded at the factory in Heleneborg, Stockholm, Sweden, killing five people, including Nobel's younger brother Emil. Fazed by the accident, Nobel founded the company Nitroglycerin Aktiebolaget AB in Vinterviken so that he could continue to work in a more isolated area. Nobel invented dynamite in 1867, a substance easier and safer to handle than the more unstable nitroglycerin. Dynamite was patented in the US and the UK and was used extensively in mining and the building of transport networks internationally. In 1875, Nobel invented gelignite, more stable and powerful than dynamite, and in 1887, patented ballistite, a predecessor of cordite.
Nobel was elected a member of the Royal Swedish Academy of Sciences in 1884, the same institution that would later select laureates for two of the Nobel prizes, and he received an honorary doctorate from Uppsala University in 1893.
Nobel's brothers Ludvig and Robert founded the oil company Branobel and became hugely rich in their own right. Nobel invested in these and amassed great wealth through the development of these new oil regions. During his life, Nobel was issued 355 patents internationally, and by his death, his business had established more than 90 armaments factories, despite his apparently pacifist character.
Inventions.
Nobel found that when nitroglycerin was incorporated in an absorbent inert substance like "kieselguhr" (diatomaceous earth) it became safer and more convenient to handle, and this mixture he patented in 1867 as "dynamite". Nobel demonstrated his explosive for the first time that year, at a quarry in Redhill, Surrey, England. In order to help reestablish his name and improve the image of his business from the earlier controversies associated with dangerous explosives, Nobel had also considered naming the highly powerful substance "Nobel's Safety Powder", but settled with Dynamite instead, referring to the Greek word for "power" ().
Nobel later combined nitroglycerin with various nitrocellulose compounds, similar to collodion, but settled on a more efficient recipe combining another nitrate explosive, and obtained a transparent, jelly-like substance, which was a more powerful explosive than dynamite. Gelignite, or blasting gelatine, as it was named, was patented in 1876; and was followed by a host of similar combinations, modified by the addition of potassium nitrate and various other substances. Gelignite was more stable, transportable and conveniently formed to fit into bored holes, like those used in drilling and mining, than the previously used compounds. It was adopted as the standard technology for mining in the "Age of Engineering", bringing Nobel a great amount of financial success, though at a cost to his health. An offshoot of this research resulted in Nobel's invention of ballistite, the precursor of many modern smokeless powder explosives and still used as a rocket propellant.
Nobel Prize.
There is a well known story about the origin of the Nobel Prize. In 1888, the death of his brother Ludvig supposedly caused several newspapers to publish obituaries of Alfred in error. One French newspaper condemned him for his invention of military explosives—in many versions of the story, dynamite is quoted, although this was mainly used for civilian applications—and this is said to have brought about his decision to leave a better legacy after his death. The obituary stated, "" ("The merchant of death is dead"), and went on to say, "Dr. Alfred Nobel, who became rich by finding ways to kill more people faster than ever before, died yesterday." Nobel read the obituary and was appalled at the idea that he would be remembered in this way. His decision to posthumously donate the majority of his wealth to found the Nobel Prize has been credited to him wanting to leave behind a better legacy. However, it has been questioned whether or not the obituary in question actually existed.
On 27 November 1895, at the Swedish-Norwegian Club in Paris, Nobel signed his last will and testament and set aside the bulk of his estate to establish the Nobel Prizes, to be awarded annually without distinction of nationality. After taxes and bequests to individuals, Nobel's will allocated 94% of his total assets, 31,225,000 Swedish kronor, to establish the five Nobel Prizes. This converted to £1,687,837 (GBP) at the time. In 2012, the capital was worth around SEK 3.1 billion (US$472 million, EUR 337 million), which is almost twice the amount of the initial capital, taking inflation into account.
The first three of these prizes are awarded for eminence in physical science, in chemistry and in medical science or physiology; the fourth is for literary work "in an ideal direction" and the fifth prize is to be given to the person or society that renders the greatest service to the cause of international fraternity, in the suppression or reduction of standing armies, or in the establishment or furtherance of peace congresses.
The formulation for the literary prize being given for a work "in an ideal direction" (' in Swedish), is cryptic and has caused much confusion. For many years, the Swedish Academy interpreted "ideal" as "idealistic" (') and used it as a reason not to give the prize to important but less romantic authors, such as Henrik Ibsen and Leo Tolstoy. This interpretation has since been revised, and the prize has been awarded to, for example, Dario Fo and José Saramago, who do not belong to the camp of literary idealism.
There was room for interpretation by the bodies he had named for deciding on the physical sciences and chemistry prizes, given that he had not consulted them before making the will. In his one-page testament, he stipulated that the money go to discoveries or inventions in the physical sciences and to discoveries or improvements in chemistry. He had opened the door to technological awards, but had not left instructions on how to deal with the distinction between science and technology. Since the deciding bodies he had chosen were more concerned with the former, the prizes went to scientists more often than engineers, technicians or other inventors.
Sweden's central bank Sveriges Riksbank celebrated its 300th anniversary in 1968 by donating a large sum of money to the Nobel Foundation to be used to set up a sixth prize in the field of economics in honour of Alfred Nobel. In 2001, Alfred Nobel's great-great-nephew, Peter Nobel (born 1931), asked the Bank of Sweden to differentiate its award to economists given "in Alfred Nobel's memory" from the five other awards. This request added to the controversy over whether the Bank of Sweden Prize in Economic Sciences in Memory of Alfred Nobel is actually a legitimate "Nobel Prize".
Death.
Nobel was accused of high treason against France for selling Ballistite to Italy, so he moved from Paris to Sanremo, Italy in 1891. On 10 December 1896, he suffered a stroke and died. He had left most of his wealth in trust, unbeknownst to his family, in order to fund the Nobel Prize awards. He is buried in Norra begravningsplatsen in Stockholm.
Monuments and legacy.
The "Monument to Alfred Nobel" (, ) in Saint Petersburg is located along the Bolshaya Nevka River on Petrogradskaya Embankment. It was dedicated in 1991 to mark the 90th anniversary of the first Nobel Prize presentation. Diplomat Thomas Bertelman and Professor Arkady Melua were initiators of the creation of the monument (1989). Professor A. Melua has provided funds for the establishment of the monument (J.S.Co. "Humanistica", 1990–1991). The abstract metal sculpture was designed by local artists Sergey Alipov and Pavel Shevchenko, and appears to be an explosion or branches of a tree. Petrogradskaya Embankment is the street where Nobel's family lived until 1859.
Criticism of Nobel focuses on his leading role in weapons manufacturing and sales, and some question his motives in creating his prizes, suggesting they are intended to improve his reputation.
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1409
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Angilbert
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Angilbert ( – 18 February 814) was a noble Frankish poet who was educated under Alcuin and served Charlemagne as a secretary, diplomat, and son-in-law. He is venerated as a pre-Congregation saint and is still honored on the day of his death, 18 February.
Life.
Angilbert seems to have been brought up at the court of Charlemagne at the palace school in Aquae Grani (Aachen). He was educated there as the pupil and then friend of the great English scholar Alcuin. When Charlemagne sent his young son Pepin to Italy as King of the Lombards Angilbert went along as "primicerius palatii," a high administrator of the satellite court. As the friend and adviser of Pepin, he assisted for a while in the government of Italy. Angilbert delivered the document on Iconoclasm from the Frankish Synod of Frankfurt to Pope Adrian I, and was later sent on three important embassies to the pope, in 792, 794, and 796. At one time, he served an officer of the maritime provinces. He accompanied Charlemagne to Rome in 800 and was one of the witnesses to his will in 811.
There are various traditions concerning Angilbert's relationship with Bertha, daughter of Charlemagne. One holds that they were married, another that they were not. They had, however, at least two sons and one daughter, one of whom, Nithard, became a notable figure in the mid-9th century, and the daughter Bertha, went on to marry Helgaud II, count of Ponthieu. Control of marriage and the meanings of legitimacy were hotly contested in the Middle Ages. Bertha and Angilbert are an example of how resistance to the idea of a sacramental marriage could coincide with holding church offices. On the other hand, some historians have speculated that Charlemagne opposed formal marriages for his daughters out of concern for political rivalries from their potential husbands; none of Charlemagne's daughters were married, despite political offers of arranged marriages.
In 790, Angilbert retired to the abbey of Centulum, the "Monastery of St Richarius" () at present-day Saint-Riquier in Picardy. Elected abbot in 794, he rebuilt the monastery and endowed it with a library of 200 volumes. It was not uncommon for the Merovingian, Carolingian, or later kings to make laymen abbots of monasteries; the layman would often use the income of the monastery as his own and leave the monks a bare minimum for the necessary expenses of the foundation. Angilbert, in contrast, spent a great deal rebuilding Saint-Riquier; when he completed it, Charlemagne spent Easter of the year 800 there. In keeping with Carolingian policies, Angilbert established a school at Saint-Riquier to educate the local boys.
Poetry.
Angilbert's Latin poems reveal the culture and tastes of a man of the world, enjoying the closest intimacy with the imperial family. Charlemagne and the other men at court were known by affectionate and jesting nicknames. Charlemagne was referred to as "David", a reference to the Biblical king David. Angilbert was nicknamed "Homer" because he wrote poetry, and was the probable author of an epic, of which the fragment which has been preserved describes the life at the palace and the meeting between Charlemagne and Leo III. It is a mosaic from Virgil, Ovid, Lucan and Venantius Fortunatus, composed in the manner of Einhard's use of Suetonius. Of the shorter poems, besides the greeting to Pippin on his return from the campaign against the Avars (796), an epistle to David (i.e., Charlemagne) incidentally reveals a delightful picture of the poet living with his children in a house surrounded by pleasant gardens near the emperor's palace. The reference to Bertha, however, is distant and respectful, her name occurring merely on the list of princesses to whom he sends his salutation.
The poem "De conversione Saxonum" has been attributed to Angilbert.
Angilbert's poems were published by Ernst Dümmler in the "Monumenta Germaniae Historica". For criticisms of this edition, see Ludwig Traube in Max Roediger's "Schriften für germanische Philologie" (1888).
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700
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Arthur Schopenhauer
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Arthur Schopenhauer ( , ; 22 February 1788 – 21 September 1860) was a German philosopher. He is best known for his 1818 work "The World as Will and Representation" (expanded in 1844), which characterizes the phenomenal world as the product of a blind noumenal will. Building on the transcendental idealism of Immanuel Kant (1724–1804), Schopenhauer developed an atheistic metaphysical and ethical system that rejected the contemporaneous ideas of German idealism. He was among the first thinkers in Western philosophy to share and affirm significant tenets of Indian philosophy, such as asceticism, denial of the self, and the notion of the world-as-appearance. His work has been described as an exemplary manifestation of philosophical pessimism.
Though his work failed to garner substantial attention during his lifetime, Schopenhauer had a posthumous impact across various disciplines, including philosophy, literature, and science. His writing on aesthetics, morality, and psychology have influenced many thinkers and artists. Those who have cited his influence include philosophers Emil Cioran, Friedrich Nietzsche and Ludwig Wittgenstein, scientists Erwin Schrödinger and Albert Einstein, psychoanalysts Sigmund Freud and Carl Jung, writers Leo Tolstoy, Herman Melville, Thomas Mann, Hermann Hesse, Machado de Assis, Jorge Luis Borges, Marcel Proust and Samuel Beckett, and composers Richard Wagner, Johannes Brahms, Arnold Schoenberg and Gustav Mahler.
Life.
Early life.
Arthur Schopenhauer was born on 22 February 1788, in Danzig (then part of the Polish–Lithuanian Commonwealth; present-day Gdańsk, Poland) on Heiligegeistgasse (present day Św. Ducha 47), the son of Johanna Schopenhauer (née Trosiener; 1766–1838) and Heinrich Floris Schopenhauer (1747–1805), both descendants of wealthy German-Dutch patrician families. While they came from a Protestant background, neither of them were very religious; both supported the French Revolution, were republicans, cosmopolitans and Anglophiles. When Danzig became part of Prussia in 1793, Heinrich moved to Hamburg—a free city with a republican constitution. His firm continued trading in Danzig where most of their extended families remained. Adele, Arthur's only sibling, was born on 12 July 1797.
In 1797, Arthur was sent to Le Havre to live with the family of his father's business associate, Grégoire de Blésimaire. He seemed to enjoy his two-year stay there, learning to speak French and fostering a life-long friendship with Jean Anthime Grégoire de Blésimaire. As early as 1799, Arthur started playing the flute.
In 1803, he accompanied his parents on a European tour of Holland, Britain, France, Switzerland, Austria and Prussia. Viewed as primarily a pleasure tour, Heinrich used the opportunity to visit some of his business associates abroad.
Heinrich offered Arthur a choice: he could stay at home and start preparations for university, or he could travel with them and continue his merchant education. Arthur chose to travel with them. He deeply regretted his choice later because the merchant training was very tedious. He spent twelve weeks of the tour attending school in Wimbledon, where he was disillusioned by strict and intellectually shallow Anglican religiosity. He continued to sharply criticize Anglican religiosity later in life despite his general Anglophilia. He was also under pressure from his father, who became very critical of his educational results.
In 1805, Heinrich drowned in a canal near their home in Hamburg. Although it was possible that his death was accidental, his wife and son believed that it was suicide. He was prone to anxiety and depression; each becoming more pronounced later in his life. Heinrich had become so fussy, even his wife started to doubt his mental health. "There was, in the father's life, some dark and vague source of fear which later made him hurl himself to his death from the attic of his house in Hamburg."
Arthur showed similar moodiness during his youth and often acknowledged that he inherited it from his father. There were other instances of serious mental health history on his father's side of the family. Despite his hardship, Schopenhauer liked his father and later referred to him in a positive light. Heinrich Schopenhauer left the family with a significant inheritance that was split in three among Johanna and the children. Arthur Schopenhauer was entitled to control of his part when he reached the age of majority. He invested it conservatively in government bonds and earned annual interest that was more than double the salary of a university professor. After quitting his merchant apprenticeship, with some encouragement from his mother, he dedicated himself to studies at the Ernestine Gymnasium, Gotha, in Saxe-Gotha-Altenburg. While there, he also enjoyed social life among the local nobility, spending large amounts of money, which deeply concerned his frugal mother. He left the Gymnasium after writing a satirical poem about one of the schoolmasters. Although Arthur claimed that he left voluntarily, his mother's letter indicates that he may have been expelled.
Arthur spent two years as a merchant in honor of his dead father. During this time, he had doubts about being able to start a new life as a scholar. Most of his prior education was as a practical merchant and he had trouble learning Latin; a prerequisite for an academic career.
His mother moved away, with her daughter Adele, to Weimar—then the centre of German literature—to enjoy social life among writers and artists. Arthur and his mother did not part on good terms. In one letter, she wrote: "You are unbearable and burdensome, and very hard to live with; all your good qualities are overshadowed by your conceit, and made useless to the world simply because you cannot restrain your propensity to pick holes in other people." His mother, Johanna, was generally described as vivacious and sociable. She died 24 years later. Some of Arthur's negative opinions about women may be rooted in his troubled relationship with his mother.
Arthur moved to Hamburg to live with his friend Jean Anthime, who was also studying to become a merchant.
Education.
He moved to Weimar but did not live with his mother, who even tried to discourage him from coming by explaining that they would not get along very well. Their relationship deteriorated even further due to their temperamental differences. He accused his mother of being financially irresponsible, flirtatious and seeking to remarry, which he considered an insult to his father's memory. His mother, while professing her love to him, criticized him sharply for being moody, tactless, and argumentative, and urged him to improve his behavior so that he would not alienate people. Arthur concentrated on his studies, which were now going very well, and he also enjoyed the usual social life such as balls, parties and theater. By that time Johanna's famous salon was well established among local intellectuals and dignitaries, the most celebrated of them being Goethe. Arthur attended her parties, usually when he knew that Goethe would be there—although the famous writer and statesman seemed not even to notice the young and unknown student. It is possible that Goethe kept a distance because Johanna warned him about her son's depressive and combative nature, or because Goethe was then on bad terms with Arthur's language instructor and roommate, Franz Passow. Schopenhauer was also captivated by the beautiful Karoline Jagemann, mistress of Karl August, Grand Duke of Saxe-Weimar-Eisenach, and he wrote to her his only known love poem. Despite his later celebration of asceticism and negative views of sexuality, Schopenhauer occasionally had sexual affairs—usually with women of lower social status, such as servants, actresses, and sometimes even paid prostitutes. In a letter to his friend Anthime he claims that such affairs continued even in his mature age and admits that he had two out-of-wedlock daughters (born in 1819 and 1836), both of whom died in infancy. In their youthful correspondence Arthur and Anthime were somewhat boastful and competitive about their sexual exploits—but Schopenhauer seemed aware that women usually did not find him very charming or physically attractive, and his desires often remained unfulfilled.
He left Weimar to become a student at the University of Göttingen in 1809. There are no written reasons about why Schopenhauer chose that university instead of the then more famous University of Jena, but Göttingen was known as more modern and scientifically oriented, with less attention given to theology. Law or medicine were usual choices for young men of Schopenhauer's status who also needed career and income; he chose medicine due to his scientific interests. Among his notable professors were Bernhard Friedrich Thibaut, Arnold Hermann Ludwig Heeren, Johann Friedrich Blumenbach, Friedrich Stromeyer, Heinrich Adolf Schrader, Johann Tobias Mayer and Konrad Johann Martin Langenbeck. He studied metaphysics, psychology and logic under Gottlob Ernst Schulze, the author of "Aenesidemus", who made a strong impression and advised him to concentrate on Plato and Immanuel Kant. He decided to switch from medicine to philosophy around 1810–11 and he left Göttingen, which did not have a strong philosophy program: besides Schulze, the only other philosophy professor was Friedrich Bouterwek, whom Schopenhauer disliked. He did not regret his medicinal and scientific studies; he claimed that they were necessary for a philosopher, and even in Berlin he attended more lectures in sciences than in philosophy. During his days at Göttingen, he spent considerable time studying, but also continued his flute playing and social life. His friends included Friedrich Gotthilf Osann, Karl Witte, Christian Charles Josias von Bunsen, and William Backhouse Astor Sr.
He arrived at the newly founded University of Berlin for the winter semester of 1811–12. At the same time, his mother had just begun her literary career; she published her first book in 1810, a biography of her friend Karl Ludwig Fernow, which was a critical success. Arthur attended lectures by the prominent post-Kantian philosopher Johann Gottlieb Fichte, but quickly found many points of disagreement with his ; he also found Fichte's lectures tedious and hard to understand. He later mentioned Fichte only in critical, negative terms—seeing his philosophy as a lower-quality version of Kant's and considering it useful only because Fichte's poor arguments unintentionally highlighted some failings of Kantianism. He also attended the lectures of the famous Protestant theologian Friedrich Schleiermacher, whom he also quickly came to dislike. His notes and comments on Schleiermacher's lectures show that Schopenhauer was becoming very critical of religion and moving towards atheism. He learned by self-directed reading; besides Plato, Kant and Fichte he also read the works of Schelling, Fries, Jacobi, Bacon, Locke, and much current scientific literature. He attended philological courses by August Böckh and Friedrich August Wolf and continued his naturalistic interests with courses by Martin Heinrich Klaproth, Paul Erman, Johann Elert Bode, Ernst Gottfried Fischer, Johann Horkel, Friedrich Christian Rosenthal and Hinrich Lichtenstein (Lichtenstein was also a friend whom he met at one of his mother's parties in Weimar).
Early work.
Schopenhauer left Berlin in a rush in 1813, fearing that the city could be attacked and that he could be pressed into military service as Prussia had just joined the war against France. He returned to Weimar but left after less than a month, disgusted by the fact that his mother was now living with her supposed lover, Georg Friedrich Konrad Ludwig Müller von Gerstenbergk (1778–1838), a civil servant twelve years younger than her; he considered the relationship an act of infidelity to his father's memory. He settled for a while in Rudolstadt, hoping that no army would pass through the small town. He spent his time in solitude, hiking in the mountains and the Thuringian forest and writing his dissertation, "On the Fourfold Root of the Principle of Sufficient Reason". He completed his dissertation at about the same time as the French army was defeated at the Battle of Leipzig. He became irritated by the arrival of soldiers in the town and accepted his mother's invitation to visit her in Weimar. She tried to convince him that her relationship with Gerstenbergk was platonic and that she had no intention of remarrying. But Schopenhauer remained suspicious and often came in conflict with Gerstenbergk because he considered him untalented, pretentious, and nationalistic. His mother had just published her second book, "Reminiscences of a Journey in the Years 1803, 1804, and 1805", a description of their family tour of Europe, which quickly became a hit. She found his dissertation incomprehensible and said it was unlikely that anyone would ever buy a copy. In a fit of temper Arthur told her that people would read his work long after the "rubbish" she wrote was totally forgotten. In fact, although they considered her novels of dubious quality, the Brockhaus publishing firm held her in high esteem because they consistently sold well. Hans Brockhaus (1888–1965) later claimed that his predecessors "saw nothing in this manuscript, but wanted to please one of our best-selling authors by publishing her son's work. We published more and more of her son Arthur's work and today nobody remembers Johanna, but her son's works are in steady demand and contribute to Brockhaus' reputation." He kept large portraits of the pair in his office in Leipzig for the edification of his new editors.
Also contrary to his mother's prediction, Schopenhauer's dissertation made an impression on Goethe, to whom he sent it as a gift. Although it is doubtful that Goethe agreed with Schopenhauer's philosophical positions, he was impressed by his intellect and extensive scientific education. Their subsequent meetings and correspondence were a great honor to a young philosopher, who was finally acknowledged by his intellectual hero. They mostly discussed Goethe's newly published (and somewhat lukewarmly received) work on color theory. Schopenhauer soon started writing his own treatise on the subject, "On Vision and Colors", which in many points differed from his teacher's. Although they remained polite towards each other, their growing theoretical disagreements—and especially Schopenhauer's extreme self-confidence and tactless criticisms—soon made Goethe become distant again and after 1816 their correspondence became less frequent. Schopenhauer later admitted that he was greatly hurt by this rejection, but he continued to praise Goethe, and considered his color theory a great introduction to his own.
Another important experience during his stay in Weimar was his acquaintance with Friedrich Majer—a historian of religion, orientalist and disciple of Herder—who introduced him to Eastern philosophy (see also Indology). Schopenhauer was immediately impressed by the "Upanishads" (he called them "the production of the highest human wisdom", and believed that they contained superhuman concepts) and the Buddha, and put them on a par with Plato and Kant. He continued his studies by reading the "Bhagavad Gita", an amateurish German journal "Asiatisches Magazin" and "Asiatick Researches" by the Asiatic Society. Schopenhauer held a profound respect for Indian philosophy; although he loved Hindu texts, he never revered a Buddhist text but regarded Buddhism as the most distinguished religion. His studies on Hindu and Buddhist texts were constrained by the lack of adequate literature, and the latter were mostly restricted to Theravada Buddhism. He also claimed that he formulated most of his ideas independently, and only later realized the similarities with Buddhism.
Schopenhauer read the Latin translation and praised the Upanishads in his main work, "The World as Will and Representation" (1819), as well as in his "Parerga and Paralipomena" (1851), and commented,In the whole world there is no study so beneficial and so elevating as that of the Upanishads. It has been the solace of my life, it will be the solace of my death.
As the relationship with his mother fell to a new low, in May 1814 he left Weimar and moved to Dresden. He continued his philosophical studies, enjoyed the cultural life, socialized with intellectuals and engaged in sexual affairs. His friends in Dresden were Johann Gottlob von Quandt, Friedrich Laun, Karl Christian Friedrich Krause and Ludwig Sigismund Ruhl, a young painter who made a romanticized portrait of him in which he improved some of Schopenhauer's unattractive physical features. His criticisms of local artists occasionally caused public quarrels when he ran into them in public. Schopenhauer's main occupation during his stay in Dresden was his seminal philosophical work, "The World as Will and Representation", which he started writing in 1814 and finished in 1818. He was recommended to the publisher Friedrich Arnold Brockhaus by Baron Ferdinand von Biedenfeld, an acquaintance of his mother. Although Brockhaus accepted his manuscript, Schopenhauer made a poor impression because of his quarrelsome and fussy attitude, as well as very poor sales of the book after it was published in December 1818.
In September 1818, while waiting for his book to be published and conveniently escaping an affair with a maid that caused an unwanted pregnancy, Schopenhauer left Dresden for a year-long vacation in Italy. He visited Venice, Bologna, Florence, Naples and Milan, travelling alone or accompanied by mostly English tourists he met. He spent the winter months in Rome, where he accidentally met his acquaintance Karl Witte and engaged in numerous quarrels with German tourists in the Caffè Greco, among them Johann Friedrich Böhmer, who also mentioned his insulting remarks and unpleasant character. He enjoyed art, architecture, and ancient ruins, attended plays and operas, and continued his philosophical contemplation and love affairs. One of his affairs supposedly became serious, and for a while he contemplated marriage to a rich Italian noblewoman—but, despite his mentioning this several times, no details are known and it may have been Schopenhauer exaggerating. He corresponded regularly with his sister Adele and became close to her as her relationship with Johanna and Gerstenbergk also deteriorated. She informed him about their financial troubles as the banking house of A. L. Muhl in Danzig—in which her mother invested their whole savings and Arthur a third of his—was near bankruptcy. Arthur offered to share his assets, but his mother refused and became further enraged by his insulting comments. The women managed to receive only thirty percent of their savings while Arthur, using his business knowledge, took a suspicious and aggressive stance towards the banker and eventually received his part in full. The affair additionally worsened the relationships among all three members of the Schopenhauer family.
He shortened his stay in Italy because of the trouble with Muhl and returned to Dresden. Disturbed by the financial risk and the lack of responses to his book he decided to take an academic position since it provided him with both income and an opportunity to promote his views. He contacted his friends at universities in Heidelberg, Göttingen and Berlin and found Berlin most attractive. He scheduled his lectures to coincide with those of the famous philosopher G. W. F. Hegel, whom Schopenhauer described as a "clumsy charlatan". He was especially appalled by Hegel's supposedly poor knowledge of natural sciences and tried to engage him in a quarrel about it already at his test lecture in March 1820. Hegel was also facing political suspicions at the time, when many progressive professors were fired, while Schopenhauer carefully mentioned in his application that he had no interest in politics. Despite their differences and the arrogant request to schedule lectures at the same time as his own, Hegel still voted to accept Schopenhauer to the university. Only five students turned up to Schopenhauer's lectures, and he dropped out of academia. A late essay, "On University Philosophy", expressed his resentment towards the work conducted in academies.
Later life.
After his tenure in academia, he continued to travel extensively, visiting Leipzig, Nuremberg, Stuttgart, Schaffhausen, Vevey, Milan and spending eight months in Florence. Before he left for his three-year travel, Schopenhauer had an incident with his Berlin neighbor, 47-year-old seamstress Caroline Louise Marquet. The details of the August 1821 incident are unknown. He claimed that he had just pushed her from his entrance after she had rudely refused to leave, and that she had purposely fallen to the ground so that she could sue him. She claimed that he had attacked her so violently that she had become paralyzed on her right side and unable to work. She immediately sued him, and the process lasted until May 1827, when a court found Schopenhauer guilty and forced him to pay her an annual pension until her death in 1842.
Schopenhauer enjoyed Italy, where he studied art and socialized with Italian and English nobles. It was his last visit to the country. He left for Munich and stayed there for a year, mostly recuperating from various health issues, some of them possibly caused by venereal diseases (the treatment his doctor used suggests syphilis). He contacted publishers, offering to translate Hume into German and Kant into English, but his proposals were declined. Returning to Berlin, he began to study Spanish so he could read some of his favorite authors in their original language. He liked Pedro Calderón de la Barca, Lope de Vega, Miguel de Cervantes, and especially Baltasar Gracián. He also made failed attempts to publish his translations of their works. A few attempts to revive his lectures—again scheduled at the same time as Hegel's—also failed, as did his inquiries about relocating to other universities.
During his Berlin years, Schopenhauer occasionally mentioned his desire to marry and have a family. For a while he was unsuccessfully courting 17-year-old Flora Weiss, who was 22 years younger than himself. His unpublished writings from that time show that he was already very critical of monogamy but still not advocating polygyny—instead musing about a polyamorous relationship that he called "tetragamy". He had an on-and-off relationship with a young dancer, Caroline Richter (she also used the surname Medon after one of her ex-lovers). They met when he was 33 and she was 19 and working at the Berlin Opera. She had already had numerous lovers and a son out of wedlock, and later gave birth to another son, this time to an unnamed foreign diplomat (she soon had another pregnancy but the child was stillborn). As Schopenhauer was preparing to escape from Berlin in 1831, due to a cholera epidemic, he offered to take her with him on the condition that she left her young son behind. She refused and he went alone; in his will he left her a significant sum of money, but insisted that it should not be spent in any way on her second son.
Schopenhauer claimed that, in his last year in Berlin, he had a prophetic dream that urged him to escape from the city. As he arrived in his new home in Frankfurt, he supposedly had another supernatural experience, an apparition of his dead father and his mother, who was still alive. This experience led him to spend some time investigating paranormal phenomena and magic. He was quite critical of the available studies and claimed that they were mostly ignorant or fraudulent, but he did believe that there are authentic cases of such phenomena and tried to explain them through his metaphysics as manifestations of the will.
Upon his arrival in Frankfurt, he experienced a period of depression and declining health. He renewed his correspondence with his mother, and she seemed concerned that he might commit suicide like his father. By now Johanna and Adele were living very modestly. Johanna's writing did not bring her much income, and her popularity was waning. Their correspondence remained reserved, and Arthur seemed undisturbed by her death in 1838. His relationship with his sister grew closer and he corresponded with her until she died in 1849.
In July 1832 Schopenhauer left Frankfurt for Mannheim but returned in July 1833 to remain there for the rest of his life, except for a few short journeys. He lived alone except for a succession of pet poodles named Atman and Butz. In 1836, he published "On the Will in Nature". In 1836, he sent his essay "On the Freedom of the Will" to the contest of the Royal Norwegian Society of Sciences and won the prize for the following year. He sent another essay, "On the Basis of Morality", to the Royal Danish Society for Scientific Studies, but did not win the prize despite being the only contestant. The Society was appalled that several distinguished contemporary philosophers were mentioned in a very offensive manner, and claimed that the essay missed the point of the set topic and that the arguments were inadequate. Schopenhauer, who had been very confident that he would win, was enraged by this rejection. He published both essays as "The Two Basic Problems of Ethics". The first edition, published in 1841, again failed to draw attention to his philosophy. In the preface to the second edition, in 1860, he was still pouring insults on the Royal Danish Society. Two years later, after some negotiations, he managed to convince his publisher, Brockhaus, to print the second, updated edition of "The World as Will and Representation". That book was again mostly ignored and the few reviews were mixed or negative.
Schopenhauer began to attract some followers, mostly outside academia, among practical professionals (several of them were lawyers) who pursued private philosophical studies. He jokingly referred to them as "evangelists" and "apostles". One of the most active early followers was Julius Frauenstädt, who wrote numerous articles promoting Schopenhauer's philosophy. He was also instrumental in finding another publisher after Brockhaus declined to publish "Parerga and Paralipomena", believing that it would be another failure. Though Schopenhauer later stopped corresponding with him, claiming that he did not adhere closely enough to his ideas, Frauenstädt continued to promote Schopenhauer's work. They renewed their communication in 1859 and Schopenhauer named him heir for his literary estate. Frauenstädt also became the editor of the first collected works of Schopenhauer.
In 1848, Schopenhauer witnessed violent upheaval in Frankfurt after General Hans Adolf Erdmann von Auerswald and Prince Felix Lichnowsky were murdered. He became worried for his own safety and property. Even earlier in life he had had such worries and kept a sword and loaded pistols near his bed to defend himself from thieves. He gave a friendly welcome to Austrian soldiers who wanted to shoot revolutionaries from his window and as they were leaving he gave one of the officers his opera glasses to help him monitor rebels. The rebellion passed without any loss to Schopenhauer and he later praised Alfred I, Prince of Windisch-Grätz for restoring order. He even modified his will, leaving a large part of his property to a Prussian fund that helped soldiers who became invalids while fighting rebellion in 1848 or the families of soldiers who died in battle. As Young Hegelians were advocating change and progress, Schopenhauer claimed that misery is natural for humans and that, even if some utopian society were established, people would still fight each other out of boredom, or would starve due to overpopulation.
In 1851, Schopenhauer published "Parerga and Paralipomena", which contains essays that are supplementary to his main work. It was his first successful, widely read book, partly due to the work of his disciples who wrote praising reviews. The essays that proved most popular were the ones that actually did not contain the basic philosophical ideas of his system. Many academic philosophers considered him a great stylist and cultural critic but did not take his philosophy seriously. His early critics liked to point out similarities of his ideas to those Fichte and Schelling, or to claim that there were numerous contradictions in his philosophy. Both criticisms enraged Schopenhauer. He was becoming less interested in intellectual fights, but encouraged his disciples to do so. His private notes and correspondence show that he acknowledged some of the criticisms regarding contradictions, inconsistencies, and vagueness in his philosophy, but claimed that he was not concerned about harmony and agreement in his propositions and that some of his ideas should not be taken literally but instead as metaphors.
Academic philosophers were also starting to notice his work. In 1856, the University of Leipzig sponsored an essay contest about Schopenhauer's philosophy, which was won by Rudolf Seydel's very critical essay. Schopenhauer's friend Jules Lunteschütz made the first of his four portraits of him—which Schopenhauer did not particularly like—which was soon sold to a wealthy landowner, Carl Ferdinand Wiesike, who built a house to display it. Schopenhauer seemed flattered and amused by this, and would claim that it was his first chapel. As his fame increased, copies of paintings and photographs of him were being sold and admirers were visiting the places where he had lived and written his works. People visited Frankfurt's "Englischer Hof" to observe him dining. Admirers gave him gifts and asked for autographs. He complained that he still felt isolated due to his not very social nature and the fact that many of his good friends had already died from old age.
He remained healthy in his own old age, which he attributed to regular walks no matter the weather and always getting enough sleep. He had a great appetite and could read without glasses, but his hearing had been declining since his youth and he developed problems with rheumatism. He remained active and lucid, continued his reading, writing and correspondence until his death. The numerous notes that he made during these years, amongst others on aging, were published posthumously under the title "Senilia". In the spring of 1860 his health began to decline, and he experienced shortness of breath and heart palpitations; in September he suffered inflammation of the lungs and, although he was starting to recover, he remained very weak. The last friend to visit him was Wilhelm Gwinner; according to him, Schopenhauer was concerned that he would not be able to finish his planned additions to "Parerga and Paralipomena" but was at peace with dying. He died of pulmonary-respiratory failure on 21 September 1860 while sitting at home on his couch. He died at the age of 72 and had a funeral conducted by a Lutheran minister.
Early life.
Arthur Schopenhauer was born on 22 February 1788, in Danzig (then part of the Polish–Lithuanian Commonwealth; present-day Gdańsk, Poland) on Heiligegeistgasse (present day Św. Ducha 47), the son of Johanna Schopenhauer (née Trosiener; 1766–1838) and Heinrich Floris Schopenhauer (1747–1805), both descendants of wealthy German-Dutch patrician families. While they came from a Protestant background, neither of them were very religious; both supported the French Revolution, were republicans, cosmopolitans and Anglophiles. When Danzig became part of Prussia in 1793, Heinrich moved to Hamburg—a free city with a republican constitution. His firm continued trading in Danzig where most of their extended families remained. Adele, Arthur's only sibling, was born on 12 July 1797.
In 1797, Arthur was sent to Le Havre to live with the family of his father's business associate, Grégoire de Blésimaire. He seemed to enjoy his two-year stay there, learning to speak French and fostering a life-long friendship with Jean Anthime Grégoire de Blésimaire. As early as 1799, Arthur started playing the flute.
In 1803, he accompanied his parents on a European tour of Holland, Britain, France, Switzerland, Austria and Prussia. Viewed as primarily a pleasure tour, Heinrich used the opportunity to visit some of his business associates abroad.
Heinrich offered Arthur a choice: he could stay at home and start preparations for university, or he could travel with them and continue his merchant education. Arthur chose to travel with them. He deeply regretted his choice later because the merchant training was very tedious. He spent twelve weeks of the tour attending school in Wimbledon, where he was disillusioned by strict and intellectually shallow Anglican religiosity. He continued to sharply criticize Anglican religiosity later in life despite his general Anglophilia. He was also under pressure from his father, who became very critical of his educational results.
In 1805, Heinrich drowned in a canal near their home in Hamburg. Although it was possible that his death was accidental, his wife and son believed that it was suicide. He was prone to anxiety and depression; each becoming more pronounced later in his life. Heinrich had become so fussy, even his wife started to doubt his mental health. "There was, in the father's life, some dark and vague source of fear which later made him hurl himself to his death from the attic of his house in Hamburg."
Arthur showed similar moodiness during his youth and often acknowledged that he inherited it from his father. There were other instances of serious mental health history on his father's side of the family. Despite his hardship, Schopenhauer liked his father and later referred to him in a positive light. Heinrich Schopenhauer left the family with a significant inheritance that was split in three among Johanna and the children. Arthur Schopenhauer was entitled to control of his part when he reached the age of majority. He invested it conservatively in government bonds and earned annual interest that was more than double the salary of a university professor. After quitting his merchant apprenticeship, with some encouragement from his mother, he dedicated himself to studies at the Ernestine Gymnasium, Gotha, in Saxe-Gotha-Altenburg. While there, he also enjoyed social life among the local nobility, spending large amounts of money, which deeply concerned his frugal mother. He left the Gymnasium after writing a satirical poem about one of the schoolmasters. Although Arthur claimed that he left voluntarily, his mother's letter indicates that he may have been expelled.
Arthur spent two years as a merchant in honor of his dead father. During this time, he had doubts about being able to start a new life as a scholar. Most of his prior education was as a practical merchant and he had trouble learning Latin; a prerequisite for an academic career.
His mother moved away, with her daughter Adele, to Weimar—then the centre of German literature—to enjoy social life among writers and artists. Arthur and his mother did not part on good terms. In one letter, she wrote: "You are unbearable and burdensome, and very hard to live with; all your good qualities are overshadowed by your conceit, and made useless to the world simply because you cannot restrain your propensity to pick holes in other people." His mother, Johanna, was generally described as vivacious and sociable. She died 24 years later. Some of Arthur's negative opinions about women may be rooted in his troubled relationship with his mother.
Arthur moved to Hamburg to live with his friend Jean Anthime, who was also studying to become a merchant.
Education.
He moved to Weimar but did not live with his mother, who even tried to discourage him from coming by explaining that they would not get along very well. Their relationship deteriorated even further due to their temperamental differences. He accused his mother of being financially irresponsible, flirtatious and seeking to remarry, which he considered an insult to his father's memory. His mother, while professing her love to him, criticized him sharply for being moody, tactless, and argumentative, and urged him to improve his behavior so that he would not alienate people. Arthur concentrated on his studies, which were now going very well, and he also enjoyed the usual social life such as balls, parties and theater. By that time Johanna's famous salon was well established among local intellectuals and dignitaries, the most celebrated of them being Goethe. Arthur attended her parties, usually when he knew that Goethe would be there—although the famous writer and statesman seemed not even to notice the young and unknown student. It is possible that Goethe kept a distance because Johanna warned him about her son's depressive and combative nature, or because Goethe was then on bad terms with Arthur's language instructor and roommate, Franz Passow. Schopenhauer was also captivated by the beautiful Karoline Jagemann, mistress of Karl August, Grand Duke of Saxe-Weimar-Eisenach, and he wrote to her his only known love poem. Despite his later celebration of asceticism and negative views of sexuality, Schopenhauer occasionally had sexual affairs—usually with women of lower social status, such as servants, actresses, and sometimes even paid prostitutes. In a letter to his friend Anthime he claims that such affairs continued even in his mature age and admits that he had two out-of-wedlock daughters (born in 1819 and 1836), both of whom died in infancy. In their youthful correspondence Arthur and Anthime were somewhat boastful and competitive about their sexual exploits—but Schopenhauer seemed aware that women usually did not find him very charming or physically attractive, and his desires often remained unfulfilled.
He left Weimar to become a student at the University of Göttingen in 1809. There are no written reasons about why Schopenhauer chose that university instead of the then more famous University of Jena, but Göttingen was known as more modern and scientifically oriented, with less attention given to theology. Law or medicine were usual choices for young men of Schopenhauer's status who also needed career and income; he chose medicine due to his scientific interests. Among his notable professors were Bernhard Friedrich Thibaut, Arnold Hermann Ludwig Heeren, Johann Friedrich Blumenbach, Friedrich Stromeyer, Heinrich Adolf Schrader, Johann Tobias Mayer and Konrad Johann Martin Langenbeck. He studied metaphysics, psychology and logic under Gottlob Ernst Schulze, the author of "Aenesidemus", who made a strong impression and advised him to concentrate on Plato and Immanuel Kant. He decided to switch from medicine to philosophy around 1810–11 and he left Göttingen, which did not have a strong philosophy program: besides Schulze, the only other philosophy professor was Friedrich Bouterwek, whom Schopenhauer disliked. He did not regret his medicinal and scientific studies; he claimed that they were necessary for a philosopher, and even in Berlin he attended more lectures in sciences than in philosophy. During his days at Göttingen, he spent considerable time studying, but also continued his flute playing and social life. His friends included Friedrich Gotthilf Osann, Karl Witte, Christian Charles Josias von Bunsen, and William Backhouse Astor Sr.
He arrived at the newly founded University of Berlin for the winter semester of 1811–12. At the same time, his mother had just begun her literary career; she published her first book in 1810, a biography of her friend Karl Ludwig Fernow, which was a critical success. Arthur attended lectures by the prominent post-Kantian philosopher Johann Gottlieb Fichte, but quickly found many points of disagreement with his ; he also found Fichte's lectures tedious and hard to understand. He later mentioned Fichte only in critical, negative terms—seeing his philosophy as a lower-quality version of Kant's and considering it useful only because Fichte's poor arguments unintentionally highlighted some failings of Kantianism. He also attended the lectures of the famous Protestant theologian Friedrich Schleiermacher, whom he also quickly came to dislike. His notes and comments on Schleiermacher's lectures show that Schopenhauer was becoming very critical of religion and moving towards atheism. He learned by self-directed reading; besides Plato, Kant and Fichte he also read the works of Schelling, Fries, Jacobi, Bacon, Locke, and much current scientific literature. He attended philological courses by August Böckh and Friedrich August Wolf and continued his naturalistic interests with courses by Martin Heinrich Klaproth, Paul Erman, Johann Elert Bode, Ernst Gottfried Fischer, Johann Horkel, Friedrich Christian Rosenthal and Hinrich Lichtenstein (Lichtenstein was also a friend whom he met at one of his mother's parties in Weimar).
Early work.
Schopenhauer left Berlin in a rush in 1813, fearing that the city could be attacked and that he could be pressed into military service as Prussia had just joined the war against France. He returned to Weimar but left after less than a month, disgusted by the fact that his mother was now living with her supposed lover, Georg Friedrich Konrad Ludwig Müller von Gerstenbergk (1778–1838), a civil servant twelve years younger than her; he considered the relationship an act of infidelity to his father's memory. He settled for a while in Rudolstadt, hoping that no army would pass through the small town. He spent his time in solitude, hiking in the mountains and the Thuringian forest and writing his dissertation, "On the Fourfold Root of the Principle of Sufficient Reason". He completed his dissertation at about the same time as the French army was defeated at the Battle of Leipzig. He became irritated by the arrival of soldiers in the town and accepted his mother's invitation to visit her in Weimar. She tried to convince him that her relationship with Gerstenbergk was platonic and that she had no intention of remarrying. But Schopenhauer remained suspicious and often came in conflict with Gerstenbergk because he considered him untalented, pretentious, and nationalistic. His mother had just published her second book, "Reminiscences of a Journey in the Years 1803, 1804, and 1805", a description of their family tour of Europe, which quickly became a hit. She found his dissertation incomprehensible and said it was unlikely that anyone would ever buy a copy. In a fit of temper Arthur told her that people would read his work long after the "rubbish" she wrote was totally forgotten. In fact, although they considered her novels of dubious quality, the Brockhaus publishing firm held her in high esteem because they consistently sold well. Hans Brockhaus (1888–1965) later claimed that his predecessors "saw nothing in this manuscript, but wanted to please one of our best-selling authors by publishing her son's work. We published more and more of her son Arthur's work and today nobody remembers Johanna, but her son's works are in steady demand and contribute to Brockhaus' reputation." He kept large portraits of the pair in his office in Leipzig for the edification of his new editors.
Also contrary to his mother's prediction, Schopenhauer's dissertation made an impression on Goethe, to whom he sent it as a gift. Although it is doubtful that Goethe agreed with Schopenhauer's philosophical positions, he was impressed by his intellect and extensive scientific education. Their subsequent meetings and correspondence were a great honor to a young philosopher, who was finally acknowledged by his intellectual hero. They mostly discussed Goethe's newly published (and somewhat lukewarmly received) work on color theory. Schopenhauer soon started writing his own treatise on the subject, "On Vision and Colors", which in many points differed from his teacher's. Although they remained polite towards each other, their growing theoretical disagreements—and especially Schopenhauer's extreme self-confidence and tactless criticisms—soon made Goethe become distant again and after 1816 their correspondence became less frequent. Schopenhauer later admitted that he was greatly hurt by this rejection, but he continued to praise Goethe, and considered his color theory a great introduction to his own.
Another important experience during his stay in Weimar was his acquaintance with Friedrich Majer—a historian of religion, orientalist and disciple of Herder—who introduced him to Eastern philosophy (see also Indology). Schopenhauer was immediately impressed by the "Upanishads" (he called them "the production of the highest human wisdom", and believed that they contained superhuman concepts) and the Buddha, and put them on a par with Plato and Kant. He continued his studies by reading the "Bhagavad Gita", an amateurish German journal "Asiatisches Magazin" and "Asiatick Researches" by the Asiatic Society. Schopenhauer held a profound respect for Indian philosophy; although he loved Hindu texts, he never revered a Buddhist text but regarded Buddhism as the most distinguished religion. His studies on Hindu and Buddhist texts were constrained by the lack of adequate literature, and the latter were mostly restricted to Theravada Buddhism. He also claimed that he formulated most of his ideas independently, and only later realized the similarities with Buddhism.
Schopenhauer read the Latin translation and praised the Upanishads in his main work, "The World as Will and Representation" (1819), as well as in his "Parerga and Paralipomena" (1851), and commented,In the whole world there is no study so beneficial and so elevating as that of the Upanishads. It has been the solace of my life, it will be the solace of my death.
As the relationship with his mother fell to a new low, in May 1814 he left Weimar and moved to Dresden. He continued his philosophical studies, enjoyed the cultural life, socialized with intellectuals and engaged in sexual affairs. His friends in Dresden were Johann Gottlob von Quandt, Friedrich Laun, Karl Christian Friedrich Krause and Ludwig Sigismund Ruhl, a young painter who made a romanticized portrait of him in which he improved some of Schopenhauer's unattractive physical features. His criticisms of local artists occasionally caused public quarrels when he ran into them in public. Schopenhauer's main occupation during his stay in Dresden was his seminal philosophical work, "The World as Will and Representation", which he started writing in 1814 and finished in 1818. He was recommended to the publisher Friedrich Arnold Brockhaus by Baron Ferdinand von Biedenfeld, an acquaintance of his mother. Although Brockhaus accepted his manuscript, Schopenhauer made a poor impression because of his quarrelsome and fussy attitude, as well as very poor sales of the book after it was published in December 1818.
In September 1818, while waiting for his book to be published and conveniently escaping an affair with a maid that caused an unwanted pregnancy, Schopenhauer left Dresden for a year-long vacation in Italy. He visited Venice, Bologna, Florence, Naples and Milan, travelling alone or accompanied by mostly English tourists he met. He spent the winter months in Rome, where he accidentally met his acquaintance Karl Witte and engaged in numerous quarrels with German tourists in the Caffè Greco, among them Johann Friedrich Böhmer, who also mentioned his insulting remarks and unpleasant character. He enjoyed art, architecture, and ancient ruins, attended plays and operas, and continued his philosophical contemplation and love affairs. One of his affairs supposedly became serious, and for a while he contemplated marriage to a rich Italian noblewoman—but, despite his mentioning this several times, no details are known and it may have been Schopenhauer exaggerating. He corresponded regularly with his sister Adele and became close to her as her relationship with Johanna and Gerstenbergk also deteriorated. She informed him about their financial troubles as the banking house of A. L. Muhl in Danzig—in which her mother invested their whole savings and Arthur a third of his—was near bankruptcy. Arthur offered to share his assets, but his mother refused and became further enraged by his insulting comments. The women managed to receive only thirty percent of their savings while Arthur, using his business knowledge, took a suspicious and aggressive stance towards the banker and eventually received his part in full. The affair additionally worsened the relationships among all three members of the Schopenhauer family.
He shortened his stay in Italy because of the trouble with Muhl and returned to Dresden. Disturbed by the financial risk and the lack of responses to his book he decided to take an academic position since it provided him with both income and an opportunity to promote his views. He contacted his friends at universities in Heidelberg, Göttingen and Berlin and found Berlin most attractive. He scheduled his lectures to coincide with those of the famous philosopher G. W. F. Hegel, whom Schopenhauer described as a "clumsy charlatan". He was especially appalled by Hegel's supposedly poor knowledge of natural sciences and tried to engage him in a quarrel about it already at his test lecture in March 1820. Hegel was also facing political suspicions at the time, when many progressive professors were fired, while Schopenhauer carefully mentioned in his application that he had no interest in politics. Despite their differences and the arrogant request to schedule lectures at the same time as his own, Hegel still voted to accept Schopenhauer to the university. Only five students turned up to Schopenhauer's lectures, and he dropped out of academia. A late essay, "On University Philosophy", expressed his resentment towards the work conducted in academies.
Later life.
After his tenure in academia, he continued to travel extensively, visiting Leipzig, Nuremberg, Stuttgart, Schaffhausen, Vevey, Milan and spending eight months in Florence. Before he left for his three-year travel, Schopenhauer had an incident with his Berlin neighbor, 47-year-old seamstress Caroline Louise Marquet. The details of the August 1821 incident are unknown. He claimed that he had just pushed her from his entrance after she had rudely refused to leave, and that she had purposely fallen to the ground so that she could sue him. She claimed that he had attacked her so violently that she had become paralyzed on her right side and unable to work. She immediately sued him, and the process lasted until May 1827, when a court found Schopenhauer guilty and forced him to pay her an annual pension until her death in 1842.
Schopenhauer enjoyed Italy, where he studied art and socialized with Italian and English nobles. It was his last visit to the country. He left for Munich and stayed there for a year, mostly recuperating from various health issues, some of them possibly caused by venereal diseases (the treatment his doctor used suggests syphilis). He contacted publishers, offering to translate Hume into German and Kant into English, but his proposals were declined. Returning to Berlin, he began to study Spanish so he could read some of his favorite authors in their original language. He liked Pedro Calderón de la Barca, Lope de Vega, Miguel de Cervantes, and especially Baltasar Gracián. He also made failed attempts to publish his translations of their works. A few attempts to revive his lectures—again scheduled at the same time as Hegel's—also failed, as did his inquiries about relocating to other universities.
During his Berlin years, Schopenhauer occasionally mentioned his desire to marry and have a family. For a while he was unsuccessfully courting 17-year-old Flora Weiss, who was 22 years younger than himself. His unpublished writings from that time show that he was already very critical of monogamy but still not advocating polygyny—instead musing about a polyamorous relationship that he called "tetragamy". He had an on-and-off relationship with a young dancer, Caroline Richter (she also used the surname Medon after one of her ex-lovers). They met when he was 33 and she was 19 and working at the Berlin Opera. She had already had numerous lovers and a son out of wedlock, and later gave birth to another son, this time to an unnamed foreign diplomat (she soon had another pregnancy but the child was stillborn). As Schopenhauer was preparing to escape from Berlin in 1831, due to a cholera epidemic, he offered to take her with him on the condition that she left her young son behind. She refused and he went alone; in his will he left her a significant sum of money, but insisted that it should not be spent in any way on her second son.
Schopenhauer claimed that, in his last year in Berlin, he had a prophetic dream that urged him to escape from the city. As he arrived in his new home in Frankfurt, he supposedly had another supernatural experience, an apparition of his dead father and his mother, who was still alive. This experience led him to spend some time investigating paranormal phenomena and magic. He was quite critical of the available studies and claimed that they were mostly ignorant or fraudulent, but he did believe that there are authentic cases of such phenomena and tried to explain them through his metaphysics as manifestations of the will.
Upon his arrival in Frankfurt, he experienced a period of depression and declining health. He renewed his correspondence with his mother, and she seemed concerned that he might commit suicide like his father. By now Johanna and Adele were living very modestly. Johanna's writing did not bring her much income, and her popularity was waning. Their correspondence remained reserved, and Arthur seemed undisturbed by her death in 1838. His relationship with his sister grew closer and he corresponded with her until she died in 1849.
In July 1832 Schopenhauer left Frankfurt for Mannheim but returned in July 1833 to remain there for the rest of his life, except for a few short journeys. He lived alone except for a succession of pet poodles named Atman and Butz. In 1836, he published "On the Will in Nature". In 1836, he sent his essay "On the Freedom of the Will" to the contest of the Royal Norwegian Society of Sciences and won the prize for the following year. He sent another essay, "On the Basis of Morality", to the Royal Danish Society for Scientific Studies, but did not win the prize despite being the only contestant. The Society was appalled that several distinguished contemporary philosophers were mentioned in a very offensive manner, and claimed that the essay missed the point of the set topic and that the arguments were inadequate. Schopenhauer, who had been very confident that he would win, was enraged by this rejection. He published both essays as "The Two Basic Problems of Ethics". The first edition, published in 1841, again failed to draw attention to his philosophy. In the preface to the second edition, in 1860, he was still pouring insults on the Royal Danish Society. Two years later, after some negotiations, he managed to convince his publisher, Brockhaus, to print the second, updated edition of "The World as Will and Representation". That book was again mostly ignored and the few reviews were mixed or negative.
Schopenhauer began to attract some followers, mostly outside academia, among practical professionals (several of them were lawyers) who pursued private philosophical studies. He jokingly referred to them as "evangelists" and "apostles". One of the most active early followers was Julius Frauenstädt, who wrote numerous articles promoting Schopenhauer's philosophy. He was also instrumental in finding another publisher after Brockhaus declined to publish "Parerga and Paralipomena", believing that it would be another failure. Though Schopenhauer later stopped corresponding with him, claiming that he did not adhere closely enough to his ideas, Frauenstädt continued to promote Schopenhauer's work. They renewed their communication in 1859 and Schopenhauer named him heir for his literary estate. Frauenstädt also became the editor of the first collected works of Schopenhauer.
In 1848, Schopenhauer witnessed violent upheaval in Frankfurt after General Hans Adolf Erdmann von Auerswald and Prince Felix Lichnowsky were murdered. He became worried for his own safety and property. Even earlier in life he had had such worries and kept a sword and loaded pistols near his bed to defend himself from thieves. He gave a friendly welcome to Austrian soldiers who wanted to shoot revolutionaries from his window and as they were leaving he gave one of the officers his opera glasses to help him monitor rebels. The rebellion passed without any loss to Schopenhauer and he later praised Alfred I, Prince of Windisch-Grätz for restoring order. He even modified his will, leaving a large part of his property to a Prussian fund that helped soldiers who became invalids while fighting rebellion in 1848 or the families of soldiers who died in battle. As Young Hegelians were advocating change and progress, Schopenhauer claimed that misery is natural for humans and that, even if some utopian society were established, people would still fight each other out of boredom, or would starve due to overpopulation.
In 1851, Schopenhauer published "Parerga and Paralipomena", which contains essays that are supplementary to his main work. It was his first successful, widely read book, partly due to the work of his disciples who wrote praising reviews. The essays that proved most popular were the ones that actually did not contain the basic philosophical ideas of his system. Many academic philosophers considered him a great stylist and cultural critic but did not take his philosophy seriously. His early critics liked to point out similarities of his ideas to those Fichte and Schelling, or to claim that there were numerous contradictions in his philosophy. Both criticisms enraged Schopenhauer. He was becoming less interested in intellectual fights, but encouraged his disciples to do so. His private notes and correspondence show that he acknowledged some of the criticisms regarding contradictions, inconsistencies, and vagueness in his philosophy, but claimed that he was not concerned about harmony and agreement in his propositions and that some of his ideas should not be taken literally but instead as metaphors.
Academic philosophers were also starting to notice his work. In 1856, the University of Leipzig sponsored an essay contest about Schopenhauer's philosophy, which was won by Rudolf Seydel's very critical essay. Schopenhauer's friend Jules Lunteschütz made the first of his four portraits of him—which Schopenhauer did not particularly like—which was soon sold to a wealthy landowner, Carl Ferdinand Wiesike, who built a house to display it. Schopenhauer seemed flattered and amused by this, and would claim that it was his first chapel. As his fame increased, copies of paintings and photographs of him were being sold and admirers were visiting the places where he had lived and written his works. People visited Frankfurt's "Englischer Hof" to observe him dining. Admirers gave him gifts and asked for autographs. He complained that he still felt isolated due to his not very social nature and the fact that many of his good friends had already died from old age.
He remained healthy in his own old age, which he attributed to regular walks no matter the weather and always getting enough sleep. He had a great appetite and could read without glasses, but his hearing had been declining since his youth and he developed problems with rheumatism. He remained active and lucid, continued his reading, writing and correspondence until his death. The numerous notes that he made during these years, amongst others on aging, were published posthumously under the title "Senilia". In the spring of 1860 his health began to decline, and he experienced shortness of breath and heart palpitations; in September he suffered inflammation of the lungs and, although he was starting to recover, he remained very weak. The last friend to visit him was Wilhelm Gwinner; according to him, Schopenhauer was concerned that he would not be able to finish his planned additions to "Parerga and Paralipomena" but was at peace with dying. He died of pulmonary-respiratory failure on 21 September 1860 while sitting at home on his couch. He died at the age of 72 and had a funeral conducted by a Lutheran minister.
Philosophy.
The world as representation.
Schopenhauer saw his philosophy as an extension of Kant's, and used the results of Kantian epistemological investigation (transcendental idealism) as starting point for his own. Kant had argued that the empirical world is merely a complex of appearances whose existence and connection occur only in our mental representations. Schopenhauer did not deny that the external world existed empirically but followed Kant in claiming that our knowledge and experience of the world is always indirect. Schopenhauer reiterates this in the first sentence of his main work: "The world is my representation ("Die Welt ist meine Vorstellung")". Everything that there is for cognition (the entire world) exists simply as an object in relation to a subject—a 'representation' to a subject. Everything that belongs to the world is, therefore, 'subject-dependent'. In Book One of "The World as Will and Representation", Schopenhauer considers the world from this angle—that is, insofar as it is representation.
Theory of perception.
In November 1813 Goethe invited Schopenhauer to help him on his Theory of Colours. Although Schopenhauer considered colour theory a minor matter, he accepted the invitation out of admiration for Goethe. Nevertheless, these investigations led him to his most important discovery in epistemology: finding a demonstration for the "a priori" nature of causality.
Kant openly admitted that it was Hume's skeptical assault on causality that motivated the critical investigations in his "Critique of Pure Reason" and gave an elaborate proof to show that causality is "a priori". After G. E. Schulze had made it plausible that Kant had not disproven Hume's skepticism, it was up to those loyal to Kant's project to prove this important matter.
The difference between the approaches of Kant and Schopenhauer was this: Kant simply declared that the empirical content of perception is "given" to us from outside, an expression with which Schopenhauer often expressed his dissatisfaction. He, on the other hand, was occupied with the questions: how do we get this empirical content of perception; how is it possible to comprehend subjective sensations "limited to my skin" as the objective perception of things that lie "outside" of me?
Causality is therefore not an empirical concept drawn from objective perceptions, as Hume had maintained; instead, as Kant had said, objective perception presupposes knowledge of causality.
By this intellectual operation, comprehending every effect in our sensory organs as having an external cause, the external world arises. With vision, finding the cause is essentially simplified due to light acting in straight lines. We are seldom conscious of the process that interprets the double sensation in both eyes as coming from one object, that inverts the impressions on the retinas, and that uses the change in the apparent position of an object relative to more distant objects provided by binocular vision to perceive depth and distance.
Schopenhauer stresses the importance of the intellectual nature of perception; the senses furnish the raw material by which the intellect produces the world as representation. He set out his theory of perception for the first time in "On Vision and Colors", and, in the subsequent editions of "Fourfold Root", an extensive exposition is given in § 21.
The world as will.
In Book Two of "The World as Will and Representation", Schopenhauer considers what the world is beyond the aspect of it that appears to us—that is, the aspect of the world beyond representation, the world considered "in-itself" or "noumena", its inner essence. The very being in-itself of all things, Schopenhauer argues, is will ("Wille"). The empirical world that appears to us as representation has plurality and is ordered in a spatio-temporal framework. The world as thing in-itself must exist outside the subjective forms of space and time. Although the world manifests itself to our experience as a multiplicity of objects (the "objectivation" of the will), each element of this multiplicity has the same blind essence striving towards existence and life. Human rationality is merely a secondary phenomenon that does not distinguish humanity from the rest of nature at the fundamental, essential level. The advanced cognitive abilities of human beings, Schopenhauer argues, serve the ends of willing—an illogical, directionless, ceaseless striving that condemns the human individual to a life of suffering unredeemed by any final purpose. Schopenhauer's philosophy of the will as the essential reality behind the world as representation is often called metaphysical voluntarism.
For Schopenhauer, understanding the world as will leads to ethical concerns (see the ethics section below for further detail), which he explores in the Fourth Book of "The World as Will and Representation" and again in his two prize essays on ethics, "On the Freedom of the Will" and "On the Basis of Morality". No individual human actions are free, Schopenhauer argues, because they are events in the world of appearance and thus are subject to the principle of sufficient reason: a person's actions are a necessary consequence of motives and the given character of the individual human. Necessity extends to the actions of human beings just as it does to every other appearance, and thus we cannot speak of freedom of individual willing. Albert Einstein quoted the Schopenhauerian idea that "a man can "do" as he will, but not "will" as he will." Yet the will as thing in-itself is free, as it exists beyond the realm of representation and thus is not constrained by any of the forms of necessity that are part of the principle of sufficient reason.
According to Schopenhauer, salvation from our miserable existence can come through the will's being "tranquillized" by the metaphysical insight that reveals individuality to be merely an illusion. The saint or 'great soul' intuitively "recognizes the whole, comprehends its essence, and finds that it is constantly passing away, caught up in vain strivings, inner conflict, and perpetual suffering". The negation of the will, in other words, stems from the insight that the world in-itself (free from the forms of space and time) is one. Ascetic practices, Schopenhauer remarks, are used to aid the will's "self-abolition", which brings about a blissful, redemptive "will-less" state of emptiness that is free from striving or suffering.
Art and aesthetics.
For Schopenhauer, human "willing"—desiring, craving, etc.—is at the root of suffering. A temporary way to escape this pain is through aesthetic contemplation. Here one moves away from ordinary cognizance of individual things to cognizance of eternal Platonic "Ideas"—in other words, cognizance that is free from the service of will. In aesthetic contemplation, one no longer perceives an object of perception as something from which one is separated; rather "it is as if the object alone existed without anyone perceiving it, and one can thus no longer separate the perceiver from the perception, but the two have become one, the entirety of consciousness entirely filled and occupied by a single perceptual image". Subject and object are no longer distinguishable, and the "Idea" comes to the fore.
From this aesthetic immersion, one is no longer an individual who suffers as a result of servitude to one's individual will but, rather, becomes a "pure, will-less, painless, timeless, subject of cognition". The pure, will-less subject of cognition is cognizant only of Ideas, not individual things: this is a kind of cognition that is unconcerned with relations between objects according to the Principle of Sufficient Reason (time, space, cause and effect) and instead involves complete absorption in the object.
Art is the practical consequence of this brief aesthetic contemplation, since it attempts to depict the essence/pure Ideas of the world. Music, for Schopenhauer, is the purest form of art because it is the one that depicts the will itself without it appearing as subject to the Principle of Sufficient Reason, therefore as an individual object. According to Daniel Albright, "Schopenhauer thought that music was the only art that did not merely copy ideas, but actually embodied the will itself". He deemed music a timeless, universal language comprehended everywhere, that can imbue global enthusiasm, if in possession of a significant melody.
Mathematics.
Schopenhauer's realist views on mathematics are evident in his criticism of contemporaneous attempts to prove the parallel postulate in Euclidean geometry. Writing shortly before the discovery of hyperbolic geometry demonstrated the logical independence of the axiom—and long before the general theory of relativity revealed that it does not necessarily express a property of physical space—Schopenhauer criticized mathematicians for trying to use indirect concepts to prove what he held was directly evident from intuitive perception.
Throughout his writings, Schopenhauer criticized the logical derivation of philosophies and mathematics from mere concepts, instead of from intuitive perceptions.
Although Schopenhauer could see no justification for trying to prove Euclid's parallel postulate, he did see a reason for examining another of Euclid's axioms.
This follows Kant's reasoning.
Ethics.
Schopenhauer asserts that the task of ethics is not to prescribe moral actions that ought to be done, but to investigate moral actions. As such, he states that philosophy is always theoretical: its task to explain what is given.
According to Kant's transcendental idealism, space and time are forms of our sensibility in which phenomena appear in multiplicity. Reality in itself is free from multiplicity, not in the sense that an object is one, but that it is outside the "possibility" of multiplicity. Two individuals, though they appear distinct, are in-themselves not distinct.
Appearances are entirely subordinated to the principle of sufficient reason. The egoistic individual who focuses his aims on his own interests has to deal with empirical laws as well as he can.
What is relevant for ethics are individuals who can act against their own self-interest. If we take a man who suffers when he sees his fellow men living in poverty and consequently uses a significant part of his income to support "their" needs instead of his "own" pleasures, then the simplest way to describe this is that he makes "less distinction between himself" and others than is usually made.
Regarding how things "appear" to us, the egoist asserts a gap between two individuals, but the altruist experiences the sufferings of others as his own. In the same way a compassionate man cannot hurt animals, though they appear as distinct from himself.
What motivates the altruist is compassion. The suffering of others is for him not a cold matter to which he is indifferent, but he feels connectiveness to all beings. Compassion is thus the basis of morality.
Eternal justice.
Schopenhauer calls the principle through which multiplicity appears the "principium individuationis". When we behold nature we see that it is a cruel battle for existence. Individual manifestations of the will can maintain themselves only at the expense of others—the will, as the only thing that exists, has no other option but to devour itself to experience pleasure. This is a fundamental characteristic of the will, and cannot be circumvented.
Unlike temporal or human justice, which requires time to repay an evil deed and "has its seat in the state, as requiting and punishing", eternal justice "rules not the state but the world, is not dependent upon human institutions, is not subject to chance and deception, is not uncertain, wavering, and erring, but infallible, fixed, and sure". Eternal justice is not retributive, because retribution requires time. There are no delays or reprieves. Instead, punishment is tied to the offence, "to the point where the two become one. ... Tormenter and tormented are one. The [Tormenter] errs in that he believes he is not a partaker in the suffering; the [tormented], in that he believes he is not a partaker in the guilt."
Suffering is the moral outcome of our attachment to pleasure. Schopenhauer deemed that this truth was expressed by the Christian dogma of original sin and, in Eastern religions, by the dogma of rebirth.
Quietism.
He who sees through the "principium individuationis" and comprehends suffering "in general" as his own will see suffering everywhere and, instead of fighting for the happiness of his individual manifestation, will abhor life itself since he knows that it is inseparably connected with suffering. For him, a happy individual life in a world of suffering is like a beggar who dreams one night that he is a king.
Those who have experienced this intuitive knowledge cannot affirm life, but exhibit asceticism and quietism, meaning that they are no longer sensitive to motives, are not concerned about their individual welfare, and accept without resistance the evil that others inflict on them. They welcome poverty and neither seek nor flee death. Schopenhauer referred to asceticism as the denial of the will to live.
Human life is a ceaseless struggle for satisfaction and, instead of continuing their struggle, ascetics break it. It does not matter if these ascetics adhere to the dogmata of Christianity or to Dharmic religions, since their way of living is the result of intuitive knowledge.
Psychology.
Philosophers have not traditionally been impressed by the necessity of sex, but Schopenhauer addressed sex and related concepts forthrightly:
He named a force within man that he felt took invariable precedence over reason: the Will to Live or Will to Life ("Wille zum Leben"), defined as an inherent drive within human beings, and all creatures, to stay alive; a force that inveigles us into reproducing.
Schopenhauer refused to conceive of love as either trifling or accidental, but rather understood it as an immensely powerful force that lay unseen within man's psyche, guaranteeing the quality of the human race:
It has often been argued that Schopenhauer's thoughts on sexuality foreshadowed the theory of evolution, a claim met with satisfaction by Darwin as he included a quotation from Schopenhauer in his "Descent of Man". This has also been noted about Freud's concepts of the libido and the unconscious mind, and evolutionary psychology in general.
Political and social thought.
Politics.
Schopenhauer's politics were an echo of his system of ethics, which he elucidated in detail in his "Die beiden Grundprobleme der Ethik" (the two essays "On the Freedom of the Will" and "On the Basis of Morality").
In occasional political comments in his "Parerga and Paralipomena" and "Manuscript Remains", Schopenhauer described himself as a proponent of limited government. Schopenhauer shared the view of Thomas Hobbes on the necessity of the state and state action to check the innate destructive tendencies of our species. He also defended the independence of the legislative, judicial and executive branches of power, and a monarch as an impartial element able to practise justice (in a practical and everyday sense, not a cosmological one).
He declared that monarchy is "natural to man in almost the same way as it is to bees and ants, to cranes in flight, to wandering elephants, to wolves in a pack in search of prey, and to other animals". Intellect in monarchies, he writes, always has "much better chances against stupidity, its implacable and ever-present foe, than it has in republics; but this is a great advantage." On the other hand, Schopenhauer disparaged republicanism as being "as unnatural to man as it is unfavorable to higher intellectual life and thus to the arts and sciences".
By his own admission, Schopenhauer did not give much thought to politics, and several times he wrote proudly of how little attention he paid "to political affairs of [his] day". In a life that spanned several revolutions in French and German government, and a few continent-shaking wars, he maintained his position of "minding not the times but the eternities". He wrote many disparaging remarks about Germany and the Germans. A typical example is: "For a German it is even good to have somewhat lengthy words in his mouth, for he thinks slowly, and they give him time to reflect."
Punishment.
The State, Schopenhauer claimed, punishes criminals to prevent future crimes. It places "beside every possible motive for committing a wrong a more powerful motive for leaving it undone, in the inescapable punishment. Accordingly, the criminal code is as complete a register as possible of counter-motives to all criminal actions that can possibly be imagined ..." He claimed that this doctrine was not original to him but had appeared in the writings of Plato, Seneca, Hobbes, Pufendorf, and Anselm Feuerbach.
Races and religions.
Schopenhauer attributed civilizational primacy to the northern "white races" due to their sensitivity and creativity (except for the ancient Egyptians and Hindus, whom he saw as equal):
The highest civilization and culture, apart from the ancient Hindus and Egyptians, are found exclusively among the white races; and even with many dark peoples, the ruling caste or race is fairer in colour than the rest and has, therefore, evidently immigrated, for example, the Brahmans, the Incas, and the rulers of the South Sea Islands. All this is due to the fact that necessity is the mother of invention because those tribes that emigrated early to the north, and there gradually became white, had to develop all their intellectual powers and invent and perfect all the arts in their struggle with need, want and misery, which in their many forms were brought about by the climate. This they had to do in order to make up for the parsimony of nature and out of it all came their high civilization.
Schopenhauer was fervently opposed to slavery. Speaking of the treatment of slaves in the slave-holding states of the United States, he condemned "those devils in human form, those bigoted, church-going, strict sabbath-observing scoundrels, especially the Anglican parsons among them" for how they "treat their innocent black brothers who through violence and injustice have fallen into their devil's claws". The slave-holding states of North America, Schopenhauer writes, are a "disgrace to the whole of humanity".
In his "Metaphysics of Sexual Love", Schopenhauer wrote:
Further, the consideration as to the complexion is very decided. Blondes prefer dark persons, or brunettes; but the latter seldom prefer the former. The reason is, that fair hair and blue eyes are in themselves a variation from the type, almost an abnormity, analogous to white mice, or at least to grey horses. In no part of the world, not even in the vicinity of the pole, are they indigenous, except in Europe, and are clearly of Scandinavian origin. I may here express my opinion in passing that the white colour of the skin is not natural to man, but that by nature he has a black or brown skin, like our forefathers the Hindus; that consequently a white man has never originally sprung from the womb of nature, and that thus there is no such thing as a white race, much as this is talked of, but every white man is a faded or bleached one. Forced into the strange world, where he only exists like an exotic plant, and like this requires in winter the hothouse, in the course of thousands of years man became white. The gipsies, an Indian race which immigrated only about four centuries ago, show the transition from the complexion of the Hindu to our own. Therefore in sexual love nature strives to return to dark hair and brown eyes as the primitive type; but the white colour of the skin has become a second nature, though not so that the brown of the Hindu repels us. Finally, each one also seeks in the particular parts of the body the corrective of his own defects and aberrations, and does so the more decidedly the more important the part is.
Schopenhauer also maintained a marked metaphysical and political anti-Judaism. He argued that Christianity constituted a revolt against what he styled the materialistic basis of Judaism, exhibiting an Indian-influenced ethics reflecting the Aryan-Vedic theme of spiritual self-conquest. He saw this as opposed to the ignorant drive toward earthly utopianism and superficiality of a worldly "Jewish" spirit:
[Judaism] is, therefore, the crudest and poorest of all religions and consists merely in an absurd and revolting theism. It amounts to this that the "κύριος" ['Lord'], who has created the world, desires to be worshipped and adored; and so above all he is jealous, is envious of his colleagues, of all the other gods; if sacrifices are made to them he is furious and his Jews have a bad time ... It is most deplorable that this religion has become the basis of the prevailing religion of Europe; for it is a religion without any metaphysical tendency. While all other religions endeavor to explain to the people by symbols the metaphysical significance of life, the religion of the Jews is entirely immanent and furnishes nothing but a mere war-cry in the struggle with other nations.
Women.
In his 1851 essay "On Women", Schopenhauer expressed opposition to what he called "Teutonico-Christian stupidity" of "reflexive, unexamined reverence for the female ("abgeschmackten Weiberveneration")". He wrote: "Women are directly fitted for acting as the nurses and teachers of our early childhood by the fact that they are themselves childish, frivolous and short-sighted." He opined that women are deficient in artistic faculties and sense of justice, and expressed his opposition to monogamy. He claimed that "woman is by nature meant to obey". The essay does give some compliments: "women are decidedly more sober in their judgment than [men] are", and are more sympathetic to the suffering of others.
Schopenhauer's writings influenced many, from Friedrich Nietzsche to nineteenth-century feminists. His biological analysis of the difference between the sexes, and their separate roles in the struggle for survival and reproduction, anticipates some of the claims that were later ventured by sociobiologists and evolutionary psychologists.
When the elderly Schopenhauer sat for a sculpture portrait by the Prussian sculptor Elisabet Ney in 1859, he was much impressed by the young woman's wit and independence, as well as by her skill as a visual artist. After his time with Ney, he told Richard Wagner's friend Malwida von Meysenbug: "I have not yet spoken my last word about women. I believe that if a woman succeeds in withdrawing from the mass, or rather raising herself above the mass, she grows ceaselessly and more than a man."
Pederasty.
In the third, expanded edition of "The World as Will and Representation" (1859), Schopenhauer added an appendix to his chapter on the "Metaphysics of Sexual Love". He wrote that pederasty has the benefit of preventing ill-begotten children. Concerning this, he stated that "the vice we are considering appears to work directly against the aims and ends of nature, and that in a matter that is all important and of the greatest concern to her it must in fact serve these very aims, although only indirectly, as a means for preventing greater evils".
Schopenhauer ends the appendix with the statement that "by expounding these paradoxical ideas, I wanted to grant to the professors of philosophy a small favour. I have done so by giving them the opportunity of slandering me by saying that I defend and commend pederasty."
Heredity and eugenics.
Schopenhauer viewed personality and intellect as inherited. He quotes Horace's saying, "From the brave and good are the brave descended" ("Odes", iv, 4, 29) and Shakespeare's line from "Cymbeline", "Cowards father cowards, and base things sire base" (IV, 2) to reinforce his hereditarian argument.
Mechanistically, Schopenhauer believed that a person inherits his intellect through his mother, and personal character through the father. This belief in heritability of traits informed Schopenhauer's view of love—placing it at the highest level of importance. For Schopenhauer the "final aim of all love intrigues, be they comic or tragic, is really of more importance than all other ends in human life. What it all turns upon is nothing less than the composition of the next generation. ... It is not the weal or woe of any one individual, but that of the human race to come, which is here at stake." This view of the importance for the species of whom we choose to love was reflected in his views on eugenics or good breeding. Here Schopenhauer wrote:
With our knowledge of the complete unalterability both of character and of mental faculties, we are led to the view that a real and thorough improvement of the human race might be reached not so much from outside as from within, not so much by theory and instruction as rather by the path of generation. Plato had something of the kind in mind when, in the fifth book of his "Republic", he explained his plan for increasing and improving his warrior caste. If we could castrate all scoundrels and stick all stupid geese in a convent, and give men of noble character a whole harem, and procure men, and indeed thorough men, for all girls of intellect and understanding, then a generation would soon arise which would produce a better age than that of Pericles.
In another context, Schopenhauer reiterated his eugenic thesis: "If you want Utopian plans, I would say: the only solution to the problem is the despotism of the wise and noble members of a genuine aristocracy, a genuine nobility, achieved by mating the most magnanimous men with the cleverest and most gifted women. This proposal constitutes my Utopia and my Platonic Republic." Analysts (e.g., Keith Ansell-Pearson) have suggested that Schopenhauer's anti-egalitarianist sentiment and his support for eugenics influenced the neo-aristocratic philosophy of Friedrich Nietzsche, who initially considered Schopenhauer his mentor.
Animal welfare.
As a consequence of his monistic philosophy, Schopenhauer was very concerned about animal welfare. For him, all individual animals, including humans, are essentially phenomenal manifestations of the one underlying Will. For him the word "will" designates force, power, impulse, energy, and desire; it is the closest word we have that can signify both the essence of all external things and our own direct, inner experience. Since every living thing possesses will, humans and animals are fundamentally the same and can recognize themselves in each other. For this reason, he claimed that a good person would have sympathy for animals, who are our fellow sufferers.
In 1841, he praised the establishment in London of the Society for the Prevention of Cruelty to Animals, and in Philadelphia of the Animals' Friends Society. Schopenhauer went so far as to protest using the pronoun "it" in reference to animals because that led to treatment of them as though they were inanimate things. To reinforce his points, Schopenhauer referred to anecdotal reports of the look in the eyes of a monkey who had been shot and also the grief of a baby elephant whose mother had been killed by a hunter.
Schopenhauer was very attached to his succession of pet poodles. He criticized Spinoza's belief that animals are a mere means for the satisfaction of humans.
Intellectual interests and affinities.
Indology.
Schopenhauer read the Latin translation of the ancient Hindu texts, the "Upanishads", translated by French writer Anquetil du Perron from the Persian translation of Prince Dara Shukoh entitled "Sirre-Akbar" ("The Great Secret"). He was so impressed by its philosophy that he called it "the production of the highest human wisdom", and believed it contained superhuman concepts. Schopenhauer considered India as "the land of the most ancient and most pristine wisdom, the place from which Europeans could trace their descent and the tradition by which they had been influenced in so many decisive ways", and regarded the "Upanishads" as "the most profitable and elevating reading which [...] is possible in the world. It has been the solace of my life, and will be the solace of my death."
Schopenhauer was first introduced to Anquetil du Perron's translation by Friedrich Majer in 1814. They met during the winter of 1813–1814 in Weimar at the home of Schopenhauer's mother, according to the biographer Safranski. Majer was a follower of Herder, and an early Indologist. Schopenhauer did not begin serious study of the Indic texts until the summer of 1814. Safranski maintains that, between 1815 and 1817, Schopenhauer had another important cross-pollination with Indian thought in Dresden. This was through his neighbor of two years, Karl Christian Friedrich Krause. Krause was then a minor and rather unorthodox philosopher who attempted to mix his own ideas with ancient Indian wisdom. Krause had also mastered Sanskrit, unlike Schopenhauer, and they developed a professional relationship. It was from Krause that Schopenhauer learned meditation and received the closest thing to expert advice concerning Indian thought.
The book "Oupnekhat" (Upanishad) always lay open on his table, and he invariably studied it before going to bed. He called the opening up of Sanskrit literature "the greatest gift of our century", and predicted that the philosophy and knowledge of the Upanishads would become the cherished faith of the West. Most noticeable, in the case of Schopenhauer's work, was the significance of the "Chandogya Upanishad", whose Mahāvākya, Tat Tvam Asi, is mentioned throughout "The World as Will and Representation".
Buddhism.
Schopenhauer noted a correspondence between his doctrines and the Four Noble Truths of Buddhism. Similarities centered on the principles that life involves suffering, that suffering is caused by desire (taṇhā), and that the extinction of desire leads to liberation. Thus three of the four "truths of the Buddha" correspond to Schopenhauer's doctrine of the will. In Buddhism, while greed and lust are always unskillful, desire is ethically variable – it can be skillful, unskillful, or neutral.
For Schopenhauer, will had ontological primacy over the intellect; desire is prior to thought. Schopenhauer felt this was similar to notions of puruṣārtha or goals of life in Vedānta Hinduism.
In Schopenhauer's philosophy, denial of the will is attained by:
Buddhist nirvāṇa is not equivalent to the condition that Schopenhauer described as denial of the will. Nirvāṇa is not the extinguishing of the "person" as some Western scholars have thought, but only the "extinguishing" (the literal meaning of nirvana) of the flames of greed, hatred, and delusion that assail a person's character. Schopenhauer made the following statement in his discussion of religions:
If I wished to take the results of my philosophy as the standard of truth, I should have to concede to Buddhism pre-eminence over the others. In any case, it must be a pleasure to me to see my doctrine in such close agreement with a religion that the majority of men on earth hold as their own, for this numbers far more followers than any other. And this agreement must be yet the more pleasing to me, inasmuch as "in my philosophizing I have certainly not been under its influence" [emphasis added]. For up till 1818, when my work appeared, there was to be found in Europe only a very few accounts of Buddhism.
Buddhist philosopher Keiji Nishitani sought to distance Buddhism from Schopenhauer. While Schopenhauer's philosophy may sound rather mystical in such a summary, his methodology was resolutely empirical, rather than speculative or transcendental:
Philosophy ... is a science, and as such has no articles of faith; accordingly, in it nothing can be assumed as existing except what is either positively given empirically, or demonstrated through indubitable conclusions.
Also note:
This actual world of what is knowable, in which we are and which is in us, remains both the material and the limit of our consideration.
The argument that Buddhism affected Schopenhauer's philosophy more than any other Dharmic faith loses credence since he did not begin a serious study of Buddhism until after the publication of "The World as Will and Representation" in 1818. Scholars have started to revise earlier views about Schopenhauer's discovery of Buddhism. Proof of early interest and influence appears in Schopenhauer's 1815–16 notes (transcribed and translated by Urs App) about Buddhism. They are included in a recent case study that traces Schopenhauer's interest in Buddhism and documents its influence. Other scholarly work questions how similar Schopenhauer's philosophy actually is to Buddhism.
Magic and occultism.
Some traditions in Western esotericism and parapsychology interested Schopenhauer and influenced his philosophical theories. He praised animal magnetism as evidence for the reality of magic in his "On the Will in Nature", and went so far as to accept the division of magic into left-hand and right-hand magic, although he doubted the existence of demons.
Schopenhauer grounded magic in the Will and claimed all forms of magical transformation depended on the human Will, not on ritual. This theory notably parallels Aleister Crowley's system of magic and its emphasis on human will. Given the importance of the Will to Schopenhauer's overarching system, this amounts to "suggesting his whole philosophical system had magical powers." Schopenhauer rejected the theory of disenchantment and claimed philosophy should synthesize itself with magic, which he believed amount to "practical metaphysics."
Neoplatonism, including the traditions of Plotinus and to a lesser extent Marsilio Ficino, has also been cited as an influence on Schopenhauer.
The world as representation.
Schopenhauer saw his philosophy as an extension of Kant's, and used the results of Kantian epistemological investigation (transcendental idealism) as starting point for his own. Kant had argued that the empirical world is merely a complex of appearances whose existence and connection occur only in our mental representations. Schopenhauer did not deny that the external world existed empirically but followed Kant in claiming that our knowledge and experience of the world is always indirect. Schopenhauer reiterates this in the first sentence of his main work: "The world is my representation ("Die Welt ist meine Vorstellung")". Everything that there is for cognition (the entire world) exists simply as an object in relation to a subject—a 'representation' to a subject. Everything that belongs to the world is, therefore, 'subject-dependent'. In Book One of "The World as Will and Representation", Schopenhauer considers the world from this angle—that is, insofar as it is representation.
Theory of perception.
In November 1813 Goethe invited Schopenhauer to help him on his Theory of Colours. Although Schopenhauer considered colour theory a minor matter, he accepted the invitation out of admiration for Goethe. Nevertheless, these investigations led him to his most important discovery in epistemology: finding a demonstration for the "a priori" nature of causality.
Kant openly admitted that it was Hume's skeptical assault on causality that motivated the critical investigations in his "Critique of Pure Reason" and gave an elaborate proof to show that causality is "a priori". After G. E. Schulze had made it plausible that Kant had not disproven Hume's skepticism, it was up to those loyal to Kant's project to prove this important matter.
The difference between the approaches of Kant and Schopenhauer was this: Kant simply declared that the empirical content of perception is "given" to us from outside, an expression with which Schopenhauer often expressed his dissatisfaction. He, on the other hand, was occupied with the questions: how do we get this empirical content of perception; how is it possible to comprehend subjective sensations "limited to my skin" as the objective perception of things that lie "outside" of me?
Causality is therefore not an empirical concept drawn from objective perceptions, as Hume had maintained; instead, as Kant had said, objective perception presupposes knowledge of causality.
By this intellectual operation, comprehending every effect in our sensory organs as having an external cause, the external world arises. With vision, finding the cause is essentially simplified due to light acting in straight lines. We are seldom conscious of the process that interprets the double sensation in both eyes as coming from one object, that inverts the impressions on the retinas, and that uses the change in the apparent position of an object relative to more distant objects provided by binocular vision to perceive depth and distance.
Schopenhauer stresses the importance of the intellectual nature of perception; the senses furnish the raw material by which the intellect produces the world as representation. He set out his theory of perception for the first time in "On Vision and Colors", and, in the subsequent editions of "Fourfold Root", an extensive exposition is given in § 21.
The world as will.
In Book Two of "The World as Will and Representation", Schopenhauer considers what the world is beyond the aspect of it that appears to us—that is, the aspect of the world beyond representation, the world considered "in-itself" or "noumena", its inner essence. The very being in-itself of all things, Schopenhauer argues, is will ("Wille"). The empirical world that appears to us as representation has plurality and is ordered in a spatio-temporal framework. The world as thing in-itself must exist outside the subjective forms of space and time. Although the world manifests itself to our experience as a multiplicity of objects (the "objectivation" of the will), each element of this multiplicity has the same blind essence striving towards existence and life. Human rationality is merely a secondary phenomenon that does not distinguish humanity from the rest of nature at the fundamental, essential level. The advanced cognitive abilities of human beings, Schopenhauer argues, serve the ends of willing—an illogical, directionless, ceaseless striving that condemns the human individual to a life of suffering unredeemed by any final purpose. Schopenhauer's philosophy of the will as the essential reality behind the world as representation is often called metaphysical voluntarism.
For Schopenhauer, understanding the world as will leads to ethical concerns (see the ethics section below for further detail), which he explores in the Fourth Book of "The World as Will and Representation" and again in his two prize essays on ethics, "On the Freedom of the Will" and "On the Basis of Morality". No individual human actions are free, Schopenhauer argues, because they are events in the world of appearance and thus are subject to the principle of sufficient reason: a person's actions are a necessary consequence of motives and the given character of the individual human. Necessity extends to the actions of human beings just as it does to every other appearance, and thus we cannot speak of freedom of individual willing. Albert Einstein quoted the Schopenhauerian idea that "a man can "do" as he will, but not "will" as he will." Yet the will as thing in-itself is free, as it exists beyond the realm of representation and thus is not constrained by any of the forms of necessity that are part of the principle of sufficient reason.
According to Schopenhauer, salvation from our miserable existence can come through the will's being "tranquillized" by the metaphysical insight that reveals individuality to be merely an illusion. The saint or 'great soul' intuitively "recognizes the whole, comprehends its essence, and finds that it is constantly passing away, caught up in vain strivings, inner conflict, and perpetual suffering". The negation of the will, in other words, stems from the insight that the world in-itself (free from the forms of space and time) is one. Ascetic practices, Schopenhauer remarks, are used to aid the will's "self-abolition", which brings about a blissful, redemptive "will-less" state of emptiness that is free from striving or suffering.
Art and aesthetics.
For Schopenhauer, human "willing"—desiring, craving, etc.—is at the root of suffering. A temporary way to escape this pain is through aesthetic contemplation. Here one moves away from ordinary cognizance of individual things to cognizance of eternal Platonic "Ideas"—in other words, cognizance that is free from the service of will. In aesthetic contemplation, one no longer perceives an object of perception as something from which one is separated; rather "it is as if the object alone existed without anyone perceiving it, and one can thus no longer separate the perceiver from the perception, but the two have become one, the entirety of consciousness entirely filled and occupied by a single perceptual image". Subject and object are no longer distinguishable, and the "Idea" comes to the fore.
From this aesthetic immersion, one is no longer an individual who suffers as a result of servitude to one's individual will but, rather, becomes a "pure, will-less, painless, timeless, subject of cognition". The pure, will-less subject of cognition is cognizant only of Ideas, not individual things: this is a kind of cognition that is unconcerned with relations between objects according to the Principle of Sufficient Reason (time, space, cause and effect) and instead involves complete absorption in the object.
Art is the practical consequence of this brief aesthetic contemplation, since it attempts to depict the essence/pure Ideas of the world. Music, for Schopenhauer, is the purest form of art because it is the one that depicts the will itself without it appearing as subject to the Principle of Sufficient Reason, therefore as an individual object. According to Daniel Albright, "Schopenhauer thought that music was the only art that did not merely copy ideas, but actually embodied the will itself". He deemed music a timeless, universal language comprehended everywhere, that can imbue global enthusiasm, if in possession of a significant melody.
Mathematics.
Schopenhauer's realist views on mathematics are evident in his criticism of contemporaneous attempts to prove the parallel postulate in Euclidean geometry. Writing shortly before the discovery of hyperbolic geometry demonstrated the logical independence of the axiom—and long before the general theory of relativity revealed that it does not necessarily express a property of physical space—Schopenhauer criticized mathematicians for trying to use indirect concepts to prove what he held was directly evident from intuitive perception.
Throughout his writings, Schopenhauer criticized the logical derivation of philosophies and mathematics from mere concepts, instead of from intuitive perceptions.
Although Schopenhauer could see no justification for trying to prove Euclid's parallel postulate, he did see a reason for examining another of Euclid's axioms.
This follows Kant's reasoning.
Ethics.
Schopenhauer asserts that the task of ethics is not to prescribe moral actions that ought to be done, but to investigate moral actions. As such, he states that philosophy is always theoretical: its task to explain what is given.
According to Kant's transcendental idealism, space and time are forms of our sensibility in which phenomena appear in multiplicity. Reality in itself is free from multiplicity, not in the sense that an object is one, but that it is outside the "possibility" of multiplicity. Two individuals, though they appear distinct, are in-themselves not distinct.
Appearances are entirely subordinated to the principle of sufficient reason. The egoistic individual who focuses his aims on his own interests has to deal with empirical laws as well as he can.
What is relevant for ethics are individuals who can act against their own self-interest. If we take a man who suffers when he sees his fellow men living in poverty and consequently uses a significant part of his income to support "their" needs instead of his "own" pleasures, then the simplest way to describe this is that he makes "less distinction between himself" and others than is usually made.
Regarding how things "appear" to us, the egoist asserts a gap between two individuals, but the altruist experiences the sufferings of others as his own. In the same way a compassionate man cannot hurt animals, though they appear as distinct from himself.
What motivates the altruist is compassion. The suffering of others is for him not a cold matter to which he is indifferent, but he feels connectiveness to all beings. Compassion is thus the basis of morality.
Eternal justice.
Schopenhauer calls the principle through which multiplicity appears the "principium individuationis". When we behold nature we see that it is a cruel battle for existence. Individual manifestations of the will can maintain themselves only at the expense of others—the will, as the only thing that exists, has no other option but to devour itself to experience pleasure. This is a fundamental characteristic of the will, and cannot be circumvented.
Unlike temporal or human justice, which requires time to repay an evil deed and "has its seat in the state, as requiting and punishing", eternal justice "rules not the state but the world, is not dependent upon human institutions, is not subject to chance and deception, is not uncertain, wavering, and erring, but infallible, fixed, and sure". Eternal justice is not retributive, because retribution requires time. There are no delays or reprieves. Instead, punishment is tied to the offence, "to the point where the two become one. ... Tormenter and tormented are one. The [Tormenter] errs in that he believes he is not a partaker in the suffering; the [tormented], in that he believes he is not a partaker in the guilt."
Suffering is the moral outcome of our attachment to pleasure. Schopenhauer deemed that this truth was expressed by the Christian dogma of original sin and, in Eastern religions, by the dogma of rebirth.
Quietism.
He who sees through the "principium individuationis" and comprehends suffering "in general" as his own will see suffering everywhere and, instead of fighting for the happiness of his individual manifestation, will abhor life itself since he knows that it is inseparably connected with suffering. For him, a happy individual life in a world of suffering is like a beggar who dreams one night that he is a king.
Those who have experienced this intuitive knowledge cannot affirm life, but exhibit asceticism and quietism, meaning that they are no longer sensitive to motives, are not concerned about their individual welfare, and accept without resistance the evil that others inflict on them. They welcome poverty and neither seek nor flee death. Schopenhauer referred to asceticism as the denial of the will to live.
Human life is a ceaseless struggle for satisfaction and, instead of continuing their struggle, ascetics break it. It does not matter if these ascetics adhere to the dogmata of Christianity or to Dharmic religions, since their way of living is the result of intuitive knowledge.
Eternal justice.
Schopenhauer calls the principle through which multiplicity appears the "principium individuationis". When we behold nature we see that it is a cruel battle for existence. Individual manifestations of the will can maintain themselves only at the expense of others—the will, as the only thing that exists, has no other option but to devour itself to experience pleasure. This is a fundamental characteristic of the will, and cannot be circumvented.
Unlike temporal or human justice, which requires time to repay an evil deed and "has its seat in the state, as requiting and punishing", eternal justice "rules not the state but the world, is not dependent upon human institutions, is not subject to chance and deception, is not uncertain, wavering, and erring, but infallible, fixed, and sure". Eternal justice is not retributive, because retribution requires time. There are no delays or reprieves. Instead, punishment is tied to the offence, "to the point where the two become one. ... Tormenter and tormented are one. The [Tormenter] errs in that he believes he is not a partaker in the suffering; the [tormented], in that he believes he is not a partaker in the guilt."
Suffering is the moral outcome of our attachment to pleasure. Schopenhauer deemed that this truth was expressed by the Christian dogma of original sin and, in Eastern religions, by the dogma of rebirth.
Quietism.
He who sees through the "principium individuationis" and comprehends suffering "in general" as his own will see suffering everywhere and, instead of fighting for the happiness of his individual manifestation, will abhor life itself since he knows that it is inseparably connected with suffering. For him, a happy individual life in a world of suffering is like a beggar who dreams one night that he is a king.
Those who have experienced this intuitive knowledge cannot affirm life, but exhibit asceticism and quietism, meaning that they are no longer sensitive to motives, are not concerned about their individual welfare, and accept without resistance the evil that others inflict on them. They welcome poverty and neither seek nor flee death. Schopenhauer referred to asceticism as the denial of the will to live.
Human life is a ceaseless struggle for satisfaction and, instead of continuing their struggle, ascetics break it. It does not matter if these ascetics adhere to the dogmata of Christianity or to Dharmic religions, since their way of living is the result of intuitive knowledge.
Psychology.
Philosophers have not traditionally been impressed by the necessity of sex, but Schopenhauer addressed sex and related concepts forthrightly:
He named a force within man that he felt took invariable precedence over reason: the Will to Live or Will to Life ("Wille zum Leben"), defined as an inherent drive within human beings, and all creatures, to stay alive; a force that inveigles us into reproducing.
Schopenhauer refused to conceive of love as either trifling or accidental, but rather understood it as an immensely powerful force that lay unseen within man's psyche, guaranteeing the quality of the human race:
It has often been argued that Schopenhauer's thoughts on sexuality foreshadowed the theory of evolution, a claim met with satisfaction by Darwin as he included a quotation from Schopenhauer in his "Descent of Man". This has also been noted about Freud's concepts of the libido and the unconscious mind, and evolutionary psychology in general.
Political and social thought.
Politics.
Schopenhauer's politics were an echo of his system of ethics, which he elucidated in detail in his "Die beiden Grundprobleme der Ethik" (the two essays "On the Freedom of the Will" and "On the Basis of Morality").
In occasional political comments in his "Parerga and Paralipomena" and "Manuscript Remains", Schopenhauer described himself as a proponent of limited government. Schopenhauer shared the view of Thomas Hobbes on the necessity of the state and state action to check the innate destructive tendencies of our species. He also defended the independence of the legislative, judicial and executive branches of power, and a monarch as an impartial element able to practise justice (in a practical and everyday sense, not a cosmological one).
He declared that monarchy is "natural to man in almost the same way as it is to bees and ants, to cranes in flight, to wandering elephants, to wolves in a pack in search of prey, and to other animals". Intellect in monarchies, he writes, always has "much better chances against stupidity, its implacable and ever-present foe, than it has in republics; but this is a great advantage." On the other hand, Schopenhauer disparaged republicanism as being "as unnatural to man as it is unfavorable to higher intellectual life and thus to the arts and sciences".
By his own admission, Schopenhauer did not give much thought to politics, and several times he wrote proudly of how little attention he paid "to political affairs of [his] day". In a life that spanned several revolutions in French and German government, and a few continent-shaking wars, he maintained his position of "minding not the times but the eternities". He wrote many disparaging remarks about Germany and the Germans. A typical example is: "For a German it is even good to have somewhat lengthy words in his mouth, for he thinks slowly, and they give him time to reflect."
Punishment.
The State, Schopenhauer claimed, punishes criminals to prevent future crimes. It places "beside every possible motive for committing a wrong a more powerful motive for leaving it undone, in the inescapable punishment. Accordingly, the criminal code is as complete a register as possible of counter-motives to all criminal actions that can possibly be imagined ..." He claimed that this doctrine was not original to him but had appeared in the writings of Plato, Seneca, Hobbes, Pufendorf, and Anselm Feuerbach.
Races and religions.
Schopenhauer attributed civilizational primacy to the northern "white races" due to their sensitivity and creativity (except for the ancient Egyptians and Hindus, whom he saw as equal):
The highest civilization and culture, apart from the ancient Hindus and Egyptians, are found exclusively among the white races; and even with many dark peoples, the ruling caste or race is fairer in colour than the rest and has, therefore, evidently immigrated, for example, the Brahmans, the Incas, and the rulers of the South Sea Islands. All this is due to the fact that necessity is the mother of invention because those tribes that emigrated early to the north, and there gradually became white, had to develop all their intellectual powers and invent and perfect all the arts in their struggle with need, want and misery, which in their many forms were brought about by the climate. This they had to do in order to make up for the parsimony of nature and out of it all came their high civilization.
Schopenhauer was fervently opposed to slavery. Speaking of the treatment of slaves in the slave-holding states of the United States, he condemned "those devils in human form, those bigoted, church-going, strict sabbath-observing scoundrels, especially the Anglican parsons among them" for how they "treat their innocent black brothers who through violence and injustice have fallen into their devil's claws". The slave-holding states of North America, Schopenhauer writes, are a "disgrace to the whole of humanity".
In his "Metaphysics of Sexual Love", Schopenhauer wrote:
Further, the consideration as to the complexion is very decided. Blondes prefer dark persons, or brunettes; but the latter seldom prefer the former. The reason is, that fair hair and blue eyes are in themselves a variation from the type, almost an abnormity, analogous to white mice, or at least to grey horses. In no part of the world, not even in the vicinity of the pole, are they indigenous, except in Europe, and are clearly of Scandinavian origin. I may here express my opinion in passing that the white colour of the skin is not natural to man, but that by nature he has a black or brown skin, like our forefathers the Hindus; that consequently a white man has never originally sprung from the womb of nature, and that thus there is no such thing as a white race, much as this is talked of, but every white man is a faded or bleached one. Forced into the strange world, where he only exists like an exotic plant, and like this requires in winter the hothouse, in the course of thousands of years man became white. The gipsies, an Indian race which immigrated only about four centuries ago, show the transition from the complexion of the Hindu to our own. Therefore in sexual love nature strives to return to dark hair and brown eyes as the primitive type; but the white colour of the skin has become a second nature, though not so that the brown of the Hindu repels us. Finally, each one also seeks in the particular parts of the body the corrective of his own defects and aberrations, and does so the more decidedly the more important the part is.
Schopenhauer also maintained a marked metaphysical and political anti-Judaism. He argued that Christianity constituted a revolt against what he styled the materialistic basis of Judaism, exhibiting an Indian-influenced ethics reflecting the Aryan-Vedic theme of spiritual self-conquest. He saw this as opposed to the ignorant drive toward earthly utopianism and superficiality of a worldly "Jewish" spirit:
[Judaism] is, therefore, the crudest and poorest of all religions and consists merely in an absurd and revolting theism. It amounts to this that the "κύριος" ['Lord'], who has created the world, desires to be worshipped and adored; and so above all he is jealous, is envious of his colleagues, of all the other gods; if sacrifices are made to them he is furious and his Jews have a bad time ... It is most deplorable that this religion has become the basis of the prevailing religion of Europe; for it is a religion without any metaphysical tendency. While all other religions endeavor to explain to the people by symbols the metaphysical significance of life, the religion of the Jews is entirely immanent and furnishes nothing but a mere war-cry in the struggle with other nations.
Women.
In his 1851 essay "On Women", Schopenhauer expressed opposition to what he called "Teutonico-Christian stupidity" of "reflexive, unexamined reverence for the female ("abgeschmackten Weiberveneration")". He wrote: "Women are directly fitted for acting as the nurses and teachers of our early childhood by the fact that they are themselves childish, frivolous and short-sighted." He opined that women are deficient in artistic faculties and sense of justice, and expressed his opposition to monogamy. He claimed that "woman is by nature meant to obey". The essay does give some compliments: "women are decidedly more sober in their judgment than [men] are", and are more sympathetic to the suffering of others.
Schopenhauer's writings influenced many, from Friedrich Nietzsche to nineteenth-century feminists. His biological analysis of the difference between the sexes, and their separate roles in the struggle for survival and reproduction, anticipates some of the claims that were later ventured by sociobiologists and evolutionary psychologists.
When the elderly Schopenhauer sat for a sculpture portrait by the Prussian sculptor Elisabet Ney in 1859, he was much impressed by the young woman's wit and independence, as well as by her skill as a visual artist. After his time with Ney, he told Richard Wagner's friend Malwida von Meysenbug: "I have not yet spoken my last word about women. I believe that if a woman succeeds in withdrawing from the mass, or rather raising herself above the mass, she grows ceaselessly and more than a man."
Pederasty.
In the third, expanded edition of "The World as Will and Representation" (1859), Schopenhauer added an appendix to his chapter on the "Metaphysics of Sexual Love". He wrote that pederasty has the benefit of preventing ill-begotten children. Concerning this, he stated that "the vice we are considering appears to work directly against the aims and ends of nature, and that in a matter that is all important and of the greatest concern to her it must in fact serve these very aims, although only indirectly, as a means for preventing greater evils".
Schopenhauer ends the appendix with the statement that "by expounding these paradoxical ideas, I wanted to grant to the professors of philosophy a small favour. I have done so by giving them the opportunity of slandering me by saying that I defend and commend pederasty."
Heredity and eugenics.
Schopenhauer viewed personality and intellect as inherited. He quotes Horace's saying, "From the brave and good are the brave descended" ("Odes", iv, 4, 29) and Shakespeare's line from "Cymbeline", "Cowards father cowards, and base things sire base" (IV, 2) to reinforce his hereditarian argument.
Mechanistically, Schopenhauer believed that a person inherits his intellect through his mother, and personal character through the father. This belief in heritability of traits informed Schopenhauer's view of love—placing it at the highest level of importance. For Schopenhauer the "final aim of all love intrigues, be they comic or tragic, is really of more importance than all other ends in human life. What it all turns upon is nothing less than the composition of the next generation. ... It is not the weal or woe of any one individual, but that of the human race to come, which is here at stake." This view of the importance for the species of whom we choose to love was reflected in his views on eugenics or good breeding. Here Schopenhauer wrote:
With our knowledge of the complete unalterability both of character and of mental faculties, we are led to the view that a real and thorough improvement of the human race might be reached not so much from outside as from within, not so much by theory and instruction as rather by the path of generation. Plato had something of the kind in mind when, in the fifth book of his "Republic", he explained his plan for increasing and improving his warrior caste. If we could castrate all scoundrels and stick all stupid geese in a convent, and give men of noble character a whole harem, and procure men, and indeed thorough men, for all girls of intellect and understanding, then a generation would soon arise which would produce a better age than that of Pericles.
In another context, Schopenhauer reiterated his eugenic thesis: "If you want Utopian plans, I would say: the only solution to the problem is the despotism of the wise and noble members of a genuine aristocracy, a genuine nobility, achieved by mating the most magnanimous men with the cleverest and most gifted women. This proposal constitutes my Utopia and my Platonic Republic." Analysts (e.g., Keith Ansell-Pearson) have suggested that Schopenhauer's anti-egalitarianist sentiment and his support for eugenics influenced the neo-aristocratic philosophy of Friedrich Nietzsche, who initially considered Schopenhauer his mentor.
Animal welfare.
As a consequence of his monistic philosophy, Schopenhauer was very concerned about animal welfare. For him, all individual animals, including humans, are essentially phenomenal manifestations of the one underlying Will. For him the word "will" designates force, power, impulse, energy, and desire; it is the closest word we have that can signify both the essence of all external things and our own direct, inner experience. Since every living thing possesses will, humans and animals are fundamentally the same and can recognize themselves in each other. For this reason, he claimed that a good person would have sympathy for animals, who are our fellow sufferers.
In 1841, he praised the establishment in London of the Society for the Prevention of Cruelty to Animals, and in Philadelphia of the Animals' Friends Society. Schopenhauer went so far as to protest using the pronoun "it" in reference to animals because that led to treatment of them as though they were inanimate things. To reinforce his points, Schopenhauer referred to anecdotal reports of the look in the eyes of a monkey who had been shot and also the grief of a baby elephant whose mother had been killed by a hunter.
Schopenhauer was very attached to his succession of pet poodles. He criticized Spinoza's belief that animals are a mere means for the satisfaction of humans.
Politics.
Schopenhauer's politics were an echo of his system of ethics, which he elucidated in detail in his "Die beiden Grundprobleme der Ethik" (the two essays "On the Freedom of the Will" and "On the Basis of Morality").
In occasional political comments in his "Parerga and Paralipomena" and "Manuscript Remains", Schopenhauer described himself as a proponent of limited government. Schopenhauer shared the view of Thomas Hobbes on the necessity of the state and state action to check the innate destructive tendencies of our species. He also defended the independence of the legislative, judicial and executive branches of power, and a monarch as an impartial element able to practise justice (in a practical and everyday sense, not a cosmological one).
He declared that monarchy is "natural to man in almost the same way as it is to bees and ants, to cranes in flight, to wandering elephants, to wolves in a pack in search of prey, and to other animals". Intellect in monarchies, he writes, always has "much better chances against stupidity, its implacable and ever-present foe, than it has in republics; but this is a great advantage." On the other hand, Schopenhauer disparaged republicanism as being "as unnatural to man as it is unfavorable to higher intellectual life and thus to the arts and sciences".
By his own admission, Schopenhauer did not give much thought to politics, and several times he wrote proudly of how little attention he paid "to political affairs of [his] day". In a life that spanned several revolutions in French and German government, and a few continent-shaking wars, he maintained his position of "minding not the times but the eternities". He wrote many disparaging remarks about Germany and the Germans. A typical example is: "For a German it is even good to have somewhat lengthy words in his mouth, for he thinks slowly, and they give him time to reflect."
Punishment.
The State, Schopenhauer claimed, punishes criminals to prevent future crimes. It places "beside every possible motive for committing a wrong a more powerful motive for leaving it undone, in the inescapable punishment. Accordingly, the criminal code is as complete a register as possible of counter-motives to all criminal actions that can possibly be imagined ..." He claimed that this doctrine was not original to him but had appeared in the writings of Plato, Seneca, Hobbes, Pufendorf, and Anselm Feuerbach.
Races and religions.
Schopenhauer attributed civilizational primacy to the northern "white races" due to their sensitivity and creativity (except for the ancient Egyptians and Hindus, whom he saw as equal):
The highest civilization and culture, apart from the ancient Hindus and Egyptians, are found exclusively among the white races; and even with many dark peoples, the ruling caste or race is fairer in colour than the rest and has, therefore, evidently immigrated, for example, the Brahmans, the Incas, and the rulers of the South Sea Islands. All this is due to the fact that necessity is the mother of invention because those tribes that emigrated early to the north, and there gradually became white, had to develop all their intellectual powers and invent and perfect all the arts in their struggle with need, want and misery, which in their many forms were brought about by the climate. This they had to do in order to make up for the parsimony of nature and out of it all came their high civilization.
Schopenhauer was fervently opposed to slavery. Speaking of the treatment of slaves in the slave-holding states of the United States, he condemned "those devils in human form, those bigoted, church-going, strict sabbath-observing scoundrels, especially the Anglican parsons among them" for how they "treat their innocent black brothers who through violence and injustice have fallen into their devil's claws". The slave-holding states of North America, Schopenhauer writes, are a "disgrace to the whole of humanity".
In his "Metaphysics of Sexual Love", Schopenhauer wrote:
Further, the consideration as to the complexion is very decided. Blondes prefer dark persons, or brunettes; but the latter seldom prefer the former. The reason is, that fair hair and blue eyes are in themselves a variation from the type, almost an abnormity, analogous to white mice, or at least to grey horses. In no part of the world, not even in the vicinity of the pole, are they indigenous, except in Europe, and are clearly of Scandinavian origin. I may here express my opinion in passing that the white colour of the skin is not natural to man, but that by nature he has a black or brown skin, like our forefathers the Hindus; that consequently a white man has never originally sprung from the womb of nature, and that thus there is no such thing as a white race, much as this is talked of, but every white man is a faded or bleached one. Forced into the strange world, where he only exists like an exotic plant, and like this requires in winter the hothouse, in the course of thousands of years man became white. The gipsies, an Indian race which immigrated only about four centuries ago, show the transition from the complexion of the Hindu to our own. Therefore in sexual love nature strives to return to dark hair and brown eyes as the primitive type; but the white colour of the skin has become a second nature, though not so that the brown of the Hindu repels us. Finally, each one also seeks in the particular parts of the body the corrective of his own defects and aberrations, and does so the more decidedly the more important the part is.
Schopenhauer also maintained a marked metaphysical and political anti-Judaism. He argued that Christianity constituted a revolt against what he styled the materialistic basis of Judaism, exhibiting an Indian-influenced ethics reflecting the Aryan-Vedic theme of spiritual self-conquest. He saw this as opposed to the ignorant drive toward earthly utopianism and superficiality of a worldly "Jewish" spirit:
[Judaism] is, therefore, the crudest and poorest of all religions and consists merely in an absurd and revolting theism. It amounts to this that the "κύριος" ['Lord'], who has created the world, desires to be worshipped and adored; and so above all he is jealous, is envious of his colleagues, of all the other gods; if sacrifices are made to them he is furious and his Jews have a bad time ... It is most deplorable that this religion has become the basis of the prevailing religion of Europe; for it is a religion without any metaphysical tendency. While all other religions endeavor to explain to the people by symbols the metaphysical significance of life, the religion of the Jews is entirely immanent and furnishes nothing but a mere war-cry in the struggle with other nations.
Women.
In his 1851 essay "On Women", Schopenhauer expressed opposition to what he called "Teutonico-Christian stupidity" of "reflexive, unexamined reverence for the female ("abgeschmackten Weiberveneration")". He wrote: "Women are directly fitted for acting as the nurses and teachers of our early childhood by the fact that they are themselves childish, frivolous and short-sighted." He opined that women are deficient in artistic faculties and sense of justice, and expressed his opposition to monogamy. He claimed that "woman is by nature meant to obey". The essay does give some compliments: "women are decidedly more sober in their judgment than [men] are", and are more sympathetic to the suffering of others.
Schopenhauer's writings influenced many, from Friedrich Nietzsche to nineteenth-century feminists. His biological analysis of the difference between the sexes, and their separate roles in the struggle for survival and reproduction, anticipates some of the claims that were later ventured by sociobiologists and evolutionary psychologists.
When the elderly Schopenhauer sat for a sculpture portrait by the Prussian sculptor Elisabet Ney in 1859, he was much impressed by the young woman's wit and independence, as well as by her skill as a visual artist. After his time with Ney, he told Richard Wagner's friend Malwida von Meysenbug: "I have not yet spoken my last word about women. I believe that if a woman succeeds in withdrawing from the mass, or rather raising herself above the mass, she grows ceaselessly and more than a man."
Pederasty.
In the third, expanded edition of "The World as Will and Representation" (1859), Schopenhauer added an appendix to his chapter on the "Metaphysics of Sexual Love". He wrote that pederasty has the benefit of preventing ill-begotten children. Concerning this, he stated that "the vice we are considering appears to work directly against the aims and ends of nature, and that in a matter that is all important and of the greatest concern to her it must in fact serve these very aims, although only indirectly, as a means for preventing greater evils".
Schopenhauer ends the appendix with the statement that "by expounding these paradoxical ideas, I wanted to grant to the professors of philosophy a small favour. I have done so by giving them the opportunity of slandering me by saying that I defend and commend pederasty."
Heredity and eugenics.
Schopenhauer viewed personality and intellect as inherited. He quotes Horace's saying, "From the brave and good are the brave descended" ("Odes", iv, 4, 29) and Shakespeare's line from "Cymbeline", "Cowards father cowards, and base things sire base" (IV, 2) to reinforce his hereditarian argument.
Mechanistically, Schopenhauer believed that a person inherits his intellect through his mother, and personal character through the father. This belief in heritability of traits informed Schopenhauer's view of love—placing it at the highest level of importance. For Schopenhauer the "final aim of all love intrigues, be they comic or tragic, is really of more importance than all other ends in human life. What it all turns upon is nothing less than the composition of the next generation. ... It is not the weal or woe of any one individual, but that of the human race to come, which is here at stake." This view of the importance for the species of whom we choose to love was reflected in his views on eugenics or good breeding. Here Schopenhauer wrote:
With our knowledge of the complete unalterability both of character and of mental faculties, we are led to the view that a real and thorough improvement of the human race might be reached not so much from outside as from within, not so much by theory and instruction as rather by the path of generation. Plato had something of the kind in mind when, in the fifth book of his "Republic", he explained his plan for increasing and improving his warrior caste. If we could castrate all scoundrels and stick all stupid geese in a convent, and give men of noble character a whole harem, and procure men, and indeed thorough men, for all girls of intellect and understanding, then a generation would soon arise which would produce a better age than that of Pericles.
In another context, Schopenhauer reiterated his eugenic thesis: "If you want Utopian plans, I would say: the only solution to the problem is the despotism of the wise and noble members of a genuine aristocracy, a genuine nobility, achieved by mating the most magnanimous men with the cleverest and most gifted women. This proposal constitutes my Utopia and my Platonic Republic." Analysts (e.g., Keith Ansell-Pearson) have suggested that Schopenhauer's anti-egalitarianist sentiment and his support for eugenics influenced the neo-aristocratic philosophy of Friedrich Nietzsche, who initially considered Schopenhauer his mentor.
Animal welfare.
As a consequence of his monistic philosophy, Schopenhauer was very concerned about animal welfare. For him, all individual animals, including humans, are essentially phenomenal manifestations of the one underlying Will. For him the word "will" designates force, power, impulse, energy, and desire; it is the closest word we have that can signify both the essence of all external things and our own direct, inner experience. Since every living thing possesses will, humans and animals are fundamentally the same and can recognize themselves in each other. For this reason, he claimed that a good person would have sympathy for animals, who are our fellow sufferers.
In 1841, he praised the establishment in London of the Society for the Prevention of Cruelty to Animals, and in Philadelphia of the Animals' Friends Society. Schopenhauer went so far as to protest using the pronoun "it" in reference to animals because that led to treatment of them as though they were inanimate things. To reinforce his points, Schopenhauer referred to anecdotal reports of the look in the eyes of a monkey who had been shot and also the grief of a baby elephant whose mother had been killed by a hunter.
Schopenhauer was very attached to his succession of pet poodles. He criticized Spinoza's belief that animals are a mere means for the satisfaction of humans.
Intellectual interests and affinities.
Indology.
Schopenhauer read the Latin translation of the ancient Hindu texts, the "Upanishads", translated by French writer Anquetil du Perron from the Persian translation of Prince Dara Shukoh entitled "Sirre-Akbar" ("The Great Secret"). He was so impressed by its philosophy that he called it "the production of the highest human wisdom", and believed it contained superhuman concepts. Schopenhauer considered India as "the land of the most ancient and most pristine wisdom, the place from which Europeans could trace their descent and the tradition by which they had been influenced in so many decisive ways", and regarded the "Upanishads" as "the most profitable and elevating reading which [...] is possible in the world. It has been the solace of my life, and will be the solace of my death."
Schopenhauer was first introduced to Anquetil du Perron's translation by Friedrich Majer in 1814. They met during the winter of 1813–1814 in Weimar at the home of Schopenhauer's mother, according to the biographer Safranski. Majer was a follower of Herder, and an early Indologist. Schopenhauer did not begin serious study of the Indic texts until the summer of 1814. Safranski maintains that, between 1815 and 1817, Schopenhauer had another important cross-pollination with Indian thought in Dresden. This was through his neighbor of two years, Karl Christian Friedrich Krause. Krause was then a minor and rather unorthodox philosopher who attempted to mix his own ideas with ancient Indian wisdom. Krause had also mastered Sanskrit, unlike Schopenhauer, and they developed a professional relationship. It was from Krause that Schopenhauer learned meditation and received the closest thing to expert advice concerning Indian thought.
The book "Oupnekhat" (Upanishad) always lay open on his table, and he invariably studied it before going to bed. He called the opening up of Sanskrit literature "the greatest gift of our century", and predicted that the philosophy and knowledge of the Upanishads would become the cherished faith of the West. Most noticeable, in the case of Schopenhauer's work, was the significance of the "Chandogya Upanishad", whose Mahāvākya, Tat Tvam Asi, is mentioned throughout "The World as Will and Representation".
Buddhism.
Schopenhauer noted a correspondence between his doctrines and the Four Noble Truths of Buddhism. Similarities centered on the principles that life involves suffering, that suffering is caused by desire (taṇhā), and that the extinction of desire leads to liberation. Thus three of the four "truths of the Buddha" correspond to Schopenhauer's doctrine of the will. In Buddhism, while greed and lust are always unskillful, desire is ethically variable – it can be skillful, unskillful, or neutral.
For Schopenhauer, will had ontological primacy over the intellect; desire is prior to thought. Schopenhauer felt this was similar to notions of puruṣārtha or goals of life in Vedānta Hinduism.
In Schopenhauer's philosophy, denial of the will is attained by:
Buddhist nirvāṇa is not equivalent to the condition that Schopenhauer described as denial of the will. Nirvāṇa is not the extinguishing of the "person" as some Western scholars have thought, but only the "extinguishing" (the literal meaning of nirvana) of the flames of greed, hatred, and delusion that assail a person's character. Schopenhauer made the following statement in his discussion of religions:
If I wished to take the results of my philosophy as the standard of truth, I should have to concede to Buddhism pre-eminence over the others. In any case, it must be a pleasure to me to see my doctrine in such close agreement with a religion that the majority of men on earth hold as their own, for this numbers far more followers than any other. And this agreement must be yet the more pleasing to me, inasmuch as "in my philosophizing I have certainly not been under its influence" [emphasis added]. For up till 1818, when my work appeared, there was to be found in Europe only a very few accounts of Buddhism.
Buddhist philosopher Keiji Nishitani sought to distance Buddhism from Schopenhauer. While Schopenhauer's philosophy may sound rather mystical in such a summary, his methodology was resolutely empirical, rather than speculative or transcendental:
Philosophy ... is a science, and as such has no articles of faith; accordingly, in it nothing can be assumed as existing except what is either positively given empirically, or demonstrated through indubitable conclusions.
Also note:
This actual world of what is knowable, in which we are and which is in us, remains both the material and the limit of our consideration.
The argument that Buddhism affected Schopenhauer's philosophy more than any other Dharmic faith loses credence since he did not begin a serious study of Buddhism until after the publication of "The World as Will and Representation" in 1818. Scholars have started to revise earlier views about Schopenhauer's discovery of Buddhism. Proof of early interest and influence appears in Schopenhauer's 1815–16 notes (transcribed and translated by Urs App) about Buddhism. They are included in a recent case study that traces Schopenhauer's interest in Buddhism and documents its influence. Other scholarly work questions how similar Schopenhauer's philosophy actually is to Buddhism.
Magic and occultism.
Some traditions in Western esotericism and parapsychology interested Schopenhauer and influenced his philosophical theories. He praised animal magnetism as evidence for the reality of magic in his "On the Will in Nature", and went so far as to accept the division of magic into left-hand and right-hand magic, although he doubted the existence of demons.
Schopenhauer grounded magic in the Will and claimed all forms of magical transformation depended on the human Will, not on ritual. This theory notably parallels Aleister Crowley's system of magic and its emphasis on human will. Given the importance of the Will to Schopenhauer's overarching system, this amounts to "suggesting his whole philosophical system had magical powers." Schopenhauer rejected the theory of disenchantment and claimed philosophy should synthesize itself with magic, which he believed amount to "practical metaphysics."
Neoplatonism, including the traditions of Plotinus and to a lesser extent Marsilio Ficino, has also been cited as an influence on Schopenhauer.
Indology.
Schopenhauer read the Latin translation of the ancient Hindu texts, the "Upanishads", translated by French writer Anquetil du Perron from the Persian translation of Prince Dara Shukoh entitled "Sirre-Akbar" ("The Great Secret"). He was so impressed by its philosophy that he called it "the production of the highest human wisdom", and believed it contained superhuman concepts. Schopenhauer considered India as "the land of the most ancient and most pristine wisdom, the place from which Europeans could trace their descent and the tradition by which they had been influenced in so many decisive ways", and regarded the "Upanishads" as "the most profitable and elevating reading which [...] is possible in the world. It has been the solace of my life, and will be the solace of my death."
Schopenhauer was first introduced to Anquetil du Perron's translation by Friedrich Majer in 1814. They met during the winter of 1813–1814 in Weimar at the home of Schopenhauer's mother, according to the biographer Safranski. Majer was a follower of Herder, and an early Indologist. Schopenhauer did not begin serious study of the Indic texts until the summer of 1814. Safranski maintains that, between 1815 and 1817, Schopenhauer had another important cross-pollination with Indian thought in Dresden. This was through his neighbor of two years, Karl Christian Friedrich Krause. Krause was then a minor and rather unorthodox philosopher who attempted to mix his own ideas with ancient Indian wisdom. Krause had also mastered Sanskrit, unlike Schopenhauer, and they developed a professional relationship. It was from Krause that Schopenhauer learned meditation and received the closest thing to expert advice concerning Indian thought.
The book "Oupnekhat" (Upanishad) always lay open on his table, and he invariably studied it before going to bed. He called the opening up of Sanskrit literature "the greatest gift of our century", and predicted that the philosophy and knowledge of the Upanishads would become the cherished faith of the West. Most noticeable, in the case of Schopenhauer's work, was the significance of the "Chandogya Upanishad", whose Mahāvākya, Tat Tvam Asi, is mentioned throughout "The World as Will and Representation".
Buddhism.
Schopenhauer noted a correspondence between his doctrines and the Four Noble Truths of Buddhism. Similarities centered on the principles that life involves suffering, that suffering is caused by desire (taṇhā), and that the extinction of desire leads to liberation. Thus three of the four "truths of the Buddha" correspond to Schopenhauer's doctrine of the will. In Buddhism, while greed and lust are always unskillful, desire is ethically variable – it can be skillful, unskillful, or neutral.
For Schopenhauer, will had ontological primacy over the intellect; desire is prior to thought. Schopenhauer felt this was similar to notions of puruṣārtha or goals of life in Vedānta Hinduism.
In Schopenhauer's philosophy, denial of the will is attained by:
Buddhist nirvāṇa is not equivalent to the condition that Schopenhauer described as denial of the will. Nirvāṇa is not the extinguishing of the "person" as some Western scholars have thought, but only the "extinguishing" (the literal meaning of nirvana) of the flames of greed, hatred, and delusion that assail a person's character. Schopenhauer made the following statement in his discussion of religions:
If I wished to take the results of my philosophy as the standard of truth, I should have to concede to Buddhism pre-eminence over the others. In any case, it must be a pleasure to me to see my doctrine in such close agreement with a religion that the majority of men on earth hold as their own, for this numbers far more followers than any other. And this agreement must be yet the more pleasing to me, inasmuch as "in my philosophizing I have certainly not been under its influence" [emphasis added]. For up till 1818, when my work appeared, there was to be found in Europe only a very few accounts of Buddhism.
Buddhist philosopher Keiji Nishitani sought to distance Buddhism from Schopenhauer. While Schopenhauer's philosophy may sound rather mystical in such a summary, his methodology was resolutely empirical, rather than speculative or transcendental:
Philosophy ... is a science, and as such has no articles of faith; accordingly, in it nothing can be assumed as existing except what is either positively given empirically, or demonstrated through indubitable conclusions.
Also note:
This actual world of what is knowable, in which we are and which is in us, remains both the material and the limit of our consideration.
The argument that Buddhism affected Schopenhauer's philosophy more than any other Dharmic faith loses credence since he did not begin a serious study of Buddhism until after the publication of "The World as Will and Representation" in 1818. Scholars have started to revise earlier views about Schopenhauer's discovery of Buddhism. Proof of early interest and influence appears in Schopenhauer's 1815–16 notes (transcribed and translated by Urs App) about Buddhism. They are included in a recent case study that traces Schopenhauer's interest in Buddhism and documents its influence. Other scholarly work questions how similar Schopenhauer's philosophy actually is to Buddhism.
Magic and occultism.
Some traditions in Western esotericism and parapsychology interested Schopenhauer and influenced his philosophical theories. He praised animal magnetism as evidence for the reality of magic in his "On the Will in Nature", and went so far as to accept the division of magic into left-hand and right-hand magic, although he doubted the existence of demons.
Schopenhauer grounded magic in the Will and claimed all forms of magical transformation depended on the human Will, not on ritual. This theory notably parallels Aleister Crowley's system of magic and its emphasis on human will. Given the importance of the Will to Schopenhauer's overarching system, this amounts to "suggesting his whole philosophical system had magical powers." Schopenhauer rejected the theory of disenchantment and claimed philosophy should synthesize itself with magic, which he believed amount to "practical metaphysics."
Neoplatonism, including the traditions of Plotinus and to a lesser extent Marsilio Ficino, has also been cited as an influence on Schopenhauer.
Interests.
Schopenhauer had a wide range of interests, from science and opera to occultism and literature.
In his student years, Schopenhauer went more often to lectures in the sciences than philosophy. He kept a strong interest as his personal library contained near to 200 books of scientific literature at his death, and his works refer to scientific titles not found in the library.
Many evenings were spent in the theatre, opera and ballet; Schopenhauer especially liked the operas of Mozart, Rossini and Bellini. Schopenhauer considered music the highest art, and played the flute during his whole life.
As a polyglot, he knew German, Italian, Spanish, French, English, Latin and ancient Greek, and was an avid reader of poetry and literature. He particularly revered Goethe, Petrarch, Calderón and Shakespeare.
If Goethe had not been sent into the world simultaneously with Kant in order to counterbalance him, so to speak, in the spirit of the age, the latter would have been haunted like a nightmare many an aspiring mind and would have oppressed it with great affliction. But now the two have an infinitely wholesome effect from opposite directions and will probably raise the German spirit to a height surpassing even that of antiquity.
