Mga Sakit nin Natatagong mga Apoon
{{Infobox pelikula|name=Shadows of Forgotten Ancestors|image=Tini zabytykh predkiv (1965, Ukrainian poster by Heorhiy Yakutovych).jpg|caption=Ukrainian original poster|screenplay={{ubl|Ivan Chendej|[[Sergei Parajanov]]}}|based_on={{based on|''[[Shadows of Forgotten Ancestors (novel)|Shadows of Forgotten Ancestors]]''|[[Mykhailo Kotsiubynsky]]}}|starring={{ubl|[[Ivan Mykolaichuk]]|[[Larisa Kadochnikova]]|[[Tatyana Bestayeva]]}}|director=[[Sergei Parajanov]]|music=[[Myroslav Skoryk]]|cinematography=[[Yuri Ilyenko]]|distributor={{ubl|Holovkinoprokat ([[UkrSSR]])|[[Artkino Pictures]] (U.S.)}}|released={{Film date|1965|03|22|[[Mar del Plata Film Festival|MFF]]|df=y}}4 Sep. 1965 ([[Ukrainian Soviet Socialist Republic|UkrSSR]])|runtime=97 minutes|country=[[Ukrainian Soviet Socialist Republic|UkrSSR]]<ref>[https://www.thegardencinema.co.uk/film/shadows-of-forgotten-ancestors/ Shadows of Forgotten Ancestors] // thegardencinema.co.uk, 2023</ref>|language=[[Ukrainian language|Ukrainian]]|studio=[[Dovzhenko Film Studios]]|budget=[[Soviet ruble|Rbl.]]300–500 thousand|gross=6.5 mil. admissions{{refn|group=note|name=second|Note that in UkrSSR, as in the rest of the republics that were part of the USSR, the 'film box office' was usually tracked for statistical purposes not in monetary terms, but in terms of millions of admission tickets sold}}}}

'''''Shadows of Forgotten Ancestors''''', alternatively translated into English as '''''Shadows of Our Forgotten Ancestors''''' or '''''Shadows of Our Ancestors''''' ({{lang-uk|Тіні забутих предків|Tini zabutykh predkiv}}), also known in English under the alternative title '''''Wild Horses of Fire''''' and under the mistaken title of '''''In the Shadow of the Past''''', is a 1965 Soviet-era Ukrainian film by the filmmaker Sergei Parajanov based on the 1911 novel ''Shadows of Forgotten Ancestors'' by Ukrainian writer Mykhailo Kotsiubynsky that tells a "Romeo and Juliet tale" of young Ukrainian Hutsul lovers trapped on opposite sides of a Carpathian family blood feud.<ref>{{Cite book|title=Historical Dictionary of Russian and Soviet Cinema|last=Peter Rollberg|publisher=Rowman & Littlefield|year=2009|isbn=978-0-8108-6072-8|location=US|page=612}}</ref>

An pelikula iyo an inot na mayor na gibo ni Parajanov asin nakakua saiya nin internasyonal na pag-onra huli sa abundang paggamit kaini nin panggastos asin kolor.<ref name="Steffen_Shaddow">[https://web.archive.org/web/20211009215316/https://alogs.theguntretort.com/.media/ed9d5306fee863723b7504423e0ce5fef7a05f142adc14080cdc37fba43e93f2.pdf Shadows of Forgotten Ancestors. Ukrainian Revival] // James Steffen (2013). [https://books.google.com/books?id=RbDxAAAAQBAJ The Cinema of Sergei Parajanov]. Madison: University of Wisconsin Press. 306 p.: pp. 56–87. ISBN 978-0-299-29653-7</ref> An programa sa festival hali sa 1966 na edisyon kan New York Film Festival ipigladawan an pelikula bilang sarong "vant-garde, extragant, sumangsa" asin ang "habayang gibo" na pinag saro an mga panaram asin talikal na musika kaiba an imahe na kamera.<ref name="Palets_NYFF_1969">[https://minds.wisconsin.edu/bitstream/handle/1793/38183/58551562.pdf?sequence=1&isAllowed=y The 4th New York Film Festival: Tini Zabutykh Predkiv / Shadows of Our Forgotten Ancestors] // Robert Elliot Palets (1969). The New York Film Festival 1963–1966: A thesis submitted in partial fulfillment of the requirements for the degree of Masters of Arts. Madison: University of Wisconsin. 235 p.: p. 216</ref>

