Artemisia Gentileschi
[[Ladawan:Self-portrait_as_the_Allegory_of_Painting_(La_Pittura)_-_Artemisia_Gentileschi.jpg|thumb|Artemisia Gentileschi, ''Self-Portrait as the Allegory of Painting'', 1638–39, Royal Collection]]
'''Si Artemisia Gentileschi''' o '''Artemisia Lomi''' (Italian pronunciation: [arteˈmiːzja dʒentiˈleski]; July 8, 1593 c.1656) sarong Italyanong Baroque na parapinta, na sa ngunyan kinukonsidera na pinakadakol na nagibong parapinta sa henerasyon sunod sa Caravaggio. Sa panahon kan an mga babaying parapinta dae madaling inaako nin komunidad kan mga artists o  patron, siya an enot na babayi na naging miyembro kan Accademia di Arte del Disegno  sa Florence asin nagkaigwa nin mga kliyente sa internasyonal.<ref>Bissell, R. Ward. ''Artemisia Gentileschi and the Authority of Art Critical Reading and Catalogue Raisonné''. University Park: Pennsylvania State University Press, 1999.</ref>

Siya naging partikular sa pagpinta nin mga ladawan kan mga nagsasakit na mga babayi sa mitolohiya, mga alegorya asin Bibliya - biktima, pagpapakagadan asin mga madirigma.{{r|Lubbock}} An mga sikat niyang tema iyo an ''Susanna and the Elders'' (partikular an bersyon 1610 sa Pommersfelden) asin ''Judith Slaying Holofernes'' (an pinakasikar sa 1614–20 bersyon sa Uffizi gallery) asin ''Judith and Her Maidservant'' (an saiyang bersiyon kan 1625 sa Detroit Institute of Arts).
[[Ladawan:Artemisia_Gentileschi_Judith_Maidservant_DIA.jpg|thumb|
''Judith and her Maidservant'', 1625, Detroit Institute of Arts]]
Siya midbid sa pagpahiling kan pigura nin mga kababaihan, dawa huba o mau gubing<ref>Patrizia Cavazzini, "Artemisia in Her Father's House", in ''Orazio and Artemisia Gentileschi'' (New Haven and London, 2001), pp. 283–95.</ref><ref>Mary D. Garrard, "Artemisia Gentileschi's ''Self Portrait as the Allegory of Painting",'' The Art Bulletin, Vol. 62, No.1 (Mar.,1980) pp. 97–112.</ref> Si Artemisia sikat man asin may talento sa pagkulay, bako lang komposisyon buong magin man sa rarom.<ref>Adelina Modesti, "'Il Pennello Virile': Elisabetta Sirani and Artemisia Gentileschi as Masculinized Painters?" in ''Artemisia Gentileschi in a Changing Light,'' ed. Shelia Barker (Turnhout, 2018)</ref><ref>Jesse Locker, "Artemisia in the Eyes of the Neapolitan Poets," from ''Artemisia Gentileschi: The Language of Painting'' (New Haven: Yale University Press, 2015)</ref>
[[Ladawan:Susanna_and_the_Elders_(1610),_Artemisia_Gentileschi.jpg|wala|thumb|284x284px|''Susanna and the Elders'', 1610, an enot niyang sikat na gibo, Schönborn Collection, Pommersfelden]]
[[Ladawan:Salome_with_the_Head_of_Saint_John_the_Baptist_by_Artemisia_Gentileschi_ca._1610-1615.jpg|thumb|''Salome with the Head of Saint John the Baptist'', c. 1610–1615, [[Budapest]]]]
[[Ladawan:Artemisia_Gentileschi_-_Self-Portrait_as_a_Lute_Player.JPG|thumb|269x269px| ''Self-Portrait as a Lute Player'', 1615–17]]
[[Ladawan:Giaele e Sisara (ca.1620) - Artemisia Gentileschi (Museum of Fine Arts, Budapest).jpg|thumb|''Jael and Sisera'', c. 1620]]
[[Ladawan:Artemisia_Gentileschi_-_Giuditta_decapita_Oloferne_-_Google_Art_Project.jpg|thumb|''Judith Slaying Holofernes'', 1614–20, 199 x 162 cm, Galleria degli Uffizi, Florence]]
[[Ladawan:Artemisia_Gentileschi_Cleopatra3.jpg|thumb|''Cleopatra'', 1633–35]]
[[Ladawan:Artemisia_Gentileschi_-_Sleeping_Venus.JPG|thumb|''Sleeping Venus'', ca. 1625–1630, Virginia Museum of Fine Arts]]
[[Ladawan:Gentileschi_judith1.jpg|wala|thumb|318x318px|''Judith and her Maidservant'', 1613–14, Palazzo Pitti, Florence]]
[[Ladawan:Gentileschi,_Artemisia_-_Esther_before_Ahasuerus_-_c._1628–1635.jpg|thumb|''Esther before Ahasuerus'']]
[[Ladawan:Lucretia_by_Artemisia_Gentileschi.jpg|wala|thumb|''Lucretia'', 1620–21]]
[[Ladawan:Artemisia_Gentileschi_Mary_Magdalene_Pitti.jpg|thumb|''Mary Magdalene'' ]]
<gallery widths="220" heights="250">
Ladawan:The Virgin nursing the Child by Artemisia Gentileschi ca. 1616-1618.jpg|''The Virgin nursing the Child'', c. 1616–1618
Ladawan:Verkündigung an maria.jpg|''[[Annunciation]]'', 1630, [[Museo di Capodimonte]]
Ladawan:Artemisia Gentileschi - Bathsheba - WGA08558.jpg|''[[Bathsheba]]'', ca. 1645–1650, [[New Palace (Potsdam)|Neues Palais]], Potsdam
Ladawan:Gentileschi, Artemisia - Clio - 1632.jpg|''[[Clio]]: the Muse of History'', 1632, [[Palazzo Blu]]
Ladawan:David and Bathsheba by Artemisia Gentileschi.jpg|''[[David]] and [[Bathsheba]]'', ca. 1636–1637, [[Columbus Museum of Art]]
Ladawan:Artemisia Gentileschi - St Cecilia Playing a Lute - WGA08561.jpg| ''[[St Cecilia]] Playing a Lute'', ca. 1616, [[Galleria Spada]]