In philosophy, his most important influences were, according to himself, Kant, Plato and the Upanishads. Concerning the Upanishads and Vedas, he writes in "The World as Will and Representation":
If the reader has also received the benefit of the Vedas, the access to which by means of the Upanishads is in my eyes the greatest privilege which this still young century (1818) may claim before all previous centuries, if then the reader, I say, has received his initiation in primeval Indian wisdom, and received it with an open heart, he will be prepared in the very best way for hearing what I have to tell him. It will not sound to him strange, as to many others, much less disagreeable; for I might, if it did not sound conceited, contend that every one of the detached statements which constitute the Upanishads, may be deduced as a necessary result from the fundamental thoughts which I have to enunciate, though those deductions themselves are by no means to be found there.
Thoughts on other philosophers.
Giordano Bruno and Spinoza.
Schopenhauer saw Bruno and Spinoza as philosophers not bound to their age or nation. "Both were fulfilled by the thought, that as manifold the appearances of the world may be, it is still "one" being, that appears in all of them. ... Consequently, there is no place for God as creator of the world in their philosophy, but God is the world itself."
Schopenhauer expressed regret that Spinoza stuck for the presentation of his philosophy with the concepts of scholasticism and Cartesian philosophy, and tried to use geometrical proofs that do not hold because of vague and overly broad definitions. Bruno on the other hand, who knew much about nature and ancient literature, presented his ideas with Italian vividness, and is amongst philosophers the only one who comes near Plato's poetic and dramatic power of exposition.
Schopenhauer noted that their philosophies do not provide any ethics, and it is therefore very remarkable that Spinoza called his main work "Ethics". In fact, it could be considered complete from the standpoint of life-affirmation, if one completely ignores morality and self-denial. It is yet even more remarkable that Schopenhauer mentions Spinoza as an example of the denial of the will, if one uses the French biography by Jean Maximilien Lucas as the key to "Tractatus de Intellectus Emendatione".
Immanuel Kant.
The importance of Kant for Schopenhauer, in philosophy as well as on a personal level, cannot be overstated. Kant's philosophy was the foundation of Schopenhauer's, and he had high praise for the Transcendental Aesthetic section of Kant's "Critique of Pure Reason". Schopenhauer maintained that Kant stands in the same relation to philosophers such as Berkeley and Plato, as Copernicus to Hicetas, Philolaus, and Aristarchus: Kant succeeded in demonstrating what previous philosophers merely asserted.
Schopenhauer writes about Kant's influence on his work in the preface to the second edition of "The World as Will and Representation":
In his study room, one bust was of Buddha, the other was of Kant. The bond which Schopenhauer felt with the philosopher of Königsberg is demonstrated in an unfinished poem he dedicated to Kant (included in volume 2 of the "Parerga"):
Schopenhauer dedicated one fifth of his main work, "The World as Will and Representation", to a detailed criticism of the Kantian philosophy.
Schopenhauer praised Kant for his distinction between appearance and the thing-in-itself, whereas the general consensus in German idealism was that this was the weakest spot of Kant's theory, since, according to Kant, causality can find application on objects of experience only, and consequently, things-in-themselves cannot be the cause of appearances. The inadmissibility of this reasoning was also acknowledged by Schopenhauer. He insisted that this was a true conclusion, drawn from false premises.
Post-Kantian school.
The leading figures of post-Kantian philosophy—Johann Gottlieb Fichte, F. W. J. Schelling and G. W. F. Hegel—were not respected by Schopenhauer. He argued that they were not philosophers at all, for they lacked "the first requirement of a philosopher, namely a seriousness and honesty of inquiry." Rather, they were merely sophists who, excelling in the art of beguiling the public, pursued their own selfish interests (such as professional advancement within the university system). Diatribes against the vacuity, dishonesty, pomposity, and self-interest of these contemporaries are to be found throughout Schopenhauer's published writings. The following passage is an example:
Schopenhauer deemed Schelling the most talented of the three and wrote that he would recommend his "elucidatory paraphrase of the highly important doctrine of Kant" concerning the intelligible character, if he had been honest enough to admit he was parroting Kant, instead of hiding this relation in a cunning manner.
Schopenhauer reserved his most unqualified damning condemnation for Hegel, whom he considered less worthy than Fichte or Schelling. Whereas Fichte was merely a windbag ("Windbeutel"), Hegel was a "commonplace, inane, loathsome, repulsive, and ignorant charlatan." The philosophers Karl Popper and Mario Bunge agreed with this distinction. Hegel, Schopenhauer wrote in the preface to his "Two Fundamental Problems of Ethics", not only "performed no service to philosophy, but he has had a detrimental influence on philosophy, and thereby on German literature in general, really a downright stupefying, or we could even say a pestilential influence, which it is therefore the duty of everyone capable of thinking for himself and judging for himself to counteract in the most express terms at every opportunity."
Giordano Bruno and Spinoza.
Schopenhauer saw Bruno and Spinoza as philosophers not bound to their age or nation. "Both were fulfilled by the thought, that as manifold the appearances of the world may be, it is still "one" being, that appears in all of them. ... Consequently, there is no place for God as creator of the world in their philosophy, but God is the world itself."
Schopenhauer expressed regret that Spinoza stuck for the presentation of his philosophy with the concepts of scholasticism and Cartesian philosophy, and tried to use geometrical proofs that do not hold because of vague and overly broad definitions. Bruno on the other hand, who knew much about nature and ancient literature, presented his ideas with Italian vividness, and is amongst philosophers the only one who comes near Plato's poetic and dramatic power of exposition.
Schopenhauer noted that their philosophies do not provide any ethics, and it is therefore very remarkable that Spinoza called his main work "Ethics". In fact, it could be considered complete from the standpoint of life-affirmation, if one completely ignores morality and self-denial. It is yet even more remarkable that Schopenhauer mentions Spinoza as an example of the denial of the will, if one uses the French biography by Jean Maximilien Lucas as the key to "Tractatus de Intellectus Emendatione".
Immanuel Kant.
The importance of Kant for Schopenhauer, in philosophy as well as on a personal level, cannot be overstated. Kant's philosophy was the foundation of Schopenhauer's, and he had high praise for the Transcendental Aesthetic section of Kant's "Critique of Pure Reason". Schopenhauer maintained that Kant stands in the same relation to philosophers such as Berkeley and Plato, as Copernicus to Hicetas, Philolaus, and Aristarchus: Kant succeeded in demonstrating what previous philosophers merely asserted.
Schopenhauer writes about Kant's influence on his work in the preface to the second edition of "The World as Will and Representation":
In his study room, one bust was of Buddha, the other was of Kant. The bond which Schopenhauer felt with the philosopher of Königsberg is demonstrated in an unfinished poem he dedicated to Kant (included in volume 2 of the "Parerga"):
Schopenhauer dedicated one fifth of his main work, "The World as Will and Representation", to a detailed criticism of the Kantian philosophy.
Schopenhauer praised Kant for his distinction between appearance and the thing-in-itself, whereas the general consensus in German idealism was that this was the weakest spot of Kant's theory, since, according to Kant, causality can find application on objects of experience only, and consequently, things-in-themselves cannot be the cause of appearances. The inadmissibility of this reasoning was also acknowledged by Schopenhauer. He insisted that this was a true conclusion, drawn from false premises.
Post-Kantian school.
The leading figures of post-Kantian philosophy—Johann Gottlieb Fichte, F. W. J. Schelling and G. W. F. Hegel—were not respected by Schopenhauer. He argued that they were not philosophers at all, for they lacked "the first requirement of a philosopher, namely a seriousness and honesty of inquiry." Rather, they were merely sophists who, excelling in the art of beguiling the public, pursued their own selfish interests (such as professional advancement within the university system). Diatribes against the vacuity, dishonesty, pomposity, and self-interest of these contemporaries are to be found throughout Schopenhauer's published writings. The following passage is an example:
Schopenhauer deemed Schelling the most talented of the three and wrote that he would recommend his "elucidatory paraphrase of the highly important doctrine of Kant" concerning the intelligible character, if he had been honest enough to admit he was parroting Kant, instead of hiding this relation in a cunning manner.
Schopenhauer reserved his most unqualified damning condemnation for Hegel, whom he considered less worthy than Fichte or Schelling. Whereas Fichte was merely a windbag ("Windbeutel"), Hegel was a "commonplace, inane, loathsome, repulsive, and ignorant charlatan." The philosophers Karl Popper and Mario Bunge agreed with this distinction. Hegel, Schopenhauer wrote in the preface to his "Two Fundamental Problems of Ethics", not only "performed no service to philosophy, but he has had a detrimental influence on philosophy, and thereby on German literature in general, really a downright stupefying, or we could even say a pestilential influence, which it is therefore the duty of everyone capable of thinking for himself and judging for himself to counteract in the most express terms at every opportunity."
Influence and legacy.
Schopenhauer remained the most influential German philosopher until the First World War. His philosophy was a starting point for a new generation of philosophers including Julius Bahnsen, Paul Deussen, Lazar von Hellenbach, Karl Robert Eduard von Hartmann, Ernst Otto Lindner, Philipp Mainländer, Friedrich Nietzsche, Olga Plümacher and Agnes Taubert. His legacy shaped the intellectual debate, and forced movements that were utterly opposed to him, neo-Kantianism and positivism, to address issues they would otherwise have completely ignored, and in doing so he changed them markedly. The French writer Maupassant commented that "to-day even those who execrate him seem to carry in their own souls particles of his thought". Other philosophers of the 19th century who cited his influence include Hans Vaihinger, Volkelt, Solovyov and Weininger.
Schopenhauer was well read by physicists, most notably Einstein, Schrödinger, Wolfgang Pauli, and Majorana. Einstein described Schopenhauer's thoughts as a "continual consolation" and called him a genius. In his Berlin study three figures hung on the wall: Faraday, Maxwell, Schopenhauer. Konrad Wachsmann recalled: "He often sat with one of the well-worn Schopenhauer volumes, and as he sat there, he seemed so pleased, as if he were engaged with a serene and cheerful work."
When Erwin Schrödinger discovered Schopenhauer ("the greatest savant of the West") he considered switching his study of physics to philosophy. He maintained the idealistic views during the rest of his life. Wolfgang Pauli accepted the main tenet of Schopenhauer's metaphysics, that the thing-in-itself is will.
But most of all Schopenhauer is famous for his influence on artists. Richard Wagner became one of the earliest and most famous adherents of the Schopenhauerian philosophy. The admiration was not mutual, and Schopenhauer proclaimed: "I remain faithful to Rossini and Mozart!" So he has been nicknamed "the artist's philosopher". See also Influence of Schopenhauer on "Tristan und Isolde".
Under the influence of Schopenhauer, Leo Tolstoy became convinced that the truth of all religions lies in self-renunciation. When he read Schopenhauer's philosophy, Tolstoy exclaimed "at present I am convinced that Schopenhauer is the greatest genius among men. ... It is the whole world in an incomparably beautiful and clear reflection." He said that what he has written in "War and Peace" is also said by Schopenhauer in "The World as Will and Representation".
Jorge Luis Borges remarked that the reason he had never attempted to write a systematic account of his world view, despite his penchant for philosophy and metaphysics in particular, was because Schopenhauer had already written it for him.
Other figures in literature who were strongly influenced by Schopenhauer were Thomas Mann, Thomas Hardy, Afanasy Fet, J.-K. Huysmans and George Santayana. In Herman Melville's final years, while he wrote "Billy Budd", he read Schopenhauer's essays and marked them heavily. Scholar Brian Yothers notes that Melville "marked numerous misanthropic and even suicidal remarks, suggesting an attraction to the most extreme sorts of solitude, but he also made note of Schopenhauer's reflection on the moral ambiguities of genius." Schopenhauer's attraction to and discussions of both Eastern and Western religions in conjunction with each other made an impression on Melville in his final years.
Sergei Prokofiev, although initially reluctant to engage with works noted for their pessimism, became fascinated with Schopenhauer after reading "Aphorisms on the Wisdom of Life" in "Parerga and Paralipomena". "With his truths Schopenhauer gave me a spiritual world and an awareness of happiness."
Friedrich Nietzsche owed the awakening of his philosophical interest to reading "The World as Will and Representation" and admitted that he was one of the few philosophers that he respected, dedicating to him his essay "Schopenhauer als Erzieher" one of his "Untimely Meditations".
Early in his career, Ludwig Wittgenstein adopted Schopenhauer's epistemological idealism, and some traits of Schopenhauer's influence (particularly Schopenhauerian transcendentalism) can be observed in the "Tractatus Logico-Philosophicus". Later on, Wittgenstein rejected epistemological transcendental idealism for Gottlob Frege's conceptual realism. In later years, Wittgenstein became highly dismissive of Schopenhauer, describing him as an ultimately shallow thinker. His friend Bertrand Russell had a low opinion on the philosopher, and even came to attack him in his "History of Western Philosophy" for hypocritically praising asceticism yet not acting upon it.
Opposite to Russell on the foundations of mathematics, the Dutch mathematician L. E. J. Brouwer incorporated Kant's and Schopenhauer's ideas in the philosophical school of intuitionism, where mathematics is considered as a purely mental activity instead of an analytic activity wherein objective properties of reality are revealed. Brouwer was also influenced by Schopenhauer's metaphysics, and wrote an essay on mysticism.
Schopenhauer's philosophy has made its way into a novel, "The Schopenhauer Cure", by American existential psychiatrist and emeritus professor of psychiatry Irvin Yalom.
Schopenhauer's philosophy, and the discussions on philosophical pessimism it has engendered, has been the focus of contemporary thinkers such as David Benatar, Thomas Ligotti, and Eugene Thacker. Their work also served as an inspiration for the popular HBO TV series "True Detective" as well as "Life Is Beautiful". In this regard, Schopenhauer is sometimes considered the founding father of today's antinatalism.
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Algeria
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Algeria, officially the People's Democratic Republic of Algeria, is a country in North Africa. Algeria is bordered to the northeast by Tunisia; to the east by Libya; to the southeast by Niger; to the southwest by Mali, Mauritania, and Western Sahara; to the west by Morocco; and to the north by the Mediterranean Sea. It is considered part of the Maghreb region of North Africa. It has a semi-arid geography, with most of the population living in the fertile north and the Sahara dominating the geography of the south. Algeria covers an area of , making it the world's tenth largest nation by area, and the largest nation in Africa, being more than 200 times as large as the smallest country in the continent, The Gambia. With a population of 44 million, Algeria is the ninth-most populous country in Africa, and the 32nd-most populous country in the world. The capital and largest city is Algiers, located in the far north on the Mediterranean coast.
Algeria produced and is linked to many civilizations, empires and dynasties, including ancient Numidians, Phoenicians, Carthaginians, Romans, Vandals, Byzantines, Umayyads, Abbasids, Rustamids, Idrisids, Aghlabids, Fatimids, Zirids, Hammadids, Almoravids, Almohads, Zayyanids, Spaniards, Ottomans and the French colonial empire, with the latter expanded into its present-boundaries. After 132 years of being part of France, tensions between France and the local Algerian populace led to the start of the Algerian War which concluded with Algeria obtaining its independence on 5 July 1962 with the establishment of the People's Democratic Republic on 20 September of that year.
The official languages of Algeria are Arabic and Berber. The majority of Algeria's population is Arab, practicing Islam. The native Algerian Arabic is the main spoken language. French also serves as an administrative and educational language in some contexts, but it has no official status.
Algeria is a semi-presidential republic, with local constituencies consisting of 58 provinces and 1,541 communes. Algeria is a regional power in North Africa, and a middle power in global affairs. It has the highest Human Development Index of all non-island African countries and one of the largest economies on the continent, based largely on energy exports. Algeria has the world's sixteenth-largest oil reserves and the ninth-largest reserves of natural gas. Sonatrach, the national oil company, is the largest company in Africa, supplying large amounts of natural gas to Europe. Algeria's military is one of the largest in Africa, and has the largest defence budget on the continent. It is a member of the African Union, the Arab League, the OIC, OPEC, the United Nations, and the Arab Maghreb Union, of which it is a founding member.
Name.
Other forms of the name are: , ; ; ; ; . It is officially the People's Democratic Republic of Algeria (; , , ; , abbreviated as RADP).
Etymology.
The country's name derives from the city of Algiers which in turn derives from the Arabic (, "The Islands"), a truncated form of the older (, "Islands of the Mazghanna Tribe"), employed by medieval geographers such as al-Idrisi.
Etymology.
The country's name derives from the city of Algiers which in turn derives from the Arabic (, "The Islands"), a truncated form of the older (, "Islands of the Mazghanna Tribe"), employed by medieval geographers such as al-Idrisi.
History.
Prehistory and ancient history.
Around ~1.8-million-year-old stone artifacts from Ain Hanech (Algeria) were considered to represent the oldest archaeological materials in North Africa. Stone artifacts and cut-marked bones that were excavated from two nearby deposits at Ain Boucherit are estimated to be ~1.9 million years old, and even older stone artifacts to be as old as ~2.4 million years. Hence, the Ain Boucherit evidence shows that ancestral hominins inhabited the Mediterranean fringe in northern Africa much earlier than previously thought. The evidence strongly argues for early dispersal of stone tool manufacture and use from East Africa, or a possible multiple-origin scenario of stone technology in both East and North Africa.
Neanderthal tool makers produced hand axes in the Levalloisian and Mousterian styles (43,000 BC) similar to those in the Levant. Algeria was the site of the highest state of development of Middle Paleolithic Flake tool techniques. Tools of this era, starting about 30,000 BC, are called Aterian (after the archaeological site of Bir el Ater, south of Tebessa).
The earliest blade industries in North Africa are called Iberomaurusian (located mainly in the Oran region). This industry appears to have spread throughout the coastal regions of the Maghreb between 15,000 and 10,000 BC. Neolithic civilization (animal domestication and agriculture) developed in the Saharan and Mediterranean Maghreb perhaps as early as 11,000 BC or as late as between 6000 and 2000 BC. This life, richly depicted in the Tassili n'Ajjer paintings, predominated in Algeria until the classical period. The mixture of peoples of North Africa coalesced eventually into a distinct native population that came to be called Berbers, who are the indigenous peoples of northern Africa.
From their principal center of power at Carthage, the Carthaginians expanded and established small settlements along the North African coast; by 600 BC, a Phoenician presence existed at Tipasa, east of Cherchell, Hippo Regius (modern Annaba) and Rusicade (modern Skikda). These settlements served as market towns as well as anchorages.
As Carthaginian power grew, its impact on the indigenous population increased dramatically. Berber civilisation was already at a stage in which agriculture, manufacturing, trade, and political organisation supported several states. Trade links between Carthage and the Berbers in the interior grew, but territorial expansion also resulted in the enslavement or military recruitment of some Berbers and in the extraction of tribute from others.
By the early 4th century BC, Berbers formed the single largest element of the Carthaginian army. In the Revolt of the Mercenaries, Berber soldiers rebelled from 241 to 238 BC after being unpaid following the defeat of Carthage in the First Punic War. They succeeded in obtaining control of much of Carthage's North African territory, and they minted coins bearing the name Libyan, used in Greek to describe natives of North Africa. The Carthaginian state declined because of successive defeats by the Romans in the Punic Wars.
In 146 BC the city of Carthage was destroyed. As Carthaginian power waned, the influence of Berber leaders in the hinterland grew. By the 2nd century BC, several large but loosely administered Berber kingdoms had emerged. Two of them were established in Numidia, behind the coastal areas controlled by Carthage. West of Numidia lay Mauretania, which extended across the Moulouya River in modern-day Morocco to the Atlantic Ocean. The high point of Berber civilisation, unequalled until the coming of the Almohads and Almoravids more than a millennium later, was reached during the reign of Masinissa in the 2nd century BC.
After Masinissa's death in 148 BC, the Berber kingdoms were divided and reunited several times. Masinissa's line survived until 24 AD, when the remaining Berber territory was annexed to the Roman Empire.
For several centuries Algeria was ruled by the Romans, who founded many colonies in the region. Like the rest of North Africa, Algeria was one of the breadbaskets of the empire, exporting cereals and other agricultural products. Saint Augustine was the bishop of Hippo Regius (modern-day Annaba, Algeria), located in the Roman province of Africa. The Germanic Vandals of Geiseric moved into North Africa in 429, and by 435 controlled coastal Numidia. They did not make any significant settlement on the land, as they were harassed by local tribes. In fact, by the time the Byzantines arrived Leptis Magna was abandoned and the Msellata region was occupied by the indigenous Laguatan who had been busy facilitating an Amazigh political, military and cultural revival. Furthermore, during the rule of the Romans, Byzantines, Vandals, Carthaginians, and Ottomans the Berber people were the only or one of the few in North Africa who remained independent. The Berber people were so resistant that even during the Muslim conquest of North Africa they still had control and possession over their mountains.
The collapse of the Western Roman Empire led to the establishment of a native Kingdom based in Altava (modern day Algeria) known as the Mauro-Roman Kingdom. It was succeeded by another Kingdom based in Altava, the Kingdom of Altava. During the reign of Kusaila its territory extended from the region of modern-day Fez in the west to the western Aurès and later Kairaouan and the interior of Ifriqiya in the east.
Middle Ages.
After negligible resistance from the locals, Muslim Arabs of the Umayyad Caliphate conquered Algeria in the early 8th century.
Large numbers of the indigenous Berber people converted to Islam. Christians, Berber and Latin speakers remained in the great majority in Tunisia until the end of the 9th century and Muslims only became a vast majority some time in the 10th. After the fall of the Umayyad Caliphate, numerous local dynasties emerged, including the Rustamids, Aghlabids, Fatimids, Zirids, Hammadids, Almoravids, Almohads and the Zayyanids. The Christians left in three waves: after the initial conquest, in the 10th century and the 11th. The last were evacuated to Sicily by the Normans and the few remaining died out in the 14th century.
During the Middle Ages, North Africa was home to many great scholars, saints and sovereigns including Judah Ibn Quraysh, the first grammarian to mention Semitic and Berber languages, the great Sufi masters Sidi Boumediene (Abu Madyan) and Sidi El Houari, and the Emirs Abd Al Mu'min and Yāghmūrasen. It was during this time that the Fatimids or children of Fatima, daughter of Muhammad, came to the Maghreb. These "Fatimids" went on to found a long lasting dynasty stretching across the Maghreb, Hejaz and the Levant, boasting a secular inner government, as well as a powerful army and navy, made up primarily of Arabs and Levantines extending from Algeria to their capital state of Cairo. The Fatimid Caliphate began to collapse when its governors the Zirids seceded. In order to punish them the Fatimids sent the Arab Banu Hilal and Banu Sulaym against them. The resultant war is recounted in the epic Tāghribāt. In Al-Tāghrībāt the Amazigh Zirid Hero Khālīfā Al-Zānatī asks daily, for duels, to defeat the Hilalan hero Ābu Zayd al-Hilalī and many other Arab knights in a string of victories. The Zirids, however, were ultimately defeated ushering in an adoption of Arab customs and culture. The indigenous Amazigh tribes, however, remained largely independent, and depending on tribe, location and time controlled varying parts of the Maghreb, at times unifying it (as under the Fatimids). The Fatimid Islamic state, also known as Fatimid Caliphate made an Islamic empire that included North Africa, Sicily, Palestine, Jordan, Lebanon, Syria, Egypt, the Red Sea coast of Africa, Tihamah, Hejaz and Yemen. Caliphates from Northern Africa traded with the other empires of their time, as well as forming part of a confederated support and trade network with other Islamic states during the Islamic Era.
The Berber people historically consisted of several tribes. The two main branches were the Botr and Barnès tribes, who were divided into tribes, and again into sub-tribes. Each region of the Maghreb contained several tribes (for example, Sanhadja, Houara, Zenata, Masmouda, Kutama, Awarba, and Berghwata). All these tribes made independent territorial decisions.
Several Amazigh dynasties emerged during the Middle Ages in the Maghreb and other nearby lands. Ibn Khaldun provides a table summarising the Amazigh dynasties of the Maghreb region, the Zirid, Ifranid, Maghrawa, Almoravid, Hammadid, Almohad, Merinid, Abdalwadid, Wattasid, Meknassa and Hafsid dynasties. Both of the Hammadid and Zirid empires as well as the Fatimids established their rule in all of the Maghreb countries. The Zirids ruled land in what is now Algeria, Tunisia, Morocco, Libya, Spain, Malta and Italy. The Hammadids captured and held important regions such as Ouargla, Constantine, Sfax, Susa, Algiers, Tripoli and Fez establishing their rule in every country in the Maghreb region. The Fatimids which was created and established by the Kutama Berbers conquered all of North Africa as well as Sicily and parts of the Middle East.
Following the Berber revolt numerous independent states emerged across the Maghreb. In Algeria the Rustamid Kingdom was established. The Rustamid realm stretched from Tafilalt in Morocco to the Nafusa mountains in Libya including south, central and western Tunisia therefore including territory in all of the modern day Maghreb countries, in the south the Rustamid realm expanded to the modern borders of Mali and included territory in Mauritania.
Once extending their control over all of the Maghreb, part of Spain and briefly over Sicily, originating from modern Algeria, the Zirids only controlled modern Ifriqiya by the 11th century. The Zirids recognized nominal suzerainty of the Fatimid caliphs of Cairo. El Mu'izz the Zirid ruler decided to end this recognition and declared his independence. The Zirids also fought against other Zenata Kingdoms, for example the Maghrawa, a Berber dynasty originating from Algeria and which at one point was a dominant power in the Maghreb ruling over much of Morocco and western Algeria including Fez, Sijilmasa, Aghmat, Oujda, most of the Sous and Draa and reaching as far as M'sila and the Zab in Algeria.
As the Fatimid state was at the time too weak to attempt a direct invasion, they found another means of revenge. Between the Nile and the Red Sea were living Bedouin nomad tribes expelled from Arabia for their disruption and turbulency. The Banu Hilal and the Banu Sulaym for example, who regularly disrupted farmers in the Nile Valley since the nomads would often loot their farms. The then Fatimid vizier decided to destroy what he couldn't control, and broke a deal with the chiefs of these Beduouin tribes. The Fatimids even gave them money to leave.
Whole tribes set off with women, children, elders, animals and camping equipment. Some stopped on the way, especially in Cyrenaica, where they are still one of the essential elements of the settlement but most arrived in Ifriqiya by the Gabes region, arriving 1051. The Zirid ruler tried to stop this rising tide, but with each encounter, the last under the walls of Kairouan, his troops were defeated and the Arabs remained masters of the battlefield. The Arabs usually didn't take control over the cities, instead looting them and destroying them.
The invasion kept going, and in 1057 the Arabs spread on the high plains of Constantine where they encircled the Qalaa of Banu Hammad (capital of the Hammadid Emirate), as they had done in Kairouan a few decades ago. From there they gradually gained the upper Algiers and Oran plains. Some of these territories were forcibly taken back by the Almohads in the second half of the 12th century. The influx of Bedouin tribes was a major factor in the linguistic, cultural Arabization of the Maghreb and in the spread of nomadism in areas where agriculture had previously been dominant. Ibn Khaldun noted that the lands ravaged by Banu Hilal tribes had become completely arid desert.
The Almohads originating from modern day Morocco, although founded by a man originating from Algeria known as Abd al-Mu'min would soon take control over the Maghreb. During the time of the Almohad Dynasty Abd al-Mu'min's tribe, the Koumïa, were the main supporters of the throne and the most important body of the empire. Defeating the weakening Almoravid Empire and taking control over Morocco in 1147, they pushed into Algeria in 1152, taking control over Tlemcen, Oran, and Algiers, wrestling control from the Hilian Arabs, and by the same year they defeated Hammadids who controlled Eastern Algeria.
Following their decisive defeat in the Battle of Las Navas de Tolosa in 1212 the Almohads began collapsing, and in 1235 the governor of modern-day Western Algeria, Yaghmurasen Ibn Zyan declared his independence and established the Kingdom of Tlemcen and the Zayyanid dynasty. Warring with the Almohad forces attempting to restore control over Algeria for 13 years, they defeated the Almohads in 1248 after killing their Caliph in a successful ambush near Oujda.
The Zayyanids retained their control over Algeria for 3 centuries. Much of the eastern territories of Algeria were under the authority of the Hafsid dynasty, although the Emirate of Bejaia encompassing the Algerian territories of the Hafsids would occasionally be independent from central Tunisian control. At their peak the Zayyanid kingdom included all of Morocco as its vassal to the west and in the east reached as far as Tunis which they captured during the reign of Abu Tashfin.
After several conflicts with local Barbary pirates sponsored by the Zayyanid sultans, Spain decided to invade Algeria and defeat the native Kingdom of Tlemcen. In 1505, they invaded and captured Mers el Kébir, and in 1509 after a bloody siege, they conquered Oran. Following their decisive victories over the Algerians in the western-coastal areas of Algeria, the Spanish decided to get bolder, and invaded more Algerian cities. In 1510, they led a series of sieges and attacks, taking over Bejaia in a large siege, and leading a semi-successful siege against Algiers. They also besieged Tlemcen. In 1511, they took control over Cherchell and Jijel, and attacked Mostaganem where although they weren't able to conquer the city, they were able to force a tribute on them.
Ottoman era.
In 1516, the Ottoman privateer brothers Aruj and Hayreddin Barbarossa, who operated successfully under the Hafsids, moved their base of operations to Algiers. They succeeded in conquering Jijel and Algiers from the Spaniards with help from the locals who saw them as liberators from the Christians, but the brothers eventually assassinated the local noble Salim al-Tumi and took control over the city and the surrounding regions. When Aruj was killed in 1518 during his invasion of Tlemcen, Hayreddin succeeded him as military commander of Algiers. The Ottoman sultan gave him the title of beylerbey and a contingent of some 2,000 janissaries. With the aid of this force and native Algerians, Hayreddin conquered the whole area between Constantine and Oran (although the city of Oran remained in Spanish hands until 1792).
The next beylerbey was Hayreddin's son Hasan, who assumed the position in 1544. He was a Kouloughli or of mixed origins, as his mother was an Algerian Mooresse. Until 1587 Beylerbeylik of Algiers was governed by Beylerbeys who served terms with no fixed limits. Subsequently, with the institution of a regular administration, governors with the title of pasha ruled for three-year terms. The pasha was assisted by an autonomous janissary unit, known in Algeria as the Ojaq who were led by an agha. Discontent among the ojaq rose in the mid-1600s because they were not paid regularly, and they repeatedly revolted against the pasha. As a result, the agha charged the pasha with corruption and incompetence and seized power in 1659.
Plague had repeatedly struck the cities of North Africa. Algiers lost between 30,000 and 50,000 inhabitants to the plague in 1620–21, and had high fatalities in 1654–57, 1665, 1691 and 1740–42.
The Barbary pirates preyed on Christian and other non-Islamic shipping in the western Mediterranean Sea. The pirates often took the passengers and crew on the ships and sold them or used them as slaves. They also did a brisk business in ransoming some of the captives. According to Robert Davis, from the 16th to 19th century, pirates captured 1 million to 1.25 million Europeans as slaves. They often made raids on European coastal towns to capture Christian slaves to sell at slave markets in North Africa and other parts of the Ottoman Empire. In 1544, for example, Hayreddin Barbarossa captured the island of Ischia, taking 4,000 prisoners, and enslaved some 9,000 inhabitants of Lipari, almost the entire population. In 1551, the Ottoman governor of Algiers, Turgut Reis, enslaved the entire population of the Maltese island of Gozo. Barbary pirates often attacked the Balearic Islands. The threat was so severe that residents abandoned the island of Formentera. The introduction of broad-sail ships from the beginning of the 17th century allowed them to branch out into the Atlantic.
In July 1627 two pirate ships from Algiers under the command of Dutch pirate Jan Janszoon sailed as far as Iceland, raiding and capturing slaves. Two weeks earlier another pirate ship from Salé in Morocco had also raided in Iceland. Some of the slaves brought to Algiers were later ransomed back to Iceland, but some chose to stay in Algeria. In 1629, pirate ships from Algeria raided the Faroe Islands.
In 1671, the taifa of raises, or the company of corsair captains rebelled, killed the agha, and placed one of its own in power. The new leader received the title of Dey. After 1689, the right to select the dey passed to the divan, a council of some sixty nobles. It was at first dominated by the "ojaq"; but by the 18th century, it had become the dey's instrument. In 1710, the dey persuaded the sultan to recognise him and his successors as regent, replacing the pasha in that role. Although Algiers remained nominally part of the Ottoman Empire, in reality they acted independently from the rest of the Empire, and often had wars with other Ottoman subjects and territories such as the Beylik of Tunis.
The dey was in effect a constitutional autocrat. The dey was elected for a life term, but in the 159 years (1671–1830) that the system was in place, fourteen of the twenty-nine deys were assassinated. Despite usurpation, military coups and occasional mob rule, the day-to-day operation of the Deylikal government was remarkably orderly. Although the regency patronised the tribal chieftains, it never had the unanimous allegiance of the countryside, where heavy taxation frequently provoked unrest. Autonomous tribal states were tolerated, and the regency's authority was seldom applied in the Kabylia, although in 1730 the Regency was able to take control over the Kingdom of Kuku in western Kabylia. Many cities in the northern parts of the Algerian desert paid taxes to Algiers or one of its Beys, although they otherwise retained complete autonomy from central control, while the deeper parts of the Sahara were completely independent from Algiers.
Barbary raids in the Mediterranean continued to attack Spanish merchant shipping, and as a result, the Spanish Navy bombarded Algiers in 1783 and 1784. For the attack in 1784, the Spanish fleet was to be joined by ships from such traditional enemies of Algiers as Naples, Portugal and the Knights of Malta. Over 20,000 cannonballs were fired, much of the city and its fortifications were destroyed and most of the Algerian fleet was sunk.
In 1792, Algiers took back Oran and Mers el Kébir, the two last Spanish strongholds in Algeria. In the same year, they conquered the Moroccan Rif and Oujda, which they then abandoned in 1795.
In the 19th century, Algerian pirates forged affiliations with Caribbean powers, paying a "license tax" in exchange for safe harbor of their vessels.
Attacks by Algerian pirates on American merchantmen resulted in the First and Second Barbary Wars, which ended the attacks on U.S. ships in 1815. A year later, a combined Anglo-Dutch fleet, under the command of Lord Exmouth bombarded Algiers to stop similar attacks on European fishermen. These efforts proved successful, although Algerian piracy would continue until the French conquest in 1830.
French colonization (1830–1962).
Under the pretext of a slight to their consul, the French invaded and captured Algiers in 1830. Historian Ben Kiernan wrote on the French conquest of Algeria: "By 1875, the French conquest was complete. The war had killed approximately 825,000 indigenous Algerians since 1830." French losses from 1831 to 1851 were 92,329 dead in the hospital and only 3,336 killed in action. The population of Algeria, which stood at about 2.9 million in 1872, reached nearly 11 million in 1960. French policy was predicated on "civilising" the country. The slave trade and piracy in Algeria ceased following the French conquest. The conquest of Algeria by the French took some time and resulted in considerable bloodshed. A combination of violence and disease epidemics caused the indigenous Algerian population to decline by nearly one-third from 1830 to 1872. On 17 September 1860, Napoleon III declared "Our first duty is to take care of the happiness of the three million Arabs, whom the fate of arms has brought under our domination." During this time, only Kabylia resisted, the Kabylians were not colonized until after the Mokrani Revolt in 1871.
From 1848 until independence, France administered the whole Mediterranean region of Algeria as an integral part and "département" of the nation. One of France's longest-held overseas territories, Algeria became a destination for hundreds of thousands of European immigrants, who became known as "colons" and later, as "Pied-Noirs." Between 1825 and 1847, 50,000 French people emigrated to Algeria. These settlers benefited from the French government's confiscation of communal land from tribal peoples, and the application of modern agricultural techniques that increased the amount of arable land. Many Europeans settled in Oran and Algiers, and by the early 20th century they formed a majority of the population in both cities.
During the late 19th and early 20th century, the European share was almost a fifth of the population. The French government aimed at making Algeria an assimilated part of France, and this included substantial educational investments especially after 1900. The indigenous cultural and religious resistance heavily opposed this tendency, but in contrast to the other colonized countries' path in central Asia and Caucasus, Algeria kept its individual skills and a relatively human-capital intensive agriculture.
During the Second World War, Algeria came under Vichy control before being liberated by the Allies in Operation Torch, which saw the first large-scale deployment of American troops in the North African campaign.
Gradually, dissatisfaction among the Muslim population, which lacked political and economic status under the colonial system, gave rise to demands for greater political autonomy and eventually independence from France. In May 1945, the uprising against the occupying French forces was suppressed through what is now known as the Sétif and Guelma massacre. Tensions between the two population groups came to a head in 1954, when the first violent events of what was later called the Algerian War began after the publication of the Declaration of 1 November 1954. Historians have estimated that between 30,000 and 150,000 Harkis and their dependents were killed by the National Liberation Front (FLN) or by lynch mobs in Algeria. The FLN used hit and run attacks in Algeria and France as part of its war, and the French conducted severe reprisals. In addition, the French destroyed over 8,000 villages and relocated over 2 million Algerians to concentration camps.
The war led to the death of hundreds of thousands of Algerians and hundreds of thousands of injuries. Historians, like Alistair Horne and Raymond Aron, state that the actual number of Algerian Muslim war dead was far greater than the original FLN and official French estimates but was less than the 1 million deaths claimed by the Algerian government after independence. Horne estimated Algerian casualties during the span of eight years to be around 700,000. The war uprooted more than 2 million Algerians.
The war against French rule concluded in 1962, when Algeria gained complete independence following the March 1962 Evian agreements and the July 1962 self-determination referendum.
The first three decades of independence (1962–1991).
The number of European "Pied-Noirs" who fled Algeria totaled more than 900,000 between 1962 and 1964. The exodus to mainland France accelerated after the Oran massacre of 1962, in which hundreds of militants entered European sections of the city, and began attacking civilians.
Algeria's first president was the Front de Libération Nationale (FLN) leader Ahmed Ben Bella. Morocco's claim to portions of western Algeria led to the Sand War in 1963. Ben Bella was overthrown in 1965 by Houari Boumédiène, his former ally and defence minister. Under Ben Bella, the government had become increasingly socialist and authoritarian; Boumédienne continued this trend. However, he relied much more on the army for his support, and reduced the sole legal party to a symbolic role. He collectivised agriculture and launched a massive industrialisation drive. Oil extraction facilities were nationalised. This was especially beneficial to the leadership after the international 1973 oil crisis.
Boumédienne's successor, Chadli Bendjedid, introduced some liberal economic reforms. He promoted a policy of Arabisation in Algerian society and public life. Teachers of Arabic, brought in from other Muslim countries, spread conventional Islamic thought in schools and sowed the seeds of a return to Orthodox Islam.
The Algerian economy became increasingly dependent on oil, leading to hardship when the price collapsed during the 1980s oil glut. Economic recession caused by the crash in world oil prices resulted in Algerian social unrest during the 1980s; by the end of the decade, Bendjedid introduced a multi-party system. Political parties developed, such as the Islamic Salvation Front (FIS), a broad coalition of Muslim groups.
Civil War (1991–2002) and aftermath.
In December 1991 the Islamic Salvation Front dominated the first of two rounds of legislative elections. Fearing the election of an Islamist government, the authorities intervened on 11 January 1992, cancelling the elections. Bendjedid resigned and a High Council of State was installed to act as the Presidency. It banned the FIS, triggering a civil insurgency between the Front's armed wing, the Armed Islamic Group, and the national armed forces, in which more than 100,000 people are thought to have died. The Islamist militants conducted a violent campaign of civilian massacres. At several points in the conflict, the situation in Algeria became a point of international concern, most notably during the crisis surrounding Air France Flight 8969, a hijacking perpetrated by the Armed Islamic Group. The Armed Islamic Group declared a ceasefire in October 1997.
Algeria held elections in 1999, considered biased by international observers and most opposition groups which were won by President Abdelaziz Bouteflika. He worked to restore political stability to the country and announced a "Civil Concord" initiative, approved in a referendum, under which many political prisoners were pardoned, and several thousand members of armed groups were granted exemption from prosecution under a limited amnesty, in force until 13 January 2000. The AIS disbanded and levels of insurgent violence fell rapidly. The Groupe Salafiste pour la Prédication et le Combat (GSPC), a splinter group of the Armed Islamic Group, continued a terrorist campaign against the Government.
Bouteflika was re-elected in the April 2004 presidential election after campaigning on a programme of national reconciliation. The programme comprised economic, institutional, political and social reform to modernise the country, raise living standards, and tackle the causes of alienation. It also included a second amnesty initiative, the Charter for Peace and National Reconciliation, which was approved in a referendum in September 2005. It offered amnesty to most guerrillas and Government security forces.
In November 2008, the Algerian Constitution was amended following a vote in Parliament, removing the two-term limit on Presidential incumbents. This change enabled Bouteflika to stand for re-election in the 2009 presidential elections, and he was re-elected in April 2009. During his election campaign and following his re-election, Bouteflika promised to extend the programme of national reconciliation and a $150-billion spending programme to create three million new jobs, the construction of one million new housing units, and to continue public sector and infrastructure modernisation programmes.
A continuing series of protests throughout the country started on 28 December 2010, inspired by similar protests across the Middle East and North Africa. On 24 February 2011, the government lifted Algeria's 19-year-old state of emergency. The government enacted legislation dealing with political parties, the electoral code, and the representation of women in elected bodies. In April 2011, Bouteflika promised further constitutional and political reform. However, elections are routinely criticised by opposition groups as unfair and international human rights groups say that media censorship and harassment of political opponents continue.
On 2 April 2019, Bouteflika resigned from the presidency after mass protests against his candidacy for a fifth term in office.
In December 2019, Abdelmadjid Tebboune became Algeria's president, after winning the first round of the presidential election with a record abstention rate – the highest of all presidential elections since Algeria's democracy in 1989. Tebboune is accused to be close to the military and being loyal to the deposed president. Tebboune rejects these accusations, claiming to be the victim of a witch hunt. He also reminds his detractors that he was expelled from the Government in August 2017 at the instigation of oligarchs languishing in prison.
Prehistory and ancient history.
Around ~1.8-million-year-old stone artifacts from Ain Hanech (Algeria) were considered to represent the oldest archaeological materials in North Africa. Stone artifacts and cut-marked bones that were excavated from two nearby deposits at Ain Boucherit are estimated to be ~1.9 million years old, and even older stone artifacts to be as old as ~2.4 million years. Hence, the Ain Boucherit evidence shows that ancestral hominins inhabited the Mediterranean fringe in northern Africa much earlier than previously thought. The evidence strongly argues for early dispersal of stone tool manufacture and use from East Africa, or a possible multiple-origin scenario of stone technology in both East and North Africa.
Neanderthal tool makers produced hand axes in the Levalloisian and Mousterian styles (43,000 BC) similar to those in the Levant. Algeria was the site of the highest state of development of Middle Paleolithic Flake tool techniques. Tools of this era, starting about 30,000 BC, are called Aterian (after the archaeological site of Bir el Ater, south of Tebessa).
The earliest blade industries in North Africa are called Iberomaurusian (located mainly in the Oran region). This industry appears to have spread throughout the coastal regions of the Maghreb between 15,000 and 10,000 BC. Neolithic civilization (animal domestication and agriculture) developed in the Saharan and Mediterranean Maghreb perhaps as early as 11,000 BC or as late as between 6000 and 2000 BC. This life, richly depicted in the Tassili n'Ajjer paintings, predominated in Algeria until the classical period. The mixture of peoples of North Africa coalesced eventually into a distinct native population that came to be called Berbers, who are the indigenous peoples of northern Africa.
From their principal center of power at Carthage, the Carthaginians expanded and established small settlements along the North African coast; by 600 BC, a Phoenician presence existed at Tipasa, east of Cherchell, Hippo Regius (modern Annaba) and Rusicade (modern Skikda). These settlements served as market towns as well as anchorages.
As Carthaginian power grew, its impact on the indigenous population increased dramatically. Berber civilisation was already at a stage in which agriculture, manufacturing, trade, and political organisation supported several states. Trade links between Carthage and the Berbers in the interior grew, but territorial expansion also resulted in the enslavement or military recruitment of some Berbers and in the extraction of tribute from others.
By the early 4th century BC, Berbers formed the single largest element of the Carthaginian army. In the Revolt of the Mercenaries, Berber soldiers rebelled from 241 to 238 BC after being unpaid following the defeat of Carthage in the First Punic War. They succeeded in obtaining control of much of Carthage's North African territory, and they minted coins bearing the name Libyan, used in Greek to describe natives of North Africa. The Carthaginian state declined because of successive defeats by the Romans in the Punic Wars.
In 146 BC the city of Carthage was destroyed. As Carthaginian power waned, the influence of Berber leaders in the hinterland grew. By the 2nd century BC, several large but loosely administered Berber kingdoms had emerged. Two of them were established in Numidia, behind the coastal areas controlled by Carthage. West of Numidia lay Mauretania, which extended across the Moulouya River in modern-day Morocco to the Atlantic Ocean. The high point of Berber civilisation, unequalled until the coming of the Almohads and Almoravids more than a millennium later, was reached during the reign of Masinissa in the 2nd century BC.
After Masinissa's death in 148 BC, the Berber kingdoms were divided and reunited several times. Masinissa's line survived until 24 AD, when the remaining Berber territory was annexed to the Roman Empire.
For several centuries Algeria was ruled by the Romans, who founded many colonies in the region. Like the rest of North Africa, Algeria was one of the breadbaskets of the empire, exporting cereals and other agricultural products. Saint Augustine was the bishop of Hippo Regius (modern-day Annaba, Algeria), located in the Roman province of Africa. The Germanic Vandals of Geiseric moved into North Africa in 429, and by 435 controlled coastal Numidia. They did not make any significant settlement on the land, as they were harassed by local tribes. In fact, by the time the Byzantines arrived Leptis Magna was abandoned and the Msellata region was occupied by the indigenous Laguatan who had been busy facilitating an Amazigh political, military and cultural revival. Furthermore, during the rule of the Romans, Byzantines, Vandals, Carthaginians, and Ottomans the Berber people were the only or one of the few in North Africa who remained independent. The Berber people were so resistant that even during the Muslim conquest of North Africa they still had control and possession over their mountains.
The collapse of the Western Roman Empire led to the establishment of a native Kingdom based in Altava (modern day Algeria) known as the Mauro-Roman Kingdom. It was succeeded by another Kingdom based in Altava, the Kingdom of Altava. During the reign of Kusaila its territory extended from the region of modern-day Fez in the west to the western Aurès and later Kairaouan and the interior of Ifriqiya in the east.
Middle Ages.
After negligible resistance from the locals, Muslim Arabs of the Umayyad Caliphate conquered Algeria in the early 8th century.
Large numbers of the indigenous Berber people converted to Islam. Christians, Berber and Latin speakers remained in the great majority in Tunisia until the end of the 9th century and Muslims only became a vast majority some time in the 10th. After the fall of the Umayyad Caliphate, numerous local dynasties emerged, including the Rustamids, Aghlabids, Fatimids, Zirids, Hammadids, Almoravids, Almohads and the Zayyanids. The Christians left in three waves: after the initial conquest, in the 10th century and the 11th. The last were evacuated to Sicily by the Normans and the few remaining died out in the 14th century.
During the Middle Ages, North Africa was home to many great scholars, saints and sovereigns including Judah Ibn Quraysh, the first grammarian to mention Semitic and Berber languages, the great Sufi masters Sidi Boumediene (Abu Madyan) and Sidi El Houari, and the Emirs Abd Al Mu'min and Yāghmūrasen. It was during this time that the Fatimids or children of Fatima, daughter of Muhammad, came to the Maghreb. These "Fatimids" went on to found a long lasting dynasty stretching across the Maghreb, Hejaz and the Levant, boasting a secular inner government, as well as a powerful army and navy, made up primarily of Arabs and Levantines extending from Algeria to their capital state of Cairo. The Fatimid Caliphate began to collapse when its governors the Zirids seceded. In order to punish them the Fatimids sent the Arab Banu Hilal and Banu Sulaym against them. The resultant war is recounted in the epic Tāghribāt. In Al-Tāghrībāt the Amazigh Zirid Hero Khālīfā Al-Zānatī asks daily, for duels, to defeat the Hilalan hero Ābu Zayd al-Hilalī and many other Arab knights in a string of victories. The Zirids, however, were ultimately defeated ushering in an adoption of Arab customs and culture. The indigenous Amazigh tribes, however, remained largely independent, and depending on tribe, location and time controlled varying parts of the Maghreb, at times unifying it (as under the Fatimids). The Fatimid Islamic state, also known as Fatimid Caliphate made an Islamic empire that included North Africa, Sicily, Palestine, Jordan, Lebanon, Syria, Egypt, the Red Sea coast of Africa, Tihamah, Hejaz and Yemen. Caliphates from Northern Africa traded with the other empires of their time, as well as forming part of a confederated support and trade network with other Islamic states during the Islamic Era.
The Berber people historically consisted of several tribes. The two main branches were the Botr and Barnès tribes, who were divided into tribes, and again into sub-tribes. Each region of the Maghreb contained several tribes (for example, Sanhadja, Houara, Zenata, Masmouda, Kutama, Awarba, and Berghwata). All these tribes made independent territorial decisions.
Several Amazigh dynasties emerged during the Middle Ages in the Maghreb and other nearby lands. Ibn Khaldun provides a table summarising the Amazigh dynasties of the Maghreb region, the Zirid, Ifranid, Maghrawa, Almoravid, Hammadid, Almohad, Merinid, Abdalwadid, Wattasid, Meknassa and Hafsid dynasties. Both of the Hammadid and Zirid empires as well as the Fatimids established their rule in all of the Maghreb countries. The Zirids ruled land in what is now Algeria, Tunisia, Morocco, Libya, Spain, Malta and Italy. The Hammadids captured and held important regions such as Ouargla, Constantine, Sfax, Susa, Algiers, Tripoli and Fez establishing their rule in every country in the Maghreb region. The Fatimids which was created and established by the Kutama Berbers conquered all of North Africa as well as Sicily and parts of the Middle East.
Following the Berber revolt numerous independent states emerged across the Maghreb. In Algeria the Rustamid Kingdom was established. The Rustamid realm stretched from Tafilalt in Morocco to the Nafusa mountains in Libya including south, central and western Tunisia therefore including territory in all of the modern day Maghreb countries, in the south the Rustamid realm expanded to the modern borders of Mali and included territory in Mauritania.
Once extending their control over all of the Maghreb, part of Spain and briefly over Sicily, originating from modern Algeria, the Zirids only controlled modern Ifriqiya by the 11th century. The Zirids recognized nominal suzerainty of the Fatimid caliphs of Cairo. El Mu'izz the Zirid ruler decided to end this recognition and declared his independence. The Zirids also fought against other Zenata Kingdoms, for example the Maghrawa, a Berber dynasty originating from Algeria and which at one point was a dominant power in the Maghreb ruling over much of Morocco and western Algeria including Fez, Sijilmasa, Aghmat, Oujda, most of the Sous and Draa and reaching as far as M'sila and the Zab in Algeria.
As the Fatimid state was at the time too weak to attempt a direct invasion, they found another means of revenge. Between the Nile and the Red Sea were living Bedouin nomad tribes expelled from Arabia for their disruption and turbulency. The Banu Hilal and the Banu Sulaym for example, who regularly disrupted farmers in the Nile Valley since the nomads would often loot their farms. The then Fatimid vizier decided to destroy what he couldn't control, and broke a deal with the chiefs of these Beduouin tribes. The Fatimids even gave them money to leave.
Whole tribes set off with women, children, elders, animals and camping equipment. Some stopped on the way, especially in Cyrenaica, where they are still one of the essential elements of the settlement but most arrived in Ifriqiya by the Gabes region, arriving 1051. The Zirid ruler tried to stop this rising tide, but with each encounter, the last under the walls of Kairouan, his troops were defeated and the Arabs remained masters of the battlefield. The Arabs usually didn't take control over the cities, instead looting them and destroying them.
The invasion kept going, and in 1057 the Arabs spread on the high plains of Constantine where they encircled the Qalaa of Banu Hammad (capital of the Hammadid Emirate), as they had done in Kairouan a few decades ago. From there they gradually gained the upper Algiers and Oran plains. Some of these territories were forcibly taken back by the Almohads in the second half of the 12th century. The influx of Bedouin tribes was a major factor in the linguistic, cultural Arabization of the Maghreb and in the spread of nomadism in areas where agriculture had previously been dominant. Ibn Khaldun noted that the lands ravaged by Banu Hilal tribes had become completely arid desert.
The Almohads originating from modern day Morocco, although founded by a man originating from Algeria known as Abd al-Mu'min would soon take control over the Maghreb. During the time of the Almohad Dynasty Abd al-Mu'min's tribe, the Koumïa, were the main supporters of the throne and the most important body of the empire. Defeating the weakening Almoravid Empire and taking control over Morocco in 1147, they pushed into Algeria in 1152, taking control over Tlemcen, Oran, and Algiers, wrestling control from the Hilian Arabs, and by the same year they defeated Hammadids who controlled Eastern Algeria.
Following their decisive defeat in the Battle of Las Navas de Tolosa in 1212 the Almohads began collapsing, and in 1235 the governor of modern-day Western Algeria, Yaghmurasen Ibn Zyan declared his independence and established the Kingdom of Tlemcen and the Zayyanid dynasty. Warring with the Almohad forces attempting to restore control over Algeria for 13 years, they defeated the Almohads in 1248 after killing their Caliph in a successful ambush near Oujda.
The Zayyanids retained their control over Algeria for 3 centuries. Much of the eastern territories of Algeria were under the authority of the Hafsid dynasty, although the Emirate of Bejaia encompassing the Algerian territories of the Hafsids would occasionally be independent from central Tunisian control. At their peak the Zayyanid kingdom included all of Morocco as its vassal to the west and in the east reached as far as Tunis which they captured during the reign of Abu Tashfin.
After several conflicts with local Barbary pirates sponsored by the Zayyanid sultans, Spain decided to invade Algeria and defeat the native Kingdom of Tlemcen. In 1505, they invaded and captured Mers el Kébir, and in 1509 after a bloody siege, they conquered Oran. Following their decisive victories over the Algerians in the western-coastal areas of Algeria, the Spanish decided to get bolder, and invaded more Algerian cities. In 1510, they led a series of sieges and attacks, taking over Bejaia in a large siege, and leading a semi-successful siege against Algiers. They also besieged Tlemcen. In 1511, they took control over Cherchell and Jijel, and attacked Mostaganem where although they weren't able to conquer the city, they were able to force a tribute on them.
Ottoman era.
In 1516, the Ottoman privateer brothers Aruj and Hayreddin Barbarossa, who operated successfully under the Hafsids, moved their base of operations to Algiers. They succeeded in conquering Jijel and Algiers from the Spaniards with help from the locals who saw them as liberators from the Christians, but the brothers eventually assassinated the local noble Salim al-Tumi and took control over the city and the surrounding regions. When Aruj was killed in 1518 during his invasion of Tlemcen, Hayreddin succeeded him as military commander of Algiers. The Ottoman sultan gave him the title of beylerbey and a contingent of some 2,000 janissaries. With the aid of this force and native Algerians, Hayreddin conquered the whole area between Constantine and Oran (although the city of Oran remained in Spanish hands until 1792).
The next beylerbey was Hayreddin's son Hasan, who assumed the position in 1544. He was a Kouloughli or of mixed origins, as his mother was an Algerian Mooresse. Until 1587 Beylerbeylik of Algiers was governed by Beylerbeys who served terms with no fixed limits. Subsequently, with the institution of a regular administration, governors with the title of pasha ruled for three-year terms. The pasha was assisted by an autonomous janissary unit, known in Algeria as the Ojaq who were led by an agha. Discontent among the ojaq rose in the mid-1600s because they were not paid regularly, and they repeatedly revolted against the pasha. As a result, the agha charged the pasha with corruption and incompetence and seized power in 1659.
Plague had repeatedly struck the cities of North Africa. Algiers lost between 30,000 and 50,000 inhabitants to the plague in 1620–21, and had high fatalities in 1654–57, 1665, 1691 and 1740–42.
The Barbary pirates preyed on Christian and other non-Islamic shipping in the western Mediterranean Sea. The pirates often took the passengers and crew on the ships and sold them or used them as slaves. They also did a brisk business in ransoming some of the captives. According to Robert Davis, from the 16th to 19th century, pirates captured 1 million to 1.25 million Europeans as slaves. They often made raids on European coastal towns to capture Christian slaves to sell at slave markets in North Africa and other parts of the Ottoman Empire. In 1544, for example, Hayreddin Barbarossa captured the island of Ischia, taking 4,000 prisoners, and enslaved some 9,000 inhabitants of Lipari, almost the entire population. In 1551, the Ottoman governor of Algiers, Turgut Reis, enslaved the entire population of the Maltese island of Gozo. Barbary pirates often attacked the Balearic Islands. The threat was so severe that residents abandoned the island of Formentera. The introduction of broad-sail ships from the beginning of the 17th century allowed them to branch out into the Atlantic.
In July 1627 two pirate ships from Algiers under the command of Dutch pirate Jan Janszoon sailed as far as Iceland, raiding and capturing slaves. Two weeks earlier another pirate ship from Salé in Morocco had also raided in Iceland. Some of the slaves brought to Algiers were later ransomed back to Iceland, but some chose to stay in Algeria. In 1629, pirate ships from Algeria raided the Faroe Islands.
In 1671, the taifa of raises, or the company of corsair captains rebelled, killed the agha, and placed one of its own in power. The new leader received the title of Dey. After 1689, the right to select the dey passed to the divan, a council of some sixty nobles. It was at first dominated by the "ojaq"; but by the 18th century, it had become the dey's instrument. In 1710, the dey persuaded the sultan to recognise him and his successors as regent, replacing the pasha in that role. Although Algiers remained nominally part of the Ottoman Empire, in reality they acted independently from the rest of the Empire, and often had wars with other Ottoman subjects and territories such as the Beylik of Tunis.
The dey was in effect a constitutional autocrat. The dey was elected for a life term, but in the 159 years (1671–1830) that the system was in place, fourteen of the twenty-nine deys were assassinated. Despite usurpation, military coups and occasional mob rule, the day-to-day operation of the Deylikal government was remarkably orderly. Although the regency patronised the tribal chieftains, it never had the unanimous allegiance of the countryside, where heavy taxation frequently provoked unrest. Autonomous tribal states were tolerated, and the regency's authority was seldom applied in the Kabylia, although in 1730 the Regency was able to take control over the Kingdom of Kuku in western Kabylia. Many cities in the northern parts of the Algerian desert paid taxes to Algiers or one of its Beys, although they otherwise retained complete autonomy from central control, while the deeper parts of the Sahara were completely independent from Algiers.
Barbary raids in the Mediterranean continued to attack Spanish merchant shipping, and as a result, the Spanish Navy bombarded Algiers in 1783 and 1784. For the attack in 1784, the Spanish fleet was to be joined by ships from such traditional enemies of Algiers as Naples, Portugal and the Knights of Malta. Over 20,000 cannonballs were fired, much of the city and its fortifications were destroyed and most of the Algerian fleet was sunk.
In 1792, Algiers took back Oran and Mers el Kébir, the two last Spanish strongholds in Algeria. In the same year, they conquered the Moroccan Rif and Oujda, which they then abandoned in 1795.
In the 19th century, Algerian pirates forged affiliations with Caribbean powers, paying a "license tax" in exchange for safe harbor of their vessels.
Attacks by Algerian pirates on American merchantmen resulted in the First and Second Barbary Wars, which ended the attacks on U.S. ships in 1815. A year later, a combined Anglo-Dutch fleet, under the command of Lord Exmouth bombarded Algiers to stop similar attacks on European fishermen. These efforts proved successful, although Algerian piracy would continue until the French conquest in 1830.
French colonization (1830–1962).
Under the pretext of a slight to their consul, the French invaded and captured Algiers in 1830. Historian Ben Kiernan wrote on the French conquest of Algeria: "By 1875, the French conquest was complete. The war had killed approximately 825,000 indigenous Algerians since 1830." French losses from 1831 to 1851 were 92,329 dead in the hospital and only 3,336 killed in action. The population of Algeria, which stood at about 2.9 million in 1872, reached nearly 11 million in 1960. French policy was predicated on "civilising" the country. The slave trade and piracy in Algeria ceased following the French conquest. The conquest of Algeria by the French took some time and resulted in considerable bloodshed. A combination of violence and disease epidemics caused the indigenous Algerian population to decline by nearly one-third from 1830 to 1872. On 17 September 1860, Napoleon III declared "Our first duty is to take care of the happiness of the three million Arabs, whom the fate of arms has brought under our domination." During this time, only Kabylia resisted, the Kabylians were not colonized until after the Mokrani Revolt in 1871.
From 1848 until independence, France administered the whole Mediterranean region of Algeria as an integral part and "département" of the nation. One of France's longest-held overseas territories, Algeria became a destination for hundreds of thousands of European immigrants, who became known as "colons" and later, as "Pied-Noirs." Between 1825 and 1847, 50,000 French people emigrated to Algeria. These settlers benefited from the French government's confiscation of communal land from tribal peoples, and the application of modern agricultural techniques that increased the amount of arable land. Many Europeans settled in Oran and Algiers, and by the early 20th century they formed a majority of the population in both cities.
During the late 19th and early 20th century, the European share was almost a fifth of the population. The French government aimed at making Algeria an assimilated part of France, and this included substantial educational investments especially after 1900. The indigenous cultural and religious resistance heavily opposed this tendency, but in contrast to the other colonized countries' path in central Asia and Caucasus, Algeria kept its individual skills and a relatively human-capital intensive agriculture.
During the Second World War, Algeria came under Vichy control before being liberated by the Allies in Operation Torch, which saw the first large-scale deployment of American troops in the North African campaign.
Gradually, dissatisfaction among the Muslim population, which lacked political and economic status under the colonial system, gave rise to demands for greater political autonomy and eventually independence from France. In May 1945, the uprising against the occupying French forces was suppressed through what is now known as the Sétif and Guelma massacre. Tensions between the two population groups came to a head in 1954, when the first violent events of what was later called the Algerian War began after the publication of the Declaration of 1 November 1954. Historians have estimated that between 30,000 and 150,000 Harkis and their dependents were killed by the National Liberation Front (FLN) or by lynch mobs in Algeria. The FLN used hit and run attacks in Algeria and France as part of its war, and the French conducted severe reprisals. In addition, the French destroyed over 8,000 villages and relocated over 2 million Algerians to concentration camps.
The war led to the death of hundreds of thousands of Algerians and hundreds of thousands of injuries. Historians, like Alistair Horne and Raymond Aron, state that the actual number of Algerian Muslim war dead was far greater than the original FLN and official French estimates but was less than the 1 million deaths claimed by the Algerian government after independence. Horne estimated Algerian casualties during the span of eight years to be around 700,000. The war uprooted more than 2 million Algerians.
The war against French rule concluded in 1962, when Algeria gained complete independence following the March 1962 Evian agreements and the July 1962 self-determination referendum.
The first three decades of independence (1962–1991).
The number of European "Pied-Noirs" who fled Algeria totaled more than 900,000 between 1962 and 1964. The exodus to mainland France accelerated after the Oran massacre of 1962, in which hundreds of militants entered European sections of the city, and began attacking civilians.
Algeria's first president was the Front de Libération Nationale (FLN) leader Ahmed Ben Bella. Morocco's claim to portions of western Algeria led to the Sand War in 1963. Ben Bella was overthrown in 1965 by Houari Boumédiène, his former ally and defence minister. Under Ben Bella, the government had become increasingly socialist and authoritarian; Boumédienne continued this trend. However, he relied much more on the army for his support, and reduced the sole legal party to a symbolic role. He collectivised agriculture and launched a massive industrialisation drive. Oil extraction facilities were nationalised. This was especially beneficial to the leadership after the international 1973 oil crisis.
Boumédienne's successor, Chadli Bendjedid, introduced some liberal economic reforms. He promoted a policy of Arabisation in Algerian society and public life. Teachers of Arabic, brought in from other Muslim countries, spread conventional Islamic thought in schools and sowed the seeds of a return to Orthodox Islam.
The Algerian economy became increasingly dependent on oil, leading to hardship when the price collapsed during the 1980s oil glut. Economic recession caused by the crash in world oil prices resulted in Algerian social unrest during the 1980s; by the end of the decade, Bendjedid introduced a multi-party system. Political parties developed, such as the Islamic Salvation Front (FIS), a broad coalition of Muslim groups.
Civil War (1991–2002) and aftermath.
In December 1991 the Islamic Salvation Front dominated the first of two rounds of legislative elections. Fearing the election of an Islamist government, the authorities intervened on 11 January 1992, cancelling the elections. Bendjedid resigned and a High Council of State was installed to act as the Presidency. It banned the FIS, triggering a civil insurgency between the Front's armed wing, the Armed Islamic Group, and the national armed forces, in which more than 100,000 people are thought to have died. The Islamist militants conducted a violent campaign of civilian massacres. At several points in the conflict, the situation in Algeria became a point of international concern, most notably during the crisis surrounding Air France Flight 8969, a hijacking perpetrated by the Armed Islamic Group. The Armed Islamic Group declared a ceasefire in October 1997.
Algeria held elections in 1999, considered biased by international observers and most opposition groups which were won by President Abdelaziz Bouteflika. He worked to restore political stability to the country and announced a "Civil Concord" initiative, approved in a referendum, under which many political prisoners were pardoned, and several thousand members of armed groups were granted exemption from prosecution under a limited amnesty, in force until 13 January 2000. The AIS disbanded and levels of insurgent violence fell rapidly. The Groupe Salafiste pour la Prédication et le Combat (GSPC), a splinter group of the Armed Islamic Group, continued a terrorist campaign against the Government.
Bouteflika was re-elected in the April 2004 presidential election after campaigning on a programme of national reconciliation. The programme comprised economic, institutional, political and social reform to modernise the country, raise living standards, and tackle the causes of alienation. It also included a second amnesty initiative, the Charter for Peace and National Reconciliation, which was approved in a referendum in September 2005. It offered amnesty to most guerrillas and Government security forces.
In November 2008, the Algerian Constitution was amended following a vote in Parliament, removing the two-term limit on Presidential incumbents. This change enabled Bouteflika to stand for re-election in the 2009 presidential elections, and he was re-elected in April 2009. During his election campaign and following his re-election, Bouteflika promised to extend the programme of national reconciliation and a $150-billion spending programme to create three million new jobs, the construction of one million new housing units, and to continue public sector and infrastructure modernisation programmes.
A continuing series of protests throughout the country started on 28 December 2010, inspired by similar protests across the Middle East and North Africa. On 24 February 2011, the government lifted Algeria's 19-year-old state of emergency. The government enacted legislation dealing with political parties, the electoral code, and the representation of women in elected bodies. In April 2011, Bouteflika promised further constitutional and political reform. However, elections are routinely criticised by opposition groups as unfair and international human rights groups say that media censorship and harassment of political opponents continue.
On 2 April 2019, Bouteflika resigned from the presidency after mass protests against his candidacy for a fifth term in office.
In December 2019, Abdelmadjid Tebboune became Algeria's president, after winning the first round of the presidential election with a record abstention rate – the highest of all presidential elections since Algeria's democracy in 1989. Tebboune is accused to be close to the military and being loyal to the deposed president. Tebboune rejects these accusations, claiming to be the victim of a witch hunt. He also reminds his detractors that he was expelled from the Government in August 2017 at the instigation of oligarchs languishing in prison.
Geography.
Since the 2011 breakup of Sudan, and the creation of South Sudan, Algeria has been the largest country in Africa, and the Mediterranean Basin. Its southern part includes a significant portion of the Sahara. To the north, the Tell Atlas form with the Saharan Atlas, further south, two parallel sets of reliefs in approaching eastbound, and between which are inserted vast plains and highlands. Both Atlas tend to merge in eastern Algeria. The vast mountain ranges of Aures and Nememcha occupy the entire northeastern Algeria and are delineated by the Tunisian border. The highest point is Mount Tahat ().
Algeria lies mostly between latitudes 19° and 37°N (a small area is north of 37°N and south of 19°N), and longitudes 9°W and 12°E. Most of the coastal area is hilly, sometimes even mountainous, and there are a few natural harbours. The area from the coast to the Tell Atlas is fertile. South of the Tell Atlas is a steppe landscape ending with the Saharan Atlas; farther south, there is the Sahara desert.
The Hoggar Mountains (), also known as the Hoggar, are a highland region in central Sahara, southern Algeria. They are located about south of the capital, Algiers, and just east of Tamanghasset. Algiers, Oran, Constantine, and Annaba are Algeria's main cities.
Climate and hydrology.
In this region, midday desert temperatures can be hot year round. After sunset, however, the clear, dry air permits rapid loss of heat, and the nights are cool to chilly. Enormous daily ranges in temperature are recorded.
Rainfall is fairly plentiful along the coastal part of the Tell Atlas, ranging from annually, the amount of precipitation increasing from west to east. Precipitation is heaviest in the northern part of eastern Algeria, where it reaches as much as in some years.
Farther inland, the rainfall is less plentiful. Algeria also has ergs, or sand dunes, between mountains. Among these, in the summer time when winds are heavy and gusty, temperatures can go up to .
Fauna and flora.
The varied vegetation of Algeria includes coastal, mountainous and grassy desert-like regions which all support a wide range of wildlife. Many of the creatures comprising the Algerian wildlife live in close proximity to civilisation. The most commonly seen animals include the wild boars, jackals, and gazelles, although it is not uncommon to spot fennecs (foxes), and jerboas. Algeria also has a small African leopard and Saharan cheetah population, but these are seldom seen. A species of deer, the Barbary stag, inhabits the dense humid forests in the north-eastern areas. The fennec fox is the national animal of Algeria.
A variety of bird species makes the country an attraction for bird watchers. The forests are inhabited by boars and jackals. Barbary macaques are the sole native monkey. Snakes, monitor lizards, and numerous other reptiles can be found living among an array of rodents throughout the semi arid regions of Algeria. Many animals are now extinct, including the Barbary lions, Atlas bears and crocodiles.
In the north, some of the native flora includes Macchia scrub, olive trees, oaks, cedars and other conifers. The mountain regions contain large forests of evergreens (Aleppo pine, juniper, and evergreen oak) and some deciduous trees. Fig, eucalyptus, agave, and various palm trees grow in the warmer areas. The grape vine is indigenous to the coast. In the Sahara region, some oases have palm trees. Acacias with wild olives are the predominant flora in the remainder of the Sahara. Algeria had a 2018 Forest Landscape Integrity Index mean score of 5.22/10, ranking it 106th globally out of 172 countries.
Camels are used extensively; the desert also abounds with venomous and nonvenomous snakes, scorpions, and numerous insects.
Climate and hydrology.
In this region, midday desert temperatures can be hot year round. After sunset, however, the clear, dry air permits rapid loss of heat, and the nights are cool to chilly. Enormous daily ranges in temperature are recorded.
Rainfall is fairly plentiful along the coastal part of the Tell Atlas, ranging from annually, the amount of precipitation increasing from west to east. Precipitation is heaviest in the northern part of eastern Algeria, where it reaches as much as in some years.
Farther inland, the rainfall is less plentiful. Algeria also has ergs, or sand dunes, between mountains. Among these, in the summer time when winds are heavy and gusty, temperatures can go up to .
Fauna and flora.
The varied vegetation of Algeria includes coastal, mountainous and grassy desert-like regions which all support a wide range of wildlife. Many of the creatures comprising the Algerian wildlife live in close proximity to civilisation. The most commonly seen animals include the wild boars, jackals, and gazelles, although it is not uncommon to spot fennecs (foxes), and jerboas. Algeria also has a small African leopard and Saharan cheetah population, but these are seldom seen. A species of deer, the Barbary stag, inhabits the dense humid forests in the north-eastern areas. The fennec fox is the national animal of Algeria.
A variety of bird species makes the country an attraction for bird watchers. The forests are inhabited by boars and jackals. Barbary macaques are the sole native monkey. Snakes, monitor lizards, and numerous other reptiles can be found living among an array of rodents throughout the semi arid regions of Algeria. Many animals are now extinct, including the Barbary lions, Atlas bears and crocodiles.
In the north, some of the native flora includes Macchia scrub, olive trees, oaks, cedars and other conifers. The mountain regions contain large forests of evergreens (Aleppo pine, juniper, and evergreen oak) and some deciduous trees. Fig, eucalyptus, agave, and various palm trees grow in the warmer areas. The grape vine is indigenous to the coast. In the Sahara region, some oases have palm trees. Acacias with wild olives are the predominant flora in the remainder of the Sahara. Algeria had a 2018 Forest Landscape Integrity Index mean score of 5.22/10, ranking it 106th globally out of 172 countries.
Camels are used extensively; the desert also abounds with venomous and nonvenomous snakes, scorpions, and numerous insects.
Government and politics.
Elected politicians have relatively little sway over Algeria. Instead, a group of unelected civilian and military "décideurs" ("deciders"), known as "le pouvoir" ("the power"), actually rule the country, even deciding who should be president. The most powerful man might have been Mohamed Mediène, the head of military intelligence, before he was brought down during the 2019 protests. In recent years, many of these generals have died, retired, or been imprisoned. After the death of General Larbi Belkheir, previous president Bouteflika put loyalists in key posts, notably at Sonatrach, and secured constitutional amendments that made him re-electable indefinitely, until he was brought down in 2019 during protests.
The head of state is the President of Algeria, who is elected for a five-year term. The president is limited to two five-year terms. The most recent presidential election was planned to be in April 2019, but widespread protests erupted on 22 February against the president's decision to participate in the election, which resulted in President Bouteflika announcing his resignation on 3 April. Abdelmadjid Tebboune, an independent candidate, was elected as president after the election eventually took place on 12 December 2019. Protestors refused to recognise Tebboune as president, citing demands for comprehensive reform of the political system. Algeria has universal suffrage at 18 years of age. The President is the head of the army, the Council of Ministers and the High Security Council. He appoints the Prime Minister who is also the head of government.
The Algerian parliament is bicameral; the lower house, the People's National Assembly, has 462 members who are directly elected for five-year terms, while the upper house, the Council of the Nation, has 144 members serving six-year terms, of which 96 members are chosen by local assemblies and 48 are appointed by the president. According to the constitution, no political association may be formed if it is "based on differences in religion, language, race, gender, profession, or region". In addition, political campaigns must be exempt from the aforementioned subjects.
Parliamentary elections were last held in May 2017. In the elections, the FLN lost 44 of its seats, but remained the largest party with 164 seats, the military-backed National Rally for Democracy won 100, and the Muslim Brotherhood-linked Movement of the Society for Peace won 33.
Foreign relations.
Algeria is included in the European Union's European Neighbourhood Policy (ENP) which aims at bringing the EU and its neighbours closer.
Giving incentives and rewarding best performers, as well as offering funds in a faster and more flexible manner, are the two main principles underlying the European Neighbourhood Instrument (ENI) that came into force in 2014. It has a budget of €15.4 billion and provides the bulk of funding through a number of programmes.
In 2009, the French government agreed to compensate victims of nuclear tests in Algeria. Defence Minister Herve Morin stated that "It's time for our country to be at peace with itself, at peace thanks to a system of compensation and reparations," when presenting the draft law on the payouts. Algerian officials and activists believe that this is a good first step and hope that this move would encourage broader reparation.
Tensions between Algeria and Morocco in relation to the Western Sahara have been an obstacle to tightening the Arab Maghreb Union, nominally established in 1989, but which has carried little practical weight. On 24 August 2021, Algeria announced the break of diplomatic relations with Morocco.
Military.
The military of Algeria consists of the People's National Army (ANP), the Algerian National Navy (MRA), and the Algerian Air Force (QJJ), plus the Territorial Air Defence Forces. It is the direct successor of the National Liberation Army (Armée de Libération Nationale or ALN), the armed wing of the nationalist National Liberation Front which fought French colonial occupation during the Algerian War of Independence (1954–62).
Total military personnel include 147,000 active, 150,000 reserve, and 187,000 paramilitary staff (2008 estimate). Service in the military is compulsory for men aged 19–30, for a total of 12 months. The military expenditure was 4.3% of the gross domestic product (GDP) in 2012. Algeria has the second largest military in North Africa with the largest defence budget in Africa ($10 billion). Most of Algeria's weapons are imported from Russia, with whom they are a close ally.
In 2007, the Algerian Air Force signed a deal with Russia to purchase 49 MiG-29SMT and 6 MiG-29UBT at an estimated cost of $1.9 billion. Russia is also building two 636-type diesel submarines for Algeria.
Human rights.
Algeria has been categorised by the US government funded Freedom House as "not free" since it began publishing such ratings in 1972, with the exception of 1989, 1990, and 1991, when the country was labelled "partly free." In December 2016, the "Euro-Mediterranean Human Rights Monitor" issued a report regarding violation of media freedom in Algeria. It clarified that the Algerian government imposed restrictions on freedom of the press; expression; and right to peaceful demonstration, protest and assembly as well as intensified censorship of the media and websites. Due to the fact that the journalists and activists criticise the ruling government, some media organisations' licenses are cancelled.
Independent and autonomous trade unions face routine harassment from the government, with many leaders imprisoned and protests suppressed. In 2016, a number of unions, many of which were involved in the 2010–2012 Algerian Protests, have been deregistered by the government.
Homosexuality is illegal in Algeria. Public homosexual behavior is punishable by up to two years in prison. Despite this, about 26% of Algerians think that homosexuality should be accepted, according to the survey conducted by the BBC News Arabic-Arab Barometer in 2019. Algeria showed largest LGBT acceptance compared to other Arab countries where the survey was conducted.
Human Rights Watch has accused the Algerian authorities of using the COVID-19 pandemic as an excuse to prevent pro-democracy movements and protests in the country, leading to the arrest of youths as part of social distancing.
Administrative divisions.
Algeria is divided into 58 provinces ("wilayas"), 553 districts ("daïras") and 1,541 municipalities ("baladiyahs"). Each province, district, and municipality is named after its seat, which is usually the largest city.
The administrative divisions have changed several times since independence. When introducing new provinces, the numbers of old provinces are kept, hence the non-alphabetical order. With their official numbers, currently (since 1983) they are
Foreign relations.
Algeria is included in the European Union's European Neighbourhood Policy (ENP) which aims at bringing the EU and its neighbours closer.
Giving incentives and rewarding best performers, as well as offering funds in a faster and more flexible manner, are the two main principles underlying the European Neighbourhood Instrument (ENI) that came into force in 2014. It has a budget of €15.4 billion and provides the bulk of funding through a number of programmes.
In 2009, the French government agreed to compensate victims of nuclear tests in Algeria. Defence Minister Herve Morin stated that "It's time for our country to be at peace with itself, at peace thanks to a system of compensation and reparations," when presenting the draft law on the payouts. Algerian officials and activists believe that this is a good first step and hope that this move would encourage broader reparation.
Tensions between Algeria and Morocco in relation to the Western Sahara have been an obstacle to tightening the Arab Maghreb Union, nominally established in 1989, but which has carried little practical weight. On 24 August 2021, Algeria announced the break of diplomatic relations with Morocco.
Military.
The military of Algeria consists of the People's National Army (ANP), the Algerian National Navy (MRA), and the Algerian Air Force (QJJ), plus the Territorial Air Defence Forces. It is the direct successor of the National Liberation Army (Armée de Libération Nationale or ALN), the armed wing of the nationalist National Liberation Front which fought French colonial occupation during the Algerian War of Independence (1954–62).
Total military personnel include 147,000 active, 150,000 reserve, and 187,000 paramilitary staff (2008 estimate). Service in the military is compulsory for men aged 19–30, for a total of 12 months. The military expenditure was 4.3% of the gross domestic product (GDP) in 2012. Algeria has the second largest military in North Africa with the largest defence budget in Africa ($10 billion). Most of Algeria's weapons are imported from Russia, with whom they are a close ally.
In 2007, the Algerian Air Force signed a deal with Russia to purchase 49 MiG-29SMT and 6 MiG-29UBT at an estimated cost of $1.9 billion. Russia is also building two 636-type diesel submarines for Algeria.
Human rights.
Algeria has been categorised by the US government funded Freedom House as "not free" since it began publishing such ratings in 1972, with the exception of 1989, 1990, and 1991, when the country was labelled "partly free." In December 2016, the "Euro-Mediterranean Human Rights Monitor" issued a report regarding violation of media freedom in Algeria. It clarified that the Algerian government imposed restrictions on freedom of the press; expression; and right to peaceful demonstration, protest and assembly as well as intensified censorship of the media and websites. Due to the fact that the journalists and activists criticise the ruling government, some media organisations' licenses are cancelled.
Independent and autonomous trade unions face routine harassment from the government, with many leaders imprisoned and protests suppressed. In 2016, a number of unions, many of which were involved in the 2010–2012 Algerian Protests, have been deregistered by the government.
Homosexuality is illegal in Algeria. Public homosexual behavior is punishable by up to two years in prison. Despite this, about 26% of Algerians think that homosexuality should be accepted, according to the survey conducted by the BBC News Arabic-Arab Barometer in 2019. Algeria showed largest LGBT acceptance compared to other Arab countries where the survey was conducted.
Human Rights Watch has accused the Algerian authorities of using the COVID-19 pandemic as an excuse to prevent pro-democracy movements and protests in the country, leading to the arrest of youths as part of social distancing.
Administrative divisions.
Algeria is divided into 58 provinces ("wilayas"), 553 districts ("daïras") and 1,541 municipalities ("baladiyahs"). Each province, district, and municipality is named after its seat, which is usually the largest city.
The administrative divisions have changed several times since independence. When introducing new provinces, the numbers of old provinces are kept, hence the non-alphabetical order. With their official numbers, currently (since 1983) they are
Economy.
Algeria's currency is the dinar (DZD). The economy remains dominated by the state, a legacy of the country's socialist post-independence development model. In recent years, the Algerian government has halted the privatization of state-owned industries and imposed restrictions on imports and foreign involvement in its economy. These restrictions are just starting to be lifted off recently although questions about Algeria's slowly-diversifying economy remain.
Algeria has struggled to develop industries outside hydrocarbons in part because of high costs and an inert state bureaucracy. The government's efforts to diversify the economy by attracting foreign and domestic investment outside the energy sector have done little to reduce high youth unemployment rates or to address housing shortages. The country is facing a number of short-term and medium-term problems, including the need to diversify the economy, strengthen political, economic and financial reforms, improve the business climate and reduce inequalities amongst regions.
A wave of economic protests in February and March 2011 prompted the Algerian government to offer more than $23 billion in public grants and retroactive salary and benefit increases. Public spending has increased by 27% annually during the past 5 years. The 2010–14 public-investment programme will cost US$286 billion, 40% of which will go to human development.
Thanks to strong hydrocarbon revenues, Algeria has a cushion of $173 billion in foreign currency reserves and a large hydrocarbon stabilisation fund. In addition, Algeria's external debt is extremely low at about 2% of GDP. The economy remains very dependent on hydrocarbon wealth, and, despite high foreign exchange reserves (US$178 billion, equivalent to three years of imports), current expenditure growth makes Algeria's budget more vulnerable to the risk of prolonged lower hydrocarbon revenues.
Algeria has not joined the WTO, despite several years of negotiations but is a member of the Greater Arab Free Trade Area and the African Continental Free Trade Area, and has an association agreement with the European Union
Turkish direct investments have accelerated in Algeria, with total value reaching $5 billion. As of 2022, the number of Turkish companies present in Algeria has reached 1,400. In 2020, despite the pandemic, more than 130 Turkish companies were created in Algeria.
Oil and natural resources.
Algeria, whose economy is reliant on petroleum, has been an OPEC member since 1969. Its crude oil production stands at around 1.1 million barrels/day, but it is also a major gas producer and exporter, with important links to Europe. Hydrocarbons have long been the backbone of the economy, accounting for roughly 60% of budget revenues, 30% of GDP, and 87.7% of export earnings. Algeria has the 10th-largest reserves of natural gas in the world and is the sixth-largest gas exporter. The U.S. Energy Information Administration reported that in 2005, Algeria had of proven natural-gas reserves. It also ranks 16th in oil reserves.
Non-hydrocarbon growth for 2011 was projected at 5%. To cope with social demands, the authorities raised expenditure, especially on basic food support, employment creation, support for SMEs, and higher salaries. High hydrocarbon prices have improved the current account and the already large international reserves position.
Income from oil and gas rose in 2011 as a result of continuing high oil prices, though the trend in production volume is downwards. Production from the oil and gas sector in terms of volume, continues to decline, dropping from 43.2 million tonnes to 32 million tonnes between 2007 and 2011. Nevertheless, the sector accounted for 98% of the total volume of exports in 2011, against 48% in 1962, and 70% of budgetary receipts, or US$71.4 billion.
The Algerian national oil company is Sonatrach, which plays a key role in all aspects of the oil and natural gas sectors in Algeria. All foreign operators must work in partnership with Sonatrach, which usually has majority ownership in production-sharing agreements.
Access to biocapacity in Algeria is lower than world average. In 2016, Algeria had 0.53 global hectares of biocapacity per person within its territory, much less than the world average of 1.6 global hectares per person. In 2016, Algeria used 2.4 global hectares of biocapacity per person – their ecological footprint of consumption. This means they use just under 4.5 times as much biocapacity as Algeria contains. As a result, Algeria is running a biocapacity deficit. In April 2022, diplomats from Italy and Spain held talks after Rome's move to secure large volume of Algerian gas stoked concerns in Madrid. Under the deal between Algeria's Sonatrach and Italy's Eni, Algeria will send an additional 9 billion cubic metres of gas to Italy by next year and in 2024.
Research and alternative energy sources.
Algeria has invested an estimated 100 billion dinars towards developing research facilities and paying researchers. This development program is meant to advance alternative energy production, especially solar and wind power. Algeria is estimated to have the largest solar energy potential in the Mediterranean, so the government has funded the creation of a solar science park in Hassi R'Mel. Currently, Algeria has 20,000 research professors at various universities and over 780 research labs, with state-set goals to expand to 1,000. Besides solar energy, areas of research in Algeria include space and satellite telecommunications, nuclear power and medical research.
Labour market.
The overall rate of unemployment was 10% in 2011, but remained higher among young people, with a rate of 21.5% for those aged between 15 and 24. The government strengthened in 2011 the job programs introduced in 1988, in particular in the framework of the program to aid those seeking work (Dispositif d'Aide à l'Insertion Professionnelle).
Despite a decline in total unemployment, youth and women unemployment is high.
Tourism.
The development of the tourism sector in Algeria had previously been hampered by a lack of facilities, but since 2004 a broad tourism development strategy has been implemented resulting in many hotels of a high modern standard being built.
There are several UNESCO World Heritage Sites in Algeria including Al Qal'a of Beni Hammad, the first capital of the Hammadid empire; Tipasa, a Phoenician and later Roman town; and Djémila and Timgad, both Roman ruins; M'Zab Valley, a limestone valley containing a large urbanized oasis; and the Casbah of Algiers, an important citadel. The only natural World Heritage Site is the Tassili n'Ajjer, a mountain range.
Transport.
The Algerian road network is the densest in Africa; its length is estimated at of highways, with more than 3,756 structures and a paving rate of 85%. This network will be complemented by the East-West Highway, a major infrastructure project currently under construction. It is a 3-way, highway, linking Annaba in the extreme east to the Tlemcen in the far west. Algeria is also crossed by the Trans-Sahara Highway, which is now completely paved. This road is supported by the Algerian government to increase trade between the six countries crossed: Algeria, Mali, Niger, Nigeria, Chad, and Tunisia.
Oil and natural resources.
Algeria, whose economy is reliant on petroleum, has been an OPEC member since 1969. Its crude oil production stands at around 1.1 million barrels/day, but it is also a major gas producer and exporter, with important links to Europe. Hydrocarbons have long been the backbone of the economy, accounting for roughly 60% of budget revenues, 30% of GDP, and 87.7% of export earnings. Algeria has the 10th-largest reserves of natural gas in the world and is the sixth-largest gas exporter. The U.S. Energy Information Administration reported that in 2005, Algeria had of proven natural-gas reserves. It also ranks 16th in oil reserves.
Non-hydrocarbon growth for 2011 was projected at 5%. To cope with social demands, the authorities raised expenditure, especially on basic food support, employment creation, support for SMEs, and higher salaries. High hydrocarbon prices have improved the current account and the already large international reserves position.
Income from oil and gas rose in 2011 as a result of continuing high oil prices, though the trend in production volume is downwards. Production from the oil and gas sector in terms of volume, continues to decline, dropping from 43.2 million tonnes to 32 million tonnes between 2007 and 2011. Nevertheless, the sector accounted for 98% of the total volume of exports in 2011, against 48% in 1962, and 70% of budgetary receipts, or US$71.4 billion.
The Algerian national oil company is Sonatrach, which plays a key role in all aspects of the oil and natural gas sectors in Algeria. All foreign operators must work in partnership with Sonatrach, which usually has majority ownership in production-sharing agreements.
Access to biocapacity in Algeria is lower than world average. In 2016, Algeria had 0.53 global hectares of biocapacity per person within its territory, much less than the world average of 1.6 global hectares per person. In 2016, Algeria used 2.4 global hectares of biocapacity per person – their ecological footprint of consumption. This means they use just under 4.5 times as much biocapacity as Algeria contains. As a result, Algeria is running a biocapacity deficit. In April 2022, diplomats from Italy and Spain held talks after Rome's move to secure large volume of Algerian gas stoked concerns in Madrid. Under the deal between Algeria's Sonatrach and Italy's Eni, Algeria will send an additional 9 billion cubic metres of gas to Italy by next year and in 2024.
Research and alternative energy sources.
Algeria has invested an estimated 100 billion dinars towards developing research facilities and paying researchers. This development program is meant to advance alternative energy production, especially solar and wind power. Algeria is estimated to have the largest solar energy potential in the Mediterranean, so the government has funded the creation of a solar science park in Hassi R'Mel. Currently, Algeria has 20,000 research professors at various universities and over 780 research labs, with state-set goals to expand to 1,000. Besides solar energy, areas of research in Algeria include space and satellite telecommunications, nuclear power and medical research.
Labour market.
The overall rate of unemployment was 10% in 2011, but remained higher among young people, with a rate of 21.5% for those aged between 15 and 24. The government strengthened in 2011 the job programs introduced in 1988, in particular in the framework of the program to aid those seeking work (Dispositif d'Aide à l'Insertion Professionnelle).
Despite a decline in total unemployment, youth and women unemployment is high.
Tourism.
The development of the tourism sector in Algeria had previously been hampered by a lack of facilities, but since 2004 a broad tourism development strategy has been implemented resulting in many hotels of a high modern standard being built.
There are several UNESCO World Heritage Sites in Algeria including Al Qal'a of Beni Hammad, the first capital of the Hammadid empire; Tipasa, a Phoenician and later Roman town; and Djémila and Timgad, both Roman ruins; M'Zab Valley, a limestone valley containing a large urbanized oasis; and the Casbah of Algiers, an important citadel. The only natural World Heritage Site is the Tassili n'Ajjer, a mountain range.
Transport.
The Algerian road network is the densest in Africa; its length is estimated at of highways, with more than 3,756 structures and a paving rate of 85%. This network will be complemented by the East-West Highway, a major infrastructure project currently under construction. It is a 3-way, highway, linking Annaba in the extreme east to the Tlemcen in the far west. Algeria is also crossed by the Trans-Sahara Highway, which is now completely paved. This road is supported by the Algerian government to increase trade between the six countries crossed: Algeria, Mali, Niger, Nigeria, Chad, and Tunisia.
Demographics.
Algeria has a population of an estimated 44 million, of which the majority, 75% to 85% are ethnically Arab. At the outset of the 20th century, its population was approximately four million. About 90% of Algerians live in the northern, coastal area; the inhabitants of the Sahara desert are mainly concentrated in oases, although some 1.5 million remain nomadic or partly nomadic. 28.1% of Algerians are under the age of 15.
Between 90,000 and 165,000 Sahrawis from Western Sahara live in the Sahrawi refugee camps, in the western Algerian Sahara desert. There are also more than 4,000 Palestinian refugees, who are well integrated and have not asked for assistance from the United Nations High Commissioner for Refugees (UNHCR). In 2009, 35,000 Chinese migrant workers lived in Algeria.
The largest concentration of Algerian migrants outside Algeria is in France, which has reportedly over 1.7 million Algerians of up to the second generation.
Ethnic groups.
Arabs and indigenous Berbers as well as Phoenicians, Romans, Vandals, Byzantine Greeks, Turks, various Sub-Saharan Africans, and French have contributed to the history and culture of Algeria. Descendants of Andalusian refugees are also present in the population of Algiers and other cities. Moreover, Spanish was spoken by these Aragonese and Castillian Morisco descendants deep into the 18th century, and even Catalan was spoken at the same time by Catalan Morisco descendants in the small town of Grish El-Oued.
The majority of the population of Algeria are Arabs (75% to 85% of the population). Berbers who make up 15% to 20% of the population are divided into many groups with varying languages. The largest of these are the Kabyles, who live in the Kabylie region east of Algiers, the Chaoui of Northeast Algeria, the Tuaregs in the southern desert and the Shenwa people of North Algeria.
During the colonial period, there was a large (10% in 1960) European population who became known as "Pied-Noirs". They were primarily of French, Spanish and Italian origin. Almost all of this population left during the war of independence or immediately after its end.
Languages.
Modern Standard Arabic and Berber are the official languages. Algerian Arabic (Darja) is the language used by the majority of the population. Colloquial Algerian Arabic has some Berber loanwords which represent 8% to 9% of its vocabulary.
Berber has been recognised as a "national language" by the constitutional amendment of 8 May 2002. Kabyle, the predominant Berber language, is taught and is partially co-official (with a few restrictions) in parts of Kabylie. Kabyle has a significant Arabic, French, Latin, Greek, Phoenician and Punic substratum, and Arabic loanwords represent 35% of the total Kabyle vocabulary. In February 2016, the Algerian constitution passed a resolution that made Berber an official language alongside Arabic.
Although French has no official status in Algeria, it has one of the largest Francophone populations in the world, and French is widely used in government, media (newspapers, radio, local television), and both the education system (from primary school onwards) and academia due to Algeria's colonial history. It can be regarded as a lingua franca of Algeria. In 2008, 11.2 million Algerians could read and write in French. An Abassa Institute study in April 2000 found that 60% of households could speak and understand French, or 18 million people out of a total of 30 million at the time. Following a period during which the Algerian government tried to phase out French, in recent decades the government has changed course and reinforced the study of French, and some television programs are broadcast in the language.
Algeria emerged as a bilingual state after 1962. Colloquial Algerian Arabic is spoken by about 83% of the population and Berber by 27%.
Religion.
Islam is the predominant religion in Algeria, with its adherents, mostly Sunnis, accounting for 99% of the population according to a 2021 CIA "World Factbook" estimate, and 97.9% according to Pew Research in 2020. There are about 290,000 Ibadis in the M'zab Valley in the region of Ghardaia.
Prior to independence, Algeria was home to more than 1.3 million Christians (mostly of French ancestry). Many Christian settlers left to France after the independence from France. Today, estimates of the Christian population range from 20,000 to 200,000. Algerian citizens who are Christians predominantly belong to Protestant groups, which have seen increased pressure from the government in recent years including many forced closures.
According to the Arab Barometer in 2018-2019, the vast majority of Algerians (99.1%) continue to identify as Muslim. The June 2019 Arab Barometer-BBC News report found that the percentage of Algerians identifying as non-religious has grown from around 8% in 2013 to around 15% in 2018. The Arab Barometer December 2019, found that the growth in the percentage of Algerians identifying as non-religious is largely driven by young Algerians, with roughly 25% describing themselves as non-religious. However, the 2021 Arab Barometer report found that those who said they were not religious among Algerians has decreased, with just 2.6% identifying as non-religious. In that same report, 69.5% of Algerians identified as religious and another 27.8% identifying as somewhat religious.
Algeria has given the Muslim world a number of prominent thinkers, including Emir Abdelkader, Abdelhamid Ben Badis, Mouloud Kacem Naît Belkacem, Malek Bennabi and Mohamed Arkoun.
Health.
In 2018, Algeria had the highest numbers of physicians in the Maghreb region (1.72 per 1,000 people), nurses (2.23 per 1,000 people), and dentists (0.31 per 1,000 people). Access to "improved water sources" was around 97.4% of the population in urban areas and 98.7% of the population in the rural areas. Some 99% of Algerians living in urban areas, and around 93.4% of those living in rural areas, had access to "improved sanitation". According to the World Bank, Algeria is making progress toward its goal of "reducing by half the number of people without sustainable access to improved drinking water and basic sanitation by 2015". Given Algeria's young population, policy favours preventive health care and clinics over hospitals. In keeping with this policy, the government maintains an immunisation program. However, poor sanitation and unclean water still cause tuberculosis, hepatitis, measles, typhoid fever, cholera and dysentery. The poor generally receive health care free of charge.
Health records have been maintained in Algeria since 1882 and began adding Muslims living in the south to their vital record database in 1905 during French rule.
Education.
Since the 1970s, in a centralised system that was designed to significantly reduce the rate of illiteracy, the Algerian government introduced a decree by which school attendance became compulsory for all children aged between 6 and 15 years who have the ability to track their learning through the 20 facilities built since independence, now the literacy rate is around 92.6%. Since 1972, Arabic is used as the language of instruction during the first nine years of schooling. From the third year, French is taught and it is also the language of instruction for science classes. The students can also learn English, Italian, Spanish and German. In 2008, new programs at the elementary appeared, therefore the compulsory schooling does not start at the age of six anymore, but at the age of five. Apart from the 122 private schools, the Universities of the State are free of charge. After nine years of primary school, students can go to the high school or to an educational institution. The school offers two programs: general or technical. At the end of the third year of secondary school, students pass the exam of the baccalaureate, which allows once it is successful to pursue graduate studies in universities and institutes.
Education is officially compulsory for children between the ages of six and 15. In 2008, the illiteracy rate for people over 10 was 22.3%, 15.6% for men and 29.0% for women. The province with the lowest rate of illiteracy was Algiers Province at 11.6%, while the province with the highest rate was Djelfa Province at 35.5%.
Algeria has 26 universities and 67 institutions of higher education, which must accommodate a million Algerians and 80,000 foreign students in 2008. The University of Algiers, founded in 1879, is the oldest, it offers education in various disciplines (law, medicine, science and letters). Twenty-five of these universities and almost all of the institutions of higher education were founded after the independence of the country.
Even if some of them offer instruction in Arabic like areas of law and the economy, most of the other sectors as science and medicine continue to be provided in French and English. Among the most important universities, there are the University of Sciences and Technology Houari Boumediene, the University of Mentouri Constantine, and University of Oran Es-Senia. The University of Abou Bekr Belkaïd in Tlemcen and University of Batna Hadj Lakhdar occupy the 26th and 45th row in Africa. Algeria was ranked 120th in the Global Innovation Index in 2021, down from 113rd in 2019.
Ethnic groups.
Arabs and indigenous Berbers as well as Phoenicians, Romans, Vandals, Byzantine Greeks, Turks, various Sub-Saharan Africans, and French have contributed to the history and culture of Algeria. Descendants of Andalusian refugees are also present in the population of Algiers and other cities. Moreover, Spanish was spoken by these Aragonese and Castillian Morisco descendants deep into the 18th century, and even Catalan was spoken at the same time by Catalan Morisco descendants in the small town of Grish El-Oued.
The majority of the population of Algeria are Arabs (75% to 85% of the population). Berbers who make up 15% to 20% of the population are divided into many groups with varying languages. The largest of these are the Kabyles, who live in the Kabylie region east of Algiers, the Chaoui of Northeast Algeria, the Tuaregs in the southern desert and the Shenwa people of North Algeria.
During the colonial period, there was a large (10% in 1960) European population who became known as "Pied-Noirs". They were primarily of French, Spanish and Italian origin. Almost all of this population left during the war of independence or immediately after its end.
Languages.
Modern Standard Arabic and Berber are the official languages. Algerian Arabic (Darja) is the language used by the majority of the population. Colloquial Algerian Arabic has some Berber loanwords which represent 8% to 9% of its vocabulary.
Berber has been recognised as a "national language" by the constitutional amendment of 8 May 2002. Kabyle, the predominant Berber language, is taught and is partially co-official (with a few restrictions) in parts of Kabylie. Kabyle has a significant Arabic, French, Latin, Greek, Phoenician and Punic substratum, and Arabic loanwords represent 35% of the total Kabyle vocabulary. In February 2016, the Algerian constitution passed a resolution that made Berber an official language alongside Arabic.
Although French has no official status in Algeria, it has one of the largest Francophone populations in the world, and French is widely used in government, media (newspapers, radio, local television), and both the education system (from primary school onwards) and academia due to Algeria's colonial history. It can be regarded as a lingua franca of Algeria. In 2008, 11.2 million Algerians could read and write in French. An Abassa Institute study in April 2000 found that 60% of households could speak and understand French, or 18 million people out of a total of 30 million at the time. Following a period during which the Algerian government tried to phase out French, in recent decades the government has changed course and reinforced the study of French, and some television programs are broadcast in the language.
Algeria emerged as a bilingual state after 1962. Colloquial Algerian Arabic is spoken by about 83% of the population and Berber by 27%.
Religion.
Islam is the predominant religion in Algeria, with its adherents, mostly Sunnis, accounting for 99% of the population according to a 2021 CIA "World Factbook" estimate, and 97.9% according to Pew Research in 2020. There are about 290,000 Ibadis in the M'zab Valley in the region of Ghardaia.
Prior to independence, Algeria was home to more than 1.3 million Christians (mostly of French ancestry). Many Christian settlers left to France after the independence from France. Today, estimates of the Christian population range from 20,000 to 200,000. Algerian citizens who are Christians predominantly belong to Protestant groups, which have seen increased pressure from the government in recent years including many forced closures.
According to the Arab Barometer in 2018-2019, the vast majority of Algerians (99.1%) continue to identify as Muslim. The June 2019 Arab Barometer-BBC News report found that the percentage of Algerians identifying as non-religious has grown from around 8% in 2013 to around 15% in 2018. The Arab Barometer December 2019, found that the growth in the percentage of Algerians identifying as non-religious is largely driven by young Algerians, with roughly 25% describing themselves as non-religious. However, the 2021 Arab Barometer report found that those who said they were not religious among Algerians has decreased, with just 2.6% identifying as non-religious. In that same report, 69.5% of Algerians identified as religious and another 27.8% identifying as somewhat religious.
Algeria has given the Muslim world a number of prominent thinkers, including Emir Abdelkader, Abdelhamid Ben Badis, Mouloud Kacem Naît Belkacem, Malek Bennabi and Mohamed Arkoun.
Health.
In 2018, Algeria had the highest numbers of physicians in the Maghreb region (1.72 per 1,000 people), nurses (2.23 per 1,000 people), and dentists (0.31 per 1,000 people). Access to "improved water sources" was around 97.4% of the population in urban areas and 98.7% of the population in the rural areas. Some 99% of Algerians living in urban areas, and around 93.4% of those living in rural areas, had access to "improved sanitation". According to the World Bank, Algeria is making progress toward its goal of "reducing by half the number of people without sustainable access to improved drinking water and basic sanitation by 2015". Given Algeria's young population, policy favours preventive health care and clinics over hospitals. In keeping with this policy, the government maintains an immunisation program. However, poor sanitation and unclean water still cause tuberculosis, hepatitis, measles, typhoid fever, cholera and dysentery. The poor generally receive health care free of charge.
Health records have been maintained in Algeria since 1882 and began adding Muslims living in the south to their vital record database in 1905 during French rule.
Education.
Since the 1970s, in a centralised system that was designed to significantly reduce the rate of illiteracy, the Algerian government introduced a decree by which school attendance became compulsory for all children aged between 6 and 15 years who have the ability to track their learning through the 20 facilities built since independence, now the literacy rate is around 92.6%. Since 1972, Arabic is used as the language of instruction during the first nine years of schooling. From the third year, French is taught and it is also the language of instruction for science classes. The students can also learn English, Italian, Spanish and German. In 2008, new programs at the elementary appeared, therefore the compulsory schooling does not start at the age of six anymore, but at the age of five. Apart from the 122 private schools, the Universities of the State are free of charge. After nine years of primary school, students can go to the high school or to an educational institution. The school offers two programs: general or technical. At the end of the third year of secondary school, students pass the exam of the baccalaureate, which allows once it is successful to pursue graduate studies in universities and institutes.
Education is officially compulsory for children between the ages of six and 15. In 2008, the illiteracy rate for people over 10 was 22.3%, 15.6% for men and 29.0% for women. The province with the lowest rate of illiteracy was Algiers Province at 11.6%, while the province with the highest rate was Djelfa Province at 35.5%.
Algeria has 26 universities and 67 institutions of higher education, which must accommodate a million Algerians and 80,000 foreign students in 2008. The University of Algiers, founded in 1879, is the oldest, it offers education in various disciplines (law, medicine, science and letters). Twenty-five of these universities and almost all of the institutions of higher education were founded after the independence of the country.
Even if some of them offer instruction in Arabic like areas of law and the economy, most of the other sectors as science and medicine continue to be provided in French and English. Among the most important universities, there are the University of Sciences and Technology Houari Boumediene, the University of Mentouri Constantine, and University of Oran Es-Senia. The University of Abou Bekr Belkaïd in Tlemcen and University of Batna Hadj Lakhdar occupy the 26th and 45th row in Africa. Algeria was ranked 120th in the Global Innovation Index in 2021, down from 113rd in 2019.
Culture.
Modern Algerian literature, split between Arabic, Tamazight and French, has been strongly influenced by the country's recent history. Famous novelists of the 20th century include Mohammed Dib, Albert Camus, Kateb Yacine and Ahlam Mosteghanemi while Assia Djebar is widely translated. Among the important novelists of the 1980s were Rachid Mimouni, later vice-president of Amnesty International, and Tahar Djaout, murdered by an Islamist group in 1993 for his secularist views.
Malek Bennabi and Frantz Fanon are noted for their thoughts on decolonization; Augustine of Hippo was born in Tagaste (modern-day Souk Ahras); and Ibn Khaldun, though born in Tunis, wrote the Muqaddima while staying in Algeria. The works of the Sanusi family in pre-colonial times, and of Emir Abdelkader and Sheikh Ben Badis in colonial times, are widely noted. The Latin author Apuleius was born in Madaurus (Mdaourouch), in what later became Algeria.
Contemporary Algerian cinema is various in terms of genre, exploring a wider range of themes and issues. There has been a transition from cinema which focused on the war of independence to films more concerned with the everyday lives of Algerians.
Art.
Algerian painters, like or Baya, attempted to revive the prestigious Algerian past prior to French colonisation, at the same time that they have contributed to the preservation of the authentic values of Algeria. In this line, Mohamed Temam, Abdelkhader Houamel have also returned through this art, scenes from the history of the country, the habits and customs of the past and the country life. Other new artistic currents including the one of M'hamed Issiakhem, Mohammed Khadda and Bachir Yelles, appeared on the scene of Algerian painting, abandoning figurative classical painting to find new pictorial ways, in order to adapt Algerian paintings to the new realities of the country through its struggle and its aspirations. Mohammed Khadda and M'hamed Issiakhem have been notable in recent years.
Literature.
The historic roots of Algerian literature go back to the Numidian and Roman African era, when Apuleius wrote "The Golden Ass", the only Latin novel to survive in its entirety. This period had also known Augustine of Hippo, Nonius Marcellus and Martianus Capella, among many others. The Middle Ages have known many Arabic writers who revolutionised the Arab world literature, with authors like Ahmad al-Buni, Ibn Manzur and Ibn Khaldoun, who wrote the Muqaddimah while staying in Algeria, and many others.
Albert Camus was an Algerian-born French Pied-Noir author. In 1957, he was awarded the Nobel Prize in literature.
Today Algeria contains, in its literary landscape, big names having not only marked the Algerian literature, but also the universal literary heritage in Arabic and French.
As a first step, Algerian literature was marked by works whose main concern was the assertion of the Algerian national entity, there is the publication of novels as the "Algerian trilogy" of Mohammed Dib, or even "Nedjma" of Kateb Yacine novel which is often regarded as a monumental and major work. Other known writers will contribute to the emergence of Algerian literature whom include Mouloud Feraoun, Malek Bennabi, Malek Haddad, Moufdi Zakaria, Abdelhamid Ben Badis, Mohamed Laïd Al-Khalifa, Mouloud Mammeri, Frantz Fanon, and Assia Djebar.
In the aftermath of the independence, several new authors emerged on the Algerian literary scene, they will attempt through their works to expose a number of social problems, among them there are Rachid Boudjedra, Rachid Mimouni, Leila Sebbar, Tahar Djaout and Tahir Wattar.
Currently, a part of Algerian writers tends to be defined in a literature of shocking expression, due to the terrorism that occurred during the 1990s, the other party is defined in a different style of literature who staged an individualistic conception of the human adventure. Among the most noted recent works, there is the writer, "the swallows of Kabul" and "the attack" of Yasmina Khadra, "the oath of barbarians" of Boualem Sansal, "memory of the flesh" of Ahlam Mosteghanemi and the last novel by Assia Djebar "nowhere in my father's House".
Music.
Chaâbi music is a typically Algerian musical genre characterized by specific rhythms and of Qacidate (popular poems) in Arabic dialect. El Hadj M'Hamed El Anka is considered the greatest master of the art in modern times. He wrote over 350 songs and produced some 130 records before his death in 1978. Many of his pupils went on to be renowned musicians. The Constantinois Malouf style is saved by musician from whom Mohamed Tahar Fergani is a performer.
Folk music styles include Bedouin music, characterized by the poetic songs based on long kacida (poems); Kabyle music, based on a rich repertoire that is poetry and old tales passed through generations; Shawiya music, a folklore from diverse areas of the Aurès Mountains. Rahaba music style is unique to the Aures. Souad Massi is a rising Algerian folk singer. Other Algerian singers of the diaspora include Manel Filali in Germany and Kenza Farah in France. Tergui music is sung in Tuareg languages generally, Tinariwen had a worldwide success. Finally, the staïfi music is born in Sétif and remains a unique style of its kind.
Modern music is available in several facets, Raï music is a style typical of western Algeria. Rap, a relatively recent style in Algeria, is experiencing significant growth.
Cinema.
The Algerian state's interest in film-industry activities can be seen in the annual budget of DZD 200 million (EUR 1.3 million) allocated to production, specific measures and an ambitious programme plan implemented by the Ministry of Culture in order to promote national production, renovate the cinema stock and remedy the weak links in distribution and exploitation.
The financial support provided by the state, through the Fund for the Development of the Arts, Techniques and the Film Industry (FDATIC) and the Algerian Agency for Cultural Influence (AARC), plays a key role in the promotion of national production. Between 2007 and 2013, FDATIC subsidised 98 films (feature films, documentaries and short films). In mid-2013, AARC had already supported a total of 78 films, including 42 feature films, 6 short films and 30 documentaries.
According to the European Audiovisual Observatory's LUMIERE database, 41 Algerian films were distributed in Europe between 1996 and 2013; 21 films in this repertoire were Algerian-French co-productions. "Days of Glory" (2006) and "Outside the Law" (2010) recorded the highest number of admissions in the European Union, 3,172,612 and 474,722, respectively.
Algeria won the Palme d'Or for "Chronicle of the Years of Fire" (1975), two Oscars for "Z" (1969), and other awards for the Italian-Algerian movie "The Battle of Algiers".
Cuisine.
Algerian cuisine is rich and diverse. The country was considered as the "granary of Rome". It offers a component of dishes and varied dishes, depending on the region and according to the seasons. The cuisine uses cereals as the main products, since they are always produced with abundance in the country. There is not a dish where cereals are not present.
Algerian cuisine varies from one region to another, according to seasonal vegetables. It can be prepared using meat, fish and vegetables. Among the dishes known, couscous, chorba, rechta, chakhchoukha, berkoukes, shakshouka, mthewem, chtitha, mderbel, dolma, brik or bourek, garantita, lham'hlou, etc. Merguez sausage is widely used in Algeria, but it differs, depending on the region and on the added spices.
Cakes are marketed and can be found in cities either in Algeria, in Europe or North America. However, traditional cakes are also made at home, following the habits and customs of each family. Among these cakes, there are Tamina, Baklawa, Chrik, Garn logzelles, Griouech, Kalb el-louz, Makroud, Mbardja, Mchewek, Samsa, Tcharak, Baghrir, Khfaf, Zlabia, Aarayech, Ghroubiya and Mghergchette. Algerian pastry also contains Tunisian or French cakes. Marketed and home-made bread products include varieties such as Kessra or Khmira or Harchaya, chopsticks and so-called washers Khoubz dar or Matloue. Other traditional meals sold often as street food include mhadjeb or mahjouba, karantika, doubara, chakhchoukha, hassouna, and t'chicha.
Sports.
Various games have existed in Algeria since antiquity. In the Aures, people played several games such as El Kherba or El khergueba (chess variant). Playing cards, checkers and chess games are part of Algerian culture. Racing (fantasia) and rifle shooting are part of cultural recreation of the Algerians.
The first Algerian and African gold medalist is Boughera El Ouafi in 1928 Olympics of Amsterdam in the Marathon. The second Algerian Medalist was Alain Mimoun in 1956 Summer Olympics in Melbourne. Several men and women were champions in athletics in the 1990s including Noureddine Morceli, Hassiba Boulmerka, Nouria Merah-Benida, and Taoufik Makhloufi, all specialized in middle-distance running.
Football is the most popular sport in Algeria. Several names are engraved in the history of the sport, including Lakhdar Belloumi, Rachid Mekhloufi, Hassen Lalmas, Rabah Madjer, Riyad Mahrez, Salah Assad and Djamel Zidane. The Algeria national football team qualified for the 1982 FIFA World Cup, 1986 FIFA World Cup, 2010 FIFA World Cup and 2014 FIFA World Cup. In addition, several football clubs have won continental and international trophies as the club ES Sétif or JS Kabylia. The Algerian Football Federation is an association of Algeria football clubs organizing national competitions and international matches of the selection of Algeria national football team.
Art.
Algerian painters, like or Baya, attempted to revive the prestigious Algerian past prior to French colonisation, at the same time that they have contributed to the preservation of the authentic values of Algeria. In this line, Mohamed Temam, Abdelkhader Houamel have also returned through this art, scenes from the history of the country, the habits and customs of the past and the country life. Other new artistic currents including the one of M'hamed Issiakhem, Mohammed Khadda and Bachir Yelles, appeared on the scene of Algerian painting, abandoning figurative classical painting to find new pictorial ways, in order to adapt Algerian paintings to the new realities of the country through its struggle and its aspirations. Mohammed Khadda and M'hamed Issiakhem have been notable in recent years.
Literature.
The historic roots of Algerian literature go back to the Numidian and Roman African era, when Apuleius wrote "The Golden Ass", the only Latin novel to survive in its entirety. This period had also known Augustine of Hippo, Nonius Marcellus and Martianus Capella, among many others. The Middle Ages have known many Arabic writers who revolutionised the Arab world literature, with authors like Ahmad al-Buni, Ibn Manzur and Ibn Khaldoun, who wrote the Muqaddimah while staying in Algeria, and many others.
Albert Camus was an Algerian-born French Pied-Noir author. In 1957, he was awarded the Nobel Prize in literature.
Today Algeria contains, in its literary landscape, big names having not only marked the Algerian literature, but also the universal literary heritage in Arabic and French.
As a first step, Algerian literature was marked by works whose main concern was the assertion of the Algerian national entity, there is the publication of novels as the "Algerian trilogy" of Mohammed Dib, or even "Nedjma" of Kateb Yacine novel which is often regarded as a monumental and major work. Other known writers will contribute to the emergence of Algerian literature whom include Mouloud Feraoun, Malek Bennabi, Malek Haddad, Moufdi Zakaria, Abdelhamid Ben Badis, Mohamed Laïd Al-Khalifa, Mouloud Mammeri, Frantz Fanon, and Assia Djebar.
In the aftermath of the independence, several new authors emerged on the Algerian literary scene, they will attempt through their works to expose a number of social problems, among them there are Rachid Boudjedra, Rachid Mimouni, Leila Sebbar, Tahar Djaout and Tahir Wattar.
Currently, a part of Algerian writers tends to be defined in a literature of shocking expression, due to the terrorism that occurred during the 1990s, the other party is defined in a different style of literature who staged an individualistic conception of the human adventure. Among the most noted recent works, there is the writer, "the swallows of Kabul" and "the attack" of Yasmina Khadra, "the oath of barbarians" of Boualem Sansal, "memory of the flesh" of Ahlam Mosteghanemi and the last novel by Assia Djebar "nowhere in my father's House".
Music.
Chaâbi music is a typically Algerian musical genre characterized by specific rhythms and of Qacidate (popular poems) in Arabic dialect. El Hadj M'Hamed El Anka is considered the greatest master of the art in modern times. He wrote over 350 songs and produced some 130 records before his death in 1978. Many of his pupils went on to be renowned musicians. The Constantinois Malouf style is saved by musician from whom Mohamed Tahar Fergani is a performer.
Folk music styles include Bedouin music, characterized by the poetic songs based on long kacida (poems); Kabyle music, based on a rich repertoire that is poetry and old tales passed through generations; Shawiya music, a folklore from diverse areas of the Aurès Mountains. Rahaba music style is unique to the Aures. Souad Massi is a rising Algerian folk singer. Other Algerian singers of the diaspora include Manel Filali in Germany and Kenza Farah in France. Tergui music is sung in Tuareg languages generally, Tinariwen had a worldwide success. Finally, the staïfi music is born in Sétif and remains a unique style of its kind.
Modern music is available in several facets, Raï music is a style typical of western Algeria. Rap, a relatively recent style in Algeria, is experiencing significant growth.
Cinema.
The Algerian state's interest in film-industry activities can be seen in the annual budget of DZD 200 million (EUR 1.3 million) allocated to production, specific measures and an ambitious programme plan implemented by the Ministry of Culture in order to promote national production, renovate the cinema stock and remedy the weak links in distribution and exploitation.
The financial support provided by the state, through the Fund for the Development of the Arts, Techniques and the Film Industry (FDATIC) and the Algerian Agency for Cultural Influence (AARC), plays a key role in the promotion of national production. Between 2007 and 2013, FDATIC subsidised 98 films (feature films, documentaries and short films). In mid-2013, AARC had already supported a total of 78 films, including 42 feature films, 6 short films and 30 documentaries.
According to the European Audiovisual Observatory's LUMIERE database, 41 Algerian films were distributed in Europe between 1996 and 2013; 21 films in this repertoire were Algerian-French co-productions. "Days of Glory" (2006) and "Outside the Law" (2010) recorded the highest number of admissions in the European Union, 3,172,612 and 474,722, respectively.
Algeria won the Palme d'Or for "Chronicle of the Years of Fire" (1975), two Oscars for "Z" (1969), and other awards for the Italian-Algerian movie "The Battle of Algiers".
Cuisine.
Algerian cuisine is rich and diverse. The country was considered as the "granary of Rome". It offers a component of dishes and varied dishes, depending on the region and according to the seasons. The cuisine uses cereals as the main products, since they are always produced with abundance in the country. There is not a dish where cereals are not present.
Algerian cuisine varies from one region to another, according to seasonal vegetables. It can be prepared using meat, fish and vegetables. Among the dishes known, couscous, chorba, rechta, chakhchoukha, berkoukes, shakshouka, mthewem, chtitha, mderbel, dolma, brik or bourek, garantita, lham'hlou, etc. Merguez sausage is widely used in Algeria, but it differs, depending on the region and on the added spices.
Cakes are marketed and can be found in cities either in Algeria, in Europe or North America. However, traditional cakes are also made at home, following the habits and customs of each family. Among these cakes, there are Tamina, Baklawa, Chrik, Garn logzelles, Griouech, Kalb el-louz, Makroud, Mbardja, Mchewek, Samsa, Tcharak, Baghrir, Khfaf, Zlabia, Aarayech, Ghroubiya and Mghergchette. Algerian pastry also contains Tunisian or French cakes. Marketed and home-made bread products include varieties such as Kessra or Khmira or Harchaya, chopsticks and so-called washers Khoubz dar or Matloue. Other traditional meals sold often as street food include mhadjeb or mahjouba, karantika, doubara, chakhchoukha, hassouna, and t'chicha.
Sports.
Various games have existed in Algeria since antiquity. In the Aures, people played several games such as El Kherba or El khergueba (chess variant). Playing cards, checkers and chess games are part of Algerian culture. Racing (fantasia) and rifle shooting are part of cultural recreation of the Algerians.
The first Algerian and African gold medalist is Boughera El Ouafi in 1928 Olympics of Amsterdam in the Marathon. The second Algerian Medalist was Alain Mimoun in 1956 Summer Olympics in Melbourne. Several men and women were champions in athletics in the 1990s including Noureddine Morceli, Hassiba Boulmerka, Nouria Merah-Benida, and Taoufik Makhloufi, all specialized in middle-distance running.
Football is the most popular sport in Algeria. Several names are engraved in the history of the sport, including Lakhdar Belloumi, Rachid Mekhloufi, Hassen Lalmas, Rabah Madjer, Riyad Mahrez, Salah Assad and Djamel Zidane. The Algeria national football team qualified for the 1982 FIFA World Cup, 1986 FIFA World Cup, 2010 FIFA World Cup and 2014 FIFA World Cup. In addition, several football clubs have won continental and international trophies as the club ES Sétif or JS Kabylia. The Algerian Football Federation is an association of Algeria football clubs organizing national competitions and international matches of the selection of Algeria national football team.
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Abbotsford, Scottish Borders
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Abbotsford is a historic country house in the Scottish Borders, near Galashiels, on the south bank of the River Tweed. Now open to the public, it was built as the residence of historical novelist and poet Sir Walter Scott between 1817 and 1825. It is a Category A Listed Building and the estate is listed in the Inventory of Gardens and Designed Landscapes in Scotland.
Description.
The nucleus of the estate was a small farm of , called Cartleyhole, nicknamed Clarty (i.e., muddy) Hole, and was bought by Scott on the lapse of his lease (1811) of the neighbouring house of Ashestiel. Scott renamed it "Abbotsford" after a neighbouring ford used by the monks of Melrose Abbey. Following a modest enlargement of the original farmhouse in 1811–12, massive expansions took place in 1816–19 and 1822–24. In this mansion Scott gathered a large library, a collection of ancient furniture, arms and armour, and other relics and curiosities especially connected with Scottish history, notably the Celtic Torrs Pony-cap and Horns and the Woodwrae Stone, all now in the Museum of Scotland. Scott described the resulting building as "a sort of romance in Architecture" and "a kind of Conundrum Castle to be sure".
The last and principal acquisition was that of Toftfield (afterwards named Huntlyburn), purchased in 1817. The new house was then begun and completed in 1824.
The general ground-plan is a parallelogram, with irregular outlines, one side overlooking the Tweed; and the style is mainly the Scottish Baronial. With his architects William Atkinson and Edward Blore Scott was a pioneer of the Scottish Baronial style of architecture: the house is recognized as a highly influential creation with themes from Abbotsford being reflected across many buildings in the Scottish Borders and beyond. The manor as a whole appears as a "castle-in-miniature", with small towers and imitation battlements decorating the house and garden walls. Into various parts of the fabric were built relics and curiosities from historical structures, such as the doorway of the old Tolbooth in Edinburgh. Scott collected many of these curiosities to be built into the walls of the South Garden, which previously hosted a colonnade of gothic arches along the garden walls. Along the path of the former colonnade sits the remains of Edinburgh's 15th century Mercat Cross and several examples of classical sculpture.
The estate and its neo-Medieval features nod towards Scott's desire for a historical feel, but the writer ensured that the house would provide all the comforts of modern living. As a result, Scott used the space as a proving-ground for new technologies. The house was outfitted with early gas lighting and pneumatic bells connecting residents with servants elsewhere in the house.
Scott had only enjoyed his residence one year when (1825) he met with that reverse of fortune which involved the estate in debt. In 1830, the library and museum were presented to him as a free gift by the creditors. The property was wholly disencumbered in 1847 by Robert Cadell, the publisher, who cancelled the bond upon it in exchange for the family's share in the copyright of Sir Walter's works.
Scott's only son Walter did not live to enjoy the property, having died on his way from India in 1847. Among subsequent possessors were Scott's grandson Walter Scott Lockhart (later Walter Lockhart Scott, 1826–1853), his younger sister Charlotte Harriet Jane Hope-Scott (née Lockhart) 1828–1858, J. R. Hope Scott, QC, and his daughter (Scott's great-granddaughter), the Hon. Mrs Maxwell Scott.
The house was opened to the public in 1833, but continued to be occupied by Scott's descendants until 2004. The last of his direct descendants to hold the Lairdship of Abbotsford was his great-great-great-granddaughter Dame Jean Maxwell-Scott (8 June 1923 – 5 May 2004). She inherited it from her elder sister Patricia Maxwell-Scott in 1998. The sisters turned the house into one of Scotland's premier tourist attractions, after they had to rely on paying visitors to afford the upkeep of the house. It had electricity installed only in 1962.
Dame Jean was at one time a lady-in-waiting to Princess Alice, Duchess of Gloucester, patron of the Dandie Dinmont Club, a breed of dog named after one of Sir Walter Scott's characters; and a horse trainer, one of whose horses, Sir Wattie, ridden by Ian Stark, won two silver medals at the 1988 Summer Olympics.
On Dame Jean's death the Abbotsford Trust was established to safeguard the estate.
In 2005, Scottish Borders Council considered an application by a property developer to build a housing estate on the opposite bank of the River Tweed from Abbotsford, to which Historic Scotland and the National Trust for Scotland objected. There have been modifications to the proposed development, but it is still being opposed in 2020.
Sir Walter Scott rescued the "jougs" from Threave Castle in Dumfries and Galloway and attached them to the castellated gateway he built at Abbotsford.
Tweedbank railway station is located near to Abbotsford.
Miscellaneous.
Abbotsford gave its name to the Abbotsford Club, founded by William Barclay Turnbull in 1833 or 1834 in Scott's honour, and a successor to the Bannatyne and Maitland Clubs. It was a text publication society, which existed to print and publish historical works connected with Scott's writings. Its publications extended from 1835 to 1864.
In August 2012, a new Visitor Centre opened at Abbotsford which houses a small exhibition, gift shop and Ochiltree's café with views over the house and grounds. The house re-opened to the public after extensive renovations in July 2013.
In 2014 it won the European Union Prize for Cultural Heritage / Europa Nostra Award for its recent conservation project.
References.
Attribution
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Amos Bronson Alcott
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Amos Bronson Alcott (; November 29, 1799 – March 4, 1888) was an American teacher, writer, philosopher, and reformer. As an educator, Alcott pioneered new ways of interacting with young students, focusing on a conversational style, and avoided traditional punishment. He hoped to perfect the human spirit and, to that end, advocated a plant-based diet. He was also an abolitionist and an advocate for women's rights.
Born in Wolcott, Connecticut, in 1799, Alcott had only minimal formal schooling before attempting a career as a traveling salesman. Worried that the itinerant life might have a negative impact on his soul, he turned to teaching. His innovative methods, however, were controversial, and he rarely stayed in one place very long. His most well-known teaching position was at the Temple School in Boston. His experience there was turned into two books: "Records of a School" and "Conversations with Children on the Gospels". Alcott became friends with Ralph Waldo Emerson and became a major figure in transcendentalism. His writings on behalf of that movement, however, are heavily criticized for being incoherent. Based on his ideas for human perfection, Alcott founded Fruitlands, a transcendentalist experiment in community living. The project failed after seven months. Alcott and his family struggled financially for most of his life. Nevertheless, he continued focusing on educational projects and opened a new school at the end of his life in 1879. He died in 1888.
Alcott married Abby May in 1830, and they had four surviving children, all daughters. Their second was Louisa May, who fictionalized her experience with the family in her novel "Little Women" in 1868.
Life and work.
Early life.
A native New Englander, Amos Bronson Alcott was born in Wolcott, Connecticut (then recently renamed from "Farmingbury") on November 29, 1799. His parents were Joseph Chatfield Alcott and Anna Bronson Alcott. The family home was in an area known as Spindle Hill, and his father, Joseph Alcox, traced his ancestry to colonial-era settlers in eastern Massachusetts. The family originally spelled their name "Alcock", later changed to "Alcocke" then "Alcox". Amos Bronson, the oldest of eight children, later changed the spelling to "Alcott" and dropped his first name.
At age six, young Bronson began his formal education in a one-room schoolhouse in the center of town but learned how to read at home with the help of his mother. The school taught only reading, writing, and spelling, and he left this school at the age of 10. At age 13, his uncle, Reverend Tillotson Bronson, invited Alcott into his home in Cheshire, Connecticut, to be educated and prepared for college. Bronson gave it up after only a month and was self-educated from then on. He was not particularly social and his only close friend was his neighbor and second cousin William Alcott, with whom he shared books and ideas. Bronson Alcott later reflected on his childhood at Spindle Hill: "It kept me pure ... I dwelt amidst the hills ... God spoke to me while I walked the fields." Starting at age 15, he worked for clockmaker Seth Thomas in the nearby town of Plymouth.
At age 17, Alcott passed the exam for a teaching certificate but had trouble finding work as a teacher. Instead, he left home and became a traveling salesman in the American South, peddling books and merchandise. He hoped the job would earn him enough money to support his parents, "to make their cares, and burdens less ... and get them free from debt", though he soon spent most of his earnings on a new suit. At first, he thought it an acceptable occupation but soon worried about his spiritual well-being. In March 1823, Alcott wrote to his brother: "Peddling is a hard place to serve God, but a capital one to serve Mammon." Near the end of his life, he fictionalized this experience in his book, "New Connecticut", originally circulated only among friends before its publication in 1881.