An mga Shadows of Forgotten Ancestors ibini-bilang na pina kamalakop sa bilog na kinaban na pelikulang ipinapaisi kan Ucrainiano sa kasaysayan,<ref>[https://web.archive.org/web/20190120181816/https://deepblue.lib.umich.edu/bitstream/handle/2027.42/61707/jfirst_1.pdf Preface] // First, Joshua J (2008). Scenes of Belonging: Cinema and the Nationality Question in Soviet Ukraine during the Long 1960s: A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (History) in The University of Michigan. 372 p.: p. ii</ref> asin sarong klasikong parahula nin Uklinyano.[1]

== Buod ==
Sa sarong sadit na baryo nin Hutul sa ka bukidan kan [[Ukranya|Ukraine]] sa Carpatia, an hoben na lalaking si Ivan namomoot sa aking babae kan tawong guminadan sa saiyang ama. Minsan ngani an sain dang pamilya mag kaiwal na marhay, si Ivan asin Marichka nagmimiridaraman poon kan aki pa. Bilang pag - andam para sa saindang kasal, binayaan ni Ivan an baryo tanganing magtrabaho asin magganar nin kuarta para sa pamilya. Mantang mayo na sia, aksidente sanang si Marichka naglaog sa salog asin nagkaralamos mantang nag hihingoang iligtas an sarong  nawa rang kardero.

Si Ivan nagbalik asin nawaran nin paglaom paka tapos na maheling an bangkay ni Marichka. Padagos siang nagtatrabaho, na nagtatagal nin daing kaga  yagayahan na pagtrabaho, sagkod na makanompong sia nin saro pang babae, si Palahna, mantang nakasakay sa kabayo. Si Ivan asin Palahna nagpakasal sa sarong tradisyonal na kasal na Hutul na kun saen sinda pigbabutahan asin bina bansagan na pinag saro. Minsan siring, marikas na nag bakle an pag - agoman mantang si Ivan nagdadanay na bangkag sa memorya ni Marichka. Huling hale sa saiyang harayo nang agom, si Palana napalabot sa sarong lokal na molfar na Yurko, mantang nagpopoon na makaeksperyensia nin mga imahinasyon an Ivan.

Sa sarong taberna, naheling ni Ivan an mga molfar na ki Palahna asin sinuntok nia an saro sa saiyang katood. Rohesto sa daing kamakatristeng urmoniya, si Ivan agawon an saiyang axe, tangani sanang marumpag kan molnack. Nasisingkog si Ivan sa kaharaning mga kahoy asin namamansayan nia an espiritu ni Marichka na makaibanan sia, na ipinaheheling sa tubig asin nag kikilyab sa tahaw kan mga poon nin kahoy. Mantang an katunayan nangangatorogan, an daing kolor na limpoy nin Marichka minalampas sa sarong daku lang espasyo asin nakaduta sa lataw na kamot ni Ivan. Si Ivan nagkurahaw asin nagadan. An komunidad tinatawan siya nin tradisyonal na Hutsul na lubungan mantang an mga aki nag dadalan sa paagi kan krus braced bintana.
Shadows of Forgotten Ancestors, alternatively translated into English as Shadows of Our Forgotten Ancestors or Shadows of Our Ancestors (), also known in English under the alternative title Wild Horses of Fire and under the mistaken title of In the Shadow of the Past, is a 1965 Soviet-era Ukrainian film by the filmmaker Sergei Parajanov based on the 1911 novel Shadows of Forgotten Ancestors by Ukrainian writer Mykhailo Kotsiubynsky that tells a "Romeo and Juliet tale" of young Ukrainian Hutsul lovers trapped on opposite sides of a Carpathian family blood feud.