Ladawan:Samson und delilah.jpg|''[[Samson]] and [[Delilah]]'', ca. 1630–1638
Ladawan:A.Gentileschi - Mother and child.jpg|''Mother and Child'', ca. 1612
Ladawan:Gentileschi, Artemisia - Lot and his Daughters - 1635-1638.jpg|''[[Lot (biblical person)|Lot]] and [[Daughters of Lot]]'', 1635–1638, [[Toledo Museum of Art]]
Ladawan:Allegory of Fame by Artemisia Gentileschi ca. 1630-1635.jpg|''Allegory of Fame'', ca. 1630–1635
</gallery>

== Mga toltolan ==
<references group="">
<ref name="Benedetti">
<cite class="citation" id="CITEREFBenedetti1999">Benedetti, Laura (Winter 1999), "Reconstructing Artemisia, Twentieth Century Images of a Woman Artist", ''Comparative Literature'', '''51''' (1): 42–46</cite><templatestyles src="Module:Citation/CS1/styles.css"></templatestyles>
</ref>
<ref name="Brigstocke">
<cite class="citation" id="CITEREFBrigstocke2001">Brigstocke, Hugh (2001), [http://www.oxfordreference.com/view/10.1093/acref/9780198662037.001.0001/acref-9780198662037-e-1008?rskey=CvKaRn&result=1 "Gentileschi, father and daughter"], ''The Oxford Companion to Western Art'' (2003 ed.), Oxford University Press<span class="reference-accessdate">, retrieved <span class="nowrap">September 13,</span> 2016</span>, <span class="cs1-subscription">(Subscription required (<span title="The site requires a paid subscription to access this page.">help</span>))</span></cite><templatestyles src="Module:Citation/CS1/styles.css"></templatestyles>
</ref>
<ref name="British Museum">
<cite class="citation web">[http://www.britishmuseum.org/research/collection_online/collection_object_details.aspx?objectId=721808&partId=1&museumno=Nn%2C7.51.3&page=2 "''Right hand of Artemisia Gentileschi holding a brush.'' 1625 Black and red chalk"], ''British Museum'', 9 October 2016<span class="reference-accessdate">, retrieved <span class="nowrap">October 9,</span> 2016</span></cite><templatestyles src="Module:Citation/CS1/styles.css"></templatestyles>
</ref>
<ref name="Cohen">
<cite class="citation" id="CITEREFCohen2000">Cohen, Elizabeth (Spring 2000), "The Trials of Artemisia Gentileschi: A Rape as History", ''The Sixteenth Century Journal'', '''31''' (1): 47–75, [[JSTOR]]&nbsp;[//www.jstor.org/stable/2671289 2671289]</cite><templatestyles src="Module:Citation/CS1/styles.css"></templatestyles>
</ref>
<ref name="Gunnell"><cite class="citation news" id="CITEREFGunnell1993">Gunnell, Barbara (July 4, 1993), {{Webarchive|url=https://web.archive.org/web/20200717163410/https://www.webcitation.org/6V9q1a7fJ |date=2020-07-17 }}, ''The Independent'', archived from [https://www.independent.co.uk/arts-entertainment/the-rape-of-artemisia-four-hundred-years-ago-this-week-artemisia-genteleschi-was-born-in-rome-today-she-is-recognised-as-a-great-painter-but-for-more-than-three-centuries-her-works-have-regularly-been-attributed-to-other-artists-all-of-them-men-in-1612-she-was-raped-by-a-painter-in-her-fathers-studio-and-so-she-brought-him-to-trial-1482748.html the original] on 28 December 2014<span class="reference-accessdate">, retrieved <span class="nowrap">December 28,</span> 2014</span></cite></ref>
<ref name="Lubbock">
<cite class="citation news" id="CITEREFLubbock2005">Lubbock, Tom (September 30, 2005), [https://web.archive.org/web/20150502234043/http://www.independent.co.uk/arts-entertainment/art/great-works/gentileschi-artemisia-judith-and-her-maidservant-16123-6143440.html "Great Works: ''Judith and her Maidservant''"], ''[[The Independent]]'', London, p.&nbsp;30, Review section, archived from [https://www.independent.co.uk/arts-entertainment/art/great-works/gentileschi-artemisia-judith-and-her-maidservant-16123-798041.html the original] on May 2, 2015</cite><templatestyles src="Module:Citation/CS1/styles.css"></templatestyles>
</ref>
</references>
[[Kategorya:Pages with unreviewed translations]]
Si Artemisia Gentileschi o Artemisia Lomi (Italian pronunciation: [arteˈmiːzja dʒentiˈleski]; July 8, 1593 c.1656) sarong Italyanong Baroque na parapinta, na sa ngunyan kinukonsidera na pinakadakol na nagibong parapinta sa henerasyon sunod sa Caravaggio. Sa panahon kan an mga babaying parapinta dae madaling inaako nin komunidad kan mga artists o  patron, siya an enot na babayi na naging miyembro kan Accademia di Arte del Disegno  sa Florence asin nagkaigwa nin mga kliyente sa internasyonal.Bissell, R. Ward. Artemisia Gentileschi and the Authority of Art Critical Reading and Catalogue Raisonné. University Park: Pennsylvania State University Press, 1999.