Early career and marriage.
By the summer of 1823, Alcott returned to Connecticut in debt to his father, who had bailed him out after his last two unsuccessful sales trips. He took a job as a schoolteacher in Cheshire with the help of his Uncle Tillotson. He quickly set about reforming the school. He added backs to the benches on which students sat, improved lighting and heating, de-emphasized rote learning, and provided individual slates to each student—paid for by himself. Alcott had been influenced by educational philosophy of the Swiss pedagogue Johann Heinrich Pestalozzi and even renamed his school "The Cheshire Pestalozzi School". His style attracted the attention of Samuel Joseph May, who introduced Alcott to his sister Abby May. She called him, "an intelligent, philosophic, modest man" and found his views on education "very attractive". Locals in Cheshire were less supportive and became suspicious of his methods. Many students left and were enrolled in the local common school or a recently reopened private school for boys. On November 6, 1827, Alcott started teaching in Bristol, Connecticut, still using the same methods he used in Cheshire, but opposition from the community surfaced quickly; he was unemployed by March 1828. He moved to Boston on April 24, 1828, and was immediately impressed, referring to the city as a place "where the light of the sun of righteousness has risen". He opened the Salem Street Infant School two months later on June 23. Abby May applied as his teaching assistant; instead, the couple were engaged, without consent of the family. They were married at King's Chapel on May 22, 1830; he was 30 years old and she was 29. Her brother conducted the ceremony and a modest reception followed at her father's house. After their marriage the Alcotts moved to 12 Franklin Street in Boston, a boarding house run by a Mrs. Newall. Around this time, Alcott also first expressed his public disdain for slavery. In November 1830, he and William Lloyd Garrison founded what he later called a "preliminary Anti-Slavery Society", though he differed from Garrison as a nonresistant. Alcott became a member of the Boston Vigilance Committee.
Attendance at Alcott's school was falling when a wealthy Quaker named Reuben Haines III proposed that he and educator William Russell start a new school in Pennsylvania, associated with the Germantown Academy. Alcott accepted and he and his newly pregnant wife set forth on December 14. The school was established in Germantown and the Alcotts were offered a rent-free home by Haines. Alcott and Russell were initially concerned that the area would not be conducive to their progressive approach to education and considered establishing the school in nearby Philadelphia instead. Unsuccessful, they went back to Germantown, though the rent-free home was no longer available and the Alcotts instead had to rent rooms in a boarding-house. It was there that their first child, a daughter they named Anna Bronson Alcott, was born on March 16, 1831, after 36 hours of labor. By the fall of that year, their benefactor Haines died suddenly and the Alcotts again suffered financial difficulty. "We hardly earn the bread", wrote Abby May to her brother, "[and] the butter we have to think about."
The couple's only son was born on April 6, 1839, but lived only a few minutes. The mother recorded: "Gave birth to a fine boy full grown perfectly formed but not living". It was in Germantown that the couple's second daughter was born. Louisa May Alcott was born on her father's birthday, November 29, 1832, at a half-hour past midnight. Bronson described her as "a very fine healthful child, much more so than Anna was at birth". The Germantown school, however, was faltering; soon only eight pupils remained. Their benefactor Haines died before Louisa's birth. He had helped recruit students and even paid tuition for some of them. As Abby wrote, his death "has prostrated all our hopes here". On April 10, 1833, the family moved to Philadelphia, where Alcott ran a day school. As usual, Alcott's methods were controversial; a former student later referred to him as "the most eccentric man who ever took on himself to train and form the youthful mind". Alcott began to believe Boston was the best place for his ideas to flourish. He contacted theologian William Ellery Channing for support. Channing approved of Alcott's methods and promised to help find students to enroll, including his daughter Mary. Channing also secured aid from Justice Lemuel Shaw and Boston mayor Josiah Quincy, Jr.
Experimental educator.
On September 22, 1834, Alcott opened a school of about 30 students, mostly from wealthy families. It was named the Temple School because classes were held at the Masonic Temple on Tremont Street in Boston. His assistant was Elizabeth Palmer Peabody, later replaced by Margaret Fuller. Mary Peabody Mann served as a French instructor for a time. The school was briefly famous, and then infamous, because of Alcott's method of "discarding text-books and teaching by conversation", his questioning attitude toward the Bible, and his reception of "a colored girl" into his classes.
Before 1830, primary and secondary teaching of writing consisted of rote drills in grammar, spelling, vocabulary, penmanship and transcription of adult texts. In that decade, however, progressive reformers such as Alcott, influenced by Pestalozzi, Friedrich Fröbel, and Johann Friedrich Herbart, began to advocate compositions based on students' own experiences. These reformers opposed beginning instruction with rules and preferred to have students learn to write by expressing their personal understanding of the events of their lives.
Alcott sought to develop instruction on the basis of self-analysis, with an emphasis on conversation and questioning rather than lecturing and drill. A similar interest in instructive conversation was shared by Abby May who, describing her idea of a family "post office" set up to curb potential domestic tension, said "I thought it would afford a daily opportunity for the children, indeed all of us, to interchange thought and sentiment".
Alongside writing and reading, Alcott gave lessons in "spiritual culture", which included interpretation of the Gospels, and advocated "object teaching" in writing instruction. He even went so far as to decorate his schoolroom with visual elements he thought would inspire learning: paintings, books, comfortable furniture, and busts or portraits of Plato, Socrates, Jesus, and William Ellery Channing.
During this time, the Alcotts had another child. Born on June 24, 1835, she was named Elizabeth Peabody Alcott in honor of the teaching assistant at the Temple School. By age three, however, her mother changed her name to Elizabeth "Sewall" Alcott, after her own mother, perhaps because of the recent rupture between Bronson Alcott and Elizabeth Palmer Peabody.
In July 1835, Peabody published her account as an assistant to the Temple School as "Record of a School: Exemplifying the General Principles of Spiritual Culture". While working on a second book, Alcott and Peabody had a falling out and "Conversations with Children on the Gospels" was prepared with help from Peabody's sister Sophia, published at the end of December 1836. Alcott's methods were not well received; many found his conversations on the Gospels close to blasphemous. For example, he asked students to question if Biblical miracles were literal and suggested that all people are part of God. In the "Boston Daily Advertiser", Nathan Hale criticized Alcott's "flippant and off hand conversation" about serious topics from the Virgin birth of Jesus to circumcision. Joseph T. Buckingham called Alcott "either insane or half-witted" and "an ignorant and presuming charlatan". The book did not sell well; a Boston lawyer bought 750 copies to use as waste paper.
The Temple School was widely denounced in the press. Reverend James Freeman Clarke was one of Alcott's few supporters and defended him against the harsh response from Boston periodicals. Alcott was rejected by most public opinion and, by the summer of 1837, he had only 11 students left and no assistant after Margaret Fuller moved to Providence, Rhode Island. The controversy had caused many parents to remove their children and, as the school closed, Alcott became increasingly financially desperate. Remaining steadfast to his pedagogy, a forerunner of progressive and democratic schooling, he alienated parents in a later "parlor school" by admitting an African American child to the class, whom he then refused to expel in the face of protests.
Transcendentalist.
Beginning in 1836, Alcott's membership in the Transcendental Club put him in the company of such as Ralph Waldo Emerson, Orestes Brownson and Theodore Parker. He became a member at the club's second meeting and hosted its third. A biographer of Emerson described the group as "the occasional meetings of a changing body of liberal thinkers, agreeing in nothing but their liberality". Frederic Henry Hedge wrote similarly that "[t]here was no club in the strict sense ... only occasional meetings of like-minded men and women". Alcott preferred the term "Symposium" for their group.
In late April 1840, Alcott moved to the town of Concord urged by Emerson. He rented a home for $50 a year within walking distance of Emerson's house. He named it Dove Cottage. A supporter of his philosophies, Emerson offered to help Alcott with his writing. This proved a difficult task. For example, after several revisions of the essay "Psyche" (Alcott's account of how he educated his daughters), Emerson deemed it unpublishable. Alcott also wrote a series patterned after the work of German writer Johann Wolfgang von Goethe which was published in the Transcendentalists' journal, "The Dial". Emerson had written to Margaret Fuller, then editor, that Alcott's so-called "Orphic Sayings" might "pass muster & even pass for just & great", but they were widely mocked as silly and unintelligible. Fuller herself disliked them, but did not want to hurt Alcott's feelings. The following example appeared in the first issue:
With financial support from Emerson, and leaving his family in the care of his brother Junius, Alcott departed Concord for a visit to England on May 8, 1842. There he met admirers Charles Lane and Henry C. Wright, supporters of Alcott House, an experimental school outside London based on Alcott's Temple School methods. The two men followed Alcott back to the United States and, in an early communitarian experiment, Lane and his son moved in with the Alcotts.
Persuaded in part by Lane's abolitionist views, Alcott took a stand against President Tyler's plan to annex Texas as a slave territory and refused to pay his poll tax. Abby May wrote in her journal on January 17, 1843, "A day of some excitement, as Mr. Alcott refused to pay his town tax ... After waiting some time to be committed [to jail], he was told it was paid by a friend. Thus we were spared the affliction of his absence and the triumph of suffering for his principles." The incident inspired Henry David Thoreau, whose similar protest against the $1.50 poll tax led to a night in jail and his essay "Civil Disobedience".
Fruitlands.
Lane and Alcott collaborated on a major expansion of their educational theories into a Utopian society. Alcott, however, was still in debt and could not purchase the land needed for their planned community. In a letter, Lane wrote, "I do not see anyone to act the money part but myself." In May 1843, he purchased a farm in Harvard, Massachusetts. Up front, he paid $1,500 of the total $1,800 value of the property; the rest was meant to be paid by the Alcotts over a two-year period. They moved to the farm on June 1 and optimistically named it "Fruitlands" despite only ten old apple trees on the property. In July, Alcott announced their plans in "The Dial": "We have made an arrangement with the proprietor of an estate of about a hundred acres, which liberates this tract from human ownership".
Their goal was to regain Eden, to find the formula for agriculture, diet, and reproduction that would provide the perfect way for the invidual to live "in harmony with nature, the animal world, his fellows, himself, [and] his creator". In order to achieve this, they removed themselves from the economy as much as possible and lived independently, styling themselves a "consociate family". Unlike a similar project named Brook Farm, the participants at Fruitlands avoided interaction with other local communities. At first scorning animal labor as exploitative, they found human spadework insufficient to their needs and eventually allowed some cattle to be "enslaved". They banned coffee, tea, alcoholic drinks, milk, and warm bathwater. As Alcott had published earlier, "Our wine is water, — flesh, bread; — drugs, fruits." One member, Samuel Bower, "gave the community the reputation of refusing to eat potatoes because instead of aspiring toward the sky they grew downward in the earth", For clothing, they prohibited leather, because animals were killed for it, as well as cotton, silk, and wool, because they were products of slave labor. Alcott had high expectations, but was often away, attempting to recruit more members when the community most needed him.
The experimental community was never successful, partly because most of the land was not arable. Alcott lamented, "None of us were prepared to actualize practically the ideal life of which we dreamed. So we fell apart". Its founders were often away as well; in the middle of harvesting, they left for a lecture tour through Providence, Rhode Island, New York City, and New Haven, Connecticut. In its seven months, only 13 people joined, included the Alcotts and Lanes. Other than Abby May and her daughters, only one other woman joined, Ann Page. One rumor is that Page was asked to leave after eating a fish tail with a neighbor. Lane believed Alcott had misled him into thinking enough people would join the enterprise and developed a strong dislike for the nuclear family. He quit the project and moved to a nearby Shaker family with his son. After Lane's departure, Alcott fell into a depression and could not speak or eat for three days. Abby May thought Lane purposely sabotaged her family. She wrote to her brother, "All Mr. Lane's efforts have been to disunite us. But Mr. Alcott's ... paternal instincts were too strong for him." When the final payment on the farm was owed, Sam May refused to cover his brother-in-law's debts, as he often did, possibly at Abby May's suggestion. The experiment failed, the Alcotts had to leave Fruitlands.
The members of the Alcott family were not happy with their Fruitlands experience. At one point, Abby May threatened that she and their daughters would move elsewhere, leaving Bronson behind. Louisa May Alcott, who was ten years old at the time, later wrote of the experience in "Transcendental Wild Oats" (1873): "The band of brothers began by spading garden and field; but a few days of it lessened their ardor amazingly."
Return to Concord.
In January 1844, Alcott moved his family to Still River, a village within Harvard but, on March 1, 1845, the family returned to Concord to live in a home they named "The Hillside" (later renamed "The Wayside" by Nathaniel Hawthorne). Both Emerson and Sam May assisted in securing the home for the Alcotts. While living in the home, Louisa began writing in earnest and was given her own room. She later said her years at the home "were the happiest years" of her life; many of the incidents in her novel "Little Women" (1868) are based on this period. Alcott renovated the property, moving a barn and painting the home a rusty olive color, as well as tending to over six acres of land. On May 23, 1845, Abby May was granted a sum from her father's estate which was put into a trust fund, granting minor financial security. That summer, Bronson Alcott let Henry David Thoreau borrow his ax to prepare his home at Walden Pond.
The Alcotts hosted a steady stream of visitors at The Hillside, including fugitive slaves, which they hosted in secret as a station of the Underground Railroad. Alcott's opposition to slavery also fueled his opposition to the Mexican–American War which began in 1846. He considered the war a blatant attempt to extend slavery and asked if the country was made up of "a people bent on conquest, on getting the golden treasures of Mexico into our hands, and of subjugating foreign peoples?"
In 1848, Abby May insisted they leave Concord, which she called "cold, heartless, brainless, soulless". The Alcott family put The Hillside up for rent and moved to Boston. There, next door to Peabody's book store on West Street, Bronson Alcott hosted a series based on the "Conversations" model by Margaret Fuller called "A Course on the Conversations on Man—his History, Resources, and Expectations". Participants, both men and women, were charged three dollars to attend or five dollars for all seven lectures. In March 1853, Alcott was invited to teach fifteen students at Harvard Divinity School in an extracurricular, non-credit course.
Alcott and his family moved back to Concord after 1857, where he and his family lived in the Orchard House until 1877. In 1860, Alcott was named superintendent of Concord Schools.
Civil War years and beyond.
Alcott voted in a presidential election for the first time in 1860. In his journal for November 6, 1860, he wrote: "At Town House, and cast my vote for Lincoln and the Republican candidates generally—the first vote I ever cast for a President and State officers." Alcott was an abolitionist and a friend of the more radical William Lloyd Garrison. He had attended a rally led by Wendell Phillips on behalf of 17-year-old Thomas Sims, a fugitive slave on trial in Boston. Alcott was one of several who attempted to storm the courthouse; when gunshots were heard, he was the only one who stood his ground, though the effort was unsuccessful. He had also stood his ground in a protest against the trial of Anthony Burns. A group had broken down the door of the Boston courthouse but guards beat them back. Alcott stood forward and asked the leader of the group, Thomas Wentworth Higginson, "Why are we not within?" He then walked calmly into the courthouse, was threatened with a gun, and turned back, "but without hastening a step", according to Higginson.
In 1862, Louisa moved to Washington, D.C. to volunteer as a nurse. On January 14, 1863, the Alcotts received a telegram that Louisa was sick; Bronson immediately went to bring her home, briefly meeting Abraham Lincoln while there. Louisa turned her experience into the book "Hospital Sketches". Her father wrote of it, "I see nothing in the way of a good appreciation of Louisa's merits as a woman and a writer."
Henry David Thoreau died on May 6, 1862, likely from an illness he caught from Alcott two years earlier.
At Emerson's request, Alcott helped arrange Thoreau's funeral, which was held at First Parish Sanctuary in Concord, despite Thoreau having disavowed membership in the church when he was in his early twenties. Emerson wrote a eulogy, and Alcott helped plan the preparations. Only two years later, neighbor Nathaniel Hawthorne died as well. Alcott served as a pallbearer along with Louis Agassiz, James T. Fields, Oliver Wendell Holmes, Sr., Henry Wadsworth Longfellow, and others. With Hawthorne's death, Alcott worried that few of the Concord notables remained. He recorded in his journal: "Fair figures one by one are fading from sight." The next year, Lincoln was assassinated, which Alcott called "appalling news".
In 1868, Alcott met with publisher Thomas Niles, an admirer of "Hospital Sketches". Alcott asked Niles if he would publish a book of short stories by his daughter; instead, he suggested she write a book about girls. Louisa May was not interested initially but agreed to try. "They want a book of 200 pages or more", Alcott told his daughter. The result was "Little Women", published later that year. The book, which fictionalized the Alcott family during the girls' coming-of-age years, recast the father figure as a chaplain, away from home at the front in the Civil War.
Alcott spoke, as opportunity arose, before the "lyceums" then common in various parts of the United States, or addressed groups of hearers as they invited him. These "conversations" as he called them, were more or less informal talks on a great range of topics, spiritual, aesthetic and practical, in which he emphasized the ideas of the school of American Transcendentalists led by Emerson, who was always his supporter and discreet admirer. He often discussed Platonic philosophy, the illumination of the mind and soul by direct communion with Spirit; upon the spiritual and poetic monitions of external nature; and upon the benefit to man of a serene mood and a simple way of life.
Final years.
Alcott's published books, all from late in his life, include "Tablets" (1868), "Concord Days" (1872), "New Connecticut" (1881), and "Sonnets and Canzonets" (1882). Louisa May attended to her father's needs in his final years. She purchased a house for her sister Anna which had been the last home of Henry David Thoreau, now known as the Thoreau-Alcott House. Louisa and her parents moved in with Anna as well.
After the death of his wife Abby May on November 25, 1877, Alcott never returned to Orchard House, too heartbroken to live there. He and Louisa May collaborated on a memoir and went over her papers, letters, and journals. "My heart bleeds with the memories of those days", he wrote, "and even long years, of cheerless anxiety and hopeless dependence." Louisa noted her father had become "restless with his anchor gone". They gave up on the memoir project and Louisa burned many of her mother's papers.
On January 19, 1879, Alcott and Franklin Benjamin Sanborn wrote a prospectus for a new school which they distributed to potentially interested people throughout the country. The result was the Concord School of Philosophy and Literature, which held its first session in 1879 in Alcott's study in the Orchard House. In 1880 the school moved to the Hillside Chapel, a building next to the house, where he held conversations and, over the course of successive summers, as he entered his eighties, invited others to give lectures on themes in philosophy, religion and letters. The school, considered one of the first formal adult education centers in America, was also attended by foreign scholars. It continued for nine years.
In April 1882, Alcott's friend and benefactor Ralph Waldo Emerson was sick and bedridden. After visiting him, Alcott wrote, "Concord will be shorn of its human splendor when he withdraws behind the cloud." Emerson died the next day. Alcott himself moved out of Concord for his final years, settling at 10 Louisburg Square in Boston beginning in 1885.
As he was bedridden at the end of his life, Alcott's daughter Louisa May came to visit him at Louisburg on March 1, 1888. He said to her, "I am going "up. Come with me"." She responded, "I wish I could." He died three days later on March 4; Louisa May died only two days after her father.
Early life.
A native New Englander, Amos Bronson Alcott was born in Wolcott, Connecticut (then recently renamed from "Farmingbury") on November 29, 1799. His parents were Joseph Chatfield Alcott and Anna Bronson Alcott. The family home was in an area known as Spindle Hill, and his father, Joseph Alcox, traced his ancestry to colonial-era settlers in eastern Massachusetts. The family originally spelled their name "Alcock", later changed to "Alcocke" then "Alcox". Amos Bronson, the oldest of eight children, later changed the spelling to "Alcott" and dropped his first name.
At age six, young Bronson began his formal education in a one-room schoolhouse in the center of town but learned how to read at home with the help of his mother. The school taught only reading, writing, and spelling, and he left this school at the age of 10. At age 13, his uncle, Reverend Tillotson Bronson, invited Alcott into his home in Cheshire, Connecticut, to be educated and prepared for college. Bronson gave it up after only a month and was self-educated from then on. He was not particularly social and his only close friend was his neighbor and second cousin William Alcott, with whom he shared books and ideas. Bronson Alcott later reflected on his childhood at Spindle Hill: "It kept me pure ... I dwelt amidst the hills ... God spoke to me while I walked the fields." Starting at age 15, he worked for clockmaker Seth Thomas in the nearby town of Plymouth.
At age 17, Alcott passed the exam for a teaching certificate but had trouble finding work as a teacher. Instead, he left home and became a traveling salesman in the American South, peddling books and merchandise. He hoped the job would earn him enough money to support his parents, "to make their cares, and burdens less ... and get them free from debt", though he soon spent most of his earnings on a new suit. At first, he thought it an acceptable occupation but soon worried about his spiritual well-being. In March 1823, Alcott wrote to his brother: "Peddling is a hard place to serve God, but a capital one to serve Mammon." Near the end of his life, he fictionalized this experience in his book, "New Connecticut", originally circulated only among friends before its publication in 1881.
Early career and marriage.
By the summer of 1823, Alcott returned to Connecticut in debt to his father, who had bailed him out after his last two unsuccessful sales trips. He took a job as a schoolteacher in Cheshire with the help of his Uncle Tillotson. He quickly set about reforming the school. He added backs to the benches on which students sat, improved lighting and heating, de-emphasized rote learning, and provided individual slates to each student—paid for by himself. Alcott had been influenced by educational philosophy of the Swiss pedagogue Johann Heinrich Pestalozzi and even renamed his school "The Cheshire Pestalozzi School". His style attracted the attention of Samuel Joseph May, who introduced Alcott to his sister Abby May. She called him, "an intelligent, philosophic, modest man" and found his views on education "very attractive". Locals in Cheshire were less supportive and became suspicious of his methods. Many students left and were enrolled in the local common school or a recently reopened private school for boys. On November 6, 1827, Alcott started teaching in Bristol, Connecticut, still using the same methods he used in Cheshire, but opposition from the community surfaced quickly; he was unemployed by March 1828. He moved to Boston on April 24, 1828, and was immediately impressed, referring to the city as a place "where the light of the sun of righteousness has risen". He opened the Salem Street Infant School two months later on June 23. Abby May applied as his teaching assistant; instead, the couple were engaged, without consent of the family. They were married at King's Chapel on May 22, 1830; he was 30 years old and she was 29. Her brother conducted the ceremony and a modest reception followed at her father's house. After their marriage the Alcotts moved to 12 Franklin Street in Boston, a boarding house run by a Mrs. Newall. Around this time, Alcott also first expressed his public disdain for slavery. In November 1830, he and William Lloyd Garrison founded what he later called a "preliminary Anti-Slavery Society", though he differed from Garrison as a nonresistant. Alcott became a member of the Boston Vigilance Committee.
Attendance at Alcott's school was falling when a wealthy Quaker named Reuben Haines III proposed that he and educator William Russell start a new school in Pennsylvania, associated with the Germantown Academy. Alcott accepted and he and his newly pregnant wife set forth on December 14. The school was established in Germantown and the Alcotts were offered a rent-free home by Haines. Alcott and Russell were initially concerned that the area would not be conducive to their progressive approach to education and considered establishing the school in nearby Philadelphia instead. Unsuccessful, they went back to Germantown, though the rent-free home was no longer available and the Alcotts instead had to rent rooms in a boarding-house. It was there that their first child, a daughter they named Anna Bronson Alcott, was born on March 16, 1831, after 36 hours of labor. By the fall of that year, their benefactor Haines died suddenly and the Alcotts again suffered financial difficulty. "We hardly earn the bread", wrote Abby May to her brother, "[and] the butter we have to think about."
The couple's only son was born on April 6, 1839, but lived only a few minutes. The mother recorded: "Gave birth to a fine boy full grown perfectly formed but not living". It was in Germantown that the couple's second daughter was born. Louisa May Alcott was born on her father's birthday, November 29, 1832, at a half-hour past midnight. Bronson described her as "a very fine healthful child, much more so than Anna was at birth". The Germantown school, however, was faltering; soon only eight pupils remained. Their benefactor Haines died before Louisa's birth. He had helped recruit students and even paid tuition for some of them. As Abby wrote, his death "has prostrated all our hopes here". On April 10, 1833, the family moved to Philadelphia, where Alcott ran a day school. As usual, Alcott's methods were controversial; a former student later referred to him as "the most eccentric man who ever took on himself to train and form the youthful mind". Alcott began to believe Boston was the best place for his ideas to flourish. He contacted theologian William Ellery Channing for support. Channing approved of Alcott's methods and promised to help find students to enroll, including his daughter Mary. Channing also secured aid from Justice Lemuel Shaw and Boston mayor Josiah Quincy, Jr.
Experimental educator.
On September 22, 1834, Alcott opened a school of about 30 students, mostly from wealthy families. It was named the Temple School because classes were held at the Masonic Temple on Tremont Street in Boston. His assistant was Elizabeth Palmer Peabody, later replaced by Margaret Fuller. Mary Peabody Mann served as a French instructor for a time. The school was briefly famous, and then infamous, because of Alcott's method of "discarding text-books and teaching by conversation", his questioning attitude toward the Bible, and his reception of "a colored girl" into his classes.
Before 1830, primary and secondary teaching of writing consisted of rote drills in grammar, spelling, vocabulary, penmanship and transcription of adult texts. In that decade, however, progressive reformers such as Alcott, influenced by Pestalozzi, Friedrich Fröbel, and Johann Friedrich Herbart, began to advocate compositions based on students' own experiences. These reformers opposed beginning instruction with rules and preferred to have students learn to write by expressing their personal understanding of the events of their lives.
Alcott sought to develop instruction on the basis of self-analysis, with an emphasis on conversation and questioning rather than lecturing and drill. A similar interest in instructive conversation was shared by Abby May who, describing her idea of a family "post office" set up to curb potential domestic tension, said "I thought it would afford a daily opportunity for the children, indeed all of us, to interchange thought and sentiment".
Alongside writing and reading, Alcott gave lessons in "spiritual culture", which included interpretation of the Gospels, and advocated "object teaching" in writing instruction. He even went so far as to decorate his schoolroom with visual elements he thought would inspire learning: paintings, books, comfortable furniture, and busts or portraits of Plato, Socrates, Jesus, and William Ellery Channing.
During this time, the Alcotts had another child. Born on June 24, 1835, she was named Elizabeth Peabody Alcott in honor of the teaching assistant at the Temple School. By age three, however, her mother changed her name to Elizabeth "Sewall" Alcott, after her own mother, perhaps because of the recent rupture between Bronson Alcott and Elizabeth Palmer Peabody.
In July 1835, Peabody published her account as an assistant to the Temple School as "Record of a School: Exemplifying the General Principles of Spiritual Culture". While working on a second book, Alcott and Peabody had a falling out and "Conversations with Children on the Gospels" was prepared with help from Peabody's sister Sophia, published at the end of December 1836. Alcott's methods were not well received; many found his conversations on the Gospels close to blasphemous. For example, he asked students to question if Biblical miracles were literal and suggested that all people are part of God. In the "Boston Daily Advertiser", Nathan Hale criticized Alcott's "flippant and off hand conversation" about serious topics from the Virgin birth of Jesus to circumcision. Joseph T. Buckingham called Alcott "either insane or half-witted" and "an ignorant and presuming charlatan". The book did not sell well; a Boston lawyer bought 750 copies to use as waste paper.
The Temple School was widely denounced in the press. Reverend James Freeman Clarke was one of Alcott's few supporters and defended him against the harsh response from Boston periodicals. Alcott was rejected by most public opinion and, by the summer of 1837, he had only 11 students left and no assistant after Margaret Fuller moved to Providence, Rhode Island. The controversy had caused many parents to remove their children and, as the school closed, Alcott became increasingly financially desperate. Remaining steadfast to his pedagogy, a forerunner of progressive and democratic schooling, he alienated parents in a later "parlor school" by admitting an African American child to the class, whom he then refused to expel in the face of protests.
Transcendentalist.
Beginning in 1836, Alcott's membership in the Transcendental Club put him in the company of such as Ralph Waldo Emerson, Orestes Brownson and Theodore Parker. He became a member at the club's second meeting and hosted its third. A biographer of Emerson described the group as "the occasional meetings of a changing body of liberal thinkers, agreeing in nothing but their liberality". Frederic Henry Hedge wrote similarly that "[t]here was no club in the strict sense ... only occasional meetings of like-minded men and women". Alcott preferred the term "Symposium" for their group.
In late April 1840, Alcott moved to the town of Concord urged by Emerson. He rented a home for $50 a year within walking distance of Emerson's house. He named it Dove Cottage. A supporter of his philosophies, Emerson offered to help Alcott with his writing. This proved a difficult task. For example, after several revisions of the essay "Psyche" (Alcott's account of how he educated his daughters), Emerson deemed it unpublishable. Alcott also wrote a series patterned after the work of German writer Johann Wolfgang von Goethe which was published in the Transcendentalists' journal, "The Dial". Emerson had written to Margaret Fuller, then editor, that Alcott's so-called "Orphic Sayings" might "pass muster & even pass for just & great", but they were widely mocked as silly and unintelligible. Fuller herself disliked them, but did not want to hurt Alcott's feelings. The following example appeared in the first issue:
With financial support from Emerson, and leaving his family in the care of his brother Junius, Alcott departed Concord for a visit to England on May 8, 1842. There he met admirers Charles Lane and Henry C. Wright, supporters of Alcott House, an experimental school outside London based on Alcott's Temple School methods. The two men followed Alcott back to the United States and, in an early communitarian experiment, Lane and his son moved in with the Alcotts.
Persuaded in part by Lane's abolitionist views, Alcott took a stand against President Tyler's plan to annex Texas as a slave territory and refused to pay his poll tax. Abby May wrote in her journal on January 17, 1843, "A day of some excitement, as Mr. Alcott refused to pay his town tax ... After waiting some time to be committed [to jail], he was told it was paid by a friend. Thus we were spared the affliction of his absence and the triumph of suffering for his principles." The incident inspired Henry David Thoreau, whose similar protest against the $1.50 poll tax led to a night in jail and his essay "Civil Disobedience".
Fruitlands.
Lane and Alcott collaborated on a major expansion of their educational theories into a Utopian society. Alcott, however, was still in debt and could not purchase the land needed for their planned community. In a letter, Lane wrote, "I do not see anyone to act the money part but myself." In May 1843, he purchased a farm in Harvard, Massachusetts. Up front, he paid $1,500 of the total $1,800 value of the property; the rest was meant to be paid by the Alcotts over a two-year period. They moved to the farm on June 1 and optimistically named it "Fruitlands" despite only ten old apple trees on the property. In July, Alcott announced their plans in "The Dial": "We have made an arrangement with the proprietor of an estate of about a hundred acres, which liberates this tract from human ownership".
Their goal was to regain Eden, to find the formula for agriculture, diet, and reproduction that would provide the perfect way for the invidual to live "in harmony with nature, the animal world, his fellows, himself, [and] his creator". In order to achieve this, they removed themselves from the economy as much as possible and lived independently, styling themselves a "consociate family". Unlike a similar project named Brook Farm, the participants at Fruitlands avoided interaction with other local communities. At first scorning animal labor as exploitative, they found human spadework insufficient to their needs and eventually allowed some cattle to be "enslaved". They banned coffee, tea, alcoholic drinks, milk, and warm bathwater. As Alcott had published earlier, "Our wine is water, — flesh, bread; — drugs, fruits." One member, Samuel Bower, "gave the community the reputation of refusing to eat potatoes because instead of aspiring toward the sky they grew downward in the earth", For clothing, they prohibited leather, because animals were killed for it, as well as cotton, silk, and wool, because they were products of slave labor. Alcott had high expectations, but was often away, attempting to recruit more members when the community most needed him.
The experimental community was never successful, partly because most of the land was not arable. Alcott lamented, "None of us were prepared to actualize practically the ideal life of which we dreamed. So we fell apart". Its founders were often away as well; in the middle of harvesting, they left for a lecture tour through Providence, Rhode Island, New York City, and New Haven, Connecticut. In its seven months, only 13 people joined, included the Alcotts and Lanes. Other than Abby May and her daughters, only one other woman joined, Ann Page. One rumor is that Page was asked to leave after eating a fish tail with a neighbor. Lane believed Alcott had misled him into thinking enough people would join the enterprise and developed a strong dislike for the nuclear family. He quit the project and moved to a nearby Shaker family with his son. After Lane's departure, Alcott fell into a depression and could not speak or eat for three days. Abby May thought Lane purposely sabotaged her family. She wrote to her brother, "All Mr. Lane's efforts have been to disunite us. But Mr. Alcott's ... paternal instincts were too strong for him." When the final payment on the farm was owed, Sam May refused to cover his brother-in-law's debts, as he often did, possibly at Abby May's suggestion. The experiment failed, the Alcotts had to leave Fruitlands.
The members of the Alcott family were not happy with their Fruitlands experience. At one point, Abby May threatened that she and their daughters would move elsewhere, leaving Bronson behind. Louisa May Alcott, who was ten years old at the time, later wrote of the experience in "Transcendental Wild Oats" (1873): "The band of brothers began by spading garden and field; but a few days of it lessened their ardor amazingly."
Return to Concord.
In January 1844, Alcott moved his family to Still River, a village within Harvard but, on March 1, 1845, the family returned to Concord to live in a home they named "The Hillside" (later renamed "The Wayside" by Nathaniel Hawthorne). Both Emerson and Sam May assisted in securing the home for the Alcotts. While living in the home, Louisa began writing in earnest and was given her own room. She later said her years at the home "were the happiest years" of her life; many of the incidents in her novel "Little Women" (1868) are based on this period. Alcott renovated the property, moving a barn and painting the home a rusty olive color, as well as tending to over six acres of land. On May 23, 1845, Abby May was granted a sum from her father's estate which was put into a trust fund, granting minor financial security. That summer, Bronson Alcott let Henry David Thoreau borrow his ax to prepare his home at Walden Pond.
The Alcotts hosted a steady stream of visitors at The Hillside, including fugitive slaves, which they hosted in secret as a station of the Underground Railroad. Alcott's opposition to slavery also fueled his opposition to the Mexican–American War which began in 1846. He considered the war a blatant attempt to extend slavery and asked if the country was made up of "a people bent on conquest, on getting the golden treasures of Mexico into our hands, and of subjugating foreign peoples?"
In 1848, Abby May insisted they leave Concord, which she called "cold, heartless, brainless, soulless". The Alcott family put The Hillside up for rent and moved to Boston. There, next door to Peabody's book store on West Street, Bronson Alcott hosted a series based on the "Conversations" model by Margaret Fuller called "A Course on the Conversations on Man—his History, Resources, and Expectations". Participants, both men and women, were charged three dollars to attend or five dollars for all seven lectures. In March 1853, Alcott was invited to teach fifteen students at Harvard Divinity School in an extracurricular, non-credit course.
Alcott and his family moved back to Concord after 1857, where he and his family lived in the Orchard House until 1877. In 1860, Alcott was named superintendent of Concord Schools.
Civil War years and beyond.
Alcott voted in a presidential election for the first time in 1860. In his journal for November 6, 1860, he wrote: "At Town House, and cast my vote for Lincoln and the Republican candidates generally—the first vote I ever cast for a President and State officers." Alcott was an abolitionist and a friend of the more radical William Lloyd Garrison. He had attended a rally led by Wendell Phillips on behalf of 17-year-old Thomas Sims, a fugitive slave on trial in Boston. Alcott was one of several who attempted to storm the courthouse; when gunshots were heard, he was the only one who stood his ground, though the effort was unsuccessful. He had also stood his ground in a protest against the trial of Anthony Burns. A group had broken down the door of the Boston courthouse but guards beat them back. Alcott stood forward and asked the leader of the group, Thomas Wentworth Higginson, "Why are we not within?" He then walked calmly into the courthouse, was threatened with a gun, and turned back, "but without hastening a step", according to Higginson.
In 1862, Louisa moved to Washington, D.C. to volunteer as a nurse. On January 14, 1863, the Alcotts received a telegram that Louisa was sick; Bronson immediately went to bring her home, briefly meeting Abraham Lincoln while there. Louisa turned her experience into the book "Hospital Sketches". Her father wrote of it, "I see nothing in the way of a good appreciation of Louisa's merits as a woman and a writer."
Henry David Thoreau died on May 6, 1862, likely from an illness he caught from Alcott two years earlier.
At Emerson's request, Alcott helped arrange Thoreau's funeral, which was held at First Parish Sanctuary in Concord, despite Thoreau having disavowed membership in the church when he was in his early twenties. Emerson wrote a eulogy, and Alcott helped plan the preparations. Only two years later, neighbor Nathaniel Hawthorne died as well. Alcott served as a pallbearer along with Louis Agassiz, James T. Fields, Oliver Wendell Holmes, Sr., Henry Wadsworth Longfellow, and others. With Hawthorne's death, Alcott worried that few of the Concord notables remained. He recorded in his journal: "Fair figures one by one are fading from sight." The next year, Lincoln was assassinated, which Alcott called "appalling news".
In 1868, Alcott met with publisher Thomas Niles, an admirer of "Hospital Sketches". Alcott asked Niles if he would publish a book of short stories by his daughter; instead, he suggested she write a book about girls. Louisa May was not interested initially but agreed to try. "They want a book of 200 pages or more", Alcott told his daughter. The result was "Little Women", published later that year. The book, which fictionalized the Alcott family during the girls' coming-of-age years, recast the father figure as a chaplain, away from home at the front in the Civil War.
Alcott spoke, as opportunity arose, before the "lyceums" then common in various parts of the United States, or addressed groups of hearers as they invited him. These "conversations" as he called them, were more or less informal talks on a great range of topics, spiritual, aesthetic and practical, in which he emphasized the ideas of the school of American Transcendentalists led by Emerson, who was always his supporter and discreet admirer. He often discussed Platonic philosophy, the illumination of the mind and soul by direct communion with Spirit; upon the spiritual and poetic monitions of external nature; and upon the benefit to man of a serene mood and a simple way of life.
Final years.
Alcott's published books, all from late in his life, include "Tablets" (1868), "Concord Days" (1872), "New Connecticut" (1881), and "Sonnets and Canzonets" (1882). Louisa May attended to her father's needs in his final years. She purchased a house for her sister Anna which had been the last home of Henry David Thoreau, now known as the Thoreau-Alcott House. Louisa and her parents moved in with Anna as well.
After the death of his wife Abby May on November 25, 1877, Alcott never returned to Orchard House, too heartbroken to live there. He and Louisa May collaborated on a memoir and went over her papers, letters, and journals. "My heart bleeds with the memories of those days", he wrote, "and even long years, of cheerless anxiety and hopeless dependence." Louisa noted her father had become "restless with his anchor gone". They gave up on the memoir project and Louisa burned many of her mother's papers.
On January 19, 1879, Alcott and Franklin Benjamin Sanborn wrote a prospectus for a new school which they distributed to potentially interested people throughout the country. The result was the Concord School of Philosophy and Literature, which held its first session in 1879 in Alcott's study in the Orchard House. In 1880 the school moved to the Hillside Chapel, a building next to the house, where he held conversations and, over the course of successive summers, as he entered his eighties, invited others to give lectures on themes in philosophy, religion and letters. The school, considered one of the first formal adult education centers in America, was also attended by foreign scholars. It continued for nine years.
In April 1882, Alcott's friend and benefactor Ralph Waldo Emerson was sick and bedridden. After visiting him, Alcott wrote, "Concord will be shorn of its human splendor when he withdraws behind the cloud." Emerson died the next day. Alcott himself moved out of Concord for his final years, settling at 10 Louisburg Square in Boston beginning in 1885.
As he was bedridden at the end of his life, Alcott's daughter Louisa May came to visit him at Louisburg on March 1, 1888. He said to her, "I am going "up. Come with me"." She responded, "I wish I could." He died three days later on March 4; Louisa May died only two days after her father.
Beliefs.
Alcott was fundamentally and philosophically opposed to corporal punishment as a means of disciplining his students. Instead, beginning at the Temple School, he would appoint a daily student superintendent. When that student observed an infraction, he or she reported it to the rest of the class and, as a whole, they deliberated on punishment. At times, Alcott offered his own hand for an offending student to strike, saying that any failing was the teacher's responsibility. The shame and guilt this method induced, he believed, was far superior to the fear instilled by corporal punishment; when he used physical "correction" he required that the students be unanimously in support of its application, even including the student to be punished.
The most detailed discussion of his theories on education is in an essay, "Observations on the Principles and Methods of Infant Instruction". Alcott believed that early education must draw out "unpremeditated thoughts and feelings of the child" and emphasized that infancy should primarily focus on enjoyment. He noted that learning was not about the acquisition of facts but the development of a reflective state of mind.
Alcott's ideas as an educator were controversial. Writer Harriet Martineau, for example, wrote dubiously that, "the master presupposes his little pupils possessed of all truth; and that his business is to bring it out into expression". Even so, his ideas helped to found one of the first adult education centers in America, and provided the foundation for future generations of liberal education. Many of Alcott's educational principles are still used in classrooms today, including "teach by encouragement", art education, music education, acting exercises, learning through experience, risk-taking in the classroom, tolerance in schools, physical education/recess, and early childhood education. The teachings of William Ellery Channing a few years earlier had also laid the groundwork for the work of most of the Concord Transcendentalists.
The Concord School of Philosophy, which closed following Alcott's death in 1888, was reopened almost 90 years later in the 1970s. It has continued functioning with a Summer Conversational Series in its original building at Orchard House, now run by the Louisa May Alcott Memorial Association.
While many of Alcott's ideas continue to be perceived as being on the liberal/radical edge, they are still common themes in society, including vegetarian/veganism, sustainable living, and temperance/self-control. Alcott described his sustenance as a "Pythagorean diet": Meat, eggs, butter, cheese, and milk were excluded and drinking was confined to well water. Alcott believed that diet held the key to human perfection and connected physical well-being to mental improvement. He further viewed a perfection of nature to the spirit and, in a sense, predicted modern environmentalism by condemning pollution and encouraging humankind's role in sustaining ecology.
Criticism.
Alcott's philosophical teachings have been criticized as inconsistent, hazy or abrupt. He formulated no system of philosophy, and shows the influence of Plato, German mysticism, and Immanuel Kant as filtered through the writings of Samuel Taylor Coleridge. Margaret Fuller referred to Alcott as "a philosopher of the balmy times of ancient Greece—a man whom the worldlings of Boston hold in as much horror as the worldlings of Athens held Socrates." In his later years, Alcott related a story from his boyhood: during a total solar eclipse, he threw rocks at the sky until he fell and dislocated his shoulder. He reflected that the event was a prophecy that he would be "tilting at the sun and always catching the fall".
Like Emerson, Alcott was always optimistic, idealistic, and individualistic in thinking. Writer James Russell Lowell referred to Alcott in his poem "Studies for Two Heads" as "an angel with clipped wings". Even so, Emerson noted that Alcott's brilliant conversational ability did not translate into good writing. "When he sits down to write," Emerson wrote, "all his genius leaves him; he gives you the shells and throws away the kernel of his thought." His "Orphic Sayings", published in "The Dial", became famous for their hilarity as dense, pretentious, and meaningless. In New York, for example, "The Knickerbocker" published a parody titled "Gastric Sayings" in November 1840. A writer for the "Boston Post" referred to Alcott's "Orphic Sayings" as "a train of fifteen railroad cars with one passenger".
Modern critics often fault Alcott for not being able to financially support his family. Alcott himself worried about his own prospects as a young man, once writing to his mother that he was "still at my old trade—hoping." Alcott held his principles above his and his family's well-being. Shortly before his marriage, for example, his future father-in-law Colonel Joseph May helped him find a job teaching at a school in Boston run by the Society of Free Enquirers, followers of Robert Owen, for a lucrative $1,000 to $1,200 annual salary. He refused it because he did not agree with their beliefs, writing, "I shall have nothing to do with them."
From the other perspective, the Alcotts created an environment which produced two famous daughters in different fields in a time when women were not commonly encouraged to have independent careers.
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Alcuin
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Alcuin of York (; ; 735 – 19 May 804) – also called Ealhwine, Alhwin, or Alchoin – was a scholar, clergyman, poet, and teacher from York, Northumbria. He was born around 735 and became the student of Archbishop Ecgbert at York. At the invitation of Charlemagne, he became a leading scholar and teacher at the Carolingian court, where he remained a figure in the 780s and 790s. Before that, he was also a court chancellor in Aachen. "The most learned man anywhere to be found", according to Einhard's "Life of Charlemagne" (–833), he is considered among the most important intellectual architects of the Carolingian Renaissance. Among his pupils were many of the dominant intellectuals of the Carolingian era.
During this period, he perfected Carolingian minuscule, an easily read manuscript hand using a mixture of upper- and lower-case letters. Latin paleography in the eighth century leaves little room for a single origin of the script, and sources contradict his importance as no proof has been found of his direct involvement in the creation of the script. Carolingian minuscule was already in use before Alcuin arrived in Francia. Most likely he was responsible for copying and preserving the script while at the same time restoring the purity of the form.
Alcuin wrote many theological and dogmatic treatises, as well as a few grammatical works and a number of poems. In 796, he was made abbot of Marmoutier Abbey, in Tours, where he remained until his death.
Biography.
Background.
Alcuin was born in Northumbria, presumably sometime in the 730s. Virtually nothing is known of his parents, family background, or origin. In common hagiographical fashion, the "Vita Alcuini" asserts that Alcuin was "of noble English stock", and this statement has usually been accepted by scholars. Alcuin's own work only mentions such collateral kinsmen as Wilgils, father of the missionary saint Willibrord; and Beornrad (also spelled Beornred), abbot of Echternach and bishop of Sens. Willibrord, Alcuin and Beornrad were all related by blood.
In his "Life" of St Willibrord, Alcuin writes that Wilgils, called a "paterfamilias", had founded an oratory and church at the mouth of the Humber, which had fallen into Alcuin's possession by inheritance. Because in early Anglo-Latin writing "paterfamilias" ("head of a family, householder") usually referred to a ("churl"), Donald A. Bullough suggests that Alcuin's family was of ("churlish") status: i.e., free but subordinate to a noble lord, and that Alcuin and other members of his family rose to prominence through beneficial connections with the aristocracy. If so, Alcuin's origins may lie in the southern part of what was formerly known as Deira.
York.
The young Alcuin came to the cathedral church of York during the golden age of Archbishop Ecgbert and his brother, the Northumbrian King Eadberht. Ecgbert had been a disciple of the Venerable Bede, who urged him to raise York to an archbishopric. King Eadberht and Archbishop Ecgbert oversaw the re-energising and reorganisation of the English church, with an emphasis on reforming the clergy and on the tradition of learning that Bede had begun. Ecgbert was devoted to Alcuin, who thrived under his tutelage.
The York school was renowned as a centre of learning in the liberal arts, literature, and science, as well as in religious matters. From here, Alcuin drew inspiration for the school he would lead at the Frankish court. He revived the school with the trivium and quadrivium disciplines, writing a codex on the trivium, while his student Hraban wrote one on the quadrivium.
Alcuin graduated to become a teacher during the 750s. His ascendancy to the headship of the York school, the ancestor of St Peter's School, began after Aelbert became Archbishop of York in 767. Around the same time, Alcuin became a deacon in the church. He was never ordained a priest. Though no real evidence shows that he took monastic vows, he lived as if he had.
In 781, King Elfwald sent Alcuin to Rome to petition the pope for official confirmation of York's status as an archbishopric and to confirm the election of the new archbishop, Eanbald I. On his way home, he met Charlemagne (whom he had met once before), this time in the Italian city of Parma.
Charlemagne.
Alcuin's intellectual curiosity allowed him to be reluctantly persuaded to join Charlemagne's court. He joined an illustrious group of scholars whom Charlemagne had gathered around him, the mainsprings of the Carolingian Renaissance: Peter of Pisa, Paulinus of Aquileia, Rado, and Abbot Fulrad. Alcuin would later write, "the Lord was calling me to the service of King Charles".
Alcuin became master of the Palace School of Charlemagne in Aachen () in 782. It had been founded by the king's ancestors as a place for the education of the royal children (mostly in manners and the ways of the court). However, Charlemagne wanted to include the liberal arts, and most importantly, the study of religion. From 782 to 790, Alcuin taught Charlemagne himself, his sons Pepin and Louis, as well as young men sent to be educated at court, and the young clerics attached to the palace chapel. Bringing with him from York his assistants Pyttel, Sigewulf, and Joseph, Alcuin revolutionised the educational standards of the Palace School, introducing Charlemagne to the liberal arts and creating a personalised atmosphere of scholarship and learning, to the extent that the institution came to be known as the 'school of Master Albinus'.
In this role as adviser, he took issue with the emperor's policy of forcing pagans to be baptised on pain of death, arguing, "Faith is a free act of the will, not a forced act. We must appeal to the conscience, not compel it by violence. You can force people to be baptised, but you cannot force them to believe." His arguments seem to have prevailed – Charlemagne abolished the death penalty for paganism in 797.
Charlemagne gathered the best men of every land in his court, and became far more than just the king at the centre. It seems that he made many of these men his closest friends and counsellors. They referred to him as 'David', a reference to the Biblical king David. Alcuin soon found himself on intimate terms with Charlemagne and the other men at court, where pupils and masters were known by affectionate and jesting nicknames. Alcuin himself was known as 'Albinus' or 'Flaccus'. While at Aachen, Alcuin bestowed pet names upon his pupils – derived mainly from Virgil's "Eclogues". According to the "Encyclopædia Britannica", "He loved Charlemagne and enjoyed the king's esteem, but his letters reveal that his fear of him was as great as his love."
Return to Northumbria and back to Francia.
In 790, Alcuin returned from the court of Charlemagne to England, to which he had remained attached. He dwelt there for some time, but Charlemagne then invited him back to help in the fight against the Adoptionist heresy, which was at that time making great progress in Toledo, the old capital of the Visigoths and still a major city for the Christians under Islamic rule in Spain. He is believed to have had contacts with Beatus of Liébana, from the Kingdom of Asturias, who fought against Adoptionism. At the Council of Frankfurt in 794, Alcuin upheld the orthodox doctrine against the views expressed by Felix of Urgel, an heresiarch according to the Catholic Encyclopaedia. Having failed during his stay in Northumbria to influence King Æthelred in the conduct of his reign, Alcuin never returned home.
He was back at Charlemagne's court by at least mid-792, writing a series of letters to Æthelred, to Hygbald, Bishop of Lindisfarne, and to Æthelhard, Archbishop of Canterbury in the succeeding months, dealing with the Viking attack on Lindisfarne in July 793. These letters and Alcuin's poem on the subject, , provide the only significant contemporary account of these events. In his description of the Viking attack, he wrote: "Never before has such terror appeared in Britain. Behold the church of St Cuthbert, splattered with the blood of God's priests, robbed of its ornaments."
Tours and death.
In 796, Alcuin was in his 60s. He hoped to be free from court duties and upon the death of Abbot Itherius of Saint Martin at Tours, Charlemagne put Marmoutier Abbey into Alcuin's care, with the understanding that he should be available if the king ever needed his counsel. There, he encouraged the work of the monks on the beautiful Carolingian minuscule script, ancestor of modern Roman typefaces.
Alcuin died on 19 May 804, some 10 years before the emperor, and was buried at St. Martin's Church under an epitaph that partly read:
The majority of details on Alcuin's life come from his letters and poems. Also, autobiographical sections are in Alcuin's poem on York and in the "Vita Alcuini", a hagiography written for him at Ferrières in the 820s, possibly based in part on the memories of Sigwulf, one of Alcuin's pupils.
Background.
Alcuin was born in Northumbria, presumably sometime in the 730s. Virtually nothing is known of his parents, family background, or origin. In common hagiographical fashion, the "Vita Alcuini" asserts that Alcuin was "of noble English stock", and this statement has usually been accepted by scholars. Alcuin's own work only mentions such collateral kinsmen as Wilgils, father of the missionary saint Willibrord; and Beornrad (also spelled Beornred), abbot of Echternach and bishop of Sens. Willibrord, Alcuin and Beornrad were all related by blood.
In his "Life" of St Willibrord, Alcuin writes that Wilgils, called a "paterfamilias", had founded an oratory and church at the mouth of the Humber, which had fallen into Alcuin's possession by inheritance. Because in early Anglo-Latin writing "paterfamilias" ("head of a family, householder") usually referred to a ("churl"), Donald A. Bullough suggests that Alcuin's family was of ("churlish") status: i.e., free but subordinate to a noble lord, and that Alcuin and other members of his family rose to prominence through beneficial connections with the aristocracy. If so, Alcuin's origins may lie in the southern part of what was formerly known as Deira.
York.
The young Alcuin came to the cathedral church of York during the golden age of Archbishop Ecgbert and his brother, the Northumbrian King Eadberht. Ecgbert had been a disciple of the Venerable Bede, who urged him to raise York to an archbishopric. King Eadberht and Archbishop Ecgbert oversaw the re-energising and reorganisation of the English church, with an emphasis on reforming the clergy and on the tradition of learning that Bede had begun. Ecgbert was devoted to Alcuin, who thrived under his tutelage.
The York school was renowned as a centre of learning in the liberal arts, literature, and science, as well as in religious matters. From here, Alcuin drew inspiration for the school he would lead at the Frankish court. He revived the school with the trivium and quadrivium disciplines, writing a codex on the trivium, while his student Hraban wrote one on the quadrivium.
Alcuin graduated to become a teacher during the 750s. His ascendancy to the headship of the York school, the ancestor of St Peter's School, began after Aelbert became Archbishop of York in 767. Around the same time, Alcuin became a deacon in the church. He was never ordained a priest. Though no real evidence shows that he took monastic vows, he lived as if he had.
In 781, King Elfwald sent Alcuin to Rome to petition the pope for official confirmation of York's status as an archbishopric and to confirm the election of the new archbishop, Eanbald I. On his way home, he met Charlemagne (whom he had met once before), this time in the Italian city of Parma.
Charlemagne.
Alcuin's intellectual curiosity allowed him to be reluctantly persuaded to join Charlemagne's court. He joined an illustrious group of scholars whom Charlemagne had gathered around him, the mainsprings of the Carolingian Renaissance: Peter of Pisa, Paulinus of Aquileia, Rado, and Abbot Fulrad. Alcuin would later write, "the Lord was calling me to the service of King Charles".
Alcuin became master of the Palace School of Charlemagne in Aachen () in 782. It had been founded by the king's ancestors as a place for the education of the royal children (mostly in manners and the ways of the court). However, Charlemagne wanted to include the liberal arts, and most importantly, the study of religion. From 782 to 790, Alcuin taught Charlemagne himself, his sons Pepin and Louis, as well as young men sent to be educated at court, and the young clerics attached to the palace chapel. Bringing with him from York his assistants Pyttel, Sigewulf, and Joseph, Alcuin revolutionised the educational standards of the Palace School, introducing Charlemagne to the liberal arts and creating a personalised atmosphere of scholarship and learning, to the extent that the institution came to be known as the 'school of Master Albinus'.
In this role as adviser, he took issue with the emperor's policy of forcing pagans to be baptised on pain of death, arguing, "Faith is a free act of the will, not a forced act. We must appeal to the conscience, not compel it by violence. You can force people to be baptised, but you cannot force them to believe." His arguments seem to have prevailed – Charlemagne abolished the death penalty for paganism in 797.
Charlemagne gathered the best men of every land in his court, and became far more than just the king at the centre. It seems that he made many of these men his closest friends and counsellors. They referred to him as 'David', a reference to the Biblical king David. Alcuin soon found himself on intimate terms with Charlemagne and the other men at court, where pupils and masters were known by affectionate and jesting nicknames. Alcuin himself was known as 'Albinus' or 'Flaccus'. While at Aachen, Alcuin bestowed pet names upon his pupils – derived mainly from Virgil's "Eclogues". According to the "Encyclopædia Britannica", "He loved Charlemagne and enjoyed the king's esteem, but his letters reveal that his fear of him was as great as his love."
Return to Northumbria and back to Francia.
In 790, Alcuin returned from the court of Charlemagne to England, to which he had remained attached. He dwelt there for some time, but Charlemagne then invited him back to help in the fight against the Adoptionist heresy, which was at that time making great progress in Toledo, the old capital of the Visigoths and still a major city for the Christians under Islamic rule in Spain. He is believed to have had contacts with Beatus of Liébana, from the Kingdom of Asturias, who fought against Adoptionism. At the Council of Frankfurt in 794, Alcuin upheld the orthodox doctrine against the views expressed by Felix of Urgel, an heresiarch according to the Catholic Encyclopaedia. Having failed during his stay in Northumbria to influence King Æthelred in the conduct of his reign, Alcuin never returned home.
He was back at Charlemagne's court by at least mid-792, writing a series of letters to Æthelred, to Hygbald, Bishop of Lindisfarne, and to Æthelhard, Archbishop of Canterbury in the succeeding months, dealing with the Viking attack on Lindisfarne in July 793. These letters and Alcuin's poem on the subject, , provide the only significant contemporary account of these events. In his description of the Viking attack, he wrote: "Never before has such terror appeared in Britain. Behold the church of St Cuthbert, splattered with the blood of God's priests, robbed of its ornaments."
Tours and death.
In 796, Alcuin was in his 60s. He hoped to be free from court duties and upon the death of Abbot Itherius of Saint Martin at Tours, Charlemagne put Marmoutier Abbey into Alcuin's care, with the understanding that he should be available if the king ever needed his counsel. There, he encouraged the work of the monks on the beautiful Carolingian minuscule script, ancestor of modern Roman typefaces.
Alcuin died on 19 May 804, some 10 years before the emperor, and was buried at St. Martin's Church under an epitaph that partly read:
The majority of details on Alcuin's life come from his letters and poems. Also, autobiographical sections are in Alcuin's poem on York and in the "Vita Alcuini", a hagiography written for him at Ferrières in the 820s, possibly based in part on the memories of Sigwulf, one of Alcuin's pupils.
Carolingian Renaissance figure and legacy.
Mathematician.
The collection of mathematical and logical word problems entitled "Propositiones ad acuendos juvenes" ("Problems to Sharpen Youths") is sometimes attributed to Alcuin. In a 799 letter to Charlemagne, the scholar claimed to have sent "certain figures of arithmetic for the joy of cleverness", which some scholars have identified with the "Propositiones."
The text contains about 53 mathematical word problems (with solutions), in no particular pedagogical order. Among the most famous of these problems are: four that involve river crossings, including the problem of three anxious brothers, each of whom has an unmarried sister whom he cannot leave alone with either of the other men lest she be defiled (Problem 17); the problem of the wolf, goat, and cabbage (Problem 18); and the problem of "the two adults and two children where the children weigh half as much as the adults" (Problem 19). Alcuin's sequence is the solution to one of the problems of that book.
Literary influence.
Alcuin made the abbey school into a model of excellence and many students flocked to it. He had many manuscripts copied using outstandingly beautiful calligraphy, the Carolingian minuscule based on round and legible uncial letters. He wrote many letters to his English friends, to Arno, bishop of Salzburg and above all to Charlemagne. These letters (of which 311 are extant) are filled mainly with pious meditations, but they form an important source of information as to the literary and social conditions of the time and are the most reliable authority for the history of humanism during the Carolingian age. Alcuin trained the numerous monks of the abbey in piety, and in the midst of these pursuits, he died.
Alcuin is the most prominent figure of the Carolingian Renaissance, in which three main periods have been distinguished: in the first of these, up to the arrival of Alcuin at the court, the Italians occupy a central place; in the second, Alcuin and the English are dominant; in the third (from 804), the influence of Theodulf the Visigoth is preponderant.
Alcuin also developed manuals used in his educational work – a grammar and works on rhetoric and dialectics. These are written in the form of a dialogue, and in two of them the interlocutors are Charlemagne and Alcuin. He wrote several theological treatises: a "De fide Trinitatis", and commentaries on the Bible. Alcuin is credited with inventing the first known question mark, though it did not resemble the modern symbol.
Alcuin transmitted to the Franks the knowledge of Latin culture, which had existed in Anglo-Saxon England. A number of his works still exist. Besides some graceful epistles in the style of Venantius Fortunatus, he wrote some long poems, and notably he is the author of a history (in verse) of the church at York, "Versus de patribus, regibus et sanctis Eboracensis ecclesiae". At the same time, he is noted for making one of the only explicit comments on Old English poetry surviving from the early Middle Ages, in a letter to one Speratus, the bishop of an unnamed English see (possibly Unwona of Leicester): ("Let God's words be read at the episcopal dinner-table. It is right that a reader should be heard, not a harpist, patristic discourse, not pagan song. What has Ingeld to do with Christ?").
Use of homoerotic language in writings.
Historian John Boswell cited Alcuin's writings as demonstrating a personal outpouring of his internalized homosexual feelings. Others agree that Alcuin at times "comes perilously close to communicating openly his same-sex desires", and this reflects the erotic subculture of the Carolingian monastic school, but also perhaps a 'queer space' where "erotic attachment and affections may be safely articulated". According to David Clark, passages in some of Alcuin's writings can be seen to display homosocial desire, even possibly homoerotic imagery. However, he argues that it is not possible to necessarily determine whether they were the result of an outward expression of erotic feelings on the part of Alcuin.
The interpretation of homosexual desire has been disputed by Allen Frantzen, who identifies Alcuin's language with that of medieval Christian "amicitia" or friendship. Douglas Dales and Rowan Williams say "the use of language drawn [by Alcuin] from the "Song of Songs" transforms apparently erotic language into something within Christian friendship – 'an ordained affection.
Alcuin was also a close friend of Charlemagne's sister Gisela, Abbess of Chelles, and he hailed her as "a noble sister in the bond of sweet love". He wrote to Charlemagne's daughters Rotrudis and Bertha, "the devotion of my heart specially tends towards you both because of the familiarity and dedication you have shown me". He dedicated the last two books of his commentary on John's gospel to them both.
Despite inconclusive evidence of Alcuin's personal passions, he was clear in his own writings that the men of Sodom had been punished with fire for "sinning against nature with men" – a view commonly held by the Church at the time. Such sins, argued Alcuin, were therefore more serious than lustful acts with women, for which the earth was cleansed and revivified by the water of the Flood, and merit to be "withered by flames unto eternal barrenness".
Mathematician.
The collection of mathematical and logical word problems entitled "Propositiones ad acuendos juvenes" ("Problems to Sharpen Youths") is sometimes attributed to Alcuin. In a 799 letter to Charlemagne, the scholar claimed to have sent "certain figures of arithmetic for the joy of cleverness", which some scholars have identified with the "Propositiones."
The text contains about 53 mathematical word problems (with solutions), in no particular pedagogical order. Among the most famous of these problems are: four that involve river crossings, including the problem of three anxious brothers, each of whom has an unmarried sister whom he cannot leave alone with either of the other men lest she be defiled (Problem 17); the problem of the wolf, goat, and cabbage (Problem 18); and the problem of "the two adults and two children where the children weigh half as much as the adults" (Problem 19). Alcuin's sequence is the solution to one of the problems of that book.
Literary influence.
Alcuin made the abbey school into a model of excellence and many students flocked to it. He had many manuscripts copied using outstandingly beautiful calligraphy, the Carolingian minuscule based on round and legible uncial letters. He wrote many letters to his English friends, to Arno, bishop of Salzburg and above all to Charlemagne. These letters (of which 311 are extant) are filled mainly with pious meditations, but they form an important source of information as to the literary and social conditions of the time and are the most reliable authority for the history of humanism during the Carolingian age. Alcuin trained the numerous monks of the abbey in piety, and in the midst of these pursuits, he died.
Alcuin is the most prominent figure of the Carolingian Renaissance, in which three main periods have been distinguished: in the first of these, up to the arrival of Alcuin at the court, the Italians occupy a central place; in the second, Alcuin and the English are dominant; in the third (from 804), the influence of Theodulf the Visigoth is preponderant.
Alcuin also developed manuals used in his educational work – a grammar and works on rhetoric and dialectics. These are written in the form of a dialogue, and in two of them the interlocutors are Charlemagne and Alcuin. He wrote several theological treatises: a "De fide Trinitatis", and commentaries on the Bible. Alcuin is credited with inventing the first known question mark, though it did not resemble the modern symbol.
Alcuin transmitted to the Franks the knowledge of Latin culture, which had existed in Anglo-Saxon England. A number of his works still exist. Besides some graceful epistles in the style of Venantius Fortunatus, he wrote some long poems, and notably he is the author of a history (in verse) of the church at York, "Versus de patribus, regibus et sanctis Eboracensis ecclesiae". At the same time, he is noted for making one of the only explicit comments on Old English poetry surviving from the early Middle Ages, in a letter to one Speratus, the bishop of an unnamed English see (possibly Unwona of Leicester): ("Let God's words be read at the episcopal dinner-table. It is right that a reader should be heard, not a harpist, patristic discourse, not pagan song. What has Ingeld to do with Christ?").
Use of homoerotic language in writings.
Historian John Boswell cited Alcuin's writings as demonstrating a personal outpouring of his internalized homosexual feelings. Others agree that Alcuin at times "comes perilously close to communicating openly his same-sex desires", and this reflects the erotic subculture of the Carolingian monastic school, but also perhaps a 'queer space' where "erotic attachment and affections may be safely articulated". According to David Clark, passages in some of Alcuin's writings can be seen to display homosocial desire, even possibly homoerotic imagery. However, he argues that it is not possible to necessarily determine whether they were the result of an outward expression of erotic feelings on the part of Alcuin.
The interpretation of homosexual desire has been disputed by Allen Frantzen, who identifies Alcuin's language with that of medieval Christian "amicitia" or friendship. Douglas Dales and Rowan Williams say "the use of language drawn [by Alcuin] from the "Song of Songs" transforms apparently erotic language into something within Christian friendship – 'an ordained affection.
Alcuin was also a close friend of Charlemagne's sister Gisela, Abbess of Chelles, and he hailed her as "a noble sister in the bond of sweet love". He wrote to Charlemagne's daughters Rotrudis and Bertha, "the devotion of my heart specially tends towards you both because of the familiarity and dedication you have shown me". He dedicated the last two books of his commentary on John's gospel to them both.
Despite inconclusive evidence of Alcuin's personal passions, he was clear in his own writings that the men of Sodom had been punished with fire for "sinning against nature with men" – a view commonly held by the Church at the time. Such sins, argued Alcuin, were therefore more serious than lustful acts with women, for which the earth was cleansed and revivified by the water of the Flood, and merit to be "withered by flames unto eternal barrenness".
Legacy.
Alcuin is honored in the Church of England and in the Episcopal Church on 20 May the first available day after the day of his death (as Dunstan is celebrated on 19 May).
Alcuin College, one of the colleges of the University of York, is named after him. In January 2020, Alcuin was the subject of the BBC Radio 4 programme "In Our Time".
Selected works.
For a complete census of Alcuin's works, see Marie-Hélène Jullien and Françoise Perelman, eds., "Clavis scriptorum latinorum medii aevi: Auctores Galliae 735–987. Tomus II: Alcuinus." Turnhout: Brepols, 1999.
Letters.
Of Alcuin's letters, just over 310 have survived.
Letters.
Of Alcuin's letters, just over 310 have survived.
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1425
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Antonio Vivaldi
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Antonio Lucio Vivaldi (4 March 1678 – 28 July 1741) was an Italian composer, virtuoso violinist and impresario of Baroque music. Regarded as one of the greatest Baroque composers, Vivaldi's influence during his lifetime was widespread across Europe, giving origin to many imitators and admirers. He pioneered many developments in orchestration, violin technique and programatic music. He consolidated the emerging concerto form into a widely accepted and followed idiom, which was paramount in the development of Johann Sebastian Bach's instrumental music.
Vivaldi composed many instrumental concertos, for the violin and a variety of other musical instruments, as well as sacred choral works and more than fifty operas. His best-known work is a series of violin concertos known as "the Four Seasons". Many of his compositions were written for the all-female music ensemble of the "Ospedale della Pietà", a home for abandoned children. Vivaldi began studying for the priesthood at the age of 15 and was ordained at 25, but was given dispensation to no longer say public Masses due to a health problem. Vivaldi also had some success with expensive stagings of his operas in Venice, Mantua and Vienna. After meeting the Emperor Charles VI, Vivaldi moved to Vienna, hoping for royal support. However, the Emperor died soon after Vivaldi's arrival, and Vivaldi himself died in poverty less than a year later.
After almost two centuries of decline, Vivaldi's musical reputation underwent a revival in the early 20th century, with much scholarly research devoted to his work. Many of Vivaldi's compositions, once thought lost, have been rediscovered – in one case as recently as 2006. His music remains widely popular in the present day and is regularly played all over the world.
Early life.
Birth and background.
Antonio Lucio Vivaldi was born on 4 March 1678 in Venice, then the capital of the Republic of Venice. He was son of Giovanni Battista Vivaldi and Camilla Calicchio, as recorded in the register of San Giovanni in Bragora.
He was baptized immediately after his birth at his home by the midwife, the reason for which has led to speculation. Most likely it was done due either to his poor health or to an earthquake that supposedly struck the city that day. In the trauma of the earthquake, Vivaldi's mother may have dedicated him to the priesthood. However, there was no earthquake on the day Vivaldi was born, and this rumor may originate from an earthquake that struck Venice on April 17, 1688. The ceremonies which had been omitted were supplied two months later.
Vivaldi had five known siblings: Bonaventura Tomaso, Margarita Gabriela, Cecilia Maria, Francesco Gaetano, and Zanetta Anna. Vivaldi's health was problematic. One of his symptoms, "strettezza di petto" ("tightness of the chest"), has been interpreted as a form of asthma. This did not prevent him from learning to play the violin, composing, or taking part in musical activities, although it did stop him from playing wind instruments.
Youth.
His father, Giovanni Battista, was a barber before becoming a professional violinist and was one of the founders of the "Sovvegno dei musicisti di Santa Cecilia", an association of musicians. He taught Antonio to play the violin and then toured Venice, playing the violin with his young son. Antonio was probably taught at an early age, judging by the extensive musical knowledge he had acquired by the age of 24, when he started working at the Ospedale della Pietà.
The president of the "Sovvegno" was Giovanni Legrenzi, an early Baroque composer and the "maestro di cappella" at St Mark's Basilica. It is possible that Legrenzi gave the young Antonio his first lessons in composition. Vivaldi's father may have been a composer himself: in 1689, an opera titled "La Fedeltà sfortunata" was composed by a Giovanni Battista Rossi—the name under which Vivaldi's father had joined the Sovvegno di Santa Cecilia. Vivaldi's early liturgical work "Laetatus sum" (RV Anh 31) was written in 1691 at the age of thirteen.
In 1693, at the age of fifteen, he began studying to become a priest. He was ordained in 1703, aged 25, and was soon nicknamed "il Prete Rosso", "The Red Priest" ("" is Italian for "red" and would have referred to the color of his hair, a family trait.).
Birth and background.
Antonio Lucio Vivaldi was born on 4 March 1678 in Venice, then the capital of the Republic of Venice. He was son of Giovanni Battista Vivaldi and Camilla Calicchio, as recorded in the register of San Giovanni in Bragora.
He was baptized immediately after his birth at his home by the midwife, the reason for which has led to speculation. Most likely it was done due either to his poor health or to an earthquake that supposedly struck the city that day. In the trauma of the earthquake, Vivaldi's mother may have dedicated him to the priesthood. However, there was no earthquake on the day Vivaldi was born, and this rumor may originate from an earthquake that struck Venice on April 17, 1688. The ceremonies which had been omitted were supplied two months later.
Vivaldi had five known siblings: Bonaventura Tomaso, Margarita Gabriela, Cecilia Maria, Francesco Gaetano, and Zanetta Anna. Vivaldi's health was problematic. One of his symptoms, "strettezza di petto" ("tightness of the chest"), has been interpreted as a form of asthma. This did not prevent him from learning to play the violin, composing, or taking part in musical activities, although it did stop him from playing wind instruments.
Youth.
His father, Giovanni Battista, was a barber before becoming a professional violinist and was one of the founders of the "Sovvegno dei musicisti di Santa Cecilia", an association of musicians. He taught Antonio to play the violin and then toured Venice, playing the violin with his young son. Antonio was probably taught at an early age, judging by the extensive musical knowledge he had acquired by the age of 24, when he started working at the Ospedale della Pietà.
The president of the "Sovvegno" was Giovanni Legrenzi, an early Baroque composer and the "maestro di cappella" at St Mark's Basilica. It is possible that Legrenzi gave the young Antonio his first lessons in composition. Vivaldi's father may have been a composer himself: in 1689, an opera titled "La Fedeltà sfortunata" was composed by a Giovanni Battista Rossi—the name under which Vivaldi's father had joined the Sovvegno di Santa Cecilia. Vivaldi's early liturgical work "Laetatus sum" (RV Anh 31) was written in 1691 at the age of thirteen.
In 1693, at the age of fifteen, he began studying to become a priest. He was ordained in 1703, aged 25, and was soon nicknamed "il Prete Rosso", "The Red Priest" ("" is Italian for "red" and would have referred to the color of his hair, a family trait.).
Career.
Ospedale della Pietà.
While Vivaldi is most famous as a composer, he was regarded as an exceptional technical violinist as well. The German architect Johann Friedrich Armand von Uffenbach referred to Vivaldi as "the famous composer and violinist" and said that "Vivaldi played a solo accompaniment excellently, and at the conclusion he added a free fantasy [an improvised cadenza] which absolutely astounded me, for it is hardly possible that anyone has ever played, or ever will play, in such a fashion." In September 1703, Vivaldi (24) became "maestro di violino" (master of violin) at an orphanage called the Pio Ospedale della Pietà (Devout Hospital of Mercy) in Venice; although it was his talents as a violinist which probably secured him the job, he soon became a successful teacher of music there.
Over the next thirty years he composed most of his major works while working at the Ospedale. There were four similar institutions in Venice; their purpose was to give shelter and education to children who were abandoned or orphaned, or whose families could not support them. They were financed by funds provided by the Republic. The boys learned a trade and had to leave when they reached the age of fifteen. The girls received a musical education, and the most talented among them stayed and became members of the Ospedale's renowned orchestra and choir.
Shortly after Vivaldi's appointment, the orphans began to gain appreciation and esteem abroad, too. Vivaldi wrote concertos, cantatas and sacred vocal music for them. These sacred works, which number over 60, are varied: they included solo motets and large-scale choral works for soloists, double chorus, and orchestra. In 1704, the position of teacher of "viola all'inglese" was added to his duties as violin instructor. The position of "maestro di coro", which was at one time filled by Vivaldi, required a lot of time and work. He had to compose an oratorio or concerto at every feast and teach the orphans both music theory and how to play certain instruments.
His relationship with the board of directors of the Ospedale was often strained. The board had to vote every year on whether to keep a teacher. The vote on Vivaldi was seldom unanimous and went 7 to 6 against him in 1709. After a year as a freelance musician, he was recalled by the Ospedale with a unanimous vote in 1711; clearly during his year's absence the board had realized the importance of his role. He became responsible for all of the musical activity of the institution when he was promoted to "maestro de' concerti" (music director) in 1716.
In 1705, the first collection ("Connor Cassara") of his works was published by Giuseppe Sala: his Opus 1 is a collection of 12 sonatas for two violins and basso continuo, in a conventional style. In 1709, a second collection of 12 sonatas for violin and basso continuo appeared—Opus 2. A real breakthrough as a composer came with his first collection of 12 concerti for one, two, and four violins with strings, "L'estro armonico" (Opus 3), which was published in Amsterdam in 1711 by Estienne Roger, dedicated to Grand Prince Ferdinand of Tuscany. The prince sponsored many musicians including Alessandro Scarlatti and George Frideric Handel. He was a musician himself, and Vivaldi probably met him in Venice. "L'estro armonico" was a resounding success all over Europe. It was followed in 1714 by "La stravaganza" (Opus 4), a collection of concerti for solo violin and strings, dedicated to an old violin student of Vivaldi's, the Venetian noble Vettor Dolfin.
In February 1711, Vivaldi and his father traveled to Brescia, where his setting of the Stabat Mater (RV 621) was played as part of a religious festival. The work seems to have been written in haste: the string parts are simple, the music of the first three movements is repeated in the next three, and not all the text is set. Nevertheless, perhaps in part because of the forced essentiality of the music, the work is considered to be one of his early masterpieces.
Despite his frequent travels from 1718, the Ospedale paid him 2 sequins to write two concerti a month for the orchestra and to rehearse with them at least five times when in Venice. The orphanage's records show that he was paid for 140 concerti between 1723 and 1733.
Opera impresario.
In early 18th-century Venice, opera was the most popular musical entertainment. It proved most profitable for Vivaldi. There were several theaters competing for the public's attention. Vivaldi started his career as an opera composer as a sideline: his first opera, "Ottone in villa" (RV 729) was performed not in Venice, but at the Garzerie Theater in Vicenza in 1713. The following year, Vivaldi became the impresario of the Teatro San Angelo in Venice, where his opera "Orlando finto pazzo" (RV 727) was performed. The work was not to the public's taste, and it closed after a couple of weeks, being replaced with a repeat of a different work already given the previous year.
In 1715, he presented "Nerone fatto Cesare" (RV 724, now lost), with music by seven different composers, of which he was the leader. The opera contained eleven arias and was a success. In the late season, Vivaldi planned to put on an opera entirely of his own creation, "Arsilda, regina di Ponto" (RV 700), but the state censor blocked the performance. The main character, Arsilda, falls in love with another woman, Lisea, who is pretending to be a man. Vivaldi got the censor to accept the opera the following year, and it was a resounding success.
During this period, the "Pietà" commissioned several liturgical works. The most important were two oratorios. "Moyses Deus Pharaonis", (RV 643) is now lost. The second, "Juditha triumphans" (RV 644), celebrates the victory of the Republic of Venice against the Turks and the recapture of the island of Corfu. Composed in 1716, it is one of his sacred masterpieces. All eleven singing parts were performed by girls of the orphanage, both the female and male roles. Many of the arias include parts for solo instruments—recorders, oboes, violas d'amore, and mandolins—that showcased the range of talents of the girls.
Also in 1716, Vivaldi wrote and produced two more operas, "L'incoronazione di Dario" (RV 719) and "La costanza trionfante degli amori e degli odi" (RV 706). The latter was so popular that it was performed two years later, re-edited and retitled "Artabano re dei Parti" (RV 701, now lost). It was also performed in Prague in 1732. In the years that followed, Vivaldi wrote several operas that were performed all over Italy.
His progressive operatic style caused him some trouble with more conservative musicians such as Benedetto Marcello, a magistrate and amateur musician who wrote a pamphlet denouncing Vivaldi and his operas. The pamphlet, "Il teatro alla moda", attacks the composer even as it does not mention him directly. The cover drawing shows a boat (the Sant'Angelo), on the left end of which stands a little angel wearing a priest's hat and playing the violin. The Marcello family claimed ownership of the Teatro Sant'Angelo, and a long legal battle had been fought with the management for its restitution, without success. The obscure text under the engraving mentions non-existent places and names: for example, "ALDIVIVA" is an anagram of "A. Vivaldi".
In a letter written by Vivaldi to his patron Marchese Bentivoglio in 1737, he makes reference to his "94 operas". Only around 50 operas by Vivaldi have been discovered, and no other documentation of the remaining operas exists. Although Vivaldi may have been exaggerating, it is plausible that, in his dual role of composer and "impresario", he may have either written or been responsible for the production of as many as 94 operas—given that his career had by then spanned almost 25 years. While Vivaldi certainly composed many operas in his time, he never attained the prominence of other great composers such as Alessandro Scarlatti, Johann Adolph Hasse, Leonardo Leo, and Baldassare Galuppi, as evidenced by his inability to keep a production running for an extended period of time in any major opera house.
Mantua and the" Four Seasons".
In 1717 or 1718, Vivaldi was offered a prestigious new position as "Maestro di Cappella" of the court of prince Philip of Hesse-Darmstadt, governor of Mantua, in the northwest of Italy He moved there for three years and produced several operas, among them "Tito Manlio" (RV 738). In 1721, he was in Milan, where he presented the pastoral drama "La Silvia" (RV 734); nine arias from it survive. He visited Milan again the following year with the oratorio "L'adorazione delli tre re magi al bambino Gesù" (RV 645, now lost). In 1722 he moved to Rome, where he introduced his operas' new style. The new pope Benedict XIII invited Vivaldi to play for him. In 1725, Vivaldi returned to Venice, where he produced four operas in the same year.
During this period Vivaldi wrote the "Four Seasons", four violin concertos that give musical expression to the seasons of the year. The composition was probably one of his most famous. Though three of the concerti are wholly original, the first, "Spring", borrows motifs from a Sinfonia in the first act of Vivaldi's contemporaneous opera "Il Giustino". The inspiration for the concertos was probably the countryside around Mantua. They were a revolution in musical conception: in them Vivaldi represented flowing creeks, singing birds (of different species, each specifically characterized), barking dogs, buzzing mosquitoes, crying shepherds, storms, drunken dancers, silent nights, hunting parties from both the hunters' and the prey's point of view, frozen landscapes, ice-skating children, and warming winter fires. Each concerto is associated with a sonnet, possibly by Vivaldi, describing the scenes depicted in the music. They were published as the first four concertos in a collection of twelve, "Il cimento dell'armonia e dell'inventione", Opus 8, published in Amsterdam by Michel-Charles Le Cène in 1725.
During his time in Mantua, Vivaldi became acquainted with an aspiring young singer Anna Tessieri Girò, who would become his student, protégée, and favorite "prima donna". Anna, along with her older half-sister Paolina, moved in with Vivaldi and regularly accompanied him on his many travels. There was speculation as to the nature of Vivaldi's and Girò's relationship, but no evidence exists to indicate anything beyond friendship and professional collaboration. Vivaldi, in fact, adamantly denied any romantic relationship with Girò in a letter to his patron Bentivoglio dated 16 November 1737.
Late period.
At the height of his career, Vivaldi received commissions from European nobility and royalty, some of them are:
Charles VI admired the music of the Red Priest so much that he is said to have spoken more with the composer during their one meeting than he spoke to his ministers in over two years. He gave Vivaldi the title of knight, a gold medal and an invitation to Vienna. Vivaldi gave Charles a manuscript copy of "La cetra", a set of concerti almost completely different from the set of the same title published as Opus 9. The printing was probably delayed, forcing Vivaldi to gather an improvised collection for the emperor.
Like many composers of the time, Vivaldi faced financial difficulties in his later years. His compositions were no longer held in such high esteem as they once had been in Venice; changing musical tastes quickly made them outmoded. In response, Vivaldi chose to sell off sizeable numbers of his manuscripts at paltry prices to finance his migration to Vienna. The reasons for Vivaldi's departure from Venice are unclear, but it seems likely that, after the success of his meeting with Emperor Charles VI, he wished to take up the position of a composer in the imperial court. On his way to Vienna, Vivaldi may have stopped in Graz to see Anna Girò.
Ospedale della Pietà.
While Vivaldi is most famous as a composer, he was regarded as an exceptional technical violinist as well. The German architect Johann Friedrich Armand von Uffenbach referred to Vivaldi as "the famous composer and violinist" and said that "Vivaldi played a solo accompaniment excellently, and at the conclusion he added a free fantasy [an improvised cadenza] which absolutely astounded me, for it is hardly possible that anyone has ever played, or ever will play, in such a fashion." In September 1703, Vivaldi (24) became "maestro di violino" (master of violin) at an orphanage called the Pio Ospedale della Pietà (Devout Hospital of Mercy) in Venice; although it was his talents as a violinist which probably secured him the job, he soon became a successful teacher of music there.
Over the next thirty years he composed most of his major works while working at the Ospedale. There were four similar institutions in Venice; their purpose was to give shelter and education to children who were abandoned or orphaned, or whose families could not support them. They were financed by funds provided by the Republic. The boys learned a trade and had to leave when they reached the age of fifteen. The girls received a musical education, and the most talented among them stayed and became members of the Ospedale's renowned orchestra and choir.
Shortly after Vivaldi's appointment, the orphans began to gain appreciation and esteem abroad, too. Vivaldi wrote concertos, cantatas and sacred vocal music for them. These sacred works, which number over 60, are varied: they included solo motets and large-scale choral works for soloists, double chorus, and orchestra. In 1704, the position of teacher of "viola all'inglese" was added to his duties as violin instructor. The position of "maestro di coro", which was at one time filled by Vivaldi, required a lot of time and work. He had to compose an oratorio or concerto at every feast and teach the orphans both music theory and how to play certain instruments.
His relationship with the board of directors of the Ospedale was often strained. The board had to vote every year on whether to keep a teacher. The vote on Vivaldi was seldom unanimous and went 7 to 6 against him in 1709. After a year as a freelance musician, he was recalled by the Ospedale with a unanimous vote in 1711; clearly during his year's absence the board had realized the importance of his role. He became responsible for all of the musical activity of the institution when he was promoted to "maestro de' concerti" (music director) in 1716.
In 1705, the first collection ("Connor Cassara") of his works was published by Giuseppe Sala: his Opus 1 is a collection of 12 sonatas for two violins and basso continuo, in a conventional style. In 1709, a second collection of 12 sonatas for violin and basso continuo appeared—Opus 2. A real breakthrough as a composer came with his first collection of 12 concerti for one, two, and four violins with strings, "L'estro armonico" (Opus 3), which was published in Amsterdam in 1711 by Estienne Roger, dedicated to Grand Prince Ferdinand of Tuscany. The prince sponsored many musicians including Alessandro Scarlatti and George Frideric Handel. He was a musician himself, and Vivaldi probably met him in Venice. "L'estro armonico" was a resounding success all over Europe. It was followed in 1714 by "La stravaganza" (Opus 4), a collection of concerti for solo violin and strings, dedicated to an old violin student of Vivaldi's, the Venetian noble Vettor Dolfin.
In February 1711, Vivaldi and his father traveled to Brescia, where his setting of the Stabat Mater (RV 621) was played as part of a religious festival. The work seems to have been written in haste: the string parts are simple, the music of the first three movements is repeated in the next three, and not all the text is set. Nevertheless, perhaps in part because of the forced essentiality of the music, the work is considered to be one of his early masterpieces.
Despite his frequent travels from 1718, the Ospedale paid him 2 sequins to write two concerti a month for the orchestra and to rehearse with them at least five times when in Venice. The orphanage's records show that he was paid for 140 concerti between 1723 and 1733.
Opera impresario.
In early 18th-century Venice, opera was the most popular musical entertainment. It proved most profitable for Vivaldi. There were several theaters competing for the public's attention. Vivaldi started his career as an opera composer as a sideline: his first opera, "Ottone in villa" (RV 729) was performed not in Venice, but at the Garzerie Theater in Vicenza in 1713. The following year, Vivaldi became the impresario of the Teatro San Angelo in Venice, where his opera "Orlando finto pazzo" (RV 727) was performed. The work was not to the public's taste, and it closed after a couple of weeks, being replaced with a repeat of a different work already given the previous year.
In 1715, he presented "Nerone fatto Cesare" (RV 724, now lost), with music by seven different composers, of which he was the leader. The opera contained eleven arias and was a success. In the late season, Vivaldi planned to put on an opera entirely of his own creation, "Arsilda, regina di Ponto" (RV 700), but the state censor blocked the performance. The main character, Arsilda, falls in love with another woman, Lisea, who is pretending to be a man. Vivaldi got the censor to accept the opera the following year, and it was a resounding success.
During this period, the "Pietà" commissioned several liturgical works. The most important were two oratorios. "Moyses Deus Pharaonis", (RV 643) is now lost. The second, "Juditha triumphans" (RV 644), celebrates the victory of the Republic of Venice against the Turks and the recapture of the island of Corfu. Composed in 1716, it is one of his sacred masterpieces. All eleven singing parts were performed by girls of the orphanage, both the female and male roles. Many of the arias include parts for solo instruments—recorders, oboes, violas d'amore, and mandolins—that showcased the range of talents of the girls.
Also in 1716, Vivaldi wrote and produced two more operas, "L'incoronazione di Dario" (RV 719) and "La costanza trionfante degli amori e degli odi" (RV 706). The latter was so popular that it was performed two years later, re-edited and retitled "Artabano re dei Parti" (RV 701, now lost). It was also performed in Prague in 1732. In the years that followed, Vivaldi wrote several operas that were performed all over Italy.
His progressive operatic style caused him some trouble with more conservative musicians such as Benedetto Marcello, a magistrate and amateur musician who wrote a pamphlet denouncing Vivaldi and his operas. The pamphlet, "Il teatro alla moda", attacks the composer even as it does not mention him directly. The cover drawing shows a boat (the Sant'Angelo), on the left end of which stands a little angel wearing a priest's hat and playing the violin. The Marcello family claimed ownership of the Teatro Sant'Angelo, and a long legal battle had been fought with the management for its restitution, without success. The obscure text under the engraving mentions non-existent places and names: for example, "ALDIVIVA" is an anagram of "A. Vivaldi".
In a letter written by Vivaldi to his patron Marchese Bentivoglio in 1737, he makes reference to his "94 operas". Only around 50 operas by Vivaldi have been discovered, and no other documentation of the remaining operas exists. Although Vivaldi may have been exaggerating, it is plausible that, in his dual role of composer and "impresario", he may have either written or been responsible for the production of as many as 94 operas—given that his career had by then spanned almost 25 years. While Vivaldi certainly composed many operas in his time, he never attained the prominence of other great composers such as Alessandro Scarlatti, Johann Adolph Hasse, Leonardo Leo, and Baldassare Galuppi, as evidenced by his inability to keep a production running for an extended period of time in any major opera house.
Mantua and the" Four Seasons".
In 1717 or 1718, Vivaldi was offered a prestigious new position as "Maestro di Cappella" of the court of prince Philip of Hesse-Darmstadt, governor of Mantua, in the northwest of Italy He moved there for three years and produced several operas, among them "Tito Manlio" (RV 738). In 1721, he was in Milan, where he presented the pastoral drama "La Silvia" (RV 734); nine arias from it survive. He visited Milan again the following year with the oratorio "L'adorazione delli tre re magi al bambino Gesù" (RV 645, now lost). In 1722 he moved to Rome, where he introduced his operas' new style. The new pope Benedict XIII invited Vivaldi to play for him. In 1725, Vivaldi returned to Venice, where he produced four operas in the same year.
During this period Vivaldi wrote the "Four Seasons", four violin concertos that give musical expression to the seasons of the year. The composition was probably one of his most famous. Though three of the concerti are wholly original, the first, "Spring", borrows motifs from a Sinfonia in the first act of Vivaldi's contemporaneous opera "Il Giustino". The inspiration for the concertos was probably the countryside around Mantua. They were a revolution in musical conception: in them Vivaldi represented flowing creeks, singing birds (of different species, each specifically characterized), barking dogs, buzzing mosquitoes, crying shepherds, storms, drunken dancers, silent nights, hunting parties from both the hunters' and the prey's point of view, frozen landscapes, ice-skating children, and warming winter fires. Each concerto is associated with a sonnet, possibly by Vivaldi, describing the scenes depicted in the music. They were published as the first four concertos in a collection of twelve, "Il cimento dell'armonia e dell'inventione", Opus 8, published in Amsterdam by Michel-Charles Le Cène in 1725.
During his time in Mantua, Vivaldi became acquainted with an aspiring young singer Anna Tessieri Girò, who would become his student, protégée, and favorite "prima donna". Anna, along with her older half-sister Paolina, moved in with Vivaldi and regularly accompanied him on his many travels. There was speculation as to the nature of Vivaldi's and Girò's relationship, but no evidence exists to indicate anything beyond friendship and professional collaboration. Vivaldi, in fact, adamantly denied any romantic relationship with Girò in a letter to his patron Bentivoglio dated 16 November 1737.
Late period.
At the height of his career, Vivaldi received commissions from European nobility and royalty, some of them are:
Charles VI admired the music of the Red Priest so much that he is said to have spoken more with the composer during their one meeting than he spoke to his ministers in over two years. He gave Vivaldi the title of knight, a gold medal and an invitation to Vienna. Vivaldi gave Charles a manuscript copy of "La cetra", a set of concerti almost completely different from the set of the same title published as Opus 9. The printing was probably delayed, forcing Vivaldi to gather an improvised collection for the emperor.
Like many composers of the time, Vivaldi faced financial difficulties in his later years. His compositions were no longer held in such high esteem as they once had been in Venice; changing musical tastes quickly made them outmoded. In response, Vivaldi chose to sell off sizeable numbers of his manuscripts at paltry prices to finance his migration to Vienna. The reasons for Vivaldi's departure from Venice are unclear, but it seems likely that, after the success of his meeting with Emperor Charles VI, he wished to take up the position of a composer in the imperial court. On his way to Vienna, Vivaldi may have stopped in Graz to see Anna Girò.
Death.
Vivaldi moved to Vienna probably to stage operas, especially as he took up residence near the Kärntnertortheater. Shortly after his arrival in Vienna, Charles VI died, which left the composer without any royal protection or a steady source of income. Soon afterwards, Vivaldi became impoverished and died during the night of 27/28 July 1741, aged 63, of "internal infection", in a house owned by the widow of a Viennese saddlemaker.
On 28 July, Vivaldi was buried in a simple grave in a burial ground that was owned by the public hospital fund. His funeral took place at St. Stephen's Cathedral. Contrary to popular legend, the young Joseph Haydn who was in the cathedral choir at the time had nothing to do with his burial, since no music was performed on that occasion. The cost of his funeral with a 'Kleingeläut' was 19 Gulden 45 Kreuzer which was rather expensive for the lowest class of peal of bells.
Vivaldi was buried next to the Karlskirche, a baroque church in an area which is now part of the site of the TU Wien university. The house where he lived in Vienna has since been destroyed; the Hotel Sacher is built on part of the site. Memorial plaques have been placed at both locations, as well as a Vivaldi "star" in the Viennese Musikmeile and a monument at the Rooseveltplatz.
Only two, possibly three, original portraits of Vivaldi are known to survive: an engraving, an ink sketch and an oil painting. The engraving, which was the basis of several copies produced later by other artists, was made in 1725 by François Morellon de La Cave for the first edition of "Il cimento dell'armonia e dell'inventione", and shows Vivaldi holding a sheet of music. The ink sketch, a caricature, was done by Ghezzi in 1723 and shows Vivaldi's head and shoulders in profile. It exists in two versions: a first jotting kept at the Vatican Library, and a much lesser-known, slightly more detailed copy recently discovered in Moscow. The oil painting, which can be seen in the International Museum and Library of Music of Bologna, is anonymous and is thought to depict Vivaldi due to its strong resemblance to the La Cave engraving.
During his lifetime, Vivaldi was popular in many countries throughout Europe, including France, but after his death his popularity dwindled. After the end of the Baroque period, Vivaldi's published concerti became relatively unknown, and were largely ignored. Even his most famous work, "The Four Seasons", was unknown in its original edition during the Classical and Romantic periods. Vivaldi's work was rediscovered in the 20th century.
Works.
A composition by Vivaldi is identified by RV number, which refers to its place in the "Ryom-Verzeichnis" or "Répertoire des oeuvres d'Antonio Vivaldi", a catalog created in the 20th century by the musicologist Peter Ryom.
"Le quattro stagioni" (The Four Seasons) of 1723 is his most famous work. Part of "Il cimento dell'armonia e dell'inventione" ("The Contest between Harmony and Invention"), it depicts moods and scenes from each of the four seasons. This work has been described as an outstanding instance of pre-19th-century program music.
Vivaldi wrote more than 500 other concertos. About 350 of these are for solo instrument and strings, of which 230 are for violin, the others being for bassoon, cello, oboe, flute, viola d'amore, recorder, lute, or mandolin. About forty concertos are for two instruments and strings, and about thirty are for three or more instruments and strings.
As well as about 46 operas, Vivaldi composed a large body of sacred choral music, such as the Magnificat RV 610. Other works include sinfonias, about 90 sonatas and chamber music.
Some sonatas for flute, published as "Il Pastor Fido", have been erroneously attributed to Vivaldi, but were composed by Nicolas Chédeville.
Catalogues of Vivaldi works.
Vivaldi's works attracted cataloging efforts befitting a major composer. Scholarly work intended to increase the accuracy and variety of Vivaldi performances also supported new discoveries which made old catalogs incomplete. Works still in circulation today may be numbered under several different systems (some earlier catalogs are mentioned here).
Because the simply consecutive Complete Edition (CE) numbers did not reflect the individual works (Opus numbers) into which compositions were grouped, numbers assigned by Antonio Fanna were often used in conjunction with CE numbers. Combined Complete Edition (CE)/Fanna numbering was especially common in the work of Italian groups driving the mid-20th-century revival of Vivaldi, such as Gli Accademici di Milano under Piero Santi. For example, the Bassoon Concerto in B major, "La Notte" RV 501, became CE 12, F. VIII,1
Despite the awkwardness of having to overlay Fanna numbers onto the Complete Edition number for meaningful grouping of Vivaldi's oeuvre, these numbers displaced the older Pincherle numbers as the (re-)discovery of more manuscripts had rendered older catalogs obsolete.
This cataloging work was led by the Istituto Italiano Antonio Vivaldi, where Gian Francesco Malipiero was both the director and the editor of the published scores (Edizioni G. Ricordi). His work built on that of Antonio Fanna, a Venetian businessman and the Institute's founder, and thus formed a bridge to the scholarly catalog dominant today.
Compositions by Vivaldi are identified today by RV number, the number assigned by Danish musicologist Peter Ryom in works published mostly in the 1970s, such as the "Ryom-Verzeichnis" or "Répertoire des oeuvres d'Antonio Vivaldi". Like the Complete Edition before it, the RV does not typically assign its single, consecutive numbers to "adjacent" works that occupy one of the composer's single opus numbers. Its goal as a modern catalog is to index the manuscripts and sources that establish the existence and nature of all known works.
Style and influence.
Vivaldi's music was innovative. He brightened the formal and rhythmic structure of the concerto, in which he looked for harmonic contrasts and innovative melodies and themes.
The German scholar Walter Kolneder has discerned the influence of Legrenzi's style in Vivaldi's early liturgical work "Laetatus sum" (RV Anh 31), written in 1691 at the age of thirteen.
Johann Sebastian Bach was deeply influenced by Vivaldi's concertos and arias (recalled in his "St John Passion", "St Matthew Passion", and cantatas). Bach transcribed six of Vivaldi's concerti for solo keyboard, three for organ, and one for four harpsichords, strings, and basso continuo (BWV 1065) based upon the concerto for four violins, two violas, cello, and basso continuo (RV 580).
Catalogues of Vivaldi works.
Vivaldi's works attracted cataloging efforts befitting a major composer. Scholarly work intended to increase the accuracy and variety of Vivaldi performances also supported new discoveries which made old catalogs incomplete. Works still in circulation today may be numbered under several different systems (some earlier catalogs are mentioned here).
Because the simply consecutive Complete Edition (CE) numbers did not reflect the individual works (Opus numbers) into which compositions were grouped, numbers assigned by Antonio Fanna were often used in conjunction with CE numbers. Combined Complete Edition (CE)/Fanna numbering was especially common in the work of Italian groups driving the mid-20th-century revival of Vivaldi, such as Gli Accademici di Milano under Piero Santi. For example, the Bassoon Concerto in B major, "La Notte" RV 501, became CE 12, F. VIII,1
Despite the awkwardness of having to overlay Fanna numbers onto the Complete Edition number for meaningful grouping of Vivaldi's oeuvre, these numbers displaced the older Pincherle numbers as the (re-)discovery of more manuscripts had rendered older catalogs obsolete.
This cataloging work was led by the Istituto Italiano Antonio Vivaldi, where Gian Francesco Malipiero was both the director and the editor of the published scores (Edizioni G. Ricordi). His work built on that of Antonio Fanna, a Venetian businessman and the Institute's founder, and thus formed a bridge to the scholarly catalog dominant today.
Compositions by Vivaldi are identified today by RV number, the number assigned by Danish musicologist Peter Ryom in works published mostly in the 1970s, such as the "Ryom-Verzeichnis" or "Répertoire des oeuvres d'Antonio Vivaldi". Like the Complete Edition before it, the RV does not typically assign its single, consecutive numbers to "adjacent" works that occupy one of the composer's single opus numbers. Its goal as a modern catalog is to index the manuscripts and sources that establish the existence and nature of all known works.
Style and influence.
Vivaldi's music was innovative. He brightened the formal and rhythmic structure of the concerto, in which he looked for harmonic contrasts and innovative melodies and themes.
The German scholar Walter Kolneder has discerned the influence of Legrenzi's style in Vivaldi's early liturgical work "Laetatus sum" (RV Anh 31), written in 1691 at the age of thirteen.
Johann Sebastian Bach was deeply influenced by Vivaldi's concertos and arias (recalled in his "St John Passion", "St Matthew Passion", and cantatas). Bach transcribed six of Vivaldi's concerti for solo keyboard, three for organ, and one for four harpsichords, strings, and basso continuo (BWV 1065) based upon the concerto for four violins, two violas, cello, and basso continuo (RV 580).
Legacy.
In the early 20th century, Fritz Kreisler's Concerto in C, in the Style of Vivaldi (which he passed off as an original Vivaldi work) helped revive Vivaldi's reputation. Kreisler's concerto in C spurred the French scholar Marc Pincherle to begin an academic study of Vivaldi's oeuvre. Many Vivaldi manuscripts were rediscovered, which were acquired by the Turin National University Library as a result of the generous sponsorship of Turinese businessmen Roberto Foa and Filippo Giordano, in memory of their sons. This led to a renewed interest in Vivaldi by, among others, Mario Rinaldi, Alfredo Casella, Ezra Pound, Olga Rudge, Desmond Chute, Arturo Toscanini, Arnold Schering and Louis Kaufman, all of whom were instrumental in the revival of Vivaldi throughout the 20th century.
In 1926, in a monastery in Piedmont, researchers discovered fourteen bound volumes of Vivaldi's work that were previously thought to have been lost during the Napoleonic Wars. Some missing tomes in the numbered set were discovered in the collections of the descendants of the Grand Duke Durazzo, who had acquired the monastery complex in the 18th century. The volumes contained 300 concertos, 19 operas and over 100 vocal-instrumental works.
The resurrection of Vivaldi's unpublished works in the 20th century greatly benefited from the noted efforts of Alfredo Casella, who in 1939 organized the historic Vivaldi Week, in which the rediscovered Gloria (RV 589) and l'Olimpiade were revived. Since World War II, Vivaldi's compositions have enjoyed wide success. Historically informed performances, often on "original instruments", have increased Vivaldi's fame still further.
Recent rediscoveries of works by Vivaldi include two psalm settings of "Nisi Dominus" (RV 803, in eight movements) and Dixit Dominus (RV 807, in eleven movements). These were identified in 2003 and 2005, respectively, by the Australian scholar Janice Stockigt. The Vivaldi scholar Michael Talbot described RV 807 as "arguably the best nonoperatic work from Vivaldi's pen to come to light since […] the 1920s". Vivaldi's 1730 opera "Argippo" (RV 697), which had been considered lost, was rediscovered in 2006 by the harpsichordist and conductor Ondřej Macek, whose Hofmusici orchestra performed the work at Prague Castle on 3 May 2008—its first performance since 1730.
Modern depictions of Vivaldi's life include a 2005 radio play, commissioned by the ABC Radio National and written by Sean Riley. Entitled "The Angel and the Red Priest", the play was later adapted for the stage and was performed at the Adelaide Festival of the Arts. Films about Vivaldi include "Red Venice" (1989), "" (2006), an Italian-French co-production under the direction of , and "Vivaldi, the Red Priest" (2009), loosely based on Antonio's life as both priest and composer.
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Absalom
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Absalom ( "ʾAḇšālōm", "father of peace") was the third son of David, King of Israel with Maacah, daughter of Talmai, King of Geshur.
2 Samuel 14:25 describes him as the handsomest man in the kingdom. Absalom eventually rebelled against his father and was killed during the Battle of Ephraim's Wood.
Biblical account.
Background.
Absalom, David's third son, by Maacah, was born in Hebron. At an early age, he moved, along with the transfer of the capital, to Jerusalem, where he spent most of his life. He was a great favorite of his father and of the people. His charming manners, personal beauty, insinuating ways, love of pomp, and royal pretensions captivated the hearts of the people from the beginning. He lived in great style, drove in a magnificent chariot, and had fifty men run before him.
Little is known of Absalom's family life, but the biblical narrative states that he had three sons and one daughter, Tamar, who is described as a beautiful woman. From the language of 2 Samuel 18:18, Absalom states, "I have no son to keep my name in remembrance". It may be that his sons died before his statement. Or, as Matthew Henry suggests, Absalom's three sons may have been born "after" his statement.
Aside from his daughter Tamar, Absalom had another daughter or granddaughter named Maacah, who later became the favorite wife of Rehoboam. Maacah was the mother of Abijah of Judah and the grandmother of Asa of Judah. She served as queen mother for Asa until he deposed her for idolatry.
Murder of Amnon.
Absalom also had a sister named Tamar, who was raped by their half-brother Amnon, David's eldest son. After the rape, Absalom waited two years and then avenged Tamar by sending his servants to murder a drunken Amnon at a feast to which Absalom had invited all of King David's sons.
After this murder Absalom fled to Talmai, who was the king of Geshur and Absalom's maternal grandfather. Not until three years later was Absalom fully reinstated in David's favour and finally returned to Jerusalem.
The revolt at Hebron.
While at Jerusalem, Absalom built support for himself by speaking to those who came to King David for justice, saying, "See, your claims are good and right; but there is no one deputed by the king to hear you", perhaps reflecting flaws in the judicial system of the united monarchy. "If only I were the judge of the land! Then all who had a suit or cause might come to me, and I would give them justice." He made gestures of flattery by kissing those who bowed before him instead of accepting supplication. He "stole the hearts of the people of Israel".
After four years he declared himself king, raised a revolt at Hebron, the former capital, and had sexual relations with his father's concubines. All Israel and Judah flocked to him, and David, attended only by the Cherethites and Pelethites and his former bodyguard, which had followed him from Gath, found it expedient to flee. The priests Zadok and Abiathar remained in Jerusalem, and their sons Jonathan and Ahimaaz served as David's spies. Absalom reached the capital and consulted with the renowned Ahithophel (sometimes spelled Achitophel). (Although Absalom did avenge his sister's defilement ironically he himself showed himself not to be very much different from Amnon; as Amnon had sought the advice of Jonadab in order to rape Tamar, Absalom had sought the advice of Ahitophel who advised Absalom to have incestuous relations with his father's concubines in order to show all Israel how odious he was to his father [2 Samuel 16:20]. In regard to Ahitophel's motives: "..and great as was his wisdom, it was equalled by his scholarship. Therefore David did not hesitate to submit himself to his instruction, even though Ahithophel was a very young man, at the time of his death not more than thirty-three years old. The one thing lacking in him was sincere piety, and this it was that proved his undoing in the end, for it induced him to take part in Absalom's rebellion against David. Thus he forfeited even his share in the world to come.
To this dire course of action he was misled by astrologic and other signs, which he interpreted as prophecies of his own kingship, when in reality they pointed to the royal destiny of his granddaughter Bath-sheba. Possessed by his erroneous belief, he cunningly urged Absalom to commit an unheard-of crime. Thus Absalom would profit nothing by his rebellion, for, though he accomplished his father's ruin, he would yet be held to account and condemned to death for his violation of family purity, and the way to the throne would be clear for Ahithophel, the great sage in Israel.")
David took refuge from Absalom's forces beyond the Jordan River. However, he took the precaution of instructing a servant, Hushai, to infiltrate Absalom's court and subvert it. Once in place, Hushai convinced Absalom to ignore Ahithophel's advice to attack his father while he was on the run, and instead to prepare his forces for a major attack. This gave David critical time to prepare his own troops for the battle. When Ahithophel saw that his advice was not followed, he committed suicide by hanging himself.
Battle of Ephraim's Wood.
A fateful battle was fought in the Wood of Ephraim (the name suggests a locality west of the Jordan) and Absalom's army was completely routed. When Absalom fled from David's army, his head was caught in the boughs of an oak tree as the mule he was riding ran beneath it. He was discovered there still alive by one of David's men, who reported this to Joab, the king's commander. Joab, accustomed to avenging himself, took this opportunity to even the score with Absalom. Absalom had once set Joab's field of barley on fire and then made Amasa Captain of the Host instead of Joab. Killing Absalom was against David's explicit command, "Beware that none touch the young man Absalom". Joab injured Absalom with three darts through the heart and Absalom was subsequently killed by ten of Joab's armor-bearers.
When David heard that Absalom was killed, although not how he was killed, he greatly sorrowed.
David withdrew to the city of Mahanaim in mourning, until Joab roused him from "the extravagance of his grief" and called on him to fulfill his duty to his people.
Memorial.
Absalom had erected a monument near Jerusalem to perpetuate his name:
An ancient monument in the Kidron Valley near the Old City of Jerusalem, known as the Tomb of Absalom or Absalom's Pillar and traditionally identified as the monument of the biblical narrative, is now dated by modern archeologists to the first century AD. The Jewish Encyclopedia reports: "A tomb twenty feet high and twenty-four feet square, which late tradition points out as the resting-place of Absalom. It is situated in the eastern part of the valley of Kidron, to the east of Jerusalem. In all probability it is the tomb of Alexander Jannæus (Conder, in Hastings' "Dict. Bible", article "Jerusalem", p. 597). It existed in the days of Josephus. However, archaeologists have now dated the tomb to the 1st century AD. In a 2013 conference, Professor Gabriel Barkay suggested that it could be the tomb of Herod Agrippa, the grandson of Herod the Great, based in part on the similarity to Herod's newly discovered tomb at Herodium. For centuries, it was the custom among passers-by—Jews, Christians and Muslims—to throw stones at the monument. Residents of Jerusalem would bring their unruly children to the site to teach them what became of a rebellious son.
Background.
Absalom, David's third son, by Maacah, was born in Hebron. At an early age, he moved, along with the transfer of the capital, to Jerusalem, where he spent most of his life. He was a great favorite of his father and of the people. His charming manners, personal beauty, insinuating ways, love of pomp, and royal pretensions captivated the hearts of the people from the beginning. He lived in great style, drove in a magnificent chariot, and had fifty men run before him.
Little is known of Absalom's family life, but the biblical narrative states that he had three sons and one daughter, Tamar, who is described as a beautiful woman. From the language of 2 Samuel 18:18, Absalom states, "I have no son to keep my name in remembrance". It may be that his sons died before his statement. Or, as Matthew Henry suggests, Absalom's three sons may have been born "after" his statement.
Aside from his daughter Tamar, Absalom had another daughter or granddaughter named Maacah, who later became the favorite wife of Rehoboam. Maacah was the mother of Abijah of Judah and the grandmother of Asa of Judah. She served as queen mother for Asa until he deposed her for idolatry.
Murder of Amnon.
Absalom also had a sister named Tamar, who was raped by their half-brother Amnon, David's eldest son. After the rape, Absalom waited two years and then avenged Tamar by sending his servants to murder a drunken Amnon at a feast to which Absalom had invited all of King David's sons.
After this murder Absalom fled to Talmai, who was the king of Geshur and Absalom's maternal grandfather. Not until three years later was Absalom fully reinstated in David's favour and finally returned to Jerusalem.
The revolt at Hebron.
While at Jerusalem, Absalom built support for himself by speaking to those who came to King David for justice, saying, "See, your claims are good and right; but there is no one deputed by the king to hear you", perhaps reflecting flaws in the judicial system of the united monarchy. "If only I were the judge of the land! Then all who had a suit or cause might come to me, and I would give them justice." He made gestures of flattery by kissing those who bowed before him instead of accepting supplication. He "stole the hearts of the people of Israel".
After four years he declared himself king, raised a revolt at Hebron, the former capital, and had sexual relations with his father's concubines. All Israel and Judah flocked to him, and David, attended only by the Cherethites and Pelethites and his former bodyguard, which had followed him from Gath, found it expedient to flee. The priests Zadok and Abiathar remained in Jerusalem, and their sons Jonathan and Ahimaaz served as David's spies. Absalom reached the capital and consulted with the renowned Ahithophel (sometimes spelled Achitophel). (Although Absalom did avenge his sister's defilement ironically he himself showed himself not to be very much different from Amnon; as Amnon had sought the advice of Jonadab in order to rape Tamar, Absalom had sought the advice of Ahitophel who advised Absalom to have incestuous relations with his father's concubines in order to show all Israel how odious he was to his father [2 Samuel 16:20]. In regard to Ahitophel's motives: "..and great as was his wisdom, it was equalled by his scholarship. Therefore David did not hesitate to submit himself to his instruction, even though Ahithophel was a very young man, at the time of his death not more than thirty-three years old. The one thing lacking in him was sincere piety, and this it was that proved his undoing in the end, for it induced him to take part in Absalom's rebellion against David. Thus he forfeited even his share in the world to come.
To this dire course of action he was misled by astrologic and other signs, which he interpreted as prophecies of his own kingship, when in reality they pointed to the royal destiny of his granddaughter Bath-sheba. Possessed by his erroneous belief, he cunningly urged Absalom to commit an unheard-of crime. Thus Absalom would profit nothing by his rebellion, for, though he accomplished his father's ruin, he would yet be held to account and condemned to death for his violation of family purity, and the way to the throne would be clear for Ahithophel, the great sage in Israel.")
David took refuge from Absalom's forces beyond the Jordan River. However, he took the precaution of instructing a servant, Hushai, to infiltrate Absalom's court and subvert it. Once in place, Hushai convinced Absalom to ignore Ahithophel's advice to attack his father while he was on the run, and instead to prepare his forces for a major attack. This gave David critical time to prepare his own troops for the battle. When Ahithophel saw that his advice was not followed, he committed suicide by hanging himself.
Battle of Ephraim's Wood.
A fateful battle was fought in the Wood of Ephraim (the name suggests a locality west of the Jordan) and Absalom's army was completely routed. When Absalom fled from David's army, his head was caught in the boughs of an oak tree as the mule he was riding ran beneath it. He was discovered there still alive by one of David's men, who reported this to Joab, the king's commander. Joab, accustomed to avenging himself, took this opportunity to even the score with Absalom. Absalom had once set Joab's field of barley on fire and then made Amasa Captain of the Host instead of Joab. Killing Absalom was against David's explicit command, "Beware that none touch the young man Absalom". Joab injured Absalom with three darts through the heart and Absalom was subsequently killed by ten of Joab's armor-bearers.
When David heard that Absalom was killed, although not how he was killed, he greatly sorrowed.
David withdrew to the city of Mahanaim in mourning, until Joab roused him from "the extravagance of his grief" and called on him to fulfill his duty to his people.
Memorial.
Absalom had erected a monument near Jerusalem to perpetuate his name:
An ancient monument in the Kidron Valley near the Old City of Jerusalem, known as the Tomb of Absalom or Absalom's Pillar and traditionally identified as the monument of the biblical narrative, is now dated by modern archeologists to the first century AD. The Jewish Encyclopedia reports: "A tomb twenty feet high and twenty-four feet square, which late tradition points out as the resting-place of Absalom. It is situated in the eastern part of the valley of Kidron, to the east of Jerusalem. In all probability it is the tomb of Alexander Jannæus (Conder, in Hastings' "Dict. Bible", article "Jerusalem", p. 597). It existed in the days of Josephus. However, archaeologists have now dated the tomb to the 1st century AD. In a 2013 conference, Professor Gabriel Barkay suggested that it could be the tomb of Herod Agrippa, the grandson of Herod the Great, based in part on the similarity to Herod's newly discovered tomb at Herodium. For centuries, it was the custom among passers-by—Jews, Christians and Muslims—to throw stones at the monument. Residents of Jerusalem would bring their unruly children to the site to teach them what became of a rebellious son.
Rabbinic literature.
The life and death of Absalom offered to the rabbis a welcome theme wherewith to warn the people against false ambition, vainglory, and unfilial conduct. The vanity with which he displayed his beautiful hair, the rabbis say, became his snare and his stumbling-block. "By his long hair the Nazirite entangled the people to rebel against his father, and by it he himself became entangled, to fall a victim to his pursuers". And again, elsewhere: "By his vile stratagem he deceived and stole three hearts, that of his father, of the elders, and finally of the whole nation of Israel, and for this reason three darts were thrust into his heart to end his treacherous life". More striking is the following: "Did one ever hear of an oak-tree having a heart? And yet in the oak-tree in whose branches Absalom was caught, we read that upon its heart he was held up still alive while the darts were thrust through him. This is to show that when a man becomes so heartless as to make war against his own father, nature itself takes on a heart to avenge the deed."
"The knowledge that a part of Absalom's following sided with him in secret,--that, though he was pursued by his son, his friends remained true to him,--somewhat consoled David in his distress. He thought that in these circumstances, if the worst came to the worst, Absalom would at least feel pity for him. At first, however, the despair of David knew no bounds. He was on the point of worshipping an idol, when his friend Hushai the Archite approached him, saying: "The people will wonder that such a king should serve idols." David replied: "Should a king such as I am be
killed by his own son? It is better for me to serve idols than that God should be held responsible for my misfortune, and His Name thus be desecrated." Hushai reproached him: "Why didst thou marry a captive?" "There is no wrong in that," replied David, "it is permitted according to the law." Thereupon Hushai: "But thou didst disregard the connection between the passage permitting it and the one that follows almost immediately after it in the Scriptures, dealing with the disobedient and rebellious son, the natural issue of such a marriage." Absalom's end was beset with terrors. When he was caught in the
branches of the oak-tree, he was about to sever his hair with a sword stroke, but suddenly he saw hell yawning beneath him, and he preferred to hang in the tree to throwing himself into the abyss alive. Absalom's crime was, indeed, of a nature to deserve the supreme torture, for which reason he is one of the few Jews who have no portion in the world to come.
Popular legend states that the eye of Absalom was of immense size, signifying his insatiable greed. Indeed, "hell itself opened beneath him, and David, his father, cried seven times: 'My son! my son!' while bewailing his death, praying at the same time for his redemption from the seventh section of Gehenna, to which he was consigned". According to R. Meir, "he has no share in the life to come". And according to the description of Gehenna by Joshua ben Levi, who, like Dante, wandered through hell under the guidance of the angel Duma, Absalom still dwells there, having the rebellious heathen in charge; and when the angels with their fiery rods run also against Absalom to smite him like the rest, a heavenly voice says: "Spare Absalom, the son of David, My servant." "That the extreme
penalties of hell were thus averted from him, was on account of David's eightfold repetition of his son's name in his lament over him. Besides, David's intercession had the effect of re-attaching Absalom's severed head to his body. At his death Absalom was childless, for all his children, his three sons and his daughter, died before him, as a punishment for his having set fire to a field of grain belonging to Joab."
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Abydos, Egypt
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Abydos ( or ; Sahidic ') is one of the oldest cities of ancient Egypt, and also of the eighth nome in Upper Egypt. It is located about west of the Nile at latitude 26° 10' N, near the modern Egyptian towns of El Araba El Madfuna and El Balyana. In the ancient Egyptian language, the city was called Abdju"' ("ꜣbḏw" or "AbDw"). The English name "Abydos" comes from the Greek , a name borrowed by Greek geographers from the unrelated city of Abydos on the Hellespont.
Considered one of the most important archaeological sites in Egypt, the sacred city of Abydos was the site of many ancient temples, including Umm el-Qa'ab, a royal necropolis where early pharaohs were entombed. These tombs began to be seen as extremely significant burials and in later times it became desirable to be buried in the area, leading to the growth of the town's importance as a cult site.
Today, Abydos is notable for the memorial temple of Seti I, which contains an inscription from the Nineteenth Dynasty known to the modern world as the Abydos King List. This is a chronological list showing cartouches of most dynastic pharaohs of Egypt from Menes until Seti I's father, Ramesses I. It is also notable for the Abydos graffiti, ancient Phoenician and Aramaic graffiti found on the walls of the Temple of Seti I.
The Great Temple and most of the ancient town are buried under the modern buildings to the north of the Seti temple. Many of the original structures and the artifacts within them are considered irretrievable and lost; many may have been destroyed by the new construction.
History.
Most of Upper Egypt became unified under rulers from Abydos during the Naqada III period (3200–3000 BCE), at the expense of rival cities such as Hierakonpolis. The conflicts leading to the supremacy of Abydos may appear on numerous reliefs of the Naqada II period, such as the Gebel el-Arak Knife, or the frieze of Tomb 100 at Hierakonpolis.
Tombs and at least one temple of rulers of the Predynastic period have been found at Umm El Qa'ab including that of Narmer, dating to circa 3100 BCE. The temple and town continued to be rebuilt at intervals down to the times of the Thirtieth Dynasty, and the cemetery was in continuous use.
The pharaohs of the First Dynasty were buried in Abydos, including Narmer, who is regarded as the founder of the First Dynasty, and his successor, Aha. It was in this time period that the Abydos boats were constructed. Some pharaohs of the Second Dynasty were also buried in Abydos. The temple was renewed and enlarged by these pharaohs as well. Funerary enclosures, misinterpreted in modern times as great 'forts', were built on the desert behind the town by three kings of the Second Dynasty; the most complete is that of Khasekhemwy, the Shunet El Zebib.
From the Fifth Dynasty, the deity Khentiamentiu, "foremost of the Westerners", came to be seen as a manifestation of the dead pharaoh in the underworld. Pepi I (Sixth Dynasty) constructed a funerary chapel which evolved over the years into the Great Temple of Osiris, the ruins of which still exist within the town enclosure. Abydos became the centre of the worship of the Isis and Osiris cult.
During the First Intermediate Period, the principal deity of the area, Khentiamentiu, began to be seen as an aspect of Osiris, and the deities gradually merged and came to be regarded as one. Khentiamentiu's name became an epithet of Osiris. King Mentuhotep II was the first to build a royal chapel. In the Twelfth Dynasty a gigantic tomb was cut into the rock by Senusret III. Associated with this tomb was a cenotaph, a cult temple and a small town known as "Wah-Sut", that was used by the workers for these structures. Next to the cenotaph at least two kings of the Thirteenth Dynasty were buried (in tombs S9 and S10) as well as some rulers of the Second Intermediate Period, such as Senebkay. An indigenous line of kings, the Abydos Dynasty, may have ruled the region from Abydos at the time.
New construction during the Eighteenth Dynasty began with a large chapel of Ahmose I. The Pyramid of Ahmose I was also constructed at Abydos—the only pyramid in the area; very little of it remains today.
Thutmose III built a far larger temple, about . He also made a processional way leading past the side of the temple to the cemetery beyond, featuring a great gateway of granite.
Seti I, during the Nineteenth Dynasty, founded a temple to the south of the town in honor of the ancestral pharaohs of the early dynasties; this was finished by Ramesses II, who also built a lesser temple of his own. Merneptah added the Osireion, just to the north of the temple of Seti.
Ahmose II in the Twenty-sixth Dynasty rebuilt the temple again, and placed in it a large monolith shrine of red granite, finely wrought. The foundations of the successive temples were comprised within approximately . depth of the ruins discovered in modern times; these needed the closest examination to discriminate the various buildings, and were recorded by more than 4,000 measurements and 1,000 levellings.
The last building added was a new temple of Nectanebo I, built in the Thirtieth Dynasty. From the Ptolemaic times of the Greek occupancy of Egypt, that began three hundred years before the Roman occupancy that followed, the structures began to decay and no later works are known.
Cult centre.
From earliest times, Abydos was a cult centre, first of the local deity, Khentiamentiu, and from the end of the Old Kingdom, the rising cult of Osiris. A tradition developed that the Early Dynastic cemetery was the burial place of Osiris and the tomb of Djer was reinterpreted as that of Osiris.
Decorations in tombs throughout Egypt, such as the one displayed to the right, record pilgrimages to Abydos by wealthy families.
Great Osiris Temple.
From the First Dynasty to the Twenty-sixth Dynasty, nine or ten temples were successively built on one site at Abydos. The first was an enclosure, about , enclosed by a thin wall of unbaked bricks. Incorporating one wall of this first structure, the second temple of about square was built with walls about thick. An outer "temenos" (enclosure) wall surrounded the grounds. This outer wall was made wider some time around the Second or Third Dynasty. The old temple entirely vanished in the Fourth Dynasty, and a smaller building was erected behind it, enclosing a wide hearth of black ashes. Pottery models of offerings are found in these ashes and were probably the substitutes for live sacrifices decreed by Khufu (or Cheops) in his temple reforms.
At an undetermined date, a great clearance of temple offerings had been made and the modern discovery of a chamber into which they were gathered yielded the fine ivory carvings and the glazed figures and tiles that demonstrate the splendid work of the First Dynasty. A vase of Menes with purple hieroglyphs inlaid into a green glaze and tiles with relief figures are the most important pieces found. The Khufu Statuette in ivory, found in the stone chamber of the temple, gives the only portrait of this great pharaoh.
The temple was entirely rebuilt on a larger scale by Pepi I in the Sixth Dynasty. He placed a great stone gateway to the "temenos", an outer wall and gateway, with a colonnade between the gates. His temple was about inside, with stone gateways front and back, showing that it was of the processional type. In the Eleventh Dynasty Mentuhotep II added a colonnade and altars. Soon after, Mentuhotep III entirely rebuilt the temple, laying a stone pavement over the area, about square. He also added subsidiary chambers. Soon thereafter, in the Twelfth Dynasty, Senusret I laid massive foundations of stone over the pavement of his predecessor. A great "temenos" was laid out enclosing a much larger area and the new temple itself was about three times the earlier size.
Brewery.
On 14 February 2021, Egyptian and American archaeologists discovered what could be the oldest brewery in the world dating from around 3100 BCE at the reign of King Narmer. Dr. Matthew Adams, one of the leaders of the mission, stated that it was used to make beer for royal rituals.
Cult centre.
From earliest times, Abydos was a cult centre, first of the local deity, Khentiamentiu, and from the end of the Old Kingdom, the rising cult of Osiris. A tradition developed that the Early Dynastic cemetery was the burial place of Osiris and the tomb of Djer was reinterpreted as that of Osiris.
Decorations in tombs throughout Egypt, such as the one displayed to the right, record pilgrimages to Abydos by wealthy families.
Great Osiris Temple.
From the First Dynasty to the Twenty-sixth Dynasty, nine or ten temples were successively built on one site at Abydos. The first was an enclosure, about , enclosed by a thin wall of unbaked bricks. Incorporating one wall of this first structure, the second temple of about square was built with walls about thick. An outer "temenos" (enclosure) wall surrounded the grounds. This outer wall was made wider some time around the Second or Third Dynasty. The old temple entirely vanished in the Fourth Dynasty, and a smaller building was erected behind it, enclosing a wide hearth of black ashes. Pottery models of offerings are found in these ashes and were probably the substitutes for live sacrifices decreed by Khufu (or Cheops) in his temple reforms.
At an undetermined date, a great clearance of temple offerings had been made and the modern discovery of a chamber into which they were gathered yielded the fine ivory carvings and the glazed figures and tiles that demonstrate the splendid work of the First Dynasty. A vase of Menes with purple hieroglyphs inlaid into a green glaze and tiles with relief figures are the most important pieces found. The Khufu Statuette in ivory, found in the stone chamber of the temple, gives the only portrait of this great pharaoh.
The temple was entirely rebuilt on a larger scale by Pepi I in the Sixth Dynasty. He placed a great stone gateway to the "temenos", an outer wall and gateway, with a colonnade between the gates. His temple was about inside, with stone gateways front and back, showing that it was of the processional type. In the Eleventh Dynasty Mentuhotep II added a colonnade and altars. Soon after, Mentuhotep III entirely rebuilt the temple, laying a stone pavement over the area, about square. He also added subsidiary chambers. Soon thereafter, in the Twelfth Dynasty, Senusret I laid massive foundations of stone over the pavement of his predecessor. A great "temenos" was laid out enclosing a much larger area and the new temple itself was about three times the earlier size.
Brewery.
On 14 February 2021, Egyptian and American archaeologists discovered what could be the oldest brewery in the world dating from around 3100 BCE at the reign of King Narmer. Dr. Matthew Adams, one of the leaders of the mission, stated that it was used to make beer for royal rituals.
Main sites.
Temple of Seti I.
The temple of Seti I was built on entirely new ground half a mile to the south of the long series of temples just described. This surviving building is best known as the Great Temple of Abydos, being nearly complete and an impressive sight. A principal purpose of the temple was to serve as a memorial to king Seti I, as well as to show reverence for the early pharaohs, which is incorporated within as part of the "Rite of the Ancestors".
The long list of the pharaohs of the principal dynasties—recognized by Seti—are carved on a wall and known as the "Abydos King List" (showing the cartouche name of many dynastic pharaohs of Egypt from the first, Narmer or Menes, until Seti's time). There were significant names deliberately left off of the list. So rare, as an almost complete list of pharaoh names, the Table of Abydos, rediscovered by William John Bankes, has been called the "Rosetta Stone" of Egyptian archaeology, analogous to the Rosetta Stone for Egyptian writing, beyond the Narmer Palette.