An pelikula iyo an inot na mayor na gibo ni Parajanov asin nakakua saiya nin internasyonal na pag-onra huli sa abundang paggamit kaini nin panggastos asin kolor.Shadows of Forgotten Ancestors. Ukrainian Revival // James Steffen (2013). The Cinema of Sergei Parajanov. Madison: University of Wisconsin Press. 306 p.: pp. 56–87. ISBN 978-0-299-29653-7 An programa sa festival hali sa 1966 na edisyon kan New York Film Festival ipigladawan an pelikula bilang sarong "vant-garde, extragant, sumangsa" asin ang "habayang gibo" na pinag saro an mga panaram asin talikal na musika kaiba an imahe na kamera.The 4th New York Film Festival: Tini Zabutykh Predkiv / Shadows of Our Forgotten Ancestors // Robert Elliot Palets (1969). The New York Film Festival 1963–1966: A thesis submitted in partial fulfillment of the requirements for the degree of Masters of Arts. Madison: University of Wisconsin. 235 p.: p. 216

An mga Shadows of Forgotten Ancestors ibini-bilang na pina kamalakop sa bilog na kinaban na pelikulang ipinapaisi kan Ucrainiano sa kasaysayan,Preface // First, Joshua J (2008). Scenes of Belonging: Cinema and the Nationality Question in Soviet Ukraine during the Long 1960s: A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (History) in The University of Michigan. 372 p.: p. ii asin sarong klasikong parahula nin Uklinyano.[1]

 Buod 
Sa sarong sadit na baryo nin Hutul sa ka bukidan kan Ukraine sa Carpatia, an hoben na lalaking si Ivan namomoot sa aking babae kan tawong guminadan sa saiyang ama. Minsan ngani an sain dang pamilya mag kaiwal na marhay, si Ivan asin Marichka nagmimiridaraman poon kan aki pa. Bilang pag - andam para sa saindang kasal, binayaan ni Ivan an baryo tanganing magtrabaho asin magganar nin kuarta para sa pamilya. Mantang mayo na sia, aksidente sanang si Marichka naglaog sa salog asin nagkaralamos mantang nag hihingoang iligtas an sarong  nawa rang kardero.

Si Ivan nagbalik asin nawaran nin paglaom paka tapos na maheling an bangkay ni Marichka. Padagos siang nagtatrabaho, na nagtatagal nin daing kaga  yagayahan na pagtrabaho, sagkod na makanompong sia nin saro pang babae, si Palahna, mantang nakasakay sa kabayo. Si Ivan asin Palahna nagpakasal sa sarong tradisyonal na kasal na Hutul na kun saen sinda pigbabutahan asin bina bansagan na pinag saro. Minsan siring, marikas na nag bakle an pag - agoman mantang si Ivan nagdadanay na bangkag sa memorya ni Marichka. Huling hale sa saiyang harayo nang agom, si Palana napalabot sa sarong lokal na molfar na Yurko, mantang nagpopoon na makaeksperyensia nin mga imahinasyon an Ivan.

Sa sarong taberna, naheling ni Ivan an mga molfar na ki Palahna asin sinuntok nia an saro sa saiyang katood. Rohesto sa daing kamakatristeng urmoniya, si Ivan agawon an saiyang axe, tangani sanang marumpag kan molnack. Nasisingkog si Ivan sa kaharaning mga kahoy asin namamansayan nia an espiritu ni Marichka na makaibanan sia, na ipinaheheling sa tubig asin nag kikilyab sa tahaw kan mga poon nin kahoy. Mantang an katunayan nangangatorogan, an daing kolor na limpoy nin Marichka minalampas sa sarong daku lang espasyo asin nakaduta sa lataw na kamot ni Ivan. Si Ivan nagkurahaw asin nagadan. An komunidad tinatawan siya nin tradisyonal na Hutsul na lubungan mantang an mga aki nag dadalan sa paagi kan krus braced bintana.