Siya naging partikular sa pagpinta nin mga ladawan kan mga nagsasakit na mga babayi sa mitolohiya, mga alegorya asin Bibliya - biktima, pagpapakagadan asin mga madirigma. An mga sikat niyang tema iyo an Susanna and the Elders (partikular an bersyon 1610 sa Pommersfelden) asin Judith Slaying Holofernes (an pinakasikar sa 1614–20 bersyon sa Uffizi gallery) asin Judith and Her Maidservant (an saiyang bersiyon kan 1625 sa Detroit Institute of Arts).
thumb|
Judith and her Maidservant, 1625, Detroit Institute of Arts
Siya midbid sa pagpahiling kan pigura nin mga kababaihan, dawa huba o mau gubingPatrizia Cavazzini, "Artemisia in Her Father's House", in Orazio and Artemisia Gentileschi (New Haven and London, 2001), pp. 283–95.Mary D. Garrard, "Artemisia Gentileschi's Self Portrait as the Allegory of Painting", The Art Bulletin, Vol. 62, No.1 (Mar.,1980) pp. 97–112. Si Artemisia sikat man asin may talento sa pagkulay, bako lang komposisyon buong magin man sa rarom.Adelina Modesti, "'Il Pennello Virile': Elisabetta Sirani and Artemisia Gentileschi as Masculinized Painters?" in Artemisia Gentileschi in a Changing Light, ed. Shelia Barker (Turnhout, 2018)Jesse Locker, "Artemisia in the Eyes of the Neapolitan Poets," from Artemisia Gentileschi: The Language of Painting (New Haven: Yale University Press, 2015)
wala|thumb|284x284px|Susanna and the Elders, 1610, an enot niyang sikat na gibo, Schönborn Collection, Pommersfelden
thumb|Salome with the Head of Saint John the Baptist, c. 1610–1615, Budapest
thumb|269x269px| Self-Portrait as a Lute Player, 1615–17
thumb|Jael and Sisera, c. 1620
thumb|Judith Slaying Holofernes, 1614–20, 199 x 162 cm, Galleria degli Uffizi, Florence
thumb|Cleopatra, 1633–35
thumb|Sleeping Venus, ca. 1625–1630, Virginia Museum of Fine Arts
wala|thumb|318x318px|Judith and her Maidservant, 1613–14, Palazzo Pitti, Florence
thumb|Esther before Ahasuerus
wala|thumb|Lucretia, 1620–21
thumb|Mary Magdalene 

 Mga toltolan 
Benedetti, Laura (Winter 1999), "Reconstructing Artemisia, Twentieth Century Images of a Woman Artist", Comparative Literature, 51 (1): 42–46
Brigstocke, Hugh (2001), "Gentileschi, father and daughter", The Oxford Companion to Western Art (2003 ed.), Oxford University Press, retrieved September 13, 2016, (Subscription required (help))
"Right hand of Artemisia Gentileschi holding a brush. 1625 Black and red chalk", British Museum, 9 October 2016, retrieved October 9, 2016
Cohen, Elizabeth (Spring 2000), "The Trials of Artemisia Gentileschi: A Rape as History", The Sixteenth Century Journal, 31 (1): 47–75, JSTOR 2671289
Gunnell, Barbara (July 4, 1993), , The Independent, archived from the original on 28 December 2014, retrieved December 28, 2014
Lubbock, Tom (September 30, 2005), "Great Works: Judith and her Maidservant", The Independent, London, p. 30, Review section, archived from the original on May 2, 2015
Kategorya:Pages with unreviewed translations