There were also seven chapels built for the worship of the pharaoh and principal deities. These included three chapels for the "state" deities Ptah, Re-Horakhty, and (centrally positioned) Amun and the challenge for the Abydos triad of Osiris, Isis and Horus. The rites recorded in the deity chapels represent the first complete form known of the Daily Ritual, which was performed daily in temples across Egypt throughout the pharaonic period. At the back of the temple is an enigmatic structure known as the Osireion, which served as a cenotaph for Seti-Osiris, and is thought to be connected with the worship of Osiris as an "Osiris tomb". It is possible that from those chambers was led out the great Hypogeum for the celebration of the Osiris mysteries, built by Merenptah. The temple was originally long, but the forecourts are scarcely recognizable, and the part still in good condition is about
long and wide, including the wing at the side. Magazines for food and offerings storage were built to either side of the forecourts, as well as a small palace for the king and his retinue, to the southeast of the first forecourt (Ghazouli, The Palace and Magazines Attached to the Temple of Sety I at Abydos and the Facade of This Temple. ASAE 58 (1959)).
Except for the list of pharaohs and a panegyric on Ramesses II, the subjects are not historical, but religious in nature, dedicated to the transformation of the king after his death. The temple reliefs are celebrated for their delicacy and artistic refinement, utilizing both the archaism of earlier dynasties with the vibrancy of late 18th Dynasty reliefs. The sculptures had been published mostly in hand copy, not facsimile, by Auguste Mariette in his "Abydos", I. The temple has been partially recorded epigraphically by Amice Calverley and Myrtle Broome in their 4 volume publication of "The Temple of King Sethos I at Abydos" (1933–1958).
Osireion.
The Osirion or Osireon is an ancient Egyptian temple. It is located to the rear of the temple of Seti I. It is an integral part of Seti I's funeral complex and is built to resemble an 18th Dynasty Valley of the Kings tomb.
Helicopter hieroglyphs.
Some of the hieroglyphs carved over an arch on the site have been interpreted in esoteric and "ufological" circles as depicting modern technology.
The "helicopter" image is the result of carved stone being re-used over time. The initial carving was made during the reign of Seti I and translates to "He who repulses the nine [enemies of Egypt]". This carving was later filled in with plaster and re-carved during the reign of Ramesses II with the title "He who protects Egypt and overthrows the foreign countries". Over time, the plaster has eroded away, leaving both inscriptions partially visible and creating a palimpsest-like effect of overlapping hieroglyphs.
Ramesses II temple.
The adjacent temple of Ramesses II was much smaller and simpler in plan, but it had a fine historical series of scenes around the outside that lauded his achievements, of which the lower parts remain. The outside of the temple was decorated with scenes of the Battle of Kadesh. His list of pharaohs, similar to that of Seti I, formerly stood here; the fragments were removed by the French consul and sold to the British Museum.
Umm El Qa'ab.
The royal necropolises of the earliest dynasties were placed about a mile into the great desert plain, in a place now known as Umm El Qa'ab "The Mother of Pots" because of the shards remaining from all of the devotional objects left by religious pilgrims.
The earliest burial is about inside, a pit lined with brick walls and originally roofed with timber and matting. Other tombs also built before Menes are . The probable tomb of Menes is of the latter size. Afterwards, the tombs increased in size and complexity. The tomb-pit was surrounded by chambers to hold offerings, the sepulchre being a great wooden chamber in the midst of the brick-lined pit. Rows of small pits, tombs for the servants of the pharaoh, surrounded the royal chamber, many dozens of such burials being usual. Some of the offerings included sacrificed animals, such as the asses found in the tomb of Merneith. Evidence of human sacrifice exists in the early tombs, such as the 118 servants in the tomb of Merneith, but this practice was changed later into symbolic offerings.
By the end of the Second Dynasty the type of tomb constructed changed to a long passage with chambers on either side, the royal burial being in the middle of the length. The greatest of these tombs with its dependencies, covered a space of over , however it is possible for this to have been several tombs which abutted one another during construction; the Egyptians had no means of mapping the positioning of the tombs. The contents of the tombs have been nearly destroyed by successive plunderers; but enough remained to show that rich jewellery was placed on the mummies, a profusion of vases of hard and valuable stones from the royal table service stood about the body, the store-rooms were filled with great jars of wine, perfumed ointments, and other supplies, and tablets of ivory and of ebony were engraved with a record of the yearly annals of the reigns. The seals of various officials, of which over 200 varieties have been found, give an insight into the public arrangements.
A cemetery for private persons was put into use during the First Dynasty, with some pit-tombs in the town. It was extensive in the Twelfth and Thirteenth Dynasties and contained many rich tombs. A large number of fine tombs were made in the Eighteenth to Twentieth Dynasties, and members of later dynasties continued to bury their dead here until the Roman period. Many hundreds of funeral steles were removed by Auguste Mariette's workmen, without any details of the burials being noted. Later excavations have been recorded by Edward R. Ayrton, Abydos, iii.; Maclver, "El Amrah and Abydos"; and Garstang, "El Arabah".
"Forts".
Some of the tomb structures, referred to as "forts" by modern researchers, lay behind the town. Known as Shunet ez Zebib, it is about over all, and one still stands high. It was built by Khasekhemwy, the last pharaoh of the Second Dynasty. Another structure nearly as large adjoined it, and probably is older than that of Khasekhemwy. A third "fort" of a squarer form is now occupied by a convent of the Coptic Orthodox Church of Alexandria; its age cannot be ascertained.
Kom El Sultan.
The area now known as Kom El Sultan is a big mudbrick structure, the purpose of which is not clear and thought to have been at the original settlement area, dated to the Early Dynastic Period. The structure includes the early temple of Osiris.
Temple of Seti I.
The temple of Seti I was built on entirely new ground half a mile to the south of the long series of temples just described. This surviving building is best known as the Great Temple of Abydos, being nearly complete and an impressive sight. A principal purpose of the temple was to serve as a memorial to king Seti I, as well as to show reverence for the early pharaohs, which is incorporated within as part of the "Rite of the Ancestors".
The long list of the pharaohs of the principal dynasties—recognized by Seti—are carved on a wall and known as the "Abydos King List" (showing the cartouche name of many dynastic pharaohs of Egypt from the first, Narmer or Menes, until Seti's time). There were significant names deliberately left off of the list. So rare, as an almost complete list of pharaoh names, the Table of Abydos, rediscovered by William John Bankes, has been called the "Rosetta Stone" of Egyptian archaeology, analogous to the Rosetta Stone for Egyptian writing, beyond the Narmer Palette.
There were also seven chapels built for the worship of the pharaoh and principal deities. These included three chapels for the "state" deities Ptah, Re-Horakhty, and (centrally positioned) Amun and the challenge for the Abydos triad of Osiris, Isis and Horus. The rites recorded in the deity chapels represent the first complete form known of the Daily Ritual, which was performed daily in temples across Egypt throughout the pharaonic period. At the back of the temple is an enigmatic structure known as the Osireion, which served as a cenotaph for Seti-Osiris, and is thought to be connected with the worship of Osiris as an "Osiris tomb". It is possible that from those chambers was led out the great Hypogeum for the celebration of the Osiris mysteries, built by Merenptah. The temple was originally long, but the forecourts are scarcely recognizable, and the part still in good condition is about
long and wide, including the wing at the side. Magazines for food and offerings storage were built to either side of the forecourts, as well as a small palace for the king and his retinue, to the southeast of the first forecourt (Ghazouli, The Palace and Magazines Attached to the Temple of Sety I at Abydos and the Facade of This Temple. ASAE 58 (1959)).
Except for the list of pharaohs and a panegyric on Ramesses II, the subjects are not historical, but religious in nature, dedicated to the transformation of the king after his death. The temple reliefs are celebrated for their delicacy and artistic refinement, utilizing both the archaism of earlier dynasties with the vibrancy of late 18th Dynasty reliefs. The sculptures had been published mostly in hand copy, not facsimile, by Auguste Mariette in his "Abydos", I. The temple has been partially recorded epigraphically by Amice Calverley and Myrtle Broome in their 4 volume publication of "The Temple of King Sethos I at Abydos" (1933–1958).
Osireion.
The Osirion or Osireon is an ancient Egyptian temple. It is located to the rear of the temple of Seti I. It is an integral part of Seti I's funeral complex and is built to resemble an 18th Dynasty Valley of the Kings tomb.
Helicopter hieroglyphs.
Some of the hieroglyphs carved over an arch on the site have been interpreted in esoteric and "ufological" circles as depicting modern technology.
The "helicopter" image is the result of carved stone being re-used over time. The initial carving was made during the reign of Seti I and translates to "He who repulses the nine [enemies of Egypt]". This carving was later filled in with plaster and re-carved during the reign of Ramesses II with the title "He who protects Egypt and overthrows the foreign countries". Over time, the plaster has eroded away, leaving both inscriptions partially visible and creating a palimpsest-like effect of overlapping hieroglyphs.
Osireion.
The Osirion or Osireon is an ancient Egyptian temple. It is located to the rear of the temple of Seti I. It is an integral part of Seti I's funeral complex and is built to resemble an 18th Dynasty Valley of the Kings tomb.
Helicopter hieroglyphs.
Some of the hieroglyphs carved over an arch on the site have been interpreted in esoteric and "ufological" circles as depicting modern technology.
The "helicopter" image is the result of carved stone being re-used over time. The initial carving was made during the reign of Seti I and translates to "He who repulses the nine [enemies of Egypt]". This carving was later filled in with plaster and re-carved during the reign of Ramesses II with the title "He who protects Egypt and overthrows the foreign countries". Over time, the plaster has eroded away, leaving both inscriptions partially visible and creating a palimpsest-like effect of overlapping hieroglyphs.
Ramesses II temple.
The adjacent temple of Ramesses II was much smaller and simpler in plan, but it had a fine historical series of scenes around the outside that lauded his achievements, of which the lower parts remain. The outside of the temple was decorated with scenes of the Battle of Kadesh. His list of pharaohs, similar to that of Seti I, formerly stood here; the fragments were removed by the French consul and sold to the British Museum.
Umm El Qa'ab.
The royal necropolises of the earliest dynasties were placed about a mile into the great desert plain, in a place now known as Umm El Qa'ab "The Mother of Pots" because of the shards remaining from all of the devotional objects left by religious pilgrims.
The earliest burial is about inside, a pit lined with brick walls and originally roofed with timber and matting. Other tombs also built before Menes are . The probable tomb of Menes is of the latter size. Afterwards, the tombs increased in size and complexity. The tomb-pit was surrounded by chambers to hold offerings, the sepulchre being a great wooden chamber in the midst of the brick-lined pit. Rows of small pits, tombs for the servants of the pharaoh, surrounded the royal chamber, many dozens of such burials being usual. Some of the offerings included sacrificed animals, such as the asses found in the tomb of Merneith. Evidence of human sacrifice exists in the early tombs, such as the 118 servants in the tomb of Merneith, but this practice was changed later into symbolic offerings.
By the end of the Second Dynasty the type of tomb constructed changed to a long passage with chambers on either side, the royal burial being in the middle of the length. The greatest of these tombs with its dependencies, covered a space of over , however it is possible for this to have been several tombs which abutted one another during construction; the Egyptians had no means of mapping the positioning of the tombs. The contents of the tombs have been nearly destroyed by successive plunderers; but enough remained to show that rich jewellery was placed on the mummies, a profusion of vases of hard and valuable stones from the royal table service stood about the body, the store-rooms were filled with great jars of wine, perfumed ointments, and other supplies, and tablets of ivory and of ebony were engraved with a record of the yearly annals of the reigns. The seals of various officials, of which over 200 varieties have been found, give an insight into the public arrangements.
A cemetery for private persons was put into use during the First Dynasty, with some pit-tombs in the town. It was extensive in the Twelfth and Thirteenth Dynasties and contained many rich tombs. A large number of fine tombs were made in the Eighteenth to Twentieth Dynasties, and members of later dynasties continued to bury their dead here until the Roman period. Many hundreds of funeral steles were removed by Auguste Mariette's workmen, without any details of the burials being noted. Later excavations have been recorded by Edward R. Ayrton, Abydos, iii.; Maclver, "El Amrah and Abydos"; and Garstang, "El Arabah".
"Forts".
Some of the tomb structures, referred to as "forts" by modern researchers, lay behind the town. Known as Shunet ez Zebib, it is about over all, and one still stands high. It was built by Khasekhemwy, the last pharaoh of the Second Dynasty. Another structure nearly as large adjoined it, and probably is older than that of Khasekhemwy. A third "fort" of a squarer form is now occupied by a convent of the Coptic Orthodox Church of Alexandria; its age cannot be ascertained.
Kom El Sultan.
The area now known as Kom El Sultan is a big mudbrick structure, the purpose of which is not clear and thought to have been at the original settlement area, dated to the Early Dynastic Period. The structure includes the early temple of Osiris.
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1441
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Abydos (Hellespont)
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Abydos (, ) was an ancient city and bishopric in Mysia. It was located at the Nara Burnu promontory on the Asian coast of the Hellespont (the straits of Dardanelles), opposite the ancient city of Sestos, and near the city of Çanakkale in Turkey. Abydos was founded in c. 670 BC at the most narrow point in the straits, and thus was one of the main crossing points between Europe and Asia, until its replacement by the crossing between Lampsacus and Kallipolis in the 13th century, and the abandonment of Abydos in the early 14th century.
In Greek mythology, Abydos is presented in the myth of Hero and Leander as the home of Leander. The city is also mentioned in "Rodanthe and Dosikles", a novel written by Theodore Prodromos, a 12th-century writer, in which Dosikles kidnaps Rodanthe at Abydos.
Archaeology.
In 1675, the site of Abydos was first identified, and was subsequently visited by numerous classicists and travellers, such as Robert Wood, Richard Chandler, and Lord Byron. The city's acropolis is known in Turkish as Mal Tepe.
Following the city's abandonment, the ruins of Abydos were scavenged for building materials from the 14th to the 19th century, and remains of walls and buildings continued to be reported until at least the 19th century, however, little remains and the area was declared a restricted military zone in the early 20th century, thus little to no excavation has taken place.
History.
Classical period.
Abydos is mentioned in the "Iliad" as a Trojan ally, and, according to Strabo, was occupied by Bebryces and later Thracians after the Trojan War. It has been suggested that the city was originally a Phoenician colony as there was a temple of Aphrodite Porne (Aphrodite the Harlot) within Abydos. Abydos was settled by Milesian colonists contemporaneously with the foundation of the cities of Priapos and Prokonnesos in . Strabo related that Gyges, King of Lydia, granted his consent to the Milesians to settle Abydos; it is argued that this was carried out by Milesian mercenaries to act as a garrison to prevent Thracian raids into Asia Minor. The city became a thriving centre for tuna exportation as a result of the high yield of tuna in the Hellespont.
Abydos was ruled by Daphnis, a pro-Persian tyrant, in the 520s BC, but was occupied by the Persian Empire in 514. Darius I destroyed the city following his Scythian campaign in 512. Abydos participated in the Ionian Revolt in the early 5th century BC, however, the city returned briefly to Persian control as, in 480, at the onset of the Second Persian invasion of Greece, Xerxes I and the Persian army passed through Abydos on their march to Greece crossing the Hellespont on Xerxes' Pontoon Bridges. After the failed Persian invasion, Abydos became a member of the Athenian-led Delian League, and was part of the Hellespontine district. Ostensibly an ally, Abydos was hostile to Athens throughout this time, and contributed a "phoros" of 4-6 talents. Xenophon documented that Abydos possessed gold mines at Astyra or Kremaste at the time of his writing.
During the Second Peloponnesian War, a Spartan expedition led by Dercylidas arrived at Abydos in early May 411 BC and successfully convinced the city to defect from the Delian League and fight against Athens, at which time he was made harmost (commander/governor) of Abydos. A Spartan fleet was defeated by Athens at Abydos in the autumn of 411 BC. Abydos was attacked by the Athenians in the winter of 409/408 BC, but was repelled by a Persian force led by Pharnabazus, satrap (governor) of Hellespontine Phrygia. Dercylidas held the office of harmost of Abydos until at least . According to Aristotle, Abydos had an oligarchic constitution at this time. At the beginning of the Corinthian War in 394 BC, Agesilaus II, King of Sparta, passed through Abydos into Thrace. Abydos remained an ally of Sparta throughout the war and Dercylidas served as harmost of the city from 394 until he was replaced by Anaxibius in ; the latter was killed in an ambush near Abydos by the Athenian general Iphicrates in . At the conclusion of the Corinthian War, under the terms of the Peace of Antalcidas in 387 BC, Abydos was annexed to the Persian Empire. Within the Persian Empire, Abydos was administered as part of the satrapy of Hellespontine Phrygia, and was ruled by the tyrant Philiscus in 368. In , the city came under the control of the tyrant Iphiades.
Hellenistic period.
Abydos remained under Persian control until it was seized by a Macedonian army led by Parmenion, a general of Philip II, in the spring of 336 BC. In 335, whilst Parmenion besieged the city of Pitane, Abydos was besieged by a Persian army led by Memnon of Rhodes, forcing Parmenion to abandon his siege of Pitane and march north to relieve Abydos. Alexander ferried across from Sestos to Abydos in 334 and travelled south to the city of Troy, after which he returned to Abydos. The following day, Alexander left Abydos and led his army north to Percote. Alexander later established a royal mint at Abydos, as well as at other cities in Asia Minor.
After the death of Alexander the Great in 323 BC, Abydos, as part of the satrapy of Hellespontine Phrygia, came under the control of Leonnatus as a result of the Partition of Babylon. At the Partition of Triparadisus in 321 BC, Arrhidaeus succeeded Leonnatus as satrap of Hellespontine Phrygia.
In 302, during the Fourth War of the Diadochi, Lysimachus, King of Thrace, crossed over into Asia Minor and invaded the kingdom of Antigonus I. Unlike the neighbouring cities of Parium and Lampsacus which surrendered, Abydos resisted Lysimachus and was besieged. Lysimachus was forced to abandon the siege, however, after the arrival of a relief force sent by Demetrius, son of King Antigonus I. According to Polybius, by the third century BC, the neighbouring city of Arisbe had become subordinate to Abydos. The city of Dardanus also came under the control of Abydos at some point in the Hellenistic period. Abydos became part of the Seleucid Empire after 281 BC. The city was conquered by Ptolemy III Euergetes, King of Egypt, in 245 BC, and remained under Ptolemaic control until at least 241, as Abydos had become part of the Kingdom of Pergamon by c. 200 BC.
During the Second Macedonian War, Abydos was besieged by Philip V, King of Macedonia, in 200 BC, during which many of its citizens chose to commit suicide rather than surrender. Marcus Aemilius Lepidus met with Philip V during the siege to deliver an ultimatum on behalf of the Roman senate. Ultimately, the city was forced to surrender to Philip V due to a lack of reinforcements. The Macedonian occupation ended after the Peace of Flamininus at the end of the war in 196 BC. At this time, Abydos was substantially depopulated and partially ruined as a result of the Macedonian occupation.
In the spring of 196 BC, Abydos was seized by Antiochus III, "Megas Basileus" of the Seleucid Empire, who refortified the city in 192/191 BC. Antiochus III later withdrew from Abydos during the Roman-Seleucid War, thus allowing for the transportation of the Roman army into Asia Minor by October 190 BC. Dardanus was subsequently liberated from Abydene control, and the Treaty of Apamea of 188 BC returned Abydos to the Kingdom of Pergamon. A gymnasium was active at Abydos in the 2nd century BC.
Roman period.
Attalus III, King of Pergamon, bequeathed his kingdom to Rome upon his death in 133 BC, and thus Abydos became part of the province of Asia. The gold mines of Abydos at Astyra or Kremaste were near exhaustion at the time was Strabo was writing. The city was counted amongst the "telonia" (custom houses) of the province of Asia in the "lex portorii Asiae" of 62 AD, and formed part of the "conventus iuridicus Adramytteum". Abydos is mentioned in the "Tabula Peutingeriana" and Antonine Itinerary. The mint of Abydos ceased to function in the mid-3rd century AD.
It is believed that Abydos, with Sestos and Lampsacus, is referred to as one of the "three large capital cities" of the Roman Empire in "Weilüe", a 3rd-century AD Chinese text. The city was the centre for customs collection at the southern entrance of the Sea of Marmara, and was administered by a "komes ton Stenon" (count of the Straits) or an "archon" from the 3rd century to the 5th century AD. In the 6th century AD, Emperor Justinian I introduced the office of "komes Abydou" with responsibility for collecting customs duty in Abydos.
Medieval period.
Pope Martin I rested at Abydos in the summer of 653 whilst en route to Constantinople. As a result of the administrative reforms of the 7th century, Abydos came to be administered as part of the theme of Opsikion. The office of "kommerkiarios" of Abydos is first attested in the mid-7th century, and was later sometimes combined with the office of "paraphylax", the military governor of the fort, introduced in the 8th century, at which time the office of "komes ton stenon" is last mentioned.
After the 7th century AD, Abydos became a major seaport. Maslama ibn Abd al-Malik, during his campaign against Constantinople, crossed over into Thrace at Abydos in July 717. The office of "archon" at Abydos was restored in the late 8th century and endured until the early 9th century. In 801, Empress Irene reduced commercial tariffs collected at Abydos. Emperor Nikephoros I, Irene's successor, introduced a tax on slaves purchased beyond the city. The city later also became part of the theme of the Aegean Sea and was the seat of a "tourmarches".
Abydos was sacked by an Arab fleet led by Leo of Tripoli in 904 AD whilst en route to Constantinople. The revolt of Bardas Phokas was defeated by Emperor Basil II at Abydos in 989 AD. In 992, the Venetians were granted reduced commercial tariffs at Abydos as a special privilege. In the early 11th century, Abydos became the seat of a separate command and the office of "strategos" (governor) of Abydos is first mentioned in 1004 with authority over the northern shore of the Hellespont and the islands of the Sea of Marmara.
In 1024, a Rus' raid led by a certain Chrysocheir defeated the local commander at Abydos and proceeded to travel south through the Hellespont. Following the Battle of Manzikert, Abydos was seized by the Seljuk Turks, but was recovered in 1086 AD, in which year Leo Kephalas was appointed "katepano" of Abydos. Abydos' population likely increased at this time as a result of the arrival of refugees from northwestern Anatolia who had fled the advance of the Turks. In 1092/1093, the city was attacked by Tzachas, a Turkish pirate. Emperor Manuel I Komnenos repaired Abydos' fortifications in the late 12th century.
By the 13th century AD, the crossing from Lampsacus to Kallipolis had become more common and largely replaced the crossing from Abydos to Sestos. During the Fourth Crusade, in 1204, the Venetians seized Abydos, and, following the Sack of Constantinople and the formation of the Latin Empire later that year, Emperor Baldwin granted the land between Abydos and Adramyttium to his brother Henry of Flanders. Henry of Flanders passed through Abydos on 11 November 1204 and continued his march to Adramyttium. Abydos was seized by the Empire of Nicaea, a successor state of the Eastern Roman Empire, during its offensive in 1206–1207, but was reconquered by the Latin Empire in 1212–1213. The city was later recovered by Emperor John III Vatatzes. Abydos declined in the 13th century, and was eventually abandoned between 1304 and 1310/1318 due to the threat of Turkish tribes and disintegration of Roman control over the region.
Classical period.
Abydos is mentioned in the "Iliad" as a Trojan ally, and, according to Strabo, was occupied by Bebryces and later Thracians after the Trojan War. It has been suggested that the city was originally a Phoenician colony as there was a temple of Aphrodite Porne (Aphrodite the Harlot) within Abydos. Abydos was settled by Milesian colonists contemporaneously with the foundation of the cities of Priapos and Prokonnesos in . Strabo related that Gyges, King of Lydia, granted his consent to the Milesians to settle Abydos; it is argued that this was carried out by Milesian mercenaries to act as a garrison to prevent Thracian raids into Asia Minor. The city became a thriving centre for tuna exportation as a result of the high yield of tuna in the Hellespont.
Abydos was ruled by Daphnis, a pro-Persian tyrant, in the 520s BC, but was occupied by the Persian Empire in 514. Darius I destroyed the city following his Scythian campaign in 512. Abydos participated in the Ionian Revolt in the early 5th century BC, however, the city returned briefly to Persian control as, in 480, at the onset of the Second Persian invasion of Greece, Xerxes I and the Persian army passed through Abydos on their march to Greece crossing the Hellespont on Xerxes' Pontoon Bridges. After the failed Persian invasion, Abydos became a member of the Athenian-led Delian League, and was part of the Hellespontine district. Ostensibly an ally, Abydos was hostile to Athens throughout this time, and contributed a "phoros" of 4-6 talents. Xenophon documented that Abydos possessed gold mines at Astyra or Kremaste at the time of his writing.
During the Second Peloponnesian War, a Spartan expedition led by Dercylidas arrived at Abydos in early May 411 BC and successfully convinced the city to defect from the Delian League and fight against Athens, at which time he was made harmost (commander/governor) of Abydos. A Spartan fleet was defeated by Athens at Abydos in the autumn of 411 BC. Abydos was attacked by the Athenians in the winter of 409/408 BC, but was repelled by a Persian force led by Pharnabazus, satrap (governor) of Hellespontine Phrygia. Dercylidas held the office of harmost of Abydos until at least . According to Aristotle, Abydos had an oligarchic constitution at this time. At the beginning of the Corinthian War in 394 BC, Agesilaus II, King of Sparta, passed through Abydos into Thrace. Abydos remained an ally of Sparta throughout the war and Dercylidas served as harmost of the city from 394 until he was replaced by Anaxibius in ; the latter was killed in an ambush near Abydos by the Athenian general Iphicrates in . At the conclusion of the Corinthian War, under the terms of the Peace of Antalcidas in 387 BC, Abydos was annexed to the Persian Empire. Within the Persian Empire, Abydos was administered as part of the satrapy of Hellespontine Phrygia, and was ruled by the tyrant Philiscus in 368. In , the city came under the control of the tyrant Iphiades.
Hellenistic period.
Abydos remained under Persian control until it was seized by a Macedonian army led by Parmenion, a general of Philip II, in the spring of 336 BC. In 335, whilst Parmenion besieged the city of Pitane, Abydos was besieged by a Persian army led by Memnon of Rhodes, forcing Parmenion to abandon his siege of Pitane and march north to relieve Abydos. Alexander ferried across from Sestos to Abydos in 334 and travelled south to the city of Troy, after which he returned to Abydos. The following day, Alexander left Abydos and led his army north to Percote. Alexander later established a royal mint at Abydos, as well as at other cities in Asia Minor.
After the death of Alexander the Great in 323 BC, Abydos, as part of the satrapy of Hellespontine Phrygia, came under the control of Leonnatus as a result of the Partition of Babylon. At the Partition of Triparadisus in 321 BC, Arrhidaeus succeeded Leonnatus as satrap of Hellespontine Phrygia.
In 302, during the Fourth War of the Diadochi, Lysimachus, King of Thrace, crossed over into Asia Minor and invaded the kingdom of Antigonus I. Unlike the neighbouring cities of Parium and Lampsacus which surrendered, Abydos resisted Lysimachus and was besieged. Lysimachus was forced to abandon the siege, however, after the arrival of a relief force sent by Demetrius, son of King Antigonus I. According to Polybius, by the third century BC, the neighbouring city of Arisbe had become subordinate to Abydos. The city of Dardanus also came under the control of Abydos at some point in the Hellenistic period. Abydos became part of the Seleucid Empire after 281 BC. The city was conquered by Ptolemy III Euergetes, King of Egypt, in 245 BC, and remained under Ptolemaic control until at least 241, as Abydos had become part of the Kingdom of Pergamon by c. 200 BC.
During the Second Macedonian War, Abydos was besieged by Philip V, King of Macedonia, in 200 BC, during which many of its citizens chose to commit suicide rather than surrender. Marcus Aemilius Lepidus met with Philip V during the siege to deliver an ultimatum on behalf of the Roman senate. Ultimately, the city was forced to surrender to Philip V due to a lack of reinforcements. The Macedonian occupation ended after the Peace of Flamininus at the end of the war in 196 BC. At this time, Abydos was substantially depopulated and partially ruined as a result of the Macedonian occupation.
In the spring of 196 BC, Abydos was seized by Antiochus III, "Megas Basileus" of the Seleucid Empire, who refortified the city in 192/191 BC. Antiochus III later withdrew from Abydos during the Roman-Seleucid War, thus allowing for the transportation of the Roman army into Asia Minor by October 190 BC. Dardanus was subsequently liberated from Abydene control, and the Treaty of Apamea of 188 BC returned Abydos to the Kingdom of Pergamon. A gymnasium was active at Abydos in the 2nd century BC.
Roman period.
Attalus III, King of Pergamon, bequeathed his kingdom to Rome upon his death in 133 BC, and thus Abydos became part of the province of Asia. The gold mines of Abydos at Astyra or Kremaste were near exhaustion at the time was Strabo was writing. The city was counted amongst the "telonia" (custom houses) of the province of Asia in the "lex portorii Asiae" of 62 AD, and formed part of the "conventus iuridicus Adramytteum". Abydos is mentioned in the "Tabula Peutingeriana" and Antonine Itinerary. The mint of Abydos ceased to function in the mid-3rd century AD.
It is believed that Abydos, with Sestos and Lampsacus, is referred to as one of the "three large capital cities" of the Roman Empire in "Weilüe", a 3rd-century AD Chinese text. The city was the centre for customs collection at the southern entrance of the Sea of Marmara, and was administered by a "komes ton Stenon" (count of the Straits) or an "archon" from the 3rd century to the 5th century AD. In the 6th century AD, Emperor Justinian I introduced the office of "komes Abydou" with responsibility for collecting customs duty in Abydos.
Medieval period.
Pope Martin I rested at Abydos in the summer of 653 whilst en route to Constantinople. As a result of the administrative reforms of the 7th century, Abydos came to be administered as part of the theme of Opsikion. The office of "kommerkiarios" of Abydos is first attested in the mid-7th century, and was later sometimes combined with the office of "paraphylax", the military governor of the fort, introduced in the 8th century, at which time the office of "komes ton stenon" is last mentioned.
After the 7th century AD, Abydos became a major seaport. Maslama ibn Abd al-Malik, during his campaign against Constantinople, crossed over into Thrace at Abydos in July 717. The office of "archon" at Abydos was restored in the late 8th century and endured until the early 9th century. In 801, Empress Irene reduced commercial tariffs collected at Abydos. Emperor Nikephoros I, Irene's successor, introduced a tax on slaves purchased beyond the city. The city later also became part of the theme of the Aegean Sea and was the seat of a "tourmarches".
Abydos was sacked by an Arab fleet led by Leo of Tripoli in 904 AD whilst en route to Constantinople. The revolt of Bardas Phokas was defeated by Emperor Basil II at Abydos in 989 AD. In 992, the Venetians were granted reduced commercial tariffs at Abydos as a special privilege. In the early 11th century, Abydos became the seat of a separate command and the office of "strategos" (governor) of Abydos is first mentioned in 1004 with authority over the northern shore of the Hellespont and the islands of the Sea of Marmara.
In 1024, a Rus' raid led by a certain Chrysocheir defeated the local commander at Abydos and proceeded to travel south through the Hellespont. Following the Battle of Manzikert, Abydos was seized by the Seljuk Turks, but was recovered in 1086 AD, in which year Leo Kephalas was appointed "katepano" of Abydos. Abydos' population likely increased at this time as a result of the arrival of refugees from northwestern Anatolia who had fled the advance of the Turks. In 1092/1093, the city was attacked by Tzachas, a Turkish pirate. Emperor Manuel I Komnenos repaired Abydos' fortifications in the late 12th century.
By the 13th century AD, the crossing from Lampsacus to Kallipolis had become more common and largely replaced the crossing from Abydos to Sestos. During the Fourth Crusade, in 1204, the Venetians seized Abydos, and, following the Sack of Constantinople and the formation of the Latin Empire later that year, Emperor Baldwin granted the land between Abydos and Adramyttium to his brother Henry of Flanders. Henry of Flanders passed through Abydos on 11 November 1204 and continued his march to Adramyttium. Abydos was seized by the Empire of Nicaea, a successor state of the Eastern Roman Empire, during its offensive in 1206–1207, but was reconquered by the Latin Empire in 1212–1213. The city was later recovered by Emperor John III Vatatzes. Abydos declined in the 13th century, and was eventually abandoned between 1304 and 1310/1318 due to the threat of Turkish tribes and disintegration of Roman control over the region.
Ecclesiastical history.
The bishopric of Abydus appears in all the "Notitiae Episcopatuum" of the Patriarchate of Constantinople from the mid-7th century until the time of Andronikos III Palaiologos (1341), first as a suffragan of Cyzicus and then from 1084 as a metropolitan see without suffragans. The earliest bishop mentioned in extant documents is Marcian, who signed the joint letter of the bishops of Hellespontus to Emperor Leo I in 458, protesting about the murder of Proterius of Alexandria. A letter of Peter the Fuller (471–488) mentions a bishop of Abydus called Pamphilus. Ammonius signed the decretal letter of the Council of Constantinople in 518 against Severus of Antioch and others. Isidore was at the Third Council of Constantinople (680–681), John at the Trullan Council (692), Theodore at the Second Council of Nicaea (787). An unnamed bishop of Abydus was a counsellor of Emperor Nikephoros II in 969.
Seals attest Theodosius as bishop of Abydos in the 11th century, and John as metropolitan bishop of Abydos in the 11/12th century. Abydos remained a metropolitan see until the city fell to the Turks in the 14th century. The diocese is currently a titular see of the Patriarchate of Constantinople, and Gerasimos Papadopoulos was titular Bishop of Abydos from 1962 until his death in 1995. Simeon Kruzhkov was bishop of Abydos from May to September 1998. Kyrillos Katerelos was consecrated bishop of Abydos in 2008.
In 1222, during the Latin occupation, the papal legate Giovanni Colonna united the dioceses of Abydos and Madytos and placed the see under direct Papal authority. No longer a residential bishopric, Abydus is today listed by the Catholic Church as a titular see.
References.
Notes
Citations
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Alan Kay
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Alan Curtis Kay (born May 17, 1940) is an American computer scientist best known for his pioneering work on object-oriented programming and windowing graphical user interface (GUI) design. At Xerox PARC he led the design and development of the first modern windowed computer desktop interface. There he also led the development of the influential object-oriented programming language Smalltalk, both personally designing most of the early versions of the language and coining the term "object-oriented."
He has been elected a Fellow of the American Academy of Arts and Sciences, the National Academy of Engineering, and the Royal Society of Arts. He received the Turing award in 2003.
Kay is also a former professional jazz guitarist, composer, and theatrical designer. He also is an amateur classical pipe organist.
Early life and work.
In an interview on education in America with the Davis Group Ltd., Kay said:
Originally from Springfield, Massachusetts, Kay's family relocated several times due to his father's career in physiology before ultimately settling in the New York metropolitan area when he was nine.
He attended Brooklyn Technical High School. Having accumulated enough credits to graduate, he then attended Bethany College in Bethany, West Virginia, where he majored in biology and minored in mathematics.
Kay then taught guitar in Denver, Colorado for a year and hastily enlisted in the United States Air Force when the local draft board inquired about his nonstudent status. After taking an aptitude test, he was made a computer programmer, a billet usually filled by women due to its secretarial connotations at the time. There he devised an early cross-platform file transfer system.
After his discharge, he enrolled at the University of Colorado Boulder and earned a Bachelor of Science (B.S.) in mathematics and molecular biology in 1966.
In the autumn of 1966, he began graduate school at the University of Utah College of Engineering. He earned a Master of Science in electrical engineering in 1968, then a Doctor of Philosophy in computer science in 1969. His doctoral dissertation, "FLEX: A Flexible Extendable Language", described the invention of a computer language named FLEX. While there, he worked with "fathers of computer graphics" David C. Evans (who had recently been recruited from the University of California, Berkeley to start Utah's computer science department) and Ivan Sutherland (best known for writing such pioneering programs as Sketchpad). Their mentorship greatly inspired Kay's evolving views on objects and computer programming. As he grew busier with research for the Defense Advanced Research Projects Agency (DARPA), he ended his musical career.
In 1968, he met Seymour Papert and learned of the programming language Logo, a dialect of Lisp optimized for educational purposes. This led him to learn of the work of Jean Piaget, Jerome Bruner, Lev Vygotsky, and of constructionist learning, further influencing his professional orientation.
Leaving Utah as an associate professor of computer science in 1969, Kay became a visiting researcher at the Stanford Artificial Intelligence Laboratory in anticipation of accepting a professorship at Carnegie Mellon University. Instead, in 1970, he joined the Xerox PARC research staff in Palo Alto, California. Through the decade, he developed prototypes of networked workstations using the programming language Smalltalk.
Along with some colleagues at PARC, Kay is one of the fathers of the idea of object-oriented programming (OOP), which he named. Some original object-oriented concepts, including the use of the words 'object' and 'class', had been developed for Simula 67 at the Norwegian Computing Center. Kay said:
I'm sorry that I long ago coined the term "objects" for this topic because it gets many people to focus on the lesser idea. The big idea is "messaging".
While at PARC, Kay conceived the Dynabook concept, a key progenitor of laptop and tablet computers and the e-book. He is also the architect of the modern overlapping windowing graphical user interface (GUI). Because the Dynabook was conceived as an educational platform, he is considered one of the first researchers into mobile learning; many features of the Dynabook concept have been adopted in the design of the One Laptop Per Child educational platform, with which Kay is actively involved.
Subsequent work.
From 1981 to 1984, Kay was Chief Scientist at Atari. In 1984, he became an Apple Fellow. After the closure of the Apple Advanced Technology Group in 1997, he was recruited by his friend Bran Ferren, head of research and development at Disney, to join Walt Disney Imagineering as a Disney Fellow. He remained there until Ferren left to start Applied Minds Inc with Imagineer Danny Hillis, leading to the cessation of the Fellows program.
In 2001, Kay founded Viewpoints Research Institute, a nonprofit organization dedicated to children, learning, and advanced software development. For their first ten years, Kay and his Viewpoints group were based at Applied Minds in Glendale, California, where he and Ferren worked on various projects. Kay served as president of the Institute until its closure in 2018.
In 2002 Kay joined HP Labs as a senior fellow, departing when HP disbanded the Advanced Software Research Team on July 20, 2005.
He has been an adjunct professor of computer science at the University of California, Los Angeles, a visiting professor at Kyoto University, and an adjunct professor at the Massachusetts Institute of Technology (MIT). Kay served on the advisory board of TTI/Vanguard.
Squeak, Etoys, and Croquet.
In December 1995, while still at Apple, Kay collaborated with many others to start the open source Squeak version of Smalltalk. As part of this effort, in November 1996, his team began research on what became the Etoys system. More recently he started, with David A. Smith, David P. Reed, Andreas Raab, Rick McGeer, Julian Lombardi, and Mark McCahill, the Croquet Project, an open-source networked 2D and 3D environment for collaborative work.
Tweak.
In 2001, it became clear that the Etoy architecture in Squeak had reached its limits in what the Morphic interface infrastructure could do. Andreas Raab, a researcher in Kay's group then at Hewlett-Packard, proposed defining a "script process" and providing a default scheduling mechanism that avoided several more general problems. The result was a new user interface, proposed to replace the Squeak Morphic user interface. Tweak added mechanisms of islands, asynchronous messaging, players and costumes, language extensions, projects, and tile scripting. Its underlying object system is class-based, but to users (during programming) it acts as if it were prototype-based. Tweak objects are created and run in Tweak project windows.
The Children's Machine.
In November 2005, at the World Summit on the Information Society, the MIT research laboratories unveiled a new laptop computer for educational use around the world. It has many names, including the $100 Laptop, the One Laptop per Child program, the Children's Machine, and the XO-1. The program was founded and is sustained by Kay's friend Nicholas Negroponte, and is based on Kay's Dynabook ideal. Kay is a prominent co-developer of the computer, focusing on its educational software using Squeak and Etoys.
Reinventing programming.
Kay has lectured extensively on the idea that the computer revolution is very new, and all of the good ideas have not been universally implemented. His lectures at the OOPSLA 1997 conference, and his ACM Turing Award talk, "The Computer Revolution Hasn't Happened Yet", were informed by his experiences with Sketchpad, Simula, Smalltalk, and the bloated code of commercial software.
On August 31, 2006, Kay's proposal to the United States National Science Foundation (NSF) was granted, funding Viewpoints Research Institute for several years. The proposal title was "STEPS Toward the Reinvention of Programming: A compact and Practical Model of Personal Computing as a Self-exploratorium". A sense of what Kay is trying to do comes from this quote, from the abstract of a seminar at Intel Research Labs, Berkeley: "The conglomeration of commercial and most open source software consumes in the neighborhood of several hundreds of millions of lines of code these days. We wonder: how small could be an understandable practical 'Model T' design that covers this functionality? 1M lines of code? 200K LOC? 100K LOC? 20K LOC?"
Squeak, Etoys, and Croquet.
In December 1995, while still at Apple, Kay collaborated with many others to start the open source Squeak version of Smalltalk. As part of this effort, in November 1996, his team began research on what became the Etoys system. More recently he started, with David A. Smith, David P. Reed, Andreas Raab, Rick McGeer, Julian Lombardi, and Mark McCahill, the Croquet Project, an open-source networked 2D and 3D environment for collaborative work.
Tweak.
In 2001, it became clear that the Etoy architecture in Squeak had reached its limits in what the Morphic interface infrastructure could do. Andreas Raab, a researcher in Kay's group then at Hewlett-Packard, proposed defining a "script process" and providing a default scheduling mechanism that avoided several more general problems. The result was a new user interface, proposed to replace the Squeak Morphic user interface. Tweak added mechanisms of islands, asynchronous messaging, players and costumes, language extensions, projects, and tile scripting. Its underlying object system is class-based, but to users (during programming) it acts as if it were prototype-based. Tweak objects are created and run in Tweak project windows.
The Children's Machine.
In November 2005, at the World Summit on the Information Society, the MIT research laboratories unveiled a new laptop computer for educational use around the world. It has many names, including the $100 Laptop, the One Laptop per Child program, the Children's Machine, and the XO-1. The program was founded and is sustained by Kay's friend Nicholas Negroponte, and is based on Kay's Dynabook ideal. Kay is a prominent co-developer of the computer, focusing on its educational software using Squeak and Etoys.
Reinventing programming.
Kay has lectured extensively on the idea that the computer revolution is very new, and all of the good ideas have not been universally implemented. His lectures at the OOPSLA 1997 conference, and his ACM Turing Award talk, "The Computer Revolution Hasn't Happened Yet", were informed by his experiences with Sketchpad, Simula, Smalltalk, and the bloated code of commercial software.
On August 31, 2006, Kay's proposal to the United States National Science Foundation (NSF) was granted, funding Viewpoints Research Institute for several years. The proposal title was "STEPS Toward the Reinvention of Programming: A compact and Practical Model of Personal Computing as a Self-exploratorium". A sense of what Kay is trying to do comes from this quote, from the abstract of a seminar at Intel Research Labs, Berkeley: "The conglomeration of commercial and most open source software consumes in the neighborhood of several hundreds of millions of lines of code these days. We wonder: how small could be an understandable practical 'Model T' design that covers this functionality? 1M lines of code? 200K LOC? 100K LOC? 20K LOC?"
Awards and honors.
Kay has received many awards and honors, including:
His other honors include the J-D Warnier Prix d'Informatique, the ACM Systems Software Award, the NEC Computers & Communication Foundation Prize, the Funai Foundation Prize, the Lewis Branscomb Technology Award, and the ACM SIGCSE Award for Outstanding Contributions to Computer Science Education.
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1485
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Alain de Lille
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Alain de Lille (Alan of Lille) (Latin: "Alanus ab Insulis"; 11281202/03) was a French theologian and poet. He was born in Lille, some time before 1128. His exact date of death remains unclear as well, with most research pointing toward it being between 14 April 1202, and 5 April 1203. He is known for writing a number of works on that are based upon the teachings of the liberal arts, with one of his most renowned poems, "De planctu Naturae" (The Complaint of Nature), focusing on human nature in regard to sexual conduct. Although, Alain was widely known during his lifetime, there is not a great deal known about his personal life, with the majority of our knowledge of the theologian coming from the content of his works.
As a theologian, Alain de Lille opposed scholasticism in the second half of the 12th century. His philosophy is characterized by rationalism and mysticism. Alan claimed that reason, guided by prudence, could discover most truths about the physical order without help; but in order to understand religious truth and to know God, the wise must believe in faith.
Life.
Little is known of his life. Alain entered the schools no earlier than the late 1140s; first attending the school at Paris, and then at Chartres. He probably studied under masters such as Peter Abelard, Gilbert of Poitiers, and Thierry of Chartres. This is known through the writings of John of Salisbury, who is thought to have been a contemporary student of Alain of Lille. His earliest writings were probably written in the 1150s, and probably in Paris. Alain spent many years as a professor of Theology at the University of Paris and he attended the Lateran Council in 1179. Though the only accounts of his lectures seem to show a sort of eccentric style and approach, he was said to have been good friends with many other masters at the school in Paris, and taught there, as well as some time in southern France, into his old age. He afterwards inhabited Montpellier (he is sometimes called "Alanus de Montepessulano"), lived for a time outside the walls of any cloister, and finally retired to Cîteaux, where he died in 1202.
He had a very widespread reputation during his lifetime, and his knowledge caused him to be called "Doctor Universalis". Many of Alain's writings are unable to be exactly dated, and the circumstances and details surrounding his writing are often unknown as well. However, it does seem clear that his first notable work, "Summa Quoniam Homines", was completed somewhere between 1155 and 1165, with the most conclusive date being 1160, and was probably developed through his lectures at the school in Paris. Among his very numerous works two poems entitle him to a distinguished place in the Latin literature of the Middle Ages; one of these, the "De planctu Naturae", is an ingenious satire on the vices of humanity. He created the allegory of grammatical "conjugation" which was to have its successors throughout the Middle Ages. The "Anticlaudianus", a treatise on morals as allegory, the form of which recalls the pamphlet of Claudian against Rufinus, is agreeably versified and relatively pure in its latinity.
Theology and philosophy.
As a theologian Alain de Lille shared in the mystic reaction of the second half of the 12th century against the scholastic philosophy. His mysticism, however, is far from being as absolute as that of the Victorines. In the "Anticlaudianus" he sums up as follows: Reason, guided by prudence, can unaided discover most of the truths of the physical order; for the apprehension of religious truths it must trust to faith. This rule is completed in his treatise, "Ars catholicae fidei", as follows: Theology itself may be demonstrated by reason. Alain even ventures an immediate application of this principle, and tries to prove geometrically the dogmas defined in the Creed. This bold attempt is entirely factitious and verbal, and it is only his employment of various terms not generally used in such a connection (axiom, theorem, corollary, etc.) that gives his treatise its apparent originality.
Alan's philosophy was a sort of mixture of Aristotelian logic and Neoplatonic philosophy. The Platonist seemed to outweigh the Aristotelian in Alan, but he felt strongly that the divine is all intelligibility and argued this notion through much Aristotelian logic combined with Pythagorean mathematics.
Works and attributions.
One of Alain's most notable works was one he modeled after Boethius’ "Consolation of Philosophy", to which he gave the title "De planctu Naturae", or "The Plaint of Nature", and which was most likely written in the late 1160s. In this work, Alan uses prose and verse to illustrate the way in which nature defines its own position as inferior to that of God. He also attempts to illustrate the way in which humanity, through sexual perversion and specifically homosexuality, has defiled itself from nature and God. In "Anticlaudianus", another of his notable works, Alan uses a poetical dialogue to illustrate the way in which nature comes to the realization of her failure in producing the perfect man. She has only the ability to create a soulless body, and thus she is "persuaded to undertake the journey to heaven to ask for a soul," and "the Seven Liberal Arts produce a chariot for her... the Five Senses are the horses". The "Anticlaudianus" was translated into French and German in the following century, and toward 1280 was re-worked into a musical anthology by Adam de la Bassée. One of Alan's most popular and widely distributed works is his manual on preaching, "Ars Praedicandi", or "The Art of Preaching". This work shows how Alan saw theological education as being a fundamental preliminary step in preaching and strove to give clergyman a manuscript to be "used as a practical manual" when it came to the formation of sermons and art of preaching.
Alain wrote three very large theological textbooks, one being his first work, "Summa Quoniam Homines". Another of his theological textbooks that strove to be more minute in its focus, is his "De Fide Catholica", dated somewhere between 1185 and 1200, Alan sets out to refute heretical views, specifically that of the Waldensians and Cathars. In his third theological textbook, "Regulae Caelestis Iuris", he presents a set of what seems to be theological rules; this was typical of the followers of Gilbert of Poitiers, of which Alan could be associated. Other than these theological textbooks, and the aforementioned works of the mixture of prose and poetry, Alan of Lille had numerous other works on numerous subjects, primarily including Speculative Theology, Theoretical Moral Theology, Practical Moral Theology, and various collections of poems.
Alain de Lille has often been confounded with other persons named Alain, in particular with another Alanus (Alain, bishop of Auxerre), Alan, abbot of Tewkesbury, Alain de Podio, etc. Certain facts of their lives have been attributed to him, as well as some of their works: thus the "Life of St Bernard" should be ascribed to Alain of Auxerre and the "Commentary upon Merlin" to Alan of Tewkesbury. Alan of Lille was not the author of a "Memoriale rerum difficilium", published under his name, nor of "Moralium dogma philosophorum", nor of the satirical "Apocalypse of Golias" once attributed to him; and it is exceedingly doubtful whether the "Dicta Alani de lapide philosophico" really issued from his pen. On the other hand, it now seems practically demonstrated that Alain de Lille was the author of the "Ars catholicae fidei" and the treatise "Contra haereticos".
In his sermons on capital sins, Alain argued that sodomy and homicide are the most serious sins, since they call forth the wrath of God, which led to the destruction of Sodom and Gomorrah. His chief work on penance, the "Liber poenitenitalis" dedicated to Henry de Sully, exercised great influence on the many manuals of penance produced as a result of the Fourth Lateran Council. Alain's identification of the sins against nature included bestiality, masturbation, oral and anal intercourse, incest, adultery and rape. In addition to his battle against moral decay, Alan wrote a work against Islam, Judaism and Christian heretics dedicated to William VIII of Montpellier.
References.
Attribution:
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1508
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Albert Alcibiades, Margrave of Brandenburg-Kulmbach
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Albert II (; 28 March 15228 January 1557) was the Margrave of Brandenburg-Kulmbach (Brandenburg-Bayreuth) from 1527 to 1553. He was a member of the Franconian branch of the House of Hohenzollern. Because of his bellicose nature, Albert was given the cognomen "Bellator" ("the Warlike") during his lifetime. Posthumously, he became known as "Alcibiades".
Biography.
Albert was born in Ansbach and, losing his father Casimir in 1527, he came under the guardianship of his uncle George, Margrave of Brandenburg-Ansbach, a strong adherent of Protestantism.
In 1541, he received Bayreuth as his share of the family lands, but as the chief town of his principality was Kulmbach, he is sometimes referred to as the Margrave of Brandenburg-Kulmbach.
His restless and turbulent nature marked him out for a military career; and having collected a small band of soldiers, he assisted Emperor Charles V in his war with France in 1543.
The Peace of Crépy in September 1544 deprived him of this employment, but he won a considerable reputation, and when Charles was preparing to attack the Schmalkaldic League, he took pains to win Albert's assistance.
Sharing in the attack on the Electorate of Saxony, Albert was taken prisoner at Rochlitz in March 1547 by Elector John Frederick of Saxony, but was released as a result of the Emperor's victory at the Battle of Mühlberg in the succeeding April.
He then followed the fortunes of his friend Elector Maurice of Saxony, deserted Charles, and joined the league which proposed to overthrow the Emperor by an alliance with King Henry II of France.
He took part in the subsequent campaign, but when the Peace of Passau was signed in August 1552 he separated himself from his allies and began a crusade of plunder in Franconia, which led to the Second Margrave War.
Having extorted a large sum of money from the citizens of Nuremberg, he quarrelled with his supporter, the French King, and offered his services to the Emperor.
Charles, anxious to secure such a famous fighter, gladly assented to Albert's demands and gave the imperial sanction to his possession of the lands taken from the bishops of Würzburg and Bamberg; and his conspicuous bravery was of great value to the Emperor on the retreat from the Siege of Metz in January 1553.
When Charles left Germany a few weeks later, Albert renewed his depredations in Franconia. These soon became so serious that a league was formed to crush him, and Maurice of Saxony led an army against his former comrade.
The rival forces met at Sievershausen on 9 July 1553, and after a combat of unusual ferocity Albert was put to flight. Henry, Duke of Brunswick-Wolfenbüttel, then took command of the troops of the league, and after Albert had been placed under the imperial ban in December 1553 he was defeated by Duke Henry, and compelled to flee to France.
He there entered the service of Henry II of France and had undertaken a campaign to regain his lands when he died at Pforzheim on 8 January 1557.
He is defined by Thomas Carlyle as "a failure of a Fritz," with "features" of a Frederick the Great in him, "but who burnt away his splendid qualities as a mere temporary shine for the able editors, and never came to anything, full of fire, too much of it wildfire, not in the least like an Alcibiades except in the change of fortune he underwent". He had early two children: Frederick and Anna. He was buried at Heilsbronn Münster. His hymn "Was mein Got will, das g'scheh allzeit" was translated as "The will of God is always best".
References.
Works cited.
Works cited.
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1509
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Albert the Bear
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Albert the Bear (; 1100 – 18 November 1170) was the first margrave of Brandenburg from 1157 to his death and was briefly duke of Saxony between 1138 and 1142.
Life.
Albert was the only son of Otto, Count of Ballenstedt, and Eilika, daughter of Magnus Billung, Duke of Saxony. He inherited his father's valuable estates in northern Saxony in 1123, and on his mother's death, in 1142, succeeded to one-half of the lands of the house of Billung. Albert was a loyal vassal of his relation, Lothar I, Duke of Saxony, from whom, about 1123, he received the Margraviate of Lusatia, to the east; after Lothar became King of the Germans, he accompanied him on a disastrous expedition to Bohemia against the upstart, Soběslav I, Duke of Bohemia in 1126 at the Battle of Kulm, where he suffered a short imprisonment.
Albert's entanglements in Saxony stemmed from his desire to expand his inherited estates there. After the death of his brother-in-law, Henry II, Margrave of the Nordmark, who controlled a small area on the Elbe called the Saxon Northern March, in 1128, Albert, disappointed at not receiving this fief himself, attacked Udo V, Count of Stade, the heir, and was consequently deprived of Lusatia by Lothar. Udo, however, was said to have been assassinated by servants of Albert on 15 March 1130 near Aschersleben. In spite of this, Albert went to Italy in 1132 in the train of the king, and his services there were rewarded in 1134 by the investiture of the Northern March, which was again without a ruler.
In 1138 Conrad III, the Hohenstaufen King of the Germans, deprived Albert's cousin and nemesis, Henry the Proud, of his Saxon duchy, which was awarded to Albert if he could take it. After some initial success in his efforts to take possession, Albert was driven from Saxony, and also from his Northern March by a combined force of Henry and Jaxa of Köpenick, and compelled to take refuge in south Germany. Henry died in 1139 and an arrangement was found. Henry's son, Henry the Lion, received the duchy of Saxony in 1142. In the same year, Albert renounced the Saxon duchy and received the counties of Weimar and Orlamünde.
Once he was firmly established in the Northern March, Albert's covetous eye lay also on the thinly populated lands to the north and east. For three years he was occupied in campaigns against the Slavic Wends, who as pagans were considered fair game, and whose subjugation to Christianity was the aim of the Wendish Crusade of 1147 in which Albert took part. Albert was a part of the army that besieged Demmin, and at the end of the war, recovered Havelberg, which had been lost since 983. Diplomatic measures were more successful, and by an arrangement made with the last of the Wendish princes of Brandenburg, Pribislav-Henry of the Hevelli, Albert secured this district when the prince died in 1150. Taking the title "Margrave in Brandenburg", he pressed the crusade against the Wends, extended the area of his mark, encouraged Dutch and German settlement in the Elbe-Havel region (Ostsiedlung), established bishoprics under his protection, and so became the founder of the Margraviate of Brandenburg in 1157, which his heirs — the House of Ascania — held until the line died out in 1320.
In 1158 a feud with Henry the Lion, Duke of Saxony, was interrupted by a pilgrimage to the Holy Land. On his return in 1160, he, with the consent of his sons, Siegfried not being mentioned, donated land to the Knights of Saint John in memory of his wife, Sofia, at Werben on the Elbe. Around this same time, he minted a pfennig in memory of his deceased wife. In 1162 Albert accompanied Emperor Frederick Barbarossa to Italy, where he distinguished himself at the storming of Milan.
In 1164 Albert joined a league of princes formed against Henry the Lion, and peace being made in 1169, Albert divided his territories among his six sons. He died on 13 November 1170, and was buried at Ballenstedt.
Cognomen.
Albert's personal qualities won for him the cognomen of "the Bear," "not from his looks or qualities, for he was a tall handsome man, but from the cognisance on his shield, an able man, had a quick eye as well as a strong hand, and could pick what way was straightest among crooked things, was the shining figure and the great man of the North in his day, got much in the North and kept it, got Brandenburg for one there, a conspicuous country ever since," says Thomas Carlyle, who called Albert "a restless, much-managing, wide-warring man." He is also called by later writers "the Handsome."
Marriage and children.
Albert was married in 1124 to Sophie of Winzenburg (died 25 March 1160) and they had the following children:
External links.
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1488
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NYSE American
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NYSE American, formerly known as the American Stock Exchange (AMEX), and more recently as NYSE MKT, is an American stock exchange situated in New York City. AMEX was previously a mutual organization, owned by its members. Until 1953, it was known as the New York Curb Exchange.
NYSE Euronext acquired AMEX on October 1, 2008, with AMEX integrated with the Alternext European small-cap exchange and renamed the NYSE Alternext U.S. In March 2009, NYSE Alternext U.S. was changed to NYSE Amex Equities. On May 10, 2012, NYSE Amex Equities changed its name to NYSE MKT LLC.
Following the SEC approval of competing stock exchange IEX in 2016, NYSE MKT rebranded as NYSE American and introduced a 350-microsecond delay in trading, referred to as a "speed bump", which is also present on the IEX.
History.
The Curb market.
The exchange grew out of the loosely organized curb market of curbstone brokers on Broad Street in Manhattan. Efforts to organize and standardize the market started early in the 20th century under Emanuel S. Mendels and Carl H. Pforzheimer. The curb brokers had been kicked out of the Mills Building front by 1907, and had moved to the pavement outside the Blair Building where cabbies lined up. There they were given a "little domain of asphalt" fenced off by the police on Broad Street between Exchange Place and Beaver Street. As of 1907, the curb market operated starting at 10 AM, each day except Sundays, until a gong at 3 PM. Orders for the purchase and sale of securities were shouted down from the windows of nearby brokerages, with the execution of the sale then shouted back up to the brokerage.
Organizing and 'Curb list'.
As of 1907, E. S. Mendels gave the brokers rules "by right of seniority", but the curb brokers intentionally avoided organizing. According to the "Times", this came from a general belief that if a curb exchange was organized, the exchange authorities would force members to sell their other exchange memberships. However, in 1908 the New York Curb Market Agency was established, which developed appropriate trading rules for curbstone brokers, organized by Mendels. The informal Curb Association formed in 1910 to weed out undesirables. The curb exchange was for years at odds with the New York Stock Exchange (NYSE), or "Big Board", operating several buildings away. Explained the "New York Times" in 1910, the Big Board looked at the curb as "a trading place for 'cats and dogs.'" On April 1, 1910, however, when the NYSE abolished its unlisted department, the NYSE stocks "made homeless by the abolition" were "refused domicile" by the curb brokers on Broad Street until they had complied with the "Curb list" of requirements. In 1911, Mendels and his advisers drew up a constitution and formed the New York Curb Market Association, which can be considered the first formal constitution of American Stock Exchange.
1920s-1940s: Move indoors.
In 1920, journalist Edwin C. Hill wrote that the curb exchange on lower Broad Street was a "roaring, swirling whirlpool" that "tears control of a gold-mine from an unlucky operator, and pauses to auction a puppy-dog. It is like nothing else under the astonished sky that is its only roof." After a group of Curb brokers formed a real estate company to design a building, Starrett & Van Vleck designed the new exchange building on Greenwich Street in Lower Manhattan between Thames and Rector, at 86 Trinity Place. It opened in 1921, and the curbstone brokers moved indoors on June 27, 1921. In 1929, the New York Curb Market changed its name to the New York Curb Exchange. The Curb Exchange soon became the leading international stock market, and according to historian Robert Sobel, "had more individual foreign issues on its list than [...] all other American securities markets combined."
Edward Reid McCormick was the first president of the New York Curb Market Association and is credited with moving the market indoors. George Rea was approached about the position of president of the New York Curb Exchange in 1939. He was unanimously elected as the first paid president in the history of the Curb Exchange. He was paid $25,000 per year (equivalent to $ today) and held the position for three years before offering his resignation in 1942. He left the position having "done such a good job that there is virtually no need for a full-time successor."
Modernization as the American Stock Exchange.
In 1953 the Curb Exchange was renamed the American Stock Exchange. The exchange was shaken by a scandal in 1961, and in 1962 began a reorganization. Its reputation recently damaged by charges of mismanagement, in 1962 the American Stock Exchange named Edwin Etherington its president. Writes CNN, he and executive vice president Paul Kolton were "tapped in 1962 to clean up and reinvigorate the scandal-plagued American Stock Exchange."
As of 1971, it was the second largest stock exchange in the United States. Paul Kolton succeeded Ralph S. Saul as AMEX president on June 17, 1971, making him the first person to be selected from within the exchange to serve as its leader, succeeding Ralph S. Saul, who announced his resignation in March 1971. In November 1972, Kolton was named as the exchange's first chief executive officer and its first salaried top executive. As chairman, Kolton oversaw the introduction of options trading. Kolton opposed the idea of a merger with the New York Stock Exchange while he headed the exchange saying that "two independent, viable exchanges are much more likely to be responsive to new pressures and public needs than a single institution". Kolton announced in July 1977 that he would be leaving his position at the American Exchange in November of that year.
In 1977, Thomas Peterffy purchased a seat on the American Stock Exchange. Peterffy created a major stir among traders by introducing handheld computers onto the trading floor in the early 1980s.
Introducing ETFs.
ETFs or exchange-traded funds had their genesis in 1989 with Index Participation Shares, an S&P 500 proxy that traded on the American Stock Exchange and the Philadelphia Stock Exchange. This product was short-lived after a lawsuit by the Chicago Mercantile Exchange was successful in stopping sales in the United States.
In 1990, a similar product, Toronto Index Participation Shares, which tracked the TSE 35 and later the TSE 100 indices, started trading on the Toronto Stock Exchange (TSE) in 1990. The popularity of these products led the American Stock Exchange to try to develop something that would satisfy regulations by the U.S. Securities and Exchange Commission.
Nathan Most and Steven Bloom, under the direction of Ivers Riley, designed and developed Standard & Poor's Depositary Receipts (NYSE Arca: SPY), which were introduced in January 1993. Known as SPDRs or "Spiders", the fund became the largest ETF in the world. In May 1995, State Street Global Advisors introduced the S&P 400 MidCap SPDRs (NYSE Arca: MDY).
Barclays, in conjunction with MSCI and Funds Distributor Inc., entered the market in 1996 with World Equity Benchmark Shares (WEBS), which became iShares MSCI Index Fund Shares. WEBS originally tracked 17 MSCI country indices managed by the funds' index provider, Morgan Stanley. WEBS were particularly innovative because they gave casual investors easy access to foreign markets. While SPDRs were organized as unit investment trusts, WEBS were set up as a mutual fund, the first of their kind.
In 1998, State Street Global Advisors introduced "Sector Spiders", separate ETFs for each of the sectors of the S&P 500 Index. Also in 1998, the "Dow Diamonds" (NYSE Arca: DIA) were introduced, tracking the Dow Jones Industrial Average. In 1999, the influential "cubes" (Nasdaq: QQQ), were launched, with the goal of replicate the price movement of the NASDAQ-100.
The iShares line was launched in early 2000. By 2005, it had a 44% market share of ETF assets under management. Barclays Global Investors was sold to BlackRock in 2009.
NYSE merger.
As of 2003, AMEX was the only U.S. stock market to permit the transmission of buy and sell orders through hand signals.
In October 2008 NYSE Euronext completed acquisition of the AMEX for $260 million in stock. Before the closing of the acquisition, NYSE Euronext announced that the AMEX would be integrated with the Alternext European small-cap exchange and renamed the NYSE Alternext U.S. The American Stock Exchange merged with the New York Stock Exchange (NYSE Euronext) on October 1, 2008. Post merger, the Amex equities business was branded "NYSE Alternext US". As part of the re-branding exercise, NYSE Alternext US was re-branded as NYSE Amex Equities. On December 1, 2008, the Curb Exchange building at 86 Trinity Place was closed, and the Amex Equities trading floor was moved to the NYSE Trading floor at 11 Wall Street. 90 years after its 1921 opening, the old New York Curb Market building was empty but remained standing. In March 2009, NYSE Alternext U.S. was changed to NYSE Amex Equities. On May 10, 2012, NYSE Amex Equities changed its name to NYSE MKT LLC.
In June 2016, a competing stock exchange IEX (which operated with a 350-microsecond delay in trading), gained approval from the SEC, despite lobbying protests by the NYSE and other exchanges and trading firms.
On July 24, 2017, the NYSE renamed NYSE MKT to NYSE American, and announced plans to introduce its own 350-microsecond "speed bump" in trading on the small and mid-cap company exchange.
The Curb market.
The exchange grew out of the loosely organized curb market of curbstone brokers on Broad Street in Manhattan. Efforts to organize and standardize the market started early in the 20th century under Emanuel S. Mendels and Carl H. Pforzheimer. The curb brokers had been kicked out of the Mills Building front by 1907, and had moved to the pavement outside the Blair Building where cabbies lined up. There they were given a "little domain of asphalt" fenced off by the police on Broad Street between Exchange Place and Beaver Street. As of 1907, the curb market operated starting at 10 AM, each day except Sundays, until a gong at 3 PM. Orders for the purchase and sale of securities were shouted down from the windows of nearby brokerages, with the execution of the sale then shouted back up to the brokerage.
Organizing and 'Curb list'.
As of 1907, E. S. Mendels gave the brokers rules "by right of seniority", but the curb brokers intentionally avoided organizing. According to the "Times", this came from a general belief that if a curb exchange was organized, the exchange authorities would force members to sell their other exchange memberships. However, in 1908 the New York Curb Market Agency was established, which developed appropriate trading rules for curbstone brokers, organized by Mendels. The informal Curb Association formed in 1910 to weed out undesirables. The curb exchange was for years at odds with the New York Stock Exchange (NYSE), or "Big Board", operating several buildings away. Explained the "New York Times" in 1910, the Big Board looked at the curb as "a trading place for 'cats and dogs.'" On April 1, 1910, however, when the NYSE abolished its unlisted department, the NYSE stocks "made homeless by the abolition" were "refused domicile" by the curb brokers on Broad Street until they had complied with the "Curb list" of requirements. In 1911, Mendels and his advisers drew up a constitution and formed the New York Curb Market Association, which can be considered the first formal constitution of American Stock Exchange.
1920s-1940s: Move indoors.
In 1920, journalist Edwin C. Hill wrote that the curb exchange on lower Broad Street was a "roaring, swirling whirlpool" that "tears control of a gold-mine from an unlucky operator, and pauses to auction a puppy-dog. It is like nothing else under the astonished sky that is its only roof." After a group of Curb brokers formed a real estate company to design a building, Starrett & Van Vleck designed the new exchange building on Greenwich Street in Lower Manhattan between Thames and Rector, at 86 Trinity Place. It opened in 1921, and the curbstone brokers moved indoors on June 27, 1921. In 1929, the New York Curb Market changed its name to the New York Curb Exchange. The Curb Exchange soon became the leading international stock market, and according to historian Robert Sobel, "had more individual foreign issues on its list than [...] all other American securities markets combined."
Edward Reid McCormick was the first president of the New York Curb Market Association and is credited with moving the market indoors. George Rea was approached about the position of president of the New York Curb Exchange in 1939. He was unanimously elected as the first paid president in the history of the Curb Exchange. He was paid $25,000 per year (equivalent to $ today) and held the position for three years before offering his resignation in 1942. He left the position having "done such a good job that there is virtually no need for a full-time successor."
Modernization as the American Stock Exchange.
In 1953 the Curb Exchange was renamed the American Stock Exchange. The exchange was shaken by a scandal in 1961, and in 1962 began a reorganization. Its reputation recently damaged by charges of mismanagement, in 1962 the American Stock Exchange named Edwin Etherington its president. Writes CNN, he and executive vice president Paul Kolton were "tapped in 1962 to clean up and reinvigorate the scandal-plagued American Stock Exchange."
As of 1971, it was the second largest stock exchange in the United States. Paul Kolton succeeded Ralph S. Saul as AMEX president on June 17, 1971, making him the first person to be selected from within the exchange to serve as its leader, succeeding Ralph S. Saul, who announced his resignation in March 1971. In November 1972, Kolton was named as the exchange's first chief executive officer and its first salaried top executive. As chairman, Kolton oversaw the introduction of options trading. Kolton opposed the idea of a merger with the New York Stock Exchange while he headed the exchange saying that "two independent, viable exchanges are much more likely to be responsive to new pressures and public needs than a single institution". Kolton announced in July 1977 that he would be leaving his position at the American Exchange in November of that year.
In 1977, Thomas Peterffy purchased a seat on the American Stock Exchange. Peterffy created a major stir among traders by introducing handheld computers onto the trading floor in the early 1980s.
Introducing ETFs.
ETFs or exchange-traded funds had their genesis in 1989 with Index Participation Shares, an S&P 500 proxy that traded on the American Stock Exchange and the Philadelphia Stock Exchange. This product was short-lived after a lawsuit by the Chicago Mercantile Exchange was successful in stopping sales in the United States.
In 1990, a similar product, Toronto Index Participation Shares, which tracked the TSE 35 and later the TSE 100 indices, started trading on the Toronto Stock Exchange (TSE) in 1990. The popularity of these products led the American Stock Exchange to try to develop something that would satisfy regulations by the U.S. Securities and Exchange Commission.
Nathan Most and Steven Bloom, under the direction of Ivers Riley, designed and developed Standard & Poor's Depositary Receipts (NYSE Arca: SPY), which were introduced in January 1993. Known as SPDRs or "Spiders", the fund became the largest ETF in the world. In May 1995, State Street Global Advisors introduced the S&P 400 MidCap SPDRs (NYSE Arca: MDY).
Barclays, in conjunction with MSCI and Funds Distributor Inc., entered the market in 1996 with World Equity Benchmark Shares (WEBS), which became iShares MSCI Index Fund Shares. WEBS originally tracked 17 MSCI country indices managed by the funds' index provider, Morgan Stanley. WEBS were particularly innovative because they gave casual investors easy access to foreign markets. While SPDRs were organized as unit investment trusts, WEBS were set up as a mutual fund, the first of their kind.
In 1998, State Street Global Advisors introduced "Sector Spiders", separate ETFs for each of the sectors of the S&P 500 Index. Also in 1998, the "Dow Diamonds" (NYSE Arca: DIA) were introduced, tracking the Dow Jones Industrial Average. In 1999, the influential "cubes" (Nasdaq: QQQ), were launched, with the goal of replicate the price movement of the NASDAQ-100.
The iShares line was launched in early 2000. By 2005, it had a 44% market share of ETF assets under management. Barclays Global Investors was sold to BlackRock in 2009.
NYSE merger.
As of 2003, AMEX was the only U.S. stock market to permit the transmission of buy and sell orders through hand signals.
In October 2008 NYSE Euronext completed acquisition of the AMEX for $260 million in stock. Before the closing of the acquisition, NYSE Euronext announced that the AMEX would be integrated with the Alternext European small-cap exchange and renamed the NYSE Alternext U.S. The American Stock Exchange merged with the New York Stock Exchange (NYSE Euronext) on October 1, 2008. Post merger, the Amex equities business was branded "NYSE Alternext US". As part of the re-branding exercise, NYSE Alternext US was re-branded as NYSE Amex Equities. On December 1, 2008, the Curb Exchange building at 86 Trinity Place was closed, and the Amex Equities trading floor was moved to the NYSE Trading floor at 11 Wall Street. 90 years after its 1921 opening, the old New York Curb Market building was empty but remained standing. In March 2009, NYSE Alternext U.S. was changed to NYSE Amex Equities. On May 10, 2012, NYSE Amex Equities changed its name to NYSE MKT LLC.
In June 2016, a competing stock exchange IEX (which operated with a 350-microsecond delay in trading), gained approval from the SEC, despite lobbying protests by the NYSE and other exchanges and trading firms.
On July 24, 2017, the NYSE renamed NYSE MKT to NYSE American, and announced plans to introduce its own 350-microsecond "speed bump" in trading on the small and mid-cap company exchange.
Management.
Past presidents of the American Stock Exchange include:
Past chairmen of the American Stock Exchange include:
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1513
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Albert of Brandenburg
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Cardinal Albert of Brandenburg (; 28 June 149024 September 1545) was a German cardinal, elector, Archbishop of Mainz from 1514 to 1545, and Archbishop of Magdeburg from 1513 to 1545.
Biography.
Early career.
Born in Cölln on the Spree, Albert was the younger son of John Cicero, Elector of Brandenburg and Margaret of Thuringia.
After their father's funeral, Albert and his older brother Joachim I Nestor became margraves of Brandenburg in 1499, but only his older brother held the title of an elector of Brandenburg. Albert studied at the university of Frankfurt (Oder), and in 1513 became Archbishop of Magdeburg at the age of 23 and administrator of the Diocese of Halberstadt.
In 1514, he obtained the Electorate of Mainz, and in 1518, at the age of 28, was made a cardinal. The indulgence issued by Leo X in 1514 for the building of the new St. Peter's in Rome was entrusted to Albert (1517) for publication in Saxony and Brandenburg. It cost him the considerable sum of ten thousand ducats, and Albert employed Johann Tetzel for the actual preaching of the indulgence. Later, Martin Luther addressed a letter of protest to Albert concerning the conduct of Tetzel.
Largely in reaction to Tetzel's actions, Luther wrote his famous "Ninety-five Theses", which led to the Reformation. Luther sent these to Albert on 31 October 1517, and according to a disputable tradition, nailed a copy to the door of Castle Church in Wittenberg. Albert forwarded the theses to Rome, suspecting Luther of heresy. When the imperial election of 1519 drew near, partisans of the two leading candidates (King Charles I of Spain and Francis I of France) eagerly solicited the vote of the Prince-Archbishop of Mainz, and Albert appears to have received a large amount of money for his vote. The electors eventually chose Charles, who became the Emperor Charles V.
Albert's large and liberal ideas, his friendship with Ulrich von Hutten, and his political ambitions, appear to have raised hopes that he could be won over to Protestantism; but after the German Peasants' War of 1525 he ranged himself definitely among the supporters of Catholicism, and was among the princes who joined the League of Dessau in July 1525.
Albert needed a prestigious church building that met his expectations at a central location in his "residenz" town. Albert feared for his peace of mind in heaven, and collected more than 8,100 relics and 42 holy skeletons which needed to be stored. These precious treasures, known as "Hallesches Heilthum", indirectly related to the sale of indulgences which had triggered the Reformation a few years before. Then, the cardinal and the Catholic members of the town council wanted to repress the growing influence of the Reformation by holding far grander masses and services in a new church dedicated solely to the Blessed Virgin Mary.
Albert's hostility towards the reformers, however, was not so extreme as that of his brother Joachim I; and he appears to have exerted himself towards peace, although he was a member of the League of Nuremberg, formed in 1538 as a counterpoise to the League of Schmalkalden. New doctrines nevertheless made considerable progress in his dominions, and he was compelled to grant religious liberty to the inhabitants of Magdeburg in return for 500,000 florins. During his later years showed more intolerance towards the Protestants, and favoured the teaching of the Jesuits in his dominions.
Market Church of Our Lady.
The Market Church of Our Lady in Halle, which had been built to defend against the spread of Reformation sympathies, was the spot where Justus Jonas officially introduced the Reformation into Halle with his Good Friday sermon in 1541. The service must have been at least partly conducted in the open air, because at that time construction had only been finished at the eastern end of the nave. Jonas began a successful preaching crusade and attracted so many people that the church overflowed. Albert left the town permanently after the estates in the city had announced that they would take over his enormous debt at the bank of Jakob Fugger. Halle became Protestant and in 1542 Jonas was appointed as priest to St. Mary's and, in 1544, bishop over the city.
Albert adorned the collegiate church at Halle and the cathedral at Mainz in sumptuous fashion, and took as his motto the words "" (Latin for: "Lord, I admired the adornment of your house."). A generous patron of art and learning, he counted Erasmus among his friends.
Death.
Albert died at the Martinsburg, Mainz in 1545.
Early career.
Born in Cölln on the Spree, Albert was the younger son of John Cicero, Elector of Brandenburg and Margaret of Thuringia.
After their father's funeral, Albert and his older brother Joachim I Nestor became margraves of Brandenburg in 1499, but only his older brother held the title of an elector of Brandenburg. Albert studied at the university of Frankfurt (Oder), and in 1513 became Archbishop of Magdeburg at the age of 23 and administrator of the Diocese of Halberstadt.
In 1514, he obtained the Electorate of Mainz, and in 1518, at the age of 28, was made a cardinal. The indulgence issued by Leo X in 1514 for the building of the new St. Peter's in Rome was entrusted to Albert (1517) for publication in Saxony and Brandenburg. It cost him the considerable sum of ten thousand ducats, and Albert employed Johann Tetzel for the actual preaching of the indulgence. Later, Martin Luther addressed a letter of protest to Albert concerning the conduct of Tetzel.
Largely in reaction to Tetzel's actions, Luther wrote his famous "Ninety-five Theses", which led to the Reformation. Luther sent these to Albert on 31 October 1517, and according to a disputable tradition, nailed a copy to the door of Castle Church in Wittenberg. Albert forwarded the theses to Rome, suspecting Luther of heresy. When the imperial election of 1519 drew near, partisans of the two leading candidates (King Charles I of Spain and Francis I of France) eagerly solicited the vote of the Prince-Archbishop of Mainz, and Albert appears to have received a large amount of money for his vote. The electors eventually chose Charles, who became the Emperor Charles V.
Albert's large and liberal ideas, his friendship with Ulrich von Hutten, and his political ambitions, appear to have raised hopes that he could be won over to Protestantism; but after the German Peasants' War of 1525 he ranged himself definitely among the supporters of Catholicism, and was among the princes who joined the League of Dessau in July 1525.
Albert needed a prestigious church building that met his expectations at a central location in his "residenz" town. Albert feared for his peace of mind in heaven, and collected more than 8,100 relics and 42 holy skeletons which needed to be stored. These precious treasures, known as "Hallesches Heilthum", indirectly related to the sale of indulgences which had triggered the Reformation a few years before. Then, the cardinal and the Catholic members of the town council wanted to repress the growing influence of the Reformation by holding far grander masses and services in a new church dedicated solely to the Blessed Virgin Mary.
Albert's hostility towards the reformers, however, was not so extreme as that of his brother Joachim I; and he appears to have exerted himself towards peace, although he was a member of the League of Nuremberg, formed in 1538 as a counterpoise to the League of Schmalkalden. New doctrines nevertheless made considerable progress in his dominions, and he was compelled to grant religious liberty to the inhabitants of Magdeburg in return for 500,000 florins. During his later years showed more intolerance towards the Protestants, and favoured the teaching of the Jesuits in his dominions.
Market Church of Our Lady.
The Market Church of Our Lady in Halle, which had been built to defend against the spread of Reformation sympathies, was the spot where Justus Jonas officially introduced the Reformation into Halle with his Good Friday sermon in 1541. The service must have been at least partly conducted in the open air, because at that time construction had only been finished at the eastern end of the nave. Jonas began a successful preaching crusade and attracted so many people that the church overflowed. Albert left the town permanently after the estates in the city had announced that they would take over his enormous debt at the bank of Jakob Fugger. Halle became Protestant and in 1542 Jonas was appointed as priest to St. Mary's and, in 1544, bishop over the city.
Albert adorned the collegiate church at Halle and the cathedral at Mainz in sumptuous fashion, and took as his motto the words "" (Latin for: "Lord, I admired the adornment of your house."). A generous patron of art and learning, he counted Erasmus among his friends.
Death.
Albert died at the Martinsburg, Mainz in 1545.
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1514
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Myttha
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1526
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Abner
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In the Hebrew Bible, Abner ( ) was the cousin of King Saul and the commander-in-chief of his army. His name also appears as "Abiner son of Ner", where the longer form Abiner means "my father is Ner".
Biblical narrative.
Abner is initially mentioned incidentally in Saul's history, first appearing as the son of Ner, Saul's uncle, and the commander of Saul's army. He then comes to the story again as the commander who introduced David to Saul following David's killing of Goliath. He is not mentioned in the account of the disastrous battle of Gilboa when Saul's power was crushed. Seizing the youngest but only surviving of Saul's sons, Ish-bosheth, also called Eshbaal, Abner set him up as king over Israel at Mahanaim, east of the Jordan. David, who was accepted as king by Judah alone, was meanwhile reigning at Hebron, and for some time war was carried on between the two parties.
The only engagement between the rival factions which is told at length is noteworthy, inasmuch as it was preceded by an encounter at Gibeon between 12 chosen men from each side, in which all 24 seem to have perished. In the general engagement which followed, Abner was defeated and put to flight. He was closely pursued by Asahel, brother of Joab, who is said to have been "light of foot as a wild roe". As Asahel would not desist from the pursuit, though warned, Abner was compelled to slay him in self-defence. This originated a deadly feud between the leaders of the opposite parties, for Joab, as next of kin to Asahel, was by the law and custom of the country the avenger of his blood. However, according to Josephus, in "Antiquities", book 7, chapter 1, Joab had forgiven Abner for the death of his brother, Asahel, the reason being that Abner had slain Asahel honorably in combat after he had first warned Asahel and tried to knock the wind out of him with the butt of his spear. However, probably by intervention of God, it went through Asahel. The Bible says everyone stopped and looked. That shows that something like this never happened before. This battle was part of a civil war between David and Ish-bosheth. After this battle, Abner switched sides and granted David control over the tribe of Benjamin. This act put Abner in David's favor.
For some time afterward, the war was carried on, the advantage being invariably on the side of David. At length, Ish-bosheth lost the main prop of his tottering cause by accusing Abner of sleeping with Rizpah, one of Saul's concubines, an alliance which, according to contemporary notions, would imply pretensions to the throne.
Abner was indignant at the rebuke, and immediately opened negotiations with David, who welcomed him on the condition that his wife Michal should be restored to him. This was done, and the proceedings were ratified by a feast. Almost immediately after, however, Joab, who had been sent away, perhaps intentionally returned and slew Abner at the gate of Hebron. The ostensible motive for the assassination was a desire to avenge Asahel, and this would be a sufficient justification for the deed according to the moral standard of the time (although Abner should have been safe from such a revenge killing in Hebron, which was a City of Refuge). The conduct of David after the event was such as to show that he had no complicity in the act, though he could not venture to punish its perpetrators.
David had Abner buried in Hebron, as stated in Samuel 3:31–32, "And David said to all the people who were with him, 'Rend your clothes and gird yourselves with sackcloth, and wail before Abner.' And King David went after the bier. And they buried Abner in Hebron, and the king raised his voice and wept on Abner's grave, and all the people wept."
Shortly after Abner's death, Ish-bosheth was assassinated as he slept, and David became king of the reunited kingdoms.
Rabbinical Literature.
Son of the Witch of En-dor (Pirḳe R. El. xxxiii.), and the hero par excellence in the Haggadah (Yalḳ., Jer. 285; Eccl. R. on ix. 11; Ḳid. 49b). Conscious of his extraordinary strength, he exclaimed: "If I could only catch hold of the earth, I could shake it" (Yalḳ. l.c.)—a saying which parallels the famous utterance of Archimedes, "Had I a fulcrum, I could move the world." According to the Midrash (Eccl. R. l.c.) it would have been easier to move a wall six yards thick than one of the feet of Abner, who could hold the Israelitish army between his knees. Yet when his time came (), Joab smote him. But even in his dying hour, Abner seized his foe like a ball of thread, threatening to crush him. Then the Israelites came and pleaded for Joab's life, saying: "If thou killest him we shall be orphaned, and our women and all our belongings will become a prey to the Philistines." Abner answered: "What can I do? He has extinguished my light" (has wounded me fatally). The Israelites replied: "Entrust thy cause to the true judge [God]." Then Abner released his hold upon Joab and fell dead to the ground (Yalḳ. l.c.).
His One Sin.
The rabbis agree that Abner deserved this violent death, though opinions differ concerning the exact nature of the sin that entailed so dire a punishment on one who was, on the whole, considered a "righteous man" (Gen. R. lxxxii. 4). Some reproach him that he did not use his influence with Saul to prevent him from murdering the priests of Nob (Yer. Peah, i. 16a; Lev. R. xxvi. 2; Sanh. 20a)—convinced as he was of the innocence of the priests and of the propriety of their conduct toward David, Abner holding that as leader of the army David was privileged to avail himself of the Urim and Thummim (I Sam. xxii. 9–19). Instead of contenting himself with passive resistance to Saul's command to murder the priests (Yalḳ., Sam. 131), Abner ought to have tried to restrain the king. Others maintain that Abner did make such an attempt, but in vain, and that his one sin consisted in that he delayed the beginning of David's reign over Israel by fighting him after Saul's death for two years and a half (Sanh. l.c.). Others, again, while excusing him for this—in view of a tradition founded on Gen. xlix. 27, according to which there were to be two kings of the house of Benjamin—blame Abner for having prevented a reconciliation between Saul and David on the occasion when the latter, in holding up the skirt of Saul's robe (I Sam. xxiv. 11), showed how unfounded was the king's mistrust of him. Saul was inclined to be pacified; but Abner, representing to him that David might have found the piece of the garment anywhere—possibly caught on a thorn—prevented the reconciliation (Yer. Peah, l.c., Lev. R. l.c., and elsewhere). Moreover, it was wrong in Abner to permit Israelitish youths to kill one another for sport (II Sam. ii. 14–16). No reproach, however, attaches to him for the death of Asahel, since Abner killed him in self-defense (Sanh. 49a).
It is characteristic of the rabbinical view of the Bible narratives that Abner, the warrior pure and simple, is styled "Lion of the Law" (Yer. Peah, l.c.), and that even a specimen is given of a halakic discussion between him and Doeg as to whether the law in Deut. xxiii. 3 excluded Ammonite and Moabite women from the Jewish community as well as men. Doeg was of the opinion that David, being descended from the Moabitess Ruth, was not fit to wear the crown, nor even to be considered a true Israelite; while Abner maintained that the law affected only the male line of descent. When Doeg's dialectics proved more than a match for those of Abner, the latter went to the prophet Samuel, who not only supported Abner in his view, but utterly refuted Doeg's assertions (Midr. Sam. xxii.; Yeb. 76b et seq.).
One of the most prominent families (Ẓiẓit ha-Kesat) in Jerusalem in the middle of the first century of the common era claimed descent from Abner (Gen. R. xcviii.).
Tomb of Abner.
The site known as the Tomb of Abner is located not far from the Cave of the Patriarchs in Hebron and receives visitors throughout the year. Many travelers have recorded visiting the tomb over the centuries.
Benjamin of Tudela, who began his journeys in 1165, wrote in the journal, "The valley of Eshkhol is north of the mountain upon which Hebron stood, and the cave of Makhpela is east thereof. A bow-shot west of the cave is the sepulchre of Abner the son of Ner."
A rabbi in the 12th century records visiting the tomb as reprinted in Elkan Nathan Adler's book "Jewish Travellers in the Middle Ages: 19 Firsthand Accounts". The account states, "I, Jacob, the son of R. Nathaniel ha Cohen, journeyed with much difficulty, but God helped me to enter the Holy Land, and I saw the graves of our righteous Patriarchs in Hebron and the grave of Abner the son of Ner." Adler postulates that the visit must have occurred prior to Saladin's capture of Jerusalem in 1187.
Rabbi Moses Basola records visiting the tomb in 1522. He states, "Abner's grave is in the middle of Hebron; the Muslims built a mosque over it." Another visitor in the 1500s states that "at the entrance to the market in Hebron, at the top of the hill against the wall, Abner ben Ner is buried, in a church, in a cave." This visit was recorded in Sefer Yihus ha-Tzaddiqim (Book of Genealogy of the Righteous), a collection of travelogues from 1561. Abraham Moshe Lunz reprinted the book in 1896.
Menahem Mendel of Kamenitz, considered the first hotelier in the Land of Israel, wrote about the Tomb of Abner is his 1839 book "Korot Ha-Itim", which was translated into English as "The Book of the Occurrences of the Times to Jeshurun in the Land of Israel." He states", ""Here I write of the graves of the righteous to which I paid my respects. Hebron – Described above is the character and order of behavior of those coming to pray at the Cave of ha-Machpelah. I went there, between the stores, over the grave of Avner ben Ner and was required to pay a Yishmaeli – the grave was in his courtyard – to allow me to enter."
The author and traveler J. J. Benjamin mentioned visiting the tomb in his book "Eight Years in Asia and Africa" (1859, Hanover). He states, "On leaving the Sepulchre of the Patriarchs, and proceeding on the road leading to the Jewish quarter, to the left of the courtyard, is seen a Turkish dwelling house, by the side of which is a small grotto, to which there is a descent of several steps. This is the tomb of Abner, captain of King Saul. It is held in much esteem by the Arabs, and the proprietor of it takes care that it is always kept in the best order. He requires from those who visit it a small gratuity."
The British scholar Israel Abrahams wrote in his 1912 book "The Book of Delight and Other Papers", "Hebron was the seat of David's rule over Judea. Abner was slain here by Joab, and was buried here – they still show Abner's tomb in the garden of a large house within the city. By the pool at Hebron were slain the murderers of Ishbosheth..."
Over the years the tomb fell into disrepair and neglect. It was closed to the public in 1994. In 1996, a group of 12 Israeli women filed a petition with the Supreme Court requesting the government to reopen the Tomb of Abner. More requests were made over the years and eventually arrangements were made to have the site open to the general public on ten days throughout the year corresponding to the ten days that the Isaac Hall of the Cave of the Patriarchs is open. In early 2007 new mezuzot were affixed to the entrance of the site.
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1527
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Ahmed I
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Ahmed I ( ""; ; 18 April 1590 – 22 November 1617) was Sultan of the Ottoman Empire from 1603 until his death in 1617. Ahmed's reign is noteworthy for marking the first breach in the Ottoman tradition of royal fratricide; henceforth Ottoman rulers would no longer systematically execute their brothers upon accession to the throne. He is also well known for his construction of the Blue Mosque, one of the most famous mosques in Turkey.
Early life.
Ahmed was probably born in 18 April 1590 at the Manisa Palace, Manisa, when his father Şehzade Mehmed was still a prince and the governor of the Sanjak of Manisa. His mother was Handan Sultan. After his grandfather Murad III's death in 1595, his father came to Constantinople and ascended the throne as Sultan Mehmed III. Mehmed ordered the execution of his nineteen half brothers. Ahmed's elder brother Şehzade Mahmud was also executed by his father Mehmed on 7 June 1603, just before Mehmed's own death on 22 December 1603. Mahmud was buried along with his mother in a separate mausoleum built by Ahmed in Şehzade Mosque, Constantinople.
Reign.
Ahmed ascended the throne after his father's death in 1603, at the age of thirteen, when his powerful grandmother Safiye Sultan was still alive. With his accession to the throne, the power struggle in the harem flared up; Between his mother Handan Sultan and his grandmother Safiye Sultan, who in the previous reign had absolute power within the walls (behind the throne), in the end, with the support of Ahmed, the fight ended in favor of his mother, because his grandmother was too powerful and corrupt. A far lost uncle of Ahmed, Yahya, resented his accession to the throne and spent his life scheming to become Sultan. Ahmed broke with the traditional fratricide following previous enthronements and did not order the execution of his brother Mustafa. Instead, Mustafa was sent to live at the old palace at Bayezit along with their grandmother, Safiye Sultan. This was most likely due to Ahmed's young age - he had not yet demonstrated his ability to sire children, and Mustafa was then the only other candidate for the Ottoman throne. His brother's execution would have endangered the dynasty, and thus he was spared.
His mother tried to interfere in his affairs and influence his decision, especially she wanted to control his communication and movements. In the earlier part of his reign, Ahmed I showed decision and vigor, which were belied by his subsequent conduct. The wars in Hungary and Persia, which attended his accession, terminated unfavourably for the empire. Its prestige was further tarnished in the Treaty of Zsitvatorok, signed in 1606, whereby the annual tribute paid by Austria was abolished. Following the crushing defeat in the Ottoman–Safavid War (1603–18) against the neighbouring rivals Safavid Empire, led by Shah Abbas the Great, Georgia, Azerbaijan and other vast territories in the Caucasus were ceded back to Persia per the Treaty of Nasuh Pasha in 1612, territories that had been temporarily conquered in the Ottoman–Safavid War (1578–90). The new borders were drawn per the same line as confirmed in the Peace of Amasya of 1555.
Relations with Morocco.
During his reign the ruler of Morocco was Mulay Zidan whose father and predecessor Ahmad al-Mansur had paid a tribute of vassalage as a vassal of the Ottomans until his death. The Saadi civil wars had interrupted this tribute of vassalage, but Mulay Zidan proposed to submit to it in order to protect himself from Algiers, and so he resumed paying the tribute to the Ottomans.
Ottoman-Safavid War: 1604–06.
The Ottoman–Safavid War had begun shortly before the death of Ahmed's father Mehmed III. Upon ascending the throne, Ahmed I appointed Cigalazade Yusuf Sinan Pasha as the commander of the eastern army. The army marched from Constantinople on 15 June 1604, which was too late, and by the time it had arrived on the eastern front on 8 November 1604, the Safavid army had captured Yerevan and entered the Kars Eyalet, and could only be stopped in Akhaltsikhe. Despite the conditions being favourable, Sinan Pasha decided to stay for the winter in Van, but then marched to Erzurum to stop an incoming Safavid attack. This caused unrest within the army and the year was practically wasted for the Ottomans.
In 1605, Sinan Pasha marched to take Tabriz, but the army was undermined by Köse Sefer Pasha, the Beylerbey of Erzurum, marching independently from Sinan Pasha and consequently being taken prisoner by the Safavids. The Ottoman army was routed at Urmia and had to flee firstly to Van and then to Diyarbekir. Here, Sinan Pasha sparked a rebellion by executing the Beylerbey of Aleppo, Canbulatoğlu Hüseyin Pasha, who had come to provide help, upon the pretext that he had arrived too late. He soon died himself and the Safavid army was able to capture Ganja, Shirvan and Shamakhi in Azerbaijan.
War with the Habsburgs: 1604–06.
The Long Turkish War between the Ottomans and the Habsburg monarchy had been going on for over a decade by the time Ahmed ascended the throne. Grand Vizier Malkoç Ali Pasha marched to the western front from Constantinople on 3 June 1604 and arrived in Belgrade, but died there, so Sokolluzade Lala Mehmed Pasha was appointed as the Grand Vizier and the commander of the western army. Under Mehmed Pasha, the western army recaptured Pest and Vác, but failed to capture Esztergom as the siege was lifted due to unfavourable weather and the objections of the soldiers. Meanwhile, the Prince of Transylvania, Stephen Bocskay, who struggled for the region's independence and had formerly supported the Habsburgs, sent a messenger to the Porte asking for help. Upon the promise of help, his forces also joined the Ottoman forces in Belgrade. With this help, the Ottoman army besieged Esztergom and captured it on 4 November 1605. Bocskai, with Ottoman help, captured Nové Zámky (Uyvar) and forces under Tiryaki Hasan Pasha took Veszprém and Palota. Sarhoş İbrahim Pasha, the Beylerbey of Nagykanizsa (Kanije), attacked the Austrian region of Istria.
However, with Jelali revolts in Anatolia more dangerous than ever and a defeat in the eastern front, Mehmed Pasha was called to Constantinople. Mehmed Pasha suddenly died there, whilst preparing to leave for the east. Kuyucu Murad Pasha then negotiated the Peace of Zsitvatorok, which abolished the tribute of 30,000 ducats paid by Austria and addressed the Habsburg emperor as the equal of the Ottoman sultan. The Jelali revolts were a strong factor in the Ottomans' acceptance of the terms. This signaled the end of Ottoman growth in Europe.
Jelali revolts.
Resentment over the war with the Habsburgs and heavy taxation, along with the weakness of the Ottoman military response, combined to make the reign of Ahmed I the zenith of the Jelali revolts. Tavil Ahmed launched a revolt soon after the coronation of Ahmed I and defeated Nasuh Pasha and the Beylerbey of Anatolia, Kecdehan Ali Pasha. In 1605, Tavil Ahmed was offered the position of the Beylerbey of Shahrizor to stop his rebellion, but soon afterwards he went on to capture Harput. His son, Mehmed, obtained the governorship of Baghdad with a fake firman and defeated the forces of Nasuh Pasha sent to defeat him.
Meanwhile, Canbulatoğlu Ali Pasha united his forces with the Druze Sheikh Ma'noğlu Fahreddin to defeat the Amir of Tripoli Seyfoğlu Yusuf. He went on to take control of the Adana area, forming an army and issuing coins. His forces routed the army of the newly appointed Beylerbey of Aleppo, Hüseyin Pasha. Grand Vizier Boşnak Dervish Mehmed Pasha was executed for the weakness he showed against the Jelalis. He was replaced by Kuyucu Murad Pasha, who marched to Syria with his forces to defeat the 30,000-strong rebel army with great difficulty, albeit with a decisive result, on 24 October 1607. Meanwhile, he pretended to forgive the rebels in Anatolia and appointed the rebel Kalenderoğlu, who was active in Manisa and Bursa, as the sanjakbey of Ankara. Baghdad was recaptured in 1607 as well. Canbulatoğlu Ali Pasha fled to Constantinople and asked for forgiveness from Ahmed I, who appointed him to Timișoara and later Belgrade, but then executed him due to his misrule there. Meanwhile, Kalenderoğlu was not allowed in the city by the people of Ankara and rebelled again, only to be crushed by Murad Pasha's forces. Kalenderoğlu ended up fleeing to Persia. Murad Pasha then suppressed some smaller revolts in Central Anatolia and suppressed other Jelali chiefs by inviting them to join the army.
Due to the widespread violence of the Jelali revolts, a great number of people had fled their villages and a lot of villages were destroyed. Some military chiefs had claimed these abandoned villages as their property. This deprived the Porte of tax income and on 30 September 1609, Ahmed I issued a letter guaranteeing the rights of the villagers. He then worked on the resettlement of abandoned villages.
Ottoman-Safavid War: Peace and continuation.
The new Grand Vizier, Nasuh Pasha, did not want to fight with the Safavids. The Safavid Shah also sent a letter saying that he was willing to sign a peace treaty, with which he would have to send 200 loads of silk every year to Constantinople. On 20 November 1612, the Treaty of Nasuh Pasha was signed, which ceded all the lands the Ottoman Empire had gained in the war of 1578–90 back to Persia and reinstated the 1555 boundaries.
However, the peace ended in 1615 when the Shah did not send the 200 loads of silk. On 22 May 1615, Grand Vizier Öküz Mehmed Pasha was assigned to organize an attack on Persia. Mehmed Pasha delayed the attack till the next year, until when the Safavids made their preparations and attacked Ganja. In April 1616, Mehmed Pasha left Aleppo with a large army and marched to Yerevan, where he failed to take the city and withdrew to Erzurum. He was removed from his post and replaced by Damat Halil Pasha. Halil Pasha went for the winter to Diyarbekir, while the Khan of Crimea, Canibek Giray, attacked the areas of Ganja, Nakhichevan and Julfa.
Capitulations and trade treaties.
Ahmed I renewed trade treaties with England, France and Venice. In July 1612, the first ever trade treaty with the Dutch Republic was signed. He expanded the capitulations given to France, specifying that merchants from Spain, Ragusa, Genoa, Ancona and Florence could trade under the French flag.
Architect and service to Islam.
Sultan Ahmed constructed the Sultan Ahmed Mosque, the magnum opus of the Ottoman architecture, across from the Hagia Sophia. The sultan attended the breaking of the ground with a golden pickaxe to begin the construction of the mosque complex. An incident nearly broke out after the sultan discovered that the Blue Mosque contained the same number of minarets as the grand mosque of Mecca. Ahmed became furious at this fault and became remorseful until the Shaykh-ul-Islam recommended that he should erect another minaret at the grand mosque of Mecca and the matter was solved.
Ahmed became delightedly involved in the eleventh comprehensive renovations of the Kaaba, which had just been damaged by flooding. He sent craftsmen from Constantinople, and the golden rain gutter that kept rain from collecting on the roof of the Ka’ba was successfully renewed. It was again during the era of Sultan Ahmed that an iron web was placed inside the Zamzam Well in Mecca. The placement of this web about three feet below the water level was a response to lunatics who jumped into the well, imagining a promise of a heroic death.
In Medina, the city of the Islamic prophet Muhammad, a new pulpit made of white marble and shipped from Istanbul arrived in the mosque of Muhammad and substituted the old, worn-out pulpit. It is also known that Sultan Ahmed erected two more mosques in Uskudar on the Asian side of Istanbul; however, neither of them has survived.
The sultan had a crest carved with the footprint of Muhammad that he would wear on Fridays and festive days and illustrated one of the most significant examples of affection to Muhammad in Ottoman history. Engraved inside the crest was a poem he composed:
Relations with Morocco.
During his reign the ruler of Morocco was Mulay Zidan whose father and predecessor Ahmad al-Mansur had paid a tribute of vassalage as a vassal of the Ottomans until his death. The Saadi civil wars had interrupted this tribute of vassalage, but Mulay Zidan proposed to submit to it in order to protect himself from Algiers, and so he resumed paying the tribute to the Ottomans.
Ottoman-Safavid War: 1604–06.
The Ottoman–Safavid War had begun shortly before the death of Ahmed's father Mehmed III. Upon ascending the throne, Ahmed I appointed Cigalazade Yusuf Sinan Pasha as the commander of the eastern army. The army marched from Constantinople on 15 June 1604, which was too late, and by the time it had arrived on the eastern front on 8 November 1604, the Safavid army had captured Yerevan and entered the Kars Eyalet, and could only be stopped in Akhaltsikhe. Despite the conditions being favourable, Sinan Pasha decided to stay for the winter in Van, but then marched to Erzurum to stop an incoming Safavid attack. This caused unrest within the army and the year was practically wasted for the Ottomans.
In 1605, Sinan Pasha marched to take Tabriz, but the army was undermined by Köse Sefer Pasha, the Beylerbey of Erzurum, marching independently from Sinan Pasha and consequently being taken prisoner by the Safavids. The Ottoman army was routed at Urmia and had to flee firstly to Van and then to Diyarbekir. Here, Sinan Pasha sparked a rebellion by executing the Beylerbey of Aleppo, Canbulatoğlu Hüseyin Pasha, who had come to provide help, upon the pretext that he had arrived too late. He soon died himself and the Safavid army was able to capture Ganja, Shirvan and Shamakhi in Azerbaijan.
War with the Habsburgs: 1604–06.
The Long Turkish War between the Ottomans and the Habsburg monarchy had been going on for over a decade by the time Ahmed ascended the throne. Grand Vizier Malkoç Ali Pasha marched to the western front from Constantinople on 3 June 1604 and arrived in Belgrade, but died there, so Sokolluzade Lala Mehmed Pasha was appointed as the Grand Vizier and the commander of the western army. Under Mehmed Pasha, the western army recaptured Pest and Vác, but failed to capture Esztergom as the siege was lifted due to unfavourable weather and the objections of the soldiers. Meanwhile, the Prince of Transylvania, Stephen Bocskay, who struggled for the region's independence and had formerly supported the Habsburgs, sent a messenger to the Porte asking for help. Upon the promise of help, his forces also joined the Ottoman forces in Belgrade. With this help, the Ottoman army besieged Esztergom and captured it on 4 November 1605. Bocskai, with Ottoman help, captured Nové Zámky (Uyvar) and forces under Tiryaki Hasan Pasha took Veszprém and Palota. Sarhoş İbrahim Pasha, the Beylerbey of Nagykanizsa (Kanije), attacked the Austrian region of Istria.
However, with Jelali revolts in Anatolia more dangerous than ever and a defeat in the eastern front, Mehmed Pasha was called to Constantinople. Mehmed Pasha suddenly died there, whilst preparing to leave for the east. Kuyucu Murad Pasha then negotiated the Peace of Zsitvatorok, which abolished the tribute of 30,000 ducats paid by Austria and addressed the Habsburg emperor as the equal of the Ottoman sultan. The Jelali revolts were a strong factor in the Ottomans' acceptance of the terms. This signaled the end of Ottoman growth in Europe.
Jelali revolts.
Resentment over the war with the Habsburgs and heavy taxation, along with the weakness of the Ottoman military response, combined to make the reign of Ahmed I the zenith of the Jelali revolts. Tavil Ahmed launched a revolt soon after the coronation of Ahmed I and defeated Nasuh Pasha and the Beylerbey of Anatolia, Kecdehan Ali Pasha. In 1605, Tavil Ahmed was offered the position of the Beylerbey of Shahrizor to stop his rebellion, but soon afterwards he went on to capture Harput. His son, Mehmed, obtained the governorship of Baghdad with a fake firman and defeated the forces of Nasuh Pasha sent to defeat him.
Meanwhile, Canbulatoğlu Ali Pasha united his forces with the Druze Sheikh Ma'noğlu Fahreddin to defeat the Amir of Tripoli Seyfoğlu Yusuf. He went on to take control of the Adana area, forming an army and issuing coins. His forces routed the army of the newly appointed Beylerbey of Aleppo, Hüseyin Pasha. Grand Vizier Boşnak Dervish Mehmed Pasha was executed for the weakness he showed against the Jelalis. He was replaced by Kuyucu Murad Pasha, who marched to Syria with his forces to defeat the 30,000-strong rebel army with great difficulty, albeit with a decisive result, on 24 October 1607. Meanwhile, he pretended to forgive the rebels in Anatolia and appointed the rebel Kalenderoğlu, who was active in Manisa and Bursa, as the sanjakbey of Ankara. Baghdad was recaptured in 1607 as well. Canbulatoğlu Ali Pasha fled to Constantinople and asked for forgiveness from Ahmed I, who appointed him to Timișoara and later Belgrade, but then executed him due to his misrule there. Meanwhile, Kalenderoğlu was not allowed in the city by the people of Ankara and rebelled again, only to be crushed by Murad Pasha's forces. Kalenderoğlu ended up fleeing to Persia. Murad Pasha then suppressed some smaller revolts in Central Anatolia and suppressed other Jelali chiefs by inviting them to join the army.
Due to the widespread violence of the Jelali revolts, a great number of people had fled their villages and a lot of villages were destroyed. Some military chiefs had claimed these abandoned villages as their property. This deprived the Porte of tax income and on 30 September 1609, Ahmed I issued a letter guaranteeing the rights of the villagers. He then worked on the resettlement of abandoned villages.
Ottoman-Safavid War: Peace and continuation.
The new Grand Vizier, Nasuh Pasha, did not want to fight with the Safavids. The Safavid Shah also sent a letter saying that he was willing to sign a peace treaty, with which he would have to send 200 loads of silk every year to Constantinople. On 20 November 1612, the Treaty of Nasuh Pasha was signed, which ceded all the lands the Ottoman Empire had gained in the war of 1578–90 back to Persia and reinstated the 1555 boundaries.
However, the peace ended in 1615 when the Shah did not send the 200 loads of silk. On 22 May 1615, Grand Vizier Öküz Mehmed Pasha was assigned to organize an attack on Persia. Mehmed Pasha delayed the attack till the next year, until when the Safavids made their preparations and attacked Ganja. In April 1616, Mehmed Pasha left Aleppo with a large army and marched to Yerevan, where he failed to take the city and withdrew to Erzurum. He was removed from his post and replaced by Damat Halil Pasha. Halil Pasha went for the winter to Diyarbekir, while the Khan of Crimea, Canibek Giray, attacked the areas of Ganja, Nakhichevan and Julfa.
Capitulations and trade treaties.
Ahmed I renewed trade treaties with England, France and Venice. In July 1612, the first ever trade treaty with the Dutch Republic was signed. He expanded the capitulations given to France, specifying that merchants from Spain, Ragusa, Genoa, Ancona and Florence could trade under the French flag.
Architect and service to Islam.
Sultan Ahmed constructed the Sultan Ahmed Mosque, the magnum opus of the Ottoman architecture, across from the Hagia Sophia. The sultan attended the breaking of the ground with a golden pickaxe to begin the construction of the mosque complex. An incident nearly broke out after the sultan discovered that the Blue Mosque contained the same number of minarets as the grand mosque of Mecca. Ahmed became furious at this fault and became remorseful until the Shaykh-ul-Islam recommended that he should erect another minaret at the grand mosque of Mecca and the matter was solved.
Ahmed became delightedly involved in the eleventh comprehensive renovations of the Kaaba, which had just been damaged by flooding. He sent craftsmen from Constantinople, and the golden rain gutter that kept rain from collecting on the roof of the Ka’ba was successfully renewed. It was again during the era of Sultan Ahmed that an iron web was placed inside the Zamzam Well in Mecca. The placement of this web about three feet below the water level was a response to lunatics who jumped into the well, imagining a promise of a heroic death.
In Medina, the city of the Islamic prophet Muhammad, a new pulpit made of white marble and shipped from Istanbul arrived in the mosque of Muhammad and substituted the old, worn-out pulpit. It is also known that Sultan Ahmed erected two more mosques in Uskudar on the Asian side of Istanbul; however, neither of them has survived.
The sultan had a crest carved with the footprint of Muhammad that he would wear on Fridays and festive days and illustrated one of the most significant examples of affection to Muhammad in Ottoman history. Engraved inside the crest was a poem he composed:
Character.
Sultan Ahmed was known for his skills in fencing, poetry, horseback riding, and fluency in several languages.
Ahmed was a poet who wrote a number of political and lyrical works under the name Bahti. Ahmed patronized scholars, calligraphers, and pious men. Hence, he commissioned a book entitled "The Quintessence of Histories" to be worked upon by calligraphers. He also attempted to enforce conformance to Islamic laws and traditions, restoring the old regulations that prohibited alcohol, and he attempted to enforce attendance at Friday prayers and paying alms to the poor in the proper way.
Death.
Ahmed I died of typhus and gastric bleeding on 22 November 1617 at the Topkapı Palace, Istanbul. He was buried in Ahmed I Mausoleum, Sultan Ahmed Mosque. He was succeeded by his younger half-brother Şehzade Mustafa as Sultan Mustafa I. Later three of Ahmed's sons ascended to the throne: Osman II (r. 1618–22), Murad IV (r. 1623–40) and Ibrahim (r. 1640–48).
Family.
Consorts.
Ahmed had two known consorts, plus several unknown concubines, mothers of the other princes and princesses.
The known consort are:
Sons.
Ahmed I had at least thirteen sons:
Daughters.
Ahmed I had at least ten daughters:
Consorts.
Ahmed had two known consorts, plus several unknown concubines, mothers of the other princes and princesses.
The known consort are:
Sons.
Ahmed I had at least thirteen sons:
Daughters.
Ahmed I had at least ten daughters:
Legacy.
Today, Ahmed I is remembered mainly for the construction of the Sultan Ahmed Mosque (also known as the Blue Mosque), one of the masterpieces of Islamic architecture. The area in Fatih around the Mosque is today called Sultanahmet. He died at Topkapı Palace in Constantinople and is buried in a mausoleum right outside the walls of the famous mosque.
In popular culture.
In the 2015 TV series "", Ahmed I is portrayed by Turkish actor Ekin Koç.
External links.
[aged 27]
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1528
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Ahmed II
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Ahmed II ( "Aḥmed-i sānī") (25 February 1643 or 1 August 1642 – 6 February 1695) was the Sultan of the Ottoman Empire from 1691 to 1695.
Early life.
Ahmed II was born on 25 February 1643 or 1 August 1642, the son of Sultan Ibrahim and Muazzez Sultan. On 21 October 1649, Ahmed, along with his brothers Mehmed and Suleiman were circumcised.
During the reigns of his older brothers, Ahmed was imprisoned in Kafes, and he stayed there almost 43 years.
Reign.
During his reign, Ahmed II devoted most of his attention to the wars against the Habsburgs and related foreign policy, governmental and economic issues. Of these, the most important were the tax reforms and the introduction of the lifelong tax farm system ("malikâne"). Following the recovery of Belgrade under his predecessor, Suleiman II, the military frontier reached a rough stalemate on the Danube, with the Habsburgs no longer able to advance south of it, and the Ottomans attempting, ultimately unsuccessfully, to regain the initiative north of it.
Among the most important features of Ahmed's reign was his reliance on Köprülüzade Fazıl Mustafa Pasha. Following his accession to the throne, Ahmed II confirmed Fazıl Mustafa Pasha in his office as grand vizier. In office from 1689, Fazıl Mustafa Pasha was from the Köprülü family of grand viziers, and like most of his Köprülü predecessors in the same office, was an able administrator and military commander. Like his father Köprülü Mehmed Pasha (grand vizier, 1656–61) before him, Fazıl Mustafa Pasha ordered the removal and execution of dozens of corrupt state officials of the previous regime and replaced them with men loyal to himself. He overhauled the tax system by adjusting it to the capabilities of the taxpayers affected by the latest wars. He also reformed troop mobilization and increased the pool of conscripts available for the army by drafting tribesmen in the Balkans and Anatolia. In October 1690, Fazıl Mustafa Pasha recaptured Belgrade, a key fortress that commanded the confluence of the rivers Danube and Sava; in Ottoman hands since 1521, the fortress had been conquered by the Habsburgs in 1688.
Fazıl Mustafa Pasha's victory at Belgrade was a major military achievement that gave the Ottomans hope that the military debacles of the 1680s—which had led to the loss of Hungary and Transylvania, an Ottoman vassal principality ruled by pro-Istanbul Hungarian princes—could be reversed. However, the Ottoman success proved ephemeral. On 19 August 1691, Fazıl Mustafa Pasha suffered a devastating defeat at the Battle of Slankamen at the hands of Louis William, the Habsburg commander in chief in Hungary, nicknamed “Türkenlouis” (Louis the Turk) for his victories against the Ottomans. In the confrontation, recognized by contemporaries as “the bloodiest battle of the century,” the Ottomans suffered heavy losses: 20,000 men, including the grand vizier. With him, the sultan lost his most capable military commander and the last member of the Köprülü family, who for the previous half century had been instrumental in strengthening the Ottoman military.
Under Fazıl Mustafa Pasha's successors, the Ottomans suffered further defeats. In June 1692 the Habsburgs conquered Oradea, the seat of an Ottoman governor () since 1660. In 1694, they attempted to recapture Oradea, but to no avail. On 12 January 1695, they surrendered the fortress of Gyula, the center of an Ottoman sanjak (subprovince) since 1566. With the fall of Gyula, the only territory still in Ottoman hands in Hungary was to the east of the River Tisza and to the south of the river Maros, with its center at Timișoara. Three weeks later, on 6 February 1695, Ahmed II died in Edirne Palace.
Family.
Consorts.
Ahmed II had two known consorts:
Sons.
Ahmed II had two sons:
Daughters.
Ahmed II had, most probably, three daughters:
In addition to his daughters, Ahmed II was deeply attached to his niece Ümmügülsüm Sultan, daughter of his half-brother Mehmed IV, so much so that he treated her as if she were his own daughter.
Consorts.
Ahmed II had two known consorts:
Sons.
Ahmed II had two sons:
Daughters.
Ahmed II had, most probably, three daughters:
In addition to his daughters, Ahmed II was deeply attached to his niece Ümmügülsüm Sultan, daughter of his half-brother Mehmed IV, so much so that he treated her as if she were his own daughter.
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1529
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Ahmed III
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Ahmed III (, "Aḥmed-i sālis") (30 December 16731 July 1736) was Sultan of the Ottoman Empire and a son of Sultan Mehmed IV (r. 1648–1687). His mother was Gülnuş Sultan, originally named Evmania Voria, who was an ethnic Greek. He was born at Hacıoğlu Pazarcık, in Dobruja. He succeeded to the throne in 1703 on the abdication of his brother Mustafa II (1695–1703). Nevşehirli Damat İbrahim Pasha and the Sultan's daughter, Fatma Sultan (wife of the former) directed the government from 1718 to 1730, a period referred to as the "Tulip Era".
The first days of Ahmed III's reign passed with efforts to appease the janissaries who were completely disciplined. However, he was not effective against the janissaries who made him sultan. Çorlulu Ali Pasha, who Ahmed brought to the Grand Vizier, tried to help him in administrative matters, made new arrangements for the treasury and Sultan. He supported Ahmed in his fight with his rivals.
Early life and education.
Sultan Ahmed was born on 30 December 1673. His father was Sultan Mehmed IV, and his mother was Gülnuş Sultan, originally named Evmenia. His birth occurred in Hacıoğlupazarı, where Mehmed stayed to hunt on his return from Poland in 1673, while Gülnuş was pregnant at that time. In 1675, He and his brother, Prince Mustafa (future Mustafa II) were circumcised. During the same ceremony their sisters Hatice Sultan and Fatma Sultan were married to Musahip Mustafa Pasha and Kara Mustafa Pasha respectively. The celebrations lasted 20 days.
He grew up in the Edirne Palace. His schooling began during one of the sporadic visits of the court to Istanbul, following a courtly ceremony called "bad-i basmala", which took place on 9 August 1679 in the Istavroz Palace. He was brought up in the imperial harem in Edirne with a traditional princely education, studying the Qur’an, the hadiths (traditions of Prophet Muhammad), and the fundamentals of Islamic sciences, history, poetry and music under the supervision of private tutors. One of his tutors was chief mufti Feyzullah Efendi.
Ahmed was apparently curious and intellectual in nature, spending most of his time reading and practising calligraphy. The poems that he wrote manifest his profound knowledge of poetry, history, Islamic theology and philosophy. He was also interested in calligraphy, which he had studied with the leading court calligraphers, primarily with Hafız
Osman Efendi (died 1698), who influenced his art immensely, and, therefore, practiced it because of the influence of his elder brother, the future Sultan Mustafa II, who also became a notable calligrapher.
During his princehood in Edirne, Ahmed made friends
with a bright officer-scribe, Ibrahim, from the city of Nevşehir, who was to become one of the outstanding Grand Viziers of his future reign. From 1687, following the deposition of his father, he lived in isolation for sixteen years in the palaces of Edirne and Istanbul. During this period he dedicated
himself to calligraphy and intellectual activities.
Reign.
Accession.
The Edirne succession occurred between 19 August to 23 August. Under Mustafa, Istanbul had been out of control for a long time. As arrests and executions mounted, theft and robbery incidents became common. The people were dissatisfied with the poor governing of the Empire. Mustafa was deposed by the Janissaries and Ahmed, who succeeded him to the throne on 22 August 1703. The first Friday salute was held in Bayezid Mosque.
Fındıklılı Mehmed Ağa welcomed the new sultan at the Harem gate on the Hasoda side, entered the arm, brought him to the Cardigan-i Saadet Department and placed them on the throne, and were among the first to pay tribute to him.
As part of the fief system, Ahmed reorganized the land law in 1705. Bringing order to land ownership reduced the crime wave and brought peace to the troubled Empire. Due to his ardent support of the new laws, Ahmed was given the title 'law-giver', a title given to only three sultans earlier, Bayezid II (r.1481-1512), Selim I (r.1512-1520) and Suleyman the Magnificent (r.1520-1566). In the first three years of his reign, Ahmed appointed four separate Grand Viziers. However, the government only gained stability after the appointment of Çorlulu Ali Pasha in May 1706.
Russo-Turkish War of 1710–11.
Ahmed III cultivated good relations with France, doubtless in view of Russia's menacing attitude. He afforded refuge in Ottoman territory to Charles XII of Sweden (1682–1718) after the Swedish defeat at the hands of Peter I of Russia (1672–1725) in the Battle of Poltava of 1709. In 1710 Charles XII convinced Sultan Ahmed III to declare war against Russia, and the Ottoman forces under Baltacı Mehmet Pasha won a major victory at the Battle of Prut. In the aftermath, Russia returned Azov back to the Ottomans, agreed to demolish the fortress of Taganrog and others in the area, and to stop interfering in the affairs of the Polish–Lithuanian Commonwealth.
Forced against his will into war with Russia, Ahmed III came nearer than any Ottoman sovereign before or since to breaking the power of his northern rival, whose armies his grand vizier Nevşehirli Damat İbrahim Pasha succeeded in completely surrounding at the Pruth River Campaign in 1711. The subsequent Ottoman victories against Russia enabled the Ottoman Empire to advance to Moscow, had the Sultan wished. However, this was halted as a report reached Istanbul that the Safavids were invading the Ottoman Empire, causing a period of panic, turning the Sultan's attention away from Russia.
Wars with Venice and Austria.
On 9 December 1714, war was declared on Venice, and an army under Silahdar Damat Ali Pasha's command, the Ottomans managed to recover the whole Morea (Peloponnese) from Venice through coordinated operations of the army and navy.
This success alarmed Austria and in April 1716, Emperor Charles VI provoked the Porte into a declaration of war. The unsuccessful battle, also
commanded by Silahdar Ali Pasha, ended with the treaty of Passarovitz, signed on 21 July 1718, according to which Belgrade, Banat, and little Wallachia were ceded to Austria. This failure was a real disappointment for Ahmed and after the bad conditions imposed by this treaty, Istanbul's economy suffered from increased inflation and all of its attendant evils.
Ibrahim Pasha who was the second leading figure of the empire after Ahmed had joined the Morea campaign in 1715, and was appointed as the city of Nish's minister of finance the following year. This post helped him realize the downturn of the state's finances and, due to his insight of this sensitive financial situation he avoided war as much as possible during his vizierate. Ibrahim Pasha's policy of peace suited Ahmed as well since he had no wish to lead any military campaigns, in addition to the fact that his interest in art and culture made him reluctant to leave his Istanbul.
Character of Ahmed's rule.
While shooting competitions were held in Okmeydanı with the idea of increasing the morale of the soldiers and the people, a new warship was launched in Tersane-i Amir. He tried three grand viziers at short intervals. Instead of Hasan Pasha, he appointed Kalaylikoz Ahmed Pasha on 24 September 1704, and Baltacı Mehmed Pasha on 25 December 1704. It was a great pleasure that the ambassadors of Iran and Austria, who came from 1706 to 1707. In 1707, the conspiracy led by Eyüplü Ali Ağa was unearthed to bring the sultan off the throne. Necks were cut in front of the Bab-I-Hümayun. Ahmed III left the finances of the Ottoman Empire in a flourishing condition, which had remarkably been obtained without excessive taxation or extortion procedures. He was a cultivated patron of literature and art, and it was in his time that the first printing press authorized to use the Arabic or Turkish languages was set up in Istanbul, operated by Ibrahim Muteferrika (while the printing press had been introduced to Constantinople in 1480, all works published before 1729 were in Greek, Armenian, or Hebrew).
It was in this reign that an important change in the government of the Danubian Principalities was introduced: previously, the Porte had appointed Hospodars, usually native Moldavian and Wallachian boyars, to administer those provinces; after the Russian campaign of 1711, during which Peter the Great found an ally in Moldavia Prince Dimitrie Cantemir, the Porte began overtly deputizing Phanariote Greeks in that region, and extended the system to Wallachia after Prince Stefan Cantacuzino established links with Eugene of Savoy. The Phanariotes constituted a kind of "Dhimmi" nobility, which supplied the Porte with functionaries in many important departments of the state.
Relations with the Mughal Empire.
Jahandar Shah.
In the year 1712, the Mughal Emperor Jahandar Shah, the grandson of Aurangzeb sent gifts to the Ottoman Sultan Ahmed III and referred to himself as the Ottoman Sultan's devoted admirer.
Farrukhsiyar.
The Mughal Emperor Farrukhsiyar a grandson of Aurangzeb, is also known to have sent a letter to the Ottomans but this time it was received by the Grand Vizier Nevşehirli Damad Ibrahim Pasha providing a graphic description of the efforts of the Mughal commander Syed Hassan Ali Khan Barha against the Rajput and Maratha rebellion.
Deposition.
Sultan Ahmed III had become unpopular by reason of the excessive pomp and costly luxury in which he and his principal officers indulged; on 20 September 1730, a mutinous riot of seventeen Janissaries, led by the Albanian Patrona Halil, was aided by the citizens as well as the military until it swelled into an insurrection in front of which the Sultan was forced to give up the throne.
Ahmed voluntarily led his nephew Mahmud I (1730–54) to the seat of sovereignty and paid allegiance to him as Sultan of the Empire. He then retired to the Kafes previously occupied by Mahmud and died at Topkapı Palace after six years of confinement.
Accession.
The Edirne succession occurred between 19 August to 23 August. Under Mustafa, Istanbul had been out of control for a long time. As arrests and executions mounted, theft and robbery incidents became common. The people were dissatisfied with the poor governing of the Empire. Mustafa was deposed by the Janissaries and Ahmed, who succeeded him to the throne on 22 August 1703. The first Friday salute was held in Bayezid Mosque.
Fındıklılı Mehmed Ağa welcomed the new sultan at the Harem gate on the Hasoda side, entered the arm, brought him to the Cardigan-i Saadet Department and placed them on the throne, and were among the first to pay tribute to him.
As part of the fief system, Ahmed reorganized the land law in 1705. Bringing order to land ownership reduced the crime wave and brought peace to the troubled Empire. Due to his ardent support of the new laws, Ahmed was given the title 'law-giver', a title given to only three sultans earlier, Bayezid II (r.1481-1512), Selim I (r.1512-1520) and Suleyman the Magnificent (r.1520-1566). In the first three years of his reign, Ahmed appointed four separate Grand Viziers. However, the government only gained stability after the appointment of Çorlulu Ali Pasha in May 1706.
Russo-Turkish War of 1710–11.
Ahmed III cultivated good relations with France, doubtless in view of Russia's menacing attitude. He afforded refuge in Ottoman territory to Charles XII of Sweden (1682–1718) after the Swedish defeat at the hands of Peter I of Russia (1672–1725) in the Battle of Poltava of 1709. In 1710 Charles XII convinced Sultan Ahmed III to declare war against Russia, and the Ottoman forces under Baltacı Mehmet Pasha won a major victory at the Battle of Prut. In the aftermath, Russia returned Azov back to the Ottomans, agreed to demolish the fortress of Taganrog and others in the area, and to stop interfering in the affairs of the Polish–Lithuanian Commonwealth.
Forced against his will into war with Russia, Ahmed III came nearer than any Ottoman sovereign before or since to breaking the power of his northern rival, whose armies his grand vizier Nevşehirli Damat İbrahim Pasha succeeded in completely surrounding at the Pruth River Campaign in 1711. The subsequent Ottoman victories against Russia enabled the Ottoman Empire to advance to Moscow, had the Sultan wished. However, this was halted as a report reached Istanbul that the Safavids were invading the Ottoman Empire, causing a period of panic, turning the Sultan's attention away from Russia.
Wars with Venice and Austria.
On 9 December 1714, war was declared on Venice, and an army under Silahdar Damat Ali Pasha's command, the Ottomans managed to recover the whole Morea (Peloponnese) from Venice through coordinated operations of the army and navy.
This success alarmed Austria and in April 1716, Emperor Charles VI provoked the Porte into a declaration of war. The unsuccessful battle, also
commanded by Silahdar Ali Pasha, ended with the treaty of Passarovitz, signed on 21 July 1718, according to which Belgrade, Banat, and little Wallachia were ceded to Austria. This failure was a real disappointment for Ahmed and after the bad conditions imposed by this treaty, Istanbul's economy suffered from increased inflation and all of its attendant evils.
Ibrahim Pasha who was the second leading figure of the empire after Ahmed had joined the Morea campaign in 1715, and was appointed as the city of Nish's minister of finance the following year. This post helped him realize the downturn of the state's finances and, due to his insight of this sensitive financial situation he avoided war as much as possible during his vizierate. Ibrahim Pasha's policy of peace suited Ahmed as well since he had no wish to lead any military campaigns, in addition to the fact that his interest in art and culture made him reluctant to leave his Istanbul.
Character of Ahmed's rule.
While shooting competitions were held in Okmeydanı with the idea of increasing the morale of the soldiers and the people, a new warship was launched in Tersane-i Amir. He tried three grand viziers at short intervals. Instead of Hasan Pasha, he appointed Kalaylikoz Ahmed Pasha on 24 September 1704, and Baltacı Mehmed Pasha on 25 December 1704. It was a great pleasure that the ambassadors of Iran and Austria, who came from 1706 to 1707. In 1707, the conspiracy led by Eyüplü Ali Ağa was unearthed to bring the sultan off the throne. Necks were cut in front of the Bab-I-Hümayun. Ahmed III left the finances of the Ottoman Empire in a flourishing condition, which had remarkably been obtained without excessive taxation or extortion procedures. He was a cultivated patron of literature and art, and it was in his time that the first printing press authorized to use the Arabic or Turkish languages was set up in Istanbul, operated by Ibrahim Muteferrika (while the printing press had been introduced to Constantinople in 1480, all works published before 1729 were in Greek, Armenian, or Hebrew).
