Zora Neale Hurston

{{Infobox writer|name=Zora Neale Hurston|image=Hurston-Zora-Neale-LOC.jpg|caption=|birth_date={{birth date|1891|1|7|mf=y}}|birth_place=[[Notasulga, Alabama]], U.S.|death_date={{death date and age|mf=yes|1960|1|28|1891|1|7}}|death_place=[[Fort Pierce, Florida]], U.S.|occupation=Folklorist, anthropologist, ethnographer, novelist, short story writer|period={{circa}} 1925–1950|genre=|spouse={{marriage|Herbert Sheen|1927|1931|end=div}}<br>{{marriage|Albert Price|1939|1943|end=div}}<br>{{marriage|James Howell Pitts|1944|1944|end=div}}|movement=[[The Harlem Renaissance]]|alma_mater={{ubl|[[Howard University]]|[[Barnard College]] {{small|([[Bachelor of Arts|BA]])}}}}|notableworks=''[[Their Eyes Were Watching God]]''|signature=Zora Neale Hurston signature.svg|website={{URL|zoranealehurston.com}}}}'''Si Zora Neale Hurston''' (Enero 7, 1891<ref name="autogenerated17">{{cite book|title=Wrapped in Rainbows: The Life of Zora Neale Hurston|last=Boyd|first=Valerie|publisher=Scribner|year=2003|isbn=978-0-684-84230-1|location=New York|page=17 |url=https://books.google.com/books?id=bH_DBVJ1vXYC&pg=PA17 |language=en}}</ref><ref name="hurston5">{{cite book|title=Speak, So You Can Speak Again: The Life of Zora Neale Hurston|last=Hurston|first=Lucy Anne|publisher=Doubleday|year=2004|isbn=978-0-385-49375-8|location=New York|page=5}}</ref> – Enero 28, 1960) sarong maimpluwensiyang parasukat kan literatura nin Aprikano-Amerikano asin sarong antropologo, na nag ganap sa mga pagsakit nin rasa kan ika-20 siglo American South, asin nagpublikar nin saligsig sa Haitian voodoo.<ref>{{Cite journal|last=Trefzer|first=Annette|date=2000|title=Possessing the Self: Caribbean Identities in Zora Neale Hurston's Tell My Horse|url=|journal=African American Review|volume=34.2|page=299}}</ref> An saiyang sikat sa apat na nobela iyo an ''Their Eyes Were Watching God'', na tigpublikar kan 1937. Nagsurat man siyang 50  halipot an osipon, mga dula asin sanaysay.

Si Hurston pinangaki sa Notasulga, Alabama, dangan naglipat sa  Eatonville, Florida, kaiba an saiyang pamilya kan 1894. An Eatonville ang naging lugar kan saiyang mga halipot na osipon asin iyo na ni an lugar kan Zora! Festival, na ginigibo kada taon para sa saiya.<ref>{{Cite web|url=http://www.zorafestival.org|title=ZORA! Festival Homepage|language=en |website=zorafestival.org }}</ref> Kan saiyang enot na karera, si  Hurston nagsagibo nin anthropolohiko asin etnograpiko na saligisg habang yaon sa Barnard College.<ref>{{Cite web|url=http://social.rollins.edu/wpsites/mosaic-hurston/2011/07/12/the-upbringing-and-education-of-zora-neale-hurston/|title=The Upbringing and Education of Zora Neale Hurston|language=English|website=social.rollins.edu|access-date=2019-04-07|archive-date=2017-09-25|archive-url=https://web.archive.org/web/20170925043547/http://social.rollins.edu/wpsites/mosaic-hurston/2011/07/12/the-upbringing-and-education-of-zora-neale-hurston/|dead-url=yes}}</ref> Habang nasa New York, siya naging sentral na pigura nin Harlem Renaissance. An saiyang mga halipot na satiriko, kurit hale sa Aprikano- Amerikano na ekperyensiya asin dibisyon nin lahi, na publikar na mga antolohiya arog kang ''The New Negro'' and ''Fire!!''<ref>{{Cite news|url=http://www.chronicle.com/article/The-Newly-Complicated-Zora/125753|title=The Newly Complicated Zora Neale Hurston|last=Carpio|first=Glenda R.|date=January 2, 2011|work=The Chronicle of Higher Education|last2=Sollors|first2=Werner|language=en|issn=0009-5982}}</ref> Pakatapos maglbalik sa  Florida, Si Hurston nagpublikar nin literaturang antropolohiya kan Aprikano-Amerikano na alamat sa  North Florida, ''Mules and Men'' (1935) asin an saiyang tolong enot na nobela iyo: ''Jonah's Gourd Vine'' (1934); ''Their Eyes Were Watching God'' (1937); asin ''Moses, Man of the Mountain'' (1939). Dangan tigpublikar man kan panahon na iyan an ''Tell My Horse: Voodoo and Life in Haiti and Jamaica'' (1938), na tigdokumento an saiyang saligsig kan mga ritwal sa Jamaica asin Haiti.
[[Ladawan:Zora_Neale_Hurston_(1938).jpg|thumb|Zora Neale Hurston, ritrato ni Carl Van Vechten (1938)]]