It was in this reign that an important change in the government of the Danubian Principalities was introduced: previously, the Porte had appointed Hospodars, usually native Moldavian and Wallachian boyars, to administer those provinces; after the Russian campaign of 1711, during which Peter the Great found an ally in Moldavia Prince Dimitrie Cantemir, the Porte began overtly deputizing Phanariote Greeks in that region, and extended the system to Wallachia after Prince Stefan Cantacuzino established links with Eugene of Savoy. The Phanariotes constituted a kind of "Dhimmi" nobility, which supplied the Porte with functionaries in many important departments of the state.
Relations with the Mughal Empire.
Jahandar Shah.
In the year 1712, the Mughal Emperor Jahandar Shah, the grandson of Aurangzeb sent gifts to the Ottoman Sultan Ahmed III and referred to himself as the Ottoman Sultan's devoted admirer.
Farrukhsiyar.
The Mughal Emperor Farrukhsiyar a grandson of Aurangzeb, is also known to have sent a letter to the Ottomans but this time it was received by the Grand Vizier Nevşehirli Damad Ibrahim Pasha providing a graphic description of the efforts of the Mughal commander Syed Hassan Ali Khan Barha against the Rajput and Maratha rebellion.
Jahandar Shah.
In the year 1712, the Mughal Emperor Jahandar Shah, the grandson of Aurangzeb sent gifts to the Ottoman Sultan Ahmed III and referred to himself as the Ottoman Sultan's devoted admirer.
Farrukhsiyar.
The Mughal Emperor Farrukhsiyar a grandson of Aurangzeb, is also known to have sent a letter to the Ottomans but this time it was received by the Grand Vizier Nevşehirli Damad Ibrahim Pasha providing a graphic description of the efforts of the Mughal commander Syed Hassan Ali Khan Barha against the Rajput and Maratha rebellion.
Deposition.
Sultan Ahmed III had become unpopular by reason of the excessive pomp and costly luxury in which he and his principal officers indulged; on 20 September 1730, a mutinous riot of seventeen Janissaries, led by the Albanian Patrona Halil, was aided by the citizens as well as the military until it swelled into an insurrection in front of which the Sultan was forced to give up the throne.
Ahmed voluntarily led his nephew Mahmud I (1730–54) to the seat of sovereignty and paid allegiance to him as Sultan of the Empire. He then retired to the Kafes previously occupied by Mahmud and died at Topkapı Palace after six years of confinement.
Architecture.
Ahmed III built water claps, fountain and park waterfalls. Ahmed, who built three libraries, one inside the Topkapı Palace, and one of the famous lines of his period. Ahmed was a master in the writings on plates. Some plates and inscriptions have survived. The “Basmala” at the Topkapi Palace apartment door with its plates in the
Üsküdar Yeni Mosque are among them.
Topkapı Palace and its buildings have been the subject of many researches and publications. Among these researches, many different scope studies are also noticed together with postgraduate theses. Consequently, they provide rich information about the palace, which provides a long list of highly qualified scientific articles and books, guides and brochures promoting the palace and museum. However, Topkapi Palace and its units still have aspects to be explored and details to be discussed. Among them Ahmed III library can also be counted.
A library was built by Ahmed in 1724–25 to the right of the porch in front of the tomb. The structure, which has stone-brick alternate meshed walls, is square-shaped and covered with a flattened dome with an octagonal rim, which is provided with pendants. There are original pen works left in the pendants and dome of the library.
Disasters.
In 1714, an Egyptian galleon standing near the Gümrük (Eminönü) Pier caught fire and burned, and two hundred people died.
Fire of 1718.
While Nevşehirli Damat Ibrahim Pasha continued his preparations for return to Istanbul, a fire broke out in Istanbul. Unkapanı, Azapkapı, Zeyrek, Fatih, Saraçhane, Horhor, Etmeydanı, Molla Gürani, Altımermer, Ayazma Gate, Kantarcılar, Vefa, Vez Neciler, Old Rooms, Acemioğlanlar Barracks, Çukur Çeşme, Langa, Davudpaşa districts were burned from the fire.
Earthquake of 1719.
However, this festivity went astringent as it came just after the three-minute big earthquake on 14 May 1719. While the city walls of Istanbul were destroyed in the earthquake, 4000 people died in Izmit and Yalova was destroyed. After the earthquake, reconstruction work started in Istanbul. The most meaningful element that reflects the cultural aspect or weight of these works until today is the Topkapı Palace Enderun Library, which was built that year. A rich foundation was established for this institution, which is also known as Sultan Ahmed-i Salis Library, which has a face-to-face with its architectural and valuable manuscripts.
Disasters.
In 1714, an Egyptian galleon standing near the Gümrük (Eminönü) Pier caught fire and burned, and two hundred people died.
Fire of 1718.
While Nevşehirli Damat Ibrahim Pasha continued his preparations for return to Istanbul, a fire broke out in Istanbul. Unkapanı, Azapkapı, Zeyrek, Fatih, Saraçhane, Horhor, Etmeydanı, Molla Gürani, Altımermer, Ayazma Gate, Kantarcılar, Vefa, Vez Neciler, Old Rooms, Acemioğlanlar Barracks, Çukur Çeşme, Langa, Davudpaşa districts were burned from the fire.
Earthquake of 1719.
However, this festivity went astringent as it came just after the three-minute big earthquake on 14 May 1719. While the city walls of Istanbul were destroyed in the earthquake, 4000 people died in Izmit and Yalova was destroyed. After the earthquake, reconstruction work started in Istanbul. The most meaningful element that reflects the cultural aspect or weight of these works until today is the Topkapı Palace Enderun Library, which was built that year. A rich foundation was established for this institution, which is also known as Sultan Ahmed-i Salis Library, which has a face-to-face with its architectural and valuable manuscripts.
Fire of 1718.
While Nevşehirli Damat Ibrahim Pasha continued his preparations for return to Istanbul, a fire broke out in Istanbul. Unkapanı, Azapkapı, Zeyrek, Fatih, Saraçhane, Horhor, Etmeydanı, Molla Gürani, Altımermer, Ayazma Gate, Kantarcılar, Vefa, Vez Neciler, Old Rooms, Acemioğlanlar Barracks, Çukur Çeşme, Langa, Davudpaşa districts were burned from the fire.
Earthquake of 1719.
However, this festivity went astringent as it came just after the three-minute big earthquake on 14 May 1719. While the city walls of Istanbul were destroyed in the earthquake, 4000 people died in Izmit and Yalova was destroyed. After the earthquake, reconstruction work started in Istanbul. The most meaningful element that reflects the cultural aspect or weight of these works until today is the Topkapı Palace Enderun Library, which was built that year. A rich foundation was established for this institution, which is also known as Sultan Ahmed-i Salis Library, which has a face-to-face with its architectural and valuable manuscripts.
Family.
Ahmed III is known to be the Sultan with the largest family of the Ottoman dynasty. The hostess of his harem was Dilhayat Kalfa, known to be one of the greatest Turkish composeress of the early modern period.
Consorts.
Ahmed III had at least twenty-one consorts:
Sons.
Ahmed III had at least twenty-one sons, all buried, apart from the two who became Sultan, in the Yeni Cami:
Daughters.
Ahmed III had at least thirty-six daughters:
Consorts.
Ahmed III had at least twenty-one consorts:
Sons.
Ahmed III had at least twenty-one sons, all buried, apart from the two who became Sultan, in the Yeni Cami:
Daughters.
Ahmed III had at least thirty-six daughters:
Death.
Ahmed lived in Kafes of the Topkapi Palace for six years following his deposition, where he fell ill and died on 1 July 1736. He was buried in his grandmother's tomb in Turhan Sultan Mausoleum in New Mosque, at Eminönü in Istanbul.
In fiction.
In Voltaire's "Candide", the eponymous main character meets the deposed Ahmed III on a ship from Venice to Constantinople. The Sultan is in the company of five other deposed European monarchs, and he tells Candide, who initially doubts his credentials:
I am not jesting, my name is Achmet III. For several years I was Sultan; I dethroned my brother; my nephew dethroned me; they cut off the heads of my viziers; I am ending my days in the old seraglio; my nephew, Sultan Mahmoud, sometimes allows me to travel for my health, and I have come to spend the Carnival at Venice."
This episode was taken up by the modern Turkish writer Nedim Gürsel as the setting of his 2001 novel "Le voyage de Candide à Istanbul".
In fact, there is no evidence of the deposed Sultan being allowed to make such foreign travels, nor did Voltaire (or Gürsel) assert that it had any actual historical foundation.
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Alfred Hitchcock
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Sir Alfred Joseph Hitchcock (13 August 1899 – 29 April 1980) was an English filmmaker. He is widely regarded as one of the most influential figures in the history of cinema. In a career spanning six decades, he directed over 50 feature films, many of which are still widely watched and studied today. Known as the "Master of Suspense", he became as well known as any of his actors thanks to his many interviews, his cameo roles in most of his films, and his hosting and producing the television anthology "Alfred Hitchcock Presents" (1955–65). His films garnered 46 Academy Award nominations, including six wins, although he never won the award for Best Director despite five nominations.
Hitchcock initially trained as a technical clerk and copy writer before entering the film industry in 1919 as a title card designer. His directorial debut was the British-German silent film "The Pleasure Garden" (1925). His first successful film, "" (1927), helped to shape the thriller genre, and "Blackmail" (1929) was the first British "". His thrillers "The 39 Steps" (1935) and "The Lady Vanishes" (1938) are ranked among the greatest British films of the 20th century. By 1939, he had international recognition and producer David O. Selznick persuaded him to move to Hollywood. A string of successful films followed, including "Rebecca" (1940), "Foreign Correspondent" (1940), "Suspicion" (1941), "Shadow of a Doubt" (1943), and "Notorious" (1946). "Rebecca" won the Academy Award for Best Picture, with Hitchcock nominated as Best Director; he was also nominated for "Lifeboat" (1944) and "Spellbound" (1945). After a brief commercial lull, he returned to form with "Strangers on a Train" (1951) and "Dial M for Murder" (1954); he then went on to direct four films often ranked among the greatest of all time: "Rear Window" (1954), "Vertigo" (1958), "North by Northwest" (1959) and "Psycho" (1960), the first and last of these garnering him Best Director nominations. "The Birds" (1963) and "Marnie" (1964) were also financially successful and are highly regarded by film historians.
The "Hitchcockian" style includes the use of editing and camera movement to mimic a person's gaze, thereby turning viewers into voyeurs, and framing shots to maximise anxiety and fear. The film critic Robin Wood wrote that the meaning of a Hitchcock film "is there in the method, in the progression from shot to shot. A Hitchcock film is an organism, with the whole implied in every detail and every detail related to the whole." Hitchcock made multiple films with some of the biggest stars in Hollywood, including four with Cary Grant in the 1940s and 1950s, three with Ingrid Bergman in the second half of the 1940s, four with James Stewart over a decade commencing in 1948, and three consecutive with Grace Kelly in the mid-1950s. Hitchcock became an American citizen in 1955.
In 2012, Hitchcock's psychological thriller "Vertigo", starring Stewart, displaced Orson Welles' "Citizen Kane" (1941) as the British Film Institute's greatest film ever made based on its world-wide poll of hundreds of film critics. , nine of his films had been selected for preservation in the United States National Film Registry, including his personal favourite, "Shadow of a Doubt" (1943). He received the BAFTA Fellowship in 1971, the AFI Life Achievement Award in 1979, and was knighted in December that year, four months before his death on 29 April 1980.
Biography.
Early life: 1899–1919.
Early childhood and education.
Alfred Joseph Hitchcock was born on 13 August 1899 in the flat above his parents' leased greengrocer's shop at 517 High Road, Leytonstone, on the outskirts of East London (then part of Essex), the youngest of three children of Emma Jane (; 1863–1942) and William Edgar Hitchcock (1862–1914), with a brother, William Daniel (1890–1943), and a sister, Ellen Kathleen ("Nellie") (1892–1979). His parents were both Roman Catholics, with partial roots in Ireland; His father was a greengrocer, as his grandfather had been.
There was a large extended family, including uncle John Hitchcock with his five-bedroom Victorian house on Campion Road, Putney, complete with maid, cook, chauffeur and gardener. Every summer, his uncle rented a seaside house for the family in Cliftonville, Kent. Hitchcock said that he first became class-conscious there, noticing the differences between tourists and locals.
Describing himself as a well-behaved boy—his father called him his "little lamb without a spot"—Hitchcock said he could not remember ever having had a playmate. One of his favourite stories for interviewers was about his father sending him to the local police station with a note when he was five; the policeman looked at the note and locked him in a cell for a few minutes, saying, "This is what we do to naughty boys." The experience left him, he said, with a lifelong fear of policemen; in 1973 he told Tom Snyder that he was "scared stiff of anything ... to do with the law" and wouldn't even drive a car in case he got a parking ticket.
When he was six, the family moved to Limehouse and leased two stores at 130 and 175 Salmon Lane, which they ran as a fish-and-chips shop and fishmongers' respectively; they lived above the former. Hitchcock attended his first school, the Howrah House Convent in Poplar, which he entered in 1907, at age 7. According to biographer Patrick McGilligan, he stayed at Howrah House for at most two years. He also attended a convent school, the Wode Street School "for the daughters of gentlemen and little boys", run by the Faithful Companions of Jesus. He then attended a primary school near his home and was for a short time a boarder at Salesian College in Battersea.
The family moved again when he was 11, this time to Stepney, and on 5 October 1910 Hitchcock was sent to St Ignatius College in Stamford Hill, Tottenham (incorporated into the new London Borough of Haringey), a Jesuit grammar school with a reputation for discipline. As corporal punishment the priests used a flat, hard, springy tool/weapon made of gutta-percha and known as a "ferula", which struck the whole palm; punishment was always at the end of the day, so the boys had to sit through classes anticipating the punishment if they had been written up for it. He later said that this is where he developed his sense of fear. The school register lists his year of birth as 1900 rather than 1899; biographer Donald Spoto says he was deliberately enrolled as a 10-year-old because he was a year behind with his schooling.
While biographer Gene Adair reports that Hitchcock was "an average, or slightly above-average, pupil", Hitchcock said that he was "usually among the four or five at the top of the class"; at the end of his first year, his work in Latin, English, French and religious education was noted. He told Peter Bogdanovich: "The Jesuits taught me organisation, control and, to some degree, analysis."
His favourite subject was geography, and he became interested in maps, and railway, tram and bus timetables; according to John Russell Taylor, he could recite all the stops on the Orient Express. He also had a particular interest in London trams. An overwhelming majority of his films include rail or tram scenes, in particular "The Lady Vanishes", "Strangers on a Train" and "Number Seventeen". A clapperboard shows the number of the scene and the number of takes, and Hitchcock would often take the two numbers on the clapperboard and whisper the London tram route names. For example, if the clapperboard showed Scene 23; Take 3; Hitchcock would whisper "Woodford, Hampstead" – Woodford being the terminus of the route 23 tram, and Hampstead the end of route 3.
Henley's.
Hitchcock told his parents that he wanted to be an engineer, and on 25 July 1913, he left St Ignatius and enrolled in night classes at the London County Council School of Engineering and Navigation in Poplar. In a book-length interview in 1962, he told François Truffaut that he had studied "mechanics, electricity, acoustics, and navigation". Then on 12 December 1914 his father, who had been suffering from emphysema and kidney disease, died at the age of 52. To support himself and his mother—his older siblings had left home by then—Hitchcock took a job, for 15 shillings a week (£ in ), as a technical clerk at the Henley Telegraph and Cable Company in Blomfield Street near London Wall. He continued night classes, this time in art history, painting, economics, and political science. His older brother ran the family shops, while he and his mother continued to live in Salmon Lane.
Hitchcock was too young to enlist when the First World War started in July 1914, and when he reached the required age of 18 in 1917, he received a C3 classification ("free from serious organic disease, able to stand service conditions in garrisons at home ... only suitable for sedentary work"). He joined a cadet regiment of the Royal Engineers and took part in theoretical briefings, weekend drills, and exercises. John Russell Taylor wrote that, in one session of practical exercises in Hyde Park, Hitchcock was required to wear puttees. He could never master wrapping them around his legs, and they repeatedly fell down around his ankles.
After the war, Hitchcock took an interest in creative writing. In June 1919, he became a founding editor and business manager of Henley's in-house publication, "The Henley Telegraph" (sixpence a copy), to which he submitted several short stories. Henley's promoted him to the advertising department, where he wrote copy and drew graphics for electric cable advertisements. He enjoyed the job and would stay late at the office to examine the proofs; he told Truffaut that this was his "first step toward cinema". He enjoyed watching films, especially American cinema, and from the age of 16 read the trade papers; he watched Charlie Chaplin, D. W. Griffith and Buster Keaton, and particularly liked Fritz Lang's "Der müde Tod" (1921).
Inter-war career: 1919–1939.
Famous Players-Lasky.
While still at Henley's, he read in a trade paper that Famous Players-Lasky, the production arm of Paramount Pictures, was opening a studio in London. They were planning to film "The Sorrows of Satan" by Marie Corelli, so he produced some drawings for the title cards and sent his work to the studio. They hired him, and in 1919 he began working for Islington Studios in Poole Street, Hoxton, as a title-card designer.
Donald Spoto wrote that most of the staff were Americans with strict job specifications, but the English workers were encouraged to try their hand at anything, which meant that Hitchcock gained experience as a co-writer, art director and production manager on at least 18 silent films. "The Times" wrote in February 1922 about the studio's "special art title department under the supervision of Mr. A. J. Hitchcock". His work included "Number 13" (1922), also known as "Mrs. Peabody;" it was cancelled because of financial problems—the few finished scenes are lost—and "Always Tell Your Wife" (1923), which he and Seymour Hicks finished together when Hicks was about to give up on it. Hicks wrote later about being helped by "a fat youth who was in charge of the property room ... [n]one other than Alfred Hitchcock".
Gainsborough Pictures and work in Germany.
When Paramount pulled out of London in 1922, Hitchcock was hired as an assistant director by a new firm run in the same location by Michael Balcon, later known as Gainsborough Pictures. Hitchcock worked on "Woman to Woman" (1923) with the director Graham Cutts, designing the set, writing the script and producing. He said: "It was the first film that I had really got my hands onto." The editor and "script girl" on "Woman to Woman" was Alma Reville, his future wife. He also worked as an assistant to Cutts on "The White Shadow" (1924), "The Passionate Adventure" (1924), "The Blackguard" (1925), and "The Prude's Fall" (1925). "The Blackguard" was produced at the Babelsberg Studios in Potsdam, where Hitchcock watched part of the making of F. W. Murnau's "The Last Laugh" (1924). He was impressed with Murnau's work and later used many of his techniques for the set design in his own productions.
In the summer of 1925, Balcon asked Hitchcock to direct "The Pleasure Garden" (1925), starring Virginia Valli, a co-production of Gainsborough and the German firm Emelka at the Geiselgasteig studio near Munich. Reville, by then Hitchcock's fiancée, was assistant director-editor. Although the film was a commercial flop, Balcon liked Hitchcock's work; a "Daily Express" headline called him the "Young man with a master mind". Production of "The Pleasure Garden" encountered obstacles which Hitchcock would later learn from: on arrival to Brenner Pass, he failed to declare his film stock to customs and it was confiscated; one actress could not enter the water for a scene because she was on her period; budget overruns meant that he had to borrow money from the actors. Hitchcock also needed a translator to give instructions to the cast and crew.
In Germany, Hitchcock observed the nuances of German cinema and filmmaking which had a big influence on him. When he was not working, he would visit Berlin's art galleries, concerts and museums. He would also meet with actors, writers, and producers to build connections. Balcon asked him to direct a second film in Munich, "The Mountain Eagle" (1926), based on an original story titled "Fear o' God". The film is lost, and Hitchcock called it "a very bad movie". A year later, Hitchcock wrote and directed "The Ring"; although the screenplay was credited solely to his name, Elliot Stannard assisted him with the writing. "The Ring" garnered positive reviews; the "Bioscope" magazine critic called it "the most magnificent British film ever made".
When he returned to England, Hitchcock was one of the early members of the London Film Society, newly formed in 1925. Through the Society, he became fascinated by the work by Soviet filmmakers: Dziga Vertov, Lev Kuleshov, Sergei Eisenstein, and Vsevolod Pudovkin. He would also socialise with fellow English filmmakers Ivor Montagu and Adrian Brunel, and Walter C. Mycroft.
Hitchcock established himself as a name director with his first thriller, "" (1927). The film concerns the hunt for a Jack the Ripper-style serial killer who, wearing a black cloak and carrying a black bag, is murdering young blonde women in London, and only on Tuesdays. A landlady suspects that her lodger is the killer, but he turns out to be innocent. To convey the impression footsteps were being heard from an upper floor, Hitchcock had a glass floor made so that the viewer could see the lodger pacing up and down in his room above the landlady. Hitchcock had wanted the leading man to be guilty, or for the film at least to end ambiguously, but the star was Ivor Novello, a matinée idol, and the "star system" meant that Novello could not be the villain. Hitchcock told Truffaut: "You have to clearly spell it out in big letters: 'He is innocent.'" (He had the same problem years later with Cary Grant in "Suspicion" (1941).) Released in January 1927, "The Lodger" was a commercial and critical success in the UK. Upon its release the trade journal "Bioscope" wrote: "It is possible that this film is the finest British production ever made". Hitchcock told Truffaut that the film was the first of his to be influenced by German Expressionism: "In truth, you might almost say that "The Lodger" was my first picture." He made his first cameo appearance in the film, sitting in a newsroom.
Marriage.
On 2 December 1926, Hitchcock married the English screenwriter Alma Reville at the Brompton Oratory in South Kensington. The couple honeymooned in Paris, Lake Como and St. Moritz, before returning to London to live in a leased flat on the top two floors of 153 Cromwell Road, Kensington. Reville, who was born just hours after Hitchcock, converted from Protestantism to Catholicism, apparently at the insistence of Hitchcock's mother; she was baptised on 31 May 1927 and confirmed at Westminster Cathedral by Cardinal Francis Bourne on 5 June.
In 1928, when they learned that Reville was pregnant, the Hitchcocks purchased "Winter's Grace", a Tudor farmhouse set in 11 acres on Stroud Lane, Shamley Green, Surrey, for £2,500. Their daughter and only child, Patricia Alma Hitchcock, was born on 7 July that year. Patricia died on 9 August 2021 at 93.
Reville became her husband's closest collaborator; Charles Champlin wrote in 1982: "The Hitchcock touch had four hands, and two were Alma's." When Hitchcock accepted the AFI Life Achievement Award in 1979, he said that he wanted to mention "four people who have given me the most affection, appreciation and encouragement, and constant collaboration. The first of the four is a film editor, the second is a scriptwriter, the third is the mother of my daughter, Pat, and the fourth is as fine a cook as ever performed miracles in a domestic kitchen. And their names are Alma Reville." Reville wrote or co-wrote on many of Hitchcock's films, including "Shadow of a Doubt", "Suspicion" and "The 39 Steps".
Early sound films.
Hitchcock began work on his tenth film, "Blackmail" (1929), when its production company, British International Pictures (BIP), converted its Elstree studios to sound. The film was the first British ""; this followed the rapid development of sound films in the United States, from the use of brief sound segments in "The Jazz Singer" (1927) to the first full sound feature "Lights of New York" (1928). "Blackmail" began the Hitchcock tradition of using famous landmarks as a backdrop for suspense sequences, with the climax taking place on the dome of the British Museum. It also features one of his longest cameo appearances, which shows him being bothered by a small boy as he reads a book on the London Underground. In the PBS series "The Men Who Made The Movies", Hitchcock explained how he used early sound recording as a special element of the film, stressing the word "knife" in a conversation with the woman suspected of murder. During this period, Hitchcock directed segments for a BIP revue, "Elstree Calling" (1930), and directed a short film, "An Elastic Affair" (1930), featuring two "Film Weekly" scholarship winners. "An Elastic Affair" is one of the lost films.
In 1933, Hitchcock signed a multi-film contract with Gaumont-British, once again working for Michael Balcon. His first film for the company, "The Man Who Knew Too Much" (1934), was a success; his second, "The 39 Steps" (1935), was acclaimed in the UK and gained him recognition in the United States. It also established the quintessential English "Hitchcock blonde" (Madeleine Carroll) as the template for his succession of ice-cold, elegant leading ladies. Screenwriter Robert Towne remarked, "It's not much of an exaggeration to say that all contemporary escapist entertainment begins with "The 39 Steps"". This film was one of the first to introduce the "MacGuffin" plot device, a term coined by the English screenwriter Angus MacPhail. The MacGuffin is an item or goal the protagonist is pursuing, one that otherwise has no narrative value; in "The 39 Steps", the MacGuffin is a stolen set of design plans.
Hitchcock released two spy thrillers in 1936. "Sabotage" was loosely based on Joseph Conrad's novel, "The Secret Agent" (1907), about a woman who discovers that her husband is a terrorist, and "Secret Agent", based on two stories in "" (1928) by W. Somerset Maugham.
At this time, Hitchcock also became notorious for pranks against the cast and crew. These jokes ranged from simple and innocent to crazy and maniacal. For instance, he hosted a dinner party where he dyed all the food blue because he claimed there weren't enough blue foods. He also had a horse delivered to the dressing room of his friend, actor Gerald du Maurier.
Hitchcock followed up with "Young and Innocent" in 1937, a crime thriller based on the 1936 novel "A Shilling for Candles" by Josephine Tey. Starring Nova Pilbeam and Derrick De Marney, the film was relatively enjoyable for the cast and crew to make. To meet distribution purposes in America, the film's runtime was cut and this included removal of one of Hitchcock's favourite scenes: a children's tea party which becomes menacing to the protagonists.
Hitchcock's next major success was "The Lady Vanishes" (1938), "one of the greatest train movies from the genre's golden era", according to Philip French, in which Miss Froy (May Whitty), a British spy posing as a governess, disappears on a train journey through the fictional European country of Bandrika. The film saw Hitchcock receive the 1938 New York Film Critics Circle Award for Best Director. Benjamin Crisler of the "New York Times" wrote in June 1938: "Three unique and valuable institutions the British have that we in America have not: Magna Carta, the Tower Bridge and Alfred Hitchcock, the greatest director of screen melodramas in the world." The film was based on the novel "The Wheel Spins" (1936) written by Ethel Lina White.
By 1938 Hitchcock was aware that he had reached his peak in Britain. He had received numerous offers from producers in the United States, but he turned them all down because he disliked the contractual obligations or thought the projects were repellent. However, producer David O. Selznick offered him a concrete proposal to make a film based on the sinking of , which was eventually shelved, but Selznick persuaded Hitchcock to come to Hollywood. In July 1938, Hitchcock flew to New York, and found that he was already a celebrity; he was featured in magazines and gave interviews to radio stations. In Hollywood, Hitchcock met Selznick for the first time. Selznick offered him a four-film contract, approximately $40,000 for each picture ().
Early Hollywood years: 1939–1945.
Selznick contract.
Selznick signed Hitchcock to a seven-year contract beginning in April 1939, and the Hitchcocks moved to Hollywood. The Hitchcocks lived in a spacious flat on Wilshire Boulevard, and slowly acclimatised themselves to the Los Angeles area. He and his wife Alma kept a low profile, and were not interested in attending parties or being celebrities. Hitchcock discovered his taste for fine food in West Hollywood, but still carried on his way of life from England. He was impressed with Hollywood's filmmaking culture, expansive budgets and efficiency, compared to the limits that he had often faced in Britain. In June that year, "Life" magazine called him the "greatest master of melodrama in screen history".
Although Hitchcock and Selznick respected each other, their working arrangements were sometimes difficult. Selznick suffered from constant financial problems, and Hitchcock was often unhappy about Selznick's creative control and interference over his films. Selznick was also displeased with Hitchcock's method of shooting just what was in the script, and nothing more, which meant that the film could not be cut and remade differently at a later time. As well as complaining about Hitchcock's "goddamn jigsaw cutting", their personalities were mismatched: Hitchcock was reserved whereas Selznick was flamboyant. Eventually, Selznick generously lent Hitchcock to the larger film studios. Selznick made only a few films each year, as did fellow independent producer Samuel Goldwyn, so he did not always have projects for Hitchcock to direct. Goldwyn had also negotiated with Hitchcock on a possible contract, only to be outbid by Selznick. In a later interview, Hitchcock said: "[Selznick] was the Big Producer. ... Producer was king. The most flattering thing Mr. Selznick ever said about me—and it shows you the amount of control—he said I was the 'only director' he'd 'trust with a film'."
Hitchcock approached American cinema cautiously; his first American film was set in England in which the "Americanness" of the characters was incidental: "Rebecca" (1940) was set in a Hollywood version of England's Cornwall and based on a novel by English novelist Daphne du Maurier. Selznick insisted on a faithful adaptation of the book, and disagreed with Hitchcock with the use of humour. The film, starring Laurence Olivier and Joan Fontaine, concerns an unnamed naïve young woman who marries a widowed aristocrat. She lives in his large English country house, and struggles with the lingering reputation of his elegant and worldly first wife Rebecca, who died under mysterious circumstances. The film won Best Picture at the 13th Academy Awards; the statuette was given to producer Selznick. Hitchcock received his first nomination for Best Director, his first of five such nominations.
Hitchcock's second American film was the thriller "Foreign Correspondent" (1940), set in Europe, based on Vincent Sheean's book "Personal History" (1935) and produced by Walter Wanger. It was nominated for Best Picture that year. Hitchcock felt uneasy living and working in Hollywood while Britain was at war; his concern resulted in a film that overtly supported the British war effort. Filmed in 1939, it was inspired by the rapidly changing events in Europe, as covered by an American newspaper reporter played by Joel McCrea. By mixing footage of European scenes with scenes filmed on a Hollywood backlot, the film avoided direct references to Nazism, Nazi Germany, and Germans, to comply with the Motion Picture Production Code at the time.
Early war years.
In September 1940 the Hitchcocks bought the Cornwall Ranch near Scotts Valley, California, in the Santa Cruz Mountains. Their primary residence was an English-style home in Bel Air, purchased in 1942. Hitchcock's films were diverse during this period, ranging from the romantic comedy "Mr. & Mrs. Smith" (1941) to the bleak film noir "Shadow of a Doubt" (1943).
"Suspicion" (1941) marked Hitchcock's first film as a producer and director. It is set in England; Hitchcock used the north coast of Santa Cruz for the English coastline sequence. The film is the first of four in which Cary Grant was cast by Hitchcock, and it is one of the rare occasions that Grant plays a sinister character. Grant plays Johnnie Aysgarth, an English conman whose actions raise suspicion and anxiety in his shy young English wife, Lina McLaidlaw (Joan Fontaine). In one scene, Hitchcock placed a light inside a glass of milk, perhaps poisoned, that Grant is bringing to his wife; the light ensures that the audience's attention is on the glass. Grant's character is actually a killer, as per written in the book, "Before the Fact" by Francis Iles, but the studio felt that Grant's image would be tarnished by that. Hitchcock therefore settled for an ambiguous finale, although he would have preferred to end with the wife's murder. Fontaine won Best Actress for her performance.
"Saboteur" (1942) is the first of two films that Hitchcock made for Universal Studios during the decade. Hitchcock was forced by Universal to use Universal contract player Robert Cummings and Priscilla Lane, a freelancer who signed a one-picture deal with the studio, both known for their work in comedies and light dramas. The story depicts a confrontation between a suspected saboteur (Cummings) and a real saboteur (Norman Lloyd) atop the Statue of Liberty. Hitchcock took a three-day tour of New York City to scout for "Saboteur"s filming locations. He also directed "Have You Heard?" (1942), a photographic dramatisation for "Life" magazine of the dangers of rumours during wartime. In 1943, he wrote a mystery story for "Look" magazine, "The Murder of Monty Woolley", a sequence of captioned photographs inviting the reader to find clues to the murderer's identity; Hitchcock cast the performers as themselves, such as Woolley, Doris Merrick, and make-up man Guy Pearce.
Back in England, Hitchcock's mother Emma was severely ill; she died on 26 September 1942 at age 79. Hitchcock never spoke publicly about his mother, but his assistant said that he admired her. Four months later, on 4 January 1943, his brother William died of an overdose at age 52. Hitchcock was not very close to William, but his death made Hitchcock conscious about his own eating and drinking habits. He was overweight and suffering from back aches. His New Year's resolution in 1943 was to take his diet seriously with the help of a physician. In January that year, "Shadow of a Doubt" was released, which Hitchcock had fond memories of making. In the film, Charlotte "Charlie" Newton (Teresa Wright) suspects her beloved uncle Charlie Oakley (Joseph Cotten) of being a serial killer. Hitchcock filmed extensively on location, this time in the Northern California city of Santa Rosa.
At 20th Century Fox, Hitchcock approached John Steinbeck with an idea for a film, which recorded the experiences of the survivors of a German U-boat attack. Steinbeck began work on the script for what would become "Lifeboat" (1944). However, Steinbeck was unhappy with the film and asked that his name be removed from the credits, to no avail. The idea was rewritten as a short story by Harry Sylvester and published in "Collier's" in 1943. The action sequences were shot in a small boat in the studio water tank. The locale posed problems for Hitchcock's traditional cameo appearance; it was solved by having Hitchcock's image appear in a newspaper that William Bendix is reading in the boat, showing the director in a before-and-after advertisement for "Reduco-Obesity Slayer". He told Truffaut in 1962:
Hitchcock's typical dinner before his weight loss had been a roast chicken, boiled ham, potatoes, bread, vegetables, relishes, salad, dessert, a bottle of wine and some brandy. To lose weight, his diet consisted of black coffee for breakfast and lunch, and steak and salad for dinner, but it was hard to maintain; Donald Spoto wrote that his weight fluctuated considerably over the next 40 years. At the end of 1943, despite the weight loss, the Occidental Insurance Company of Los Angeles refused his application for life insurance.
Wartime non-fiction films.
Hitchcock returned to the UK for an extended visit in late 1943 and early 1944. While there he made two short propaganda films, "Bon Voyage" (1944) and "Aventure Malgache" (1944), for the Ministry of Information. In June and July 1945, Hitchcock served as "treatment advisor" on a Holocaust documentary that used Allied Forces footage of the liberation of Nazi concentration camps. The film was assembled in London and produced by Sidney Bernstein of the Ministry of Information, who brought Hitchcock (a friend of his) on board. It was originally intended to be broadcast to the Germans, but the British government deemed it too traumatic to be shown to a shocked post-war population. Instead, it was transferred in 1952 from the British War Office film vaults to London's Imperial War Museum and remained unreleased until 1985, when an edited version was broadcast as an episode of PBS "Frontline", under the title the Imperial War Museum had given it: "Memory of the Camps". The full-length version of the film, "German Concentration Camps Factual Survey", was restored in 2014 by scholars at the Imperial War Museum.
Post-war Hollywood years: 1945–1953.
Later Selznick films.
Hitchcock worked for David Selznick again when he directed "Spellbound" (1945), which explores psychoanalysis and features a dream sequence designed by Salvador Dalí. The dream sequence as it appears in the film is ten minutes shorter than was originally envisioned; Selznick edited it to make it "play" more effectively. Gregory Peck plays amnesiac Dr. Anthony Edwardes under the treatment of analyst Dr. Peterson (Ingrid Bergman), who falls in love with him while trying to unlock his repressed past. Two point-of-view shots were achieved by building a large wooden hand (which would appear to belong to the character whose point of view the camera took) and out-sized props for it to hold: a bucket-sized glass of milk and a large wooden gun. For added novelty and impact, the climactic gunshot was hand-coloured red on some copies of the black-and-white film. The original musical score by Miklós Rózsa makes use of the theremin, and some of it was later adapted by the composer into Rozsa's Piano Concerto Op. 31 (1967) for piano and orchestra.
The spy film "Notorious" followed next in 1946. Hitchcock told François Truffaut that Selznick sold him, Ingrid Bergman, Cary Grant, and Ben Hecht's screenplay, to RKO Radio Pictures as a "package" for $500,000 (equivalent to $ million in ) because of cost overruns on Selznick's "Duel in the Sun" (1946). "Notorious" stars Bergman and Grant, both Hitchcock collaborators, and features a plot about Nazis, uranium and South America. His prescient use of uranium as a plot device led to him being briefly placed under surveillance by the Federal Bureau of Investigation. According to Patrick McGilligan, in or around March 1945, Hitchcock and Hecht consulted Robert Millikan of the California Institute of Technology about the development of a uranium bomb. Selznick complained that the notion was "science fiction", only to be confronted by the news of the detonation of two atomic bombs on Hiroshima and Nagasaki in Japan in August 1945.
Transatlantic Pictures.
Hitchcock formed an independent production company, Transatlantic Pictures, with his friend Sidney Bernstein. He made two films with Transatlantic, one of which was his first colour film. With "Rope" (1948), Hitchcock experimented with marshalling suspense in a confined environment, as he had done earlier with "Lifeboat". The film appears as a very limited number of continuous shots, but it was actually shot in 10 ranging from 4- to 10 minutes each; a 10-minute length of film was the most that a camera's film magazine could hold at the time. Some transitions between reels were hidden by having a dark object fill the entire screen for a moment. Hitchcock used those points to hide the cut, and began the next take with the camera in the same place. The film features James Stewart in the leading role, and was the first of four films that Stewart made with Hitchcock. It was inspired by the Leopold and Loeb case of the 1920s. Critical response at the time was mixed.
"Under Capricorn" (1949), set in 19th-century Australia, also uses the short-lived technique of long takes, but to a more limited extent. He again used Technicolor in this production, then returned to black-and-white for several years. Transatlantic Pictures became inactive after the last two films. Hitchcock filmed "Stage Fright" (1950) at Elstree Studios in England, where he had worked during his British International Pictures contract many years before. He paired one of Warner Bros.' most popular stars, Jane Wyman, with the expatriate German actor Marlene Dietrich and used several prominent British actors, including Michael Wilding, Richard Todd and Alastair Sim. This was Hitchcock's first proper production for Warner Bros., which had distributed "Rope" and "Under Capricorn", because Transatlantic Pictures was experiencing financial difficulties.
His thriller "Strangers on a Train" (1951) was based on the novel of the same name by Patricia Highsmith. Hitchcock combined many elements from his preceding films. He approached Dashiell Hammett to write the dialogue, but Raymond Chandler took over, then left over disagreements with the director. In the film, two men casually meet, one of whom speculates on a foolproof method to murder; he suggests that two people, each wishing to do away with someone, should each perform the other's murder. Farley Granger's role was as the innocent victim of the scheme, while Robert Walker, previously known for "boy-next-door" roles, played the villain. "I Confess" (1953) was set in Quebec with Montgomery Clift as a Catholic priest.
Peak years: 1954–1964.
"Dial M for Murder" and "Rear Window".
"I Confess" was followed by three colour films starring Grace Kelly: "Dial M for Murder" (1954), "Rear Window" (1954), and "To Catch a Thief" (1955). In "Dial M for Murder", Ray Milland plays the villain who tries to murder his unfaithful wife (Kelly) for her money. She kills the hired assassin in self-defence, so Milland manipulates the evidence to make it look like murder. Her lover, Mark Halliday (Robert Cummings), and Police Inspector Hubbard (John Williams) save her from execution. Hitchcock experimented with 3D cinematography for "Dial M for Murder".
Hitchcock moved to Paramount Pictures and filmed "Rear Window" (1954), starring James Stewart and Grace Kelly, as well as Thelma Ritter and Raymond Burr. Stewart's character is a photographer named Jeff (based on Robert Capa) who must temporarily use a wheelchair. Out of boredom, he begins observing his neighbours across the courtyard, then becomes convinced that one of them (Raymond Burr) has murdered his wife. Jeff eventually manages to convince his policeman buddy (Wendell Corey) and his girlfriend (Kelly). As with "Lifeboat" and "Rope", the principal characters are depicted in confined or cramped quarters, in this case Stewart's studio apartment. Hitchcock uses close-ups of Stewart's face to show his character's reactions, "from the comic voyeurism directed at his neighbours to his helpless terror watching Kelly and Burr in the villain's apartment".
"Alfred Hitchcock Presents".
From 1955 to 1965, Hitchcock was the host of the television series "Alfred Hitchcock Presents". With his droll delivery, gallows humour and iconic image, the series made Hitchcock a celebrity. The title-sequence of the show pictured a minimalist caricature of his profile (he drew it himself; it is composed of only nine strokes), which his real silhouette then filled. The series theme tune was "Funeral March of a Marionette" by the French composer Charles Gounod (1818–1893).
His introductions always included some sort of wry humour, such as the description of a recent multi-person execution hampered by having only one electric chair, while two are shown with a sign "Two chairs—no waiting!" He directed 18 episodes of the series, which aired from 1955 to 1965. It became "The Alfred Hitchcock Hour" in 1962, and NBC broadcast the final episode on 10 May 1965. In the 1980s, a new version of "Alfred Hitchcock Presents" was produced for television, making use of Hitchcock's original introductions in a colourised form.
Hitchcock's success in television spawned a set of short-story collections in his name; these included "Alfred Hitchcock's Anthology", "Stories They Wouldn't Let Me Do on TV," and "Tales My Mother Never Told Me". In 1956, HSD Publications also licensed the director's name to create "Alfred Hitchcock's Mystery Magazine", a monthly digest specialising in crime and detective fiction. Hitchcock's television series were very profitable, and his foreign-language versions of books were bringing revenues of up to $100,000 a year ().
From "To Catch a Thief" to "Vertigo".
In 1955, Hitchcock became a United States citizen. In the same year, his third Grace Kelly film, "To Catch a Thief", was released; it is set in the French Riviera, and stars Kelly and Cary Grant. Grant plays retired thief John Robie, who becomes the prime suspect for a spate of robberies in the Riviera. A thrill-seeking American heiress played by Kelly surmises his true identity and tries to seduce him. "Despite the obvious age disparity between Grant and Kelly and a lightweight plot, the witty script (loaded with double entendres) and the good-natured acting proved a commercial success." It was Hitchcock's last film with Kelly; she married Prince Rainier of Monaco in 1956, and ended her film career afterward. Hitchcock then remade his own 1934 film "The Man Who Knew Too Much" in 1956. This time, the film starred James Stewart and Doris Day, who sang the theme song "Que Sera, Sera", which won the Academy Award for Best Original Song and became a big hit. They play a couple whose son is kidnapped to prevent them from interfering with an assassination. As in the 1934 film, the climax takes place at the Royal Albert Hall.
"The Wrong Man" (1956), Hitchcock's final film for Warner Bros., is a low-key black-and-white production based on a real-life case of mistaken identity reported in "Life" magazine in 1953. This was the only film of Hitchcock to star Henry Fonda, playing a Stork Club musician mistaken for a liquor store thief, who is arrested and tried for robbery while his wife (Vera Miles) emotionally collapses under the strain. Hitchcock told Truffaut that his lifelong fear of the police attracted him to the subject and was embedded in many scenes.
While directing episodes for "Alfred Hitchcock Presents" during the summer of 1957, Hitchcock was admitted to hospital for hernia and gallstones, and had to have his gallbladder removed. Following a successful surgery, he immediately returned to work to prepare for his next project. "Vertigo" (1958) again starred James Stewart, with Kim Novak and Barbara Bel Geddes. He had wanted Vera Miles to play the lead, but she was pregnant. He told Oriana Fallaci: "I was offering her a big part, the chance to become a beautiful sophisticated blonde, a real actress. We'd have spent a heap of dollars on it, and she has the bad taste to get pregnant. I hate pregnant women, because then they have children."
In "Vertigo", Stewart plays Scottie, a former police investigator suffering from acrophobia, who becomes obsessed with a woman he has been hired to shadow (Novak). Scottie's obsession leads to tragedy, and this time Hitchcock did not opt for a happy ending. Some critics, including Donald Spoto and Roger Ebert, agree that "Vertigo" is the director's most personal and revealing film, dealing with the "Pygmalion"-like obsessions of a man who moulds a woman into the person he desires. "Vertigo" explores more frankly and at greater length his interest in the relation between sex and death, than any other work in his filmography.
"Vertigo" contains a camera technique developed by Irmin Roberts, commonly referred to as a dolly zoom, which has been copied by many filmmakers. The film premiered at the San Sebastián International Film Festival, and Hitchcock won the Silver Seashell prize. "Vertigo" is considered a classic, but it attracted mixed reviews and poor box-office receipts at the time; the critic from "Variety" magazine opined that the film was "too slow and too long". Bosley Crowther of the "New York Times" thought it was "devilishly far-fetched", but praised the cast performances and Hitchcock's direction. The picture was also the last collaboration between Stewart and Hitchcock. In the 2002 "Sight & Sound" polls, it ranked just behind "Citizen Kane" (1941); ten years later, in the same magazine, critics chose it as the best film ever made.
"North by Northwest" and "Psycho".
After "Vertigo", the rest of 1958 was a difficult year for Hitchcock. During pre-production of "North by Northwest" (1959), which was a "slow" and "agonising" process, his wife Alma was diagnosed with cancer. While she was in hospital, Hitchcock kept himself occupied with his television work and would visit her every day. Alma underwent surgery and made a full recovery, but it caused Hitchcock to imagine, for the first time, life without her.
Hitchcock followed up with three more successful films, which are also recognised as among his best: "North by Northwest", "Psycho" (1960) and "The Birds" (1963). In "North by Northwest", Cary Grant portrays Roger Thornhill, a Madison Avenue advertising executive who is mistaken for a government secret agent. He is pursued across the United States by enemy agents, including Eve Kendall (Eva Marie Saint). At first, Thornhill believes Kendall is helping him, but then realises that she is an enemy agent; he later learns that she is working undercover for the CIA. During its opening two-week run at Radio City Music Hall, the film grossed $404,056 (equivalent to $ million in ), setting a non-holiday gross record for that theatre. "Time" magazine called the film "smoothly troweled and thoroughly entertaining".
"Psycho" (1960) is arguably Hitchcock's best-known film. Based on Robert Bloch's 1959 novel "Psycho", which was inspired by the case of Ed Gein, the film was produced on a tight budget of $800,000 (equivalent to $ million in ) and shot in black-and-white on a spare set using crew members from "Alfred Hitchcock Presents". The unprecedented violence of the shower scene, the early death of the heroine, and the innocent lives extinguished by a disturbed murderer became the hallmarks of a new horror-film genre. The film proved popular with audiences, with lines stretching outside theatres as viewers waited for the next showing. It broke box-office records in the United Kingdom, France, South America, the United States and Canada, and was a moderate success in Australia for a brief period.
"Psycho" was the most profitable of Hitchcock's career, and he personally earned in excess of $15 million (equivalent to $ million in ). He subsequently swapped his rights to "Psycho" and his TV anthology for 150,000 shares of MCA, making him the third largest shareholder and his own boss at Universal, in theory at least, although that did not stop studio interference. Following the first film, "Psycho" became an American horror franchise: "Psycho II", "Psycho III", "Bates Motel", "", and a colour 1998 remake of the original.
Truffaut interview.
On 13 August 1962, Hitchcock's 63rd birthday, the French director François Truffaut began a 50-hour interview of Hitchcock, filmed over eight days at Universal Studios, during which Hitchcock agreed to answer 500 questions. It took four years to transcribe the tapes and organise the images; it was published as a book in 1967, which Truffaut nicknamed the "Hitchbook". The audio tapes were used as the basis of a documentary in 2015. Truffaut sought the interview because it was clear to him that Hitchcock was not simply the mass-market entertainer the American media made him out to be. It was obvious from his films, Truffaut wrote, that Hitchcock had "given more thought to the potential of his art than any of his colleagues". He compared the interview to "Oedipus' consultation of the oracle".
"The Birds".
The film scholar Peter William Evans wrote that "The Birds" (1963) and "Marnie" (1964) are regarded as "undisputed masterpieces". Hitchcock had intended to film "Marnie" first, and in March 1962 it was announced that Grace Kelly, Princess Grace of Monaco since 1956, would come out of retirement to star in it. When Kelly asked Hitchcock to postpone "Marnie" until 1963 or 1964, he recruited Evan Hunter, author of "The Blackboard Jungle" (1954), to develop a screenplay based on a Daphne du Maurier short story, "The Birds" (1952), which Hitchcock had republished in his "My Favorites in Suspense" (1959). He hired Tippi Hedren to play the lead role. It was her first role; she had been a model in New York when Hitchcock saw her, in October 1961, in an NBC television advert for Sego, a diet drink: "I signed her because she is a classic beauty. Movies don't have them any more. Grace Kelly was the last." He insisted, without explanation, that her first name be written in single quotation marks: 'Tippi'.
In "The Birds", Melanie Daniels, a young socialite, meets lawyer Mitch Brenner (Rod Taylor) in a bird shop; Jessica Tandy plays his possessive mother. Hedren visits him in Bodega Bay (where "The Birds" was filmed) carrying a pair of lovebirds as a gift. Suddenly waves of birds start gathering, watching, and attacking. The question: "What do the birds want?" is left unanswered. Hitchcock made the film with equipment from the Revue Studio, which made "Alfred Hitchcock Presents". He said it was his most technically challenging film, using a combination of trained and mechanical birds against a backdrop of wild ones. Every shot was sketched in advance.
An HBO/BBC television film, "The Girl" (2012), depicted Hedren's experiences on set; she said that Hitchcock became obsessed with her and sexually harassed her. He reportedly isolated her from the rest of the crew, had her followed, whispered obscenities to her, had her handwriting analysed, and had a ramp built from his private office directly into her trailer. Diane Baker, her co-star in "Marnie", said: "[N]othing could have been more horrible for me than to arrive on that movie set and to see her being treated the way she was." While filming the attack scene in the attic—which took a week to film—she was placed in a caged room while two men wearing elbow-length protective gloves threw live birds at her. Toward the end of the week, to stop the birds' flying away from her too soon, one leg of each bird was attached by nylon thread to elastic bands sewn inside her clothes. She broke down after a bird cut her lower eyelid, and filming was halted on doctor's orders.
"Marnie".
In June 1962, Grace Kelly announced that she had decided against appearing in "Marnie" (1964). Hedren had signed an exclusive seven-year, $500-a-week contract with Hitchcock in October 1961, and he decided to cast her in the lead role opposite Sean Connery. In 2016, describing Hedren's performance as "one of the greatest in the history of cinema", Richard Brody called the film a "story of sexual violence" inflicted on the character played by Hedren: "The film is, to put it simply, sick, and it's so because Hitchcock was sick. He suffered all his life from furious sexual desire, suffered from the lack of its gratification, suffered from the inability to transform fantasy into reality, and then went ahead and did so virtually, by way of his art." A 1964 "New York Times" film review called it Hitchcock's "most disappointing film in years", citing Hedren's and Connery's lack of experience, an amateurish script and "glaringly fake cardboard backdrops".
In the film, Marnie Edgar (Hedren) steals $10,000 from her employer and goes on the run. She applies for a job at Mark Rutland's (Connery) company in Philadelphia and steals from there too. Earlier she is shown having a panic attack during a thunderstorm and fearing the colour red. Mark tracks her down and blackmails her into marrying him. She explains that she does not want to be touched, but during the "honeymoon", Mark rapes her. Marnie and Mark discover that Marnie's mother had been a prostitute when Marnie was a child, and that, while the mother was fighting with a client during a thunderstorm—the mother believed the client had tried to molest Marnie—Marnie had killed the client to save her mother. Cured of her fears when she remembers what happened, she decides to stay with Mark.
Hitchcock told cinematographer Robert Burks that the camera had to be placed as close as possible to Hedren when he filmed her face. Evan Hunter, the screenwriter of "The Birds" who was writing "Marnie" too, explained to Hitchcock that, if Mark loved Marnie, he would comfort her, not rape her. Hitchcock reportedly replied: "Evan, when he sticks it in her, I want that camera right on her face!" When Hunter submitted two versions of the script, one without the rape scene, Hitchcock replaced him with Jay Presson Allen.
Later years: 1966–1980.
Final films.
Failing health reduced Hitchcock's output during the last two decades of his life. Biographer Stephen Rebello claimed Universal imposed two films on him, "Torn Curtain" (1966) and "Topaz" (1969), the latter of which is based on a Leon Uris novel, partly set in Cuba. Both were spy thrillers with Cold War-related themes. "Torn Curtain", with Paul Newman and Julie Andrews, precipitated the bitter end of the 12-year collaboration between Hitchcock and composer Bernard Herrmann. Hitchcock was unhappy with Herrmann's score and replaced him with John Addison, Jay Livingston and Ray Evans. Upon release, "Torn Curtain" was a box office disappointment, and "Topaz" was disliked by critics and the studio.
Hitchcock returned to Britain to make his penultimate film, "Frenzy" (1972), based on the novel "Goodbye Piccadilly, Farewell Leicester Square" (1966). After two espionage films, the plot marked a return to the murder-thriller genre. Richard Blaney (Jon Finch), a volatile barman with a history of explosive anger, becomes the prime suspect in the investigation into the "Necktie Murders", which are actually committed by his friend Bob Rusk (Barry Foster). This time, Hitchcock makes the victim and villain kindreds, rather than opposites as in "Strangers on a Train".
In "Frenzy", Hitchcock allowed nudity for the first time. Two scenes show naked women, one of whom is being raped and strangled; Donald Spoto called the latter "one of the most repellent examples of a detailed murder in the history of film". Both actors, Barbara Leigh-Hunt and Anna Massey, refused to do the scenes, so models were used instead. Biographers have noted that Hitchcock had always pushed the limits of film censorship, often managing to fool Joseph Breen, the head of the Motion Picture Production Code. Hitchcock would add subtle hints of improprieties forbidden by censorship until the mid-1960s. Yet Patrick McGilligan wrote that Breen and others often realised that Hitchcock was inserting such material and were actually amused, as well as alarmed by Hitchcock's "inescapable inferences".
"Family Plot" (1976) was Hitchcock's last film. It relates the escapades of "Madam" Blanche Tyler, played by Barbara Harris, a fraudulent spiritualist, and her taxi-driver lover Bruce Dern, making a living from her phony powers. While "Family Plot" was based on the Victor Canning novel "The Rainbird Pattern" (1972), the novel's tone is more sinister. Screenwriter Ernest Lehman originally wrote the film, under the working title "Deception", with a dark tone but was pushed to a lighter, more comical tone by Hitchcock where it took the name "Deceit", then finally, "Family Plot".
Knighthood and death.
Toward the end of his life, Hitchcock was working on the script for a spy thriller, "The Short Night", collaborating with James Costigan, Ernest Lehman and David Freeman. Despite preliminary work, it was never filmed. Hitchcock's health was declining and he was worried about his wife, who had suffered a stroke. The screenplay was eventually published in Freeman's book "The Last Days of Alfred Hitchcock" (1999).
Having refused a CBE in 1962, Hitchcock was appointed a Knight Commander of the Most Excellent Order of the British Empire (KBE) in the 1980 New Year Honours. He was too ill to travel to London—he had a pacemaker and was being given cortisone injections for his arthritis—so on 3 January 1980 the British consul general presented him with the papers at Universal Studios. Asked by a reporter after the ceremony why it had taken the Queen so long, Hitchcock quipped, "I suppose it was a matter of carelessness." Cary Grant, Janet Leigh, and others attended a luncheon afterwards.
His last public appearance was on 16 March 1980, when he introduced the next year's winner of the American Film Institute award. He died of kidney failure the following month, on 29 April, in his Bel Air home. Donald Spoto, one of Hitchcock's biographers, wrote that Hitchcock had declined to see a priest, but according to Jesuit priest Mark Henninger, he and another priest, Tom Sullivan, celebrated Mass at the filmmaker's home, and Sullivan heard his confession. Hitchcock was survived by his wife and daughter. His funeral was held at Good Shepherd Catholic Church in Beverly Hills on 30 April, after which his body was cremated. His remains were scattered over the Pacific Ocean on 10 May 1980.
Early life: 1899–1919.
Early childhood and education.
Alfred Joseph Hitchcock was born on 13 August 1899 in the flat above his parents' leased greengrocer's shop at 517 High Road, Leytonstone, on the outskirts of East London (then part of Essex), the youngest of three children of Emma Jane (; 1863–1942) and William Edgar Hitchcock (1862–1914), with a brother, William Daniel (1890–1943), and a sister, Ellen Kathleen ("Nellie") (1892–1979). His parents were both Roman Catholics, with partial roots in Ireland; His father was a greengrocer, as his grandfather had been.
There was a large extended family, including uncle John Hitchcock with his five-bedroom Victorian house on Campion Road, Putney, complete with maid, cook, chauffeur and gardener. Every summer, his uncle rented a seaside house for the family in Cliftonville, Kent. Hitchcock said that he first became class-conscious there, noticing the differences between tourists and locals.
Describing himself as a well-behaved boy—his father called him his "little lamb without a spot"—Hitchcock said he could not remember ever having had a playmate. One of his favourite stories for interviewers was about his father sending him to the local police station with a note when he was five; the policeman looked at the note and locked him in a cell for a few minutes, saying, "This is what we do to naughty boys." The experience left him, he said, with a lifelong fear of policemen; in 1973 he told Tom Snyder that he was "scared stiff of anything ... to do with the law" and wouldn't even drive a car in case he got a parking ticket.
When he was six, the family moved to Limehouse and leased two stores at 130 and 175 Salmon Lane, which they ran as a fish-and-chips shop and fishmongers' respectively; they lived above the former. Hitchcock attended his first school, the Howrah House Convent in Poplar, which he entered in 1907, at age 7. According to biographer Patrick McGilligan, he stayed at Howrah House for at most two years. He also attended a convent school, the Wode Street School "for the daughters of gentlemen and little boys", run by the Faithful Companions of Jesus. He then attended a primary school near his home and was for a short time a boarder at Salesian College in Battersea.
The family moved again when he was 11, this time to Stepney, and on 5 October 1910 Hitchcock was sent to St Ignatius College in Stamford Hill, Tottenham (incorporated into the new London Borough of Haringey), a Jesuit grammar school with a reputation for discipline. As corporal punishment the priests used a flat, hard, springy tool/weapon made of gutta-percha and known as a "ferula", which struck the whole palm; punishment was always at the end of the day, so the boys had to sit through classes anticipating the punishment if they had been written up for it. He later said that this is where he developed his sense of fear. The school register lists his year of birth as 1900 rather than 1899; biographer Donald Spoto says he was deliberately enrolled as a 10-year-old because he was a year behind with his schooling.
While biographer Gene Adair reports that Hitchcock was "an average, or slightly above-average, pupil", Hitchcock said that he was "usually among the four or five at the top of the class"; at the end of his first year, his work in Latin, English, French and religious education was noted. He told Peter Bogdanovich: "The Jesuits taught me organisation, control and, to some degree, analysis."
His favourite subject was geography, and he became interested in maps, and railway, tram and bus timetables; according to John Russell Taylor, he could recite all the stops on the Orient Express. He also had a particular interest in London trams. An overwhelming majority of his films include rail or tram scenes, in particular "The Lady Vanishes", "Strangers on a Train" and "Number Seventeen". A clapperboard shows the number of the scene and the number of takes, and Hitchcock would often take the two numbers on the clapperboard and whisper the London tram route names. For example, if the clapperboard showed Scene 23; Take 3; Hitchcock would whisper "Woodford, Hampstead" – Woodford being the terminus of the route 23 tram, and Hampstead the end of route 3.
Henley's.
Hitchcock told his parents that he wanted to be an engineer, and on 25 July 1913, he left St Ignatius and enrolled in night classes at the London County Council School of Engineering and Navigation in Poplar. In a book-length interview in 1962, he told François Truffaut that he had studied "mechanics, electricity, acoustics, and navigation". Then on 12 December 1914 his father, who had been suffering from emphysema and kidney disease, died at the age of 52. To support himself and his mother—his older siblings had left home by then—Hitchcock took a job, for 15 shillings a week (£ in ), as a technical clerk at the Henley Telegraph and Cable Company in Blomfield Street near London Wall. He continued night classes, this time in art history, painting, economics, and political science. His older brother ran the family shops, while he and his mother continued to live in Salmon Lane.
Hitchcock was too young to enlist when the First World War started in July 1914, and when he reached the required age of 18 in 1917, he received a C3 classification ("free from serious organic disease, able to stand service conditions in garrisons at home ... only suitable for sedentary work"). He joined a cadet regiment of the Royal Engineers and took part in theoretical briefings, weekend drills, and exercises. John Russell Taylor wrote that, in one session of practical exercises in Hyde Park, Hitchcock was required to wear puttees. He could never master wrapping them around his legs, and they repeatedly fell down around his ankles.
After the war, Hitchcock took an interest in creative writing. In June 1919, he became a founding editor and business manager of Henley's in-house publication, "The Henley Telegraph" (sixpence a copy), to which he submitted several short stories. Henley's promoted him to the advertising department, where he wrote copy and drew graphics for electric cable advertisements. He enjoyed the job and would stay late at the office to examine the proofs; he told Truffaut that this was his "first step toward cinema". He enjoyed watching films, especially American cinema, and from the age of 16 read the trade papers; he watched Charlie Chaplin, D. W. Griffith and Buster Keaton, and particularly liked Fritz Lang's "Der müde Tod" (1921).
Early childhood and education.
Alfred Joseph Hitchcock was born on 13 August 1899 in the flat above his parents' leased greengrocer's shop at 517 High Road, Leytonstone, on the outskirts of East London (then part of Essex), the youngest of three children of Emma Jane (; 1863–1942) and William Edgar Hitchcock (1862–1914), with a brother, William Daniel (1890–1943), and a sister, Ellen Kathleen ("Nellie") (1892–1979). His parents were both Roman Catholics, with partial roots in Ireland; His father was a greengrocer, as his grandfather had been.
There was a large extended family, including uncle John Hitchcock with his five-bedroom Victorian house on Campion Road, Putney, complete with maid, cook, chauffeur and gardener. Every summer, his uncle rented a seaside house for the family in Cliftonville, Kent. Hitchcock said that he first became class-conscious there, noticing the differences between tourists and locals.
Describing himself as a well-behaved boy—his father called him his "little lamb without a spot"—Hitchcock said he could not remember ever having had a playmate. One of his favourite stories for interviewers was about his father sending him to the local police station with a note when he was five; the policeman looked at the note and locked him in a cell for a few minutes, saying, "This is what we do to naughty boys." The experience left him, he said, with a lifelong fear of policemen; in 1973 he told Tom Snyder that he was "scared stiff of anything ... to do with the law" and wouldn't even drive a car in case he got a parking ticket.
When he was six, the family moved to Limehouse and leased two stores at 130 and 175 Salmon Lane, which they ran as a fish-and-chips shop and fishmongers' respectively; they lived above the former. Hitchcock attended his first school, the Howrah House Convent in Poplar, which he entered in 1907, at age 7. According to biographer Patrick McGilligan, he stayed at Howrah House for at most two years. He also attended a convent school, the Wode Street School "for the daughters of gentlemen and little boys", run by the Faithful Companions of Jesus. He then attended a primary school near his home and was for a short time a boarder at Salesian College in Battersea.
The family moved again when he was 11, this time to Stepney, and on 5 October 1910 Hitchcock was sent to St Ignatius College in Stamford Hill, Tottenham (incorporated into the new London Borough of Haringey), a Jesuit grammar school with a reputation for discipline. As corporal punishment the priests used a flat, hard, springy tool/weapon made of gutta-percha and known as a "ferula", which struck the whole palm; punishment was always at the end of the day, so the boys had to sit through classes anticipating the punishment if they had been written up for it. He later said that this is where he developed his sense of fear. The school register lists his year of birth as 1900 rather than 1899; biographer Donald Spoto says he was deliberately enrolled as a 10-year-old because he was a year behind with his schooling.
While biographer Gene Adair reports that Hitchcock was "an average, or slightly above-average, pupil", Hitchcock said that he was "usually among the four or five at the top of the class"; at the end of his first year, his work in Latin, English, French and religious education was noted. He told Peter Bogdanovich: "The Jesuits taught me organisation, control and, to some degree, analysis."
His favourite subject was geography, and he became interested in maps, and railway, tram and bus timetables; according to John Russell Taylor, he could recite all the stops on the Orient Express. He also had a particular interest in London trams. An overwhelming majority of his films include rail or tram scenes, in particular "The Lady Vanishes", "Strangers on a Train" and "Number Seventeen". A clapperboard shows the number of the scene and the number of takes, and Hitchcock would often take the two numbers on the clapperboard and whisper the London tram route names. For example, if the clapperboard showed Scene 23; Take 3; Hitchcock would whisper "Woodford, Hampstead" – Woodford being the terminus of the route 23 tram, and Hampstead the end of route 3.
Henley's.
Hitchcock told his parents that he wanted to be an engineer, and on 25 July 1913, he left St Ignatius and enrolled in night classes at the London County Council School of Engineering and Navigation in Poplar. In a book-length interview in 1962, he told François Truffaut that he had studied "mechanics, electricity, acoustics, and navigation". Then on 12 December 1914 his father, who had been suffering from emphysema and kidney disease, died at the age of 52. To support himself and his mother—his older siblings had left home by then—Hitchcock took a job, for 15 shillings a week (£ in ), as a technical clerk at the Henley Telegraph and Cable Company in Blomfield Street near London Wall. He continued night classes, this time in art history, painting, economics, and political science. His older brother ran the family shops, while he and his mother continued to live in Salmon Lane.
Hitchcock was too young to enlist when the First World War started in July 1914, and when he reached the required age of 18 in 1917, he received a C3 classification ("free from serious organic disease, able to stand service conditions in garrisons at home ... only suitable for sedentary work"). He joined a cadet regiment of the Royal Engineers and took part in theoretical briefings, weekend drills, and exercises. John Russell Taylor wrote that, in one session of practical exercises in Hyde Park, Hitchcock was required to wear puttees. He could never master wrapping them around his legs, and they repeatedly fell down around his ankles.
After the war, Hitchcock took an interest in creative writing. In June 1919, he became a founding editor and business manager of Henley's in-house publication, "The Henley Telegraph" (sixpence a copy), to which he submitted several short stories. Henley's promoted him to the advertising department, where he wrote copy and drew graphics for electric cable advertisements. He enjoyed the job and would stay late at the office to examine the proofs; he told Truffaut that this was his "first step toward cinema". He enjoyed watching films, especially American cinema, and from the age of 16 read the trade papers; he watched Charlie Chaplin, D. W. Griffith and Buster Keaton, and particularly liked Fritz Lang's "Der müde Tod" (1921).
Inter-war career: 1919–1939.
Famous Players-Lasky.
While still at Henley's, he read in a trade paper that Famous Players-Lasky, the production arm of Paramount Pictures, was opening a studio in London. They were planning to film "The Sorrows of Satan" by Marie Corelli, so he produced some drawings for the title cards and sent his work to the studio. They hired him, and in 1919 he began working for Islington Studios in Poole Street, Hoxton, as a title-card designer.
Donald Spoto wrote that most of the staff were Americans with strict job specifications, but the English workers were encouraged to try their hand at anything, which meant that Hitchcock gained experience as a co-writer, art director and production manager on at least 18 silent films. "The Times" wrote in February 1922 about the studio's "special art title department under the supervision of Mr. A. J. Hitchcock". His work included "Number 13" (1922), also known as "Mrs. Peabody;" it was cancelled because of financial problems—the few finished scenes are lost—and "Always Tell Your Wife" (1923), which he and Seymour Hicks finished together when Hicks was about to give up on it. Hicks wrote later about being helped by "a fat youth who was in charge of the property room ... [n]one other than Alfred Hitchcock".
Gainsborough Pictures and work in Germany.
When Paramount pulled out of London in 1922, Hitchcock was hired as an assistant director by a new firm run in the same location by Michael Balcon, later known as Gainsborough Pictures. Hitchcock worked on "Woman to Woman" (1923) with the director Graham Cutts, designing the set, writing the script and producing. He said: "It was the first film that I had really got my hands onto." The editor and "script girl" on "Woman to Woman" was Alma Reville, his future wife. He also worked as an assistant to Cutts on "The White Shadow" (1924), "The Passionate Adventure" (1924), "The Blackguard" (1925), and "The Prude's Fall" (1925). "The Blackguard" was produced at the Babelsberg Studios in Potsdam, where Hitchcock watched part of the making of F. W. Murnau's "The Last Laugh" (1924). He was impressed with Murnau's work and later used many of his techniques for the set design in his own productions.
In the summer of 1925, Balcon asked Hitchcock to direct "The Pleasure Garden" (1925), starring Virginia Valli, a co-production of Gainsborough and the German firm Emelka at the Geiselgasteig studio near Munich. Reville, by then Hitchcock's fiancée, was assistant director-editor. Although the film was a commercial flop, Balcon liked Hitchcock's work; a "Daily Express" headline called him the "Young man with a master mind". Production of "The Pleasure Garden" encountered obstacles which Hitchcock would later learn from: on arrival to Brenner Pass, he failed to declare his film stock to customs and it was confiscated; one actress could not enter the water for a scene because she was on her period; budget overruns meant that he had to borrow money from the actors. Hitchcock also needed a translator to give instructions to the cast and crew.
In Germany, Hitchcock observed the nuances of German cinema and filmmaking which had a big influence on him. When he was not working, he would visit Berlin's art galleries, concerts and museums. He would also meet with actors, writers, and producers to build connections. Balcon asked him to direct a second film in Munich, "The Mountain Eagle" (1926), based on an original story titled "Fear o' God". The film is lost, and Hitchcock called it "a very bad movie". A year later, Hitchcock wrote and directed "The Ring"; although the screenplay was credited solely to his name, Elliot Stannard assisted him with the writing. "The Ring" garnered positive reviews; the "Bioscope" magazine critic called it "the most magnificent British film ever made".
When he returned to England, Hitchcock was one of the early members of the London Film Society, newly formed in 1925. Through the Society, he became fascinated by the work by Soviet filmmakers: Dziga Vertov, Lev Kuleshov, Sergei Eisenstein, and Vsevolod Pudovkin. He would also socialise with fellow English filmmakers Ivor Montagu and Adrian Brunel, and Walter C. Mycroft.
Hitchcock established himself as a name director with his first thriller, "" (1927). The film concerns the hunt for a Jack the Ripper-style serial killer who, wearing a black cloak and carrying a black bag, is murdering young blonde women in London, and only on Tuesdays. A landlady suspects that her lodger is the killer, but he turns out to be innocent. To convey the impression footsteps were being heard from an upper floor, Hitchcock had a glass floor made so that the viewer could see the lodger pacing up and down in his room above the landlady. Hitchcock had wanted the leading man to be guilty, or for the film at least to end ambiguously, but the star was Ivor Novello, a matinée idol, and the "star system" meant that Novello could not be the villain. Hitchcock told Truffaut: "You have to clearly spell it out in big letters: 'He is innocent.'" (He had the same problem years later with Cary Grant in "Suspicion" (1941).) Released in January 1927, "The Lodger" was a commercial and critical success in the UK. Upon its release the trade journal "Bioscope" wrote: "It is possible that this film is the finest British production ever made". Hitchcock told Truffaut that the film was the first of his to be influenced by German Expressionism: "In truth, you might almost say that "The Lodger" was my first picture." He made his first cameo appearance in the film, sitting in a newsroom.
Marriage.
On 2 December 1926, Hitchcock married the English screenwriter Alma Reville at the Brompton Oratory in South Kensington. The couple honeymooned in Paris, Lake Como and St. Moritz, before returning to London to live in a leased flat on the top two floors of 153 Cromwell Road, Kensington. Reville, who was born just hours after Hitchcock, converted from Protestantism to Catholicism, apparently at the insistence of Hitchcock's mother; she was baptised on 31 May 1927 and confirmed at Westminster Cathedral by Cardinal Francis Bourne on 5 June.
In 1928, when they learned that Reville was pregnant, the Hitchcocks purchased "Winter's Grace", a Tudor farmhouse set in 11 acres on Stroud Lane, Shamley Green, Surrey, for £2,500. Their daughter and only child, Patricia Alma Hitchcock, was born on 7 July that year. Patricia died on 9 August 2021 at 93.
Reville became her husband's closest collaborator; Charles Champlin wrote in 1982: "The Hitchcock touch had four hands, and two were Alma's." When Hitchcock accepted the AFI Life Achievement Award in 1979, he said that he wanted to mention "four people who have given me the most affection, appreciation and encouragement, and constant collaboration. The first of the four is a film editor, the second is a scriptwriter, the third is the mother of my daughter, Pat, and the fourth is as fine a cook as ever performed miracles in a domestic kitchen. And their names are Alma Reville." Reville wrote or co-wrote on many of Hitchcock's films, including "Shadow of a Doubt", "Suspicion" and "The 39 Steps".
Early sound films.
Hitchcock began work on his tenth film, "Blackmail" (1929), when its production company, British International Pictures (BIP), converted its Elstree studios to sound. The film was the first British ""; this followed the rapid development of sound films in the United States, from the use of brief sound segments in "The Jazz Singer" (1927) to the first full sound feature "Lights of New York" (1928). "Blackmail" began the Hitchcock tradition of using famous landmarks as a backdrop for suspense sequences, with the climax taking place on the dome of the British Museum. It also features one of his longest cameo appearances, which shows him being bothered by a small boy as he reads a book on the London Underground. In the PBS series "The Men Who Made The Movies", Hitchcock explained how he used early sound recording as a special element of the film, stressing the word "knife" in a conversation with the woman suspected of murder. During this period, Hitchcock directed segments for a BIP revue, "Elstree Calling" (1930), and directed a short film, "An Elastic Affair" (1930), featuring two "Film Weekly" scholarship winners. "An Elastic Affair" is one of the lost films.
In 1933, Hitchcock signed a multi-film contract with Gaumont-British, once again working for Michael Balcon. His first film for the company, "The Man Who Knew Too Much" (1934), was a success; his second, "The 39 Steps" (1935), was acclaimed in the UK and gained him recognition in the United States. It also established the quintessential English "Hitchcock blonde" (Madeleine Carroll) as the template for his succession of ice-cold, elegant leading ladies. Screenwriter Robert Towne remarked, "It's not much of an exaggeration to say that all contemporary escapist entertainment begins with "The 39 Steps"". This film was one of the first to introduce the "MacGuffin" plot device, a term coined by the English screenwriter Angus MacPhail. The MacGuffin is an item or goal the protagonist is pursuing, one that otherwise has no narrative value; in "The 39 Steps", the MacGuffin is a stolen set of design plans.
Hitchcock released two spy thrillers in 1936. "Sabotage" was loosely based on Joseph Conrad's novel, "The Secret Agent" (1907), about a woman who discovers that her husband is a terrorist, and "Secret Agent", based on two stories in "" (1928) by W. Somerset Maugham.
At this time, Hitchcock also became notorious for pranks against the cast and crew. These jokes ranged from simple and innocent to crazy and maniacal. For instance, he hosted a dinner party where he dyed all the food blue because he claimed there weren't enough blue foods. He also had a horse delivered to the dressing room of his friend, actor Gerald du Maurier.
Hitchcock followed up with "Young and Innocent" in 1937, a crime thriller based on the 1936 novel "A Shilling for Candles" by Josephine Tey. Starring Nova Pilbeam and Derrick De Marney, the film was relatively enjoyable for the cast and crew to make. To meet distribution purposes in America, the film's runtime was cut and this included removal of one of Hitchcock's favourite scenes: a children's tea party which becomes menacing to the protagonists.
Hitchcock's next major success was "The Lady Vanishes" (1938), "one of the greatest train movies from the genre's golden era", according to Philip French, in which Miss Froy (May Whitty), a British spy posing as a governess, disappears on a train journey through the fictional European country of Bandrika. The film saw Hitchcock receive the 1938 New York Film Critics Circle Award for Best Director. Benjamin Crisler of the "New York Times" wrote in June 1938: "Three unique and valuable institutions the British have that we in America have not: Magna Carta, the Tower Bridge and Alfred Hitchcock, the greatest director of screen melodramas in the world." The film was based on the novel "The Wheel Spins" (1936) written by Ethel Lina White.
By 1938 Hitchcock was aware that he had reached his peak in Britain. He had received numerous offers from producers in the United States, but he turned them all down because he disliked the contractual obligations or thought the projects were repellent. However, producer David O. Selznick offered him a concrete proposal to make a film based on the sinking of , which was eventually shelved, but Selznick persuaded Hitchcock to come to Hollywood. In July 1938, Hitchcock flew to New York, and found that he was already a celebrity; he was featured in magazines and gave interviews to radio stations. In Hollywood, Hitchcock met Selznick for the first time. Selznick offered him a four-film contract, approximately $40,000 for each picture ().
Famous Players-Lasky.
While still at Henley's, he read in a trade paper that Famous Players-Lasky, the production arm of Paramount Pictures, was opening a studio in London. They were planning to film "The Sorrows of Satan" by Marie Corelli, so he produced some drawings for the title cards and sent his work to the studio. They hired him, and in 1919 he began working for Islington Studios in Poole Street, Hoxton, as a title-card designer.
Donald Spoto wrote that most of the staff were Americans with strict job specifications, but the English workers were encouraged to try their hand at anything, which meant that Hitchcock gained experience as a co-writer, art director and production manager on at least 18 silent films. "The Times" wrote in February 1922 about the studio's "special art title department under the supervision of Mr. A. J. Hitchcock". His work included "Number 13" (1922), also known as "Mrs. Peabody;" it was cancelled because of financial problems—the few finished scenes are lost—and "Always Tell Your Wife" (1923), which he and Seymour Hicks finished together when Hicks was about to give up on it. Hicks wrote later about being helped by "a fat youth who was in charge of the property room ... [n]one other than Alfred Hitchcock".
Gainsborough Pictures and work in Germany.
When Paramount pulled out of London in 1922, Hitchcock was hired as an assistant director by a new firm run in the same location by Michael Balcon, later known as Gainsborough Pictures. Hitchcock worked on "Woman to Woman" (1923) with the director Graham Cutts, designing the set, writing the script and producing. He said: "It was the first film that I had really got my hands onto." The editor and "script girl" on "Woman to Woman" was Alma Reville, his future wife. He also worked as an assistant to Cutts on "The White Shadow" (1924), "The Passionate Adventure" (1924), "The Blackguard" (1925), and "The Prude's Fall" (1925). "The Blackguard" was produced at the Babelsberg Studios in Potsdam, where Hitchcock watched part of the making of F. W. Murnau's "The Last Laugh" (1924). He was impressed with Murnau's work and later used many of his techniques for the set design in his own productions.
In the summer of 1925, Balcon asked Hitchcock to direct "The Pleasure Garden" (1925), starring Virginia Valli, a co-production of Gainsborough and the German firm Emelka at the Geiselgasteig studio near Munich. Reville, by then Hitchcock's fiancée, was assistant director-editor. Although the film was a commercial flop, Balcon liked Hitchcock's work; a "Daily Express" headline called him the "Young man with a master mind". Production of "The Pleasure Garden" encountered obstacles which Hitchcock would later learn from: on arrival to Brenner Pass, he failed to declare his film stock to customs and it was confiscated; one actress could not enter the water for a scene because she was on her period; budget overruns meant that he had to borrow money from the actors. Hitchcock also needed a translator to give instructions to the cast and crew.
In Germany, Hitchcock observed the nuances of German cinema and filmmaking which had a big influence on him. When he was not working, he would visit Berlin's art galleries, concerts and museums. He would also meet with actors, writers, and producers to build connections. Balcon asked him to direct a second film in Munich, "The Mountain Eagle" (1926), based on an original story titled "Fear o' God". The film is lost, and Hitchcock called it "a very bad movie". A year later, Hitchcock wrote and directed "The Ring"; although the screenplay was credited solely to his name, Elliot Stannard assisted him with the writing. "The Ring" garnered positive reviews; the "Bioscope" magazine critic called it "the most magnificent British film ever made".
When he returned to England, Hitchcock was one of the early members of the London Film Society, newly formed in 1925. Through the Society, he became fascinated by the work by Soviet filmmakers: Dziga Vertov, Lev Kuleshov, Sergei Eisenstein, and Vsevolod Pudovkin. He would also socialise with fellow English filmmakers Ivor Montagu and Adrian Brunel, and Walter C. Mycroft.
Hitchcock established himself as a name director with his first thriller, "" (1927). The film concerns the hunt for a Jack the Ripper-style serial killer who, wearing a black cloak and carrying a black bag, is murdering young blonde women in London, and only on Tuesdays. A landlady suspects that her lodger is the killer, but he turns out to be innocent. To convey the impression footsteps were being heard from an upper floor, Hitchcock had a glass floor made so that the viewer could see the lodger pacing up and down in his room above the landlady. Hitchcock had wanted the leading man to be guilty, or for the film at least to end ambiguously, but the star was Ivor Novello, a matinée idol, and the "star system" meant that Novello could not be the villain. Hitchcock told Truffaut: "You have to clearly spell it out in big letters: 'He is innocent.'" (He had the same problem years later with Cary Grant in "Suspicion" (1941).) Released in January 1927, "The Lodger" was a commercial and critical success in the UK. Upon its release the trade journal "Bioscope" wrote: "It is possible that this film is the finest British production ever made". Hitchcock told Truffaut that the film was the first of his to be influenced by German Expressionism: "In truth, you might almost say that "The Lodger" was my first picture." He made his first cameo appearance in the film, sitting in a newsroom.
Marriage.
On 2 December 1926, Hitchcock married the English screenwriter Alma Reville at the Brompton Oratory in South Kensington. The couple honeymooned in Paris, Lake Como and St. Moritz, before returning to London to live in a leased flat on the top two floors of 153 Cromwell Road, Kensington. Reville, who was born just hours after Hitchcock, converted from Protestantism to Catholicism, apparently at the insistence of Hitchcock's mother; she was baptised on 31 May 1927 and confirmed at Westminster Cathedral by Cardinal Francis Bourne on 5 June.
In 1928, when they learned that Reville was pregnant, the Hitchcocks purchased "Winter's Grace", a Tudor farmhouse set in 11 acres on Stroud Lane, Shamley Green, Surrey, for £2,500. Their daughter and only child, Patricia Alma Hitchcock, was born on 7 July that year. Patricia died on 9 August 2021 at 93.
Reville became her husband's closest collaborator; Charles Champlin wrote in 1982: "The Hitchcock touch had four hands, and two were Alma's." When Hitchcock accepted the AFI Life Achievement Award in 1979, he said that he wanted to mention "four people who have given me the most affection, appreciation and encouragement, and constant collaboration. The first of the four is a film editor, the second is a scriptwriter, the third is the mother of my daughter, Pat, and the fourth is as fine a cook as ever performed miracles in a domestic kitchen. And their names are Alma Reville." Reville wrote or co-wrote on many of Hitchcock's films, including "Shadow of a Doubt", "Suspicion" and "The 39 Steps".
Early sound films.
Hitchcock began work on his tenth film, "Blackmail" (1929), when its production company, British International Pictures (BIP), converted its Elstree studios to sound. The film was the first British ""; this followed the rapid development of sound films in the United States, from the use of brief sound segments in "The Jazz Singer" (1927) to the first full sound feature "Lights of New York" (1928). "Blackmail" began the Hitchcock tradition of using famous landmarks as a backdrop for suspense sequences, with the climax taking place on the dome of the British Museum. It also features one of his longest cameo appearances, which shows him being bothered by a small boy as he reads a book on the London Underground. In the PBS series "The Men Who Made The Movies", Hitchcock explained how he used early sound recording as a special element of the film, stressing the word "knife" in a conversation with the woman suspected of murder. During this period, Hitchcock directed segments for a BIP revue, "Elstree Calling" (1930), and directed a short film, "An Elastic Affair" (1930), featuring two "Film Weekly" scholarship winners. "An Elastic Affair" is one of the lost films.
In 1933, Hitchcock signed a multi-film contract with Gaumont-British, once again working for Michael Balcon. His first film for the company, "The Man Who Knew Too Much" (1934), was a success; his second, "The 39 Steps" (1935), was acclaimed in the UK and gained him recognition in the United States. It also established the quintessential English "Hitchcock blonde" (Madeleine Carroll) as the template for his succession of ice-cold, elegant leading ladies. Screenwriter Robert Towne remarked, "It's not much of an exaggeration to say that all contemporary escapist entertainment begins with "The 39 Steps"". This film was one of the first to introduce the "MacGuffin" plot device, a term coined by the English screenwriter Angus MacPhail. The MacGuffin is an item or goal the protagonist is pursuing, one that otherwise has no narrative value; in "The 39 Steps", the MacGuffin is a stolen set of design plans.
Hitchcock released two spy thrillers in 1936. "Sabotage" was loosely based on Joseph Conrad's novel, "The Secret Agent" (1907), about a woman who discovers that her husband is a terrorist, and "Secret Agent", based on two stories in "" (1928) by W. Somerset Maugham.
At this time, Hitchcock also became notorious for pranks against the cast and crew. These jokes ranged from simple and innocent to crazy and maniacal. For instance, he hosted a dinner party where he dyed all the food blue because he claimed there weren't enough blue foods. He also had a horse delivered to the dressing room of his friend, actor Gerald du Maurier.
Hitchcock followed up with "Young and Innocent" in 1937, a crime thriller based on the 1936 novel "A Shilling for Candles" by Josephine Tey. Starring Nova Pilbeam and Derrick De Marney, the film was relatively enjoyable for the cast and crew to make. To meet distribution purposes in America, the film's runtime was cut and this included removal of one of Hitchcock's favourite scenes: a children's tea party which becomes menacing to the protagonists.
Hitchcock's next major success was "The Lady Vanishes" (1938), "one of the greatest train movies from the genre's golden era", according to Philip French, in which Miss Froy (May Whitty), a British spy posing as a governess, disappears on a train journey through the fictional European country of Bandrika. The film saw Hitchcock receive the 1938 New York Film Critics Circle Award for Best Director. Benjamin Crisler of the "New York Times" wrote in June 1938: "Three unique and valuable institutions the British have that we in America have not: Magna Carta, the Tower Bridge and Alfred Hitchcock, the greatest director of screen melodramas in the world." The film was based on the novel "The Wheel Spins" (1936) written by Ethel Lina White.
By 1938 Hitchcock was aware that he had reached his peak in Britain. He had received numerous offers from producers in the United States, but he turned them all down because he disliked the contractual obligations or thought the projects were repellent. However, producer David O. Selznick offered him a concrete proposal to make a film based on the sinking of , which was eventually shelved, but Selznick persuaded Hitchcock to come to Hollywood. In July 1938, Hitchcock flew to New York, and found that he was already a celebrity; he was featured in magazines and gave interviews to radio stations. In Hollywood, Hitchcock met Selznick for the first time. Selznick offered him a four-film contract, approximately $40,000 for each picture ().
Early Hollywood years: 1939–1945.
Selznick contract.
Selznick signed Hitchcock to a seven-year contract beginning in April 1939, and the Hitchcocks moved to Hollywood. The Hitchcocks lived in a spacious flat on Wilshire Boulevard, and slowly acclimatised themselves to the Los Angeles area. He and his wife Alma kept a low profile, and were not interested in attending parties or being celebrities. Hitchcock discovered his taste for fine food in West Hollywood, but still carried on his way of life from England. He was impressed with Hollywood's filmmaking culture, expansive budgets and efficiency, compared to the limits that he had often faced in Britain. In June that year, "Life" magazine called him the "greatest master of melodrama in screen history".
Although Hitchcock and Selznick respected each other, their working arrangements were sometimes difficult. Selznick suffered from constant financial problems, and Hitchcock was often unhappy about Selznick's creative control and interference over his films. Selznick was also displeased with Hitchcock's method of shooting just what was in the script, and nothing more, which meant that the film could not be cut and remade differently at a later time. As well as complaining about Hitchcock's "goddamn jigsaw cutting", their personalities were mismatched: Hitchcock was reserved whereas Selznick was flamboyant. Eventually, Selznick generously lent Hitchcock to the larger film studios. Selznick made only a few films each year, as did fellow independent producer Samuel Goldwyn, so he did not always have projects for Hitchcock to direct. Goldwyn had also negotiated with Hitchcock on a possible contract, only to be outbid by Selznick. In a later interview, Hitchcock said: "[Selznick] was the Big Producer. ... Producer was king. The most flattering thing Mr. Selznick ever said about me—and it shows you the amount of control—he said I was the 'only director' he'd 'trust with a film'."
Hitchcock approached American cinema cautiously; his first American film was set in England in which the "Americanness" of the characters was incidental: "Rebecca" (1940) was set in a Hollywood version of England's Cornwall and based on a novel by English novelist Daphne du Maurier. Selznick insisted on a faithful adaptation of the book, and disagreed with Hitchcock with the use of humour. The film, starring Laurence Olivier and Joan Fontaine, concerns an unnamed naïve young woman who marries a widowed aristocrat. She lives in his large English country house, and struggles with the lingering reputation of his elegant and worldly first wife Rebecca, who died under mysterious circumstances. The film won Best Picture at the 13th Academy Awards; the statuette was given to producer Selznick. Hitchcock received his first nomination for Best Director, his first of five such nominations.
Hitchcock's second American film was the thriller "Foreign Correspondent" (1940), set in Europe, based on Vincent Sheean's book "Personal History" (1935) and produced by Walter Wanger. It was nominated for Best Picture that year. Hitchcock felt uneasy living and working in Hollywood while Britain was at war; his concern resulted in a film that overtly supported the British war effort. Filmed in 1939, it was inspired by the rapidly changing events in Europe, as covered by an American newspaper reporter played by Joel McCrea. By mixing footage of European scenes with scenes filmed on a Hollywood backlot, the film avoided direct references to Nazism, Nazi Germany, and Germans, to comply with the Motion Picture Production Code at the time.
Early war years.
In September 1940 the Hitchcocks bought the Cornwall Ranch near Scotts Valley, California, in the Santa Cruz Mountains. Their primary residence was an English-style home in Bel Air, purchased in 1942. Hitchcock's films were diverse during this period, ranging from the romantic comedy "Mr. & Mrs. Smith" (1941) to the bleak film noir "Shadow of a Doubt" (1943).
"Suspicion" (1941) marked Hitchcock's first film as a producer and director. It is set in England; Hitchcock used the north coast of Santa Cruz for the English coastline sequence. The film is the first of four in which Cary Grant was cast by Hitchcock, and it is one of the rare occasions that Grant plays a sinister character. Grant plays Johnnie Aysgarth, an English conman whose actions raise suspicion and anxiety in his shy young English wife, Lina McLaidlaw (Joan Fontaine). In one scene, Hitchcock placed a light inside a glass of milk, perhaps poisoned, that Grant is bringing to his wife; the light ensures that the audience's attention is on the glass. Grant's character is actually a killer, as per written in the book, "Before the Fact" by Francis Iles, but the studio felt that Grant's image would be tarnished by that. Hitchcock therefore settled for an ambiguous finale, although he would have preferred to end with the wife's murder. Fontaine won Best Actress for her performance.
"Saboteur" (1942) is the first of two films that Hitchcock made for Universal Studios during the decade. Hitchcock was forced by Universal to use Universal contract player Robert Cummings and Priscilla Lane, a freelancer who signed a one-picture deal with the studio, both known for their work in comedies and light dramas. The story depicts a confrontation between a suspected saboteur (Cummings) and a real saboteur (Norman Lloyd) atop the Statue of Liberty. Hitchcock took a three-day tour of New York City to scout for "Saboteur"s filming locations. He also directed "Have You Heard?" (1942), a photographic dramatisation for "Life" magazine of the dangers of rumours during wartime. In 1943, he wrote a mystery story for "Look" magazine, "The Murder of Monty Woolley", a sequence of captioned photographs inviting the reader to find clues to the murderer's identity; Hitchcock cast the performers as themselves, such as Woolley, Doris Merrick, and make-up man Guy Pearce.
Back in England, Hitchcock's mother Emma was severely ill; she died on 26 September 1942 at age 79. Hitchcock never spoke publicly about his mother, but his assistant said that he admired her. Four months later, on 4 January 1943, his brother William died of an overdose at age 52. Hitchcock was not very close to William, but his death made Hitchcock conscious about his own eating and drinking habits. He was overweight and suffering from back aches. His New Year's resolution in 1943 was to take his diet seriously with the help of a physician. In January that year, "Shadow of a Doubt" was released, which Hitchcock had fond memories of making. In the film, Charlotte "Charlie" Newton (Teresa Wright) suspects her beloved uncle Charlie Oakley (Joseph Cotten) of being a serial killer. Hitchcock filmed extensively on location, this time in the Northern California city of Santa Rosa.
At 20th Century Fox, Hitchcock approached John Steinbeck with an idea for a film, which recorded the experiences of the survivors of a German U-boat attack. Steinbeck began work on the script for what would become "Lifeboat" (1944). However, Steinbeck was unhappy with the film and asked that his name be removed from the credits, to no avail. The idea was rewritten as a short story by Harry Sylvester and published in "Collier's" in 1943. The action sequences were shot in a small boat in the studio water tank. The locale posed problems for Hitchcock's traditional cameo appearance; it was solved by having Hitchcock's image appear in a newspaper that William Bendix is reading in the boat, showing the director in a before-and-after advertisement for "Reduco-Obesity Slayer". He told Truffaut in 1962:
Hitchcock's typical dinner before his weight loss had been a roast chicken, boiled ham, potatoes, bread, vegetables, relishes, salad, dessert, a bottle of wine and some brandy. To lose weight, his diet consisted of black coffee for breakfast and lunch, and steak and salad for dinner, but it was hard to maintain; Donald Spoto wrote that his weight fluctuated considerably over the next 40 years. At the end of 1943, despite the weight loss, the Occidental Insurance Company of Los Angeles refused his application for life insurance.
Wartime non-fiction films.
Hitchcock returned to the UK for an extended visit in late 1943 and early 1944. While there he made two short propaganda films, "Bon Voyage" (1944) and "Aventure Malgache" (1944), for the Ministry of Information. In June and July 1945, Hitchcock served as "treatment advisor" on a Holocaust documentary that used Allied Forces footage of the liberation of Nazi concentration camps. The film was assembled in London and produced by Sidney Bernstein of the Ministry of Information, who brought Hitchcock (a friend of his) on board. It was originally intended to be broadcast to the Germans, but the British government deemed it too traumatic to be shown to a shocked post-war population. Instead, it was transferred in 1952 from the British War Office film vaults to London's Imperial War Museum and remained unreleased until 1985, when an edited version was broadcast as an episode of PBS "Frontline", under the title the Imperial War Museum had given it: "Memory of the Camps". The full-length version of the film, "German Concentration Camps Factual Survey", was restored in 2014 by scholars at the Imperial War Museum.
Selznick contract.
Selznick signed Hitchcock to a seven-year contract beginning in April 1939, and the Hitchcocks moved to Hollywood. The Hitchcocks lived in a spacious flat on Wilshire Boulevard, and slowly acclimatised themselves to the Los Angeles area. He and his wife Alma kept a low profile, and were not interested in attending parties or being celebrities. Hitchcock discovered his taste for fine food in West Hollywood, but still carried on his way of life from England. He was impressed with Hollywood's filmmaking culture, expansive budgets and efficiency, compared to the limits that he had often faced in Britain. In June that year, "Life" magazine called him the "greatest master of melodrama in screen history".
Although Hitchcock and Selznick respected each other, their working arrangements were sometimes difficult. Selznick suffered from constant financial problems, and Hitchcock was often unhappy about Selznick's creative control and interference over his films. Selznick was also displeased with Hitchcock's method of shooting just what was in the script, and nothing more, which meant that the film could not be cut and remade differently at a later time. As well as complaining about Hitchcock's "goddamn jigsaw cutting", their personalities were mismatched: Hitchcock was reserved whereas Selznick was flamboyant. Eventually, Selznick generously lent Hitchcock to the larger film studios. Selznick made only a few films each year, as did fellow independent producer Samuel Goldwyn, so he did not always have projects for Hitchcock to direct. Goldwyn had also negotiated with Hitchcock on a possible contract, only to be outbid by Selznick. In a later interview, Hitchcock said: "[Selznick] was the Big Producer. ... Producer was king. The most flattering thing Mr. Selznick ever said about me—and it shows you the amount of control—he said I was the 'only director' he'd 'trust with a film'."
Hitchcock approached American cinema cautiously; his first American film was set in England in which the "Americanness" of the characters was incidental: "Rebecca" (1940) was set in a Hollywood version of England's Cornwall and based on a novel by English novelist Daphne du Maurier. Selznick insisted on a faithful adaptation of the book, and disagreed with Hitchcock with the use of humour. The film, starring Laurence Olivier and Joan Fontaine, concerns an unnamed naïve young woman who marries a widowed aristocrat. She lives in his large English country house, and struggles with the lingering reputation of his elegant and worldly first wife Rebecca, who died under mysterious circumstances. The film won Best Picture at the 13th Academy Awards; the statuette was given to producer Selznick. Hitchcock received his first nomination for Best Director, his first of five such nominations.
Hitchcock's second American film was the thriller "Foreign Correspondent" (1940), set in Europe, based on Vincent Sheean's book "Personal History" (1935) and produced by Walter Wanger. It was nominated for Best Picture that year. Hitchcock felt uneasy living and working in Hollywood while Britain was at war; his concern resulted in a film that overtly supported the British war effort. Filmed in 1939, it was inspired by the rapidly changing events in Europe, as covered by an American newspaper reporter played by Joel McCrea. By mixing footage of European scenes with scenes filmed on a Hollywood backlot, the film avoided direct references to Nazism, Nazi Germany, and Germans, to comply with the Motion Picture Production Code at the time.
Early war years.
In September 1940 the Hitchcocks bought the Cornwall Ranch near Scotts Valley, California, in the Santa Cruz Mountains. Their primary residence was an English-style home in Bel Air, purchased in 1942. Hitchcock's films were diverse during this period, ranging from the romantic comedy "Mr. & Mrs. Smith" (1941) to the bleak film noir "Shadow of a Doubt" (1943).
"Suspicion" (1941) marked Hitchcock's first film as a producer and director. It is set in England; Hitchcock used the north coast of Santa Cruz for the English coastline sequence. The film is the first of four in which Cary Grant was cast by Hitchcock, and it is one of the rare occasions that Grant plays a sinister character. Grant plays Johnnie Aysgarth, an English conman whose actions raise suspicion and anxiety in his shy young English wife, Lina McLaidlaw (Joan Fontaine). In one scene, Hitchcock placed a light inside a glass of milk, perhaps poisoned, that Grant is bringing to his wife; the light ensures that the audience's attention is on the glass. Grant's character is actually a killer, as per written in the book, "Before the Fact" by Francis Iles, but the studio felt that Grant's image would be tarnished by that. Hitchcock therefore settled for an ambiguous finale, although he would have preferred to end with the wife's murder. Fontaine won Best Actress for her performance.
"Saboteur" (1942) is the first of two films that Hitchcock made for Universal Studios during the decade. Hitchcock was forced by Universal to use Universal contract player Robert Cummings and Priscilla Lane, a freelancer who signed a one-picture deal with the studio, both known for their work in comedies and light dramas. The story depicts a confrontation between a suspected saboteur (Cummings) and a real saboteur (Norman Lloyd) atop the Statue of Liberty. Hitchcock took a three-day tour of New York City to scout for "Saboteur"s filming locations. He also directed "Have You Heard?" (1942), a photographic dramatisation for "Life" magazine of the dangers of rumours during wartime. In 1943, he wrote a mystery story for "Look" magazine, "The Murder of Monty Woolley", a sequence of captioned photographs inviting the reader to find clues to the murderer's identity; Hitchcock cast the performers as themselves, such as Woolley, Doris Merrick, and make-up man Guy Pearce.
Back in England, Hitchcock's mother Emma was severely ill; she died on 26 September 1942 at age 79. Hitchcock never spoke publicly about his mother, but his assistant said that he admired her. Four months later, on 4 January 1943, his brother William died of an overdose at age 52. Hitchcock was not very close to William, but his death made Hitchcock conscious about his own eating and drinking habits. He was overweight and suffering from back aches. His New Year's resolution in 1943 was to take his diet seriously with the help of a physician. In January that year, "Shadow of a Doubt" was released, which Hitchcock had fond memories of making. In the film, Charlotte "Charlie" Newton (Teresa Wright) suspects her beloved uncle Charlie Oakley (Joseph Cotten) of being a serial killer. Hitchcock filmed extensively on location, this time in the Northern California city of Santa Rosa.
At 20th Century Fox, Hitchcock approached John Steinbeck with an idea for a film, which recorded the experiences of the survivors of a German U-boat attack. Steinbeck began work on the script for what would become "Lifeboat" (1944). However, Steinbeck was unhappy with the film and asked that his name be removed from the credits, to no avail. The idea was rewritten as a short story by Harry Sylvester and published in "Collier's" in 1943. The action sequences were shot in a small boat in the studio water tank. The locale posed problems for Hitchcock's traditional cameo appearance; it was solved by having Hitchcock's image appear in a newspaper that William Bendix is reading in the boat, showing the director in a before-and-after advertisement for "Reduco-Obesity Slayer". He told Truffaut in 1962:
Hitchcock's typical dinner before his weight loss had been a roast chicken, boiled ham, potatoes, bread, vegetables, relishes, salad, dessert, a bottle of wine and some brandy. To lose weight, his diet consisted of black coffee for breakfast and lunch, and steak and salad for dinner, but it was hard to maintain; Donald Spoto wrote that his weight fluctuated considerably over the next 40 years. At the end of 1943, despite the weight loss, the Occidental Insurance Company of Los Angeles refused his application for life insurance.
Wartime non-fiction films.
Hitchcock returned to the UK for an extended visit in late 1943 and early 1944. While there he made two short propaganda films, "Bon Voyage" (1944) and "Aventure Malgache" (1944), for the Ministry of Information. In June and July 1945, Hitchcock served as "treatment advisor" on a Holocaust documentary that used Allied Forces footage of the liberation of Nazi concentration camps. The film was assembled in London and produced by Sidney Bernstein of the Ministry of Information, who brought Hitchcock (a friend of his) on board. It was originally intended to be broadcast to the Germans, but the British government deemed it too traumatic to be shown to a shocked post-war population. Instead, it was transferred in 1952 from the British War Office film vaults to London's Imperial War Museum and remained unreleased until 1985, when an edited version was broadcast as an episode of PBS "Frontline", under the title the Imperial War Museum had given it: "Memory of the Camps". The full-length version of the film, "German Concentration Camps Factual Survey", was restored in 2014 by scholars at the Imperial War Museum.
Post-war Hollywood years: 1945–1953.
Later Selznick films.
Hitchcock worked for David Selznick again when he directed "Spellbound" (1945), which explores psychoanalysis and features a dream sequence designed by Salvador Dalí. The dream sequence as it appears in the film is ten minutes shorter than was originally envisioned; Selznick edited it to make it "play" more effectively. Gregory Peck plays amnesiac Dr. Anthony Edwardes under the treatment of analyst Dr. Peterson (Ingrid Bergman), who falls in love with him while trying to unlock his repressed past. Two point-of-view shots were achieved by building a large wooden hand (which would appear to belong to the character whose point of view the camera took) and out-sized props for it to hold: a bucket-sized glass of milk and a large wooden gun. For added novelty and impact, the climactic gunshot was hand-coloured red on some copies of the black-and-white film. The original musical score by Miklós Rózsa makes use of the theremin, and some of it was later adapted by the composer into Rozsa's Piano Concerto Op. 31 (1967) for piano and orchestra.
The spy film "Notorious" followed next in 1946. Hitchcock told François Truffaut that Selznick sold him, Ingrid Bergman, Cary Grant, and Ben Hecht's screenplay, to RKO Radio Pictures as a "package" for $500,000 (equivalent to $ million in ) because of cost overruns on Selznick's "Duel in the Sun" (1946). "Notorious" stars Bergman and Grant, both Hitchcock collaborators, and features a plot about Nazis, uranium and South America. His prescient use of uranium as a plot device led to him being briefly placed under surveillance by the Federal Bureau of Investigation. According to Patrick McGilligan, in or around March 1945, Hitchcock and Hecht consulted Robert Millikan of the California Institute of Technology about the development of a uranium bomb. Selznick complained that the notion was "science fiction", only to be confronted by the news of the detonation of two atomic bombs on Hiroshima and Nagasaki in Japan in August 1945.
Transatlantic Pictures.
Hitchcock formed an independent production company, Transatlantic Pictures, with his friend Sidney Bernstein. He made two films with Transatlantic, one of which was his first colour film. With "Rope" (1948), Hitchcock experimented with marshalling suspense in a confined environment, as he had done earlier with "Lifeboat". The film appears as a very limited number of continuous shots, but it was actually shot in 10 ranging from 4- to 10 minutes each; a 10-minute length of film was the most that a camera's film magazine could hold at the time. Some transitions between reels were hidden by having a dark object fill the entire screen for a moment. Hitchcock used those points to hide the cut, and began the next take with the camera in the same place. The film features James Stewart in the leading role, and was the first of four films that Stewart made with Hitchcock. It was inspired by the Leopold and Loeb case of the 1920s. Critical response at the time was mixed.
"Under Capricorn" (1949), set in 19th-century Australia, also uses the short-lived technique of long takes, but to a more limited extent. He again used Technicolor in this production, then returned to black-and-white for several years. Transatlantic Pictures became inactive after the last two films. Hitchcock filmed "Stage Fright" (1950) at Elstree Studios in England, where he had worked during his British International Pictures contract many years before. He paired one of Warner Bros.' most popular stars, Jane Wyman, with the expatriate German actor Marlene Dietrich and used several prominent British actors, including Michael Wilding, Richard Todd and Alastair Sim. This was Hitchcock's first proper production for Warner Bros., which had distributed "Rope" and "Under Capricorn", because Transatlantic Pictures was experiencing financial difficulties.
His thriller "Strangers on a Train" (1951) was based on the novel of the same name by Patricia Highsmith. Hitchcock combined many elements from his preceding films. He approached Dashiell Hammett to write the dialogue, but Raymond Chandler took over, then left over disagreements with the director. In the film, two men casually meet, one of whom speculates on a foolproof method to murder; he suggests that two people, each wishing to do away with someone, should each perform the other's murder. Farley Granger's role was as the innocent victim of the scheme, while Robert Walker, previously known for "boy-next-door" roles, played the villain. "I Confess" (1953) was set in Quebec with Montgomery Clift as a Catholic priest.
Later Selznick films.
Hitchcock worked for David Selznick again when he directed "Spellbound" (1945), which explores psychoanalysis and features a dream sequence designed by Salvador Dalí. The dream sequence as it appears in the film is ten minutes shorter than was originally envisioned; Selznick edited it to make it "play" more effectively. Gregory Peck plays amnesiac Dr. Anthony Edwardes under the treatment of analyst Dr. Peterson (Ingrid Bergman), who falls in love with him while trying to unlock his repressed past. Two point-of-view shots were achieved by building a large wooden hand (which would appear to belong to the character whose point of view the camera took) and out-sized props for it to hold: a bucket-sized glass of milk and a large wooden gun. For added novelty and impact, the climactic gunshot was hand-coloured red on some copies of the black-and-white film. The original musical score by Miklós Rózsa makes use of the theremin, and some of it was later adapted by the composer into Rozsa's Piano Concerto Op. 31 (1967) for piano and orchestra.
The spy film "Notorious" followed next in 1946. Hitchcock told François Truffaut that Selznick sold him, Ingrid Bergman, Cary Grant, and Ben Hecht's screenplay, to RKO Radio Pictures as a "package" for $500,000 (equivalent to $ million in ) because of cost overruns on Selznick's "Duel in the Sun" (1946). "Notorious" stars Bergman and Grant, both Hitchcock collaborators, and features a plot about Nazis, uranium and South America. His prescient use of uranium as a plot device led to him being briefly placed under surveillance by the Federal Bureau of Investigation. According to Patrick McGilligan, in or around March 1945, Hitchcock and Hecht consulted Robert Millikan of the California Institute of Technology about the development of a uranium bomb. Selznick complained that the notion was "science fiction", only to be confronted by the news of the detonation of two atomic bombs on Hiroshima and Nagasaki in Japan in August 1945.
Transatlantic Pictures.
Hitchcock formed an independent production company, Transatlantic Pictures, with his friend Sidney Bernstein. He made two films with Transatlantic, one of which was his first colour film. With "Rope" (1948), Hitchcock experimented with marshalling suspense in a confined environment, as he had done earlier with "Lifeboat". The film appears as a very limited number of continuous shots, but it was actually shot in 10 ranging from 4- to 10 minutes each; a 10-minute length of film was the most that a camera's film magazine could hold at the time. Some transitions between reels were hidden by having a dark object fill the entire screen for a moment. Hitchcock used those points to hide the cut, and began the next take with the camera in the same place. The film features James Stewart in the leading role, and was the first of four films that Stewart made with Hitchcock. It was inspired by the Leopold and Loeb case of the 1920s. Critical response at the time was mixed.
"Under Capricorn" (1949), set in 19th-century Australia, also uses the short-lived technique of long takes, but to a more limited extent. He again used Technicolor in this production, then returned to black-and-white for several years. Transatlantic Pictures became inactive after the last two films. Hitchcock filmed "Stage Fright" (1950) at Elstree Studios in England, where he had worked during his British International Pictures contract many years before. He paired one of Warner Bros.' most popular stars, Jane Wyman, with the expatriate German actor Marlene Dietrich and used several prominent British actors, including Michael Wilding, Richard Todd and Alastair Sim. This was Hitchcock's first proper production for Warner Bros., which had distributed "Rope" and "Under Capricorn", because Transatlantic Pictures was experiencing financial difficulties.
His thriller "Strangers on a Train" (1951) was based on the novel of the same name by Patricia Highsmith. Hitchcock combined many elements from his preceding films. He approached Dashiell Hammett to write the dialogue, but Raymond Chandler took over, then left over disagreements with the director. In the film, two men casually meet, one of whom speculates on a foolproof method to murder; he suggests that two people, each wishing to do away with someone, should each perform the other's murder. Farley Granger's role was as the innocent victim of the scheme, while Robert Walker, previously known for "boy-next-door" roles, played the villain. "I Confess" (1953) was set in Quebec with Montgomery Clift as a Catholic priest.
Peak years: 1954–1964.
"Dial M for Murder" and "Rear Window".
"I Confess" was followed by three colour films starring Grace Kelly: "Dial M for Murder" (1954), "Rear Window" (1954), and "To Catch a Thief" (1955). In "Dial M for Murder", Ray Milland plays the villain who tries to murder his unfaithful wife (Kelly) for her money. She kills the hired assassin in self-defence, so Milland manipulates the evidence to make it look like murder. Her lover, Mark Halliday (Robert Cummings), and Police Inspector Hubbard (John Williams) save her from execution. Hitchcock experimented with 3D cinematography for "Dial M for Murder".
Hitchcock moved to Paramount Pictures and filmed "Rear Window" (1954), starring James Stewart and Grace Kelly, as well as Thelma Ritter and Raymond Burr. Stewart's character is a photographer named Jeff (based on Robert Capa) who must temporarily use a wheelchair. Out of boredom, he begins observing his neighbours across the courtyard, then becomes convinced that one of them (Raymond Burr) has murdered his wife. Jeff eventually manages to convince his policeman buddy (Wendell Corey) and his girlfriend (Kelly). As with "Lifeboat" and "Rope", the principal characters are depicted in confined or cramped quarters, in this case Stewart's studio apartment. Hitchcock uses close-ups of Stewart's face to show his character's reactions, "from the comic voyeurism directed at his neighbours to his helpless terror watching Kelly and Burr in the villain's apartment".
"Alfred Hitchcock Presents".
From 1955 to 1965, Hitchcock was the host of the television series "Alfred Hitchcock Presents". With his droll delivery, gallows humour and iconic image, the series made Hitchcock a celebrity. The title-sequence of the show pictured a minimalist caricature of his profile (he drew it himself; it is composed of only nine strokes), which his real silhouette then filled. The series theme tune was "Funeral March of a Marionette" by the French composer Charles Gounod (1818–1893).
His introductions always included some sort of wry humour, such as the description of a recent multi-person execution hampered by having only one electric chair, while two are shown with a sign "Two chairs—no waiting!" He directed 18 episodes of the series, which aired from 1955 to 1965. It became "The Alfred Hitchcock Hour" in 1962, and NBC broadcast the final episode on 10 May 1965. In the 1980s, a new version of "Alfred Hitchcock Presents" was produced for television, making use of Hitchcock's original introductions in a colourised form.
Hitchcock's success in television spawned a set of short-story collections in his name; these included "Alfred Hitchcock's Anthology", "Stories They Wouldn't Let Me Do on TV," and "Tales My Mother Never Told Me". In 1956, HSD Publications also licensed the director's name to create "Alfred Hitchcock's Mystery Magazine", a monthly digest specialising in crime and detective fiction. Hitchcock's television series were very profitable, and his foreign-language versions of books were bringing revenues of up to $100,000 a year ().
From "To Catch a Thief" to "Vertigo".
In 1955, Hitchcock became a United States citizen. In the same year, his third Grace Kelly film, "To Catch a Thief", was released; it is set in the French Riviera, and stars Kelly and Cary Grant. Grant plays retired thief John Robie, who becomes the prime suspect for a spate of robberies in the Riviera. A thrill-seeking American heiress played by Kelly surmises his true identity and tries to seduce him. "Despite the obvious age disparity between Grant and Kelly and a lightweight plot, the witty script (loaded with double entendres) and the good-natured acting proved a commercial success." It was Hitchcock's last film with Kelly; she married Prince Rainier of Monaco in 1956, and ended her film career afterward. Hitchcock then remade his own 1934 film "The Man Who Knew Too Much" in 1956. This time, the film starred James Stewart and Doris Day, who sang the theme song "Que Sera, Sera", which won the Academy Award for Best Original Song and became a big hit. They play a couple whose son is kidnapped to prevent them from interfering with an assassination. As in the 1934 film, the climax takes place at the Royal Albert Hall.
"The Wrong Man" (1956), Hitchcock's final film for Warner Bros., is a low-key black-and-white production based on a real-life case of mistaken identity reported in "Life" magazine in 1953. This was the only film of Hitchcock to star Henry Fonda, playing a Stork Club musician mistaken for a liquor store thief, who is arrested and tried for robbery while his wife (Vera Miles) emotionally collapses under the strain. Hitchcock told Truffaut that his lifelong fear of the police attracted him to the subject and was embedded in many scenes.
While directing episodes for "Alfred Hitchcock Presents" during the summer of 1957, Hitchcock was admitted to hospital for hernia and gallstones, and had to have his gallbladder removed. Following a successful surgery, he immediately returned to work to prepare for his next project. "Vertigo" (1958) again starred James Stewart, with Kim Novak and Barbara Bel Geddes. He had wanted Vera Miles to play the lead, but she was pregnant. He told Oriana Fallaci: "I was offering her a big part, the chance to become a beautiful sophisticated blonde, a real actress. We'd have spent a heap of dollars on it, and she has the bad taste to get pregnant. I hate pregnant women, because then they have children."
In "Vertigo", Stewart plays Scottie, a former police investigator suffering from acrophobia, who becomes obsessed with a woman he has been hired to shadow (Novak). Scottie's obsession leads to tragedy, and this time Hitchcock did not opt for a happy ending. Some critics, including Donald Spoto and Roger Ebert, agree that "Vertigo" is the director's most personal and revealing film, dealing with the "Pygmalion"-like obsessions of a man who moulds a woman into the person he desires. "Vertigo" explores more frankly and at greater length his interest in the relation between sex and death, than any other work in his filmography.
"Vertigo" contains a camera technique developed by Irmin Roberts, commonly referred to as a dolly zoom, which has been copied by many filmmakers. The film premiered at the San Sebastián International Film Festival, and Hitchcock won the Silver Seashell prize. "Vertigo" is considered a classic, but it attracted mixed reviews and poor box-office receipts at the time; the critic from "Variety" magazine opined that the film was "too slow and too long". Bosley Crowther of the "New York Times" thought it was "devilishly far-fetched", but praised the cast performances and Hitchcock's direction. The picture was also the last collaboration between Stewart and Hitchcock. In the 2002 "Sight & Sound" polls, it ranked just behind "Citizen Kane" (1941); ten years later, in the same magazine, critics chose it as the best film ever made.
"North by Northwest" and "Psycho".
After "Vertigo", the rest of 1958 was a difficult year for Hitchcock. During pre-production of "North by Northwest" (1959), which was a "slow" and "agonising" process, his wife Alma was diagnosed with cancer. While she was in hospital, Hitchcock kept himself occupied with his television work and would visit her every day. Alma underwent surgery and made a full recovery, but it caused Hitchcock to imagine, for the first time, life without her.
Hitchcock followed up with three more successful films, which are also recognised as among his best: "North by Northwest", "Psycho" (1960) and "The Birds" (1963). In "North by Northwest", Cary Grant portrays Roger Thornhill, a Madison Avenue advertising executive who is mistaken for a government secret agent. He is pursued across the United States by enemy agents, including Eve Kendall (Eva Marie Saint). At first, Thornhill believes Kendall is helping him, but then realises that she is an enemy agent; he later learns that she is working undercover for the CIA. During its opening two-week run at Radio City Music Hall, the film grossed $404,056 (equivalent to $ million in ), setting a non-holiday gross record for that theatre. "Time" magazine called the film "smoothly troweled and thoroughly entertaining".
"Psycho" (1960) is arguably Hitchcock's best-known film. Based on Robert Bloch's 1959 novel "Psycho", which was inspired by the case of Ed Gein, the film was produced on a tight budget of $800,000 (equivalent to $ million in ) and shot in black-and-white on a spare set using crew members from "Alfred Hitchcock Presents". The unprecedented violence of the shower scene, the early death of the heroine, and the innocent lives extinguished by a disturbed murderer became the hallmarks of a new horror-film genre. The film proved popular with audiences, with lines stretching outside theatres as viewers waited for the next showing. It broke box-office records in the United Kingdom, France, South America, the United States and Canada, and was a moderate success in Australia for a brief period.
"Psycho" was the most profitable of Hitchcock's career, and he personally earned in excess of $15 million (equivalent to $ million in ). He subsequently swapped his rights to "Psycho" and his TV anthology for 150,000 shares of MCA, making him the third largest shareholder and his own boss at Universal, in theory at least, although that did not stop studio interference. Following the first film, "Psycho" became an American horror franchise: "Psycho II", "Psycho III", "Bates Motel", "", and a colour 1998 remake of the original.
Truffaut interview.
On 13 August 1962, Hitchcock's 63rd birthday, the French director François Truffaut began a 50-hour interview of Hitchcock, filmed over eight days at Universal Studios, during which Hitchcock agreed to answer 500 questions. It took four years to transcribe the tapes and organise the images; it was published as a book in 1967, which Truffaut nicknamed the "Hitchbook". The audio tapes were used as the basis of a documentary in 2015. Truffaut sought the interview because it was clear to him that Hitchcock was not simply the mass-market entertainer the American media made him out to be. It was obvious from his films, Truffaut wrote, that Hitchcock had "given more thought to the potential of his art than any of his colleagues". He compared the interview to "Oedipus' consultation of the oracle".
"The Birds".
The film scholar Peter William Evans wrote that "The Birds" (1963) and "Marnie" (1964) are regarded as "undisputed masterpieces". Hitchcock had intended to film "Marnie" first, and in March 1962 it was announced that Grace Kelly, Princess Grace of Monaco since 1956, would come out of retirement to star in it. When Kelly asked Hitchcock to postpone "Marnie" until 1963 or 1964, he recruited Evan Hunter, author of "The Blackboard Jungle" (1954), to develop a screenplay based on a Daphne du Maurier short story, "The Birds" (1952), which Hitchcock had republished in his "My Favorites in Suspense" (1959). He hired Tippi Hedren to play the lead role. It was her first role; she had been a model in New York when Hitchcock saw her, in October 1961, in an NBC television advert for Sego, a diet drink: "I signed her because she is a classic beauty. Movies don't have them any more. Grace Kelly was the last." He insisted, without explanation, that her first name be written in single quotation marks: 'Tippi'.
In "The Birds", Melanie Daniels, a young socialite, meets lawyer Mitch Brenner (Rod Taylor) in a bird shop; Jessica Tandy plays his possessive mother. Hedren visits him in Bodega Bay (where "The Birds" was filmed) carrying a pair of lovebirds as a gift. Suddenly waves of birds start gathering, watching, and attacking. The question: "What do the birds want?" is left unanswered. Hitchcock made the film with equipment from the Revue Studio, which made "Alfred Hitchcock Presents". He said it was his most technically challenging film, using a combination of trained and mechanical birds against a backdrop of wild ones. Every shot was sketched in advance.
An HBO/BBC television film, "The Girl" (2012), depicted Hedren's experiences on set; she said that Hitchcock became obsessed with her and sexually harassed her. He reportedly isolated her from the rest of the crew, had her followed, whispered obscenities to her, had her handwriting analysed, and had a ramp built from his private office directly into her trailer. Diane Baker, her co-star in "Marnie", said: "[N]othing could have been more horrible for me than to arrive on that movie set and to see her being treated the way she was." While filming the attack scene in the attic—which took a week to film—she was placed in a caged room while two men wearing elbow-length protective gloves threw live birds at her. Toward the end of the week, to stop the birds' flying away from her too soon, one leg of each bird was attached by nylon thread to elastic bands sewn inside her clothes. She broke down after a bird cut her lower eyelid, and filming was halted on doctor's orders.
"Marnie".
In June 1962, Grace Kelly announced that she had decided against appearing in "Marnie" (1964). Hedren had signed an exclusive seven-year, $500-a-week contract with Hitchcock in October 1961, and he decided to cast her in the lead role opposite Sean Connery. In 2016, describing Hedren's performance as "one of the greatest in the history of cinema", Richard Brody called the film a "story of sexual violence" inflicted on the character played by Hedren: "The film is, to put it simply, sick, and it's so because Hitchcock was sick. He suffered all his life from furious sexual desire, suffered from the lack of its gratification, suffered from the inability to transform fantasy into reality, and then went ahead and did so virtually, by way of his art." A 1964 "New York Times" film review called it Hitchcock's "most disappointing film in years", citing Hedren's and Connery's lack of experience, an amateurish script and "glaringly fake cardboard backdrops".
In the film, Marnie Edgar (Hedren) steals $10,000 from her employer and goes on the run. She applies for a job at Mark Rutland's (Connery) company in Philadelphia and steals from there too. Earlier she is shown having a panic attack during a thunderstorm and fearing the colour red. Mark tracks her down and blackmails her into marrying him. She explains that she does not want to be touched, but during the "honeymoon", Mark rapes her. Marnie and Mark discover that Marnie's mother had been a prostitute when Marnie was a child, and that, while the mother was fighting with a client during a thunderstorm—the mother believed the client had tried to molest Marnie—Marnie had killed the client to save her mother. Cured of her fears when she remembers what happened, she decides to stay with Mark.
Hitchcock told cinematographer Robert Burks that the camera had to be placed as close as possible to Hedren when he filmed her face. Evan Hunter, the screenwriter of "The Birds" who was writing "Marnie" too, explained to Hitchcock that, if Mark loved Marnie, he would comfort her, not rape her. Hitchcock reportedly replied: "Evan, when he sticks it in her, I want that camera right on her face!" When Hunter submitted two versions of the script, one without the rape scene, Hitchcock replaced him with Jay Presson Allen.
"Dial M for Murder" and "Rear Window".
"I Confess" was followed by three colour films starring Grace Kelly: "Dial M for Murder" (1954), "Rear Window" (1954), and "To Catch a Thief" (1955). In "Dial M for Murder", Ray Milland plays the villain who tries to murder his unfaithful wife (Kelly) for her money. She kills the hired assassin in self-defence, so Milland manipulates the evidence to make it look like murder. Her lover, Mark Halliday (Robert Cummings), and Police Inspector Hubbard (John Williams) save her from execution. Hitchcock experimented with 3D cinematography for "Dial M for Murder".
Hitchcock moved to Paramount Pictures and filmed "Rear Window" (1954), starring James Stewart and Grace Kelly, as well as Thelma Ritter and Raymond Burr. Stewart's character is a photographer named Jeff (based on Robert Capa) who must temporarily use a wheelchair. Out of boredom, he begins observing his neighbours across the courtyard, then becomes convinced that one of them (Raymond Burr) has murdered his wife. Jeff eventually manages to convince his policeman buddy (Wendell Corey) and his girlfriend (Kelly). As with "Lifeboat" and "Rope", the principal characters are depicted in confined or cramped quarters, in this case Stewart's studio apartment. Hitchcock uses close-ups of Stewart's face to show his character's reactions, "from the comic voyeurism directed at his neighbours to his helpless terror watching Kelly and Burr in the villain's apartment".
"Alfred Hitchcock Presents".
From 1955 to 1965, Hitchcock was the host of the television series "Alfred Hitchcock Presents". With his droll delivery, gallows humour and iconic image, the series made Hitchcock a celebrity. The title-sequence of the show pictured a minimalist caricature of his profile (he drew it himself; it is composed of only nine strokes), which his real silhouette then filled. The series theme tune was "Funeral March of a Marionette" by the French composer Charles Gounod (1818–1893).
His introductions always included some sort of wry humour, such as the description of a recent multi-person execution hampered by having only one electric chair, while two are shown with a sign "Two chairs—no waiting!" He directed 18 episodes of the series, which aired from 1955 to 1965. It became "The Alfred Hitchcock Hour" in 1962, and NBC broadcast the final episode on 10 May 1965. In the 1980s, a new version of "Alfred Hitchcock Presents" was produced for television, making use of Hitchcock's original introductions in a colourised form.
Hitchcock's success in television spawned a set of short-story collections in his name; these included "Alfred Hitchcock's Anthology", "Stories They Wouldn't Let Me Do on TV," and "Tales My Mother Never Told Me". In 1956, HSD Publications also licensed the director's name to create "Alfred Hitchcock's Mystery Magazine", a monthly digest specialising in crime and detective fiction. Hitchcock's television series were very profitable, and his foreign-language versions of books were bringing revenues of up to $100,000 a year ().
From "To Catch a Thief" to "Vertigo".
In 1955, Hitchcock became a United States citizen. In the same year, his third Grace Kelly film, "To Catch a Thief", was released; it is set in the French Riviera, and stars Kelly and Cary Grant. Grant plays retired thief John Robie, who becomes the prime suspect for a spate of robberies in the Riviera. A thrill-seeking American heiress played by Kelly surmises his true identity and tries to seduce him. "Despite the obvious age disparity between Grant and Kelly and a lightweight plot, the witty script (loaded with double entendres) and the good-natured acting proved a commercial success." It was Hitchcock's last film with Kelly; she married Prince Rainier of Monaco in 1956, and ended her film career afterward. Hitchcock then remade his own 1934 film "The Man Who Knew Too Much" in 1956. This time, the film starred James Stewart and Doris Day, who sang the theme song "Que Sera, Sera", which won the Academy Award for Best Original Song and became a big hit. They play a couple whose son is kidnapped to prevent them from interfering with an assassination. As in the 1934 film, the climax takes place at the Royal Albert Hall.
"The Wrong Man" (1956), Hitchcock's final film for Warner Bros., is a low-key black-and-white production based on a real-life case of mistaken identity reported in "Life" magazine in 1953. This was the only film of Hitchcock to star Henry Fonda, playing a Stork Club musician mistaken for a liquor store thief, who is arrested and tried for robbery while his wife (Vera Miles) emotionally collapses under the strain. Hitchcock told Truffaut that his lifelong fear of the police attracted him to the subject and was embedded in many scenes.
While directing episodes for "Alfred Hitchcock Presents" during the summer of 1957, Hitchcock was admitted to hospital for hernia and gallstones, and had to have his gallbladder removed. Following a successful surgery, he immediately returned to work to prepare for his next project. "Vertigo" (1958) again starred James Stewart, with Kim Novak and Barbara Bel Geddes. He had wanted Vera Miles to play the lead, but she was pregnant. He told Oriana Fallaci: "I was offering her a big part, the chance to become a beautiful sophisticated blonde, a real actress. We'd have spent a heap of dollars on it, and she has the bad taste to get pregnant. I hate pregnant women, because then they have children."
In "Vertigo", Stewart plays Scottie, a former police investigator suffering from acrophobia, who becomes obsessed with a woman he has been hired to shadow (Novak). Scottie's obsession leads to tragedy, and this time Hitchcock did not opt for a happy ending. Some critics, including Donald Spoto and Roger Ebert, agree that "Vertigo" is the director's most personal and revealing film, dealing with the "Pygmalion"-like obsessions of a man who moulds a woman into the person he desires. "Vertigo" explores more frankly and at greater length his interest in the relation between sex and death, than any other work in his filmography.
"Vertigo" contains a camera technique developed by Irmin Roberts, commonly referred to as a dolly zoom, which has been copied by many filmmakers. The film premiered at the San Sebastián International Film Festival, and Hitchcock won the Silver Seashell prize. "Vertigo" is considered a classic, but it attracted mixed reviews and poor box-office receipts at the time; the critic from "Variety" magazine opined that the film was "too slow and too long". Bosley Crowther of the "New York Times" thought it was "devilishly far-fetched", but praised the cast performances and Hitchcock's direction. The picture was also the last collaboration between Stewart and Hitchcock. In the 2002 "Sight & Sound" polls, it ranked just behind "Citizen Kane" (1941); ten years later, in the same magazine, critics chose it as the best film ever made.
"North by Northwest" and "Psycho".
After "Vertigo", the rest of 1958 was a difficult year for Hitchcock. During pre-production of "North by Northwest" (1959), which was a "slow" and "agonising" process, his wife Alma was diagnosed with cancer. While she was in hospital, Hitchcock kept himself occupied with his television work and would visit her every day. Alma underwent surgery and made a full recovery, but it caused Hitchcock to imagine, for the first time, life without her.
Hitchcock followed up with three more successful films, which are also recognised as among his best: "North by Northwest", "Psycho" (1960) and "The Birds" (1963). In "North by Northwest", Cary Grant portrays Roger Thornhill, a Madison Avenue advertising executive who is mistaken for a government secret agent. He is pursued across the United States by enemy agents, including Eve Kendall (Eva Marie Saint). At first, Thornhill believes Kendall is helping him, but then realises that she is an enemy agent; he later learns that she is working undercover for the CIA. During its opening two-week run at Radio City Music Hall, the film grossed $404,056 (equivalent to $ million in ), setting a non-holiday gross record for that theatre. "Time" magazine called the film "smoothly troweled and thoroughly entertaining".
"Psycho" (1960) is arguably Hitchcock's best-known film. Based on Robert Bloch's 1959 novel "Psycho", which was inspired by the case of Ed Gein, the film was produced on a tight budget of $800,000 (equivalent to $ million in ) and shot in black-and-white on a spare set using crew members from "Alfred Hitchcock Presents". The unprecedented violence of the shower scene, the early death of the heroine, and the innocent lives extinguished by a disturbed murderer became the hallmarks of a new horror-film genre. The film proved popular with audiences, with lines stretching outside theatres as viewers waited for the next showing. It broke box-office records in the United Kingdom, France, South America, the United States and Canada, and was a moderate success in Australia for a brief period.
"Psycho" was the most profitable of Hitchcock's career, and he personally earned in excess of $15 million (equivalent to $ million in ). He subsequently swapped his rights to "Psycho" and his TV anthology for 150,000 shares of MCA, making him the third largest shareholder and his own boss at Universal, in theory at least, although that did not stop studio interference. Following the first film, "Psycho" became an American horror franchise: "Psycho II", "Psycho III", "Bates Motel", "", and a colour 1998 remake of the original.
Truffaut interview.
On 13 August 1962, Hitchcock's 63rd birthday, the French director François Truffaut began a 50-hour interview of Hitchcock, filmed over eight days at Universal Studios, during which Hitchcock agreed to answer 500 questions. It took four years to transcribe the tapes and organise the images; it was published as a book in 1967, which Truffaut nicknamed the "Hitchbook". The audio tapes were used as the basis of a documentary in 2015. Truffaut sought the interview because it was clear to him that Hitchcock was not simply the mass-market entertainer the American media made him out to be. It was obvious from his films, Truffaut wrote, that Hitchcock had "given more thought to the potential of his art than any of his colleagues". He compared the interview to "Oedipus' consultation of the oracle".
"The Birds".
The film scholar Peter William Evans wrote that "The Birds" (1963) and "Marnie" (1964) are regarded as "undisputed masterpieces". Hitchcock had intended to film "Marnie" first, and in March 1962 it was announced that Grace Kelly, Princess Grace of Monaco since 1956, would come out of retirement to star in it. When Kelly asked Hitchcock to postpone "Marnie" until 1963 or 1964, he recruited Evan Hunter, author of "The Blackboard Jungle" (1954), to develop a screenplay based on a Daphne du Maurier short story, "The Birds" (1952), which Hitchcock had republished in his "My Favorites in Suspense" (1959). He hired Tippi Hedren to play the lead role. It was her first role; she had been a model in New York when Hitchcock saw her, in October 1961, in an NBC television advert for Sego, a diet drink: "I signed her because she is a classic beauty. Movies don't have them any more. Grace Kelly was the last." He insisted, without explanation, that her first name be written in single quotation marks: 'Tippi'.
In "The Birds", Melanie Daniels, a young socialite, meets lawyer Mitch Brenner (Rod Taylor) in a bird shop; Jessica Tandy plays his possessive mother. Hedren visits him in Bodega Bay (where "The Birds" was filmed) carrying a pair of lovebirds as a gift. Suddenly waves of birds start gathering, watching, and attacking. The question: "What do the birds want?" is left unanswered. Hitchcock made the film with equipment from the Revue Studio, which made "Alfred Hitchcock Presents". He said it was his most technically challenging film, using a combination of trained and mechanical birds against a backdrop of wild ones. Every shot was sketched in advance.
An HBO/BBC television film, "The Girl" (2012), depicted Hedren's experiences on set; she said that Hitchcock became obsessed with her and sexually harassed her. He reportedly isolated her from the rest of the crew, had her followed, whispered obscenities to her, had her handwriting analysed, and had a ramp built from his private office directly into her trailer. Diane Baker, her co-star in "Marnie", said: "[N]othing could have been more horrible for me than to arrive on that movie set and to see her being treated the way she was." While filming the attack scene in the attic—which took a week to film—she was placed in a caged room while two men wearing elbow-length protective gloves threw live birds at her. Toward the end of the week, to stop the birds' flying away from her too soon, one leg of each bird was attached by nylon thread to elastic bands sewn inside her clothes. She broke down after a bird cut her lower eyelid, and filming was halted on doctor's orders.
"Marnie".
In June 1962, Grace Kelly announced that she had decided against appearing in "Marnie" (1964). Hedren had signed an exclusive seven-year, $500-a-week contract with Hitchcock in October 1961, and he decided to cast her in the lead role opposite Sean Connery. In 2016, describing Hedren's performance as "one of the greatest in the history of cinema", Richard Brody called the film a "story of sexual violence" inflicted on the character played by Hedren: "The film is, to put it simply, sick, and it's so because Hitchcock was sick. He suffered all his life from furious sexual desire, suffered from the lack of its gratification, suffered from the inability to transform fantasy into reality, and then went ahead and did so virtually, by way of his art." A 1964 "New York Times" film review called it Hitchcock's "most disappointing film in years", citing Hedren's and Connery's lack of experience, an amateurish script and "glaringly fake cardboard backdrops".
In the film, Marnie Edgar (Hedren) steals $10,000 from her employer and goes on the run. She applies for a job at Mark Rutland's (Connery) company in Philadelphia and steals from there too. Earlier she is shown having a panic attack during a thunderstorm and fearing the colour red. Mark tracks her down and blackmails her into marrying him. She explains that she does not want to be touched, but during the "honeymoon", Mark rapes her. Marnie and Mark discover that Marnie's mother had been a prostitute when Marnie was a child, and that, while the mother was fighting with a client during a thunderstorm—the mother believed the client had tried to molest Marnie—Marnie had killed the client to save her mother. Cured of her fears when she remembers what happened, she decides to stay with Mark.
Hitchcock told cinematographer Robert Burks that the camera had to be placed as close as possible to Hedren when he filmed her face. Evan Hunter, the screenwriter of "The Birds" who was writing "Marnie" too, explained to Hitchcock that, if Mark loved Marnie, he would comfort her, not rape her. Hitchcock reportedly replied: "Evan, when he sticks it in her, I want that camera right on her face!" When Hunter submitted two versions of the script, one without the rape scene, Hitchcock replaced him with Jay Presson Allen.
Later years: 1966–1980.
Final films.
Failing health reduced Hitchcock's output during the last two decades of his life. Biographer Stephen Rebello claimed Universal imposed two films on him, "Torn Curtain" (1966) and "Topaz" (1969), the latter of which is based on a Leon Uris novel, partly set in Cuba. Both were spy thrillers with Cold War-related themes. "Torn Curtain", with Paul Newman and Julie Andrews, precipitated the bitter end of the 12-year collaboration between Hitchcock and composer Bernard Herrmann. Hitchcock was unhappy with Herrmann's score and replaced him with John Addison, Jay Livingston and Ray Evans. Upon release, "Torn Curtain" was a box office disappointment, and "Topaz" was disliked by critics and the studio.
Hitchcock returned to Britain to make his penultimate film, "Frenzy" (1972), based on the novel "Goodbye Piccadilly, Farewell Leicester Square" (1966). After two espionage films, the plot marked a return to the murder-thriller genre. Richard Blaney (Jon Finch), a volatile barman with a history of explosive anger, becomes the prime suspect in the investigation into the "Necktie Murders", which are actually committed by his friend Bob Rusk (Barry Foster). This time, Hitchcock makes the victim and villain kindreds, rather than opposites as in "Strangers on a Train".
In "Frenzy", Hitchcock allowed nudity for the first time. Two scenes show naked women, one of whom is being raped and strangled; Donald Spoto called the latter "one of the most repellent examples of a detailed murder in the history of film". Both actors, Barbara Leigh-Hunt and Anna Massey, refused to do the scenes, so models were used instead. Biographers have noted that Hitchcock had always pushed the limits of film censorship, often managing to fool Joseph Breen, the head of the Motion Picture Production Code. Hitchcock would add subtle hints of improprieties forbidden by censorship until the mid-1960s. Yet Patrick McGilligan wrote that Breen and others often realised that Hitchcock was inserting such material and were actually amused, as well as alarmed by Hitchcock's "inescapable inferences".
"Family Plot" (1976) was Hitchcock's last film. It relates the escapades of "Madam" Blanche Tyler, played by Barbara Harris, a fraudulent spiritualist, and her taxi-driver lover Bruce Dern, making a living from her phony powers. While "Family Plot" was based on the Victor Canning novel "The Rainbird Pattern" (1972), the novel's tone is more sinister. Screenwriter Ernest Lehman originally wrote the film, under the working title "Deception", with a dark tone but was pushed to a lighter, more comical tone by Hitchcock where it took the name "Deceit", then finally, "Family Plot".
Knighthood and death.
Toward the end of his life, Hitchcock was working on the script for a spy thriller, "The Short Night", collaborating with James Costigan, Ernest Lehman and David Freeman. Despite preliminary work, it was never filmed. Hitchcock's health was declining and he was worried about his wife, who had suffered a stroke. The screenplay was eventually published in Freeman's book "The Last Days of Alfred Hitchcock" (1999).
Having refused a CBE in 1962, Hitchcock was appointed a Knight Commander of the Most Excellent Order of the British Empire (KBE) in the 1980 New Year Honours. He was too ill to travel to London—he had a pacemaker and was being given cortisone injections for his arthritis—so on 3 January 1980 the British consul general presented him with the papers at Universal Studios. Asked by a reporter after the ceremony why it had taken the Queen so long, Hitchcock quipped, "I suppose it was a matter of carelessness." Cary Grant, Janet Leigh, and others attended a luncheon afterwards.
His last public appearance was on 16 March 1980, when he introduced the next year's winner of the American Film Institute award. He died of kidney failure the following month, on 29 April, in his Bel Air home. Donald Spoto, one of Hitchcock's biographers, wrote that Hitchcock had declined to see a priest, but according to Jesuit priest Mark Henninger, he and another priest, Tom Sullivan, celebrated Mass at the filmmaker's home, and Sullivan heard his confession. Hitchcock was survived by his wife and daughter. His funeral was held at Good Shepherd Catholic Church in Beverly Hills on 30 April, after which his body was cremated. His remains were scattered over the Pacific Ocean on 10 May 1980.
Final films.
Failing health reduced Hitchcock's output during the last two decades of his life. Biographer Stephen Rebello claimed Universal imposed two films on him, "Torn Curtain" (1966) and "Topaz" (1969), the latter of which is based on a Leon Uris novel, partly set in Cuba. Both were spy thrillers with Cold War-related themes. "Torn Curtain", with Paul Newman and Julie Andrews, precipitated the bitter end of the 12-year collaboration between Hitchcock and composer Bernard Herrmann. Hitchcock was unhappy with Herrmann's score and replaced him with John Addison, Jay Livingston and Ray Evans. Upon release, "Torn Curtain" was a box office disappointment, and "Topaz" was disliked by critics and the studio.
Hitchcock returned to Britain to make his penultimate film, "Frenzy" (1972), based on the novel "Goodbye Piccadilly, Farewell Leicester Square" (1966). After two espionage films, the plot marked a return to the murder-thriller genre. Richard Blaney (Jon Finch), a volatile barman with a history of explosive anger, becomes the prime suspect in the investigation into the "Necktie Murders", which are actually committed by his friend Bob Rusk (Barry Foster). This time, Hitchcock makes the victim and villain kindreds, rather than opposites as in "Strangers on a Train".
In "Frenzy", Hitchcock allowed nudity for the first time. Two scenes show naked women, one of whom is being raped and strangled; Donald Spoto called the latter "one of the most repellent examples of a detailed murder in the history of film". Both actors, Barbara Leigh-Hunt and Anna Massey, refused to do the scenes, so models were used instead. Biographers have noted that Hitchcock had always pushed the limits of film censorship, often managing to fool Joseph Breen, the head of the Motion Picture Production Code. Hitchcock would add subtle hints of improprieties forbidden by censorship until the mid-1960s. Yet Patrick McGilligan wrote that Breen and others often realised that Hitchcock was inserting such material and were actually amused, as well as alarmed by Hitchcock's "inescapable inferences".
"Family Plot" (1976) was Hitchcock's last film. It relates the escapades of "Madam" Blanche Tyler, played by Barbara Harris, a fraudulent spiritualist, and her taxi-driver lover Bruce Dern, making a living from her phony powers. While "Family Plot" was based on the Victor Canning novel "The Rainbird Pattern" (1972), the novel's tone is more sinister. Screenwriter Ernest Lehman originally wrote the film, under the working title "Deception", with a dark tone but was pushed to a lighter, more comical tone by Hitchcock where it took the name "Deceit", then finally, "Family Plot".
Knighthood and death.
Toward the end of his life, Hitchcock was working on the script for a spy thriller, "The Short Night", collaborating with James Costigan, Ernest Lehman and David Freeman. Despite preliminary work, it was never filmed. Hitchcock's health was declining and he was worried about his wife, who had suffered a stroke. The screenplay was eventually published in Freeman's book "The Last Days of Alfred Hitchcock" (1999).
Having refused a CBE in 1962, Hitchcock was appointed a Knight Commander of the Most Excellent Order of the British Empire (KBE) in the 1980 New Year Honours. He was too ill to travel to London—he had a pacemaker and was being given cortisone injections for his arthritis—so on 3 January 1980 the British consul general presented him with the papers at Universal Studios. Asked by a reporter after the ceremony why it had taken the Queen so long, Hitchcock quipped, "I suppose it was a matter of carelessness." Cary Grant, Janet Leigh, and others attended a luncheon afterwards.
His last public appearance was on 16 March 1980, when he introduced the next year's winner of the American Film Institute award. He died of kidney failure the following month, on 29 April, in his Bel Air home. Donald Spoto, one of Hitchcock's biographers, wrote that Hitchcock had declined to see a priest, but according to Jesuit priest Mark Henninger, he and another priest, Tom Sullivan, celebrated Mass at the filmmaker's home, and Sullivan heard his confession. Hitchcock was survived by his wife and daughter. His funeral was held at Good Shepherd Catholic Church in Beverly Hills on 30 April, after which his body was cremated. His remains were scattered over the Pacific Ocean on 10 May 1980.
Filmmaking.
Style and themes.
Hitchcock's film production career evolved from small-scale silent films to financially significant sound films. Hitchcock remarked that he was influenced by early filmmakers George Méliès, D.W. Griffith and Alice Guy-Blaché. His silent films between 1925 and 1929 were in the crime and suspense genres, but also included melodramas and comedies. Whilst visual storytelling was pertinent during the silent era, even after the arrival of sound, Hitchcock still relied on visuals in cinema; he referred to this emphasis on visual storytelling as "pure cinema". In Britain, he honed his craft so that by the time he moved to Hollywood, the director had perfected his style and camera techniques. Hitchcock later said that his British work was the "sensation of cinema", whereas the American phase was when his "ideas were fertilised". Scholar Robin Wood writes that the director's first two films, "The Pleasure Garden" and "The Mountain Eagle", were influenced by German Expressionism. Afterward, he discovered Soviet cinema, and Sergei Eisenstein's and Vsevolod Pudovkin's theories of montage. 1926's "The Lodger" was inspired by both German and Soviet aesthetics, styles which solidified the rest of his career. Although Hitchcock's work in the 1920s found some success, several British reviewers criticised Hitchcock's films for being unoriginal and conceited. Raymond Durgnat opined that Hitchcock's films were carefully and intelligently constructed, but thought they can be shallow and rarely present a "coherent worldview".
Earning the title "Master of Suspense", the director experimented with ways to generate tension in his work. He said, "My suspense work comes out of creating nightmares for the audience. And I "play" with an audience. I make them gasp and surprise them and shock them. When you have a nightmare, it's awfully vivid if you're dreaming that you're being led to the electric chair. Then you're as happy as can be when you wake up because you're relieved." During filming of "North by Northwest", Hitchcock explained his reasons for recreating the set of Mount Rushmore: "The audience responds in proportion to how realistic you make it. One of the dramatic reasons for this type of photography is to get it looking so natural that the audience gets involved and believes, for the time being, what's going on up there on the screen." In a 1963 interview with Italian journalist Oriana Fallaci, Hitchcock was asked how in spite of appearing to be a pleasant, innocuous man, he seemed to enjoy making films involving suspense and terrifying crime. He responded:
Hitchcock's films, from the silent to the sound era, contained a number of recurring themes that he is famous for. His films explored audience as a voyeur, notably in "Rear Window", "Marnie" and "Psycho". He understood that human beings enjoy voyeuristic activities and made the audience participate in it through the character's actions. Of his fifty-three films, eleven revolved around stories of mistaken identity, where an innocent protagonist is accused of a crime and is pursued by police. In most cases, it is an ordinary, everyday person who finds themselves in a dangerous situation. Hitchcock told Truffaut: "That's because the theme of the innocent man being accused, I feel, provides the audience with a greater sense of danger. It's easier for them to identify with him than with a guilty man on the run." One of his constant themes were the struggle of a personality torn between "order and chaos"; known as the notion of "double", which is a comparison or contrast between two characters or objects: the double representing a dark or evil side.
According to Robin Wood, Hitchcock had mixed feelings towards homosexuality despite working with gay actors in his career. Donald Spoto suggests that Hitchcock's sexually repressive childhood may have contributed to his exploration of deviancy. During the 1950s, the Motion Picture Production Code prohibited direct references to homosexuality but the director was known for his subtle references, and pushing the boundaries of the censors. Moreover, "Shadow of a Doubt" has a double incest theme through the storyline, expressed implicitly through images. Author Jane Sloan argues that Hitchcock was drawn to both conventional and unconventional sexual expression in his work, and the theme of marriage was usually presented in a "bleak and skeptical" manner. It was also not until after his mother's death in 1942, that Hitchcock portrayed motherly figures as "notorious monster-mothers". The espionage backdrop, and murders committed by characters with psychopathic tendencies were common themes too. In Hitchcock's depiction of villains and murderers, they were usually charming and friendly, forcing viewers to identify with them. The director's strict childhood and Jesuit education may have led to his distrust of authoritarian figures such as policemen and politicians; a theme which he has explored. Also, he used the "MacGuffin"—the use of an object, person or event to keep the plot moving along even if it was non-essential to the story. Some examples include the microfilm in "North by Northwest" and the stolen $40,000 in "Psycho".
Hitchcock appears briefly in most of his own films. For example, he is seen struggling to get a double bass onto a train ("Strangers on a Train"), walking dogs out of a pet shop ("The Birds"), fixing a neighbour's clock ("Rear Window"), as a shadow ("Family Plot"), sitting at a table in a photograph ("Dial M for Murder"), and riding a bus ("North by Northwest"," To Catch a Thief").
Representation of women.
Hitchcock's portrayal of women has been the subject of much scholarly debate. Bidisha wrote in "The Guardian" in 2010: "There's the vamp, the tramp, the snitch, the witch, the slink, the double-crosser and, best of all, the demon mommy. Don't worry, they all get punished in the end." In a widely cited essay in 1975, Laura Mulvey introduced the idea of the male gaze; the view of the spectator in Hitchcock's films, she argued, is that of the heterosexual male protagonist. "The female characters in his films reflected the same qualities over and over again", Roger Ebert wrote in 1996: "They were blonde. They were icy and remote. They were imprisoned in costumes that subtly combined fashion with fetishism. They mesmerised the men, who often had physical or psychological handicaps. Sooner or later, every Hitchcock woman was humiliated."
The victims in "The Lodger" are all blondes. In "The 39 Steps", Madeleine Carroll is put in handcuffs. Ingrid Bergman, whom Hitchcock directed three times ("Spellbound", "Notorious", and "Under Capricorn"), is dark blonde. In "Rear Window", Lisa (Grace Kelly) risks her life by breaking into Lars Thorwald's apartment. In "To Catch a Thief", Francie (also Kelly) offers to help a man she believes is a burglar. In "Vertigo" and "North by Northwest" respectively, Kim Novak and Eva Marie Saint play the blonde heroines. In "Psycho", Janet Leigh's character steals $40,000 and is murdered by Norman Bates, a reclusive psychopath. Tippi Hedren, a blonde, appears to be the focus of the attacks in "The Birds". In "Marnie", the title character, again played by Hedren, is a thief. In "Topaz", French actresses Dany Robin as Stafford's wife and Claude Jade as Stafford's daughter are blonde heroines, the mistress was played by brunette Karin Dor. Hitchcock's last blonde heroine was Barbara Harris as a phony psychic turned amateur sleuth in "Family Plot" (1976), his final film. In the same film, the diamond smuggler played by Karen Black wears a long blonde wig in several scenes.
His films often feature characters struggling in their relationships with their mothers, such as Norman Bates in "Psycho". In "North by Northwest", Roger Thornhill (Cary Grant) is an innocent man ridiculed by his mother for insisting that shadowy, murderous men are after him. In "The Birds", the Rod Taylor character, an innocent man, finds his world under attack by vicious birds, and struggles to free himself from a clinging mother (Jessica Tandy). The killer in "Frenzy" has a loathing of women but idolises his mother. The villain Bruno in "Strangers on a Train" hates his father, but has an incredibly close relationship with his mother (played by Marion Lorne). Sebastian (Claude Rains) in "Notorious" has a clearly conflicting relationship with his mother, who is (rightly) suspicious of his new bride, Alicia Huberman (Ingrid Bergman).
Relationship with actors.
Hitchcock became known for having remarked that "actors should be treated like cattle". During the filming of "Mr. & Mrs. Smith" (1941), Carole Lombard brought three cows onto the set wearing the name tags of Lombard, Robert Montgomery, and Gene Raymond, the stars of the film, to surprise him. In an episode of "The Dick Cavett Show", originally broadcast on 8 June 1972, Dick Cavett stated as fact that Hitchcock had once called actors cattle. Hitchcock responded by saying that, at one time, he had been accused of calling actors cattle. "I said that I would never say such an unfeeling, rude thing about actors at all. What I probably said, was that all actors should be treated like cattle...In a nice way of course." He then described Carole Lombard's joke, with a smile.
Hitchcock believed that actors should concentrate on their performances and leave work on script and character to the directors and screenwriters. He told Bryan Forbes in 1967: "I remember discussing with a method actor how he was taught and so forth. He said, 'We're taught using improvisation. We are given an idea and then we are turned loose to develop in any way we want to.' I said, 'That's not acting. That's writing.'"
Recalling their experiences on "Lifeboat" for Charles Chandler, author of "It's Only a Movie: Alfred Hitchcock A Personal Biography," Walter Slezak said that Hitchcock "knew more about how to help an actor than any director I ever worked with", and Hume Cronyn dismissed the idea that Hitchcock was not concerned with his actors as "utterly fallacious", describing at length the process of rehearsing and filming "Lifeboat".
Critics observed that, despite his reputation as a man who disliked actors, actors who worked with him often gave brilliant performances. He used the same actors in many of his films; Cary Grant and James Stewart both worked with Hitchcock four times, and Ingrid Bergman and Grace Kelly three. James Mason said that Hitchcock regarded actors as "animated props". For Hitchcock, the actors were part of the film's setting. He told François Truffaut: "The chief requisite for an actor is the ability to do nothing well, which is by no means as easy as it sounds. He should be willing to be used and wholly integrated into the picture by the director and the camera. He must allow the camera to determine the proper emphasis and the most effective dramatic highlights."
Writing, storyboards and production.
Hitchcock planned his scripts in detail with his writers. In "Writing with Hitchcock" (2001), Steven DeRosa noted that Hitchcock supervised them through every draft, asking that they tell the story visually. Hitchcock told Roger Ebert in 1969:
Hitchcock's films were extensively storyboarded to the finest detail. He was reported to have never even bothered looking through the viewfinder, since he did not need to, although in publicity photos he was shown doing so. He also used this as an excuse to never have to change his films from his initial vision. If a studio asked him to change a film, he would claim that it was already shot in a single way, and that there were no alternative takes to consider.
This view of Hitchcock as a director who relied more on pre-production than on the actual production itself has been challenged by Bill Krohn, the American correspondent of French film magazine "Cahiers du Cinéma", in his book "Hitchcock at Work". After investigating script revisions, notes to other production personnel written by or to Hitchcock, and other production material, Krohn observed that Hitchcock's work often deviated from how the screenplay was written or how the film was originally envisioned. He noted that the myth of storyboards in relation to Hitchcock, often regurgitated by generations of commentators on his films, was to a great degree perpetuated by Hitchcock himself or the publicity arm of the studios. For example, the celebrated crop-spraying sequence of "North by Northwest" was not storyboarded at all. After the scene was filmed, the publicity department asked Hitchcock to make storyboards to promote the film, and Hitchcock in turn hired an artist to match the scenes in detail.
Even when storyboards were made, scenes that were shot differed from them significantly. Krohn's analysis of the production of Hitchcock classics like "Notorious" reveals that Hitchcock was flexible enough to change a film's conception during its production. Another example Krohn notes is the American remake of "The Man Who Knew Too Much," whose shooting schedule commenced without a finished script and moreover went over schedule, something that, as Krohn notes, was not an uncommon occurrence on many of Hitchcock's films, including "Strangers on a Train" and "Topaz". While Hitchcock did do a great deal of preparation for all his films, he was fully cognisant that the actual film-making process often deviated from the best-laid plans and was flexible to adapt to the changes and needs of production as his films were not free from the normal hassles faced and common routines used during many other film productions.
Krohn's work also sheds light on Hitchcock's practice of generally shooting in chronological order, which he notes sent many films over budget and over schedule and, more importantly, differed from the standard operating procedure of Hollywood in the Studio System Era. Equally important is Hitchcock's tendency to shoot alternative takes of scenes. This differed from coverage in that the films were not necessarily shot from varying angles so as to give the editor options to shape the film how they chose (often under the producer's aegis). Rather they represented Hitchcock's tendency to give himself options in the editing room, where he would provide advice to his editors after viewing a rough cut of the work.
According to Krohn, this and a great deal of other information revealed through his research of Hitchcock's personal papers, script revisions and the like refute the notion of Hitchcock as a director who was always in control of his films, whose vision of his films did not change during production, which Krohn notes has remained the central long-standing myth of Alfred Hitchcock. Both his fastidiousness and attention to detail also found their way into each film poster for his films. Hitchcock preferred to work with the best talent of his day—film poster designers such as Bill Gold and Saul Bass—who would produce posters that accurately represented his films.
Style and themes.
Hitchcock's film production career evolved from small-scale silent films to financially significant sound films. Hitchcock remarked that he was influenced by early filmmakers George Méliès, D.W. Griffith and Alice Guy-Blaché. His silent films between 1925 and 1929 were in the crime and suspense genres, but also included melodramas and comedies. Whilst visual storytelling was pertinent during the silent era, even after the arrival of sound, Hitchcock still relied on visuals in cinema; he referred to this emphasis on visual storytelling as "pure cinema". In Britain, he honed his craft so that by the time he moved to Hollywood, the director had perfected his style and camera techniques. Hitchcock later said that his British work was the "sensation of cinema", whereas the American phase was when his "ideas were fertilised". Scholar Robin Wood writes that the director's first two films, "The Pleasure Garden" and "The Mountain Eagle", were influenced by German Expressionism. Afterward, he discovered Soviet cinema, and Sergei Eisenstein's and Vsevolod Pudovkin's theories of montage. 1926's "The Lodger" was inspired by both German and Soviet aesthetics, styles which solidified the rest of his career. Although Hitchcock's work in the 1920s found some success, several British reviewers criticised Hitchcock's films for being unoriginal and conceited. Raymond Durgnat opined that Hitchcock's films were carefully and intelligently constructed, but thought they can be shallow and rarely present a "coherent worldview".
Earning the title "Master of Suspense", the director experimented with ways to generate tension in his work. He said, "My suspense work comes out of creating nightmares for the audience. And I "play" with an audience. I make them gasp and surprise them and shock them. When you have a nightmare, it's awfully vivid if you're dreaming that you're being led to the electric chair. Then you're as happy as can be when you wake up because you're relieved." During filming of "North by Northwest", Hitchcock explained his reasons for recreating the set of Mount Rushmore: "The audience responds in proportion to how realistic you make it. One of the dramatic reasons for this type of photography is to get it looking so natural that the audience gets involved and believes, for the time being, what's going on up there on the screen." In a 1963 interview with Italian journalist Oriana Fallaci, Hitchcock was asked how in spite of appearing to be a pleasant, innocuous man, he seemed to enjoy making films involving suspense and terrifying crime. He responded:
Hitchcock's films, from the silent to the sound era, contained a number of recurring themes that he is famous for. His films explored audience as a voyeur, notably in "Rear Window", "Marnie" and "Psycho". He understood that human beings enjoy voyeuristic activities and made the audience participate in it through the character's actions. Of his fifty-three films, eleven revolved around stories of mistaken identity, where an innocent protagonist is accused of a crime and is pursued by police. In most cases, it is an ordinary, everyday person who finds themselves in a dangerous situation. Hitchcock told Truffaut: "That's because the theme of the innocent man being accused, I feel, provides the audience with a greater sense of danger. It's easier for them to identify with him than with a guilty man on the run." One of his constant themes were the struggle of a personality torn between "order and chaos"; known as the notion of "double", which is a comparison or contrast between two characters or objects: the double representing a dark or evil side.
According to Robin Wood, Hitchcock had mixed feelings towards homosexuality despite working with gay actors in his career. Donald Spoto suggests that Hitchcock's sexually repressive childhood may have contributed to his exploration of deviancy. During the 1950s, the Motion Picture Production Code prohibited direct references to homosexuality but the director was known for his subtle references, and pushing the boundaries of the censors. Moreover, "Shadow of a Doubt" has a double incest theme through the storyline, expressed implicitly through images. Author Jane Sloan argues that Hitchcock was drawn to both conventional and unconventional sexual expression in his work, and the theme of marriage was usually presented in a "bleak and skeptical" manner. It was also not until after his mother's death in 1942, that Hitchcock portrayed motherly figures as "notorious monster-mothers". The espionage backdrop, and murders committed by characters with psychopathic tendencies were common themes too. In Hitchcock's depiction of villains and murderers, they were usually charming and friendly, forcing viewers to identify with them. The director's strict childhood and Jesuit education may have led to his distrust of authoritarian figures such as policemen and politicians; a theme which he has explored. Also, he used the "MacGuffin"—the use of an object, person or event to keep the plot moving along even if it was non-essential to the story. Some examples include the microfilm in "North by Northwest" and the stolen $40,000 in "Psycho".
Hitchcock appears briefly in most of his own films. For example, he is seen struggling to get a double bass onto a train ("Strangers on a Train"), walking dogs out of a pet shop ("The Birds"), fixing a neighbour's clock ("Rear Window"), as a shadow ("Family Plot"), sitting at a table in a photograph ("Dial M for Murder"), and riding a bus ("North by Northwest"," To Catch a Thief").
Representation of women.
Hitchcock's portrayal of women has been the subject of much scholarly debate. Bidisha wrote in "The Guardian" in 2010: "There's the vamp, the tramp, the snitch, the witch, the slink, the double-crosser and, best of all, the demon mommy. Don't worry, they all get punished in the end." In a widely cited essay in 1975, Laura Mulvey introduced the idea of the male gaze; the view of the spectator in Hitchcock's films, she argued, is that of the heterosexual male protagonist. "The female characters in his films reflected the same qualities over and over again", Roger Ebert wrote in 1996: "They were blonde. They were icy and remote. They were imprisoned in costumes that subtly combined fashion with fetishism. They mesmerised the men, who often had physical or psychological handicaps. Sooner or later, every Hitchcock woman was humiliated."
The victims in "The Lodger" are all blondes. In "The 39 Steps", Madeleine Carroll is put in handcuffs. Ingrid Bergman, whom Hitchcock directed three times ("Spellbound", "Notorious", and "Under Capricorn"), is dark blonde. In "Rear Window", Lisa (Grace Kelly) risks her life by breaking into Lars Thorwald's apartment. In "To Catch a Thief", Francie (also Kelly) offers to help a man she believes is a burglar. In "Vertigo" and "North by Northwest" respectively, Kim Novak and Eva Marie Saint play the blonde heroines. In "Psycho", Janet Leigh's character steals $40,000 and is murdered by Norman Bates, a reclusive psychopath. Tippi Hedren, a blonde, appears to be the focus of the attacks in "The Birds". In "Marnie", the title character, again played by Hedren, is a thief. In "Topaz", French actresses Dany Robin as Stafford's wife and Claude Jade as Stafford's daughter are blonde heroines, the mistress was played by brunette Karin Dor. Hitchcock's last blonde heroine was Barbara Harris as a phony psychic turned amateur sleuth in "Family Plot" (1976), his final film. In the same film, the diamond smuggler played by Karen Black wears a long blonde wig in several scenes.
His films often feature characters struggling in their relationships with their mothers, such as Norman Bates in "Psycho". In "North by Northwest", Roger Thornhill (Cary Grant) is an innocent man ridiculed by his mother for insisting that shadowy, murderous men are after him. In "The Birds", the Rod Taylor character, an innocent man, finds his world under attack by vicious birds, and struggles to free himself from a clinging mother (Jessica Tandy). The killer in "Frenzy" has a loathing of women but idolises his mother. The villain Bruno in "Strangers on a Train" hates his father, but has an incredibly close relationship with his mother (played by Marion Lorne). Sebastian (Claude Rains) in "Notorious" has a clearly conflicting relationship with his mother, who is (rightly) suspicious of his new bride, Alicia Huberman (Ingrid Bergman).
Relationship with actors.
Hitchcock became known for having remarked that "actors should be treated like cattle". During the filming of "Mr. & Mrs. Smith" (1941), Carole Lombard brought three cows onto the set wearing the name tags of Lombard, Robert Montgomery, and Gene Raymond, the stars of the film, to surprise him. In an episode of "The Dick Cavett Show", originally broadcast on 8 June 1972, Dick Cavett stated as fact that Hitchcock had once called actors cattle. Hitchcock responded by saying that, at one time, he had been accused of calling actors cattle. "I said that I would never say such an unfeeling, rude thing about actors at all. What I probably said, was that all actors should be treated like cattle...In a nice way of course." He then described Carole Lombard's joke, with a smile.
Hitchcock believed that actors should concentrate on their performances and leave work on script and character to the directors and screenwriters. He told Bryan Forbes in 1967: "I remember discussing with a method actor how he was taught and so forth. He said, 'We're taught using improvisation. We are given an idea and then we are turned loose to develop in any way we want to.' I said, 'That's not acting. That's writing.'"
Recalling their experiences on "Lifeboat" for Charles Chandler, author of "It's Only a Movie: Alfred Hitchcock A Personal Biography," Walter Slezak said that Hitchcock "knew more about how to help an actor than any director I ever worked with", and Hume Cronyn dismissed the idea that Hitchcock was not concerned with his actors as "utterly fallacious", describing at length the process of rehearsing and filming "Lifeboat".
Critics observed that, despite his reputation as a man who disliked actors, actors who worked with him often gave brilliant performances. He used the same actors in many of his films; Cary Grant and James Stewart both worked with Hitchcock four times, and Ingrid Bergman and Grace Kelly three. James Mason said that Hitchcock regarded actors as "animated props". For Hitchcock, the actors were part of the film's setting. He told François Truffaut: "The chief requisite for an actor is the ability to do nothing well, which is by no means as easy as it sounds. He should be willing to be used and wholly integrated into the picture by the director and the camera. He must allow the camera to determine the proper emphasis and the most effective dramatic highlights."
Writing, storyboards and production.
Hitchcock planned his scripts in detail with his writers. In "Writing with Hitchcock" (2001), Steven DeRosa noted that Hitchcock supervised them through every draft, asking that they tell the story visually. Hitchcock told Roger Ebert in 1969:
Hitchcock's films were extensively storyboarded to the finest detail. He was reported to have never even bothered looking through the viewfinder, since he did not need to, although in publicity photos he was shown doing so. He also used this as an excuse to never have to change his films from his initial vision. If a studio asked him to change a film, he would claim that it was already shot in a single way, and that there were no alternative takes to consider.
This view of Hitchcock as a director who relied more on pre-production than on the actual production itself has been challenged by Bill Krohn, the American correspondent of French film magazine "Cahiers du Cinéma", in his book "Hitchcock at Work". After investigating script revisions, notes to other production personnel written by or to Hitchcock, and other production material, Krohn observed that Hitchcock's work often deviated from how the screenplay was written or how the film was originally envisioned. He noted that the myth of storyboards in relation to Hitchcock, often regurgitated by generations of commentators on his films, was to a great degree perpetuated by Hitchcock himself or the publicity arm of the studios. For example, the celebrated crop-spraying sequence of "North by Northwest" was not storyboarded at all. After the scene was filmed, the publicity department asked Hitchcock to make storyboards to promote the film, and Hitchcock in turn hired an artist to match the scenes in detail.
Even when storyboards were made, scenes that were shot differed from them significantly. Krohn's analysis of the production of Hitchcock classics like "Notorious" reveals that Hitchcock was flexible enough to change a film's conception during its production. Another example Krohn notes is the American remake of "The Man Who Knew Too Much," whose shooting schedule commenced without a finished script and moreover went over schedule, something that, as Krohn notes, was not an uncommon occurrence on many of Hitchcock's films, including "Strangers on a Train" and "Topaz". While Hitchcock did do a great deal of preparation for all his films, he was fully cognisant that the actual film-making process often deviated from the best-laid plans and was flexible to adapt to the changes and needs of production as his films were not free from the normal hassles faced and common routines used during many other film productions.
Krohn's work also sheds light on Hitchcock's practice of generally shooting in chronological order, which he notes sent many films over budget and over schedule and, more importantly, differed from the standard operating procedure of Hollywood in the Studio System Era. Equally important is Hitchcock's tendency to shoot alternative takes of scenes. This differed from coverage in that the films were not necessarily shot from varying angles so as to give the editor options to shape the film how they chose (often under the producer's aegis). Rather they represented Hitchcock's tendency to give himself options in the editing room, where he would provide advice to his editors after viewing a rough cut of the work.
According to Krohn, this and a great deal of other information revealed through his research of Hitchcock's personal papers, script revisions and the like refute the notion of Hitchcock as a director who was always in control of his films, whose vision of his films did not change during production, which Krohn notes has remained the central long-standing myth of Alfred Hitchcock. Both his fastidiousness and attention to detail also found their way into each film poster for his films. Hitchcock preferred to work with the best talent of his day—film poster designers such as Bill Gold and Saul Bass—who would produce posters that accurately represented his films.
Legacy.
Awards and honours.
Hitchcock was inducted into the Hollywood Walk of Fame on 8 February 1960 with two stars: one for television and a second for his motion pictures. In 1978, John Russell Taylor described him as "the most universally recognizable person in the world" and "a straightforward middle-class Englishman who just happened to be an artistic genius". In 2002, "MovieMaker" named him the most influential director of all time, and a 2007 "The Daily Telegraph" critics' poll ranked him Britain's greatest director. David Gritten, the newspaper's film critic, wrote: "Unquestionably the greatest filmmaker to emerge from these islands, Hitchcock did more than any director to shape modern cinema, which would be utterly different without him. His flair was for narrative, cruelly withholding crucial information (from his characters and from us) and engaging the emotions of the audience like no one else." In 1992, the "Sight & Sound" Critics' Poll ranked Hitchcock at No. 4 in its list of "Top 10 Directors" of all time. In 2002, Hitchcock was ranked 2nd in the critics' top ten poll and 5th in the directors' top ten poll in the list of "The Greatest Directors of All Time" compiled by the "Sight & Sound" magazine. Hitchcock was voted the "Greatest Director of 20th Century" in a poll conducted by Japanese film magazine "kinema Junpo". In 1996, "Entertainment Weekly" ranked Hitchcock at No. 1 in its "50 Greatest Directors" list. Hitchcock was ranked at No. 2 on "Empire" magazine's "Top 40 Greatest Directors of All-Time" list in 2005. In 2007, "Total Film" magazine ranked Hitchcock at No. 1 on its "100 Greatest Film Directors Ever" list.
He won two Golden Globes, eight Laurel Awards, and five lifetime achievement awards, including the first BAFTA Academy Fellowship Award and, in 1979, an AFI Life Achievement Award. He was nominated five times for an Academy Award for Best Director. "Rebecca", nominated for 11 Oscars, won the Academy Award for Best Picture of 1940; another Hitchcock film, "Foreign Correspondent", was also nominated that year. By 2021, nine of his films had been selected for preservation by the US National Film Registry: "Rebecca" (1940; inducted 2018), "Shadow of a Doubt" (1943; inducted 1991), "Notorious" (1946; inducted 2006), "Strangers on a Train" (1951; inducted 2021), "Rear Window" (1954; inducted 1997), "Vertigo" (1958; inducted 1989), "North by Northwest" (1959; inducted 1995), "Psycho" (1960; inducted 1992), and "The Birds" (1963; inducted 2016).
In 2012, Hitchcock was selected by artist Sir Peter Blake, author of the Beatles' "Sgt. Pepper's Lonely Hearts Club Band" album cover, to appear in a new version of the cover, along with other British cultural figures, and he was featured that year in a BBC Radio 4 series, "The New Elizabethans", as someone "whose actions during the reign of Elizabeth II have had a significant impact on lives in these islands and given the age its character". In June 2013 nine restored versions of Hitchcock's early silent films, including "The Pleasure Garden" (1925), were shown at the Brooklyn Academy of Music's Harvey Theatre; known as "The Hitchcock 9", the travelling tribute was organised by the British Film Institute.
Archives.
The Alfred Hitchcock Collection is housed at the Academy Film Archive in Hollywood, California. It includes home movies, 16mm film shot on the set of "Blackmail" (1929) and "Frenzy" (1972), and the earliest known colour footage of Hitchcock. The Academy Film Archive has preserved many of his home movies. The Alfred Hitchcock Papers are housed at the Academy's Margaret Herrick Library. The David O. Selznick and the Ernest Lehman collections housed at the Harry Ransom Humanities Research Center in Austin, Texas, contain material related to Hitchcock's work on the production of "The Paradine Case", "Rebecca", "Spellbound", "North by Northwest" and "Family Plot."
Awards and honours.
Hitchcock was inducted into the Hollywood Walk of Fame on 8 February 1960 with two stars: one for television and a second for his motion pictures. In 1978, John Russell Taylor described him as "the most universally recognizable person in the world" and "a straightforward middle-class Englishman who just happened to be an artistic genius". In 2002, "MovieMaker" named him the most influential director of all time, and a 2007 "The Daily Telegraph" critics' poll ranked him Britain's greatest director. David Gritten, the newspaper's film critic, wrote: "Unquestionably the greatest filmmaker to emerge from these islands, Hitchcock did more than any director to shape modern cinema, which would be utterly different without him. His flair was for narrative, cruelly withholding crucial information (from his characters and from us) and engaging the emotions of the audience like no one else." In 1992, the "Sight & Sound" Critics' Poll ranked Hitchcock at No. 4 in its list of "Top 10 Directors" of all time. In 2002, Hitchcock was ranked 2nd in the critics' top ten poll and 5th in the directors' top ten poll in the list of "The Greatest Directors of All Time" compiled by the "Sight & Sound" magazine. Hitchcock was voted the "Greatest Director of 20th Century" in a poll conducted by Japanese film magazine "kinema Junpo". In 1996, "Entertainment Weekly" ranked Hitchcock at No. 1 in its "50 Greatest Directors" list. Hitchcock was ranked at No. 2 on "Empire" magazine's "Top 40 Greatest Directors of All-Time" list in 2005. In 2007, "Total Film" magazine ranked Hitchcock at No. 1 on its "100 Greatest Film Directors Ever" list.
He won two Golden Globes, eight Laurel Awards, and five lifetime achievement awards, including the first BAFTA Academy Fellowship Award and, in 1979, an AFI Life Achievement Award. He was nominated five times for an Academy Award for Best Director. "Rebecca", nominated for 11 Oscars, won the Academy Award for Best Picture of 1940; another Hitchcock film, "Foreign Correspondent", was also nominated that year. By 2021, nine of his films had been selected for preservation by the US National Film Registry: "Rebecca" (1940; inducted 2018), "Shadow of a Doubt" (1943; inducted 1991), "Notorious" (1946; inducted 2006), "Strangers on a Train" (1951; inducted 2021), "Rear Window" (1954; inducted 1997), "Vertigo" (1958; inducted 1989), "North by Northwest" (1959; inducted 1995), "Psycho" (1960; inducted 1992), and "The Birds" (1963; inducted 2016).
In 2012, Hitchcock was selected by artist Sir Peter Blake, author of the Beatles' "Sgt. Pepper's Lonely Hearts Club Band" album cover, to appear in a new version of the cover, along with other British cultural figures, and he was featured that year in a BBC Radio 4 series, "The New Elizabethans", as someone "whose actions during the reign of Elizabeth II have had a significant impact on lives in these islands and given the age its character". In June 2013 nine restored versions of Hitchcock's early silent films, including "The Pleasure Garden" (1925), were shown at the Brooklyn Academy of Music's Harvey Theatre; known as "The Hitchcock 9", the travelling tribute was organised by the British Film Institute.
Archives.
The Alfred Hitchcock Collection is housed at the Academy Film Archive in Hollywood, California. It includes home movies, 16mm film shot on the set of "Blackmail" (1929) and "Frenzy" (1972), and the earliest known colour footage of Hitchcock. The Academy Film Archive has preserved many of his home movies. The Alfred Hitchcock Papers are housed at the Academy's Margaret Herrick Library. The David O. Selznick and the Ernest Lehman collections housed at the Harry Ransom Humanities Research Center in Austin, Texas, contain material related to Hitchcock's work on the production of "The Paradine Case", "Rebecca", "Spellbound", "North by Northwest" and "Family Plot."
Filmography.
Films.
Silent films
Sound films
Films.
Silent films
Sound films
Notes and sources.
Works cited.
Biographies "(chronological)"
Miscellaneous
Works cited.
Biographies "(chronological)"
Miscellaneous
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1545
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Aga Khan I
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Aga Khan I ( or ) or Hasan Ali Shah () (1804–1881) was the governor of Kirman, the 46th Imam of the Nizari Ismaili Muslims, and a prominent Muslim leader in Iran and later in the Indian subcontinent. He was the first Nizari Imam to hold the title Aga Khan.
Early life and family.
The Imam Hasan Ali Shah was born in 1804 in Kahak, Iran to Shah Khalil Allah III, the 45th Ismaili Imam, and Bibi Sarkara, the daughter of Muhammad Sadiq Mahallati (d. 1815), a poet and a Ni‘mat Allahi Sufi. Shah Khalil Allah moved to Yazd in 1815, probably out of concern for his Indian followers, who used to travel to Persia to see their Imam and for whom Yazd was a much closer and safer destination than Kahak. Meanwhile, his wife and children (Including Hasan Ali) continued to live in Kahak off the revenues obtained from the family holdings in the Mahallat () region. Two years later, in 1817, Shah Khalil Allah was killed in Yazd during a brawl between some of his followers and local shopkeepers. He was succeeded by his eldest son Hasan Ali Shah, also known as Muhammad Hasan, who became the 46th Imam.
While Khalil Allah resided in Yazd, his land holdings in Kahak were being managed by his son-in-law, Imani Khan Farahani, husband of his daughter Shah Bibi. After Khalil Allah's death, a conflict ensued between Imani Khan Farahani and the local Nizaris (followers of Imam Khalil Allah), as a result of which Khalil Allah's widow and children found themselves left unprovided for. The young Imam and his mother moved to Qumm, but their financial situation worsened. The dowager decided to go to the Qajar court in Tehran to obtain justice for her husband's death and was eventually successful. Those who had been involved in the Shah Khalil Allah's murder were punished. Not only that, but the Persian king Fath Ali Shah gave his own daughter, princess Sarv-i-Jahan Khanum, in marriage to the young Imam Hasan Ali Shah and provided a princely dowry in land holdings in the Mahallat region. King Fath Ali Shah also appointed Hasan Ali Shah as governor of Qumm and bestowed upon him the honorific of "Aga Khan". Thus did the title of "Aga Khan" enter the family. Hasan Ali Shah become known as Aga Khan Mahallati, and the title of Aga Khan was inherited by his successors. Aga Khan I's mother later moved to India where she died in 1851. Until Fath Ali Shah's death in 1834, the Imam Hasan Ali Shah enjoyed a quiet life and was held in high esteem at the Qajar court.
Governorship of Kerman.
Soon after the accession of Muhammad Shah Qajar to the throne of his grandfather, Fath Ali Shah, the Imam Hasan Ali Shah was appointed governor of Kerman in 1835. At the time, Kerman was held by the rebellious sons of Shuja al-Saltana, a pretender to the Qajar throne. The area was also frequently raided by the Afghans. Hasan Ali Shah managed to restore order in Kerman, as well as in Bam and Narmashir, which were also held by rebellious groups. Hasan Ali Shah sent a report of his success to Tehran, but did not receive any material appreciation for his achievements. Despite the service he rendered to the Qajar government, Hasan Ali Shah was dismissed from the governorship of Kerman in 1837, less than two years after his arrival there, and was replaced by Firuz Mirza Nusrat al-Dawla, a younger brother of Muhammad Shah Qajar. Refusing to accept his dismissal, Hasan Ali Shah withdrew with his forces to the citadel at Bam. Along with his two brothers, he made preparations to resist the government forces that were sent against him. He was besieged at Bam for some fourteen months. When it was clear that continuing the resistance was of little use, Hasan Ali Shah sent one of his brothers to Shiraz in order to speak to the governor of Fars to intervene on his behalf and arrange for safe passage out of Kerman. With the governor having interceded, Hasan Ali Shah surrendered and emerged from the citadel of Bam only to be double-crossed. He was seized and his possessions were plundered by the government troops. Hasan Ali Shah and his dependents were sent to Kerman and remained as prisoners there for eight months. He was eventually allowed to go to Tehran near the end of 1838-39 where he was able to present his case before the Shah. The Shah pardoned him on the condition that he return peacefully to Mahallat. Hasan Ali Shah remained in Mahallat for about two years. He managed to gather an army in Mahallat which alarmed Muhammad Shah, who travelled to Delijan near Mahallat to determine the truth of the reports about Hasan Ali Shah. Hasan Ali Shah was on a hunting trip at the time, but he sent a messenger to request permission of the monarch to go to Mecca for the hajj pilgrimage. Permission was given, and Hasan Ali Shah's mother and a few relatives were sent to Najaf and other holy cities in Iraq in which the shrines of his ancestors, the Shiite Imams are found.
Prior to leaving Mahallat, Hasan Ali Shah equipped himself with letters appointing him to the governorship of Kerman. Accompanied by his brothers, nephews and other relatives, as well as many followers, he left for Yazd, where he intended to meet some of his local followers. Hasan Ali Shah sent the documents reinstating him to the position of governor of Kerman to Bahman Mirza Baha al-Dawla, the governor of Yazd. Bahman Mirza offered Hasan Ali Shah lodging in the city, but Hasan Ali Shah declined, indicating that he wished to visit his followers living around Yazd. Hajji Mirza Aqasi sent a messenger to Bahman Mirza to inform him of the spuriousness of Hasan Ali Shah's documents and a battle between Bahman Mīrzā and Hasan Ali Shah broke out in which Bahman Mirza was defeated. Other minor battles were won by Hasan Ali Shah before he arrived in Shahr-e Babak, which he intended to use as his base for capturing Kerman. At the time of his arrival in Shahr-e Babak, a formal local governor was engaged in a campaign to drive out the Afghans from the city's citadel, and Hasan Ali Shah joined him in forcing the Afghans to surrender.
Soon after March 1841, Hasan Ali Shah set out for Kerman. He managed to defeat a government force consisting of 4,000 men near Dashtab, and continued to win a number of victories before stopping at Bam for a time. Soon, a government force of 24,000 men forced Hasan Ali Shah to flee from Bam to Rigan on the border of Baluchistan, where he suffered a decisive defeat. Hasan Ali Shah decided to escape to Afghanistan, accompanied by his brothers and many soldiers and servants.
Afghanistan.
Fleeing Iran, Hasan Ali Shah arrived in Kandahar, Afghanistan in 1841 – a town that had been occupied by an Anglo-Indian army in 1839 in the First Anglo-Afghan War. A close relationship developed between Hasan Ali Shah and the British, which coincided with the final years of the First Anglo-Afghan War (1838–1842). After his arrival, Hasan Ali Shah wrote to Sir William Macnaghten, discussing his plans to seize and govern Herat on behalf of the British. Although the proposal seemed to have been approved, the plans of the British were thwarted by the uprising of Dost Muhammad's son Muhammad Akbar Khan, who defeated and annihilated the British-Indian garrison at Gandamak on its retreat from Kabul in January 1842.
Sindh.
Hasan Ali Shah soon proceeded to Sindh, where he rendered further services to the British. The British were able to annex Sindh and for his services, Hasan Ali Shah received an annual pension of £2,000 from General Charles James Napier, the British conqueror of Sindh with whom he had a good relationship.
Bombay.
In October 1844, Hasan Ali Shah left Sindh for the city of Bombay in the Bombay Presidency, British India passing through Cutch and Kathiawar where he spent some time visiting the communities of his followers in the area. After arriving in Bombay in February 1846, the Persian government demanded his extradition from India. The British refused and only agreed to transfer Hasan Ali Shah's residence to Calcutta, where it would be harder for him to launch new attacks against the Persian government. The British also negotiated the safe return of Hasan Ali Shah to Persia, which was in accordance with his own wish. The government agreed to Hasan Ali Shah's return provided that he would avoid passing through Baluchistan and Kirman and that he was to settle peacefully in Mahallat. Hasan Ali Shah was eventually forced to leave for Calcutta in April 1847, where he remained until he received news of the death of Muhammad Shah Qajar. Hasan Ali Shah left for Bombay and the British attempted to obtain permission for his return to Persia. Although some of his lands were restored to the control of his relatives, his safe return could not be arranged, and Hasan Ali Shah was forced to remain a permanent resident of India. While in India, Hasan Ali Shah continued his close relationship with the British, and was even visited by the Prince of Wales (the future King Edward VII) when he was on a state visit to India. The British came to address Hasan Ali Shah as His Highness. Hasan Ali Shah received protection from the British government in British India as the spiritual head of an important Muslim community.
Khoja reassumption and dispute.
The vast majority of his Khoja Ismaili followers in India welcomed him warmly, but some dissident members, sensing their loss of prestige with the arrival of the Imam, wished to maintain control over communal properties. Because of this, Hasan Ali Shah decided to secure a pledge of loyalty from the members of the community to himself and to the Ismaili form of Islam. Although most of the members of the community signed a document issued by Hasan Ali Shah summarizing the practices of the Ismailis, a group of dissenting Khojas surprisingly asserted that the community had always been Sunni. This group was outcast by the unanimous vote of all the Khojas assembled in Bombay. In 1866, these dissenters filed a suit in the Bombay High Court against Hasan Ali Shah, claiming that the Khojas had been Sunni Muslims from the very beginning. The case, commonly referred to as the Aga Khan Case, was heard by Sir Joseph Arnould. The hearing lasted several weeks, and included testimony from Hasan Ali Shah himself. After reviewing the history of the community, Justice Arnould gave a definitive and detailed judgement against the plaintiffs and in favour of Hasan Ali Shah and other defendants. The judgement was significant in that it legally established the status of the Khojas as a community referred to as Shia Nizari Ismailis, and of Hasan Ali Shah as the spiritual head of that community. Hasan Ali Shah's authority thereafter was not seriously challenged again.
Final years.
Hasan Ali Shah spent his final years in Bombay with occasional visits to Pune. Maintaining the traditions of the Iranian nobility to which he belonged, he kept excellent stables and became a well-known figure at the Bombay racecourse. Hasan Ali Shah died after an imamate of sixty-four years in April 1881. He was buried in a specially built shrine at Hasanabad in the Mazagaon area of Bombay. He was survived by three sons and five daughters. Hasan Ali Shah was succeeded as Imam by his eldest son Aqa Ali Shah, who became Aga Khan II.
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1546
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Aga Khan III
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Sultan Muhammad Shah (2 November 187711 July 1957), commonly known by his religious title Aga Khan III, was the 48th Imam of the Nizariyya. He played an important role in British Indian politics.
Born to Aga Khan II in Karachi, Aga Khan III was educated at the Eton College and the University of Cambridge. He succeeded his father as the Imam in 1885 and worked to receive homage of his followers. In 1906, Aga Khan III became a founding member of the All-India Muslim League in British India. In 1932, he was nominated by the League of Nations to represent India and subsequently served as the president of the League of Nations from 1937 to 1938.
Early life.
He was born in Karachi, Sindh during the British Raj in 1877 (now Pakistan), to Aga Khan II and his third wife, Nawab A'lia Shamsul-Muluk, who was a granddaughter of Fath Ali Shah of Persia. After Eton College, he went on to study at the University of Cambridge.
Career.
In 1885, at the age of seven, he succeeded his father as Imam of the Shi'a Isma'ili Muslims.
The Aga Khan travelled in distant parts of the world to receive the homage of his followers, and with the objective either of settling differences or of advancing their welfare by financial help and personal advice and guidance. The distinction of a Knight Commander of the Indian Empire (KCIE) was conferred upon him by Queen Victoria in 1897; and he was promoted to a Knight Grand Commander (GCIE) in the 1902 Coronation Honours list, and invested as such by King Edward VII at Buckingham Palace on 24 October 1902. He was made a Knight Grand Commander of the Order of the Star of India (GCSI) by George V (1912), and appointed a GCMG in 1923. He received like recognition for his public services from the German Emperor, the Sultan of Turkey, the Shah of Persia and other potentates.
In 1906, the Aga Khan was a founding member and first president of the All India Muslim League, a political party which pushed for the creation of an independent Muslim nation in the north west regions of India, then under British colonial rule, and later established the country of Pakistan in 1947.
During the three Round Table Conferences (India) in London from 1930 to 1932, he played an important role to bring about Indian constitutional reforms.
In 1934, he was made a member of the Privy Council and served as a member of the League of Nations (1934–37), becoming the President of the League of Nations in 1937.
Imamat.
Under the leadership of Sir Sultan Muhammad Shah, Aga Khan III, the first half of the 20th century was a period of significant development for the Ismā'īlī community. Numerous institutions for social and economic development were established in the Indian Subcontinent and in East Africa. Ismailis have marked the Jubilees of their Imāms with public celebrations, which are symbolic affirmations of the ties that link the Ismāʿīlī Imām and its followers. Although the Jubilees have no religious significance, they serve to reaffirm the Imamat's worldwide commitment to the improvement of the quality of human life, especially in the developing countries.
The Jubilees of Sir Sultan Mahomed Shah, Aga Khan III, are well remembered. During his 72 years of Imamat (1885–1957), the community celebrated his Golden (1937), Diamond (1946) and Platinum (1954) Jubilees. To show their appreciation and affection, the Ismā'īliyya weighed their Imam in gold, diamonds and, symbolically, in platinum, respectively, the proceeds of which were used to further develop major social welfare and development institutions in Asia and Africa.
In India and later in Pakistan, social development institutions were established, in the words of Aga Khan III, "for the relief of humanity". They included institutions such as the Diamond Jubilee Trust and the Platinum Jubilee Investments Limited which in turn assisted the growth of various types of cooperative societies. "Diamond Jubilee High School for Girls" were established throughout the remote Northern Areas of what is now Pakistan. In addition, scholarship programs, established at the time of the Golden Jubilee to give assistance to needy students, were progressively expanded. In East Africa, major social welfare and economic development institutions were established. Those involved in social welfare included the accelerated development of schools and community centres, and a modern, fully equipped hospital in Nairobi. Among the economic development institutions established in East Africa were companies such as the Diamond Jubilee Investment Trust (now Diamond Trust of Kenya) and the Jubilee Insurance Company, which are quoted on the Nairobi Stock Exchange and have become major players in national development.
Sir Sultan Mahomed Shah also introduced organizational reforms that gave Ismāʿīlī communities the means to structure and regulate their own affairs. These were built on the Muslim tradition of a communitarian ethic on the one hand, and responsible individual conscience with freedom to negotiate one's own moral commitment and destiny on the other. In 1905 he ordained the first Ismā'īlī Constitution for the social governance of the community in East Africa. The new administration for the Community's affairs was organised into a hierarchy of councils at the local, national, and regional levels. The constitution also set out rules in such matters as marriage, divorce and inheritance, guidelines for mutual cooperation and support among Ismā'īlīs, and their interface with other communities. Similar constitutions were promulgated in India, and all were periodically revised to address emerging needs and circumstances in diverse settings.
In 1905, the Aga Khan was involved in the Haji Bibi case, where he was questioned about the origin of his followers. In his response, in addition to enumerating his followers in Iran, Russia, Afghanistan, Central Asia, Syria and other places, he also noted that “In Hindustan and Africa there are many Guptis who believe in me…I consider them Shi’i Imami Ismailis; by caste they are Hindus”.
Following the Second World War, far-reaching social, economic and political changes profoundly affected a number of areas where Ismāʿīlīs resided. In 1947, British rule in the Indian Subcontinent was replaced by the sovereign, independent nations of India, Pakistan and later Bangladesh, resulting in the migration of millions people and significant loss of life and property. In the Middle East, the Suez crisis of 1956 as well as the preceding crisis in Iran, demonstrated the sharp upsurge of nationalism, which was as assertive of the region's social and economic aspirations as of its political independence. Africa was also set on its course to decolonisation, swept by what Harold Macmillan, the then British prime minister, termed the "wind of change". By the early 1960s, most of East and Central Africa, where the majority of the Ismāʿīlī population on the continent resided, including Tanganyika, Kenya, Uganda, Madagascar, Rwanda, Burundi and Zaire, had attained their political independence.
Religious and social views.
The Aga Khan was deeply influenced by the views of Sir Sayyid Ahmad Khan. Along with Sir Sayyid, the Aga Khan was one of the backers and founders of the Aligarh University, for which he tirelessly raised funds and to which he donated large sums of his own money. The Aga Khan himself can be considered an Islamic modernist and an intellectual of the Aligarh movement.
From a religious standpoint, the Aga Khan followed a modernist approach to Islam. He believed there to be no contradiction between religion and modernity, and urged Muslims to embrace modernity. Although he opposed a wholesale replication of Western society by Muslims, the Aga Khan did believe increased contact with the West would be overall beneficial to Muslim society. He was intellectually open to Western philosophy and ideas, and believed engagement with them could lead to a revival and renaissance within Islamic thought.
Like many other Islamic modernists, the Aga Khan held a low opinion of the traditional religious establishment (the ʿUlamāʾ) as well as what he saw as their rigid formalism, legalism, and literalism. Instead, he advocated for renewed ijtihād (independent reasoning) and ijmāʿ (consensus), the latter of which he understood in a modernist way to mean consensus-building. According to him, Muslims should go back to the original sources, especially the Qurʾān, in order to discover the true essence and spirit of Islam. Once the principles of the faith were discovered, they would be seen to be universal and modern. Islam, in his view, had an underlying liberal and democratic spirit. He also called for full civil and religious liberties, peace and disarmament, and an end to all wars.
The Aga Khan opposed sectarianism, which he believed to sap the strength and unity of the Muslim community. In specific, he called for a rapprochement between Sunnism and Shīʿism. This did not mean that he thought religious differences would go away, and he himself instructed his Ismāʿīlī followers to be dedicated to their own teachings. However, he believed in unity through accepting diversity, and by respecting differences of opinion. On his view, there was strength to be found in the diversity of Muslim traditions.
The Aga Khan called for social reform in Muslim society, and he was able to implement them within his own Ismāʿīlī community. As he believed Islam to essentially be a humanitarian religion, the Aga Khan called for the reduction and eradication of poverty. Like Sir Sayyid, the Aga Khan was concerned that Muslims had fallen behind the Hindu community in terms of education. According to him, education was the path to progress. He was a tireless advocate for compulsory and universal primary education, and also for the creation of higher institutions of learning.
In terms of women's rights, the Aga Khan was more progressive in his views than Sir Sayyid and many other Islamic modernists of his time. The Aga Khan framed his pursuit of women's rights not simply in the context of women being better mothers or wives, but rather, for women's own benefit. He endorsed the spiritual equality of men and women in Islam, and he also called for full political equality. This included the right to vote and the right to an education. In regards to the latter issue, he endorsed compulsory primary education for girls. He also encouraged women to pursue higher university-level education, and saw nothing wrong with co-educational institutions. Whereas Sir Sayyid prioritized the education of boys over girls, the Aga Khan instructed his followers that if they had a son and daughter, and if they could only afford to send one of them to school, they should send the daughter over the boy.
The Aga Khan campaigned against the institution of purda and zenāna, which he felt were oppressive and un-Islamic institutions. He completely banned the purda and the face veil for his Ismāʿīlī followers. The Aga Khan also restricted polygamy, encouraged marriage to widows, and banned child marriage. He also made marriage and divorce laws more equitable to women. Overall, he encouraged women to take part in all national activities and to agitate for their full religious, social, and political rights.
Today, in large part due to the Aga Khan's reforms, the Ismāʿīlī community is one of the most progressive, peaceful, and prosperous branches of Islam.
Racehorse ownership and equestrianism.
He was an owner of Thoroughbred racing horses, including a record equalling five winners of The Derby (Blenheim, Bahram, Mahmoud, My Love, Tulyar) and a total of sixteen winners of British Classic Races. He was British flat racing Champion Owner thirteen times. According to Ben Pimlott, biographer of Queen Elizabeth II, the Aga Khan presented Her Majesty with a filly called "Astrakhan", who won at Hurst Park Racecourse in 1950.
In 1926, the Aga Khan gave a cup (the Aga Khan Trophy) to be awarded to the winners of an international team show jumping competition held at the annual horse show of the Royal Dublin Society in Dublin, Ireland every first week in August. It attracts competitors from all of the main show jumping nations and is carried live on Irish national television.
Marriages and children.
Publications.
He wrote a number of books and papers two of which are of immense importance, namely (1) India in Transition, about the prepartition politics of India and (2) The Memoirs of Aga Khan: World Enough and Time, his autobiography. The Aga Khan III proposed "the South Asiatic Federation" in India in Transition that India might be re-organized into some states, and those states should have own autonomies. He was the first person who designed a detailed plan of such a federation of India.
Publications.
He wrote a number of books and papers two of which are of immense importance, namely (1) India in Transition, about the prepartition politics of India and (2) The Memoirs of Aga Khan: World Enough and Time, his autobiography. The Aga Khan III proposed "the South Asiatic Federation" in India in Transition that India might be re-organized into some states, and those states should have own autonomies. He was the first person who designed a detailed plan of such a federation of India.
Death and succession.
Aga Khan III was succeeded as Aga Khan by his grandson Karim Aga Khan, who is the present Imam of the Ismaili Muslims. At the time of his death on 11 July 1957, his family members were in Versoix. A solicitor brought the will of the Aga Khan III from London to Geneva and read it before the family:
"Ever since the time of my ancestor Ali, the first Imam, that is to say over a period of thirteen hundred years, it has always been the tradition of our family that each Imam chooses his successor at his absolute and unfettered discretion from amongst any of his descendants, whether they be sons or remote male issue and in these circumstances and in view of the fundamentally altered conditions in the world in very recent years due to the great changes which have taken place including the discoveries of atomic science, I am convinced that it is in the best interest of the Shia Muslim Ismailia Community that I should be succeeded by a young man who has been brought up and developed during recent years and in the midst of the new age and who brings a new outlook on life to his office as Imam. For these reasons, I appoint my grandson Karim, the son of my own son, Aly Salomone Khan to succeed to the title of Aga Khan and to the Imam and Pir of all Shia Ismailian followers"
He is buried in the Mausoleum of Aga Khan, on the Nile in Aswan, Egypt (at ).
Legacy.
Pakistan Post issued a special 'Birth Centenary of Agha Khan III' postage stamp in his honor in 1977. Pakistan Post again issued a postage stamp in his honor in its 'Pioneers of Freedom' series in 1990. His goal was the advancement of Muslim agendas and protection of Muslim rights in British India. The League, until the late 1930s, was not a large organisation but represented the landed and commercial Muslim interests as well as advocating for British education during the British Raj. There were similarities in the Aga Khan's views on education with those of other Muslim social reformers, but the scholar Shenila Khoja-Moolji argues that he also expressed distinct interest in advancing women's education for women themselves. Aga Khan called on the British Raj to consider Muslims to be a separate nation within India, the famous 'Two Nation Theory'. Even after he resigned as president of the AIML in 1912, he still exerted a major influence on its policies and agendas.
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954
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Albert Speer
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Berthold Konrad Hermann Albert Speer (; ; 19 March 1905 – 1 September 1981) was a German architect who served as the Minister of Armaments and War Production in Nazi Germany during most of World War II. A close ally of Adolf Hitler, he was convicted at the Nuremberg trials and sentenced to 20 years in prison.
An architect by training, Speer joined the Nazi Party in 1931. His architectural skills made him increasingly prominent within the Party, and he became a member of Hitler's inner circle. Hitler commissioned him to design and construct structures including the Reich Chancellery and the Nazi party rally grounds in Nuremberg. In 1937, Hitler appointed Speer as General Building Inspector for Berlin. In this capacity he was responsible for the Central Department for Resettlement that evicted Jewish tenants from their homes in Berlin. In February 1942, Speer was appointed as Reich Minister of Armaments and War Production. Using misleading statistics, he promoted himself as having performed an armaments miracle that was widely credited with keeping Germany in the war. In 1944, Speer established a task force to increase production of fighter aircraft. It became instrumental in exploiting slave labor for the benefit of the German war effort.
After the war, Speer was among the 24 "major war criminals" arrested and charged with the crimes of the Nazi regime at the Nuremberg trials. He was found guilty of war crimes and crimes against humanity, principally for the use of slave labor, narrowly avoiding a death sentence. Having served his full term, Speer was released in 1966. He used his writings from the time of imprisonment as the basis for two autobiographical books, "Inside the Third Reich" and "". Speer's books were a success; the public was fascinated by an inside view of the Third Reich. Speer died of a stroke in 1981. Little remains of his personal architectural work.
Through his autobiographies and interviews, Speer carefully constructed an image of himself as a man who deeply regretted having failed to discover the monstrous crimes of the Third Reich. He continued to deny explicit knowledge of, and responsibility for the Holocaust. This image dominated his historiography in the decades following the war, giving rise to the "Speer Myth": the perception of him as an apolitical technocrat responsible for revolutionizing the German war machine. The myth began to fall apart in the 1980s, when the armaments miracle was attributed to Nazi propaganda. Adam Tooze wrote in "The Wages of Destruction" that the idea that Speer was an apolitical technocrat was "absurd". Martin Kitchen, writing in "", stated that much of the increase in Germany's arms production was actually due to systems instituted by Speer's predecessor (Fritz Todt) and furthermore that Speer was intimately involved in the "Final Solution".
Early years and personal life.
Speer was born in Mannheim, into an upper-middle-class family. He was the second of three sons of Luise Máthilde Wilhelmine (Hommel) and Albert Friedrich Speer. In 1918, the family leased their Mannheim residence and moved to a home they had in Heidelberg. Henry T. King, deputy prosecutor at the Nuremberg trials who later wrote a book about Speer said, "Love and warmth were lacking in the household of Speer's youth." His brothers, Ernst and Hermann, bullied him throughout his childhood. Speer was active in sports, taking up skiing and mountaineering. He followed in the footsteps of his father and grandfather and studied architecture.
Speer began his architectural studies at the University of Karlsruhe instead of a more highly acclaimed institution because the hyperinflation crisis of 1923 limited his parents' income. In 1924, when the crisis had abated, he transferred to the "much more reputable" Technical University of Munich. In 1925, he transferred again, this time to the Technical University of Berlin where he studied under Heinrich Tessenow, whom Speer greatly admired. After passing his exams in 1927, Speer became Tessenow's assistant, a high honor for a man of 22. As such, Speer taught some of his classes while continuing his own postgraduate studies. In Munich Speer began a close friendship, ultimately spanning over 50 years, with Rudolf Wolters, who also studied under Tessenow.
In mid-1922, Speer began courting Margarete (Margret) Weber (1905–1987), the daughter of a successful craftsman who employed 50 workers. The relationship was frowned upon by Speer's class-conscious mother, who felt the Webers were socially inferior. Despite this opposition, the two married in Berlin on 28 August 1928; seven years elapsed before Margarete was invited to stay at her in-laws' home. The couple would have six children together, but Albert Speer grew increasingly distant from his family after 1933. He remained so even after his release from imprisonment in 1966, despite their efforts to forge closer bonds.
Party architect and government functionary.
Joining the Nazis (1931–1934).
In January 1931, Speer applied for Nazi Party membership, and on 1 March 1931, he became member number 474,481. The same year, with stipends shrinking amid the Depression, Speer surrendered his position as Tessenow's assistant and moved to Mannheim, hoping to make a living as an architect. After he failed to do so, his father gave him a part-time job as manager of his properties. In July 1932, the Speers visited Berlin to help out the Party before the "Reichstag" elections. While they were there his friend, Nazi Party official Karl Hanke recommended the young architect to Joseph Goebbels to help renovate the Party's Berlin headquarters. When the commission was completed, Speer returned to Mannheim and remained there as Hitler took office in January 1933.
The organizers of the 1933 Nuremberg Rally asked Speer to submit designs for the rally, bringing him into contact with Hitler for the first time. Neither the organizers nor Rudolf Hess were willing to decide whether to approve the plans, and Hess sent Speer to Hitler's Munich apartment to seek his approval. This work won Speer his first national post, as Nazi Party "Commissioner for the Artistic and Technical Presentation of Party Rallies and Demonstrations".
Shortly after Hitler came into power, he began to make plans to rebuild the chancellery. At the end of 1933, he contracted Paul Troost to renovate the entire building. Hitler appointed Speer, whose work for Goebbels had impressed him, to manage the building site for Troost. As Chancellor, Hitler had a residence in the building and came by every day to be briefed by Speer and the building supervisor on the progress of the renovations. After one of these briefings, Hitler invited Speer to lunch, to the architect's great excitement. Speer quickly became part of Hitler's inner circle; he was expected to call on him in the morning for a walk or chat, to provide consultation on architectural matters, and to discuss Hitler's ideas. Most days he was invited to dinner.
In the English version of his memoirs, Speer says that his political commitment merely consisted of paying his "monthly dues". He assumed his German readers would not be so gullible and told them the Nazi Party offered a "new mission". He was more forthright in an interview with William Hamsher in which he said he joined the party in order to save "Germany from Communism". After the war, he claimed to have had little interest in politics at all and had joined almost by chance. Like many of those in power in the Third Reich, he was not an ideologue, "nor was he anything more than an instinctive anti-Semite." The historian Magnus Brechtken, discussing Speer, said he did not give anti-Jewish public speeches and that his anti-Semitism can best be understood through his actions—which were anti-Semitic. Brechtken added that, throughout Speer's life, his central motives were to gain power, rule, and acquire wealth.
Nazi architect (1934–1937).
When Troost died on 21 January 1934, Speer effectively replaced him as the Party's chief architect. Hitler appointed Speer as head of the Chief Office for Construction, which placed him nominally on Hess's staff.
One of Speer's first commissions after Troost's death was the "Zeppelinfeld" stadium in Nuremberg. It was used for Nazi propaganda rallies and can be seen in Leni Riefenstahl's propaganda film "Triumph of the Will". The building was able to hold 340,000 people. Speer insisted that as many events as possible be held at night, both to give greater prominence to his lighting effects and to hide the overweight Nazis. Nuremberg was the site of many official Nazi buildings. Many more buildings were planned. If built, the German Stadium would have accommodated 400,000 spectators. Speer modified Werner March's design for the being built for the 1936 Summer Olympics. He added a stone exterior that pleased Hitler. Speer designed the German Pavilion for the 1937 international exposition in Paris.
Berlin's General Building Inspector (1937–1942).
On 30 January 1937, Hitler appointed Speer as General Building Inspector for the Reich Capital. This carried with it the rank of State Secretary in the Reich government and gave him extraordinary powers over the Berlin city government. He was to report directly to Hitler, and was independent of both the mayor and the Gauleiter of Berlin. Hitler ordered Speer to develop plans to rebuild Berlin. These centered on a three-mile-long grand boulevard running from north to south, which Speer called the "Prachtstrasse", or Street of Magnificence; he also referred to it as the "North–South Axis". At the northern end of the boulevard, Speer planned to build the "Volkshalle", a huge domed assembly hall over high, with floor space for 180,000 people. At the southern end of the avenue, a great triumphal arch, almost high and able to fit the Arc de Triomphe inside its opening, was planned. The existing Berlin railroad termini were to be dismantled, and two large new stations built. Speer hired Wolters as part of his design team, with special responsibility for the "Prachtstrasse". The outbreak of World War II in 1939 led to the postponement, and later the abandonment, of these plans.
Plans to build a new Reich chancellery had been underway since 1934. Land had been purchased by the end of 1934 and starting in March 1936 the first buildings were demolished to create space at Voßstraße. Speer was involved virtually from the beginning. In the aftermath of the Night of the Long Knives, he had been commissioned to renovate the Borsig Palace on the corner of Voßstraße and Wilhelmstraße as headquarters of the "Sturmabteilung" (SA). He completed the preliminary work for the new chancellery by May 1936. In June 1936 he charged a personal honorarium of 30,000 Reichsmark and estimated the chancellery would be completed within three to four years. Detailed plans were completed in July 1937 and the first shell of the new chancellery was complete on 1 January 1938. On 27 January 1938, Speer received plenipotentiary powers from Hitler to finish the new chancellery by 1 January 1939. For propaganda Hitler claimed during the topping-out ceremony on 2 August 1938, that he had ordered Speer to complete the new chancellery that year. Shortages of labor meant the construction workers had to work in ten-to-twelve-hour shifts. The "Schutzstaffel" (SS) built two concentration camps in 1938 and used the inmates to quarry stone for its construction. A brick factory was built near the Oranienburg concentration camp at Speer's behest; when someone commented on the poor conditions there, Speer stated, "The Yids got used to making bricks while in Egyptian captivity". The chancellery was completed in early January 1939. The building itself was hailed by Hitler as the "crowning glory of the greater German political empire".
During the Chancellery project, the pogrom of "Kristallnacht" took place. Speer made no mention of it in the first draft of "Inside the Third Reich". It was only on the urgent advice of his publisher that he added a mention of seeing the ruins of the Central Synagogue in Berlin from his car. "Kristallnacht" accelerated Speer's ongoing efforts to dispossess Berlin's Jews from their homes. From 1939 on, Speer's Department used the Nuremberg Laws to evict Jewish tenants of non-Jewish landlords in Berlin, to make way for non-Jewish tenants displaced by redevelopment or bombing. Eventually, 75,000 Jews were displaced by these measures. Speer denied he knew they were being put on Holocaust trains and claimed that those displaced were, "Completely free and their families were still in their apartments". He also said: " ... en route to my ministry on the city highway, I could see ... crowds of people on the platform of nearby Nikolassee Railroad Station. I knew that these must be Berlin Jews who were being evacuated. I am sure that an oppressive feeling struck me as I drove past. I presumably had a sense of somber events." Matthias Schmidt said Speer had personally inspected concentration camps and described his comments as an "outright farce". Martin Kitchen described Speer's often repeated line that he knew nothing of the "dreadful things" as hollow—because not only was he fully aware of the fate of the Jews he was actively participating in their persecution.
As Germany started World War II in Europe, Speer instituted quick-reaction squads to construct roads or clear away debris; before long, these units would be used to clear bomb sites. Speer used forced Jewish labor on these projects, in addition to regular German workers. Construction stopped on the Berlin and Nüremberg plans at the outbreak of war. Though stockpiling of materials and other work continued, this slowed to a halt as more resources were needed for the armament industry. Speer's offices undertook building work for each branch of the military, and for the SS, using slave labor. Speer's building work made him among the wealthiest of the Nazi elite.
Joining the Nazis (1931–1934).
In January 1931, Speer applied for Nazi Party membership, and on 1 March 1931, he became member number 474,481. The same year, with stipends shrinking amid the Depression, Speer surrendered his position as Tessenow's assistant and moved to Mannheim, hoping to make a living as an architect. After he failed to do so, his father gave him a part-time job as manager of his properties. In July 1932, the Speers visited Berlin to help out the Party before the "Reichstag" elections. While they were there his friend, Nazi Party official Karl Hanke recommended the young architect to Joseph Goebbels to help renovate the Party's Berlin headquarters. When the commission was completed, Speer returned to Mannheim and remained there as Hitler took office in January 1933.
The organizers of the 1933 Nuremberg Rally asked Speer to submit designs for the rally, bringing him into contact with Hitler for the first time. Neither the organizers nor Rudolf Hess were willing to decide whether to approve the plans, and Hess sent Speer to Hitler's Munich apartment to seek his approval. This work won Speer his first national post, as Nazi Party "Commissioner for the Artistic and Technical Presentation of Party Rallies and Demonstrations".
Shortly after Hitler came into power, he began to make plans to rebuild the chancellery. At the end of 1933, he contracted Paul Troost to renovate the entire building. Hitler appointed Speer, whose work for Goebbels had impressed him, to manage the building site for Troost. As Chancellor, Hitler had a residence in the building and came by every day to be briefed by Speer and the building supervisor on the progress of the renovations. After one of these briefings, Hitler invited Speer to lunch, to the architect's great excitement. Speer quickly became part of Hitler's inner circle; he was expected to call on him in the morning for a walk or chat, to provide consultation on architectural matters, and to discuss Hitler's ideas. Most days he was invited to dinner.
In the English version of his memoirs, Speer says that his political commitment merely consisted of paying his "monthly dues". He assumed his German readers would not be so gullible and told them the Nazi Party offered a "new mission". He was more forthright in an interview with William Hamsher in which he said he joined the party in order to save "Germany from Communism". After the war, he claimed to have had little interest in politics at all and had joined almost by chance. Like many of those in power in the Third Reich, he was not an ideologue, "nor was he anything more than an instinctive anti-Semite." The historian Magnus Brechtken, discussing Speer, said he did not give anti-Jewish public speeches and that his anti-Semitism can best be understood through his actions—which were anti-Semitic. Brechtken added that, throughout Speer's life, his central motives were to gain power, rule, and acquire wealth.
Nazi architect (1934–1937).
When Troost died on 21 January 1934, Speer effectively replaced him as the Party's chief architect. Hitler appointed Speer as head of the Chief Office for Construction, which placed him nominally on Hess's staff.
One of Speer's first commissions after Troost's death was the "Zeppelinfeld" stadium in Nuremberg. It was used for Nazi propaganda rallies and can be seen in Leni Riefenstahl's propaganda film "Triumph of the Will". The building was able to hold 340,000 people. Speer insisted that as many events as possible be held at night, both to give greater prominence to his lighting effects and to hide the overweight Nazis. Nuremberg was the site of many official Nazi buildings. Many more buildings were planned. If built, the German Stadium would have accommodated 400,000 spectators. Speer modified Werner March's design for the being built for the 1936 Summer Olympics. He added a stone exterior that pleased Hitler. Speer designed the German Pavilion for the 1937 international exposition in Paris.
Berlin's General Building Inspector (1937–1942).
On 30 January 1937, Hitler appointed Speer as General Building Inspector for the Reich Capital. This carried with it the rank of State Secretary in the Reich government and gave him extraordinary powers over the Berlin city government. He was to report directly to Hitler, and was independent of both the mayor and the Gauleiter of Berlin. Hitler ordered Speer to develop plans to rebuild Berlin. These centered on a three-mile-long grand boulevard running from north to south, which Speer called the "Prachtstrasse", or Street of Magnificence; he also referred to it as the "North–South Axis". At the northern end of the boulevard, Speer planned to build the "Volkshalle", a huge domed assembly hall over high, with floor space for 180,000 people. At the southern end of the avenue, a great triumphal arch, almost high and able to fit the Arc de Triomphe inside its opening, was planned. The existing Berlin railroad termini were to be dismantled, and two large new stations built. Speer hired Wolters as part of his design team, with special responsibility for the "Prachtstrasse". The outbreak of World War II in 1939 led to the postponement, and later the abandonment, of these plans.
Plans to build a new Reich chancellery had been underway since 1934. Land had been purchased by the end of 1934 and starting in March 1936 the first buildings were demolished to create space at Voßstraße. Speer was involved virtually from the beginning. In the aftermath of the Night of the Long Knives, he had been commissioned to renovate the Borsig Palace on the corner of Voßstraße and Wilhelmstraße as headquarters of the "Sturmabteilung" (SA). He completed the preliminary work for the new chancellery by May 1936. In June 1936 he charged a personal honorarium of 30,000 Reichsmark and estimated the chancellery would be completed within three to four years. Detailed plans were completed in July 1937 and the first shell of the new chancellery was complete on 1 January 1938. On 27 January 1938, Speer received plenipotentiary powers from Hitler to finish the new chancellery by 1 January 1939. For propaganda Hitler claimed during the topping-out ceremony on 2 August 1938, that he had ordered Speer to complete the new chancellery that year. Shortages of labor meant the construction workers had to work in ten-to-twelve-hour shifts. The "Schutzstaffel" (SS) built two concentration camps in 1938 and used the inmates to quarry stone for its construction. A brick factory was built near the Oranienburg concentration camp at Speer's behest; when someone commented on the poor conditions there, Speer stated, "The Yids got used to making bricks while in Egyptian captivity". The chancellery was completed in early January 1939. The building itself was hailed by Hitler as the "crowning glory of the greater German political empire".
During the Chancellery project, the pogrom of "Kristallnacht" took place. Speer made no mention of it in the first draft of "Inside the Third Reich". It was only on the urgent advice of his publisher that he added a mention of seeing the ruins of the Central Synagogue in Berlin from his car. "Kristallnacht" accelerated Speer's ongoing efforts to dispossess Berlin's Jews from their homes. From 1939 on, Speer's Department used the Nuremberg Laws to evict Jewish tenants of non-Jewish landlords in Berlin, to make way for non-Jewish tenants displaced by redevelopment or bombing. Eventually, 75,000 Jews were displaced by these measures. Speer denied he knew they were being put on Holocaust trains and claimed that those displaced were, "Completely free and their families were still in their apartments". He also said: " ... en route to my ministry on the city highway, I could see ... crowds of people on the platform of nearby Nikolassee Railroad Station. I knew that these must be Berlin Jews who were being evacuated. I am sure that an oppressive feeling struck me as I drove past. I presumably had a sense of somber events." Matthias Schmidt said Speer had personally inspected concentration camps and described his comments as an "outright farce". Martin Kitchen described Speer's often repeated line that he knew nothing of the "dreadful things" as hollow—because not only was he fully aware of the fate of the Jews he was actively participating in their persecution.
As Germany started World War II in Europe, Speer instituted quick-reaction squads to construct roads or clear away debris; before long, these units would be used to clear bomb sites. Speer used forced Jewish labor on these projects, in addition to regular German workers. Construction stopped on the Berlin and Nüremberg plans at the outbreak of war. Though stockpiling of materials and other work continued, this slowed to a halt as more resources were needed for the armament industry. Speer's offices undertook building work for each branch of the military, and for the SS, using slave labor. Speer's building work made him among the wealthiest of the Nazi elite.
Minister of Armaments.
Appointment and increasing power.
In 1941, Speer was elected to the Reichstag from electoral constituency 2 (Berlin-West). On 8 February 1942, Reich Minister of Armaments and Munitions Fritz Todt died in a plane crash shortly after taking off from Hitler's eastern headquarters at Rastenburg. Speer arrived there the previous evening and accepted Todt's offer to fly with him to Berlin. Speer cancelled some hours before take-off because the previous night he had been up late in a meeting with Hitler. Hitler appointed Speer in Todt's place. Martin Kitchen, a British historian, says that the choice was not surprising. Speer was loyal to Hitler, and his experience building prisoner of war camps and other structures for the military qualified him for the job. Speer succeeded Todt not only as Reich Minister but in all his other powerful positions, including Inspector General of German Roadways, Inspector General for Water and Energy and Head of the Nazi Party's Office of Technology. At the same time, Hitler also appointed Speer as head of the Organisation Todt, a massive, government-controlled construction company. Characteristically Hitler did not give Speer any clear remit; he was left to fight his contemporaries in the regime for power and control. As an example, he wanted to be given power over all armaments issues under Hermann Göring's Four Year Plan. Göring was reluctant to grant this. However Speer secured Hitler's support, and on 1 March 1942, Göring signed a decree naming Speer "General Plenipotentiary for Armament Tasks" in the Four Year Plan. Speer proved to be ambitious, unrelenting and ruthless. Speer set out to gain control not just of armaments production in the army, but in the whole armed forces. It did not immediately dawn on his political rivals that his calls for rationalization and reorganization were hiding his desire to sideline them and take control. By April 1942, Speer had persuaded Göring to create a three-member Central Planning Board within the Four Year Plan, which he used to obtain supreme authority over procurement and allocation of raw materials and scheduling of production in order to consolidate German war production in a single agency.
Speer was fêted at the time, and in the post-war era, for performing an "armaments miracle" in which German war production dramatically increased. This miracle was brought to a halt in the summer of 1943 by, among other factors, the first sustained Allied bombing. Other factors probably contributed to the increase more than Speer himself. Germany's armaments production had already begun to result in increases under his predecessor, Todt. Naval armaments were not under Speer's supervision until October 1943, nor the Luftwaffe's armaments until June of the following year. Yet each showed comparable increases in production despite not being under Speer's control. Another factor that produced the boom in ammunition was the policy of allocating more coal to the steel industry. Production of every type of weapon peaked in June and July 1944, but there was now a severe shortage of fuel. After August 1944, oil from the Romanian fields was no longer available. Oil production became so low that any possibility of offensive action became impossible and weaponry lay idle.
As Minister of Armaments, Speer was responsible for supplying weapons to the army. With Hitler's full agreement, he decided to prioritize tank production, and he was given unrivaled power to ensure success. Hitler was closely involved with the design of the tanks, but kept changing his mind about the specifications. This delayed the program, and Speer was unable to remedy the situation. In consequence, despite tank production having the highest priority, relatively little of the armaments budget was spent on it. This led to a significant German Army failure at the Battle of Prokhorovka, a major turning point on the Eastern Front against the Soviet Red Army.
As head of Organisation Todt, Speer was directly involved in the construction and alteration of concentration camps. He agreed to expand Auschwitz and some other camps, allocating 13.7 million Reichsmarks for the work to be carried out. This allowed an extra 300 huts to be built at Auschwitz, increasing the total human capacity to 132,000. Included in the building works was material to build gas chambers, crematoria and morgues. The SS called this "Professor Speer's Special Programme".
Speer realized that with six million workers drafted into the armed forces, there was a labor shortage in the war economy, and not enough workers for his factories. In response, Hitler appointed Fritz Sauckel as a "manpower dictator" to obtain new workers. Speer and Sauckel cooperated closely to meet Speer's labor demands. Hitler gave Sauckel a free hand to obtain labor, something that delighted Speer, who had requested 1,000,000 "voluntary" laborers to meet the need for armament workers. Sauckel had whole villages in France, Holland and Belgium forcibly rounded up and shipped to Speer's factories. Sauckel obtained new workers often using the most brutal methods. In occupied areas of the Soviet Union, that had been subject to partisan action, civilian men and women were rounded up en masse and sent to work forcibly in Germany. By April 1943, Sauckel had supplied 1,568,801 "voluntary" laborers, forced laborers, prisoners of war and concentration camp prisoners to Speer for use in his armaments factories. It was for the maltreatment of these people, that Speer was principally convicted at the Nuremberg Trials.
Consolidation of arms production.
Following his appointment as Minister of Armaments, Speer was in control of armaments production solely for the Army. He coveted control of the production of armaments for the "Luftwaffe" and "Kriegsmarine" as well. He set about extending his power and influence with unexpected ambition. His close relationship with Hitler provided him with political protection, and he was able to outwit and outmaneuver his rivals in the regime. Hitler's cabinet was dismayed at his tactics, but, regardless, he was able to accumulate new responsibilities and more power. By July 1943, he had gained control of armaments production for the "Luftwaffe" and "Kriegsmarine". In August 1943, he took control of most of the Ministry of Economics, to become, in Admiral Dönitz's words, "Europe's economic dictator". His formal title was changed on 2 September 1943, to "Reich Minister for Armaments and War Production". He had become one of the most powerful people in Nazi Germany.
Speer and his hand-picked director of submarine construction Otto Merker believed that the shipbuilding industry was being held back by outdated methods, and revolutionary new approaches imposed by outsiders would dramatically improve output. This belief proved incorrect, and Speer and Merker's attempt to build the "Kriegsmarine"s new generation of submarines, the Type XXI and Type XXIII, as prefabricated sections at different facilities rather than at single dockyards contributed to the failure of this strategically important program. The designs were rushed into production, and the completed submarines were crippled by flaws which resulted from the way they had been constructed. While dozens of submarines were built, few ever entered service.
In December 1943, Speer visited Organisation Todt workers in Lapland, while there he seriously damaged his knee and was incapacitated for several months. He was under the dubious care of Professor Karl Gebhardt at a medical clinic called Hohenlychen where patients "mysteriously failed to survive". In mid-January 1944, Speer had a lung embolism and fell seriously ill. Concerned about retaining power, he did not appoint a deputy and continued to direct work of the Armaments Ministry from his bedside. Speer's illness coincided with the Allied "Big Week", a series of bombing raids on the German aircraft factories that were a devastating blow to aircraft production. His political rivals used the opportunity to undermine his authority and damage his reputation with Hitler. He lost Hitler's unconditional support and began to lose power.
In response to the Allied Big Week, Adolf Hitler authorized the creation of a Fighter Staff committee. Its aim was to ensure the preservation and growth of fighter aircraft production. The task force was established by 1 March 1944, orders of Speer, with support from Erhard Milch of the Reich Aviation Ministry. Production of German fighter aircraft more than doubled between 1943 and 1944. The growth, however, consisted in large part of models that were becoming obsolescent and proved easy prey for Allied aircraft. On 1 August 1944, Speer merged the Fighter Staff into a newly formed Armament Staff committee.
The Fighter Staff committee was instrumental in bringing about the increased exploitation of slave labor in the war economy. The SS provided 64,000 prisoners for 20 separate projects from various concentration camps including Mittelbau-Dora. Prisoners worked for Junkers, Messerschmitt, Henschel and , among others. To increase production, Speer introduced a system of punishments for his workforce. Those who feigned illness, slacked off, sabotaged production or tried to escape were denied food or sent to concentration camps. In 1944, this became endemic; over half a million workers were arrested. By this time, 140,000 people were working in Speer's underground factories. These factories were death-traps; discipline was brutal, with regular executions. There were so many corpses at the Dora underground factory, for example, that the crematorium was overwhelmed. Speer's own staff described the conditions there as "hell".
The largest technological advance under Speer's command came through the rocket program. It began in 1932 but had not supplied any weaponry. Speer enthusiastically supported the program and in March 1942 made an order for A4 rockets, the predecessor of the world's first ballistic missile, the V-2 rocket. The rockets were researched at a facility in Peenemünde along with the V-1 flying bomb. The V-2's first target was Paris on 8 September 1944. The program while advanced proved to be an impediment to the war economy. The large capital investment was not repaid in military effectiveness. The rockets were built at an underground factory at Mittelwerk. Labor to build the A4 rockets came from the Mittelbau-Dora concentration camp. Of the 60,000 people who ended up at the camp 20,000 died, due to the appalling conditions.
On 14 April 1944, Speer lost control of Organisation Todt to his Deputy, Franz Xaver Dorsch. He opposed the assassination attempt against Hitler on 20 July 1944. He was not involved in the plot, and played a minor role in the regime's efforts to regain control over Berlin after Hitler survived. After the plot Speer's rivals attacked some of his closest allies and his management system fell out of favor with radicals in the party. He lost yet more authority.
Defeat of Nazi Germany.
Losses of territory and a dramatic expansion of the Allied strategic bombing campaign caused the collapse of the German economy from late 1944. Air attacks on the transport network were particularly effective, as they cut the main centres of production off from essential coal supplies. In January 1945, Speer told Goebbels that armaments production could be sustained for at least a year. However, he concluded that the war was lost after Soviet forces captured the important Silesian industrial region later that month. Nevertheless, Speer believed that Germany should continue the war for as long as possible with the goal of winning better conditions from the Allies than the unconditional surrender they insisted upon. During January and February, Speer claimed that his ministry would deliver "decisive weapons" and a large increase in armaments production which would "bring about a dramatic change on the battlefield". Speer gained control over the railways in February, and asked Heinrich Himmler to supply concentration camp prisoners to work on their repair.
By mid-March, Speer had accepted that Germany's economy would collapse within the next eight weeks. While he sought to frustrate directives to destroy industrial facilities in areas at risk of capture, so that they could be used after the war, he still supported the war's continuation. Speer provided Hitler with a memorandum on 15 March, which detailed Germany's dire economic situation and sought approval to cease demolitions of infrastructure. Three days later, he also proposed to Hitler that Germany's remaining military resources be concentrated along the Rhine and Vistula rivers in an attempt to prolong the fighting. This ignored military realities, as the German armed forces were unable to match the Allies' firepower and were facing total defeat. Hitler rejected Speer's proposal to cease demolitions. Instead, he issued the "Nero Decree" on 19 March, which called for the destruction of all infrastructure as the army retreated. Speer was appalled by this order, and persuaded several key military and political leaders to ignore it. During a meeting with Speer on 28/29 March, Hitler rescinded the decree and gave him authority over demolitions. Speer ended them, though the army continued to blow up bridges.
By April, little was left of the armaments industry, and Speer had few official duties. Speer visited the "Führerbunker" on 22 April for the last time. He met Hitler and toured the damaged Chancellery before leaving Berlin to return to Hamburg. On 29 April, the day before committing suicide, Hitler dictated a final political testament which dropped Speer from the successor government. Speer was to be replaced by his subordinate, Karl-Otto Saur. Speer was disappointed that Hitler had not selected him as his successor. After Hitler's death, Speer offered his services to the so-called Flensburg Government, headed by Hitler's successor, Karl Dönitz. He took a role in that short-lived regime as Minister of Industry and Production. Speer provided information to the Allies, regarding the effects of the air war, and on a broad range of subjects, beginning on 10 May. On 23 May, two weeks after the surrender of German forces, British troops arrested the members of the Flensburg Government and brought Nazi Germany to a formal end.
Appointment and increasing power.
In 1941, Speer was elected to the Reichstag from electoral constituency 2 (Berlin-West). On 8 February 1942, Reich Minister of Armaments and Munitions Fritz Todt died in a plane crash shortly after taking off from Hitler's eastern headquarters at Rastenburg. Speer arrived there the previous evening and accepted Todt's offer to fly with him to Berlin. Speer cancelled some hours before take-off because the previous night he had been up late in a meeting with Hitler. Hitler appointed Speer in Todt's place. Martin Kitchen, a British historian, says that the choice was not surprising. Speer was loyal to Hitler, and his experience building prisoner of war camps and other structures for the military qualified him for the job. Speer succeeded Todt not only as Reich Minister but in all his other powerful positions, including Inspector General of German Roadways, Inspector General for Water and Energy and Head of the Nazi Party's Office of Technology. At the same time, Hitler also appointed Speer as head of the Organisation Todt, a massive, government-controlled construction company. Characteristically Hitler did not give Speer any clear remit; he was left to fight his contemporaries in the regime for power and control. As an example, he wanted to be given power over all armaments issues under Hermann Göring's Four Year Plan. Göring was reluctant to grant this. However Speer secured Hitler's support, and on 1 March 1942, Göring signed a decree naming Speer "General Plenipotentiary for Armament Tasks" in the Four Year Plan. Speer proved to be ambitious, unrelenting and ruthless. Speer set out to gain control not just of armaments production in the army, but in the whole armed forces. It did not immediately dawn on his political rivals that his calls for rationalization and reorganization were hiding his desire to sideline them and take control. By April 1942, Speer had persuaded Göring to create a three-member Central Planning Board within the Four Year Plan, which he used to obtain supreme authority over procurement and allocation of raw materials and scheduling of production in order to consolidate German war production in a single agency.
Speer was fêted at the time, and in the post-war era, for performing an "armaments miracle" in which German war production dramatically increased. This miracle was brought to a halt in the summer of 1943 by, among other factors, the first sustained Allied bombing. Other factors probably contributed to the increase more than Speer himself. Germany's armaments production had already begun to result in increases under his predecessor, Todt. Naval armaments were not under Speer's supervision until October 1943, nor the Luftwaffe's armaments until June of the following year. Yet each showed comparable increases in production despite not being under Speer's control. Another factor that produced the boom in ammunition was the policy of allocating more coal to the steel industry. Production of every type of weapon peaked in June and July 1944, but there was now a severe shortage of fuel. After August 1944, oil from the Romanian fields was no longer available. Oil production became so low that any possibility of offensive action became impossible and weaponry lay idle.
As Minister of Armaments, Speer was responsible for supplying weapons to the army. With Hitler's full agreement, he decided to prioritize tank production, and he was given unrivaled power to ensure success. Hitler was closely involved with the design of the tanks, but kept changing his mind about the specifications. This delayed the program, and Speer was unable to remedy the situation. In consequence, despite tank production having the highest priority, relatively little of the armaments budget was spent on it. This led to a significant German Army failure at the Battle of Prokhorovka, a major turning point on the Eastern Front against the Soviet Red Army.
As head of Organisation Todt, Speer was directly involved in the construction and alteration of concentration camps. He agreed to expand Auschwitz and some other camps, allocating 13.7 million Reichsmarks for the work to be carried out. This allowed an extra 300 huts to be built at Auschwitz, increasing the total human capacity to 132,000. Included in the building works was material to build gas chambers, crematoria and morgues. The SS called this "Professor Speer's Special Programme".
Speer realized that with six million workers drafted into the armed forces, there was a labor shortage in the war economy, and not enough workers for his factories. In response, Hitler appointed Fritz Sauckel as a "manpower dictator" to obtain new workers. Speer and Sauckel cooperated closely to meet Speer's labor demands. Hitler gave Sauckel a free hand to obtain labor, something that delighted Speer, who had requested 1,000,000 "voluntary" laborers to meet the need for armament workers. Sauckel had whole villages in France, Holland and Belgium forcibly rounded up and shipped to Speer's factories. Sauckel obtained new workers often using the most brutal methods. In occupied areas of the Soviet Union, that had been subject to partisan action, civilian men and women were rounded up en masse and sent to work forcibly in Germany. By April 1943, Sauckel had supplied 1,568,801 "voluntary" laborers, forced laborers, prisoners of war and concentration camp prisoners to Speer for use in his armaments factories. It was for the maltreatment of these people, that Speer was principally convicted at the Nuremberg Trials.
Consolidation of arms production.
Following his appointment as Minister of Armaments, Speer was in control of armaments production solely for the Army. He coveted control of the production of armaments for the "Luftwaffe" and "Kriegsmarine" as well. He set about extending his power and influence with unexpected ambition. His close relationship with Hitler provided him with political protection, and he was able to outwit and outmaneuver his rivals in the regime. Hitler's cabinet was dismayed at his tactics, but, regardless, he was able to accumulate new responsibilities and more power. By July 1943, he had gained control of armaments production for the "Luftwaffe" and "Kriegsmarine". In August 1943, he took control of most of the Ministry of Economics, to become, in Admiral Dönitz's words, "Europe's economic dictator". His formal title was changed on 2 September 1943, to "Reich Minister for Armaments and War Production". He had become one of the most powerful people in Nazi Germany.
Speer and his hand-picked director of submarine construction Otto Merker believed that the shipbuilding industry was being held back by outdated methods, and revolutionary new approaches imposed by outsiders would dramatically improve output. This belief proved incorrect, and Speer and Merker's attempt to build the "Kriegsmarine"s new generation of submarines, the Type XXI and Type XXIII, as prefabricated sections at different facilities rather than at single dockyards contributed to the failure of this strategically important program. The designs were rushed into production, and the completed submarines were crippled by flaws which resulted from the way they had been constructed. While dozens of submarines were built, few ever entered service.
In December 1943, Speer visited Organisation Todt workers in Lapland, while there he seriously damaged his knee and was incapacitated for several months. He was under the dubious care of Professor Karl Gebhardt at a medical clinic called Hohenlychen where patients "mysteriously failed to survive". In mid-January 1944, Speer had a lung embolism and fell seriously ill. Concerned about retaining power, he did not appoint a deputy and continued to direct work of the Armaments Ministry from his bedside. Speer's illness coincided with the Allied "Big Week", a series of bombing raids on the German aircraft factories that were a devastating blow to aircraft production. His political rivals used the opportunity to undermine his authority and damage his reputation with Hitler. He lost Hitler's unconditional support and began to lose power.
In response to the Allied Big Week, Adolf Hitler authorized the creation of a Fighter Staff committee. Its aim was to ensure the preservation and growth of fighter aircraft production. The task force was established by 1 March 1944, orders of Speer, with support from Erhard Milch of the Reich Aviation Ministry. Production of German fighter aircraft more than doubled between 1943 and 1944. The growth, however, consisted in large part of models that were becoming obsolescent and proved easy prey for Allied aircraft. On 1 August 1944, Speer merged the Fighter Staff into a newly formed Armament Staff committee.
The Fighter Staff committee was instrumental in bringing about the increased exploitation of slave labor in the war economy. The SS provided 64,000 prisoners for 20 separate projects from various concentration camps including Mittelbau-Dora. Prisoners worked for Junkers, Messerschmitt, Henschel and , among others. To increase production, Speer introduced a system of punishments for his workforce. Those who feigned illness, slacked off, sabotaged production or tried to escape were denied food or sent to concentration camps. In 1944, this became endemic; over half a million workers were arrested. By this time, 140,000 people were working in Speer's underground factories. These factories were death-traps; discipline was brutal, with regular executions. There were so many corpses at the Dora underground factory, for example, that the crematorium was overwhelmed. Speer's own staff described the conditions there as "hell".
The largest technological advance under Speer's command came through the rocket program. It began in 1932 but had not supplied any weaponry. Speer enthusiastically supported the program and in March 1942 made an order for A4 rockets, the predecessor of the world's first ballistic missile, the V-2 rocket. The rockets were researched at a facility in Peenemünde along with the V-1 flying bomb. The V-2's first target was Paris on 8 September 1944. The program while advanced proved to be an impediment to the war economy. The large capital investment was not repaid in military effectiveness. The rockets were built at an underground factory at Mittelwerk. Labor to build the A4 rockets came from the Mittelbau-Dora concentration camp. Of the 60,000 people who ended up at the camp 20,000 died, due to the appalling conditions.
On 14 April 1944, Speer lost control of Organisation Todt to his Deputy, Franz Xaver Dorsch. He opposed the assassination attempt against Hitler on 20 July 1944. He was not involved in the plot, and played a minor role in the regime's efforts to regain control over Berlin after Hitler survived. After the plot Speer's rivals attacked some of his closest allies and his management system fell out of favor with radicals in the party. He lost yet more authority.
Defeat of Nazi Germany.
Losses of territory and a dramatic expansion of the Allied strategic bombing campaign caused the collapse of the German economy from late 1944. Air attacks on the transport network were particularly effective, as they cut the main centres of production off from essential coal supplies. In January 1945, Speer told Goebbels that armaments production could be sustained for at least a year. However, he concluded that the war was lost after Soviet forces captured the important Silesian industrial region later that month. Nevertheless, Speer believed that Germany should continue the war for as long as possible with the goal of winning better conditions from the Allies than the unconditional surrender they insisted upon. During January and February, Speer claimed that his ministry would deliver "decisive weapons" and a large increase in armaments production which would "bring about a dramatic change on the battlefield". Speer gained control over the railways in February, and asked Heinrich Himmler to supply concentration camp prisoners to work on their repair.
By mid-March, Speer had accepted that Germany's economy would collapse within the next eight weeks. While he sought to frustrate directives to destroy industrial facilities in areas at risk of capture, so that they could be used after the war, he still supported the war's continuation. Speer provided Hitler with a memorandum on 15 March, which detailed Germany's dire economic situation and sought approval to cease demolitions of infrastructure. Three days later, he also proposed to Hitler that Germany's remaining military resources be concentrated along the Rhine and Vistula rivers in an attempt to prolong the fighting. This ignored military realities, as the German armed forces were unable to match the Allies' firepower and were facing total defeat. Hitler rejected Speer's proposal to cease demolitions. Instead, he issued the "Nero Decree" on 19 March, which called for the destruction of all infrastructure as the army retreated. Speer was appalled by this order, and persuaded several key military and political leaders to ignore it. During a meeting with Speer on 28/29 March, Hitler rescinded the decree and gave him authority over demolitions. Speer ended them, though the army continued to blow up bridges.
By April, little was left of the armaments industry, and Speer had few official duties. Speer visited the "Führerbunker" on 22 April for the last time. He met Hitler and toured the damaged Chancellery before leaving Berlin to return to Hamburg. On 29 April, the day before committing suicide, Hitler dictated a final political testament which dropped Speer from the successor government. Speer was to be replaced by his subordinate, Karl-Otto Saur. Speer was disappointed that Hitler had not selected him as his successor. After Hitler's death, Speer offered his services to the so-called Flensburg Government, headed by Hitler's successor, Karl Dönitz. He took a role in that short-lived regime as Minister of Industry and Production. Speer provided information to the Allies, regarding the effects of the air war, and on a broad range of subjects, beginning on 10 May. On 23 May, two weeks after the surrender of German forces, British troops arrested the members of the Flensburg Government and brought Nazi Germany to a formal end.
Post-war.
Nuremberg trial.
Speer was taken to several internment centres for Nazi officials and interrogated. In September 1945, he was told that he would be tried for war crimes, and several days later, he was moved to Nuremberg and incarcerated there. Speer was indicted on four counts: participating in a common plan or conspiracy for the accomplishment of crime against peace; planning, initiating and waging wars of aggression and other crimes against peace; war crimes; and crimes against humanity.
The chief United States prosecutor, Robert H. Jackson, of the U.S. Supreme Court said, "Speer joined in planning and executing the program to dragoon prisoners of war and foreign workers into German war industries, which waxed in output while the workers waned in starvation." Speer's attorney, Hans Flächsner, successfully contrasted Speer from other defendants and portrayed him as an artist thrust into political life who had always remained a non-ideologue.
Speer was found guilty of war crimes and crimes against humanity, principally for the use of slave labor and forced labor. He was acquitted on the other two counts. He had claimed that he was unaware of Nazi extermination plans, and the Allies had no proof that he was aware. His claim was revealed to be false in a private correspondence written in 1971 and publicly disclosed in 2007. On 1 October 1946, he was sentenced to 20 years' imprisonment. While three of the eight judges (two Soviet and American Francis Biddle) advocated the death penalty for Speer, the other judges did not, and a compromise sentence was reached after two days of discussions.
Imprisonment.
On 18 July 1947, Speer was transferred to Spandau Prison in Berlin to serve his prison term. There he was known as Prisoner Number Five. Speer's parents died while he was incarcerated. His father, who died in 1947, despised the Nazis and was silent upon meeting Hitler. His mother died in 1952. As a Nazi Party member, she had greatly enjoyed dining with Hitler. Wolters and longtime Speer secretary Annemarie Kempf, while not permitted direct communication with Speer in Spandau, did what they could to help his family and carry out the requests Speer put in letters to his wife—the only written communication he was officially allowed. Beginning in 1948, Speer had the services of Toni Proost, a sympathetic Dutch orderly to smuggle mail and his writings.
In 1949, Wolters opened a bank account for Speer and began fundraising among those architects and industrialists who had benefited from Speer's activities during the war. Initially, the funds were used only to support Speer's family, but increasingly the money was used for other purposes. They paid for Toni Proost to go on holiday, and for bribes to those who might be able to secure Speer's release. Once Speer became aware of the existence of the fund, he sent detailed instructions about what to do with the money. Wolters raised a total of DM158,000 for Speer over the final seventeen years of his sentence.
The prisoners were forbidden to write memoirs. Speer was able to have his writings sent to Wolters, however, and they eventually amounted to 20,000 pages. He had completed his memoirs by November 1953, which became the basis of "Inside the Third Reich". In "Spandau Diaries", Speer aimed to present himself as a tragic hero who had made a Faustian bargain for which he endured a harsh prison sentence.
Much of Speer's energy was dedicated to keeping fit, both physically and mentally, during his long confinement. Spandau had a large enclosed yard where inmates were allocated plots of land for gardening. Speer created an elaborate garden complete with lawns, flower beds, shrubbery, and fruit trees. To make his daily walks around the garden more engaging Speer embarked on an imaginary trip around the globe. Carefully measuring distance travelled each day, he mapped distances to the real-world geography. He had walked more than , ending his sentence near Guadalajara, Mexico. Speer also read, studied architectural journals, and brushed up on English and French. In his writings, Speer claimed to have finished five thousand books while in prison. His sentence of twenty years amounted to 7,305 days, which only allotted one and a half days per book.
Speer's supporters maintained calls for his release. Among those who pledged support for his sentence to be commuted were Charles de Gaulle and US diplomat George Wildman Ball. Willy Brandt was an advocate of his release, putting an end to the de-Nazification proceedings against him, which could have caused his property to be confiscated. Speer's efforts for an early release came to naught. The Soviet Union, having demanded a death sentence at trial, was unwilling to entertain a reduced sentence. Speer served a full term and was released at midnight on 1 October 1966.
Release and later life.
Speer's release from prison was a worldwide media event. Reporters and photographers crowded both the street outside Spandau and the lobby of the Hotel Berlin where Speer spent the night. He said little, reserving most comments for a major interview published in "Der Spiegel" in November 1966. Although he stated he hoped to resume an architectural career, his sole project, a collaboration for a brewery, was unsuccessful. Instead, he revised his Spandau writings into two autobiographical books, "Inside the Third Reich" (in German, "Erinnerungen", or "Reminiscences") and "". He later published a work about Himmler and the SS which has been published in English as "The Slave State: Heinrich Himmler's Masterplan for SS Supremacy" or "Infiltration: How Heinrich Himmler Schemed to Build an SS Industrial Empire" (in German, "Der Sklavenstaat - Meine Auseinandersetzung mit der SS"). Speer was aided in shaping the works by Joachim Fest and Wolf Jobst Siedler from the publishing house Ullstein. He found himself unable to re-establish a relationship with his children, even with his son Albert who had also become an architect. According to Speer's daughter Hilde Schramm, "One by one my sister and brothers gave up. There was no communication." He supported Hermann, his brother, financially after the war. However, his other brother Ernst had died in the Battle of Stalingrad, despite repeated requests from his parents for Speer to repatriate him.
Following his release from Spandau, Speer donated the "Chronicle", his personal diary, to the German Federal Archives. It had been edited by Wolters and made no mention of the Jews. David Irving discovered discrepancies between the deceptively edited "Chronicle" and independent documents. Speer asked Wolters to destroy the material he had omitted from his donation but Wolters refused and retained an original copy. Wolters' friendship with Speer deteriorated and one year before Speer's death Wolters gave Matthias Schmidt access to the unedited "Chronicle". Schmidt authored the first book that was highly critical of Speer.
Speer's memoirs were a phenomenal success. The public was fascinated by an inside view of the Third Reich and a major war criminal became a popular figure almost overnight. Importantly, he provided an alibi to older Germans who had been Nazis. If Speer, who had been so close to Hitler, had not known the full extent of the crimes of the Nazi regime and had just been "following orders", then they could tell themselves and others they too had done the same. So great was the need to believe this "Speer Myth" that Fest and Siedler were able to strengthen it—even in the face of mounting historical evidence to the contrary.
Death.
Speer made himself widely available to historians and other enquirers. In October 1973, he made his first trip to Britain, flying to London to be interviewed on the BBC "Midweek" programme. In the same year, he appeared on the television programme "The World at War". Speer returned to London in 1981 to participate in the BBC "Newsnight" programme. He suffered a stroke and died in London on 1 September.
He had remained married to his wife, but he had formed a relationship with a German woman living in London and was with her at the time of his death. His daughter, Margret Nissen, wrote in her 2005 memoirs that after his release from Spandau he spent all of his time constructing the "Speer Myth".
Nuremberg trial.
Speer was taken to several internment centres for Nazi officials and interrogated. In September 1945, he was told that he would be tried for war crimes, and several days later, he was moved to Nuremberg and incarcerated there. Speer was indicted on four counts: participating in a common plan or conspiracy for the accomplishment of crime against peace; planning, initiating and waging wars of aggression and other crimes against peace; war crimes; and crimes against humanity.
The chief United States prosecutor, Robert H. Jackson, of the U.S. Supreme Court said, "Speer joined in planning and executing the program to dragoon prisoners of war and foreign workers into German war industries, which waxed in output while the workers waned in starvation." Speer's attorney, Hans Flächsner, successfully contrasted Speer from other defendants and portrayed him as an artist thrust into political life who had always remained a non-ideologue.
Speer was found guilty of war crimes and crimes against humanity, principally for the use of slave labor and forced labor. He was acquitted on the other two counts. He had claimed that he was unaware of Nazi extermination plans, and the Allies had no proof that he was aware. His claim was revealed to be false in a private correspondence written in 1971 and publicly disclosed in 2007. On 1 October 1946, he was sentenced to 20 years' imprisonment. While three of the eight judges (two Soviet and American Francis Biddle) advocated the death penalty for Speer, the other judges did not, and a compromise sentence was reached after two days of discussions.
Imprisonment.
On 18 July 1947, Speer was transferred to Spandau Prison in Berlin to serve his prison term. There he was known as Prisoner Number Five. Speer's parents died while he was incarcerated. His father, who died in 1947, despised the Nazis and was silent upon meeting Hitler. His mother died in 1952. As a Nazi Party member, she had greatly enjoyed dining with Hitler. Wolters and longtime Speer secretary Annemarie Kempf, while not permitted direct communication with Speer in Spandau, did what they could to help his family and carry out the requests Speer put in letters to his wife—the only written communication he was officially allowed. Beginning in 1948, Speer had the services of Toni Proost, a sympathetic Dutch orderly to smuggle mail and his writings.
In 1949, Wolters opened a bank account for Speer and began fundraising among those architects and industrialists who had benefited from Speer's activities during the war. Initially, the funds were used only to support Speer's family, but increasingly the money was used for other purposes. They paid for Toni Proost to go on holiday, and for bribes to those who might be able to secure Speer's release. Once Speer became aware of the existence of the fund, he sent detailed instructions about what to do with the money. Wolters raised a total of DM158,000 for Speer over the final seventeen years of his sentence.
The prisoners were forbidden to write memoirs. Speer was able to have his writings sent to Wolters, however, and they eventually amounted to 20,000 pages. He had completed his memoirs by November 1953, which became the basis of "Inside the Third Reich". In "Spandau Diaries", Speer aimed to present himself as a tragic hero who had made a Faustian bargain for which he endured a harsh prison sentence.
Much of Speer's energy was dedicated to keeping fit, both physically and mentally, during his long confinement. Spandau had a large enclosed yard where inmates were allocated plots of land for gardening. Speer created an elaborate garden complete with lawns, flower beds, shrubbery, and fruit trees. To make his daily walks around the garden more engaging Speer embarked on an imaginary trip around the globe. Carefully measuring distance travelled each day, he mapped distances to the real-world geography. He had walked more than , ending his sentence near Guadalajara, Mexico. Speer also read, studied architectural journals, and brushed up on English and French. In his writings, Speer claimed to have finished five thousand books while in prison. His sentence of twenty years amounted to 7,305 days, which only allotted one and a half days per book.
Speer's supporters maintained calls for his release. Among those who pledged support for his sentence to be commuted were Charles de Gaulle and US diplomat George Wildman Ball. Willy Brandt was an advocate of his release, putting an end to the de-Nazification proceedings against him, which could have caused his property to be confiscated. Speer's efforts for an early release came to naught. The Soviet Union, having demanded a death sentence at trial, was unwilling to entertain a reduced sentence. Speer served a full term and was released at midnight on 1 October 1966.
Release and later life.
Speer's release from prison was a worldwide media event. Reporters and photographers crowded both the street outside Spandau and the lobby of the Hotel Berlin where Speer spent the night. He said little, reserving most comments for a major interview published in "Der Spiegel" in November 1966. Although he stated he hoped to resume an architectural career, his sole project, a collaboration for a brewery, was unsuccessful. Instead, he revised his Spandau writings into two autobiographical books, "Inside the Third Reich" (in German, "Erinnerungen", or "Reminiscences") and "". He later published a work about Himmler and the SS which has been published in English as "The Slave State: Heinrich Himmler's Masterplan for SS Supremacy" or "Infiltration: How Heinrich Himmler Schemed to Build an SS Industrial Empire" (in German, "Der Sklavenstaat - Meine Auseinandersetzung mit der SS"). Speer was aided in shaping the works by Joachim Fest and Wolf Jobst Siedler from the publishing house Ullstein. He found himself unable to re-establish a relationship with his children, even with his son Albert who had also become an architect. According to Speer's daughter Hilde Schramm, "One by one my sister and brothers gave up. There was no communication." He supported Hermann, his brother, financially after the war. However, his other brother Ernst had died in the Battle of Stalingrad, despite repeated requests from his parents for Speer to repatriate him.
Following his release from Spandau, Speer donated the "Chronicle", his personal diary, to the German Federal Archives. It had been edited by Wolters and made no mention of the Jews. David Irving discovered discrepancies between the deceptively edited "Chronicle" and independent documents. Speer asked Wolters to destroy the material he had omitted from his donation but Wolters refused and retained an original copy. Wolters' friendship with Speer deteriorated and one year before Speer's death Wolters gave Matthias Schmidt access to the unedited "Chronicle". Schmidt authored the first book that was highly critical of Speer.
Speer's memoirs were a phenomenal success. The public was fascinated by an inside view of the Third Reich and a major war criminal became a popular figure almost overnight. Importantly, he provided an alibi to older Germans who had been Nazis. If Speer, who had been so close to Hitler, had not known the full extent of the crimes of the Nazi regime and had just been "following orders", then they could tell themselves and others they too had done the same. So great was the need to believe this "Speer Myth" that Fest and Siedler were able to strengthen it—even in the face of mounting historical evidence to the contrary.
Death.
Speer made himself widely available to historians and other enquirers. In October 1973, he made his first trip to Britain, flying to London to be interviewed on the BBC "Midweek" programme. In the same year, he appeared on the television programme "The World at War". Speer returned to London in 1981 to participate in the BBC "Newsnight" programme. He suffered a stroke and died in London on 1 September.
He had remained married to his wife, but he had formed a relationship with a German woman living in London and was with her at the time of his death. His daughter, Margret Nissen, wrote in her 2005 memoirs that after his release from Spandau he spent all of his time constructing the "Speer Myth".
The Speer myth.
The Good Nazi.
After his release from Spandau, Speer portrayed himself as the "good Nazi". He was well-educated, middle class, and bourgeois, and could contrast himself with those who, in the popular mind, typified "bad Nazis". In his memoirs and interviews, he had distorted the truth and made so many major omissions that his lies became known as "myths". Speer even invented his own birth's circumstances, stating falsely that he was born at midday amid crashes of thunder and bells of the nearby Christ Church, whereas it was between three and five o'clock, and the church was built only some years after. Speer took his myth-making to a mass media level and his "cunning apologies" were reproduced frequently in post-war Germany. Isabell Trommer writes in her biography of Speer that Fest and Siedler were co-authors of Speer's memoirs and co-creators of his myths. In return they were paid handsomely in royalties and other financial inducements. Speer, Siedler and Fest had constructed a masterpiece; the image of the "good Nazi" remained in place for decades, despite historical evidence indicating that it was false.
Speer had carefully constructed an image of himself as an apolitical technocrat who deeply regretted having failed to discover the monstrous crimes of the Third Reich. This construction was accepted almost at face value by historian Hugh Trevor-Roper when investigating the death of Adolf Hitler for British Intelligence and in writing "The Last Days of Hitler". Trevor-Roper frequently refers to Speer as "a technocrat [who] nourished a technocrat's philosophy", one who cared only for his building projects or his ministerial duties, and who thought that politics was irrelevant, at least until Hitler's Nero Decree which Speer, according to his own telling, worked assiduously to counter. Trevor-Roper – who calls Speer an administrative genius whose basic instincts were peaceful and constructive – does take Speer to task, however, for his failure to recognize the immorality of Hitler and Nazism, calling him "the real criminal of Nazi Germany":
For ten years he sat at the very centre of political power; his keen intelligence diagnosed the nature and observed the mutations of Nazi government and policy; he saw and despised the personalities around him; he heard their outrageous orders and understood their fantastic ambitions; but he did nothing. Supposing politics to be irrelevant, he turned aside and built roads and bridges and factories, while the logical consequences of government by madmen emerged. Ultimately, when their emergence involved the ruin of all his work, Speer accepted the consequences and acted. Then it was too late; Germany had been destroyed.
After Speer's death, Matthias Schmidt published a book that demonstrated that Speer had ordered the eviction of Jews from their Berlin homes. By 1999, historians had amply demonstrated that Speer had lied extensively. Even so, public perceptions of Speer did not change substantially until Heinrich Breloer aired a biographical film on TV in 2004. The film began a process of demystification and critical reappraisal. Adam Tooze in his book "The Wages of Destruction" said Speer had manoeuvred himself through the ranks of the regime skillfully and ruthlessly and that the idea he was a technocrat blindly carrying out orders was "absurd". Trommer said he was not an apolitical technocrat; instead, he was one of the most powerful and unscrupulous leaders in the Nazi regime. Kitchen said he had deceived the Nuremberg Tribunal and post-war Germany. Brechtken said that if his extensive involvement in the Holocaust had been known at the time of his trial he would have been sentenced to death.
The image of the good Nazi was supported by numerous Speer myths. In addition to the myth that he was an apolitical technocrat, he claimed he did not have full knowledge of the Holocaust or the persecution of the Jews. Another myth posits that Speer revolutionized the German war machine after his appointment as Minister of Armaments. He was credited with a dramatic increase in the shipment of arms that was widely reported as keeping Germany in the war. Another myth centered around a faked plan to assassinate Hitler with poisonous gas. The idea for this myth came to him after he recalled the panic when car fumes came through an air ventilation system. He fabricated the additional details. Brechtken wrote that his most brazen lie was fabricated during an interview with a French journalist in 1952. The journalist described an invented scenario in which Speer had refused Hitler's orders and Hitler had left with tears in his eyes. Speer liked the scenario so much that he wrote it into his memoirs. The journalist had unwittingly collaborated in one of his myths.
Speer also sought to portray himself as an opponent of Hitler's leadership. Despite his opposition to the 20 July plot, he falsely claimed in his memoirs to have been sympathetic to the plotters. He maintained Hitler was cool towards him for the remainder of his life after learning they had included him on a list of potential ministers. This formed a key element of the myths Speer encouraged. Speer also falsely claimed that he had realised the war was lost at an early stage, and thereafter worked to preserve the resources needed for the civilian population's survival. In reality, he had sought to prolong the war until further resistance was impossible, thus contributing to the large number of deaths and the extensive destruction Germany suffered in the conflict's final months.
Denial of responsibility.
Speer maintained at the Nuremberg trials and in his memoirs that he had no direct knowledge of the Holocaust. He admitted only to being uncomfortable around Jews in the published version of the "Spandau Diaries". In his final statement at Nuremberg, Speer gave the impression of apologizing, although he did not directly admit any personal guilt and the only victim he mentioned was the German people. Historian Martin Kitchen states that Speer was actually "fully aware of what had happened to the Jews" and was "intimately involved in the 'Final Solution'". Brechtken said Speer only admitted to a generalized responsibility for the Holocaust to hide his direct and actual responsibility. Speer was photographed with slave laborers at Mauthausen concentration camp during a visit on 31 March 1943; he also visited Gusen concentration camp. Although survivor Francisco Boix testified at the Nuremberg trials about Speer's visit, Taylor writes that, had the photo been available, he would have been hanged. In 2005, "The Daily Telegraph" reported that documents had surfaced indicating that Speer had approved the allocation of materials for the expansion of Auschwitz concentration camp after two of his assistants inspected the facility on a day when almost a thousand Jews were massacred. Heinrich Breloer, discussing the construction of Auschwitz, said Speer was not just a cog in the work—he was the "terror itself".
Speer did not deny being present at the Posen speeches to Nazi leaders at a conference in Posen (Poznań) on 6 October 1943, but claimed to have left the auditorium before Himmler said during his speech: "The grave decision had to be taken to cause this people to vanish from the earth", and later, "The Jews must be exterminated". Speer is mentioned several times in the speech, and Himmler addresses him directly. In 2007, "The Guardian" reported that a letter from Speer dated 23 December 1971, had been found in a collection of his correspondence with Hélène Jeanty, the widow of a Belgian resistance fighter. In the letter, Speer says, "There is no doubt—I was present as Himmler announced on October 6, 1943, that all Jews would be killed."