== Piling bibliographiya ==

* "Journey's End" (''Negro World'', 1922), tula
* "Night" (''Negro World'', 1922), tula
* "Passion" (''Negro World'', 1922), tula
* ''Color Struck'' (''Opportunity: A Journal of Negro Life'', 1925), dula
* "Sweat" (1926), halipot na osipon
* "How It Feels to Be Colored Me" (1928), sanaysay
* "Hoodoo in America" (1931) in ''The Journal of American Folklore''
* "The Gilded Six-Bits" (1933), halipot na osipon
* ''Jonah's Gourd Vine'' (1934), nobela
* ''Mules and Men'' (1935), non-fiction
* ''Their Eyes Were Watching God'' (1937), nobela
* ''Tell My Horse'' (1938), non-fiction
* ''Moses, Man of the Mountain'' (1939), nobela
* ''Dust Tracks on a Road'' (1942), talambuhay
* ''Seraph on the Suwanee'' (1948), nobela
* "What White Publishers Won't Print" (''Negro Digest'', 1950)
* ''I Love Myself When I Am Laughing ... and Then Again When I Am Looking Mean and Impressive: A Zora Neale Hurston Reader'' (Alice Walker, ed.) (1979)
* ''The Sanctified Church'' (1981)
* ''Spunk: Selected Stories'' (1985)
* ''Mule Bone: A Comedy of Negro Life'' (play, with Langston Hughes; edited with introductions by George Houston Bass and Henry Louis Gates, Jr.) (1991)
* ''The Complete Stories'' (introduction by Henry Louis Gates, Jr. and Sieglinde Lemke) (1995)
* ''Novels & Stories: Jonah's Gourd Vine, Their Eyes Were Watching God, Moses, Man of the Mountain, Seraph on the Suwanee, Selected Stories'' (Cheryl A. Wall, ed.) (Library of America, 1995) {{ISBN|978-0-940450-83-7}}
* ''Folklore, Memoirs, & Other Writings: Mules and Men, Tell My Horse, Dust Tracks on a Road, Selected Articles'' (Cheryl A. Wall, ed.) (Library of America, 1995) {{ISBN|978-0-940450-84-4}}
* ''Every Tongue Got to Confess: Negro Folk-tales from the Gulf States'' (2001)
* ''Zora Neale Hurston: A Life in Letters'', collected and edited by Carla Kaplan (2003)
* ''Collected Plays'' (2008)
* ''Barracoon: The Story of the Last "Black Cargo"'' (2018)

== Mga toltolan ==
<references />

{{Authority control}}
Si Zora Neale Hurston (Enero 7, 1891 – Enero 28, 1960) sarong maimpluwensiyang parasukat kan literatura nin Aprikano-Amerikano asin sarong antropologo, na nag ganap sa mga pagsakit nin rasa kan ika-20 siglo American South, asin nagpublikar nin saligsig sa Haitian voodoo. An saiyang sikat sa apat na nobela iyo an Their Eyes Were Watching God, na tigpublikar kan 1937. Nagsurat man siyang 50  halipot an osipon, mga dula asin sanaysay.