Armaments miracle.
Speer was credited with an "armaments miracle". During the winter of 1941–42, in the light of Germany's disastrous defeat in the Battle of Moscow, the German leadership including Friedrich Fromm, Georg Thomas and Fritz Todt had come to the conclusion that the war could not be won. The rational position to adopt was to seek a political solution that would end the war without defeat. Speer in response used his propaganda expertise to display a new dynamism of the war economy. He produced spectacular statistics, claiming a sixfold increase in munitions production, a fourfold increase in artillery production, and he sent further propaganda to the newsreels of the country. He was able to curtail the discussion that the war should be ended.
The armaments "miracle" was a myth; Speer had used statistical manipulation to support his claims. The production of armaments did go up; however, this was due to the normal causes of reorganization before Speer came to office, the relentless mobilization of slave labor and a deliberate reduction in the quality of output to favor quantity. By July 1943 Speer's armaments propaganda became irrelevant because a catalogue of dramatic defeats on the battlefield meant the prospect of losing the war could no longer be hidden from the German public.
The Good Nazi.
After his release from Spandau, Speer portrayed himself as the "good Nazi". He was well-educated, middle class, and bourgeois, and could contrast himself with those who, in the popular mind, typified "bad Nazis". In his memoirs and interviews, he had distorted the truth and made so many major omissions that his lies became known as "myths". Speer even invented his own birth's circumstances, stating falsely that he was born at midday amid crashes of thunder and bells of the nearby Christ Church, whereas it was between three and five o'clock, and the church was built only some years after. Speer took his myth-making to a mass media level and his "cunning apologies" were reproduced frequently in post-war Germany. Isabell Trommer writes in her biography of Speer that Fest and Siedler were co-authors of Speer's memoirs and co-creators of his myths. In return they were paid handsomely in royalties and other financial inducements. Speer, Siedler and Fest had constructed a masterpiece; the image of the "good Nazi" remained in place for decades, despite historical evidence indicating that it was false.
Speer had carefully constructed an image of himself as an apolitical technocrat who deeply regretted having failed to discover the monstrous crimes of the Third Reich. This construction was accepted almost at face value by historian Hugh Trevor-Roper when investigating the death of Adolf Hitler for British Intelligence and in writing "The Last Days of Hitler". Trevor-Roper frequently refers to Speer as "a technocrat [who] nourished a technocrat's philosophy", one who cared only for his building projects or his ministerial duties, and who thought that politics was irrelevant, at least until Hitler's Nero Decree which Speer, according to his own telling, worked assiduously to counter. Trevor-Roper – who calls Speer an administrative genius whose basic instincts were peaceful and constructive – does take Speer to task, however, for his failure to recognize the immorality of Hitler and Nazism, calling him "the real criminal of Nazi Germany":
For ten years he sat at the very centre of political power; his keen intelligence diagnosed the nature and observed the mutations of Nazi government and policy; he saw and despised the personalities around him; he heard their outrageous orders and understood their fantastic ambitions; but he did nothing. Supposing politics to be irrelevant, he turned aside and built roads and bridges and factories, while the logical consequences of government by madmen emerged. Ultimately, when their emergence involved the ruin of all his work, Speer accepted the consequences and acted. Then it was too late; Germany had been destroyed.
After Speer's death, Matthias Schmidt published a book that demonstrated that Speer had ordered the eviction of Jews from their Berlin homes. By 1999, historians had amply demonstrated that Speer had lied extensively. Even so, public perceptions of Speer did not change substantially until Heinrich Breloer aired a biographical film on TV in 2004. The film began a process of demystification and critical reappraisal. Adam Tooze in his book "The Wages of Destruction" said Speer had manoeuvred himself through the ranks of the regime skillfully and ruthlessly and that the idea he was a technocrat blindly carrying out orders was "absurd". Trommer said he was not an apolitical technocrat; instead, he was one of the most powerful and unscrupulous leaders in the Nazi regime. Kitchen said he had deceived the Nuremberg Tribunal and post-war Germany. Brechtken said that if his extensive involvement in the Holocaust had been known at the time of his trial he would have been sentenced to death.
The image of the good Nazi was supported by numerous Speer myths. In addition to the myth that he was an apolitical technocrat, he claimed he did not have full knowledge of the Holocaust or the persecution of the Jews. Another myth posits that Speer revolutionized the German war machine after his appointment as Minister of Armaments. He was credited with a dramatic increase in the shipment of arms that was widely reported as keeping Germany in the war. Another myth centered around a faked plan to assassinate Hitler with poisonous gas. The idea for this myth came to him after he recalled the panic when car fumes came through an air ventilation system. He fabricated the additional details. Brechtken wrote that his most brazen lie was fabricated during an interview with a French journalist in 1952. The journalist described an invented scenario in which Speer had refused Hitler's orders and Hitler had left with tears in his eyes. Speer liked the scenario so much that he wrote it into his memoirs. The journalist had unwittingly collaborated in one of his myths.
Speer also sought to portray himself as an opponent of Hitler's leadership. Despite his opposition to the 20 July plot, he falsely claimed in his memoirs to have been sympathetic to the plotters. He maintained Hitler was cool towards him for the remainder of his life after learning they had included him on a list of potential ministers. This formed a key element of the myths Speer encouraged. Speer also falsely claimed that he had realised the war was lost at an early stage, and thereafter worked to preserve the resources needed for the civilian population's survival. In reality, he had sought to prolong the war until further resistance was impossible, thus contributing to the large number of deaths and the extensive destruction Germany suffered in the conflict's final months.
Denial of responsibility.
Speer maintained at the Nuremberg trials and in his memoirs that he had no direct knowledge of the Holocaust. He admitted only to being uncomfortable around Jews in the published version of the "Spandau Diaries". In his final statement at Nuremberg, Speer gave the impression of apologizing, although he did not directly admit any personal guilt and the only victim he mentioned was the German people. Historian Martin Kitchen states that Speer was actually "fully aware of what had happened to the Jews" and was "intimately involved in the 'Final Solution'". Brechtken said Speer only admitted to a generalized responsibility for the Holocaust to hide his direct and actual responsibility. Speer was photographed with slave laborers at Mauthausen concentration camp during a visit on 31 March 1943; he also visited Gusen concentration camp. Although survivor Francisco Boix testified at the Nuremberg trials about Speer's visit, Taylor writes that, had the photo been available, he would have been hanged. In 2005, "The Daily Telegraph" reported that documents had surfaced indicating that Speer had approved the allocation of materials for the expansion of Auschwitz concentration camp after two of his assistants inspected the facility on a day when almost a thousand Jews were massacred. Heinrich Breloer, discussing the construction of Auschwitz, said Speer was not just a cog in the work—he was the "terror itself".
Speer did not deny being present at the Posen speeches to Nazi leaders at a conference in Posen (Poznań) on 6 October 1943, but claimed to have left the auditorium before Himmler said during his speech: "The grave decision had to be taken to cause this people to vanish from the earth", and later, "The Jews must be exterminated". Speer is mentioned several times in the speech, and Himmler addresses him directly. In 2007, "The Guardian" reported that a letter from Speer dated 23 December 1971, had been found in a collection of his correspondence with Hélène Jeanty, the widow of a Belgian resistance fighter. In the letter, Speer says, "There is no doubt—I was present as Himmler announced on October 6, 1943, that all Jews would be killed."
Armaments miracle.
Speer was credited with an "armaments miracle". During the winter of 1941–42, in the light of Germany's disastrous defeat in the Battle of Moscow, the German leadership including Friedrich Fromm, Georg Thomas and Fritz Todt had come to the conclusion that the war could not be won. The rational position to adopt was to seek a political solution that would end the war without defeat. Speer in response used his propaganda expertise to display a new dynamism of the war economy. He produced spectacular statistics, claiming a sixfold increase in munitions production, a fourfold increase in artillery production, and he sent further propaganda to the newsreels of the country. He was able to curtail the discussion that the war should be ended.
The armaments "miracle" was a myth; Speer had used statistical manipulation to support his claims. The production of armaments did go up; however, this was due to the normal causes of reorganization before Speer came to office, the relentless mobilization of slave labor and a deliberate reduction in the quality of output to favor quantity. By July 1943 Speer's armaments propaganda became irrelevant because a catalogue of dramatic defeats on the battlefield meant the prospect of losing the war could no longer be hidden from the German public.
Architectural legacy.
Little remains of Speer's personal architectural works, other than the plans and photographs. No buildings designed by Speer during the Nazi era are extant in Berlin, other than the 4 entrance pavilions and underpasses leading to the Victory Column or Siegessäule, and the "Schwerbelastungskörper", a heavy load-bearing body built around 1941. The concrete cylinder, high, was used to measure ground subsidence as part of feasibility studies for a massive triumphal arch and other large structures planned within Hitler's post-war renewal project for the city of Berlin as the world capital Germania. The cylinder is now a protected landmark and is open to the public. The tribune of the "Zeppelinfeld" stadium in Nuremberg, though partly demolished, can also be seen.
During the war, the Speer-designed Reich Chancellery was largely destroyed by air raids and in the Battle of Berlin. The exterior walls survived, but they were eventually dismantled by the Soviets. Unsubstantiated rumors have claimed that the remains were used for other building projects such as the Humboldt University, Mohrenstraße metro station and Soviet war memorials in Berlin.
References.
Informational notes
Citations
Bibliography
Further reading
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Albert Camus
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Albert Camus ( , ; ; 7 November 1913 – 4 January 1960) was a French-Algerian philosopher, author, dramatist, and journalist. He was awarded the 1957 Nobel Prize in Literature at the age of 44, the second-youngest recipient in history. His works include "The Stranger", "The Plague", "The Myth of Sisyphus", "The Fall", and "The Rebel".
Camus was born in French Algeria to "Pieds Noirs" parents. He spent his childhood in a poor neighbourhood and later studied philosophy at the University of Algiers. He was in Paris when the Germans invaded France during World War II in 1940. Camus tried to flee but finally joined the French Resistance where he served as editor-in-chief at "Combat", an outlawed newspaper. After the war, he was a celebrity figure and gave many lectures around the world. He married twice but had many extramarital affairs. Camus was politically active; he was part of the left that opposed Joseph Stalin and the Soviet Union because of their totalitarianism. Camus was a moralist and leaned towards anarcho-syndicalism. He was part of many organisations seeking European integration. During the Algerian War (1954–1962), he kept a neutral stance, advocating for a multicultural and pluralistic Algeria, a position that caused controversy and was rejected by most parties.
Philosophically, Camus's views contributed to the rise of the philosophy known as absurdism. Some consider Camus's work to show him to be an existentialist, even though he himself firmly rejected the term throughout his lifetime.
Life.
Early years and education.
Albert Camus was born on 7 November 1913 in a working-class neighbourhood in Mondovi (present-day Dréan), in French Algeria. His mother, Catherine Hélène Camus (née Sintès), was French with Balearic Spanish ancestry. He never knew his father, Lucien Camus, a poor French agricultural worker killed in action while serving with Zouaves, in October 1914, during World War I. Camus, his mother and other relatives lived without many basic material possessions during his childhood in the Belcourt section of Algiers. Camus was a second-generation French in Algeria, a French territory from 1830 until 1962. His paternal grandfather, along with many others of his generation, had moved to Algeria for a better life during the first decades of the 19th century. Hence, he was called —a slang term for French people born in Algeria. His identity and poor background had a substantial effect on his later life. Nevertheless, Camus was a French citizen and enjoyed more rights than Arab and Berber Algerians under indigénat. During his childhood, he developed a love for football and swimming.
Under the influence of his teacher Louis Germain, Camus gained a scholarship in 1924 to continue his studies at a prestigious lyceum (secondary school) near Algiers. In 1930, at the age of 17, he was diagnosed with tuberculosis. Because it is a transmitted disease, he moved out of his home and stayed with his uncle Gustave Acault, a butcher, who influenced the young Camus. It was at that time he turned to philosophy, with the mentoring of his philosophy teacher Jean Grenier. He was impressed by ancient Greek philosophers and Friedrich Nietzsche. During that time, he was only able to study part-time. To earn money, he took odd jobs: as a private tutor, car parts clerk, and assistant at the Meteorological Institute.
In 1933, Camus enrolled at the University of Algiers and completed his "licence de philosophie" (BA) in 1936; after presenting his thesis on Plotinus. Camus developed an interest in early Christian philosophers, but Nietzsche and Arthur Schopenhauer had paved the way towards pessimism and atheism. Camus also studied novelist-philosophers such as Stendhal, Herman Melville, Fyodor Dostoyevsky, and Franz Kafka. In 1933, he also met Simone Hié, then a partner of a friend of Camus, who would become his first wife.
Camus played goalkeeper for the Racing Universitaire d'Alger junior team from 1928 to 1930. The sense of team spirit, fraternity, and common purpose appealed to him enormously. In match reports, he was often praised for playing with passion and courage. Any football ambitions, however, disappeared when he contracted tuberculosis. Camus drew parallels among football, human existence, morality, and personal identity. For him, the simplistic morality of football contradicted the complicated morality imposed by authorities such as the state and Church.
Formative years.
In 1934, aged 20, Camus was in a relationship with Simone Hié. Simone had an addiction to morphine, a drug she used to ease her menstrual pains. His uncle Gustave did not approve of the relationship, but Camus married Hié to help her fight her addiction. He subsequently discovered she was in a relationship with her doctor at the same time and the couple later divorced.
Camus joined the French Communist Party (PCF) in early 1935. He saw it as a way to "fight inequalities between Europeans and 'natives' in Algeria," even though he was not a Marxist. He explained: "We might see communism as a springboard and asceticism that prepares the ground for more spiritual activities." Camus left the PCF a year later. In 1936, the independence-minded Algerian Communist Party (PCA) was founded, and Camus joined it after his mentor Grenier advised him to do so. Camus's main role within the PCA was to organise the "Théâtre du Travail" ("Workers' Theatre"). Camus was also close to the "Parti du Peuple Algérien" (Algerian People's Party (PPA)), which was a moderate anti-colonialist/nationalist party. As tensions in the interwar period escalated, the Stalinist PCA and PPA broke ties. Camus was expelled from the PCA for refusing to toe the party line. This series of events sharpened his belief in human dignity. Camus's mistrust of bureaucracies that aimed for efficiency instead of justice grew. He continued his involvement with theatre and renamed his group "Théâtre de l'Equipe" ("Theatre of the Team"). Some of his scripts were the basis for his later novels.
In 1938, Camus began working for the leftist newspaper "Alger républicain" (founded by Pascal Pia) as he had strong anti-fascist feelings, and the rise of fascist regimes in Europe was worrying him. By then, Camus had developed strong feelings against authoritative colonialism as he witnessed the harsh treatment of the Arabs and Berbers by French authorities. "Alger républicain" was banned in 1940 and Camus flew to Paris to take a new job at "Paris-Soir" as editor-in-chief. In Paris, he almost completed his "first cycle" of works dealing with the absurd and the meaningless—the novel "L'Étranger" ("The Outsider" (UK), or "The Stranger" (US)), the philosophical essay "Le Mythe de Sisyphe" ("The Myth of Sisyphus") and the play "Caligula". Each cycle consisted of a novel, an essay and a theatrical play.
World War II, Resistance and "Combat".
Soon after Camus moved to Paris, the outbreak of World War II began to affect France. Camus volunteered to join the army but was not accepted because he once had tuberculosis. As the Germans were marching towards Paris, Camus fled. He was laid off from "Paris-Soir" and ended up in Lyon, where he married pianist and mathematician Francine Faure on 3 December 1940. Camus and Faure moved back to Algeria (Oran) where he taught in primary schools. Because of his tuberculosis, he moved to the French Alps on medical advice. There he began writing his second cycle of works, this time dealing with revolt—a novel "La Peste" ("The Plague") and a play "Le Malentendu" ("The Misunderstanding"). By 1943 he was known because of his earlier work. He returned to Paris where he met and became friends with Jean-Paul Sartre. He also became part of a circle of intellectuals including Simone de Beauvoir, André Breton, and others. Among them was the actress María Casares, who would later have an affair with Camus.
Camus took an active role in the underground resistance movement against the Germans during the French Occupation. Upon his arrival in Paris, he started working as a journalist and editor of the banned newspaper "Combat". He continued writing for the paper after the liberation of France. Camus used a pseudonym for his "Combat" articles and used false ID cards to avoid being captured. During that period he composed four "Lettres à un Ami Allemand" ("Letters to a German Friend"), explaining why resistance was necessary.
Post–World War II.
After the War, Camus lived in Paris with Faure, who gave birth to twins, Catherine and Jean, in 1945. Camus was now a celebrated writer known for his role in the Resistance. He gave lectures at various universities in the United States and Latin America during two separate trips. He also visited Algeria once more, only to leave disappointed by the continued oppressive colonial policies, which he had warned about many times. During this period he completed the second cycle of his work, with the essay "L'Homme révolté" ("The Rebel"). Camus attacked totalitarian communism while advocating libertarian socialism and anarcho-syndicalism. Upsetting many of his colleagues and contemporaries in France with his rejection of communism, the book brought about the final split with Sartre. His relations with the Marxist Left deteriorated further during the Algerian War.
Camus was a strong supporter of European integration in various marginal organisations working towards that end. In 1944, he founded the "Comité français pour la féderation européenne"—(CFFE (French Committee for the European Federation))—declaring that Europe "can only evolve along the path of economic progress, democracy, and peace if the nation-states become a federation." In 1947–48, he founded the "Groupes de Liaison Internationale" (GLI) a trade union movement in the context of revolutionary syndicalism ("syndicalisme révolutionnaire"). His main aim was to express the positive side of surrealism and existentialism, rejecting the negativity and the nihilism of André Breton. Camus also raised his voice against the Soviet intervention in Hungary and the totalitarian tendencies of Franco's regime in Spain.
Camus had numerous affairs, particularly an irregular and eventually public affair with the Spanish-born actress María Casares, with whom he had extensive correspondence. Faure did not take this affair lightly. She had a mental breakdown and needed hospitalisation in the early 1950s. Camus, who felt guilty, withdrew from public life and was slightly depressed for some time.
In 1957, Camus received the news that he was to be awarded the Nobel Prize in Literature. This came as a shock to him. He was anticipating André Malraux would win the prestigious award. At age 44, he was the second-youngest recipient of the prize, after Rudyard Kipling, who was 42. After this he began working on his autobiography "Le Premier Homme" ("The First Man") in an attempt to examine "moral learning". He also turned to the theatre once more. Financed by the money he received with his Nobel Prize, he adapted and directed for the stage Dostoyevsky's novel "Demons". The play opened in January 1959 at the Antoine Theatre in Paris and was a critical success.
During these years, he published posthumously the works of the philosopher Simone Weil, in the series "Espoir" ("Hope") which he had founded for Éditions Gallimard. Weil had great influence on his philosophy, since he saw her writings as an "antidote" to nihilism. Camus described her as "the only great spirit of our times".
Death.
Camus died on 4 January 1960 at the age of 46, in a car accident near Sens, in Le Grand Fossard in the small town of Villeblevin. He had spent the New Year's holiday of 1960 at his house in Lourmarin, Vaucluse with his family, and his publisher Michel Gallimard of Éditions Gallimard, along with Gallimard's wife, Janine, and daughter. Camus's wife and children went back to Paris by train on 2 January, but Camus decided to return in Gallimard's luxurious Facel Vega FVS. The car crashed into a plane tree on a long straight stretch of the Route nationale 5 (now the RN 6 or D606). Camus, who was in the passenger seat, died instantly. Gallimard died a few days later, although his wife and daughter were unharmed. There has been speculation that Camus was assassinated by the KGB because of his criticism of Soviet abuses.
144 pages of a handwritten manuscript entitled "Le premier Homme" ("The First Man") were found in the wreckage. Camus had predicted that this unfinished novel based on his childhood in Algeria would be his finest work. Camus was buried in the Lourmarin Cemetery, Vaucluse, France, where he had lived. His friend Sartre read a eulogy, paying tribute to Camus's heroic "stubborn humanism". William Faulkner wrote his obituary, saying, "When the door shut for him he had already written on this side of it that which every artist who also carries through life with him that one same foreknowledge and hatred of death, is hoping to do: I was here."
Early years and education.
Albert Camus was born on 7 November 1913 in a working-class neighbourhood in Mondovi (present-day Dréan), in French Algeria. His mother, Catherine Hélène Camus (née Sintès), was French with Balearic Spanish ancestry. He never knew his father, Lucien Camus, a poor French agricultural worker killed in action while serving with Zouaves, in October 1914, during World War I. Camus, his mother and other relatives lived without many basic material possessions during his childhood in the Belcourt section of Algiers. Camus was a second-generation French in Algeria, a French territory from 1830 until 1962. His paternal grandfather, along with many others of his generation, had moved to Algeria for a better life during the first decades of the 19th century. Hence, he was called —a slang term for French people born in Algeria. His identity and poor background had a substantial effect on his later life. Nevertheless, Camus was a French citizen and enjoyed more rights than Arab and Berber Algerians under indigénat. During his childhood, he developed a love for football and swimming.
Under the influence of his teacher Louis Germain, Camus gained a scholarship in 1924 to continue his studies at a prestigious lyceum (secondary school) near Algiers. In 1930, at the age of 17, he was diagnosed with tuberculosis. Because it is a transmitted disease, he moved out of his home and stayed with his uncle Gustave Acault, a butcher, who influenced the young Camus. It was at that time he turned to philosophy, with the mentoring of his philosophy teacher Jean Grenier. He was impressed by ancient Greek philosophers and Friedrich Nietzsche. During that time, he was only able to study part-time. To earn money, he took odd jobs: as a private tutor, car parts clerk, and assistant at the Meteorological Institute.
In 1933, Camus enrolled at the University of Algiers and completed his "licence de philosophie" (BA) in 1936; after presenting his thesis on Plotinus. Camus developed an interest in early Christian philosophers, but Nietzsche and Arthur Schopenhauer had paved the way towards pessimism and atheism. Camus also studied novelist-philosophers such as Stendhal, Herman Melville, Fyodor Dostoyevsky, and Franz Kafka. In 1933, he also met Simone Hié, then a partner of a friend of Camus, who would become his first wife.
Camus played goalkeeper for the Racing Universitaire d'Alger junior team from 1928 to 1930. The sense of team spirit, fraternity, and common purpose appealed to him enormously. In match reports, he was often praised for playing with passion and courage. Any football ambitions, however, disappeared when he contracted tuberculosis. Camus drew parallels among football, human existence, morality, and personal identity. For him, the simplistic morality of football contradicted the complicated morality imposed by authorities such as the state and Church.
Formative years.
In 1934, aged 20, Camus was in a relationship with Simone Hié. Simone had an addiction to morphine, a drug she used to ease her menstrual pains. His uncle Gustave did not approve of the relationship, but Camus married Hié to help her fight her addiction. He subsequently discovered she was in a relationship with her doctor at the same time and the couple later divorced.
Camus joined the French Communist Party (PCF) in early 1935. He saw it as a way to "fight inequalities between Europeans and 'natives' in Algeria," even though he was not a Marxist. He explained: "We might see communism as a springboard and asceticism that prepares the ground for more spiritual activities." Camus left the PCF a year later. In 1936, the independence-minded Algerian Communist Party (PCA) was founded, and Camus joined it after his mentor Grenier advised him to do so. Camus's main role within the PCA was to organise the "Théâtre du Travail" ("Workers' Theatre"). Camus was also close to the "Parti du Peuple Algérien" (Algerian People's Party (PPA)), which was a moderate anti-colonialist/nationalist party. As tensions in the interwar period escalated, the Stalinist PCA and PPA broke ties. Camus was expelled from the PCA for refusing to toe the party line. This series of events sharpened his belief in human dignity. Camus's mistrust of bureaucracies that aimed for efficiency instead of justice grew. He continued his involvement with theatre and renamed his group "Théâtre de l'Equipe" ("Theatre of the Team"). Some of his scripts were the basis for his later novels.
In 1938, Camus began working for the leftist newspaper "Alger républicain" (founded by Pascal Pia) as he had strong anti-fascist feelings, and the rise of fascist regimes in Europe was worrying him. By then, Camus had developed strong feelings against authoritative colonialism as he witnessed the harsh treatment of the Arabs and Berbers by French authorities. "Alger républicain" was banned in 1940 and Camus flew to Paris to take a new job at "Paris-Soir" as editor-in-chief. In Paris, he almost completed his "first cycle" of works dealing with the absurd and the meaningless—the novel "L'Étranger" ("The Outsider" (UK), or "The Stranger" (US)), the philosophical essay "Le Mythe de Sisyphe" ("The Myth of Sisyphus") and the play "Caligula". Each cycle consisted of a novel, an essay and a theatrical play.
World War II, Resistance and "Combat".
Soon after Camus moved to Paris, the outbreak of World War II began to affect France. Camus volunteered to join the army but was not accepted because he once had tuberculosis. As the Germans were marching towards Paris, Camus fled. He was laid off from "Paris-Soir" and ended up in Lyon, where he married pianist and mathematician Francine Faure on 3 December 1940. Camus and Faure moved back to Algeria (Oran) where he taught in primary schools. Because of his tuberculosis, he moved to the French Alps on medical advice. There he began writing his second cycle of works, this time dealing with revolt—a novel "La Peste" ("The Plague") and a play "Le Malentendu" ("The Misunderstanding"). By 1943 he was known because of his earlier work. He returned to Paris where he met and became friends with Jean-Paul Sartre. He also became part of a circle of intellectuals including Simone de Beauvoir, André Breton, and others. Among them was the actress María Casares, who would later have an affair with Camus.
Camus took an active role in the underground resistance movement against the Germans during the French Occupation. Upon his arrival in Paris, he started working as a journalist and editor of the banned newspaper "Combat". He continued writing for the paper after the liberation of France. Camus used a pseudonym for his "Combat" articles and used false ID cards to avoid being captured. During that period he composed four "Lettres à un Ami Allemand" ("Letters to a German Friend"), explaining why resistance was necessary.
Post–World War II.
After the War, Camus lived in Paris with Faure, who gave birth to twins, Catherine and Jean, in 1945. Camus was now a celebrated writer known for his role in the Resistance. He gave lectures at various universities in the United States and Latin America during two separate trips. He also visited Algeria once more, only to leave disappointed by the continued oppressive colonial policies, which he had warned about many times. During this period he completed the second cycle of his work, with the essay "L'Homme révolté" ("The Rebel"). Camus attacked totalitarian communism while advocating libertarian socialism and anarcho-syndicalism. Upsetting many of his colleagues and contemporaries in France with his rejection of communism, the book brought about the final split with Sartre. His relations with the Marxist Left deteriorated further during the Algerian War.
Camus was a strong supporter of European integration in various marginal organisations working towards that end. In 1944, he founded the "Comité français pour la féderation européenne"—(CFFE (French Committee for the European Federation))—declaring that Europe "can only evolve along the path of economic progress, democracy, and peace if the nation-states become a federation." In 1947–48, he founded the "Groupes de Liaison Internationale" (GLI) a trade union movement in the context of revolutionary syndicalism ("syndicalisme révolutionnaire"). His main aim was to express the positive side of surrealism and existentialism, rejecting the negativity and the nihilism of André Breton. Camus also raised his voice against the Soviet intervention in Hungary and the totalitarian tendencies of Franco's regime in Spain.
Camus had numerous affairs, particularly an irregular and eventually public affair with the Spanish-born actress María Casares, with whom he had extensive correspondence. Faure did not take this affair lightly. She had a mental breakdown and needed hospitalisation in the early 1950s. Camus, who felt guilty, withdrew from public life and was slightly depressed for some time.
In 1957, Camus received the news that he was to be awarded the Nobel Prize in Literature. This came as a shock to him. He was anticipating André Malraux would win the prestigious award. At age 44, he was the second-youngest recipient of the prize, after Rudyard Kipling, who was 42. After this he began working on his autobiography "Le Premier Homme" ("The First Man") in an attempt to examine "moral learning". He also turned to the theatre once more. Financed by the money he received with his Nobel Prize, he adapted and directed for the stage Dostoyevsky's novel "Demons". The play opened in January 1959 at the Antoine Theatre in Paris and was a critical success.
During these years, he published posthumously the works of the philosopher Simone Weil, in the series "Espoir" ("Hope") which he had founded for Éditions Gallimard. Weil had great influence on his philosophy, since he saw her writings as an "antidote" to nihilism. Camus described her as "the only great spirit of our times".
Death.
Camus died on 4 January 1960 at the age of 46, in a car accident near Sens, in Le Grand Fossard in the small town of Villeblevin. He had spent the New Year's holiday of 1960 at his house in Lourmarin, Vaucluse with his family, and his publisher Michel Gallimard of Éditions Gallimard, along with Gallimard's wife, Janine, and daughter. Camus's wife and children went back to Paris by train on 2 January, but Camus decided to return in Gallimard's luxurious Facel Vega FVS. The car crashed into a plane tree on a long straight stretch of the Route nationale 5 (now the RN 6 or D606). Camus, who was in the passenger seat, died instantly. Gallimard died a few days later, although his wife and daughter were unharmed. There has been speculation that Camus was assassinated by the KGB because of his criticism of Soviet abuses.
144 pages of a handwritten manuscript entitled "Le premier Homme" ("The First Man") were found in the wreckage. Camus had predicted that this unfinished novel based on his childhood in Algeria would be his finest work. Camus was buried in the Lourmarin Cemetery, Vaucluse, France, where he had lived. His friend Sartre read a eulogy, paying tribute to Camus's heroic "stubborn humanism". William Faulkner wrote his obituary, saying, "When the door shut for him he had already written on this side of it that which every artist who also carries through life with him that one same foreknowledge and hatred of death, is hoping to do: I was here."
Literary career.
Camus's first publication was a play called "Révolte dans les Asturies" ("Revolt in the Asturias") written with three friends in May 1936. The subject was the 1934 revolt by Spanish miners that was brutally suppressed by the Spanish government resulting in 1,500 to 2,000 deaths. In May 1937 he wrote his first book, "L'Envers et l'Endroit" ("Betwixt and Between", also translated as "The Wrong Side and the Right Side"). Both were published by Edmond Charlot's small publishing house.
Camus separated his work into three cycles. Each cycle consisted of a novel, an essay, and a play. The first was the cycle of the absurd consisting of "L'Étranger", "Le Mythe de Sysiphe", and "Caligula". The second was the cycle of the revolt which included "La Peste" ("The Plague"), "L'Homme révolté" ("The Rebel"), and "Les Justes" ("The Just Assassins"). The third, the cycle of the love, consisted of "Nemesis". Each cycle was an examination of a theme with the use of a pagan myth and including biblical motifs.
The books in the first cycle were published between 1942 and 1944, but the theme was conceived earlier, at least as far back as 1936. With this cycle, Camus aims to pose a question on the human condition, discuss the world as an absurd place, and warn humanity of the consequences of totalitarianism.
Camus began his work on the second cycle while he was in Algeria, in the last months of 1942, just as the Germans were reaching North Africa. In the second cycle, Camus used Prometheus, who is depicted as a revolutionary humanist, to highlight the nuances between revolution and rebellion. He analyses various aspects of rebellion, its metaphysics, its connection to politics, and examines it under the lens of modernity, of historicity and the absence of a God.
After receiving the Nobel Prize, Camus gathered, clarified, and published his pacifist leaning views at "Actuelles III: Chronique algérienne 1939–1958" ("Algerian Chronicles"). He then decided to distance himself from the Algerian War as he found the mental burden too heavy. He turned to theatre and the third cycle which was about love and the goddess Nemesis.
Two of Camus's works were published posthumously. The first entitled "La mort heureuse" ("A Happy Death") (1970), features a character named Patrice Mersault, comparable to "The Stranger"s Meursault. There is scholarly debate about the relationship between the two books. The second was an unfinished novel, "Le Premier homme" ("The First Man") (1995), which Camus was writing before he died. It was an autobiographical work about his childhood in Algeria and its publication in 1994 sparked a widespread reconsideration of Camus's allegedly unrepentant colonialism.
Political stance.
Camus was a moralist; he claimed morality should guide politics. While he did not deny that morals change over time, he rejected the classical Marxist view that historical material relations define morality.
Camus was also strongly critical of Marxism-Leninism, especially in the case of the Soviet Union, which he considered totalitarian. Camus rebuked those sympathetic to the Soviet model and their "decision to call total servitude freedom". A proponent of libertarian socialism, he claimed the USSR was not socialist, and the United States was not liberal. His critique of the USSR caused him to clash with others on the political left, most notably with his on-again, off-again friend Jean-Paul Sartre.
Active in the French Resistance to the Nazi occupation of France during World War II, Camus wrote for and edited the Resistance journal "Combat". Of the French collaboration with the German occupiers, he wrote: "Now the only moral value is courage, which is useful here for judging the puppets and chatterboxes who pretend to speak in the name of the people." After France's liberation, Camus remarked, "This country does not need a Talleyrand, but a Saint-Just." The reality of the postwar tribunals soon changed his mind: Camus publicly reversed himself and became a lifelong opponent of capital punishment.
Camus had anarchist sympathies, which intensified in the 1950s, when he came to believe that the Soviet model was morally bankrupt. Camus was firmly against any kind of exploitation, authority, property, the State, and centralization. He, however, opposed revolution, separating the rebel from the revolutionary and believing that the belief in "absolute truth", most often assuming the guise of history or reason, inspires the revolutionary and leads to tragic results. He believes that rebellion is spurred by our outrage over the world's lack of transcendent significance, while political rebellion is our response to attacks against the dignity and autonomy of the individual. Camus opposed political violence, tolerating it only in rare and very narrowly defined instances, as well as revolutionary terror which he accused of sacrificing innocent lives on the altar of history.
Philosophy professor David Sherman considers Camus an anarcho-syndicalist. Graeme Nicholson considers Camus an existentialist anarchist.
The anarchist André Prudhommeaux first introduced him at a meeting of the Cercle des Étudiants Anarchistes ("Anarchist Student Circle") in 1948 as a sympathiser familiar with anarchist thought. Camus wrote for anarchist publications such as "Le Libertaire" (The Libertarian), "La Révolution prolétarienne" (The Proletarian Revolution), and "Solidaridad Obrera" ("Workers' Solidarity"), the organ of the anarcho-syndicalist Confederación Nacional del Trabajo (CNT) ("National Confederation of Labor").
Camus kept a neutral stance during the Algerian Revolution (1954–62). While he was against the violence of the National Liberation Front (FLN) he acknowledged the injustice and brutalities imposed by colonialist France. He was supportive of Pierre Mendès' Unified Socialist Party (PSU) and its approach to the crisis; Mendes advocated reconciliation. Camus also supported a like-minded Algerian militant, Aziz Kessous. Camus traveled to Algeria to negotiate a truce between the two belligerents but was met with distrust by all parties. In one, often misquoted incident, Camus confronted an Algerian critic during his 1957 Nobel Prize acceptance speech in Stockholm, rejecting the false equivalence of justice with revolutionary terrorism: "People are now planting bombs in the tramways of Algiers. My mother might be on one of those tramways. If that is justice, then I prefer my mother." Camus's critics have labelled the response as reactionary and a result of a colonialist attitude.
He was sharply critical of the proliferation of nuclear weapons and the bombings of Hiroshima and Nagasaki. In the 1950s, Camus devoted his efforts to human rights. In 1952, he resigned from his work for UNESCO when the UN accepted Spain, under the leadership of the caudillo General Francisco Franco, as a member. Camus maintained his pacifism and resisted capital punishment anywhere in the world. He wrote an essay against capital punishment in collaboration with Arthur Koestler, the writer, intellectual, and founder of the League Against Capital Punishment entitled "Réflexions sur la peine capitale" (Reflections on capital punishment), published by Calmann-Levy in 1957.
Role in Algeria.
Born in Algeria to French parents, Camus was familiar with the institutional racism of France against Arabs and Berbers, but he was not part of a rich elite. He lived in very poor conditions as a child but was a citizen of France and as such was entitled to citizens' rights; members of the country's Arab and Berber majority were not.
Camus was a vocal advocate of the "new Mediterranean Culture". This was his vision of embracing the multi-ethnicity of the Algerian people, in opposition to "Latiny", a popular pro-fascist and antisemitic ideology among other "Pieds-Noirs"—or French or Europeans born in Algeria. For Camus, this vision encapsulated the Hellenic humanism which survived among ordinary people around the Mediterranean Sea. His 1938 address on "The New Mediterranean Culture" represents Camus's most systematic statement of his views at this time. Camus also supported the Blum–Viollette proposal to grant Algerians full French citizenship in a manifesto with arguments defending this assimilative proposal on radical egalitarian grounds. In 1939, Camus wrote a stinging series of articles for the "Alger républicain" on the atrocious living conditions of the inhabitants of the Kabylie highlands. He advocated for economic, educational and political reforms as a matter of emergency.
In 1945, following the Sétif and Guelma massacre after Arab revolts against French mistreatment, Camus was one of only a few mainland journalists to visit the colony. He wrote a series of articles reporting on conditions, and advocating for French reforms and concessions to the demands of the Algerian people.
When the Algerian War began in 1954, Camus was confronted with a moral dilemma. He identified with the "Pieds-Noirs" such as his own parents and defended the French government's actions against the revolt. He argued the Algerian uprising was an integral part of the "new Arab imperialism" led by Egypt, and an "anti-Western" offensive orchestrated by Russia to "encircle Europe" and "isolate the United States". Although favoring greater Algerian autonomy or even federation, though not full-scale independence, he believed the "Pieds-Noirs" and Arabs could co-exist. During the war, he advocated a civil truce that would spare the civilians. It was rejected by both sides who regarded it as foolish. Behind the scenes, he began working for imprisoned Algerians who faced the death penalty. His position drew much criticism from the left and later postcolonial literary critics, such as Edward Said, who were opposed to European imperialism, and charged that Camus's novels and short stories are plagued with colonial depictions - or conscious erasures - of Algeria's Arab population. In their eyes, Camus was no longer the defender of the oppressed.
Camus once said that the troubles in Algeria "affected him as others feel pain in their lungs."
Philosophy.
Existentialism.
Even though Camus is mostly connected to absurdism, he is routinely categorized as an existentialist, a term he rejected on several occasions.
Camus himself said his philosophical origins lay in ancient Greek philosophy, Nietzsche, and 17th-century moralists whereas existentialism arises from 19th- and early 20th-century philosophy such as Kierkegaard, Karl Jaspers, and Heidegger. He also said his work, "The Myth of Sisyphus", was a criticism of various aspects of existentialism. Camus was rejecting existentialism as a philosophy, but his critique was mostly focused on Sartrean existentialism, and to a lesser extent on religious existentialism. He thought that the importance of history held by Marx and Sartre was incompatible with his belief in human freedom. David Sherman and others also suggest the rivalry between Sartre and Camus also played a part in his rejection of existentialism. David Simpson argues further that his humanism and belief in human nature set him apart from the existentialist doctrine that existence precedes essence.
On the other hand, Camus focused most of his philosophy around existential questions. The absurdity of life, the inevitable ending (death) is highlighted in his acts. His belief was that the absurd—life being void of meaning, or man's inability to know that meaning if it were to exist—was something that man should embrace. His anti-Christianity, his commitment to individual moral freedom and responsibility are only a few of the similarities with other existential writers. More importantly, Camus addressed one of the fundamental questions of existentialism: the problem of suicide. He wrote: "There is only one really serious philosophical question, and that is suicide." Camus viewed the question of suicide as arising naturally as a solution to the absurdity of life.
Absurdism.
Many existentialist writers have addressed the Absurd, each with their own interpretation of what it is and what makes it important. Kierkegaard explains that the absurdity of religious truths prevents us from reaching God rationally. Sartre recognizes the absurdity of individual experience. Camus's thoughts on the Absurd begin with his first cycle of books and the literary essay "The Myth of Sisyphus", ("Le Mythe de Sisyphe"), his major work on the subject. In 1942, he published the story of a man living an absurd life in "L'Étranger". He also wrote a play about the Roman emperor Caligula, pursuing an absurd logic, which was not performed until 1945. His early thoughts appeared in his first collection of essays, "L'Envers et l'endroit" ("Betwixt and Between") in 1937. Absurd themes were expressed with more sophistication in his second collection of essays, "Noces" ("Nuptials") in 1938. In these essays, Camus reflects on the experience of the Absurd. Aspects of the notion of the Absurd can be found in "The Plague".
Camus follows Sartre's definition of the Absurd: "That which is meaningless. Thus man's existence is absurd because his contingency finds no external justification". The Absurd is created because man, who is placed in an unintelligent universe, realises that human values are not founded on a solid external component; or as Camus himself explains, the Absurd is the result of the "confrontation between human need and the unreasonable silence of the world." Even though absurdity is inescapable, Camus does not drift towards nihilism. But the realization of absurdity leads to the question: Why should someone continue to live? Suicide is an option that Camus firmly dismisses as the renunciation of human values and freedom. Rather, he proposes we accept that absurdity is a part of our lives and live with it.
The turning point in Camus's attitude to the Absurd occurs in a collection of four letters to an anonymous German friend, written between July 1943 and July 1944. The first was published in the "Revue Libre" in 1943, the second in the "Cahiers de Libération" in 1944, and the third in the newspaper "Libertés", in 1945. The four letters were published as "Lettres à un ami allemand" ("Letters to a German Friend") in 1945, and were included in the collection "Resistance, Rebellion, and Death".
Camus regretted the continued reference to himself as a "philosopher of the absurd". He showed less interest in the Absurd shortly after publishing "Le Mythe de Sisyphe". To distinguish his ideas, scholars sometimes refer to the Paradox of the Absurd, when referring to "Camus's Absurd".
Revolt.
Camus is known for articulating the case for revolting against any kind of oppression, injustice, or whatever disrespects the human condition. He is cautious enough, however, to set the limits on the rebellion. "L'Homme révolté" ("The Rebel") explains in detail his thoughts on the issue. There, he builds upon the absurd (described in "The Myth of Sisyphus") but goes further. In the introduction, where he examines the metaphysics of rebellion, he concludes with the phrase "I revolt, therefore we exist" implying the recognition of a common human condition. Camus also delineates the difference between revolution and rebellion and notices that history has shown that the rebel's revolution might easily end up as an oppressive regime; he therefore places importance on the morals accompanying the revolution. Camus poses a crucial question: Is it possible for humans to act in an ethical and meaningful manner, in a silent universe? According to him the answer is yes, as the experience and awareness of the Absurd creates the moral values and also sets the limits of our actions. Camus separates the modern form of rebellion into two modes. First, there is the metaphysical rebellion, which is "the movement by which man protests against his condition and against the whole of creation." The other mode, historical rebellion, is the attempt to materialize the abstract spirit of metaphysical rebellion and change the world. In this attempt, the rebel must balance between the evil of the world and the intrinsic evil which every revolt carries, and not cause any unjustifiable suffering.
Existentialism.
Even though Camus is mostly connected to absurdism, he is routinely categorized as an existentialist, a term he rejected on several occasions.
Camus himself said his philosophical origins lay in ancient Greek philosophy, Nietzsche, and 17th-century moralists whereas existentialism arises from 19th- and early 20th-century philosophy such as Kierkegaard, Karl Jaspers, and Heidegger. He also said his work, "The Myth of Sisyphus", was a criticism of various aspects of existentialism. Camus was rejecting existentialism as a philosophy, but his critique was mostly focused on Sartrean existentialism, and to a lesser extent on religious existentialism. He thought that the importance of history held by Marx and Sartre was incompatible with his belief in human freedom. David Sherman and others also suggest the rivalry between Sartre and Camus also played a part in his rejection of existentialism. David Simpson argues further that his humanism and belief in human nature set him apart from the existentialist doctrine that existence precedes essence.
On the other hand, Camus focused most of his philosophy around existential questions. The absurdity of life, the inevitable ending (death) is highlighted in his acts. His belief was that the absurd—life being void of meaning, or man's inability to know that meaning if it were to exist—was something that man should embrace. His anti-Christianity, his commitment to individual moral freedom and responsibility are only a few of the similarities with other existential writers. More importantly, Camus addressed one of the fundamental questions of existentialism: the problem of suicide. He wrote: "There is only one really serious philosophical question, and that is suicide." Camus viewed the question of suicide as arising naturally as a solution to the absurdity of life.
Absurdism.
Many existentialist writers have addressed the Absurd, each with their own interpretation of what it is and what makes it important. Kierkegaard explains that the absurdity of religious truths prevents us from reaching God rationally. Sartre recognizes the absurdity of individual experience. Camus's thoughts on the Absurd begin with his first cycle of books and the literary essay "The Myth of Sisyphus", ("Le Mythe de Sisyphe"), his major work on the subject. In 1942, he published the story of a man living an absurd life in "L'Étranger". He also wrote a play about the Roman emperor Caligula, pursuing an absurd logic, which was not performed until 1945. His early thoughts appeared in his first collection of essays, "L'Envers et l'endroit" ("Betwixt and Between") in 1937. Absurd themes were expressed with more sophistication in his second collection of essays, "Noces" ("Nuptials") in 1938. In these essays, Camus reflects on the experience of the Absurd. Aspects of the notion of the Absurd can be found in "The Plague".
Camus follows Sartre's definition of the Absurd: "That which is meaningless. Thus man's existence is absurd because his contingency finds no external justification". The Absurd is created because man, who is placed in an unintelligent universe, realises that human values are not founded on a solid external component; or as Camus himself explains, the Absurd is the result of the "confrontation between human need and the unreasonable silence of the world." Even though absurdity is inescapable, Camus does not drift towards nihilism. But the realization of absurdity leads to the question: Why should someone continue to live? Suicide is an option that Camus firmly dismisses as the renunciation of human values and freedom. Rather, he proposes we accept that absurdity is a part of our lives and live with it.
The turning point in Camus's attitude to the Absurd occurs in a collection of four letters to an anonymous German friend, written between July 1943 and July 1944. The first was published in the "Revue Libre" in 1943, the second in the "Cahiers de Libération" in 1944, and the third in the newspaper "Libertés", in 1945. The four letters were published as "Lettres à un ami allemand" ("Letters to a German Friend") in 1945, and were included in the collection "Resistance, Rebellion, and Death".
Camus regretted the continued reference to himself as a "philosopher of the absurd". He showed less interest in the Absurd shortly after publishing "Le Mythe de Sisyphe". To distinguish his ideas, scholars sometimes refer to the Paradox of the Absurd, when referring to "Camus's Absurd".
Revolt.
Camus is known for articulating the case for revolting against any kind of oppression, injustice, or whatever disrespects the human condition. He is cautious enough, however, to set the limits on the rebellion. "L'Homme révolté" ("The Rebel") explains in detail his thoughts on the issue. There, he builds upon the absurd (described in "The Myth of Sisyphus") but goes further. In the introduction, where he examines the metaphysics of rebellion, he concludes with the phrase "I revolt, therefore we exist" implying the recognition of a common human condition. Camus also delineates the difference between revolution and rebellion and notices that history has shown that the rebel's revolution might easily end up as an oppressive regime; he therefore places importance on the morals accompanying the revolution. Camus poses a crucial question: Is it possible for humans to act in an ethical and meaningful manner, in a silent universe? According to him the answer is yes, as the experience and awareness of the Absurd creates the moral values and also sets the limits of our actions. Camus separates the modern form of rebellion into two modes. First, there is the metaphysical rebellion, which is "the movement by which man protests against his condition and against the whole of creation." The other mode, historical rebellion, is the attempt to materialize the abstract spirit of metaphysical rebellion and change the world. In this attempt, the rebel must balance between the evil of the world and the intrinsic evil which every revolt carries, and not cause any unjustifiable suffering.
Legacy.
Camus's novels and philosophical essays are still influential. After his death, interest in Camus followed the rise (and diminution) of the New Left. Following the collapse of the Soviet Union, interest in his alternative road to communism resurfaced. He is remembered for his skeptical humanism and his support for political tolerance, dialogue, and civil rights.
Although Camus has been linked to anti-Soviet communism, reaching as far as anarcho-syndicalism, some neo-liberals have tried to associate him with their policies; for instance, the French President Nicolas Sarkozy suggested that his remains be moved to the Panthéon, an idea that was criticised by Camus's surviving family and angered many on the Left.
Works.
The works of Albert Camus include:
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Alexander Agassiz
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Alexander Emmanuel Rodolphe Agassiz (December 17, 1835March 27, 1910), son of Louis Agassiz and stepson of Elizabeth Cabot Agassiz, was an American scientist and engineer.
Biography.
Agassiz was born in Neuchâtel, Switzerland and immigrated to the United States with his parents, Louis and Cecile (Braun) Agassiz, in 1846. He graduated from Harvard University in 1855, subsequently studying engineering and chemistry, and taking the degree of Bachelor of Science at the Lawrence Scientific School of the same institution in 1857; in 1859 became an assistant in the United States Coast Survey.
Thenceforward he became a specialist in marine ichthyology. Agassiz was elected a Fellow of the American Academy of Arts and Sciences in 1862. Up until the summer of 1866, Agassiz worked as assistant curator in the museum of natural history that his father founded at Harvard.
E. J. Hulbert, a friend of Agassiz's brother-in-law, Quincy Adams Shaw, had discovered a rich copper lode known as the Calumet conglomerate on the Keweenaw Peninsula in Michigan. Hulbert persuaded them, along with a group of friends, to purchase a controlling interest in the mines, which later became known as the Calumet and Hecla Mining Company based in Calumet, Michigan. That summer, he took a trip to see the mines for himself and he afterwards became treasurer of the enterprise.
Over the winter of 1866 and early 1867, mining operations began to falter, due to the difficulty of extracting copper from the conglomerate. Hulbert had sold his interests in the mines and had moved on to other ventures. But Agassiz refused to give up hope for the mines. He returned to the mines in March 1867, with his wife and young son. At that time, Calumet was a remote settlement, virtually inaccessible during the winter and very far removed from civilization even during the summer. With insufficient supplies at the mines, Agassiz struggled to maintain order, while back in Boston, Shaw was saddled with debt and the collapse of their interests. Shaw obtained financial assistance from John Simpkins, the selling agent for the enterprise to continue operations.
Agassiz continued to live at Calumet, making gradual progress in stabilizing the mining operations, such that he was able to leave the mines under the control of a general manager and return to Boston in 1868 before winter closed navigation. The mines continued to prosper and in May 1871, several mines were consolidated to form the Calumet and Hecla Mining Company with Shaw as its first president. In August 1871, Shaw "retired" to the board of directors and Agassiz became president, a position he held until his death. Until the turn of the century, this company was by far the largest copper producer in the United States, many years producing over half of the total.
Agassiz was a major factor in the mine's continued success and visited the mines twice a year. He innovated by installing a giant engine, known as the Superior, which was able to lift 24 tons of rock from a depth of . He also built a railroad and dredged a channel to navigable waters. However, after a time the mines did not require his full-time, year-round, attention and he returned to his interests in natural history at Harvard. Out of his copper fortune, he gave some US$500,000 to Harvard for the museum of comparative zoology and other purposes.
Shortly after the death of his father in 1873, Agassiz acquired a small peninsula in Newport, Rhode Island, which features views of Narragansett Bay. Here he built a substantial house and a laboratory for use as his summer residence. The house was completed in 1875 and today is known as the Inn at Castle Hill.
He was a member of the scientific-expedition to South America in 1875, where he inspected the copper mines of Peru and Chile, and made extended surveys of Lake Titicaca, besides collecting invaluable Peruvian antiquities, which he gave to the Museum of Comparative Zoology (MCZ), of which he was first curator from 1874 to 1885 and then director until his death in 1910, his personal secretary Elizabeth Hodges Clark running the day-to-day management of the MCZ when his work took him abroad. He assisted Charles Wyville Thomson in the examination and classification of the collections of the 1872 "Challenger" Expedition, and wrote the "Review of the Echini" (2 vols., 1872–1874) in the reports. Between 1877 and 1880 he took part in the three dredging expeditions of the steamer "Blake" of the Coast Survey, and presented a full account of them in two volumes (1888). Also in 1875, he was elected as a member of the American Philosophical Society.
In 1896 Agassiz visited Fiji and Queensland and inspected the Great Barrier Reef, publishing a paper on the subject in 1898.
Of Agassiz's other writings on marine zoology, most are contained in the bulletins and memoirs of the museum of comparative zoology. However, in 1865, he published with Elizabeth Cary Agassiz, his stepmother, "Seaside Studies in Natural History", a work at once exact and stimulating. They also published, in 1871, "Marine Animals of Massachusetts Bay".
He received the German Order Pour le Mérite for Science and Arts in August 1902.
Agassiz served as a president of the National Academy of Sciences, which since 1913 has awarded the Alexander Agassiz Medal in his memory. He died in 1910 on board the RMS "Adriatic" en route to New York from Southampton.
He and his wife Anna Russell (1840-1873) were the parents of three sons – George Russell Agassiz (1861–1951), Maximilian Agassiz (1866–1943) and Rodolphe Louis Agassiz (1871–1933).
Legacy.
Alexander Agassiz is commemorated in the scientific name of a species of lizard, "Anolis agassizi", and a fish, "Leptochilichthys agassizii".
A statue of Alexander Agassiz erected in 1923 is located in Calumet, Michigan, next to his summer home where he stayed while fulfilling his duties as the President of the Calumet and Hecla Mining Company. The Company Headquarters, Agassiz' statue, and many other buildings and landmarks from the now defunct company are today administered and maintained by the Keweenaw National Historical Park, whose headquarters overlook the statue of Agassiz.
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1552
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Antonio Agliardi
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Antonio Agliardi (4 September 1832 – 19 March 1915) was an Italian Roman Catholic Cardinal, archbishop, and papal diplomat.
Biography.
Agliardi was born at Cologno al Serio, in what is now the Province of Bergamo.
He studied theology and canon law, and after acting as parish priest in his native diocese for twelve years was sent by the pope to Canada as a bishop's chaplain. On his return he was appointed secretary to the Congregation of the Propaganda.
In 1884, he was created by Pope Leo XIII Archbishop of Caesarea "in partibus" and sent to India as an Apostolic Delegate to report on the establishment of the hierarchy there.
In 1887 he again visited India, to carry out the terms of the concordat arranged with Portugal. The same year he was appointed secretary of the Congregation "super negotiis ecclesiae extraordinariis". In 1889 he became papal Apostolic Nuncio to Bavaria at Munich and in 1892 at Vienna. Allowing himself to be involved in the ecclesiastical disputes that divided Hungary in 1895, he was made the subject of formal complaint by the Hungarian government and in 1896 was recalled.
In the consistory of 1896 he was elevated to Cardinal-Priest of "Santi Nereo e Achilleo". In 1899 he was made Cardinal Bishop of Albano. In 1903, he was named vice-chancellor of the Catholic Church, and became the Chancellor of the Apostolic Chancery in the Secretariat of State in 1908.
He died in Rome and was buried in Bergamo.
Episcopal lineage.
Agliardi's episcopal lineage, or apostolic succession was:
External links.
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Ada Lovelace
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Augusta Ada King, Countess of Lovelace ("née" Byron; 10 December 1815 – 27 November 1852) was an English mathematician and writer, chiefly known for her work on Charles Babbage's proposed mechanical general-purpose computer, the Analytical Engine. She was the first to recognise that the machine had applications beyond pure calculation, and to have published the first algorithm intended to be carried out by such a machine. As a result, she is often regarded as the first computer programmer.
Ada Byron was the only legitimate child of poet Lord Byron and Lady Byron. All of Byron's other children were born out of wedlock to other women. Byron separated from his wife a month after Ada was born and left England forever. Four months later, he commemorated the parting in a poem that begins, "Is thy face like thy mother's my fair child! ADA! sole daughter of my house and heart?" He died in Greece when Ada was eight. Her mother remained bitter and promoted Ada's interest in mathematics and logic in an effort to prevent her from developing her father's perceived insanity. Despite this, Ada remained interested in him, naming her two sons Byron and Gordon. Upon her death, she was buried next to him at her request. Although often ill in her childhood, Ada pursued her studies assiduously. She married William King in 1835. King was made Earl of Lovelace in 1838, Ada thereby becoming Countess of Lovelace.
Her educational and social exploits brought her into contact with scientists such as Andrew Crosse, Charles Babbage, Sir David Brewster, Charles Wheatstone, Michael Faraday, and the author Charles Dickens, contacts which she used to further her education. Ada described her approach as "poetical science" and herself as an "Analyst (& Metaphysician)".
When she was eighteen, her mathematical talents led her to a long working relationship and friendship with fellow British mathematician Charles Babbage, who is known as "the father of computers". She was in particular interested in Babbage's work on the Analytical Engine. Lovelace first met him in June 1833, through their mutual friend, and her private tutor, Mary Somerville.
Between 1842 and 1843, Ada translated an article by Italian military engineer Luigi Menabrea about the Analytical Engine, supplementing it with an elaborate set of notes, simply called "Notes". Lovelace's notes are important in the early history of computers, containing what many consider to be the first computer program—that is, an algorithm designed to be carried out by a machine. Other historians reject this perspective and point out that Babbage's personal notes from the years 1836/1837 contain the first programs for the engine. She also developed a vision of the capability of computers to go beyond mere calculating or number-crunching, while many others, including Babbage himself, focused only on those capabilities. Her mindset of "poetical science" led her to ask questions about the Analytical Engine (as shown in her notes) examining how individuals and society relate to technology as a collaborative tool.
Biography.
Childhood.
Lord Byron expected his child to be a "glorious boy" and was disappointed when Lady Byron gave birth to a girl. The child was named after Byron's half-sister, Augusta Leigh, and was called "Ada" by Byron himself. On 16 January 1816, at Lord Byron's command, Lady Byron left for her parents' home at Kirkby Mallory, taking their five-week-old daughter with her. Although English law at the time granted full custody of children to the father in cases of separation, Lord Byron made no attempt to claim his parental rights, but did request that his sister keep him informed of Ada's welfare.
On 21 April, Lord Byron signed the deed of separation, although very reluctantly, and left England for good a few days later. Aside from an acrimonious separation, Lady Byron continued throughout her life to make allegations about her husband's immoral behaviour. This set of events made Lovelace infamous in Victorian society. Ada did not have a relationship with her father. He died in 1824 when she was eight years old. Her mother was the only significant parental figure in her life. Lovelace was not shown the family portrait of her father until her 20th birthday.
Lovelace did not have a close relationship with her mother. She was often left in the care of her maternal grandmother Judith, Hon. Lady Milbanke, who doted on her. However, because of societal attitudes of the time—which favoured the husband in any separation, with the welfare of any child acting as mitigation—Lady Byron had to present herself as a loving mother to the rest of society. This included writing anxious letters to Lady Milbanke about her daughter's welfare, with a cover note saying to retain the letters in case she had to use them to show maternal concern. In one letter to Lady Milbanke, she referred to her daughter as "it": "I talk to it for your satisfaction, not my own, and shall be very glad when you have it under your own." Lady Byron had her teenage daughter watched by close friends for any sign of moral deviation. Lovelace dubbed these observers the "Furies" and later complained they exaggerated and invented stories about her.
Lovelace was often ill, beginning in early childhood. At the age of eight, she experienced headaches that obscured her vision. In June 1829, she was paralyzed after a bout of measles. She was subjected to continuous bed rest for nearly a year, something which may have extended her period of disability. By 1831, she was able to walk with crutches. Despite the illnesses, she developed her mathematical and technological skills.
Ada Byron had an affair with a tutor in early 1833. She tried to elope with him after she was caught, but the tutor's relatives recognised her and contacted her mother. Lady Byron and her friends covered the incident up to prevent a public scandal. Lovelace never met her younger half-sister, Allegra, the daughter of Lord Byron and Claire Clairmont. Allegra died in 1822 at the age of five. Lovelace did have some contact with Elizabeth Medora Leigh, the daughter of Byron's half-sister Augusta Leigh, who purposely avoided Lovelace as much as possible when introduced at court.
Adult years.
Lovelace became close friends with her tutor Mary Somerville, who introduced her to Charles Babbage in 1833. She had a strong respect and affection for Somerville, and they corresponded for many years. Other acquaintances included the scientists Andrew Crosse, Sir David Brewster, Charles Wheatstone, Michael Faraday and the author Charles Dickens. She was presented at Court at the age of seventeen "and became a popular belle of the season" in part because of her "brilliant mind". By 1834 Ada was a regular at Court and started attending various events. She danced often and was able to charm many people, and was described by most people as being dainty, although John Hobhouse, Byron's friend, described her as "a large, coarse-skinned young woman but with something of my friend's features, particularly the mouth". This description followed their meeting on 24 February 1834 in which Ada made it clear to Hobhouse that she did not like him, probably due to her mother's influence, which led her to dislike all of her father's friends. This first impression was not to last, and they later became friends.
On 8 July 1835, she married William, 8th Baron King, becoming Lady King. They had three homes: Ockham Park, Surrey; a Scottish estate on Loch Torridon in Ross-shire; and a house in London. They spent their honeymoon at Worthy Manor in Ashley Combe near Porlock Weir, Somerset. The Manor had been built as a hunting lodge in 1799 and was improved by King in preparation for their honeymoon. It later became their summer retreat and was further improved during this time. From 1845, the family's main house was Horsley Towers, built in the Tudorbethan fashion by the architect of the Houses of Parliament, Charles Barry, and later greatly enlarged to Lovelace's own designs.
They had three children: Byron (born 1836); Anne Isabella (called Annabella, born 1837); and Ralph Gordon (born 1839). Immediately after the birth of Annabella, Lady King experienced "a tedious and suffering illness, which took months to cure". Ada was a descendant of the extinct Barons Lovelace and in 1838, her husband was made Earl of Lovelace and Viscount Ockham, meaning Ada became the Countess of Lovelace. In 1843–44, Ada's mother assigned William Benjamin Carpenter to teach Ada's children and to act as a "moral" instructor for Ada. He quickly fell for her and encouraged her to express any frustrated affections, claiming that his marriage meant he would never act in an "unbecoming" manner. When it became clear that Carpenter was trying to start an affair, Ada cut it off.
In 1841, Lovelace and Medora Leigh (the daughter of Lord Byron's half-sister Augusta Leigh) were told by Ada's mother that Ada's father was also Medora's father. On 27 February 1841, Ada wrote to her mother: "I am not in the least "astonished". In fact, you merely "confirm" what I have for "years and years" felt scarcely a doubt about, but should have considered it most improper in me to hint to you that I in any way suspected." She did not blame the incestuous relationship on Byron, but instead blamed Augusta Leigh: "I fear she is more inherently wicked than he ever was." In the 1840s, Ada flirted with scandals: firstly, from a relaxed approach to extra-marital relationships with men, leading to rumours of affairs; and secondly, from her love of gambling. She apparently lost more than £3,000 on the horses during the later 1840s. The gambling led to her forming a syndicate with male friends, and an ambitious attempt in 1851 to create a mathematical model for successful large bets. This went disastrously wrong, leaving her thousands of pounds in debt to the syndicate, forcing her to admit it all to her husband. She had a shadowy relationship with Andrew Crosse's son John from 1844 onwards. John Crosse destroyed most of their correspondence after her death as part of a legal agreement. She bequeathed him the only heirlooms her father had personally left to her. During her final illness, she would panic at the idea of the younger Crosse being kept from visiting her.
Education.
From 1832, when she was seventeen, her mathematical abilities began to emerge, and her interest in mathematics dominated the majority of her adult life. Her mother's obsession with rooting out any of the insanity of which she accused Byron was one of the reasons that Ada was taught mathematics from an early age. She was privately educated in mathematics and science by William Frend, William King, and Mary Somerville, the noted 19th-century researcher and scientific author. In the 1840s, the mathematician Augustus De Morgan extended her "much help in her mathematical studies" including study of advanced calculus topics including the "numbers of Bernoulli" (that formed her celebrated algorithm for Babbage's Analytical Engine). In a letter to Lady Byron, De Morgan suggested that Ada's skill in mathematics might lead her to become "an original mathematical investigator, perhaps of first-rate eminence".
Lovelace often questioned basic assumptions through integrating poetry and science. Whilst studying differential calculus, she wrote to De Morgan:
I may remark that the curious transformations many formulae can undergo, the unsuspected and to a beginner apparently impossible identity of forms exceedingly dissimilar at first sight, is I think one of the chief difficulties in the early part of mathematical studies. I am often reminded of certain sprites and fairies one reads of, who are at one's elbows in "one" shape now, and the next minute in a form most dissimilar.
Lovelace believed that intuition and imagination were critical to effectively applying mathematical and scientific concepts. She valued metaphysics as much as mathematics, viewing both as tools for exploring "the unseen worlds around us".
Death.
Lovelace died at the age of 36 on 27 November 1852, from uterine cancer. The illness lasted several months, in which time Annabella took command over whom Ada saw, and excluded all of her friends and confidants. Under her mother's influence, Ada had a religious transformation and was coaxed into repenting of her previous conduct and making Annabella her executor. She lost contact with her husband after confessing something to him on 30 August which caused him to abandon her bedside. It is not known what she told him. She was buried, at her request, next to her father at the Church of St. Mary Magdalene in Hucknall, Nottinghamshire. A memorial plaque, written in Latin, to her and her father is in the chapel attached to Horsley Towers.
Childhood.
Lord Byron expected his child to be a "glorious boy" and was disappointed when Lady Byron gave birth to a girl. The child was named after Byron's half-sister, Augusta Leigh, and was called "Ada" by Byron himself. On 16 January 1816, at Lord Byron's command, Lady Byron left for her parents' home at Kirkby Mallory, taking their five-week-old daughter with her. Although English law at the time granted full custody of children to the father in cases of separation, Lord Byron made no attempt to claim his parental rights, but did request that his sister keep him informed of Ada's welfare.
On 21 April, Lord Byron signed the deed of separation, although very reluctantly, and left England for good a few days later. Aside from an acrimonious separation, Lady Byron continued throughout her life to make allegations about her husband's immoral behaviour. This set of events made Lovelace infamous in Victorian society. Ada did not have a relationship with her father. He died in 1824 when she was eight years old. Her mother was the only significant parental figure in her life. Lovelace was not shown the family portrait of her father until her 20th birthday.
Lovelace did not have a close relationship with her mother. She was often left in the care of her maternal grandmother Judith, Hon. Lady Milbanke, who doted on her. However, because of societal attitudes of the time—which favoured the husband in any separation, with the welfare of any child acting as mitigation—Lady Byron had to present herself as a loving mother to the rest of society. This included writing anxious letters to Lady Milbanke about her daughter's welfare, with a cover note saying to retain the letters in case she had to use them to show maternal concern. In one letter to Lady Milbanke, she referred to her daughter as "it": "I talk to it for your satisfaction, not my own, and shall be very glad when you have it under your own." Lady Byron had her teenage daughter watched by close friends for any sign of moral deviation. Lovelace dubbed these observers the "Furies" and later complained they exaggerated and invented stories about her.
Lovelace was often ill, beginning in early childhood. At the age of eight, she experienced headaches that obscured her vision. In June 1829, she was paralyzed after a bout of measles. She was subjected to continuous bed rest for nearly a year, something which may have extended her period of disability. By 1831, she was able to walk with crutches. Despite the illnesses, she developed her mathematical and technological skills.
Ada Byron had an affair with a tutor in early 1833. She tried to elope with him after she was caught, but the tutor's relatives recognised her and contacted her mother. Lady Byron and her friends covered the incident up to prevent a public scandal. Lovelace never met her younger half-sister, Allegra, the daughter of Lord Byron and Claire Clairmont. Allegra died in 1822 at the age of five. Lovelace did have some contact with Elizabeth Medora Leigh, the daughter of Byron's half-sister Augusta Leigh, who purposely avoided Lovelace as much as possible when introduced at court.
Adult years.
Lovelace became close friends with her tutor Mary Somerville, who introduced her to Charles Babbage in 1833. She had a strong respect and affection for Somerville, and they corresponded for many years. Other acquaintances included the scientists Andrew Crosse, Sir David Brewster, Charles Wheatstone, Michael Faraday and the author Charles Dickens. She was presented at Court at the age of seventeen "and became a popular belle of the season" in part because of her "brilliant mind". By 1834 Ada was a regular at Court and started attending various events. She danced often and was able to charm many people, and was described by most people as being dainty, although John Hobhouse, Byron's friend, described her as "a large, coarse-skinned young woman but with something of my friend's features, particularly the mouth". This description followed their meeting on 24 February 1834 in which Ada made it clear to Hobhouse that she did not like him, probably due to her mother's influence, which led her to dislike all of her father's friends. This first impression was not to last, and they later became friends.
On 8 July 1835, she married William, 8th Baron King, becoming Lady King. They had three homes: Ockham Park, Surrey; a Scottish estate on Loch Torridon in Ross-shire; and a house in London. They spent their honeymoon at Worthy Manor in Ashley Combe near Porlock Weir, Somerset. The Manor had been built as a hunting lodge in 1799 and was improved by King in preparation for their honeymoon. It later became their summer retreat and was further improved during this time. From 1845, the family's main house was Horsley Towers, built in the Tudorbethan fashion by the architect of the Houses of Parliament, Charles Barry, and later greatly enlarged to Lovelace's own designs.
They had three children: Byron (born 1836); Anne Isabella (called Annabella, born 1837); and Ralph Gordon (born 1839). Immediately after the birth of Annabella, Lady King experienced "a tedious and suffering illness, which took months to cure". Ada was a descendant of the extinct Barons Lovelace and in 1838, her husband was made Earl of Lovelace and Viscount Ockham, meaning Ada became the Countess of Lovelace. In 1843–44, Ada's mother assigned William Benjamin Carpenter to teach Ada's children and to act as a "moral" instructor for Ada. He quickly fell for her and encouraged her to express any frustrated affections, claiming that his marriage meant he would never act in an "unbecoming" manner. When it became clear that Carpenter was trying to start an affair, Ada cut it off.
In 1841, Lovelace and Medora Leigh (the daughter of Lord Byron's half-sister Augusta Leigh) were told by Ada's mother that Ada's father was also Medora's father. On 27 February 1841, Ada wrote to her mother: "I am not in the least "astonished". In fact, you merely "confirm" what I have for "years and years" felt scarcely a doubt about, but should have considered it most improper in me to hint to you that I in any way suspected." She did not blame the incestuous relationship on Byron, but instead blamed Augusta Leigh: "I fear she is more inherently wicked than he ever was." In the 1840s, Ada flirted with scandals: firstly, from a relaxed approach to extra-marital relationships with men, leading to rumours of affairs; and secondly, from her love of gambling. She apparently lost more than £3,000 on the horses during the later 1840s. The gambling led to her forming a syndicate with male friends, and an ambitious attempt in 1851 to create a mathematical model for successful large bets. This went disastrously wrong, leaving her thousands of pounds in debt to the syndicate, forcing her to admit it all to her husband. She had a shadowy relationship with Andrew Crosse's son John from 1844 onwards. John Crosse destroyed most of their correspondence after her death as part of a legal agreement. She bequeathed him the only heirlooms her father had personally left to her. During her final illness, she would panic at the idea of the younger Crosse being kept from visiting her.
Education.
From 1832, when she was seventeen, her mathematical abilities began to emerge, and her interest in mathematics dominated the majority of her adult life. Her mother's obsession with rooting out any of the insanity of which she accused Byron was one of the reasons that Ada was taught mathematics from an early age. She was privately educated in mathematics and science by William Frend, William King, and Mary Somerville, the noted 19th-century researcher and scientific author. In the 1840s, the mathematician Augustus De Morgan extended her "much help in her mathematical studies" including study of advanced calculus topics including the "numbers of Bernoulli" (that formed her celebrated algorithm for Babbage's Analytical Engine). In a letter to Lady Byron, De Morgan suggested that Ada's skill in mathematics might lead her to become "an original mathematical investigator, perhaps of first-rate eminence".
Lovelace often questioned basic assumptions through integrating poetry and science. Whilst studying differential calculus, she wrote to De Morgan:
I may remark that the curious transformations many formulae can undergo, the unsuspected and to a beginner apparently impossible identity of forms exceedingly dissimilar at first sight, is I think one of the chief difficulties in the early part of mathematical studies. I am often reminded of certain sprites and fairies one reads of, who are at one's elbows in "one" shape now, and the next minute in a form most dissimilar.
Lovelace believed that intuition and imagination were critical to effectively applying mathematical and scientific concepts. She valued metaphysics as much as mathematics, viewing both as tools for exploring "the unseen worlds around us".
Death.
Lovelace died at the age of 36 on 27 November 1852, from uterine cancer. The illness lasted several months, in which time Annabella took command over whom Ada saw, and excluded all of her friends and confidants. Under her mother's influence, Ada had a religious transformation and was coaxed into repenting of her previous conduct and making Annabella her executor. She lost contact with her husband after confessing something to him on 30 August which caused him to abandon her bedside. It is not known what she told him. She was buried, at her request, next to her father at the Church of St. Mary Magdalene in Hucknall, Nottinghamshire. A memorial plaque, written in Latin, to her and her father is in the chapel attached to Horsley Towers.
Work.
Throughout her life, Lovelace was strongly interested in scientific developments and fads of the day, including phrenology and mesmerism. After her work with Babbage, Lovelace continued to work on other projects. In 1844, she commented to a friend Woronzow Greig about her desire to create a mathematical model for how the brain gives rise to thoughts and nerves to feelings ("a calculus of the nervous system"). She never achieved this, however. In part, her interest in the brain came from a long-running pre-occupation, inherited from her mother, about her "potential" madness. As part of her research into this project, she visited the electrical engineer Andrew Crosse in 1844 to learn how to carry out electrical experiments. In the same year, she wrote a review of a paper by Baron Karl von Reichenbach, "Researches on Magnetism", but this was not published and does not appear to have progressed past the first draft. In 1851, the year before her cancer struck, she wrote to her mother mentioning "certain productions" she was working on regarding the relation of maths and music.
Lovelace first met Charles Babbage in June 1833, through their mutual friend Mary Somerville. Later that month, Babbage invited Lovelace to see the prototype for his difference engine. She became fascinated with the machine and used her relationship with Somerville to visit Babbage as often as she could. Babbage was impressed by Lovelace's intellect and analytic skills. He called her "The Enchantress of Number". In 1843, he wrote to her:
During a nine-month period in 1842–43, Lovelace translated the Italian mathematician Luigi Menabrea's article on Babbage's newest proposed machine, the Analytical Engine. With the article, she appended a set of notes. Explaining the Analytical Engine's function was a difficult task; many other scientists did not grasp the concept and the British establishment had shown little interest in it. Lovelace's notes even had to explain how the Analytical Engine differed from the original Difference Engine. Her work was well received at the time; the scientist Michael Faraday described himself as a supporter of her writing.
The notes are around three times longer than the article itself and include (in "Note G"), in complete detail, a method for calculating a sequence of Bernoulli numbers using the Analytical Engine, which might have run correctly had it ever been built (only Babbage's Difference Engine has been built, completed in London in 2002). Based on this work, Lovelace is now considered by many to be the first computer programmer and her method has been called the world's first computer program. Others dispute this because some of Charles Babbage's earlier writings could be considered computer programs.
"Note G" also contains Lovelace's dismissal of artificial intelligence. She wrote that "The Analytical Engine has no pretensions whatever to "originate" anything. It can do "whatever we know how to order it" to perform. It can follow analysis; but it has no power of anticipating any analytical relations or truths." This objection has been the subject of much debate and rebuttal, for example by Alan Turing in his paper "Computing Machinery and Intelligence". Most modern computer scientists argue that this view is outdated and that computer software can develop in ways that cannot necessarily be anticipated by programmers.
Lovelace and Babbage had a minor falling out when the papers were published, when he tried to leave his own statement (criticising the government's treatment of his Engine) as an unsigned preface, which could have been mistakenly interpreted as a joint declaration. When Taylor's "Scientific Memoirs" ruled that the statement should be signed, Babbage wrote to Lovelace asking her to withdraw the paper. This was the first that she knew he was leaving it unsigned, and she wrote back refusing to withdraw the paper. The historian Benjamin Woolley theorised that "His actions suggested he had so enthusiastically sought Ada's involvement, and so happily indulged her ... because of her 'celebrated name'." Their friendship recovered, and they continued to correspond. On 12 August 1851, when she was dying of cancer, Lovelace wrote to him asking him to be her executor, though this letter did not give him the necessary legal authority. Part of the terrace at Worthy Manor was known as "Philosopher's Walk;" it was there that Lovelace and Babbage were reputed to have walked while discussing mathematical principles.
First computer program.
In 1840, Babbage was invited to give a seminar at the University of Turin about his Analytical Engine. Luigi Menabrea, a young Italian engineer and the future Prime Minister of Italy, transcribed Babbage's lecture into French, and this transcript was subsequently published in the "Bibliothèque universelle de Genève" in October 1842.
Babbage's friend Charles Wheatstone commissioned Ada Lovelace to translate Menabrea's paper into English. She then augmented the paper with notes, which were added to the translation. Ada Lovelace spent the better part of a year doing this, assisted with input from Babbage. These notes, which are more extensive than Menabrea's paper, were then published in the September 1843 edition of Taylor's "Scientific Memoirs" under the initialism "AAL".
Ada Lovelace's notes were labelled alphabetically from A to G. In note G, she describes an algorithm for the Analytical Engine to compute Bernoulli numbers. It is considered to be the first published algorithm ever specifically tailored for implementation on a computer, and Ada Lovelace has often been cited as the first computer programmer for this reason. The engine was never completed and so her program was never tested.
In 1953, more than a century after her death, Ada Lovelace's notes on Babbage's Analytical Engine were republished as an appendix to B. V. Bowden's "Faster than Thought: A Symposium on Digital Computing Machines". The engine has now been recognised as an early model for a computer and her notes as a description of a computer and software.
Insight into potential of computing devices.
In her notes, Ada Lovelace emphasised the difference between the Analytical Engine and previous calculating machines, particularly its ability to be programmed to solve problems of any complexity. She realised the potential of the device extended far beyond mere number crunching. In her notes, she wrote:
This analysis was an important development from previous ideas about the capabilities of computing devices and anticipated the implications of modern computing one hundred years before they were realised. Walter Isaacson ascribes Ada's insight regarding the application of computing to "any" process based on logical symbols to an observation about textiles: "When she saw some mechanical looms that used punchcards to direct the weaving of beautiful patterns, it reminded her of how Babbage's engine used punched cards to make calculations." This insight is seen as significant by writers such as Betty Toole and Benjamin Woolley, as well as the programmer John Graham-Cumming, whose project Plan 28 has the aim of constructing the first complete Analytical Engine.
According to the historian of computing and Babbage specialist Doron Swade:
Ada saw something that Babbage in some sense failed to see. In Babbage's world his engines were bound by number...What Lovelace saw...was that number could represent entities other than quantity. So once you had a machine for manipulating numbers, if those numbers represented other things, letters, musical notes, then the machine could manipulate symbols of which number was one instance, according to rules. It is this fundamental transition from a machine which is a number cruncher to a machine for manipulating symbols according to rules that is the fundamental transition from calculation to computation—to general-purpose computation—and looking back from the present high ground of modern computing, if we are looking and sifting history for that transition, then that transition was made explicitly by Ada in that 1843 paper.
Distinction between mechanism and logical structure.
Lovelace recognized the difference between the details of the computing mechanism, as covered in a 1934 article on the Difference Engine,
and the logical structure of the Analytical Engine, on which the article she was reviewing dwelt. She noted that different specialists might be required in each area.
The [1934 article] chiefly treats it under its mechanical aspect, entering but slightly into the mathematical principles of which that engine is the representative, but giving, in considerable length, many details of the mechanism and contrivances by means of which it tabulates the various orders of differences. M. Menabrea, on the contrary, exclusively developes the analytical view; taking it for granted that mechanism is able to perform certain processes, but without attempting to explain how; and devoting his whole attention to explanations and illustrations of the manner in which analytical laws can be so arranged and combined as to bring every branch of that vast subject within the grasp of the assumed powers of mechanism. It is obvious that, in the invention of a calculating engine, these two branches of the subject are equally essential fields of investigation... They are indissolubly connected, though so different in their intrinsic nature, that perhaps the same mind might not be likely to prove equally profound or successful in both.
Controversy over contribution.
Though Lovelace is often referred to as the first computer programmer, some biographers, computer scientists and historians of computing claim otherwise.
Allan G. Bromley, in the 1990 article "Difference and Analytical Engines":
Bruce Collier, who later wrote a biography of Babbage, wrote in his 1970 Harvard University PhD thesis that Lovelace "made a considerable contribution to publicizing the Analytical Engine, but there is no evidence that she advanced the design or theory of it in any way".
Eugene Eric Kim and Betty Alexandra Toole consider it "incorrect" to regard Lovelace as the first computer programmer, as Babbage wrote the initial programs for his Analytical Engine, although the majority were never published. Bromley notes several dozen sample programs prepared by Babbage between 1837 and 1840, all substantially predating Lovelace's notes. Dorothy K. Stein regards Lovelace's notes as "more a reflection of the mathematical uncertainty of the author, the political purposes of the inventor, and, above all, of the social and cultural context in which it was written, than a blueprint for a scientific development".
Doron Swade, a specialist on history of computing known for his work on Babbage, discussed Lovelace during a lecture on Babbage's analytical engine. He explained that Ada was only a "promising beginner" instead of genius in mathematics, that she began studying basic concepts of mathematics five years after Babbage conceived the analytical engine so she could not have made important contributions to it, and that she only published the first computer program instead of actually writing it. But he agrees that Ada was the only person to see the potential of the analytical engine as a machine capable of expressing entities other than quantities.
In his book, "Idea Makers", Stephen Wolfram defends Lovelace's contributions. While acknowledging that Babbage wrote several unpublished algorithms for the Analytical Engine prior to Lovelace's notes, Wolfram argues that "there's nothing as sophisticated—or as clean—as Ada's computation of the Bernoulli numbers. Babbage certainly helped and commented on Ada's work, but she was definitely the driver of it." Wolfram then suggests that Lovelace's main achievement was to distill from Babbage's correspondence "a clear exposition of the abstract operation of the machine—something which Babbage never did".
First computer program.
In 1840, Babbage was invited to give a seminar at the University of Turin about his Analytical Engine. Luigi Menabrea, a young Italian engineer and the future Prime Minister of Italy, transcribed Babbage's lecture into French, and this transcript was subsequently published in the "Bibliothèque universelle de Genève" in October 1842.
Babbage's friend Charles Wheatstone commissioned Ada Lovelace to translate Menabrea's paper into English. She then augmented the paper with notes, which were added to the translation. Ada Lovelace spent the better part of a year doing this, assisted with input from Babbage. These notes, which are more extensive than Menabrea's paper, were then published in the September 1843 edition of Taylor's "Scientific Memoirs" under the initialism "AAL".
Ada Lovelace's notes were labelled alphabetically from A to G. In note G, she describes an algorithm for the Analytical Engine to compute Bernoulli numbers. It is considered to be the first published algorithm ever specifically tailored for implementation on a computer, and Ada Lovelace has often been cited as the first computer programmer for this reason. The engine was never completed and so her program was never tested.
In 1953, more than a century after her death, Ada Lovelace's notes on Babbage's Analytical Engine were republished as an appendix to B. V. Bowden's "Faster than Thought: A Symposium on Digital Computing Machines". The engine has now been recognised as an early model for a computer and her notes as a description of a computer and software.
Insight into potential of computing devices.
In her notes, Ada Lovelace emphasised the difference between the Analytical Engine and previous calculating machines, particularly its ability to be programmed to solve problems of any complexity. She realised the potential of the device extended far beyond mere number crunching. In her notes, she wrote:
This analysis was an important development from previous ideas about the capabilities of computing devices and anticipated the implications of modern computing one hundred years before they were realised. Walter Isaacson ascribes Ada's insight regarding the application of computing to "any" process based on logical symbols to an observation about textiles: "When she saw some mechanical looms that used punchcards to direct the weaving of beautiful patterns, it reminded her of how Babbage's engine used punched cards to make calculations." This insight is seen as significant by writers such as Betty Toole and Benjamin Woolley, as well as the programmer John Graham-Cumming, whose project Plan 28 has the aim of constructing the first complete Analytical Engine.
According to the historian of computing and Babbage specialist Doron Swade:
Ada saw something that Babbage in some sense failed to see. In Babbage's world his engines were bound by number...What Lovelace saw...was that number could represent entities other than quantity. So once you had a machine for manipulating numbers, if those numbers represented other things, letters, musical notes, then the machine could manipulate symbols of which number was one instance, according to rules. It is this fundamental transition from a machine which is a number cruncher to a machine for manipulating symbols according to rules that is the fundamental transition from calculation to computation—to general-purpose computation—and looking back from the present high ground of modern computing, if we are looking and sifting history for that transition, then that transition was made explicitly by Ada in that 1843 paper.
Distinction between mechanism and logical structure.
Lovelace recognized the difference between the details of the computing mechanism, as covered in a 1934 article on the Difference Engine,
and the logical structure of the Analytical Engine, on which the article she was reviewing dwelt. She noted that different specialists might be required in each area.
The [1934 article] chiefly treats it under its mechanical aspect, entering but slightly into the mathematical principles of which that engine is the representative, but giving, in considerable length, many details of the mechanism and contrivances by means of which it tabulates the various orders of differences. M. Menabrea, on the contrary, exclusively developes the analytical view; taking it for granted that mechanism is able to perform certain processes, but without attempting to explain how; and devoting his whole attention to explanations and illustrations of the manner in which analytical laws can be so arranged and combined as to bring every branch of that vast subject within the grasp of the assumed powers of mechanism. It is obvious that, in the invention of a calculating engine, these two branches of the subject are equally essential fields of investigation... They are indissolubly connected, though so different in their intrinsic nature, that perhaps the same mind might not be likely to prove equally profound or successful in both.
Controversy over contribution.
Though Lovelace is often referred to as the first computer programmer, some biographers, computer scientists and historians of computing claim otherwise.
Allan G. Bromley, in the 1990 article "Difference and Analytical Engines":
Bruce Collier, who later wrote a biography of Babbage, wrote in his 1970 Harvard University PhD thesis that Lovelace "made a considerable contribution to publicizing the Analytical Engine, but there is no evidence that she advanced the design or theory of it in any way".
Eugene Eric Kim and Betty Alexandra Toole consider it "incorrect" to regard Lovelace as the first computer programmer, as Babbage wrote the initial programs for his Analytical Engine, although the majority were never published. Bromley notes several dozen sample programs prepared by Babbage between 1837 and 1840, all substantially predating Lovelace's notes. Dorothy K. Stein regards Lovelace's notes as "more a reflection of the mathematical uncertainty of the author, the political purposes of the inventor, and, above all, of the social and cultural context in which it was written, than a blueprint for a scientific development".
Doron Swade, a specialist on history of computing known for his work on Babbage, discussed Lovelace during a lecture on Babbage's analytical engine. He explained that Ada was only a "promising beginner" instead of genius in mathematics, that she began studying basic concepts of mathematics five years after Babbage conceived the analytical engine so she could not have made important contributions to it, and that she only published the first computer program instead of actually writing it. But he agrees that Ada was the only person to see the potential of the analytical engine as a machine capable of expressing entities other than quantities.
In his book, "Idea Makers", Stephen Wolfram defends Lovelace's contributions. While acknowledging that Babbage wrote several unpublished algorithms for the Analytical Engine prior to Lovelace's notes, Wolfram argues that "there's nothing as sophisticated—or as clean—as Ada's computation of the Bernoulli numbers. Babbage certainly helped and commented on Ada's work, but she was definitely the driver of it." Wolfram then suggests that Lovelace's main achievement was to distill from Babbage's correspondence "a clear exposition of the abstract operation of the machine—something which Babbage never did".
In popular culture.
1810s.
Lord Byron wrote the poem "Fare Thee Well" to his wife Lady Byron in 1816, following their separation after the birth of Ada Lovelace. In the poem he writes:
<poem>
And when thou would'st solace gather—
Wilt thou teach her to say "Father!"
When her little hands shall press thee—
Think of him whose prayer shall bless thee—
Should her lineaments resemble
Then thy heart will softly tremble
</poem>
1970s.
Lovelace is portrayed in Romulus Linney's 1977 play "Childe Byron".
1990s.
In the 1990 steampunk novel "The Difference Engine" by William Gibson and Bruce Sterling, Lovelace delivers a lecture on the "punched cards" programme which proves Gödel's incompleteness theorems decades before their actual discovery.
In the 1997 film "Conceiving Ada," a computer scientist obsessed with Ada finds a way of communicating with her in the past by means of "undying information waves".
In Tom Stoppard's 1993 play "Arcadia", the precocious teenage genius Thomasina Coverly—a character "apparently based" on Ada Lovelace (the play also involves Lord Byron)—comes to understand chaos theory, and theorises the second law of thermodynamics, before either is officially recognised.
2000s.
Lovelace features in John Crowley's 2005 novel, "Lord Byron's Novel: The Evening Land", as an unseen character whose personality is forcefully depicted in her annotations and anti-heroic efforts to archive her father's lost novel.
2010s.
The 2015 play "Ada and the Engine" by Lauren Gunderson portrays Lovelace and Charles Babbage in unrequited love, and it imagines a post-death meeting between Lovelace and her father.
Lovelace and Babbage are the main characters in Sydney Padua's webcomic and graphic novel "The Thrilling Adventures of Lovelace and Babbage". The comic features extensive footnotes on the history of Ada Lovelace, and many lines of dialogue are drawn from actual correspondence.
Lovelace and Mary Shelley as teenagers are the central characters in Jordan Stratford's steampunk series, "The Wollstonecraft Detective Agency".
Lovelace, identified as Ada Augusta Byron, is portrayed by Lily Lesser in the second season of "The Frankenstein Chronicles". She is employed as an "analyst" to provide the workings of a life-sized humanoid automaton. The brass workings of the machine are reminiscent of Babbage's analytical engine. Her employment is described as keeping her occupied until she returns to her studies in advanced mathematics.
Lovelace and Babbage appear as characters in the second season of the ITV series "Victoria" (2017). Emerald Fennell portrays Lovelace in the episode, "The Green-Eyed Monster."
The Cardano cryptocurrency platform, which was launched in 2017, uses Ada as the name for their cryptocurrency and Lovelace as the smallest sub-unit of an Ada.
"Lovelace" is the name given to the operating system designed by the character Cameron Howe in "Halt and Catch Fire".
Lovelace is a primary character in the 2019 Big Finish Doctor Who audio play "The Enchantress of Numbers," starring Tom Baker as the Fourth Doctor and Jane Slavin as his current companion, WPC Ann Kelso. Lovelace is played by Finty Williams.
In 2019, Lovelace is a featured character in the play STEM FEMMES by Philadelphia theater company Applied Mechanics.
2020s.
Lovelace features as a character in "Spyfall, Part 2", the second episode of "Doctor Who", series 12, which first aired on BBC One on 5 January 2020. The character was portrayed by Sylvie Briggs, alongside characterisations of Charles Babbage and Noor Inayat Khan. In 2021, Nvidia named its GPU architecture featured in the RTX 4000 Series, "Ada Lovelace", after her. It is also the first Nvidia architecture to feature both a first and last name.
1810s.
Lord Byron wrote the poem "Fare Thee Well" to his wife Lady Byron in 1816, following their separation after the birth of Ada Lovelace. In the poem he writes:
<poem>
And when thou would'st solace gather—
Wilt thou teach her to say "Father!"
When her little hands shall press thee—
Think of him whose prayer shall bless thee—
Should her lineaments resemble
Then thy heart will softly tremble
</poem>
1970s.
Lovelace is portrayed in Romulus Linney's 1977 play "Childe Byron".
1990s.
In the 1990 steampunk novel "The Difference Engine" by William Gibson and Bruce Sterling, Lovelace delivers a lecture on the "punched cards" programme which proves Gödel's incompleteness theorems decades before their actual discovery.
In the 1997 film "Conceiving Ada," a computer scientist obsessed with Ada finds a way of communicating with her in the past by means of "undying information waves".
In Tom Stoppard's 1993 play "Arcadia", the precocious teenage genius Thomasina Coverly—a character "apparently based" on Ada Lovelace (the play also involves Lord Byron)—comes to understand chaos theory, and theorises the second law of thermodynamics, before either is officially recognised.
2000s.
Lovelace features in John Crowley's 2005 novel, "Lord Byron's Novel: The Evening Land", as an unseen character whose personality is forcefully depicted in her annotations and anti-heroic efforts to archive her father's lost novel.
2010s.
The 2015 play "Ada and the Engine" by Lauren Gunderson portrays Lovelace and Charles Babbage in unrequited love, and it imagines a post-death meeting between Lovelace and her father.
Lovelace and Babbage are the main characters in Sydney Padua's webcomic and graphic novel "The Thrilling Adventures of Lovelace and Babbage". The comic features extensive footnotes on the history of Ada Lovelace, and many lines of dialogue are drawn from actual correspondence.
Lovelace and Mary Shelley as teenagers are the central characters in Jordan Stratford's steampunk series, "The Wollstonecraft Detective Agency".
Lovelace, identified as Ada Augusta Byron, is portrayed by Lily Lesser in the second season of "The Frankenstein Chronicles". She is employed as an "analyst" to provide the workings of a life-sized humanoid automaton. The brass workings of the machine are reminiscent of Babbage's analytical engine. Her employment is described as keeping her occupied until she returns to her studies in advanced mathematics.
Lovelace and Babbage appear as characters in the second season of the ITV series "Victoria" (2017). Emerald Fennell portrays Lovelace in the episode, "The Green-Eyed Monster."
The Cardano cryptocurrency platform, which was launched in 2017, uses Ada as the name for their cryptocurrency and Lovelace as the smallest sub-unit of an Ada.
"Lovelace" is the name given to the operating system designed by the character Cameron Howe in "Halt and Catch Fire".
Lovelace is a primary character in the 2019 Big Finish Doctor Who audio play "The Enchantress of Numbers," starring Tom Baker as the Fourth Doctor and Jane Slavin as his current companion, WPC Ann Kelso. Lovelace is played by Finty Williams.
In 2019, Lovelace is a featured character in the play STEM FEMMES by Philadelphia theater company Applied Mechanics.
2020s.
Lovelace features as a character in "Spyfall, Part 2", the second episode of "Doctor Who", series 12, which first aired on BBC One on 5 January 2020. The character was portrayed by Sylvie Briggs, alongside characterisations of Charles Babbage and Noor Inayat Khan. In 2021, Nvidia named its GPU architecture featured in the RTX 4000 Series, "Ada Lovelace", after her. It is also the first Nvidia architecture to feature both a first and last name.
Commemoration.
The computer language Ada, created on behalf of the United States Department of Defense, was named after Lovelace. The reference manual for the language was approved on 10 December 1980 and the Department of Defense Military Standard for the language, "MIL-STD-1815", was given the number of the year of her birth.
In 1981, the Association for Women in Computing inaugurated its Ada Lovelace Award. Since 1998, the British Computer Society (BCS) has awarded the Lovelace Medal, and in 2008 initiated an annual competition for women students. BCSWomen sponsors the Lovelace Colloquium, an annual conference for women undergraduates. Ada College is a further-education college in Tottenham Hale, London, focused on digital skills.
Ada Lovelace Day is an annual event celebrated on the second Tuesday of October, which began in 2009. Its goal is to "... raise the profile of women in science, technology, engineering, and maths," and to "create new role models for girls and women" in these fields. Events have included Wikipedia edit-a-thons with the aim of improving the representation of women on Wikipedia in terms of articles and editors to reduce unintended gender bias on Wikipedia.
The Ada Initiative was a non-profit organisation dedicated to increasing the involvement of women in the free culture and open source movements.
The Engineering in Computer Science and Telecommunications College building in Zaragoza University is called the Ada Byron Building. The computer centre in the village of Porlock, near where Lovelace lived, is named after her. Ada Lovelace House is a council-owned building in Kirkby-in-Ashfield, Nottinghamshire, near where Lovelace spent her infancy.
In 2012, a Google Doodle and blog post honoured her on her birthday.
In 2013, Ada Developers Academy was founded and named after her. The mission of Ada Developers Academy is to diversify tech by providing women and gender diverse people the skills, experience, and community support to become professional software developers to change the face of tech.
On 17 September 2013, the BBC Radio 4 biography programme "Great Lives" devoted an episode to Ada Lovelace; she was sponsored by TV presenter Konnie Huq
As of November 2015, all new British passports have included an illustration of Lovelace and Babbage.
In 2017, a Google Doodle honoured her with other women on International Women's Day.
On 2 February 2018, Satellogic, a high-resolution Earth observation imaging and analytics company, launched a ÑuSat type micro-satellite named in honour of Ada Lovelace.
In March 2018, "The New York Times" published a belated obituary for Ada Lovelace.
On 27 July 2018, Senator Ron Wyden submitted, in the United States Senate, the designation of 9 October 2018 as National Ada Lovelace Day: "To honor the life and contributions of Ada Lovelace as a leading woman in science and mathematics". The resolution (S.Res.592) was considered, and agreed to without amendment and with a preamble by unanimous consent.
In November 2020 it was announced that Trinity College Dublin whose library had previously held forty busts, all of them of men, was commissioning four new busts of women, one of whom was to be Lovelace.
In March 2022, a statue of Ada Lovelace was installed at the site of the former Ergon House in the City of Westminster, London, honoring its scientific history. The redevelopment was part of a complex with Imperial Chemical House. The statue was sculpted by Etienne and Mary Millner and based on the portrait by Margaret Sarah Carpenter. The sculpture was unveiled on International Women's Day, 2022. It stands on the 7th floor of Millbank Quarter overlooking the junction of Dean Bradley Street and Horseferry Road.
In September 2022, Nvidia announced the Ada Lovelace graphics processing unit (GPU) microarchitecture.
Bicentenary.
The bicentenary of Ada Lovelace's birth was celebrated with a number of events, including:
Special exhibitions were displayed by the Science Museum in London, England and the Weston Library (part of the Bodleian Library) in Oxford, England.
Publication history.
Six copies of the 1843 first edition of "Sketch of the Analytical Engine" with Ada Lovelace's "Notes" have been located. Three are held at Harvard University, one at the University of Oklahoma, and one at the United States Air Force Academy. On 20 July 2018, the sixth copy was sold at auction to an anonymous buyer for £95,000. A digital facsimile of one of the copies in the Harvard University Library is available online.
In December 2016, a letter written by Ada Lovelace was forfeited by Martin Shkreli to the New York State Department of Taxation and Finance for unpaid taxes owed by Shkreli.
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Antigua and Barbuda
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Antigua and Barbuda (, ) is a sovereign country in the West Indies. It lies at the juncture of the Caribbean Sea and the Atlantic Ocean in the Leeward Islands part of the Lesser Antilles, at 17°N latitude. The country consists of two major islands, Antigua and Barbuda, approximately apart, and several smaller islands, including Great Bird, Green, Guiana, Long, Maiden, Prickly Pear, York, and Redonda. The permanent population is approximately 97,120 ( est.), 97% residing in Antigua. St. John's, Antigua, is the country's capital, major city, and largest port. Codrington is Barbuda's largest town.
In 1493, Christopher Columbus reconnoitred the island of Antigua, which he named for the Church of Santa María La Antigua. Great Britain colonized Antigua in 1632 and Barbuda in 1678. A part of the Federal Colony of the Leeward Islands from 1871, Antigua and Barbuda joined the West Indies Federation in 1958. With the breakup of the federation in 1962, it became one of the West Indies Associated States in 1967. Following a period of internal self-governance, it gained full independence from the United Kingdom on 1 November 1981. Antigua and Barbuda is a member of the Commonwealth and a Commonwealth realm; it is a constitutional monarchy with Charles III as its head of state.
The economy of Antigua and Barbuda is largely dependent on tourism, which accounts for 80% of GDP. Like other island nations, Antigua and Barbuda is vulnerable to the effects of climate change, such as sea level rise, and increased intensity of extreme weather like hurricanes. These cause coastal erosion, water scarcity, and other challenges.
Antigua and Barbuda has the world's 25th most powerful passport and offers a citizenship by investment program. The country levies no personal income tax.
Etymology.
is Spanish for 'ancient' and is Spanish for 'bearded'. The island of Antigua was originally called by Arawaks and is locally known by that name today; Caribs possibly called Barbuda . Christopher Columbus, while sailing by in 1493, may have named it , after an icon in the Spanish Seville Cathedral. The "bearded" of Barbuda is thought to refer either to the male inhabitants of the island, or the bearded fig trees present there.
History.
Pre-colonial period.
Antigua was first settled by archaic age hunter-gatherer Amerindians called the Ciboney. Carbon dating has established the earliest settlements started around 3100 BC. They were succeeded by the ceramic age pre-Columbian Arawak-speaking Saladoid people who migrated from the lower Orinoco River. They introduced agriculture, raising, among other crops, the famous Antigua black pineapple ("Ananas comosus"), corn, sweet potatoes, chiles, guava, tobacco, and cotton. Later on the more bellicose Caribs also settled the island, possibly by force.
European arrival and settlement.
Christopher Columbus was the first European to sight the islands in 1493. The Spanish did not colonise Antigua until after a combination of European and African diseases, malnutrition, and slavery eventually extirpated most of the native population; smallpox was probably the greatest killer.
The English settled on Antigua in 1632; Christopher Codrington settled on Barbuda in 1685. Tobacco and then sugar was grown, worked by a large population of slaves transported from West Africa, who soon came to vastly outnumber the European settlers.
Colonial era.
The English maintained control of the islands, repulsing an attempted French attack in 1666. The brutal conditions endured by the slaves led to revolts in 1701 and 1729 and a planned revolt in 1736, the last led by Prince Klaas, though it was discovered before it began and the ringleaders were executed. Slavery was abolished in the British Empire in 1833, affecting the economy. This was exacerbated by natural disasters such as the 1843 earthquake and the 1847 hurricane. Mining occurred on the isle of Redonda, however, this ceased in 1929 and the island has since remained uninhabited.
Part of the Leeward Islands colony, Antigua and Barbuda became part of the short-lived West Indies Federation from 1958 to 1962. Antigua and Barbuda subsequently became an associated state of the United Kingdom with full internal autonomy on 27 February 1967. The 1970s were dominated by discussions as to the islands' future and the rivalry between Vere Bird of the Antigua and Barbuda Labour Party (ABLP) (Premier from 1967 to 1971 and 1976 to 1981) and the Progressive Labour Movement (PLM) of George Walter (Premier 1971–1976). Eventually, Antigua and Barbuda gained full independence on 1 November 1981; Vere Bird became prime minister of the new country. The country opted to remain within the Commonwealth, retaining Queen Elizabeth as head of state, with the last governor, Sir Wilfred Jacobs, as governor-general.
Independence era.
The first two decades of Antigua's independence were dominated politically by the Bird family and the ABLP, with Vere Bird ruling from 1981 to 1994, followed by his son Lester Bird from 1994 to 2004. Though providing a degree of political stability, and boosting tourism to the country, the Bird governments were frequently accused of corruption, cronyism and financial malfeasance. Vere Bird Jr., the elder son, was forced to leave the cabinet in 1990 following a scandal in which he was accused of smuggling Israeli weapons to Colombian drug-traffickers. Another son, Ivor Bird, was convicted of selling cocaine in 1995.
In 1995, Hurricane Luis caused severe damage on Barbuda.
The ABLP's dominance of Antiguan politics ended with the 2004 Antiguan general election, which was won by Winston Baldwin Spencer's United Progressive Party (UPP). Winston Baldwin Spencer was Prime Minister of Antigua and Barbuda from 2004 to 2014. However the UPP lost the 2014 Antiguan general election, with the ABLP returning to power under Gaston Browne. ABLP won 15 of the 17 seats in the 2018 snap election under the leadership of incumbent Prime Minister Gaston Browne.
In 2016, Nelson's Dockyard was designated as a UNESCO World Heritage Site.
Most of Barbuda was devastated in early September 2017 by Hurricane Irma, which brought winds with speeds reaching 295 km/h (185 mph). The storm damaged or destroyed 95% of the island's buildings and infrastructure, leaving Barbuda "barely habitable" according to Prime Minister Gaston Browne. Nearly everyone on the island was evacuated to Antigua.
Amidst the following rebuilding efforts on Barbuda that were estimated to cost at least $100 million, the government announced plans to revoke a century-old law of communal land ownership by allowing residents to buy land; a move that has been criticised as promoting "disaster capitalism".
Pre-colonial period.
Antigua was first settled by archaic age hunter-gatherer Amerindians called the Ciboney. Carbon dating has established the earliest settlements started around 3100 BC. They were succeeded by the ceramic age pre-Columbian Arawak-speaking Saladoid people who migrated from the lower Orinoco River. They introduced agriculture, raising, among other crops, the famous Antigua black pineapple ("Ananas comosus"), corn, sweet potatoes, chiles, guava, tobacco, and cotton. Later on the more bellicose Caribs also settled the island, possibly by force.
European arrival and settlement.
Christopher Columbus was the first European to sight the islands in 1493. The Spanish did not colonise Antigua until after a combination of European and African diseases, malnutrition, and slavery eventually extirpated most of the native population; smallpox was probably the greatest killer.
The English settled on Antigua in 1632; Christopher Codrington settled on Barbuda in 1685. Tobacco and then sugar was grown, worked by a large population of slaves transported from West Africa, who soon came to vastly outnumber the European settlers.
Colonial era.
The English maintained control of the islands, repulsing an attempted French attack in 1666. The brutal conditions endured by the slaves led to revolts in 1701 and 1729 and a planned revolt in 1736, the last led by Prince Klaas, though it was discovered before it began and the ringleaders were executed. Slavery was abolished in the British Empire in 1833, affecting the economy. This was exacerbated by natural disasters such as the 1843 earthquake and the 1847 hurricane. Mining occurred on the isle of Redonda, however, this ceased in 1929 and the island has since remained uninhabited.
Part of the Leeward Islands colony, Antigua and Barbuda became part of the short-lived West Indies Federation from 1958 to 1962. Antigua and Barbuda subsequently became an associated state of the United Kingdom with full internal autonomy on 27 February 1967. The 1970s were dominated by discussions as to the islands' future and the rivalry between Vere Bird of the Antigua and Barbuda Labour Party (ABLP) (Premier from 1967 to 1971 and 1976 to 1981) and the Progressive Labour Movement (PLM) of George Walter (Premier 1971–1976). Eventually, Antigua and Barbuda gained full independence on 1 November 1981; Vere Bird became prime minister of the new country. The country opted to remain within the Commonwealth, retaining Queen Elizabeth as head of state, with the last governor, Sir Wilfred Jacobs, as governor-general.
Independence era.
The first two decades of Antigua's independence were dominated politically by the Bird family and the ABLP, with Vere Bird ruling from 1981 to 1994, followed by his son Lester Bird from 1994 to 2004. Though providing a degree of political stability, and boosting tourism to the country, the Bird governments were frequently accused of corruption, cronyism and financial malfeasance. Vere Bird Jr., the elder son, was forced to leave the cabinet in 1990 following a scandal in which he was accused of smuggling Israeli weapons to Colombian drug-traffickers. Another son, Ivor Bird, was convicted of selling cocaine in 1995.
In 1995, Hurricane Luis caused severe damage on Barbuda.
The ABLP's dominance of Antiguan politics ended with the 2004 Antiguan general election, which was won by Winston Baldwin Spencer's United Progressive Party (UPP). Winston Baldwin Spencer was Prime Minister of Antigua and Barbuda from 2004 to 2014. However the UPP lost the 2014 Antiguan general election, with the ABLP returning to power under Gaston Browne. ABLP won 15 of the 17 seats in the 2018 snap election under the leadership of incumbent Prime Minister Gaston Browne.
In 2016, Nelson's Dockyard was designated as a UNESCO World Heritage Site.
Most of Barbuda was devastated in early September 2017 by Hurricane Irma, which brought winds with speeds reaching 295 km/h (185 mph). The storm damaged or destroyed 95% of the island's buildings and infrastructure, leaving Barbuda "barely habitable" according to Prime Minister Gaston Browne. Nearly everyone on the island was evacuated to Antigua.
Amidst the following rebuilding efforts on Barbuda that were estimated to cost at least $100 million, the government announced plans to revoke a century-old law of communal land ownership by allowing residents to buy land; a move that has been criticised as promoting "disaster capitalism".
Geography.
Antigua and Barbuda both are generally low-lying islands whose terrain has been influenced more by limestone formations than volcanic activity. The highest point on Antigua and Barbuda is Boggy Peak, (known as Mt Obama 2008–2016) located in southwestern Antigua, which is the remnant of a volcanic crater rising .
The shorelines of both islands are greatly indented with beaches, lagoons, and natural harbours. The islands are rimmed by reefs and shoals. There are few streams as rainfall is slight. Both islands lack adequate amounts of fresh groundwater.
About south-west of Antigua lies the small, rocky island of Redonda, which is uninhabited.
Cities and villages.
The most populous cities in Antigua and Barbuda are mostly on Antigua, being Saint John's, All Saints, Piggotts, and Liberta. The most populous city on Barbuda is Codrington. It is estimated that 25% of the population lives in an urban area, which is much lower than the international average of 55%.
Islands.
Antigua and Barbuda consists mostly of its two namesake islands, Antigua, and Barbuda. Other than that, Antigua and Barbuda's biggest islands are Guiana Island and Long Island off the coast of Antigua, and Redonda island, which is far from both of the main islands.
Climate.
Rainfall averages per year, with the amount varying widely from season to season. In general the wettest period is between September and November. The islands generally experience low humidity and recurrent droughts. Temperatures average , with a range from to in the winter to from to in the summer and autumn. The coolest period is between December and February.
Hurricanes strike on an average of once a year, including the powerful Category 5 Hurricane Irma, on 6 September 2017, which damaged 95% of the structures on Barbuda. Some 1,800 people were evacuated to Antigua.
An estimate published by "Time" indicated that over $100 million would be required to rebuild homes and infrastructure. Philmore Mullin, Director of Barbuda's National Office of Disaster Services, said that "all critical infrastructure and utilities are non-existent – food supply, medicine, shelter, electricity, water, communications, waste management". He summarised the situation as follows: "Public utilities need to be rebuilt in their entirety... It is optimistic to think anything can be rebuilt in six months ... In my 25 years in disaster management, I have never seen something like this."
Cities and villages.
The most populous cities in Antigua and Barbuda are mostly on Antigua, being Saint John's, All Saints, Piggotts, and Liberta. The most populous city on Barbuda is Codrington. It is estimated that 25% of the population lives in an urban area, which is much lower than the international average of 55%.
Islands.
Antigua and Barbuda consists mostly of its two namesake islands, Antigua, and Barbuda. Other than that, Antigua and Barbuda's biggest islands are Guiana Island and Long Island off the coast of Antigua, and Redonda island, which is far from both of the main islands.
Climate.
Rainfall averages per year, with the amount varying widely from season to season. In general the wettest period is between September and November. The islands generally experience low humidity and recurrent droughts. Temperatures average , with a range from to in the winter to from to in the summer and autumn. The coolest period is between December and February.
Hurricanes strike on an average of once a year, including the powerful Category 5 Hurricane Irma, on 6 September 2017, which damaged 95% of the structures on Barbuda. Some 1,800 people were evacuated to Antigua.
An estimate published by "Time" indicated that over $100 million would be required to rebuild homes and infrastructure. Philmore Mullin, Director of Barbuda's National Office of Disaster Services, said that "all critical infrastructure and utilities are non-existent – food supply, medicine, shelter, electricity, water, communications, waste management". He summarised the situation as follows: "Public utilities need to be rebuilt in their entirety... It is optimistic to think anything can be rebuilt in six months ... In my 25 years in disaster management, I have never seen something like this."
Demographics.
Ethnic groups.
Antigua has a population of , mostly made up of people of West African, British, and Madeiran descent. The ethnic distribution consists of 91% Black, 4.4% mixed race, 1.7% White, and 2.9% other (primarily East Indian). Most Whites are of British descent. Christian Levantine Arabs and a small number of East Asians and Sephardic Jews make up the remainder of the population.
An increasingly large percentage of the population lives abroad, most notably in the United Kingdom (Antiguan Britons), the United States and Canada. A minority of Antiguan residents are immigrants from other countries, particularly from Dominica, Guyana and Jamaica, and, increasingly, from the Dominican Republic, St. Vincent and the Grenadines and Nigeria. An estimated 4,500 American citizens also make their home in Antigua and Barbuda, making their numbers one of the largest American populations in the English-speaking Eastern Caribbean. 68.47% of the population was born in Antigua and Barbuda.
Languages.
English is the working language. The Barbudan accent is slightly different from the Antiguan.
In the years before Antigua and Barbuda's independence, Standard English was widely spoken in preference to Antiguan Creole. Generally, the upper and middle classes shun Antiguan Creole. The educational system dissuades the use of Antiguan Creole and instruction is done in Standard (British) English.
Many of the words used in the Antiguan dialect are derived from British as well as African languages. This can be easily seen in phrases such as: "Ent it?" meaning "Ain't it?" which is itself dialectal and means "Isn't it?". Common island proverbs can often be traced to Africa.
Spanish is spoken by around 10,000 inhabitants.
Religion.
A majority (77%) of Antiguans are Christians, with the Anglicans (17.6%) being the largest single denomination. Other Christian denominations present are Seventh-day Adventist Church (12.4%), Pentecostalism (12.2%), Moravian Church (8.3%), Roman Catholics
(8.2%), Methodist Church (5.6%), Wesleyan Holiness Church (4.5%), Church of God (4.1%), Baptists (3.6%), Mormonism (<1.0%), as well as Jehovah's Witnesses.
Ethnic groups.
Antigua has a population of , mostly made up of people of West African, British, and Madeiran descent. The ethnic distribution consists of 91% Black, 4.4% mixed race, 1.7% White, and 2.9% other (primarily East Indian). Most Whites are of British descent. Christian Levantine Arabs and a small number of East Asians and Sephardic Jews make up the remainder of the population.
An increasingly large percentage of the population lives abroad, most notably in the United Kingdom (Antiguan Britons), the United States and Canada. A minority of Antiguan residents are immigrants from other countries, particularly from Dominica, Guyana and Jamaica, and, increasingly, from the Dominican Republic, St. Vincent and the Grenadines and Nigeria. An estimated 4,500 American citizens also make their home in Antigua and Barbuda, making their numbers one of the largest American populations in the English-speaking Eastern Caribbean. 68.47% of the population was born in Antigua and Barbuda.
Languages.
English is the working language. The Barbudan accent is slightly different from the Antiguan.
In the years before Antigua and Barbuda's independence, Standard English was widely spoken in preference to Antiguan Creole. Generally, the upper and middle classes shun Antiguan Creole. The educational system dissuades the use of Antiguan Creole and instruction is done in Standard (British) English.
Many of the words used in the Antiguan dialect are derived from British as well as African languages. This can be easily seen in phrases such as: "Ent it?" meaning "Ain't it?" which is itself dialectal and means "Isn't it?". Common island proverbs can often be traced to Africa.
Spanish is spoken by around 10,000 inhabitants.
Religion.
A majority (77%) of Antiguans are Christians, with the Anglicans (17.6%) being the largest single denomination. Other Christian denominations present are Seventh-day Adventist Church (12.4%), Pentecostalism (12.2%), Moravian Church (8.3%), Roman Catholics
(8.2%), Methodist Church (5.6%), Wesleyan Holiness Church (4.5%), Church of God (4.1%), Baptists (3.6%), Mormonism (<1.0%), as well as Jehovah's Witnesses.
Governance.
Political system.
The politics of Antigua and Barbuda take place within a framework of a unitary, parliamentary, representative democratic monarchy, in which the head of state is the monarch who appoints the governor-general as vice-regal representative. Charles III is the present King of Antigua and Barbuda, having served in that position since the death of his mother, Elizabeth II. She had been the queen since the islands' independence from the United Kingdom in 1981. The King is currently represented by Governor-General Sir Rodney Williams. A council of ministers is appointed by the governor-general on the advice of the prime minister, currently Gaston Browne (2014–). The prime minister is the head of government.
Executive power is exercised by the government while legislative power is vested in both the government and the two chambers of Parliament. The bicameral Parliament consists of the Senate (17 members appointed by members of the government and the opposition party, and approved by the governor-general), and the House of Representatives (17 members elected by first past the post) to serve five-year terms.
The current Leader of His Majesty's Loyal Opposition is the United Progressive Party Member of Parliament (MP), the Honourable Baldwin Spencer.
Elections.
The last election was held on 21 March 2018. The Antigua Barbuda Labour Party (ABLP) led by Prime Minister Gaston Browne won 15 of the 17 seats in the House of Representatives. The previous election was on 12 June 2014, during which the Antigua Labour Party won 14 seats, and the United Progressive Party 3 seats.
Since 1951, elections have been won by the populist Antigua Labour Party. However, in the Antigua and Barbuda legislative election of 2004 saw the defeat of the longest-serving elected government in the Caribbean.
Vere Bird was prime minister from 1981 to 1994 and chief minister of Antigua from 1960 to 1981, except for the 1971–1976 period when the Progressive Labour Movement (PLM) defeated his party. Bird, the nation's first prime minister, is credited with having brought Antigua and Barbuda and the Caribbean into a new era of independence. Prime Minister Lester Bryant Bird succeeded the elder Bird in 1994.
Party elections.
Gaston Browne defeated his predecessor Lester Bryant Bird at the Antigua Labour Party's biennial convention in November 2012 held to elect a political leader and other officers. The party then altered its name from the Antigua Labour Party (ALP) to the Antigua and Barbuda Labour Party (ABLP). This was done to officially include the party's presence on the sister island of Barbuda in its organisation, the only political party on the mainland to have a physical branch in Barbuda.
Judiciary.
The judicial branch is the Eastern Caribbean Supreme Court (based in Saint Lucia; one judge of the Supreme Court is a resident of the islands and presides over the High Court of Justice). Antigua is also a member of the Caribbean Court of Justice. The Judicial Committee of the Privy Council serves as its Supreme Court of Appeal.
Foreign relations.
Antigua and Barbuda is a member of the United Nations, the Bolivarian Alliance for the Americas, the Commonwealth of Nations, the Caribbean Community, the Organization of Eastern Caribbean States, the Organization of American States, the World Trade Organization and the Eastern Caribbean's Regional Security System.
Antigua and Barbuda is also a member of the International Criminal Court (with a Bilateral Immunity Agreement of Protection for the US military as covered under Article 98 of the Rome Statute).
In 2013, Antigua and Barbuda called for reparations for slavery at the United Nations. Prime Minister Baldwin Spencer said "We have recently seen a number of leaders apologising", and that they should now "match their words with concrete and material benefits."
Military.
The Antigua and Barbuda Defence Force has around 260 members dispersed between the line infantry regiment, service and support unit and coast guard. There is also the Antigua and Barbuda Cadet Corps made up of 200 teenagers between the ages of 12 to 18.
In 2018, Antigua and Barbuda signed the UN treaty on the Prohibition of Nuclear Weapons.
Administrative divisions.
Antigua and Barbuda is divided into six parishes and two dependencies:
Note: Though Barbuda and Redonda are called dependencies they are integral parts of the state, making them essentially administrative divisions. Dependency is simply a title.
Human rights.
Antigua and Barbuda does not allow discrimination in employment, child labor, human trafficking, and there are laws against domestic abuse and child abuse. Same-sex sexual activity is legal in Antigua and Barbuda since July 5, 2022.
Political system.
The politics of Antigua and Barbuda take place within a framework of a unitary, parliamentary, representative democratic monarchy, in which the head of state is the monarch who appoints the governor-general as vice-regal representative. Charles III is the present King of Antigua and Barbuda, having served in that position since the death of his mother, Elizabeth II. She had been the queen since the islands' independence from the United Kingdom in 1981. The King is currently represented by Governor-General Sir Rodney Williams. A council of ministers is appointed by the governor-general on the advice of the prime minister, currently Gaston Browne (2014–). The prime minister is the head of government.
Executive power is exercised by the government while legislative power is vested in both the government and the two chambers of Parliament. The bicameral Parliament consists of the Senate (17 members appointed by members of the government and the opposition party, and approved by the governor-general), and the House of Representatives (17 members elected by first past the post) to serve five-year terms.
The current Leader of His Majesty's Loyal Opposition is the United Progressive Party Member of Parliament (MP), the Honourable Baldwin Spencer.
Elections.
The last election was held on 21 March 2018. The Antigua Barbuda Labour Party (ABLP) led by Prime Minister Gaston Browne won 15 of the 17 seats in the House of Representatives. The previous election was on 12 June 2014, during which the Antigua Labour Party won 14 seats, and the United Progressive Party 3 seats.
Since 1951, elections have been won by the populist Antigua Labour Party. However, in the Antigua and Barbuda legislative election of 2004 saw the defeat of the longest-serving elected government in the Caribbean.
Vere Bird was prime minister from 1981 to 1994 and chief minister of Antigua from 1960 to 1981, except for the 1971–1976 period when the Progressive Labour Movement (PLM) defeated his party. Bird, the nation's first prime minister, is credited with having brought Antigua and Barbuda and the Caribbean into a new era of independence. Prime Minister Lester Bryant Bird succeeded the elder Bird in 1994.
Party elections.
Gaston Browne defeated his predecessor Lester Bryant Bird at the Antigua Labour Party's biennial convention in November 2012 held to elect a political leader and other officers. The party then altered its name from the Antigua Labour Party (ALP) to the Antigua and Barbuda Labour Party (ABLP). This was done to officially include the party's presence on the sister island of Barbuda in its organisation, the only political party on the mainland to have a physical branch in Barbuda.
Party elections.
Gaston Browne defeated his predecessor Lester Bryant Bird at the Antigua Labour Party's biennial convention in November 2012 held to elect a political leader and other officers. The party then altered its name from the Antigua Labour Party (ALP) to the Antigua and Barbuda Labour Party (ABLP). This was done to officially include the party's presence on the sister island of Barbuda in its organisation, the only political party on the mainland to have a physical branch in Barbuda.
Judiciary.
The judicial branch is the Eastern Caribbean Supreme Court (based in Saint Lucia; one judge of the Supreme Court is a resident of the islands and presides over the High Court of Justice). Antigua is also a member of the Caribbean Court of Justice. The Judicial Committee of the Privy Council serves as its Supreme Court of Appeal.
Foreign relations.
Antigua and Barbuda is a member of the United Nations, the Bolivarian Alliance for the Americas, the Commonwealth of Nations, the Caribbean Community, the Organization of Eastern Caribbean States, the Organization of American States, the World Trade Organization and the Eastern Caribbean's Regional Security System.
Antigua and Barbuda is also a member of the International Criminal Court (with a Bilateral Immunity Agreement of Protection for the US military as covered under Article 98 of the Rome Statute).
In 2013, Antigua and Barbuda called for reparations for slavery at the United Nations. Prime Minister Baldwin Spencer said "We have recently seen a number of leaders apologising", and that they should now "match their words with concrete and material benefits."
Military.
The Antigua and Barbuda Defence Force has around 260 members dispersed between the line infantry regiment, service and support unit and coast guard. There is also the Antigua and Barbuda Cadet Corps made up of 200 teenagers between the ages of 12 to 18.
In 2018, Antigua and Barbuda signed the UN treaty on the Prohibition of Nuclear Weapons.
Administrative divisions.
Antigua and Barbuda is divided into six parishes and two dependencies:
Note: Though Barbuda and Redonda are called dependencies they are integral parts of the state, making them essentially administrative divisions. Dependency is simply a title.
Human rights.
Antigua and Barbuda does not allow discrimination in employment, child labor, human trafficking, and there are laws against domestic abuse and child abuse. Same-sex sexual activity is legal in Antigua and Barbuda since July 5, 2022.
Economy.
Tourism dominates the economy, accounting for more than half of the gross domestic product (GDP). Antigua is famous for its many luxury resorts as an ultra-high-end travel destination. Weakened tourist activity in the lower and middle market segments since early 2000 has slowed the economy, however, and squeezed the government into a tight fiscal corner. Antigua and Barbuda has enacted policies to attract high-net-worth citizens and residents, such as enacting a 0% personal income tax rate in 2019.
Investment banking and financial services also make up an important part of the economy. Major world banks with offices in Antigua include the Royal Bank of Canada (RBC) and Scotiabank. Financial-services corporations with offices in Antigua include PriceWaterhouseCoopers, Pannell Kerr Forster, and KPMG. The US Securities and Exchange Commission has accused the Antigua-based Stanford International Bank, owned by Texas billionaire Allen Stanford, of orchestrating a huge fraud which may have bilked investors of some $8 billion.
The twin-island nation's agricultural production is focused on its domestic market and constrained by a limited water supply and a labour shortage stemming from the lure of higher wages in tourism and construction work.
Manufacturing comprises 2% of GDP and is made up of enclave-type assembly for export, the major products being bedding, handicrafts, and electronic components. Prospects for economic growth in the medium term will continue to depend on income growth in the industrialised world, especially in the United States, from which about one-third to one-half of all tourists come.
Access to biocapacity is lower than world average. In 2016, Antigua and Barbuda had 0.8 global hectares of biocapacity per person within its territory, much less than the world average of 1.6 global hectares per person. In 2016, Antigua and Barbuda used 4.3 global hectares of biocapacity per person – their ecological footprint of consumption. This means they use more biocapacity than Antigua and Barbuda contains. As a result, Antigua and Barbuda are running a biocapacity deficit.
Antigua and Barbuda also uses an economic citizenship program to spur investment into the country.
Culture.
The culture is predominantly a mixture of West African and British cultural influences.
Cricket is the national sport. Other popular sports include football, boat racing and surfing. (Antigua Sailing Week attracts locals and visitors from all over the world).
Festivals.
The national Carnival held each August commemorates the abolition of slavery in the British West Indies, although on some islands, Carnival may celebrate the coming of Lent. Its festive pageants, shows, contests and other activities are a major tourist attraction.
Media.
There are three newspapers: the "Antigua Daily Observer, Antigua New Room and The Antiguan Times." The Antigua Observer is the only daily printed newspaper.
The local television channel ABS TV 10 is available (it is the only station that shows exclusively local programs). There are also several local and regional radio stations, such as V2C-AM 620, ZDK-AM 1100, VYBZ-FM 92.9, ZDK-FM 97.1, Observer Radio 91.1 FM, DNECA Radio 90.1 FM, Second Advent Radio 101.5 FM, Abundant Life Radio 103.9 FM, Crusader Radio 107.3 FM, Nice FM 104.3, Pointe FM 99.1, WTP 93.5FM.
Festivals.
The national Carnival held each August commemorates the abolition of slavery in the British West Indies, although on some islands, Carnival may celebrate the coming of Lent. Its festive pageants, shows, contests and other activities are a major tourist attraction.
Media.
There are three newspapers: the "Antigua Daily Observer, Antigua New Room and The Antiguan Times." The Antigua Observer is the only daily printed newspaper.
The local television channel ABS TV 10 is available (it is the only station that shows exclusively local programs). There are also several local and regional radio stations, such as V2C-AM 620, ZDK-AM 1100, VYBZ-FM 92.9, ZDK-FM 97.1, Observer Radio 91.1 FM, DNECA Radio 90.1 FM, Second Advent Radio 101.5 FM, Abundant Life Radio 103.9 FM, Crusader Radio 107.3 FM, Nice FM 104.3, Pointe FM 99.1, WTP 93.5FM.
Sports.
Cricket is the most popular sport in the islands. And with Sir Isaac Vivian Alexander Richards who represented the West Indies cricket team between 1974 and 1991, Antigua had one of the worlds' most famous batsmen ever. The Antigua and Barbuda national cricket team represented the country at the 1998 Commonwealth Games, but Antiguan cricketers otherwise play for the Leeward Islands cricket team in domestic matches and the West Indies cricket team internationally. The 2007 Cricket World Cup was hosted in the West Indies from 11 March to 28 April 2007. Antigua hosted eight matches at the Sir Vivian Richards Stadium, which was completed on 11 February 2007 and can hold up to 20,000 people.<br>
Antigua is a Host of Stanford Twenty20 – Twenty20 Cricket, a version started by Allen Stanford in 2006 as a regional cricket game with almost all Caribbean islands taking part. From 15 January to 5 February 2022 the Sir Vivian Richards Stadium was one of the venues for the 2022 ICC Under-19 Cricket World Cup.<br>Rugby and Netball are popular as well.
Association football, or soccer, is also a very popular sport. Antigua has a national football team which entered World Cup qualification for the 1974 tournament and for 1986 and beyond. A professional team was formed in 2011, Antigua Barracuda FC, which played in the USL Pro, a lower professional league in the USA. The nation's team had a major achievement in 2012, getting out of its preliminary group for the 2014 World Cup, notably due to a victory over powerful Haiti. In its first game in the next CONCACAF group play on 8 June 2012 in Tampa, FL, Antigua and Barbuda, comprising 17 Barracuda players and 7 from the lower English professional leagues, scored a goal against the United States. However, the team lost 3:1 to the US.
Daniel Bailey had become the first Antiguan to reach a world indoor final, where he won a bronze medal at the 2010 IAAF World Indoor Championships. He was also the first Antiguan to make a 100m final at the 2009 World Championships in Athletics, and the first Antiguan to run under 10 seconds over 100m.
Brendan Christian won a gold medal in the 200m and bronze medal in the 100m at the 2007 Pan American Games. James Grayman won a bronze medal at the same games in the men's High Jump.
Miguel Francis is the first Antiguan to run sub 20 seconds in the 200m.
Heather Samuel won a bronze medal at the 1995 Pan American Games over 100m.
400m Hurdles Olympian Gold Medalist Rai Benjamin previously represented Antigua and Barbuda before representing the United States. His Silver medal run at the 2020 Olympic Games made him the second-fastest person in history over 400m Hurdles with a time of 46.17.
Symbols.
The national bird is the frigate bird, and the national tree is the "Bucida buceras" (Whitewood tree).
Clare Waight Keller included agave karatto to represent Antigua and Barbuda in Meghan Markle's wedding veil, which included the distinctive flora of each Commonwealth country.
Despite being an introduced species, the European fallow deer ("Dama dama") is the national animal.
In 1992, the government ran a national competition to design a new national dress for the country; this was won by artist Heather Doram.
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1550
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Agesilaus II
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Agesilaus II (; ; c. 442 – 358 BC) was king of Sparta from c. 399 to 358 BC. Generally considered the most important king in the history of Sparta, Agesilaus was the main actor during the period of Spartan hegemony that followed the Peloponnesian War (431–404 BC). Although brave in combat, Agesilaus lacked the diplomatic skills to preserve Sparta's position, especially against the rising power of Thebes, which reduced Sparta to a secondary power after its victory at Leuctra in 371 BC.
Despite the traditional secrecy fostered by the Spartiates, the reign of Agesilaus is particularly well-known thanks to the works of his friend Xenophon, who wrote a large history of Greece (the "Hellenica") covering the years 411 to 362 BC, therefore extensively dealing with Agesilaus' rule. Xenophon furthermore composed a panegyric biography of his friend, perhaps to clean his memory from the criticisms voiced against him. Another historical tradition—much more hostile to Agesilaus than Xenophon's writings—has been preserved in the "Hellenica Oxyrhynchia", and later continued by Diodorus of Sicily. Moreover, Plutarch wrote a biography of Agesilaus in his "Parallel Lives", which contains many elements deliberately omitted by Xenophon.
Early life.
Youth.
Agesilaus' father was King Archidamos II (r. 469–427), who belonged to the Eurypontid dynasty, one of the two royal families of Sparta. Archidamos already had a son from a first marriage with Lampito (his own step-aunt) named Agis. After the death of Lampito, Archidamos remarried in the early 440s with Eupolia, daughter of Melesippidas, whose name indicates an aristocratic status. Agesilaus was probably born around 442, as he was said to have been aged 84 at his death in 358. Agesilaus also had a sister named Kyniska (the first woman in ancient history to achieve an Olympic victory). The name Agesilaus was rare and harks back to Agesilaus I, one of the earliest kings of Sparta.
Agesilaus was born lame, which some scholars have argued should have cost him his life because, according to Plutarch who was writing several hundred years later, deformed Spartan babies were thrown into a chasm. However, modern archaeological evidence and scholarship has disproved this myth of killing disabled babies; infanticide did occur but it was rare and many disabled individuals were cared for after birth, not killed. Archaeological excavations of the chasm at Keadas, which is where the children were supposedly thrown, found no child remains.
At the age of 7, Agesilaus had to go through the rigorous education system of Sparta, called the "agoge". Despite his disability, he brilliantly completed the training, which massively enhanced his prestige, especially after he became king. Indeed, as heirs-apparent were exempted of the "agoge", very few Spartan kings had gone through the same training as the citizens; another notable exception was Leonidas, the embodiment of the "hero-king". Between 433 and 428, Agesilaus also became the younger lover of Lysander, an aristocrat from the circle of Archidamos, whose family had some influence in Libya.
Spartan prince.
Little is known of Agesilaus' adult life before his reign, principally because Xenophon—his friend and main biographer—only wrote about his reign. Due to his special status, Agesilaus likely became a member of the Krypteia, an elite corps of young Spartans going undercover in Spartan territory to kill some helots deemed dangerous. Once he turned 20 and became a full citizen, Agesilaus was elected to a common mess, presumably that of his elder half-brother Agis II, who had become king in 427, of which Lysander was perhaps a member.
Agesilaus probably served during the Peloponnesian War (431–404) against Athens, likely at the Battle of Mantinea in 418. Agesilaus married Kleora at some point between 408 and 400. Despite the influence she apparently had on her husband, she is mostly unknown. Her father was Aristomenidas, an influential noble with connections in Thebes.
Thanks to three treaties signed with Persia in 412–411, Sparta received funding from the Persians, which it used to build a fleet that ultimately defeated Athens. This fleet was essentially led by Lysander, whose success gave him an enormous influence in the Greek cities of Asia as well as in Sparta, where he even schemed to become king. In 403 the two kings, Agis and Pausanias, acted together to relieve him from his command.
Youth.
Agesilaus' father was King Archidamos II (r. 469–427), who belonged to the Eurypontid dynasty, one of the two royal families of Sparta. Archidamos already had a son from a first marriage with Lampito (his own step-aunt) named Agis. After the death of Lampito, Archidamos remarried in the early 440s with Eupolia, daughter of Melesippidas, whose name indicates an aristocratic status. Agesilaus was probably born around 442, as he was said to have been aged 84 at his death in 358. Agesilaus also had a sister named Kyniska (the first woman in ancient history to achieve an Olympic victory). The name Agesilaus was rare and harks back to Agesilaus I, one of the earliest kings of Sparta.
Agesilaus was born lame, which some scholars have argued should have cost him his life because, according to Plutarch who was writing several hundred years later, deformed Spartan babies were thrown into a chasm. However, modern archaeological evidence and scholarship has disproved this myth of killing disabled babies; infanticide did occur but it was rare and many disabled individuals were cared for after birth, not killed. Archaeological excavations of the chasm at Keadas, which is where the children were supposedly thrown, found no child remains.
At the age of 7, Agesilaus had to go through the rigorous education system of Sparta, called the "agoge". Despite his disability, he brilliantly completed the training, which massively enhanced his prestige, especially after he became king. Indeed, as heirs-apparent were exempted of the "agoge", very few Spartan kings had gone through the same training as the citizens; another notable exception was Leonidas, the embodiment of the "hero-king". Between 433 and 428, Agesilaus also became the younger lover of Lysander, an aristocrat from the circle of Archidamos, whose family had some influence in Libya.
Spartan prince.
Little is known of Agesilaus' adult life before his reign, principally because Xenophon—his friend and main biographer—only wrote about his reign. Due to his special status, Agesilaus likely became a member of the Krypteia, an elite corps of young Spartans going undercover in Spartan territory to kill some helots deemed dangerous. Once he turned 20 and became a full citizen, Agesilaus was elected to a common mess, presumably that of his elder half-brother Agis II, who had become king in 427, of which Lysander was perhaps a member.
Agesilaus probably served during the Peloponnesian War (431–404) against Athens, likely at the Battle of Mantinea in 418. Agesilaus married Kleora at some point between 408 and 400. Despite the influence she apparently had on her husband, she is mostly unknown. Her father was Aristomenidas, an influential noble with connections in Thebes.
Thanks to three treaties signed with Persia in 412–411, Sparta received funding from the Persians, which it used to build a fleet that ultimately defeated Athens. This fleet was essentially led by Lysander, whose success gave him an enormous influence in the Greek cities of Asia as well as in Sparta, where he even schemed to become king. In 403 the two kings, Agis and Pausanias, acted together to relieve him from his command.
Reign.
Accession to the throne (400–398 BC).
Agis II died while returning from Delphi between 400 and 398. After his funeral, Agesilaus contested the claim of Leotychidas, the son of Agis II, using the widespread belief in Sparta that Leotychidas was an illegitimate son of Alcibiades—a famous Athenian statesman and nephew of Pericles, who had gone into exile in Sparta during the Peloponnesian War, and then seduced the queen. The rumours were strengthened by the fact that even Agis only recognised Leotychidas as his son on his deathbed.
Diopeithes, a supporter of Leotychidas, however quoted an old oracle telling that a Spartan king could not be lame, thus refuting Agesilaus' claim, but Lysander cunningly returned the objection by saying that the oracle had to be understood figuratively. The lameness warned against by the oracle would therefore refer to the doubt on Leotychidas' paternity, and this reasoning won the argument. The role of Lysander in the accession of Agesilaus has been debated among historians, principally because Plutarch makes him the main instigator of the plot, while Xenophon downplays Lysander's influence. Lysander doubtless supported Agesilaus' accession because he hoped that the new king would in return help him to regain the importance that he lost in 403.
Conspiracy of Cinadon (399 BC).
The Conspiracy of Cinadon took place during the first year of Agesilaus' reign, in the summer of 399. Cinadon was a "hypomeion", a Spartan who had lost his citizen status, presumably because he could not afford the price of the collective mess—one of the main reasons for the dwindling number of Spartan citizens in the Classical Era, called "oliganthropia". It is probable that the vast influx of wealth coming to the city after its victory against Athens in 404 triggered inflation in Sparta, which impoverished many citizens with a fixed income, like Cinadon, and caused their downgrade. Therefore, the purpose of the plot was likely to restore the status of these disfranchised citizens. However, the plot was uncovered and Cinadon and its leaders executed—probably with the active participation of Agesilaus, but no further action was taken to solve the social crisis at the origin of the conspiracy. The failure of Agesilaus to acknowledge the critical problem suffered by Sparta at the time has been criticised by modern historians.
Invasion of Asia Minor (396–394 BC).
According to the treaties signed in 412 and 411 between Sparta and the Persian Empire, the latter became the overlord of the Greek city-states of Asia Minor. In 401, these cities and Sparta supported the bid of Cyrus the Younger (the Persian Emperor's younger son and a good friend of Lysander) against his elder brother, the new emperor Artaxerxes II, who nevertheless defeated Cyrus at Cunaxa. As a result, Sparta remained at war with Artaxerxes, and supported the Greek cities of Asia, which fought against Tissaphernes, the satrap of Lydia and Caria. In 397 Lysander engineered a large expedition in Asia headed by Agesilaus, likely to recover the influence he had over the Asian cities at the end of the Peloponnesian War. In order to win the approval of the Spartan assembly, Lysander built an army with only 30 Spartan citizens, so the risk would be limited; the bulk of the army consisted of 2,000 "neodamodes" (freed helots) and 6,000 Greek allies. In addition, Agesilaus obtained the support of the oracles of Zeus at Olympia and Apollo at Delphi.
The sacrifice at Aulis (396 BC).
Lysander and Agesilaus had intended the expedition to be a Panhellenic enterprise, but Athens, Corinth, and especially Thebes, refused to participate. In Spring 396, Agesilaus came to Aulis (in Boeotian territory) to sacrifice on the place where Agamemnon had done so just before his departure to Troy at the head of the Greek army in the "Iliad", thus giving a grandiose aspect to the expedition. However he did not inform the Boeotians and brought his own seer to perform the sacrifice, instead of the local one. Learning this, the Boeotians prevented him from sacrificing and further humiliated him by casting away the victim; they perhaps intended to provoke a confrontation, as the relations between Sparta and Thebes had become execrable. Agesilaus then left to Asia, but Thebes remained hateful to him for the rest of his life.
Campaign in Asia (396–394 BC).
Once Agesilaus landed in Ephesus, the Spartan main base, he concluded a three months' truce with Tissaphernes, likely to settle the affairs among the Greek allies. He integrated some of the Greek mercenaries formerly hired by Cyrus the Younger (the Ten Thousand) in his army. They had returned from Persia under the leadership of Xenophon, who also remained in Agesilaus' staff. In Ephesus, Agesilaus' authority was nevertheless overshadowed by Lysander, who was reacquainted with many of his supporters, men he had placed in control of the Greek cities at the end of the Peloponnesian War. Angered by his local aura, Agesilaus humiliated Lysander several times to force him to leave the army, despite his former relationship and Lysander's role in his accession to the throne. Plutarch adds that after Agesilaus' emancipation from him, Lysander returned to his undercover scheme to make the monarchy elective.
After Lysander's departure, Agesilaus raided Phrygia, the satrapy of Pharnabazus, until his advance guard was defeated not far from Daskyleion by the superior Persian cavalry. He then wintered at Ephesus, where he trained a cavalry force, perhaps on the advice of Xenophon, who had commanded the cavalry of the Ten Thousand. In 395, the Spartan king managed to trick Tissaphernes into thinking that he would attack Caria, in the south of Asia Minor, forcing the satrap to hold a defence line on the Meander river. Instead, Agesilaus moved north to the important city of Sardis. Tissaphernes hastened to meet the king there, but his cavalry sent in advance was defeated by Agesilaus' army. After his victory at the Battle of Sardis, Agesilaus became the first king to be given the command of both land and sea. He delegated the naval command to his brother-in-law Peisander, whom he appointed navarch despite his inexperience; perhaps Agesilaus wanted to avoid the rise of a new Lysander, who owed his prominence to his time as navarch. After his defeat, Tissaphernes was executed and replaced as satrap by Tithraustes, who gave Agesilaus 30 talents to move north to the satrapy of Pharnabazus (Persian satraps were often bitter rivals). Augesilaus' Phrygian campaign of 394 was fruitless, as he lacked the siege equipment required to take the fortresses of Leonton Kephalai, Gordion, and Miletou Teichos.Xenophon tells that Agesilaus then wanted to campaign further east in Asia and sow discontent among the subjects of the Achaemenid empire, or even to conquer Asia. Plutarch went further and wrote that Agesilaus had prepared an expedition to the heart of Persia, up to her capital of Susa, thus making him a forerunner of Alexander the Great. It is very unlikely that Agesilaus really had such a grand campaign in mind; regardless, he was soon forced to return to Europe in 394.
Corinthian War (395–387 BC).
Although Thebes and Corinth had been allies of Sparta throughout the Peloponnesian War, they were dissatisfied by the settlement of the war in 404, with Sparta as leader of the Greek world. Sparta's imperialist expansion in the Aegean greatly upset its former allies, notably by establishing friendly regimes and garrisons in smaller cities. Through large gifts, Tithraustes also encouraged Sparta's former allies to start a war in order to force the recall of Agesilaus from Asia—even though the influence of Persian gold has been exaggerated. The initiative came from Thebes, which provoked a war between their ally Ozolian Locris and Phocis in order to bring Sparta to the latter's defence. Lysander and the other king Pausanias entered Boeotia, which enabled the Thebans to bring Athens in the war. Lysander then besieged Haliartus without waiting for Pausanias and was killed in a Boeotian counter-attack. In Sparta, Pausanias was condemned to death by Lysander's friends and went into exile. After its success at Haliartus, Thebes was able to build a coalition against Sparta, with notably Argos and Corinth, where a war council was established, and securing the defection of most of the cities of northern and central Greece. Unable to wage war on two fronts and with the loss of Lysander and Pausanias, Sparta had no choice but to recall Agesilaus from Asia. The Asian Greeks fighting for him said they wanted to continue serving with him, while Agesilaus promised he would return to Asia as soon as he could.
Agesilaus returned to Greece by land, crossing the Hellespont and from there along the coast of the Aegean Sea. In Thessaly he won a cavalry battle near Narthacium against the Pharsalians who had made an alliance with Thebes. He then entered Boeotia by the Thermopylae, where he received reinforcements from Sparta. Meanwhile, Aristodamos—the regent of the young Agiad king Agesipolis—won a major victory at Nemea near Argos, which was offset by the disaster of the Spartan navy at Knidos against the Persian fleet led by Konon, an exiled Athenian general. Agesilaus lied to his men about the outcome of the battle of Knidos to avoid demoralising them as they were about to fight a large engagement against the combined armies of Thebes, Athens, Argos and Corinth. The following Battle of Coroneia was a classic clash between two lines of hoplites. The anti-Spartan allies were rapidly defeated, but the Thebans managed to retreat in good order, despite Agesilaus' activity on the front line, which caused him several injuries. The next day the Thebans requested a truce to recover their dead, therefore conceding defeat, although they had not been bested on the battlefield. Agesilaus appears to have tried to win an honourable victory, by risking his life and being merciful with some Thebans who had sought shelter in the nearby Temple of Athena Itonia. He then moved to Delphi, where he offered one tenth of the booty he had amassed since his landing at Ephesos, and returned to Sparta.
No pitched battle took place in Greece in 393. Perhaps Agesilaus was still recovering from his wounds, or he was deprived of command because of the opposition of Lysander's and Pausanias' friends, who were disappointed by his lack of decisive victory and his appointment of Peisander as navarch before the disaster of Knidos. The loss of the Spartan fleet besides allowed Konon to capture the island of Kythera, in the south of the Peloponnese, from where he could raid Spartan territory. In 392, Sparta sent Antalcidas to Asia in order to negotiate a general peace with Tiribazus, the satrap of Lydia, while Sparta would recognise Persia's sovereignty over the Asian Greek cities. However, the Greek allies also sent emissaries to Sardis to refuse Antalcidas' plan, and Artaxerxes likewise rejected it. A second peace conference in Sparta failed the following year because of Athens. A personal enemy of Antalcidas, Agesilaus likely disapproved these talks, which show that his influence at home had waned. Plutarch says that he befriended the young Agiad king Agesipolis, possibly to prevent his opponents from coalescing behind him.
By 391 Agesilaus had apparently recovered his influence as he was appointed at the head of the army, while his half-brother Teleutias became navarch. The target was Argos, which had absorbed Corinth into a political union the previous year. In 390 BC he made several successful expeditions into Corinthian territory, capturing Lechaeum and Peiraion. The loss, however, of a battalion (mora), destroyed by Iphicrates, neutralised these successes, and Agesilaus returned to Sparta. In 389 BC he conducted a campaign in Acarnania, but two years later the Peace of Antalcidas, warmly supported by Agesilaus, put an end to the war, maintaining Spartan hegemony over Greece and returning the Greek cities of Asia Minor to the Achaemenid Empire. In this interval, Agesilaus declined command over Sparta's aggression on Mantineia, and justified Phoebidas' seizure of the Theban Cadmea so long as the outcome provided glory to Sparta.
Decline.
When war broke out afresh with Thebes, Agesilaus twice invaded Boeotia (in 378 and 377 BC), although he spent the next five years largely out of action due to an unspecified but apparently grave illness. In the congress of 371 an altercation is recorded between him and the Theban general Epaminondas, and due to his influence, Thebes was peremptorily excluded from the peace, and orders given for Agesilaus's royal colleague Cleombrotus to march against Thebes in 371. Cleombrotus was defeated and killed at the Battle of Leuctra and the Spartan supremacy overthrown.
In 370 Agesilaus was engaged in an embassy to Mantineia, and reassured the Spartans with an invasion of Arcadia. He preserved an unwalled Sparta against the revolts and conspiracies of helots, perioeci and even other Spartans; and against external enemies, with four different armies led by Epaminondas penetrating Laconia that same year.
Asia Minor expedition (366 BC).
In 366 BC, Sparta and Athens, dissatisfied with the Persian king's support of Thebes following the embassy of Philiscus of Abydos, decided to provide careful military support to the opponents of the Achaemenid king. Athens and Sparta provided support for the revolting satraps in the Revolt of the Satraps, in particular Ariobarzanes: Sparta sent a force to Ariobarzanes under an aging Agesilaus, while Athens sent a force under Timotheus, which was however diverted when it became obvious that Ariobarzanes had entered frontal conflict with the Achaemenid king. An Athenian mercenary force under Chabrias was also sent to the Egyptian Pharaoh Tachos, who was also fighting against the Achaemenid king. According to Xenophon, Agesilaus, in order to gain money for prosecuting the war, supported the satrap Ariobarzanes of Phrygia in his revolt against Artaxerxes II in 364 (Revolt of the Satraps).
Again, in 362, Epaminondas almost succeeded in seizing the city of Sparta with a rapid and unexpected march. The Battle of Mantinea, in which Agesilaus took no part, was followed by a general peace: Sparta, however, stood aloof, hoping even yet to recover her supremacy.
Expedition to Egypt.
Sometime after the Battle of Mantineia, Agesilaus went to Egypt at the head of a mercenary force to aid the king Nectanebo I and his regent Teos against Persia. In the summer of 358, he transferred his services to Teos's cousin and rival, Nectanebo II, who, in return for his help, gave him a sum of over 200 talents. On his way home Agesilaus died in Cyrenaica, around the age of 84, after a reign of some 41 years. His body was embalmed in wax, and buried at Sparta.
He was succeeded by his son Archidamus III.
Accession to the throne (400–398 BC).
Agis II died while returning from Delphi between 400 and 398. After his funeral, Agesilaus contested the claim of Leotychidas, the son of Agis II, using the widespread belief in Sparta that Leotychidas was an illegitimate son of Alcibiades—a famous Athenian statesman and nephew of Pericles, who had gone into exile in Sparta during the Peloponnesian War, and then seduced the queen. The rumours were strengthened by the fact that even Agis only recognised Leotychidas as his son on his deathbed.
Diopeithes, a supporter of Leotychidas, however quoted an old oracle telling that a Spartan king could not be lame, thus refuting Agesilaus' claim, but Lysander cunningly returned the objection by saying that the oracle had to be understood figuratively. The lameness warned against by the oracle would therefore refer to the doubt on Leotychidas' paternity, and this reasoning won the argument. The role of Lysander in the accession of Agesilaus has been debated among historians, principally because Plutarch makes him the main instigator of the plot, while Xenophon downplays Lysander's influence. Lysander doubtless supported Agesilaus' accession because he hoped that the new king would in return help him to regain the importance that he lost in 403.
Conspiracy of Cinadon (399 BC).
The Conspiracy of Cinadon took place during the first year of Agesilaus' reign, in the summer of 399. Cinadon was a "hypomeion", a Spartan who had lost his citizen status, presumably because he could not afford the price of the collective mess—one of the main reasons for the dwindling number of Spartan citizens in the Classical Era, called "oliganthropia". It is probable that the vast influx of wealth coming to the city after its victory against Athens in 404 triggered inflation in Sparta, which impoverished many citizens with a fixed income, like Cinadon, and caused their downgrade. Therefore, the purpose of the plot was likely to restore the status of these disfranchised citizens. However, the plot was uncovered and Cinadon and its leaders executed—probably with the active participation of Agesilaus, but no further action was taken to solve the social crisis at the origin of the conspiracy. The failure of Agesilaus to acknowledge the critical problem suffered by Sparta at the time has been criticised by modern historians.
Invasion of Asia Minor (396–394 BC).
According to the treaties signed in 412 and 411 between Sparta and the Persian Empire, the latter became the overlord of the Greek city-states of Asia Minor. In 401, these cities and Sparta supported the bid of Cyrus the Younger (the Persian Emperor's younger son and a good friend of Lysander) against his elder brother, the new emperor Artaxerxes II, who nevertheless defeated Cyrus at Cunaxa. As a result, Sparta remained at war with Artaxerxes, and supported the Greek cities of Asia, which fought against Tissaphernes, the satrap of Lydia and Caria. In 397 Lysander engineered a large expedition in Asia headed by Agesilaus, likely to recover the influence he had over the Asian cities at the end of the Peloponnesian War. In order to win the approval of the Spartan assembly, Lysander built an army with only 30 Spartan citizens, so the risk would be limited; the bulk of the army consisted of 2,000 "neodamodes" (freed helots) and 6,000 Greek allies. In addition, Agesilaus obtained the support of the oracles of Zeus at Olympia and Apollo at Delphi.
The sacrifice at Aulis (396 BC).
Lysander and Agesilaus had intended the expedition to be a Panhellenic enterprise, but Athens, Corinth, and especially Thebes, refused to participate. In Spring 396, Agesilaus came to Aulis (in Boeotian territory) to sacrifice on the place where Agamemnon had done so just before his departure to Troy at the head of the Greek army in the "Iliad", thus giving a grandiose aspect to the expedition. However he did not inform the Boeotians and brought his own seer to perform the sacrifice, instead of the local one. Learning this, the Boeotians prevented him from sacrificing and further humiliated him by casting away the victim; they perhaps intended to provoke a confrontation, as the relations between Sparta and Thebes had become execrable. Agesilaus then left to Asia, but Thebes remained hateful to him for the rest of his life.
Campaign in Asia (396–394 BC).
Once Agesilaus landed in Ephesus, the Spartan main base, he concluded a three months' truce with Tissaphernes, likely to settle the affairs among the Greek allies. He integrated some of the Greek mercenaries formerly hired by Cyrus the Younger (the Ten Thousand) in his army. They had returned from Persia under the leadership of Xenophon, who also remained in Agesilaus' staff. In Ephesus, Agesilaus' authority was nevertheless overshadowed by Lysander, who was reacquainted with many of his supporters, men he had placed in control of the Greek cities at the end of the Peloponnesian War. Angered by his local aura, Agesilaus humiliated Lysander several times to force him to leave the army, despite his former relationship and Lysander's role in his accession to the throne. Plutarch adds that after Agesilaus' emancipation from him, Lysander returned to his undercover scheme to make the monarchy elective.
After Lysander's departure, Agesilaus raided Phrygia, the satrapy of Pharnabazus, until his advance guard was defeated not far from Daskyleion by the superior Persian cavalry. He then wintered at Ephesus, where he trained a cavalry force, perhaps on the advice of Xenophon, who had commanded the cavalry of the Ten Thousand. In 395, the Spartan king managed to trick Tissaphernes into thinking that he would attack Caria, in the south of Asia Minor, forcing the satrap to hold a defence line on the Meander river. Instead, Agesilaus moved north to the important city of Sardis. Tissaphernes hastened to meet the king there, but his cavalry sent in advance was defeated by Agesilaus' army. After his victory at the Battle of Sardis, Agesilaus became the first king to be given the command of both land and sea. He delegated the naval command to his brother-in-law Peisander, whom he appointed navarch despite his inexperience; perhaps Agesilaus wanted to avoid the rise of a new Lysander, who owed his prominence to his time as navarch. After his defeat, Tissaphernes was executed and replaced as satrap by Tithraustes, who gave Agesilaus 30 talents to move north to the satrapy of Pharnabazus (Persian satraps were often bitter rivals). Augesilaus' Phrygian campaign of 394 was fruitless, as he lacked the siege equipment required to take the fortresses of Leonton Kephalai, Gordion, and Miletou Teichos.Xenophon tells that Agesilaus then wanted to campaign further east in Asia and sow discontent among the subjects of the Achaemenid empire, or even to conquer Asia. Plutarch went further and wrote that Agesilaus had prepared an expedition to the heart of Persia, up to her capital of Susa, thus making him a forerunner of Alexander the Great. It is very unlikely that Agesilaus really had such a grand campaign in mind; regardless, he was soon forced to return to Europe in 394.
The sacrifice at Aulis (396 BC).
Lysander and Agesilaus had intended the expedition to be a Panhellenic enterprise, but Athens, Corinth, and especially Thebes, refused to participate. In Spring 396, Agesilaus came to Aulis (in Boeotian territory) to sacrifice on the place where Agamemnon had done so just before his departure to Troy at the head of the Greek army in the "Iliad", thus giving a grandiose aspect to the expedition. However he did not inform the Boeotians and brought his own seer to perform the sacrifice, instead of the local one. Learning this, the Boeotians prevented him from sacrificing and further humiliated him by casting away the victim; they perhaps intended to provoke a confrontation, as the relations between Sparta and Thebes had become execrable. Agesilaus then left to Asia, but Thebes remained hateful to him for the rest of his life.
Campaign in Asia (396–394 BC).
Once Agesilaus landed in Ephesus, the Spartan main base, he concluded a three months' truce with Tissaphernes, likely to settle the affairs among the Greek allies. He integrated some of the Greek mercenaries formerly hired by Cyrus the Younger (the Ten Thousand) in his army. They had returned from Persia under the leadership of Xenophon, who also remained in Agesilaus' staff. In Ephesus, Agesilaus' authority was nevertheless overshadowed by Lysander, who was reacquainted with many of his supporters, men he had placed in control of the Greek cities at the end of the Peloponnesian War. Angered by his local aura, Agesilaus humiliated Lysander several times to force him to leave the army, despite his former relationship and Lysander's role in his accession to the throne. Plutarch adds that after Agesilaus' emancipation from him, Lysander returned to his undercover scheme to make the monarchy elective.
After Lysander's departure, Agesilaus raided Phrygia, the satrapy of Pharnabazus, until his advance guard was defeated not far from Daskyleion by the superior Persian cavalry. He then wintered at Ephesus, where he trained a cavalry force, perhaps on the advice of Xenophon, who had commanded the cavalry of the Ten Thousand. In 395, the Spartan king managed to trick Tissaphernes into thinking that he would attack Caria, in the south of Asia Minor, forcing the satrap to hold a defence line on the Meander river. Instead, Agesilaus moved north to the important city of Sardis. Tissaphernes hastened to meet the king there, but his cavalry sent in advance was defeated by Agesilaus' army. After his victory at the Battle of Sardis, Agesilaus became the first king to be given the command of both land and sea. He delegated the naval command to his brother-in-law Peisander, whom he appointed navarch despite his inexperience; perhaps Agesilaus wanted to avoid the rise of a new Lysander, who owed his prominence to his time as navarch. After his defeat, Tissaphernes was executed and replaced as satrap by Tithraustes, who gave Agesilaus 30 talents to move north to the satrapy of Pharnabazus (Persian satraps were often bitter rivals). Augesilaus' Phrygian campaign of 394 was fruitless, as he lacked the siege equipment required to take the fortresses of Leonton Kephalai, Gordion, and Miletou Teichos.Xenophon tells that Agesilaus then wanted to campaign further east in Asia and sow discontent among the subjects of the Achaemenid empire, or even to conquer Asia. Plutarch went further and wrote that Agesilaus had prepared an expedition to the heart of Persia, up to her capital of Susa, thus making him a forerunner of Alexander the Great. It is very unlikely that Agesilaus really had such a grand campaign in mind; regardless, he was soon forced to return to Europe in 394.
Corinthian War (395–387 BC).
Although Thebes and Corinth had been allies of Sparta throughout the Peloponnesian War, they were dissatisfied by the settlement of the war in 404, with Sparta as leader of the Greek world. Sparta's imperialist expansion in the Aegean greatly upset its former allies, notably by establishing friendly regimes and garrisons in smaller cities. Through large gifts, Tithraustes also encouraged Sparta's former allies to start a war in order to force the recall of Agesilaus from Asia—even though the influence of Persian gold has been exaggerated. The initiative came from Thebes, which provoked a war between their ally Ozolian Locris and Phocis in order to bring Sparta to the latter's defence. Lysander and the other king Pausanias entered Boeotia, which enabled the Thebans to bring Athens in the war. Lysander then besieged Haliartus without waiting for Pausanias and was killed in a Boeotian counter-attack. In Sparta, Pausanias was condemned to death by Lysander's friends and went into exile. After its success at Haliartus, Thebes was able to build a coalition against Sparta, with notably Argos and Corinth, where a war council was established, and securing the defection of most of the cities of northern and central Greece. Unable to wage war on two fronts and with the loss of Lysander and Pausanias, Sparta had no choice but to recall Agesilaus from Asia. The Asian Greeks fighting for him said they wanted to continue serving with him, while Agesilaus promised he would return to Asia as soon as he could.
Agesilaus returned to Greece by land, crossing the Hellespont and from there along the coast of the Aegean Sea. In Thessaly he won a cavalry battle near Narthacium against the Pharsalians who had made an alliance with Thebes. He then entered Boeotia by the Thermopylae, where he received reinforcements from Sparta. Meanwhile, Aristodamos—the regent of the young Agiad king Agesipolis—won a major victory at Nemea near Argos, which was offset by the disaster of the Spartan navy at Knidos against the Persian fleet led by Konon, an exiled Athenian general. Agesilaus lied to his men about the outcome of the battle of Knidos to avoid demoralising them as they were about to fight a large engagement against the combined armies of Thebes, Athens, Argos and Corinth. The following Battle of Coroneia was a classic clash between two lines of hoplites. The anti-Spartan allies were rapidly defeated, but the Thebans managed to retreat in good order, despite Agesilaus' activity on the front line, which caused him several injuries. The next day the Thebans requested a truce to recover their dead, therefore conceding defeat, although they had not been bested on the battlefield. Agesilaus appears to have tried to win an honourable victory, by risking his life and being merciful with some Thebans who had sought shelter in the nearby Temple of Athena Itonia. He then moved to Delphi, where he offered one tenth of the booty he had amassed since his landing at Ephesos, and returned to Sparta.
No pitched battle took place in Greece in 393. Perhaps Agesilaus was still recovering from his wounds, or he was deprived of command because of the opposition of Lysander's and Pausanias' friends, who were disappointed by his lack of decisive victory and his appointment of Peisander as navarch before the disaster of Knidos. The loss of the Spartan fleet besides allowed Konon to capture the island of Kythera, in the south of the Peloponnese, from where he could raid Spartan territory. In 392, Sparta sent Antalcidas to Asia in order to negotiate a general peace with Tiribazus, the satrap of Lydia, while Sparta would recognise Persia's sovereignty over the Asian Greek cities. However, the Greek allies also sent emissaries to Sardis to refuse Antalcidas' plan, and Artaxerxes likewise rejected it. A second peace conference in Sparta failed the following year because of Athens. A personal enemy of Antalcidas, Agesilaus likely disapproved these talks, which show that his influence at home had waned. Plutarch says that he befriended the young Agiad king Agesipolis, possibly to prevent his opponents from coalescing behind him.
By 391 Agesilaus had apparently recovered his influence as he was appointed at the head of the army, while his half-brother Teleutias became navarch. The target was Argos, which had absorbed Corinth into a political union the previous year. In 390 BC he made several successful expeditions into Corinthian territory, capturing Lechaeum and Peiraion. The loss, however, of a battalion (mora), destroyed by Iphicrates, neutralised these successes, and Agesilaus returned to Sparta. In 389 BC he conducted a campaign in Acarnania, but two years later the Peace of Antalcidas, warmly supported by Agesilaus, put an end to the war, maintaining Spartan hegemony over Greece and returning the Greek cities of Asia Minor to the Achaemenid Empire. In this interval, Agesilaus declined command over Sparta's aggression on Mantineia, and justified Phoebidas' seizure of the Theban Cadmea so long as the outcome provided glory to Sparta.
Decline.
When war broke out afresh with Thebes, Agesilaus twice invaded Boeotia (in 378 and 377 BC), although he spent the next five years largely out of action due to an unspecified but apparently grave illness. In the congress of 371 an altercation is recorded between him and the Theban general Epaminondas, and due to his influence, Thebes was peremptorily excluded from the peace, and orders given for Agesilaus's royal colleague Cleombrotus to march against Thebes in 371. Cleombrotus was defeated and killed at the Battle of Leuctra and the Spartan supremacy overthrown.
In 370 Agesilaus was engaged in an embassy to Mantineia, and reassured the Spartans with an invasion of Arcadia. He preserved an unwalled Sparta against the revolts and conspiracies of helots, perioeci and even other Spartans; and against external enemies, with four different armies led by Epaminondas penetrating Laconia that same year.
Asia Minor expedition (366 BC).
In 366 BC, Sparta and Athens, dissatisfied with the Persian king's support of Thebes following the embassy of Philiscus of Abydos, decided to provide careful military support to the opponents of the Achaemenid king. Athens and Sparta provided support for the revolting satraps in the Revolt of the Satraps, in particular Ariobarzanes: Sparta sent a force to Ariobarzanes under an aging Agesilaus, while Athens sent a force under Timotheus, which was however diverted when it became obvious that Ariobarzanes had entered frontal conflict with the Achaemenid king. An Athenian mercenary force under Chabrias was also sent to the Egyptian Pharaoh Tachos, who was also fighting against the Achaemenid king. According to Xenophon, Agesilaus, in order to gain money for prosecuting the war, supported the satrap Ariobarzanes of Phrygia in his revolt against Artaxerxes II in 364 (Revolt of the Satraps).
Again, in 362, Epaminondas almost succeeded in seizing the city of Sparta with a rapid and unexpected march. The Battle of Mantinea, in which Agesilaus took no part, was followed by a general peace: Sparta, however, stood aloof, hoping even yet to recover her supremacy.
Expedition to Egypt.
Sometime after the Battle of Mantineia, Agesilaus went to Egypt at the head of a mercenary force to aid the king Nectanebo I and his regent Teos against Persia. In the summer of 358, he transferred his services to Teos's cousin and rival, Nectanebo II, who, in return for his help, gave him a sum of over 200 talents. On his way home Agesilaus died in Cyrenaica, around the age of 84, after a reign of some 41 years. His body was embalmed in wax, and buried at Sparta.
He was succeeded by his son Archidamus III.
Asia Minor expedition (366 BC).
In 366 BC, Sparta and Athens, dissatisfied with the Persian king's support of Thebes following the embassy of Philiscus of Abydos, decided to provide careful military support to the opponents of the Achaemenid king. Athens and Sparta provided support for the revolting satraps in the Revolt of the Satraps, in particular Ariobarzanes: Sparta sent a force to Ariobarzanes under an aging Agesilaus, while Athens sent a force under Timotheus, which was however diverted when it became obvious that Ariobarzanes had entered frontal conflict with the Achaemenid king. An Athenian mercenary force under Chabrias was also sent to the Egyptian Pharaoh Tachos, who was also fighting against the Achaemenid king. According to Xenophon, Agesilaus, in order to gain money for prosecuting the war, supported the satrap Ariobarzanes of Phrygia in his revolt against Artaxerxes II in 364 (Revolt of the Satraps).
Again, in 362, Epaminondas almost succeeded in seizing the city of Sparta with a rapid and unexpected march. The Battle of Mantinea, in which Agesilaus took no part, was followed by a general peace: Sparta, however, stood aloof, hoping even yet to recover her supremacy.
Expedition to Egypt.
Sometime after the Battle of Mantineia, Agesilaus went to Egypt at the head of a mercenary force to aid the king Nectanebo I and his regent Teos against Persia. In the summer of 358, he transferred his services to Teos's cousin and rival, Nectanebo II, who, in return for his help, gave him a sum of over 200 talents. On his way home Agesilaus died in Cyrenaica, around the age of 84, after a reign of some 41 years. His body was embalmed in wax, and buried at Sparta.
He was succeeded by his son Archidamus III.
Legacy.
Agesilaus was of small stature and unimpressive appearance, and was lame from birth. These facts were used as an argument against his succession, an oracle having warned Sparta against a "lame reign." Most ancient writers considered him a highly successful leader in guerrilla warfare, alert and quick, yet cautious—a man, moreover, whose personal bravery was rarely questioned in his own time. Of his courage, temperance, and hardiness, many instances are cited, and to these were added the less Spartan qualities of kindliness and tenderness as a father and a friend. As examples, there was the story of his riding a stick-horse with his children and upon being discovered by a friend desiring that the friend not mention what he had seen until he was the father of children; and because of the affection of his son Archidamus for Cleonymus, he saved Sphodrias, Cleonymus' father, from execution for his incursion into Piraeus and dishonourable retreat in 378. Modern writers tend to be slightly more critical of Agesilaus' reputation and achievements, reckoning him an excellent soldier, but one who had a poor understanding of sea power and siege-craft.
As a statesman he won himself both enthusiastic adherents and bitter enemies. Agesilaus was most successful in the opening and closing periods of his reign: commencing but then surrendering a glorious career in Asia; and in extreme age, maintaining his prostrate country. Other writers acknowledge his extremely high popularity at home, but suggest his occasionally rigid and arguably irrational political loyalties and convictions contributed greatly to Spartan decline, notably his unremitting hatred of Thebes, which led to Sparta's humiliation at the Battle of Leuctra and thus the end of Spartan hegemony. Historian J. B. Bury remarks that "there is something melancholy about his career:" born into a Sparta that was the unquestioned continental power of Hellas, the Sparta which mourned him eighty four years later had suffered a series of military defeats which would have been unthinkable to his forebears, had seen its population severely decline, and had run so short of money that its soldiers were increasingly sent on campaigns fought more for money than for defense or glory.
Other historical accounts paint Agesilaus as a prototype for the ideal leader. His awareness, thoughtfulness, and wisdom were all traits to be emulated diplomatically, while his bravery and shrewdness in battle epitomised the heroic Greek commander. These historians point towards the unstable oligarchies established by Lysander in the former Athenian Empire and the failures of Spartan leaders (such as Pausanias and Kleombrotos) for the eventual suppression of Spartan power. The ancient historian Xenophon was a huge admirer and served under Agesilaus during the campaigns into Asia Minor.
Plutarch includes among Agesilaus' 78 essays and speeches comprising the apophthegmata Agesilaus' letter to the ephors on his recall:
And when asked whether Agesilaus wanted a memorial erected in his honour:
Agesilaus lived in the most frugal style alike at home and in the field, and though his campaigns were undertaken largely to secure booty, he was content to enrich the state and his friends and to return as poor as he had set forth.
Selected quotes.
When someone was praising an orator for his ability to magnify small points, Agesilaus said, "In my opinion it's not a good cobbler who fits large shoes on small feet."
Another time Agesilaus watched a mouse being pulled from its hole by a small boy. When the mouse turned around, bit the hand of its captor and escaped, he pointed this out to those present and said, "When the tiniest creature defends itself like this against aggressors, what ought men to do, do you reckon?"
Certainly when somebody asked what gain the laws of Lycurgus had brought Sparta, Agesilaus answered, "Contempt for pleasures."
Asked once how far Sparta's boundaries stretched, Agesilaus brandished his spear and said, "As far as this can reach."
On noticing a house in Asia roofed with square beams, Agesilaus asked the owner whether timber grew square in that area. When told no, it grew round, he said, "What then? If it were square, would you make it round?"
Invited to hear an actor who could perfectly imitate the nightingale, Agesilaus declined, saying he had heard the nightingale itself.
Selected quotes.
When someone was praising an orator for his ability to magnify small points, Agesilaus said, "In my opinion it's not a good cobbler who fits large shoes on small feet."
Another time Agesilaus watched a mouse being pulled from its hole by a small boy. When the mouse turned around, bit the hand of its captor and escaped, he pointed this out to those present and said, "When the tiniest creature defends itself like this against aggressors, what ought men to do, do you reckon?"
Certainly when somebody asked what gain the laws of Lycurgus had brought Sparta, Agesilaus answered, "Contempt for pleasures."
Asked once how far Sparta's boundaries stretched, Agesilaus brandished his spear and said, "As far as this can reach."
On noticing a house in Asia roofed with square beams, Agesilaus asked the owner whether timber grew square in that area. When told no, it grew round, he said, "What then? If it were square, would you make it round?"
Invited to hear an actor who could perfectly imitate the nightingale, Agesilaus declined, saying he had heard the nightingale itself.
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Agrippina the Elder
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Agrippina "the Elder" (also, in Latin, , "Germanicus's Agrippina"; – AD 33) was a prominent member of the Julio-Claudian dynasty. She was the daughter of Marcus Vipsanius Agrippa (a close supporter of the first Roman emperor, Augustus) and Augustus' daughter, Julia the Elder. Her brothers Lucius and Gaius Caesar were the adoptive sons of Augustus, and were his heirs until their deaths in AD 2 and 4, respectively. Following their deaths, her second cousin Germanicus was made the adoptive son of Tiberius, Augustus' stepson, as part of Augustus' succession scheme in the adoptions of AD 4 (in which Tiberius was adopted by Augustus). As a result of the adoption, Agrippina was wed to Germanicus in order to bring him closer to the Julian family.
Agrippina the Elder is known to have traveled with Germanicus throughout his career, taking her children wherever they went. In AD 14, Germanicus was deployed in Gaul as a governor and general, and, while there, the late Augustus sent her son Gaius to stay with her. Agrippina liked to dress him in a little soldiers' outfit (complete with boots) for which Gaius earned the nickname "Caligula" ("little soldier's boots"). After three years in Gaul, they returned to Rome, and her husband was awarded a triumph on 26 May AD 17 to commemorate his victories. The following year, Germanicus was sent to govern over the eastern provinces. While Germanicus was active in his administration, the governor of Syria Gnaeus Calpurnius Piso began feuding with him. During the feud, her husband died of illness on 10 October AD 19.
Germanicus was cremated in Antioch, Turkey, and she transported his ashes to Rome where they were interred at the Mausoleum of Augustus. Agrippina was vocal in claims of her husband being murdered in order to promote Tiberius' son, Drusus Julius Caesar ("Drusus the Younger"), as heir. Following the model of her stepgrandmother Livia, she spent the time following Germanicus' death supporting the cause of her sons Nero and Drusus Caesar. This put her and her sons at odds with the powerful Praetorian prefect Lucius Aelius Sejanus, who began eliminating their supporters with accusations of treason and sexual misconduct in AD 26. Her family's rivalry with Sejanus would culminate with her and Nero's exile in AD 29. Nero was exiled to Pontia and she was exiled to the island of Pandateria, where she would remain until her death by starvation in AD 33.
Name.
Following the Roman custom of parents and children sharing the same nomen and cognomen, women in the same family would often share the same name. Accordingly, Marcus Vipsanius Agrippa had many relatives who shared the name "Vipsania Agrippina". To distinguish Marcus Agrippa's daughter from his granddaughter, historians refer to his daughter as Latin "Agrippina Maior", literally "Agrippina the Elder". Likewise, Agrippina's daughter is referred to as "Agrippina Minor", literally "Agrippina the Younger". Like her father, Agrippina the Elder avoided her nomen and was never called "Vipsania".
Background.
Marcus Vipsanius Agrippa was an early supporter of Augustus (then "Octavius") during the Final War of the Roman Republic that ensued as a result of the assassination of Julius Caesar in 44 BC. He was a key general in Augustus' armies, commanding troops in pivotal battles against Mark Antony and Sextus Pompeius. From early in the emperor's reign, Agrippa was trusted to handle affairs in the eastern provinces and was even given the signet ring of Augustus, who appeared to be on his deathbed in 23BC, a sign that he would become "princeps" were Augustus to die. It is probable that he was to rule until the emperor's nephew, Marcus Claudius Marcellus, came of age. However, Marcellus died that year of an illness that became an epidemic in Rome.
Now, with Marcellus dead, Augustus arranged for the marriage of Agrippa to his daughter Julia the Elder, who was previously the wife of Marcellus. Agrippa was given "tribunicia potestas" ("the tribunician power") in 18 BC, a power that only the emperor and his immediate heir could hope to attain. The tribunician power allowed him to control the Senate, and it was first given to Julius Caesar. Agrippa acted as tribune in the Senate to pass important legislation and, though he lacked some of the emperor's power and authority, he was approaching the position of co-regent.
After the birth of Agrippa's second son, Lucius, in 17 BC, Lucius and his brother Gaius were adopted together by Augustus. Around the time of their adoption in the summer, Augustus held the fifth ever "Ludi Saeculares" ("Secular Games"). Cassius Dio says the adoption of the boys coupled with the games served to introduce a new era of peace – the "Pax Augusta". It is not known what Agrippa thought of their adoption; however, following their adoption, Agrippa was dispatched to govern the eastern provinces, bringing his family with him.
Early life and family.
Agrippina was born in 14 BC to Marcus Vipsanius Agrippa and Julia the Elder, before their return to Rome in 13 BC. She had several siblings, including half-sisters Vipsania Agrippina, Vipsania Attica, Vipsania Marcella and Vipsania Marcellina (from her father's marriages to Pomponia Caecilia Attica and Claudia Marcella Major); and four full siblings, with three brothers; Gaius, Lucius, and Postumus Agrippa (all were adopted by Augustus; Gaius and Lucius were adopted together following Lucius' birth in 17 BC; Postumus in AD 4), and a sister Julia the Younger.
She was a prominent member of the Julio-Claudian dynasty. On her mother's side, she was the younger granddaughter of Augustus. She was the Stepdaughter of Tiberius by her mother's marriage to him, and sister in law of Claudius, the brother of her husband Germanicus. Her son Gaius, better known as "Caligula", would be the third emperor, and her grandson Nero would be the last emperor of the dynasty.
In 13 BC, her father returned to Rome and was promptly sent to Pannonia to suppress a rebellion. Agrippa arrived there that winter (in 12 BC), but the Pannonians gave up that same year. Agrippa returned to Campania in Italy, where he fell ill and died soon after. After her father's death, she spent the rest of her childhood in Augustus' household where access to her was strictly controlled.
Some of the currency issued in 13–12 BC, the "aurei" and "denarii", make it clear that her brothers Gaius and Lucius were Augustus' intended heirs. Their father was no longer available to assume the reins of power if the Emperor were to die, and Augustus had to make it clear who his intended heirs were in case anything should happen. Lucius' and Gaius' military and political careers would steadily advance until their deaths in AD 2 and 4, respectively.
The death of her brothers meant that Augustus had to find other heirs. Although he initially considered Agrippina's second cousin Germanicus a potential heir for a time, Livia convinced Augustus to adopt Tiberius, Livia's son from her first marriage with Tiberius Claudius Nero. Although Augustus adopted Tiberius, it was on condition that Tiberius first adopt Germanicus so that Germanicus would become second in the line of succession. It was a corollary to the adoption, probably in the next year, that Agrippina was married to Germanicus.
By her husband Germanicus, she had nine children: Nero Julius Caesar, Drusus Julius Caesar, Tiberius Julius Caesar, a child of unknown name (normally referenced as "Ignotus"), Gaius the Elder, the Emperor Caligula (Gaius the Younger), the Empress Agrippina the Younger, Julia Drusilla, and Julia Livilla. Only six of her children came of age; Tiberius and Ignotus died as infants, and Gaius the Elder in his early childhood.
Marriage.
Her husband's career in the military began in AD 6, with the Batonian War in Pannonia and Dalmatia. Throughout Germanicus' military career, Agrippina is known to have traveled with her husband and their children. Germanicus' career advanced steadily as he advanced in ranks following the "cursus honorum" until, in AD 12, he was made consul. The following year, he was given command over Gaul and the forces on the Rhine, totaling eight legions.
On 18 May AD 14, her one-year-old son Gaius was sent by Augustus from Rome to join her in Gaul. She was pregnant at the time and, while Germanicus was collecting taxes across Gaul, she remained at an unspecified separate location, presumably for her safety. Augustus sent her a letter with her son's party, which read:
Later that year, on 19 August, Augustus died while away in Campania. As a result, Tiberius was made "princeps". While Germanicus was administering the oath of fealty to Tiberius, a mutiny began among the forces on the Rhine. During the mutiny, Agrippina brought out their sixth child, Gaius, and made preparations to take him away to a safer town nearby. He was in a full army outfit including the legionary hobnailed boots ("caligae"). These military-booties earned Gaius the nickname "Caligula" (lit. "little boots"), and garnered sympathy for Agrippina and the child among the soldiery. Tacitus attributes her actions as having quelled the mutiny (Tacitus, "Annals" 1.40–4).
Once the mutiny was put to an end, Germanicus allowed the soldiers to deal with the ringleaders, which they did with brutal severity. He then led them against the Germanic tribes, perhaps in an effort to prevent future mutiny. Germanicus would remain in Gaul fighting against the Germanic tribes until AD 16, at which time he was recalled to Rome by Tiberius. His campaigns won him much renown among the Roman people, and he was awarded a triumph on 26 May AD 17.
Widowhood.
In AD 18, Agrippina left for the eastern provinces with her family. Germanicus was sent the east to govern the provinces, the same assignment her father was given years earlier. Agrippina was pregnant on their journey east and, on the way to Syria, she gave birth to her youngest daughter Julia Livilla on the island of Lesbos. Inscriptions celebrating her fertility have been found on the island.
Tiberius sent Gnaeus Calpurnius Piso to assist her husband, naming him governor of Syria. During their time there, Germanicus was active in his administration of the eastern regions. Piso did not get along well with Germanicus and their relationship only got worse. In AD 19, Germanicus ordered Piso to leave the province, which Piso began to do. On his way back to Rome, Piso stopped at the island of Kos off the coast of Syria. Around that time Germanicus fell ill and he died on 10 October AD 19 at Antioch. Rumours spread of Piso poisoning her husband on the emperor's orders.
After Germanicus' cremation in the forum of Antioch, Agrippina personally carried the ashes of her husband to Rome. The transportation of the ashes witnessed national mourning. She landed at the port of Brundisium in southern Italy where she was met with huge crowds of sympathizers; a praetorian escort was provided by the emperor in light of her rank as the wife of a governor-general. As she passed each town, the people and local magistrates came out to show their respect. Drusus the Younger (son of Tiberius), Claudius, and the consuls journeyed to join the procession as well. Once she made it to Rome, her husband's ashes were interred at the Mausoleum of Augustus. Tiberius and Livia did not make an appearance.
Widowhood.
In AD 18, Agrippina left for the eastern provinces with her family. Germanicus was sent the east to govern the provinces, the same assignment her father was given years earlier. Agrippina was pregnant on their journey east and, on the way to Syria, she gave birth to her youngest daughter Julia Livilla on the island of Lesbos. Inscriptions celebrating her fertility have been found on the island.
Tiberius sent Gnaeus Calpurnius Piso to assist her husband, naming him governor of Syria. During their time there, Germanicus was active in his administration of the eastern regions. Piso did not get along well with Germanicus and their relationship only got worse. In AD 19, Germanicus ordered Piso to leave the province, which Piso began to do. On his way back to Rome, Piso stopped at the island of Kos off the coast of Syria. Around that time Germanicus fell ill and he died on 10 October AD 19 at Antioch. Rumours spread of Piso poisoning her husband on the emperor's orders.
After Germanicus' cremation in the forum of Antioch, Agrippina personally carried the ashes of her husband to Rome. The transportation of the ashes witnessed national mourning. She landed at the port of Brundisium in southern Italy where she was met with huge crowds of sympathizers; a praetorian escort was provided by the emperor in light of her rank as the wife of a governor-general. As she passed each town, the people and local magistrates came out to show their respect. Drusus the Younger (son of Tiberius), Claudius, and the consuls journeyed to join the procession as well. Once she made it to Rome, her husband's ashes were interred at the Mausoleum of Augustus. Tiberius and Livia did not make an appearance.
Life after Germanicus.
Her marriage to Germanicus had served to unite the imperial family. Agrippina may have suspected Tiberius' involvement in the death of her husband and, with Germanicus dead, she no longer had any familial ties to the emperor. Historian Richard Alston says it is likely that either Tiberius or Livia were behind the exile of Agrippina's half-sister and the death of Postumus. He notes the death of Agrippina's mother, who starved herself to death amidst her exile in AD 14, linking her death to Tiberius' disdain for her.
Agrippina was vocal about her feelings claiming that Germanicus was murdered to promote Drusus the Younger as Tiberius' heir, and worried that the birth of the Younger Drusus' twin sons would displace her own sons in the line of succession.
At about this time, Tiberius' Praetorian Prefect Sejanus was becoming powerful in Rome and began feuding with Drusus the Younger. While the exact causes of the feud are unknown, it ended when the Younger Drusus died of seemingly natural causes on 14 September AD 23. After the death of Tiberius' son, Agrippina wanted to advance the careers of her sons, who were all potential heirs for Tiberius. It has been suggested that to achieve this, Agrippina commissioned the Great Cameo of France and presented it to Tiberius as a personalized gift that positioned the family of Germanicus around the emperor. The work was designed to convince Tiberius to choose her children as his heirs.
Ultimately, the death of Tiberius' son elevated her own children to the position of heirs. Her sons were the logical choice, because they were the sons of Germanicus and Tiberius' grandsons were too young. Nero was becoming popular in the Senate due in part, Tacitus says, to his resemblance with his father. The rise of her children was threatening to Sejanus' position. Resultantly, Sejanus began spreading rumors about Agrippina in the imperial court. The coming years were marked with increasing hostility between Sejanus and Agrippina and her sons. This effectively caused factions to rise in the aristocracy between her family and Sejanus.
Political rivalry.
On New Year's Day, AD 24, Sejanus had the priests and magistrates add prayers for the health of Nero and Drusus in addition to those normally offered to the emperor on that day. Tiberius was not happy with this and he voiced his displeasure in the Senate. In addition, he questioned the priests of the Palatine. Some of the priests who offered the prayers were relatives of Agrippina and Germanicus. This made Tiberius suspicious of her and marked a change in his attitude toward her and her older sons, but not Caligula.
In AD 25, Sejanus requested Livilla's hand in marriage. Livilla was a niece of the emperor, which would have made him a member of the imperial family. While this did make his ambitions clear, his request was denied. The loss may have been huge for Sejanus had the dissensions in the imperial household not been deteriorating. Relations were so bad that Agrippina refused to eat at Tiberius' dinner parties for fear of being poisoned. She also asked Tiberius if she could be allowed to remarry, which he also refused.
If either of them were allowed to remarry it would have threatened the line of succession that Tiberius was comfortable with. By refusing Sejanus' request, Tiberius made it clear he was content with the children of Germanicus and his own grandchildren being his successors. Had Sejanus married Livilla, their children would have provided another line of possible successors. The implication of Agrippina's request was that she needed a man from outside the imperial family to serve as protector and step-father of possible imperial heirs, a powerful position. It was also an implied reprimand: Tiberius was meant to be the guardian of the imperial family.
Tiberius was in a tough position. He was faced with a conflict between his family and his friend. His solution was surprising. In AD 26, he left Rome altogether and retired to the island of Capri in the Bay of Naples. He cut himself off from the factions altogether and abandoned politics. He left Rome in the care of Sejanus. This allowed Sejanus to freely attack his rivals.
Downfall.
With Tiberius away from Rome, the city would see a rise of politically motivated trials on the part of Sejanus and his supporters against Agrippina and her associates. Many of her friends and associates were subsequently accused of "maiestas" ("treason") by the growing number of accusers. It was also common to see charges of sexual misconduct and corruption. In AD 27, Agrippina found herself placed under house arrest in her suburban villa outside Herculaneum.
In AD 28, the Senate voted that altars to "Clementia" (mercy) and "Amicitia" (friendship) be raised. At that time, "Clementia" was considered a virtue of the ruling class, for only the powerful could give clemency. The altar of "Amicitia" was flanked by statues of Sejanus and Tiberius. By this time, his association with Tiberius was such that there were those in Roman society who erected statues in his honor and gave prayers and sacrifices in his honor. Sejanus' birthday was honored as if he were a member of the imperial family. According to Richard Alston, "Sejanus' association with Tiberius must have at least indicated to the people that he would be further elevated."
Sejanus did not begin his final attack on Agrippina until after the death of Livia in AD 29. Tacitus reports a letter being sent to the Senate from Tiberius denouncing Agrippina for her arrogance and prideful attitude, and Nero for engaging in shameful sexual activities. The Senate would not begin these highly unpopular prosecutions against her or her son until it received clear instructions from Tiberius to do so. Despite public outcry, Agrippina and Nero were declared public enemies ("hostes") following a repeat of the accusations by the emperor. They were both exiled; Nero to Pontia where he was killed or encouraged to commit suicide in AD 31, and Agrippina to the island of Pandateria (the same place her mother was exiled to).
Suetonius says that while on the island of Pandateria, she lost an eye when she was beaten by a centurion. She would remain on the island until her death in AD 33. Accounts of her death vary. She is said to have died from starvation, but it is not certain whether or not it was self-imposed. Tacitus says food was withheld from her in an effort to make her death seem like a suicide.
Political rivalry.
On New Year's Day, AD 24, Sejanus had the priests and magistrates add prayers for the health of Nero and Drusus in addition to those normally offered to the emperor on that day. Tiberius was not happy with this and he voiced his displeasure in the Senate. In addition, he questioned the priests of the Palatine. Some of the priests who offered the prayers were relatives of Agrippina and Germanicus. This made Tiberius suspicious of her and marked a change in his attitude toward her and her older sons, but not Caligula.
In AD 25, Sejanus requested Livilla's hand in marriage. Livilla was a niece of the emperor, which would have made him a member of the imperial family. While this did make his ambitions clear, his request was denied. The loss may have been huge for Sejanus had the dissensions in the imperial household not been deteriorating. Relations were so bad that Agrippina refused to eat at Tiberius' dinner parties for fear of being poisoned. She also asked Tiberius if she could be allowed to remarry, which he also refused.
If either of them were allowed to remarry it would have threatened the line of succession that Tiberius was comfortable with. By refusing Sejanus' request, Tiberius made it clear he was content with the children of Germanicus and his own grandchildren being his successors. Had Sejanus married Livilla, their children would have provided another line of possible successors. The implication of Agrippina's request was that she needed a man from outside the imperial family to serve as protector and step-father of possible imperial heirs, a powerful position. It was also an implied reprimand: Tiberius was meant to be the guardian of the imperial family.
Tiberius was in a tough position. He was faced with a conflict between his family and his friend. His solution was surprising. In AD 26, he left Rome altogether and retired to the island of Capri in the Bay of Naples. He cut himself off from the factions altogether and abandoned politics. He left Rome in the care of Sejanus. This allowed Sejanus to freely attack his rivals.
Downfall.
With Tiberius away from Rome, the city would see a rise of politically motivated trials on the part of Sejanus and his supporters against Agrippina and her associates. Many of her friends and associates were subsequently accused of "maiestas" ("treason") by the growing number of accusers. It was also common to see charges of sexual misconduct and corruption. In AD 27, Agrippina found herself placed under house arrest in her suburban villa outside Herculaneum.
In AD 28, the Senate voted that altars to "Clementia" (mercy) and "Amicitia" (friendship) be raised. At that time, "Clementia" was considered a virtue of the ruling class, for only the powerful could give clemency. The altar of "Amicitia" was flanked by statues of Sejanus and Tiberius. By this time, his association with Tiberius was such that there were those in Roman society who erected statues in his honor and gave prayers and sacrifices in his honor. Sejanus' birthday was honored as if he were a member of the imperial family. According to Richard Alston, "Sejanus' association with Tiberius must have at least indicated to the people that he would be further elevated."
Sejanus did not begin his final attack on Agrippina until after the death of Livia in AD 29. Tacitus reports a letter being sent to the Senate from Tiberius denouncing Agrippina for her arrogance and prideful attitude, and Nero for engaging in shameful sexual activities. The Senate would not begin these highly unpopular prosecutions against her or her son until it received clear instructions from Tiberius to do so. Despite public outcry, Agrippina and Nero were declared public enemies ("hostes") following a repeat of the accusations by the emperor. They were both exiled; Nero to Pontia where he was killed or encouraged to commit suicide in AD 31, and Agrippina to the island of Pandateria (the same place her mother was exiled to).
Suetonius says that while on the island of Pandateria, she lost an eye when she was beaten by a centurion. She would remain on the island until her death in AD 33. Accounts of her death vary. She is said to have died from starvation, but it is not certain whether or not it was self-imposed. Tacitus says food was withheld from her in an effort to make her death seem like a suicide.
Post mortem.
Her son Drusus was later also exiled on charges of sexual misdemeanors. Sejanus remained powerful until his sudden downfall and summary execution in October AD 31, just after the death of Nero, the exact cause for which remains unclear. Alston suggests that Sejanus may have been acting in Tiberius' favor to remove Germanicus' family from power, noting that Agrippina and Nero's brother Drusus were left in exile even after Sejanus' death.
The deaths of Agrippina's older sons elevated her youngest son Caligula to the position of successor and he became "princeps" when Tiberius died in AD 37. Drusus the Younger's son Tiberius Gemellus was summoned to Capri by his grandfather Tiberius, where he and Caligula were made joint-heirs. When Caligula assumed power he made Gemellus his adopted son, but Caligula soon had Gemellus killed for plotting against him.
After he became emperor, Caligula took on the role of a dutiful son and brother in a public show of "pietas" ("piety"). He went out to the islands of Pontia and Pandateria in order to recover the remains of Agrippina and Nero. It was not easy to recover Nero's bones as they were scattered and buried. Moreover, he had a stormy passage; however, the difficulty in his task made his devotion seem even greater. The ashes were brought to Ostia, from where they were carried up the Tiber and brought to the Campus Martius, from where equestrians placed them on briers to join the ashes of Germanicus in the mausoleum of Augustus. The move was reminiscent of when Agrippina carried the ashes of her husband just over 17 years earlier. Agrippina's funerary urn still survives ().
Personality.
Agrippina was fiercely independent, a trait she shared with her mother. Dio described her as having ambitions to match her pedigree. However, Anthony Barrett notes that Agrippina was fully aware that a woman in ancient Rome could not hold power in her own right. Instead, Agrippina followed the model of Livia in promoting the careers of her children.
She and her daughter, Agrippina the Younger, are both described as being equally ambitious for their sons. Whereas the elder Agrippina's son failed to become emperor, the younger Agrippina's son, also named Nero, succeeds. In a contrast, Tacitus has Agrippina the Elder merely standing on a bridge waving the soldiers passing by, whereas her daughter eclipses her by presiding over a military tribunal and accepting gifts from foreign ambassadors.
Tacitus also records serious tension between Agrippina and Livia. He describes Livia as having visited "stepmotherly provocations" on Agrippina. He says of Agrippina: "were it not that through her moral integrity and love for her husband she converted an otherwise ungovernable temper to the good" (Tacitus, "Annals" 1.33). Despite being sympathetic to her as a victim of imperial oppression, he uses expressions like "excitable", "arrogant", "proud", "fierce", "obstinate", and "ambitious" to describe Agrippina. His comments are echoed by other sources.
Historiography.
Historian Lindsay Powell says Agrippina enjoyed a normal marriage and continued to show her devotion to Germanicus after his death. He says she was regarded by the Roman people as, quoting Tacitus, "the glory of the country, the sole surviving offspring of Augustus, the solitary example of the good old times."
Alston cautions against accepting the stories of Agrippina's feud with Sejanus at face value, as these accounts reflect a tradition hostile to Tiberius and Sejanus. They may have been circulated by Agrippina's supporters or they may have emerged after Sejanus' fall in AD 31. He adds: "These stories are plausible, though not certain to be true."
Suetonius.
Augustus was proud of Agrippina. Suetonius claims that Augustus wrote her a letter praising her intellect and directing her education. Suetonius also records that Augustus, who held strict views on self-restraint and respectable speech, cautioned Agrippina not to speak "offensively". When she next appears, she is being chastised by Tiberius in Greek for making irritating remarks, and the tone of the Greek verse quoted by Tiberius suggests that she should have heeded the advice of her grandfather not to speak offensively.
Tacitus.
The "Annals" of Tacitus is a history of the Julio-Claudian dynasty beginning with the death of Augustus. In it, he portrays women as having a profound influence on politics. The women of the imperial family in particular are depicted by Tacitus as having a notable prominence in the public sphere as well as possessing a ferocity and ambition with which they pursue it. Tacitus presents them as living longer than the imperial men and thus being more wise as they advance in age. Among the most broad of his portrayals is that of Agrippina. He emphasizes their role in connecting genetically back to Augustus, a significant factor in the marriages of the emperors and princes of the dynasty. The Annals repeatedly has Agrippina competing for influence with Tiberius simply because she is related to Augustus biologically.
Tacitus presents Agrippina as being kindred to aristocratic males, and has her reversing gender roles, which showcases her assumption of male "auctoritas" ("authority") with metaphors of her dressing and undressing. In an example of Agrippina assuming "auctoritas", he says:
Using the above epithet, "(femina) ingens animi" ("..[a woman], great for her courage"), he assigns a haughty attitude to Agrippina that compels her to explore the affairs of men. He records her as having reversed the natural order of things when she quelled the mutiny of the Rhine in AD 14. In so doing, he describes her as having usurped her husband's power, a power rightfully belonging only to a general.
Suetonius.
Augustus was proud of Agrippina. Suetonius claims that Augustus wrote her a letter praising her intellect and directing her education. Suetonius also records that Augustus, who held strict views on self-restraint and respectable speech, cautioned Agrippina not to speak "offensively". When she next appears, she is being chastised by Tiberius in Greek for making irritating remarks, and the tone of the Greek verse quoted by Tiberius suggests that she should have heeded the advice of her grandfather not to speak offensively.
Tacitus.
The "Annals" of Tacitus is a history of the Julio-Claudian dynasty beginning with the death of Augustus. In it, he portrays women as having a profound influence on politics. The women of the imperial family in particular are depicted by Tacitus as having a notable prominence in the public sphere as well as possessing a ferocity and ambition with which they pursue it. Tacitus presents them as living longer than the imperial men and thus being more wise as they advance in age. Among the most broad of his portrayals is that of Agrippina. He emphasizes their role in connecting genetically back to Augustus, a significant factor in the marriages of the emperors and princes of the dynasty. The Annals repeatedly has Agrippina competing for influence with Tiberius simply because she is related to Augustus biologically.
Tacitus presents Agrippina as being kindred to aristocratic males, and has her reversing gender roles, which showcases her assumption of male "auctoritas" ("authority") with metaphors of her dressing and undressing. In an example of Agrippina assuming "auctoritas", he says:
Using the above epithet, "(femina) ingens animi" ("..[a woman], great for her courage"), he assigns a haughty attitude to Agrippina that compels her to explore the affairs of men. He records her as having reversed the natural order of things when she quelled the mutiny of the Rhine in AD 14. In so doing, he describes her as having usurped her husband's power, a power rightfully belonging only to a general.
Portraiture.
Portraits of Roman women from the Julio-Claudian dynasty display a freer hair treatment than those of traditional Roman men and are more keen on the sensitivity of recording on different textures. These changes in style served to make reproducing them more popular in the mid-first-century AD. Reproductions of her image would continue to be made into that period. In the portrait, she is given a youthful face despite the fact that she lived to middle age. Agrippina's hair is a mass of curls that covers both sides of her head and is long going down to her shoulders. Her portraiture can be contrasted with that of Livia who had a more austere Augustan hairstyle.
There are three different periods during the first-century AD when portraits were created for Agrippina: at the time of her marriage to Germanicus (which made her the mother of a potential emperor); when her son Caligula came into power in AD 37, and collected her ashes from the island of Pandateria for relocation to the Mausoleum of Augustus; and at the time of Claudius' marriage to Agrippina the Younger, who wanted to connect himself to the lineage of Augustus by evoking Agrippina's image. Coins and inscriptions cannot act as a method of discerning her age, because her hairstyle remains unchanged in all the representations.
The easiest phase of portraits to identify are those dating to the time of Caligula, when a fair abundance of coins were minted with an image of his mother on them. It is a posthumous portrait of her with idealized features. In the phase following Claudius' marriage, her features are made to more closely resemble those of her daughter. The goal was to strengthen Agrippina the Younger's connection with her mother. Finally, the portraits of her dating to the time of Tiberius are still idealized, but not as much as those from the period of Caligula's reign. Images of Agrippina from this period are the most lifelike.
Cultural depictions.
Agrippina is one of the few women from the Roman imperial period whose story was recounted in later centuries as an example of moral character. Her journey to deposit the ashes of her husband was popular with eighteenth century painters, including William Turner, Gavin Hamilton, and Benjamin West whose painting "Agrippina Landing at Brundisium with the Ashes of Germanicus" (1768) began the trend.
She is also remembered in "De Mulieribus Claris", a collection of biographies of historical and mythological women by the Florentine author Giovanni Boccaccio, composed in 136162. It is notable as the first collection devoted exclusively to biographies of women in Western literature. Other notable works of which include:
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Aimoin
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Aimoin of Fleury (; ), French chronicler, was born at Villefranche-de-Longchat, Southwestern France about 960. Early in his life he entered the monastery of Fleury, where he became a monk and then passed the greater part of his life. Between c. 980 and 985 Aimoin wrote about St. Benedict in Abbey of Fleury-sur-Loire. His chief work is a "Historia Francorum", or "Libri V. de Gestis Francorum", which deals with the history of the Franks from the earliest times to 653, and was continued by other writers until the middle of the twelfth century. It was much in vogue during the Middle Ages, but its historical value is now regarded as slight. It was edited by G. Waitz and published in the "Monumenta Germaniae Historica: Scriptores", Band xxvi (Hanover and Berlin, 1826–1892).
In 1004 he also wrote "Vita Abbonis, abbatis Floriacensis", the last of a series of lives of the abbots of Fleury, all of which, except the life of Abbo, have been lost. This was published by J. Mabillon in the "Acta sanctorum ordinis sancti Benedicti" (Paris, 1668–1701).
Aimoin's third work was the composition of books ii and iii of the "Miracula sancti Benedicti", the first book of which was written by another monk of Fleury named Adrevald ( - 878). This also appears in the "Acta sanctorum".
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1563
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Arthur Aikin
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Arthur Aikin (19 May 177315 April 1854) was an English chemist, mineralogist and scientific writer, and was a founding member of the Chemical Society (now the Royal Society of Chemistry). He first became its treasurer in 1841, and later became the society's second president.
Life.
He was born at Warrington, Lancashire into a distinguished literary family of prominent Unitarians. The best known of these was his paternal aunt, Anna Laetitia Barbauld, a woman of letters who wrote poetry and essays as well as early children's literature. His father, Dr John Aikin, was a medical doctor, historian, and author. His grandfather, also called John (1713–1780), was a Unitarian scholar and theological tutor, closely associated with Warrington Academy. His sister Lucy (1781–1864) was a historical writer. Their brother Charles Rochemont Aikin was adopted by their famous aunt and brought up as their cousin.
Arthur Aikin studied chemistry under Joseph Priestley in the New College at Hackney, and gave attention to the practical applications of the science. In early life, he was a Unitarian minister for a short time. Aikin lectured on chemistry at Guy's Hospital for thirty-two years. He became the President of the British Mineralogical Society in 1801 for five years up until 1806 when the Society merged with the Askesian Society. From 1803 to 1808 he was editor of the "Annual Review". In 1805 Aiken also became a proprietor of the London Institution, which was officially founded in 1806. He was one of the founders of the Geological Society of London in 1807 and was its honorary secretary in 1812–1817. He also gave lectures in 1813 and 1814. He contributed papers on the Wrekin and the Shropshire coalfield, among others, to the transactions of that society. His "Manual of Mineralogy" was published in 1814. Later he became the paid secretary of the Society of Arts and later was elected as a fellow. He was founder of the Chemical Society of London in 1841, being its first treasurer and, between 1843 and 1845, second president.
In order to support himself, outside of his work with the British Mineralogical Society, the London Institution and the Geological Society, Aiken worked as a writer, translator and lecturer to the public and to medical students at Guy's Hospital. His writing and journalism were useful for publicising foreign scientific news to the wider British public. He was also a member of the Linnean Society and in 1820 joined the Institution of Civil Engineers.
He was highly esteemed as a man of sound judgement and wide knowledge. Aikin never married, and died at Hoxton in London in 1854.
Publications.
For "Rees's Cyclopædia" he wrote articles about chemistry, geology and mineralogy, but the topics are not known.
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1567
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Ajax the Lesser
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Ajax ( "Aias" means "of the earth".) was a Greek mythological hero, son of Oileus, the king of Locris. He was called the "lesser" or "Locrian" Ajax, to distinguish him from Ajax the Great, son of Telamon. He was the leader of the Locrian contingent during the Trojan War. He is a significant figure in Homer's "Iliad" and is also mentioned in the "Odyssey", in Virgil's "Aeneid" and in Euripides' "The Trojan Women". In Etruscan legend, he was known as "Aivas Vilates".
Description.
In the account of Dares the Phrygian, Ajax was described as "stocky, powerfully built, swarthy, a pleasant person, and brave."
Mythology.
Life.
Ajax's mother's name was Eriopis. According to Strabo, he was born in Naryx in Locris, where Ovid calls him "Narycius heros". According to the "Iliad", he led his Locrians in forty ships against Troy. He is described as one of the great heroes among the Greeks. In battle, he wore a linen cuirass (), was brave and intrepid, especially skilled in throwing the spear and, next to Achilles, the swiftest of all the Greeks. The chronicler Malalas portrayed him as "tall, strong, tawny, squinting, good nose, curly hair, black hair, thick beard, long face, daring warrior, magnanimous, a womanizer."
In the funeral games at the pyre of Patroclus, Ajax contended with Odysseus and Antilochus for the prize in the footrace; but Athena, who was hostile towards him and favored Odysseus, made him stumble and fall, so that he won only the second prize.
In later traditions, this Ajax is called a son of Oileus and the nymph Rhene and is also mentioned among the suitors of Helen. After the taking of Troy, he rushed into the temple of Athena, where Cassandra had taken refuge, and was embracing the statue of the goddess in supplication. Ajax violently dragged her away to the other captives. According to some writers, he raped Cassandra inside the temple. Odysseus called for Ajax's death by stoning for this crime, but Ajax saved himself by claiming innocence with an oath to Athena, clutching her statue in supplication.
Death.
Since Ajax dragged the supplicant from her temple, Athena had cause to be indignant. According to the "Bibliotheca", no one was aware that Ajax had raped Cassandra until Calchas, the Greek seer, warned the Greeks that Athena was furious at the treatment of her priestess and she would destroy the Greek ships if they didn't kill him immediately. Despite this, Ajax managed to hide at the altar of a deity where the Greeks, fearing divine retribution should they kill him and destroy the altar, allowed him to live. When the Greeks left without killing Ajax, despite their sacrifices, Athena became so angry that she persuaded Zeus to send a storm that sank many of their ships.
As he was returning from Troy, Athena hit his ship with a thunderbolt and the vessel was wrecked on the Whirling Rocks (). But he escaped with some of his men, managing to cling onto a rock through the assistance of Poseidon. He would have been saved in spite of Athena, but he then audaciously declared that he would escape the dangers of the sea in defiance of the immortals. Offended by this presumption, Poseidon split the rock with his trident and Ajax was swallowed up by the sea. Thetis buried him when the corpse washed up on Mykonos. Other versions depict a different death for Ajax, showing him dying when on his voyage home. In these versions, when Ajax came to the Capharean Rocks on the coast of Euboea, his ship was wrecked in a fierce storm, he himself was lifted up in a whirlwind and impaled with a flash of rapid fire from Athena in his chest, and his body thrust upon sharp rocks, which afterwards were called the rocks of Ajax.
After Ajax's death, his spirit dwelt in the island of Leuce. The Opuntian Locrians worshipped Ajax as their national hero, and so great was their faith in him that when they drew up their army in battle, they always left one place open for him, believing that, although invisible to them, he was fighting for and among them. The story of Ajax was frequently made use of by ancient poets and artists, and the hero who appears on some Locrian coins with the helmet, shield, and sword is probably this Ajax.
Other accounts of Ajax's death are offered by Philostratus and the scholiast on Lycophron.
Life.
Ajax's mother's name was Eriopis. According to Strabo, he was born in Naryx in Locris, where Ovid calls him "Narycius heros". According to the "Iliad", he led his Locrians in forty ships against Troy. He is described as one of the great heroes among the Greeks. In battle, he wore a linen cuirass (), was brave and intrepid, especially skilled in throwing the spear and, next to Achilles, the swiftest of all the Greeks. The chronicler Malalas portrayed him as "tall, strong, tawny, squinting, good nose, curly hair, black hair, thick beard, long face, daring warrior, magnanimous, a womanizer."
In the funeral games at the pyre of Patroclus, Ajax contended with Odysseus and Antilochus for the prize in the footrace; but Athena, who was hostile towards him and favored Odysseus, made him stumble and fall, so that he won only the second prize.
In later traditions, this Ajax is called a son of Oileus and the nymph Rhene and is also mentioned among the suitors of Helen. After the taking of Troy, he rushed into the temple of Athena, where Cassandra had taken refuge, and was embracing the statue of the goddess in supplication. Ajax violently dragged her away to the other captives. According to some writers, he raped Cassandra inside the temple. Odysseus called for Ajax's death by stoning for this crime, but Ajax saved himself by claiming innocence with an oath to Athena, clutching her statue in supplication.
Death.
Since Ajax dragged the supplicant from her temple, Athena had cause to be indignant. According to the "Bibliotheca", no one was aware that Ajax had raped Cassandra until Calchas, the Greek seer, warned the Greeks that Athena was furious at the treatment of her priestess and she would destroy the Greek ships if they didn't kill him immediately. Despite this, Ajax managed to hide at the altar of a deity where the Greeks, fearing divine retribution should they kill him and destroy the altar, allowed him to live. When the Greeks left without killing Ajax, despite their sacrifices, Athena became so angry that she persuaded Zeus to send a storm that sank many of their ships.
As he was returning from Troy, Athena hit his ship with a thunderbolt and the vessel was wrecked on the Whirling Rocks (). But he escaped with some of his men, managing to cling onto a rock through the assistance of Poseidon. He would have been saved in spite of Athena, but he then audaciously declared that he would escape the dangers of the sea in defiance of the immortals. Offended by this presumption, Poseidon split the rock with his trident and Ajax was swallowed up by the sea. Thetis buried him when the corpse washed up on Mykonos. Other versions depict a different death for Ajax, showing him dying when on his voyage home. In these versions, when Ajax came to the Capharean Rocks on the coast of Euboea, his ship was wrecked in a fierce storm, he himself was lifted up in a whirlwind and impaled with a flash of rapid fire from Athena in his chest, and his body thrust upon sharp rocks, which afterwards were called the rocks of Ajax.
After Ajax's death, his spirit dwelt in the island of Leuce. The Opuntian Locrians worshipped Ajax as their national hero, and so great was their faith in him that when they drew up their army in battle, they always left one place open for him, believing that, although invisible to them, he was fighting for and among them. The story of Ajax was frequently made use of by ancient poets and artists, and the hero who appears on some Locrian coins with the helmet, shield, and sword is probably this Ajax.
Other accounts of Ajax's death are offered by Philostratus and the scholiast on Lycophron.
Art.
The abduction of Cassandra by Ajax was frequently represented in Greek works of art, such as the chest of Cypselus described by Pausanias and in extant works.
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1557
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Agrippina the Younger
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Julia Agrippina (6 November AD 15 – 23 March AD 59), also referred to as Agrippina the Younger, was Roman empress from 49 to 54 AD, the fourth wife and niece of Emperor Claudius, and the mother of Nero.
Agrippina was one of the most prominent women in the Julio-Claudian dynasty. She was the daughter of the Roman general Germanicus and Agrippina the Elder, granddaughter of Augustus (the first Roman emperor). Her father, Germanicus, was the nephew and heir apparent of the second emperor, Tiberius. Agrippina's brother Caligula became emperor in 37 AD. After Caligula was assassinated in 41 AD, Germanicus' brother Claudius took the throne. Agrippina married Claudius in 49 AD.
Agrippina functioned as a behind-the-scenes advisor in the affairs of the Roman state via powerful political ties. She maneuvered her son Nero into the line of succession. Claudius became aware of her plotting, but died in 54; it was rumoured that Agrippina poisoned him. Agrippina exerted a commanding influence in the early years of Emperor Nero's reign, but in 59 she was killed. Both ancient and modern sources describe Agrippina's personality as ruthless, ambitious, violent and domineering. Physically she was a beautiful and reputable woman; according to Pliny the Elder, she had a double canine in her upper right jaw, a sign of good fortune.
Family.
Agrippina was the first daughter and fourth living child of Agrippina the Elder and Germanicus. She had three elder brothers, Nero Caesar, Drusus Caesar, and the future emperor Caligula, and two younger sisters, Julia Drusilla and Julia Livilla. Agrippina's two eldest brothers and her mother were victims of the intrigues of the Praetorian Prefect Lucius Aelius Sejanus.
She was the namesake of her mother. Agrippina the Elder was remembered as a modest and heroic matron, who was the second daughter and fourth child of Julia the Elder and the statesman Marcus Vipsanius Agrippa. The father of Julia the Elder was the emperor Augustus, and Julia was his only natural child from his second marriage to Scribonia, who had close blood relations with Pompey the Great and Lucius Cornelius Sulla.
Germanicus, Agrippina's father, was a very popular general and politician. His mother was Antonia Minor and his father was the general Nero Claudius Drusus. He was Antonia Minor's first child. Germanicus had two younger siblings; a sister, named Livilla, and a brother, the future emperor Claudius. Claudius was Agrippina's paternal uncle and third husband.
Antonia Minor was a daughter to Octavia the Younger by her second marriage to triumvir Mark Antony, and Octavia was the second eldest sister and full-blooded sister of Augustus. Germanicus' father, Drusus the Elder, was the second son of the Empress Livia Drusilla by her first marriage to praetor Tiberius Nero, and was the emperor Tiberius's younger brother and Augustus's stepson.
In the year 9, Augustus ordered and forced Tiberius to adopt Germanicus, who happened to be Tiberius's nephew, as his son and heir. Germanicus was a favourite of his great-uncle Augustus, who hoped that Germanicus would succeed his uncle Tiberius, who was Augustus's own adopted son and heir. This in turn meant that Tiberius was also Agrippina's adoptive grandfather in addition to her paternal great-uncle.
Birth and early life.
Agrippina was born on 6 November in AD 15, or possibly 14, at Oppidum Ubiorum, a Roman outpost on the Rhine River located in present-day Cologne, Germany. A second sister Julia Drusilla was born on 16 September 16, also in Germany.
As a small child, Agrippina travelled with her parents throughout Germany (15–16) until she and her siblings (apart from Caligula) returned to Rome to live with and be raised by their maternal grandmother Antonia. Her parents departed for Syria in 18 to conduct official duties, and, according to Tacitus, the third and youngest sister was born en route on the island of Lesbos, namely Julia Livilla, probably on March 18. In October of AD 19, Germanicus died suddenly in Antioch (modern Antakya, Turkey).
Germanicus' death caused much public grief in Rome, and gave rise to rumours that he had been murdered by Gnaeus Calpurnius Piso and Munatia Plancina on the orders of Tiberius, as his widow Agrippina the Elder returned to Rome with his ashes. Agrippina the Younger was thereafter supervised by her mother, her paternal grandmother Antonia Minor, and her great-grandmother, Livia, all of them notable, influential, and powerful figures from whom she learnt how to survive. She lived on the Palatine Hill in Rome. Her great-uncle Tiberius had already become emperor and the head of the family after the death of Augustus in 14.
Marriage to Gnaeus Domitius Ahenobarbus.
After her thirteenth birthday in 28, Tiberius arranged for Agrippina to marry her paternal first cousin once removed Gnaeus Domitius Ahenobarbus and ordered the marriage to be celebrated in Rome. Domitius came from a distinguished family of consular rank. Through his mother Antonia Major, Domitius was a great nephew of Augustus, first cousin to Claudius, and first cousin once removed to Agrippina and Caligula. He had two sisters; Domitia Lepida the Elder and Domitia Lepida the Younger. Domitia Lepida the Younger was the mother of the Empress Valeria Messalina.
Antonia Major was the elder sister to Antonia Minor, and the first daughter of Octavia Minor and Mark Antony. According to Suetonius, Domitius was a wealthy man with a despicable and dishonest character, who, according to Suetonius, was "a man who was in every aspect of his life detestable" and served as consul in 32. Agrippina and Domitius lived between Antium and Rome. Not much is known about the relationship between them.
Reign of Caligula.
Public role and political intrigues.
Tiberius died on March 16, AD 37, and Agrippina's only surviving brother, Caligula, became the new emperor. Being the emperor's sister gave Agrippina some influence.
Agrippina and her younger sisters Julia Drusilla and Julia Livilla received various honours from their brother, which included but were not limited to
Around the time that Tiberius died, Agrippina had become pregnant. Domitius had acknowledged the paternity of the child. On December 15, AD 37, in the early morning, in Antium, Agrippina gave birth to a son. Agrippina and Domitius named their son Lucius Domitius Ahenobarbus, after Domitius' recently deceased father. This child would grow up to become the emperor Nero. Nero was Agrippina's only natural child. Suetonius states that Domitius was congratulated by friends on the birth of his son, whereupon he replied "I don't think anything produced by me and Agrippina could possibly be good for the state or the people".
Caligula and his sisters were accused of having incestuous relationships. On June 10, AD 38, Drusilla died, possibly of a fever, rampant in Rome at the time. He was particularly fond of Drusilla, claiming to treat her as he would his own wife, even though Drusilla had a husband. Following her death Caligula showed no special love or respect toward the surviving sisters and was said to have gone insane.
In 39, Agrippina and Livilla, with their maternal cousin, Drusilla's widower Marcus Aemilius Lepidus, were involved in a failed plot to murder Caligula, a plot known as the "Plot of the Three Daggers", which was to make Lepidus the new emperor. Lepidus, Agrippina and Livilla were accused of being lovers. Not much is known concerning this plot and the reasons behind it. At the trial of Lepidus, Caligula felt no compunction about denouncing them as adulteresses, producing handwritten letters discussing how they were going to kill him. The three were found guilty as accessories to the crime.
Exile.
Lepidus was executed. According to the fragmentary inscriptions of the Arval Brethren, Agrippina was forced to carry the urn of Lepidus' ashes back to Rome. Agrippina and Livilla were exiled by their brother to the Pontine Islands. Caligula sold their furniture, jewellery, slaves and freedmen. In January of AD 40, Domitius died of edema (dropsy) at Pyrgi. Lucius had gone to live with his second paternal aunt Domitia Lepida the Younger after Caligula had taken his inheritance away from him.
Caligula, his wife Milonia Caesonia and their daughter Julia Drusilla were murdered on January 24, 41. Agrippina's paternal uncle, Claudius, brother of her father Germanicus, became the new Roman emperor.
Public role and political intrigues.
Tiberius died on March 16, AD 37, and Agrippina's only surviving brother, Caligula, became the new emperor. Being the emperor's sister gave Agrippina some influence.
Agrippina and her younger sisters Julia Drusilla and Julia Livilla received various honours from their brother, which included but were not limited to
Around the time that Tiberius died, Agrippina had become pregnant. Domitius had acknowledged the paternity of the child. On December 15, AD 37, in the early morning, in Antium, Agrippina gave birth to a son. Agrippina and Domitius named their son Lucius Domitius Ahenobarbus, after Domitius' recently deceased father. This child would grow up to become the emperor Nero. Nero was Agrippina's only natural child. Suetonius states that Domitius was congratulated by friends on the birth of his son, whereupon he replied "I don't think anything produced by me and Agrippina could possibly be good for the state or the people".
Caligula and his sisters were accused of having incestuous relationships. On June 10, AD 38, Drusilla died, possibly of a fever, rampant in Rome at the time. He was particularly fond of Drusilla, claiming to treat her as he would his own wife, even though Drusilla had a husband. Following her death Caligula showed no special love or respect toward the surviving sisters and was said to have gone insane.
In 39, Agrippina and Livilla, with their maternal cousin, Drusilla's widower Marcus Aemilius Lepidus, were involved in a failed plot to murder Caligula, a plot known as the "Plot of the Three Daggers", which was to make Lepidus the new emperor. Lepidus, Agrippina and Livilla were accused of being lovers. Not much is known concerning this plot and the reasons behind it. At the trial of Lepidus, Caligula felt no compunction about denouncing them as adulteresses, producing handwritten letters discussing how they were going to kill him. The three were found guilty as accessories to the crime.
Exile.
Lepidus was executed. According to the fragmentary inscriptions of the Arval Brethren, Agrippina was forced to carry the urn of Lepidus' ashes back to Rome. Agrippina and Livilla were exiled by their brother to the Pontine Islands. Caligula sold their furniture, jewellery, slaves and freedmen. In January of AD 40, Domitius died of edema (dropsy) at Pyrgi. Lucius had gone to live with his second paternal aunt Domitia Lepida the Younger after Caligula had taken his inheritance away from him.
Caligula, his wife Milonia Caesonia and their daughter Julia Drusilla were murdered on January 24, 41. Agrippina's paternal uncle, Claudius, brother of her father Germanicus, became the new Roman emperor.
Reign of Claudius.
Return from exile.
Claudius lifted the exiles of Agrippina and Livilla. Livilla returned to her husband, while Agrippina was reunited with her estranged son. After the death of her first husband, Agrippina tried to make shameless advances to the future emperor Galba, who showed no interest in her and was devoted to his wife Aemilia Lepida. On one occasion, Galba's mother-in-law gave Agrippina a public reprimand and a slap in the face before a whole bevy of married women.
Claudius had Lucius' inheritance reinstated. Lucius became more wealthy despite his youth shortly after Gaius Sallustius Crispus Passienus divorced Lucius' aunt, Domitia Lepida the Elder (Lucius' first paternal aunt) so that Crispus could marry Agrippina. They married, and Crispus became a step-father to Lucius. Crispus was a prominent, influential, witty, wealthy and powerful man, who served twice as consul. He was the adopted grandson and biological great-great-nephew of the historian Sallust. Little is known on their relationship, but Crispus soon died and left his estate to Nero.
In the first years of Claudius' reign, Claudius was married to the infamous Empress Valeria Messalina. Although Agrippina was very influential, she kept a very low profile and stayed away from the imperial palace and the court of the emperor. Messalina was Agrippina's second paternal cousin. Among the victims of Messalina's intrigues were Agrippina's surviving sister Livilla, who was charged with having adultery with Seneca the Younger. Seneca was later called back from exile to be a tutor to Nero.
Messalina considered Agrippina's son a threat to her son's position and sent assassins to strangle Lucius during his siesta. The assassins left after they saw a snake beneath Lucius' pillow, considering it as bad omen. It was, however, only a sloughed-off snake-skin in his bed, near his pillow. By Agrippina's order, the serpent's skin was enclosed in a bracelet that the young Nero wore on his right arm.
In 47, Crispus died, and at his funeral, the rumour spread around that Agrippina poisoned Crispus to gain his estate. After being widowed a second time, Agrippina was left very wealthy. Later that year at the Secular Games, at the performance of the Troy Pageant, Messalina attended the event with her son Britannicus. Agrippina was also present with Lucius. Agrippina and Lucius received greater applause from the audience than Messalina and Britannicus did. Many people began to show pity and sympathy to Agrippina, due to the unfortunate circumstances in her life. Agrippina wrote a memoir that recorded the misfortunes of her family (casus suorum) and wrote an account of her mother's life.
Rise to power.
After Messalina was executed in 48 for conspiring with Gaius Silius to overthrow her husband, Claudius considered marrying for the fourth time. Around this time, Agrippina became the mistress to one of Claudius' advisers, the Greek freedman, Marcus Antonius Pallas. At that time Claudius' advisers were discussing which noblewoman Claudius should marry. Claudius had a reputation that he was easily persuaded. In more recent times, it has been suggested that the Senate may have pushed for the marriage between Agrippina and Claudius to end the feud between the Julian and Claudian branches. This feud dated back to Agrippina's mother's actions against Tiberius after the death of Germanicus, actions which Tiberius had gladly punished.
Claudius made references to her in his speeches: "my daughter and foster child, born and bred, in my lap, so to speak". When Claudius decided to marry her, he persuaded a group of senators that the marriage should be arranged in the public interest. In Roman society, an uncle (Claudius) marrying his niece (Agrippina) was considered incestuous and immoral.
Marriage to Claudius.
Agrippina and Claudius married on New Year's Day, 49. This marriage caused widespread disapproval. This may have been a part of Agrippina's plan to make her son Lucius the new emperor. Her marriage to Claudius was not based on love, but on power. She quickly eliminated her rival Lollia Paulina. Shortly after marrying Claudius, Agrippina persuaded the emperor to charge Paulina with black magic. Claudius stipulated that Paulina did not receive a hearing and her property was confiscated. She left Italy, but Agrippina was unsatisfied. Allegedly on Agrippina's orders, Paulina committed suicide.
In the months leading up to her marriage to Claudius, Agrippina's maternal second cousin, the praetor Lucius Junius Silanus Torquatus, was betrothed to Claudius' daughter Claudia Octavia. This betrothal was broken off in 48, when Agrippina, scheming with the consul Lucius Vitellius the Elder, the father of the future emperor Aulus Vitellius, falsely accused Silanus of incest with his sister Junia Calvina. Agrippina did this hoping to secure a marriage between Octavia and her son. Consequently, Claudius broke off the engagement and forced Silanus to resign from public office.
Silanus committed suicide on the day that Agrippina married her uncle, and Calvina was exiled from Italy in early 49. Calvina was called back from exile after the death of Agrippina. Towards the end of 54, Agrippina would order the murder of Silanus' eldest brother Marcus Junius Silanus Torquatus without Nero's knowledge, so that he would not seek revenge against her over his brother's death.
Return from exile.
Claudius lifted the exiles of Agrippina and Livilla. Livilla returned to her husband, while Agrippina was reunited with her estranged son. After the death of her first husband, Agrippina tried to make shameless advances to the future emperor Galba, who showed no interest in her and was devoted to his wife Aemilia Lepida. On one occasion, Galba's mother-in-law gave Agrippina a public reprimand and a slap in the face before a whole bevy of married women.
Claudius had Lucius' inheritance reinstated. Lucius became more wealthy despite his youth shortly after Gaius Sallustius Crispus Passienus divorced Lucius' aunt, Domitia Lepida the Elder (Lucius' first paternal aunt) so that Crispus could marry Agrippina. They married, and Crispus became a step-father to Lucius. Crispus was a prominent, influential, witty, wealthy and powerful man, who served twice as consul. He was the adopted grandson and biological great-great-nephew of the historian Sallust. Little is known on their relationship, but Crispus soon died and left his estate to Nero.
In the first years of Claudius' reign, Claudius was married to the infamous Empress Valeria Messalina. Although Agrippina was very influential, she kept a very low profile and stayed away from the imperial palace and the court of the emperor. Messalina was Agrippina's second paternal cousin. Among the victims of Messalina's intrigues were Agrippina's surviving sister Livilla, who was charged with having adultery with Seneca the Younger. Seneca was later called back from exile to be a tutor to Nero.
Messalina considered Agrippina's son a threat to her son's position and sent assassins to strangle Lucius during his siesta. The assassins left after they saw a snake beneath Lucius' pillow, considering it as bad omen. It was, however, only a sloughed-off snake-skin in his bed, near his pillow. By Agrippina's order, the serpent's skin was enclosed in a bracelet that the young Nero wore on his right arm.
In 47, Crispus died, and at his funeral, the rumour spread around that Agrippina poisoned Crispus to gain his estate. After being widowed a second time, Agrippina was left very wealthy. Later that year at the Secular Games, at the performance of the Troy Pageant, Messalina attended the event with her son Britannicus. Agrippina was also present with Lucius. Agrippina and Lucius received greater applause from the audience than Messalina and Britannicus did. Many people began to show pity and sympathy to Agrippina, due to the unfortunate circumstances in her life. Agrippina wrote a memoir that recorded the misfortunes of her family (casus suorum) and wrote an account of her mother's life.
Rise to power.
After Messalina was executed in 48 for conspiring with Gaius Silius to overthrow her husband, Claudius considered marrying for the fourth time. Around this time, Agrippina became the mistress to one of Claudius' advisers, the Greek freedman, Marcus Antonius Pallas. At that time Claudius' advisers were discussing which noblewoman Claudius should marry. Claudius had a reputation that he was easily persuaded. In more recent times, it has been suggested that the Senate may have pushed for the marriage between Agrippina and Claudius to end the feud between the Julian and Claudian branches. This feud dated back to Agrippina's mother's actions against Tiberius after the death of Germanicus, actions which Tiberius had gladly punished.
Claudius made references to her in his speeches: "my daughter and foster child, born and bred, in my lap, so to speak". When Claudius decided to marry her, he persuaded a group of senators that the marriage should be arranged in the public interest. In Roman society, an uncle (Claudius) marrying his niece (Agrippina) was considered incestuous and immoral.
Marriage to Claudius.
Agrippina and Claudius married on New Year's Day, 49. This marriage caused widespread disapproval. This may have been a part of Agrippina's plan to make her son Lucius the new emperor. Her marriage to Claudius was not based on love, but on power. She quickly eliminated her rival Lollia Paulina. Shortly after marrying Claudius, Agrippina persuaded the emperor to charge Paulina with black magic. Claudius stipulated that Paulina did not receive a hearing and her property was confiscated. She left Italy, but Agrippina was unsatisfied. Allegedly on Agrippina's orders, Paulina committed suicide.
In the months leading up to her marriage to Claudius, Agrippina's maternal second cousin, the praetor Lucius Junius Silanus Torquatus, was betrothed to Claudius' daughter Claudia Octavia. This betrothal was broken off in 48, when Agrippina, scheming with the consul Lucius Vitellius the Elder, the father of the future emperor Aulus Vitellius, falsely accused Silanus of incest with his sister Junia Calvina. Agrippina did this hoping to secure a marriage between Octavia and her son. Consequently, Claudius broke off the engagement and forced Silanus to resign from public office.
Silanus committed suicide on the day that Agrippina married her uncle, and Calvina was exiled from Italy in early 49. Calvina was called back from exile after the death of Agrippina. Towards the end of 54, Agrippina would order the murder of Silanus' eldest brother Marcus Junius Silanus Torquatus without Nero's knowledge, so that he would not seek revenge against her over his brother's death.
Marriage to Claudius.
Agrippina and Claudius married on New Year's Day, 49. This marriage caused widespread disapproval. This may have been a part of Agrippina's plan to make her son Lucius the new emperor. Her marriage to Claudius was not based on love, but on power. She quickly eliminated her rival Lollia Paulina. Shortly after marrying Claudius, Agrippina persuaded the emperor to charge Paulina with black magic. Claudius stipulated that Paulina did not receive a hearing and her property was confiscated. She left Italy, but Agrippina was unsatisfied. Allegedly on Agrippina's orders, Paulina committed suicide.
In the months leading up to her marriage to Claudius, Agrippina's maternal second cousin, the praetor Lucius Junius Silanus Torquatus, was betrothed to Claudius' daughter Claudia Octavia. This betrothal was broken off in 48, when Agrippina, scheming with the consul Lucius Vitellius the Elder, the father of the future emperor Aulus Vitellius, falsely accused Silanus of incest with his sister Junia Calvina. Agrippina did this hoping to secure a marriage between Octavia and her son. Consequently, Claudius broke off the engagement and forced Silanus to resign from public office.
Silanus committed suicide on the day that Agrippina married her uncle, and Calvina was exiled from Italy in early 49. Calvina was called back from exile after the death of Agrippina. Towards the end of 54, Agrippina would order the murder of Silanus' eldest brother Marcus Junius Silanus Torquatus without Nero's knowledge, so that he would not seek revenge against her over his brother's death.
Empress of Rome.
On the day that Agrippina married her uncle Claudius as her third husband/his fourth wife, she became empress. She also was a stepmother to Claudia Antonia, Claudius' daughter and only child from his second marriage to Aelia Paetina, and to the young Claudia Octavia and Britannicus, Claudius' children with Valeria Messalina. Agrippina removed or eliminated anyone from the palace or the imperial court who she thought was loyal and dedicated to the memory of the late Messalina. She also eliminated or removed anyone who she considered was a potential threat to her position and the future of her son, one of her victims being Lucius' second paternal aunt and Messalina's mother Domitia Lepida the Younger.
Griffin describes how Agrippina "had achieved this dominant position for her son and herself by a web of political alliances," which included Claudius chief secretary and bookkeeper Pallas, his doctor Xenophon, and Afranius Burrus, the head of the Praetorian Guard (the imperial bodyguard), who owed his promotion to Agrippina. Neither ancient nor modern historians of Rome have doubted that Agrippina had her eye on securing the throne for Nero from the very day of the marriage—if not earlier. Dio Cassius observation seems to bear that out: "As soon as Agrippina had come to live in the palace she gained complete control over Claudius."
In 49, Agrippina was seated on a dais at a parade of captives when their leader the Celtic King Caratacus bowed before her with the same homage and gratitude as he accorded the emperor. In 50, Agrippina was granted the honorific title of Augusta. She was only the third Roman woman (Livia Drusilla and Antonia Minor received this title) and only the second living Roman woman (the first being Livia) to receive this title.
In her capacity as Augusta, Agrippina quickly became a trusted advisor to Claudius, and by AD 54, she exerted a considerable influence over the decisions of the emperor. Statues of her were erected in many cities across the Empire, her face appeared on coins, and in the Senate, her followers were advanced with public offices and governorships. However this privileged position caused resentment among the senatorial class and the imperial family.
She went to a place outside the imperial court and listened to the Senate from behind the scenes, and even Claudius allowed her to be a separate court and decide on empire matters. Agrippina even signed government documents and officially dealt with foreign ambassadors. She also claimed auctoritas (power of commanding) and Autokrateira (self-ruler as empress) in front of the Senate, the people and the army.
Also that year, Claudius had founded a Roman colony and called the colony "Colonia Claudia Ara Agrippinensis" or "Agrippinensium", today known as Cologne, after Agrippina who was born there. This colony was the only Roman colony to be named after a Roman woman. In 51, she was given a "carpentum" which she used. A carpentum was a sort of ceremonial carriage usually reserved for priests, such as the Vestal Virgins, and sacred statues. That same year she appointed Sextus Afranius Burrus as the head of the Praetorian Guard, replacing the previous head of the Praetorian Guard, Rufrius Crispinus.
She assisted Claudius in administering the empire and became very wealthy and powerful. Ancient sources claim that Agrippina successfully influenced Claudius into adopting her son and making him his successor. Lucius Domitius Ahenobarbus was adopted by his great maternal uncle and stepfather in 50. Lucius' name was changed to "Nero Claudius Caesar Drusus Germanicus" and he became Claudius's adopted son, heir and recognised successor. Agrippina and Claudius betrothed Nero to his step sister Claudia Octavia, and Agrippina arranged to have Seneca the Younger return from exile to tutor the future emperor. Claudius chose to adopt Nero because of his Julian and Claudian lineage.
Agrippina deprived Britannicus of his heritage and further isolated him from his father and succession for the throne in every way possible. For instance, in 51, Agrippina ordered the execution of Britannicus' tutor Sosibius because he had confronted her and was outraged by Claudius' adoption of Nero and his choice of Nero as successor, instead of choosing his own son Britannicus.
Nero and Octavia were married on June 9, 53. Claudius later repented of marrying Agrippina and adopting Nero, began to favour Britannicus, and started preparing him for the throne. His actions allegedly gave Agrippina a motive to eliminate Claudius. The ancient sources say she poisoned Claudius on October 13, 54 (a Sunday) with a plate of deadly mushrooms at a banquet, thus enabling Nero to quickly take the throne as emperor. Accounts vary wildly with regard to this private incident and according to more modern sources, it is possible that Claudius died of natural causes; Claudius was 63 years old. In the aftermath of Claudius's death, Agrippina, who initially kept the death secret, tried to consolidate power, and immediately ordered that the palace and the capital be sealed. All the gates were blockaded and exit of the capital forbidden and she introduced Nero first to the soldiers and then to the senators as emperor.
Reign of Nero and empire control.
The beginning of the power struggle between mother and son.
Nero was raised to emperor and Agrippina was named a priestess of the cult of the deified Claudius. She now attempted to use her son's youth to participate in the rule of the Roman Empire. She enjoyed imperial prerogatives: holding court with the emperor by her side, being allowed to visit senate meetings from behind a curtain, and appearing as a partner to her son in the royal coins and statues. The historian Tacitus depicts her as attempting a diarchy with her son when she demanded that the Praetorian Guard pledge their loyalty to her. She was also said to have tried to participate in her son's meeting with Armenian ambassadors until Seneca and Burrus stopped her.
In year one of Nero's reign, Agrippina guided her 17-year-old son in his rule but started losing influence over Nero when he began to have an affair with the freed woman Claudia Acte, which Agrippina strongly disapproved of and violently scolded him for. Agrippina began to support Britannicus in her possible attempt to make him emperor, or to threaten Nero. The panicking emperor decided on whether to eliminate his mother or his step-brother. Soon, Nero had Britannicus secretly poisoned during his own banquet in February 55. The power struggle between Agrippina and her son had begun.
Agrippina between 56 and 58 became very watchful and had a critical eye over her son. In 56, Agrippina was forced out of the palace by her son to live in the imperial residence. However, some degree of Agrippina's influence over her son still lasted several more years, and they are considered the best years of Nero's reign. But their relationship grew more hostile and Nero gradually deprived his mother of honours and powers, and even removed her Roman and German bodyguards. Nero even threatened his mother that he would abdicate the throne and would go to live on the Greek Island of Rhodes, a place where Tiberius had lived after divorcing Julia the Elder. Pallas also was dismissed from the court. The fall of Pallas and the opposition of Burrus and Seneca to Agrippina contributed to her scaling down of authority. In mid-56, she was forced out of everyday and active participation in the governance of Rome.
While Agrippina lived in her residence or when she went on short visits to Rome, Nero sent people to annoy her. Although living in Misenum, she was always hailed as "Augusta", and Agrippina and Nero would see each other on short visits. In late 58, Agrippina and a group of soldiers and senators were accused of attempting to overthrow Nero, and it was said they planned to move with Gaius Rubellius Plautus. In addition, she revealed Nero's relationship with Poppaea Sabina.
Death and aftermath.
The circumstances that surround Agrippina's death are uncertain due to historical contradictions and anti-Nero bias. All surviving stories of Agrippina's death contradict themselves and each other, and are generally fantastical.
Tacitus's account.
According to Tacitus, in 58, Nero became involved with the noble woman Poppaea Sabina. She taunted him for being a "mummy's boy." She also convinced him of the autonomy of any other emperor. With the reasoning that a divorce from Octavia and a marriage to Poppaea was not politically feasible with Agrippina alive, Nero decided to kill Agrippina. Yet, Nero did not marry Poppaea until 62, calling into question this motive. Additionally, Suetonius reveals that Poppaea's husband, Otho, was not sent away by Nero until after Agrippina's death in 59, making it highly unlikely that already married Poppaea would be pressing Nero. Some modern historians theorise that Nero's decision to kill Agrippina was prompted by her plot to replace him with either Gaius Rubellius Plautus (Nero's maternal second cousin) or Britannicus (Claudius' biological son).
Tacitus claims that Nero considered poisoning or stabbing her, but felt these methods were too difficult and suspicious, so he settled on – after the advice of his former tutor Anicetus – building a self-sinking boat. Though aware of the plot, Agrippina embarked on this boat and was nearly crushed by a collapsing lead ceiling only to be saved by the side of a sofa breaking the ceiling's fall. Though the collapsing ceiling missed Agrippina, it crushed her attendant who was outside by the helm.
The boat failed to sink from the lead ceiling, so the crew then sank the boat, but Agrippina swam to shore. Her friend, Acerronia Polla, was attacked by oarsmen while still in the water, and was either bludgeoned to death or drowned, since she was exclaiming that she was Agrippina, with the intention of being saved. She did not know, however, that this was an assassination attempt, not a mere accident. Agrippina was met at the shore by crowds of admirers. News of Agrippina's survival reached Nero so he sent three assassins to kill her.
Suetonius's account.
Suetonius says that Agrippina's "over-watchful" and "over-critical" eye that she kept over Nero drove him to murdering her. After months of attempting to humiliate her by depriving her of her power, honour, and bodyguards, he also expelled her from the Palatine, followed by the people he sent to "pester" her with lawsuits and "jeers and catcalls".
When he eventually turned to murder, he first tried poison, three times in fact. She prevented her death by taking the antidote in advance. Afterwards, he rigged up a machine in her room which would drop her ceiling tiles onto her as she slept, but she once again escaped her death after she received word of the plan. Nero's final plan was to get her in a boat which would collapse and sink.
He sent her a friendly letter asking to reconcile and inviting her to celebrate the Quinquatrus at Baiae with him. He arranged an "accidental" collision between her galley and one of his captains. When returning home, he offered her his collapsible boat, as opposed to her damaged galley.
The next day, Nero received word of her survival after the boat sank from her freedman Agermus. Panicking, Nero ordered a guard to "surreptitiously" drop a blade behind Agermus and Nero immediately had him arrested on account of attempted murder. Nero ordered the assassination of Agrippina. He made it look as if Agrippina had committed suicide after her plot to kill Nero had been uncovered.
Suetonius says that after Agrippina's death, Nero examined Agrippina's corpse and discussed her good and bad points. Nero also believed Agrippina to haunt him after her death.
Cassius Dio's account.
The tale of Cassius Dio is also somewhat different. It starts again with Poppaea as the motive behind the murder. Nero designed a ship that would open at the bottom while at sea. Agrippina was put aboard and after the bottom of the ship opened up, she fell into the water. Agrippina swam to shore so Nero sent an assassin to kill her. Nero then claimed Agrippina had plotted to kill him and committed suicide. Her reputed last words, uttered as the assassin was about to strike, were "Smite my womb", the implication here being she wished to be destroyed first in that part of her body that had given birth to so "abominable a son."
Burial.
After Agrippina's death, Nero viewed her corpse and commented how beautiful she was, according to some. Her body was cremated that night on a dining couch. At his mother's funeral, Nero was witless, speechless and rather scared. When the news spread that Agrippina had died, the Roman army, senate and various people sent him letters of congratulations that he had been saved from his mother's plots.
Aftermath.
During the remainder of Nero's reign, Agrippina's grave was not covered or enclosed. Her household later on gave her a modest tomb in Misenum. Nero would have his mother's death on his conscience. He felt so guilty he would sometimes have nightmares about his mother. He even saw his mother's ghost and got Persian magicians to ask her for forgiveness. Years before she died, Agrippina had visited astrologers to ask about her son's future. The astrologers had rather accurately predicted that her son would become emperor and would kill her. She replied, "Let him kill me, provided he becomes emperor," according to Tacitus.
The beginning of the power struggle between mother and son.
Nero was raised to emperor and Agrippina was named a priestess of the cult of the deified Claudius. She now attempted to use her son's youth to participate in the rule of the Roman Empire. She enjoyed imperial prerogatives: holding court with the emperor by her side, being allowed to visit senate meetings from behind a curtain, and appearing as a partner to her son in the royal coins and statues. The historian Tacitus depicts her as attempting a diarchy with her son when she demanded that the Praetorian Guard pledge their loyalty to her. She was also said to have tried to participate in her son's meeting with Armenian ambassadors until Seneca and Burrus stopped her.
In year one of Nero's reign, Agrippina guided her 17-year-old son in his rule but started losing influence over Nero when he began to have an affair with the freed woman Claudia Acte, which Agrippina strongly disapproved of and violently scolded him for. Agrippina began to support Britannicus in her possible attempt to make him emperor, or to threaten Nero. The panicking emperor decided on whether to eliminate his mother or his step-brother. Soon, Nero had Britannicus secretly poisoned during his own banquet in February 55. The power struggle between Agrippina and her son had begun.
Agrippina between 56 and 58 became very watchful and had a critical eye over her son. In 56, Agrippina was forced out of the palace by her son to live in the imperial residence. However, some degree of Agrippina's influence over her son still lasted several more years, and they are considered the best years of Nero's reign. But their relationship grew more hostile and Nero gradually deprived his mother of honours and powers, and even removed her Roman and German bodyguards. Nero even threatened his mother that he would abdicate the throne and would go to live on the Greek Island of Rhodes, a place where Tiberius had lived after divorcing Julia the Elder. Pallas also was dismissed from the court. The fall of Pallas and the opposition of Burrus and Seneca to Agrippina contributed to her scaling down of authority. In mid-56, she was forced out of everyday and active participation in the governance of Rome.
While Agrippina lived in her residence or when she went on short visits to Rome, Nero sent people to annoy her. Although living in Misenum, she was always hailed as "Augusta", and Agrippina and Nero would see each other on short visits. In late 58, Agrippina and a group of soldiers and senators were accused of attempting to overthrow Nero, and it was said they planned to move with Gaius Rubellius Plautus. In addition, she revealed Nero's relationship with Poppaea Sabina.
Death and aftermath.
The circumstances that surround Agrippina's death are uncertain due to historical contradictions and anti-Nero bias. All surviving stories of Agrippina's death contradict themselves and each other, and are generally fantastical.
Tacitus's account.
According to Tacitus, in 58, Nero became involved with the noble woman Poppaea Sabina. She taunted him for being a "mummy's boy." She also convinced him of the autonomy of any other emperor. With the reasoning that a divorce from Octavia and a marriage to Poppaea was not politically feasible with Agrippina alive, Nero decided to kill Agrippina. Yet, Nero did not marry Poppaea until 62, calling into question this motive. Additionally, Suetonius reveals that Poppaea's husband, Otho, was not sent away by Nero until after Agrippina's death in 59, making it highly unlikely that already married Poppaea would be pressing Nero. Some modern historians theorise that Nero's decision to kill Agrippina was prompted by her plot to replace him with either Gaius Rubellius Plautus (Nero's maternal second cousin) or Britannicus (Claudius' biological son).
Tacitus claims that Nero considered poisoning or stabbing her, but felt these methods were too difficult and suspicious, so he settled on – after the advice of his former tutor Anicetus – building a self-sinking boat. Though aware of the plot, Agrippina embarked on this boat and was nearly crushed by a collapsing lead ceiling only to be saved by the side of a sofa breaking the ceiling's fall. Though the collapsing ceiling missed Agrippina, it crushed her attendant who was outside by the helm.
The boat failed to sink from the lead ceiling, so the crew then sank the boat, but Agrippina swam to shore. Her friend, Acerronia Polla, was attacked by oarsmen while still in the water, and was either bludgeoned to death or drowned, since she was exclaiming that she was Agrippina, with the intention of being saved. She did not know, however, that this was an assassination attempt, not a mere accident. Agrippina was met at the shore by crowds of admirers. News of Agrippina's survival reached Nero so he sent three assassins to kill her.
Suetonius's account.
Suetonius says that Agrippina's "over-watchful" and "over-critical" eye that she kept over Nero drove him to murdering her. After months of attempting to humiliate her by depriving her of her power, honour, and bodyguards, he also expelled her from the Palatine, followed by the people he sent to "pester" her with lawsuits and "jeers and catcalls".
When he eventually turned to murder, he first tried poison, three times in fact. She prevented her death by taking the antidote in advance. Afterwards, he rigged up a machine in her room which would drop her ceiling tiles onto her as she slept, but she once again escaped her death after she received word of the plan. Nero's final plan was to get her in a boat which would collapse and sink.
He sent her a friendly letter asking to reconcile and inviting her to celebrate the Quinquatrus at Baiae with him. He arranged an "accidental" collision between her galley and one of his captains. When returning home, he offered her his collapsible boat, as opposed to her damaged galley.
The next day, Nero received word of her survival after the boat sank from her freedman Agermus. Panicking, Nero ordered a guard to "surreptitiously" drop a blade behind Agermus and Nero immediately had him arrested on account of attempted murder. Nero ordered the assassination of Agrippina. He made it look as if Agrippina had committed suicide after her plot to kill Nero had been uncovered.
Suetonius says that after Agrippina's death, Nero examined Agrippina's corpse and discussed her good and bad points. Nero also believed Agrippina to haunt him after her death.
Cassius Dio's account.
The tale of Cassius Dio is also somewhat different. It starts again with Poppaea as the motive behind the murder. Nero designed a ship that would open at the bottom while at sea. Agrippina was put aboard and after the bottom of the ship opened up, she fell into the water. Agrippina swam to shore so Nero sent an assassin to kill her. Nero then claimed Agrippina had plotted to kill him and committed suicide. Her reputed last words, uttered as the assassin was about to strike, were "Smite my womb", the implication here being she wished to be destroyed first in that part of her body that had given birth to so "abominable a son."
Burial.
After Agrippina's death, Nero viewed her corpse and commented how beautiful she was, according to some. Her body was cremated that night on a dining couch. At his mother's funeral, Nero was witless, speechless and rather scared. When the news spread that Agrippina had died, the Roman army, senate and various people sent him letters of congratulations that he had been saved from his mother's plots.
Aftermath.
During the remainder of Nero's reign, Agrippina's grave was not covered or enclosed. Her household later on gave her a modest tomb in Misenum. Nero would have his mother's death on his conscience. He felt so guilty he would sometimes have nightmares about his mother. He even saw his mother's ghost and got Persian magicians to ask her for forgiveness. Years before she died, Agrippina had visited astrologers to ask about her son's future. The astrologers had rather accurately predicted that her son would become emperor and would kill her. She replied, "Let him kill me, provided he becomes emperor," according to Tacitus.
Tacitus's account.
According to Tacitus, in 58, Nero became involved with the noble woman Poppaea Sabina. She taunted him for being a "mummy's boy." She also convinced him of the autonomy of any other emperor. With the reasoning that a divorce from Octavia and a marriage to Poppaea was not politically feasible with Agrippina alive, Nero decided to kill Agrippina. Yet, Nero did not marry Poppaea until 62, calling into question this motive. Additionally, Suetonius reveals that Poppaea's husband, Otho, was not sent away by Nero until after Agrippina's death in 59, making it highly unlikely that already married Poppaea would be pressing Nero. Some modern historians theorise that Nero's decision to kill Agrippina was prompted by her plot to replace him with either Gaius Rubellius Plautus (Nero's maternal second cousin) or Britannicus (Claudius' biological son).
Tacitus claims that Nero considered poisoning or stabbing her, but felt these methods were too difficult and suspicious, so he settled on – after the advice of his former tutor Anicetus – building a self-sinking boat. Though aware of the plot, Agrippina embarked on this boat and was nearly crushed by a collapsing lead ceiling only to be saved by the side of a sofa breaking the ceiling's fall. Though the collapsing ceiling missed Agrippina, it crushed her attendant who was outside by the helm.
The boat failed to sink from the lead ceiling, so the crew then sank the boat, but Agrippina swam to shore. Her friend, Acerronia Polla, was attacked by oarsmen while still in the water, and was either bludgeoned to death or drowned, since she was exclaiming that she was Agrippina, with the intention of being saved. She did not know, however, that this was an assassination attempt, not a mere accident. Agrippina was met at the shore by crowds of admirers. News of Agrippina's survival reached Nero so he sent three assassins to kill her.
Suetonius's account.
Suetonius says that Agrippina's "over-watchful" and "over-critical" eye that she kept over Nero drove him to murdering her. After months of attempting to humiliate her by depriving her of her power, honour, and bodyguards, he also expelled her from the Palatine, followed by the people he sent to "pester" her with lawsuits and "jeers and catcalls".
When he eventually turned to murder, he first tried poison, three times in fact. She prevented her death by taking the antidote in advance. Afterwards, he rigged up a machine in her room which would drop her ceiling tiles onto her as she slept, but she once again escaped her death after she received word of the plan. Nero's final plan was to get her in a boat which would collapse and sink.
He sent her a friendly letter asking to reconcile and inviting her to celebrate the Quinquatrus at Baiae with him. He arranged an "accidental" collision between her galley and one of his captains. When returning home, he offered her his collapsible boat, as opposed to her damaged galley.
The next day, Nero received word of her survival after the boat sank from her freedman Agermus. Panicking, Nero ordered a guard to "surreptitiously" drop a blade behind Agermus and Nero immediately had him arrested on account of attempted murder. Nero ordered the assassination of Agrippina. He made it look as if Agrippina had committed suicide after her plot to kill Nero had been uncovered.
Suetonius says that after Agrippina's death, Nero examined Agrippina's corpse and discussed her good and bad points. Nero also believed Agrippina to haunt him after her death.
Cassius Dio's account.
The tale of Cassius Dio is also somewhat different. It starts again with Poppaea as the motive behind the murder. Nero designed a ship that would open at the bottom while at sea. Agrippina was put aboard and after the bottom of the ship opened up, she fell into the water. Agrippina swam to shore so Nero sent an assassin to kill her. Nero then claimed Agrippina had plotted to kill him and committed suicide. Her reputed last words, uttered as the assassin was about to strike, were "Smite my womb", the implication here being she wished to be destroyed first in that part of her body that had given birth to so "abominable a son."
Burial.
After Agrippina's death, Nero viewed her corpse and commented how beautiful she was, according to some. Her body was cremated that night on a dining couch. At his mother's funeral, Nero was witless, speechless and rather scared. When the news spread that Agrippina had died, the Roman army, senate and various people sent him letters of congratulations that he had been saved from his mother's plots.
Aftermath.
During the remainder of Nero's reign, Agrippina's grave was not covered or enclosed. Her household later on gave her a modest tomb in Misenum. Nero would have his mother's death on his conscience. He felt so guilty he would sometimes have nightmares about his mother. He even saw his mother's ghost and got Persian magicians to ask her for forgiveness. Years before she died, Agrippina had visited astrologers to ask about her son's future. The astrologers had rather accurately predicted that her son would become emperor and would kill her. She replied, "Let him kill me, provided he becomes emperor," according to Tacitus.
Cultural references.
In music and literature.
She is remembered in "De Mulieribus Claris", a collection of biographies of historical and mythological women by the Florentine author Giovanni Boccaccio, composed in 136162. It is notable as the first collection devoted exclusively to biographies of women in western literature.
In music and literature.
She is remembered in "De Mulieribus Claris", a collection of biographies of historical and mythological women by the Florentine author Giovanni Boccaccio, composed in 136162. It is notable as the first collection devoted exclusively to biographies of women in western literature.
Perspectives on Agrippina's personality.
Ancient.
Most ancient Roman sources are quite critical of Agrippina the Younger. Tacitus considered her vicious and had a strong disposition against her. Other sources are Suetonius and Cassius Dio.
Ancient.
Most ancient Roman sources are quite critical of Agrippina the Younger. Tacitus considered her vicious and had a strong disposition against her. Other sources are Suetonius and Cassius Dio.
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Alaric II
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Alaric II (, , "ruler of all"; ; – August 507) was the King of the Visigoths from 484 until 507. He succeeded his father Euric as king of the Visigoths in Toulouse on 28 December 484; he was the great-grandson of the more famous Alaric I, who sacked Rome in 410. He established his capital at Aire-sur-l'Adour ("Vicus Julii") in Aquitaine. His dominions included not only the majority of Hispania (excluding its northwestern corner) but also Gallia Aquitania and the greater part of an as-yet undivided Gallia Narbonensis.
Reign.
Herwig Wolfram opens his chapter on the eighth Visigothic king, "Alaric's reign gets no full treatment in the sources, and the little they do contain is overshadowed by his death in the Battle of Vouillé and the downfall of the Toulosan kingdom." One example is Isidore of Seville's account of Alaric's reign: consisting of a single paragraph, it is primarily about Alaric's death in that battle.
The earliest-documented event in Alaric's reign concerned providing refuge to Syagrius, the former ruler of the Domain of Soissons (in what is now northwestern France) who had been defeated by Clovis I, King of the Franks. According to Gregory of Tours' account, Alaric was intimidated by Clovis into surrendering Syagrius to Clovis; Gregory then adds that "the Goths are a timorous race." The Franks then imprisoned Syagrius, and once his control over Syagrius' former kingdom was secure, Clovis had him beheaded. However, Wolfram points out that at the time "Clovis got no farther than the Seine; only after several more years did the Franks succeed in occupying the rest of the Gallo-Roman buffer state north of the Loire." Any threat of war Clovis could make would only be effective if they were neighbors; "it is nowhere written that Syagrius was handed over in 486 or 487."
Despite Frankish advances in the years that followed, Alaric was not afraid to take the military initiative when it presented itself. In 490, Alaric assisted his fellow Gothic king, Theodoric the Great, in his conquest of Italy by dispatching an army to raise Odoacer's siege of Pavia, where Theodoric had been trapped. Then when the Franks attacked the Burgundians in the decade after 500, Alaric assisted the ruling house, and according to Wolfram the victorious Burgundian king Gundobad ceded Avignon to Alaric. By 502 Clovis and Alaric met on an island in the Loire near Amboise for face-to-face talks, which led to a peace treaty.
In 506, the Visigoths captured the city of Dertosa in the Ebro valley. There they captured the Roman usurper Peter and had him executed.
Battle of Vouillé and aftermath.
After a few years, however, Clovis violated the peace treaty negotiated in 502. Despite the diplomatic intervention of Theodoric, king of the Ostrogoths and father-in-law of Alaric, Clovis led his followers into Visigothic territory. Alaric was forced by his magnates to meet Clovis in the Battle of Vouillé (summer 507) near Poitiers; there the Goths were defeated and Alaric slain, according to Gregory of Tours, by Clovis himself.
The most serious consequence of this battle was not the loss of their possessions in Gaul to the Franks; with Ostrogothic help, much of the Gallic territory was recovered, Herwig Wolfram notes, perhaps as far as Toulouse. Nor was it the loss of the royal treasury at Toulouse, which Gregory of Tours writes Clovis took into his possession. As Peter Heather notes, the Visigothic kingdom was thrown into disarray "by the death of its king in battle." Alaric's heirs were his eldest son, the illegitimate Gesalec, and his younger son, the legitimate Amalaric who was still a child. Gesalec proved incompetent, and in 511 King Theodoric assumed the throne of the kingdom ostensibly on behalf of Amalaric—Heather uses the word "hijacked" to describe his action. Although Amalaric eventually became king in his own right, the political continuity of the Visigothic kingdom was broken; "Amalaric's succession was the result of new power structures, not old ones," as Heather describes it. With Amalaric's death in 531, the Visigothic kingdom entered an extended period of unrest which lasted until Leovigild assumed the throne in 568.
Ability as king.
In religion Alaric was an Arian, like all the early Visigothic nobles, but he greatly mitigated the persecution policy of his father Euric toward the Catholics and authorized them to hold in 506 the council of Agde. He was on uneasy terms with the Catholic bishops of Arelate (modern Arles) as epitomized in the career of the Gallo-Roman Caesarius, bishop of Arles, who was appointed bishop in 503. Caesarius was suspected of conspiring with the Burgundians, whose king had married the sister of Clovis, to assist the Burgundians capture Arles. Alaric exiled him for a year to Bordeaux in Aquitania, then allowed him to return unharmed when the crisis had passed.
Alaric displayed similar wisdom in political affairs by appointing a commission headed by the referendary Anianus to prepare an abstract of the Roman laws and imperial decrees, which would form the authoritative code for his Roman subjects. This is generally known as the "Breviarium Alaricianum" or Breviary of Alaric.
Legacy.
The (Alaric's Mountain), near Carcassonne, is named after the Visigoth king. Local rumour has it that he left a vast treasure buried in the caves beneath the mountain.
The (Alaric's Canal) in the Hautes-Pyrénées department is named after him.
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