Si Hurston pinangaki sa Notasulga, Alabama, dangan naglipat sa  Eatonville, Florida, kaiba an saiyang pamilya kan 1894. An Eatonville ang naging lugar kan saiyang mga halipot na osipon asin iyo na ni an lugar kan Zora! Festival, na ginigibo kada taon para sa saiya. Kan saiyang enot na karera, si  Hurston nagsagibo nin anthropolohiko asin etnograpiko na saligisg habang yaon sa Barnard College. Habang nasa New York, siya naging sentral na pigura nin Harlem Renaissance. An saiyang mga halipot na satiriko, kurit hale sa Aprikano- Amerikano na ekperyensiya asin dibisyon nin lahi, na publikar na mga antolohiya arog kang The New Negro and Fire!! Pakatapos maglbalik sa  Florida, Si Hurston nagpublikar nin literaturang antropolohiya kan Aprikano-Amerikano na alamat sa  North Florida, Mules and Men (1935) asin an saiyang tolong enot na nobela iyo: Jonah's Gourd Vine (1934); Their Eyes Were Watching God (1937); asin Moses, Man of the Mountain (1939). Dangan tigpublikar man kan panahon na iyan an Tell My Horse: Voodoo and Life in Haiti and Jamaica (1938), na tigdokumento an saiyang saligsig kan mga ritwal sa Jamaica asin Haiti.
thumb|Zora Neale Hurston, ritrato ni Carl Van Vechten (1938)

 Piling bibliographiya 

 "Journey's End" (Negro World, 1922), tula
 "Night" (Negro World, 1922), tula
 "Passion" (Negro World, 1922), tula
 Color Struck (Opportunity: A Journal of Negro Life, 1925), dula
 "Sweat" (1926), halipot na osipon
 "How It Feels to Be Colored Me" (1928), sanaysay
 "Hoodoo in America" (1931) in The Journal of American Folklore
 "The Gilded Six-Bits" (1933), halipot na osipon
 Jonah's Gourd Vine (1934), nobela
 Mules and Men (1935), non-fiction
 Their Eyes Were Watching God (1937), nobela
 Tell My Horse (1938), non-fiction
 Moses, Man of the Mountain (1939), nobela
 Dust Tracks on a Road (1942), talambuhay
 Seraph on the Suwanee (1948), nobela
 "What White Publishers Won't Print" (Negro Digest, 1950)
 I Love Myself When I Am Laughing ... and Then Again When I Am Looking Mean and Impressive: A Zora Neale Hurston Reader (Alice Walker, ed.) (1979)
 The Sanctified Church (1981)
 Spunk: Selected Stories (1985)
 Mule Bone: A Comedy of Negro Life (play, with Langston Hughes; edited with introductions by George Houston Bass and Henry Louis Gates, Jr.) (1991)
 The Complete Stories (introduction by Henry Louis Gates, Jr. and Sieglinde Lemke) (1995)
 Novels & Stories: Jonah's Gourd Vine, Their Eyes Were Watching God, Moses, Man of the Mountain, Seraph on the Suwanee, Selected Stories (Cheryl A. Wall, ed.) (Library of America, 1995) 
 Folklore, Memoirs, & Other Writings: Mules and Men, Tell My Horse, Dust Tracks on a Road, Selected Articles (Cheryl A. Wall, ed.) (Library of America, 1995) 
 Every Tongue Got to Confess: Negro Folk-tales from the Gulf States (2001)
 Zora Neale Hurston: A Life in Letters, collected and edited by Carla Kaplan (2003)
 Collected Plays (2008)
 Barracoon: The Story of the Last "Black Cargo" (2018)

 Mga toltolan